A drug kingpin disappearing into a new life, clashing cousins, voting popes, a veteran actor trying to reclaim her career with the help of a mysterious liquid, Adrien Brody surviving history's horrors again, fierce tennis competitors: films about all of the above have earned Golden Globes in 2025. Stressed-out chefs, stand-up comedy greats, Japanese warriors, Gotham villains, determined detectives: TV shows about them are all also in the same category. And, they each have a heap of company. Held on Monday, January 6 Australian and New Zealand time, this year's Golden Globes ceremony started with host Nikki Glaser cracking gags about everything from Dune: Part Two's running time to Nicole Kidman making awards-nominated work to get away from Keith Urban's strumming and Adam Sandler pronouncing Timothée Chalamet's name. It then threw in excited shouts and enthusiastic speeches aplenty among the winners. Picking up the first award of the night — but not the only award for Emilia Pérez — Zoe Saldaña (Special Ops: Lioness) delivered both alone. Other highlights from the hijinks: Catherine O'Hara (The Wild Robot) and Seth Rogen (Mufasa: The Lion King), co-stars in upcoming streaming series The Studio, making up a whole lot of accolades for fake Canadian projects; The White Lotus favourite Jennifer Coolidge being Jennifer Coolidge; Emilia Pérez songwriter Camille calling the whole shebang "such an American experience"; and Vin Diesel (Fast X) starting his presenting stint with "hey Dwayne". And more standouts among the awards: gorgeous Latvian independent animation Flow taking out its category, in the first time that a movie from the nation has been at the Golden Globes; Kieran Culkin winning the supporting actor Succession battle for A Real Pain over Jeremy Strong for The Apprentice; Shogun's well-deserved swag of gongs; Demi Moore's touching sentiments about believing in your own value; A Different Man winner Sebastian Stan demanding that tough films still get made; and also Feranda Torres emerging victorious for I'm Still Here over Nicole Kidman (Babygirl), Pamela Anderson (The Last Showgirl), Angelina Jolie (Maria), Tilda Swinton (The Room Next Door) and Kate Winslet (Lee). Not every ace nominee could snag a statuette, of course. Not every worthy movie and TV series even made the roster of contenders. They're truths that everyone should remember at every awards ceremony. Still, the rundown of newly minted 2025 Golden Globe winners spans an array of deserving folks and projects — and comes in less than a fortnight before the Oscars joins in, announcing its nominees on Saturday, January 17 Down Under time. Will the Academy Awards follow in these footsteps? And the Emmys later in the year, too? What else received some love? Here's the full list of 2025's Golden Globe winners and nominees (and you can also check out our rundown of victorious films and TV shows to watch right now): 2025 Golden Globe Winners and Nominees Best Motion Picture — Drama The Brutalist — WINNER A Complete Unknown Conclave Dune: Part Two Nickel Boys September 5 Best Motion Picture — Musical or Comedy Anora Challengers Emilia Pérez — WINNER A Real Pain The Substance Wicked Best Motion Picture — Animated Flow — WINNER Inside Out 2 Memoir of a Snail Moana 2 Wallace & Gromit: Vengeance Most Fowl The Wild Robot Cinematic and Box Office Achievement Alien: Romulus Beetlejuice Beetlejuice Deadpool & Wolverine Gladiator II Inside Out 2 Twisters Wicked — WINNER The Wild Robot Best Motion Picture — Non-English Language All We Imagine as Light Emilia Pérez — WINNER The Girl with the Needle I'm Still Here The Seed of the Sacred Fig Vermiglio Best Performance by a Female Actor in a Motion Picture — Drama Pamela Anderson, The Last Showgirl Angelina Jolie, Maria Nicole Kidman, Babygirl Tilda Swinton, The Room Next Door Fernanda Torres, I'm Still Here — WINNER Kate Winslet, Lee Best Performance by a Male Actor in a Motion Picture — Drama Adrien Brody, The Brutalist — WINNER Timothée Chalamet, A Complete Unknown Daniel Craig, Queer Colman Domingo, Sing Sing Ralph Fiennes, Conclave Sebastian Stan, The Apprentice Best Performance by a Female Actor in a Motion Picture — Musical or Comedy Amy Adams, Nightbitch Cynthia Erivo, Wicked Karla Sofía Gascón, Emilia Pérez Mikey Madison, Anora Demi Moore, The Substance — WINNER Zendaya, Challengers Best Performance by a Male Actor in a Motion Picture — Musical or Comedy Jesse Eisenberg, A Real Pain Hugh Grant, Heretic Gabriel Labelle, Saturday Night Jesse Plemons, Kinds of Kindness Glen Powell, Hit Man Sebastian Stan, A Different Man — WINNER Best Performance by a Female Actor in a Supporting Role in Any Motion Picture Selena Gomez, Emilia Pérez Ariana Grande, Wicked Felicity Jones, The Brutalist Margaret Qualley, The Substance Isabella Rossellini, Conclave Zoe Saldaña, Emilia Pérez — WINNER Best Performance by a Male Actor in a Supporting Role in Any Motion Picture Yura Borisov, Anora Kieran Culkin, A Real Pain — WINNER Edward Norton, A Complete Unknown Guy Pearce, The Brutalist Jeremy Strong, The Apprentice Denzel Washington, Gladiator II Best Director — Motion Picture Jacques Audiard, Emilia Pérez Sean Baker, Anora Edward Berger, Conclave Brady Corbet, The Brutalist — WINNER Coralie Fargeat, The Substance Payal Kapadia, All We Imagine as Light Best Screenplay — Motion Picture Jacques Audiard, Emilia Pérez Sean Baker, Anora Brady Corbet, Mona Fastvold, The Brutalist Jesse Eisenberg, A Real Pain Coralie Fargeat, The Substance Peter Straughan, Conclave — WINNER Best Original Score — Motion Picture Volker Bertelmann, Conclave Daniel Blumberg, The Brutalist Kris Bowers, The Wild Robot Clément Ducol, Camille, Emilia Pérez Trent Reznor, Atticus Ross, Challengers — WINNER Hans Zimmer, Dune: Part Two Best Original Song — Motion Picture 'Beautiful That Way', Andrew Wyatt, Miley Cyrus, Lykke Zachrisson, The Last Showgirl 'Compress / Repress', Trent Reznor, Atticus Ross, Luca Guadagnino, Challengers 'El Mal', Clément Ducol, Camille, Jacques Audiard, Emilia Pérez — WINNER 'Forbidden Road', Robbie Williams, Freddy Wexler, Sacha Skarbek, Better Man 'Kiss The Sky', Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi, The Wild Robot 'Mi Camino', Clément Ducol, Camille, Emilia Pérez Best Television Series — Drama The Day of the Jackal The Diplomat Mr & Mrs Smith Shogun — WINNER Slow Horses Squid Game Best Television Series — Musical or Comedy Abbott Elementary The Bear The Gentlemen Hacks — WINNER Nobody Wants This Only Murders in the Building Best Television Limited Series, Anthology Series or Motion Picture Made for Television Baby Reindeer — WINNER Disclaimer Monsters: The Lyle and Erik Menendez Story The Penguin Ripley True Detective: Night Country Best Performance by a Female Actor in a Television Series — Drama Kathy Bates, Matlock Emma D'arcy, House of the Dragon Maya Erskine, Mr & Mrs Smith Keira Knightley, Black Doves Keri Russell, The Diplomat Anna Sawai, Shogun — WINNER Best Performance by a Male Actor in a Television Series — Drama Donald Glover, Mr & Mrs Smith Jake Gyllenhaal, Presumed Innocent Gary Oldman, Slow Horses Eddie Redmayne, The Day of the Jackal Hiroyuki Sanada, Shogun — WINNER Billy Bob Thornton, Landman Best Performance by a Female Actor in a Television Series — Musical or Comedy Kristen Bell, Nobody Wants This Quinta Brunson, Abbott Elementary Ayo Edebiri, The Bear Selena Gomez, Only Murders in the Building Kathryn Hahn, Agatha All Along Jean Smart, Hacks — WINNER Best Performance by a Male Actor in a Television Series — Musical or Comedy Adam Brody, Nobody Wants This Ted Danson, A Man on the Inside Steve Martin, Only Murders in the Building Jason Segel, Shrinking Martin Short, Only Murders in the Building Jeremy Allen White, The Bear — WINNER Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television Cate Blanchett, Disclaimer Jodie Foster, True Detective: Night Country — WINNER Cristin Milioti, The Penguin Sofía Vergara, Griselda Naomi Watts, Feud: Capote Vs. The Swans Kate Winslet, The Regime Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television Colin Farrell, The Penguin — WINNER Richard Gadd, Baby Reindeer Kevin Kline, Disclaimer Cooper Koch, Monsters: The Lyle and Erik Menendez Story Ewan McGregor, A Gentleman in Moscow Andrew Scott, Ripley Best Performance by a Female Actor in a Supporting Role on Television Liza Colón-Zayas, The Bear Hannah Einbinder, Hacks Dakota Fanning, Ripley Jessica Gunning, Baby Reindeer — WINNER Allison Janney, The Diplomat Kali Reis, True Detective: Night Country Best Performance by a Male Actor in a Supporting Role on Television Tadanobu Asano, Shogun — WINNER Javier Bardem, Monsters: The Lyle and Erik Menendez Story Harrison Ford, Shrinking Jack Lowden, Slow Horses Diego Luna, La Máquina Ebon Moss-Bachrach, The Bear Best Performance in Stand-Up Comedy on Television Jamie Foxx, Jamie Foxx: What Had Happened Was Nikki Glaser, Nikki Glaser: Someday You'll Die Seth Meyers, Seth Meyers: Dad Man Walking Adam Sandler, Adam Sandler: Love You Ali Wong, Ali Wong: Single Lady — WINNER Ramy Youssef, Ramy Youssef: More Feelings The 2025 Golden Globes were announced on Monday, January 6, Australian and New Zealand time. For further details, head to the awards' website.
It's not every music festival that feels like a country weekend fete — and it's definitely not every music festival that feels like a country fete while being headlined by Rodriguez. But, hey, that's exactly what Fairgrounds 2016 promises to be. After a stellar debut last year — with Father John Misty headlining, no less — the boutique camping festival in the small NSW town of Berry is coming back this December. And the lineup has two big thumbs up from us. Taking over the local Berry Showgrounds on December 2 and 3, the two-day festival is making a triumphant return — much to the delight of everyone who went last year (including us). In a huge coup for the small festival in its second year, they've secured the legendary Rodriguez to headline on the Friday night. It's something of a self-fulfilling prophecy as the film in which Rodriguez is the subject, Searching for Sugar Man, was screened at the festival last year. Like last year, they've also nabbed some talent from Victoria's Meredith Music Festival, which will take place the weekend following Fairgrounds. In great news for NSW-bound music lovers, King Gizzard & the Lizard Wizard, Jagwar Ma, Angel Olsen and Japandroids will all be doing back-to-back festival weekends. There's a notable Aussie music presence (go team), with old hats The Drones and the ever-talented Sarah Blasko both playing the festival, along with Big Scary, who should be releasing their new album any day now. With a strong focus on the local NSW South Coast area, Fairgrounds isn't just about the tunes. Last year local nosh, market stalls and the local swimming pool played equally starring roles at this multifaceted festival — something we're sure made Berry residents pretty happy. Between watching films at the openair cinema, sack races, bouts of tug-of-war and dips in Berry's local pool (within the festival grounds and equipped with hectic DJ sets), punters feasted on local delights, from South Coast candy from Berry's own Treat Factory, and fresh rock oysters from An Australian Affair, harvested less than half an hour from the festival site. Plus pies, pies, pies, pies, pies. Straight-up, it warmed our jaded little hearts to see a smaller scale festival like Fairgrounds supporting local nosh, something still spearheaded by the likes of local loving' bigwigs like Bluesfest and Splendour. We can't wait to do it all again this year. Tickets go on sale tomorrow, Friday, August 19 at 9am. But we know what you're here for. Here's the full lineup. FAIRGROUNDS FESTIVAL 2016 LINEUP Rodriguez King Gizzard & The Lizard Wizard Angel Olsen Big Scary Jagwar Ma Japandroids Julia Jacklin Julien Baker Sarah Blasko Sheer Mag Son Little The Drones The Tallest Man on Earth Fairgrounds Festival will return to Berry on Friday 2 and Saturday 3 December, 2016. Onsite camping will once again be available from Friday. Tickets go on sale tomorrow, Friday, August 19 at 9am at fairgrounds.com.au. By Shannon Connellan and Lauren Vadnjal. Image: Andy Fraser.
Finally! After all the doom and gloom this past week of the Astor closing its doors and the Palais slowly falling apart, we finally have some good news out of St Kilda. The former George Cinemas are set to be renovated into a live performance hub this year with construction starting as soon as next Monday. Specialising in cabaret and music, the venue will be split into two performance spaces seating 500 and 250 people. While this is obviously another loss for cinema lovers, it's a great win for those that don't want to see another Melbourne icon torn down and transformed into apartment units. Closed from its original form in 2010, the George Cinemas have transformed a great deal over the last few years. In 2011, it enjoyed a very brief moment as Cinema Aurora. Then in 2013, it gained a great deal of popularity as the George Revival Cinemas. But bigger plans were in the works to build apartments on the lot. New owners Pace Development Group were planning an $11 million redevelopment of the space set for 2016. Now, the property has changed hands and it's been confirmed that those plans are dead. The new owner of the space is film and theatre producer Aleksander Vass. Returning to the site of his first ever show, Vass shows a commitment to the local arts scene. "I am determined to provide a place where high quality works can be staged, in a supportive, welcoming environment," he told The Age. All in all, it's a rare win for the little guys. And, while it may not restore the venue to its former film buff glory, cinephiles should take some solace: both performance spaces will be fully set up for film too. Via The Age and Herald Sun.
