UPDATE Thursday, June 17: Under current COVID-19 restrictions in Australia, there are various interstate border restrictions in place. Check out the latest information regarding travel to Tasmania over at the Tasmanian Government's website. Melbourne's current 25-kilometre travel cap lifts at 11.59pm tonight, June 17. Victorians can find information on local restrictions over on the Victorian Department of Health and Human Services website. Of course, even border closures don't mean you can't start dreaming — bookmark this for when you can explore freely once again. Winter is an area where Tasmania truly excels. While the rest of the country might shiver through a mild chill or a few rainy, foggy months, the island has the full snow-and-frost experience, the kind you can properly bundle up for in your thickest of woollen socks and jumpers. Enjoy the clear, sharp bite of winter on your skin during a brisk walk with soul-stirring views then thaw by a crackling fireplace with a dram of whisky in hand — Tassie is the perfect spot for getting toasty. So, we've compiled a guide for making your southern winter jaunt a heart-warming and cosy one. There's something for everyone — from the irrepressibly outdoorsy to the decidedly indoorsy folks who crave the convivial warmth of a great big gathering. Whether you prefer to get rosy-cheeked by getting your blood pumping or rely on good old fashioned firewater to do the job, Tasmania is an island of winter-warming opportunities. [caption id="attachment_721394" align="alignnone" width="1920"] Eagles Nest Retreat and Summer Rain Photography.[/caption] STAY SOMEWHERE WITH AN OUTDOOR HOT TUB Stripping down to your birthday suit in the great outdoors may not sound like an ideal way to get warm, but hear us out. You can luxuriate comfortably in an openair spa bath at your own private retreat while immersing yourself in the sights and sounds of nature. A steaming, saltwater timber hot tub on the wilderness deck at Aerie Retreat offers a secluded view over Bruny Island and Storm Bay — perfect for eagle-spotting — plus, sauna and a firepit. Those looking for a little luxury (and seclusion) will find it at Thalia Haven, which has outdoor bathtubs overlooking Great Oyster Bay. If you yearn for mountain vistas instead, book one of the 'nests' at Eagles Nest Retreat near Cradle Mountain or head to Pumphouse Point, an adults-only wilderness retreat nearby. (Re)treat yourself this winter and make your hot-tubbing a little wilder. [caption id="attachment_619649" align="alignnone" width="1920"] Dark Mofo festival.[/caption] PARTY AT A WINTER FESTIVAL Nothing's warmer than the collective heat of an enthusiastic crowd, so get yourself to one of Tasmania's great winter festivals. First up is Dark Mofo (June 16–22), the annual revelry of fire, feasting, music and challenging new art that takes over MONA and the city of Hobart is making its triumphant post-pandemic return. Catch world-class performers and avante garde acts or brave the naked solstice swim. The Festival of Voices (June 30–July 11) in Hobart is Australia's most significant choral festival, complete with performances, workshops and a huge bonfire sing-along in Salamanca. Plus in July, there's the Huon Valley Mid-Winter Fest, celebrating the depths of winter with costumes, warm apple cider and plenty of convivial gatherings. And finally, for lovers of firewater, Tasmanian Whisky Week (August 9–15) gives you a behind-the-scenes look, with distilleries opening their doors for tours and events, sharing their stories and offering exclusive tastings. [caption id="attachment_719392" align="alignnone" width="1920"] Rocky Cape Circuit Track, Rocky Cape National Park by Jess Bonde.[/caption] HIKE YOUR WAY WARM IN THE GREAT OUTDOORS If you can't sit still inside and need to sweat out the cabin fever, there are winter-appropriate walking routes throughout Tasmania. The Three Capes Track is a three-day journey with well-appointed, insulated shared cabins along the way, so you don't have to haul along all your camping gear. Guided track walks can also take in the Port Arthur Historic Site, while Rocky Cape National Park has a number of short walks with varying levels of difficulty, taking you along the majestic, sweeping coastline overlooking Bass Strait. For Hobart daytrippers, it's worth heading to the Hastings Caves State Reserve to experience the misty winter forest, bathe in natural thermal springs and explore dolomite caves for a different adventure out of the weather. Because of the pandemic, some of the tracks require bookings, so check the website before you head out. HEAD INDOORS FOR A COCKTAIL OR WINE One of the special joys of winter is getting properly toasty, cosy and rugged up and popping into bars for a soul-warming cocktail or wine. And, happily, Tasmania has plenty of them. In Hobart, you can pop into Tom McHugo's for fun things (like confit albacore and zucchini) on toast and a locally made beer, to Dier Makr or sibling bar Lucinda for minimal intervention wines and to Sonny for a bowl of prawn paccheri and acoustic entertainment in the form of spinning vinyls. Just out of the city in New Norfolk, you'll find some of the country's best potato cakes (or scallops, if that's your preferred name for them) and a menu of other delicious locally grown produce, plus plenty of wine, at The Agrarian Kitchen. Over in Launceston, we suggest you head straight for Geromino and order a plate of cacio e pepe croquettes and a warming cherry-tinted manhattan. [caption id="attachment_719391" align="alignnone" width="1920"] Shene Estate and Distillery's roadside stall by Samuel Shelley.[/caption] STOP BY A DISTILLERY FOR A TIPPLE TO SIP LATER Nothing puts a fire in your belly quite like a dram, and when it comes to spirituous liquors, Tasmania has some of the finest. The historic Shene Estate may channel old-world aristocracy with neo-gothic architecture and polo games, but it also welcomes visitors for tours and tastings of its award-winning spirits — including Poltergeist gin and Mackey single malt whisky. Southern Wild Distillery produces Dasher + Fisher gin from the snowmelt rivers that pass by to create their Mountain, Meadow and Ocean varieties with uniquely local flavours. For some country-style cooking to go with your whisky, head to Old Kempton Distillery for a cellar door experience in a heritage 19th-century coaching inn. Top image: Dark Mofo's Winter Feast, shot by Rémi Chauvin.
Three months after closing its doors on the 55th floor of Rialto Towers, celebrated fine-diner Vue de monde is reopening with a whole new fit-out and menu. The adjoining Lui Bar is also back with a brand-new look and an expanded drinking area. During the break, Executive Chef Hugh Allen worked with his team to do a major update on the French-inspired food offering. "We've been working on the changes to Vue de monde and Lui Bar for a few years now, and it is wonderful to see everything come together. Taking a few months away from the day to day has helped us create what we believe are really special menus across the restaurant and the bar," Allen notes. Dishes from the opening menu are set to include grilled lamb sweetbreads with asparagus topped with a sauce made of fermented macadamia; padrón peppers filled with heirloom eggplant; and marron tail slowly grilled and served with a paste made from fried native herbs and accompanied by a warm marron roe custard. Wine continues to receive ample love here, as director Dorian Guillon and head sommelier Mathieu Gobin run Vue de monde's phenomenal, award-winning wine program comprised of 2,000 bins, hailing from both Australia and around the globe. When sitting down to eat, guests will still gather around the signature tables made by designer Ross Didier and kangaroo hide tabletops designed by Theo Hassett. But the rest of the interiors have been redone, mostly featuring luxe black and timber finishes. Restraint remains as the views across the city are the true star of the show up at Vue de monde. That goes for Bar Lui as well, which is now situated on the eastern and southern wings of the tower. The larger space is designed similarly to the Vue de monde dining room, yet with more natural finishes — think timber, marble, sheep skin and natural brass. Allen has developed a larger menu of snacks here, featuring Sydney rock oysters, Blackmore wagyu ribs and caviar service for the extra bougie folks out there. Lui Bar's manager Elisabetta Lupi has also curated a new cocktail list focusing on sustainability and native ingredients. Lupi's favourite new cocktail is the Margot — a spritz made with Davidson plums, rhubarb and lacto-fermented yellow tomatoes. It seems as if the same luxury French-inspired sensibilities of Vue de monde remain, but with a strong focus on local ingredients. Vue de monde is welcoming guests back from November 1, and Bar Lui will reopen on November 8. Find them both at Level 55 Rialto Towers, 525 Collins Street — open from Wednesday to Saturday.
What's the secret behind a great chair? Why does one design fail and another one flourish? Can you tell a replica from the real thing? How does architecture impact upon the success of high-density living? They're just some of the questions that Melbourne Design Week looks to answer in its first-ever program, which will take over the city from March 16 to 26. In fact, the entire just-announced lineup seeks to pose and respond to a provocation: 'what does design value, and what do we value in design?'. With that in mind, expect everything from talks to exhibitions and tours to panels and industry during the ten-day event at NGV International and other venues throughout Melbourne. For anyone who likes to not only get comfy when they're sitting, but park themselves on an impressive piece of furniture, Creating the Contemporary Chair is a must-see, showcasing 35 pieces including a stool coated in volcanic rock from Chile's Villarrica volcanos and a suspended chair that resembles a killer whale. Elsewhere, 26 Original Fakes asks Aussie designers to make their own version of a famous Jasper Morrison creation, innovative local efforts spanning everything from wifi to bionic ears will be on display, and discussions will cover thrones (not games of them, though), Indigenous-led design, the history of objects, and more. Both shopping and wandering are also on the agenda, the former courtesy of the 2017 Melbourne Art Book Fair and the presentation of South Korean jewellery makers Galley O's pieces in the NGV Design Store, and the latter including a guided tour through the Melbourne studios and galleries that craft shiny bling, as well as open houses at 15 businesses and institutions. Basically, if you're a design-lover, you'll be spoiled for choice — and overflowing with sources of inspiration. Melbourne Design Week takes place from March 16 to 26, 2017. For more information, visit: www.ngv.vic.gov.au/melbourne-design-week-2/ Image: Jacopo Foggini, designer, Italian, born 1966. Edra, Pisa, manufacturer, Italy est. 1987. Alice armchair, 2011 {designed}, 2016 {manufactured}, polycarbonate, LEDs, electrical components, 80 x 114 x 98cm. National Gallery of Victoria, Melbourne. Purchased with funds donated by Gordon Moffatt AM, 2017.
The latest in the impressively long line of remarkable French-Canadian dramas, Louise Archambault's Gabrielle finds poignancy in an unexpected place. Produced by Luc Déry, who scored back-to-back Oscar nominations for Incendies and Monsieur Lazhar, the film follows the trials and tribulations of its titular character, a kind-hearted 22-year-old with significant developmental disabilities. Combining heartfelt storytelling with nuanced handling of issues rarely explored on screen, it's a tender, uplifting picture that marks another big win for the cinema of Quebec. The evanescent presence at the centre of the film is Gabrielle Marion-Rivard, a first-time actress who, like her character, suffers from a rare genetic disorder called Williams syndrome. It's a condition that manifests itself in the form of learning impairment, along with a high level of sociability. From the moment we see her, Gabrielle reminds us of a primary-schooler: cheeky, gregarious and eternally curious but also fragile and incapable of real independence. The film's naturalistic script focuses on two key relationships. The first is the connection Gabrielle shares with her elder sister, Sophie (Mélissa Désormeaux-Poulin), her protector and closest friend. The second is her romantic attachment to Martin (Alexandre Landry), a similarly challenged young man who sings with Gabrielle in a choir for the mentally disabled. They're an adorable couple, until things turn sexual, at which point Martin's protective mother abruptly pulls them apart. Archambault tackles potentially uncomfortable subject matter with both empathy and frankness. The extent to which people in Martin and Gabrielle's situation are capable of having an adult relationship is a difficult and thought-provoking question, one that most of us have probably never considered. The film's depiction of the pair's burgeoning physical intimacy is delicate and deeply moving; you want so desperately for them to be happy, but you also completely understand the desire of Martin's mother, to protect her son from consequences he cannot understand. Marion-Rivard seems utterly at ease in the front of the camera, bringing authenticity and charm to a truly wonderful character. Supporting her is Landry, a professional actor who is not learning disabled but never once falls into the traps that depictions of the mentally handicapped sometimes do. Perhaps the most heartbreaking performance is that of Désormeaux-Poulin as Gabrielle's sister. The love she feels for her sibling is palpable, yet with it comes a sense of responsibility. The question of how much personal happiness you can sacrifice for someone you care about is a difficult one. Yet it's something that almost everyone must at one time or another face. It's that emotional honesty that makes Gabrielle so powerful. Archambault never condescends to her characters, nor does she indulge in mawkishness or stifling political correctness. Everybody, be they disabled or not, has their limits. But they also have potential beyond what you might assume. https://youtube.com/watch?v=4l4cV6KjlxU
Malaysian eatery franchise PappaRich is known for its hawker food fare, sending out steaming hot plates of your favourite Malay specialities like nasi lemak, laksa and roti canai — aka good time winter food that's high in spice and higher in comfort. Their QV outlet sees your cold fingers and toes, and raises you their decision to give out hundreds of serves of their nasi lemak on Friday, July 27 between 11.30am–2.30pm. Nasi lemak is a rice dish cooked with coconut milk, served with sides like curried chicken, cucumber, egg and sambal. PappaRich will be giving them away for free, just as long as you download their new app. If a free hot lunch wasn't enough of an end-of-the-week win for you, the store will also comp a reusable PappaRich coffee cup to every person who downloads it as well. They're planning on giving away up to 800 free lunches and cups, so your chances aren't bad — just don't forget to take your phone and grab that app.
