Port Macquarie's Festival of the Sun has been running for nearly two decades, and the boutique summer music festival is still bringing the goods. The lineup for May has just been released and it looks like it'll be another doozy. Hermitude, Skeggs, Middle Kids and San Cisco lead the three-day fest's bill, with Ruby Fields, A Swayze and The Ghosts, The Buoys, Caitlin Harnett and the Pony Boys, Concrete Surfers and First Beige lending their voices too. The list goes on, so get ready for a big couple of days of music. Running between Thursday, May 19—Saturday, May 21, the camping festival is also — excitingly — BYO, so you don't need to spend your hard-earned cash on overpriced UDLs. Alongside the lineup of live music, there will also be a heap of food trucks (serving everything from burgers to vegan fare), silent discos and silent comedy. Tickets go on sale at 10am on Thursday, April 15. FESTIVAL OF THE SUN 2022 LINEUP Hermitude Skeggs San Cisco Ruby Fields Middle Kids A Swayze and The Ghosts The Buoys Caitlin Harnett and the Pony Boys Concrete Surfers First Beige Hayley Mary Jelly Oshen Kim Churchill Lazywax Liyah Knight The Rions Romero Pink Matter The Oogars Saint Lane Radolescent Boycott Fungas Palomino Updated Tuesday, May 3.
Cumulus Up's City Cellar Door series returns for 2019, once again featuring a revolving door of Australian wine producers all keen to show off their top-notch drops. The event is the perfect opportunity to taste delicious wine, chat directly to the makers and grab your fave bottles at cellar door prices — all without leaving the CBD. And, while Victorian producers will sit in the spotlight, the series will also showcase Tasmanian wineries. The year's series — which will run on the first Saturday of every month until October — will kick off at midday on May 4, this month paying homage to the Mornington Peninsula. Wine enthusiasts will be treated to stellar tipples from the likes of Moorooduc Estate, Allies, Quealy and Balcombe Gin. And what's wine without snacks? To make sure the event has all the trimmings, there'll be plenty to eat, including oysters, duck waffles and cured meats. Entry is by gold coin donation, with all proceeds going to OzHarvest. This is a not-to-be-missed event for anyone who loves wine. If you'd like to sit down for a more substantial meal, the upstairs wine bar will also be hosting four-course lunches with matched wines on July 20 and October 19. Alternatively, you can get out of the city and join a behind-the-scenes tour of vineyards as part of a wine-filled day trip on August 24 and November 16. You can find out more info and book tickets via the website. City Cellar Door wine tastings run from midday–4pm.
More so than any other in recent memory, this summer is going to be all about socialising. And, whether you've got a special occasion to celebrate or looking for places to have those overdue catch-ups, you can't beat a private dining room if you want to go all out. We've teamed up with Hennessy to highlight six impressive private rooms in Melbourne, Sydney and Brisbane for your next baller night (or day) out. Round up your crew, get the Henny flowing and your night is set.
In the next chapter of Australia's plastic bag saga, Coles has paused its ban. Six days after the supermarket giant implemented its nationwide single-use plastic bag ban, it has announced it will be giving out free reusable plastic bags until the close of business on Sunday, July 8. This brings the supermarket chain into line with Woolworths who, after implementing a nationwide ban on June 20, also reneged on the ban and announced it would be giving them out for free until July 8. The reusable bags that are currently being given out for free would usually cost shoppers 15c in both Coles and Woolworths. They're thicker, more durable and are made from 80 percent recycled plastic — and were meant to encourage shoppers to bring them back, again and again, rather than buying a new one each time. The temporary, complimentary bag offer for both supermarket giants is only valid in NSW, Vic, WA and Qld, as the other states and territories have already had single-use plastic bag bans in place for several years (SA leading the pack, introducing it back in 2009). Both moves came after backlash to the bans on social media and in store, with reports of some shoppers becoming aggressive, others stealing plastic baskets instead of paying for reusable bags, and many accusing the chains of using the ban as a profit making scheme. Both supermarkets are also offering cloth bag alternatives, with Woolworths' 99c Bag for Good, which the supermarket chain will replace for free if it gets damaged, and Coles' $1 Community Bags, which are designed by Australian school children and ten percent of sales are donated to charities. Both bags are designed to be used repeatedly. On a national level, NSW and Victoria are now the only states that haven't implemented state-wide bans, with Queensland introducing its ban earlier this month on July 1. Victoria is set to do so next year, but NSW is yet to announce whether it will join suit.
It was a year of gun-toting racoons, talking Lego and trying desperately to catch a glimpse of Ben Affleck’s junk in the shower. Yes, the last 12 months saw the release of some truly terrific movies, from Hollywood hits that dominated the box-office to startling foreign and indie films that only a handful of people bothered to see. But enough about the past. January is already well underway, and a whole crop of new releases are on the horizon. This promises to be another huge year for cinema, with the latest instalments in blockbuster franchises including The Fast and the Furious 7, Mission: Impossible 5 and The Hunger Games Part 3B, not to mention perhaps the most hotly anticipated sequel of them all: Paul Blart: Mall Cop 2. Of course the above titles only scratch the surface. Presented in the order they’re due to be released, here’s our list of the 12 motion pictures we’re most looking forward to in 2015. You’ll be pleased to note that there isn’t a single Hobbit movie to be found. FOXCATCHER The latest film from Moneyball director Bennett Miller tells the unsettling true story of reclusive millionaire John DuPont, whose sponsorship of the US Olympic wrestling team coincided with a spiral into madness. A cast that includes Channing Tatum and Mark Ruffalo is enough to pique our interest, but it’s comedian Steve Carell who has been kicking up Oscar buzz for his against-type dramatic performance as DuPont. Out January 29 ROSEWATER Comedian Jon Stewart took time out from hosting The Daily Show in order to shoot this film about Maziar Bahari, a Canadian-Iranian journalist imprisoned by the Iranian regime. Not exactly the barrel of laughs you might expect from Stewart’s directorial debut. Then again, it’s only fitting that he be the one to tell the story, given that the “evidence” the Iranians used to justify Bahari’s detention included an interview he gave on Stewart’s show. Out February 19 TOP FIVE Speaking of comedians in the director’s chair, Chris Rock’s Top Five sees the funny-man working three jobs as writer, director and star. In a foul-mouthed takedown of the media and entertainment industries, Rock plays Andre Allen, a popular movie comedian who wants to be taken seriously. The film looks hilarious, and has a seriously stacked cast — including Rosario Dawson, Tracey Morgan and Kevin Hart — as well as cameos from Whoopi Goldberg, Adam Sandler and Jerry Seinfeld. Out March 5 INHERENT VICE Joaquin Phoenix heads a host of enviable Hollywood talent in Paul Thomas Anderson’s strange adaptation of Thomas Pynchon’s novel. A stoner crime thriller, Inherent Vice looks like the spiritual cousin to The Big Lebowski, and not at all like Anderson’s previous films, which include The Master and There Will Be Blood. Reviews out of the States have been divided, which really only makes us want to see it more. Out March 12 MOMMY The best film of last year’s festival circuit, this masterpiece of melodrama from Quebecois wunderkind Xavier Dolan is a movie you can’t afford to miss. An emotional roller coaster presented in 1:1 aspect ratio, the story follows a brassy single mother whose teenage son suffers from violent mood swings as well as ADHD. Seriously, if this film doesn’t make you cry buckets, you flat out haven’t got a heart. Out March 26 AVENGERS: AGE OF ULTRON Avengers assemble! The red-hot sequel to Marvel’s superhero phenomenon reunites all your favourite costumed heroes, including Iron Man, The Incredible Hulk and Thor. The most important returnee, however, is writer-director Joss Whedon, whose witty dialogue and knack for ensemble character dynamics was a huge part of why the first film was so great. Out April 23 MAD MAX: FURY ROAD Australia’s most iconic action hero is back for round four. Tom Hardy replaces Mel Gibson as Road Warrior Max Rockatansky in this sequel-cum-reboot 30-odd years in the making. From the insane visuals in the trailer, it would appear that original director George Miller hasn’t lost his touch. Hard to believe this is the same guy who made Happy Feet. Out May 14 INSIDE OUT The latest film from the geniuses at Disney Pixar looks like one of their most original yet. Directed by Pete Docter of Up and Monsters Inc. fame, Inside Out takes place inside the mind of young girl, as Joy, Anger, Disgust, Fear and Sadness steer her through life as best they can. Out June 18 SPECTRE Daniel Craig returns as Britain’s most deadly secret agent, with a supporting cast that includes Monica Belluci, Dave Bautista and Christoph Waltz. If the title is anything to go by, the latest Bond film will see 007 go up against his most notorious enemy, the international crime syndicate SPECTRE. We’re calling it now: Waltz is playing Blofeld. Out November 19 STAR WARS: THE FORCE AWAKENS Yes, we’ve been burnt with new Star Wars films before. But come on, how can you not be excited, or at least curious, by the prospect of returning to a galaxy far, far away? And without the influence of George Lucas, we’re hopeful that The Force Awakens might actually be good, or at least not bogged down by the politics of trade negations. Now excuse us while we re-watch the trailer for the 5000th time. Out December 18 THE HATEFUL EIGHT Two words: Quentin Tarantino. The script for his latest Western leaked online last year, leading to fears that he’d scrap the project altogether. Thankfully QT got over his little temper tantrum and is moving ahead with production. The Hateful Eight is being shot on glorious 70mm film with a cast that includes Samuel L. Jackson, Kurt Russell, Michael Madsen and Bruce Dern. Release Date TBA MACBETH Australian director Justin Kurzel made serious waves with his debut film Snowtown. For his follow-up, he’s put together a lavish adaptation of Shakespeare’s iconic play, with Michael Fassbender starring as the ambitious Scottish soldier and Marion Cotillard as his conniving lady wife. Release Date TBA
Linden Centre for Contemporary Arts is rounding off their Innovators series on a bit of a downer this year with "an exploration of time, transience, frailty and decay". Pretty challenging stuff for the beginning of summer, guys. That being said, the artwork on exhibition is anything but depressing. Off the back of her recent residency at Artspace in Sydney, Santina Amato's No Point in Time (pictured) will be leading audiences through an engaging video installation that explores the idea of ageing through a distinctive feminine lens. Alternatively, in a contemplative display of masculinity and its downfalls, Peter Thomas' Coma Country will be interrogating local sites where "young men have been killed by other young men outside licensed venues." Similar to the bold affirmations of Jenny Holzer, Michael Carolan will be drawing from the world of advertising and neon signs to examine our modern-day relationship with Elisabeth Kubler-Ross' '5 stages of grief' in 5 Stages of Grief: Choose your own (Mis)adventure. Daniel Price's sculpture in Plans will be exploring frailty and decay, and in a joint venture between curators Kim Fasher and Sarah Mosca, Mono No Aware is a group exhibitions by 12 artists looking at the Japanese concept of 'the pathos of things'. According to Fasher and Mosca, the chosen works are "about an experience of beauty and time that is heightened by an understanding of its inevitable passing. It is about the wonder of beauty in the face of decay, of happiness that cannot last, about an appreciation of light in the knowledge of darkness." Image: Santina Amato, The Garden of Instance, 2013, video, reproduced courtesy of the artist.
