Excellent news, marshmallows. In fact, if you're a Veronica Mars fan, this past year just keeps delivering. First, we found out that the beloved series was coming back for a fourth season. Then, not one, not two, but three teasers and trailers showed us just what kind of sleuthing fun we were in for. Now, Australian streaming platform Stan has announced that it'll become Ms Mars' new home for the fictional private eye's upcoming run of episodes. This news isn't minor — until now, just when and where Aussie were going to be able to watch Veronica Mars' fourth season was unknown. And if you've got a long-enough memory, and can recall how poorly the original first three seasons were treated by local TV back in the mid 2000s, you might've been worried. With the show launching on Friday, July 26 in the US, it'll hit Stan here on Saturday, July 27 — at the same time, thanks to the time difference. In America, it appears that all eight new episodes are dropping at once, so expect that to be the case here as well. Story-wise, the fourth season sees Veronica (Kristen Bell) back in her hometown of Neptune, still in the P.I. game with her dad Keith (Enrico Colantoni) and still solving mysteries. This time, a series of bombings and a shady ex-con turned businessman (JK Simmons) are on her radar. As well as plenty of twists and turns to follow, expect a heap of other familiar faces in the form of Jason Dohring as Veronica's on-again, off-again love interest Logan, Percy Daggs III as her bestie Wallace and Ryan Hansen as her sleazy ex-classmate Dick. Check out the full trailer, from US network Hulu, below: https://www.youtube.com/watch?v=pt0QuaQ0huk Veronica Mars will hit Stan on Saturday, July 27, with an exact launch time yet-to-be announced. We'll update you when it is.
It's happening again. Another year, another round of shiny trophies being handed out throughout Hollywood. Indeed, before Monday, March 13 comes to a close Down Under, Tinseltown will have anointed a new batch of Oscar winners. The nominations dropped in late January, speculation over who'll emerge victorious dates back well into 2022, and now it's time for the Academy Awards to name its latest greats at its 95th ceremony. Here's hoping that the focus will be on the films rather than mid-ceremony mayhem in 2023. The past year boasts no shortage of exceptional flicks deserving plenty of love — whether multiverse chaos, war epics, high-soaring sequels, music biopics or Irish gems end up scooping the pool, sharing the attention or going home empty-handed. Plus, in a bonus for movie lovers in Australia, you can watch 37 of this year's nominated features right now. Some are playing in cinemas, others are streaming, and a few give you options for either big- or small-screen viewings. Here's your pre-Oscars binging rundown on where to see them all. ON THE BIG SCREEN: AFTERSUN Nominations: Best Actor (Paul Mescal) Our thoughts: The simplest things in life can be the most revealing, whether it's a question asked of a father by a child, an exercise routine obeyed almost mindlessly or a man stopping to smoke someone else's old cigarette while wandering through a holiday town alone at night. Following the about-to-turn-31 Calum (Paul Mescal, The Lost Daughter) and his daughter Sophie (debutant Frankie Corio) on vacation in Turkey in the late 90s, this astonishing feature debut by Scottish writer/director Charlotte Wells is about the simple things — but Aftersun is always a movie of deep, devastating and revealing complexity. Where to watch: In Australian cinemas. Read our full review. ALL THE BEAUTY AND THE BLOODSHED Nominations: Best Documentary Feature Our thoughts: Nabbing the Golden Lion at the 2022 Venice Film Festival, this documentary by Citizenfour Oscar-winner Laura Poitras is a film about many things: photographer Nan Goldin, her complicated history, her work, her chronicles of the LGBTQIA+ community and the 80s HIV/AIDS crisis, and her efforts to counter the opioid epidemic all included. Flitting between her images, recollections, and ongoing battle to bring the company and wealthy family behind OxyContin to justice by targeting their ties with galleries, All the Beauty and the Bloodshed is also a passionate, empathetic and piercing emotional epic. Where to watch: In Australian cinemas. Read our full review. AVATAR: THE WAY OF WATER Nominations: Best Picture, Best Production Design, Best Visual Effects, Best Sound Our thoughts: When James Cameron's second dip in what's now officially a franchise manages to be as involving as he wants it to be, and has audiences eagerly awaiting its third, fourth and fifth instalments in 2024, 2026 and 2028, it's an absolute visual marvel. When that's the case, it's also underwater, or in it. Yes, Avatar: The Way of Water takes its subtitle seriously, splashing that part of its name about heartily in as much magnificently detailed 3D-shot and -projected glory as its director, cinematographer Russell Carpenter (a True Lies and Titanic alum) and hard-working special-effects team can excitedly muster. Where to watch: In Australian cinemas. Read our full review. CLOSE Nominations: Best International Feature Film Our thoughts: When 13-year-olds Léo (debutant Eden Dambrine) and Rémi (first-timer Gustav De Waele) dash the carefree dash of youth in Close's early moments, rushing from a dark bunker out into the sunshine — from rocks and forest to a bloom-filled field ablaze with colour, too — this immediately evocative Belgian drama runs joyously with them. Girl writer/director Lukas Dhont starts his sophomore feature with a tremendous moment, one that sees his two leads bolting from the bliss that is their visibly contented childhood to the tussles and emotions of being a teenager, and it only gets better from there. Where to watch: In Australian cinemas. Read our full review. EMPIRE OF LIGHT Nominations: Best Cinematography Our thoughts: 1917, director Sam Mendes jumps back to 80s for this ode to cinema — to the coastal town of Margate in Kent, where the Dreamland Cinema has stood for 100 years in 2023. In Empire of Light, the art deco structure has been rechristened The Empire, and is where a small staff under the overbearing Donald Ellis (Colin Firth, Operation Mincemeat) all have different relationships with their own hopes and wishes. But duty manager Hilary (Olivia Colman, Heartstopper) and new employee Stephen's (Micheal Ward, Small Axe) stories are thankfully far more complicated than simply paying tribute to a medium. Where to watch: In Australian cinemas. Read our full review. LIVING Nominations: Best Actor (Bill Nighy), Best Adapted Screenplay Our thoughts: Somehow, Bill Nighy made it all the way into his 70s before receiving a single Oscar nomination; his nod for Living isn't a career nod, however, but thoroughly earned by his sensitive turn as a dutiful company many facing life-changing news. Set in 50s-era London, it's an adaptation several times over — of Akira Kurosawa's 1952 film Ikiru, which takes inspiration from Leo Tolstoy's 1886 novella The Death of Ivan Ilyich. At all times, Nighy, director Oliver Hermanus (Moffie) and screenwriter Kazuo Ishiguro (also the author of The Remains of the Day and Never Let Me Go) live up to that lineage. Where to watch: Living officially opens in Australian cinemas on Thursday, March 16, with preview screenings from Friday, March 10–Sunday, March 12. TÁR Nominations: Best Picture, Best Director (Todd Field), Best Actress (Cate Blanchett), Best Original Screenplay, Best Cinematography, Best Film Editing Our thoughts: The least surprising aspect of Tár is also its most essential: Cate Blanchett being as phenomenal as she's ever been, plus more. The Australian Nightmare Alley, Thor: Ragnarok and Carol actor — "our Cate", of course — best be making space next to her Oscars for The Aviator and Blue Jasmine as a result. Playing a celebrated, pioneering maestro who plummets to a personal and professional low just when it seems her fortunes can't soar higher, Blanchett is that stunning in Tár, that much of a powerhouse, that adept at breathing life and complexity into a thorny figure, and that magnetic and mesmerising. Where to watch: In Australian cinemas. Read our full review. TO LESLIE Nominations: Best Actress (Andrea Riseborough) Our thoughts: Forget the controversy that's surrounded Andrea Riseborough's inclusion among this year's Oscar nominees. A stunning performance is a stunning performance no matter whether other famous names advocate for accolades on its behalf or not — and the Possessor and Amsterdam star is indeed stunning in To Leslie. There's such weight and soul to her titular portrayal in this tale of redemption, after single mother Leslie wins the lotto, drinks and parties away the proceeds, then tries to reconnect with her now-adult son (Owen Teague, The Stand) six years latter, plus face a town with a long memory. Where to watch: In Australian cinemas. Read our full review. TRIANGLE OF SADNESS Nominations: Best Picture, Best Director (Ruben Östlund), Best Original Screenplay Our thoughts: Beware the luxurious worlds of Ruben Östlund's films. Beware any feelings of ease, opulence or awe that spring at ski resorts, in art museums, or, in Triangle of Sadness, within the fashion industry and on high-end holidays, too. The Swedish filmmaker isn't interested in keeping his characters comfortable regardless of their lavish surroundings, which proves true with his second feature in succession to win Cannes Film Festival's prestigious Palme d'Or. Here, he has modelling, influencers and the super-rich in his sights, plus unpacking societal structures and the divides they rely on (and cause). Where to watch: In Australian cinemas. Read our full review. THE WHALE Nominations: Best Actor (Brendan Fraser), Best Supporting Actress (Hong Chau), Best Makeup and Hairstyling Our thoughts: The actors have it: in The Whale, Brendan Fraser (No Sudden Move), Hong Chau (The Menu) and Sadie Sink (Stranger Things) are each masterful, and each in their own way. For viewers unaware that this drama about a reclusive 600-pound English professor stems from the stage going in, it won't take long to realise — for multiple reasons. As penned by Samuel D Hunter from his award-winning semi-autobiographical play, The Whale's script is talky and blunt. It also favours one setting. But the performances that Darren Aronofsky (mother!) guides out of his cast are complicated, masterful and powerful. Where to watch: In Australian cinemas. Read our full review. WOMEN TALKING Nominations: Best Picture, Best Adapted Screenplay Our thoughts: Get Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand and more exceptional women in a room, point a camera their way, let the talk flow: Sarah Polley's Women Talking does just that, and the end result is phenomenal. The actor-turned-filmmaker's fourth effort behind the lens does plenty more, but its basic setup is as straightforward as its title states. Adapted from Miriam Toews' 2018 novel of the same name, it draws on events in a Bolivian Mennonite colony from 2005–9, where a spate of mass druggings and rapes of women and girls were reported at the hands of some of the group's men. Where to watch: In Australian cinemas. Read our full review. IN CINEMAS OR AT HOME: BABYLON Nominations: Best Original Score, Best Production Design, Best Costume Design Our thoughts: What happens when aspiring 1920s actor Nellie LaRoy (Margot Robbie, Amsterdam), veteran leading man Jack Conrad (Brad Pitt, Bullet Train) and eager show business everyman Manny Torres (Diego Calva, Narcos: Mexico) navigate Golden Age Hollywood, starting at the same decadent soirée? That's what jazz-loving, La La Land Oscar-winning, Tinseltown-adoring writer/director Damien Chazelle charts in Babylon — and how. This is a relentless and ravenous movie that's always a lot, not just in length, but is dazzling (and also very funny, and sports an earworm of a Justin Hurwitz score) when it clicks. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies and Prime Video. Read our full review. THE BANSHEES OF INISHERIN Nominations: Best Picture, Best Director (Martin McDonagh), Best Actor (Colin Farrell), Best Supporting Actress (Kerry Condon), Best Supporting Actor (Brendan Gleeson and Barry Keoghan), Best Original Screenplay, Best Original Score, Best Film Editing Our thoughts: The rolling hills and clifftop fields look like they could stretch on forever in In Bruges writer/director Martin McDonagh's The Banshees of Inisherin, even on a fictional island perched off the Irish mainland. For years, chats between Padraic Súilleabháin (Colin Farrell, After Yang) and Colm Doherty (Brendan Gleeson, The Tragedy of Macbeth) have sprawled similarly — and leisurely, too — especially during the pair's daily sojourn to the village pub over pints. But when the latter calls time on their camaraderie suddenly, his demeanour turns brusque, and nothing for these characters will ever be the same. Where to watch: In Australian cinemas, and streaming via Disney+, Google Play, YouTube Movies and Prime Video. Read our full review. THE FABELMANS Nominations: Best Picture, Best Director (Steven Spielberg), Best Actress (Michelle Williams), Best Supporting Actor (Judd Hirsch), Best Original Screenplay, Best Original Score, Best Production Design Our thoughts: "Movies are dreams that you never forget," says Mitzi Fabelman (Michelle Williams, Venom: Let There Be Carnage) early in Steven Spielberg's autobiographical The Fabelmans. Have truer words ever been spoken in any of the director's 33 flicks? Uttered to her eight-year-old son Sammy (feature debutant Mateo Zoryon Francis-DeFord), Mitzi's statement lingers, providing the film's beating heart even when the coming-of-age tale it spins isn't always idyllic — which is often, as Sammy hits his teen years (played by The Predator's Gabriel LaBelle), chases his movie dreams and navigates his family. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. PUSS IN BOOTS: THE LAST WISH Nominations: Best Animated Feature Our thoughts: Who doesn't want to see a kitty swashbuckler voiced by Antonio Banderas (Official Competition), basically making this a moggie Zorro? Based on the 2011 Puss in Boots' $555 million at the box office, that concept is irresistible to plenty of folks — hence, albeit over a decade later, sequel Puss in Boots: The Last Wish. Pairing the right talent to the right animated character doesn't instantly make movie magic, of course; however, The Last Wish, which literally has Puss seeking magic, is among the best films that the broader Shrek saga has conjured up so far. