Following 14 months of restrictions, postponements and cancellations, Australia's arts sector is in need of support. Arts institutions have struggled with capacity caps, and with restrictions on dancing and singing — as well as snap lockdowns and continued last-minute cancellations. In response, the Federal Government has announced nearly $300 million worth of financial support for the arts sector as part of the 2021–22 Budget. As announced last night, on Tuesday, May 11, the government will direct funds to the art, music and film industries through several programs across the next two years. The Restart Investment to Sustain and Expand (RISE) fund will receive $125.6 million over the next two years. So far, RISE has helped fund an array of the country's major COVID-era arts and entertainment events including Summer Sounds, Jurassic World by Brickman and Synthony. The fund is also helping to support upcoming cultural events like Rising Melbourne, Next Exit, Fresh Produce, Moulin Rouge! The Musical and Dark Mofo, plus some yet-to-be-announced events including a new mini festival from the team behind Laneway Festival and the return of The Tivoli's Open Season this winter. The $125 million investment is expected to help fund around 230 new projects. Mental health and crisis relief organisation Support Act, which works with artists, crew and music workers, will receive $10 million — alongside the landmark $2.3 billion investment in mental health services included in the rest of the Budget. [caption id="attachment_779827" align="alignnone" width="1920"] Golden Age Cinema, Cassandra Hannagan[/caption] The film industry is set for a boost as well, with $20 million dedicated to supporting independent cinemas, $50.8 million set to go to the local film and television sector to fund productions, and $3.3 million allocated to Ausfilm in order to continue to attract international film productions to Australia. And, regional arts and tourism will be supported through an $11.4 million investment in the Festivals Australia's Regional Arts Fund and the Indigenous Visual Arts Industry Support program, plus an additional $5 million towards performing arts touring through Playing Australia. Head to the Australian Government's website for more information about the 2021–22 Federal Budget and the Restart Investment to Sustain and Expand fund.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from March's haul of newbies. (Yes, we're assuming that you've already jumped on A Dog's World with Tony Armstrong already.) BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW FRESH Finally, a film about dating in the 21st century with real bite — and that's unafraid to sink its teeth into the topic. In this hit Sundance horror-comedy, Normal People's Daisy Edgar-Jones plays Noa, and once again gets entangled in a romance that'll leave a mark; here, however, the scars aren't merely emotional. Swiping right hasn't been doing it for Fresh's protagonist, as a comically terrible date with the appropriately named Chad (Brett Dier, Jane the Virgin) demonstrates early. Then sparks fly the old-fashioned way, in-person at the supermarket, with the curiously offline doctor Steve (Sebastian Stan, Pam & Tommy). Soon, he's whisking her away to a secluded spot for the weekend — a little too swiftly for Noa's protective best friend Mollie's (Jojo T Gibbs, Twenties) liking, especially given that no one can virtually stalk his socials to scope him out — and that getaway takes a savage and nightmare-fuelling twist. If Raw met Ex Machina, then crossed paths with American Psycho and Hostel, and finally made the acquaintance of any old rom-com, Fresh still wouldn't be the end result — but its tone stems from those parts, as do some plot points and performances, and even a few scenes as well. First-time feature director Mimi Cave doesn't butcher these limbs, though, and screenwriter Lauryn Kahn (Ibiza) doesn't stitch them together like Frankenstein's monster. As anchored by the excellent Edgar-Jones and Stan, there's care, savvy, smarts and style in this splatter-filled, satirical, brutal, funny, empowered and sweet film. Its twists, and its cutting take on predatory dating, are best discovered by watching, but being turned off apps, men and meat in tandem is an instant gut reaction. Fresh is available to stream via Disney+. OUR FLAG FLAG MEANS DEATH In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. This show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone, but it more than lives up to its winning idea and winsome casting. Come for the buccaneering banter and seafaring satire, stay for a thoughtful and sincere comic caper that's also a rom-com. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and an eye-catching head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. The two real-life figures eventually cross paths after Bonnet leaves his life of wealth, privilege and comfort to rove the oceans, captains a ship staffed by a motley crew to end all motley crews, and initially gets captured by Blackbeard — or Ed, as he calls him. As these two opposites bond, riding the waves from adversaries to co-captains to potentially something more, Our Flag Means Death truly and gloriously opens up its warm heart. The first season of Our Flag Means Death is available to stream via Binge. Read our full review. ASCENSION Ascension may not be an Oscar-winner, losing out to Summer of Soul (...Or, When the Revolution Could Not Be Televised), but it'll always be one of 2022's nominees. More than that, this two-time Tribeca Film Festival winner will forever remain one of the most arresting documentaries of the past year as well. Helming her first feature-length doco, filmmaker Jessica Kingdon turns her gaze to the Chinese dream — and what she sees, while situated in a very specific cultural context by design, is a clear and easy sibling to its American counterpart. That's part of the statement her film makes, all just by watching on patiently but meticulously as people go about their lives. Starting with factory recruitment on the streets, then stepping into mass production, then climbing the social hierarchy up to the rich and privileged, Ascension explores employment and consumerism — and what they mean in an everyday sense in modern-day and modernised China. It's a portrait of the needs that make working on assembly lines a necessity, and of the dreams that inspire every step up the societal ladder. Some folks build sex dolls, their uncanny valley-esque forms adding an eerie mood. Others take lessons on etiquette for service jobs, including about not letting your face betray your emotions, and the tone is also unsettling. Observational to a mesmerising degree, Kingdon's exceptional film lets its slices of life and the behaviour, attitudes and patterns they capture do the talking, and they all speak volumes. Indeed, what a clever, telling, incisive and surreal story they unfurl. Ascension is available to stream via Paramount+. TURNING RED What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao. As many of the animation studio's movies do, the film takes its title literally. But, it also spins the usual Pixar question. Turning Red does indeed wonder what'd happen if red pandas sported human-style emotions; however, the Disney-owned company has been musing on people becoming other kinds of critters of late, with particularly astute and endearing results here. The movie's focus: 13-year-old Chinese Canadian Meilin Lee (Rosalie Chiang, also making her film debut). The year is 2002, and she loves meeting her strict but doting mum Ming's (Sandra Oh, The Chair) expectations, hanging out with her pals and obsessing over boy band 4*Town. And while her mother doesn't approve of her friends or her taste in music, Mei has become accustomed to juggling everything that's important to her. But then, after a boy-related mishap, the red panda appears. Mei goes to bed feeling normal, albeit angsty and upset, only to wake up looking like a cuddly creature. Like werewolf tales about teenage boys tend to be, Turning Red is all about puberty and doesn't hide it — and whether it's tackling that head-on, pondering generational trauma or showing its rampant love for boy bands, it sports sweetness, soul and smarts. Turning Red is available to stream via Disney+. Read our full review. UPLOAD In its first season in 2020, Upload gave The Office and Parks and Recreation writer/co-creator Greg Daniels his own existential-leaning comedy. Think: The Good Place meets virtual reality, which is basically the premise. After a car accident at the age of 27, computer programmer Nathan (Robbie Amell, Resident Evil: Welcome to Raccoon City) is uploaded to a luxurious digital afterlife called Lakeview, which takes more than a little adjusting. Following his troubles with his still-breathing girlfriend Ingrid (Allegra Edwards, Briarpatch), as well as his growing bond with the IT employee, Nora (Andy Allo, Pitch Perfect 3), who works as his virtual handler or "angel", the series found plenty of ways to interrogate its concept. Indeed, while clearly a satire of capitalism, technology and their combination, it also inched towards unnerving Black Mirror territory. In season two, Upload dives deeper — and those Black Mirror comparisons only grow, too. Just like with that dystopian hit, it's plain to see how this reality could come true in a not-so-distant future, which no one watching this could ever want. Nathan now knows that all isn't well in Lakeview, or with the profit-hungry tech company behind it. Nora is well aware also, starting off the new batch of episodes by immersing herself with the anti-tech anarchists the Ludds. And Ingrid has spotted that Nathan isn't as enamoured with their relationship or his new virtual abode, so she decides to join him. Upload is still a comedy, but it knows that getting dark and being smart couldn't be more crucial given its concept. This season cleverly dives deeper, and only disappoints by being just seven half-hour episodes long. Consider your appetite whetted for season three, though. Season two of Upload is is available to stream via Prime Video. LUCY AND DESI Icons celebrating icons: when Amy Poehler directs a documentary about Lucille Ball, as she does here, that's the end result. It's fitting that Lucy and Desi includes a letter read mere days after Desi Arnaz's death, about his ex-wife and longterm professional partner, that included a touching line: "I Love Lucy wasn't just the name of the show". Poehler loves Lucy, too, understandably. Watching the compilation of clips curated here — spanning Ball's movie career in the 30s and 40s, as well as her TV shows such as the pioneering I Love Lucy, follow-up The Lucy–Desi Comedy Hour, and later sitcoms The Lucy Show and Here's Lucy — it's impossible not to see Ball's influence upon the Saturday Night Live and Parks and Recreation star, and upon the generations of female comedians that've followed Ball. Lucy and Desi loves Arnaz as well, though, and truly adores the pair's tumultuous love story — one that changed the course of comedy history. Forget Being the Ricardos, the average-at-best Aaron Sorkin film that inexplicably earned Oscar nominations — including for its one-note performances — and doesn't even dream of being funny. A deeper, meatier, far more interesting dance through Ball and Arnaz's life comes from Lucy and Desi, which benefits not just from Poehler's affection and her eagerness to ensure that her subjects' personalities shine through, but also from previously unreleased audio tapes of the pair talking about their ups and downs. Recent interviews pepper the film as well, including with daughter Lucie Arnaz Luckinbill, and both Bette Midler and Carol Burnett. Still, this doco's points of focus truly do speak best for themselves, whether chatting frankly or seen in all of those wonderful sitcom snippets. Lucy and Desi is is available to stream via Prime Video. WINDFALL Films can arrive at the perfect time, but usually they're actually products of their time. With Windfall, the former feels true, but this twisty thriller couldn't have been made at any other moment. It's an account of the haves and the have nots, and the widening gap between them — and it's told now, after years of that chasm growing visibly, the privileged largely lapping it up while hardening their disdain for anyone less fortunate, and the latter increasingly refusing to accept such inequality. The setting: a sprawling vacation home owned by a CEO worth billions and his wife. The setup: a break-in interrupted by said couple. The showdown: between two sides of the income divide (struggling versus obscenely comfortable), as brought to the screen by director Charlie McDowell (The One I Love, The Discovery). In a story credited to the filmmaker, star Jason Segel, McDowell's regular screenwriter Justin Lader and Seven scribe Andrew Kevin Walker — and also earning all the above either producer or executive producer billing, and fellow on-screen talents Lilly Collins and Jesse Plemons as well as — talk is largely the name of the game. Nobody (Segel, Dispatches From Elsewhere), as the movie's burglar is dubbed, argues with the CEO (Plemons, The Power of the Dog) and his other half (Collins, Emily in Paris) after taking them hostage at gunpoint, and their conversation is constantly revealing. He's initially bought off by the small stack of cash secreted away in the well-appointed abode but, after leaving then returning