Mörk has been kicking around since 2012, showing Melburnians just how good a hot chocolate can taste. Taking their cues from Melbourne's coffee culture, owners Josefin Zernell and Kiril Shaginov have grown this drinking chocolate brand to include three stores and a chocolate foundry — Mörk's own chocolate factory out in North Melbourne. You'll also see its drinking chocolate powders and pastries stocked at some of Melbourne's best cafes. But the owners aren't stopping there. They've spent the past two years creating the Mörk Looking Glass concept store on Centre Place — one of the graffiti-clad laneways near Degraves Street. Here, you'll find Mörk's classic drinking chocolate blends, cinnamon and cardamom buns, chocolate spreads and morsels, pre-mixed cocktails, and its famous Campfire Hot Chocolate — served with smoke, charcoal salt and a freshly toasted marshmallow (that's also made in-house). Coffee from Patricia is also available for those needing a caffeine fix instead of chocolate. Zernell and Shaginov have even dreamt up a new drink for Mörk Looking Glass: The Layered Chocolate. For this, a dark hot chocolate base is topped with caramelised banana, saffron custard and freshly grated lime zest. This team is using this site to showcase just how fun and experimental the humble hot chocolate can be. And while some of these new and experimental creations will make their way into the main storefront, most of them will only be available upstairs in the tasting room. Experimental chocolate bars, elaborate drinking chocolates that never made it onto the menu, chocolate cocktail pairings and creative desserts will all be on show during themed tastings in this space. Mörk Looking Glass will also be hosting collaborations at the new CBD store, which will be announced later. If you consider yourself a chocoholic, this new spot best be on your hit list. You'll find Mörk Looking Glass at 13 Centre Place, Melbourne, open 7.30am–5pm on Monday–Friday, and 8am–5pm on Saturday and Sunday. For more information, visit the venue's website. Images: Kristoffer Paulsen
Architecture aficionados and self-confessed sticky-beaks, listen up. The historic city of Bendigo, located an easy two-hour drive from Melbourne, will throw the doors open on some of its top buildings for one weekend next month. Across October 27–28, locals and visitors will get the chance to see inside spaces that are generally closed to the public. A boom town during the gold rush period, Bendigo is home to a rich architectural heritage that has been met with rapid development in recent years. Hop on one of the vintage trams and explore the city from the inside. The Open House weekend is a chance to engage with city planners and discuss Bendigo's design future. Visitors are welcome to explore the iconic designs of the city, from private homes and heritage buildings to commercial and civic developments. Over 20 buildings will be on display — highlights include the $630 million Bendigo Hospital (the largest regional hospital development in Victoria), along with B House, a newly completed, bespoke three-bedroom townhouse designed by E+ Architecture. Plus, you can enter the historic Beehive Building while its still under renovation. The building was designed by the famed Charles Webb (the architect behind Melbourne's Royal Arcade) and erected in 1864. Alongside the program will be a series of talks and public workshops. For more information or to pre-book tours, head to the Open House Bendigo website.
Few things in life are better than a long weekend getaway with your mates accompanied by excellent views and quality brews. So, where are the best road trip stops for stocking your picnic along the route? We asked, and you answered. There's no better recommendation than a recommendation from a mate, and we consider you all to be the sharpest mates out there, dear readers. So here are choice spots to stop along your route for tasty grub — and a bev from your local The Bottle-O — as recommended by you. As a side note and a hint of things to come, we're pleased to see that sausage rolls will never go out of fashion. The Baker's Duck, Toowoomba QLD Are you keen on a trip out to the lovely Darling Downs region for a long weekend? Home to great beef farming, famous gardens, top produce and epic escarpment views, if you're out that way, you won't have to go far to pack your picnic bag or stock your esky. Head to Toowoomba, Queensland's 'Garden City', which boasts the best of the Darling Downs. While you're there, don't miss out on the quality pastries and pies at The Baker's Duck, as recommended by Concrete Playground reader Steve: "Top choices for a road trip feed are definitely the chunky beef and mushroom pies or the pork and apple sausage rolls." Once you've stocked up on bakery classics, hit Picnic Point to take in those great views over a bottle of regional plonk or some cider. Closest The Bottle-O: Toowoomba Les Nôtres, Riddells Creek VIC This long weekend, Melburnians up for a hit of fresh country air should head to the Macedon Ranges. Village vibes, a booming local arts scene and farmers' markets stocked with local goodies are all on the cards. Don't miss a visit to Les Nôtres (which is French for 'ours', but once you see the food, you'll be thinking 'mine'), recommended by our Vic-based reader Sarah: "They have the best croissants and these excellent lemon curd cruffins and hazelnut praline eclairs that I can never say no to." We're sold. You can find Les Nôtres at a bunch of markets or the pop-up in Riddells Creek. Stock up and pair them with a lager or chilled white wine from Romsey's The Bottle-O once you hit your campsite or accommodation. Hot tip: While you're in the area, if you're up for an adventure, go explore Lerderderg State Park for a good chance of spotting koalas. Closest The Bottle-O: Romsey Bred Co, Albany WA If you're in Perth, Pemberton or Margaret River and keen on a coastal drive over the long weekend, Albany is a cracking weekend getaway spot boasting spotless white sand beaches and 'gram-worthy granite cliffs. Stock up on local brews and wines at Centennial Park's The Bottle-O, then swing by Bred Co, a hyperlocal bakery with a particularly loose menu item that comes recommended by our IG follower Blake: "You should go there for the beef sausage roll with béchamel cheese, life-changing!'' Once you're set for drinks and eats, all you need to worry about is enjoying those stunning coastal vistas around Albany. Closest The Bottle-O: Centennial Park Uprising Bakery, Newcastle NSW Sydneysiders, are you heading north this long weekend? Myall Lakes National Park is popular for its views, cheap campsites, epic sand dune beaches and kayaking on the lakes — even better when enjoyed with baked goodies from Uprising Bakery in Newcastle as recommended by reader Kate: "Pork and lemon preserve sausage roll — it doesn't get better than that. Maybe the brownie slab." Maybe? How about definitely. Check Lambton's local The Bottle-O to pick up some drinks to enjoy as the sun sets across the sand dunes after you arrive. Bliss. Closest The Bottle-O: Lambton Bruny Island Cheese Co, TAS Tasmanians or the Tasmania-bound, grab your mates and hop a barge to Bruny Island to enjoy the rugged coasts, wild nature and secret coves. Bruny is wonderfully untouched, which means you're definitely not getting any local sparkling delivered via UberEats, so before you leave the Tassie mainland, make sure you stock up at The Bottle-O in Margate. When you arrive at Bruny, check out the famous Bruny Island Cheese Co., as recommended by reader Tom (and every member of Concrete Playground's team who've done a stint in Tassie): "The best cheese in all of Australia, you can't change my mind." There are plenty of accommodation options on the island, but you can embrace the elements by staying at one of the park's campgrounds at Cloudy Bay or Jetty Beach so you can toast with your mates and scoff cheese as the sun sets over the water. Closest The Bottle-O: Margate Wherever the road leads you on your weekend adventuring, find your nearest The Bottle-O and stock up on some standout bevs. Ready to start planning? Head to the website. Top image: Bred Co.
Before Damages, Bridesmaids, Bad Neighbours, Bad Neighbours 2 and Platonic, Rose Byrne made her acting debut in the 90s, with Echo Point, Wildside, the OG Heartbreak High and Two Hands among her earliest credits. Physical sends the Australian star a decade further back, and the results have kept proving an insightful and astute gem across three seasons. On paper, the concept was always ace: Byrne, the 80s, aerobics, consumerism, capitalism, body image, mental health, women striving to break through in male-dominated times, and unpacking agency and control. On-screen, Physical instantly strutted into must-watch territory, staying there in 2022's second season and, as streaming since Wednesday, August 2 via Apple TV+, now in 2023's third and final batch of episodes. Created by Annie Weisman after the writer and producer previously pondered domesticity in Desperate Housewives and Suburgatory, Physical bends and flexes with Byrne (Teenage Mutant Ninja Turtles: Mutant Mayhem) as Sheila Rubin. The series' protagonist was a stay-at-home San Diego mother when the first episode dropped in 2021. Not long afterwards, Sheila became an aerobics entrepreneur. Physical's voyage from premiere to swansong has focused on the how, why, costs and consequences of that path — with clear eyes as much as flung-around limbs. Like On Becoming a God in Central Florida and GLOW before it, it isn't an exercise in nostalgia. Although this show looks the part, and gloriously, all thanks to meticulous production design, costume design and cinematography, it also peers backwards unflinchingly. Slipping into a leotard, then getting the blood pumping, isn't merely a quest for fitness for the show's central figure. The late, great Olivia Newton-John mightn't have sung "let's work through our troubles while working up a sweat" (unsurprisingly; it isn't catchy at all), but that's always been the thrust in a series that revels in dark comedy yet shimmers with empathy. Among those tussles: Sheila's opinion of herself, including of her body; her complicated relationship with food; and the self-critical voice in her head, which Physical literalises. Her marriage to Danny (Rory Scovel, Babylon), who talks the progressive talk yet is still happy with her largely on housewife duties, has also had a significant impact on her self-esteem. That's Sheila's status quo at the outset. From there, Physical has kept striding through her ups and downs with humour as well as ambition — covering the self-loathing, the lack of fulfilment, the catharsis that aerobics brings and the professional route that it sets her on. In the show's ten-episode third and final season, its central figure is doing well but wants more, such as national exposure and fame. Sheila has also learned to be kinder to herself, at least as herself, even while juggling being newly single, Danny grappling with their split, sharing custody of their daughter Maya (Grace Kelly Quigley, Killing Time), making the leap to TV and going all-in on the burgeoning wellness industry. But when Hollywood actor Kelly Kilmartin (Zooey Deschanel, Dreamin' Wild) encroaches into her territory, the new scolding tone in Sheila's brain has her voice. Never afraid of complex moves, Physical makes a bold choice in getting Kelly talking inside Sheila's mind. Seasons one and two devoted much of their story to the show's protagonist attempting to conquer her inner reprimands — but season three isn't backpedalling. Rather, it demonstrates that battling with your sense of self is a constant and evolving mission. It shows how easy it is to fall back into old ways of thinking, too, particularly when you're making big and stressful leaps. The fact that change is hard work has long been among Physical's recurring themes, applying whether Sheila is endeavouring to accept herself or reaching towards external goals. Kelly taking up residence in her head also continues the series' exploration of perception, helping to note that how we see the world and the objective reality are rarely the same thing. Physical has always boasted a stellar cast that can flip between laughs and drama as swiftly as the show does, which is often, with Deschanel no exception as a newcomer in this last run. As Kelly, she does triple duty — there's Kelly the person that Sheila somewhat befriends, Kelly in TV personality mode, and Kelly as the manifestation of Sheila's worries and doubts — and welcomely breaks out of her usual quirky, cutesy comfort zone. Five years after New Girl ended, this is Deschanel's best role since. Of course, while Dierdre Friel (Second Act) is a scene-stealer as Sheila's friend and business partner Greta, too, Byrne is never less than a dream. Getting an excellent performance out of Physical's lead is hardly new, as her resume from the 90s onwards attests. Across its 30 episodes — including in season three — the series has earned one Byrne's best portrayals yet, showing off both her comic and dramatic chops, because it keeps stretching and testing its characters. There's nothing routine about anyone in the show's frames, or what comes their way, be it Sheila, Greta, Kelly, Danny, mall owner John Breem (Paul Sparks, The Accidental Wolf), season two's rival instructor Vinnie Green (Murray Bartlett, The Last of Us), or Bunny (Della Saba, Bosch) and Tyler (Lou Taylor Pucci, American Horror Story), aka the reasons that Sheila discovered her exercising calling to begin with. Physical might beam with 80s lighting, colours and outfits, but it refuses to patch over its on-screen figures' flaws, giving its actors — Byrne especially — both meaty and weighty arcs to work through. Embracing imperfect journeys and life's imperfections in general, Physical packs an emotional punch. Its final season faces its own struggle as well, however: the rush to wrap up its tale. That this is the show's last go-around was announced before season three started arriving. Still, the hurried storytelling pace is inescapable; several new plot strands could've filled out whole seasons alone, rather than been crammed into one. That said, like an aerobics convert filling their schedule with class after class, wanting to continue returning to Physical's world has long come easily — this streaming highlight burns with that much energy and potency. Check out the trailer for Physical season three below: Physical is available to stream via Apple TV+.
It has been 11 art-filled years since Brisbane's Gallery of Modern Art first opened its doors, and the creative riverside hub just keeps going from strength to strength. As unveiled on Friday, July 13, GOMA is now home to an illuminating new permanent work: Night Life, a brand light installation by artist James Turrell. You might be familiar with the Arizona-based artist's piees if you've been to Mona or the National Gallery of Australia (NGA). He's the one behind the sky-centred installations at both galleries — at Mona, the gazebo-like Armana lights up at sunrise and sunset each day, and at the NGA in Canberra, Within without acts as an outdoor viewing chamber to enhance your view of the sky. All up, Turrell has created 80 'skyspaces' like these around the world. Brisbane's Turrell piece isn't a standalone structure like these other two Australian works. Instead, Night Life lights up GOMA's eastern and southern white façades from within the building, using an 88-minute-long shifting pattern of vibrant coloured light developed by Turrell especially for the location. GOMA director Chris Saines describes it as "a permanent solid light installation that is a deeply immersive field of slowly changing colour." When illuminated — which it will be from sunset to midnight each and every night from this point onwards — the gallery is visible from across the river and around South Bank's cultural precinct. Commissioned for GOMA's tenth anniversary, while Night Life is a new addition, it actually ties into the gallery's history. As Saines explains, "during the development of GOMA, lead architects Kerry Clare, Lindsay Clare and James Jones envisaged an artist-illuminated 'white box' on the gallery's main pedestrian approaches. More than a decade on, Turrell's architectural light installation realises the potential of GOMA's white box façade, and completes a major aspect of the architects' original design intention." Images: James Turrell's architectural light installation at Brisbane's Gallery of Modern Art. Photograph: Natasha Harth, QAGOMA. By Lauren Vadnjal and Sarah Ward.
When Tasmania's Museum of Old and New Art's (MONA) hosts an arts and music festival, it doesn't just compile a standard lineup of shows and events. It curates talents that will hit other bills in other cities, of course, but it also hunts down the kind of gigs and experiences that you generally won't see elsewhere. Take 2023's just-dropped Mona Foma program as a prime example. It was already packed with Pavement, Bon Iver, Bikini Kill, Angel Olsen and Peaches (and Perturbator, The Chills and Kae Tempest), as announced back in October, but now it includes a tunnel of light, 'Complaints Choir' and punk bunker — because of course it does. MONA's summer fest — aka its sunny alternative to its sinister winter arts and culture festival Dark Mofo — will return in February 2023 in a big way. How big? With 370 artists across two weekends. The dates to get excited about: Friday, February 17–Sunday, February 19, 2023 in Launceston, and Friday, February 24–Sunday, February 26, 2023 in Hobart. Now, here's what you'll be seeing. [caption id="attachment_875442" align="alignnone" width="1920"] Debi Del Grande[/caption] Launceston's weekend-long Mona Foma stint will feature a free three-day party at a new hub in the city's decommissioned old TAFE called the reUNIÓN district, which is where those unusual vocals — singing local Launceston grievances — will echo. It's also where there'll be queer woodchopping in the quad, Soccer Mommy taking to the stage and that punk bunker featuring, yes, punk tunes played loud a bunker. Also on the list in Launceston, where Mona Foma has been hitting up since 2019: underwater electronica by Leon Vynehall in the Basin Pool; dance work Body Body Commodity from Jenni Large; James Webb's Prayer, where you will indeed need to kneel while listening to recordings of prayer, song and vocal worship; and Van Diemen's Band and Ensemble Kaboul teaming up for Afghanistan-meets-baroque music. [caption id="attachment_880157" align="alignnone" width="1920"] Prayer, 2012, James Webb. Photo credit: Anthea Pokroy. Image courtesy of the artist and Mona Foma.[/caption] Plus, there's a Fantastic Futures exhibition, a late-night book club overseen by 'sonic librarians', Kenneth Tam's Breakfast in Bed theatre experiment — featuring seven guys he found on Craigslist — and the delightfully named Anthem Anthem Revolution, where you're asked to beat a robot at a game of table tennis. A certain highlight is Hyperbolic Psychedelic Mind Melting Tunnel of Light, with Robin Fox letting attendees take over the light, sound and motion controls one person at a time. Also set to stun is CHANT, with Tasmanian women's sporting clubs performing historic and contemporary feminist protest chants; Lost in Place, a pairing of electro-ambient psychedelic jazz with live dance; Arnhem Land documentary Christmas Birrimbirr; and Martina Hoogland Ivanow's film Interbeing, which only used thermal cameras to shoot human interactions and capture the heat behind them. [caption id="attachment_880156" align="alignnone" width="1920"] Christmas Birrimbirr, (Christmas Spirit), (video still), 2011, Miyarrka Media. Image courtesy of the artist and Mona Foma.[/caption] MONA's summer event was initially held in Hobart, as seasoned fans will remember, and the fest hasn't forgotten its OG home. If that's where you're getting your Mona Foma fix in 2023, you have a stacked lineup in store as well. Many of the fest's big-name acts are playing there — Bon Iver, Bikini Kill, Peaches and Pavement all included — and the MONA lawns will also host a show featuring songwriters from the Pilbara town of Roebourne singing for freedom on the 40th-anniversary year of John Pat's passing in custody, as guided by Ngarluma and Yinjibarndi Elders. Also, Amber McCartney and Tasdance's dance performance Baby Girl will enjoy its world premiere, Nico Muhly takes over the fest as an artist in residence, and the Theatre Royal's program includes IHOS Amsterdam's time travel-inspired PRIMORDIAL For Piano and Diverse Media and film noir opera A Deep Black Sleep. [caption id="attachment_880154" align="alignnone" width="1920"] Climate Notes, Anna McMichael and Louise Devenish. Photo credit: Lucian Fuhler. Image courtesy of the artist and Mona Foma.[/caption] Or, see Climate Notes in Rosny Park, playing five new works for violin and percussion that all take inspiration from scientists' handwritten letters about global warming — and explore Tomas' Garden by Cici (Xiyue) Zhang, where monsters and spirits will feature in an immersive magical landscape. The list goes on, complete with Morning Meditations in both cities — and Chloe Kim doing 100 hours of public drumming over ten days. [caption id="attachment_784488" align="alignnone" width="1920"] Robin Fox laser installation at the Albert Hall, Launceston, Mona Foma 2019. Photo Credit: MONA/Jesse Hunniford. Image courtesy of the artist and MONA Museum of Old and New Art, Hobart, Tasmania, Australia.[/caption] Already keen to get booking? Fancy a Tasmania trip in the interim? Our Concrete Playground Trips Hobart getaway might also be of interest. Mona Foma will take place from Friday, February 17–Sunday, February 19, 2023 in Launceston, and from Friday, February 24–Sunday, February 26, 2023 in Hobart. Tickets go on sale at 11am on Tuesday, November 29 — head to the festival website for further details. Top image: Regurgitator & Seja & Mindy Meng Wang on guzheng perform The Velvet Underground & Nico. Photo Credit: Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
This article is sponsored by our partners, Bombay Sapphire. It's not unusual to be a little lazy in the summertime. Work is slow, the sun is out, and everything seems to take a lot more effort — who needs gourmet entertaining when there's the ever-so-tasty option of fish and chips on the beach? And, though we're big fans of the humble potato cake and all, it can be nice to occasionally kick things up a notch. There are summer parties to host; friends to impress! Don't stress. This year, we've got you sorted. From November 19 until December 6, Bombay Sapphire are opening a dedicated gin bar in North Melbourne. Pioneering the art of 'ginstronomy' Project Botanicals will be offering 10 gin cocktails from Raj Nagra paired with 10 summery dishes from Masterchef's Gary Mehigan. And, though it's going to be well worth the evening out, they've been kind enough to offer some take home advice. If you can't make it along (or just want to impress your friends with your secret Masterchef know-how), here's a cheeky guide to ramping up that G&T into a full-blown cocktail and adding a little pizazz to a basic chicken roll. Summer sesh: sorted. Crunchy Chicken Sliders Don't let the Australian cricket team fool you: KFC is not cool. We guarantee you can make something much more delicious from the comfort of your own home that won't send you into a vicious shame spiral. In fact, it will do just the opposite — once you master these crunchy chicken sliders from Gary Mehigan you'll be able to hold your head up high with pride. This is fried chicken done right. What you'll need: 12 soft slider or torpedo buns 500g boneless chicken thighs 1 tbsp cinnamon powder 1 cup buttermilk 1 pinch sea salt flakes and freshly ground white pepper 3/4 cup panko crumbs 3/4 cup cornflakes 3/4 cup poha flakes (rice flakes) 1/3 cup of rice flour 1/4 white cabbage, finely shredded 2 golden delicious apples 1 lemon juice and zest 3 tbsp lemon mayo 1 b/c watercress washed 2 litres vegetable oil for frying 1 handful lavender flowers How to: Cut the chicken into small cubes (around 2cm) and chuck them into a bowl. Pour over the buttermilk, add the cinnamon powder — trust us, it will be delicious — and a pinch of flaked salt and pepper. Mix it all up, cover in cling film and place in the fridge for a minimum of two hours (if you're patient enough, overnight would be better). Pour the vegetable oil into a heavy-based deep saucepan and heat to 180 degrees. Mix the rice flour, poha, cornflakes and panko crumbs together and season with a little salt and pepper. Drain the chicken from the buttermilk goodness and press the dry mix firmly onto all sides of the chicken making sure all the pieces are well coated. Set aside. Shred the apple into thin strips and drench in lemon juice and zest. Add the finely shredded cabbage, season with salt and pepper and add a few dollops of lemon mayo (see below) to make a slaw. Working in batches, lower 6-8 pieces into the hot oil for about 4 minutes or until golden, crisp and cooked through, then drain onto a tea towel. Repeat with the remaining chicken. Cut into the sliders and load them up with a spoonful of apple slaw, a few sprigs of watercress and 3-4 pieces of the crispy chicken — or more, we won't judge. Finally add a sprinkle of lavender flowers to thoroughly impress everyone. DIY lemon mayo: Mix 1 free-range egg with a pinch of sea salt, 1 tablespoon of Dijon mustard, and the juice and zest of 1 lemon in a blender until light and frothy. Add 1/3 cup of olive oil and blend until creamy. Add another 1/3 cup and blend until pale and creamy. Chuck in the last 1/3 of that cup and blend until thick and smooth. This will keep in the fridge for up to two weeks. Cubeb Berry Fizz When you're making chicken rolls garnished with lavender, you'd better hope your drinks game is up to scratch. Do you think Gary's plating up his Masterchef best next to a cold tinnie? Doubtful. Project Botanicals is all about matching dishes like this to equally delicious gin creations, but there's no reason you can't recreate the magic at home. Go beyond the classic G&T and pair your slider with this fancy slice of ginny bliss. What you'll need: 45ml Bombay Sapphire 15ml lavender syrup 10ml vanilla syrup 30ml lemon juice 2 dashes lavender bitters 15ml egg white 30ml soda water How to: Add the non-carbonated ingredients to a cocktail shaker and shake hard — seriously, unless you feel like getting drenched, keep the soda water out. Add some ice cubes and shake again, then strain into a small highball glass. Finish with a splash of soda water and garnish with a lavender stem. Easy! If this seems like too much trouble, Project Botanicals will be open every Wednesday-Sunday evening to do the work for you. For just $35 per person, you'll be treated to two cocktails and matching tapas style dishes. Book your tickets here.
