Each year we anticipate the arrival of December 25. Because of the day off, the promise of an afternoon spent dozing in a hammock — and the arrival of Gelato Messina's annual Christmas cake. This year, the gelato chain is bringing back its version of the quintessential Australian dessert: the trifle. Yes, we're talking Christmas desserts already. The Christmas Coma will return for its third year running — and this time it's more fruity than overly decadent. The epic ice cream creation will feature layer upon layer of everything that is good about Christmas — but instead of being soggy and slightly regrettable, this one will have you licking the glass bowl. So what's in it? Well, Messina has switched out the vanilla gelato for a mango sorbet, and will be slathering it with its house-made passionfruit mousse. Then it will be layered with — here we go — whipped guava jelly, coconut cream, sponge soaked in mango and macadamia crunch. Oh, and garnished with a chocolate coconut. Plus, it'll come with some Messina rum custard to douse all over the mess and a box of Christmas crackers for the table. The trifle, which serves 20–30 (or less if you really commit), costs $170 and can be pre-ordered from October 28. You can pick up your Christmas Coma between midday on Friday, December 20 and 6pm on Christmas Eve, from all Gelato Messina stores across Sydney, Melbourne and Brisbane except The Star, Surry Hills, Richmond and Coolangatta. It comes in a Messina cooler bag and, if you keep it in there sealed, can survive for up to two hours. Last year, the trifle sold out super fast, too, so we suggest you don't wait on this one. The Christmas Coma available to order from Tuesday, October 29. Updated October 29, 2019.
It's been just over 18 months since the crew behind Sydney restaurant NOMAD opened the doors to their first Melbourne spin-off in the former Ezard site on Flinders Lane. But it looks like their southern adventure is only just beginning, with news of another culinary venture heading our way before winter is out. NOMAD Group's Al and Rebecca Yazbek have revealed plans to open their next bar and restaurant, Reine and La Rue, within the historic Melbourne Stock Exchange digs. And this time around, they'll be treating diners to a taste of modern French cuisine. The neo-gothic building at the corner of Queen and Collins Streets has been resurrected as part of an extensive redevelopment project by GPT Property Group, with Reine and La Rue set to make their home within the impressive space known as The Cathedral Room. From August, the granite columns, lofty ceilings and glass floor tiles will become the backdrop for Reine's 150-seat dining room, which will also house a ten-metre-long marble bar devoted to cocktails and another slinging seafood. There'll be big banquettes in caramel-hued leather, and furniture by the likes of Grazia & Co and Volker Haug Studio. Adjacent to all that sits a 40-seat terrace, leading through to the tiny speakeasy-style cocoon of La Rue — a walk-in-only joint with its own wine vault and space for just eight punters at a time. Heritage Victoria have helped guide the rejuvenation of the historic Cathedral Room, which has laid derelict for the last couple of decades. Also behind the transformation are RBA Heritage Architects and Sydney-based design and architecture practice Akin Atelier. [caption id="attachment_899949" align="alignnone" width="1920"] Samantha Schultz[/caption] Both Reine and La Rue are set to showcase the same culinary offering, which'll be imagined by the group's Executive Chef Jacqui Challinor, alongside venue Head Chef (and NOMAD Melbourne alum) Brendan Katich. The offering will zero in on Victorian produce and celebrate contemporary takes on French flavours, while heroing the kitchen's wood-fired hearth. Look forward to the likes of steak frites with bordelaise sauce, charcoal-cooked local calamari paired with cafe de Paris butter, and a roving cheese trolley. As for the drinks, the owners are aiming to have "the largest and most exclusive American wine list in the country," along with a strong spread of French vino, of course. American-inspired drops will also rule the classic-leaning cocktail lineup. Reine and La Rue will open at 380 Collins St, Melbourne in early August. We'll share more details as they drop.
Just as NAIDOC week kicks into gear for 2019, Australia's Budj Bim Cultural Landscape has been added to UNESCO's World Heritage List — becoming the first Australian site to receive recognition exclusively for its Aboriginal cultural values. During its current meeting in Baku, Azerbaijan, the United Nations Educational, Scientific and Cultural Organisation added the south-west Victorian site to its list of landmarks and areas that are legally protected due to their significance. Located on Gunditjmara country, the region spans the Budj Bim volcano, Tae Rak (Lake Condah), the Kurtonitj wetlands, and Tyrendarra's rocky ridges and large marshes. It also includes remnants of more than 300 round, basalt stone houses, which demonstrate the Gunditjmara people's permanent settlement in the area. Of specific interest to UNESCO, Budj Bim features a system of channels, dams and weirs, all made possible due to basalt lava flows that have been carbon-dated back to 6600 years. The complex network is considered one of the the largest and oldest aquaculture setups in the world, and is used not only to contain floodwaters, but to trap and harvest the kooyang eel. The listing comes after five years of work between Gunditjmara people and the Victorian and Australian governments to develop Budj Bim's World Heritage nomination, and marks Australia's 20th entry on the list — alongside the Great Barrier Reef, Kakadu National Park, Fraser Island, the Tasmanian wilderness, the Greater Blue Mountains area, the Sydney Opera House and the Royal Exhibition Building and Carlton Gardens, among others. [caption id="attachment_729904" align="aligncenter" width="1920"] Tae Rak channel and holding pond,Tyson Lovett-Murray, Gunditj Mirring Traditional Owners Aboriginal Corporation[/caption] In total, UNESCO has added 21 new sites to the World Heritage List as part of its 2019 conference, which runs through until Wednesday, July 10, and will examine 35 nominations in total. In addition to Budj Bim, the new entries showcase spots in China, Iran, France, Iceland, Brazil, Bahrain, Canada, Germany, Czechia, India, Indonesia, Japan, Poland, Myanmar, Republic of Korea, Lao People's Democratic Republic, Burkina Faso and Iraq, including Babylon. The list of new cultural sites chosen so far is as follows: Migratory bird sanctuaries along the Coast of Yellow Sea-Bohai Gulf of China — natural site. Hyrcanian forests in the Islamic Republic of Iran — natural site. French Austral Lands and Seas in France — natural site. The fire and ice of Vatnajökull National Park in Iceland — natural site. The culture and biodiversity of Paratyand Ilha Grande in Brazil — natural and cultural site. Ancient ferrous metallurgy sites of Burkina Faso — cultural site. Babylon in Iraq — cultural site. Dilmun burial mounds in Bahrain — cultural site. Budj Bim Cultural Landscape in Australia — cultural site. Archaeological ruins of Liangzhu City in China — cultural site. Jaipur City, Rajasthan in India — cultural site. Ombilin coal-mining heritage of Sawahlunto in Indonesia — cultural site. Mozu-Furuichi Kofun Group of mounded tombs from Ancient Japan — cultural site. Megalithic jar sites in Xiengkhouang — Plain of Jars in the Lao People's Democratic Republic — cultural site. Bagan in Myanmar — cultural site. Seowon, Korean Neo-Confucian Academies in the Republic of Korea — cultural site. Writing-on-Stone /Áísínai'pi in Canada — cultural site. Erzgebirge/Krušnohoří mining region of Czechia and Germany — cultural site. The landscape for breeding and training of ceremonial carriage Hhrses at Kladruby nad Labem in Czechia — cultural site. The water management system of Augsburg in Germany — cultural site. Krzemionki Prehistoric Striped Flint Mining Region in Poland) — cultural site. UNESCO also extended the heritage listing of the Natural and Cultural Heritage of the Ohrid region, to not only include northern Macedonia but also Albania. Prior to the 2019 meeting, the World Heritage List included 1092 different sites spread across 167 countries. Need some travel inspiration — or a reminder of just how wondrous our planet is? Browsing the full list will take care of that for you. Top images: Lake Condah, Tyson Lovett-Murray, Gunditj Mirring Traditional Owners Aboriginal Corporation / Tae Rak in flood, Tyson Lovett-Murray, Gunditj Mirring Traditional Owners Aboriginal Corporation.
There were short-lived rumours that Melbourne's art and hospitality scene had reached peak saturation, but the city quickly put those to bed when its cultural ecosystem grew and flourished once again. It has been a year of innovative new restaurants and bars — bigger and taller than ever before — forward-thinking events and bold spaces, pubs and cafes. And they're not all from the big players — independent ventures are flourishing. Bars continue to offer immersive, imaginative experiences that take you beyond their drinks lists — giant wheels of raclette, Kill Bill-themed drinks lists — and late into the night, with some now serving inventive bar snacks til 3am. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented vanguards pushing Melbourne to be a better, braver city. And so, these six new bars, opened in 2017, were nominated for Best New Bar in Concrete Playground's Best of 2017 Awards.
In 2014, the ultimate celebration of French cinema in Australia will mark its silver anniversary with one of its most impressive programs yet. Lighting up Palace Cinema locations around the country, the 25th annual Alliance Française French Film Festival has film-faring Francophiles covered, with light hearted comedies to searing dramas, as well as hat-tips to two of France's most legendary filmmakers. The festivities kick off on opening night with a screening of Nils Tavernier's inspiring sports drama The Finishers followed by a post-film cocktail party. Other big tickets include the bloody Palm d'Or nominated epic Michael Kohlhaal, Bruno Dumont's lauded biopic Camille Claudel 1915 and the Monaco-set espionage thriller Möbius starring The Artist's Jean Dujardin. Lighter options can be found in the festival's romance and comedy streams. Stylish indie ensemble 2 Autumns, 3 Winters has garnered plenty of positive buzz internationally, while Bright Days Ahead offers something for the older crowd, recounting the tale of a newly retired senior who strikes up an affair with a much younger man. Patrons can also preview the works of France's future filmmaking elite, with a program of short films from renowned Parisian film academy La Fémis. At the other end of the spectrum, fans of the classics might enjoy a retrospective of the works of new-wave pioneer François Truffaut, including his medium-shifting masterworks Jules and Jim and The 400 Blows. Closing night serves up another iconic slice of French cinema, in the form of Jacques Tati's wonderful 1958 comedy Mon Oncle. For the full Alliance Française French Film Festival program, visit www.affrenchfilmfestival.org. We have six double passes to give away to the Alliance Française French Film Festival in Sydney, Melbourne and Brisbane. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
For many, it felt like 2020 was the year that time stood still. So, you won't have any trouble relating to the works showcased in the TarraWarra Biennial 2021 exhibition, Slow Moving Waters. Running from Saturday, March 27, to Sunday, July 11, the show centres on ideas of slowness and drift, and the way these concepts are mirrored in the winding Yarra River, which curves its way near the museum's grounds. Here, 25 Australian artists present new works embracing slowness, bucking against the accelerated rush that can be all too present in today's modern world. Among them, you'll spy pieces embracing the scale of time, or exploring the idea of idleness, with many works designed to change and evolve over the course of the exhibition. [caption id="attachment_803585" align="alignnone" width="1920"] Megan Cope, 'Currents II' 2018, courtesy the artist and Milani Gallery, Brisbane.[/caption] You'll catch a live art installation by Quandamooka artist Megan Cope featuring slowly melting plant extracts, and an ever-moving sculpture work by Robert Andrew, which pens the same word over and over again in cursive script. Needlepoint designs by Louisa Bufardeci show some of the ways that a place can stick to us, while Wiradjuri and Kamilaroi artist Jonathan Jones shares the story of how the Birrarung (Yarra River) came to be, using a series of sound recordings and installations spread throughout the whole exhibition. [caption id="attachment_803586" align="alignnone" width="1920"] Robert Andrew, 'Continuing Depths of Connection' 2018–19, courtesy of the artist and Milani Gallery, Brisbane. Photographed by Louis Lim.[/caption] Top image: Yasmin Smith, 'Seine River Basin' 2019, (commissioned for Cosmopolis #2 - Rethinking the Human, Centre Pompidou, Paris) courtesy of the artist and The Commercial, Sydney. Installation view at the Museum of Contemporary Art Australia, photographed by Elle Fredericksen.