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. VIA STREAMING: ALL QUIET ON THE WESTERN FRONT Nominations: Best Picture, Best Adapted Screenplay, Best International Feature Film, Best Original Score, Best Cinematography, Best Production Design, Best Visual Effects, Best Makeup and Hairstyling, Best Sound Our thoughts: Helming and co-scripting, All My Loving director Edward Berger gives All Quiet on the Western Front its first adaptation in German, its native tongue. The film focuses on 17-year-old Paul Bäumer (debutant Felix Kammerer) and his ordeal after naively enlisting in 1917, thinking with his mates that they'd be marching on Paris within weeks. This is a movie haunted: by the callous disregard for human lives by power-seekers far removed from any fatal consequences, the wide-eyed fervour and blind faith with which boys pledge themselves to war, the desperation in the thick of the fray, and oh-so-much death. Where to watch: Streaming via Netflix. Read our full review. ALL THAT BREATHES Nominations: Best Documentary Feature Our thoughts: Pictures can't tell all of All That Breathes' story, with Delhi-based brothers Nadeem Shehzad and Mohammad Saud's chats saying plenty that's essential. Still, the images that Shaunak Sen (Cities of Sleep) lets flow across the screen — and, befitting this poetic documentary's pace and mood, they do flow — in this Sundance- and Cannes-winner are astonishing. The pair adore the black kites that take to India's skies and suffer from its toxic air quality, tending to the creatures' injuries. As Sen watches, this film trills about urban development, its costs and consequences, and caring for others both animal and human. Where to watch: Streaming via Binge. ARGENTINA, 1985 Nominations: Best International Feature Film Our thoughts: As reliable a screen presence as cinema has ever been blessed with, The Secret in Their Eyes, Truman and Everybody Knows-starring Argentinian actor Ricardo Darín is magnetic in this weighty and important courtroom drama. Filmmaker Santiago Mitre (15 Ways to Kill Your Neighbour) dramatises the Trial of the Juntas, focusing on public prosecutor Julio César Strassera (Darín) and his deputy Luis Moreno Ocampo (Peter Lanzani, Maradona: Blessed Dream) as they attempt to bring military officials who led the country under its 1976–1983 dictatorship to justice for crimes against humanity. Where to watch: Streaming via Prime Video. BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS Nominations: Best Cinematography Our thoughts: Everyone wants to be the person at the party that the dance floor revolves around, and life in general, or so Alejandro González Iñárritu contends in Bardo, False Chronicle of a Handful of Truths. Everyone wants to be the filmmaker with all the fame and success, records, winning prestigious awards and conquering Hollywood, he also asserts. Alas, when you're this Mexican director, that isn't as joyous or uncomplicated an experience as it sounds. On-screen, his blatant alter ego is a feted documentarian (Daniel Giménez Cacho, Memoria) applauded at home and overseas, and also a man conflicted again and again. Where to watch: Streaming via Netflix. Read our full review. THE BATMAN Nominations: Best Visual Effects, Best Makeup and Hairstyling, Best Sound Our thoughts: The elder Waynes are still dead, and have been for two decades. Bruce (Robert Pattinson, Tenet) still festers with pain over their loss. And the prince of Gotham still turns vigilante by night, cleaning up the lawless streets one no-good punk at a time with only trusty butler Alfred Pennyworth (Andy Serkis, Long Shot) in on his secret. Still, as directed by Dawn of the Planet of the Apes and War for the Planet of the Apes' Matt Reeves, and co-scripted with The Unforgivable's Peter Craig, The Batman offers a more absorbing version of the character than seen in many of the past Bat flicks that've fluttered through cinemas. Where to watch: Streaming via Netflix, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLACK PANTHER: WAKANDA FOREVER Nominations: Best Supporting Actress (Angela Bassett), Best Original Song, Best Visual Effects, Best Costume Design, Best Makeup and Hairstyling Our thoughts: Black Panther: Wakanda Forever isn't the movie it was initially going to be, the sequel to 2018's electrifying Black Panther that anyone behind it originally wanted it to be, or the chapter in the sprawling Marvel Cinematic Universe that it first aimed to be — this, the world knew once Chadwick Boseman passed away. That vast void isn't one this film can fill, but returning director Ryan Coogler still has a top-notch cast — Letitia Wright, Angela Bassett, Danai Gurira, Lupita Nyong'o and Winston Duke, plus new addition Tenoch Huerta, most notably — drawing eyeballs towards his vibrant imagery. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLONDE Nominations: Best Actress (Ana de Armas) Our thoughts: Usually when a film leaves you wondering how it might've turned out in other hands, that isn't a great sign — but Blonde, the years-in-the-making adaptation of Joyce Carol Oates' fictionalised Marilyn Monroe biography of the same name, demands a watch. It's a fascinating movie, including for what works astoundingly well and what definitely doesn't. In the first category: Ana de Armas (The Gray Man) as Norma Jeane Mortenson, the woman who'd become not just a star and a sensation during her life, but an icon across the six decades since. Where to watch: Streaming via Netflix. Read our full review. CAUSEWAY Nominations: Best Supporting Actor (Brian Tyree Henry) Our thoughts: Trauma is a screenwriter's best friend; however, few films are happy to sit with trauma in the way that (and as well as) Causeway does. Starring Jennifer Lawrence (Don't Look Up) as a military veteran sent home from Afghanistan after being blown up, working her way through rehab and determined to re-enlist as soon as she has medical sign-off — plus Atlanta and Bullet Train's Brian Tyree Henry as a New Orleans mechanic with his own history — this subtle, thoughtful and powerful movie grapples with the fact that some woes do genuinely change lives, and not for the better. Where to watch: Streaming via Apple TV+. Read our full review. ELVIS Nominations: Best Picture, Best Actor (Austin Butler), Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design, Best Makeup and Hairstyling, Best Sound Our thoughts: Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Aussie filmmaker's first feature since The Great Gatsby isn't short on chatter. It's even narrated by Tom Hanks (A Man Called Otto) as Colonel Tom Parker, the carnival barker who thrust Presley to fame. But this chronology of an icon's life is at its best when it's showing rather than telling. That's when Elvis is electrifying, in no small part due to its treasure trove of recreated concert scenes — and Austin Butler (Once Upon a Time in Hollywood) as the man himself. Where to watch: Streaming via Google Play, iTunes and Prime Video. Read our full review. EVERYTHING EVERYWHERE ALL AT ONCE Nominations: Best Picture, Best Director (Daniel Kwan and Daniel Scheinert), Best Actress (Michelle Yeoh), Best Supporting Actress (Jamie Lee Curtis and Stephanie Hsu), Best Supporting Actor (Ke Huy Quan), Best Original Screenplay, Best Original Score, Best Original Song, Best Film Editing, Best Costume Design Our thoughts: Imagine living in a universe where Michelle Yeoh isn't the wuxia superstar she is. No, no one should want that reality. Now, envisage a world where everyone has hot dogs for fingers, including the Crouching Tiger, Hidden Dragon icon. Next, picture another where Ratatouille is real, but with raccoons. Then, conjure up a sparse realm where life only exists in sentient rocks. An alternative to this onslaught of pondering: watching Everything Everywhere All At Once, which throws all of the above at the screen and a helluva lot more thanks to the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert. Where to watch: Streaming via Binge, Prime Video, Google Play, YouTube Movies and iTunes. Read our full review. FIRE OF LOVE Nominations: Best Documentary Feature Our thoughts: What a delight it would be to trawl through Katia and Maurice Krafft's archives, sift through every video that features the French volcanologists and their work, and witness them doing their highly risky jobs against spectacular surroundings. That's the task that filmmaker Sara Dosa (The Seer and the Unseen) took up to make superb documentary Fire of Love about the couple's lives — and, as set to the otherworldly sounds of Air, her magnificent effort is an incredibly thoughtful, informative and moving film from start to finish. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. GLASS ONION: A KNIVES OUT MYSTERY Nominations: Best Adapted Screenplay Our thoughts: This murder-mystery opens with a puzzle box inside a puzzle box. The former is a wooden cube delivered out of the blue, the latter the followup to 2019 hit Knives Out, and both are as tightly, meticulously, cleverly and cannily orchestrated as each other. With writer/director Rian Johnson (Poker Face) back at the helm and Daniel Craig (No Time to Die) playing southern detective Benoit Blanc again — alongside a new star-studded cast — long may this franchise keep sleuthing. Long may it have everyone revelling in every twist, trick and revelation, as the breezy blast that is Glass Onion does. Where to watch: Streaming via Netflix. Read our full review. GUIILLERMO DEL TORO'S PINOCCHIO Nominations: Best Animated Feature Our thoughts: Guillermo del Toro hasn't yet directed a version of Frankenstein, except that he now has in a way. Officially, he's chosen another much-adapted story, but there's no missing the similarities between the Nightmare Alley filmmaker's stop-motion Pinocchio and Mary Shelley's ever-influential horror masterpiece. Both carve out tales about creations made by grief-stricken men consumed by loss. Both see those tinkerers help gift existence to the inanimate because they can't cope with mortality's reality. Both notch up the fallout when those central humans struggle with the results of their handiwork, too. Where to watch: Streaming via Netflix. Read our full review. A HOUSE MADE OF SPLINTERS Nominations: Best Documentary Feature Our thoughts: A House Made of Splinters premiered at Sundance in January 2022, with Danish documentarian Simon Lereng Wilmont returning to Eastern Ukraine after The Barking of Distant Dogs to tell of the residents at The Lysychansk Center for The Social and Psychological Rehabilitation of Children. That timing saw his latest film debut before the Russian invasion, but the war's impact since 2014 make itself felt as the kids in the doco's frames step through their experiences — and grapple with a fraught reality — in a facility that's only meant to house them for nine months until their paths from there can be plotted. Where to watch: Streaming via Docplay. MARCEL THE SHELL WITH SHOES ON Nominations: Best Animated Feature Our thoughts: It started as an in-joke, thanks to a voice put on by Parks and Recreation Jenny Slate for her now ex-husband Dean Fleischer-Camp. Then came their 2010, 2011 and 2014 shorts, plus two best-selling children's picture books. On- and off-screen, the world's cutest talking shell has taken the internet-stardom path from online sensation to more — and the sweet, endearing, happily silly, often hilarious and deeply insightful Marcel the Shell with Shoes On is a touching meditation upon loss, change and valuing what's truly important, as well as an all-round gem. Where to watch: Streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MRS HARRIS GOES TO PARIS Nominations: Best Costume Design Our thoughts: The title is accurate: in Mrs Harris Goes to Paris, war widow and hardworking cleaner Ada Harris (Lesley Manville, The Crown) takes a surprise windfall to the French capital in the 50s to buy her very own Christian Dior dress. Cue class-clash snootiness (personified by The Godmother's Isabelle Huppert as a disapproving fashion house bigwig) and unexpected kindness (including from a model, accountant and Marquis played by Warrior Nun's Alba Baptista, Ticket to Paradise's Lucas Bravo and Benedetta's Lambert Wilson), in the kind of tale that plays out exactly as expected, albeit nicely. Where to watch: Streaming via Google Play, YouTube Movies, iTunes and Prime Video. NAVALNY Nominations: Best Documentary Feature Our thoughts: In August 2020, Russian opposition leader Alexei Navalny was poisoned while flying from Tomsk to Moscow. The toxin: a Novichok nerve agent. That's just one aspect of the Vladimir Putin opponent's story in recent years, which filmmaker Daniel Roher (Once Were Brothers) shot as it unfolded for his documentary Navalny. The details are astonishing and infuriating, with Navalny a candid and determined interviewee. No matter whether you know the details from copious news headlines or you're stepping through his tale for the first time, this doco couldn't be more gripping. Where to watch: Streaming via Docplay, SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE QUIET GIRL Nominations: Best International Feature Film Our thoughts: This tender, affecting and resonant Gaelic-language coming-of-age film sees the world as only a lonely, innocent, often-ignored child can. Devastatingly moving and beautiful, The Quiet Girl also spies the pain and hardship that shapes its titular figure's world — and yes, it does so softly and with restraint, but that doesn't make the feelings it swirls up any less immense. Filmmaker Colm Bairéad, who directs and adapts Claire Keegan's novella Foster, makes a stunning feature debut. Also exceptional is newcomer Catherine Clinch as pivotal nine-year-old Cáit. Where to watch: Streaming via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. RRR Nominations: Best Original Song Our thoughts: The letters in RRR's title are short for Rise Roar Revolt. They could also stand for riveting, rollicking and relentless. They link in with the Indian action movie's three main forces, too — writer/director SS Rajamouli (Baahubali: The Beginning), plus stars NT Rama Rao Jr (Aravinda Sametha Veera Raghava) and Ram Charan (Vinaya Vidheya Rama) — and could describe the sound of some of its standout moments. What noise echoes when a motorcycle is used in a bridge-jumping rescue plot, as aided by a horse and the Indian flag, amid a crashing train, after all? Where to watch: Streaming via Netflix. Read our full review. THE SEA BEAST Nominations: Best Animated Feature Our thoughts: One of the undying ideas about monsters is also one of the most humane: perhaps what we perceive as monstrous doesn't always deserve that label. Set centuries back in prime seafaring times — but, thanks to the eponymous creature, clearly a work of animated fiction — The Sea Beast ponders this notion after seasoned beast-hunter Jacob Holland (voiced by The Boys' Karl Urban) pledges to slay a critter dubbed the Red Bluster. Here, eye-catching animation and a familiar but still potent story combine in Big Hero 6 and Moana co-director Chris Williams' hands. Where to watch: Streaming via Netflix. TOP GUN: MAVERICK Nominations: Best Picture, Best Adapted Screenplay, Best Original Song, Best Film Editing, Best Visual Effects, Best Sound Our thoughts: Top Gun: Maverick flies high when its jets are soaring. The initial Top Gun had the perfect song to describe exactly what these phenomenally well-executed and -choreographed action scenes feel like to view; yes, they'll take your breath away. Thankfully, this time that Tom Cruise (Mission: Impossible — Fallout)-led adrenaline kick is accompanied by a smarter and far more self-aware film, as directed by TRON: Legacy and Oblivion's Joseph Kosinski. Top Gun in the 80s was exactly what Top Gun in the 80s was always going to be — but Top Gun in the 2020s doesn't dare believe that nothing has changed Where to watch: Streaming via Paramount+, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. TURNING RED Nominations: Best Animated Feature Our thoughts: What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao, and a movie with particularly astute and endearing results. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review.
