If Melbourne town's end-of-year weather is getting you down — sweltering one day, streaming from the skies the next — here is some small solace for you. Melbourne's Boho Luxe Market (their words, not ours) is determined to make you remember those times when you could dip your toes in the ocean without needing an umbrella, and take you to a sun-dappled place of dreamcatchers and flower crowns. Because these things are apparently synonymous with Byron Bay, the market's goal is to bring "that Byron Bay vibe to Melbourne" — so expect all of the above except for the beach bit. For their festive run, they'll be in town on Sunday, December 10, when you can treat yourself to a day of Christmas wanderlust in the Atrium at Federation Square. There'll be heaps of stalls featuring bohemian fashion, jewellery, homewares, pet products and kids stuff for tiny people too. There are even some complimentary tote bags on offer for the first 100 shoppers; the likes of cupcakes, doughnuts, vegan chocolate and Vietnamese dishes to eat, and live music amping up the relaxed vibes as well.
Throwing shapes on the dance floor is one thing, but how about really thrilling that inner tween of yours with a pair of skates, a roller rink and an afternoon of disco? Come 2018 you'll have the chance to do all of that, with The Collingwood Underground Roller Disco returning for its latest instalment. Once again setting up shop in a carpark beneath the suburb's landmark high-rise flats — and kicking off at 3pm on January 27 — it's set to be a family-friendly affair, with a lineup of much-loved Melbourne DJs and performers setting the beat for punters of all ages. Expect a mix of boogie, disco, and house beats as you go for a roll for the entry price of $10. You can take your own lucky skates or hire some on the day, and there'll be plenty of eats and drinks on offer to help fuel those freestyle moves. Start practicing now and grab tickets at the door.
Mark your calendars with a big red X, because the Ballarat Beer Festival is back. Taking over Lake Wendouree on Saturday, January 20, this annual event is one of the highlights of the drinking year, with some 34 independent brewers serving more than 150 brews. Combine that with live music, food stalls and a range of drinking-friendly activities like beer trivia and musical bingo, and it's an event that beer lovers won't want to miss. Stomping Ground, Temple Brewing, Pirate Life, Hop Nation and Kaiju! are just a few of the brewers who'll be pouring their wares, some of which will be running beer-ed classes on the day. There'll also be cocktails on offer if beer isn't your thing — although if that's the case, you might want to ask yourself what you're doing at the festival in the first place.
An all-female instalment in the Ocean's series, set at the Met Gala and starring a killer cast of famous faces? On paper, it sounds like a dream come true. Eleven years after George Clooney, Brad Pitt, Matt Damon and more last fleeced a casino in Ocean's 13, and nearly six decades since Frank Sinatra, Dean Martin and the '60s-era Rat Pack did the same in the first-ever Ocean's 11, Ocean's 8 thrusts women into the blockbuster heist franchise. The elaborate setups, easy banter and split-screen imagery all make the jump to this gender-swapped chapter, as does the buddy-movie vibe, which makes it feel like you're hanging out with a group of glam pals as they happen to stage an intricate robbery. But there are a few things missing in this stylish but slight attempt to extend the Ocean's brand – things like actual drama, a decent villain, and a plot that's anything other than a routine walk through familiar territory. The parallels start from the film's opening frames, with the incarcerated Debbie Ocean (Sandra Bullock) trying to talk her way into early parole, just as her brother did back in 2001. And, like her sibling, she's not being completely honest when she promises she'll be a model citizen upon release. Spending five years, eight months and 12 days in the slammer has given her more than enough time to plan a new job, and it takes barely a few hours to convince her righthand woman Lou (Cate Blanchett) to join in. Amassing a crew that includes fence Tammy (Sarah Paulson), fashion designer Rose (Helena Bonham Carter), jeweller Amita (Mindy Kaling), fleet-fingered thief Constance (Awkwafina) and IT whiz Nine Ball (Rihanna), they're soon ready to cause a splash on the first Monday in May. Their plan: steal a $150 million diamond necklace from the neck of starlet Daphne Kluger (Anne Hathaway) during the star-studded party. Actually, the gang is ready to steal big but stay out of sight. As Debbie tells the crew during the obligatory motivational pre-heist speech, "a him gets noticed, a her gets ignored — and for once, we want to be ignored". It's a delightfully loaded piece of dialogue that speaks to our post-#MeToo world, but it's the movie's only step towards making any kind of statement. Instead, Ocean's 8 represents Hollywood's current gender-switching trend at its most basic, doing little more than bringing in female stars to follow the same old path. If the powers that be were worried about a Ghostbusters-style backlash, they've countered it in the most mundane fashion. If they just wanted to capitalise upon the trend as simply and literally as possible, well, that's exactly what they've achieved. Indeed, writer-director Gary Ross (The Hunger Games) and his co-scribe Olivia Milch are happy to follow the beats established by their predecessors, and to mimic the look and feel that served Ocean's 11, 12 and 13 filmmaker Steven Soderbergh so well. Still, you can only pass off a cubic zirconia as a diamond for so long — and in the words of the under-utilised Rihanna, this movie doesn't shine bright like the latter. Bullock, Blanchett and company try their best to liven up the by-the-numbers caper, and do plenty with their evident chemistry. In fact, you'll wish the film spent more time watching the group chat. But that's a feat of casting, rather than any stroke of writing or directing genius. Throw these charismatic ladies into any scenario, and they'd always demand attention. To be fair, there's ample fun to be found in Bullock's rapport with both Blanchett and Paulson, and in Bonham Carter's scene-stealing awkwardness. Having Hathaway skewer her public reputation is among the movie's best touches too, although it's nowhere near as savvy as her role in last year's Colossal. And yet, the sparkling cast can't lift a film that merely watches their characters put a plan into action with minimal roadblocks or tension. A subplot involving Debbie's duplicitous ex (Richard Armitage) is instantly forgettable, as is James Cordon's involvement as an insurance detective — and it never feels like these gals are facing any real threats, stakes or problems. Working through the nuts and bolts of any heist might be one of the thrills of the genre, but without a sense of drama as well, Ocean's 8 is a barely passable knockoff. https://www.youtube.com/watch?v=KuCqLop7N6w
Content warning: sexual assault In the wake of revelations about rapper Riff Raff and a brave woman coming forward to tell her story, Richmond's Corner Hotel swiftly cancelled the rapper's show at its venue. The rapper's Australian tour was then also cancelled. The Richmond pub then scheduled a forum and fundraiser to replace it: a community-led discussion on sexual assault and predatory behaviour in the Australian music industry called Where To From Here? Music, Community and the "State of Play"'. The forum will be run by LISTEN, a group that aims to initiate change, inclusion and equality within the Australian music scene, and to promote visibility and experiences of marginalised people in the industry. Things will start at 6pm with a discussion with the sister of Eliza Stafford, the survivor who came forward against Riff Raff, then continue with a panel discussion, targeting the pervasiveness of sexual harassment and assault in the sphere of the live music environment. LISTEN will also provide a soundtrack for the night, with female, LGBTQI+ and gender non-conforming artists and DJs taking to the stage post-panel. Tickets are $10 and all proceeds (including $1 from each drink sold in the bandroom) will go directly to non-profit organisations. This event is designed to discuss and illuminate the unacceptable behaviour that occurs at live music events and within the industry, and will be dealing with subject matter that may be triggering – the organisers are working to create a separate space, as well as helpers, for those who may find it tough to hear and experience.
