Earlier this year, Melburnians scored another excuse to hit the water, with GoBoat splashing into town. After launching its eco-friendly picnic boats in cities all over Europe, the Danish company made the leap to Australia, giving punters a fun new way to cruise the Yarra. And, thanks to a new move, you now can hop onboard from the CBD. When GoBoat's vessels first arrived, the company was setting sail out of Docklands. If you're keen for a day on the river, you can now grab a boat from Banana Alley near Flinders Street Station. GoBoat has just secured a ten-year berthing arrangement with Parks Victoria, which means that it won't be shifting again anytime soon, either. Aimed at making the whole boating caper more accessible for everyday folk, the outfit's Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your post-holiday budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will cost you less than $15 per person, per hour. That's $109 hourly in total, or $189 for two hours, $269 for three hours, $349 for four hours, $429 for five hours and $509 for six hours. Yes, you can really make a whole day of it. Bookings are currently available until the end of March, with timeslots available in 15-minute increments from 11am. The boats required to be returned by sunset, with the specific time obviously changing with the seasons. Oh, and did we mention they're pet-friendly? Surely you've got a very good boy who deserves a river jaunt. For more information about GoBoat, or to make a booking, visit the service's website. Images: Lean Timms.
One balmy day this summer, a normally quiet pocket of Abbotsford is set to come alive, as it plays host to a rollicking, tune-filled block party. On February 2, Duke Street will be putting on quite the show, with resident businesses opening their doors for a series of one-off activations. Enjoy crafty brews and live, local tunes at Moon Dog Brewery, a local design showcase at Hub Furniture, motorbike workshops at Kustom Kommune, freshly roasted coffee courtesy of Bureaux Coffee Roasters, plus plenty more. You'll also find an assortment of pop-up dining spaces, slinging specialty food and cocktails to fuel the day's fun. Meanwhile, touring agency Crown Ruler and Melbourne collective Untitled Group — the peeps behind Beyond the Valley, Pitch Music & Arts, Ability Fest — are teaming up to deliver one heck of a music lineup, with a main stage overlooking Yarra Bend bushland and a second making its home in a carpark. Dishing up a broad range of musical goodness will be USA synth-funk darling Evelyn Champagne King, along with Mondo Freaks, a DJ set from UK legends Floating Points, and London-based selector John Gómez. They'll be joined by a swag of local favourites, including Total Giovanni, Nasty Mars & The Martians, Cassettes For Kids and Brooke Powers. Duke Street Block Party will run from 12pm–10pm. Pre-sale tickets will be released at 5pm on Thursday, December 20 — signup for them here — with general tickets at 12pm on Friday, December 21.
We can't yet zipline around the entire world, though it does sound like something Elon Musk might dream up. We can, however, come up with an increasingly impressive holiday itinerary by touring the globe's scenic zipline spots. From this week, the Grand Canyon joins the list. Zooming along tightly stretched cables is already a reality at the world's longest zipline opening at Jebel Jais in the United Arab Emirates and across Dubai's skyline. London recently had one, currently letting locals and visitors fly across the city, as did Sydney did, stretching between two skyscrapers 75 metres above Circular Quay. Seeing the Grand Canyon from such lofty heights is now on offer at Grand Canyon West, at the Hualapai Ranch in Arizona, reaching 300 metres above the floor of the rock formation. Capable of accommodating 350,000 visitors each year, two ziplines have been strung across the natural wonder, one measuring 335 metres and the other spanning 640 metres while traversing a steeper run. Each consists of four steel cables running side-by-side, which means that groups can enjoy the experience together. Riders will reach speeds of up to 80 kilometres per hour. For those planning a high-adrenaline sight-seeing stint as part of their next US trip, tickets cost AU$115, with the zipline operating from Tuesday to Friday from 9am to 4pm. The ziplines join the resort's helicopter tours and 1.2-kilometre-high skywalk among its sky-high attractions. Via PR Newswire.
Replacing traditional gin ingredients with homegrown delights such as Australian lemon myrtle, pepperberry, lavender and cassia, the Fossey's team can be found hand-foraging and hand-bottling its gins in Mildura, the largest settlement in the Sunraysia region (aka the land of grapes and oranges). Fossey's Navel Strength Gin Elixir has won awards at the Australian Distilled Spirits Awards; it's a drop that's packed full of juniper berries, ginger and — you guessed it — citrus. It has four times the amount of citrus than the distillery's regular gin: a nod to how historically, navy sailors would sip, squeeze and scrounge for oranges to keep scurvy at bay. Mark this one down on your 'someday' map — you might be somewhere near Mildura at some point and the bar would make a welcome pitstop, what with its gin and whisky tasting paddles, and its impressive lineup of cocktails. Otherwise, you can order a bottle of Fossey's online from $75.
Decking the halls with boughs of holly — or whatever other jolly decorations you like — is a standard way to celebrate Christmas. Enjoying a holiday in a caravan decked out like a seasonal dream? That isn't, but you can add it to your list this November. You will need to adore the merriest time of year, obviously. And you'll have to be keen to take an early festive getaway in New South Wales as well. Your Christmas tree-, fairy light- and festive ornament-filled home away from home? Tillie, aka the Christmas caravan, which is available to book via RV rental site Camplify. The service set up shop in Australia a few years back now, and has treated holidaymakers to gin-themed caravans before — but now it's time to take a getaway that's all about Christmas. A vintage caravan that leans into its retro vibe, Tillie sleeps four, and is available at your choice of three Reflections Holiday Parks in NSW: Hawks Nest, Jimmys Beach and Seal Rocks. Whichever one you pick, you'll be paying $125 per night, and the van will be delivered to your chosen site — all decorated, of course — for you. Inside the van, expect those ornaments aplenty. Outside — where it's recommended that you kick back as the sun goes down — fairy lights and Christmas garlands will be wrapped around Tillie. And, you'll even find a wreath on the back of the van, too. No one will be saying "bah, humbug!" here, clearly. You do need to commit to a four-night stay at a minimum, so no need to rush your festive holiday. Also, there's an $80 service fee — and while delivering Tillie to Hawks Nest and Jimmys Beach is free, there's an extra $100 cost for Seal Rocks. All three sites sit along the coast, turning your time with Tillie into a beachy Christmas jaunt. At Hawks Nest, you'll find yourself between Bennett's Beach and the village of Hawks Nest, and also in the vicinity of Port Stephens and Nelson Bay. At Jimmys Beach, you'll be in NSW's Great Lakes region. And at Seal Rocks, a mid-north coast escape awaits. To book Tillie throughout November — with prices from $125 per day, and rentals available at Reflections Holiday Parks at Hawks Nest, Jimmys Beach and Seal Rocks — visit the Camplify website. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
If you are thinking about planning a really big trip in the next couple of years, the sky may no longer be your limit. Space tourism has long been touted as the new frontier for the seriously adventurous traveller, and it looks like it may become more commonplace in the not-so-distant future. Orbital Technologies, Sierra Nevada Corporation and NASA have collaborated to develop the Dreamchaser Vehicle, a multi-purpose commercial space craft which will primarily be dedicated to scientific research and tourism. The Dreamchaser, which will also act as an emergency station for passing space craft, will include a space hotel with four hotel cabins to accommodate seven guests. And while guests will not be able to expect all the conveniences of home (internet access may prove a bit tricky), they will have access to zippered sleeping bags, waterless flushing loos, shower facitlities and gourmet meals —a little more luxury than your average astronaut is afforded. And, no doubt, the views from the hotel portholes will be entirely out of this world. Five nights in the space hotel will set you back about $165,000, and the transfer to and from your hotel another $826,000 - a pretty penny for an experience that gives a whole new meaning to sleeping under the stars.
Three months have passed in 2023, but Marvel fans have only enjoyed one chance to get their caped-crusader fix so far. The ever-sprawling Marvel Cinematic Universe is reportedly set to keep spreading at a slower rate from now on, in fact; however, both Guardians of the Galaxy Vol. 3 and Secret Invasion are on their way — and soon. The latter joins the MCU's small-screen slate, alongside WandaVision, The Falcon and the Winter Soldier, Loki, Hawkeye, Moon Knight, Ms Marvel and She-Hulk. The focus: Samuel L Jackson's Nick Fury. The Director of SHIELD and creator of the Avengers Initiative acted as the connective tissue between most of the big-screen franchise's early instalments — if Jackson didn't show up in a Marvel movie back then, was it really a Marvel movie? — but it's taken 15 years since first appearing in the post-credits scene of the original Iron Man for him to gain the spotlight in his own adventure. Secret Invasion itself has been in the works for some time, after first being announced back in 2020, and also dropping a debut trailer in 2022. Now, it finally has a release date: Wednesday, June 21. Mark your diaries, then get excited by checking out the show's latest trailer, which goes heavy on the looming war. The six-episode show will reteam with Fury as a battle is imminent with the shapeshifting Skrulls, Maria Hill (Cobie Smulders, How I Met Your Mother) keeps asking help and his popularity within the MCU is waning. Plenty of other familiar faces pop up, too: Australia's own Ben Mendelsohn (Cyrano) returning as Talos after Captain Marvel and Spider-Man: Far From Home, Don Cheadle (The Wonder Years) as War Machine and Martin Freeman (Breeders) as the CIA's Everett Ross. Will their characters really show up? Or will we really be seeing Skrull impersonators? Obviously, that'll only be answered when Secret Invasion arrives. Because every actor ever has to fit into the MCU at some point, the above cast is joined by a few other huge names as well: Olivia Colman (Empire of Light), Emilia Clarke (Last Christmas) and Kingsley Ben-Adir (One Night in Miami). The story clearly ties into Captain Marvel, which is proving a launching pad for more than a few recent and upcoming MCU chapters, such as streaming's Ms Marvel and big-screen release The Marvels — which teams up Captain Marvel (Brie Larson, Just Mercy), Ms Marvel (Iman Vellani) and WandaVision's Monica Rambeau (Teyonah Parris, Candyman), and also arrives this year, in November. Fury, and therefore Jackson, did appear in two episodes of the Agents of SHIELD TV show in 2013 and 2014, so this isn't the character's first small-screen outing. Behind the scenes, Kyle Bradstreet (Mr Robot) created Secret Invasion, and writes and executive produces. Check out the latest trailer for Secret Invasion below: Secret Invasion will stream via Disney+ from Wednesday, June 21. Images: Photo courtesy of Marvel Studios. © 2022 MARVEL.
Over the past six months, Fleabag picked up six Emmy Awards and two Golden Globes, becoming the most-acclaimed TV comedy of the past year. Sadly, that isn't enough to inspire Phoebe Waller-Bridge to make more episodes of the hit show — but for everyone lamenting the Fleabag-sized hole in their lives, the multi-talented Brit has a new project landing soon. She has a couple, actually. Waller-Bridge helped write the script for upcoming Bond flick No Time to Die, which is no small feat. If you're keen to see her on-screen, however, then you'll want to add Run to your must-watch pile. Waller-Bridge executive produces and pops up among the cast, with Vicky Jones — the director of her Fleabag stage show, and a script editor on Fleabag's first TV season — writing and producing the series. Hitting HBO in the US in mid-April, with release dates Down Under yet to be revealed, Run spends time with ex-lovers Ruby Richardson (Unbelievable's Merritt Wever) and Billy Johnson (Star Wars: Episode IX — The Rise of Skywalker's Domhnall Gleeson). They dated in college and, 17 years ago, they made a pact. First, one of them has to text the word 'run' whenever they feel like it. Next, the other has to respond the same way. After that, they both have to drop everything, step away from their everyday lives and meet at Grand Central Station, then travel across the America together. For Ruby, that means escaping her monotonous existence and leaving her husband (Mad Men's Rich Sommer) at home. As for what happens next, the just-released first trailer gives a sneak peek. Expect plenty of chatty train trips, as well as both tension and laughs — with HBO badging the series as a romantic-comedy thriller. And if you're wondering about Waller-Bridge, she plays Laurel, a woman who Ruby and Billy meet on their journey. Check out the trailer below: https://www.youtube.com/watch?time_continue=8&v=_jwEiXdJGKM&feature=emb_logo Run starts screening in the US from Sunday, April 12, with air dates Down Under yet to be announced — we'll update you when local details come to hand. Image: Ken Woroner/HBO.
Tucked away deep in Cheltenham's bustling industrial area, Bambam Eatery is a light-filled, family-run cafe boasting a mostly vegan menu that changes almost daily. The oft-rotating menu is thanks to the super-fresh produce on the menu, which is sourced by Bambam owner Evan Georgopoulos and his father Angelo from Moorabbin Wholesale Farmers Fresh Market in the morning before the cafe opens. "We have a core menu of sandwiches and bagels," says Evan."But the rest is whatever is in season at the time. We have a really honest relationship with our fruit and vegetable vendor and we are not price-driven. If avocado isn't right on the day, we won't put it on the menu." Created by Evan and his mum Maria, the menu is described as "accidentally mostly vegan". And while the noticeable lack of meat wasn't on purpose, the duo hopes it'll help to break misconceptions about vegan food. "Veganism has come a really long way," says Evan. "People once thought vegan food was lacking in flavour, but, now, people eat our menu and are surprised to realise what they're eating has no meat in it. It has been really exciting to watch." [caption id="attachment_743145" align="alignnone" width="1920"] Julia Sansone[/caption] When Evan and the team aren't sourcing produce from the market, they're teaming up with local makers like Bromley's Bread and Huff Bagelry to ensure every element on the plate is locally sourced. Which also includes Bambam's vibrant house-made hot sauce. Those visiting for a quick lunch fix can grab a Really Good Sh**t ($12) poppyseed bagel loaded with smoked trout, cream cheese and pickles, or a PB & Maple Bagel ($10) oozing with banana and crunchy peanut butter. More vegan-friendly options include the Green Dreamz ($15) — a delightful treasure trove of charred, seasonal vegetables — and the Fal#fels ($15) special, served up with labneh, pickled vegetables and plenty of chilli. If you do eat meat, though, there's plenty on the menu for you, too, including the Bad + Boujee bowl ($16), packed with the aforementioned smoky hot sauce, 'njuda, creamy hummus, roast butternut pumpkin soft eggs and sourdough — and the Number TwentyFive ($12), the cafe's take on a B&E roll made with pork belly, a fried egg and XO mayo. [caption id="attachment_743141" align="alignnone" width="1920"] Evan and Maria Georgopoulos by Julia Sansone[/caption] Aside from food, sustainability is another passion of the Georgopoulos family. The cafe is powered by solar panels, is a plastic-free business and the team makes cold-pressed juices in house. "We work in a closed loop as much as possible," explains Evan. "We serve up our coffee in Huskee Cups (made from the husks of coffee beans) and our used coffee grounds are turned into compost. We're also working on some other products that minimise waste and our customers can take home with them — watch this space." From October 4, Bambam will keep its doors open past 4pm every Friday for after-work knockoffs. Inspired by Italian aperitivo hours, After Dark will star cocktails and share plates to "butter you up" before the weekend begins. Find Bambam Eatery at 132 Keys Road, Cheltenham. It's open from Monday–Friday 7am–3.30pm and Saturday 8am–2.30pm. Top images: Julia Sansone
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next escape. In this instalment, we go to The Henry Jones Art Hotel in Hobart, Tasmania, where you'll encounter hundreds of artworks adorning the walls, views of the harbour and boutique interiors with exposed timber beams and walls of hand-cut stone that nod to the building's former life as a waterfront jam factory. Stay here as part of one of our curated itineraries on Concrete Playground Trips that includes a four-nights stay with daily breakfast included, scenic flights for two over Wineglass Bay, and Posh Pit tickets to MONA. Book it now. WHAT'S SO SPECIAL? Located in the Hunter Street precinct, this building is one of the oldest waterfront warehouses in Hobart named for the one-time building owner who started working in the former jam factory as a 12-year-old kid, working his way up the ranks until he eventually took over the business and ultimately made the jam trade his bitch. While art hotels are no longer new-news, the Henry Jones does has the claim to fame as Australia's first dedicated art hotel and the extensive collection of works and ongoing artist in residence program upholds its place as a leader within the onslaught of art-devoted stays that has followed. There are some 400 artworks throughout the property with a strong representation of emerging Tasmanian artists. Stroll the hallways, guest rooms, drinking and dinings options and public spaces, including The Packing Room Gallery, which hosts a roster of themed exhibitions. THE ROOMS At the Henry Jones Art Hotel no two rooms are the same. Organic materials, tones and polished timber meets rich accents of primary colours and thoughtfully curated decor in each of the hotel's lodgings. In many rooms, large harbour-facing windows let in natural light to show off sleek contemporary design elements amid the building's original features. Like much of Hobart, it's a collision of old and new influences. As for the details: luxurious bedding, original artworks and beautifully-appointed modern bathrooms complete with ample fluffy white towels. There's also the requisite free wifi and in-room coffee machine, and in some rooms you'll find an ultra-deep Kohler bath tub for soaking between strolls and sampling the sensational local dining scene. FOOD AND DRINK Speaking of dining, the in-house offering is a step above your usual hotel lobby bar. There's the IXL Long Bar, for innovative cocktails and snacks. At the front of the hotel is the Landscape Restaurant and Grill with a menu by Head Chef Nathaniel Embrey designed around the Asado grill and inspired by the region's exceptional local produce and artworks of legendary landscape artist John Glover that surrounds diners. Then there's the hero of the lineup: Peacock & Jones. Culinary Curator Ben Milbourne (chef and former Masterchef Australia contestant) and Head Chef Julian Volkmer (MONA) have crafted a menu that celebrates the very best of seasonal Tasmanian produce from sea urchin to truffles. And, of course, the drinks program showcases a carefully considered selection of Tasmanian wines, whiskies and spirits. [caption id="attachment_869996" align="alignnone" width="1920"] Maria Island[/caption] THE LOCAL AREA It's no secret that we are serious devotees to all that Tasmania's got on offer. Here's a quick guide to some of our Hobart favourites, and a more comprehensive exploration of all the flavours of Tassie can be found here. Head to The Henry Jones Art Hotel website to book a stay or, if you'd rather we sort your itinerary for you, book our curated Bucket-List Hobart Getaway here.