Whether it celebrates music, performances or film, every arts festival is a gift. When it's brand new and combines all three, it's like Christmas. And, when it also boasts Solange's return to Australia, it's the adult equivalent of scoring the pony or bike that you always wanted when you were a kid. The event ticking all of those boxes? Volume, the newly announced fest that'll take over the Art Gallery of New South Wales this spring When it debuts from Friday, September 22–Sunday, October 8 at the Sydney gallery, Volume will hero the cutting edge and the contemporary in all of its chosen artforms — and, given that it's calling itself a festival of sound and vision, that's where it'll be focusing. Solange has the headline slot, but the Grammy–winning R&B singer-songwriter has ample company, including Sampa The Great, Mount Eerie and Sonya Holowell. [caption id="attachment_738150" align="alignnone" width="1920"] Max Hirschberger[/caption] Also taking to the stage: everyone from Black Belt Eagle Scout, crys cole, Datu Arellano, Fuji|||||||||||ta and Hamed Sadeghi to Jeff Parker, Joe Rainey, Kim Moyes, Lonnie Holley and Maissa Alameddine, and the list keeps going from there. Via Dean Hurley, KMRU, Lea Bertucci, Loraine James, Megan Alice Clune, R Rebeiro and salllvage, Volume will also host the world premieres of seven new music recordings, all commissioned by AGNSW. All up, the fest will showcase 27 local and international musicians, with the venue's music and community curator Jonathan Wilson putting together the impressive roster of talent behind the microphone. That program includes an experiential live music performance series called Play the Room, plus local and international composers creating and playing new scores courtesy of the fest's Playback sessions. [caption id="attachment_881769" align="alignnone" width="1920"] Jordan Munns[/caption] And, thanks to the gallery's new North Building, the setting is as stunning as the lineup. The Tank, which is a former-WWII oil tank-turned-art space, will host shows — and give its acoustics a workout — as will the 13-metre-high atrium and sculpture gallery spaces. Volume's film and performance lineups will be announced in August, with AGNSW's film curator Ruby Arrowsmith-Todd picking the moving-image works and the venue's curator of contemporary art Lisa Catt doing the honours with the dance performances. Expect 50-plus music, film and performance events in total — some free, some ticketed, and with the program running during the day and into the evening. [caption id="attachment_906009" align="alignnone" width="1920"] Art Gallery of New South Wales, Jenni Carter[/caption] "While the visual arts have traditionally been the Art Gallery's focus, our expansion, through the Sydney Modern Project, has created an exceptional opportunity for us to extend our programming as part of our new curatorial narrative to include more cutting-edge live music, film and performance. Volume is the manifestation of this vision," said Art Gallery of New South Wales director Michael Brand, announcing the new festival. "Featuring some of the most compelling artists of our time, Volume sets a new standard for music curation in public art museums and is the most exciting performative live music and art festival to be staged in Sydney." [caption id="attachment_880684" align="alignnone" width="1920"] Art Gallery of New South Wales, Iwan Baan[/caption] VOLUME 2023 LINEUP: Solange Sampa The Great Mount Eerie Sonya Holowell R. Rebeiro Toni Muñoz Datu Arellano KMRU Lonnie Holley crys cole TENGGER Maissa Alameddine Sumn Conduit Loraine James Jeff Parker Kim Moyes Joe Rainey Mourning (a) BLKstar Lea Bertucci Black Belt Eagle Scout Hamed Sadeghi Megan Alice Clune Oren Ambarchi salllvage FUJI|||||||||||TA Naretha Williams Dean Hurley Volume runs from Friday, September 22–Sunday, October 8 at the Art Gallery of New South Wales, with ticket pre sales from 10am on Tuesday, July 18 and general sales from 10am on Wednesday, July 19 — head to the festival website for further details. Top image: Ibrahem Hasan.
No longer just the realms of year three excursions where your mum came as chaperone, Melbourne Zoo Twilights — the after-hours live music series that boasts perhaps one of the best summer nights out, as well as lots of adorable animals — has proven it's got some real cred when it comes to hosting outdoor gigs in the past few years. After all, the event has hosted headliners such as Kurt Vile, José González and Warpaint over the last few years. And this summer the event will return with a series os live sets every weekend from Friday, January 26 through Saturday, March 10. At this stage the Zoo Twilights team have only announced one act on the 2018 bill: Ben Folds. In his return to Melbourne (he was last here in 2016), the American musician will play his two-part live show at the zoo on Friday, February 16 with support from the UK's Lucy Rose. Picnic-bringing is encouraged, but there'll also be handy gourmet hampers available on-site, as well as a slew of food trucks to choose nosh from. Either way, it's actually the one of the best dates in Melbourne. Plus, all proceeds from Zoo Twilights go back into Zoo Victoria's ongoing conservation work to help fight the extinction of the Eastern Barred Bandicoot. Melbourne Zoo Twilights will return to Melbourne Zoo from January 26 until March 10. The full lineup will be announced on October 18 (we'll let you know when it's up) and tickets go on sale at 8am on Tuesday, October 24 at zootwilights.org.au. By Lauren Vadnjal and Shannon Connellan. Image: Ian Laidlaw.
In its sixth year, the Gertrude Street Projection Festival is turning Gertrude Street into a hub of creativity, community and, of course, lights for 10 nights starting on July 19. Thirty sites, from buildings to shopfronts to squares on the pavement, will show the length of Gertrude Street in a way you're unlikely to see again. With each year a different story, it's bound to be a new experience each time. 'Illuminate' is the theme and illuminate they will. Artists include Melbourne-based video artist Alesh Macak; Amanda Morgan, who is exploring the relationship between the material and immaterial; and Yandell Walton, who will look at our emotional responses to our world. The Festival Hub, upstairs at Brown Couch, will house events made to complement the festival, from musicians to workshops to panel forums. Gertrude Street Projection Festival is one of those beautiful moments where participating in art consists of simply standing in the street and looking up.
A day of sun, surf and sand shouldn't break the bank, and holidaying in Vietnam is the best way to ensure that remains the case. Three of the Asian country's beaches have topped Travelbird's annual Beach Price Index, which ranks 310 beaches from over 70 nations based on their affordability. Cua Dai Beach in Hoi An was dubbed the least expensive place to take a dip, with hitting the waves costing US$13.18. City Beach in Nha Trang (US$13.90) and Long Beach in Phu Quoc (US$14.42) took out the next two spots, with beaches in Egypt (Marsa Nayzak, Sunken City and Sharm El-Naga Bay) and India (Varkala Beach, Benaulim Beach, Palolem Beach and Cavelossim Beach) rounding out the top ten. Croatia and Germany are the only other countries to make the top 20. Travelbird bases their rankings on the cost of five beach essentials: sunscreen (SPF30, 100ml), water (500ml), beer (330ml bottle), ice cream and lunch (for one person, including a meal and a drink). If less than US$15 sounds cheap for all of that, then spending almost US$65 will sound mighty hefty, with Norway's Kristiansand Beach nearing that mark at the other end of the scale. In fact, five Norwegian beaches ranked among the ten most expensive in the world. As for Australian coastal hangouts, the ten included unsurprisingly fall on the steeper side — Blinky Beach on Lorde Howe Island is the cheapest at US$41.03. Queensland's Palm Cove, 75 Mile Beach and Whitehaven Beach, Western Australia's Cottesloe Beach, Mandalay Beach and The Basin, Darwin's Mindil Beach, and both Manly and Bondi in Sydney also make the cut, with Bondi the most expensive at US$44.06. Over in New Zealand, Karekare beach in Auckland (US$38.75) is the most affordable, followed by Piha and Orewa, and then Hahei in Waikato. Via Traveller. Image: Prashant Ram
Underling, you have been summoned. This September, Secret Squirrel Productions — the c̶a̶b̶a̶l̶ c̶o̶v̶e̶n̶ group responsible for Underground Cinema — are tearing open a portal to hell with an immersive dining experience at a secret location in Melbourne. Dinner will be six courses. Pray you aren't one of them. Secret Squirrel, Melbourne's kings of immersive theatre and film experiences, have flung previous audiences back in time to ancient Rome, flogged them through a crash-course in zombie apocalypse survival and set them free inside Hannibal Lecter's debauched mind-palace. This time, Creative Director Tamasein Holyman says she wants to "engross guests in a world of raw, dark beauty and absinthe-fuelled dreams" with a six-course banquet. The Feast of the Deceiver is an ancient and secret ritual — but here's what would-be acolytes of the Order should know. The feast will run over three nights on September 8, 9 and 10 with b̶l̶o̶o̶d̶l̶e̶t̶t̶i̶n̶g̶s̶ performances lasting from 7-10pm. The six-course degustation will combine game-play, problem-solving and live theatre. The dress code is black formal. The location is secret and will only be revealed 24 hours prior to the event. If you've been looking for a way to make the voices stop, this could be your chance. But remember — the demon is a liar. He will lie to confuse you. He will try to trick you. Don't listen to him. But do go to dinner.
You already know that drops by way of Central Otago, Marlborough and Hawke's Bay deliver the goods, but when was the last time you sought some vino from beyond the big three New Zealand wine regions? Believe it or not, Gisborne is actually the country's third largest plonk-producing region — perhaps that's because Kiwis have a profound love for the cheap and cheerful east coast native, Lindauer. Elsewhere, the winterless north is home to some of the country's first grape plantations, North Canterbury sets the scene for 90 vineyards and over 20 cellar doors, and a cluster of pioneering vineyards sit less than 30-minutes from Auckland's CBD. [caption id="attachment_782157" align="alignnone" width="1920"] Milton Vineyard.[/caption] GISBORNE You've likely sampled the goods of premier east coast wine region Hawke's Bay, but how about vino from 200 kilometres up the road in Gisborne? Like its east coast neighbour, the high and hot sunshine hours and fertile soil make Gizzy the ideal location for growing and making world-class wine. It's the country's third largest wine-producing region and is best known for bottling aromatic chardonnay, gewurztraminer, viognier, pinot gris and malbec. Big name bubbly label Lindauer was born here, but a visit to the region might also see you swirling drops from Milton, the country's first organic and biodynamic wine estate. Award-winning producer Matawhero Wines can also be found up the road and the single-vineyard wines of the family-owned Bushmere Estate. Wine (and RTD) lovers can even party between the vines at the largest music festival in the country, Rhythm and Vines. [caption id="attachment_721838" align="alignnone" width="1920"] Matakana Estate.[/caption] MATAKANA Wine lovers visiting New Zealand's biggest city are truly spoilt for choice. A cluster of award-winning and family-owned vineyards sit less than an hour's drive from the CBD. Dotted among the hillsides and bays of northern Auckland, Matakana has a warm climate that produces elegant reds — there are 28 varieties planted in the region, which makes it one of the most diverse wine growing areas in New Zealand. Here you'll find French-inspired creations and an elaborate 'if you build it, they will come' sculpture park. Heron's Flight is the only vineyard in New Zealand to specialise solely in Italian grapes, including sangiovese and dolcetto. Matakana Estate has been around since the boutique wine region first sprung to light more than 30 years ago, and Runner Duck Estate is a vineyard specialising in small quantities of French-inspired syrah, Bordeaux blends, pinot gris and rosé. [caption id="attachment_669900" align="alignnone" width="1920"] Marsden Estate.[/caption] NORTHLAND The winterless north is where the country's first grapes were planted over 200 years ago. The wine region spans nearly 300 kilometres from Karikari in the north to Mangawhai in the south, with its subtropical climate creating full-bodied and rich wines. It's here you'll discover tropical chardonnays, vibrant viogniers, merlot blends and peppery pinotages. If you have an afternoon to wile away, Marsden Estate is found a short trip from Kerikeri airport. At the winery you can enjoy an educational wine tasting before settling on your preferred varietal. Afterwards, take a stroll around the subtropical vineyard gardens with another glass of vino. Once off the car ferry en route to Russell, make a short detour for Paroa Bay Winery, a property set against the rolling hills and overlooking its namesake watery cove. The boutique vineyard has a big focus on sustainability, using techniques of dry-grown vines across chardonnay, sauvignon blanc, syrah, cabernet franc, cabernet sauvignon, malbec and merlot. Go for a tasting flight and stay for the Mediterranean and European-inspired menu at the onsite restaurant. [caption id="attachment_782115" align="alignnone" width="1920"] Westbrook.[/caption] WEST AUCKLAND West Auckland is host to a range of first-rate wine producers — some of which have been pumping out the goods for more than 100 years. A short drive from the CBD in and around Kumeu Valley is where the historic grape-growing region lies and where most of the vineyards were founded by families of Dalmatian (Croatian) origin. In just one day you can hop between cellar door tastings, private wine tours and full pairing degustations. Best known for chardonnay and pinot noir, the region is also ushering in a new era of wine production with aromatic grapes like the Spanish albarino. Pioneering winemaker Babich Wines has been operating out of Henderson Valley since 1916, Coopers Creek is a family-owned winery in Huapai with a reputation for producing classic regional wines, and The Hunting Lodge is an 80-acre estate featuring a lawn bar and cuisine from celebrated chef Des Harris. Elsewhere, you can't beat the output of boutique Waikoukou Valley producer Westbrook, the chardonnay of the Brajkovich family's Kumeu River, and the personal wine tours of Soljans Estate. [caption id="attachment_782156" align="alignnone" width="1280"] Black Estate.[/caption] NORTH CANTERBURY Just outside of the South Island's largest city is a destination renowned for its wine and food. The North Canterbury wine region is home to some 90 vineyards and over 20 cellar doors where you can sample interesting and expressive wines. Drops range from chardonnay and riesling to the lesser-known varietals like albarino and saint laurent — the 'wild cousin' of pinot noir. Waipara family-run vineyard Black Estate is famous for its organic and biodynamic wines, and its restaurant is often considered one of the best winery offerings in New Zealand. Elsewhere, Terrace Edge is an award-winning organic vineyard and olive grove on the Waipara River, pioneering winery Pegasus Bay offers drinkable riesling and pinot noir, and Greystone Wines dishes up a menu of organic and foraged produce. Also worth noting is Theo Coles' The Hermit Ram label which produces unfiltered and unrefined natural wine out of Omihi. Top image: Black Estate.