Rental life just got a little sweeter in Victoria, as the State Government today launches another big change to its rental laws. And your four-legged mate (or future fur-kid) is sure to be pretty happy with the outcome. The full suite of changes has been a long time coming, with Premier Daniel Andrews first announcing plans for a reform package way back in October 2017. And, while some of the approved changes have already been operating and others won't come into effect until this July, the reforms regarding owning a pet in a rental property launch today, Monday, March 2. Under the new laws of the Residential Tenancies Act, tenants are allowed to keep pets in their rental property with written consent from their landlord. You simply have to fill out one of Consumer Affairs Victoria's official 'Pet Request Forms' for each separate animal, which the landlord then has 14 days to respond to. The landlord can only refuse a pet request by applying to VCAT (Victorian Civil and Administrative Tribunal) and showing it's inappropriate to have one at the rental property. While requests can be refused if the property is not suitable for the type of pet, the council rules prohibit certain animals or if the pet may pose a threat to neighbours, overall, the law is set to make things a whole lot easier for potential fur-parents. Previously, there were no laws directly covering pets in rented homes. The new laws only apply to those moving into a new rental or getting a new pet after March 2, so, if you're already happily shacked up with an approved cat or doggo, you won't have to request permission again. And as always, assistance animals are exempt from any laws applying to 'pets'. Just remember that despite the newly eased pet regulations, there are still other rental laws in place to prohibit any damage to the property and nuisance to neighbours, including things like bad smells and persistent barking. So, your very good boy will still have to play by the rules. Other rental reforms have seen the introduction of new long-term leases (in effect from February, 2019) and a crack-down on implementing more than one rent increase for every 12 months (from June 2019). The full suite of changes will be brought in from July, 2020, including a ban on rental bidding, stricter rules affecting the landlord's right to enter a tenanted property, and an expanded definition for what's considered 'urgent repairs'. You can check out all the rental reforms at the Consumer Affairs Victoria website.
While it might be a multicultural food haven, and home to some of the best laksa in town, Flemington has always been a little slim on wine bars. But Nick Prendergast and Kim Heffernan, owners of Mount Alexander Road's newly hatched wine room The Fox & Daisy, are out to change all that. They've created a neighbourhood wine bar and bottle shop, where the focus is local — local wines, local cheese, local cured meats. Aimed at all degrees of wine obsession, it's a cosy, relaxed haunt, with a drinks list that runs from the old-world through to minimal-intervention drops. And, since it's sourcing most wines directly from the makers, it's delivering some seriously budget-friendly bottles, too. Expect to find plenty of great bottles for not much more than $20, takeaway. To match the largely Victorian booze lineup, the Fox & Daisy is dishing up a locally focused food offering, filled with bites that work a treat alongside a glass or two of vino. You'll find the likes of charcuterie and cheese from Savour and Grace, Thursday night's $35 wine and pâté deal (which includes two glasses), and maybe a cheesy raclette fondue once winter descends. Keep an eye out also for wine tasting masterclasses, vinyl-drenched Sunday sessions (complete with $5 pots and $10 Aperol spritzes) and the odd live act. Find The Fox & Daisy at 185 Mount Alexander Road, Flemington. It's open 3pm–10pm, Wednesday–Saturday and midday–10pm, Saturday and midday–7pm, Sunday.
Whenever a beloved sitcom comes to an end — as Brooklyn Nine-Nine will when it finishes up this year — it leaves a hole in your viewing schedule, and in your TV-loving heart. You can keep binging your favourites all over again, of course, and as many times as you like. But, although one-off specials, starry reunions and movie spinoffs keep happening more and more, you'll always be sad that you can't just look forward to a big batch of new episodes. The one silver lining: when the likes of Parks and Recreation and 30 Rock finished up their runs, the creatives behind them stayed in the sitcom game. Indeed, that's why B99 exists, and how The Good Place and Unbreakable Kimmy Schmidt came to our screens, too. And, over the past month or so, new shows from the key folks behind all of these series have just reached Stan. When it comes to Girls5eva, a word of warning: the hit song that brought titular fictional late 90s/early 00s girl group to fame is such an earworm, you'll be singing it to yourself for weeks after you binge through the sitcom that bears their name. That's to be expected given that Jeff Richmond, the composer behind 30 Rock and Unbreakable Kimmy Schmidt's equally catchy and comedic tunes, is one of the talents behind it. Tina Fey and Robert Carlock produce the series, too, so you what type of humour you're in for. Starring Sara Bareilles (Broadway's Waitress), Busy Philipps (I Feel Pretty), Renée Elise Goldsberry (Hamilton) and the great Paula Pell (AP Bio), Girls5eva follows four of the band's members two decades after their heyday. Their initial success didn't last, and life has left the now-fortysomething women at different junctures. Then a rapper samples their hit, they're asked to reunite for a one-night backing spot on The Tonight Show — and they then contemplate getting back together to give music another shot. As well as being exceptionally well-cast and immensely funny, the series is also bitingly perceptive about stardom, the entertainment industry and the way that women beyond their twenties are treated. Also, when Fey inevitably pops up, she does so as a dream version of Dolly Parton — and it's as glorious as it sounds. Check out the Girls5eva trailer below: Also now streaming its first season in full on Stan: Rutherford Falls. Michael Schur co-wrote and produced The Office, then did the same on Parks and Recreation and Brooklyn Nine-Nine, both of which he co-created as well. And, he gave the world The Good Place — which makes him one of the best in the business when it comes to kind-hearted, smart and savvy small-screen laughs. His new show continues the streak. Co-created with star Ed Helms and showrunner Sierra Teller Ornelas (Superstore), it boasts his usual charm and intelligence, too. And, as with every program he's had a hand in, it also boasts a top-notch lineup of on-screen talent. Plus, Rutherford Falls is immensely easy to binge in just one sitting, because each one of its ten first-season episodes leave you wanting more. The setup: in the place that gives the sitcom its name, Nathan Rutherford (Helms, Aunty Donna's Big Ol' House of Fun) runs the local history museum. One of his descendants founded the town, and he couldn't be more proud of that fact. He's also very protective of the towering statue of said ancestor, even though it sits in the middle of a road and causes accidents. So, when the mayor (Dana L.Wilson, Perry Mason) decides to move the traffic hazard, Nathan and his overzealous intern Bobbie (Jesse Leigh, Heathers) spring into action. Nathan's best friend Reagan Wells (Jana Schmieding, Blast) helps; however, the Minishonka Nation woman begins to realise just how her pal's family have shaped the fate of her Native American community. Also featuring a scene-stealing Michael Greyeyes (I Know This Much Is True) as the enterprising head of the Minishonka Nation casino, Rutherford Falls pairs witty laughs with warmth and sincerity, especially when it comes to exploring the treatment of First Nations peoples in America today. Check out the Rutherford Falls trailer below: The first seasons of Girls5eva and Rutherford Falls are available to stream via Stan.
When Robert De Niro asked his reflection who it was talking to, Joe Pesci questioned whether he was funny, and Leonardo DiCaprio crawled along the ground under the influence of Quaaludes, one man was responsible. Over a career spanning almost six decades, Martin Scorsese has brought tales of taxi drivers, goodfellas and wolf-like stockbrokers to the screen — and now an exhibition dedicated to his work is coming to Australia. From May 26 to September 18, the Melbourne's Australian Centre for the Moving Image (ACMI) will pay tribute to one of America's most iconic directors, exploring everything from his early experimental beginnings to the award-winning films that have shaped many a movie buff. If you're already a fan, you'll be in Scorsese heaven. If you've somehow resisted the charms of (or completely missed) the likes of Raging Bull, The Departed and Hugo — or his concert flicks such as The Last Waltz and Shine a Light, or even Boardwalk Empire and Vinyl on TV — then prepare to have your eyes opened. [caption id="attachment_561113" align="aligncenter" width="1280"] Exhibition section "New York". Photo: Deutsche Kinemathek / M. Stefanowski, 2013.[/caption] In its only Australian stop after wowing Berlin, Ghent, Turin and Paris, SCORSESE will present a collection of more than 600 objects spanning the filmmaker's entire cinema resume, as curated by the Deutsche Kinemathek, Berlin's Museum of Film and Television. Expect storyboards, hand-annotated film scripts, unpublished production stills, costumes, film clips and more, all drawn from the private collections of De Niro, Taxi Driver writer Paul Schrader, and Scorsese himself. No ACMI exhibition would be complete without a bustling lineup of screenings, talks and other events, so expect plenty of those as well. The complete program is yet to be announced, but we'd advise blocking out a few days to delve into the influence and impact of the guy who hasn't only mastered movies, but directed the music video for Michael Jackson's 'Bad' too. SCORSESE will run from May 26 to September 18 at ACMI in Melbourne. For more information, visit the ACMI website. Top image: Ray Liotta, Robert DeNiro, Paul Sorvino, Martin Scorsese, Joe Pesci in GOODFELLAS, USA (1990). Source: Sikelia Productions, New York.
If you're a Lorde fan, there's no better news than this: in February 2026, the 'Royals', 'Green Light', 'Solar Power' and 'What Was That' singer-songwriter will hit the stage in both Australia and New Zealand. The Aotearoan star's Ultrasound world tour has just locked in gigs Down Under, heading to six cities across the two countries, making dates with arenas at every stop. Ella Yelich-O'Connor last took her Solar Power tour to both nations in 2023. This time, as part of a run of concerts that begins in September 2025 in the US — and also includes gigs in Canada, the UK and across Europe before this year is out — she has levelled up venue-wise. First up on Wednesday, February 11, 2026 is Spark Arena in Lorde's native Auckland, then Wolfbrook Arena in Christchurch on Friday, February 13, 2026. After that, she's hopping across the ditch to play Brisbane Entertainment Centre on Monday, February 16, 2026; Qudos Bank Arena in Sydney on Wednesday, February 18, 2026; Melbourne's Rod Laver Arena on Saturday, February 21; and finally Perth Arena on Wednesday, February 25. [caption id="attachment_1012900" align="alignnone" width="1920"] Thistle Brown[/caption] The tour dates come fresh from Yelich-O'Connor's surprise 2025 Glastonbury set, as well as her fourth album Virgin releasing at the end of June, with the latter debuting at number one in Australia and New Zealand alike. This is her biggest tour of her career in general, too, with nights at the likes of Madison Square Garden in New York City and O2 Arena in London already sold out. Featuring the aforementioned 'What Was That' — her first original new track in four years — alongside 'Man of the Year', 'Hammer', 'Favourite Daughter' and 'Shapeshifter', Virgin also hit number one in the UK and number two on the Billboard 200 chart in the US. [caption id="attachment_1012904" align="alignnone" width="1920"] Joseph Okpako/WireImage[/caption] There might be a three-year gap between Lorde's last Down Under shows and her upcoming Ultrasound tour concerts; however, in addition to writing and recording Virgin, she's been busy making a surprise Sydney club appearance back in May 2025 at a Lorde-themed night. Since 2013, when her debut record Pure Heroine arrived, Yelich-O'Connor has also released 2017's Melodrama and 2021's Solar Power, won two Grammys, picked up a Golden Globe nomination for 'Yellow Flicker Beat' from the soundtrack for The Hunger Games: Mockingjay — Part 1 and notched up over 18 billion streams worldwide. Lorde Ultrasound World Tour 2026 Australian and New Zealand Dates Wednesday, February 11 — Spark Arena, Auckland Friday, February 13 — Wolfbrook Arena, Christchurch Monday, February 16 — Brisbane Entertainment Centre, Brisbane Wednesday, February 18 — Qudos Bank Arena, Sydney Saturday, February 21 — Rod Laver Arena, Melbourne Wednesday, February 25 — Perth Arena, Perth [caption id="attachment_1012901" align="alignnone" width="1920"] Thistle Brown[/caption] Lorde is touring Australia and New Zealand in February 2026, with ticket presales from 1pm local time on Tuesday, July 15, 2025 and general sales from 2pm on Friday, July 18, 2025 — head to the tour website for more details. Top image: Joseph Okpako/WireImage.
