If heading to or from Aotearoa is on your to-do list for 2023, booking a flight with Air New Zealand means travelling with the newly crowned best airline of the year. In excellent news for NZ just a week after the country's Hawke's Bay region was named the 12th Great Wine Capital of the world, the carrier has earned some global love from the Airline Excellence Awards. The gongs are decided by AirlineRatings.com, with Air NZ nabbing the number-one position for a number of reasons, including its operational safety, motivated staff, moves in the environmental space and upcoming SkyNest economy beds. The latter, which let passengers lie flat during their trips for four-hour stints, won't be available until 2024, but that hasn't stopped the airline topping the 2023 rankings. Does it also bode well for next year's list? Probably. "In our objective analysis, Air New Zealand came out number one in many key areas, although it was a very close scoring for the top five," said AirlineRatings.com Editor-in-Chief Geoffrey Thomas. This marks the seventh year since 2013 that Air NZ took out the top slot, although Qatar Airways did the honours in 2021 and 2022. Air New Zealand also won Best Economy Class and Excellence in Long Haul Travel from the Australia and Pacific region, while Qatar Airways — which came in second in the Top 25 premium airlines — was named Best Business Class for the fourth year in a row, as well as Best Catering and Excellence in Long Haul Travel in the Middle East. In the main list, the two carriers were joined by Etihad Airways, Korean Air and Singapore Airlines in the top five, with Qantas, Virgin Australia/Virgin Atlantic, EVA Air, Cathay Pacific Airways and Emirate rounding out the top ten. Then came Lufthansa / Swiss, SAS, TAP Portugal, All Nippon Airways, Delta Air Lines, Air Canada, British Airways, Jet Blue, JAL and Vietnam Airlines in the top 20, followed by Turkish Airlines, Hawaiian, KLM, Alaska Airlines and United Airlines. Best First Class went to Singapore Airlines; Virgin Australia/Virgin Atlantic earned the Best Cabin Crew gong; and Emirates was anointed Best In-Flight Entertainment and Best Premium Economy. Qantas also scored an accolade, receiving the Best Lounges award. For travellers on a budget, AirlineRatings.com gave out Best Low-Cost Airlines awards, too, with Jetstar getting the nod for Australia/Pacific, Southwest in the Americas, Fly Dubai in the Middle East, AirAsia in Asia and Ryanair in Europe. For the full AirlineRatings.com list, visit the airline safety and product rating review outfit's website.
The Smith in Prahran, usually known for its delicate share plates, is clearing out the tables and turning the restaurant into a seafood marketplace for one night in September. An array of seafood bites will circulate the restaurant, and will go down nicely with a selection of Australian wines and a glass of French champagne or two. Think freshly shucked Oysters, panko crumbed crab cakes, kingfish sashimi and kataifi wrapped scallops, as well as seared calamari and Atlantic salmon. If you like your seafood fresh, and perhaps with a glass of wine, this one looks like it could be a lot of fun.
Music, photography and crime weave a delicate web as City of Shadows — A Song Cycle of Murder, Misfortune and Forensics takes the stage in Melbourne. On a backdrop of forensic and police photography, a string quartet and vocals deliver a collection of songs that honour the images of the forgotten, all the while making you step back and think. Think about those who’ve committed such crimes, those that could, and the human capacity for weakness. The graphic images come from the Justice and Police Museum’s photography collection and tell tales of mystery and danger. Conceived, written and directed by Rachel Dease, this one is set to be hauntingly beautiful.
Sydney vino makers and switched on marketers Cake Wines have always been pretty savvy when it comes to marketing activations — from label art comps to pop-up bars at All of the Creative Launches Around Town. But their latest brims with pure love for the little guy - the support band. In a new Australia-wide campaign dubbed 'Support the Support', the Redfern-based crew are rewarding the punters who turn up early and check out the support band instead of wasting the time pre-drinking at a mate's. "By heading to gigs earlier in the night and checking out the support act, no matter what happens...everyone wins," says Cake. "The artist plays to a crowd, you'll be supporting the venues that showcase music, the more people in the venue the better the vibe, and maybe, just maybe, that little support act no one’s heard of yet, could well be the next Radiohead or James Blake or Fugazi or Arcade Fire...and you saw them first." Support the Support runs through May across 35 music venues in Brisbane, Sydney and Melbourne. Early birds turn up to check out the support, post a sweet, sweet filtered pro shot to Instagram with the hashtag #cakewines, show the bartenders and you'll get a free wine. FREE (ACTUALLY GOOD) VINO. Egads. The actual support bands get some love too, gig listed and given a shout out in the Support the Support calendar and given bespoke posters of their band to help bring in more of a crowd than their obligated high school chums. Fashionably late ain't so any more. You can support the support here: SYDNEY Good God Small Club, Oxford Art Factory, The Green Room, 505, Civic Hotel, 616 Foundary, Beach Rd Hotel, Spice Cellar. MELBOURNE Howler, The Toff, Revolver, The Retreat, Bennetts Lane, Wesley Anne, The Post Office Hotel, The Old Bar, The Evelyn, New Guernica BRISBANE Dowse Bar, Black Bear Lodge.
Brighter Later is the coming together of songwriters Jaye Kranz and Virginia Bott, and their music is some of the most hauntingly beautiful indie sounds to come out of Melbourne in a while. Their debut album The Wolves, released earlier this year was described as 'dreamy brilliance' and gathered local and international praise including recognition from Martha Wainwright who later brought them on as her support act when touring Australia. The duo will be joined by Brite Fight and Simon Bailey (Pony Face) for their final headline show in Melbourne. The eight piece group will no doubt deliver their mesmerising sound in the intimate space that is Northcote Social Club.
They say a rose by any other name would still smell just as sweet. And yet when you're talking about something named Ecosexual Bathhouse, no other moniker is going to have quite the same effect. The latest live art encounter from Loren Kronemyer and Ian Sinclair — better known collectively as Pony Express — for Next Wave 2016, this immersive after-dark labyrinth in the Royal Botanic Gardens explores the concept of ecosexuality, an emerging queer identity that positions the environment as an erotic partner. Kind of gives a whole new meaning to the notion of getting in touch with nature, doesn't it?
When Sydney scored an expansive coastal walk spanning from Bondi to Manly, it was a huge addition to the city, particularly if you like putting one foot in front of the other while soaking in stellar waterside sights. Soon, you'll have another option, too: a new 91-kilometre shared — and continuous — pathway running from the Sydney Opera House to Parramatta. The idea was first proposed by The McKell Institute, a think tank aligned with Labor, back in 2020. The same year, it was adopted by by then-New South Wales Treasurer and now-Premier Dominic Perrottet, with $500,000 funded in the 2020-21 NSW budget to explore moving ahead. Now, current Treasurer Matt Kean and Minister for Infrastructure, Cities and Active Transport Rob Stokes have confirmed that the walkway is in the works — and yes, it's as huge as it sounds. The NSW Government will put $60 million towards the pathway, which has been dubbed the Parramatta to Sydney Foreshore Link, and will be able to be used by both pedestrians and cyclists. It'll start by the harbour and end at Parramatta Park — or vice versa, depending on which direction you're heading. In the process, it'll become one of the city's longest transport connections, spanning a whopping 18 suburbs. View this post on Instagram A post shared by Rob Stokes MP (@robstokesmp) Some existing pathways will be included in the overall track, but others will need to be built. Indeed, part of the funds will go towards working out how to make currently inaccessible foreshore sections accessible. That new stack of cash for the Foreshore Link will be committed in the 2022-23 budget, although exactly when you'll be able to get moseying hasn't yet been revealed. Also included in that $60 million: design work, building on the initial feasibility study and prioritising works in consultation with councils. Whenever it comes to fruition, stunning views will be a big feature, naturally. "This pathway will take in some of our most spectacular sights and unlock the incredible lifestyle and accessibility opportunities the route offers for the benefit of locals and visitors," said Kean, announcing the news. "Since 1811. our city's prosperity has been propelled by road and rail connections between the settlements of Sydney and Parramatta. This new connection will allow walking and cycling trips to proliferate, making lives easier, healthier and more enjoyable for locals, commuters and visitors for centuries to come," added Stokes. For more information about the Parramatta to Sydney Foreshore Link, head to the NSW Government website.
"For us, it's about trying to take risks," says director Amiel Courtin-Wilson. "Further the process, and see how far you can push things before they break." Certainly, the Melbourne-born filmmaker is not afraid of pushing the envelope. After beginning his career in documentary with films like Chasing Buddha and Bastardy, Courtin-Wilson's first fiction feature was 2012's Hail, a dark, critically divisive love story that blended naturalistic cinematography and dialogue with striking moments of visual experimentation. A similar methodology is at work in his follow-up, Ruin, which he co-directed with Hail producer Michael Cody. Inspired by Cody's time living and working in South-East Asia, the film is a romantic drama about the relationship between a runaway prostitute and a factory worker in Phnom Penh and the desperate lengths they must go to in order to survive. "On average I don't think we did a day shorter than 15 or 16 hours," says Courtin-Wilson of the gruelling, unconventional shoot, which was broken into two separate three-week blocks with a yearlong gap in between. "The last week we were shooting 20, 21 hour days." Now it seems that the hard work has paid off. Since its completion, Ruin has won numerous festival awards, including the Special Jury Prize at Venice, and had its Australian debut in competition at the Sydney Film Festival. In the lead-up to their local premiere, Courtin-Wilson and Cody took the time to talk with Concrete Playground about the experience of putting the film together. https://youtube.com/watch?v=5VEQ2Hvq_Cs No Script, no problem When asked about the project's origins, both directors grin. "We landed in Cambodia without a script, without any finance and without any sense of a story," remembers Courtin-Wilson. "Within about a month we had some finance, we had a cast, we had a crew from Australia, and we had a 15-page outline. So in many ways it was just an experiment in sheer momentum." The Australian crew came together under the banner of Courtin-Wilson's film collective, Flood Projects. Many of them worked for free, even paying for their own plane tickets to Cambodia. "If someone's prepared to do that, they're obviously there for the right reason," says Cody, "and that's very humbling. It means that the process is genuinely very collaborative; everyone's invested in it, and we're super grateful to them for being there." Courtin-Wilson agrees. "I think what happens when you give over to that process without the usual hierarchies, when someone can literally have four or five roles, is that everyone is so invested and so excited," he says. "Someone can be down the street for lunch and find some amazing potential cast member, or find an amazing cafe for a scene … it was the most exhilarating filmmaking experience I've ever had." A road movie with no road map Part of Ruin's naturalistic feel comes from the filmmakers being willing to draw from their environment. "Structurally, working with a road movie paradigm meant that you could expand or contract the film according to who you met along the way," says Courtin-Wilson. "It's episodic in nature … we'd meet an amazing fisherman in a province halfway through shooting and then we'd sit down and write a scene for him, and integrate that into the story. "The idea that filmmaking has to be a one-way street in which you can't fundamentally reinvent the film in the edit..." Courtin-Wilson trails off, shaking his head. "If anything, we were trying to inject more chaos into the process, because that's where the discoveries lie." "I'm pretty sure [the cast] thought we were just mental cases for a lot of the time shooting the film," says Cody, laughing. The guidance of trauma "We had a really fundamental idea of what the theme of the film was, which came from Cody's initial idea of trauma, and how trauma sits in the body," says Courtin-Wilson. "This is a whole country that's been traumatised," adds Cody. "One thing I'm really pleased with is the way the history of the place comes through, but in an oblique way. It's subtle, as it is in everyday life there. You can feel it everywhere, all around you, but it's not discussed. These people have to deal with the reality of that history, in their lives and their relationships. You know, like living down the road from the guy that executed your father, that sort of stuff." "In early screenings of the film we had in Cambodia," says Courtin-Wilson, "the greatest compliment [came from] showing it to a group of Cambodian artists, musicians and filmmakers, and for them to say 'this feels like Cambodia today'. If we even came close to capturing that, that's all I would ever want." Ruin is on at the Melbourne International Film Festival on Wednesday, August 13, and Saturday, August 17. For tickets, see the MIFF website.
