A mainstay of the city's cinema scene for more than half a century, and the only place within inner Melbourne where you can still watch a big-screen movie from your car, the Coburg drive-in has been put on the market. Listed for public tender by JLL Melbourne, the Newlands Road landmark is expected to fetch more than $11 million — so if you have a rather large sum of cash sitting idle in your bank account for some miraculous reason, take note. Also featuring a retro diner, kid's playground and ticketbooth with an old yellow Holden on top, the 8.16-hectare site is being sold by current owners and operators Village Roadshow Theatres, who run the three-screen drive-in. As part of the sale, the company would like to lease the space back and continue operating the outdoor cinema on a ten-year lease. And while that sounds like good news for the city's cinephiles, the sale listing does also note the spot's "multitude of future redevelopment options". "Given the high underlying land value component, the sale price could go a lot higher," said JLL's Adrian Rowse in an article on the listing agent's website. "There are plenty of future options... and it's also likely to suit an e-commerce user, subject to council approval." Accordingly, although it seems as though the drive-in will stick around for the next ten years, what happens after that — or of that will really prove to be the case — will be up to the purchasers. Melbourne was actually home to the first drive-in in Australia, with a now-closed site at Burwood opening in 1954. Originally including just two screens, the Coburg site first opened back in 1965, and was closed between 1984–7 before re-opening. It's now one of just three left in the Melbourne area, alongside the Lunar Drive-in at Dandenong and the Dromana Drive-in at Dromana on the Mornington Peninsula. Via The Age. Images: Brook James.
When John Wick burst its way into cinemas in 2014 with a flurry of bullets, it was the action flick no one knew they needed. Keanu Reeves was at his blank-faced best as an unstoppable assassin, shooting first and never asking questions — because he didn't have to. Watching the mayhem that resulted: that was an audiences' joy through and through. Can such a formidable force hit the target twice, though? The answer is obvious: John Wick never misses. Chronicling Wick's efforts to once again stride back into seclusion — a plan foiled by Italian mobsters with a case of sibling rivalry — the reunited team of stuntman turned director Chad Stahelski and screenwriter Derek Kolstad stay true to their winning premise and up the stakes. John Wick still gets to show off his lethal skills, but he's not just seeking vengeance. He's repaying the debt that helped him get out of the assassin business in the first place, and then trying to survive the deadly fallout. Oh, and he's got a new dog. As familiar as that might sound, John Wick: Chapter 2 turns sticking with what works into an action opera that knows when to dazzle with a symphony of shoot-outs, but also knows when enjoying Keanu's menacing presence is enough. The film's impeccably choreographed action scenes in Roman catacombs and New York City streets prove exhilarating, but so too do the steely glares directed by Keanu at his myriad foes – including Common and Australia's own Ruby Rose. The fact that the end result may be a little predictable isn't a problem when it's executed with such precision and flair. When Stahelski does sprinkle a few fresh inclusions into the mix, he goes big. Suave Italian icon Franco Nero — aka the original Django — pops up as the Roman counterpart to Ian McShane's returning hotelier, while Laurence Fishburne gives movie nerds the reunion they've been waiting for. Smartly, though, neither overpowers the main attraction. Cinema-goers want to see Keanu being the legendary bad guy that even bad guys fear, dispensing with his enemies with a pencil and just generally blazing his way through the criminal underworld. On that front, you'd better believe that John Wick: Chapter 2 delivers. Indeed, Keanu and his former Matrix stunt double are the movie's not-so-secret weapons. Stahelski ramps up the action to dizzying heights, while his leading man lets his physicality and stoic charisma do the talking. More than a quarter of a century since he first showed off his action hero skills in Point Break, Keanu's still got it. The genre wouldn't be the same without him – and if we can make a request for the inevitable John Wick: Chapter 3, it's for more of the same with some of Johnny Utah's surfing thrown in. https://www.youtube.com/watch?v=gdkhQsy9fU4
Think your old rusty bicycles belong in the dumpster? Think again. Yes, that old bike can indeed be reincarnated if it falls in the right hands. Carolina Fontoura Alzaga's hands to be exact. Alzaga transforms bicycle chains into beautifully rustic looking chandeliers. Her passion is repurposing castoff materials, and she does it well. Since medieval times, chandeliers have been used as elaborate decorations associated with wealth and power. Alzaga shatters this concept with her warm and elegant designs. Using aspects of her cultural past from Mexico, Brazil, and the U.S., she is able to create unique and appealing artwork. She aims to combine the idea of discarded and forgotten items with the power and influence associated with chandeliers. Using her creativity and visions of a healthier planet, she gives 'trash' a second chance. Below is a video that describes Alzaga's mission to preserve our world. You can order your own chandelier here. Alzaga handcrafts each one upon order. Take a look at these pieces from her ongoing series titled CONNECT.
A small, rotating cast of volunteer musicians come together as The String Orchestra of Brooklyn (SOB) to produce site-specific musical experiments and collaborations with other New York area musicians. According to executive director and founder Eli Spindel, the strength of SOB lies in the orchestra's versatility. "We have the flexibility to take risks and follow our musical curiosity wherever it might lead," he said. Recently, SOB's "musical curiosity" led to a collaboration with ISSUE Project Room on the March 17 production of String Theories 2012. Held in St. Ann's Church in Brooklyn, String Theories featured the works of four commissioned composers: Anthony Coleman, Eric Wubbels, Spencer Yeh, and MV Carbon. The goal of the project was to create performances on a larger-than-realistic scale, playing on the physicality of the orchestra members and adopting new musical techniques. "It will definitely get a bit rowdy," Spindel said pre-performance. Upcoming events include the 2012 Parks Concert Series, where SOB, in collaboration with The Fort Greene Park Conservatory, has joined the outdoor concert lineup. https://youtube.com/watch?v=UU6VdE35Htg
Love might be blind, but deaf it is not. Just ask anyone who’s fallen madly for a snorer. Like Anthony Burgess wrote, “Laugh and the world laughs with you, snore and you sleep alone.” No amount of moonlit serenading, Shakespearean declarations of passion or Lindt chocolate can make up for harrowing nights next to your own personal Boeing-747. But how to deal with it? Entire national websites are dedicated to the problem. Surgery to remove parts of the snorer’s mouth and throat? Implants to harden up their palate? Sticking tape to their nose and chin? Approaching an ear plug company for sponsorship? The Crowne Plaza Hotel chain has trialled “snore absorption” rooms in Europe and “snore monitors” in the UK. The latter patrol a hotel’s “quiet zones”, knocking on the doors of snorers who are audible from the corridor. Hammacher Schlemmer, supplier of “unexpected gifts”, has now introduced a 'Snore Activated Nudging Pillow' to the market. A tiny inbuilt microphone picks up on the sonic vibrations caused by snoring. As they escalate, an internal bladder fills with air, causing the would-be marriage wrecker to shift position. It’s possible to adjust the mic according to the user’s velocity and set the inflation level at anywhere between 7 and 17 centimetres. A contoured shape and 100 percent polyurethane filling aim to make the pillow as comfy as possible and the 100 percent polyester removable cover is machine-washable. Valentine’s Day might have come and gone, but if you don’t mind spontaneously splashing out on your favourite unbearably noisy bedfellow, US$149.95 will buy a Snore Activated Nudging Pillow. Via PSFK.
UPDATE: MARCH 19, 2020 — Organisers have announced that So Pop 2020 will no longer go ahead "due to policies and measures put in place by the Australian and New Zealand Government regarding COVID-19 and the inability for large gathering events to proceed". Ticket holders will receive a full refund. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Pull out that old Discman, break out the cargo pants and start practising your smoothest early noughties dance moves — the pop tour of your wildest teenage dreams is hitting our shores this summer and it's got more stars than a TV Hits sticker collection. Next April and May, the second So Pop festival is set to deliver a huge serve of nostalgia to stadiums across Australia and New Zealand, pulling together an extra juicy lineup of old-school icons, headlined by some of the biggest teenage obsessions from the late 90s and early 2000s. Stages in Melbourne, Perth, Sydney, Adelaide, Brisbane, Auckland and Christchurch will be transported back to the 90s and 00s for one glorious night each, playing host to the pop-drenched soundtrack of your youth. Heading up the show are female five-piece The Pussycat Dolls, who will come out of a hiatus to take you right back to dancing in your living room in front of the TV on a Saturday morning with pop hits 'Don't Cha', 'Buttons' and 'What I Grow Up'. It'll be the group's first visit Down Under since touring with Lady Gaga back in 2009. Joining them is British band Steps — so you'll need to start re-learning the line dancing moves to '5, 6, 7, 8' again — and the object of many a teenage girl's crush back in the day: Jesse McCartney https://www.youtube.com/watch?v=XWq_E17pTHY Relive more So Fresh-era bangers with Smash Mouth — who gifted us with 1999 hit 'All Star' — and the lady that gave us 'Murder on the Dancefloor', Sophie Ellis-Bextor. Irish pop star Samantha Mumba ('Baby Come on Over'), Dutch dance group Alice DJ 'Better Off Alone') and Reel 2 Reel ('I Like to Move It') round out the throwback showdown. SO POP 2020 DATES Perth — RAC Arena on Wednesday, April 22 Brisbane — Brisbane Entertainment Centre on Friday, April 24 Sydney — Qudos Bank Arena on Saturday, April 25 Adelaide — Adelaide Entertainment Centre on Tuesday, April 28 Melbourne — Melbourne Arena on Thursday, April 30 Auckland — Spark Arena on Saturday, May 2 Christchurch — Horncastle Arena on Sunday, May 3 So Pop pre-sale tickets are up for grabs or 24 hours this Wednesday, December 4 on the Frontier Touring website. The rest will go on sale on Monday, December 9.
If you're planning to have fully recovered from Christmas lunch by the time New Year's Eve rolls around, Grazeland is the ultimate spot to wrap up your 2022. The Spotswood food precinct is serving up a whole stack of NYE festivities alongside its usual globe-trotting array of eats and drinks. Party-goers over the age of 18 can nab tickets to newly-minted cocktail bar the Grazeland Deck, where there'll be tunes by the likes of DJ Patryk B and Percussionist Juan Pablo, party eats, and free-flowing beer, wine and bubbly. Guests will also score a cocktail on arrival, plus primo views of the night's fireworks — tickets clock in at $180, available online. The rest of the Grazeland precinct will also be hopping, with NYE general admission tickets at $25 online (free for under 12s). There'll be fire artists and sparkly performances by the Mirror Men, and a thumping dance floor led by sounds from Tryst and Frankie Says Sax. That tempting lineup of stalls and bars will be open for all your evening's wining and dining needs, too. Top Image: I in the Sky Productions
Well, not really. But aggregated search data can be used to track some economic trends, and can do so better than official economics surveys. The logic behind it is pretty simple: what does the average person do when confronted by something new in their life? Google it, of course. By using Google Insights to measure search terms like 'real estate agent' or 'unemployment' it's possible to get an idea of how much activity there will be in the property market, or how many people might be signing up for benefits soon. The Bank of England is doing exactly that to supplement their official figures to gain a better picture of the UK economy. The search engine figures aren't 100% accurate, but they are available much faster than government reports. It's not the first time individual search activity has been aggregated and used to measure large-scale trends. Google Flu Trends uses the same idea: by measuring the frequency of searches for flu symptoms, they can measure levels of flu activity and report it much faster than hospital reported cases. In fact, Google could have spotted the 2009 swine flu outbreak... if they had been monitoring Mexico at the time. [via Guardian UK]
One of the best known and most important figures in Australian history is Woollarawarre Bennelong, a senior Eora man who was captured by Governor Phillip in 1789, but then escaped, later becoming an interlocutor between Indigenous Australians and European settlers. His curiosity, diplomacy and humour were legendary, and played a major role in ensuring his community survived the trauma of invasion. Now Stephen Page, Bangarra's artistic director, has put Bennelong's story into an epic new dance piece that's about to tour the nation. Expect to be immersed in powerful soundscapes, stunning design and extraordinary movement. Bennelong will premiere at the Sydney Opera House in June before heading to Melbourne from September 7–16. Check out the trailer below. Image: Vishal Pandey.