This part of the multiverse mightn't boast chefs controlled by raccoons, talking rocks and hot dog fingers, but it has turned a mind-bending movie spanning all of the above into one of the year's big awards contenders. Everything Everywhere All At Once is one 2022's very best movies, too, and it might soon have some shining trophies for its troubles from the 2023 Golden Globes. Awards season is upon us again, because the end of the year doesn't just mean all things jolly and merry — and the beginning of the new year isn't just about fresh starts and resolutions you likely won't keep, either. The Golden Globes will unveil its latest batch of winners on Wednesday, January 11 Australian and New Zealand time, but its just-announced list of nominees features plenty to get excited about, including a heap of 2022's must-see movies and TV shows. While the Oscars cover films and the Emmys focus on television, the Golden Globes spread its gongs across both formats, meaning that big-screen hits like Elvis and Top Gun: Maverick have scored some love, and so have small-screen favourites such as Severance and Wednesday. Topping the nominations on the movie side is standout Irish comedy The Banshees of Inisherin, including nods for stars Colin Farrell and Brendan Gleeson. School-set sitcom Abbott Elementary — think Parks and Recreation, but in a Philadelphia public school — leads the TV contenders. Reuniting Farrell, Gleeson and their In Bruges director Martin McDonagh, The Banshees of Inisherin nabbed eight noms, with Everything Everywhere All at Once picking up five, including for actors Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis. Next on the list, Damien Chazelle's Babylon and Steven Spielberg's The Fabelmans each turned their love letters to cinema into five nominations. On the small screen, Abbott Elementary picked up five nods, followed by The White Lotus, DAHMER — Monster: The Jeffrey Dahmer Story, The Crown, Pam & Tommy and Only Murders in the Building with four each. Other highlights include Glass Onion: A Knives Out Mystery scoring a nomination for Best Motion Picture – Musical or Comedy, and Daniel Craig for Best Actor in the same category; Emma Thompson's Best Actress nod in the same genre for Good Luck to You, Leo Grande; both Decision to Leave and RRR among the non-English language picks; and Angela Bassett receiving some Best Supporting Actress love for Black Panther: Wakanda Forever. And, there's The Bear picking up two noms (including for lead Jeremy Allen White) in the TV fields, Diego Luna's Andor nomination, Zendaya's Euphoria nod and Better Call Saul's final season being recognised, too. Although there's plenty to celebrate among this year's contenders — including a hefty showing for Australians, including Baz Luhrmann's Best Director nom for Elvis, and Cate Blanchett, Margot Robbie, Hugh Jackman and Elizabeth Debicki all picking up acting nominations (for Tár, Bablyon, The Son and The Crown, respectively) — the Globes are sadly back to ignoring women directors. If you're wondering what else is in the running, here's the full list of nominations: GOLDEN GLOBE NOMINEES: BEST MOTION PICTURE — DRAMA Avatar: The Way of Water Elvis The Fabelmans Tár Top Gun: Maverick BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — DRAMA Cate Blanchett, Tár Olivia Colman, Empire of Light Viola Davis, The Woman King Ana de Armas, Blonde Michelle Williams, The Fabelmans BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA Austin Butler, Elvis Brendan Fraser, The Whale Hugh Jackman, The Son Bill Nighy, Living Jeremy Pope, The Inspection BEST MOTION PICTURE — MUSICAL OR COMEDY Babylon The Banshees of Inisherin Everything Everywhere All at Once Glass Onion: A Knives Out Mystery Triangle of Sadness BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY Lesley Manville, Mrs. Harris Goes to Paris Margot Robbie, Babylon Anya Taylor-Joy, The Menu Emma Thompson, Good Luck to You, Leo Grande Michelle Yeoh, Everything Everywhere All at Once BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Diego Calva, Babylon Daniel Craig, Glass Onion: A Knives Out Mystery Adam Driver, White Noise Colin Farrell, The Banshees of Inisherin Ralph Fiennes, The Menu BEST MOTION PICTURE — ANIMATED Guillermo del Toro's Pinocchio Inu-Oh Marcel the Shell With Shoes On Puss in Boots: The Last Wish Turning Red BEST MOTION PICTURE — NON-ENGLISH LANGUAGE All Quiet on the Western Front Argentina, 1985 Close Decision to Leave RRR BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE Angela Bassett, Black Panther: Wakanda Forever Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All at Once Dolly De Leon, Triangle of Sadness Carey Mulligan, She Said BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Brendan Gleeson, The Banshees of Inisherin Barry Keoghan, The Banshees of Inisherin Brad Pitt, Babylon Ke Huy Quan, Everything Everywhere All at Once Eddie Redmayne, The Good Nurse BEST DIRECTOR — MOTION PICTURE James Cameron, Avatar: The Way of Water Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once Baz Luhrmann, Elvis Martin McDonagh, The Banshees of Inisherin Steven Spielberg, The Fabelmans BEST SCREENPLAY — MOTION PICTURE Todd Field, Tár Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once Martin McDonagh, The Banshees of Inisherin Sarah Polley, Women Talking Steven Spielberg, Tony Kushner, The Fabelmans BEST ORIGINAL SCORE — MOTION PICTURE Carter Burwell, The Banshees of Inisherin Alexandre Desplat, Guillermo del Toro's Pinocchio Hildur Guðnadóttir, Women Talking Justin Hurwitz, Babylon John Williams, The Fabelmans BEST ORIGINAL SONG — MOTION PICTURE 'Carolina' by Taylor Swift, Where the Crawdads Sing 'Ciao Papa' by Alexandre Desplat, Guillermo del Toro, Roeban Katz, Guillermo del Toro's Pinocchio 'Hold My Hand' by Lady Gaga, BloodPop, Benjamin Rice, Top Gun: Maverick 'Lift Me Up' by Tems, Rihanna, Ryan Coogler, Ludwig Göransson, Black Panther: Wakanda Forever 'Naatu Naatu' by Kala Bhairava, M.M. Keeravani, Kala Bhairava, Rahul Sipligunj, RRR BEST TELEVISION SERIES — DRAMA Better Call Saul The Crown House of the Dragon Ozark Severance BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — DRAMA Emma D'Arcy, House of the Dragon Laura Linney, Ozark Imelda Staunton, The Crown Hilary Swank, Alaska Daily Zendaya, Euphoria BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — DRAMA Jeff Bridges, The Old Man Kevin Costner, Yellowstone Diego Luna, Andor Bob Odenkirk, Better Call Saul Adam Scott, Severance BEST TELEVISION SERIES — MUSICAL OR COMEDY Abbott Elementary The Bear Hacks Only Murders in the Building Wednesday BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — MUSICAL OR COMEDY Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Selena Gomez, Only Murders in the Building Jenna Ortega, Wednesday Jean Smart, Hacks BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Donald Glover, Atlanta Bill Hader, Barry Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jeremy Allen White, The Bear BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Black Bird DAHMER — Monster: The Jeffrey Dahmer Story The Dropout Pam & Tommy The White Lotus BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Jessica Chastain, George and Tammy Julia Garner, Inventing Anna Lily James, Pam & Tommy Julia Roberts, Gaslit Amanda Seyfried, The Dropout BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Taron Egerton, Black Bird Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Evan Peters, Dahmer — Monster: The Jeffrey Dahmer Story Sebastian Stan, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION Jennifer Coolidge, The White Lotus Claire Danes, Fleishman Is in Trouble Daisy Edgar-Jones, Under the Banner of Heaven Niecy Nash, Dahmer — Monster: The Jeffrey Dahmer Story Aubrey Plaza, The White Lotus BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION F. Murray Abraham, The White Lotus Domhnall Gleeson, The Patient Paul Walter Hauser, Black Bird Richard Jenkins, Dahmer — Monster: The Jeffrey Dahmer Story Seth Rogen, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES Elizabeth Debicki, The Crown Hannah Einbinder, Hacks Julia Garner, Ozark Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES John Lithgow, The Old Man Jonathan Pryce, The Crown John Turturro, Severance Tyler James Williams, Abbott Elementary Henry Winkler, Barry The 2023 Golden Globes will be announced on Wednesday, January 11 Australian and New Zealand time. For further details, head to the awards' website.
Set amongst the rolling hills of Wahgunyah in the Rutherglen region, family-owned, heritage-listed winery All Saints Estate is now home to this stellar flagship restaurant. It's named KIN in a nod to the relationship tying All Saints co-owners, siblings Eliza, Nick and Angela Brown. Part of the winery's multimillion-dollar redevelopment, the 120-seat restaurant is housed within a 159-year-old heritage-listed castle, its indoor-outdoor space transformed into a light-filled dining oasis courtesy of acclaimed firm Technē. With stints at the likes of Jackalope and Bistro Guillaume under his belt, KIN's Executive Chef Jack Cassidy is plating up a menu that heroes regional produce and the estate's own wines, drawing inspiration from long-held Brown family recipes. It's also brimming with produce grown onsite. You'll experience it all via a two- or three-course set spread ($75/95) of modern Australian flavours. Perhaps you'll tuck into a kangaroo tartare elevated with black garlic and rye, rainbow trout paired with dill and smoked chilli, or an assembly of roast eggplant, bush tomato and kale. Bone marrow might be served alongside a top-quality piece of striploin with a marble score of four, while pumpkin is teamed with caramelised whey and ricotta salata. And dessert fiends can look forward to creations like the compressed strawberry matched with sorbet made on the All Saints Estate Durif. Wines come courtesy of All Saints' renowned catalogue, as well as fellow Brown family winery St Leonards Vineyard. A crop of local beers and booze-free drops rounds out the fun. Images: Kate Shanasy
In 2023, Melbourne welcomed a brand new reason to explore the city in the thick of winter, and to make the most of the Victorian capital's arts and culture scene whether you're a local or looking for an excuse to visit. Announced in November 2022, then taking place in August 2023, Now or Never was that event — a sprawling fest filled with music, performances, installations, talks and more. Mark your calendars for 2024, because it's coming back again this year. The dates for your diary: Thursday, August 22–Saturday, August 31. The fest returns after proving a success on its first run, which featured work from 300 artists and creatives. This year's theme: 'look through the image', which is set to hone in on imagination, emotions and contemplation. While the program won't start being released until the end of May — with the full lineup dropping at the end of June — Now or Never will have big shoes to fill based on 2023's debut. Its highlights included Melbourne's historic Royal Exhibition Building hosting its first large-scale live music performances in over 20 years; Never Permanent, a one-day Semi Permanent headlined by Roman Coppola; and a 1.2-kilometre art trail through Docklands. Also helping usher in the first-ever Now or Never in a big way: a 360-degree cinema dome in the Melbourne Museum forecourt; 70-plus music performances in two days in a heap of other notable Melbourne spots; sculptural illuminations and projections over the Shrine of Remembrance. And that's only a small section of 2023's program. "After making an incredible debut last year, the City of Melbourne's newest festival Now or Never is back in 2024. The inaugural festival attracted more than 150,000 people into the city — generating almost $14 million in economic impact and supporting hundreds of local jobs and businesses," said Melbourne Lord Mayor Sally Capp, announcing the fest's return. "Now or Never will feature leading local and international artists and creatives across a program of groundbreaking music and audio-visual performances, immersive art installations, provocative talks, spectacular technology and much more." "We are focussed on bringing Melbourne to life in quieter periods like over the winter months. Major events are an enormous drawcard for tourists and visitors to Melbourne, providing a significant boost to the economy," added City Activation portfolio lead Councillor Roshena Campbell. Now or Never will pop up to cap off the coldest season of the year after RISING also fills the city with a feast of art, music and performances — a 2024 lineup that spans 105 events featuring 480-plus artists, in fact — to start off winter, running from Saturday, June 1–Sunday, June 16. Now or Never 2024 runs from Thursday, August 22–Saturday, August 31 around Melbourne — head to the festival website for further details.
One great thing about street art and public art is the way they make you see your surroundings in a different way, and draw your attention to spaces you might not have noticed otherwise. French artist Julien Coquentin has captured this in Please Draw Me a Wall, a photo series that playfully blends fantasy with reality. The photos include things like a man with a fishing rod in front of a wall of painted fish, or a little girl in a red coat staring at what appears to be a wolf. Coquentin hasn't revealed the location of the images, but Paris would probably be the most likely — the city is known for its vibrant street art scene and Coquentin is currently living in France. See more of Coquentin's images on his website or on his Behance page. Via Flavorwire
Melbourne's very own gentlemen of synth-pop are returning home to spread the good vibes and, as always, pack out the dance floor. Cut Copy's fourth album, Free Your Mind, was released last year and is probably the closest thing they have to a concept album, as it's hugely influenced by the Summers of Love in 1967 and 1989 according to lead singer Dan Whitford. It's strange to think that it's been 10 years since their debut album, Bright Like Neon Love, was released but at the same time exciting to see a band that tackles new ground while staying true to their original ideals. If their latest performance at this year's Golden Plains is anything to go by, punters can expect plenty of the new stuff and past favourites such as 'Hearts On Fire', 'So Haunted' and 'Need You Now'. Touch Sensitive and Nile Delta will be joining Cut Copy for a night that is sure to be all about the lights and music. For more, check out our interview with Cut Copy. https://youtube.com/watch?v=xPRJVKtrCCk
Northeast Party House will be dominating The Corner with two shows over the weekend to launch their highly anticipated debut album. Any Given Weekend features dance floor fillers such as 'Youth Allowance' and 'Fake Friends', which are sure to stir a rambunctious crowd. Latest single off the album, 'The Haunted', is a great example of the strong songwriting chops and poppy hooks you can expect from the stellar debut record as a whole. Forming in 2010, these six Melbourne lads began by playing at warehouse parties, and their reputation for delivering high-energy live performances has stayed strong. Northeast Party House's alternative dance rock is chaotic but never sloppy, and always wildly fun. Northeast Party House were kind enough to pen us an ode the Palace Theatre a couple of weeks back. Have a read here. https://youtube.com/watch?v=yU63Pertfk8
It’s been an excellent year thus far for songwriting duo Timothy Carroll and Oscar Dawson, better known as Holy Holy. Their highly listenable, nostalgic indie rock has been winning new fans left, right and centre since the release of their hypnotic debut album When The Storms Would Come in July. Carroll and Dawson are currently embarking on a national tour, and an extra date has been added to their Melbourne show at Howler due to popular demand. It's set to be a full-house both on and offstage, as Carroll and Dawson will be joined by Melbourne band Fractures and Edward R on both evenings. Also joining them on the tour will be permanent drummer Ryan Strathie (Hungry Kids Of Hungary, Andy Bull), touring bassist Graham Ritchie (Airling, Emma Louise), and Brisbane-based producer Matt Redlich as their touring keys player. Once this national tour wraps up, Holy Holy are off to embark on a UK and Europe tour that will see the band playing a string of solo shows and festival gigs. This will be Holy Holy’s second overseas tour for the year, so let’s give them the send-off they deserve.