Melancholy, cantankerousness, angst, hurt and snow: all five blanket Barton Academy in Alexander Payne's The Holdovers. It's Christmas in the New England-set latest film from the Election, About Schmidt and Nebraska director, but festive cheer is in short supply among the students and staff that give the movie its moniker. The five pupils all want to be anywhere but stuck at their exclusive boarding school over the yuletide break, with going home off the cards for an array of reasons. Then four get their wish, leaving just Angus Tully (debutant Dominic Sessa), who thought he'd be holidaying in Saint Kitts until his mother told him not to come so that she could have more time alone with his new stepdad. His sole company among the faculty: curmudgeonly classics professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; plus grieving head cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The year is 1970 in Payne's long-awaited return behind the lens after 2017's Downsizing, as the film reinforces from its opening seconds with retro studio credits. The Holdovers continues that period-appropriate look in every frame afterwards — with kudos to cinematographer Eigil Bryld (No Hard Feelings), who perfects not only the hues and grain but the light and softness in his imagery — and matches it with the same mood and air, as if it's a lost feature unearthed from the era. Cat Stevens on the soundtrack, a focus on character and emotional truths, zero ties to franchises, a thoughtful story given room to breathe and build: that's this moving and funny dramedy. Christmas flicks regularly come trimmed with empty, easy nostalgia, but The Holdovers earns its wistfulness from a filmmaker who's no stranger to making movies that feel like throwbacks to the decade when he was a teen. In the first of his eight pictures actually set in the 70s, Payne tells a tale that audiences can plot out from the setup alone. The Holdovers also charts a story so on the director's wavelength that, even though it's only the second of his films that he didn't also script, it comes as no surprise that he specifically commissioned it from screenwriter David Hemingson (Whiskey Cavalier) after reading a pilot by him set in a boarding school, and also watching 1935 French effort Merlusse. But spying where this account of three lonely souls thrust together over the holidays is heading doesn't temper its delights and depths; the journeys that Paul, Angus and Mary take; or spending time in the trio's presence. While movie narratives are often predictable — that there's only so many basic plots is a common writing concept — the devils and joys are in the details, relationships and idiosyncrasies, as Payne unpacks with help from excellent performances. The Holdovers knows how to construct and flesh out characters; in Paul's gruff demeanour with his class, who he's happy to flunk — and particularly ferocious about putting the most privileged in their place — the film says plenty about the man and how everyone around him sees him. He's hardly thrilled with his chaperoning gig, taking to it like teaching. Angus, one of his outspoken but socially awkward pupils, is equally miserable. And Mary is just endeavouring to get through a tough time heightened by the supposedly merriest part of the year. That each will come to better understand the other, plus themselves, is exactly what's expected, and what Payne and Hemingson dive into. The layers unpeeled, however, are exquisite — not only showing what's led the three figures to this physical place in their lives, and to their current emotional and psychological juncture as well, but letting viewers see themselves in each and every one. Payne and Giamatti reteam following 2004's Sideways, which brought the former the first of his three directing Oscar nominations to-date, and also gave him a statuette for co-writing the adapted screenplay. The Holdovers is a welcome reunion, again casting Giamatti as a dispirited teacher, but his older years are felt. The corduroy-wearing, pipe-smoking Paul is a holdover in several manners, including as a former Barton student now working at the academy, someone whose dreams haven't come true and a man maintaining his frostiness after a lifetime of not fitting in. Every aspect is naturalistically grounded in Giamatti's acerbic Golden Globe-winning portrayal, as is the fact that choosing something different, breaking his routines and no longer holding himself over is a trickier prospect when you've spent more time set in your ways than you have left to change. This virtual three-hander pairs its biggest on-screen name with two just-as-exceptional performances by Randolph and newcomer Sessa. She's another 2024 Golden Globe-recipient and he, after being discovered as an elite Massachusetts boarding school perhaps not unlike Barton — it's one of five used as locations in the movie — kicks off what's certain to be a promising career. There's such soulfulness in the no-nonsense, just-getting-by Mary, who has no other option but to keep overseeing the academy's kitchen after the worst thing that can ever happen to a mother, and gives Rustin and The Idol's Randolph her best role since Dolemite Is My Name. And there's such spark mixed with pain in Sessa's young Dustin Hoffman-esque turn (a comparison reinforced when Paul and Angus hit the cinema to see western Little Big Man, which stars Hoffman, and by The Holdovers overall harking back to The Graduate times). Think: Dead Poets Society and With Honours, too. Think: The Shining as well, thanks to the snowy, sprawling and empty site where the characters and their thoughts are left to roam. But The Holdovers finds its own space as it ponders striving against remaining in a spot in your life that's anything but what you truly want, and also how one person's flaws and failings can be another's source of inspiration — packaging both with ample laughs. This is a witty and amusing film with dialogue that bounces and proves finely observed at the same time, as its characters and the entire movie also do. Down Under, The Holdovers' release has been held over until after Christmas, pitching its big-screen arrival as awards season heats up — Giamatti and Randolph are highly likely Academy Award-nominees — but it's also perfect bittersweet future festive viewing.
Moon Dog recently shared its detailed plans to build a new 800-person wild west-themed Footscray brewery bar, but it has also quietly announced two additional locations that are in the works. Doglands, an enormous 1,500-person bar, will be coming to the Marvel Stadium concourse sometime soon, hopefully breathing some life into the oft-forgotten Docklands. [caption id="attachment_844719" align="alignnone" width="1920"] Sam Schultz[/caption] We are yet to know the theme and exact layout of the new brewery bar, but if it is anything like Moon Dog World or Moon Dog Wild West, it will be big, fun and full of beer. Also on the cards, is a waterside site in Frankston. For this new venture, we have no information yet other than the fact it will be in Franga but you can guarantee the team will be pouring a heap of their award-winning beers and much-loved seltzers from each spot. [caption id="attachment_850486" align="alignnone" width="1920"] Moon Dog World in Preston[/caption] For more information about Moon Dog's upcoming bar openings, keep an eye out on the venue's website. Top image: Moon Dog World by Kate Shanasy and construction at the new Moon Dog Wild West site by Sam Schultz.
One of the most crippling and persistent of first world problems is the fact that sometimes things remain over there when you in fact want them over here. But now cutting-edge spy technology could change all that. How did we fail to see the answer, when it was right in front of our eyes? All we need is a way to give objects wings, and Dutch designer Jasper van Loenen has already done the bothersome design work for us. Drone It Yourself takes the guesswork out of droning, by using simple components to transform any (lightweight) item into a flying beast of the skies. Channelling our Zeitgeist's motif of personal customisation, anyone can 3D-print the kit's parts, which can also be altered and enhanced with any clamps or other addenda you may wish to incorporate into your quadrocopter. Grab your remote control/pizza/Frankie magazine, and dispatch it on its stealth mission. The kit's four propellors connect to a control unit containing a receiver, bluetooth module, 4 ESCs and OpenPilot CC3D flightcontroller. Presto: next-level convenience — and a springboard for further innovation — is achieved. Check out the video below to see how it looks when drones become tools that anyone can make. Via Mashable.
It kicked off more than four decades ago with one of the best horror movies ever made; however, the Halloween franchise has been through quite a few ups and downs over the years. Clocking up ten follow-ups and 11 movies in total so far, the slasher series has delivered excellent and terrible sequels, veered into remake territory, both killed off and brought back its heroine, and completely erased parts of its own past several times. But, like its mask-wearing villain Michael Myers, it always finds a way to go on. Since 2018's Halloween, that's been especially great news — with the Jamie Lee Curtis-starring, Jason Blum-produced 11th flick in the franchise proving a smart, thrilling horror delight, and ranking second only to the movie that started it all. Indeed, the film was such a success that two more sequels are set to come from the same team (aka Blum, writer/director David Gordon Green and co-scribe Danny McBride): Halloween Kills and Halloween Ends. Originally, Halloween Kills was due to hit screens this year, in October — when else? — but, as announced earlier this year by franchise creator John Carpenter, it moved back its release to October 2021. Although fans won't be able to make a return trip to Haddonfield until then, and have another encounter with Curtis' spirited Laurie Strode and her lifelong nemesis, too, a new teaser for the film has just dropped to help fill the gap. It's a brief clip — following a first, also short teaser that was released back in July — but it's suitably eerie. In voiceover, Strode tells us that "next Halloween, when the sun sets and someone is alone, he kills". The sneak peek then shows Myers picking up his mask and doing what he's done in oh-so-many movies so far. Cue the iconic, Carpenter-composed theme music, obviously. Check out the latest Halloween Kills teaser trailer below: https://www.youtube.com/watch?v=TgWlruoQoLI Halloween Kills will release in Australian cinemas on October 15, 2021.
In 2007, a wave of albino murders swept across Tanzania. Their slaughter was at the command of witch doctors, who believe that albino limbs deliver prosperity and good luck. Horrified, British filmmaker Harry Freeland flew to Tanzania, where he spent spent six years following Josephat Torner, an albino who had left his family home and was travelling from village to village, risking his life to confront superstition. The resulting documentary, In the Shadow of the Sun, is just one of the films in the Human Rights Arts and Film Festival, in Melbourne from May 9-23. Screening on closing night, it will make sure this a month of movies you won't forget in a hurry. Jamie Meltzer's Informant, a portrait of fanatical humanitarian-turned-FBI bedfellow Brandon Darby, is a highlight, as is Alex Meillier's Alias Ruby Blade. It's the story of Australian activist Kirsty Sword, who left for East Timor to make documentaries and found herself working as an underground operative for the imprisoned Xanana Gusmao.
Find sweet treats and vintage trinkets at a three-day pop-up tuck shop in the Melbourne CBD. Running from October 13-15 at Square on Little Collins Street, this cashless pop-up will feature products — both edible and otherwise — from some of Melbourne's best-loved makers and small businesses. Open 10am till 4pm, the Square Pop-Up Tuck Shop will be stocked to the brim with a host of mouthwatering treats – including amazing doughnuts from Candied Bakery and Cobb Lane, raw cookies from Ace Cookies and Milk, chocolates from Hunted and Gathered, cakes from Miss Molly's Cakes and God-only-knows what kinds of sugary concoctions from the enablers at Butter Mafia. Bargain-hunters will also find a range of handmade accessories, including jewellery from Tinka the Label, stationery from Knick Knack, and other items from home-grown businesses yet to be announced.
For the past three years, Elisabeth Moss has been doing her best to smash and subvert an oppressive patriarchal society, all thanks to The Handmaid's Tale. For seven seasons before that, she had a somewhat similar task in Mad Men, just within the world of 1960s advertising. So if someone has to go face-to-face with an unseen foe in The Invisible Man — an imperceptible figure that happens to be her controlling ex-boyfriend, and that no one else believes exists — then she's a great candidate. As the just-dropped first trailer for this monster movie remake shows, the classic Invisible Man premise has had a thoroughly 21st-century update. Moss plays Cecilia, who's had to flee an abusive relationship with her scientist ex (Oliver Jackson-Cohen, The Haunting of Hill House), but can't escape him that easily. He turns up dead and leaves her a fortune; however strange things then start happening around her. Celia is convinced her violent former lover is behind it — and not only that, but that he's still around, but invisible. Of course, everyone else just thinks she's crazy. Yes, it's HG Wells' sci-fi novel filtered through the concept of gaslighting, in a movie that looks set to stand out from its predecessors — such as the famous 1933 horror version and its many sequels, and 2000's Hollow Man with Kevin Bacon. The Invisible Man marks Universal's latest attempt to revive its iconic monster pictures from the 1920s–50s, after trying to create a Dark Universe series with Dracula Untold and the Tom Cruise-starring version of The Mummy. In fact, a different take on The Invisible Man was initially announced a few years back that'd tie into both of the aforementioned films, with Johnny Depp slated to turn see-through. But then The Mummy crashed at the box office and the studio changed its plans, with Universal now focusing on standalone remakes of its famous horror characters rather than an interconnected on-screen universe. Alongside Moss and Jackson-Cohen, this iteration of the out-of-sight figure also features Australian actress Harriet Dyer (Killing Ground), Aldis Hodge (Straight Outta Compton) and Storm Reid (A Wrinkle in Time). Prolific producer Jason Blum is pulling the strings, and, fresh from the action thrills of Upgrade, Aussie filmmaker Leigh Whannell sits in the director's chair. Also, if any of the movie's surroundings look familiar, that's because it was shot in Sydney. Check out the trailer below. https://www.youtube.com/watch?v=KLAJyugYEiY&feature=youtu.be The Invisible Man releases in Australian cinemas on February 27, 2020.
