This article is sponsored by our partners, Flickerfest. Sydney seems to have all the fun when it comes to short film festivals. Huge crowds descend on Centennial Park for Tropfest (no matter how divisive the films are), and Flickerfest runs for over a week at Bondi Pavilion. Sure, we have MIFF, but there's something great about the short form, and as the nation's self-professed culture capital we deserve at least a night of it. Thankfully, Flickerfest are bringing that night to us on Wednesday, February 12. Setting up in Palace Kino Cinemas on Collins Street, this special Flickerfest event will bring us eight Melbourne-made offerings that featured in the festival's larger Sydney showing last month (plus one very special US doco). Each film, with an average run-time of 15 minutes, will be shown in succession and the screening will be followed by a catered afterparty with drinks from the likes of Little Creatures and Crystal Head Vodka — a liquor with its own legacy of strange short film thanks to owner, Dan Aykroyd. Now in its 23rd year, Flickerfest is an institution, and the films on show are the best of the best. Chosen from over 2,300 entries, featured works such as The Kingdom of Doug and The Last Time I Saw Richard have won numerous accolades in their Sydney run and are exemplary of the most innovative work being done by our local filmmakers. The short American documentary Slomo will also be featured in the night's viewing — a film that tells the tale of a retired neurologist who now spends his days rollerblading up the Pacific Beach boardwalk in slow-motion. Such films definitely serve as a reminder that great stories can be found in small (and strange) packages. Tickets can be purchased prior to the event via (03) 9650 2100 or bought at the door on the night.
The Gold Coast is roughly 12,000 kilometres from Mexico, but that won't stop holidaymakers from enjoying a tequila-soaked vacation in Coolangatta. Forget paying for an airfare to the other side of the world — head to the Glitter Strip instead for a getaway at The Herradura Hacienda, the new margarita-inspired room that's now open for bookings at The Pink Hotel. With its eye-catching exterior and beach views, The Pink Hotel is a Coolie icon anyway, but a stay there can now come with agave spirits. As the new suite's name makes plain, this margarita wonderland is a collaboration with Herradura Tequila, aka Mexico's last tequila-producing hacienda. The vibe inside: 'cosmic disco' meets 'neon jungle'. As well as colourful decor — neon signs, leafy prints, disco balls and a wall of mirrored titles do indeed feature, as well as plants, plus various pink, green and sparkling hues — a night here includes bespoke Herradura margaritas. For an extra fee, you can also get an hour with a bartender to mix your 'ritas in your room. The suite's hero marg is a watermelon and pink pepper number, but Herradura and Capi palomas and boozy pink lemonades help fill out the drinks menu. Unsurprisingly, this package is around for a good time, not a long time. Costing $389 on weeknights and $489 on weekends, it's on offer until Sunday, June 4; however, the revamped room itself isn't going anywhere afterwards. That said, if you can't make it along till then, you will need to pay extra for your margs and other Herradura Tequila trimmings, rather than getting them included in your room rate. "We are extremely proud of the unique offering our hotel brings to the Gold Coast and are thrilled for our guests to experience The Herradura Hacienda pop-up," said Freya Frenzel, General Manager at The Pink Hotel Coolangatta. "The room has all elements of The Pink Hotel that people know and love, with a fun twist!" Getting in quick is recommended, with The Herradura Hacienda available to book via The Pink Hotel, Booking.com, Expedia, Airbnb, Agoda, Qantas, Trip.com, Hotels.com, Hotel Network and Yonda. And whether or not you're a tequila fiend, a trip to The Pink Hotel involves kicking back in a refurbished boutique accommodation spot that dates back to the 50s, reopened in 2018, and combines Scandinavian and mid-century design. Guests can enjoy being opposite the beach, too, and just a three-minute walk from Coolangatta's shops and bars. Or, you can hit up the rooftop, and the onsite restaurant and bar. The Herradura Hacienda is available to book The Pink Hotel, 171 Griffith Street, Coolangatta, with all the Herradura Tequila trimmings until Sunday, June 4 — and with them available at extra expense afterwards. Head to the hotel's website for further details and bookings. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips — including at The Pink Hotel — with deals on flights, stays and experiences at destinations all around the world.
There are neither aliens nor gods to be found in the latest instalment of the seemingly unstoppable Marvel movie franchise. Instead, this is an 'enemy within' offering, and it's very much the better for it. Captain America (Chris Evans) is the Avenger in question this time round, and for a movie about the perils of extra-governmental espionage and unregulated oversight, there could be no more suitable a hero than that unfailingly honest idealist Captain Rogers. In The Winter Soldier, Cap finds himself contemplating a life beyond the military, only to be drawn deep back inside the shadowy organisation S.H.I.E.L.D following an assassination attempt on his boss, Nick Fury (Samuel L. Jackson). With the story's many twists and turns, it's risky to disclose much more, but at its heart this is a film about trust, betrayal and (inevitably) good ole-fashioned right and wrong. Fitting, then, that his holiness the pope of '70s plot-based paranoia, Robert Redford, makes an appearance as S.H.I.E.L.D's chairman Alexander Pierce. It's difficult in any film not to get excited whenever Redford embarks upon one of his trademark disquisitions on the state of democracy, freedom or peace, and in The Winter Soldier you get the full-blown triple play. Joining him in the mix are S.H.I.E.L.D regulars Black Widow (Scarlett Johansson) and Agent Hill (Cobie Smulders), as well as the instantly appealing newcomer 'Falcon' (Anthony Mackie). Inevitably, a superhero movie with a budget as big as its leading man's pecs is going to feature the periodic sensory onslaught of explosions, car chases, plane chases and carplane chases to keep the blockbuster fans satiated. The highlights in The Winter Soldier, however, are the smaller-scale, human melees, because let's be honest — Cap's superpowers aren't all that super ("Fitter than the average man, more honest than Abe Lincoln, Chris Evans is...the Truthy Runner"). As a result, his action sequences require more imagination on the part of the writers than they might for, say, Iron Man, and where the team most often delivers is in all the creative ways Cap uses his iconic shield, both in defence and on offence. Not quite as witty as Whedon's Avengers yet more engaging than Thor 2, Captain America: The Winter Soldier offers a darker and more thoughtful superhero story than most, if not all, of its Marvel predecessors. https://youtube.com/watch?v=7SlILk2WMTI
If there's one person audiences should happily follow into a haunted house, it's Guillermo del Toro. He played with spooky spaces in the Oscar-winning Pan's Labyrinth and told ghost stories in The Devil's Backbone. Actually, the Mexican filmmaker has danced with all things dark and sinister across his career, including vampires in Cronos, Blade II and TV's The Strain; giant insects in Mimic; a demon defender in the Hellboy movies; and monsters versus robots in Pacific Rim. In Crimson Peak, del Toro dives into gothic horror territory, telling the tale of a young woman (Mia Wasikowska) seduced into confronting the secrets of the titular house. Add Tom Hiddleston, Jessica Chastain and Charlie Hunnam to the stellar cast, as well as a haunting mood and stunningly spooky imagery, and this frightening effort looks like something truly special. Plus, Crimson Peak even earned the approval of iconic horror author Stephen King, who compared it to Evil Dead. Consider us excited — and a little scared, to be honest — in anticipation. Crimson Peak (© 2015 Universal Studios. All Rights Reserved.) is in cinemas nationally from October 15, and thanks to Universal Pictures Australia, we have 10 double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
If you needed more evidence that teenagers are becoming even smarter at a younger age, look no further. A new trend has emerged in Midwest America, where teenagers are reportedly soaking candy in alcohol in order to get drunk. Long gone are the days when young hooligans would wait outside the bottle shop and desperately beg the first bloke with facial hair to buy them a case of Bacardi Breezers. Instead, candy is being soaked in spirits before being consumed in a seemingly harmless practice. These teenagers were even able to pick the cutest and most innocent candy as their method of intoxication: the gummy bear. Darcy Jensen from Prairie View Prevention Services works in South Dakota to stop underage drinking. She notes that whilst the problem has not yet become widespread, she has already sent out warnings to schools across the state about the dangerous new practice. "Maybe someone has offered the candy and they didn't even know. So telling the kids ahead of time this could be something to be aware of is important," she said. Darcy raises a valid point. Teenagers might think twice about accepting a drink from a stranger, but a gummy bear? Never. She notes that this new trend will provide parents with a good opportunity to talk to their children about the hazards of underage drinking, and describes the gummy bears as "a good conversation starter." Maybe confectionery giants should start selling candy in brown paper bags from now on. [via Keloland]
When the theatre powers that be wondered if Moulin Rouge! could leap to the stage from the screen, the answer was simple: yes it can can can. And when the hit Broadway version notched up 14 Tony nominations, another question arose. Could Moulin Rouge! The Musical become the first Australian-produced show to win the coveted Best Musical Tony Award? Again, yes it can can can. After being delayed due to the pandemic, the 74th Annual Tony Awards were held on Monday, September 27 Australian time, recognising the best that theatre had to offer in the 2019–20 season. And, Moulin Rouge! The Musical did indeed emerge victorious. Including Best Musical, it took out ten gongs in total. Produced by the Sydney-based Global Creatures — and marking the first Australian-produced show to originate on Broadway — Moulin Rouge! also nabbed prizes for Best Direction of a Musical (f0r Alex Timbers), Best Choreography (Sonya Tayeh), Best Orchestrations (Justin Levine with Matt Stine, Katie Kresek and Charlie Rosen), Best Performance by a Leading Actor in a Musical (Aaron Tveit) and Best Performance by a Featured Actor in a Musical (Danny Burstein). And, it won Best Scenic Design in a Musical (Derek McLane), Best Costume Design in a Musical (Catherine Zuber), Best Lighting Design in a Musical (Justin Townsend) and Best Sound Design of a Musical (Peter Hylenski) as well. The Tonys sweep comes as Australians will finally get to see the stage production later this year, after its long-awaited local premiere season in Melbourne was delayed due to lockdown. It was set to open in mid-August, but is now selling tickets for shows from early November in line with Victoria's roadmap out of stay-at-home conditions. When it was announced back in 2016 that Moulin Rouge! was being turned into a stage musical, fans around the world thought the same thing in unison: the show must go on. Since then, the lavish production hit Broadway in 2019, and now has a date with Melbourne's revamped Regent Theatre. Based on Baz Luhrmann's award-winning, Nicole Kidman and Ewan McGregor-starring movie — which celebrates its 20th anniversary this year — the stage musical brings to life the famed Belle Époque tale of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the film is known for its soundtrack, celebrating iconic tunes from across the past five decades. The stage version carries on the legacy, backing those favourites with even more hit songs that have been released in the two decades since the movie premiered. Moulin Rouge! The Musical wasn't the only production soon headed to Australia to nab a Tony, with Jagged Little Pill the Musical also collecting two ahead of its Sydney premiere in December. Elsewhere at the high-profile awards, A Christmas Carol nabbed five gongs in the play categories, while The Inheritance picked up four. Moulin Rouge! The Musical is due to make its Australian debut at The Regent Theatre, at 191 Collins Street, Melbourne from November — depending upon Victoria's COVID-19 restrictions at the time. To buy tickets, and for further details, head to the production's website. Images: Matthew Murphy.
Pucker up, fans of 90s teen flicks — whether you were the exact right age at the time, have discovered them since or found yourself looking backwards thanks to recent films like Do Revenge. After finally bringing its song- and dance-filled take on one of the most influential movies of the era to Australian stages this year, Cruel Intentions: The 90s Musical is making a comeback along Australia's east coast in 2023. It seems that we can't get enough of this bittersweet symphony. We can't stop praising it, either. This time, audiences in Sydney and Melbourne will get a second chance to get nostalgic, while the show is backing up its recent Brisbane season with a new stint on the Gold Coast. To answer the most crucial question, yes, the musical's soundtrack is filled hits from the period, including The Verve's 'Bittersweet Symphony' and Placebo's 'Every You Every Me'. In fact, Cruel Intentions: The 90s Musical is a jukebox musical, so it's overflowing with a heap other tunes from that late 90s–early 00s time. Think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. The story remains the same, just without Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair (and Joshua Jackson's blonde locks). If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (Dear Evan Hansen) taking over Gellar's role — then you'll know how it goes. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school. The movie-to-theatre production has been unleashing its teen tumult and throwback soundtrack in America since 2015, and will start its Aussie encore from January 2023. Cruel Intentions' writer/director Roger Kumble co-created the musical, so it comes with quite the screen-to-stage pedigree. Also, it's being staged in Australia via David Venn Enterprises, who also brought The Wedding Singer: The Musical Comedy and Bring It On: The Musical our way. CRUEL INTENTIONS: THE 90S MUSICAL 2023 AUSTRALIAN TOUR: Thursday, January 19–Sunday, January 29, 2023: HOTA, Home of the Arts, Gold Coast Thursday, February 2—Sunday, February 12: Riverside Theatre, Parramatta From Thursday, February 16: Athenaeum Theatre, Melbourne Cruel Intentions: The 90s Musical will tour Australia's east coast again from January 2023. For more information and to join the waitlist for tickets — with Gold Coast and Melbourne shows on-sale from 10am Thursday, October 6 an Sydney from the same time on Tuesday, October 11 — head to the musical's website. Images: Nicole Cleary.