when he spies security cameras, he wants more money for his mercy. What follows is a perceptively shot and compellingly performed dissection of having it all (the CEO), grasping for some of it (Nobody) and realising that riches can't buy happiness (the wife). Windfall is available to stream via Netflix. NEW SHOWS TO CHECK OUT WEEK BY WEEK MOON KNIGHT Marvel's knack for casting is one of its superpowers, and it flexes those talents in Moon Knight. Enlisting Oscar Isaac fresh from the phenomenal 2021 trio that is Dune, Scenes From a Marriage and The Card Counter is as shrewd a casting move as the behemoth responsible for the Marvel Cinematic Universe has made, especially given that he plays two roles in one. The series starts with Isaac as Steven Grant, who works in the gift shop of a British museum, wishes he could lead tours instead, studies Egypt and sports a broad English accent. Oh, and chains himself to his bed every night, even though he has trouble sleeping. But as gaps in his days lead him to learn, Steven is also American mercenary Marc Spector — or, to be exact, vice versa. Complicating matters further, he's the on-earth conduit for the Egyptian moon god Khonshu as well. Even within franchise confines, Isaac is mesmerising in Moon Knight, playing a man grappling with dissociative identity disorder — as complex a character as the MCU has delivered so far — who's also drawn into a continent-hopping mystery-adventure. Also complicating matters: shadowy cult-like figure Arthur Harrow (Ethan Hawke, The Good Lord Bird), who has unfinished business with Khonshu and big plans of his own. Welcomely, the Marvel formula feels fresher here. Also pivotal: that, because it branches off with a previously unseen protagonist rather than the sprawling saga's usual heroes, this is the first MCU Disney+ series that doesn't feel like homework. Having filmmakers Mohamed Diab (Clash) and Justin Benson and Aaron Moorhead (Synchronic) also leaves an impression, in what's easily the most intriguing small-screen Marvel effort so far. The first episode of Moon Knight is available to stream via Disney+, with new instalments dropping weekly. Read our full review. MINX When home video, the internet and mobile phones with inbuilt cameras each arrived, six words could've been uttered: get ready to look at dicks. New HBO comedy Minx is set the early 70s, so before all three, but the same phrase also applies here. It's true of the show itself, which isn't shy about displaying the male member in various shapes and sizes. It also stands tall in the world that Minx depicts. When you're making the first porn magazine for women — and, when you're making an ambitious, entertaining and impeccably cast The Deuce meets Mrs America-style series about it, but lighter, sweeter and funnier (and all purely fictional) — penises are inescapable. Also impossible to avoid in Minx: questions like "are erections consistent with our philosophy?", as asked by Vassar graduate and country club regular Joyce Prigger (Ophelia Lovibond, Trying). Idolising the magazine industry and unhappily working for the dispiritingly traditional Teen Queen, she has long dreamed of starting her own feminist publication — even penning a bundle of articles and making her own issues — but centrefolds splashed with male genitalia don't fit her ideal pitch. No one's buying what Joyce is selling, though; The Matriarchy Awakens, her dream mag, gets rejected repeatedly by the industry's gatekeepers. Only one is interested: Bottom Dollar Publications' Doug Renetti (Jake Johnson, Ride the Eagle), but he's in the pornography business. The first four episodes of Minx are available to stream via Stan, with new instalments dropping weekly. Read our full review. THE DROPOUT Dramatising the Theranos scandal, eight-part miniseries The Dropout is the third high-profile release in the past two months to relive a wild true-crime tale — following not only the Anna Delvey-focused Inventing Anna, about the fake German heiress who conned her way through New York City's elite, but also documentary The Tinder Swindler, which steps through defrauding via dating app at the hands of Israeli imposter Simon Leviev. It also dives into the horror-inducing Dr Death-esque realm, because when a grift doesn't just mess with money and hearts, but with health and lives, it's pure nightmare fuel. And, it's the most gripping of the bunch, even though we're clearly living in peak scandal-to-screen times. Scam culture might be here to stay as Inventing Anna told us in a telling line of dialogue, but it isn't enough to just gawk its way — and The Dropout and its powerful take truly understands this. To tell the story of Theranos, The Dropout has to tell the story of Elizabeth Holmes, the Silicon Valley biotech outfit's founder and CEO from the age of 19. Played by a captivating, career-best Amanda Seyfried — on par with her Oscar-nominated work in Mank, but clearly in a vastly dissimilar role — the Steve Jobs-worshipping Holmes is seen explaining her company's name early in its first episode. It's derived from the words "therapy" and "diagnosis", she stresses, although history already dictates that it offered little of either. Spawned from Holmes' idea to make taking blood simpler and easier, using just one drop from a small finger prick, it failed to deliver, lied about it copiously and still launched to everyday consumers, putting important medical test results in jeopardy. The first six episodes of The Dropout are available to stream via Disney+, with new instalments dropping weekly. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2021, and January and February 2022 — and our top new TV shows of 2021, best new television series from this year that you might've missed and top straight-to-streaming films and specials as well. Top image: Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.
There's never a bad time to explore the centre of Australia, but if you're keen on a trip this Easter, you've got quite the dazzling motivation. While plenty of Australian cities boast radiant arts and culture festivals that brighten up their streets and spaces, Alice Springs' Parrtjima - A Festival In Light takes the whole concept to several different levels. It celebrates Indigenous arts, culture, music and storytelling, including via an eye-catching array of light installations, and also takes place against a 2.5-kilometre stretch of the majestic, 300-million-year-old MacDonnell Ranges. It's the type of event to add to your travel bucket list, and it has brought its luminous presence back in 2022 — with the event currently running until Sunday, April 17. And, if you're wondering exactly what's brightening up the already-striking Red Centre and how it looks, Parrtjima has unveiled images from its first weekend that just might get you planning a last-minute Easter holiday. As always, the event has taken over the Alice Springs CBD's Alice Springs Todd Mall, plus tourism and conservation facility Alice Springs Desert Park Precinct just out of town — and the festival's main annual attraction, aka a huge artwork that showers the MacDonnell Ranges with light each night of the festival, looks as glorious as ever. When it comes to staring at the stunning natural landmark, this is a 'desert of light experience, as Parrtjima has dubbed it. And yes, from the images, that description is accurate. Also on the lineup: Grounded, which turns traditional and contemporary stories into a projected animation — complete with an immersive soundscape — and consistently proves a crowd favourite. There's Water Tree, too, with the piece inspired by the artwork of Karen Napaljarri Barnes, using acrylic glass to replicate the sight of thousands of budgerigars flocking together, and strung across four archways. Or, attendees can check out Flight, which similarly goes with budgies, this time featuring artwork by Farron Jampitjinpa Furber printed on sheer fabric spears to represent the birds' journey along the Lander River. Another must-see is Eagle's Eye, which takes inspiration from irretye (the wedge-tailed eagle) constellation, and brings a tunnel to life with animation of works by Jeannie Nungarrayi Egan — as well as Wild Wind, by Raelene Ngala Williams, which uses her artwork to celebrate the stories of the whirly whirly through a series of floating and moving structures. There's also the Bindi Mwerre Anthurre Artists' Energy, comprised of eight static bikes and wheelchairs, which attendees jump on and spin the pedals to illuminate and revolve the artworks. And, the 15-metre-high Night Sky, as created in collaboration with artist Carmen Glynn-Braun and Common Ground, is filled with 1200 glowing orbs that are suspended to look like a blanket of stars. Although the ten-night event has been underway since Friday, April 8, Parrtjima's full lineup also includes live tunes, talks, and the films of Sweet Country, The Beach, Firebite and Samson and Delilah director Warwick Thornton. Of course, Parrtjima is just one of Northern Territory's two glowing attractions in 2022, with Australia's Red Centre lighting up in multiple ways. The festival is a nice supplement to Bruce Munro's Field of Light installation, which — after multiple extensions — is now on display indefinitely. Parrtjima – A Festival in Light runs until Sunday, April 17 around Alice Springs in the Northern Territory. For more information or to book tickets, visit the festival website. Images: Parrtjima 2022.
In 2020, Brisbane made history, becoming the only city outside of Melbourne to ever host an AFL Grand Final. This year, the Queensland capital looks poised to land another huge sporting event — although it won't happen for another 11 years. That'd be the 2032 Olympic Games, with Brisbane named the preferred host for the Games of the XXXV Olympiad back in February. Now, overnight, that quest has progressed. Following a meeting on Thursday, June 10, the International Olympic Committee Executive Board has announced that it is recommending that the Queensland capital gets the official nod. The IOC Executive Board's proposal now moves to the broader International Olympic Committee itself, which will vote on the matter at its next session on Wednesday, July 21. So, in just over a month, Brisbane will likely be named as the actual host of the 2032 Olympic and Paralympic Games — not just the preferred host. The move follows a recommendation by the Future Host Commission for the Games of the Olympiad, as happened when Brisbane was named the preferred 2032 host earlier this year. This time, the commission has put together a detailed report, which just earned the Executive Board's unanimous support. Announcing the news and outlining why the city has won its endorsement, the Executive Board listed eight core strengths identified in Brisbane's bid. They include the fact that Australia is apparently a "sports-loving nation"; the use of either existing or temporary venues to cover 84 percent of the Games; the support of the government, the public and the private sector; a commitment to sustainability; and the social and economic benefits — US$6.1 billion in value to Queensland and US$13.4 billion to Australia, according to commission's impact study. https://twitter.com/iocmedia/status/1403007957424611328 If Brisbane is officially named next month, the 2032 Games will be the first held in Oceania since 2000 — when Sydney did the honours — and will mark just a 32-year gap between Australia's most recent hosting slots. The Games were first held on our shores back in 1956, in Melbourne. It'll also mean that southeast Queensland will host the Olympics just 14 years after hosting the 2018 Commonwealth Games on the Gold Coast. Brisbane has staged the Commonwealth Games, too, back in 1982. Brisbane's bid includes three clusters of venues — in Brisbane itself, on the Gold Coast and on the Sunshine Coast — and proposes that the Games take place between July 23–August 8, 2032. As revealed in April, the Gabba will also undergo a huge revamp if the city hosts the Games, which'll basically involve tearing the stadium down and rebuilding it again. After Tokyo holds the postponed 2020 Games in July and August — without overseas spectators — Paris is on hosting duties in 2024. Then, in 2028, Los Angeles will take the torch. For further details about the International Olympic Committee's announcement, and about Brisbane's bid for the 2032 Olympics, head to the Games' website. Top image: Tokyo 2020 and TMG.
'Do one thing and do it well' used to be a mantra of many successful businesses. Google did search. Car makers made cars. Hotels gave you a place to sleep. But now, following the diversification model others have set, Vibe Hotels are releasing music. Vibe: The Chillout Suite is the fourth in the series featuring local talents such as Angus & Julia Stone, Lior and Washington, as well as international acts like Florence + The Machine and Gomez. There's even room for a few classics like Mazzy Star's Fade Into You and Jeff Buckley's Last Goodbye. To celebrate the launch of the album, Vibe are offering one lucky Concrete Playground reader a chillout accommodation package valued at $490 including a one night stay for two people at any of their hotels in Sydney, Melbourne or the Gold Coast, including buffet breakfast, a copy of Chillout Suite, and a late check-out so you can really relax. To enter, just make sure you're a CP subscriber then email us at hello@concreteplayground.com.au by 5pm on Friday, July 8.