Summer has landed at last and with it, all the fun and frivolity that goes hand in hand with the silly season. It's time for kicking back with mates and soaking up the sunshine and happy vibes of December, with top-notch tipples and cracking eats. And Melbourne's got no shortage of bars serving up exactly this situation. So, to help see you through the season in style, we've teamed up with Pernod Ricard, purveyors of festive tipples like Chivas, St Hugo and Mumm Champagne, and created a stellar lineup of spots to hit with your crew this December — from contemporary feasting halls to famous cocktail bars where indulgence is the name of the game EAU DE VIE 'Tis the season for quaffing stand-out signature cocktails and luckily, you'll find some of Melbourne's most ingenious concoctions at laneway legend Eau de Vie. With its dapper old-world charm and penchant for great booze, this destination promises to lend a sophisticated edge to any festive season adventures. Head in with the crew, commandeer a plush little corner and prepare for a flavour-filled evening. We love the nostalgia-inducing sips like the Popcorn Flip — a sweet fusion of Martell VS cognac, honey, white chocolate and popcorn — best enjoyed alongside a couple of gourmet grazing platters. Right now, bites like smoked duck liver parfait, freshly shucked oysters and an oozy baked camembert have those party vibes on lock. [caption id="attachment_662771" align="alignnone" width="1920"] Kate Shanasy.[/caption] MJOLNER If ever there was a place made for sumptuous festive feasts with friends, it's viking-inspired CBD spot, Mjolner. Upstairs lies a contemporary Scandi-style restaurant complete with beautiful private dining spaces, while a moody basement bar below proves the ideal pit-stop for those post-dinner libations. Reigning supreme on the drinks list is an impressive, Thor-worthy whisky lineup, with iterations from every corner of the globe. Match the three-course banquet menu with a quality dram like the Chivas Regal 18-Year-Old, or indulge in a signature concoction like The Raider — a punchy blend with Jameson whiskey, rum, rotisseried pineapple syrup and lactart. THE ALBION The newly relaunched Albion Hotel has fast become a South Melbourne hotspot, boasting a key DJ program and a rooftop primed for sun-drenched summer socialising. A haven for afternoon wind-downs and rollicking weekend parties alike, it's got something for just about every taste. To really celebrate the holiday season, venture upstairs, grab a bottle or two of Mumm Champagne to share with your favourites and enjoy the Saturday night soundtrack of funk and disco jams. The food offering is snappy, casual and replete with summer vibes — think, chicken karaage poké bowls and first-rate cheese boards, best enjoyed with a sunset tipple in hand. ENTRECOTE To infuse your summer season with a touch of French elegance, look no further than Domain Road darling Entrecote. An all-day haunt inspired by the corner cafes of Paris, this beauty sits overlooking the Royal Botanic Gardens, dishing up good times and upscale fare from breakfast through till late. On weekends, a Champagne-matched bottomless brunch offering is hard to pass up. Or, you can make like a true Francophile and venture in for the daily 'apéro' hour from 4–6pm for an afternoon spent unwinding over coupes of Mumm Champagne, charcuterie boards and freshly shucked oysters sounds like a pretty enviable summer celebration to us. [caption id="attachment_680289" align="alignnone" width="1920"] Giulia Morlando.[/caption] WOOLSHED With its primo setting, collection of openair waterfront spaces and broad-ranging food offering, it's not hard to see why Docklands' Woolshed remains a firm festive season favourite. From after-work hangs to sit-down feasts, it's got the mood, food and drinks to suit. Wine-lovers are especially spoiled, with an impressive selection of Australian and New Zealand drops to choose from, including gems like Jacob's Creek Double Barrel, which has been finished in whisky barrels, and St Hugo cabernet sauvignon from the Barossa Valley. Alongside a sophisticated a la carte menu, the kitchen dishes up an excellent lineup of share-friendly bar snacks — think beef tartare, Kampot pepper squid and a daily changing cheese board selection, which will pair well with the aforementioned vino. Start planning your festive hangs — Christmas will be here before you know it. And if you're entertaining at home or just having a Sunday arvo barbie down at the beach, waltz on into any Cellarbrations, The Bottle-O, IGA Liquor Stores or Big Bargain Bottleshop, grab any two Pernod products listed here and go in the draw to win a $500 travel voucher, offered every day until Christmas.
It's hard to get a true snapshot of a place you're holidaying in when you don't have a friend who lives there to show you around. The Margaret River region presents its own unique set of challenges — with over 150 wineries and six days' worth of stunning coastal walking track, you're just not going to get to do it all are you? We've teamed up with Pullman Hotels and Resorts to bring you a guide to Margaret River that you can do in a few days, and that should leave you feeling like you really got to know the area. (If you ever decide to leave, that is. You do realise it's a food and wine mecca with a boho beach vibe that's long been punching above its weight in the culturescape, right?) Putting our heads together with Pullman Bunker Bay ambassador Shane Hilder — a creative consultant, entrepreneur and passionate amateur photographer who shot the most stunning images in this article — we've curated a list of ten must-dos that will expose you to Margaret River's many strengths. They range from a brewery in a dairy farm to a beach beloved for its stingrays, because the southwest of this country has no room for ordinary, apparently. Check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. FOOD & DRINK [caption id="attachment_643873" align="aligncenter" width="1920"] Larry Cherubino winery[/caption] MARGARET RIVER WINERIES You didn't come all this way, to one of Australia's premier wine-growing regions, not to taste a truckload of wine. Plenty of tour operators offer group trips that will help you blitz a selection of the area's more than 150 cellar doors. Alternatively, sort your own car or bike and follow an itinerary of your own invention. Taking responsible service of alcohol to heart, several of the wineries also have strong food offerings that will more than line your stomach. Cullen Wines and Vasse Felix (the region's first winery, dating back 50 years) are two estates with excellent restaurants, while Woodlands Wines has some of the best reds in the region. Don't miss: The brand spanking new cellar door at Larry Cherubino. The former head winemaker at Houghton, Larry started producing wines under his own label in 2005 and has just opened a cellar door in Wilyabrup. METRICUP'S BEER FARM Right in the midst of Margaret River's zoned agricultural area is this brewery, recently converted from a working dairy farm, and with cows still roaming its fields. The Beer Farm's old creamy is now an entrance, and the roundhouse where the cows were milked is the brewhouse, but you'll spend most of your time in the old hay shed — which has been transformed into a bar filled with handmade wood benches, chesterfield couches and floor-to-ceiling murals. An atmosphere of casual fun pervades the whole space (pinball machines, lawn games and footy posts help kick that along), and you can get a good feed from the on-site food truck. Don't miss: Their lovely cloudy cider, made from local Manjimup apples. THE GOOSE BEACH BAR & KITCHEN The main attraction of The Goose is its position at the start of the Busselton Jetty — the longest timber piled jetty in the southern hemisphere. The views from here out over the waters of Geographe Bay will make you Zen out so deeply you could forget to eat. Though, don't — it's all local southwest produce here, whipped into comforting cafe classics. Start your day with eggs any which way, the house granola with coconut yoghurt, or a more adventurous salmon pastrami and 63-degree egg on rye. Don't miss: Walking off a meal on Busselton Jetty — it stretches nearly 2 kilometres into the ocean, with an underwater observatory at the end. MARGARET RIVER FARMERS MARKETS Is there anything more pleasing than a farmers market in an actual farming area? Everything is so damn fresh, it's practically still growing, and the people manning the stall are the actual growers. On every Saturday morning at the Margaret River Education Campus, this farmers market has been running for more than 13 years. It's where residents do their weekly shop, producers test out their new creations, and visitors go to try out everything from regional honey and olive oil to kimchi and kombucha. It's only about 50 stalls, but the good vibes are disproportionately huge. Don't miss: Having a coffee by local roastery Yahava and a plate of Má Là dumplings — made in the northern Chinese style but stuffed with the produce of Australia's southwest. WELLBEING & LEISURE [caption id="attachment_643870" align="aligncenter" width="1980"] by Shane Hilder[/caption] HAMELIN BAY Two words: Friendly. Stingrays. These guys just love swimming around the jetty here and don't care if you hop in the water with them. While patting and feeding of the rays isn't strictly encouraged, people often do it anyway, so just use your common sense and be respectful. Otherwise, Hamelin Bay is great for swimming, walks or just some solid lolling around. The beach is open to the northwest, so skip it if it's a windy day and opt for somewhere more secluded. There's a reason 11 vessels have been shipwrecked here over the centuries. Don't miss: On the plus side, that's 11 sites to explore if you've got a snorkel or scuba gear. [caption id="attachment_643871" align="aligncenter" width="1920"] by Shane Hilder[/caption] CANAL ROCKS While you're in Margaret River, you've got to do a section of the Cape to Cape Track — the 140 kilometre coastal path from Cape Naturaliste to Cape Leeuwin that take about six days to walk in whole. A good segment to pick is around Yallingup, as it means you can take in the Canal Rocks. Waves have eroded a narrow path through the rocks in this headland over time, and watching the waters roar through it now is transfixing viewing. Unlike many other coastal spots, this one is great when the seas are rough, as the force of the waves is accentuated. There's a boardwalk over the rocks so you can get up close. You can swim around here too, but — need it be said — use caution. Don't miss: Watching the sunset from here over the Indian Ocean. If you're used to east-coast sunrises, you've been missing out on a world of colour. MOUNTAIN BIKE TRAIL Margaret River is betting that interest in mountain biking will continue to boom — it's apparently planning 500 kilometres in new trails in the coming years. There's already plenty there, winding through the region's famous jarrah and karri forests, with options for riders of all levels. Beginners can try the 10 Mile Brook track, following the Margaret River for some 15–20 kilometres, with an option to detour to the Colonial Brewery for lunch. Advanced riders might be more drawn to the Creek Trails, which include some sharp descents and what Margaret River Tourism terms the "flowy magic dirt" of Goobers Pool. Check their website for more tracks. Don't miss: Fat biking on the beach with The Margaret River Adventure Co. The oversized tyres mean your bike won't sink into the sand and it's actually fun. [caption id="attachment_643648" align="aligncenter" width="1920"] by Shane Hilder[/caption] BUNKER BAY One of the many excellent beaches along the southwest coast, Bunker Bay has the advantage of being relatively sheltered from the winds of the Indian Ocean. You'll only ever be facing smallish waves, which makes it a great spot for swimming and snorkelling. Fishing is also permitted in this area. Pullman ambassador Shane Hilder also rates this area for its photographic opportunities, especially the "forever-changing" characteristics of its afternoon versus morning light. Don't miss: A post-swim meal at Pullman Bunker Bay's restaurant The Other Side of the Moon (the name comes from a nearby surf break), which focuses on local ingredients like Manjimup truffle, Cape Naturaliste beef, and line-caught fish. ART & DESIGN RED CLOUD ART SPACE Opened in 2012 in Yallingup, Red Cloud Art Space is a gallery with two artists' studios attached. It's also the place you're most likely to find non-wine gifts for friends and family back home, as it brings a contemporary, minimal and accessible style to the Margaret River scene. Works on sale here range from WA artist Lisa Payton's abstracted and textural mixed-media canvases capturing the ocean hitting rocks (which hit around the $1000 mark) to individually handcrafted ceramic flowers by Perth's Bronwen Holding (which start at just $3). Don't forget to poke your head into the studios and watch the resident artists at work. Don't miss: Quarterly event Kaleidoscope. There's live music and drinks alongside displays of the latest work by Red Cloud artists, and your donation at the door goes to a chosen charity. MARGARET RIVER GALLERY If your budget stretches slightly higher, or you just want to get a look at some of the best contemporary art in the state, head to Margaret River Gallery. Located on Charles West Avenue in Margaret River town proper, this light and bright gallery focuses on works by leading WA practitioners and emerging artists, but it also catches some interstate names in its net. Look out for objects by local studio Melting Pot Glass, the oceanscape photography of Tony Warrilow, and poetic, migration-themed small sculptures by Lesley Whitham. Don't miss: The great jewellery selection by WA artists — clever, contemporary and not-too-exxy designs that make a great treat for someone (especially yourself). Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
