While Melbourne is generally the best place to be if you're a hip thespian, it's about to get a whole lot better. MTC's annual NEON Festival of Independent Theatre is back for another year, and it's bringing with it five exciting new works from up-and-coming companies (and a heap of free events to boot). Did someone say free? Yes! You’re darn right they did! A drawing card for NEON is its many free events. Broke creatives are the target audience, so these events are sure to be bustling with exciting, vibrant and upcoming kids of the theatre scene. Included in these freebies are late night play readings for NEON UP LATE run by Melbourne theatre darlings MKA. Whilst NEON EXTRA will see to it that workshops, masterclasses and public lectures provide you with the networking and arts industry knowledge you’re after. It’s free, so really you’d be losing money by not going. First company up is Little Ones Theatre. From May 29, this queer theatre collective will be re-imagining Dangerous Liaisons in a seductive, extravagant, and opulently playful start to the festival. Then from June 12 things will be getting a little more serious with Angus Cerini and doubletap. Delving into the nature of existence, Resplendence will beusing the international trade in weapons, drugs and people to springboard into an expressionistic response to everyday life. Midway through NEON audiences will be treated to the work of Antechamber Productions and Daniel Keene. From June 26, the MTC will be home to Photographs of A. This poetic production starring Helen Morse examines the life and work of Louise Augustine Gleizes, an extraordinarily influential figure in modern psychology. From the mind to the body, NEON will then present The Myth Project: Twin from July 10. Featuring a large ensemble cast from Arthur, this will be the first instalment of a highly physical work about myth and murder. Then, to finish off an amazing month of theatre Sans Hotel and Nicola Gunn will present Green Screen. Part careers expo, part social experiment, this will be a work that looks at identity and who we are we can no longer be defined by what we do. We know it's a lot to take in. It's definitely a jam-packed month for lovers of the theatre, but don't worry it'll all drift over you in a beautiful haze. Head to the NEON website to find out more, make sure to fill your quota of freebies and Q&As and, as always, check out something new. It wouldn't be a festival of independent theatre, if you didn't take a chance on a newbie.
Rich, magnificent and a little bit fancy are all things that come to mind when truffles are on the menu. But do we know anything about them, really? Long-time favourites of fine dining restaurants, truffles are now popping up on cafe menus too, having entire festivals thrown in their honour — they've even been added to beer, for goodness sake. In order to dispel the air of mystery surrounding truffles (and just so we can stop pretending we know what we're talking about), we've called upon truffle aficionado Bernadette Jenner from Madame Truffles to set us straight about where to find them, how to eat them, and what makes them so magical. What are truffles? Truffles are a type of fungi, and are part of the genus tuber. While there are many different types of truffles, only a few are edible; the white truffle (tuber magnatum) and the black Perigord truffle (tuber melanosporum) are the most highly sought after. Truffles range in size from as small as a marble to as big as your fist and retail for around $2,500 per kilogram. They're found underground surrounding the roots of a host tree, which is often either oak or hazelnut. Currently only the black Perigord truffles are harvested in Australia. Originally pigs were used to sniff out truffles; however, most farmers use dogs these days, as pigs were notorious for eating their discoveries. "Fighting a pig for a truffle is probably not worth your life," says Jenner, and we believe her. Interestingly, the truffle has a pheromone in it that smells like a male boar, so the female pigs are actually searching for a mate, rather than a fine-dining delicacy. "In pig world it's actually the smell of the male that speaks to its dominance. It's not about how pretty it is or how much money it earns; the better smelling the pig, the higher up in the pecking order he is." Weirdly enough, the pheromones in male pigs are actually similar to that found in male humans. Figure that one out. Where do they come from? Australia is actually the fourth largest black truffle producer in the world, following closely behind Italy, France and Spain. Black truffles can be found all over the country. So where can you get the best ones? "As a general rule, there's a great truffiere in Pemberton, WA," explains Jenner. "Truffles from Braidwood in NSW are smoky and gorgeous, and you can also get good truffles from Tassie." So how do our truffles compare? Jenner says that Australian truffles are strong competitors in relation to their European counterparts. "About 95 percent of the truffles from WA are exported to Italy and America, and they fill up the Michelin star restaurants." When are truffles in season? In Australia, peak truffle season is from the end of May through to the end of August. One great thing about truffles is their unpredictability and the variety you can have from one harvest, as Jenner explains. "Each harvest is different and even truffles from the same tree can taste and smell different." This is the fourth year Jenner has run her pop-up shop Madame Truffles during the peak season, and she has noticed a definite increase in interest in truffles. Bernie puts this down to two reasons: "The truffieres know much more about what they're doing so not only are they producing more truffles, but the quality is great." The second reason comes down to us: we're craving something new and special. "People are feeling more confident and adventurous with food," she says. How do you cook with truffles? The possibilities here are nearly endless. Truffles love heat, which make them lovely additions to pasta or risotto, where you can either mix it in while cooking, or shave some on top to add depth to your meal. Jenner's hot tip is to keep things simple. "The truffle is the diamond," she explains. "I love a decadent breakfast, so I love putting heaps of the truffle in scrambled eggs and pop a little bit on top when I serve it." A little bit goes a long way with truffles, and it’s important not to overcook as that can decrease their flavour. Where can you get them? Truffles are purchased by weight and are most often ordered online through various truffieres around Australia. Part of the thrill of buying truffles is inspecting them yourself, and most importantly, smelling them. That's what makes going to Madame Truffles such an experience. "The truffles that you buy here, you would have smelled them, we don’t sell it to you without smelling it first," explains Jenner. As well as buying truffles whole you can also by them as products such as truffle pasta, truffle butter, truffle ice cream, and Madame Truffles is even making truffle Monte Carlos for the adventurous sweet tooth. Where to enjoy truffles in Melbourne Melbourne has embraced truffles wholeheartedly this season, from top-of-the-range restaurants to humble cafes. "There are so many places now," Jenner acknowledges. "When we first started four years ago it was only the flash restaurants that used them, and last year we worked with four cafes to introduce the truffle toastie, so anyone could have an experience with truffles." So where should you head to make the most of this year's truffle-filled culinary creations? Jenner recommends the pig trotters with truffles at Duchess of Spotswood (pictured) and the truffle-infused dishes at St Ali. It's a good way to indulge in some fine produce without investing in it, says Jenner. "Yes, truffles can be decadent and expensive, but it's nice to go somewhere where the prices aren't too high to try it.” If we could be so bold as to add one more to Jenner's list, check out the truffle risotto at the Town Hall Hotel in Fitzroy. The Madame Truffles winter pop-up shop will be selling freshly harvested Australian truffles at 17 Yarra Place, South Melbourne (across from St Ali) until Saturday, August 23. Feature image courtesy of ulterior epicure via photopin. Other images thanks to Madame Truffles.
While some interstate travel could be back on the cards for Australians by next month and trans-Tasman travel by July (according to the Federal Government's three-step plan for a COVIDSafe Australia), it looks like other international travel could still be a while off. Australia and New Zealand's borders are currently closed and all international travel is banned, and Australia's Chief Medical Officer Brendan Murphy has said he can't see this changing any time in the foreseeable future. Murphy told a Senate inquiry into COVID-19 as much yesterday,Wednesday, May 13: "I cannot see border measures materially changing for some time." Murphy also said that two-thirds of Australia's COVID-19 cases had been overseas-acquired and he had "no vision" of when strong borders could be relaxed. An analysis released earlier this week by the International Air Transport Association (IATA), the trade association for the world's airlines, and Tourism Economics has an equally dire outlook — for international travel, not so much for domestic. According to the report, the best case scenario is that air travel will be back to normal (2019 levels) by 2023. While it's expected international air travel will take four years to recover, the report predicts domestic travel will bounce back faster. "The impacts of the crisis on long-haul travel will be much more severe and of a longer duration than what is expected in domestic markets," said IATA CEO Alexandre de Juniac in the report. The average length of flights will drop — as shown by the below graph — as people preference exploring their own backyard, over international jaunts. So, while European adventures and could still be a while off, exploring Australia could be a possibility in the not-so-distant future. Many states and territories have closed borders at the moment, though — including Queensland, Tasmania, WA, SA and NT — and regional travel is still off-limits, but we'll let you know when that changes. For more information about the status of COVID-19 in Australia and what travel is and isn't allowed, head to the Department of Health's website. Domestic travel is now allowed in New Zealand — read more about COVID-19 Alert Level 2 here.
UPDATE: JULY 1, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Tenet will no longer release on its initially scheduled date of Thursday, July 17, 2020. Instead, it will now release on Thursday, August 13. This article has been updated to reflect that change. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Every ten years, Christopher Nolan sends audiences on a wild journey. The Batman Begins, The Prestige and Interstellar filmmaker makes movies more often than that, but a decade seems to be how long it takes to indulge his weird and wonderful side. In 2000, that led to Memento, the film that helped bring the writer/director to broader attention. In 2010, Inception and its dreams within dreams were the end result. Now, in 2020, Nolan is trifling with time and tasking BlacKkKlansman's John David Washington with trying to stop World War III, all in the trippy Tenet. Indeed, when an initial trailer for the film dropped last year, it instantly gave off big Inception vibes. Combining temporal trickery, logic-defying stunts, Michael Caine and an ominous, droning score will do that. The fact that the trailer didn't reveal much in the way of narrative detail also helped more than a little. Now, a new sneak peek has just hit after first premiering via the video game Fortnite — and it provides a bit more information. This being a Nolan flick, Tenet is certain to save its biggest surprises until it releases in cinemas; however, the new trailer does confirm that communicating with the future and reversing the flow of time are both on the agenda. Yes, that paints a very intriguing picture, with the new footage combining fresh clips with a few sights already seen in original trailer. Washington plays a spy, partnered with Robert Pattinson, who is trying to stave off something worse than a nuclear holocaust. To do so, he "journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time", according to the film's official synopsis. That means inversion — not time travel, as he makes plain in the new footage. Tenet also features Australian actor Elizabeth Debicki (Widows), Harry Potter's Clémence Poésy, Aaron Taylor-Johnson (Avengers: Age of Ultron), Himesh Patel (Yesterday), Martin Donovan (Ant-Man) and Kenneth Branagh — with the latter also starring in Nolan's last film, the World War II epic Dunkirk. And as for when you're likely to see the filmmaker's 11th feature, it's currently now slated for a mid-August release — a change from its initial mid-July release, which was listed in the text beneath the new trailer on YouTube. It's interesting to note that the trailer itself doesn't include a release date, however. The film has been heralded as the big blockbuster that'll help reopen cinemas after their COVID-19 shutdown, but whether that'll happen is yet to be seen — and will depend upon the status not just of cinemas Down Under but around the world, and especially whether theatres have opened en masse in the US (including in major markets such as New York and Los Angeles). Check out the latest Tenet trailer below: https://www.youtube.com/watch?v=L3pk_TBkihU Tenet is slated to release in Australian cinemas on August 13, 2020. We'll update you if that changes again. Top images: Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved. Courtesy of Warner Bros. Pictures
How much does Netflix love British royalty? If five seasons of The Crown so far and its Harry and Meghan specials are anything to go by, the streaming platform is more than a little fond of the monarchy. Or, to be more precise, it knows that its subscribers feel that way thanks to all our binge-watching — so expanding its focus on the UK's sovereigns and their families via new Bridgerton prequel series Queen Charlotte was always bound to happen. Initially announced in 2021, now slated for a May 4 release and just unveiling its first teaser trailer, too, this upcoming show was always likely for another reason: Bridgerton's huge success. And while the hit page-to-screen series focuses on a firmly fictional aristocratic family in the 19th century — set in the Regency era, it's a work of imagination as well as alternative history — Queen Charlotte was indeed real. Queen Charlotte: A Bridgerton Story will delve into the figure's backstory within the Bridgerton realm, including her rise to power and prominence, and the importance and impact of her reign. Also covered: her relationship with King George, as well as Violet Bridgerton and Lady Danbury's early years. The prequel series will chart how the Queen's marriage to George also created a societal shift, in fact, sparking the world of the ton as seen in Bridgerton — and it's being called part of "the Bridgerton-verse" by Queen Charlotte and Bridgerton executive producer (and Grey's Anatomy and Scandal creator) Shonda Rhimes. So yes, as well as the already-announced third and fourth seasons of Bridgerton itself, you can probably expect more spinoffs to arise. After releasing a first-glimpse clip from the show in 2022, Netflix's debut trailer for Queen Charlotte offers further glimpses at its young titular figure (India Amarteifio, The Tunnel) and George (Corey Mylchreest, The Sandman). Queen Charlotte will also feature Golda Rosheuvel (Dune) as the older version of its namesake, as well as Ruth Gemmell (Deep State) as Violet Bridgerton and Adjoa Andoh (The Witcher) as Lady Danbury. They'll be joined by Connie Jenkins-Greig (Solitary) as young Violet, Arsema Thomas (Redeeming Love) as young Lady Danbury, Michelle Fairley (Gangs of London) as Princess Augusta, Sam Clemmett (Cherry) and Hugh Sachs (Bridgerton) as the young and old Brimsley, Richard Cunningham (The Witcher) as Lord Bute, Tunji Kasim (Nancy Drew) as Adolphus, Rob Maloney (Coronation Street) as the Royal Doctor and Cyril Nri (The Witches) as Lord Danbury. Check out the first teaser trailer for Queen Charlotte: A Bridgerton Story below: Queen Charlotte: A Bridgerton Story will stream via Netflix from May 4. The first and second seasons of Bridgerton are available to stream now. Images: Liam Daniel/Netflix.