If you're missing travel as much as we are, you're probably spending your days dreaming of faraway destinations — and binge watching every single travel show on Netflix. But, Australian intrastate borders are beginning to open, which means it's time to start planning a local getaway. And we found a way to do this that won't cost you a cent. Surf fashion brand Roxy is giving two Aussies the chance to win a free trip to absolutely any beach in the country. Maybe you could head to New South Wales' Cabarita Beach — Tourism Australia's best beach for 2020 — or The Whitsundays' Whitehaven Beach, which has been named one of the best beaches in the world (multiple times). Whether you're after white sands and sparkling blue waters, secluded spots hidden away from the hustle and bustle or legendary stretches of surf, Australia has it. You just need to choose the beach you want to visit. [caption id="attachment_785976" align="alignnone" width="1920"] Whitehaven Beach in The Whitsundays[/caption] To enter, head over to the competition website and describe, in 25 words or less, your all-time favourite Aussie beach, and what makes it so bloody great. You'll also have to subscribe to the Roxy mailing list, but we reckon that's a small price to pay. If you win, Roxy will organise the flights, accommodation and hire car to your chosen destination — and you'll get a $500 gift card to spend on some new beachy threads. And don't worry about COVID-19 restrictions when choosing your beach — Roxy will honour the prize until it's fully safe to travel anywhere in Australia. The competition closes on Saturday, October 31, though, so best get on it. Roxy's Request a Beach competition run until Saturday, October 31. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Apologies to your usual streaming queue — and to everything from the past month you're still trying to catch up with, too — but if you're a horror fan, there's only one acceptable way to spend your viewing time during October. Filling every spare second with unnerving flicks new and old is what the lead up to Halloween is all about. Scary movies work all year round, of course, but this is their season. Here's one to add to your list for your next couch session: Jordan Peele's Nope, the comedian-turned-filmmaker's third stint behind the camera, and a movie that's just as great as his Oscar-winning Get Out and equally exceptional Us. Yep, when it comes to making the leap from an iconic sketch comedy series to helming horror fare — and having a hand in bringing everything from BlacKkKlansman and the ace latest Candyman flick to Hunters and Lovecraft Country to our eyeballs, too — the former Key & Peele has been having a helluva time of it. Nope only hit cinemas in mid-August, and it's actually still showing on the big screen — so it joins the list of films that've been fast-tracked to digital while still gracing picture palaces. That's no longer a rarity, given that everything from Dune, The Matrix Resurrections, Spencer and West Side Story through to Everything Everywhere All At Once, The Unbearable Weight of Massive Talent and Elvis have done the same thing this year. Still, the timing of this digital release couldn't be better, especially if you've spent the first few days of October working out which chilling movies you're going to enjoy all month. The film reteams Peele with Get Out star and Judas and the Black Messiah Oscar-winner Daniel Kaluuya, with the latter playing Haywood's Hollywood Horses trainer OJ. His family ranch is proudly run by the only Black-owned horse trainers in show business (with Hustlers' Keke Palmer as his sister Emerald), with their connection to the industry dating back to the very birth of cinema. But their remote patch of inland California soon becomes home to a disturbing discovery — and the fact that everyone spends a fair amount of time either looking up in horror or running away from something chilling in the sky in the trailers says plenty. Emerald decides that they need to capture what's happening on film, which is where Michael Wincott (Veni Vidi Vici) and Brandon Perea (The OA) come in — one charged with standing behind the lens, the other selling tech equipment. And, the Haywoods aren't the only California residents seeing this uncanny presence in the sky, with neighbour, rodeo cowboy and former child star Ricky 'Jupe' Park (Steven Yeun, The Humans) also peering upwards. As with all of Peele's celluloid nightmares so far, the less you know going in, the better. Get ready for a whirlwind of unsettling imagery, though, including fields of colourful inflatable tube men waving in the breeze, the creepiest of clouds and shadows, and a big leap into X-Files territory. Check out the full trailer for Nope below: Nope is currently screening in Australian cinemas (and NZ cinemas), and is also available to stream online via video on demand — including via Google Play, YouTube Movies, iTunes and Prime Video in Australia, and Neon, Google Play and iTunes in NZ. Read our full review.
One moment, you're watching Diego Luna sit down two rows in front of you in a cinema that seats 1600 people. The next, you're spotting Maggie Gyllenhaal and Patrick Stewart on the street. That's life at the Berlinale, or Berlin International Film Festival, which took place from February 9 to 19 — and it matches all of that star power with a massive, jam-packed program of movies. In its 67th year, Berlinale had everything in its 400-title-plus program, and we mean everything. Want big, mainstream efforts such as T2 Transpotting and Logan? Indie Aussie flicks like Emo the Musical and Monsieur Mayonnaise? A sci-fi retrospective and the world premiere of the 3D version of that other T2 — that is, Terminator 2, not the Aussie tea company or Trainspotting sequel? Geoffrey Rush getting an award? Charlie Hunnam traipsing around the jungle? Two movies filled with famous faces arguing over a meal? A flick about utopian world without men? A 1993-set Spanish coming-of-age effort that makes an impact? Another great entry in Romania's new wave? Yes, the festival delivered on all of the above and then some. Yes, you already know that the list goes on. Of course, not everyone can be there to experience films galore, below freezing temperatures, mulled wine aplenty and a newfound pretzel addiction. Don't worry, that's where we come in. We went, we watched, and we're excited about all of the movies that'll hopefully make their way to Australia at festivals or in general release. In fact, we can't wait to watch these ten again. CALL ME BY YOUR NAME If this film sounds more than a little familiar, that's because we were already mighty excited about it when it screened at Sundance. Oh boy, did Luca Guadagnino's (A Bigger Splash) latest and best feature to date more than deliver. Let us put it this way: when you're watching a 17-year-old become infatuated with his father's handsome research assistant, played by Armie Hammer, you're feeling every single emotion he's feeling. And, you're falling head over heels for everything about this masterpiece as well. Call Me By Your Name is the kind of effort that couldn't be more seductive, from the sumptuous sights of its scenic Italian setting to the summertime heat — and sizzling sentiments to match — that radiate from the screen. Keep an eye on Timothée Chalamet, too, who plays the teenager in question. If this movie is any guide, he should become one of cinema's next big things. A FANTASTIC WOMAN A Fantastic Woman? Yes, this sensitive drama and Berlinale best screenplay winner places one front and centre. A fantastic film? You bet. After using a compassionate gaze to explore the world of an older lady trying to find happiness in Gloria, Chilean filmmaker Sebastián Lelio turns his attention to Marina (Daniela Vega), a waitress and singer whose life is thrown into disarray when tragedy strikes. The family of her much older lover are horrified, judging her transgender status rather than daring to let her into their lives — or let her mourn. The movie doesn't make the same mistake, in an effort that proves empathetic and engaging from start to finish, complete with an exceptional lead performance and one perfect song cue. THE OTHER SIDE OF HOPE No one makes films like Finnish filmmaker Aki Kaurismäki. Sure, that's true of many directors, however the balance of deadpan humour and heartfelt drama he cultivates time and again isn't an easy one, even if he makes it seem otherwise. In this year's Berlinale Best Director winner The Other Side of Hope, Kaurismäki tackles the subject of refugees in Europe as Syrian Khaled (Sherwan Haji) finds himself in Helsinki, applies to stay and is forced to pursue other options when he's hardly given a hearty welcome. The tale of an unhappy salesman turned unlikely restaurant owner intersects with Khaled's plight, and so does absurdity, but in the filmmaker's warm but insightful way. THE PARTY It all seems so simple: gather a group of excellent actors together, stick them in a few rooms, give their characters plenty to argue about and watch what happens. At its most basic, that's what The Party does over 71 entertaining, black-and-white-shot minutes — of course, it does more than that as well. The scenario sees Kristin Scott Thomas' Janet securing a plum political appointment, with her friends and family — played by Timothy Spall, Patricia Clarkson, Emily Mortimer, Cillian Murphy and more — all gathering around to celebrate. As something other than joy starts seeping through their get-together, writer/director Sally Potter crafts a lively and hilarious comedy filled with sparkling dialogue and intent on unpacking the political climate in Britain. ON BODY AND SOUL When On Body and Soul took home Berlinale's top award, the Golden Bear for Best Film, the Hungarian feature caught everyone by surprise. That's the beauty of film festivals, though — little turns out as expected, including a contemplative, surreal romantic drama set in a Budapest slaughterhouse. Writer/director Ildikó Enyedi takes her time to spin a tale of austere lives and vivid dreams, letting the emotion build at a slow and steady pace, as well as glimmers of humour. While it won't be for everyone, two things other than its accolade and its filmmaker make it stand out: just how it brings its absurd yet ultimately still relatable story to a close, and its corresponding performances. CASTING JONBENET Good news and bad news, everyone keen to watch the second full-length effort from Australian filmmaker Kitty Green. On the one hand, it's headed to Netflix in April. On the other, the film really does provide an astonishing viewing experience if you ever get the chance to see it in a cinema. As the name gives away, murdered six-year-old beauty pageant queen JonBenet Ramsay sits at the centre of this documentary — however, a regular true crime offering, this most certainly isn't. Instead, in an approach that results in disarmingly revealing insights about how we filter the events of the world through our own experiences, Green asks the people of Ramsay's home town of Boulder, Colorado to audition for a film about her case, then captures their responses. SPOOR Even if you don't know it, you're already familiar with the work of Polish filmmaking great Agnieszka Holland. Over the past decade or so, she has helmed episodes of everything from The Wire to The Killing to House of Cards — and while we can say that the flavour of all three can be glimpsed in her latest feature, Berlinale Silver Bear winner Spoor, don't go expecting something as straightforward or obvious as that may sound. A series of deaths, an investigation in an insular community and the political fallout provide the storyline for this moody and sometimes amusing feature that flits between mystery, thriller, black comedy and even fairy tale elements. Another Agnieszka also deserves acclaim, this time lead actress Agnieszka Mandat who puts in a more than memorable performance. I AM NOT YOUR NEGRO In I Am Not Your Negro, Samuel L. Jackson lends his voice to the words of American essayist James Baldwin. He does an outstanding job at capturing the tone and passion required, but it's the text itself, rather than the star uttering it, that's truly remarkable. Stepping through the state of race relations in the U.S. by focusing on the lives and deaths of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr., every syllable spoken couldn't be more perceptive — or, even though they were written decades ago, still relevant today. It's little wonder that the film was nominated for best documentary at this year's Oscars, with director Raoul Peck matching the verbal content with an illuminating compilation of footage from the '50s and '60s. ON THE BEACH AT NIGHT ALONE Last year, South Korean director Hong Sang-soo's two most recent films (Right Now, Wrong Then and Yourself and Yours) played at various Australian film festivals. Yes, he's prolific. Expect his latest, On the Beach at Night Alone, to pop up this year — and, amazingly, he has two other features due out in 2017. That might mean that he returns to the same themes of love, identity and fulfilment again and again, and plays with the same kinds of structural devices, but every one of his efforts has their delights. Here, one of them is the fact that he riffs on his own rumoured real-life circumstances, relaying a narrative about the fallout of an affair between an actress and a director. Another is the leading lady herself, Kim Min-hee, who both sits at the centre of his own scandal and puts in a revelatory, Berlinale best actress-winning turn. GOD'S OWN COUNTRY The words "Yorkshire-set Brokeback Mountain" have been bandied about with frequency regarding God's Own Country; however, thankfully they're accurate in the very best way. Set on a struggling farm, it's a film of sprawling landscapes and surging urges — with both weathering hardships but proving rich and resonant. Forced to take care of everything due to his father's ailing health, to say that scowling, constantly booze-soaked Johnny (Josh O'Connor) is frustrated is an understatement, but, slowly and tentatively, the arrival of handsome Romanian farm-hand Gheorghe (Alec Secareanu) helps brighten his unhappy days. First-time writer/director Francis Lee takes a raw, realistic approach to everything from the animals scenes to the feature's underlying emotions, with heart-swelling results.
Live in New South Wales, Victoria or Queensland? Craving a doughnut right about now? There's a very good reason for those hunger pangs. All three states have been affected by Melbourne's latest COVID-19 cluster — the one that saw the city go into lockdown for two weeks, and only just ended — but today, Friday, June 11, the country's entire east coast has recorded zero new locally acquired cases. Yes, it's a doughnut day across Sydney, Melbourne and Brisbane, and across the rest of their states as well. Twelve months or so ago, if you uttered that term, you were probably using it in the literal sense between mouthfuls. Thanks to the chaos of the past year, however, the term now refers to this welcome COVID-19 milestone. https://twitter.com/VicGovDH/status/1403120157711605764 All three states use slightly different timeframes when it comes to their 24-hour reporting periods — NSW cuts off at 8pm the previous day, for instance, while Victoria counts up until midnight — but the results are the same regardless. In Melbourne, it's the first zero day since the current cluster began. So, it's the first since Monday, May 24. Obviously, with lockdown just finishing last night, that nice round figure is very happy news. While neither Queensland or NSW have had big case numbers lately, the big fat zero is still significant there as well. On Wednesday, it was revealed that two people from Melbourne had driven through NSW and Queensland to the Sunshine Coast, with one then testing positive. The second person then tested positive on Thursday. https://twitter.com/qldhealthnews/status/1403182248707256320 At the moment, Victoria has 75 active cases, which includes both locally acquired and those in hotel quarantine. NSW has 26 cases being treated at present — and in Queensland there is currently 15 cases. Of course, this doesn't mean the war is over in any of the three states, or around Australia — but it is a very welcome development after the past few days and weeks. For more information about COVID-19 in NSW and current restrictions, head to NSW Health. For more information about COVID-19 in Victoria, head over to the Department of Health website. For more information about the status of COVID-19 in the Queensland, visit the Qld COVID-19 hub and the Queensland Health website.
A cucumber is more or less responsible for Andrew Mowbray's obsession with the gourd. Wandering around his garden one fateful morning, he made a rather unusual discovery. Between his fence and a tree, a cucumber was growing, but as a result of being squashed on both sides, it looked more like a hard, green pancake - 'pressed flat with rounded edges and completely trapped'. Finding the form 'formally interesting' and 'architecturally amazing', he started thinking about how he might be able to re-create it in a manner that would not be threatened by decomposition. Research led him to the Lagenaria gourd, which won't come as a surprise to those acquainted with the robust plant. When people initially came up with the idea of cultivating plants, the Lagenaria gourd was one of the first with which they experimented. Once dried, it becomes as tough as wood, making for a trusty container, bottle, ladle or birdhouse. The West Africans were the first to transform it into an instrument, and the concept soon spread through Asia, the Americas, the Caribbean and the Pacific Islands. The gourd is one of the few plants that we grow for aesthetic and practical purposes, rather than to feed ourselves. Now, Mowbray is taking its functionality to new heights, by transforming the gourd into a building block. He grows each one in an acrylic container, which is cubic, with semi-circular depressions enabling the development of 'nubs or buttons'. A modular unit' can be created by locking several of them together. At the same time, he is exploring the sculptural potential of the gourd's form, through emulation with plaster, cement and other materials. [VIA Inhabitat]
Trying new kicks on in-store is one thing, but how about really putting them through their paces in a multi-sensory obstacle course? Next weekend, Nike's celebrating its new Epic React running shoes by bringing its House of Go pop-up to Melbourne. Taking over the Collingwood Arts Precinct on March 3 and 4, it's a chance for punters to score a first-hand taste of Nike's latest and greatest running technology...or simply to have some good old-fashioned kidult fun. Perfect if you missed out on last month's inflatable obstacle course. Sign yourself up for one of the free 30-minute sessions and you'll get to don a pair of Nike's whizz-bang new kicks, to best experience all the House of Go activities on offer. Get some air-time jumping through a giant treadmill, squelch through a room of foam, slip down slides and feast your eyes on dazzling light installations along the way. Out the other end, you'll be greeted by striking works by acclaimed Indigenous artist Reko Rennie as you recover with ice cream and groove to beats by Nike's resident DJ.
