Missing travel during the pandemic? If you've been vaccinated against COVID-19, you can enter an array of different competitions and giveaways that'll help you get back to doing what you love — that is, roaming far and wide — when that's permitted again. Been hanging out to attend big gigs again over the past 18 months or so? Yes, we all have. So, three of Australia's huge tour promoters have teamed up to launch a 'Vaxstage Pass' contest. If you've had your jabs, you can enter to win a heap of free tickets to a heap of live shows in 2022. Live Nation, Frontier Touring and TEG are the trio of live entertainment companies that've joined forces, and they're focusing on their stadium and arena shows — yes, their big gigs. All three companies have quite the array of talent heading our way next year, so you could be seeing My Chemical Romance, Snoop Dogg, Lorde, Tyler, The Creator, Alanis Morissette and more. Obviously, you will need to have rolled up your sleeves first, and twice. Before you enter — with the contest open from today, Wednesday, September 15 until 11.59pm AEDT on Tuesday, November 30 — you must've had your jabs, in fact. And, when you complete the online form, you'll be asked to also come up with a 25-word (or less) answer about which live event you're most looking forward to seeing and why. [caption id="attachment_749351" align="aligncenter" width="1920"] My Chemical Romance[/caption] In total, five winners will be picked — and they'll each nab a double pass to every stadium and/or arena show promoted by Live Nation, Frontier Touring and TEG in 2022. You will just get one double pass for each artist, though, so if someone is doing multiple shows in one spot, you can only go to one performance. You'll also need to be over the age of 18 and an Australian resident. Also, everyone can only enter the comp once. If you're wondering about proving that you've been vaccinated, you will need access to your Medicare certificate saying you're fully vaxxed; however, only winners will be asked to supply this when they're picked. Add free gigs to the list of things you could score for getting vaccinated, which also includes free beers and discounted sneakers — and also helping Australia reach its 70-percent and 80-percent fully vaxxed thresholds, which is when a heap of restrictions are set to be eased. For more information about Live Nation, Frontier Touring and TEG's 'Vaxstage Pass' competition, or to enter, head to the Vaxstage Pass website.
The global juggernaut revolutionising music festivals around the world, Optus RockCorps, has hit Australia with the promise of free tickets to a kick-arse festival — in exchange for just four hours of your time. This groundbreaking program offers festival-lovers a fairly irresistible exchange: simply spend four hours volunteering for the local community and in return you will get yourself a ticket to the Optus RockCorps on April 11 at the Hordern Pavilion. They're the world's only festival tickets that money literally cannot buy. The event is produced through a partnership between Optus and the RockCorps organisation, which has rocked its way across the globe, with over 130,000 volunteers from France to Venezuela to the US giving up a combined 500,000 hours in order to put on over 40 live concerts. This innovative strategy has not only allowed RockCorps to promote and pump out some pretty awesome live music but also allowed volunteers to make a difference in poor and struggling communities all over the world. Confirmed for the line-up of the first Optus RockCorps in Sydney are The Script, Labrinth and Guy Sebastian. If you fancy registering or just want to find out more about the project, visit the Optus RockCorps website or give them a call on 1800 ROCK 1800. 8 March 2013: The organisers of Optus RockCorps have announced that British MC Tinie Tempah will replace Labrinth, who is unable to perform due to scheduling difficulties.
Melbourne, you'll feel it coming after all: in what's been a chaotic time for fans keen to see Abel 'The Weeknd' Tesfaye Down Under, the musician is finally bringing his After Hours Til Dawn tour this way. Come October 2024, the Canadian singer-songwriter and The Idol star will hit the city for two gigs — and also play two in Sydney. The details for your diary: The Weeknd is taking to the stage in the Victorian capital at Marvel Stadium on Saturday, October 5–Sunday, October 6, with Mike Dean, Chxrry22 and Anna Lunoe in support. An arena spectacular, The Weeknd's global tour began in 2022, notching up soldout shows far and wide. In the UK, The Weekend saw 160,000 folks head to London Stadium across two nights, smashing the venue's attendance record. And in Milan, he became the first artist to sell out the Ippodromo La Maura for two nights. It was in August last year that The Weeknd announced that his latest massive stadium tour was on its way to both Australia and New Zealand in November and December 2023 — even adding extra shows before general tickets went on sale — only for it to be postponed just two weeks out "due to unforeseen circumstances" without new dates being set. Then, in April 2024, the tour was cancelled for the time being, with ticketholders receiving refunds. Next, since August 2024, it's back on.
It's hard to believe it, but we've almost made it through another year. With the festive season looming, it's time to start stocking up on all the bits and bobs you'll need to bring that little bit of well-deserved magic into the end of the year. And, what better way to do so than by supporting some of the small businesses that have been doing it tough the past two years? We've teamed up with American Express to bring you this nifty list of spots where you can shop small and make a big difference this holiday season — whether you're on the hunt for great gifts or festive foodstuffs, we've got you covered.
Imagine a space bustling with bartenders creating new drinks and learning innovative techniques. Then, imagine a space where you can pull up a stool to be whisked away on a tasting journey. This is the scene Orion Leppan Taylor and Mitch Bloomfield are envisioning with their new Cocktail Lab in Wollongong. The 26-year-old south coast locals pitched the concept to Idea Lab — an initiative run by Beam Suntory, which awards grants to change-making hospitality ventures. The pair won $20,000 to help turn their plans into reality. The pair currently work at Wollongong's Breakout Bar and Escape Rooms, which is where they're planning to build the new Cocktail Lab. "It'll be a space where we can educate the bar scene of Wollongong from an industry perspective," says Leppan Taylor. "But also, where we can run classes, educate and broaden [the public's] palates." While Leppan Taylor is now the bar manager at Breakout, he was brand new to hospo when he joined the venue three years ago. "As a bartender, I've had to self direct. But a big part of that has been [being connected to] the great community we have here," he says. "There are people I can reach out to if I'm hitting a wall, or running into problems, who are very open with volunteering their time and expertise." Bloomfield was also a fresh face behind the bar when he first came to Breakout. With a background in entertainment, he was more familiar with the escape room side of the business. "I got thrown straight into a Christmas hospitality period, which I had never experienced before. So it was very much the deep end," he says. A previously under-utilised space at Breakout will become the new Cocktail Lab, which will be fitted out with sleek prep benches and storage cages filled with bar equipment like centrifuges. With a little luck, Bloomfield says the Cocktail Lab should be open by March 2021. "We're familiar with the idea of Heston Blumenthal going very technical and science-y to try and do interesting things with ingredients," says Leppan Taylor. "At the end of the day, flavours, aromas and everything that goes into a drink is just a different series of chemical compounds," he says. When the lab opens, the pièce de résistance will be a rotary vacuum — a tool for redistilling liquids, which can infuse drinks with exciting new flavours. During the week, bartenders will be able to come in and use the space and equipment for research and development. "Or, to create ingredients they can take back to their own bars," says Leppan Taylor. However, for those who don't work in the industry and just want a fun, new place to go come Friday night, the public will be able to come to the Cocktail Lab for spirit tastings, cocktail classes and well-made tipples. "The goal is also to broaden the customers' vocabulary a little bit. So when they see something on a menu that has 'centrifuged' it doesn't look intimidating. It'll be something they're excited to try." The team hopes the venue will attract interest from bartenders further afield, too, as the local bar scene evolves. "There's a bit of an underdog mentality in the community," says Leppan Taylor. "Part of the reason we all like to support and help each other is because we have this feeling we're all in it together. We want to show we have the knowledge, expertise and experiences comparable to anywhere else in Australia." Top image: Mitch Bloomfield (left), Orion Leppan Taylor (right) in the new Cocktail Lab space in Wollongong.
On Sunday, January 20, Sydney staged a huge march through the city streets, with thousands waving witty (and moving) signs to protest violence against women around the globe. Australia was just one of 30 countries taking part in the third annual #WomensWave march — protests were also held in in France, Zimbabwe, New Zealand and across the USA. According to Destroy the Joint, an Australian group that researches and records the number of women killed by violence, 69 women died due to violence in Australia in 2018. This year's march was, unfortunately, timely, following the murder of exchange student Aiia Maasarwe in Melbourne just last week, and Maasarwe was the focus of many of the event's speeches and signs. Speakers at the event included Yumi Stynes, host of SBS documentary Is Australia Sexist? and ABC Radio podcast Ladies, We Need to Talk; Bri Lee, author of Eggshell Skull; Bhenji Ra, indigenous queer artist and activist; Jane Brock of Immigrant Women's Speakout and 1 Billion Rising; and Aunty Norma, a Wiradjuri woman and activist. It's estimated 3000 Sydneysiders marched from Hyde Park to Belmore Park, calling on the Australian government to address gender-based violence and to continue working towards equality for women. Words by Jasmine Crittenden.
All of the taste, none of the after effects: it's a cocktail lover's dream, and it's the reason that we have mocktails. Everyone has been in a situation where they're eager for a tasty beverage, but need to keep a clear, booze-free head — and the next solution to this predicament comes from the virtual realm. London may boast a bar that sells virtual reality cocktails (real drinks, but with a virtual reality preamble experienced by strapping on a headset), and Vienna might have a VR bar dedicated to having a bev while hanging out in an intangible space, but the Vocktail makes the tipple, not the experience, virtual. A project stemming from the National University of Singapore under researcher Nimesha Ranasinghe's guidance, it involves a special glass that connects to an app to alter your perception of what you're drinking. Here's how it works: once liquid splashes into the glass, users can customise its colour, smell and taste. The first arrives via LED lights, which sounds straightforward enough. The second comes from bursts of scent that are emitted from the vessel in your hand. And the third? It uses digital taste simulation — or electrical pulses on the tip of the tongue that simulate saltiness, sourness and bitterness. Yep, even though there's no alcohol involved, you'll still be getting a buzz. Basically, if you're sipping on water but want your senses to think that you're consuming something boozy — or if you have a hankering for a sugary beverage but don't want to put your body through the real thing — the Vocktail has the answer. It was just unveiled at the Association for Computing Machinery Multimedia Conference, so don't expect to put one to your lips just yet; however, add drinking to the list of things (booking holidays, reading the news, travelling, touring landmarks, shopping, going to gigs) that are going virtual. Via New Scientist.
As each day passes, it's important to find time for little wins to lift our spirits and improve our moods. It could be having a great convo with your mum, hitting the five kilometre mark on a run, or making a stellar bolognese sauce. And this is true for anyone in the working week cycle, but with many of us working from home, or just battling never-ending emails and a nonstop notification loop, it seems more pertinent than ever. That's why we've teamed up with Oporto to bring you five little wins you can easily build into your workday lunch break, which will give you a little pick-me-up to carry you through the afternoon. MONDAY: TRY SOMETHING NEW AT YOUR LOCAL CAFE If you've ever thought about trying a new drink at lunchtime, or a different place altogether, today's the day to give it a whirl. Always wondered what a dirty chai (chai with a shot of coffee) tastes like? What about a soy piccolo with honey or extra-hot double shot almost latte? Go for gold and surprise your regular barista with a new order. It'll give you something new to talk about, and you might find you're more into long blacks than flat whites, or vice versa. Melbourne is full of the best coffee around so why not experience a new cup of it and start your Monday off anew. [caption id="attachment_754318" align="alignnone" width="1920"] Visit Victoria[/caption] TUESDAY: TAKE YOUR LUNCH TO THE PARK As the weather is starting to turn it back on here in Melbourne, and you can now meet up with five people from two different households, more lunchtime park dates are on the agenda. Slap on some sunscreen, grab your picnic blanket and head to your nearest green spot to eat your lunch while getting in some vitamin D. Make it an extra special win, too, by forgetting the hassle of packing a meal and instead grabbing Oporto's new Vegan Rappa to take with you. It includes a pea and herb patty, mixed lettuce leaves, slaw, fresh tomato, avocado and a tomato and capsicum relish, all nestled within a warm pita bread wrap. If you're looking for inspiration, here are the best picnic spots to seek out in Melbourne so you can savour the moment in the open air. WEDNESDAY: SHOUT YOUR HOUSEMATES AN AFTERNOON TREAT Beat the midweek blues by shouting those under the same roof as you — whether it be your parents and siblings or a share-house full of students — to some sweet sugary goodness. You can have a hot fudge brownie sundae delivered to your door, vegan pecan pie or lemon, lime and bitters ice cream from Ice Cream Social in Thornbury. Or, get some jam- or Nutella-filled donuts from Daniel's Donuts, which also delivers to your door. Or, grab some cupcakes in cookies and cream, carrot, vanilla or salted caramel flavours from Cupcake Central, which offers free delivery on all orders over $45 in its 'sweet zone'. You'll not only feel good about surprising your loved ones, but also they'll hopefully share some of the goodies with you too. [caption id="attachment_784556" align="alignnone" width="1920"] Flickr; Aundray Cheam[/caption] THURSDAY: KICK A FOOTY IN YOUR LOCAL PARK Pubs may still be closed (for now) but the city's parks are wide open and inviting you to run around with your mates like you've never run around before. Make the occasion even better by grabbing a footy and get your blood pumping with some good ol' fashioned kick-to-kick where you can practice your best kicks and handballs. If your local park or oval has some goalposts, start kicking some (literal) goals and pretend like you've scored the winning points in the premiership. Move over Tigers, there's a new player in this part of town. [caption id="attachment_784552" align="alignnone" width="1920"] Flickr; Alpha[/caption] FRIDAY: ADD A FRIEND TO YOUR LOCAL SPOONVILLE End your week by getting into the community spirit and making a character for your local Spoonville. If you're not familiar with Spoonvilles, they're tiny villages filled with handmade characters made out of all sorts of spoons: large, small, wooden, plastic, silicone and even the odd spatula. Each is adorned with goggly eyes, ribbon dresses, pipe-cleaner arms and a lot of glitter – it's all very wholesome. Add your flair to your local community's Spoonville by spending your lunch break DIY-ing your own character to add to the village. Local kids and parents will be delighted with the new addition, which makes it a win for you and one for the community, too. Check out Oporto's full Rappa Range here, then make tracks to your closest store — or order online. Top image: Catani Gardens, St Kilda via Visit Victoria/Josie Withers