New York indie duo Cults are in town for Groove in The Moo, but plan to stick around in Australia for a few sideshows. Last time Cults were here was in 2012 when they played a joint sideshow with The Drums as they toured for the St Jerome's Laneway Festival. This time Cults have centre stage all to themselves, and it's about time. The twinkling indie-pop perfection that is 'Go Outside' has earned Cults an adoring fan base since their self-titled release in 2011. Their second studio album, Static, takes things to a darker place; 'Were Before' and new single 'High Road' are perfect examples of their new sound. Regardless, Madeline Follin's vocals continue to float above Brian Oblivion's production, and it is a wonderful world to get lost in. https://youtube.com/watch?v=c-jKfLXYQqw
The music management and publicity legends over at Good Manners have already proven themselves once before as excellent party starters. They had such a ball last time they’ve decided to go a second round, with a big electronic music lineup going down at Boney. This time we’ll see the likes of Cleopold, Martin King and Asdasfr Bawd, with DJ sets from Edd Fisher, Banoffee, Klo and Good Manners, as well as a guest appearance by DJ $killz. If the anticipation is all getting a bit too much for you, never fear. You can check out Martin King’s mix he’s prepared earlier below. All the good times to be had with the good people of Good Manners will only cost you a cheeky tenner. If that’s not a polite offer, we don’t know what is.
These boys from Brisbane are bringing their slash rock to The Corner this May as they tour their newly released second album, Black Rat. If you were all about the heavy crashes found on their debut album, Bloodstreams, then you won't be disappointed with the new material. The latest single, 'Gina Works At Hearts', has plenty of that raw energy fans have come to know them by. Having said that, Black Rat was recorded in a more experimental manner with Drones' producer Burke Reid, and the results aren't your average balls to the wall ragers. First single 'Northern Lights' is proof that this band has bigger ideas, experimenting with a textured, more anthemic style of rock. Because of this new approach and sound, Simon and Shane will be joined by special guest guitarists during their national tour. But who will it be? You'd better get along and find out. https://youtube.com/watch?v=FhJ0grMCKYc
Cross-dressing spitfire MC Mykki Blanco is in the country for Dark Mofo, heading north afterward to blow Melburnian minds at the Hi-Fi. One seriously multitalented artist, NYC-based Blanco is a rapper, performance artist and poet who grew up listening to riot grrrl music. The significantly internet-hyped New Yorker's setlist will inevitably include writhing party jam 'Wavvy' and heavier tracks like the recently released 'Initiation' — both as likely to intrigue audiences as attract them to the dance floor. Think bass heavy, post-trap anthems with a killer MC at the helm. While Blanco certainly stands out and makes her presence felt, she doesn't aim to make a 'statement' as such; rather fluidly transcending many identities. https://youtube.com/watch?v=w39Fxx10CEI
Man, these guys are slaying alternative rock in Australia right now — and for all the right reasons. After a bout of intense national touring with Groovin The Moo and an unforgettable One Night Stand set earlier this year, it's clear that Australian audiences can't seem to get enough of these four guys from Mansfield, Queensland. Violent Soho's latest album, Hungry Ghost, was welcomed with open arms last year by those looking to thrash around in damp mosh pits. With anthemic tracks such as 'Covered in Chrome', 'In the Aisle' and 'Saramona Said', this headliner gig is sure to be an epic evening of sweaty enthusiasm. Over a whopping 14-date national tour (plus Splendour), Violent Soho will be joined by brothers-in-arms The Smith Street Band and Luca Brasi for various shows — either way, it's going to be well worth rocking up for the support band ahead of the main event. Just don't wear precious threads and make sure you come to the Hi-Fi ready to burl out a gravelly singalong. https://youtube.com/watch?v=RN9NC4iQcsA
Bonsai may be an ancient art form, but it certainly isn’t dead. Originating in China as 'penjing', it was eventually accumulated by the Japanese as a form of living sculpture, with its natural intricacies making each bonsai unique and beautiful. These beloved qualities of bonsai are highlighted in the work of Barry and Luke Yeoward of Chojo Feature Trees. For Impressions of Japan, their collection of Australian bonsai represents the modern Melbourne contribution to this ancient artform, which is enjoying a resurgence all over the world. To accompany the bonsai, Melbourne-based photographer Nicole Reed will be displaying her work that focuses on urban sprawl, decay and abandon. Also joining the exhibition is tattoo artist Andrew McLeod (Chapel Tattoo). Specialising in traditional, Japanese, Eastern and portrait styles, McLeod’s paintings and traditional designs are highly sought after in both Melbourne and beyond.
After throwing open the doors to its new development in Brisbane in 2018 and announcing it'll be laying foundations in Sydney as well, the next destination on the horizon for luxe hotel chain W Hotel will be Melbourne. W Melbourne is slated to open in December 2020 on Collins Street in the middle of Melbourne's shopping heartland. Following Brisbane's ten-gallon baths and Sydney's flashy pool deck overlooking the harbour, the Melbourne digs look to be no less indulgent. W Melbourne will encompass 294 rooms and 29 suites, including an 'Extreme Wow Suite', which has its own 40-square-metre balcony with views of the Yarra, a jukebox and cocktail bar. Designed by New York-based Shop Architects, global design firm Woods Bagot and interior designers Hachem, W Melbourne will also house a 14th-floor spa, gym and a heated indoor pool with a gold-adorned roof, as well as a poolside bar and DJ decks. And, for those needing function space, W will have more of it than you can physically fill (under current COVID-19 restrictions, at least) — a 830-square metre space for conferences, meetings or holding lush balls. [caption id="attachment_673553" align="alignnone" width="1920"] Collins Arch[/caption] On the food and drinks front, you'll have four in-house venues to choose from. The 30-seat Warabi will be your go-to for Japanese fine dining, while Lollo will be run by a "renowned local chef" — we'll let you know exactly who that is when it's announced. Curious bar promises an "all-night experience" like "falling down a rabbit hole" and Culprit will flip from a cafe during the day to a wine bar at night. Functioning, too, as the bottom 20-storeys of a towering new precinct called Collins Arch, W Melbourne will sit on Flinders Lane. The $1.3 billion new precinct will be comprised of two towers of commercial, residential and retail spaces, joined at the top by a dramatic sky bridge. With international travel looking like it'll be off the cards for Australians for a little while longer, the opening of the dramatic W Hotel may be a good excuse to plan a trip to Melbourne or staycation when the hotel opens. W Melbourne is slated to open on Flinders Lane in December 2020.
Howler is dishing out the artistic hugs for this year’s Love Street Festival. This one-day affair will feature an exceptional lineup of local folk, country and blues artists including Immigrant Union, Saint Jude, The Darling Downs, Broads and many more. DJ sets from some of Melbourne’s best are set to close the night, so don’t forget to put on your dancing shoes before heading out the door. As well as music, Love Street also features an eclectic arts program of dance, projection, puppetry, performance art and spoken word. Unlike many other music festivals held in Melbourne’s warmer months, this little beauty will only set you back a cheerful $25 (plus booking fee). The festivities will start at 4pm and end just before midnight, so you’ll be tucked into bed at a respectable hour before beginning the work week. To end your weekend in the best way possible, all you need is love. Image: Saint Jude.
For anyone needing a quick history lesson, Catherine the Great ruled in Russia from the mid to late 18th century (Russia's longest-ruling female leader) and was an incredible patron of the arts, literature and education. The world-renowned Hermitage Museum started off as her own private collection, and today is one of the world's most renowned galleries. Lucky for us, the NGV is playing host to some of the greatest exhibited pieces from the Hermitage, featuring work from European masters such as Rembrandt, Rubens, Titian and Van Dyck. As well as the exhibition's impressive collection of artwork, there will also be exquisite objects from Catherine’s boudoir on display — including items from Catherine’s makeup set and her personal mirror, casually adorned with over 400 diamonds. Experience some of the world’s finest works produced by French, German, Chinese, British, Dutch and Flemish artists in the 18th Century, and learn a little more about Catherine (or really, Sophie Friederike Auguste von Anhalt-Zerbst-Dornburg), the champion of the arts. HEY! IS YOUR NAME ALSO CATHERINE? The NGV is offering free entry to Masterpieces from the Hermitage for visitors with the name Catherine (including variations of the name) on ‘Catherine Day’, Tuesday, October 6. If you're feeling name-proud, Catherines are also invited to participate in a photo at 10.30am on ‘Catherine Day’ outside the exhibition space to celebrate one of the greatest Catherines of them all, Catherine the Great.
Sydney artist Emily Hunt is bringing her latest exhibition das schwerste Gewicht (The Heaviest Weight) to Melbourne, featuring new examples of dioramas, drawings, etchings and ceramics. Hunt’s art focuses on both the grotesque and the ornamental, as she builds from her incredible piece from last year, ‘Doctrine of Eternal Recurrence’. That work featured a giant kinetic train set that from a distance appeared to be a saccharine coloured utopia. On closer inspection, however, the story is considerably darker, and in some instances brutally damning. Hunt works primarily in printmaking (specifically, etching), watercolour, collage and ceramics. Her new pieces for Chapter House Lane will refer back to the train set, in a response to what she sees in the world around her – from great injustices to the disappointingly bland. Get lost in Hunt’s miniature worlds, if you dare. Image: Emily Hunt, Doctrine of Eternal Recurrence, 2014, plaster, ceramics, plastic, found objects, enamel paint, 2.4 x 2.4 metres. Image courtesy the artist and The Commercial, Sydney. Photo by Brenton McGeachie. Emily Hunt is represented by The Commercial, Sydney.
There is something truly mesmerising about watching bands with many members coordinate themselves on stage to sonically blow your mind. Whether you’re after some feel-good folk classics like 'Home', or if you’re more interested in their newer tunes like 'Better Days', the whole experience is bound to be nothing short of delightful. Edward Sharpe and the Magnetic Zeros' self-titled album that they released last year is all about the L.O.V.E. They've captured the jangly nursery rhyme pop reminiscent of The Beatles’ ‘Yellow Submarine’ days, and as a result produced a perfect hazy summertime record. If you’re unable to see this loveable hippy band in Byron at this year’s Bluesfest, get down to the Palace and get there early; Mt Warning are the support act. If you’re longing for the sunshine and chill times of summer, this concert will be your closest substitute.
It was back in September 2022 that Weird: The Al Yankovic Story first hit screens, premiering at the Toronto International Film Festival with its happily ridiculous take on its namesake's life, and with Daniel Radcliffe (The Lost City) sporting a mop of curls to play the titular part. And, it was in November last year that the film became available to stream in the US, releasing via The Roku Channel. Since then, however, there has been no sign of the movie Down Under. That is, unless you took Weird Al's advice. The man himself noted on Twitter at the time that "Roku's working on it. In the meantime there's VPN (Very Probably No) way to watch it legally. I'm sure you have a TORRENT of other questions, but I have to move along, sorry." Roku's working on it. In the meantime there's VPN (Very Probably No) way to watch it legally. I'm sure you have a TORRENT of other questions, but I have to move along, sorry. — Al Yankovic (@alyankovic) November 5, 2022 Thankfully, come Thursday, March 2, Weird: The Al Yankovic Story will finally hit streaming in Australia thanks to Paramount+. When you're not getting yourself and egg and beating it, you might want to mark that date in your diary. This is the 100-percent Weird Al-authorised take on his own accordion-playing existence, so expect 'weird' to be the word in more ways than one. Indeed, in too many music biopics to count, a star is born — and also rises to fame after putting their talents towards a dream that's inspired them as long as they can remember. Weird: The Al Yankovic Story follows that same formula, but also parodies it. It wouldn't be a movie about Weird Al if it didn't take something that already works, then give it a satirical spin, now would it? "My whole life, all I wanted was to do... was make up new words to a song that already exists," Yankovic, as played by Daniel Radcliffe (The Lost City), says Weird's full trailer — which, yes, looks gloriously ridiculous. This line bookends glimpses of a childhood Al happily thumbing through accordion magazines and getting caught at a polka party. In other words, this humorous look at the man behind oh-so-many humorous songs takes the exact approach a film about Weird Al really has to. Viewers can also expect: accordions, obviously; recreations of Weird Al's film clips and live performances; oh-so-many Hawaiian shirts; chaotic meetings with Madonna, as played by Westworld's Evan Rachel Wood; and origin stories behind tracks like 'My Bologna' and 'Like a Surgeon'. Beneath wire-framed glasses, those shirts, that hair and Yankovic's instantly recognisable moustache — and in a piece of casting that seems like it jumped straight from the internet — Radcliffe looks to be having the time of his life as the musician behind 'Another One Rides the Bus', 'Smells Like Nirvana' and 'Amish Paradise', plus comedic riffs on pretty much every other big song of the past four-plus decades that you can think of. Yankovic is one of the screenwriters, alongside director Eric Appel (a TV sitcom veteran with Happy Endings, New Girl, Brooklyn Nine-Nine and top-notch cop-show parody NTSF:SD:SUV on this resume). If the man in the spotlight's career has taught us all anything apart from the wrong words to pop hits, it's that he doesn't take a single thing, including himself, seriously. Weird: The Al Yankovic Story will hit Paramount+ in Australia with perfect timing, because Yankovic is touring the country in March, playing Melbourne, Adelaide, Sydney, Perth and Brisbane. Check out the trailer for Weird: The Al Yankovic Story below: Weird: The Al Yankovic Story will stream in Australia from Thursday, March 2 via Paramount+.