That time of year has rolled around again and we're all looking forward to many catch-ups with mates and family over glasses (or bottles) of vino. Not to mention there's the office Secret Santa gifts to be bought and the inevitable conversation with the siblings around who's picking the wine to impress the folks. And what you'll be drinking at Christmas lunch, no less. Thanks to Vivino and its hardworking community of wine lovers who voted in the inaugural Aussie Vivino Community Awards, we've handpicked the best of the best from the winning wines, so you can stock up on these top drops for all the silly season shenanigans you have planned, from a reasonably priced riesling to crack open with the crew to a $141 biodynamic cabernet blend that'll impress even the stubbornest of sippers. 2019 GRANT BURGE BAROSSA INK SHIRAZ, BAROSSA VALLEY SA ($17) With almost 1500 ratings, the Grant Burge Barossa Ink Shiraz was rated as the top vino in the Vivino Community Awards' wines under $25 category. Aussie wine lovers must know what they're talking about as this wine is quintessential Barossa — think Christmas cake spices with notes of plum and luscious blueberry. This wine is perfect for those who are always stuck on how to impress dad at family dinner. A crowdsourced success. Purchase Grant Burge Barossa Ink Shiraz via Vivino. 2020 TIM ADAMS RIESLING, CLARE VALLEY SA ($21.99) In the early 2000s, a group of forward-thinking winemakers in South Australia's Clare Valley were frustrated with cork-related faults ruining the vibrancy of their rieslings, so they banded together, bucked conventional norms and bottled their wines under Stelvin closure (screw caps). Twenty years later, screw caps are the norm and the future of Australian rieslings has never looked so bright. To experience the freshness and vibrancy of Clare Valley riesling, look no further than this archetypal example from Tim Adams. Bursting with flavours of freshly cut citrus and hints of white florals, this drop is the perfect accompaniment to a serve of Sydney rock oysters. Hot tip: you can even drizzle a bit of the wine on top of the oyster instead of lemon. Purchase Tim Adams riesling via Vivino. 2019 UNICO ZELO ESOTERICO, RIVERLAND SA ($24.99) Unico Zelo's Esoterico really lives up to its name, having developed a cult-like following over the years. At first you'd be excused for not knowing what to make of it on account of its slightly hazy colour and the kind of pronounced texture you only see in red wines, but then you're hit with pretty and delicate florals from the zibibbo and gewurztraminer grapes. If you've never understood what all the fuss is about with skin-contact wine this is a fantastic entry point, and a perfect one to crack open with a charcuterie board on a sunny afternoon with mates. Purchase Unico Zelo Esoterico via Vivino. 2018 LANGMEIL VALLEY FLOOR SHIRAZ, BAROSSA VALLEY SA ($30) Langmeil boasts a 125-year winemaking history with their dry-grown vineyards believed to be the world's oldest surviving shiraz vines. While the wine from that particular vineyard from this prestigious winery will set you back $145, they have released a wine that is a little more approachable for everyday drinking. The Valley Floor shiraz is crafted from fruit grown by over 20 families from across the Barossa's 30 original villages, still being made in the historic Langmeil winery. A piece of South Australian wine history at a fraction of the price, the perfect gift for the old school wine lover in your life. Purchase Langmeil Valley Floor shiraz via Vivino. 2018 SAILOR SEEKS HORSE PINOT NOIR, HUON VALLEY TAS ($67.10) From small vineyard plantings in Tasmania's Huon Valley comes a pinot noir by husband-and-wife winemaking duo Paul and Gilli Lipscombe. Fruit for this exceptionally well-crafted wine comes from the estate vineyard, planted by the duo's own hands in 2005. It's not hard to see why this wine clocked in at 14th place in Aussie wines priced between $25–80. It has blackberry and raspberry notes intermixed with a tension that causes you to reach for the bottle before you've even finished the glass in front of you. This small-batch premium pinot noir has become one of the most sought-after wines on the mainland, fought over by sommeliers and wine lovers alike. Purchase Sailor Seeks Horse pinot noir via Vivino. 2018 CURLY FLAT PINOT NOIR, MACEDON RANGES VIC ($72.60) There's pinot noir, and then there's Macedon Ranges pinot noir, and no one sets the gold standard of this wine varietal from this region better than Curly Flat. This light red is a medley of aromas and flavours, from violets and black cherries on the nose (with just the tiniest hint of dried rose petals) to balsamic strawberries and slight savoury notes of forest floor and slate. Meet duck pancakes' newest accompaniment. Purchase Curly Flat pinot noir via Vivino. 2019 TOLPUDDLE CHARDONNAY, COAL RIVER VALLEY TAS ($95.33) This wine is touted as the benchmark for cool-climate Aussie chardonnay. Using grapes from vineyards planted in Tasmania in 1988, this exceptional chardy is made by celebrated South Australian winemaker Adam Wadewitz (of Shaw and Smith fame). This drop is rarely available for long after its release. But you don't have to take our word for it — it's currently rates 4.4 out of five on Vivino, and it came in second in the Vivino Community Awards' top ten Aussie whites category. If you find some, buy it ASAP and impress the family with it on Christmas Day — and convert the anything-but-chardonnay drinkers in your household. Purchase Tolpuddle chardonnay via Vivino. 2018 CULLEN 'DIANA MADELEINE' CABERNET BLEND, MARGARET RIVER WA ($141) Vanya Cullen, the current winemaker of Cullen Wines in Western Australia (and often dubbed as Australia's High Priestess of Biodynamics) has named her flagship cabernet blend after her mother, Diana. What makes this wine so unique — and absolutely worth the price? The fruit comes off vines dating back to 1971, and the care and great attention it takes to produce this wine are unparalleled. The fruit was picked according to the biodynamic calendar dates, with one of the harvests occurring on a full moon. Due to this vino's structured nature, it'll cellar for up to 50 years (if you have that kind of patience). Purchase Cullen 'Diana Madeleine' cabernet blend via Vivino. Download the Vivino app and start discovering more ideal summer sips to stock up on — then buy them straight from the app. For more wine inspo, check out this year's Vivino Community Awards.
The late, great Jim Henson gave the world many things, including the Muppets in general, Sesame Street's loveable puppet characters, Kermit the Frog's memorable voice and all things Fraggle Rock. He also turned filmmaker three times, creating three of the great puppet movies of the 1980s — The Great Muppet Caper, The Dark Crystal and Labyrinth. While Labyrinth still earns plenty of attention for plenty of reasons — David Bowie being one of them, obviously — The Dark Crystal also deservedly holds a place in fans' hearts. Co-directed with his Muppets colleague Frank Oz, the fantasy-adventure flick follows a Gelfling called Jen, who is trying to bring back balance to his own world by finding and returning a broken shard from a powerful gem. Henson and Oz also worked their puppeting magic on the movie, of course. Over the years, a sequel has been mooted more than once, including one with Australian Daybreakers, Predestination and Winchester filmmakers Michael and Peter Spierig at the helm. No follow-ups have ever come to fruition, but Netflix has done the next best thing, reviving the beloved film for a ten-part series. Set to release at the end of August, The Dark Crystal: Age of Resistance is a prequel to the movie — and yes, it uses puppets for its protagonists, not CGI, as the just-dropped first teaser shows in stunning detail. Seemingly picking up where the film left off, it's based on Dark Crystal companion novels Shadows of the Dark Crystal and Song of the Dark Crystal. Age of Resistance also boasts quite the cast, with Rocketman's Taron Egerton, Glass' Anya Taylor-Joy and Game of Thrones' Nathalie Emmanuel voicing three elf-like Gelflings. They're joined by a hefty list of names, so prepare to hear the vocal tones of Helena Bonham Carter, Natalie Dormer, Eddie Izzard, Theo James, Toby Jones, Shazad Latif, Gugu Mbatha-Raw, Mark Strong, Alicia Vikander, Mark Hamill, Jason Isaacs, Keegan-Michael Key, Simon Pegg, and Andy Samberg as well. Check out the trailer below: https://www.youtube.com/watch?v=4KYLwTGx7uU The Dark Crystal: Age of Resistance hits Netflix on August 30.
Chattanooga, Tennessee is poised for a creative comeback. After cleaning up its past image as a dirty city, and experiencing an influx of artistic talents, Chattanooga is on the cusp of a turnaround. D.J. Trischler, a local brand consultant, explains the missing component: "If you think of a brand as a story, [Chattanooga] has an amazing story. If you look at the visual brand, it doesn’t back up that story.” Trischler has recently joined forces with Chattanooga resident and typeface designer Jeremy Dooley to restore the city's look and feel by creating and applying a new font to city signage and print media. The concept of a distinguishing city typeface is common throughout Europe, yet has only been attempted (and failed) once in the United States. The efforts of Trischler and Dooley represent the first attempt to create this city-customized typeface at the grassroots level. The pair teamed up with a second typeface designer, Robbie de Villiers, and Trischner's business partner Jonathan Mansfield. Together, they consulted a local historian to gather inspiration for their Chattanooga-inspired font, including the old Cherokee Native American writing system and Coca-Cola's first bottling plant. The result was what the team describes as a "geometric slab serif", a font simultaneously industrial and futuristic. Chattanooga now had a Chatype. Public events have gathered community support and funding for the launch of Chatype, and the team expects residents to see the font popping up on signage, business cards and city government websites soon. Trischner and Dooley express hopes that Chatype will one day be seen on start-up businesses, road signs, fire trucks and police cars. [Via GOOD]
Whenever cold weather hits, spotting Uniqlo fans isn't hard. The brand's puffy jackets and vests are a winter favourite all around the globe, after all. Indeed, the chain has put a lot of fabric and oh-so-much down out into the world, as seen on rugged-up torsos everywhere. But, as part of a new sustainability drive, the company is looking to cut down its environmental impact. If you have a Uniqlo down-filled coat or vest rolled up in its handy bag and sitting on your shelf, but you know you're not going to wear it again, the company now wants you to bring your unwanted pieces of clothing back to one of its stores. Australians can head in, return their worn down jackets and vests, and receive a $10 voucher for their efforts, with the clothing then being recycled via the chain's new Re.Uniqlo program. The $10 voucher offer is only available until June this year, you can only use them in-store (not online) and you'll have to use it on replacing your old down products with something new. But the down recycling project is here to stay, in an attempt to stop the jackets and vests ending up in landfill. As part of its efforts to make sustainable apparel, Uniqlo will expand the scheme to other clothing items down the line, too. View this post on Instagram A post shared by UNIQLO AUSTRALIA (@uniqloau) If you're wondering how those returned items will be reused, Uniqlo is also launching a range of recycled down jackets in early April. They're made from 620,000 coats that were already collected in Japan since last September, and use the down and feathers previously in that big batch of jackets. For more information about Uniqlo's down recycling project and other recycling plans, head to the brand's website.
A world-first exhibition dedicated to the late Nelson Mandela has opened in Australia, in what would've been the Nobel Peace Prize laureate's 100th year. Travelling exhibition MANDELA My Life runs from September 22, 2018 to March 3, 2019, with Melbourne Museum hosting the most comprehensive collection of the human rights icon's memorabilia ever to be shown outside South Africa. Alongside a huge assortment of artefacts, including the warrants of committal for Mandela's 27-year stint in prison, the exhibition explores his life through a series of film and audio archives. In total, more than 200 pieces from The Nelson Mandela Foundation and Nelson Mandela's private collection are on display, taking up ten galleries. Highlights include an immersive film piece that places attendees in the courtroom as he delivers his 1964 Rivonia Trial speech against apartheid, a seven-metre-long projection wall that charts his journey through childhood, and a gallery filled with small cell-like rooms based on his time in prison. Visitors can also relive the events of Mandela's first day of freedom in 1990, view a selection of the colourful patterned 'Madiba shirts' he was known for wearing, and see the signed boxing glove gifted to Mandela by Muhammad Ali. In addition, MANDELA My Life includes 16 original artworks by South African artist John Meyer, each of which depicts an event from or theme of Mandela's life. An exhibition within the exhibition, it features renderings of Mandela's childhood in Qunu, his years as a dedicated lawyer in 1950s Johannesburg, his time in jail and and his post-release achievements. Victorian Minister for Tourism and Major Events John Eren said that Melbourne's hosting of the centenary exhibition was a huge win for the city. "Nelson Mandela fought every day for freedom, love and human rights — changing the world and making it a better place," Eren said. "We're proud this exhibition is making its world debut in Victoria, continuing Mandela's incredible legacy and reminding us all that it's in our hands to make a difference." MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary's personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a world tour of up to 20 cities, expected to be seen by as many as 2.7 million visitors globally. MANDELA My Life is on display from September 22, 2018 to March 3, 2019 at Melbourne Museum, 11 Nicholson Street, Carlton. For tickets and more information, visit the exhibition's website. Images: 'Father of the Innocents' from the series 'Mandela, A Life's Journey' by John Meyer / Keith Bernstein / Jon Augier, Museums Victoria/
These days, it seems you can glamp anywhere your comfort-loving heart desires — from Taronga Zoo to Cockatoo Island to right next door to a fine dining restaurant. Now, the possibilities have been extended even further, with the introduction of fancy-pants tents smack-bang in the middle of lush vineyards at Balgownie Estate, Bendigo, Victoria. That's right, you can spend your next weekender sipping top-notch wines on an outdoor lounge on your own private deck, soaking up sunset-flooded rural views — all safe in the knowledge that a linen-covered, queen-sized bed is just a stumble away. The tents, of which there are 15, are also set up with rugs, lighting, furnishings, aircon, tea-and-coffee making gear and bar fridges. One even has its own hot tub. There are three types on offer. The Bell Tent offers room for two, the Bell Tent Twin can accommodate four and the Luxury Safari Tent comes with a few glamorous extras, including an indoor couch, a four-poster queen-sized bed and a kitchenette. Also on the property is Balgownie Estate's restaurant, open for brekkie, lunch and dinner. And, if you can be bothered moving, downtown Bendigo is home to bars, cafes, restaurants and art galleries galore. Or, you can time your stay with the next Grapest wine-tasting fun run, which will take place on the winery's grounds. Balgownie Estate glamping will open for visitors from 1 February 2018. Bookings are available now via www.balgownieestatebendigo.com.
A glass of bubbly is always a pleasure, but the return of World Champagne Day provides ample excuse to add a little more sparkle to your upcoming weekend. Taking over QT Hotels & Resorts across Australia from Friday, October 24–Sunday, October 26, the brand's lineup of luxe off-beat stays have teamed up with true-brut style Perrier-Jouët for a cork-popping experience. To mark the occasion, guests are invited to double-down on their love of champagne, as your first flute purchase scores a second pour of top-quality champers on the house. Just swing through any of QT's signature restaurants — like Gowings & Parlour at QT Sydney, Pascale Bar & Grill at QT Melbourne and Yamagen at QT Gold Coast — to toast yourself with a fizzy encore to match.