When you're grieving, you're haunted. Not in a literal sense, but you might wish you were. Instead, you're haunted by bittersweet flashes of happier times. Haunted by the spaces you shared with someone who'll never again walk through that door, sit on this couch or share your bed. Haunted by knowing you'll always associate certain places with a person who is gone forever. A Ghost Story only shows this experience directly for a small portion of its running time, but the entire movie whispers it like the sweet nothings the bereaved still yearn to hear. When M's (Rooney Mara) husband C (Casey Affleck) is killed suddenly, she roams around their Texan house, cries and devours a whole pie, and then eventually finds a way to move on. But he does not. Wearing the sheet M placed gingerly over his head when she identified his body, C gets up from his morgue slab, returns to their home, watches her grieve, and then continues to wait long after she has left. A woman mourns and a deceased man lingers. Drawing upon ideas as old as humanity, there's little else to the narrative than that. It's an easy plot gets an obvious gimmick to go with it, with Affleck spending the bulk of the film wearing a costume you probably donned as a kid. Emotionally and intellectually, however, the second collaboration between writer-director David Lowery and the two stars of his debut feature Ain't Them Bodies Saints couldn't be more intricate. Like standing under a sheet to jokingly taunt those around you, physically covering up the anxiety-inducing nature of mortality in the process, sometimes the simplest expressions of complex thoughts and feelings are the most effective. While everything that appears on screen seems straightforward — the bed linen attire, the feature's box-like Academy aspect ratio, the use of hard cuts to jump from one scene to another — watching A Ghost Story isn't the same as experiencing it. The film is as much about what happens inside of the audience as it is about what happens around C himself. As Affleck, who proves a skilled actor even under a sheet, observes new residents come and go, buildings rise and fall, and time swirl around, audiences are reminded of all the places that once meant something to them, and the people to whom those places will be forever tied. The sensation that creeps over you when you drive past your childhood home, revisit your old favourite bar, or walk past a site where something life-changing once happened to you: that's the sensation that A Ghost Story perfects. Ultimately, Lowery understands that it's people, rather than places, to whom ethereal memories cling, and that it's mourning that causes our minds to forever link individuals and experiences with certain spaces. Much, much more than just the human equivalent of a ghost emoji standing in an Instagram snap, A Ghost Story is moody and minimalistic in exactly the right ways, and one of the most astute depictions of grief to reach cinemas in a long time. https://www.youtube.com/watch?v=NcYZFmh3sHM
Get off to a dazzling start this Cultural Diversity Week at Grazeland. For three days, Spotswood's foodie paradise will come alive with the Victorian Multicultural Festival. Grazeland is home to more than 50 international chefs, and they'll be putting on their best fare for this event. Count on a world of fabulous flavours – from Zuya's irresistible African BBQ and Colombo's mouth-watering Sri Lankan curries to Mr Toum's Lebanese delights. Come dessert, don't miss Toyoki's soufflé pancakes. Alongside the food, you'll be served up a bunch of stunning performances honouring cultural traditions – from the likes of Siesta Cartel, Sorbo Amplio, 155cm and Firefly. And the festival wants you to join in, by coming along in your brightest cultural dress. "We're proud to showcase such a diverse range of vendors offering delicious cuisines from all corners of the world," says director John Forman. "It's an honour to host this year's [festival] and celebrate the vibrant cultures that make our community so special." [caption id="attachment_845962" align="alignnone" width="1920"] I in the Sky Productions[/caption]
The joys of a well-rounded lunch shouldn't be relegated to just the weekends. Sometimes your working day calls for a midday bite to eat with your best workmates and bottle of wine to cheers to all the hard work you've been doing. It's not your fault if your boss doesn't realise that. When the company card isn't on the table, you're going to want a lunch spot that caters to groups while keeping the final number on the bill low. We've found a bunch of restaurants around Melbourne that deliver just that — made all the easier by the fact that they offer BYO. All you need to do is to find a date that's free of meetings and hectic deadlines.
This past year has been one of the toughest for big music festivals. With the cancellation of Future Music, Soundwave and Stereosonic, it seemed like big festivals couldn't catch a break. So it comes as somewhat of a surprise that The Falls Music & Arts Festival this morning announced they're expanding their much-loved New Year's Eve musical romp, adding Fremantle to the Australian festival's touring schedule this summer. Here's the second surprise though: this new Western Australian incarnation of Falls (named Falls Downtown) isn't going to be held in the standard east coast format. Firstly, it won't be held over New Year's. And while Falls has always famously run the festival simultaneously in the three cities — Lorne, Marion Bay and Byron — the two-day Freo fest is slated to take place over the weekend of January 7-8. The second point of difference (as you may have noticed) is the location. It's in the city. Instead of setting up in a rural festival site, Falls Downtown will take over streets and "forgotten" buildings a short walk from the Fremantle beachfront. That means this won't be a camping situation (sorry, folks), but makes it more akin to inner-city festivals Laneway and Sugar Mountain. While the lineup for this year's Falls is still under wraps, they've got us pretty pumped about the location alone. The main stage will be set up in Freo's town square, while an old-world ballroom and a stone-walled church will house the smaller ones. They'll also be taking over the abandoned Myer building, turning it into a creepy crib for art installations, "unexpected performance areas", markets and "bunkered basement danceterias". There'll even be a small number of glamping tents on the roof. It sounds similar to some of Melbourne Music Week's activations of abandoned spaces, and it sounds insane. It's another win for Falls, who sell out their Lorne event basically every year. Since its inception in Lorne back in 1993, the festival has grown to span three cities, which include the original site on the Great Ocean Road, Marion Bay in Tassie and, since 2013, Byron Bay. There's no word on how much tickets will cost, when they go on sale or who'll be playing at the festival — yet. We're expecting that to come in the next month or two. Falls Downtown is happening in Fremantle on January 7 and 8. To keep updated lineup and ticket announcements, check their Facebook page.
We all do it. We dive into the New Year with optimistic outlooks, making promises to ourselves that, this year, we will 'be good'. After the annual celebratory free-for-all that is the holiday period, it's no surprise that these goals usually relate to diet, fitness and healthier living. But let's get real here: few of us actually stick to our resolutions. So in acknowledgment of the fact that rules are built to be broken, here are our top ten venues to nudge yourself gently off the wagon with beautiful, beautiful comfort food. Besides, you can always sign up for CrossFit next year. Or not. WINDSOR HIGH TEA What better way to reclaim your class after a trashy NYE than with a triple tier stand of ribbon sandwiches? The grandiose spread at Hotel Windsor's high tea ($69-89) is well worth giving up your eating restrictions for — even those with dietary requirements have been known to forgo doctor's orders and suffer the consequences. Still worth it. Begin with a little French bubbly while you enjoy the crispness of the white tablecloths, before packing your plate with treasures from their mammoth display of desserts. Don't forget to dip them all in the chocolate fountain for good measure. It's like being at a patisserie and being able to take a bite out of every cake in the cabinet. 111 Spring Street, Melbourne, (03) 9633 6004, hotelwindsor.com.au TINNIES AT HATS & TATTS South Melbourne's Southern Cross Hotel with be reopening in the New Year as Hats & Tatts: a heels-up hotspot that celebrates all the best qualities of your local, informal dive bar without the bogans or fisticuffs. It's unlikely you come across a Southern Cross tatt in this new venue, or a suit for that matter — with Jason Chan (of West Winds Gin and Plenty) leading the pub's re-brand, it looks like it's losing its former frumpiness and letting proceedings roll a bit loose. So if your new year resolution was to act like a responsible adult, give up now — they're flagging $5 Jack Daniels, pinball, and a beer-in-can-only policy (craft beer enthusiasts need to understand now that this will be an aluminium-only zone, so don't come expecting a bespoke bottled brew). Dress code: no squares. 78 Cecil Street, South Melbourne, 0431 292 375, facebook.com/hatsandtatts CHIN CHIN'S 'FEED ME' MENU Not that they need further promotion at this point, but credit where credit's due — and we think it should still be paid to the game-changing hospitality powerhouse that is Chin Chin. Offering what's arguably the best value banquet in town ($69), 125 Flinders Lane is a continuous convoy of Asian-inspired dishes off the a-la-carte menu, such as kingfish sashimi and sticky, caramelised pork, there's not a filler to be found. Plus, they won't stop serving until you tell them to. Those who can withstand the epic wait (the restaurant is no-bookings and absurdly popular) will be richly rewarded, and possibly rolled home. 125 Flinders Lane, Melbourne, (03) 8663 2000, chinchinrestaurant.com.au DELI SANDWICHES AT LONGHORN SALOON It's becoming hard to cultivate any top 10 list without slipping Le Bon Ton in there somewhere, but now we've got an alternative option. Owners, the Balleau brothers (pictured), will be opening a 'deli and rock n roll saloon' (whatever that means) in Carlton in February, and if their former ventures are anything to go by, it will be a cracker of a success. Smoked meat and sandwiches will build the backbone of this New York-style venue, with Five Points Deli downstairs and Longhorn Saloon up top. You'll get a month or so to stick to your resolutions … at which point you'll definitely deserve a stack of cold-cuts and pat on the back. Upstairs at 118 Elgin St, Carlton (opening February) CHINA BAR BUFFET Crispy Roast pork! Peking duck! Baked scallops, curries and steaks! It's all here at China Bar Signature. Yum cha favourites — including pork and chive dumplings and steamed buns — can be collected by the basket, while the seafood selection (which is laid out in mountains of oysters, prawns and smoked salmon) is shockingly fresh-tasting. Furthermore, at the sashimi bar you'll get your chosen sea creatures sliced on command. Don't make the potentially devastating mistake of going too hard too soon and not leaving room for the shelves of dessert showcased along the wall. Problem of the first world. 222 Exhibition St, Melbourne (also Burwood East and Epping locations), 03 9988 7778, chinabarsignature.com MIDDAY KOREAN AT CJ LUNCH BAR Seating is cramped and there's no table service, but the favourable portion-to-price ratio at CJ Lunch Bar explains the popularity of this tiny Korean cafe. Their lunch special bento is only $8.90, so if you're going to ruin your New Year's healthy eating plan, may as well go all out and order two. In any case, do not leave without ordering a sizzling plate of chicken bulgogi and cheese ($16.50), which arrives on a sizzling hot plate to ensure maximum melting conditions. Shop 2/ 391 Little Lonsdale Street, Melbourne, (03) 9602 1155 THE HUNGARIAN'S MONSTER SCHNITZEL Don't even begin to contemplate how much butter and oil has gone into the dishes, spoilsport. This is home-style Eastern European cooking at its fattening finest. Dumplings, goulash and the odd 450g monster schnitzel ($25.90) should satisfy for starters. For mains, tackle the Gypsymix: pork schnitzel, chicken schnitzel, smoked Krasnoyarsk and chevaps served on a plate full of fries and the odd green leaf ($33.90). In fact, it's worth visiting The Hungarian just to read their cheeky menu alone. 362 Bridge Road, Richmond, 0421 993 132, thehungarian.com.au INDULGE IN FINE LIQUOR AT WHISKY AND ALEMENT So you've decided to quit drinking and detox in 2015; great work. But that's also going to be a problem, because it will severely restrict your ability to enjoy fine whisky. Now, we're not encouraging you to throw back shots of Jameson while challenging fellow patrons to an arm wrestle — but — a quiet and respectable dram in mood-lit and romantic surrounds would be a fine way to undo any dry spell. If you're going to surrender your personal pact, do it with single malt and an optional bowl of smoked almonds. 270 Russell Street, Melbourne, (03) 9654 1284, whiskyandale.com.au EAT COMPETITIVELY AT HOFBRAUHAUS We've seen many a German beer house (haus?) appear around Melbourne recently, but Hofbräuhaus has been around for years, and remain the only venue to issue a whopping schnitzel challenge to competitive diners. Book ahead if you want to tackle this one, because they'll need some time to cook up your 1.5kg pork schnitzel — taken alongside a big 'ol bowl of chips and a litre of beer, no less. Consume every last bite on your own order to win your money back, and gain a victory t shirt. For the less aspirational, a hunk of crumbed camembert with lingonberry ($14.50) or a traditional serve of bratwurst sausages with mashed potato and sauerkraut ($26.50), should appease any New Year hunger pains you may have. 18-28 Market Lane, Melbourne, (03) 9663 3361, hofbrauhaus.com.au THE B.EAST BURGER Thrusting their doors open on 1 Jan and inviting the New Year's Day debris inside, you can rely on The B.East to jut a swift left hook at any New Year's resolve regarding diet or sobriety. Don't bother with entrees and go immediately to the BEAST BURGER, which slaps together a triple beef patty, triple serve of bacon, chilli-cheese sauce and token slices of salad ingredients ($18). Add fries. Take the timed eating challenge if you want your name up on the wall, but it's also recommended to just at your leisure for the quality feed it is. A cherry shake ($7.50) would also be an excellent idea at this point; smashed maraschino cherries, coconut flakes, chocolate syrup and whipped cream. Shake hack: ask for added booze. It's going to be a great year ahead. 80 Lygon Street, Brunswick East, (03) 9036 1456, theb-east.com
It's mid-August, so you should probably start getting your New Year's Eve plans in order. Victorian NYE festival Beyond the Valley has just announced the lineup for its celebrated four-day festival in Lardner Park, Victoria and it's pretty bloody good, so could be a solid option. At five festivals old, starting out in 2014, Beyond the Valley has become a regular fixture on the Victorian New Year's circuit. And, once again, it has managed to secure a rather colossal lineup. Chart-topping American rapper Tyler, The Creator, will heading to Australia — for the first time since releasing his highly lauded album IGOR — as will the ARIA Award-winning three piece, Rüfüs Du Sol. Joining them will be techno and house legend Green Velvet, gold masked German DJ duo Claptone, British rapper Skepta and genre-blending producer Honey Dijon. From the local contingent are Hayden James — fresh off the back of dropping his latest album Between Us — alt-pop group Cub Sport, dance floor regulars Bag Raiders and soulful singer Meg Mac. Beyond the Valley will once again take over Lardner Park, Warragul, Victoria from December 28 to January 1. Anyway, here's what you came for: BEYOND THE VALLEY 2019 LINEUP Tyler, The Creator Rüfüs Du Sol 16BL Bag Raiders CC:Disco! Chris Lake Claptone Confidence Man Cub Sport Dena Amy Denis Suita DJ Seinfeld Dom Dolla Floating Points Green Velvet Hayden James Heidi Hobo Johnson and the Lovemakers Honey Dijon I Know Leopard Jordan Brando Kettama Lastlings Late Nite Tuff Guy Lion Babe London Topaz Made in Paris Mallrat Matt Corby Meg Mac Methyl Ethel Motez Noir Owl Eyes Patrice Bäumel Rebuke Sama Set Mo Shoreline Mafia Skepta Snakehips The Veronicas Beyond the Valley is happening from December 28 to January 1 at Lardner Park, Warragul, Victoria. Pre-sale tickets are available from 3pm on Monday, August 12, with general tickets on sale at midday on Tuesday, August 13, from beyondthevalley.com.au.