While much of the country is slowly starting to creep back to normality — and Melbourne has a roadmap to get there — there are some basic activities that'll be looking very different post-COVID. That includes the humble music gig and festival. With large crowds seen as a potential risk for virus transmission, all Australian states and territories still have density limits in place for gatherings and events, meaning that this year's festival season is set to be in stark contrast to all those before it. While it's hard to tell exactly what the future of music shows looks like locally, plans for an upcoming Western Australian event could help shed some light. Hitting the Busselton Foreshore on Saturday, October 31, the inaugural Good Day Sunshine festival is set to debut a new COVID-safe festival format, featuring a revolving stage and four separate crowd areas. The design will allow event promoters Macro Music to safely host 5000 punters. In the plans, the aptly named Turntable Stage sits at the centre of the site, rotating between four separated audience zones, each with a reduced 1250-person capacity. The lower numbers and crowd split will allow the festival to meet the state's current density restrictions of two-square-metres per person, while improving ease of contract tracing. Each of the four areas will operate as a separate event, complete with its own entry and exit point, and own amenities including bars, toilets and food outlets. A static sound system will service the entire site, while on-stage LED screens will provide all punters with concert visuals at each point of the stage's revolution. After purchasing tickets, Good Day Sunshine patrons were required to nominate one of the four quadrants, which is where they'll remain for the entirety of the festival. Each of the zones will have its own COVID safety officer, leading dedicated teams of staff that will continuously clean shared facilities and top up hand sanitiser stations. The event is set to be closely monitored and, if it proves successful, could pave the way for future Aussie festivals. "I would be flattered if this format was to be used by other events in Australia and across the world," said Macro Music CEO and festival designer Ross Macpherson. "The sooner we can get large-scale live events back up and running, the better for everyone." https://www.youtube.com/watch?v=VeYsTUQ9D34&feature=youtu.be The Good Day Sunshine lineup has met some issues thanks to Western Australia's hard border lockdowns and difficulties securing approval for artists to enter the state. At this stage, acts including Eskimo Joe, John Butler Trio and Xavier Rudd are set to headline the October 31 debut. Good Day Sunshine will debut at Barnard Park, Busselton, on October 31. Learn more about its new format at the festival's website.
Vampires can be slain by staking them in the heart. Werewolves aren't fond of silver bullets. But Taika Waititi and Jemaine Clement's addition to the undead world can't and won't be killed — not that anyone would want that outcome. First, What We Do in the Shadows jumped from a short film to a hilarious feature-length comedy. Next, it not only inspired a US television remake, which has been renewed for a season season, but New Zealand television spinoff Wellington Paranormal. And in the latter's case, following an exceptionally amusing six-episode first season, it's returning to Australian screens for its 13-episode second season this month. We've said it before, and we'll say it again: trust a mockumentary about the undead to keep coming back in new guises. The Cops-style spinoff follows police officers Karen O'Leary and Mike Minogue, who WWDITS fans might remember came knocking at the vampire share house's door. With the help of Sergeant Maaka (Maaka Pohatu), the cop duo keep trying to keep the city safe from supernatural happenings — including not only bloodsuckers and lycanthropes, but ghosts, aliens and more. Wellington Paranormal's second season once again explores the spate of paranormal phenomena popping up in the city, with a whole heap of new spooky occurrences attracting O'Leary, Minogue and Maaka's attention. The season starts with sea monsters — and a very high-profile cameo from Clarke Gaylord, partner of New Zealand Prime Minister Jacinda Ardern — and stays in strange but funny and silly territory from there. In Australia, Wellington Paranormal's first batch of episodes screened on SBS Viceland and was available to stream on SBS On Demand, and that's the case again this year. Episodes will drop weekly on both the free-to-air channel and the online platform from Thursday, November 28. For those following What We Do in the Shadows' continued evolution, Wellington Paranormal's success shouldn't come as a surprise. When the show was first revealed, Waititi described it as "Mulder & Scully but in a country where nothing happens" on Twitter, after all. Wellington Paranormal's second season starts screening on SBS Viceland and SBS On Demand from Thursday, November 28.
Gone are the days of sidling into bottle shops and covertly trying to identify the second cheapest wine on the shelf. The brainchild of The Iconic founder and former managing director Cameron Votan, Spokewine is the brand new online wine store that may well revolutionise the way you think about your drinking — with a unique customer rating system. The online equivalent of a well-stocked cellar door, Spokewine features wine options from more than 70 different Australian wineries, many of which have never before been available to buy on the web. With a focus on boutique producers, customers can browse by wine type, region or individual winery, or simply take a look at what's trending with their fellow oenophiles — which, let's face it, is basically just a fancy word for knowledgeable alcoholic. Once you've found the wine that suits your palate, you can order by the case and have it delivered to you absolutely free. Shipping should take between 4-10 days, and you'll need someone over 18 to sign for it on arrival. Sorry kids, there's no gaming the system. What makes Spokewine unique is their democratic review process, which takes the power away from snooty wine critics and puts it back into the hands of the people. Basically, it's like IMDb, but for your liver. After logging in through Facebook, you can choose between 'love', 'like' and 'not for me', or get more in depth feedback through tasting notes and written reviews. After you've rated the vino, your score and everyone else's get aggregated into two separate rankings — the 'approval' rating counts the percentage of positive votes, while the 'passion' rating calculates the number of 'love' votes as a percentage of people who ranked it positively. The Spokewine venture may prove a new mode of doing business for the former Iconic head and his partners Nicholas Turner, Michael Larsen and Victor Garcia. Votan told BRW the move was a "real partnership" with winemakers, as opposed to the set-up with labels: arguing over rebates, charging fees for lost custom. Looks like Votan is going to do things a little differently this time. "Not just The Iconic but any retailer I’ve ever been involved with, whether through consulting or an operational role, is that merchants are by nature in an adversarial relationship [with suppliers],” Votan told BRW. "It would be impossible to do that with the set of vendors that we’re working with now. They just don’t work like that. They’re up for partnerships for life. They want you to come and look them in the eye, walk through their vineyard with them, understand their story and at the end shake hands and say let’s do business." Now if you'll excuse us, we've got some user-reviewed wine to order.
If you've managed to nab a ticket to Paul Kelly's Making Gravy tour back in 2017, 2018 and 2019, then you were one of the lucky ones. If you weren't and have been lamenting ever since, you can stop. The songwriting legend has just announced that he'll be performing the show all over again this December, this time heading to Melbourne and Brisbane — in the lead up to Gravy Day itself, December 21. Like the song, the tour — now in its fourth year — is becoming a bit of an Aussie Christmas tradition. Time to start thinking about getting the tinsel and ugly jumpers out of storage. As in past years, you can expect to hear a stack of songs from Kelly's four-decade long career. Listen out for all the hits, from 'Dumb Things', from the album Live, May 1992, to 'Love Never Runs On Time' from Wanted Man (1994). The Christmas classic 'How To Make Gravy', first released in 1996 on an eponymous EP, is on the menu, too. The tour will coincide with the release of Kelly's new Christmas Train record, his first-ever festive album — and yes, it includes a new version of 'How To Make Gravy'. Kelly won't be hitting the road alone, either — he's inviting a bunch of special guests. He'll be joined by Ball Park Music, Sycco and Emma Donovan & The Putbacks. MAKING GRAVY DATES 2021 Melbourne — Sidney Myer Music Bowl, Thursday, December 9 Brisbane — Riverstage, Saturday, December 18 Paul Kelly Making Gravy pre-sale tickets will be available from midday AEDT on Thursday, November 4 with general sales from 1pm local time on Monday, November 8.
When summer holidays seem like a depressingly distant memory, nothing recharges the soul quite like a couple of days spent exploring the very best of a city — especially when that city is considered the world's most liveable city at that. So, we've teamed up with the folks at DoubleTree by Hilton to curate your ultimate Melbourne weekend getaway. Boasting a top-notch Flinders Street location, right in the heart of all the action, the Melbourne hotel is primed for that hard-earned city escape you've been planning — plus, they'll always welcome you back with a nice, warm 'welcome cookie'. Lose yourself down laneways, feast your way through the city's many multicultural offerings and shop till you're ready to drop, knowing you've got a comfortable home away from home to land yourself at the end of the day — with a spot for a nightcap, if you should feel so inclined, at the hotel's Platform 270. Here's our guide to a cracking Melbourne weekend. START THE DAY AT HIGHER GROUND, CBD As much a feast for the eyes as for the belly, CBD cafe Higher Ground makes its home within a gorgeous, lofty space that once housed the Little Bourke Street power station. Here, award-winning designer touches and exposed brick walls create an elegant backdrop for the kitchen's forward-thinking, artfully designed fare. Pop in for breakfast and a specialty coffee to kick-start a big day of exploring, or swing by after dark to road-test the chic dinner menu on offer Thursday through Sunday. GET YOUR ART FIX AT ROSE STREET MARKETS, FITZROY Each weekend, Fitzroy's Rose Street becomes a shopping hot-spot, playing host to two vibrant weekly markets. On Saturdays and Sundays, hit the Rose Street Artists' Market to find a stellar lineup of local makers showcasing an array of art, fashion, homewares, jewellery and photography, plus an onsite cafe primed for caffeine pit-stops and brunch feeds. Just a few metres down the street there's yet more shopping goodness in store for you at Saturday's Fitzroy Mills Market. This one's got a health and wellness focus, sourcing top produce from local makers and growers — expect treats like quality fruit and veg, desserts, artisan bread, vegan eats and even fare for your four-legged friends. GO FULL MELBOURNE AT WHITEHART, CBD Tucked down a laneway, surrounded by lively street art and crafted from a couple of upcycled shipping containers, Whitehart is unmistakably Melbourne. The industrial-inspired bar slings a top-notch booze lineup of clever cocktails, boutique wines and craft brews, while food comes courtesy of a rotation of visiting food trucks. Also impressive is the soundtrack, as the decks play host to a dance-worthy mix of resident DJs and guest artists from across the world. Swing by for a sunny afternoon session, or after dark to soak up those late-night Melbourne vibes. WANDER THE NICHOLAS BUILDING, CBD A veritable treasure trove of fashion and design, art deco stunner The Nicholas Building is home to a diverse mix of studios, boutiques and galleries. Drool over beautiful heritage features like the leadlight dome above the arcade while you get some retail therapy. Highlights include a huge selection of pre-loved threads at Australia's largest vintage store Retrostar, perfume from The Powder Room, Kimono House's Japanese crafts and textiles, jewellery designs from Victoria Mason and women's fashion from the likes of Obus and Kuwaii. DIG INTO SUPERNORMAL, CBD At the sleek Asian-accented Supernormal, acclaimed Melbourne chef Andrew McConnell delivers some very memorable eats, drawing on a range of influences and serving it all with a healthy side of fun. Here, classic flavours from across Korea, Japan, Hong Kong and China are reworked into a menu of modern delights and matched with a contemporary drinks offering of sake, local wines and intriguing cocktails. Just remember, McConnell's cult classic lobster roll is a must and, when opting for the banquet menu, it pays to be within rolling distance of where you're staying. [caption id="attachment_659089" align="alignnone" width="1920"] John Gollings.[/caption] EXPLORE THE AUSTRALIAN CENTRE FOR CONTEMPORARY ART, SOUTHBANK Delivering a diverse program of bold exhibitions, performances, talks and events, the Australian Centre For Contemporary Art is a hotbed of creativity and a must for any visiting art aficionado. Boasting an award-winning building set among the arty offerings of Southbank, it features thought-provoking works from big-name artists the world over, in addition to commissioned pieces designed to change the way the world sees contemporary art. Cruise the current exhibitions at your own pace, or jump on one of the free public tours, held each Sunday during exhibition periods. CATCH SOME VIEWS AT ROOFTOP BAR, CBD An astro-turfed, open-air space perched at the very top of Swanston Street's Curtin House, Melbourne's original rooftop bar is a year-round favourite, thanks to its laidback feel and those sprawling city skyline vistas. Venture up for brews with a view and eats from The Rooftop Burger Shack, while getting acquainted with one of Melbourne's most iconic drinking spots. During the warmer months, you can even catch a flick on the outdoor big screen for the legendary Rooftop Cinema. PICNIC IN THE SUN AT ABBOTSFORD CONVENT, ABBOTSFORD Set among picturesque grounds in Melbourne's inner north, multi-arts precinct the Abbotsford Convent has a little something for everyone. Once operating as a convent and one of Australia's largest Catholic complexes, the heritage-listed, 16-acre site now boasts a colourful assortment of galleries, studios and green space — not to mention a stack of architectural gems to marvel at. Lose a day happily exploring the current offerings, from exhibitions and talks to markets and performances. Social history tours are run every Sunday afternoon, and there's a plethora of great onsite eateries to choose from come lunchtime. [caption id="attachment_649405" align="alignnone" width="1920"] Jamie Durrant.[/caption] EAT TAPAS AND MONTADITOS AT BAR TINI, CBD Having won hearts across the country with his stable of MoVida restaurants, Frank Camorra's latest project is another Spanish-inspired charmer — this time, a cosy laneway haunt called Bar Tini. With its warm red accents and cheery decor, this one's a nod to the bodegas of Spain, its menu a cracking lineup of imported tinned seafood, flavour-packed tapas and montaditos, and open sandwiches. Snack your way through, while sipping vermouth on tap and revamped classic cocktails. Pop in for a daytime visit and you'll even be able to check out the iconic street art of Hosier Lane outside the front door. [caption id="attachment_658995" align="alignnone" width="1920"] Stano Murin.[/caption] LAUGH IT OUT AT THE BUTTERFLY CLUB, CBD If a culture fix is on the cards, you can bank on finding a ripper program of happenings at The Butterfly Club. The laneway theatre hosts a diverse lineup of over 1100 performances each year, from cabaret acts to side-splitting stand-up shows. You'll also find a solid mix of regular events, including Tuesday night's burlesque life drawing sessions and Friday's long-running improv comedy show, The Big Hoo Haa. The Butterfly Club's two bars make for charming pit-stops in themselves, decked out with lots of kitsch touches and slinging an oft-changing lineup of themed cocktails. Spend your weekend exploring some of the very best things around Melbourne, and when you need a place to recoup, find your home away from home at DoubleTree by Hilton on Flinders Street.