With the last film finally released, the Harry Potter juggernaut has finally ground to a halt. No more books. No more films. For many fans it marks the end of childhood and for a few people, it will thankfully mean the end of acting careers. Sure, JK Rowling has moved the empire online with Pottermore, but for many, the magic is gone. If you find life a little empty without Hogwarts perhaps you should give quidditch a try. The muggle version is a little like lacrosse or handball, but with broomsticks, and an extra person dressed in yellow playing the role of the snitch. Some Australian universities have founded teams, and there's talk of a trans-Tasman competition. All eyes will soon be on the 5th annual quidditch world cup, contested by American colleges and teams from around the world, being held in New York in November. The event has been described by Fox sports as "a cross between the superbowl and a medieval festival" and although people might dress up to go along, the competition on the field is fast-paced and hotly contested.
Ever thought about how we got our kicks before the days of Fifty Shades of Grey? Or what Big Ted and Jemima get up to when those Play School cameras aren’t rolling? A thriving internet subculture, fan fiction has gained momentum over recent years. But lesser-known is erotic fan fiction; a guaranteed crowd favourite which sees the recognisable characters of popular culture – movies, books, TV shows and sport – become the subject of weird and wonderful stories, all in the name of comedy. In a night of sex and scandal, four established writers will put their respectable reputations on the line and manoeuvre well-known stories and prolific celebrities; turning what we know and love of fiction on its head with the clever work of their pen. Set to be held at The Wheeler Centre — home of Melbourne’s finest literature and cultural events – this is about the only night where it’s acceptable to make Play School characters talk dirty. Or perhaps where the sexual tension between Margaret and David will be quashed. On the menu for the evening are smut extraordinaires: Wes Snelling, Zora Sanders, Van Badham and Travis Cotton. With host Virginia Gay, this event is geared up to be the most outrageous, entertaining night out you’ll have this September. Leave your inhibitions at the door and get ready for some serious literary action.
Since late in 2019, when Disney launched its own streaming platform, fans of its animated classics, beloved hits and many, many super-popular franchises have been able to binge their way through the Mouse House's back catalogue from the comfort of their couch. For a few weeks in December, however, movie buffs are being asked to leave their houses to check out a selection of the company's famed titles — all thanks to the new pop-up Disney+ Drive-In that's coming to Melbourne. Yes, a streaming service is running a drive-in. Or, to put it another way, a product designed to get everyone watching on small screens at home is now endeavouring to lure viewers out to watch its flicks on a big screen from their cars. That's a very 2020 situation, with Disney+ teaming up with Openair Cinemas to make it happen. The drive-in will arrive in Melbourne — at the Melbourne Showgrounds car park, to be specific — on Thursday, December 3, screening films every night (except Tuesdays) until Monday, December 28. As for what'll be screening, the Disney+ Drive-In is working through the Mouse House's hits, screening single features each night. Quite a few sessions have already sold out now that Melbourne is easing back to normality, but The Force Awakens will take you into the Star Wars universe — and you can get your Marvel fix via Thor: Ragnarok. Among the throwback titles, Freaky Friday, The Simpsons Movie and Big are all on the bill, as is The Muppet Christmas Carol. Or, you can croon tunes to The Greatest Showman and watch the live-action version of The Lion King, too. Popcorn, snacks and drinks will be available onsite — or you can bring your own. It's strictly a no-alcohol affair, though. And, ticket-wise, you'll be paying per car; however, prices vary depending the number of people in your car.
Legendary Paris bar The Cambridge isn't just an award-winning, world-renowned drinking spot — it's also got some pretty fierce climate action ambitions. In fact, the British pub-inspired boozer has mapped out a whole Global Community Plan aimed at building a more sustainable future. And next up on that to-do list is a visit Down Under for a few special guest appearances at some like-minded bars. While the team's dropping by Sydney's Re on Wednesday, May 3, and PS40 on Friday, May 5, the following week is Melbourne's turn, as The Cambridge pops up at Caretaker's Cottage on Monday, May 8. As you might know, this tiny CBD spot took out 60th place in The World's 50 Best Bars 51–100 List last year. [caption id="attachment_871413" align="alignnone" width="1920"] Caretaker's Cottage[/caption] First up, from 3–4pm, the Parisian crew will host a masterclass focused on some of the sustainable practices being put in place by themselves and the Caretaker's Cottage team. It's for walk-ins only, though spots are limited. Then, from 5–10pm, you'll catch them doing a guest shift behind the bar, serving up a menu packed full of native Aussie ingredients and heroing Flor de Caña 12-year-old rum. The drinks lineup features both Cambridge favourites and exclusive new creations — from the Paradise Lost with its fusion of oloroso and sweet vermouth, to a milk punch starring rosella, strawberry gum and fortified wine. [caption id="attachment_899072" align="alignnone" width="1920"] The Cambridge team[/caption]
First it was The Guardian. Then came The Huffington Post. And now The New York Times is the latest international publication to launch in Australia. After vague affirmations that the daily newspaper was looking to expand into Australia in August last year, the Times has today — Tuesday, May 2 — officially launched a Sydney bureau and, with it, extended coverage of news and issues that affect Australians. Unlike The Guardian and HuffPost, the The New York Times' Australian coverage will not have its own edition, but will be integrated into its global site. The addition of an Australian newsroom — which is being led by Damien Cave, who was the publication's deputy national editor in the US — will serve to insert Australian issues into the global agenda. This new coverage, which kicks off today, will include news, investigations, opinion pieces and cultural coverage. The New York Times Australia coverage can be found under the world section of the site. Though the Times works on a subscription model, Australians have unlimited access the site for free until May 8.
If you’ve been on Instagram, food blogs, Twitter, Facebook or the internet in general lately, you've probably heard the term 'clean eating’. What on Earth does it mean, you ask? Is it washing your hands really, really well? Well it's time to find out. We chat to Melbourne clean eating and nutrition queen Lola Berry about what clean eating is, how we do it and where she goes to get her fix. We even tried a few of the recipes out ourselves. All in the name of research, of course. 1. What is 'Clean Eating'? Clean eating essentially means eating foods that haven't been processed and are as close to their natural state as possible. Think vegetables, fruits, legumes and lean meats. "It's about eating foods that nourish your body, forget all the packet stuff. Our bodies aren't designed to thrive of chemicals, additives and numbers, we thrive of real, wholesome food," says Lola Berry. Now, don't think it has to be raw. That's a whole other can of worms (which, as a clean eater, would be a no-no). Cooked wholegrain wheat breads, brown rice dishes, chia bread and all sorts of other weird and wonderful concoctions are clean. 2. Why should we eat clean? What is the point of going to the trouble of eating clean when it seems like a little bit of hard work? "You become the best version of yourself," Berry told us. "It's that simple. Don't knock it it'll you've tried it, proof is in the pudding. Eat clean for two weeks and watch the dramatic changes that take place in every single aspect of your life. I promise being healthy will change everything." When it comes down to it, 'clean' foods have more of the good stuff that your body wants and needs and less of the bad stuff. Some of the benefits that can come from clean eating include blood sugar control, cholesterol control, more energy, better immune system, better sleep, better mood and an overall increased health. 3. How is 'clean eating' different from 'healthy eating'? Okay, so this all seems like a good idea right? Eating fruit and vegetables and making your body happy? But how is it different to healthy eating? One thing we run into here is the philosophy of everything in moderation — even moderation. While healthy eating allows you a chocolate brownie covered in chocolate sauce and ice cream for dessert, as long as you don't have it every day, clean eating suggests you start making you desserts and 'treats' out of clean ingredients. This introduces some troubling issues like obsession and rigidity in diet. While we're not experts, this idea, in a society fixed on body and image may run the risk of hurting not helping. Strictly clean eating doesn't allow for flexibility, which can bring guilt to meals — not ideal. It can also run the risk monopolising one's time and brain power. No one wants to go out for dinner and listen to someone talk all about why they can't eat the bread or drink the wine. Most health professionals will tell you that if you eat 'healthy' foods 80 percent of the time, you can indulge 20 percent of the time. The cheese loving, chocolate munching side of us loves this idea. 4. How to eat clean "Think simple," says Berry. "Try not to complicate things. Real food is so simple, easy to prep and most importantly, so tasty!" These are the principle foods in healthy eating: Fresh fruit and vegetable are a free for all. Go hard people. When it comes to protein, stick to the lean cuts of beef, pork, most fish, chicken, turkey and eggs. We didn't say bacon, we know, it’s depressing. Whole grains including oats, wholewheat pasta, brown rice, barley and the like. This is the same for flours. Stick to the wholewheat flours, coconut flours and almond flours where you can. Nuts! All of them. Raw is the way to go. Seeds. Now these bad boys are your best friends. Quinoa, sunflower seeds, sesame seeds and chia seeds. What about flavouring up your meals? Again stick to natural things like spices and herbs, honey and pure maple syrup. Now dairy can get confusing. Raw milk is hard to find, so the easiest bet is organic. Plain unsweetened yoghurt is a star, as are your substitutes like almond milk, rice milk and coconut milk. 4. Buzz words 101 So if you do want to introduce some principles of healthy eating, you might stumble upon ingredients you've never heard of. Here are some goodies: Quinoa: This seed looks a little like couscous and a little like rice. What you might not know is it's a close relative to beets, spinach and tumbleweeds. Great for breakfasts and salads. Chia seeds: This ancient superfood from Paraguay is pretty much just a sprinkling of goodness. These are tiny black and white seeds packed with manganese, calcium and potassium. Goji berries: These little suckers have been used in Chinese medicine for thousands of years and are said to boost one's life force of ‘chi’ — oh so yogi. They're a little sour and are great sprinkled on your breakfast. Raw cacao: This is like the chocolate of the clean eating family. Take the raw cacao product — what chocolate looks like before the Cadburys of the world get to it — and don't touch it. It's packed with antioxidants and has a bitter strong chocolate flavour. Agave Syrup: This is a naturally occurring sweetener found in the agave plant in Mexico. This plant is also used to make tequila (Margaritas anyone?). 5. Recipes to try Breakfasts and snacks are often filled with processed ingredients. A great clean breakfast can look like this: oats cooked in almond milk, just like normal porridge, topped with fresh fruit, chopped dates, walnuts, agave syrup and a sprinkling of chia seeds. This can be played around with, adding any fruits and nuts you like. It also works well with quinoa flakes. When it comes to snacks. There are some great brands out there making clean sweets like Loving Earth and Emma & Tom's, but if you're in the mood for whipping something up, give Lola Berry's chewy almond truffles a go. Dates, walnuts, almonds, coconut oil, goji berries and raw cacoa nibs blended together and rolled in coconut. 6. Best spots in Melbourne to buy and try clean products We turned this one over to Lola Berry: "I eat out lots and there's always something yummy for me to try. I love St.Ali south and north, and I'm lucky enough to write a few recipes which are featured on the menu, and they're all super healthy. I also love the raw foodie spots like Yong Green Food, Shokuiku and Monk Bodhi Dhama and, of course, Cumulus Inc for that amazing fine dining experience. "I love local farmers markets … Prahran market, and there are some awesome health stores around. Prahran Health Foods, The Staple Store, Pure Organics, The Fruit Peddler are all pretty amazing, such inspiring places to visit!" Berry told us. Well folks, at the end of the day it seems that all the fuss around clean eating is about taking things back to simplicity. We will propbably still be found eating Mars bars and drinking cocktails, but you never know, next time we're feeling the healthy vibe, we might whip up something clean. It's not for everyone, but hey, next time someone asks you at a dinner party, "So how do you feel on the clean eating front?", at least you'll be able to tell your chia from quinoa. Images courtesy of Lola Berry and Amy Collins.
