Just hours after its series finale aired, Prime Video has confirmed that The Summer I Turned Pretty will conclude with a feature film. Announced on Thursday, September 18, the adaptation of Jenny Han's bestselling trilogy will wrap up with a movie written and directed by Han herself. "The Summer I Turned Pretty has struck a chord with audiences everywhere, creating moments of joy, nostalgia, and connection that have made it a global sensation," Courtenay Valenti, head of film, streaming and theatrical at Amazon MGM Studios, and Vernon Sanders, Global Head of Television at Prime Video and Amazon MGM Studios, said in a joint statement. "We're proud of the series' extraordinary success and couldn't be more excited to partner again with Jenny Han to bring fans an unforgettable next chapter." Han added: "There is another big milestone left in Belly's journey, and I thought only a movie could give it its proper due. I'm so grateful to Prime Video for continuing to support my vision for this story and for making it possible to share this final chapter with the fans." Since premiering in 2022, The Summer I Turned Pretty has become a global phenomenon. Its second season, released in 2023, more than doubled the first season's viewership within its first three days. Season three debuted in July 2025 and was streamed by 25 million viewers worldwide in its first week, becoming Prime Video's fifth most-watched returning season. The series has also helped launch the careers of stars Lola Tung, Jackie Chung, Christopher Briney, Gavin Casalegno, Rachel Blanchard, Sean Kaufman and Rain Spencer. No release date has yet been set for the film. Images: Erika Doss | Amazon
Survival is an ongoing process. If the first season of The Last of Us didn't already make that clear, the second season of the HBO series is set to arrive in 2025 to stress that message again. How does humanity endure in the aftermath of the Cordyceps virus, and the global devastation caused by it? What does it mean to persist? Also, who do we become in the process? Audiences will find out again from April. At the end of 2024, the US network confirmed that The Last of Us would return sometime in autumn Down Under. Now, it has locked in a month. An exact date is still to be revealed, but the show's comeback is getting closer. Also revealed: a new teaser trailer for the hit TV show that's based on the hugely popular gaming series, following prior sneak peeks — including as images and in promos for the network's full upcoming slate, plus an earlier season two teaser trailer. Prepare for a time jump. Prepare for a guitar. Prepare for hordes of infected. Prepare for a haunting feeling, too. Also, prepare for sirens, flares and a stern warning: "there are just some things everyone agrees are just wrong". In season two, it's been five years since the events of season one. And while there has been peace, it clearly isn't here to stay. Yes, Joel and Ellie are back — and, in their shoes, so are Pedro Pascal (The Wild Robot) and Bella Ramsey (Chicken Run: Dawn of the Nugget). This time, however, part of the conflict comes from each other. In season two, the show's main duo also have company from both familiar faces and a heap of newcomers. Rutina Wesley (Monster High) and Gabriel Luna (Fubar) return as Maria and Tommy, while Kaitlyn Dever (Good Grief), Isabela Merced (Alien: Romulus), Jeffrey Wright (American Fiction), Young Mazino (Beef), Ariela Barer (How to Blow Up a Pipeline), Tati Gabrielle (Kaleidoscope), Spencer Lord (Family Law), Danny Ramirez (Black Mirror) and Catherine O'Hara (Beetlejuice Beetlejuice) are the season's additions. The two teasers for the second season so far give fans a glimpse of plenty of the above new cast members, including Dever as Abby and Wright as Isaac. The Last of Us made the leap from video games to TV in 2023, and was swiftly renewed after proving a massive smash instantly. The series gave HBO its most-watched debut season of a show ever — and its first episode was also the network's second-largest debut of all time. Locking in a second season was also hardly surprising because the 2013 game inspired a 2014 expansion pack and 2020 sequel. For first-timers to the franchise on consoles and as a TV series, The Last of Us kicked off 20 years after modern civilisation as we know it has been toppled by a parasitic fungal infection that turns the afflicted into shuffling hordes. Pascal plays Joel, who gets saddled with smuggling 14-year-old Ellie (his Game of Thrones co-star Ramsey) out of a strict quarantine zone to help possibly save humanity's last remnants. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey. As a television series, The Last of Us hails from co-creator, executive producer, writer and director Craig Mazin, who already brought a hellscape to HBO (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Check out the latest teaser trailer for The Last of Us season two below: The Last of Us season two will arrive sometime in April 2025 — we'll update you when an exact date is announced. Season one is available to stream via Binge in Australia and on Neon in New Zealand. Read our review of the first season. Images: HBO.
Last time James Blake jetted our way, in 2013, he won our hearts — and eyes and ears. Two Sydney Opera House shows sold out before you could say Overgrown and the folks at Tone Deaf got so excited, they awarded him best International Tour of the Year, over Bruce Springsteen. Now, he's back with a third, full-length album, The Colour In Anything, released unexpectedly (to fans, at least) on May 6. Lasting 76 minutes, it sees Blake go more collaborative than ever before, with Frank Ocean and Justin Vernon making frequent appearances, and Rick Rubin taking care of production. "I wanted to open up and be more outgoing," he told The Guardian. "The record became a commentary on my life rather than me becoming part of the rest of the world." There's more Splendour sideshow action where this came from. Check out our list of sideshows with tickets still available.
Since 2014, MPavilion has been Australia's leading architecture and design commission, attracting worldwide attention and bringing some of the most exciting architects from home and abroad to this city of ours. Founded by the Naomi Milgrom Foundation — a not-for-profit organisation dedicated to initiating and supporting great examples of public design, architecture and culture — MPavilion is now open for its biggest year yet. Located in Queen Victoria Gardens from Tuesday, October 3 until Sunday, February 4, MPavilion creates a free and open space that encourages coming together inside a beautiful setting. Each annual iteration of MPavilion sees a new architect commissioned to produce a stunning pavilion, with each designer bringing his or her own unique style and ideas to the project. Behind this year's design is legendary Dutch 'starchitects' Rem Koolhaas and David Gianotten of architecture firm OMA. For the uninitiated, Koolhaas has been awarded the Pritzker Prize — essentially the Nobel Prize of architecture — while being described as "the world's most controversial architect" and designing celebrated buildings the world over. Meanwhile, Gianotten is an architectural superstar in his own right, becoming a core part of OMA in recent years and overseeing the firm's expansion into Asia Pacific. And this year's design matches the duo's impressive resumes. Described by Gianotten as a "living room looking into the garden of the city", the architects have designed a pavilion that blurs the lines between inside and out, one that is reconfigurable and obscures the distinction between audience and performer. Taking its cues from natural amphitheatres, the pavilion is warm, bright and open, and provides the perfect way to take in Melbourne's skyline. There's coffee and a bar on-site, making it the ideal place to stop by and see what's going on. "This year's pavilion reflects OMA's interest in the concept of inside-outside design and conversing with the city, so it's been very exciting to have them involved," Milgrom explains. "It's an open brief, so it's all about what the architect feels is perfect for the pavilion." Images: John Gollings.
In the fight to help keep our planet healthy and firing on all cylinders, there's one little guy that can't be overlooked: the humble honey bee. These oft unsung heroes are crucial for pollinating the world's food crops, which means that our future food security relies on them thriving. Luckily, groups like Aussie not-for-profit Pollinator Alliance are spreading the word and helping to conserve our pollinator populations. Next month, the group is even opening a brand-new bee shed and bee school, creating not just a home for our insect mates, but a community space for educating and encouraging a new wave of backyard beekeepers. Making its home in Alphington at the Melbourne Innovation Centre, the Bee Shed was one of last year's winners of the Victorian Government's community grants initiative, Pick My Project. Thanks to the program, and strong community support and votes, Pollinator Alliance scored almost $200,000 in funding to bring its proposed venture to life. The project's using a double-whammy approach to help raise awareness about the bee's plight and its importance to our planet. Firstly, the onsite Bee Shed will act as a hands-on education hub and teaching apiary, where local beekeepers of all ages can head to for low-cost beekeeping tools, helpful resources and a program of workshops. Then there's the student-focused Bee School, which will visit schools across Melbourne, using display hives to teach budding future beekeepers about the ins and outs of pollination. The Bee Shed is kicking things off with Opening Day celebrations on Sunday, November 17. You're invited to head along to check out the new digs, take an apiary tour and even sit in on a beekeeping workshop. There'll be market stalls, live music, and plenty of CWA scones served with lashings of local honey. Find the Bee Shed at 2 Wingrove Street, Alphington from Sunday, November 17. To find out more, head to the Pollinator Alliance website.
Icons teaming up with icons: when documentary series Pretend It's a City hit Netflix in 2021, that's what it served up. Earning attention: Fran Lebowitz, with Martin Scorsese directing. The focus: the acclaimed writer, humorist and social commentator chatting about her life for the legendary filmmaker, following on from Scorsese's Lebowitz-focused 2010 feature-length doco Public Speaking. Of course, Lebowitz doesn't need to be nattering with Scorsese, or in front of The Wolf of Wall Street and The Irishman helmer's lens, to prove a must-watch figure. Her sharp opinions and deadpan humour have made her famous for more than five decades now, and over a career spanning magazine columns, books, working with Andy Warhol, notable late-night talkshow appearances and public-speaking tours. It's the latter that's bringing her back to Australia in 2024 — getting talking along the east coast. [caption id="attachment_912247" align="alignnone" width="1920"] Harrison Dilts[/caption] "Ever since Pretend It's a City exploded on our screens, we have wanted to bring Fran Lebowitz back to the Sydney Opera House. In this special event, we all get to take on the role of Marty Scorsese and ask her what she thinks about absolutely anything in our puzzling, frustrating, sometimes maddening world," said Sydney Opera House Head of Talks & Ideas Chip Rolley, with Lebowitz's Harbour City stop presented in conjunction with the venue's talk-focused programming strand. "It's then our job to sit back, relax and laugh until we can no longer. Sydney should prepare itself for a banner night out with one of the world's great cultural satirists." [caption id="attachment_912248" align="alignnone" width="1920"] Lia Clay Miller[/caption] Melbourne and Brisbane should also prepare accordingly, with Lebowitz also taking to the stage at Hamer Hall in the Victorian capital and QPAC in the Sunshine State in February. Will she chat about attending the Succession season four premiere party? Her role as a judge in the Law & Order franchise (and The Wolf of Wall Street)? Saturday Night Live's parody of Pretend It's a City? Being a columnist for Warhol's Interview mag? Growing up in New Jersey? New York in the 70s? Topics such as race, gender, media and politics? Anything that vexes her? Everything? At least some will earn an unfiltered mention — including at the audience Q&As. AN EVENING WITH FRAN LEBOWITZ: Tuesday, February 13 — Sydney Opera House, Sydney Thursday, February 15 — QPAC, Brisbane Sunday, February 18 — Hamer Hall, Melbourne An Evening with Fran Lebowitz hits Australia in February 2024. Head to the Sydney Opera House, QPAC and Arts Centre Melbourne websites for tickets — with pre sales from Tuesday, August 8 and general sales from Thursday, August 10 — and further details. Top image: Bill Hayes.
The force is strong with this one — the Lego-building force, that is, with the largest collection of life-sized Lego Star Wars models ever assembled, as well as the biggest touring Lego exhibition, set to hit Australia in 2025. Earlier in 2024, news arrived that Lego Star Wars: The Exhibition was on its way in this very galaxy, world-premiering Down Under. Now, exactly when and where you'll be able to check it out has been revealed. Melbourne has locked in the first-ever Lego Star Wars: The Exhibition season — and yes, of course it'll open on Sunday, May 4. Melbourne Museum will be filled with more than eight-million bricks, all making models based on the George Lucas-created space saga. What music goes best with turning all that Lego into a Star Wars fan's dream? 'Luke's Theme', aka the franchise's main tune? 'The Imperial March' when things get tricky? 'Parade of the Ewoks', just because? That's a question for Ryan McNaught aka Brickman, who has indeed been spending time turning plastic rectangles, squares and other shapes into a recreation of a galaxy far, far away. The exhibition is set to take 25,000-plus hours of building, which is occurring at McNaught's headquarters in Tullamarine. Here's a question for attendees, too: which tunes will pair well with walking through this Lego Star Wars wonderland? You've got a few months to think about it, but you can start getting as excited as a Skywalker learning how to first use a lightsaber. The full list of models that'll feature hasn't been unveiled so far, but one will be life-sized — and that'll be a Lego Star Wars first. A huge 64,759 bricks are being used to craft the three-metre-high X-wing Red-5, taking 382 build hours. Attendees can also expect to see battle scenes between Luke Skywalker and Darth Vader, plus Qui-Gon Jinn and Darth Maul duelling, and also Emperor Palpatine's throne flanked by two Royal Guards. If you're keen to check it out and you don't live in Melbourne, you'll need to head to the Victorian capital to wander through Lego Star Wars: The Exhibition. As well as the hosting the world-premiere season, which will run until Monday, January 26, 2026, the stint at Melbourne Museum is an Australian exclusive. While you're there, you won't just be looking at all things Star Wars in Lego — you'll be able to get building yourself. As it constructs an immersive experience and follows in the footsteps of the Jurassic World franchise, which has also scored the Lego treatment from Brickman, Star Wars: The Exhibition has plenty of material to draw upon. On-screen, the series spans the initial film trilogy that released from 1977–83, then the prequels from 1999–2005, then the sequels — including The Force Awakens, The Last Jedi and The Rise of Skywalker — from 2015–2019. Rogue One, Solo, The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi, Andor, Ahsoka, The Acolyte: the list goes on across the big and small screens, including the wealth of animated efforts in the saga. "Building these iconic scenes and characters in Lego Star Wars form is an extremely complex task — taking the humble Lego brick and using it by the millions to translate into Star Wars builds and models at an epic scale the world has never seen before," said McNaught about Lego Star Wars: The Exhibition. "My team and I are super excited to launch this mind-blowing experience right here in Melbourne. My inner seven-year-old self still can't quite believe this is happening. I can't wait till May the Fourth next year to be able to share this incredible galaxy-first exhibition with the fans." Lego Star Wars: The Exhibition will make its world-premiere from Sunday, May 4, 2025, running until Monday, January 26, 2026 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the exhibition's website for more details and to join the ticket waitlist. Exhibition images: Museums Victoria.