If you've ever picked up a loved one at the airport, sometimes you might get caught up in the sheer beauty of the moment and simply not know what to say. Those in Amsterdam don't have to worry about becoming a stuttering emotional wreck anymore, as the Schiphol Airport Bannerxpress now allows people to print welcome home signs from a vending machine at the airport. The machine has been under development for the past three years, and recently made its debut at Schiphol Airport. Vending machines now house much more than your standard soft drink, as you can customise these signs with different sizes, fonts, artwork and themes. Depending on how fancy you banner is, this will set you back between 4 and 15 Euros. Depending on the popularity of the machine, Bannerxpress co-founder Thibaud Bruna says that there are plans to place the machines at sporting events and concerts. [via Trendhunter]
As if your boyfriend needed another reason to stay glued to sport. The Allphones Arena and Lingerie Football League, LLC (LFL) have announced a partnership that will bring the 'explosively popular' lingerie football sports league to Australia. Dubbed the “fastest-growing sports league in the US” by BusinessWeek, the sport is played just like it reads. All-female teams don their scanty bra-and-panties sets and get rough out on the football field. It’s no wonder the LFL touts itself as “True Fantasy Football”. The game is played as a modified version of American NFL football, and began as an alternative half-time show for the NFL Superbowl. In 2009, the LFL was created and drew sell-out (surprisingly male-dominated) audiences and millions of primetime TV viewers. The 2012 LFL All-Star Game will be held in Brisbane at the Entertainment Centre on June 2 and at Allphones Arena in Sydney on June 9, and will feature 32 of the best women across the league as the Western and Eastern Conference teams clash. The two cities have been pointed to as potential homes for franchises in 2013. Is the world's single most sexist sport doomed for failure in Australia?
Australia's surf park obsession knows no bounds. Urbnsurf Melbourne launched in 2020 as the first Aussie surf park, Urbnsurf Sydney will open in mid-May 2024, the same team behind both has earmarked Brisbane and Perth as future locations, and the latter is set to get the country's largest surf park from a separate outfit. Next on the list is The Break Surf & Stay, which has been approved as an addition to the seaside town of Aldinga in South Australia — but will be set back from the coast when it starts pumping out waves in mid-2026. The venture, which will give everyone another reason to head to the Fleurieu Peninsula, has just been given planning consent by the City of Onkaparinga Council assessment panel. Clearly, it isn't enough for Australia to be girt by sea; the nation is also determined to fill plenty of its land with man-made wave pools, so that hitting the beach isn't the only way to hang ten. The Break Surf & Stay will sprawl across a a 7.1-hectare site, with the $100-million facility boasting a 11,700-square-metre surf lagoon. And, for visitors from out of town, it'll also double as accommodation, featuring 35 short-stay villas. Who says that you need to slumber beachside to wave up to waves? The park's surf technology from Endless Surf will create waves up to 2.1-metres high, which folks will be able to hit for 18 seconds on a single peak and nine for a split peak. The team behind the venture advises that its wave system will be a first for the southern hemisphere Don't know how to live the Point Break life already? A surf academy will be onsite to teach newcomers to the sport the skills. Also set to be included: a wellness studio, plus a store selling and renting boards and wetsuits. A craft brewhouse, licensed restaurant, skating area and nature play spot are all in The Break Surf & Stay's plans, all set among native vegetation, with 300 new trees to be planted. 'Barefoot luxury' is the vibe, with architects Studio Gram taking their design cues from the obvious: the coast. Construction will start in 2025, with The Tuit Road facility just 40 minutes out of Adelaide. It's also aiming to host surfing competitions, including attracting international waves to unleash their skills in The Break's lagoon. "The Break has been an absolute passion project for everyone involved," said Richard Sheppard, one of the surfing enthusiasts-turned-founding partners alongside Ben McCarthy, Leigh Gapp and Dwight Stuchbery. "There is a significant market for health and wellness, active and surf tourism that is largely untapped in South Australia, and we believe this transformational project will help to unlock that opportunity for the region and the state. And that's to say nothing of the benefits of attracting new visitors to this region's world class vineyards, beaches, eateries, trails and landscapes." "Our vision is to see The Break become a destination for families and surf lovers from around the country and the world, while also using the facilities to teach every South Australian kid to surf in safe, inclusive, controlled conditions," added McCarthy. [caption id="attachment_953676" align="alignnone" width="1920"] No Swan No Fine via Wikimedia Commons[/caption] The Break Surf & Stay's first waves are expected in 2026 on Tuit Road, Aldinga, South Australia — keep an eye on the venue's website for further details in the interim.
It's time to mark your calendars for the National Cherry Festival, the ultimate celebration of all things cherry. This annual event is set to take place in Young, NSW (the cherry capital of Australia!) from Friday, December 1 to Sunday, December 3. In case you've never been, the National Cherry Festival is a three-day extravaganza that brings together cherry growers and enthusiasts from all over Australia. Get ready to indulge in delicious cherry treats, including fresh cherries, cherry pies, cherry ice cream and more. You can also enjoy cooking demonstrations, cherry-picking competitions, live music performances, and even a seed-spitting competition. For those looking for a more relaxing experience, there will be a Cherry Blossom Walk, showcasing the stunning cherry blossoms that bloom during summer in Young. It's also a chance to meet and learn from local artisans showcasing their products and crafts, the history of the region, the cherry-growing process, and the impact of cherries on the local economy. Since Young is a four-hour drive out of Sydney, be sure to book local accommodation in advance and get the full weekender experience to celebrate of the sweetest summer fruits. For more information on the festival and how to enjoy it, visit the website. We advise against wearing white clothing.
Is there anything that Bill Hader can't do? While watching Barry's third season, that question just won't subside. The deservedly award-winning HBO hitman comedy has been phenomenal since 2018, when it first premiered. When it nabbed Hader an Emmy for his on-screen efforts in 2019, it had already proven one of the best showcases of the ex-Saturday Night Live performer's talents so far, too — yes, even beyond SNL. But season three of Barry three slides into another stratosphere: it's that blisteringly clever, deeply layered, piercingly moving and terrifically acted. It's also that exceptionally well-balanced as a crime comedy and an antihero drama, that scorchingly staged during its tense and thrilling action scenes, and that willing to question everything that the show and its eponymous character are. Hader has always lit up whichever screen he's graced, big or small — be it during his eight-year SNL stint, including as New York City correspondent Stefon, or in early supporting movie parts in Hot Rod and Adventureland. In 2014's The Skeleton Twins, opposite fellow ex-SNL cast member Kristen Wiig, he'd never been better to that point. But Barry is a tour de force both in front of and behind the lens, and a show expertly steeped in the kind of deep-seated melancholy that Hader can so effortlessly exude even when he's overtly playing for laughs. He doesn't just star, but writes and frequently directs. He co-created the series with Alec Berg (Silicon Valley), and he'll also helm every episode of its in-the-works fourth season. And, every choice he makes with Barry — every choice the show has made, in fact — is astounding. Freshly wrapped up on Binge in Australia and Neon in New Zealand — and so now available to stream in full — Barry's third season is propulsive. It knows its premise: a contract killer does a job in Los Angeles, catches the acting bug and decides to change his life. It also knows that it has to keep unpacking that concept. And, it's well-aware that there are repercussions for everything we do in life, especially for someone who has spent their days murdering others for money, even if they're extremely relatable and likeable. There has long been an air of The Sopranos to Barry, and of Mad Men as well, both of which seep through season three. It's both a portrait of someone who does despicable things, and a dive behind the gloss of an industry that sells a dream: an ex-soldier turned assassin-for-hire rather than a mob boss, and entertainment instead of advertising. Three seasons in, Barry Berkman (Bill Hader, Noelle) still wants to be an actor — and to also no longer kill people for a living — when this new batch of episodes begins. That's what he's yearned for across the bulk of the show so far; however, segueing from being a hitman to treading the boards or standing in front of the camera has been unsurprisingly complicated. Making matters thornier are the many ways that his past actions, as an assassin and just as Barry himself, have caused inescapable ripples. Season three focuses on history biting back again and again, including the investigation into murdered police detective Janice Moss (Paula Newsome, Spider-Man: No Way Home), the fallout with Barry's beloved acting teacher Gene Cousineau (Henry Winkler, The French Dispatch), his relationship with fellow actor Sally Reed (Sarah Goldberg, The Night House) after she gets her own show — plus the dramas that causes for Sally — and the vengeance sought by his ex-handler Monroe Fuches (Stephen Root, The Tragedy of Macbeth). Chaos ensues, emotional and physical alike, because Barry has always been determined to weather all the mess, darkness, rough edges and heart-wrenching consequences of its central figure's actions. That's true of his deeds not only in the past, but in the show's present, and it's one of the series' smartest and most probing elements. Hader and Berg know that viewers like Barry. You're meant to. That's what the first season so deftly established, and the second so cannily built upon. But that doesn't mean ignoring that he's a hitman, or that his time murdering people — and his military career before that — has ramifications, including for those around him. Indeed, season three also spies the reverberations for Gene, Sally and Fuches not just due to Barry, but thanks to their own shortcomings and questionable decisions as they keep mounting. It's no wonder that Barry is one of the most complex comedies currently airing, and that its third season is as intricate, thorny, textured and hilarious as the first two to begin with — and even more so as each new episode gives way to the next. That's no small feat, but it's an even bigger achievement given that it's ridiculously easy to see how cartoonish Barry would be in far lesser hands. (Or, how it might've leaned into a lazy odd-couple setup with Hader as the titular figure and Bill & Ted Face the Music's delightful Anthony Carrigan as Chechen gangster Noho Hank). But Barry keeps digging into what makes its namesake tick, why, and the effects he causes. It sinks in so deeply that this, not chasing an acting dream, is what the relentlessly gripping show is truly about. And, it follows the same course across its entire main quintet. In reality, perfect and flawed aren't binary options for any single person, and this sublime piece of TV art mirrors life devastatingly well. With visual precision on par with Breaking Bad and Better Call Saul, two of the most stylishly and savvily-shot shows ever made — two series where every single frame tells a tale without saying a word, and no aesthetic choice makes the expected move — Barry's third season is also spectacular to look at. It ends with an image that as simple as it is truly haunting, after a climactic finale episode that also features an intense showdown set against a purposefully stark backdrop, plus an action scene handled with more finesse and flair than most big-screen releases. As a dramatic motorcycle chase and vivid raid earlier in the season also illustrate, Barry is as devoted to staging dynamite action scenes as it is at plunging deep into its characters. And, as every intelligently penned and outstandingly performed episode just keeps proving, too, this masterful show is downright stellar at that. Barry's third season also remains immensely funny, and also savagely unsettling. Yes, it and Hader can do it all. The third season of Barry — and the first and second seasons as well — is streaming in full via Binge in Australia and Neon in New Zealand. Images: Merrick Morton/ HBO.
"I think if someone like Bong says 'I'd like to work with you' once and then again, you just say yes," Daniel Henshall tells Concrete Playground. In the past decade, Bong Joon-ho has directed three films: Parasite, picking up the Palme d'Or at Cannes and four Oscars in the process, plus two pictures featuring an Australian actor who initially came to fame in Snowtown, aka one of the nation's most-haunting movies. In Okja, Bong and Henshall's first collaboration, the former tasked the latter with playing an animal-rights activist in a sci-fi action-adventure about battling the meat industry. Reteaming with the writer/director for Mickey 17, Henshall now portrays the righthand man to a wannabe dictator — an egomaniacal politician with clear real-life parallels — who is attempting to set up his own space colony, and cares little for the lives, human and other, that are lost in doing so. "I think I read it after I'd already said yes," Henshall continues. "So I was already on my way to doing it before I got to really appreciate how brilliant and bizarre and epic and fun this film is. I think it's really funny, this one." He's right: while there's darkness in every Bong picture, and the filmmaker's career-long cinematic exploration of exploitation in its many guises continues in Mickey 17, this is a comedy as much as it's a science-fiction flick. Adapting Edward Ashton's novel Mickey7, Bong ensures that humour flavours what's otherwise a bleak premise, with the movie's namesake (Robert Pattinson, The Batman) unwittingly signing up to die again and again and again — enough so he's lived at least 17 lives, hence the title — to assist the sinister Kenneth Marshall's (Mark Ruffalo, Poor Things) designs on an intergalactic empire march forward. This is a tale about expendables — a term that applies literally in Mickey 17, but could've been used to describe much else across Bong's filmography, be how a serial killer regards his victims in Memories of Murder, the way people considered lower-class in Snowpiercer and Parasite are treated, or the animals in the food chain in Okja. Mickey's job, which he didn't read the paperwork for before agreeing, is basically a human guinea pig and crash-test dummy. Death comes with the gig, as does being cloned each time that he says farewell. There's one key rule, however: there can only be one of Mickey, or of any expendable, at a time. Multiples are expressly forbidden. When the 17th Mickey is left for dead on Niflheim, the icy planet that Marshall is endeavouring to make his own, but survives, Mickey 18 is generated. Keeping the fact that there's two of them a secret; navigating his other self's different personality; fighting with himself over his security-agent girlfriend Nasha (Naomi Ackie, Blink Twice); feuding with frenemy Timo (Steven Yeun, Beef); avoiding scientists Dorothy (Patsy Ferran, Miss Austen) and Arkady (Cameron Britton, The Umbrella Academy); being stuck at the whims of Marshall and his sauce-loving wife Ylfa (Toni Collette, Juror No 2); communicating with Niflheim's indigenous creatures, which are nicknamed 'creepers': that's all now on Mickey's plate. Rarely far from Marshall's side, Henshall's Preston is the type of person who'll do anything for the man that he's pledged his allegiance to, including helping to shape his boss' image as fervently as he's constantly stroking his ego. Unlike Mickey of any number and his job, Preston is participating willingly. How did Henshall respond when Bong thought of him for the part? "The first reaction was 'this is more bonkers I'd ever experienced of his work'," he advises. "Parasite is proper bonkers, but this film was bizarre and excellent and unique and funny and humane and violent and scary, and all within this genre. And it was all the things that he brings to his work, all the commentary and the satirical nature of his work. I thought 'oh man, this is such a wonderful, delicious soup'. And Preston is a wonderful ingredient in that soup. What a strange character in this world, right? And from what he had said briefly about the character, it just seemed like a lot of fun — a lot of fun." [caption id="attachment_994744" align="alignnone" width="1920"] Alex Vaughn[/caption] Henshall can thank Snowtown for plenty in his career. His performance as John Bunting in his first-ever film role — beforehand, single episodes of All Saints and Rescue Special Ops, plus a main part in soap Out of the Blue are on his resume — is that unforgettable, and everything from fellow Aussie movies These Final Hours, The Babadook, Acute Misfortune, Measure for Measure, A Sunburnt Christmas, The Royal Hotel and How to Make Gravy (which we chatted with him about in 2024) through to international productions Ghost in the Shell and Skin have followed. So too have TV roles at home in Bloom, Lambs of God, Clickbait, Mystery Road: Origin, Savage River and The Newsreader, and overseas in TURN and Defending Jacob. He can directly credit Justin Kurzel's debut crime drama based on the real-life South Australian murders for being cast in both Okja and Mickey 17, though, after Bong was on the Cannes Film Festival Camera d'Or jury in 2011 when Snowtown played at the prestigious festival, then approached Henshall after seeing the movie. How did that first meeting with the filmmaker lead to not one but two performances in front of Bong's lens? Having collaborated with him twice now, why does Henshall think that the South Korean director is so drawn to digging into humanity's penchant for exploitation? What energy did acting alongside Mickey 17's cast, with many of his co-stars turning in such distinctive portrayals, give him for his own performance? Alongside what gets him excited about a new project, what he makes of his career so far and more, our conversation with Henshall spanned all of these topics. On How Snowtown Led to Okja, and Then to Mickey 17 "So Bong was the head juror of the Camera d'Or back in 2011, which is a prize given to the what the jury deem is the best first film by a debut filmmaker at the Cannes Film Festival — and Snowtown played there. And so after the first screening of Snowtown, Bong waited around and he was very sweet, and came up and said hello, and gave me a card and said 'yeah, it'd be great to work with you'. There's a bit of protocol there that says they can't say much about the film or howthey responded to it, just because of the secrecy of the ballot at the end of the week and who wins what, but he said 'I'd like to work with you, very lovely to meet you' — and then he went on his way, and it was very lovely. I went back to an event at Screen Australia, I think, and Jennifer Kent — the writer/director of The Babadook and The Nightingale — was there. She with there with her producer, as she was selling The Babadook to get some international money before making it. And she taught me at acting school. She came up to me and she said 'I heard you met someone today'. And I said 'oh yeah, yeah' — and I was going through my mind who I may have met that she was so excited about. And I said 'oh yeah, there's this beautiful man from Korea'. And she was like 'yeah, I know who he is: director Bong Joon-ho'. And I was like 'oh yeah, yeah'. And she's like 'you don't know who he is, do you?'. And I'm like 'oh, no, no' — and she's like 'you're an idiot, you need to watch this, this, this, this, this and this'. And I was like 'okay, I will, I will'. [caption id="attachment_994759" align="alignnone" width="1920"] Okja, Netflix[/caption] So I went home when Cannes finished and I watched the films. And I was very happy that I didn't know who he was when I met him, because I think I would have been very shy because the films were incredible. Anyway, I was a bit naive. It was the first thing I'd ever been to outside of Australia to do with work, and I thought it was a nice gesture and nothing more. So years go by and we get a phone call, and he'd like to meet for me to work on Okja. I was on a plane the next day. He said 'I'm in LA, I'd love to meet you. I've got this film. I think you'd be great in it'. I'm like 'can I get there quicker?'