Pearl Jam finally returning to Australia and New Zealand for the first time since 2014 was always going to be big news. Tickets to their shows were always going to get snapped up fast, too. So, it comes as no surprise that the Eddie Vedder-led band's Down Under leg of their Dark Matter tour has added new gigs on the day that tix went on sale — because Melbourne, Sydney and Auckland's concerts have proven that popular. In NZ, the group will now hit up Go Media Stadium in Mt Smart on Sunday, November 10 as well as the already-announced Friday, November 8. In Melbourne, Monday, November 18 joins Saturday, November 16 on Pearl Jam's trip to Marvel Stadium. And in Sydney, the band will play Giants Stadium on Saturday, November 23, after their first show there on Thursday, November 21. [caption id="attachment_940860" align="alignnone" width="1920"] Raph_PH via Flickr[/caption] At each of the new gigs, as well as the rest of the tour's stops in Sydney and on the Gold Coast, audiences will be treated to two hefty names in 80s and 90s music thanks to Pixies in support. Vedder and Black Francis taking to the same stage? That'll make you feel alive and ask "where is my mind?". Pearl Jam are the headliners, returning after last hitting our shores on a tour a decade back that included the final-ever Big Day Out. Dark Matter, the band's 12th album, will release in April — which gives fans plenty of time to know it by heart before the group take to local stages. [caption id="attachment_940849" align="alignnone" width="1920"] Wp72 via Wikimedia Commons[/caption] Expect to hear tunes from Dark Matter, plus past hits 'Alive', 'Black', 'Jeremy', 'Better Man', 'Last Kiss' and 'Daughter' from previous albums such as the iconic Ten, Vs and Vitalogy from the early 90s, plus No Code, Yield and more since. Pixies, who were last Down Under in 2022, are responsible for a helluva one-two punch with their first two albums: 1988's Surfer Rosa and 1989's Doolittle. The first gave the world the track that's been linked with Tyler Durden courtesy of David Fincher's Fight Club since 1999, aka 'Where Is My Mind?', as well as 'Gigantic' and 'Cactus'. The second is home to 'Here Comes Your Man', 'Monkey Gone to Heaven', 'Debaser' and 'Wave of Mutilation'. Tickets to the tour required registration first, which has already ended. But, if you have received a code as part of that process, it's now valid for the new gigs. [caption id="attachment_940844" align="alignnone" width="1920"] Danny Cinch[/caption] Pearl Jam Dark Matter World Tour 2024 with with Special Guests Pixies — Australia and New Zealand Dates Friday, November 8 + Sunday, November 10 – Go Media Stadium, Mt Smart, Auckland Wednesday, November 13 — Heritage Bank Stadium, Gold Coast Saturday, November 16 + Monday, November 18 — Marvel Stadium, Melbourne Thursday, November 21 + Saturday, November 23 — Giants Stadium, Sydney Pearl Jam and Pixies are touring Australia and New Zealand in November 2024, with ticket sales from Friday, February 23 — head to the Pearl Jam website for further details. Top image: Raph_PH via Flickr.
Steamy, sunny days are still upon us, making afternoons around the pool an enduringly high priority — and a surefire reason to leave the office inappropriately early. While swimming a few laps satisfies the large majority of water babies, there are those of us yearning for the playful days of yesteryear; when fighting your siblings on the back of inflatable dragons was the ultimate, when diving for sunken rings was the best of times, when blow-up alligator time had to be shared out and rostered by your tired-but-practical Aunty Jane. But pool toy companies haven't forgotten you. There's a huge market for pool toys to suit all ages, with plenty of stylish, weird and genius inflatable ideas on offer. From floating poker and ping pong tables to giant floating birds and watermelons, these are our favourite inflatables to make any pool party that little more Instagrammable — and your summer that extra bit more nostalgic. THE GIANT FLAMINGO/SWAN One of the most Instagrammable pool accessories around: the giant swan (or pink flamingo, if you're feeling more flamboyant). According to the Giant Swan website, the swans are "popular in fashion shoots", so for $99 you can nab your very own oversized aquabird and get yourself a perpetually summery profile picture. POOL SHOOTBALL If you like shooting hoops but find the asphalt a little too steamy in summer, this genius little game brings the court to the water. For just $40 with free shipping, this one's perfect for pool parties or sorting out sibling rivalries. AQUA ZORBS With the increasing popularity of Zorb Bumper Soccer and Human Zorb Bowling, Aqua Zorb water walkers could be of the most epic additions to home pool toy collection. One of the more exxy pool toys on the market, the Zorbs are $595 each — and obviously you're going to need two for battle reasons. One for the truly dedicated pool fiends. FLOATING POKER TABLE Now here's a truly grown-up pool toy. Bestway are responsible for the world's first pool poker set, complete with inflatable poker table, chairs, cards, chips and most importantly, drink holders. It's just $39.95 for the set, however a day of poker in the pool may end up costing you more. THE LAKE TRAMPOLINE You're going to need a bigger pool for this one, preferably lake-sized. Remember all those hours you spent as a youngster doing precarious trick jumps from your trampoline into your pool? Now your adult self can get some solid (and somewhat safer) air jumping off a giant lake trampoline, priced from a rather steep $1800 to $3700. With a price tag like that, might be worth getting your crew to chip in. MOTORISED BUMPER BOATS Yep, motorised bumper boats. Longtime aquatic toymakers Hammacher Schlemmer have created these floating vehicles for long afternoons spent crashing into your loved ones at four kilometres per hour. For $100 each, these bumper boats can also be used to ferry your summer snacks from one end of the pool to the other, or could be used as a flimsy excuse for a jetski in a lake situation. FLOATING POOL PING PONG Never chase ping pong balls around your garage again. Yours for around $60-90, depending where you buy it, this floating ping pong table is as summery an activity you can get. You're going to want to take this to the shallow end though; treading water and playing ping pong sounds like one hell of an exercise. AQUAGLIDE REVOLUTION If you're looking to make other people jealous (or highly confused) of your toys, this'll do the trick. Priced at $4500, the six-foot-high Aquaglide Revolution has it all: slides on one side, some form of extreme seesaw on the other, climbing walls aplenty. The Revolution allows up to ten people on board at once, and will have you outrageously exhausted and immeasurably happy by the end of the day. URBAN OUTFITTERS POOL FLOATS Another much more realistic and adorable option to brighten up any pool party. From watermelons, Monaco bars, snakes, suns, smiley faces to floating beer pong, American retail giants Urban Outfitters have a variety of novelty pool inflatables on offer for just $25 to $50 each. By Tommy Codling and Shannon Connellan.
All That Jazz isn't one of Damien Chazelle's films. It hit cinemas in 1979, six years before the Whiplash and La La Land filmmaker was born, so it can't be. But the Oscar-winning writer/director sure has taken those three words to heart. With the exception of his last flick until now, 2018's Neil Armstrong biopic First Man, Chazelle adores all that jazz — and he adores pumping it through his movies, too. So, returning to the big screen after making jazz club drama The Eddy for Netflix in 2020, of course he's heading back to an era in history known as the jazz age. Babylon dances through Hollywood's Golden Age with a jazz (what else?) soundtrack, following Margot Robbie and Brad Pitt as they wreak havoc throughout Tinseltown. Robbie (The Suicide Squad) plays Nellie LaRoy, a 1920s actor. After winning an Oscar for Once Upon a Time in Hollywood — set in a different era of Los Angeles' past — Pitt (Bullet Train) plays Jack Conrad, an industry veteran. As the decade comes to an end and Hollywood changes, the two characters have much to grapple with in this tale of ambition and excess. As the just-dropped first trailer makes plain, they have plenty of parties to attend, too — decadently staged affairs that look right out of The Great Gatsby, or at least as if Chazelle is channelling his inner Baz Luhrmann. And if you weren't already thinking that anyway, up pops Tobey Maguire in only his fifth movie role since The Great Gatsby. (Also on his resume since then: the wholly unrelated 2014 TV series The Spoils of Babylon). Since capturing Hollywood's attention back in 2014 with Whiplash, Chazelle hasn't been known for holding back — and in a trailer that opens with Robbie and a table of drugs, ends with her fighting a snake, gleams with golden sights in-between, and splashes around so much alcohol that you're forgiven for feeling a little boozy while watching it, that's clearly the case with Babylon. The official plot synopsis promises to "trace the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood" — and if that's your tempo, the end result hits cinemas in January 2023. Also among the cast: a massive who's who of Hollywood today, including Diego Calva (Narcos: Mexico), Jean Smart (Hacks), Jovan Adepo (The Stand), Li Jun Li (Sex/Life), PJ Byrne (The Boys), Lukas Haas (Widows), Olivia Hamilton (First Man), Max Minghella (The Handmaid's Tale), Rory Scovel (Physical), Katherine Waterston (The Third Day), Red Hot Chili Peppers' Flea (Obi-Wan Kenobi), Eric Roberts (The Righteous Gemstones), Ethan Suplee (Dog), Samara Weaving (Nine Perfect Strangers) and Olivia Wilde (Don't Worry Darling). Check out the trailer for Babylon below: Babylon releases in cinemas Down Under on January 19, 2023. Images: courtesy of Paramount Pictures.
Come with us now on a journey through time and space, as Matthew McConaughey takes the top spot as heroic protagonist in the new Christopher Nolan film, Interstellar. The brand new (awesome) trailer can only be watched at Interstellar's newly launched website. Once you get there, you'll need a special passcode — '7201969' — the date Apollo 11 landed on the moon. Badass. The film sees McConaughey and fellow astronaut Anne Hathaway travel through a wormhole with the simple goal of saving humanity. The newly-released trailer gives a tiny insight into McConaughey’s character — an engineer and widowed father with two children — as well as vast landscapes of alien worlds and a spaceship hurtling through empty space. We can tell this is not going to be a smooth-sailing intergalactic ride, as McConaughey philosophises in the opening lines, "We used to look up at the sky and wonder at our place in the stars. Now we just look down and worry about our place in the dirt." Cue goosebumps. The highly-anticipated film also stars Jessica Chastain, Casey Affleck, Michael Caine, Wes Bentley, John Lithgow, Ellen Burstyn, Topher Grace and Matt Damon. That’s one stellar Interstellar line-up right there (#sorrynotsorry). This is Nolan’s first film since wrapping up the Batman trilogy with The Dark Night Rises. Interstellar will be in cinemas November 7 and has a pretty killer poster lurking around: Via The Verge.
Little in cinema gets bigger than Godzilla, even if the iconic kaiju's size can change from movie to movie. Soon, little on streaming will be as giant as the famous creature, either, with new American series Monarch: Legacy of Monsters on its way. Slotting into the Monsterverse — aka the US franchise that also includes 2014's Godzilla, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong, with Godzilla x Kong: The New Empire joining in 2024 — Monarch: Legacy of Monsters arrives in November. If you're a fictional movie or TV character facing a towering critter, any amount of Godzilla is usually too much Godzilla. If you're a creature-feature fan, however, there's no such thing as too much Godzilla. Monarch: Legacy of Monsters not only expands its own saga, but comes just as Japanese film Godzilla Minus One is about to hit as well, although the latter doesn't yet have a Down Under release date. In Monarch: Legacy of Monsters, which stampedes onto Apple TV+ from Friday, November 17, the Monsterverse is going the episodic route via a story set across generations and 50 years. It's also expanding its kaiju story with help from Kurt Russell (Fast and Furious 9) — and Wyatt Russell (Under the Banner of Heaven), too. The IRL father-son pair play older and younger versions of the same figure, with army officer Lee Shaw drawn into the series by a couple of siblings attempting to keep up their dad's work after events between Godzilla and the Titans in San Francisco in the aforementioned 2014 film. Monarch: Legacy of Monsters also involves unpacking family links to clandestine outfit Monarch, events back in the 50s and how what Shaw knows threatens the organisation. So, there'll be monsters and rampages, and also secrets, lies, revelations and mysteries. Giving audiences two Russells in one series is dream casting, as both the just-dropped first teaser in September and the newly released full trailer now shows. Also appearing on-screen: Anna Sawai (Pachinko), Kiersey Clemons (The Flash), Ren Watabe (461 Days of Bento), Mari Yamamoto (also Pachinko), Anders Holm (Inventing Anna), Joe Tippett (The Morning Show), Elisa Lasowski (Hill of Vision) and John Goodman (The Righteous Gemstones). Behind the scenes, Chris Black (Severance) and Matt Fraction (Da Vinci's Demons) have co-developed Monarch: Legacy of Monsters, while Matt Shakman (The Consultant, Welcome to Chippendales) helms the opening pair of episodes — and all three are among the series' executive producers. Check out the full trailer for Monarch: Legacy of Monsters below: Monarch: Legacy of Monsters streams via Apple TV+ from Friday, November 17, 2023.
The sun is shining, you're out of office is on and you've already spent a good amount of time curled up streaming TV shows. Now's the chance to catch up on your reading — so, find a shady spot on a beach, next to a pool or by a waterfall and start making your way through our favourite books of 2020. Even if the unexpected amount of time spent at home this year has provided you with ample reading opportunities, we're sure you'll find something on the list to fill your days. It's a mixed bag this year — we've been turning the pages of novels about First Nations languages, Nick Cave and bars in Spain. Some of them are hopeful, some are relatable and some are heartbreaking, which makes them perfect for mulling over during the holidays, and providing flavourful fodder for dinner conversations. Take your pick. THE YIELD BY TARA JUNE WINCH Awarded the 2020 Miles Franklin Literary Award, Tara June Winch's The Yield is a book at odds with itself. It's about language lost as much as it's a celebration of tongue; the beauty of the land, the blood in it and its unearthing; and a culture dispossessed as well as a homecoming. It's about both Indigenous and colonial Australia. A connection to — and raw look at — Ngurambang/Country. When August returns home after her grandfather's death, she learns that the land she grew up on is being repossessed by a mining company. What ensues is a reaping of time, secrets, storytelling and blood. Split into three interlinking narratives — Albert 'Poppy' Gondiwindi and his passing on of his language, the Reverend's tales of starting a mission in Massacre Plains and August's quest to save her ancestors' land — it shows how tied Australia's future is to its past. The Yield is stunningly astute. It's a book worthy of attention; worthy to be placed on every Australian bookshelf. It rips at your heart, but also sings of hope. Cordelia Williamson, Branded Content Producer NEW VOICES ON FOOD A timely and personal look at how we connect through food, New Voices on Food makes room for a diverse collection of voices. Edited by writer, radio presenter and Sydney gem Lee Tran Lam, New Voices on Food is the first edition of a community-oriented anthology that offers new perspectives on our collective love of food. After taking public submissions back in August, the book showcases stories of individuals from underrepresented communities and celebrates the power of diversity. Contributions come in the form of written word, comics, photo essays and sketches. Each piece exudes a deep connection with food and its relationship with family, identity, memory and our tastebuds. Together, the stories demonstrate the importance of difference and promote what will hopefully be a more diverse future culinary landscape. Ben Hansen, Staff Writer HUMANKIND: A HOPEFUL HISTORY BY RUTGER BREGMAN If you hand-counted all the good things that happened in 2020, you would probably struggle to make it past your pinky finger. "Not me," you say? Good on you — go buy a yacht or something. If that statement is accurate, read on — literally. Danish author and historian Rutger Bregman has offered up his latest enlightening view on the world, and it's the most uplifting read you'll come across this year. Humankind: A Hopeful History argues against 'veneer theory': the idea that human compassion is cosmetic, and that underneath our thin layer of kindness lies our true, savage, violent and uncaring selves. Bregman uses the Lord of The Flies scenario as a common anecdote throughout the book, backed up with real-world social experiments that show just how horrible us humans are. But the historian in Bregman digs deeper, a lot deeper, and discovers that most of these 'scientific' social experiments were fuelled by ambition, hypocrisy and self-fulfilling prophecies. It's so satisfying to read through a criminologist's pessimistic magnum opus and have Bregman break it like a matchstick. The book leaves you feeling lighter — it's an absolute joy. Reuben Gibbes, Video Producer KOKOMO BY VICTORIA HANNAN You've probably seen Victoria Hannan's Kokomo in someone's hands on the tram, at the beach or at your local cafe; it's been receiving a bit of traction since its publication in July this year. Set in Melbourne, Kokomo feels familiar. Like Helen Garner's Monkey Grip but without the heroin, it celebrates the city and its ordinariness. In this way, it is far from the tropical paradise of the eponymous song by The Beach Boys. But, at its heart, Kokomo is about relationships and the building and tumbling of them. Mina, living her so-called best life in London, gets a call from her best friend Kira. Mina's mother has left the house — something she hasn't done in 12 years. Wanting answers, Mina returns to Melbourne and, after wading through her past, gets them. Hannan's tender storytelling drives her debut novel, with moments of heartbreak and hilarity and all shades in between. Cordelia Williamson, Branded Content Producer HONEYBEE BY CRAIG SILVEY Craig Silvey established himself as a force to be reckoned with in Australian literature with Rhubarb before following it up with the exquisite Jasper Jones. This year, he returned with another tour de force coming-of-age story. Set in Perth, Honeybee opens with its protagonist, Sam, leaning over the side of a bridge ready to jump. Sam is a transgender teenager and is struggling with self-hatred and the ill-treatment of others. Sam is confused and devastated. As it happens, an elderly man named Vic is also out on the ledge, and that chance meeting changes the trajectory of both of their lives forever. At times heart-breaking, tender, wild and woolly, funny and outrageous, this book is brimming over with luminous language and characters that burrow their way into your heart and stick with you. Your heart breaks repeatedly for Sam on such a difficult journey to find self-acceptance, self-love and to accept love; and ultimately this becomes a heart-warming story of becoming. Susi Reed, Business Development Director ALL OUR SHIMMERING SKIES BY TRENT DALTON In his award-winning debut novel Boy Swallows Universe, Trent Dalton shows you the gritty underbelly of 80s Brisbane through the eyes of 12-year-old Eli Bell. In his second novel All Our Shimming Skies, the gravedigger's daughter Molly Hook takes you on a journey through outback Northern Territory in 1942. Both novels have an undeniably dark undercurrent, with war, death and domestic violence setting the scene for Molly's adventure, but they both have an air of magic. Stone hearts, gifts from the sky and 'sorcerer' Longcoat Bob all buoy Molly and her companions, sharp-tongued aspiring actress Greta and fallen Japanese fighter pilot Yukio, as they navigate greed, grief and can after can of Campbell's Condensed Oxtail Soup on their journey. All Our Shimmering Skies is a dreamlike coming-of-age novel, following Molly on her quest to find buried treasures and secrets alike. It's a novel that'll captivate you with descriptions of big fat orange caterpillars and storms that shake pennies from the clouds, and have you booking in a road trip to explore Australia for yourself. Samantha Teague, Editor INTOXICATING: TEN DRINKS THAT SHAPED AUSTRALIA BY MAX ALLEN In his latest treatise on the history of booze in Australia, lauded wine writer Max Allen describes his experience eating an apple from a 180-year-old tree in southern NSW: "It was a ravishing, moving experience: I felt for a moment as though I was travelling through time and space, from now, back through colonial Australia, all the way to Elizabethan England." The same could be said of his book. Intoxicating: Ten Drinks That Shaped Australia takes you on a journey, from gum trees on the edge of a boggy Tasmanian frost plain to the Victoria Bitter brewery in inner city Melbourne; from a Port Phillip Bay shipwreck in 1841 to a natural Margaret River vineyard in 2019. It's a history lesson — an engaging one, told by a teacher that's charming, witty and honest — a recipe book and social critique all in one. And it touches on an important not-oft-discussed topic: pre-colonial Indigenous-made alcohol and the myth of a 'dry continent'. It's a read best paired with a home-brewed peach cyder — and followed up with Bruce Pascoe's groundbreaking Aboriginal agriculture deep-dive Dark Emu. Samantha Teague, Editor BOY ON FIRE: THE YOUNG NICK CAVE BY MARK MORDUE Mark Mordue's Boy on Fire: The Young Nick Cave offers an enthralling glimpse into the formative years of the mysterious dark prince of Australian music. It's a personal peek under the hood of Nick Cave, a gripping bildungsroman and a looking glass to the wild Melbourne post-punk scene of the 70s and early 80s. If you're a Cave fan, yes, this is probably more than enough for you to run and grab a copy, but the biography goes far beyond the skimming of surfaces. Boy on Fire is the making of ten years of interviews between Mordue and Cave, as well as a revolving cast of characters from Cave's early days and those close to the enigmatic artist, including Cave's late mother Dawn, boyhood mates from Wangaratta and members of The Birthday Party. Mordue's prose is worthy of its subject; it is at once poetic and gritty, humorous and heartfelt, painting a portrait of an uncompromising, ambitious and, at times, erratic musician who came from rural Victoria to take on the world. Ben Hansen, Staff Writer and Cordelia Williamson, Branded Content Producer COCO WAS PARADISE BY GARY BRUN Coco Was Paradise is Gary Brun's debut novel, which is surprising because it reads as if he's been writing for decades. It's a boozy, sun-drenched fable of lust, jealousy, romance and madness — a tale that could have only been set in Spain. 23-year-old Arthur Washington travels to San Sebastián in an effort to escape the rut of his inner city Sydney life. He spends a night on a stolen yacht with a mystifying woman who goes by the name of Coco. Then, after a month-long coma, Arthur wakes up in hospital before being told he had fallen off a cliff. Did he fall? Or was he pushed? Coco Was Paradise is a sensory journey. Brun seems to have drunk in every bar and visited every cultural monument in Spain in the way he writes with such accurate detail. It's the perfect summer read that will leave you with a tan and a hangover. Reuben Gibbes, Video Producer UNCANNY VALLEY BY ANNA WIENER 'Doomscrolling' may be Macquarie Dictionary's word of the year, but writer Anna Wiener will tell you the act of endlessly refreshing the news on your phone is entirely by design. This won't be surprising to anyone who watched The Social Dilemma on Netflix this year (or, let's face it, to any consumer of media), but what might pique your interest is just how toxic the workplace culture is and was at many of the Silicon Valley companies responsible for our daily addictions. Casual sexism? Check. Harassment? Check. Excessive surveillance? You name it. Uncanny Valley is Wiener's memoir of her time at unnamed tech start-ups, but really it's a reality check for all of us to take off the company-branded t-shirts and start tapping into what we're really supporting with every mindless scroll. Emma Joyce, Branded Content Editor THE ANSWER IS... BY ALEX TREBEK There are many reasons to watch Jeopardy!, the long-running TV quiz show that has been on the air in the US in its current form since 1984. Alex Trebek and his love of knowledge are chief among them, though. Yes, it's fun to play along and to see contestants notch up big wins. But none of that would strike such a chord if Trebek wasn't so passionate and dedicated to the cause — even when he's getting a little sassy with the competitors. In a book that's been decades in the making, The Answer Is… By Alex Trebek sees the beloved host reflect upon his life and career across a series of vignettes, touching upon everything from the moustache that earned so much attention when he shaved it off to Will Ferrell's famed Saturday Night Live impersonations. Backstage stories abound, of course, which are catnip for longterm Jeopardy! fans; however it's Trebek's willingness to get personal that unsurprisingly resonates. The candid memoir hit bookstores earlier this year before the television icon died from pancreatic cancer in early November, but it was always going to be a witty, engaging and moving read. And, a definite Jeopardy! clue one day, too. Sarah Ward, Weekend Editor
Not only is finding top-quality Latin American cuisine a challenge in Melbourne, but getting your hands on the ingredients to whip up an authentic dish at home is no easy feat either. Cousins Laurent Linares and Leidy Avila are looking to change that, combining a new cantina, Holy Guacamole, with a specialty Latin American grocer, El Mercadito, in one convenient Collingwood location. Starting with the cantina, every dish on the menu is made fresh in-house using ingredients Linares personally sources from the Footscray Market. Think handcrafted Mexican street tacos, unique Colombian arepa nachos and house-made salsas that bring a genuine taste of Latin America to the inner north. Meanwhile, the drinks list flows with thoughtfully selected mezcal- and tequila-based cocktails, including a signature michelada. "We've poured our hearts into creating a space that truly reflects the flavors and traditions we grew up with. From the way we prepare each dish to the warm, lively atmosphere, Holy Guacamole is all about sharing the best of Latin America with Melbourne," says Linares. As for El Mercadito, the in-house grocer will assuredly become a go-to spot for locals looking to replicate the flavours of Latin America in their own kitchens. Stocked with imported goods, from snacks, spices and sauces to premium tequila and Colombian coffee, El Mercadito will also feature a dedicated açai bar perfect for a quick organic feed. Serving as a nod to the Amazon, the Tropical Bowl features kiwi, mango and chia seeds, while the Honey Bowl brims with peanut butter and toasted muesli. "We wanted to make it easier for people to cook authentic Latin dishes at home with the same ingredients we use in our kitchen. El Mercadito is about sharing our culture beyond the plate, it's a little piece of Latin America right here in Collingwood," adds Avila. This passion is reflected in the venue's impressive design, with a dilapidated garage transformed into a warm and welcoming space over the past 18 months. With the help of Mexican designer Jimena Morales, the cantina fuses traditional Latin charm with an upbeat modern aesthetic, including neon signage and Day of the Dead-inspired iconography. "Holy Guacamole and El Mercadito are not just about great food; they're about culture, tradition, and bringing people together, and we can't wait to welcome everyone into our new Latin-inspired food hub," says Avila. Holy Guacamole and El Mercadito are open Tuesday–Sunday from 12pm. Head to the website for more information.