Back in June, we excitedly announced the reopening of cinemas. While, unfortunately, that excitement was short-lived, with cinemas closing a couple of short weeks later, we can once again announce some good news for cinephiles: Classic, Lido and Cameo are firing up the projectors for their outdoor cinemas from Monday, November 2. All three cinemas will be screening a selection of new flicks and concert films, as well as a 30th-anniversary edition of Goodfellas and a dog-friendly session of Lassie Come Home as part of the Children's International Film Festival (but kidults are definitely welcome, too). As part of the new lineup, you can catch an advanced screening of Sam Neill-starring Aussie flick Rams on opening night, excellent comedy Bill & Ted Face the Music, An American Pickle with two Seth Rogans and David Fincher's new black-and-white flick Mank. [caption id="attachment_783548" align="alignnone" width="1920"] An American Pickle[/caption] Those itching to head back to a live gig can relive some of the best with Stop Making Sense, a 1984 film of a live Talking Heads performance, as well as Stevie Nicks: 24 Karat Gold the Concert and Idiot Prayer: Nick Cave Alone at Alexandra Palace, which are both new releases. Depending where you live, and how far you can travel come November 2, you can watch the above flicks at Hawthorn's Lido on the Roof, overlooking Glenferrie Road; at Cameo Cinema's magnificent outdoor movie screen in Belgrave; or atop Elsternwick's Classic Cinema, which has its own bar open every day of the week (usually). All three cinemas have started accepting bookings for the first two weeks of screenings, so, if you're keen to head along, we suggest you lock in a session ASAP. Classic Rooftop Cinema, Lido on the Roof and Cameo Outdoor Cinema are set to reopen on Monday, November 2. Tickets are now on sale for the first two weeks of sessions.
Backyard cricket, barbecues and water sports are all Aussie summer clichés for a reason: they're good, wholesome fun. Another one? Outdoor cinemas. And we're here to tell you the very good news that Williamstown's version of this al fresco activity is returning for another season. Sponsored by IMB Bank, Sunset Cinema will take over Commonwealth Reserve from January 24–February 17. Whether you're planning a cosy date night or easy family outing under the stars, this year's extensive program has something for everyone. The nostalgic lineup ranges from 90s cult films like Cool Runnings and Dirty Dancing to the latest Hollywood blockbusters including Bohemian Rhapsody, Holmes & Watson and Aquaman. Family-friendly options include Mary Poppins Returns and Ralph Breaks The Internet. BYO picnics are encouraged, but if you want to enjoy a sparkling or brew throughout the film, the on-site bar will be serving a range of Grant Burge wine and Young Henrys craft beer and cider. Didn't pack enough snacks? There'll be plenty of the requisite movie treats like popcorn, chips, chocolates and lollies, plus an on-site dining menu of bigger bites. Tickets start at $20 for adults, with a premium $40 lawn lounge package on offer, too — it includes entry, a prime-viewing bean bag reserved on the lawn, a beverage of your choice and a box of popcorn. To see the full program and purchase tickets, visit the Sunset Cinema website.
If you haven't watched season one of Yellowjackets, which made it one of the best new shows of 2021, the full trailer for season two is here to play catchup. "Once upon a time, there was a place called the wilderness," explains Van (Liv Hewson, Santa Clarita Diet) in the just-dropped sneak peek's opening moments, as a Florence and the Machine cover of No Doubt's 90s hit 'Just a Girl' plays. "It was beautiful, but it was also violent and misunderstood. And it waited and waited to befriend whoever arrived." Van offers the above words like she's telling a bedtime tale, but there's nothing cosy about this survivalist hit. The instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after they crash in the forest and possibly turn to cannibalism — plus the aftermath among the survivors 25 years later. Indeed, already in season one, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (The Last of Us' Melanie Lynskey as an adult, and also The Kid Detective's Sophie Nélisse as a teenager), Natalie (Welcome to Chippendales' Juliette Lewis, plus The Book of Boba Fett's Sophie Thatcher), Taissa (Billions' Tawny Cypress, and also Scream VI's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Shameless' Samantha Hanratty). The full setup: back in 1996, en route to a big match in Seattle on a private plane, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. Season two will pick up with the 90s-era group still endeavouring to stay alive as the woods get snowier, and that eerie symbol that's always been at the heart of the series pops up in more places. Also in the works, as based on this new trailer plus not one but two glimpses before now: the adult Shauna, Nat and Tai facing the fallout from their season-one actions — IYKYK — and Misty and newcomer Walter (Elijah Wood, Come to Daddy) playing citizen detectives together. After getting picked up for a second season because its first was that ace, Yellowjackets will start unfurling its next batch of episodes from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand, as announced in late 2022. Season two will pick up after a heap of chaos in both timeframes, and with new faces among the cast. Introducing more of the team in their adult guise is very much on the agenda, including Simone Kessell (Muru) playing the older Lottie and Lauren Ambrose (Servant) as the older Van. In their younger years, both characters are played by Australian actors, with Courtney Eaton (Mad Max: Fury Road) as Lottie and and the aforementioned Hewson as Van. Also, this won't be the end of the story, with the show already renewed for season three before its second season even airs. Check out the full trailer for Yellowjackets season two below: Season two of Yellowjackets will start streaming from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand. Read our review of season one.
You'll soon be able to enjoy the Magnum + Queens Wine experience offline, as the sommelier-curated online wine shop unveil its first bricks-and-mortar store today. The Coventry Street space is being billed as an 'emporium of premium wine, drinks and accompaniments', set to boast a selection of over 700 wines from across the globe. It's a hefty, yet clever curation, focused on interesting new varietals and expert renditions of old favourites, food-friendly drops and those more textural creations. We expect, from the name, that there'll be a few magnums for special occasions, too. And while the Magnum + Queens online store is all about championing that wine, here, the vinous lineup is complemented by a selection of quality craft beer, cider and spirits, from the likes of Balter Brewing, Melbourne Moonshine, Custard & Co. and Japan's Hitachino Nest. There'll also be a small selection of snacks, included Ortiz anchovies and other cured and canned delicacies. A range of barware and glassware will help you keep your home bar in tip-top shape, while a series of regular wine tastings and food matching events is planned to kick off soon. The Magnum + Queens online store, which sells both individual bottles and monthly wine subscription packs, will expand its offering to coincide with the launch of the South Melbourne space. Find the Magnum + Queens Wine store at 274–276 Coventry Street, South Melbourne, from June 6.
They're the minds that transformed the underground car park at Marvel Stadium into thumping events space B3. Now, music agency Novel is at it again, taking over a Thornbury warehouse for its next heart-pumping edition of Smalltown. Another dazzling lineup of local and international musical talent will be coming to play on Saturday, May 11, headlined by Berlin legend (and Berghain resident) Ben Klock, French-born DJ Jennifer Cardini and Italy's brother duo Mind Against. And they're making the journey Down Under very worthwhile, each delivering a mammoth three-hour set. Meanwhile, home-grown support acts include favourites like Jennifer Loveless, Suzuki Drift, Edgework, Walter Juan and Marli. Of course, in true Smalltown form, the tunes and dance floor action will be just one part of the day's adventures. Expect some killer light displays by creative studio John Fish — whose work you've seen at the likes of Melbourne Music Week and Pitch Music & Arts — and a Funktion-One sound system to take it all to the next level. Smalltown will run from midday–11pm. Images: Duncographic
Seven years ago Dustin Hoffman, himself a former chemist, issued a stinging rebuke of the increasingly 'dumb' science fiction movies making their way onto our screens. Laziness was at the heart of his complaint, as he accused writers of opting for meaningless techno-babble instead of taking the time to invent intelligent solutions to their characters' scientific problems. Hoffman even went so far as to help sponsor the Science and Entertainment Exchange in order to promote films deemed to respect scientific principles and debunk those which are unrealistic. It wasn't that sci-fi movies couldn't have action in them, he explained, they just needed to ensure the sci remained the prevalent part. Arrival, the new film by Sicario and Prisoners director Denis Villeneuve, is a movie of which Hoffman would be proud. Beginning conventionally in the vein of an Independence Day or The Day The Earth Stood Still, the film opens with the sudden arrival of twelve mysterious alien spaceships in various locations around the world. Yet rather than launch an attack, they sit curiously idle, as the humans debate their origin and intent. Rather than focusing on action, Arrival instead veers much more towards the themes of Sphere (which starred Hoffman) or Contact, in that the world's scientists, rather than its soldiers, form the core team around which the story revolves. Fronting the US team are Dr Louise Banks (Amy Adams), America's foremost linguistics expert, and Ian Donnelly (Jeremy Renner), a theoretical physicist. Their goal is singular, yet phenomenally complex: figure out how to communicate with the aliens and convey one simple, critical question: "what is your purpose here on earth?" What follows is a fascinating study in language, history and non-verbal communication, where variables and complexities in even the most rudimentary grammatical expressions become seemingly insurmountable obstacles. Add to that the paranoia of military and CIA liaisons (Forest Whitaker and Michael Stuhlbarg, respectively) whose focus rarely extends beyond fears of an invasion, along with the vicissitudes of international diplomacy wherein sharing and cooperation are considered hallmarks of weakness, and you find in Arrival an intensely engaging, cerebral and often gripping sci-fi thriller. Based on the cult novella "Story of Your Life" by Ted Chiang, Arrival blends sumptuous cinematography with weighty abstractions that, for the most part, land with an assured touch. Glimpses into Louise's personal life raise questions about time and our linear perception of it, and only rarely does the script indulge in the kind of corny musings traditionally found in freshman philosophy essays. Adams's performance is the clear standout, around which her supporting cast plays it with impressive reserve. The score by Jóhann Jóhannsson, meanwhile, shifts effortlessly between beautiful and bombastic. Intelligent and restrained, Arrival is a welcome addition to the sci-fi canon that wows you with its brains rather than simply its special effects. https://www.youtube.com/watch?v=tFMo3UJ4B4g
Contemporary jewellery and object biennial Radiant Pavilion will return to Melbourne at the end of August, bringing more Australian and international artists than you can shake a stick at — luckily, you'll have a whole week to try. With 80 events across 62 venues, you'd best start early. Expect to find a lane paved in gold leaf on Crossley Street, drink sake out of handmade cups in Flinders Lane, and peep jewellery in every arty way you can imagine across the streets and venues of the city. Street works, exhibitions, performances and masterclasses will make up the weekend from artists such as Robert Baines, Liv Boyle, Helen Britton and Yutaka Minegishi (and that's just a few). There's also New Colony, a public installation of an imagined swarm of unidentified insects who take up residence in Flinders Lane, and 2483 Melbourne Tailoresses' Union Triptych in which a number of resin pendants represent individual striking female tailors in 1882-83. Past, present and future will converge in the event, so don't miss seeing your old mate Melbourne in a new light from August 26 till September 3.