There's an undeniable MC Escher-esque quality to Christopher Nolan's films: a recurring preoccupation with infinity, architectural impossibilities and mathematical paradoxes that explodes (if also confounds) on the screen. For the director and his brother, time and space are not constrictions but ideas to be played with, and engaging with them unconventionally is a device that often underscores their scripts, or — as was the case with Memento — forms their entire plot. Interstellar, Nolan's ninth and newest film, once again places time as the driving force behind the story. A lack of time, to be precise, because earth's days are numbered. In the near future, climate change has finally, fundamentally and — as we soon learn — irrevocably imperilled the planet and its remaining citizens. Farming is now the industry, and almost everyone does it. If you've ever had a taxi driver tell you he was formerly a surgeon in his own country, imagine that, but that on a global scale. Even former NASA pilots like Cooper (Matthew McConaughey) find themselves toiling the fields and ducking the sandstorms. But the crops are dying, and pretty soon there'll be nothing left to produce the oxygen required to sustain life. Earth's last hope, it turns out, is a secret NASA plan to seek out appropriate new planets for humans to live on in the far reaches of the galaxy. "Ahh," you might say, "that's all good and well, but the nearest ones are lightyears away." True, but hope springs forth courtesy of a wormhole that one day simply appeared in our solar system: a secret backdoor to viable new planets that the NASA team can only presume was 'sent' to us by a higher intelligence. So, Cooper makes the heart-wrenching decision to leave his kids behind and give both them and the planet one last chance at salvation. The crux, of course, is time. The distances and physics involved with interstellar travel — especially when relativity comes into play — mean time is measured in almost impossible scales. An hour on Planet X equates to seven years on the spaceship orbiting just above it, just as a day to Cooper represents a lifetime to the family he left behind. It's a device reminiscent of the 'dream within a dream' world of Inception, only here the stakes are so much higher. Naturally for a film of this scale, Nolan elected to shoot more than 100 of its 180 minutes in 70mm IMAX, and the result is breathtaking. Matched with a Hans Zimmer soundtrack that's so epic it sounds like the composer simply threw himself on a giant organ and writhed around for a few hours, Interstellar is a film that's experienced as much as it's watched. With clear allusions to its predecessors, including 2001, Contact and even Event Horizon, Interstellar still manages to forge its own unique style and story, albeit with 'revelations' that most will predict a long way off. Performance wise, McConaughey is solid in the lead and finds ample support from a packed ensemble featuring Michael Caine, Anne Hathaway, Jessica Chastain, Topher Grace, John Lithgow, Wes Bentley, Casey Affleck and Ellen Burstyn. The standouts, however, are Mackenzie Foy as Cooper's rambunctious daughter Murph (named after Murphy's Law), and a faceless, wise-cracking robot named TARS. The conceit sounds cringeworthy, but the result is amazing, boasting some of the funniest, smartest lines in any film this year. In all, this will surely prove a divisive picture, with debates certain to arise over its science, storyline and ultimate resolution. Time-travel films inevitably involve paradoxes that, in turn, must (by tradition if not by law) spark heated arguments over causality and order and the misconception of time being linear and… well, you get the idea. It's not Nolan's best film, but it's perhaps his most ambitious, and it's to be applauded for its determination as well as its technical achievements. https://youtube.com/watch?v=0vxOhd4qlnA
It's a time-travelling romantic dramedy shot in the desert on the cheap, but what The Infinite Man lacks in size it makes up for in brains and heart. In that way, the film is a lot like its protagonist: the jumpy, obsessive, hopelessly romantic Dean (Josh McConville). A scientist of non-specific genius, Dean wants desperately to give his girlfriend, Lana (Hannah Marshall), the perfect anniversary weekend. Instead, his controlling behaviour ends up driving her back to her ex (Alex Dimitriades). Not to worry though. Dean can just casually invent a time machine and give the holiday another go. And another. And another. And another. Supported by the same South Australian funding initiative that helped pay for 52 Tuesdays, The Infinite Man is the rare sort of film that feels invigorated, rather than hamstrung, by its obvious financial constraints. Limited to just three cast members and a single, isolated location — an abandoned desert motel — first-time writer-director Hugh Sullivan has very few crutches to fall back on, and is instead forced to draw on a deep well of creativity to ensure his movie is a success. The Infinite Man is showing at Sydney's Dendy Newtown and Melbourne's Cinema Nova from September 18. Thanks to Infinite Releasing, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our full review of The Infinite Man here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au
Arguably the worst part of travel is the bit where you actually have to travel. Sitting in an over-cramped, over-air-conditioned metal tube for 20+ hours almost makes post-pasta swims in the Mediterranean seem too much trouble than it's worth (almost). But until we're at The Fifth Element stage where we can just hop in a capsule and get knocked out cold for the duration of the journey, we'll just have to be content with airlines' attempts at cutting down flight times and transfers. In huge news for Aussie travellers, Qantas last week announced they are really close to locking down a direct flight from Australia to Europe. Thanks to their new Dreamliner 787-9 aircraft — which are set to start flying in October 2017 — the airline hope to run non-stop flights from Perth to London in the near future. Direct, the Perth to London flight time would be 17-18 hours. It would be considerably quicker than their current route, which, with their partnership with Emirates, includes a rather hellish stopover in Dubai (as all stopovers are). It would be the first and only direct flight from Australia to Europe. "This aircraft allows us to fly routes that we could only imagine in the past," Qantas CEO Alan Joyce told The Australian. "It allows us to fly from Perth to London, from Sydney to Chicago or Melbourne to Dallas." Qantas are still in negotiations to lock down the new route, but are expected to confirm its actualisation pretty soon. The sort-of news comes as the airline revealed the layout for their new Dreamliner fleet, which will be two-thirds the size of the 747s they will eventually replace and have only 236 seats (as opposed to the 747's 364 seats). Economy will have a 3:3:3 seat situation (as opposed to the 3:4:3), as well as USB ports and an extra inch of leg room. Hurrah for leg room! Plus, they also revealed some new branding, which includes new typography on the side of their planes. Qantas are set to confirm the Perth to London route soon. We'll update you when they do. Via The Australian.
UPDATE: JUNE 28, 2018 — A second Melbourne show has been added on Tuesday, August 14. Tickets are on sale now. When Bob Dylan last toured Australia, it was billed as a 'once in a lifetime' experience. And, for all those who went, it was. It's just that now fans will be get the opportunity to have another such experience, because the legendary tambourine man will return to Australia for a national tour this August. This tour will be less exhaustive than his 2014 effort, with Dylan set to do seven shows — one in each of the usual capital city stops (Melbourne, Sydney, Brisbane, Perth and Adelaide), as well as one-offs in Newcastle and Wollongong. He will draw on his incredible 60-year career — which spans 36 studio albums and countless hits — for the shows, so you better start praying to the music gods that your favourite makes it onto the setlist. Dylan may be 76 years old, but he has certainly showed no signs of slowing down as he approaches 80. In 2016 he was awareded the Nobel Peace Prize for Literature and, just this year, he oddly released his own whisky. But still, it could be the last chance you get to see this living legend perform live. His last tour sold out, so you better have your fingers ready when tickets go on sale next week. BOB DYLAN 2018 TOUR DATES Wednesday, August 8 — Perth Arena, Perth Saturday, August 11 — Botanic Park, Adelaide Monday, August 13 and Tuesday, August 14 — Margaret Court Arena, Melbourne Saturday, August 18 — ICC Sydney, Sydney Monday, August 20 — WIN Entertainment Centre, Wollongong Wednesday, August 22 — Entertainment Centre, Newcastle Friday, August 24 — Entertainment Centre, Brisbane Bob Dylan will tour Australia in August 2018. Tickets are on sale now here.
People travel from around the globe to see Uluru. In 2023, the Northern Territory landmark was even named one of the best places in the world to visit by The New York Times. Folks head to the Red Centre from all across Australia, too, of course — and if visiting the large sandstone formation has always been on your travel bucket list, and you're in Melbourne or Brisbane, making that trip is about to get easier. Virgin has announced new direct flights to the heritage site. From June 2024, the Aussie carrier will start two routes, which will mark the airline's first-ever legs to Uluru from Melbourne and Brisbane. The flights from the Victorian capital will begin first, on Thursday, June 6, 2024, but Queenslanders will only have to wait a day later, until Friday, June 7, 2024. After both routes kick into gear, Virgin will fly between Melbourne and Uluru four times a week, on Tuesdays, Thursdays, Saturdays and Sundays. The carrier will zip between Brisbane and Uluru three times a week, on Wednesdays and Fridays. Virgin is partnering with the Northern Territory Government and Voyages Indigenous Tourism Australia — which runs Ayers Rock Resort — on the new services to get more people to the middle of the country. And it's aiming to send quite a few more tourists in that direction, with 62,000-plus seats a year on offer thanks to the two new legs. "Uluṟu is a special place in Australia and a cultural landmark that identifies this wonderful country to the world. We look forward to once again connecting Australians and international tourists alike to the spiritual heartland of Australia," said Virgin Australia CEO Jayne Hrdlicka. "We are also proud to be offering direct flights to Uluṟu from Melbourne and Brisbane for the first time. The forecast demand from these cities, coupled with excellent connectivity from our international airline partners, will provide a much-needed tourism boost to the region. Greater competition in the market and more seat capacity to Uluṟu will also provide travellers with more choice and value next time they fly to the Red Centre." [caption id="attachment_905928" align="alignnone" width="1920"] The Salty Travellers[/caption] "Whether it's still on the bucket list or a much-loved destination, visiting Uluṟu is a must-do for international and Australian travellers alike," added Matt Cameron-Smith, CEO of Voyages Indigenous Tourism Australia. "Demand to visit Uluṟu is incredibly strong — driven by a wealth of amazing cultural experiences including the world-first $10-million cultural drone and storytelling experience Wintjiri Wiru — and we can't wait to roll out the red carpet for Virgin Australia's return to the Red Centre." How is Virgin celebrating announcing its new routes? With a flight sale, which is obviously great news for your wallet. Until midnight AEST on Wednesday, November 22, 2023, fares start at $129 one-way in economy, as long as you're keen to travel between Thursday, June 6–Thursday, September 12, 2024. For accommodation, Ayers Rock Resort is doing $150-per-night Lost Camel Hotel stays as well. Virgin's Melbourne–Uluru services will commence on Thursday, June 6, 2024, and its Brisbane–Uluru services on Friday, June 7, 2024. The airline's Red Centre sale is slinging flights from $129 until midnight AEST on Wednesday, November 22, 2023 — head to the Virgin website for more details.
In very English news, everyone's favourite well-mannered witch (sorry Sabrina) Hermione/Emma Watson, has been covertly distributing books on the London Underground. Watson has been sneaking around under the city, like the most conspicuous rat in the world, hiding copies of Maya Angelou's Mom & Me & Mom as part of her feminist book club initiative Shared Shelf. While we dig Watson's initiative and the feminist slant of her book drop, the concept isn't exactly original. She dropped the copies of the book — which is this month's pick for her online book club — on the Tube (complete with personal notes inside them because she's an angel) as part of Books on the Underground, who have been dropping books all over the shop for years. Closer to home, Books on the Rail started a book ninja empire in Melbourne that has rapidly been expanding across the country. Founders Ali Berg and Michelle Kalus have been coordinating their book ninja operation since April of this year. It's a simple concept – BotR distributes hundreds of books on Melbourne public transport. You know their work by the sticker on the front, encouraging you to read, enjoy and return the book. They started the project by giving away their own books and op-shop finds and now get regular deliveries from authors and publishers. The project is fuelled by the sustainable energy of social media, with commuters sharing and reviewing their reads under the hashtag #booksontherail. BotR is also gaining steam in Brisbane and Sydney. They've even recently organised a book club to take place on a Melbourne train. Early reviews dub it 'peak Melbourne'. Via BBC. Image: Emma Watson via Instagram.
After the year that's been, we could all use a few little wins right now. And the next edition of Click Frenzy's online shopping bonanza is happy to provide. Kicking off from 7pm (AEDT) this Tuesday, November 10, Click Frenzy's Main Event is chock full of bargains to help ease the pain that 2020 has supplied so far. Running for 53 hours, the sale is set to feature over 4000 deals and specials from more than 800 local and international brands. Those looking to indulge in some much-needed retail therapy can do so snapping up eye-popping bargains on products from favourites like Big W, Dyson, Myer, Target and stacks more. A suite of 'Go Wild' deals could see you scooping up Apple Airpods Pro for a measly $4, a nifty new airfryer for the low price of just $1, a GHD straightener for $4 or a $9 Samsung TV. Elsewhere, nab new activewear with 65 percent off 2XU, refresh your summer wardrobe with 70 percent off Gorman, fill up your cellar with 70 percent off wine, score 60 percent off bedding from Sheridan and find more bargains courtesy of Bose, Priceline, T2 and Spotlight. What's more, you could even hook up with some new wheels, with the sale event featuring hard-to-beat deals from your mates at Volkswagen and Subaru.