Murals don't have the best name for themselves. Instead of representing a vibrant and artistic community, they tend to conjure images of that fluoro abomination that donned the wall of your primary school hall; the one that featured fifty life-sized self-portraits of children with exceedingly long necks and circular eyes that stare at you with unblinking terror. Now, this amateur art form is being taken to the next level. Coupling with the community themselves, Spanish artist collective Boa Mistura are currently in the process of painting an entire town in Mexico (and the results are not at all cringeworthy). Taking inspiration from the art of the indigenous Otomie people, this group of painters, engineers and architects created designs that cover 30 buildings in the small town of Querétaro; with plans to expand to all 1,074 starting from September this year. Enlisting the help of young locals, Boa Mistura says the project is being carried out in an effort to rejuvenate and unite the community not only in the painting of the murals, but in their everyday lives too. "They are thinking in a different way right now," says a member of the group. "[They] have a new reality, a modified one. That's actually really good." This initiative comes after similar efforts in both Cape Town, South Africa and San Paolo, Brazil; and it's hard to say the pieces aren't a success. Bright colours pop from the landscape and energise the derelict surrounds; you can't help but smile at their simple charm. Similar groups are operating all around the world too. Much like Boa Mistura, Dutch street artists Haas & Hahn embarked on a huge project to reinvigorate Philadelphia's Germantown in 2012. Covering four city blocks, the Philly Painting project was carried out with the goal of "uplift[ing] the environment". The founding artists claimed "what feeds the eye also feeds the soul". If this is true, the citizens of Querétaro are in for some serious nourishment over the next few years. At the very least, the expression to 'paint the town red' will finally have a literal meaning. Via Design Boom and The Huffington Post.
Whether 2023 has been your best year ever, something far more average, completely life-changing or just cruisy business as usual, it has definitely been missing one thing: Spicks and Specks. Thankfully, 2024 won't have that problem. Announcing its lineup for next year, the ABC has confirmed that the beloved music game show will be back — and with Adam Hills, Myf Warhurst and Alan Brough, of course. Among everything that the ABC has broadcast — news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included — Spicks and Specks is up there among the favourites. Exactly how many more instalments are on the way in 2024 hasn't been revealed, but watching a heap of top Australian talent sit around and talk about music will be back on the agenda. So will watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind the series, which takes more than a few cues from the UK's Never Mind the Buzzcocks, pits Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and, as it keeps being resurrected. As fans will already know, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit. Exactly when Spicks and Specks will start airing in 2024, and who'll be hitting buzzers among the program's guests, hasn't yet been announced. Still, you can add playing along with the show from your couch — yet again — to your plans before 2024 is out. Spicks and Specks will return to ABC TV sometime in 2024. You'll also be able to stream the series via ABC iView. We'll update you when an exact release date is announced.
Fine dining can drift into performance — more chef's narrative, less dinner. At Singapore's Marguerite, Chef Patron Michael Wilson has made a series of choices to dismantle that rigour: an open kitchen that reads like a row of domestic island benches, total accessibility to the pass, and a standing invitation to wander over, ask questions, or simply watch. The atmosphere is notably calm — no barked orders, no theatre for theatre's sake — which makes a long tasting menu feel less like a marathon and more like an unhurried, convivial evening. The setting is singular. Marguerite lives inside the city's famed Flower Dome at Gardens by the Bay — the world's largest glass greenhouse — and the restaurant leans into that sense of immersion. Plants thread through the room and curl around tabletops set with course-specific cutlery and crockery collected on Wilson's travels. In contrast, a ten-seat private room — inspired by mountain peaks and cumulus clouds — is wrapped in deep blue, burgundy, grey and dark forest green. Singapore's climate complicates strict seasonality. When your pantry can include Australian finger limes, New Zealand lamb and French cream for house-churned butter, "place" becomes a choice. Marguerite chooses freely — loosely French in spirit, but adapted for the tropics with lighter sauces, smaller bites and lucid riffs on classics. Steak frites becomes a bite-sized potato tart filled with tartare and crowned with a fried quail egg; ajo blanco appears as an ethereal foam; and New Caledonian prawn paste is transformed into delicate "tagliolini", glossed with clear spiced consommé and bright aromatics. Course after course arrives like edible sleight of hand — entire plates of flavour distilled into a mouthful. Pairings echo the kitchen's precision. Alongside a generous, far-reaching wine match, Marguerite's Temperance program offers non-alcoholic pairings — clarified juices and fermented jun tea — designed to deliver complexity without cloying sweetness. A mixed "demi" option straddles both. Service keeps the tone grounded and genuine throughout. Wilson's path explains the poise. Melbourne-born, he worked with Andrew McConnell and Guy Grossi before earning a Michelin star at Phénix in Shanghai just five months after opening. Marguerite followed in November 2021 and earned its own star within eight months, showcasing what he calls "creative cuisine" — craft, provenance and produce brought into clear focus. All bookings at Marguerite include a complimentary limousine buggy to and from the Gardens entrance and Flower Dome access for a pre- or post-meal stroll. Images: Supplied
Almost three decades ago, in a movie that's still as beloved now as it was then — and keeps throwing new franchise instalments at the big screen, too — Richard Attenborough uttered four iconic words. "Welcome to Jurassic Park," the actor said in-character as the dinosaur-filled theme park's owner John Hammond. That phrase has been repeated countless times since, and will always be linked to the Attenborough name. Of course, Richard Attenborough isn't the only famous figure in his family. The now-late actor and filmmaker's younger brother happens to be none other than David Attenborough — and now he's showing dinosaurs some love, too. No, you won't find him in the new Jurassic World flick; however, he will be lending his voice to a five-part natural history series about the prehistoric creatures right before Jurassic World Dominion reaches cinemas. If you'd listen to David Attenborough narrate anything and you're always fascinated by dinos — and yes, both of those apply to pretty much everyone — then Apple TV+'s Prehistoric Planet will be a must-see. With a name that falls in line with the broadcaster, biologist and natural historian's past shows The Living Planet, State of the Planet, The Blue Planet, Frozen Planet, Blue Planet II, Our Planet, Seven Worlds, One Planet, A Perfect Planet and Green Planet (as well as Planet Earth and Planet Earth II, plus documentary David Attenborough: A Life on Our Planet), it'll look backwards at what the earth was like 66 million years ago. Obviously, CGI will feature heavily, but combined with wildlife filmmaking and paleontology learnings. Accordingly, get ready to discover little-known and surprising facts of dinosaur life, step through the environments of Cretaceous times, see how the Tyrannosaurus rex parented, and explore the ancient creatures of both the sea and sky. That's what Prehistoric Planet will cover across five episodes, which'll drop daily on Apple TV+ across Monday, May 23–Friday, May 27. While David Attenborough's voice is always music to anyone's ears, Hans Zimmer will be adding rousing score to the show — fresh from winning his latest Oscar for Dune. And if you're wondering about the photorealistic imagery that's bringing dinosaurs to life, filmmaker Jon Favreau is one of the Prehistoric Planet's executive producers, and the effects company behind his versions of The Jungle Book and The Lion King is doing the CGI honours. Check out Prehistoric Planet's first teaser trailer and a sneak peek video below: Prehistoric Planet will hit Apple TV+ across Monday, May 23–Friday, May 27, with a new episode available to stream each day.
So you've just finished a big day on the slopes and you're looking for a way to warm up. Luckily there's a bevvy of bars and pubs at your fingertips. In Queenstown at the bottom of New Zealand's South Island, the practice of après-ski ('after-ski') is as important as the time spent skiing or snowboarding — or spectating, if that's more your vibe. Perhaps you're after a quiet cocktail while enjoying mountain views, or maybe you're with a large crew and want to sink some cold brews by the fire — there will be something in this stunning alpine region that takes your fancy. But with over 150 bars and pubs to choose from, you need to make sure you're heading to a spot suited to your exact needs. We've put together some of our favourite spots for après-ski in Queenstown (and Arrowtown) so you're set to order the first all-important beverage of the evening — as well as the last one of the night. CARGO AT GANTLEY, ARTHUR'S POINT Built in 1865, this stone pub once catered to miners during the gold rush — now it caters to the many winter holidaymakers in the region. Head straight off the mountain and through the door of this cosy fireside spot, which is one minute from the base of Coronet Peak. That makes it an essential place to start your après-ski experience and suck down an extremely hard-earned beer — we're not here to waste any precious minutes. Don't just take our word for it — this historic spot pot also just won the Supreme Award at the Lion Hospitality Awards for Excellence. So yeah, you might say it's pretty high on the list. Find it: 172 Arthurs Point Road, Arthurs Point, Queenstown LODGE BAR, LAKEFRONT This might be a controversial inclusion due to its position alongside a Rodd & Gunn store, but we maintain Lodge Bar to be one of the best bars in Queenstown thanks to its warm wood ambience and picturesque views. You'll feel like you've stepped into an alpine retreat thanks to the strong supply of blankets, furs and rugs to wrap up in while you order a few apéritifs and catch up with a friend or loved one. On holiday in Queenstown alone? No problem. Park up in one of the single seats by the window and people-watch to your heart's content while watching an incredible sunset. Find it: 2 Rees Street, Queenstown RED'S BAR, QT HOTEL It's not often a hotel bar is the place to be, but when it comes to Queenstown's excellent QT hotel, it's no surprise this bar is a cut above the rest. You won't just find miscellaneous hotel patrons in this chic and colourful spot: Reds caters to tourists and locals alike, thanks to its cool decor and excellent service. The highlight has to be the jaw-dropping views. One long wall of floor-to-ceiling windows allows you to take in the mountains and Lake Wakatipu, which would probably heighten the taste of any drink — but these bevvies barely need it. If you like your spicy margaritas extremely spicy, get the crew to whip one up for you — it's exactly what you need to warm up from the inside out. Find it: 30 Brunswick Street, Queenstown LITTLE BLACKWOOD, STEAMER WHARF With a prime location on Steamer Wharf, this bar recently won Best Bar at the Lion Hospitality Awards for Excellence and we can see why. Fuel up after a big day on the slopes by making your own custom cheese and charcuterie boards — that means all the meats and cheese you love, and none you don't. This spot also has one of the best cocktail menus in the area, including a list of five (we say again, FIVE) different types of espresso martini — perfect if you need a pick-me-up. Get decision-making anxiety? Play 'Trust the Bartender' — the talented team behind the bar will do the hard yards for you. Chic and industrial cool, this cosy bar often plays host to some of the country's best live musicians, making the vibes 10/10. Find it: 88 Beach Street, Queenstown View this post on Instagram A post shared by The Fork and Tap Arrowtown (@theforkandtaparrowtown) THE FORK AND TAP, ARROWTOWN If you're more on the Arrowtown side of the region, head to this pub which gives all the wholesome winter vibes thanks to its open fire and historic stone building. It's one of those spots where everyone seems to know each other and the daily specials are chalked up on the blackboard, so nab a table near the fire and enjoy the great energy. If you're looking for the perfect winter warmer, opt for the mulled wine which comes in a cinnamon-sugar-crusted glass. It's like a hug in a mug. Find it: 51 Buckingham Street, Arrowtown SUNDECK, CENTRAL QUEENSTOWN Cocktails? Check. Open fire? Check. DJ spinning club bangers at 5pm? Check. A rooftop bar boasting epic views, you have to get in early to nab a table at this popular spot. Sure, you have to head up three flights of stairs to find it, but don't let that put you off. It's an absolute go-to if you feel you've gone a little bit too hard too early, and need somewhere to burn off the post-ski beers. With about five people behind the bar at any one time and constant hordes of patrons reaching for spare seats, it's chaos in the best way — but the staff won't baulk at making you a margarita or martini even when the line is six-deep and we love them for that. Find it: Top floor, 4 The Mal, Queenstown LITTLE AOSTA, ARROWTOWN From notable chef and restauranter Ben Bayly, this rustic Italian spot is serving up all the Euro-inspired cocktails, pizza and pasta to soothe the wounds of not being overseas for Euro summer with your friends. Order a Negroni Sbagliato ("Negroni by mistake") and cosy up by the open fire outside from 3pm — and no, no actual skiing experience required. Our tip? Stay for dinner, and warm up with an Italian feast, served family-style. Find it: 18 Buckingham Street, Arrowtown Top image: Steamer Wharf, Little Blackwood
Since a US remake of Jemaine Clement and Taika Waititi's vampire sharehouse mockumentary What We Do in the Shadow was first hinted at back in 2017, and then confirmed in May 2018, fans have been waiting like a ravenous vampire for the end result. Over the past few months, three brief teasers have dropped, plus a full two-minute trailer — and now the show is headed to Australian TV screens in April. Created and co-written by Clement, and executive by the Flight of the Conchords star with Thor: Ragnarok's Waititi, the ten-episode American version will air weekly on Foxtel's Showcase channel from Tuesday, April 2. That's a few days behind the US run, with the show premiering on America's FX network on Wednesday, March 27 — hot on the heels of the film festival premiere of its pilot episode, which just screened at SXSW over this weekend. Despite the involvement of Clement and Waititi, the duo don't star in the new-look series (but may make guest appearances — we hope). Rather, this take on What We Do in the Shadows follows a group of vampire flatmates living in Staten Island, and features Toast of London's Matt Berry, Four Lions' Kayvan Novak, British stand-up comedian Natasia Demetriou, The Magicians' Harvey Guillen, The Office's Mark Proksch and Lady Bird's Beanie Feldstein. Novak plays the gang's self-appointed leader, 'Nandor The Relentless', who dates back to the Ottoman Empire days and is somewhat stuck in his ways. As for Berry's mischievous British dandy Laszlo and Demetriou's seductive Nadja, they've been likened to a blood-sucking Bonnie and Clyde. Guillén steps into the shoes Nandor's familiar, who'd do anything to join the undead, while Proksch's Colin has been described as an 'energy vampire'. And Feldstein's Jenna is a college student with a new craving. If you're keen for another taste before the series starts airing, here's three new teasers: https://www.youtube.com/watch?time_continue=8&v=N0cCrfvCuZM https://www.youtube.com/watch?v=WRiyeML2mnY https://www.youtube.com/watch?time_continue=1&v=4dedH5GU9QU The US remake is just the latest addition to the What We Do in the Shadows universe, too. A follow-up, We're Wolves, is in the works, focusing on the undead bloodsuckers' Rhys Darby-led lycanthrope enemies. And television spinoff Wellington Paranormal, following the movie's cops (Mike Minogue and Karen O'Leary) as they keep investigating the supernatural, debuted its first season last year and has a second season in the works. What We Do in the Shadows will debut in America on FX on Wednesday, March 27, then air on Foxtel's Showcase channel weekly from 8.30pm AEDT on Tuesday, April 2.
When it comes to kicking back and relaxing, some people swear by a nice warm bath. Others prefer tapping their toes to their favourite tunes, having a boozy beverage or just switching off from their always-vibrating phone. And, for another group, there's nothing that induces bliss better than listening to the one and only Keanu Reeves. Actually, that last category should really apply to everyone. If you're someone who finds the actor behind John Wick, Neo, Johnny Utah and Ted "Theodore" Logan particularly soothing, then you'll want to make a date with HBO's new series A World of Calm. It doesn't yet have a release date but, when it does hit the channel's HBO Max streaming service in the US and hopefully make its way to audiences Down Under as well, it'll give the world exactly what we want: Keanu's voice reading a narrative that has been scientifically-engineered to induce a feeling of tranquility, as paired with music and footage that's also designed to do the same. Ideally he'll say "whoa!" more than once. In HBO's first leap into health and wellness-style content, the ten-episode series is based on the popular Calm sleep, meditation and relaxation app, with the US TV network pairing up with the folks behind the latter. Specifically, the two companies are aiming to bring Calm's Sleep Stories to the screen — which have been called "bedtime stories for grown ups", have notched up more than 250 million listens, and are all about calming and soothing listeners. Keanu will only be doing the honours on one of A World of Calm's half-hour episodes; however the rest of the series definitely doesn't slouch in the star-power stakes. Joining him is a cast that'd do any movie proud, spanning not only Idris Elba, Oscar Isaac, Nicole Kidman, Zoë Kravitz, Lucy Liu and Cillian Murphy, but also two-time Oscar-winner Mahershala Ali. As for what you'll be looking at while your ears soak in the dulcet tones of all of the above A-list stars — who'll basically be guiding you through a televised relaxation session — HBO advises that it'll be serving up "mesmeric imagery". Created with Nutopia, the folks behind National Geographic's One Strange Rock and Disney+'s The World According to Jeff Goldblum, that'll also include visuals from the company's global network of cinematographers and filmmakers. Intrigued? While you're waiting for A World of Calm, you can check out one of the audio-only Calm Sleep Stories — as read by Game of Thrones' Jerome Flynn — below: https://www.youtube.com/watch?v=O4x9ssJ0jfM A World of Calm doesn't yet have a release date — we'll update you with further details when they come to hand.
Usually, February is the month that gets hearts all aflutter. But if you're in the mood for romance this March and April, Sydney is about to welcome a new pop-up museum on that very topic. Called The Museum of Love, it's the latest venture from the folks behind the sweet-themed Sugar Republic. Expect the same kind of photogenic setup, but this time swapping out lollies galore for pink hues and oh-so-many hearts. Remember the cartoon way of representing romance, where animated figures see hearts in front of their eyes as they go weak at the knees? That's what you'll be seeing, too, if you head along to the three-level installation. Open from Thursday–Sunday each week during its seven-week season, The Museum of Love will fill a warehouse with words about love, tokens of love, neon signs to fit the theme, rosy-coloured streamers, teddy bears and more. Yes, there'll be a heart-shaped ball pit that you can hop into, because of course there will be. Among the pieces of art and lovestruck backdrops, plenty of different facets of types of love will be covered — including first crushes, weddings, platonic relationships with your mates, family bonds, self-love and heartbreak. From the 'rose-tinted glasses room' to the life-sized wedding cake, it has all been developed by Creative Nation, the aforementioned team behind Sugar Republic, in conjunction with emerging Sydney artists Jade Goodwin and Madeleine Golden. Other highlights span a wall filled with scents of romance, a mirrored room so you can adore your own reflection, a confetti shower, and a swing surrounded by flowers that's designed for attendees and their best mates. There's also a Las Vegas-style Chapel O' Love, and you can play the 'Perfect Pair' TV game show as well. Or, walk through the Teddy Bear Tunnel, take an awkward family portrait, then settle in at the Heartbreak Cafe. If you're keen to fall head over heels for the pop-up, each ticket gets you an hour inside the museum, and costs $35. Also, The Museum of Love is the first attraction as part a year-long Sydney program — so it seems that you can look forward to other yet-to-be-revealed Instagram-worthy pop-ups to follow. Find The Museum of Love at at 47 George Street, Sydney from Friday, March 5–Sunday, April 18, open Thursday–Sunday each week. For further details, head to the pop-up's website.
Southsiders can rejoice with the news that Rocco's Bologna Discoteca, a Fitzroy fave, has taken residence at Nobody's Baby in South Yarra. And yes, Rocco's has brought their crowd-pleasing, stomach-filling, juicy meatball sub along for the ride. Nobody's Baby made its quiet yet confident arrival on Toorak Road in South Yarra back in April 2025. The dimly lit, alluring venue from Tim Badura (who came across from Young Hearts) and Gustavo Prince (of Pizza Meine Leibe and Joe's Shoe Store) is a neighbourhood favourite that feels both sophisticated, with complex cocktails, and laidback, with easy-listening vinyls spinning in the background. Nobody's Baby is part of a pioneering group of venues trialling a residency-type program in which rotating chefs take over the kitchen for a period of time (such as the innovative Residence at the Potter). Badura says this model "keeps things fresh, gives our guests new flavours to explore and lets us collaborate with restaurants we really admire." First up in the kitchen were the crew from Very Good Falafel, who brought Middle Eastern-influenced snacks and plates all the way from Brunswick. There were sumac-cured sardines, Hawaij-spiced chicken and olive skewers from the hibachi and pita pockets stuffed with lamb meatballs, grilled onions, sundried tomatoes, and pickled mango condiment. Of course, they also showcased their eponymous very good falafel balls with pickles, tahini and zhough. And now, the easygoing and flavour-focused pair from Rocco's, Zoe and Emilio, are taking over the pans. Their snacky menu lends itself to a footloose and fancy-free night of drinks and nibbles. Think whipped goat's curd with agrodolce, roasted bullhorn peppers with hazelnut vinaigrette, marinated anchovies with nduja mayo, and beef tartare with tonnato sauce, all mopped up nicely with pillowy focaccia. The meatball sub is more of a mandate than an option, and with salsa verde, white sauce, and parmigiano, it makes for a moreish, messy mouthful. Nobody's Baby has created a couple of playful cocktails to accompany the Italian fare. There's a Baby Misu — tiramisu in drinkable form — and the Emerald Green, a blend of basil, honey, Montenegro and gin. For dessert, try the panna cotta with mocha granita. Rocco's residency at Nobody's Baby is here for a good time, not a long time. You've got three short months to check out all that the Northside favourite has to offer, before the next chef in residence moves in. Images: Supplied.
It has been said that describing Burning Man Festival to a person who has never been is like trying to explain what a particular colour looks like to a person who is blind. But perhaps this is no longer the case. Aerial footage has been released of the recent 2013 Festival, taken from a drone. Held two weeks ago, Burning Man was captured on camera by San Franciscan filmmaker Eddie Codel. Taken from a DJI Phantom Quadrocopter — a pilotless mini-aircraft with four propellers — fitted with a GoPro camera, the impressive HD footage is currently one of the best and fastest available introductions to the famous festival. This 360-degree tour pans slowly over the festival during the daytime, functioning to communicate a snapshot of the immense size and sparsity of the constructed city. It reveals close detail of the installations and artworks set up in the desert and at times comes very close to people. Held in the Black Rock Desert in northern Nevada, Burning Man draws in a crowd of approximately 50,000 each year. First established in 1986, the seven-day event welcomes attendees from all over the world, encouraging radical art and self-expression through the construction of a temporary community. The city is built the week before Labor Day, on an ancient lake bed, 100 miles north of Reno. Perhaps it's true that to truly understand Burning Man, one must participate. In the meantime, however, the drone tour certainly gets you very close. https://youtube.com/watch?v=m2ThTb6iffA Via Mashable.