Missed out on tickets to the hugely popular Day of the Dead 3.1 warehouse project, announced last month? You're in luck. An immersive El Dia de los Muertos-inspired experience curated by a group of Mexican visionaries and artists, the Day of the Dead announced plans to visit Sydney on October 24, then Melbourne on October 31 before ending in Brisbane on November 7. While all three cities sold out within hours, and the organisers were inevitably inundated with hundreds of emails requesting tickets, so the Day of the Dead team twisted some arms and managed to increase the event capacity. There'll be a new and final ticket release happening on Saturday, September 26 at 12.30pm, with tickets at $95. Tickets will sell out within hours, so be ready. Get tickets here. Currently sold-out, the Day of the Dead warehouse project takes cues from some of the world's most celebrated immersive spectacles, everything from Burning Man to Sleep No More. The one-off event will immerse ticketholders in a temporary world of interactive art installations, light projections, extravagant costumes, murals created by renowned street artists and an exclusive lineup of local and international DJs and musicians. Pop-ups by a handpicked bunch of Sydney, Melbourne and Brisbane's go-to local Mexican eateries, like Playa Takeria, have been selected to create special Dia de los Muertos menus. Plus, there'll be Mexican cervezas and tequila/mezcal cocktails from the newly announced principal sponsor Tequila Herradura and major sponsor Tequila Jimador to provide you with enough sustenance to dance the night away. With instructions being sent to ticketholders just one week before the event, and locations revealed just one day before the party, this is secret warehouse party business at its best. Honour the dead, celebrate the living. Be ready on Saturday. The Day of the Dead 3.1's new and final ticket release is happening on Saturday, September 26 at 12.30pm. Tickets are $95 and are expected to sell out within hours. Get tickets here. By Kimberley Mai and Shannon Connellan.
In a world of twitter-inspired books and movies, and everyone buzzing about Google+, the humble text message is often overlooked. The appropriately named British artist Tracey Moberley is doing her best to rectify that. Moberley has released an autobiography, Text-Me-Up!, drawn from the 55,000-plus texts she has ever received. She can even remember the very first one, received during lunch in Manchester in 1999. Many would cringe at the idea of revealing their text history to the public, others might wonder how many pages can be filled with "Where r u?" The book isn't Moberley's only text-message based art. In 2001 she released 2,000 helium balloons with her mobile number and a text attached, inviting responses from complete strangers. Her current project asks people who receive a text message from her to commemorate the event by sticking up a pink plaque, challenging the common view of the text as a purely utilitarian and disposable piece of communication.
For the second year in a row, Bluefest won't unleash a lineup of blues and roots tunes upon Byron Bay. After its 2021 event was originally cancelled just days out from its usual Easter slot, and then later postponed to October, the long-running fest has announced that it's now abandoning plans to go ahead this year. Instead, it'll return in 2022 — three years after its last festival, given that its 2020 event was also scrapped due to the pandemic — and will once again settle into its traditional Easter long weekend period. "It is obvious that we cannot present Bluesfest in a safe manner in October — the safety and protection of our loyal Bluesfesters, our festival staff, our performers, our volunteers, stallholders and suppliers is paramount," said festival organisers in a statement. "So, we have re-scheduled to our usual timing with dates over the Easter long weekend next year in April 2022 — by this time, we expect things to have returned much more back to normal.... There is confidence that, by the end of this year, Australia will have achieved at least a 70–80 percent vaccination rate and will have achieved at least 'stage three' in the plan to open up the whole country. Lockdowns will be consigned to history. Perhaps we may even see international artists returning — if they can come, we will be presenting them." Music lovers and festival-goers, mark Friday, April 15–Monday, April 18 in your diaries, with Bluesfest 2022 set to be a four-day event. Once again, it'll take over Byron Events Farm (formerly Tyagarah Tea Tree Farm) just outside Byron Bay. And, on-stage, it won't be lacking in company. Bluesfest Byron Bay returns Easter Long Weekend 2022 with headliners @MidnightOilBand, @PaulKelly, @JimmyBarnes... and the newly added @FatFreddysDrop1! Plus more headliners to be announced! 👉 https://t.co/r1HzgvcPM7 pic.twitter.com/jonipE8ArR — Bluesfest Byron Bay (@BluesfestByron) August 17, 2021 Bluesfest has confirmed a number of artists on its 2022 lineup, including a range of names that were meant to grace the stage this year. Midnight Oil, Paul Kelly and Jimmy Barnes will still lead the bill, with John Butler, Xavier Rudd, Pete Murray, Ian Moss, Mark Seymour & The Undertow, Kate Ceberano, Kasey Chambers, The Waifs, The Church, Briggs and Kate Miller-Heidke among the other names still locked in for the next fest. And, a selection of new acts have jumped onto the roster so far, including Fat Freddy's Drop, Josh Teskey and Ash Grunwald, John Williamson, CW Stoneking and Rockwiz Live. More are set to be announced in the months leading up to the fest. Bluesfest joins a long list of major events affected by the pandemic two years running, including Vivid Sydney, the Sydney Film Festival, the Melbourne International Film Festival, the Ekka in Brisbane and the Royal Melbourne Show. Folks with tickets for the now-cancelled October festival will still be able to use them at the 2022 event. BLUESFEST 2022 LINEUP: Midnight Oil Paul Kelly Jimmy Barnes Fat Freddy's Drop John Butler Xavier Rudd Pete Murray Ian Moss Kate Ceberano Kasey Chambers The Waifs The Church Jon Stevens The Living End Mark Seymour & The Undertow The Angels Russell Morris Kate Miller-Heidke Vika & Linda All Our Exes Live in Texas Ross Wilson and The Peaceniks John Williamson Troy Cassar-Daley Briggs Tex Perkins The Man In Black Josh Teskey and Ash Grunwald CW Stoneking Rockwiz Live Bluesfest 2021 has been cancelled, and Bluesfest 2022 will take place from Friday, April 15–Monday, April 18. Tickets are on sale now — for further information, head to the Bluesfest website. Top image: Joseph Mayers.
By now, the fact that any new season will likely be hotter than average in Australia should hardly come as a surprise. It's a recurrent trend, especially in autumn and winter, when things are supposed to cool down. And, now that summer is behind us for 2021, this year is staying true to form. According to the Bureau of Meteorology's climate outlook for the March to May period, much of the country is in for both warm weather and wet conditions over the coming months. If you live in Australia's north, Tasmania, southern Victoria or along the west coast of Western Australia, expect toastier autumn days this year, with a more than 60-percent chance that'll be the case. Nights are also expected to be warmer over the same period, hitting an 80-percent likelihood in the northern tropics, eastern Queensland, southern Victoria and Tasmania. For folks in New South Wales, you could buck the trend. BOM is currently forecasting cooler than average autumn days for parts of the state, with a 60-percent probability. But, overall, even when Australia gets down to its minimum temperatures between March and May, they're expected to be higher than average across most of the country (other that parts of southern WA and western and central South Australia). To give an idea of exactly what that all means, the average daily maximum temperature for March sits at around 23.9 degrees in Melbourne, 24.8 in Sydney and 28 in Brisbane. In May, it's around 16.7 degrees for Melbourne, with 19.5 for Sydney and 23.2 for Brisbane. BOM is forecasting that in all three cities we'll see warmer temperatures than that across the three months — and in Perth, Adelaide, Hobart, Canberra and Darwin as well — although some rises might be minimal. In good news for farmers, much of the nation's east looks set for more rain, too. That's predicted to be the case in most of NSW, southern and eastern Queensland, Arnhem Land in the NT, eastern SA and eastern Tasmania — although, the higher probability of that happening (over 70 percent) is largely concentrated to small parts of southern Queensland and northeast NSW). In WA, the rest of the NT, Victoria, and the western parts of Queensland, SA and Tasmania, there's no indication that it'll be much wetter or drier than normal. Autumn's predicted wetter and warmer conditions across parts of the country follow Australia's rainiest summer for four years, BOM announced, topping figures since 2016–17 everywhere except greater southeastern Queensland (from the NSW border up to the Capricornia region). To finish off 2020, the country actually experienced its third wettest December since national records began in 1900; however, the nation's summer temperatures also look set to be our lowest since 2011–2012, only reaching above average in parts of Queensland and WA's west coast. If you're wondering why rain has been such a feature lately, BOM attributes it to La Niña, but notes that it is starting to subside. Bureau climatologist Dr Naomi Benger says that "the tropical Pacific Ocean is forecast to return to neutral conditions (neither El Niño nor La Niña) during autumn, consistent with the typical lifecycle of La Niña events. However, it is not uncommon for the effects of La Niña to still be felt as the event declines. That means an increased chance of above average rainfall, particularly for eastern regions". For more information about forecast weather conditions between March–May 2021, head to the Bureau of Meteorology's climate outlook.
Gather your spoons and prepare to start throwing them at a screen: The Disaster Artist is nearly here. A behind-the-scenes recreation of the making of Tommy Wiseau's The Room, it's shaping up to be the best movie ever made about the worst movie ever made. Oh hi, instant cult classic (and Mark, Greg, Claudette and doggy). Based on the non-fiction book of the same name by the original flick's star Greg Sestero, and directed, produced and starring James Franco as Wiseau, the film takes almost every actor you can think of (Dave Franco, Seth Rogen, Alison Brie, Zac Efron, Hannibal Buress, Sharon Stone, Melanie Griffith, Megan Mullally, Josh Hutcherson and Jackie Weaver, for starters) on a tour of Wiseau's now infamous late-night favourite — and, in quite the change from The Room, it's garnering a massive amount of buzz and critical love. After premiering as a work in progress at this year's SXSW, it just screened at the Toronto International Film Festival, and will hit Australian cinemas on November 30. A first teaser was first released back in July, absolutely perfecting the shooting of one of The Room's many, many memorable moments, with a full trailer now providing an even bigger glimpse into Franco's take on Wiseau's world. The awkward dialogue, the odd game of catch, Wiseau's greasy locks, a sex scene that defies human anatomy, "you're tearing me apart, Lisa!!!" — they're all there, in the expected so-bad-it's-hilarious fashion. Wiseau himself has given the whole thing his 99.9 percent approval, and pops up in the movie, of course. And if you need more convincing or you've never hurled a spoon in your life, we'll let Franco's version of Wiseau say everything else that needs to be said about The Room — and why you should be interested in The Disaster Artist. "So there's this guy Johnny. A true American hero — to be played by me. He has it all. Good looks, many friends. And also maybe Johnny is vampire. We'll see." Check out the new trailer below — and the original teaser too, because more The Disaster Artist is only a good thing. https://www.youtube.com/watch?v=cMKX2tE5Luk https://www.youtube.com/watch?v=JIXYaCWc2EM
These days, most of the Melbourne restaurant, bar and cafe openings we hear about come from hospitality groups with plenty of financial backing, with few independent business owners having a crack at it themselves. That's why we were thrilled to hear about Casa Mariotti, a new family-run 110-person Italian wine bar and restaurant that brothers Guido and Guiacomo Guerrieri have just opened. Giacomo is heading up the kitchen here, creating a menu that's both inspired by his nonna's family recipes and his 20-plus years of experience working in Roman restaurants. You can kick off proceedings with supplì 'al telefono' (traditional Roman rice balls), a small deep-fried sandwich stuffed with anchovies and mozzarella, breaded buffalo mozzarella, olive pate with anchovies and garlic, and plenty of other antipasti bites — all great for sipping and snacking. There's certainly a focus on smaller dishes here, as Casa Mariotti leans more toward wine bar territory than a full-blown restaurant. Nonetheless, the handful of larger eats — including a few handmade pastas, sugos and polenta dishes — will more than satisfy hungry diners in need of a proper feed. Unsurprisingly, wines are given a great deal of attention here, with the team splitting the menu into two sections — wines made in Italy with native grapes and Australian-made wines using Italian-origin grapes. These are supported by a tight list of Italian cocktails (both done classically and with some twists), local beers, spirits and the obligatory aperitifs. To celebrate the opening (in true Italian style), the Casa Mariotti is also serving up a traditional aperitivo every day from 4-6pm, where guests can enjoy a selection of wine, beer and cocktails starting at $9 a pop alongside complimentary snacks — think bruschetta al pomodoro, lupin and seasonal frittata. Be sure to score these complimentary bites ASAP, as the deal won't be around for too long. You'll find Casa Mariotti at 258 Swan Street, Richmond, open from Wednesday–Sunday. For more information, you can visit the venue's website. Images: Jack Carlin.
