Fantastic Beasts and Where to Find Them is the latest installment from the empire of J.K. Rowling. It's the first in a series of prequels to the Harry Potter films, that start in New York City in 1926. The film relies on the classic Pandora's box trope to drive the superficial layer of narrative. A magical trunk full of beasts is released upon New York and, in this case, Pandora is Newt Scamander, an eccentric British wizard played by Eddie Redmayne. Scamander, just in case you aren't as obsessed with the Potterverse as we are, is referenced throughout the Harry Potter series as the author of a foundational Hogwart's text book titled, you guessed it, "Fantastic Beasts and Where to Find Them". Written by Rowling herself, the crust of the plot is a little bit slapstick. Essentially, after a series of bumbles in a muggle bank (or a 'no-maj' bank, as the Yanks would say), Scamander's trunk is swapped with the trunk of Jacob Kowalski, a typical, goofy muggle and aspirational baker played beautifully by Dan Fogler. When Kowalski unwittingly releases the cheeky beasties from the trunk, Scamander must team up with Porpentina Goldstein (Katherine Waterston), a low-level Magical Congress employee scheming to get her Auror stripes back. This is where we dip down into the mantle of the plot and things get a bit more complicated. Turns out there are a faction of individuals in the community who believe magical beings are superior to muggles and that wizards should come out of hiding to enslave them. Without giving too much away, as the good guys race around New York collecting up their escaped creatures, Colin Farrell's character Percival Graves is lurking in the wings, trying to collect power. Also a church of fanatical, witch-hating muggles are seeking to expose magic. Also, a malevolent force is tearing around NYC ripping up side walks. Also, the evil wizard Gellert Grindelwald is on the loose. Fantastic Beasts' goblet truly runneth over with plot and this might not be a good thing. The difficulty with this particular film franchise is that it has to be ambitious, since they've slated another four films at least. So this first installment labours to lay the foundations for the series. But the audience has no road map as to what is and isn't significant. There are numerous scenes, and indeed entire subplots, that could have been cut, seemingly without compromising any of the story arcs. Perhaps they'll bear fruit in later editions, but until then they're just kind of...there. Fortunately, the film makes up for its pacing problems with cauldron-loads of charm. From the overtures of friendship between Scamander and Kowalski to the soft-core romance blossoming every-damn-where; from the timely Ron Weasley-esque notes of comedy to the practical use of magic, everything in this film is just so damn whimsical. Untethered from any pre-existing book, this film takes magic use to it's logical conclusion: domestic automation. For some unknown reason, Hogwarts students learned how to turn each other into teapots but never seemed to learn any practical spells that would make their lives any easier. This film rectifies that annoyance completely and for Potter fans it's immensely satisfying. Also, we can't leave without mentioning the beasts, which as the film's title suggests are truly fantastic. The strongest part of the movie are Scamander's creatures and their various quirks – it's a handy plot device that the protagonist carries around a trunk full of talented beasts, and the script uses them to it's full advantage. And ultimately, that's the key to the film's success. At times it does feel as though the cheesiness of the Potterverse doesn't quite translate into this rather more adult world. Nevertheless, the magic that's powered Rowling's creations until now remains as palpable as ever. https://www.youtube.com/watch?v=Vso5o11LuGU
Tasmania's sinister winter music and arts festival Dark Mofo scrapped its 2020 festivities due to the pandemic, but that cancellation has turned out to be a one-off. The event returned in 2021 — amid controversy over an artwork that was announced and then ditched — and it has just confirmed that it'll be back again in June 2022, too. Next year's festival will run between Wednesday, June 15–Wednesday, June 22 in Hobart, if you're already thinking about how to spend the frostiest part of 2022. Run by the Museum of Old and New Art, it'll be funded by $2.5 million from the Tasmanian Government, plus another $2.5 million from MONA owner David Walsh. And, it'll also receive dedicated marketing support from Tourism Tasmania. The event's program won't be announced until sometime in autumn — usually it drops in April or May — but it's set to explore "the ideas of rebirth, reincarnation, and new life". "After the death of the 2020 festival, and a near-death experience in 2021, we're beginning the next era of Dark Mofo," said Dark Mofo Creative Director Leigh Carmichael. "As the world emerges from the darkness of COVID-19, we're hoping Dark Mofo 2022 will provide opportunities for us to reconnect and celebrate winter in the manner we'd become accustomed to prior to the health restrictions around travel and events." [caption id="attachment_800592" align="alignnone" width="1920"] Lusy Productions[/caption] Previous years' lineups have seen a fantastical combination of musical performances, performance art and large-scale installations come together. In 2019, the program featured the likes of artists Ai Weiwei and Mike Parr, American musician Sharon Van Etten and one of the world's largest glockenspiels, for instance. In 2021, the program included a vibrating chamber filled with light, guided night walks through Hobart led by teenagers, 49 search lights beaming up into the sky and multiple performances by Sonic Youth founder Thurston Moore. Dark Mofo will run from Wednesday, June 15–Wednesday, June 22 in Hobart, Tasmania. The 2022 program will be announced in autumn. Top Image: Jesse Hunniford.
If you find yourself thinking back on Law & Order re-runs, Quentin Tarantino's Reservoir Dogs or Heath Ledger's turn as the Joker in The Dark Knight, you're probably thinking about one particular type of scene. There's an art to a good on-screen interrogation — to seeing characters verbally spar back and forth, as one probes for answers and the other tries to avoid their questions — that's riveting when it's done well. It's also hilarious when it's done comedically (see Brooklyn Nine-Nine); however, nothing beats a grim, serious, eyes-blazing, nostril-flaring confrontation between a suspected criminal and a savvy detective who are both confined to the same small room. Netflix, in its seemingly never-ending quest to turn every single possible idea into highly binge-able streaming content, took this concept and ran with it in its anthology crime series Criminal — which first premiered last year. Love interrogations, but not so fussed about all the stuff around them? Then you'll want to glue your peepers to this, because it's all about heated chats in police interview suites. In fact, that's all it's about. And, after a first season that spanned dozen different tales across just as many 45-minute episodes — spending three episodes each focusing on cases in France, Spain, Germany and the United Kingdom — Criminal is coming back for a four-episode UK-based second season. While the first batch of episodes featured David Tennant and Agent Carter's Hayley Atwell among its British cast, this time around the show has enlisted Game of Thrones' Kit Harington, Catastrophe and Game Night's Sharon Horgan, The Big Bang Theory's Kunal Nayyar and Wild Rose's Sophie Okonedo to answer a barrage of tense questions. Once again, expect claustrophobic, cat-and-mouse-style confrontations — and twisty narratives that rarely go in the direction expected. The show's second season will hit Netflix on Wednesday, September 16. Check out the season two trailer below: https://www.youtube.com/watch?v=VtHBrjgDjes Criminal's second season will release on Netflix on Wednesday, September 16.
Sure, sometimes you're worried about paying rent, whether your car needs a service, whether you'll get that promotion or if your cat secretly hates you. But, on weekends, you want to forget about all of that for a while. And one way to do that is by heading somewhere that's peaceful as hell. So peaceful that you'll be unironically exclaiming "how's the serenity?". Camping is the outdoor adventure for you if all you want to do sit on a foldout chair, nurse a tinnie and stare at real trees wondering why you don't do this more often. Plus, you can get handy and impress your other half or mates with your survival skills like making sticks sharp enough to put a marshmallow on the end — you know, important life hacks. Drive two hours southwest of Melbourne and you'll be delivered into Cumberland River Holiday Park. Positioned right on the mouth of Cumberland River, this popular holiday destination is primed for an overnight escape from the city. There are two- and three-bedroom cabins available if you don't want to rough it, but if you're wanting to get cosy in a tent, you have the choice of river and garden camping grounds. From here, you're within proximity of coastal and bushland walking tracks, private beaches and more.
First, murder-mysteries kept filling streaming queues. Now, while that's still happening, everyone second whodunnit is a comedy as well. It worked for Only Murders in the Building, which will drop its third season this year. It's a treat in new Australian series Deadloch. And it also went down smoothly in the first season of Apple TV+'s The Afterparty, which is also about to release new episodes. Back when The Afterparty was picked up for another run in 2022, it was announced that season two would focus on Detective Danner (Tiffany Haddish, The Card Counter), given that the first season already wrapped up its self-contained stint of sleuthing. But she isn't the only character making a comeback with Aniq (Sam Richardson, I Think You Should Leave with Tim Robinson) and Zoe (Zoe Chao, Party Down) also returning. As the just-dropped trailer shows, the couple attend a wedding, the groom Edgar (Zach Woods, Avenue 5) ends up dead, and questions start being asked — including of the bride Grace (Poppy Liu, Dead Ringers), who is Zoe's sister. While season one also featured Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk), Jamie Demetriou (The Great) and John Early (Search Party), this new case will bring in Elizabeth Perkins (Barry), Paul Walter Hauser (Bupkis), Anna Konkle (PEN15), Jack Whitehall (Jungle Cruise), Vivian Wu (Irma Vep), John Cho (Cowboy Bebop) and Ken Jeong (Community) when it starts streaming from Wednesday, July 12. To get to the bottom of the case, Danner and Aniq team up to interrogate all the guests, which sees the show cycle through a range of film genres as it tells each person's tale. "Hit me with that Aniq rom-com sequel," demands Danner — and, with season two spanning ten episodes, that'll only be the beginning. Wes Anderson flicks, period romances and black-and-white gumshoe noirs all get a look-in in the sneak peek. Of course, while the settings change, and the motley crew of figures involved as well, plenty of whodunnits share the same premise. Take a ragtag group of folks, pop them all in the same spot, kill one off and then start asking questions — that's it, that's the formula. It works for board game Cluedo, it worked for Agatha Christie and her lengthy list of Hercule Poirot novels and stories, and it's also been behind everything from the Knives Out movies and The Translators to See How They Run and more in the past few years. So, letting The Afterparty have another run at it should be easy for creators Chris Miller and Phil Lord (The Lego Movie). Indeed, if season two lives up to the first season, viewers can look forward to another batch of episodes that twist in its their own directions, tell their tale with flair and approach the show's overall idea with a savvy sense of humour. Check out the trailer for season two of The Afterparty below: Season two of The Afterparty will stream via Apple TV+ from Wednesday, July 12. Read our full review of season one.
There hasn't been much to look forward to in 2021, but we're all eagerly anticipating one big thing. That'd be the moment that 11.59pm on Friday, December 31 passes by, ticking over to 12.00am on Saturday, January 1, 2022. And, because it's actually almost that time of year, plenty of events have started announcing their New Year's Eve plans so you can work out how to spend that long-awaited moment. Here's another one: Annus Finis, MONA's first-ever NYE shindig. Taking place from 6.30pm on Friday, December 31 (obviously), this New Year's Eve party will take over MONA's lawns and main stage with live tunes, food and drinks, and the general kind of end-of-year shenanigans that every NYE get-together needs. Here, that also means an all-Tasmanian lineup, with Indigenous singer-songwriter Denni, hip hop artist Greely and audio visual artist and DJ Dameza helping do the honours. Also on the bill: Medhanit, Too Many Jasons, Scraps, Silver Fleet Ships, and what's being described as "an absurdist, anarchist ensemble boasting some of Tasmania's most talented performers" who'll pair up punk and Japanese influences. So, if a trip to Tassie is now on your NYE agenda — with the state reopening to double-vaccinated arrivals in mid-December, handily — you now know how can say goodbye to 2021. As for what you'll be eating and sipping, MONA's burger bar Dubsy's will be dishing up its diner-inspired fare, and the Moorilla Wine Bar will be doing both food and drinks. "Here at MONA, we love to throw a party, and I think we're pretty good at it," said MONA CEO Patrick Kelly, announcing Annus Finis. "We're excited to see our lawn full of punters again, and hopefully we can cast some MONA magic over New Year's Eve after what has been another challenging year for tourism and events, saying goodbye to arguably the worst year since 2020." MONA has also already announced that it's bringing back Mona Foma in January — so if you can't spend NYE in Tassie, you still have options for a 2022 trip to the Apple Isle. Annus Finis will take place at MONA from 6.30pm on Friday, December 31. For more information or to buy tickets, head to the MONA website. Images: Mona/Jesse Hunniford.