George Baldessin and Brett Whiteley had a lot in common — their birth year of 1939, their status as preeminent Australian artists of the 1960s and 70s, and the fact they both died tragically young. From August 31, 2018, to January 28, 2019, NGV Australia will combine the work of these two iconic Australian artists for the landmark exhibition, Baldessin/Whiteley: Parallel Visions. Born in Italy, Baldessin's surrealist art practice frequently portrayed Australia's emerging migrant populations. Often working with silver and gold leaf, his enigmatic prints and sculptures drew inspiration from far and wide, including Japan, France and Italy. His contemporary, Brett Whiteley, was perhaps for a time Australia's most renowned artist. Emerging out of the Sydney art scene, Whiteley spent time living in London and New York City, with the latter having a profound impact on his art practice. Here, he became involved with the Vietnam War protests and was close with the likes of Bob Dylan and Janis Joplin. Featuring over 120 works, Baldessin/Whiteley: Parallel Visions showcases many of the artists' most iconic works — with hints of pop culture, expressionist forms and the avant-garde shared in their works. At the NGV you'll see Whiteley's acclaimed work, The American Dream (1968–69), a 20-metre long painting in response to his time in New York City. There's also Baldessin's renowned MM of Rue St Denis series (1976), portraying the Christian figure of Mary Magdalene on the streets of Paris, alongside his large-scale pear sculptures from 1971–72. Also, don't miss Whiteley's Christie series (1965), which explores the psyche of convicted British murderer John Christie in provocative style. There's also some never-seen-before works, so head along to NGV Australia to catch this once in a lifetime collaborative exhibition. Images: Installation view of Brett Whiteley The American Dream, 1968−69, at Baldessin/Whiteley: Parallel Visions on display at NGV Australia from 31 August 2018 – 28 January 2019. © Art Gallery of Western Australia, Perth. Photo: Amelia Stanwix. // Installation view of Baldessin/Whiteley: Parallel Visions on display at NGV Australia from 31 August 2018 – 28 January 2019. © The Estate of George Baldessin. © Wendy Whiteley. Photo: Amelia Stanwix.
When an awards body has spent almost a century handing out high-profile gongs in a field that garners plenty of attention, it really should be past the point of smashing records and making history. But the Academy Awards hasn't been particularly inclusive or diverse over its 93-year run to-date — which is why 2021's big winner is still breaking boundaries. When Chloé Zhao was nominated for this year's Best Director Oscar for Nomadland, she already achieved an immense feat. Only five female filmmakers had ever even made it to the awards ceremony in the coveted field before 2021, and she joined Promising Young Woman's Emerald Fennell among this year's candidates. This marked the first time ever that two women had received recognition in the same year in the category, too, because when it comes to realising that yes, women are filmmakers, the Academy's track record has been nothing short of abysmal. Now, with the awards handed out and winners anointed, Zhao has become the first woman of colour to ever emerge victorious in the field. She's only the second woman to ever win as well. Zhao ended up with two awards, because Nomadland won Best Picture and she was one of the film's producers. But the importance of her win for Best Director really can't be understated. Zhao joins The Hurt Locker's Kathryn Bigelow, who nabbed the prize in 2009, as the only two women who've ever scooped the field. And, with their nominations, both Zhao and Fennell joined Bigelow, Lina Wertmüller (for Seven Beauties), Jane Campion (for The Piano), Sofia Coppola (for Lost in Translation) and Greta Gerwig (for Lady Bird) as the only women to even get the chance to win Best Director on Hollywood's night of nights. [caption id="attachment_796213" align="aligncenter" width="1920"] Director Chloé Zhao filming Nomadland. Image: Searchlight Pictures.[/caption] Nomadland is Zhao's third film, after 2015's Songs My Brothers Taught Me and 2017's The Rider — and viewers can already look forward to watching her fourth later this year. Her next movie will see the director head into the Marvel Cinematic Universe, with Eternals focusing on an immortal alien race, and starring Angelina Jolie (Maleficent: Mistress of Evil), Kumail Nanjiani (Stuber), Salma Hayek (Like a Boss), Barry Keoghan (Calm with Horses), Gemma Chan (Captain Marvel), Brian Tyree Henry (Superintelligence) and Game of Thrones co-stars Richard Madden and Kit Harington. Zhao will be working on a far bigger scale than seen in her filmography so far; however, there's a sense of empathy and a knack for observation to her features that'll hopefully make the much-needed jump to superhero territory. If you're wondering who else emerged victorious at this year's Oscars, the full list of nominees and winners in every category is below. You can also check out our in-depth overview of ten of this year's winners that are worth watching ASAP. OSCAR NOMINEES AND WINNERS 2021 BEST MOTION PICTURE The Father Judas and the Black Messiah Mank Minari Nomadland Promising Young Woman Sound of Metal The Trial of the Chicago 7 BEST DIRECTOR Another Round, Thomas Vinterberg Mank, David Fincher Minari, Lee Isaac Chung Nomadland, Chloé Zhao Promising Young Woman, Emerald Fennell PERFORMANCE BY AN ACTRESS IN A LEADING ROLE Viola Davis, Ma Rainey's Black Bottom Andra Day, The United States vs Billie Holiday Vanessa Kirby, Pieces of a Woman Frances McDormand, Nomadland Carey Mulligan, Promising Young Woman PERFORMANCE BY AN ACTOR IN A LEADING ROLE Riz Ahmed, Sound of Metal Chadwick Boseman, Ma Rainey's Black Bottom Anthony Hopkins, The Father Gary Oldman, Mank Steven Yeun, Minari PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE Maria Bakalova, Borat Subsequent Moviefilm Glenn Close, Hillbilly Elegy Olivia Colman, The Father Amanda Seyfried, Mank Yuh-Jung Youn, Minari PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE Sacha Baron Cohen, The Trial of the Chicago 7 Daniel Kaluuya, Judas and the Black Messiah Leslie Odom Jr, One Night in Miami Paul Raci, Sound of Metal LaKeith Stanfield, Judas and the Black Messiah BEST ORIGINAL SCREENPLAY Judas and the Black Messiah, Will Berson, Shaka King, Will Berson, Kenny Lucas and Keith Lucas Minari, Lee Isaac Chung Promising Young Woman, Emerald Fennell Sound of Metal, Darius Marder, Abraham Marder and Derek Cianfrance The Trial of the Chicago 7, Aaron Sorkin BEST ADAPTED SCREENPLAY Borat Subsequent Moviefilm, Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman and Lee Kern The Father, Christopher Hampton and Florian Zeller The Mauritanian, Rory Haines, Sohrab Noshirvani and MB Traven Nomadland, Chloé Zhao The White Tiger, Ramin Bahrani BEST ORIGINAL SCORE Da 5 Bloods, Terence Blanchard Mank, Trent Reznor and Atticus Ross Minari, Emile Mosseri News of the World, James Newton Howard Soul, Trent Reznor, Atticus Ross and Jon Batiste BEST ORIGINAL SONG 'Fight For You', Judas and the Black Messiah (HER, Dernst Emile II and Tiara Thomas) 'Hear my Voice', The Trial of the Chicago 7 (Daniel Pemberton and Celeste Waite) 'Husavik', Eurovision Song Contest: The Story of Fire Saga (Savan Kotecha, Fat Max Gsus and Rickard Göransson) 'Io Si (Seen)', The Life Ahead (Diane Warren and Laura Pausini) 'Speak Now', One Night in Miami (Leslie Odom, Jr and Sam Ashworth) BEST FILM EDITING The Father, Yorgos Lamprinos Nomadland, Chloé Zhao Promising Young Woman, Frédéric Thoraval Sound of Metal, Mikkel EG Nielsen The Trial of the Chicago 7, Alan Baumgarten BEST INTERNATIONAL FEATURE FILM Another Round Better Days Collective The Man Who Sold His Skin Quo Vadis, Aida? BEST ANIMATED FEATURE Onward Over the Moon A Shaun the Sheep Movie: Farmageddon Soul Wolfwalkers BEST DOCUMENTARY FEATURE Collective Crip Camp: A Disability Revolution The Mole Agent My Octopus Teacher Time BEST CINEMATOGRAPHY Judas and the Black Messiah, Sean Bobbitt Mank, Erik Messerschmidt News of the World, Dariusz Wolski Nomadland, Joshua James Richards The Trial of the Chicago 7, Phedon Papamichael BEST PRODUCTION DESIGN The Father, Peter Francis and Cathy Featherstone Ma Rainey's Black Bottom, Mark Ricker, Karen O'Hara and Diana Stoughton Mank, Donald Graham Burt and Jan Pascale News of the World, David Crank and Elizabeth Keenan Tenet, Nathan Crowley and Kathy Lucas BEST VISUAL EFFECTS Love and Monsters, Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox The Midnight Sky, Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins Mulan, Sean Faden, Anders Langlands, Seth Maury and Steve Ingram The One and Only Ivan, Santiago Colomo Martinez, Nick Davis, Greg Fisher Tenet, Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher BEST COSTUME DESIGN Emma, Alexandra Byrne Ma Rainey's Black Bottom, Ann Roth Mank, Trish Summerville Mulan, Bina Daigeler Pinocchio, Massimo Cantini Parrini BEST MAKEUP AND HAIRSTYLING Emma, Marese Langan, Laura Allen and Claudia Stolze Hillbilly Elegy, Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney Ma Rainey's Black Bottom, Sergio Lopez-Rivera, Mia Neal and Jamika Wilson Mank, Gigi Williams, Kimberley Spiteri and Colleen LaBaff Pinocchio, Mark Coulier, Dalia Colli and Francesco Pegoretti BEST SOUND Greyhound, Warren Shaw, Michael Minkler, Beau Borders and David Wyman Mank, Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin News of the World, Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett Soul, Ren Klyce, Coya Elliott and David Parker Sound of Metal, Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh BEST DOCUMENTARY SHORT SUBJECT Colette A Concerto is a Conversation Do Not Split Hunger Ward A Love Song for Latasha BEST ANIMATED SHORT FILM Burrow Genius Loci If Anything Happens I Love You Opera Yes-People BEST LIVE ACTION SHORT FILM Feeling Through The Letter Room The Present Two Distant Strangers White Eye Top image: Frances McDormand and Chloé Zhao on the set of Nomadland. Image: Searchlight Pictures. © 2020, 20th Century Studios. All Rights Reserved
Melbourne's second oldest (and second largest) municipal market is doing something new this summer — it's launching its first-ever night market. Running over four Thursdays from January 9–30, the nights will be filled with live music, pop-up wine bars, roving performers and, of course, lots of food. Pop over for street food snacks from Flamin' Skewers, Greek doughnuts filled with hazelnut chocolate from St Gerry's, icy from desserts from Sweet Factory, African barbecue, Caribbean dishes, deep-fried ice cream and more. You'll be able to pair all this with sangria from Running Bull, too. [caption id="attachment_756079" align="alignnone" width="1920"] St Gerry's[/caption] Once you've had your dinner, you'll find live music from the likes of Triple J Unearthed's Yazmini, Aussie singer Ben Mitchell and guitarist Zac Godwin, as well as a silent disco, a flower wall, bubble artists and giant seagull puppets. Before you leave, don't forget to peruse the local artisan stalls selling food, homewares, jewellery and more, too. Dandenong Night Market runs from 4.30–9.30pm.