Having quite literally broken the internet within 24 hours of landing — thanks to an Australian designer dress and a baby announcement — the Duke and Duchess of Sussex (aka Prince Harry and Meghan Markle) are now deep into their Antipodean adventures. During the royals' 16-day tour of Australia, New Zealand, Fiji and Tonga, they're getting up to all kinds of shenanigans — from meeting koalas at Taronga Zoo to visiting socially conscious cafes in Melbourne to hopping over to picturesque Fraser Island. Even if you don't live according to a royal budget, the royal itinerary is a handy guide for showing first-time visitors around Australia. Here's the nitty-gritty of the itinerary, with a few extra suggestions from the Concrete Playground team thrown in for good measure. Don't worry, it's nice and accessible for us mere plebs. ROYALS IN SYDNEY After meeting the Governor-General, the royals' first port of call was Taronga Zoo, where they met their koala namesakes — two ten-month-old joeys, which were wedding gifts from the people of NSW — among other unique Aussie fauna. Harry asked if the koala was a "drop bear" — and we're really glad to see that local legend has made it all the way to the monarchy. For your visit, we recommend adding an adrenalin rush with the Wild Ropes course followed by a snooze among wildlife at Roar and Snore. From there, take a brief ferry ride to Circular Quay, to see a show at the Opera House. The royals couple sat in on Bangarra Dance Theatre's rehearsal of Spirit 2018, but you can choose from a multitude of other performances and live music events. After a few days in other states, Harry and Meghan returned back to Sydney and made tracks to Bondi Beach. The couple spent time in an "anti-bad vibes circle", met local surfers and talked about mental health with OneWave. The non-profit group meets weekly on a heap of different beaches, if you want to get involved. https://twitter.com/KensingtonRoyal/status/1053065957571092481 To channel those good vibes on your trip, we suggest you swing by one of Bondi's vegan-friendly cafes or treat yourself to some natural wine at Bondi Hall. Alternatively, make tracks to the Harbour Bridge — where later today Meghan and Harry will tackle the famous BridgeClimb (which has just relaunched with new owners) with Prime Minister Scott Morrison. Don't mess it up, ScoMo. Or, head to Cockatoo Island, where the duo will head to attend an event at the Invictus Games Sydney 2018. Terrifying ghost tours take place after dark, if you're looking for a something a little extra spooky to do. ROYALS IN MELBOURNE The couple's Melbourne escapades included a stop by South Melbourne beach — of course, it was overcast — and a cooking class at social enterprise restaurant Charcoal Lane. The forward-thinking eatery is also covered in colourful murals paying homage to the area's Indigenous identity. You can see the royals checking it out here: https://twitter.com/KensingtonRoyal/status/1052823771910832128 If you're keen to mirror this socially conscious agenda, Melbourne has added several new cafes to its already impressive collection this year — including a throng of social enterprise cafes from Kinfolk, where 100 percent of profits go to charity, to Wild Timor Coffee Co., where the coffee is bought directly from Timorese farmers, at fair prices. On the shores of Port Phillip Bay, Meghan and Harry learnt all about how to keep Melbourne's beaches and waterways clean, from both school students and grown-up volunteers. If you've been thinking about lending an eco-friendly hand, get in touch with Earthcare St Kilda. ROYAL ISLAND HOPPING With 8,222 Australian islands to choose from, there's no shortage of inspiration when it comes to island hopping. The royals have their sights set on the biggest sand island in the world, the legendary Fraser Island, whose magnificent giant dunes shimmer in 72 colours. It's a shame the two don't have more time on their hands, to embark on the epic, eight-day Great Walk, which visits many of Fraser's 100 freshwater lakes. If you've been contemplating an island hop of your own, check out this handpicked selection of paradises. [caption id="attachment_681271" align="alignnone" width="1920"] Nicole Reed.[/caption] ROYALS GO REGIONAL As magnetic as Australia's major cities and beautiful coastline are, no visit Down Under is complete without a trip inland. Meghan and Harry also stopped by Dubbo, which is perched on the Macquarie River, 300 kilometres northwest of Sydney, to meet drought-stricken farmers and host a community picnic. We suggest returning by car, to explore some of the Central West's other friendly country towns. There's Parkes, home to The Dish and the annual Elvis Festival; Orange, where you can hike to the summit of Mount Canobolas and go truffle hunting at Borrodell Vineyard (in between tasting scores of wines); and Bathurst, for an innovative regional art gallery and woodfired pizza inside a candle-lit former church schoolhouse. Meanwhile, in Victoria, regional adventures should definitely include a journey along the Silo Art Trail, a 200-kilometre road trip through Australia's biggest outdoor art gallery. Top image: Sydney Opera House, Hamilton Lund
The City of Melbourne has today launched a brand new Urban Forest Fund, which will fuel a variety of greening initiatives on both public and private property. Announced today by Lord Mayor Robert Doyle, the fund will be put to a variety of uses, including the creation of parks, the planting of street trees and the construction of green walls, roofs and facades on buildings around town. The City of Melbourne will allocate $1.2 million to the fund to kick things off. Moreover, the council will partner with philanthropists, property developers, community groups and other Government organisations on further greening projects, while matching private investment in the new fund dollar for dollar. "Green infrastructure is fundamental to help cities respond to the challenges of climate change, urban heat, flooding and population growth," said Doyle. "As well as protecting us from extreme heat, our trees and parks are a major contributor to Melbourne's liveability." The City of Melbourne will place particular emphasis on supporting projects on private property. They've gone so far as to create a new online tool that maps rooftops in the municipality, to see if they have the potential to be transformed into green, cool or solar roofs. The announcement is the latest in a series of new green projects in Melbourne. Southbank Boulevard and the south end of Elizabeth Street are both getting a significant facelift, while a number of the city's laneways are also going green. Next year we're also getting our very first elevated park directly opposite Southern Cross Station. Image: City of Melbourne.
When it comes to street art exhibitions, it really doesn't get any bigger than this. A retrospective of Banksy's work has made its way to Australia, featuring more than 80 of the artist's off-street masterpieces. Opening today, Friday, October 7 at The Paddock in Melbourne's Federation Square, The Art of Banksy is a massive collection of pieces by the art world's chief enigma — including the darkly satirical, overtly political work that has turned the stencil-loving artist into such an infamous icon. Endeavouring to take audiences on a journey through Banksy's output and mindset, the exhibition includes the well-known Girl with Balloon, Flag Wall and Laugh Now pieces, as well as three efforts that have never before been displayed to the public. If it sounds epic, that's because it is. The art featured has been sourced from over 40 different private collectors around the world, and comprises the largest showcase of Banksy pieces to ever make its way to our shores. As curated by the artist's former manager Steve Lazarides, the exhibition is also a little controversial. While every piece is original, unique and authentic, The Art of Banksy proudly boasts that the entire show is 100 percent unauthorised. No, Banksy hasn't signed off on the event. As well as displaying Banksy's work in a custom-built enclosure, The Art of Banksy also shines a light on a range of pieces by well-known and emerging local street artists. Expect to find them on the surrounding external surfaces and the inside walls of the exhibition's own Circle Bar, which will serve craft beers and cocktails. Outside, the Welcome to Thornbury team will corral a heap of food trucks into an area called 'The Railyard'. Plus, on Friday nights and Saturday arvos, DJs will also provide appropriate tunes to suit the occasion. Of course, Melburnians will know that this isn't the mysterious figure's first dalliance with the city. The artist's stencils have popped up around the city previously courtesy of a visit in 2003, though many have been destroyed and damaged in the years since. The Art of Banksy will run from October 7 to January 22 at The Paddock in Federation Square, Melbourne. For more information or to buy tickets, visit the exhibition website. Images: Olga Rozenbajgier. Words: Sarah Ward.
Australia's most sinister festival, Dark Mofo, is back for its seventh year and is set to be as boundary-pushing as ever, with its full lineup announced today. As always, the festival will take place in the lead up to the winter solstice, exploring connections between old and contemporary mythology through art installations, performance, talks and music — all taking place in the darkness of Tasmanian winter. Hosted by the Museum of Old and New Art (MONA), Dark Mofo will takeover most of Hobart between June 6–23, showcasing a melting pot of artists, creatives and thinkers who dwell in the shadows of mainstream culture. Just-announced musicians include FKA Twigs — who's also bringing her experimental dream pop to Vivid Sydney this year — New York-based composer Nicolás Jaar, American singer John Grant and multi-instrumentalist Roger Eno. Other highlights of the music program include an audiovisual 'soundbath' by Sigur Rós; an international metal program, featuring Brazil's Mystifier; and the return of Night Mass — a ritualistic series of multi-venue, late-night parties featuring Sampa the Great, FAKA and Empress Of. These musicians and creatives join those announced in the first lineup drop last week, which included boundary-pushing speakers in the Dark + Dangerous Thoughts program, artists Ai Weiwei and Mike Parr, and singer and actor Sharon Van Etten. [caption id="attachment_716526" align="alignnone" width="1920"] Saeborg, Pigpen. Courtesy of Dark Mofo and the artist.[/caption] The festival's dark and quirky arts lineup has grown, too, with the addition of a latex-filled installation and performance by Japan's Saeborg and an immersive group exhibition — of ten international artists, including Canada's Cassils, USA's Paul McCarthy and India's Shilpa Gupta — inside the former Forestry Tasmania Building. The award-winning building — which once housed its own forest — is just one of many new venues to join this year's program. Come June, revellers will also be able to party inside the Old Hobart Blood Bank, the Avalon and Odeon theatres, the Old Davey St Congregational Church and aboard a floating natural wine bar, dubbed Natty Waves. Of course, all the festival favourites are set to make a triumphant return, too. You'll be able to drink and eat amongst inverted crosses and candles at the Winter Feast, try not to freeze during the very cold Nude Solstice Swim and absolve your sins at Night Mass. Dark Mofo returns to Hobart from June 6–23. Pre-sale tickets are available from 6pm on Monday, April 15 with general tickets on sale from midday on Tuesday, April 16. For more information, and to check out the full lineup, head to the festival website. Images: Andy Fraser; Meagan Streader, Response VII — Partition III, photo by Sam Whiteside; and All This Coming and Going, Terrapin.
Here's a scenario that, until now, you've probably never even imagined could happen. You go to press play on your favourite Spotify playlist, but accidentally click on a different batch of tunes — songs especially chosen by the service for the adorable animal that shares your life. Not content with limiting its lister base to people, Spotify is now creating curated playlists for dogs, cats, birds, hamsters and iguanas. The selection of tracks is personalised too, because the kinds of songs that your furry, feathered or scaly critter likes aren't necessarily the same as what some other barking, meowing or tweeting creature prefers. Here's how Spotify's Pet Playlists work: you visit the Swedish music streaming company's site, choose your type pet, pick from a list of traits that describes them best, then add a name and photo. Based on all of that information, plus your own Spotify listening habits, the service's algorithm will go to work, coming up with a lineup of tunes that'll apparently rock your animal's world. There are limitations to the new feature, though. Only the aforementioned five types of pets are catered for, so if your animal companion is a rabbit or other type of critter with ears, it'll miss out. And, as for the traits that you can pick from, you're presented a number of pairs on a sliding scale — so select between relaxed and energetic, shy and friendly, and apathetic and curious. Still, if you and your pooch, kitty, canary, rodent or lizard like listening to music together — or you've ever noticed them react to a particular song — you can now treat them to their own playlist. Spotify's online research, surveying 5000 music-streaming pet owners in the US, UK, Australia, Spain and Italy, indicates that 71 percent of people play tunes for their pets, with classical and soft rock the genre all those critters seem to like best. Fancy letting your woofer listen to a book instead? Audible also does audiobooks for dogs, too. To create a Spotify Pet Playlist for your dog, cat, bird, hamster or iguana, visit the Spotify pets website.