Johnny di Francesco's award-winning pizza empire has just got bigger. His latest venture, a new two-level precinct on Mornington's buzzy Main street, boasts a 400 Gradi restaurant; a Zero Gradi Gelateria and Dessert Bar; and the latest edition of di Francesco's delicatessen concept, Gradi Mercato. It's the first time a standalone Gradi site has played host to all three venues — a trio the restaurateur likens to the classic Neapolitan ice cream. "It creates a little something for everyone and every occasion," di Francesco said of the venue in a media statement. "We've waited a long time to find the perfect spot in the peninsula and we're very much looking forward to meeting the locals and becoming part of the Mornington community." Inside, earthy tones, elegant finishes and terrazzo countertops carry on the familiar 400 Gradi aesthetic across two spacious levels. Downstairs houses a casual wine and snack bar for drinks and antipasto sessions, plus a chic dining room. Upstairs the restaurant space features its own bar, al fresco terrace and balcony with coastal views. A kitchen headed up by Pierre Khodja (Pinchy's, Camus) and 400 Gradi pizzaiolo Giuseppe Fortunato won't be straying too far from the signatures. This menu covers the full lineup of 400 Gradi favourites, alongside a raft of new seafood-centric 'al mare' additions inspired by the venue's coastal location. Classics like the meatballs in napoli, tagliatelle alla bolognese and the legendary World's Best Pizza titleholder Margherita Verace sit beside newcomers including a spaghettini al granchio with lobster bisque and crab meat, and a dish of lobster cooked on the Josper. A supporting cocktail list employs plenty of creative flair, with sips like a passionfruit and cardamom margarita, a bacon-garnished 'breakfast' old fashioned, and the Ruby Rose Martini sporting a crown of dry ice. [caption id="attachment_819510" align="alignnone" width="1920"] Breakfast Old Fashioned, by Kristoffer Paulsen[/caption] Meanwhile, Zero Gradi and Gradi Mercato have their own space on the lower level, with the former slinging the brand's trademark offering of hand-churned gelato and artisan sweet treats. And the deli promises to be a one-stop shop for those wanting to continue the Italian vibe at home, stocked with a hefty array of ready-to-heat meals, fresh pasta, antipasto trimmings, dinner kits, pantry goods and more. In addition to this Mornington newcomer, 400 Gradi has local outposts in East Brunswick, Essendon and Ringwood, and at Crown. 400 Gradi Mornington Peninsula is the sixth sibling in the Australian 400 Gradi family and is set to re-open its doors tomorrow Wednesday, July 28 — the perfect way to celebrate the end of lockdown 5.0. Find Gradi Group Mornington at 25 Main Street, Mornington. 400 Gradi is open from 12pm–late daily, while Zero Gradi Gelateria and Dessert Bar, and Gradi Mercato are open from 8am–late daily. Gradi Mornington will re-open on Wednesday, July 28 and bookings are open now via the website. Images: Kristoffer Paulsen
Beloved by budget-conscious shoppers, German-born discount supermarket chain Aldi has been slinging its groceries across Australia for over two decades. But for its next big Aussie move, it's setting up shop for just two nights — which'll be filled with ridiculously affordable gin, wine and cheese. As Aldi's devoted customers well and truly know, you can get plenty of things at the company's stores for cheap — not only food, but everything from beds and kettles to games and snow gear as well. On the culinary side of things, that includes dairy products and, in some states, vino, too. So to show them off, Aldi is launching a two-evening-only Sydney bar. Called The Trophy Room, it'll nestle into 111 Elizabeth Street and host just four seatings, with sessions from 5–6.30pm and 7.30–9pm on both Friday, July 15–Saturday, July 16. You'll need to nab a ticket to get in, with bookings opening at 9am on Friday, July 8. Expect plenty of competition for a spot, though — the fact that your entire visit will only cost you $4.41 is certain to attract a crowd. Yes, you read that price correctly. No, there's no missing numeral, and the decimal point isn't in the wrong place either. For less than a fiver per person, you'll get a gin cocktail upon arrival, then a tasting selection from Aldi's wine range, plus a cheese platter featuring Aldi cheeses to line your stomach. The reason for the pop-up, and the super-cheap price? To showcase Aldi's affordable and acclaimed wines, and its just-as-reasonably priced award-winning cheeses, all at a time when inflation is seeing supermarket prices rocket. The Trophy Bar is also designed to be replicated at home — the menu, that is — given that Aldi's vinos would start from $0.83 a glass if they were priced individually, and max out at $2.49 a glass. As for its cheeses, the chain advises that its triple-cream brie would cost $0.56 for a single serve, while a smooth blue cheese would be priced at $0.62. Aldi's Trophy Room will pop up at 111 Elizabeth Street, Sydney from Friday, July 15–Saturday, July 16. Bookings are limited, and open at 9am on Friday, July 8.
There will be spice in 2023's sandiest movie, the eagerly anticipated sequel to 2021's Dune. With a war a-brewing on the planet Arrakis, seeing Paul Atreides (Timothée Chalamet, Bones and All) and the Fremen face off against the folks who destroyed his family, there will be blood as well. And, in the centrepiece to Dune: Part Two's glorious first trailer ahead of its November release in cinemas, there will be sandworms and wormriding — including the internet's boyfriend going for a cruise on one of the sci-fi franchise's mammoth creatures. When its predecessor hit the big screen, it was after a year-long delay due to the pandemic, and as a second movie adaptation of Frank Herbert's novel. Following in David Lynch's footsteps might seem a foolish move, even when it's making a new version of one of the most unfairly maligned sci-fi films ever crafted, but Denis Villeneuve (Blade Runner 2049) managed what Alejandro Jodorowsky sadly couldn't (see: excellent documentary Jodorowsky's Dune), and a new science-fiction cinema classic arrived. Villeneuve's picture only told part of Dune's story, though, which is where Dune: Part Two comes in. The first film had Paul head to Arrakis because his dad Duke Leto Atreides (Oscar Isaac, Moon Knight) had just been given stewardship of the sandy celestial body and its abundance of 'the spice' — aka the most valuable substance in the universe — and then get caught up in a bitter battle with malicious forces over the substance. It also saw Paul meet the population of people known as the Fremen, including Zendaya's (Euphoria) Chani and Javier Bardem's (Lyle, Lyle Crocodile) Stilgar, which is who he and his mother Lady Jessica (Rebecca Ferguson, Doctor Sleep) are with when the new flick's trailer begins. Amid that expansive desert landscape, those hulking sandworms, Villeneuve's reliable eye for a spectacle and Hans Zimmer's (The Son) latest likely Oscar-winning score, Paul, Chani, Stilgar and company have vengeance to seek — but Paul also has to choose between love and preventing a dark future. And, he has new players to face, with Austin Butler ditching his Elvis locks as Feyd Rautha Harkonnen, the nephew of Stellan Skarsgard's (Andor) Baron Harkonnen, plus Florence Pugh (The Wonder) joining the saga as Princess Irulen, daughter of Christopher Walken's (Severance) Emperor Shaddam IV. From the first film, which scored ten Oscar nominations and six wins, Josh Brolin (Outer Range), Dave Bautista (Knock at the Cabin), Stephen McKinley Henderson (Beau Is Afraid) and Charlotte Rampling (Benedetta) return, while Léa Seydoux (Crimes of the Future) also joins the cast. Off-screen, Villeneuve has brought back not just Zimmer, but Oscar-winning Australian director of photography Greig Fraser (The Batman), Oscar-winning production designer Patrice Vermett (Vice), Oscar-winning editor Joe Walker (The Unforgivable), Oscar-winning visual effects supervisor Paul Lambert (First Man) and Oscar-nominated costume designer Jacqueline West (Song to Song). Check out the first Dune: Part Two trailer below: Dune will release in cinemas Down Under on November 2, 2023.
Let's call it 'under the Sicilian sun': the plan that Airbnb has to send one lucky person to Italy for an entire year, that is. If that sounds like how you'd love to spend 12 months from June 30, 2022, the house-share platform is calling for applications. And yes, you'll get to bunker down in one of its rentals without paying a cent to stay there. Whoever wins Airbnb's latest promotion won't just be living in any old property, either. The townhouse up for grabs for a year has been dubbed '1 Euro House' — and it's been given a huge makeover by Airbnb and Italian architectural firm Studio Didea. Located in the rural village of Sambuca in Sicily, population around 6000, it's a three-storey, two-bedroom home that you'll get to both live and work remotely in. You will also need to play host, however, with the second bedroom set to be listed on the platform. You'll get your pick of your sleeping space, though — so you can opt for either the ground floor, which has a master bedroom with king-size bed and en-suite bathroom, plus a small living room; or the first floor, where the bedroom also boasts a king-size bed, and where the living room, kitchen, working space, bathroom and mezzanine also sit. The upper floor will remain accessible to both the competition winner and their Airbnb guests, and features an extra living space with a queen-size sofa bed. The whole promo is rather similar to its giveaway in 2021, when it offered 12 people and their pals free accommodation to hop between Airbnb properties for 12 months — and to work remotely while you're there, too. Unsurprisingly, more than 300,000 people applied. And yes, being able to do your job from this sweet Sicilian spot is still a focus of the new deal, as long as you can still meet your hosting duties and Airbnb's other requirements. The setup is open to applicants in a number of countries, including Australia and New Zealand — and having "a passion for the rural Italian culture and lifestyle" has been listed by Airbnb as a big plus. Also, this isn't just a win for you alone. You can bring a friend, your partner or family, up to a maximum of two adults and two kids. Your accommodation will be rent-free, and you have to commit to staying for at least three months. You'll also take an Italian language course for a month, plus four cooking classes hosted by a local mentor as part of your stay. Airbnb will pay for your flight to Sambuca as well, although you will have to cover the costs of both living at 1 Euro House and renting it on Airbnb — such as personnel, consumables, cleaning services and utility contracts, plus property maintenance. Keen? There's also the possibility that the arrangement could be extended until 2024, if you're looking for a heftier stint away from home. To apply, you'll need to head to the Airbnb website before Friday, February 18. For more information about Airbnb's 1 Euro House promotion — and to apply — head to the Airbnb website. Images: Claudia Zalla. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Entertaining takes a particular skill. Managing all the moving pieces for an evolving group of people, catering to all tastes and keeping everything running smoothly can be difficult even for hardcore party people. If you get it right, you've pulled together a great evening for your guests. Get it wrong, and it can be messy. You might screw up a key ingredient in dessert, three people might turn up with potato salad or you could forget that one friend who is going veg-o this month. We're not all made for it, and that's okay. What if we told you there's a way to have that winning success and have most of the work done for you? That's where Woodford Reserve comes in. This bourbon has been making waves and memories the world over since 1996. Now it's ready to bring the gold entertaining standard to your home on a mission to revolutionise the at-home cocktail party. We've teamed up with Woodford Reserve to offer one lucky winner the Woodford Reserve Whiskey Wagon, a complete evening of high-end whiskey tasting at home, paid for and stocked by Woodford Reserve. The prize includes a four-hour session for up to 40 people, with two professional bartenders preparing and pouring classic old fashioned cocktails, bourbon and sodas, lighter summery cocktails plus canapés to match, as long as the wagon can be parked on private property, you're eligible to win. Ten lucky runner-ups will receive a bottle of Woodford Reserve and a premium cocktail kit to craft the drink however they like. To enter this luxurious giveaway, all you need to do is fill out the form below before Monday, November 6. [competition]916881[/competition]
A ten-minute dance session for ten people at a time, held in a caravan. A future-focused art party featuring live performance, projection, visual art and music. A photo exhibition exploring the transformation of Australia's premier drag performers. Now that's how you mark three decades of celebrating Melbourne's LGBTIQA+ community and showering the city in queer arts and culture — and it's only the beginning of Midsumma Festival's 2017 lineup. Hitting the big three-oh is a spectacular affair and then some for the annual fest, complete with more than 130 events in the program. Keeping the impressive numbers going — and growing, as they have since Midsumma first kicked off in 1988 — the forthcoming iteration will also feature the work of over 1200 artists and culture creators in more than 70 venues and outdoor space, including hubs at Arts Centre Melbourne, Gasworks and The Hare Hole at Hares & Hyenas. As always, the annual Pride March through St Kilda proves one of the festival's must-attend highlights, alongside the fellow returning flagship event that is the Midsumma Carnival and T Dance. At the former, everyone will dance, strut, sing, catwalk, vogue, placard, drag and move together in a display of difference, acceptance and equality. At the latter, prepare to party all day and night, watch queer sports and even see a dog show, all at Alexandra Gardens. Other standouts include a showcase of portraits of LBTI women by photographer Lisa White, a new take on Oscar Wilde's The Happy Prince by the folks behind Psycho Beach Party, a reimagined version of Fringe favourite dance piece HardQueer DeathPony, and UK drag stars Jonny Woo and Le Gateau Chocolat working their way through musical theatre hits such as Les Mis, The Lion King, Cabaret and Annie. Or, hear marriage equality activist and Queen of Ireland star Panti Bliss share her experiences, catch a comedy cabaret about how to be a wingman, enjoy the Cuddle Puddle (yes, it's exactly what it sounds like), pay tribute to Elizabeth Taylor, show off your interpretative dance skills and participate in the Muddy Gras obstacle course. It's going to be a fun and busy three weeks, that's for sure. Image: Coal Photography.