Lengthy is the list of Australian actors who've started their careers on home soil, then boosted their fame, acclaim and fortunes by heading abroad. Some have won Oscars. Others are global household names. One plays a pigtailed comic book villain in a big film franchise, while another dons a cape and wields a hammer in a competing blockbuster saga. David Gulpilil doesn't earn any of the above descriptions, and he isn't destined to. It wouldn't interest him, anyway. His is the face of Australian cinema, though, and has been for half a century. Since first gracing the silver screen in Nicolas Roeg's Walkabout, the Yolŋu man has gifted his infectious smile and the irrepressible glint in his eye to many of the nation's most important movies. Indeed, to peruse his filmography is to revel in Aussie cinema history. On his resume, 70s classics such as Mad Dog Morgan and The Last Wave sit alongside everything from Crocodile Dundee and Rabbit-Proof Fence to Australia, Goldstone and Cargo — as well as parts in both the first 1976 film adaptation of Storm Boy and its 2019 remake. The latest film to benefit from the Indigenous talent's presence: My Name Is Gulpilil. It might just be the last do to so, however. That sad truth has been baked into the documentary ever since its subject asked director Molly Reynolds and producer Rolf de Heer — two filmmakers that Gulpilil has collaborated with before, including on Another Country, Charlie's Country, Ten Canoes and The Tracker — to make something with him after he was diagnosed with stage-four lung cancer. That was back in 2017, when he was given just six months to live. Gulpilil has been proving that diagnosis wrong ever since. This heartfelt portrait of an Australian icon like no other also benefits from his defiance, particularly in practical terms. Initially starting out as a 30-day shoot, the doco eventually extended over twice that period, with Gulpilil, Reynolds and their movie alike all given the most precious thing there is: more time. The film that results celebrates a star who'll never be matched, and reminds viewers exactly why that's the case — but My Name Is Gulpilil isn't a mere easy, glossy tribute. Anyone could've combined snippets of Gulpilil's movies with talking heads singing his praises. In the future, someone probably will. But Reynolds is interested in truly spending time with Gulpilil, hearing his tale in his own words, and painting as complete a portrait of his life, work, dreams, regrets, spirit, culture and impact as possible. Accordingly, this touching feature steps through Gulpilil's highs and lows as relayed by the man himself. It spends much of its duration enjoying simply being with dancer, painter and actor, in fact. It surveys his daily routine in Murray Bridge in South Australia, too, where he now lives with a carer so that he can get western medicine's help. It also follows him to appointments, then watches on as he weathers his treatments. In her thoughtful, contemplative, affectionate and astute approach, Reynolds lets her audience peer deeply and listen intently. Her film favours soaking, basking and ruminating over clapping and cheering, and it was always going to be all the better for it. Marking and commemorating Gulpilil's many achievements is important, and his feats should and will rightly be remembered and saluted — but even the most vivid collection of clips and most enthusiastic rundown of his awards and other successes can only convey part of his story. There's just nothing like just passing the minutes with Gulpilil, especially when he stares directly at the camera, dives into his memories and unleashes one of his many sprawling but powerful tales. There's also nothing like facing him, taking in all that he's done for Aussie cinema and Indigenous representation, and simultaneously confronting the fact that he's unlikely to brighten up our screens again. My Name Is Gulpilil is many things, including a clear-eyed picture of a man trying to navigate terminal cancer and everything that comes with it — and it doesn't shy away from that reality at any turn. Just as moving and pivotal is its commitment to showing Gulpilil's approach to the end that awaits us all. By choosing to live in Murray Bridge to undergo treatment, he chooses to live away from Country, a decision that visibly haunts him. So, he prepares for what he describes as a one-way ticket home by planning. He spins his hair into fibre, and talks through the ceremony that will farewell both his body and spirit. For Reynolds, he poses in a coffin beneath unspooled reels of film. There's playfulness in the latter image, but such a forthright approach to death never comes as a surprise. When My Name Is Gulpilil addresses Gulpilil's time in the long grass, his run-ins with the law and his addictions, mentioning them alongside his trip to Cannes, meeting with the Queen, and interactions with everyone from Muhammad Ali to Bob Marley, the film is similarly frank and unflinching. My Name Is Gulpilil does still feature glimpses of its namesake's movies, of course. Given the wealth of material at hand — spanning plenty of the aforementioned titles, plus plenty more — no ode to Gulpilil would be complete without clips here and there. Just as Reynolds ensures that her audience genuinely takes in his inimitable presence, his culture, his health, and his ups and downs, she finds poetic ways to segue from archival and film footage to present-day scenes and back, putting them all to the most meaningful use. With editor Tania Nehme's (ShoPaapaa) considerable help, this documentary proves an act of cinematic weaving, rather than unfurling. It knows when to watch Gulpilil and an emu walk the same dusty path, when quiet reflection from the man himself is in order, and when snippets of his candour and charm from his 2004 one-man autobiographical stage show are needed instead. It's also well aware that no one will ever get the chance to make this movie again, and that only a film of astounding intimacy, honesty and insight could ever do the face of Australian cinema justice. https://www.youtube.com/watch?v=vK1DLvEkvtA&feature=emb_logo
Brisbane-based Range Brewing has earned a cult following for its signature style of beer — modern, aggressively hopped, and often with all the appearance and flavour of fruit juice. Ever the champion of invention and known for its steadfast lack of a core range, the brewery has now made a home in Melbourne, opening a monochromatic new taproom on Abbotsford's Johnston Street. Visitors are welcome to bring in grub from nearby haunts like Rita's pizzeria, but there's no food otherwise — here, it's all about the beers. With 12 taps in the front bar and another 12 back near the sunny beer garden, Range pours predominantly hazy brews. And, while this isn't a place for the traditionalists, you can be assured of finding something new and exciting to taste with every visit. It might be a big-bodied sip that's thickened with creamy lactose or oats, or maybe a fruit-forward sour designed to cleanse the palate. Two double-door fridges welcome visitors, with the latest can releases cold-freighted from Brisbane each Friday to arrive in Melbourne by Tuesday. The vibrant can art — by Brisbane-based designer Jess Vandersande — flashes like a neon sign amid the reserved taproom decor, with its American diner-style booth seating and clean Scandinavian-style simplicity.
In late March, the City of Melbourne temporarily stopped issuing parking fines for minor infringements to assist essential workers during the initial stages of COVID-19 restrictions. From May 11, though, you'll need to make sure you're topping up the meter, with the Council resuming the enforcement of all restrictions once again. The Council said the decision to restart issuing all parking fines came after reviewing "on-road parking conditions across the City of Melbourne" and considering feedback from local residents and businesses. "At the start of lockdown, Melbourne's streets were empty and it was appropriate to have temporary unrestricted parking in areas with green signs to support workers who were still required at their workplace," Lord Mayor Sally Capp said in a statement. "Vehicles are now returning to the city and traders and residents have called for greater turnover of car parks outside their homes and businesses to welcome customers and visitors." During the six weeks of eased parking restrictions, the Council's officers weren't slapping people with fines for disobeying rules in green-signed areas, but were still fining people for disobeying red signs; parking unsafely; blocking driveways, clearways or lanes; parking in a resident permit zone; parking too close to an intersection; or parking in a disability bay without the proper permit. https://twitter.com/cityofmelbourne/status/1257437877614579713 So, what does this all mean for you? From Monday, May 11, you'll need to keep an eye on all the parking signs — including the green ones — and make sure you pay for a ticket. Hopefully, just like you were doing in a pre-COVID-19 world. If you're worried about using the parking meters, the Council said all high-touch areas, including parking meters and traffic light buttons, are being sanitised on a regular basis, and it recommends you sanitise your hands before and after use. You can also avoid touching the meters altogether by downloading the PayStay app (for iOS or android), which lets you pay directly from your phone. Frontline health and emergency workers, including staff from Victoria Police and at eight Melbourne hospitals, can apply for free temporary parking permits. Victoria's stay-at-home rules are still in place, though, so ensure you're only leaving home for one of the essential reasons, or you could be slapped with a fine. For more information about parking in the City of Melbourne and its response to COVID-19, head to the Council website.
Sometimes it feels like the only thing to do with your 'I haven't had a holiday in three years' woes is to jump in your car and leave town in a hurry. The nine-to-five might be getting you down — especially as the warm weather is being such a tease — and you might be sitting at your desk dreaming of standing up and flipping it, quitting your job and cruising up the Princes to a new destination. But, it's probably best you don't. Perhaps, a better idea would be to get to know the parts of your city that you're not so familiar with. Joining forces with Mitsubishi to celebrate of the new Eclipse Cross, we've curated a list of experiences for every day this week to trick you into believing you're in a new town with a fresh vibe. And, you won't even need to quit your job. MONDAY, OCTOBER 15: SWIM AND CROISSANTS Do some laps then treat yourself to a tasty pastry. Start your week off energised and get your blood pumping with some laps at the Fitzroy Swimming Pool. Once you've done had your swim and a hot shower, you'll be ready to crack on with your Monday. But first, breakfast. Make a beeline straight for Lune and its renowned croissants. Grab a buttery, chocolate or almond version (or one of each, for research's sake) and scoff it down on your way to work, inspiring morning envy in those around you on the tram. TUESDAY, OCTOBER 16: VEGAN TUESDAYS Gorge on vegan Indian fare guilt-free for just $25. Keep Meat-Free Monday going and hit up Babu Ji, an Indian restaurant on St Kilda's Grey Street that runs Vegan Tuesdays every week. It's an all-you-can-eat sort of affair; devour as much rice and curry as you can for just $25. While the menu varies week to week, all the offerings are completely vegan and can be made gluten free as well (hello, gluten-free naan). The night is intended to showcase the versatility of Indian food and how easily it can cater for dietary requirements like veganism. And, yes, pappadums are included. WEDNESDAY, OCTOBER 17: A DAY OF PODCASTS Get up close and personal with the best podcasting talent at ACMI. Head along to OzPod 2018, the Australian Podcast Conference taking place at ACMI, presented by ABC. The conference will take place on Wednesday, October 17, with a number of international podcasters scheduled to appear. American Julia Lowrie Henderson from the podcast Bikram and Canadian Veronica Simmonds from podcasts Alone: A Love Story, Sleepover and Tai Asks Why will be there, as will locals Hedley Thomas from The Teacher's Pet, Myf Warhurst and Zan Rowe from Double J's Bang On, Honor Eastly from Starving Artist and Being Honest with My Ex and Yumi Stynes from ABC's Ladies We Need to Talk. The conference will combine audio storytellers, producers and innovators, with more of the program to be announced soon. THURSDAY, OCTOBER 18: UNRAVELING PERFECTIONISM Head to a talk at MPavilion and learn about the inherent human need to be 'perfect'. MPavilion is about to kick into gear for another year, with the annual spring/summer installation kicking off in October. On Thursday, October 18, you can swing by Perfectionisms: an event focusing that inherent human need to be 'perfect' and how it can positively and negatively affect us. Dr David Irving, Dr Margaret Osborne, Professor Shitij Kapur and Professor Alan Duffy will all turn their considerable brain powers to answer questions about the hunt for perfection and why it drives us. Perhaps, this is the perfect mid-week reality check you need. FRIDAY, OCTOBER 19: FINDERS KEEPERS MARKET Peruse the local designs and wares at this seasonal market. Finders Keepers swings back into town this October, taking place at The Royal Exhibition Building in Carlton from Friday, October 19. Head over to the design market that will, as always, feature leading local designers (and those from across the rest of the country, too). In its tenth year, Finders Keepers has grown to be one of Australia's leading markets and supports more than 1200 sellers yearly. With design, art, fashion as well as food and live music to sustain shoppers — even if you don't buy much, your mood leading into the weekend will be amped right up. SATURDAY, OCTOBER 20: CITY ESCAPE Get back to the great outdoors and explore Werribee Gorge. Make full use of the sunny days that we've been copping and take the opportunity to go on an adventure this weekend. Head to Werribee Gorge to do a walk and take in some of the west-of-the-city charms. There's nothing like a bit of fresh air and a beautiful environment — only an hour or so out of Melbourne, too — to renew what you love about the city. Take a hike along the popular Werribee Gorge Circuit, an eight-kilometre hike that's perfect for beginners — or those who've been in winter hibernation and have forgotten how to spell the word 'exercise'. SUNDAY, OCTOBER 21: BIG FASHION SALE Update your warm-weather wardrobe for less. Along with Finders Keepers, the Big Fashion Sale also hits Melbourne from October 18–21, so you can make your weekend a fashion and design-heavy one. It is the changing of the seasons, after all. The designer clearance sale will set up on Easey Street in Collingwood for the weekend and will be open from 10am–5pm. With EFTPOS available, you'll probably find it easy enough to nab a bargain from a top designer. More than 50 brands are represented and some will be discounted up to 80 percent —that'll get you moving on a Sunday, even if you're sore from yesterday's hike. Where to next? Make the most of every week with Mitsubishi Eclipse Cross and navigate to your next destination here.