Melbourne's very own gentlemen of synth-pop are returning home to spread the good vibes and, as always, pack out the dance floor. Cut Copy's fourth album, Free Your Mind, was released last year and is probably the closest thing they have to a concept album, as it's hugely influenced by the Summers of Love in 1967 and 1989 according to lead singer Dan Whitford. It's strange to think that it's been 10 years since their debut album, Bright Like Neon Love, was released but at the same time exciting to see a band that tackles new ground while staying true to their original ideals. If their latest performance at this year's Golden Plains is anything to go by, punters can expect plenty of the new stuff and past favourites such as 'Hearts On Fire', 'So Haunted' and 'Need You Now'. Touch Sensitive and Nile Delta will be joining Cut Copy for a night that is sure to be all about the lights and music. For more, check out our interview with Cut Copy. https://youtube.com/watch?v=xPRJVKtrCCk
Good Island will present a sweet little snapshot of some of the most progressive music and art talent from across Australia when it hits up Bella Union and The Curtin this February. Local labels Good Manners and Wondercore Island will collaborate with i-D and Niche Productions to run the festival, which may just feature your favourite local music, visual or multi-disciplinary artist — either existing or soon-to-be. The festival aims to showcase creativity across multi-disciplined art forms — so you won't just be hearing good things, but seeing them too. The artists taking part will showcase their work twice throughout the event on Saturday, February 4 between 3pm and 3am, performing one traditional and one collaborative or experimental take on their work. The lineup includes a whole host of local talent along the likes of Hiatus Kaiyote's Nai Palm, visual artist Angie Pai, filmmaker Freya Esders, four-piece band Jaala and photographers Wilk and Phebe Schmidt. Oscar Key Sung and Kllo will be there too on the decks. There'll be a pop-up radio station housed in The Curtin, and if you can't get out of work that weekend, don't stress: all art created at the event will be exhibited (and sold) the week after.
'Madchester' pioneers the Happy Mondays have just announced an Australian tour — the first time that the original lineup of one of the most influential bands of their generation have made it all the way Down Under. Alongside bands like New Order and the Stone Roses, Happy Mondays were key to the development of the Madchester sound that defined the early '90s and revitalised English music, rescuing it from the ignominy of Spandau Ballet and Duran Duran. Fusing traditional pop elements with funk, northern soul and acid house, Happy Mondays were the poster band for the explosion of rave culture in the UK and released two iconic albums — Bummed and Pills 'n' Thrills and Bellyaches — that remain essential listening today. Supporting them will be fellow Madchester icons 808 State for a special DJ set. Formed in Manchester in 1988 by Graham Massey, Martin Price and Gerald Simpson, 808 State's first album, Newbuild, is now regarded as a milestone in UK electronica. As the NME observed, "808 State revolutionised a whole genre of music in the late-'80s, inspiring Underworld, Orbital and the Chemical Brothers in the process." Happy Mondays Australian 2013 Tour Dates Wed 5 June – Metropolis, Fremantle - tickets via www.oztix.com.au, www.heatseeker.com.au Thu 6 June – The Palace, Melbourne - tickets via www.ticketek.com.au, www.oztix.com.au Fri 7 June – The Tivoli, Brisbane - tickets via www.ticketek.com.au Mon 10 June - UNSW Roundhouse, Sydney - tickets via www.ticketek.com.au
In what would have been his 100th year, the late Nelson Mandela will be honoured in a travelling exhibition set to make its world debut in Victoria next September. Hosted by Melbourne Museum, MANDELA My Life is expected to be the most comprehensive collection of the human rights icon's memorabilia ever to be shown outside South Africa. Alongside a huge assortment of artefacts, including warrants of committal for Mandela's 27-year stint in prison, the exhibit will explore the Nobel Peace Prize laureate's life through a series of film and audio archives. Some of the other confirmed artefacts that will be featured in the exhibit include a boxing glove signed and gifted by Muhammad Ali, Mandela's shoes, walking cane and some of his vibrant Madiba shirts. Alongside these, there will also be images, sound and film footage of one of Mandela's earliest interviews — which took place during the 'Treason Trail' of the late 1950s. MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary's personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a five-year world tour of up to 20 international cities, expected to be seen by as many as 2.7 million visitors globally. Boxing Glove image: Jon Augier, courtesy of Museums Victoria
When the COVID-19 pandemic first started making its impact known, we all began to feel like we were living in a disaster movie. Contagion flicks, outbreak films, sci-fi fare about infectious diseases — they all echoed with eerie prescience. The next types of movies that might start cutting a little too close to home? Dystopian flicks about climate change's impact. The Intergovernmental Panel on Climate Change (IPCC) has released its sixth assessment report about the state of the planet, global warming's impact and humanity's influence upon increasing temperatures — and it doesn't paint a calming picture. The big news: if no big moves are made in current efforts to combat climate change, the planet will warm by 1.5 degrees above pre-industrial temperatures by as early as 2030. That figure has been mentioned for some time as an unwanted milestone, as it's when climate scientists predict that higher temperatures, rising sea levels, heavier rains, longer fire seasons and worse droughts will kick in. Given the increasing frequency of extreme weather events around the world already, including Australia's devastating 2019–20 bushfire season, seeing these conditions worsen is obviously alarming news. Also flagged by the IPCC, which is the United Nations' body for assessing the science related to climate change, has been around since 1988 and has 195 members from around the world: that the planet has already warmed by 1.1 degree since industrialisation, and that Australia has warmed by 1.4 degrees. And, it has dubbed humanity's part in these increases as "unprecedented", with working group co-chair Dr Valérie Masson-Delmotte saying that "the role of human influence on the climate system is undisputed." The #IPCC released its latest #ClimateReport today, #ClimateChange 2021: the Physical Science Basis. "The role of human influence on the climate system is undisputed." – Working Group I Co-Chair @valmasdel Report ➡️ https://t.co/uU8bb4inBB Watch the video, 🎥 ⬇️ pic.twitter.com/hZOSU1xWQR — IPCC (@IPCC_CH) August 9, 2021 Also, even if the IPCC's most ambitious targets to arrest the impact of climate change were put in place, global warming would still likely hit 1.5 degrees by 2035. The body's scientists expect that the planet will warm by at least 1.6 degrees above pre-industrial temps regardless of whichever measures are put in place, before ideally beginning to drop again once those drastic mitigation tactics — things like large-scale reforestation projects, or being able to remove carbon dioxide from the atmosphere — started to have an effect. It's no wonder that United Nations Secretary-General Antonio Guterres has called the IPCC report "a "code red for humanity" in a statement. "The alarm bells are deafening, and the evidence is irrefutable: greenhouse gas emissions from fossil fuel burning and deforestation are choking our planet and putting billions of people at immediate risk. Global heating is affecting every region on Earth, with many of the changes becoming irreversible," he continued. "The internationally agreed threshold of 1.5 degrees Celsius is perilously close. We are at imminent risk of hitting 1.5 degrees in the near term. The only way to prevent exceeding this threshold is by urgently stepping up our efforts, and pursuing the most ambitious path," the Secretary-General said. "This report must sound a death knell for coal and fossil fuels, before they destroy our planet... If we combine forces now, we can avert climate catastrophe. But, as the report makes clear, there is no time for delay and no room for excuses." World leaders will meet at the 26th UN Climate Change Conference of the Parties (COP26) in Glasgow from October 31 this year to discuss the planet's plans to stop warming at 1.5 degrees. To read the Intergovernmental Panel on Climate Change's sixth assessment report, head to the IPCC's website.
SXSW Sydney's 2024 program continues to roll out, in excellent news for fans of the tech, innovation, screen, music, games and culture festival in general — and also of hearing interesting discussions echo through the event. In the third batch of lineup details for this year, following a first batch in May and a second round in June, the initial two keynote speakers have been announced. Human rights lawyer Jennifer Robinson and author Johann Hari will each take to the stage, one fresh from defending Julian Assange and the other with book Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight Loss Drugs newly on shelves. "Our first two keynote speakers reflect our commitment to fostering challenging conversations. Discussing human rights and our wellbeing intersecting with the rapidly evolving landscape of technology is more critical than ever," said SXSW Sydney Managing Director Colin Daniels, announcing Robinson and Hari's spots on the 2024 program. "Our keynote speakers will ignite discussions that are not only timely but necessary, as we navigate the complexities of our modern world." Alongside being a London barrister with international law and media law also among her specialities — and already named on SXSW Sydney's 2024 lineup earlier in the year — Robinson published How Many More Women? in 2023, digging into the response to the #MeToo movement from a legal sense. Hari's 2022 text Stolen Focus: Why You Can't Pay Attention earned acclaim around the world, and his TED Talks Everything You Think You Know About Addiction Is Wrong and This Could Be Why You Are Depressed or Anxious have notched up 93-million-plus views. Also now on the bill are fellow speakers Min-Liang Tan, the CEO of Razer; Getting Along: How to Work with Anyone (Even Difficult People) author Amy Gallo; Rolling Stone India Senior Editor Peony Hirwani; and Australian race car driver Molly Taylor. Pianist, podcaster and Chad Lawson will also get chatting, as will entertainment and music rights expert Priyanka Khimani, Beatdapp Founder Andrew Batey and The Attention Economy, How Media Works author Karen Nelson-Field. The festival will welcome Luke Hemsworth, too, with the Westworld and Bosch & Rockit star hosting the session Better Than a Hollywood Movie: The Highs, Lows, Epic Moments and Colossal Steps Forward in Bringing Back the Tasmanian Tiger, with Colossal Biosciences CEO Ben Lamm and University of Melbourne's Head of the Thylacine Integrated Genomic Restoration Research (TIGRR) Laboratory Dr Andrew Pask diving into the topic. Talks on How to Seize Control of Your Workday and Redefining Success: Beyond the 1% will also expanded the roster of sessions, and demonstrate that variety is firmly at the heart of the festival. SXSW Sydney's new additions for 2024, the event's second year Down Under, join the likes of Australian astronaut Katherine Bennell-Pegg, TikTok marketing head Sofia Hernandez, Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America — and that's barely scratching the surface of the lineup specifics announced so far. If you missed it, 2023's inaugural SXSW Sydney welcomed everyone from Black Mirror's Charlie Brooker and Chance The Rapper to Future Today Institute founder and CEO Amy Webb and Nicole Kidman to its stages. In the process, and via not just its talks but also its concerts, films, TV shows and games as, it notched up 287,014 attendances from 97,462 unique attendees. Those figures came from 34,975 total tickets, with folks from 41 countries heading along to 1178 sessions. SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details. Images: Jami Joy, Ian Laidlaw, Jess Gleeson, Katje Ford and Paul McMillan.
Gaming and esports are coming to Melbourne in a big way. Come early 2020, the Emporium precinct will welcome Fortress, a 2700-square-metre centre devoted to computer, video, console and tabletop gaming. When it launches, it'll become the largest venue of its type both in the country and in the southern hemisphere. If you're eager to mash buttons with your mates somewhere other than your lounge room, you'll be able to do so in this sprawling two-level spot — which'll feature more than 160 gaming PCs, several suites dedicated to consoles, an entire lounge for online gaming, four streamer pods, and an area just for role-playing and board games. If you take your favourite pastime a bit more seriously, you'll also be in the right place. As well as an esports arena with grandstand seating for 200 people, Fortress will include an esports bootcamp room, a training space, and broadcast and production facilities. At least five big screens will grace the venue's walls, playing live tournaments and international playoffs. Elsewhere, function rooms with their own computer setups will be available to hire for private events and parties — and there'll be a merchandise store onsite as well. When it comes to kicking back after a few games, the esports area will boast its own bar, while the basement will be home to a 400-square-metre tavern that'll serve both drinks and food. Whether you're a Super Smash Bros lover or a Counter Strike fiend, Fortress Melbourne aims to appeal to everyone, catering for casual gamers, competitive gamers and esports diehards, as well as families and after-work crowds. A collaboration with US-based Allied Esports, which runs venues such as Las Vegas' HyperX Esports Arena, the Melbourne facility marks the first in a planned chain of similar spots across Australia over the next few years — although no date has been given as yet for the rollout around the rest of the country. Fortress Melbourne will open at Emporium Melbourne, 287 Lonsdale Street, Melbourne, sometime early in 2020. We'll update you with a launch date when one is announced.