If you've been hanging out for the arrival of Fancy Free — the hotly anticipated new cocktail bar dreamt up by three Black Pearl alumni — you'll be glad to know the wait is almost over. Announced last May, the venture is now just weeks out from opening and owners Ryan Noreiks, Rob Libecans and Matthew Stirling have dropped some tasty new details that are sure to ramp up excitement levels in the lead-up to its launch. The big news is that this one's here for a good time, but not a long time, having secured a site for only a six-month stint. But what it lacks in longevity, Fancy Free certainly makes up for in substance, with a whole swag of exciting collaborations in the works. While most of the details are being kept under wraps for now, the bar's set to play host to a rotation of five different food concepts, kicking off with a pop-up by a well-known Sydney restaurant run by the owners' good mates. [caption id="attachment_639976" align="alignnone" width="1920"] Black Pearl[/caption] Fellow Sydneysiders P&V Wine and Liquor Merchants will be heading up the fittingly quirky vino selection for this debut month, with local brewery Stomping Ground supplying a showcase of its hero beers, alongside a rotation of specialty brews. More breweries and wineries are jumping on board for the following months. And while the Fancy Free boys will be working their signature magic on the cocktail list, you can also get excited for some special guest appearances and takeovers by some of their World's 50 Best Bars cohort. Black Pearl has consistently ranked in the top 50 at the prestigious awards and has taken out Best Bar in Australasia for the past two years. Fancy Free will open on Wednesday, February 13 at 381 Little Collins Street, Melbourne. Updated February 8.
Great news, dog lovers of Melbourne: you can now expect to see more pups at more pubs. Across the country, 18 venues are serving pooches their very own version of charcuterie — adorably dubbed 'barkuterie' — including at Richmond's Bridge Hotel. If you spend your life with a canine companion, you'll be able to take your barking buddy on a bar date from Saturday, September 16. On the menu: barkuterie boards created in collaboration with online pet supplies retailer Pet Circle, featuring three dog treats from Nature's Cuts and Zignature paired with seasonal fruit and vegetables. So, while you drink and graze, so can your pupper. Just don't go giving your dog any beer to go with their barkuterie board, of course. The canine snack plate comes in at $12, and arrives to celebrate spring. It's a limited-time special, however, getting tails wagging for four weeks — or until stocks last. 2023 has already delivered doughnut-shaped biscuits for dogs — now this is your next excuse to treat your pet.
Any Questions for Ben? and House of Lies' Josh Lawson writes, directs and stars in an effort destined to be labelled a sex-fuelled Love Actually. Sex Actually? Different types of fetish, kink and between-the-sheets behaviour are explored through the relationships of four couples. Maeve (Bojana Novakovic) wants Paul (Lawson) to fulfil her rape fantasies. Rowena (Kate Box) finds herself aroused whenever husband Richard (Patrick Brammall) cries. Phil (Alan Dukes) finds Maureen (Lisa McCune) at her most attractive when she is sleeping. Dan (Damon Herriman) and Evie (Kate Mulvany) make a foray into roleplaying that backfires. There's laughs both out loud and cringey to be had as the adventurous comedy unfurls. The Little Death is in cinemas on September 25, and thanks to Entertainment One, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=BnnhesQ8Rxc
When Jetstar launched a hefty domestic flight sale last June, it sold 70,000 seats in just five hours, with Australians keen to travel when and where they can in these pandemic-afflicted times. Unsurprisingly, discounted airline tickets have become a common occurrence since travel around Australia restarted — and the airline has just kicked off another sale. The latest Return for Free sale is already running, with discounted fares available until 11.59pm AEDT on Sunday, March 7 — if it doesn't sell out prior. In the sale, you'll find cheap flights across a heap routes from destinations right across the country. And, as the name suggests, it's doing return flights for free. So, you buy your ticket to your destination and then Jetstar will cover your trip home. There are a few caveats, as there always is. You have to depart and leave from the same airports and, if you need to make changes down the line to your flight dates, you will have to pay change fees and any difference in fare. The discounted flights don't include checked baggage, either — so you'll need to travel super light, or pay extra to take a suitcase. [caption id="attachment_785574" align="aligncenter" width="1920"] Tourism Australia[/caption] Now that you know some of the things you'll need to take into consideration, here's where you can go. Sydneysiders can snag return tickets to Victoria for $65, Launceston for $89, Brisbane from $92, the Sunshine Coast for $96 and Hamilton Island for $151. Melburnians can book trips to Uluru for $185 and Darwin for $184, and to Hobart from $84, the Gold Coast from $107, and Ballina and Byron Bay from $116. And Brisbanites can head to the Whitsundays for $91, Cairns from $115 and Adelaide from $141. Yes, the list goes on. Tickets in the sale are for trips from April–December 2021, with exact dates varying in each region. If you're keen to get away, book some now and start planning. And, as always, keeping an eye on interstate border requirements is recommended. Jetstar's Return for Free sale runs until 11.59pm AEDT on Sunday, March 7, or until sold out.
UPDATE Wednesday, January 19: Boiler Room x Sugar Mountain Festival has been postponed and will now take place in the same location on Saturday, February 26. Find updated ticket info here. If nothing says summer to you quite like dancing in a crowd, here's another event for your calendar: the return of Melbourne's Boiler Room x Sugar Mountain Festival. It's coming in hot on Saturday, January 22, 2022, to its brand-new home in Williamtown's Seaworks Maritime Precinct. Complete with its famed 360-degree stage and a supersized lineup of acts, no less. Welsh techno producer and singer/songwriter Kelly Lee Owens leads the bill, in what'll be her first-ever Australian performance — and she'll be joined by London-based Aussie DJ HAAi, Brisbane Spotify favourite jamesjamesjames, European-based Aussie Lauren Hansom, and locals Darcy Justice, C.FRIM and Bertie. If you can't make it along, the fest will also be broadcasting live from 3–10pm. Tickets go on sale at 2pm AEDT on Tuesday, November 23. [caption id="attachment_833149" align="alignnone" width="1920"] Mark Stanjo[/caption] BOILER ROOM x SUGAR MOUNTAIN 2022 LINEUP: Kelly Lee Owens HAAi jamesjamesjames Lauren Hansom Darcy Justice C.FRIM Bertie Top image: Mushroom Creative House.
Finding the perfect spot for every beer drinking occasion isn't easy. So, that's where we come in — at Concrete Playground, we want to pass our expertise onto you. Together with Heineken, we've created two crafty tools to help you plan your next day or night out: the Heineken Bar Finder, a complete guide to the top-notch beer gardens, rooftop bars and other hotspots where you can enjoy an ice cold brew, and the Heineken Insider chatbot, your trusty brew companion. We're just a simple 'hey insider' away, making it even easier for you to find that perfect spot for your next outing — all thanks to the power of AI. While you can browse our expert guides over at the Heineken Bar Finder, we encourage you to have a chat with the Heineken Insider. Here's how it works: head over to our Facebook page and send us a message saying 'Hey Insider 'to get in touch. You'll be asked what you're looking to do, and we'll respond instantly with specialised recommendations for the occasion — either at your current location or anywhere in the city if you don't have a preference. Looking for a hump day lunch spot for you and your office mates? We got you. How about the perfect spot for late-night kick ons? We got you there, too. And what about the best pub in your area where you can catch the match? You get the idea. The Heineken Insider has your back with recommendations from day to night. Also, we should mention that there'll be chances to win freebies and VIP experiences at some key bars. It's time to make your friends think you're the expert in this city. Take the work out of the play and chat with the Heineken Insider now.
Following a successful debut year in 2020, Melbourne's citywide al fresco dining festival is returning for another blockbuster New Year's Eve celebration this year. Those looking to leave 2021 behind them and ring in the new year with good food and wine will be able to nab tickets to NYE feasts in one of eight dining precincts as part of the second edition of New Year Street Feasts. The event is a collaborative effort between the City of Melbourne and Melbourne Food & Wine Festival (MFWF) which has suffered a horror two years full of postponements and cancellations, with last year's New Year Street Feasts a bright spot among the tough times. "We can't wait to see people lining Melbourne's streets eating and drinking, and being cared for, by our world-class operators as we ring in the New Year," MFWF CEO Anthea Loucas Bosha said. Eight outdoor dining precincts will be created for the festival, appearing in top culinary spots like Flinders Lane, Russell Place and Little Collins Street, as well as Fed Square and Docklands. The festival brings nearby venues from each precinct together to serve up a jam-packed program of special menus and feasting experiences. Last year's festival included a six-course Indian feast at Jessi Singh's Daughter in Law, a Spanish-inspired Bomba dinner complete with heirloom tomato gazpacho and buttermilk-braised lamb shoulder, and a Bar Margaux soiree featuring champagne cocktails and roast duck. Diners at Dockland's New Quay Promenade may also be lucky enough to catch a glimpse of Australia's largest drone show which is lighting up the sky above Victoria Harbour twice on New Year's Eve. The swarm of 350 drones will rise for two seven-minute shows in conjunction with the 9.30pm and midnight fireworks as part of New Year's celebrations, before sticking around for twice-nightly shows throughout January. Tickets for New Year Street Feasts will be available via the Melbourne Food & Wine Show website, while tickets for viewing areas to watch the drone show will be available via a Ticketek ballot. More information on New Year Street Feasts and the full City of Melbourne New Year's Eve event lineup will be unveiled on Thursday, November 25. New Year Street Feasts will run at various locations across the city on Friday, December 31. Top image: Chin Chin on Flinders Lane
