There's plenty to love about newly-opened, vegan snack bar, Follies. Along with a food and beverage menu that's entirely plant-based, Follies pays homage to the classic pintxos bars found in Barcelona and San Sebastian. Everything on the menu comes in a bite-sized ration, served on toothpicks as a nod to its Basque Country heritage. Follies is the lockdown brainchild of Melbourne-born and bred Olivia Franklin, a young but eager hospitality veteran. A nostalgic ode to the 70s, Follies' fit-out has been brought to life with the help of retro wallpaper prints, bright orange table tops and the fuzzy, original carpet from the 70s. Patrons will find a reliable everyday menu of hot, cold, sweet and savoury pintxos priced at $5.50 for a small stick and $7 for a large. The pintxos bar choices run to the likes of peach and goats cheese crostini done with a balsamic glaze ($5.50), and cream cheese-stuffed peppers laden with walnuts ($7). Extra soft and juicy Italian meatballs are served coated in a rich tomato and red wine sauce ($7), while a Patatas Bravas with roast chickpeas ($7) is a must-try. Seasonal and event-themed specials are also promised to make appearances throughout the year. Drinks take the form of house cocktails, spritzes, local beers and an ever-evolving selection of vegan, low-intervention wines. The Frosty Fruit margarita contains a crowd-pleasing tequila, Cointreau, passionfruit and lime ($22), while a Porny Pom mixes vodka, vanilla, pomegranate liquor, molasses and prosecco ($22). Low-to-no alcohol drinks are given plenty of love too, with a range of iced teas, spritzes and pét-nat for guests looking for alternative bevvies. An enticing daily happy hour offers $18 cocktails, $10 spritzes, $9 wines and $7 schooners. Bottomless lunch comes in at an easy $75, including bottomless pintxos, spritz, beer and wine. Images: Genevieve Rankin
No shirt, no shoes, no problems whatsoever. London is getting a pop-up restaurant that takes the concept of casual dining to a whole new level. Opening over the northern summer, The Bunyadi promises a dining experience free from the distractions of your complicated modern life. That means no phones, no electricity and – yep! – no clothing. Now, technically the no clothing clause is an optional one, with the restaurant split into nude and non-nude sections. But who are we kidding here: if you're rocking up to a clothing optional restaurant and not going naked, what exactly was the point? Taking its name from the Hindi word for 'natural', The Bunyadi is the brainchild of Lollipop, the pop-up specialists responsible for ABQ, London's Breaking Bad-themed cocktail bar. Guests at their new venture will be seated in wood-hewn furniture and dine by candlelight on flame-cooked food served in handmade clay crockery. "We believe people should get the chance to enjoy and experience a night out without any impurities: no chemicals, no artificial colours, no electricity, no gas, no phone and even no clothes if they wish," Lollipop founder Seb Lyall told Made in Shoreditch. "The idea is to experience true liberation." Reservations will be released on a first come, first serve basis. Anyone interested in dining in the buff can sign up to the waitlist behind 3500 other nudists at The Bunyadi's website. Via Made in Shoreditch. Image: Patryk Dziejma. UPDATE APRIL 28, 2016: As of today, there are a whopping 28,000 people on the waitlist for The Bunyadi. And it's climbing. Better off just getting your kit off in the dining room at home?
A new study by Melbourne's La Trobe University has led one expert to suggest what we've all known deep down for years: dogs should be allowed at the pub. A recent survey of more than 2300 Victorian pet owners found that 63 percent of dogs were not walked daily and that many animals were left alone for large amounts of time throughout the day. The solution? Take them out drinking, of course. According to La Trobe researcher Dr. Tiffany Howell, only 26 per cent of people take their pet on an outing every day, and 17 per cent do it less that once a week. It's a concerning statistic that RSPCA spokesperson Michael Beatty attributes to restrictive Australian laws that mean dogs are allowed in fewer public places than they are in other countries around the world. "In England or Scotland or New York they are always getting exercise because they go everywhere with their owner," Beatty told the ABC. "In Australia they can't go everywhere with their owner, like a pub ... They can in Europe and most parts of America and the UK." Obviously, we here at Concrete Playground fully support the notion that dogs should be allowed in pubs and bars. For starters, it'd mean you'd never have to drink alone again. Studies have shown that animal companionship is great for people's mental health and happiness, so that's another big mark in its favour. Plus, if you have one too many beverages, your dog can help you find your way home. Mr. Beatty also said that human laziness plays a major part in why pooches aren't getting enough exercise, telling the ABC that "unfortunately some people seem to think that owning an animal is a right rather than a privilege. With that privilege comes certain responsibility." And in case you were wondering, it's not just dogs in need of a workout. The same La Trobe Uni study found that 40 per cent of cats were overweight. Frankly, a nice long pub crawl would probably do them good. Just whatever you do, don't give your pets alcohol. We know you'll be tempted, but really, we cannot stress that enough. Via ABC Online. Image: Dollar Photo Club.