Starting out as a late-night snack stop for nightclub punters in Perth, Pretzel has just opened the doors to its first two Melbourne outposts making baked-to-order pretzels loaded with tasty toppings. The biggest and brightest of the two is in South Yarra — and you definitely won't miss this vibrant store as you make your way down Chapel Street. Pink from floor to ceiling, the colour blocked shop plays with velvet chairs, neon signs and numbered doors with a wall of retro motel-style keyrings (that, yes, you can purchase). Inside, you'll see staff swiftly rolling dough and shaping them into pretzels that are cooked to order and topped with the likes of cheese, bacon, chilli and chocolate (thankfully, not together). After making pretzels for five years, owner and founder Brittany Garbutt decided to venture out and expand the flavour horizons of this humble snack. While the classic cinnamon is a crowd favourite, flavours like The Lot with three cheeses, pepperoni and bacon ignite the taste buds in a similar way to a cheesy pizza, but with the added layer of enjoying it on more soft, doughy pastry. [caption id="attachment_758354" align="alignnone" width="1920"] Julia Sansone[/caption] Those looking for something slightly more adventurous can try the Chipotle & Cheese pretzel loaded with a jalapeños and a smoky chipotle sauce. Or, if sweet is more your thing, order the salted caramel, coconut or mint slice glazed numbers. If you're thinking these salty, doughy numbers would go down a treat after a beer or two (or ten), you'd be right. And, thankfully, they're available late, with the shop opening till 2.30am on Friday and Saturday. While pretzels are popular food overseas, the team at Pretzel say they hope to popularise the oft-forgotten-about soft pretzel here in Australia. If you're not down south side often, Pretzel also has a newly opened store in ELLA Melbourne Central. Images: Julia Sansone
Paula Scher has been painting maps since the 1990s. Using vibrant colours and stunning detail, some of these paintings have grown to stand at over 12 feet tall. 39 of her works of art have now been collected in her new book, aptly titled MAPS. The paintings actually house a remarkable amount of substantial information. In one painting, named 'International Air Routes', she has included flight paths and names of different airlines, while 'World Trade' has international currencies and trade routes. All of this information is crammed into an array of colours and geographical lines, which really have to be seen to be believed. Importantly, her book features close-up shots so the reader can truly appreciate every intricacy. Scher says "I began painting maps to invent my own complicated narrative about the way I see and feel about the world. I wanted to list what I know about the world from memory, from impressions, from media, and from general information overload. These are paintings of distortions.” In her book you will find maps of everywhere from China to New York City. Not only visually stimulating, Scher's pieces offer an individual distortion of the world and strong commentary about our society and often chaotic lifestyles. [via Cool Hunting]
If you thought deciding where to go for dinner with your significant other was difficult, try organising a date with another couple entirely. Oof. But if you've been fortunate enough to hit it off with another duo, you're probably eager to solidify your double couple hangs with a stellar night of food and booze. So, as well as taking all tastes into consideration, you need somewhere that's fun and lively, but not too loud that a conversation can't carry across a four-person table. Fortunately, we know five places that are perfect for a double date. And where you can score a complimentary bottle of wine as part of the Citibank Dining Program. Simply head to any of the following spots, mention the offer upon arrival, pay using your Citi card, and voila — you'll not only have saved a few dollars, but probably secured a second date, too.
Any obsessive crate digger or vinyl junkie will tell you that collecting records is part artform, part obsession. In 9000 Vinyl Records Stephen Williams presents his personal collection of original, first pressing soul records. Rather than simply sifting through his impressive collection, Williams will exhibit the records and record sleeves along with a complete indexed catalogue, text, video and recorded music. The exhibition asks us to consider our own practice of collecting, whatever our object of desire may be. As well as questioning what we choose to surround ourselves with and why, the exhibition also examines the obsessive compulsive nature of cataloguing and archiving, and how we make decisions when it comes to creating order. And of course, it’s not just about how many records you have, it’s about creating a quality collection — and how your own taste, aesthetic and judgment is reflected in your archive. Whether you’re a lover of records, soul music, or have ever collected any item, no matter how obscure, 9000 Vinyl Records will speak to you and your obsessions.
Australian-born, New York-based artist TV Moore is bringing his latest work to ACCA this August and September as part of their annual Influential Australian Artists program. Moore is heralded as one of Australia’s first artists to explore video in art, and has continued to focus on the moving image in a variety of forms throughout his career to date. His work is vibrant and psychedelic, where pop clashes with surrealism, as he explores technology and media consumption across high and low culture. This solo exhibition, Love & Squalor, will feature his video animation Tripasso in Wackyland, where we experience a mash-up of pop culture from Kubrick to Looney Toons to Fantasia. The Way Things Grow, another recent animation work of Moore’s, will also be on display, as will sound project When Cats Dream of Everything, which was specifically created for this exhibition.
Been spending the first half of 2021 pondering the future? Given how the past year has panned out, that's only natural. But in the early hours of Friday, June 25, you might want to look to the skies as well — and feast your eyes on this month's noteworthy lunar sight. For folks located Down Under, this is when you'll see this year's 'strawberry' full moon. According to NASA, it could also be considered a super full moons, with different publications split on the matter. If you choose to deem it a supermoon, you'll know that they aren't particularly rare — one occurred back in April, and then another took place in May — but there are still plenty of reasons to peer upwards this time around. If you're wondering what else you need to know, we've run through the details below. WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. June's full moon is called a strawberry moon not because it's pink or red — it isn't — but because that's when strawberries traditionally ripen in the northern hemisphere. Of course, it's currently winter in the southern hemisphere, but the name still sticks. And, if you're going with the supermoon school of thought, that name applies to a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. Again, they're not all that uncommon — whether or not you want to claim this one as a supermoon. WHEN CAN I SEE IT? If you're keen to catch a glimpse, you'll want to peek outside on Friday, June 25. In Sydney, Melbourne and Brisbane, the moon will be full at 4.39am according to Timeanddate.com. In Adelaide, that time moves forward half an hour, so it'll take place at 4.09am — and in Perth, it'll be earlier still, at 2.39am. Those times refer to the exact full moon time. Of course, the moon will still be visible in the sky before then — and looking rather full, even if the exact minute hasn't arrived. So, if you'd prefer to take a gander at a more pleasant hour on Thursday, June 24 or even in the evening on Friday, June 25, that's understandable. WHERE CAN I SEE IT? You can take a gander from your backyard or balcony, but the standard advice regarding looking into the night sky always applies. So, city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. If you can't get a clear vantage, The Virtual Telescope Project will be live-streaming from the skyline above Rome from 5am AEST on Friday, June 25 . The 'strawberry' full moon occur at 4.39am AEST on Friday, June 25 along Australia's east coast — although the moon itself will be visible in the sky all evening before that. For further information, including about timing, head to Timeanddate.com.
UPDATE, Friday, February 7, 2025: Blur: To the End and Blur: Live From Wembley Stadium are both available to stream via DocPlay. In Blur: To the End, headlining London's famous Wembley Stadium is the pinnacle of Damon Albarn, Graham Coxon, Alex James and Dave Rowntree's careers so far. For two nights in July 2023, the Britpop band played their biggest-ever gigs to a crowd of 150,000 — shows that had been a dream not just since the group initially formed in 1988, but when high-school friends Albarn and Coxon watched 1985's iconic Live Aid concert on TV. Blur enjoyed no shortage of highlights in 35 years beforehand, of course; thinking about British music in the 90s means thinking about the foursome instantly. Still, in the latest documentary to turn the camera their way, which is playing big screens in Australia thanks to the 2024 British Film Festival, there's no doubting what standing on Wembley's stage at this point in their journeys, after reinventions, hiatuses, reunions, solo projects and more, means to the band. If the feeling that's written across Albarn, Coxon, James and Rowntree's faces when To the End finishes could be summed up by a snippet from one of their songs, the "woo hoo!" chorus from 1997 hit 'Song 2' would actually work nicely. That sensation — that immense emotional reaction, too — is evident not only in the intimate doco from Transgressive record label co-founder, filmmaker and lifelong Blur fan Toby L, however. It's also clear in accompanying concert film Blur: Live From Wembley Stadium, which captures the first night's show in like-you're-there detail (including largely sticking close to the band, so that viewers can truly witness what the gig means to them as they work through a two-hour set filled with everything from 'Popscene', 'Girls & Boys', 'Parklife' and 'Country House' to 'This Is a Low', 'To the End', 'Tender', 'The Universal' and 'The Narcissist'). Asked about what that pure joy was like to witness — Albarn comments in the film that the moment was as good as it gets — Toby L stresses how it genuinely did feel like the pinnacle for the band. "I can honestly say yes. And I know that if all four of them were asked that question, they would all agree. Which is amazing, because what must be it like to be at this point in your lives where you feel you've done one of your best albums, and you've done your best and biggest gigs?" he tells Concrete Playground. "I think just on a completely subconscious level for any performer, even if they pretend they don't want to get to that level, I think there's that sense of attainment and achievement that is the zenith of possibility. To not only play it, but to headline it and sell it out, I think it is the bucket list for every artist, potentially, that wants to get to a certain level." "And the feeling in the stadium both nights was so electric. I've been through a lot of big gigs and a lot of stadiums and a lot of festival shows, and they're always fun but, truthfully, sometimes the scale is just hard to make it feel personal and intimate. But somehow those gigs were. And anyone that was there — people that work in the music industry, everyone has recounted how something happened that was next-level in terms of the emotional connection," Toby L continues. "So yeah, it really was what the film portrays, that sense of it being a bit magic, and Damon being quite rarely open about the fact it's kind of the pinnacle, that was the truth. And I feel honoured and privileged to have been part of that in a small way." [caption id="attachment_980200" align="alignnone" width="1920"] Reuben Bastienne-Lewis[/caption] Toby L's own Blur journey also began decades back, as a fan since he was a kid. He has an early tie to Wembley, too, but at the indoor Wembley Arena, which sits next to the stadium. In the 90s, he saw his first-ever live gig at the venue — and yes, at that show when he was at age of ten, he was watching Blur. From his mid-teens, a career linked to music beckoned. He's blogged, founded music sites, organised live events, hosted TV, started his label 20 years back, and directed Olivia Rodrigo's Sour Prom, Rihanna's 777, Liam Gallagher: Knebworth 22 and more. Collaborations Albarn and Coxon first came through Transgressive, before he heard word about Blur's Wembley Stadium shows. That connection didn't mean that Toby L was a sure thing behind the camera when the idea of immortalising the gigs arose. His plan was always exactly what audiences can experience now, though: the full concert experience in one film — plus the path to it, through Blur reuniting in Albarn's country house in Devon to make their first album in eight years, then doing warm-up gigs, playing other festival sets and finally hitting Wembley, in another. The latter eschews the biodoc treatment for the here and now, for four men musing on their twists and turns together and apart, and for diving into friendship and mortality as well. Live From Wembley Stadium and To the End make a helluva pair, which Melburnians can see in a double feature at The Astor Theatre for one night only. How did the band respond to the two-movie plan? How did Toby L carve out a space for To the End when past documentaries such as No Distance Left to Run and Blur: New World Towers exist? How open were Albarn and company to such a close-up approach? We also chatted with the filmmaker about the above — as well as how being a fan shaped his role as a director, ensuring that the concert film felt equally intimate, and the longevity of both Blur and Oasis. ("Let's put it this way: I think Blur were my first band, and working with Liam was also a completely wonderful experience. Totally different. But a wonderful thing," he advises.) On the Pitch to Make Two Films About Blur's Wembley Gigs — and the Band's Reaction "It all stemmed back from me discovering about the gigs on the d-low, as it were. I was with Damon talking about a completely different project, and Wembley came up in discussion. I think he might have cheekily brought it up with that cheeky glint in his eye and his shining gold tooth, probably he was quite excited about the surprise element of it about to hit the newswires. I'd already done some filming with Damon around his second solo album, so he knew that I was in that world slightly. I think I probably quite embarrassingly and tritely said 'I'd love to throw my hat in', quite literally that basic. And I remember him just saying cryptically, both supportively but then also very vaguely, 'I would like that, too'. Then that was it. It wasn't spoken about for with him probably for another six months, during which time I felt that that was enough latitude for me to put a treatment together of what I would do with the documentary and the concert film. The original treatment and proposal that I put together, which was the written treatment, it was quite extensive, it was quite specific, and it stipulated that I felt there were two films. I felt that people would want to see a concert film, almost eternally as an evergreen Blur piece of memorabilia or document of that moment. But then I felt there was an opportunity for a wider story, hence the documentary, which was about getting older and growing up, and reconciling friendship, and mortality, and I guess some deeper human themes. And I just thought that'd be interesting to transpose into the situation Blur were finding themselves in, where they were getting back together for the first time in almost a decade, and they were that much older and about to undertake their biggest challenge yet, which was their biggest-ever gig. So it felt like to me there was a really cool story there that wasn't necessarily predicated on 'and then this album came out in this year, and then they had this fight with Oasis' and all the shit that most people can find on a Wikipedia page. So that was the premise of it, really. It was that — and then me waiting for months and hearing nothing. I thought I might have disgraced myself or embarrassed myself. Then suddenly, quite out of nowhere, I had a breakfast with the band's manager. I thought she was going to let me down because I hadn't heard anything. We're talking about other things and other projects, and then about an hour and a half into two-and-a-half hour breakfast, that's when she dropped the bombshell that they'd gone through the treatments and they thought mine was the strongest, regardless of relationships, which was really flattering. Then I had to have a meeting with all four of them the following week or so to convince them I could do it. Ten days later, we were filming in Devon." On Making To the End to Complement, Not Repeat, Past Documentaries About Blur "In a weird way, there was a relief that No Distance Left to Run had come out. Because that film did the job of 'if you don't know who Blur are or even if you do, here's their story'. It was the legacy story, if you will. It talks the viewer beautifully through how they came to be, and some career highs and lows, and key eras in their career, and the initial downfall. I thought that film did that job, so it was a relief that I didn't have to retread that old ground. But the one thing I felt that was completely up for opportunity was 'where are Blur at now?'