It takes a brave filmmaker to see cancer and climate change, and think of art, evolution and eroticism in a possible future. It takes a bold director to have a character proclaim that "surgery is the new sex", too. David Cronenberg has always been that kind of visionary, even before doing all of the above in his sublime latest release — and having the Scanners, Videodrome and The Fly helmer back on his body-horror bent for the first time in more than two decades is exactly the wild and weird dream that cinephiles want it to be. The Canadian auteur makes his first movie at all since 2014's Maps to the Stars, in fact, and this tale of pleasure and pain is as Cronenbergian as anything can be. He borrows Crimes of the Future's title from his second-ever feature dating back 50-plus years, brings all of his corporeal fascinations to the fore, and moulds a viscerally and cerebrally mesmerising film that it feels like he's always been working towards. Long live the new flesh, again. Long live the old Cronenberg as well. In this portrait of a potential time to come, the human body has undergone two significant changes. Three, perhaps, as glimpsed in a disquieting opening where an eight-year-old called Brecken (debutant Sotiris Siozos) snacks on a plastic bin, and is then murdered by his mother Djuna (Lihi Kornowski, Ballistic). That incident isn't unimportant, but Crimes of the Future has other departures from today's status quo to carve into — and they're equally absorbing. Physical agony has disappeared, creating a trade in "desktop surgery" as performance art. Also, a condition dubbed Accelerated Evolution Syndrome causes some folks, such as artist Saul Tenser (Viggo Mortensen, Thirteen Lives), to grow abnormal organs. These tumours are removed and tattooed in avant-garde shows by his doctor/lover Caprice (Léa Seydoux, No Time to Die), then catalogued by the National Organ Register's Wippit (Don McKellar, reteaming with Cronenberg after eXistenZ) and Timlin (Kristen Stewart, Spencer). When Crimes of the Future stages one of Saul and Caprice's gigs, it drips not with blood but spectacle and seduction. Indeed, it's no wonder that a curious Timlin utters that catchy observation about medical slicing and intimate arousal shortly afterwards. Alluring, eerie, grotesque and enthralling — and the epitome of the feature's sparse yet entrancing look and mood in the process — it's a powerhouse of a scene, with a self-autopsy pod at its centre. Saul lies still, Caprice uses an eXistenZ-esque fleshy video-game controller to get the contraption cutting, and an enraptured audience hang on every incision. Saul and Caprice do, too, although their visibly aroused reactions have nothing on their time later in the suite alone. (Cronenberg does love eschewing traditional ideas about what titillates; see also: his 1996 film Crash, about characters excited by car crashes. It's a clear precursor to this, and the movie that purred so that 2021 Palme d'Or winner Titane, by filmmaker Julia Ducournau, could rev.) Crimes of the Future's scalpel-equipped coffin is just one of Saul and Caprice's Lifeform Ware gadgets; if eXistenZ, Naked Lunch and Dead Ringers procreated, these are the devices the three flicks would spawn. HR Giger could've conjured them up as well, and thinking of the biomechanical artist's contribution to Alien, which saw him share an Oscar for visual effects, is as natural as feeling spellbound and perturbed by Cronenberg's movie in unison. This is a grimy world where a bed covered with skin and tentacles floats in Saul's home, calibrated to cater to his "designer cancer"-riddled body's needs as it slumbers — and where a chair that looks like a skeleton reassembled as furniture contorts Saul as he's eating, something he is having increasing trouble with otherwise. In other words, it's a world where the old flesh isn't doing what it always has, new flesh is sprouting in a changing and devastated reality, and technology fills in the gaps as it is always designed to. Is Crimes of the Future a Cronenbergian nightmare painted using tools of horror as a brush, just as Caprice uses the autopsy bed as hers? Is it a probing and penetrating pondering of what lies in store on this planet of ours, where machinery keeps progressing, the environment continues to be pushed to its limits, and human bodies are in a state of metamorphosis? The answer: it's both, just as it's sensual and sinister — and, story-wise and thematically, there's still more to come. Writing as well as directing, Cronenberg works with his own original ideas for the first time since the constantly relevant eXistenZ, and doesn't stop questioning what physical, emotional, intellectual and psychological mutations may await humanity. Unsurprisingly, in a script he penned back in 1999, what he posits is bleak — his sci-fi body-horror visions always are — and thoroughly riveting. Connecting the dots, Cronenberg brings Brecken's plight into Saul and Caprice's life via a request by the shadowy Lang (Scott Speedman, Best Sellers), the boy's father, for a public autopsy. The feature has Saul carrying out missions for a detective (Welket Bengué, Berlin Alexanderplatz), and sees a pair of Lifeform Ware technicians (Yellowstone's Tanaya Beatty and Private Eyes' Nadia Litz) hovering around. Plus, Crimes of the Future spans an Inner Beauty Contest, with a zipper inserted in Saul's stomach for the occasion, which Caprice licks in the film's most carnally salacious moment. If Cronenberg's name hadn't already been adapted to describe his aesthetic, fascinations and narratives, it would be based on this movie. Actually, the filmmaker takes it back. He's shared the term with a raft of imitators, but no one holds a blade to Cronenberg at his best. Well, one fellow director comes close: his son Brandon, whose Antiviral and Possessor couldn't be more worthy of the family moniker. Crimes of the Future is an art-world and celebrity satire among everything else — when artists modifying bodies become stars, as happens here, how can it not be? And, joining the list, it's as strong an example there is of Cronenberg's masterful ability to use the instruments at his disposal to bring disturbing but enticing musings to a stunning fruition. There isn't a misstep among his cast, including his cloaked-up A History of Violence, Eastern Promises and A Dangerous Method star Mortensen oozing vulnerability and looking like death (a The Seventh Seal-style figure, to be exact); Seydoux serving up a picture of slinky passion; and Stewart delivering a delightfully nervy supporting turn. Every shot lensed by Douglas Koch (Funny Boy) exudes a ravaged air in multiple ways, and the score by Cronenberg's usual composer Howard Shore is devilishly menacing. Surrendering to their skills, and to Crimes of the Future's thrills, proves just like evolution: inescapable.
If you're a Melburnian looking for a new staycation destination, you'll soon be able to add the first Victorian venue from luxe hotel chain W Hotel to your must-stay list. And, if you're looking for a new spot to have a few drinks, the hotel will offer that too. When the site throws open its doors in February 2021, it'll feature flashy rooms and suites, a heated indoor pool with a gold-adorned roof, and four in-house venues — including a new bar called Curious. If the latter has piqued your interest, then we hope you like cocktails. We hope you like moseying through a secret laneway entrance to get to them as well. Both will be on offer here, as will curated music programming, and a menu heavy on small bites and share plates. On the drinks side of things, Proof & Co is overseeing the cocktails — and taking inspiration from Melbourne's fashion, art and coffee in the process. While the full list of exactly what you'll be sipping hasn't yet been revealed, the latter will come into play via W Hotel's version of an espresso martini. Called 'A Curious Ristretto', it comes sealed with beeswax and will emit a nutmeg smoke when you take your first sip. Patrons will also be able to choose from boutique craft spirits, with Australian and Melbourne brands featuring prominently. And, you'll be able to pair your drinks with bites to eat from the venue's executive chef Jihun Kim — and listen to tunes from emerging talent in the process. As for actually getting to the place, you'll need to head to Market Street, then step down a spiral staircase. There, you'll find a cocoon-esque design made from timber beams that'll welcome you in. Once you're inside, you'll be surrounded by a rich, dark, earthy aesthetic — with the bar hoping to become one of the city's next late-night hangouts. When both Curious and W Melbourne open — on Collins Street in the middle of Melbourne's shopping heartland — they'll join the already-operating W Brisbane in 2018. The chain is also slated to launch in Sydney as well. Following Brisbane's ten-gallon baths and Sydney's lavish pool deck overlooking the harbour, the Melbourne digs look to be no less OTT. W Melbourne will encompass 294 rooms and 29 suites, including an 'Extreme Wow Suite', which has its own 40-square-metre balcony with views of the Yarra, a jukebox and cocktail bar. Designed by local architect and interior design firm Hachem, W Melbourne will also house a 14th-floor spa, gym and that aforementioned indoor pool, plus a poolside bar and DJ decks. And, for those needing function space, W will have more of it than you can physically fill (under current COVID-19 restrictions, at least) — a 830-square metre space for conferences, meetings or holding lush balls. On the food and drinks front, in addition to Curious, you'll have three other choices. The 30-seat Warabi will be your go-to for Japanese fine dining, while Lollo will be run by a "renowned local chef" — we'll let you know exactly who that is when it's announced — and Culprit will flip from a cafe during the day to a wine bar at night. Functioning, too, as the bottom 15 storeys of a towering new precinct called Collins Arch, W Melbourne will sit on Flinders Lane. The $1.3 billion new precinct will be comprised of two towers of commercial, residential and retail spaces, joined at the top by a dramatic sky bridge. W Melbourne is slated to open on Flinders Lane in February 2020.
While wearable tech is impressive, it's not necessarily subtle or very stylish. You can always tell when someone's wearing a Fitbit and we all know how Google Glass went down. But Google's new piece of wearable tech is integrated into one of society's more practical pieces of clothing: a Levi's denim jacket. Google's Advanced Technology and Projects arm (ATAP) has teamed up with the iconic denim brand to redesign their Commuter Trucker Jacket with Google's Project Jacquard technology. It is the first garment to be made with the tech, which works by weaving a conducive yarn into the fabric. On the jacket, the tech is installed in the left sleeve, which acts as a touchpad and allows for touch and gesture interactivity with your phone. That means that when riding your bike (which is what this technology has been primarily designed for) you will be able to swipe up to get directions, tap to change the song you're listening to or swipe down to answer a call. It's all powered by a clip-on tag, which acts as a battery and, as far as we can tell, is the only real noticeable difference to the jacket. The technology has been in the works for some time now, but further details were announced on-stage by Levi's global product innovation head Paul Dillinger and ATAP's Project Jacquard lead Ivan Poupyrev at SXSW in Austin this weekend. The jacket — which will be made in both women's and men's sizes — will be released in spring this year and retail for about $350 USD. That's not saying the jacket will be officially released in Australia or New Zealand, but it will be available for consumers to purchase. Until then, you'll just have to be content with listening to a shitty song that snuck into your Spotify shuffle until you pull up at a traffic light. Via Mashable. Images: Levi's/YouTube.
Hiking through forests and swimming around coral reefs can be great fun, but some of the best adventure holidays include those with close and personal wildlife experiences — and that doesn't mean just looking at birds in trees or visiting a zoo. This kind of epic getaway will have you witnessing exotic animals in their natural habitat, getting as close as you can without causing them any harm. To help you get on one of these trips, we teamed up with a bunch of local and international tour providers who curate experiences for animal lovers especially. Read on to find your fave and book your spot through Concrete Playground Trips. A HUMPBACK WHALE ADVENTURE This is a once-in-a-lifetime kind of travel experience. Adventure lovers will spend seven nights in Tonga, diving around the island almost every day. Each day, you'll follow the lead of Jono Allen — the ocean photographer, environmental scientist, marine megafauna guide and filmmaker — as he takes you to a series of different dive spots. Every year, thousands of magnificent humpback whales migrate from the freezing feeding grounds of Antarctica to Tonga's warm, azure paradise to mate and give birth. You're not totally guaranteed to see these majestic sea creatures, but this place'll be your best bet. BOOK IT NOW. [caption id="attachment_899178" align="alignnone" width="1920"] Red Charlie (Unsplash)[/caption] FIVE-NIGHT LUXURY SERENGETI SAFARI This Tanzanian trek takes animal lovers to some of the country's most famous safari destinations, including Rift Valley and the Ngorongoro Crater. You'll traverse savannah grasslands in a 4WD car with only a couple of other tourists. Here, you've got an ideal vantage point for spotting zebras, leopards, giraffes and all other kinds of native wildlife. You'll also stay in incredibly glam accommodation along the way. Specifically, the Four Seasons Safari Lodge Serengeti, Arusha Coffee Lodge and Grand Melia. It's guaranteed that you'll safari in total style on this Serengeti tour. BOOK IT NOW. [caption id="attachment_893317" align="alignnone" width="1920"] Colin Meg (Unsplash)[/caption] 10-DAY BORNEO WILDLIFE EXPEDITION Borneo is a bucket list travel destination for so many nature lovers. People flock to this part of the world for its wild rainforests, rugged coastline and traditional villages full of friendly locals. Fantastically, this 10-day tour takes you to all of Borneo's best bits, including an orangutan sanctuary where you can get up close with the intelligent creatures. You'll also cruise along the Kinabatangan River, chill out on the stunning Manukan Island and get a taste of city life in Kota Kinabalu — spending your nights in luxe resorts, hotels and lodges. BOOK IT NOW. [caption id="attachment_895302" align="alignnone" width="1920"] Tourism Western Australia[/caption] SWIM WITH WHALE SHARKS ON THIS NINGALOO REEF GETAWAY Swimming with the whale sharks on Ningaloo Reef should be at the top of everyone's travel hit-list when visiting Western Australia's Coral Coast. Exmouth is the gateway to the world's largest fringing reef — the iconic Ningaloo Reef — and that's exactly where you're headed on this exclusive three-day adventure. You'll enjoy a full day here, diving headfirst into the pristine aquatic wonderland that's home to dolphins, manta rays, turtles, humpback whales and, of course, the much-loved gentle giants: whale sharks. Spend the rest of your days at your own leisure. Our hot tips? Hitting up the iconic Cape Range National Park, home to native wildlife and epic walking trails. BOOK IT NOW. [caption id="attachment_899180" align="alignnone" width="1920"] Juli Kosolapova (Unsplash)[/caption] CROSS THE SOUTH GOBI DESERT BY CAMEL This isn't the usual two-hour camel tour you'll find Down Under — it is altogether more epic. You'll spend 11 days trekking around the largest desert in Asia, all from atop your humped steed. Wake up, jump aboard and explore Mongolia's Gobi Desert with local guides. This part of the locale is rich in mineral resources, diverse flora and fauna, thousands of unrevealed dinosaur fossils and rare paleo findings, as well as stacks of historical and archaeological sites. And seeing them via camel just makes your trip that much more unique and fun-filled. BOOK IT NOW. [caption id="attachment_899177" align="alignnone" width="1920"] Jorge Tung (Unsplash)[/caption] LUXURY SAFARI AROUND KENYA This seven-day tour takes adventure travellers to some of the greatest national parks and conservation reserves in Kenya. You'll see lions, elephants and rhinos in their habitats as they thrive in protected areas — a true must-do experience. Each night will be spent in a different luxury lodge located close to the wildebeest migration routes — meaning guests will likely get the chance to see these astonishing wild animals close-up (say, while having brekkie or swimming in their private plunge pool). If an African safari is on the cards this year, consider this exclusive offering from Concrete Playground Trips. BOOK IT NOW. [caption id="attachment_899195" align="alignnone" width="1920"] Nick Dunn (Unsplash)[/caption] SMALL GROUP FULL-DAY TOUR OF KANGAROO ISLAND Kangaroo Island is one of the top places to visit in Australia — and this tour will let travellers see some of its cutest and most rare wildlife. Start the morning with a cuppa and some homemade treats with fellow travellers before walking along koala-filled paths by the beach. After you're fuelled, you'll be taken to a series of natural sites that'll have you right up close to wallabies and sea lions. Watch pups nursing or playing in the surf, see old bulls bearing the scars of territorial disputes and learn about their unique breeding biology. The trip even includes lunch at a private bush camp, where you'll dine on locally caught fish and drink plenty of South Australian wine. BOOK IT NOW. [caption id="attachment_899184" align="alignnone" width="1920"] 2H Media (Unsplash)[/caption] EXCLUSIVE GORILLA TOUR OF UGANDA Live your Gorillas in the Mist fantasy (sans scary poachers) on this seven-day primate tour in Uganda. You'll trek around the rainforests keeping your eyes peeled for all kinds of primates — think chimpanzees, monkeys and the almighty gorilla — and even jump aboard a river boat for a day. Throughout the animal-filled getaway, travellers will stay in Rushaga Gorilla Camp, Simba Safari Camp and the Isunga Lodge — each surrounded by nature and wildlife. It's one of the greatest ways to explore this part of the world. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Hu Chen (Unsplash).