Were Picasso's Cubist portraits of women true to life? It would suggest there were a lot of chicks with displaced eye sockets hanging round Paris in the 1900s. Now a Spanish fashion photographer, Eugenio Recuenco, has reimagined Picasso's Cubist muses as live beings, styling his models in the same surrealist manner that Picasso painted them. Recuenco's portraits are weird, emotional and lovely in their own right. His women subjects mirror the poses of the originals, with elegant silhouettes, painted skin and outlandish costumery all projecting a moody atmosphere. Post-production by Recuenco gave the photographs the same feel as the paintings via color manipulation, while the mysterious spaces he used amp up the dreamlike quality. Recuenco has a large dossier of equally stylised art and fashion projects. Beside this project, which was published in the Spanish weekly SMODA, his website shows fairytale scenes and tableaux vivants that suggest their own narrative worlds channelling the work of artists Goya, El Greco and Zurbaran. Check out a selection of the Picasso-inspired portraits below. Via Flavorwire.
Cycle-fashion: most people consider the term an oxymoron, bringing to mind images of brightly coloured lycra, or even worse, cycling shorts worn so thin that they’ve become transparent. If you’ve been afraid of joining the cycling revolution for fear of committing a crime against fashion, then allow British fashion designer Paul Smith to put you at ease. His new collaboration with cycle clothing brand Rapha brings some style to the two-wheeled set. Their new spring/summer range blends Smith’s fashion sense with Rapha’s cycling nous to create cycle-wear with a stylish look, but maintaining the technical and functional elements needed to stay comfortable on a bike. Unfortunately, style comes at a price, so the hip pockets of hipster cyclists will be a little light if they’re sporting these threads. And of course, compulsory helmet laws in Australia mean you can’t legally look as cool as these models. [via Hypebeast]
Melbourne's fashion scene is getting a sporty remix this month. From Wednesday, August 20 to Saturday, August 23, ASICS SportStyle is bringing its signature Japanese heritage and vintage running aesthetic to No Vacancy Gallery for its first-ever Australian pop-up event. Drop in from 8am daily (10am on Saturday) and you'll score a free coffee on the house if you're one of the first 30 people wearing ASICS. Or check out the ASICS x No Vacancy Café for a delicious menu of Japanese-inspired brews and pastries. Throughout the day, there'll be live DJ sessions, sneaker giveaways and a curated showcase featuring a collab with Jungles Jungles, re-stocks of the latest Cecilie Bahnsen and JJJJound collaborations, and GEL-QUANTUM™. Don't miss the photo booth moment to celebrate ten years of GEL-QUANTUM™ innovation or the chance to see Jack Ferguson from Jungles Jungles, crafting sneakers live on-site from 12–2pm on Wednesday. Plus, a series of free workshops will explore mindfulness, sound and style — all inspired by the ASICS philosophy of 'Sound Mind, Sound Body'. Find the ASICS SportStyle Melbourne Pop-Up at No Vacancy Gallery from August 20–23. Wednesday-Friday, open 8am–4pm. Saturday, open 10am–4pm. Entry is free, but bookings are required for select workshops. Find out more on the website.
If you know anything about the golden era of Hollywood, then you'll have heard of Edith Head. Today celebrated as the single most significant costume designer in the history of cinema, she spent nearly 50 years working at Paramount Pictures and Universal Studios, dressing the stars and starlets of the era in nearly 1000 movies. She also holds the records for the most Academy Awards won by a woman (eight, by the way — no big deal). The Costume Designer exhibition at Bendigo Art gallery draws from the archives of Paramount, the Collection of Motion Picture Costume Design and private collections, collating over 70 costumes designed by Head from the 1930s to the 1960s. You'll see designs from classic films like Vertigo and Sunset Boulevard and costumes worn by iconic performers including Veronica Lake, Gloria Swanson, Olivia De Havilland, Dorothy Lamour, Jane Russell, Hedy Lamarr, Fred Astaire and Yul Brynner. Costume lovers should definitely make the trip for this rare opportunity to see these seldom-displayed designs. Image: Edith Head and Hollywood, 2017, installation view, courtesy Bendigo Art Gallery.
If a critic's role is to truly explore their chosen field, not only examining the obvious and popular but also unearthing the new and unknown, then consider Jonathan Gold the king of Los Angeles cuisine. Sure he knows all the regular haunts, but he's more interested in the venues less visited. He sees the city as a hotbed of tastes and textures, with the eclectic eateries off the beaten path more vibrant and varied than their well-known, well-heeled counterparts. Indeed, Gold's penchant for smaller, harder to find establishments that reflect their respective communities is what has endeared him to LA restaurateurs and readers alike, while also catapulting him to broader fame and recognition. He freely admits that he became a food writer completely by accident, and yet he's been plying his trade for more than two decades. In 2007, he became the first and only food critic to win the Pulitzer Prize. City of Gold tells his tale, though Laura Gabbert's documentary doesn't just take the standard biographical route. There are no shortage of friends, or thankful chefs and owners, willing to sing his praises — and Gold himself doesn't shy away from sharing his own upbeat anecdotes. But the movie's real focus mirrors its subject's true quest. As his humble beginnings – munching his way along the 15-mile Pico Boulevard from downtown LA to Santa Monica – demonstrate, the Los Angeles Times scribe is more concerned with the experience than the ingredients. Gabbert's skill is in doing the same, honing in on Gold's travels around town in his trusty Dodge truck more than she does the minutiae of the menus he consumes. Accordingly, City of Gold ambles along with a relaxed air, lurching from one topic to another while its images roam around the city. Thankfully, even when delving into his childhood, background as a music writer and notorious reputation for procrastination, the film doesn't suffer from its sprawling approach and casual attitude. Insights into the history of LA, the art of criticism and the advent of online consumer review sites also earn a mention, but never do they distract from the feature's main thread. Instead, they flesh out the 96-minute look at a guy uncovering the flavours of his hometown with a commitment to authenticity — and not just because it's his job, but because it's his passion. His enthusiasm, though delivered in his particularly unflashy fashion, proves infectious, with the film sharing that same tone of celebration. That adoration doesn't just extend to its portrayal of Gold, but to the places he champions, with his negative opinions glaringly absent. As Gold reads his own reviews of gastronomic gems, it's easy to believe that his is a life of devouring only the tastiest culinary creations. Basically, if you think being a food critic sounds like the perfect job, this documentary will do very little to change your mind.
You might not be able to jet off on a trip to the states anytime soon...but your tastebuds can. For this year's edition of Good Beer Week, the southside's own US-accented watering hole, Silverlake Social, invites you on a beery road trip through five different American states, stopping off at some of their leading breweries. Across three sessions (5pm, 7pm and 9pm) on Friday, May 21, the bar will host its USA Road Trip tasting adventure which will see you sampling top-notch beers from five breweries out of Oregon, California, Texas, New York and Massachusetts. Brewery representatives will be on hand to talk you through the night's diverse lineup of drops, including rare brews and even a few craft sips never before seen in Australia. Tickets come in at $79 per person, which includes beer tastings from all five breweries. If all that road-tripping leaves you feeling peckish, the kitchen will be dishing up its signature menu of Cali-inspired eats, from buffalo wings and baby back ribs, to the double-cheese Golden State Burger. [caption id="attachment_612833" align="alignnone" width="1920"] Hugh Davies[/caption] Top image: Hugh Davies
When it comes to fine booze and fancy feeds, who says the inner city crowd has to have all the fun? This month, Eltham distillery Naught is reminding us of all the good stuff happening beyond the big smoke, when it teams up with the new Sebel Melbourne Ringwood for a sumptuous gin dinner. On Friday, August 12, the hotel's Orchard Restaurant and Bar will play host to the botanical-fuelled feast, dishing up four considered courses, each one centred around local produce and matched carefully to a different cocktail crafted on Naught's award-winning signature gin. For $125, you'll find yourself tucking into pairings like smoked gin kingfish ceviche with a Basil & Rhubarb Coupette, a gin-infused reworking of duck a l'orange sided with a classic Casino, and a riff on a baked Alaska teamed with Naught's Sanjo Sour. And of course, if you want to take full advantage of all that fine gin and ditch the drive home, you can simply book yourself a stay onsite — the Sebel's rates start from $215.
The Bunnings sausage sizzle has become an Aussie institution, because shopping for hardware and snacking on a bread-wrapped snag somehow go hand-in-hand. It's a suburban mainstay, too; however, you won't have to venture out to your local store on next Tuesday, July 23. Instead, for one day only, the hardware giant is bringing free sausages to Federation Square. Bunnings will be teaming up with chef and restaurateur Shane Delia (Biggie Smalls, Maha East), who'll be cooking up a special recipe inspired by his Middle Eastern heritage, firing them up on the barbie and handing them out — completely free — to Melburnians from 7am–6pm. There'll also be some regular snags available, too, and possible other chef collabs. The giveaway marks the launch of the chain's new Click & Collect shopping option, so if you're keen for a free feed, you will need to whip out your phone, take a picture and share it using the #tagforasnag hashtag. Plus, when you do this, Bunnings will also donate $2.50 to Melbourne City Mission, a charity that works with the city's vulnerable communities. If you're a bit of a Bunnings nerd, you'll be happy to know that you'll also be able to experience a virtual Click & Collect store while you're there — and not only buy indoor plants, but learn how to make your own macramé pot hanger. The free sausage sizzle runs from 7am–6pm.
Melbourne's blazing summers aren't just a blessing for beachgoers. If you're fond of cooling down on dry land with a spritz in your hand and the sun's rays on your face, this is your time to shine. Perhaps more than most, this summer is certain to bring Melburnians together. A chaotic few years, our gorgeous climate, tastebud-tempting cocktails, that carefree vibe that floats across the Yarra as soon as the season hits — that'll do it. If you're wondering where to head, we've teamed up with Aperol to pick six must-visit spots that'll take care of this year's holy trifecta: spritzes, all that glorious sunshine, and ample space for you and your pals. Plus, to celebrate togetherness, Aperol is picking up the tab for 100,000 spritzes this summer to make your summer soiree even sweeter.