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's nine you can watch right now at home. THE SPARKS BROTHERS "All I do now is dick around" is an exquisite song lyric and, in Sparks' 2006 single 'Dick Around', it's sung with the operatic enthusiasm it demands. It's also a line that resounds with both humour and truth when uttered by Russell Mael, who, with elder brother Ron, has been crafting art-pop ditties as irreverent and melodic as this wonderful track since 1969. Sparks haven't been dicking around over that lengthy period. They currently have 25 albums to their name, and they've taken on almost every genre of music there is in their highly acerbic fashion. That said, their tunes are clearly the biggest labour of love possible, especially as the enigmatic duo has always lingered outside the mainstream. They've had some chart success, including mid-70s hit 'This Town Ain't Big Enough for the Both of Us', Giorgio Moroder collaboration and disco standout 'The Number One Song in Heaven', and the supremely 80s 'Cool Places'. They're beloved by everyone from Beck and 'Weird Al' Yankovic to Jason Schwartzman and Mike Myers, too. They're the band that all your favourite bands, actors and comedians can't get enough of, but they're hardly a household name — and yet, decade after decade, the Maels have kept playing around to make the smart, hilarious and offbeat songs they obviously personally adore. Everyone else should love Sparks' idiosyncratic earworms as well — and, even for those who've never heard of the band before, that's the outcome after watching The Sparks Brothers. Edgar Wright, one of the group's unabashed super fans, has turned his overflowing affection into an exceptional documentary. It's the Shaun of the Dead, Hot Fuzz and Baby Driver's first factual effort, and it's even more charming and delightful than the films he's best known for. That said, it'd be hard to mess up a movie about Sparks, purely given how much material there is to work with. Russell and Ron, the former sporting shaggier hair and the latter donning a pencil-thin moustache rather than the Charlie Chaplin-style top lip he's brandished for much of his career, are also heavenly interviewees. That's the thing about these now-septuagenarian siblings, every Sparks tune they've ever blasted out into the world, and this comprehensive yet always accessible film that's instantly one of 2021's best: they're all joyously, fabulously, eccentrically fun to an infectious and buoyant degree. The world has always needed more Sparks on a bigger stage; now, to the benefit of everyone that's ever loved them and anyone just discovering them, it's stopped dicking around and is finally delivering The Sparks Brothers is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. LITTLE JOE Pipes blow gently. The camera swirls. Rows of plants fill the screen. Some are leafy and flowery as they reach for the sky; others are mere stems topped with closed buds. Both types of vegetation are lined up in boxes in an austere-looking laboratory greenhouse — and soon another shoot of green appears among them. Plant breeder Alice (Cruella's Emily Beecham, who won the Cannes Film Festival's Best Actress award for her work here) is cloaked in a lab coat far paler than any plant, but the symbolism is immediately evident. Audiences don't know it yet, but her shock of cropped red hair resembles the crimson flowers that'll blossom in her genetically engineered new type of flora, too. "The aim has been to create a plant with a scent that makes its owner happy," she tells a small audience. She explains that most research in her field, and in this lab, has revolved around cultivating greenery that requires less human interaction; however, her new breed does the opposite. This species needs more watering and more protection from the elements, and responds to touch and talk. In return, it emits a scent that kickstarts the human hormone oxytocin when inhaled. Linked to parenting and bonding, that response will make everyone "love this plant like your own child," beams Alice like a proud parent. So starts Little Joe, which shares its name with the vegetation in question — a "mood-lifting, anti-depressant, happy plant," Alice's boss (David Wilmot, Calm with Horses) boasts. She's borrowed her own teenage son's (Kit Connor, Rocketman) moniker for her new baby, although she gives it more attention than her flesh-and-blood offspring, especially with the push to get it to market speeding up. The clinical gaze favoured by Austrian filmmaker Jessica Hausner (Amour fou) is telling, though. The eerie tone to the feature's Japanese-style, flute- and percussion-heavy score sets an uneasy mood as well. And, there's something not quite right in the overt eagerness of Alice's lab colleague Chris (Ben Whishaw, Fargo), and in the way that Planthouse Biotechnologies' other employees all instantly dismiss the concerns of the one naysayer, Bella (Kerry Fox, Top End Wedding), who has just returned to work after a mental health-induced sabbatical. Making her first English-language feature, Hausner helms a disquieting and anxious sci-fi/horror masterwork. Like many movies in the genre, this is a film about possibilities and consequences, creation and its costs, and happiness and its sacrifices — and about both daring to challenge and dutifully abiding by conformity — and yet it's always its own beast. There are aspects of Frankenstein at play, and The Day of the Triffids, and even Side Effects also. But as anyone familiar with Mary Shelley's iconic work knows, combining familiar elements can result in an intriguing new entity that's much more than just the sum of its parts. Little Joe is available to stream via Google Play and YouTube Movies. Read our full review. STREAMLINE Chasing a dream can feel like swimming through cool water on a hot summer's day — gliding, splashing and laidback paddling all included — with each refreshing stroke propelling you closer towards your own personal finish line. That's when everything is going well, of course, and when whatever your heart and mind desires seems as if it's waiting at the end of the pool. Otherwise, when you're bogged down by everyday minutiae and nothing seems to inch forward, working towards a set goal can also resemble treading water. It can mirror repetitively doing laps, too, when your destination seems out of sight despite all the hard work you're putting in. And, if you're tired and fed up with all the effort needed to even keep afloat — and when your heart is no longer in it — it can feel like floundering and drowning. In Streamline, all of these sensations and emotions bubble up for 15-year-old Benjamin Lane (Levi Miller, A Wrinkle in Time), as he pursues a professional swimming career, a spot in a prestigious squad in Brisbane and, ideally, an Olympics berth and all the glory that goes with it. Indeed, one of the delights of this Australian movie, which boasts Ian Thorpe as one of its executive producers, is how evocatively it sprinkles these swashes of feelings across the screen. Written and directed by feature first-timer Tyson Wade Johnston, Streamline is a sports drama as well as a small town-set family drama — and it's also a portrait of that time when you're expected to dive headfirst into adulthood, and into knowing what you want to do with the rest of your life, but you're also inescapably wracked with uncertainty and apprehension. Teenage awkwardness and angst aren't simple states to capture on-screen, although enough coming-of-age movies have been buoyed by both; however, Streamline opts to plunge deep into the existential stress that goes beyond feeling out of place with your peers or being annoyed at your parents. Its protagonist, who everyone just calls Boy, only really connects with his girlfriend and best friend Patti (Tasia Zalar, Mystery Road) at school. And, he's definitely mad at his mother and father. He resents his single mum Kim's (Laura Gordon, Undertow) efforts to keep him focused, which he sees as controlling rather than nurturing. He's doing tumble turns internally over his dad Rob (Jason Isaacs, Creation Stories), who's just been released from prison and has never been a positive influence in his life. Boy is also furious at his surrogate father figure, Coach Clarke (Robert Morgan, The Secrets She Keeps), for all the cajoling that coaches tend to give. But, mostly the swimming prodigy is unsure — about what he wants, what he's been told he wants and what to do next. Streamline is available to stream via Stan. Read our full review. THE SUICIDE SQUAD New decade, new director, new word in the title — and a mostly new cast, too. That's The Suicide Squad, the DC Extended Universe's new effort to keep viewers immersed in its sprawling superhero franchise, which keeps coming second in hearts, minds and box-office success to Marvel's counterpart. Revisiting a concept last seen in 2016's Suicide Squad, the new flick also tries to blast its unloved precursor's memory from everyone's brains. That three-letter addition to the title? It doesn't just ignore The Social Network's quote about the English language's most-used term, but also attempts to establish this film as the definitive vision of its ragtag supervillain crew. To help, Guardians of the Galaxy filmmaker James Gunn joins the fold, his Troma-honed penchant for horror, comedy and gore is let loose, and a devil-may-care attitude is thrust to the fore. But when your main aim is to one-up the derided last feature with basically the same name, hitting your target is easy — and fulfilling that mission, even with irreverence and flair, isn't the same as making a great or especially memorable movie. Indeed, a film can be funny and lively, use its main faces well, have a few nice moments with its supporting cast and improve on its predecessor, and yet still fall into a routine, unsuccessfully wade into murky politics, never capitalise upon its premise or promise, keep rehashing the same things, and just be average, too — and right now, that film is The Suicide Squad. Mischief abounds from the outset — mood-wise, at least — including when no-nonsense black-ops agent Amanda Waller (Viola Davis, Ma Rainey's Black Bottom) teams up Suicide Squad's Rick Flag (Joel Kinnaman, The Secrets We Keep), Captain Boomerang (Jai Courtney, Honest Thief) and Harley Quinn (Margot Robbie, Dreamland) with a few new felons for a trip to the fictional Corto Maltese. Because this movie has that extra word in its title, it soon switches to another troupe reluctantly led by mercenary Bloodsport (Idris Elba, Concrete Cowboy), with fellow trained killer Peacemaker (John Cena, Fast and Furious 9) and the aforementioned Polka-Dot Man (David Dastmalchian, Bird Box), Ratcatcher 2 (Daniela Melchior, Valor da Vida) and King Shark (Sylvester Stallone, Rambo: Last Blood) also present. Their task: to sneak into a tower on the South American island. Under the guidance of The Thinker (Peter Capaldi, The Personal History of David Copperfield), alien experiment Project Starfish has been underway there for decades (and yes, Gunn makes time for a butthole joke). In this movie about cartoonish incarcerated killers doing the US government's dirty work, Waller has charged her recruits to destroy the secret test, all to ensure it isn't used by the violent faction that's just taken over Corto Maltese via a bloody coup. The end result is silly and goofy, fittingly — and yet, even when a supersized space starfish gets stompy (think: SpongeBob SquarePants' best bud Patrick if he grew up and got power-hungry), this sequel-slash-do-over is never as gleefully absurd as it should be. Again and again, even when Gunn's gambit works in the moment, that's how The Suicide Squad keeps playing out. The Suicide Squad is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. REMINISCENCE The look is all Blade Runner. The idea owes a few debts in that direction, too. In Reminiscence's vision of the future, androids don't dream of electric sheep; however, humans do escape into memories while they slumber in a tank of water, reliving and interacting with cherished moments from their past as if they're happening again right that instant. The mood takes a bit of the aforementioned sci-fi classic's tone, and Blade Runner 2049's as well, but then doubles down on the noir, and on some of the plot twists. Playing a veteran of a post-flood war that's seen Florida split into the haves and the have-nots, and also a man in possession of the technology and know-how to let paying customers reminisce, Hugh Jackman (Bad Education) isn't ever told "forget it Nick Bannister, it's Miami". Given that Reminiscence often feels like it wants to be a futuristic take on Chinatown, that wouldn't phrase feel out of place in the slightest, though. This is a film that lets its influences flicker to the surface that forcefully. It trades in memories, too, conjuring up a long list of smarter fare. And while it gives Westworld co-creator Lisa Joy a new outlet for many of the themes that've always hovered through the hit HBO show — primarily humanity's increasing disconnection with each other, and the growing yearning to find solace in either artificial or nostalgic settings, or both — she gleefully treads in her own footsteps. Or, the writer/director gives the ideas she's clearly fascinated with a different appearance and atmosphere than she's been working with on TV, but still largely enjoys the same toys. Perhaps Joy just gets comfort from the familiar, just like Bannister's clients. That might ring with more truth if Reminiscence didn't primarily use its intriguing underlying concept — a notion with plenty of promise, even as it nods to sci-fi gems gone by — to wrap up a romance in a mystery in a flimsy fashion. The hard-boiled Bannister has settled into his routine guiding people through their personal histories, with assistance with his ex-military colleague Watts (Westworld's Thandiwe Newton), until the film's femme fatale walks through the door asking for help. Singer Mae (Rebecca Ferguson, Doctor Sleep) has lost her keys, wants to use Bannister's tech to find them and ends up earning his besotted affection in the process. Then bliss turns to heartache when she disappears suddenly. Bannister is as obsessed with tracking her down as he is with her in general when they're together, but secrets about the woman he realises he never really knew keep being pushed to the fore as he searches. Also prominent: dialogue that feels like it's parodying all the movies that Reminiscence is copying, which drags the feature down word by word. Thankfully, Jackman, Newton and Ferguson's performances exceed the trite phrases that they're repeatedly forced to utter. The film's look and feel gleam and haunt by design, even though they also shine with and are haunted by the greats of a genre Joy clearly loves; however, this ends up being a movie about revelling in the past that happily plays it safe instead of striding into the future. Reminiscence is available to stream via Google Play, YouTube Movies and iTunes. SOME KIND OF HEAVEN If you didn't know that Some Kind of Heaven was a documentary, you might think that it was a skit from I Think You Should Leave with Tim Robinson. The same kind of social awkwardness that makes the Netflix sketch comedy such an equally savage and hilarious watch is present in this factual look at the retirement community also dubbed "god's waiting room": The Villages, Florida, the world's largest master-planned, age-restricted locale of its kind, and home to more than 120,000 people. This is a place for folks aged over 55 to live in multiple senses of the world. Couples tend to move there, then sign up for some of the thousands of activities and clubs that get them out dancing, kayaking, cheerleading, swimming and more. If a resident happens to be on their own — usually after their partner's passing — they can get involved in the local singles club, too. Around since the early 80s, and also described as "Disney World for retirees", this community is meant to be a dream. It was specifically designed to resemble the kinds of small towns its inhabitants likely grew up in, right down to the shop-filled main street and the large town square, and locals aren't ever meant to want to leave. But as Some Kind of Heaven follows four folks who've made The Villages their home — including one ex-Californian import that's just squatting — it demonstrates the reality that lingers behind the busy facade and glossy sales pitch. Requiem for a Dream's Darren Aronofsky is one of the doco's producers and, while Mother!-style horrors never quite pop up, this isn't a portrait of bliss by any means. Many of The Villages' residents are clearly happy. In his first feature-lengthy documentary, filmmaker Lance Oppenheim trains his gaze at people who aren't likely to appear in any of the community's brochures, however. Every shot lensed by cinematographer David Bolen (1BR) and boxed into the film's square frame is scenic and striking — Some Kind of Heaven sports an exquisite eye for visual composition — but much of what the movie depicts feels like stepping into a surreal alternative realm. (In one sequence, the camera meets a room filled with women called Elaine, all of whom introduce themselves one after one — and it's a scene that could've come straight out of any one of David Lynch's visions of suburban horror.) Approaching their 47-year wedding anniversary, Reggie and Anne think they've found the place for them. That's what they're both saying, at least, but The Villages means different things for each of them. Reggie has used the move to embrace his love of drugs and doing whatever he wants, and Anne has once again been forced to stand by his side, including when he's sent to court and admonished for his rudeness while representing himself. Then there's Barbara, a widow from Boston who didn't ever plan to live in Florida alone. She still works full-time, a rarity among her fellow residents, and she yearns for the company she thinks a margarita-loving golf cart salesman might bring. Rounding out the interviewees is the sleazy Dennis, an 81-year-old living in his van until he can find an attractive and rich woman to marry. Some Kind of Heaven doesn't judge him, or anyone else in its frames, but it lets these stories speak volumes about a place positioned as a fantasy land and yet really just bringing out the chaotic teenager inside everyone. Some Kind of Heaven is available to stream via Docplay. WEREWOLVES WITHIN The last time that filmmaker Josh Ruben trekked to a snowy mountainous locale and tracked the characters stranded in its midst, Scare Me was the end result, with the entertaining horror-comedy combining cabin fever chaos with creepy tales. Accordingly, it's easy to see how he's jumped from that Sundance hit to Werewolves Within, which shares the same kind of setting and setup — but with lycanthropes and a whodunnit twist. Forest ranger Finn (Sam Richardson, Promising Young Woman) has just arrived in the remote town of Beaverfield as the weather turns and the strange attacks start. He's barely been given a tour by fellow outsider Cecily (Milana Vayntrub, This Is Us), the local mail carrier, when the village's generators are found destroyed and the bodies start piling up. Finn has already established that he's surrounded by eccentric characters, including an oilman (Wayne Duvall, The Trial of the Chicago 7) trying to build a pipeline through the foliage, a store owner (Michaela Watkins, Search Party) obsessed with her dog, a constantly arguing couple (No Activity's George Basil and Barry's Sarah Burns) with a fondness for skirting the law, and a pair of ex-city slickers (What We Do in the Shadows' Harvey Guillén and Saved by the Bell's Cheyenne Jackson); however, he's soon forced into close quarters with his new neighbours as they all try to work out who's transforming into a ravenous creature and indulging their hunger. If it all sounds a bit like Cluedo but with werewolves, there's a reason for that; the 2016 virtual reality game that Werewolves Within is based on also matches that description. Adapted into a movie, the narrative aims for Knives Out with claws — but, while overflowing with one-liners, sight gags and a healthy sense of humour to a not just jam-packed but overstuffed degree, the end result is never as