. So I got on a plane and we met, and I think he'd already cast me in his mind, but he just was doing an energy check. He wanted to see, just to see, I think — he doesn't just cast the people he thinks are going to be great in the film, I think energetically he wants to put together an ensemble of people, not just in front of the camera but behind the camera, who are going to work best to make the film come to life. And I think he knew from meeting me that that might be a good thing. So, obviously you don't know until you do it, but I guess he trusted his intuition. And not long after that I got offered Okja. And then, I get a call out of the blue while I haven't had much work — it's 2022, I haven't had much work or I'm in-between jobs, and I think a couple of things have been pushed, and I'm about to go to start a job on a film. And I get this call from his American producer Dooho Choi, who was a friend of mine because we worked together on Okja, and he says 'hey, Bong wants to work with you again'. I thought he was joking and just having a laugh, and he was like 'no, no, I'm in London and you need to get here'. And I was like 'oh'. So then that happened, and I went to London a couple of months later and I got to do the thing — again. So I'm feeling very blessed and very grateful that I that I got to do it, not just once but twice, because I felt a lot more comfortable the second time working with him in the way that he works. And, of course, with the brilliant people that he brings together to make his very unique, excellent films. So I felt like part of the family the second time. There's a lot of co-collaborators that he worked with again, so I got to be part of that family again and we got to reunite and work together again, and I felt a lot more comfortable in my skin this time." On the Theme of Exploitation Continuing to Recur Across Bong's Career, Including in Okja and Mickey 17 "I think he's a very socially aware guy. I can't speak to what his reasons are, really — he's a very open and lovely human, but I haven't talked in-depth with him about how he came to do [this], because, as you say, there are themes that he, in every one of his films, these themes sort of show up. And I haven't really had a chance to talk in depth about that with him. So that, I couldn't speak to that, other than I think he sees the absurdity in humanity, and while it moves him to, I assume, sadness at times, he just sees the hilarity in the indifference. And I think what he's trying to do — and again this is my take on it — I think what he's trying to do is to show us there's a better way through the absurdity. I think that means a lot to him. I mean, he came out of — again, you'd have to speak to him, but this is my assumption knowing a little about the history — he came out of a military dictatorship, like in 1988 that was thrown over in Korea, and Korea came into this sort of industrial boom, which made people start having a bit more equity across the board and more finances to consume things. And he is the result of that, in that he can now comment on his experience through his art. And he does it so uniquely and so brilliantly. But I think the thing is, it's a lofty goal, but I think the hope when you make something and you spend so long doing it and you commit your life to doing it is to show people that there is a better way. That we can — because there are good people in every one of his films, right? And a lot of the darkness, he shows through absurdity. And you're right, there are some really dark moments in this film in the way that we treat the original habitants, the aliens, of this planet Niflheim, and the way that we treat the expendable, Rob Patterson's characters — character or characters — and the class system within this this spaceship. He's constantly making fun, not just of the people who are being awful, but the people down the scale. So I think that's the goal. Again, this is just me surmising. But that's what I receive when I see his work outside of the work that I've been involved in myself, is that you're pointing out to us that there's a better way — and look how silly we are as a race when ego and hubris and self-interest gets involved. And community is much better together rather than at odds." On Being Part of Such a Stacked Cast — and the Energy That His Co-Stars' Committed Performances Gave Henshall for His Own "It's so much fun, because those guys are so committed to what they're doing and what they're being asked to do by Bong, that it helps inform what you're supposed to do and where you're supposed to be as the character, and how you're supposed to respond to something — whether that be physically, emotionally or verbally. And so when people are giving you so much; I mean, Rob gives so much, Mark gives so much, Toni gives so much, Naomi gives so much. Everybody was coming to work wanting desperately to make this work. And everybody has such a different energy level. Everybody is such a unique, standout character for their moments. The scientists with Cameron Britton and Patsy Ferran, at odds with each other, that classic dynamic. Steven Yeun — Steven Yeun blew me away. Again, everybody's giving their personal story so much value. And our commitment that when you step into that soup or that mesh, you feel it, the energies are pushing and pulling you, and you know what you're there to do, what you're supposed to do there, what you've been asked to do and your intentions. So to play those intentions within that sort of tête-à-tête coming at you and you're responding to it, it's so much fun. You're in such good hands with the crew and Bong behind the camera. I can only speak positively about it. It's just so much fun. Even though he's very prescriptive and he has the film in his head — he only shoots the frames that he's going to use in the edit. So that might interrupt your speech or that might interrupt the dialogue. You only might get a chance to respond at one certain moment. You don't get to play the whole scene out on camera. And he knows exactly what he needs for that, so he might direct you in a certain fashion, and he'll show you the storyboard, and so you get an idea of what you're supposed to be physically — but within that he wants you to play and find something that's not within the storyboard, but you have to just hit those mark physically. And when you're getting the response from that you're getting from Rob — I just remember when doing the read-through and Rob was doing that voice, and I'm like 'this is so great, this is going to be so much fun to work opposite'. And then Mark was finding his voice, and I'm like 'these energies are just wild and within the Bong universe — I can't wait'." On What Excites Henshall About Getting to Skew in a Lighter Direction, Even If There's Still Darkness Evident, Than Projects Like Snowtown, The Royal Hotel and Acute Misfortune. "It doesn't have to be a dark turn for me to get excited to do the work, to flesh out of character. I think that's just the stuff that I've been lucky enough to have been thrown, and I really enjoyed investigating why men like those roles from those films that you mention, to question and investigate why these guys are the way they are and then try to portray that as best I can. But anything on any spectrum excites me. The thing with Preston in this film, Bong's world, there's always a sense of playfulness and absurdity and commentary, and you don't necessarily play that but you lean into the idea of it — and that's really exciting. And I cherish to be able to flesh something like that out in his world. Anything that comes along that is lighter or more comedic, too, that's a different type of challenge and a different type of investigation and curiosity. That's really fun to do, too, depending on who you're working with and the story and the context of the character within that story. But working with him — and his characters are arch at times, and you're fulfilling certain tropes within the story for him, but there's a menace to Preston. And an underlying nastiness, an ugliness that I think comes from an ideology that's dark, but it's portrayed in this sort of very humorous observation of people who can be like that, that end up working for or being part of a belief system. In Preston's terms, it's in with this sort of corporation church, and there are some uglier elements there that we don't delve into but are quite obvious if you look at them hard enough. And that's really fun and it's zany — you know, he's wearing a £2000 suit on a spaceship. Why does he look like that? Where did that come from? Who is he? Bong said to me, the first time we met and talked about this film and this character, he said 'I want you to be shiny and smell like shampoo. You've got no hair, but I want you to be shiny and smell like shampoo'. So that excites me. What does that mean? That's very fun, and inspires the imagination and your curiosity. And then at one point, he said to me 'you think you're Mick Jagger. Nobody knows this. You don't show it. But that's what's happening internally for you'. And again, whatever that means, that's a really fun, exciting thing to play within the context of the dynamics between Mark's character, my character, Toni's character, Rob's character. What a fun direction. What a fun note to give. And then there's the intentions, I think he's trying to influence heavily without offending someone who is obviously very intimidated and insecure but has a great deal of power. And I think he's trying to get in the ear of Marshall as best he can by inflating his ego so as to serve his own mission, which I think is to further his position. So there's a menace and a malice there, and an intention that isn't very light — especially when we're talking about the loss of life, whether it be creeper or human, to get to a certain place. And then you justify that because you have a certain belief in a certain, in god, but it's done in this very sort of absurd way. So all of that excites me." On What Henshall Looks for in a New Project at This Stage of His Career "Well, the people, really. I've been very fortunate to work with some really great people — not just incredible artists or practitioners or craftspeople, but good humans. And I've been taken to some really exciting places that, had I not been in this industry, had I not chosen this career, I wouldn't have gone to. And also the people that are in these places, I wouldn't have met. It's not just fellow film and TV folks — it's people that you meet on the ground wherever you are. So that's been incredible. What excites me about a new project is the possibility of new friendships and new collaborations, and also the possibility to apply everything that you've learnt from the past experiences. Every job is similar in context in many ways and you can rely on those things, but the variables are different — it's a different crew, perhaps, or different people that you don't know yet how they work, what makes them tick, how best to fit into the job, how best to form a relationship with them to get the best out of you and them. That's all very exciting and terrifying. Is it going to work? Who knows? We don't know until we're doing it and then when we're doing it, you can't really go back and do it again. I know you get the time to do multiple takes, but to really know someone you have to sort of do the time with them, whether it be a director or cinematographer, a crew member, or an actor, writer, producer. Many things. [caption id="attachment_983107" align="alignnone" width="1920"] How to Make Gravy, Jasin Boland[/caption] So that's all exciting. And to employ all the things that you've relied on in the past and then push yourself into new challenges — that could be location, that could be many things. The role, the people you're working with, opposite, as an actor, it's all new and exciting. So I enjoy that challenge. Also, obviously, the depth of the scripts and the role that you get to play — and what part of your experience do you get to employ or get to use? Hopefully it's something fresh. And as you grow, you have new experiences and new perspectives, so you get to play things differently, I suppose. [caption id="attachment_994760" align="alignnone" width="1920"] Okja, Netflix[/caption] And the opportunity to be working. Just working. It doesn't happen for all actors, as you know, and it's a very fickle thing. And you can be working a lot and then you don't work for a while or you don't work at all. So there's the joy of working, which I adore. And I adore what I do, so I really love all that. The chance to play something different, as you sort of intimated. Some of the stuff that I've done in the past has been very dark. I think more recently, I've done stuff that's been less dark. I've played less-troubled people or people who have exorcised some of the darker parts of themselves, have been better human beings, I'd say — or more-loving human beings. So that's been really fun. I played something quite comical recently, that's been really fun. I'm just enjoying the different parts of myself that I get to peruse, too, then put in place with whatever character presents. But yeah, the people and the challenge of the work and all the different variables, that's what excites me. I think it's a multi-faceted answer." [caption id="attachment_994745" align="alignnone" width="1920"] Alex Vaughn[/caption] On What Henshall Makes of His Journey as an Actor So Far "I think I'm incredibly fortunate to have worked with the people that I've worked with and worked on some of the projects I've worked on. I've been taken all around the world. I've met some of the great, really great people, not just as practitioners but as humans. I've gotten to work on projects with director Bong. I've gotten to work with Justin Kurzel. I've gotten to work with Emma Freeman. Kitty Green. I've gotten to work on a television show in America for four years. I've gotten to play some really sinister people with some major issues, both mentally, physically and emotionally, and that's been an incredible exploration of perspective. And I've learnt a lot from that. I've learnt a lot from the people that I've worked with, young and old. It's just been brilliant. I feel very fortunate. I feel very fortunate that I can continue to do it. I feel very lucky. And I hope it continues, because I really enjoy it." Mickey 17 opened in cinemas Down Under on Thursday, March 6, 2025.
We know the last few years have been pretty grim, what with the world imploding, hell freezing over and all that. But we need to remember good things happen as well, and here are two local examples we'd like to draw your attention to. Firstly, there's a pied currawong that's been delighting visitors to Sydney's Royal Botanical Garden. She's super cute and nearly complete white but she's not actually an albino. The lil gal has leucism, a rare condition that causes white patches to cover most of her body but causes no other adverse side effects. Because it's breeding season for currawongs, she's raising two hatchlings and has been seen around the park a lot recently. Which leads us to the second, and even cuter, piece of news… The park invited its Facebook fans to name the currawong. Now, you may have just shrieked "No! Remember Dub the Dew? Remember Boaty McBoatface?" But fear not, this isn't another "Hitler Did Nothing Wrong" situation. The internet has actually come through. Fans of the Royal Botanic Garden's Facebook page put forward some of the sweetest suggestions to name the currawong mama, including Flora (because she likes hanging around flowers, obviously), Elsa, Snowy, Graculina, Oreo, "Kelvin...Kelvinator...White goods...", Falcor, Apples, Louey, Flannel, Paloma, Stormy, Cookie, Bianca, Crow White and Casper. So pure. So innocent. Someone suggested "Carol from marketing" which is also an ace suggestion. Snaps for Carol from marketing. Read the thread here if you want your heart to be filled with gladness (keep it pure, people) and, if this story has made you uncharacteristically invested in a bird, check out the RBG's blog for information about the ghostly currawong. We assume the Royal Botanic Garden will pick a name soon.
When Sydney scored an expansive coastal walk spanning from Bondi to Manly, it was a huge addition to the city, particularly if you like putting one foot in front of the other while soaking in stellar waterside sights. Soon, you'll have another option, too: a new 91-kilometre shared — and continuous — pathway running from the Sydney Opera House to Parramatta. The idea was first proposed by The McKell Institute, a think tank aligned with Labor, back in 2020. The same year, it was adopted by by then-New South Wales Treasurer and now-Premier Dominic Perrottet, with $500,000 funded in the 2020-21 NSW budget to explore moving ahead. Now, current Treasurer Matt Kean and Minister for Infrastructure, Cities and Active Transport Rob Stokes have confirmed that the walkway is in the works — and yes, it's as huge as it sounds. The NSW Government will put $60 million towards the pathway, which has been dubbed the Parramatta to Sydney Foreshore Link, and will be able to be used by both pedestrians and cyclists. It'll start by the harbour and end at Parramatta Park — or vice versa, depending on which direction you're heading. In the process, it'll become one of the city's longest transport connections, spanning a whopping 18 suburbs. View this post on Instagram A post shared by Rob Stokes MP (@robstokesmp) Some existing pathways will be included in the overall track, but others will need to be built. Indeed, part of the funds will go towards working out how to make currently inaccessible foreshore sections accessible. That new stack of cash for the Foreshore Link will be committed in the 2022-23 budget, although exactly when you'll be able to get moseying hasn't yet been revealed. Also included in that $60 million: design work, building on the initial feasibility study and prioritising works in consultation with councils. Whenever it comes to fruition, stunning views will be a big feature, naturally. "This pathway will take in some of our most spectacular sights and unlock the incredible lifestyle and accessibility opportunities the route offers for the benefit of locals and visitors," said Kean, announcing the news. "Since 1811. our city's prosperity has been propelled by road and rail connections between the settlements of Sydney and Parramatta. This new connection will allow walking and cycling trips to proliferate, making lives easier, healthier and more enjoyable for locals, commuters and visitors for centuries to come," added Stokes. For more information about the Parramatta to Sydney Foreshore Link, head to the NSW Government website.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from May's haul of newbies. NEW SHOWS TO CHECK OUT WEEK BY WEEK OBI-WAN KENOBI More Ewan McGregor in anything is always a good thing, including in returning to a galaxy far, far away (and long ago). But before Disney+'s new Star Wars series Obi-Wan Kenobi gives the space opera franchise's fans that gift as part of the platform's third live-action spinoff from the blockbuster movie saga (following The Mandalorian and The Book of Boba Fett), it has another present to bestow. Across a few minutes in the show's "previously on" prelude prior to its opening episode, it recaps what viewers need to know about the Jedi and his time with Anakin Skywalker (Hayden Christensen, The Last Man) before now. That means that viewing the terrible prequel trilogy is no longer ever necessary, because the main point of the entire three films has been condensed down into this quick montage. Elated, you should be — and may the force be with the time you'll never waste rewatching them again. There's obviously more to Obi-Wan Kenobi than that. Set ten years after Star Wars: Episode III: Revenge of the Sith, it finds Obi-Wan (McGregor, Halston) living as Ben Kenobi on Tatooine, all to keep an eye on a young Luke (Grant Feely, Creepshow) from afar. But the Empire is after the former Jedi master, and all Jedis — with a particularly determined Inquisitor, Third Sister (Moses Ingram, Ambulance), especially vicious in her efforts to hunt him down. That's all as expected; however, the storyline involving the kidnapping of young Leia (Vivien Lyra Blair, Waco), who is growing up with the Organas (In the Heights' Jimmy Smits and 11%'s Simon Kessell) as her adoptive parents, is far more of a surprise. Also boasting everyone from Joel Edgerton (The Green Knight) and Kumail Nanjiani (Eternals) to Sung Kang (Fast and Furious 9) and Benny Safdie (Licorice Pizza) among its cast, this six-part limited series slots easily into the ongoing sci-fi franchise at its big-screen best — including both looking and feeling the part. Obi-Wan Kenobi streams via Disney+. THE STAIRCASE On December 9, 2021, novelist and aspiring politician Michael Peterson called the North Carolina police to report that his second wife Kathleen had fallen down the stairs. It was late, and he was distraught. She was unconscious but still breathing, he said, and he pleaded for medical help ASAP. While waiting for the ambulance, he rang back to say that Kathleen was no longer breathing. When the paramedics arrived, she was dead. But the scene they found was shockingly bloody, and questions about Michael's story were asked immediately. Protesting his innocence, and originally supported by all five of his biological, adopted and step children, he was arrested and charged with his wife's murder. And yes, if this all sounds familiar — and not just from news headlines two decades back — it's because it was originally chronicled by 2004 French-made true-crime documentary miniseries The Staircase. Now, HBO's eight-part dramatised version — also called The Staircase — is relaying the same story. Whether or not you already know the full tale, the result is still gripping, tensely shot and edited, and also masterfully acted. Colin Firth (Operation Mincemeat) plays Michael, albeit with a far-from-convincing American accent. Aussie actors abound, too, with Toni Collette (Nightmare Alley) as Kathleen, plus Olivia DeJonge (Better Watch Out) and Odessa Young (Shirley) as two of the family's daughters. With Juliette Binoche (How to Be a Good Wife), Michael Stuhlbarg (Call Me By Your Name), Parker Posey (Lost in Space), Sophie Turner (Game of Thrones), Dane Dehaan (Lisey's Story) and Patrick Schwarzenegger (Moxie) all also popping up — and Rosemarie DeWitt as well, playing Collette's sister again after United States of Tara — getting absorbed in this retelling comes quickly and swiftly. The Staircase streams via Binge. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW CONVERSATIONS WITH FRIENDS Peeking into intimate connections and making audiences feeling as though they've been lifted from their own lives, or from emotions they've navigated and weathered, is one of Sally Rooney's key skills as an author. It's true of both Conversations with Friends and Normal People in print, and it's a knack that the same creative team — Rooney as an executive producer, co-screenwriter Alice Birch (Lady Macbeth) and co-director Lenny Abrahamson (Room, Frank) — have brought to TV adaptations of both. In text and flickering across the screen, the two tales step into complicated romances that simmer with intensity. They confront class clashes and the difficulties that spring from them as well. And, they force contemplative women to confront what they want, who they are, how they'll grow as people and the others they might give their hearts to. In the instantly addictive Conversations with Friends, 21-year-old Frances (quietly magnetic newcomer Alison Oliver) is first poised as the other half in a couple that's not a couple, at least anymore; she went to school with and used to date the outspoken and outgoing Bobbi (Sasha Lane, American Honey), but now the two university students are best friends and spoken-word poetry partners. It's during one of their performances that successful writer Melissa (Jemima Kirke, Sex Education) spots the duo's act, compliments them afterwards and invites them over for a swim, then back to her well-appointed house for a drink. Enter Nick (Joe Alwyn, The Souvenir: Part II), Melissa's actor husband, who holds himself like he'd rather be anywhere but there but is too polite to upset the status quo. He's as reserved and introverted as Frances — and they catch each other's eyes, while Bobbi and Melissa gravitate towards each other. Conversations with Friends streams via Prime Video. Read our full review. PREHISTORIC PLANET Five episodes, one comforting voice, and a time-travelling trip back 66 million years: that's the setup behind Prehistoric Planet, an utterly remarkable feels-like-you're-there dive into natural history. Having none other than David Attenborough narrate the daily activities of dinosaurs seems like it should've happened already, of course; however, now that it finally is occurring, it's always both wonderful and stunning. Filled with astonishing footage on par with the visuals that usually accompany Attenborough's nature docos, all thanks to the special effects team behind The Jungle Book and The Lion King, it truly is a wonder to look at. It needs to be: if the Cretaceous-era dinosaurs rampaging across the screen didn't appear like they genuinely could be walking and stalking — and fighting, foraging for food, hunting, flying, swimming and running as well — the magic that typically comes with watching an Attenborough-narrated doco would instantly and disappointingly vanish. Welcome to... your new insight into Tyrannosaurus rex foreplay, your latest reminder that velociraptors really don't look like they do in the Jurassic Park and Jurassic World flicks, an entertaining time spent with al kinds of animals, and your next favourite dinosaur project with an Attenborough attached. Each of Prehistoric Planet's five instalments focuses on a different type of terrain — coasts, deserts, freshwater, ice and forests — and chats through the creatures that call it home. Set to a spirited original score by Hans Zimmer, fresh from winning his latest Oscar for Dune, there's a formula at work. That said, it's no more blatant than in any David Attenborough-hosted show. Viewers watch as some dinos look after their young, others try to find a mate, plenty search for something to eat and others attempt not to be eaten. The same kinds of activities are covered in each episode, but the locations and dinosaurs involved all change. Prehistoric Planet streams via Apple TV+. Read our full review. STRANGER THINGS Finally back for its fourth season after a three-year wait (yes, finally), Stranger Things ventures beyond its trusty small-town setting of Hawkins, Indiana, and in several directions. It keeps its nods and winks to flicks and shows gone by streaming steadily of course — but expanding is firmly on its mind. Once again overseen by series creators The Duffer Brothers, its latest batch of episodes is bigger and longer, with no instalment clocking in at less than an hour, one in the first drop running for a feature-length 98 minutes, and the final two not set to release until Friday, July 1. Its teenage stars are bigger and taller as well, ageing further and faster than their characters. The show has matured past riffing on early-80s action-adventure movies, too, such as The Goonies; now, it's onto slashers and other horror films, complete with new characters called Fred and Jason. And with that, Stranger Things also gets bloodier and eerier. That said, it's still the show that viewers have loved since 2016, when not even Netflix likely realised what it had unleashed — and no, that doesn't just include the demogorgon escaping from the Upside Down. But everything is growing, as Eleven (Millie Bobby Brown, Godzilla vs Kong), her boyfriend Mike (Finn Wolfhard, Ghostbusters: Afterlife), and their pals Will (Noah Schnapp, Waiting for Anya), Dustin (Gaten Matarazzo, The Angry Birds Movie 2), Max (Sadie Sink, Fear Street) and Lucas (Caleb McLaughlin, Concrete Cowboy) all visibly have. Eleven, Will, Jonathan (Charlie Heaton, The Souvenir Part II) and Joyce (Winona Ryder, The Plot Against America) have branched out to California, and Mike comes to visit. Back in Hawkins, Dustin, Lucas, Max, Steve (Joe Keery, Free Guy), Robin (Maya Hawke, Fear Street) and Nancy (Natalia Dyer, Things Seen & Heard) have a new evil to face. And, as for Hopper (David Harbour, Black Widow), he's stuck in a Russian gulag. The first seven episodes of Stranger Things season four are streaming via Netflix. Read our full review. EMERGENCY The 'one wild night' genre isn't solely comprised of films about high school or college parties — Martin Scorsese's ace After Hours isn't, for example — but it's still filled with them. Emergency is the latest, but it's also a movie with something to say beyond the usual life lessons about valuing your real friends and working out who you genuinely are when you're at that awkward time learning about what being an adult means. It also takes a huge cue from a fairy tale that everyone knows, and adapts it to reflect an inescapable part of America today. How does being a person of colour change your options during a supposedly carefree night of partying? How does it influence your choices when something unexpected happens to someone else and you want to help? And what would happen if Goldilocks and the Three Bears was about a drunk white high schooler who passes out inside a house shared by one Latino and two Black college seniors? These are Emergency's questions. The answers to the above queries come courtesy of filmmaker Carey Williams (R#J) and screenwriter KD Dávila (Salvation), who adapt their short film of the same name. Their focus: pals Sean (RJ Cyler, The Harder They Fall), Kunle (Donald Elise Watkins, The Underground Railroad) and Carlos (Sebastian Chacon, Penny Dreadful: City of Angels), on what's supposed to be a huge night hopping between seven different campus shindigs. Then, they find Emma (Maddie Nichols, The Outsider) passed out on their lounge room floor. The Princeton-bound Kunle wants to call 911, but Sean knows how it'll look to the authorities — even though they're trying to do the right thing, have never met the girl before and don't know how she ended up in their house. Savvier than it is funny, Emergency is an oh-so-topical satire first and foremost, and doesn't hold back for a second. Emergency streams via Prime Video. UNDONE Returning for its second season three years after its first — which was one of the best shows of 2019 — the gorgeously and thoughtfully trippy multiverse series Undone is fixated on one idea: that life's flaws can be fixed. It always has been from the moment its eight-episode initial season appeared with its vivid rotoscoped animation and entrancing leaps into surreal territory; however, in season two it doubles down. Hailing from BoJack Horseman duo Kate Purdy and Raphael Bob-Waksberg, it also remains unsurprisingly concerned with mental illness, and still sees its protagonist caught in an existential crisis. (The pair have a type, but Undone isn't BoJack Horseman 2.0). And, it deeply understands that it's spinning a "what if?" story, and also one about deep-seated unhappiness. Indeed, learning to cope with being stuck in an imperfect life, being unable to wish it away and accepting that fate beams brightly away at the heart of the show. During its debut outing, Undone introduced viewers to 28-year-old Alma Winograd-Diaz (Rosa Salazar, Alita: Battle Angel), who found everything she thought she knew pushed askew after a near-fatal car accident. Suddenly, she started experiencing time and her memories differently — including those of her father, Jacob Winograd (Bob Odenkirk, Better Call Saul), who died over 20 years earlier. In a vision, he tasked her with investigating his death, which became a quest to patch up the past to stop tragedy from striking. Undone didn't necessarily need a second season, but this repeat dive into Alma's story ponders what happens in a timeline where everything seems to glimmer with all that its protagonist has ever wanted, and yet sorrow still lingers. Once again, the end result is deeply rich and resonant, as intelligent and affecting as sci-fi and animation alike get, and dedicated to thinking and feeling big while confronting everyday truths. Undone streams via Prime Video. Read our full review. RETURNING FAVES DROPPING EAGERLY AWAITED NEW EPISODES WEEKLY BARRY Three seasons into the sitcom that bears his name, all that Barry Berkman (Bill Hader, Noelle) wants is to be an actor — and to also no longer kill people for a living. That's what he's yearned for across the bulk of this HBO gem, which has given Saturday Night Live alum Hader his best-ever role; however, segueing from being an assassin to treading the boards or standing in front of the camera is unsurprisingly complicated. One of the smartest elements of the always-fantastic Barry is how determined it is to weather all the chaos, darkness, rough edges and heart-wrenching consequences of its central figure's choices, though. That's true of his actions not only in the past, but in the show's present. Hader and series co-creator Alec Berg (Silicon Valley) know that viewers like Barry. You're meant to. But that doesn't mean ignoring that he's a hitman, or that his time murdering people — and his military career before that — has repercussions, including for those around him. One of the most layered and complex comedies currently airing, Barry's third season is as intricate, thorny, textured and hilarious as the first two. Indeed, it's ridiculously easy to see how cartoonish its premise would be in lesser hands, or how it might've leaned on a simple odd-couple setup given that Anthony Carrigan (Bill & Ted Face the Music) plays Chechen gangster Noho Hank with such delightful flair. But Barry keeps digging into what makes its namesake tick, why, and the ripples he causes. It does the same with his beloved acting teacher Gene Cousineau (Henry Winkler, The French Dispatch) as well. With visual precision on par with Breaking Bad and Better Call Saul, it's also as phenomenal at staging action scenes as it is at diving deep into its characters — and, as every smartly penned episode just keeps proving, it's downright stellar at that. Barry streams via Binge. HACKS In 2021, Hacks' first season quickly cemented itself as one of 2021's best new TV shows — one of two knockout newbies starring Jean Smart last year, thanks to Mare of Easttown as well — and it's just as ace the second time around. It's still searingly funny, nailing that often-elusive blend of insight, intelligence and hilarity. It retains its observational, wry tone, and remains devastatingly relatable even if you've never been a woman trying to make it in comedy. And it's happy to linger where it needs to to truly understand its characters, but never simply dwells in the same place as its last batch of episodes. Season two is literally about hitting the road, so covering fresh territory is baked into the story; however, Hacks' trio of key behind-the-scenes creatives — writer Jen Statsky (The Good Place), writer/director Lucia Aniello (Rough Night) and writer/director/co-star Paul W Downs (The Other Two) — aren't content to merely repeat themselves with a different backdrop. Those guiding hands started Hacks after helping to make Broad City a hit. Clearly, they all know a thing or two about moving on from the past. That's the decision both veteran comedian Deborah Vance (Smart) and her twentysomething writer-turned-assistant Ava Daniels (Hannah Einbinder, North Hollywood) had to make themselves in season one, with the show's second season now charting the fallout. So, Deborah has farewelled her residency and the dependable gags that kept pulling in crowds, opting to test out new and far-more-personal material on a cross-country tour instead. Ava has accepted her role by Deborah's side, and is willing to see it as a valid career move rather than an embarrassing stopgap. But that journey comes a few narrative bumps. Of course, Hacks has always been willing to see that actions have consequences, not only for an industry that repeatedly marginalises women, but for its imperfect leading ladies. Hacks streams via Stan. Read our full review. GIRLS5EVA When it first hit streaming in 2021 with an avalanche of quickfire jokes — as all Tina Fey-executive produced sitcoms do, such as 30 Rock, Unbreakable Kimmy Schmidt, Great News and Mr Mayor — Girls5eva introduced viewers to its eponymous band. One-hit wonders in the late 90s and early 00s, their fame had fizzled. Indeed, reclaiming their stardom wasn't even a blip on their radars — until, unexpectedly, it was. Dawn Solano (Sara Bareilles, Broadway's Waitress), Wickie Roy (Renée Elise Goldsberry, Hamilton), Summer Dutkowsky (Busy Philipps, I Feel Pretty) and Gloria McManus (Paula Pell, AP Bio) had left their days as America's answer to the Spice Girls behind, barely staying in contact since the group split and their fifth member, Ashley Gold (Ashley Park, Emily in Paris), later died in an infinity pool accident. But then rapper Lil Stinker (Jeremiah Craft, Bill & Ted Face the Music) sampled their single 'Famous 5eva', and they were asked to perform backing vocals during his Tonight Show gig. Jumping back into the spotlight reignited dreams that the surviving Girls5eva members thought they'd extinguished long ago — well, other than walking attention-magnet Wickie, who crashed and burned in her attempts to go solo, and was happy to fake it till she made it again. That's the tale the show charts again in its second season, which is back with more rapid-fire pop-culture references and digs; the same knowing, light but still sincere tone; and a new parade of delightful tunes composed by Jeff Richmond, Fey's husband and source of music across every sitcom she's produced. One of the joys of Girls5eva — one of many — is how gleefully absurd it skews, all while fleshing out its central quartet, their hopes and desires, and their experiences navigating an industry that treats them as commodities at best. The show's sophomore run finds much to satirise, of course, but also dives deeper and pushing Wickie, Dawn, Summer and Gloria to grow. Obviously, it's another gem. Girls5eva streams via Stan. Read our full review. RECENT AND CLASSIC FLICKS TO CATCH UP ON — OR REVISIT NO SUDDEN MOVE Any film by prolific director Steven Soderbergh (Unsane, Kimi) is a must-see event, even if it bypasses cinemas — as No Sudden Move sadly did. This crime thriller would've looked dazzling on a big screen, and for a plethora of reasons, but it's as excellent as ever even while watching on your TV. Soderbergh is no stranger to helming capers — he has Ocean's Eleven, Ocean's Twelve and Ocean's Thirteen on his jam-packed resume, plus both Out of Sight and Logan Lucky — and No Sudden Move is as energetic as the rest of his heist fare. Here, he also revels in period details, with this Ed Solomon (Bill & Ted Face the Music)-scripted tale unfurling in the 1950s. As he's known to do, Soderbergh both shot and edited the movie himself, too, and that exceptional craftsmanship is another of this playful neo-noir's many delights. Spinning an engaging story steeped in Detroit's crime scene, No Sudden Move has something to say as well. Don Cheadle (Space Jam: A New Legacy) in is career-best form as Curt Goynes, who gets out of prison, then gets enlisted for a job by a middleman known as Jones (Brendan Fraser, Trust). That gig? With two colleagues (The French Dispatch's Benicio Del Toro and Succession's Kieran Culkin), he's tasked with babysitting the Wertz family (Archenemy's Amy Seimetz, A Quiet Place Part II's Noah Jupe and debutant Lucy Holt), all so the Wertz patriarch (David Harbour, Stranger Things) can steal a document from his work. There's no shortage of plot — No Sudden Move keeps twisting from there — but capitalism's worst consequences also bubble prominently underneath. Soderbergh and Solomon savvily tease out the details, though, keeping their audience guessing as much as their characters. No Sudden Move is available to stream via Netflix and Binge. EVERY JAMES BOND MOVIE Break out the martinis and prepare for a shaken but not stirred couch session: Bond, James Bond, is coming to your lounge room. Just in time for wintry binge-viewing marathons, the famed espionage franchise has hit Prime Video, spanning every flick in the series from the now 60-year-old Dr No through to 2021's No Time to Die. Sean Connery smouldering his way through everything from that first-ever Bond instalment through to Diamonds Are Forever, Roger Moore stepping into 007's shoes between Live and Let Die and A View to A Kill, Timothy Dalton's two-film run in The Living Daylights and Licence To Kill — they're all included. So is Pierce Brosnan's stint as the secret agent between GoldenEye and Die Another Day, and Daniel Craig's five contributions from Casino Royale onwards, wrapping up with what might be the best Bond film yet. Aussie actor George Lazenby's one-movie appearance as Bond in On Her Majesty's Secret Service is also on the bill. That's all 25 official movies in total covered, but there is also a 26th movie, Never Say Never Again, that you might want to watch. Made in 1983, it stars Connery as the suave spy. But, because it was made by a different company from the rest of the Bond movies, it's not considered part of the franchise itself — however, it is also on Prime Video now. Exceptional Bond flicks, terrible ones, everything in-between: if 007 is involved, it's now in this one spot. For everything other than No Time to Die, this isn't the first time the franchise has all sat on one streaming platform, and we've all seen various flicks hop between different services over the years. That said, the Bond movies aren't likely to move from Prime Video moving forward given that Amazon recently purchased MGM, the nearly century-old film studio that's behind all things 007. The entire Bond franchise streams via Prime Video. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2021, and January, February, March and April 2022 — and our top new TV shows of 2021, best new television series from last year that you might've missed, top 2021 straight-to-streaming films and specials and must-stream 2022 shows so far as well.
On small screens all around the world, The Last of Us is currently showing everyone how video game-to-TV adaptations can and should be done. Can the new Dungeons & Dragons movie do the same for tabletop role-playing games? Cinemagoers are about to find out, when Honour Among Thieves rolls out its campaign on the silver screen with Chris Pine, Regé-Jean Page, Michelle Rodriguez and Hugh Grant among the cast. As seen in both Dungeons & Dragons: Honour Among Thieves initial sneak peek back in 2022 and its new just-dropped full trailer, the film focuses on a motley crew of characters rolling the dice. "We're thieves," Pine (Don't Worry Darling) explains in both, if the title wasn't already obvious enough. This crew, which spans Page (The Gray Man), Rodriguez (Fast & Furious 9), Justice Smith (Jurassic World Dominion) and Sophie Lillis (IT and IT: Chapter Two), too, "helped the wrong person steal the wrong thing". Cue the greatest evil the world has ever known, unleashed unwittingly, which this band of pilferers now endeavours to stop. In the two sneak peeks so far, dragons pop up, of course. So do dungeons, to the astonishment of no one. Other fantastical animals, fights, flaming swords, fireballs, an army of the undead and quips: they're all included as well, as are Grant (Operation Fortune: Ruse de Guerre), fellow cast members Chloe Coleman (Avatar: The Way of Water) and Daisy Head (Wrong Turn), and Led Zeppelin's 'Whole Lotta Love'. Behind the camera, Jonathan Goldstein and John Francis Daley (Game Night) are in the directors' chairs, and co-wrote the screenplay with Michael Gilio. The mood they're going for: lighthearted, comic, but also an action-adventure epic. And, like all movies these days, they're seemingly trying to start a new franchise as well. Another Dungeons & Dragons movie has long sat on the list of things that were bound to happen after the success of Stranger Things. The role-playing game has already sparked three movies, with the first dating back to 2000 — but none of them starred this bunch (or were well-received, whether they hit theatres or went straight to home entertainment). Actually, another D&D film has been in the works in some shape or form since before the world saw a bunch of kids in Hawkins, Indiana play the game. Thanks to the success of Game of Thrones, fantasy epics have become a huge Hollywood cash cow (see also: the return of The Lord of the Rings as a streaming series). And yes, films based on Hasbro properties don't have the best record — the Transformers series, the GI Joe flicks, Battleship, Power Rangers — but if you're a D&D devotee, you'll be hoping this one changes that. Check out the new Dungeons & Dragons: Honour Among Thieves trailer below: Dungeons & Dragons: Honour Among Thieves opens in cinemas Down Under on March 30.
Ah, gin, how we love thee. Pretty bottles, lesser hangovers and the smell of botanicals in every sip. Bombay Sapphire are giving you the opportunity to embrace gin at its fullest by matching it to food at their annual pop-up event, Project Botanicals, happening September 8-18. There are ten different botanicals in Bombay Sapphire gin, much more than just juniper. The dishes to be served at Project Botanicals have been tailored to bring out each of the botanicals – whether it's lemon peel, coriander, orris root or almond. Because Melburnians love their gin, tickets sold out quicker than you could say G&T. But, don't worry — you can still head along to the pop-up bar for your gin fix (no ticket needed) or try making a simplified version of it at home. This here is a simple version of the Orris Spice Trader – a blend of turmeric, lime and ginger beer with gin in a cocktail best paired with a coconut curry. ORRIS SPICE TRADER Botanical: Orris root INGREDIENTS 60ml x Bombay Sapphire gin 1 tsp x caster sugar 20ml x lime juice 120ml x ginger beer ¼ pinch x grated turmeric METHOD 1. Take a highball glass and add 20ml lime juice and 1 teaspoon of caster sugar. 2. Add ¼ pinch of grated turmeric. 3. Pour in 60ml Bombay and 120ml ginger beer and 4. Stir with ice. 5. Step up the botany further with the garnish – fresh mint. Images: Steven Woodburn. Project Botanicals will take place at Taxi Riverside from September 8-18. Unfortunately all tickets have sold out, but you can still drop by the pop-up bar from Thursday to Sunday. Get all the details here.