Thanks to the wonders of technology, overcoming the language barrier isn't as difficult as it used to be. Forget phrasebooks — if you've got a smartphone, these days you're usually covered. Not all translation apps are created equal, however. In fact, only one promises real-time translation of both words and voice in 90 different languages. The free piece of software destined to find a home on every traveller's device of choice is DoTalk, an Australian-made invention aiming to make the process of making friends overseas even easier. And asking for directions, ordering a drink, trying to work out the local public transport system, asking for directions again (we all get lost while venturing far and wide, admit it) — plus all of the other routine holiday situations that involve human interaction. Available now for both iOS and Android, DoTalk offers users two options: translating via text, which is great if you're emailing or trying to read a sign; and translating live voice conversations, which is ace in plenty of other scenarios. For a fee, it can also handle group chats with up to 10 participants, even in multiple languages. As for just where it'll come in handy, Chinese, Korean, Japanese, Russian, Spanish, French and Indonesian currently rank among the app's most popular languages; however you'll also find everything from Albanian to Zulu on offer."Our goal with DoTalk was to create a free, fun and easy-to-use app which provides an open forum for people to easily connect and communicate, regardless of language barriers or location and without delay," says founder Reno Nicastro. For more information about DoTalk, visit their website.
Writers' festivals are getting more and more 'with it' these days. People wear shirts with hashtags on them, you're encouraged to live-tweet questions for authors on panels, and the events are no longer held at local library reading rooms, but cool back-alley warehouse spaces. The kind of place where everyone's wearing black-rimmed glasses and talking about Tao Lin. All this is old news now however, as the Emerging Writers' Festival has just announced the creation of the world's first exclusively online writers' festival to take place in February 2014. While writers' festivals once lamented the damning effects of the internet and digital technology on the written word, the Digital Writers' Festival will be a 12-day celebration of it. Digital publishing, eBooks, alt lit, fan fic, webcams and Twitterbots — the publishing industry and the nature of writing itself has transformed dramatically in even the past few years, and DWF is going to be a dedicated space in which to examine it. This also has a huge impact on accessibility. Do you live in the Northern Territory and always feel jealous when you see pictures of the Melbourne Writers' Festival? Maybe you live in Melbourne, but never felt quite cool enough to head along to the events. Perhaps you tried, but got lost looking for the event down a laneway? The DWF will be the first truly accessible festival for a vast array of people all over country, and more than that, the world. Read our Twitterview with DWF director Connor Tomas O'Brien here. Update 29 January: The full program for the Digital Writers' Festival is now up on the site.
What happens when you take the Australian teen series of the 90s and update it to the 2020s, all while riding a huge wave of nostalgia for all things stemming from three decades back? Even thanks to just the first part of that equation, every fan of beloved 1994–99 hit Heartbreak High could've told you that the end result would be a smash. And, streaming on Netflix since September, that's exactly how the ace new Heartbreak High revival has turned out — so much so that there's going to be a second season. No one has been saying "rack off" to the Sydney-set show's latest run, or its new batch of Hartley High teens, or their fresh dose of teen chaos. Not Aussie audiences, with the series sitting in Netflix's top ten TV shows in the country for the five weeks since its release. Not global viewers either, with Heartbreak High 2.0 also reaching the top ten in more than 43 countries, including in the US and across Europe, Africa and Asia — and spending three weeks in the global top ten, too. The streaming platform also advises that its subscribers clocked up 42.6 million hours watching Heartbreak High in three weeks. That's not bad for the latest high school-focused revival, doing what Beverly Hills, 90210 did, plus Saved by the Bell and Gossip Girl as well, but with a firmly Aussie spin. Unsurprisingly, Netflix has greenlit Heartbreak High for a second season, although exactly when it'll drop hasn't been revealed. Still, if you're keen to spend more time with Amerie (Ayesha Madon, The Moth Effect), Harper (Asher Yasbincek, How to Please a Woman), Darren (screen first-timer James Majoos), Quinni (Chloe Hayden, Jeremy the Dud), Dusty (Josh Heuston, Thor: Love and Thunder), Ca$h (Will McDonald, Home and Away), Malakai (Thomas, Troppo), Spider (Bryn Chapman Parish, Mr Inbetween), Ant (debutant Brodie Townsend), Sasha (Gemma Chua-Tran, Mustangs FC) and Missy (fellow newcomer Sherry-Lee Watson), start getting excited now. Season one started with Amerie becoming a pariah at Hartley after a big revelation — an "incest map" plotting out who's hooked up with who throughout the school — and also struggling with a sudden rift in her friendship with bestie Harper. Attempting to repair her reputation, she calls on help from her new pals Quinni and Darren, all while working through her crush on Dusty and developing feelings for Malakai. And that's just the start of Heartbreak High's 2022-set story so far. It was back in 2020 that Netflix initially announced that it was bringing the series back — and yes, it sure is a 2020s-era take on the Aussie classic. Adolescent chaos is still the main focus, including everything from friendship fights, yelling about vaginas from the top of a building and throwing dildos at walls through to consent, crime, drugs and police brutality. The original Heartbreak High was a massive deal, and was filled with now-familiar faces, including Alex Dimitriades, a pre-Home and Away Ada Nicodemou, and Avengers: Endgame and Mystery Road's Callan Mulvey as Drazic. It painted a multicultural picture of Australia that was unlike anything else on TV at the time. And, for its six-year run across two Aussie networks, the Sydney-shot show was must-see television — not bad for a series that started as a spinoff to the Claudia Karvan and Alex Dimitriades-starring 1993 movie The Heartbreak Kid, too. Check out the trailer for the new Heartbreak High below: Heartbreak High season two doesn't yet have a release date — we'll update you when one is announced. The show's first season is available to stream now via Netflix. Read our full review.
If you believe that bigger is better, then it has been more than a decade since Melbourne boasted one of the most important claims to fame in the country. From 1991 to 2005, the city was the home of Australia's tallest building — but soon, after temporarily losing the crown to the Gold Coast, everyone will be looking up again in the Victorian capital. Thank a just-approved 323-metre, 90-storey tower for thrusting Melbourne back to great heights, with the giant structure destined to change the skyline at Southbank. Called One Queensbridge, it'll form part of the Crown precinct, and will feature a six-star hotel with 388 rooms, 708 residential apartments and the kind of other reasons to drop by (most likely shops and restaurants) that have been dubbed "visitor attractions". The development will also see Queensbridge Square get an upgrade that includes landscaping and new cafes, a new bike strip installed on Southbank Boulevard, and street furniture and additional trees placed along Queensbridge Street. And as for the building itself, it has been designed by WilkinsonEyre, who got the gig by winning an international design competition. Don't expect to see the massive complex towering over the city just yet, though, with construction not expected to start until 2018 — or finish for five or six years after that. Until then, Queensland's Q1 will keep winning in the big building stakes, with Melbourne's Eureka Tower in second spot.
You total pizza fiends. You early rising breakfast hunters. You long-dedicated bike lovers. Here's what you clicked, perused and ate with your eyes on Concrete Playground this year, the most popular articles of 2014. Needless to say, you're a hungry bunch with good taste — who don't keep their feet on the ground when it comes to cocktails. 10. The Ten Best Cocktail Bars in Melbourne 9. The Best Women's Fashion Boutiques In Melbourne 8. The Ten Best Outdoor Restaurants in Melbourne 7. REVIEW: Brunetti Lygon Street 6. The Ten Best Beer Gardens in Melbourne 5. The Best Bike Shops in Melbourne 4. The Ten Best Pizza Joints in Melbourne 3. Take a Look at Melbourne's New 900-Seater German Beer Hall 2. The Ten Best Breakfasts in Melbourne 1. The Top Ten Rooftop Bars in Melbourne
Canned sundaes. Could be a trap. Sounds a little too dreamy. Seems the man who gave the world Cronuts has another trick up his sleeve, tailormade for the hardworking holidayers of the Hamptons. The latest experiment from award-winning pastry chef Dominique Ansel, canned sundaes are making their way to New York's Hamptons this weekend to be sold in a fancy ol' truck outside Lisa Perry's East Hampton boutique. One-off Ansel desserts, Lisa Perry boutique. HAMPTONS REPRESENT. "Dominique was a perfect match for this collaboration, as both of our brands celebrate art, pop culture and fun," said Perry. "He infuses each of his confections with creativity and imagination and the end result is always a treat in more ways than one." Somewhat fancier than Burger King's bacon sundae and channelling the same respect for showstopping dessert flavours as Messina, Ansel has created quite the gourmet canned good in this want-now dessert. Inspired by Warhol's cans, the mash-up sundaes are based on the classic root beer float (apparently Perry's favourite) — with root beer-flavoured ice cream, stracciatella ice cream (vanilla and chocolate chips) macerated cherries and mascarpone semifreddo and toasted marshmallow hanging out in the can. On top, Ansel's tiny signature 'Mini Me' meringues. You could say it's the most decadent thing someone's put in a can since the Candwich (canned sandwich, obviously). Meant for sharing, the sundaes will set Hamptonites back $15 and have enough canned goodness for two dessert fiends. Ansel will only be serving up 500 of these babies, so watch the 'grams for bragging rights. But before you get all Gossip Girl hater over this decadent dessert stunt, it's for a good cause. Ansel is giving 20 percent of sales from his fancy, fancy treat to City Harvest. Whattaguy. Via Grub Street. Image: Courtesy of Dominique Ansel Bakery
We've seen plenty of services which will print your phone photos, but just when you thought iPhoneography couldn't get any more nifty, designer Mac Funamizu has conceptualised instant iPhone printouts for photos on the go. His iPhone case would allow your pretty iPhone pics to be printed Polaroid-style. The concept includes other functional features. For example, if you upload the photo to a website, you can add an QR code for the URL on the back. For a geo-tagged photo, you can also include the map to show where the photo was taken. Says Funamizu, "Yes, I’m one of those people who still relish the feel (and smell) of photos." [Via Lost at E-Minor]
Winter has well and truly settled in, and what better way to embrace it than with a trip to the snow? Not only do you get to try out your moves on the slopes, if you're at the winter haven of Thredbo, you can match it with time lounging about the fire or in the hot pools, watching your mate go for glory in a snowboarding comp and savouring a few delectable mulled ciders. Rekorderlig are offering you the chance to win this winter dream vacay — including flights, accommodation and ski hire — for a group of six, just by entering their Facebook comp. Sweetening your weekend away even more, the Swedish giants of cider have a little something extra and exclusive lined up. They're hosting an intimate winter forest picnic, Swedish style, on Thredbo's golf course on Saturday, September 13. What's 'Swedish style' you ask? Well it's not this. Rather, think an al fresco four-course meal of Swedish-inspired recipes (not this) eaten from beneath warm blankets while you overlook a striking skyline of snow stretching as far as the eye can see. Then add in a whole bunch of Rekorderlig to complete your magical Swedish stopover. Will there be reindeer? You'll have to enter via the Rekorderlig Facebook page to find out.