funny as it should be. It's never quite as fun, either, even though the concept is a winner on paper. Comedian-turned-screenwriter Mishna Wolff spends far too much time trading in the glaringly apparent, not to mention the predictable. Hell is other people here, and the fact that a seemingly quaint and friendly small town can be filled with deceit, duplicity and disaster is hardly a new observation (and neither is the musing that the sniping within the community just might be worse than the supernatural threat they're now facing). That almost every character remains purely one-note doesn't help, and nor do the over-amped performances given by all of the film's supporting players. Richardson is a delight, though, as he has been in everything from Detroiters to Veep. Indeed, he makes the case not just for more work, but for more leading roles. Vayntrub sinks her teeth into her part, too, and her rapport with Richardson is one of the movie's highlights. Also engaging: the off-kilter tone that Ruben adopts throughout, again aping his previous — and better — feature. Werewolves Within is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. THE ICE ROAD They're called ice road truckers and, between 2007–17, they earned their own reality TV series on the History Channel. They're the folks who don't just drive while it's frosty, but steer big rigs onto frozen lakes and rivers in Alaska and Canada — using routes obviously only available in winter to haul freight from one point to another. And, they're the focus of The Ice Road. In his latest stock-standard action flick following Honest Thief and The Marksman in the past year alone, Liam Neeson joins the ice road trucking fraternity, although his character only does so as a last resort. A seasoned long-haul driver, Mike McCann has had trouble holding down a job ever since he started caring for his Iraq War veteran brother Gurty (Marcus Thomas, The Forger), who came home with PTSD and aphasia, and is also a gifted mechanic. The pair have just been fired from their latest gig, in fact, when they see Jim Goldenrod's (Laurence Fishburne, Where'd You Go, Bernadette) callout for help driving gas wellheads to a remote Manitoba site where 26 miners have been trapped by an explosion. It's a dangerous task, and one that calls for three trucks making the distance as quickly and carefully as possible. Mike and Gurty set out in one vehicle, Jim in another, and Native American driver Tantoo (Amber Midthunder, Roswell, New Mexico) and mining company insurance agent Tom Varnay (Benjamin Walker, The Underground Railroad) hop into the third rig, but transporting their cargo and saving the buried workers is a tense and treacherous mission. Much about The Ice Road will sound familiar to anyone who's seen Sorcerer, William Friedkin's stellar 1977 thriller about trucking volatile dynamite along a rocky South American road — which adapted 1950 French novel The Salary of Fear, a book that first reached cinemas via 1953's Cannes Palme d'Or-winning The Wages of Fear. This isn't an acknowledged remake, but icy, however. It'd be far better if it was, because the tension that ripples from simply driving along the titular route is The Ice Road's strongest element. In the feature's first half, after setting the scene for both the McCanns and the miners, writer/director Jonathan Hensleigh (Kill the Irishman) stresses the perils of trucking down frozen rivers. Bobbleheads placed on dashboards wobble whenever the ice threatens to become unstable, pressure waves shimmer and action-movie stress bubbles within the film's gleaming white images. That'd be enough to sustain the movie, but Hensleigh believes otherwise, which is where predictable double-crossing on the ice, among the stranded miners and back at company headquarters comes in. Even Neeson can't make the long list of cliches that fill The Ice Road's script entertaining, not that he seems to be trying all that hard. He's gruff and grizzled, and he yells, punches and fights for what's right, but he also just makes viewers wish they were watching him confront wolves in excellent survival thriller The Grey, or drive a snowplough in the average Cold Pursuit. Unsurprisingly, the rest of the cast fare just as badly, including the thoroughly wasted Fishburne and Midthunder, and Mindhunter's Holt McCallany as one of the miners. The Ice Road is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. ESCAPE ROOM: TOURNAMENT OF CHAMPIONS More than once in Escape Room: Tournament of Champions, a supporting performance stands out — and not for the right reasons. Overdone and obvious, these portrayals leave audiences with no doubt that the corresponding characters are part of the game that this franchise has been playing for two movies now. The overall premise of this series sees ordinary folks receive invites that lead them into a maze of escape rooms. These are literal life-and-death spaces, and the body count grows room by room. This time around, Zoey (Taylor Russell, Words on Bathroom Walls) and Ben (Logan Miller, Love, Simon), the sole survivors of 2019's series starter, are trying to track down the villains responsible for the death traps. Of course, they're soon stuck in another one, alongside four fellow winners (In Like Flynn's Thomas Cocquerel, Follow Me's Holland Roden, Queen & Slim's Indya Moore and Step Up: High Water's Carlito Olivero) from other games. There's supposed to be a sense of anxiousness about where the escape rooms begin and the outside world ends, and vice versa, but that's completely stripped out of this second effort. Throughly unsubtle bit-part performances, even for a movie this blatant at every turn, will do that. Escape Room: Tournament of Champions is still tense when Zoe, Ben and their fellow pawns are trying to sleuth their way to safety, thankfully, but that's largely a result of giving them twisty puzzles to solve at an urgent pace. Watching people trying to problem-solve quickly comes with innate tension. Will they succeed? Won't they? The seesawing between those two extremes is inherently suspenseful. That, and the rooms themselves, are two of Escape Room: Tournament of Champions' three highlights. The third: Russell, who is capable of so much more — as seen in Waves, for example — and gives her part here more depth than is written on the page. But, as much as returning director Adam Robitel (Insidious: The Last Key) tries to spin something memorable out of the nervous tone, elaborate spaces and Russell's presence, the repetition and overtness gets tiring fast. While individual scenes may be tense, the overall film never is. It's always apparent where the narrative is headed, even when the six credited writers (Mortal Kombat's Oren Uziel, Hand of God's Daniel Tuch, Counterpart's Maria Melnik, The Hive's Will Honley, Invincible's Christine Lavaf and Wildling's Fritz Böhm) think they're serving up surprises; thought has clearly gone into the minutiae of each escape room, and yet little seems to have been afforded the bigger picture. Visually, and in its soundtrack, every stylistic touch paints by the numbers, too. Also much too predictable: that the film is a setup for yet more to follow. The Final Destination franchise has ratcheted up five instalments so far, so the Escape Room series, the closest thing it has to a successor, can obviously keep milking its setup for several more formulaic movies to come. Escape Room: Tournament of Champions is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. THE MISFITS Imagine Robin Hood meets Ocean's Eleven meets the Fast and Furious franchise, but helmed by the filmmaker behind Deep Blue Sea, and somehow starring the unlikely combination of Pierce Brosnan (Eurovision Song Contest: The Story of Fire Saga), Tim Roth (Luce) and rapper/comedian/TV presenter Nick Cannon (Chi-Raq). Then, picture a film set in the fictional Jeziristan, because appropriating a particular culture and applying it to a made-up place is apparently okay by this flick's powers-that-be — and also envision a movie so blatant with its Islamophobia at every turn that Cannon's character is almost constantly making fun of Middle Eastern accents and Arabic names, citizens of this part of the globe are largely depicted as terrorists or psychopaths, a group of villains is called the Muslim Brotherhood, but all the gloss and glitz of Abu Dhabi, where the movie is shot, is leered at (as are the scantily clad women seen in its hotels, too). No one wants to visualise this flick, but unfortunately it exists. And yes, The Misfits is as atrocious as it sounds. Director Renny Harlin (who also has Cliffhanger and The Long Kiss Goodnight to his name) seems like he's simply trying to recreate shots, looks and scenes he likes from far better films, but badly. And, the fact that co-screenwriter Kurt Wimmer also has the atrocious 2015 remake of Point Break on his resume makes a huge amount of sense, because this bag of tripe just stitches together plot points from almost every other heist feature there is (as exacerbated by dialogue as bland and cliched as every aspect of the narrative). A big contender for the worst movie to reach Australian cinemas this year, and a film that surely wouldn't have ever gotten the chance if the pandemic hadn't upended the theatrical release slate, The Misfits brings together a ragtag gang of well-meaning criminals. They anoint themselves with the movie's moniker after ruling out 'motley crew' for obvious reasons, if you're wondering how stupid and inane this feature gets — and quickly. Bank robber Ringo (Cannon) usually flexes his light-fingered skills to rip off the wealthy and give back to the poor, so obviously he's keen to form a makeshift family with martial arts expert Violet (Jamie Chung, Lovecraft Country), who likes punishing terrible men; explosives-obsessed Wick (Thai popstar Mike Angelo), who blows up nasty businesses; and 'the Prince' (Rami Jaber, Tough Love), who may or may not be royalty in another made-up country. Their next target: a vault of gold hidden inside a maximum-security Jeziristan jail overseen by nefarious businessman Warner Schultz (Roth). Their latest recruits: UN-employed humanitarian Hope (Hermione Corfield, Sea Fever) and, if she can convince him, her conman dad Richard Pace (Brosnan), who of course has a history with their mark. Much that happens is nonsensical, which also applies to the messily staged and shot action scenes. The movie's sexism goes hand in hand with its blatant racism, too. Daddy issues, second chances, car chases, slow-motion explosions, pointless visual tricks — that's all part of this hideous package as well, alongside absolutely zero subtlety or enjoyment. The Misfits is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May, June, July and August. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
Google's self-driving car has already brought widespread automated-automobiling one step closer. Now, a UK town has announced plans to establish a driverless public transportation system. Milton Keynes, home to about 40,000 residents, and situated approximately 87 kilometres northwest of London, will soon host a fleet of 100 self-driving pods. Each has the capacity to carry two passengers, as well as luggage, and can travel up to 19km per hour. Electronic motors provide power and, at first, the pods will travel in their own lanes. These are likely to be dispensed with once passengers have developed the confidence to travel driver-free. A smartphone app will facilitate the reservation and payment of journeys, which will take place between the Milton Keynes train station and various locations in the town centre — about 1.6km away. Each trip is expected to cost 2 GBP ($3.44), with total revenue to amount to 1 million GBP after 12 months. The system will begin its test run in 2015. Initially, just twenty pods, featuring joysticks or steering wheels enabling human intervention, will be used, with all 100 expected to be in full swing by 2017. The trial period will last five years, at a cost of 65 million GBP. Driverless pods have been used at Terminal 5, Heathrow Airport, since 2011. During the past two years, a fleet of 21 vehicles travelling along a 3.8km track has transported more than 700,000 passengers. The difference with the pods planned for Milton Keynes is that they will not have the advantage of an installed guideway. Instead, their technology is closer to that utilised in self-driving automobiles, dependent on a combination of GPS, sensors and HD cameras. Via the Independent.
Culinary puns, food-themed songs, and the delightful adventures of a burger-slinging family: on the small screen, that's what Bob's Burgers has been serving up since 2011. Just like the dish that's right there in the title, there's more than one way to enjoy this animated gem, however, with The Bob's Burgers Movie set to hit cinemas in May this year. The film has been a long time coming — and not just because the series it springs from has been on the air for a whopping 12 seasons now. The Bob's Burgers Movie was originally due to reach the big screen back in mid-2020, but the pandemic got in the way. Think of it as the movie version of IRL supermarket shortages. Thankfully, 2022 is here with the promise that The Bob's Burgers Movie will be a real thing that we'll all get to feast our eyeballs on — and soon. And if your appetite for a movie-length musical comedy-mystery-adventure flick about Bob Belcher (H Jon Benjamin, Archer) and his nearest and dearest isn't already ravenous, the film's just-dropped trailer is here to help. Sexy burgers, a big summer for Tina and trying to keep Bob's Burgers afloat after a ruptured water main causes a huge sinkhole right in front of the store: they're all on the movie's menu, as is a mystery that only Belcher kids Tina (Dan Mintz, Veep), Gene (Eugene Mirman, Archer) and Louise (Kristen Schaal, What We Do in the Shadows) can solve. And yes, The Bob's Burgers Movie does offer a solution to the feeling that every Bob's Burgers' fan has felt more than once: not wanting this colourful, hilarious and engaging animated meal to end when you're binging through it in 20-minute episode blocks. Check out the trailer for The Bob's Burgers Movie below: The Bob's Burgers Movie will open in cinemas Down Under on May 26, 2022. Images: Courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.
In May 2014, the National Gallery of Victoria will showcase over 100 Italian masterpieces on loan from the Museo del Pardo in Madrid. The exhibition, Italian Masterpieces from Spain’s Royal Court, will mark the 11th offering in the NGV's Winter Masterpieces series. A series which began with The Impressionists in 2004, and has more recently included Napoleon: Revolution to Empire, and this year's Monet's Garden. Tony Ellwood, director of the NGV, says the exhibition "will captivate and amaze visitors, and will be complemented by a diverse range of engaging programs, lectures and events.” It will also be the first time these pieces, including iconic artworks by Raphael, Correggio and Titian, have travelled to our shores, providing audiences with a unique experience unrivalled in the Southern Hemisphere. That's right. You no longer need to be jealous of your friends' Instagram feeds while they're in Europe. The artworks, which were all once owned by the Spanish Royal Family, offer a large variety of works from the period featuring portraits, landscapes, history paintings measuring over three metres in length, and evocative imagery from both the Old and New Testaments. We know it's a while away. But with such grandeur and passion, these Italian visionaries may be just the thing to cure our (pre-emptive) winter blues. Italian Masterpieces from Spain’s Royal Court, Museo del Prado will be on display at the National Gallery of Victoria from May 16 until August 31, 2014. Image credits in order of appearance: Raphael, Holy Family with Saint John or Madonna of the Rose (Sacra Famiglia con San Giovannino o Madonna della Rosa) (c. 1516), Image courtesy Museo del Prado, Madrid. Andrea di Lione, Elephants in a circus (Gli Elefanti in un circo) (c. 1640), Image courtesy Museo del Prado, Madrid
Over the past decade, Disney has made a hefty commitment to remaking its animated classics as live-action movies, as seen via the two Alice in Wonderland films, Cinderella, Beauty and the Beast, Dumbo and Aladdin, to name a few. The next to get the same treatment is 101 Dalmatians, and the Mouse House is going with the same approach it used with the Maleficent flicks. Yes, there'll be spotted dogs in Cruella, but this Emma Stone-starring spinoff is all about its villainous namesake. Set to release in May — and currently slated for cinemas, rather than making the move to Disney+ like Mulan did last year — Cruella focuses on Estella de Vil before she becomes the puppy-kidnapping figure that everyone already knows. It's the 70s, she's in London, and she's an outcast and a grifter. Estella is also desperate to become a fashion designer, and draws the attention of industry veteran Baroness von Hellman (Emma Thompson, Last Christmas) as she attempts to make her way into haute couture's upper echelons. Obviously, Estella's relationship with the Baroness isn't going to end well. Even if you only have the faintest memories of 101 Dalmatians, Estella clearly has to morph into that tale's antagonist. And, based on both the first trailer for Cruella back in February and the just-released sneak peek now, she's going to do so in a movie that seems to have seen what Joker did — including the fact that it won Joaquin Phoenix an Oscar — and decided that's a good model to run with. As well as Stone, her two-tone hair and striking outfits — and Thompson, too — Cruella features Richard Jewell's Paul Walter Hauser, Outside the Wire's Emily Beacham, Yesterday's Joel Fry, The Good Place's Kirby Howell Baptiste and 1917's Mark Strong. The film marks a reunion between Hauser and director Craig Gillespie, after they worked together on I, Tonya, while the script is co-written by Isn't It Romantic's Dana Fox and The Great's Tony McNamara. If a live-action version of Cruella de Vil sounds familiar, that's because Disney has done it before. Back in 1996, Glenn Close took on the role in 101 Dalmatians, and then sported a heap of black and white again in 2000 sequel 102 Dalmatians. So, never one to leave its past works alone for too long, the Mouse House is following in its own footsteps in multiple ways with Cruella. Check out the latest trailer below: https://www.youtube.com/watch?v=40E7nrtAgdg Cruella releases in Australian and New Zealand cinemas on May 27. Top image: © 2021 Disney Enterprises, Inc. All Rights Reserved.