Across its five seasons to date, Black Mirror has dedicated 22 episodes to imagining dystopian futures — and while it makes for compelling viewing, none of the sci-fi anthology series' predictions are particularly pretty. But, for all of its prognosticating, the Charlie Brooker-created show didn't foresee 2020's chaos. And now we've all endured this hectic year and are about to see it come to an end, the team behind Black Mirror has something to say about it. At 6pm AEST on Sunday, December 27, just before 2020 fades away forever, Netflix will drop a new comedy special called Death to 2020 — which is made by the Black Mirror crew. The show will look back on the year via a documentary-style special that uses real-life archival footage from the past 12 months, as well as narration from fictitious characters played by the high-profile likes of Samuel L Jackson, Hugh Grant, Lisa Kudrow, Kumail Nanjiani, Tracey Ullman, Samson Kayo, Leslie Jones, Diane Morgan, Cristin Milioti and Joe Keery. Immediately keen to see more? After revealing a teaser trailer for Death to 2020 earlier in December — when it first announced that the project even existed — Netflix has now dropped a full sneak peek. Jackson's character gets snappy, Grant's wants to make sure that a drink is close at hand, and Jones' advises she'd say 2020 "was a trainwreck and a shit show, but that'd be unfair to trains and shit". Brooker has a history of looking back at events that have just passed, as Newswipe with Charlie Brooker and his end-of-year Wipe specials between 2010–16 have all demonstrated — so satirising and savaging the year's developments definitely falls into his wheelhouse. Brooker and Netflix also love releasing new material over the holiday period, with interactive Black Mirror special Bandersnatch dropping between Christmas and New Year's Eve back in 2018. So, true to form, they're giving everyone an extra festive — and grimly funny — present this year. Check out the full Death to 2020 trailer below: https://www.youtube.com/watch?v=veUqfcyZ_Bo Death to 2020 will hit Netflix at 6pm AEST on Sunday, December 27 . Images: Saeed Adyani/Keith Bernstein.
Melbourne's picnic baskets have had quite the workout so far in 2021, but one of their biggest moments to shine is about to arrive for another year. When Moonlight Cinema sets up its outdoor screen in the Royal Botanic Gardens from early December, it's officially cheese, snack and openair movie-viewing season. The end-of-year mainstay returns from Thursday, December 2–Sunday, March 27 with an impressive batch of films gracing its outdoor setup. Get ready to catch a heap of recent blockbusters, a smattering of brand new flicks and a lineup of Christmas movies. You can't run an openair cinema at the jolliest time of the year without the latter, obviously. Shang-Chi and the Legend of the Ten Rings opens the bill, with the lineup including Cruella, The Suicide Squad, Free Guy, Black Widow, Jungle Cruise, A Quiet Place Part II, Eternals, Red Notice and The Hitman's Wife's Bodyguard as well. Also screening: Edgar Wright's new movie Last Night in Soho, animated sequel The Boss Baby: Family Business, Disney newbie Encanto, stage-to-screen musical Dear Evan Hansen and the family-friendly Clifford the Big Red Dog. Among the retro fare, Dirty Dancing is on the program; it would't be a Moonlight Cinema season without it, either. And, for your merry outdoor movie-watching pleasure, the Christmas selection includes Love Actually, The Holiday, Elf, The Grinch, Die Hard and Home Alone. It's also worth remembering that Moonlight Cinema is BYO — and there'll be food, snacks, a bar and (if you'd like to pay for them) bean bags as well. And, in great news for movie-loving pooches, you can bring them along, too.
Stargazers in Tasmania and New Zealand are happy they didn't skip town for Vivid last weekend. On Sunday night, Aurora Australis made a pretty dramatic appearance, filling the horizon with a spectrum of light. Also known as the Southern Lights, Aurora Australis tends to show up when a coronal mass ejection (CME) occurs. To cut a long story short, a CME happens when the sun releases a bunch of plasma filled with electrons and protons (the bits inside atoms, Year 7). This plasma travels 150 million kilometres before hitting the Earth's magnetic field at a speed of six million kilometres per hour. The result is a wild geomagnetic storm. As the atoms slow down, they send out light of various colours, which we see most easily at the North and South Poles, where the atmosphere is thinnest. In the North Pole, the aurora is called Aurora Borealis. Like earthquakes, auroras are rated according to their power. While most rate around 1 or 2 kp (out of a possible 9), Sunday night's hit 7, making it particularly spectacular. It's difficult to predict when the next Aurora Australis will appear — your best bet is to keep an eye on the official Facebook page, where hopeful activity is reported. If you're keen to cop an eyeful, then you'll need to head as far south as possible. It's also a good idea to get away from towns and cities, so light pollution doesn't corrupt your view. In Australia, that means making tracks to Tassie. On social media, epic photos of Sunday night's show came in from Devonport and Bruny Island. However, the lights were also seen as far north as New South Wales, including in Merimbula, Bawley Point and Williamstown. Meanwhile, in New Zealand, the place to be was the South Island. Over the weekend, Aurora Australis was seriously impressive in Lake Te Anau, Dunedin, Invercargill, Waipapa Point and Queenstown, among other spots. Here's a few otherworldly Instagrams to give you an idea: How lucky have we been in #MySouthland this week with this breathtaking #auroraaustralis light show! Spectacular 📷 @the_curious_kiwi #nzmustdo #southlandnz A post shared by Southland, New Zealand (@southland.nz) on May 30, 2017 at 5:19pm PDT Sunday's breathtaking Aurora Australis as captured by staff member @purnellpictures out on the Otago Peninsula.😍#dunnerstunner #OnlyOtago #auroraaustralis A post shared by University of Otago (@universityofotago) on May 29, 2017 at 10:02pm PDT Incredible #AuroraAustralis in Tasmania's skies 😮. Tassie's the best spot in Australia to view the Southern Lights. Basically, the further south, the better. 📷: Sophie Fazackerly A post shared by ABC News (@abcnews_au) on May 28, 2017 at 7:33pm PDT NIGHT LIGHTS. The Milky Way with a hint of Aurora over Mount Iron earlier this week. Wanaka, NZ. #nightsky #milkyway #stars #aurora #auroraaustralis #southernlights #nzmustdo #purenewzealand #landscape #nofilter #astrophotography #stargazing #stars #starlight #lovewanaka #wanaka #mtiron #southisland #newzealand #longexposure #canon_photos A post shared by @the_viewfinda on May 30, 2017 at 7:57pm PDT After posting a photo of the Southern Lights yesterday people have asked me if I could really see them with the naked eye. The answer is YES. For a few very special minutes they danced like laser beams on the horizon line. The Milky Way stole the limelight afterwards. 🌌✨ A post shared by Kyle Te Kiwi | New Zealand (@barekiwi) on May 30, 2017 at 3:04am PDT After posting a photo of the Southern Lights yesterday people have asked me if I could really see them with the naked eye. The answer is YES. For a few very special minutes they danced like laser beams on the horizon line. The Milky Way stole the limelight afterwards. 🌌✨ A post shared by Kyle Te Kiwi | New Zealand (@barekiwi) on May 30, 2017 at 3:04am PDT Top image: Ben (Flickr).
Victoria's world-famous collection of silo art is about to get even bigger, with the Labor Government announcing plans to help create five more of the large-scale, tourism-boosting artworks throughout the state. Six large-scale paintings already form part of the acclaimed Silo Art Trail — a 200-kilometre-long, regional 'outdoor gallery' project, that's been headed up by Yarriambiack Shire Council and international street art agency Juddy Roller over the past two years. Now, Premier Daniel Andrews has revealed five more silo artworks will be brought to life, having each scored funding and backing through the government's Pick My Project community grants initiative. The proposed installations were among 237 successful projects pitched by Victorians, that'll share in a hefty $30 million of government funding. New designs are set to grace silos in Colbinabbin, Nullawil, Sunshine — in conjunction with an outdoor cinema screening program — Goroke and Kaniva, near the South Australian border. It's hoped that, like with the original Silo Art Trail, the new projects will help boost visitor numbers through some of Victoria's quieter regional areas, support local business and help capture the spirit of rural life. Images: Kaffeine, Nicole Reed
It's a wine store and tasting room, but not quite as you know it. Smith Street newcomer Glou is shaking up the game, exclusively serving wine on tap, both to sip in and take away. An envelope-pushing concept from Rahel Goldmann (IDES, Hell of the North) and Ron Davis (Samuel Pepys, Le Pont Wine Store), the venue's built on a strong commitment to sustainability, though that doesn't mean it's about to go skimping on quality. If the thought of tap wine left you unenthused before, prepare to have your perceptions shaken. Having spent a collective three decades working in upscale restaurants and wine stores across the world, Goldmann and Davis are keen to help revamp the local wine game, stirring positive changes and a shift to embracing more environmentally minded practices from end to end. Doing away with single-use wine bottles, Glou instead pours all of its drops from taps, using an environmentally friendly Key Kegs system. And, rather than limiting themselves to the small pool of winemakers already offering tap wines commercially, the owners are working directly with their favourite sustainably focused wineries to keg a curation of top-notch wines straight from the barrel. Expect the likes of the Barossa's Rasa Wines, Adelaide Hills legend Charlotte Dalton, and Victoria's own Ben Haines and Noisy Ritual. At the venue, you can get the wines poured into 500-millilitre, one-litre, or two-litre reusable takeaway bottles, just as you might with beer growlers. Bring back a vessel to refill again and again, or return it for a rebate. Otherwise, pull up a seat in the minimalist space designed by Berlin artist Matthias George Koerner and Melbourne's Timmy Bourke Design, and quaff a couple of glasses alongside tapas-style Japanese bites courtesy of nearby Mono-XO. There'll be a program of industry tastings, masterclasses and winemaking events, too. Not only is Glou creating less waste, it has also drastically reduced its carbon footprint by not having to transport all that extra weight in wine bottles. Which of course translates to more wallet-friendly prices for the customer. Wines by the glass are available for $8 a pop, while half-litres start at just ten bucks and you can score two full litres from a very reasonably $40. You can check out the full menu over here. Find Glou at 310 Smith Street, Collingwood. It's open 12–9pm Tuesday–Sunday.
Ever worried about what your fashion habit is doing to the people who make your clothing, especially the women comprising 75 percent of the fashion workforce? Well Made Clothes, an Aussie online marketplace dedicated to ethical garments, is hosting an evening dedicated to this issue, and related problems. And, to celebrate, the company has created a gender equal tote bag. The bag, which features a gender equal image, was designed by Sydney-based artist Caroline Walls. She sent her plans to Freeset, which turned it into a real life product using organic cotton and fair-trade production. Freeset is a business based in Kolkata, India, that provides employment opportunities for women saved from sex slavery. The bag is now available online and you can buy it safe in the knowledge that all profits go straight to Freeset. I believe in gender equality and so does @wellmadeclothes_ . They've been working on a project that supports just that and as part of this project I designed a gender equal tote bag which has been made by @freesetglobal, a certified organic and fair trade company which employs women saved from Kolkata's sex slavery industry. Profits for the sale of these tote bags will be be donated to Freeset to help with the creation of a building at the entrance to the red-light distract which will provide services to women trapped in the sex slave industry. You can buy these bags through @wellmadeclothes_ website.. get behind this amazing cause #genderequality A photo posted by Caroline Walls (@carolinewallsart) on Feb 6, 2017 at 10:07pm PST Plus, if you happen to be in Victoria during Virgin Australia Melbourne Fashion Festival 2017, you can get along to Well Made Clothes' event, which is titled Good Evening: How Fashion Can Empower Women. To happen at Sunmoth, Melbourne, on Thursday, March 2, it'll involve cocktails by 42Below, canapés and a panel discussion featuring fashion journo Clare Press, Ethical Clothing Australia's Sigrid McCarthy, Kuwaii's Kristy Barber and Freeset's Jeff Ward. Just some of the issues up for debate are fair working conditions, media representations of women, designing for all bodies and ethical production. Tickets, available online, include entry and a complimentary tote bag. Book before February 12 to score earlybird prices.
Take one of popular culture's biggest supervillains, throw in one of today's very best actors and add the director of The Hangover trilogy. Only a few years ago, the above sentence might've seemed like a joke. Today, it's the reality we're living in — the reality that sees a standalone Joker movie cackling its way towards cinema screens, starring Joaquin Phoenix in the titular role. Move over Cesar Romero, Jack Nicholson, Heath Ledger and Jared Leto — it's Phoenix's time to don exaggerated clown makeup, wield a killer smile and wreak havoc on Gotham City. The just-released final trailer for Joker promises plenty of all three, as failed standup comedian Arthur Fleck turns to a life of facepaint-wearing crime (and eventually obsessing over Batman, we're guessing). As directed and co-written by Todd Phillips (Old School, Starsky & Hutch, Due Date), Joker also comes with a suitably unhinged vibe, as if Phoenix's You Were Never Really Here character stumbled into Martin Scorsese's The King of Comedy. (Fittingly, the latter film plus Taxi Driver and Raging Bull have been cited as inspirations for the new DC Comics flick, and Scorsese is one of Joker's executive producers.) It also looks certain to help everyone forget that the last take on the famous villain only arrived three years ago, because who wants to remember Leto's green-haired turn in Suicide Squad? If the first and second trailers are anything to go by, it looks like Phoenix will — thankfully — follow in the footsteps of Nicholson and Oscar-winner Ledger instead, as he plays alongside his nemesis (and talk show host) Robert De Niro, his love interest Atlanta's Zazie Beetz and his mother Frances Conroy, as well as Marc Maron and Brett Cullen. But we'll have to wait till October to know for sure. If you'd like a dose of terrifying clown cinema before then, IT: Chapter Two drops next week. In the meantime, check out the final trailer below: https://www.youtube.com/watch?v=zAGVQLHvwOY Joker releases in Australian cinemas on October 3, 2019.