The Bellarine Peninsula is set to welcome a stunning new hilltop retreat, opening just in time for that post-winter coastal escape you've already been plotting. Boasting a majestic piece of Point Lonsdale real estate, complete with 360-degree views of the bay, Lon Retreat and Spa is the latest incarnation of luxury accomodation Lonsdale Views. It opened its doors in October, following a huge, 18-month transformation of the 200-acre family-owned property. The luxury retreat features seven sanctuary-like suites, each one decked out differently to mirror a particular aspect of the surrounding landscape. Expect earthy, natural tones throughout, with most of the furniture, ceramics, artwork and lighting sourced or crafted locally. As well as the plush rooms, Lon boasts its own private beach access, a guest lounge with an open fire and views across the ocean, a private art gallery showcasing local works, and an indoor heated pool fed by mineral water. In the spa, you'll also find an OTT eight-jet shower. Outside the retreat, you'll find nature walks spread all across the property, if some fresh air and leg stretching is on the agenda. And, while there's no restaurant on site, guests can still indulge in a swag of local goodies, thanks to the honesty bar and a 'Makers and Growers Pantry', showing off top Bellarine produce. Room rates at Lon Retreat and Spa will start at around $360 per night, with a two-night minimum stay. The price includes access to the pool and a hamper full of breakfast treats courtesy of Annie's Kitchen in nearby Barwon Heads. Lon Retreat and Spa wis now open at 25 Gill Road, Point Lonsdale — an hour-and-a-half's drive from Melbourne's CBD. Images: Nikole Ramsay Photography. Updated: November 2, 2018.
Thanks to the success of Beef, the past year has been huge for Ali Wong. It was back in April 2023 that the hit series arrived, getting audiences obsessed and sparking plenty of accolades coming Wong's way. She won Best Actress Emmy, Golden Globe, Film Independent Spirt and Screen Actors Guild awards for playing Amy Lau, who has a carpark altercation with Danny Cho (Steven Yeun, Nope) that neither can let go of — and that changes both of their lives. The last 12 months have also been massive for the American actor and comedian onstage, all thanks to her Ali Wong: Live tour. Wong has been playing to full houses in the US, and also in Paris and London — and Down Under audiences are just as keen to see her. Before general tickets even go on sale for her Australian visit, she's added extra gigs. [caption id="attachment_946690" align="alignnone" width="1920"] Andrew Cooper/Netflix © 2023[/caption] Wong will head to Australia and New Zealand in July 2024. She initially announced four dates, kicking off in Auckland, then jumping over to Melbourne. From there, she'll work her way up the east coast, next hitting up Sydney before wrapping up in Brisbane. Now, both Melbourne and Sydney have scored extra gigs thanks to the huge demand during the ticket pre-sale period. Behind the microphone, Wong's comedy career dates back almost two decades, including three Netflix stand-up specials: 2016's Baby Cobra, 2018's Hard Knock Wife and 2022's Don Wong. And, as an author, Wong also has 2019's Dear Girls: Intimate Tales, Untold Secrets & Advice for Living Your Best Life to her name. On-screen, Wong doesn't let go of grudges easily, at least in Beef. In rom-com Always Be My Maybe, she's also been romanced by Keanu Reeves. Tuca & Bertie had her voice an anthropomorphic song thrush, while Big Mouth sent her back to middle school. Beef, on which Wong was also an executive producer, earned just as much love for the show overall — including the Emmy for Outstanding Limited or Anthology Series; Golden Globe for Best Television Limited Series, Anthology Series, or Motion Picture Made for Television; Gotham Award for Breakthrough Series under 40 minutes; Film Independent Spirt Award for Best New Scripted Series; and PGA for Outstanding Producer of Limited or Anthology Series Television. [caption id="attachment_722120" align="alignnone" width="1920"] Ed Araquel / Netflix[/caption] Ali Wong: Live Tour Dates — Australia and New Zealand 2024: Monday, July 8 — The Civic, Auckland Thursday, July 11–Friday, July 12 — Palais Theatre, Melbourne Friday, July 19–Saturday, July 20 — ICC Theatre, Sydney Monday, July 22 — Brisbane Convention and Exhibition Centre, Brisbane Ali Wong is touring Down Under in July 2024, with general sales from 9am local time on Friday, March 22 — head to the tour website for further details. Top image: Andrew Cooper/Netflix © 2023.
Turning your phone off during a movie is cinema etiquette 101. Not kicking the seat in front of you, or talking during the film, or taking in food with aromas so pungent they stink out the whole theatre — they're all on the list as well. Usually, so is wearing clothes; however, the returning Fantastic Film Festival Australia is making attire optional for some of its 2022 sessions. One of Australia's film fests dedicated to weird and wonderful cinema — a tranche of flicks so glorious that several events celebrate them — FFFA is back for another year, screening at the Ritz Cinema in Randwick in Sydney and Lido Cinemas in Hawthorn in Melbourne from Thursday, April 21–Friday, May 6. It has just unveiled its full 2022 lineup, too, and its naked screening certainly deserves attention. The fest debuted the concept last year, and it's bringing it back this year. Even better: you'll be getting your kit off to mark the 25th anniversary of The Full Monty. Stripping off while seeing a classic movie about men stripping isn't the only highlight of this year's program, of course — and yes, if you want to see Robert Carlyle and company while remaining dressed, you can leave your hat on (and the rest of your clothing as well). The attire-optional session sits alongside other standouts such as opening night's viking epic The Northman, starring Alexander Skarsgård and Nicole Kidman, and directed by The Witch and The Lighthouse's Robert Eggers; closing night's New York Ninja, which was shot in 1984, only finished in 2021 and follows a vigilante tale; and a 4K restoration of the inimitable 1981 great Possession starring a young Sam Neill and always-wonderful Isabelle Adjani (The World Is Yours). In total, 22 features and eight shorts and special events sit on this lineup of strange, surreal, out-there and purposely offbeat flicks. We're All Going to the World's Fair arrives from Sundance, combining psychological horror with a coming-of-age story — and a storyline about an online roleplaying game — while French film After Blue is a sci-fi western fantasy about a mother and daughter tracking a killer in toxic forests. There's also indie animation Absolute Denial, which has been compared to Frankenstein but in a digital world; Agnes, which explores a case of demonic possession in a convent; Japan's Dreams on Fire, featuring acclaimed dancer Bambi Naka in her first lead role; Norwegian nightmare The Innocents, as directed by The Worst Person in the World co-writer Eskil Vogt; and The Timekeepers of Eternity, which is adapted from Stephen King novella The Langoliers. On the events bill, FFFA is hosting Music Video Blind Date, to connect Melbourne musos with filmmakers in the hopes of making music video magic — and, thanks to an evening called Cinema 1 Nightclub, it's getting DJ Female Wizard to spin tunes inside a theatre while artist Baben Shin provides the visuals. And if you're keen to celebrate the launch of the program, the fest is also hosting a sneak-preview session of Michelle Yeoh-starring multiverse gem Everything Everywhere All At Once in advance — on Saturday, March 26. Fantastic Film Festival Australia runs from Thursday, April 21–Friday, May 6 at Ritz Cinema, Randwick in Sydney and Lido Cinemas, Hawthorn in Melbourne. For more information or to buy tickets, head to the FFFA website.
The top end of the Northern Territory is postcard-perfect Australia — World Heritage-listed national parks, islands, wetlands, pristine beaches and off-the-beaten-track (and croc-free) swimming holes are all within its borders. And Darwin is its gateway. Darwin is Australia's only tropical capital city. With hot, balmy summers and dry, sunny winters, it feels worlds away from the inner-city hustle of our nation's other capitals. On top of its incredible natural beauty, there are plenty of action-packed adventures to be had. From a helicopter pub crawl around the Darwin region to an outdoor deckchair cinema and a music festival right on the beach, the city is the perfect launchpad. Really, it's the perfect summer getaway for when it's cold everywhere else and it's right on our doorstep. Go on, get acquainted with Australia's Top End. SAIL INTO THE SUNSET Darwin is a city known for its harbour and close proximity to the crystal-clear Timor Sea, so kicking back on a cruise is a must when it comes to exploring. Grab a beer and sail into the sunset. You won't have a care in the world with that balmy breeze and endless ocean as far as the eye can see. There's a variety of sailing tours available from Darwin Harbour, lasting from a few hours to adventurous overnight and multi-day trips. But if you're just after a relaxing mini jaunt, the sunset harbour cruise is a winner. Operated by local company Darwin Harbour Cruises, you can choose to either just jump on board and see the sites or indulge in a sunset buffet dinner while being ferried around. Darwin Harbour Cruises sunset tours typically run between April and December, from 6–8.30pm daily. For more information and online bookings, visit the website. SWIM WITH CROCS No trip to Darwin is complete without saying hello to a few crocodiles. Get up close and personal with the prehistoric beasts at Crocosaurus Cove — a croc and reptile haven in the heart of Darwin. It houses the world's largest display of Australian reptiles and is home to Australia's only crocodile dive for the Steve Irwin enthusiasts among us. If the Cage of Death is too far out of your comfort zone, there's a bevvy of other scale-studded attractions like the aforementioned reptile house, croc feeding shows — where you'll see Burt (the star of iconic Australian film Crocodile Dundee) — a freshwater aquarium, a swimming pool and a chance to hold a baby croc. Better to see a croc here than while sunning yourself at the beach. Visit the website for more details and bookings. BOOGIE ON THE BEACH Going to music festivals isn't strictly a summer activity — at least, not in Darwin. Mid-May sees the return of Darwin's huge one-day music shindig, the People's Choice BASSINTHEGRASS festival. This year's lineup features a stack of ace musicians, including Hilltop Hoods, Nick Murphy FKA Chet Faker, Amy Shark, Broods, Meg Mac, PNAU and more. Plus, for the first time in its 17 years, BASSINTHEGRASS will take place at Mindil Beach. So, in between catching your favourite artists, you can gaze out at the Timor Sea and forget that winter is waiting for you back home, as you soak up bucketloads of Top End sunshine. BASSINTHEGRASS 2019 will take place from 11am–11pm on Saturday, May 18. For the full lineup and to purchase tickets, visit the website. WATCH A MOVIE UNDER THE STARS Run by the local not-for-profit film society, Darwin's Deckchair Cinema grew from the desire to screen films that were not otherwise available in the city. Since it began in the 90s, it has become a go-to activity for locals and passersby alike, hosting an eclectic mix of films in a beautiful outdoor setting. Based on the edge of the harbour, Deckchair Cinema is decorated with fairy lights, artworks by local artists and, of course, deckchairs. There's also a licensed bar and food by local caterers, plus complimentary cushions and (very mandatory) bug repellent. It's the ideal balmy evening activity. Deckchair Cinema runs from mid-April to mid-November with daily screenings. Visit the website for more information and the current program. VISIT DARWIN'S MASSIVE WATERFRONT PRECINCT Darwin Convention Centre, shopping, restaurants, a park, swimming lagoons and a wave pool are all part of the mammoth precinct along Darwin's harbour. The lagoons and wave pool are notable drawcards, offering croc-and-stinger-free cooldowns in the Top End heat. Plus, it's home to some of Darwin's top eateries, including casual Vietnamese eatery CHOW!, Il Lido and the luxe Oyster Bar, which boasts waterfront views and some of the best seafood in town. For more information on the Waterfront Precinct, visit the website here. WANDER THROUGH MINDIL BEACH SUNSET MARKETS Held every Thursday and Sunday night from late-April to October, Mindil Beach Sunset Markets are undoubtedly Darwin's largest and most popular markets. Alongside arts, crafts, and entertainment stalls, there are over 60 food vendors offering up cuisines from almost every international corner — Mexico, Greece, Turkey, Sri Lanka, South America, North Africa, India and across South East Asia. Enjoy a picnic on the beach, then check out what the jewellers, tarot readers, indigenous artists, tailors and leatherworkers have on offer. Oh, and expect street theatre, magicians and plenty of musicians to keep you entertained while you peruse. For more information, visit the website here. [caption id="attachment_718143" align="alignnone" width="1920"] Emma Pritchett[/caption] EXPLORE KAKADU NATIONAL PARK AND STAY IN A LUXURY SAFARI LODGE If you're planning a visit to Darwin without venturing to one of its surrounding national parks — Litchfield, Mary River and Kakadu — you're really missing a trick. Australia's Top End is abundant with wildlife, exotic flora, rock art, waterfalls, floodplains, colossal termite mounds and swimming holes — it's some of the most diverse terrains in the country. World-Heritage-listed Kakadu, the largest national park in Australia, is 253 kilometres east of Darwin. Cruise down the remarkable Yellow Waters, visit Nourlangie Rock — famed for its indigenous rock art — and see some crocs and Australia's most diverse bird population. Be sure to fit in a visit to Warradjan Aboriginal Cultural Centre and dive into a few of the croc-free swimming holes, too. While day tours from Darwin exist, we recommend going all out and staying at Bamurru Plains — Australia's version of an upscale safari lodge — situated on the Mary River floodplains on the edge of Kakadu. Nine bungalows, artfully kitted out in timber and corrugated iron, are enclosed in mesh that offers sheer views over the wetlands. Be warned though — it'll set you back a cool $1360 per night. Visit Kakadu National Park's website for more information. For bookings and more information on Bamurru Plains go here. GO ON A HELICOPTER PUB CRAWL Being a tourist is thirsty work. Luckily, Airborne Solutions has got you with its helicopter pub crawl, which stops at some of the region's more remote watering holes. While up in the air, you'll see unparalleled views of the Top End's natural beauty, covering Darwin, its harbour and coastlines, eucalypt woodlands, termite mounds, billabongs and mangroves. Offered as both a half-day and full-day tour, this pub crawl is sure to get you rubbing shoulders with some quintessentially Aussie characters. You'll visit The Lodge of Dundee, Crab Claw Island Resort, Darwin River Tavern and Goat Island Lodge, before deciding between Humpty Doo Hotel and Noonamah Tavern for your final stop. Although the tours don't come cheap — $795 each for a half-day and $975 a pop for the full Monty — it's a pretty fair dinkum deal for a chopper ride and a beer (or few). For more information and bookings visit the website. To help get you to Darwin this season, and BASSINTHEGRASS festival, Northern Territory Major Events has partnered with Virgin Australia to release a bunch of discounted holiday packages. For more information and to book a flight and accommodation package, head this way. Top Image: Emma Pritchett.