Winter is in the air — literally — at Johnny's Green Room. Following an extensive Med-inspired makeover last year, the Lygon Street rooftop also scored and a mini winter update earlier this month, which saw part of the space encased within glass sliding panels. Bespoke woollen blankets are also handed out for extra cosy vibes, plus the food and drink menus have been rejigged for cold weather hangs. To celebrate its seasonal makeover, the rooftop bar is throwing a Welcome to Winter party on Thursday, June 27. For $40 per person, guests will get to sample roaming woodfire pizzas as well as cocktail tasters from the venue's new drinks menu. Edd Fisher (Wax'O Paradiso) and Misty Nights will also be on the decks throughout the night, setting the mood for a big late-night party. When visiting, you'll likely notice that the rooftop bar's winter update is somewhat inspired by the Italian Alps — but thankfully, not too heavily. You won't find skis mounted on the walls or fake snow falling from the sky — instead, it's mostly seen in the new food and drink offerings. Culinary Director Karen Martini has reworked the menu to reflect what's in season and Matthew Bax has played around with the cocktail menu to make it more winter-friendly. Leaning into the theme, each section of the cocktail menu is even divided into four sections inspired by Italian ski run difficulty levels — verde, blu, roddo and nera. During the party, you'll be sampling sips from each of these sections. Johnny's Green Room is working hard to make sure Melbourne's rooftop season lasts well beyond summer. Images: Arianna Leggiero.
Have you ever taken a group drawing course and felt a little disappointed? Was your teacher's main artistic qualification a beatnik ponytail and an endless love affair with the word 'chiaroscuro'? Well, here's your chance to get taught by the pros. ACCA is opening its doors after dark to host a series of intimate drawing lessons led by the industry's best. On the last Wednesday of every exhibition season, Drawn will nestle up in the iconic Southbank gallery and give you an intensive course in everything from sculptural drawing to life drawing (clothed or otherwise). For $40 per session (or $140 for all four), you'll be provided with all relevant materials as well as the all important ingredient — wine. As if a night of intimate art and invaluable lesson learning wasn't good enough, now you have the chance to get a little boozed with some of your favourite artists!
Two big-name Hollywood stars. One movie. One helluva face off. If that setup didn't exist, there'd be far few action-thrillers reaching screens — and Netflix's latest, the Ryan Gosling- and Chris Evans-starring The Gray Man, wouldn't exist either. Based on the novel by Mark Greaney, The Gray Man follows CIA operative Court Gentry (Gosling, First Man). Also known as Sierra Six, he was once the agency's most skilled killer — after being recruited out of a federal penitentiary — but now he's on the run after discovering secrets that his employer doesn't want anyone to know. That's where his ex-colleague Lloyd Hansen (Evans, Free Guy) comes in, putting a target on his head, sparking a manhunt by international assassins, and leaving Gentry fighting for his life with only the help of Agent Dani Miranda (Ana de Armas, No Time to Die). It all sounds as standard as action-thrillers go — and the just-dropped first trailer for the flick, which'll hit cinemas on July 14 and Netflix on July 22, is filled with exactly the kinds of things that all action-thrillers are. Gosling runs, Evans taunts, everyone smoulders and brood, things explode, fists are thrown and chases ensue. Gosling chats about his ego getting hurt, too, and Evans also gets saddled with quite the moustache — and quite the cheesy line. So, if you've ever wanted to hear the former Captain America say "if you want to make an omelette, you've got to kill some people", then this is for you. From its first sneak peek, The Gray Man also looks moodily shot — and, as the John Wick franchise and Atomic Blonde have both proven, an ace cast and style for days can be huge assets in this genre. Indeed, oh-so-many action-thriller flicks have served up a premise so familiar that audiences have seen it countless times before, but made up for it in the way it all comes together. Fingers crossed that The Gray Man is one of those movies. As well as heralding Gosling's first film since 2018 — so if you've been missing him in movies, that's why — and Evans getting villainous, The Gray Man also features Bridgerton's Regé-Jean Page, plus Billy Bob Thornton (Goliath), Jessica Henwick (The Matrix Resurrections), Indian star Dhanush, Wagner Moura (Shining Girls) and Alfre Woodard (The Lion King). Behind the lens, the movie marks the latest directorial effort by Avengers: Infinity War and Avengers: Endgame filmmakers Anthony and Joe Russo — and reportedly didn't come cheap, costing $200 million and ranking as Netflix's most expensive production to-date. Check out the trailer for The Gray Man below: The Gray Man will screen in cinemas from July 14, and will be available to stream via Netflix on July 22. Images: Stanislav Honzik and Paul Abell/Netflix © 2022.
It's a question that film festivals face each and every year: how do you kick off? For the Melbourne International Film Festival in 2025, the answer comes courtesy of an award-winner with Australian ties that'll enjoy its Aussie premiere in the Victorian capital. The movie opening the fest on Thursday, August 7: If I Had Legs I'd Kick You starring Rose Byrne (Physical). The dramedy initially debuted at Sundance to significant acclaim, then made its way to the Berlin International Film Festival — and saw Byrne take home that fest's Silver Bear for Best Leading Performance. Scoring the opening-night slot at MIFF is no small feat, either, with attendees set to watch its lead portraying Linda, a psychologist struggling with balancing her clients, an ill child and an abyss on her building's roof. [caption id="attachment_1011660" align="alignnone" width="1920"] Nick Robertson[/caption] Fellow Aussie Danielle Macdonald (The Last Anniversary) co-stars, as does Conan O'Brien (Curb Your Enthusiasm), Christian Slater (Dexter: Original Sin) and A$AP Rocky (Highest 2 Lowest). Also among the cast: If I Had Legs I'd Kick You's writer/director Mary Bronstein (Yeast). "I am beyond thrilled to be bringing If I Had Legs I'd Kick You to MIFF. That would have been enough, but I am further honoured and gobsmacked to have been selected to open the festival," said the filmmaker. "My film is built around an unprecedented performance by one of the most-talented actors that has ever come out of Australia: Rose Byrne. It is all the more meaningful for me to be able to personally share Rose's soul-shattering work, along with the stunningly raw co-starring performance of fellow Australian Danielle MacDonald, with such celebration and reverence in their home country." "This New Yorker has never been to the other side of the globe before and I can't think of a better way to first experience beautiful Melbourne than through such deep appreciation for not just my film, but cinema in general, as MIFF is known around the world for." [caption id="attachment_1011661" align="alignnone" width="1920"] Nick Robertson[/caption] Added MIFF Artistic Director Al Cossar, "I'm so thrilled the electrifying If I Had Legs I'd Kick You opens this year's MIFF with some of the most intensely accomplished filmmaking you'll see this year. Urgent, funny, and audacious, we couldn't be prouder that Bronstein's singular vision will set the start to MIFF's 18-day immensity of cinema-going, as we welcome Melbourne audiences back once more to our 300-plus film adventure through the world's imagination." Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24 in 2025, and began announcing this year's lineup back in June, ahead of the full program dropping on Thursday, July 10. Other highlights so far include Parasite composer Jung Jae-il coming to Australia to conduct the movie's score live in an Aussie exclusive, Jafar Panahi's Cannes Palme d'Or-winning It Was Just an Accident, almost-100-year-old masterpiece The Passion of Joan of Arc with a new score by Julia Holter performed live, an Australian time-loop comedy involving tequila, a Baker Boy- and Hugh Jackman (Deadpool & Wolverine)-narrated tribute to David Gulpilil, Eternal Sunshine of the Spotless Mind filmmaker Michel Gondry's latest and the world-premiere of natural disaster-focused virtual-reality documentary When the World Came Flooding In. The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, including the full program from Thursday, July 10, visit the MIFF website.
When autumn rolls around, the sweet fiends behind Victoria's hot chocolate and ice cream festivals run a month-long sugar extravaganza dedicated to sweet, nutty, marshmallowy rocky road. That'd be the Yarra Valley Rocky Road Festival, as hosted by the Yarra Valley Chocolaterie and Ice Creamery, Mornington Peninsula Chocolaterie and Great Ocean Road Chocolaterie — and it's back in-person in 2022. Take the rocky road down to the Yarra Valley, Mornington Peninsula and the Great Ocean Road throughout the entire month of May, and get ready to stuff your face. By the way, to any dentists who are reading, go ahead and put down a deposit on that beach house you were looking at. We have a feeling your financial situation is going to be juuuuuuuuust fine. Because the fest takes place over 31 days, that means there's 31 different flavours on offer — including rocky road inspired by cocktails, fresh produce available in the three sites' kitchen gardens and wild ingredient pairings. This year's offerings include the return of Golden Gaytime, espresso martini, mint and licorice varieties, plus new black forest, Biscoff, pineapple and pistachio praline versions. And it doesn't just stop at blocks and bars, either. There'll also be rocky road hot chocolate and rocky road ice cream as well. All three chocolateries will also be hosting Rock Around the Block tasting sessions throughout the day and on weekends, which give attendees a 45-minute rocky road workshop experience. And, if you can't make it along in the flesh, the at-home version is still running this year, too — because this dessert isn't afraid of travelling.
It's undeniably tough for a hotel to cater their rooms to every guest that will ever stay in them, but this problem can be far more real for the intrepid traveller with a disability. The latest design of hotel room from new collaboration AllGo, however, seeks to change this fact by creating an adaptable room that makes rooms more accessible than ever before, all while channelling the contemporary aesthetic guests have come to expect from upmarket hotel experiences. The AllGo project is the brainchild of international architecture studio Ryder and contemporary bathroom design firm Motionspot. The idea came from the need to "create a concept that redefines the design of hotel bedrooms and bathrooms so they deliver the individual access requirements of guests without compromising on the aesthetics of the environment," according to Motionspot founder Ed Warner. Each room, according to the design, will incorporate features like handrails with braille printed on them, retractable wall panels that can fold away and act as furniture, wheelchair-friendly flooring, and motorised tracks to assist in access and egress to the bed. The best part is, however, that these features can be easily added and removed before the guest even arrives. The AllGo concept took out the top gong at the lauded Celia Thomas Prize late last year. The prize awards £20,000 (nearly AU$34,000) to the design that best creates a hotel experience for people with disabilities, and that can best "challenge the perception of hotel facilities set aside for disabled people, which can often be viewed as joyless, poorly designed and over-medicalised," according to the Royal Institute of British Architects. Gold medal-winning Paralympian, member of British parliament and bad-ass Baroness Tanni Grey-Thompson was one of the driving factors in having the Celia Thomas Prize created. "Great architecture is about spaces that make you feel better and which make you want to return," she said, and the AllGo design strives to achieve that goal for everyone. Motionspot and Ryder will use their winnings to have a pilot program for the design up and running within the year. Via PSFK.
Zero gravity circus act meets pop culture-savvy burlesque; there’s something mighty strange afoot at 45 Flinders Lane. The latest show from local cabaret legends Maude and Anni Davey, Retro Futurismus is a futuristic vaudeville production that offers a nostalgia-driven vision of an alternative present that combines dance, theatre, song and god only knows what else. Taking over the space at fortyfivedownstairs Wednesdays through Sundays from June 10 until the end of the month, Retro Futurismus draws on a staggering array of influences, from Fritz Lang to Stanley Kubrick to David Bowie to Björk. Each night will feature a different guest artist, including Polytonix co-director Leah Shelton, choreographer Benjamin Hancock and dance group Glitter and Snatch. It’s a show that’s looking to defy genre labels wherever it can, and redefine what audiences think about when they think about cabaret.
Brunch is the pinnacle of a good weekend — but hosting your own brunch party can feel like a huge effort. However, gathering your friends for a tasty start to the weekend is well worth it when you get to pick out the best pastries from your favourite local bakery, purchase top-shelf booze for fancy bloody marys and spin your favourite tunes. It'll impress even the most hungover of your besties. Here to help you deliver an elevated brunch party, we've partnered with premium French vodka Grey Goose to give you five simple tips that'll turn your weekend get-together into an elegant affair. [caption id="attachment_704266" align="alignnone" width="1920"] Kitti Gould[/caption] SET UP AN INTERACTIVE BAR Let's be real, the most important part of brunch is not the food but the drinks, and anyone who tells you otherwise obviously hasn't experienced the healing powers of a good bloody mary before noon, and that's their loss. So getting the booze portion of the morning right is a must. To turn a slow party into one with a purpose, set up an interactive bar for people to experiment with their drinks and get creative. Ensure you've stocked the best liquor — and keep it simple. Purchase a bottle of Grey Goose vodka as a premium base for a mood-lifting spritz, and, of course, the humble bloody mary. Having a French themed do? Order the limited-edition Maison La Biche bottle for a chic upgrade. PAIR YOUR FOOD AND DRINK FOR PERFECT HARMONY The symphony of food and booze is all you need for a really great brunch, so it's worth thinking about what cocktails go with which breakfast foods. For what it's worth, we reckon the classic bacon and eggs fry up with a bloody mary is always a winner, but if you really want to win at brunch, try making a Morning Mule (Grey Goose vodka, orange juice, ginger beer) with buttermilk pancakes, or a Breakfast Martini (Grey Goose vodka, orange marmalade, cointreau and lemon juice) with freshly baked pastries. And for the health-conscious, opt for a Provence Spritz (Grey Goose vodka, French rose and pink grapefruit juice), always fantastic with an açaí bowl. Experiment a little! It'll elevate the whole party, plus you get to drink while doing 'research'. [caption id="attachment_752451" align="alignnone" width="1920"] Flickr/Creative Commons[/caption] OPT FOR AN EASY SELF-SERVE SET-UP Who amongst us isn't a little particular about our brekkie? Given it's often the first meal of the day, and one with the power to make-or-break your weekend, even the most relaxed guests can be fussy when it comes to breakfast food. So, in the spirit of diplomacy — and let's be honest, convenience — design a help-yourself table with grab plates and bowls and mountains of brunch staples (such as fresh fruit, yogurt, granola and juice) and plop them on the table. You're done with the serving part of the morning before it's even begun, plus it makes catering to dietary needs a breeze. [caption id="attachment_735735" align="alignnone" width="1920"] Visit Victoria/Josie Withers[/caption] SPLURGE ON THE GOOD STUFF Don't be afraid to spend a little on the best produce you can afford. Good produce means less work for you, and brunch is the most decadent meal of the day so it's worth sourcing fruit and veggies from the farmers' markets, or forking out for some really fancy orange juice from the supermarket. Be comforted by the fact that a good artisan bakery haul can save any meal and you can top it off with premium spirits for those cocktails, it makes all the difference when you're catering at home. [embed]https://open.spotify.com/playlist/1x0bE4Gh2POCIMIpzP4dot[/embed] DON'T FORGET THE TUNES A good soundtrack can elevate your brunch party from a casual affair to an all-out party for the ages. Spend a bit of time ahead of the event thinking about your playlist of laidback tunes and singalong anthems (nostalgia is a quick pick-me-up in any occasion). Hit play and, with a healthy serving of hangover-busting cocktails, your guests are sure to find themselves dancing around the living room. Special shoutout to the likes of Angus and Julia Stone for chilled vibes, Jack Johnson for a retro feel, Nina Simone if it's THAT kind of morning, San Cisco for some light-hearted fun or any of the peppy indie supergroups from the last ten years. Feeling uninspired? Check out the Brunch Playlist above. It's your party, so pick whatever you feel will turn your brunch into an arvo dance party. Upgrade your brunch by choosing premium vodka Grey Goose. Each bottle is distilled in France, and the high quality vodka has a 100-percent traceable production process, from crop to cork.