UPDATE, January 7, 2021: Pieces of a Woman screens in Melbourne cinemas from Wednesday, December 30, and will be available to stream via Netflix from Thursday, January 7. Everyone has heard the claim that women forget the pain of childbirth, with hormones and maternal stirrings washing away the agony of labour once a mother meets their bundle of joy. How true that proves is the subject of debate, but if you've only seen life brought into the world via on-screen depictions, you can be forgiven for subscribing to such a school of thought. Childbirth, like sex, is usually sanitised for cinema. Courtesy of thrusts, groans, screams and part-exhilarated, part-exhausted smiles, films typically convey the gist, rather than the nitty gritty. The visceral reality rarely exists in a fictionalised world of convenient meet-cutes, perfect make-up adorned faces and zero signs of sweat; however, thanks to a tense and harrowing 23-minute delivery scene that plays out in one continuous take, Pieces of a Woman doesn't shy away from the mess and chaos. It doesn't evade the devastation when a planned home birth not only experiences hiccups, but leaves Boston-based expectant mother Martha (Vanessa Kirby, Fast & Furious: Hobbs and Shaw) struggling to cope, either. Martha won't forget what occurred when her water broke, her husband Sean (Shia LaBeouf, Honey Boy) remained by her side and midwife Eva (Molly Parker, Words on Bathroom Walls), a fill-in rather than the couple's first choice, delivered her baby. Neither will viewers of this daringly intimate drama from White God and Jupiter's Moon director-writer duo Kornél Mundruczó and Kata Wéber. The unbroken birthing scene isn't the movie's first, but it does precede its title card — with the filmmakers making it plain that, after getting a front-row seat to Martha's trauma, the audience will now witness her attempts to stitch herself back together. That's Pieces of a Woman's storyline. Shattered instead of feeling ecstatic and complete, as she had anticipated, the feature's protagonist tries to work out how to go on. But her marriage has lost its lustre, her overbearing mother Elizabeth (Ellen Burstyn, House of Cards) won't stop giving her two cents — and trying to throw around piles of money to help a problem that can't be fixed by cash — and, at Sean and Elizabeth's urging, there's also a court case to deal with. Pieces of a Woman doesn't lack narrative developments, involving both Martha and those in her bereaved orbit. Ex-alcoholic Sean also endeavours to process the situation, including falling back on old habits. His relationship with Elizabeth flips from bickering to conspiratorial, too; he's a construction worker, and his mother-in-law has always disapproved of his and Martha's class differences, but now they agree on what's best moving forward. Also having an impact: the involvement of Martha's lawyer cousin Suzanne (Sarah Snook, Succession), and the attention that comes from pursuing legal proceedings. Martha can't escape any of the above, but they're the film's scaffolding, rather than the main attraction. These external ups and downs will all pass, while Martha's maelstrom of despair and anger will remain. Accordingly, after stepping through her life-changing moment in realistic detail, the movie makes the bold choice to explore its protagonist's emotional and mental state. The Crown brought Kirby to broader fame and acclaim, earning her awards for her on-screen work after years of receiving them for her stage career — but, as stellar as she is in the regal drama, Pieces of a Woman is a career-best performance. She's tasked with weathering an ordeal rarely laid bare with such candour, and doing so via a dynamic and lived-in portrayal. She's asked to convey the torrential torment that Martha endures in every second after pushing through the contractions in Sean's embrace, holding their child in hers, and then suffering the worst type of absence. In the birth scene, she's primal and unfiltered in a way that's never seen on film. Afterwards, Kirby is glassy with and distant from those around Martha in a manner that rarely resonates as authentically as it does here. Pieces of a Woman is well-cast, and its star is ably matched — by Burstyn especially, particularly in one big monologue that rides a remarkable rollercoaster — but the intensity in Kirby as Martha crumples, yet remains resolute about her right to fracture and fray however she needs to, is near-overwhelming. Mundruczó and Wéber tackle an array of weighty notions through Martha, and through Kirby's performance, the ravenous monster that is grief being one. Pieces of a Woman is heartbreakingly unrestrained in showing how it feels to navigate loss, specifically the kind that isn't often addressed in society let alone in cinema. It does so with disarming potency, as if everything within its frames has been ripped from truth by the filmmakers. Just as effectively, the movie also unpacks how women are constantly expected to stick to set roles, even when tackling what might be the most distressing thing that'll ever happen to a mother. That's where all the struggles with Sean, Elizabeth and the court case really strike a chord — because, no matter what's going on, Martha is always supposed to fit a type dictated by long-held ideas about being a woman, and her husband, mum and anyone else with an opinion can't quite accept her refusal to adhere to convention. If Pieces of a Woman wasn't so deeply moving, some of its overt symbolism might've fallen flat, including repeated shots of a bridge being built by Sean, plus Martha's obsession with apples. And yet honesty reverberates from both, reflecting how easy it is to cling to anything and everything when life isn't progressing as planned. This excellent movie does spend its 126 minutes as intended, of course. From its attention-grabbing early sequence and intricate emotional landscape to its astonishing lead performance and its masterful direction — and its fittingly solemn score by Howard Shore (a two-time Oscar-winner for The Lord of the Rings) and roaming yet lingering visuals lensed by Benjamin Loeb (Mandy), too — it plunges viewers headfirst into Martha's experience. Nothing has been sanitised for anyone's comfort or protection here, either by the filmmakers or by their unforgettably real and raw central character. https://www.youtube.com/watch?v=1zLKbMAZNGI Top image: Benjamin Loeb / Netflix.
As another summer begins, it'll be time for the NGV International to show off the latest edition of its annual Architecture Commission. Launching Monday, December 6 (until April 2022), this year's winning design is made up of two parts: a vibrant pink pond that's meant to nod to Victoria's inland salt lakes, and a body of Indigenous plants. The installation is called Pond[er], and hails from Melbourne-based architecture firm Taylor Knights in collaboration with artist James Carey. Their work will see patrons wander through a series of interconnected walkways and accessible platforms and, with one of Pond[er]'s main purposes being to provide somewhere for gallery visitors to cool off, you'll be able to step right in and wade through the water. The installation is also designed to reflect upon the environment in various ways. By filling the pond with pink-hued water, the piece is designed to get people thinking about its scarcity and importance. And by using Victorian wildflowers among its plants — which will bloom at different times throughout the installation — it also aims to inspire visitors to contemplate just how fleeting and precarious our natural environment can be. [caption id="attachment_840623" align="alignnone" width="1920"] Tom Ross[/caption] Top Images: Derek Swalwell and Tom Ross
Melbourne often goes in waves with its international influences on dining. From Mexican taco trucks to Spanish tapas to Korean barbecue, there are no limits to our cravings for international cuisine. One craze we cannot ignore any longer has to go to the land of the free and home of the brave, with American style platefuls still popping up left right and centre. Yes, American-inspired food and drink is not new to Melbourne, but boy do we love it right now. Whether you're craving dude food like Philly steaks and curly fries, want to snuggle into an American-style diner or simply won't settle for anything short of some southern Gumbo, there's a place for you here. Fourth of July celebrations were surprisingly abundant this year, and so the masses have spoken: USA is A-OK. So when you've got the urge for something from the States without the 22-hour flight, here's where you should head. Po' Boy Quarter The permanent residence from the team behind Creole food truck Gumbo Kitchen is perfect for those looking for southern comfort food. The po' boys, popular New Orleans street food, are filled with fried shrimp, deep-fried catfish or pulled pork — and you can’t go past the gumbo. Fantastic for those looking for a big feed on a budget as well, they often have drink and food specials (just keep an eye out on their Facebook page). The bar out the back, Huey Long's, has also recently started stocking craft beer from Louisiana for authenticity. They also serve great American style cocktails; rye mint julep served with crushed ice in pewter cups will be our go-to beverage the second the weather warms up. 295 Smith Street, Fitzroy, (03) 9419 2130, gumbokitchen.com.au The Beaufort This nautical dive bar is all about the booze, boats and buns — we're assuming of the hamburger nature — and if you can have more fun at a bar while keeping your clothes on, we'll eat our hat. Ike's Rack Shack is where it's at for delicious ribs. The tasty bits of meat and bone are covered in a salt and pepper rub and smoked overnight, then glazed with a Bulliet bourbon and maple syrup concoction. If you've got room for desert they’ve also got a bourbon caramel-topped walnut and vanilla sundae — along with apple pie, of course. 421 Rathdowne Street, Carlton, (03)9347 8171, thebeaufort.com.au Meatmother The dedicated folk at Meatmother are up bright and early to get slabs of beef brisket, pork and ribs to smoke over oak for 12 hours before they reach your lips. We recommend getting the meat tray to test out their days work, and adding a side of either chipotle slaw or mac and cheese. As for drinks, they offer a great selection of both American and Australian craft beers, bourbon and cocktails. With rusty meat cleavers adorning the walls, this isn't a prime choice for vegetarians (as the name suggests). But, if you like your meat to fall apart and full of flavour, you can't go wrong here. 167 Swan Street, Richmond, (03) 9041 5393, meatmother.com.au Big Boy BBQ The motto at Big Boy BBQ is 'Slow Food… Fast', meaning that their meat is generously rubbed with spices and slow cooked for up to 16 hours, but they can still dish them out quick sticks once orders start coming in. It may be 'fast food' but the meat is actually low fat, and low carb meal options are available. Give 'The Dorothy' a go: Kansas style saucy beef brisket with pickles and coleslaw. Another great thing about Big Boy is that they have BYO for only $1 surcharge per person. You can find these guys in either Caulfield South or Hardware Lane if the desire for shredded tender meat grabs you at a moments notice. 764 Glen Huntly Road, Caulfield South, (03) 9523 7410 and 27-31 Hardware Lane, Melbourne, (03) 9670 9388, bigboybbq.com.au Le Bon Ton Brought to you by the boys who have already proven they can nail Mexican food with Chingon, Le Bon Ton is another place serving up the New Orleans-inspired goods. The chicken wings smoked over cherry wood for two hours have been described as smokier than Keith Richards (we're assured that's a good thing). Also worth a stab is the 12-hour mesquite-smoked pork shoulder — it will change your life. We're also not about to argue with Sierra Nevada on tap, and for those after a serious cocktail there is the 'French Quarter' with Martell, Bulleit rye whiskey and sweet vermouth, with lashings of bitters and Bénédictine liqueur. And then there's the homemade pies for dessert: pecan, chocolate cream, banana cream and apple. This will be a food coma well deserved. 51 Gipps Street, Collingwood, (03) 9416 4341, lebonton.com.au Fancy Hanks Bar-B-Que If you're craving a big hunk of BBQ meat to get you through this winter, you should definitely drop by Fancy Hank's. 16-hour pulled pork shoulder for $6 per 100g or beer can chicken are popular items on the Bar-b-que menu, available at The Mercat Wednesday to Sunday. Add a side of 'Rosanne Cash' potato salad or some traditional cornbread and you won't need to eat for days. They also have happy hour between 4pm-7pm on Fridays with 2 for 1 on-tap beers. Also, what the hell is a pulled pork sundae you ask? You'd better get down there and investigate. The Mercat, 456 Queen Street, Melbourne, (03) 9348 9998, fancyhanks.com.au Miss Katie’s Crab Shack Previously known as Dr Juicy Jay's Crab Shack (and originally started by the Chingon boys), Miss Katie's is all about the American-style cooked blue swimmer crab. There is no holding back when it comes to these crabs — you just gotta grab a bib and hammer, and get stuck into these delicious crustaceans. The seasonal jambalaya, a paella-like dish with rice, seasonal vegetables and a selection of meats is created depending on what looked good at the market that day — just ask the staff for details. For those not so in favour of seafood there's KFC (that’s Katie's Fried Chicken), and vegetarians have not been forgotten here, with the sweetcorn and sweet potato burger doing the trick. The Public Bar, 238 Victoria Street, North Melbourne, (03) 9329 9888, misskatiescrabshack.com Bowery to Williamsburg For those looking for a taste of the USA in daylight hours, this cafe will take care of your bagel cravings. Channeling the industrial NY Subway station, this cafe pumps out Padre coffee all day, and something a little stronger for the afternoon crowd. The breakfast pastrami bagel is a hard one to pass up, a with fried egg, jalapeños, shmeer and rocket to get your day off to a great start. More recently they have added po' boys to their menu and some incredibly irresistible cronuts — that's a croissant crossed with a doughnut for the uninitiated. 16 Oliver Lane, Melbourne, twitter.com/bowerytowilliam Trunk If we're going to include a diner on our list, we think it should be Trunk. While Trunk's restaurant section is slightly more serious business, Trunk's New York-style diner is for those looking for something a bit quicker and light hearted. Try the Breaking Bad Dog: a bacon-wrapped hot dog with mustard, ketchup, fresh tomato salsa and jalapeños. Add some Wagyu chili fries to the order and you're laughing. Plus, you can never go wrong with a dessert menu only consisting of Sundaes — the salted caramel with toffee peanuts and caramelised popcorn for us, thanks. 275 Exhibition Street, Melbourne, (03) 9663 7994, trunktown.com.au Nieuw Amsterdam Ex-Cookie owner Michael Roszbach has opened a New York-inspired eatery and late night bar, and it doesn't disappoint. Serving food for lunch and into the night, the fare is decidedly American, with Gritz Fritters and a New York clam chowder filled with leeks, bacon, potatoes, clam veloute. Of course, with all things American that can be found in Melbourne, there is a pit grill to satisfy the carnivores amongst us, with lamb ribs and pork belly chops to boot. Pumpkin doughnuts and peanut butter waffles beckon us for dessert — but then again, so does the bar. An impressive list of Negronis and a 'NY Sour' with rye whiskey, cognac, lemon juice, egg white, and an absinthe rinse could be just what the doctor ordered. 106-112 Hardware Street, Melbourne, (03) 9602 2111, nieuwamsterdam.com.au Belle's Hot Chicken We know this is number 11 of the list, but we thought Belle's Hot Chicken — which has recently opened, replacing Belle's Diner — was worth of a mention on this list. The Gertrude Street diner is set to close mid-July and reopen to exclusively serve Nashville-style fried chicken. They'll be plating up their spicy-coated chicken with sides of fermented pickles, hot sauce, slaw, and potato salad in August. Their focus is to do one thing and do it really well — and we're volunteering ourselves to be their test crowd. 150 Gertrude Street, Fitzroy, (03) 9077 0788, bellesnightlunchdiner.com Po' Boy Quarter images thanks to e1cam1n0 via Instagram. View all Melbourne Restaurants.
The saying "all good things come to an end" doesn't apply that often on TV anymore. Whenever a show wraps up, there's usually a chance that it could return in some shape or form, whether as a prequel such as House of the Dragon, a sequel series like That '90s Show or a revival as Party Down is currently doing. But when Barry finishes its run after its upcoming fourth and final season, this really might be it for Bill Hader's (Lightyear) military sniper-turned-hitman-turned actor. If you've watched season three, which was characteristically phenomenal, you'll know why — but, also, a show about an assassin trying to be an on-screen star in Hollywood can't keep its main figure away from the law forever. So, in the just-dropped first trailer for Barry season four, HBO teases an "arresting final act". Barry is incarcerated, his mentor and veteran thespian Gene Cousineau (Henry Winkler, Black Adam) is being hailed as a hero, but this turn of events is clearly going to have consequences. In the initial sneak peek, Barry is seeing his friends and acquaintances as he wanders around the yard in prison — including Cousineau, his former handler Monroe (Stephen Root, Succession) and his ex-girlfriend Sally (Sarah Goldberg, The Night House) — which doesn't bode well for his already-fragile mental health. Is this where the killer-for-hire will be when the eight-episode season concludes? Will Chechen gangster Noho Hank (Anthony Carrigan, Bill & Ted Face the Music) somehow intervene? What's happening with Sarah's career after season three? These are all natural questions to have about the Emmy-winner's return. Answers will start coming soon, with Barry season four set to start streaming via Binge in Australia and Neon in New Zealand from Monday, April 17. If you're new to all things Barry, Hader not only stars but created the show, has directed a heap of episodes, and also co-wrote others. The initial setup: when Hader's Barry Berkman heads from Cleveland to Los Angeles for his job, he discovers a previously unknown passion for acting after he stumbles into a class held by veteran thespian Cousineau. The catch? Barry kills people for money, and that isn't a line of work that you can leave easily, especially when you become caught in the Chechen mafia's violent and deadly dramas. Check out the first trailer for Barry season four below: Barry's fourth season will start streaming via Binge in Australia and Neon in New Zealand from Monday, April 17. Top image: Merrick Morton/HBO.
Archer's restaurant at Melbourne Marriott Hotel Docklands has partnered with several independent Victorian distillers to host a monthly whisky tasting and dinner experience in its main dining room. Following a sold-out whisky dinner in May, the team has decided to revive the concept for three more monthly events. The series kicks off on Saturday, September 2 and will be hosted in collaboration with Morris Whisky — a local distiller that's been around since 1859. This will be followed by Timboon Distillery on Saturday, October 7 and Chief's Son Distillery on Saturday, November 4. Each of the three evenings will see guests tuck into a one-time-only menu designed by Archer's Executive Chef Ryan Flaherty (The Fat Duck and Stokehouse), made to be paired with a selection of whiskies curated by the distillers themselves. The four-course meal with matched whiskies comes in at $130 per person and can easily be followed by more good times in the hotel's main bar, Ada's — which boasts its own whisky cart that gets rolled around each evening. If you want to claim a spot at Archer's monthly whisky dinners, head to the restaurant's website.