Multicultural Melbourne is Melbourne at its best. There aren't too many cities where you can find authentic Vietnamese, exquisite Japanese, along with sweet Grecian delights and gutsy African within the space of a hundred or so metres — but Smith Street is one such location. Nestled in the heart of this inner-city high street is The Cutting Table. The cafe space of social enterprise The Social Studio, The Cutting Table brings together a variety of individuals from different cultures to learn, design and create as members of the one community. Serving an authentic selection of East and West African dishes, as well as ethically sourced and locally roasted coffee, The Cutting Table is known for its inclusive and welcoming environment. The cafe’s latest endeavour is Revolving Cuisine, held every Friday night at the Smith Street space. A celebration of diversity and culture, guests are welcomed to a banquet dinner from a different, exotic destination each week to learn and enjoy food in the company of others. We spoke to The Social Studio’s development and operations officer Susan Yengi, about the growth of the concept. Tell us a bit about The Social Studio. The Social Studio was established in 2009 and supports people from refugee and migrant backgrounds to gain qualifications and employment in the fashion, retail and hospitality industries. We came about in response to the difficulties that people from refugee and migrant communities have experienced in Australia's education system, and as a means of helping them get a 'foot in the door' into entry-level employment. We run three major training programs. Certificate III in clothing production is in partnership with RMIT TAFE, and Certificate I in vocational preparation and Certificate II in Hospitality are in partnership with William Angliss Institute. We have our cafe, The Cutting Room, as well as a retail shop and digital fabric printing studio that provides a seamless opportunity for The Social Studio to offer training and work placements to young people from refugee and migrant communities. At the completion of their certificate training we try to offer entry-level employment to students within our organisation, and if we are unable to, we help students securing meaningful permanent employment within other organisations that share similar values to ours. How did the concept for Revolving Cuisine come about? In our quest to create opportunities to facilitate cross-cultural exchange and build a more inclusive society, the concept for a 'revolving cuisine' came to fruition. We thought, what better way to share the rich cultures of the communities we work with than through food? Food is the one thing that can bring people from all walks of life together. So, Revolving Cuisine began, and it has now been running since May. How are the cuisines and guest chefs selected each week? The cuisines are come about in two ways. They are either nominated by a staff member or one of our students, and then discussed and agreed upon as a team, or one of our hospitality graduates offers to put on a dinner. We’ve been fortunate thus far to have had some incredible cooks wanting to be involved in the concept. Graduates of our hospitality program have enlisted their culinary expertise to work up some tantalising dishes for diners. How has the concept been received? What do you think people enjoy most about it? Our guests who have participated in Revolving Cuisine have walked away talking about how much they loved the food and the warm atmosphere. Our chefs have also been great in facilitating this — they often come out of the kitchen and interact with our guests as well, which I think many people enjoy. This feedback is important to us as we would love to make sure as many people know about the concept, and come in to experience the many cuisines and cultures on offer. What are your future plans for the concept? On the first Friday of every month we run 'African Night'. It’s a special night of African food and music, and there are normally a few performances. This has been quite successfully and normally results in a full house. We'd love to build up our revolving cuisines and cultivate them to be as popular as the African night. Doing this would mean we could potentially increase employment opportunities for young people and for other up and rising chefs from the communities we work with. Revolving Cuisine runs every Friday, with the first Friday of each month dedicated to a delicious celebration of African culture. For more information and bookings visit thesocialstudio.org
It's the beloved series that's been on the air for more than a decade, and finally made the leap Down Under this year. That'd be RuPaul's Drag Race, which first premiered in the US in 2009, wholeheartedly embraced its mission to unearth the next drag superstars, and debuted its Australian and New Zealand version earlier in 2021. And, in spectacularly great news for fans of local drag talent — and of the show's namesake — RuPaul's Drag Race Down Under is coming back for a second Aussie and NZ season in 2022. The original US series aired its thirteenth season this year, so this is a program with proven longevity. It has also spun off international iterations before, including in the UK — where it's also hosted by RuPaul — plus in Thailand, Holland, Chile and Canada. So, revving up the engines for another spin Down Under shouldn't come as a big surprise. And yes, RuPaul will be back on hosting duties again. After Kita Mean took out this year's first season of RuPaul's Drag Race Down Under, exactly who'll be donning eye-catching outfits, navigating dramas and vying for glory next year hasn't been revealed — because casting is now open until Tuesday, October 5. Obviously, exactly when the second season will air on Stan in Australia and TVNZ OnDemand in New Zealand in 2022 hasn't been announced yet either. Neither has the lineup of celebrity guests, after 2021 saw Kylie Minogue, Dannii Minogue and Taika Waititi all pop up. Fans already know the format, which features fashion challenges, workroom dramas and lip sync battles aplenty. If you're still a newcomer to all things Drag Race, you'll watch the next batch of Australian and NZ competitors work through a series of contests to emerge victorious, and join the likes of Mean and US contenders Jinkx Monsoon, Sasha Velour and Sharon Needles in being crowned the series' winner. Check out RuPaul's announcement video for Drag Race Down Under season two below: RuPaul's Drag Race Down Under will return for a second season in 2022 on Stan and TVNZ. Top image: RuPaul's Drag Race.
Everyone has heard about — or tried to eat their way through — KitKat's famed range of weird and wonderful Japanese flavours. A cough drop version once existed, and it really wasn't great. The sake version, a perennial favourite, is absolutely delicious. But if you're vegan, none of these varieties will have tempted your tastebuds. KitKats in general won't have either, actually. Come July, that'll change for Aussies who follow a plant-based, dairy-free and cruelty free diet, and would also like to sink their teeth into a KitKat. The brand is launching KitKat V, a new vegan KitKat. It's made with a rice-based milk alternative, resulting in a smooth vegan milk chocolate — not dark chocolate — which is then layered over the usual crisp wafers. That means that from Monday, July 26, everyone can now have a break — and a KitKat — with KitKat V joining other plant-based alternatives among Nestle's products. So, if you'd like to crack open a few fingers while tucking into a glass of plant-based Milo, you'll be able to. The 41.5-gram bars will cost $2 and, if you're already keen, they can be pre-ordered from the KitKat Chocolatory website ahead of their supermarket debut at Woolworths Metro stores. When your next sugar craving hits, add them to your list alongside vegan Natural Confectionery Co fruit lollies, vegan choc tops, and vegan Magnums, Cornettos and Weis Bars. KitKat V will hit Woolworths Metro supermarkets on Monday, July 26 — or you can pre-order them now from the KitKat Chocolatory website.
Hurricane Bianca is coming to town — to nine cities Down Under to liven up our winter and spring, in fact. The fabulously quick-witted RuPaul's Drag Race season-six winner heads our way on her fifth global comedy tour, fittingly called Unsanitized!. The also supremely apt tagline: "she's vaxxed, she's waxed and she has more attitude than ever". If anyone can help us all make sense of the past couple of years — and look devastating and sling cutting barbs while doing so, naturally — it's the drag queen that became a worldwide favourite back in 2013. She had fierce competition during her season of RuPaul's Drag Race, including from Australia's own Courtney Act; however, Del Rio's devilish snark and timing are clearly impossible to beat. First hitting Brisbane's QPAC Concert Hall on Wednesday, August 31, Del Rio will sling her cutting insults — and her larger-than-life persona in general — across big theatre gigs in both Australia and New Zealand. Her next stops: Sydney, Adelaide, Melbourne, Canberra, Perth, Christchurch, Wellington and Auckland, which'll take the Down Under leg of Unsanitized! through to mid-September. It's been a massive few years for the dimple-cheeked performer also known as Roy Haylock, with Unsanitized! following her last tour It's Jester Joke — which saw her become the first drag queen to headline Carnegie Hall and Wembley Arena. (Yes, she sold out both venues.) And, she hit the West End stage in the musical Everybody's Talking About Jamie, and also pops up in the film version as well. Watching that stage-to-screen flick, old Drag Race episodes, or 2016 comedy Hurricane Bianca and its 2018 sequel Hurricane Bianca: From Russia with Hate is obviously fantastic preparation for Unsanitized! — but, as you'll know if you've seen her live before, there's nothing like seeing Del Rio in the flesh. BIANCA DEL RIO'S UNSANITIZED! TOUR 2022 DATES: Wednesday, August 31 — QPAC Concert Hall, Brisbane Saturday, September 3 — State Theatre, Sydney Monday, September 5 — Thebarton Theatre, Adelaide Wednesday, September 7 — Hamer Hall, Arts Centre Melbourne Friday, September 9 — Canberra Theatre Centre, Canberra Saturday, September 10 — Astor Theatre, Perth Tuesday, September 13 — James Hay Theatre, Christchurch Wednesday, September 14 — The Opera House, Wellington Friday, September 16 — Auckland Town Hall, Auckland Bianca Del Rio's Unsanitized! tour heads around Australia and New Zealand in August and September 2022. For more information or to buy tickets from Friday, May 6, head to the tour website.
An upcoming exhibition at the National Gallery of Victoria will bring together the realms of high fashion and high art. Celebrating the extraordinary work of Dutch designers Viktor Horsting and Rolf Snoeren, Viktor&Rolf: Fashion Artists will showcase some of the luxury fashion house's most iconic haute couture pieces, as it celebrates one of the most remarkable partnerships in the world of modern fashion. Running from October 21 through to February 26, 2017, the world-first exhibition has been developed by the NGV in partnership with Viktor&Rolf, under the curatorship of international guest curator Thierry-Maxime Loriot. In addition to the more than 35 original items, the exhibition will also feature the duo's upcoming work Dolls, a collection of antique dolls dressed in some of the pair's most memorable designs. "We are extremely excited to be working in collaboration with the National Gallery of Victoria on this exhibition and highlighting the craftsmanship involved in creating our wearable art," said Horsting and Snoeren in a joint statement. "It is an honour for us to bring our designs to the Southern Hemisphere." Collaborating for the first time in 1992, Horsting and Snoeren have long been renowned for their boundary pushing designs and experimental runway shows. Perhaps their most memorable showing was in 2003, when they teamed up with actress Tilda Swinton (of course) along with an army of Tilda lookalikes for their One Woman Show autumn/winter collection.
Beechworth mainstay Bridge Road Brewers have operated out of their regional Victoria brewhouse for over 18 years, collecting a stack of craft beer awards and recently landing in the top ten hottest Australian craft beers. Now, the beer experts are set to open their first Melbourne outpost this September on Nicholson Street. The new 350-seat brewery and dining hall is set to welcome beer lovers within the East Brunswick Village development, sitting alongside a suite of other hospitality and retail offerings. The new brewhouse will boast multiple dining spaces, each with a distinct culinary offering, along with two sprawling outdoor areas perfect for summer sipping. [caption id="attachment_850725" align="alignnone" width="1920"] Image: Bridge Road Brewers' Cardboard Pop-Up Bar, Kristoffer Paulsen[/caption] Co-founders Ben and Maria Kraus are out to smash some brewpub stereotypes with their second outpost, promising a thoughtful and sophisticated take on the classic brewery. The food offering will lean local, focusing on seasonal produce and modern Australian fare. "We were excited to embrace the opportunity that building something from scratch gave us, catering for not only the changing perceptions in beer but also trends in hospitality and design," co-founder Ben Kraus says. "We're approaching this holistically, where detail and love is poured into all aspects of the venue. It's all about getting the balance between approachability, aesthetics and making a fun and unique offering." A working brewery will sit centrestage at Bridge Road Brewers' new venue, churning out venue-exclusive tipples across 30 taps and two bars. To the delight of wine-lovers, an intimate cellar bar showcasing drops from regional Victoria has also been teased. [caption id="attachment_709794" align="alignnone" width="1280"] Image: Bridge Road Brewers Beechworth[/caption] "We have an obvious connection and passion for wine from our hometown and region and look forward to collaborating with drinks producers to further celebrate the northeast," Kraus says. Bridge Road Brewers is set to open within the East Brunswick Village development in September. We'll bring you more details as they drop.