Most of the time, Poodle Bar & Bistro treads a nuanced line between its Aussie-inspired French cuisine and easygoing wines. However, every once in a while, the venue turns up the volume more than a few notches with special tunes, bites and sips taking over the entire venue. Those times are known as the Poodle Patio Party — an event that's built quite a reputation over the years for its feel-good vibe and considered lineups. Now hosting its tenth edition from 2–9pm on Sunday, November 30, this is the best time to catch Poodle at its most raucous. Conceived as a family affair, guest chef Diana, aka frozencola, will draw from her Taiwanese background, serving up top-notch plates like three-cup chicken skewers and Chinese five-spice pancakes. Then, in the courtyard, expect quality pours from admired independent winemakers GUM and Passage throughout the afternoon. As for the soundtrack, a trio of local legends are getting behind the decks, including Simon TK from Wax'o Paradiso, Turbo Thot and Huge Trackman. With the whole venue coming to life for the event, this day-to-night experience is a suitable way to kick-start the silly season.
"Male chauvinist pig versus hairy-legged feminist" was the proposal. In a late-night phone call, Billie Jean King (Emma Stone) quickly tells Bobby Riggs (Steve Carell) that her pins are smooth, but the sentiment — sexism vs. feminism — still stuck. She's the number one women's tennis player, riding high from a string of grand slam titles. He's a former champion well past his prime, with a fondness for gambling, talking and self-promotion. It should come as no surprise that King initially turned Riggs down. Why she changed her mind, what she was fighting for, and how their exhibition game made history informs Battle of the Sexes, a recreation of the match of the same name. Reuniting Stone and Carell after Crazy, Stupid, Love, and Carell with Little Miss Sunshine directors Jonathan Dayton and Valerie Faris, King and Riggs' famous tussle inspires an engaging, entertaining effort — one that's as much about the showdown at its centre as it is the struggles it stood for. Pitting a boorish headline grabber against a woman striving for equality, and throwing in Australian tennis player Margaret Court (Jessica McNamee) as one of the villains, its contents are also incredibly relevant today. Battle of the Sexes introduces King doing the two things she'll become best known for: smashing it on the court and thrashing it out over prize money. Fresh from victory at Wimbledon, she demands the same amount of cash for women as is given to men. When US tennis association head Jack Kramer (Bill Pullman) declines, she starts her own competition with World Tennis magazine founder Gladys Heldman (Sarah Silverman). Enter Riggs, a locker room bet that he could beat any female player, and a public promise to put ladies back in the kitchen and the bedroom. At first King refuses to become part of the spectacle, but when Riggs plays Court and wins, the standing of women's sport is on the line. It's estimated that 90 million people watched the match worldwide. With its '70s-style visuals and upbeat attitude, a perfectly fine sports biopic could've easily resulted from simply pitting King's sympathetic protagonist against Riggs' over-the-top foil. But that's not quite what Battle of the Sexes sets out to do. With King also the first prominent female athlete to come out as a lesbian, her relationship with hairdresser Marilyn Barnett (Andrea Riseborough) forms part of the story, as scripted by Slumdog Millionaire Oscar-winner Simon Beaufoy. It's sensitively explored, evoking the excitement of falling for someone new as well as the confusion plaguing the married King. It also makes the parallels between her professional and personal troubles clear — and there's a reason that the prickly, naysaying Court makes such an apt inclusion. Fresh from her La La Land glory, Stone arrives ready to serve up a powerhouse performance. Swinging a racket rather than singing up a storm, she paints a compelling portrait of a woman driven by what's right and fair, even as she's wrestling with her own turmoil. Carell, meanwhile, has fun putting "the show back in chauvinist", although you'll never forget that you're watching Carell. Then again, perhaps that's fitting. King fought for all women to be treated equally, and later for LGBTIQ rights. Riggs, on the other hand, just wanted to get back to the spotlight. https://www.youtube.com/watch?v=-RwiDnmJC7w
Anyone can pour orange juice and vodka into a glass and call it a screwdriver. But if you're after a cocktail more sophisticated and complicated than that, that's where top-notch bartenders come in. They're the folks who mix up drinks that you definitely don't feel like you can make at home — or know you have (again, see that OJ and vodka combo) — and they're as crucial a part of hitting a bar as the menu, vibe and company. Australia isn't short on fine folks whipping up brilliant beverages; however, if you're after the best of the best, there's now a rundown naming the country's top 100 bartenders. Consider it your next excuse to work through a boozy list, if you already started 2022 sipping the 100 best brews. Created by global bartending competition Diageo World Class, the Top 100 Australian Bartenders for 2022 list spans every state and territory — with New South Wales particularly well-represented, and Victoria and Queensland as well. Here's another way to think of it: you now have a list of bartenders to seek out on your next few holidays. [caption id="attachment_714471" align="alignnone" width="1920"] Cantina OK![/caption] Standouts include folks from Sydney favourites such as Maybe Sammy and Cantina OK!, Melbourne's Nick and Nora's and Black Pearl, and Brisbane's The Gresham and Agnes. This is just part one of the contest, though. From here, these 100 bartenders will compete by mixing up impressive, boundary-pushing tipples at their venues, which'll be available for patrons to sip from Monday, May 30–Monday, June 13. Then, a top five will be announced — also on Monday, June 13 — before finals in July. The winner will be deemed the Diageo World Class Australian Bartender of the Year for 2022, and fly the flag for Aussies at the comp's global final, which is happening here for the first time, in Sydney, between Monday, September 12–Friday, September 16. [caption id="attachment_795641" align="alignnone" width="1920"] The Gresham, Millie Tang[/caption] Whoever emerges victorious will take over the title from Evan Stroeve from Sydney's no-waste bar Re, 2021's winner. Here's 2022's full top 100 rundown: DIEGO WORLD CLASS TOP 100 AUSTRALIAN BARTENDERS FOR 2022: NEW SOUTH WALES: Alex Gondzioulis, The Rover Behzad Vaziri, The Star Elisa Rodgrigues, Paloma Wine Bar Hunter Gregory, Maybe Sammy Matthew Dale, Re Ryan Bickley, Cantina OK Siôn Roberts, Re Storm Evans, Cantina OK Sanghyun Park, Will's Wen Wang, Maybe Sammy Albert Rust, Eileen's Bar - Four Pillars Andrew McCorquodale, Charlie Parker's Beaux Donelan, Charlie Parker's Ashley Miller, Blue Kahunas Ben Hardy, Bar Planet Brianna Aboud, Ramblin' Rascal Tavern Chloe Natterer, The Lobo Claudio Bedini, Sammy Junior Daniel Hilton, The Lobo Eduardo Conde, NO 92 GPR Dominic Causley-Todd, Dead Ringer Emma Bernardi, Bar Planet Eoin Kenny, Long Chim Hamish Mitchell, Charlie Parker's Harrison Kenney, Bar Planet Helen Yu, The Lobo James Russell, Apollonia Jenna Hemsworth, The Gidley Koby Harris, Dean and Nancy on 22 Krisztian Csigo, Dean and Nancy on 22 Sara Rinaldo, Dean and Nancy on 22 Sarah Proietti, Maybe Sammy Judith Zhu, KittyHawk Kalisha Glover, Apollonia Kat Scibiorski, Long Chim Kate Gale-Re, The Gidley Michal Wowak, The Gidley Kiaran Bryant, Earl's Juke Joint Liam Gavin, Door Knock Marco Rosati, Grain Bar Samuel McWilliams, The Lobo Thomas Opie, Births and Deaths VICTORIA: Aiden Rodriquez, EDV Melbourne Alejandro Archibald, NOMAD Melbourne Kane Smith, Nick and Nora's Melbourne Darren Leaney, Aru Cameron Parish, Gimlet Elisabetta Luppi, LUI Bar Francesca Camilli, Beneath Driver's Lane James Armstrong, The Cloakroom Bar Josephe Kourmouzis, Above Board Julien Wurtlin, LUI Bar Kayla Saito, Black Pearl Nicola Dean, Black Pearl Max Allison, Good Measure Miriam Wahlhütter, LOVER Nick Tesar, Bar Liberty Olivia Devlin, Capitano Tioni Naslund, LUI Bar Taylor Matthews, Frederic Tom McHugh, Hazel Restaurant QUEENSLAND: Dino Francia, Rosella's Bar Jack Connor, Rosella's Bar Aidan Perkins, Agnes Restaurant Daniella Darakis, The Gresham Edward Quartermass, Maker Ellery Low, Maker Jamie Fleming, Alba Bar & Deli Jenny Wang, Sono Japanese Restaurant Joe Steadman, Alba Bar & Deli Kate Bartlett, Cobbler Bar Liam Murphy, Frogs Hollow Saloon Liam Shepherd, Bar Brutus Martin McConnell, Frogs Hollow Saloon Peter Hollands, Frogs Hollow Saloon WESTERN AUSTRALIA: Dyllan Balm, Foxtrot Unicorn Max Guidice, Republic of Fremantle Nicola Herbert, Foxtrot Unicorn Shirley Yeung, Foxtrot Unicorn Samuel Cocks, Bar Rogue SOUTH AUSTRALIA: Al Simmons, Maybe Mae Alfonso Lizana, Maybe Mae Anabel Rowe, Long Story Short Georgia Edmonds, Maybe Mae Grace Rawlins, Memphis Slim's House of Blues Jack Somers, Memphis Slim's House of Blues Talis Heggart, Memphis Slim's House of Blues Michael Keogh, Memphis Slim's House of Blues Lachlan Gunner, Long Story Short Oscar Butler, Maybe Mae TASMANIA: Rachel Mynczywor, Rude Boy Rohan Massie, Rude Boy Hobart Jack Turner, Void Bar at Mona Mateo Ortiz, The Den Salamanca NORTHERN TERRITORY: Anneliese Grazioli, Hanky Panky Lounge Katerina Kosta, Hanky Panky Lounge Matt Zarimis, Smoke and Oak Darwin ACT: Cameron Abercrombie, Zaab Street Food Jack Sandeman, Zaab Street Food Liv Kelly, Bar Rochford For more information about Diego World Class, head to the competition's website. Top image: Maybe Sammy, Paolo Maffietti.
Heading out of the house for a drink, meal, coffee or night away isn't just about getting away from home. As the past two years have reinforced, it's also about soaking in gorgeous surroundings. You can get sipping and snacking anywhere, but when you're doing so in a spot that truly stands out (and not just because it isn't your own kitchen or dining room), it makes the experience all the more special. The Eat Drink Design Awards clearly agree, devoting its annual hospitality design accolades to Australia's most stunning spots — places where chefs, signature dishes, creative cocktails, stellar coffee and comfortable beds aren't the only attractions. Surveying the past year's haul of breathtaking places, the 2021 list of winners is characteristically filled with eye-catching charmers, spanning locations all around the country. Melburnians, your city is now home to the Best Bar Design recipient, with IF Architecture's work on Little Prince Wine earning the nod. The wine bar beneath St Kilda's Prince Hotel off Acland Street scored plaudits for its intimate space, its blend of the old and the new, and its eye for detail — including its fibreglass champagne tub, mirrored specials board and art deco-inspired light fittings. And, it also picked up the Best Retail Design gong for its cheese, cold cuts, wine and dry goods counter. [caption id="attachment_836689" align="alignnone" width="1920"] Little Prince Wine by Sharyn Cairns[/caption] The Best Restaurant Design field was so competitive, two winners were picked — which is great news for Sydneysiders and Brisbanites alike. Parramatta Square's Ciccia Bella, designed by Fiona Lynch Interior Design, got some love for its use of materials — with a particular shout out for its unexpected textures — while Fortitude Valley's Agnes, as designed by Amok, was rewarded for turning a late 19th-century warehouse into a haven for wood-fired food. Brisbane also emerged victorious in the Best Cafe Design category, thanks to Industry Beans Newstead and its light, airy coffee-slinging space. Designed by Platform by DesignOffice, the judges called it "the quintessential Queensland daytime eatery". And, if you're looking for a sumptuous place to stay, add Hilton Melbourne Little Queen Street to your list. Thanks to its combination of a new 16-storey tower and the heritage Equity Chambers building, as well as its restaurant Luci and cocktail bar The Douglas Club, it's this year's Best Hotel Design winner. [caption id="attachment_787549" align="alignnone" width="1920"] Ciccia Bella Parramatta by Nikki To[/caption] The 2021 Eat Drink Design Awards also named the 2020 NGV Triennial's outdoor pavilions by Board Grove Architects the Best Installation Design, and Melbourne restaurant Hazel the winner of this year's Best Identity Design gong. For its Hall of Fame Award, Bill's Darlinghurst — designed by Brian Kiernan, with later additions by Tyrone Dearing and Meacham Nockles — got the nod. This year's Eat Drink Design Awards also named commendations in various categories. Among the venues also receiving some praise: Redfern's Atomic Beer Project and Freshwater's Harbord Hotel in Sydney; Richmond's Midi and Piccolina Hardware Lane in Melbourne; and McLaren Vale's Never Never Distillery in South Australia. [caption id="attachment_836686" align="alignnone" width="1920"] NGV Triennial 2020 Outdoor Pavilions by Rory Gardiner[/caption] 2021 EAT DRINK DESIGN AWARD WINNERS Best Restaurant Design: CicciaBella by Fiona Lynch Interior Design (Parramatta, New South Wales) and Agnes by Amok (Fortitude Valley, Queensland) Best Cafe Design: Industry Beans Brisbane by Platform by DesignOffice (Newstead, Queensland) Best Bar Design: Little Prince Wine by IF Architecture (St Kilda, Victoria) Best Hotel Design: Hilton Melbourne Little Queen Street by Bates Smart (Melbourne, Victoria) Best Installation Design: NGV Triennial 2020 Outdoor Pavilions by BoardGrove Architects (Melbourne, Victoria) Best Retail Design: Little Prince Wine by IF Architecture (St Kilda, Victoria) Best Identity Design: Hazel by One&Other (Melbourne, Victoria) Hall of Fame: Bill's Darlinghurst by Brian Kiernan with later additions by Tyrone Dearing & Meacham Nockles (Darlinghurst New South Wales) For the full list of winners and commendations, head to the Eat Drink Design website. Top images: Industry Beans Brisbane by Andy Macpherson, Hilton Melbourne Little Queen Street by Sean Fennessy, Agnes by Cathy Schusler and Little Prince Wine by Sharyn Cairns.