For a gig that switches from heat to heat faster than Marty McFly into Johnny B. Goode, there ain't nothing like a Hot Dub Time Machine party. Busting out all your favourites from 1954 through to today, Hot Dub is 'powered' by the energy of the crowd, all of whom are nothing short of ecstatic to hear the classics belted out by Sydney's own DJ Tom Loud. And he's bringing the extravaganza to a city near you on a nationwide tour. Bursting onto the scene at the Sydney Fringe Festival in 2011, the Hot Dub concept is simple. The Time Machine runs on the energy of the crowd as it makes its way from the '50s to the modern day. If the energy at the show slows down to anything under extreme, you're literally stuck in time, listening to the tunes of whatever era you crashed in, until you can get crazy enough for lift-off. Coming off the back of a sold-out run across the festival circuit last year, including the Sydney Festival, Hot Dub is more than guaranteed to get your feet, legs, torso, arms and everything else moving to the beat. With balloon drops, glitter bombs and a two-storey-high visual accompaniment, Hot Dub is sure to be a spectacle for the ages. Full tour dates below. SUN 16 MAR – SYDNEY @ TBA (Secret Show) SAT 22 MAR – BRISBANE @ Chalk Hotel SAT 29 MAR – QUEENSTOWN @ World Bar FRI 4 APRIL – FREMANTLE @ Metropolis SAT 5 APRIL – PERTH @ Capitol FRI 11 APRIL – MELBOURNE @ Northcote Social Club. Tickets from northcotesocialclub.com THURS 17 APRIL – CANBERRA @ Academy SAT 19 APRIL – SYDNEY @ Metro Theatre. Tickets from www.metrotheatre.com.au THURS 24 APRIL – BALLARAT @ Karova SAT 3 MAY – BYRON BAY @ Beach Hotel SUN 4 MAY – DARWIN @ Discovery SAT 10 MAY – NEWCASTLE @ Argyle House SAT 17 MAY – COFFS HARBOUR @ Plantation For more info, head to the Hot Dub website. https://youtube.com/watch?v=iIVVvtWSBZo
Charisma forgives many sins. In film, especially, it can gloss over just about everything, from a dull storyline to glaring plot holes. Even terrible dialogue can be salvaged if the person delivering it has enough personality. And right now in Hollywood, there is no greater force of personality than Dwayne "The Rock" Johnson. The man is a strategic reserve of charm, sweating out more charisma in a 20 minute gym session than most people possess in a lifetime. Alas, not even he can save Rampage. Based on the 1986 arcade game of the same name, Rampage is another entry into the Big Dumb Fun genre – except for the fact that it's critically lacking in Fun. Like the source material, the movie's story centres upon several animals being exposed to a genetic editing vapour that rapidly transforms them into giant, city-destroying monsters. Chief amongst these creatures is George, an albino gorilla rescued from poachers and raised by his protector, Davis Okoye (Johnson). It is during this duo's few quiet, tender moments that Rampage is at its strongest, giving the story heart and Johnson his only decent lines ("The poachers shot at us, and missed. I shot back…and didn't"). Mostly, though, Rampage is a movie about people shooting at massive monsters and those monsters fighting back. To be clear, blockbusters like this have their place. Kong: Skull Island, the original Pacific Rim and the most recent Godzilla film are three fine examples of the genre done right. They each embraced their absurd premise and treated it with the same care and consideration you'd see in a period drama, offering their audiences fleshed-out characters, coherent stories and dialogue that does more than simply tell us what's happening (or what's about to). In Rampage, on the other hand, nearly every piece of key character information is literally read off a tablet in a single scene, while the scientific and technical jargon is crammed into a few ludicrous sentences that no human would ever actually say. It's the laziest form of writing and embraces every cliché in the book, from TV news reports conveniently filling in plot gaps, to the absurd corporate villains spending most of their time simply explaining to each other what they're doing as if all of their years of prior planning somehow came together without an actual discussion. In the lead role, Johnson does his level best to keep things grounded, but finds himself consistently hampered by braindead dialogue that rarely rises above "dude this" or "bro that" (at one point he actually gets shot in the gut only to reappear moments later and pass it off by suggesting it "probably missed all of his vital organs". He then comfortably pilots a helicopter, flirts with the girl and sprints through collapsing skyscrapers). Naomie Harris, for her part, has one sincere bit of backstory that briefly elevates the plot into something compelling, while Jeffrey Dean Morgan (another charismatic powerhouse) can't be accused of holding back in his wildly over-the-top performance as the Texan cowboy turned secret government agent. Their combined scenes at least give Rampage some degree of credibility – although whatever good work they do is fast undone by Malin Åkerman and Jake Lacy as the inexplicably villainous villains high up in their penthouse office. Rampage is a movie about big things tearing down buildings, and that's fine. But unless you're made to actually care about the people inside those buildings, then the stakes are about the same as watching toddlers stomp on sand-castles: pretty soon you just want the tide to come in and wash it all away. https://www.youtube.com/watch?v=coOKvrsmQiI
One of the most prominent events of its kind outside of China, the Golden Koala Film Festival is back for another year. With engagements in Melbourne, Sydney and Brisbane, this annual festival will once again showcase a selection of critically acclaimed Chinese movies — including multiple Australian premieres. A black comedy about a reformed gangster who decides to open a kindergarten, Uncle Victory won the Grand Jury Prize at last year's Shanghai Film Festival. Other standouts include Tsang Tsui Shan's multigenerational documentary Flowing Stories and the critically acclaimed drama Blue Sky Bones (shot by award-winning Australian cinematographer Christopher Doyle). All films in the program will compete for the prestigious Golden Koala Award, which is bestowed by a jury of Australian filmmakers. Best of all, because the festival is designed to promote Chinese cinema, all the screenings are absolutely free.
Name a season — there are only four, so it isn't hard — and, in Australia, it's likely that the weather will be hotter than average. The nation experiences toastier than usual summers, warmer than normal autumns and hotter than average winters every year, or so it seems. And, in news that will come as zero surprise, winter 2021 is expected to continue the trend. That's according to the Bureau of Meteorology, which releases an updated climate outlook every week — something that, with winter so close to arriving, is definitely worth a look. Much of the country is in for both warmer and wetter conditions than normal over the coming months, although exactly how that'll affect you obviously depends on where you live. If you reside in Australia's northern tropics, along New South Wales' coast, in southeastern Australia in general and in southwest of Western Australia, expect toastier winter temperatures this year, with a more than 80-percent chance that that'll be the case between June and August. Folks pretty much everywhere else except central Australia can also expect above average winter days, with a 60-percent likelihood. Nights in particular are also expected to be warmer over the same period, covering most of the country — with only parts of western WA expected to experience average or cooler conditions. To give an idea of exactly what that all means, the average daily maximum temperature for June sits at around 17 in Sydney, 14.1 degrees in Melbourne, 20.9 in Brisbane, 19.5 in Perth and 15.8 in Adelaide. In July, it's around 16.4 in Sydney, 13.5 degrees in Melbourne, 20.4 in Brisbane, 18.5 in Perth and 15 in Adelaide. And, come August, the figures usually come in at 17.9 in Sydney, 15 degrees in Melbourne, 21.8 in Brisbane, 19.1 in Perth and 16.1 in Adelaide. In good news for farmers, plenty of the nation east looks set for more rain, too. That's predicted to be the case in inland areas especially, with a 60-percent possibility. Along much the east coast, it could go either way — and in northern Queensland, which enters its dry season at this time of year, there's less than a 40-percent chance of more rain than usual. If you're wondering how BOM comes up with its models for the next few months, it draws upon the physics of our atmosphere, oceans, ice and land surface, as well a heap of observations — from satellites, as well as on land and sea. And, it also incorporates the effects of the climate change, with Australia's temperatures rising by around 1.44 degrees between 1910–2019. For more information about forecast weather conditions between this winter, keep an eye on the Bureau of Meteorology's climate outlook.
Turning your phone off during a movie is cinema etiquette 101. Not kicking the seat in front of you, or talking during the film, or taking in food with aromas so pungent they stink out the whole theatre — they're all on the list as well. Usually, so is wearing clothes; however, the returning Fantastic Film Festival Australia is making attire optional for some of its 2022 sessions. One of Australia's film fests dedicated to weird and wonderful cinema — a tranche of flicks so glorious that several events celebrate them — FFFA is back for another year, screening at the Ritz Cinema in Randwick in Sydney and Lido Cinemas in Hawthorn in Melbourne from Thursday, April 21–Friday, May 6. It has just unveiled its full 2022 lineup, too, and its naked screening certainly deserves attention. The fest debuted the concept last year, and it's bringing it back this year. Even better: you'll be getting your kit off to mark the 25th anniversary of The Full Monty. Stripping off while seeing a classic movie about men stripping isn't the only highlight of this year's program, of course — and yes, if you want to see Robert Carlyle and company while remaining dressed, you can leave your hat on (and the rest of your clothing as well). The attire-optional session sits alongside other standouts such as opening night's viking epic The Northman, starring Alexander Skarsgård and Nicole Kidman, and directed by The Witch and The Lighthouse's Robert Eggers; closing night's New York Ninja, which was shot in 1984, only finished in 2021 and follows a vigilante tale; and a 4K restoration of the inimitable 1981 great Possession starring a young Sam Neill and always-wonderful Isabelle Adjani (The World Is Yours). In total, 22 features and eight shorts and special events sit on this lineup of strange, surreal, out-there and purposely offbeat flicks. We're All Going to the World's Fair arrives from Sundance, combining psychological horror with a coming-of-age story — and a storyline about an online roleplaying game — while French film After Blue is a sci-fi western fantasy about a mother and daughter tracking a killer in toxic forests. There's also indie animation Absolute Denial, which has been compared to Frankenstein but in a digital world; Agnes, which explores a case of demonic possession in a convent; Japan's Dreams on Fire, featuring acclaimed dancer Bambi Naka in her first lead role; Norwegian nightmare The Innocents, as directed by The Worst Person in the World co-writer Eskil Vogt; and The Timekeepers of Eternity, which is adapted from Stephen King novella The Langoliers. On the events bill, FFFA is hosting Music Video Blind Date, to connect Melbourne musos with filmmakers in the hopes of making music video magic — and, thanks to an evening called Cinema 1 Nightclub, it's getting DJ Female Wizard to spin tunes inside a theatre while artist Baben Shin provides the visuals. And if you're keen to celebrate the launch of the program, the fest is also hosting a sneak-preview session of Michelle Yeoh-starring multiverse gem Everything Everywhere All At Once in advance — on Saturday, March 26. Fantastic Film Festival Australia runs from Thursday, April 21–Friday, May 6 at Ritz Cinema, Randwick in Sydney and Lido Cinemas, Hawthorn in Melbourne. For more information or to buy tickets, head to the FFFA website.