If the best solutions solve problems you didn't even know you had, then the growing novelty delivery industry surely ranks among humanity's greatest feats. There we all were, living our lives without even contemplating sending eggplants, glitter or evil fortune cookies to someone — or nicer items, such as cacti, cocktail ingredients or personalised chocolate. Now, who isn't thinking about taking the easy route this Christmas, clicking a few buttons and organising amusing gifts for their friends, family and enemies? Handwritten greeting card service Felt is taking the concept a step further to celebrate the season, however. As the usual festive tradition goes, Christmas is a time for giving and receiving presents — and, if you've been behaving badly throughout the year, to find a lump of coal in your stocking instead. Sure, it's an easy (albeit materialistic) way to motivate kids to be nice. For the US-based app, it's also an amusing way to punish 2017's naughtiest person. Head to The Naughty List, and you can cast your vote for the unlucky recipient. Whatever the final winning count is, that's how many lumps of coal they'll receive. Voting closes on December 18, and the current leaders shouldn't come as a surprise. At the time of writing, the US president is leading the charge, followed by United States Federal Communications Commission chairman Ajit Pai — one of the figures behind the recent repeal of net neutrality — and Harvey Weinstein. US residents can also send a lump of coal to their not-so-loved ones, accompanied by a handwritten Felt greeting card. It's the latter — via an app that lets you scrawl your own words onto the screen, which are then printed onto the paper — that is Felt's main business. Alas, while international orders are usually accepted, they won't be shipping coal beyond the US. Via Mashable. Image: The Naughty List.
In this very galaxy, probably just a few short months away, lasers will fire up, wars will be waged, and Sydney and Melbourne's biggest Star Wars buffs will show up in force. They'll also try to use the force, obviously, at the latest pop culture-themed party heading our way. A series of wizarding brunches have been making their way around the country, and a Game of Thrones-style medieval banquet is already on Sydney's agenda — and now comes Battle Wars. If getting a new Star Wars movie every year isn't delivering enough intergalactic space opera fun for your liking, then prepare to get a very good feeling about gathering for a real-life lightsaber tournament. Or lightsaber-like weapon, more likely — but arguing about semantics would be a real C-3PO move. At yet-to-be-revealed dates and venues, groups of up to 12 people at a time will unleash their inner jedi (or rebel, or sith), with 32 groups in total competing in a knockout-style contest in each city. While everyone yells lines about being Luke Skywalker's father (we're guessing) and vies for an undisclosed grand prize, Star Wars-inspired music will play, and there'll also be 'immersive entertainment'. That sounds an awful lot like folks dressing up as Obi-Wan Kenobi, Kylo Ren, Princess Leia, Rey, Darth Maul and more to us, but let's face it — if you're going along, you'll be doing that anyway. Unsurprisingly, it's a completely unofficial event, so don't expect any actual stars, tie-ins or merchandise. You can probably expect some ironic Star Wars Kid-esque moves, though — or George Michael Bluth-style antics, if you prefer. For more information — and to sign up to hear about Melbourne and Sydney dates and venues — visit thebattlewars.com.
If ever there was a genre that demands to be seen in a cinema, it's the western. Wide-open plains that stretch as far as the eye can see, weary journeyers navigating harsh terrain, splashes of lush greenery that offer glimpses of hope: these are images made for the big screen. They're also the kind of visuals Slow West makes its own, from dense scrubland to dusky wooden huts, and from golden fields to inky nighttime scenes. There's no wondering why writer/director John Maclean chose to relay the bulk of his debut feature through its sights, rather than through dialogue. There's no wondering why the film won the World Cinema Grand Jury Prize at this year's Sundance Film Festival, either. Slow West describes both the pace and the direction that Jay (Kodi Smit-McPhee) favours, the 16-year-old Scotsman ambling along upon his arrival in America. The time is 1870, the place is Colorado and his mission is to find his childhood love, Rose (Caren Pistorius), who fled their homeland with her father (Rory McCann) after an unfortunate incident. Jay is driven by emotion and lacking in Wild West wiles, as made clear when lone rider Silas (Michael Fassbender) saves him from certain death at the hands of some unfriendly fellows. It's in his best interests to pay the sharpshooter to remain as his guide — and it's in both of their best interests to avoid the bounty hunter (Ben Mendelsohn) and his posse on their trail. This is Maclean's first stint directing a movie, and what a striking debut it is. As a former musician with the Beta Band, he demonstrates a delicate sense of rhythm, which is quite a feat in a film that's slow by name and by nature. Or, perhaps patient better fits, with the feature never in a rush to reveal its details. Instead, it takes its time to build drama. It lets the interrupting outbursts of both violence and comedy feel like just that. And it allows ample opportunity to enjoy its scenic views, too. Such surges of action include a spectacular general store altercation early on, and the inevitable — but never plodding or routine — big finale. Maclean isn't only talented with his imagery and timing, but with balancing a mood of contemplation with explosive yet artistic displays of gunfire. He shows a similar knack for casting, the small but substantial lineup of actors always impressive. Fassbender's stoic antihero and Smit-McPhee's lovesick teen might not be fleshed out in the script, but they never feel flimsy, thanks to their performances. The same can be said for Mendelsohn, clearly enjoying his recent surge of playing assholes. Yes, the trio fall into the usual western roles — the innocent needing help, the conflicted veteran and the dastardly villain — however, nothing about Slow West could really be described as usual. It's not just its visuals that make the film a stunning example of cinema, or of its genre, though they're always a treat to look at. A wandering western, this is a movie that both embraces and reinvents the expected, as all movies should.
One of soccer's biggest events is heading Down Under, with the FIFA Women's World Cup 2023 unleashing a month of fierce global competition across Australia and New Zealand this winter. There's no shortage of ways to celebrate the tournament, including heading to matches, barracking for the local squads, donning team colours head to toe, watching along at the pub or turning your couch into World Cup central. Here's another: hitting up the Sydney Harbour Bridge on Sunday, June 25. For one morning only, to celebrate 25 days until the FIFA Women's World Cup 2023 kicks off, the Harbour City's famous structure will close to traffic and open to soccer festivities instead. Whether you're keen for a kick, run, jog or dance across the iconic roadway, or to be in the company of local and international football legends, this'll be an event like no other. At a festival of football that's been dubbed the FIFA Women's World Cup 2023 Sydney Harbour Bridge Unity Celebration, the fun will start from 6am, running until 8.45am. Exactly what the lineup will entail hasn't yet been revealed — or who those soccer stars will be — but there'll be activities and activations linked to the Women's World Cup, music from participating nations, and grassroots football and multicultural communities coming together. If you do want to take the invitation to dance across the bridge literally, that's encouraged. In fact, there'll even be a 'unity beat' for you to bust out your best moves to. Folks eager to head along will need to book in a free spot in advance, with registrations open now. "Football unites the world," said FIFA Secretary General Fatma Samoura, announcing the World Cup 2023 Sydney Harbour Bridge Unity Celebration. "The Sydney Harbour Bridge will be the perfect setting to rally and unite our communities and create an enticing and distinctive experience that truly goes beyond greatness!" The tournament itself runs from Thursday, July 20–Sunday, August 20, with Sydney hosting at least 11 matches, including the Australian team's opener against the Republic of Ireland and the final a month later. Games will also be played in Brisbane, Melbourne, Adelaide and Perth, as well as Auckland, Wellington, Dunedin and Hamilton. The FIFA Women's World Cup 2023 Sydney Harbour Bridge Unity Celebration will take place on Sunday, June 25 on the Sydney Harbour Bridge — and registrations for tickets are open now. The FIFA Women's World Cup 2023 runs from Thursday, July 20–Sunday, August 20 across Australia and New Zealand, with tickets available from the FIFA website. Images: Destination NSW.
Come November, if you're keen on travelling to a galaxy far, far away, you won't need to visit your local cinema. Disney is getting into the streaming game and, when it launches its new Disney+ platform, it'll do so with the first-ever live-action Star Wars spinoff television series, The Mandalorian. One of the most anticipated shows of the year on this (or any other) planet, The Mandalorian follows a lone gunfighter who hails from the planet Mandalore and roams the outer reaches of the universe. His bullet-slinging antics happen far from the prying eyes of the New Republic, with the series set after the fall of the Empire — that is, after the events of Star Wars: Episode VI - Return of the Jedi but before Star Wars: Episode VII - The Force Awakens. If the basic premise isn't enough cause for excitement, then the stacked cast will help — it includes Game of Thrones' Pedro Pascal and Breaking Bad's Giancarlo Esposito, plus Nick Nolte, Gina Carano, Carl Weathers, Ming-Na Wen, and none other than iconic director and occasional actor Werner Herzog. Behind the scenes, The Mandalorian also boasts plenty of big names, with The Lion King's Jon Favreau calling the shots (as the program's creator, writer, showrunner and executive producer), and Taika Waititi among its series' directors. Waititi will also voice a new droid, called IG-11. After announcing the show last year, Disney has been keeping the details as secret as possible; however, if you've been keener than Han Solo in any cantina in the galaxy to get a glimpse — here's your chance. With the Mouse House holding its huge D23 convention over the past weekend, the company has just dropped its first trailer for the series. You can't include Herzog among your on-screen talent without making use of his inimitable voice, which this initial clip does perfectly, reminding us that bounty hunting is a complicated profession. Of course, that's not all that's in store — check out the initial preview below: https://www.youtube.com/watch?v=aOC8E8z_ifw The Mandalorian will hit Disney+ when it launches Down Under on November 19.
A major boost to the CBD's lunch landscape came with the opening of this second outpost from Carlton North's Babajan, bringing the eatery's famed Turkish-inspired eats to the top of Little Collins Street. Like its sibling, Babajan's city store is a haven for grab-and-go treats, slinging morning coffees, Middle Eastern lunch eats, pantry goodies and handmade sweet things aplenty. Chef-owner Kirsty Chiaplias has stuck to her winning formula for this takeaway-only spot, where cabinets heave with a rotating mix of Babajan classics and exclusive new creations. Flakey boreks are stuffed with combinations like lamb and potato, and silverbeet and feta, while show-stopping sandwiches might hero fillings like falafel and pickled chilli in pumpkin bread ($13.50), and lamb shoulder with pistachio tabouli ($13.50). [caption id="attachment_860430" align="alignnone" width="1920"] Pete Dillon[/caption] There's a range of house-made simits (a traditional ring-shaped bread) featuring the likes of eggplant aleppo and cheddar, or scrambled egg with pastirma and harissa. Giant bowls showcase each day's selection of sensational salads (from $14) — maybe a broccoli and zucchini number with zoug and avocado, or a pilaf starring braised fenugreek and roast carrot. And dessert involves treats like Chiaplias' chocolate and Turkish delight cookies ($4.50), walnut baklava ($4.50), and Persian love cake ($8.50). You can maximise your lunchbreak by ordering ahead via the Babajan app, which is available via the App Store. Grabbing something for home? Babajan's shelves are stocked with a curation of signature pantry products and other Middle Eastern classics. [caption id="attachment_860435" align="alignnone" width="1920"] Pete Dillon[/caption] Images: Pete Dillon
Handpicking some of the globe's best new artists for yet another glorious year (their sixth, to be exact), Sugar Mountain has revealed one heck of a 2017 lineup, with Dev Hynes/Blood Orange, homegrown duo Big Scary and British boss Little Simz headlining. Returning to Melbourne's Victorian College of the Arts on Saturday, January 21, Sugar Mountain has again balanced international drawcards with local talent this year, from Perth avant-electronic bedroom producer KUČKA to German producer Pantha Du Prince. Other Aussies converging on Mebourne for the fest include Methyl Ethel, Dro Carey and The Belligerents. The Boiler Room stage will also return, live streaming around the world with a yet-to-be-announced lineup. As always though, music isn't the only thing on the menu for Sugar Mountain. There'll also be a load artists on the bill, including Chairlift vocalist Caroline Polacheck, Melbourne-based, Novocastrian sculptor Caleb Shea and New Orleans-based public space artist MOMO. Nosh-wise, don't just expect your regular festival fare — Sugar Mountain's immersive on-site restaurant Sensory will be back. Last year, it was a collaboration between Bomba, Tin & Ed and Cut Copy, so we can't wait to see what they put together this year. Enough chatskies, here's that lineup you're after. SUGAR MOUNTAIN 2017 LINEUP: ALTA Baba Stiltz (Sweden) Beppe Loda (Italy) Big Scary Black Cab Blood Orange (UK) CC:DISCO! Daydreams Dro Carey Jaala Jack River Jessy Lanza (Canada) Kelsey Lu (USA) Kornel Kovacs (Sweden) KUČKA Little Simz (UK) Methyl Ethel Mood II Swing (USA) Moses Sumney (USA) My Disco Palms Trax (UK) Pantha Du Prince (Germany) Rolling Blackouts Coastal Fever Slum Sociable Sui Zhen Suzanne Ciani x Kaityn Aurelia Smith (USA) The Belligerents Tornado Wallace Weyes Blood (USA) ARTISTS Caleb Shea Elliot Routledge Karan Singh (Japan) March Studio MOMO (USA) Myriam Bleau (Canada) Robyn Moody x Caroline Polacheck (USA) Supergroup London - Morag Myerscough x Luke Morgan (UK) Sugar Mountain Festival is happening at Victorian College Of The Arts, Melbourne on Saturday, January 21, 2017. Tickets are $99 each and are on sale now at sugarmountain.com. By Shannon Connellan and Lauren Vadnjal.