Drinking sessions at home just got a whole lot more stylish thanks to the arrival of Pord — a new company combining art and wine in a rather gorgeous way. Pord has pooled the talents of three female Australian artists and Victorian winemakers Mitchelton to create its first series of mini wine barrel masterpieces, designed to bring more art and beauty into your everyday life. Each artist has contributed a limited-edition and eye-catching work to grace one of Pord's three-litre barrels, which each hold a neat four bottles' worth of wine. Illustrator Filippa Edghill's monochromatic artwork, titled Ancient Lines, is inspired by nature's curves; Melbourne artist Hannah Nowlan has contributed The Last Resort II from her most recent exhibition; and designer Evi O.'s work Sorbet is a vibrant painting with bold colours and pastels. Customers can select their favourite design and have it filled with one of three Mitchelton wines from the 2017 and 2018 vintages: pinot grigio, shiraz or rosé. Unlike regular bottles of wine, your beautiful barrel will keep wine fresh for four to six weeks after opening — and it can be repurposed. Hand-signed and numbered by the artist, and teamed with a certificate of authenticity, it's the kind of statement piece destined to be the talk of your dinner parties for years to come. And there are plenty more exciting artist collaborations in the works for future Pords. A pre-sale for Pord's covetable launch series kicks off at midnight on Saturday, July 14, with the goods to be delivered in October. The limited-edition barrels will set you back $160 each. Images: Josie Mackerras
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Melbourne is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Melbourne. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, take your lunch break in the Botanic Gardens, enjoy some jazz with your raclette and celebrate the mighty swimming pool with a dip at the NGV. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
Since the mid-90s, Paul Rudd has been a constant presence on both big and small screens. First, he won over Beverly Hills' coolest teen in Clueless, joined horror royalty in Halloween 6: The Curse of Michael Myers and somehow became the unattractive romantic alternative in Romeo + Juliet. Then, he helped deliver San Diego's news in Anchorman: The Legend of Ron Burgundy, ran for office against Leslie Knope in Parks & Recreation and became the world's smallest superhero in Ant-Man. The list goes on, spanning a trip to camp in Wet Hot American Summer, as well appearances on Friends and Veronica Mars. But it's Netflix's new series Living With Yourself that's finally giving the world what we want — all the Paul Rudd that anyone could ever ask for. Yet another existential comedy to join the likes of The Good Place, Russian Doll, Forever and Undone, Living With Yourself follows an ordinary guy struggling through an average life, until he discovers an unusual solution. Miles (Rudd) heads to a day spa expecting to come out feeling refreshed — and that happens, in a way. The new and improved version of Miles couldn't be happier, but the old version is still hanging around. Two Paul Rudds is most people's dream, of course. In Living With Yourself, however, the two versions of his character cause quite the chaos. How the pair handle their shared life, wife Kate (Aisling Bea), career and identity fuels this eight-episode show, as do weighty questions, including trying to be a better version of ourselves. Hitting Netflix mid-October, the series was written by Emmy Award-winning The Daily Show producer Timothy Greenberg, and directed by Jonathan Dayton and Valerie Faris (The Battle of the Sexes, Ruby Sparks, Little Miss Sunshine). Check out the trailer for Living With Yourself below: https://www.youtube.com/watch?v=5w54yW2Ur50 Living With Yourself drops on Netflix on October 18. Images: Netflix.
Surfing and gig-going have always been two of Australia's best-loved pastimes, and in 2018 we scored a festival celebrating the best of both worlds. After returning this year, it's back for its third round of autumnal beachside festivals. Returning from February–April 2020, The Drop festival will cruise around the country as it once again follows the Aussie leg of the World Surf League (WSL) Championship Tour — and it's bringing a banging little lineup of musical gold along for the ride. Surfing the festival wave are dance music legends The Presets, Aussie indie-rock chart-toppers Boy & Bear and Brisbane's Ball Park Music, along with other local acts Allday, DZ Deathrays, Kita Alexander and Graace. Held on the first weekend of each area's surfing event, The Drop is set to grace some of the Australia's most iconic surf spots, each outing featuring a locally focused offering of food, drink and culture, to match the tunes. As well as heading to the official WSL events in Torquay, Margaret River and Coolangatta as it has since 2018 — and forming part of WSL Qualifying Series events Surfest Newcastle and Vissla Sydney Surf Pro in Manly, as it did in 2019 — the fest will also hit Noosa as part of the WSL Noosa Longboard Open. [caption id="attachment_753214" align="aligncenter" width="1920"] Ian Laidlaw[/caption] THE DROP FESTIVAL 2020 LINEUP The Presets Boy & Bear Ball Park Music Allday DZ Deathrays Kita Alexander Graace THE DROP FESTIVAL 2020 DATES Noosa, Qld — Dolphins Rugby Club, Sunshine Beach, Saturday, February 29 Newcastle, NSW — Empire Park, Saturday, March 7 Manly, NSW — Keirle Park, Saturday, March 14 Coolangatta, Qld — Queen Elizabeth Park, Saturday, March 28 Torquay, Vic — Torquay Common, Saturday, April 11 Margaret River, WA — Barnard Park, Busselton, Saturday, April 25 The Drop tickets go on sale from 6pm AEDT on Wednesday, December 4, with pre-sales available from 6pm, Tuesday, December 3 for folks who register in advance (prior to 6pm, Monday, December 2). For more info, visit thedropfestival.com.au. Images: Walk Wild Studio/ Miranda Stokkel / Ian Laidlaw.
What's Attica without Ben Shewry? The team at Gelinaz! are about to find out. The Melbourne-based head chef of 'Australia's best restaurant' is packing his bags for a huge global chef swap this July. Created by Gelinaz! — the international chef collective responsible for wild, collaborative cook-off stunts — the event will see 37 chefs from around the globe jump on a plane, travel to a new country and serve up their best in another chef's kitchen. They'll even be living in each other's houses, just like that terrible, terrible Wife Swap. It's called the Grand Gelinaz! Shuffle and it's going down on July 9. Shewry is joining one humdinger of an international chef lineup, repping our culinary nation alongside Adelaidean chef Jock Zonfrillo (of Orana). The pair will put their names in the hat with Parisian chef Alain Ducasse (La Plaza Athenee), Tokyo's Yoshihiro Narisawa (Narisawa), Copenhagen's René Redzepi (Noma), NYC's Sean Gray (Momofuku Ko), Charleston's Sean Brock (McCrady's) and San Francisco's Dominique Crenn (Atelier Crenn) to name a few. The chefs know where they're going, but ticketholders won't know which chef's delights they'll be enjoying until the day. So you could be dining on a Noma or Momofuku-style dish at Attica if you're lucky. Tickets are available to the public, so if you're keen to head to Attica or Orana on July 9 you'd better plan ahead. Tickets go on sale on May 13, but prices haven't been unveiled just yet. Check over here for more details. Here's all 37 Grand Gelinaz! Shuffle participants. Who'll be your chef for the night? Ben Shewry, Attica, Melbourne — Australia Jock Zonfrillo, Orana, Adelaide — Australia Danny Bowien, Mission Chinese Food, New York — USA Sean Gray, Momofuku Ko, New York — USA Sean Brock, McCrady's, Charleston — USA David Kinch, Manresa, Los Gatos — USA Daniel Patterson, Coi, San Francisco — USA Dominique Crenn, Atelier Crenn, San Francisco — USA Carlo Mirarchi, Blanca, New York — USA Blaine Wetzel, Willow's Inn, Lummi Island — USA Colombe Saint-Pierre, Chez Saint-Pierre, Le Bic — Canada Claude Bosi, Hibiscus — England Magnus Nilsson, Faviken, Järpen — Sweden Peter Nilsson, Spritmuseum, Stockholm — Sweden René Redzepi, Noma, Copenhagen — Denmark Paul Cunningham, Henne Kirkeby Kro, Henne — Denmark Kobe Desramaults, In De Wulf, Dranouter — Belgium Mehmet Gurs, Mikla, Istanbul — Turkey Yoshihiro Narisawa, Narisawa, Tokyo — Japan David Thompson, Nahm, Bangkok — Thailand Bertrand Grebaut, Septime, Paris — France Alain Ducasse, La Plaza Athenee, Paris — France Yannick Alleno, Le Doyen, Paris — France Inaki Alzpitarte, Le Cheateaubriand, Paris — France Mauro Colagreco, Mirazur, Menton — France Alexandre Gauthier, La Grenouillere, Montreuil/Mer — France Ana Ros, Hisa Franko, Kobarid — Slovenia Davide Scabin, Combal Zero, Rivoli — Italy Fulvio Pierangelini, Hotel de Russie, Rome — Italy Riccardo Camanini, Lido 84, Gardone Riviera — Italy Massimo Bottura, La Francescana, Moderna — Italy Massilmillano Alajmo, La Calandre, Venice — Italy Andoni Luis Aduriz, Mugaritz, San Sebastian — Spain Albert Adria, Pakta, Barcelona — Spain Alex Atala, D.O.M., San Paolo — Brazil Rodolfo Guzman, Borago, Santiago — Chile Virgillo Martinez, Central, Lima — Peru Via Grub Street.
Following months (and months) of lockdown, the Immigration Museum is finally able to exhibit the work of South Sudanese-born, Melbourne-based artist Atong Atem. Running through January 31, 2021, Atong Atem: To be real showcases the photographer's work as part of the Photo 2021 International Festival of Photography. Revealing a new series of large-scale photographic works, Atem captures moments that verge on the surreal and hyper-real. The artist uses bright tones and textural outfits to explore themes of mythology and fantasy — as well as examine her own identity and sense of belonging in contemporary Australian life. While entry is free, booking ahead is a must. Head here to grab your ticket. Top image: Bigoa with Fan (2020) by Atong Atem
It's been five years since Taylor Square's rainbow crossing was removed in the middle of the night, without a word of warning. But the future's looking a whole lot brighter, with the City of Sydney announcing the installation's return, just days out from the 40th anniversary of the first Sydney Gay and Lesbian Mardi Gras. With the support of NSW Roads and the RMS, the colourful crossing is set to grace the corner of Bourke and Campbell streets, with construction due to kick off in October. Lord Mayor Clover Moore has applauded the move, calling it "a powerful acknowledgement of the importance of our LGBTQI community and history". The original rainbow crossing was installed in February 2013, but was removed two months later by the NSW Roads Minister amidst safety concerns. Residents have since spent years petitioning for it to be reinstated — this Change.org petition got over 16,000 signatures — so this is undoubtedly welcome news to the LGBTIQ+ community and commuters that pass through Taylor Square each day. The new installation, which will also incorporate a local street upgrade and coincide with "a trial to prioritise pedestrian movements ahead of vehicular movements", will be in place for six months, before a safety review is undertaken by the RMS. If it ticks all the boxes, this rainbow icon will be sticking around permanently.