The Sydney Opera House's groundbreaking Festival of Dangerous Ideas is being replaced in 2017 by ANTIDOTE, a new festival that will not only explore ideas and art — but how we can turn them into action and positive change. The new festival will take place at the Opera House over the weekend of Saturday, September 2 and Sunday, September 3. ANTIDOTE is a replacement for the eight-year-old FoDI, taking it to the next level by celebrating artists, thinkers and doers who have spearheaded change with a program of immersive performances, speeches and workshops. Curated by Danielle Harvey (who was also behind last year's inaugural Bingefest), the new festival responds to the time we live in. Featured in the inaugural program is a performance of Cherophobia by Noëmi Lakmaier, which wowed onlookers in London earlier this year. In the performance, Lakmaier is lifted by 20,000 party balloons over nine hours. The experimental artwork aims to unite the audience in shared suspense while exploring the conflicting emotions of control, desire and restraint. Other international heavyweights include transgender rights activist Janet Mock and the satirists behind The Onion, along with Tamika D. Mallory (national co-chair of the Women's March on Washington) and Reni Eddo-Lodge (author of Why I'm No Longer Talking to White People about Race). The festival also features local change makers such as Indigenous figures Uncle Jack Charles and Archie Roach, as well as LGBTQI+ rights activist Julie McCrossin (Sydney Gay and Lesbian Mardi Gras '78er), and blogger Celeste Liddle (Rantings of an Aboriginal Feminist). A focus on interactive performances will immerse the audiences throughout the two-day festival — these will include sketches by UK interactive theatre groups Kaleider and Blank Placard Dance, as well as a performance by choreographer Anne Collod, who will revisit Anna Halprin's legendary dance movement that took place in 1950s–80s San Francisco. ANTIDOTE is about fostering hope and change in a time when a lot of us are angry and anxious about what's happening in the world. If you want some action point, tickets go on sale at 9am on Thursday, July 6 and free registrations for Cherophobia open at 9am today. ANTIDOTE will take place at the Sydney Opera House from Saturday, September 2 through Sunday, September 3. Tickets start at $25 and the full program is available through the festival website. Image: Cherophobia, Noemi Lakmaier, shot by Grace Gelde.
Falls Festival might be gearing up to celebrate a quarter-century, but it feels a bit like we're the ones getting the birthday presents instead. Helping to ring in the art and music festival's 25th year is a pretty buzzworthy gang of musical mates, headlined by Australia's own wunderkind Flume, as he returns to the Falls stage for the first time since wooing the Lorne crowds in 2012. He's joined on the bill by international names like Seattle-based Grammy nominees Fleet Foxes (who were here earlier in the year for Sydney Festival), Oxford four-piece Glass Animals (who were also just here for Laneway), Californian indie-pop darlings Foster The People and The Kooks, who'll be celebrating a milestone of their own, having clocked up ten years since their debut album. If you've had your ear to the ground, you'll already know the part about Oasis frontman Liam Gallagher dropping in for his first-ever Aussie headline shows. True to form, the Falls 2017 local lineup is equally exciting, and every bit as broad. Homegrown acts hitting the stage include the party-ready Peking Duk, Brisbane rockers Dune Rats, Melbourne natives The Smith Street Band and Total Giovanni, and indie duo Angus & Julia Stone, off the back of their soon-to-launch album Snow. And it looks like you can start limbering up those vocal chords for a gutsy rendition of 'The Horses', with the legendary Daryl Braithwaite also slated for an appearance. As always, the tunes are backed by a colourful curation of art events, performances, pop-ups, markets, wellness sessions and gourmet eats. You can, however, say goodbye to the usual drink ticket situation, which has been ditched in favour of paywave and cash-enabled bars. It's all happening over New Years at the usual spots in Tassie's Marion Bay, Lorne in Victoria, and the North Byron Parklands, with WA's 2017 Falls Festival landing itself a new home within the Fremantle Oval precinct. But here's the full lineup. FALLS FESTIVAL 2017 LINEUP Flume (no sideshows) Fleet Foxes Run The Jewels The Kooks Glass Animals (no sideshows) Peking Duk Angus & Julia Stone Foster The People Liam Gallagher Vince Staples Jungle Dune Rats The Smith Street Band D.R.A.M Daryl Braithwaite Everything Everything Allday The Jungle Giants Thundamentals Methyl Ethel Slumberjack D.d Dumbo Anna Lunoe Dz Deathrays Confidence Man Julia Jacklin Bad//dreems Cosmo's Midnight Winston Surfshirt Luca Brasi Alex Lahey Camp Cope Flint Eastwood Ecca Vandal Dave Total Giovanni + More to be announced
Let's face it, for most of us the number one reason to go on holiday is, well, to eat. And when we travel, we want to know the best of the best to maximise our often limited time in a city. This is especially true in Adelaide, which, though small, is packed with cafes, eateries, bars and restaurants, some of which are easily the best in the country. We're bringing you the top five foodie experiences in Adelaide so you can live it up with the limited time you'll likely have. NATIVE AUSTRALIAN FARE AT RESTAURANT BLACKWOOD While Restaurant Blackwood's big sister, Orana, is perhaps the most renowned restaurant in Adelaide, its downstairs sister is, in our opinion, just as impressive. Both restaurants focus on using native Australian ingredients in ways you've probably never see before — think saltbush crisps and kangaroo puffs to start. The smoked pumpkin ($19), served with wild spinach and fresh goats cheese, reinvents the way you think about simple veg, while the creamy broth of the Goolwa cockles ($35) demands extra bread for dipping purposes. As in Orana, the ingredients are bush-foraged and fresh as can be. Blackwood may not be laid back, but it is relatively casual compared with Orana and is an ideal start to a night exploring the bustling Rundle Street. BLOOD ORANGE MARGARITA AT PINK MOON SALOON Pink Moon Saloon is possibly the coolest looking bar in the city — located in the site of a former service laneway, the space best resembles a log cabin set in between two tall city buildings. Just in October 2016, the team won Best Bar Australia/Pacific at the London Restaurant and Bar Design Awards. The space is well matched for Adelaide's blooming small bar scene and, while the vibe itself is worth the visit alone, the cocktail are where it's at. The menu is inventive and playful — think a spiced wine sour and a tangelo ginger julep ($18 each). Our favourite is by far the blood orange margarita ($19). The perfect tangy-sweet combination, the drink is miles away from the classic and yet is still reminiscent of the Mexican mainstay. If you're peckish, the food menu is also well designed for drink-induced nibbling. Try the barbecue pork belly in a lettuce cup or smoked trout on cuttlefish ink toast ($8 each) to keep the hangover at bay. [caption id="attachment_584445" align="alignnone" width="1280"] Lucas Richarz.[/caption] DIY PLOUGHMAN'S LUNCH AT CENTRAL MARKET Adelaide's Central Market is quintessential to the city's food scene and is very much the root cause of why Adelaide became such a foodie haven to begin with. Opened in 1869, the 'old world' market still draws such a demand that it's still boasting a 29-vendor waiting list. Central Market even houses the oldest pizza joint in town — Lucia's, opened over 50 years ago and a true Adelaide institution. The market acts as melting pot of cuisines, from Latvian to Korean and everything in between, making it the perfect spot to DIY a top-notch ploughman's. First, head to Barossa Fine Foods for your free-range, ethically sourced meat component. Next, hit up Say Cheese, which has been around for 20 years and is, as the name suggests, dedicated to all things cheese. While they have an impressive international selection, go for the local — when in Rome, after all. They also have plenty of locally-made smallgoods to accompany your ploughman's. Finally, check the Wild Loaf for freshly baked sourdough, find a seat and dig in. ECO-CONSCIOUS BRUNCH AT CAFE TROPPO The leafy Cafe Troppo is set in an airy eco-building and they've taken such planet-friendly design as their mantra — spanning from the mismatched, crafty tableware to the eco-friendly cleaning products and locally sourced produce. The building itself looks like a grounded treehouse and the menu is seasonal, using the maximum amount of South Australian ingredients. Dishes include a poached pear toastie with ricotta, honey and walnuts ($9), along with a harvest bowl of fresh grilled veggies, organic feta and topped with a poached egg ($15). The coffee is also ethically sourced, fair-trade and organic, while the teas are single origin and hand-blended in the Barossa Valley. If you're after a boozy brunch, the two beer taps house local craft brews like Little Bang and Big Shed — two of the best in the region. COLD PRESSED JUICE FROM THE TAP AT THE MARKET SHED The Market Shed is a gem among markets. Open on Sundays only, Adelaide's certified organic market has quickly gained much love since opening last November. While the stalls include vegan and organic waffles from Live a Little and woodfired pizza from Little Orange Arancini and Pizza Bar, the only way to start your trip among these exquisite stalls is at Juice Quest — situated right up front and boasting some seriously delicious, hangover-curing drinks, these cold-pressed juices will prepare you for all else that is in store. Even more epic is that they've just started kegging said juices and are poured straight from the tap going forward. Drink on, organic-loving friends. Drink on. Marissa Ciampi travelled as a guest of the Adelaide Beer and BBQ Festival.
Sydney WorldPride is now upon us and the Mardi Gras Parade is this weekend. If you've left your preparation to the last minute, we've enlisted the expertise of living legend Carlotta — a trans icon and cabaret performer who knows a thing or two about getting ready for a show. Carlotta is currently featured in a special Sydney WorldPride installation in the QVB which pays tribute to queer Australians who have made significant contributions to the LGBTQIA+ community. The QVB is temporarily rebranding from the Queen Victoria Building to reflect each of these contemporary queens with a set of fabulous portraits by photographer Dream Syndicator (pictured above). Carlotta is one of the queens in focus, along with queer activist Ken Davis (a member of the original Mardi Gras 78ers), Indigenous drag queen Felicia Foxx, Independent MP Alex Greenwich and Janine Middleton who, together, co-chaired Australian Equality and successfully fought for and helped achieve marriage equality in Australia. Fashion and costume has always played a role in self-expression for queer communities, and when it comes to dressing up Mardi Gras is one of the biggest nights of the year. So Carlotta shared a few tips for any Pride newcomers looking for a bit of a steer. Carlotta, what's the best way to mentally prepare for Pride? It's three weeks of (what seems to be) non-stop parties, so how does one survive? "To prepare for Pride you need to be organised, wear something you're comfortable in (for Carlotta this would now be wearing flat shoes) and make sure you're drinking lots of water." If you were going to Mardi Gras what would you be wearing? "If I were to be going to the celebrations I would be wearing a Camilla Kaftan because it's bright and colourful but also loose, flowy and comfortable. I'd also be wearing flat shoes because my feet are suffering now and I can't wear high heels like I used to." Where are some of the best places in Sydney to stock up on looks for Pride? For me it would be Camilla or House of Priscilla on Oxford Street (it has always been the best place). [caption id="attachment_892528" align="alignnone" width="1920"] Inside of House of Priscilla[/caption] How do you differentiate your day-to-day style versus your on-stage style? - Is your on-stage self an extension of your day-to-day or is it a completely new persona? "My day-to-day persona and on-stage persona are two completely different aspects. Day-to-day I wear more loose and flowy clothing, and on stage I'm more extravagant with lots of sequins and feathers." How do you think fashion plays a role within the queer community in general? Fashion plays a role in the queer community but all the fashion choices and styles are completely different. People can wear what they want to wear and that's what it's all about. What have been your favourite Mardi Gras/Pride looks to date? I've always loved everything I've worn. My favourite look I've ever done is when I did Priscilla Queen Of The Desert — I wore a big white coat and feather collar. Why do you think dressing up is such an important aspect of Pride? It's the excitement of the celebrations in the community. Everyone gets to me themselves and uses their outfits as self expression. For more inspiration for how to make the most of this once-in-a-lifetime celebration head to our events guide on the best of Sydney WorldPride.
Catharsis is crucial in filmmaking, as Jon Favreau (Iron Man) clearly knows. The writer, director and star emerges from big-budget cinema to return to the smaller side of Hollywood, seemingly purging his demons and addressing his disappointments in the process. In Chef, Carl Casper (Favreau) has toiled from humble beginnings to become Los Angeles' premier culinary artist, but a decade working for a profit-focused restaurateur (Dustin Hoffman) sees his menus branded safe, not daring. A scathing review by a prominent food blogger (Oliver Platt) calls out his creative malaise, swirling into a storm of negative press and social media that ushers him out of a job. At first, Carl resists the encouragement of his ex-wife (Sofia Vergara) to start his own food van. Soon, he's rediscovering his passion for cooking and reconnecting with his ten-year-old son, Percy (Emjay Anthony), in a road trip across the continent. https://youtube.com/watch?v=PZ6e51-ie7w Favreau's offering proves appetising in the undemanding manner of the food trucks it covets — and repeatedly invites the comparison. Fine ingredients abound, including finessed visuals of enticing meals on par with the best food-centric efforts; however, poise and polish are swapped for a handmade feel and celebratory outcome. Chef (Film © Sous Chef, LLC. All Rights Reserved) is out on Blu-ray, DVD and Digital with Ultraviolet on September 4, and thanks to Universal Sony Pictures Home Entertainment and the release of Chef, you could win one of two Bodum EILEEN coffee press pack to deck out your kitchen. Included are: 1x Bodum 8 Cup Coffee Press 2x Bodum Pavina Glasses 1x Bodum Travel Press 1x Bodum Battery Operated Milk Frother 1x Bodum Vacum Travel Press 1x copy of Chef on DVD In addition, ten runners up will get copies of the Chef DVD. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our full review of the movie here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
By the time that March 2025 is out, Australians will have a new streaming service vying for their eyeballs. As rumoured since 2024, confirmed the same year and given an exact launch date earlier this year, Warner Bros Discovery's Max platform is launching locally on Monday, March 31. As that date approaches, more details have arrived regarding what'll be on offer, as well as pricing and plans, if you're keen to sign up to the new Aussie home of HBO's shows. As already revealed, you'll want to subscribe if you're a The Last of Us fan — that's where you'll be watching the hit game-to-screen series' second season when it debuts on Monday, April 14. Max will also boast other HBO Originals, returning, new and old alike, such as The White Lotus; House of the Dragon, A Knight of the Seven Kingdoms and any other Game of Thrones spinoffs; Euphoria; upcoming IT prequel series Welcome to Derry; and everything from True Detective,The Sopranos, Six Feet Under, The Wire, Oz, Deadwood, Big Love, True Blood, Big Little Lies and Westworld through to Succession, The Larry Sanders Show, Sex and the City, Flight of the Conchords, Bored to Death, Girls, Veep, Barry and Enlightened. The platform's own Max Originals — so made for it, rather than for HBO — include And Just Like That...,, Peacemaker and The Pitt, while the Warner Bros television library also spans Friends, Rick and Morty, Gilmore Girls, Gossip Girl and more. Adventure Time, Looney Tunes and Scooby Doo are among the cartoon names hitting the service. Plus, content TV networks Discovery, Cartoon Network, TLC, Food Network, ID and HGTV are also on their way to the platform. If you're a film fan, get excited about access to recent cinema releases at home, as well as classic fare. Alongside boasting movies from Warner Bros Pictures from the past few years, such as Barbie, Wonka, Trap, Beetlejuice, Beetlejuice and Twisters — and also big franchises like The Lord of the Rings, Dune, the DC Universe and Harry Potter — Max will screen blockbusters fast-tracked from their silver-screen dates. And, the service will feature a TCM hub, which is where all-time greats such as Casablanca, The Wizard of Oz, A Clockwork Orange, Full Metal Jacket and Rebel Without a Cause will be available. As for plans and pricing, there's three of the former — starting with a basic package that includes ads, then offering standard and premium options. The first spans full HD resolution and two devices streaming simultaneously, as does the second, with the latter also including 30 downloads to watch offline. Opt for premium and 4K resolution plus Dolby Atmos sound are featured, if they're available per title; four devices can stream simultaneously; and the downloads go up to 100. As a launch special until Wednesday, April 30, 2025, the basic with ads plan is available for $7.99 per month for the first 12 months or $79.99 for the first year (or $11.99 per month/$119.99 per year from Thursday, May 1, 2025). The standard plan special is $11.99 per month for the first 12 months or $119.99 for the first year ($15.99 per month/$159.99 per year afterwards), while premium is available for $17.99 per month for the first 12 months or $179.99 for the first year (or $21.99 per month/$219.99 per year afterwards). While the great streaming service rush, when new platforms seemed to appear every few weeks or so, is a few years in the past, HBO bringing Max to Australia remains huge news. At present, the US network's shows largely screen and stream to Aussie viewers via Binge and Foxtel. When the former launched, boasting HBO's catalogue was one of its big selling points. The deal between Binge, Foxtel and Warner Bros Discovery — which owns HBO — was extended in 2023, but it was reported at the time, accurately so it proves, that Max might debut in Australia from 2025. Max will be available direct to consumers via its website and app stores — you'll sign up for it by itself — for viewing via mobile, tablet, gaming consoles and connected TV, but it will still keep a connection with Foxtel. If you subscribe to the pay-TV service, you'll get access to the Max app without paying extra. Max launches in Australia on Monday, March 31, 2025 — head to the streaming service's website for more details.