It's not every artist who'd revisit their Year Two saxophone skills on their debut album. But Melbourne's Chet Faker (aka Nick Murphy) isn't afraid of giving anything a whirl for the sake of sound. Following the release of his debut EP Thinking In Textures via Downtown Records in 2012, Murphy gained international high-fives and 'Breakthrough Artist of the Year' at the Australian Independent Records Awards, made an EP with Flume, toured with Bonobo, played at South by South West and scored a Super Bowl ad with his breakthrough cover of Blackstreet's 'No Diggity'. After settling into his own snuggly studio space in North Melbourne, Murphy painstakingly tweaked, experimented and self-produced his debut album Built On Glass, released Friday. An eclectic and unpredictable mix of electronic soul ballads, deep house journeys and hip hop beats, Murphy's love of experimentation and letting sound breathe makes Built On Glass one of the year's most overwhelmingly confident debut releases. Heartbreakingly honest lyrics, minimalist electronic groovery and Murphy's unmistakably soulful vocals make for serious repeat button action. Kicking off a huge worldwide tour in April, Chet Faker will hit venues in UK cities like Dublin, Manchester and Bristol before popping over to European hubs like Paris, Brussels and Amsterdam. Then it's over to the US and Canada for a gargantuan string of dates before heading home for his national Australian headliner tour through major cities and regional centres like Geelong, Port Macquarie and Wollongong. Supporting for all national tour dates is New Zealand dream pop trio Yumi Zouma, whose four-track EP The Brae saw the Christchurch locals gain quite the following on Soundcloud. In the wake of the tour's long-awaited announcement, we had a chat to the 25-year-old Melburnian about his upcoming worldwide debut album tour, his Melbourne performance jinx, jogging on tour and a genuine disdain for pigeonholes. When was the last time you played an Australian show? Three weeks ago. I play heaps here, everyone thinks I don't. They're like, "Really? Come back to Australia and support your home." It's like, I play here a lot. People are like, "Why didn't you come to New Zealand?" I was there four weeks ago! "Hopefully one day you'll come to Ireland." It's like dude, I'll be there in a week. Just relax! So Built On Glass is out, your first LP, congrats! You played everything you hear on the album, excepting one guitar solo. What made you want to play all every last instrument on your new album? Well, because I knew what I wanted to be played. And I'm not rich so I can't just like, pay Nile Rodgers to lay down a track for me. It's just a really personal record. Music just means a shitload to me. I'm usually writing music at the same time I'm recording it... just trying a bunch of stuff. If I want a guitar part, I'm going to play it because I'm there. So it makes sense to play it myself rather than have someone in and it might not work. Did you learn saxophone just for the record? No. Well, maybe sort of. I played sax from prep to grade two. But I hadn't played until last year and I picked it up and could still make a noise out of it. That blew me away. I had no idea that I could still play saxophone. I assumed I couldn't play it, I couldn't remember what notes they were. I picked it up and because I'd learnt 'Tequila' — that was the last song I'd played — I was like bam-bam ban-am-bam ban-a-nam and I was like "What the FUCK?". It was insane! Because there's other stuff as a kid I can't remember how to do, you know? Like cartwheels... Cartwheels, totally yeah. I used to be a really good drawer when I was a kid but I'm not that good at it any more. I used to be able to do a really good cat. Actually I still remember how to do it — it looks like Bubsy, which was a game on Super Nintendo. That's funny, I haven't thought about that in a long time. With your first EP you were kind of sleeping in the same space that you were recording. But this time you had your own space to record Built On Glass? Yeah, I rented a space in North Melbourne in the old meat market. It's an old cooling locker, so it's heritage-listed. It's through Arts House Victoria, so it's really cheap rent, it's cool... We have so much space and I just don't use it. I filled it with stuff and ended up putting myself in the smallest room. I rarely stand up when I'm recording music, most of the time I'm sitting on a chair. I can't remember the last time I stood up to record vocals. I lean into the microphone and I sit in front of the computer. I'll take, sing it, listen back and do it again until I get it right. Well, your voice has a lot of oomph and power behind it, which you usually need to stand up to reach. Well, on this record anyway. The EP was lighter I think, more breathy because I was in my garage. It had a tin roof and in the garage next door to me we had a neighbour. I would usually record late at night and I couldn't sing loud. Whereas on this record, because I have my own soundproof space, I could be there any hour of the night and play as loud as I want and not piss anyone off. So all the vocal tracks are like, full chest voice. I literally couldn't have done this album in the old garage because I couldn't sing that loud. https://youtube.com/watch?v=aP_-P_BS6KY Stylistically Built On Glass is very different, each song is quite unique even though they've got your unifying vocal. Some are hip hop influenced, some are ballads, some are almost house music. How do you find inspiration for each style? I've had this thing, like, all my life: I hate being put in a pigeonhole. More than anything, for some reason. I don't know why it annoys me so much. As soon as you label something you limit it. And I don't want to be limited. An album is usually very definitive, you know? That's the big thing, about making a 'statement' right? So my statement was I wanted to show almost every type of music that I like, because then if I did something like the slow, whatever people call it, "RnB crooner" — it makes me cringe when I hear that, it's gross — style, then I'd limit it. Because if I bring out another record that's like '1998', which I like just as much, people would go, "What the fuck is this?" So it was really important to me that I show the full breadth of all the things I like. Sounds like a good way to go for a debut album. Well that's the idea. Built On Glass as well, the whole "built" thing comes from like, building a career, building a future on a foundation stone of glass, which is fragile, it's honest, it's transparent — this is what I'm into, you know? And it was annoying me that people thought I only did soulful, slowed down tunes. There's even some house moments in there. Yeah, well 'Cigarettes and Loneliness" is 135BPM. That is not soul music. It's hard to pick a track off your debut album, but do you have a particular song you're especially proud of? 'Cigarettes and Loneliness' I think. I mean, they all have their own reason I like them. 'Gold' is the first song I ever played bass on and it's just one note the whole time. I didn't know how to play the bass, so I bought a bass. What I wanted to do was a descending bassline but I couldn't play that properly. But then 'Release Your Problems', which is the first track, I played the bass on that. First bassline I ever really wrote. '1998': house track — I always wanted to put out a house track. 'Cigarettes and Loneliness' is the longest song I've ever done, it's the most honest song I've ever done. The chorus has no drums, it's just two guitar parts and vocals. The song's like eight minutes long and it's 135BPM which is just super fast. You couldn't even play that in a DJ set, it'd freak people out. It's been two years since your first EP Thinking in Textures came out, since then you've won awards, worked with Flume, supported big names, had your song in a Super Bowl ad... Yeah, I always forget about that until people bring it up. That's like the least real thing that's ever happened to me. That's like, really? Was I really in a Super Bowl ad? It's like the childhood memories that you're not really sure if you made it up or it actually happened. https://youtube.com/watch?v=vUsxibgWMs4 You've been touring on and off for about two years, what's one of the most memorable performances you've done? Well, there's different ones for different reasons — there's good ones and then there's like, bad ones. Touring with Bonobo was awesome. I've got mad respect for him. He just texted me the other day, he was like, "What are you doing? You wanna go get a drink?" For a second I had to be like, that's fuckin' Bonobo texting me. That was pretty weird, I had to pinch myself. That tour was cool, I think this tour in June's also going to be heaps of fun. And you toured with Flume as well. Toured with Flume, yeah that was good. Ah... it was alright. They were just like, munted kids who weren't listening. But actually it was fun playing with Flume, because I'd get up and sing with him, that was shitloads of fun. So I crowdsurfed — and you don't crowdsurf to my music. I never had. So that was a lot of fun, stagediving. Did they bring you back to the stage? Yeah, I mean sometimes you get taken away. Here's a lesson for anyone who's going to stagedive: take off any jewellery or hats, people literally rip stuff off you. And I got like, mouth raped at one of those shows on that Flume tour. I don't know if it was a boy or a girl, someone just grabbed my head upside down and did like a Spiderman tongue dash. I was like, woah. By the time I looked, I was somewhere else. It was kind of funny though, but it was an all ages show so its just a bit like... yeeech. https://youtube.com/watch?v=6vopR3ys8Kw If you could tour with anyone in the world, who would it be? Bonobo was pretty up there. Music style-wise, I feel like it's pretty similar. I always looked up to him, awesome crew and band, they really inspired me. Like, some people just aren't as… Just because you love someone's music doesn't mean you like them personally and that was a big lesson for me. And most people won't know that. You know, most people who like my music will assume that them and I would get along perfectly but I'm certain there are people I wouldn't get along with. It's like the same with anyone. So I've met lots of people, I mean, Bonobo, he's as nice as his music is, he's a gentleman. But there's other people I've met that I really liked, I was like, you... are... you are a dickhead. So you've got this rather epic tour coming up, how do you prepare and keep healthy on tour? Are there any tricks? Totally, you have to look after yourself. I do. I actually don't know how some people party on tour all the time. It's not sustainable, like, you just get totally bummed out. Some people can do it though. Some people just figure out this like, route in their brain to not come down from partying. They just party forever. Like DJs, those dudes kill it. I don't know, I couldn't do that. Do you get actual sleep on tour? No. Well, yes if I try and sleep and eat well, but that's not really an option either. It's this weird balance because some people just think you're difficult if you're like "I need celery and gluten free food backstage." They're like, "Geez, this guy's a douchebag." But if you're having a hot dog every night for three months, you start to feel really crappy about yourself. But running is good, I try and go for a run every morning. It's just habit, which is easy to do on tour because it's easier to create new habits in a new environment than one that has existing habits. Do you write on tour? You were saying you write and record at the same time. I can't. I'm trying to at the moment; I'm trying to get a little studio built up. But I really like having a space, but that's not really an option any more when you're touring so much. So I'm getting this little case made up with like, a microphone and a laptop. Harley's so good at it, Flume, he's always working on a track. I can do it, it's just like a habit. I'm trying to start doing that more. It's going to be cool for you to play in Melbourne and show off your debut album to home. Yeah, totally and I don't think I've ever played a good show in my home town. I keep fucking it up. I mean it's my friends there, that's why. I played a bunch of festivals — I mean I think as far as my friends are concerned I suck live, because I keep messing it up for my friends in Melbourne — like, at Laneway I played a bad show, I messed up Meredith and Golden Plains. I had technical problems — I had a broken foot. It's like I'm jinxed in my home town but this tour will be fine, sooner or later I'll do it. Tour Dates: Tickets on sale Tuesday 22 April 9AM local time Thu 12 June – The Wool Exchange, Geelong $35 +BF. Tickets from Oztix. Friday 13 June – Forum Theatre, Melbourne $35 +BF. Tickets from The Forum Box Office, Ticketmaster. Thu 19 June – Astor Theatre, Perth $35 +BF. Tickets from Astor Box Office. Sat 21 June – The Tivoli, Brisbane $35 +BF. Tickets from Ticketmaster. Sun 22 June – Lake Kawana Community Centre, Sunshine Coast $35 +BF. Tickets from Box Office. Tue 24 June – Glasshouse Theatre, Port Macquarie $35 +BF. Tickets from the Glasshouse Box Office. Wed 25 June – Civic Theatre, Newcastle $35 +BF. Tickets from Box Office and Ticketek. Fri 27 June – Enmore Theatre, Sydney $35 +BF Tickets from Enmore Theatre Box Office and Ticketek Sat 28 June – Anita's Theatre, Wollongong $35 +BF. Tickets from Ticketmaster. Thu 3 July – HQ, Adelaide $35 +BF. Tickets from Moshtix and Oztix. Sat 5 July - The Odean, Hobart $40 +BF. Tickets from Ticketmaster and Ruffcut Records.
Addams Family fans, it's time to get a witch's shawl on and a broomstick you can crawl on, because Netflix — and Tim Burton — are gonna pay a call on popular culture's most famous supernatural brood. Come November, the streaming platform will release Wednesday, the high school-set series about the eerie family's teenage daughter. And, in a way, there's more than one Wednesday on offer. To answer the obvious question, yes, the show will drop on a Wednesday: Wednesday, November 23, in fact. To answer your next two queries, yes, Christina Ricci is among the cast — but no, she isn't playing the titular role, because that honour goes to Jenna Ortega. Ortega is having quite the year, especially when it comes to horror. This new take on The Addams Family follows her roles in Scream, Studio 666 and X already in 2022. When she shares the screen with Ricci, as seen in the just-dropped new Wednesday trailer, the latter plays Nevermore Academy teacher Marilyn Thornill. As also shown in the initial teaser trailer from back in August, Wednesday obviously focuses on its namesake — aka the Addams' eldest child, who plenty of teenage girls with long black hair have been compared to for decades. Wednesday is indeed a teen in the new series, and she has been terrorising her way through schools, hopping through eight of them in five years. Now she's ended up at Nevermore Academy, where her mother introduces her with an apology: "please excuse Wednesday, she's allergic to colour". Morticia (Catherine Zeta-Jones, Prodigal Son) actually met Gomez (Luis Guzmán, Hightown) at the school, and they think that she'll love it — but clearly Wednesday's storyline isn't going to be that straightforward. While she's there, she'll have a monstrous killing spree to stop, and a supernatural mystery linked to her parents a quarter-century ago to solve. Sleuthing, high-school antics and all things Addams Family: that's the spell that Wednesday plans to cast. Also part of the series, as seen in the sneak peeks so far: a creepy, kooky, mysterious and spooky vibe, as befitting a family that has been around for 84 years now, and just keeps scampering around screens big and small like a mischievous severed limb. Wednesday treads in huge footsteps, given that this isn't the first time that The Addams Family has made the leap from a beloved cartoon in The New Yorker to the screen. The 1960s TV series is a gem of the era, and 1991's live-action film The Addams Family and its 1993 sequel Addams Family Values — starring Ricci as Wednesday — are two of the best movies of that decade. (The less said about the recent animated flick and its own follow-up, however, the better.) In Burton, the show boasts a director who could easily be one of the altogether-ooky crew's long-lost relatives, and has spent his entire career channelling their gothic aesthetic. In fact, the trailers look like Burton is filtering his Frankenweenie, Beetlejuice and Edward Scissorhands vibes through Miss Peregrine's Home for Peculiar Children — so, it looks exactly like a Tim Burton-directed version of The Addams Family was always going to. Netflix's eight-part series also stars Isaac Ordonez (A Wrinkle in Time) as Pugsley and George Burcea (Comrade Detective) as Lurch, while Game of Thrones' Gwendoline Christie is also set to pop up. And, in the latest trailer, the new Uncle Fester is revealed — as played by Fred Armisen (Los Espookys). Check out the full trailer for Wednesday below: Wednesday will stream via Netflix from Wednesday, November 23. Images: Courtesy of Netflix © 2022.
Set in the backstreets of suburban Brisbane, Trent Dalton's award-winning 2018 novel Boy Swallows Universe is destined to become an Aussie classic. It follows a young boy, his prophetic brother and his jailbreaking best friend as they navigate the heroin-filled underworld of 80s Queensland. And it's about to come to life on the stage. In September 2020, the stage version of the novel will world premiere in Brisbane. It'll be a co-production between Queensland Theatre and Brisbane Festival, with the former's Artistic Director Sam Strong directing the adaptation, which will be written by playwright Tim McGarry. Brisbane-born author Dalton said in a statement it was only fitting that the stage show should premiere in his hometown, "It was the people of Brisbane who took that wild, strange book and ran with it first and that book belongs to them now and this production will belong to them, too." It has not yet been revealed if the stage show will then travel to interstate theatres, but we'll keep our fingers crossed — and let you know if it does. Boy Swallows Universe has snagged a slew of local awards, including Book of the Year, Literary Book of the Year and Audio Book of the Year at the 2019 Australian Book Industry Awards. The novel, which has sold 160,000 copies in Australia alone, has also been longlisted for Australia's most prestigious literature prize, the Miles Franklin Award. The winners will be announced on July 30. Fans of the novel will be excited to hear that it won't stop at the stage, either — Boy Swallows Universe is also destined for the small screen. Last week, it was announced that Harper Collins had sold the television rights to the novel, with Australian actor and director Joel Edgerton (who recently wrote, directed and produced Boy Erased) set to produce the show alongside Dalton as executive producer. Boy Swallows Universe will world premiere in Brisbane in September 2020 as part of Brisbane Festival. You can sign-up to receive updates from Queensland Theatre here. Top image: Trent Dalton and Sam Strong by Luke Marsden.