If you're craving to know what the world's best supper tastes like, you’d best book yourself a flight to Denmark. Restaurant magazine has announced the World’s Best 50 Restaurants for the year and Copenhagen’s Noma has reclaimed the Number One position. Having topped the list in 2010, 2011 and 2012, it fell to second in 2013. Meanwhile, second place went to El Celler de Can Roca in Girona, Spain and third to Osteria Francescana in Modena, Italy. So, how did we fare? The only Australian restaurant to have made the Top 50 is Melbourne’s Attica, which fell from 21 but still came in at 32; also named the Best Restaurant in Australia for the second year in a row. The judges laud head chef Ben Shewry’s "earthly flavours and foraged ingredients", describing the Attica dining experience as "simultaneously sophisticated and deeply grounded". They’re also impressed with Shewry’s commitment to "his principles of sustainability, to his family and to the cooking craft". Meanwhile, Sydney’s Quay, headed by chef Peter Gilmore, slipped from 48 to 60. (Despite the awards being titled ‘World’s Best 50’, the top 100 are named as well). Even though just two of our homegrown restaurants made the list, Aussies chefing abroad have been making an impact. Newcastle’s Brett Graham, who heads The Ledbury, London was pleased to secure tenth place. “It’s a huge surprise,” he said. “We’ve got a great young team, actually half-full of bloody Australians as well, from all over the country.” At the same time, David Thompson’s Bangkok-based Nahm ranked 13th. He expressed that it’s not easy for Aussie restaurants. "One of the difficult things for Australian restaurants is that it’s so distant – or so far away from the circuit of judges," he said. "It’s a matter of luck in the awards ceremony; it really is." Finally, Sydney chef Tetsuya Wakuda came in at 50th with his Singapore-based restaurant Waku Ghin, improving on last year's 68th ranking. Image credit: Ben Hutchison
If you are ordering pizza for home delivery, there is generally one mood you are in: a lazy one. There's nothing like laying on the sofa after a hard day at work, turning on some trashy TV, and sinking your teeth into slice after slice of your favorite pizza. But, folks, pizza delivery just got better. Red Tomato Pizza in Dubai has introduced one-button pizza delivery. Simply press the button on your Red Tomato fridge magnet, and your favorite order will be delivered to your door. Impressed yet? Each magnet can be synced to your smartphone via Bluetooth and set up with your order. Every time you push the button, your phone will notify the pizza company. You do still have get up and answer the door when the delivery guy arrives, unfortunately. https://youtube.com/watch?v=AU0KYo8_9Zs [via Gizmodo]
It has been 11 art-filled years since Brisbane's Gallery of Modern Art first opened its doors, and the creative riverside hub just keeps going from strength to strength. Fresh from hosting a huge Yayoi Kusama exhibition, GOMA is preparing to unveil its illuminating new permanent work: a brand new light installation by artist James Turrell. You might be familiar with the Arizona-based artist's work if you've been to Mona or the National Gallery of Australia (NGA). He's the one behind the sky-centred installations at both galleries — at Mona, the gazebo-like Armana lights up at sunrise and sunset each day, and at the NGA in Canberra, Within without acts as an outdoor viewing chamber to enhance your view of the sky. All up, Turrell has created 80 'skyspaces' like these around the world. Brisbane's Turrell piece isn't a standalone structure like these other two Australian works. Instead, the work will light up GOMA's eastern and southern white façades from within the building with a pattern developed by Turrell especially for the location. It's been described as "an ever-evolving pattern of intensifying and diffusing coloured light" by GOMA director Chris Saines, and when lit, it will make the gallery visible from across the river and around South Bank's cultural precinct. The plan is to light up the gallery from dusk until midnight each evening — and while the tunnel was originally set to be installed by late last year, it'll officially start glowing from 7pm on April 20, with Turrell in attendance. And while it's a new addition to GOMA, it's also a feature that ties into the gallery's history. As Saines explains, "during the development of GOMA, lead architects Kerry Clare, Lindsay Clare and James Jones envisaged an artist-illuminated 'white box' on the gallery's main pedestrian approaches. More than a decade on, Turrell's architectural light installation realises the potential of GOMA's white box façade, and completes a major aspect of the architects' original design intention." By Lauren Vadnjal and Sarah Ward.
A new blockbuster exhibition is headed Sydney's way, delving into one of the most famous figures in history. Whether you loved learning about the past at school or prefer to get your history fix via flicks like The Mummy, there's something about Tutankhamun that always intrigues — and now more than 150 objects from the ancient boy king's tomb are coming to the Australian Museum. Set to grace the museum's walls in 2021, Tutankhamun: Treasures of the Golden Pharaoh marks a century since King Tut's treasure-laden resting place was first discovered by British archaeologist Howard Carter back in 1922. The exhibition's world-premiere season is currently running in Los Angeles — and while exact Sydney dates are yet been announced, it'll head to our shores for a six-month period, with the New South Wales capital becoming one of only ten cities around the world to play host to the showcase. Golden jewellery, elaborate carvings, sculptures and ritual antiquities will all feature, in an exhibition that "is exclusively focused on interpreting the significance and meaning of artifacts from Tutankhamun's personal tomb and includes," according to the Los Angeles season's website. Visitors can expect to set their sights on a ceremonial bed that historians believe was made for the pharaoh's funeral, a life-sized wooden statue of Tut and a jewelled container that held his liver. Given it's the world's largest Tutankhamun exhibition outside of Egypt — featuring 60 pieces that have never previously left the country — it's a rather big deal. It's also the final time that these items will leave Egypt, as they're set to be permanently housed in the new Grand Egyptian Museum in Giza, which is due to open this year. Tutankhamun: Treasures of the Golden Pharaoh's trip to Sydney will be made possible by a $50 million upgrade to the Australian Museum, which will enhance the facility's ability to host large-scale exhibitions. "Repurposing existing storage space will see the significant expansion of the touring exhibition halls to 1500 square metres across two levels – allowing the Museum to host either one big blockbuster or two exhibitions simultaneously," said museum director and CEO Kim McKay. Tutankhamun: Treasures of the Golden Pharaoh will display at the Australian Museum in Sydney in 2021, with dates yet to be revealed. For more information, keep an eye on the Australian Museum website. Images: AP Images / King Tut: Treasures of the Golden Pharaoh at the California Science Centre.
If you've been looking for an excuse to hit the d-floor, we've found one that's hard to beat. Digital music platform and legendary dance floor filler Boiler Room is descending on Melbourne for what's set to be a huge Aussie event. On Saturday, October 28, Boiler Room: Melbourne (Naarm) will make dreams come true as it takes over a warehouse space at Port Melbourne Industrial Centre For The Arts and dishes up an all-day dance party to remember. Expect huge energy from this hefty lineup of talented dance music legends, including none other than UK-based artists Bakey B2B Breaka. They'll be joined on the bill by homegrown heroes including genre-bending producer Surusinghe, SWIM, SOVBLKPSSY and DJ CaucasianOpportunities, who will make her Boiler Room debut. Bringing further international flavour, you've got Berlin heavyweight Marlon Hoffstadt (a.k.a. DJ Daddy Trance) and NYC-based electronica queen Miley Series. [caption id="attachment_878334" align="alignnone" width="1920"] Image: Boiler Room x Sugar Mountain, 2022 by Mushroom Creative House[/caption] Top Image: Sugar Mountain x Boiler Room 2018, by Mark Stanjo
Lovers of utes — or Aussie cars in general — should make tracks to Deniliquin this October, for the 21st annual Deni Ute Muster. The town sits in the southwest corner of New South Wales, making it a relatively quick 3.5-hour commute for Melburnians (it's 7.5 hours from Sydney). The 'rural-themed' camping festival attracts some 20,000 visitors, as well as utes of all models and vintages. There are so many trucks in attendance that each year the festival tries to break its own 1999 Guinness World Record for the largest parade of utes (currently 2839, if you're interested). Country music fans have their own reason to visit, with a full lineup of local and international acts taking the stage across two nights. This year's program is headlined by Tim McGraw. Driving competitions, building challenges, lawn mower races, whip cracking, wood chopping and a go-kart track are also on the docket. The $269 ticket price also covers camping, so you can bring your own tent or caravan — or simply roll out a swag in the back of your ute.
Imagine taking a photo with your fingers. A prototype for a new type of camera, known as the Ubi-camera, has been created by researchers at the IAMAS, allowing you to do just that with the help of a small device. By connecting the little device to your index finger the rectangle becomes the viewfinder. Then, by pressing down on the device with your thumb, you are able to take a photo. A built-in range sensor depicts the amount of space between the photographer's face and the camera. For example: if you put your face close to the camera you can create a wide angle shot and if you move your fingers further away this will give you a close up photo. The infrared technology range sensor still has a few glitches, such as the difficulty to detect faces, that developers hope to overcome in the near future. [via Mashable]
Got a passion for bacon that can't be tamed? Well, this weekend you'll finally have the chance to show that breakfast bae of yours just how much you care, at Welcome To Thornbury's inaugural Bacon Appreciation Day. Taking over the food truck park from noon on Saturday, June 24, is the porcine party of your dreams — that is, an ode to all things bacon, in all of its mouthwatering forms, as imagined by some of your favourite food slingers. Nem N'Nem's crisp bacon banh mi, triple-decker bacon creations from Mr Burger, and maple bacon sticks from Billy Van Creamy are just some of the bacony treats on offer, alongside inventive dishes from the likes of Donald & Tuck, Ostrich & Egg and YOMG. To back up its usual offerings, the bar will be working magic with a range of bacon-themed cocktails, and has even lined up a bunch of bacon-inspired beers for the occasion.
If getting a double dose of Tom Hardy is the stuff your dreams are made of, then your wishes are about to be fulfilled. In Legend, the man last seen driving vehicles in Locke, Mad Max: Fury Road and London Road transforms into notorious thugs Reggie and Ronnie Kray. And yes, twice the Tom can only be a good thing. Playing the twins who were known for terrorising London in the 1960s, Hardy offers up completely different performances to bring the fearsome duo to life. Reggie was suave and business oriented, particularly when trying to impress the woman, Frances (Emily Browning), he wanted to settle down with. Ronnie was more unpredictable, and though both could be violent, you really wouldn't want to get on the wrong side of this sibling. Whichever one Hardy is playing, he's impossible to take your eyes off of, which director/director Brian Helgeland — the scribe behind crime dramas LA Confidential and Mystic River — knows how to make the most of. Helgeland also knows how to make the most of his handsome period setting in his engaging addition to the gangster genre. Legend is in cinemas nationally from October 15, and thanks to Studiocanal, we have 10 double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
At this point, it's natural to be apprehensive about any show which examines frustrations with the digital age. Though modern crises of identity are fair ground for artistic exploration, the topic so often comes off as trite or contrived. Something about its enormity or self-evidence attracts navel-gazing from young philosophers and eye-rolling from everyone else. I'm just as guilty as anyone; it was the subject of my major work for Year 12 Visual Arts. But, despite this initial skepticism, Complexity of Belonging delivers an engaging and thought-provoking take on this completely groan-worthy topic. A co-production between MTC, Chunky Move and German director Falk Richter, this half-dance, half-theatre, live-art inspired show delivers surprisingly earnest insight and above all, entertaining performances from its cast. Performing upon a surreal desert backdrop of what appears to be rural Australia, five dancers and four actors appear on stage through vignettes, monologues, and outright confessionals. Partially connected by the storyline of a French artist completing a "human installation" (Eloise Mignon) these characters are united by their shared frustrations and sense of restlessness. Throughout the course of the show we see a businessman snap under pressure, a young couple separated by failing Skype calls, and a gay couple who traverse the barriers of distance to create a life for themselves. All the while, the entrancing almost hypnotic choreography of Anouk van Dijk simmers on stage, setting the ominous tone and adding a sense of camaraderie aside each character's frequent moments of vulnerability. Of course, there are still elements of pretension. The same navel-gazing I was guilty of in my VCE are still there in Mignon's character of the artist. If you weren't already cringing at the term "human installation" you will be by the time she reels off huge slabs of philosophical texts or tarnishes a somewhat affecting final scene by emblazoning an awkward heavy-handed moral on a large screen above the stage. It's no fault of the actor, but in lieu of a primary narrative, these sweeping theories and thoughts are a necessary evil to tie meaning to each small element of the work. Though these moments of heavy intellectualism threaten to bog down they work, they are perfectly offset with humour. Most characters we meet are relatable, witty and downright charming. Karen Sibbing interrogates Aussie colloquialisms with a heavy European accent and Joel Bray and Josh Price offset each other perfectly as respectively upbeat and neurotic partners. But it's actually one of the primary dancers who steals the show. Lauren Langlois' rambling monologue about "the perfect man" is exquisite comedy, perfectly written and bravely performed. Combining rapid-fire delivery with beautiful expressive dance, this moment was so good it elicited rapturous applause from an otherwise stiff opening night crowd. Scattered with small moments like this, it may not be conventional or easy watching, but in many ways Complexity of Belonging is the quintessential Melbourne Festival show. It's ambitious, collaborative, and jam-packed with big industry names. And, whether you view it as theatre, dance, art or some combination of all three, it's certainly beautiful to watch. This event was chosen as one of our top ten things to see at the Melbourne Festival 2014. See the full list here.