The Chaser gang are getting back to their roots, with plans to publish a brand spanking new print magazine. The team behind The Hamster Wheel, Yes We Canberra, Sydney's Giant Dwarf theatre and the Make a Realistic Wish Foundation have recently launched a crowdfunding campaign to get the satirical publication off the ground, with the aim of releasing their first edition in the next couple of months. According to the group's Pozible page, The Chaser Quarterly will be a 96-page colour magazine that will address "the key problem of our time: namely — there is not enough content in the world." They're hoping to raise $50,000, money they say will be use to establish a "'tax effective' offshore corporate structure" so as to ensure the project isn't stymied "by the onerous burden of paying tax to fund Australia's hospitals, schools and roads". Truly this campaign video says it all. Right now, a $25 pledge will get you a copy of the magazine, while $50 will see it signed by the entire Chaser team. More extravagant rewards include the chance to pitch your own article for $500 (although there's no guarantee it will be published), or the opportunity to run your own full page ad for $1500 (on the condition that it "fundamentally undermine the product it is seeking to sell".) Although best known for their highbrow political satire on television, The Chaser team actually started out publishing a fortnightly newspaper that ran for six years between 1999 and 2005. Among their memorable stunts from this period was the time they published Prime Minister John Howard's home phone number on their front page. Assuming they reach their Pozible target, the first edition of The Chaser Quarterly will be published in spring 2015 and feature articles by many familiar Chaser contributors, including Andrew Hansen, Chris Taylor and Craig Reucassel. In order to keep up the appearance of a successful company, head team members will be payed in Beluga Caviar, while the rest of the creatives, including writers, cartoonists, illustrators and graphic designers, will divvy up $300 between them. Pledge via Pozible and keep an eye on the Chaser Quarterly website for updates.
From children playing in the sea near Arnhem Land to an elderly man cleaning his suburban pool, Australians from all walks of life are represented in the 22 stunning images chosen as finalists in this year's Australian Life photography contests. An initiative of Art and About Sydney, the competition is the second largest photography contest in the country, with a cash prize of $10,000. The winner will be announced on September 17, while all the finalists will be on display along the St James walkway in Sydney's Hyde Park from September 18 to October 11. The judges for this year's competition are previous winner Tamara Dean, ARTHERE founder and Stills Gallery curator Sandy Edwards, Australian Centre for Photography curator and exhibition programmer Mark Feary, and interior stylist, author and lifestyle blogger Jason Grant. Organisers have also partnered with Tourism Australia for a special Instagram competition, which last year drew more than 30,000 entries. Amateur photographers can submit their entries using the hashtag #australianlife and go in the running to win $5000. The Instagram competition closes on October 1, with winners announced on October 9.