Forget socks and jocks this holiday season. This year it's all about experiences. So why not give the gift of local travel and send your friends and family on an enviable journey that sets them up for a stellar 2022? Plus, you'll be helping Australia's tourism industry get back on its feet. It's a win-win. If you know someone who's itching to reunite with big adventure travel experiences, you can stock up on multi-day hike vouchers or surprise them with a whale shark swimming adventure. In partnership with Tourism Australia, we've pulled together a list of thrilling experiences to help you pick the perfect present for the adrenaline seeker in your life.
Delicate jewellery and nostalgia-tinged womenswear is the department of designer Naomi Murrell, who works out of her studio in Adelaide. While her clothes are sold nationwide and have been featured in the pages of Frankie, Yen and Marie Claire, Naomi is a champion for her hometown and its vibrant, growing design and maker scene. In partnership with Pullman Hotels and Resorts, we're helping you explore more on your next holiday and make sure you get those experiences that the area's most switched-on residents wouldn't want their visitors to miss. In Adelaide, we've called in Naomi, whose favourite spots range from an artist-driven tattoo studio to a new retail and event space run by an indie rock power couple. A stay at Pullman Adelaide will not only put you in the thick of all this action, it will let you contemplate all you've seen in five-star luxury at the end of the day. Read on for Naomi's top Adelaide art and design hot spots in her own words, and check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. NAOMI MURRELL Of course I'm biased, but our store is definitely the go if you're looking for a fun outfit or gift. We design minimal, on point yet irrepressibly playful womenswear and fine jewellery. Situated on a relaxed laneway in Adelaide's East End, we stock Naomi Murrell alongside a curated selection of awesome designer pieces including Kowtow, Vege Threads, Kester Black, Spring Court, Bonne Maison, W Pico and Julie White. ENSEMBLE Located on Gilles Street in the city, Ensemble is a collective of like-minded creatives on a mission to bring you beautiful, timeless, style-driven pieces and experiences. These gals have got you covered for hip sustainable threads by Good Studios (Anny Duff), organic bedding and loungewear by Weft Textiles (Samia Fisher), artisan footwear by BB Shoemaker (Beccy Bromilow), E-S-T (Emma Sadie Thomson) greenery and other bits and pieces of handmade designer awesomeness. Look out for pop-up art shows, creative workshops and yoga classes in their gallery space as well. AGOSTINO & BROWN Hidden down an undiscovered city laneway, this spacious warehouse furniture showroom housing the work of Sam Agostino (designer) and Gareth Brown (stellar furniture craftsman) is a very inviting place. Stunning modern, playful pieces with pops of colour and loads of timber await — all finished with impeccable quality. Pieces are made locally in their workshop and many styles are customisable for your own interior space, whether it is residential or commercial. These guys are at the top of many an Adelaide designer and architect wishlist. Agostino & Brown pieces feature in the interiors of both our shop and studio. CULT AND HARPER A new venture by an indie rockstar couple — visual artist Lisa King and musician Jarrad Jackson — Cult and Harper is many things: a retail store, a gallery, a cyclorama photo studio, a bar and event space, and a home to art and DJ types. It is 450 square metres of art, fashion and culture coming at you with a New York-inspired street art vibe. Giant fashion-influenced murals by Lisa collide with posters of Basquiat and Warhol, Keith Haring-esque murals, loads of neon, crimson velvet shell couches and a rad collection of vintage brass furniture. PUSH PIN BOUTIQUE Push Pin Boutique is a darling vintage store housed in the prettiest rustic old building right near the Adelaide Central Markets. It specialises in 1950s-era frocks but also stocks froth-worthy garments, footwear and accessories from the 1940s to 1980s in a great selection of sizes for contemporary women. Owner Clare Matthews has wonderful taste, and the pieces she curates are always perfect for pairing with current trends, whether it's a '70s denim button-through skirt, a white mohair sweater or a camel-coloured French trench. You can always find that special something to add to your collection here. JAMFACTORY A unique not-for-profit organisation housing ceramics, glass, furniture and metal design studios, plus a gallery and design store, JamFactory is dedicated to providing the skills and business training in craft and design to emerging practitioners through a rigorous two-year program. The gallery and store showcases quality contemporary Australian design wares, including works by respected local designers such as Daniel To and Emma Aiston of Daniel Emma, Alice Potter, Sarah Rothe and Peta Kruger. Well worth a look-see! AFRICOLA Strictly speaking, Africola is a restaurant. A very good one. But with an interior fit out designed by James Brown and the gang at Mash, it's more like an intimate gathering at the home of an idiosyncratic art dealer. A dizzying confection of colour, canvases, tiling, lighting and kitsch furniture is all squished together in one amazing experience that will get your tastebuds — and, in fact, all your senses — buzzing. The words emblazoned above the bar, 'Don't Worry It's Only a Dream', serve as reassurance that you are (probably) not tripping and as encouragement to relax and enjoy this culinary wonderland. HUGO MICHELL GALLERY Hugo Michell in Beulah Park is hands down the most refreshing contemporary gallery in town. These guys show a fantastic selection of art by the likes of Miso, Ghostpatrol, Amy Joy Watson, Trente Parke and Lucas Grogan, to name just a few of my personal favourite exhibitions. Hugo has an eye for curating engaging, visually arresting and often very beautiful art shows with an exciting roster of local and interstate professional artists, all at the top of their game. TREADLY BIKE SHOP Treadly is the place to go if you want to build a bike, service a bike, or buy a bike or accessory, if you ride a bike or just wanna talk bike. Sam Neeft and his team of cycling aficionados and mechanics are down to earth, helpful and very enthusiastic about helping anyone with pretty much anything bike related. They also organise fun events such as the Boucle de Burbs and other adventures to encourage the cycling community to hang out and go riding together. And they do it in style with some very attractive bicycles. XO L'AVANT @ THE MILL XO L'Avant is an artist-driven contemporary tattoo studio, run by the loveliest crew ever at The Mill (a CBD co-working space also home to many other talented creative types). Founded by the talented Jaya Suartika (@jayaism), and featuring other resident artists such as Kyle Woodman (@yeahdope), Alex Harris (@folkandpoke) and Nadia Suartika (@__nadika__), the diverse range of illustrative styles on offer are original, amusing, delicate and always on point. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
Let's face it, gift giving is hard. Some people are crazy good at it and others, not so much. But wherever you fall on the spectrum, one thing we can all agree on is that personalised gifts always go down a treat. They are thoughtful, functional and oh so beautiful, making them ideal for a special someone who made your year better. This could be the friend who was your rock during lockdowns, the family member you haven't seen all year or maybe it's the partner who gets you knockout gifts every single Christmas. Yes, something customised will take a bit more planning, but that's kinda the point — you want a gift that show's you went that extra mile, because they're worth it. In partnership with Archie Rose and its new Tailored Spirits range, we've come up with six personalised gifts that'll blow your mum, mate or date away this holiday season. TAILORED SPIRITS FROM ARCHIE ROSE Award-winning Sydney distillery Archie Rose takes personalisation to a whole new level with its Tailored Spirits range, which allows you to craft the perfect nip for your fave vodka, gin or cocktail drinker. Not only can you customise the label for your lucky giftee, but you also get to decide on the tipple's botanicals and the potency of each ingredient to completely suit their taste. Once you decide on the label design and flavours via the user-friendly interface, the team will start blending the individually distilled botanicals into a beautifully designed bottle before sending it on its way. The hardest part of the whole process will be not spilling the beans on what you got them. FRAGRANCE DISCOVERY SET FROM LE LABO There are few things more personal than a scent. So, when it comes to gifting, getting it wrong is a big no-no — but no pressure or anything. Le Labo is known for its fine, hand-blended fragrances, which can also come with custom-printed labels and engravings. Can't narrow it down to just one? The Discovery Set features the brand's entire classic range in a 17-strong sample box, so there's bound to be at least a couple of scents they'll like. Once they decide on which one tickles their fancy, there's a gift voucher for them to purchase a 100ml bottle of their new chosen scent. PERSONALISED NOTEBOOK FROM PAPIER Got a special someone who likes jotting down their thoughts and feelings? Perhaps they're planning on doing a course next year which requires journaling or maybe they're one of those people who just loves making to-do lists (we've all got one). Whatever their needs, Papier's gorgeous stationery designs are made even more unique with the ability to customise them with whatever text you like. Add your giftee's name to the front of their new notebook, or include a funny quote you know they'll appreciate on a 2022 planner. BESPOKE PHONE CASE FROM THE DAILY EDITED Whether your gift receiver is a serial selfie taker, a tech-thusiast or a butterfingers who perpetually has cracks in their phone screen, having a nice phone case is an essential accessory. Connoisseurs of all things personalised, The Daily Edited makes a range of bespoke phone cases that suit just about any aesthetic, from eye-catching patterns comprising their initials to designs that showcase their pride. All you have to do is (subtly) find out what kind of phone they have, take a guess at what colour will suit their style and wait for The Daily Edited to weave its magic. PERSONALISED GOLF GOLVES FROM MR GOLF Know someone who has gotten really into golf in the past couple of years? This is the pressie for them. Made from premium Cabretta leather, these sturdy gloves from Mr Golf can be customised with your favourite golfer's initials — so even if they've spent the day hacking up the green, they can still feel like a pro. As well as a range of colours, you can also pick on which hand to stamp their initials depending on whether they're left-handed or right-handed. They might not make them any better at golf, but at least they'll look good. CUSTOM LUGGAGE BY JULY While we're all itching to get on a plane, some of us already have one foot out the door — and for these people, nothing says bon voyage better than a personalised trunk. July makes a range of beautiful and customisable suitcases, including trunks, backpacks, carryalls and accessories. But to go the extra mile, gift them a polished, hard-shell suitcase with a classic design and old-school latches. Customisation goes further here with ultra-cool fonts (or emojis) which are guaranteed to never rub off. The biggest upside of a personalised trunk? There's no chance of accidentally picking up someone else's bag on the airport carousel. Give someone a gift that's truly theirs this Christmas with Archie Rose Tailored Spirits. For more information, head to the website. Top image: Archie Rose
We know there can be a silly amount of pressure to do something on New Year’s Eve, and let’s face it, some of you just don’t give a flying fig about another year ticking over. But that's no excuse for not taking full advantage of a perfectly good public holiday, and so we've perused our soon-to-be-hungover city and found the best New Year's Day parties Melbourne has to offer. Get 2015 off to a great start with great music, delicious drinks and tasty treats. LET THEM EAT CAKE If you're citybound and missing out on New Year's Eve festivals like Falls and Beyond The Valley this year, don't fret. Let Them Eat Cake is your inner city solution to satisfy those festival urges. Held for one day only at Werribee Park, LTEC is not only great for the music, but also plays host to installation art, openair exhibitions and some killer foodie offerings. But back to the music, this year's lineup includes the likes of Hudson Mohawke, Todd Terje, Cashmere Cat, Carl Craig and many others. Have your cake and eat it too guys, you've earned it this year. Werribee Park, 11am – 10.30pm ANIMALS DANCING The Animals Dancing collective are responsible for some of Melbourne’s best club nights out, so it makes total sense they'd be throwing an excellent day rave for New Year's Day. This is their fourth NYD party, so rest assured you're in safe hands when it comes to all-day partying. The lineup includes the hugely influential DJ Alfredo, Maxmillian Dunbar (one half of Beautiful Swimmers), the Australian debut for Pender Street Steppers, and Glaswegian Scott Fraser Tornado Wallace, Otologic and Andee Frost will be supporting, so get down to South Wharf and get your dance on. Mycelium Studios, 255 Johnston Street, Abbotsford; 2 - 11pm DEFECTED IN THE HOUSE UK label Defected Records throw epic dance parties worldwide all year round. This time around, Melbourne is the target; with Defected In The House set for New Year's Day. International DJs Oliver Dollar, Franky Rizardo, Sonny Fodera and Crazy P are among the special guests, as well as supports from Simon Digby, Steve Bleas, APAP and more. Considering Defected In The House hosts regular nights at London's Ministry of Sound, Singapore's Zouk and Pacha in Ibiza, if House music is your thing you couldn't get 2015 off to a better start. Peninsula, Shed 14 Central Pier, 161 Harbour Esplanade, Docklands; 3pm - 1am ST KILDA SEA BATHS Ain't no party like a New Year's Day beach party, especially when three venues come together to put on an epic bash. Captain Baxter, Encore and the Sea Baths Rooftop are all joining forces for a day of music, food and festivities. Full cocktail bar and restaurant facilities will be available in Captain Baxter and Encore, and there will be complimentary canapés from 1pm-3pm. International acts for the day includes DJ Spen, Poolside, James Curd, as well as local players Prequel, DJ Peril and Anyo also on the bill. 10-18 Jacka Boulevard, St Kilda; 1-11pm DERRICK CARTER AT NEW GUERNICA Chicago house DJ Derrick Carter will be bringing his legendary skills to New Guernica for New Year's Day, and we’re pretty pumped. This one may be a little more ideal for those who plan to party on NYE as well, seeing as the event doesn't kick off until 6pm. The evening will start with a laneway party of sorts in Chuckle Park, with DJs cranking and food available for those who need to build some strength before dancing all night. As well as general admission tickets there are also drink packages available for the organised, so if you're keen to kick off 2015 in a fairly colossal way, check it out. New Guernica, 2/322 Little Collins Street, Melbourne; 6pm Top image credit: Kim Bost via photopin cc.