It's a hidden gem usually reserved for hotel guests, but come January 19, the sun-drenched rooftop pool above Holiday Inn Melbourne on Flinders will open to the public for a one-off summer splash session. Kicking off at noon, the hotel's sky-high astroturfed terrace and adjoining pool will play host to the sort of classic Aussie pool party you don't often find in the heart of the CBD. Punters will be able to switch between taking dips and lounging in the sun, while enjoying free-flowing beer, wine, cider and soft drinks, all included in the ticket price. A sausage sizzle will be doling out yet more pool party staples, while the soundtrack's set to feature a fun-loving mix of classic summer jams and new favourites. Best of all, a ticket to the two-hour rooftop party will set you back just $40.
Less than two weeks after being released from the state's current lockdown — a lockdown that has been extended in Greater Melbourne until at least 11.59pm on Thursday, September 2 — regional Victoria is going back under stay-at-home conditions. From 1pm today, Saturday, August 21, the rest of the state will join the Victorian capital in lockdown. At present, regional areas will be under stay-at-home rules until 11.59pm on Thursday, September 2 as well. Announcing the news at Victoria's daily COVID-19 press conference, Premier Daniel Andrews said that "sadly the public health team have advised that given the Shepparton outbreak and the fact that at least one person travelled to Bendigo and potentially others travelled beyond, there is a very significant risk of transmission right across regional Victoria and not just in that Goulburn Valley area." Accordingly, "from 1pm today, all of regional Victoria will move to the same lockdown conditions as exist in Melbourne right now, with one important exception — the curfew will not operate in regional Victoria." The move comes after Victoria reported 61 new locally acquired cases in the 24 hours to midnight last night, and has already identified 16 more cases that'll be included in tomorrow's numbers. To keep Victorians safe, and on the advice of the Chief Health Officer, from 1pm today Regional Victoria will enter lockdown and additional measures will come into effect in Metro Melbourne. pic.twitter.com/YY6oeOGHYA — Dan Andrews (@DanielAndrewsMP) August 21, 2021 Regional Victoria has been in and out of lockdown over the past few months, including not only at the beginning of Melbourne's current lockdown in early August but also during the state's July lockdown as well. As a result, the stay-at-home rules should be familiar to folks who live in regional parts of the state, including the return of the five permitted reasons to leave your home: to shop for what you need, when you need it; for caregiving and compassionate reasons; to undertake essential work or permitted eduction that can't be done from home; for exercise; and to get vaccinated against COVID-19. Once again, regional Victorians must stay within five kilometres of their homes, too, unless you're leaving for permitted work or you're shopping for essentials if there are no shops in your radius. During the period that Melbourne remained in lockdown but regional Victoria didn't, some lockdown rules were tightened, and all of these restrictions except the overnight curfew will also apply throughout the rest of the state from 1pm today. That means that exercise must be limited to two hours a day with one other person, plus any dependents you both have, even if you live in a larger household. Also, playgrounds, basketball hoops, skate parks and outdoor exercise equipment are now required to close as well. Plus, authorised work permits will be reimplemented in regional Victoria, effective from 11.59pm on Monday, August 23. So, if you need to leave your home for authorised work, you have to get a permit to do so. Reported yesterday: 61 new local cases and 0 new cases acquired overseas. - 29,539 vaccine doses were administered - 45,670 test results were received More later: https://t.co/lIUrl1hf3W#COVID19Vic #COVID19VicData [1/3] pic.twitter.com/cF6VGG7VKR — VicGovDH (@VicGovDH) August 20, 2021 Masks are required everywhere outside of your house, and you now can't take them off to drink alcohol outdoors. Private gatherings remain banned, just like during regional Victoria's last lockdown, and so are public gatherings. But, while you can't have any visitors enter your home in general, there are single bubbles, and intimate partner visits are allowed. So, if you live alone, you can form a bubble with another person or see your other half. Weddings are not permitted, unless on compassionate grounds, while funerals are limited to ten. Hairdressing and beauty services, indoor physical recreation and sport venues, swimming pools, community facilities including libraries, entertainment venues and non-essential retail venues will all close again — and hospitality venues will once again revert back to takeaway-only. Supermarkets, bottle shops and pharmacies will remain open — and professional sports can proceed, but without crowds. All of the current stay-at-home rules also remain in effect in Melbourne, obviously. As always, Victorians can keep an eye on the local list of exposure sites at the Department of Health website — it will keep being updated if and when more sites are identified. For those looking to get tested, you can find a list of testing sites including regularly updated waiting times also on the Department of Health website. And, has remained the case throughout the pandemic, Victorians should be looking out for coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste, symptoms-wise. Regional Victoria will go back into lockdown from 1pm on Saturday, August 21 until at least 11.59pm on Thursday, September 2. For more information about the rules that'll be in place during that time, head to the Victorian Department of Health website. Top image: Mattinbgn via Wikimedia Commons.
Here's something that no one thought about before the pandemic: checking whether the border between Victoria and New South Wales was open or closed. Restrictions on travel between Australian states have been a big part of the past two years, as we've all had to live with. But overnight — from 11.59pm on Thursday, November 4, in fact — Victoria fully reopened to NSW. The change means that all of NSW is now classed as a green zone under Victoria's traffic light-style border permit system, allowing all NSW residents to head south without quarantining or testing. That applies to both travellers and workers, and marks the first time in more than six months that Victoria has deemed the whole of Australia — every Local Government Area within the country, in fact — as green zones. You do still need to get a permit under Victoria's border system, however, and you have to verify that you aren't COVID-19 positive — and that you aren't currently considered a close contact of a positive case and therefore required to isolate. But other than that, the border is open. And, it applies to everyone, whether or not you've had both jabs. That said, Victoria does have different rules in place for the unvaxxed under its reopening roadmap, which visitors will need to abide by. So, those who haven't had two vaccinations will be under much stricter conditions while in the southern state. BREAKING: the NSW-Vic border opens tonight at 11:59, allowing free travel between Australia's two biggest states well ahead of the Christmas period. #Reunited pic.twitter.com/MY5xhkqO7B — Dom Perrottet (@Dom_Perrottet) November 4, 2021 For the trip vice versa, NSW is allowing free travel to Victorians, but only if they've had two jabs. If you fall into that category, there are no other requirements for entering New South Wales unless you've recently been to a venue deemed "of high concern" in Victoria. Otherwise, if you're over the age of 16 and you aren't double-vaxxed, you still can't enter NSW for recreation. The border change comes just days after NSW dropped its quarantine requirements for double-vaxxed Victorian travellers, on Monday, November 1, and a couple of weeks after Victoria did the reverse. And yes, the summer of 2021–22 is shaping up to be the summer of travel, as Australia's borders start to reopen. That's now applying internationally, much to the delight of everyone who has long been dreaming of an overseas holiday. And, albeit at different stages as Aussie states open up at their own rates, it's kicking in domestically as well — with Queensland, Tasmania and South Australia recently announcing when they'll reopen their borders, too. For more information about the status of COVID-19 in NSW, head to the NSW Health website. For more information about the status of COVID-19 in Victoria, head over to the Victorian Government's website. Top image: Mulwala Bridge by Yun Huang Yong via Flickr.
If seafood and wine is your idea of a perfect culinary pairing, then drop by South Melbourne's Lamaro's Hotel on Mondays to enjoy as many mussels as you can stomach for $30. The stuff-your-face food event may not be a Harry Potter or Willy Wonka-themed brunch, but hot and fresh mussels is a pretty great way to help cure the start-of-week blues. The Cecil Street pub is piling plates high with steamed Spring Bay mussels every Monday from 12pm. And you can keep ordering (endlessly) until you're full. Well, until the kitchen closes. But 12 hours should be more than enough time for you to get your mollusc fix. The endless molluscs are available for $30, which also includes a pot of beer or a glass of house wine. If you like cheap things, you'll be happy to know Lamaro's also does $5 rosé all day on Wednesday, burgers and pots for $20 on Tuesdays and steak and shiraz for $30 on Thursday.
Biannual art and design markets The Finders Keepers is returning for its spring/summer iteration, bringing shoppers the latest and greatest from its stellar lineup of Australia's most creative makers. The Naarm edition is taking over Royal Exhibition Building from Friday, October 13–Sunday, October 15. Joining the reliable roster filled with hundreds of stalls is a tasty range of food and beverage offerings — all the makings of a prime day to get out, have a chat with artists and support the industry. At the core of the conscious shopping space is a focus on helping you discover and connect with the next wave of Victorian-based emerging artisans and designers. So, you can expect to find everything from jewellery, fashion and ceramics to leather goods and body products. Don't miss the return of the Finders Keepers Indigenous Program, which will be shining a spotlight on First Nations stallholders. As well as nabbing a ticket to enter — which is just $6 for daily general admission — be sure to remember that the market is completely cashless. So check (then check again) that you've got your digital or plastic payment methods at the ready — it would be a travesty to leave the market empty handed. Images: Samee Lapham.
If you've been making plans to revamp your style, but haven't been able to rustle up the coin, here's your chance. For five days, Hugo Boss will be hosting a mega sale at its outlet stores. You'll be able to score 50 percent off a massive range of premium clothing — from comfy t-shirts and soft sweaters to suave suits and women's dresses. Hello, EOFY cash splash. Whether you're after a suit for a special occasion or looking to prep your spring wardrobe early, Hugo Boss's mid-year outlet sale will have you sorted for a fraction of the fashion label's usual prices. You'll have to get in quick to score though, with the sale only running from Wednesday, June 26 to Sunday, June 30. In Melbourne, you can head to the BOSS Outlet in Preston and DFO Essendon to get these quality threads for such a steal. Opening hours at the Preston outlet are Wednesday–Friday, 10am–6pm; Saturday, 10am–5pm; and Sunday, 11am–5pm. At DFO Essendon, the Hugo Boss outlet is open from 10am–6pm daily. Hugo Boss mid-year outlet sale will run from Wednesday, June 26 to Sunday, June 30. To find your closest outlet, visit the website.
Hawthorn has some good foodie finds. Ocha, Axil and Porgie & Mr Jones all come to mind, and now the inner-east suburb can add healthy seafood to that list with the arrival of the newest Hooked location. Located on a bustling Glenferrie Road where school uniforms and expensive yoga pants are a plenty, we think the wholesome, fresh and seriously tasty seafood offering is going to go down a treat. Ray Good is the man behind the three Hooked locations – Brunswick, Windsor, and now Hawthorn — and he hasn't always been a man of the kitchen. He used to spin records as DJ Sugarray before turning his love of traditional British fish and chips into something we can all enjoy. The venue is going hard into the maritime theme with woods, white paints, neon anchors and sea creatures painted on the walls. It fits with the menu, of which a majority is seafood — damn good seafood, at that. Don't be surprised if it's some of the freshest tasting fish you've had in a while. You can go for house fish, with a light tempura batter with chips or rice and Asian greens ($12.95), or for something a little lighter go for the grilled calamari with salad — either Asian slaw, house salad or a superfood salad ($15.95). Although, we'd be lying if we said the salt and pepper calamari is anything but wonderful. For something a little different try the seared tuna burger with black and white sesame seeds, Roma tomato, iceberg lettuce, sweet pickled onion and wasabi mayo ($12.95), or the grilled prawn taco soft with slaw, pico de gallo, guacamole and Hooked's secret sauce ($5.95). For the whole hog, so to speak, get the Box for Two — two pieces of house fish, eight pieces of calamari, two king prawns, and chips ($35.95). The chips are impressive in their own right: twice cooked, crispy and salty, fresh little bites of joy. Don't expect any frozen shenanigans here. For an affordable, fun and fresh seafood offering, we can't really fault what Hooked are doing.
If someone was to ask you to imagine a dinosaur, and to picture one type only, it's likely that the Tyrannosaurus rex would come to mind. The towering ancient creature is just that fascinating to kids and adults alike, and not solely because it's rarely far from screens. Head to any museum with a T. rex fossil on display and you'll be surrounded by crowds, whether or not they've seen King Kong, a Jurassic Park movie or Night at the Museum. Head to Melbourne Museum from Friday, June 28–Sunday, October 20, 2024 in particular and expect to have plenty of company, then. Thanks to the Victoria the T. rex exhibition, that's when the fossil of Tyrannosaurus rex Victoria will make its Australian debut in the state with the absolute best name for the occasion. The specimen dates back 66 million years, and is one of the world's largest and most complete T. rex skeletons. Showing exclusively at Melbourne Museum, it's also marks the first time that a real T. rex has ever been on display in Victoria. How big is big? Found in South Dakota in 2013, Victoria is comprised of 199 bones, including a skull that weighs 139 kilograms. The fossil reaches 12 metres in length and 3.6 metres in height. And, because the skull is so heavy, it has to be displayed separately as it can't be mounted upon Victoria's body. Victoria the T. rex will also feature interactive elements, such as multi-sensory installations that'll let you experience how the Tyrannosaurus rex saw and smelled, plus dioramas and a section where you can make your own customised 3D T. rex. Welcome to... the cretaceous period, then. The informative side of the showcase will step through recent palaeontological findings, so that you'll get an idea of what Victoria's life was like all that time ago — and also find out what brought about her end. If that's not enough dino action to make you feel like David Attenborough — or his brother Richard in Jurassic Park and The Lost World — Victoria the T. rex will display alongside Triceratops: Fate of the Dinosaurs, which has been open at Melbourne Museum since 2022. The latter permanently features Horridus, the world's most complete Triceratops fossil, and entry to both exhibitions is included in one ticket. At IMAX Melbourne, 45-minute documentary T.REX 3D will also be showing — complete with footage of Horridus — from Friday, June 21. "Victoria the T. rex will see visitors from near and far enthralled by this real-life wonder alongside another marvel from the cretaceous: the world's most complete Triceratops fossil Horridus, whose permanent home is right here at Melbourne Museum," said CEO and Director of Museums Victoria Lynley Crosswell. "'Melbourne Museum will be the only place on Earth where, for a limited time, visitors can come face-to-face with two of the biggest and best real dinosaurs who once walked the planet." Victoria the T. rex will be on display from Friday, June 28–Sunday, October 20, 2024 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the museum's website for tickets from Wednesday, April 10, as well as further information. Images: Neon Global.