Finding the neighbourhood roast chook shops of your childhood seems like it's getting harder and harder. However, those living in the inner south — or those ready to travel for a good meal — will be happy to know that Hawksburn Village's latest arrival, Carvery, is a new go-to spot for roast meats, fresh salads, takeaway rolls and ready-made meals. Leaning into the nostalgia of local takeaway shops from the 70s and 80s, proud owners and Hawksburn locals, Andrew Bayley and Michael Perri (4 Cousins Supermercato) pair this concept with simple, fresh and high-quality produce. So, if you've been missing the heyday of roast chicken takeout, the duo's reminiscent offering might just satisfy your long-held cravings. "We were inspired by the carveries we grew up with that were such staples to the community, such as the Toorak Carvery that used to be out the back of the Toorak Village Car Park," says Bayley. "Most Australians have memories of those roast chook dinners our mum used to pick up or a take-away roast roll with gravy. We wanted to replicate that feeling of nostalgia, but dial up on the fresh, quality produce and deliver it in a beautiful setting with Carvery." Primed for takeaway or dine-in feasts, Carvery's permanent menu places a spotlight on Victorian produce, with occasional specials looking further afield. Of course, the bain-marie is the main event, as Bannockburn chicken is presented alongside Otway Pork, lamb from the Western District and Tassie, and Black Angus beef from the Goulburn Valley. For maximum convenience, there's also roast meat dinner packs served with salad or veggies and chips. When you need a quick feed, Carvery will also serve up roast rolls made daily in-house — like a roast roll with gravy or a porchetta roll with crackling — with plenty of hearty sides, from hot chips and seasonal veggies to scalloped potatoes with cream and cheese. Meanwhile, the salad bar is full of classics like Med salad and slaw, while a special highlight is the Stonnington Chop — Carvery's take on a chop salad. In the fridge, find grab-and-go meals like lasagne, eggplant parmigiana and traditional tiramisu. As for the design, architectural studio Nisk Design has shaped stools and stand-up benches for 18 guests, with old-world checkered tile floors, warm timber panelling and marble benches combining with European-inspired staff uniforms and disco tunes. "As Hawksburn residents, we're so excited to bring Carvery to the neighbourhood, opening the doors to locals as if they're walking into their own family kitchen," says Bayley. "We want to be your neighbourhood go-to for a nourishing meal that conveniently feeds the whole family and doesn't break the bank." Carvery is open Monday–Friday from 10am–7pm, Saturday from 9am–5pm and Sunday from 10am–4pm at 513 Malvern Road, Toorak. Head to the website for more information.
Monforte Viennoiserie, a pint-sized Carlton North bakery, has been missing just one essential ingredient to make it the ultimate one-stop shop for a morning adventure — proper barista coffee. However, loyal customers need no longer go elsewhere to get their gourmet caffeine fix, as the beloved hole-in-the-wall patisserie finally welcomes its own coffee machine and Everyday Coffee beans. What Monforte Viennoiserie lacks in size, it certainly makes up for in quality, technique and creativity. Giorgia McAlliser Forte's teal kiosk, tucked away in a row of beige Victorian houses, keeps customers on their toes with an imaginative menu of ever-changing seasonal offerings, along with a couple of staple items that showcase her impeccable technique. Signature classics include a leatherwood honey and sea salt croissant, and seasonal offerings range from the likes of a salted yuzu floating island, to a chocolate, green mandarin and finger lime kouign amann, to a hazelnut, peach and black tea twice-baked pastry. "Our loyal customers have been crying out for espresso-based drinks, and after 5 years we've finally managed to rejig the space to squeeze in a machine", explains Forte. "The compliments paid around our pastries, in particular the signature classic leatherwood and sea salt croissant, meant we had to match the best with the best, partnering with local Collingwood-based roaster Everyday [Coffee]. The installation of a La Marzocco machine means our customers can rely on a true gold standard across all our food and beverage offerings." To celebrate its partnership with Everyday Coffee and give back to its devoted customers, Monforte will be giving away free coffees this Saturday, November 15. Get in quick, as the offer is available from 8.30am until 2pm, or until sold out. And for those so inclined, don't worry, they'll still be serving their signature hot and cold filter coffees. Images: Michael Gardenia. Got pastries on your mind? Check out the best bakeries in Melbourne.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 13 that you can watch right now at home. Wonka Which cravings does Wonka inspire? Chocolate, of course, and also an appetite for more of filmmaker Paul King's blend of the inventive, warm-hearted and surreal. The British writer/director's chocolatier origin story is a sweet treat from its first taste, and firmly popped from the same box as his last two movie delights: Paddington and Paddington 2. Has the helmer used a similar recipe to his talking-bear pictures? Yes. Was it divine with that double dip in marmalade, and now equally so with creative confectionery and the man behind it? Yes again. While it'd be nice to see King and his regular writing partner Simon Farnaby (also an actor, complete with an appearance here) make an original tale again, as they last did with 2009's superb and sublime Bunny and the Bull, watching them cast their spell on childhood favourites dishes up as effervescent an experience as sipping fizzy lifting drinks. It's as uplifting as munching on hover chocs, too, aka the debut creation that Wonka's namesake unveils in his attempt to unleash his chocolates upon the world. Willy Wonka (Timothée Chalamet, Bones and All) has everlasting gobstobbers, golden tickets and a whole factory pumping out a sugary rush in his future, as Roald Dahl first shared in 1964 novel Charlie and the Chocolate Factory, then cinemagoers initially saw in 1971's Gene Wilder-starring all-timer Willy Wonka & the Chocolate Factory. Wonka churns up the story before that story, and technically before 2005's Charlie and the Chocolate Factory from Tim Burton (Wednesday) as led by Johnny Depp (Minamata) — but the less remembered about that most-recent adaptation, the better. There's no on-the-page precedent for this flick, then. Rather, King and Farnaby use pure imagination, plus what they know works for them, to delectable results. What they welcomely avoid is endeavouring to melt down Dahl's bag of tricks and remould it, and also eschew packing in references to past Chocolate Factory flicks like a cookie that's more chocolate chips than biscuit. Wonka streams via YouTube Movies, iTunes and Prime Video. Read our full review. Dream Scenario Gushing about Paddington movies, channelling Elvis, screaming about being a vampire, swooning over Cher, kidnapping babies, fighting cults, battling demonic animatronics, driving ambulances, flying with convicts, swapping faces, avenging pet pigs and milking alpacas, Nicolas Cage has gotten himself lodged in many a moviegoer's brain before. Dream Scenario takes that idea to the next level, not with the screen's most-inimitable star as himself — this isn't The Unbearable Weight of Massive Talent — but in a film that works as well as it does, and as sharply, because he's its irreplaceable lead. Although writer/director Kristoffer Borgli didn't write his third feature (after DRIB and Sick of Myself) with Cage in mind, there's pure magic in matching his tale of pop-culture virality, fame and its costs to the man born Nicolas Kim Coppola. Who else could play someone so ubiquitous in the collective consciousness that everyone knows him, has deep-seated feelings and opinions about him, and can't stop thinking about him? Albeit for different reasons, it as much a stroke of genius as enlisting Being John Malkovich's namesake. Dream Scenario wears its comparisons to Spike Jonze (Beastie Boys Story) and Charlie Kaufman's (I'm Thinking of Ending Things) masterpiece better than anything else between 1999 and now, other than their subsequent collaboration Adaptation — as starring none other than Cage — and the Kaufman-penned, Michel Gondry (Kidding)-helmed Eternal Sunshine of the Spotless Mind. David Lynch (Cage's Wild at Heart director) and Ari Aster also come to mind while watching Borgli's film, which blends the surreal and satirical, and also spins a nightmare where dread paints every frame. Aster produces, lending a hand on a movie that pairs well with his own Beau Is Afraid, aka another flick where a schlubby, awkward and unhappy middle-aged man has his life upended in no small part thanks to his own anxiety. Dream Scenario isn't attempting to ape its predecessors, or Borgli's own Sick of Myself, another musing on celebrity, attention and the fact that almost everything about 21st-century existence has become a performance. Rather, the Norwegian filmmaker's latest plays like its title suggests: the product of slumbering while having all of the above swirling, twirling and dancing in your synapses — and with Cage always lurking, of course. Dream Scenario streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Iron Claw The Von Erich family's second generation of wrestlers was born ready to rumble, regardless of whether they wanted to or not. After diving into a cult's thrall in Martha Marcy May Marlene, then the idea that money and status can buy happiness in fellow psychological thriller The Nest, writer/director Sean Durkin adds another exceptional and gripping film to his resume with The Iron Claw — a movie that draws upon elements of both, too, as it tells its heartbreaking true tale. Unpacking the weight carried and toll weathered by brothers locked into one future and way of life from the moment that they existed, this is a feature about the shadow cast by power and dominance by those caught in its shade, and the cost of doggedly chasing one concept of triumph and masculinity above all else. The Zac Efron (The Greatest Beer Run Ever)-voiced narration pitches it as a picture about a family curse as well, but the supernatural has nothing on an authoritarian force refusing to let anyone flee his grasp. The Iron Claw introduces the IRL Von Erich sporting dynasty with patriarch Fritz (Holt McCallany, 61st Street) doing the grappling, busting out the trademark grip that gives the movie its name, as his wife Doris (Maura Tierney, American Rust) and two of his boys wait outside. When they all come together after the match, it isn't just the pledge that Fritz will bring the National Wrestling Association's World Heavyweight Championship to their brood, which he's certain will fix their struggling plight, that lingers. Equally inescapable is the unyielding fixation burning in his steely glare, a look that will rarely falter in the film's 132-minute running time — and how his adoring sons (first-timers Grady Wilson and Valentine Newcomer) are already trained to see this world of rings, frays, throws and belts as their home, career path and destiny. With Harris Dickinson (A Murder at the End of the World), The Bear's Emmy- and Golden Globe-winner Jeremy Allen White, and Stanley Simons (Superior) joining Efron in the cast as grown versions of those two boys and two of their brothers, seeing how Fritz's obsession ripples through his family is crushing. The Iron Claw streams via YouTube Movies, iTunes and Prime Video. Read our full review. Ferrari Michael Mann makes movies like a man haunted. From his 1981 debut Thief to his latest release Ferrari, it's no wonder that his films linger with viewers. Mann's work whirrs with the pursuit of professional greatness, and with the pressures of balancing that relentlessly revving chase with personal ties and desires — quests and woes that aren't his own in his narratives, but always feel intimate. Heat, 1995's Robert De Niro (Killers of the Flower Moon)- and Al Pacino (Hunters)-led crime-thriller that the filmmaker will forever be known for, has proven a spectacular example for nearly three decades. While the skilled burglar and dogged detective caught in its cat-and-mouse game are both experts in their realms, that doesn't make juggling their on-the-job and at-home realities any easier, cleaner or less chaotic. Using that very notion as its road, Ferrari is clearly the product of the same director. Perhaps Mann is speeding down that exact path after all, then, navigating the complexities of getting a film onto screens — his last was 2015's underseen Blackhat — on a mission to master his favourite themes. Mann has helmed several model features already in Thief, Heat, The Insider and Collateral, with Ferrari a worthy addition to his resume. Wheels spin on and off the track in the elegantly and exquisitely crafted slice-of-life biopic, many literally but others via its namesake's personal life. Based on Brock Yates' book Enzo Ferrari: The Man, The Cars, The Races, The Machine, as adapted by screenwriter Troy Kennedy Martin (the OG The Italian Job) to cover events in the summer of 1957 only, Ferrari is always hurtling — even when it's as patient as cinema in Mann's hands has ever been. The collision between single-minded goals and the messiness of existing constantly gives his pictures urgency, no matter how steady the gaze and stoic the character. And make no mistake, Adam Driver's (65) gravitas-dripping portrayal of race car driver-turned-sports car entrepreneur Enzo Ferrari (and Italian-accented but speaking in English, just as he did in House of Gucci) is as serious and determined as Mann's protagonists get, too. Ferrari streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Holdovers Melancholy, cantankerousness, angst, hurt and snow: all five blanket Barton Academy in Alexander Payne's The Holdovers. It's Christmas in the New England-set latest film from the Election, About Schmidt and Nebraska director, but festive cheer is in short supply among the students and staff that give the movie its moniker. The five pupils all want to be anywhere but stuck at their exclusive boarding school over the yuletide break, with going home off the cards for an array of reasons. Then four get their wish, leaving just Angus Tully (debutant Dominic Sessa), who thought he'd be holidaying in Saint Kitts until his mother told him not to come so that she could have more time alone with his new stepdad. His sole company among the faculty: curmudgeonly classics professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; plus grieving head cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The year is 1970 in Payne's long-awaited return behind the lens after 2017's Downsizing, as the film reinforces from its opening seconds with retro studio credits. The Holdovers continues that period-appropriate look in every frame afterwards — with kudos to cinematographer Eigil Bryld (No Hard Feelings), who perfects not only the hues and grain but the light and softness in his imagery — and matches it with the same mood and air, as if it's a lost feature unearthed from the era. Cat Stevens on the soundtrack, a focus on character and emotional truths, zero ties to franchises, a thoughtful story given room to breathe and build: that's this moving and funny dramedy. Christmas flicks regularly come trimmed with empty, easy nostalgia, but The Holdovers earns its wistfulness from a filmmaker who's no stranger to making movies that feel like throwbacks to the decade when he was a teen. The Holdovers streams via YouTube Movies, iTunes and Prime Video. Read our full review. Anyone But You Greenlighting Anyone But You with Sydney Sweeney and Glen Powell as its leads must've been among Hollywood's easiest decisions. One of the rom-com's stars has been everywhere from Euphoria and The White Lotus to Reality of late, while the other is fresh off feeling the need for speed in Top Gun: Maverick. They both drip charisma. If this was the 80s, 90s or 00s, they each would have an entire segment of their filmographies dedicated to breezy romantic comedies like this Sydney-shot film, and probably more than a few together. Indeed, regardless of his gleaming casting, Anyone But You director and co-writer Will Gluck makes his first adult-oriented flick in 12 years — since Friends with Benefits, with Annie and the two Peter Rabbit movies since — as if it's still two, three or four decades back. The gimmick-fuelled plot, the scenic setting, swinging between stock-standard and OTT supporting characters: even amid overt riffs on Shakespeare's Much Ado About Nothing, they're all formulaically present and accounted for. So is the fact that Anyone But You's story always comes second to Sweeney and Powell's smouldering chemistry, and that most of its obvious jokes that only land because the pair sell them, as well as the whole movie. Bea (Sweeney) and Ben (Powell) meet-cute over a bathroom key in a busy cafe. That first dreamy day ends badly the next morning, however, with more pain in store when Bea's sister Halle (Hadley Robinson, The Boys in the Boat) gets engaged to Ben's best friend Pete's (GaTa, Dave) sister Claudia (Alexandra Shipp, Barbie). Cue their feud going international at the destination wedding in Australia, then getting a twist when Bea and Ben pretend that they're together. They're trying stop their fighting ruining the nuptials, get her parents to back off from pushing for a reunion with her ex (Darren Barnet, Gran Turismo: Based on a True Story) and make his own past love (model-turned-acting debutant Charlee Fraser) jealous. Every expected narrative beat is struck, then, while nodding to other rom-com wedding flicks — My Best Friend's Wedding co-stars Dermot Mulroney and Rachel Griffiths play Bea's mum and dad, with the latter also a Muriel's Wedding alum — and getting cheesily Aussie via koalas, endless shots of the Sydney Harbour Bridge and the Sydney Opera House, and Bryan Brown (Boy Swallows Universe) and Joe Davidson (Neighbours) playing the stereotypical parts. And yet, Sweeney and Powell ace their performances and rapport, and also couldn't be more watchable. Anyone But You streams via YouTube Movies, iTunes and Prime Video. Read our full review. Bottoms The first rule of making a movie about a high-school lesbian fight club is that there are no rules, other than embracing the concept and giving it your all. So punches Bottoms, a film where the gleefully cartoonish energy is always as important as the plot, and a feature that knows it's entering a big-screen ring that wouldn't even exist if Heathers, Clueless, Bring It On, Mean Girls, But I'm a Cheerleader, Easy A and Booksmart hadn't hopped over the ropes first. Three years after Shiva Baby, writer/director Emma Seligman and actor Rachel Sennott (Bodies Bodies Bodies) reunite, with the pair collaborating on the script this time around. Also crucial: bringing in The Bear's Ayo Edebiri, a friend from the duo's student days, to co-star. In a picture that values being stronger together, Seligman, Sennott and Edebiri make a knockout team. Bottoms' vibe could only spring from IRL pals, too, playing it loose and ridiculous like this crew is simply hanging out. The setup: Sennott and Edebiri are PJ and Josie, who return to Rockbridge Falls High School after summer break keen to finally turn their love for popular cheerleaders Isabel (Havana Rose Liu, No Exit) and Brittany (Kaia Gerber, Babylon) into sex and romance. The best friends know that their social standing is anything but high — "gay, untalented and ugly" is how they describe themselves — but two queer girls can dream that this is their moment, then do their utmost to make their fantasies a reality. So, when the semester starts with PJ and Josie still stuck as outcasts, they conjure up a plan. Their gymnasium-based group is officially known as a women's self-defense class and is sold to their teachers as an act of female solidarity; however, no matter what they tell the principal (Wayne Pére, Your Honor), as well as the history teacher (Marshawn Lynch, Westworld) that they convince to be their advisor, there's really only one aim: not feminism and support, but getting laid. Bottoms streams via Prime Video. Read our full review. Aquaman and the Lost Kingdom The DC Extended Universe is dead. With Aquaman and the Lost Kingdom, the comic book-to-screen franchise hardly swims out with a memorable farewell, hasn't washed up on a high and shouldn't have many tearful over its demise. More movies based on the company's superheroes are still on the way. They'll be badged the DC Universe instead, and start largely afresh; 2025's Superman: Legacy will be the first, with Pearl's David Corenswet as the eponymous figure, as directed by new DC Studios co-chairman and co-CEO James Gunn (The Suicide Squad). Aquaman and the Lost Kingdom ends up the old regime about as expected, however: soggily, unable to make the most of its star, and stuck treading water between what it really wants to be and box-ticking saga formula. Led by Jason Momoa (Fast X), the first Aquaman knew that it was goofy, playful fun. Its main man, plus filmmaker James Wan (Malignant), didn't splash around self-importance or sink into seriousness. Rather, they made a giddily irreverent underwater space opera — and, while it ebbed and flowed between colouring by numbers and getting entertainingly silly, the latter usually won out. Alas, exuberance loses the same battle in Aquaman and the Lost Kingdom. Having spent its existence playing catch-up with the Marvel Cinematic Universe, the DCEU does exactly that for a final time here. As with Ant-Man and the Wasp: Quantumania, there's such a large debt owed to Star Wars that elements seem to be lifted wholesale; just try not to laugh at Jabba the Hutt as a sea creature. 2018's initial Aquaman used past intergalactic flicks as a diving-off point, too, but with its own personality — no trace of which bobs up this time around. Wan helms again, switching to workman-like mode. He's co-credited on the story with returning screenwriter David Leslie Johnson-McGoldrick (Orphan: First Kill), Momoa and Thomas Pa'a Sibbett (The Last Manhunt), but there's little but being dragged out with the prevailing tide, tonal chaos and a CGI mess on show. Now king of Atlantis and a father, Arthur Curry has another tussle with Black Manta (Yahya Abdul-Mateen II, Ambulance) to face, with his enemy aided by dark magic and exacerbating climate change. Only Aquaman teaming up with his imprisoned half-brother Orm (Patrick Wilson, Insidious: The Red Door) will give the world a chance to survive. Even with an octopus spy and Nicole Kidman (Expats) riding a robot shark, a shipwreck results. Aquaman and the Lost Kingdom streams via YouTube Movies, iTunes and Prime Video. Read our full review. One Life Nicholas Winton's "British Schindler" label wasn't invented for One Life, the rousing biopic that tells his story; however, it's a handy two-word description that couldn't better fit both him and the film. In the late 1930s, when the then-Czechoslovakia's Sudetenland was occupied by Nazi Germany, the London-born banker spearheaded a rescue mission to get children — mostly Jewish — out of the country. After being encouraged to visit Prague in 1938 by friends assisting refugees, he was so moved to stop as many kids as possible from falling victim to the Holocaust that he and a group of fellow humanitarians arranged trains to take them to England. The immense effort was dubbed kindertransport, with Winton assisting in saving 669 children. Then, in the decades that followed, his heroic feat was almost lost to history. In fact, it only returned to public knowledge in 1988 when his wife Grete Gjelstrup encouraged him to show his scrapbook from the time to Holocaust researcher Elizabeth Maxwell, who was married to media mogul Robert Maxwell. Smartly, One Life captures both remarkable aspects to Winton's story, flitting between them as it tells its powerful and stirring true tale. The film's jumps backwards and forward also allow room for two excellent performances, enlisting Anthony Hopkins as the older Winton and Johnny Flynn (Operation Mincemeat) to do the honours in his younger years. With The Two Popes, his Oscar win for The Father, Armageddon Time and now this, Hopkins has been enjoying a stellar run in his 80s. If matching one of Hopkins' great portrayals in a period filled with them — a career, too, of course — was daunting for Flynn, he doesn't show it. As with Kurt and Wyatt Russell on the small screen's Monarch: Legacy of Monsters, they're playing the same man but also someone who changes, as everyone does, through his experiences. Accordingly, a lively Flynn captures Winton's zeal and determination, while a patient Hopkins wears the haunted disappointment of someone who has spent half of their life thinking that he hasn't done enough. When he finally realises the full impact of his efforts, it's a devastatingly touching moment in a potent feature that looks the standard sombre part, but also knows that flashiness isn't what leaves an imprint in a story as important as this. One Life streams via YouTube Movies, iTunes and Prime Video. Migration It mightn't seem like Migration and Chicken Run: Dawn of the Nugget should be twin films. The first is Illumination's latest non-Minions effort. The second is the long-awaited sequel to 2000 claymation favourite Chicken Run. But this pair of animated movies is definitely the newest example of the long-running cinematic déjà vu trend. Past birds of a feather have included Antz and A Bug's Life, Deep Impact and Armageddon, Churchill and Darkest Hour, and Ben Is Back and Beautiful Boy — and oh-so-many more — aka pictures with similar plots releasing at around the same time. The current additions to the list both arrived in December 2023, focus on anthropomorphised poultry, and initially find their clucking and quacking critters happy in their own safe, insular idylls, only to be forced out into the scary wider world largely due to their kids. Chaos with humans in the food industry ensues, including a life-or-death quest to avoid being eaten, plus lessons about being willing to break out of your comfort zone/nest/pond. Famous voices help bring the avian protagonists to the screen, too — Elizabeth Banks (The Beanie Bubble) and Kumail Nanjiani (Welcome to Chippendales) are the parents in Migration, for instance, and Thandiwe Newton (Westworld) and Zachary Levi (Shazam! Fury of the Gods) in Dawn of the Nugget — although that's long been the industry standard in animation in general. If you've seen Chicken Run's return, then, Migration will instantly feel familiar. This is an instance of two studios hatching near-identical