It's television's greatest tragedy, and one that's been more than a decade in the making. Watching Better Call Saul, it's impossible not to think about the route its protagonist takes through Breaking Bad. We already know how Saul Goodman's (Bob Odenkirk) story ends, so as we explore his pre-Walter White life — when he was known by his birth name of Jimmy McGill and genuinely wanted to be a legitimate lawyer — the feeling is bittersweet, to say the least. The same sensation applies to former cop Mike Ehrmantrout (Jonathan Banks), whose Breaking Bad fate is also already known. Before getting caught up with Gus Fring (Giancarlo Esposito), he first crossed Jimmy's path as a car park attendant at the Albuquerque court house — and Better Call Saul tells his tale as much as its namesake's For four seasons since 2015, the Breaking Bad prequel has stepped through the earlier existence of these two characters, as well as others in their orbit — such as Jimmy's successful older brother Chuck (Michael McKean), his girlfriend and fellow lawyer Kim Wexler (Rhea Seehorn), and Mike's widowed daughter-in-law Stacey (Kerry Condon) and granddaughter Kaylee (Abigail Zoe Lewis). As the episodes pass, the two central figures slowly start inching towards their Breaking Bad lives. Familiar faces, such as Fring and Hector Salamanca (Mark Margolis) also pop up. The result: a series that's as excellent as its predecessor, and one that provides another excuse to spend more time in Breaking Bad's world. After last airing episodes in 2018, it's returning for a fifth season this year — and if you can't wait until February 24 to see what comes next, a pair of sneak peeks have dropped. The teasers are incredibly brief, as proved the case when glimpses of 2019's El Camino — A Breaking Bad Movie first started releasing. Still, they show what we all knew was coming: that Jimmy McGill is slipping further away — and Saul Goodman is emerging. Check out the teasers below: https://www.youtube.com/watch?v=ULZVGONrfuw&feature=youtu.be https://www.youtube.com/watch?v=XqopNXmg3x0 Better Call Saul's fifth season starts streaming on Stan from Monday, February 24.
As part of Melbourne's most fabulous week of drinking, World Class Cocktail Week, there's a special event going for those keen on great scotch and equally brilliant food. Saint Crispin's Joe Grbac and Thomas Olive's Alan Mulvihill will join forces to create an evening fit for King Neptune himself — if he could drink Talisker, of course. The Old Scotch and the Sea, a playful take on a famous Hemmingway title, is far more harmonious than the novel in its pairing of delicious scotch and sweet and juicy seafood. Grbac and Mulvihill will be serving up four courses, including dishes such as Marron tail, chicken liver parfait, fricassee of pine mushrooms, buttered hand-rolled macaroni and sesame seed crumble. If that’s not enough to make your mouth water, the menu is designed to pair perfectly with the Isle of Skye-born Talisker Storm Scotch Whisky. Sounds like the perfect storm to us.
If heaving steins of frothy, golden beers paired with generously proportioned, hearty schnitzels or freshly baked pretzels are your idea of a good time, you're probably a big fan of Oktoberfest. The German folk festival has been adopted worldwide, bringing its music, food and drinks aplenty to the masses. Melbourne's unofficial home of the festival is Hofbräuhaus, where the celebrations are returning for the 56th year in 2024. The special offering will run from Saturday, September 21, to Saturday, October 26. That's six weeks of celebrations, kicking off with an opening night party. The activities run most of the day, and you'll get the most action from 6.30pm from Thursday to Sunday, but the party starts as early as 12.30 on Saturdays, with imported German Biers poured (and tapped directly from the keg) and crumbed-to-order schnitzels plated to live music. If the bands are in full swing, guests can also take part in Stein-carrying competitions. The prize? A year of free beer, of course. Those activities and menu items will be available on a varying schedule for the entire six-week period, with more competitions (yodelling, anyone?) and over 16 exclusive German Biers imported for the event, singalongs in English and German and the promise of a fully immersive Oktoberfest experience. Prost! Oktoberfest celebrations will run at Hofbräuhaus from Saturday, September 21, to October 26. For more information, visit the website.
What's better than one major Australian structure proudly displaying the Aboriginal flag, hoisting it high for everyone to see on a permanent basis? Two, of course. Actually, watching that list keep on growing would be even better still — but for now, Melbourne's West Gate Bridge has joined the Sydney Harbour Bridge in making the Aboriginal flag an enduring fixture. As announced back on Monday, July 4 by the Victorian Government, the Aboriginal flag has taken up permanent residence upon the roadway, with permission from Traditional Owners. It was put in place last week for NAIDOC Week, and the decision was made to keep it there — rather than continue rotating it, as well as the Torres Strait Islander flag, when both Reconciliation and NAIDOC weeks pop up. "The Aboriginal flag signifies unity, identity and resilience for Aboriginal people. We are very proud that we can now fly this important symbol above Melbourne," said Victoria's Minister for Treaty and First Peoples Gabrielle Williams. "Flying the flag follows our ongoing partnership with the First Peoples of Victoria on our path to Treaty and truth." [caption id="attachment_860986" align="alignnone" width="1920"] A Canvas of Light via Flickr.[/caption] "The Aboriginal flag represents inclusiveness, recognition and respect and having it flown permanently atop the West Gate Bridge demonstrates this commitment to Aboriginal communities in Victoria," added Bunurong Land Council Aboriginal Corporation Chairperson Kelly Lehmann. "This is a significant first step, and we look forward to seeing ways in which the Torres Strait Islander flag can also be flown in the future." The Aboriginal flag joins the Australian flag on top of the West Gate Bridge and, yes, the Victorian Government is now looking into being able to fly the Torres Strait Islander and Victorian State flags there as well. It's currently exploring both the feasibility and the requirements, including current flag protocols, as well as the bridge's structural, safety and maintenance requirements. [caption id="attachment_840573" align="alignnone" width="1920"] Oliver Lupton via Wikimedia Commons.[/caption] Victoria's move comes at the same time that this exact conversation has been taking place in New South Wales, about flying the Aboriginal flag on the Sydney Harbour Bridge. NSW Premier Dominic Perrottet originally pledged to give it a permanent berth atop the country's most famous man-made structure back in February, then announced in June that it'd become a reality by the end of 2022 — before confirming on Monday, July 11 that the flag would stay hoisted above the harbour post-NAIDOC Week, too, like its Victorian counterpart. Also in Aboriginal flag news this year, the Australian Government unveiled a copyright deal at the end of January with Luritja artist Harold Thomas, who designed the symbol, to make it freely available for public use. The Aboriginal flag is now flying permanently on the West Gate Bridge, effective since Monday, July 11. Top image: Colin Campbell via Flickr.
Film fans, your spider-senses should be tingling: there's a new batch of Spider-Man-adjacent characters swinging onto the big screen. Get ready to meet Dakota Johnson (Cha Cha Real Smooth) as Madame Web, aka clairvoyant paramedic Cassandra Webb. Get ready, too, for Sydney Sweeney (Reality) as Julia Carpenter, who has a stint as Spider-Woman in her story in the comic books. Johnson and Sweeney lead Madame Web, the fourth film in Sony's Spider-Man Universe. That's the name for the studio's franchise of flicks that have been spun off from its Spider-Man movies — so from Spider-Man: Homecoming, Spider-Man: Far From Home and Spider-Man: No Way Home — but aren't part of the the Marvel Cinematic Universe. Hitting cinemas on Wednesday, February 14, 2024, it slings in alongside Venom, Venom: Let There Be Carnage and Morbius, plus the delayed Kraven the Hunter when it arrives later the same year, to spread another web of superhero-related pictures. Given its name, there's no chance of thinking that Madame Web would be subtle about its Spidey links. The just-dropped first trailer for the film makes that plain not just in multiple Spider-Woman sightings, but in an explanatory line from Johnson designed to drop some backstory: "he was in the Amazon with my mum when she was researching spiders right before she died". In the first SSU movie with a female lead, the man that Webb is talking about is Ezekiel Sims (Tahar Rahim, Extrapolations), a character who also hails from the page. He factors into a narrative that has Webb almost drowning, then discovering that she can see the future, with not just Sims but Carpenter linked to her fortunes. Also, would this be a Spider-Man-related movie, or a comic book movie in general, if a complicated past didn't also play a part? Also featuring on-screen in Madame Web: Celeste O'Connor (Ghostbusters: Afterlife), Isabela Merced (Rosaline), Mike Epps (I'm a Virgo), Emma Roberts (American Horror Story) and Adam Scott (Party Down). Veteran TV helmer SJ Clarkson (Succession, Vinyl, Jessica Jones) directs, and also co-wrote the script with producer Claire Parker (Life on Mars). Check out the trailer for Madame Web below: Madame Web opens in cinemas Down Under on Wednesday, February 14, 2024.