Time to wake your brain up from its summer slumber and get those mind grapes squeezing juice again, because the Wheeler Centre has just announced a whole slew of insanely intelligent and creative writers and thinkers will be coming to the stage in the first instalment of their 2016 program. Leading the charge will be none other than Miranda July, along with atheist author Richard Dawkins, Mona founder David Walsh and environmental activist David Suzuki. And that's just the first few months of the year. Recently read The Last Bad Man and wondered who the hell was this woman behind it? Or just fascinated by the whole persona of Miranda July? In what can't be called anything less than a coup, the celebrated writer, filmmaker, actor, artist, app maker, handbag wizard and bona fide enigma will be gracing the stage at Melbourne Town Hall for Lost Child! on Monday, March 7 — right off the back of her talk at the Sydney Opera House's All About Women. She'll be talking through her very varied and unique works, from her time as an artist in Portland to where she is now. Tackling issues of God, proof and reason will be American ethologist, evolutionary biologist and atheist, Richard Dawkins. Best known for his 2006 book The God Delusion (which understandably was a little provocative), Dawkins is apparently rigorous and remorseless in his defence of proof and reason — which should make for very interesting listening. Another interesting one will be David Walsh. The Mona founder will discuss art and why we make it on February 24, and will no doubt crack some some quotable quotes in the process. The inaugural Victorian Indigenous Literary Festival, Blak & Bright, will also be hosted at the Wheeler Centre over February 19-21, with over 20 events happening both at the centre and surrounding venues. Wheeler Centre regulars will be happy to hear that Erotic Fan Fiction is back for another year, as is current affairs series The Fifth Estate, and Question Time will be taking about the big issues of housing prices and healthcare. The Gala Night of Storytelling is also having a 2016 instalment, with All That I Am author Anna Funder, Lee Lin Chin and the Asylum Seeker Resource Centre's Kon Karapanagiotidis sharing what books have shaped their thinking. Many of the events on the Wheeler Centre program are free, but bookings are essential. For more information, visit their website.
There are moments in our everyday lives when we're jolted out of our heads and into our bodies — when we stop on our commute home to watch the sunset, or as we feel the cool wind change when we're exercising in the park. And it can feel good to appreciate living in the moment when our lives are often filled with things to do, see and achieve. What feels even better is when those worlds collide, like when you're listening to live music outdoors surrounded by loved ones and picturesque gardens, or taking to the streets as part of an art-filled movement and community. With a little help from Sunglass Hut, we've put together five events that'll help you live in the moment this summer.
When Banksy opened a hotel back in 2017, the famously elusive British artist did so with a purpose, satirising the industry while drawing attention to the political situation on the West Bank border between Palestine and Israel. Before that, when Banksy unveiled depressing theme park Dismaland in 2015, the artist also made a statement — as you'd expect in a place that featured dodgem cars run by the Grim Reaper, and a model boat pond filled with dead bodies and overcrowded asylum-seeker vessels. This time around, the well-known graffiti figure has launched an online art and homewares store, where customers can buy legitimate Banksy items straight from the source. It wouldn't be a Banksy venture without not only pressing a whole heap of topical points, but adding a few twists, of course. And yes, Gross Domestic Product delivers in both areas. Firstly, while there are currently 22 different items on the store's virtual shelves, you can't just click on everything you want, add them to your cart, type in your card details and wait for a delivery. As the site's opening statement explains, there's a registration system and a limit. Each customer (and each household) can only select one item in total — and before your purchase will even be considered, you'll need to answer a question: "Why does art matter?" Fans have until 11.59pm UK time on Monday, October 28 (9.59am AEDT / 8.59 AEST on Tuesday, October 28) to make their selection and come up with their response. Then, entrants will be selected at random and offered the opportunity to buy their chosen object. Your answer can't be more than 50 words, and it "must not be discriminatory or hateful" according to the terms and conditions. And, there'll be a judge — someone who is "impartial and independent, and a professional stand up comedian". https://www.instagram.com/p/B3ryrXJHbmy/ Yes, you're basically entering a competition to win the chance to buy Banksy pieces, which are "produced by a handful of people using recycled material wherever possible in a workplace culture of daytime drinking," the site explains. If you're still keen, each item has a fixed-price rate that Banksy deems to be well below market value — and wealthy art collectors are strongly encouraged not to apply. Everything comes with a certificate of authenticity and, as for what you can purchase, items range from the stab- and bullet-proof vest that Stormzy wore at Glastonbury, a Girl with Balloon t-shirt that comes pre-shredded, an ordinary wall clock from an office supplies store featuring a Banksy rat, and a home entertainment lighting system made from an old police riot helmet and around 650 small mirrors. With prices ranging from £10–750, perhaps you'd prefer a painted mug, a clutch bag made out of a brick, a TV with a painted Banksy piece over the screen (which "does substantially impair viewing quality", the sale description notes), soft toys caught in real beach debris and thenwall-mounted, a goldfish or a tombstone. As well as discouraging rich art folks from snapping up these goods — and noting that Gross Domestic Product reserves the right to cancel purchases if items are put up for re-sale on other sites — the store also links through to a venture called BBay. It's not up and running yet, but it describes itself as "the approved use Banksy dealership" and "your first choice destination to trade in secondhand art by a third-rate artist", so it might just be a new go-to to buy authentic Banksy pieces. Or, given how much the artist loves to rally against the unhealthy intersection of commerce and art (see last year's remote shredding prank, for example), the store and the site could just be Banksy's latest stunt. GDP does come with a disclaimer, after all: "You are advised that GDP may prove to be a disappointing retail experience — especially if you're successful in making a purchase." Image: The Art of Banksy, Olga Rozenbajgier.
It's easy to delay playing tourist in your own backyard. We've all done it, thinking that we'll head overseas now and see Australia's sights later. Looking for motivation to make 2025 the year that you finally visit some Aussie must-sees, wandering around Uluru, relaxing on Hamilton Island or touring Tasmania? Virgin Australia's latest sale on domestic flights is here to help. You've got until Sunday, March 2 to nab a discounted fare — unless they're all snapped up earlier — for flights between Wednesday, April 30, 2025–Wednesday, February 11, 2026. That gives you options for most of this year and the start of next, and across all four seasons, whether autumn, winter, spring or summer getaways best suit your schedule. Prices start cheap at $49. Where can you head? To Byron Bay from Sydney for that low fare, which covers a one-way flight. Other specials include Brisbane–Proserpine from $59, Melbourne–Launceston for the same price, Sydney–Gold Coast from $65, Sydney–Sunshine Coast from $69, Melbourne–Adelaide for $85, Brisbane–Hamilton Island from $105 and Melbourne–Uluru for $109. Or, travel from Sydney–Hamilton Island, also from $109; Brisbane–Uluru from $129; Melbourne–Perth from $189; and Brisbane–Darwin from $195. The list goes on. This sale kicked off on Tuesday, February 25, 2025 — and the cheap fares, which cover both directions between each point in the discounted route, start with Virgin's Economy Lite option. With the travel periods available, all dates vary per route. Inclusions also differ depending on your ticket and, as usual when it comes to flight sales, you'll need to get in quick if you're keen to spend some, part or even most of April 2025–February 2026 anywhere but home. [caption id="attachment_976496" align="alignnone" width="1920"] Darren Tierney[/caption] Virgin's 'Gotta get away' sale runs until 11.59pm AEST on Sunday, March 2, 2025 — unless sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Why spend your treasured lunch hour sitting in the same old spot, eating the same old sandwich? Swedes have discovered the magic of an off-beat lunch break by introducing a little mid-day clubbing. Lunch Beat, a trendy, non-profit lunchtime event, originated in Stockholm in June 2010 with a measly crowd of 14. Today, the monthly Stockholm events attract hundreds and have inspired copycat events throughout other European cities. For 100 kroner (around $15), attendees can dance to club beats beneath the flashing disco lights, enjoy a sandwich, and then return to their various jobs sweaty and energised. The party starts at noon, and lasts for an hour. "You just have to get in there and dance, because the hour ends pretty quickly," says organizer Daniel Odelstad. Lunch Beat only has two rules: no alcohol, and dance. "If you don't want to dance during your lunch hour, then you should eat your lunch somewhere else," says Odelstad. Lunch Beat draws an eclectic crowd, from the young to the old, and from secretaries to business-suited bigwigs; all have come looking for a good time. "It is absolutely fantastic!" says Asa Anderson, a coffee shop employee and Lunch Beat newcomer. "It is the first time I'm here. I'm totally happy and ecstatic, totally covered in sweat, and I'm full of energy. It does not get any better than this." [via Gawker]
It takes a lot to make great wine. It also takes a lot to successfully run a business and a happy family. So, what about when all three things are put together? We chat to three wineries in Victoria's north east that are managing to nail all three. Here are a few stories from their journey through wine, family, tradition and hard work. Brown Brothers Winery – Stories and Shiraz An old lady is fussing about in her kitchen, many moons ago. She takes four teacups and places them in the oven, just until they are too hot to touch. She takes them carefully out of the oven and places them on the table, next to a steaming hot pot of tea. In walk four of her sons. They take a chair at the kitchen table as their mother pours them a cup of tea in the scorching cups. The cups are too hot to touch. They stay that way for a while. The boys linger, telling storing, sharing tales of the family business — tales of the winery. The woman is happy. Her plan to keep them there long enough for their tea to be drinkable is working. The hotter it is, the longer they stayed. A brilliant plan. She is the mother of the Brown brothers and grandmother to Katherine and Caroline — the fourth generation of Browns and the next to take over the reigns of the well-known Brown Brothers family winery. Now picture this: three young, beautiful and driven Brown daughters are sent off into the big bad world. They must complete the non-negotiable task of working outside the family business for four years before being allowed to work within the winery. A beautiful clause, it encourages hard work and avoids entitlement. And it's worked. The daughters ooze with appreciation of the business and a keenness to continue the legacy. Brown Brothers have just relabeled their 18 Eighty Nine range, each fit with a different chair from their family table and a different tale of the family. This dry range includes a fruity Chardonnay, a Shiraz made in Heathcote and a savoury Cabernet Sauvignon. 239 Milawa Bobinawarrah Road, Milawa VIC 3678, brownbrothers.com.au Dal Zotto Wines – Practice and Prosecco Otto, Eleanor, Christian and Michael Dal Zotto are sitting around the large table in their trattoria in King Valley. While Italian voices are coming from one end and Australian accents from the other, there is no denying they are related. Mother, father and two sons. As the kitchen serves up divine, simple, sharing style Italian cooking, the wine begins to pour. A Prosecco to begin, of course. The two wine glasses in front of each person are instantly filled. Then the gentle bickering begins. Where are the rest of the wine glasses? After all, it is only right that each guest have the opportunity to taste all the wines on the table at once. After lunch, stuffed to the brim, they take their guests outside for a throw of the bocce ball, a run with the two dogs in the kitchen garden and to play with the many grandchildren that live just next door. What began as Otto and Eleanor's business — pioneering Prosecco in Australia — is now strongly ingrained in the lives of their children. Michael takes the reigns as the winemaker while Christian looks after the marketing. Spend an afternoon in their trattoria with them if you get the opportunity. The passion is tangible. 4861 Wangaratta-Whitfield Road, Whitfield VIC 3733, dalzotto.com.au Pizzini – Community and Chardonnay Roberto and Rose Pizzini, along with their three children migrated from the Northern Italian Alps to Australia back in 1955. Lost for what to do, digging potatoes became their bread and butter. This later turned into tobacco growing. None of these felt quite right to the Pizzinis. It was only when Brown Brothers planted their first grapes in the King Valley in 1978 that the Pizzini family began farming grapes. A collection of Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, Merlot, Malbec and Shiraz were farmed by Alfred and Katrina and sold to different winemaking companies around Australia. Over the next twenty years Alfred Pizzini began trying his hand at two relatively unknown Northern Italian red grape varieties — Nebbiolo and Sangiovese — and later the white Italian varietals Verduzzo, Picolit and Arneis. It was only in 1994 that Alfred and Katrina Pizzini began the Pizzini label with their signature chardonnay. As they began to build their business they realised they needed to help build up the local area as well. After a cellar door was created from tobacco drying kilns, the Pizzini's invested in three local hospitality venues around town. A little restaurant in Oxley, the Mountain View Hotel in Whitfield and finally they renovated a cottage on the property and turned it into a self-contained B&B. Fast forward to today, Katrina Pizzini running a thriving cooking school, the winery is one of the biggest in the area and the King Valley is never short of wine enthusiasts. The winemaking is now in the capable hands of their son Joel. 175 King Valley Rd, Whitfield VIC 3733, pizzini.com.au
This article is part of our series on the diverse highlights of NZ's Canterbury region, from city to snow. To book your snow trip, visit the 100% Pure New Zealand website. As someone with little-to-no coordination and balance, the prospect of skiing for the first time in my life was pretty terrifying. I honestly couldn't think of a sport that’s scarier for beginners — and I tried, multiple times — or a situation where I wouldn't be hurtling down a vertical run into a tree and/or small child. That's why I’ve always thought it lucky that, for me and every other Adult Who Can't Ski, snow sports are generally pretty easy to avoid. But with the ski season ramping up — and snow weekends already being floated by my seasoned snow bunny friends — I thought it was time to see if I would sink or swim on snow. With myself as sacrifice, and some words of wisdom from Mt Hutt's media coordinator and resident snowboarder Georgie Boyd, we headed across to one of New Zealand's most renowned ski areas (and, as it turns out, biggest mountains) to find out how to slide down a slope without losing a limb — or your dignity. Don't forget your gloves Preparation is key when it comes to skiing, mostly because it involves a lot of stuff. This is no spontaneous sport. If you don't own any snow clothes and can't borrow any from a similarly sized friend (your boyfriend's oversized pants probably won’t make things any easier, just saying), you should look at hiring proper, waterproof clothing. Mt Hutt hire out snow pants and jackets as well as boots and helmets — all of which you'll probably need as a beginner. What they don't have, though, are gloves and goggles, so make sure you you've got that covered before you get up on the mountain. Freezing fingertips don’t make for fun times. Image thanks to arquera via photopin The things you think are the easiest are actually the hardest Here's the thing: no one tells you that walking in ski boots will feel like your shin is snapping in half (which it isn't, but I still have the bruises to say that it came pretty close). Those things are painful, but they say it gets better. Apparently getting on and off the lift gets less terrifying too, but maybe that comes later. And think you can sling your skis over your shoulder like they do in the movies? Think again, noob. There's a particular trick to carrying your skis out to the snow that involves sliding them together and holding onto one of the brakes, but I'll let the ski staff show you that one. Image thanks to Paxson Woelber via photopin Don't think you don't need a lesson Sure, head up to the top of the slope with your friends and be left side-stepping up the mountain while they pass you as they go up and down the run. It's enough to ruin friendships, so heed this: experienced skiers and beginners don't match. Don't underestimate the power of getting a lesson. "The action of skiing and snowboarding isn't always common sense," says Georgie. "Taking a lesson gets you on the right track straight away and will speed up the zero-to-hero process." Contrary to popular misconception, there are plenty of functioning adults who also don't know how to ski — you'll be in a class with them, not four-year-olds (who can probably ski better than you, anyway). Image thanks to Nick J Webb via photopin It's actually not that scary Only after you've strapped on your skis and are successfully standing on a flat lay of snow will you start to feel like maybe this skiing thing isn't so terrifying. Like Georgie says, the most intimidating part for learners is the fear of going too fast and the chairlifts. Once you've mastered slowing down in a lesson (it doesn't matter how long your lesson is, even an hour or two makes a difference), then you can tackle the chairlift. "There are always lifties at the top of the lift to ensure that everyone is getting off the lift safely,” Georgie says. And to make things even easier, Mt Hutt's beginner’s area even has a conveyor belt 'magic carpet', which is the pre-chairlift training to the real deal. Image thanks to Mt Hutt, NZSki Ltd. and Patrick Fallon. It's all about pizza Not the pizza pie kind (well, maybe it can be afterwards — hell, you will have deserved two pizzas by then), but the pizza slice made by the shape of your skis. That's how you stop. For snowboarders, Georgie recommends digging in your heel-side edge will slow you down and safely control an exit off a ski lift. Best you get that one down before you take off down the slopes. Image thanks to FredrikF via photopin What not to do Whatever you do, don't look down. Even though you'll want to look down and make sure your skis are doing what you want them to, it's important that you look at what’s in front of you. There are a lot of obstacles — they're called people. On the subject of people, don't use them as props. Seriously, you grab someone on the way down and no one will look at you the same again. Image thanks to radloff via photopin Any time's a good time The best thing about being a beginner is that you don’t need a lot of snow to have a good time. While all the pros are complaining about lack of snowfall, you'll have all the snow you need. So basically, any time's a good time to start skiing, so just do it already. Image thanks to laszlo-photo via photopin Remember, there is hot chocolate and/or a good story waiting at the end of it Like this one. Image thanks to PunkJr via photopin. Feature image courtesy of Mt Hutt, NZSki Ltd. and Miles Holden.