. They're mid-to-late 50s, they're about to do, again, genuinely their biggest-ever gigs. There's nothing bigger than doing Wembley Stadium, in a way. So it just felt like this was a pivotal moment to reflect on their present state of being rather than reflecting on their career as a whole. Inevitably there are moments and flashbacks to their career, but really it's all in the context of the here and now. And I guess I wanted to do a bit more of a philosophical, emotional character portrait of the four of them, which I felt hadn't necessarily been done in the other documentaries. The other documentaries, even though this has a specific journey of sorts, they had more of a clear function than an emotional character study. Ultimately, I was lucky that the band were up for going there. Because I could have had this in my head and then, understandably, they might have been like 'fuck off, that's a bit personal'. Thankfully, they didn't respond that way. They understood what the essence of the project was — that my intent wasn't to expose them or show them up, it was to unveil a perspective that many people don't often see in a stadium band, which is the vulnerability and the drive and the motivation behind what it takes to be that kind of individual. And also what it takes to maintain a relationship after such a long time, which isn't easy. A lot of people have this entitlement that bands can and should live forever but, I don't know about you, how would you like it if you were stuffed in a tour bus for years on end even with your closest friends or family, and being forced to smile for the media and perform on no sleep? I think it's going to drive anyone a bit bananas. So I think that's kind of where I was coming from with the project. I was wanting to show something that could create a real bridge between the viewer and the subject, and hopefully a totem of empathy in this fractured age of ours." On the Band's Openness to To the End's Intimate Approach "We all agreed that was the way it was going to be best. That was the way I portrayed it in my treatment, and that was the way they were comfortable with it being captured. I think they had maybe moments before where they've been filmed for other projects and television, where they were just a bit — they're at this point in their career where they don't need to do this, right. It's like they don't need to do any of it. Their career is set. They don't necessarily need to reunite at all. They don't necessarily need to come back with a great album. They don't even necessarily need to make a documentary of any of that activity. But the reason they're doing it is because they want to, and they feel that there's a purpose to it. So equally the filmmaking had to have that element to it. It needed to not be interruptive to the point that the band couldn't do what they needed to do. And it needed to be an honest portrayal and a mirror to their activities. I actually think that's way more interesting than 'let's get the lighting up, let's sit them down, let's ask them the same questions — oh, retake that answer because we didn't get audio'. I just think it's so much more exciting to be in the present. It's technically quite a hard thing to do as a documentary crew because on the one hand, you're trying to be invisible and fly-on-the-wall — but then on the other, you need to also make sure you're guiding the viewer at points so it doesn't just feel like complete empty, vapid voyeurism with no purpose. So it's this tightrope you're walking between being sensitive to what's going on, but then also making sure that you're getting the insights that will contextualise the moment in real time. It's a tough thing to get right, and there are many famous examples of filmmakers being barked out by artists to 'get the eff out of the dressing room'. And that's always the risk, that you go too far or, equally the other way, you don't go far enough and then you haven't really got much to work with. Thankfully, the band were open to that way of working, and I think it's hopefully to the film's credit that the viewer gets that level of intimacy and access that is probably increasingly uncommon in these sorts of projects." On How Seeing Blur at Age Ten and Being a Fan Since Childhood Shaped Directing Two Films About the Band "I think being a fan is really useful, actually, because you just got that knowledge. It's quite an embarrassing, hilarious thing to say, but occasionally there'd be moments where they're trying to recount a song title from 1992 that was the B-side to a single — and being a massive nerd, you can go 'oh, was it this one?'. And then they all look at you and go 'yes, that's what it was'. And the irony is, apart from being vaguely helpful in moments like that, there's also just that sense of trust. You're not there to do a hatchet job. You're not there to trip them up. You're not there to be secretly a dissenting voice that's trying to throw them down. You are a fan. So you're coming at it from a pure place. So then the challenge becomes, in terms of credible filmmaking and documentary-making, how do you straddle that fandom with telling the truth and making sure you're being as objective as any one person can be objective? So that then is probably the other tightrope to walk, ensuring that your enthusiasm and your passion and your love for your subjects doesn't contaminate the need to extract truth, and to make sure that there's an honesty to the whole thing. Because otherwise it could just fall into being sycophancy or just a PR puff piece. And that was another thing we said when we all got together, that we hated documentaries that were too clean and too 'and isn't life perfect'. To that end, I think I really made sure that the enthusiasm of being a fan of the band didn't cloud my judgment. And hopefully anyone that watches it will agree that it's rare to see a band this vulnerable on-camera of their level, and so hopefully people will appreciate the fact that this is definitely a real account of who they are." On Finding Intimacy in Live From Wembley Stadium, Too, to Convey the Experience of Being There to Cinema Audiences "I love the way that you picked up on that approach because that was definitely, again, conscious. I just thought that the worst way to capture this gig was going to make it just be 'look, it's the Wembley Stadium gig, let's have fucking loads of wides and let's make it just look big, and yeah!'. It just felt naff. I also just feel that the art of Blur live is the emotion and the chaos, and then countered by the beauty and the ballads, so the only way to really portray that for me is to have cameras quite close to them. The idea of just dotting the cameras at some distance — obviously we've got lots of dynamic shots at various ranges in the stadium, but most of the cameras, over 50 percent of them, are just in and around the stage, and all on the audience, really close-up on the audience. Because I just thought the story is going to be on stage and the story's going to be in the moshpit. That's going to be where this magic happens. And yeah, we're going to have some big shots at the stadium, yada yada yada, but that stuff's fairly generic to me. You could put those in any concert film of any stadium shoot and it could just apply to stock footage for any artist. But the bit that was special for me was going to be the reactions of the band playing this environment and the excitement of it all — and, again, the audience and their adulation for the moment." On Where You Land on What Gives a Band Longevity When You've Made Films About Both Blur and Oasis "I think obviously it's the songs. I think songs have to permeate not just in the era in which they're conceived, but most truthfully resonate with periods beyond that. A great folk song that was written probably in the 1700s or whatever travels around the hills and finds its way to become a traditional song all around the world, and then eventually becomes blues music. Good songs travel and they last, and I think songwriting is at the core. I think then beyond that, obviously the performance of the song, the recording and the way in which it becomes indelibly linked to people's lives. If you capture the zeitgeist, which both Blur and Oasis did, as examples, it brings people back that were there first time round — or even people that weren't there, they feel that essence of connectivity and culture just resonate in the chords and in the performances and in the vocals. And that's what is effectively bottling magic. That's what music is, it's trying to find magic and it's bottling it, really, either in performance or in recording. Both bands just had that essence of reality. They came at writing and culture in completely different ways, but totally valid respective ways. And they just endured. I know for a fact that you could play most Blur songs to a small child and they're going to enjoy them because the melodies are good. And then most adults are going to connect to them because the themes lyrically still resonate to this day. The album Modern Life Is Rubbish by Blur, that could have been released last week, sadly. And that's ultimately what makes great art: stumbling across something that in the moment feels real, but then for decades onwards still manages to resonate. That's the art of it all, really: trying to find something eternal in the moment. " On What You Learn About Blur When You're Making Not Just One But Two Documentaries About Them "I think you learn that everyone, even if we've all got our own personalities, our own characteristics, we're all kind of the same person really. We all have our own needs and vulnerabilities, and strengths and weaknesses, and really that's what binds us all as a human race. And that's why I think it's so harrowing, the state of the world that we find ourselves in right now. Because I think that there are forces that are trying to falsely attribute disparity to our state of being, when actually we're all fucking similar and that's what we should be focusing on, our common ground, not our points of distinction. I think what I learned was that the fallibility and the brilliance in them is eminently what unites us all. It's kind of in all of us and in all of them. So in that way, it was very grounding. As the ten-year-old fan, what did I learn? I just learned that my favourite band were a great band to get behind. They were really complex in many ways, in terms of their unique quirks and things. They were very, very entertaining and very funny. They were very sweet and emotional people. And, ultimately, there's no other band like them to go on the stage. They really tear it up in a way that I don't think anyone before or since them has been able to do. And so for me, what I learned was, yeah, it was a great band to fall in love with at the age of eight years old or whatever it was." The 2024 British Film Festival tours Australia in November and December, wrapping up on Sunday, December 8. For more information and to buy tickets, visit the festival website. Both Blur: To the End and Blur: Live From Wembley Stadium are playing at the festival's stops across the country, with the Blur double feature showing at Melbourne's Astor Theatre on Saturday, November 16, 2024. Images: Altitude.
Whether you've got a mum you'd like to spoil or you just want to treat your own damn self, Jayda's upcoming feasting series has you sorted. The CBD cocktail bar — and next-door sibling to Shane Delia's Maha — is dishing up high tea with a Middle Eastern twist. Held across two weekends (Saturday, May 6, Sunday, May 7, Saturday, May 13 and Sunday, May 14) with three sittings each day (10am–12pm, 12.30–2.30pm, 3–5pm), it's a lavish riff on the classic high tea, filled with sweet and savoury delights. You'll sit down to bites like toasted lobster buns with zaatar mayo, tarama tarts paired with salmon caviar, harissa chicken sandwiches and Turkish beef dumplings with spiced yoghurt and foraged mushrooms. Sweet treats run to the likes of handmade chocolates and Turkish delight doughnuts, and there'll be a range of tea and French-press coffee to match, too. The high tea spread comes in at $135, which includes a glass of Louis Roederer champagne to kick things off. And if you're feeling fancy, you can add on free-flowing flutes of the bubbly for an extra $100 per person.
When winter begins to thaw, with leaves growing back on trees and flowers coming into full bloom, we want to celebrate the warmer weather and the world's annual rebirth. And, come September, Australia's biggest festival of spring will roll around. Now in its 34th year, Floriade will once again fill Canberra's Commonwealth Park with more than one million blooms. But this month-long flower festival is more than just smelling the tulips. After a successful introduction last year which saw more than 80 community groups plant a stunning tulip trail through Canberra's suburbs, the Floriade Community initiative will return with an additional 300,000 bulbs and annuals available. While you're in town, you may as well take the time to check out Canberra's best microbreweries, cafes and cultural hotspots, too. Start looking at accomodation ASAP. [caption id="attachment_736041" align="alignnone" width="1920"] Martin Ollman Photography[/caption] Top image: VisitCanberra
Serving up homely yet modern takes on Indonesian fare on Franklin Street, Yoi is a family-run affair. It's helmed by Ibu Lie Tjoa along with her two sons Dion and Michael Sanusi who are together hoping to share a part of their culture, history and family traditions through their meals. On the menu, you'll find popular Indonesian dishes like mie tek tek ($10), a Hawker-style stir fried noodles; spicy beef rendang ($10.90); soto betawi (a coconut beef soup served with rice, $12.90); and fried chicken covered in Yoi's signature salted egg sauce ($12.90), which is best paired with a thick avocado smoothie ($4.50) or an iced teler ($5) made with avocado, jackfruit and coconut gel in a mix of coconut milk and sweetened condensed milk. Looking for something sweet? Martabak ($11.50), a thick stuffed pancake popular on the streets of Jakarta, comes with your choice of sweet and savoury fillings. The Indonesian classic and Yoi recommendation, however, is a combination of condensed milk, chocolate and cheese. Open for lunch or dinner on the bustling Franklin Street, Yoi is not only serving up a tasty feed, but it's doing so for cheap with everything on the menu under $20.