films that both have their own charms, however. With Migration, a voice cast that also spans Awkwafina (Quiz Lady), Keegan-Michael Key (Wonka), Danny DeVito (It's Always Sunny in Philadelphia) and Carol Kane (Hunters) brings plenty of energy. As the key behind-the-camera talents, director Benjamin Renner (Ernest & Celestine) and screenwriter Mike White (yes, The White Lotus' Mike White) know how to enliven the narrative. That tale tells of mallards Mack (Nanjiani) and Pam (Banks), one nervous and the other adventurous, who follow another family from New England to Jamaica via New York City with their eager ducklings Dax (Caspar Jennings, Operation Mincemeat) and Gwen (first-timer Tresi Gazal), and cantankerous uncle (DeVito). But the Big Apple brings a run-in which a chef, after initially falling afoul of a flock of pigeons, befriending their leader (Awkwafina) and endeavouring to rescue the homesick parrot (Key) who knows the way to their sunny winter getaway. Migration streams via YouTube Movies, iTunes and Prime Video. Wish Hitting cinemas in 2023, the year that Walt Disney Animation Studios celebrated its 100th birthday, shouldn't have meant that Wish needed to live up to a century's worth of beloved classics. And it wouldn't for viewers, even with the Mouse House's anniversary celebrations everywhere, if the company's latest film didn't bluntly draw attention to Disney hits gone by. Parts are cobbled together from Cinderella, Snow White And The Seven Dwarfs and Pinocchio. Not just fellow animated efforts get referenced; alongside shoutouts to Bambi and Peter Pan, Mary Poppins earns the nod well. Overtly elbowing rather than winking, directors Chris Buck (Frozen and Frozen II) and Fawn Veerasunthorn (head of story on Raya and the Last Dragon) plus screenwriters Jennifer Lee (another Frozen alum) and Allison Moore (Beacon 23) ensure that their audience has the mega media corporation's other fare in their heads. It's a dangerous strategy, calling out other movies if the feature doing the calling out is by-the-numbers at best, and it does Wish no favours. No one might've been actively thinking "I wish I was watching a different Disney movie instead" if they weren't pushed in that direction by the flick itself, but once that idea sweeps in it never floats away. While the importance and power of dreams is Wish's main theme, the film forgot to have many itself. If it hoped to be a generic inspiration-touting fairy-tale musical, however, that fantasy was granted. Ariana DeBose (Argylle) and Chris Pine (Dungeons & Dragons: Honour Among Thieves) star as teenager Asha and all-powerful sorcerer Magnifico, respectively. The latter created the kingdom of Rosas as a sanctuary to protect people's wishes, which hover in his castle — but he's stingy with granting them. When Asha discovers that the land's sovereign isn't as benevolent as he seems, then wishes on a star that becomes her beaming friend (and makes her goat Valentino talk, sporting the voice of Peter Pan & Wendy's Alan Tudyk), she decides to topple his rule and free the deepest desires of her fellow townsfolk. West Side Story Oscar-winner DeBose brings her best to the movie's songs, which would've fallen flat and proven forgettable in anyone else's hands, but they're the most vivid part of a film that starts with the storybook cliche, leans too heavily on chattering critters and can't match its classic look with an instant-classic picture. Wish streams via YouTube Movies, iTunes and Prime Video. Night Swim James Wan didn't direct Night Swim, nor write it. Instead, the Saw, Insidious, The Conjuring and Malignant filmmaker is one of its producers alongside Get Out, Five Nights at Freddy's, and the recent Halloween and The Exorcist revivals' Jason Blum. So, the pair haven't quite gone the M3GAN route given that Wan earned a story credit on that 2023 hit — but surely the Australian had a hand in one specific detail. Marking the feature helming debut of writer/director Bryce McGuire, the Baghead scribe who adapts his 2014 short film with Rod Blackhurst (Blood for Dust), Night Swim includes a school named after Harold Holt. It's a movie about a haunted swimming pool that namechecks the Aussie Prime Minister who disappeared and has been presumed dead since failing to return after a swim in the sea in 1967. The cheeky early reference is a portentous Easter egg, not that ocean paddles are a part of this tale. Other than stars Wyatt Russell (Monarch: Legacy of Monsters) and Kerry Condon (The Banshees of Inisherin) trying to do what they can with the predictable material, including the former nodding to his family's baseballing history (his father Kurt and grandfather Bing, each also actors, both played), it's one of the movie's most notable aspects. Russell steps into the shoes of Ray Waller, who has retired from doing the only thing he's ever loved due to illness. That move away from professional sports sends the ex-athlete, his wife Eve (Condon) and their children children Izzy (Amélie Hoeferle, The Hunger Games: The Ballad of Songbirds & Snakes) and Elliot (Gavin Warren, Fear the Walking Dead) in search of a new home — and Ray feels a particular pull towards one specific abode and its groundwater-filled pool, even after tumbling unexpectedly into it. The paddling spot is meant to be helpful for his ailments, too. As viewers already know before this big decision, courtesy of a girl (Ayazhan Dalabayeva, Miracle Workers) having a traumatic splash in the 1992-set prologue, this isn't just any old backyard place for a dip. The evening pool scenes are fittingly hauntingly shot, but this is a movie where close to every element wades in from other flicks — The Shining, Poltergeist and The Ring among them — and sparking a sinking feeling about how derivative it is isn't the same as being suspenseful or scary. Night Swim streams via YouTube Movies, iTunes and Prime Video. The Beekeeper In the Jason Statham cinematic universe, all that a movie needs is a profession as a moniker, its star scowling fiercely and the flimsiest of narratives propping up routine action scenes. So goes The Transporter, The Mechanic and now The Beekeeper (Crank doesn't quite fit, because the title doesn't describe Statham's character's job). The lead actor shared by all of these films can do and has done better. The Autopilot could be a name for his mode here, then. Directed by Suicide Squad's David Ayer, written by The Expendables 4's Kurt Wimmer and crediting Statham as a producer with them as well as a star, The Beekeeper doesn't attempt to get its main man doing anything that he couldn't do in his sleep, in fact — well, that and put him in a John Wick-esque scenario if it was written as a Gerard Butler (Plane) flick instead. Statham plays an ex-secret operative from a clandestine group called The Beekeepers, who is now literally keeping bees in his quiet life, but gets drawn back in after the kindly retired schoolteacher Eloise Parker (Phylicia Rashad, Creed III) that he rents a barn from is scammed by a ruthless operation. The Beekeepers are all about justice. In its pursuit, they're also not beholden to the usual law. In fact, their remit is swarming in to protect the hive when the legal forces that everyone knows about don't do their job. (Plenty of bee nods and puns are also The Beekeeper's remit, unsurprisingly, even as it manages never to be intentionally amusing for a second, or show any desire to want to). So when there's no satisfactory resolution to the swindle and its aftermath, including with Parker's daughter Verona (Emmy Raver-Lampman, The Umbrella Academy) an agent on the case, Statham's Adam Clay gets a-stinging. Wimmer has indeed scripted Gerard Butler movies before, but his lead here can't make this more than a woefully clichéd mess that screams to use his knack for comedy, yet doesn't. Looking grimly trashy aesthetics-wise, working in oh-so-rote conspiracies, roping in Josh Hutcherson (Five Nights at Freddy's) and Jeremy Irons (The Flash) as well as Minnie Driver (Uproar): none give this any trace of a buzz, either, or turn it into B- (or bee-)movie honey. The Beekeeper streams via YouTube Movies, iTunes and Prime Video. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this months latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from September's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW THE MAD WOMEN'S BALL Hitting streaming mere days after premiering at the 2021 Toronto International Film Festival, The Mad Women's Ball marks the latest thoughtful and enthralling stint behind the camera for Mélanie Laurent. The French actor who'll forever be known for Inglourious Basterds features on-screen in this, too, and turns in a layered and textured performance. But, behind the lens for the sixth time — and the first since 2018's Galveston — she transforms an already-gripping tale into a film that's vivid, passionate, empathetic and resonant. You could compare The Mad Women's Ball to One Flew over the Cuckoo's Nest, although that's oversimplifying things. Both are primarily set within comparable facilities, with the Salpêtrière neurological clinic the key location here, and both hone in on the power imbalance between those admitted and those running the show. But the Salpêtrière's patients are all women, most have been checked in against their will, the word 'hysteria' is thrown around too often by the male doctors, and 19th-century Paris treats anyone who doesn't conform to to the placid, dutiful female norm with contempt. That's what Eugénie Cléry (Lou de Laâge, who also starred in Laurent's 2014 film Breathe) learns after she starts hearing spirits. When her wealthy family find out about her new ability to communicate with the dead, she's packed away despite her pleas and protests, and confined to a place where she's little more than an inmate for men to torture with ice baths and other supposed cures. Laurent plays a nurse who becomes sympathetic to Eugénie's cause, but the film has just as much time for the sense of camaraderie that springs between the facility's wrongly institutionalised charges. It also offers space for other on-screen women to make an imprint, and serves up not just a potent but a handsomely staged adaptation of Victoria Mas' novel Le bal des folles. The Mad Women's Ball is available to stream via Amazon Prime Video. SQUID GAME Exploring societal divides within South Korea wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but its success was always going to give other films and TV shows on the topic a healthy boost. Accordingly, it's easy to see thematic and narrative parallels between the acclaimed movie and Netflix's new highly addictive Squid Game — the show that's on track to become the platform's biggest show ever (yes, bigger than everything from Stranger Things to Bridgerton) less than two weeks since it released. Anyone who has seen even an episode knows why this nine-part series is so compulsively watchable. Its puzzle-like storyline and its unflinching savagery making quite the combination. Here, in a Battle Royale and Hunger Games-style setup, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're all competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. That includes series protagonist Seong Gi-hun (Lee Jung-jae, Deliver Us From Evil), a chauffeur with a gambling problem, and also a divorcé desperate to do whatever he needs to to keep his daughter in his life. But, as it probes the chasms caused by capitalism and cash — and the things the latter makes people do under the former — this program isn't just about one player. It's about survival, the status quo the world has accepted when it comes to money, and the real inequality present both in South Korea and elsewhere. Filled with electric performances, as clever as it is compelling, unsurprisingly littered with smart cliffhangers, and never afraid to get bloody and brutal, the result is a savvy, tense and taut horror-thriller that entertains instantly and also has much to say. Squid Game is available to stream via Netflix. MIDNIGHT MASS No one can accuse Mike Flanagan of being lazy. In the past three years, he's made four different Netflix horror series, plus The Shining sequel Doctor Sleep. In the two years before that, he directed four other movies. Yes, he's prolific, and he also knows and loves his unsettling niche. Midnight Mass is the third of those aforementioned shows, and forgoes the ghostly setup of The Haunting of Hill House and The Haunting of Bly Manor — and it spins its musing on loss in multiple forms, faith in just as many varieties, and mortality and everything it means into a commanding seven-part miniseries. For Riley Flynn (Zach Gilford, Good Girls), the show's narrative begins with the biggest mistake of his life. After killing a woman while drunk driving, he spends four years in prison, haunted by her bloody face whenever he tries to close his eyes. Upon his release, he has no choice but to head home to Crockett Island, where his god-fearing mother (Kristin Lehman, Altered Carbon) is thrilled, his Ron Swanson-esque dad (Hill House and Bly Manor alum Henry Thomas) barely says a word, and his now-pregnant childhood sweetheart (Kate Siegel, Gerald's Game) has just made a comeback after her own absence. Also upsetting the status quo: the arrival of Father Paul (Hamish Linklater, Legion) to fill in for the island's ailing priest, and a wild storm that wreaks havoc. When he's spinning episodic stories, Flanagan likes to tease. He likes fleshing out his always-eclectic range of characters, too, and Midnight Mass is no different. Here, he adores monologues as well, but that's hardly surprising given the stellar cast he's writing for. It's been a great year or so for disquieting miniseries set on small, sparsely populated islands, thanks to The Third Day as well, and this is just absorbing. Midnight Mass is available to stream via Netflix. STRONG FEMALE LEAD When The Final Quarter opted to explore AFL footballer Adam Goodes' career purely using footage from the time — focusing on his stint on the field during its last stages, as the name makes plain — it weaved together media clips from his games, general AFL coverage, news stories, press conferences and interviews from the era. The result: a heartbreaking picture of the ex-Swans captain's experiences with racism that couldn't paint a clearer picture. Strong Female Lead does the same, but swaps sports for politics and discrimination based on race for prejudice predicated upon gender. Given that Australia has only ever had one female Prime Minister, that's where this fast-paced documentary heads, with director Tosca Looby (See What You Made Me Do) and editor Rachel Grierson Johns (Roller Dreams) letting existing media materials about Julia Gillard do all the talking. Anyone who can remember the headlines, news commentary, panel shows and talkback radio discussions from her 2010–13 spot in the nation's top job will know what they're in for, but seeing it all so deftly sliced together couldn't be more powerful. The sexism she faced at every turn isn't a relic of that not-at-all-distant past, of course. Indeed, Looby's approach makes all the horrendous words flung Gillard's way cut like a fresh wound, and simultaneously also sting like an old scar that won't heal. That's the cumulative effect of enduring the horrific things said, her overall treatment as PM, the odious behaviour of her parliamentary peers, and the belittling comments and placards, too. Strong Female Lead is a film to get angry with, as it's meant to be. It's also a celebration of Gillard's achievement in becoming Prime Minister, her work both along the way and in the role and other world leaders who've broken the glass ceiling. What lingers, though, is the fierce and formidable indictment of what women in positions of authority have been forced to navigate. Strong Female Lead is available to stream via SBS On Demand. EVERYBODY'S TALKING ABOUT JAMIE They're both underdog stories, they're both set in Sheffield in England's north, and they both have the accents to prove the latter. They each follow struggling locals trying to carve out a better life, and feature the entertainment industry prominently. And, they both chronicle characters breaking out of their comfort zones, shocking plenty around them, and working towards a big show, event or both. The movie that got there first: The Full Monty. The newcomer: Everybody's Talking About Jamie. That's about where the similarities between the two end, however, other than the inescapably feel-good vibe they both stir up. In this case, that crowd-pleasing sentiment springs from teenager Jamie New (first-timer Max Harwood), his quest to become a drag queen and his determination to chase that dream by first frocking up for his school prom. Already bullied, considered a disappointment by his soccer-loving father (Ralph Ineson, Gunpowder Milkshake), but adored by his mother (Sarah Lancashire, Yesterday) and best friend (fellow film debutant Lauren Patel), he isn't certain about showing his drag side to the world. He needs mentoring by a former drag icon (Richard E Grant, Can You Ever Forgive Me?), in fact, to even get the courage to do so. And, from there, the path to unleashing his inner queen is nowhere near as sparkly as the red heels his mum gives him for his 16th birthday. Where Everybody's Talking About Jamie isn't at all surprising, whether you're familiar with the stage production it's based on, or the real-life tale it's inspired by — or if you've just seen other against-the-odds British flicks such as Kes and Billy Elliott. Nonetheless, from its first frame to its last, this lively and sweet musical still shimmers, glows and charms. Everybody's Talking About Jamie is available to stream via Amazon Prime Video. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK SCENES FROM A MARRIAGE In the initial two episodes of Scenes From a Marriage, Mira (Jessica Chastain, IT: Chapter Two) and Jonathan (Oscar Isaac, Star Wars: Episode IX — The Rise of Skywalker) brush their teeth in front of their ensuite mirror. It's an everyday task in a familiar place, spanning something we all do in a space we all use, but this five-part HBO miniseries turns these two scenes into a complex snapshot of its central couple. It takes not just skill but feeling and understanding to turn such a mundane activity into a must-see; however, that's this weighty show's remit. Scenes From a Marriage gets viewers engrossed in cleaning teeth because it's ordinary, and because everything within its frames fits the same description. Its central relationship careens from happy to heartbroken, comfortable to distraught, and assured to messy, but it also charts a path that countless others have. Accordingly, Mira and Jonathan start the series cemented in their routine, but with each of its five episodes dedicated to a significant day over the course of several years, much changes. The ambitious tech industry executive to his ex-Orthodox Jewish philosophy professor, Mira drops a bombshell, their lives shift over and over, and yet plenty stays the same as well. As penned and helmed by The Affair's Hagai Levi — remaking the 1973 Swedish TV miniseries by iconic film director Ingmar Bergman — Scenes From a Marriage is a show about patterns, cycles and echoes, in fact. It ponders how they ripple through relationships and, when broken or changed, how their absence is felt. The result is devastating and powerful, shot and scored with intensity, and home to exceptional performances from Chastain and Isaac, who prove just as irresistible in their second collaboration in a stormy union as they did in 2014 also-stellar A Most Violent Year. The first three episodes of Scenes From a Marriage are available to stream via Binge, with new episodes dropping weekly. Read our full review. ONLY MURDERS IN THE BUILDING If you've ever listened to a true-crime podcast, decided that you'd make a great Serial host yourself and started wondering how you'd ever follow in Sarah Koenig's footsteps, then you should be watching Only Murders in the Building. The Disney+ series follows three New Yorkers who follow that same process. Actor Charles-Haden Savage (Steve Martin, It's Complicated), theatre producer Oliver Putnam (Martin Short, Schmigadoon!) and the much-younger Mabel Mora (Selena Gomez, The Dead Don't Die) are all obsessed with a series hosted by the fictional Cinda Canning (Tina Fey, Girls5eva), to the point of bonding over it as strangers. Then, when someone turns up dead in their building, they decide that they can sleuth their way through the case — by getting talking themselves, naturally. But being a true-crime podcast diehard and making a true-crime podcast clearly aren't quite the same thing, and turning amateur detective isn't clearcut either. Entertaining and exceptionally well-cast, Only Murders in the Building makes makes the most of its main trio's mismatched vibe. It's filled with hearty affection for everything it jokes about, resulting in an upbeat satire of true-crime obsessions, podcasting's pervasiveness and the intersection of the two. It adores its single-setting Agatha Christie-lite setup, it's always empathetic, and it also loves peppering in highly recognisable co-stars and guest stars such as Fey, Nathan Lane (Penny Dreadful: City of Angels), Amy Ryan (Late Night) and even Sting. The series is also written and acted with enough depth to pair relatable character insights with its bubbly, clownish fun. If Knives Out was a sitcom, and also a little goofier, it'd turn out like this — and that's a delight, obviously. The first seven episodes of Only Murders in the Building are available to stream via Star on Disney+, with new episodes dropping weekly. Read our full review. WHAT WE DO IN THE SHADOWS How do you match a season of TV that introduced the world to yet another ace Matt Berry character? That's a question What We Do in the Shadows faced with its third season, after its last batch of episodes featured Jackie Daytona — the "regular human bartender" persona adopted by Berry's bloodsucker Laszlo Cravensworth. Thankfully, this vampire sharehouse comedy found an easy solution. It's still doing what it does best, which includes gifting the glorious Berry (Toast of London) and his co-stars Kayvan Novak (Four Lions), Natasia Demetriou (Eurovision Song Contest: The Story of Fire Saga), Mark Proksch (The Office) and Harvey Guillen (Werewolves Within) reams of witty and hilarious dialogue. Picking up where the last season left off, the show's vamps now have a new job running the local Vampiric Council; however, the mockumentary-style series still knows that it's at the best when its stars are riffing either together or directly to the camera. Obviously, the Staten Island-dwelling bloodsuckers' new gig comes with ample chaos and, as it dives into everything that follows, What We Do in the Shadows is still one of the silliest yet smartest horror-comedies that's ever been made. But as proved the case with the movie it sprang from — aka Jemaine Clement and Taika Waititi's 2014 film of the same name — so much of the joy and laughs here come from watching exceptional comedic talents inhabit their characters' fangs, banter about undead tropes and bounce off of each other. That hasn't changed in season three, and the entire series is still a side-splitting gem in each and every episode. The first five episodes of What We Do in the Shadows' third season are available to stream via Binge, with new episodes dropping weekly. Y: THE LAST MAN On paper, Y: The Last Man sounds familiar, even if you haven't read the source material. Based on the 2002–08 comic book series of the same name, it steps into a post-apocalyptic time where an eerie illness wipes out everyone with a Y chromosome — humans and other mammals alike. Accordingly, it initially resembles a reverse version of The Handmaid's Tale and Children of Men. Thankfully, this dystopian tale heads in its own direction. First, it spends an episode plotting out the pre-plague status quo for Yorick Brown (Ben Schnetzer, The Grizzlies), his US Congresswoman mother Jennifer (Let Him Go) and his paramedic sister Hero (Olivia Thirlby, Goliath). Then, it dives deep into the world-changing event that sees males wiped out en masse. It isn't a spoiler to say that Yorick survives, because the title ensures that's clear. Also making it through: his Capuchin monkey Ampersand. As the globe's women react, adjust and endeavour to traverse a whole new way of life, Yorick endeavours to do the same — and, based on its first episodes, it makes for gripping viewing. It's the type of show that starts out with an obvious been-there-done-that vibe, especially at the moment. Anyone who has filled even part of the pandemic binge-watching movies about contagions, outbreaks and infections will recognise plenty of elements, but this is also the kind of series that takes its time to settle in, and to expand and grow. It's ongoing focus on what comes next, rather than simply exploring what happened, is also filled with possibilities — timely ones, too, given the current state of reality. The first five episodes of Y: The Last Man are available to stream via Binge, with new episodes dropping weekly. A RECENT MUST-SEE YOU CAN (AND SHOULD) STREAM NOW ANOTHER ROUND Even the most joyous days and nights spent sipping your favourite drink can have their memory tainted by a hangover. Imbibe too much, and there's a kicker just waiting to pulsate through your brain and punish your body when all that alcohol inevitably starts to wear off. For much of Another Round, four Copenhagen school teachers try to avoid this feeling. The film they're in doesn't, though. Writer/director Thomas Vinterberg (Kursk) and his co-scribe Tobias Lindholm (A War) lay bare the ups and downs of knocking back boozy beverages, and also serve up a finale that's a sight to behold. Without sashaying into spoiler territory, the feature's last moments are a thing of sublime beauty. Some movies end in a WTF, "what were they thinking?" kind of way, but this Oscar-winning Danish film comes to a conclusion with a big and bold showstopper that's also a piece of bittersweet perfection. The picture's highest-profile star, Mads Mikkelsen (Arctic), is involved. His pre-acting background as an acrobat and dancer comes in handy, too. Unsurprisingly, the substances that flow freely throughout the feature remain prominent. And, so does the canny and candid awareness that life's highs and lows just keep spilling, plus the just-as-shrewd understanding that the line between self-sabotage and self-release is as thin as a slice of lemon garnishing a cocktail. Another Round is available to stream via SBS On Demand. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July and August this year — and our top straight-to-streaming movies and specials from 2021 so far, and our list of the best new TV shows released this year so far as well.