Circus Oz has been stunning audiences with its brand of high-flying acrobatics and antics for the last 40 years, but this September it'll be adding a daring new musical element to its routine in a collaboration with the Melbourne Symphony Orchestra. Named after the Italian musical term meaning 'together', Tutti sees the two groups of virtuosos join forces for two special nights at Hamer Hall. From high above on a spanning truss arch that mirrors the bridge of a violin, the Circus Oz performers will become the physical embodiment of the music performed by the musicians below. Featuring aerial work, flying trumpeters and a human metronome, this circus will be like none other. Combining the thrilling risk-taking of the acrobats that has built Circus Oz's reputation and MSO's classical music, the evening will see a clash of music and movement, set against moments of silence and beauty. Tutti will be performed on Friday, September 7, and Saturday, September 8 at Hamer Hall. To snag tickets, head to the website.
French, Spanish, German, American, Japanese: Australia has no shortage of film festivals categorised by country. But what about the stories of those with no nation at all? Lighting up screens for the second year as part of Refugee Week, the films in the Refugee Film Festival will explore the trials and tribulations of people fleeing persecution and war. The festival will be held at Carlton's Cinema Nova from June 17 to 22. Standout titles include Hope Road, which chronicles the efforts of a Sydney-based Sudanese refugee to raise funds to build a school in his village; Stop the Boats, about the slogan used to condemn those seeking asylum in Australia; and Human Flow, Ai Weiwei's immensely moving portrait of the global refugee crisis. Cinephiles outside of Sydney and Melbourne can also put their hand up to host a screening themselves. For more information on how to make that happen, as well as the full festival program, go here.
The weather might be getting chilly, but Melbourne's weekend lunch game is definitely heating up, especially with the impending return of Rice Paper Scissors' legendary winter yum cha series. The Fitzroy eatery's all-you-can-eat lunch feasts are happening one weekend a month between May and August, with each modern yum cha offering centred around a different theme and set to deliver a swag of brand new dishes. First up on May 26 and 27 is a veggie bonanza, featuring an all-vegetarian menu lineup that promises to be both meat-free and inventive — RPC is always great with vego alternatives. Lunch on June 16 and 17 will be built around hit recipes from the Rice Paper Scissors cookbook, with cheeky book discounts available on the day, while the sessions on July 14 and 15 will double as the restaurant's birthday party, complete with special celebration menu. And to wrap things up on August 11 and 12, Rice Paper Scissors is set to plate up a special chef's selection feast, showcasing the kitchen's personal favourite dishes. Your $55 ticket includes a hearty spread of food, with drinks including Rice Paper Scissors' signature cocktails available to add on.
"Part safari party. Part murder mystery. All denim." That's the tagline for Double Denim Adventure Show, a gut-busting, rapid-fire and very skill sketch comedy show from Michelle Brasier and Laura Frew. Whereas the last Double Denim had the pair embrace their inner pre-teens, the sequel sees them journey "from teenage years to avocado days". The affable and hilarious Brasier and Frew were nominated for the Melbourne International Comedy Festival's prestigious Golden Gibbo Award in 2017, and their new show — in which you will be required to dance and drink from a kings cup — is raucous, hilarious and an all-round good time. Try not to leave with a smile on your face and at least a few early 2000s bangers stuck in your head.
This May, the banks of the Yarra will come alive for Melbourne's biggest food truck festival yet, thanks to the minds behind The Food Truck Park. Set to eclipse the collective's regular events in Preston and at Village Cinemas Coburg Drive-In, the Food Truck Festival will see the city's best four-wheeled food vendors descend on Birrarung Marr across five huge days. Running from May 2–6, the culinary lineup will be divided into east, south, north and west, representing the most popular food trucks from each corner of Melbourne. And you can expect to be totally spoilt for choice, with over 40 vendors slinging everything from fried chicken and Asian-inspired eats, to vegan fare and craft beers. What's more, sweet tooths will find their ultimate oasis in Sweet Lane — a festival precinct dedicated entirely to desserts. Rounding out the edible goodness will be a program of art, family-friendly entertainment and other fun, with entry free across the entire festival. It will be open from 4–10pm on Wednesday and Thursday, and 11am–10pm on Friday, Saturday and Sunday.
The Grosvenor Hotel in St Kilda is commemorating ANZAC Day with free beer, but it has a catch — the beachside pub is only giving out free pots from the first siren until the first team scores in the ANZAC Day clash. The iconic AFL event is the second biggest game of the season — after the grand final, of course — and will see Essendon and Collingwood go head-to-head for the 23rd year running. If there's one situation where you don't want you team to score, it's this. Not many (if any?) quarters finish scoreless, so luckily there's more to the deal. The pub is serving up $10 pints all day and is holding an 11am Publican's Toast, which will pay respect to the diggers. If you're there the night before, the same free pot-deal will apply (for the Melbourne vs Richmond game) and $15 pizzas will be available all night.
You can call off the easter egg hunt this year, as The Craft and Co.'s Chocolate Easter Market has got your quota well and truly sorted. The Collingwood venue will welcome the city's finest chocolate artisans on Sunday, March 25. This is the closest your Dairy Milk dreams — that is, a world made of chocolate — will come to being real. Sip hot chocolate from an easter egg cup, round up free tastings and get involved in some demonstrations. Ratio Cocoa Roasters will be there, and so will South Melbourne's Atypic Chocolate, among others. And, no, this event is not just for kids — there will also be chocolate martinis and chocolate-infused beer. Because what is Easter without feeling constantly full from the overconsumption of chocolate? Image: Ratio Cocoa Roasters.
What happens when a wayward car mows down a fire hydrant outside your pub, flooding the venue and closing the doors indefinitely? Well, if you're anything like the team at Sydney Road's beloved Brunswick Hotel, you look on the bright side and dream up a genius plan to raise some much-needed dollars to help out your out-of-work staff while those forced renovations are going down. And so Flood Aid was born — a huge, 12-hour fundraiser concert set to take over Rubix Warehouse on April 7. Fans of The Brunny's live music program will know to expect a banging mix of up-and-coming talent in the 11-act lineup. Get excited for sets from the likes of Mojo Pin, Palmerslum, The Balls and Three Quarter Beast — rocking on until the wee hours in true Brunny fashion. Tickets are $20 with proceeds going to support The Brunswick Hotel's staff.
If you've watched Thor: Ragnarok recently or, say, binged on four seasons of Vikings in one week, your quest for Norse mythology, hectic battles and hair inspiration isn't over. In fact, it may finally be fully realised with the Melbourne arrival of Vikings: Beyond The Legend. Melbourne Museum's newest exhibition opened on March 23 and it's enormous — taking the title of largest collection of Viking artifacts ever to be seen in Australia. Born from the Swedish History Museum, it's already done the global rounds, having hit up The States last year and hosted millions of visitors to date. With over 450 different artifacts on display, the exhibition will detail Viking domestic life, cultural beliefs and rituals. Among the cool antiques to ogle are the skeletal remnants of a Viking long ship, swords that date back to 700 AD and a Thor's hammer pendant (sans Chris Hemsworth, sadly). Also on offer are hands-on activities and games that further the immersive aspect of the exhibition. If you've still got a hankering for more Norse-themed offerings, check out Mjolner — the Viking-themed carvery and whisky bar hails from Sydney and is now open down Melbourne's Hardware Lane.