"Eventually, I've come to realise that there are bad guys," says Julia Louis-Dreyfus (You Hurt My Feelings) as Valentina Allegra de Fontaine in the just-dropped teaser trailer for Thunderbolts*. "And there are worse guys," she continues, "and nothing else". So goes the setup for one of the Marvel Cinematic Universe's next big-screen releases — and it plays with a familiar template. Banding together a disparate group of characters is MCU 101. Teaming up antiheroes to take on worse folks as mandated by the government is also how Suicide Squad and The Suicide Squad from DC have played out. The Thunderbolts* version hits cinemas in May 2025 Down Under, also starring Florence Pugh (Dune: Part Two), David Harbour (Gran Turismo: Based on a True Story), Sebastian Stan (Dumb Money), Wyatt Russell (Night Swim), Olga Kurylenko (Paradox Effect) and Hannah John-Kamen (Breaking Point) in their Marvel returns. Pugh is back as Yelena Belova after Black Widow and Hawkeye, while Harbour again plays Red Guardian, Stan returns as Bucky Barnes and his The Falcon and the Winter Soldier co-star Russell is back as John Walker. Kurylenko played Taskmaster in Black Widow, too, while John-Kamen's Ghost was part of Ant-Man and the Wasp. This is a flick with a bit of homework, then, if you're keen to know the ins and outs of every character before they get thrust together in Thunderbolts*'s storyline, becoming a band of misfits and going on missions. The film marks the 36th in the MCU, and will follow fellow 2025 release Captain America: Brave New World into picture palaces. Behind the lens on Thunderbolts*: director Jake Schreier, who has helmed episodes of Beef, Minx, the Russell-starring Lodge 49 and more, plus films Paper Towns and Robot & Frank. Marvel has had a light year on the silver screen in 2024, with just Deadpool & Wolverine releasing. That definitely won't be the case in 2025, however, with not only Captain America: Brave New World and Thunderbolts* slated to drop, but also The Fantastic Four: First Steps. Check out the first teaser trailer for Thunderbolts* below: Thunderbolts* releases in cinemas Down Under on Thursday, May 1, 2025. Images: courtesy of Marvel Studios. © 2024 MARVEL.
The Good Food & Wine Show is set to return to Melbourne at the end of May this year, promising a stacked schedule of shows with notable chefs and the chance to discover artisanal goods from over 300 producers and brands. The celeb chefs that will take the stage include Ready Steady Cook's Miguel Maestre and pastry queen Kirsten Tibballs, along with MasterChef Australia alumni Emelia Jackson, Sarah Todd and Dani Venn, TV personality Alastair McLeod, and Aussie Barbecue Heroes host Jess Pryles. Between demos and talks on the Cooking Main Stage, attendees can expand their gastronomic horizons at various other events. Explore the world of tea with tea-infused bites and cocktails at The Art of Luxury Tea with Dilmah 85 Reserve, sample elegant wines at the RIEDEL Drinks Lab and Wine Selectors Tasting Room, or visit the Singapore Airlines VIP Lounge for your choice of three meals and five wines or beers. The Good Food & Wine Show will take place from Friday, May 31–Sunday, June 2 at the Melbourne Convention and Exhibition Centre. General admission tickets start from $39 and are available to purchase at the website.
Melbourne has no shortage of cheap eats for students, rents weeks and people just generally trying to save a dime. Chinatown's newest opening, however, is combining budget eats with sophistication and fancy surrounds — so you can feel like you're dropping big cash on a nice dinner, when you're actually not. Located in the heart of the bustling city centre, Le Charme is filled with long teal banquettes and lotus flower-shaped light fittings hanging from the ceiling. Matching teal shutters keep the restaurant's interior sheltered from the frenetic foot traffic happening right outside its doors. It's inside this seemingly serene — and definitely charming — restaurant that you'll enjoy Executive Chef Gary Lau's extensive and affordable menu. It's filled with lots of pescatarian and vegetarian options, too, so everyone can get in on the action. Set to be a sure-fire hit with CBD workers, Le Charme's $9.90 lunch menu features generous bowls of beef pho and bun bo hue, while its $11.90 menu is filled with hits like spicy chicken laksa, stir-fried beef with rice and mapo tofu. During lunchtime hours, you can also add a drink — including tea, soft drink and Vietnamese coffee imported directly from Hanoi — to your meal for an extra $2. [caption id="attachment_726782" align="alignnone" width="1920"] Julia Sansone[/caption] Head here at night and you'll find an a la carte that pulls its inspiration from across Asia. There's a Hong Kong-style soft shell crab with black beans ($11.90), dumplings ($6.90–7.90) — served steamed or pan-fried — chicken mee goreng ($14.9) and a lineup of popular Vietnamese noodle soups and cold vermicelli dishes. But for the the best bang for your buck, order the $30 'feed me' menu (for a minimum of two people), which includes a whopping six dishes: four entrees, one main and a dessert. While exactly what you'll get changes regularly, expect the likes of crunchy wasabi prawns, pan-fried chicken and prawn dumplings, chicken san choy bao and a rich Saigon curry with beef brisket, potato and okra. For dessert, you'll get banana fritters and coconut ice-cream. There's a vego option available for meat-free folk, too The Chinatown diner also has a range of Asian-inspired cocktails and mocktails on offer, with standouts being the opulent salted caramel espresso martini ($19) — made with Kahlua, Baileys and a Nutella rim — and the fruity Royal Rose Fizz ($20). A tidy lineup of beers, ciders and wines are available, too. While Chinatown's newest offering steers away from the traditional, it will surely be a hit with those looking for a fun, tasty and affordable feed. Find Le Charme at Shop 3, 178 Little Bourke Street, Melbourne. It's open from Tuesday–Friday 11.30am–3pm and 5–10pm; Saturday 11.30am–11pm and Sunday 11.30am–10pm. Images: Julia Sansone.
If you've been making plans to revamp your style, but haven't been able to rustle up the coin or are sick of online shopping, here's your chance. Hugo Boss is hosting a mega sale at its outlet stores. You'll be able to score a further 30 percent off menswear, womenswear, footwear and accessories. Whether you're after a suit for a special occasion later in the year or looking to level up your work wardrobe stat, Hugo Boss's mid-season outlet sale will have you sorted for a fraction of the fashion label's usual prices. You'll have to get in quick to score though, with the sale running from Saturday, April 3 until Sunday, April 18 (or until stocks last). In Melbourne, you can head to the Boss Outlet in Preston and DFO Essendon to get these quality threads for such a steal. Current opening hours at Preston are 10am–6pm Monday–Friday, 10am–5pm on Saturdays and 11am–5pm on Sundays. DFO Essendon is open from 10am–6pm daily. Hugo Boss mid-season outlet sale will run from Saturday, April 3 till Sunday, April 18, or until stocks last (excludes new season stock). To find your closest outlet, visit the website.
This article is sponsored by our partners, Rekorderlig. Sweden has a lot going on for a small country shrouded in darkness and snow for most of the year. Take a look around at the headliners of music festivals, at the clothes you’re wearing and the cider you’re drinking. You may have more in common with the sauna-loving nation than you’d think. Here are ten elements that define Swedish cool, compiled by Laura Phillips, editor of Mr Wolf Magazine, the journal of Nordic style. Raised in Melbourne, she was lured to the north with a promise of attractive men and affordable smoked salmon. Kanken backpacks Launched in 1978 in response to Swedish school children experiencing back problems, the Kånken is as minimal in design as you get. It’s everything a backpack should be — nothing more, nothing less. The weight of the pack is distributed evenly, its handles make it easy to hold as a handbag, its one front pocket and single internal compartment allow you to organise your keys and your notebook respectively. The fabric, sourced from yacht sail manufacturers in Japan, shifts from crisp to soft and glossed over time, commonly remaining a faithful companion to a Swede for 40 or so years. Saunas If sweating naked in a room full of strangers before plunging into a pool of ice doesn’t sound like you, Sweden will change your mind. Surprisingly relaxing and without doubt refreshing, the sauna is the place to make friends and bond with your fellow Swede. Some saunas, such as the Bjärred Saltsjöbad in southern Sweden, add stunning waterside views and rooftop sun bathing platforms for your cleansing enjoyment. Weekday Denim Forget the US, Sweden is the irrefutable capital of denim. For Swedes, denim is a way of life. No school uniforms and a year-round cool climate has nurtured a national attachment to jeans. It’s no wonder that the leading denim brands are all Swedish owned: H&M, Nudie Jeans, ACNE, Dr. Denim, to name a few. Weekday, responsible for the Cheap Monday label, has designed a jean for everyday of the week, perfect for the daily life of a Swede. Rekorderlig Cider Rekorderlig has captivated the globe with its cult of cider. Its tag line, 'Beautifully Swedish', has converted even the most staunch beer drinker and wine connoisseur to join the cider bandwagon. Savouring the feeling of fresh air, the woods and the comfortable welfare state, Rekorderlig (pronounced re-core-deer-lig) is the ideal accomplice for your induction into the Swedish way of life. Little Dragon Sweden’s recent electro music success is enough to believe the likes of Lykke Li, Robyn, The Knife, Swedish House Mafia, Avicii, Adrian Lux and Rebecca & Fiona all hang out with each other, and swap industry tips over fika (see no.7). Groups such as Little Dragon, however, have developed an international following with records characterised by smoothly evocative lyrics. Their self-proclaimed ‘global sound’ is experimental and consistently enjoyable. Their latest album, Nubuma Rubberband, is absolutely worth a listen. Way Out West Festival Every August Sweden’s second biggest city, Gothenburg, plays host to Way Out West, a staple of the Scandinavian summer festival circuit. Swedes are lured outside by the warm weather to dance through the night, dress so well it hurts and keep ahead of the next international Swedish music sensation. Johan & Nystrom Specialty Coffee Concept Store, Stockholm How do Swedes function on winter days with two hours of sunshine? It’s all in the coffee. This is epitomised in the cultural establishment of fika (pronounced fee-ka). A Swede is known to fika multiple times in the day. It’s a ritual of sitting down with a coffee and a cinnamon bun to take a break and socialise with colleges, family and friends. The specialty coffee movement in Stockholm is elevating the quality of the standard cup in Sweden; Stockholm’s Johan & Nyström in particular offer patient education on the art of coffee. ACNE The only kind of acne you want all over you, the Swedish fashion retailer epitomises Swedish minimalism. From its block colours to its clean branding, ACNE sells the composed self-assurance at the essence of Swedish cool. ACNE makes no frills look good. With a legion of loyalists from New York to Melbourne willing to renounce all things obnoxious and studded in the name of Swedish design, it’s onto something. If in doubt, dress head to toe in black and paint your apartment white; you’ve got Swedish minimalism in the bag. Restaurant Tusen at Ramundberget Ski Resort If you could generalise contemporary Swedish architecture at all, an attachment to nature would be the common ingredient. To understand a Swede, you must appreciate a deep connection with the environment. Sweden’s seasons occupy both extremes. As well as the temperature, their year is dictated by serious variation in light, fluctuating between complete darkness in the north during winter and 24 hours on sunlight during the summer. The built environment hence must accommodate for the extremes and adjust for the inhabitants within. Using natural materials and neutral colours such as blond wood and white walls keeps interiors adaptive and simple, allowing the transition from outdoors in to be seamless. The Restauant Tusen at Ramundberget Ski Resport by Hans Murman Arkitekter is a magnificent example. Dads with prams A progressive approach to paternity leave is the cornerstone of Sweden’s culture of gender equality. The result: a lot of dads with prams. Strolling through Stockholm’s hipster haunt, Södermalm, the packs of fathers-with-child would drive the most cynical bachelor to jealousy. No wonder Sweden is in a baby boom. Top image by Rekorderlig ambassador Agnes Thor.
Since 2017 in Sydney, 2018 in Melbourne and 2019 in Brisbane, a trip to Archie Brothers Cirque Electriq has meant stepping inside a circus-themed arcade bar that's primed for kidulting. And, that's still the case; however, once a month from May until November, the chain is ramping its core concepts of circus, arcade fun and nostalgic activities for adults up a few levels. Run by Funlab, the group also responsible for Holey Moley, Strike Bowling and B. Lucky & Sons, Archie Brothers is kicking off a new Showtime event series. After launching on Friday, May 7 in Alexandria, and on Saturday, May 8 in Docklands and Toombul, it'll take place on the second Saturday of each month at each site, turning each venue into an adults-only circus and cocktail pop-up. From 7–10pm at each event, attendees can expect stilt walkers, magicians, burlesque and beverages — and tarot card readers and face painters as well. The lineup of performers will vary depending on the city, but there'll also be juggling and snake charming in Sydney, and mime in Melbourne. Brisbanites can look forward to unicycling, acrobatics, diabolo, balloon modelling and more juggling. The carousel-themed Archie Brothers bar will be pouring Showtime Disco Mirror Ball cocktails, which combine Red Bull, passionfruit, cranberry juice, triple sec, whiskey and lime, while the rest of the chain's usual drinks list will be on offer, too. Food-wise, the theme park and American diner-inspired menu will span sandwiches, pizzas, sliders, onion rings, mac and cheese and other dishes. And, all of Archie Brothers' usual games and activities will be on the agenda, as will prizes. So, you'll be whipping out your Mario Kart skills, hitting the dodgems, bowling and just generally mashing buttons in May, and again come June 12, July 10, August 14, September 11, October 9 and November 13. Then, you'll be trading all the tickets you amass for gaming consoles, 90s paraphernalia and more (and there won't be any kids around vying for the same goodies). Showtime at Archie Brothers kicks off on Friday, May 7 in Alexandria, and on Saturday, May 8 in Docklands and Toombul, then runs on the second Saturday of each month until November. To attend, you'll need to book online. Images: Zennieshia Butts.