Dress in your very best Aussie finery and make your way to the Grosvenor Hotel. The iconic Brighton Road pub is going all-out for the public holiday, offering free entry from midday and handing out Australia Day prizes for best and worst dressed. Just remember, there's a very fine line between wearing something ironically and just looking like a tool. Do it right. The radio will be tuned to triple j, of course, while all pints will be priced at $10. They'll also be offering deals on food, including $15 lamb burgers and $5 lamingtons.
Usually when moseying around Aotearoa in a campervan, tourists and locals alike are more transfixed by the spectacle out the window than the mode of transport itself. But art curator Aimee Ralfini has questioned why you can't have both and curated a whimsical art gallery-inspired campervan to help road-trippers have the ultimate immersive sightseeing experience through New Zealand's Coastal Arts Trail. If you haven't ventured along the Coastal Arts Trail, this art-lover's journey through the Manawatū, Whanganui and Taranaki regions is a must-do this summer. After five years of development, the trail was finished thanks to a funding boost from the government to help communities affected by the loss of tourism during COVID. The easy self-drive route allows drivers to hit over 50 stops along the lower west coast of the North Island, from well-known art institutions to hidden small-town gems off the beaten track. If that sounds like a bit of you, this van-art-gallery hybrid — or "Vallery" as she's affectionately named – is a great way to tackle it. The van itself is a moving gallery of over 50 eclectic works from 26 different artists, collected from the region's galleries and featuring commissions from local artists. Those that stay in the van will get to sleep under a glowing night sky thanks to a ceiling commission from Taranaki artist Gabrielle Belz. The drop-down curtains are embellished with a stunning landscape from Manawatū artist Vonnie Sterritt, meaning even at night or on misty travels you'll be surrounded by greenery. Go on a little exploration around the van and you'll find lots of smaller artworks and sculptures s from galleries along the trail, hidden in drawers and mounted in lightboxes. Even the van's groovy exterior is a work of art. Whanganui ceramic artist Ivan Vostina was commissioned to create a ceramic base made with local beach sand, which was then dipped in an ocean-inspired glaze and photographed to be the outer. It gives the van the look of being a handmade ceramic and is sure to elicit grins from other drivers – maybe when they're passing you, if we're honest. And yes, there are all the creature comforts you'd want in a campervan: comfy bench seats that convert into a bed, a small kitchen, a self-contained water system and solar panels on the roof. Ralfini is the artistic curator of 'Vallery', and says that when she was first approached about the project, she questioned if the two worlds of "fine art meets road trip" could coexist. "In the end, my curiosity got the better of me, and I absolutely love a challenge, so I couldn't resist the opportunity to make it work — I love it when art connects with people outside a traditional white box space," she said. "Vallery is a completely immersive art experience: travellers can sleep under art, dine with art and recline on art, and it's all integrated in a comfortable and practical way. We have carefully sealed and protected works, and we have translated art onto hard-wearing surfaces and fabrics so people can just relax and have fun." Vallery is an automatic, diesel van available to hire now from Quirky Campers NZ.
Following weeks of controversy around Bluesfest's decision to book Sticky Fingers for its 2023 edition, the festival has decided to remove the band from its lineup. The announcement comes after both King Gizzard and the Lizard Wizard and Sampa the Great withdrew from this year's event following the band's addition. Five weeks out from the festival, which is scheduled to arrive at North Byron Parklands across the Easter long weekend, Bluesfest has released reluctant a statement announcing that Sticky Fingers will not be performing — while also defending the controversial band. "Bluesfest cannot, sadly, continue to support Sticky Fingers by having them play our 2023 edition, and we apologise to those artists, sponsors and any others we involved in this matter through our mistaken belief that forgiveness and redemption are the rock on which our society is built," the statement reads. "The narrative that they continue to deserve to be cancelled, as well as anyone who publicly supports them, is difficult to accept, wherein a portion of society and media passes eternal judgment toward those, in this case, a diagnosed mentally ill person whom we feel doesn't deserve the continued public scrutiny he's being given." [caption id="attachment_876098" align="alignnone" width="1920"] King Gizzard and the Lizard Wizard, Jason Galea[/caption] In the two weeks following Bluesfest's sixth artist announcement for 2023, which featured Sticky Fingers, the festival experienced acts dropping out. When King Gizzard and the Lizard Wizard cancelled their appearance, it cited Bluesfest's decision to book content that conflicts with their values. "As a band and as human beings, we stand against misogyny, racism, transphobia and violence," King Gizzard and the Lizard Wizard's statement reads. "Surprised and saddened to see Bluesfest commit to presenting content that is in complete opposition to these values." The removal of Sticky Fingers is the fourth confirmed lineup change since Monday, February 20, after The Soul Rebels featuring GZA, Talib Kweli and Big Freedia were also removed from the lineup due to a separate disagreement with the festival's founder Peter Noble. Dylan Frost, Sticky Fingers' frontman, has been the subject of serious allegations which include physically threatening First Nations singer Thelma Plum and harassing a transgender woman at a Sydney pub. Frost and bassist Paddy Cornwall were also caught in an alleged brawl with each other in 2019 which saw Cornwall charged with affray. "We will now move on, put this behind us and continue to plan and present our best-ever edition of Bluesfest... proudly," continues the statement from Bluesfest, before linking to a lengthy article from The Weekend Australian about the band. The festival will continue without Sticky Fingers, The Soul Rebels, King Giz and Sampa the Great from Thursday, April 6 until Monday, April 10 with headliners including Gang of Youths, Paolo Nutini, Tash Sultana, Bonnie Raitt, The Doobie Brothers and Beck. [caption id="attachment_867504" align="alignnone" width="1920"] Kurt Petersen[/caption] Bluesfest 2023 will run from Thursday, April 6–Monday, April 10 at Byron Events Farm, Tyagarah. For the most up-to-date lineup, head to the Bluesfest website. Top image: Lachlan Douglas.
Praise be, Handmaid's Tale fans. The series' third season is due to hit the small screen in June, and the first proper trailer has arrived. Blessed be not only the fruit but the sneak peek, obviously. Revolution looks set to sweep the fictional society of Gilead in the two-minute-long clip, which follows on from the teaser released in February during the Superbowl. That fiery preview told us that it's time to wake up, and it looks like that's exactly what's happening when we rejoin this dystopian world, its creepy and oppressive way of life, and the chaotic existence of Offred/June (Elisabeth Moss) and her fellow subjugated women. Of course, meaty details about the third season are as scarce as a happy woman in red — but expect to spot Yvonne Strahovski's Serena Joy, Joseph Fiennes' Fred Waterford, Ann Dowd's Aunt Lydia, Max Minghella's Nick and new series regular Bradley Whitford as Commander Lawrence, as well as plenty of handmaids. Given how the second season wrapped up, expect the story to get even darker, too. The 13-episode series will hit soon, airing on SBS and becoming available to stream on SBS On Demand at 8.30pm on Thursday, June 6, then continuing weekly. Lucky for us Down Under, this is the same time as it'll be dropping on Hulu in the States, so hopefully no spoilers will crop up. And, there's plenty more Handmaid's Tale bleakness to enjoy this year (well, not that enjoy is necessarily the right term). Margaret Atwood, author of the original 1985 novel that started it all, is releasing a long-awaited sequel. Called The Testaments, it'll hit bookshelves comes September. Check out the new Handmaid's Tale season three trailer below — under his eye: https://www.youtube.com/watch?v=Ig3h2JdQDI0 The Handmaid's Tale's third season will screen on SBS and SBS On Demand in Australia, airing weekly from 8.30pm on Thursday, June 6.
If ice cream is a gift from the gods, then free ice cream is pure divinity. And that would make the Ben & Jerry's team martyrs, because this Sunday, July 16 they're giving out tubs of their ice cream, gratis. Think of it as a donation to your enjoyment on Earth. If you want to get in on this higher experience, Ben & Jerry's will be stationed at holy sites in Melbourne, Sydney and Brisbane. This is where they'll be: Sydney: Queen's Victoria Building forecourt (next to the statue) from 11am – 1pm, then Manly Wharf from 3–6pm. Melbourne: The entry to Luna Park, St Kilda from 12–4pm. Brisbane: 168 Grey Street, South Brisbane from 1–3pm. All up, they've got 20,000 tubs to give away, including cult favourites like salted caramel, the caramel core Karamel Sutra and Chubby Hubby, which has fudge-covered pretzels and peanut butter swirls. The giveaway will celebrate International Ice Cream Day and the brand's new partnership with food delivery service Foodora. It's a great week for cheapskates, as Lord of the Fries is also giving out no-charge chips on Thursday in Sydney and Melbourne, and Brisbane's new Lucky Egg West End is doing free fried chicken burgers on Saturday and Sunday. The Ben & Jerry's Big Tub Giveaway will take place on Sunday, July 16 in Sydney, Melbourne and Brisbane. For more info, visit their Facebook page.
Just look at that hair. This large-scale installation — which not-so-subtly resembles the dome of Donald Trump — is the work of Canadian-born visual artist Callum Morton. Titled Monument #32: Helter Shelter 2018, the giant protruding head is now on display along Barangaroo Wharf, and you're welcome to sit inside its cavernous fiery interior, too (if you feel comfortable doing so). Morton's thought-provoking and shelter-providing sculpture is on display along with two other works as part of Carriageworks' annual art fair, Sydney Contemporary. Joining the head is Cameron Robbins' installation Remote Sensor, which combines elements of nature, wind, the tides and light in a series of drawings, photographs and moving images that will take residence along the Barangaroo foreshore. If you visit at the right time, you might also catch Mel O'Callaghan's breath-based performance, Breath repertoire. O'Callaghan and Sydney Dance Company will perform an intense movement-focused performance that uses intersecting graphic lines as a language and musical score for the dancers at 12.30pm on September 6, 7 and 13 at Barangaroo's Exchange Place. All three installations are free to view and will be on display until September 24. Sydney Contemporary will return to Sydney for its fourth year on the weekend of September 13–16. The lineup is overflowing with performances, exhibitions, tours, talks and afterparties that celebrate both homegrown and international art. The installation works at Barangaroo for Sydney Contemporary are now open from August 31 through September 24. Check the website for more information.