Overseas travel is at the top of many Australian bucket lists right now. And if you're the kind of traveller who prefers fewer stopovers, there's some exciting news on the horizon from Qantas. Dubbed Project Sunrise, the Australian airline has unveiled plans to introduce a fleet of twelve Airbus A350s, which are all capable of flying direct from Australia to London and New York. Direct flights are currently available from Darwin to London, however, for those on the east coast of Australia, this still means factoring in a layover to your journey. Qantas has announced that with these new aircrafts, direct flights will be available from the east coast as well, starting with Sydney-to-London and Sydney-to-New York flights in late 2025. Qantas first toyed with the idea of direct flights from Australia's east coast to New York and London back in 2017, however after two trial flights in 2019 decided to delay the decision. "The A350 and Project Sunrise will make any city just one flight away from Australia," said Qantas Group CEO Alan Joyce. "It's the last frontier and the final fix for the tyranny of distance." With time in the air set to exceed the current 18-hour flight time of the Darwin-to-London route, the new aircrafts are also being designed with comfort in mind. The A350-1000s will carry 239 passengers compared to other airlines' average of 300 passengers, and will feature a designated comfort zone in the middle of the cabin where people can stretch their legs. [caption id="attachment_852120" align="alignnone" width="1920"] A350 wellness zone render[/caption] Alongside this announcement, Qantas has also revealed it will add 40 new A321XLRs and A220 aircrafts to its domestic fleet late next year. These new planes will gradually replace the Boeing 737s and 717s as they are retired. "The A320s and A220s will become the backbone of our domestic fleet for the next 20 years, helping to keep this country moving," continued Joyce. According to Qantas, this new fleet of aircrafts will create over 1000 jobs and Joyce says the aircrafts will help reduce emissions "by at least 15 per cent if running on fossil fuels, and significantly better when run on Sustainable Aviation Fuel". This will play a role in Qantas' commitment that it made in 2019 to reach net-zero by 2050. If you fly Qantas regularly and you're committed to sustainability, you can also sign up for its Green Tier rewards program which unlocks rewards and benefits to customers who complete at least five sustainable activities across six areas in their lives. Qantas' direct flights from Sydney to London and Sydney to New York are set to take to the air in late 2025. For more information, head to the Qantas website. Images: Qantas
If you're after some art with a bit more bite, be sure to put Flinders Quarter on your to-do list this month. For four weeks, the CBD pocket's laneways and buildings will be brought to life through augmented reality, all for the Flinders Quarter Augmented Art Walk. Reopening on Monday, June 21 and running until Friday, July 16, this interactive experience takes you on a self-guided art adventure through the precinct — the section between Flinders, Elizabeth, Collins and Swanston streets. Simply grab a copy of the map from participating Flinders Quarter businesses or Metro Tunnel HQ at 125–133 Swanston Street (or online). Then, download the supporting Eyejack app to your smartphone for free, hit the 'Launch AR' button and let the tour begin. Spanning nooks, crannies and walls throughout Flinders Quarter, the art walk showcases a slew of commissioned contemporary works from the likes of Stanislava Pinchuk (Miso), Anton Hasell, Dee Smart and Carla Gottgens, which are brought to life on your phone with a combination of digital animation and sound. You can escape into a colourful alternate reality with the Manchester Lane work crafted by Jingwen (Jina) He, catch Tracy Sarroff's glowing exploration of light and biotechnology in front of the City Library, or see the corner of Swanston and Flinders streets come alive with a jumping geometric design from Jasmine Mansbridge. Plus, challenge yourself to a treasure hunt and unlock all 12 artworks to be in with a shot at winning some big prizes. [caption id="attachment_813309" align="alignnone" width="1920"] 'Portal Glitch' by Sue Beyer, located at Little Mandarin Yoga Studio[/caption] Top images: 'What Lies Beneath' by Dee Smart, located at Alpha Barbers; 'You Can Find Something Truly Important in an Ordinary Minute' by Jingwen (Jina) He, located at Bared Footwear Mens.
"My whole life I got tangled up in complications. Today, I simplify matters," announces Pierre-Auguste Renoir (Michel Bouquet), and it seems director Gilles Bourdos tends to agree. Detailing the final years of the French Impressionist and those around him, Renoir falls short as a shallow and over-simplified biopic. In his Cagnes-sur-Mer retreat in the southeast of France, the 74-year-old Renoir is crippled by arthritis and tended to by a troupe of dedicated female servants who each began as a model for the late artist. After the death of his beloved wife (though apparently not beloved enough to keep him from infidelity), Renoir finds new inspiration when a 15-year-old model that "Titian would have worshipped" hits the screen. Sassy and ambitious, Andrée (Christa Theret), aka Dedee, refuses to meet the same fate as the models before her and for the most part sees through Renoir — basically just a self-absorbed tit — and his lack of genuine care for others. Though bratty at times, Dedee is otherwise the most likeable character and developed more than any other. But alas, her hyper-sensual representation lets the character down, occasionally reducing her to a frustratingly typical product of the male gaze. Nonetheless bewitching and enchanting, Dedee captivates both Renoir and his son Jean (Vincent Rottiers), who's returned home wounded from WWI. But the predictable love affair that ensues should have had a deeper focus. Jean promises that the pair will embark on a career in the burgeoning film industry. Though a far more interesting topic, we never learn how their relationship fell apart 16 years later and are left wondering how he died a prominent filmmaker — with titles Grand Illusion and The Rules of the Game under his belt — and her alone in poverty. Unfortunately, a bare script that's self-consciously romantic and wannabe poignant leaves the actors with little to work with and viewers little to follow. In its 111 minutes almost no drama or tension unfolds and every word spoken is either meaningless or starry-eyed. Thankfully, Taiwanese cinematographer Mark Ping Bing Lee (In the Mood for Love) redeems Renoir with lighting and picture that's splendid and majestic. Despite a numbing script, Renoir is worth the watch just for its beauty. No, seriously, it's gorgeous; an impressionist artwork brought to life. https://youtube.com/watch?v=3Cv9KxLIHAE
We Steal Secrets is the story of Wikileaks, and from the outset it fast becomes apparent how little you know of an organisation dedicated to transparency and the sharing of information. Directed by Alex Gibney (Enron: The Smartest Guys in the Room), the documentary mirrors the real-world by focusing on two key individuals: Wikileaks' Australian founder Julian Assange and Bradley Manning, the US soldier whose disclosure of classified documents thrust Assange onto the world stage. The stories of the two men are told with surprising sensitivity, particularly in the case of Manning, who — on account of his ongoing incarceration — is represented exclusively by typed words on a screen. Sent over the course of his deployment in Iraq, the catalogue of Manning's brief online exchanges with various hackers reveals an extraordinarily lonely soul unable to reconcile serious questions about both his own identity and what he perceived to be the ongoing cover-up of atrocities by the US Government. "I want people to see the truth," he wrote, just before leaking hundreds of thousands of classified documents to Assange. "It affects everyone on earth." The altruistic tone of Manning's narrative seems entirely genuine, particularly when set against the supposedly similar motivations driving Assange. The now infamous 'hacktivist' refused to be interviewed for the film unless he was paid $1 million; however, his willingness to jump in front of cameras over the preceding years provided Gibney with more than enough material with which to paint a fascinating portrait of the Wikileaks founder. Coupled with interviews from the organisation's supporters, employees, detractors and pursuers, Assange emerges as a largely paranoid narcissist, championing free speech whilst doing everything he can to ensure no one speaks freely about him. And yet, as is pointed out during the film, Assange's paranoia isn't necessarily always unjustified. The rhetoric (and hypocrisy) of the US Government's condemnation of him is at best fascinating and at worst quite concerning. Both the New York Times and the Guardian collaborated on the publication of the leaked documents, yet neither of those organisations' editors have been indicted or even publicly criticised. In all, We Steal Secrets achieves a fine balance in its depiction of two men whose lives became inextricably linked and, thereafter, changed almost certainly for the worse. Assange sits seeking political asylum within a small room inside the Ecuadorian Embassy in London, and Manning's trial has only now just begun in the United States. In attempting to justify his impending leak, Manning ultimately wrote: "I...care?" This documentary will compel you to do the same, though where you'll fall in your opinion will depend on who you choose to believe. https://youtube.com/watch?v=SdezJrNaL70
One of the quintessential works of ancient Greek theatre is a getting a contemporary update courtesy of the team at Malthouse Theatre. Beginning Friday, August 21, the company will stage Sophocles' Antigone, a devastating portrait of grief, duty and civil disobedience that, like all the best works from the period, retains an emotional and social resonance nearly two-and-a-half thousand years after it was first performed. Rising star Emily Milledge appears as the eponymous character, a young woman caught in a bitter battle with her community leaders over her right to bury her traitor brother. Adapted by writer and actor Jane Montgomery Griffiths and director Adena Jacobs, the Malthouse production will transport the material to a dystopian present day, eschewing Sophocles' questionable representation of gender in favour of a more timely examination of political fear-mongering and social control.
Image: "The Kiss" by Pablo Picasso in the Art Gallery of New South Wales in Sydney. REUTERS/David Gray The Art Gallery of New South Wales is among six Australian galleries to share their collections with the online community via Google Art Project. The project, launched last year, allows art enthusiasts to view the great artistic works of the world, all from the convenience of their computer screen. The Art Gallery of NSW has now launched 415 of its most notable works, including a wide sampling drawn from every aspect of its collection. Included are works from the gallery's Australian, Indigenous, Asian and European collections. All of the pieces are featured in incredible high-resolution detail, revealing brushwork and other elements that are undetectable by the naked eye. 250 of these works are accessible through the website's 3D gallery walkthrough. "To think," says Anne Flanagan, acting direction of the Art Gallery of NSW, "that while a person here at the Gallery is viewing a work, someone else, anywhere in the world, can also be viewing the same work with such crystal-clear definition." Other participating Australian galleries include the National Gallery of Australia, the Museum of Contemporary Art, the National Gallery of Victoria, the Melbourne Museum, and Griffith University's Rock Art Research Centre. They have joined the efforts of 151 cultural institutions in 40 countries, under Google, to transform the art-viewing process, and to make fine art universally accessible.
Dance and classical aren't music genres you'd usually find swirling around in the same basket — unless you have a particular bent for the orchestral 'Sandstorm' covers found in the depths of YouTube. Synthony — A Generation of Dance Music is here to prove that the disciplines go hand in hand. Touring Australia since 2019, the event is returning to Melbourne on Friday, February 18. It'll see a 60-plus piece orchestra join forces with a selection of DJs and live performers at the Sidney Myer Music Bowl, all to play the biggest dance tracks of the last 30 years. Expect the venue to take a few cues from the nightclub scene, with lights, lasers and mapped video all part of the experience — and a selection of dance floor bangers note-for-note. The lineup includes live performances from Savage, Emily Williams, Mobin Master and more — and The Synthony Orchestra, of course — with Madison Avenue's Andy Van on hosting duties.
The retro vibes are high at Leonard's House of Love, a log cabin-themed dive bar off Chapel Street in South Yarra. One part Twin Peaks and one part ski trip-party, Leonard's is run by the same team behind Ramblr: Guy Bentley, Mark Catsburg, Nick Stanton and Jon Harper. And the four are about to add another notch to their belts, opening a new pizza joint north of the river in Carlton. Leonardo's Pizza Palace will make its home in a very old building at 29 Grattan Street. The owners plan to keep the bones of the original structure intact, which include some pretty "epic" stained glass windows. They want the restaurant to feel like it's been there for a very long — Italian-mobster-length of — time. Despite its historic location, the venue will continue the casual party-bar vibe that's well-known to the team's other establishments. In terms of food, obviously pizza is the name of the game. Though they're still deciding on an exact menu, it'll be about classic Italian-American style pizza — and we'd bet our bottom dollar this means there'll be pepperoni somewhere. Considering where they've chosen to take up residence – in the midst of Melbourne's competitive Italian dining precinct around Lygon Street – we bet it'll also be pretty good. Leonardo's Pizza Palace is slated to open at 29 Gratten Street, Carlton in the summer of 2018. For further updates, check the Leonard's House of Love Instagram.