Hordes of imitators have spilled ones and zeros claiming otherwise, but the greatest move The Matrix franchise ever made wasn't actually bullet time. Even 22 years after Lana and Lilly Wachowski brought the saga's instant-classic first film to cinemas, its slow-motion action still wows, and yet they made another choice that's vastly more powerful. It wasn't the great pill divide — blue versus red, as dubiously co-opted by right-wing conspiracies since — or the other binaries at its core (good versus evil, freedom versus enslavement, analogue versus digital, humanity versus machines). It wasn't end-of-the-millennia philosophising about living lives online, the green-tinged cyberpunk aesthetic, or one of the era's best soundtracks, either. They're all glorious, as is knowing kung fu and exclaiming "whoa!", but The Matrix's unwavering belief in Keanu Reeves and Carrie-Anne Moss is far more spectacular. It was a bold decision those two-and-a-bit decades ago, with Reeves a few years past sublime early-90s action hits Point Break and Speed, and Moss then known for TV bit parts (including, in a coincidence that feels like the product of computer simulation, a 1993 series called Matrix). But, as well as giving cinema their much-emulated gunfire-avoidance technique and all those other aforementioned highlights, the Wachowskis bet big on viewers caring about their central pair — and hooking into their chemistry — as leather-clad heroes saving humanity. Amid the life-is-a-lie horrors, the subjugation of flesh to mechanical overlords and the battle for autonomy, the first three Matrix films always weaved Neo and Trinity's love story through their sci-fi action. Indeed, the duo's connection remained the saga's beating heart. Like any robust computer program executed over and over, The Matrix Resurrections repeats the feat — with plenty of love for what's come before, but even more for its enduring love story. Lana goes solo on The Matrix Resurrections — helming her first-ever project without her sister in their entire career — but she still goes all in on Reeves and Moss. The fourth live-action film in the saga, and fifth overall counting The Animatrix, this new instalment doesn't initially give its key figures their familiar character names, however. Rather, it casts them as famous video game designer Thomas Anderson and motorcycle-loving mother-of-two Tiffany. One of those monikers is familiar, thanks to a surname drawled by Agent Smith back in 1999, and again in 2003 sequels The Matrix Reloaded and The Matrix Revolutions. But this version of Thomas Anderson only knows the agent from his own hit gaming trilogy (called The Matrix, naturally). And he doesn't really know Tiffany at all, instead admiring her from afar at Simulatte, their local coffee shop. Before Reeves and Moss share a frame, and before Anderson and Tiffany's awkward meet-cute, The Matrix Resurrections begins with blue-haired hacker Bugs (Jessica Henwick, On the Rocks). She sports a white rabbit tattoo, observes a scene straight out of the first flick and helps set the movie's self-referential tone. As a result, The Matrix Resurrections starts with winking, nodding and déjà vu — and, yes, with a glitch, with Lana and co-screenwriters David Mitchell (author of Cloud Atlas) and Aleksandar Hemon (Sense8) penning a playful script that adores the established Matrix lore, enjoys toying with it and openly unpacks everything that's sprung up around it. Long exposition dumps, some of the feature's worst habits, explain the details, but waking up Anderson from his machine-induced dream — again — is Bugs' number-one aim. The Matrix Resurrections' main task: reteaming Neo and Trinity, and getting them to realise that they even are Neo and Trinity. Once more, Wachowski knows where the saga's heart resides, that its existential dramas are about people, and that the bonds that bind us are our lifeblood. But now that Neo and Trinity inhabit a realm where a game series with the exact same plot as the first three Matrix movies is Anderson's livelihood, the path to simulation-dismantling love is unsurprisingly paved with difficulties. Here are three: the demands by Anderson's business partner (Jonathan Groff, Hamilton) for a sequel to the games, the blue pills prescribed by Anderson's analyst (Neil Patrick Harris, It's a Sin), and Tiffany's husband Chad (played by the John Wick franchise's director Chad Stahelski, who was also Reeves' stunt double in the first Matrix flick) and all he represents. Reviving a romance last seen on-screen 18 years ago, raising its main players from the dead, bringing back other characters in altered guises, liberally weaving in clips from past films — stitched together as it is from oh-so-many familiar parts, you could call The Matrix Resurrections a Frankenstein's monster of a movie. Wachowski has found a rare way to make that a positive more often than not, however, because deprogramming the notion that anything is just one thing alone couldn't be more crucial here. That truth pulsates through the film's action, too, which can't live up to the original and doesn't particularly seem to try. Enough of the movie's fights and chases and sci-fi trickery still look stunning, but The Matrix Resurrections wants audiences to go "whoa!' over its ideas, emotions and meta-philosophising above all else. Even the warmer colour scheme — sorry, fans of futuristic green — casts this new tumble down the rabbit hole in multiple lights. A film can be daring, evolve its franchise while mining nostalgia with care and savvy, and make the utmost of its biggest strengths — Reeves and Moss, clearly, who could melt faces with their chemistry. It can be both fun and funny, and also skewer the company resuscitating it (that'd be Warner Bros, with The Matrix Resurrections doing a superior job of making the joke than the studio's horrible Space Jam: A New Legacy). It can offer a sincere ode to love, human connection and perseverance, too, and transform old parts to make them feel different in the process. Still, while so much about The Matrix Resurrections dazzles — Yahya Abdul-Mateen II (Candyman) joining the fold and rocking magnificent suits among them — sometimes it's just clunkily new and clumsily self-referential rather than fresh. Believing in Reeves and Moss remains its biggest superpower, though. If the energy from their timeless on-screen romance can help the world forget how underwhelming The Matrix Reloaded and The Matrix Revolutions both proved, it can fuel this mostly thrilling, almost-always-entertaining look back in the sci-fi mirror.
Usually, Australia's various film festivals only pop up once every 12 months; however, there's little that's been usual about the past few years. So in these chaotic times, the fact that the Jewish International Film Festival is returning for a second stint in 2022 doesn't seem all that out of the ordinary. Already enjoyed the fest during its March and April run? Get ready to do so all over again. JIFF will screen 50 features and documentaries at this iteration, alongside episodes from two TV shows and three short films — covering titles from 21 countries as it tours Australia between October–December. Leading the highlights, filling JIFF's biggest-ever lineup from Monday, October 24–Sunday, November 27 at Classic Cinemas and Lido Cinemas in Melbourne: opening night's Armageddon Time, which arrives after premiering at this year's Cannes Film Festival and will have its Aussie debut at the fest. Starring Anthony Hopkins (The Father), Anne Hathaway (Locked Down) and Jeremy Strong (Succession), and written and directed by Ad Astra and The Lost City of Z's James Gray, it tells a coming-of-age story in 80s-era Queens. Also among the standouts, Charlotte Gainsbourg (Sundown)-led French drama The Accusation tackles sex and consent; Jeff Goldblum (Jurassic World Dominion) narrates Fiddler's Journey to the Big Screen, about bringing Fiddler on the Roof to the big screen; and Israel's Karaoke arrives after being nominated for 13 Ophir Awards. Or, there's doco The Art of Silence about mime Marcel Marceau — plus 60s-set comedy My Neighbour Adolf, featuring Udo Kier (Swan Song) as a Holocaust survivor in Colombia who thinks the German man who just moved in next door is Hitler. The full lineup includes closing night's As They Made Us, the directorial debut of directorial The Big Bang Theory's Mayim Bialik; Reckonings, about the negotiations between Jewish and German leaders that led to the 1952 Luxembourg Agreement; and three episodes of Bloody Murray, which follows the titular film lecturer, who specialises in romantic comedies.
Australia's love of whodunnits and crime stories helped make Jane Harper's Aaron Falk books a hit on the page. In cinemas, The Dry brought the character to the screen back in 2021 and proved a huge success there, too. Next came sequel Force of Nature: The Dry 2, also based on one of the Aussie author's novels, also starring Eric Bana (Blueback) as the determined detective and also helmed by Robert Connolly (Paper Planes) — and now you can check it out at home. The second move in the franchise took its time getting to the silver screen. Initially, Force of Nature: The Dry 2 was the most-anticipated new Australian movie of 2023; however, it was postponed from its planned August 2023 release amid the SAG-AFTRA strike and moved to Ferbuary 2024. The picture is still in cinemas at the time of writing but, if your busy schedule has gotten in the way of you catching it so far, you can make a date to see it on your couch instead. When Bana stepped into Falk's shoes in The Dry, more movies were always bound to follow. On the screen, the film became a massive Australian box-office smash thanks to its twisty mystery, determined protagonist, stunning scenery and spectacular cast. So, throw that formula together again and you have Force of Nature: The Dry 2. This second effort sees Falk again investigating a case, looking into the disappearance of a hiker from a corporate retreat attended by five women. Alongside fellow federal agent Carmen Cooper (Jacqueline McKenzie, Ruby's Choice), Falk heads deep into Victoria's mountain ranges to try to find the missing traveller — who also happens to be a whistle-blowing informant — alive. Also featuring in Force of Nature, which has a powerhouse list of Aussie talent just like its predecessor: Anna Torv (The Last of Us) as missing hiker Alice Russell, plus Deborra-Lee Furness (Blessed), Robin McLeavy (Homeland), Sisi Stringer (Mortal Kombat) and Lucy Ansell (Strife). Richard Roxburgh (Prosper), Tony Briggs (Preppers) and Kenneth Radley (The Power of the Dog) pop up, too, while Jeremy Lindsay-Taylor (Heartbreak High) is back in the role of Erik Falk. Reteaming not just after The Dry, but also Blueback in the middle, Connolly and Bana make quite the pair when it comes to Aussie crime cinema — with Connolly the producer of one of the best local crime movies ever made, aka 1998's unnerving The Boys, and Bana famously the star of the similarly excellent Chopper. Fans of Harper's work also have The Survivors to look forward to, but on the small screen. It's heading to Netflix from the pages of the author's text of the same name, and isn't linked to The Dry or Force of Nature. Here, the Tasmanian-set story follows families still coping with the loss caused by a massive storm in their seaside town 15 years earlier, then faced with a new murder. Check out the trailer for Force of Nature: The Dry 2 below: Force of Nature: The Dry 2 is currently screening in Australian cinemas, and also streaming via YouTube Movies and Prime Video. Read our review of Force of Nature: The Dry 2, and of The Dry — plus our chat about Force of Nature with Eric Bana and Robert Connolly. Images: Narelle Portanier.
It isn't every day that you can peer up at the Melbourne sky and spot a family of giant hot-air balloon sculptures soaring above the city — but on Saturday, March 19, you can do just that. That's when Patricia Piccinini's Skywhalepapa will make its Melbourne debut, floating through the air alongside the artist's otherworldly Skywhale. Our advice: do look up. Dubbed Skywhales: Every Heart Sings, the distinctive works will take to the air from Yarra Bend's Corban Oval at 5am, then hover above the city. Get up early to see them launch or find a great vantage point to stare into the sky once they're up there — the choice is yours. If you're keen on the former, you'll need to register your interest for tickets, with the eye-catching event taking place as part of this year's MPavilion. [caption id="attachment_799292" align="alignnone" width="1920"] National Gallery of Australia[/caption] New to all things Skywhale and Skywhalepapa? Thirty-four-metres long, more than twice as big as a regular hot air balloon and ripped straight from Piccinini's inimitable mind, Skywhale might just be one of Australia's most recognisable recent pieces of art. It's a sight to see, and also the largest-scale example of the artist's ongoing fascination with the thin line that separates nature and technology — see also: her Flinders Street Station Ballroom exhibition — and in Skywhalepapa, it has finally met its match. The latter made its debut in 2021 thanks to the National Gallery of Australia in Canberra, but taking both billowing hot air balloons around the country was always the plan. Of course, the pandemic had something to say about that — Skywhalepapa was originally scheduled to premiere in 2020, in fact — but now the duo of sculptures will finally catch the breeze in Melbourne in just a few weeks. [caption id="attachment_799293" align="alignnone" width="1920"] National Gallery of Australia[/caption] Skywhalepapa is designed to form a family with Skywhale, and was originally commissioned as part of the NGA's Balnaves Contemporary Series. It took 3.6 kilometres of fabric to create the second bulbous sculpture, which also features nine baby Skywhales, safely tucked beneath their father's fins. Obviously, this isn't the kind of thing you see in the sky every day. You can also hear Piccinini chat about the Skywhales as part of the MTalks series — and read her children's book called Every Heart Sings as well — from 5.15pm on Thursday, March 10 at MPavilion. [caption id="attachment_799294" align="alignnone" width="1920"] National Gallery of Australia[/caption] Skywhales: Every Heart Sings will take to the air over Melbourne for MPavilion 2021–22 at 5am on Saturday, March 19 from Yarra Bend's Corban Oval. For more information or to register your interest for tickets, head to the MPavilion website.
The Hills Are Alive with the sound of Australia's newest and best this March. Featuring a gaggle of Australian acts headlined by NSW singer Vera Blue and Melbourne alt-rock band Kingswood, The Hills Are Alive music festival is returning to the South Gippsland hills for the eleventh time this year — and it's last. Festival organisers, who also run NYE on the Hill in the same spot — announced that THAA will be going on an indefinite 'vacay' after this March's festivities. But, despair not, there's one festival left to celebrate and it has a bumper lineup of musicians and comedians. Hosted at the McLaren family farm an hour and a half out of Melbourne, THAA 2019 will feature indie Melbourne four-piece Mid City, folk singer Didirri and hip-hop artists Poppy Rose and Kwame, plus a whole lot more. Electro-pop musician Will Cuming will also be taking to the stage for the last time as Lanks, before retiring the moniker and pursuing new projects. The festival also has a lineup of five Aussie comedians. So, when you need a (short) break from the music, you'll be able to chill out on the grass and listen to the likes of Marcus Ryan, Bec Melrose (winner of RAW Comedy 2018) and Lewis Garnham. Tickets include camping and you can BYO booze (huzzah). If you forget, or run out, there will be four bars popping up around the festival, street food carts and field games (including the very serious Hills Gumboot Toss). Attendees are encouraged to carpool to keep their impact on the environment to a minimum while pets are prohibited on account of the cows with whom you'll be sharing the campsite. THE HILLS ARE ALIVE 2019 LINEUP Vera Blue Kingswood Didirri Lanks Ceres Tia Gostelow Kwame Press Club Arno Faraji Good Dogs Bugs Raave Tapes Planet Genesis Owusu Sÿde Cousin Tony's Brand New Firebird IV League Mid City The Northern Folk Loser Poppy Rose Cool Out Sun Stevie Jean Steve Cousins Househats For more information on the lineup, head to the festival website. Image two: Christopher Cohen.