Maybe you hop on the ballot the moment that it opens each year. Perhaps you wait to find out who'll be behind the mic before trying to nab tickets. Either way, Golden Plains dropping its lineup is always big news. In 2025, get ready to see PJ Harvey, Fontaines DC, 2manydjs and Kneecap — and also Wet Kiss, Durand Jones & The Indications, Magdalena Bay, Osees and Thelma Plum. And yes, that's just the beginning. "Something special in the soil this season. In the water, in the manna gum, in the air, the ether, the atmosphere, the troposphere. And it has all landed right here, in a wonderland designed and refined over 30-odd years for the sole purpose of hosting something truly remarkable," said the festival team, announcing the lineup. "Right size, same shape, ample time, abundant space." Come Saturday, March 8–Monday, March 10, 2025, it'll be time to dance among the autumn leaves in regional Victoria again, at the Meredith Supernatural Amphitheatre in the same place that Meredith Music Festival also calls home. And now that the lineup is here, you still have the chance to put your name down to get tickets. This round of Golden Plains will mark the fest's 17th year. The ticket ballot has been a part of the event since its debut — and this year's is now open until 10.17pm AEDT on Monday, October 21, 2024, which means that clicking ASAP is recommended. [caption id="attachment_976058" align="alignnone" width="1920"] Theo Cottle[/caption] Catering to 12,000 punters each year across three days and two nights, the fest has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. And, like Meredith Music Festival, its sibling, Golden Plains is also known for the Aunty crew's star-studded bills. If you're wondering how the roster of talent has shaped up in past years, 2023's fest boasted Bikini Kill, Carly Rae Jepsen, Soul II Soul and Four Tet, while 2024's featured The Streets, Yussef Dayes, King Stingray and Black Country, New Road — and plenty more. [caption id="attachment_976059" align="alignnone" width="1920"] Kira Puru[/caption] Golden Plains 2025 Lineup PJ Harvey Fontaines DC 2manydjs Wet Kiss Durand Jones & The Indications Magdalena Bay Osees Kneecap Thelma Plum Grace Cummings Bahamadia Hermanos Gutiérrez Ela Minus Bonny Light Horseman Adriana Mulga Bore Hard Rock CCL Teether & Kuya Neil Skeleten Zjoso Jada Weazel Elliot & Vincent Storytelling with Uncle Barry Sun Ra Arkestra Golden Plains returns to the Meredith Supernatural Amphitheatre from Saturday, March 8–Monday, March 10, 2025. Head to the festival's website for further details, or to enter the ticket ballot before 10.17pm AEDT on Monday, October 21, 2024. Golden Plains images: Chip Mooney and Ben Fletcher.
We are all well aware of the pervasive effect social media has on our lives in terms of connecting, conversing and sharing with others on an unprecedented scale. Yet there are a whole myriad of other uses that social media sites such as Facebook and Twitter provide, which can have immensely positive effects. Take a look at a few valuable uses for social media sites that you probably didn't expect. 1. Mapping Infectious Diseases Graham Dodge founded a cunning website called Sickweather which ingeniously uses Facebook and Twitter updates to track infectious diseases. Unlike Google Flu Trends, which launched in 2010 and is based off people's searches, Sickweather can actually track the occurrence and locations of specific ailments. Dodge is also optimistic that through the use of event schedules, travel and weather patterns and environmental data, social media will be able to predict the spread of diseases. He has already noted pertinent trends of the spread of disease throughout America, and now hopes to win a $21,000 prize in a government-sponsored competition for a new app, which uses Twitter to warn us about public health issues. So next time you feel a cough creeping up on you, do us all a public service and tweet about it. 2. Helping the Homeless find Equality A study conducted by the University of Dayton has discovered that Facebook provides a refuge for homeless people by making them feel more equal. Everyone on Facebook is equipped with the same services and benefits, whether that be liking, commenting, messaging or uploading photos. This, and the fact that people can't smell if they didn't shower yesterday, or even know that they are homeless, which, says one of the subjects of the study, makes them feel accepted. Facebook is also important in helping them establish community networks, and helping solve practical issues such as where to find social services, a meal or shelter. 3. Tracking Public Opinion Topsy released a new political index last week called Topsy Pro Analytics whereby we can use Twitter to gauge public opinion by searching particular topics or hashtags. The complex technology delves into two years of data from Twitter feeds and is updated in real time. The mass number of results from the search not only reveal the frequency and number of tweets about a topic over time, but it also measures the tone and actual content of the tweets and who is conversing most about it. 4. Getting Your Voice Heard Thunderclap is a new site, which allows users to send out a message. Once enough people tweet it or post it on Facebook (at this stage 500 messages over 5 days) the site reaches its threshold and all the updates are sent out at once. This not only increases the chance of the message becoming a trending topic on Twitter but it also increases chances of people seeing multiple updates on Facebook and paying more attention to it. The tool could be a dream for non-profit organisations and the like to help amplify their message. 5. Educating Conservative Cultures about Sex Social media outlets such as Facebook, Twitter and YouTube are transforming the way youth consume their media, even in developing nations such as Ethiopia, Mozambique or Indonesia. Social media is also a great tool in educating young people about safe sex practices and the importance of condoms. Through Facebook pages, Twitter feeds and YouTube videos younger audiences can learn about condom use without the embarrassment of their parent's presence and remain anonymous if they wish to. Through these social media platforms it is significantly easier for youth in these lesser developed countries to access information about HIV protection and family planning and chat about sensitive issues. 6. Engaging a 3000 Student Class The thought of teaching a 3000 strong student cohort would surely be enough to plague any teacher or lecturer with terrible nightmares. But John Boyer at Virginia Tech seems to find this massive class a piece of cake. Boyer introduced a novel system of 'gaming principles' by which students can rack up points to determine their notes. On top of this, Boyer poses regular questions on Facebook and Twitter for his students to respond to and also holds office hours using instant messaging on Ustream so he can respond to his many pupils in real time. Skype is also utilised to host interviews with important figures in global issues, such as Kony2012 creator Jason Russel, or a Nobel Peace Prize Laureate. 7. Sharing your Organ Donor Status Facebook has introduced a new status option in the United States and United Kingdom which allows users to proclaim their organ donor status. By openly advertising in their biographical information that one is willing to be or already is a registered organ donor, doctors and advocacy group leaders believe that this will have a domino effect and encourage many others to sign up to be an organ donor. As well as this, being able to view it on Facebook would most likely hasten the decision and make it easier for family members to approve their loved one's donation. The company is looking to expand the tool to other countries in the coming months.
The State Library may be beautiful, imposing and a little cold, but don't be put off: there's warmth, comfort and productivity waiting for you in spades, especially inside Guild Cafe. Located in a part of the library that's been closed for 15 years, the cafe sprung up as part of the huge refurbishments the precinct underwent last year. Helmed by local business Almond Milk Co, the cafe is just inside the Library's new Russell Street entrance space, the Welcome Zone, where you'll also find an outpost of Readings bookshop. The short and sweet menu has classic pastries and lunch staples, such as salads and sandwiches, and lots of vegan options — including ramen with nori and pickled ginger ($6) and granola with minted coconut yoghurt ($6) Big windows make for plenty of light and large communal tables lend themselves well to remote working with just you, your laptop, and a bunch of other focused people. Plus — the folks at Guild know what they're doing when it comes to coffee (from St Ali), and an all-day filter coffee pass is available for $10 (or hot tip: try the almond milk). Images: We Are Tofu.
Sometimes it's nice to get out of Melbourne. Rippon Lea is a hidden gem, boasting a grand estate, sweeping gardens and a vast lake — only seven kilometres out of the city. This winter, the magnificent heritage-listed Rippon Lea Estate is hosting a couple of exhibitions. One of them is Night Life, which utilises the National Trust of Australia's fashion collection to display the stunning history of Australian fashion from the 1920s and 1930s. The exhibition features over 50 gowns and accessories — many made locally in Victoria. The event takes place within the historic mansion, but why not arrive early to explore the grounds? It's an ideal spot for a picnic, and a classy way to round off the weekend.
The Emerging Writers' Festival this year looks to be stuffed to the brim with great minds, events, and ideas. Taking place from June 19–29, many different disciplines and venues will to unite to host the voices of the Australian writing world, both established and emerging. For just a few bites of what's on offer, there will be masterclasses and intensives on everything from poetry to podcasting; a dinner 'speakeasy' on money, sex and death; Pan Afrikan Poets, which will bring Afrikan artists and First Nation and Pasifika artists together in conversation; and Translation Nation, a roaming look through different disciplines and languages exploring ways of saying. The National Writers' Conference will take place during the weekend, bringing together ambassadors such as Isobelle Carmody, Michael Mohammed Ahmad and Ellen van Neerven to share their experience and advice, while also allowing emerging writers to pitch to industry professionals. It's not all serious stuff, though — there are parties on the agenda, too. Amazing Babes is a constant favourite of the festival, and will again celebrate the women who uplift and better others (aka, babes that are amazing) at Northcote Town Hall. The Queer Icons Party will be a big ol' bonanza celebrating queer stories and lives, and Further from the Sun is the winter solstice party featuring words, dance and song at the Footscray Community Arts Centre. More than 50 percent of the program is free – best start booking yourselves in. More information and full program here.
Bunjil Place in Melbourne's southeast might be the newest arts centre kid on the block, but it's certainly a new kid that's pulling its weight. The Narre Warren cultural precinct opened in 2017, and incorporates an 800-seat theatre, exhibition and function spaces, a gallery, a library and a civic centre as well as offices. And it has already won awards, taking out the Architecture of the Year prize at the 2017 International Design Awards. Major players in the Melbourne dance, opera and theatre scene will head to Bunjil Place this July, including the Narre Warren venue in their touring sights. No longer just the domain of those who live in the inner city, Bunjil Place will host performances from The Australian Ballet, Opera Australia and Bell Shakespeare. Opera Australia will perform heartbreaker Madame Butterfly, Puccini's epic operatic love story between a US Navy sailor and a Japanese woman, on Saturday, July 17. Directed by John Bell, the performance will include a children's choir partly drawn from Berwick's Melbourne Youth Chorale. The Australian Ballet's regional touring company will include Bunjil Place on its tour on Friday, July 20 and Saturday, July 21, presenting Coppélia, the story of an enchanted doll and the poor sucker who falls in love with her, thinking she's real. For serious theatre-goers, there's good news here too: Bell Shakespeare will perform Shakespeare's treacherous Julius Caesar, on Tuesday, July 31. Broken hearts and bodies all around.