Seeing the Great Barrier Reef sits on every Australian's bucket list, especially given the thriving underwater expanse is under threat from climate change. And while most of us have been content to simply swim, snorkel or sail through it — or stay in the Whitsundays and gaze out at it from a sandy beach — visitors to Queensland's far north will soon be able to spend a night underwater. Prepare to sleep under the sea at Reefsuites, the Great Barrier Reef's very own underwater hotel. It's not the first space of its type around the world — a resort in the Maldives, submerged villas in Dubai and a room at an African hotel all boast similar experiences — but it will be the first at this Aussie natural wonder. Due to open at a yet-to-be-revealed date this summer and built into a new floating pontoon called Reefword, Reefsuites will feature two underwater rooms that can sleep four in total, with guests able to choose between king double or twin single options. A stay onsite includes all meals and beverages, a night dining experience under the stars, a guided snorkelling tour and a semi-submarine tour. Of course, that's all well and good, but it's the floor-to-ceiling views of the Great Barrier Reef and its marine life that are the real drawcard — not only in the bedrooms, but in the attached private ensuites. Enjoying all of the above will start from $749 per night per person, so it doesn't come cheap — to the surprise of no one. If you'd be happy to sleep above sea level, that's also available on the pontoon's upper deck, catering for 28 people at $595 per night. As for the $8 million Reefworld pontoon itself, it's a partnership between Cruise Whitsundays and the Queensland Government, and will have the capacity to host 300 visitors per day. Measuring 12 metres by 45 metres, it'll be located at Hardy Reef off Airlie Beach, and will feature an underwater observatory. A hub for diving and snorkelling, it'll also offer guests access semi-submersible vessels. Announcing the project, Queensland Tourism Industry Development Minister Kate Jones noted that Reefworld and Reefsuites will add something new and unique to the popular tourist hotspot. "This will give more people the chance to see the Great Barrier Reef and will allow tourists to experience this natural wonder in new ways." The aim, of course, is to ramp up tourism, with an extra 60,000 visitors per year expected thanks to the new attraction. For more information about Reefsuites, visit the Cruise Whitsundays website. Images: Cruise Whitsundays.
A good musical should have a lasting impact on the industry and its audiences for years to come. So the fact that Miss Saigon has been hitting stages and receiving awards since its debut in 1989 is a clear indication of quality. The show takes inspiration from the even older (but just as popular) Madama Butterfly — they're both tales of women in Asia falling in love with men from America only to have their hearts broken. The key difference between the two is the setting. Madama Butterfly is set in Japan, while Miss Saigon (as you might be able to guess from the title) is set in Vietnam, specifically during the end and lasting aftermath of the devastating Vietnam War. This production of the musical is from Cameron Mackintosh, who was also behind on other world-famous musicals like Cats, The Phantom of the Opera, Les Misérables and Mary Poppins. Coming to the Sydney Opera House on Thursday, August 17 and running until Friday, October 13 — the Australian cast includes the debut of Abigail Adriano as Kim alongside Nigel Huckle (Les Misérables, West Side Story) as Chris, Sean Miley Moore (The Voice) as The Engineer, Kerrie Anne Greenland (Les Misérables) as Ellen, Nick Afoa (The Lion King) as John and the Australian debut of Laurence Mossman as Thuy. Miss Saigon runs from Thursday, August 17 to Friday, October 13 at the Sydney Opera House, for more information and to book tickets, visit the website. Images: Johan Persson
All killer, no filler: when it comes to HBO comedy Barry, that firmly applies. The premise is pure TV gold, following an assassin who'd rather be an actor, but finds it hard to cut ties with his murderous gig. Making it even better across two seasons now, with a third set to drop in April: the pitch-perfect casting of former Saturday Night Live great Bill Hader as the eponymous hitman. Here's the setup: when Hader's Barry Berkman heads from Cleveland to Los Angeles for his job, he discovers a previously unknown passion for acting after he stumbles into a class held by veteran thespian Gene Cousineau (Henry Winkler, The French Dispatch). The catch? Barry kills people for money, and that isn't a line of work that you can leave easily, especially when you become caught in the Chechen mafia's violent and deadly dramas. As SNL fans will already know, Hader is an on-screen treasure, but he's never been better than he is in this part-comedy, part-tragedy series. Barry's struggle mightn't seem that relatable on paper, but it proves exactly that with Hader in the role. Also excellent is Winkler, expectedly. And, similarly great is Bill & Ted Face the Music's Anthony Carrigan as Chechen gangster Noho Hank — who befriends Barry, isn't that skilled at the whole crime business and quickly becomes one of the most memorable characters to ever grace a TV series. It's no wonder that fans have been hanging out for the third season of this Emmy-winner, which finally arrives in April — on Monday, April 25 in Australia via Binge, in fact — after a three-year gap since season two. Based on the just-dropped first teaser trailer, Barry's quest to go on the straight and narrow — and pursue acting — is still as chaotic as ever. In fact, this season will focus on the other factors, including his own psyche, that saw Barry become a killer to begin with. Another big part of the new episodes, according to HBO: fellow characters trying to make the right choices. Also returning are Stephen Root (The Tragedy of Macbeth) as Barry's former handler Monroe, who is in hiding; Sarah Goldberg (The Night House) as Barry's girlfriend Sarah, who is also an actor; D'Arcy Carden (The Good Place) as a fellow acting student; and Sarah Burns (Werewolves Within) as Detective Mae Dunn. And Hader isn't just phenomenally excellent on-screen in Barry — he also co-created it, has directed a heap of episodes, and also co-wrote others. Check out the first teaser trailer for Barry season three below: Barry's third season will start streaming via Binge in Australia from Monday, April 25. In NZ, look out for the new season via Neon. Top image: Merrick Morton/HBO.
Once again, Melbourne's late summer openair cinema will occupy hallowed turf, with a pop-up cinema on the pitch at the MCG. Taking over the iconic sporting arena for the first weekend of February, Cinema at the 'G will showcase a pair of music-filled hit movies under the stars. On Friday, February 1, the venue will be far from the shallow for its screening A Star Is Born, the Lady Gaga-starring mega hit that's directed by and co-stars Bradley Cooper. The following evening, Bohemian Rhapsody will rock the stadium, with Rami Malek stepping into Freddie Mercury's shoes. The venue might seat 100,000 on grand final day, but only 2000 tickets are available for each night of cinema. Ticketholders can bring picnic blankets, pillows and snacks, or munch on food available for purchase on-site. Doors open at 6.30pm for an 8.30pm start, and proceeds from ticket sales will go to the Bank of Melbourne Foundation, which in turns supports an array of Victorian charities.
Since being formed in 2001, Melbourne nine-piece The Bamboos have released more than five acclaimed albums, placed songs in TV shows like Grey's Anatomy, Ugly Betty and Underbelly and worked on the soundtrack for a multi-platinum Nintendo game. But frontman and periodic electronic producer Lance Ferguson isn't one to let the band rest on its smooth, funk-born laurels. Over the years he's injected new flavours into the band by collaborating with other artists, fusing elements of hip hop and psych, and constantly shaking up the lineup. In 2012 The Bamboos joined up with Tim Rogers of You Am I for the Triple J-championed track 'I Got Burned'. An addictive combo of the band's rhythmic grooves and the singer's distinctive howl, the track featured on The Bamboos latest album Medicine Man — their biggest release to date. This year they're taking the alliance live with The Rock n Soul Medicine Show. We caught up with Lance before the tour to talk about collaborating, staying current and the frustrations of being pidgeonholed. You guys have been pretty busy over 2012 did you manage to get a break over Christmas? I did, I had a week in Lorne in January, which was really good. It feels like a distant memory now though. You did Falls Festival didn't you? That's right. So how did you come to team up with Tim Rogers for 'Burned'? I first met Tim when I was playing guitar in Washington and we were playing the BDO tour. It was a few years back now, and I met him backstage and we hit it off. Just musical nerd talk of old records and stuff. We seemed to connect on that level, and on a personal level as well, and even at that point we talked about collaborating together — way before anything actually happened. https://youtube.com/watch?v=hZEN_l4j6mY Is collaborating with other artists an important thing for you? You've also got Aloe Blacc and Daniel Merriweather on the album too. Yeah it definitely is, and The Bamboos have often had guests involved with different records. Most of the collaborations have stemmed from some kind of friendship and the whole collaboration evolved organically rather than me on the phone to my manager going, "get me this guy." Most of these things have happened in nice natural and sincere progression. I do prefer that, because getting complete strangers in the studio can be weird if you're trying to connect musically. It is such an intimate thing, writing a song with someone, for me, so I do prefer it to stem from some kind of friendship I guess. https://youtube.com/watch?v=_4G96KbQ4SI What about Syl Johnson? Yeah well we toured with him twice, pretty much as his backing band. Both times were incredibly valuable. The last time unfortunately he had a heart attack when we were playing with him in Brisbane, which was just a terrible turn of events. And then he spent some time in hospital, bounced back and did a show in Melbourne after that, which was incredible. So yeah, such a cool guy actually. Going back to the ARIAS and the recent popularity of acts like Saskwatch and Chet Faker, what do you think it is about soul music now that has people taking notice? Do you think the music has changed or are we just becoming more receptive? Well it's been such a battle with this music, from my perspective. I recently put out a compilation called The Soul Of Melbourne with a friend of mine Chris Gill — a compilation of soulful Melbourne acts — so it was great to put that together, and you can see how the scene has crystallised. But I think what's happened is that there's a younger generation of fans and music lovers who are maybe in their late teens or early twenties now, and who came up through their teens hearing Amy Winehouse and Sharon Jones. I think that has created a sort of hotbed of people who know that music through being exposed to it. So now that they're at the age of going to gigs and going to festivals that music just seems sort of natural to them, like "oh it's a soul music band, we know what that is and we like it." So there's definitely the element of generational acceptance. https://youtube.com/watch?v=pxBnzQtdHdM You made the Triple J Hottest 100, which is a pretty big deal for a funk/soul-driven group. Yeah, I mean as much as that's a cool thing I do sort of battle with The Bamboos to not be such a genre-driven band. [Funk and soul] is definitely where we've come from and where we've started, and it's ostensibly what we do in terms of the sounds we create, but for me I just really don't think of The Bamboos as a band of any genre now. I just try to think of it as, "We're The Bamboos and we're just going to make some music." It could have some psych rock elements, it could be a blues tune, it could be anything — it could incorporate a whole bunch of influences now. So I definitely have tried to break the band out of just being like a soul/funk band. I'm not saying that to have a go at you, by the way! Well that's what's so unique about your music is that it incorporates so many unexpected sounds. Your electronic project, Lanu — do you think that influences The Bamboos music at all? I don't know if it influences but it's another avenue for me as a songwriter. I think anything I write separately from The Bamboos though, even if unconsciously, I reckon it must inform it. Whether it's just different forms or different ways of looking at putting a song together... So yeah, I reckon it does influence our music actually. What about other local acts — anyone in particular you been listening to heavily? My vocalist for The Bamboos, Ella Thompson, has a band called Axolotl, who do this sort of dreamy, electronic, indie stuff. I'm really into them, they supported us on our last national tour. There's another band Hiatus Kaiyote that defies genre labels, and is doing some amazing things internationally as well. They just won the Gilles Peterson Worldwide Awards for Break-Though Act, so they're really being flagged internationally. https://youtube.com/watch?v=Iae6LmWTXPw Obviously live performance is a massive part of The Bamboos appeal, and Melbourne has a very healthy live music scene. Do you think about that when making songs? I look at the studio thing and the live thing as two very separate entities, and we started out as a live act before we ever recorded anything. [The live show] has been something I've tried to improve on and tweak and be progressive with. Now we come out and basically play our songs, which sounds really obvious — but I think the lineup we've had the last year and a half is possibly the strongest, best and most solid lineup in the history of the band. For me it's an exciting time to play live. How do you see the band's sound developing over the next year or so? There were some thing in that album that were real bubblegum pop things, and I think with the next recording that things might become a little more muscular again. A bit darker. That's what I'm feeling at the moment. Is there anything else you want to say about the upcoming tour and what we can expect from it? Not really, just that it's The Bamboos and Tim Rogers rather than The Bamboos featuring Tim Rogers, so I'm really working with Tim on some new originals and we're picking out a bunch of whole new covers. There's going to be a whole new music for the band to play, which is always good for keeping us on our toes. Tim Rogers & The Bamboos Rock 'n' Soul Medicine Show: Saturday 23 Feb - Perth Festival, Perth, WA Thursday 28 Feb - QPAC, Brisbane, QLD Friday 1 March - Melbourne Zoo, Melbourne, VIC Saturday 2 March - Leongatha Memorial Hall, VIC Thursday 7 March - The HiFi, Sydney, NSW Friday 8 March - Cambridge Hotel, Newcastle, NSW Saturday 9 March - Uni Bar, Wollongong, NSW Sunday 10 March - Womadelaide, Adelaide, SA
We're over halfway through Sydney's winter festival of Light, Live (music) and Ideas. Fans of Vivid have been capturing the best of the spectacle, and we're celebrating the best of this year's pics taken from folks like us — appreciators of light art sculptures, awesome projections, and perfect timing. If you haven't made your way down to Circular Quay and its surrounds, hurry. Vivid Light 2012 wraps up next Monday, June 11. Customs House, taken by Alex Wain (via Flickr). What lies beneath... Photo taken by Patrick Shirey (shared via Instagram). Don't feed the piranhas - photo taken by @keithmcinnes (via Instagram). A forest of bubble trees. Taken by iwoolf (via Flikr). A very vivid merry-go-round. Taken by Welsay (via Flickr). Museum of Contemporary Art, taken by @koltonlol (via Instagram). Sunflowers in the Rocks, taken by Real_ARMOTUR (via Flickr). Lighting of the Sails by URBANSCREEN. Taken by Artistiquephotography10 (via Flickr). Main photo courtesy of Destination NSW. Follow the latest fan photos on Vivid Sydney's Facebook page.