If you're citybound and missing out on New Year's Eve festivals like Falls and Beyond The Valley this year, don't fret. Let Them Eat Cake is your inner city solution to satisfy those festival urges. Held on New Year's Day at Werribee Park, LTEC is not only great for the music, but also plays host to installation art, open-air exhibitions and some killer food offerings. But back to the music. This year's lineup includes the likes of Tourist, Kllo, Âme, Sam Weston and many others. Have your cake and eat it too, guys — you've earned it this year.
Melbourne's getting another big serve of home inspo this November, with the return of The Design Files' hit Open House pop-up. After taking a break in 2016, the unique event is back with a bang, its next incarnation set to rock brand new digs within a Collingwood warehouse space, from November 23 to 26. If you're unfamiliar with the concept, it's basically the ultimate happy place for home styling aficionados — a four-day pop-up featuring one open-plan house, decked out from top-to-toe with a covetable collection of furniture, appliances and homewares, as curated by the experts at well-loved design blog, The Design Files. And it's all available to buy, right then and there. 12 months in the making, this year's home will feature a master bedroom, living and dining spaces, a kids' area, a Cantilever kitchen, a home bar and a custom-designed courtyard by Phillip Withers. For the first time, The Design Files Open House will also play host to a program of ticketed speaker events, inviting local makers, stylists and small business operators to share their snippets of home styling wisdom.
Summer's en route, which means it's almost time to start planning those backyard barbeques. Or, you could leave the hard work to a professional — namely acclaimed chef Matt Wilkinson, as he returns to the Pope Joan barbie for his annual Summer Camp Cookouts series. After the smokin' success of last summer's debut season, the al fresco dining series will once again see Wilkinson take over the Brunswick East cafe's backyard for a 12-night stint slinging charry, seasonal dishes hot off the coals. On offer Tuesdays through Fridays from December 5 to 22, this year's menu features a summery lineup of local mussels; chargrilled chicken hearts, lamb and turkey; oysters and squid; veggie dishes aplenty and an array of 'things-in-tins'. Meanwhile, sister and next-door neighbour The Pie Shop will be keeping things sweet, plating up a special edition peach, lemon verbena and raspberry pie for dessert. Bookings for Pope Joan's Summer Camp Cookouts open Monday, November 20. Contact the eatery by phone or email to reserve your place. Images: Annika Kafcaloudis
You put up the money. You helped stomp the grapes. Well, even if you didn't, the people-powered winemakers at Noisy Ritual are inviting you to put a cork in 2017 — literally. Members of the Brunswick East-based urban winery have produced five batches of homemade vino which they're now about to bottle. And they're using it as an excuse to throw a party. Cracking open their casks on the afternoon of Sunday, November 19 in their bar and cellar door, the Noisy Ritual Bottling Party will be your very first chance to try the 2017 vintage – straight from the bottle you helped pour it into. In addition to the wine, there'll be $5 tinnies from 2–3pm, food by Raph's Boogie BBQ and music from The Leafblowers and Expat Lima.
Back in March, the people behind A Day on the Green launched a new venture — a weekend of concerts in Melbourne's picturesque Royal Botanic Gardens. After bringing music lovers nearly 400 concerts over the past 15 years, they scored another hit with A Weekend in the Gardens. So much so, in fact, that they're bringing it back for another run. To be held across November 17 to 19, the returning fest will once again serve up three days of music acts for punters of both the old and new. On Friday, you'll be able to enjoy all-round legend Paul Kelly, plus Steve Earle and Middle Kids. Come Saturday, it's all about Illy, Thundamentals, Spit Syndicate and Birdz, as hosted by Jesswar. Sunday brings Missy Higgins, Dustin Tebbutt, All Our Exes Live In Texas and Harry Jakamarra. BYO deck chairs and picnic rugs to the first and last night, but not the middle — it seems like the organisers don't expect the audience to be sitting down for that one. Nearly 12,000 Melburnians went along last time, not only for the ace tunes, but for A Weekend in the Gardens' top-notch garden picnic vibes. For round two, they're setting up The Eatery again, an adjacent area featuring food Royale Brothers, Willy's Fried Chicken & BBQ, Black's Meats Smoked BBQ Goods, Hiro Poke Bar and Señor Churro, And if you're willing to pay $76, you can also snack your way through a Vietnamese hamper from restaurant Jardin Tan. If that's not enough, there'll also be a the Native Cocktail Bar, serving up Bush Coffee (vodka, wattle seed syrup, cold brew coffee and coconut shavings), Native Spritz (gin, lemon myrtle & rosella shrub, quinquina, soda and gum leaves), Tiki Roundhouse (rum, native lime, ginger, soda with fresh pineapple, mint and absinthe) and Apple Iced Tea (whisky, tea, muntrie (native apple) syrup, rhubarb foam and crumbled biscuits) concoctions. Oh, and a dedicated Pimm's Bar on the lawn, offering up Pimm's Cups (what else?). Image: Kerry Kissell
The Makers and Shakers Market will visit Melbourne again this November, bringing with it the whole kit and caboodle of bespoke ceramics, homewares and jewellery (as well as tasty food to rejuvenate you when you get the oh-no-I-just-spent-all-my-money sweats). Kick things off at 10am with a coffee, spend a few hours browsing, and then chow down on a toastie a custard-filled Italian doughnut. The market gives space to local makers to sell their handmade wares, with everything from resin rings to tomato chutney to be found. Stallholders this time round include hand-dyed resin wares by Ellis, granola from Humble Homies, dreamy pastel ceramics from Leah Jackson and wooden homewares from TURNER + TURNER. And that's just the crust of the pie — there are many more to choose from when you take a full bite. Images: Alana Dimou.
Need a bit of extra motivation to exercise? Would the chance to dress up and step back in time make you more eager to burn some calories? If so, jog along to Retrosweat. The themed workout has been getting Sydneysiders sweaty in spandex for a few years now, and s heading to Melbourne for the first time. The class will be led by founder Shannon Dooley of Physique Aerobics, who says she's aiming to inject a lot more fun (and eye shadow) into exercising. Her classes celebrate the glorious music and dance moves of the '80s. Think Prince, Michael Jackson and Madonna. The session will be a non-intimidating 60 minutes and all experience levels are welcome, so don't rule yourself out if you think you have two left feet. Held the day after Cup Day, the workout will be somewhat horse-themed, with a prize going to the best ponytail. As for the dress code? "G string leotards are encouraged, scrunchies and sweatbands compulsory."