With the Australian Centre for the Moving Image's major 2023 winter exhibition Goddess, the Melbourne cultural institution is going big on an essential topic: how women are represented on-screen. For six months from Wednesday, April 5–Sunday, October 1, the venue's new world-premiere showcase will pay tribute to formidable ladies in cinema, femininity across screen history, and what female talents have represented — and been forced to deal with — about the society around them. And, thanks to a new one-day conference with Geena Davis as its headline speaker, all that musing on representation, equality and diversity won't just be gracing ACMI's gallery spaces. Announced to celebrate International Women's Day, Being Seen on Screen: The Importance of Representation will run on Goddess: Power, Glamour, Rebellion's opening day. Davis will take to the stage to speak as part of a range of discussions, on behalf of the Geena Davis Institute on Gender in Media — which the Academy Award-winning actor founded in 2004, and has been working to create gender balance in the industry for almost two decades now — and as the exhibition's lead ambassador. [caption id="attachment_891918" align="alignnone" width="1920"] GabboT via Wikimedia Commons[/caption] In addition to the rare opportunity to hear from Thelma & Louise, Beetlejuice, The Fly and A League of Their Own star Davis herself live in Australia, the Melbourne conference will also feature Geena Davis Institute on Gender in Media President and CEO Madeline Di Nonno and a heap of Aussie talent. The latter includes 52 Tuesdays and Good Luck to You, Leo Grande filmmaker Sophie Hyde, journalist and TV presenter Jan Fran, actor Pallavi Sharda and casting director Anousha Zarkesh, as well as 2023 Australian of the Year Taryn Brumfitt. Goddess itself is quite the drawcard, of course, whether or not you head along on opening day. Both a massive and a landmark exhibition, it's set to display more than 150 original objects, artworks, props and sketches, all championing oh-so-many talented women and their impact upon cinema. [caption id="attachment_882193" align="alignnone" width="1920"] Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, 2020, Margot Robbie, © Warner Bros. Image courtesy of LANDMARK MEDIA / Alamy Stock Photo.[/caption] That lineup covers costumes that've never been displayed before, various cinematic treasures, large-scale projections and other interactive experiences. Silent-era sirens, classic Hollywood heroines, unforgettable femme fatales and villains, Bollywood stars, women in China and Japan's cinematic histories: they're all being given the spotlight. Goddess will also dive into provocative on-screen moments from Hollywood's silent days through to today that've not only left an imprint, but also played a part in defining (and altering) what's considered the feminine ideal. Think: Marlene Dietrich in 1930's Morocco, Pam Grier's spectacular Blaxploitation career, Tilda Swinton in 1992's Orlando and Margot Robbie via 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). Plus, Mae West's sky-high heels from 1934's Belle of the Nineties, costumes worn by Davis and Susan Sarandon in 1991's aforementioned Thelma & Louise and Michelle Yeoh's fight-ready silks from 2000's Crouching Tiger, Hidden Dragon will also feature. [caption id="attachment_882194" align="alignnone" width="1920"] Blonde Venus, 1932, Marlene Dietrich. Image courtesy of PARAMOUNT PICTURES / Ronald Grant Archive / Alamy Stock Photo.[/caption] The list goes on, clearly, spanning Anna May Wong, Marilyn Monroe, Laverne Cox and Zendaya as well. And, expect everything from Glenn Close's Cruella de Vil in 102 Dalmatians to the Carey Mulligan-starring Promising Young Woman to get time to shine. Goddess will pair its wide-ranging display with soundscapes by Melbourne-based composer Chiara Kickdrum, and also feature a sprawling events program complete with late-night parties, performances and talks — and film screenings, of course. ACMI has also just revealed further details about those other activities, including in-depth monthly curator tours of the exhibition, which'll take place after hours and dive deep into the showcase. [caption id="attachment_882188" align="alignnone" width="1920"] Britt Romstad, 2022, photo by Phoebe Powell. Costume: Kitty (Elaine Crombie) costume, Kiki and Kitty, Australia, 2017, designed by Amelia Gebler, courtesy of Jetty Distribution Pty Limited. Backdrop: Marilyn Monroe on the set of Some Like It Hot, photo by Don Ornitz, © Globe Photos / ZUMAPRESS.com. Image courtesy of ZUMA Press, Inc. / Alamy Stock Photo.[/caption] There's also a music program called Goddess Nights from late May, which'll focus on three femme-centric live music lineups with performances by DJ JNETT, CD, POOKIE and Ayebatonye — and a curated range of food and booze put together just for each evening. For film buffs, movie series Divine Trailblazers will focus on contemporary actors at the height of their powers, while the Goddess Sundays is all about on-screen personas. So, the first includes Angela Bassett's Oscar-nominated performance in Black Panther: Wakanda Forever, fellow Academy Award contenders Michelle Yeoh and Jamie Lee Curtis in Everything Everywhere All At Once, Cate Blanchett also earning that description for Tár, Viola Davis in warrior mode in The Woman King, Filipino actor Dolly De Leon stealing every scene she's in in Triangle of Sadness, and Leah Purcell writing, directing, producing and starring in The Drover's Wife The Legend of Molly Johnson. And, the weekly Sunday afternoon lineup includes Marilyn Monroe in Some Like It Hot, Pam Grier in Jackie Brown, Daniela Vega in A Fantastic Woman and more. After showing in Melbourne for its premiere season, Goddess will then tour internationally, taking ACMI's celebration of women on-screen to the world. Goddess will display at the Australian Centre for the Moving Image, Federation Square, Melbourne, from Wednesday, April 5–Sunday, October 1, 2023. For more information — including about Being Seen on Screen: The Importance of Representation on Wednesday, April 5 — head to the ACMI website. Top image: Thelma and Louise, 1991, L-R Susan Sarandon, Geena Davis, © MGM. Image courtesy of Moviestore Collection Ltd / Alamy Stock Photo.
For artist Sarah McCloskey, there was never really a question whether or not she would pursue a career in art. "There's never been another thing that I've been interested in," she says. Growing up in Perth, McCloskey explains that she "always, always had a pencil in [her] hand". After graduating from high school, she completely immersed herself in that world. She worked part-time in an art gallery and started a university degree in fine art, all while steadily honing her craft. In February 2019, she moved to Sydney to pursue being an artist full-time. It was one of several choices that McCloskey has made over the last decade in a bid to shape her career and find her unique creative voice. This year, McCloskey joins a slew of visionary creatives collaborating with Miller Design Lab — the home of creativity and self-expression built by Australia's leading minds in design, art, technology and fashion. The platform is a celebration of our nightlife and its impact on culture to deliver exceptional moments to you and your home. Here, we speak to McCloskey about seeking new challenges that shape her creative voice and finding inspiration. There's something that's really clear when talking to McCloskey: she isn't afraid of facing a challenge. In fact, she welcomes it. "I think the things I feel most proud of come from throwing myself into something new and giving it my best shot," she says. Although the bulk of her current work is painting murals, it's a relatively new medium for her after concentrating on graphite illustrations for the first part of her career. Explaining how she fell into the medium, she says, "I just was lucky enough to be working in a space and surrounded by some people who had been painting walls for decades." Since then, McCloskey's painted murals for several arts festivals, including Wonderwalls Festival in Port Kembla. But there are plenty of tricky aspects of it. "They were some of my largest walls and had tight timeframes. I learned a lot and was super proud. I do love painting murals, but I definitely feel it afterwards. Especially if I'm painting something really big in a short amount of time in the sun or the rain.....It is pretty physically taxing." Acknowledging that she can't continue with murals long-term, she started "dipping her toe" into yet another new challenge last year: oil painting. And she began with what she describes as "a pretty vulnerable choice to paint a sad selfie". Now, rather than seeing the cancellation of much of her upcoming mural work at festival and events (due to COVID-19) as a setback, McCloskey's taking it as an opportunity to keep forging ahead in her career path. "I'm in the studio constantly and actually putting time into some oil paintings that I've had sitting here waiting for me to finish. I want to build up a body of work with a view to have an exhibition." One of the most recent oil paintings that McCloskey has produced was for Miller Design Lab, which she describes as "pretty true to my style... which is very much portrait-based. I do have an interest in strong colour palettes, so I chose neon to be my light source, which is something I hadn't done before." Delving further, McCloskey explains how customisation plays a role in her process. "Through the years, I would take a photo reference [from Pinterest or Instagram] and tweak it to make it my own... I like to keep the realistic aspects and the things that make it recognisable, especially if it's a face, but turn it into something that doesn't really exist in this world. Through painting, especially murals, that's something I do using colour and other botanical elements." It's no surprise then that McCloskey considers nature a huge source of inspiration. She mentions the Royal Botanic Garden and Wendy Whiteley's Secret Garden as two of her favourite places in Sydney to visit. And, when the sun goes down, the inspiration keeps flowing. "The nightlife of the city is that perfect time at the end of the day when everybody gets to go out and connect with people. Whole creative industries exist in the night for our pleasure and entertainment, and being able to get out amongst that is an amazing way to recharge." For Sarah, that means tracking down live music. "I'm always that person who is trying to drag all my friends to some gig. That's the perfect place to see a bunch of other creative people in their element on a stage. I always feel pretty motivated by that — seeing people smash it in their own creative field. I'm not a musician at all but seeing one is like 'Fuck yeah, I'm going to go and be good at my thing now'." For more, check out Sarah McCloskey's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
Here's something that 2023 has that 2022 didn't: a Golden Globes ceremony. In his opening monologue, this year's host Jerrod Carmichael addressed the reasons why, including the Hollywood Foreign Press Association's historical lack of diversity. He also unpacked why he was asked to take to the microphone: "because I'm Black". Sparkling dresses, gleaming tuxedos, almost every famous face ever, plenty of shiny trophies going to worthy talents: that was all a part of the 2023 Golden Globes, which handed out its gongs on Wednesday, January 11 Australian and New Zealand time. So were frank speeches about the state of the industry, and the paths that many of this year's award-winners took to getting the accolades they deserve. When Ke Huy Quan said that "for so many years, I was afraid I had nothing more to offer" — chatting about the gap between starring in Indiana Jones and the Temple of Doom as a kid to making Everything Everywhere All At Once in 2022 — there really shouldn't have been a dry eye in the house. When his co-star Michelle Yeoh spoke about the surprise she garnered when people in the US discovered that she could speak English, the anger was palpable. Yeoh and Quan are just two of this year's Golden Globe winners, emerging victorious from a hefty list of nominees. Covering big- and small-screen contenders, they had ample company. And, among award recipients and presenters alike, the important and entertaining moments kept coming, such as Colin Farrell thanking Jenny the donkey from The Banshees of Inisherin, Elvis' Austin Butler asking to be played off to 'Suspicious Minds', Wednesday's Jenna Ortega telling everyone to watch 1962 French New Wave classic Jules and Jim, and Carmichael apologising "as a gay man" to Jennifer Coolidge in response to The White Lotus' second season. Also among the highlights: Carol Burnett Award-recipient Ryan Murphy giving 2022 Globe-winner MJ Rodriguez, the first trans woman to score a Golden Globe, a moment of recognition to make up for last year's lack of a ceremony; Volodymyr Zelenskyy's beamed-in speech; Steven Spielberg talking about finally being ready to dive into his own past directly after flirting with it across his filmography; Coolidge's mile-a-minute run-through of her rollercoaster career, and saying she'd come back for more American Pie; and Quinta Brunson's shoutout to Bob Odenkirk. Next stop for winners of the Golden Globe's film categories: the Academy Awards. Is Australia's own Cate Blanchett set to win her third Oscar, after picking up a Globe for Tár? Can Bollywood gem RRR keep winning fans everywhere it goes? Will 2023 keep being Yeoh and Quan's year, as 2022 was? These are your new questions. Amid all of the above, if you're wondering who and what else nabbed Golden Globes this year, the full rundown is below — and you can also check out our picks for the 15 winners you can watch right now: GOLDEN GLOBE NOMINEES AND WINNERS: BEST MOTION PICTURE — DRAMA Avatar: The Way of Water Elvis The Fabelmans — WINNER Tár Top Gun: Maverick BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — DRAMA Cate Blanchett, Tár — WINNER Olivia Colman, Empire of Light Viola Davis, The Woman King Ana de Armas, Blonde Michelle Williams, The Fabelmans BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA Austin Butler, Elvis — WINNER Brendan Fraser, The Whale — WINNER Hugh Jackman, The Son Bill Nighy, Living Jeremy Pope, The Inspection BEST MOTION PICTURE — MUSICAL OR COMEDY Babylon The Banshees of Inisherin — WINNER Everything Everywhere All at Once Glass Onion: A Knives Out Mystery Triangle of Sadness BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY Lesley Manville, Mrs. Harris Goes to Paris Margot Robbie, Babylon Anya Taylor-Joy, The Menu Emma Thompson, Good Luck to You, Leo Grande Michelle Yeoh, Everything Everywhere All at Once — WINNER BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Diego Calva, Babylon Daniel Craig, Glass Onion: A Knives Out Mystery Adam Driver, White Noise Colin Farrell, The Banshees of Inisherin — WINNER Ralph Fiennes, The Menu BEST MOTION PICTURE — ANIMATED Guillermo del Toro's Pinocchio — WINNER Inu-Oh Marcel the Shell with Shoes On Puss in Boots: The Last Wish Turning Red BEST MOTION PICTURE — NON-ENGLISH LANGUAGE All Quiet on the Western Front Argentina, 1985 — WINNER Close Decision to Leave RRR BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE Angela Bassett, Black Panther: Wakanda Forever — WINNER Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All at Once Dolly De Leon, Triangle of Sadness Carey Mulligan, She Said BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Brendan Gleeson, The Banshees of Inisherin Barry Keoghan, The Banshees of Inisherin Brad Pitt, Babylon Ke Huy Quan, Everything Everywhere All at Once — WINNER Eddie Redmayne, The Good Nurse BEST DIRECTOR — MOTION PICTURE James Cameron, Avatar: The Way of Water Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once Baz Luhrmann, Elvis Martin McDonagh, The Banshees of Inisherin Steven Spielberg, The Fabelmans — WINNER BEST SCREENPLAY — MOTION PICTURE Todd Field, Tár Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once Martin McDonagh, The Banshees of Inisherin — WINNER Sarah Polley, Women Talking Steven Spielberg, Tony Kushner, The Fabelmans BEST ORIGINAL SCORE — MOTION PICTURE Carter Burwell, The Banshees of Inisherin Alexandre Desplat, Guillermo del Toro's Pinocchio Hildur Guðnadóttir, Women Talking Justin Hurwitz, Babylon — WINNER John Williams, The Fabelmans BEST ORIGINAL SONG — MOTION PICTURE 'Carolina' by Taylor Swift, Where the Crawdads Sing 'Ciao Papa' by Alexandre Desplat, Guillermo del Toro, Roeban Katz, Guillermo del Toro's Pinocchio 'Hold My Hand' by Lady Gaga, BloodPop, Benjamin Rice, Top Gun: Maverick 'Lift Me Up' by Tems, Rihanna, Ryan Coogler, Ludwig Göransson, Black Panther: Wakanda Forever 'Naatu Naatu' by Kala Bhairava, M.M. Keeravani, Kala Bhairava, Rahul Sipligunj, RRR — WINNER BEST TELEVISION SERIES — DRAMA Better Call Saul The Crown House of the Dragon — WINNER Ozark Severance BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — DRAMA Emma D'Arcy, House of the Dragon Laura Linney, Ozark Imelda Staunton, The Crown Hilary Swank, Alaska Daily Zendaya, Euphoria — WINNER BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — DRAMA Jeff Bridges, The Old Man Kevin Costner, Yellowstone — WINNER Diego Luna, Andor Bob Odenkirk, Better Call Saul Adam Scott, Severance BEST TELEVISION SERIES — MUSICAL OR COMEDY Abbott Elementary — WINNER The Bear Hacks Only Murders in the Building Wednesday BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — MUSICAL OR COMEDY Quinta Brunson, Abbott Elementary — WINNER Kaley Cuoco, The Flight Attendant Selena Gomez, Only Murders in the Building Jenna Ortega, Wednesday Jean Smart, Hacks BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Donald Glover, Atlanta Bill Hader, Barry Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jeremy Allen White, The Bear — WINNER BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Black Bird DAHMER — Monster: The Jeffrey Dahmer Story The Dropout Pam & Tommy The White Lotus — WINNER BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Jessica Chastain, George and Tammy Julia Garner, Inventing Anna Lily James, Pam & Tommy Julia Roberts, Gaslit Amanda Seyfried, The Dropout — WINNER BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Taron Egerton, Black Bird Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Evan Peters, Dahmer — MONSTER: The Jeffrey Dahmer Story — WINNER Sebastian Stan, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION Jennifer Coolidge, The White Lotus — WINNER Claire Danes, Fleishman Is in Trouble Daisy Edgar-Jones, Under the Banner of Heaven Niecy Nash, Dahmer — Monster: The Jeffrey Dahmer Story Aubrey Plaza, The White Lotus BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION F. Murray Abraham, The White Lotus Domhnall Gleeson, The Patient Paul Walter Hauser, Black Bird — WINNER Richard Jenkins, Dahmer — Monster: The Jeffrey Dahmer Story Seth Rogen, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES Elizabeth Debicki, The Crown Hannah Einbinder, Hacks Julia Garner, Ozark — WINNER Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES John Lithgow, The Old Man Jonathan Pryce, The Crown John Turturro, Severance Tyler James Williams, Abbott Elementary — WINNER Henry Winkler, Barry For further details about the 2023 Golden Globes, head to the awards' website.