They're perhaps the most mystical of all sea creatures, but you probably haven't had much of a chance to get up close and personal with real-life jellyfish. Well, all that's about to change. Sea Life Melbourne Aquarium is shining the spotlight on these ocean enigmas with an interactive new $1.5 million jellyfish exhibition launching tomorrow, Thursday, December 12. Spread across 300 square metres and three multi-sensory zones, and featuring a thousands of jellyfish from a range of species, Ocean Invaders has made its home permanently at the aquarium. It's home to a range of exhibitions dedicated to these gelatinous critters — from lighting installations to hands-on activities and mesmerising, colourful displays of living jellyfish. Here, you can learn the ins and outs of jellyfish, watch them being cared for by Sea Life's ocean experts and even crawl through a cylindrical tank surrounded by them. In another zone, striking light projections lend even more magic to a range of living displays, including one transparent sphere that's packed full of floating creatures. Species like the blue blubber jellyfish (catostylus mosaicus), the upside-down jellyfish (cassiopea andromeda) and sea nettles (chrysaora melanaster) also feature in the Ocean Invaders collection, which also aims to school visitors on why some jellyfish populations are currently booming across our oceans. Find Ocean Invaders at Sea Life Melbourne Aquarium from Thursday, December 12, 2019. Entry is included in the price of general admission ($37.40)
One of the greats of the Aussie comedy industry, Josh Thomas, has graced our eyes and ears with his two television series Please Like Me and Everything's Gonna Be Okay, his podcast Josh Thomas and Friend and his standout standup career. Said standup career is returning to our lives with his newly announced 2024 national tour Let's Tidy Up. In this show, Josh tidies up, which isn't usually particularly gripping entertainment. Unless it's difficult, and for Josh, it's supposedly impossible, akin to defying gravity and reversing the tides. But he also promises more topics — like gardening, gophers and a love story. The tour starts in Sydney at the Sydney Opera House from Wednesday, January 31 to Sunday, February 18. Then Josh will move on to visit Canberra, Hobart and Newcastle for one-night-only shows in late February. He'll set up shop at Adelaide Fringe Festival from March 5—10, then hit Cairns and Perth for one-night-only shows in March and April. There'll be several shows at Melbourne Comedy Festival from April 9—21, a one-night-only show in Toowoomba on Wednesday, May 1 and finally the Brisbane Comedy Festival from May 2—5. And as a special offer for you, dear reader, you can get 20% off your tickets with this limited time offer to select shows in Sydney, Melbourne and Brisbane. 'Let's Tidy Up' is playing at the Sydney Opera House from Wednesday, January 31 to Sunday, February 18. For more information or to get tickets, visit the website.
Digital art is taking over the Australian Centre for the Moving Image in a huge way in 2024. The Melbourne venue might be known for its cinemas, as well as past exhibitions about Martin Scorsese, David Bowie, Disney animation and women in Hollywood, but it doesn't just celebrate movies and television. If it can grace screens, it can feature here — including at the Marshmallow Laser Feast: Works of Nature showcase that's displaying until April, and then at just-announced fellow world-premiere Beings. Interactive pieces using innovative technology firmly fit ACMI's remit, which is exactly what its big winter exhibition will be about. The playful event explores the work of art and design collective Universal Everything, featuring 13 pieces from its 20-year career. And the experience that you have while walking through Beings won't be the same as anyone else's. [caption id="attachment_944195" align="alignnone" width="1920"] Future You' by Universal Everything, installation view, Digital Impact, Barcelona, Spain, photo by Eva Caraso.[/caption] On display from Wednesday, May 22–Sunday, September 29, 2024, this new reason to head to ACMI wants attendees to not merely look at, but also move and dance in front of its large-scale screens and projected artworks. Beings' pieces will respond differently to each visitor, using evolving algorithms and generative technology. That makes you part of the art as well. Founded in 2004, Universal Everything began in a garden studio in Sheffield, England, which is where Creative Director Matt Pyke initially set up shop. Now, the collective — which includes animators, architects, cinematographers, designers, developers, engineers and musicians — works globally. Its creations display around the world, too, with stints in London, Seoul, Paris, Istanbul and New York before its upcoming Melbourne exhibition. [caption id="attachment_944193" align="alignnone" width="1920"] 'Friends' by Universal Everything[/caption] Beings' pieces — four of which will be brand-new world-premiere artworks themselves — frequently use the kind of tech that Hollywood studios and video-game makers deploy. Expect to peer at and play with an assortment of characters, and to feel like you've stepped into a movie or a game as well. The exhibition will unravel Universal Everything's creative process, including via hand-drawn sketches that'll be seen by the public for the first time. [caption id="attachment_944198" align="alignnone" width="1920"] 'Into the Sun' by Universal Everything, installation view, Lifeforms exhibition, 180 Studios, photo by Jack Hems.[/caption] "This is technology with heart and soul. Innovative, interactive and enriching, Universal Everything's joyous creations bring warmth and a sense of humanity. Whether you have an eye for design, an interest in new tech or are simply looking for some fun, this family-friendly experience will leave you with a smile. ACMI is the home of endless play this winter — no two visits to Beings will be the same," said ACMI Director and CEO Seb Chan, announcing the exhibition. "I relish this opportunity to push our studio practice even further, with some never-before-seen artworks created for Melbourne audiences. And as ever, I'm looking forward to being surprised by unexpected visitor responses to the show. We hope they have lots of fun," added Universal Everything's Pyke. [caption id="attachment_944196" align="alignnone" width="1920"] 'Future You' by Universal Everything, installation view, More than Human, Afundación, A Coruña, Spain, image courtesy of the artists.[/caption] As is ACMI's custom, an exhibition at the Federation Square venue spans more than just the showcase itself. While the specifics are still to be revealed, there'll be late-night access, as well as a new contemporary dance series that features Melbourne choreographers. Beings is also family-friendly, so activities for kids — for preschoolers in general, and over the school holidays — are on the agenda. [caption id="attachment_944201" align="alignnone" width="1920"] 'Transfiguration' by Universal Everything.[/caption] [caption id="attachment_944199" align="alignnone" width="1920"] 'Kinfolk' by Universal Everything.[/caption] [caption id="attachment_944200" align="alignnone" width="1920"] ''Maison Autonome' by Universal Everything, installation view, image courtesy of the artists.[/caption] [caption id="attachment_944194" align="alignnone" width="1920"] 'Symbiosis' by Universal Everything.[/caption] Beings will display at ACMI, Federation Square, Melbourne, from Wednesday, May 22–Sunday, September 29, 2024 — head to the ACMI website for further details or to get tickets. Images: courtesy of Universal Everything. Top image: 'Infinity' by Universal Everything.
Neo. John Wick. Johnny Utah. Ted "Theodore" Logan. Across Keanu Reeves' almost four-decade acing career, the inimitable star has played many iconic parts — but only one thrust him to stardom as a time-travelling high-school slacker who had to round up famous figures from the past to pass his history report and save the future of humanity. As a result, the Bill & Ted movies have always held a soft spot in Keanu fans' hearts. Since first hitting screens in 1989 and 1991, the franchise has long been the subject of follow-up rumours, too. And now, just when the world particularly needs a reminder about being excellent to each other, the series is returning with its long-awaited third instalment. Nearly 30 years after Reeves last rocked out, grappled with fate and used a telephone box as a mode of transport in Bill & Ted's Bogus Journey, he's back doing the same thing. So is Alex Winter as Bill S. Preston, Esquire, Ted's best buddy, San Dimas High classmate and fellow founder of Wyld Stallyns, aka the garage band that'll change life as we know it and inspire a utopian society — at least according to Rufus (the late George Carlin) in film that started it all, Bill & Ted's Excellent Adventure. But as both the first teaser and the just-dropped full trailer for Bill & Ted Face the Music shows, that plan hasn't quite panned out as yet for the franchise's central duo. A quarter-century ago, they played a concert in front of the entire world. One month ago, they played a gig in California for 40 people — "most of whom where there for $2 taco night", they're told. After being reprimanded by the folks from the future for their lack of progress — when you're supposed to write the song that unites the globe and rescues reality, 25 years without any progress isn't going to go by unnoticed — Bill and Ted decide to head forward in time to a point when they've already penned the tune in question. Once they're there, they figure they can just steal the track from themselves. Plenty of hijinks await, naturally, including singing at weddings, playing air guitar with the Grim Reaper (William Sadler) and coming face to face with beefed-up versions of themselves. Oh, and then there's Ted's daughter Billie Logan (Bombshell's Brigette Lundy-Paine) and Bill's daughter Thea Preston (Ready or Not's Samara Weaving), who follow in their dads' footsteps and get in on all the time-travelling fun. If the first teaser was enough to make you exclaim "party on, dudes!", Keanu-style, then this longer trailer will evoke more of the same. Bill & Ted Face the Music is clearly taking more than a few queues from its predecessors, too — as well as needing to create a song in 78 minutes that'll save the world and bring harmony to the whole universe, Bill, Ted, Billie and Thea also enlist some well-known personalities from the past to help. As for what happens next, how often someone will say "whoa!", and what the rest of the cast — which includes Kid Cudi, Kristen Schaal, Anthony Carrigan, Erinn Hayes, Jayma Mays, Jillian Bell, Holland Taylor, Beck Bennett, Hal Landon Jr and Amy Stoch — gets up to, that'll all be revealed when the film hits Australian cinemas on Thursday, August 27. Until then, check out the full Bill & Ted Face the Music trailer below: https://www.youtube.com/watch?v=9gnTuWEKSXw&feature=youtu.be Bill & Ted Face the Music is scheduled to release in Australian cinemas on August 27.
It is with a heavy heart that we announce one of Melbourne’s retail gems, Alice Euphemia, is closing its doors in less than a week. After 18 years in Cathedral Arcade, Flinders Lane, this champion of the Australian design world will be closing on Thursday, June 26 at 6pm. Karen Rieschieck, owner of Alice Euphemia, has had her finger on the pulse of innovative Australian fashion since opening her store in 1997. Labels she has stocked and supported over the years include Romance Was Born, Christopher Esber, Kuwaii, Livia Arena, Carly Hunter and Kloke. The much-loved store is also well-known for stocking talented and independent jewellery designers. Work from Lucy Folk, Mavro, Seb Brown, Julia deVille, Dani M, and Millie Savage has regularly graced the shelves of this Melbourne institution. In Australia’s current fashion climate, where cheap and mass-produced imports of buzz brands are causing lines around the block, specialty stores like Alice Euphemia that support quality and creativity will be greatly missed. We visited the boutique yesterday to say goodbye and the loyal fan base that Alice Euphemia has generated over nearly two decades was extremely evident. Every second customer walked straight up to the shop girls to tell them how sad they were that they are closing down. However, this might not be the complete end to all things Alice. The store's Instagram account mentions the possibility of a "phase two" and an email sent to loyal customers announcing the shop’s final days stated "it’s time for a hiatus". In speaking to The Age, Rieschieck indicated the store may come carry on in its online form, or as a support for local business. "I really want to reinvigorate Alice," Rieschieck said. "The only way I can think to do that is to stop, have some time out, have a bit of long-service leave and come back with a different approach." Until then, Alice Euphemia is spending its final days hosting a massive sale of their clothes and some of their jewellery. They are also selling shopping fixtures such as mannequins, cabinets, vases, light fittings, mirrors, hangers, and other miscellaneous parts of the store. Time to get on down, pick up a bargain, and say your goodbyes as this beloved boutique bites the dust. Alice Euphemia is located in Cathedral Arcade, on the corner of Flinders Lane and Swanston Street in the CBD. The store will be open its usual hours: Monday-Saturday, 10am-6pm until its last day of business on Thursday, June 26.
For most people, waking up to the smell of freshly brewed coffee is one of life's simple pleasures. Soon, waking up in bedding made from coffee grounds might be as well. Forget using caffeinated leftovers in the garden or around the house — Australian outfit Ettitude wants to reuse the parts that don't make it into your cuppa, infusing them into their new sheets range. It seems that they're not the only ones keen on the idea, with their Kickstarter campaign fully funded, and the first sheets due to ship in November. Their range includes the whole bedding kit and caboodle — aka flat and fitted sheets, quilt covers and pillow cases — in double, queen and king sizes, as available in a range of packs of combinations. And while they don't actually smell like everyone's favourite hot beverage, they do supposedly reap plenty of rewards. So, how does it work? The company's bamboo coffee bedding collection uses coffee yarns sourced from S.Cafe, who repurpose coffee grounds from cafes around the world, blend them with a polymer made from recycled plastic drink bottles, and turn the mix into fabric. At Ettitude, the yarns are then woven through their own sustainable bamboo lyocell textiles, ready to bring some coffee goodness to bedrooms everywhere. It's not just the environmentally friendly aspect of their new creation that Ettitude is getting all frothed up about, either; their sheets apparently offer a range of other benefits. It's unsurprising that material made out of something as heavy-scented as coffee grounds can block out other odours, but it can also wick away moisture faster, ensuring that bedding stays fresher for longer. Ettitude also state that hypoallergenic, thermoregulating bamboo-based linen doesn't irritate hair and skin as much as other fabrics, helping you wake up feeling refreshed — before you even roll out of bed and grab a coffee. For more information about Ettitude's bamboo coffee sheets, head to their Kickstarter campaign.