Picking up just seconds from where the last Muppets film left off, Muppets Most Wanted opens with a rousing song that explains: "Everybody knows a sequel is never quite as good". A few famous exceptions notwithstanding, the in-joke is right on the money, and even though it's definitely true of this film as well, thankfully the follow up to James Bobin's 2012 hit is only slightly poorer than its predecessor. This time round, the gang is talked into embarking upon a world tour by Ricky Gervais's smooth-talking yet unscrupulous talent manager, Mr Badguy ("Its...French. It's pronounced...Bad Geeee"). The tour is, however, just a front to enable Badguy and his boss Constantine (aka Evil Kermit) to conduct a series of high-end museum robberies and steal England's Crown Jewels. Key to the plan is Constantine's escape from a Siberian gulag and an ole switcheroo that sees him trade places with the real Kermit. "Eeets...dee Marrr-pet shaow" practices the heavily accented villain as he reviews file footage of Kermit in what's just one of dozens of charming imposter-Kermit based jokes. As always, the film is packed with self-referential humour (one Muppet complains that it's actually the seventh movie in the franchise), cameos (Usher plays an usher, Celine Dion takes the absolute piss out of herself and James McAvoy appears as a 'blink and you'll miss him delivery man', to name just a few), and — of course — musical numbers. None of the songs come close to matching The LEGO Movie's impossibly catchy 'Everything Is Awesome', but several of them are good enough to gets the toes tapping. Constantine's 'I'm Number One', for example, is amusing in its constant forcing of Gervais to reply 'I'm number two', and the disco-inspired 'I'll Get You What You Want' is just crying out for a Pharrell cover. The highlight of Muppets Most Wanted, however, is the subplot involving the partnership of Sam the Eagle and Interpol's Jean Pierre Napoleon (in an outrageously cliched swipe at the French by Ty Burrell). Their dogged pursuit of the thieves leads to some fantastic scenes involving muppet interrogations, crime scene analysis and police badge oneupmanship. Tina Fey also impresses as the gulag's warden Nadya, whose determination to put on the prison's annual revue sees Kermit end up directing a terrifically funny all-male A Chorus Line. I'm also told Ms Piggy's wedding dress (designed by Vivienne Westwood...no, seriously) is to die for. Based on the laughter of the kids attending the screening, kids will laugh at screenings of this movie, and so too will adults, though not in the same way or with the marked regularity of, say, a Pixar film. It's a little light on plot, and begins to feel a little repetitive by the end, yet the pacing is rarely in danger of lagging and the jokes come often enough to keep everyone entertained. Empire Strikes Back it 'aint, but it's not a bad sequel to what was always going to be a hard act to follow. https://youtube.com/watch?v=wXfLrt90CHM
If you're looking for a one-stop shop for luxury homewares, you need to explore Fenton & Fenton. This store has it all – from quirky monkey lamps (that surprisingly kind of work), to comfy armchairs, sheepskin rugs and beautiful side tables. That's as well as fine art pieces, bed linen and bird light holders. You name it, and Fenton & Fenton probably stocks the best version of it. As such, things don't come cheap here. But even if you're not ready to shell out $1250 for a side table, it's still worth a visit for inspiration. The store is full of colour and pieces will have you ready to start a full home makeover ASAP. In addition to its Collingwood store, Fenton & Fenton also has an outpost in Prahran.
There's only one Wes Anderson, but there's a litany of wannabes. Why can't David O Russell be among them? Take the first filmmaker's The Grand Budapest Hotel, mix in the second's American Hustle and that's as good a way as any to start describing Amsterdam, Russell's return to the big screen after a seven-year gap following 2015's Joy — and a starry period comedy, crime caper and history lesson all in one. Swap pastels for earthier hues, still with a love of detail, and there's the unmistakably Anderson-esque look of the film. Amsterdam is a murder-mystery, too, set largely in the 1930s against a backdrop of increasing fascism, and filled with more famous faces than most movies can dream of. The American Hustle of it all springs from the "a lot of this actually happened" plot, this time drawing upon a political conspiracy called the White House/Wall Street Putsch, and again unfurling a wild true tale. A Russell returnee sits at the centre, too: Christian Bale (Thor: Love and Thunder) in his third film for the writer/director. The former did help guide the latter to an Oscar for The Fighter, then a nomination for American Hustle — but while Bale is welcomely and entertainingly loose and freewheeling, and given ample opportunity to show his comic chops in his expressive face and physicality alone, Amsterdam is unlikely to complete the trifecta of Academy Awards recognition. The lively movie's cast is its strongest asset, though, including the convincing camaraderie between Bale, John David Washington (Malcolm & Marie) and Margot Robbie (The Suicide Squad). They play pals forged in friendship during World War I, then thanks to a stint in the titular Dutch city. A doctor, a lawyer and a nurse — at least at some point in the narrative — they revel in love and art during their uninhabited stay, then get caught in chaos 15 years later. Amsterdam begins in the later period, with Burt Berendsen (Bale) tending to veterans — helping those with war injuries and lingering pain, as he himself has — without a medical license. He once had a Park Avenue practice, but his military enlistment and his fall from the well-heeled set afterwards all stems from his snobbish wife Beatrice (Andrea Riseborough, The Electrical Life of Louis Wain) and her social-climbing (and prejudiced) parents. As he did in the war, however, Burt aids who he can where he can, including with fellow ex-soldier Harold Woodman (Washington). That's how he ends up lending a hand (well, a scalpel) to the well-to-do Liz Meekins (Taylor Swift, Cats) after the unexpected death of her father and their old Army general (Ed Begley Jr, Better Call Saul). The bereaved daughter suspects foul play and Burt and Harold find it, but with fingers pointing their way when there's suddenly another body. Two police detectives (The Old Guard's Matthias Schoenaerts and The Many Saints of Newark's Alessandro Nivola), both veterans themselves, come a-snooping — and Burt and Harold now have two tasks. Clearing their names and figuring out what's going on are intertwined, of course, and also just the start of a story that isn't short on developments and twists (plus early flashes back to 1918 to set up the core trio, their bond, their heady bliss and a pact that they'll keep looking out for each other). There's a shagginess to both the tale and the telling, because busy and rambling is the vibe, especially with so much stuffed into the plot. One of Amsterdam's worst traits is its overloaded and convoluted feel, seeing that there's the IRL past to explore, a message about history repeating itself to deliver along with it, and enough mayhem to fuel several romps to spill out around it. The pacing doesn't help, flitting between zipping and dragging — and usually busting out the wrong one for each scene. Among all of the above, there's also no shortage of characters; that lengthy list of well-known names has to get up to something, and that jam-packed story has to get as many cogs whirring as possible. Valerie Voze (Robbie) sweeps back in just as pandemonium kicks in, under her brother Tom (Rami Malek, No Time to Die) and his wife Libby's (Anya Taylor-Joy, The Northman) watch. Old war buddy Milton King (Chris Rock, Spiral: From the Book of Saw) warns Burt and Harold about helping Liz from the start, but autopsy nurse Irma St Clair (Zoe Saldana, The Adam Project) — who Burt is visibly fond of — dutifully assists. Also popping up: celebrated army buddy General Gil Dillenbeck (Robert De Niro, The War with Grandpa), as well as intelligence officers Paul Canterbury (Mike Myers, The Pentaverate) and Henry Norcross (Michael Shannon, Bullet Train). Russell uses his supporting players to inject as many quirks and as much energy as he can, including via Canterbury and Norcross' cover as purveyors of glass eyes — something that Burt needs, in dark hazel green — and their keen and genuine interest in birdwatching as a hobby. Those and other eccentricities are also sprinkled around heartily as flavour, setting up and deepening the madcap mood with more than a tad too much force, particularly given that the score by Daniel Pemberton (See How They Run), roving and Dutch-tilting cinematography from Emmanuel Lubezki (Song to Song), and intricate production and art design more than do their showy and flamboyant part. Still, there's little faulting the spirited actors circling around Bale, Washington and Robbie — Malek, Saldana, Riseborough and De Niro especially — or that lead threesome. Whenever Amsterdam lags or rushes, the performances bring viewers in. Alongside Bale's engaging sense of comedy, Washington wears understated charm as well as a suit, and Robbie is just as charismatic playing free-spirited yet tenacious. Lubezki's floating lensing truly is magnetic; if ever given the option to go large or go home, Russell is rarely known for holding back or getting his collaborators to. The filmmaker is fond of idealistic protagonists making their way through a trying world with their sizeable personalities, hopes and hearts shining bright, recognisably so — and contemplating what his boisterous bounces through fictionalised/dramatised blasts from the past say about America today. Being aware of how quickly fascism can infiltrate, and via whom, isn't a new or novel message for 2022. Amsterdam is never as simplistic in stating the obvious as Don't Look Up was about climate change, though, and it isn't patronising, insulting or irritating, thankfully. It's no The Grand Budapest Hotel or even American Hustle, either, but worse can happen, a notion that the screwball flick's characters keep learning.
Wander through French Impressionism, NGV International's big winter blockbuster exhibition, and visions of the natural world by iconic artists are among the many sights that greet attendees. There should be no better way to appreciate our planet than engaging with it ourselves, but sometimes art sees what we don't, as this showcase of masterworks helps demonstrate. Also open since Friday, June 6, 2025 and similarly displaying until Sunday, October 5, 2025, Plans for the Planet: Olaf Breuning for Kids takes the idea of embracing the environment through art and makes it the sole focus — playfully, and to get young visitors engaging with the topic. Swiss artist Breuning explores sustainability, conservation, pollution and wildlife, aiming to spark new generations to ponder a better future for the pale blue rock that we call home. The art here is interactive, as seen in the animated drawings of forests, lava and more that kids can activate via swipe card. This exhibition also wants children to get creative themselves, courtesy of their own drawings. For instance, a giant tree installation brings the woodlands indoors — and is designed to inspire little art lovers to draw homes for forest animals. Or, via the photobooth, attendees can snap self-portraits, decorate them with virtual objects, and use them to express themselves. At touch screens, too, kids are encouraged to add their ideas for the future, which then become part of the installation. Images: installation views of Plans for The Planet: Olaf Breuning for Kids, on display from 6 June to 5 October at NGV International Melbourne. Photo: Mitch Fong.
As part of their Australasian Tour rock legends Deep Purple will play at Rod Laver, alongside American rockers Journey. The band, who have sold more than 100 million albums, are set to emerge from an eight year hiatus to jam out with hits such as Black Night, Highway Star and Smoke On The Water.
Lobster lovers, brace yourselves. After six years on Bourke Street, Pinchy's, the neon-pink temple of lobster rolls and champagne has announced its closing its doors. Born from a series of vibrant pop-ups that captured attention across the city, the restaurant opened a permanent location in 2019, giving fans of its signature lobster rolls and tapas-style cuisine a permanent spot to get a bite. Decked out with a candy-coloured eatery and a sun-drenched terrace perched above the CBD, it proved a bustling destination for fun-loving encounters and easygoing seafood delights. Launched with a fully pescatarian and vegan menu, a bold concept for the time, the venue established a cult following for its buzzing atmosphere and intimate dining experience. Yet the good times must wind up eventually, with Pinchy's closure described as "deeply emotional" by Co-Founder Samara Schnick. "We poured our hearts into creating a space that celebrated great food, genuine hospitality and moments of joy ... Unfortunately, the reality is that we can no longer make the restaurant work sustainably in today's economic climate and at this location." Amid a challenging time for hospo venues across the country, Samara explained Pinchy's faced numerous hurdles, from the cost of living and high CBD rents to a lack of post-COVID government support, making it impossible for the business to succeed in the current climate. "Though this chapter is coming to an end, we are filled with gratitude and immense pride, and we carry with us beautiful memories and lifelong friendships," she adds. Likewise, Co-Founder Jeremy Schinck was proud of the business for putting lobster rolls on the map in Melbourne alongside vegan-friendly tasting menus — a rare offering in seafood-focused fine dining. "While this chapter is ending, our passion for hospitality remains strong. We're taking time to reflect and recharge, and though I'm not sure what's next, we're staying hopeful and looking forward to creating something special again in the future," says Jeremy. Pinchy's will remain open for the next month, with the team inviting guests to join them one last time to raise a glass and bite into a lobster roll. The doors are set to close on Sunday, July 20, so schedule a final visit with the crew to relish its buttery flavours and pink oasis. Says Jeremy: "We're endlessly grateful to every guest, team member, supplier and supporter who has been part of the journey. This is not goodbye forever — just goodbye for now." Located at Level 1/200 Bourke Street, Melbourne, Pinchy's closes its doors on Sunday, July 20. Head to the website for more information.
Sitting outside, getting comfy in a deckchair and watching a movie under the stars is a regular part of Melbourne's summers. It's also the kind of activity no one across the city has even been able to dream about during the past few months of lockdown. But, come the end of October, it's set to become a reality again. Under Victoria's just-announced roadmap out of stay-at-home conditions, outdoor cinemas will be permitted to reopen once 70 percent of eligible Victorians have been fully vaccinated against COVID-19 — which is expected around Tuesday, October 26. Two venues that are counting on that happening: the Lido and Cameo cinemas, which've just announced the reopening lineups for their respective rooftop and outdoor setups. Both sites will welcome in movie buffs again from Tuesday, October 26, with the Lido getting things started with a gala session of wild tweet-to-screen flick Zola, and the Cameo going the Marvel route with Shang-Chi and the Legend of the Ten Rings. Other flicks Melburnians can look forward to at the two openair spots include the excellent new Candyman movie, which'll screen on Halloween (obviously) at both venues; the Ryan Reynolds-starring Free Guy, where he plays a non-playable video game character who becomes self-aware; and Australian drama Nitram, the Cannes Film Festival Best Actor-winner that depicts the days leading up to the 1996 Port Arthur massacre. There's also Disney's animated newcomer Ron's Gone Wrong, plus Adam Driver, Ben Affleck and Matt Damon-led medieval drama The Last Duel — all of which have tickets on sale now. Although they don't yet have sessions on sale, big-name flicks Eternals, The Many Saints of Newark, No Time to Die and Dune are all also slated to light up the big screen at Lido on the Roof and Cameo Outdoor Cinema. And if you're wondering about the third openair cinema run by the team behind these two venues, Classic Cinema's Rooftop Cinema, it's set to reopen again after lockdown as well — but a date hasn't been set as yet, as its screen needs to undergo some maintenance first. It will be reopening its rooftop bar on Tuesday, October 26 for drinks, however, so you'll be able to stop by from 4–8pm on weeknights and 2–8pm on weekends. Capacity-wise, Victoria's roadmap allows outdoor entertainment venues to reopen with a cap of 50 people at the 70-percent fully vaxxed mark. That'll increase when the state hits the 80-percent double-jabbed threshold, which is expected around Friday, November 5. That date is when indoor cinemas will be permitted to reopen, too, with a 150-person cap per space. Lido on the Roof and Cameo Outdoor Cinema will reopen on Tuesday, October 26, pending Victoria reaching the 70-percent fully vaxxed threshold by that date. For more information, or to buy tickets, head to the Lido and Cameo cinemas websites.