Tempted by all your friends heading to Europe this winter, but cost of living got you down? If it's time for a getaway that's not going to set you back a couple of months' rent, perhaps a staycation is your best bet – and lucky for us, Victoria has delivered a swathe of brand spanking new hotels with all the luxe vibes of a southern White Lotus. Warm weather not guaranteed. Here are three of the best new openings in Victoria right now – from a converted Rolls Royce showstopper in South Yarra, to an interior designer's dream in Ballarat. THE ROYCE Following a two-year renovation of their gorgeous heritage building, The Royce has opened in the most understated way possible – which is perfectly befitting the luxury hotel, formerly a Rolls Royce showroom but now aimed at high-end business clientele and weekend travellers looking for impeccable service, generous rooms and luxe amenities. Speaking to Nick McLennan, General Manager at The Royce, he tells me they're not looking for a packed roster to fill their 94 rooms and suites – but rather a repeat customer who values discretion and design detail in equal parts. And the detail really has been carefully considered here; everything from the second bathroom in the two-level suites that repurpose the old mechanic's workshop offering a guest option for in-room meetings that ensures no awkward moments, to the separated lounge areas ensuring the bed is out of mind, and out of sight, when a client pops in for a nightcap. Breakfast in the Parisian glass conservatory is a treasure trove of Instagramable moments – particularly as you wander through the hand-painted chinoiserie frescos, matched perfectly to sorbet velvet armchairs, evoking the building's art deco bones without any of the pomp. The elegant Showroom Bar delivers sophisticated, but classic, dining almost all day and night, with an impeccably detailed marble staircase leading up to a mid-sized ballroom for any dramatic event moments in mind. The Royce is delightfully decadent, but never garishly so – and its spot on St Kilda Road in South Yarra delivers city fringe convenience with excellent location amenity for those keen on a morning run around The Tan or a late night cocktail on Chapel. Their press release may have described the "capacious lounge" adorned with a 2-metre wide chandelier and a 14-metre curved marble fireplace, but this is certainly no Burberry tote housing fold-up ballet flats. HOTEL VERA Tucked away behind the façade of a quiet heritage townhouse on Ballarat's main drag is an interior designer's dream. As you enter through the front door, Hotel Vera's masterclass in colour theory unfolds before you – the inspiring result of owners David Cook-Doulton and Martin Shew's impeccable taste. With only seven spacious suites on offer, Vera's focus is on a personalised experience that translates into easy-going hospitality, long chats over breakfast, and a fascinating tour of their 19th-century mansion – now transformed into a contemporary, lovingly-crafted modern guesthouse. Each room has its own unique flavour: individual two-tone wall colours are complemented by textured, sculptural design choices, original artworks and locally-sourced decorative pieces; a pet friendly suite offers a private courtyard and convenient, separate shower bench for dog washing; and an accessible suite redefines what is often an afterthought, featuring gorgeous interior touches that allow for easy use. As Cook-Doulton leads me through the building, pointing out intricate historical details that they have weaved into their contemporary renovation, it's clear that this is a heartfelt project lovingly brought to life. As custodians of the history they've inherited, Cook-Doulton and Shew clearly understand that their properties (they also run Hotel Ernest in Bendigo) can offer modern amenities whilst still respecting the unique fabric of the regional towns they reside in. And Hotel Vera is just that: a quietly luxurious home away from home – with repeat visitors who request specific suites they've come to love – that also embraces its historical context. Add a table for the night at the 14-seat, intimate in-house restaurant Underbar, helmed by Michelin-trained chef Derek Boath, and you've got the ultimate weekend getaway on your hands. That it offers a treasure trove of interior inspiration for anyone looking to update their own space back home? Well, that's just a bonus. LE MERIDIEN MELBOURNE Walking into Le Meridien on a Friday night straight from the office, the day after their rollicking Parisian-themed opening launch (featuring a sparkling champagne tower), is admittedly not quite as glamorous – but still enjoyable nonetheless. Positioned at the top end of Bourke Street and occupying the former Palace Theatre site, the Melbourne iteration of Mariot Bonvoy's five-star brand is smack bang in the middle of the theatre district. So, with its film-themed fine diner Dolly downstairs, and movie concession-style ground floor café Intermission, it takes its cues from its own rich creative history on site. Now a 12-story building featuring 235 rooms tucked behind a heritage art deco façade, its design encompasses the performing legacy of previously hosting a theatre, cinema, nightclub and live performance venue at various times in its 180 year history. And although there are many subtle nods (like an incredible popcorn-flavoured bomb Alaska desert at Dolly, and the restaurant's name itself referencing – no, not Parton, but an obscure camera technique), its presentation is thoroughly modern. With rooms and suites overlooking either Parliament or the city – with a view to the chic pool deck below – there really isn't any bad room on offer, although the lower-pricepoint rooms are admittedly on the smaller side. Its selling point for weekenders is definitely Le Splash, a poolside dining offering featuring a small selection of cocktails and luscious lobster rolls delivered straight to your deckchair, with a view to Parliament House. Outdoor pools are a rarity in Melbourne, for obvious reasons, but when you get the weather just right, this is the place to be. Images: supplied.
The Melbourne International Arts Festival will be putting the Famous Spiegeltent to good use for Mirror on Melbourne, a rich array of free daily events that run late into the night. Celebrating the best of Melbourne's local musical and performance talent, the series presents everything from toe-tapping jazz bands to DJs serving up tunes that wouldn't be out of place in the city's underground clubs. Meanwhile, each Sunday session sees leading Indigenous and multicultural voices host a special series of events. The full program is still yet to be announced, but you'll be happy to know that Archie Rose Distilling Co. and Código 1530 will be on-hand to serve up some delightful springtime drinks. Mirror on Melbourne will run every night from October 3–20, except Monday, October 14. The festivities kick off from 9.30pm each night (and 7.30pm on Sundays) so it has your late-night post-show fun covered.
The Emirates British Film Festival is back for another year, with more Benedict Cumberbatch than ever before. The Sherlock star gives a sure-to-be-Oscar-nominated performance in The Imitation Game, about mathematician Alan Turing, the man who cracked Nazi Germany's Enigma code and, in doing so, helped turn the tide of the war. The historical thriller is one of 15 recent films on the festival program, which kicks into gear at select Palace Cinemas this week. Other standouts include the Belle & Sebastian-infused musical God Help the Girl and the intense action-drama '71, set on the streets of Belfast during The Troubles in Northern Ireland. There are also new films from acclaimed directors including Liv Ullmann, Ken Loach and Mike Leigh, in the form of Miss Julie, Jimmy's Hall and Mr. Turner, respectively. The contemporary contingent is bolstered by a selection of six beloved classics from the 1960s. Get a dose of kitchen-sink realism with Billy Liar, go on the run with Michael Caine in The Italian Job or experience full-blown Beatlemania with A Hard Day's Night.
While in lockdown, you've probably been battling with your hairstyle a little. Should you attempt to trim your bangs? Shave your head? Dye it blue a la Hilary Duff? Well, if you decide to cut yourself a mullet, you'll score some free beer courtesy of the folk over at Melbourne's Moon Dog Craft Brewery. The team behind Abbotsford's OG Moon Dog and Preston's OTT Moon Dog World is celebrating the launch of its new strawberry sour ale, Jean-Strawb Van Damme, by giving away four-packs of the brew to everyone who takes on the mullet challenge. To prove you've gotten your new 'do in iso, you'll need to post a before and after photo and tag both @moondogbrewing and @beefsbarbers. And not only will you score yourself a four-pack, you'll also go into the running to win a year's supply of beer. The 365 days of brews — plus and epic prize pack — will go to the best/worst mullet, so go all out. https://www.instagram.com/p/B_EcsWFjDXs/ If you need some inspo, we suggest heading on over to the Mulletfest website. Held every year in the regional NSW town of Kurri Kurri, the festival awards prizes to the best mullet hairstyle in a heap of categories, from 'grubby' to 'extreme' and 'everyday'. Those who don't want to look like Patrick Swayze in Point Break (or Road House), can still try the tasty sour ale. Moon Dog is delivering it across Australia ($20 a four-pack or $100 a 24-pack) and it's available at select bottle-os across the country, too. To score yourself a free four-pack of Jean-Strawb Van Damme — and go into the running to win a year's supply of beer — you'll need to post a before and after photo and tag both @moondogbrewing and @beefsbarbers. To buy the beer, head to the Moon Dog website.
Pop-up bars are no stranger to Melbourne's streets — but none deliver a message quite as blatant as Trash Tiki. It's operating waste-free and travelling the world showing customers and bar owners how to do it too. In the hopes of drawing attention to over-consumption and single-use ingredients in the craft cocktail industry today, UK bartenders Kelsey Ramage and Iain Griffiths have designed the pop-up to be a launchpad for a conversation on waste. After a brief stint in Sydney last year, Trash Tiki will set up at The Beaufort for a whole two weeks from January 22 to February 3. The drinks selection will be themed around junk, including Young Henrys Junk Ale — it's a brown ale made from spent and surplus malt, mash and hops from other brews that are usually put straight in the bin. Also on offer: Tiki cocktails, plus their Citrus Off Cut Soda with bush honey and eucalyptus, as made in collaboration with Sydney's PS40 bar. Melbourne is the 27th stop for the globe-trotting pop-up. It's travelled Europe, Asia, South America and the US, with plans to head to Brisbane too. During their stay, the gang won't just be whipping up zero-waste drinks, but also throwing punk karaoke and trivia nights and hosting a kitchen takeover by Smith & Daughters' Shannon Martinez, as well as an all-day and -night Hottest 100 party and a hip hop-fuelled sustainable wine night with the Bar Liberty crew.
It's always hard for us to talk about our own possible obsolescence. Journalists versus blogs. Paper versus iPad. Yeah sure, vinyl came back, but not everything will be so lucky. This free talk at the Wheeler Centre will debate which category arts criticism falls into. Does we still listen to the reviewer? Is anyone even reading this sentence right now? As the newspapers buckle under the demands of the new digital era, what is next for the arts section? Perhaps it has been cannibalised by our Twitter feeds — 'lol#fail that play sucked'. Maybe its modern day equivalent can be found in that annoying onslaught of personal blogs your friends are always spruiking. All these questions will be covered in more eloquent detail by an esteemed panel of industry experts on the night. Katrina Sedgwick, head of arts at ABCTV, will lead the discussion between international design critic, Alice Rawsthorn; freelance culture writer, Jane Howard; Korean theatre critic and professor, Yun-Cheol Kim; ex-arts writer at The Australian, Deborah Jones; and editor of Art Guide Australia, Dylan Rainforth.
From the heartfelt animation of Studio Ghibli to the sword-swinging excess of Takashi Miike, if there's one thing that Japanese cinema is known for, it's variety. And while neither feature on this year's Japanese Film Festival program, there's plenty more where they came from— including true tales of dentists who became pop stars, watercolour explorations of the impact of war and Tokyo murder mysteries. Screening at Hoyts Melbourne Central and the Australian Centre for the Moving Image from November 23 to December 3, JFF 2017 continues the annual festival's fondness for diversity as it showcases the latest and greatest movies that Japan has to offer. Take its opening and closing films: kicking things off is historical ninja flick Mumon: The Land of Stealth, while acclaimed drama Radianceheads from Cannes to the fest's last night. Other highlights include Japan's next Oscar submission, Her Love Boils Bathwater; a haunting modern take on an ancient ghost story in Snow Woman; and perhaps the movie with the best moniker in the lineup, Hamon: Yakuza Boogie. Throw in Sion Sono's lurid Antiporno, darkly comic coming-of-age tale Love and Other Cults, and alien takeover effort Before We Vanish — as well as a lineup of Seijun Suzuki classics — and the scene is set for a delightful dip into Japan's movie magic.
The laughs are served up a little differently at The Arbory's annual MICF series, the Silent Comedy Festival. Returning for another round of hilarious stand-up showcases from Wednesday, March 30, the fan favourite event sees some of Australia's top comics taking to the riverside stage to perform... in total silence. Or at least, that's how it appears from the outside. Rather, audience members enjoy the stand-up acts through noise-cancelling headphones; kind of like what you'd expect from a silent disco. Running Tuesday, Wednesday and Thursday nights throughout MICF (until April 21, with the exception of April 19), the Silent Comedy shows will each feature a trio of side-splitting comedians, with Fox Sports funnyman Andrew Barnett in the role of MC. Included on this year's bill are the likes of Jimeoin, Bev Killick, Luke Heggie, Lawrence Mooney and Dilruk Jayasinha. Tickets are $25, which gets you an evening full of chuckles, plus a pair of headphones to use for the night. And if you fancy some refreshments, you'll also find a $25 MICF pre-show burger and beer special, teaming your pick of Arbory burger with a schooner of Mountain Goat summer ale. [caption id="attachment_804282" align="alignnone" width="1920"] Jimeoin, photographed by Simon Shiff.[/caption] Images: Simon Shiff
Back when streaming platforms and digital television were just a futuristic dream, and when every Australian TV network only had one channel, SBS was an Aussie cinephile's go-to source for free international cinema. The public broadcaster has continued to uphold that role over the past decade or so, especially via its online service SBS On Demand. But now it's giving movie buffs what we've always wanted: a new, free-to-air, 24-hour world movies channel. SBS World Movies will launch on Monday, July 1 on channel 32, playing flicks from around the globe all day, every day. Prepare for quite the movie marathon, as more than 700 films will be broadcast each year. The channel will also become the network's third in HD — a far cry from the days when folks at home would record the station's international movies on grainy VHS tapes to watch again later. While the full launch slate hasn't been revealed, a selection of recent high-profile titles will be heading SBS World Movies' way, including Yorgos Lanthimos' dark and twisty The Killing of a Sacred Deer with Colin Farrell and Nicole Kidman; moving French drama Amanda, which just screened at this year's Alliance Française French Film Festival; and applauded 2018 festival hit Ash is the Purest White, the latest film by acclaimed auteur Jia Zhangke. Norwegian historical drama The 12th Man, French thriller Just A Breath Away and Belgian Cannes winner Girl round out the just-announced first movies. https://www.youtube.com/watch?time_continue=1&v=QT3KlMWHfzw The channel will also showcase women in film via a weekly double focusing on female filmmakers and lead actors, highlight favourites from the international film festival circuit, delve into up-and-coming cinema from far-flung corners of the world, and curate seasons around events like Diwali, Lunar New Year, International Women's Day and Mardi Gras. Along with programming world movies on its existing channels, as well as on SBS On Demand, SBS is no stranger to the dedicated film channel game. For nearly a quarter of a century up until January 2018, World Movies was available via subscription TV services such as Foxtel. When SBS World Movies joins the network's lineup, it'll sit alongside existing channels SBS, SBS VICELAND, SBS Food and NITV. SBS World Movies launches on Monday, July 1 on channel 32.