One of Sydney Festival 2017's most Instagrammed events was The Beach, an enormous ball pit inside a human-made cave, as created by Brooklyn-based design studio Snarkitecture. Tonnes of the city's residents spent at least some part of January diving, cannonballing and floating about in a sea of plastic bliss. Understandably. Thankfully, Melbourne got its own pop-up ball pit earlier this year — this behemoth, one-million ball, ball pit party. It sold out, and now it's returning just in time for Halloween. Like last time, it will be divided up into several spaces creating a kind of playground. There'll also be an on-site cocktail bar, to let you rest and refuel in between dips and dives. The ball pit will pop up in North Melbourne on Saturday, October 27 from 1pm till 1am. Entry will be via ticket, which will entitle you to two hours of playtime. The ball pit folk have gotten into the festival spirit this time round, too, and will be hiding $1000 throughout the ball pit. If you're keen to find it, we suggest booking into one of the earlier sessions. Anyone keen to attend between 1pm and 3pm can add some extra fun to their ball pit experience: a two-long bottomless prosecco and pizza session. Tickets including food and drinks cost $55, with only 200 available. A tip: you might want to go easy on the jumping around after getting your fill of eats and bubbles.
Remember the animation devices of ancient times, such as the zoetrope, praxinoscope and phenakistoscope? No, of course you don't. Fortunately, we have artist and technician Richard Balzer, who has taken it upon himself to perform the necessary updates. For more than 30 years, he has been dipping into cabinets of curiosity and combing through flea markets in order to find detailed drawings, diagrams and photographs from the old world and breathe new life into them through the popular gif image. From an early fascination with the magic lantern, Balzer has accumulated a comprehensive collection of optic toys and illustrations. These forms of visual entertainment were originally developed as an attempt to better understand the functioning of the eye and the brain. Enthralled by the phenomenon of illusory movement, Balzer has spent the last five years curating a virtual museum, bringing the image-making magic of these devices to the web. Peruse the catalogue and uncover innumerable psychedelic head-spinners, from galloping devils to backflipping knights in armour to monstrous faces swallowing and re-swallowing each other. Balzer's aim is simply to share his passion with as wide an audience as possible, whilst preserving and digitising an art archive on the verge of being forgotten. Via psfk and Colossal.
Over-the-top food and drink mashups might be popping up on seemingly every menu these days, but one has been around for much, much longer. That'd be the humble shandy, which mixes beer with something that's definitely not beer — something lemon-flavoured, usually — and makes for perfect summer sipping. Why just knock back a brew when you can also be drinking mango juice, ginger beer and squash? That's the thinking behind The Bavarian's summer shandy series — although no, you won't be downing all of the above ingredients at the same time. Instead, those tipples and a heap of others are featured in nine different shandies, which'll set you back between $10–15 each, come in 500-millilitre steins and are available all summer long. On the menu: the Summer Mango, which combines Franziskaner Hefe Weissbier with mango juice; the Michelada, a blend of 4 Pines Kolsch, bloody mary spiced juice and lime juice (with a chilli-salt rim); the Nightcap, which pairs Hofbrau Dunkel with coffee liqueur; and the Snake Bite, a mix of Bulmers apple cider, 4 Pines Kolsch and Chambord. Butterscotch, apple rye spice, whiskey and ginger, and a tequila concoction are also available — the latter called the Largarita — because these shandies can also include liqueurs and spirits. You'll find The Bavarian at Knox and Highpoint.
Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. That's not going to change in 2019, but for a different reason — the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Directed by Ian Darling, and solely compiled from archival material — in a technique reminiscent of another great sports doco in recent years, Senna — it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL — when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. As Darling astutely realised, the footage says it all. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. As essential for the broader public as it is for football fans, the film is set for both a cinema and television release later this year, Just hours before the premiere — but nearly four years after Goodes retired at the end of the 2015 season, notably — the AFL and its 18 clubs released a long-overdue statement that apologised "unreservedly for our failures" in not standing up for him during his career. The second Goodes-focused doco, The Australian Dream, will surface in August. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. Check out the trailer for The Final Quarter below: https://www.youtube.com/watch?v=q9C8JaJxoYU The Final Quarter will release in Australian cinemas later this year. We'll update you with a release date when one is announced.
Enjoying dinner and a show is a time-honoured theatregoing tradition, but when spring arrives in the Victorian capital in 2024, one menu item mightn't prove so popular. If you've seen Sweeney Todd: The Demon Barber of Fleet Street on the stage before, or caught the 2007 Tim Burton (Wednesday)-directed movie adaptation, then you'll know which dish to avoid when it comes to Arts Centre Melbourne. In this Steven Sondheim-penned musical thriller, meat pies are packed with quite the unwanted ingredients. This murderous tale of slitting throats, then stuffing body parts into baked pastries will play the venue from Saturday, September 14–Saturday, September 21, in a production by the Victorian Opera and New Zealand Opera. Whether you're keen for your first date with music theatre's iconic villain and his partner-in-crime Mrs Lovett, or you've seen see it before and can't wait to repeat the feat again, expect a killer show. Ben Mingay (Shrek the Musical, Frayed, Pirates of Penzance, Packed to the Rafters) is taking up the razor and polishing people off as the titular Sweeney, while Antoinette Halloran (Mary and Max, Macbeth, Summer of the Seventeenth Doll) will join him as Lovett. The production also includes the Victorian Opera Chamber Orchestra helping to perform classic tracks such as 'No Place Like London', 'The Ballad Of Sweeney' and the always-fitting 'The Worst Pies in London'. Victorian Opera Artistic Director Stuart Maunder will direct this Melbourne season of Sweeney Todd: The Demon Barber of Fleet Street. "I love this piece. The terror, the thrills. For all its melodrama, blood and gore, this masterpiece of music theatre tells a universal human story; revenge, obsession, and lust, yes — but also pain, yearning and even love. This is Sondheim at his most powerful, moving and terrifying. And what a cast, I am in awe," he advises. Sweeney Todd: The Demon Barber of Fleet Street doesn't just date back to the late, great Sondheim's Tony-winning Broadway and West End smash. Before that, it was a play in 1973 — and it had hit stages, screens and pages, prior, too. The homicidal barber first appeared in the 19th century, in 1846–47 penny dreadful serial The String of Pearls: A Romance, and has just kept slashing his way through popular culture since, novels, ballets, radio plays, comics and TV shows included. Sweeney Todd: The Demon Barber of Fleet Street will play Arts Centre Melbourne from Saturday, September 14–Saturday, September 21, 2024. Head to the Victorian Opera website for further details and tickets. Images: Daniel Boud.
Just seven months in, 2021 has already been a big year for Marvel. Not one, not two, but three streaming series have hit Disney+, and Black Widow is currently both streaming and in cinemas. More silver-screen releases are coming before the year is out, too, courtesy of both Shang-Chi and the Legend of the Ten Rings and Eternals. Also big news right now, although it won't actually come to fruition in 2021: a second season of Loki. The third of Marvel's Disney+ series for this year to focus on characters from the sprawling Marvel Cinematic Universe, this show about the franchise's favourite trickster instantly stood out from its sibling programs. Having Tom Hiddleston (Avengers: Endgame) step back into the God of Mischief's shoes will do that, of course. With WandaVision, Marvel gave the world a nodding, winking sitcom that morphed into an engaging but still quite standard entry in its ever-growing on-screen realm. With The Falcon and the Winter Soldier, it opted for an odd couple action-thriller that hit every mark it needed to, but rarely more. But, across its six-episode first season — which just wrapped up yesterday, Wednesday, July 14 — Loki has proven far more willing to toy with its premise and have fun with its central character. It's now going to do exactly that during a second season as well. News of Loki's second batch of episodes was dropped in the credits for its latest episode, thanks to a stamp that says "Loki will return in season two". That's all the information that's been revealed so far — but if you're a fan of the figure, Hiddleston or both, it's a welcome development. Across its first season, Loki's charms didn't solely radiate from its leading man. He's as charismatically wily as ever (as he's always been in his scene-stealing big-screen appearances in the Thor and Avengers films), but this series has also been helped immensely by its aforementioned playfulness, and also by the great cast surrounding its star. Teaming up duos is obviously currently Marvel's thing, but Loki pairs its eponymous trickster with a time cop played by Owen Wilson (Bliss), gets them palling around in buddy cop-meets-science fiction territory, and also throws in Sophia Di Martino (Yesterday) as a character that's best discovered by watching. The setup: thanks to his previous actions with the Tesseract, Loki finds himself in a bit of trouble. The TVA — that'd be the Time Variance Authority — is on his case, which is where Wilson's Mobius M Mobius comes in. But, that's just where the show starts. Here, viewers came for the usual Hiddleston mischievousness, and stayed for everything this quickly involving series built around him — all while charting what happens when Loki is forced to face the consequences of his past actions. The new season of Loki, whenever it arrives, will join the long list of other upcoming shows that are in the works at Disney+. That includes Ms. Marvel, Hawkeye, She-Hulk, Moon Knight, Secret Invasion (about Samuel L Jackson's Nick Fury), Iron Heart, Armour Wars, I Am Groot, a Guardians of the Galaxy Holiday Special and a series set in Wakanda. Check out the full trailer for Loki's first season below: https://www.youtube.com/watch?v=SUwwdj6AlBA The first season of Loki is available to stream via Disney+ now. Exactly when the second season will arrive is yet to be announced — we'll update you with more details when they come to hand. Top image: ©Marvel Studios 2021. All Rights Reserved.
Rebecca Ferguson will never be mistaken for Daveed Diggs, but the Dune, Mission: Impossible franchise and Doctor Sleep star now follows in the Hamilton Tony-winner's footsteps. While he has spent multiple seasons navigating dystopian class clashes on a globe-circling train in the TV version of Snowpiercer, battling his way up and down the titular locomotive, she just started ascending and descending the stairs in the underground chamber that gives Silo its moniker. Ferguson's character is also among humanity's last remnants. Attempting to endure in post-apocalyptic times, she hails from her abode's lowliest depths as well. And, when there's a murder in this instantly engrossing new ten-part Apple TV+ series — which begins streaming from Friday, May 5 — she's soon playing detective. Leaping to the screen from Hugh Howey's novels, Silo might share a few basic parts with other shows and movies — Metropolis, Blade Runner and The Platform also echo, as do the corrupt world orders at the core of The Hunger Games and The Maze Runner flicks — but this series isn't simply scouring its genre for useful parts. In a year that's made a hit out of the TV version of The Last of Us, it too ponders humanity's survivalist instincts, as well as how we shape our societies when the worst occurs. And, as fellow Apple TV+ sci-fi mystery Severance did so grippingly in 2022, it also contemplates what people are willing to accept to get through their days. Ferguson's Juliette is particularly adept at tinkering; however, the show she's in is always a complete piece in and of itself, and never just cobbled together from other sources. Silo captivates from the outset, when its focus is the structure's sheriff Holston (David Oyelowo, See How They Run) and his wife Allison (Rashida Jones, On the Rocks). Both know the cardinal rule of the buried tower, as does deputy Marnes (Will Patton, Outer Range), mayor Ruth (Geraldine James, Benediction), security head Sims (Common, The Hate U Give), IT top brass Bernard (Tim Robbins, Dark Waters) and the other 10,000 souls they live with: if you make the request to go outside, it's irrevocable and you'll be sent there as punishment. No matter who you are, and from which level, anyone posing such a plea becomes a public spectacle. Their ask is framed as "cleaning", referring to wiping down the camera that beams the desolate planet around them onto window-sized screens in their cafeterias. No one has ever come back, or survived for more than minutes. Why? Add that to the questions piling up not just for Silo's viewers, but for the silo's residents. For more than 140 years, the latter have dwelled across their 144 floors in safety from the bleak wasteland that earth has become — but what caused that destruction and who built their cavernous home are among the other queries. So is when it'll be safe to venture out again and whether everything the stratified community has been told, as documented in a book of decrees called The Pact, is 100-percent accurate. Along with giving wanting to leave such finality, other rules span how people can use remnants from the before times (called relics, and covering Pez dispensers, watches hard drives and more) and the lottery that allows couples to procreate (with women otherwise implanted with birth control). Here, breaking the indoors-only mandate, being too curious and challenging the status quo all have serious consequences, as Holston, Allison and Juliette learn. Brought to streaming by Justified creator, Speed writer, and The Americans and Slow Horses executive producer Graham Yost, Silo has twists in store for all three — but Juliette earns the bulk of its attention. In the "down deep", as the lower levels are dubbed, she's an engineer overseeing the generator that keeps things whirring. She's also sparked to do more than mechanics by her lover George (Ferdinand Kingsley, Mank), who has a fascination with relics and an obsession with exposing the truth about silo life. Sims isn't fond of her snooping, or of her rise from the bottom ranks in general, while she isn't impressed when she's paired with The Pact-worshipping Paul (Chinaza Uche, Dickinson). If the premise wasn't absorbing enough, with its setting, questions, arbitrary regulations, and conflict between those who've grasped power and everyone forced to live under their authority — and it is absorbing — Silo is a feat of world-building from its first moments. With kudos to the show's production designer Gavin Bocquet (The Dark Crystal: Age of Resistance), entire art department and special effects team, it's visually entrancing in its location alone. As this confined existence spreads up and down around a striking central spiral staircase — because there's nothing as advanced as an elevator to scale and plunge through the silo's floors — it does so with Soviet-era hues and a steampunk vibe to the show's retro technology. Discovering new spaces, be it the engine room where the intense ticking-clock third episode is set, or the floors devoted to crops and cattle, or the medical bay, is constantly a thrill, albeit never more so than the dramas playing out within each place. Within Apple TV+'s stable, both Severance and Hello Tomorrow! also benefited from blast-from-the-past looks while getting viewers puzzling. They each knew, too, that aesthetics and enigmas can't do all the heavy lifting. As they both proved, Silo is dedicated to its characters first and foremost — so much so that when some slip away earlier than their casting has audiences expecting, it feels like a genuine loss. That's not a criticism of the always-excellent Ferguson, who anchors the show with flinty determination, but praise for how well minor figures are fleshed out. She's magnetic, thoroughly deserving of her lead role and riveting in it, and she has stellar support, with Iain Glen (The Rig) and Harriet Walter (Succession) also welcome inclusions. Rich concept, stacked cast, immersive visuals, dripping intrigue: given how well Silo's first season pans out, it's no surprise that a second is already in the works. This strange new world doesn't come close to resolving every question it poses in this debut go-around, instead continually inspiring more, yet never feeling like it doesn't have an endgame or it's stretching out its story to prolong getting there. Cliffhangers are part of its storytelling process, but skilfully. The big reveal that ends the season is catnip for more to follow. Silo is just as involving when it's exploring its underground city, diving into its main players' histories, solving mysteries and inciting more — and worth digging deep into. Check out the trailer for Silo below: Silo streams via Apple TV+ from Friday, May 5.