It added booze to bowling, turned mini-golf courses into bars, and gave mashing buttons and hitting the arcade an alcohol-fuelled makeover as well. That'd be Funlab — and, if you like indulging your inner kidult over a few drinks, odds are that you've hit up its venues such as Strike, Holey Moley, Archie Brothers Cirque Electriq, and B Lucky and Sons over the past few years. That's the company's remit, after all: taking the kinds of activities that you enjoyed back when you weren't old enough to knock back cocktails, then adding the hard stuff. And, that's exactly what it's doing at Hijinx Hotel, its next venture. No, you can't stay there — but the world-first concept will see you hanging out in a space that's been decked out like a hotel, and then solving mental and physical puzzles as you wander through it. Funlab has dubbed Hijinx Hotel a 'challenge room hotel'. So, each of its 15 rooms will be filled with challenges for you to work through — with points awarded for how well you do within four minutes. Some rooms will see you play Twister or The Floor is Lava. Others will be decked out like the Titanic. There's one called the cereal ball pool room as well, which sounds chaotic. Basically, if you're a bit of a sleuth or you're never known to turn down a dare, you'll be in luck. Set to open in Alexandria in Sydney on June 3, Hijinx Hotel aims to riff on the escape room concept — but serve up fun that's far less stressful. Design-wise, it will look still like a hotel, even if you can't slumber there. There'll be a faux hotel reception and all, and the venue will take its aesthetic cues from the likes of The Grand Budapest Hotel and Willy Wonka's chocolate factory. Based on the renders so far, there's also a bit of an Overlook Hotel vibe — but sorry, The Shining fans, this new hangout isn't meant to be sinister. And yes, obviously there's a bar. Actually, there'll be three. Exactly what'll be on the menu hasn't yet been revealed, but expect booze and bites to eat. Whether you're a Sydneysider now planning your next stint of kidulting or you live elsewhere and you're making plans for a trip to the Harbour City, Hijinx Hotel visitors will find the venue alongside a huge new Holey Moley that'll feature 27 holes — including some that are ten times the size of those at other spots. And if you're wondering exactly where both newcomers will sit, they're joining the location that currently boasts Archie Brothers Cirque Electriq. Usually, Funlab launches its new concepts in one city, then shares the love across other east coast capitals. So Melburnians and Brisbanites, cross your fingers that Hijinx Hotel will eventually pop up closer to home. Find Hijinx Hotel at 75 O'Riordan Street, Alexandria, Sydney, from June 3 — we'll update you with further details when they're announced. For further information about Funlab, head to the company's website.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from March's haul of newbies. (Yes, we're assuming that you've already jumped on A Dog's World with Tony Armstrong already.) BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW FRESH Finally, a film about dating in the 21st century with real bite — and that's unafraid to sink its teeth into the topic. In this hit Sundance horror-comedy, Normal People's Daisy Edgar-Jones plays Noa, and once again gets entangled in a romance that'll leave a mark; here, however, the scars aren't merely emotional. Swiping right hasn't been doing it for Fresh's protagonist, as a comically terrible date with the appropriately named Chad (Brett Dier, Jane the Virgin) demonstrates early. Then sparks fly the old-fashioned way, in-person at the supermarket, with the curiously offline doctor Steve (Sebastian Stan, Pam & Tommy). Soon, he's whisking her away to a secluded spot for the weekend — a little too swiftly for Noa's protective best friend Mollie's (Jojo T Gibbs, Twenties) liking, especially given that no one can virtually stalk his socials to scope him out — and that getaway takes a savage and nightmare-fuelling twist. If Raw met Ex Machina, then crossed paths with American Psycho and Hostel, and finally made the acquaintance of any old rom-com, Fresh still wouldn't be the end result — but its tone stems from those parts, as do some plot points and performances, and even a few scenes as well. First-time feature director Mimi Cave doesn't butcher these limbs, though, and screenwriter Lauryn Kahn (Ibiza) doesn't stitch them together like Frankenstein's monster. As anchored by the excellent Edgar-Jones and Stan, there's care, savvy, smarts and style in this splatter-filled, satirical, brutal, funny, empowered and sweet film. Its twists, and its cutting take on predatory dating, are best discovered by watching, but being turned off apps, men and meat in tandem is an instant gut reaction. Fresh is available to stream via Disney+. OUR FLAG FLAG MEANS DEATH In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. This show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone, but it more than lives up to its winning idea and winsome casting. Come for the buccaneering banter and seafaring satire, stay for a thoughtful and sincere comic caper that's also a rom-com. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and an eye-catching head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. The two real-life figures eventually cross paths after Bonnet leaves his life of wealth, privilege and comfort to rove the oceans, captains a ship staffed by a motley crew to end all motley crews, and initially gets captured by Blackbeard — or Ed, as he calls him. As these two opposites bond, riding the waves from adversaries to co-captains to potentially something more, Our Flag Means Death truly and gloriously opens up its warm heart. The first season of Our Flag Means Death is available to stream via Binge. Read our full review. ASCENSION Ascension may not be an Oscar-winner, losing out to Summer of Soul (...Or, When the Revolution Could Not Be Televised), but it'll always be one of 2022's nominees. More than that, this two-time Tribeca Film Festival winner will forever remain one of the most arresting documentaries of the past year as well. Helming her first feature-length doco, filmmaker Jessica Kingdon turns her gaze to the Chinese dream — and what she sees, while situated in a very specific cultural context by design, is a clear and easy sibling to its American counterpart. That's part of the statement her film makes, all just by watching on patiently but meticulously as people go about their lives. Starting with factory recruitment on the streets, then stepping into mass production, then climbing the social hierarchy up to the rich and privileged, Ascension explores employment and consumerism — and what they mean in an everyday sense in modern-day and modernised China. It's a portrait of the needs that make working on assembly lines a necessity, and of the dreams that inspire every step up the societal ladder. Some folks build sex dolls, their uncanny valley-esque forms adding an eerie mood. Others take lessons on etiquette for service jobs, including about not letting your face betray your emotions, and the tone is also unsettling. Observational to a mesmerising degree, Kingdon's exceptional film lets its slices of life and the behaviour, attitudes and patterns they capture do the talking, and they all speak volumes. Indeed, what a clever, telling, incisive and surreal story they unfurl. Ascension is available to stream via Paramount+. TURNING RED What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao. As many of the animation studio's movies do, the film takes its title literally. But, it also spins the usual Pixar question. Turning Red does indeed wonder what'd happen if red pandas sported human-style emotions; however, the Disney-owned company has been musing on people becoming other kinds of critters of late, with particularly astute and endearing results here. The movie's focus: 13-year-old Chinese Canadian Meilin Lee (Rosalie Chiang, also making her film debut). The year is 2002, and she loves meeting her strict but doting mum Ming's (Sandra Oh, The Chair) expectations, hanging out with her pals and obsessing over boy band 4*Town. And while her mother doesn't approve of her friends or her taste in music, Mei has become accustomed to juggling everything that's important to her. But then, after a boy-related mishap, the red panda appears. Mei goes to bed feeling normal, albeit angsty and upset, only to wake up looking like a cuddly creature. Like werewolf tales about teenage boys tend to be, Turning Red is all about puberty and doesn't hide it — and whether it's tackling that head-on, pondering generational trauma or showing its rampant love for boy bands, it sports sweetness, soul and smarts. Turning Red is available to stream via Disney+. Read our full review. UPLOAD In its first season in 2020, Upload gave The Office and Parks and Recreation writer/co-creator Greg Daniels his own existential-leaning comedy. Think: The Good Place meets virtual reality, which is basically the premise. After a car accident at the age of 27, computer programmer Nathan (Robbie Amell, Resident Evil: Welcome to Raccoon City) is uploaded to a luxurious digital afterlife called Lakeview, which takes more than a little adjusting. Following his troubles with his still-breathing girlfriend Ingrid (Allegra Edwards, Briarpatch), as well as his growing bond with the IT employee, Nora (Andy Allo, Pitch Perfect 3), who works as his virtual handler or "angel", the series found plenty of ways to interrogate its concept. Indeed, while clearly a satire of capitalism, technology and their combination, it also inched towards unnerving Black Mirror territory. In season two, Upload dives deeper — and those Black Mirror comparisons only grow, too. Just like with that dystopian hit, it's plain to see how this reality could come true in a not-so-distant future, which no one watching this could ever want. Nathan now knows that all isn't well in Lakeview, or with the profit-hungry tech company behind it. Nora is well aware also, starting off the new batch of episodes by immersing herself with the anti-tech anarchists the Ludds. And Ingrid has spotted that Nathan isn't as enamoured with their relationship or his new virtual abode, so she decides to join him. Upload is still a comedy, but it knows that getting dark and being smart couldn't be more crucial given its concept. This season cleverly dives deeper, and only disappoints by being just seven half-hour episodes long. Consider your appetite whetted for season three, though. Season two of Upload is is available to stream via Prime Video. LUCY AND DESI Icons celebrating icons: when Amy Poehler directs a documentary about Lucille Ball, as she does here, that's the end result. It's fitting that Lucy and Desi includes a letter read mere days after Desi Arnaz's death, about his ex-wife and longterm professional partner, that included a touching line: "I Love Lucy wasn't just the name of the show". Poehler loves Lucy, too, understandably. Watching the compilation of clips curated here — spanning Ball's movie career in the 30s and 40s, as well as her TV shows such as the pioneering I Love Lucy, follow-up The Lucy–Desi Comedy Hour, and later sitcoms The Lucy Show and Here's Lucy — it's impossible not to see Ball's influence upon the Saturday Night Live and Parks and Recreation star, and upon the generations of female comedians that've followed Ball. Lucy and Desi loves Arnaz as well, though, and truly adores the pair's tumultuous love story — one that changed the course of comedy history. Forget Being the Ricardos, the average-at-best Aaron Sorkin film that inexplicably earned Oscar nominations — including for its one-note performances — and doesn't even dream of being funny. A deeper, meatier, far more interesting dance through Ball and Arnaz's life comes from Lucy and Desi, which benefits not just from Poehler's affection and her eagerness to ensure that her subjects' personalities shine through, but also from previously unreleased audio tapes of the pair talking about their ups and downs. Recent interviews pepper the film as well, including with daughter Lucie Arnaz Luckinbill, and both Bette Midler and Carol Burnett. Still, this doco's points of focus truly do speak best for themselves, whether chatting frankly or seen in all of those wonderful sitcom snippets. Lucy and Desi is is available to stream via Prime Video. WINDFALL Films can arrive at the perfect time, but usually they're actually products of their time. With Windfall, the former feels true, but this twisty thriller couldn't have been made at any other moment. It's an account of the haves and the have nots, and the widening gap between them — and it's told now, after years of that chasm growing visibly, the privileged largely lapping it up while hardening their disdain for anyone less fortunate, and the latter increasingly refusing to accept such inequality. The setting: a sprawling vacation home owned by a CEO worth billions and his wife. The setup: a break-in interrupted by said couple. The showdown: between two sides of the income divide (struggling versus obscenely comfortable), as brought to the screen by director Charlie McDowell (The One I Love, The Discovery). In a story credited to the filmmaker, star Jason Segel, McDowell's regular screenwriter Justin Lader and Seven scribe Andrew Kevin Walker — and also earning all the above either producer or executive producer billing, and fellow on-screen talents Lilly Collins and Jesse Plemons as well as — talk is largely the name of the game. Nobody (Segel, Dispatches From Elsewhere), as the movie's burglar is dubbed, argues with the CEO (Plemons, The Power of the Dog) and his other half (Collins, Emily in Paris) after taking them hostage at gunpoint, and their conversation is constantly revealing. He's initially bought off by the small stack of cash secreted away in the well-appointed abode but, after leaving then returning when he spies security cameras, he wants more money for his mercy. What follows is a perceptively shot and compellingly performed dissection of having it all (the CEO), grasping for some of it (Nobody) and realising that riches can't buy happiness (the wife). Windfall is available to stream via Netflix. NEW SHOWS TO CHECK OUT WEEK BY WEEK MOON KNIGHT Marvel's knack for casting is one of its superpowers, and it flexes those talents in Moon Knight. Enlisting Oscar Isaac fresh from the phenomenal 2021 trio that is Dune, Scenes From a Marriage and The Card Counter is as shrewd a casting move as the behemoth responsible for the Marvel Cinematic Universe has made, especially given that he plays two roles in one. The series starts with Isaac as Steven Grant, who works in the gift shop of a British museum, wishes he could lead tours instead, studies Egypt and sports a broad English accent. Oh, and chains himself to his bed every night, even though he has trouble sleeping. But as gaps in his days lead him to learn, Steven is also American mercenary Marc Spector — or, to be exact, vice versa. Complicating matters further, he's the on-earth conduit for the Egyptian moon god Khonshu as well. Even within franchise confines, Isaac is mesmerising in Moon Knight, playing a man grappling with dissociative identity disorder — as complex a character as the MCU has delivered so far — who's also drawn into a continent-hopping mystery-adventure. Also complicating matters: shadowy cult-like figure Arthur Harrow (Ethan Hawke, The Good Lord Bird), who has unfinished business with Khonshu and big plans of his own. Welcomely, the Marvel formula feels fresher here. Also pivotal: that, because it branches off with a previously unseen protagonist rather than the sprawling saga's usual heroes, this is the first MCU Disney+ series that doesn't feel like homework. Having filmmakers Mohamed Diab (Clash) and Justin Benson and Aaron Moorhead (Synchronic) also leaves an impression, in what's easily the most intriguing small-screen Marvel effort so far. The first episode of Moon Knight is available to stream via Disney+, with new instalments dropping weekly. Read our full review. MINX When home video, the internet and mobile phones with inbuilt cameras each arrived, six words could've been uttered: get ready to look at dicks. New HBO comedy Minx is set the early 70s, so before all three, but the same phrase also applies here. It's true of the show itself, which isn't shy about displaying the male member in various shapes and sizes. It also stands tall in the world that Minx depicts. When you're making the first porn magazine for women — and, when you're making an ambitious, entertaining and impeccably cast The Deuce meets Mrs America-style series about it, but lighter, sweeter and funnier (and all purely fictional) — penises are inescapable. Also impossible to avoid in Minx: questions like "are erections consistent with our philosophy?", as asked by Vassar graduate and country club regular Joyce Prigger (Ophelia Lovibond, Trying). Idolising the magazine industry and unhappily working for the dispiritingly traditional Teen Queen, she has long dreamed of starting her own feminist publication — even penning a bundle of articles and making her own issues — but centrefolds splashed with male genitalia don't fit her ideal pitch. No one's buying what Joyce is selling, though; The Matriarchy Awakens, her dream mag, gets rejected repeatedly by the industry's gatekeepers. Only one is interested: Bottom Dollar Publications' Doug Renetti (Jake Johnson, Ride the Eagle), but he's in the pornography business. The first four episodes of Minx are available to stream via Stan, with new instalments dropping weekly. Read our full review. THE DROPOUT Dramatising the Theranos scandal, eight-part miniseries The Dropout is the third high-profile release in the past two months to relive a wild true-crime tale — following not only the Anna Delvey-focused Inventing Anna, about the fake German heiress who conned her way through New York City's elite, but also documentary The Tinder Swindler, which steps through defrauding via dating app at the hands of Israeli imposter Simon Leviev. It also dives into the horror-inducing Dr Death-esque realm, because when a grift doesn't just mess with money and hearts, but with health and lives, it's pure nightmare fuel. And, it's the most gripping of the bunch, even though we're clearly living in peak scandal-to-screen times. Scam culture might be here to stay as Inventing Anna told us in a telling line of dialogue, but it isn't enough to just gawk its way — and The Dropout and its powerful take truly understands this. To tell the story of Theranos, The Dropout has to tell the story of Elizabeth Holmes, the Silicon Valley biotech outfit's founder and CEO from the age of 19. Played by a captivating, career-best Amanda Seyfried — on par with her Oscar-nominated work in Mank, but clearly in a vastly dissimilar role — the Steve Jobs-worshipping Holmes is seen explaining her company's name early in its first episode. It's derived from the words "therapy" and "diagnosis", she stresses, although history already dictates that it offered little of either. Spawned from Holmes' idea to make taking blood simpler and easier, using just one drop from a small finger prick, it failed to deliver, lied about it copiously and still launched to everyday consumers, putting important medical test results in jeopardy. The first six episodes of The Dropout are available to stream via Disney+, with new instalments dropping weekly. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2021, and January and February 2022 — and our top new TV shows of 2021, best new television series from this year that you might've missed and top straight-to-streaming films and specials as well. Top image: Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.
Ever wish your sneakers smelt more like roses after a long sweaty run? Le Coq Sportif aren't making any technology-defying promises, but they have certainly been inspired by the classic perennial in their new, limited-edition running shoe, the Eclat Rose EXD. It's the tenth anniversary of Barcelona's sneaker store Limiteditions and to celebrate, the French sports style experts at Le Coq Sportif decided it was time to revitalise the original 1985 Eclat classic with a Barcelonian motif. Complementing rich red and pink hues with woody greens and browns, the Eclat Rose EXD is indeed reminiscent of a rose, symbolising the city of Barcelona. Made from waterproof nubuck, it has a quick lacing system, supportive sole bands and comfy freeform insoles. This unique design is only available locally at Up There in Melbourne and Highs and Lows in Perth. But thanks to Le Coq Sportif, we have two pairs of the limited edition Eclat Rose EXD (retail price is $159.95) to give away — one size 43 and one size 45. To be in the running, subscribe to the Concrete Playground newsletter and email us with your name, address and preferred size. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
What features Jay and Silent Bob dancing, the Quick Stop opening and hockey being played on the roof? There's more than one answer to that question. The response right now: the trailer for Clerks III, which is a real thing that's headed to US cinemas in September. Feeling like you've just jumped back 28 years comes with the territory with this threequel — and the film well and truly knows it. Trust Jason Mewes (Loafy), playing Jay yet again, to state the obvious in the just-dropped sneak peek at Kevin Smith's third Clerks flick. "That's how we did it in the 90s, son!" he exclaims. Naturally, that's just the beginning of Clerks III's meta leanings. In fact, winking and nodding is one of the main reasons that this movie seems to exist — because the titular twosome, aka Randal Graves (Jeff Anderson, Zack and Miri Make a Porno) and Dante Hicks (Brian O'Halloran, On Your Own), are making their own movie. As the trailer shows, Randal has a heart attack on the job, realises he's living on borrowed time and decides that he'll finally make a film rather than just watch them. "Everything in the script is something either me or someone I know said," he explains — followed by Our Flag Means Death's Fred Armisen, Buffy the Vampire Slayer icon Sarah Michelle Gellar, and Smith's Mallrats and Chasing Amy star Ben Affleck uttering "I'm not even supposed to be here today". No, snoochie boochies, nothing in pop culture ever really dies or ends. Yes, there's always a new movie or TV show popping up to prove how that's the case. All things Star Wars keeps on keeping on, after all — and, given that Smith both writes and directs Clerks III, as he did 1994's Clerks and 2006's Clerks II, you bet that sci-fi space opera gets a mention in his latest flick. If you're new to Clerks, aka the franchise that kickstarted Smith's career both behind and in front of the camera — playing Silent Bob, of course — the OG black-and-white movie followed Quick Stop Groceries employee Dante and his video rental store worker pal Randal going about an ordinary day. Famously, Dante wasn't even supposed to be working. The first sequel then picked up ten years later, checking in on the pair's lives. In that film, they've made the move to fast food, with Rosario Dawson (DMZ) playing their manager. Dawson features in Clerks III, too, as do other familiar franchise faces that are best spotted by watching the trailer yourself — or seeing the film, although it doesn't yet have a release date Down Under. Given how many times that Smith has busted out Jay and Silent Bob now — this makes the ninth View Askewniverse film so far, and they've appeared in other flicks like Scream 3 as well — you can probably expect that he'll be palling around with Mewes on-screen until he's at least 90. The Tusk and Yoga Hosers filmmaker also has a sequel to Mallrats in the works, so add that to the list. Check out the trailer for Clerks III below: Clerks III will release in the US from September 4, with Down Under release dates yet to be confirmed — we'll update you when local details are announced.