Lovers of cinema and hummus-fuelled picnics rejoice: the Moonlight Cinema program has finally arrived and it’s looking mighty good. The lineup features some of this year's biggest new Hollywood releases alongside more demure titles, family favourites and age-old classics, so you can guarantee you’ll find something that piques your interest. Let’s start with the bigwigs What better way to see the big releases of summer than outdoors on a balmy night? Star Wars: The Force Awakens, The Hunger Games: Mockingjay Part Two and SPECTRE are all showing and (we’d imagine) best viewed under the stars. We’re also thrilled to see a fair whack of female-centric films in the lineup too, as well as an array of movies that cover hitherto taboo topics in the popular cinema circuit. Joy, starring everyone’s favourite human Jennifer Lawrence, follows the unconventional story of a mother of three as she builds a business empire in the '90s; Suffragette is an important historical period drama about women's fight for the vote in pre-war Britain and appropriately features a dreamy cast of unique and unapologetic women including Meryl Streep, Carey Mulligan and Helena Bonham Carter. We’ve also got The Danish Girl, featuring Eddie Redmayne and Alicia Vikander, which explores the life of transgender artist Lili Elbe. Closer to home on Australia Day, we’ve got The Dressmaker, a montage of Kate Winslet looking hot and Liam Hemsworth looking filthy hot (maybe other things happen in the plot too but why would they bother?). And at the other end of the spectrum is the lighthearted comedy Sisters, featuring unstoppable duo Amy Poehler and Tina Fey. But don’t think the gentlemen miss out. The Revenant, Leonardo DiCaprio’s latest Oscar bid, was directed by Alejandro González Iñárritu (of Birdman fame) so you can guarantee it’ll be equally beautiful, dramatic and weird. And if you miss The Martian or missed Jurassic World in cinemas, you can catch them at Moonlight sessions too. As always Moonlight Cinema will be throwing back to classics: Ferris Bueller’s Day Off, Top Gun, Dirty Dancing and Grease. Tickets are on sale now for the summer sessions so get booking lest you get stuck in front of Dirty Grandpa (yes, a film where you can see Robert Deniro making out with April Ludgate while Zac Efron wears a vast array of golfing sweaters — that is apparently showing too :/). Moonlight Cinema runs across Sydney, Melbourne and Adelaide from December 3, Perth from December 5 and Brisbane from December 16. Tickets are on sale now from the Moonlight Cinema website.
Chucks: for a long time, it seemed like every second person had a pair. There have been different colors, patterns and materials, but there has never been a significant redesign of this ubiquitous shoe. Or at least there hadn't been – until now. On July 28 Converse is officially set to release the All Star II, a brand new iteration of their classic Chuck Taylor All Star. It's about time, too. As iconic as they may be, Chucks aren't historically the most comfortable shoe to actually wear. Walk any significant distance in them and your feet tend to feel like a combination of white noise and the burning sensation of the sun. Thankfully, it would appear Converse has been listening to our complaints. You won't hurt your arches with the new All Star II, which uses Nike Lunarlon cushioning to make it feel like you're walking on a fluffy cloud. The shoe will also feature a more "breathable" micro-suede lining and a padded non-slip tongue. At the end of the day though, while the guts may be different, the outside remains more or less the same. Converse is keeping the familiar rubber toe, All-Star patch and matte eyelets, albeit with a few minor enhancements. Moreover, classic Chuck-lovers don't need to worry: the All Star II isn't replacing the original. Rather, it's an addition to the family. Unlike its predecessor, there are only four colours available for the limited initial run (black, blue, red, and white). That being said, don't be surprised if Converse release more versions of this new shoe after the first run has ended.
"Black people. I love you. I love us. Our lives matter." One Facebook post and Alicia Garza made history, a call to action that would gain traction and spark the founding of #BlackLivesMatter in the wake of the violent deaths of African Americans Trayvon Martin, Michael Brown, Eric Garner and many others. It's one of the world's most important international activist movements, campaigning against violence toward black people, and Garza will bring it front and centre at this year's Festival of Dangerous Ideas. Set to return to the Sydney Opera House over September 3 and 4 for its eighth year, FODI is bringing one of its most serious, enlightening programs yet as part of Sydney Opera House Talks & Ideas. Delivering the opening address with none other than Stan Grant, Garza leads a host of colossal thinkers and strong minds not afraid to question the problematic way things are — over 50 speakers