At the ungodly hour of 7am this morning, Vivid LIVE announced the rest of the 2014 lineup. We’re already excited about seeing The Pixies in rare intimate mode in the Opera House, the ACO and The Presets in collaboration, Giorgio Moroder and The Pet Shop Boys. And now (drum roll, please), here’s the rest of what’s in store. Ladies and gentleman, introducing the first lady of hip hop, Ms. Lauryn Hill. Known not only for her groundbreaking 1998 album, The Miseducation of Lauryn Hill but also for her subsequent ‘disappearance’ from the music scene, she’s back. With plenty to say. Two Opera House shows are scheduled for May 27 and 28. And next, art rock hero St. Vincent, hot on the heels of the release of her new, self-titled album. We’re expecting big harmonies, orchestral adventures and choreographed magic — at the Opera House for the first time ever. We’re just not quite sure how the stage dives will go in the Joan Sutherland Theatre. There’ll be one performance only on May 25. Two other international artists will also make their SOH debut: James Vincent McMorrow will be bringing his masterful songwriting, ethereal electronics, killer falsetto and full band over from Ireland, while English-Italian songstress Anna Calvi will be making the trip armed with tunes of cinematic proportions. Brian Eno has described her as "the biggest thing since Patti Smith". German pianist-producer Nils Frahm, who released his seventh LP, Spaces, last year, will be delivering his Einaudi-reminiscent melodies and dynamic jazz-influenced electronics, and Kate Miller-Heidke is set to present new album O Vertigo! Finally, Goodgod will be hosting an intercontinental revue with cult South African musician Penny Penny and his seven-piece band at the helm, Jonti & The Astral Kids will play a tribute to The Avalanches with a performance of Since I Left You and Studio Parties will make a return, led by Astral People, R.I.P. Society, Siberian Nights and Future Classic.
Andy Warhol, Marilyn Monroe, The Mighty Boosh, Frida Kahlo: they're just some of the faces that've graced exhibitions around Australia in 2023. The next to join them is Amy Winehouse, in a showcase that's doing what documentary Amy also dedicated some of its frames to: stepping back a couple of decades to the beginning of the 'Back to Black' and 'Rehab' singer's career. When Winehouse was 19, photographer Charles Moriarty was requested by a friend to take some snaps of the then-unknown talent. They're the images that Amy, Before Frank will display. More than 30 will feature — and if you're wondering where the exhibition's name comes from, it references Winehouse's debut album Frank, with the photos covered hailing from before that record dropped. When Winehouse was in front of his lens, Irish photographer Moriarty didn't know what'd follow for the performer — the fame and success, nor her passing in 2011. The session clearly worked out well because Moriarty also shot the cover art for Frank, and became friends with the singer. To check out Amy, Before Frank, fans will need to head to Melbourne's @14 Gallery from Wednesday, November 1–Sunday, November 5. That timing couldn't be more perfect, given that Frank — which includes the singles 'Stronger Than Me', 'Take the Box' and 'In My Bed' — released two decades ago in October. Moriarty is also coming to Australia with the exhibition, chatting in Melbourne on Saturday, November 4. [caption id="attachment_917853" align="alignnone" width="1920"] The original photograph used for Amy Winehouse's debut album 'Frank', shot on Princelet St, London, 2003[/caption] Images: Charles Moriarty.
To say that Secret Garden Festival is improving with age is a deadset understatement. Next month marks the flamboyant forest party's tenth turn around the sun and it's celebrating with a music program and lineup of fun as good as any it's dished up before. Taking over its usual lush green home of NSW's Brownlow Hill Farm on February 23 and 24, the grassroots festival promises a weekend of dress-ups, dance floor antics and forest adventures to remember. Those lucky enough to snaffle one of this year's tickets (which are sold out, sorry) will find themselves in utter aural heaven, the bill sprinkled with exciting acts like Queensland dance-punk duo DZ Deathrays, powerhouse Melbourne artist Ecca Vandal, acclaimed indie rockers Holy Holy and soul-pop four-piece The Harpoons. Even more music goodness will be served up by hard-hitting hip hop artist Miss Blanks, Sydney singer-songwriter Alex The Astronaut, and Triple J's Unearthed Artist of The Year, Stella Donnelly. Of course, the live tunes and the 14 dance floors are just one part of this jam-packed weekend. Also helping Secret Garden ring in its first decade will be the Annual Feast, hosted by The Great Fatsby, appearances aplenty from the Camp Queen drag queens, the debut of the Shout Something Nice Bar, a kissing booth and a seated theatre flowing with a whole lotta Champagne. Last year a couple got married among the madness, so who knows what will happen this time round. As always, a festival-wide fancy dress theme will help kick everything off in style on opening night. This year, in homage to Secret Garden's tenth birthday, it's a throwback to your year ten formal — don your wildest old-school party duds and relive those teenage wonder years, with a little help from 11-piece Blink 182 cover band, Bris 182.
According to Goran Bregovic, what sets Balkan music apart is its propensity for insanity: "In other countries, just plain music is enough. In the Balkans, it's not only about the music – it has to be madness." In his sixty-two years, Bregovic has carried the gypsy craziness of his homeland to all four corners of the globe. After selling fifteen million albums as leader of Yugoslav rock band Bijelo dugme, he took to composing film scores. On this visit to Australia, his first since 2008, he'll be travelling with his Weddings and Funerals Orchestra, which he has described as "an unlikely mix of extremes". Featuring a string quartet, a six-piece male choir, five brass musicians, two Bulgarian vocalists and a drummer, the ensemble will play music from Bregovic's new album, Champagne for Gypsies, as well as some older material. https://youtube.com/watch?v=AKRCo3347fw
The dockless bike sharing phenomenon hasn't exactly proved a roaring success here in Australia, with rogue bikes clogging up footpaths, or winding up broken and abandoned in dangerous locations, and oBike withdrawing from Melbourne entirely. And still, yet another company is keen to give the concept a whirl locally — this time, featuring electric scooters. Aussie start-up Ride has announced it has launched a trial program of its ride share service, giving locals in Melbourne the chance to road-test its fleet of electric scooters. Riffing on the scooter systems that have been going gang-busters over in the USA, the local company is still nailing down its technology, launching the pilot program in St Kilda, before rolling out across CBD areas. At this stage, riders simply locate a scooter, scan and pay via the Ride smartphone app, before jetting off on their two-wheeled adventure. The company held a short trial in the area last month, which, according to founder Aaron LaLux, was a success, so it decided to re-launch for the busy summer holiday period. "We've decided to re-launch for the holiday season to gift St Kilda with this new way of getting around and to help get cars off the road. It's my wish that it won't be long before we see more clean energy alternatives to the carbon emitting vehicles that currently exist." Riders pay $1 to start the scooters then 25 cents per minute to use them. The only downfall of the service is the speed, with scooters going a maximum of ten kilometres an hour (to comply with Victorian road rules surrounding scooters) compared to Sydney's newly launched electric bikes, which go up to up to 23kmh. So, for example, a journey from St Kilda to the CBD would take about 45-minutes and cost around $12–13. When riding the scooters, be aware that Victorian rules also stipulate that you must wear a helmet and that the scooters can't be used on separated bike paths or on roads with a speed limit of more than 50kmh, but they can be used on footpaths. Well, for the moment. LaLux is hoping the extended Ride trial will give the State and Federal Government time to draft more comprehensive rules surrounding electric scooters. As the scooters are electric, they'll be picked up after 10pm each night by employees, charged and returned to designated spots around St Kilda. Ride's trial program is running now for an indefinite period. You can download the Ride app here.
Back in 2014, before he slipped into Black Panther's suit, Chadwick Boseman stepped into James Brown's shoes. Playing the iconic musician in Get On Up, Boseman lit up the screen — and while he'll forever be known for his time in Wakanda, the biopic ranks among his greatest performances. Although Boseman's career was tragically cut short due to his death to cancer in August this year, the actor has one more film set to reach screens — and it too sees him playing music. To be specific, he's playing the blues as an ambitious trumpeter called Levee in the new movie adaptation of August Wilson's play Ma Rainey's Black Bottom. On the stage since 1982, and now in this new Netflix movie version, Ma Rainey's Black Bottom focuses on an afternoon recording session in 1920s Chicago. Ma Rainey, the "Mother of the Blues" (played by Viola Davis), is the star of the session, but she's running late as she fights with her manager over control of her music. As the band waits, Levee and fellow musicians Cutler (Colman Domingo, If Beale Street Could Talk), Toledo (Glynn Turman, Fargo) and Slow Drag (Michael Potts, True Detective) bide their time swapping stories in the rehearsal room. As helmed by Tony-winning playwright and theatre director George C. Wolfe (for Angels in America: Millennium Approaches and Bring in 'da Noise, Bring in 'da Funk), Ma Rainey's Black Bottom hits streaming on December 18 — and, while this time of year brings awards speculation about almost every weighty drama with a high-profile cast, Boseman and Davis in particular have been the subject of plenty of predictions. As well as marking Boseman's final film, it's his second this year — and his second Netflix feature, too — following his potent supporting role in Spike Lee's Da 5 Bloods. Check out the trailer for Ma Rainey's Black Bottom below: https://www.youtube.com/watch?v=ord7gP151vk Ma Rainey's Black Bottom will be available to stream via Netflix from December 18. Top image: David Lee, Netflix.
Thirty-four-metres long, more than twice as big as a regular hot air balloon and ripped straight from Patricia Piccinini's inimitable mind, Skywhale 2013 might just be one of Australia's most recognisable recent pieces of art. And, this morning at sunrise (Monday, March 9), Skywhale took flight once again as part of the Canberra Balloon Spectacular. She'll make her second (and final) solo flight this evening at 8pm from the North Lawns — so, if you happen to be in Canberra, keep an eye on the skies. Then, as of May, Skywhale will be joined by her new companion, Skywhalepapa. The new floating sculpture is designed to form a family with Skywhale, with the second bulbous sculpture commissioned as part of the gallery's Balnaves Contemporary Series. In total, the pair will take flight six times during the nearly three-month Skywhales: Every Heart Sings exhibition — with launch locations at Parliamentary Triangle and yet-to-be-confirmed sites in Woden and Tuggeranong. [caption id="attachment_751759" align="alignnone" width="1920"] Skywhalepapa, 2019/20 (artist's sketch), Patricia Piccinini. Courtesy of the artist.[/caption] The structures' first co-flight is set to take place on Saturday, May 2 from Parliamentary Triangle. As reported by The Guardian Australia, the new balloon will be around 30 metres tall, 37 metres wide and weigh a whopping 400 kilograms. While the two were meant to take to the sky together today, Piccinini told The Guardian that it was better to have a "staggered approach" and allow Skywhale to be reintroduced to Canberra before Skywhalepapa (and the duo's attached children) take to the skies together. If you can't make it to Canberra to see the growing Skywhale clan, they will also tour the country later in the year, with locations and dates still to be confirmed. https://www.instagram.com/p/B9fIa3xHmDu/ Apart from the Skywhales: Every Heart Sings installation, the NGA is offering up a whole heap of top-notch exhibitions in 2020. It'll welcome Botticelli to Van Gogh: Masterpieces from the National Gallery, London in November, boasting over 60 works from European masters — most of which have never before travelled to Australia. Art lovers can also look forward to Know My Name: Australian Women Artists 1900 to Now, which'll shine a spotlight on the nation's female creatives; Belonging: Stories of Australian Art, a major collection of 19th-century Aussie pieces; a six-month focus on Chinese artist and activist Xu Zhen; and The Body Electric, a showcase of works by female-identifying creatives that are all about sex, pleasure and desire. Skywhales: Every Heart Sings launched today, March 9 at the National Gallery of Australia, Parkes Place East, Parkes, ACT. Additional flight dates are planned for May 2 through July 25. For further information about the NGA's 2020 lineup, visit the gallery's website. Top image: Skywhale, 2013, Patricia Piccinini. National Gallery of Australia, Canberra. Gift of anonymous donor 2019, Australian Government's Cultural Gifts Program.