In the best films of 2019, lush love stories swept across the screen, intense thrillers laid bare class inequities and Hollywood history was given a playful twist. Australia's dark past was pushed under a magnifying glass, doppelgängers wreaked havoc and a marriage came to an end — and they're just some of the year's highlights. Come 12am on January 1, 2020, they're all yesterday's news, however. When a new year arrives, it brings 12 more months of glorious movies. They won't all be winners, but plenty of standouts will rise to the top — and, spanning everything from slasher thrills to long-awaited musicals, we have our eye on these ten must-see movies. https://www.youtube.com/watch?v=RE7YVZA5YVc TRUE HISTORY OF THE KELLY GANG New year, new searing Australian film that carves up our national identity — and boasts no qualms about laying bare our troubled history. In 2018, Sweet Country did the honours, while 2019 gave us The Nightingale. Now, in 2020, it's True History of the Kelly Gang's turn. The latest distinctive and daring feature from Aussie director Justin Kurzel (Snowtown, Macbeth), this adaptation of Peter Carey's Booker Prize-winning novel follows the country's most famous bushranger from his childhood (where he's played by excellent newcomer Orlando Schwerdt) to his bush-ranging years (when talented UK actor George McKay takes over). Don't expect a standard interpretation of Kelly's well-known tale, though, because Kurzel's star-studded affair is gritty, galvanising and spans far beyond the usual cliches. Visually, emotionally and in its performances (including by Essie Davis, Russell Crowe, Nicholas Hoult and Charlie Hunnam), the result is electrifying. True History of the Kelly Gang releases in Australian cinemas on January 9, then hits Stan on January 26. https://www.youtube.com/watch?v=TkDOuzri5hw&feature=youtu.be TENET Is it a follow-up to Inception? Does Christopher Nolan just like getting twisty every ten years? Or does the acclaimed director simply enjoy messing with everyone's heads? When the trailer for Tenet dropped, it inspired all of the above questions — but keen moviegoers will need to wait until July for answers. For now, we do know that Nolan's latest will involve time travel, the afterlife and stopping World War III. Also: spies, boats, sensing things before they happen and objects running in reverse. Throw in an active attempt to bend viewers' minds, plus many a superbly shot and staged spectacle, and Nolan is back in the territory that has served him so well since Memento. BlacKkKlansman's John David Washington leads the cast, alongside Robert Pattinson, Nolan regular Michael Caine, Aussie actor Elizabeth Debicki and Kenneth Branagh. Tenet releases in Australian cinemas on July 16. BILL & TED FACE THE MUSIC It was first uttered more than three decades ago, but the world could always use Bill & Ted's main nugget of wisdom. "Be excellent to each other," Bill & Ted's Excellent Adventure first told us in 1989, before continuing the message in 1991's Bill & Ted's Bogus Journey — and it'll do so again in the long-awaited Bill & Ted Face the Music. Alex Winter and Keanu Reeves are back as everyone's favourite high school slackers and wannabe rockers, who initially started travelling through time in a phone booth to pass a history report and secure the world's future. They're middle-aged now and they even have daughters (played by Ready or Not's Samara Weaving and Bombshell's Brigette Lundy-Paine), but when you're told as a teen that your music is going to change the entire universe, that responsibility doesn't just fade because you get older. Bill & Ted Face the Music releases in American cinemas on August 21, with an Australian release date yet to be confirmed. HALLOWEEN KILLS For 42 years, the Halloween franchise has been delivering stone-cold horror masterpieces, weird and wonderful detours, and entries that deserve to be locked away for all eternity with Michael Myers. The difference between the series' John Carpenter-directed best and its trashy worst is enormous, but when David Gordon Green (Prince Avalanche, Pineapple Express) took the reins for 2018's Halloween — a direct sequel to the 1978 original that ignores the seven other follow-ups and two remakes in-between — he served up one of the saga's best chapters. It helped that Jamie Lee Curtis was back, of course. Also beneficial: a meaty story that grapples with trauma, a skill for slasher thrills, a new score by Carpenter himself, and producer Jason Blum's support. So it was great news when two more movies were announced, including 2020's Halloween Kills, which brings the whole gang back to Haddonfield for another encounter with the town's masked menace. Halloween Kills releases in Australian cinemas on October 15. https://www.youtube.com/watch?v=7i5kiFDunk8 PROMISING YOUNG WOMAN From Hustlers to Black Christmas, a swathe of great female-written and directed films haven't just been dancing in topical territory of late — they've been tackling issues of gender inequality, misogyny and sexual assault head on. Due to premiere at the 2020 Sundance Film Festival, Promising Young Woman belongs in the same company, as its immensely popular trailer shows. It all starts in a bar, where Cassie (Carey Mulligan) appears intoxicated and Jez (Adam Brody) helps her home. They've never met, but he's supposedly being nice. Then, while she's virtually passed out, he makes a move — and she makes it known that she's not going to become a drunken statistic. The feature debut of writer/director Emerald Fennell, the showrunner on Killing Eve's second season, this looks like a revenge flick with serious bite. Promising Young Woman premieres at Sundance in January, then releases in American cinemas on April 17, with an Australian release date yet to be confirmed. [caption id="attachment_756329" align="aligncenter" width="1920"] Marriage Story[/caption] ANNETTE It has been eight years since Leos Carax's Holy Motors hit cinema screens, becoming one of the most memorable movies of both the decade and the 21st century in the process. And, for four of those years, his next project has been eagerly anticipated: musical Annette, starring Adam Driver and Marion Cotillard. Lavant will make his English-language debut with the song-filled feature, which follows a stand-up comedian (Driver), his soprano opera singer wife (Cotillard) and the drastic change in their lives when their daughter Annette is born. Part of the film's delays have been put down to Driver's busy Star Wars schedule (and starring in The Dead Don't Die, The Report and Marriage Story this year alone, too), but the movie finally shot late in 2019 — so here's hoping that we soon get to see what Carax's inventive mind has put together next. Annette doesn't yet have a release date. [caption id="attachment_555885" align="aligncenter" width="1280"] Cemetery of Splendour[/caption] MEMORIA With Memoria, another acclaimed auteur makes his first film in English — and returns after a significant gap in his filmography. That'd be Apichatpong Weerasethakul, the Thai director who last splashed dreamlike visuals and poetic musings across the screen with 2015's Cemetery of Splendour, and whose resume also features three Cannes prize-winning features (including the Palme d'Or for 2010's Uncle Boonmee Who Can Recall His Past Lives). It's a claim made too often, but Weerasethakul truly does make movies unlike anyone else. Not much is known about Memoria, apart from that it was shot in Colombia, but the filmmaker's work is always about much, much more than plot. This one possesses some serious star power, too, with the international cast led by Tilda Swinton. Memoria doesn't yet have a release date. HOPE When New Zealand's Madeleine Sami and Jackie van Beek directed 2018's The Breaker Upperers, they gave the world one of the smartest and most amusing female-focused comedies in recent years. For their follow-up, Hope, the duo is keeping things funny — and given that this time they'll be pointing the camera at Aubrey Plaza, that doesn't seem particularly difficult. Another movie that's keeping its details quiet for now, it's described as a romantic comedy and is being made for Netflix. To shore up its rom-com credentials, it's based on a script by Karen McCullah and Kirsten Smith, who also wrote the screenplay for another great example of the genre: the modernised Shakespeare adaptation that is 10 Things I Hate About You. Hope doesn't yet have a release date. [caption id="attachment_756331" align="aligncenter" width="1920"] A Very Murray Christmas[/caption] ON THE ROCKS Sofia Coppola. Bill Murray. Enough said, really. The Lost in Translation duo reunite for On the Rocks, which focuses on a young mother who reconnects with her wayward dad during a New York adventure. Parks and Recreation's Rashida Jones and Jenny Slate also star, as well as Marlon Wayans, with Coppola both directing and writing the screenplay — as she has with all of her projects since her 1999 debut The Virgin Suicides. Of course, the filmmaker also teamed up with Murray back in 2015 for Netflix special A Very Murray Christmas, but more of this pair is never a bad thing. On the Rocks will also mark Coppola's first film since winning Cannes Best Director prize (and becoming only the second woman to do so) for 2017's The Beguiled. On the Rocks doesn't yet have a release date. [caption id="attachment_492422" align="aligncenter" width="1280"] Jodorowsky's Dune[/caption] DUNE David Lynch's Dune is one of the most unfairly maligned sci-fi films ever made. It's not the version that Alejandro Jodorowsky would've whipped up — as explored in excellent documentary Jodorowsky's Dune — but the 1984 movie still has its surreal delights. Just how Denis Villeneuve's new adaptation of Frank Herbert's 1965 novel will fare is still yet to be seen, but the French Canadian director has already revived another 80s sci-fi property to stunning effect with Blade Runner 2049. Once again, he has amassed a stellar cast, including Timothée Chalamet, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling, Jason Momoa, Javier Bardem and Doctor Sleep's Rebecca Ferguson. They'll all fight over 'the spice', the most valuable substance in the universe. Dune releases in Australian cinemas on December 26. With hundreds of movies reaching Australian screens every year, there's plenty more to look forward to in 2020 too. We've also checked out a heap of trailers for the year's upcoming flicks, including Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), The Invisible Man, Fantasy Island, Mulan, No Time to Die, Black Widow, The Woman in the Window, Wonder Woman 1984, In the Heights, Soul, Ghostbusters: Afterlife, Jungle Cruise and The SpongeBob Movie: Sponge On the Run. Only one of them features Keanu Reeves as a talking sage, though.
If you're a science-fiction fan — and a lover of 2008's Cloverfield and its 2016 follow-up 10 Cloverfield Lane, specifically — then you might want to cancel your plans for tonight. With barely a few hours notice, Netflix is now streaming the third film in the franchise. Yes, today. No, that's not a typo. Previously called God Particle, it's now going by the name The Cloverfield Paradox, and it's now available worldwide (yes, even on Australian Netflix) via the streaming platform the moment the New England Patriots and the Philadelphia Eagles walk off the field. Haven't even heard of the flick, even though it stars Black Mirror's' Gugu Mbatha-Raw, The IT Crowd's Chris O'Dowd, Inglourious Basterds' Daniel Brühl, Selma's David Oyelowo, Crouching Tiger, Hidden Dragon's Zhang Ziyi and Aussie actress Elizabeth Debicki? That's okay — the first trailer for the movie only aired during the game, bearing the words "only on Netflix tonight" at the end. The news that it'd be available via Netflix rather than in cinemas is a recent development, too. Initially, it was set to release in theatres last year, before being moved to February 1 this year and then later this year. In fact, up until a few minutes ago, we still had the film in our review schedule for April. https://www.youtube.com/watch?v=8brYvhEg5Aw&feature=youtu.be In taking on a star-filled, decent-budget movie that was originally made to be viewed in cinemas, then releasing it for all the world to see with very little warning, Netflix is in uncharted territory. If this was another sci-fi saga, we'd say they're boldly going where no one has gone before. It's great news for film buffs eager to watch something when and where they want — and not be at the mercy of different release dates around the world — but it's also indicative of a new trend. Paramount, the studio originally behind The Cloverfield Paradox, did something similar with fellow sci-fi title Annihilation, the latest effort from Ex Machina's Alex Garland. As The Hollywood Reporter noted in December last year, it decided to find another avenue for the film after worrying it was "too intellectual" and "too complicated" for viewers. If you think that sounds a little patronising, you're not alone. The Atlantic ran through some of the worries behind the strategy, but, in short, it could be a sign of not-so-great things to come. At a time when cinemas are filled with endless Star Wars instalments and multiple superhero cinematic universes — not that there's anything wrong with that, either — movies like The Cloverfield Paradox and Annihilation are becoming increasingly rare. Not just sci-fi flicks, but anything that doesn't fit into an existing franchise, remake/reimagine/reboot a recognisable property or star The Rock (or, sometimes, all of the above). And while they're frequently the films that do extremely well at the box office, audiences do want to see other things too. We don't just want our cinematic candy — bright, loud, comfortable and familiar — but fare that's are different, intriguing, unusual and unexpected as well. Of course, the Cloverfield franchise has a history of surprise reveals, keeping things close to its chest and doing things differently. The first film, a found-footage monster effort, gave very little away before the movie hit cinemas. The second, which focused on Mary Elizabeth Winstead in a bunker with a possibly hostile John Goodman, only released its first trailer and confirmed that the movie even existed a month before it was released. Netflix's plan of attack with The Cloverfield Paradox makes that seem positively slow. But, when you're settling down to watch the flick from today onwards, here's hoping that you'll still be able to see movies like this on the big screen in the future. The Cloverfield Paradox is now streaming on Netflix here.
A Secret Service agent-turned-bodyguard falls for the superstar singer he's been hired to protect. It's pegged as one of cinema's most iconic love stories, with Whitney Houston and Kevin Costner first tugging at our heartstrings back in 1992. And now, The Bodyguard is set to come alive for the Australian stage, with producers David Ian, Michael Harrison and John Frost today announcing they'll be bringing their award-winning musical show Down Under next year. Set to kick off in Sydney in April 2017, this local production of The Bodyguard — which follows the just-as-awesome news that Moulin Rouge! will finally be made into a stage show — comes off the back of a wildly successful and star-studded run in London theatres, and record-breaking UK tour, which commenced in February this year. Based on the eponymous Warner Bros. film and adapted for the stage by Academy Award winner Alexander Dinelaris, The Bodyguard musical features all those epic Houston tracks that audiences fell in love with the first time around. According to co-producer Frost, the emotionally-charged storyline, along with those "soaring ballads" — like 'Queen of The Night', 'I Wanna Dance With Somebody' and the legendary 'I Will Always Love You' (you know the ones) — were simply destined for the stage. The album is still the biggest selling movie soundtrack of all time. Yep. Still. The Bodyguard The Musical will come to Australia in 2017, and will start its national tour in Sydney. More details, including tour dates and additional cities, will be released soon. If you're a keen bean, a waitlist for priority tickets is now open at thebodyguardmusical.com.au.
There's never been more reason to dramatically point at a menu and shout "I CHOOSE YOU!" and not find yourself immediately kicked out. In a move that's about 15 years too late, Nintendo will be opening a brand new pop-up eatery in Tokyo entirely themed around that little sparky Pokemon legend, Pikachu. The inventively-named Pikachu Cafe will be open July 19 - August 31 to celebrate the opening of the exhibition Pokemon the Movie XY in Roppongi Hills in Tokyo. Decked out in Pikachu-inspired decor and serving up some pretty adorable Pikafoods, this new pop-up is so offensively cute we're enlisting known Charizards and Digletts to skip the airfares for us. Here's the Pikachu Curry: Pokeball Rice Thing with gravy: Pikachu Parfait (just terrifying): Pikachu Pancakes (yeah, might have lost some ideas with this one): And here's the Pokemon yoghurt drinks that come with SPECIAL COASTERS. Right? (Yeah, they pretty much just look like regular yoghurt drinks, whaddayagunnado.) If you're keen to get amongst the Pokemonstronsities, head to Roppongi Hills, Tokyo and hit the opening on July 19. This one's going to be the most 'grammable, nostalgic, web-friendly pop-up for miles. Via Eataku.
They topped Triple J's Hottest 100 in 2002. They've featured Dave Grohl on drums. Their third studio album Songs for the Death is one of the all-time-great 00s records. They're Queens of the Stone Age, of course, and now they're bringing their latest tour Down Under in 2024, with the band heading our way for the first time in six years. The Josh Homme-fronted group's The End Is Nero tour will be their first trip to Australasia since 2018, and comes after their eighth album In Times New Roman... released in June this year. Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore are giving their latest shows an apocalyptic theme, which fans can look forward to seeing at 11 stops in February and March. [caption id="attachment_923130" align="alignnone" width="1920"] Andreas Neumann[/caption] On the itinerary: kicking off the tour in Perth, then heading to Adelaide, Hobart, Torquay, Melbourne, Sydney, the Gold Coast and Brisbane — plus Auckland, Wellington and Christchurch. The Hobart gig will take place on the Mona Lawns, with the date coinciding with Mona Foma 2024 — and yes, they're the Tasmanian fest's first act, with the rest of the event's lineup yet to be revealed. Concertgoers can look forward to a setlist that steps through QOTSA's 27-year history, including their Hottest 100 winner 'No One Knows', plus everything from 'Go with the Flow' and 'Make It Wit Chu' to 'Emotion Sickness' and 'The Lost Art of Keeping a Secret'. In support: Pond and Gut Health on most Australia shows, with The Chats, Spiderbait and Lola Scott joining them in Torquay and on the Gold Coast. In NZ, Pond and Earth Tongue will do the honours. [caption id="attachment_923129" align="alignnone" width="1920"] Wünderbrot via Wikimedia Commons[/caption] Queens of the Stone Age formed in Seattle in 1996 after Homme's prior band Kyuss split up, is linked to the Palm Desert music scene and have seven Grammy nominations to their name. Despite the long gap since their last trip Down Under, they're no strangers to playing Australia, including a joint tour with Nine Inch Nails back in 2014. See QOTSA in February after catching Foo Fighters on their November–December Australian and New Zealand tour and you'll have quite the 00s rock experience. QUEENS OF THE STONE AGE 'THE END IS NERO' AUSTRALIAN AND NEW ZEALAND TOUR 2024: Saturday, February 10 — Red Hill Auditorium, Perth Tuesday, February 13 — The Drive, Adelaide Friday, February 16 — Mona Lawns, Hobart Sunday, February 18 — Lookout, Torquay Common, Torquay Monday, February 19 — Sidney Myer Music Bowl, Melbourne Wednesday, February 21 — Hordern Pavilion, Sydney Saturday, February 24 — Lookout, Broadwater Parklands, Gold Coast Sunday, February 25–Monday, February 26 — Fortitude Music Hall, Brisbane Thursday, February 29 — Spark Arena, Auckland Friday, March 1 — TSB Arena, Wellington Sunday, March 3 — Wolfbrook Arena, Christchurch Queens of the Stone Age are touring Australia and New Zealand in February and March 2024, with presales from 11am local time on Wednesday, October 25 and general ticket sales from 1pm local time on Monday, October 30 — head to the band's and ticketing websites for more information. Top image: Raph_PH via Wikimedia Commons.
Last chance, Swifties: just days away from Taylor Swift's first Eras gigs in Melbourne, more tickets to the entire Australia leg of the singer's tour are going on sale. If you missed out when her Aussie visit was first announced, then when extra shows were added and also when the first batch of new tickets were released, you'll be wishing on your friendship bracelets that your luck comes through now. The additional ticket drop comes as setting up Swifts shows is underway, meaning that exactly which seats are spare has been worked out. Some have restricted views, and will cost only $65.90. There's tickets available for all shows, going on sale on today, Tuesday, February 13. Folks eager to attend this weekend's shows at the MCG in Melbourne — which take place between Friday, February 16–Sunday, February 18 — will want to try to grab tickets at 2pm AEDT on Tuesday, February 13. In Sydney, for dates across Friday, February 23–Monday, February 26 at Accor Stadium, you'll be getting clicking at 4pm AEDT on Tuesday, February 13. [caption id="attachment_940473" align="alignnone" width="1920"] Paolo Villanueva via Wikimedia Commons.[/caption] Perhaps it won't be a cruel summer after all for Swift fans who've haven't nabbed tickets so far. When Sydney and Melbourne stops for Swift's career-spanning showcase were announced in June 2023, it sparked a rush for seats. Indeed, before general sales even started, the 'We Are Never Getting Back Together', 'Shake It Off' and 'Bad Blood' musician had announced an extra gig in both cities. And, the Victorian Government even declared her Melbourne stint a major event so that anti-scalping legislation would apply to tickets. It's Swift's world and we're just living in it at the moment. She was a major feature of this year's Super Bowl. Melbourne is getting a pop-up offsite merch store ahead of her MCG concerts. Both Aussie stadiums hosting her tour are doing presales on merchandise in advance. And the Victorian capital is also extending its free tram zone to the MCG to help the 86,000 people expected each night to get to the shows. If you manage to snap up a ticket in the new drop and fill that blank space in your calendar, you'll see Swift working through her entire career so far, playing tracks from each of her studio albums in a three-hour, 44-song, ten-act spectacular. This is Swift's first tour Down Under since 2018, when she brought her Reputation shows to not only Sydney and Melbourne, but Brisbane and Perth, too. And if you're wondering what's in store, then you clearly haven't seen Taylor Swift: The Eras Tour as a movie, aka a concert film of her latest shows that hit cinemas Down Under last October, digital in December and is on its way to Disney+ in March. [caption id="attachment_906254" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons[/caption] Taylor Swift: The Eras Tour Australian Dates 2024: Friday, February 16–Sunday, February 18 — Melbourne Cricket Ground, Melbourne Friday, February 23–Monday, February 26 — Accor Stadium, Sydney Taylor Swift is bringing The Eras Tour to Australia from Friday, February 16–Monday, February 26. Additional seats will go on sale on Tuesday, February 13 — at 2pm AEDT for Melbourne shows and 4pm AEDT for Sydney shows. Head to the tour website for further details. Top image: Ronald Woan via Wikimedia Commons.
If you're fond of cats big and small — fluffy, hair-free, scampering, sleeping and the like — then you'll know one golden rule: every day is better when there's meowing mousers involved. And, maybe you've secured that sweet situation thanks to your own purring pet. Or, perhaps you're just the kind of person who makes a beeline to any kitten they see, tries to become its best friend and can't focus on anything else while it's in the vicinity. Whichever fits, adding more cats to your day is something that every feline fan wants — and it's definitely a part of the Cat Protection Society of Victoria's new dream gig. It's a volunteer job, spanning a three-month stint in Melbourne, but it'll 100-percent bring kittens your way. The role: CPSV's official 'cat cuddler'. Yes, that's really what it's called. Obviously, what it entails is rather self-explanatory — because the lucky person who scores the position will be tasked with providing love, affection and enrichment to the cats and kittens in the society's care as they wait to be adopted. The word you're looking for? "Awwwwwwwwwwwwwwwwwww". This is the organisation that offered cat cuddling gift vouchers as Christmas gifts last year, after all — but this is even cuter. The caveats: you'll need to be in Melbourne to take the gig, and you'll need to have a minimum of three hours per week — on one weekday each week, and during normal operating hours — to head to CPSV's adoption centre to give its kitties all those snuggles. If that sounds like you — or if you've got a pussy-loving pal that you know would love it — all applicants have until Friday, June 4 to apply to temporarily join the society's team of around 40 volunteers. To throw your name in the ring, you'll want to head to the CPSV website and upload a short video (up to two minutes max) that explains why you should be the official Cat Protection Society Cat Cuddler, and also complete the online application form. To apply for the Cat Protection Society of Victoria's 'cat cuddler' position before Friday, June 4, head to the organisation's website.