This Is Spinal Tap set the benchmark for mockumentaries way back in 1984 and has reigned supreme ever since. Now it may finally have an equal with What We Do In The Shadows, a collaboration between writer/directors Taika Waititi and Flight of the Conchords' Jemaine Clement. Billed as "a couple of interviews with a couple of vampires", it's a fly on the wall 'documentary' about four vampires sharing a flat in present-day New Zealand and is, quite simply, hilarious. Key to its appeal is the way What We Do In The Shadows presents the needs, problems and activities of vampires as entirely commonplace. The flatmates cruise the clubs of Wellington seeking victims like others seek a one night stand, they jeer each other on when a back-alley argument descends into a 'bat fight', and they projectile vomit blood when they absentmindedly eat actual food. Yes, they've their share of 'vampire' problems (sunlight, vampire hunters, etc), but also more normal ones, like having to tell your best friend you're the undead and suppressing the unceasing desire to kill him. What We Do in the Shadows is in cinemas on September 4. Thanks to Madman Entertainment, we have a What We Do in the Shadows prize pack to give away, with a double in-season pass and DVDs of Submarine, Bernie and Prince Avalanche. Eight runners up will also get double in-season passes to see the film. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our full review of the movie here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=Cv568AzZ-i8
Oysters and gin are both high up there on the list of Aussie food and drink faves, especially at this time of year — on the cusp of what's set to be a huge silly season. And now, the two ingredients are joining forces in a very special way: the brand-new Oyster Shell Gin from South Australia's Never Never Distilling Co and Chris Lucas' (Chin Chin, Hawker Hall, Baby) new Melbourne restaurant Society. The collaborative concoction is made using oyster shells from Kangaroo Island, as well as a host of seaside botanicals including saltbush, Tasmanian wakame and native coastal daisy. You'll also find some salted citrus, mint, pine, waxflower and coriander spice in the mix. All the ingredients fuse to create a mineral-forward spirit with subtle saline notes, representing a big, fresh taste of the Aussie coastline. Spritely citrus aromas and a lengthy finish mean it's just as well-suited to a dry martini as a refreshing G&T. The sip's also primed to be paired with a seafood feast, whether that involves more local oysters, or some other kind of ocean-fresh goodies. Which makes it a festive season winner, of course. This particular match-up of distillery and restaurant is a fitting one, given the sophisticated seafood dishes peppered through Society's menus and Never Never's own penchant for innovation. You can find the adventurous drop pouring exclusively at Society once it reopens on November 5, as well as at the distillery's McLaren Vale cellar door. It's also selling over on Never Never's online store. The Never Never Dark Series Oyster Shell Gin is available from the distillery's website, for RRP $75. You can also get your hands on it at Society, 80 Collins Street, Melbourne (from November 5), and at Never Never Distilling Co, 56 Field St, McLaren Vale, South Australia.
Part of what makes travel so special is making friends with people from all over the globe. Yet staying in contact after you eventually return to the 'real world' is surprisingly rare. Think about the travel pals you follow: how many do you stay in contact with? It doesn't have to be this way. By putting yourself out there and going the extra mile, you can make these short but sweet connections into lifelong friends. This way, when you say 'keep in touch' as you leave for your next destination, it actually happens. Forging friendships on an epic adventure is easy when good experiences are had. Together with Intrepid Travel, we've curated this guide to making lifelong friendships while gallivanting across the globe. Put Yourself Out There You can't always expect friendship to find you. Instead, put in the effort to meet your fellow travellers and introduce yourself to your trip guide and other travellers in your group. You'll bond over new experiences and become closer with your group mates at food markets as you sample new foods. In rousing destinations like Cambodia, you'll find yourself surrounded by travellers from every corner of the globe at landmarks like Angkor Wat. Strike up a conversation with a friendly face; you might just become lifelong friends. Book a Group Tour Sure, taking an international adventure where every decision is made moment-to-moment is exciting. But sometimes, it's nice just to hang back and let someone else figure out the guesswork for you. This is where the beauty of group multi-day tours comes in. Best of all, these experiences are ideal for making friends, as you'll spend hours together roaming the sights and commuting between them. So, pass the time by getting to know each other. Before you know it, your travel bud becomes a close pal. Embrace the Unknown When you're travelling the world soaking up new experiences, finding a way to get out of your shell is essential. Although it might seem daunting at the time, saying yes when you're invited on an adventure by other travellers is the ideal way to form a tight bond. Similarly, inviting others to tag along when embarking on a trip is another way to kick-start friendships with those you meet on the road. In a vibrant country like Morocco, embracing the unknown is the best way to stave off culture shock. Bond Over Local Experiences The people you meet on your travels make some of the most striking memories. Although there's a good chance some just become hazy recollections from late nights on the town, others are a little more meaningful, especially when you connect over incredible experiences. For many, this means delving into local customs. Rather than sticking to what you know, exploring diverse food, art, and traditions means you level up your worldliness together. If you take a colourful journey to Mexico, getting your cultural fix is never far away. Stay in Touch Found a kindred soul on a trip to Turkey? Even the strongest connection won't last unless you commit to staying in touch. Once you're back home and the adventure is over, it's easy for real life to get in the way of lasting friendships. Fortunately, it's never been easier to keep in contact with your new friends. Add them on socials, tag them in pics and reminisce about the good times you shared. By keeping the group chat active, new adventures are bound to appear on the horizon. Plan Your Next Trip Don't wait for the next adventure to come to you. When you're looking to turn travel companions into forever friends, taking the initiative to keep everyone informed about your upcoming trips is the perfect way to organise an overdue meetup. Whether you've planned out a journey to the Southern Balkans or you've worked together with your pals to create an unforgettable itinerary, inviting travel friends near and far to join your adventure strengthens your bond and makes them companions for life. Get out, explore, dive into adventure and find your WOW with Intrepid Travel. Find out more on the website.
The films we like to classify as big, dumb fun haven't had a great run of things so far in 2018. They've made money, definitely, but the balance has been out. Be they clangers like Pacific Rim: Uprising or mindless popcorn offerings like Rampage, there's been a lot of big and even more dumb, but the fun has been noticeably absent. The latest contender, Skyscraper, fares a little better, although ultimately its preposterous script and story render it little more than a passing diversion. Set in Hong Kong and starring Hollywood's most bankable star Dwayne 'The Rock' Johnson, Skyscraper is a thriller centred around The Pearl, the world's tallest and (supposedly) safest building. Johnson plays Will Sawyer, a former FBI agent turned high-rise security expert who finds himself in the midst of a convoluted terrorist plot to steal a valuable flash drive by setting fire to The Pearl in order to flush out its billionaire owner. Allusions to both Die Hard and Towering Inferno have been embraced by the film's distributor, so much so that they even created homage movie posters. Sadly, Skyscraper possesses neither the wit and gritty action of Die Hard nor the suspense of Inferno to see it come close to either. As always, Johnson does his level best to keep the film entertaining. But he's robbed of his usual charm-fuelled asides, left instead to deliver bizarre non-sequiturs like "if you can't fix it with Duct Tape, y'aint using enough Duct Tape" (this also ranking as perhaps cinema's most unexpected product placement). The movie's villain, too, is entirely forgettable – and whilst it might be unreasonable to hope for another Hans Gruber, writer-director Rawson Marshall Thurber could at least have endeavoured to give us something a little meatier than the generic hired gun he serves up. Refreshingly, Neve Campbell appears as Johnson's wife, who proves a far more capable action-movie heroine than the traditional spouse-in-distress. Multilingual, combat-trained and a surgeon, she's the first to clue in to the terrorists' plot and doesn't back down when the guns are pointed in her direction. And then there's that jump. Every poster, promo spot and trailer has focussed on Johnson's physics-defying leap from a towering crane into the blazing building. Every part of the sequence is ludicrous, from the impossibly short space of time it takes for Johnson to ascend the crane in a free-climb, to the Olympic gold medal everything a leap of that magnitude would win, to the police shooting at him from a helicopter despite him being unarmed and no threat to anyone. Of course, in the end he does land the jump and the crowds both on screen and off cheer in unison. It's an A+ example of big, dumb and fun existing in perfect harmony. The great shame is how few of these moments exist in Skyscraper despite a setting of such scale and design offering so many more possibilities. At the end of the day, there's not much of Skyscraper that holds up to any real level of scrutiny. Still, as a park your brain at the entrance type distraction, it mostly gets the job done. https://www.youtube.com/watch?v=t9QePUT-Yt8
What's Attica without Ben Shewry? The team at Gelinaz! are about to find out. The Melbourne-based head chef of 'Australia's best restaurant' is packing his bags for a huge global chef swap this July. Created by Gelinaz! — the international chef collective responsible for wild, collaborative cook-off stunts — the event will see 37 chefs from around the globe jump on a plane, travel to a new country and serve up their best in another chef's kitchen. They'll even be living in each other's houses, just like that terrible, terrible Wife Swap. It's called the Grand Gelinaz! Shuffle and it's going down on July 9. Shewry is joining one humdinger of an international chef lineup, repping our culinary nation alongside Adelaidean chef Jock Zonfrillo (of Orana). The pair will put their names in the hat with Parisian chef Alain Ducasse (La Plaza Athenee), Tokyo's Yoshihiro Narisawa (Narisawa), Copenhagen's René Redzepi (Noma), NYC's Sean Gray (Momofuku Ko), Charleston's Sean Brock (McCrady's) and San Francisco's Dominique Crenn (Atelier Crenn) to name a few. The chefs know where they're going, but ticketholders won't know which chef's delights they'll be enjoying until the day. So you could be dining on a Noma or Momofuku-style dish at Attica if you're lucky. Tickets are available to the public, so if you're keen to head to Attica or Orana on July 9 you'd better plan ahead. Tickets go on sale on May 13, but prices haven't been unveiled just yet. Check over here for more details. Here's all 37 Grand Gelinaz! Shuffle participants. Who'll be your chef for the night? Ben Shewry, Attica, Melbourne — Australia Jock Zonfrillo, Orana, Adelaide — Australia Danny Bowien, Mission Chinese Food, New York — USA Sean Gray, Momofuku Ko, New York — USA Sean Brock, McCrady's, Charleston — USA David Kinch, Manresa, Los Gatos — USA Daniel Patterson, Coi, San Francisco — USA Dominique Crenn, Atelier Crenn, San Francisco — USA Carlo Mirarchi, Blanca, New York — USA Blaine Wetzel, Willow's Inn, Lummi Island — USA Colombe Saint-Pierre, Chez Saint-Pierre, Le Bic — Canada Claude Bosi, Hibiscus — England Magnus Nilsson, Faviken, Järpen — Sweden Peter Nilsson, Spritmuseum, Stockholm — Sweden René Redzepi, Noma, Copenhagen — Denmark Paul Cunningham, Henne Kirkeby Kro, Henne — Denmark Kobe Desramaults, In De Wulf, Dranouter — Belgium Mehmet Gurs, Mikla, Istanbul — Turkey Yoshihiro Narisawa, Narisawa, Tokyo — Japan David Thompson, Nahm, Bangkok — Thailand Bertrand Grebaut, Septime, Paris — France Alain Ducasse, La Plaza Athenee, Paris — France Yannick Alleno, Le Doyen, Paris — France Inaki Alzpitarte, Le Cheateaubriand, Paris — France Mauro Colagreco, Mirazur, Menton — France Alexandre Gauthier, La Grenouillere, Montreuil/Mer — France Ana Ros, Hisa Franko, Kobarid — Slovenia Davide Scabin, Combal Zero, Rivoli — Italy Fulvio Pierangelini, Hotel de Russie, Rome — Italy Riccardo Camanini, Lido 84, Gardone Riviera — Italy Massimo Bottura, La Francescana, Moderna — Italy Massilmillano Alajmo, La Calandre, Venice — Italy Andoni Luis Aduriz, Mugaritz, San Sebastian — Spain Albert Adria, Pakta, Barcelona — Spain Alex Atala, D.O.M., San Paolo — Brazil Rodolfo Guzman, Borago, Santiago — Chile Virgillo Martinez, Central, Lima — Peru Via Grub Street.