If you've ever spent hours falling down the wildlife and nature video rabbit hole online late at night, this one's for you. National Geographic's Symphony For Our World will combine the best of the footage from the organisation's 130-year archives with a live orchestral performance, synchronising the triumphant moments of both music and nature under one spectacle. And, that soundtrack will feature a Hans Zimmer-flavoured score and feature a live choir as well. The natural history footage will be drawn from years of past images, drawing from Nat Geo's shots from all over the world. The accompanying symphony will be created by Bleeding Fingers Music, featuring the work of composers such as the legendary Hans Zimmer, as well as Austin Fray and Andrew Christie. Just like the recent Planet Earth II Live in Concert, Zimmer's score especially will make you feel things you didn't know you could about animals you'll never meet. A five-part composition that'll tour Melbourne, Sydney and Brisbane, Symphony For Our World will take the audience on a journey from the sea, along the coastlines, across the land, through the mountains and then finally into the sky, with differing orchestral movements for each world environment. It's the story of our planet, but brought to life in a different way — so why not get out of the house and off YouTube and go see some fully immersive nature. SYMPHONY FOR OUR WORLD TOUR DATES Brisbane Convention and Exhibition Centre, Brisbane – Sunday, August 26 ICC Sydney Theatre, Sydney – Friday, August 31 Hamer Hall, Arts Centre, Melbourne – Sunday, September 2 Symphony For Our World will tour Australia from August 26 to September 2. For more information and to buy tickets, visit natgeo-symphony.com.
In need of aesthetic inspiration? Fear not, dear friend, for the creative extravaganza that is Semi-Permanent is about to hit Melbourne — and you’re invited. The design festival is fresh from blowing minds in Los Angeles and Portland, and will make a stop in Melbourne from October 25 - 26 as part of its world tour. Featuring a smorgasbord of visionary thinkers and exhilarating speakers, Semi-Permanent combines presentation, exhibition and party into an artful orgy of visual delights. It’s a must-iCal event for any artist whose heart longs for authentic creative community. Or for those whose hearts love free tote bags. Attendees will be able to rub shoulders with the likes of Nicole Reed, Ant Keogh, Miso and Thomas Williams of Hunt & Co., while concurrently soaking up the fresh spring sun. Highlights from previous years include behind-the-visuals insights into Star Wars and Lord of the Rings, fiery expositions from crazed photographer Charlie White and onstage rail sliding from artist/pro-skater Ed Templeton. When inspired thinkers collide, good stuff happens. Tickets are on sale right now from the Semi-Permanent website.
Whether it's the roof at Curtin House, the grounds of the Abbotsford Convent, the Royal Botanic Gardens or the sands of St Kilda Beach, when it comes to experiencing films in the great outdoors, Melbourne is spoiled for choice. But there's only location you can watch a movie under the stars without fear of getting rained out. With sessions every Tuesday evening in the Southgate Centre atrium, patrons of Southgate Cinema get to have their cake and eat it too. And better yet — it's absolutely free. Highlights of the most recent Southgate Cinema program include the inspiring soccer documentary Next Goal Wins, about the attempts of the much-maligned American Samoa team to qualify for the 2014 World Cup; the gripping Oceanic survival tale All Is Lost, starring the great Robert Redford as a lone sailor lost at sea; plus the most recent X-Men and Captain America movies for anyone looking for a dose of Hollywood action. Given the attractive price tag, demand for seats is high. Ticket reservations can be made online and need to be collected in person an hour before the scheduled start time. For more information and to the view the full summer program, go here.
2030 will mark 28 years since one of the best zombie movies ever made first hit screens: 28 Days Later from filmmaker Danny Boyle (Yesterday). Before that milestone arrives, however, it's likely that you'll be watching a new flick from Boyle in the same franchise. It'll still be called 28 Years Later — and it's officially in the works. 28 Days Later has already spawned one follow-up thanks to 2007's 28 Weeks Later, but Boyle didn't direct it. Screenwriter Alex Garland, who also penned Sunshine for Boyle, then hopped behind the camera himself with Ex Machina, Annihilation, Men and TV series Devs, also wasn't involved with 28 Weeks Later. But they're both back for the third film in the series, which might become the middle chapter. Not only is a new movie locked in, but it's being talked about as the start of a new trilogy. As detailed by The Hollywood Reporter, Garland is writing 28 Years Later, Boyle is helming, and they're looking for studios or streamers to jump onboard. It's expected that Boyle will only direct the initial new picture, while Garland will pen the entire trio. There's no word yet if any of the OG film's stars will return, with 28 Days Later among the movies that helped bring Oppenheimer star, newly minted Golden Globe-winner and likely Oscar-recipient Cillian Murphy to fame. He played Jim, a bicycle courier who wakes up from a coma in a deserted hospital 28 days after a pandemic of the rage virus changed the world forever — and from Boyle and Garland to audiences everywhere, who wouldn't want him to reprise the role? Marking Boyle and Garland's first proper collaboration after Boyle adapted Garland's best-selling novel The Beach for the big screen two years earlier, 28 Days Later still ranks among the best work on either's resume — and on Murphy's as well, even if it didn't win him any of Hollywood's top shiny trophies. Set in the aftermath of the accidental release of a highly contagious virus, the film's images of a desolated London instantly became iconic, but this is a top-notch movie on every level. That includes its performances, with then-unknowns Murphy and Naomie Harris (the Bond franchise's current Moneypenny) finding the balance between demonstrating their characters' fierce survival instincts and their inherent vulnerability. If you wondering why 28 Months Later hasn't been made, it was talked about for years, but the time has now passed unless the new trilogy includes a flick set between 28 Weeks Later and 28 Years Later. [caption id="attachment_910048" align="alignnone" width="1920"] Oppenheimer[/caption] 28 Years Later and any following sequels don't yet have a release date — we'll update you when more details are announced. Via The Hollywood Reporter.
If we look back to where we were in our early 20s, it was probably still skiving off our parents' health insurance and taking our washing back home every other weekend because we couldn't afford a washing machine. Charlie Carrington, on the other hand, has opened his own South Yarra restaurant, Atlas Dining — and he's only 22. Yep, you read that right. You still haven't bought a washing machine and this kid is opening his own restaurant. And if that wasn't work enough already, Carrington will be doing the cooking too. A trained chef, the 22-year-old has earned his stripes in the kitchens of Vue de Monde and Sydney's Firedoor, as well as a slew of international restaurants. His recent travels around the world are what's led to the decision to not tie Atlas Dining to one cuisine. Instead, it changes with the seasons; every four months the menu switches to a completely different country of origin. The first region Carrington has chosen to tackle is northern Vietnam, honouring dishes from regions like Hanoi and Sapa before moving steadily down the country representing more southern regions as the weather warms up. Carrington picked the Southeast Asian country to kick things off, saying that it felt like a natural fit. "It really worked out well in terms of the fire-cooking we'll be doing," he says. The connection with fire will see him bring techniques he learnt at Firedoor to the plate — and it sounds like tasty, fiery things are nigh. "We've got the same grills, raising and lowering grills, all the charcoal stuff, and we have a woodfire oven too," says Carrington. So bring your meat belly along. What comes after Vietnam? Well, he's heading to Israel at the end of the year, so we know what cuisine #2 will be come 2017. Next stop is Korea (North or South not specified, but probably South) for May to August 2017 and the rest of the trip is as yet unplanned. In the meantime, check out Atlas Dining's Vietnamese fare, continue feeling unaccomplished (we are), and heed his advice for young chefs: go and travel. Definitely words to live by — even if you've never cooked a thing in your life.
Content warning: sexual assault In the wake of revelations about rapper Riff Raff and a brave woman coming forward to tell her story, Richmond's Corner Hotel swiftly cancelled the rapper's show at its venue. The rapper's Australian tour was then also cancelled. The Richmond pub then scheduled a forum and fundraiser to replace it: a community-led discussion on sexual assault and predatory behaviour in the Australian music industry called Where To From Here? Music, Community and the "State of Play"'. The forum will be run by LISTEN, a group that aims to initiate change, inclusion and equality within the Australian music scene, and to promote visibility and experiences of marginalised people in the industry. Things will start at 6pm with a discussion with the sister of Eliza Stafford, the survivor who came forward against Riff Raff, then continue with a panel discussion, targeting the pervasiveness of sexual harassment and assault in the sphere of the live music environment. LISTEN will also provide a soundtrack for the night, with female, LGBTQI+ and gender non-conforming artists and DJs taking to the stage post-panel. Tickets are $10 and all proceeds (including $1 from each drink sold in the bandroom) will go directly to non-profit organisations. This event is designed to discuss and illuminate the unacceptable behaviour that occurs at live music events and within the industry, and will be dealing with subject matter that may be triggering – the organisers are working to create a separate space, as well as helpers, for those who may find it tough to hear and experience.
You've got a new reason to venture into the backstreets of South Melbourne this spring, as the ever-evolving, multi-faceted Half Acre opens its doors to the public. Named after the impressive size of the inner-city block of land it calls home, the new venue sits in the site of a former mill. Here, hospitality veterans Adam Wright-Smith (ex-Fat Radish, Silkstone NYC), Leigh Worcester and Asaf Smoli (of catering company food&desire) have transformed an unloved industrial site into an inviting assembly of indoor and outdoor spaces, that we're forecasting will get a serious workout in the months to come. Across its two buildings, it has an events space, bar and all-day eatery — and it's a design-lover's dream. Modern design blends effortlessly with nods to the past, exposed brick and reclaimed timber complemented by contemporary finishes, including handmade light fittings by the likes of Henry Wilson and Anna Charlesworth. A lofty events space breathes new life into the former mill, all stained timber ceilings and exposed beams, linking through to an open courtyard and the intimate front bar. Considering it's in South Melbourne, inside, it feel surprisingly secluded. At the site's heart, a greenhouse-inspired space holds the open kitchen and restaurant, where Head Chef Eitan Doron is turning out a share-friendly offering that slips easily from lunchtime to night. Expect fare that's approachable, yet elegant, in dishes like whole roasted cauliflower with dukkah and tahini, roasted pumpkin flavoured with blood orange and thyme, grilled king prawns with harissa oil, and a vanilla flan teamed with elderflower jam and almond tuile. A range of pizzas and house-made breads sail from the custom wood-fire oven, and you can watch (and smell) it all being baked from the comfort of your table. Half Acre is no open at 112 Munro Street, South Melbourne. It's open for good times Wednesday and Thursday nights, and from lunchtime through to late-night every Friday through Sunday. Imagery: Tom Ross
Do you remember the first time that you saw a pastel-hued facade, ornate interior detailing, or something gloriously symmetrical indoors or out, then thought "that looks like something out of a Wes Anderson film"? For almost three decades now, we've all done it. Since his feature debut Bottle Rocket, the Asteroid City and The Wonderful Story of Henry Sugar director has firmly established his stylistic trademarks, ensuring that a Wes Anderson movie is always immediately recognisable as a Wes Anderson movie no matter which of the filmmaker's regular actors is in front of the camera. Brooklyn-based husband and wife Wally and Amanda Koval shared this line of thinking to the point of creating an Instagram account around it in 2017. Accidentally Wes Anderson now has 1.9-million followers. The social media feed is a curated selection of images from real life that look like Anderson has staged, styled and shot them, but hasn't — and after taking films as inspiration for an online compilation of images, Accidentally Wes Anderson has taken the IRL route itself via an exhibition. At Accidentally Wes Anderson: The Exhibition, 200-plus images await — and they're all coming to Australia for the first time. Following past runs in Tokyo and Seoul, and present seasons in London and Los Angeles, the immersive art experience will make its Down Under debut in Melbourne from Wednesday, September 18, 2024, complete with ten rooms. Some of the exhibition's walls feature facades that Anderson must covet, others find landscape that'd make the perfect Anderson backdrop, and plenty highlight either vintage vehicles or enchanting hotels. Yes, pastel tones pop up frequently. So does symmetry, including in the exhibition's presentation. The idea is to make you feel like you're stepping into Anderson's flicks by showing how the world beyond his frames often conjures up that sensation anyway. To borrow from a different filmmaker, is this the Wes Anderson version of Inception? Attendees enter an exhibition of real-life pictures inspired by an Instagram account that's inspired by Anderson's moving pictures, particularly his aesthetic within them that takes cues from real life. Accidentally Wes Anderson has also been turned into a book, too, plus a website with a map spanning almost 2000 spots across the planet that fit the theme. At Accidentally Wes Anderson: The Exhibition, patrons arrive via the lobby, then explore a space dedicated to portals, then embrace an array of facades. Checking out sections devoted to coastal scenes, planes and trains (and automobiles, of course), sports, accommodation and nature is also on the agenda. There's a space that'll get you watching big-screen travel adventures, too — and, just for Australia, one about Aussie spots that evoke Anderson. For souvenirs, you'll exit through the Accidentally Wes Anderson shop.