When the Australian Government introduced an indefinite ban on all overseas travel in late March, Qantas and Jetstar suspended all scheduled international flights and temporarily stood down two-thirds of its staff. Today, Thursday, June 25, the airline has revealed that overseas flights will not takeoff again until at least July 2021. At a press conference this morning, Qantas CEO Alan Joyce announced 6000 job cuts across all parts of the business and the continued standing down of 15,000 employees until flights return — which, for international flights, won't be for a while. Referencing a report released earlier in the year by an airline industry expert, Joyce said that it is expected to take three years for international travel to return to 2019 levels. "We think international will take a long time," Joyce said. "There'll be nothing this next financial year, July next year we may start seeing some international services and that will only get us to 50 percent. The following year, only two-thirds of the pre-COVID international schedule." [caption id="attachment_773510" align="alignnone" width="1920"] A trip to Japan won't be on the cards until 2021[/caption] The likelihood of international travel not returning for Australians until at least 2021 isn't new, news, though. Earlier this month, Federal Tourism Minister Simon Birmingham said as much, telling the National Press Club, "international border restrictions are likely to be there for some time to come" — and that "keeping those border restrictions largely in place is a price we're going to have to pay to keep COVID under control". The good news is that, as has come up frequently over the past few months, implementing a 'travel bubble' with New Zealand — aka reinstating international travel just between the two countries before Australia's international border reopens to all nations worldwide — is still under consideration according to Birmingham. Whether Qantas and Jetstar will run flights across the ditch if a travel bubble is allowed before July 2021 is currently unknown. The airlines will, however, definitely still be running domestic flights — and expect domestic travel to be back to 100 percent of pre-COVID-19 levels by 2022. "We're very optimistic about domestic," Joyce said at the press conference. "The domestic market will get back to maybe 70 percent of pre-COVID levels in the next year and the following year to 100 percent." The airlines have started ramping up domestic flights again and even held a big sale, with one-way flights as cheap as $19, last week. https://twitter.com/Qantas/status/1268341083257233408 It's worth noting, of course, that many of Australia's state borders are still closed. Queensland is working towards reopening to visitors from other states on July 10, although that hasn't been officially confirmed as yet, while the Northern Territory announced it'll reopen on July 17 — and South Australia is slated to do the same on July 20. While Victoria, NSW and the ACT currently have open borders, numerous state health ministers — including NSW Health Minister Brad Hazzard today — have encouraged their residents to avoid travel to Victoria, especially to Melbourne's COVID hotspots, as the state has seen a recent uptick in new cases, with 33 recorded in the last 24 hours. Qantas and Jetstar's 6000 job cuts are part of post-COVID-19 recovery plan for the airlines, which also includes the retiring of the remaining 747s six months early and the grounding of 100 aircraft for up to 12 months. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Dating apps are getting more niche by the day, because, let's face it, Tinder isn't for everyone. There's a lot of people out there and meeting up with someone because you both like The Dodo on Facebook is not the most foolproof way to date. But the newest online dating tool to launch in Australia aims to connect people with one big thing in common: they're all vegans or vegetarians. V Love has been founded by entrepreneur and long-time vegan Amber Gouzy, who noticed her own circle struggling with online dating. So she decided to create a service that would be help them meet like-minded people. While the app is primarily for vegans and vegetarians, it's designed to bring together individuals with similar values and help them avoid dates with people who are completely closed off to the idea of vegetarianism. While the app does sound like it's only hitting a small market, data from Roy Morgan Research shows that over ten percent of Australians identify as vegetarian, which is even more evident in New South Wales, where there has been a 30 percent growth in vegetarians since 2012. Market Researcher Euromonitor International has also shown that Australia's packaged vegan food market is currently worth nearly $136 million and is set to reach $215 million by 2020, making the Australian market the third-fastest growing vegan market in the world. Though the food industry in Australia is clearly taking note of this stark increase and specifically responding to the increasing vegetarian population, V Love aims to fill the gap across other sectors. V Love is free to download but a $5.99 monthly subscription fee must be paid to access all features. As with most dating apps, users create a personalised profile, conduct a filtered search and use a 'swipe' method to connect with others. Matches are based on the V Love compatibility algorithm and connects users that live in the same area. Gouzy is planning for worldwide expansion for the app, with the goal of registering 800 downloads/subscriptions in Australia this month alone. V Love is currently available on the App Store and Google Play — it's free to download but has a monthly subscription fee of $5.99 per month. For more info, visit vlove.com.au.
When Darth Vader told Luke Skywalker that they're more than just mortal enemies, it became one of the most famous lines of dialogue in movie history (and one of the most mis-quoted). If you've seen Star Wars: Episode V — The Empire Strikes Back, you'll know that it's a powerful, memorable moment that changes the shape of the entire space saga. Even if you haven't, you know what we're talking about. Now, imagine just how epic it'll feel when you're watching the flick on a big screen and listening to John Williams' iconic score played by a live orchestra. Yes, The Force is strong in Melbourne once more, with Melbourne Symphony Orchestra staging the next in its series of Star Wars events with four screenings and performances on December 14, 15 and 16 at the Melbourne Convention and Exhibition Centre. Jedis, wookiees and droids alike can expect three nights of tussles between the Rebels and the Empire, Luke learning his true parentage, Han flirting with Leia and getting frozen in carbon, Chewbacca being awesome, R2-D2 being adorable and C-3PO being annoying (well, he is). Plus, it's the flick that marks the first appearance of Lando Calrissian and the first time 'The Imperial March' is heard. Conductor Nicholas Buc will be leading the charge again, and expect an energetic performance — it's his favourite Star Wars score. "Williams' bombastic music for Darth Vader has since come to represent everything evil in the Star Wars universe and, combined with his new love theme for Han and Leia, this score improves on everything that he started in Episode IV," he notes. Buc will also discuss the score with film experts Dr Dan Golding and Andrew Pogson in four pre-concert talks — at 6.15pm on Friday, 11.45am or 6.15pm on Saturday and 11.45am on Sunday. Prices start at $35 for restricted view and $49 for D Reserve. To purchase tickets, visit the MSO website. Updated: December 7
If you eagerly drink your way through the taps at most craft beer bars, then a host of tell-tale signs await the next day: headaches, cold sweats, dehydration, a queasy stomach and a strong craving for greasy food, usually. That won't be the case at BrewDog's latest venture, however, with the Scottish brewery opening up the world's first alcohol-free craft beer joint. Called BrewDog AF — with the final two letters standing for "alcohol-free", rather than the other term that instantly popped into your head — the bar launches in London on Monday, January 6. Every one of its 15 taps will pour booze-free brews, focusing on draught craft beer sans alcohol. That includes both zero-percent and 0.5-percent tipples, with the latter also officially classed as alcohol-free. On the menu: BrewDog's 0.5-percent pale ale Nanny State, as well as the alcohol-free version of their flagship Punk IPA, Punk AF. It's also creating two new booze-free brews: a coffee stout called Wake Up Call, and Hazy AF, an alcohol-free version of its New England IPA, Hazy Jane. Alcohol-free spirits and cider will be available too, as will burgers, salads and buffalo wings — and if you're looking for something to do over your booze-free pint, get ready for karaoke and bingo, among other activities. While BrewDog has been busy opening bars and breweries around the globe over the past decade — launching its first Australian site in Brisbane late in 2019, in fact — BrewDog AF marks its first fully alcohol-free venue. It's not London's first booze-free bar, or the world's, but it is the first to focus on alcohol-free (and hangover-free) craft brews. To celebrate that fact, as well as the new range of booze-free beers, the brewery has also dubbed the entire month 'drink all you can Jan' — when it comes to alcohol-free beers, that is. Not only at BrewDog AF, but at all of BrewDog's bars and breweries worldwide, drinkers can score free refills of all alcohol-free beers throughout January. BrewDog AF and its increased non-alcoholic craft brew range forms part of the company's mission to whip up a craft beer for everyone, including folks who like their brews sans booze. As brewery founder James Watt explains, "drinkers opting for low or no alcohol are in danger of compromising on quality, taste and experience. And that's just the beer – forget about places in which to enjoy it. We are going to change that. We exist to be a point of difference, and our first BrewDog AF Bar is just that." Even if a trip to London isn't in your future, BrewDog's new venture is a welcome development for anyone who has tried to forgo alcohol during Dry July, doesn't drink booze but would still like to sink a few cold ones with their mates, or can't imbibe for a number of reasons — medication interactions, other health reasons or just by choice. With non-alcoholic spirits like Seedlip and Brunswick Aces gaining more attention, bars such BrewDog AF are the natural next step. Yes, you can get non-boozy beverages like juice and soft drinks anywhere, but it's not the same as knocking back booze-free beers in a spot that celebrates the drink but not the alcohol. Find the BrewDog AF Bar at the Mews Unit of the Bower Development at 211 Old Street, London, from Monday, January 6 — open 12pm–11pm Sunday–Thursday and 12pm–11.30pm Friday–Saturday. For booze-free beer lovers in Brisbane, BrewDog's first Aussie brewery — DogTap at Murarrie — is serving up unlimited refills of BrewDog alcohol-free beers until January 31.
Remember when your parents threw dinner parties when you were a kid? Your parents had likely planned the menu well in advance, pulled out the good crockery, and cleaned the house in a frenzy. It was gorgeous, of course, but it was also a colossal effort. Thankfully, the popularity of formal dining at home took a nosedive, and now we want the kind of easy and elevated dining experience that Pinterest has championed: relaxed, but still worthy of sharing pictures across the internet. Which brings us a new kind of challenge, when you search 'dinner party ideas' you'll get 275 million results and too many options to choose from. So to help cut through the anxiety you may be feeling about hosting your next dinner party, we've partnered with super premium French vodka Grey Goose to bring you a guide on how to host an elevated evening meal at home that won't cost you your entire pay cheque (or your sanity). Read on for some sensory inspiration. TASTE Arguably the most important part of a dinner party (aside from your guests) is the food and drink, so don't let this part trip you up. Repeat after me: delegation is key. Nobody expects you to do this on your own (and foot the expenses, too), so when people offer to bring something, assign them a dish immediately. Keep it simple with cheese, charcuterie or a salad. For drinks, rest assured that everyone will bring their own beer or wine, so flex your hosting skills by having a pre-dinner cocktail ready for when everyone arrives. So fancy! So adult! The Grey Goose Peach Spritz is an elegant cocktail that's easy to make. Simply build 40ml of Grey Goose Original with 20ml of peach puree, 10ml of lemon juice, 10ml of sugar syrup and 45ml of sparkling rose in a wine glass. Stir and top with a sprig of rosemary. Look at you go! [caption id="attachment_751536" align="alignnone" width="1920"] Creative Commons: Flickr/Eva Coudyser[/caption] SIGHT Your parents were onto something with all those candles they lit at their weekend soirees; lighting really is important. Fairy lights, lamps, tea lights = good ambiance. That dodgy fluro light in the living room = bad vibes. You don't live in a dive bar. Once you've picked out the lights that suit your home, spruce up the rest of the house. Hide any clutter, put something floral on the table, and pull out some old photos. Not only will this serve as decoration, but it'll also work as an ice-breaker for any guests that might not know each other that well. Bonus points if the photos contain questionable haircuts circa 2010. [caption id="attachment_751529" align="alignnone" width="1920"] Creative Commons: Flickr/Marco Verch[/caption] SMELL They say the smell of baking bread is used by real estate agents to attract home buyers — and it's a very comforting aroma. Rather than baking your own loaf of sourdough for the occasion (#toohardbasket), stop by one of the best bakeries in Sydney, Melbourne or Brisbane and pick up something ready made. Heat it up in the oven, and cut up thick slices to throw on a cheese board. Your gluten-free/low-carb/Keto friends probably won't eat it, but everyone will appreciate the smell. And if your sense of smell is chef-level impressive, see if you can pick out the notes of French baguettes in the Grey Goose vodka, as the same winter wheat is used to make the vodka as bakers use to make the country's famed pastries. [caption id="attachment_751744" align="alignnone" width="1920"] InBed[/caption] TOUCH Two words: table linen. It makes a real difference — and you can create a tactile environment really easily with one throw-over table cloth from linen purveyors like InBed (from $110) to more affordable homewares stores like IKEA (from $19.99). In a pinch, you can always use a picnic rug, or a sarong, to dress the table. Next, create an inviting environment where people can congregate after a big meal. Grab all the blankets from your bedroom, and get some hygge happening. Imagine a pillow fort, but more chic. SOUND When it comes to music, people fall into one of two categories: the effortlessly cool people who have a record player (and a well-curated vinyl collection) and those who rely on the old faithful Spotify and wireless speakers, which wins points for being totally customisable. If you choose to use a music streaming service during dinner, please abide by the cardinal rules: pay for premium (so you don't have pesky ads interrupting the mood) and use 'private session' so you don't add the tracks to your algorithm. Alternatively, rely on pre-made playlists like Front Left; the latest tracks become conversation starters. [embed]https://open.spotify.com/playlist/37i9dQZF1DX5WTH49Vcnqp[/embed] Upgrade your dinner party by choosing premium vodka Grey Goose. Each bottle is distilled in France, and the high quality vodka has a 100 percent traceable production process, from crop to cork.