No matter how jolly December normally looks to you, one merry getaway has your festive plans beat: staying in Santa's cabin for three nights. Say "ho, ho, holidays" to Airbnb's latest one-off listing, with the accommodation-sharing and -booking platform letting up to four lucky guests — two adults and two children — head to Finland to slumber in a winter wonderland adjacent to Santa's Main Post Office in Rovaniemi. And if that's not enough of a present, the reservation is free. Airbnb's Santa's cabin listing follows in the footsteps of Shrek's swamp, Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill, Hobbiton, the Bluey house, the Paris theatre that inspired The Phantom of the Opera, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop, the Sanderson sisters' Hocus Pocus cottage and more — all once-in-a-lifetime experiences. As well as the ultimate jolly vacation, the trip to the Arctic Circle includes channelling your inner elf to help with the letters. 'Tis the season, after all. If you're lucky enough to score the booking for Monday, December 18–Thursday, December 21, Katja, Chief Elf of Santa Claus' Main Post Office, will be your host — and teach you the necessary 'elfing' skills for your visit. You'll sort letters while referring to the naughty and nice list, as well as empty mailboxes, stamp the post with the Arctic Circle postmark and learn about how the post office runs on a day-to-day basis. "The elves have been working around the clock to transform Santa Claus' cabin into a winter wonderland. We want this to be a magical and immersive experience for a family in search of the ultimate yuletide experience. Not only will guests get to sleep in Santa Claus' cabin, they'll also get a sneak peek behind the scenes of the world's official Santa Claus' Post Office during our liveliest time of the year," said Katja. The stay isn't just about Christmas, Christmas and more Christmas. It also spans seeing the northern lights, getting steamy in a traditional Finnish sauna, a snowmobile activity and traditional Finnish meals. Still, grinches likely need to not apply — nor anyone already thinking "bah humbug!" to the idea. As for the cabin itself, it's decked out with Yuletide Lapland decorations, an open fire for roasting chestnuts and appropriate elf attire — because you'll be donning a felt hat, complete with a jingling bell, as well as a tunic for your stay. If you're keen, you'll need to try to nab the booking at 9pm AEDT / 8pm AEST / 11pm NZDT on Monday, December 11. Whoever gets these special kinds of Airbnb reservations is usually responsible for their own travel, including if they have to get to and from their destination, but this one includes complimentary return flights to Rovaniemi from London Heathrow Airport via Finnair. You will still need to cover your travel to and from London, however. This listing is also helping a good cause, with Airbnb making a one-off donation to Special Children's Omaiset ELO as part of the Santa's cabin promotion. For more information about the Santa's cabin stay on Airbnb, or to book at 9pm AEDT / 8pm AEST / 11pm NZDT on Monday, December 11 for a stay across Monday, December 18–Thursday, December 21, head to the Airbnb website. Images: Samir Zarrouck. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
There's nothing like watching a film at the planetarium, but it's something most of us don't do all that often. Daytime sessions cater to school groups, and the Melbourne International Film Festival's full-dome program only comes around once a year. Thankfully, Scienceworks' late-night series changes that. Every Friday evening through November, once the planetarium's usual working day is done, adults can have some after-hours fun in its impressive space. That means sitting in the reclining chairs, looking up at the 16-metre domed ceiling, listening to the 7.1 surround sound system and soaking in the best the full-dome video projection system has to offer. Reopening after lockdown, the Planetarium's November Friday night program will be peering at the stars during the 7.30pm session, thanks to a full-dome film called Starlight. Then, at 9pm, Particle/Wave will serve up a multimedia exploration of gravitational waves. Making things even better is the fact that the whole thing is boozy, so you can grab a drink from the bar, take it into the auditorium and sip while you watch.
Friday lunchtime is the perfect excuse to ditch that sad desk sandwich in favour of a cheeky feed and glass of wine at your local. And for the rest of Good Food Month, Poodle Bar & Bistro is offering just that. On June 18 and 25, the Fitzroy restaurant will be serving up a special Friday lunch situation, featuring an array of signature snacks, a main dish, tea and coffee, and a wine or beer for just $45. You'll kick things off with the likes of spanner crab and taramasalata vol-au-vents, and house-made coffee ground sourdough, before moving onto your pick of mains. We're talking pan-roasted garfish with clams and beurre blanc, the grilled Bundarra pork chop, or Parisian gnocchi with green goddess sauce and taleggio. Wrangled a little extra time away from the office? Add on a dessert course — like the chocolate, prune and gingerbread ice cream sandwich — and an extra glass or two of vino from Poodle's exceptional drinks list. [caption id="attachment_774766" align="alignnone" width="1920"] Poodle[/caption]
Heading on holiday, looking for a place to stay, but aren't keen on the usual hotel experience? Thanks to Airbnb and a growing array of similar platforms, finding somewhere different to bunk down is now easier than ever. Whether it's an apartment, a campervan or an architecturally significant home, there's a service for it — and now there's a site that specialises in letting you kip in the luxe digs owned by your friends, or friends of friends. If you've ever visited a pal's place and thought that you'd like to holiday there, or heard stories about a mate of a mate's gorgeous pad in a far-flung spot, Stay One Degree is here to help. It operates like other house-sharing platforms, but puts trust, recommendations from those you know and good ol' fashioned vouching for others at the centre of its transactions. As such, users can only rent from people they already know — such as family, friends or work colleagues — or people who know someone they know. The idea came to founders and friends Thomas Bennett and Jorge Munoz during their own frequent travels. The duo realised something that everyone does at some point during a trip — that, even though there's no place like home, actually staying somewhere that feels like home comes close. After testing out the concept themselves and discovering that only renting from people they were already connected to still took a lot of planning, they decided to start a service that simplified the process, and that anyone could use. After launching at the beginning of 2018, Stay One Degree now boasts hundreds of properties all around the world — including two in Australia and 19 in New Zealand at the time of writing, should you be looking to stay close to home. And, as well as offering travellers the chance to hang out in a friend's ace digs, it obviously also works the other way around — helping folks fill their empty house with someone they know (or someone that someone they know knows) while they're away. For more information, visit Stay One Degree. Image: Stay One Degree.
Airbnb have a habit of coming up with wacky, adrenaline-inducing places to stay the night — like this shark tank, the end of a ski jump, or the Catacombs of Paris. Their latest listing is no less exciting, though it may have your heart pounding for an entirely different reason. On October 15, Airbnb is giving one lucky chump and three of your best (and most musical) mates the opportunity to spend a night in Studio 3 of Abbey Road Studios. And on top of that, you'll be hosted by legendary DJ, singer, songwriter, producer and all-round super musician Mark Ronson. Yep, imagine snoozing in the same studio where Pink Floyd's Dark Side of the Moon was recorded. The last time anyone slept in Abbey Road Studios was in June, 1969, when an artist requested it. Thanks to Airbnb, the next person could be you (and Ronson will be your tour guide). Ronson grew up just around the corner from the studios and will greet the four lucky guests before they explore the entire building. They will have access to everything the historic studios have to offer, from the Beatles' cigarette-burned piano to the world's largest mixing board, and will be immersed in the rich musical history of the iconic building. Later in the evening, after hearing some of Mark's tips and stories about the building, they will even have the opportunity to pick up an instrument and record their own song. All you have to do to enter is click here and tell Airbnb a bit about yourself, which song you wish you'd been at the studios to see recorded and why. And the best bit? They'll even fly you to London from anywhere in the world. The house rules are pretty simple. Among a few other directions, you can crank up the volume (they have good sound proofing, as you'd expect) and answer the phone with a simple "Hello, it's me." They also ask that you "Don't go chasing pavements," although we think they might offer an exception if it's the zebra crossing out the front. And the last rule? "Leave your mark." Don't mind if we do.
At the beginning of July, when Greater Sydney's lockdown had been hanging around for a few weeks, Taronga Zoo did everyone a solid by releasing videos of its latest wombat joey. Even if you weren't under stay-at-home conditions then — because you don't live in the area — the footage was heartwarmingly cute. Thankfully, the zoo has more where that came from. This time around, you can take a peek at another baby animal: a koala joey named Humphrey. He's just over 12 months old, he's only been out of his mother Willow's pouch since he was around six months old — because that's what koala's do — and yes, he's as endearing as you'd expect. He's just as fluffy as well. In the video, which was captured by one of Taronga's koala keepers, Humphrey is keen to climb, eat and cuddle. His little eyes light up with curiosity as he scurries about, too. When he entered the world in 2020, Humphrey was the first koala joey born at Taronga Zoo in over a year — so he's obviously been able to garner plenty of attention. That's enough words about this loveable little critter, because we all know that you're here to get a glimpse. Check out Taronga Zoo's footage below: [video width="1920" height="1080" mp4="https://cdn.concreteplayground.com/content/uploads/2021/07/Taronga-Media-Alert-Humphrey-the-koala-joey.mp4"][/video] Taronga has also been spoiling animal lovers with cuteness via its online television station, which was initially established by in 2020, and it is back now for obvious reasons. It's also releasing regular videos across its Facebook, Instagram and YouTube channels, and making keeper talks and other clips available online as well. Taronga Zoo is currently closed during Sydney's lockdown, but you can check out more videos of its cute animals via its online Taronga TV channel.
UPDATE, APRIL 4: Due to concerns around the coronavirus, Candyman will no longer release on its initially scheduled date of Thursday, June 11, 2020, with the film now hitting cinemas on September 24, 2020. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. For nearly three decades, horror movie lovers have fallen into two categories: those who've dared to say the word 'candyman' five times while staring into a mirror, and those who haven't. That's the kind of impact this spooky supernatural franchise has had over the years, with the film about a fictional urban legend almost becoming an urban legend itself. To the joy of slumber party-throwing teens everywhere, the 1992 original sparked follow-ups in 1995 and 1999 — and, thanks to a new 21-years-later third sequel, that's no longer the end of the story. Given that everything old just keeps coming back again, and that 90s nostalgia is the gift that keeps on giving, another Candyman flick was always going to happen eventually. If you're still a little wary — despite its cult status, the initial movie is hardly a masterpiece, and Candyman: Farewell to the Flesh and Candyman: Day of the Dead won the series absolutely zero new fans — Candyman circa 2020 has a few tricks up its sleeves. Firstly, it's produced and co-written by Jordan Peele, who adds another frightfest to his resume alongside Get Out and Us. Secondly, it's directed by Nia DaCosta, whose Tessa Thompson-starring 2018 film Little Woods deserved more attention. And last but by no means least, it features the OG Candyman, Tony Todd, among its cast. As the just-dropped first trailer shows, the new flick focuses on an artist called Anthony McCoy (Aquaman and Watchmen's Yahya Abdul-Mateen II), who decides to start exploring the Candyman legend through his art. His girlfriend Brianna (If Beale Street Could Talk's Teyonah Parris) thinks the story is just that, but, as bad luck would have it, the bee-covered figure starts wreaking havoc again. That's what happens when folks say his name while looking at their own reflection, after all. For Candyman aficionados, Anthony's own name should ring a bell — he's the son of one of the first film's main characters, which might explain just why he's so obsessed with the eponymous ghoul. That said, while he might think he knows what he's getting himself into, the movie's first sneak peek leaves no doubt that Candyman still knows how to unsettle and unnerve. Check out the trailer below: https://www.youtube.com/watch?v=tlwzuZ9kOQU After being delayed from its original release date of June 11, 2020, Candyman will now open in Australian cinemas on September 24, 2020.