There's no reason Christmas shopping should be hell. You don't have to stampede into Myer or David Jones at the last minute. No one's making you stuff those stockings with garbage no one wants. This year you have the opportunity to do things right. The QV are opening up their summery little grass oasis once more for a special kind of Christmas market. With 40 stalls on display, the Melbourne Designed Twilight Markets will be offering up the best of our city's independent artists and designers. There'll be mouth-watering fashion from EAT.ME.DO, original art from Neon Pear, and kooky jewels from Vicki Leigh. But that's not all, every Friday night from 5pm-10pm, this relaxed little space will also be served by a pop-up bar, music, and free picnic rugs for ultimate post-work chill sessions. Don't stress if you miss it either — this gift-giver's dream come true will also be open on weekends. Though you'll have to cope without the bar, the markets will be served with a pop-up cafe from 12pm-5pm on both Saturdays and Sundays.
Chef Tom Sarafian is opening his debut restaurant, ZAREH, on Smith Street in Collingwood next week — a 40-seat ode to his grandfather Zareh, whose journey from Egypt to Melbourne sparked a multigenerational love of hospitality. Expect the warmth of Middle Eastern hosting, filtered through a sleek and moody inner-north lens. "This restaurant is a new chapter in a story that began generations ago," says Sarafian. "My grandfather set the tone for all us Sarafians to follow a career in the food world. Some tried to steer away but we've all ended up working with food in one way or another." At ZAREH, the kitchen finds the centre of the room — fully open and built around a charcoal barbecue and woodfired oven by The Brick Chef. "I've worked in too many kitchens where the chefs are hidden away in basements or behind stainless steel walls," says Sarafian. "[The kitchen is] part of the dining room, because it is central to the experience." The restaurant's menu draws on a mix of Sarafian's family heritage, his stints in renowned Melbourne and London kitchens (Cumulus Inc, Rumi, Petersham Nurseries, St John, to name just a few) and travels through North Africa, the Mediterranean and the Middle East — but is ultimately defined as Armenian-Lebanese. Expect fresh Victorian produce seasoned with 'Mouneh' (pantry goods sourced directly from organic farms in Lebanon) like high-quality za'atar, sumac and pomegranate molasses, plus pine nuts, cedar oak honey and fermented pepper pastes. ZAREH's wine list spotlights producers from Armenia and Lebanon, alongside thoughtful local and international labels. Bartender Matt Linklater leads the cocktail program, with a focus on arak (an anise-flavoured alcohol traditionally served in Middle Eastern countries) — including Arak Farid, discovered by Sarafian and partner Jinane Bou-Assi in Lebanon and now imported to Australia for the first time. Notable drinks include the Zareh Gilda Martini, an icy martini laced with arak and finished with Sarafian's take on the classic Gilda, plus a selection of world-class Armenian brandies. The space, designed with Min Tseng and MIC Projects, channels family nostalgia and Beirut's colour palette: soft green banquettes, pink-hued limestone walls and a flowing tahini-coloured curtain, anchored by a warm timber bar wrapped around the open kitchen. There are details nodding to Sarafian's grandparents' house, too — from bar tiles to a retro glass sliding door. ZAREH will also retail Sarafian signature pantry favourites alongside authentic Lebanese mouneh — distilled waters, vinegars, honey and jams, spices, za'atar and freshly ground sumac — via a partnership with Droubna, a mother-and-daughter team in South Lebanon preserving traditional farming practices and village food culture. It's an invitation to take the flavours home with you. ZAREH will open at 368 Smith Street, Collingwood, from Wednesday next week — dinner service only to start, with lunches added in early spring. Online bookings are now open. Images: Kristoffer Paulsen
If an indulgent Italian feast is on your agenda for Aussie Wine Month, then look no further than the Three Italians lunch. As the name explicitly states, the event will be an Italian smorgasbord, a celebration of the big Italian three — wine, food and opera. The frivolities kick off with Prosecco and canapés on the lawn, and it only gets better from there. Held outside on at the Pizzini Wines estate in Whitfield, Adam Pizzini of Casa Cucina in Wangaratta will prepare a four-course lunch using local produce and Italian wines. All the while, operatic duo Catherine Pendelich and Céd Le Mélédo will fill the country air with sweet music. Have you ever heard of anything more enchanting? We haven't.
Melburnians will have another excuse to hit the water this summer when GoBoat splashes into town. The Denmark-born company has been busy launching its eco-friendly picnic boats in cities all over Europe and, come January, it's set to make its Melbourne debut, giving punters a fun new way to cruise the Yarra. Aimed at making the whole boating caper more accessible for everyday folk, the Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for some fun, fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your post-holiday budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will cost you less than $15 per person, per hour. That's $109 hourly in total. A fleet of four Melbourne GoBoats will be setting sail out of Docklands from early January, with six more vessels to come. Oh, and did we mention they're pet-friendly? Surely you've got a very good boy who deserves a river jaunt this summer. GoBoat is slated to launch in January, 2019. We'll update you as soon as it has. Images: Lean Timms.
If you've always felt like you have a knack for doing creative stuff with your hands, but find yourself stuck in an office job, it's time to start flexing those knuckles, because there's a whole world out there for you and your restless fingers. Winter time in Melbourne comes with a raft of options for you to get involved in, with workshops and classes that you can fit in around your working hours. Work-Shop's branch in Fitzroy, in particular, has a wealth of useful, creative and novelty related sessions that'll have you hawking the most comprehensive LinkedIn skills section around. It's a good excuse to get out into the city and brave the chilly nights, plus with Samsung's new Galaxy S9 and S9+ and its low light camera, you'll be able to show off those newfound skills to all your mates. LEARN HOW TO USE YOUR SMARTPHONE CAMERA PROPERLY Gone are the days of blurry shots, bad lighting and angles that give you a double chin. Work-Shop will show you the fundamentals of using your Samsung Galaxy to take killer pics. Composition, focusing, exposure and using natural light and flash will all be included in your four hour Saturday morning workshop. Bring yourself, your smartphone, and your Instagram account ready to go. Run by fine-art photographer George Poulakis, you don't need to be an Annie Leibovitz to benefit from this course that'll have you snapping away in full sunlight, low light or no light like a pro in no time. $80 for a four-hour workshop. MAKE YOUR OWN PASTA Aside from our doonas, pasta could be the other single most important thing in getting us through the winter time. Forever our comfort carb of choice, why not get down to basics and learn how to make your wheaty friend from scratch. Craft and Co.'s pasta class masterclass will teach you the art of filled pasta, while you'll also learn the history of pasta shapes, regional differences, and sauces to suit different types. You'll get a beverage on arrival and a charcuterie and cheese board to snack on, too. Don't forget your phone — making pasta takes a lot of love and you're going to want to keep tabs on your progress (probably via your Insta story). $95 for a two-hour workshop. DIY DUMPLINGS The food you can eat in any weather (winter or summer), time (breakfast dumplings are fine) or state (you barely have to chew them if you've got a cold), dumplings are the gift that just keeps giving. Learn how to make your own in this three-hour dumpfest led by The Humble Dumpling's Angie Chong. Get a handle on how to prepare the dough, roll, fill and wrap it all up. Bite-sized parcels of love full of locally sourced and sustainable ingredients will line your stomach before the evening is done. It's a BYO event so grab a bottle of plonk and get to warming up those nimble fingers. $90–$95 for a three-hour workshop. Instead of spending your winter nights on the couch, discover all the after-dark happenings in your city here — and don't forget to document it all on the new Samsung Galaxy S9 and S9+, designed especially for low light so you can capture your best moments no matter what. Images: Cole Bennetts.
The Victorian Government isn't set to deliver the 2020–21 State Budget until Tuesday, November 24, but it has been revealing some of its details and funding plans in the lead up to that date. And, as the announcement of $200 vouchers for regional getaways made clear, it's focusing on getting Victorians to explore their own backyard — and the entire state — in a big way now that this year's two period of lockdown have come to an end. Also already revealed as part of the budget: a heap of cash directed towards projects in regional areas that Melburnians will want to visit. If you like moseying along the coast, camping by the water and heading to a hot springs resort — another one, in addition to Peninsula Hot Springs — then you're in luck. For folks keen to hit up the Great Ocean Road, that area of the state is set to receive $47.5 million in funding. From that money, $23.8 million will be used to build a coastal walking trail that meanders by the sea and through the hinterland, spanning from Fairhaven to Grey River. It'll extend the existing Great Ocean Road Coastal Trail, and will include up to five new swing suspension bridges with impressive views of the Surf Coast. Around $2 million will go towards creating more campsites along the Surf Coast, too, while $18.3 million is earmarked for upgrading visitor facilities and infrastructure in the area, like toilets, viewing platforms, trails, beach access and car parking — and installing free public wi-fi. [caption id="attachment_746191" align="aligncenter" width="1920"] Visit Victoria[/caption] In the Gippsland region, $18.5 million is being set aside for a number of projects — including several places to spend a hefty amount of time. Over at the Cape Conran Coastal Park, $3.5 million will go to building ten eco-pods to stay in, all from sustainable materials. Next, $1.5 million will be spent on Metung Hot Springs, to create a new year-round geothermal mineral spring that can welcome 250 guests. And, another $1 million is destined for the proposed Nunduk Spa and Eco-Resort at Lake Wellington. The Gippsland funding will also use $3.5 million to restore the timber trestle Snowy Rail Bridge so it can be used safely by pedestrians and cyclists, plus $2 million for additional camping spots in East Gippsland. Another $2.8 million will go towards making Mallacoota Inlet easier to access, and $3.85 million to do the same for the Point Hicks Lighthouse, with $350,000 earmarked for expanding the Raymond Island koala trail. [caption id="attachment_681271" align="aligncenter" width="1920"] Nicole Reed[/caption] From an overall Victorian Tourism Recovery Package clocking in at $465 million, cash will also be allocated to a range of other areas — including the Falls to Hotham Alpine Crossing hiking trail, the Grampians Peak Trail, Mackenzie Falls, the Murray River Adventure Trail, Wilsons Promontory, the Mallee Silo Art Trail and the new National Centre for Photography in Ballarat. For wine-lovers, the funds will also be used to help expand the Prosecco Road winery district, and to establish accommodation at Dal Zotto Wines. Exact timing around all of the above hasn't been announced — and it's a hefty list, so it's safe to say it won't all happen quickly. Still, if you didn't already have a sizeable number of places to visit across the state, you will in the future. For more information about the Victorian Tourism Recovery Package, read the Victorian Government announcement. Top image: Great Ocean Road, Visit Victoria