Taylor Swift has already played Australia in 2024, as the entire country knows. Billie Eilish will hit the country's stages in 2025. Arriving in-between: Olivia Rodrigo, with the former Disney talent — see: Bizaardvark and High School Musical: The Musical: The Series — bringing her huge GUTS world tour Down Under in October 2024. When we say huge, we mean it. With the addition of four Aussie dates alongside new gigs in Bangkok, Thailand, Seoul, Hong Kong, Tokyo and Singapore, the tour now spans 82 concerts around the globe. In Australia, Rodrigo has a two-night date with Melbourne and then another two with Sydney. Fans elsewhere, you'll be needing to travel. Touring in support of her second studio album that's also called GUTS, three-time Grammy-winner Rodrigo is hitting Rod Laver Arena Wednesday, October 9–Thursday, October 10 to start her Aussie visit. The next week, from Thursday, October 17–Friday, October 18, she'll play Qudos Bank Arena. In both Sydney and Melbourne, New Zealand singer-songwriter Benee will also take to the stage in support This is 'Drivers License', 'Good 4 U' and 'Vampire' singer Rodrigo's first arena tour, as well as her first tour Down Under — and she'll have her debut album SOUR to work through as well. The GUTS tour started in Palm Springs in February, saw Rodrigo do four shows at Madison Square Garden in April, and is currently making its way around the UK before heading to Europe, back to the US, then to Asia and Australia. Olivia Rodrigo GUTS World Tour 2024 Australian Dates: Wednesday, October 9–Thursday, October 10 — Rod Laver Arena, Melbourne Thursday, October 17–Friday, October 18 – Qudos Bank Arena, Sydney Olivia Rodrigo is touring Australia in October 2024. Ticket presales start at 1pm on Wednesday, May 15, and general sales at 1pm on Thursday, May 16 — head to the tour website for further details. Images: Chris Polk, Polk Imaging.
For what seems like forever, locals and visitors alike have asked themselves: why doesn't Melbourne Airport have a rail link? Having been promised and walked back over, and over, and over again since the 1960s, this lack of convenience hasn't gone unnoticed, at least according to a just-released study from travel comparison website iSelect. Based on a specially created index, Melbourne Airport is now officially considered Australia's least convenient airport, with its high transport costs and long distance from the city to blame. To arrive at their conclusion, the stats boffins at iSelect ranked our major airports on the average cost of airport parking, transport and taxi costs, as well as distance from the city's CBD, number of daily passengers and time spent queuing. Now, before anyone from the Harbour City leans too far into intercity rivalries, Sydney Airport placed second to last on the index. It lost marks for having the highest average weekly parking costs at $343. Unsurprisingly, it also receives the most daily passengers, at more than 113,000. At the same time, the airport offers flights to 99 destinations around the globe, making sure departing and arriving tend to be more than a little congested. As for the airports that make heading away on a holiday a breeze, Townsville and Canberra shared top honours. Travellers can expect cheaper weekly parking costs at $178 and $190, respectively. Meanwhile, Canberra Airport had the most affordable transport costs to get to the airport. At just 7.4 kilometres from the CBD, a taxi journey should cost around $28. Both airports also scored four out of five stars for queueing times, as ranked by travellers. But with these smaller centres having a bit of an advantage, you might wonder which major capital airport performed best in terms of convenience. The answer would be Adelaide, landing fourth on the list behind Darwin and just pipping Perth. Featuring some of the cheapest average public transport and taxi costs at $15.48, the airport's distance from the city centre is third-best at 6.8 kilometres. While the convenience of your nearest airport might not change your travel plans, the journey to reach the runway could dampen your holiday vibes before they've even begun. And for those Melburnians hanging out for an airport rail link, the good news is that plans are moving ahead. Yet with no publicly announced timeline or completion date, don't expect Melbourne Airport to climb the convenience rankings any time soon. Head to iSelect to read the full report on Australia's best and worst airports for convenience.
One of modern art's most argued-about works has been sold. Tracey Emin's famously debated 1999 work My Bed went under the hammer for the very first time, complete with dirty sheets, cigarette butts and condoms — and taking away a cheeky £2.2 million. Emin, who showed up to the auction yesterday, gained notoriety when her work Everyone I Have Ever Slept With 1963–1995 debuted at a 1997 Charles Saatchi's Sensation exhibition at London's Royal Academy. After getting drunk, going on national TV and getting all sweary, she'd release My Bed two years later to colossal debate. One of modern art's classic "Is this art? What is art? Is this bag of wrenches art?" generators, My Bed was expected to sell between £800,000 and £1.2 million (roughly $1.4 million to $2.2 million) at auction — instead raising the bar to £2.2 million. With the buyer's premium, My Bed really went for £2,546,500; a world record for Emin at auction. Francis Bacon's Study For Head Of Lucian Freud was also put under the hammer, fetching a quiet little price of £10.2 million. The highly-scrutinised installation is a recreation of Emin's actual bed during a rough time — the artist spent days in the bed during relationship difficulties and dealt with suicidal thoughts. Scattered with paraphenalia from the artist's own bedroom (condoms, menstrual-stained underwear, slippers), My Bed caused controversy not for the collective sum of confrontingly personal items but for the stains on the sheets. Gallery-goers saw the traces of bodily secretion as a little too human. "It's a self-portrait, but not one that people would like to see," Emin said. "I took everything out of my bedroom and made it into an installation," Emin said. "And when I put it into a white space, for some people it became quite shocking. But I just thought it looked like a damsel in distress, like a woman fainting or something, needing to be helped." The new owners (who haven't been revealed yet) might be able to recreate the work of two performance artists, Yuan Chai and Jian Jun Xi, who jumped on Emin's bed in a performance creatively titled Two Naked Men Jump into Tracey's Bed. Most interestingly will be the conditions under which the new owner must actually display My Bed. Previously (when not displayed in a gallery setting) the work has been on display at the home of its owner Charles Saatchi. As The Guardian reports, the work — a flurry of seemingly random miscellany — has very meticulous installation instructions. "It's a very complicated piece to put together," Director of Cadogan Tate Fine Art Stephen Glynn says. "It comes with a dossier of photographs of every object, and a list of where exactly everything needs to go." A bit like an Ikea instruction manual, then? "A bit. You're certainly trying to make sure that everything goes in the right place." Displayed at the Tate Modern in 1999, My Bed was shortlisted for the Turner Prize that year. Saatchi can now count its sweet, sweet Emin pennies, with proceeds going straight back to the Saatchi Gallery — the team are moving to make the gallery have free admission. Via BBC, Reuters and The Guardian.
Usually when a festival dedicated to espresso martinis pops up, it takes over one place. Such boozy fests only tend to run for a day or so, or a weekend, too. But one of Australia's big hospitality chains is ditching both of those norms, because this drink needs a whole week and more than 200 pubs countrywide to truly get buzzing. Who needs sleep when there's caffeinated cocktails to sip and celebrate? The event: ALH Hotels' Espresso Martini Festival, which'll take over venues in New South Wales, Victoria, Queensland, South Australia, Western Australia and the Northern Territory from Monday, March 13–Sunday, March 19. If you're wondering why, the reason is the same that most food- or drink-themed fests pop up. Yes, there's an occasion dedicated to the beverage in question, with World Espresso Martini Day upon us on Wednesday, March 15. For the week around the espresso martini-fuelled date, ALH Hotels will pour Grey Goose espresso martinis no matter what time you drop by. Fancy a pick-me-up over lunch? After-work bevvies with your colleagues? A cruisy weekend session giving you some extra perk? They're all options — just don't expect to be tired afterwards. Among the venues taking part in NSW, Sydneysiders can hit up the Summer Hill Hotel, Kirribilli Hotel, New Brighton Hotel, The Ranch and Harlequin Inn. Victoria's list spans Young and Jacksons, Moreland Hotel, Elsternwick Hotel, The Croxton and Balaclava Hotel, too. In Queensland, options include Breakfast Creek Hotel, Brunswick Hotel, Oxford 152, Indooroopilly Hotel, Stones Corner Hotel and the RE in Brisbane, plus spots both up and down the coast. The full list also features pubs in SA such as the Watermark Glenelg, Royal Oak and Esplanade Hotel; venues in WA, complete with Hyde Park, the Belgian Beer Cafe and the Albion Hotel; and four places in the NT. [caption id="attachment_870392" align="alignnone" width="1920"] Breakfast Creek Hotel, Andrew S (Flickr)[/caption] ALH Hotels' Espresso Martini Festival runs from Monday, March 13–Sunday, March 19 at venues around the country — head to the pub chain's website for the full list and further details.
It's not every day someone asks you to steal their things. Stolen Rum did just that. They posted notices to telegraph poles asking "Is this your sofa?" and kindly let the good people know where to steal them from. You steal it, you keep it; that was the deal, no tricks. On the same day across three countries — Sydney, Australia; Miami, USA; and Dunedin, New Zealand — people lined up for hours hoping to secure a sofa. Needless to say, all 150 sofas were burgled, plundered and nicked in less than seven minutes. Seven. With the average sofa weighing at least over 30kg, that's some speedy thieving. The Stolen Sofas Project generated a gargantuan amount of public interest, with budding thieves nabbing a spot in line hours before kick-off in each city. The first 50 lounge bandits in Sydney, Miami and Dunedin then had one job to do: nick the lounge and get the heck home. Punters scraped together their best burglary getaway vehicles, trucks, cars, bikes, even skateboards. But the purists simply came with ready hands and previous experience in moving house for their mates. The result? Pure, debaucherous international chaos. Stolen Rum, a new drop on the market, has been winning over hearts in bottle shops across Australia, New Zealand and the States. The company’s inspiration is a rebellion against the “tedious existence of work and pay”. “We cannot buy our lives back, nor can we beg them back,” writes the vagabond theorist on their site. “Our lives will only be our own when we steal them back — and that means taking what we want without asking permission.” Want to know where you can taste Stolen Rum? It's on the shelf at BWS Australia wide and in some of your favourite Sydney bars. Check out all the happy couch thieves from The Stolen Sofa Project day below. Sydney Dunedin Miami
Here's a trend: co-stars from Baywatch, the movie not the series, making separate biopics about wrestlers. When Zac Efron (The Studio) did it, The Iron Claw was the result, and the film about Kevin Von Erich and his family was excellent. Next, it's Dwayne Johnson's (Red One) turn in The Smashing Machine, with MMA fighter Mark Kerr in the spotlight. Johnson, aka The Rock, leaping into the ring is far from a new development, of course — but the wrestler-turned-actor is now drawing upon his sporting background and talents in the other well-known side of his career. That said, even if you've watched plenty of his WWE exploits, and then his film and TV roles in everything from The Scorpion King, the Fast and Furious franchise, Ballers and Pain & Gain to San Andreas, the recent Jumanji flicks and Black Adam, you haven't seen Johnson like this before. The Smashing Machine hits cinemas in October 2025. Opposite Emily Blunt (The Fall Guy) as Dawn Staples — with the pair reuniting after 2021's Jungle Cruise, and set to team up again next for Martin Scorsese (Killers of the Flower Moon) — Johnson helps bring the story of a wrester-turned-UFC star to the screen. In the just-dropped first trailer for the flick, Kerr is determined to keep chasing the unparalleled high that comes with winning, even while he's in pain and as it's clearly taking a toll on his relationship with Staples. The term "unrecognisable" gets thrown around a lot when actors transform for a role; however, every time Johnson's face is on-screen in the first sneak peek at The Smashing Machine, that description proves true. If the name of the movie sounds familiar, that's because there's a 2002 documentary of the same moniker that's also about Kerr. As a biopic, The Smashing Machine hails from writer/director Benny Safdie, making his first solo directorial effort after spending his filmmaking career so far co-helming with his brother Josh. On their shared resume: Daddy Longlegs, Lenny Cooke, Heaven Knows What, Good Time and Uncut Gems. It's been six years since Benny was last behind the camera on a feature, but he's been popping up in acting parts elsewhere, including in Pieces of a Woman, Licorice Pizza, Stars at Noon, Obi-Wan Kenobi, Are You There God? It's Me, Margaret, Oppenheimer and The Curse — the latter of which he co-wrote and co-created with The Rehearsal's Nathan Fielder. Benny's brother Josh also has a new film out in 2025, also focusing on sports and also helmed on his lonesome. In Marty Supreme, Timothée Chalamet (A Complete Unknown) is in the lead — and ping-pong is the focus. Check out the trailer for The Smashing Machine below: The Smashing Machine releases in cinemas Down Under on Thursday, October 2, 2025.
If Audrey Horne, Lula Pace Fortune or Lady Jessica decided to head downtown for some yoga, David Lynch has them covered for threads. In one of the most unexpected endeavours from the director yet, Lynch has designed a brand new sportswear collection for women. Seems the man who recorded tunes with Karen O, opened his own whimsical Parisian nightclub and exhibits photographs of dissected chickens as art (among many other wonderful, weird and WTF Lynchian things), can still surprise us. A paired-down, monochrome collection of threads we'd absolutely prance to the gym in, Lynch's fitness line whips up floral geometric design (a collaboration with New York artist Jason Woodside), grey marle and flattering seams in a truly great assortment of basic gymwear. Lynch's activewear line includes corset and scoop bras, geometric leggings and bike shorts all sporting the special edition Lynch Floral print, going for around $100 — $200 a piece. There's more afoot than mere fashion here; Lynch is working in collaboration with Live the Process, an online hub self-described as "a guide to wellness and holistic health from a curated group of experts in beauty, fitness, meditation, nutrition, energy therapies and quantum physics, as seen through a modernist lens." It's a thing, quantum physics included. But fashion isn't where the collab ends for Lynch, really teaming up with Live the Process for a good cause — with some of the proceeds going to victims of abuse. Teaming up with Live the Process shouldn't come as a surprise for those in the Lynch-know. The Twin Peaks creator is a big meditator, having practiced for over 40 years. His method of choice, transcendental meditation, is his pet awareness project with his namesake charity, The David Lynch Foundation. He even penned a book about it. "I have experienced many benefits: more happiness within, more energy, more love of life, more understanding and more of a flow of ideas and intuition," he says. "I see people as friends not enemies. I feel and understand a bigger and bigger picture forming, and experience life as more of a great game than a great torment. For me, TM serves my work and life. It cleans the machine of garbage and brings in pure gold." Shop the David Lynch collection at Live the Process. Go for a scroll here: Via Dazed.
Sofia Coppola is not the first director that comes to mind when you think Disney. In fact, with her consistent focus on complicated and dreamy sadness — see Lost in Translation, The Virgin Suicides and Somewhere — she seems like the perfect buzzkill to all the joy and greatness that Sebastian the crab worked for all those years ago. Nonetheless, this divisive filmmaker is currently in negotiations to direct a live-action adaptation of the classic Hans Christian Anderson tale. Deadline reports that the script has already gone through multiple drafts from Kelly Marcel (Fifty Shades of Grey) and Abi Morgan (Shame) and is currently in the hands of Caroline Thompson (Edward Scissorhands). With that in mind, it's safe to assume the film will in fact be a darkly sexual story that may or may not feature either Johnny Depp in BDSM gear or Michael Fassbender in no clothes. Although this will Coppola's first feature where she didn't write the screenplay, it's easy to see how her brand of 'beautiful and bothered young things' will work seamlessly with the original story. Ariel is, after all, a girl with problems. She's besotted with a boy she can't have, she's split between two worlds, and the story finishes with her taking the less than lovely form of sea foam (I'd warn for spoilers but, hey, you've had over 100 years to read it). As ridiculous as it first sounds, we're actually excited by the news. Now all that's left is to decide whether Kirsten Dunst or Scarlett Johansson would make the better hipster Ariel.
A book described as "a modern story of sex, erotica and passion. How the sexiest sales girl in business earns her huge bonus by being the best at removing her high heels," might not be anything to write home about. But what if the author of said book was someone's dad, and that someone decided it would be hilarious to read a chapter every week to the entire world, with some incredibly funny friends providing commentary? Jamie Morton did just that with his father's (pen name: Rocky Flinstone) erotic 'novels', the Belinda Blinked series. And so the audacious and pants-wettingly hilarious podcast My Dad Wrote a Porno was born. Since its premiere in 2015, the podcast about "the best/worst erotica ever written" has racked up over 150 million downloads. And now, off the back of an HBO Original Series featuring a "lost chapter", Morton and his pals James Cooper and Alice Levine are bringing their hilarious smut back to Australia and New Zealand in 2020. As part of a huge world tour, the live show will treat 'Belinkers' across Sydney, Melbourne, Brisbane, Adelaide, Perth, Auckland, Wellington and Christchurch in January. Team Porno will read unreleased material from the erotic saga while throwing in a few surprises and interactive elements. Now four books deep — with the fifth due to be cracked opened on Monday, September 9, 2019 — the series follows the sexual escapades of Belinda Blumenthal who works in the sales and marketing department of a pots and pans company. There have been leather rooms and nipples as big as Titanic rivets, anti-erotic ridiculousness with sales reps and young-ish men, references to pomegranates and the popping of vaginal lids, and one truly disgusting flaking prosthetic appendage. If you're a fan of the show, the live incarnation should make you very happy. As Belinda says, "When you get what you want, you feel great." https://www.youtube.com/watch?v=7WotAuoFwF0 'MY DAD WROTE A PORNO' WORLD TOUR 2020 Wednesday, January 8, Sydney Opera House, Sydney Saturday, January 11, Crown Theatre, Perth Monday, January 13, Thebarton Theatre, Adelaide Wednesday, January 15, Palais Theatre, Melbourne Friday, January 17, The Tivoli, Brisbane Monday, January 20, Auckland Town Hall, Auckland Tuesday, January 21, Wellington Opera House, Wellington Wednesday, January 22, Issac Theatre Royal, Christchurch Tickets for My Dad Wrote a Porno World Tour go on sale at 1pm on Thursday, July 18, 2019. Stay tuned for further updates.
When Pantone's colour experts picked the shade they thought would define 2017, they went green. To be precise, they chose a hue called Greenery (PANTONE 15-0343) — a pick chosen to offer reassurance in trying times and symbolise the yearning to reconnect. Yep, we understand. Looking at it is one thing, however; setting foot in a house that brings the colour to life is quite another. Enter Airbnb and a London abode that's showering visitors in the "fresh and zesty yellow-green shade". Here, contrary to the advice Kermit the Frog has espoused for years, it is easy being green. Dubbed the 'Outside In' house, the Clerkenwell property casts aside traditional notions of internal and external spaces. How? Well, a plant-filled garden bedroom that even boasts a mown lawn and topiaries, herb garden kitchen, tropical lagoon bath, woodland reception area with a groundskeeper, and dining room that's actually an indoor greenhouse might just do the trick. It's designed to "provide an antidote to January blues and encourage all those who enter it to embrace 2017 with fresh optimism and excitement", and serves up more than just a unique, colour- and plant-centric place to stay. To promote Airbnb's new Experiences service, which endeavours to combine their accommodation offerings with ace things to see and do, guests can also take their pick from the house's greenery to build their own sustainable terrarium, learn the art of artisan printing using foliage, and pick tea leaves on-site for a tai chi and cuppa session. Sure, that all sounds good — but, if you like plant-based drinks, making your own gin is the definite highlight. Like the company's other attention-grabbing concepts — Dracula's castle, shark tanks, van Gogh's bedroom, and the Teenage Mutant Ninja Turtles' secret lair , to name a few — the 'Outside In' house is only open for a small window of time: from January 27 to 30. For more information, visit the listing on Airbnb.