Not one, but three, designers have put their two-wheeling brains together to come up with tokyobike's latest offering: the company's first ever Designer Series. It's a trio of bikes that will make you seriously want to shell out (and at this price, you'd be skipping more than a few meals). The first, a schmick golden number, is the work of Everything Elevated, who are based in New York and Oslo. It's a single speed with dropped handle bars that gets its inspiration from early minimalist track racing bikes. The second you'll want with you next time you're in Paris. Calico Wallpaper, a Brooklyn-based company run by couple Nick and Rachel Cope, based their concept on the bikes you see in 1930s French films. It's so comfy you can ride all day. The dreamy blue, white and burnt orange paint job reflects the transition from dawn to dusk. Not good at making decisions? The third in the series is your pick. It's white on one side and grey on the other. Joe Doucet, award-winning Brooklyn-based designer, is behind this third bike, with half-canvas, half-rubber handles, which are handmade in Italy. This kind of design doesn't come cheap. Each limited edition bike will set you back $2,500 a pop. Orders are available online. Images: Tokyobike.
On the big screen, Beetlejuice has already made a comeback, with a sequel hitting cinemas in 2024. The original 1988 film is rarely far from cinemas anyway, proving a staple at retrospective screenings. But watching the ghost with the most sing and dance onstage? That's a brand-new experience for Australian theatre audiences. Start chanting three times: seeing the Beetlejuice musical Down Under is a reality in 2025. Penned by the nation's own Eddie Perfect and debuting on Broadway in 2019, this take on Beetlejuice still focuses on the character from Tim Burton's beloved 80s flick, of course — just with songs and dance routines. Cinema's famous 'bio-exorcist' haunts Melbourne's Regent Theatre from Saturday, May 17, 2025 for its Aussie-premiere run, with Perfect starring. You don't need a Handbook for the Recently Deceased in your ghostly hands to head along, but you will spend time with a couple with one: Barbara and Adam Maitland. And, you'll see what happens when they start to suspect that they're no longer alive, a new family moves into their house and they decide they need that bio-exorcist. In the Beetlejuice musical's Aussie debut, audiences are also in for an acclaimed production directed by two-time Tony Award-winner Alex Timbers (Moulin Rouge! The Musical), and with a book by Emmy-nominee Anthony King (Broad City) and Scott Brown (Sharp Objects) — plus Perfect's Tony-nominated original score, of course. The show picked up a whopping eight Tony nominations in 2019, and won Timbers a Drama League Award for Excellence in Directing, plus both Outer Critics Circle and Drama Desk nods for set design. Images: Matthew Murphy, 2022.
After announcing its dates earlier this year, Moonlight Cinema has revealed the first part of its 2018–19 program. In short: pack your picnic basket and get ready to watch a heap of flicks under the summer evening sky. Kicking off on Thursday, November 29 in Sydney, Melbourne and Brisbane, and on Saturday, December 1 in Perth, this initial lineup boasts plenty of this year's favourites, a smattering of all-time faves and a few sneak peeks at new movies coming out soon. If you're wondering why it's just the first section of the program, that's because it covers the outdoor cinema's screenings until the end of January. A February and March lineup will be announced in January. Tried-and-tested highlights include A Star Is Born, A Simple Favour and Crazy Rich Asians, plus Halloween, Bad Times at the El Royale and Venom if you're after something darker. And it wouldn't be a movie season under the stars (or a pre-Christmas lineup) without Love Actually, Elf and Dirty Dancing, now would it? You can also catch pre-release sessions of twisted period drama The Favourite, from The Lobster filmmaker Yorgos Lanthimos, as well as Transformers spin-off Bumblebee. Or, opt for Viggo Mortensen-starring likely Oscar contender Green Book, or Margot Robbie and Saoirse Ronan battling it out in Mary, Queen of Scots. Heist flick Widows, amusing sleuths Holmes and Watson and the wizarding antics of Fantastic Beasts: The Crimes of Grindelwald are all also accounted for — as is Moonlight's usual food truck and licensed bar offering, and its reserved bean beds. You can also BYO booze everywhere except Brisbane. Brisbane's season is actually benefiting from two big changes, with Moonlight Cinema saying goodbye to Brisbane Powerhouse after a more than a decade and settling in at Roma Street Parkland instead. Even better — it'll run all the way through until March 31 for the first time, like its interstate counterparts. MOONLIGHT CINEMA 2018–19 DATES: Sydney: Nov 29–Mar 31 (Belvedere Amphitheatre in Centennial Park) Melbourne: Nov 29–Mar 31 (Central Lawn at the Royal Botanic Gardens) Brisbane: Nov 29–Mar 31 (Roma Street Parkland) Perth: Dec 1–Mar 31 (May Drive Parkland, Kings Park & Botanic Garden) Adelaide: Dec 8–Feb 17 (Botanic Park) Moonlight Cinema kicks off on November 29. For more information and to buy tickets, visit the Moonlight website.
Queensland holidays are back on the agenda — and interstate getaways for Sunshine State residents, too. Australia's go-to holiday spot has reopened its borders to double-vaccinated travellers without any quarantine requirements, effective from 1am AEST today, Monday, December 13. And, if you're currently planning a trip north — or you're a Queenslander eager to head south, then return home hassle-free — Virgin is celebrating with a huge flight sale. Running until midnight AEST on Friday, December 17 or sold out, whichever arrives first, this sale is solely about flights to and from the Sunshine State — with more than a million fares on offer. It might be focused on one part of the country, but you still have options in terms of departure points and destinations. Within Queensland, you can leave or arrive in Brisbane, Cairns, Townsville, Hamilton Island, the Gold Coast and the Sunshine Coast. And, around the rest of the country, flights to and from Adelaide, Alice Springs, Canberra, Darwin, Hobart, Launceston, Melbourne, Newcastle, Perth and Sydney are all covered. One-way fares start at $59 — which'll get you from Sydney or Hobart to the Gold Coast, Launceston to Brisbane, or Newcastle to Brisbane (and vice versa). Other sale flights include Sydney–Sunshine Coast from $65, Melbourne–Gold Coast from $69, Melbourne–Townsville from $99 and Sydney–Hamilton Island from $109. And, if you're wondering when you'll need to travel, you can book trips for selected dates between January 1–June 23, 2022. Only some fares cover seat selection and checked baggage, however, with the airline announcing back in August that it is now splitting its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights also became mandatory in Australia in January. Virgin's Queensland is Good to Go sale runs from today, Monday, December 13–midnight AEST on Friday, December 17 — or until sold out.
So much to see, so little time. If hitting the couch is one of your favourite ways to unwind, that'll be a familiar refrain. Now that there are far more streaming services to choose from than we each have fingers and toes, finding something to watch is never a problem — and in 2022, there's been a lengthy list of excellent shows worthy of your attention. Some have tapped into our struggles with work-life balance in chilling and thrilling ways. Others have made hearts soar and swoon several times over. Also on this year's must-see list: multiple shows that dance with exceptional movies, a behind-the-scenes television great doing what he does best, porn for women, spectacularly lifelike dinosaurs and murder-mysteries. And, they're just some of 2022's standouts. Haven't been able to watch all of the year's ace new arrivals thanks to life getting in the way? Not quite sure where to start? With 2022 now at its midway point, here are our picks of the year's 15 best new television and streaming shows — consider it your catch-up list over the next six months. SEVERANCE It's the ultimate in work-life balance, an antidote to non-stop after-hours emails and Slack messages, and a guaranteed way to ensure what happens at work stays at work. In mind-bending thriller series Severance — which plays like Black Mirror meets the Charlie Kaufman-penned Being John Malkovich and Eternal Sunshine of the Spotless Mind, with Wes Anderson's aesthetic if he designed soulless office complexes, plus sprinklings of everything from George Orwell to also-excellent 2020 TV effort Devs — switching off when clocking off at Lumon Industries is easy. There's a brain implant for exactly that, and it's a condition of employment on "severed" floors. Accordingly, when quittin' time comes for Macrodata Refinement division employee Mark (Adam Scott, Big Little Lies), he physically steps into a tiny, shiny elevator to re-enter his after-hours life; however, the version of him that works for Lumon won't recall anything beyond the company's walls. The instant that the lift starts moving, it goes back to the office for Mark's "innie", as his work-bound consciousness is dubbed. Voila, it's clocking-on time once more. Severance's attention-grabbing premise springs from creator Dan Erickson, a TV first-timer, and understands how most folks feel about the nine-to-five grind. The show is knowing in its lead casting, too, given that Scott is best recognised for two workplace comedies: the joyous hug that is Parks and Recreation, as well as the acerbic, astute and soon-to-return Party Down. But as savvily and evocatively directed by Ben Stiller in its first three season-one episodes (and again in its last three, with Kissing Candice filmmaker Aoife McArdle helming three in the middle), Scott's new series dwells in 'be careful what you wish for' territory. For the part of Mark's brain that blanks out work, Severance initially seems like heaven. For the half that only knows the office, it's hell. For everyone watching, soaking in its twisty mysteries — and enjoying Patricia Arquette (The Act), Christopher Walken (Percy vs Goliath) and John Turturro (The Plot Against America) as fellow Lumon employees — it's a surreal and riveting must-see. Severance is available to stream via Apple TV+. Read our full review. IRMA VEP One of 2022's most magnificent new shows, and a cinephile's dream of a series, Irma Vep requires some unpacking. The term 'layered' has rarely ever applied to a TV program quite as it does here. French filmmaker Olivier Assayas (Clouds of Sils Maria, Personal Shopper) retraces his own footsteps, turning his cult-favourite 1996 movie of the same name into an Alicia Vikander-starring HBO miniseries. And, in this series itself, a director is also remaking one of his own past flicks as a television project. In all versions of Irma Vep, the movies and shows being made are also remakes of 1915–16 French crime effort Les Vampires. It was a ten-episode, seven-hour cinema serial, and it's supremely real. Indeed, by first helming a feature about remaking Les Vampires, and now a series about remaking a movie that remakes Les Vampires (which, IRL, is also a remake of a movie that remakes Les Vampires), Assayas keeps remaking Les Vampires in his own way. It all sounds exactly as complicated as it is — and Assayas loves it. Viewers should, too. The nested dolls that are Irma Vep's meta setup just keep stacking, actually. The 1996 Irma Vep starred Maggie Cheung, who'd later become Assayas' wife, then ex-wife — and the 2022 Irma Vep haunts its on-screen filmmaker René Vidal (Vincent Macaigne, Non-Fiction) with visions of his ex-wife Jade Lee (Vivian Wu, Dead Pigs), who, yes, led his movie. If you're a fan of word puzzles, you might've also noticed that Irma Vep is an anagram of vampire; that said, Les Vampires isn't actually about bloodsuckers, and nor is any iteration of Irma Vep. To add to the list, while Cheung played a version of herself, Vikander (Blue Bayou, The Green Knight) plays fictional American star Mira — a name that's an anagram of Irma. You can also take that moniker literally, because mirroring is patently a pivotal aspect of the brilliant Irma Vep in every guise. Irma Vep is available to stream via Binge. Read our full review. WE OWN THIS CITY For the past 20 years, we've all fallen into two categories: people who've seen, loved and haven't been able to stop raving about HBO's Baltimore-set masterpiece The Wire; and folks who don't tick any of those boxes but have been told by everyone who does that they really need to watch it ASAP. We Own This City deserves to spark the same response — and shares many of its predecessor's key pieces. It too takes place in Maryland's most populous city. It also follows a law-and-order battle, complete with time spent within the Baltimore Police Department. It springs from former Baltimore Sun police reporter-turned-author, journalist and TV writer/producer David Simon as well, and sees him reteam with writer George Pelecanos, a veteran of not only The Wire but also Simon's Treme and The Deuce. Oh, and as it tells a compulsive crime tale, it's packed with phenomenal performances. One of those astonishing portrayals is among the first thing that viewers see, in fact, with We Own This City opening with Sergeant Wayne Jenkins lecturing new recruits on the BPD Gun Trace Task Force. Chatting through how to legally do the job — how to get away