Hosted for the 25th time in 2017, the Centre for Contemporary Photography's Salon 2017 exhibition celebrates outstanding achievements in photomedia from across Australia. CCP Salon 2017 is a win for both photographers and lovers of the medium as 28 industry leaders have got behind the event to offer up $20,000 worth of prizes across the 35 categories. And you can have a say in the one categories winner as the public selects their favourite image for the Marion Boyce Costume Design People's Choice Award. For the past 31 years, the Centre for Contemporary Photography has been one of Australia's most important spaces for boundary pushing photography. Actively exploring the art form as new technologies, trends and shifting creative landscapes influence photography, CCP Salon 2017 is one of the best ways to keep up with the latest in photographic art. CCP Salon 2017 runs opens on Thursday, November 23 and runs until Saturday, December 16.
Forty years ago, a filmmaker wanted to journey to a galaxy far, far away, and he needed a republic cruiser's worth of epic tunes to go with it. Enter John Williams and the theme everyone now knows. When the first notes of Star Wars: Episode VI — A New Hope's score started playing over the film's opening crawl, movie and music history was made. Neither Williams nor George Lucas could've known just what they'd unleashed, nor that Luke and Leia, Han and Chewie, and the next generation of wannabe jedis and empire lackeys would still be gracing cinema screens decades later. To celebrate not only the space opera saga's longevity, but the upcoming release of Star Wars: Episode VIII — The Last Jedi in December, St Kilda's Palais Theatre is hosting the Star Wars event to end all Star Wars events: Star Wars: The Force Awakens in concert. We've got a good feeling about what promises to be a force-filled evening of sound and vision, with the last film in the franchise screened in all its Daisy Ridley, John Boyega, Oscar Isaac and Adam Driver-starring glory, and Melbourne Symphony Orchestra picking up their instruments to perform the corresponding score. Conducted by Nicholas Buc, who'll be living out one of his dreams, they'll play Williams' Oscar-nominated music from the saga's seventh flick live across three concerts on December 8, 9 and 10. Following in the footsteps of the similar Harry Potter shows enchanting audiences this year, also featuring a score by Williams, this is not a trap — but BYO lightsaber, droid and wookie. And if you're a Sydney jedi master or Brisbane rebel who can't make it south, try taking Yoda's advice and trusting the force. The Melbourne gigs have been badged as the series' Australian premiere, so this mightn't be your only hope. Fingers crossed the show will jump on the Millennium Falcon and tour the rest of the country.
Once a year, Alliance Française brings the best of French cinema to Melbourne — the latest and greatest, the flicks that won't make it to our shores otherwise, and a smattering of classic fare as well. If you're particularly keen on the latter, it also runs a second festival, too, which is completely devoted to stellar movies from years gone by. Returning for its fourth year, the 2018 Alliance Française Classic Film Festival will hone its focus on the inimitable Jeanne Moreau. A shining light of French cinema since the 1950s, she starred in such as Louis Malle's Elevator to the Gallows, Luis Buñuel's Diary of a Chambermaid and Joseph Losey's Eva — and the iconic Jules and Jim by Francois Truffaut. With Moreau sadly passing away in 2017 at the age of 89, the festival will showcase six of her best features across its four-day Melbourne program, with French New Wave highlight Moderato Cantabile also on the lineup, alongside The Old Lady Who Walked in the Sea from her work in the 90s. The fest hits The Astor Theatre between Thursday, November 8 and Sunday, November 11.
Weekends love to hog the limelight when it comes to social activities, but we're big advocates of a mid-week hang. Adding a little glamour to a weeknight is a sure-fire way to make the work week go quicker, so this spring, luxe Japanese restaurant Nobu has you covered, tempting you away from the standard 'crawl home at knock-off' routine. For the entire month of September, the restaurant is slinging flutes of Ruinart Blanc de Blancs Champagne for $19 plus two snow crab tacos for $15. Yes, for under $40 you will be living your best life and forgetting the fact that it might not even be Wednesday yet. The offer is available daily between 5–9pm, and for extra points, you can also order a whole bottle of Ruinart for $120 if you're feeling particularly flush on payday. Best shared with friends, Champagne and tacos might not be the most traditional of pairings but it'll be your new favourite.
Richmond's Corner Hotel has just the tonic for your boring old Tuesday nights in September — and if you guessed that it's giving a game your nan probably plays a musical twist, then that's a bingo. At Bin'go Your Own Way, you don't just wait for someone to tumble a sphere of balls, pick out a number and make a bad joke. Instead, Dan Watt plays bits and pieces of songs and asks punters to match them to the ones listed on your bingo card. Running from 7.30pm on Tuesdays in September in the venue's front bar, each week has a different theme — so if you've got bingo fever and want to head along more than once, you're more than catered for. The first week will ponder one-hit wonders, while the others will run through covers, female artists and bands that have played at The Corner. Yes, we're guessing there'll be singalongs. Folks able to both face and match the music will win prizes that include jugs of beer, bottles of wine and something else special (although, lets face it, winning booze is an incredibly fitting reward). Tuesdays also now happen to be the Corner Hotel's new cheese night, so there'll be plenty of cheesiness from a number of sources.
Thought ballet was just for girls? Prepare to have this misconception flipped on its head when The Australian Ballet's new production of Spartacus heats up the stage in Melbourne this September. Bringing bold new life to the classic tale of an enslaved gladiator and his quest for freedom, the work shines the spotlight on some seriously talented male dancers, led by director, choreographer and Australian Ballet alum Lucas Jervies. Expect high-impact, captivating scenes played out before you, as Spartacus fights to escape his captors and free his beloved wife Flavia. The powerful production features sets and costumes by award-winning French designer Jérôme Kaplan, matched with a gutsy score by Aram Khachaturian. All of those usual pirouettes and arabesques will be supercharged, courtesy of the dancers' tutelage under acclaimed fight director Nigel Poulton, who has worked on some major Hollywood films, including Pirates of the Caribbean V, The Bourne Legacy and I am Legend Images: Justin Ridler
Australia might be known for sun, surf and sand, but when we bring our climate and landscape to the big screen, the results aren't always glowing. That's not a criticism of the quality of movies made by Aussie filmmakers. Rather, it's a reflection of their fondness for darker stories. For decades, the outback has been a source of menace, as seen in everything from Wake in Fright and Mad Max to Wolf Creek and The Rover. When we splash about in the water, sharks attack, as The Reef made plain. And when Australian cinema hangs out at the beach in the name of fun, the results can be raucous in an over-the-top manner, like Swinging Safari, or tinged with coming-of-age melancholy, like Puberty Blues. Ladies in Black takes place in Sydney's inner-city hustle and bustle, but it's an unmistakably summery film — and it's unmistakably hopeful. Much of its running time is spent within a fictional department store that's modelled after David Jones, however the movie captures that end-of-year feeling that is incredibly familiar to Australians. The weather heats up, Christmas and New Year's Eve beckon, and life instantly seems brighter. And while our protagonists navigate ups and downs as they go about their lives circa 1959, just before the 60s sweep in to change everything, the film's buoyant air never subsides. Fresh out of high school, budding poet Lisa (Angourie Rice) takes a job on the fifth floor of Goode's, donning a black dress and trying to do her best. It's not a career move but a stop-gap, as she attempts to convince her father (Shane Jacobson) to let her go to university. Amidst selling cocktail frocks and high-end gowns, her fellow colleagues all have their own dilemmas, all emblematic of a society that doesn't quite realise an enormous shift is around the corner. Fay Baines (Rachael Taylor) longs for a man who will treat her