Brunswick’s one-day fiesta has returned once more to celebrate the culture and community surrounding the good people of Moreland. A cheeky 800 meters of Sydney Road, between Union Street and Victoria Street, will be taken over for the day to make room for the best in local music, dance, food, and craft stalls. Moreland’s strong migrant history and its current influx of creative residents makes this part of Melbourne an exciting, expressive and multicultural pocket of the city. There will be over nine separate music stages and venues open throughout the day to host the musical festivities. Acts like Empat Lima, Horns of Leroy, Byron and the Gypsy Cats and Manglewurzle are just a few of the musical gems performing on the day. For those looking to see a bit of movement as well as music, we recommend Indigenous Hip Hop Projects, Westside Circus and Real Hot Bitches. Sydney Road Street Party is part of Brunswick Music Festival, which is on from March 1 to 15.
Some of the biggest names in Australian comedy are coming together in Melbourne for a one-off benefit gig in support of a worthy cause. Tripod, Anne Edmonds, Cal Wilson and Lawrence Mooney are just a few of the comedians who'll front the stage at Howler in Brunswick on the evening of Sunday November 29, with proceeds going to the aid of asylum seeker children currently being held in detention. Described by event organisers as "a funny fundraiser for an unfunny cause," the show is being facilitated by charity group ChilOut, an organisation dedicated to the protection of minors detained in Australian immigration facilities. In addition to those already mentioned, the comic lineup will include Greg Fleet, Josh Earl, Dave O'Neil, Dave Thornton, Tom Gleeson, Geraldine Hickey, Luke McGregor, Denise Scott and Harley Breen, plus a number of other guests who have yet to be announced. Tickets to the gig come to $43.50 per person, including booking fee. "ChilOut is a small, community organisation running on the smell of an oily rag but doing heaps through education, advocacy and lobbying to raise public awareness of the plight of asylum-seeking children held in immigration detention facilities by the Australian Government," said a statement that accompanied the gig's announcement. "ChilOut is not-for-profit and relies on generous donations to act on behalf of the almost 200 children currently imprisoned in environments that undermine and threaten their mental and physical safety and well-being every day that they’re there. Nobody wants to see these children go through this. Please come along and help us help them." To grab your ticket to Stand Up for ChilOut, head on over to Moshtix. And to learn more about the work being done by ChilOut, visit their website.
If you've ever wanted to get your hands on any of Frank Green's popular products, here's your chance to score some for free. To celebrate the recent launch of the brand's new three-in-one insulated iced coffee cup with a straw, Frank Green has teamed up with Melbourne coffee brand Industry Beans to sling some freebies. For one day only, Industry Beans will give away a limited amount of free Frank Green coffee cups with every iced coffee purchase. In Melbourne, head into Industry Beans' Fitzroy cafe on Friday, February 9 from 7am to grab your very own Frank Green iced coffee cup — which is available in a range of colours, from the pearly white cloud to pastels like mint gelato and lilac haze. But be sure to get in quick as stocks are limited. The reusable cup provides a sustainable alternative to single-use plastic cups, which a classic iced coffee usually comes in. And, it also offers up solutions to pesky problems that iced coffee fanatics know all too well. Frank Green's iced coffee cups contain a double-wall vacuum insulation feature to prevent condensation and guarantee that your drink will stay cool by maintaining the ice for up to 12 hours, as well as a splash-proof lid and a stainless steel straw. Plus, you can ensure that your barista never spells your name incorrectly, as the cups are monogrammable. In extra brownie points for versatility, too, it can double as a stubbie holder or cocktail glass.
After bringing Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban back to the big screen with a live orchestra soundtrack, the Sydney Symphony Orchestra is giving the fourth film in the franchise the same movie-and-music showcase. Across five sessions between August 15–18, the Sydney Opera House will come to life with the sights and sounds of the Yule Ball, the Triwizard Tournament and the return of He-Who-Must-Not-Be-Named, because JK Rowling's boy-who-lived and his pals are never far away from a theatre — or a concert hall. This time around, viewers can expect something a little different. While the event will run as usual, it's the score itself that'll stand out. After doing the honours on the first three HP flicks, veteran composer John Williams stood aside for the fourth film, with two-time Oscar nominee Patrick Doyle (Hamlet, Sense and Sensibility) in charge of whipping up a wondrous wizarding soundtrack. Tickets for the Sydney shows are now on sale — and if you're a Melburnian or Brisbanite muggle keen to catch the next film in the series, watch this space (or, to be exact, the Melbourne Symphony Orchestra and Queensland Symphony Orchestra websites) . Although screenings haven't been announced in Melbourne or Brisbane yet, they're bound to follow, complete with live scores by each city's symphony orchestra. In fact, that's exactly what has happened with the first three movies to date. Harry Potter and the Goblet of Fire in Concert teams up with the Sydney Symphony Orchestra at the Sydney Opera House from 15–18 August 2018. For more information, head to the SSO website.
Moosejaw, an online shop that sells outdoor recreational apparel, has created the X-Ray Catalog App, available at their website. Once the app is downloaded, the user holds their smartphone over photos of models sporting ski parkas and other fairly unsexy items, only to see the app 'strip' them through the use of augmented reality technology, revealing what they are wearing underneath their clothes. It's true that a lot more people (probably men) are suddenly going to be a lot more interested in this catalogue. If you wanted to look at soft porn in a public place or avoid embarrassment when your mum finds your stash under the bed - she'll just think you really love camping - this technology might just hold the answer. Or maybe it's about giving people the chance to feel as if they have superhero skills. Either way, if you see people reading the catalogue on the train with a little too much interest, you can either tsk them or give them a knowing wink, depending on whether you think this is creepy or brilliant.
HECS debt getting you down? Desperate to brush up on Marxian Class Analysis Theory, Astrobiology and Space Exploration or even Roman Architecture? Featuring classes from top universities, Open Culture lets you learn about nearly every topic imaginable from schools like Harvard and Berkeley, without racking up Ivy League levels of debt. Sure, you won't get a pretty certificate but you will get a brighter mind, which is arguably just as shiny. Free online access to top notch classes is an emerging trend, with other sites like Lecture Fox and iTunes U opening up the possibilities of education and learning. [Via Trend Hunter]
Get a little taste of Thailand in Federation Square this Sunday, with the return of the annual Thai Culture and Food Festival. Now in its twelve year, this annual event celebrates the best of traditional and contemporary Thai culture, through a mix of activities, performances and some of the best Thai green curry you've ever had. This year's festival program includes an array of live entertainment, from music to martial arts. There'll be a Buddhist drum ceremony on Fed Square's main stage, exhibition kickboxing matches at Deakin Edge, and hours of live music at the Singha Beer Garden down by the Yarra. You’ll also have the opportunity to enjoy a traditional Thai massage, lest the exertion of the day become too much for you. Catering, meanwhile, comes courtesy of some of the best Thai chefs in Melbourne; with more than 15 different restaurants operating stalls throughout the day. There's even going to be a cooking demonstration, hosted by TV Chef Duncan Robertson from Duncan's Thai Kitchen. It's enough to have you booking an airfare immediately. Here's last year's trailer, to give you an idea:
A Twitter-famous writer with a bestseller to her name and plenty of online fame, Arabella (Michaela Coel) has a deadline. Overnight, she needs to finish the first draft of her second book or her publishers won't be happy. But when her mates suggest that she comes out for a couple of drinks, the London-based scribe quickly acquiesces. The next morning, though, she doesn't feel okay — and it isn't just a hangover, with Arabella slowly realising that she has been the victim of sexual assault. It's best to take I May Destroy You's title literally from the get-go — in reference to how this show will make you feel, that is. Turning a traumatic experience into blistering television, the 12-part series is easily 2020's best, and it is definitely a phenomenal effort from creator/writer/co-director/star Coel. Watching Arabella come to terms with what's happened to her, and to regain her sense of self, isn't easy viewing — but it's absolutely must-see TV.
Melbourne Fashion Week is back, and this year's instalment promises a week brimming with style, flair and a pinch of the unexpected. From Monday, October 23 to Sunday, October 29, the heart of Melbourne is set to pulse with the vibrant rhythm of 300 designers and retailers. There will be 100 events in both classic venues as well as some rather interesting settings, including the rooftop pool deck at Le Méridien and some abandoned industrial garages. This year's MFW theme, For Curious Hearts, is all about giving a nod to the unsung heroes backstage. The mavericks, the designers, the people who make the industry tick — both emerging and established. This year is for championing sustainability, inclusivity, and everything that makes Australia's fashion scene so vivaciously diverse. Speaking of sustainability, MFW is carbon neutral certified, with $1 from each ticket going to carbon offset efforts. So, while you enjoy the city's fashion fiesta, you're also doing your part to stave off the climate apocalypse. Fun! The MFW runway spectacle is set to grace various venues across the city, from transformed industrial locales to the majestic Regent Theatre. Spotlighting the event are names like Jason Grech, Bec + Bridge, Ngali, Blanca Studios, Leo Lin, Aje, J'Aton, Oroton, Mariam Seddiq, and Arnsdorf, among others. The crowd-favourite fashion capsules are back in full swing, revealing the craftsmanship of over 70 local creators. To add to the fun, there will be complimentary runway pop-ups, including at the newly launched MFW spots at Emporium and QV. For those keen on learning more about the industry, Creative Victoria is hosting the MFW Conversations program. The series, graced by iconic fashion editor Janice Breen Burns, delves into topics like circular fashion and the role of tech in the industry. Students will also get their moment in the limelight with the Student Collections Runway, crowning the MFW Student Award winner on October 27. So, if you're a fashion lover (or just keen on soaking up the vibes), grab your tickets, and we'll see you on the runway. Head to Visit Melbourne for the full rundown and to check out what else is happening in Melbourne this spring.
Prefer a sophisticated sort of Sunday session to basic brews at the pub? Well, you're in luck because Poodle Bar & Bistro is here to elevate your weekend with a fresh edition of its ever-popular bottomless brunch. The Fitzroy eatery will be serving up the goods once again this Sunday, July 3. Across one of two sittings (11.30am and 2pm), you'll tuck into a parade of swanky brunch plates courtesy of legendary chef Josh Fry — think, house-made chicken liver parfait, delicate vol au vents crowned with Yarra Valley caviar, roast lamb rump with shallot jus, and a silky fig leaf panna cotta. While you feast, the drinks will be flowing just as easily — and with just as much style. Your $85 ticket pairs those eats with two hours of bottomless bevs, from bubbly and bellinis, to white wine spritzes and blood orange seltzers. [caption id="attachment_774766" align="alignnone" width="1920"] Poodle Bar & Bistro[/caption]
The CBD is in for a huge one this weekend as it comes alive with the annual buzz that is Shop the City. The City of Melbourne's jam-packed weekend of giveaways, gigs and retail offers is back to fill your shopping bags from this Friday, May 5–Sunday, May 7. Much of the action will be going down at the event's pop-up hub in Bourke Street Mall. We're talking live performances from acts like sequinned icons The Huxleys, and giveaways courtesy of brands including Go-To, Remedy Drinks and Funday Natural Sweets. There'll also be a wall of lockers stocked with prizes for anyone who drops by and flashes a shopping receipt from a purchase made across the weekend. Other inner-city precincts like Emporium, QV, Flinders Street Station and Collins Place will be slinging freebies of their own — hit the online map and track them down to nab products and vouchers from Aesop, Chatime, Bread Club and more. In between hunting down giveaways and complimentary goodies, you'll find a hefty lineup of exclusive retail discounts and offers to shop across the three days. That includes generous deals from spots like Whisky & Alement, Mecca Cosmetica, Glue Store and Nike, plus Sunglass Hut, David Jones, Superdry and others. Images: Danielle Castano
Swedish furniture giant IKEA has been creating stylish storage solutions for our personal possessions for decades. As part of their latest marketing strategy, they've released a digital version of the Expedit shelving range to restore order to computer files. Hungarian advertising agency Laboratory Ideas developed the concept, saying "We prepared a useful, design-conscious and cost-effective way - true to IKEA's values - to organize and store your stuff even in your second home, your computer." One of my pet hates is that PCs don't allow for folder customisation. At least on Mac you can colour-code and highlight, though it's limited to seven shades. With its icon set of boxes, drawers and shelving in a range of colours and designs, IKEA's e-Folder set lets you say goodbye to stock-standard folders and furnish your computer so it feels like home. Download the set from IKEA online stores in Hungary, Slovakia and the Czech Republic, check out the installation instructions in English and get tidy! [Via NotCot]
2019 is shaping up to be a mighty big year for Elton John. Biopic Rocketman launches into cinemas in May, starring Kingsman's Taron Egerton as the singer and covering his wild 70s antics. The live-action version of The Lion King hits screens come July, featuring the musician's iconic tunes from the original, as well as new songs. And to cap it all off, the star himself is headed our way at the end of the year for a huge farewell tour. Bringing his 300-stop Farewell Yellow Brick Road shows to Australia and New Zealand between November 2019 and February 2020, John has announced 18 concerts across more than two months — including gigs in capital cities, a number of regional dates, and shows at A Day on the Green. More concerts, including shows in north Queensland, will be announced later this year. He kicked off the extensive tour last September, embarking on a three-year global goodbye trip. When it comes to an end, he'll retire from touring after five decades on the road. If that all sounds rather massive, that's John's career in a nutshell. He's played more than 4000 shows across his career, has sold more than 300 million records worldwide and holds the record for the biggest-selling single of all time thanks to the 1997 version of 'Candle in the Wind'. https://www.youtube.com/watch?v=DtVBCG6ThDk Fans can expect to feel the love through all of his hits, including 'Rocket Man', 'Tiny Dancer' 'Bennie and the Jets', 'Crocodile Rock', 'I'm Still Standing' and 'Saturday Night's Alright for Fighting' — especially the latter, you'd expect, on his six Saturday shows. The concerts will also feature never-before-seen images and videos show from John's 50-year career, which'll be displayed throughout the show, as well as a new tour wardrobe designed by Gucci. ELTON JOHN 'FAREWELL YELLOW BRICK ROAD' 2019 TOUR DATES Perth — Saturday, November 30, 2019 and Sunday, December 1, 2019 at HBF Park Adelaide — Wednesday, December 4, 2019 at Botanic Park Melbourne — Tuesday, December 10, 2019 and Wednesday, December 11, 2019 at Rod Laver Arena Brisbane — Wednesday, December 18, 2019 at Brisbane Entertainment Centre Sydney — Saturday, December 21, 2019 and Monday, December 23, 2019 at ICC Sydney Theatre, plus Tuesday, January 7, 2020 at Qudos Bank Arena Hunter Valley — Saturday, January 11, 2020 at Hope Estate Mount Cotton — Saturday, January 18, 2020 at Sirromet Wines Bathurst — Wednesday, January 22, 2020 at Carrington Park Woodend — Saturday, January 25, 2020 at Hanging Rock Rutherglen — Wednesday, January 29, 2020 at All Saints Estate Yarra Valley — Friday, January 31, 2020 at Rochford Wines Dunedin — Tuesday, February 4, 2020 at Forsyth Barr Stadium Hawke's Bay — Saturday, February 8, 2020 at Mission Estate Winery Auckland — Sunday, February 9, 2020 at Mt Smart Stadium Tickets for Elton John's Australian capital city and New Zealand shows are available from 9am (local time) on Thursday, February 14, 2019, with all other concerts available from 9am (local time) on Friday, February 15, 2019. Visit oznz.eltonjohn.com for further details, as well as information about pre-sales. Image: Ben Gibson.