Pick your poison, action-franchise edition circa 2023: balletically choreographed carnage; cars, kin and Coronas; or Tom Cruise constantly one-upping himself in the megastar stunts stakes. Hollywood loves them all. Cinemas keep welcoming them all. So, after John Wick: Chapter 4 and Fast X comes Mission: Impossible — Dead Reckoning Part One to deliver the kind of movie spectacle that always looks best on the biggest and brightest of silver screens. And, as its lead actor's gleaming teeth do, the seventh instalment in the TV-to-film spy series shines. Like Cruise himself, it's committed to giving audiences what they want to see, but never merely exactly what they've already seen. This saga hasn't always chosen to accept that mission, but it's been having a better time of it since 2011's Mission: Impossible – Ghost Protocol, including when writer/director Christopher McQuarrie jumped behind the lens with 2015's Mission: Impossible – Rogue Nation. McQuarrie and Cruise have history; McQuarrie first helmed Cruise in 2012's Jack Reacher, and also penned or co-penned the screenplays for the Cruise-starring Valkyrie, Edge of Tomorrow, The Mummy and Top Gun: Maverick before and during their Mission: Impossible collaboration. Prior to that, however — the year before Mission: Impossible was reborn as a movie, in fact — the filmmaker won an Oscar for writing The Usual Suspects. Take the puzzle-like trickery of that mid-90s big-reveal mystery, combine it with Cruise's determination to score the first Academy Award for Best Stunts if and when it's ever introduced (or die trying), and it's plain to see why they make an ace Mission: Impossible pair. With both 2018's Mission: Impossible – Fallout and now Mission: Impossible — Dead Reckoning Part One in particular, they ensure that a franchise based on a half-century-old formula courtesy of Mission: Impossible's television days still feels fresh and thrilling. Rubber masks so realistic that anyone on-screen could rip off their face to reveal Cruise's Ethan Hunt? Of course they're present and accounted for. Espionage antics that involve saving the world while traversing much of it? Tick that off ASAP. The saga's main Impossible Missions Force operative doing whatever it takes, including sprinting everywhere and relentlessly exasperating his higher-ups? Check. A trusty crew faithfully aiding the always-maverick Hunt, plus slippery adversaries to endeavour to outsmart? Mission: Impossible — Dead Reckoning Part One gives them a hefty thumbs up as well. Shady forces with globe-destroying aims, being able to trust oh-so-few folks, wreaking slickly staged havoc, those jaw-dropping stunts, top-notch actors: Cruise and McQuarrie, the latter co-writing with Erik Jendresen (Ithaca), feel the need to feed it all into the flick, too. They're also rather fond of nodding to and reworking the franchise's greatest hits. Happily playing with recognisable pieces while eagerly, cleverly and satisfyingly building upon them isn't the easiest of skills, but it's firmly in this team's arsenal. When Mission: Impossible — Rogue Nation labelled Hunt "the living manifestation of destiny", it wasn't the series' finest piece of dialogue. There's a sense of humour about hearing him called "a mind-reading, shape-shifting incarnation of chaos" in Mission: Impossible — Dead Reckoning Part One, though. That description could also be directed at Hunt, Luther Stickell (Ving Rhames, Legacy) and Benji Dunn's (Simon Pegg, The Boys) latest timely enemy: The Entity, an artificial intelligence that's literally killer. Unlike in The Terminator flicks, this AI is content without mechanical bodies to control. Whether in Russian submarines, Abu Dhabi's airport or on careening trains, it does a commanding job of bending both computer programs and people to its will. The aim: to secure that power, a quest that Hunt is on a mission to thwart. Returning from the OG 1996 movie, IMF head Eugene Kittridge (Henry Czerny, Scream VI) initially gives Hunt and company their orders — and once this troupe has been set in motion, little can stop it. So, when the crew punches its "get disavowed by the government again" card, they still stick to the task of tracking down the two-part key that The Entity wants. Terrorist Gabriel (Esai Morales, How to Get Away with Murder) and assassin Paris (Pom Klementieff, Guardians of the Galaxy Vol. 3) are on the AI's side. Jasper Briggs (Shea Whigham, Spider-Man: Across the Spider-Verse) is among the US operatives trying to bring in Hunt. Back from the last instalment, arms dealer White Widow (Vanessa Kirby, The Son) has her own plan, while ex-MI6 agent Ilsa Faust (Rebecca Ferguson, Silo) appears in her third flick in a row to again link in with the usual team. Then there's pickpocket Grace (Hayley Atwell, Doctor Strange in the Multiverse of Madness), a newcomer who is accustomed to flying solo. Atwell and Klementieff are scene-stealing additions to the cast, and the always-great Ferguson has been a standout since Mission: Impossible – Rogue Nation. Still, as has been teased, talked about and splashed across Mission: Impossible — Dead Reckoning Part One's poster, Cruise is the one actually physically soaring. What would a Mission: Impossible movie be without flaunting its riskiest stunt, as performed by its stratospheric name himself, as audience bait? Not a McQuarrie-era chapter, that's for sure. When the scene arrives, getting Cruise riding a motorcycle off a towering cliff in an effort to land aboard the hurtling Orient Express, it is indeed breathtaking — and a gripping, nerve-shredding sight to behold. It isn't alone, though, thanks to a tense underwater opening, cat-and-mouse airport antics, Arabian desert horse chases, Fiat-driving Italian Job-style Rome romps and the high-stakes hijinks on Agatha Christie's favourite locomotive itself. Cinematographer Fraser Taggart (Robot Overlords) and editor Eddie Hamilton (back from the last two movies), plus the entire stunt team, help shoot, splice and execute these setpieces rivetingly. Repeatedly besting past Mission: Impossible action triumphs? Mission: accomplished. Twenty-seven years, notching up three pictures now with McQuarrie at the helm, and with Mission: Impossible — Dead Reckoning Part Two obviously on the way (arrival: June 2024), there's a well-oiled air to Mission: Impossible — Dead Reckoning Part One. That said, to run so smoothly requires care, aka someone doing the oiling, which is why there's rarely a well-worn moment or element be seen. Mission: Impossible — Dead Reckoning Part One covers some ground that John Wick: Chapter 4 and Fast X already have in 2023 (and Indiana Jones and the Dial of Destiny as well). It eagerly nods to its own past. And it knows that Cruise could just cruise-control his way through, as could his co-stars, if they wanted. Its biggest feat? Lifting everything that it does, and that a Mission: Impossible flick must, again and again so that seeming routine proves, yes, impossible. There's no self-destruction here — just devotion to an intense and entertaining action extravaganza.
There were some pretty happy snow bunnies across Victoria and NSW this weekend, as many of the states' ski fields scored record-breaking snow falls, just two weeks after the official start of this year's ski season. The powder bucketed down across the weekend, with Sunday morning seeing Victoria's Mt Buller reporting its fifth deepest snow at this point in the season for the past 40 years. Fellow Victorian ski resort Mt Hotham this morning reported an extra 16cm of snow, beefing up its base to 80cm — the biggest its seen for the second week of the ski season in decades. The mountain has had 95cm of snow altogether this season, with 90cm of that falling in the last seven days. Further north, NSW's Perisher scored another 10cm of fresh snow overnight, bringing the total from the weekend's snow storms there to 82cm. And Thredbo is also covered in a hefty blanket of white, with 20cm of fresh snow in the past 24 hours, pulling its season total to 85cm. https://twitter.com/BOM_Vic/status/1007411165943730177 According to the Bureau of Meteorology, Victoria's alpine areas have only seen the start of it, with a further 25cm to 50cm expected to drop over the next three days. Meanwhile, conditions in NSW are set to clear right up, as the storm there reaches its end before the middle of the week. Top image: Thredbo
As the federal government continues to drag its feet resettling refugees fleeing the Syrian conflict (Australia had managed about 6000 by last November — Canada by comparison, was at well over 30,000), it falls once more to the non-political professions to show the government where the hands go on the 1humanitarian clock. This time, it's hospitality's turn. On March 6, UNICEF Australia will partner with 11 of the country's best chefs for a charity dinner celebrating Syria's strong culinary tradition. The Point Albert Park will host the posse of gastronomers as they prepare a banquet comprising their signature dishes with a few Syrian flourishes. If you've never been at the mercy of za'atar, pomegranate, Aleppo pepper or tamarind, this could well be a revelation. Tickets are a steep $329 per person (plus booking fee), but 75 percent of the proceed will go to UNICEF's Syria Crisis Appeal. The price includes canapés, cocktails on arrival, a shared Syrian-inspired feast and wine. It may seem on the surface like you're paying for the food, but ten professional chefs jammed into a single kitchen also suggests a night of great theatre. Movida's Frank Camorra and Lee Ho Fook's Victor Liong will be in the fray, with David Thompson of the newly opened Long Chim and Anchovy's Thi Le contending for next use of the colander with equal ferocity. If you've ever wanted to see Karen Martini trying to slice potato with steel wool or fighting a pitched battle for the top shelf of the oven, this could well be your chance. Other chefs rounding out the impressive lineup include Lûmé's Shaun Quade, Maha's Shane Delia, Embla's Dave Verheul, The Point's Andy Harmer, Jacques Reymond and David Moyle of Hobart's Franklin and soon-to-open Melbourne restaurant Longsong. While the top guns will have their turn on March 6, UNICEF Australia is encouraging anyone with passing knowledge of an oven to contribute. Restaurants and cafes can produce a limited edition 'Syria' version of a favourite dish throughout the month, of which a portion of the proceeds will go to UNICEF. For those who deal in culinary delight on a slightly smaller scale, bake sales are your recommended course. While you're waiting for the oven to pre-heat, there's more information here. The #CookForSyria charity dinner will take place on Monday, March 6 at The Point Albert Park. Tickets are $329 each and are available here.
Whether you're the type of news junkie that's always abreast of current affairs, or you're more familiar with big international events in passing, Italian-made financial thriller Devils should feel familiar. It's set in 2011, in the aftermath of the Global Financial Crisis, and it plunges inside the toxic investment trading and banking world — bringing Guido Maria Brera's 2014 novel I Diavoli to the small screen. Here, Massimo Ruggero (Alessandro Borghi) heads the trading team at a hugely influential investment bank. But when his mentor Dominic Morgan (Patrick Dempsey) promotes one of his colleagues, Massimo is far from happy. That's just the beginning of this slick series' wheeling, dealing, dramas and thrills, with real-life details weaved into its many subplots. And yes, Devils is also the latest series to star the always-watchable Dempsey, if you've been missing his face from your screen.
With Australia's borders firmly shut, international travel has been relegated to the realm of dreams, and it looks like it'll be staying there for a good long while. But if you're happy to pretend you're taking a getaway, Qantas has been offering up several products to help. First, it sold its pyjamas, amenity sets and other in-flight goodies. Then, it moved onto fully stocked bar carts. Now, the Aussie airline has released a luxe range of athleisure wear — the type of thing you'd don if you were heading off on holidays, obviously. Launched in collaboration with Australian designer Martin Grant, the new collection has a retro feel, too — because fondly recalling better times gone by is another thoroughly 2020 pastime. A number of Qantas' vintage logos are splashed across range, so you can choose between old-school lettering or the famed kangaroo motif. The collection spans a cashmere jumper, a hoodie, sweatshirts, t-shirts and a beach tote. Colour-wise, the range highlights the company's red and navy colour scheme, as well as grey and wattle yellow. And yes, it's definitely designed to make you feel nostalgic. "This collection is all about classic shapes, comfortable styles and materials that are kind on the environment. But the hero of the designs are the iconic logos that evoke so many fond memories for Australians," said Grant. If wearing an airline logo will make you feel like you've jetted far, far away, a word of warning: this limited-edition collection doesn't come cheap. If you're paying cash, you can expect to fork out $425 for a yellow or navy sweater, $275 for a navy hoodie, $250 for grey sweatshirts, $150 for a navy or grey t-shirt, and $350 for a navy beach tote — or part with a heap of Qantas points. You can buy Qantas' athleisure-wear collection online, using cash or points.
Despite living in cities teeming with exciting events and activities all around us, it seems way too easy to fall into the same old routines when another weekend rolls around. We are, after all, creatures of habit. Given this, we've teamed up with Truly Hard Seltzer to bring you seven weekend activities to try if you're looking to add a little extra flavour to your weekend. Don't worry, we'll never suggest switching up your always-necessary morning coffee. [caption id="attachment_793358" align="alignnone" width="1920"] Daniel Boud[/caption] INSTEAD OF SEEING A MOVIE, JOIN A DANCE CLASS Going to the flicks is generally a guaranteed good time — even if the movie isn't great, there are always snacks. Given all the streaming we've been doing over the past two years, why not step away from the screen when you've got some downtime and hit up with a dance class to get your blood flowing? Who knows, you might just unlock a hidden passion and discover you're a natural at the cha-cha. There are plenty of places that offer casual classes in a range of styles and for all experience levels. In Sydney, you could live out your childhood ballerina or Broadway fantasies at Sydney Dance Company; give Bollywood dancing a go via Class Bento; or learn to salsa or cha chat with Move Dance Studios. In Melbourne, give afrobeats a go with The Space; go retro with a jazz class at Dance Factory; or throw on the tap shoes for a class at Dance World. INSTEAD OF A COASTAL WALK, PLAY A GAME OF BEACH VOLLEYBALL OR TAKE YOURSELF TRAIL RUNNING Instead of embarking on your usual oceanside stroll this weekend, try something a little more active by running along a coastal trail. That way you can still get in some of the refreshing ocean air while getting the heart pumping and and your body primed for a post-workout lunch by the sea. In Sydney, try taking on the scenic Bondi to Coogee run or heading inland to do a loop of the Narrabeen Lagoon. In Melbourne, the popular Bay Trail is your best bet, especially when you add in a pit stop at the St Kilda Sea Baths, while inland tracks can be found along both the Yarra and Maribyrnong rivers. If it's a group activity you're after, add some friendly competition to the mix with a game of beach volleyball. In Sydney, you can hire a net at Manly or Maroubra, while in Melbourne you and your crew can dig and spike your way to glory on St Kilda or Altona beaches. INSTEAD OF WATCHING NETFLIX, HIT UP AN ARCADE Put down the remote — your streaming queue can wait another day. Instead, head to an arcade to revel in some nostalgia from your younger years and give your brain (and maybe body) a bit of a workout. It's also a great way to get bragging rights over mates — as long as you win, that is — and enjoy some quality snacks and bevs. Don't know where to start? Archie Brothers hosts adults-only circus and cocktail events once a month in its Melbourne and Sydney locations, while B. Lucky & Son's Entertainment Quarter and Melbourne Central outposts offer some serious prizes — think Google Home speakers, vintage Chanel bags and more. INSTEAD OF THE GYM, GO BOULDERING A good sweaty gym session is a weekend staple, but consider another heart-pumping activity like bouldering — the more strategic cousin of rockclimbing — instead. As a super social activity that's all about cheering each other on, it's a great one to do with your mates, too. Given the sport's increasing popularity, there are plenty of bouldering gyms to check out across Melbourne and Sydney, too. In its Port Melbourne and Marrickville sites, BlocHaus cleans and resets four sectors a week, meaning there's a new wall to tackle on just about every visit. Elsewhere in Victoria, Urban Climb in Collingwood (and coming soon to Blackburn) offers a range of boulder and rope climb experiences, as well as fitness and yoga classes to ensure a well-rounded workout. In Sydney, 9 Degrees has — you guessed it — nine different levels of difficulty to try out at its gyms in Waterloo, Lane Cove, Alexandria and Parramatta. INSTEAD OF DOOM SCROLLING, DISCONNECT IN A FLOAT TANK Unfortunately, falling into a doom scrolling cycle is far too easy to do in the modern day. So, if you want to zone out but avoid the traps of TikTok and Insta, turn your phone off for a few hours and head to a flotation tank instead. Chill out in the saltwater, take a break from the real world and enjoy a bout of meditation while relieving some stress. Sydneysiders looking for some time away from the screen can head to Brookvale or Darlinghurst's Sydney Float Centre, which boasts state-of-the-art zero-gravity tanks, or even book into a private floatation room at City Cave, which has locations spanning from Mona Vale to Minchinbury to Campbelltown. For Melburnians, Northcote's Gravity Float and Wellness offers a range of holistic therapies ranging from flotation tanks to multi-day retreats, while the well-appointed Resthouse Float Centre in Hampton East and Water Temple Flotation in Armadale offer flotation memberships for those looking for regular offline time. [caption id="attachment_659517" align="alignnone" width="1920"] Laura at Pt Leo Estate, Jason Loucas[/caption] INSTEAD OF THE PUB, HEAD TO AN OUT-OF-TOWN CELLAR DOOR Want to get a little fancy this weekend? Press pause on the pub plans (your parma can wait until Wednesday night) and venture a little further to an out-of-town cellar door. Both Sydney and Melbourne are within easy reach of a number of world-class wine countries, so the only question you'll have is where to begin. We've done the research for you though with these excellent cellar doors that are worth the day trip from both Sydney and Melbourne. Before you know it, you could be sipping a preservative-free drop at Hungerford Hill in Pokolbin, or enjoying a degustation at Pt Leo Estate's illustrious fine diner Laura in the Mornington Peninsula. INSTEAD OF ORDERING TAKEAWAY, JOIN A COOKING CLASS After a long work week, it can be pretty tempting to outsource the weekend cooking for a bit of a splurge. This time, get on the tools (tongs) yourself by joining a cooking class, where you can learn some new tricks that you can impress your mates and fam with. Class Bento offers nationwide cooking classes for master chefs and disaster chefs alike, with workshops ranging from sushi-making to cake-decorating. Elsewhere, Sydney Cooking School offers a year-round calendar of classes and state-of-the-art equipment from its Neutral Bay headquarters, while in Melbourne, Moonee Ponds' Gourmet Kitchen offers weekend classes perfect for home cooks looking to add a new dish or two to their repertoire. Add extra flavour to your weekend with Truly Hard Seltzer, available at local bottle shops now in watermelon and kiwi or lime flavours. For more info, check out the website. Top image: Archie Brothers, Zennieshia Butts
One of the best Vietnamese joints in Melbourne is getting in on the Good Beer Week action. On the evening of Tuesday, May 17, Uncle in St Kilda will team up with Boatrocker Brewing Co. for a five-course degustation. Each dish will be accompanied by a different Boatrocker beer, including a one-off beverage created specially for the occasion. Let's just hope the menu includes Uncle's epic lime-cured hapuka with coconut, pomegranate and chilli.