well, while Patty Williams (Alison McGirr) wants her existing husband to notice that she exists. As for Slovenian immigrant Magda (Julia Ormond), in-between putting up with scorn for being a refugee, taking Lisa under her wing, and helping a Hungarian friend (Ryan Corr) find a nice Aussie girl, she's working towards opening her own fashion boutique. It has taken more than two decades for writer-director Bruce Beresford (Mao's Last Dancer) and his long-term producer turned co-writer Sue Milliken to bring Ladies in Black to the screen, and their affection and determination shows. Making the leap from best-selling novel to Australian stage musical and now to the cinema, this tale of women stepping towards a new future is rendered in loving and meticulous style. Intricate production design fills every frame, bringing jam-packed trams, suburban homes and, of course, the main department store to life. Costume-wise, the dresses that feature so prominently prove a vintage fashion-lover's dream. And with the picture's sunny hues and optimistic mood as well, Sydney has rarely looked as radiant. From rising talent Rice (a veteran of The Nice Guys, The Beguiled and Spider-Man: Homecoming at the age of just 17) to the more experienced likes of Ormond, Taylor and Corr, the movie's stars are also lively and warm. Every performance in the film feels lived in, including Susie Porter as Lisa's doting stay-at-home mum and Noni Hazlehurst as a Goode's supervisor. The texture in the cast's work couldn't be more crucial — in a slightly over-padded film that keeps its narrative dramas noticeably modest, and its themes of equality and multiculturalism undeniably overt and broad, much of the minutiae comes from the characters. Indeed, the thoroughly crowd-pleasing Ladies in Black is like a gorgeous gown that way: lovely to look at from afar, but boasting extra detail when seen from a closer vantage. https://www.youtube.com/watch?v=rd7aD7F2QCg
If you're starting to feel like a new season hasn't truly started until Finders Keepers has come to town, you're not alone. The ever-expanding art and design market has been bringing us face-to-face with some of the country's most quirky and creative designers for over a decade now — and it's set to do it all over again when it returns this October. The autumn/winter event saw the festival extend its trading hours, a move which will be repeated this time round, giving you maximum opportunity to explore the extensive program of vendors, food and entertainment. The focus remains, as ever, on helping you discover and connect with the next wave of independent and emerging artisans. Expect to find debut collections from the likes of liar liar. lingerie, Caye Life's sustainable water bottles and travel mugs and spadewood, which creates handmade timber wall hangings. The Finders Keepers Artist Program, an initiative that was introduced earlier this year to support emerging artists, will highlight the spring/summer recipient Leah Bartholomew's bright, abstract designs across all market collateral for the season. Many of the market's seasoned vendors will also return — so, if you've been kicking yourself since last round that you didn't pick up a bon lux candle or one of Daisy Cooper Ceramic's vases, you're in luck. As usual, there'll be live music and other entertainment scattered across the weekend to keep the good vibes going. And you're covered when the inevitable shopping-induced hunger strikes, with everything from Taiwanese street food to burgers on offer. Tickets are $5, available at the door and valid for the entire weekend. So, if you can't stop thinking about that one thing you didn't buy, you can make a return visit. Start creating your shopping list now and head to the Finders Keepers directory to see the full scope of vendors. Finders Keepers Spring/Summer Melbourne will run from October 19–21 at 12pm–9pm on Friday, 10am–7pm on Saturday and 10am–5pm on Sunday. Images: Samee Lapham.
Mary Eats Cake celebrates the timeless tradition of pairing a nice cuppa with some delicious small bites, calling it a "high tea" and making you feel just that little bit fancy. With two teahouses — one in Brunswick and one in Montrose — Mary has hosted countless high teas, and now she's upping the ante by serving them alongside plenty of gin. Running on every Saturday in September at the Montrose venue, and on Friday, August 24, in Brunswick, the gin-fuelled high teas are hosted in collaboration with Aussie-favourite distiller Four Pillars. The Gin High Tea will set you back $65 a head, and includes a gin and tea cocktail on arrival and a full High Tea menu of sweet and savoury treats matched to two more gin cocktails. And, maybe the important news, you'll also have access to unlimited scones. The Gin High Tea will be held on Friday, August 24, at Mary Eats Cake Brunswick and at Mary Eats Cake Montrose every Saturday in September.
Get your fill of the best vegan food in town at the Vegan Day Out. Come September 8 and 9, The Cruelty Free Shop is putting together a walking tour of vegan cafes, restaurants and retailers, many of which will be offering discounts, deals and free samples to anyone who stops by. For Saturday and Sunday, socially conscious eaters can stop by The Cruelty Free Shop on Johnston Street, and grab a map outlining their route. From there, it's all about making your way to to plant-based delights aplenty — and making a day (or two) of it. Whether you're a dyed-in-the-wool vegan or just curious to give it a go, you'll find a whole world of retailers catering to animal-free eating, offering meal deals, two-for-ones, coffee, wine tastings and savings on vegan groceries. The Cruelty Free Shop will also be running its own tastings throughout the day, as well as offering discounts on some of its 3000+ products.
Whether it's a dog in a superhero costume or a cat wearing, well, whatever you can manage to get a cat to wear, animals donning outfits ranks among the cutest sights your eyes can ever see. Puppers popping on scouting regalia and posing for portraits might just raise the adorable stakes beyond previous levels, however — and it's not only on offer at Carlton Scout Hall on Sunday, August 5, but you can also take a souvenir home with you. If your pet pooch has a hankering for a merit badge (or you have a hankering to see them decked out in scouting hats and scarves filled with said merit badges — which you do, admit it), then march your troop down to North Carlton's Shakespeare Street between 10am–5pm. That's when Dog Photog will be snapping pics of your four-legged furball as part of its Scout's Honour Pop-Up. If you missed out last time, or missed their sailor-themed effort, then you'll want to be there. Bookings are essential, and getting a gorgeous portrait of your cute canine will set you back $45 — or $70 if you have two dogs in the same household. You'll receive a 10-minute session, plus a screen-resolution jpeg per dog. And if you'd like to order a print to hang on your wall, you can do so on the day. Image: Dog Photog.
If you've been needing to restock your bookshelf at home, and you find looking at lines of orange-and-white Penguin classics soothing to the soul, then time to strike while the iron is hot — as well as doing some good for charity. The annual Penguin Random House charity book sale will take place at Collins Square on Tuesday, July 31, with books starting from a mere $4. Entry costs a gold coin, and the proceeds will go towards The Indigenous Literacy Foundation, one of Penguin Random House's charity partners. Last year, the book sale raised more than $18,000. This year, the aim is to outdo that, so toss your old collection of the Twilight series and stock up on some classics. The sale runs from 8am-3pm or until sold out — head to West Pod at Collins Square to find it.
Collingwood gallery Lamington Drive has been busy installing its latest exhibition, Lucky Dip. Created by Melbourne design brand Dowel Jones, the interactive exhibition draws its inspiration from $2 shops and childhood lucky dips. Concealed within a sea of brown boxes, are objects designed specifically for the show — as well as some classic Dowel Jones pieces and collaborations — that you can actually take home. Pay either $20 or $50, write your name on a sticker, bang it on a box of your choosing, and you could the proud new owner of a kitchen table — or a teaspoon. For those participating, be warned: the size of the box doesn't automatically correspond to the size of the object within. If you'd like to get first pick of the lucky dip, head along to the opening reception, which will be held from 6–9pm on Wednesday, August 22. The draw will then be called when the exhibition wraps up on Saturday, September 15, upon when you can return to claim your lucky dip prize.