Twelve of Australia's best young winemakers will be gathering in Melbourne on Saturday, June 1, and you're invited to spend an afternoon in their company. You'll be sampling their latest drops, asking all the questions and, ultimately, deciding who decides to get take home the 13th Young Gun of Wine People's Choice Award. To be part of wine history in the making — and play James Halliday for the day — you need to snag a $45 (or $55 after May 25) ticket and rock up at midday. The event, being held by City Wine Shop, will be happening at St Martins Youth Arts Centre. As well as wine, there'll be burgers and vegan fare from 24-hour Melbourne favourite Butchers Diner. Four states and some of Australia's most famous wineries are represented in the Young Gun list of finalists — including Andrew Scott from La Petite Mort in Queensland's Granite Belt, Sacha La Forgia from the Adelaide Hills Distillery, Ben Ranken from Macedon Ranges' Wilimee and Rhys Parker and Paul Hoffman from Vallée du Venom in the Margaret River. If, on the day, any particular drops takes your fancy, you'll be able to buy bottles at cellar door prices.
Long before Gone Girl started stirring up controversy, one man made a name for himself scandalising moviegoers time and time again. Over a career that spanned more than half a century, Alfred Hitchcock directed some of the most divisive, talked-about thrillers in the history of motion pictures. And for the next four weeks, The Astor is bringing a selection of them back to the silver screen. Hosted over four consecutive Sundays, the seven-picture retrospective kicks off with a screening of Suspicion paired with the director's out-of-character marital comedy Mr. & Mrs. Smith (not the one you're thinking of.) Saboteur and Rope plays on November 2, followed by The Trouble with Harry and The Man Who Knew Too Much a week later. The series wraps up with a single feature showing of the classic mistaken identity tale North by North West. So sit back, grab some popcorn, and get acquainted with The Master of Suspense.
If your resolutions for 2023 involve being your best self in the kitchen, this year keeps bringing folks Australia's way who can definitely help. First, Israeli chef Yotam Ottolenghi made his way around the country on a speaking tour. In May, Britain's Marco Pierre White is doing the same. And, also the same month, the one and only Nigella Lawson will enjoy her latest visit Down Under. Dubbed An Evening with Nigella Lawson, this tour will see the television and cookbook favourite chat through her culinary secrets — and food in general, her life and career, and more. If you're the kind of person who starts plotting your next meal before you've even finished the last, or loves eating more than anything else, Lawson's visit will help get right to the guts of your food obsession. And, the Melbourne event at Hamer Hall from 7.30pm on Friday, May 19 will also feature a Q&A component so that you can ask Lawson whatever you've always wanted to yourself. Even when she isn't answering audience questions, Lawson will have plenty to cover — she has a hefty pile of cookbooks to her name, starting with 1998's How to Eat: Pleasures and Principles of Good Food and including 2020's Nigella's Cook, Eat, Repeat. When she hasn't been filling our bookshelves with recipes, she's been whipping through them on TV, too, on everything from Nigella Bites, Nigella Feasts, Nigella Kitchen and Nigellissima through to Simply Nigella and Nigella: At My Table. And, she's been popping up on Top Chef, MasterChef Australia and My Kitchen Rules as well.
If you've spent the past year with your nose buried in a book, that's about to pay off beyond the everyday joys and thrills of reading. Sydney Writers' Festival returns for 2023 with another hefty catalogue of thought-provoking events — 226 of them, with almost 300 writers and thinkers involved. Every writers' festival converges around an annual theme, with Sydney's focusing on 'Stories for the Future' for its 2023 iteration from Monday, May 22–Sunday, May 28 at various venues around the city — and also beamed digitally. Today's most current Booker Prize-winner, plus three from past years as well, top the lineup: Shehan Karunatilaka, who won in 2022 for The Seven Moons of Maali Almeida; The Luminaries' Eleanor Catton; The Narrow Road to The Deep North's Richard Flanagan and Girl Woman Other's Bernardine Evaristo. Still on highly applauded attendees, two-time Pulitzer Prize-winning American novelist Colson Whitehead — for The Underground Railroad, which was then adapted into a TV series, and for The Nickel Boys — also leads the bill, arriving between Harlem Shuffle's 2021 publication and sequel Crook Manifesto's arrival this July. Among the international names at the Sydney Writers' Festival, the above headliners have ample company. When Trinidad-born UK musician Anthony Joseph isn't talking poetry — he is 2022's TS Eliot Prize for Poetry winner — London restauranteur Asma Khan from Darjeeling Express, and also seen on Chef's Table, will chat about comfort food; Daniel Lavery from Slate, who penned the Dear Prudence column from 2016–21, will run through his best advice; and Vietnamese author Nguyễn Phan Quế Mai will introduce her new novel Dust Child. On the local front, get ready for two iconic pairings: former Prime Minister Julia Gillard being interviewed by Indira Naidoo, plus Jurassic Park favourite Sam Neill discussing work, life and writing with his Sweet Country, Dean Spanley, Dirty Deeds and Palm Beach co-star Bryan Brown. Also on the must-attend list: Grace Tame chatting about The Ninth Life of a Diamond Miner: A Memoir, Heartbreak High's Chloé Hayden doing the same with Different, Not Less: A neurodivergent's guide to embracing your true self and finding your happily ever after, and Stan Grant on The Queen Is Dead. Also, on Monday, May 15 before the main festival, Tim Winton will discuss writing the ABC TV documentary Love Letter to Ningaloo. And, if your main relationship with the printed word is through recipe books, the 2023 festival is going all in on the topic for one day at Carriageworks Farmers Market. Stephanie Alexander and Maggie Beer will talk with Adam Liaw, while fixing the food system and family recipes will also nab chats by culinary talent. Capping off the bill will be foodie gala The Dinner That Changed My Life, with everyone from Nat's What I Reckon and Jennifer Wong to Alice Zaslavsky and Colombo Social's Shaun Christie-David involved. As always, free events are a big part of the program as well, with more than 80 on this year. And, also in the same category, the spread of venues is hefty — including Carriageworks, Town Hall, and 25 suburban venues and libraries across Sydney. [caption id="attachment_893385" align="alignnone" width="1920"] Grace Tame by Kishka Jensen[/caption] Images: Prudence Upton.
For one night only, on Friday, March 28, celebrity chef Luke Mangan will bring his signature modern bistro style to Bistro Bisou. He and executive chef Jacopo Degli Esposti have teamed up to put together a menu of French-inspired deliciousness. From 7pm, they'll serve up five dishes. Begin with salmon fumé with crème fraîche, duck egg and crisp toast, followed by scallop carpaccio with confit potato and truffle verjus, before lingering over duck leg confit alongside maple bacon, peas and mint sauce. The main is a beef fillet lathered in pepper sauce, and joined by pomme purée and green beans. Come dessert, you'll be treated to a silky vanilla crème brûlée, topped with caramel and biscotti. All in all, the extravaganza will set you back $195. Mangan got his training wheels in French fare under esteemed chef Michel Roux at the Michelin-starred Waterside Inn in London. These days, he keeps up his knowledge and skills with annual visits to France.
A long weekend spent scoffing cheese and vino sounds like a very good long weekend indeed. And that's exactly what you're in for when Grazeland hosts its Cheese & Wine Festival from Friday, June 10–Sunday, June 12. The Spotswood food precinct has invited its vendors to whip up a stack of cheesy new offerings especially for the food festival, to be served alongside its usual dizzying array of global eats and drinks. There'll be a separate dedicated Cheese and Wine zone, too. Look forward to sating your fiercest cheese cravings with bites like creamy gnocchi cooked in a cheese wheel, savoury crepes, gozleme, loaded fries topped with lashings of truffle cheese, and ricotta-stuffed cannoli. Someone's even doing dishes of caciocavallo cheese that's been melted over coals and then slathered over garlic bread. What's more, you'll be able to pair your dairy-driven feast with a special curation of wine that's set to include plenty of award-winners; from the Grant Burge Meshach shiraz, to the Arras Grand Vintage cool climate sparkling out of Tassie. [caption id="attachment_845962" align="alignnone" width="1920"] I in the Sky Productions[/caption] Top Image: Grazeland vendor Frencheese.
Chunky Move Artistic Director Anouk van Dijk is joining forces with renowned multimedia artist Ho Tzu Nyen for an ephemeral new dance work at Malthouse Theatre. Presented in partnership with Dance Massive and Asia TOPA, Anti—Gravity is a refined, highly physical show inspired by clouds — the way they swell, the way they shift, and the way they shape the experiences of those of us on the ground. Running from March 17 to 26, Anti—Gravity will feature Chunky Move dancers James Batchelor, Marlo Benjamin, Sarah Ronnie Bruce, Tara Jade Samaya, Niharika Senapati and Luigi Vescio. Over the course of the hour-long show, the six performers will transform from 'celestial creatures' into 'terrestrial warriors'. You'll have to head along to see what that means.
John Nixon and the late Fred Williams have both been widely recognised as leading figures in the Australian art world, with each man creating works that have stood the test of time. Reducing Landscapes brings their work together in a seven-week exhibition at Hawthorn's Town Hall Gallery. Opening on Saturday, January 16, the exhibition will highlight the process of abstraction that was integral to both men's work. Williams, whose art has been featured in more than 70 solo exhibitions, worked with wash and impasto oil paint and brush. Nixon takes a different approach, using enamel paints, sponges and alternate methods of construction, building his paintings beyond the frame. Running alongside Reducing Landscapes will be a separate exhibition featuring work from the Town Hall Gallery's collection, including pieces by Helen Maudsley, Ian Armstrong and Noel Counihan. Image: John Nixon, Eltham (2014), courtesy Anna Schwartz Gallery, Melbourne.
If you're a fan of the new and exciting, especially when it comes to what's in your wine glass, prepare to scope out some very fresh talent, when Young Gun of Wine's Uncut showcase hits Melbourne next month. Roving between legendary laneway spots Kisumé, Supernormal and Bar Tini on Sunday, November 4, the event's set to shine a spotlight on the bright young things and rising stars of Australia's wine scene. It'll offer the chance to sample 50 wines from 25 buzz-worthy winemakers, as chosen by the expert Young Gun of Wine crew — a group that champions groundbreaking, emerging winemakers and acts as an incubator for the country's up-and-coming wine stars. Uncut will see you quaffing all sorts of interesting Aussie drops as you cruise between venues, with eats available at each stop. Tickets are $55, which includes all your tastings and a Riedel glass to keep for future wine appreciation sessions.