If you've ever had a sneaky little go with some small person's Lego blocks once they're all tucked up in bed, LEGOLAND sees you, tips you their hat… and raises you an adults-only night at their Melbourne Discovery Centre. It's not just any evening for more mature Lego fans, but a LEGOLAND birthday party to mark the centre's second year of operation. With no children to get in the way (or outdo your creations), you'll be able to have free reign of LEGOLAND to check out the 4D cinema, hop on the rides rides and build to your heart's content in the brick pits. Challenge yourself by taking on the master builder or a speed build and vie for the prizes up for grabs — there'll even kids' party games, a treasure hunt, balloon animals and face painting, so you can go full inner child mode. BYO shameless excitement, taste for glory, and bustling creativity, as well the eagerness to wear a birthday hat and devour a Lego cupcake. The party takes place from 7pm on Thursday, April 4, with doors opening from 6.30pm. Tickets cost $32.50 — and because it wouldn't be a birthday party without heaps of snacks, there'll also be mini hot dogs, mini burgers, mini donuts, milkshakes and spiders, some of which might just be Lego-shaped.
The legacy of the legendary blues musician Muddy Waters runs deep, from influences on Led Zeppelin's Whole Lotta Love and ACDC's You Shook Me All Night Long, and even to Westmont Pickles—an Australian picklery named after the town where Muddy died. His deepest influence, however, can be seen in his son, Mud Morganfield, and his career that carries the blues-rock torch that Muddy held aloft for over three decades. Although Morganfield was raised away from his father, he's been following in his footsteps for his whole adult life. Morganfield started out in life hauling trucks across the USA, just like his old man did before he found his music. When his father passed in 1983, Morganfield picked up the old familiar instruments and took to creating his own soulful blues ballads, and has been at it ever since. Despite the soulful style and rich vocal timbre Morganfield shares with his father, Mud's sound contributes to the intersection of Chicago Blues and Delta Rock in his own right. With the benefit of intervening decades of musical progression since Muddy Waters left the blues, Mud's sound incorporates modern styles into his oeuvre, but never strays too far from the track his old man beat before him. Catch Morganfield at Bluesfest 2017 in Byron Bay, or at his Melbourne sideshow at Northcote Social Club on Monday April 10.
The Polish Festival is making its return this weekend at Federation Square spotlighting Polish entertainment, hospitality and cuisine. Among the many vendors involved this year is Pierogi Pierogi, which you'll find nestled behind Transport Bar on Princes Walk. "Our whole year revolves around getting to Polish Festival, seeing all our friends and showing Melbourne how good our pierogi tastes. One year we had two security guards keeping the line in check because it was so crazy!" Pierogi Pierogi co-owner Dominika Sikorska says. Guests can choose from an array of delectable Polish dumplings at the food fest, including flavours like Ruskie (creamy potato and white cheese), Kapusta (mushroom and sauerkraut), Mieso (organic beef and vegetable), and the special-edition Kielbasa (smoked sausage, melted cheese and mustard). All variations are served with sour cream, crispy fried onion, bacon and onion jam, or dill. Vegan sour cream is available for the green-eaters among us. The Polish Festival will run from 11am—5pm on Saturday, November 12. Check out the official page for more information. [caption id="attachment_877175" align="alignnone" width="1920"] Pierogi Pierogi - Supplied[/caption] Top image: Pierogi Pierogi — supplied
If you're a perennial re-watcher of the all-timer Christmas classic Love Actually?, you may or may not already be aware of the musical stage adaptation that's getting ready to hit Australia's east coast. After a swathe of nationwide auditions, the production has announced not one but three casts of performers for shows in NSW, VIC and QLD. They've broken past the typical range of stage veterans and hired everything from impressionists and stand-up comedians to musical veterans and internationally touring artists — the producers call it "pure festive chaos". The Sydney cast includes Ellis Dolan (The Rocky Horror Show 50th Anniversary Tour, School of Rock), Tommy James Green (The Fox and the Hunter, Scratch), Hamish Pickering (Hello, Asteroid), Gracie Rowland (Josephine Wants to Dance), Bash Nelson (Once on This Island) and Brittany Morton (Into the Woods). In Melbourne, audiences will see Mitchell Groves (Cruel Intentions: The '90s Musical), Belinda Jenkin (Friends! The Musical Parody), Jeremy Harland (A Zoom Group Project: The Musical), Ian Andrew (Midnight: The Cinderella Musical), Sophie Loughran (50 Shades of Grey — The Musical Parody), and Massimo Zuccara (Opera Australia's West Side Story). Brisbane's production features Dylan Hodge (Legally Blonde The Musical), William Kasper (Rate of Decay), Benjamin Hambley (Godspell), Nicole Kaminski (Urinetown), Stephanie Beza (Chicago), and multi-award-winning Gold Coast actor Ashton Simpson (Romeo & Juliet). "This show is like Christmas dinner after a few too many champagnes — loud, ridiculous, and way too much fun," said Associate Producer Ashley Tickell. The show follows nine quirky couples as they chase love across London, sending up the cult 2003 rom-com with tongue-in-cheek songs such as "He's The Prime Minister of Rom Coms" and "Keira Knightley Actually". Written by the creators of Friends! The Musical Parody, the production promises a night of high-energy laughs for audiences aged 15 and up. Love Actually? The Musical Parody first premiered in Australia in 2024 to rave reviews, hailed as "fabulously hilarious and laugh out loud entertainment" (Musicals Reviewed) and "a surefire way to get into the festive spirit" (Toorak Times). With its cheeky humour, catchy songs, and irreverent take on one of the most beloved Christmas films of all time, the show promises to be the ultimate untraditional holiday tradition. As Tickell puts it: "Whether you love Love Actually, love to hate it, or have never even seen it, you will actually love this musical." 'Love Actually? The Musical Parody' will play at Sydney's Darling Quarter Theatre from November 27 to December 23, followed by Melbourne's Athenaeum Theatre from December 5–23 and Brisbane Showgrounds from December 11-21. Tickets start at $69 via loveactuallymusicalparody.com.
Art, wine and a sumptuous long lunch. It's a covetable trio — and one that's set to star at Mornington Peninsula winery Montalto plenty over the coming months, thanks to a new series of in-depth artist chats. The renowned winery has teamed up with the Mornington Peninsula Regional Gallery (MPRG) to deliver the Contemplating Art lunchtime events, which each host a conversation with a different celebrated artist over a relaxed long lunch. They'll take place in Montalto's award-winning restaurant, fittingly overlooking the estate's Sculpture Trail. [caption id="attachment_845381" align="alignnone" width="1920"] Montalto[/caption] The series is set to dive right into the deep end, too, with acclaimed artist Patricia Piccinini as guest of honour at the first of these lunches, on Thursday, March 24. If that name feels particularly familiar right now, it's likely because of A Miracle Constantly Repeated, Piccinini's ongoing otherworldly exhibition in the Flinders Street Station Ballroom. Or perhaps you know her as the artist behind giant hot-air balloon sculptures Skywhalepapa and Skywhale, which are set to take to the skies above Melbourne this month as part of the MPavilion program. For the debut of Contemplating Art, Piccinini will appear in conversation with MPRG Gallery Director Danny Lacy, chatting about her background, inspiration, the techniques that drive her practice, and her existing and soon-to-be-completed works. All while you enjoy a two-course shared lunch feast courtesy of the Montalto kitchen. [caption id="attachment_845383" align="alignnone" width="1920"] Piccinini's 'No Fear of Depths' (2019), from exhibition 'A Miracle Constantly Repeated'[/caption] On Thursday, May 12, the second event in the series will shine a spotlight on interdisciplinary NSW-based artist Hiromi Tango and collaborator, neuroscientist Emma Burrows. The pair are behind newly launched Science Gallery Melbourne installation Wheel (for Mental: Head Inside) — an interactive 'hamster wheel' that explores the benefits of exercise on our brains and mental health. Contemplating Art marks a desire by Montalto to offer its guests more 'moments out of the ordinary', as the winery gears up to celebrate its 20th anniversary this year. Further events in the series are set to be announced soon — stay tuned via the Montalto newsletter and website. Contemplating Art kicks off on Thursday, March 24, with guest artist Patricia Piccinini, followed by a conversation with Hiromi Tango and Emma Burrows on Thursday, May 12. Events will take place at Montalto, 33 Shoreham Road, Red Hill South, Victoria. For more info and to grab tickets, see the website. Top Images: Patricia Piccinini with one of her works, captured by H.Walker. Montalto Estate.
For more than a year now, we've all been paying extra attention to maps — but not just to show us how to get from one place to another. Thanks to all manner of handy online diagrams, we've been using maps to see which venues have been visited by COVID-19 cases, and also to work out how far we can travel during lockdowns. Now, with vaccinations an important focus at this stage of the pandemic, there's also a particularly nifty interactive map that'll help you work out where to get the jab. If you're familiar with COVID-19 Near Me, the statewide map that draws upon Victorian Government's register of locations that positive COVID-19 cases have visited, then you already know where to head for this new map. It's actually an added function on the existing website, which now comes with two options at the top: exposure sites and vaccination clinics. Like the exposure venues part of the map, the statewide diagram gives locations specific hues depending on how the clinics operate. A grey dot is used if the clinic doesn't take online bookings, a purple dot indicates that it's an AstraZeneca clinic and a blue dot shows a Pfizer clinic. This map isn't run by the Victorian Government — it's just powered by its official data. So, Victorian residents are urged to also check the official Victorian Department of Health website as well. At the time of writing, the map was last updated on Sunday, August 8. At present, all adults in Australia can opt for the AstraZeneca vaccine as long as you give a doctor your informed consent before you go ahead. Since Thursday, June 17, the Australian Technical Advisory Group on Immunisation has recommended the use of AstraZeneca vaccine in people aged over 60 only due to the risk of rare blood clotting disorders that've been linked to the vaccine when given to younger folks. That change followed an early recommendation back in April, which noted the AstraZeneca vaccine wasn't preferred for anyone under 50. But since late June, as announced by Prime Minister Scott Morrison, anyone of any age, including those under 60, can still get the AZ jab — after making an informed decision by talking to a doctor. For people under 40 who'd prefer the Pfizer vaccine, you need to fall into a specific group to access it at present, as the nation's vaccination rollout hasn't yet opened up the Pfizer jab to that age group. That means that adults aged up to 39 aren't yet eligible to get the Pfizer vaccination unless you're of Aboriginal and Torres Strait Islander descent; work in quarantine, border or healthcare roles; work or live in an aged care or disability facility; work in a critical and high-risk job such as defence, fire, police, emergency services and meat processing; have an underlying medical condition or significant disability; are pregnant; or participate in the NDIS, or care for someone who does. You can check out all existing COVID-19 vaccination clinics at covid19nearme.com.au. To find out more about the status of COVID-19 in Victoria, head to the Victorian Department of Health website. Images: COVID-19 Near Me as of Monday, August 9.