across 24 solo sessions, 12 panels and one free workshop. This year, FODI has four major themes: 'Disappearing Countries', 'Dealing in Death', 'Disruptive Behaviour' and 'Dirty Politics'. One sure to provoke is apparently repentant author of The Game Neil Strauss in his sure-to-be-debated talk 'Cheaters, Sex Addicts and Pick-Up Artists'. UK comedian and The Young Ones legend Alexei Sayle dives into his ratbag past with 'Thatcher Made Me Laugh' — a perfect pairing for anarchists locked in for Henry Rollins' already-announced 'Blood Sport' talk about US politics. In fact, politics in Australia and abroad feature prominently in FODI's response to current 'World is fukt' times. Favourites Annabel Crabb and David Marr will pull apart the recent (and by-FODI, it'll be solved) federal election in 'The Government We Deserve?' — both have written biographies on Malcolm Turnbull and Bill Shorten respectively, so this one's going to be a humdinger. Marr's also hosting an epic two-hour forum titled 'Can We Solve The Asylum Seeker Crisis?'. Perpetual WTF-generator and controversial commentator Andrew Bolt will lead a talk dubbed 'How Many Dangerous Ideas Can One Person Have?', so expect Twitter to be all over that one. Climate change and social justice feature prominently on this year's bill, with Canadian activist Sheila Watt-Cloutier's 'The Right To Be Cold' set to be a highlight — she sees the failure of the world to act on climate change a gross violation of Inuit human rights — and The Economist's Environment Correspondent Miranda Johnson wants fishing the high seas stopped. Arts and sport will both get their turn on the chopping block this year. Sport nuts should jump on tickets to see journalist Tracey Holmes, sports scientist Stephen Dank (yep, that guy), former Olympic swimmer Lisa Forrest, academic Jason Mazanov and former IOC boss Kevan Gosper will be deciding whether drugs in sport should be legalised. Visual artist, activist and Drawing Blood author Molly Crabapple (who designed this year's 'FODI-land' concept on the festival website) will take you from Syria to Guantanamo Bay and back to Occupy Wall Street. We Need To Talk About Kevin author Lionel Shriver wants you to break a rule a day, while author of The Magicians trilogy and TIME's book critic Lev Grossman will argue that 'There Are No Good Books'. But we haven't even scratched the surface on FODI 2016, from former Kevin Rudd staffer Jennifer Rayner standing up for millennials in 'Generation Less', to the incredibly important panel 'Not Worth Living' delving into the specific, tragic epidemic of suicide in Indigenous people. Plus, co-founder of The Maintainers Lee Vinsel wants people to stop worshipping innovation and start focusing on maintenance of technology — something we can't wait to argue with him on. Sydney Opera House Talks & Ideas team of Ann Mossop and Danielle Harvey have curated this seriously epic program, with Simon Longstaff from The Ethics Centre as curatorial adviser . The 2016 Festival of Dangerous Ideas is coming to the Sydney Opera House on September 3 and 4. Multipacks are on sale from July 11 at 9am, single tickets on July 14 from 9am, all from the FODI website — where you'll find the full FODI program alongside Molly Crabapple's web design.
Beloved short film festival Tropfest made the devastating announcement yesterday that due to mismanaged funds by the third party agency in charge of, you know, correctly managing funds, the festival has been cancelled this year. Founder and director John Polson made an (appropriately) salty statement on Facebook. “I have been made aware that the company contracted to raise the funding and administer the Tropfest event is unable to move forward for financial reasons. It is too early to tell what has actually happened here, although it is hard to avoid concluding there has been a terrible and irresponsible mismanagement of Tropfest funds.” And fair enough, as he estimates the funds mismanaged run into six figures. "It goes without saying that this announcement is the most difficult one I've made in Tropfest’s 23 year history," said Polson. "My heart goes out to this year’s 16 filmmaking finalists, to our incredible list of sponsors and partners, and of course to our loyal and beloved audience." Tropfest has been a staple in the Australia film vernacular since 1993, when it screened for an audience of 200. It's broadcast each year live to approximately 150,000 people around Australia and, despite everything, apparently received ample support this year, making the announcement even more upsetting. It’s a tangible blow to the Australian arts and filmmaking community as Tropfest was (and still is, we sincerely hope) one of the few festivals to offer sizeable prize money and valuable industry experience to the winning entrants (including a trip to Los Angeles to take meetings with film industry execs among other prizes). Can someone make a Kickstarter already so we don’t have to live in a world without Tropfest?