When it happened, the global financial crisis wasn't funny, and frankly it still isn't. That The Big Short manages to find humour amidst the ruins is a credit to writer-director Adam McKay — even if it is a very different brand from his usual shtick, seen in Will Ferrell flicks Anchorman, Step Brothers and The Other Guys. "What else can we do but laugh?", the film asks, tell-it-like-it-is style. It's a brand of humour informed by outrage: horrified at what happened, determined to explain it and furious that little has changed. That air of impassioned incredulity suits the facts the feature concerns itself with, namely the bubble in the U.S. housing and mortgage market that very few people saw coming. It also suits the source material, a non-fiction book of the same name by Moneyball author Michael Lewis. If you're still not certain how such a film could garner laughs, that's understandable. In telling a true tale that still inspires disbelief — and sifts through some complex economic concepts in the process — The Big Short benefits from McKay's savvy stylistic choices. Accordingly, when viewers meet the rare folks who thought something was wrong prior to 2008, they're not just following a straightforward narrative. Rather, they're switching between larger-than-life players, and listening to knowing narration by Ryan Gosling in character. In between, celebrities playing themselves help break down the complicated economic jargon, while the audience is given a glimpse of society's obsession with wealth and excess through rapid, infomercial-like montages. Taken together, it paints a slick, cynical, at times farcical picture, though the details themselves remain potent. Dr Michael Burry (Christian Bale) first notices the potential for the bubble to burst and decides to bet against the market by buying credit default swaps, something that money-hungry bankers had to create because no one had asked for anything like them before. Deutsche Bank trader Jared Vennett (Ryan Gosling) starts shopping around the same products, convincing crusading hedge fund manager Mark Baum (Steve Carrell) that a collapse is imminent. Meanwhile, up-and-comers Charlie Geller (John Magaro) and Jamie Shipley (Finn Wittrock) are trying to move their garage-operated fund into the big leagues when they get wind of the situation. As the characters wait for the market to topple over, McKay delves into the shady practices that brought about such a precarious scenario. His sly tone and smart approach to the topic lays the circumstances bare in accessible terms, while making his anger perfectly clear. It's the closest a film can get to simultaneously educating, entertaining and shouting at its audience, and it makes for highly compelling viewing. The high-profile cast — which also includes Brad Pitt as a retired banker pal of Charlie and Jamie — are further weapons in McKay's arsenal. In fact, so skilled are their efforts that you might not grasp the movie's biggest joke until the end. Burry, Vennett, Baum and company might be the film's protagonists, but they're just as immersed in the fiscal mess as everyone else. In a situation where there can be no winners, they're the sympathetic parties only because they know that that's the case.
Writers' festivals are getting more and more 'with it' these days. People wear shirts with hashtags on them, you're encouraged to live-tweet questions for authors on panels, and the events are no longer held at local library reading rooms, but cool back-alley warehouse spaces. The kind of place where everyone's wearing black-rimmed glasses and talking about Tao Lin. All this is old news now however, as the Emerging Writers' Festival has just announced the creation of the world's first exclusively online writers' festival to take place in February 2014. While writers' festivals once lamented the damning effects of the internet and digital technology on the written word, the Digital Writers' Festival will be a 12-day celebration of it. Digital publishing, eBooks, alt lit, fan fic, webcams and Twitterbots — the publishing industry and the nature of writing itself has transformed dramatically in even the past few years, and DWF is going to be a dedicated space in which to examine it. This also has a huge impact on accessibility. Do you live in the Northern Territory and always feel jealous when you see pictures of the Melbourne Writers' Festival? Maybe you live in Melbourne, but never felt quite cool enough to head along to the events. Perhaps you tried, but got lost looking for the event down a laneway? The DWF will be the first truly accessible festival for a vast array of people all over country, and more than that, the world. Admittedly it could all be a little confusing though. We talked to the new DWF Director, Connor Tomas O'Brien about what the festival will be and how it will all work. We talked on Twitter because that's what the cool kids do now, right? Right? The full DWF program of events and artists will be released in January 2014.
It has been three short months since Banksy pulled what might be the artist's greatest prank yet — ripping one of his own paintings to shreds the very moment it was sold at auction. If you've watched the artist's extended behind-the-scenes video and still just can't get enough of the stunt, that's understandable. Soon, you'll also be able to see the torn piece with your own eyes, with the artwork going on display to the public for the first time. Originally titled Girl with Balloon and now known as Love is in the Bin, the painting will be exhibited at Museum Frieder Burda in Baden-Baden, Germany, from Tuesday, February 5 to Monday, March 3. Anyone that finds themselves in the European town, which is located in the Germany's Black Forest right near the country's border with France, will be able to cast their eyes over the piece for free. Given Banksy's focus on making art available to everyone, the museum's approach aligns those of the art trickster. It's "designed to allow as many visitors as possible to see the picture," the exhibition website notes. Museum Frieder Burda will also host a symposium about Banksy to put his work and creative strategies into context. It's the latest chapter for a stunt that has sparked plenty of chatter both in the art world and in general since October, when the artwork self-destructed as the hammer fell on the winning bid at London's Sotheby's auction house. As the painting was disintegrating, the collector behind the successful bid was buying it for £860,000 (AU$1.6 million). If Banksy's prank had gone according to plan, only torn strips of the painting would remain — and that's all that'd be able to be placed on show. In the nearly three-minute clip Shred the Love: The Director's Cut, which was posted on artist's website, Banksy reveals that the entire painting was supposed to be cut to pieces. "In rehearsals it worked every time," the video notes. https://www.youtube.com/watch?v=vxkwRNIZgdY In the immediate aftermath of the October 5 prank, Banksy also released a video — showing a shredder being secretly built into the artwork, with an explanation that this was done a few years ago "in case it was ever put up for auction". Sotheby's has repeatedly advised that it had no knowledge of the prank before it happened. "It appears we just got Banksy-ed," Alex Branczik, head of contemporary art for Europe, told The Art Newspaper. Love is in the Bin will be on display at Museum Frieder Burda in Baden-Baden, Germany, from Tuesday, February 5 to Monday, March 3. Images: Olga Rozenbajgier, The Art of Banksy / Banksy.
A new exhibition coming to Melbourne in September will shine a light on the one and only Kylie Minogue. On display at the Arts Centre from late September until the end of January, Kylie on Stage will celebrate the popstar's illustrious career as a singer and performer, featuring costumes from more than a quarter-century of spectacular shows. The free exhibition will include frocks from as early as 1989's Disco in Dreams tour, and spans all the way up to last year's Kylie Kiss Me Once. The list of designers and fashion houses that've teamed-up with Kylie over the years includes Mark Burnett, John Galliano, Dolce & Gabbana and John Paul Gaultier — all of whose work you had better believe will make an appearance in the exhibition. In addition to the clothes themselves, the exhibition will feature designs, sketches, work drawings and photographs, as well as behind the scenes footage that charts the development of each costume.
A lot can happen in 18 days. Relationships can crumble, local football teams can try to break the mould and huge celebratory balls can be held. If you're an avid cinephile, you've probably spotted the connection — they're what this year's Melbourne International Film Festival opening, centrepiece and closing flicks were all about. With the city's annual celebration of cinema taking over the town between August 2 and 19, film buffs also witnessed everything from zombie invasions and giant rock-climbing feats to unlikely heists and high-stakes rap battles. And Italian crime waves, pioneering female rockers and tense murder cases, too. Plus, they did so from the comfort of their cinema seats (although seasoned MIFF-goers will tell you that some chairs are more comfortable than others). From all of that and more, Concrete Playground film critics Sarah Ward and Tom Clift went, watched and came up with a wealth of highlights — movies that, if you didn't see them yourself, you should definitely pop on your must-see list. Many are downright wonderful. Others are weird in a heap of ways. Some couldn't be more surprising. And a few particularly ace flicks hit all three categories. BEST https://www.youtube.com/watch?v=hCF5Y8dQpR4 FIRST REFORMED Ethan Hawke featured in four films in the 2018 MIFF program, and directed one of them. That's an impressive haul; however, only one of the above movies ranks among the highlights not only of his year, but his career. In First Reformed, the actor is at his devastating best as a lonely pastor grappling with the complexities of faith as one of his parishioners (Amanda Seyfried) asks for his help — and as his health woes and his general malaise escalate. With the intensity that's made him such a compelling screen presence for decades now, Hawke wears his character's growing uncertainty and unhappiness like a weathered second skin, one that hasn't felt a warm embrace for some time. He also hits every nuanced, delicate note in Paul Schrader's screenplay, which might just mark the writer/director's weightiest, most sombre and still most daring effort on a resume that includes scripting Taxi Driver, Raging Bull and The Last Temptation of Christ. — Sarah Ward https://www.youtube.com/watch?v=uRF290gedLs SORRY ANGEL At last year's MIFF, BPM (Beats Per Minute) broke hearts and burrowed into souls with its depiction of 1990s Paris — a time when queer men loved passionately and fought proudly for their place in the world, but always found their existence lingering under a cloud. Consider Christophe Honoré's Sorry Angel not quite its successor, but its dance partner, with the two films sashaying through similar space while unleashing their own moves. Here, writer Jacques (Pierre Deladonchamps) meets student Arthur (Vincent Lacoste), and as a bond grows between them, the former's illness and the latter's idealism shape their relationship. Sublimely blue in its bittersweet mood and its exacting colour scheme, the end result is a layered, almost novel-like, always tender and touching study of life and love. — SW https://www.youtube.com/watch?v=efz1ESCpcLo TIGERS ARE NOT AFRAID An enchanting and empathetic debut from writer/director Issa López, Tigers Are Not Afraid tackles a familiar topic in an imaginative manner, seeing the Mexican drug war through the eyes of the children it leaves orphaned. Ten-year-old Estrella (Paola Lara) is one of them, proving at a loss when her mother disappears at the hands of the local cartel, and banding up with a group of similarly abandoned boys in an effort to survive. More than that, however, she's driven to track down the men responsible for their misery — driven by ghostly whisperings from her mum. Spanish-language cinema is thrillingly filled with dark fairytales that unpack the ills of childhood, as Guillermo del Toro has demonstrated more than once, but López's effort is a worthy, moving and mesmerising addition to the fold; one that's as heartwarming as it is heartbreaking. — SW https://www.youtube.com/watch?v=QgE8e6QBtt0 BIRDS OF PASSAGE Drug warfare films sometimes feel like a dime a dozen, but this multigenerational crime saga couldn't be more distinctive. The latest feature from Embrace of the Serpent's Ciro Guerra — directing with producer, editor and first-time filmmaker Cristina Gallego — chronicles the choices and consequences when one of Colombia's indigenous Wayúu families wades into the illegal trafficking trade. And, it does so with the same ethnographic approach that shaped the helmers' previous effort; think strikingly vivid images that highlight traditional locations and costumes, plus a genuine desire to immerse viewers in a specific way of life that's rarely seen on screen. Following a cyclical battle for power and wealth that descends into death and bloodshed, it's a gorgeous gut-punch of a movie, almost like Gabriel García Márquez's One Hundred Years of Solitude tinted with bleakness and set in a unique gangster world. — SW https://www.youtube.com/watch?v=gCHx2m_hQc4 ACUTE MISFORTUNE On paper, it hardly sounds riveting: a young journalist profiles an acclaimed but controversial Australian artist. When Erik Jensen met Adam Cullen, it gave rise to a Sydney Morning Herald article, and then an offer to write a book — and now this astonishing, extraordinarily accomplished filmmaking debut from Thomas M. Wright. Even if you're familiar with both figures (the former is now the editor of The Saturday Paper; the latter won the Archibald prize and courted much attention before his death in 2012), nothing about Acute Misfortune sticks to the expected path. As excellent an Australian film as the country can claim in recent years, this is a fearless dissection of two men, their unconventional relationship, and the stories they both spun and starred in. It also features a powerhouse performance from Daniel Henshall as Cullen, who is as unnervingly, menacingly exceptional here as he was in Snowtown. — SW https://www.youtube.com/watch?v=r7TcFMkShpI APOSTASY In this intimate British drama, the titular term looms large over its three protagonists — a devoutly religious mother and the now-grown daughters she has brought up as Jehovah's Witnesses. There seems little chance that Ivanna (Siobhan Finneran) would ever abandon her faith, although two incidents test her devotion, and her family's: 18-year-old Alex's (Molly Wright) need for a blood transfusion, a procedure that's forbidden by their beliefs; and 21-year-old Luisa's (Sacha Parkinson) embrace of the secular world. Debut writer/director Daniel Kokotajlo was brought up in the church himself, and treads through this fraught territory with both authenticity and a no-holds-barred understanding of the complexities of the situation. Shot with clear-eyed naturalism befitting its premise, the film is also a showcase for its trio of actors, who each seethe with internalised conflict. — SW https://www.youtube.com/watch?v=2lqgxmq24qE SHOPLIFTERS Hirokazu Kore-eda has long been fascinated by questions of family. From Our Little Sister to Like Father, Like Son, the Japanese writer-director has probed and prodded at the indelible connection between siblings, spouses, parents and grandparents, crafting exquisite, often heart-wrenching dramas in the process. His latest film, Shoplifters, concerns an unconventional Tokyo family who must resort of petty theft in order to survive. We won't reveal where the story goes from there, but suffice it to say there's a good reason this funny, moving, quietly provocative film won the Palme d'Or at this year's Cannes Film Festival. — Tom Clift WEIRDEST https://www.youtube.com/watch?v=tKsZlwq19mE MANDY Two words: cheddar goblin. That'll make more sense once you've seen Mandy, and if it doesn't make you want to watch this out-there genre effort, then the movie mightn't be for you. Starring Nicolas Cage at his most Nicolas Cage-like, the film sees the inimitable star play a lumberjack happily in love with his titular partner (Andrea Riseborough) until a cult and their demonic demon bikers decide to snatch her up. Needless to say, things get strange, bloody and unhinged, with director Panos Cosmatos (Beyond the Black Rainbow) making an 80s-set mind-bender that would've even seemed excessive if it came out three decades ago. We mean that in the best possible manner, with everything from the feature's colour-saturated visuals, to its ferocious score, to Cage's glorious performance all hitting the mark — and, perhaps surprisingly, the movie's melancholy tone as well. — SW https://www.youtube.com/watch?list=PLZQfnFyelTBOQ15kmHSgEbdjzLMWzZpL7&v=DTvdgwQfewM KNIFE + HEART It's 1979. Someone is savagely murdering gay porn stars, all of whom work for successful, ruthless producer Anne (Vanessa Paradis). And, as she tries to keep making movies while her actors keep dropping like flies, she's coping with the end of her relationship with her editor. Kudos to writer/director Yann Gonzalez for Knife + Heart's exceptional premise, which also features films within films, creepy legends, spooky woods and rather inventive weapons. Still, it's his lurid execution that makes this a weird and wonderful delight. In his hands, nothing is too much — and we mean nothing. The end result is an assault on the senses that's as brutal as its slasher set-up and as theatrical as its campy tone. — SW https://www.youtube.com/watch?v=gNp0jlfbgqM CLIMAX How do you follow a divisive relationship drama full of gratuitous 3D sex scenes? If you're writer-director Gaspar Noe, with a mesmerising cocktail of carnage, music and sangria. A late addition to this year's Sydney Film Festival line-up, Climax takes place at a dance rehearsal after-party, where petty squabbles and personal baggage spin violently out of control when somebody spikes the punch. Those who are familiar with Noe's previous films such as Irreversible, Enter the Void and Love will recognise all of his trademarks: a pulsating soundtrack, floating camerawork and sequences of exhilarating beauty that make subsequent moments that much more disturbing. Love it or hate it, you certainly won't forget it in a hurry. — TC MOST UNEXPECTED https://www.youtube.com/watch?v=ZfCqeoIP0bY THE DESERTED Forget everything you think you know about virtual reality. With The Deserted, the medium reaches its most immersive, all thanks to Taiwanese filmmaker Tsai Ming-liang. If you've seen the director's previous features, such as Journey to the West and Stray Dogs, then you'll know that he's known for his slow cinematic approach and penchant for patient long takes — touches that couldn't be better suited for his first VR effort. Across 55 minutes, you'll inhabit the same space as a lonely man and the spirits of his mother and neighbour. You'll peer around crumbling buildings and earthy gardens, and you'll even sit in the bathtub with the film's protagonist, too. Thanks to all of the above, you'll float along with this ethereal, intricate treatise on isolation, and you'll devour every stunning sight and sound. More than that, you won't want it to end. — SW https://www.youtube.com/watch?v=2CDKr6n0KDE THE WORLD IS YOURS There are heist films, and there are heist films. The World Is Yours has earned comparisons to Guy Ritchie and Quentin Tarantino's work; however it's no mere derivative take on a well-worn genre. Instead, it's a splashy, stylish, skilfully executed and supremely entertaining effort in its own right, and a mighty fun time at the cinema. Perhaps best known for making music videos for M.I.A., Simian Mobile Disco, Kanye West and Jay-Z, and Jamie xx, French filmmaker Romain Gavras turns this account of small-time gangsters dreaming big into a cool, comic and confidently engaging caper that drips with energy and charm from start to finish. Veterans Isabelle Adjani and Vincent Cassel take to their roles with glee, but it's A Prophet's Karim Leklou who stands out among the movie's stars — playing the son of a seasoned grifter who just wants to pull one last job so he can sell icy poles in North Africa. — SW A final note: if you're wondering why some of this year's other excellent MIFF efforts aren't on our list, that's because we've already showered them with love. We were keen on The Green Fog, Profile, An Elephant Sitting Still, Transit, Museum and Aga at Berlinale, plus Leave No Trace, The Rider, Burning, Searching, Cold War, The Guilty and Tyrel at Sydney Film Festival. Then, we fell head-over-heels for Let the Corpses Tan, You Were Never Really Here, Caniba and Zama at Queensland Film Festival, and adored Angels Wear White, Skate Kitchen, Lean on Pete and Strange Colours before MIFF even started.