Believe it or not, it's been ten years of heading along to Hoyts on the weekend, smashing a large popcorn and a choc-top, and getting super jazzed up for whatever the latest Marvel film is. There's been 20 films since things started back in 2009 with Iron Man, and though they may be critically debated, nearly everyone can agree that they are at least entertaining. They give you that giddy blockbuster feeling that sticks around even when the lights go up and you realise you've got chocolate ice-cream all down your front. The Sun Theatre in Yarraville is honouring that feeling — and the fact that it's been a decade of Marvel Studios solidly churning out bangers — by putting on a Marvel Marathon. Showing 17 of the films, the bonanza will run over four Saturdays, starting with Iron Man on August 25 and finishing up with Avengers: Infinity War on September 15. (It will skip Spider-Man: Homecoming, The Incredible Hulk and the new Ant-Man and the Wasp.) You can purchase individual session passes online for $12, a full-day pass for $40–60 or go all out and cop a day or marathon pass from the box office for $150.
This November and December, take a tour of Japanese film history — all from the comfort of ACMI. Running as part of this year's Japanese Film Festival, JFF's 2018 classics program will showcase movies from both the Japanese Golden Age and the Japanese New Wave. That covers flicks from the 50s through until the 70s — aka the kind of films you really won't see on a big screen elsewhere. Highlights include The Pornographers from Cannes Palme d'Or-winning filmmaker Shohei Imamura, which steps into the titular business post-World War II; queer melodrama Manji: The Goddess of Mercy, about two society ladies following their feelings for each other; and Nihonbashi, the first colour movie by Cannes jury prize-winning director Kon Ichikawa. In total, six films will screen between November 22 and December 2, all focused around the theme of passion and obsession. And, in particularly ace news, the whole classics program is free.
Between Thursday, August 9 and Wednesday, August 15, Palace Cinemas is giving movie buffs an extra gift. It's not just the gift of great flicks — that is, their daily bread and butter — but the gift of cheap great flicks. Head to one of the chain's six Melbourne locations (excluding Kino) — Balwyn, Brighton, Brighton Bay, South Yarra, Northcote and St Kilda — across the week in question, and any film at any time will only cost you a fiver, plus an online booking fee of $1.50. Want to see Mission: Impossible — Fallout with your friends on a Saturday night? It'll cost you $6.50 in total. Keen to laugh your way through The Breaker Upperers after work one afternoon? Still $6.50 all up. We'd keep naming movies, but you get the picture. Booking in advance is highly recommended, given how much everyone loves going to the flicks for little more than the price of a cup of coffee, so you will want to nab your tickets online and pay the fee. And if you're wondering what $5 Movie Week is all about, Palace is about to launch its new rewards club. Consider this the first reward — although you don't need to be a member to benefit.
Looking to join the war on waste but aren't sure where to start? Well, you can kick off your anti-plastic lifestyle in good company, at ABC's War On Waste pop-up boutique this weekend. Making an appearance at Southbank and St Kilda this Sunday, August 5 the pop-up hopes to encourage small, everyday changes we can all make in the fight against unnecessary waste. With an estimated 10 million single-use plastic straws used by Aussies each day, there's no doubt that every little bit helps. Head along and make a pledge — whether that's making the switch to a reusable coffee cup, refusing those plastic straws from here on out, or ditching plastic bottles — and you'll score yourself a nifty reusable bag or bottle for your efforts. You'll also have the chance to meet the artists behind the funky designs, Lauren & The Lost Boys. Which will help if you plan on shopping at the newly plastic-bag free Harris Farms and Woolworths — and hopefully soon Coles. The 'War On Waste' Pop-Up in will run from 1.30–4.30pm Southbank and from 8am–11am in St Kilda.
Underground Cinema – which has transported you to numerous cinematic worlds, from 28 Days Later's zombie apocalypse to The Princess Bride's medieval court – is gearing up to close its magnificent 2018 season. And, to celebrate, you're invited to The Hotel. Like all Underground Cinema events, the affair will immerse you in an alternative reality. This time, it's one of utter opulence, luxury and elegance: the 1930s. In between meeting characters, encountering live performers and discovering worlds within worlds, you'll be treated to a movie screening. We can't tell you which film you'll be seeing or where you'll be meeting, as details will be kept secret until the day. We can tell you, however, to dress up 1930s-style, to expect a steady flow of drinks and, on this occasion, to indulge in a little feasting. Tickets are highly likely to sell out, so grab yours sooner rather than later.
Following iterations in Melbourne, Ballarat and Bendigo earlier this year, White Night is set to take its after-dark fun to Geelong. The inaugural event is scheduled for Saturday, October 13 and will take over the city's streets, laneways, parks and foreshore. Gheringhap Street will act as the central hub, with a host of art installations, interactive projections and performances spilling out on to the surrounding streets. Many local artists are expected to showcase works, and the festival will also feature 19 original pieces that have not been displayed at any other White Night event this year. The bright and colourful light installations include lanterns, chandeliers and a set of neon angel wings, along with a selfie station that projects your photo booth shoot onto an adjacent building. Musical performances range from jazz trios and opera groups to garage bands and drag queen shows, and the Gordon's courtyard will also host a massive lineup of live acts that'll take the stage throughout the night. And, for the dreamers out there, a wish tree will be installed in Johnstone Park where you can write messages on your phone that will appear on the tree's leaves before disappearing into the ether. If you need a break from all of the outdoors action, Geelong Gallery is hosting the 2018 Archibald Prize paintings and the Geelong Library will be transformed by anime characters. This jam-packed schedule will extend from 7pm to 2am, so be prepared for a full-on night and make sure to book accommodation ahead of time. And don't forget to check out our guide to Geelong's arts and culture to make a weekend of it.
UPDATE: AUGUST 9, 2018 — This event was originally published under the name Welcome to Hogwarts — A Magical Evening of Mischief. Event organisers have since changed the name of the event due to copyright infringement. This article has been updated to reflect that. If you've always wanted to hop aboard the Hogwarts Express — or at least pretend to — the Prince Bandroom is celebrating everything that encapsulates the wondrous world of Harry Potter with an adults-only shindig themed around that one thing every 90s kid wishes they had: magic. Apart from drinking and dressing up (press your robes in advance), there's plenty of other stuff going on. You'll be partying in spaces fit only for wizards — think the Great Hall and The Forbidden Forest. And if you need help getting around, you'll be given a map upon entry. Take a Defence Against the Dark Arts class from a magician, find out your fortune (will you get a letter soon?), get snapped in the photobooth with glasses and wizard hats, and just generally magic the night away. Tickets cost $28.60 — and we suggest you get in quick, as the Brisbane event sold out in a matter of days.