Yep, Pressed don't just do liquids — they do solid food too. As of just recently, they've added a few filling menu items that go hand-in-hand with their grab-and-go, nutrition-focused philosophy. If you swing by for breakfast, you can grab one of three mueslis with their date almond mylk, or a very pretty coconut granola parfait. For lunch, raw zucchini pasta comes with basil pesto, rocket and walnuts. As expected, presentation is immaculate with glass jars stopped with cork lids. You'll pay extra for the Pressed branding of course, but it's good, clean food your body will thank you for.
This article was written on Yuggera Country. If you'd like to send a physical letter that acknowledges that fact, now you can. Since the end of August this year, Gomeroi woman Rachael McPhail has been leading a campaign to get Australia Post to recognise First Nations place names — and this week, coinciding with NAIDOC Week, the government enterprise has released guidelines on how you can include traditional names when you're addressing letters and parcels. As McPhail outlined in the first post from her @place_names_in_addresses Instagram account on August 31, "every area in this country had an original place name, prior to being given its colonial town/city name, and I believe that it's important to acknowledge this". She explained that she had started including traditional place names when filling in her address in online orders, and noted that it's a small gesture with a meaningful impact. "Adding in the nation or country that you are on is something easy that all Aussies can do to be more inclusive of our Indigenous history. I would love for @auspost to make the original place name a standard part of address information in Australia, the same as your house number and postcode," she commented. Now, Australia Post have announced that Aussies can follow McPhail's lead — and advised how folks should go about it so that your mail is sorted properly by its electronic letter sorting technology. Whether you're including a traditional place name in the address field or the sender field, or both, you should write it directly underneath the recipient or sender's name. Then, below that, you should then include the street address, town or suburb. View this post on Instagram A post shared by Australia Post (@auspost) Following this format will ensure that the mailed item is delivered correctly, and without delay, all while acknowledging Australia's traditional owners. If you're now wondering where to find the appropriate First Nations place name — either for your own address, or for whoever you'd like to send a letter or package to — Australia Post recommends visiting the Australian Institute of Aboriginal and Torres Strait Islander Studies' map of Indigenous Australia on its website, Aboriginal and Torres Strait Islander Land Councils, or Cultural Centres in your local area. Speaking to the ABC about Australia Post's guidelines, McPhail said that she is also campaigning for a "comprehensive and accurate database of traditional place names that you can cross reference with post codes, but has been verified by elders in all the communities around Australia". For more information about Australia Post's addressing guidelines, visit its website. For further details about the campaign to get First Nations place names recognised by Australia Post, head to its Instagram feed.
Every year since 1987, when March rolls around, the Texan city of Austin becomes a hive of activity for fans of film, music, creativity, culture, technology and everything in-between. That's no longer the case in 2020, however, with this year's South By Southwest now cancelled for the first time in the event's 34-year history. In the same week that new Bond movie No Time to Die had its release date pushed back from April to November, the reason for SXSW's cancellation is obvious, with concerns mounting about the effect of the coronavirus COVID-19 — especially in such a busy, public, highly populated space as a large-scale, highly attended music and film fest. SXSW organisers scrapped the 2020 event after the City of Austin basically made the decision for them. "The City of Austin has cancelled the March dates for SXSW and SXSW EDU. SXSW will faithfully follow the City's directions," the festival announced in a statement. With SXSW 2020 due to take place next week from Friday, March 13–Sunday, March 22, speculation that the event wouldn't go ahead had been mounting over the past few days. In fact, a Change.org petition calling for the fest's cancellation due to the coronavirus outbreak received more than 55,000 signatures. Before the event was officially canned, plenty of high-profile parties had already dropped out of attending the festival — including Amazon, Netflix and Apple, all of whom had scrapped screenings of upcoming films and TV shows; music groups like Sony, Universal and Warner Music; and speakers and guests such as Trent Reznor, the Beastie Boys and Ozzy Osbourne. [caption id="attachment_764009" align="aligncenter" width="1920"] Shelley Hiam[/caption] SXSW's powers that be are currently exploring their options — to either reschedule this year's event, or provide a "virtual SXSW online experience". It's highly unlikely that this is the last time that COVID-19 will have this effect on the entertainment industry. Large swathes of cinemas have been temporarily shuttered in China, Iran, South Korea, Japan, Italy and France; theme parks have been closed in Shanghai, Hong Kong and Tokyo; and the latest Mission: Impossible movie shut down its production in Venice. Music tours have been cancelled throughout Asia, too, and plenty of questions hang over forthcoming events elsewhere in the world — such as Coachella in April and the Cannes Film Festival in May. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: David Brendan Hall.
Coachella's first 2023 weekend brought a heap of highs, including for folks livestreaming at home from around the world. Bad Bunny, BLACKPINK, the late addition of blink-182, a typically stunning set from electronic music legends The Chemical Brothers, none other than Blondie taking to the stage: they're just some of the week-one standouts. Now, it's time to do it all over again as week later, as the Indio, California music festival always does. This year, the event is streaming six stages across both weekends, and it has just dropped its set times after a tumultuous few days. First, the bad news: Frank Ocean is off the bill, dropping out after Coachella's first weekend. That said, everyone beaming in from their couches didn't see his week-one set either because it wasn't livestreamed. Neither was fellow high-profile star Björk's time in the desert. Now, the good news: blink-182 have moved to the Coachella stage to replace Ocean on Sunday, April 23's bill (which is Monday, April 24 Down Under), and there's a TBA slot after them. Variety is reporting that that time will be filled by Skrillex, Fred again.. and Four Tet, and the festival has also named the trio on Instagram — and noted they'll pop on the evening of Sunday, April 23 (again, Monday, 24 Down Under). View this post on Instagram A post shared by Coachella (@coachella) Whoever else ends up on the lineup as a late addition, you'll be able to make shapes at home while pretending you're at the real thing at the Empire Polo Club across Saturday, April 22–Monday, April 24 Australian and New Zealand time. Like last week, Bad Bunny is headlining the first night and BLACKPINK is doing the second, with The Chemical Brothers, Gorillaz, Blondie, Kaytranada, Pusha T and Idris Elba still on day one as well — and Calvin Harris, The Kid LAROI, ROSALÍA, Charlie XCX, boygenius, The Breeders and Underworld on day two. And on day three, there's Björk, Fisher, Porter Robinson, Gordo and Weyes Blood. Obviously, across the whole weekend there's more where they came from. View this post on Instagram A post shared by Coachella (@coachella) Coachella has been teaming up with YouTube for 11 years now. Earlier in 2023, the fest announced that it has locked in that arrangement till 2026. In-between this year's sets, YouTube will fill its feeds with more on-the-ground coverage, so you'll be able to scope out the art and installations around the fest, head behind the scenes, see how the acts get partying before the hit the stage and more. Bookmark Coachella's YouTube channel ASAP — or hit it up below: Coachella's second weekend runs across April 21–23 at the Empire Polo Club in Indio, California. To watch the livestream, head to YouTube from 9am AEST on Saturday, April 22 Down Under.
SBS has launched their newest cooking program, The Chef's Line, employing a competition format that gives an inside look at how commercial kitchens really operate. The nightly program follows four amateur cooks and four professional chefs over the course of a week as they battle it out to prove who does it best. Every week, the show features four chefs from a particular restaurant, ranging from the apprentices and the chef de parties, to the sous chef and the head honcho. Each night, the contestants go head to head with one member of the chef's line, and the contestant with the least impressive dish is graciously shown the door. On Thursday nights, the last amateur standing unleashes their skills against the head chef. The dishes are judged blindly by Australian food icons Dan Hong, Mark Olive, and Melissa Leong, who take turns each night to either taste and decide the winner, or get about the kitchen, having a chat with the competitors. The week culminates with program host Maeve O'Meara heading to the restaurant in the spotlight for a behind-the-scenes peak at their chef's line in action. It's a pretty interesting twist on something viewers have seen plenty of lately — aka the contemporary cooking competition — as there's less emphasis placed on drama and things going wrong. Instead, The Chef's Line has the kind of vibe you'd expect when a few mates cook up some wicked food in the kitchen. With the relatively small number of contestants getting a complete refresh each week, there's no time to develop a narrative arc of intrigue and cutthroat competition, so the show relies on simply showing some home cooks making rad dishes while hanging out with chefs who make the same dishes for a living. Which, really, is what a cooking show is all about: good food and good people make for good watching. With a multicultural focus, the program brings a new cuisine to the fore every week, ensuring a swathe of various challenges as contestants aim for authentic, global dishes. Week one ran from April 3, championed Vietnamese cuisine, and took its chef's line from the guys behind Dandelion in Melbourne, as led by Geoff Lindsay. "It's a really wonderful way to celebrate diversity," said the program's creator, Chris Culvenor, calling the unique format a "celebration of the diversity of Australian food culture." The Chef's Line airs on weeknights on SBS at 6pm. If you're keen on the great dishes whipped up on the show, recipes will be made available from sbs.com.au/thechefsline.
For many Australian restaurants, February 14 represents the most pressurised nights of the year — when dining rooms are taken over by loved-up tables of two trying to impress. But next Valentine's Day, A Table to End Hunger will let food-loving couples skip at least one stressful part of the planning the evening, allowing them to skip the queue and score a VIP table at some of the country's most in-demand restaurants where bookings are usually snapped up days (or weeks) in advance. And they'll be donating to charity at the same time. Returning for its second year in 2017, the initiative is the work of The Hunger Project, an Aussie non-profit on a mission to end world hunger by the year 2030. The event offers punters the chance to bid on often hard to get Valentine's Day reservations, each with a meal for two and a bottle of wine. Participating restaurants include culinary hotspots like Ester, The Apollo and Cho Cho San in Sydney, Urbane and Ecco Bistro in Brisbane and Minimishima and Toko in Melbourne. A coveted dinner reservation and the chance to help fight poverty? Now that's what we call a V-Day win. As all proceeds generated through the A Table to End Hunger eBay bidding site go towards supporting The Hunger Project's global work, you can expect the bookings to go for a little more cash than usual — last year, someone bid $5k for one. The funds raised will help to empower people in Africa, India and Bangladesh to end their own hunger, helping to break the cycle of poverty and nudge communities towards self-reliance. Bidding for 'A Table To End Hunger' kicks off on January 23 here.
Get up close and personal with everything that makes you physically tick at a brand new exhibition at Melbourne Museum. Developed in partnership with two of Melbourne's leading medical research groups, Biomedical Breakthroughs: A New View of You will take ticketholders inside the human body, where they can wander through the circulatory system and lead an army of white blood cells in the fight against infection. Running from September 2 until February 3, the exhibition will explore the groundbreaking scientific work being done right here in our own backyard, while also asking visitors how well they know their physical selves. The museum has commissioned biomedical animator Drew Berry to create immersive cellular projections for the exhibition, which will also feature a number of interactive elements. Think Space Invaders on a microscopic scale.
The Sapphires is a feel-good, sparkle-spangled film uncovering the journey of four Aboriginal girls as they are plucked from a remote Australian mission and thrust onto the world stage performing for black US marines in Vietnam in 1968. The film was not only snapped up by The Weinstein Company for North American release before it even premiered at the Cannes Festival earlier this year, but it also received an impressive 10-minute standing ovation following its midnight screening at the festival. The Sapphires is an adaptation of the iconic stage musical of the same name, inspired by the true story of writer Tony Brigg's mother and three aunts. The charismatic quartet is played by AFI award-winning Deborah Mailman, who plays the protective mama-bear, Gail, newby Miranda Tapsell as the sassy sister Cynthia, Aussie pop sensation Jessica Mauboy portraying the feisty younger sister Julie, and Shari Sebbens as the estranged cousin, Kay, brought up with a white family in Melbourne as part of the stolen generation. The girls are spotted by Irish soul-lover Dave (Bridesmaids' Chris O'Dowd), who has a kind heart and an ear for raw talent. Under the condition that they switch from their beloved country western style to the toe-tapping beats of soul, Dave takes the four divas under his wing and secures them a spot on a tour performing for the Vietnam troops. The racial struggle and social upheaval of the heady days of the late '60s and the Vietnam War are largely overshadowed by exuberant songs, complete with Motown, Stax and Atlantic Records classics, soulful performances and lessons learned about love, life and friendship. Director and first-time filmmaker Wayne Blair has produced an effervescent and upbeat movie which will be sure to get you belting out hit tunes from the likes of Marvin Gaye, Linda Lyndell and Jackson Five. Mention must also go to O'Dowd, who delivers a hilarious performance with his clumsy character that will leave you giggling long after the credits roll. The film is opening the world-renowned Melbourne International Film Festival on August 3 and hits cinemas on August 9. Concrete Playground has five double passes to giveaway. To go in the running to win tickets to The Sapphires, subscribe to Concrete Playground (if you haven't already) then email your name and postal address to us at hello@concreteplayground.com.au
When a band is just starting out, with just one album to its name, you're treated to most — if not all — of it live in the early days. To get the full-record experience again, though, you normally have to wait for big anniversaries. Bloc Party are celebrating two on their just-announced 2025 tour of Australia and New Zealand: two decades of the group and the same since their debut album Silent Alarm. Hitting up Sydney's Hordern Pavilion, John Cain Arena in Melbourne, Adelaide's AEC Theatre, Perth HPC, Riverstage in Brisbane, Christchurch Town Hall and Auckland's Spark Arena between Friday, August 1–Tuesday, August 12, Bloc Party will play Silent Alarm from start to finish. 'Banquet', 'Helicopter', 'This Modern Love', 'Like Eating Glass': yes, they'll all be on the setlist on this seven-city trip. Bloc Party aren't leaving their other tunes out, though, with the tour featuring not just Silent Alarm's tracks but the band's greatest hits. They do have five other albums to their name, after all: 2007's A Weekend in the City, 2008's Intimacy, 2012's Four, 2016's Hymns and 2022's Alpha Games. If you're a fan, you'll know that it has been more than 20 years since the group first formed, and since the British band scored some hefty approval in 2003 via Franz Ferdinand's lead singer Alex Kapranos — but 20 is a nice round number to commemorate. This makes two Aussie tours in a row now with a point of difference for Bloc Party, after 2023 trip with Interpol. Before that, they last rocked Aussie stages in 2018. Supporting Kele Okereke and company this time are Young The Giant, who'll be playing Australia for the first time in 14 years. Bloc Party 2025 Australia and New Zealand Tour Friday, August 1 — Hordern Pavilion, Sydney Sunday, August 3 — John Cain Arena, Melbourne Monday, August 4 — AEC Theatre, Adelaide Wednesday, August 6 — Perth HPC, Perth Friday, August 8 — Riverstage, Brisbane Sunday, August 10 — Christchurch Town Hall, Christchurch Tuesday, August 12 — Spark Arena, Auckland Bloc Party are touring Australia and New Zealand in August 2025, with presales from 9am local time on Wednesday, March 19 and general sales from 9am local time on Friday, March 21. Hit up the tour website for further details. Images: Bruce Baker via Flickr / James Kellegher.