Millions of Aussies flock to Sydney's sparkling shores each year — and, now that the borders are open, it's time to book your great escape to the city. But often, it seems, not many make it past the main attractions. That's why we're here to help. If you're considering a trip to the Harbour City, there's plenty to add to your itinerary beyond the usual highlight reel of CBD sights. Once you've made the pilgrimage to our cultural institutions and culinary heavyweights, make tracks to the neighbourhood watering holes, independent shops and small galleries locals love. We've joined forces with Destination NSW to show you how. Live like a local and uncover the hidden gems that make Sydney's inner city suburbs worth a visit. Please stay up to date with the latest NSW Government health advice regarding COVID-19. [caption id="attachment_652518" align="alignnone" width="1920"] The Grounds of Alexandria, Destination NSW[/caption] WHERE TO BRUNCH You've probably been to: Visitors are known to flock to the beloved Grounds of Alexandria (as well as its city outpost, The Grounds of the City) and the well-known Bills establishments in Surry Hills, Darlinghurst and Bondi — and we don't blame them. Besides being the perfect spot for your next Instagram photo, The Grounds of Alexandria offers a cafe, restaurant, bar, bakery, patisserie, coffee roastery, florist and markets to explore. And at Bills, it almost goes without saying that those corn fritters, creamy scrambled eggs and ricotta hotcakes are huge drawcards. But when you're ready to try something new (and avoid the queues), join the locals for the morning meal. [caption id="attachment_708584" align="alignnone" width="1920"] Reuben Hills[/caption] Next, you should go to: Nestled in the leafy streets of Surry Hills (and just a ten-minute walk northeast from Central Station), Reuben Hills delivers South American-inspired eats and house-roasted specialty coffee. Its soft-baked eggs with ranchero and kale are made to warm bellies and the chorizo brekkie roll is possibly the best spin on a classic B&E sanga you'll find in the city. Or, head slightly further out to Redfern Station, walk five minutes down Eveleigh Street, and you'll find Henry Lee's, a charming courtyard cafe with an ever-changing menu of local produce. Don't miss Henry's Dream toast with avocado, pesto, heirloom tomato, pomegranate molasses and a poached egg, and make sure to nab a batch brew made with locally roasted beans from The Little Marionette. [caption id="attachment_785522" align="alignnone" width="1920"] Lindy Lee 'No Up, No Down, I Am the Ten Thousand Things', 'Lindy Lee: Moon in a Dew Drop', MCA. Image credit: Anna Kucera[/caption] WHERE TO SEE ART You've probably been to: The Art Gallery of NSW brings together centuries of international and local talent to create one of the world's most beautiful art museums, while the Museum of Contemporary Art celebrates the work of modern artists from Australia and abroad. With rotating exhibitions, there's always something new to discover on a return trip, but if you're looking for something off the beaten track, read on. [caption id="attachment_770817" align="alignnone" width="2000"] White Rabbit 'And Now', Kimberley Low[/caption] Next, you should go to: On the hunt for something one-of-a-kind? Meet Firstdraft, Woolloomooloo's premier space for emerging and experimental art. Expect to be challenged and inspired here by ambitious art making. Next up is Chippendale's Galerie Pompom, a venue as playful as its name suggests. Stop by and explore mixed-media works from young and emerging Sydney- and Melbourne-based artists. Then from there, you can go on a gallery crawl of sorts to surrounding art spaces, including Nanda\Hobbs, Harrington Street Gallery, Goodspace Gallery at The Lord Gladstone pub and, of course, White Rabbit Gallery. [caption id="attachment_721571" align="alignnone" width="1920"] Nikki To[/caption] WHERE TO DINE You've probably been to: When on the hunt for an indulgent feast in the inner city, the Sydney Opera House sails prove a popular destination. Bennelong offers a dining experience as unique as the building it sits within, with views across the harbour and a fine-dining menu from celebrated chef Peter Gilmore. Then there's Surry Hills' queue-inviting Thai eatery, Chin Chin. Its trademark neon glow, loud music and industrial design make it a go-to for visiting food lovers. But if you've tried these big names, this is your chance to explore Sydney's neighbourhood gems — and we've got a lot. [caption id="attachment_784794" align="alignnone" width="1920"] The Sunshine Inn, Cassandra Hannagan[/caption] Next, you should go to: First and foremost, head to cosy Italian eatery Kindred in Darlington for a homely feed. It's as inviting as Nonna's kitchen, featuring house-made pasta, bread and cultured butter and it serves almost exclusively organic, bio-dynamic or natural wines. For a memorable feast in vibrant surroundings, make tracks to Surry Hills' rule-breaking Indian restaurant Don't Tell Aunty. Opt for chef Jessi Singh's set menu for $65 per person, and you'll get to try almost all the curries on the menu with the thali (curry platter). And, to really indulge in local flavours, head to The Sunshine Inn, Redfern's new restaurant and cocktail bar from the Golden Gully crew. Alongside a drinks list packed with nearby producers — including Yulli's Brews, Batch Brewing Co and Mr Black — it serves a selection of all-vegetarian, seasonal snacks. [caption id="attachment_637643" align="alignnone" width="1920"] Frankie's, Katje Ford[/caption] WHERE TO DRINK You've probably been to: The laneways of Sydney's CBD are a goldmine for a post-dinner tipple. Revellers will be well acquainted with late-night, rocker joint Frankie's Pizza. It's part dive bar, part New York-style pizza parlour, part blast from the past in 80s metal form. Then, of course, there's The Baxter Inn, the underground bar known for its 800-plus whisky offering, endless bowls of free pretzels and speakeasy vibe. But as great as Frankie's and The Baxter Inn are, they're just the tip of the small bar iceberg. [caption id="attachment_725315" align="alignnone" width="1920"] Arcadia Liquors, Kitti Gould[/caption] Next, you should go to: Down the road, you'll find one of the CBD's best courtyard bars, Since I Left You — which just so happens to hold one of the first small bar licenses ever issued in the city. Sip a hard lemonade, dig into a cheeseburger toastie and catch one of the many live gigs the bar hosts. Plus, every Saturday it offers beats, bottomless cocktails and themed brunches. A little further out in Redfern, you'll find neighbourhood stalwart Arcadia Liquors. Sample a selection of Sydney-brewed beers or sip a martini made with local gin. Continue on to Newtown, in the direction of Corridor. The name of this joint says it all — it's a slim, cosy bar with a rooftop area that offers an ace happy hour where you can sip $7 pints of local brews and $14 cocktails. [caption id="attachment_725960" align="alignnone" width="1920"] State Theatre[/caption] WHERE TO CATCH A SHOW You've probably been to: Seeing a show at Sydney Opera House is a bucket-list item. With shows ranging from cabaret and comedy to symphony and ballet — and everything in between — it's easy to find something to pique your interests. Beyond the iconic sails, you'll find Haymarket's historic Capitol Theatre, which often hosts world-class musicals, ballet and opera, as well as the heritage-listed State Theatre, which brings film, theatre and music performances to the masses. But, that's just the start of what Sydney has to offer. [caption id="attachment_637702" align="alignnone" width="1920"] Venue 505, Katje Ford[/caption] Next, you should go to: Live music comes alive at inner west gem Venue 505. Brimming with talented musicians, this spot plays host to excellent live jazz, roots, reggae, funk, instrumental and vocal entertainment Monday to Saturday — and often for free or less than $50. Down the road, the historic Vanguard has a full program showcasing local and international talents from a mixed bag of genres, including rock, soul, blues and tribute bands. When it comes to theatre, Griffin Theatre Company offers a celebration of local playwrights and actors. Stop by to see the next Cate Blanchett or David Wenham take the stage (both of whom started their careers with this iconic company). [caption id="attachment_739630" align="alignnone" width="1920"] Strand Arcade, Destination NSW[/caption] WHERE TO SHOP You've probably been to: You've probably roamed the ornate halls of the historic Queen Victoria Building, boasting 170 boutiques plus several drinking and dining options — including a spot dedicated entirely to champagne. And you've probably wandered through The Strand Arcade, with its high-end fashions. The heritage Victorian building is the place to go for something fancy and bespoke (like a hat steamed and fitted to your head) or for a swish meal at Pendolino, the decadent Italian restaurant on level four. But outside of these dazzling arcades, you'll get to experience the boutiques and purveyors the locals frequent. [caption id="" align="alignnone" width="1024"] Lunatiques, Kitti Gould[/caption] Next, you should go to: Venture out of the CBD and head to one of the many shopping streets around the inner city suburbs. Antique lovers will adore Mascot's vintage warehouse, Lunatiques. Brimming with pre-loved furniture, art, clothes and more, this is a destination for collectors and interiors aficionados alike. Trendsetters, head to picturesque Paddington and make a beeline for Di Nuovo, which offers racks of hand-picked, secondhand pieces from local and overseas high-end labels. And if you're looking for a good read for your trip, pay a visit to Glebe's Gleebooks to track down new and secondhand books. The bookshop has been a local favourite for over 40 years. You can also stop by neighbouring Sappho's, another secondhand bookshop with many hard-to-find or out-of-print titles, plus a cafe-bar in the courtyard out the back. Make your great escape to Sydney now and traverse it like a local. Discover more around the city here. Top image: Since I Left You
In Greek mythology, the goddess Artemis inspires empowerment through her strength, power and resilience. Inspired by these qualities, two Melbourne makers have collaborated to create To Artemis, a debut clothing collection that embodies them and promotes feminine strength and confidence. Created by Zoë Bastin and Adrienne Grech, the soon-to-launch label brings a fresh perspective to Melbourne fashion. The pair come from vastly different working backgrounds; Zoë is a practising artist who's currently completing her PhD in Fine Art, while Adrienne is a neuroscience PhD student investigating cognition in schizophrenia. This unique combination has resulted in clever, elegant design and a tonal colour palette that will slide easily into any wardrobe. The pieces are also practical — they've been designed to be easy to wear no matter where the day takes you, whether you're creating, studying, dancing or exploring. The team behind To Artemis wanted to provide comfortable, versatile styles that promote confidence with feminine agency in mind. The collection spans linen wrap dresses, skirts and pants, a shibori-dyed silk skirt, linen tops and a transparent glitter acrylic tote bag. "We want to provide well-fitting clothing to fit diverse bodies to play and create in. For us, this means comfortable, adjustable and versatile garments," says Zoë. "So anyone who wants to wear us, can. There are lots of options to suit different tastes." The two designers aim to fill a gap in the local fashion market. "I saw a lot of small labels popping up that tried to make clothing ethically, or that handmade garments here in Melbourne or tried to promote inclusivity with fits," she explains. "But none that did all these things at once." To Artemis stock sizes XS to XL — but if those measurements don't fit, you can contact the girls to work out a custom fit. All are made in Melbourne. To Artemis officially launches on March 28, and they're taking a limited pre-order until March 18 — you can view the catalogue and ordering details here. For more information, follow them on Instagram.