with what he deems necessary, that is — Jon Bernthal (The Many Saints of Newark) is hypnotically unsettling as Jenkins, who'll become the focus of a corruption investigation for his methods. He isn't the only "prime example of what's gone wrong in Baltimore," as viewers are told. So is Daniel Hersl (Josh Charles, The Loudest Voice), who is initially glimpsed pulling over and terrorising a Black driver for no other reason than that he can. Department of Justice Civil Rights Department attorney Nicole Steele (Wunmi Mosaku, Lovecraft Country) is charged with tracking the force's bad eggs, and that's just one of this complex, revealing and arresting six-part miniseries' layers. And if it feels so detailed that it could only be true, that's because it's based on a non-fiction book by Justin Fenton another ex-Baltimore Sun reporter. We Own This City is available to stream via Binge. MINX When home video, the internet and mobile phones with inbuilt cameras each arrived, six words could've been uttered: get ready to look at dicks. HBO comedy Minx is set the early 70s, so before all three, but the same phrase also applies here. It's true of the show itself, which isn't shy about displaying the male member in various shapes and sizes. It also stands tall in the world that Minx depicts. When you're making the first porn magazine for women — and, when you're making an ambitious, entertaining and impeccably cast The Deuce meets Mrs America-style series about it, but lighter, sweeter and funnier (and all purely fictional) — penises are inescapable. Also impossible to avoid in Minx: questions like "are erections consistent with our philosophy?", as asked by Vassar graduate and country club regular Joyce Prigger (Ophelia Lovibond, Trying). Idolising the magazine industry and unhappily working for the dispiritingly traditional Teen Queen, she has long dreamed of starting her own feminist publication — even penning a bundle of articles and making her own issues — but centrefolds splashed with male genitalia don't fit her ideal pitch. No one's buying what Joyce is selling, though; The Matriarchy Awakens, her dream mag, gets rejected repeatedly by the industry's gatekeepers. Only one is interested: Bottom Dollar Publications' Doug Renetti (Jake Johnson, Ride the Eagle), but he's in the pornography business. Minx is available to stream via Stan. Read our full review. OUR FLAG FLAG MEANS DEATH In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. This show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone, but it more than lives up to its winning idea and winsome casting. Come for the buccaneering banter and seafaring satire, stay for a thoughtful and sincere comic caper that's also a rom-com. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and an eye-catching head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. The two real-life figures eventually cross paths after Bonnet leaves his life of wealth, privilege and comfort to rove the oceans, captains a ship staffed by a motley crew to end all motley crews, and initially gets captured by Blackbeard — or Ed, as he calls him. As these two opposites bond, riding the waves from adversaries to co-captains to potentially something more, Our Flag Means Death truly and gloriously opens up its warm heart. Our Flag Means Death is available to stream via Binge. Read our full review. THE AFTERPARTY Only Murders in the Building isn't the only new comic murder-mystery series worth streaming from the past year or so. Joining it is The Afterparty, which also sports a killer cast — this time Sam Richardson (Detroiters), Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk) and Tiffany Haddish (The Card Counter) — and a savvy spin on an oft-used gimmick. Rather than skewering true-crime podcasting, this quickly addictive comedy from writer/director Christopher Miller (The Lego Movie) toys with the reality that every tale differs depending on the perspective. Whodunnits always hinge upon that fact, and Miller has also clearly seen iconic Japanese film Rashomon. And, considering that its big murder takes place after a school function, there's a touch of Big Little Lies at play, too. With his directing partner Phil Lord, Miller has made a career out of getting smart and funny with familiar parts, however, and that doesn't change here. The setup: at the afterparty following his 15-year high-school reunion, obnoxious autotune-abusing pop star Xavier (Franco) winds up dead on the rocks beneath his lavish mansion. Enter the determined Detective Danner (Haddish), who starts grilling his former classmates one by one to find out who's responsible. Her interrogations start with the sensible Aniq (the always-great Richardson), who was hoping to finally make a move on his schoolyard crush Zoe (Chao) — and after his version of events, Danner hears from Zoe's macho ex Brett (Barinholtz) in The Afterparty's second episode, then from Aniq's best bud Yasper (Schwartz, riffing on Parks and Recreation's Jean-Ralphio without being quite as ridiculous), and so on. The cast is top-notch, the writing is clever, there's much fun to be had with its genre- and perspective-bending premise, and the throwaway gags are simply glorious. The Afterparty is available to stream via Apple TV+. Read our full review. HEARTSTOPPER It only takes minutes for British newcomer Heartstopper to explain its title — showing rather than telling, as all great shows should. A year ten student at Truham Grammar School for Boys, Charlie Spring (first-timer Joe Locke) finds himself seated in his form class next to year 11 rugby player Nick Nelson (Kit Connor, Little Joe). Sparks fly on the former's part, swiftly and overwhelmingly, with the eight-part series' graphic-novel origins inspiring a flurry of fluttering animated hearts on-screen. But Charlie has a secret boyfriend, Ben (Sebastian Croft, Doom Patrol), who won't even acknowledge him in public. He also hardly thinks of himself as sporty, even after Nick asks him to join the school team. And, while a friendship quickly solidifies between the two, Charlie is initially unsure whether anything more can happen — and anxiety-riddled in general. As well as writing Heartstopper's source material — which initially started as a webcomic — Alice Oseman pens every episode of this perceptive teenage-focused gem. From the outset, it bubbles with heartwarming charm, while its coming-of-age story and central love story alike prove wholly relatable, aptly awkward but also wonderfully sweet and sensitive. In short, it's a series that plunges so convincingly and inclusively into its characters' experiences that it feels like its heart is constantly beating with affection for Charlie, Nick, and their fellow high-schoolers Tao (fellow debutant William Gao), Elle (Yasmin Finney), Isaac (Tobie Donovan), Tara (Corinna Brown, Daphne) and Darcy (Kizzy Edgell). First crushes, young love, the swirling swell of emotions that comes with both and also figuring out who you are: all of this dances through Heartstopper's frames. Also, when Oscar-winner Olivia Colman (The Lost Daughter) pops up, she's glorious as always. Heartstopper is available to stream via Netflix. Read our full review. PREHISTORIC PLANET Five episodes, one comforting voice, and a time-travelling trip back 66 million years: that's the setup behind Prehistoric Planet, an utterly remarkable feels-like-you're-there dive into natural history. Having none other than David Attenborough narrate the daily activities of dinosaurs seems like it should've happened already, of course; however, now that it finally is occurring, it's always both wonderful and stunning. Filled with astonishing footage on par with the visuals that usually accompany Attenborough's nature docos, all thanks to the special effects team behind The Jungle Book and The Lion King, it truly is a wonder to look at. It needs to be: if the Cretaceous-era dinosaurs rampaging across the screen didn't appear like they genuinely could be walking and stalking — and fighting, foraging for food, hunting, flying, swimming and running as well — the magic that typically comes with watching an Attenborough-narrated doco would instantly and disappointingly vanish. Welcome to... your new insight into Tyrannosaurus rex foreplay, your latest reminder that velociraptors really don't look like they do in the Jurassic Park and Jurassic World flicks, an entertaining time spent with al kinds of animals, and your next favourite dinosaur project with an Attenborough attached. Each of Prehistoric Planet's five instalments focuses on a different type of terrain — coasts, deserts, freshwater, ice and forests — and chats through the creatures that call it home. Set to a spirited original score by Hans Zimmer, fresh from winning his latest Oscar for Dune, there's a formula at work. That said, it's no more blatant than in any David Attenborough-hosted show. Viewers watch as some dinos look after their young, others try to find a mate, plenty search for something to eat and others attempt not to be eaten. The same kinds of activities are covered in each episode, but the locations and dinosaurs involved all change. Prehistoric Planet is available to stream via Apple TV+. Read our full review. LOOT Aptly given its title, new Apple TV+ sitcom Loot doesn't look cheap — or sound it. It's partly filmed in one of America's biggest private homes, an enormous mansion with 21 bedrooms, five pools, a bowling alley and a cinema. It's filled with well-known needle drops that come quickly and often, with one episode featuring three Daft Punk tracks alone. It couldn't scream louder or drip harder with excess; the series is about a mega-rich tech whiz's wife who gets $87 billion in their public and messy breakup, after all. And, it is inescapably made by a company that's a big technology behemoth itself, and has been splashing stacks of cash to build its streaming roster (see: The Morning Show, Ted Lasso, Severance, Physical, Prehistoric Planet, Foundation, The Shrink Next Door, Shining Girls, Slow Horses, Lisey's Story and more). Loot is also clearly a satire, however, and a canny, warm and funny one at that. The premise: amid being gifted a mega yacht for her birthday, then jumping to a party in that aforementioned sprawling home, Molly Novak (Maya Rudolph, Big Mouth) discovers that her husband John (Adam Scott, Severance) is cheating on her. Post-divorce, after that huge settlement and a stint of partying around the globe with her assistant Nicholas (Joel Kim Booster, Fire Island), she gets a call from Sofia Salinas (Michaela Jaé Rodriguez, Pose), the head of the foundation she's forgotten bears her name (and even exists). With Molly's drunken decadence all over the news, the charity is finding it difficult to do its work. So, the organisation's namesake decides to ditch the revelry — and her married moniker, becoming Molly Wells — and put all that dough to better use. She also commits to playing an active role in how her funds can truly help people. Loot is available to stream via Apple TV+. Read our full review. TOKYO VICE Seven years after making his most recent movie, aka 2015's Chris Hemsworth-starring Blackhat, one of America's best directors is finally back behind the lens. Thief, Heat, The Insider and Collateral filmmaker Michael Mann only helms Tokyo Vice's pilot, but what a tone-setting debut episode it is — as stylish and gritty a piece of television as you're likely to stream any time soon, in fact. Mann also serves as the eight-part book-to-screen series' executive producer, which explains why its slice of neon-lit Japanese-set noir always feels like it bears his fingerprints. Of course, the show isn't shy about its links to the director, who also executive produced the original 1980s TV series Miami Vice, and wrote and directed the 2006 big-screen remake. That said, Tokyo Vice's moniker actually stems from Jake Adelstein's memoir Tokyo Vice: An American Reporter on the Police Beat in Japan, about his years writing for Yomiuri Shimbun as a non-Japanese journalist. Nonetheless, everything about the HBO-backed program feels as if it was always fated to end up in Mann's hands. Adelstein was Yomiuri Shimbun's first foreign staff writer, with Tokyo Vice exploring his quest to cement himself inside the publication from the bottom up. As played by West Side Story's Ansel Elgort, Adelstein always stands out, as does his dogged determination to chase the stories he's explicitly instructed to ignore. Murders don't happen in Japan, he's told. What he's witnessing screams otherwise, though. So, he starts spending his own time investigating, befriending Tokyo organised crime division detective Hiroto Katagiri (Ken Watanabe, Godzilla: King of the Monsters) for guidance, and also getting close to club hostess and fellow American-in-Tokyo Samantha Porter (Rachel Keller, Legion), plus jaded Yakuza enforcer Sato (Shô Kasamatsu, Love You as the World Ends). Elgort is the weakest part of the series, but that also suits the overall narrative and its focus on the city's underworld — and everything around him, including Rinko Kikuchi (Pacific Rim: Uprising) and Hideaki Itô (Memoirs of a Murderer), is stellar. Tokyo Vice is available to stream via Paramount+. Read our full review. PACHINKO When novels are turned into movies, there's usually a sense that's something is missing, no matter how fantastic the film proves. That's understandable; when you compare the time it takes to unfurl a story on the page with the usual running time of a feature — even a lengthy one — not everything