The silly season is upon us. Time to let go of those inhibitions and indulge in the excess of the season. Whether you're hosting Chrissie lunch, heading to a summer barbie or organising the office drinks, you'll want to make sure you're dining and sipping well. So, to help you sort out the menu, we've teamed up with our friends at Pernod Ricard, purveyors of festive tipples like Mumm, Chivas, St Hugo and Jacob's Creek, to bring you some top-notch food and beverage pairings for the festive season. Whether you're after a traditional roast, barbecued seafood or some tasty little canapés, we've tracked down a tip-top tipple to complement your Christmas fare. OYSTERS AND CHAMPAGNE It's a classic pairing; there's just something about the smooth, tannic saltiness of an oyster paired with a fizzy, dry Champagne that makes for a perfect (and rather lush) starter. Mumm's signature Cordon Rouge is a key drop to pair with your raw bar this Christmas. The nose offers hints of white and yellow peach with some delicate notes of lychee and pineapple, and on the palate, you can expect a complex yet well-balanced mouthfeel with lots of fresh fruity notes and the tiniest hint of caramel to balance. Pop and pour some Mumm as you shuck oysters with the family. And make sure everyone gets a go at opening their own oyster. SALMON AND A SPRITZ Fresh, bubbly and fun, the prosecco spritz is like that friend you invite to everything because you know they'll be the life of the party. And Jacob's Creek's version is no different — plus it makes hosting a breeze with the aromatic, orangey spritz flavours already bottled up. All you've gotta do is pour over ice and garnish with a slice of orange. As for the food, we recommend pairing those bitter orange notes and herbaceous aromas with the salty, oily flavours of smoked salmon blinis with cucumber, creme fraiche and salmon roe. It's elegant, sophisticated and dead easy to prep and serve. GRILLED PRAWNS AND ROSÉ With the heat, sunshine and general summer vibes, Australian Christmas typically favours seafood —what's more Australian than chucking a few shrimp on the barbie? Well, should you live in an apartment sans barbecue or just can't be bothered with the whole 'uh oh the prawn has fallen through the grate', this grilled alternative is quick, easy, flavourful and pairs quite well with a glass of rosé or two. Marinate the prawns in butter, lemon juice, garlic and herbs, and then place under your oven grill for two to three minutes. Plate up the prawns and get some chilled Jacob's Creek Le Petit Rosé on the pour. And with this pairing falling in line with the pinky orange Pantone colour of 2019, you'll not only eat like a king but a stylish, on-trend one at that. CHRISTMAS ROAST AND CAB SAV Even though it's likely to hit 30-plus degrees this Christmas, it's still hard to beat a traditional Christmas roast lunch on the big day. If you're going for a roast turkey, goose or chicken, complete with all the trimmings, you'll need a wine that can hold its own against the mammoth meal. St Hugo cabernet sauvignon pours an inky red-purple and offers a spicy bouquet of cherries, blackberries and a touch of star anise. On the palate expect a full body with roasted chestnut flavour and oaky vanilla, that finishes with an acidity that brings it all home. CHOCOLATE AND WHISKY Chocolate and whisky — it's got decadence written all over it. To achieve maximum opulence, you'll want to find a drop that'll be enriched by a chocolate pairing. The Chivas Regal 18 is a blended scotch whisky aged to bring out a smooth, spicy and slightly sweet flavour profile. The buttery toffee and caramel notes are complemented by dried fruit and a hint of spice and dark chocolate. Pour a nip over a single ice cube to pull out the flavours, and pair it with a square (or block) of rich, dark chocolate — or, even more decadent, a fudgy chocolate cake. Start planning your festive menus — Christmas will be here before you know it. Purchase any two eligible Pernod products from a Cellarbrations, The Bottle O, IGA Liquor or Big Bargain Bottleshop, and go in the draw to win a $500 travel voucher. There's one voucher to win every day till Christmas. And really, what could be better for the holiday spirit than winning an actual holiday?
Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, No Sudden Move), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and now-presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure must wrap up. He's stubborn, though. He's proud, too, of what he's achieved and the power it's brought. Whenever Logan has seemed nearly ready to leave the business behind, he's held on. And if he's challenged or threatened, as three seasons of the Emmy-winning series have done again and again, he shows no signs of ever letting go. Succession has always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it's never been about finales quite the way it is in its fourth season, which starts streaming from Monday, March 27 Down Under (including via Foxtel, Binge and Foxtel On Demand in Australia, and on Neon in New Zealand). This time, there's a ticking clock not just for the show's characters, but for the stellar series itself. In late February, in an interview with The New Yorker a month out from season four's premiere, Succession's creator and showrunner Jesse Armstrong advised that this is its last go-around. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this one is going out at the height of its greatness — yes, its final batch of episodes begins out that strongly — which is how Logan should've always wanted to as well. That Succession won't be tearing into its ultra-rich squabblers again after these ten episodes casts a shadow over the new season, unsurprisingly. That said, given that it commences with the Roys as fractured as ever in the aftermath of 2021's season three — with Kendall, Roma and Shiv all estranged from and actively working against their dad, who has badged them "rats" with his usual venom — there's a higher sense of tension, greater stakes and a firmer feeling of finality anyway. This bickering brood has split, backstabbed, betrayed, undermined and reunited many times before. They've overcome health scares, accidental killings, high-strung weddings, legal troubles, hostile attempted takeovers, dark scandals, political scrutiny and more. Armstrong and his writing team could've kept the cycle going, but there's an unshakeable sense of hurt to this round of tussles that feels like the last the Roys can endure. In season three, Waystar went from trying to buy streaming service GoJo to entertaining a buyout from it — and from its tech visionary Lukas Matsson (Alexander Skarsgård, The Northman) — instead. And, as Kendall, Roman and Shiv kept trying to lock in their futures, Logan found a way to cut them out that couldn't have cut deeper. Accordingly, when season four kicks off with Logan's birthday just as season one did, a party that he's characteristically miserable at, only Connor shows up among his kids. The other three are busy trying to secure financing for The Hundred, the new media venture they're pitching as "Substack meets Masterclass meets The Economist meets The New Yorker". What they really want to do, of course, is stick it to their old man above all else. Money, which the Roys have much more of than most, aren't afraid to splash about and are always chasing, sure can't buy a reprieve from good old-fashioned pettiness. That's always been a glaring truth at the heart of the series, just like its fantasy equivalent Game of Thrones, because boasting immense control and hefty fortunes can't make anyone a decent person. No one watches this takedown of unfettered power, wealth and entitlement for hugs and smiles, but for Shakespearean dramedy and tragedy that rips brutally and ravenously into the one-percent. However it concludes and whoever thinks they've won — make no mistake, Succession is always a battle — no one is likely to be living happily ever after, or even managing to be content enough with where things wind up. Still, Roman will probably be smirking, Shiv shooting a steely glare and Kendall wearing the intense gaze that never wholly masks his inner sadness. They all sport exactly those expressions to begin season four, all while building their plans to simultaneously cement their next step and topple Logan. As sycophantic grins beam noxiously around his birthday, he's as caustic as ever even in just his eyes — more so with Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) playing middleman in a crucial deal, and when cousin Greg's (Nicholas Braun, Zola) love life taints the festivities. Yes, the more that things change in Succession, the more that they stay the same, including with general counsel Gerri (J Smith-Cameron, Fleishman Is in Trouble), CFO Karl (David Rasche, Swallow) and vice-chair Frank (Peter Friedman, She Said) hovering around while looking like they'd rather be anywhere else. Family malaise is a dime a dozen on TV, and workplace struggles as well. Succession is so sharp and scathing — so devastatingly well-cast and delicious with its incisive insults, too — that it's in a stratosphere of its own. With this compelling ensemble and the cracking dialogue they're gifted, the show's directors could just point cameras at the former in glass-walled rooms as they spout the latter and the series would gleam from every angle. That isn't how the handsomely staged and executed effort fills its episodes, but both its actors and writers remain at the top of their games. Indeed, watching Succession in such savage vintage form in everything from Strong's concentration to Culkin's way with witty slights, plus Braun's cluelessness and episode-one helmer Mark Mylod's (The Menu) tonal mastery, viewers will never want it to end. There'll be much to miss when the show severs its final ties at the end of May, glorious episode titles included (the fourth season's opener is aptly called 'The Munsters'). It's going out how it's always gone on, though — without losing its bite, or its taste for blisteringly dark, pointed and funny family-feud chaos. Logan is pondering farewells again, too. Succession hasn't lost its ability to astonish, and its fearsome white-haired patriarch waxing lyrical about whether death is just an abyss over a diner dinner with his chief security guard is one such delight. There'll certainly be a chasm left in the show's wake but, like its most formidable figure won't stop doing, audiences will just have to make the most of it while it's here. Check out the full trailer for Succession season four below: Succession season four starts streaming from Monday, March 27 Down Under, including via Foxtel, Binge and Foxtel On Demand in Australia and Neon in New Zealand. Check out our review of season three. Images: Claudette Barius, Macall B Polay / HBO.
Even though it has been 140 years since Gioachino Rossini's opera William Tell was staged in Australia, the story is a familiar one. William, a young man and brilliant archer who lives in a small country town in Switzerland, gets sick of submitting to tyrannical Austrian rule – and decides to dissent, by refusing to obey orders. What follows is a dramatic David-versus-Goliath standoff, a tangled love story and the famous William Tell trick: the shooting of an apple off his son's head. Befittingly, Victorian Opera is promising that this will be its most epic production yet. Think costumes inspired by The Handmaid's Tale and The Hunger Games, a set design evocative of the Swiss Alps and three hours of some of the most dynamic music ever written for opera. The colossal performance will be brought to the stage by international opera director Rodula Gaitanou (Royal Opera House, Opera Holland Park), and designed by London-based Simon Corder and acclaimed local costume designer Esther Marie Hayes. There'll be a bunch of international and Australian singers involved and a powerful, 48-strong chorus, too. One of William Tell's most famous tunes is "Call to the Cows", based on a traditional melody played by Swiss cowhands as they send their cattle out to graze. Another highlight is, "Sois Immobile", the aria sung before the iconic apple shot, and the show's finale, which is widely accepted as one of the best opera finales every written. William Tell is showing at St Kilda's Palais Theatre on Saturday, July 14; Tuesday, July 17; and Thursday, July 19, at 7.30pm.
When Christmas and New Year are over, the temptation to hibernate grows pretty strong — so, you're probably going to need a little something extra to tempt you off the couch come January. Handily, online reservation platform The Fork has a winning idea up its sleeve: it's offering a huge five weeks of dining specials nationwide. Kicking off on Monday, January 6, the second ever The Fork Festival will see top restaurants across the country offering sit-down meals for half the usual price. Yep, 50 percent off your total food bill, folks — think of it as the proverbial carrot luring you out of the house. So far, 300 restaurants have signed up, but The Fork is expecting this number to grow to over 500 by January. To snag a half-price meal, you just need to make a reservation through The Fork website or app at one of the participating eateries for any service (breakfast, lunch or dinner) during the five weeks. [caption id="attachment_653288" align="alignnone" width="1920"] The Boathouse at Blackwattle Bay by Kitti Gould.[/caption] There are some great venues coming to the party, too. In Sydney, you'll find discounted eats at the likes of Eliza Food and Wine, Uccello, The Boathouse on Blackwattle Bay, Berowra Waters Inn, Butcher and the Farmer and Little Jean. Melbourne spots include Tulum Restaurant, Pascale Bar & Grill and Meat and Wine Co in South Yarra and Hawthorn. Brisbane folk can score discounts at the likes of Corbett & Claude and Malt Dining, and Perth diners should put Hunter and Barrel and Meat and Wine Co. You might want to revisit an old favourite or you could get a little adventurous and road-test somewhere new. Either way, there's ample time to squeeze in a fair few discount feasts before the festival wraps up on February 9. The Fork Festival runs from January 6–February 9. The full list of participating restaurants will be released on the website on January 6. Top image: Eliza Food and Wine, Sydney.