Step into the strange and seductive world of Greek cinema as it lights up the screen at Palace Como and The Astor as well as cinemas around the country. Now in its 23rd year, the latest edition of the Greek Film Festival boasts an expectedly eclectic program, ranging from fiction features to documentaries and a couple of Australian productions as well. The festival will begin with an opening night screening of Worlds Apart, a romantic anthology film from writer-director-actor Christopher Papakaliatis co-starring Oscar winner J.K. Simmons. It's one of a number of critically acclaimed contemporary films on the bill, with skewering social satire Chevalier and darkly comic thriller Suntan both deserving of a look. Other highlights including a pair of local productions by Greek-Australian filmmakers, in bold religious drama Sacred Heart and medicinal marijuana documentary A Life of Its Own. There's a lot to see, but find our picks of the five must-see films at this year's Greek Film Festival below. https://www.youtube.com/watch?v=RfE7zzOXR3A CHEVALIER One of our very favourite films of this year's Melbourne International Film Festival, Chevalier offers of deadpan critique on male insecurity. Directed by Attenberg's Athina Rachel Tsangari, who also co-wrote the screenplay with regular Lanthimos collaborator Efthymis Filippouk, the film is about six men on a yacht as they compete to determine who is "the best in general". How quickly can you solve a Rubik's cube? How good are you at household chores? Everything — and we mean everything — becomes fodder for their ridiculous contest, in a film that is both hilarious and profoundly sad. In addition to sessions at this year's Greek Film Festival, Chevalier is screening in Melbourne at ACMI until October 20. Read our full review here. SUNTAN Where Chevalier offers a cringingly funny look into the middle-aged male psyche, Suntan provides a more sinister view of a similar subject. Makis Papadimitriou stars as Kostis, a doctor who takes a job as a GP on a small Greek island, only to fall hard for a beautiful young tourist. But infatuation soon gives way to misanthropic obsession, as director Argyris Papadimitropoulos leads viewers down a path they may not wish to tread. The sun-soaked cinematography belies the darkness at the heart of this picture, which proves an uncomfortably compelling watch. A LIFE OF ITS OWN As the Australian medical community continues to debate the potential benefits of medicinal marijuana, Greek-Australian journalist and broadcaster Helen Kapalos delves into the controversial subject for herself. Inspired by her encounter with cancer sufferer Dan Haslam, who used cannabis to relieve his excruciating pain, A Life Of Its Own: The Truth About Medical Marijuana explores the social and political factors that shape legislation around the drug, while chronicling groundbreaking research that could make a world of difference. Kapalos will be on hand for public Q&As following screenings in Sydney and Melbourne. SMAC Critically acclaimed in its native Greece, Elias Demetriou's SMAC won the audience awards at both the Athens Outview Film Festival and Cyprus Film Days International Film Festival, and shapes up as essential viewing at this year's GFF. Evangelia Andreadaki stars as Eleni, a middle-aged lesbian woman struggling with a cancer diagnosis. In order to quell her fears of dying alone, Eleni invites a homeless man to live with her, leading to an unlikely friendship. Whatever you do, don't forget to bring a pack of tissues. BENEATH THE OLIVE TREE Inspired by secret journals written by imprisoned female political dissidents during the Greek Civil War between 1946 and 1949, Beneath the Olive Tree is described in the GFF program as "an exposé of courage, ideals, forgiveness, healing, and the important role our past plays in our present and future". Using a mix of archival footage, contemporary interviewers and motion capture animation, young New York-based documentarian Stavroula Toska recounts the remarkable stories of incredible women accused of crimes they didn't commit. The Greek Film Festival will run at Palace Como and The Astor from Wednesday, October 12 until Sunday, October 23. For the full program, visit greekfilmfestival.com.au.
Soon, in North Sydney, smokers mightn't just have to stub out their cigarettes in public areas — rather, puffing away in the entire central business district could be banned. At a meeting this week, the North Sydney Council moved to create a smoke-free CBD, prohibiting smoking in all public spaces within the North Sydney local government area. The motion received the unanimous support of attending councillors, with determining community support listed as the next step in the meeting minutes. North Sydney, Sydney's second largest CBD, already boasts a number of smoke-free zones at Brett Whiteley Place and Elizabeth Plaza. Both are self-regulated, which is how the council proposes that the new CBD-wide ban would work — and with participating restaurants, bars and cafes placing council-produced and -providers stickers in their windows to help raise awareness. "Council's creation of self-regulated, no smoking zones has been well received by the community and I believe a push to expand this policy would be widely welcomed," North Sydney Mayor Jilly Gibson states in the minutes. The mayor advised the ABC that fines won't be issued for those who flout the ban — and if locals supported the smoke-free plan, it could be in place by Christmas or early 2019. And, Gibson told the Sydney Morning Herald, the eventual aim is to make the entirety of North Sydney's shared public spaces smoke-free, including streets, plazas, parks and outdoor seating. Throughout New South Wales more broadly, smoking in enclosed areas of licensed premises has been illegal since 2007, while lighting up in outdoor spaces such as public transport stops and stations, the entrances to public buildings, around children's playgrounds and near spectators at sporting facilities has been banned since 2012. In 2015, the state prohibited smoking in outdoor dining areas as well, including on on footpaths outside licensed cafes and pubs. And, since September 2016, Pitt Street Mall Place in the Sydney CBD has been smoke-free. Queensland outlawed smoking in outdoor dining areas in 2006, while Victoria followed suit in 2017. And both Brisbane and Melbourne have designated smoke-free areas in their CBDs — either through state-wide restrictions on smoking in outdoor pedestrian malls, or through specific smoke-free sites. Hobart also has a number of designated smoke-free sites.
One lavish estate. A reunion filled with dysfunctional relatives. The sudden death of the family patriarch. Combine them all together, and you have a good ol' fashioned murder mystery — as well as the plot for Rian Johnson's latest star-studded film, Knives Out. The fifth feature from the writer/director, as well as his first since 2017's Star Wars: Episode VIII — The Last Jedi, Knives Out steps into quite the chaotic situation. Just after his 85th birthday, crime novelist Harlan Thrombin (Christopher Plummer) is found dead, all while his manor happens to be filled with both family members and staff. Eager to discover just what's behind the old man's demise, Detective Benoit Blanc (Daniel Craig) is soon on the case. Yes, Agatha Christie would be proud. And, like all of her famous whodunnits, Knives Out's sleuth has plenty of suspects. Indeed, the list of potential culprits is jam-packed with familiar faces, including Chris Evans, Jamie Lee Curtis, Toni Collette, Don Johnson, Michael Shannon and LaKeith Stanfield, as well as 13 Reasons Why's Katherine Langford, IT: Chapter Two's Jaeden Martell and Blade Runner 2049's Ana de Armas. Basically, think Cluedo come to life, filled with high-profile talent, and packaged with both twists and laughs. Johnson's love of on-screen puzzles was well-established in both Brick and Looper, so the filmmaker seems like he's in his element. Check out the latest trailer below: https://www.youtube.com/watch?v=Tw6L1mu-Nss Knives Out releases in Australian cinemas on November 28.
When HBO managed to get the cast of Friends back on the same couch and chatting to camera about their time on the hit sitcom, the US cable network clearly found itself a new niche. That'd be big reunion specials that reteam the stars of beloved pop culture favourites to talk about their experiences — so it's going down the same route with the Harry Potter franchise. If you've been chanting "accio more Harry Potter" to yourself for the past decade since the eight-film series wrapped up, it seems that your wishes have finally come true. Like the Friends special, Harry Potter 20th Anniversary: Return to Hogwarts won't feature anyone in-character — but, if you're a fan, spending more time with the movies' stars still promises to be magical. There'd be no point going ahead if Daniel Radcliffe, Rupert Grint and Emma Watson weren't all involved, so they're definitely on the lineup. So is filmmaker Chris Columbus, who directed the franchise's first two movies. Joining them is a huge list of other actors from across the movie series' history, including Helena Bonham Carter, Robbie Coltrane, Ralph Fiennes, Jason Isaacs, Gary Oldman and Tom Felton, plus James Phelps, Oliver Phelps, Mark Williams, Bonnie Wright, Alfred Enoch, Matthew Lewis, Evanna Lynch and Ian Hart. You'll spot some missing names — Maggie Smith and Robert Pattinson, for instance, to name just two — but clearly there'll be a whole lot of HP cast members reminiscing about their time in the wizarding world. As the special's name makes plain, Harry Potter 20th Anniversary: Return to Hogwarts is popping up to celebrate 20 years since Harry Potter and the Philosopher's Stone first reached cinemas back in 2001. That said, whether you're a muggle, a wannabe wizard and witch, or someone who spent far too much of their childhood reading the books and watching the flicks, you'll actually be checking out the new special in 2022. In the US, it'll stream on January 1 on HBO Max. Viewing options Down Under haven't yet been revealed, so there's something to start trying to summon sooner rather than later. Check out the teaser trailer for the Harry Potter 20th Anniversary: Return to Hogwarts special below: HBO's Harry Potter 20th Anniversary: Return to Hogwarts special will be available to stream in the US on January 1, 2022 — we'll update you with viewing details Down Under when they're announced.
First it was the Cheese Festival, then the Sausage Fest, and now Prahran Market is completing the holy trio of meats, cheese and chocolate with — you guessed it — a chocolate festival. The Wicked Chocolate Festival will be held at Prahran Market on Saturday, May 7. As well as on-stage talks about the stuff, a kitchen where you can see how it's made and tasting events, Melbourne's finest will be pulling out their best chocolate creations at the Pop-Up Chocolate Precinct. This will include — are you ready for this? — chocolate doughnuts from Doughboys, chocolate cookie sandwiches by Butterbing, Nutella pizzas from A25 Pizzeria, as well as treats from Burch & Purchese, Bibelot, Fritz Gelato and Pana Chocolate. There'll be everything from hot chocolate to cold chocolate (read: ice cream), and rich chocolate mousse to raw vegan Snickers bars. The market is known for their decidedly delicious events, and this one is set to be just as epic and coma-inducing — especially if you enter the chocolate eating competition. More details to come on how you can enter that one, but we suggest you start practicing with a some blocks of Cadbury Dairy Milk and a few rounds of The Chocolate Game. Fingers crossed you roll a few sixes. The Wicked Chocolate will be held at Prahran Market on Saturday, May 7 from 10.30am. For more info, visit their website.
If there’s one thing I’ve learnt from researching Super Discount, it’s that ‘intellectual disability’ is hardly an appropriate term, because this crew seems far cleverer than I. Spawned from Geelong’s internationally acclaimed Back to Back Theatre Company (makers of the 2012 Helpmann and Green Room Award-winning play Ganesh Versus the Third Reich), Bruce Gladwin’s Super Discount will be wowing Sydney and Melbourne audiences this spring. In accordance with Back to Back’s longstanding tradition, Super Discount was written through improvisation by six actors — all but one suffering from a perceived intellectual disability — alongside Gladwin. Originally a collaboration with artist Tim Sharp, Super Discount recently underwent a name change when creative differences arose. What’s left is a production that gives voice to those who might normally be ignored and allows for diversity in their representation, “questioning how audiences read representations of disability” and stereotypical perceptions. “The general consensus in contemporary societies is that if you’re disabled it would be very inappropriate to make you [your character] evil," says Gladwin. "And really, evil is a capacity that we all have — to be evil is to be human. You know, if you can’t play evil because you’ve got a disability, you’re actually saying you’re something other than human.” If you’ve never known the disabled experience, Super Discount will clue you in. This time around the company has stripped away the scenography, leaving behind only the actors raw and exposed. "[They’re holding] what is a very detailed narrative in their hands onstage and all they have is their skill as actors," says Gladwin. "There’s nothing for them to hide behind and there’s always an element around disability that involves essentially a kind of voyeurism. In a way the actors are asking you to look at them and look only at them.” But Gladwin insists that this production is joyous, because ultimately, he says, “the piece is empowering”. Under the guise of superheroes, the performers — including Mark Deans, Simon Laherty, Sarah Mainwaring, Scott Price, Brian Tilley and David Woods — are talking some universal stuff. I mean, in spite of our perfectly staged and photoshopped Facebook pictures, even those of us fighting crime are flawed. “Iron Man has a weak heart," says Gladwin. "Thor is lame and walks on a walking stick as Doctor Donald Blake; Rogue in X-Men can’t touch anyone without killing them. Through some form of flaw or disability or mutation they [superheroes] exist as outsiders in society ... They are flawed and human despite the fact that they also have some sort of incredible superpower or access to some sort of incredible, empowering technology.” Super Discount is equal parts humorous and poignant, so expect to be “confronted, brought to tears and brought to joyous laughter” all at the same time. Maybe rewrite the dictionary's definition of 'disability' while you're at it. You can join the ensemble at the Malthouse Theatre November 13 to December 1 for something that packs more than a little ka-pow.
Melburnians will have a rare chance to experience a white Christmas right here in their own backyard, when the Queen Victoria Market plays host to the city's first-ever summer outdoor ice-skating rink. Keeping us cool through the normally balmy stretch of December 1 to 24, the Air Canada pop-up will transform the Market's historic sheds into a festive, wintery wonderland, to celebrate the airline's new non-stop Melbourne to Vancouver route. The rink will host hourly skating sessions, with all the kit available to hire, from skates and helmets to knee pads. What's more, the fun continues off the ice, with a plethora of tasty rink-side offerings. Think fairy floss, buttery popcorn, maple syrup ice cream from Market stalwart Geloso Gelateria, and of course, plenty of poutine — Canada's famed dish of French fries, cheese curds and gravy. The Air Canada Ice Rink will open market days (Tuesdays and Thursdays through Sundays), as well as Wednesday nights to coincide with the Summer Night Market season.