Malaysian eatery franchise PappaRich is known for its hawker food fare, sending out steaming hot plates of your favourite Malay specialities like nasi lemak, laksa and roti canai — aka good time winter food that's high in spice and higher in comfort. Their QV outlet sees your cold fingers and toes, and raises you their decision to give out hundreds of serves of their nasi lemak on Friday, July 27 between 11.30am–2.30pm. Nasi lemak is a rice dish cooked with coconut milk, served with sides like curried chicken, cucumber, egg and sambal. PappaRich will be giving them away for free, just as long as you download their new app. If a free hot lunch wasn't enough of an end-of-the-week win for you, the store will also comp a reusable PappaRich coffee cup to every person who downloads it as well. They're planning on giving away up to 800 free lunches and cups, so your chances aren't bad — just don't forget to take your phone and grab that app.
Earlier in 2018, Melbourne was named the live music capital of the world — attracting bigger audiences to live gigs than all of the big sporting events combined. Any seasoned Melburnian knows that this rings true, and not only now, but across decades gone by. Indeed, music history has made all over the city. The Melbourne Music Bus Tour takes a trip through this rich heritage, during a two-hour journey hosted by Melbourne musicologist Bruce Milne and music journalist Mary Mihelakos. Departing from the Australian Music Vault at Arts Centre Melbourne across six dates between October 2018 and March 2019 — and at 11am and 2pm on each date — this vibrant bus ride zooms through the likes of Richmond, Collingwood, St Kilda and Port Melbourne, and stops at a heap of past and previous venues, laneways and places of significance. The Dogs in Space house, the Nylex Clock sign, Mushroom Records, The Espy, Chrissy Amphlett Lane and Rowland S. Howard Lane are really just the beginning. If it inspired a song, featured in a music video or proves an important space for Indigenous music, then it's highly likely that it's on the tour. Previous seasons have sold out, so nab your $69 ticket and prepare to hop on board. Oh, and you might have some famous company, with Deborah Conway, Adalita, Cash Savage, Clare Moore, Paul Stewart, Stephen Cummings, Kim Salmon and Dave Graney among those that have been picked up along the way on past trips.
UPDATE, March 19, 2021: Searching is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Amazon Video. It's called 'screenlife': a growing group of horror and thriller flicks that trap their contents within a computer screen. Characters send emails, chat via video and text, scroll through social media feeds and Google whatever the narrative calls for, as viewers watch every move of the mouse cursor. The name is fitting for other reasons, too. Who doesn't live the bulk of their lives in front of a screen these days, after all? Indeed, in so simply yet savvily reflecting society's modern-day reality, this new filmmaking approach is more than just a gimmick — especially when it's put to such excellent use as seen in Searching. At first, the Kim family computer acts as a time capsule, exposing nearly two decades of memories as David (John Cho) and his wife Pamela (Sara Sohn) raise their daughter Margot. Through calendar reminders, emails and clips, the audience witnesses intimate and everyday moments, sees tragedy strike, and watches as David and a now 16-year-old Margot (Michelle La) struggle to cope in the aftermath. But more drama is set to follow. When Margot doesn't come home from a study session one evening and doesn't show up at school the next day either, David is frantic. Her laptop now becomes a sleuthing tool, as he uses every online means at his disposal to track down Margot's whereabouts, both with and without the help of police detective Vick (Debra Messing). A missing person thriller, Searching's premise has been done many times before, furnishing episodes of every procedural crime TV series that you can think of. While first-time writer-director Aneesh Chaganty and his co-scribe Sev Ohanian bring their own twists and turns, the essence of their narrative remains familiar. That's where the film's use of technology comes in. As both easily foreseeable and completely unexpected developments unravel on Searching's screen within a screen, each clue, keystroke and cascaded window feels urgent and immediate. Each choice and reaction that David makes, too. The movie has more than a few smart things to say about humanity's constantly online status, but it's smartest touch is using its immersive style to heighten the tension and suspense — and, in moments of extreme pressure, to show its protagonist reacting as everyone else would. Searching's casting proves as clever as its central conceit, as Cho emphatically demonstrates. Fourteen years after Harold and Kumar went searching for stoner snacks, it's long been a given that the actor should be a huge star. Searching isn't the only recent entry on his resume to back up that point (see his stellar work in Gemini and Columbus), but it is the biggest. The film is trained on his anxious face for the bulk of its 102 minutes, framing it close and tight via FaceTime videos, and he makes the most of every moment. It's not just worry and fear flickering in his darting eyes as David scrambles to find his daughter, but the dawning realisation that the computer knows more about Margot than anyone, even a father, could hope to. Known for Nightwatch, Daywatch, Wanted and Abraham Lincoln: Vampire Hunter, Russian-Kazakh filmmaker Timur Bekmambetov is the other crucial aspect to Searching. Here, he's in the producer's chair, adding another screenlife flick to his growing haul. He was behind the surprisingly effective Unfriended, and directed this year's other great computer screen-based effort, Profile, which follows a journalist trying to befriend a Syrian ISIS recruiter. Bekmambetov's studio also created the software that gives these movies their visual language, and has publicly said that he'd like to make 50 of them a year. Basically, the filmmaker is turning what might've been a flash-in-the-pan idea into its own genre, letting each subsequent entry illustrate the style's worth, effectiveness and astute capabilities. With Searching, he makes a resounding case. Even when it serves up a few over-the-top leaps, keeping your eyes glued to a computer has rarely been more riveting. https://www.youtube.com/watch?v=9eccvs0b_oU
Feeling crafty, Melbourne? Do you wish you had a few more creative skills, or perhaps you're keen to deck out your home with a few one-off yarn and fibre pieces? Thanks to the folks behind Melbourne's Etsy Made Local markets, all of the above is on the agenda at the city's new crafting festival. That'd be the Melbourne Yarn & Fibre Festival, which comes to Darebin Arts Centre from 10am–3pm on Saturday, September 22. You'll browse, buy, learn and craft, with a curated craft market, a variety of workshops and a communal crafting space all part of the event. Need some extra motivation? Let this completely unrelated crafting pun-off get you in the mood. It's from a new craft-focused TV show featuring Parks and Recreation's Amy Poehler and Nick Offerman. Back to the new fest at hand: it also features classes galore so you can go home with a few items made by your very own hands. They include weaving baskets, making earrings, crocheting mittens and knitting not just with needles, but with your arms. Entry is free, but the workshops are ticketed, with prices ranging from $40–$280.
Whether it's a first or fiftieth, there's one element of a birthday that never gets old: the party. And cake. Okay, that's two, but cake is delicious. Saturday, September 1 marks a very special birthday indeed. Sophisticated all-day bar Cliveden Bar and Dining is celebrating one year since it opened as part of Pullman Melbourne on the Park's $6 million makeover. Sitting pretty opposite the MCG, The Cliveden was once the fine-diner The Cliveden Room, an A-list celeb haunt in the 80s and 90s. It's now throwing a party to rival those it used to have back in its previous life. To celebrate, The Cliveden will host a gin-infused high tea with gin drinks and eats. Think gin-cured salmon, scones with negroni jam and gin-infused lemon tarts, in a very spirit-soaked twist on a traditional high tea. Gin cocktails will be on the go all day with a Violet Maiden (gin, violet liqueur, egg white), Bloody Aussie Negroni (Four Pillar's Bloody Shiraz gin, sweet vermouth, Okar) and Vintage Cliveden (Cliveden gin, Peychaud's Bitters) all part of the mix. There'll be prizes up for grabs, and tickets are $60 (or $50 if you're an AccorPlus member). And, if you really want to go all out — which you probably do, because it's a birthday party and the first day of spring, too — you can add bottomless sparkling wine for just another $12. You certainly won't be leaving thirsty. To secure your spot, tickets can be purchased here.