Melbourne Fashion Week returns to inject the city with even more style from Friday, August 31 through to Friday, September 7. This year, over 150 events and 300 designers will send their designs down ten catwalks across the city. So, start planning for a wardrobe overhaul just in time for spring with garments from iconic Australian labels like Camilla and Marc, Michael La Sordo, Incu and Gorman. Town Hall will again act as the MFW hub, hosting pop-up fashion showcases, brand events and talks throughout the week — there'll be short film screenings and live music gigs, too. Beyond the hub, the program extends far past City Square this year, connecting Melbourne's retail precincts with the latest in ready-to-wear looks. There'll be plenty of free events all over town, from pop-up runways to a six-part series of 'fashion capsule' showcases by local designers, jewellers, artisans and filmmakers. The fashion party is even making its way into the subways, with Flinders Street Station's Campbell Arcade hosting two underground runways showcasing emerging designers. And, of course, Vogue American Express Fashion's Night Out will kick the week off from midday on Friday, August 31, extending through to Saturday and giving you the chance to shop like a VIP without breaking the bank (too much). Melbourne Fashion Week 2018 will run from Friday, August 31 to Friday, September 7. Check out the full program, on the MFW website here.
From atop South Yarra's Goldfields House, Beverly soars above the Chapel Street precinct from the 24th floor. Yet those hoping to soak up the 270-degree views in recent times might have been surprised to see the venue shut: unexpected water damage saw the venue close its doors in March. But putting a bad time to good use, the venue has quietly reinvented itself with new menus and experiences alongside a limited-time activation, Late Night Tales. Just in time for Beverly's second birthday, the venue's relaunch offers elevated yet easygoing lunch services, post-work DJ sessions and new function packages with unbeatable views. But it's the Late Night Tales sessions — held Thursday through Sunday from 9.30pm until the end of July — that are bound to attract attention. Here, guests choose a crafted cocktail and a handmade dessert for $45 per person. Perfect for the cold season, these cocktails go above and beyond. The indulgent Banoffee Bonfire features burnt butter-washed rum, banana liqueur and miso caramel, while the Cognac Cacao presents a luxe hot chocolate with a French twist. Adding to the cosiness, the menu also offers a winter-warming Gingerbread Amaretto and an Irish Coffee, brimming with refined espresso notes and a soft bourbon undercurrent. Each complements the venue's new dessert lineup, which includes treats like a Maya brownie with tequila-glazed pineapple, or the Mont Blanc with meringue and crumbly hazelnut streusel. "With Late Night Tales, we wanted to provide Melburnians with a luxurious respite from the cold and the opportunity to make the most of our vibrant city even as temperatures drop," says Beverly Co-Founder and Director Cameron Northway. The daytime dining menu has also received a makeover following Beverly's reopening. Head Chef David Ball's à la carte offering builds upon the venue's modern Australian cuisine, served with subtle Southern Californian flair. New dishes to sample include a prawn dog inspired by Ball's travels to Los Angeles and a bluefin tuna crudo, finished with bright winter citrus, black olives and pollen. "I see Beverly as a tree putting down roots," says Ball. "The more established she becomes, the further those roots grow. We're on an ever-expanding journey of progression, and capitalised on our temporary closure as an opportunity to really reflect and curate an approachable, produce-forward menu that's fitting for Beverly as she enters her third year." Beverly is open Monday from 4pm–late and Tuesday–Sunday from 12pm–late at Level 24, 627 Chapel Street, South Yarra. Head to the website for more information.
In the latest addition to the ever-growing trend toward themed wine festivals, Oinofilia will hit Melbourne's Meat Market on June 24 as Australia's newest event entirely focused on Greek wine. The festival is brought to you by Bottle Shop Concepts, the crew behind wine events Pinot Palooza and Game of Rhones, and will celebrate all things Greek wine, food and culture. The name appropriately comes from the Greek term for "a love of wine". As the oldest wine-producing region in Europe, the festival will showcase 80 wines from 20 of the country's best producers, with wines made everywhere from the Aegean and Ionian Islands to Crete. To accompany the drinks, sister restaurants Elyros and Epocha will join forces with Prahran Market's Sweet Greek and Collingwood's Meatsmith to curate an authentic feast of spit-roasted meats, grilled seafood, pickles, breads, cheese and pastries, among other Greek delicacies. The location is ideal as Melbourne has the largest Greek population outside of Greece. Bottle Shop Concepts' wine festival empire will also continue to expand, with the company recently announcing a new Barossa Valley event, launching this July. The Oinofilia Greek Wine and Food Festival will take place on Saturday, June 24 from 11am through 5pm at the Meat Market, 5 Blackwood Street, North Melbourne. Check the Oinofilia website for tickets and more information.
A Taiwanese filmmaker might've made your favourite movie, although you may not realise that. Adored the original The Wedding Banquet? A fan of Brokeback Mountain? Loved Life of Pi? Still in awe at Crouching Tiger, Hidden Dragon's action scenes? Thank Ang Lee (Gemini Man) — but he's just one of many talented directors from Taiwan. To dive into the depths of the rest of Taiwan's filmmaking prowess, Australia became home to the Taiwan Film Festival in Australia back in 2018. After starting in Sydney, it now tours to five other cities — including Melbourne, where it's playing from Thursday, July 31–Sunday, August 6, 2025 at Village Cinemas Crown. This year's fest puts a particular focus on showcasing female perspectives. Daughter's Daughter kicks off the program, starring Sylvia Chang (Forget You Not) and screening fresh from its berth at Sydney Film Festival. Also highlights: The Chronicles of Libidoists, about chasing desires, plus romance Unexpected Courage. From there, get ready for a range of fellow titles that, outside of occasional berths at Australia's major fests, don't often make it to our shores. Yen and Ai-Lee hails from filmmaker Tom Lin (The Garden of Evening Mists), while Where the River Flows and Organ Child have crime thrills covered. Or, catch the 4K restoration of Hou Hsiao-Hsien's (The Assassin) Tony Leung (Fox Hunt)-led 1998 great Flowers of Shanghai.
The Melbourne Food & Wine Festival's 2022 edition is kicking off with a bang in the form of the Village Feast — a two-day fiesta lighting up the Gippsland town of Thorpdale. Head along to the stunning country town to wine and dine with a talented team of chefs. Highlights include Alejandro Saravia's (Farmer's Daughters) trout tartare with Baw Baw wild herbs and gaufrette potatoes, as well as Trevor Perkins' (Hogget) wild venison cooked over charcoal. You can also snack your way through an array of food pop-ups from chefs including Danielle Alvarez (Fred's in Sydney), Tasmania's Analiese Gregory and Richmond's Hector's Deli crew. Elsewhere, the old general store is being reimagined into a pop-up wine bar featuring offerings from William Downie, ARC Wines and more local labels. Thorpdale natives are also adding their own flare to the feast such as fresh goods from the Thorpdale Bakery and Gippsland brewers dominating the taps. Live music, courtesy of Always Live, will be present throughout the weekend. Guests can expect names like Mia Wray, Dorsal Fins, Grace Cummings and other local talents to show up on stage. Find out more about The Village Feast on the Melbourne Food & Wine Festival website where you can also purchase your tickets starting from $32. [caption id="attachment_871091" align="alignnone" width="1920"] Ben Clement[/caption] Top image: The Village Feast — supplied
With everyone spending more time at home — and zero time eating out at restaurants and cafes — we're betting that you've probably cranked up your oven and put your baking skills to the test in recent weeks. Unfortunately, though, we are not all destined to be Betty Crockers. Next time you want to get creative in the kitchen, you don't have to resort to a packet mix — even if you're a bit of a novice in the kitchen. A bunch of Aussie bakeries, cafes and restaurants are adapting to the current situation and one thing we're seeing more of is bake-at-home cookie dough. And it's safe to say these top-notch spots know what they're doing in the kitchen — so you don't have to. Here are some of the best you'll find in Sydney, Melbourne and Brisbane, which you can pick up or get delivered. Then, soon enough, you'll be feasting on gooey, chocolatey cookies straight from the oven. SYDNEY Home of the cookie pizza, Bennett Street Dairy is selling its handmade chocolate chip dough and offering citywide delivery within two business days. The old school-inspired joint sources its ingredients straight from the farm, with its dough containing big chunks of chocolate and no raw products. You can get 500 grams of the goods, which will make about six to eight large biscuits, for $12. You can store your roll of dough in the fridge for or up to 2 weeks or in the freezer for 3 months, so you can stock up and have cookies on-hand for a while to come. To order, head here. Firedoor has also jumped on the cookie wagon, offering pre-made dough through its new online grocer Fireshop. The online store has a bunch of 'almost-ready' dishes, pantry staples and produce, which you need to order between Thursday–Tuesday for pick up on Friday between 2–4pm. In your virtual basket, you'll want to throw in at least one 400-gram roll of native cookie dough ($20). Made with white chocolate and native Australian fruits, this cookie is for those who like the finer baked things in life. Sydney's king of desserts Andy Bowdy is slinging some top-notch dough, too. Head down to Saga between 9am–4pm any Tuesday through Sunday, and nab yourself a roll of salted chocolate chip or peanut butter — or both. Each comes in 480 grams and costs $12.50. MELBOURNE Shannon Martinez and Mo Wyse's spin-off vegan New York-style delicatessen, Smith & Deli, is selling frozen dough. So, if you're vegan — or just looking to get your hands on some high-quality cookies — look no further. The dough is frozen fresh, loaded with chocolate chunks and will make ten to 20 biscuits, depending on size. A roll costs $15 and can be ordered via Mr Yum for pick up and delivery. Earl Canteen is selling two different types of cookie dough through its online shop Earl at Home. There's a Callebaut chocolate, sea salt and walnuts one or one filled with raspberry and pistachio — both will make about 20 deliciously chewy cookies and cost $22. To order, head here. The choc chip dough comes in its Favourites Pack ($125), too. Delivery is available within 20 kilometres of the CBD and is free for order amounting to $125 or more. Contactless pick up is also available from Earl's head office at 15–17 Cubitt Street, Cremorne. BRISBANE Brisbane's go-t0 for baked goods, Jocelyn's Provisions, is now selling 'take & bake' kits, including a choc chip cookie kit ($18.50), featuring 500 grams of ready-to-bake dough, which is enough to make 24 cookies. Kits are available for pick up only — with orders taken online, and collection available from Jocelyn's Provisions' stores on Sandgate Road in Albion, James Street in New Farm and Samuel Street in Camp Hill. If you're a cookie fiend and want more, Flour & Chocolate — as the name would suggest — is also selling some choc-filled dough for $15. You can pick them up from the Morningside patisserie every Tuesday to Saturday from 6.30am–2pm. To preorder, email morningside@flourandchocolate.com or call (07) 3161 6246. If you do go outside to pick up cookies, have a look at the latest COVID-19 advice and social-distancing guidelines from the Department of Health.
For the past two years, Melburnians have missed out on the globe-trotting fare of the Queen Victoria Market's legendary winter night market series, with the long-running event cancelled twice due to COVID-19. But the precinct is promising to help fill some of that void this December, with the return of another food-filled pop-up: Food Truck Stop. On Wednesday, December 1, 8 and 15, this summer edition of Food Truck Stop will serve up a weekly showcase of street eats from around the globe, courtesy of a hefty rotation of food vendors. It'll be the market's first nighttime activation since Melbourne emerged from its most recent lockdown. [caption id="attachment_832695" align="alignnone" width="1920"] Two Fat Indians[/caption] From 5pm each week, you'll be able to explore the global food truck lineup, feasting on goat curry and smashed samosas from Two Fat Indians, Vietnamese noodle bowls from Nem 'N Nem, Pasta Face's Tuscan-style beef ragu gnocchi, and traditional chicken and lamb yiros from The Greek Trojan Yiros. Elsewhere, there'll be lobster rolls, Texas barbecue, Jamaican jerk chicken, Tex-Mex street tacos, house-made gelato and more. If you find all that eating to be thirsty work, you can swing past the Beer Garden for a bev — the summer-themed pop-up is slinging an all-Victorian lineup featuring Mitchelton Wines, Brick Lane Brewing beers, Coldstream Brewery ciders and cocktails crafted on Antagonist Spirits. Entry to the pop-up is free, with food and drinks available to purchase. It all kicks on until 10pm each week. Catch Food Truck Stop at Queen Victoria Market, corner of Queen and Therry Streets, Melbourne, on December 1, 8 and 15.