Dark Mofo might've had to pull the plug on its 2020 event, but the Museum of Old and New Art (MONA)'s other big annual arts festival, Mona Foma, will definitely be hitting up the Tasmanian site when January 2021 rolls around. On the agenda at the big summer fest: art, performances, music, eclectic sights, engaging sounds, and plenty to see and do across two weekends — at 58 venues in two cities. Plus, of the more than 352 artists involved, 90 percent of them hail from Tasmania. Although Mona Foma was originally held in Hobart, where MONA is located, the event made the move to Launceston in 2019. In 2021, however, it is splitting its program between both Tasmanian places. Launceston is up first, from January 15–17, with Hobart getting the nod the next week from January 22–24. Whether you pick one or you're keen to head to both, there's plenty on the bill. First up, in Launceston, the city's Cataract Gorge will host the latest work by audio-visual artist Robin Fox. The site's landscape will be taken over by immersive world-premiere installation Aqua Luma — which'll run on a 20-minute cycle from 9.30am–11.30pm, is free to attend, and includes 12 metre-high water jets that erupt in time with subharmonic frequencies, plus lasers tracing geometrical patterns in the watery mist. Or, you can hop on the Gorge Scenic Chairlift and listen to Chairway to Heaven, a suspended symphony in the sky. Other Launceston highlights include Acoustic Life of Boatsheds, where you'll flit between boatsheds along the Tamar and Esk rivers and listen to live music; All Expenses Paid, a dance piece about fast fashion and consumerism; 'Til It's Gone, combining installations, sculptures and videos in an old car museum that'll be torn down after the festival; and three interactive spaces as part of Soma Lumia's Lacunae, all spread around the city. A number of events will hit up both Launceston and Hobart, such as an evening concert series called Mofo Sessions, sound work Zinc, opening performance Relay / Country Remembers Her Names, the fest's beloved Morning Meditations, and After Erika Eiffel — where you'll fire an arrow on a custom-made archery course and learn about Erika Eiffel, the archer who married the Eiffel Tower. [caption id="attachment_790934" align="aligncenter" width="1920"] K&D Warehouse, Hobart, Tasmania. Photo Credit: Mona/Jesse Hunniford. Image courtesy of the artist and Mona (Museum of Old and New Art), Hobart, Tasmania, Australia.[/caption] Taking place just in Hobart, Mona Foma is turning the site of former hardware store K&D Warehouse into a gallery — with exhibition No Place Like Home filling the entire place with video installations, art and sculptures all selected by Mona curator Emma Pike. You'll be able to wander through one of the city's best-known buildings, which dates back 118 years, and see works by artists such as Tony Albert, Zanny Begg, Andy Hutson, Rachel Maclean, Nell, Ryan Presley and Phebe Schmidt. Entry will cost $10 per person. And, of course, Hobart's program has more in store. There's also a musical version of Edgar Allen Poe's The Masque of the Red Death, blocks of ice hanging in the air as part of Lucy Bleach's Rueremus and a Forest Gin Walk. Or, you can check out Making Ground, an exhibition by First Nations and multicultural artists held on sites of colonial ruin; Let Me Dry Your Eyes, a sonic performance at Beaumaris Zoo; and World of Worlds, which is about fictional world-building, other dimensions and parallel realities. Top image: Aqua Luma, Robin Fox. Photo credit: Nick Roux. Image courtesy of the artist and and Mona (Museum of Old and New Art), Hobart, Tasmania, Australia.
Lockdown 2.0 has been a bit of a bummer, but at least we've been able to count on some cracking eats to see us through. Digging into dishes from some of Melbourne's best eateries while comfortably ensconced on the couch has been a mood-boosting high point for many. And now, some at-home diners are about to be even more spoilt for choice, with news Lucas Restaurants has kicked off its own meal delivery service. Starting this week, you can get dishes from Flinders Lane icon Chin Chin (CBD and Richmond) — along with siblings Baby Pizza, Hawker Hall and both Kisumé outposts — dropped to your door via the newly-hatched Lucas Restaurants Room Service. That's an extra win for fans of modern Japanese diner Kisumé, which until now, has only ever been available for dine-in or takeaway. [caption id="attachment_778135" align="alignnone" width="1920"] Kisumé[/caption] Room Service will run nightly from 4pm, with a flat-rate delivery fee of $5. Unfortunately, it's only accessible for locals within four kilometres of each restaurant, so you'd better hope you live near the CBD, Richmond or Windsor if you want in on the action. The Room Service offering spans most of the menu favourites from each Lucas restaurant. Think, Chin Chin's wagyu rendang with cumin and toasted coconut, the Nyonya-style popcorn chicken from Hawker Hall, deluxe sushi platters from Kisumé and Baby Pizza's classic capricciosa. Pick-ups will still be available from all the above venues — just remember the Victorian Government has advised residents to stay close to home wherever possible. Lucas Restaurants Room Service is available now for Chin Chin CBD and Richmond, Kisumé Richmond, Hawker Hall and Baby Pizza. Kisumé CBD will kick off from July 31.
The frogs need your help. At least 30 Australian and New Zealand species of frogs are currently considered endangered, a statistic that wasn't helped by the disastrous 2019/20 Australian bushfire season. In response to this dire frog situation, Cadbury has partnered with Taronga Zoo, Zoos Victoria and Conservation Volunteers Australia to raise awareness about at-risk frog species by replacing the iconic Freddo mascot with real amphibians on the front of each packet of Freddo Frogs. Cadbury isn't just raising awareness though, the chocolate brand has also pledged $600,000 across three years to support zoo and conservation experts in Australia and New Zealand and their efforts to save our smiley little friends. These funds are going towards research and breeding programs including a new breeding bunker at Healesville Sanctuary. Taronga is also introducing a new frog exhibit to its beloved Sydney site that centres around educating people on endangered frogs and conservation efforts. The Freddo packets, which are currently available in Australian supermarkets, feature two endangered species: the spotted tree frog and the northern corroboree frog. Both are among Australia's most endangered species. Zoos Victoria has been fighting save the former from extinction through its role in the Spotted Tree Frog Recovery Program, while Taronga Zoo has already released hundreds of corroboree frogs and thousands of eggs into Kosciuszko and Brindabella National Parks through its breeding programs. The Freddo packets are available in 12 packs or as individual Freddos at major Australian supermarkets and independent retailers. You can find out more about the campaign and donate to the conservation projects via Cadbury's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Among the wealth of new content that Netflix drops on viewers each and every year, Dead to Me proved one of the streamer's 2019 hits. Taking a few cues from 2018 film A Simple Favour, the show's ten-episode first season told the tale of two women who meet, become friends despite seemingly having very little in common, and help each other with their daily lives — then find themselves immersed in more than a little murky business. Now, the twisty dark comedy is returning for another season — and stars Christina Applegate and Linda Cardellini are back as well. The former once again plays a just-widowed woman trying to cope with losing her husband in a hit-and-run incident, while the latter pops up as a positive-thinking free spirit. It has been some time since they initially crossed paths at a grief counselling session, though, so this definite odd-couple situation has evolved to feature more secrets, lies and complications, as well as more than one murder cover-up. When the show's first season ended, it did so with a huge cliffhanger. As the just-dropped full trailer for Dead to Me's second season shows, this new batch of episodes will see Applegate's Jen Harding and Cardellini's Judy Hale dealing with the aftermath of that big event. And, it also reveals that fellow series co-star James Marsden is back — although you'll obviously have to wait for the new season to find out just what that means. Created by 2 Broke Girls writer Liz Feldman, the series marks Applegate's first lead TV role since 2011-12 sitcom Up All Night. For Cardellini, it's a return to Netflix after starring on the streaming platform's drama Bloodline — and she also featured in A Simple Favour, too. Check out the full trailer for Dead to Me's second season below: https://www.youtube.com/watch?v=HmU7ylnmn_M Dead to Me's second season hits Netflix on Friday, May 8. Images: Saeed Adyani / Netflix.
A month after the last set of eased COVID-19 restrictions came into effect across the state, the Victorian Government is relaxing limits on everyday activities once again. Come 6pm on Friday, March 26, you'll be able to gather with more people in more places — including at home, in public and at a long list of venues. Presently, Victoria is operating under the settings that were in place before Christmas. So, when the new changes kick in just in time for this coming weekend, the state will enjoy some of its most relaxed conditions since pandemic began. Announcing the news today, Tuesday, March 23, Acting Premier James Merlino said "we know the risk is far from over, but thanks to the incredible work of all Victorians, we're continuing to open up and see the Victoria we all love return to life again." First up, Victorians will be able to host more people in their houses, with the cap going up to 100 folks from any number of other households. That's a daily limit, like previous caps, even if they all of your visitors come at different times in different groups — and your home also includes your front and back yards. Fancy heading outdoors with your nearest and dearest elsewhere, beyond your own patch of land? In good news, public outdoor gatherings are going up to 200. So your next trip to the beach or the park with your mates can now feature an even bigger crowd. In venues that are currently under the one person per four-square-metres rule — which includes nightclubs, karaoke venues and casinos — the one person per two-square-metres rule will come into effect. Cafes, pubs and restaurants aren't changing, though, because they're already at the bigger capacity threshold. Non-seated entertainment venues will also be able to welcome more folks in, upping their limits from 50-percent to 75-percent capacity — albeit with a 1000-person cap still in effect. Keen to make shapes with more people around you? Dance floors are going up to 75-percent capacity, too, and the current 50-person cap is being scrapped. Whether you're working out indoors or outdoors, fitness classes will no longer have class limits. For those who prefer doing their own thing at the gym, they're moving to density limits of one person per four-square-metres (from the current setting of one person per eight-square-metres). Also, there'll be no caps on the number of both public and private sector workers that can head into the office — so prepare to see more of your coworkers. If you're wondering about masks, the rules are changing there as well. You'll no longer need to keep wearing them in retail settings, such as large and busy indoor indoor shops, but you do still have to pop one on while using public transport, rideshare vehicles and taxis — and in aged care facilities and hospitals as well. As has been the case as mask requirements ease, you will need to carry one with you at all times, though. Again, all of the above rules will come into effect at 6pm on Friday evening — but one of the newly announced changes will kick in earlier, timed specifically for the AFL's second round of its just-started 2021 season. That means that on Thursday, March 25, when Collingwood take on Carlton at the MCG that night, 75-percent capacity crowds will be allowed into stadiums. As always, the usual hygiene and social distancing practices remain in place, as does the request to get tested if you exhibit even minor COVID-19 symptoms. Victoria currently has zero active coronavirus cases — yes, zero — as at midnight on Tuesday, March 23. Restrictions in Victoria will change again at 6pm on Friday, March 26. For more information about the rules moving forward, head to the Victorian Department of Health website.