Pakistani activist and history's youngest Nobel Prize laureate, Malala Yousafzai is heading Down Under, for two exclusive talks in Sydney and Melbourne this December. She'll appear as part of The Growth Faculty's thought-provoking Women World Changers speaker series — the same event that brought Hillary Clinton to Australia and New Zealand in May this year. Yousafzai was just 11 when she first launched her campaign to promote education for girls, penning a blog from her home city in Pakistan's Swat Valley. At 15, she survived an attack by the Taliban, and in 2014, went on to become the youngest person ever awarded the prestigious Nobel Peace Prize. Her remarkable story continues, as she sticks with the fight for education rights for every girl in the world. The activist co-founded the Malala Fund and currently studies at the University of Oxford. Now, for the first time, the inspirational 21-year-old will share her experiences with Australian audiences, speaking at Sydney's International Convention Centre on Monday, December 10, and at the Melbourne Convention and Exhibition Centre the following night. Catch An Evening with Malala Yousafzai at the International Convention Centre, Sydney, on Monday, December 10, and at the Melbourne Convention and Exhibition Centre, Melbourne, on Tuesday, December 11. Tickets are $99, available via The Growth Faculty's website.
It was a sad day for Melbourne's dining scene when Teage Ezard's CBD institution Ezard announced its closure last June, after an impressive 20 years of operation. They're some pretty big shoes to fill. But if anyone's going to do it, it might just be Sydney's much-loved Mediterranean restaurant Nomad. Yep — the team's just revealed its first Melbourne outpost will open in the iconic Flinders Lane space from mid-November. Owners Rebecca and Al Yazbek have been busy transforming the Adelphi Hotel's lower ground floor into Nomad's new 100-seat southern iteration, replicating the ethos of the original, while championing a whole new menu filled with local produce. Celebrated executive chef Jacqui Challinor has been working closely with Nomad Melbourne's new head chef Brendan Katich (Gingerboy, Ezard) to develop the eatery's signature offering, centred around house-made cheese and charcuterie, and the kitchen's prized wood-fired oven. [caption id="attachment_829999" align="alignnone" width="1920"] The team[/caption] Fans will find just a handful of menu mainstays, backed by a lineup of brand new dishes, with plenty of locally-sourced meat and veggies cooked over flames among the mix. A sprawling wine list will focus on homegrown drops, with Victorian wineries and smaller producers given lots of love. And an extensive all-Aussie pouring list will rotate regularly, offering the chance to sample new wines with every visit, including premium creations served via Coravin. The space itself has been imagined with the help of Melbourne-based architect Clare Cousins, its elegant interiors tucked away behind a hidden entrance. Concrete columns and beams that were unearthed during construction have been used to help section the restaurant into various moody dining areas. The newcomer won't be Nomad Group's sole Melbourne operation for long, with further plans to open another restaurant and bar in The Cathedral Room of the Queen and Collins precinct next year. Find Nomad Melbourne at 187 Flinders Lane, Melbourne, from November 15. It's open for lunch Wednesday to Sunday, and daily for dinner.
UPDATE: JULY 17, 2020 — All of the Hella Mega Tour dates for Australia and New Zealand have been cancelled due to COVID set backs. Tickets will be refunded but no new dates will be released. For more information, head to the event Instagram. We hope you'll have the time of your life with the latest retro tour announcement. We hope it makes you feel just like Buddy Holly, too. Bands who were big a couple of decades back just keep teaming up and heading to our shores for nostalgia-dripping gigs — and, in music to our greedy ears, Green Day, Weezer and and Fall Out Boy have revealed that they're all doing just that come November 2020. Hot on the heels of a similar announcement by The Offspring and Sum 41 just last week, the bands who gave us 'American Idiot', 'Undone — The Sweater Song' and 'This Ain't a Scene, It's an Arms Race' will be hitting up Sydney, Melbourne, Brisbane and Perth, before heading over to NZ for shows in Auckland and Dunedin. It's the latest leg of the trio's Hella Mega Tour, which they first announced in September last year, and which sees them play across Europe, North America, and now Australia and New Zealand. Green Day, Weezer and and Fall Out Boy have all actually released new music lately, with Green Day's 13th album dropping today, February 7, and Weezer's 14th album expected in May. That means they'll all have new tunes to bust out as well. But, admit it — if you're excited about seeing this trio of American rock bands share a stage, then you're excited about hearing their respective back catalogues live. Given they've been doing their punk-styled thing since the late 80s, Green Day certainly have plenty of iconic tracks — whether you prefer early 90s hits 'Welcome to Paradise' and 'When I Come Around', the late 90s-era likes of 'Good Riddance' and 'Nice Guys Finish Last', or mid-00s songs like 'Boulevard of Broken Dreams'. Weezer's discography is just as hefty — and if they don't play 'Island in the Sun' while they're touring these islands in the sun, you're allowed to be upset. As for Fall Out Boy, the tour comes just after they dropped their second best-of album last November, so you know they'll treating audiences to everything from 'Dance, Dance' to 'Uma Thurman'. Local support for all shows comes from New Zealand power-rock four-piece The Beths. https://www.youtube.com/watch?v=erG5rgNYSdk THE HELLA MEGA 2020 AUSTRALIAN and NZ TOUR DATES Perth — Sunday, November 8, HBF Park Melbourne — Wednesday, November 11, Marvel Stadium Sydney — Saturday, November 14, Bankwest Stadium Brisbane — Tuesday, November 17, Suncorp Stadium Dunedin — Friday, November 20, Forsyth Barr Stadium Auckland — Sunday, November 22, Mt Smart Stadium Fan pre-sale tickets for The Hella Mega Tour go on sale at 10am local time on Monday, February 10. Then, there will be a Live Nation pre-sale — that starts at 10am local time on Tuesday, February 11 in Australia, and 10am local time on Thursday, February 13 in New Zealand. Finally, general tickets on sale at 11am local time on Friday, February 14. Visit the tour website to sign up for pre-sale and for further details.
2020 may be behind us, and 2021 might only be a few days old, but the idea that visiting the shops or heading out of the house might mean you need to pay special attention to your health afterwards isn't going away any time soon. Indeed, that scenario is now a normal part of life during a pandemic — and one that Victorian residents have been getting used to during the state's response to COVID-19. Naming locations and venues that positive coronavirus cases have visited is key element of Victoria's containment strategy via the Department of Health and Human Services (DHHS), and the government has been listing quite a number of sites as part of the current new wave of cases in the state. Across the past few days — including today, Wednesday, January 6 — it has announced a few big and notable places that Melburnians should be wary of. The big ones: IKEA in Springvale, the MCG and Chadstone Shopping Centre. Anyone who went looking for affordable Swedish furniture between 4–6.30pm on Wednesday, December 30 is asked to get a test for COVID-19 immediately and then self-isolate until they receive a negative result. And, if you went to the onsite cafe and restaurant at IKEA Springvale on the same date, but between 5.30–6.30pm, you must get tested straight away and quarantine for 14 days from that exposure date, even if your initial test result comes back negative. Regarding the MCG, someone who attended the second day of the Boxing Day test has since been diagnosed with COVID-19. Where the person picked up the coronavirus isn't yet known, so DHHS is currently investigating. And, it has named the MCG as a possible acquisition site as a result — which means that folks who also went along on Sunday, December 27, and were seated in The Great Southern Stand, Zone 5, between 12.30–3.30pm, are required to get tested and quarantine until they get a negative result. https://twitter.com/VicGovDHHS/status/1346600759857582082 Chadstone Shopping Centre has also been listed as a possible acquisition site, specifically relating to Saturday, December 26 between 6am–2pm. Yes, that's during the Boxing Day sales. Ten stores within the centre have been named: Culture Kings, Huffer, JD Sports, Jay Jays, H&M, Uniqlo, Myer, Superdry, Footlocker and Dumplings Plus. If you were at any of these shops at Chadstone at the above times, you need to get tested and quarantine until you get a negative result. DHHS' current ongoing register of locations that have been visited by positive COVID-19 cases is lengthy, and is constantly being updated — with the newest additions handily placed at the top. The full list currently includes Bodriggy Brewing Company, Stomping Ground Brewing Company, Village Century City, Rockpool Bar and Grill, Fonda in Flinders Lane, Bunnings in Box Hill South and Mentone, Brighton Beach, Federation Square, Southern Cross station and several Metro train lines, among many other sites — and it's broken down into separate categories depending on whether anyone who went to these places at the specified dates and times needs to get tested immediately and self-isolate for 14 days, get tested immediately and self-isolate until they get a negative result, or monitor for symptoms and then get tested and self-isolate. You can check out the entire list on the DHHS website. And, if you need a reminder, the symptoms to look out for are coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste. You can find a rundown of testing clinic locations online as well. At the time of writing, Victoria has 41 active COVID-19 cases, with one new case acquired locally in the 24 hours leading up to Wednesday, January 6 and two new cases acquired overseas. To find out more about the status of COVID-19 in Victoria, head to the Victorian Department of Health and Human Services website.
For the past decade, spy films have been Matthew Vaughn's caper, thanks to Kingsman: The Secret Service, Kingsman: The Golden Circle and The King's Man until now. With Argylle, he's still being playful with a genre that he clearly loves but isn't precious about, and he's also approaching espionage antics from another angle. 80s action-adventure comedy Romancing the Stone, which isn't about secret intelligence operatives, is one of this page-to-screen effort's blatant inspirations. Something that both do have at their centres: writers caught up in scenarios that would usually only happen on paper. 2022's The Lost City took the same route — but Argylle throws in a touch of North by Northwest, and also gets meta about its own origins. And no, Taylor Swift didn't write the source material. For his eighth feature, which hits 20 years after he made his directorial debut with the Daniel Craig (Glass Onion: A Knives Out Mystery)-starring Layer Cake, Vaughn adapts the novel that gives Argylle its name; however, the specifics aren't quite that simple. The IRL title is only being published as the flick hits cinemas, starting a franchise on the shelf. That said, the film — which is similarly aiming to begin a series — jumps to a later as-yet-unreleased book. Those tomes are credited to Elly Conway, which is the name of the movie version of Argylle's protagonist. In the feature, Elly is also an author who has written a saga about spies. Back in reality, who she really is has sparked a frenzy, hence the theories that she could be one of the world's biggest pop stars amid a massive world tour and a huge concert film. Again, despite Swifties' dreams, that speculation needs to be shaken off. To recap, this is the spiel: Vaughn directs a picture from a book saga that's just reaching shelves, doesn't kick off with the initial tome and works in an iteration of its mystery author. Within the movie, Elly (Bryce Dallas Howard, Jurassic World Dominion) isn't an unknown but she is happiest out of the limelight, as turning down a date for an evening at home writing with her Scottish Fold cat Alfie illustrates early. Her in-film novels are already smashes, with just one problem. As she discovers after penning the draft of her fifth book just after readers get their hands on the fourth, and much to her surprise, her plots bear more than a little resemblance to reality. So informs actual agent Aidan Wilde (Sam Rockwell, See How They Run), who also advises that a villainous espionage outfit called The Division is after her because her texts are so prophetic. To add another layer to the Argylle trifle, Elly sees her fictional agent — the eponymous Argylle (Henry Cavill, The Witcher) — beyond her imagination. He's a Bond-type right down to the bar altercation with a femme fatale (Dua Lipa, Barbie). He's also a Mission: Impossible-style sort thanks to the team around him, including a trusty offsider (John Cena, Freelance) and tech guru (Ariana DeBose, Wish). With towering flat-topped hair, Argylle is a knowing spoof in a self-aware comedy, too. He's the stereotypical dashing vision of the undercover world, as juxtaposed with Aidan, who is introduced all scruffy and beardy on a train, blending in and earning Elly's incredulity when he says that spying is his gambit. The more that she gets pulled into the covert world, Argylle is also a blatant contrast to the writer herself; that there's more than one type of hero thrums within screenwriter Jason Fuchs' (Wonder Woman) script. More twists, more reveals, more zigzagging here and there (and, of course, everywhere) slip into a narrative that's unique in a way that's rare of late, especially when it comes to spies, action and big-budget big-screen fare. Argylle might be reaching screens with that did-Swift sheen and seemingly everyone that Vaughn knows in the cast — Cavill was in Stardust, Howard in the Vaughn-produced Rocketman, and Sofia Boutella (Rebel Moon — Part One: A Child of Fire) and Samuel L Jackson (The Marvels) both have a place in the Kingsman realm — but it isn't an already-known property. That said, there's a game of connect the dots at work for anyone who has seen any action flicks this century, spotting familiar parts. Still, with the visual flair that he's been known for since making the switch from solely producing (including Guy Ritchie's Lock, Stock and Two Smoking Barrels and Snatch), Vaughn leans into the fun and spectacle of it all. This strives to be a just-go-with-it affair, putting its audience in the same situation as Elly as she tries to stay alive, outwit The Division, and work out what's going on and why. Howard, Rockwell, Catherine O'Hara (Pain Hustlers) as Elly's mother and Bryan Cranston (Asteroid City) as the head honcho overseeing the quest to capture the author: they all help make Argylle easy to spend time with. Rockwell, though, is the feature's mood ring. He's having a ball with the looseness that made him such a captivating performer long before he had a Best Supporting Actor Oscar for Three Billboards Outside Ebbing, Missouri, and he nails Argylle's aimed-for vibe. His Confessions of a Dangerous Mind casting two decades back also comes to mind. Yes, he dances as he adores to, multiple times. He's always giddily entertaining. That Argylle doesn't earn the same label consistently is partly down to its running time: it might've more often if there wasn't 139 minutes of it. If the whole film all seems gleefully OTT, with its winks, nods, parodies, nesting-doll setup, more-is-more embrace of extravagant fights and frays — and kinetic chases and confrontations as well — and unconvincing CGI around the cat, Vaughn and his wife Claudia Schiffer's own, that's also been Vaughn's caper for even longer than he's been playing with spooks. In bringing Kick-Ass to the screen from Mark Millar's comic, then the latter's Kingsman afterwards, plus helming X-Men: First Class in the middle, the filmmaker hasn't been one for the grounded approach. It doesn't always pay off for him. The first Kingsman was undone by its ending, the second a subpar carbon copy and the two pictures' prequel thoroughly superfluous. But the energy of the cast, the Romancing the Stone throwback, plus standout setpieces involving skating through oil on knives and pirouetting through a gunfight amid rainbow-hued smoke grenades, prove both a lot and mostly enough to start off Vaughn's latest espionage franchise.