The laughs are served up a little differently at The Arbory's annual MICF series, the Silent Comedy Festival. Returning for another round of hilarious stand-up showcases from Thursday, March 25, the fan favourite event sees some of Australia's top comics taking to the riverside stage to perform...in total silence. Or at least, that's how it appears from the outside. Rather, audience members enjoy the stand-up acts through noise-cancelling headphones, in a similar vibe to what you'd expect from a silent disco. Running Tuesday, Wednesday and Thursday nights throughout MICF (until April 15), the Silent Comedy shows will each feature a trio of side-splitting comedians, with the likes of Jimeoin, Dolly Diamond, Lawrence Mooney and Katie Burch included in this year's lineup. Tickets are $25, which gets you an evening full of chuckles, plus a pair of headphones to use for the night. And if you fancy some refreshments, you'll also find a $25 MICF burger and beer special, teaming your pick of Arbory burger with a schooner of Mountain Goat summer ale. [caption id="attachment_804282" align="alignnone" width="1920"] Jimeoin, photographed by Simon Shiff.[/caption] Images: Simon Shiff
If anything's going to bring some much-needed classiness to your lockdown, it's a little dose of Japanese fine dining elegance. And that's exactly what's being served up by acclaimed kaiseki restaurant Ishizuka as part of its new at-home food offering. While its dining room remains closed, the tiny 16-seater is whipping up a selection of its intricate fare for takeaway and delivery. And among the mix is one of the most indulgent bento boxes we've ever seen. The Single Layer Master Bento comes in at $135, brimming with a neat array of high-end inclusions to put even your most adventurous lockdown cooking forays to shame. We're talking seafood delicacies like baby abalone, snow crab, salmon roe and kamaboko (Japanese fish cake), alongside high-end meats such as premium A5 Kagoshima wagyu and duck. Other top-quality additions might feature the likes of kōhaku namasu (a daikon carrot pickle), braised eggplant with wintermelon, candied cumquats and house-made mochi. The offering changes up regularly depending on the produce in the kitchen — helmed by Michelin-starred chef Masahiko Yomoda. Order via the website's reservations page by 5pm for next-day delivery (between 3–5pm) or collection from the restaurant. [caption id="attachment_697864" align="alignnone" width="1920"] Ishizuka, by Felix Forest[/caption] Top image: Eve Wilson
If you're looking to dip into a few fresh literary delights, why not opt for a deep-dive into some of the world's oldest storytelling traditions? That's what you can expect to enjoy when this week's Blak & Bright First Nations Literary Festival serves up a celebration of First Nations stories and writers, fusing tradition and innovation. Running from Thursday, March 17 until Sunday, March 20, the festival will spotlight over 67 talented storytellers — both emerging and familiar — across a program of conversations, workshops, readings and performances. Most events will be held at Melbourne's Wheeler Centre, with many also streamed online. The festival's launch night kicks off with a Welcome to Country and multi-disciplinary performance piece Solace, as traditional owners and artists Philly, Bryan Andy, James Henry and Steven Rhall explore ideas around men's mental health. During Borrow a Living Book, you'll have the chance to sit down with an elder at Indigenous-owned eatery Big Esso and immerse yourself in the stories of their lived experiences. With Kimmy Lovegrove as MC, Gammon (Aboriginal slang for 'joking' or 'kidding') delivers a serve of Blak comedy, while The Monologues showcases words from celebrated First Nations playwrights including Kodie Bedford, Anita Heiss and Jane Harrison. Elsewhere, you'll catch a series of ten-minute talks by social justice activists, an in-depth exploration of Aboriginal aesthetic within the Australian design landscape, and a group poetry read featuring writers like Jazz Money and Charmaine Papertalk Green. Can't make it in person? A stack of the events will also be available to enjoy streamed online, with various ticketing options on offer. [caption id="attachment_846280" align="alignnone" width="1920"] Maurial Spearim, by Tiffany Garvie[/caption] Top Image: Richard Frankland and Stan Yarramunua, by Tiffany Garvie
They're perhaps the most mystical of all sea creatures, but you probably haven't had much of a chance to get up close and personal with real-life jellyfish. Well, all that's about to change. Sea Life Melbourne Aquarium is shining the spotlight on these ocean enigmas with an interactive new $1.5 million jellyfish exhibition launching tomorrow, Thursday, December 12. Spread across 300 square metres and three multi-sensory zones, and featuring a thousands of jellyfish from a range of species, Ocean Invaders has made its home permanently at the aquarium. It's home to a range of exhibitions dedicated to these gelatinous critters — from lighting installations to hands-on activities and mesmerising, colourful displays of living jellyfish. Here, you can learn the ins and outs of jellyfish, watch them being cared for by Sea Life's ocean experts and even crawl through a cylindrical tank surrounded by them. In another zone, striking light projections lend even more magic to a range of living displays, including one transparent sphere that's packed full of floating creatures. Species like the blue blubber jellyfish (catostylus mosaicus), the upside-down jellyfish (cassiopea andromeda) and sea nettles (chrysaora melanaster) also feature in the Ocean Invaders collection, which also aims to school visitors on why some jellyfish populations are currently booming across our oceans. Find Ocean Invaders at Sea Life Melbourne Aquarium from Thursday, December 12, 2019. Entry is included in the price of general admission ($37.40)
Girls to the front — Bikini Kill are coming to Australia. The iconic Kathleen Hanna-fronted, Washington-formed band instigated the riot grrrl movement, and will perform their first Aussie shows in more than 25 years on a seven-date 2023 tour. On top of appearances at Mona Foma, Golden Plains and Perth Festival, the trailblazing trio of Hanna, Kathi Wilcox and Tobi Vail are doing a series of headline shows, including appearing in Melbourne in March. In the Harbour City, Bikini Kill are headed to The Forum on Tuesday, March 7–Wednesday, March 8 — and in good news for the next generation of rebel grrrls and underage rockers, it's an all-ages affair. [caption id="attachment_875442" align="alignnone" width="1920"] Debi Del Grande[/caption] In preparation, either watching or rewatching the exceptional documentary The Punk Singer, about Hanna, should be on your must-do list right now. Fun fact: when Hanna spray-painted "Kurt smells like Teen Spirit" across her pal Mr Cobain's wall, the name of a certain grunge anthem was born. When they hit Sydney, Bikini Kill are appearing at the Sydney Opera House's All About Women conference on Sunday, March 12, too, which Melburnians can also livestream from home. Top image: Debi Del Grande.
Biannual art and design markets The Finders Keepers is returning for its spring/summer iterations, bringing shoppers the latest and greatest from its stellar lineup of Australia's most creative makers. The Naarm edition is taking over Royal Exhibition Building from Friday, October 14 till Sunday, October 16. Joining a roster of over 240 stalls is a tasty range of food and beverage offerings — all the makings of a prime day to get out, have a chat with artists and support the industry. At the core of the conscious shopping space is a focus on helping you discover and connect with the next wave of Victorian-based emerging artisans and designers. So, you can expect to find everything from jewellery, fashion and ceramics to leather goods and body products. [caption id="attachment_869186" align="aligncenter" width="1920"] Samee Lapham[/caption] Those with an eye for illustrations should check out Georgia Perry for a spread of vibrant pieces, while online-exclusive footwear brand Twoobs will be making a rare in-person appearance. Sustainable fashion is the name of the game with Melbourne-based brand Kindling, and you can expect to see pieces from the recycled activewear experts Amble Outdoors, handmade linen from Bilboa and style-heavy 'fits from the trendy tailors at Al Elé. Don't miss the return of the Finders Keepers Indigenous Program, which will be shining a spotlight on the skincare brand Mwerre Soap and Skin (pictured below). The products are made with love using Australian ingredients, with each sudsy creation crafted slowly and by hand. As well as nabbing a ticket to enter — which is just $5 for daily general admission — be sure to remember that the market is completely cashless. So check (then check again) that you've got your digital or plastic payment methods at the ready — it would be a travesty to leave the market empty handed. The Finders Keepers Spring/Summer Markets will take place on Friday, October 14 (4–9pm), Saturday, October 15 (10am–5pm) and Sunday, October 16 (10am–5pm) at the Royal Exhibition Building. For more info and to check out the full vendor lineup, head to the website. Top images: Samee Lapham (location shots)
Not content with screening movies at its regular site in Yarraville, the Sun Theatre has set up shop in Williamstown for a summer of outdoor cinema. And, for an early autumn filled with films under the stars, too — with the new Shore Cinema Williamstown running through until April. On various nights during its debut season (with evening screenings playing on different days each week), movie buffs will find the projector whirring at the Seaworks Marine Precinct, in the Gantry Plaza right by the water. You'll sit under fairy lights, direct your eyes at the big screen, tuck into choc tops and popcorn from the candy bar, and enjoy food and drinks from nearby cafes and eateries. Tickets start at $15 for an adult, which covers a spot on the grass — BYO seat. Beanbags can be hired for $20, you can score a chair for two for $45, or you can add some wine and snacks for you and your date for $90. As for what you'll be watching, the movie lineup includes recent releases such as The Personal History of David Copperfield, Wonder Woman 1984 and The Dry, plus retro titles like Get Out, Isle of Dogs and Mad Max. For Valentine's Day, you can take your special someone to see Romeo + Juliet — or head by the night before for a double of Before Sunrise and Before Sunset.
If you thought your pooch was spoiled before, just you wait until they find themselves living it up at Scratch Patch — the activity-filled pop-up dog park of their twitchiest doggy dreams. The brainchild of ethical pet food company Scratch, Scratch Patch has arrived at Edinburgh Gardens from Saturday, March 5–Sunday, March 27. And oh boy, is it a mood. The playground is filled with fun obstacles and activities for the four-legged crowd, from high jump and agility poles to ball pits and totem tennis. There's even a dog-friendly pop-up pool. If your pup is more of a book worm type, we're sure they'll be pretty stoked with a visit to the on-site stick library. Meanwhile, a tuck shop is slinging an array of healthy Scratch pet food and treats for big appetites. And, since no pet parent can call themselves such without a camera roll full of adorable snaps to prove it, there'll be installations offering photo ops galore. Scratch customers and City of Yarra residents can enjoy Scratch Patch for free, with a $10 cover charge for everyone else. Bookings are required — you'd better snap up a play slot for Luna so she doesn't get left out and have to hear about it from all her mates forevermore.
If you've got a thing for hip hop and fancy sussing out the freshest local talent, there's only one place you need to be on Saturday, March 12. That's when not-for-profit arts organisation L2R takes over Footscray Community Arts Centre for a huge all-ages block party. It all kicks off at 12pm with a community barbecue feast on the lawn, before a jam-packed program of tunes and dance fires up the afternoon. You'll catch hip hop showcases, 2-on-2 battles, and performances by L2R crews and a host of emerging talent, spanning a mix of styles including breakin', vogue, house, dance hall and more. It's safe to say you won't be sitting still in your seat once these guys get going. There'll be plenty of special guests on the bill, and a lineup of live acts and DJs to soundtrack the afternoon's festivities. Plus, a stack of local food trucks will be on hand to fuel those moves. Under 18s can score free entry, while adult tickets clock in at an easy $10. [caption id="attachment_844190" align="alignnone" width="1920"] Footscray Community Arts Centre, by Gianna Rizzo[/caption] Top Images: L2R dancers, by Sam Wong