Go buy a 3D printer right now, and show us what you can invent. Every industry is getting cooler thanks to this democratising technology, which is in the process of bringing us 3D-printed organs, 3D-printed cities, and 3D-printed sex toys (including a vibrator modelled on Justin Bieber's head). And what can it do for broken bones? One Victoria University of Wellington graduate has cleverly used 3D printing to reinvent the clunky, sweaty arm cast we all had to wear in primary school after a violent game of handball. Called the 'Cortex', Jake Evill's invention is breathable, eco-friendly and washable. Its polyamide can also be reused. Unlike the oh-so-analogue plaster casts of yore, the Cortex's structure has the potential to be digitally tailored to the injury. Computer software can receive x-rays and measurements of the limb, and via an algorithm, the printer produces (within a slightly lengthy 3 hours) a lightweight cast which protects and supports in all the right places. And excitingly, it can be worn under a long-sleeve shirt. While some would mourn the hallowed tradition of messy cast graffiti, it's our surmise that 3D printing culture will quickly come up with an upgrade for that, too. Via Gizmodo. Image from http://jakevilldesign.dunked.com.
Well, it looks like Brunswick Street has more than a few surprises up its sleeve for punters this season. First, the long-standing Provincial Hotel unveiled its sunny new rooftop bar, and now the team behind cocktail-slinging stalwart Polly has announced plans for a new addition to the strip: a soon-to-open bar named The Roy. Of course, this new watering hole is a whole lot less of a surprise for owner Casey Gordon and manager Chris Hinds, who've put in a solid two-year stint of renovations, shaping an unused nook at the back of Polly into a cosy drinking den. The result is what the pair describe as a laidback 'local's local', accessed via a rear laneway, decked out with a big screen for watching sport, and with a vibe that's a few notches more casual than its older sister. But that's not to say you won't find the same attention to detail and boozy prowess. Polly's years of expertise shine through in The Roy's drinks offering, which features a six-strong tap rotation running from the classic to the crafty, a broad lineup of wines by the glass, and a hefty spirits collection to top it all off. There's no word yet on an official opening date, but we'll keep you posted. The Roy is slated to open soon at the rear of 401 Brunswick Street, Fitzroy. For more information, visit theroy.com.au.
For a week each year, the town of Maryborough honours one of its most famous former residents: Pamela Lyndon Travers, the author of the Mary Poppins books. The week-long Mary Poppins Festival celebrates Travers and her works with unusual activities that bring her beloved characters to life. Think chimney sweep challenges, kite flying competitions, costume parades and, of course, the Great Nanny Race, during which 20th century-dressed 'English nannies' push prams to the finish line. The festival kicks off with a steampunk afternoon tea and a good old fashioned street party, and culminates a week later in a community day in the park, complete with carnival rides, roving performers, sidewalk artists, workshops, activities and a grand parade. Next year's festivities will take place in July, leaving plenty of time to plan your trip to the Fraser Coast region — complete with a visit to Fraser Island and a dip in the pristine waters of Hervey Bay. We'll let you know when the exact dates are confirmed.
Do you struggle with the basic task of ordering in restaurants? Do you sometimes wish there was some kind of elaborate computer program that could just decide on a menu item for you? If your answer to both those questions is "yes", then consider paying a visit to a KFC in Beijing's financial district, where facial recognition technology is being used to pick meals for customers based on their age, gender and mood. According to a press release put out by Chinese tech giant Baidu, who collaborated with Colonel Sanders on the technology, customers stand in front of a machine which scans their face and then makes recommendations as to what they might like to order. For example, a male in his 20s would likely be recommended "a set meal of crispy chicken hamburger, roasted chicken wings and Coke," while a woman in her fifties would be encouraged to purchase "porridge and soybean milk." Already, this jumps out as pretty sexist/ageist — after all, who is this robot to say that I, a male in his 20s, wouldn't also like to order a delicious bowl of KFC porridge? Mmm... appetising. Perhaps more promising is the fact that the machine can recall the faces of returning customers, along with their favourite menu items. That's the theory at least, although it didn't remember Amy Hawkins, a reporter for The Guardian who tried the machine twice but failed to leave an impression. Hawkins also noted that a vast majority of people in the Beijing restaurant seemed to prefer ordering the old-fashioned way. According to one customer she spoke to, "if it knows in future what I want to eat that's great, but at the moment it's not very smart." Perhaps they're scared off by privacy concerns? Personally, I don't know that I want there to be a digital paper trail of how frequently I visit KFC, or how much I order when I do (spoiler: it's a lot). Nevertheless, KFC is reportedly planning to roll out the technology to 5000 stores across China. It's a brave new world we're living in folks. A brave, greasy new world.
Every year, Melbourne comes alive for Chinese New Year. While Tuesday, February 5 is officially the first day of the new year, festivities start on Friday, February 1 with some running through to the end of the month — and the schedule for the next few days is packed. Whether it's spent attending a free tai chi class at the art gallery, roaming through a bustling night market or making your way through a five-course Chinese feast, this weekend is a great opportunity to celebrate Melbourne's rich cultural diversity and help ring in the Year of the Pig.
One for the horror buffs, a ghost tour of Ararat's J Ward is just the ticket for those who love their thrills and chills. Over the two-hour nighttime tour of the infamous gaol-turned-ward for the criminally insane — that, over its time, housed such notorious criminals as Chopper Read, Gary Webb and Bill Wallace — you'll get to explore sites like the governor's bathroom, hangman's gallows, the original kitchen, showerblock and grave sites, searching for the souls that still linger there.
A culinary collaboration is making its debut for one weekend only this month. Black Star Pastry and Hugo's Deli have teamed up to create a limited-edition watermelon combo, which will be available at the sandwich deli's location in Richmond. The combo features a watermelon katsu sandwich curated by Hugo's Deli. This sandwich includes a thick slice of watermelon marinated in soy, mirin, molasses and ponzu, paired with negi miso and charred cabbage yuzu slaw, all nestled between two pieces of shokupan bread. For dessert, customers can refresh their palette with Black Star Pastry's popular strawberry watermelon cake made of almond dacquoise, rose-scented cream, watermelon, strawberries, pistachios and dried rose petals. The famed patisserie will also unveil its new strawberry matcha latte, blending colours and flavours for a velvety refreshment. For those craving something extra, their latest carrot cake creation – made with walnuts, crushed pineapple, warm spices and cream cheese frosting – and yuzu streaks will be served at the event. The Black Star Pastry x Hugo's Deli Watermelon Combo will only be available from Saturday, April 6–Sunday, April 7, starting from 10.30am.
Whether you can't get enough of Euphoria, are a Succession stan or adore True Detective, streaming HBO's hits in Australia has meant making a date with Binge since 2020. The platform launched as an offshoot of pay TV service Foxtel — following past platforms Presto — with the slate of shows from the beloved US network as its number-one drawcard. Back then, it was Game of Thrones, Westworld, Chernobyl, Veep and Big Little Lies luring in subscribers; now, it's House of the Dragon, The Last of Us and The White Lotus, too. Whichever HBO series you adore — and how many of them are on your must-watch list — you'll be making a date with Binge for the foreseeable future. Or, with Foxtel if you still prefer. Either way, Warner Bros Discovery, which owns HBO, has just made a new deal with Foxtel and Binge to keep its series on those Aussie services. The Foxtel Group will remain the home of HBO, Max Originals, Warner Bros and Discovery programming as part of a multi-year partnership extension — and the only place you'll be able to see shows like all of the above. Other series involved include set-to-return programs such as Winning Time: The Rise of the Lakers Dynasty, Perry Mason, And Just Like That..., The Sex Lives of College Girls and Peacemaker. And, the deal covers newcomers like The Idol, political drama White House Plumbers, the Robert Downey Jr- starring The Sympathizer, The Palace with Kate Winslet and The Batman spinoff The Penguin. Plus, when they make their way from cinemas to streaming, upcoming flicks such as Dune 2, Barbie, Aquaman and The Lost Kingdom and other DC Extended Universe movies will also hit Binge and Foxtel. "This landmark partnership cements our position as the partner of choice to the world's largest entertainment studios. We are delighted Warner Bros Discovery chose us as we continue our long-standing partnership together with optionality at its core. A unique business model like ours that covers multiple platforms and brands means we can partner for the long term and together we will continue to entertain millions of Australians every day for years to come," said Foxtel Group CEO, Patrick Delany, announcing the deal. "Foxtel Group are a long-term, historic partner for Warner Bros Discovery in Australia, and we are thrilled to deepen this strong collaboration with a renewed agreement that reflects the scale and opportunity of Foxtel Group's growing suite of products and customer base," added James Gibbons, Warner Bros Discovery President and Managing Director, Western Pacific. In America since 2020, and rolling out through Latin America, the Caribbean and parts of Europe since, HBO streams its lineup of shows via its own platform, HBO Max, which hasn't yet made it to Australia. Based on the new deal with Foxtel and Binge, doesn't look set to anytime soon. "As we look to drive strategic growth of our business across all platforms locally, this deal also provides optionality for future collaboration, including for our future streaming service, that will ultimately offer Australians greater access to the world-class storytelling and much-loved brands Warner Bros Discovery is renowned for," said Gibbons. The Australian Financial Review reports that HBO Max won't make its way Down Under until at least 2025. For more information, head to the Binge and Foxtel websites. Top image: HBO.