can make the leap from book to screen. Named for the gambling machines that fill Japanese arcades, Pachinko turns author and journalist Min Jin Lee's award-winning text into an eight-part series instead, and it's a canny and clever move. So too is getting filmmakers Kogonada and Justin Chon to direct four instalments apiece, both coming off fantastic work via After Yang and Blue Bayou respectively. And, adding to the smart and savvy choices made by this immediately engrossing series, which unfurls a sweeping, 20th century-set, multi-generational tale about struggle, resilience and endurance: casting always-wonderful Minari Oscar-winner Youn Yuh-jung — as well as newcomer Kim Min-ha as the younger version of her character. Youn and Kim play Sunja (and, as a child, first-timer Yuna does as well), who anchors a story that's both impressively sprawling and devastatingly intimate. As a girl, she grows up in Japanese-occupied Korea, a fact that shapes every part of her young life. When she's older, she moves to Japan — and by the time that she's a grandmother, that's where the bulk of her existence has unfolded. Jumping between different periods, Pachinko charts how the shadow of colonial rule has lingered over not just Sunja but the family she's brought into the world, including in the 80s where her grandson Solomon (Jin Ha, Devs) works in finance in New York and her son Mozasu (Soji Arai, Cobra Kai) has made his way thanks to the titular game. Splashing an epic story told with emotion, resonance, insight and elegance across the screen, this is at the pinnacle of novel-to-screen adaptations. Pachinko is available to stream via Apple TV+. SLOW HORSES One of several espionage-themed efforts hitting streaming this year — see also: the returning The Flight Attendant and movie All the Old Knives — Slow Horses gives the genre a pivotal switch and entertaining shake up. It's still a tense thriller, kicking off with an airport incident and then following a kidnapping, but it's also about the kind of spies that don't usually populate the on-screen world of covert operatives. Stationed away from the main MI5 base at a rundown, clandestine office called Slough House, Jackson Lamb (Gary Oldman, The Hitman's Wife's Bodyguard) and his team are the agency's rejects. They haven't been fired for a multitude of reasons, however, including boasting ties to influential past employees, being great at their jobs but also a drunk and having impressive hacking skills yet proving impossible to get along with. Given the nickname that gives the show its moniker, usually they do little more than push paper, too, until they get caught up in a high-profile case. Oldman goes big and broad as Lamb, and he's also ceaselessly absorbing to watch, but Slow Horses isn't short on stars. In a six-episode first season adapted from Mick Herron's 2010 novel of the same name, Kristin Scott Thomas (Rebecca) plays MI5 Deputy Director-General Diana Taverner, Lamb's supremely competent head-office counterpart — although it's Jack Lowden (Fighting with My Family) and Olivia Cooke (Pixie) as young operatives River Cartwright and Sid Baker, and their efforts to chase down a lead they're not meant to, that's at the forefront. Behind the scenes, executive producer and writer Will Smith (not that one) brings a sly and witty way with dialogue from his past work on The Thick of It and Veep, making Slow Horses both crackingly suspenseful and tartly amusing. The slinky theme tune by Mick Jagger also helps set the mood — and season two is already in development. Slow Horses is available to stream via Apple TV+. THE MAN WHO FELL TO EARTH Who'd want to try to step into the one and only David Bowie's shoes? Only the brave and the bold. Two people earn that description in The Man Who Fell to Earth, the new TV sequel to the iconic 1976 movie that starred the music legend in the role he was clearly born to play: an alien who descends upon earth and ch-ch-changes history. Bill Nighy (Buckley's Chance) is charged with taking over the character of Thomas Jerome Newton and, thankfully and with style, he's up to the task. Chiwetel Ejiofor (Doctor Strange in the Multiverse of Madness) slides into the same kind of part that Bowie owned in the original, however, as fellow extra-terrestrial interloper Faraday. He's this follow-up's newcomer to the planet, and he's just as destined to do big things. That's not a spoiler — early in the first episode, Faraday addresses a massive crowd like he's Steve Jobs announcing Apple's latest product, and The Man Who Fell to Earth's tech success uses the occasion to spin his origin story. Who'd want to try to pick up where one of the best sci-fi films ever made left off? That'd also be the brave and the bold, aka Clarice creators Jenny Lumet and Alex Kurtzman. Drawing inspiration from silver screen gems is obviously the pair's niche of late, but it's worth remembering with this new effort — which takes its cues from Walter Tevis' 1963 novel of the same name, too — that Kurtzman was also behind exceptional 2008–13 sci-fi series Fringe. Indeed, The Man Who Fell to Earth 2.0 feels like the perfect use of his talents, with the series thinking big and brimming with urgency in its vision of a world that might only be able to be saved by a spaceboy who truly cares about stopping climate change's damage. To follow through with his mission, though, Faraday also needs the help of former MIT physics whiz Justin Falls (Naomie Harris, No Time to Die). The Man Who Fell to Earth is available to stream via Paramount+. OUTER RANGE Some shows commence with a dead girl wrapped in plastic. Others begin with a plane crash on a spooky island. With Outer Range, it all kicks off with a void. On the Abbott family ranch in Wyoming, in the western reach that gives the show its name, a chasm suddenly appears. A perfect circle swirling with otherworldly mist and resembling an oversized golf hole, it's just one of several troubles plaguing patriarch Royal (Josh Brolin, Dune), however. There is indeed a touch of Twin Peaks and Lost to Outer Range. A dash of Yellowstone, The Twilight Zone, The X-Files and whichever family-focused prime-time soap opera takes your fancy, too. As a result, while Royal is visibly disconcerted by the unexpected opening staring at him in an otherwise ordinary field in this intriguing, quickly entrancing and supremely well-acted eight-part series — a show that makes ideal use of Brolin especially — he has other worries. His rich, ostentatious and increasingly madcap neighbour Wayne Tillerson (Will Patton, Halloween Kills) suddenly wants a parcel of the Abbotts' turf, claiming mapping inaccuracies. One of Tillerson's mouthy and entitled sons, Trevor (Matt Lauria, CSI: Vegas), ends up in a bar spat with Royal's sons Rhett (Lewis Pullman, Top Gun: Maverick) and Perry (Tom Pelphrey, Mank). And there's also the matter of Perry's missing wife, who disappeared nine months back, leaving both her husband and their young daughter Amy (Olive Abercrombie, The Haunting of Hill House) searching since. Plus, into this sea of faith-testing chaos amid such serene and dreamlike scenery, a stranger arrives as well: "hippie chick" backpacker Autumn Rivers (Imogen Poots, The Father). She just wants to camp for a few days on the Abbotts' stunning and sprawling land, she says, but she's a key part in a show that's a ranch-dwelling western, an offbeat enigma, an eerie sci-fi, a detective quest and a thriller all at once. Outer Range is available to stream via Prime Video. Read our full review. THE DROPOUT Dramatising the Theranos scandal, eight-part miniseries The Dropout is one of several high-profile releases this year to relive a wild true-crime tale — including the Anna Delvey-focused Inventing Anna, about the fake German heiress who conned her way through New York City's elite, and also documentary The Tinder Swindler, which steps through defrauding via dating app at the hands of Israeli imposter Simon Leviev. It also dives into the horror-inducing Dr Death-esque realm, because when a grift doesn't just mess with money and hearts, but with health and lives, it's pure nightmare fuel. And, it's the most gripping of the bunch, even though we're clearly living in peak scandal-to-screen times. Scam culture might be here to stay as Inventing Anna told us in a telling line of dialogue, but it isn't enough to just gawk its way — and The Dropout and its powerful take truly understands this. To tell the story of Theranos, The Dropout has to tell the story of Elizabeth Holmes, the Silicon Valley biotech outfit's founder and CEO from the age of 19. Played by a captivating, career-best Amanda Seyfried — on par with her Oscar-nominated work in Mank, but clearly in a vastly dissimilar role — the Steve Jobs-worshipping Holmes is seen explaining her company's name early in its first episode. It's derived from the words "therapy" and "diagnosis", she stresses, although history already dictates that it offered little of either. Spawned from Holmes' idea to make taking blood simpler and easier, using just one drop from a small finger prick, it failed to deliver, lied about it copiously and still launched to everyday consumers, putting important medical test results in jeopardy. The Dropout is available to stream via Disney+. Read our full review. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We also keep a running list of must-stream TV from across the year so far, complete with full reviews.
Opening quietly in a corner shop building on Bridge Road, Reunion & Co has joined the cafe-dotted and caffeine-fuelled hum of this bustling area. Sitting snugly in the building directly next to one of Richmond’s favourites, Touchwood, this new business feels right at home. Elements from the historic building's past have been carefully matched with more modern fittings; the Victorian-style ceiling complements the sleek timber furniture, ornate stained glass entrance and exposed wooden beams. A large concrete box breaks the room in two, hiding the busy kitchen from view, while hanging potted plants and vines add a smart touch of nature to the elegant modern design. With a focus on locally sourced farming, the food menu is a mix of typical breakfast and lunch dishes, with a few standout options. The local pine mushrooms with walnuts, goats curd and greens ($17.50) has a little kick with the addition of chilli — gentle, but just enough to add that something special to round out the dish. For a sweet breakfast, we recommend the Bircher muesli soaked in coconut milk with poached pear, pistachio, berries and lemon balm ($12.50), or a social media share-worthy bread and butter pudding topped with sultanas, mixed berries, lemon balm, luxurious double cream and edible flowers ($16). The presentation of this dish is wonderful. Coffee is supplied from Allpress and expertly poured from their La Marzocco machine. A range of teas, juices and smoothies are on offer, though these lack the attention to detail the rest of the cafe brings. We tried the Monkey Magic smoothie ($9), a blend of banana, cacao, dates, almond milk and cinnamon, served in a glass mason jar. Busy joggers and those on-the-go take note: there is a window around the corner in Neptune Street for takeaways. And as well as coffee, there's also a tempting selection of bagels, cakes and pastries available to go. While Reunion & Co is nothing we haven't seen before and not yet a destination cafe, it is nice to see an attractive new addition to the area. And with good coffee and a solid staple breakfast menu, it's a potential regular for the locals.
You'd be hard-pressed to find a better winter feasting situation than an all-you-can-eat pizza banquet, downing as many cheesy slices as you can handle. And that's exactly what awaits you at award-winning pizza joint 400 Gradi, from now until the end of August. The Brunswick, Eastland and Essendon outposts are dishing up a new bottomless feed, available every day from 4pm. You'll spend just $45 to enjoy a two-hour free-flowing feast of 400 Gradi's top-notch pizza and booze. Tuck into unlimited slices of margherita or vegan marinara pizza, matched to all-you-can-drink wine, cider, Peroni and cocktails. There's a classic Aperol spritz, along with a black mule, passionfruit business, G&T and vodka and tonic. Bookings are a must, with sessions from 4–6pm, 5–7pm and 6–8pm Monday to Thursday, and from 4–6pm Friday to Sunday. Bottomless Gradi is available at the Brunswick, Eastland and Essendon 400 Gradi stores. First image: 400 Gradi Essendon.
Church Street haunt, Harlow Bar, has something on every night of the week, making it perfect for knock-off drinks and various weekday shenanigans. So, next time you're looking for a lively Tuesday night, head to Harlow's pop culture-themed Bingo Night — and don't expect your run-of-the-mill old lady bingo, either. On top of one helluva games night, the bar also offers a parma meal deal, so you can stay fuelled throughout all the action. Bingo kicks off at 7.30pm every Tuesday and won't cost you a dime to join in. Plus, there's a bunch of prizes to be won every week, including jugs of beer, bottles of vino and up to $150 in bar credit. While you're trying your luck on the bingo cards, you can tuck into $16 chicken or eggplant parmigianas, which are available from 5pm onwards. Need another excuse to get in early? You can take advantage of Harlow's happy hour, where you can nab a selection of house spirits, wines and brews for $7, between 4–7pm. If you're keen to book a spot for your next catch up with the crew, head here.