UPDATE: APRIL 28, 2020 — Mix and match stinky, blue and hard cheeses with boutique wines, boozy gelato and crackers from this Fitzroy Street fromagerie, which is offering free same-day delivery seven days a week. You can order over here. Stocking more than 180 different varieties of cheese from around the globe, Milk the Cow is a haven for those who know what a turophile is. That's a fancy word for a lover of cheese, if you were wondering — and here, each one is chosen by a resident cheesemonger. While you can get cheese to take away, it's best to have a bit to dine-in, as well. That way you can enjoy stellar fromage over a wine, beer, cider or a cocktail. Or even as part of one of the bar's tasty (and affordable) cheese and drink flights that change month-to-month. There is another Milk the Cow in Carlton, but this is the original — it's been on Fitzroy Street since 2012.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=PBMS85Rii5A THE GODMOTHER With the inimitable Isabelle Huppert at its centre, and a premise that owes a debt to Weeds and Breaking Bad, The Godmother strikes a crafty balance between comedy, drama and thrills. The Greta and Happy End star (and Elle Oscar-nominee) plays Patience Portefeux, a translator who works with the Paris police on narcotics cases — a job that's routine until, thanks to a big decision, it isn't. During an otherwise straightforward assignment that tasks Patience with listening to and translating wiretapped phone conversations, she holds back a few crucial pieces of information. Instead of giving her boyfriend Philippe (Hippolyte Girardot, Marseille) the details he needs to make a big bust and enhance his career, she chooses to take matters into her own hands. She's never done anything like this at work before, but she's soon redirecting the cops' attention, stealing an enormous stash of hash and taking up a side hustle as a wholesaler to street-level dealers. Her motivation: money. A long-widowed mother of two, she's attempting to secure her financial future via the only viable means at her disposable. As her fellow widow-turned-dealer in Weeds also did, she's also attempting to navigate a world that's hardly accommodating to single, middle-aged women. Adapted from Hannelore Cayre's book of the same name by the author with director Jean-Paul Salomé (Playing Dead, Female Agents), The Godmother is unsurprisingly lifted by Huppert, as everything she stars in always is. Indeed, if the film earns an English-language remake — which, undoubtedly, it will — Hollywood will be doing itself a disservice if the filmmaking powers-that-be cast anyone but the veteran French star. She plays Patience as a slippery, enterprising everywoman with hopes, dreams and a unique opportunity. More than that, she never lets a single thing about the character feel like a collection of stock-standard tropes and traits. It's due to Huppert, in fact, that The Godmother never flounders even when its script does cycle through more than a few predictable crime film cliches. Nonetheless, this is a lively and engaging caper that's helmed with a light touch, as well as a keen awareness of the material's deeper moments. It'd make a stellar double feature with 2018 heist flick The World Is Yours, too, which similarly deployed the distinctive talents of one of France's enduring leading ladies (and someone Huppert has been compared with constantly throughout her career): Isabelle Adjani. https://www.youtube.com/watch?v=JQz1Am56-GQ DEATH OF A LADIES' MAN Tales of men known for their romantic successes — or, to be more accurate, their luck between the sheets — might just have an expiration date in today's post-#MeToo world. We should've outgrown them earlier, really, although Death of a Ladies' Man smartly chooses to grapple with the fallout when a lifelong playboy is forced to face his own end. Taking its cues from Leonard Cohen's songbook (hence the title), this Canadian-Irish co-production also opts to interrogate the idea of the blissful womaniser and drunk, rather than simply let another suave, sauced-up lothario strut across the silver screen. Poetry professor Samuel O'Shea (Gabriel Byrne, Hereditary) is about to add another ex-wife to his tally when the film begins, actually, although this time he's the one who caught her being unfaithful. That's soon the least of his problems. After the hockey players at his son's (Antoine Olivier Pilon, Mommy) latest match appear to start singing and dancing on the rink, and he then returns home to hallucinate an entire boozy conversation with his long-dead father (Brian Gleeson, Hellboy), Samuel seeks medical attention. His daily drinking habit of anywhere up to 39 drinks isn't the problem, but rather a brain tumour — and the terminal prognosis that accompanies its diagnosis gives him just months left at best. For a film about cancer, death, addiction, lingering childhood trauma, several liquor cabinets full of regrets and taking stock of an unfulfilling life complicated by male fantasy, Death of a Ladies' Man is playful rather than bleak — welcomely so. The visions that cause Samuel to imagine women with tiger heads (and sometimes entire relationships) all add a surreal touch to a movie that knows it is wading through both weighty and familiar territory. Writer/director Matt Bissonnette (Passenger Side) doesn't endeavour to thwart or dispel tropes, but to unpack them. Confronting a fatal disease and looking back at all the mistakes made to that juncture is another oft-used narrative crutch, and usually the only time someone with cancer is treated like a real person in a feature, but here it also helps Death of a Ladies' Man expose just why Samuel has clung to his image for so long, what he's been hiding from in the process and what it has ultimately cost him. Byrne is excellently cast, as he usually is, bringing both charisma and waning hubris to the film's protagonist — and Cohen's songs do what they're meant to, adding insight, beauty and melancholy to this quietly potent blend of comedy and drama. https://www.youtube.com/watch?v=0IuL_FSoMBU TWO OF US Early in Two of Us, Martine Chevallier sports a look of such utter devastation and heartbreak that it feels as if her pain will smash the camera peering her way. The French actress (Farewell, My Queen) plays Madeleine, a retiree finally free of the husband she abhorred — a fact that her adult children Frédéric (Jérôme Varanfrain, A Wedding) and Anne (Léa Drucker, Custody) ignore in vastly different ways — and now living with the woman, Nina (Barbara Sukowa, Gloria Bell), that she has secretly been in love with for decades. Given her kids' attitude towards their father, she hasn't been able to tell them. Indeed, when the aforementioned expression darkens her face, it's because Nina publicly admonishes her for hiding their relationship. But the German expat will soon sport the same look, too, after tragedy strikes. In the aftermath, neither Frédéric or Anne know her as anything more than just a friend of Madeleine. So, she spends her days peeking through the peephole in her own front door across the hall — one of the benefits of keeping a second apartment to maintain their ruse — and trying to sweet-talk her way into new carer Muriel's (Muriel Bénazéraf, Conviction) good graces in order to even see and snatch the smallest amounts of time with her lifelong love. Largely taking place within Madeleine and Nina's flats — one warm and inviting, the other sparse and hardly used — Two of Us is an intimate film several times over. First-time feature writer/director Filippo Meneghetti stares intensely at his characters as he steps into their complex lives and, slowly and patiently, watches as they inch towards revealing their true selves to the world. The central performances, especially by Sukowa, a German acting powerhouse dating back to Rainer Werner Fassbinder's Berlin Alexanderplatz and Lola, couldn't feel more lived-in. Nor could the rapport between Madeleine and Nina, even after illness robs the former of her words. And, the same applies to the predicament that Nina finds herself navigating, circumstances she shares (with a few minor tweaks) with the protagonist in Oscar-winner A Fantastic Woman. Deeply contemplating the historical treatment of queer relationships, and the struggles that still linger today, this is both an astutely judged and overwhelmingly heartfelt drama, and one that also simmers with tension and anger. It's impossible not to feel moved and infuriated by the behaviour directed Madeleine and Nina's way, and to be moved by this tender and impassioned story in general. https://www.youtube.com/watch?v=OGDWckiZcj8 I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is currently screening in Sydney and Melbourne cinemas. https://www.youtube.com/watch?v=9WrZU_14cxE SONGBIRD If there are any words that absolutely no one wants to see when they're watching a COVID-19-inspired movie, it's these: produced by Michael Bay. The filmmaker who gave cinema the Bad Boys franchise and five Transformers flicks isn't behind the lens of Songbird, but writer/director Adam Mason and his frequent co-scribe Simon Boyes (Hangman) have clearly mainlined Bay's work, then decided to use its worst traits as a how-to manual. Set in 2024, when a virulent mutation of the coronavirus known as COVID-23 is on the loose, their tactless thriller is gimmicky and misguided at best. It's derivative, dull and has a plot that's so stale it really should also feature a tornado full of sharks, too. Wondering what might happen if the pandemic was even more horrendous and tragic than it is — and if America's handling of it, as based on 2020's response at least, was skewed even further towards corporate interests and the rich — the film decides to opt for quarantine concentration camps and a gestapo-like sanitation department. When it's not tastelessly taking cues from the holocaust to supposedly turn a shattering event the world is still experiencing into entertainment, it also attempts to tell a Romeo and Juliet-style love story about a couple separated by lockdown. And, if you've ever wondered what might happen if a Bay wannabe remade David Lynch's Blue Velvet, Bradley Whitford's (The Handmaid's Tale) role as an oxygen-huffing record executive preying on a young singer (Alexandra Daddario, Baywatch) answers that question as well. Bicycle courier Nico (KJ Apa, Riverdale) is resistant to COVID-23, and has an immunity bracelet to prove it; however, his girlfriend Sara (Sofia Carson, Feel the Beat) and her grandmother (Elpidia Carrillo, Euphoria) aren't so lucky. The coveted wristwear can be bought on the black market, though, which is why Nico is trying to make as much cash as he can working for delivery kingpin Lester (Craig Robinson, Dolemite Is My Name). The obvious happens, of course, sending unhinged sanitation head Emmett Harland (Peter Stormare, John Wick: Chapter 2) to Sara's building — and putting a deadline on Nico's quest, which wealthy couple William (Whitfield) and Piper Griffin (Demi Moore, Rough Night) might be able to assist with. The latter are also meant to be a picture of stay-at-home disharmony, all while trying to protect their immunocompromised daughter Emma (Lia McHugh, The Lodge) from anything outside their sprawling mansion. A PTSD-afflicted ex-veteran (Paul Walter Hauser, Richard Jewell) who flies drones to experience life beyond his walls also forms part of the story, although not a single character is given enough flesh to make viewers care about their plight. Even only clocking in at 84 minutes, this thoroughly unsubtle and exploitative film overstays its welcome — and the fact that it's shot and edited like Bay's glossiest and most bombastic action fare doesn't help. https://www.youtube.com/watch?v=EzigvG55ImQ SON OF THE SOUTH A film can tackle an always-important subject, tell a true tale about a real-life figure and their hard-fought battle for a crucial cause, and also seem caught between an adoring celebration and an after-school special. It can boast Spike Lee's frequent editor as its director — with Barry Alexander Brown splicing together everything from Do the Right Thing and Malcom X to BlacKkKlansman — and also Lee himself as an executive producer, and still feel like the most simplistic version of its narrative. And, it can pay tribute to a crusader in the civil rights movement, and note the struggles involved for a southern-born and -bred white college student with klan ties so recent in his past that his grandfather remained a hate-spewing member, and also leave viewers wondering why someone like future US Congressman John Lewis is treated like a mere footnote. Yes, a movie can do all of the above because Son of the South does. Adapted by Brown from Bob Zellner's co-penned (with Constance Curry) autobiography The Wrong Side of Murder Creek: A White Southerner in the Freedom Movement, this by-the-numbers biopic proves both earnestly well-intentioned and blandly formulaic. Even viewers unfamiliar with Zellner will find themselves knowing what to expect at each and every turn. Son of the South introduces its Alabaman subject (Lucas Till, MacGyver) in 1961, with a noose around his neck and an angry white mob at his feet, before flashing back to explain his predicament. This early storytelling choice is designed to make a statement, and to show how deep the resistance to equality burrowed at the time, but it really just acts as a reminder that such violence against Black Americans still rarely garners the same attention. Zellner found himself facing a lynching for his inability to stand on the sidelines — after Rosa Parks (Sharonne Lainer, The Outsider) made history five years earlier, after being told not to go to an event at a Black church commemorating her actions, and then after facing threats of arrest and expulsion for attending. His fiancée (Lucy Hale, Fantasy Island) warns him, too, and his grandfather (Brian Dennehy, The Seagull) says he'll shoot him, but he's soon helping Freedom Riders during riots and volunteering for the Student Nonviolent Coordinating Committee. Till's performance is as sincere as anything in Son of the South. He's also joined by scene-stealing co-stars, including Dexter Darden (Saved by the Bell) as Lewis, Lex Scott Davis (The First Purge) as a young college professor and Shamier Anderson (City of Lies) as a fellow SNCC worker initially skeptical of Zellman's involvement. And yet, they're all just tasked with sticking to a template, much to the movie's detriment. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; and May 6 and May 13. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down, The Perfect Candidate, Those Who Wish Me Dead, Spiral: From the Book of Saw and Ema.
Grabbing everyone's attention with one shiny promise, then delivering something else as well: if you've ever watched Black Mirror, then you've seen that exact situation play out several times among its many tech nightmares. When the dystopian saga's seventh season arrives, that setup just might apply to the show itself, too. A sequel episode to season four's Star Trek-riffing USS Callister episode has long been promised, but a follow-up to choose-your-own-adventure movie Black Mirror: Bandersnatch also appears to be part of the six-instalment return. Black Mirror season seven now has a trailer, and Bandersnatch's Will Poulter (The Bear) and Asim Chaudhry (Industry) are part of it. The next chapter in Charlie Brooker's can't-look-away take on how humanity's use of gadgets and innovations can go devastatingly wrong also has an official release date. In excellent news, you'll be plugging in soon, on Thursday, April 10, 2025. The new episodes will drop two years after 2023's sixth season, which is a short gap in Black Mirror terms given that there was a four-year wait after season five. Season seven's batch of Black Mirror episodes is also bigger than the past two seasons, serving up six instalments — which only season three and four have done in the past. As teased by the trailer, the show's seventh season has artificial intelligence in its focus — and everything from a black-and-white realm and wearable tech to Peter Capaldi (Criminal Record) chatting about expanding minds on offer along the way. From USS Callister, Cristin Milioti (The Penguin), Jimmi Simpson (Pachinko), Billy Magnussen (The Franchise), Milanka Brooks (The Windsors), Osy Ikhile (All American) and Paul G Raymond (Deadpool & Wolverine) are all back. Across the rest of the season, the cast also includes Awkwafina (Jackpot!), Emma Corrin (Nosferatu), Rashida Jones (Sunny), Chris O'Dowd (The Big Door Prize), Issa Rae (American Fiction), Michele Austin (Hard Truths), Tracee Ellis Ross (Candy Cane Lane), Harriet Walter (Silo), Patsy Ferran (Mickey 17), Paul Giamatti (The Holdovers) and more. And if you're wondering whether Brooker took any inspiration from his headline speaker gig at the first-ever SXSW Sydney in 2023, you'll need to watch the new season to find out. Chatting with Netflix, he has promised "a mix of genres and styles". Also "they're all sci-fi stories — there's definitely some horrifying things that occur, but maybe not in an overt horror-movie way. There's definitely some disturbing content in it." Check out the trailer for Black Mirror season seven below: Black Mirror season seven will stream via Netflix from Thursday, April 10, 2025. Read our review of season six, and our interview with Charlie Brooker.
Move over Adelaide; according to The Economist Intelligence Unit's Global 2022 Liveability Index, Melbourne is now the most liveable city in Australia — again. While the Victorian capital spent much of 2021 under stay-at-home restrictions, it has beaten out every other city Down Under for this year in the annual list, placing first among Aussie spots and equal tenth worldwide. Melbourne has previously topped the rankings — for seven years running between 2010–2017, in fact, but that span came to an end in 2018. Back then, it was dethroned by Vienna in Austria, which again took out first place this year as it did from 2018–20. Vienna's 2022 victory came at the expense of 2021's top placeholder Auckland, which tumbled from first down to 34th. Last year's top ten was filled with Australian and New Zealand cities, including Adelaide, Wellington, Perth and Brisbane as well. They've all dropped significantly, with Adelaide moving from third to 30th, Wellington plummeting from fourth to 50th, Perth moving from sixth to 32nd, and Brisbane from tenth to 27th. Melbourne tied for eighth in 2021, so although it still made the top ten in 2022, it has also dropped two spots. The report explains that both Australia and New Zealand "benefited in early 2021, when COVID vaccines were scarce: their closed borders kept cases down, keeping liveability high... However, this changed as a more infectious covid-19 wave struck in late 2021, which made closed borders less of a defence." The Economist Intelligence Unit continued: "although New Zealand's lockdowns ended in December, before our survey period, its cities no longer have a COVID advantage over well-vaccinated European and Canadian cities. In Australia, some states were slower to lift restrictions than others. As a result, Perth and Adelaide have lost ground since last year, and Melbourne is once again Australia's highest-ranked city." As well as Vienna in first spot, Melbourne was joined in the top ten by Copenhagen at second, Zurich in third, Canada's Calgary and Vancouver in fourth and fifth, Geneva at sixth, Frankfurt at seventh, Toronto at eighth and Amsterdam at ninth — with Osaka sharing tenth position. The annual index ranks cities on stability, healthcare, education, infrastructure, culture and environment, giving each city a rating out of 100. Vienna achieved a score of 99.1 overall, and Melbourne received 95.1 — and, at the other end of the list, Damascus in Syria scored 30.7, ranking in 172nd spot. Narrowly missing the top ten for the second year in a row: Sydney, which came in 13th, after sitting at 11th in 2021. It had ranked third back in 2019. To read the full Global 2022 Liveability Index, head to the Economist Intelligence Unit's website.
When Sally Rooney's Normal People first hit bookshelves in 2018, it thrust readers into a disarmingly relatable love story, following the amorous ups and downs of an on-again, off-again couple from Sligo, Ireland. Teenagers Marianne and Connell have known each other for years, as tends to happen in small towns. And although she's aloof, intense and considered an acerbic loner, while he's outgoing and popular, a torrid and tumultuous secret romance blooms. That's just the beginning of the Irish author's novel, which then heads to Dublin's Trinity College with its two protagonists — where, free from the shackles, expectations and gossip of their hometown, their roles have been reversed. Marianne is now the self-assured and well-liked toast of the campus, while Connell, although excelling academically, struggles to feel comfortable in his new surroundings. Still, when the two cross paths again, old emotions reignite. Unravelling the pair's ebbs and flows from their final year of high school, then all through their university years, Normal People won plenty of fans on the page — and plenty of awards, too. As well as becoming a bestseller, Rooney's second book was longlisted for the Man Booker Prize and nabbed 2019's Book of the Year at the British Book Awards. The next step: bringing this tale to the small screen, all courtesy of an excellent and involving new 12-part drama of the same name that has just hit Stan in its entirety, and will soon be available on TVNZ OnDemand. As anyone who has devoured Rooney's novel will anticipate, Normal People, the TV series, proves both tender and perceptive as it dives deep into a complex chronicle of first love. One of the show's triumphs: its commitment not only to charting Marianne (Daisy Edgar-Jones, Cold Feet) and Connell's (newcomer Paul Mescal) feelings for each other, but to detailing the recognisable and realistic minutiae of being a high schooler and then a uni student. This is first and foremost a romance, and a passionate and intimate one at that; however the series can't tell this complicated couple's story without touching upon everything else that pops up along the way. That includes thorny family situations, different social circles, everyday bullying and painful tragedies, as well as the possibilities and anxieties that moving away from home brings, and the pair's ever-growing pile of emotional baggage. In making the supremely confident leap from the page to the screen, it helps that Normal People boasts an array of talent. Rooney herself helped pen the TV adaptation, alongside fellow screenwriters Alice Birch (Succession) and Mark O'Rowe (Boy A). And, in the director's chair sits both Oscar-nominated filmmaker Lenny Abrahamson (Room) and BAFTA winner Hettie Macdonald (White Girl, Howard's End), who share helming duties. That said, as smartly written and intelligently directed as the series is — and as beautifully shot, too — it's impossible to imagine it striking such a chord without Edgar-Jones and Mescal. They're in great company on-screen, with Sarah Greene (Penny Dreadful) also a standout as Connell's mother. But when you're watching a sensitive and chaotic whirlwind of a romance, and unpacking all of its intricacies, you want textured, layered, convincing and heartbreaking performances to match — which these certain rising stars well and truly deliver. Check out the full trailer below: https://www.youtube.com/watch?v=ODYjA9H4qcw All 12 episodes of Normal People are available to stream via Stan. It will be available in New Zealand via TVNZ OnDemand from May 3.