No matter how gorgeous the surroundings, how lavish the place you're staying and how blissful everyone wants things to be, life's chaos doesn't magically disappear just because you're on holidays. That's one of The White Lotus' key ideas, which it played out to spectacular results in the show's Hawaii-set first season — making it the best new show on TV in 2021, in fact — and which it is currently unpacking again in its Sicily-set second season. Get ready for that concept to get a third go-around as well. In unsurprising but still extremely welcome news, HBO has just announced that it is bringing The White Lotus back for season three — news it revealed just three episodes into season two. Once again, it'll be a case of new year, new vacation season, new gorgeous destination, new cast, keeping the series' anthology format. "Reflecting on The White Lotus' humble, run-and-gun origin as a contained pandemic production, it's impossible not to be awestruck by how Mike [White, the series' creator] orchestrated one of the buzziest and most critically acclaimed shows," said Francesca Orsi, Executive Vice President, HBO Programming, Head of HBO Drama Series and Films, announcing the series' season-three renewal. "And yet, he's only continued to reach new heights in season two, which is the ultimate testament to Mike's raw, unparalleled vision. His courage to explore the uncharted waters of the human psyche, paired with his signature irreverent humor and buoyant directing style, have us all dreaming of more vacation days at the resort we've come to adore. We couldn't be more thrilled to get the chance to collaborate on a third season together." The news comes after The White Lotus hit an all-time ratings high in the US with its third episode of season three — although, given how ace the series is, and how widely loved by both viewers and critics (season one picked up a swag of Emmys just a month before season two premiered), bringing it back for more was always highly likely. HBO and creator/writer/director Mike White (Brad's Status) haven't announced if any of the current characters — or season one's — might return in season three, as Jennifer Coolidge's Tanya McQuoid-Hunt has across its first two batches of episodes. Obviously, before any familiar faces can check into another White Lotus property somewhere else in the world (the location of which also hasn't yet been unveiled), we'll need to see who survives season two first. The show's second season is currently diving into plenty of drama in a stunning setting, with Tanya travelling to the White Lotus hotel in Sicily with her husband Greg (Jon Gries, Dream Corp LLC) and assistant Portia (Haley Lu Richardson, After Yang) — however the former isn't happy that the latter is with them. Plus, Tanya thinks that Greg might be cheating. Also checking in for season two's biting satire of the one percent and class divides: F Murray Abraham (Guillermo del Toro's Cabinet of Curiosities), Michael Imperioli (The Many Saints of Newark) and Adam DiMarco (The Order) as three generations of Di Grasso men, who are on a family holiday to connect with their roots; Aubrey Plaza (Best Sellers) and Will Sharpe (Defending the Guilty) as newly wealthy couple Harper and Ethan, who are vacationing with pals Cameron (Theo James, The Time Traveller's Wife) and Daphne (Meghann Fahy, The Bold Type); and Tom Hollander (The King's Man) as English expat Quentin, who's away with his nephew Jack (Leo Woodall, Cherry). And, there's also Beatrice Grannò (Security) and Simona Tabasco (The Ties) as locals Mia and Lucia; plus Sabrina Impacciatore (Across the River and Into the Trees) as this White Lotus' manager Valentina. There's obviously no trailer yet for The White Lotus season three, but you can check out the trailer for season two below: The White Lotus' third season doesn't yet have a release date — we'll update you when one is announced. The second season of The White Lotus is currently streaming via Binge in Australia and Neon in New Zealand, dropping new episodes weekly. Read our full review.
While La Niña may be threatening hot vax summer, no doubt you still intend on living it up over the warmer months. After all, you've got mates to catch up with, new bars to check out and a swathe of live gigs to see. And, with all these social occasions coming up, you're probably keeping an eye out for some new summer threads. Lucky for you, top seltzer brand White Claw has teamed up with local fashion brand Barney Cools to bring you the ultimate wardrobe to cruise around in this summer. The brands are basically the epitome of summer, so the collab makes sense. And the best news? You can score it for free. The White Claw x Barney Cools all-white capsule collection includes three epic items: a terry cord party shirt, a breezy vintage-style tee and corduroy cap. Each limited-edition piece is designed to be genderless, too, so they'll suit anyone and everyone who's keen to make the most of summer. Oh, and did we mention that the prize also includes one White Claw variety pack? The new-release pack includes four flavours: watermelon, mango, lime and grapefruit. There are ten White Claw x Barney Cools packs to be won around the country. Should you win, you'll score some White Claws and all three clothing items, so you can don them to the beach, pub, park and just about everywhere else you plan to hit this summer. Keen to win some new summer threads? Enter your details below to go in the running. [competition]836217[/competition]
Ridesharing service DiDi launched in Melbourne back in 2018, but you probably haven't needed its services much lately. Now, as many Melburnians are beginning to venture out of the house — thanks to the city's easing COVID-19 restrictions, including on hospitality venues — the company is offering half-price rides on select days across the next six weeks. Spent the past few months walking around your neighbourhood for exercise? Don't quite fancy hopping on public transport as yet? Don't have a car — or a bike? Obviously, that's where ridesharing comes in. You can, of course, choose from Ola, Uber or DiDi. If you go with the latter, though — and if it's 4–10pm on a Thursday, Friday or Saturday between now and December 5 — you'll get a much cheaper trip. The newer of the three, DiDi is offering every Melburnian two half-price trips (up to $20 a trip) each on those select days, all within metro Melbourne. You just need to jump onto the app and use the code DIDIHOUR, which get you access to the discounted trip. You can only use the code once per week — and if you're wondering about the time slot, that's so you can get to or from a pub, bar or restaurant now that they're back in action. According to DiDi, lots of Melburnians have already been using the app since the latest set of eased restrictions came into effect this week. DiDi Chuxing launched in China in 2012 and has quickly become a huge player in the global ridesharing game — it has since bought out Uber's Chinese operations and has stakes in numerous companies, including Ola, Taxify, Lyft and Grab. To get your two half-price DiDi trips — as valid from 4–10pm on a Thursday, Friday or Saturday between now and December 5 — download the app (for iOS or Android) and use the code DIDIHOUR.
As with most DC universe superhero stories, Wonder Woman isn't aiming for lofty heights. Which is probably a good thing, because it hits right in the middle. We saw the superheroine appear briefly in Batman vs. Superman, where she was far and away the best part of the film. Now, in her origin movie, we get to see where she came from. Wonder Woman, Diana Prince, or Princess Diana of Themyscira (Gal Gadot), is raised on the secret island of Themyscira, home of the Amazons. When American soldier Steve Trevor (Chris Pine) washes up on their island, Diana defies her mother Hippolyta (Connie Nielsen) by freeing him, before setting out to help humanity escape from, what she infers must be, the wicked influence of Ares the God of War (the Amazons are supposedly tasked with protecting humanity from Ares, although they seem to mostly just chill on their island). Diana and Steve sail to London in a dinghy, and travel to the front of World War I to find the wellspring of evil and end the war. Rollicking adventures soon ensue. As a narrative, Wonder Woman leaves plenty to be desired; a standard hero's quest but without elegance or depth. Words like 'love' and 'innocent lives' and 'protect humanity' are thrown around until they lose all meaning – although apparently, German soldiers do not count as humanity since the film sees them slaughtered in droves. The horrific trench warfare of WW1 is once again co-opted as gritty texture in an otherwise textureless film. Director Patty Jenkins manages to tick all the boxes of the worn out genre: fast-paced fight scenes, goodies versus baddies, a smattering of humour and a dramatic final showdown. If you're into caped crusaders, Wonder Woman is still probably worth your time. It's also good to see a superhero film with a strong female cohort – Gadot in front of camera, Jenkins behind, an island full of Amazonian warriors, and Elena Anaya playing the wicked Doctor Poison. And yet it's still basically impossible to call Wonder Woman a feminist film. For all the buzz about female empowerment, the movie falls prey to the same tired, sexist tropes that define all male-dominated movie franchises. We're talking blatant objectification, lack of agency, and outdated stereotypes. Diana is superhuman, with a whip that compels truthfulness and magic wrist guards that deflect bullets. She speaks over a hundred languages and has literally been raised from birth on an island surrounded by fierce fighting women. And yet everywhere she goes, she's greeted with comments about how smokin' hot she is. Can you imagine anyone doing that to Batman? Steve Trevor helps her off a boat and steers her through the streets of London with a possessive hand on her arm. He bosses her around. The men in her ragtag gang see her destroy a church and flip over a tank, but they don't quite believe she knows what she's talking about when it comes to strategy. They simply refuse to let her infiltrate the gala seething with German high command. At the end of the day, the woman is saddled with the same old shit – just as a protagonist and not a one-dimensional narrative device. At the end of the day, if you're just looking for another superhero flick, Wonder Woman should suit you just fine. But if you were hoping to see something revolutionary in terms of the representation of women, prepare to be bitterly disappointed. https://www.youtube.com/watch?v=1Q8fG0TtVAY
Open at Melbourne Holocaust Museum from Tuesday, November 17, 2024 until Sunday, March 30, 2025, Underground: The Hidden Archive of the Warsaw Ghetto displays rare artefacts from the Hidden Archive of the Warsaw Ghetto from the Jewish Historical Institute in Warsaw, Poland. The artefacts on display have never been seen before in the Southern Hemisphere. During the Holocaust, historian Emanuel Ringelblum, who was imprisoned in the Warsaw Ghetto, enlisted a group of academics, journalists, and activists to create a secret archive. Over a two-year period, they created a comprehensive archive that chronicled life and death in the ghetto. The archive was secretly buried within the ghetto. After the war, miraculously, a portion of the archive was retrieved from underneath the rubble where the ghetto once stood. The full archive consists of over 35,000 documents, and right here in Melbourne, you can see 12 key documents and one of the metal boxes they were carried in. The exhibition offers a rare insight into the personal experiences of those incarcerated within the ghetto – showcasing items such as drawings, posters, letters, songs, poems, plays, and even lolly wrappers. The exhibition also offers a uniquely Melbourne perspective with artefacts and first-hand accounts from survivors who immigrated to Melbourne after the war. More than 8,000 Polish-born Holocaust survivors immigrated to Australia within the first decade after WWII. Most settled in Melbourne, including approximately 2,000 from Warsaw. This exhibition is unlike many—you will be immersed in this harrowing but intimate attempt to tell the story of the Holocaust from the perspective of its victims. A series of public programs including behind-the-scenes tours, lectures and film screenings also launched alongside the exhibition and can be booked via the museum's website. Opening hours are Tuesday, Wednesday, Thursday, Friday and Sunday 10am to 5pm. Book your tickets here. Images: Supplied.
Talk about dreams coming true, or ideas that you've probably fantasised about over a few glasses of vino actually becoming a reality. A town in Italy has installed what's certain to become a tourist attraction, at least with those fond of a grape-centric boozy beverage: a free, 24-hour wine fountain. Because you're probably already booking a trip to the European country, then Abruzzo is the place you want to head to. There, designed to provide refreshments to folks following the Cammino di San Tommaso pilgrimage from Rome to Ortona, inspired by a similar setup on the Camino de Santiago route in Spain, located at the Dora Sarchese vineyard and open to anyone who walks by, you'll find the fontana del vino dripping with the good stuff. Red wine that is, not white. Yes, this is a real thing. No, we'd never joke about something like this. It's better than anything Art vs Science could ever sing about, and up there with the cascade of youth-giving liquid spoken about in legends and nodded to in Darren Aronofsky's Hugh Jackman and Rachel Weisz-starring 2006 film. Forget bubblers spurting H20 — this is the true holy grail of public drink dispensers. You might recall similar concepts popping up around Italy in the past; however they were once-off affairs. This is permanent: no gimmicks, no time limit, just an all-day-round spring of vino that you can enjoy for zilch. The vineyard does warn that it's not for drunkards, though, so behave yourselves. Via Travel and Leisure.