What's better than Ability Fest, Australia's most-inclusive music festival, returning for another year? The fully accessible event, which launched in 2018 as the brainchild of 2022 Australian of the Year Dylan Alcott, taking its setup and live tunes to two spots around the country. The fest started in Melbourne, which is the only place that it has called home since — but in October 2024 it'll play both the Victorian capital and its Queensland counterpart. Melburnians, you have a date for your calendar. Brisbanites, so do you, for a music festival that's arriving in the River City for the first time ever. And for folks everywhere else, you have two locations to choose from if you're keen to book a weekend away to head along. [caption id="attachment_963996" align="alignnone" width="1917"] Chloe Hall[/caption] Ability Fest will first unleash its 2024 lineup — which hasn't yet been revealed — on Saturday, October 19 at Alexandra Gardens/Birrarung Marr in Melbourne. Then, the following week on Saturday, October 26, it'll make its Sunshine State debut at Victoria Park/Barrambin in Brisbane. "First and foremost, Ability Fest is a ripper festival at its core, but with the added plus that it can bring people of all abilities together," said Alcott about bringing the event north. [caption id="attachment_963997" align="alignnone" width="1917"] Glenn Hunt[/caption] "We'll have a completely accessible venue with elevated viewing platforms, pathways, quiet zones and sensory areas, ensuring that everyone has the ability to have an unreal day." "Gaining the support of the Queensland Government means we get to share our passion for great music and good vibes with the Sunshine State, and offer an inclusive and incredible festival experience for every single person," Alcott continued. [caption id="attachment_963992" align="alignnone" width="1917"] Ian Laidlaw[/caption] The Brisbane festival will cater to around 5000 people, and Ability Fest is committed to being financially accessible during the current cost-of-living crisis in both of its stops. Accordingly, tickets will only cost $60 plus booking fee, and carers will receive complimentary entry. The fest is also lowering the age of admission to 16 so more folks can head along. "For many Australians, the cost-of-living crisis has created significant financial strain. We believe that music has the power to unite communities, bring people together and lift our spirits, especially during challenging times," said Alcott. [caption id="attachment_963990" align="alignnone" width="1917"] Chloe Hall[/caption] From the get-go, Ability Fest has been carefully designed to be completely accessible and as inclusive as they come. It features ramps and pathways for easy access, Auslan interpreters working alongside the artists, and elevated platforms to give everyone a shot at seeing the stage. Plus, there's also quiet zones, dedicated sensory areas and accessible toilets. While dishing up primo live tunes and music experiences to Aussies of all abilities, the not-for-profit fest also raises money for the Dylan Alcott Foundation, with 100-percent of its ticket proceeds going to the organisation. Ability Fest 2024 Dates and Venues: Saturday, October 19 — Alexandra Gardens/Birrarung Marr, Melbourne Saturday, October 26 — Victoria Park/Barrambin, Brisbane [caption id="attachment_963995" align="alignnone" width="1917"] Chloe Hall[/caption] [caption id="attachment_963991" align="alignnone" width="1917"] Chloe Hall[/caption] Ability Fest 2024 will hit Melbourne and Brisbane in October 2024. Pre-sale tickets will be available from 12pm AEST on Wednesday, July 10 (register online), with general tickets selling online from 12pm on Thursday, July 11. Head to the festival website for more details.
When Parasite became a smash that just kept winning awards — including Cannes' Palm d'Or, Sydney Film Festival's annual prize and a heap of Oscars — news arrived that the best film of 2019 would also get the TV treatment. So far, that hasn't come to fruition, sadly. But another stone-cold South Korean thriller masterpiece is now on its way to the small screen: Park Chan-wook's Oldboy. 2024 marks 21 years since the Decision to Leave, The Handmaiden, Joint Security Area, Thirst and Stoker director gave the world the first screen adaptation the Japanese manga of the same name — and also a middle chapter to his Vengeance Trilogy, following 2002's Sympathy for Mr Vengeance and preceding 2005's Lady Vengeance. Now, after an American movie remake popped up in 2013 directed by none other than Spike Lee (Da 5 Bloods), Oldboy is making the leap to television. Just as with the US flick, the TV show will be in English. "Lionsgate Television shares my creative vision for bringing Oldboy into the world of television," said Park in a statement, as reported by Variety. "I look forward to working with a studio whose brand stands for bold, original and risk-taking storytelling," he continued. Park will produce the series, adding another small-screen effort to his resume alongside 2018's The Little Drummer Girl and 2024's The Sympathizer. Park's Oldboy kicks off in 1988, when Oh Dae-su (Choi Min-sik, Big Bet) gets too drunk to attend his daughter's fourth birthday, even ending up at the police station. He doesn't get home from there, instead becoming imprisoned in a hotel room for 15 years by kidnappers intent on keeping him alive. When freedom finally comes, so does a bloody revenge quest. "Park is one of the most visionary storytellers of our generation, and we're excited to partner with him in bringing his cinematic masterpiece to the television screen," said Lionsgate Television's Executive Vice President and Head of Scripted Development Scott Herbst about the new TV show. While there's no word yet about how closely the storyline will adhere to the original — and nothing on casting, either, or when the show will release — Herbst also advised that "this series adaptation of Oldboy will feature the raw emotional power, iconic fight scenes and visceral style that made the film a classic." There's obviously no sneak peek yet for the Oldboy TV series — but find the trailer for Park's film above and Lee's film below: The Oldboy TV series doesn't yet have a release date — we'll update you when more details are announced. Via Variety.
If you listen carefully, you might just hear the sound of a light- to medium-bodied red wine sloshing around a glass. That's because the world's favourite celebration of pinot noir is finally returning, with the news Pinot Palooza will make its comeback in just a few short months. In its 10 years of life, the Melbourne-born wine tasting festival has become a global affair, with an estimated 65,000 tickets sold, worldwide. But once COVID hit in 2020, it saw the popular event shelved for two-and-a-half years. Now, that hiatus is finally over, with a huge tenth-anniversary edition of Pinot Palooza set to hit Melbourne, Brisbane, Sydney and Auckland in 2022. The comeback tour kicks off this autumn, returning to the festival's homeland of Melbourne with a couple of wine-filled days at Port Melbourne's Timber Yard from May 6–7. Brisbane Showgrounds are up next, hosting Pinot Palooza from May 20–21, before Sydney gets its shot on June 17 and 18. The festival then crosses the ditch for its Auckland edition from October 15–16. While the wine-sipping fun will play out similarly to before, across three sessions at each event, there is one big new addition in store — a dedicated Tasmanian hub set to showcase a curation of wine, spirits, cider and cheese from over 20 top Tassie producers. As always, you'll spend your event session swirling and sampling a huge array of pinot noir from across Australia, New Zealand and the world. Word is, over 70 winemakers are coming to the party. Also like before, there'll be pop-up bars and food stalls to keep you busy in between sips, with favourites Burn City Smokers, Taco Truck and Nama already confirmed for the Melbourne edition. Pinot Palooza 2022 will hit Melbourne on May 6–7, Brisbane on May 20–21, Sydney on June 17–18 and Auckland on October 15–16. To nab tickets or find out more, jump over to the website.
In NGV International's Federation Court stands an imposing sculpture in a solemn pietà pose. At seven metres tall, Gone (2019) by Kaws is the world-renowned Brooklyn-based artist's largest bronze sculpture to date. It's part of the gallery's Kaws: Companionship in the Age of Loneliness exhibition, which you'll be able to get up close and personal with on Saturday, February 22. The gallery is hosting a one-off mass meditation right underneath the giant bronze sculpture. The morning will kick off at 9am with a meditation led by A-Space founder Manoj Dias — suitable for all levels of experience — which'll be accompanied by a live musical performance. After that, you'll get exclusive access to the exhibition from 9.45am. Explore Kaws' vivid murals and distinctive, pop culture-inspired characters before the rest of the riff-raff are let in at 10am. You're probably familiar with the artist's reinterpretations of iconic figures like Mickey Mouse, Snoopy and The Smurfs, all reworked with those signature Xs over the eyes — and you'll get to see them all here. Tickets will set you back $40, which includes meditation and access to the exhibition. [caption id="attachment_742493" align="alignnone" width="1920"] Kaws, What Party (2019) photo by Tom Ross[/caption] Top image: Kaws, Gone (2019) by Tom Ross.
The festive season might be one of the happiest times of year for many, but there's no denying it can come with an all too heady financial hangover in the new year. And that's a shame because summer's most unmissable events do waggle a price tag. That's why we've teamed up with American Express, which offers a solution for Amex Credit Card card members to split a big cost into manageable sections. That's the idea behind Plan It® Instalments, a feature that allows you to split payments into instalments with no interest to be paid over 3, 6 or 12 months — T&Cs apply. But how can you use Plan It Instalments to live your best life? All over Australia's east coast, there are headline events you can secure a ticket to right now. [caption id="attachment_978661" align="aligncenter" width="1920"] Sydney Gay and Lesbian Mardi Gras Parade on March 2, 2023[/caption] Sydney The Harbour City rarely has a shortage of things to do. Many summer events take place in the prettiest (and busiest) parts of town, which only increase ticket prices. For a more relaxed but oh-so-luxurious alternative that's just as close to the water, a Sydney must-see is the Westpac OpenAir Cinema. With a program of indie films and blockbusters alike and food supplied by three on-site eateries from top Sydney chefs against a backdrop of the Sydney skyline and harbour, this isn't your average cinema experience. The pricing is worth it and easily broken down with Plan It Instalments. Finally, one of Sydney's biggest events returns in February to round out the season: Sydney Gay and Lesbian Mardi Gras Festival. This citywide celebration runs from Friday, February 14 to Sunday, March 2 and has a whole host of offerings. Sure, some events, like the main parade, are free — but many of Mardi Gras' most fun experiences are ticketed. Be it drag brunches, boat parties, concerts and more; you can secure a spot for yourself and any fellow partygoers today. [caption id="attachment_913351" align="aligncenter" width="1920"] Daniel Boud[/caption] Melbourne Down south in Melbourne, the offering is as stacked as ever in the heat of summer. Don't let the adverse weather stop you from having a good time. Melbourne is kicking off 2025 with a culture-heavy events program and Plan It Instalments will prevent the headline items from denting your savings when you need them. A truly fabulous event is at the top of the cards, TINA: The Tina Turner Story. The musical tells the story of an icon beloved by Australians and is so much more than just a biography. It's a toe-tapping dive into the life of the queen of rock 'n' roll and includes 20 of her most popular songs. Book using Plan It Instalments and get some seats before the show leaves Melbourne for good on Sunday, March 2. If you fancy heading further afield, up in Falls Creek is Feastival. Sure, this alpine town is generally a winter destination, but this three-day festival at the tail end of February will bring a new level of festivity outside of peak season. What's on the cards? Feasting (duh), comedy shows, paint and sips, pilates, heritage walks and a massive weekend of music featuring The Cat Empire, Budjerah, Azure Ryder and more. Make it a great getaway that goes steady via Plan It Instalments. Brisbane Up north in the River City, summer is the season of concerts. The regular summer offerings go on in force, but some of the hottest tickets in town are courtesy of artists stopping by on global tours. Then, on Tuesday, February 25, comes the long-awaited return of The Goo Goo Dolls to Australian shores. On their first visit in 20 years, they'll be joined by Thirsty Merc as they blow the roof off of the Brisbane Convention and Exhibition Centre with banging ballads like 'Iris', 'Slide', 'Just the Way You Are' and more. Finally, an icon among icons, Kylie Minogue, is playing two shows at the Brisbane Entertainment Centre as a part of the Tension Tour on Wednesday, February 26 and Thursday, February 27. Plan It Instalments is available for American Express Credit Card Holders for plans over $100. For more information, visit the website. Plan It Instalments Terms and Conditions: You can create an Instalment Plan as long as your account is in good standing. We may withdraw this offer, prevent you from creating any new Instalment Plans or cancel any of your existing Instalment Plan(s) at any time if your Card Account is overdue, or if you do not comply with your Card Conditions. The minimum Plan amount is AUD$100. We may also limit the amount that can be transferred to an Instalment Plan. You will be charged a Monthly Plan Fee for each Instalment Plan created. This fee will be charged each month your Instalment Plan is active and will be disclosed to you at the time of creating your Instalment Plan. Each Instalment Plan will begin from the date it is successfully created, as communicated to you in your Online Account. Payment of your first Monthly Instalment will be due in your next payment cycle. You may request to cancel your Instalment Plan(s) at any time through your Online Account or the Amex App. Any billed Monthly Plan Fees will remain payable, but no further Monthly Plan Fees will be billed after cancellation is effective. As cancellation can take 24-48 hours to process ("Processing Time"), you may be charged a further monthly plan fee after requesting cancellation if the Processing Time occurs on your payment date. View the full Plan It Instalments Terms and Conditions here. American Express Consumer Credit Cards are offered, issued and administered by American Express Australia Limited ABN 92 108 952 085, Australian Credit License No. 291313.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Melbourne is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Melbourne. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, eat the best pizza in the world, go barefoot bowling and try out a float tank. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
The premise of Between Two Ferns couldn't be more simple. Zach Galifianakis interviews other famous folks, all while sitting in the middle of two leafy plants. Staged to look like a no-budget community television show, it's purposefully silly and surreal, whether Galifianakis is nattering with Natalie Portman, Brad Pitt, Justin Bieber, Hillary Clinton or Barack Obama. Starting off as a short film, then becoming one of Funny or Die's hit webseries over the past decade, the wholly improvised show satirises the Hollywood publicity machine by making fun of the polished promotional chats that are so common whenever a big star has a new movie or TV series to plug. In its latest incarnation, Between Two Ferns will jump on another trend, turning its anarchic antics into a Netflix film. If you're wondering just how the Between Two Ferns concept can sustain a whole movie, there's a story to go with it. Embarrassed by the viral mockery he received when Will Ferrell uploaded his original series, Galifianakis — well, the show's version of Galifianakis — tries to track down a heap of celebrities in attempt to restore his reputation. That involves hitting the road, sitting down with everyone from Paul Rudd to Keanu Reeves and Tessa Thompson, and even momentarily killing Matthew McConaughey. Calling Jon Hamm an idiot and getting propositioned by Chrissy Teigen are also on the agenda. The list of high-profile figures making an appearance goes on — and includes Brie Larson, Peter Dinklage, Benedict Cumberbatch, David Letterman, Adam Scott, John Cho, Chance the Rapper and Rashida Jones. Based on the just-dropped trailer, all of the above folks are in for a rather ridiculous experience — as are Netflix viewers, too. Check out the trailer below: https://www.youtube.com/watch?v=OjljgkCQv5c&feature=youtu.be Between Two Ferns: The Movie hits Netflix on September 20. Image: Adam Rose.
Nearly two years ago, the Village Belle Hotel — a St Kilda institution built in 1890 — announced that it was gearing up for a mega makeover. That process, conducted to the tune of $15 million, is now done and dusted. And the results are open for business. Given that the hotel is heritage-listed, many of its features are protected, but there have been a few significant additions. Next time you head in for a drink, look out for the Garden Bar, the Balcony Bar, the Public Bar and the Doulton Lounge, which is open until late. In the kitchen, you'll find Mat McCartney (The Lake House, Daylesford, Chateau Yering) in charge. He's been busy sourcing local and sustainable produce to create a refreshing and ever-changing, yet accessible, menu. Current dishes include eggplant tofu with goats curd, ash bread, crispy kale and grilled vegetables; handmade pumpkin tortellini with sage beurre noisette, Persian fetta, spinach and pine nuts; and crema Catalana, which is like a crème brûlee, but with a thinner crust and a dash of extra zing, thanks to addition of orange rind. There's also a new cocktail menu to mark the revamp. Among the signature concoctions are the vanilla margarita, the belle-ini (with white peach reduction and sparkling wine) and the lemon meringue cocktail (with house-made lemon curd and meringue infused with Licor 43 and Agwa). The Village Belle Hotel is at 202 Barkly St, St Kilda. Opening hours are Monday to Wednesday, 9am to 1am; Thursday to Saturday, 9am to 3am; and Sunday, 10am to 12am. For more information, visit the pub's website.
Google's self-driving car has already brought widespread automated-automobiling one step closer. Now, a UK town has announced plans to establish a driverless public transportation system. Milton Keynes, home to about 40,000 residents, and situated approximately 87 kilometres northwest of London, will soon host a fleet of 100 self-driving pods. Each has the capacity to carry two passengers, as well as luggage, and can travel up to 19km per hour. Electronic motors provide power and, at first, the pods will travel in their own lanes. These are likely to be dispensed with once passengers have developed the confidence to travel driver-free. A smartphone app will facilitate the reservation and payment of journeys, which will take place between the Milton Keynes train station and various locations in the town centre — about 1.6km away. Each trip is expected to cost 2 GBP ($3.44), with total revenue to amount to 1 million GBP after 12 months. The system will begin its test run in 2015. Initially, just twenty pods, featuring joysticks or steering wheels enabling human intervention, will be used, with all 100 expected to be in full swing by 2017. The trial period will last five years, at a cost of 65 million GBP. Driverless pods have been used at Terminal 5, Heathrow Airport, since 2011. During the past two years, a fleet of 21 vehicles travelling along a 3.8km track has transported more than 700,000 passengers. The difference with the pods planned for Milton Keynes is that they will not have the advantage of an installed guideway. Instead, their technology is closer to that utilised in self-driving automobiles, dependent on a combination of GPS, sensors and HD cameras. Via the Independent.