It's time to charge your glasses for some grape-based festivities, because one of Victoria's best-known winemaking regions just scored a brand new 10-day wine festival. The inaugural PULP fest descends on the Yarra Valley from Friday, November 11–Sunday, November 20, for an extended celebration of local winemaking goodness. Unfolding across multiple regional venues — and a few inner-city spots, too — PULP's jam-packed program is stuffed full of tasting parties, feasts, showcases, gigs and more, paying equal homage to the scene's legends and its emerging stars. [caption id="attachment_877737" align="alignnone" width="1920"] FIN Wines[/caption] Highlights include a rollicking 90s-themed party launching Rob Dolan's latest retro-leaning range (November 19), and a collaborative DJ-fuelled shindig by wineries Jayden Ong and Timo Mayer, featuring skinsy vino, barbecue eats and mezcal negronis (November 18). You can catch one of Chandon's sparkling-matched, out-of-the-box high teas; team wine tastings with tacos at a lively event at FIN's cellar door (November 12); or swing past your local Wine Republic store for a taste of all the Yarra Valley wines that should be on your radar (November 11–19). [caption id="attachment_877738" align="alignnone" width="1920"] Giant Steps[/caption]
The dazzling sights and insane aromas of Nepal's annual Holi festival of colour and love are coming to the Coburg Velodrome. For three days across March 23 to 25, Momo Fest will celebrate Nepalese culture, Nepalese music and — perhaps most importantly — Nepalese food. The free event will feature more than 30 different varieties of momo (that is, Nepalese dumpling), over three days with distinctive themes: momo dinner with movies, the main event and momo brunch. There'll also be live music across two different stages, including a performance by internationally acclaimed Nepalese folk band Kutumba. Entry into the event won't cost you a penny, but you should still register to ensure your entry. You're also encouraged to bring along a gold coin donation for the MIT Group Foundation's projects in Nepal, building schools and establishing hospitals in remote areas.
With the recent program launches of the Lido's rooftop cinema, Moonlight Cinema, Rooftop Cinema, Sunset Cinema et al, it's clear Melbourne's furiously enthusiastic love for cinema under the stars isn't waning anytime soon. And now QV Cinema has announced it too will be returning for the 2016-17 season. Usually the realm of hectic shopping sprees, QV Melbourne last year launched its own openair cinema, and it will return with summer screenings running every Thursday to Sunday night from November to February. It's an intimate 80-seat deckchair cinema on the astroturf outside the Queen Victoria Women's Centre, and the whole program is curated by Melbourne filmmaker and film programmer Gus Berger, who runs Red Hot Shorts at ACMI. Expect festive films in December (think Bad Santa, The Nightmare Before Christmas, Elf), an Australian film on Australia Day (The Sapphires), a focus on Melbourne independent films, alongside '80s favourites and selected special event films. There'll also be three dog-friendly Doggie + Deckchair screenings, starting with a doggy red carpet before Lady and the Tramp on December 10. All proceeds from ticket sales going to non-profit animal charity Lort Smith. With tickets at $12 (and $14 for the dog screenings) each, it's a pretty budget-friendly date option for the summer. Opening night is happening on Wednesday, November 30, and it's pretty fittingly fashion-themed with the Sex and the City movie (the first one, of course). Best bit? Opening night is completely free, you just have to register on the QV Cinema website. Then you can spend your pennies on a sea salt soft serve cone from Aqua S. The QV Outdoor Cinema will run from November 30 till February 26, 2017. To view the full program and buy tickets, visit qvcinema.com.au.
In the latest example of movie land crossing over into reality, a Japanese team has created a four-metre-tall Transformers-style robot that can switch between walking mode and vehicle mode in about a minute. The work of robot software company Asratec, a prototype of the J-deite RIDE robot was unveiled last week, and will be on show at the GoldenWeek DOKIDOKI Festa All Working Cars Assemble in Tokyo on May 5. The design is operated both by wireless network remote control and by a steering wheel in the cockpit, with two people able to ride inside at once. Asratec's unique V-Sido robot control systems allow the robot to transform from a driveable car to a walking humanoid giant, though clocking in at around 60 seconds, it's fair to say the process isn't quite as speedy as in the movies. A group called Sansei Technologies is now looking to develop the technology for 'robot-type amusement rides' — it sounds like transforming go-karts could be just around the corner.
You screamed for it, and now Lisa Valmorbida of Pidapipo Gelateria is giving you your goddamn ice cream, Melbourne. Maxing out demand at her wildly popular Carlton gelato shop, Valmorbida is moving south of the river and opening a second one on Chapel Street, Windsor today, Friday, April 8. A new Pidapipo was never going to open quietly, but they've made sure they'll throw open their doors to an absolute furore this afternoon — they're offering free gelato. Uh huh. They'll be giving out free scoops of the stuff to punters from 4pm, when they officially open the Windsor store. Our advice? Get there early. Pidapipo will join a whole cohort of Windsor noms, including Hawker Hall, Tokyo Tina and Gelato Messina, which just opened on the strip last year. So now you can have their insane out-of-this-world pistachio no matter what side of the city you're on. Pidapipo Windsor will open at 4pm on Friday, April 8 at 85 Chapel Street, Windsor. For more info, visit their Facebook page. Via Good Food.
Melbourne's famed floating bar has returned to the Yarra a lot earlier this year — instead of launching just before the start of summer, it has opened its doors today, Thursday, September 27 — just in time for the long weekend. And this time, it's bigger and better than ever before. Arbory Afloat, which made its debut in 2015, has reclaimed its prime position in front of on-shore sister venue Arbory Bar & Eatery on the Yarra. But this year it has gained a considerable extra 19 metres in length — that's on top of the 50 metres and 407-person capacity it had last year. The temporary bar and restaurant has again been designed by Lucienne Hemmingway of Curious by Design, and is inspired by train trips through the Cinque Terre, where the beaches and cliffs are surrounded by citrus and fig trees. And real citrus and fig trees you will find on the floating bar, nestled amongst lush garden beds, white furnishings and pops of green and orange. Chef Nick Bennett has again designed the menu, too, which is also inspired by the seaside villages on the Italian Riviera. A woodfired pizza oven, taking pride of place in the open kitchen, will be pumping out Neapolitan-style pizzas, including the Suina topped with buffalo mozzarella, porchetta and crackling, and the Lele with cime di rapa, prawns and chilli. You'll also find lots of seafood, pasta, light salads and sandwiches stuffed with cured meats and cheeses on the menu. Would it be a visit to seaside Italy without spritzes? We think not. And luckily, there'll be plenty. Blood orange and Aperol spritzes will be on tap, sitting pretty on the drinks menu alongside less-Italian cocktails such as piña coladas and watermelon sangria. Those wanting something simpler can choose from one of eight different G&Ts. Find Arbory Afloat at Flinders Landing. It's open from 11am–1am daily. Images: Simon Shiff
Take a kid or several, then add a skill to be mastered and a feat to be overcome. Next, paint the protagonists as underdogs, and show synchronicity between their efforts and the act of growing up. It worked in 1980s fantasies Labyrinth and The NeverEnding Story — and the adventures of The Goonies too. The approach trickled through the baseball-themed The Sandlot Kids and the hockey-centric The Mighty Ducks trilogy in the 1990s. Circa 2000s, the espionage antics of Spy Kids and the wizardry of the Harry Potter films followed the formula. Now comes the locally made Paper Planes, a feature for a new generation of childhoods yet one that feels ripped from all others that came before. As the title suggests, the age-old pastime of creating plane-like shapes out of paper provides the movie with its premise. In this activity that anyone can enjoy, one ordinary child finds a new ability, chases glory, and circles a solution to his adolescent problems. Yes, it is supposed to sound familiar. No, it is not supposed to be subtle. Twelve-year-old Dylan (Ed Oxenbould) is the Western Australian kid in the spotlight, often left to his own devices by his grieving father (Sam Worthington) and deemed different in his country class but soon anointed with the promise of something more. A simple schoolroom lesson unlocks his knack for folding and throwing paper planes, a talent his teacher (Peter Rowsthorn) encourages. With the help of a bully turned best pal (Julian Dennison) and his cheeky grandpa (Terry Norris), Dylan sets his sights on national and international championships. By design, the path plotted by writer/director Robert Connolly and co-scribe Steve Worland isn't difficult to discern. In his coming-of-age quest of trying to triumph in the paper plane arena, Dylan encounters an adversary (Nicholas Bakopoulos-Cooke) and makes a new friend (Ena Imai); however, being comfortable in his own skin and repairing the relationship with his dad are more important outcomes. With magical realism and hearty humour bubbling through the film in abundance, Paper Planes endeavours to offer the same joyful jaunt for all ages that helped fellow homegrown efforts Babe and Red Dog achieve success – and with the same penchant for striking backdrops and broad performances, too. Well-meaning cheesiness, as seen in repeated sequences of planes rocketing past outback landscapes, and earnest portrayals of stereotypical characters acting as expected (including brief appearances by Deborah Mailman and David Wenham) are what the feature is made of. Alas, it is nostalgia, not enchantment, that keeps Paper Planes flying, if never quite soaring. Think back to the feel-good movies of your youth, because Connolly obviously has. Simplicity, sweetness and sticking to the well-worn script are the main aims of his Australian fable, and ones attained with the biggest blast of old-fashioned exuberance the filmmaker – and the film – can muster.
Originally scheduled to run in April as part of the now postponed Wominjeka Festival's tenth anniversary edition, this thought-provoking exhibition will instead kick off from Tuesday, August 4. As with all of the festival's parties, workshops and events, Blak to the Future III is a project helmed by First Nations peoples — this one's been put together by artist and curator Rosie Kalina. Showing for free at the Footscray Community Arts Centre's Roslyn Smorgon Gallery, the exhibition features works from a dynamic group of young creatives, offering a collective peek at a decolonised Aussie future. Emerging Indigenous talent including Soju Gang, Kyle Taylor, Caleb Thaiday, Tre Turner and Kalina herself deliver a broad mix of visual art works and textile pieces designed to get you thinking. And don't miss the sprawling collaborative mural, which is set to take pride of place within the exhibition space. Image: Gianna Rizzo
Generations of Australian artists and comedians have spun parochial gold out of Queensland’s reputation as our country’s 'Deep North'. Queensland’s sub-tropical atmosphere might have suited a state with fertile ground for corruption, but Brisbane also played host to a thrilling punk music scene, which flourished in spite of the conservative repression presided over by Premier Joh Bjelke-Petersen from 1968-1987. During that time the city gave birth to one of the world’s first punk anthems, The Saints' '(I’m) Stranded', as well as scores of iconic Aussie artists like The Go-Betweens and Xero. In Prehistoric, produced by Elbow Room and written by Marcel Dorney, four actors are taking up unfamiliar instruments in an ambitious attempt to recreate the raw vitality of Brisbane’s punk scene. The work premiered to rave reviews at Brisbane’s Metro last year and is now heading down south. Melbourne audiences might think that the play’s material sounds unfamiliar — a world away from the Glorious Socialist Republic that is our city’s inner north. But as the Coalition Government makes Australia a whiter shade of Joh each week, there’s no escaping the lessons that the era has to offer Australia in 2014. Together with Elbow Room’s enviable position as one of the country’s leading indie outfits, Prehistoric looks like an unmissable offering in this year’s Fringe. For more works at the 2014 Melbourne Fringe Festival, check out our top ten picks.