UPDATE, August 9, 2020: Kusama: Infinity is available to stream via Google Play, YouTube and iTunes. Early in Kusama: Infinity, a series of black-and-white drawings and paintings take pride of place. Unsurprisingly given the documentary's subject, they're filled with dots. The artworks rank among Yayoi Kusama's earliest creations, with the Japanese icon starting her love affair with the medium — and with the circles that she repeatedly wields as a motif — when she was ten years old. Nearly eight decades later, she's still following those passions in pieces littered with dots and pumpkins, and in infinity rooms filled with orbs too. Of course, now the entire world gets to share in the eye-catching results. The path from creatively curious child to international superstar hasn't been quick or smooth for Kusama, which is the crux of Heather Lenz's film. As a kid, Kusama's mother would snatch away her paper while she was still drawing — and even as a twenty-something, it was only writing to American artist Georgia O'Keeffe that gave her the confidence to move to the US. Virtually ignored in conservative post-war Japan, she was hardly the toast of New York when she arrived in the late 1950s. That's the reality of an artist considered a sensation in her eighties: all of that fame and acclaim only came after a lifetime of hard work. Directing, writing, producing and editing her first full-length documentary, Lenz explores the inescapable truth at the heart of Kusama's story. In the process, she also gives viewers a Kusama 101 lesson. The dots, dilemmas and dramas flicker across the screen, furnishing a tale that's as much about the doors that wouldn't open to the young artist as it is about the boundaries that she dared to push. In Japan, she was a woman who defied convention by refusing to become a dutiful housewife. In America, she was both a woman in a male-dominated realm and a foreigner in an unwelcoming land. Everything about Kusama's story is vital and essential — as important and affecting as staring into one of her mirrored cubes, or seeing her dots completely envelop a room. But while Kusama: Infinity clearly recognises that fact, the movie remains happy to chronicle its subject in the usual art doco manner. Experts impart explanatory narration, sometimes as talking heads. Clips showcase a feast of different pieces, spanning paintings, sculptures, installations, videos and even America's first queer wedding ceremonies. Kusama herself lends her thoughts, which are relayed as interviews as well as voiceover. There's gorgeous sights and biographical insights aplenty, but the film never quite breaks the mould in the same fashion as the artist at its core. Thankfully, Kusama: Infinity's array of artwork works its charms. How could it not? If Kusama's pieces feel more than a little otherworldly just as they are, seeing them blown up on a big screen makes them larger than life. Colour, shape, movement, an intoxicating sense of repetition — they all dance through her creations, and through the movie as a result. As they do, one of the picture's opening remarks lingers: "I convert the energy of life into dots of the universe," Kusama offers. "And that energy, along with love, flies into the sky." Kusama herself proves the film's other highlight, for devotees and newcomers alike. Her work may tell a thousand stories — tales that the doco's well-selected archival photographs of the artist only enhance — however there's nothing like hearing about Kusama's life, motivations and roadblocks in her own words. There's nothing like seeing her chat to the camera either, with her bobbed red hair a-blazing. First spied wearing a vibrant crimson dress peppered with white polka dots while standing in front of one of her monochrome circle-filled drawings, she provides an instant visual reminder of why her art strikes a chord. It might be impossible to capture the enigma that is Kusama in one 85-minute documentary, but her inimitable allure is evident every time the artist herself brightens up the screen. https://www.youtube.com/watch?v=RRqxWNn3iQU
Two gigantic Australian billboards were hijacked this week, now sporting seriously gnarly tatts. Located in Sydney's George Street and Melbourne's St Kilda Junction, the 16m x 6m billboards have been emblazoned with giant tattooed lions by longtime team-up Aussie artists The Yok and Sheryo in collaboration with LYNX. The two artists were invited to use their own unique styles and expression to transform the men's brand's latest outdoor campaign. Marking phase one of LYNX's brand new 'Expression Series', the billboards were completed over four days; with a limited run of t-shirts and posters available through Facebook. This isn't the first time the pair have worked together; The Yok and Sheryo have exhibited and painted their fantastical creatures everywhere from Mexico to NY, Atlanta, LA, Miami, Africa, Belgium, London, Europe, Seoul, Indonesia, Singapore, Vietnam, Thailand, Malaysia, Australia and Cambodia. So why the massive lions? The Yok has seen his fair share of expression-fuelling travel, moving to Africa from Australia and finding an addictive freshness in his newfound environment (lions included). "I moved to Kenya when I was 25 and I lived there for a year and a half; I think that had a real dramatic effect, it was a really rewarding experience" says The Yok in the behind-the-scenes video. "I really value that feeling, so maybe I'm always trying to chase that feeling again. It's kind of like being a kid and everything's new. "I remember when I saw my first lion in Kenya. Such an amazing animal to see close up; they're just so powerful-looking. I can't really describe what it is to look at a lion in the face, but they're an amazing creature." https://youtube.com/watch?v=zNQyWPUqdF0 LYNX aren't stopping at two gigantic billboards; the next phase of the 'Expressions Series' will see typographer Luca Ionescu and a photographer collaborate on a mystery project to be announced later in the year. LYNX's project aims to help Australian guys express themselves authentically, supporting creators who stay true to their vision but might not always have the opportunity to do so. Check out LYNX's 'Expression Series' over here and stay tuned for the next project announcement later this year.
If you're into theatre, Poppy Seed is a festival to keep an eye on. It's one of only a few events that support and fund theatre in Melbourne — indie producers who take part are catapulted into recognition with the three-year-old festival growing in popularity and weight each season. 35 theatremakers are part of this year's month-long event, taking place between November 8 and December 9. This year's gala kicks the festival off with Alexithymia, a performance by Citizen Theatre and A_tistic. It's made up of three shorter pieces that explore life as a woman with autism and tests the audience's emotional intelligence. Jean Tong's Romeo Is Not the Only Fruit is a tongue-in-cheek, politically satirical musical representation of what it means to be a queer woman of colour in today's world, and features a 'Dead Lesbian chorus' — you'll have to go along to find out what this entails. Hyperlocal performances are a highlight of this year's festival. BREAD CRUMBS sees Ruby Johnston and Benjamin Nichol bring the traditional fairytale narrative to a Dandenong setting where it explores the impact of domestic violence and gender roles in the form of a sinister black comedy. And set on Flinders Street, Lost: 5 showcases five short monologues exploring the persistent issue of homelessness in the CBD. Finally, there's Tandem, presented by Gravity Dolls. It's circus-meets-gameshow, as actors respond to the audience's decisions and actions to win each game. An example? Giant acrobatic Jenga, and Twister (but with performers acting as the mat). Poppy Seed takes place in four locations across Melbourne: Meat Market in North Melbourne, South Yarra's Irene Mitchell Studio, The Butterfly Club in the CBD and Chapel off Chapel in Prahran. Each show is $22–35, with bundles and gala tickets available through the website.
Fancy a frolic in the flowers before colder weather arrives? The Ballarat Begonia Festival is just the place, with the Ballarat Botanical Gardens featuring three days of begonias, sustainability and community good vibes from March 8–10. Throughout the festival, visitors can expect a host of free activities, entertainment and educational experiences for all ages. Headlining this floral extravaganza in 2025 is The Last Numbat – a large-scale, interactive performance installation controlled by 14 people at a time. Sharing a message of connection, community and environmental awareness, this is the first time the enormous marionette will be presented on Australia's east coast. Also on the program is a who's who of environmental educators, eco-conscious chefs and award-winning gardeners. Everyone's favourite green thumb Costa Georgiadis will bring his infectious enthusiasm for sustainable gardening, while admired horticulturalist Millie Ross will share her unconventional approach to gardening. Plus, lauded local chef Liam Downes showcases his paddock-to-plate philosophy, highlighting the region's culinary delights. Beyond the main stage, a special begonia display features more than 500 rare and unique varieties, the Garden of Giggles offers free puppet and comedy shows for kids, and the gardeners' market reveals a treasure trove of plants, flowers and garden gifts. Of course, there's also a great selection of food trucks, plus refreshing drinks served from The Boronia Bar.
Everyone has different priorities when it comes to planning a holiday. For some, it's a jam-packed itinerary of outdoor adventures. Others may be looking for a place to kick back and relax. But for you, it may be all about seeking out good food and drinks. Hey, we don't blame you. You've got to keep fuel in the tank for that sightseeing. Canberra is one city that delivers all of the above on a silver platter. A weekend here can be filled with wondrous epicurean delights, plus a hell of a lot of life-affirming tasty vino. You'll find everything from fine dining establishments and cosy wine bars to bustling markets and top-notch wineries. Throw in a few more unique food experiences that you're unlikely to find in your city and you've got yourself a pretty amazing food-filled weekend. If you're guilty of planning every single meal in advance, right down to the dishes you (and your travelling companion) will order, we've got you covered. Read on to discover five spots around the capital that you must make a stop at on your next trip. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
Brunswick, say hello to Joey Smalls. A little older (and somewhat wiser) than her rowdy CBD brother bars New Guernica and Chuckle Park, Joey Smalls is set up for relaxing summer days in her cosy courtyard or snug winter nights in a booth. In other words, you probably won't be on the dance floor spilling your vodka sodas all over everyone here. This is a much more casual affair. At Joey Smalls, the design seems to sit somewhere between American diner and modern Melbourne, though the final result makes it hard to say. A cave-like formation surrounded by polished wood and an Americana specials board results in a strange mix of styles — but it works. An excellent roster of DJ's will likely be playing a range of soul, funk, house or hip-hop most nights of the week with the odd special event or performance. Huxtaburger are supplying the food with the simple burger menu that Melbourne knows and loves. There are a few surprises thrown in too, such as the okonomiyaki fries ($15), which are covered head to toe in Kewpie mayo, bonito, special okonomiyaki sauce and a sprinkling of seaweed. Regular Huxtaburger prices apply with a burger setting you back $9.50-$12 depending on how fancy you want to be. Interesting local and imported beers are available by the bottle and on tap. The cocktail menu, while not exactly unique, is full of cheerful classics that won't break the bank. The Chilli Coconut Margarita ($15) and Passion Palomo ($15) are both tasty options to go with, but it's the wallet friendly Smoke 'n' Stormy ($10) — a twist on the classic Dark and Stormy — that is the crowd favourite. Licensed until well past your bedtime, Joey Smalls is a welcome addition to Sydney Road.
Chapel Street got a taste of old-world European romance when Matteo Bruno (Hana, The Meatball & Wine Bar) opened the doors to his latest project in May. Named after Bruno's 93-year-old nonna, Ines Wine Bar is one of the most charming watering holes around, Euro-style street seating and all. Inside, the team at Techne Architecture have pulled together a warm, laidback mix of walnut, Italian marble and aged brass accents, to match a soundtrack of classic tunes from the likes of Frank Sinatra and Ray Charles. In short: it's a space designed for unwinding. Having most recently honed his smarts at Ides and intimate Japanese spot Kappo, sommelier Raffaele Mastrovincenzo has designed a wine list of around 80 Italian, French and local varieties, with a Coravin system allowing for more interesting by-the-glass sessions. That said, Ines' cocktail game is equally strong, with Italian mixology whizz Stefano Cinelli showing off his knack for the classics — you're just as likely to find yourself dropping in for a sazerac or old-fashioned. Plus, buy a bottle of your favourite spirit and they'll even keep it safe behind the bar for your subsequent visits. Meanwhile, in the culinary corner, it's Euro accents all the way. Think a daily-changing selection of crostini, cheese and charcuterie boards, freshly shucked oysters and the croque signore, riffing on a French classic with the addition of aged prosciutto.