Air out that mouldy tent, start rounding up the GoPros, Falls Festival have announced their 2014 lineup. With Byron now extended to a four-day program, Falls Festival is returning to its three sites (Lorne, Marion Bay and North Byron Parklands) for its annual New Year's Eve hootenanny. So who's on the bill? Returning with a Mercury Prize and a million debut album copies sold under their belt, Leeds foursome Alt-J are sure to be one of the packed sets this year. Scandinavian super besties Röyksopp and Robyn are locked in for an epic two hour set of combined releases. There'll be ass everywhere with the presence of the unmissable Big Freedia. The sublimely talented SBTRKT is set to play a huge live set (one of Laneway Festival's best sets to memory), while the formidable Jamie XX will keep the basslines well up in grill. Fresh from Glastonbury, George Ezra is set to be one of the festival highlights, with the debut set from the legendary Todd Terje, house monarchs Tensnake, Sydney trio Movement and San Francisco's Tycho sure to send everyone on a synthy, beats-fuelled odyssey. Altanta's favourite 'flower punk' band The Black Lips are in. Confirmed after a leak in Cleo, UK's Glass Animals are confirmed to get sultry. Festival favourites Cold War Kids return with their latest album's material (and a few oldies), while Australia's own ARIA-winners The Temper Trap return to the live circuit with material from their upcoming third record. Rap fans have some gleeful squealing to get to, with Brooklyn's Pro Era whiz Joey Bada$$, Killer Mike and El-P's Fool's Gold super-collab Run the Jewels, Melbourne's own Remi locked in. 'Stolen Dance' fans will have plenty to jig about with the first Australian tour of Milky Chance, Sydney's Bluejuice are playing their last round, London's Wolf Alice are sure to generate some buzz, and Canberran trio SAFIA are also buzzworthy inclusions. There's a few Splendour returns: Britpop-loving Sydney dudes DMAs, newbie hip hop firecracker Tkay Maidza, Sydney dance legends The Presets, electronic whiz kid The Kite String Tangle, returning rock heavyweights Spiderbait, singalong starters Sticky Fingers and Riptider Vance Joy. Falls will also see a kickass 'Boogie Nights' program featuring none other than the ever-kickass hip hop legends Salt n Pepa, Melbourne's best-dressed duo Client Liaison, Sydney partystarter Alison Wonderland and Canada's Badbadnotgood. THE FALLS MUSIC & ARTS FESTIVAL 2014 LINEUP (IN ALPHABETICAL ORDER): ALT-J BIG FREEDIA THE BLACK LIPS BLUEJUICE COLD WAR KIDS DMAs GLASS ANIMALS GEORGE EZRA JAGWAR MA JAMIE XX JOEY BADA$$ JOHN BUTLER TRIO KIM CHURCHILL THE KITE STRING TANGLE MILKY CHANCE MOVEMENT THE PRESETS REMI RÖYKSOPP & ROBYN RUN THE JEWELS SAFIA SBTRKT (LIVE) >SPIDERBAIT STICKY FINGERS THE TEMPER TRAP TENSNAKE TKAY MAIDZA TODD TERJE (LIVE) TYCHO VANCE JOY WOLF ALICE + MORE TO BE ANNOUNCED. BOOGIE NIGHTS LINEUP (DEC 28 LORNE, DEC 29 MARION BAY, DEC 31 BYRON): ALISON WONDERLAND BADBADNOTGOOD CLIENT LIAISON SALT N PEPA + MORE. EVENTS: Dec 28, 2014 to Jan 1, 2015 in Lorne, VIC (est. 1993) 18+ event Dec 29, 2014 to Jan 1, 2015 in Marion Bay, TAS (est. 2003) All ages Dec 30, 2014 to Jan 3, 2015 in Byron Bay, NSW (est. 2013) 18+ event The ticket ballot is now open via the festival’s website and will be closing on Monday August 25. Enter the ballot here. Most of the event tickets are allocated to sales through the ballot process, starting at 9am on Thursday August 28; however, for those who miss out, there will also be a small allocation of tickets set aside for general public sales starting at 9am on Wednesday September 03. Image: Paul Smith
Coles, Woolworths and Aldi could be in for some stiff competition, as German supermarket giant Kaufland announces plans to open Down Under. Having launched way back in 1984, the chain's owned by the Schwarz Group, which takes out the title of the fourth largest retailer in the world. Now, with close to 1300 international stores under its belt, Kaufland wants a piece of the Aussie pie and it's revealed the locations of its first three local one-stop supermarkets. Set to drop a cool $459 million in initial investment, the group's scored planning approval to build stores in Dandenong, Chirnside Park and Epping in Victoria. Each site will be around 4000 square metres, with its own butcher, bakery and bottle shop, and an assortment of small businesses — such as nail salons, sushi bars and cafes — adjacent, too. Kaufland has also kicked off construction work on a mammoth, state-of-the-art distribution centre in the northern suburb of Mickleham. Taking up around 115,000 square metres — or the size of six MCGs — this building will be the largest of its kind in the country. Three further local retail sites are currently waiting on approval, with plans to open a stack more across the country after that. Kaufland is also planning to base its Australian headquarters in Melbourne and says it will source local products to stock its stores wherever possible. Kaufland's website states it's out to 'disrupt the Australian retail sector', delivering competitive prices across a hefty range of food and non-food items. Kauflands are slated to open at 592–594 High Street, Epping; 266 Maroondah Highway, Chirnside Park; and 1–5 Gladstone Road, Dandenong. We'll let you know as soon as opening dates are announced.
If you've ever had a sneaky little go with some small person's Lego blocks once they're all tucked up in bed, LEGOLAND sees you, tips you their hat… and raises you an adults-only night at their Melbourne Discovery Centre. It's not just any evening for more mature Lego fans, but a LEGOLAND birthday party to mark the centre's first year of operation. With no children to get in the way (or outdo your creations), you'll be able to have free reign of LEGOLAND to check out the 4D cinema and rides, take a factory tour, and build to your heart's content in the brick pits. Challenge yourself by taking on the master builder or a speed build and vie for the prizes up for grabs — there'll even kids' party games, such as pass the Lego parcel, pin the tail on LEGOLAND mascot Bertie, so you can go full inner child mode. BYO shameless excitement, taste for glory, and bustling creativity, as well the eagerness to wear a birthday crown and devour a Lego cupcake. The party takes place from 7pm on April 21, with tickets costing $32.50. As for LEGOLAND's regular adult nights, more will be announced so watch this space.
In news that everyone already knew, no one will be dancing in North Byron Parklands this winter, with Splendour in the Grass moving to November this year instead. Thanks to New South Wales' current COVID-19 outbreak, the lockdown to prevent its spread and the growing number of cases in other Australian states, no one will be making shapes in Sydney this July, either. That's when the fest was planning to host Splendour in the City, a nine-day Sydney pop-up slated for SITG's usual midwinter spot — but organisers have announced that the event has now been cancelled. In a statement on Monday, June 28, the festival's team pulled the plug on the mini fest, which was set to take place at Sydney's Overseas Passenger Terminal from Saturday, July 10–Sunday, July 18. "With Greater Sydney currently in lockdown until 9 July and COVID-19 outbreaks now evolving in other states, it has become impossible to progress with plans to move artists and staff around the country, and also to build the event in Sydney," the Splendour crew noted. "Organisers also acknowledge the health and safety of staff, volunteers and ticketholders is the foremost consideration in line with the health advice from authorities." Splendour in the City has been completely cancelled, rather than rescheduled, too — a decision made due to "uncertainty around venue and artist availability in coming months, and IRL Splendour in the Grass scheduled for November." Ticketholders will start receiving refunds automatically via Moshtix from today, Tuesday, June 29. View this post on Instagram A post shared by Splendour in the Grass (@splendourinthegrass) Splendour's virtual festival Splendour XR will still run online across the weekend of Saturday, July 24–Sunday, July 25 — and, at this stage, Splendour in the Grass itself is slated for Friday, November 19–Sunday, November 21. It's been a rough year or so for the music and events industry, for festivals in New South Wales and for Splendour. 2020's SITG was postponed from July until October, then completely scrapped. Also, plans to proceed in July 2021 as usual were pushed back, leading to the current November date. Splendour in the City was planning to host an array of beloved Australian artists such as SITG mainstays like Violent Soho, Illy, Vera Blue, Dune Rats and Tash Sultana, as well as two stacked nights of stand-up comedy and a whole heap of extras — all aiming to recreate as much of the OG Splendour experience as possible. If the full-sized Byron Bay edition of SITG goes ahead in November, it's set to do so with headliners Tyler, The Creator, The Strokes and Gorillaz; however, that's obviously all reliant upon COVID-19 restrictions allowing the event to take place. Splendour in the City will no longer run from Saturday, July 10–Sunday, July 18 at Sydney's Overseas Passenger Terminal. Ticketholders will start receiving refunds automatically via Moshtix from Tuesday, June 29.
Stark lighting and shadow fall upon the stage, which is tilted at a crazed angle like a skate ramp or the deck of a listing ship. Four men, shirtless, leap onto it like hunting predators. They seem like werewolves or some other supernatural beast, human in form only. With this arresting image, Savages starts. Shortly after, the men will appear toting suitcases and garbed in holiday attire, exchanging merry greetings, but the image of them as monsters is stuck with you. While on the outside, this is a story about a group of 40-ish mates sharing a holiday, there is always a pulse of horror beating beneath the surface. The latest play from Patricia Cornelius (Do Not Go Gentle, 2011) is a story about a group-assisted descent into darkness. A gang of old friends go on a cruise together, a long-awaited boys' holiday, swearing to leave their troubles, responsibilities and concerns behind them. Once at sea, a tension starts to build within the group and the savagery we caught a glimpse of at the start begins to peep out through the cracks. From the beginning, there is a feeling of unreality. The dialogue frequently uses poetic devices, including frequent rhymed exchanges, and is often delivered in a declamatory style. While it feels unnatural, it is purposeful: the camaraderie among the men is depicted as a forced and not entirely convincing ritual that binds a group riven with tension, insecurity and unease. On the steeply angled stage, there is a constant sense of things askew. The men engage in a constant game of competitive hypermasculinity — sweaty chest beating fuelled by lust and anger. No other actors are ever seen, making the men seem shut off from the world, not just by the sea, but locked within their interactions with each other. The group dynamic overpowers them as individuals. Despite an overarching atmosphere of rising menace, the play employs a touch of humour and there are times when the men's antics are amusing, for instance when jostling in a boxy space that represents their cramped cabin, or struggling against their restless natures when trying to relax on deck chairs. In rare private conversations, you see hints of men on the cusp of middle age facing relatable issues — loneliness, career frustration, relationship breakdown, diminishing physical prowess. However there is always something a little bent in the way they process their problems. At first it feels troubling that you can never quite relate to the characters, but by the end you're glad of that. The play draws on real-life cases of foul behaviour on cruise ships — most notably the events surrounding the death of Dianne Brimble in 2002 — though it is not so much a dramatisation of any one set of events as it an evocation of a psychology. While highly stylised, the play's depiction of group dynamics is well observed. Savages is a darkly fascinating piece, a strong statement on the human capacity for inhumanity.
With international travel unlikely to return for some time yet, your 2021 holiday plans probably include vacationing somewhere within Australia. If heading to the country's southern-most state is on your list, and you're keen to do so via car, then you'll welcome the Federal Government's temporary expansion of the Bass Strait Passenger Vehicle Equalisation Scheme — because it's letting travellers take their wheels to Tassie via ferry for a four month period without paying extra. Announced on Thursday, January 7 by Deputy Prime Minister and Minister for Infrastructure, Transport and Regional Development Michael McCormack, the move sees an existing rebate — which dates back to 1996, and is designed to "reduce the cost of seagoing travel between the mainland and Tasmania" — extended via $6 million in funding from the Australian Government. As part of the scheme, it'll be free for passengers on the Spirit of Tasmania ferry to take their vehicles on the journey with them. That also applies to motorcycles and bicycles, if they're your preferred methods of transport. The scheme's expansion covers travel between March 1–June 30, 2021, and can be booked from January 14 — with tickets available until sold out. When you book the journey between Melbourne and Davenport (or vice versa), the rebate will be applied automatically, so you won't need to do anything else. Travellers taking their cars to Tassie with them will save an average of $240 for a return trip. If you're taking a caravan or motorhome with you, you'll still save the same amount — but, unlike with a car, you'll still need to pay an amount on top as the rebate won't cover the full price of the caravan or motorhome fee. There is still a passenger fee, which varies depending on whether you're travelling by day or night, and if it's high or low season. [caption id="attachment_796424" align="aligncenter" width="1920"] Mattinbgn via Wikimedia Commons[/caption] Like plenty of schemes announced by various governments this year — such as Victoria's and South Australia's tourism vouchers — the aim is to get more folks going on local holidays, and spending money to support Australia's tourism industry. Tasmania does currently have border restrictions in place as at the time of writing, affecting those who've been in parts of Victoria and New South Wales. Accordingly, in advice we're all used to by now, it's worth checking the requirements and taking them into consideration when making your booking. For more information about the temporary expansion of the Bass Strait Passenger Vehicle Equalisation Scheme — or to make a booking with Spirit of Tasmania — visit the latter company's website. Top image: Steve Penton via Wikimedia Commons.
The latest addition to the ‘rom-con’ genre by writer/director duo Glenn Ficarra and John Requa (Crazy, Stupid Love), Focus is a surprisingly enjoyable film in spite of its flaws. With the audience guided early on by the Grifter’s Mantra — "Never break focus. Die with the lie." — it’s one where you’re persistently trying to anticipate the next twist and deconstruct every line to reveal its true meaning, only to find yourself constantly (and refreshingly) wrong. Fronting the film is Will Smith in a role that at last plays to his strengths of charm and wit rather than the physical kind (like so many of his recent, ill-conceived outings). Smith plays Nicky, a lifelong conman at the top of his game who one night finds himself the target of the aspiring but guileless gonif Jess (Margot Robbie). Sensing her potential, however, Nicky shows Jess the ropes and invites her to join his crew in New Orleans as they take on the unsuspecting hordes during Superbowl week. From then on, Focus buffets you with twists, deceptions and double-crosses with such marked regularity that you’re never quite sure where you stand. Key to its appeal is the chemistry between Smith and Robbie, simmering deliciously back and forth between master and apprentice, lover and temptress. Robbie’s sex appeal is undeniable, but here — unlike in The Wolf of Wall Street — it’s treated as a playful trait rather than her raison d’etre, even going so far as to make her character spectacularly bad at the art of seduction. It’s a refreshing angle and one that allows Robbie to showcase her genuine acting chops. Solid performances from Smith and Robbie notwithstanding, it’s the secondary characters, however, who ultimately prove the scene stealers (or should that be grifters?). Rodrigo Santoro (Love Actually) makes for a convincing billionaire playboy come Formula 1 team owner, BD Wong is almost unrecognisable as a cashed-up gambler with a near-sexual response to wagers, and Adrian Martinez delivers a laugh a line as Smith’s long-time accomplice ‘Farhad'. The highlight, though, is Gerald McRaney (House of Cards) in a role that very much channels his iconic Major Dad character from the early '90s. Playing Santoro's interminably suspicious bodyguard, he at one point delivers a sublime rant on today’s youth, covering off everything from lazy Sundays to panini and — best of all — “Sarcasm: another pillar of your generation. If you don’t like somebody’s jacket, don’t say ‘Hey nice jacket’, say ‘Fuck off’”. Overall, Focus might not match the sophistication of Ocean’s Eleven or the passion of The Thomas Crown Affair, but it’s an enjoyable enough distraction whose only real major letdown is an unnecessarily twisty ending.