Jackson Pollock's Blue poles (1952), Sol LeWitt's Wall drawing No. 380 a-d (1982) and Jon Schueler's The first day (1956), as well as works by Andy Warhol, James Turrell, Yoko Ono and Mark Rothko will all be available for your viewing pleasure this spring. The world-famous works will take over Canberra's National Gallery of Australia for American Masters 1940–1980, a free blockbuster exhibition showing more than 150 works by over 70 artists. Every piece comes from within the NGA, which impressively holds one of biggest collections of post-war American art outside of the US. Most purchases were made back in the 1970s and 80s, under inaugural director James Mollison — before the gallery's 1982 opening — and, at the time, were considered rather controversial. The show takes you on a chronological journey, beginning with abstract expressionism, which spawned Pollock, Rothko, Willem De Kooning and Frank Stella, before moving onto its many progeny, from colour field and pop to photo-realism and conceptual art. Images: Jackson Pollock, 'Blue poles' (1952), oil, enamel, aluminium paint, glass on canvas, National Gallery of Australia, © Pollock-Krasner Foundation; Installation view.
Over the past decade, perhaps the greatest collective strength of the 18 (yes, 18) movies in the so-called Marvel Cinematic Universe has been their relative independence. From the very first Iron Man through to the most recent Black Panther, each film has (mostly) achieved an impressive balance of telling its own, distinct story while also servicing the ultimate end-game. Each new entry had enough in-jokes and easter eggs to satisfy the super-fans, but never so many that a newcomer couldn't enjoy the experience from an entirely cold start. The same cannot be said for Avengers: Infinity War, but then again, for directors Anthony and Joe Russo, that was never the intention. This isn't just the 19th film in the MCU, it's the culmination of the entire franchise; a sprawling, non-stop action movie purpose built, this time, for the fans. It's relentless, entertaining and more than a touch surprising. Unfortunately it's also starved of substance and likely to leave many feeling shortchanged. Ultimately, it all comes down to scale. Perhaps for the first time, this cinematic universe is truly universal in its scope. It moves from one galaxy to the next with bewildering speed, including planets so ancient and remote many of the characters have either never heard of them or dismissed their existence as the stuff of legend. And of those characters, where to even begin? In January of this year Chris Hemsworth, who plays Thor, casually dropped mention of an extraordinary 76 separate Marvel characters set to appear in Infinity War. Even if he was being slightly hyperbolic (one quickly loses count, so the number might actually be bang on), his comments nonetheless captures the magnitude of this gargantuan blockbuster. But like the pop culture references in the recent Ready Player One, many of these inclusions offer little substance beyond an excitable Pavlovian response triggered by recognition ("Heeey, it's Black Widow! Ooo it's…whatshisface!"). Even with the film's indulgent 156-minute run time, the decision to pack so many characters into a single film inherently means Infinity War must choose between cameo and character, with the former largely winning out. That means that many of the incredible cast members are saddled with just a handful of lines each, with perhaps the fewest coming from Chadwick Boseman's Black Panther (despite the fact that a significant section of the film taking place in his kingdom of Wakanda). Again though, the Russos have knowingly committed to the 'as read' nature of this film, opting instead to devote the lion's share of screen time and dialogue to the only real newcomer: the villain, Thanos (Josh Brolin). Thanos first appeared during the end credits of the original Avengers movie back in 2012. Since then he's been a constant (if fleeting) reference point for the coming storm that is Infinity War. He is nothing if not formidable – a softly-spoken juggernaut whose vision for a harmonious universe involves the mass genocide of precisely half its inhabitants. To achieve that he requires the fabled 'infinity stones', several of which are unfortunately located on earth in the hands (or foreheads) of various Avengers. He is a worthy antagonist for such an enormous project, and what really separates him from all the other Marvel villains is his capability; an indomitable strength that renders void the efforts of every other hero he encounters. Teamwork has always been the name of the game in the MCU, but even the combined efforts of the entire super-powered lineup seems destined to fall short. Of course Infinity War is actually just part one of two films, with the second instalment scheduled to drop in May 2019. Its ending, hence, leaves a lot to be resolved, and it's difficult not to assume much of that will centre upon some extensive Dr. Strange time reversal. There's a serious chance the series could be veering toward shark-jumping territory, so fingers crossed the Marvel boffins have something far grander and more unexpected planned. Until then, brush up on your backstories and strap in for one helluva ride. https://www.youtube.com/watch?v=QwievZ1Tx-8
Every month at The Grand Richmond, yum cha hits the menu — though not as you know it. Sorry dumplings, spring rolls and pork buns, but this isn't your time to shine. Instead, this feast of bite-sized portions is going Italian. Yes, Italian Yum Cha is exactly what it sounds like. Work your way through little steamer baskets filled with everything from fried zucchini flowers to suckling pig croquettes. The list goes on — caprese salad, bruschetta, pork lasagne, gnocchi and rabbit ragu — and also includes desserts such as tiramisu, lemon tart and Italian doughnuts. You can eat it all with chopsticks if you'd prefer (or at least attempt to). As is the custom, prices are tallied per dish, which come in multiple servings. Booking a table in advance is highly recommended.
When Darth Vader told Luke Skywalker that they're more than just mortal enemies, it became one of the most famous lines of dialogue in movie history (and one of the most mis-quoted). If you've seen Star Wars: Episode V — The Empire Strikes Back, you'll know that it's a powerful, memorable moment that changes the shape of the entire space saga. Even if you haven't, you know what we're talking about. Now, imagine just how epic it'll feel when you're watching the flick on a big screen and listening to John Williams' iconic score played by a live orchestra. Yes, The Force is strong in Melbourne once more, with Melbourne Symphony Orchestra staging the next in its series of Star Wars events with four screenings and performances on December 14, 15 and 16 at the Melbourne Convention and Exhibition Centre. Jedis, wookiees and droids alike can expect three nights of tussles between the Rebels and the Empire, Luke learning his true parentage, Han flirting with Leia and getting frozen in carbon, Chewbacca being awesome, R2-D2 being adorable and C-3PO being annoying (well, he is). Plus, it's the flick that marks the first appearance of Lando Calrissian and the first time 'The Imperial March' is heard. Conductor Nicholas Buc will be leading the charge again, and expect an energetic performance — it's his favourite Star Wars score. "Williams' bombastic music for Darth Vader has since come to represent everything evil in the Star Wars universe and, combined with his new love theme for Han and Leia, this score improves on everything that he started in Episode IV," he notes. Buc will also discuss the score with film experts Dr Dan Golding and Andrew Pogson in four pre-concert talks — at 6.15pm on Friday, 11.45am or 6.15pm on Saturday and 11.45am on Sunday. Prices start at $35 for restricted view and $49 for D Reserve. To purchase tickets, visit the MSO website. Updated: December 7