First, Airbnb wanted everyone to stay in other people's everyday homes. It still does. Then, it started adding once-in-a-lifetime spots, usually themed around a pop-culture favourite (think: Hobbiton and Barbie's Malibu DreamHouse). Lately, the accommodation booking platform has been going big on celebrity abodes as well, so that you can enjoy a starry getaway. The newest on its books: Ashton Kutcher and Mila Kunis' oceanside guesthouse in Santa Barbara County. Didn't score a night at Gwyneth Paltrow's Montecito spot? This is your next chance to live the life of a Hollywood actor, albeit just temporarily. There's one big difference this time around, however: the reservation is for this weekend, on Saturday, August 19, with bookings opening tomorrow, at 3am AEST / 5am NZST on Thursday, August 17. Accordingly, you and up to three friends will probably need to already be in the US right now, or by this weekend. With such tight timing, this isn't quite the kind of Airbnb once-off that you can plan a whole vacation around. But, if all of the above suits you and you manage to nab the reservation, you'll be slumbering in the Kutcher-Kunis guesthouse for free. The That '70s Show and That '90s Show stars will be there to greet you upon arrival, and get you joining in on some of their top activities. So, get ready to hit the shore, go for a hike, soak in the coast views, and head down to the nearby shops and restaurants. And, once evening hits, board games and charades are on the agenda. The beachhouse also features Santa Ynez mountains vistas — and your booking will include meals and snacks as well. As always, the usual caveat applies: if you do get the reservation, the cost of travelling to Santa Barbara and back again, including from Australia or New Zealand, is all on you. Airbnb adds this extremely short-term listing to its roster after also offering up the Ted Lasso pub, Japan's World Heritage-listed Suganuma Village, the Paris theatre that inspired The Phantom of the Opera, the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage in recent years. For more information about Ashton Kutcher and Mila Kunis' Oceanfront Oasis on Airbnb, or to book at 3am AEST on Thursday, August 17 for a stay on Saturday, August 19, head to the Airbnb website. Images: Katya Grozovskaya. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Telling your co-workers to wash their damn plates has never looked so suave. Comic Sans, the "I'm not like a regular mom, I'm a cool mom," of the font world, has been given a streamlined, minimalist makeover and is lurking dangerously close to legitimate suavity. Taking cues from the more sophisticated typography go-tos like Helvetica Neue, Comic Neue could potentially be suited for more than passive-aggressive staff kitchen notices and school canteen specials. Constantly scorned for its combination of rounded edges and likeness to the Foundation Handwriting font taught at preschools, Comic Sans has long worn the crown for biggest lamebot in the font family. Writers at McSweeney’s tried to convince us otherwise, but until graphic designer Craig Rozynski decided to give the font a new pair of pants, it was doomed to the Angelfire blogs of yesteryear. Japan-based Australian designer Rozynski saw an overlooked elegance in the world’s most ridiculed font. “Comic Sans wasn’t designed to be the world’s most ubiquitous casual typeface,” he says on the font’s own website. “The squashed, wonky, and weird glyphs of Comic Sans have been beaten into shape while maintaining the honesty that made Comic Sans so popular.” Sporting a makeover to rival Rachel Leigh Cook’s She’s All That staircase descent, Comic Neue is sure to score all the invites to prom with its new schwanky look. Rozynski believes teaching a an old dog new tricks will impress even the biggest font snobs. “Comic Neue aspires to be the casual script choice for everyone including the typographically savvy.” You can test drive Comic Neue over here for free for a limited time. Go on, lightly warn the good people about the consequences of taking people's fridge food. It's going to look damn classy. Via Mashable.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. HOUSE OF GUCCI For the second time in as many movies, Lady Gaga is caught in a bad romance in House of Gucci. Yes, she's already sung the song to match. The pop diva doesn't belt out ballads or croon upbeat tunes in this true-crime drama, unlike in her Oscar-nominated role in A Star Is Born, but she does shimmy into a tale about love and revenge, horror and design, and wanting someone's everything as long as it's free. Eschewing the earthy naturalism of her last film performance and tapping into her famed on-stage theatricality instead, she's perfect for the part of Patrizia Reggiani, aka Lady Gucci, aka the daughter of a trucking entrepreneur who wed into one of the world's most prestigious fashion families, helped unstitch its hold on its couture empire, then went to prison for murder. She's exceptional because she goes big and lavish, and because she knows that's the type of feature she's meant to be in: a soapy spectacle about money and power that uses its depiction of excess as an interrogation technique. Complimenting Gaga for nailing the brief — for acing it so dazzlingly that she's sauntering down her own catwalk as most of her co-stars virtually watch from the floor — gives House of Gucci a tad too much credit, though. Ridley Scott's second film in mere months following The Last Duel, and his third in a row to examine wealth and influence after 2017's All the Money in the World, this fashion-world saga skews large, lush and luxe with each choice, too, but doesn't land every sashay with quite the outsized lustre of its crown jewel. If House of Gucci's veteran director was picking an outfit instead, he would've chosen a killer gown, then wavered on the accessories. Some of his other decisions gleam, as seen in the movie's knowingly maximalist and melodramatic air. Others prove fine, like its jukebox-style soundtrack of 70s and 80s bangers. A few moves are so cartoonish — Jared Leto's ridiculousness, and the Super Mario-style accents sported by almost everyone on-screen — that they play like cheap knockoffs. The story itself is a standout, however, as adapted from Sara Gay Forden's 2001 book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed. When Patrizia meets law student Maurizio Gucci (Adam Driver, Annette) at a 70s-era party, mistakes him for a bartender, then realises who he is, it sparks a rollercoaster of a relationship — starting with Maurizio being disinherited by his father Rodolfo (Jeremy Irons, Love, Weddings and Other Disasters) for their marriage. Still, the newest Gucci knows what she wants: a place in the family's dynasty. She isn't the lone cause of the Guccis' unfolding, thanks to Rodolfo's brother Aldo (Al Pacino, Hunters), his penchant for watering down the brand and tax evasion, and his wannabe-designer son Paolo (Leto, The Little Things), but she's the Lady Macbeth pushing Maurizio to seize the company by any means. And, because the reason that House of Gucci even exists was written in news headlines over a quarter-century ago, she's behind Maurizio's killing in 1995. "I don't consider myself a particularly ethical person, but I'm fair," Patrizia offers partway into the movie, a moral code that still sees her order his hit after their divorce — helped by a TV psychic-turned-pal (Salma Hayek, Eternals), because that's the kind of tale this is. Interviewed in 2016, Patrizia called herself "the most Gucci of them all", an idea that Scott and his screenwriters Becky Johnston (Arthur Newman) and Roberto Bentivegna (short El otro lado) don't ever give Italian-lilted voice to, but still use as their basic pattern. In the sartorial realm, Gucci might stand for high-end indulgence, but House of Gucci sees both the allure and the cost of the brand reflected in Patrizia's status-hungry actions. Read our full review. GHOSTBUSTERS: AFTERLIFE Spraying reboots, remakes, sequels and prequels across cinema screens like a spirit supposedly sprays ectoplasm — gushing reimaginings, spinoffs and seemingly never-ending franchises, too — Hollywood ain't afraid of no ghosts. It loves them in horror movies, obviously, but it adores the spectre of popular intellectual property even more. These phantoms of hits gone by can be resurrected again and again, all to make a profit. They haunt both cinemas and box-office blockbuster lists, making film-goers and the industry itself constantly feel like they're being spooked by the past. With 14 of Australia's 15 top cash-earning flicks of 2021 all falling into the been-there-done-that category in one way or another, looking backwards in the name of apparently going forwards is now mainstream filmmaking 101, and the big end of town rarely likes bustin' a money-making formula. After more than a few pandemic delays, that's the world that Ghostbusters: Afterlife floats into — a world that's made worshipping previous glories one of the biggest cash-spinners show business could've ever dreamed up. The fourth feature to bear the Ghostbusters name, but a new legacy sequel to the original 1984 film, this reanimated franchise entry certainly sports a fitting subtitle; treating its source material like it's nirvana is firmly filmmaker Jason Reitman's approach. To him, it might've been. Although he established his career with indie comedies such as Thank You for Smoking and Juno, he's the son of director Ivan Reitman, who helmed the OG Ghostbusters and its 1989 follow-up Ghostbusters II. To plenty of fans, those two initial comedy-horror flicks were something special as well; however, acknowledging that fact — and trying to recreate the feeling of being a kid or teen watching the first Ghostbusters nearly four decades ago — isn't enough to fuel a new film. To be fair, the younger Reitman isn't particularly interested in making a new movie; Be Kind Rewind's "sweded" Ghostbusters clips are more original than Ghostbusters: Afterlife. Instead, he directs a homage that sprinkles in links to its predecessor so heartily that it's probably easier to name the scenes and details that don't scream "hey, this is Ghostbusters!" as loudly as possible. And, even when Reitman and co-screenwriter Gil Kenan (Poltergeist) appear to shake things up ever so slightly, it all still ties back to that kid-in-the-80s sensation. Sure, Ghostbusters: Afterlife's protagonists aren't adult New Yorkers, but they're small-town adolescents who might as well have ambled out of one of the era's other hot properties: Steven Spielberg-helmed or -produced coming-of-age adventure-comedies about life-changing, Americana-dripping, personality-shaping escapades. Phoebe (Mckenna Grace, Malignant) is one such child, and a new inhabitant of the cringingly titled Summerville, Oklahoma at that. With her mother Callie (Carrie Coon, The Nest) and brother Trevor (Finn Wolfhard, The Goldfinch), she's made the move because the granddad she never knew just passed away, leaving a dilapidated rural property to his estranged family. The townsfolk speak his nickname, "dirt farmer", with mocking and intrigue, but his actual moniker — and all that equipment he's left behind — brings big changes Phoebe's way. While being Dr Egon Spengler's granddaughter doesn't initially mean too much to her, other than giving her love for science a genetic basis, she's soon segueing from testing out ghost traps with local teacher Mr Grooberson (Paul Rudd, The Shrink Next Door) to cracking Egon's secret efforts to stop a world-shattering supernatural event. Read our full review. NEVER GONNA SNOW AGAIN Start how you mean to go on is common-sense filmmaking advice. It's the medium's obvious first step, but it's also an elusive achievement. And, it's a feat that's usually only evident in hindsight — when a viewer can see if a stellar introduction really did signal just as sublime things to come, or vice versa. Never Gonna Snow Again perfects the concept, however. In its arresting opening moments, a man walks out of a forest and into a gated community in eastern Poland, and everything about the scene ripples with moody intrigue. The grey fog infusing the film's setting, the enigmatic look on the mysterious protagonist's face, the feeling that anything and everything could happen: filmmakers Malgorzata Szumowska (Mug) and Michal Englert (also the movie's cinematographer) deliver it all at the outset, and then back it up over their feature's 116 minutes. In Never Gonna Snow Again's initial images, that inscrutable man is Ukrainian masseur Zhenia (Alec Utgoff, Stranger Things), who walks out of a forest and into a gated community in eastern Poland. His destination is lined with lavish identical houses — the kind that the song 'Little Boxes' has satirised for almost six decades now — but he's about to be its most extraordinary visitor. His hands can help knead away physical troubles, a must for everyone with his profession. But as he works his physical magic, his touch can soothe minds as well. Trundling his massage table from well-appointed home to well-appointed home, he quickly builds up a devoted client list of well-to-do residents desperate for his help. He steps into their worlds, spying their outward gloss — the similar wreaths on each door, the doorbells chiming with snippets of classic music — and palpating away their inner pain. As that glorious opening scene establishes almost-unnervingly well, there's a surreal, seductive and otherworldly atmosphere to Never Gonna Snow Again, which Szumowska and Englert let float through their frames like a lingering breeze. There's also a devastatingly savvy interrogation of the type of rich lives that pine for Zhenia's involvement, including their complete obliviousness to him as anything more than a salve for their ennui. Much festers in the feature's McMansions. As it contemplates the everyday malaise that dulls wealth's superficial glow, as well as the vast chasm between gleaming exteriors and empty insides, much haunts Never Gonna Snow Again, in fact. Thematically, it wades into familiar territory — at a time when Succession and The White Lotus are the best shows on TV, and Parasite won the Best Picture Oscar just a year ago, it's probably easier to name movies and TV shows that don't shred the rich to pieces — but it stands out like a pink-hued home in an estate plastered with white and grey. Plenty dazzles in Never Gonna Snow Again, too, including Szumowska and Englert's confident handling, which knits together magical realism and razor-sharp observations about class — and about modern life's rubbish in general as well — with canny precision. Indeed, the movie could've easily crumbled in other hands, and likely will if anyone ever erroneously decides it needs an English-language remake. Perhaps the filmmaking duo's smartest decision is also their most visible, however, because Utgoff's performance is just that magnetic. He's the presence that all those well-to-do clients warm to, lean on and rely upon, and the source of comfort so reliable and cosy that they aren't ever challenged to shatter their bubbles to think about him as a person rather than a set of helping hands — but he has Never Gonna Snow Again's audience constantly pondering and questioning. CLIFFORD THE BIG RED DOG Nostalgia might be one of pop culture's most-called-upon forces — see also: Ghostbusters: Afterlife — but it can't turn every childhood favourite that reaches cinemas into a winner. Leaping from the pages of Norman Bridwell's illustrated books, the new live-action Clifford the Big Red Dog film is a huge generic slog, shoehorning its oversized, crimson-hued hound into a jumble of routine scenarios that are about as rare as wayward dog faeces in a public park. The giant scarlet woofer gallops into a by-the-numbers, family-friendly action-adventure flick that's a missive against judging things by their appearances, a cautionary tale about bullying and a takedown of nefarious corporate interests. Ron's Gone Wrong barked up all the same trees recently and, while it was hardly an instant classic, it runs circles around this. The point of Clifford the Big Red Dog, no matter what the narrative spins, is right there in the title: it's a story about an abnormally large, unusually ruby-coloured canine, and that's what people want to see. Despite 80 books to the character's name, it's a one-note idea that screenwriters Blaise Hemingway (Vampires vs the Bronx), Jay Scherick and David Ronn (Baywatch) — working with a screen story by Justin Malen (Yes Day) and Ellen Rapoport (Desperados) — unsurprisingly set about fleshing out, but also often sideline their eponymous mutt in the process. Clifford's hijinks couldn't sustain an entire feature, but he's really just a big red sidekick for the bulk of the film. He's an enormous cherry-toned sign for accepting things that are different, too, a well-intentioned message that couldn't be more glaring given that a big red dog yaps the very concept. Clifford isn't originally a giant pet when Emily Elizabeth Howard (Darby Camp, Dreamland) first makes his acquaintance in a Central Park animal-rescue tent run by the mysterious Bridwell (John Cleese, The Very Excellent Mr Dundee). He's definitely the same shade as a tomato, though, and his bond with Emily is instant — even if her mess of an uncle, Casey (Jack Whitehall, Jungle Cruise), says she can't take him home. And yet, this little critter still finds his way into his new pal's backpack. The next morning, he's also no longer a tiny pup. Plus, when he starts attracting attention around New York, he's targeted by a tech billionaire (Tony Hale, Being the Ricardos) who wants him for scientific purposes — but the already-teased Emily, who is taunted at her private school for being there on a scholarship, won't let anyone either take or victimise Clifford for standing out. The look and mood in Clifford the Big Red Dog is sunny with a side of saccharine, and it has John Debney's (Home Sweet Home Alone) relentlessly cheery score to match. With the movie's namesake blazing away in every frame he's in — not due to his hue or size, but via the terrible CGI bringing him to digital life — director Walt Becker (Alvin and the Chipmunks: The Road Chip) was never going to helm a subtle film, but everything here is exactly as nuanced as a towering vermillion puppy. The result isn't quite as doggone awful as pooch-driven buddy cop flick Show Dogs, although that's an extremely low bar. It's never as goofy as it should be, however, and it really should sport all the goofiness it can dig up (smatterings of toilet humour don't count). Clifford the Big Red Dog can also only wish it was as visually creative and emotionally endearing as the recent page-to-screen all-ages movie standard: the Paddington films, which keep being pushed into a menagerie of their own by every pale imitation. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on September 2, September 9, September 16, September 23 and September 30; October 7, October 14, October 21 and October 28; November 4, November 11, November 18 and November 25; and December 2, December 9, December 16 and December 26. You can also read our full reviews of a heap of recent movies, such as Shang-Chi and the Legend of the Ten Rings, Summer of Soul (...Or, When the Revolution Could Not Be Televised), Streamline, Coming Home in the Dark, Pig, Big Deal, The Killing of Two Lovers, Nitram, Riders of Justice, The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth and The Worst Person in the World.
Hamilton may have wrapped up its debut Australian season after stints in Sydney, Melbourne and Brisbane — including a trip by Lin-Manuel Miranda himself to the latter — and its New Zealand run as well, but musical-theatre fans can stream the smash-hit show's Broadway production whenever they like. Even better: you can now croon the stage sensation's tunes with Miranda, Daveed Diggs (Snowpiercer) and the OG cast, in a way, thanks to Disney+'s just-arrived sing-along version. This is your chance to make your very own home the room where it happens, and to take a shot at the Miranda-penned lyrics that every Hamilton fan has stuck in their head on repeat. Whether you're keen to give 'The Room Where It Happens', 'My Shot', 'Burn', 'History Has Its Eyes on You' or 'Helpless' a spin, you can, all while watching the acclaimed performance. In the words of another of the show's big tunes, we expect that you'll be back, too, singing along to Hamilton more than once. Since premiering on Broadway in 2015, winning 11 Tony Awards and nabbing the Pulitzer Prize for Drama, Miranda's musical has become a pop culture phenomenon. As a result, it was always going to make the leap to the screen in some shape or form, which it did in 2020 — albeit via a filmed version of the stage production rather than a traditional theatre-to-film adaptation. Now, three years later, that recording comes with lyrics, ready for everyone that's young, scrappy and hungry to give it a go. Indeed, the vibrant, whip-smart and immediately dazzling tale of American Founding Father Alexander Hamilton first hit Disney+ on Friday, July 3, 2020 — and now the sing-along version has followed at around the same time, dropping back on Friday, June 30, 2023. If you haven't been lucky enough to catch the popular all-singing, all-dancing production onstage, this "live capture" version is the next best thing. Shot at the Richard Rodgers Theatre on Broadway in 2016, the recording features the show's original Broadway performers, including Miranda (His Dark Materials) in the eponymous role. Also seen on-screen: Daveed Diggs (The Little Mermaid) as Marquis de Lafayette and Thomas Jefferson, Leslie Odom Jr (Glass Onion: A Knives Out Mystery) as Aaron Burr, Christopher Jackson (And Just Like That...) as George Washington, Jonathan Groff (Knock at the Cabin) as King George III, Anthony Ramos (Transformers: Rise of the Beasts) as John Laurens and Philip Hamilton, Renee Elise Goldsberry (Girls5eva) as Angelica Schuyler and Phillipa Soo (Shining Girls) as Eliza Hamilton. The story, for those who aren't intimately acquainted with US revolutionary history, chronicles the Caribbean-born "bastard, orphan, son of a whore and a Scotsman" from his arrival in New York in the early 1770s. As the musical's informative opening number explains, Alexander Hamilton will go on to become "the ten-dollar Founding Father without a father", with the production charting how he "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". It's a tale that, unlike those of US Presidents Washington and Jefferson, you mightn't have heard before — which is one of the themes that the musical addresses. Just who is charged with recalling and immortalising the past, and who is remembered in the process, is a significant factor in shaping a nation's vision of itself. Check out a trailer for Disney+'s Hamilton sing-along below: Hamilton Sing-Along is available to stream via Disney+. Images: Hamilton filmed version courtesy of Disney+.
Selling records, winning Grammys, putting on huge tours, making concert films, sparking free public transport: Taylor Swift can do it all. In excellent news for Swifties heading to the first two shows on the singer's Australian leg of her Eras tour at the Melbourne Cricket Ground, getting there by tram just got cheaper, with the Victorian Government temporarily including the venue in the city's free tram zone. Swift plays the MCG from Friday, February 16–Sunday, February 18, in gigs that might become her largest ever, with 86,000 people expected to attend each night. That's a whole lot of people heading to the stadium — and not just locals, given that the pop superstar is only doing shows in Melbourne and Sydney when she visits Down Under. So, making using public transport easier is a no brainer. [caption id="attachment_939191" align="alignnone" width="1920"] Paolo Villanueva via Wikimedia Commons.[/caption] Across the three days, the Victorian Government has announced that the free tram zone extend to the MCG via routes 48,70 and 75. Obviously, expect them all to be busy as they travel to the Melbourne Park precinct along Flinders and Collins Streets. To cater to demand, approximately 150 extra services are running over the three nights, too. And, regional lines as well V/Line train services have added as extra capacity also, including on the Geelong, Ballarat, Bendigo, Traralgon and Seymour lines. [caption id="attachment_939194" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons.[/caption] "We've added hundreds of extra train and free tram services across the three days to get Swifties to the shows as easily and safely as possible," said Victorian Minister for Active and Public Transport Gabrielle Williams, announcing the public transport changes. "Taylor Swift's biggest ever Australian shows will have the same impact on the transport network as three AFL grand finals back to back — that's why we're encouraging everyone attending to plan ahead and take public transport to get to the 'G." This is the state that declared the 'Fearless', 'Enchanted', We Are Never Getting Back Together' and 'Blank Space' talent's shows a major event under its Major Events Act 2009 act, to ensure that Swift fans don't get ripped off by ticket scalpers. And, it's the home of Australia's only official offsite merchandise pop-up before Swift's gigs. Is Victoria aiming for "The Swiftie State" to be its new nickname? This is Swift's first tour Down Under since 2018, when she brought her Reputation shows to not only Melbourne and Sydney, but Brisbane and Perth, too. On the Eras tour, she's following up her three nights in Victoria with four in New South Wales. Melbourne's free tram zone will be extended to the Melbourne Cricket Ground from Friday, February 16–Sunday, February 18, 2024. For more information, head to the Public Transport Victoria website. Taylor Swift is bringing The Eras Tour to the MCG from Friday, February 16–Sunday, February 18, 2024. Head to the tour website for further details. Top image: Paolo Villanueva via Wikimedia Commons.
Australia's east coast is cooling down. Winter has arrived. But Western Australia is just sitting over there, still bathed in sunlight (especially the north). Its coastal waters remain warm, the rolling vineyards are pumping out great vinos and the vast national parks and deserts are ripe for exploring. Now is the time to travel to WA. And we have joined forces with an assortment of local tour operators in Broome, Perth, Ningaloo Reef, the Kimberley and Rottnest Island to help you get the most out of your trip out west. Check out these ten exclusive deals that can only be booked through Concrete Playground Trips. MARGARET RIVER GLAMPING ESCAPE This four-day wellness escape kicks off in Perth, where you get picked up by your guide and driven up to the Margaret River glamping site, stopping off for a swim, morning tea, beachside picnic and chocolate tasting along the way. The rest of your holiday consists of hikes led by holistic healers, meditation workshops, yoga classes and a cheeky wine tour. All your meals are also included. Throughout all of this, you'll stay in Fair Harvest Permaculture Farm's comfy glamping tents and mingle with fellow wellness enthusiasts. If you are in great need of a total mind and body refresh, seriously consider this unique Western Australian glamping holiday deal. BOOK IT NOW. [caption id="attachment_893739" align="alignnone" width="1920"] Tourism Western Australia[/caption] THE ULTIMATE PERTH AND ROTTNEST ISLAND GETAWAY To get the most out of a trip to the southern end of Western Australia, we curated this special getaway with the region's top tour operators. First off, we'll put you up in the Duxton Hotel Perth for three nights (where you'll find a complimentary bottle of vino on arrival), located right in the centre of the city. We've then organised a full day of adventuring around Rottnest Island and Perth. You'll go on a Swan River cruise, get return ferry ride tickets to the island and have the option to hire a bike to explore the area at your own pace. We've even added a HALO Rooftop Climbing Tour and zipline experience across Swan River for a little adrenaline rush. BOOK IT NOW. A KICK-ASS KIMBERLEY ADVENTURE This ten-day tour takes you through Australia's Top End. You'll cover a vast distance, travelling from Darwin to Broome, without simply living in a car. So much time is dedicated to swimming within clifftop watering holes, hiking around scenic trails and relaxing at glam accommodation — all the while learning about the millennia-strong First Nations culture that guides any tour through the region. If you've ever wanted to visit this part of Western Australia and the Northern Territory, then check out the full itinerary and nab your spot via the link below. BOOK IT NOW. [caption id="attachment_887073" align="alignnone" width="1920"] Ben Careless (Unsplash)[/caption] WEST COAST AND NINGALOO REEF TOUR Road-tripping along Western Australia's long coastline is a bucket list travel experience for so many people. We all want to visit the Pink Lake, snorkel around wild turtles and colourful coral in Ningaloo Reef and feed dolphins in Monkey Mia. Some of Australia's best bits are on show up here. And this six-day tour takes you to a bunch of them. Stay in motels, resorts, cabins and lodges to experience some proper rural Australian culture and be taken to all the above Western Australia travel destinations as well as The Pinnacles and Kalbarri National Park. It's the ultimate coral coaster. BOOK IT NOW. [caption id="attachment_895290" align="alignnone" width="1920"] Tourism Western Australia[/caption] EXPERIENCE THE BEST OF BROOME This trip around Broome will have you staying at the four-star resort Seashells in a one-bedroom apartment for three nights. You can easily spend an entire day dipping in and out of the luxe pool, but you really should check out the local sites in your own time. Moreover, for one of your days in Broome, you'll join a Horizontal Falls adventure, which includes a return seaplane flight, a fast boat ride through the falls, a swim and snorkel afternoon and a scenic cruise around the area. We've sorted it all for you — even the return transfers from the airport — making your Broome holiday totally stress-free. BOOK IT NOW. [caption id="attachment_890742" align="alignnone" width="1920"] Cape Mentelle Winery by Russell Ord[/caption] MARGARET RIVER BEACHSIDE ESCAPE This is a four-day food- and wine-filled holiday in the lush Margaret River region. Spend your mornings and evenings at Margarets Beach Resort in a studio apartment overlooking the crashing waves of Gas Bay. Then go exploring the region at your own pace. To make that easier, we've also thrown in a five-day car hire. You'll get a suggested itinerary as well as a special one-hour Passel Estate Experience. This includes a special wine tasting that's paired with a series of locally produced craft foods — think chocolates and cheeses. This is great for those who want some things organised ahead of time, but still like the freedom to do their own thing when holidaying. BOOK IT NOW. ESPERANCE WELLNESS AND YOGA RETREAT It's hitting that time of the year when many of us start feeling burnout creeping up. That's when we really need to go on a three-night wellness retreat. For this one, you'll spend a few days at Esperance Island View Apartments enjoying small-group yoga sessions and wellness experiences with sea views. The rest of your time will be spent leisurely exploring this gorgeous part of WA — or simply reading a book on a nearby beach. Throughout this Esperance holiday, all your meals will be included as well as transfers from Perth and extra activities. We've curated this trip so you can just fly in and immediately relax. BOOK IT NOW. [caption id="attachment_891479" align="alignnone" width="1920"] Tobias Keller (Unsplash)[/caption] THE PERTH TO MONKEY MIA EXPLORER This Western Australia tour between Perth and Monkey Mia may be short (in distance), but it's big on natural attractions — the kind you expect to see on postcards (or all over Insta). See the limestone pillars of The Pinnacles, the oh-so-blue waters of UNESCO World Heritage-listed Shark Bay, the wild dolphins of Monkey Mia and the ancient gorges of Kalbarri National Park all within five days. That gives you plenty of time to also relax at your premium accommodation, spend days swimming at pristine beaches and discover small rural towns full of charm. BOOK IT NOW. [caption id="attachment_895302" align="alignnone" width="1920"] Tourism Western Australia[/caption] SWIM WITH WHALE SHARKS ON THIS NINGALOO REEF ADVENTURE Swimming with whale sharks at Ningaloo Reef should be at the top of every bucket list when visiting Western Australia's Coral Coast. Exmouth is the gateway to the world's largest fringing reef — the Ningaloo — and that's exactly where you're headed on this exclusive three-day adventure. You'll enjoy a full day diving head-first into this pristine aquatic wonderland, which is home to dolphins, manta rays, turtles, Humpback whales and, of course, the much-loved whale sharks. Spend the rest of your days at your own leisure, but we highly recommend hitting up the iconic Cape Range National Park, home to native wildlife and epic walking trails. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Scenic Eclipse II
During the catastrophic bushfire season over the summer of 2019–20, flames encroached on Bundanon and Riversdale, the 1100-hectare properties that were gifted to the Australian public by by artist Arthur Boyd and his wife Yvonne Boyd back in 1993. Located in the Shoalhaven region on the New South Wales south coast, the heritage-listed sites were thankfully saved, as was the art collection within them — and now they're all part of Australia's sprawling new bushland gallery. The Bundanon Art Museum was first announced back in 2018, with construction starting in early 2020. Come Saturday, January 29, it'll finally opening its doors to the public. The purpose-built, 500-square-metre structure will showcase contemporary and First Nations art year-round, starting with opening exhibition From impulse to action, which is all about the creative energy of experimentation. And yes, works by Boyd are part of the program. The venue will host three seasons each year, drawing from its $46.5 million onsite collection of around 4000 items, plus new commissions. When they're not on display, the museum's pieces are housed in a safe storage facility, which is part of its 'environmentally prepared gallery-of-the-future' design by Kerstin Thompson Architects, and takes all of the challenges posed by its location and the changing climate into consideration. Also a highlight: The Bridge, the 160-metre-long by nine-metres-wide structure that doubles as a learning centre, and spans over the existing gully on the property's sloping hillside. As well as teaching and break-out spaces, it features accommodation for up to 64 guests, plus cafe and dining facilities. And views, too, taking in the Shoalhaven River — because seeing the scenery is as much an aim here as checking out art. That eatery, Ramox Cafe, will serve up seasonal menus that hero paddock-to-plate ingredients and source produce from the Shoalhaven region. Drinks-wise, expect sips from local wineries and breweries, continuing the local mindset. Built near the site's existing nineteenth century buildings, the new art museum and bridge also share a public plaza as part of the $34 million project. Windows that frame the artwork with glimpses of the natural splendour outside are also a big feature — and, as well as responding to its surroundings, including by making The Bridge a piece of flood infrastructure that'll still allow water to flow naturally across the property, it's all solar-powered. As for that hefty art collection, if spans around more than 1300 works by Arthur Boyd himself, as well as pieces by Pablo Picasso, Francisco Goya and Brett Whiteley. When the Boyds gave the rural site to the Australian public back more than a quarter-century ago, Bundanon and Riversdale became a haven for creativity, arts and education, and remained a working farm. That's all staying the same now that Bundanon Art Museum is opening — just with the new addition built into the hillside. Bundanon Art Museum opens on Saturday, January 29 at 170 Riversdale Road, Illaroo, New South Wales. For further information, visit the venue's website. Images: Zan Wimberley.