Regional holidays aren't back on the cards in Victoria as yet, but if you're looking forward to leaving your house for an evening once that's permitted, you can still treat yourself to a fancy staycation. And, if you're in need of the kind of fun that only singing in public, mashing buttons, hanging out in an igloo and watching movies on a big screen can bring, Element Melbourne Richmond Hotel has just the prescription. From Monday, November 2, the eco-conscious Westin brand hotel will be offering up a new 'ultimate sleepover' experience, which will be available to everyone staying onsite. You'll spend the night in one of the hotel's rooms and, because you probably feel like you've already done everything you can within any four specific walls, you'll be able to make the most of the site's new entertainment options — with everything from karaoke and playing PacMan to catching a flick included in your room rate. Element Richmond isn't skimping on these extras, either. Available until early 2021, operating from 11am–10pm daily and able to be used as guests please — while adhering to social distancing requirements, of course — the roster of activities on offer is hefty. In fact, the entire top floor is set to be transformed, turning guest rooms and a meeting room into places for everyone to hang out. The hotel's public spaces will be taken over, too, including the lobby lounge, restaurant and outdoor laneway. For those eager to belt out a tune, you can book a two-hour slot in a karaoke room. Two additional rooms will be packed with classic arcade games such as Space Invaders, Donkey Kong, Galaga and Star Wars. There's also a dedicated Super Mario room, which features a huge TV, Nintendo Switch, and all the relevant gaming accessories accessories so you can play Mario Tennis Aces, Mario Kart, Super Mario Party and more. For those who'd prefer a bit of sport — but indoors — you can also head to the air hockey and foosball rooms, as decked out with the relevant tables. And, if you're visiting the hotel with little ones in tow, there's a kids' room as well. Movie-wise, the pop-up cinema will screen classic flicks on rotation, in gold class-style digs, and serve up freshly made popcorn to go with it. Elsewhere around the hotel, guests will find a 3D car-racing simulator, pool and table tennis tables, and igloos — although you will need to purchase anything you'd like to eat or drink in the latter separately. And wine tastings, cocktail masterclass and cooking demonstration with hotel chef Paulson Xavier are also on the agenda. If you're wondering about that topic that's been at the top of everyone's mind for most of the year — cleaning and hygiene — all areas will be cleaned hourly. Guests will also be asked to sanitise all equipment before and after use with the wipes provided, and room capacity limits will apply. Element Richmond also has a hand sanitiser bar — with sannies from the likes of Mr Black, Archie Rose and Four Pillars — that you can peruse. Currently, the 'ultimate sleepover' experience is timed to kick off when COVID-19 restrictions next ease in the metro Melbourne area, which is presently slated for 11.59pm on Sunday, November 1. That's when the four reasons for leaving home will be scrapped, and the new 25-kilometre rule as well — but if that date moves, so will the start date for Element Richmond's plans. It's important to note that your four-legged friend can come along for this staycation, too, as Element is a pet-friendly hotel. Comfy dog beds are available for any four-legged guests, though there is a maximum of two dogs per room and they can't weigh more than 20 kilograms each — apologies to all those particularly leggy hounds and hefty pooches. If you are bringing along your canine mate, there's an $80 pet cleaning fee per room, per stay. Element Melbourne Richmond Hotel's 'ultimate sleepover' experience will be available from Monday, November 2 until early 2021. To book a room, visit the hotel's website.
What a difference fleshed-out characters and a committed cast can make. This shouldn't really be news, but plenty of movies seem happy to overlook both — especially in the popular sub-genre that is the big night out comedy. "Who needs more than stereotypes when everyone's drinking, partying and acting like a lunatic?" appears to be the usual line of thinking. "And why bother with good performances when the script is a bundle of cliches?" The answer to both questions is on display in Girls Trip, a genuine and largely entertaining film that'll help wipe Rough Night and the recent Hangover sequels from your brain. As certain as it's a fact that no good can come from drinking absinthe, Girls Trip follows a tried-and-tested path involving four friends, a raucous weekend away and a crazy amount of alcohol. It's not hard to predict what will happen as self-help guru Ryan (Regina Hall), gossip columnist Sasha (Queen Latifah), single mother Lisa (Jada Pinkett Smith) and wild child Dina (Tiffany Haddish) head to New Orleans for the annual Essence festival. Once close college pals dubbed the Flossy Posse, they've lost touch of late, becoming caught up in their own lives and troubles. A lavish vacation and a let-loose attitude might be just what they need. We're not going to reveal exactly what the gang gets up to, since that would spoil the fun. The point is, the details don't really matter. Viewers have seen most of it before and director Malcolm D. Lee knows it — although to their credit, writers Kenya Barris and Tracy Oliver still find a few unique inclusions. Even so, Girls Trip is unmistakably the latest in the recent string of ladies-behaving-badly flick (think Bridesmaids, Bad Moms and Fun Mom Dinner), and it doesn't do much differently, plot-wise. If anything, one of the reasons that the movie stands out is because it isn't pretending to tell a new story. Rather, it's happy evoking laughs while also feeling authentic. And it's that authenticity that's key. Plenty of the gags swing and miss, and some are downright cringeworthy. How much you'll chuckle in certain parts of the film might depend on your threshold for gross-out humour, while other scenes definitely overstay their welcome. Yet there's an energy and intimacy to Girls Trip that's inescapable. As silly, crude and debauched as the antics get, the warmth and joy surrounding the four protagonists continually sets the movie apart from its predecessors. These gals are written and played like real women who are actually friends, instead of bland female figures being humiliated to prove they're just as unruly as men. Kudos, too, to Hall, Latifah, Pinkett Smith and Haddish. Depicting characters who not only seem like they want to hang out with each other, but that audiences want to spend time with, isn't as easy as it sounds. Doing it within a bawdy comedy is all the more difficult still. The quartet repeatedly hit the mark, with Pinkett Smith a particular delight as the tightly wound mum learning to be herself again, and Haddish not only stealing every scene she's in but putting her stamp all over the film. To say that her delivery of bedroom tips will stick with you is definitely an understatement. https://www.youtube.com/watch?v=HnqkPpSn94Y
For its latest celebration of both movies and music, Melbourne Symphony Orchestra is going back ... to one of the best films of the 80s and one of the best time travel films in general. Hop on your skateboard or in your DeLorean, then head to Hamer Hall (at less than 88 miles per hour, of course). For three days in October, the venue is hosting another classic flick brought back to the big screen while the feature's score gets MSO's live orchestral treatment: Back to the Future. It's enough to make you exclaim "great Scott!", which is actually something you'll probably be doing once you're there — especially given that the 1985 film's original score by Alan Silvestri (Pinocchio) is gaining some extra music. Around 20 minutes of new tunes by Silvestri himself have been added to the lineup only for these shows. So, no matter how many puffy vest and self-lacing shoes you own (or wish you did), you'll be experience something that you haven't while previously watching the Michael J Fox (The Good Fight)-starring hit. MSO is busting out the flux capacitor for three gigs across Wednesday, October 23–Friday, October 25, 2024, each starting at 7.30pm, with Benjamin Northey conducting. The Back to the Future in Concert screenings join the orchestra's lineup alongside already-announced sessions of The Man From Snowy River in August, Home Alone in December and Star Wars: Episode VII — The Force Awakens in May 2025. If you've been living in 1955 or 1855 and are somehow new to all things Back to the Future, the Oscar-winning film — for Best Sound Effects Editing — follows high-schooler Marty McFly (Fox) when he hops back 30 years from the mid-80s to the mid-50s. His journey into the past comes courtesy of a time-travelling version of the most-famous gull-winged vehicle that now exists in pop culture, which is the creation of scientist Doc Brown (Christopher Lloyd, Hacks). But returning home to his own time, and doing so without causing chaos with the space-time continuum — including with younger versions of his parents — isn't straightforward. Fox was already a star when the OG Back to the Future initially hit cinemas thanks to Family Ties but, as 2023 documentary Still: A Michael J Fox Movie stepped through, the Robert Zemeckis (The Witches)-directed movie took his fame up a level. Then 1989's Back to the Future Part II and 1990's Back to the Future Part III swiftly followed. Silvestri mightn't have nabbed an Academy Award nomination or win for his Back to the Future score; however, he picked up two for a couple of other Zemeckis-helmed features: Forrest Gump and The Polar Express. Check out the trailer for Back to the Future below: Back to the Future in Concert will take place between Wednesday, October 23–Friday, October 25, 2024 at Hamer Hall, Arts Centre Melbourne, 100 St Kilda Road, Southbank. Tickets are on sale from 10am on Thursday, July 4 — head to the Melbourne Symphony Orchestra website for more details.
Undoubtedly some of the best fun (and best value) events of the Melbourne Food & Wine Festival, the Crawl 'n' Bite nights have been a highlight in previous years. The restaurant crawls have unfortunately (but predictably) sold out already, but you can still book for a night of cheese and wine — which sounds just good to us, because cheese. Starting at Bar Lourinha, you'll hear from the house sommelier and sample the best the bar has to offer, before moving with your small group to Punch Lane and, eventually, Florentino Upstairs. This special cheese journey is being held on one night only, with two crawls set to go ahead: one starting at 6pm and another at 8pm. And the best part? You don't even have to get on your hands and knees to take part.
"My name is Jordan Belfort" explains Leonardo DiCaprio in the opening to Martin Scorsese's new film, The Wolf of Wall Street. "The year I turned 26, I made $49 million, which really pissed me off because it was three shy of a million a week." If you're a banker, that probably frames this film as something of a tragedy for you. For everyone else, it sets the tone for a semi-true story about a materialistic mercenary whose insatiable appetite for money and power saw him wreak havoc on both the stock market and his own family for two decades. Taking its name and story from Belfort's bestselling (and unsurprisingly self-aggrandising) biography, The Wolf of Wall Street largely confirms all the things you presumed you hated about unscrupulous investment bankers and even establishes a few new ones for you to despise. It is black comedy at its very darkest; a chronicle of depravity that at once amuses and nauseates. In his now award-winning turn as the eponymous 'wolf', DiCaprio holds nothing back — screaming, beaming and drooling his way through every scene with gleeful, passionate intensity. His best lines are often reserved for internal monologue, navigating by narration all the intricacies of drug consumption, prostitute procurement and, of course, stock market manipulation. Alongside him is Jonah Hill in a fantastically weird performance as Belfort's right-hand man Donnie Azoff. Grinning through hypnotically white teeth, Azoff is both Belfort's enabler and guardian — simultaneously safeguarding their friendship whilst steering it irreversibly down the road to inevitable ruin. Despite its cracking pace, The Wolf of Wall Street runs at just one minute short of three hours and definitely feels as long as it is. The cycle of sex, drugs and opulence admittedly entertains at first but soon becomes as unvarying and unremarkable as, presumably, it was in real life. That vapidity is then compounded by the lack of growth experienced by just about every character in the film. Belfort's transformation from wide-eyed newcomer to unapologetic sybaritic lasts precisely one (albeit probably the best) scene right at the start of the film, after which his character arc sits firmly on the 180. Lessons aren't learned, egos aren't checked and virtue never rears its head as the Wolf and his pack cruise, jet and blindly stumble from one orgiastic spectacle to the next. In that respect, The Wolf of Wall Street ultimately feels shallower and less arresting than, say, Oliver Stone's Wall Street or even Brian De Palma's Bonfire of the Vanities. All three unreservedly showcase the extraordinary grandiosity, greed and ruthlessness of men like Belfort, yet Wolf's predecessors prove that less is more when examining those for whom 'more' is the singular ambition. https://youtube.com/watch?v=iszwuX1AK6A
"Male chauvinist pig versus hairy-legged feminist" was the proposal. In a late-night phone call, Billie Jean King (Emma Stone) quickly tells Bobby Riggs (Steve Carell) that her pins are smooth, but the sentiment — sexism vs. feminism — still stuck. She's the number one women's tennis player, riding high from a string of grand slam titles. He's a former champion well past his prime, with a fondness for gambling, talking and self-promotion. It should come as no surprise that King initially turned Riggs down. Why she changed her mind, what she was fighting for, and how their exhibition game made history informs Battle of the Sexes, a recreation of the match of the same name. Reuniting Stone and Carell after Crazy, Stupid, Love, and Carell with Little Miss Sunshine directors Jonathan Dayton and Valerie Faris, King and Riggs' famous tussle inspires an engaging, entertaining effort — one that's as much about the showdown at its centre as it is the struggles it stood for. Pitting a boorish headline grabber against a woman striving for equality, and throwing in Australian tennis player Margaret Court (Jessica McNamee) as one of the villains, its contents are also incredibly relevant today. Battle of the Sexes introduces King doing the two things she'll become best known for: smashing it on the court and thrashing it out over prize money. Fresh from victory at Wimbledon, she demands the same amount of cash for women as is given to men. When US tennis association head Jack Kramer (Bill Pullman) declines, she starts her own competition with World Tennis magazine founder Gladys Heldman (Sarah Silverman). Enter Riggs, a locker room bet that he could beat any female player, and a public promise to put ladies back in the kitchen and the bedroom. At first King refuses to become part of the spectacle, but when Riggs plays Court and wins, the standing of women's sport is on the line. It's estimated that 90 million people watched the match worldwide. With its '70s-style visuals and upbeat attitude, a perfectly fine sports biopic could've easily resulted from simply pitting King's sympathetic protagonist against Riggs' over-the-top foil. But that's not quite what Battle of the Sexes sets out to do. With King also the first prominent female athlete to come out as a lesbian, her relationship with hairdresser Marilyn Barnett (Andrea Riseborough) forms part of the story, as scripted by Slumdog Millionaire Oscar-winner Simon Beaufoy. It's sensitively explored, evoking the excitement of falling for someone new as well as the confusion plaguing the married King. It also makes the parallels between her professional and personal troubles clear — and there's a reason that the prickly, naysaying Court makes such an apt inclusion. Fresh from her La La Land glory, Stone arrives ready to serve up a powerhouse performance. Swinging a racket rather than singing up a storm, she paints a compelling portrait of a woman driven by what's right and fair, even as she's wrestling with her own turmoil. Carell, meanwhile, has fun putting "the show back in chauvinist", although you'll never forget that you're watching Carell. Then again, perhaps that's fitting. King fought for all women to be treated equally, and later for LGBTIQ rights. Riggs, on the other hand, just wanted to get back to the spotlight. https://www.youtube.com/watch?v=-RwiDnmJC7w
Victorians, it's holiday time. After spending so much of 2020 staring at your own four walls, you probably don't need much motivation to head out of town, but the State Government is giving you some anyway. In an effort to encourage everyone to take a getaway within the state, it's handing out $200 vouchers for regional travel. The move was first announced back in mid-November — as part of a $465 million Victorian Tourism Recovery Package — and, in December, the exact details of what you can spend the money on, when you can spend it and exactly how you can get your hands on the vouchers were unveiled. Then, the first round of 40,000 vouchers was made available, and proved so popular that another 30,000 were released to meet demand (and make up for the fact that the Business Victoria voucher registration page had to go offline for extended periods because so many folks were trying to access it). The Victorian Government has revealed that the initial vouchers were primarily used for trips to Mornington Peninsula, Bass Coast, East Gippsland, the Surf Coast and High Country — but the scheme was always planned to be a multi-round affair. So, as previously announced, the next batch will become available today, Wednesday, January 20. You'll need to head online at 10am AEDT to nab one, with 40,000 available — covering travel between January 27–April 1. [caption id="attachment_794508" align="aligncenter" width="1920"] Peninsula Hot Springs via Visit Victoria[/caption] There are two obvious aims to the scheme overall: enticing Victorian residents to go venturing throughout the state, and helping support regional pubs, hotels, wineries and small businesses. If you don't get one this time, the final round of vouchers will be handed out on Tuesday, March 30, for travel between April 6–May 31. The vouchers can be spent on accommodation, tourism attractions and tours in regional Victoria, the Yarra Ranges and the Mornington Peninsula. But, there's a hefty list of things you can't spend them on, including gaming, alcohol, fuel, food and drinks (unless it's part of a winery tour, for example), groceries, personal items (such as clothing) and transport (such as rental cars and public transport). So, you can't just use the voucher to road trip to a pub, but you can use it to book accommodation at the pub, then spend your own money on food and drinks — which will still make your trip away significantly cheaper. There are some additional caveats, too: the vouchers are limited to one per household (not per person) across the entire scheme; you must first provide evidence of spending $400 on accommodation, attractions or tours before getting your $200; and you must pay for a minimum of two nights accommodation in regional Victoria. Which means, at most, half of your expenses will be covered — but, that's $200 that you won't have to fork out yourself. Yes, it's a little complicated — but the Vic Government has broken it down in more detail over here. It has also given some more examples of what you can use the vouchers on, including holiday parks, camping sites, cottages, farm stays, private holiday rentals, houseboats (yes, houseboats), winery tours, adventure tours and entry fees to regional attractions, such as. museums, water parks and adventure parks. You can apply for the second round of 40,000 $200 travel vouchers from 10am on Wednesday, January 20 at business.vic.gov.au/travelvouchers. The final round will open on Tuesday, March 30. Top image: The Rail Trail, Visit Victoria/Josie Withers.