On September 10, Sydney staged for a huge public rally through the city streets, flying rainbow flags (and dogs) to demand marriage equality and a 'Yes' vote. And now, on Sunday, October 22, Melbourne will do the same. It will be one last rally to urge the country to vote affirmative before the ballot closes on November 7. So send off your vote and get marching. Support group Equal Love is running the rally, urging Australians to campaign for a 'Yes' vote and support all LGBTI+ Australians. Starting at the State Library of Victoria at 1pm, the march will then snake up to Alexandra Gardens for a series of speakers and live performances. With the majority of Australians (a whopping two-thirds) supporting marriage equality, the rally should be stacked. Wear rainbow. Be loud. Images: Letícia Almeida.
In 2017, Australia scored a brand-new arts festival: Asia TOPA, aka the Asia-Pacific Triennial of Performing Arts, which fills Melbourne venues with a banquet of Asian arts and culture. Then came the early days of the pandemic, putting the event on hiatus since 2020. Thankfully, that gap is ending in 2025 — and bringing a lineup featuring 33 performances, 18 of which will make their world premiere, to locations across the Victorian capital. Asia TOPA is announcing its roster for Thursday, February 20–Monday, March 10, 2025 in stages, with its performance strand its headline program, as well as the first to unveil its details. One big highlight, which was revealed in October: KAGAMI, a mixed-reality concert experience that lets audiences watch a virtual avatar of the late, great Japanese composer Ryuichi Sakamoto at the piano. Making its southern-hemisphere premiere at the festival, the production sees attendees don headsets, enjoy ten original Sakamoto compositions and pay tribute to the music icon. KAGAMI heads Down Under after seasons in New York and UK, and also Singapore prior to Asia TOPA. [caption id="attachment_979460" align="alignnone" width="1920"] Tin Drum[/caption] Another of the fest's standouts was also unveiled before the full performance lineup drop — and it's another event with an interactive element. Home Bound by Daniel Kok and Luke George is asking a variety of Melbourne communities to come together to make a woven installation that'll transform Arts Centre Melbourne's forecourt. Whether you take part or not, the results will be a sight to see. Just announced in Asia TOPA's opening-night slot: Milestone from William Yang. As he'll also do at 2025's Sydney Festival, the now 80-year-old artist will reflect upon his life at the one-night-only event, with his photos and stories paired with a new score by Elena Kats-Chernin performed live on stage. In Melbourne, Milestone is headed to Hamer Hall — and the Melbourne Symphony Orchestra will also be part of the show. [caption id="attachment_979461" align="alignnone" width="1920"] George Gittoes[/caption] Dance company Chunky Move joins the lineup with U>N>I>T>E>D, which will take to the Sidney Myer Music Bowl stage, feature techno beats inspired by Javanese trance and gamelan, and feature six dancers wearing exoskeleton costumes. At Arts Centre Melbourne's Playhouse, Yolŋu, Paiwan and Amis artists hailing from North East Arnhem Land and Taiwan will join forces for cross-cultural collaboration Gapu Ŋgupan (Chasing the Rainbow). And Chinese mourning rituals provide the spark for Mindy Meng Wang and Monica Lim's Opera for the Dead (祭歌) at Space 28 at the University of Melbourne. Patrons can also look forward to Ane Ta Abia, a choral concert featuring singers and musicians from Papua New Guinea and Australia; the tunes, lasers and projections of Oblation by Tamil Australian electronic composer Vijay Thillaimuthu; queer Indigenous arts collective FAFSWAG's dance piece SAUNIGA; and an ode to cute animals via theatremaker Ran Chen's Tiny, Fluffy, Sweet. Or, there's also the return of A Nightime Travesty after its YIRRAMBOI Festival 2023 sellout run, Yumi Umiumare's ButohBAR 番狂わせ OUT of ORDER II turning Abbotsford Convent into a nightclub and family-friendly puppet show Goldfish. [caption id="attachment_979462" align="alignnone" width="1920"] Cam Matheson[/caption] With the NGV about to go dotty for Yayoi Kusama — starting to already, in fact — for it summer blockbuster exhibition, Melanie Lane's Pulau (Island) is another of Asia TOPA's must-sees. Specifically commissioned for the festival, it's a site-specific response that'll be performed beneath Kusama's Dots Obsession installation, and it's only on the program for two days. "I hope this edition of Asia TOPA resounds with the resilience, joy and creativity of the artists from our region. We want the triennial to be a way for people to build new connections and imagine new futures," said Asia TOPA Creative Director Jeff Khan, announcing the performance strand program. "I hope you join us for this celebration of the inspiring artistry, ideas and possibilities that are so unique to Asia-Pacific art and culture." [caption id="attachment_979463" align="alignnone" width="1920"] Gianna Rizzo[/caption] [caption id="attachment_979464" align="alignnone" width="1920"] Chen Chou Chang[/caption] [caption id="attachment_979465" align="alignnone" width="1920"] Michael Pham[/caption] [caption id="attachment_979466" align="alignnone" width="1920"] Dewie Bukit[/caption] Asia TOPA 2025 runs from Thursday, February 20–Monday, March 10, 2025 at venues across Melbourne. Head to the festival's website for more details and tickets. Top image: Samuel James.
Melbourne's NGV International will celebrate the unique designs and lasting legacy of fashion icon Christian Dior, in a world premiere exhibition launching in August next year. Running from August 27 to November 7, The House of Dior: Seventy Years of Haute Couture will be one of three major surveys of Dior's groundbreaking work, alongside exhibitions in Paris and New York. The Melbourne show will include more than 140 show-stopping garments, stretching the length and breadth of the label's extraordinary history. "Highlights of the NGV's House of Dior exhibition will include one of the few surviving examples of Christian Dior's New Look collection, which revitalised women's fashion in the post-war era," said gallery director Tony Ellwood while announcing the exhibition at a launch event earlier today. "And of course it wouldn't be a Dior exhibition without their sculptural tailoring, their signature ball gowns and their glamorous evening dresses which have become synonymous with the fashion house." "Audiences will discover the nuances of Dior's fashion design, and observe the ways in which these have evolved through the decades. The exhibition will also celebrate the milestones of Dior's six successive designers," he added. A key element of the exhibition will be an exploration of Dior's historic 1948 spring fashion parade at David Jones in Sydney, considered to be the first complete Dior collection to be shown outside of Paris. The exhibition will also tie in with the gallery's first ever Gala Ball. "Think Met Gala, but with a Melbourne sense of style," said Ellwood. Speaking at the launch, Victoria's Minister for Creative Industries Martin Foley called the exhibition "a major milestone for the gallery, for Dior and for our city." "The creativity and imagination of Christian Dior, the depth of his vision, and the range of his skills, could find no better city, and no better partner gallery, for a retrospective display, than Melbourne's National Gallery of Victoria," said Mr. Foley. The House of Dior: Seventy Years of Haute Couture will run August 27 to November 7 at NGV International. Image: National Gallery of Victoria and House of Dior announce House of Dior: Seventy Years of Haute Couture at NGV International, August 2017. Shot by Wayne Taylor.
Melbourne has been a real pageant queen lately, having now been crowned Miss Most Liveable City for seven years in a row. We've all seen the glossy shots of laneway cafes and Federation Square that we're known for, and it's true that Melbourne looks great under the sun. But locals know that after dark is when Melbourne truly shines. The city's nightlife is the best on offer in Australia at the moment, and with public transport running all night on weekends, you can enjoy it even more. Instead of waiting out surges, jostling for cabs or sharking innocent pedestrians in an attempt to nab a park, jump on a late-night tram, train or bus and own the night. There's so much on offer at all hours of the eve, and we've got some tips to help you get to know the darker side of Melbourne. SUNSET AT THE BEACH Start your night by jumping on the 96 tram and heading to St Kilda beach. Grab an ice cream or pastry along Acland Street (don't worry about eating dessert before dinner — there are no rules tonight) and head to the sand to sit back and watch as the sun goes down and Luna Park lights up. People-watching is the name of the game here, and dusk is the time of day when all the kookiest subjects come out to play. COCKTAILS AND JAPANESE WITH A TWIST When you've brushed all the sand out of your crevices, it's time to eat. Jump on the 5 tram to Chapel Street, get off at stop 32, and wander down Chapel Street as it comes alive for the dinner rush. Head to Mr Miyagi for dinner, a southside favourite. They don't take bookings for groups of five or less, which is excellent news for cocktail lovers. Wait for your table in their adjacent bar, Yukie's, and sample from their experimental cocktail menu — try the salted watermelon martini garnished with Midori-infused faux olives. Once you're installed at Mr Miyagi's, try their signature snack: the salmon nori taco with grilled salmon belly, sushi rice and spicy mayo, all wrapped up in a seaweed case. Excellent fuel for the long night ahead. POST-DINNER ROOFTOP FEATURE Once you're sufficiently stuffed, prepare your bod for a digestive respite. Head to Windsor Station to get the train to Flinders Street Station. From there, jump on a tram heading up Swanston Street (heck yeah, free tram zone), get off at Bourke Street Mall and head to Rooftop Cinema. For the next few months, they'll be running a cinema program on the roof of the Curtin House building. It features a good mix of cult classics, new releases, deckchairs and a killer view of the city — it's the perfect intermission for your late-night antics. POOL, CRAZY MILKSHAKES OR AFTER-HOURS BOWLS Once you've fully digested both film and food, it's time to kick it up a notch. You have a few options. Take the 86 or 96 trams out to Fitzroy and stop in at the Red Triangle Pool Hall on Argyle Street. Play a few games of pool, and to keep it interesting, make it so the loser buys the winner one of Red Triangle's disgustingly indulgent milkshakes. But if you like your balls close to the ground, stay on the tram a little longer and head up to Fitzroy Bowls Club — it stays open until 10pm and is fully licensed. We recommend booking ahead to guarantee your spot. MIDNIGHT CBD BAR HOPPING Once you're deep in the night, jump on the 86 or 96, and head back into the city. From here, you can choose your own adventure depending on how you feel. We recommend Boilermaker House on Lonsdale for excellent craft beer; Heartbreaker on Russell for pizza, dancing and more pool; Siglo on Spring Street for pure class; Gin Palace down Russell Place for quiet, sexy ambience; or New Guernica to get heavy. Or better yet, take advantage of that free tram zone and stop in at them all. LATE NIGHT KARAOKE No late night is complete without a spot of karaoke. If you need privacy to belt out your heartfelt rendition of When Doves Cry (no judgement — we respect your craft), head to KBOX on La Trobe and book yourself a booth. If you know no shame and want the world to hear your siren song, head to Jankara Karaoke. This tiny, weird karaoke bar on Russell Street is always packed full of people who have no business doing karaoke, but who do it anyway and with unbridled enthusiasm. [caption id="attachment_639262" align="alignnone" width="1620"] Anwyn Howarth.[/caption] EVENING'S END EATS When the night is wrapping up, the sun is peeping over the horizon and you're in serious need of a snack, late night food options are abundant in the city. Shujinko on Russell is 24-hours and Stalactites, everyone's favourite late-night souvas slinger, is also open 'round the clock. And if you need a pick me up, Little Bean Blue on Little Collins opens at 6am, ready to caffeinate you so you don't fall asleep on the tram home — that's definitely not a good look. Whatever you're planning for the weekend, whether it's staying out after midnight or up until dawn, the Night Network will take you wherever you need to go — and then get you home again. Lead image: Brook James.
First, the bad news for Marvel Cinematic Universe fans: the reports about the big- and small-screen franchise starting to space out its output are coming to fruition with its next big streaming series Echo. Now, the good news: the five-part miniseries just released its first trailer, and promises rage, darkness, focusing on a superhero who is deaf, bringing back Kingpin and also dropping its entire season at once come January. Echo was previously locked in for a November release, as one of two MCU shows due to stream this spring. While the first series on that list, the second season of Loki, did indeed arrive as planned, Echo has now been pushed to 2024. Hopefully good things will come to those who wait, with this Hawkeye spinoff slated for Wednesday, January 10. While Maya Lopez (Alaqua Cox) is at Echo's centre — as first seen in Hawkeye, she's the gang leader who is deaf that had Clint Barton in her sights for a stint of revenge — the show's debut trailer gives narrating duties to Kingpin (Vincent D'Onofrio, Dumb Money) to set a brooding tone. "You have so much pain in you, so much rage, that you can't contain it," says the character also seen in Hawkeye, and before that in Daredevil as well. "You and I are the same," Kingpin continues amid sound design that lives up to the show's moniker. When all five instalments of Echo hit at once, the series will enjoy a first for the MCU on streaming. As viewers who've been watching along since WandaVision's small-screen arrival know, Disney+ usually drops a few episodes at once for each MCU entry, then unfurls the rest weekly afterwards ‚ but this one will arrive all at once on the same day. Story-wise, Echo follows Maya as Kingpin's criminal empire chases her down — and as the initial sneak peek illustrates, that ties in with her past. So, yes, this is an origin story. Also featuring alongside Cox and D'Onofrio: Chaske Spencer (The English), Tantoo Cardinal (Killers of the Flower Moon), Devery Jacobs (Reservation Dogs), Cody Lightning (Run Woman Run), Graham Greene (The Last of Us) and Zahn McClarnon (Dark Winds). Check out the trailer for Echo below: Echo will stream via Disney+ from Wednesday, January 10, 2024. Images: Chuck Zlotnick. ©Marvel Studios 2023. All Rights Reserved.