At last, the gluten free gods have answered your prayers. The Gohil family — whose coeliac-friendly products have been gracing local supermarket shelves for 20 years — are making lives even easier, launching the country's first dedicated gluten free, ready-cooked meal delivery service. Just like the recently launched Freshara is doing for Australia's vegan contingent, The Gluten Free Meal Co is opening up the meal delivery game to a whole new group of foodies, with a collection of nourishing, ready-prepared dishes endorsed by Coeliac Australia. They've also done away with the whole subscription caper. Instead, users simply order by selecting from the lineup of $9.90 single-serve meals on The Gluten Free Meal Co's online menu. And, while there's a minimum spend of $65 for each order, you will score free delivery Australia-wide. All meals are whipped up in a state-of-the-art facility and undergo external gluten testing before arriving at your doorstep — although by the looks of that menu, they're designed to tempt taste buds just as much as any gluten-filled goodies. We're talking global-inspired main dishes like crumbed fish fillets and a country-style chicken pie, a solid range of vegetarian meals, and even a dessert selection featuring sweet treats like chocolate profiteroles. "The gluten free community deserves the same privilege of eating a wide variety of high-quality, nourishing food as everyone else," said Pran and Jitesh Gohil. "We're so excited that we can look after everyone with this fantastic range of delicious mains, finger foods and desserts that are indistinguishable from dishes everyone enjoys." For more information about The Gluten Free Meal Co visit www.gfmeals.com.au.
With mountains to the west, beaches to the east and pretty Tuggerah Lake on its doorstep, the little Central Coast town of Wyong has adventures for everyone and every season. Set up home base at the Mercure Koonidah Waters Central Coast and follow our guide to the area. Start your day whale watching from a windswept headland, spend your afternoon horse riding through rolling paddocks and drift into the evening with a dreamy sunset over the Great Dividing Range. Along the way, there's a milk factory-turned-cafe (and pub), an old-school Italian restaurant and a bunch of other eateries to explore. Wyong lies just 80 minutes' north of Sydney, which means you don't have to spend too much of your precious weekend stuck behind the wheel. EAT AND DRINK You'll eat well in Wyong, with restaurants here drawing on fresh produce sourced from the Central Coast and the farms just beyond. But first thing upon arrival, how about starting with coffee? Head to the Milk Factory, on the idyllic banks of Wyong River, a couple of kilometres west of Wyong. Built in 1906, this rather epic property still produces food of the best kind: chocolate and cheese. It's also home to a cafe — where hearty eats include brioche French toast with berries, pecans and maple syrup — as well as a friendly pub. Come back at lunchtime for classics like Wagyu rump or a pulled pork burger with slaw and smoked barbecue sauce, accompanied by a craft brew — be it a Mountain Goat from Melbourne or a Murray's from Port Stephens. Another option is to jump in your car and drive southeast for 20 minutes to Wamberal, where you'll find Lotus Cafe. This airy, sun-filled spot does Toby's Estate coffee and decadent dishes like breakfast coconut panna cotta with mango puree, seasonal fruit and granola. Say yes to a Nutella hot chocolate afterwards — that's the whole point of a winter weekender. By the way, the beach is just a stumble away over the dunes. Back in Wyong, book a table at Osteria A'Mano for dinner. This top-notch Italian restaurant occupies a beautifully restored 1914 building, with original timber floorboards and tiles. Head chef Alessandro Cigola oversees the creation of traditional dishes featuring fresh, premium-quality produce sourced from nearby. Start on duck liver pâté with red wine jelly, sour cherries and pickles, followed by homemade fettuccine with lamb ragu, mint and pecorino. All pastas, breads and desserts are made from scratch, while the featured Italian and Australian wines area all made "the old way". Another option is Karinyas, within the Mercure Kooindah Waters. Here, the emphasis is on simple yet creative combinations, driven by local produce. Think scallops with burnt butter and local macadamia nut sauce and duck breast with cauliflower puree, asparagus and sour cranberry jus. There's also a long, long wine list, big on local drops. The Hunter Valley is just an hour's drive away, after all. DO If there's one surefire, environmentally friendly way to warm up on a cold day, it's got to be a bike ride. The Tuggerah Lakes Cycleway begins just six kilometres from Wyong in Chittaway Bay then follows the foreshore for a peaceful 12 kilometres before reaching The Entrance. Don't have your own bike? Hire from a self-service station — there's one at The Entrance visitor's centre on Marine Parade. Once you've conquered that, your next stop is Crackneck Lookout on the coast, around 20 minutes' drive southeast of Wyong. Anytime between May and August is ideal for whale watching. Moreover, this spot doubles as a stop along the three-kilometre Coast Walking Track, which stretches to Bateau Bay in the north and Forresters Beach in the south. Meanwhile, on Wyong's inland side lie vast expanses of state forest, conservation area and national park. Among them is the TreeTops adventure park in Ourimbah State Forest, where you can ride the world's longest roller coaster zip line, a one-kilometre adrenaline rush at canopy level. There are also three high ropes courses, covering more than 100 obstacles, from ladders and bridges to tunnels and cargo nets. For scenery, the Watagan Mountains — around an hour's drive north — are particularly spectacular; immerse yourself in rainforest on the Circuit Walk or valley views at Monkey Face Lookout. Alternatively, if you're keen to get in the saddle, then give Peppercorn Park a call. The good folks there will happily take you on a trail ride around the stunning property, just ten minutes' north of Wyong, in Jilliby. Adventures begin at $70 for a 90-minute beginner's journey, and lessons and overnight treks are available, too. SLEEP To surround yourself with nature without resorting to a tent — book a sleepover at Mercure Kooindah Waters Central Coast, a golf resort and spa encircled by wetlands and bush. If you're travelling in solo or duo mode, sleep over in a King Room; if you're with buddies, there are one-, two- and three-bedroom apartments, all of which come with golf-course views. The resort also knows how to settle in for the winter — they provide giant Jenga (and other board games), which you can enjoy on the terrace while toasting equally oversized marshmallows made by the chef in-house. Mulled wine or Baileys-infused hot chocolate complete the winter idyll. Don't forget to make the most of the facilities. Among them, you'll find two pools, tennis courts, a gym, barbecues and a day spa. Go to the AccorHotels website to book your stay in Wyong, and to discover more of regional NSW, swing by Visit NSW.
Malthouse Theatre's production debut Because the Night isn't just a one stage, one cast situation. Rather, this envelope-pushing immersive theatre show unfolds at each audience member's own whim, staged across 30 custom-built rooms within the historic Malthouse building. As a spectator, you're invited to adventure through the play's fictional world at your own leisure, following along with the main storylines as they're played out by the actors, or heading off to unearth the secret rooms and hidden stories that lie just beyond the periphery. The production itself reimagines the famed story of Hamlet, though set in some 1980s wood-logging town in the lead-up to its annual winter solstice carnival. Tensions arise after the king dies, the workers revolt and secrets about the nearby ancient forest are revealed. The tale's brought to life by two rotating casts, starring the likes of Keegan Joyce (Cloudstreet), Nicole Nabout (Good Muslim Boy) and Belinda McClory (Revolt. She Said. Revolt Again.) There'll be two shows held nightly (6pm and 8.30pm, Tuesday to Sunday), each featuring a different six-strong cast performing to an intimate audience of just 60. Images: Pia Johnson
Thailand's floating cinema blows its drive-in counterparts out of the water. Designed by Beijing-based architect Ole Scheeren, the Archipelago Cinema and Six Senses Resort hosted the final screenings of the Film on the Rocks Yao Noi Festival early last month. Moviegoers were transported by boat to their floating seats, which were situated on a raft-like apparatus in the Nae Pi Lae lagoon of Kudu Island. Opposite the seats, and nestled in between two looming rocks, was the full-sized, floating screen. Scheeren describes the atmosphere of his cinema as "a sense of temporality, randomness, almost like driftwood. Or maybe something more architectural: Modular pieces, loosely assembled, like a group of little islands that congregate to form an auditorium." All components of the floating cinema were composed of recycled materials gathered by local fisherman, who previously used it to build floating lobster farms. The cinema is indeed recyclable itself: after the festival, it is set to be dismantled and donated to the Yao Noi community for use as a playground and a floating stage. [via Architizer]
If you're lucky enough to score tickets to Meredith Music Festival in any year via the event's ballot, one of Australia's best fests awaits no matter the lineup. 2025's roster of acts is characteristically impressive, however. On the just-dropped bill: TV on the Radio, Atarashii Gakko! and Perfume Genius, for starters, as well as Thee Sacred Souls, Pa Salieu, HAAi, Bar Italia, Colin Hay and Mildlife. And, there's still more where the came from. Folk Bitch Trio, Saya Gray, RONA. and Omar Souleyman are on the lineup, too. So are Dames Brown, Radio Free Alice, Sam Austins RP Boo, Wax'o Paradiso, Florist and Jack J. Add in Drifting Clouds, Dr Sure's Unusual Practice, Central Australian Aboriginal Women's Choir, Mouseatouille, Brown Spirits and Lazy Susan on MC duties, and expect a jam-packed three days across Friday, December 5–Sunday, December 7, 2025. [caption id="attachment_1017126" align="alignnone" width="1920"] Sumner Dilworth[/caption] How is the fest crew describing this year's event? "One of the best places on earth to spend a weekend, the Meredith Supernatural Amphitheatre has been natured and nurtured and then natured again, for the singular purpose of hosting the time of your life," organisers advise. So, expect "a permanent and purpose-built underground wunderland that provides optimal conditions for rarefied reverie", as well as to get "lost in music, lost in one another, for three days and two nights of Sup'ed up saucery". 2025 marks the beloved festival's 33rd year, with this three-decade-plus tradition taking over its namesake Victorian locale to kick off summer. The first round of the ticket ballot for the three-day BYO camping festival opened in July and ended on Monday, August 11, 2025, but you still have a chance to enter. The second round is now open, and you've got until 10.33pm AEST on Tuesday, August 19, 2025 to put your name in. So, book that long weekend, go in the running for tickets, then cross your fingers that you'll be spending a trio of days at The Sup with Tunde Adebimpe and company. [caption id="attachment_1017128" align="alignnone" width="1920"] Cody Critcheloe[/caption] Meredith Music Festival 2025 Lineup TV on the Radio Atarashii Gakko! Perfume Genius Thee Sacred Souls Pa Salieu HAAi Bar Italia Colin Hay Mildlife Folk Bitch Trio Saya Gray RONA. Omar Souleyman Dames Brown Radio Free Alice Sam Austins RP Boo Wax'o Paradiso Florist Jack J Drifting Clouds Dr Sure's Unusual Practice Central Australian Aboriginal Women's Choir Mouseatouille Brown Spirits Lazy Susan Meredith Music Festival returns to Meredith from Friday, December 5–Sunday, December 7, 2025. To put your name in the second round of the ballot to get your hands on tickets, head to the festival's website before 10.33pm AEST on Tuesday, August 19. Meredith Music Festival images: Chip Mooney, Leah Hulst, Ben Fletcher, Chelsea King and Steve Benn.
Years of travelling back and forth between Jakarta and Melbourne cultivated an affinity for Australian culture for Le Bajo founder and owner, Jason Gunawan. After successfully co-running Bali's famous Potato Head Beach Club, he was about to depart on his next venture before the pandemic hit. Labuan Bajo was set to open on Flores, an Indonesian island known for its Komodo dragons, as well as a diverse sea life of manta rays and turtles. But as the project had to be postponed further and further, Gunawan was determined to not let nearly nine months of planning go to waste. He decided to bring part of the concept to North Melbourne instead, in a spacious garage home to a collection of old-school Mercs and Porsches. Seeking the help of hospitality friends and northside neighbours, Gunawan reached out to Kantaro Okada, owner of 279, to open Le Bajo with him. "Forced to stay in Melbourne, I decided to work with Kan, who has been in the industry for a few decades. We swapped ideas and decided that, with a mutual appreciation for Japanese food and culture, we would open a sando bar," says Gunawan. With a concept locked in, the team set to work sourcing old farm and corner store furniture — gathered in the midst of Melbourne's 2020 stage-four lockdown. Wooden countertops, chairs, glass cabinets and cupboards were given a new life. Inspired by the disappearing milkbars of Australia, Gunawan took the opportunity to make Le Bajo a place to reminisce about Australiana. Retro hand-painted signs, lamps and thrifted ornaments fill the cafe, offering it an old-time aesthetic that feels both familiar and quaint. Lush plants also line the space, further transforming this industrial venue into a welcoming abode. "We wanted it to be a friendly place that everyone is welcome — just like a milkbar," says Gunawan. "The vintage furniture gives the space warmth, so it doesn't feel like a cafe that just opened up; we want to feel like we've been here for 30 or 40 years." And while the menu has its nods to Australian classics, such as milkshakes and milk coffees, the food at Le Bajo is otherwise distinctly Japanese. The team roasts its own coffee and bakes its own shokupan bread — a much-loved fluffy milk bread that is cut thick for sandos and toast. "Japanese people are very particular about every single component of their products," Gunawan says. "Every step: the produce used, the precise ingredients and even the packaging. We bake our bread in-house so it has a certain softness and sweetness to it — there's nothing like it." One of the venue's most sought out items, the fruit sando, is a triangle of vibrant fresh fruits and whipped cream wedged between two slices of cloud-like bread. For more savoury options, the spicy cod roe toast or spicy tako sando are two house favourites. For a complete food experience, Gunawan recommends the morning set, a staple breakfast originating from Negoya — a city in the Chūbu region of Japan where many of the staff at Le Bajo are from. "This set is a combination of toast, potato salad, boiled egg, yogurt with homemade jam and a batch-brew coffee," Gunawan explains. "It offers a savoury and sweet flavour combination that you can mix and match across the plate." To drink, Le Bajo has a rotating origin coffee menu, and proudly roasts its own beans for a batch brew. This coffee is light in body and tea-like, but packs a caffeinated punch. There are also Japanese sodas on offer, made with housemade peach and strawberry jams — making it a perfect palette refresher. With the importance of community at the forefront following Melbourne's lockdowns, Le Bajo is also home to a coffee and car meetup every Saturday between 8–10am for car enthusiasts and coffee lovers alike. "Melbourne is a second home to me, and I want Le Bajo to be a home for everyone — from our North Melbourne locals to travellers that come all the way from Geelong on the weekends to visit us. We are very grateful." Find Le Bajo Milkbar at 8–14 Howards Street, North Melbourne — open from 7.30am–4pm Tuesday–Friday and 8am–4pm Saturday–Sunday. Images: Julia Sansone.