Strenuous physical activities and cold beer go together like, well, cold beer and a lot of stuff. That's the driving inspiration for a little celebration called Gears and Beers Festival, the brainchild of the Rotary Club of Wollundry Wagga Wagga. The annual celebration takes the best parts of racing and festivals, combining them in a joint and complete event on Saturday, September 30 and Sunday, October 1. First is the gears. If you're up for it, you can register for one of five cycling courses. The weekend kicks off on Saturday with the 40-kilometre Wiradjuri Welcome course, designed to warm you up for the main events the following day. Sunday racers can register for the scenic ten-kilometre Strawberry Ride, the 30-kilometre road course, the gravel-heavy Sic60 60-kilometre course, the lengthy 115-kilometre course and the flagship Dirty130 130-kilometre course. All the Sunday rides are timed to have you arrive at the festival grounds at around lunchtime. If you've registered in a ride, entry is free. But non-riders can also purchase tickets to the festival separately. The festival is held in the Victory Memorial Gardens of Wagga Wagga, where you'll have a chance to recover from the ride with cold (and local) craft beers, ciders and wines — or hot local coffee and food alongside live music and sunshine with your fellow riders. Gears and Beers festival runs from Saturday, September 30 to Sunday, October 1. To register or find more information, visit the website.
Last time Hunx & His Punx were here — back in 2012 — they charmed many an Antipodean heart with their penchant for getting (nearly) naked, offers to autograph genitalia and expletive-rich expressions of self-desire. In short, they delivered nothing less than what you’d expect of San Francisco’s maddest and baddest bubblegum punk band. So it’s only natural that we’ve invited them back. And this time, they’re bringing Shannon and the Clams in their suitcases. On Friday, March 14, tickets go on sale for a five-date April tour that will see the two bands smashing genres in Melbourne, Sydney, Wollongong, Brisbane and Perth. Since their previous visit, Hunx & His Punx have been busy blending ‘80s hardcore and ‘90s grrrl sounds to create nasty yet catchy tunes for their new album Street Punk, which was released in 2013 via Hardly Art. Meanwhile, co-tourers Shannon and the Clams have lately been spending time playing SXSW sideshows and Psych Fest and hitting the road via Burgerama tours. They mash ‘60s girl group sounds with West Coast garage rock, delivering “doo woppers, bomp stompers, punk rippers, country clippers and psych-o trippers”. Trying say that really quickly five times in a row. Here are the dates: THU 17 APR – Copacabana, MELBOURNE. Tickets via Oztix. SAT 19 APR - Oxford Art Factory, SYDNEY. Tickets via OAF. SUN 20 APR – Farmer and the Owl Laneway Party, WOLLONGONG. Tickets via the Farmer and the Owl. TUE 22 APR - The Zoo, BRISBANE. Tickets via the Zoo. THU 24 APR - The Rosemount, PERTH. Tickets via the Rosemount. Tickets go on sale on Friday, 14 March. Tickets via Oztix.
In the heart of the Waterfront, a new culinary destination has set up shop in Geelong. Welcome to TEMPO Kitchen & Bar, which promises a vibrant atmosphere and a showcase of Victoria's finest growers and producers. TEMPO's approach is simple: celebrate local produce through an enticing seafood and grill menu. Seasonal ingredients sourced directly from the region's farmers and fishermen are transformed into dishes of simple, hearty fare that includes a selection of steaks and cuts from the grill, crowd-pleasers like the Bannockburn free range chicken with black truffle butter, a fresh seafood platter and a number of plates to share. It's not just about the food. You can settle in with the drinks list featuring a curated lineup of Australian wines (here's where the reach extends beyond Victorian borders to South Australia, WA and Tassie) and classic cocktails. Beyond the food and drink, TEMPO aims to become a hub for all things social in Geelong, with local DJs and musicians providing the soundtrack to guest's dining and bar experience. Whether you're a Geelong local or just passing through, stop and take in the view at one of Geelong's newest, aesthetically pleasing dining spots. Take your time, relax. It's all about tempo. TEMPO Kitchen & Bar is open for breakfast on Monday–Friday, 6.30am–10am and Saturday–Sunday, 7am–10.30am. Lunch sessions run every day from 11.30am–2pm, while dinner runs every evening from 5.30pm–9.30pm. The bar is open every day from 10.30am–late. Find TEMPO Kitchen & Bar at 10/14 Eastern Beach Rd, Geelong.
When July 2021 came and went, it marked two years since Stranger Things last graced our streaming queues. That's two years of wondering what's become of Hawkins' beloved police chief Jim Hopper (David Harbour, Black Widow) — and where everyone else we've all come to know and love in the hit Netflix series has washed up, too. Sorry fans, you'll have to keep pondering for the rest of this year as well, as the streaming platform has officially announced that its 80s-set sci-fi series won't be returning till 2022. Fancy a sneak peek in the interim? In revealing that Stranger Things will finally make a comeback next year, Netflix has also dropped a new glimpse at what's in store. The platform has done so a few times already since the beginning of 2020, providing an initial clip back at the beginning of last year — which now seems like a lifetime ago — and a couple more teasers in May 2021. But hey, when you're hanging out for anything and everything related to the show's fourth season, each trailer and teaser drop is exciting. From that first 2020 teaser, we already know what happened after season three's big cliffhanger and Russian-set post-script — when Hopper, the mind flayer, the Russian lab below Starcourt Mall and that pesky gate to the Upside Down all had a run-in. And, we know that Hawkins Laboratory is going to feature again moving forward, with the last two clips focusing on Eleven (Millie Bobby Brown, Godzilla vs Kong) and Dr Martin Brenner (Matthew Modine, Operation Varsity Blues: The College Admissions Scandal). The new sneak peek combines both new and old footage, so parts of it will look familiar — and parts of it tease what's to come. There's little narrative detail provided, but that usually comes with the territory anyway. You already know you'd prefer to discover Stranger Things' secrets by binging your way through it as soon as new episodes become available to stream. Of course, it's worth remembering that when Netflix announced the show's renewal for a fourth season back in 2019, it did so with the catchphrase "we're not in Hawkins anymore". Naturally, we'll have to wait to see what that really means for its cast of characters — including not only Hopper and Eleven, the latter of which was last seen leaving town with Joyce (Winona Ryder, The Plot Against America), Will (Noah Schnapp, Hubie Halloween) and Jonathan (Charlie Heaton, The New Mutants), but also for Mike (Finn Wolfhard, The Goldfinch), Dustin (Gaten Matarazzo, The Angry Birds Movie 2), Lucas (Caleb McLaughlin, Concrete Cowboy), Max (Sadie Sink, The Last Castle), Steve (Joe Keery, Spree) and Nancy (Natalia Dyer, Things Seen & Heard). Check out the new Stranger Things season four sneak peek below: Stranger Things season four will be able to stream via Netflix sometime in 2022 — we'll update you with an exact date when one is announced.
Austrian-British philosopher Ludwig Wittgenstein once famously stated that "the limits of my language means the limits of my world". Wittgenstein was part of a philosophical movement whose intense and sustained navel-gazing gave rise to an idea known as the "linguistic turn". This was an idea, with which everyone from novelists to zoologists jumped on board, suggesting that our creativity and conceptual imagination is limited by the fact that our languages are made up of a limited number of words. So we are stuck with a limited number of meanings. As such Wittgenstein, and his quite morbid buddies, argued that language is inadequate to the task of expressing human experience. The website "Dictionary of Obscure Sorrows" are doing their little bit to make the inexpressible more expressible, by creating an ever-growing list of new words to describe the sad little idiosyncrasies that make up modern life. This consistently hilarious and subtly insightful website believes that if words like "gif" and "trolling" deserve a place in the Macquarie Dictionary then why shouldn't words like "astrophe" or "heartworm." (Which describe, respectively, the hypothetical conversations we have with other people in our head, and those past relationships that are buried deep in our psyche.) With Dictionary.com recently releasing their "word of the year" here are our five favourite contender entries for next year from of "The Dictionary of Obscure Sorrows". Contact High-Five An innocuous touch by someone just doing their job—a barber, yoga instructor or friendly waitress—that you enjoy more than you'd like to admit, a feeling of connection so stupefyingly simple that it cheapens the power of the written word, so that by the year 2025, aspiring novelists would be better off just giving people a hug. Reverse Shibboleth The practice of answering a cellphone with a generic "Hello?" as if you didn't already know exactly who was calling—which is a little like the egg requirement that marketers added to early cake mixes in the 1950s, an antiquated extra step that's only there to reassure you that it's an authentic homecooked meal, just like grandma used to make. Sonder The realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you'll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk. Astrophe A hypothetical conversation that you compulsively play out in your head—a crisp analysis, a cathartic dialogue, a devastating comeback—which serves as a kind of psychological batting cage where you can connect more deeply with people than in the small ball of everyday life, which is a frustratingly cautious game of change-up pitches, sacrifice bunts, and intentional walks. Semaphorism A conversational hint that you have something personal to say on the subject but don't go any further—an emphatic nod, a half-told anecdote, an enigmatic 'I know the feeling'—which you place into conversations like those little flags that warn diggers of something buried underground: maybe a cable that secretly powers your house, maybe a fiberoptic link to some foreign country. Entries and text from the wonderful Dictionary of Obscure Sorrows.
At an altitude of 300 metres, winds are between five and eight times stronger than they are down here on earth. So a US-based startup is about to launch the world’s first flying wind farm. It’s set to hover above Fairbanks, Alaska, for 18 months, delivering power to more than 12 families. Dubbed the “BAT” (Buoyant Airborne Turbine), the machine is comprised of a donut-shaped, helium-filled shell, which supports a three-blade turbine. Lightweight yet super-strong tethers keep everything in position and send power to the ground. There’s no need for towers, subterranean foundations or cranes. The brains behind it, Altaeros Energies, have been planning lift-off for four years. “Our mission is simple,” the website reads. “To deploy the world’s first commercial airborne wind turbine to harness the abundant energy in strong, steady winds at higher altitudes.” Altaeros is particularly interested in providing a reliable source of low cost energy to the “remote power and microgrid market”. This sector, which largely depends on pricey diesel generators, includes remote and island communities; oil, gas, mining, agriculture and telecommunication firms; disaster relief organisations; and military bases. Established in 2010 at the Massachusetts Institute of Technology, Altaeros Energies was the recipient of the 2011 ConocoPhillips Energy Prize. The US$1.3 million ($1.4 million) project has received funding and support from several high-profile organisations, including the US Department of Agriculture, the National Science Foundation Small Business Innovation Research programs and the Alaska Energy Authority. Via Inhabitat.
Here in Melbourne, chances are, you've devoured Shandong-style seafood, sweated it out over spicy Sichuan eats and tucked into Cantonese classics. But perhaps you're not quite so well versed in the melting pot of flavours synonymous with another, oft-underrated Chinese region, Yunnan. Well, that's all about to change, now that newcomer Naxi Folk has opened its doors on Glenferrie Road. Named after one of Yunnan's centuries-old ethnic groups, the warm, bamboo-filled eatery is flying the flag for this lesser-known culinary region, which pulls its flavour inspiration from across Myanmar, Sichuan, Vietnam, Thailand and Laos. Naxi Folk is also embracing Yunann's traditional banquet-style dining experience, so expect long tables, a group-friendly vibe and a menu that begs to be shared. The all-day food offering is big on flavours you won't forget in a hurry. Breakfast features sweet and savoury Asian-inspired creations, and standout coffees, while a lunch and dinner go-to, the Hand Grab Plate, features a big sharing basket filled with various barbecued meats, house-made pickles, vegetables and fruit. Other highlights include Da Su beef noodles loaded with brisket and roast mushrooms, crisp chicken spare ribs in a Szechuan-style pepper caramel sauce, and a Chinese burger featuring shredded pork belly inside a Yunnan bread pocket. Diners keen to soak up yet more of that Yunnan culture can enjoy traditional tea cupping ceremonies on Friday and Saturdays, led by staff in authentic, bold-coloured Yunnan dress. Naxi Folk is now open at 723 Glenferrie Road, Hawthorn, from 7am–10pm daily. Images: Tim Grey