Located on 15 tranquil, rolling bushland hectares in the heart of Fingal, this modern wellness sanctuary has been years in the making. And Alba Thermal Springs & Spa is a certified stunner; from the majestic main spa building with its grand curves, to the thermal baths nestled throughout the grounds. If bathing is on the agenda, you'll find 31 idyllic pools, each one built for a different purpose and carefully integrated into its own immediate landscape, right down to the choice of native flora surrounding it. Forming a trail down the hill known as The Hemisphere, they range from the secluded to the more social; with everything from botanical-infused baths to icy plunge pools. One might feel like you're stepping into an Ancient Roman bath, while another envelops you with high walls carving out your own private view of the skies above. A steam room and sauna sit up here, too. Back down in the main building, the onsite spa is a serene and oh-so-stylish escape, complete with 22 treatment rooms and a zen relaxation lounge where you can kick back on a daybed in that post-pamper glow. The spa offers a hefty range of facial and body treatments, built around both Vanessa Megan's award-winning Aussie-made nutraceutical products and Aika Wellness Ayurvedic skincare. There's also a Vichy shower, a steam room, and a dedicated manicure and pedicure suite. Only building on how good you're guaranteed to feel after a bathing session or massage here, is the onsite restaurant Thyme helmed by renowned chef Karen Martini. A lofty indoor-outdoor space overlooking the pools, it's an all-day affair, championing local produce via a menu filled with plates designed to both satisfy and nourish. Images: Chris-McConville
Residents of 88 Melbourne suburbs are being told to hold off on drinking their tap water today (unless it's boiled), after last night's storms caused electrical damage impacting some of the city's water supply. Yarra Valley Water, which is Melbourne's largest retail water utility, sounded the alert via Twitter this morning. "Some water may have entered our drinking water supply network that had not been treated to the usual standard," the company has warned. Power has since returned and it's addressed the initial issue, though some areas are still being supplied with water that's not been properly treated. https://twitter.com/YVWater/status/1299136129200017408 Until it resolves the problem, Yarra Valley Water is advising residents of the impacted suburbs to take precautions and bring any tap water to a rolling boil before using it to drink, brush teeth, make ice, or prepare food or baby formula. The company Tweeted that the risk of illness from drinking the water is low, but that people should see their doctor if they experience any gastro-type symptoms. It's expecting things to be fixed by this afternoon and says it will send out confirmation when the suburbs' tap water supply is back to normal quality. To make matters worse, Yarra Valley Water's website has been having some issues of its own today and has been down for part of the morning. But if you want to know which suburbs have been affected, here they are: Attwood Bayswater Bayswater North Blackburn Blackburn North Blackburn South Boronia Box Hill North Broadmeadows Bulleen Bundoora Burwood Burwood East Campbellfield Chirnside Park Coburg North Coldstream Coolaroo Craigieburn Croydon Croydon Hills Croydon North Croydon South Dallas Doncaster Doncaster East Donvale Doreen Eltham Epping Fawkner Forest Hill Glen Waverley Greensborough Greensborough Greenvale Heathmont Kalorama Kangaroo Ground Kilsyth Kilsyth South Kingsbury Lalor Lilydale Lower Plenty Meadow Heights Melbourne Airport Mernda Mill Park Mitcham Monbulk Mont Albert North Montmorency Montrose Mooroolbark Mount Dandenong Mount Evelyn Mount Waverley North Warrandyte Nunawading Olinda Park Orchards Plenty Research Reservoir Ringwood Ringwood East Ringwood North Roxburgh Park Silvan Somerton South Morang Templestowe Templestowe Lower The Basin Thomastown Vermont Vermont South Viewbank Wantirna Warrandyte Warrandyte South Warranwood Westmeadows Wollert Wonga Park Yallambie Yarrambat For updates on the water supply issue, keep an eye on Yarra Valley Water's Twitter account.
Unstoppable chef and restaurateur Andrew McConnell, whose hospitality empire includes Cutler & Co., Cumulus Inc. and Ricky & Pinky, is embarking on yet another project. This summer, for ten magnificent days, he'll be taking over the Garden Restaurant at the National Gallery of Victoria (NGV), and transforming it into Supernormal Natsu, a spin-off of Supernormal, his modern Japanese restaurant in Flinders Lane. The pop-up is part of Triennial EXTRA, a 10-day, one-off festival, organised to celebrate the inaugural NGV Triennial, a free exhibition featuring the works of 100 artists from 32 nations, which opens on December 15. Triennial EXTRA and Supernormal Natsu will run from January 19 to 28. Every day, from midday, McConnell's team will be creating dishes inspired by natsu, which is Japanese for summer. Many of them will be emerging from a hibachi grill, to be positioned on the restaurant's terrace. And although the details of specific dishes are yet to be revealed, we can tell you to expect fresh meats and seafood, grilled to perfection, and accompanied by summery ingredients. The dessert menu will include an array of sweet hits based on shaved ice. In addition to Supernormal Natsu, Triennial EXTRA will bring a bunch of free immersive and experiential events to the NGV, covering art, music, dance, live performance, design, fashion and ideas. Images: Ben Swinnerton and Kristoffer Paulsen.
Haunting strains of bluegrass music flow through Belgium's tear-jerking entry to last year's Academy Awards. Such mournful melodies are a fitting accompaniment to the story, about two musicians whose marriage begins to crumble after their daughter succumbs to terminal cancer. Despite the miserable subject matter, writer-director Felix Van Groeningen manages to mostly strike the right chord, eschewing unchecked histrionics for honest, bittersweet emotion. Actors Johan Heldenbergh and Veerle Baetens have devastating chemistry as shell-shocked parents Didier and Elise. A banjo-playing cowboy and a music-loving tattoo-artist respectively, they're a free-spirited pair brought crashing down to earth by six-year-old Maybelle's unexpected diagnosis. In the film's opening scene, we seem them stranded helplessly by her hospital bed. We don't need the doctor to tell us the prognosis is grim. From there, Van Groeningen flashes back seven years, to Elise and Didier's first meeting. After bonding over Didier's love of American culture, the pair embarks on a whirlwind romance — only for Van Groeningen to abruptly bring us back to their heartrending present. Backwards and forwards we're torn, through courtship, pregnancy, marriage, parenthood, the onset of Maybelle's illness and the unimaginable pain of her passing. The non-linear structure only heightens the emotional maelstrom, as scenes of tenderness and love clash against anger, grief and resentment. A dying child is a tricky narrative device. Do it wrong and it seems cheap and exploitative. Do it right and you've still got a movie way too depressing for most people to want to watch. Where Broken Circle Breakdown succeeds is in focusing on Elise and Didier's relationship. Heldenbergh and Baetens are both phenomenally good, turning in performances that are both natural and on occasion frighteningly raw. Van Groeningen does overdo the melodrama at times, particularly towards the end of the film when viewers may begin to feel fatigued. To his credit, however, it never feels insincere or calculated. The same is true for some rather on-the-nose political commentary about stem-cell research and religion. It's preachy, sure, but the film's heart is in the right place. Ultimately, the earnestness with which it's delivered makes it a whole lot easier to swallow. But the best moments in the movie are undoubtedly the songs; a mix of classics and original compositions performed in key scenes by Didier, Elise and their band. In these moments in particular, Van Groeningen finds his harmony between beauty, sorrow and joy. https://youtube.com/watch?v=raaHRyBtIEo
When you think of the Big Apple, you can't help the image of a yellow taxi springing to mind. That's even if, like me, you've never been there. It's the brightest of American icons and it's about to get a Japanese makeover. Automaker Nissan has won the exclusive 10-year, US$1 billion contract to produce the city's fleet of 13,200 yellow taxis. Nissan's North American take on the NV200, a model already in use in Europe and Asia, won over finalist manufacturers Ford and Karsan, from Turkey. Previously, the taxis of New York City have been produced by Ford: Crown Victorias and hybrid Ford Escapes. These models will be phased out over a 3 to 5 year period to make way for Nissan's new model. [Via Jalopnik]
It's a wine store and tasting room, but not quite as you know it. Smith Street newcomer Glou is shaking up the game, exclusively serving wine on tap, both to sip in and take away. An envelope-pushing concept from Rahel Goldmann (IDES, Hell of the North) and Ron Davis (Samuel Pepys, Le Pont Wine Store), the venue's built on a strong commitment to sustainability, though that doesn't mean it's about to go skimping on quality. If the thought of tap wine left you unenthused before, prepare to have your perceptions shaken. Having spent a collective three decades working in upscale restaurants and wine stores across the world, Goldmann and Davis are keen to help revamp the local wine game, stirring positive changes and a shift to embracing more environmentally minded practices from end to end. Doing away with single-use wine bottles, Glou instead pours all of its drops from taps, using an environmentally friendly Key Kegs system. And, rather than limiting themselves to the small pool of winemakers already offering tap wines commercially, the owners are working directly with their favourite sustainably focused wineries to keg a curation of top-notch wines straight from the barrel. Expect the likes of the Barossa's Rasa Wines, Adelaide Hills legend Charlotte Dalton, and Victoria's own Ben Haines and Noisy Ritual. At the venue, you can get the wines poured into 500-millilitre, one-litre, or two-litre reusable takeaway bottles, just as you might with beer growlers. Bring back a vessel to refill again and again, or return it for a rebate. Otherwise, pull up a seat in the minimalist space designed by Berlin artist Matthias George Koerner and Melbourne's Timmy Bourke Design, and quaff a couple of glasses alongside tapas-style Japanese bites courtesy of nearby Mono-XO. There'll be a program of industry tastings, masterclasses and winemaking events, too. Not only is Glou creating less waste, it has also drastically reduced its carbon footprint by not having to transport all that extra weight in wine bottles. Which of course translates to more wallet-friendly prices for the customer. Wines by the glass are available for $8 a pop, while half-litres start at just ten bucks and you can score two full litres from a very reasonably $40. You can check out the full menu over here. Find Glou at 310 Smith Street, Collingwood. It's open 12–9pm Tuesday–Sunday.
If you're not already at work or uni, expect major delays heading into the city this morning. An electric fire at Flinders Street Station has caused major delays across the network, with ten lines affected. Those travelling on the Frankston, Werribee, Williamstown or Sandringham lines have been told to consider alternative forms of transport, while those travelling on most other lines should allow for extra travel time. You can check out the status of all lines below — accurate at time of publication, 9.25am. To check the updated status of your line, head to the Metro Trains website. Metro Trains is suggesting those travelling to and from South Yarra, Prahran, Windsor, Balaclava, Ripponlea and Elsternwick use the following alternative public transport options, instead — but to still expect delays, as the services will be experiencing higher-than normal demand. https://twitter.com/metrotrains/status/1108847688953417729 The Metropolitan Fire Brigade is currently on the scene attending to the fire. https://twitter.com/MFB_NEWS/status/1108850851752230912 Head to the Metro Trains website for live public transport updates, or, if you're at the station, keep an eye on the platform displays. Image: Josie Withers for Visit Victoria.
If your new year's resolution involved dancing as often as possible, the pandemic has just delivered bad news. With Victoria's COVID-19 case numbers continuing to rise again, the state's government has just announced the return of a familiar restriction: the closing of all indoor dance floors in hospitality and entertainment venues. The Footloose-style change was announced by Health Minister Martin Foley today, Monday, January 10, at Victoria's daily COVID-19 press conference, and will come into effect from 11.59pm on Wednesday, January 12. The only exception to the rule: indoor dance floors at weddings, although folks are asked to relocate them outdoors if possible. Indoor hospitality and entertainment venues are still able to remain open, however — they just have to shut their dance floors. And, the current one person per two-square-metre density requirement that kicked in back on Thursday, January 6 remains in place and unchanged as well. Victoria's mask rules are still in effect as well, with the government making masks mandatory again indoors just before Christmas. The state is also strongly recommending that people work from home if possible, as it has been since late last year as well. Victoria currently has 161,065 active COVID-19 cases, including 34,808 new cases reported today, Monday, January 10. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website. Top image: Jake Roden, Visit Victoria.
Melbourne's oldest licensed pub, The Duke of Wellington has been entertaining locals for more than 160 years. Built in 1850, the two-storey venue is positioned close to much-loved city hotspots such as the MCG, Rod Laver Arena and The Forum, making it an ideal spot to get together with friends for a hearty meal and drinks. As summer wraps up for another year and we get ready for autumn, the pub is launching some extra special food and drink offerings. Stepping outside your standard Melbourne pub fare, two meal deals kick off the new season — the first being a tasty cooked-to-order whole suckling pig. It's big enough to serve ten people and need to be ordered four days in advance — but you'll need that time to prepare your stomach for what's to come. Speaking of needing extra space — the Duke is also serving up an audacious four-kilogram meat pie ($75), which, if you've got what it takes to finish it by yourself in under 45 minutes, they'll let you have for free. To help all that meat and pastry go down, you're going to need a drink. And, luckily, there are specials for those, too. Every Thursday there'll be half-priced bottles of wine at the Level One bar, and $19 wine flights are available all the time. The flights comprise of three glasses of wine and showcase a different theme or region each month. March kicks off with three of Mornington Peninsula's finest — a white, a rosé and a red.
Ever wonder what goes on at the museum before it opens? Turns out it's less like Night at the Museum, and more like the inside of a yoga studio. That's because, from July 18, Melbourne Museum is opening its doors for a series of workout classes from 7.30–9am. Using the surrounding museum environment, exercise instructor and choreography assistant Jo Lloyd will be leading classes of 20 people through yoga, dance and aerobics. In an effort to use the museum space for more than just slow shuffling, BalletLab has developed this hour-long class for all fitness levels. A healthy breakfast is included in the $35 ticket too (if you like to be rewarded for all physical exercise — and rightly so). So you can start your day in Warrior II with the dinosaurs, climbing stairs like the insects in the Bug Lab, or stretching like the squids and sharks. Museum Moves will take place on July 18, 19, 20, 25, 26 and 27 from 7.30am. If you'd like to return after dark, the museum is also running a series of adults-only parties on Friday nights.
Melburnians are a particularly picky bunch when it comes to our brunching spots. We jump on new spots, praise old favourites and condemn any naive newcomers to the artform. So here's eight newish spots you might have yet to try, open in the last few months and serving up some seriously tasty brunches — from shrimp and corn grits to jalapeno cornbread, chia pudding topped with pomegranate seeds to black sticky rice with coconut granola. Wake up late and give 'em a go.
Melbourne, you seem to have gone steaking mad. Three Blue Ducks is doing Wednesday Steak Night (with three Black Angus cuts), Dolly at Le Meridien Melbourne is offering its signature take on steak frites at a budget-friendly price, and Bonny in Fitzroy still has $30 wagyu on the menu. Now, Windsor's Latin American restaurant Duke Lane wants to kick off your weekends with a hearty dose of protein. Every Friday, you can swap 35 bucks for a Porterhouse. On the side, you'll get your pick of pepper sauce or chimichurri and a generous serving of fries. Plus, a margarita of your choice — be it classic, coconut or spicy — is included. With all that on board, post-steak bar hopping in Windsor could be very tempting. Hit Tombo Den for sake martinis, Windsor Wine Room for your choice of 23 wines by the glass, and Chaco's for tequila galore.