When you're whipping up a batch of cookies, do you spoon your creations onto the tray and pop them straight into the oven, or do you sneak a taste of the delicious, uncooked dough? We all know that we should say the former — and we all really do the latter. Eating the mushy morsels we'll call pre-bikkies is frowned upon thanks to that little thing called food safety; however New York's newest cafe has the solution. Dō makes their cookie dough from pasteurised eggs and heat-treated flour that ensures those gorging on their products won't get ill. After selling their wares online, they've branched out into the bricks-and-mortar space, setting up shop in Greenwich Village. https://www.instagram.com/p/BPfiYFHF0m4/?taken-by=cookiedonyc There, you'll find scoops of dough, served with or without ice cream, plus sundaes, ice cream sandwiches and cookie dough milkshakes. Pick from flavours such as sugar cookie, brownie batter, salty and sweet, cake batter and peanut butter snickerdoodle — from a range of five classic, eight signature and three seasonal varieties — then indulge in guilt-free gooeyness. Baked snacks such as actual cookies, cookie sandwiches, and cookie cakes are also available, but where's the fun in that? Or, try cookie dough fudge, cookie dough ice cream pie, cookie dough brownies or a cookie bomb — which looks like a cupcake, but is actually dough and frosting. Yum. Via Food and Wine.
Thought gin was just a balmy summer bev? This winter, riverside bar Pilgrim invites you to rethink that old cliche, as you sit down to one of its new gin-matched high tea sessions, primed for the crisp afternoons to come. Kicking off Thursday, May 27 in collaboration with gin festival Juniperlooza, the new high tea series is set to run Thursday–Sunday through the cooler months from 12pm–6pm each day. You'll be able to book in for an indulgent feast of sweet and savoury delights, paired with a whole slew of drinks for a bargain $65 per person. Not only is free-flowing sparkling wine promised, but in a nod to the winter temperatures, you'll also enjoy four signature tea-inspired gin cocktails. Think: warm serves of Brookies Byron Slow Gin with apple and chai, or Alchemy's Chamomile Gin finished with a touch of pineapple and lemon. Regular tea is also included in unlimited amounts for the tea-lovers out there, and you can opt for non-alcoholic gin varieties if you're taking a break from the hard stuff. The high tea sessions run for two hours each and are available for groups of two or more.
UPDATE, June 10, 2021: Before the lockdown ends, the Victorian Government has changed the mask rules that'll come into effect from 11.59pm on Thursday, June 10. Under this change, which stems from updated public health advice, masks will still be mandatory outdoors. Face masks have been compulsory again in Melbourne, both indoors and out, for a few weeks now, with the mandate coming back into effect in late May in response to the city's latest COVID-19 outbreak. That requirement has remained in place during the city's two-week lockdown, in fact — but with stay-at-home conditions set to ease, mask rules are changing as well. You'll still be covering up indoors, with masks remaining mandatory inside. From 11.59pm on Thursday, June 10, however, the rules are changing outdoors. So, you won't have to wear them outside if you can maintain a 1.5-metre distance from other people while you're getting some fresh air. If you can't, you'll need to keep masking up. Obviously, you'll still always need to have a mask with you — even if you're heading out for a stroll and no one else seems to be about. You can expect to see more folks around, too, given that the city's five reasons to leave the house are being scrapped when lockdown ends. https://twitter.com/JamesMerlinoMP/status/1402444545082593281 While you're venturing out of the house for whatever reason you like — and possibly going mask-free if there's no one around you outside — you will still need to stick to a 25-kilometre radius. Yes, the bubble is expanding. Other changes that are coming into effect include gathering outdoors with up to ten people, and being able to eat in at hospitality businesses again. You still can't have anyone over to your house, though. If you're wondering where to grab a fitted mask, we've put together a rundown of local companies making and selling them. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website.
No one plays with a Barbie too hard when the Mattel product is fresh out of the box. As that new doll smell lingers, and the toy's synthetic limbs gleam and locks glisten, so does a child's sense of wonder. The more that the world-famous mass-produced figurine is trotted through DreamHouses, slipped into convertibles and decked out in different outfits, though — then given non-standard makeovers — the more that playing with the plastic fashion model becomes fantastical. Like globally beloved item, like live-action movie bearing its name. Barbie, the film, starts with glowing aesthetic perfection. It's almost instantly a pink-hued paradise for the eyes, and it's also a cleverly funny flick from its 2001: A Space Odyssey-riffing outset. The longer that it continues, however, the harder and wilder that Lady Bird and Little Women director Greta Gerwig goes, as does her Babylon and Amsterdam star lead-slash-producer Margot Robbie as Barbie. In Barbie's Barbie Land, life is utopian. Robbie's Stereotypical Barbie and her fellow dolls genuinely believe that their rosy beachside suburban excellence is infectious, too. And, they're certain that their female-championing realm — and them being female champions of all skills, talents and appearances — has changed the real world inhabited by humans. But there's a Weird Barbie living in a misshapen abode. While she isn't Barbie's villain, not for a second, her nonconformist look and attitude says everything about Barbie at its most delightful. Sporting cropped hair, a scribbled-on face and legs akimbo, she's brought to life by Saturday Night Live great Kate McKinnon having a blast, and explained as the outcome of a kid somewhere playing too eagerly. Meet Gerwig's spirit animal; when she lets Weird Barbie's vibe rain down like a shower of glitter, covering everything and everyone in sight, the always-intelligent, amusing and dazzling Barbie is at its brightest and most brilliant. This film has much to do, as a Mattel- produced affair that also skewers the brand, and both dotes on and parodies all things Barbie, must. The more askew it gets and revels in it, the better. Indeed, in a movie that not only overflows with a feminist perspective, but pokes glorious fun at the patriarchy — plus 90s male-fronted rock, car and horse obsessions, and men competing and one-upping each other (side note: do Kens have genitalless bulge-measuring contests?) — it throws in a glaring clash that couldn't serve the picture better. Barbies can be anything, be it President (Issa Rae, Insecure), a doctor (Hari Nef, Meet Cute), a diplomat (Nicola Coughlan, Bridgerton), a Nobel Prize-winning physicist (Emma Mackey, Emily), an author (Alexandra Schipp, tick, tick... BOOM!), a Supreme Court justice (Ana Cruz Kayne, Jerry and Marge Go Large), a journalist (Ritu Arya, Polite Society), a lawyer (Sharon Rooney, Jerk) and a mermaid (Dua Lipa, making her movie debut). They can also nearly have the film stolen from them by a Zoolander-esque himbo Ryan Gosling (The Gray Man) at his absolute funniest as Stereotypical Barbie's yearning Ken. Before Ken's stunning late-film, go-for-broke, 50s-musical-adoring song-and-dance number that deserves all of the awards, including for Gosling putting his crooning to use again post-La La Land and loving it, Barbie has to derail the Barbies' constant rotation of best days ever. Gerwig and her Greenberg, Frances Ha, Mistress America and White Noise helmer Noah Baumbach, who co-writes here, wouldn't have a storyline otherwise. Together and apart, the duo has a stellar pedigree in conveying the disappointments of simply being, a notion they pull back out of the box. For Stereotypical Barbara Millicent Roberts, her idyll shifts when her giant blowout party with all the Barbies, planned choreography and a bespoke song sparks thoughts about death for the first time. Next comes messy hair upon waking, burnt breakfast, a fall from her DreamHouse to her car — rather than floating down like a hand is airlifting her — and suddenly unarched feet that can't handle high heels. Only Weird Barbie has an inkling of what's going on, guiding Stereotypical Barbie to the real world to seek out whoever's playing with her, discover why they're less than blissful and fix that human to fix herself. Los Angeles, here she comes — to rollerblade in neon as everyone has known since 2022, and with Ken tagging along. Gosling's Ken is only one Ken, of course. Simu Liu (Shang-Chi and the Legend of the Ten Rings), Kingsley Ben-Adir (Secret Invasion), Ncuti Gatwa (Sex Education) and Scott Evans (Grace and Frankie): they're other Kens. John Cena (Fast X) is a Ken mermaid. Michael Cera (Black Mirror) is Alan, and he's unique. In Barbie Land, everyone who isn't Barbie — even Midge (Emerald Fennell, The Crown) — sits in the Barbies' shadow. When, as they meet Mattel employee Gloria (America Ferrera, Superstore), her teen daughter Sasha (Ariana Greenblatt, 65) and the company's CEO (Will Ferrell, Spirited), Barbie and Ken learn that reality doesn't mirror that setup, their glossy polymer bubble bursts. Weathering a surreal existential crisis or not, and even being the butt of one of narrator Helen Mirren's (Shazam! Fury of the Gods) many wry jokes by name, Robbie is sparkling, warm and sincere. There's nothing PVC about her performance, which is equally light and heartfelt — and still gives Gosling all the room that he can thrust his spray-tanned chest into to deliver a hilarious physical comedy masterclass (and, although Robbie led Babylon, sometimes sashay like he's in Hollywood's Golden Age). Robbie, and Gosling also, keep shimmering when the film feels a touch careful, or falls slightly and briefly flatter. They're the sublime antidote when Barbie stresses that it's lampooning, rather than just doing it. And, though playing characters with painted-on fridge contents (her) and "just beach" as a job (him), they're what makes the movie feel wonderfully real and earnest even when — especially when — it's at its goofiest and silliest. Gerwig has directed a lively, zany, oh-so witty and pretty Barbie flick that's perfectly cast, a costuming showcase and, in Barbie Land, a production-design dream. With Baumbach, she's penned a knowing, mile-a-minute, meta-but-meaningful film that's a tribute and a takedown — happy celebrating Barbie's aspirational role and place in history since 1959, while calling out corporatised girl power, mainstream beauty standards, the ridiculous expectations placed upon women (basically dropping a sequel to Gone Girl's "cool girl" speech, in fact) and capitalism's intellectual property-hungry quest for control. Sometimes, the fingers that are moving Barbie's pieces are a touch too evident, pushing hard instead of just playing hard. Sometimes, they're a tad timid. Thankfully, these are minor issues, like choosing who Barbie should be when the possibilities are endless. This film's charms aren't quite infinite, but they're as ever-present as pink, pink and more pink in an ambitious, inventive and joyously entertaining movie that gave the world a fuchsia paint shortage.
Purrfect news, feline fans: everything a dapper doggo can do, a cute cat can as well. While that's an accurate statement in general, as anyone who has ever shared their life with both a pooch and a kitty will know, it's also the thinking behind Melbourne's returning animal event. From the folks behind the Dog Lovers Show comes the mouser equivalent: the Cat Lovers Show. If you wear the 'crazy cat person' label as a badge of honour, stop to pat every moggie you meet while you're walking down the street or spend your all of your spare time watching cat videos (or all of the above), then you'll want to block out Saturday, November 30 and Sunday, December 1 in your diary. Expect Carlton to come alive with the sounds of meows, with the event taking place at the Royal Exhibition Building on Nicholson Street. On the agenda: feline-focused education and celebration. Before you go thinking about adorable kitties wearing glasses and sitting at desks, or popping streamers and wearing party hats (awwwwwwwww), humans will be doing the learning and rejoicing. Really, what's more informative and exuberant than entering the Pat-A-Cat zone and getting cosy with cats of all shapes and sizes — and possibly taking one home with you? Watching a cat talent show or getting comfy at the Cat Cinema comes close, obviously. If that doesn't tickle your whiskers, attendees will also be able to take a purrfect match quiz to find out which type of cat suits them best, meet different breeds, listen to talks by experts and browse more than 120 stalls. You can get also get pampered while having a drink at the Purrfect Paws & Prosecco Parlour, and tuck into a cat-inspired food menu. Just remember: there'll be plenty of mousers in the Cat Lovers Show house, so you'll need to leave your own moggie at home.
Whether she's blowing up brightly coloured pumpkins to larger-than-life size, creating mirrored infinity rooms or asking art lovers to put dots on everything, Yayoi Kusama's work has always had an immersive quality. That feels especially true when you attend one of the Japanese artist's shows around the globe, or visit her dedicated Tokyo museum; however her next huge project will take the notion to another level. In a site-specific exhibition exclusive to the New York Botanical Garden, Kusama's art will feature across The Bronx site's entire 250-acre location — both inside and out. Attendees won't just walk through multiple halls filled with her work, or mosey around an entire gallery. Rather, in a multi-sensory experience, they'll wander around the whole grounds, spying her pieces not only placed on walls and floors everywhere, but mixed among the natural wonders outside. When the showcase kicks off in 2020, running from May 2 to November 1, visitors can expect a host of Kusama's beloved works, plus brand-new items created specifically for the venue. That includes her famous mirrored environments, her polka-dotted sculptures and her giant floral pieces, as well as her nature-based paintings, botanical sketches, collages and soft sculptures. A horticultural showcase is also on the agenda — it is happening at a botanical garden after all — which'll be based on one of her massive paintings. Much to the joy of long-term Kusama fans, a new site-specific pumpkin will pop up, too. [caption id="attachment_732283" align="aligncenter" width="1920"] New York Botanical Garden, Robert Benson[/caption] As well as marking the first-ever large-scale exploration of the acclaimed artist's overflowing fondness for the natural world, the New York Botanical Garden exhibition will feature Kusama's first-ever participatory greenhouse installation. In the kind of news that aims to tempt folks along more than once or twice, it'll transform over the course of the exhibition based on audience interaction. The show's length is designed with the same goal in mind, with the seasons changing from spring to summer to autumn during its duration, each adding a new tone to Kusama's work. If you've been pondering making New York travel plans for next year, you now have some new motivation. Yayoi Kusama's exhibition at the New York Botanical Garden will run from May 2, 2020 to November 1, 2020. Keep an eye on the site's website for ticketing and further details once they're announced.