In January this year, Internet freedom activist Aaron Swartz committed suicide while awaiting trial. Having downloaded millions of papers from digital academic journal archive JSTOR, he had been accused of computer fraud. His death caused outrage among those passionate about public access to information and inspired Internet inventor Sir Tim Berners-Lee to write, 'Aaron dead. World wanderers, we have lost a wise elder. Hackers for right, we are one down. Parents all, we have lost a child. Let us weep.' Now, in order to honour Swartz's memory, poet Kenneth Goldsmith is planning on printing out as much of the Internet as possible. Between July 26th and August 30th, he will occupy 500 square metres of space in Mexico City, where the piles of pages will be on display. Members of the public are invited to send in as many Internet print outs as they can. Length is not an issue. 'There are many ways to go about this,' the project's Tumblr pages read. 'You can act alone (print out your own blog, Gmail inbox or spam folder) or you could organise a group of friends to print out a particular corner of the internet, say, all of Wikipedia, the entire New York Times archive, every dossier leaked by Wikileaks for starters. The more the better.' Some argue that the concept promises to make a vital statement about our right to know; others are concerned about the potential environmental costs. A petition against the project has been started at Change.org. [Via PSFK]
Marlon Brando, Johnny Depp and Beyonce and Jay Z have all done it — and now it’s your turn. To own your own island, that is. A slice of paradise off Tassie’s north coast has gone up for sale through Ray White Southern Tasmania. And offers of $5 million or more are most welcome. You’ll find this pristine utopia, called Waterhouse Island, just three kilometres north of the Waterhouse Conservation Area, which is just 30-kilometres from Bridport on the mainland. The island is about 4.5-kilometres long, one-kilometre wide, and spans about 710 acres. So there are thousands of metres of land, sea and surf for exploring, swimming, snorkelling, relaxing and fishing. Meanwhile, your accommodation is all taken care of thanks to a light, airy colonial home, with three bedrooms and an open plan kitchen-dining area. Your new home is set up to tread gently on the environment; both buildings are self-sufficient, with rainwater tanks and solar power. Reckon your mates might want to visit? Shack them up in the waterfront guest house, where there’s room for four sleepers. Or just build your dream home. You can do whatever the hell you want when you own an island. On top of all this gloriousness, Barnbougle Golf Course isn’t far away either. So, on weekends, you can jump in your private boat – or plane – and get working on your par. Flight time is just ten minutes, and you'll have your own airstrip on the island. Now, it’s just a matter of scraping together a lazy five mill. Images: Ray White Southern Tasmania
One of modern art's most argued-about works has been sold. Tracey Emin's famously debated 1999 work My Bed went under the hammer for the very first time, complete with dirty sheets, cigarette butts and condoms — and taking away a cheeky £2.2 million. Emin, who showed up to the auction yesterday, gained notoriety when her work Everyone I Have Ever Slept With 1963–1995 debuted at a 1997 Charles Saatchi's Sensation exhibition at London's Royal Academy. After getting drunk, going on national TV and getting all sweary, she'd release My Bed two years later to colossal debate. One of modern art's classic "Is this art? What is art? Is this bag of wrenches art?" generators, My Bed was expected to sell between £800,000 and £1.2 million (roughly $1.4 million to $2.2 million) at auction — instead raising the bar to £2.2 million. With the buyer's premium, My Bed really went for £2,546,500; a world record for Emin at auction. Francis Bacon's Study For Head Of Lucian Freud was also put under the hammer, fetching a quiet little price of £10.2 million. The highly-scrutinised installation is a recreation of Emin's actual bed during a rough time — the artist spent days in the bed during relationship difficulties and dealt with suicidal thoughts. Scattered with paraphenalia from the artist's own bedroom (condoms, menstrual-stained underwear, slippers), My Bed caused controversy not for the collective sum of confrontingly personal items but for the stains on the sheets. Gallery-goers saw the traces of bodily secretion as a little too human. "It's a self-portrait, but not one that people would like to see," Emin said. "I took everything out of my bedroom and made it into an installation," Emin said. "And when I put it into a white space, for some people it became quite shocking. But I just thought it looked like a damsel in distress, like a woman fainting or something, needing to be helped." The new owners (who haven't been revealed yet) might be able to recreate the work of two performance artists, Yuan Chai and Jian Jun Xi, who jumped on Emin's bed in a performance creatively titled Two Naked Men Jump into Tracey's Bed. Most interestingly will be the conditions under which the new owner must actually display My Bed. Previously (when not displayed in a gallery setting) the work has been on display at the home of its owner Charles Saatchi. As The Guardian reports, the work — a flurry of seemingly random miscellany — has very meticulous installation instructions. "It's a very complicated piece to put together," Director of Cadogan Tate Fine Art Stephen Glynn says. "It comes with a dossier of photographs of every object, and a list of where exactly everything needs to go." A bit like an Ikea instruction manual, then? "A bit. You're certainly trying to make sure that everything goes in the right place." Displayed at the Tate Modern in 1999, My Bed was shortlisted for the Turner Prize that year. Saatchi can now count its sweet, sweet Emin pennies, with proceeds going straight back to the Saatchi Gallery — the team are moving to make the gallery have free admission. Via BBC, Reuters and The Guardian.
Whether it's the allure of being your own boss or nursing a beyond brilliant idea that nobody else has thought of (yet), starting a business is something that almost everyone daydreams about at some point or another. But, for fear of failure or — more likely — lack of funds, most never make the leap. And it's understandable — as most small business owners will tell you, the first few years are tough. This is particularly true for people with innovative ideas that break from tradition, but that's exactly the kind of business Frankston City Council is looking to invest in. The city's offering grants of up to $30,000 for entrepreneurs who want to invest in Frankston and start up viable businesses by the bay. Huge news for businesses right there. Why Frankston? Well, the southeast suburb is undergoing what can only be described as a cultural and culinary renaissance. Savvy entrepreneurs and hospitality renegades are finding their feet not in the big smoke of Melbourne but in the smaller communities, which are becoming testing grounds for experimental ideas. And it makes sense — cheaper rent, better access to services and plenty of hungry locals make a perfect breeding ground for new businesses and hospitality startups. In a bid to revitalise the waterfront, Frankston City Council has been doing its bit to support vibrant businesses in the little bayside 'burb. Its grants are designed to help entrepreneurs and businesses get a leg up — and, according to the council, it's generated 421 new jobs and $41.7 million in economic output so far. This year, the council has doubled the grant money on offer which will help startup businesses and ambitious hospitality entrepreneurs to bring their ideas to life. Business operators can apply for up to $30,000 in funding if it can prove the business will contribute value to the people of Frankston and create vibrancy in the entrepreneurial scene. To a hungry hospitality entrepreneur, $30k is a lot of money and can be the difference between success and failure in those fledgling days of a business venture's life. And thanks to a development boom, Frankston has a surplus of retail and hospitality venues to fill. Plus, it has supremely easy access to the best wine and produce of the Mornington Peninsula region, which puts it in prime position to become a hub for the region's foodies and hospitality businesses. One such business is Cuvée Chocolates, which was awarded funding in 2016. Its business premise is simple: create artisanal chocolate pairings in partnership with the region's best wineries and watch them walk off the shelves. It now supplies product to 107 wineries and boutiques across the Mornington Peninsula. The grant was also previously awarded to a hospitality group who wanted to open the region's first Korean barbecue joint. It's tragic that Frankstonians were living without Korean BBQ in their lives but Geonbae soon changed that. With a little leg up, the business was able to purchase equipment and bring family-style barbecue plates to the table at the same time. Hospitality businesses do it tough in this corner of the world, with fierce competition, hefty set-up costs and a discerning epicurean audience, but we're always stoked to see investment in small business and startups, especially if that means more artisanal chocolate and Korean barbecue for all. Brewing with business ideas? To apply for this scheme, your first step is to attend a compulsory information session on one of the following dates: Thursday, August 23; Tuesday, August 28; Wednesday, September 12; and Tuesday, September 25. If you can't make it in person, the council is also hosting two webinar sessions on Friday, September 7 and Monday, October 1. Check times and register for a session over here.
It's been a tough time for huge music festivals over the past two years, including one of the biggest there is: Coachella. The 2020 event was less than a month out from its April dates when it postponed until October due to COVID-19 — and then, a few months later, it cancelled that year's fest completely. The aim was to return in April 2021 instead; however, unsurprisingly, that didn't happen either. But now the event has announced that it's definitely intending to make a comeback in April this year — and it's dropped its hefty lineup, too.. Mark April 15–17 and April 22–24 in your diaries, whether you're just keen to check out the livestream — remember, Coachella was livestreaming its sets long before the pandemic — or you have US travel plans for this autumn. The full bill is a jaw-dropper, as usual, with Harry Styles headlining the Friday nights, Billie Eilish doing the Saturday nights and Ye (aka the artist formerly known as Kanye West) on Sunday nights. Elsewhere, a bonafide metric fucktonne of squealworthy acts fill out the rest of the bill — Australia's own Flume and The Avalanches, plus Swedish House Mafia, Phoebe Bridgers, Megan Thee Stallion, Doja Cat, Jamie xx, Run the Jewels, Fatboy Slim, Finneas and Joji, just to name a few. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: View this post on Instagram A post shared by Coachella (@coachella) For music lovers planning to watch along from home, Coachella will once again team up with YouTube to livestream the festival. That's no longer such a novelty in these pandemic times but, given the calibre of Coachella's lineup, it's still a mighty fine way to spend a weekend. For those eager to attend, the first weekend is sold out, but you can signup for the waitlist over at the festival's website — and also register for tickets to the second weekend, too, which go on sale on Friday, January 14 US time. Coachella runs from April 15–17 and April 22–24 at the Empire Polo Club in Indio, California. Find out more info and register for tickets or the waitlist at coachella.com.
Meet Australia's next homegrown franchise: after 2019 film Top End Wedding proved a huge hit, striking a chord with lovers of big-screen rom-coms, Aussie fare, Miranda Tapsell (The Surfer) and seeing the Northern Territory splashed across cinemas, streaming series Top End Bub is set to give fans of the movie more on the small screen. And, the new series now has a trailer. When the newly engaged Lauren (Tapsell) and Ned (Gwilym Lee, SAS Rogue Heroes) made a whirlwind visit to Darwin in the successful flick, it was to get married. Six years later, the two key characters are now heading back to the Northern Territory capital. In Top End Bub, Top End Wedding's central couple enter their next chapter — and a child is indeed involved. Tapsell not only starred in Top End Wedding but co-wrote the script. With Top End Bub, she's in both roles again — and also co-created and executive produced the series with fellow returnee Joshua Tyler (100% Wolf: Legend of the Moonstone). Their new story: sending Lauren and Ned to the NT once more, away from their settled life in Adelaide, to become the guardians of their orphaned niece Taya (debutant Gladys-May Kelly). First confirmed in 2024, Top End Bub is set to span eight episodes — and you'll be watching it soon. The series hits Prime Video from Friday, September 12, 2025. Ursula Yovich (Troppo), Huw Higginson (Ladies in Black), Shari Sebbens (The Moogai), Elaine Crombie (Invisible Boys), Rob Collins (Austin) and Tracy Mann (Home and Away) are also making the leap from Top End Wedding to its new spinoff — and Sebbens and Christiaan Van Vuuren (The Office) direct Top End Bub. In a series that promises banding together for family, grappling with what it means to be a parent, onstage antics and even football — as seen in its just-dropped sneak peek — you'll be watching Brooke Satchwell (Triple Oh!), Guy Simon (The Secrets She Keeps) and Clarence Ryan (Territory) as well. Check out the trailer for Top End Bub below: Top End Bub streams via Prime Video from Friday, September 12, 2025. Images: John Platt / Prime Video.