Alright, alright, alright. NSW has a new tiny cabin — but this one is a little different. Aussie startup Unyoked, which currently has 12 tiny cabins around NSW and Victoria, has teamed up with the one-and-only Matthew McConaughey to launch the new extra-special off-grid getaway. As part of his role as Wild Turkey's creative director, the Dazed and Confused, Dallas Buyers Club and The Beach Bum actor helped design the cabin, which is popping up on the NSW Central Coast from December. It's launched as part of Wild Turkey's With Thanks campaign — a global initiative supporting people and organisations committed to preserving wildlife. [caption id="attachment_751856" align="alignnone" width="1920"] Inside the The Reserve by Wild Turkey X Unyoked cabin. Getty Images for Wild Turkey.[/caption] Previously, the campaign has helped firefighters battling blazes across California. Now, it's doing its bit in Australia, with both proceeds from stays at the new cabin and $1 from every bottle of Wild Turkey Longbranch sold in November and December going to the Foundation for National Parks & Wildlife, which is helping with the recovery and rehabilitation of native flora and fauna caused by the ongoing NSW bushfires. While this is a great excuse to book a getaway on its own, there's an added bonus for McConaughey fans inside the cabin, too. The actor himself won't be there, but he has filled it with his favourite music, vintage literature and booze (no prizes for guessing what that is). As well as a bar stocked with Wild Turkey Longbranch — McConaughey's own blend, which he says it best drunk with "a couple of rocks at sundown and neat at 8.30pm" — you'll find Og Mandino's The Greatest Salesman in the World, Origins: African Wisdom for Everyday by Olivier Follmi and a collection of essays by 19th century American philosopher Ralph Waldo Emerson. [caption id="attachment_751855" align="alignnone" width="1920"] Getty Images for Wild Turkey.[/caption] You'll be able to listen to McConaughey's favourites tunes on tapes, too, including Talking Timbuktu by Ali Farka Touré and Ry Cooder, Sturgill Simpson's Metamodern Sounds of Country Music and Highway 61 Revisited by Bob Dylan. If American country and folk music isn't your schtick, make sure you download some alternative playlists before you head off — there won't be any wifi at this off-grid cabin. As well as the above, the solar-powered cabin is equipped with basically everything else you'll need for your off-grid adventure — bedding, towels, plates, a gas stove and even toilet paper is provided. Plus, you can add on extra luxuries like negronis, s'mores kits and pancake mix at the time of booking. Reservations for the one-of-a-kind cabin have just opened. A night in it will set you back $293 on a weeknight and $353 on a weekend (when you'll have to stay for at least two nights). Most of December is already booked up but there are plenty of free nights in January and beyond — for now. We're sure they'll get snapped up fast. The Reserve by Wild Turkey X Unyoked cabin will pop up on NSW's Central Coast in early December. You can book here. Images: Getty Images for Wild Turkey at the launch of the cabin at Bennelong Lawn. Updated: November 28, 2019.
Following years spent on the other side of the world from each other, friends Tim and Paddy had a chance encounter at The Wandi Pub — and almost instantly knew that they would run the place together. Acquiring the place in late-2015, the boys transformed the old-school pub into a bustling joint with cocktails, craft beers and, of course, some pretty tasty nosh. It's a regional pub with just a hint of city appeal. Inside, keep warm by the roaring fireplace or, if in the massive beer garden, cosy up to one of the fire pits dotted throughout while still getting that fresh country air. With nine beer taps available to choose from and frequent gigs, The Wandi is ideal for those wanting to escape the big smoke but still want their beer extra hoppy and their food mighty tasty. Afterwards, you can walk off your feed on the two-kilometre Diggings Walk, which takes you through former goldfields and across a Chinese-style swing bridge. Then, head to Nightingale Bros to pick up some alpine cider and seasonal produce — think chestnuts and persimmons.
It has been almost two years since a Marvel movie hit the big screen. If you're a fan of the Marvel Cinematic Universe, you've probably been feeling their absence. But, since the beginning of 2021, you've likely also been heading to Disney+ to check out a few new small-screen adventures. First came WandaVision, which focused on Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and Vision's (Paul Bettany) story after Avengers: Endgame. It added something different to the MCU, overtly aping classic sitcoms such as I Love Lucy, Family Ties and Malcolm in the Middle as it puzzled its way through Wanda and Vision's small-town life — and had everyone wondering why Vision was even walking and talking post-Endgame at all. Now, The Falcon and the Winter Soldier is also telling a story set after the last Avengers flick, this time with Anthony Mackie and Sebastian Stan's eponymous characters. Based on its first episode so far, it's much more conventional than WandaVision. It doesn't boast a fabulous performance by Parks and Recreation's Kathryn Hahn, either. But, it does explore the everyday existence of both Sam Wilson and Bucky Barnes, who'll team up over the rest of the show's six-episode season. It seems that plenty of people were keen to see what happened next for Wilson and Barnes, and to keep adding a new Marvel episode to their weekends after WandaVision wrapped up. Debuting last week, on Friday, March 19, The Falcon and the Winter Soldier's first episode has become Disney+'s most watched premiere ever. Although the streaming platform hasn't given any actual numbers — which tends to be the case when such services boast about their viewership, as Netflix has also demonstrated — it has announced that The Falcon and the Winter Soldier earned the feat between Friday and Sunday, and was also the most-watched title overall globally over the three days. That means that more folks took a look than when WandaVision premiered, and when Star Wars series The Mandalorian did too, although those shows sit second and third on Disney+'s list of biggest opening weekends. Over The Falcon and the Winter Soldier's remaining five episodes, the series will bring back Daniel Brühl as Baron Zemo and Emily VanCamp as Sharon Carter. As seen already, Wyatt Russell (The Good Lord Bird) is also joining the MCU as John Walker. And yes, the MCU's fourth phase will include more TV shows after this — such as Loki, which hits in June; Secret Invasion, starring Samuel L Jackson as Nick Fury; and a series set in Wakanda. For now, if you haven't viewed the first episode of The Falcon and the Winter Soldier already, you can check out the trailer below: https://www.youtube.com/watch?v=IWBsDaFWyTE The first episode of The Falcon and the Winter Soldier is available to stream now on Disney+, with new episodes added each Friday for the next five weeks. Top image: Marvel Studios 2021. All Rights Reserved.
Going into Scream VI, viewers know who the killer definitely isn't: the horror franchise's OG final girl Sidney Prescott. Neve Campbell's (The Lincoln Lawyer) character has been a pivotal part of every Ghostface-stalked flick from 1996's initial Scream through to 2022's fifth entry Scream, but famously isn't in the stab-happy saga's latest chapter due to a pay dispute. That's one big change for returning filmmakers Matt Bettinelli-Olpin and Tyler Gillett to grapple with in their second slice of the blood-splattering, scary movie-loving action. À la Friday the 13th Part VIII: Jason Takes Manhattan — which gets an early nod, naturally — they also move said action to New York. But even if you take Ghostface and the murderer's targets out of Woodsboro, and shake up who the masked maniac swings a knife at, Scream is going to Scream in a screamingly familiar fashion. It has before in Ohio in Scream 2 and Hollywood in Scream 3, and the series knows it. New movie, new city, same setup, same gravelly Roger L Jackson voice, same 'Red Right Hand' needle drop, same overall formula: throw in the same winking, nodding, self-referential attitude, plus the same penchant for mentioning horror movies, their tropes and cliches, and general film theory, and that's Scream VI's easy cut. Once again, someone dons Ghostface's ghost face, of course, and uses whichever blade happens to be in the vicinity (and a shotgun) to terrorise teens and long-victimised targets. Murder Mystery's James Vanderbilt and Ready or Not's Guy Busick haven't taxed themselves with the screenplay — their second Scream effort, after the previous flick — but the franchise's pattern keeps making a comeback for a reason. While intrepid reporter Gale Weathers (Courteney Cox, Shining Vale) notes the world's current "true-crime limited series" obsession, whodunnits and murder-mysteries date back further, and that's where every Scream instalment has also carved a niche since the late, great Wes Craven and Dawson's Creek creator Kevin Williamson started things off. With Sidney happily explained away, Sam Carpenter (Melissa Barrera, In the Heights) is Ghostface's present obsession. She was last time, too, which didn't end well for some of her friends and acquaintances. A year later, she's in the Big Apple because that's where younger sister Tara (Jenna Ortega, Wednesday) goes to college, and Sam isn't keen to let her out of her sight. Horror movie fanatic Mindy Meeks-Martin (Jasmin Savoy Brown, Yellowjackets) and her twin Chad (Mason Gooding, Love, Victor) are also new-ish ex-Woodsboro kids on campus. And, when bodies start piling up, starting with the saga's obligatory and engagingly effective cold open — with Samara Weaving (Babylon) reuniting with her Ready or Not directors to follow in Drew Barrymore (Santa Clarita Diet), Jada Pinkett Smith (The Matrix Resurrections) and the like's footsteps — Scream VI's core four have another date with a psychopath. Sam, Tara, Mindy and Chad also have fresh-faced NYC company, adding to the suspect pool. Sam and Tara are bunking with sex-positive roommate Quinn Bailey (Liana Liberato, A Million Little Things), who has a police detective (Dermot Mulroney, Umma) for an overprotective father. Chad does the same with the studious Ethan Landry (Jack Champion, Avatar: The Way of Water), while Mindy is dating Anika Kayoko (Devyn Nekoda, Sneakerella). Plus, Sam is enjoying a secret fling with neighbour Danny Brackett (Josh Segarra, She-Hulk: Attorney at Law). Because they're all well and truly in a franchise — when Mindy gives her obligatory lecture about what movie conventions dictate should happen next, she expands beyond just horror films to ever-sprawling sagas — Gale hightails it to campus when murders start occurring, and Scream 4's Kirby Reed (Hayden Panettiere, Nashville) also finds reason to drop by. Sadly, when Mindy does get a-babbling about "the rules", she mentions a word that no one who saw 2022's Scream should ever want to hear again: requel. At least that term for do-overs that stick with an established timeline, bring back legacy characters, but pump in new blood to also give the original a remake doesn't then get splashed around as frenetically as Ghostface splashes gore in this followup. Scream VI doesn't get to insufferable levels of geeking out, either — that its predecessor did even for the most adoring horror-movie fans, aka the series' main audience, was an unwanted feat but a feat nonetheless — instead satirising itself by literally asking "who gives a fuck about movies?". Still, Mindy's whole speech, surveying her pals, assessing who is likely to kill or be killed, and waxing irreverent about scary film and franchise lore, shows how beholden Scream VI is to the saga's standard formula. Accordingly, don't believe Mindy when she says this isn't a requel sequel: it is. Also don't believe her when she states that old rules no longer apply: they patently do. Don't believe Mindy when she starts talking about subverting expectations as well, claiming that franchises will only keep on keeping on if they do just that. The horror genre gushes with ongoing series — some namechecked in Scream VI — that've proven the exact opposite because viewers showed up anyway, and little in this Scream entry upends the saga's basics. In fact, the big reveal is dispiritingly by-the-numbers, lacking the smart and savage commentary that helped improve the last Scream's choice of culprit in the process. Noting the wearing nature of living with trauma is a meaningful touch, but never deeply explored. The shoutout to franchise fatigue is also far more superficial than any Ghostface-caused gash. Plus, though focusing on Sam's inner turmoil has the potential to get the inevitable seventh flick to truly try something different, the callback that comes with the storyline is already clunky and played out. Scream VI is still fun enough as a slasher-comedy-slash-whodunnit; staging that slashing, plus the suspense and sleuthing around it, remains Bettinelli-Olpin and Gillett's best Scream-relevant skill. That was never in doubt after Ready or Not, and their aforementioned cold open here is entertaining, playful and expertly executed. The New York setting sparks stabbings in alleyways, subways and bodegas, all impressively and tensely shot — although Montreal makes a particularly unconvincing Big Apple. And if you're going to stick with business as usual no matter what the sassy dialogue promises, Barrera, Savoy Brown, stalwart Cox, eagerly anticipated returnee Panettiere, and especially growing scream queen (see also: X and Studio 666) Ortega and always-welcome The Other Two star Segarra, are killer company.