They're the masters of immersive thrills, such as smash-hit shipping container installations Seance, Coma and Flight — also known as the Darkfield series. But not even the folks at Realscape Productions are immune to the realities of pandemic life. After spending much of the year locked down with the rest of Melbourne, the team put their nerve-jangling real-life projects on hiatus and whipped up a series of brand-new audio experiences. All of Realscape's recent collaborations with UK creators Darkfield have been designed for fans to enjoy from the comfort of their own homes, such as Double and Visitors — and they've been geared to be every bit as creepy and unsettling as their IRL predecessors. But the next addition to the series, Eternal, promises something extra special. It is inspired by Bram Stoker's Dracula, aka one of the best horror novels ever written (and certainly the best vampire novel), after all. Available until Sunday, January 31, Eternal is presented via the producers' new digital project Darkfield Radio. Like its siblings, it plunges participants deep into an immersive experience by perplexing the senses — with the use of a 360-degree binaural sound, played through your own headphones. But while this year's other shows were aimed at groups of two, this one is made for listening to solo, at home, while you're alone in bed. Originally commissioned by Ireland's Bram Stoker Festival, the 20-minute-long Eternal explores the allure of living forever — and will get you pondering what you'd willingly do to avoid death. The uneasiness everyone feels when they hear something go bump in the night also plays a part, because that's just the kind of sensation the production aims to conjure up. To listen along, you'll need an $11.40 ticket, and to book a spot a late-night spot — with the show available at select times Thursday–Sunday (with exact slots depending on the day, but 9.30pm, 10pm, 12.30am and 1am times, all ADST, on offer). And if you haven't yet given Double and Visitors a listen, they're still available as well. Yep, you can make it a triple feature if you'd like to get especially eerie one night.
Our society has a love affair with retro. From vintage clothing to a quirky antique find, we cannot seem to get enough. Yet no retrospective romance seems to be as durable or resonate as emphatically as our relationship with vinyl records. No matter what market you go to on the weekend, the lure of a full crate of musical treasures is irresistible, causing fingers to curiously flick through the collection before finding that gem to take home and play on your record player (that you probably bought at the same market immediately afterwards). At First Sight understands this fascination and is taking over Carriageworks on Saturday, July 20, with an enormous record fair and live music event. So whether you are an audiophile or you just have an intangible sensory relationship with those black discs, you are sure to find something at this brand new utopia for vinyl fans. To better understand this connection with vinyl, Concrete Playground asked some of the musicians performing at the event just why these musical mementos retain their aura. Amy Franz, SUPER WILD HORSES What is your favourite memory involving vinyl? I must have been about 14 and there was a boy on whom I had a debilitating crush — the kind of crush that is crushing, as happens when you're a teenager. He gave me a 7" of the Stone Roses, 'She Bangs the Drums', and at the time I felt like he was trying to tell me that I should be a drummer. We'd had a jam at my house with a whole lot of music gear I took home on loan from the school music department and I think I'd bashed something out on the half a drum kit I had. It was probably the biggest musical encouragement of my life. It took me another 12 years to get around to playing the drums. Antonia Sellbach, BEACHES Why do you think vinyl retains its popularity in the digital era? Music sounds better on vinyl. There's also the whole sense of tradition and ritual to vinyl. By having to turn over a record at the halfway point you're more connected to the whole album experience. It's the ultimate surviving format, partly because it provides a much needed counter to the digital era. Vinyl is an object, a thing. It takes up space, it's a commitment. If you truly love an album, you'll probably buy it on vinyl. And album artwork always looks better in 12"x 12". Kate Wilson, THE LAURELS What was the first vinyl you ever purchased and why? I think my first was Frenzal Rhomb's 'Sorry about the Ruse' 7" single. I still have it, although I've lost the insert. The insert was a letter from Depeche Mode's record label, (unfairly) denying Frenzal Rhomb permission to release a song based on 1981 smash hit 'Just Can't Get Enough', entitled '(How can I) Fuck the System (If I just can't get it up)' — it was included as the B-side anyway. You could get it with a blue or a green cover — I got the green one, and my friend the blue. I remember we fabricated some loose and spurious pretence to bring them not only to school, but also into the classroom, where I recall we just kind of lovingly gazed at them. Being a severe teenage dork who carried a record like a teddy bear meant incredible parties and first dates were not on the agenda for me at that time. Why do you think vinyl retains its popularity in the digital era? Trends can often be retaliatory in nature. I think vinyl is the counterpoint to the impermanence, and inability to tangibly "own" digital media. There's a healthy element of childhood nostalgia, courtesy of parent's record collections. There is also the wildly addictive sport of crate digging. Additionally the length of the LP's reign as the dominant medium, coupled with the fact that people discarded whole collections when digital took over, mean there is a hell of a lot of music out there. The abundance keeps the price low and the variety high. Record collecting is one of the greatest and most rewarding strategy games on earth! You have to be quite knowledgeable about music to derive pleasure from flicking through dusty LPs for hours on end, so I think there is a carry over to the more casual music buyer that vinyl is the format of choice for people who are seriously into music, an idea abetted by the fact it's seen by most audiophiles as the superior sound format. Ben James, SONGS What is your favourite memory involving vinyl? Buying my own record player. Listening on my brother's before that was a no go, and annoying — I could only listen at half volume so that I could still listen out for him coming home and avoid a good thrashing. Emma Ramsay, HOLY BALM Why do you think vinyl retains its popularity in the digital era? VHS has not disappeared. The technology may have been surpassed but there will always be people interested in hacking old technology in creative ways or wanting to 'experience' older technology. VHS is still in people's lounge rooms, attics, garage sales. Vinyl retains popularity in the digital era, because the analog era still exists, it has not ended per se. They co-exist. And so one informs the other, giving an extended network and experience of how we find new music, and dig up old favourites. MARTY DOYLE, At First Sight Curator and FBi Presenter What was the first vinyl you ever purchased and why? I was born in the '80s. The ideals of the time were all about the race for the latest technology, so that meant cassettes and Walkmans with Dolby Noise Reduction for me. My dad had a lot of records, but i just thought they were things he rolled 'cigarettes' on. It wasn't until i was about 12 and started listening to hip hop that I paid attention to vinyl. When i saw footage of Grandmaster Flash DJing at a Block Party, i thought it was the coolest thing ever. 2 turntables and scratching? I went straight to my dad's record collection and started digging through it and I was amazed to find all this stuff in there I had heard from hip hop samples. I think the first record I found and recognised was Boz Scaggs 'Low Down' which was sampled by Sparky D. That was really the start of my vinyl obsession. I still bump that Boz Scaggs record, it's the definition of sophisticated easy listening. Owen Penglis, STRAIGHT ARROWS What was the first vinyl you ever purchased and why? I first started buying records because they were heaps cheaper than CDs — as a 14 year old you've got plenty of time to burn digging through the $2 bin, and you'd usually come out with something you'd heard of before. I pulled out The Eagles The Long Run because I'd heard they were supposed to be good. Let me tell you, they are fucking terrible: boring cocaine country rock shit. I threw the album in the oven and learnt that not only do LPs make for unusable bowls, but there's no time for shitty music. Why do you think vinyl retains its popularity in the digital era? It smells better than CDs. At First Sight is on at Carriageworks on Saturday, July 20. The record fair is free and entry to the live music is $35.
Fitzroy's resident all-hours R&B grime bar Laundry has long been the place to hear some dirty tunes and be one with the d-floor on a Saturday night, but come Tuesday, January 24 it'll play host to something a little more #cleanliving: hip hop yoga. Led by local yogi Drew Watson with accompanying beats from MIMI (of CRXZY SXXY CXXL), who will mine the back catalogues of just your average kings and queens of music — Kanye, Drake, Chance The Rapper, Beyoncè, Rihanna, et al. The soundtrack might be hectic but don't be afraid, the class will cater for yoga beginners as well as the more experienced. Even better than finding inner zen to Drake's 'Started At The Bottom' is the fact that all the proceeds will go to the Victorian Salvation Army. Tickets are limited, however, so snap 'em up quick smart.
When you were watching Ocean's Eleven, did you ever think to yourself "this is great, but I really wish someone was trying to eat George Clooney's brains?". Every time you settle in for an episode of The Walking Dead, do you find yourself hoping that someone — anyone — would mastermind a scheme to break into a casino vault? Whichever thought has popped into your head, you'll soon be able to see what a Las Vegas heist flick looks like when it's paired with the zombie genre. That's the whole premise behind Netflix film Army of the Dead, one of the big new movies the streaming platform has lined up for 2021. If the overall concept sounds somewhat familiar, that's because you probably saw Train to Busan sequel Peninsula last year — another zombie-heist film hybrid. The huge difference here, of course, is the Las Vegas setting. Well, that and the fact that Army of the Dead stars Guardians of the Galaxy's Dave Bautista and is directed by Justice League's Zack Snyder. You definitely won't forget the latter based on the just-dropped first teaser trailer for Army of the Dead, because it spends about half of its brief running time stressing exactly who is behind the lens. And as for all the shuffling undead hordes and pilfering antics, the movie follows a group of mercenaries who decide to take advantage of the situation by breaking into the casino-filled quarantine zone. When the movie hits Netflix on Friday, May 21, viewers will also spot Garret Dillahunt (Deadwood), Tig Notaro (Music), Ella Purnell (Sweetbitter), Omari Hardwick (Power), Ana de la Reguera (also from Power), Theo Rossi (Luke Cage) and Matthias Schweighöfer (Resistance), plus Nora Arnezeder (Mozart in the Jungle), Hiroyuki Sanada (Westworld), Raúl Castillo (Knives Out) and Huma Qureshi (Viceroy's House). And yes, Snyder has toyed with zombies before, in the 2004 remake of Dawn of the Dead. Here, though, he's aiming to set up his own franchise — with a prequel movie and an animated spinoff series already greenlit. Check out the trailer below: https://www.youtube.com/watch?v=H83kjG5RCT8 Army of the Dead will stream via Netflix from Friday, May 21. Top image: Clay Enos, Netflix.
Famous for its 55-minute workouts and worldwide following, Barry's Bootcamp has become a fitness heavyweight since first setting up shop in West Hollywood back in 1998 — and now it has brought its studios to Melbourne. Fans of high-intensity interval training can now put themselves through Barry's sessions in both South Yarra, with the gym setting up shop in the Como Centre on Toorak Road. While it isn't the company's first Aussie studio — it has three already in Sydney — the new site does mark its first in Victoria, after initially announcing its Melbourne plans back in 2019. A second Victorian venue, in Flinders Lane in the CBD, is also slated to open later this year. If you're a gym junkie, celebrity obsessive or just familiar with the term "Barry's body", then you'll have heard of Barry's. Already active in 23 cities around the globe — including in Los Angeles, New York, Milan, London and Dubai — it's claimed that the studio's sessions burn over 4000 kilojoules. That's thanks to a regimented program that incorporates 25 minutes of treadmill work, 25 minutes of strength and conditioning with free weights and resistance bands, and then a five-minute cool-down. The focus of each class changes daily across Barry's weekly schedule, with each session targeting a different muscle group. As extra motivation, Barry's classes are held in high-energy red rooms, complete with mood lighting and the kind of music you're more likely to hear in a nightclub. Adding to the vibe, each location features its own bar serving up shakes and smoothies — and patrons can also buy workout outfits onsite. As expected, the world-renowned bootcamp class comes with hefty price tag — $36 a pop. You could, alternatively, purchase a 50-class pack for $1400, which works out at $28 a class, or pay a $89 weekly fee. Barry's Bootcamp is now open at Level 2, Como Centre, 299 Toorak Road, South Yarra — open 5.30am–8pm Monday–Friday and 6.45am–1pm Saturday–Sunday. Top image: Georgia Mort.
If you thought Melbourne getting a George Costanza bar was cool (or maybe you're just more of a Beetlejuice fan), you'll be pretty impressed by New York City's latest attempt to one-up itself when it comes to themed establishments. Set to open early next month is a Tim Burton-inspired bar and restaurant, very aptly named Beetle House. Millennium made. The Manhattan bar comes from the same team who thought (and were indeed correct in doing so) that the island needed a Will Ferrell-themed bar, which opened in October last year. Beetle House, however, promises to recreate Halloween all year-long with "an atmosphere and menu inspired by the works of Tim Burton". Perfect for the regular Edward Scissorhands or ghosts stuck haunting the East Village. Potions will include the likes of the This Is Halloween (a concoction of pumpkin, cinnamon and apple liqueurs, ginger beer and apple cider) and the We Come In Peace, which is a questionable mix of salted caramel vodka, RumChata, cream and a caramel swirl salted rim. Other well-named sips include the likes of Edward's Lemonade, It's Showtime and Beetlejuice (naturally). Drink at your own peril. To eat, you can choose from the likes of Beetle Bread bruschetta, the Victor Van Pork burger and the Sweeney Beef steak. Beetle House is located in the East Village at 308 East 6th Street. If you've got a trip planned to NYC anytime soon, we suggest booking a table in advance lest you have to go to an unthemed restaurant instead.
You'll never have to fret over your iPhone dying again, thanks to this genius new phone case designed by Jesse Pliner and Lloyd Gladstone. Dubbed the 'JuiceTank', this sleek case effectively conceals the electrical outlet plug within. Press the button on the back of the case, and the outlet prongs pop out. Not only can you rely on JuiceTank to come to the rescue in battery emergencies, but its high-grade polycarbonate cover provides solid phone protection, minus excessive bulk. The case is currently fit for any North American plug and awaiting production funding on kickstarter.com.