When the new year rolls around, we like go all Nostradamus on you and make some predictions. Since January, we've guessed at where you'll be going, what you'll be reading and what you'll be watching. Now, we're going to have a crack at what you'll be putting in your mouth this year — and how you'll be doing it. In 2016, we put our money on inhalable cocktails, algae, goats and veganism, among other developments. This year, our crystal ball is giving us Star Trek-level craft beers, boozing on the sand (legally) and lots of eating naked. Here are ten tasty trends you won't be able to avoid in 2017. SCIENCE-INSPIRED CRAFT BEERS Gastronomers like the inimitable Heston Blumenthal have been infusing fine dining with science for years. And now, brewers are following in his footsteps. In the past few months alone, we've reported on a beer that glows in the dark created by a NASA biologist, a brewery in London that makes bespoke beer based on your DNA and a couple of Danish beer-loving buddies who figured out how to make instant craft beer by freeze-drying their favourite tipples. We're both terrified by, and excited about, what might be next. LEGAL DRINKING IN BARS ON THE BEACH We hope. Look, this one isn't exactly a new trend — it's done daily all over the world. But, here in Australia, despite having 10,685 beaches, we're hard pressed to find a bar where we can simultaneously feel the sand between our toes and knock back a cold one, without getting arrested. However, Fremantle's Bathers Beach House fought the law last year and surfaced with Australia's first liquor license for alfresco beach dining (and drinking). Let this be the beginning of something beautiful and nationwide. WILD FERMENTATION WINE Wild fermentation wine has been around for many, many years and is still a big thing in Europe. But, like many age-old agricultural methods, it's often been replaced in Australia with human intervention, usually for the sake of speed and quantity. Now, though, winemakers are winding back the clock, in the pursuit of better, more interesting flavour profiles. To cut a long story short, the wild fermenting of wine involves allowing the grapes' naturally occurring yeasts and bacteria do the job of breaking down sugars, rather than adding copious amounts of yeast to make it happen more quickly. You can read more about wild fermentation wine over here. CLOTHING-OPTIONAL RESTAURANTS When London's first naked restaurant, The Bunyadi, popped up in London in June, the waiting list for reservations hit 46,000 before you could disrobe. This prompted radio journalists Jo Stanley and Anthony 'Lehmo' Lehmann of Melbourne's Gold 104.3 FM to ask whether Aussies would get nude with the same gusto. After being inundated with willing naturists, the duo hosted a packed-out, clothing-free, pop-up at The Noble Experiment on May 26. While the weather's still warm, why not get some practice in with a picnic at one of Sydney's five best nudist beaches? 3D-PRINTED RESTAURANTS When you're not eating food in the nude, you'll be sitting on 3D-printed chairs at 3D-printed tables, holding 3D-printed cutlery, eating 3D-printed meals. This trend also kicked off in 2016, when Food Ink, the world's first 3D-printed restaurant popped-up in London from July 25-27. In 2017, the eatery is embarking on a world tour and, yes, Australia, is on the itinerary, with a visit to Sydney promised. Expect a multi-course, gourmet experience. [caption id="attachment_567134" align="alignnone" width="1280"] Butter.[/caption] RESTAURANT-STYLE EATING AT HOME Chances are you'll be treating your own home more and more like a restaurant this year. In other words, you'll be sitting at your own dining table, eating chef-prepared meals, without doing any dishes and paying for it. This trend is, of course, partly due to the launch of UberEATS, which happened in Melbourne in February 2016, in Sydney in July and in Brisbane in October. Meanwhile, you can't have missed those BMX champs disguised as Deliveroo cyclists dominating the city streets during the past little while. Mind you, they could well find themselves out of a job before too long, given that Domino's completed its first ever pizza delivery by drone in November. [caption id="attachment_601488" align="alignnone" width="1280"] Saint Peter by Nikki To.[/caption] ALL THE FISHY BITS If all the home delivery options in the world couldn't keep you on your couch and venturing out to proper restaurants is still high on your agenda, then we reckon you should get ready to face all the fishy bits. By that, we mean that more and more chefs are adopting a 'head-to-tail' philosophy. And, because fish, unlike cattle, don't have bits that can be turned into clothing, it'll be down to the customer to eat them more comprehensively. Silvereye (RIP) served up an impressive whiting skeleton, while, at Paddington's Saint Peter, the menu has lately offered salt-baked pumpkin with seeds and scales (yep, fish scales), as well as John Dory liver. PLASTIC-FREE DINING France made headline news in September 2016 when the Government officially announced its plan to ban all plastic plates, cups and utensils from 2020. Given that Australians use about one billion disposable coffee cups per year (and that's only coffee cups), it's probably time we followed suit. However, instead of waiting for legal changes, some venues have been taking matters into their own hands. In November, Brisbane's Crowbar announced its intention to phase out plastic straws, while, in January 2017, Sydney's This Must Be The Place invested in metal spoon-straws, to give drinkers an eco-friendly option. [caption id="attachment_608563" align="alignnone" width="1280"] 4 Pines.[/caption] BARREL-AGED BEERS When you're not drinking beers that could've featured in Star Trek, you'll be lingering over those given the most old-fashioned of treatments: barrel ageing. These brews are made in the usual way, then, for a year or so, popped into a barrel that's contained whiskey or muscat or some other beverage, infusing them with more complex flavours. Manly-based brewers 4 Pines are already onto this trend, having opened Public House — a venue entirely dedicated to barrel-aged brews — in Newport in December. And Young Henrys recently brought us Craic and Barrel, a limited release Irish Red Ale aged in Jameson whiskey barrels. [caption id="attachment_549443" align="alignnone" width="1280"] Project Botanicals.[/caption] MATCHING COCKTAILS WITH MEALS Matching wines with dishes is as old as the hills, of course, but cocktail matching is now becoming a thing. One of the biggest champions of this over the years has been Project Botanicals, which is bringing gin-based matches to Australians via a pop-up in Sydney's Royal Botanic Garden this March. Meanwhile, Sydney's Owl House offers an impressive, cocktail-driven degustation menu, with pairs including Pambula oysters and a cynar spritz (cynar, grapefruit, sparkling wine), as well skirt steak (potato, beer, egg, smoked chilli) and a "Buttered Fashion" (butter-infused Bulleit bourbon, honey, bitters).
No longer just the realms of year three excursions where your mum came as chaperone, Melbourne Zoo Twilights — the after-hours live music series that boasts perhaps one of the best summer nights out, as well as lots of adorable animals — has proven it's got some real cred when it comes to hosting outdoor gigs in the past few years. After all, the event has hosted headliners such as Kurt Vile, Cat Power and Ben Folds over the last few years. And this summer the event will return with a series of live sets every weekend from Friday, January 24 through Saturday, March 7. Last month, Zoo Twilights announced famed LA composer and singer Randy Newman — who has won two Academy awards and seven Grammys, and is behind songs in nine Disney and Pixar films — as one of its headline acts. And, now, it's just dropped the full 2020 lineup. Aussie pop royalty Missy Higgins, Twilight regulars The Cat Empire, seminal Jamaican reggae group Toots and The Maytals, Perth noir-pop band Methyl Ethel and dance floor starters Confidence Man will all taking the stage this season. A few big throwbacks are also on this year's program, including the pub-rock legends behind 'Great Southern Land' and 'Electric Blue' Icehouse, 70s English band 10cc — if you don't know the name, you'll definitely know their hit 'I'm Not in Love' — and US gospel queen and 99 Rock & Roll Hall of Famer Mavis Staples. UK-French avant-pop band Stereolab has also reunited after a ten-year break and will be treating to the crowd to its first live performance in a decade. Bringing your own picnic is encouraged, but there'll also be handy gourmet hampers available on-site, as well as a slew of food trucks to choose nosh from. Either way, it's one of the best dates in Melbourne. Plus, all proceeds from Zoo Twilights go back into Zoo Victoria's ongoing conservation work to help fight the extinction of the Mountain Pygmy possum. MELBOURNE ZOO TWILIGHTS 2020 PROGRAM Friday, January 24 — Confidence Man, supported by Wax'o Paradiso Saturday, January 25 — Icehouse, with special guests Friday, January 31 — Toots and The Maytals, supported by Systa BB Saturday, February 1 — An Evening with Randy Newman Friday, February 7 — Missy Higgins, supported by William Crighton Friday, February 14 — The Cat Empire, supported by Emily Wurramara Friday, February 21 — 10cc, supported by Russell Morris Saturday, February 22 — Methyl Ethel, supported by Hatchie Friday, February 28 — Julia Jacklin, supported by Weyes Blood Saturday, February 29 — Meg Mac, supported by Fergus James Friday, March 6 — Stereolab, supported by Mildlife Saturday, March 7 — Mavis Staples, supported by Emma Donovan and The Putbacks Melbourne Zoo Twilights will return to Melbourne Zoo from January 24 until March 7. Tickets go on sale at 8am on Tuesday, October 22 at zootwilights.org.au. Image: Ian Laidlaw.
Head interstate to see a big show, or cross your fingers that it comes to Melbourne? When it comes to huge theatre productions, that's the regular dilemma. Thankfully, the musicals and plays that don't premiere on our turf tend to make their way here eventually — and, just like Hamilton, West End and Broadway hit Girl From the North Country is one of them. For Bob Dylan fans, that name will be familiar. It's the title of one of the legendary folk singer's 1963 songs — a tune that features in this musical, naturally. Indeed, the entire show uses Dylan's tracks, including everything from 'Like a Rolling Stone' and 'Hurricane' to 'Slow Train' and 'I Want You', all weaved throughout a story of American life during the Great Depression. Girl From the North Country will make its Australian premiere at the 2022 Sydney Festival; however, to save you the trip north, it's coming to Melbourne as well from April. So, block out Friday, April 29 in your diary, as that's when its season will get started at the Comedy Theatre. Story-wise, the musical is set in a guesthouse in the US state of Minnesota in 1934. The narrative revolves around owner Nick, who is deeply in debt; his wife Elizabeth, whose mind is fraying; and their pregnant daughter Marianne — as well as a bible-slinging preacher and a boxer endeavouring to make a comeback. Overseas, Girl From the North Country has enjoyed sell-out seasons since it first debuted in London in 2017 — heading from The Old Vic to West End, next leaping to the US for an off-Broadway run, and then hitting up Toronto, returning to West End and premiering on Broadway before the pandemic in early 2022. Locally, the debut Aussie season will star Lisa McCune (The King and I, South Pacific), Zahra Newman (The Book of Mormon, Wentworth), Terence Crawford (Escape From Pretoria, 1984) and Helen Dallimore (Wicked, Legally Blonde). Girl From the North Country will open at the Comedy Theatre, 240 Exhibition Street, Melbourne from Friday, April 29, 2022. For further information or to buy tickets from Wednesday, December 15, head to the musical's Australian website.
Attention, Australia's aspiring novelists, budding journalists and up-and-coming writers. The Emerging Writers' Festival returns to Melbourne from June 14–23, bringing together over 200 new and emerging writers in their biggest program yet. Developed by new artistic director Izzy Roberts-Orr in collaboration with former artistic director Michaela McGuire, the festival boasts parties, performances, poetry slams, panels and networking events that all aim to promote and nurture developing storytellers. The jam-packed ten days will begin with an opening night storytelling session — titled Our Invincible Summer — by some of the brightest voices in the literary community. The evening will also include announcements of the recipients of the Monash Undergraduate Prize for Creative Writing and the Victorian Premier's Literary Award for an Unpublished Manuscript. Stick around for the afterparty, hosted by publication/blog/podcast Hot Chicks with Big Brains. Other key events include a Looking for Alibrandi-inspired formal, Tipping Points — a particularly topical play about climate change which was created in 24 hours — and Love Show, a collective performance by Quippings, a disability performance collective that showcases performers of a huge variety of bodies and minds. If you're looking for an after-dinner show, check out Lost The Plot, which sees lit nerds battle on stage in a night of wacky word games. If you can only commit to one event though, the annual, two-day National Writers' Conference is not to be missed. Held at the State Library of Victoria over the weekend of June 17-18, the event is curated to inspire writers through industry-focused talks, masterclasses and information sessions hosted by some of Australia's top literary talent. Additional masterclasses will be held throughout the festival and span everything from pitching to publishers and freelancing to young adult fiction writing, as well as podcasting, YouTubing and even spoken word. The Industry Insiders series will showcase some of Australia's top emerging editors and field discussions on self-publishing and marketing your work, while foodies can even enjoy a five-course meal in an evening with some of Australia's best food writers on Monday, June 19. The Emerging Writers' Festival 2017 will take place across Melbourne from June 14–23. For the full program of events, visit emergingwritersfestival.org.au.
For many years St Michaels Grammar School and Red Stitch Theatre have sat next to each other with little interaction other than the occasional use of a hall, or the odd class excursion. That is, until recently. Students from the performing arts-centric school will collaborate with actors from Red Stitch in the upcoming production of The Flock and the Nest. Twelve students from St Michaels are pairing up with four Red Stitch actors under the direction of Gary Abrahams to present The Flock and the Nest, a drama about youth, family, grief and loss. When Ebony's sister-in-law, Niamh, visits her and her family on their rural property, all hell breaks loose. The production is a combination of scripted drama and improvisation, written by Melbourne playwright (and the 2013 writer-in-residence at Red Stitch) Glyn Roberts. Taking the age-old tension of blood ties, land entitlement and grief, The Flock and the Nest promises to be a gripping family drama.