Few things will ever be better than seeing Mads Mikkelsen get day drunk and dance around while swigging champagne in an Oscar-winning movie, which is one fantastic film experience that 2021 has already delivered. But the always-watchable actor is equally magnetic and exceptional in Riders of Justice, a revenge-driven comedy that's all about tackling your problems in a different and far less boozy fashion. In both features, he plays the type of man unlikely to express his feelings. Instead of Another Round's mild-mannered teacher who's so comfortably settled into his adult life that his family barely acknowledges he's there, here he's a dedicated solider who's more often away than home. Beneath his close-cropped hair and steely, bristly beard, he's stern, sullen and stoic, not to mention hot-tempered when he does betray what's bubbling inside, and he outwardly expects the same of everyone around him. Mikkelson excels at transformational performances, however. He's also an exquisite anchor in films that dare to take risks. The aforementioned Another Round and Riders of Justice make a great double on his resume, in fact, and they're both bold and glorious in their own ways. In, Riders of Justice, Mikkelson's Markus isn't just the strong, silent type from the feature's first frame to its last. No matter what part he's playing, the Danish star is gifted at conveying subtlety, which is ideal for Markus' slow realisation that he needs to be more open with his emotions. And, while Mikkelson is usually expertly cast in most entries on his resume — the misfire that is Chaos Walking being one rare exception — he's especially in his element in this genre-defying, trope-unpacking, constantly complex and unpredictable film. With a name that sounds like one of the many by-the-numbers action flicks Liam Neeson has starred in since Taken, Riders of Justice initially appears as if it'll take its no-nonsense central figure to an obvious place, and yet this ambitious, astute and entertaining movie both does and doesn't. After a train explosion taints his life with tragedy and leaves him the sole parent to traumatised teenager Mathilde (Andrea Heick Gadeberg, Pagten), Markus returns home from Afghanistan. Talking is her method of coping, or would be if he'd let her; he refuses counselling for them both, and opts not to discuss the incident in general, because clamming up has always been his PTSD-afflicted modus operandi. Then statistician Otto (Nikolaj Lie Kaas, The Keeper of Lost Causes), his colleague Lennart (Lars Brygmann, The Professor and the Madman) and the computer-savvy Emmenthaler (Nicolas Bro, The Kingdom) arrive at the grieving family's door. They're a trio of stereotypically studious outsiders to his stony-faced military man, but they come uttering a theory. Mathematically, they don't think that the events surrounding the accident add up, so they're convinced it wasn't just a case of pure misfortune — because it's just so unlikely to have occurred otherwise. The nervy Otto, who was on the train with Mathilde and her mother Emma (Anne Birgitte Lind, The Protector), has even started to narrow down possible culprits with his pals. Markus, with his action-not-words mindset, is swiftly eager for retribution, but again, this isn't like most films of its ilk. Writer/director Anders Thomas Jensen (Men & Chicken) and screenwriter Nikolaj Arcel (A Royal Affair) do take the movie to its blatant next destination, yet never in the routine and formulaic sense. Narratives about seeking justice often ride the expected rails on autopilot, getting from start to finish on the standard vengeance template's inherent momentum; this one questions and subverts every usual cliche, convention and motif along the way. Its chief tactic: putting characters first. Jensen and Arcel don't just twist and turn a recognisable setup for the sake of it, but ground every change and choice in the personalities and backstories of their protagonists. Accordingly, Markus isn't just taciturn because that's the kind of figure that always stalks around reprisal-centric flicks, Otto and Lennart aren't merely booksmart geeky sidekicks eager for attention, and Emmenthaler is keenly aware of how the world sees him, not only because of his fondness for technology but also due to his weight. Riders of Justice doesn't add flesh to its characters to neatly explain away their decisions, either, diving into the myriad of factors that push and pull people in various directions without them even knowing it. The term 'emotional intelligence' might be so overused in self-help speak that it now feels largely meaningless, but it genuinely applies to this attentive and layered film. With calm and control, Jensen and Arcel also take a darkly comedic approach to Riders of Justice's storyline, as plenty goes wrong on their retaliatory quest. While that's where the movie's anarchic plot developments come in, and its witty dialogue as well, the film never jeopardises its investment in its characters' depth. In one case in point, the four men decide to hide their plans from Mathilde. Needing a cover, Otto and his friends claim to be counsellors dispatched to help after all. "I've had over 4000 hours of therapy," exclaims Lennart, who is quick to both embrace the ruse and spit out the appropriate terminology — and this scenario not only speaks volumes about him, but leads the feature to keep unpacking what that means. Indeed, this is a picture with a thoughtful and tender core, particularly when it comes to men facing their troubles. It's also shrewdly aware that that's what its chosen genre is always about amidst the overblown violence, and purposefully opts for a different alternative. Action, thrills and confrontations still lurk in Riders of Justice, of course. Blood and brutality do as well, as does a definite body count. But, although convincingly shot and staged, these scenes are never the picture's reason for being, or its point. Riders of Justice packages hilarity with its payback, understanding and empathy with its bullet-riddled affrays, and morality and ethics with its showdowns. It's set at the end of the year, too, so it also counts as a screwball Christmas movie — and it uses the visual references that come with that merry period to underscore its musings on togetherness, redemption, and valuing what really matters most. Another movie it'd make a stellar double with: the Nicolas Cage-starring Pig, because this year has been great for star-led revenge crusades that delight, surprise and ruminate on much, much more than getting even.
The Alliance Francais French Film Festival is back for another year, ready to celebrate the best in French cinema. Returning to select Palace locations around the country, this year’s program is packed with exciting goodies, including dramas, comedies, docos, kids' films and an entire stream dedicated to movies about the First World War. With almost 50 movies on offer — most of them Australian premieres — it’s shaping up to be one of the festival’s most exciting years ever. Of all those titles, we’ve selected five that you absolutely owe it to yourself to see. BEAUTY AND THE BEAST Lea Seydoux (Blue Is the Warmest Colour) and Vincent Cassel (Black Swan) star in this sumptuous adaptation of the classic French fairy tale. An enormous French-German co-production, the film’s trailer is absolutely packed with gorgeous visuals, and appears to have a darker edge than the animated Disney version we all know and love. The last couple of years have seen a bunch of big budget Hollywood “reboots” of fairy tale stories, most of them not very good. Here’s hoping the French (and the Germans) can get it right. GIRLHOOD Aged just 36, writer-director Celine Sciamma first caught our attention with Tomboy, a tender coming-of-age story about a 10-year-old girl pretending to be a boy. Her follow-up, Girlhood, belongs to a similar genre, although this time her protagonists are a little older. The film explores the dynamic between four reckless teenage girls as they struggle to pave a future for themselves in one of the poorer parts of Paris. The film has received a ton of buzz on the international festival circuit, and we can’t wait to check it out. THE NEW GIRLFRIEND When it comes to sexually provocative cinema, no one does it better than director Francois Ozon. The man behind such films as In the House and Swimming Pool, Ozon has made a career out of titillating pulp, and his latest film looks to be absolutely no exception. A story of death and deception with some cross-dressing thrown in, The New Girlfriend has been described as a mix of Hitchcockian thriller and Almodóvar-style sexual comedy. It should probably go without saying, but this one’s for adults only. SAINT LAURENT Last year saw the release of Yves Saint Laurent, the first in a pair of competing biographical dramas about the legendary French fashion designer. Unfortunately, that film was pretty bloody awful. But we’re holding out hope for this alternate version, which competed for the Palme d’Or at last year’s Festival de Cannes and got much kinder notices from critics. TOKYO FIANCEE Finishing off our list with something a little lighter, romantic comedy Tokyo Fiancee has drawn comparisons to Amelie — and presumably not just because their protagonists have the same name. The film concerns a young French woman obsessed with all things Japanese, who decides to book herself a one-way ticket to Tokyo. Once there she finds work as a French tutor, only to begin a relationship with one of her students. The film is one of the favourites of festival patrons David Stratton and Margaret Pomeranz. And really, who are we to argue with them? The Alliance Francaise French Film Festival is on around Australia in March. Catch it in Sydney from March 3-22, Melbourne from March 4-22 and Brisbane from March 13 - April 1. Check the festival website for the full program.
Combining camping in comfort with drinking in a vineyard, winery glamping is the trend that absolutely no one will ever complain about. It's been popping up all over the country, from Bendigo in regional Victoria, to Mount Cotton just outside of Brisbane, to a luxury pod-based version in South Australia's McLaren Vale — and now the Mornington Peninsula is getting in on the action. Meet Mornington Peninsula Glamping, which is now up and running at Blue Range Estate Wines in Rosebud. At a site overlooking not only the vineyard, but with views out over Port Phillip Bay, it features a number of luxe five-by-five-metre tents. There's three onsite at the time of writing; however there'll be ten by mid-October. Available for $265 per night, each tent is decked out with a queen-sized bed with 1000-thread-count sheets, two armchairs and a coffee table, plus solar power to keep your devices juiced. Visitors also have access to a shared cooking and eating area with two barbecues, hot water, and a choice of boutique tea or coffee, plus a luxury bathrooms in a shipping container. Mornington Peninsula Glamping is the brainchild of Christian Melone, whose family own and run vineyard, with his grandparents establishing the site back in the 80s. If you glamp over Thursday to Sunday, you can also mosey up to the winery's restaurant for a meal, tucking into the likes of tagliatelle with bay scallops and prawns, slow-roasted lamb shoulder with truffled mashed potatoes and ocean trout fillet with blood orange butter. Find Mornington Peninsula Glamping at Blue Range Estate Wines, 155 Gardens Road, Rosebud, Victoria.
Pop a cork of your finest wine because the Grampians Fine Wine Festival is back, and it's safe to say this month-long festival is the most exciting event in any wine enthusiast's calendar. With wine tastings, trivia nights, vineyard celebrations and progressive lunches galore, there's no shortage of excitement for lovers of the grape. This October, sip and savour the best of Grampians / Gariwerd wine country, known for its cool-climate shiraz, historic cellar doors and boutique family-run vineyards. With more than 160 years of winemarking heritage, this year's festival celebrates that legacy with a dozen standout experiences. Highlights include a three-course progressive degustation lunch at Pomonal Estate starring a selection of gourmet dishes paired with hand-crafted wines. And if you're wondering what a progressive degustation lunch means? It's a tour of multiple wineries with gourmet dishes at each stop. As part of the Grampians Fine Wine Festival, you are also invited to a five-course degustation dinner headed by their in-house chef. Test your pop-culture knowledge with Mrs Smith's Trivia on Thursday, October 9 or round out the month with OktoberBEST (Sunday, October 26), a festival very akin to Oktoberfest, but with a wine twist. Meanwhile, wine buffs can explore a vertical shiraz tasting at Mountainside Wines, and sparkling fans can tour Seppelt's historic underground Drives for a sparkling and street-food dining experience. Finally, beware of Black & Ginger's Wine Shed as there's been a murder, one you'll have to solve along with a hefty glass of shiraz (Saturday, October 18). Pricing varies per event, so make sure to head to the Grampians Fine Wine Festival website to find out more about what's on offer this October.
One is best known as the chef and co-owner behind former South Yarra Turkish restaurant Yagiz, and the other for his involvement in Italian pizzeria i Carusi II. Now, Murat Ovaz and Serge Thomann are pooling flavours and inspiration for their new joint project, a Mediterranean-inspired eatery in the heart of Southbank. Chessell & Clarke has taken over the space last home to Square and Compass, reimagining it with a bold fitout of marble, mahogany and maroon leather led by Flack Studio (Sydney's Ace Hotel). It's a multi-layered, colourful nod to Italy's architecture icon Carlo Scarpa, with room to seat 50. Debuting with a daytime-only menu with plans to add a dinner service in May, the venue's embracing a range of influences. Its culinary direction is driven both by the Turkish flavours of Ovaz's heritage and the Italian cuisine that's been honed by Head Chef Frank Berardi (The Melbourne Club) over the years. The end result is a simple yet lively menu heroing freshness and a splash of creativity, which works just as hard at breakfast as it does at lunch. And it's all showcased on porcelain plates foraged by Ovaz himself from local op shops. There's a Middle Eastern riff on PB & J featuring date syrup and tahini, Turkish-style eggs done with brown butter and hung yoghurt, and a brekkie roll that pairs apple and cabbage slaw with house-cured roast pork belly. You'll find a brioche burger teaming harissa lamb with a red onion and mint marmaletta, gnocchi dressed in a honey-roasted parsnip purée, and house-made pork and gremolata snags matched with salsa verde and saffron caramelised onions. Vegetarian options abound; think: prosecco-battered zucchini flowers stuffed with lemon ricotta, plus quinoa-crusted chickpea patties served with a cashew cream. Also, the deli bar is brimming with a hefty array of fresh salads, dips and sweet things. Coffee comes courtesy of Piazza D'Oro, soon to be complemented by a vinous offering that'll trip through Australia, Turkey, Italy and France. That's launching next month alongside Chessell & Clarke's incoming dinner menu. Find Chessell & Clarke at 31 Chessell Street, Southbank. It's open daily from 7.30am–3pm, with hours to extend in May. Images: Hugh Davison.
Family feuds are a deadly business in Bad Sisters, Apple TV+'s latest must-see. Just don't believe the first word in its title for a second. Starring, co-written and co-developed by Sharon Horgan, as Catastrophe was before it, this ten-part streaming series focuses on the Garvey girls, a quintet of Irish siblings who became bonded by more than blood when they were orphaned years earlier. Horgan's Eva took on the matriarch role and has doted on her siblings Grace (Anne-Marie Duff, Sex Education), Ursula (Eva Birthistle, The Last Kingdom), Bibi (Sarah Greene, Normal People) and Becka (Eve Hewson, Behind Her Eyes) ever since, even now that they range from their late twenties through to their forties. Used to doing whatever they must for each other, there's nothing bad about their sisterly devotion — but it just might include killing Grace's husband. A pitch-black comedy, a murder-mystery and a family drama all in one — an Irish riff on Big Little Lies, too, although it's actually adapted from Belgian TV's Clan from back in 2012 — Bad Sisters ponders two questions. Firstly, it wonders what lengths loyal siblings would truly go to to protect one of their own. Secondly, it contemplates what comeuppance women pushed to their limits will exact upon the source of their misery. Indeed, it's a darkly funny revenge fantasy as well, and a puzzle to compulsively sleuth along with. Do the Garveys get their wish? How will they try to make their dream a reality? Will their various murder plots work? What'll go wrong next? These queries also keep coming, and unfurling the answers makes for equally riveting, entertaining, empathetic and amusing viewing. Bad Sisters begins on the day of a funeral, farewelling John Paul Williams (Claes Bang, The Northman) after Grace makes sure that his erection won't be noticed first. Her dead husband has long been nicknamed 'The Prick' anyway, with his four sisters-in-law all thoroughly unimpressed, to say the least, about the toxic way he openly treated his dutiful wife. They're all sick of the underhanded abuse he also directed towards each of them, as well as anyone he didn't like, and the unearned air of superiority that always came with it. Calling him manipulative, callous, misogynistic, racist, narcissistic, spiteful, vicious, pitiless, ruthless, flat-out intolerable — they all fit. When a guest offers condolences at JP's wake, Eva's response is: "I'm just glad the suffering's over". When she's then asked if he was ill, she replies with a blunt and loaded "no". Relief lingers during JP's sendoff, but so does tension. Eva, Ursula, Bibi and Becka long wanted The Prick dead and, as flashbacks show, had been planning to bring about that very end. Complicating matters: two insurance agents, aka half-brothers Thomas (Brian Gleeson, Death of a Ladies' Man) and Matthew Claffin (Daryl McCormack, Good Luck to You, Leo Grande), who start nosing around as John Paul is being laid to rest. Their family-run outfit is meant to pay out on his life insurance policy, but it's a hefty amount of cash and will bankrupt the firm. And with Thomas' wife Theresa (Seána Kerslake, My Salinger Year) heavily pregnant and on bed rest, the Claffins already have their own share of family stresses. As brought to Apple TV+ by Horgan with United States of Tara, New Girl and 30 Rock's Brett Baer and Dave Finkel, Bad Sisters uses that insurance investigation to justify its jumps backwards — and it's a savvy tactic. In its weekly instalments, the series works through JP's awfulness and the Garveys' campaign of vengeance in two directions, contrasting the sisters' motivations in the months leading up to their brother-in-law's death with the aftermath. That said, exactly how Grace ends up a widow, who's responsible and which of the siblings knows what all drive the show's whodunnit angle, sharply and entertainingly so. Bad Sisters teases out the precise reasons that Eva, Ursula, Bibi and Becka can't stand JP, too, because The Prick's abysmal behaviour made enemies out of everyone around him over and over. Boasting a devilish setup is just one of Bad Sisters' drawcards. What a premise it is, though. The whole 'offing your arsehole brother-in-law' idea may seem obvious at the outset, but this is a series with both bite and warmth as it unpacks what happens when women don't have any other options but potentially breaking bad — and sticking together. The pervasive feeling: wish fulfilment and catharsis, as Grace's siblings attempt to make everyone's lives better, even if it requires one of the most drastic moves there is. Just as Horgan inhabits her part with fierce affection, as characters played by the This Way Up star tend to sport, the entire ten-episode run bubbles with unfailing determination. It's dedicated to seeing the horrors of coercive control and the harrowing ordeal that is life with someone like JP, but it's as devoted to maintaining hope in the Garveys' sense of sorority. Bad Sisters is also unflinching about perfecting the right balance between twisted, heartfelt, weighty, amusing, sincere and audacious — as resolute as it is about filling its frames with scenic Irish sights. The show's roster of writers and directors, which includes Dearbhla Walsh (Tales From the Loop), Rebecca Gatward (The Spanish Princess) and Josephine Bornebusch (Love Me) behind the lens, ensure four outcomes: lapping up every twist and turn; wishing you're a Garvey yourself; planning a getaway to Ireland; and feeling seen if you've ever been treated terribly by someone you love or even someone you know, be it a relative, friend, neighbour, boss, colleague or acquaintance of an acquaintance. There's no doubting the impact of Bad Sisters' on-screen talents in making it such an instantly addictive Irish delight, however. It isn't merely the central murder-mystery that lures viewers in — and the comic way the series cycles through the Garveys' schemes — but also the show's wonderful leading ladies. From Horgan through to Hewson, the eponymous sisters are exceptionally well-cast, with all five actors conveying the clan's strengths, flaws, differences, fights and camaraderie, including at an individual level and together. Duff is especially heartbreaking as the spouse who has convinced herself that her husband's exploitation and cruelty is normal, while the Bang ensures that the potently odious, easily despised JP is abhorrent on every level but never cartoonish. They're all ably supported by the charmingly bumbling Gleeson and just charmingly charming McCormack, who help reinforce that every family has its ups and downs — including when no one is contemplating homicide. Check out the trailer for Bad Sisters below: Bad Sisters streams via Apple TV+.