At first glance, mid-week raving and healthy living don’t seem to go hand in hand. The energetic people behind Morning Gloryville are here to turn that preconception on its head with their ingenious way to start your day in style. After a wildly successful launch in Sydney, the London-founded breakfast rave is making its way to Melbourne, launching October 15. From 6.30 to 9.30am on the last Wednesday of the month at 1000 £ Bend, Morning Gloryville will host a monthly all-ages, drug and alcohol free rave to kickstart your day. Music will be pumping with an eclectic mix of '90s dance to jungle beats and soul tunes; you’re encouraged to jump around and shake those cobwebs loose before heading to work. PBS FM's CC:DISCO, Fintan McGivern and Salvador Darling will be storming the decks, along with a dance team to get the party going. But it’s not just the furious dancing that's helping you start your day off on the right foot. The Morning Gloryville sessions will also include yoga, massage, fresh smoothies and healthy food. The recommended dress code is simply 'dress to sweat', but loads of colour and festivalwear is also encouraged — anything to help you seize the day. The only real rule is sobriety; let your inner dance monster show the world what it’s made of unimpeded by plonk. The Morning Glory rave started in London’s Shoreditch — where else — by Sam Moyo and Nico Thoemmes. "We’ve noticed the habit that when people start getting really serious jobs or have a family, or if they want to live free of alcohol and drugs, then they almost stop partying and stop dancing in that way. We thought that was a shame," says Thoemmes. "Morning Glory is a revolution of conscious clubbing. For us it’s really important to get people embodied and dancing and moving freely." It has since gathered a global following with offshoots in Barcelona, New York, Tokyo, Amsterdam, Sydney and now Melbourne. Morning Gloryville is a great alternative for those who truly dread climbing out of bed during to head to the gym before work. If you’re looking down the barrel of 8-12 hours at a desk or in an office environment, this is one sure fire way of getting an endorphins hit. The first Morning Gloryville Melbourne event will be launched on October 15, entry is $25 for adults and children under 12 rave for free. Get your tickets here. Via BBC and Fresh 92.7.
Some think summer arrives when the mercury finally soars past 30 degrees, others are convinced it's the day you muster the courage to throw yourself in the ocean but, if you ask us, summer starts the moment you know Rooftop Cinema is cranking back into gear. Gather your sunnies and start dreaming of twilight Pimms — the new Rooftop program has finally arrived. As always, there's plenty to look forward to. The cinema programmers have perfectly nailed the balance between big new releases, old classics and super relevant tie-ins with other events. They'll even be screening Nas' new music doco to coincide with his totally unprecedented appearance at Sugar Mountain next January. The first instalment of the program will kick off on Saturday, December 6 with David Fincher's controversial conversation starter Gone Girl. Continuing along with the theme of much-hyped blockbusters they'll also be screening Guardians of the Galaxy, Interstellar and The Hunger Games: Mockingjay. If big action flicks just ain't your thing, feel free to regress into your childhood instead. Not only are Rooftop offering the usual Christmas fare of Home Alone and Elf, they're also giving you the rare chance to see Labyrinth, Hook and the late great Rik Mayal's gross-out cult legacy Drop Dead Fred. Indie fare will get its usual run too with co-presented sessions run with Speakeasy and Deja View Cinema — the latter are even hosting a Christopher Walken Appreciation Night (probably the highlight of the whole thing). In what may be a program first, there doesn't seem to be any Bill Murray lined up! But don't fret just yet — we're sure they'll be throwing the iconic Ghostbuster's new film St Vincent in for the program's second instalment. If you can't wait until December, Rooftop will also be holding some advance screenings as part of Melbourne Music Week. If you ask us, there's no better way to spend a hot summer's night than hanging out with Nick Cave and The National on a rooftop. For more information about Rooftop Cinema including the full December-January program, see here. The February-April program will be announced at the end of January. Grab your tickets here.
The new collaboration tees from Japanese retailer Uniqlo and acclaimed American artist Kaws are so coveted that the collection sold out within minutes of its global launch. They also caused some raucous in China, where many (very keen) fans were hoping to get their mitts on the hot-property threads. Now, it's Melbourne's turn, as Uniqlo gets ready to drop Kaws: Summer online and in-store (nationally) on Friday, September 20. The 21-piece collection features t-shirts and totes with Kaws' instantly recognisable characters — and local fans have a chance to get their hands on one of the tees for free, thanks to a pre-launch giveaway. If you fancy adding one of the highly coveted t-shirts to your wardrobe for zero dollars, you'll need to keep an eyeball on Uniqlo's Aussie Instagram Stories to find out where in Melbourne's CBD the giveaway will be going down on Thursday, September 19. The address will be revealed at 7.30am that day, with doors opening from 8am. Only the first 100 punters through them will score a free collaboration t-shirt, though — so don't dilly-dally. DJs will help fuel your morning's shopping adventures, as will a stack of free coffee and doughnuts. The clothing line's Aussie launch coincides with the opening of Kaws: Companionship in the Age of Loneliness at the National Gallery of Victoria on Friday, September 20. The below map is not reflective of the giveaway location.
There’s an interesting trend in today's disaster movies. Yes, they all feature disaster, but less obvious (though almost always present) is the Estranged Family Subplot. If you don’t think you’ve seen it, you have, because just in recent years it’s been in Twister, 2012, The Day After Tomorrow, Deep Impact, Volcano, War of the Worlds, Independence Day and, now, San Andreas. What is it? A separated couple — usually with divorce papers freshly drafted — sees one of the pair now involved with a wealthier, more glamorous partner, while the other tries to reconnect with their angsty teenage child/children. Disaster then strikes, the new partner proves to be a vacuous douche who satisfyingly bites it and a series of deadly trials and tribulations ultimately brings the original family unit back into line. Point is: if you’re currently estranged from your ex but desire reconciliation, get yourself over to a tectonic hot-zone ASAP, because as they say: ‘nothing rekindles the flame better than literally everyone else around you dying in a horrible painful disaster’. As far as disaster movies go, San Andreas doesn’t break the mould; it just settles for breaking everything else per the catastrophe movie social contract. Our hero, a rescue helicopter pilot named Ray Gaines (Dwayne Johnson, aka ’The Rock’), is called into work after a giant earthquake lays waste to both San Francisco and his plans for a bonding weekend with his daughter Blake (True Detective's Alexandra Daddario). For the record, yes, Ray’s estranged wife (Carla Gugino) is also moving in with her wealthy new boyfriend (Ioan Gruffudd), and divorce papers have been dispatched. Estranged Family Subplot checklist: complete. Despite being a rescue pilot for the State, Ray opts to rescue only those people who feature in his family photo, meaning the bulk of the film involves him driving, boating or flying past hundreds of thousands of dying people in the hope of finding his own daughter. Disaster movies, of course, are all about the special effects, and in San Andreas they are genuinely spectacular, with giant quakes rippling through entire cities like waves beneath sawdust. Skyscrapers topple, boulevards buckle and a tsunami stares down the Golden Gate Bridge like it’s some sort of Godzilla. In what marks a major departure for the genre, scientists are again the ones who predict it all (chief amongst them, Paul Giamatti), but this time there’s no 'this is mankind’s own fault’ lecture. It’s pure and simple Mother Nature vs People, and Mama’s well pissed. San Andreas is a film where big muscles and big chests (both male and female) dominate the screen, which in the 3D format is almost comical at times. Performances are rarely noteworthy in disaster movies, but in this case Game of Thrones’s Art Parkinson deserves a mention as the romantic interest’s younger brother Ollie. Beyond that, though, San Andreas’s star is the disaster itself, and, thankfully, an earthquake can’t mutter incomprehensibly corny lines like its victims so often do. ‘Big, Dumb and Fun’ should almost be its own genre by now, and San Andreas is nothing but.
The common wisdom, as taught to us by John Howard, that most progressive of reformers, is that less guns on the street equals less gun violence. Seems like a simple enough equation. It seemed to work in Australia after the 1996 Port Arthur massacre and its been the driving idea behind New York's tighter gun legislation. Yet in 8 unbelievable seconds all of our assumptions about gun control and gun legislation became frighteningly and irrevocably obsolete. Thanks to a little thing called 3D printing, a group of Texan anarchists and libertarians known as Defense Distributed have made printable weapons not only conceivable but 100 percent possible. With nothing more than a few-thousand-dollar printer, a couple chunks of plastic and an online file (which you can download for free right now!), you can make a lethal weapon from the comfort of your own living room. As of March, more than 10,000 people had already downloaded one such gun-making file. Unsurprisingly, this development has got US legislators going into overdrive. Earlier this week, New York became the first state to take decisive action on the issue introducing a bill that would make it illegal for anyone but a licensed gunsmith to create a firearm using a 3D printer. The bill also includes a number of important restrictions such as compulsory police notification, registration of any weapon within 72 hours of creation and limits on bullet production. California is expected to introduce a similar bill in the coming weeks. While such legislative action is understandably important, the New York bill ain't about to put a stopper on the production of homemade weapons. According to New York University's resident gun law expert, James B. Jacobs, the Second Amendment will be the least of legislators' worries. He argues that while printable weapons can be restricted in much the same way as assault weapons have been, banning the files that allow you to print 3D guns is a much more difficult prospect. "The First Amendment will not permit banning posting software that would allow 'printing' such a weapon, just as we can't ban Al Qaeda literature on building pipe bombs,” Jacobs says. Whether this technology will make any discernible difference to America's already gun-enriched culture remains to be seen, but for the moment the thought of 'gun labs' popping up in the garages of wayward youths across the country has me scared shitless. Between this and a few fairly spine-tingling videos, it seems fair to say that the possible repercussions of having printable weapons are only just beginning to emerge.
Adding to the rejuvenation of the Northbank Precinct — stretching from Spencer Street to the Charles Grime Bridge — 1 Hotel Melbourne will serve as a headline destination, featuring a meeting of luxury and sustainability. Ahead of its opening on Thursday, June 19, this eco-conscious hotel now has a flagship culinary partnership to match, with Australian chef Mike McEnearney brought on board to present From Here with Mike. Renowned for his ingredient-first, low-waste approach and Sydney-based eatery Kitchen by Mike, McEnearney offers his signature seasonal, ethical and sustainable cuisine at this latest venue. "From Here by Mike will be a true reflection of what's possible when like-minded people come together with a common purpose. I'm proud to bring this vision to life in a space that truly honours nature, community, and above all, good food," says McEnearney. Launching for breakfast, lunch and dinner, guests can look forward to simple, thoughtful cuisine informed by Victoria's abundant pantry. Raising up low-impact farming, hyper-local sourcing and minimal intervention through its menu, nourishing dishes are designed to bring diners closer to their food, with direct parallels drawn between each ingredient and how it arrived on the plate. While the full menu is still to be revealed, think freshly shucked oysters with pickled daikon and finger lime vinaigrette; twice-baked goat's cheese soufflé with rosemary cream; and wood-roasted cockerel with vadouvan sauce. Honest and rooted in nature, each dish is intended for sharing with loved ones, where you can connect over cuisine and experience a joint sense of wellbeing. From Here by Mike's wine program strikes a similar beat, with 40 percent of the selection centred on Victorian wines created with minimal intervention, using biodynamic, organic and sustainable methods. Meanwhile, the cocktail menu will emphasise sustainability, as the culinary team repurposes diverse ingredients and sources local, seasonal products. Designed to complement the cuisine menu, expect outstanding food and drink pairings. Years in the making, 1 Hotel Melbourne is almost ready for launch, with its 220 metres of uninterrupted river frontage bringing an attention-grabbing element to North Wharf. Joining the brand's properties in London, Copenhagen, New York City and beyond, guests will discover a sophisticated blend of luxury and sustainability, with top-notch dining and wellness amenities supported by a design brimming with reclaimed materials and eco-driven practices. From Here by Mike opens Thursday, June 19, at 1 Hotel Melbourne, 9 Maritime Place, Docklands. Head to the website for more information.
If your ultimate Saturday morning is a leisurely Bunnings shopping session followed by a saucy snag in bread, why let the fun end there? Soon, you'll be able to make a proper weekend of it with a new Mercure Melbourne Doncaster hotel set to open smack bang on top of a Bunnings Warehouse. The work of global hotel group Accor and developer Accord Property Group, the unlikely pair are slated to be up and running by late 2021. Located in the heart of the bustling Doncaster Hill precinct, together they'll provide the prime spot for a snag-based staycation. Along with a couple of levels dedicated to retail offerings, the mid-range hotel will boast 183 rooms across six floors with interiors that reference parts of the area's history, including the southern hemisphere's first electric tramway: the short-lived Box Hill to Doncaster tram. It'll have all the usual trimmings you need for an overnight stay, too: a dining terrace, restaurant and bar, rooftop pool, fitness centre and sundeck — as well as a full-size, sparkly new Bunnings Warehouse, of course. And if tools, paint and plants don't offer quite enough retail therapy for you, Mercure Melbourne Doncaster also sits handily adjacent to the huge retail precinct that is Westfield Doncaster shopping centre. Mercure Melbourne Doncaster is set to open at 659 Doncaster Road, Doncaster in late 2021.
Dumplings are great any time of the year. Whether it's a rainy wintry day, a summer scorcher or smack bang in the middle of spring. Corresponding with the latter is World Dumpling Day, a food celebration we're happy to get behind when dumpling degustations are involved. Yes, South Yarra's Oriental Teahouse is celebrating this fun food day, on Thursday, September 26, with a one-off dumpling degustation. Kicking off at 7pm, the dinner features six courses of dumplings — including laksa-filled dumplings, braised duck leg dumplings, prawn shumai and sweet dumplings served with ice cream — all for $65. During the dumplings feast you'll get to try an impressive 15 different types of dumplings. We suggest you pull out and pull on your stretchy pants. If you'd like to pair your buns with six matched beers, wines and umeshu, it'll set you back an extra $20.
If there's a live gig-shaped hole in your life right now, Indigenous Australian hip hop artist Ziggy Ramo is here to fill that void with a night of hard-hitting tunes. This Saturday, August 29, he'll take to the hallowed stage of the Sydney Opera House for an exclusive live-streamed performance, complete with striking visuals and a ten-piece band in tow. Beaming live and loud to a device near you, Ramo is set to play his debut full-length album Black Thoughts. The much-lauded work was completed in 2015 before being shelved for a few years, and has now been reborn in light of current conversations around race and colonial history. Expect a powerful performance incorporating strings and brass, brought to life alongside newly commissioned artworks by 2018 WA Young Person of the Year, Indigenous Australian illustrator Kamsani 'Kambarni' Bin-Salleh. Spiritually charged rap meets traditional Songlines to deliver a captivating musical journey, touching on collective trauma, racial discrimination, vulnerability and spiritual renewal. Got plans Saturday night? All good — the full performance will also be available on-demand after the initial live stream. While the Sydney Opera House is still closed to the public, it's running a Digital Season with full-length archival performances and live recordings. You can can check out the final lineup over here. [caption id="attachment_720224" align="alignnone" width="1920"] A gig at Sydney Opera House during Vivid by Daniel Boud[/caption] Top image: Emma Pegrum