Opening quietly in a corner shop building on Bridge Road, Reunion & Co has joined the cafe-dotted and caffeine-fuelled hum of this bustling area. Sitting snugly in the building directly next to one of Richmond’s favourites, Touchwood, this new business feels right at home. Elements from the historic building's past have been carefully matched with more modern fittings; the Victorian-style ceiling complements the sleek timber furniture, ornate stained glass entrance and exposed wooden beams. A large concrete box breaks the room in two, hiding the busy kitchen from view, while hanging potted plants and vines add a smart touch of nature to the elegant modern design. With a focus on locally sourced farming, the food menu is a mix of typical breakfast and lunch dishes, with a few standout options. The local pine mushrooms with walnuts, goats curd and greens ($17.50) has a little kick with the addition of chilli — gentle, but just enough to add that something special to round out the dish. For a sweet breakfast, we recommend the Bircher muesli soaked in coconut milk with poached pear, pistachio, berries and lemon balm ($12.50), or a social media share-worthy bread and butter pudding topped with sultanas, mixed berries, lemon balm, luxurious double cream and edible flowers ($16). The presentation of this dish is wonderful. Coffee is supplied from Allpress and expertly poured from their La Marzocco machine. A range of teas, juices and smoothies are on offer, though these lack the attention to detail the rest of the cafe brings. We tried the Monkey Magic smoothie ($9), a blend of banana, cacao, dates, almond milk and cinnamon, served in a glass mason jar. Busy joggers and those on-the-go take note: there is a window around the corner in Neptune Street for takeaways. And as well as coffee, there's also a tempting selection of bagels, cakes and pastries available to go. While Reunion & Co is nothing we haven't seen before and not yet a destination cafe, it is nice to see an attractive new addition to the area. And with good coffee and a solid staple breakfast menu, it's a potential regular for the locals.
The Northern Territory is gearing up to host its annual explosion of light and colour as Parrtjima — A Festival In Light returns to set Alice Springs aglow from Friday, April 7–Sunday, April 16. But first, it's bringing a taste of its luminous, immersive installations down south. For the first time ever, the blockbuster event is hosting a spinoff showcase outside of the Red Centre, with one of the fest's regular installations, Grounded, appearing at Melbourne's Federation Square from Friday, March 10–Saturday, March 11. Grounded features an animated sequence displayed via large-scale projections, blending Indigenous artworks and storytelling with enveloping soundscapes. Usually projected over red dirt at Alice Springs Desert Park when it features for Parrtjima, it's a captivating fusion of ancient culture and modern technology. Here in Melbourne, it'll bring the Parrtjima concept to life in a very different — and urban — space. Visitors will be able to step right through the interactive installation as it's splashed across Fed Square's sandstone surfaces, immersing themselves in the visuals and Dreamtime stories as they flow. You'll catch works from 12 artists showcased in Grounded, all of them previous Parrtjima participants. The bill includes names like Anne Dixon, Roseanna Larry, Marina Pumani Brown, Corban Clause Williams, Isaac Girrabul and Hannah Nungarrayi, with a range of art centres represented. And prepare to be equally swept away by the matching soundscapes, composed by artists including Sydney-based hip hop act Wicked Beat Sound System and Filipino Aboriginal rapper Rhyan Clapham, aka Dobby. Grounded will be free to experience, showing after dark each night. A free, public celebration of Aboriginal art, culture and storytelling, Parrtjima heroes First Nations people via a bumper program of music, film, talks and workshops each year. Alongside dazzling installations, its lineup of musical acts is worth making the trip to the NT for alone, including Docker River Band, Emily Wurramara, JK-47 and KAIIT. Grounded will appear at Federation Square from Friday, March 10–Saturday, March 11, showing from 8–11pm each night.
It's blast from the past time, again — and time to spend a couple of nights journeying back a few decades just by hitting the dance floor. Whether you lived through the 90s rave scene, spent every weekend enjoying club life in the 00s or just wish you were old enough to have ticked both boxes, Ministry of Sound will take you there when its huge Testament parties return for 2025. Ministry of Sound itself was around through both eras, so you couldn't be in better hands to get retro via old-school 90s and 00s bangers. The Testament events also toured Australia in 2023 and 2024, and will return for another year — including for two nights in Melbourne on Saturday, April 5 and Saturday, April 12. Each evening is devoted to either the 90s or the 00s, so you'll need to attend both if you want to make shapes to tunes from both decades. But it's a choose-your-own-adventure type of affair, which means that fans of late 20th-century beats can hit up the session dedicated to 90s house, rave, trance and garage tracks if that's all that you're keen on, while lovers of 00s electro and breaks get their own shindig. The DJ lineup is headlined by international acts such as Paul Oakenfold, Roger Sanchez, Felix Da Housecat, Graeme Park, Krafty Kuts, Plump DJs, Smokin Jo and Utah Saints. Australia's own John Course, Sgt Slick, Minx and Mark Dynamix are also on the bill, alongside over 60 other names across the tour. Your destination: The Timber Yard, with the 90s night taking over on the first week and the 00s evening on the second.
Victoria's strict rules surrounding social distancing and public gatherings have been extended until at least midnight on Sunday, August 16, with the government announcing the extension of its COVID-19 State of Emergency. First made in March and due to expire at midnight on Monday, April 13, the State of Emergency has already been extended until May 11, June 20 and July 19. With the new extension, the state's current restrictions — which include a new mandatory requirement to wear masks and facial coverings in metropolitan Melbourne and Mitchell Shire, areas that are also presently under stay-at-home requirements — will now be in place for four more weeks. The move comes after an ongoing rise in Victorian coronavirus case numbers over the past few weeks, with "the majority of our outbreaks are now coming from settings where people are working closely together," the government said. The State of Emergency declaration allows the state's authorised officers to "act to eliminate or reduce a serious risk to public health" as directed by Victoria's Chief Health Officer Brett Sutton. That means restricting movement, preventing entry to premises and venues, and detaining people — measures that have been in place over the past four months as the state responds to the coronavirus. https://twitter.com/VicGovDHHS/status/1284383562125410304 Announcing the extended State of Emergency in a press conference today, Sunday, July 19, Victorian Health Minister Jenny Mikakos noted that it was necessary "given that we continue to see rising case numbers, increasing numbers of people being hospitalised and sadly also increasing fatalities". Fines continue to be handed out to folks who breach the restrictions, with the state's financial penalties spanning up to $1652 for individuals and up to $9913 for businesses. Under the State of Emergency, people who refuse to comply can also be taken to court, where the fine imposed could reach up to $20,000 for individuals and $100,000 for companies. To find out more about the status of COVID-19 in Victoria and how to protect yourself, head to the Victorian Department of Health and Human Services website.
Melbourne is doing everything it can to retain its label as world's most liveable city, with a pair of green spaces set to spring forth in the CBD. As outlined in the City of Melbourne's 2017-18 draft budget, both Elizabeth Street and Southbank Boulevard are facing significant redevelopment, in what Lord Mayor Robert Doyle has called "a once-in-a-generation project." The draft budget allocates $11 million to a three-year $35 million project that will see an entire lane of Southbank Boulevard, along with adjoining Dodd Street, transformed into an open space featuring greenery, public art spaces, 'green' tram tracks and 1.2 kilometres of bike lanes. "The new public space planned for the front of the ABC alone would be roughly the same size as the City Square," said Doyle. "Dodds Street will be remade into a public space that can cater for everything from street performances to farmers markets and medium scale music festivals at the doorstep of the Victorian College of the Arts." "Dodds Street will be redesigned into a public space that can cater for everything from street performances to medium scale music festivals at the doorstep of the Victorian College of the Arts," he added. Meanwhile, $1.5 million will be used to revitalise the southern end of Elizabeth Street between Flinders Street and Flinders Lane. The southbound traffic lane will be closed in order to make way for new paving, lighting, street trees and drainage works that will in turn improve pedestrian access to Flinders Street Station. "Elizabeth Street is one of Melbourne's most significant civic spines but it's fallen behind and it needs an upgrade," said Doyle. "It's crucial that we make this area more pedestrian-friendly to cater for Melbourne's booming population." Updated: July 13, 2017.
Food is usually the gift you give when you can't think of anything else. Come on, you know it's true. That said, anyone getting their dad Gelato Messina's latest special Father's Day creation can't be accused of that. If you're giving someone something that you're fighting the urge to just order for yourself, you're definitely giving a thoughtful present — and who doesn't want to tuck into three of the gelato chain's favourite desserts in chocolate bar form? Chocolates are Messina's Mother's Day go-to — and this year they're on the brand's Father's Day menu as well. The new three-pack marks the first time that Messina has ever made chocolate bars and blocks itself, however, with the team at its Rosebery headquarters doing the honours. Each kit actually contains nine items, but of three different types of chocolate. Loved Messina's recent cone-ception cookie pies? It has turned the concept into mini 105-gram chocolate bars, which combine sable biscuit, waffle cone spread and cone crunch, then cover it all in caramelised white chocolate. Your dad will get four of those, plus four mini milk chocolate Messinatella hazelnut bars featuring sable biscuit, Messinatella choc hazelnut spread and roasted hazelnuts. And, taking the final spot in the kit is the neapolitan chocolate block — and yes, it's made with milk chocolate, white chocolate that features Heilala vanilla, and strawberry chocolate infused with freeze dried strawberries. This gift will set you back $45, and it's being shipped, which is handy for folks in lockdown. Also, delivery won't cost you extra. Like most Messina specials, it's going on sale on a Monday morning — at 9am on Monday, August 23, to be exact. Then, it'll get brought to your door, with orders shipping on or before Friday, August 27. Gelato Messina's Father's Day chocolate three-packs will be available to order from 9am, Monday, August 23.
When Jamie Campbell wore a dress to his high school dance, he couldn't have known what would come next. In 2011, his story hit the small screen thanks to TV documentary Jamie — Drag Queen at Sixteen. In 2017, it became an acclaimed West End stage musical, nabbing five Olivier Award nominations in the process. And in 2020, the show is finally heading to Australia for a huge national tour. Premiering at the Sydney Opera House in July before hitting up Western Sydney, Wyong, Melbourne, Brisbane, Canberra, Perth and Adelaide between September 2020–February 2021, Everybody's Talking About Jamie tells Jamie's coming-of-age tale, complete with an upbeat pop score by The Feeling's Dan Gillespie Sells. Drawn from reality but universal in its emotions and resonance, it's a story of friendship, being yourself and overcoming obstacles such as bullies and prejudice. Here, Jamie New is a 16-year-old living in a council estate in Sheffield in Northern England. He's teased about his sexuality by his classmates, but dreams of attending prom in drag. And, despite the taunting and the small-minded attitudes around him — except from his supportive mum and his loyal friends — he's determined to make that dream a reality. In the Australian production, Fan Girls' James Majoos will play Jamie and Helen Dallimore will play his mother, with the rest of the cast including Simon Burke, Elise McCann, Shubshri Kandiah, Christina O'Neill and Harry Targett. The musical's Aussie run couldn't be better timed, too, with a movie adaptation of Everybody's Talking About Jamie due to hit local cinemas in early December. EVERYBODY'S TALKING ABOUT JAMIE 2020-21 AUSTRALIAN SEASON Sydney — Saturday, July 18–Sunday, August 30, Drama Theatre, Sydney Opera House Western Sydney — Friday, September 4–Sunday, September 13, Sydney Coliseum Theatre, West HQ Wyong — Monday, September 28–Sunday, October 4, The Art House Melbourne — Friday, October 9–Sunday, October 25, Arts Centre Melbourne Brisbane — Friday, November 13–Sunday, November 29, QPAC Canberra — Friday, December 11–Sunday, December 13, Canberra Theatre Centre Perth — Friday, January 22–Sunday, January 31, 2021, His Majesty's Theatre Adelaide — Friday, February 5–Sunday, February 14, 2021, Her Majesty's Theatre Check out the trailer below: https://www.youtube.com/watch?v=Z3mjSUeOg5g&feature=youtu.be Everybody's Talking About Jamie's Australian season will premiere at the Sydney Opera House's Drama Theatre between Saturday, July 18–Sunday, August 30, before touring to Western Sydney from Friday, September 4–Sunday, September 13; Wyong from Monday, September 28–Sunday, October 4; Melbourne from Friday, October 9–Sunday, October 25; Brisbane from Friday, November 13–Sunday, November 29; Canberra from Friday, December 11–Sunday, December 13; Perth from Friday, January 22–Sunday, January 31, 2021 and Adelaide from Friday, February 5–Sunday, February 14, 2021. To join the ticket waitlist, visit the production's website — with Sydney ticket pre-sales starting at 9am on Wednesday, March 11 before general public sales open at 9am on Tuesday, March 17. Top images: Alistair Muir / Johan Persson.