If you've seen Netflix's Lady Dynamite, you'd remember it. One of several comedies on the streaming platform that tackles mental health in a smart and thoughtful way, it's a Maria Bamford vehicle. The comedian didn't create it — South Park alumni Pam Brady and Arrested Development's Mitch Hurwitz are responsible — but she plays a version of herself in the two-season effort that was cancelled before its time. Plenty of sitcoms feature their lead performers riffing on their own personas, but if you're thinking of Seinfeld, Curb Your Enthusiasm or the like, you're not on the right track. In Lady Dynamite, Maria has just spent six months in treatment for bipolar disorder, and no one around her quite knows how to handle her return as she tries to reignite her career — and even that description still doesn't capture how the show swings big, dives deep, and knows how to be both delightfully offbeat and perceptively candid at the same time. [caption id="attachment_766237" align="alignnone" width="1920"] Doug Hyun/Netflix[/caption] Bamford is no stranger to tackling mental health in her work, including releasing book Sure, I'll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere! in September 2023. As the name makes plain, it steps through her experiences. It also hit The New York Times bestseller list. Next, Bamford will take to the stage in Australia, in her first trip this way in more than five years, on a six-stop stand-up tour in July 2024. Hobart's Odeon Theatre will host Bamford's initial gig on this visit, before she makes her way to Hindley Street Music Hall in Adelaide, then The Tivoli in Brisbane. From there, she's heading down the east coast, playing the Enmore Theatre in Sydney and Melbourne's Palais Theatre. Her last port of call: the Astor Theatre in Perth. Bamford's career dates back decades, bringing her astute and empathetic comedy to stages and screens. You might've seen her specials Weakness Is the Brand, Old Baby, The Special Special Special and Local Act. You could recall her from Arrested Development, Portlandia and Kroll Show. And you've heard her as well in Big Mouth, BoJack Horseman and Bob's Burgers. Maria Bamford Australian Tour July 2024 Dates: Friday, July 5 — Odeon Theatre, Hobart Tuesday, July 9 — Hindley Street Music Hall, Adelaide Wednesday, July 10 — The Tivoli, Brisbane Friday, July 12 — Enmore Theatre, Sydney Saturday, July 13 —Palais Theatre, Melbourne Tuesday, July 16 — Astor Theatre, Perth Maria Bamford is touring Australia in July 2024 — head to the tour website for further details and tickets, with presales from 9am local time on Wednesday, February 7, and general sales from 9am local time 9am on Friday, February 9.
Captain Sustainability and brains behind Silo Joost Bakker has relaunched his cafe as a soup kitchen. Of course, it's no ordinary cooking-with-groceries soup kitchen; the stocks for the soups are made from bones that go unused by high-end eateries such as Rockpool, Attica and the European. It's called Brothl, the kind of pun that might have been best made and forgotten but is now the legitimate name of a place we'll be spending plenty of time in. Bakker, originally a florist and a designer, had been doing the flowers at Rockpool for years when he finally asked Neil Perry if he could take the discarded bones for soup stock. Perry did not hesitate to give them away. The result is four nutritious broths packed full of flavor: A Cape Grim beef stock simmered for 48 hours, a 24-hour chicken stock, 12-hour seafood stock made from marron and crab, and a vegetarian stock made using kelp foraged from the Bellarine Peninsula. On top of that, all of the broths are made with rainwater from Monbulk. If that’s not some thrifty practice, we’re not sure what is. For those who are both sustainability- and health-conscious, the menu includes details of which nutrients, vitamins and minerals each broth will bring you. Getting involved with this Brothl is going to be good for you in more ways than one, it seems. It will cost you a tenner for a hearty bowl of broth, and once you’ve got the base down you can add extras, such as sea bounty muscles, poached chicken, house-made soba or spelt noodles and seasonal vegetables. They even have chicken feet if you’re craving it. If you want to know more on this no-waste venture, just make sure you type Brothl exactly like that into your Google search; it will save you from seeing all the things you can’t unsee.
Step aside negronis and espresso martinis, the whisky highball is fast becoming the go-to drink for anyone who wants their cocktail crisp, refreshing and full of character. And we've got Japan (and Suntory) to thank for it. With over 125 years of drinks innovation, Suntory has shaped Japan's drinking culture in a way few others have. From founding the country's first whisky distillery to refining the art of balance and precision in every pour, the brand has always been about setting the benchmark. One of its greatest hits? Toki Whisky. A modern 100% authentic Japanese blend that's easily mixed (especially in a whisky highball). The Origins of the Highball While the whisky highball first bubbled up in the UK as a way to lighten strong spirits, Japan made it a staple. Back in 1923, Shinjiro Torii founded the Yamazaki Distillery with a dream to create a truly Japanese whisky. It was a bold move that kicked off a whisky revolution and eventually led to the rise of the Japanese-style highball. Suntory's Kakubin whisky (meaning 'square bottle') debuted in 1937 and quickly became a staple in izakayas across the country, thanks in large part to its starring role in the highball. In the 1950s, Suntory opened a chain of bars in major cities called 'Torys Bars', which specialised in highballs. Workers would clock off, crowd in and knock back highballs with grilled skewers and salty snacks. Light, dry and approachable, the highball offered a clean canvas that brought out the subtle complexity of Japanese whisky. Toki Whisky, Suntory's smooth, well-balanced and incredibly drinkable take on a traditional blend, is tailor-made for highballs. Meaning 'time' in Japanese, Toki is a mix of malt and grain whiskies from Yamazaki, Hakushu and Chita distilleries by Fifth Generation Chief Blender, Shinji Fukuyo. With notes of green apple, basil and honey, it's light enough for daytime sipping and complex enough to hold its own with food. So, What Exactly is a Highball? A classic highball keeps things clean and simple. Japanese whisky, cold soda water, ice and a peel of citrus to garnish. But don't be fooled by the short ingredient list, the highball is all about precision. With one part whisky to three parts soda, it's meant to highlight the whisky, not drown it. The bubbles should be fine, the citrus subtle, and the ice big enough not to melt too fast. It's basically the minimalist's dream drink. The Signature Toki Highball 45ml Suntory Toki Blended Japanese Whisky 3 parts premium soda water Grapefruit slice or lemon peel Method: To make a classic Toki Highball, start by chilling a glass with ice. Pour in one part chilled whisky, give it a quick stir, then top with chilled soda water. Stir once (gently, from the bottom up) to keep the bubbles intact and garnish with a twist of grapefruit or lemon peel. Or, you can skip the ice altogether and let the whisky's flavour come through. A Drink That Plays Well With Others The real beauty of the highball? It's customisable. You can swap lemon for yuzu or grapefruit, add a touch of ginger, or even infuse your soda with herbs. Take it a step further by pairing it with food. The highball's crisp profile makes it a natural match for salty, fried or umami-rich dishes, like karaage chicken, grilled yakitori or even a cheeky bowl of hot chips. Where To Try a Suntory Toki Whisky Highball In April and May, venues across Sydney and Melbourne are rolling out limited-edition menus where you can sip a perfectly poured Suntory Toki Whisky Highball with an expertly paired snack. Sydney locations: Bancho, Ito, Tokyo Bird, Ora, Moku, Ennui, Genzo, Tanuki, Prefecture 48: Ibushi and Whisky Thief. Melbourne locations: Waxflower, Lucy Liu, Yakimono, Bar Bellamy, Izakaya by Tamura, Kura, Tokyo Tina, Gogyo or Bincho Boss. Every venue is giving the highball their own spin, so you can taste a few versions and pick your favourite. Visit your local venue this April and May to experience a Suntory Toki Whisky Highball and snack pairing. More details at the Suntory Time hub, Sydney here and Melbourne here.
Life keeps finding a way to bring new movies in the Jurassic franchise to cinemas — and its characters keep finding a way to come face to face with prehistoric creatures. Three years after Jurassic World Dominion, the saga's latest instalment will stomp into picture palaces come winter Down Under. Welcome to ... Jurassic World Rebirth. Also, welcome to a cast featuring Scarlett Johansson (Fly Me to the Moon), Jonathan Bailey (Wicked) and Mahershala Ali (Leave the World Behind) embarking upon a clandestine mission to a secret island that was home to the research facility for Jurassic Park's original dino sanctuary. The date for your diary to discover how that turns out (which, for the human characters involved, will be badly): Thursday, July 3, 2025. The idea at the heart of the series' seventh entry, as the just-dropped first trailer for the flick shows: on the landmass at the centre of the new movie, different species of dinosaurs to those that the films have featured before roam — species that were considered too dangerous for the park. Johannson plays covert operations expert Zora Bennett, who heads there with Bailey's palaeontologist Dr Henry Loomis and Ali as her righthand man Duncan Kincaid — and company — to obtain genetic material that could help develop drugs to save human lives. Accordingly, Rebirth turns a Jurassic World movie into a heist film — with pesky rampaging ancient beasts. As well Johansson, Bailey, and Moonlight and Green Book Oscar-winner Ali, the movie's lineup of on-screen talent also spans Rupert Friend (Companion) as a pharmaceutical executive; Manuel Garcia-Rulfo (The Lincoln Lawyer) as a civilian who gets dragged into the mission after becoming shipwrecked; Luna Blaise (Manifest), David Iacono (The Summer I Turned Pretty) and Audrina Miranda (Lopez vs Lopez) as the latter's family members; and Philippine Velge (The Serpent Queen), Bechir Sylvain (Black Mafia Family) and Ed Skrein (Rebel Moon) among Zora and Krebs' crew. In the feature's storyline, five years have passed since the events of Jurassic World Dominion — which, for audiences, followed 2015's Jurassic World and 2018's Jurassic World: Fallen Kingdom in the Jurassic World saga, plus 1993's Jurassic Park, 1997's The Lost World: Jurassic Park and 2001's Jurassic Park III in the OG Jurassic Park trilogy. Jurassic World Rebirth director Gareth Evans (The Creator) is new to the franchise, but knows a thing or two about flicks about fighting giant creatures courtesy of 2010's Monsters and 2014's Godzilla. Rebirth does have a key link back to the debut Jurassic Park movie, however, with screenwriter David Koepp returning after co-penning the initial film and scripting the second solo. (Koepp also returns to grappling with dinosaurs after a three-movie run writing screenplays for Steven Soderbergh with Kimi, Presence and Black Bag.) Check out the first trailer for Jurassic World Rebirth below: Jurassic World Rebirth releases in cinemas Down Under on Thursday, July 3, 2025.
Like all true-crime series, an air of inevitability hovers over The Clearing. With an eerie Australian sect at its centre, plus a rare female cult leader, a brood of blonde-haired children and a penchant for LSD, this story was always going to get the drama treatment eventually. Based on The Family, the notorious real-life group that formed in the 60s and operated out of regional Victoria, the eight-part Disney+ series arrives after Rosie Jones' 2016 documentary that shares the group's name and 2019 series The Cult of the Family. That said, The Clearing actually takes its basis from fiction, although there's no doubting where JP Pomare's novel In the Clearing found its inspiration. While history's sinister and sordid chapters frequently reach screens, including Australia's own long-running Underbelly franchise, The Clearing isn't the type of project that arrives every day. Playing The Kindred guru Adrienne Beaufort and one of her chief acolytes Aunty Tamsin, Aussie actors Miranda Otto and Kate Mulvany knew that from the moment that they received the show's scripts — but playing such complex roles was both intriguing and complicated. Constantly seeking new challenges as thespians, both have built up formidable resumes — Otto's spans everything from 90s standouts Love Serenade and The Well, The Lord of the Rings films, Steven Spielberg's War of the Worlds, and small-screen efforts Rake, Homeland and Chilling Adventures of Sabrina; Mulvany's includes The Great Gatsby, Secret City, Lambs of God, Elvis, The Twelve and Hunters — and they're both excellent in The Clearing. Still, for each, approaching the material required actively avoiding taking their cues from reality. Despite a fascination with cults, Otto steered clear of The Family's story. "I really couldn't get into any of that for myself. I couldn't even really go into the book, because there's so many layers in this script and so much that I had to do, that I couldn't really confuse myself with anything that might be different in a book," she tells Concrete Playground. "Sometimes on other projects, I will read the book as it's great source material. But when you start getting into 'did this happen?' or 'did that not happen?', I just thought that I'm just going to get so confused if I do that." Mulvany had the same reaction. "So much my character's journey is jigsawing along with [Otto's] journey, and so it was really, really important that we didn't have too much noise around our performances," she explains. "And that we really did go pretty much purely from the script, and our own knowledge of what a cult was, or what it is. I didn't even get a chance to read the book, so I had to really mould Aunty Tamsin on what I was given by the writers and the script." Joining the pair in The Clearing is a spectacular cast of fellow homegrown talents — Teresa Palmer (Ride Like a Girl), Guy Pearce (Mare of Easttown), Julia Savage (Blaze), Claudia Karvan (Bump), Mark Coles-Smith (Mystery Road: Origin), Hazem Shammas (The Twelve) and more — in a series that is unsurprisingly haunting and riveting from its first moments. With The Clearing streaming on Disney+ from Wednesday, May 24, we chatted to Otto and Mulvany about their initial responses to the show, researching cults, playing emotional vampires and seeking out female-led stories. ON THEIR FIRST RESPONSES TO THE CLEARING Miranda: "It was sent to my agent. I was told that it was about a female cult leader, which intrigued me automatically, because I'm very fascinated by cults and everything that goes with them. Then I received the scripts, and it was one of those nice things with a limited series where you get all the scripts together, and you're able to see the whole story unfold and the whole layered nature of it. Then I was just totally hooked. I love thrillers and puzzles." Kate: "I was a bit the same. I received the e-mail from the agent saying this has been offered to you, this Aunty Tamsin — and, of course, I read the first couple of scripts and went 'why am I the logical choice for this character?'. But then, as I read, there were a lot more pathways to her and from her that were really fascinating. It was a really great jigsaw to put together as an actor and as a character, so I was hooked from the start." ON PREPARING TO PLAY A CULT LEADER AND ONE OF HER ACOLYTES Miranda: "I've done a lot of research on cults generally. I was very fascinated by the Rajneesh Bhagwan cult — my aunty was in it in the 80s. I read Jane Stork's book [Break the Spell] about them, and watched Wild Wild Country, which was an amazing doc. And then I watched a lot of docs about other cults. But the the process for this, I don't know, we just sort of began. It's a funny thing, we had the scripts and we had everyone there and we just started — and it just kind of took on its own life in in some way." Kate: "Yeah. It did." Miranda: "I don't really feel like I sat down and intellectualised it and worked out exactly what I was going to do. I could make a plan, but then I'd have to throw the plan out because it didn't seem to work on the day. So in the end, it was really just working off the other actors and just finding it on-screen." Kate: "So much it was in the script as well, that it was popping off the page. But there was something so extraordinary about — I know my first day working with Miranda was, I think, your first day as Adrienne?" Miranda: "Yeah, that's right. Yes." Kate: "It was sort of a huge moment to have that — the first time we see her, the sun is behind her and she's approaching to to greet the children for the first time, and so that was a pretty good starting point." Miranda: "Yeah." Kate: "And a deep dive straight away, wasn't it?" Miranda: "I have to say, that day I totally started forgetting my lines. I was thrown in the moment — 'oh my gosh, this is such a lot'." Kate: "I don't remember that." Miranda: "You know, to suddenly be there and be in it — it was like 'oh wow'." Kate: "I don't remember that at all. I just remember you being extraordinary." Miranda: "I kept getting the names mixed when I was talking about the kids." ON FINDING WHAT DRIVES ADRIENNE AND TAMSIN Miranda: "That was a hard thing to find, actually. At first, they talk about 'are you driven by money, ego, power?'. And at first, I thought it was very much power — the power over people. But I found it really empty to play. It didn't really help me much. I couldn't get much from it. Then I had this particular scene with someone, and I realised in the moment that it was more about feeling so emotionally vacant or not able to feel things that that I was actually living vicariously in the moment of forcing these dramatic situations with people and seeing them in this emotional state, and then somehow by osmosis feeling that myself. It was like some enforced kind of feeling. I guess I described it as like an emotional vampire in some way — like not having that myself, then needing to force it in other people." Kate: "Yeah, it's pretty weird. But it was so strong. It was so powerful. And it means that the rest of us follow. Because, for Aunty Tamsin, Adrienne is constantly spoon-feeding these teaspoons of sugar — sweetness and delight, in terms of affection, or even a compliment, or even a touch. And then, of course, it's completely taken away. So for Tamsin, the powerlessness that she feels in her real life, she makes up for with her authoritarian rule over the children. It's still a vast emptiness behind that, but she's constantly given fuel by these spoonfuls of sugar that Adrienne feeds her — metaphorically." ON WHAT OTTO AND MULVANY LOOK FOR IN A ROLE Miranda: "For me, usually finding something that I haven't done before. I don't really want to repeat myself or play a similar character, so I'm usually often drawn to something that's quite different from the from the piece I immediately did before it. I work in antithesis to myself." Kate: "Same here, especially when they're female-led stories. There's something so delicious about diving into a world of a very female narrative — and we have so many strong female characters in this show, both as protagonists and antagonists. And that for me is something that I haven't had a chance to do enough of in my career. So that was a big thumbs up for me, that made me just go 'I would kill to play to play this role'." The Clearing streams via Disney+ from Wednesday, May 24. Read our full review.
If you're keen to match a pub meal with a crafty brew or three, South Melbourne's Palace Hotel deserves a firm fixture in your after-work and weekend lunchtime. An impressive craft beer selection and a menu packed with pub classics are this gem's star attractions, and the Sunday roast proves the quintessential winter weekend warm-up. Head in from noon each week, nab a spot by the open fire and tuck into the day's good old-fashioned roast plate, loaded with sides and drizzled with lush house-made gravy. Throw in a few pats for resident pooch Billy and you've got yourself a seriously good winter situation.
You're about to play a game to the death for a huge cash prize. A former contestant pops up to tell you what you're really getting yourself in for. Would you heed his warning? The latest teaser trailer for Squid Game season two depicts this very scenario, as 455 newcomers contend for 45.6 billion won — and season one's competitor 456, aka Lee Jung-jae's (The Acolyte) Seong Gi-hun, attempts to inform them of the true brutality that they're signing up for When you've fought for your life and a ridiculous amount of money while donning a green tracksuit, you're probably not going to shake off the deadly endeavour easily. When you've barely survived a game that's hardly fair, you're also going to want to steer others away, as well as take down those responsible. That's the Squid Game season two situation, too, which Netflix has been teasing with multiple sneak peeks, including the just-dropped official teaser trailer. These games don't stop, even if viewers have had a three-year wait since its award-winning first season. As the show's protagonist gets back into his green tracksuit, and on bunks, his new fellow competitors are wary of his motives. Also part of the current glimpse at the series' new episodes: Lee Byung-hun (The Magnificent Seven) as Gi-hun's nemesis Front Man, plus Wi Ha-joon (Little Women) also back as detective Hwang Jun-ho. Netflix is promising raised stakes this time around, with audiences able to see the results when Squid Game returns on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the show's story. Squid Game was such a huge smash in its first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — and then unveiled a first brief snippet of Squid Game season two in a broader trailer for Netflix's slate for 2024, as it releases every 12 months. For season two, Gong Yoo (Train to Busan) also returns as the man in the suit who got Gi-hun into the game in the first place; however, a show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount. Accordingly, new faces were always going to be essential — which is where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. As a result, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the new teaser trailer for Squid Game season below: Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: No Ju-han/Netflix © 2024.
This post is presented by the All New Toyota Corolla Sedan. There's plenty of fun to be had in this city each week, but there's only a small handful of truly fresh urban adventures to be had. We've partnered with Toyota to bring you a series showcasing the very best of these shiny-new experiences in Melbourne. Presented by the All New Toyota Corolla Sedan, these are our picks to put you on the road to a lifetime of goodtimes. Now your only challenge is getting to them all. This week we recommend you visit Texas, Louisiana and New Orleans without getting on a plane; discover the significance of Cuban baseball; and make friends with a contrarian Hungarian. Eat: Le Bon Ton Le Bon Ton, from the American brothers behind Chignon, is the latest to jump on the southern-style bandwagon. As soon as you step inside you'll be hit with the smell of the meat smoker that lives in the courtyard, supplying luxuriously tender beef, pork and sausages. The meat is smoked as if in Texas, fish is prepared with thoughts of the Louisiana Gulf Coast, and there's an underlying ode to the French-influenced city of New Orleans. There's a sophisticated authenticity here that other venues lack. Also a saloon, cocktail bar and absinthe house — with a 24-hour license, no less — Le Bon Ton is a real all-rounder. 51 Gipps Street, Collingwood Drink: Los Barbudos Think Cuba. Loud, warm, filled with rum and bound to result in good times. This small space boasts a wall of framed pictures which make you feel as though you've stepped into a place rich of history, and the bar is stocked to the brim with great booze. Well-known rum cocktails like the mojito ($10) and the daiquiri ($16) mix in with others like the Nacional ($16) or the Amor y Sabor, a combination of kaffir lime leaf, guava, rum, campari and lime ($16). Baseball is the theme here — staff are decked out in outfits reminiscent of baller uniforms, harking back to baseball's popularity in Cuba and the fact that members of Castro's army were once invited to a Havana Sugar Kings game. These men were called barbudos — the bearded ones. Hence the name of the venue. 95 Smith Street, Collingwood See: Neighbourhood Watch Neighbourhood Watch, the newest production from the Melbourne Theatre Company, is first and foremost a character study. Firstly, there's Catherine (Megan Holloway), a struggling young actress and altogether flimsy stereotype of the troubled millennial. Then Ana (Robyn Nevin), a headstrong Hungarian migrant who lives alone with her ravenous German Shepherd, Bella, after surviving a World War and outliving two husbands. No prizes for guessing who steals the show. Based on a real-life friendship of the playwright, Lally Katz, this endearing story is a masterful creation of unlikely friendship and strong character. Nevin's bittersweet and fierce portrayal of Ana is undeniable — a show unto itself. March 17 - April 26; The Sumner, Southbank Theatre, 140 Southbank Boulevard Do: Meet the Makers When curator Bernadette Alibrando travelled to New York in 2006, she discovered an amazing non-profit organisation, TOAST, that started discussions between emerging artists and the general public. Meet the Makers is a Melbourne version of that same event. From March 27-30, artists from Fitzroy and Collingwood are inviting you into their studios and working spaces to talk about art, free of charge. A simple booking via email gets you a VIP ticket into the heart of spaces like Strange Neighbour, Fehily Contemporary and SLOPES to talk to makers as diverse as iPad artist Rebecca Jones and stencil painter Ha Ha. Discover some new and exciting work straight from the source. March 27 - 30; Various locations around Fitzroy and Collingwood
If you're looking for another reason to be proud of this wide, brown land that we call Australia, have you considered becoming a huge fan of our indie games scene? Like our musicians who grace festival stages overseas, and movies that go gangbusters at foreign box offices, Aussie-made indies regularly take the internet by storm and garner awards around the world. With increased development funding from state and federal governments, the future is looking bright for Australian games. But there are already a bunch of bangers you can download and play today — like the five below. UNPACKING Who would've thought that one of the most arduous personal tasks that you can undertake would turn out to be such great fodder for a game? Developed by Brisbane-based studio Witch Beam, Unpacking puts you in the shoes of a woman as she opens unmarked boxes and distributes her belongings throughout the various spaces that she moves into over the course of her life, starting with her childhood bedroom and carrying through university dorms, sharehouses and more. It's immensely satisfying gameplay, with enough of a puzzle element to add rewarding "aha!" moments throughout. Despite having no dialogue and very little text, Unpacking is rich with a narrative borne through details, from the items that stay with its character over the course of her life to the limitations you encounter when trying to fit yourself into certain living situations. And, without giving too much away, there is a twist at the end of moving into your boyfriend's apartment that will send your emotions skyrocketing. Available on: PC/Mac, Nintendo Switch, Xbox One/S/X, Playstation 4/5, iOS, Android. UNTITLED GOOSE GAME There's no more succinct way to sum up Untitled Goose Game than the opening line of the description written by Melbourne-based developers House House: "it is a lovely morning in the village, and you are a horrible goose". As you might have guessed, this game sees you controlling a feathered menace whose sole purpose is to sow gentle chaos throughout a quintessential small English town. Each area has a checklist of broad objectives — from stealing a farmer's keys to trapping a small boy in a phone booth — and it's up to you to figure out how they can be achieved by honking, flapping, waddling around and generally being a mischievous little shit. With graphics that could've come straight from a children's book and a soundtrack based on Debussy's Preludes that reacts to what you do in the game, it's an experience both refined and hilarious — and, thanks to a multiplayer update, you and a friend can live out your avian scamp dreams together. Available on: PC/Mac, Nintendo Switch, Xbox One/S/X, Playstation 4/5. HOLLOW KNIGHT Metroidvania is a genre with almost four decades of history behind it — the name springs from Metroid and Castlevania, which both debuted in the 80s — so for a modern iteration to be considered a masterpiece, it has to come correct. Hollow Knight, developed by Adelaide's Team Cherry, satisfies that requirement. Set in an underground insect kingdom decimated by a supernatural plague, you play as the Knight, a little sword-wielding bug who must descend into the gloomy ruins to discover what happened, as well as the part you play in what comes next. With tight, frenetic combat, brutal boss battles, compelling exploration, a stirring soundtrack and gorgeous, moody visuals, it's a game that will command your attention for a long time. Sequel Silksong is tantalisingly just over the horizon, so there's never been a better time to start your descent into Hallownest. Available on: PC/Mac, Nintendo Switch, Xbox One/S/X, Playstation 4/5. THE FROG DETECTIVE TRILOGY The intersection of the Venn diagram of 'crime' and 'wholesome' is razor slim, but sitting dead in the centre is the Frog Detective trilogy, developed by Worm Club out of Melbourne. As the name suggests, you're Frog Detective — the second-best detective around, in fact — and, over the course of three cases, you tackle a potential ghost, an invisible wizard and a hat thief, conducting your investigations in first person with the help of your trust magnifying glass and notebook. The blocky, bright polygonal art is both retro and adorable, and your interactions with the various characters that inhabit each game are relentlessly charming. It's not the most taxing game in terms of puzzles — you'll mostly be finding objects and giving them to the right person — but that makes the Frog Detective series the perfect entry-level games to enjoy with kids. Of course, if you're an adult that loves cute and funny experiences, it's perfect for you too. Available on: PC/Mac. THE ARTFUL ESCAPE We've all had dreams of becoming a rock star. In The Artful Escape by Melbourne's Beethoven & Dinosaur, you can live out this fantasy on a cosmic scale. The game sees you controlling Francis Vendetti, the teenage nephew of a deceased folk music legend who is about to make his debut performing his uncle's songs. The only problem: he doesn't want to simply strum, he wants to wail. A chance encounter sends him out into the universe to overcome his doubts and find his true artistic self, the details of which are in your hands. It features a star-studded voice cast (Rocky's Carl Weathers, Wes Anderson favourite Jason Schwartzman, Kingsman's Mark Strong and Game of Thrones' Lena Headey all lend their talents), plus a story that balances heartfelt and hilarious deftly. On the gameplay front, it tends towards simplicity, with basic platforming and Simon Says-esque button prompts forming the bulk of the experience; however, it more than makes up for this with a eye-wateringly psychedelic visual spectacle and a button dedicated to searing guitar solos. Available on: PC, Nintendo Switch, Xbox One/S/X, Playstation 4/5.