Legendary Scottish brewery BrewDog didn't hold back when it came to creating its first Melbourne venue. Off the back of the brand's 2019 Aussie debut in Brisbane, it unveiled this absolute monster of a brew bar within the historic Pentridge Prison site in November 2022. Done in partnership with Australian Venue Co (Harlow, The Smith, State of Grace), the $3 million beer bar spans two spacious levels within the prison's E Division building. At 12,000 square feet, it's got room for 500 punters; complete with a ground floor dining room and den, three upstairs function spaces, and a gigantic beer garden with its own container bar and dedicated games area. From the bars comes a 20-strong tap beer lineup, starring numerous BrewDog drops alongside a rotation of guest brews. Favourites like the Dead Pony Club pale ale ($14.40), the Punk XPA ($14.90) and the Elvis Juice American-style IPA ($15.90) make an appearance, as do newcomers like an E Division pale ale ($14.90). Expect drops from the likes of Hop Nation and Hawkers, too. To match, there's a sprawling menu of classic pub fare, featuring an impressive ratio of plant-based and gluten-free options. It jumps from a range of schnitties, parmas, tacos and burgers — including one done with XPA-braised brisket ($27.95) — to pizzas and a whole stack of wing varieties. Grazing plates include the likes of buffalo chicken loaded fries ($18.95), and haloumi with native pepper berry ($18.95); while the Hoppy Meal option gets you a burger, a side and a beer icypole for $25.95. Like all good pubs, weekly specials abound here — from Monday's two-for-one vegan menu, to an all-you-can-eat wings situation each Wednesday. Images: Anna Kucera
Melburnians are getting a nightmarish dose of Christmas spirit this festive season as Bar Humbug pops-up along North Melbourne's Queensberry Street this December. This is not your regular PG Christmas-themed installation — it's more like a bar from Bad Santa. Christmas tunes will be on loop as you wander through a range of themed rooms. You can sit on Santa's lap in the Grotty Christmas Grotto, kiss your loved one (or a stranger) in the Mistletoe Corner and sip on 'naughty' and 'nice' cocktails from the bar. Expect lots of (bad) singing along to Mariah Carey — as well as lots of tinsel, candy canes and shiny Christmas paper chains. Most importantly, there will be a full bar and dress-ups to take your Christmas debauchery up a notch. The bar will be open Thursday and Friday nights from 5pm, and from midday every Saturday and Sunday up until the weekend before Christmas. The bar is hosting a heap of Christmas functions, though — so best to check that it's not closed for one before you head along. If that's not enough festivity for you, you can also head along to the Bottomless Bubbles and Baubles on Saturday, December 14. For $59, you'll get two hours of endless prosecco and beers as well as all-you-can-eat pizza. These tickets will go quick, so snag one ASAP over here.
Rolling hills flanked with eucalyptus trees, and the distant roar of the Indian Ocean — the Margaret River region looks calm, almost lazy. But there's serious work happening in the region's wineries. Some of the best chardonnays and cabernet sauvignon in Australia come from Margaret River, and Vasse Felix is the legacy winery that started it all. For one night only, Stokehouse will celebrate Margaret River winemaking with a four-course seasonal menu by Executive Chef Jason Staudt and, of course, the perfect pairings for the occasion by Head Sommelier Wil Martin. Canapes go with the blanc de blancs from Idée Fixe, Vasse Felix's spinoff dedicated to sparkling wines. The night goes on with a selection of Vasse Felix wines, including the 10th release of the acclaimed 'Tom Cullity'. With over two decades at the helm of winemaking at Vasse Felix, Virginia Willcock will walk you through its wines and the tales behind them. Willcock was also recently recognised as the winemaker of the year at the Halliday Wine Companion awards — you'll be dining with a legend.
One of the main events of Chinatown's annual Lunar New Year festivities, the Dragon Parade is truly a sight to behold. At 11.30am on Sunday, February 14, the Dai Loong ("big dragon") will emerge from its home at the Chinese Museum and make its way through the streets of Melbourne, heralding the New Year and the beginning of the Spring Festival. There'll be dancing and drumming and colourful costumes as far as the eye can see. And if all the parading leaves you feeling peckish — well, you'll be in Chinatown now, won't you? Image: Chris Phutully via Flickr.
EziStreat, North Melbourne's buzzy food hall, is hosting a Thai Sunday Market later this month in honour of Thai culture and cuisine. The 600-square-metre food precinct will take your tastebuds on a journey to Thailand with dishes like curries, roti and sticky rice, and street food from vendors such as Soi Thai and ASAP Room. Additionally, the event will showcase traditional and modern Thai acoustic performances by Wachirun (Terry) Zarapho. With over 20 stalls offering Thai delicacies, crafts, and entertainment, attendees can expect a true taste of Thailand. Whether you're a Thai food-lover or simply seeking a fun outing, this market invites everyone for a day of delicious food and cultural exploration. Admission is free, so head over to EziStreat, 275 Macaulay Rd, North Melbourne, on Sunday, April 21, if you're in need of weekend plans.
In an emotional sense, things aren't really looking up in Australia at the moment. 2020's horror show has continued into 2021, thanks to new outbreaks and lockdowns, because the chaos of the pandemic hasn't passed just yet. But, for one night, it's worth literally looking up with your eyes and your noggin — because a conjunction of Venus and Mars is about to happen way above our heads. Peer skywards tonight, on Tuesday, July 13, and you'll see the two planets in close proximity. How close? According to NASA, they'll appear a mere finger's width apart. They won't actually physically be that close, of course, but they'll sure look like it. If you're not familiar with the term 'conjunction' within the field of astronomy, it refers to two objects or spacecraft sharing the same right ascension or ecliptic longitude — so they're at the same angular distance in one way or another. Specifically, it's used to describe the moment that two objects are at their closest apparent point together in the sky. You might remember the term from last year, because Jupiter and Saturn went through the same thing in December. https://twitter.com/NASAAmes/status/1414660845557125120 For this conjunction, you'll want to find a spot where you can peer in a northwestern direction. That's where you need to look — but if you're wondering when you should take a peek outside this evening, The Conversation advises looking up between 6.30–7.30pm. You'll be able to see Venus before then, from dusk, but Mars will only be visible once it gets dark. In Australia, you'll spy Mars slightly above its neighbour, and to the left. Venus isn't hard to spot; it has been called "the evening star", after all. To get a glimpse of the red planet, you'll need to peer a little harder, as it is nowhere near as bright. To get the best view, you'll want an unobstructed vantage of the sky — and, to look even closer, to use binoculars or a telescope. If you do choose some optical help, you'll be able to see both Venus and Mars in the same field of view. 2021 has already delivered a few sky shows, via pink, blood and strawberry moons, so this is just the latest astronomical gift this year. But, at a time that hasn't been big on good news, it's definitely worth looking up for. The Venus and Mars conjunction will be visible in the evening of Tuesday, July 13. For further details, head to the NASA website.
At two of the world's most-prestigious film festivals, prizes are awarded to the best queer movies on the lineup. Not all cinephiles can attend Cannes and Berlinale, so Australia's Mardi Gras Film Festival is bringing LGBTQIA+ flicks from both 2024 fests Down Under in 2025. Romania's Three Kilometres to the End of the World won the Queer Palm. The Istanbul-set Crossing took home the Teddy Jury Prize in Berlin. They're both highlights of the just-announced MGFF program, which has a date with Sydney cinemas in February — and boasts a roster of almost 150 flicks. The movie-loving component of the Sydney Gay and Lesbian Mardi Gras, MGFF wants audiences to enjoy its feast of LGBTQIA+ films on the big screen if they can. The bulk of the lineup will hit picture palaces across Thursday, February 13–Thursday, February 27, at venues including Event Cinemas George Street and Hurstville, Dendy Newtown, Ritz Cinemas Randwick, the State Library of NSW and The Rocks Laneway Cinema. For those who can't make it in-person, there's also a small-screen component, streaming a selection of titles on-demand nationwide from Friday, February 28–Monday, March 10. If you're hitting up movie theatres, award-winners aren't Mardi Gras Film Festival's only drawcards. On opening night, coming-of-age tale Young Hearts will start the proceedings with a story of romance in rural Belgium, while French standout Somewhere in Love is doing the honours to close out the physical event. In-between, viewers have 72 sessions to choose from, complete with the world premiere of In Ashes from Denmark-based filmmaker Ludvig C Poulsen; South Korea's Love in the Big City; the Alan Cumming (Schmigadoon!)-starring Drive Back Home; and Ponyboi, which features Australian actor and The White Lotus favourite Murray Bartlett (The Last of Us). Or, catch Any Other Way: The Jackie Shane Story, which tells of its namesake's tale from her 50s Nashville success through to disappearing from the public for four decades; Aussie effort Heart of a Man, about a closeted Indigenous boxer; period drama Lilies Not for Me with Fionn O'Shea (Masters of the Air) and Robert Aramayo (The Lord of the Rings: The Rings of Power; Duino, a semi-autobiographical effort about an Argentinian filmmaker working on a movie about his first love; and the Venus Xtravaganza-focused I'm Your Venus, which is a must for fans of Paris Is Burning. That's just a taste of the program, which spans Aussie festive slasher Carnage for Christmas, Nina Hoss (Tár) in Foreign Language, a documentary about Ani De Franco, Brazilian drama Streets of Gloria and more, too. Blasts from the past come courtesy of a free screening of The Birdcage, plus a 20th-anniversary session of Imagine Me & You (featuring Lena Headey long before Game of Thrones), with both showing under the stars. If you'd like to don a habit, croon tunes in a cinema or both, Sister Act is getting the sing-along treatment. And from the 70s, Scarecrow in a Garden of Cucumbers — which is one of the first-ever trans-led feature films — is making its Sydney premiere. Cabaret is also on the bill, a fitting choice given that documentary Liza: A Truly Terrific Absolutely True Story is on the lineup as well — gifting Liza Minnelli obsessives a double feature. Movie buffs eager to check out the online program from their couch can look forward to the aforementioned Drive Back Home and Heart of the Man; a doco about activist Sally Gearhart; Unusually Normal's factual portrait of a family that includes two lesbian grandmothers, four lesbian mothers and one lesbian granddaughter; and a blend of fiction and reality with 2024 Sundance Special Jury Award-winner Desire Lines, among other titles. A number of shorts programs will be available to stream, too, with packages devoted to Asia Pacific, transgender and gender diverse, queer horror, queer documentaries, sapphic and more. Black Doves' Ben Whishaw pops up in one of the gay shorts, while Hacks' Megan Stalter appears in one of the films in the comedy lineup. 2025's MGFF marks Festival Director Lisa Rose's last at the helm. "The film industry has changed dramatically throughout my time with Queer Screen. The volume of LGBTQIA+ content we see, as well as how and where we see it, continues to evolve," she notes. "Yet the sense of belonging that comes when the lights dim and a room full of queer people experience a queer story together remains a constant. Even when a film has the audience divided, the feeling of community that envelops us is unifying." Queer Screen's 32nd Mardi Gras Film Festival 2025 runs from Thursday, February 13–Thursday, February 27 at venues around Sydney — and online nationally from Friday, February 28–Monday, March 10. For more information, visit the festival's website.
UPDATE: JULY 16, 2020 — Tina's Noodle Kitchen is currently offering takeaway from 11.30am-8.30pm every day via Uber Eats. From the same crew that spiced up Melbourne's palate with those beloved Dainty Sichuan restaurants, comes this northside noodle house. If you like your meals generous and your tastebuds shocked, this one's sure to tick all the right boxes. At Tina's Preston outpost, it's the hearty bowls of noodle soup that take centre stage, with rice noodles swimming either in a fiery red broth or one of the slightly tamer meat-based stocks. There's a whole swag of protein options with which to pimp your bowl, too, from thinly sliced wagyu or an assembly of fresh seafood, to house-made prawn balls and a wild array of offal additions. Familiar favourites might include braised chunks of pork belly or a mixed mushroom medley, while the 'chilli blood curd combination' speaks to the more adventurous diner. Alongside, sits a run of classic Sichuan-style snacks — think, spicy braised duck parts, house-made wontons, curls of pig's ear and a lineup of skewers, matched with a tongue-numbing chilli oil for dunking. It's busy, buzzy and delightfully easy on the wallet, even with your heftiest appetite in tow. Image: Letícia Almeida