You love your mum, and if you're looking for ways to spoil the leading lady in your life, we're here to help. Because let's face it — your favourite underground bar is a bit too dingy, and your go-to ramen joint is a bit of a lazy pick for the woman who gave you, you know, life. This is your chance to deliver something momentous and memorable — and earn some serious brownie points on the side. From luxuriously long lunches to boozy brunches and everything in between, we've rounded up the best places for Mother's Day in Melbourne, and for every weekend after it. Go forth and really make mum's day. Recommended reads: The Best Restaurants in Melbourne The Best Wine Bars in Melbourne The Best Pubs in Melbourne The Most Romantic Bars and Restaurants in Melbourne For Wine Lovers: Fergusson Winery This Mother's Day, Fergusson Winery in the Yarra Valley is hosting a luxury garden party surrounded by rolling vineyards. The team has created a four-course menu just for the occasion ($99) and will set up a bunch of lawn games for the afternoon — just hope for good weather. There will also be a themed cocktail menu, matching wines (obviously) and a special gift for each of the mothers who attend the lunch. For Immersive Art, Dining and Yoga: The Lume Melbourne digital art gallery The Lume's current multi-sensory exhibition is dedicated to Vincent Van Gogh, and this exhibition will be the gallery's final before closing its doors forever on Sunday, June 1. Van Gogh's masterpieces cover all the floors and walls, making for an experience that goes above and beyond your typical art gallery. And for this Mother's Day, there will be a few ways to celebrate at The Lume. For a special meal with a special lady, you can book a spot at Caffè Terrace 1888, the on-site dining destination that blends into the immersive space, for a taste of 19th-century French classics inside the works of Van Gogh himself. If Mum is a wellness lover and doesn't mind an early start, The Lume's wellness program is running a special 8am class on the big day for $35 per person. Move and Connect with Her Run combines gentle yoga and soothing sound baths for a restorative Mother's Day experience you couldn't find anywhere else. If you need early morning energy to support Mum, the class includes complimentary coffee for all participants beforehand. For Classic Mother's Day High Tea: Mary Eats Cake, Royal Exhibition Building and Sofitel on Collins Treating your mum to a luxe Melbourne high tea is a classic Mother's Day experience. It's easy, no matter the size of the group, and it doesn't have to be too expensive. There are also heaps of places in Melbourne that have made one-off afternoon teas for Mother's Day. First, Mary Eats Cake is running its Mother's Day High Tea again (from $75 per person) from Thursday, May 1–Saturday, May 31, as well as a dedicated Ultimate Mother's Day High Tea for $95 per person on the weekend of the occasion. Both include your usual high tea treats of specialty cocktails and mocktails, savoury and sweet treats, and oh-so-many scones. For a touch of historical elegance, the UNESCO World Heritage-listed Royal Exhibition Building is hosting a Mother's Day high tea with complimentary bubbles and live classical music for $139 per person, while Sofitel on Collins has put together a Mother's Day high tea in No35 Restaurant with complimentary champagne, degustation bites and live music from $155 per person. For Mums Who Love a Cause: Mother's Day Classic and The Terrace Sure, you could spend your day indulging in all sorts of high teas and treats across Melbourne, but the occasion marks a great opportunity to get moving for a damn good cause. The Mother's Day Classic is an annual Mother's Day marathon (or walkathon) that circumnavigates Royal Botanic Gardens to raise money for breast cancer and ovarian cancer research. Nearby to the course is an ideal recovery spot at one of Melbourne's most scenic cafes: The Terrace. You can recover with an à la carte booking or opt for the Mother's Day high tea package, which includes sweet and savoury treats, a hibiscus spritz and bouquets (available for preorder) across three sessions for $89 per person. For Ceramics Shopping: Three Day Clay Pop-Up Instead of picking a present to get your mum ahead of time and hoping she loves it, why not take her shopping for her own gift instead? You can hit up stores all over the city or opt to visit the Three Day Clay pop-up store on Sydney Road in Brunswick. 13-plus artists will sell their wares during the mornings and afternoons from Friday, May 8–Sunday, May 11. The event is even open in the evening on Friday, when the team will give a glass of complimentary sparkling wine to everyone who stops by. For a Lunchtime Feast: Bottomless Yum Cha at David's If you prefer a more casual, all-you-can-eat feast for Mother's Day in Melbourne, then you've got to check out David's in Prahran. On Saturday, May 10 and Sunday, May 11, the team will serve up their bottomless yum cha ($74 per person), with seatings throughout the day on Saturday and bookings into the evening on Sunday. Given that it's Mother's Day, there will be more than enough tea and spritzes to enjoy throughout your booking. These guys are super quick with their service, so you know the staff won't let your glass lay empty for long. [caption id="attachment_951928" align="alignnone" width="1920"] Petrina Tinslay[/caption] For Total Luxury: Reine and La Rue Reine and La Rue is home to one of the finest dining spaces in Melbourne. It's also hosting one of the most decadent Mother's Day meals in Melbourne. For both lunch and dinner, the team has created a stunning set menu and is giving guests the opportunity to personalise the occasion. When booking, guests can choose between a preordered box of sweet treats or an elegant floral bouquet to adorn their table. The experience isn't the cheapest, clocking in at a hefty $245 per person, but it is great for those looking to go all out this Mother's Day. For Fresh Flavours: Lona Misa If you're not drawn to the temptation of scones, teas or even a hearty pub feed, there are some more adventurous Mother's Day offerings around town. One of those is at Lona Misa, the South Yarra Latin hotspot that specialises in approachable and vegan-friendly fare. The team has put together a long lunch menu for Mother's Day, for $95 per adult. Expect potato bread and grilled shiitake anticuchos skewers, roasted peri-peri chicken, roasted cabbage with salsa macha and Andean papas with black garlic mayo. All that comes with free-flowing coffee and tea, and two hours of bottomless mimosas, spritzes, wine and beer. For a Sweet Treat: Piccolina Not all Mother's Day treats have to include outings to Melbourne restaurants and bars. Sometimes, you just want to hang out at home and have some family time. If that's your plan, but you still want to do something a little special, think about pre-ordering some of Piccolina's limited-edition tiramisu gelato sandwiches. The pastry chefs over at one of Melbourne's best gelaterias have adapted the timeless Italian dessert into an all-new form, with chocolate-dipped and cocoa-dusted sponge wedged around a slab of ganache and marscarpone gelato. You can pick them up on Mother's Day and deliver them yourself for an easy $22. Top image: Mary Eats Cake
Yarra Valley winery Helen & Joey Estate leapt into the world of dining and accommodation when they established Re'em, within its vast 200-acre property, in 2024. The site takes full advantage of the estate's rolling vineyard and ornamental lake, with the dining spaces and each of the 16 boutique rooms boasting views across the winery and the surrounding region. In the 80-seat restaurant, guests can cosy up in booths by floor-to-ceiling windows or head to the shaded terrace to sample an impressive selection of contemporary Chinese dishes, each of which has been designed to pair with the estate's wines. Helen & Joey's esteemed portfolio of wines spans four brands — Wayward Child, Re'em, Unicorn and Alicorn. The menu at Re'em is the work of Consultant Executive Chef, Mark Ebbels, who has worked at fine diners such as The Fat Duck in the United Kingdom, Bacchanalia in Singapore, and TarraWarra Estate just up the road in the Yarra Valley. Together with Head Chef Abe Yang, the menu is designed to celebrate the owners' Chinese heritage. Refined and reimagined dishes include duck croquettes with Peking sauce and steamed buns with whipped pork fat and chilli. Re'em has introduced Sunday yum cha, giving locals something to look forward to on the weekends, and Melburnians another reason to take a day trip to the Yarra Valley. The carefully designed yum cha menu was developed following a visit to China, where Ebbels and the co-owner of the estate, Helen Xu, travelled through the lively spice markets of Sichuan and visited Xu's ancestral home in Yiwu. The yum cha offering includes eight sharing dishes of your choice, accompanied by a glass of sparkling Unicorn NV Blanc de Blanc upon arrival. Go for bamboo shoot dumplings with mustard greens, scallop shumai with caviar, pork xiao long bao, barbecue kangaroo kung pao and fried rice with pine mushrooms. "I'm so excited to bring a yum cha experience to the Yarra Valley. In China, yum cha is a beautiful social ritual for conversation and community, a chance to connect with loved ones over great food. Growing up, we would have yum cha every Sunday, and it was a chance to come together at the end of a long week, to share stories, unwind, or celebrate the small joys in life," says Xu. The yum cha menu is available from noon to 3pm on Sundays. If you want to make a weekend out of it, you can upgrade to the Sunday Escape Yum Cha Edition offer, which includes an overnight stay, yum cha, welcome drinks and breakfast. Images: Neisha Breen.
Elizabeth Street could be on the verge of a fairly drastic (and particularly green) facelift. Taking cues from cities like Seoul and Fukuko, Japan, a globally-renowned urban planner has put forward a radical new proposal to transform the Melbourne's Elizabeth Street thoroughfare into a leafy tropical canal. Speaking to The Age, Gilbert Rochecouste, founder and managing director of Village Well, said he'd like to rip up the old bitumen and replace it with "a walkable green oasis full of quirky shop and spontaneous day and night experiences." Elizabeth Street already has a waterway, although you wouldn't know just by strolling down the sidewalk. Although confined by storm drains, William’s Creek runs straight down Elizabeth Street to empty into the Yarra. It's the reason that the street is prone to flash flooding during periods of heavy rain — as we saw in 2010. Although it may sound like a bold idea for Elizabeth Street, Rochecouste has a tried and true history when it comes to revitalising urban spaces, having previously helped breathe new life into Melbourne’s dilapidated laneways. This also isn’t the first time Rochecouste has floated the idea for the Elizabeth Street waterway, having previously spoken about it back in 2009. Rochecouste’s new plan would be to expose the creek, lining its banks with trees and local foliage. "Footpaths would become shared spaces that bleed into the creek with activation supported by the myriad of restaurants and cafes,” he explained. “The footpaths/piazza would also become and ancillary events space to happenings throughout the CBD." This GIF gives you a pretty dramatic idea of what to expect: The plan would mirror similar projects in cities around the world. Cheonggyecheon, an 11km redevelopment in downtown Seoul, has proven enormously popular with tourists and locals alike, while urban canals have also been proposed in places like Berlin, Rotterdam and Suqian City, China. Unfortunately, one man who seems less keen on the idea is Melbourne Lord Mayor Robert Doyle. “There's no doubt it's useful to have some radical ideas thrown up from time-to-time [but] this one's just a bridge too far,” he told Fairfax radio. Via The Age.
Each of Australia's capital cities has a different shtick. Melbourne's just happens to be a 24-hour culture — or, at least, the closest Australia has to it. It's got all-night public transport on weekends, late-night opening hours for the National Gallery of Victoria's new Triennial and the city's White Night festival will return for its annual all-nighter in 2018. If you haven't been down to White Night before, here's how it works. From 7pm, much of Melbourne's CBD is closed to cars. From then on, the streets give way to pedestrians, who are free to wander between temporary installations, live music and on-street projections — as well as in and out of galleries and cultural institutions — up until the sun comes up at 7am the next day. It's the Australian version of Nuit Blanche, which was founded in France in the 80s. Next year's festival — which will shut down the city for 12 hours on the evening of Saturday, February 17 — features work from a tonne of both local and international artists. Expect to see neon pups, two Burning Man installations and one laneway covered in snow. There are far too many works to list, but here are a few highlights you'll want to look out for. A giant shimming silver net that will hover above Federation Square for White Night (and two weeks afterwards). Drag queens singing from balconies above Collins Street. A laneway filled with virtual neon 'dogs' and another filled with falling 'snow'. A tree that lets you write temporary messages on it with the light from your phone Two installations straight from Burning Man: a fire-breathing serpent outside Melbourne Museum and a giant mechanical insect that doubles at a DJ booth. Mini gigs performed from multiple balconies above Swanston Street. A 360-degree dome in Alexandra Gardens that will feature mesmerising projections. Stories from Australian detention centres projected onto the NGV's façade. White Night will also head out to Victoria's regional centres. It will return to Ballarat on March 17 for a second year, and will take to the streets of Bendigo and Geelong for the first time later in 2018.
Enjoy a breakfast of champions at whatever hour you please, courtesy of Australia's first ever cereal cafe. Opening its doors in Melbourne in just over a week, this pop-up snack hub will be serving all your childhood and/or late-night share house favourites, including Froot Loops, Coco Pops and Kellogg’s Crunchy Nut. Launching February 12, Cereal Anytime is the latest temporary tenant of Richmond’s year-long food and retail precinct, Swan Street Chamber of Commerce. Supposedly, the aim of the cafe is “educating people on foods in moderation”, which might get tricky given the sugar content of what they serve. Perhaps a limit of one bowl of Frosted Flakes per customer? The cafe will operate via a “pay-it-forward” payment system. Upon entry, diners simply peel a Post-it note off the wall, which they can then use to pay for their bowl of cereal. The Post-its can be replenished for $4 a pop, ensuring that those who are a little less fortunate don’t miss out. A recent cereal cafe that opened in London served over 120 different kinds of cereal, 13 milks and more than 20 additional toppings, so our iteration has something of a reputation to live up to. It sparked huge demand, followed by something of a culture war when some very practical types balked at paying £3.50 for flakes out of a box. Melbourne's version, with its element of feelgoodery, should sidestep that issue. Hungry members of the public can help decide the cafe’s final menu and gain entry on day one (February 12) via a ballot on their Cereal Anytime Facebook page.
Ready to crisp up your March? British producer Bonobo has arrived just in time for autumn with a string of highly-anticipated DJ shows around Australia. As well as tipping his hat to one of the world’s great endangered apes, the UK-based DJ, musician and producer (real name: Simon Green) effortlessly incorporates sample layers with complex basslines; creating that signature minimalist sound he's inspired budding producers with worldwide. Since the release of his completely self-produced and self-instrumented debut Animal Magic in 2000, Bonobo has released five full-length albums and a handful of EPs and singles — becoming somewhat of a downtempo pioneer in the process. His latest release The North Borders saw him play over 175 shows across three continents and 30 countries, including appearances at Coachella and Glastonbury. March will see Bonobo travelling to Auckland, Adelaide, Melbourne, Sydney and Perth for solo DJ sets, with a bucketload of visuals to enhance the experience.
The Chaser gang are getting back to their roots, with plans to publish a brand spanking new print magazine. The team behind The Hamster Wheel, Yes We Canberra, Sydney's Giant Dwarf theatre and the Make a Realistic Wish Foundation have recently launched a crowdfunding campaign to get the satirical publication off the ground, with the aim of releasing their first edition in the next couple of months. According to the group's Pozible page, The Chaser Quarterly will be a 96-page colour magazine that will address "the key problem of our time: namely — there is not enough content in the world." They're hoping to raise $50,000, money they say will be use to establish a "'tax effective' offshore corporate structure" so as to ensure the project isn't stymied "by the onerous burden of paying tax to fund Australia's hospitals, schools and roads". Truly this campaign video says it all. Right now, a $25 pledge will get you a copy of the magazine, while $50 will see it signed by the entire Chaser team. More extravagant rewards include the chance to pitch your own article for $500 (although there's no guarantee it will be published), or the opportunity to run your own full page ad for $1500 (on the condition that it "fundamentally undermine the product it is seeking to sell".) Although best known for their highbrow political satire on television, The Chaser team actually started out publishing a fortnightly newspaper that ran for six years between 1999 and 2005. Among their memorable stunts from this period was the time they published Prime Minister John Howard's home phone number on their front page. Assuming they reach their Pozible target, the first edition of The Chaser Quarterly will be published in spring 2015 and feature articles by many familiar Chaser contributors, including Andrew Hansen, Chris Taylor and Craig Reucassel. In order to keep up the appearance of a successful company, head team members will be payed in Beluga Caviar, while the rest of the creatives, including writers, cartoonists, illustrators and graphic designers, will divvy up $300 between them. Pledge via Pozible and keep an eye on the Chaser Quarterly website for updates.
We know you guys are probably tiring of the food truck trend, but hear us out on this one. Now, we're not entirely sure how to feel, so we're just gonna lay out the facts. There's a new food truck doing the rounds that specialises in… gourmet dog food. The Canine Wellness Kitchen (heh) is Australia's first food truck for dogs — which, honestly, is a sentence we never thought we'd write. Founders and 'canine chefs' Katie Crandon and Laura Yeomans aren't new to this game — they founded 'dog superfood' (apparently a thing) label Because I Luv My Dog, specialising in healthy pooch snacks for on-the-go doggos. It'll be the first food truck of its kind in Australia, offering a range of dog-friendly goods including dehydrated snacks, raw food, chicken necks and organic bone broth. And… again, not sure how to take this… a beer for dogs. It's named Freddie's Froth and it's not actual beer guys, it's bone broth, geez. The whole venture is a little tongue in cheek and pokes fun at the food truck revolution. This is a little snippet from the menu: "Forget the super smoothies, our bone broth is the ultimate detoxifier. Get your active wear on, this is all the warm up you need for a workout." Look, in your heart of hearts, you know this is one business that'll go incredibly well. We're on board. Canine Wellness Kitchen will be making their first appearance on September 24 at the Hank Marvin Markets in St Kilda.
So, you've mastered all the usual yoga poses, and you think you've attempted every variation that there is. Not so fast. There's a style you mightn't have tried, and it's all the rage in Brisbane. That'd be blindfolded yoga, aka one of the main attractions at the Left Brain / Right Brain workshop at Woolloongabba's Princess Theatre on January 29 and 30. Yes, it's exactly what it sounds like. All that bending and breathing you're familiar with — well, it's about to seem a whole lot different when you're doing it without being able to see anything. Using sensory deprivation to sharpen focus, shift attention inward and heighten instincts is the name of the game, with the trend towards sightless stretching gaining traction around the world for a couple of years. If you're keen to give it a go, you might also want to peruse the rest of the event's program. A sound bath session or other movement and music-oriented mind-expansion techniques, anyone? Of course, we haven't yet mentioned the most exciting part — well, for those a little self-conscious about their form, that is. With a blindfold wrapped around your head, you can't see your exercise classmates and they can't see you either. You don't get that at bikram or disco yoga. For more information, visit the Left Brain / Right Brain website. Image: Dollar Photo Club.
Art has prevailed in the battle to fill a Melbourne rooftop with naked people. In the latest development surrounding Spencer Tunick's newest work, the New York artist has been given permission to hold a nude photoshoot on top of the Prahran Woolworths car park — just over a week after the store said no. It was announced in May that Tunick would be returning to Australia in July to stage another of his famed mass nude photos, all as part of Chapel Street Precinct's Provocaré Festival of the Arts. Seventeen years after assembling 4500 naked volunteers for a snap near Federation Square as part of the 2001 Fringe Festival, the polarising artist plans to amass another contingent of naked (and pretty brave) folk for a work titled Return of the Nude While Tunick has photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras, snapped the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK, his initial attempt to craft his latest piece against a Melbourne skyline backdrop was knocked back by Woolworths. A petition spearheaded by the Chapel Street Precinct Association (CSPA), the festival's host organisation, in response —and due to community pressure, the store has decided to let the shoot go ahead. A spokesperson for the supermarket giant advised, "in further discussions with the festival organisers they indicated a willingness to be flexible with dates and times to ensure the shoot could happen without inconveniencing our customers during busy weekend trading. As a result, we're now able to accommodate the request to temporarily clear the rooftop for Spencer Tunick's group shot on a Monday morning during a traditionally slow trading period." The shoot will take place on Monday, July 9, with Tunick given an hour to complete his vision. And if you'd like to participate — anyone over the age of 18 can git their kit off and get involved — there's still time to register. Participants each get a print of the photograph and, we're sure, a big boost of body confidence. Provocaré will take place across the Chapel Street Precinct from July 5–15, with Return of the Nude being shot over one hour on July 9.
If you're a female chef, sommelier, waiter, restaurateur or manager — in short, if you're a woman and you work in hospo — there's a brand new not-for-profit in Australia dedicated to you. It's called WOHO and it's already attracted the support of some big names in the industry, including Christine Manfield, Danielle Alvarez and Nadine Ingram, who'll be acting as mentors. Even though 51.8 percent of Australian hospitality workers are women, only 15.4 percent of CEOs in the same industry are. So, when it comes to the top jobs, females are seriously underrepresented. WOHO will be bringing educational opportunities and forums to professionals at all stages of their careers. Members will be able to share experiences, ask questions, discuss issues, seek advice and access a supportive network. There'll be a formal mentoring program, regular events and meet-ups. "It is a very exciting time for Australian hospitality, which is now getting more recognition on the world stage," says Julia Campbell, founder and chair of WOHO. "While our forward-thinking approach to food and concepts is well-recognised, it is imperative that we face the issue of female underrepresentation at a senior level in the industry. WOHO is a vehicle for us to inspire, recruit and retain more females and to give them the confidence to support themselves and each other in their professional development." The rest of the WOHO Board is made up of Anna Pavoni (Ormeggio), Jane Hyland (4fourteen), Claire van Vuuren (Bloodwood), Michelle Maiale (A Tavola), Jane Strode (Bistrode CBD), Lisa Hobbs (Dedes Group), Lisa Margan (Margan Estate), Kerrie McCallum (delicious and Stellar) and Lyndey Milan (OAM). WOHO will launch on May 29 at 6pm at Three Blue Ducks, 1/85 Dunning Avenue, Rosebery. There'll be food by Bloodwood, 4Fourteen, Pastry Project and Bistrode CBD, and drinks by Printhie, Lisa McGuigan, Margan Estate, Young Henrys and Santa Vittoria. Tickets are $25 (members) or $30 (non members). WOHO membership is $10/month.