As attempts to combat COVID-19 ramp up around the globe — and as bans on mass gatherings, such as Australia's new ban on events with over 500 people, come into effect in more countries — venues and organisations everywhere are temporarily shutting down. New York's Metropolitan Opera is one of them; however it's not letting its fans spend their self-isolating days without their beloved artform, announcing nightly live-streamed opera performances from its collection. From Monday, March 16 US time (Tuesday, March 17, Down Under), the NY institution will stream a different opera each evening. Called Nightly Met Opera Streams, the program will start with high-profile shows such as Bizet's Carmen, Puccini's La Boheme, Verdi's Il Trovatore and La Traviata, Donizetti's La Fille du Régiment and Lucia di Lammermoor, and Tchaikovsky's Eugene Onegin — streaming each for 20 hours from 7.30pm New York time each night. Even better — Nightly Met Opera Streams is free, so you can enjoy world-class opera recorded live (and streamed in HD) without either paying a cent or leaving your couch. https://www.youtube.com/watch?v=afhAqMeeQJk At present, only the first week of shows has been announced. Featuring performances dating between 2007–2018, they star Met Opera talent such as Elīna Garanča, Roberto Alagna, Diana Damrau and Juan Diego Flórez. Nightly Met Opera Streams commence on Tuesday, March 17, Australian and New Zealand time, with a new show live-streamed every day and available for 20 hours afterwards. For further details, visit the Met Opera website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Bengt Nyman via Wikimedia Commons.
Darling Group is best known for opening and acquiring some of Melbourne's top cafes (Higher Ground, Top Paddock, The Terrace, Kettle Black), while recently branching out into the restaurant scene (Token and Stringers). Like many of the larger hospitality groups in Melbourne, the Darling Group continues to expand (even if the industry is struggling right now). Most recently, it opened Cheri — a new all-day eatery located right across from South Melbourne Market — on Wednesday, November 6. Cheri has taken over neighbouring sites Bibelot and Chez Dre, transforming them into one huge 150-seat venue that's open from 7am–5pm every day of the week. Darling Group's Executive Pastry Chef Michael Germanos is making sure Cheri is home to incredible pastries, cakes and bread, made on-site every morning to be exclusively sold here and across all of Darling Group's other venues. Expect an expansive collection of sweet and savoury croissants, classic eclairs, small and large tarts and cakes, sourdough loaves, baguettes, piadinas and focaccia sandwiches. It's giving full bakery energy throughout the morning, while also serving up an all-day dining menu that covers most of your breakfast and lunch bases. Brekkie bites include polenta porridge with confit spiced dates, mandarin, creme fraiche, cinnamon and pistachios; croissant loaf french toast with maple syrup and cultured butter; eggs benedict served on a croissant wheel; and a lamb merguez fry-up with poached eggs, za'atar yogurt, preserved lemon, mint and pita bread. This is a stacked morning menu that reads like those at Melbourne's best breakfast spots. For lunch, you've got ricotta gnocchi with pancetta, broad bean leaf verde, spring peas, stracciatella and green onion oil; chicken cotoletta with sprouting broccoli leaves, asparagus and cafe de Paris sauce; and seven different pizzas made with 72-hour fermented dough. Pair this all with some signature cocktails — you can never go wrong with a cheeky bloody mary — teas, shakes, sodas, and a decadent Cheri hot chocolate made with milk chocolate, whipped cream and crema di pistachio. You can drop by this spot for a quick takeaway pastry and coffee, or choose to sit in the main dining room or 50-person courtyard — when the sun is shining. We have high expectations for Cheri, not only because Darling Group has proven it knows how to cafe, but because this food menu sounds like an absolute banger. Cheri — located at 285-287 Coventry Street, South Melbourne — is open from 7am–5pm daily. For more information, check out the venue's website. Images: Julian Lallo.
It feels like every second week some huge piece of hardware is unveiled to the world by wireless headset-wearing marketing execs with click-through presentations — indeed, Apple launched their new iPhone 7 in September — and today it's Google's turn. After 18 years in the biz, they're releasing their own phone: the Google Pixel. Now, before you Google what a Google Pixel is (and it comes up as the first result, naturally), you should know that this isn't just another Android phone. Unlike Samsung or Sony phones, which use the Google-developed operating system, the Pixel is the first phone that is fully Google — that is, they've designed it from start to finish, so both the hardware and the software is by them. What does this mean? Well it means everything's a a lot smoother and more integrated because Google has been able to develop both technologies to work closely together. Sort of like how Apple build the iPhone and then develop iOS to go with it. But aside from being the ultimate phone to run Gmail on, the Pixel has a heap of features to give the iPhone a run for its money. These include a camera which apparently wins out against all other smartphones, a super advanced Siri-like Google assistant and unlimited storage. But enough with the brand speak. Here's six details about the Google Pixel in dot point form that you can use for prime water cooler convo at work today (if not just to annoy your pro-Apple colleagues). THE CAMERA IS GOOD — LIKE, REALLY GOOD So good, that it's been given a rating of 89 by DxOMark Mobile, a body that tests and ranks smartphone features and camera. By contrast, the Samsung Galaxy S7 Edge scored an 88 and the iPhone 7 an 86. So it's just a little bit better, supposedly. It boast 12 megapixels an f/2.0 aperture and a video stabilisation feature that'll really up the ante on your Snapchats. THEY'VE CREATED AN AUSSIE SIRI-LIKE ASSISTANT Just like how Google Maps recruited a local to help give you directions, Google Assistant (which is already being used with other apps like Google Home) will too be an Aussie. That doesn't just extend to its voice though — it will also recognise words that tend to blow tiny robot brains. Google Assistant will hear your "arvo" and "brekkie" and know exactly how to respond to it — with a list of places that do brekkie in the arvo. Assistant makes use of Google's insane web search algorithm, which makes it extremely intelligent. IT'S GOING TO MAKE VR AN ACCESSIBLE THING Come November, you'll also be able to buy a virtual reality headset to go with your Pixel — the Daydream View. The Daydream is like a way more advanced (and ergonomic) version of Google Cardboard. It works in the same way that you stick your Pixel (so far the only Daydream-compatible device) into the front and navigate using a wireless remote. It's also made of fabric and is a lot comfier that other clunky VR headsets — we tried it, and it was one of the better ones we've worn. It's clear Google think mobile VR can be the next big thing, so it'll be interesting to see what they do with it. THE FINGERPRINT UNLOCK 'BUTTON' IS ON THE BACK Pretty much the only thing that distinguishes the Pixel from the iPhone at a glance (while the Pixel is a bit bigger, it's very much the same shape and width as the iPhone) is its lack of home button at bottom centre. That's because Google has put it on the back. Like the iPhone you can choose to use fingerprint encryption (and/or a pattern) — you just use your pointer finger instead. THERE'S NO LIMITS ON STORAGE Because it's Google, it's kind of a given that this phone will be strongly tied to Google Drive and Google Photos. So the good folks at Google (perhaps to make you feel okay about backing up all your data ever with them) are throwing in unlimited cloud storage with your device — which means, unlike a regular free account, you have no limits on the size of the files you're storing. IT COMES IN TWO SIZES AND COLOURS They're very well-named as well. There's the five-inch and the five-and-a-half-inch (the Pixel and the Pixel XL, respectively) and they come in Quite Black and Very Silver. Self-explanatory. The Google Pixel will be available from today, Thursday, October 20. For more info, visit madeby.google.com/phone.
Here's three things you need to know about the just-released full trailer for Tiger King 2 — and three reasons that'll likely get you watching the Netflix docuseries' second season. Firstly, Joe Exotic once again protests his innocence, which is thoroughly expected. Secondly, a new face pops up to make the same statement, backing it up with "I am an Eastern European bitch, so I cannot be wrong." And thirdly, Jeff Lowe, who took over Exotic's park, claims to now have "more money than god" thanks to the program's first-season success. Obviously, when Tiger King 2 arrives on Wednesday, November 17, it'll put all of those snippets in context. It also promises to take viewers on quite the chaotic ride — again. The first series, Tiger King: Murder, Mayhem and Madness, might now feel like an early-pandemic novelties (it's what we all watched when lockdowns first hit and panic-buying toilet paper became a thing, after all), but it seems that we aren't done with cool cats and kittens just just yet. As a heap of news headlines have tracked since March 2020, this story just keeps getting wilder — so there's plenty more Joe Exotic and Carole Baskin-related details for this follow-up to cover. Indeed, when Tiger King became a huge hit, another season of the docuseries itself was floated almost right away. Then, back in September, the streamer confirmed that Tiger King 2 would surface before this year is over. Expect more details about Exotic's efforts to clear his name, Baskin's ownership of his former zoo, and what Lowe has been up to since the first season hit — and about fellow zoo-owner Tim Stark, ex-Exotic and Lowe associate Allen Glover, and Exotic's former employee James Garretson as well. This season doesn't come with a subtitle this time, but clearly it'll serve up more murder-related details, more mayhem and more madness. Tiger King 2 will also arrive before any of the other projects that've leapt on the Joe Exotic bandwagon over the past two years, endeavouring to capitalise upon the worldwide obsession with him, Baskin and the duo's strange intertwined tale. So, in the near future, you'll also be watching a dramatised series with Kate McKinnon as Baskin that's been shooting in Australia this year — but you'll be watching Netflix's continuation of the story first. Check out the full trailer for Tiger King 2 below: Tiger King 2 start streaming via Netflix on Wednesday, November 17.
It's that time again, Melburnians: time to rug up, rush from the Forum to the Comedy Theatre to Melbourne Central (and back again), and spend 18 days sitting in a cinema. For its 67th year, the Melbourne International Film Festival is back with its usual feast of features, documentaries, shorts, talks, experiments and more — although, given the enormous variety evident in each and every program, there's really no such thing as a 'usual' MIFF. Running from August 2 to 19, the lineup includes 254 feature films, 120 shorts and 19 virtual reality experiences; however, the numbers don't quite do it justice. Amidst the wealth of movies and events on offer, you'll find an all-night Nicolas Cage movie marathon, a screening of Drive with a live soundtrack and an in-conversation session with Arrested Development's Alia Shawkat. And that's just the beginning. Dreamy coming-of-age skateboarding flicks, searing explorations of sexual assault and perhaps the world's most loveable film star — they're all on the bill, plus a heartbreaking tale of a teen and his horse, Mads Mikkelsen getting frosty and an origin story of the Colombian drug trade, too. In fact, they all earned a spot in our must-see picks of the festival. Happy viewing. https://www.youtube.com/watch?v=oe-8HtrXVew ANGELS WEAR WHITE Underneath a giant beachside statue of Marilyn Monroe, the residents of China's Hainan Island etch out a living serving the tourist trade. It's one that teenage maid Mia (Wen Qi) has fought for, and it's the only option that she has — but when she witnesses an incident involving two 12-year-old girls and a middle-aged man, more than her livelihood is placed in jeopardy. Producer-turned-director Vivian Qu (Black Coal, Thin Ice) may helm a poised and perceptive crime drama, but she doesn't hold back in layering Angels Wear White with anger, passion and a distinctively female perspective on corruption, power and sexual assault. Every frame leaves an imprint, both visually and emotionally, while actors Qi and Zhou Meijun (as one of the schoolgirls) play their parts to heart-wrenching perfection. Pro tip: we highly recommending watching Angels Wear White in close proximity to You Were Never Really Here, but prepare to feel absolutely shattered afterwards. https://www.youtube.com/watch?v=iT1izrIxoos SKATE KITCHEN Three years ago, Crystal Moselle's The Wolfpack was the talk of the film festival circuit, courtesy of its true tale of home-schooled teenage boys brought up by cinema and remaking their favourites every chance they got. Skate Kitchen proves a fitting follow-up, this time stepping into a skateboarding sisterhood on the streets of New York — a world Long Island 18-year-old Camille (real-life skater Rachelle Vinberg) yearns to belong to as an escape from her otherwise lonely existence. Drawing upon the talented members of the skate collective that gives the movie its name, Moselle turns her street-set coming-of-age effort into a dreamy portrait of kick flips, kicking around skate parks and carving out a place in a male-dominated realm. The struggle to fit in, find yourself and fight back against gendered expectations has rarely rolled by with such empowering energy, or with such an ethereal air either. And as an added bonus, Skate Kitchen also features the best performance of Jaden Smith's acting career. https://www.youtube.com/watch?v=XgiIfyU1O9M PROTOTYPE Almost seven decades since the first 3D film was screened to an audience, the format isn't going away. Forget the red-and-blue lenses needed to see the three-dimensional images of old, and forget items and arms reaching out of the screen towards viewers — that's not what Blake Williams' Prototype trades in. Rather, depth, experimentation, immersive spectacle and one hell of a head trip drives this stereoscopic effort, which starts with the Galveston hurricane of 1900 and then rides an astonishingly realised wall of water into its aftermath. A disaster becomes a sci-fi dreamscape when a glowing TV-like object starts projecting images, and the rest is best experienced by letting it wash over you. An example of 3D at its most inventive, artistic and adventurous, it's an audio-visual assault of the mesmerising type (but if the format gives you a headache, or you're sensitive to strobe lighting, consider yourself warned). https://www.youtube.com/watch?v=G5FLCjaQtnY LEAN ON PETE When 15-year-old Charley (Charlie Plummer) first meets Lean On Pete, it's friendship at first sight — the kind of unconditional, unspoken bond that can only spring up between a person and their favourite animal. In his third exquisitely tender and affecting effort this decade alone, writer/director Andrew Haigh charts the boy and steed's path as the former graduates from grappling with isolation to coping with tragedy, and the latter disappoints his owner (Steve Buscemi) at the racetrack. As he did in Weekend and 45 Years, Haigh's eye for internalised performances shines through once again, with Plummer rightfully earning awards for his sensitive portrayal. Indeed, the empathy the film shows not only for its protagonist and the titular animal, but for life in the margins in America's midwest, lingers long after Lean on Pete stops rolling. https://www.youtube.com/watch?v=O4lCTHvSCaA STRANGE COLOURS "You're not just bouncing around the country like a tennis ball, are you?" the ailing, cantankerous Max (Daniel P. Jones) asks his estranged daughter Milena (Kate Cheel) when she makes the 18-hour trip to visit him in hospital. She says she's en route to Alice Springs, but there's a mesmerising air about Lightning Ridge — as alluring as the opals Max and the community's other male inhabitants mine in the locale's peaceful bush surroundings, and as inimitable as the unmistakable sound of the Australian vernacular dripping off Max and his buddies' tongues. The same can be said about this debut feature from Australian writer/director Alena Lodkina, which premiered at last year's Venice Film Festival. Shot with striking poetic naturalism worthy of its title, Strange Colours is as much about the mood of its characters and of the distinctive Australian landscape as it is about its slight but rewarding and revealing narrative. https://www.youtube.com/watch?time_continue=1&v=YNtkUqss8BM BISBEE '17 After combining fact with fiction in Kate Plays Christine, filmmaker Robert Greene tells another true tale in an untraditional way. It's another account of darkness, dating back to 1917 when the townsfolk of Bisbee, Arizona held guns at nearly 2000 striking workers, rounded up the mostly Mexican and European group, and forcing them out into the desert. Interrogating the obvious horrors of the incident, as well as recognising its parallels with some of the behaviour and rhetoric present in American society today, Greene works with Bisbee locals to restage the event. The results are as powerful to watch as they clearly are for those taking part, in a multi-layered documentary that uses everything it can to excavate the past — music, re-enactment and a probing approach included. https://www.youtube.com/watch?v=QgE8e6QBtt0 BIRDS OF PASSAGE Forget Narcos, Sicario and every other vision of the South American drug trade — with Birds of Passage, Colombian-born filmmakers Ciro Guerra and Cristina Gallego explore the origins of the country's illicit industry. If they bring even half the detail and artistry to this as they did to Embrace of the Serpent (which the former directed and the latter produced), then audiences are in for a stunning tumble into territory that might sound familiar on paper, but is certain to prove otherwise on-screen. Narrative-wise, the film tells the tale the Wayúu family. It's the 1970s, marijuana is a booming business, but their traditional ways start to crumble in the face of their pot-plying success. Guerra's work is usually something to experience, rather than a movie to merely see, and his latest promises just that once again. https://www.youtube.com/watch?v=CNUP3HkUe-Y&feature=youtu.be&rel=0&autoplay=1 FIRST REFORMED Ethan Hawke is all over this year's MIFF. No, we're not complaining. He stars in Nick Hornby adaptation Juliet, Naked. He directed music biopic Blaze. And he's also at the centre of First Reformed, in what's being called the best performance of his career — or one of them, at least. In the latest film by writer/director Paul Schrader (screenwriter of Taxi Driver and director of Light Sleeper, among others), Hawke plays a pastor asked to help a parishioner, only to become haunted by his own past. Crises of faith might be a surprisingly common topic on-screen, but this contemplation of spirituality's many soul-shattering complexities has been earning rave reviews on the festival circuit for almost a year now. https://www.youtube.com/watch?v=LskNXn2LQoU ARCTIC The survivalist film genre gets another entry with none other than Mads Mikkelsen leading the charge. As Overgård, the Danish star crashes his own plane, watches the helicopter sent to save him also plummet to the ground, and is then tasked with not only trudging his way out of the ice to save his own life, but taking a wounded woman with him. It's the first film by Joe Penna, the man behind YouTube channel MysteryGuitarMan, and Arctic comes complete with Mikkelsen at his finest, a gripping mood of tension and a jaw-dropping frosty setting. And if there's one thing that all of these survivalist movies keep proving, it's that there's a reason the powers-that-be keep bringing compelling tales of human endurance and perseverance to the screen. https://www.youtube.com/watch?v=2bmKxahpEpE THE FUGUE Ravenous singing mermaids might've filled Agnieszka Smoczyńska's last feature, The Lure, but The Fugue jumps into another pool completely. Still, it's the sheer ambition and unhinged nature of her first film that makes anything this Polish filmmaker dreams up worth watching. This time around, she spins a story of an amnesiac woman trying to remember her identity, and trying to work out her feelings about the person that she discovers. Written by star Gabriela Muskała, it's actually inspired by a true story, which also promises to ensure this suspenseful take on the psychological thriller genre transcends its ostensibly seen-before set-up. THE BILL MURRAY STORIES: LIFE LESSONS LEARNED FROM A MYTHICAL MAN Admit it, this film just jumped to the top of your must-see list for a very obvious reason. Who doesn't want to watch a documentary about Bill Murray — the man, the myth, the master — after all? When he's not voicing animated dogs and preparing to hit Australia's stage, the actor has amassed quite the collection of tales about his activities, with accounts of his everyday antics with everyday folks popping up frequently. It's these urban legends that director Tommy Avallone examines as he follows in the star's supposed footsteps. And if you're wondering what's true, what isn't, and how much Bill Murray is too much (if that's even possible), then let The Bill Murray Stories: Life Lessons Learned From a Mythical Man answer that for you. Still need to fill a few spots on your mini pass or passport? We've already cast our eye over plenty of other films from this year's MIFF program. 1% and Undertow made our list of Australian highlights for the year, while Damsel, The Tale, Kusama - Infinity, Pity and Mandy ranked among the films we were most looking forward to from Sundance. From the Berlinale, we recommended The Green Fog, Profile, An Elephant Sitting Still, Transit, Museum and Aga, and Happy as Lazzaro sparked excitement in our Cannes rundown. Before the Sydney Film Festival, we eagerly anticipated [CENSORED], Mirai, Juliet, Naked, Jirga, Rafiki and I Used to Be Normal: A Boyband Fangirl Story. During the fest, we loved Cold War, The Miseducation of Cameron Post and Piercing. And afterwards, Leave No Trace, The Rider, Burning, Shoplifters, The Guilty, Climax and Tyrel ranked among our highlights. Plus, there's also Let the Corpses Tan, You Were Never Really Here, Caniba, Zama and Diamantino, which were all among our Queensland Film Festival picks. The Melbourne International Film Festival runs from August 2 to 19. For more information and to buy tickets, visit the MIFF website.
French photographer Léo Caillard is here to remind us that today's classical was once just plain old contemporary with Hipster in Stone. The new photographic series presents some of Western art's most iconic sculptures dressed to impress in a wardrobe more traditionally found tempting us into American Apparel. His show is currently on display at the Art Basel Fair, Switzerland, but the 27-year-old's images have made a (near-viral) impact on the net. One small suggestion, why not call it Kawa à la Musee du Louvre? Art-lovers, relax; you will not be spending that dreaded six hours lined up with the hordes at the Louvre to find this guy anytime soon. As Caillard told the Daily Mail, "The museum wouldn't let me touch the statues", so he went with the trusty ol' Photoshop switcheroo. All he needed was collaborator and digital touch-up man Alexis Persani, some crafty lighting work and his patience during the model castings. Personally, I am pretty keen to see some of the pre-sculpture-imposed versions of these photos. I know we are meant to be pondering questions of fashion identity, the status divide in art and how outward appearances impact on the lived experience — but this man must be built like a wall. Oh, and bearded boys, look away, or prepare for some serious beard envy courtesy of my friend Aristaeus, God of the Gardens: If you're super keen you can pick up your own 30 x 45 inch print of one of these bad-boys (or girls), mounted with plexiglass for a lazy £1500 each ($2480), or just stalk Caillard's website. Via Daily Mail.