An upcoming exhibition at the National Gallery of Victoria will bring together the realms of high fashion and high art. Celebrating the extraordinary work of Dutch designers Viktor Horsting and Rolf Snoeren, Viktor&Rolf: Fashion Artists will showcase some of the luxury fashion house's most iconic haute couture pieces, as it celebrates one of the most remarkable partnerships in the world of modern fashion. Running from October 21 through to February 26, 2017, the world-first exhibition has been developed by the NGV in partnership with Viktor&Rolf, under the curatorship of international guest curator Thierry-Maxime Loriot. In addition to the more than 35 original items, the exhibition will also feature the duo's upcoming work Dolls, a collection of antique dolls dressed in some of the pair's most memorable designs. "We are extremely excited to be working in collaboration with the National Gallery of Victoria on this exhibition and highlighting the craftsmanship involved in creating our wearable art," said Horsting and Snoeren in a joint statement. "It is an honour for us to bring our designs to the Southern Hemisphere." Collaborating for the first time in 1992, Horsting and Snoeren have long been renowned for their boundary pushing designs and experimental runway shows. Perhaps their most memorable showing was in 2003, when they teamed up with actress Tilda Swinton (of course) along with an army of Tilda lookalikes for their One Woman Show autumn/winter collection. Viktor&Rolf: Fashion Artists opens at NGV International on October 21 this year. Tickets are on sale now at ngv.vic.gov.au/viktorrolf.
Having established itself as a summer favourite across the country over the last few years, the Royal Croquet Club will return to Melbourne. Back for a third year, the outdoor festival is set to take over Birrarung Marr from December 8. The 16-day event promises all the fun and flavour of previous years, offering up a buffet of live entertainment, experiential arts, food, drink, and — of course — more than a few games of croquet. The al fresco festival will see revellers of all ages and skill levels hitting the central croquet pitch, with some of Sydney's best food on hand for refuelling in between games. Expect noms from St Kilda's POW Kitchen, 8bit burgers, and barbecued things from Hoy Pinoy and Up in Smoke. Gelato Messina will once again bring back their ice cream creations in Campbell's Soup-like tins. And the fun continues away from the mallets too, with a lineup of local and international artists dishing up live tunes, including Jarryd James, Hayden James, Touch Sensitive and, randomly, Angus Stone as Dope Lemon. This year they'll also be adding The Parlour, a 70-seat pop-up theatre that will showcase acts from Adelaide Fringe. Previous years have seen as many as 60,000 people rock up, and this time 'round you can expect just as many. The Night Noodle Market regulars will need somewhere to go once that wraps up this week. The Royal Croquet Club Melbourne will come to Birrarung Marr from Thursday, December 8 to Sunday, December 23. For more information as they announce it, check back here or visit royalcroquetclub.com.au.
Launching something new takes a lot of gumption — not to mention legwork. Everyone's got ideas — you've probably got a few scribbled down on a napkin somewhere. But it takes a particular kind of drive and perseverance (and a bunch of cash) to turn lofty concepts into an actual, physical Thing. For this year's REMIX Sydney conference (June 2-3), Concrete Playground will be digging into the idea of launching something new, focusing on the businesses we couldn't write fast enough about — with a special curated session on 'How Long Does It Take to Become an Overnight Success?' We'll be digging into Australian success stories, brave folks who started something new. What's it like to open a soda factory in Sydney? How do you launch a brand new wine festival — on an island? We took five with three leading Sydney innovators, who'll be sitting on our REMIX panel: Kristen Francis, festival founder and director of the insanely popular Wine Island (winner of CP's Best New Event of 2015), Michael Chiem, co-founder of Sydney soda company PS Soda and its just-opened CBD factory/bar PS40 (Sydney's first of its kind), and Georgia van Tiel and Carla McMillan, co-founders of citywide gym class pass Bodypass (winner of CP's Best New Product of 2015). How did they come up with something new in this day and age? How did they get it off the ground? Take notes. [caption id="attachment_572830" align="alignnone" width="1280"] Wine Island.[/caption] Why/how did you come up with the idea for your business? Kristen: I'd been producing events for about ten years for clients, as well as my own music festival Legs 11, but as I get older I want to concentrate more on my own productions and not die wondering. The concept for Wine Island simply came about during my morning walks around Rushcutters Bay. I always noticed the pretty little island of Clark and wondered why nothing ever happened there so I started my research and two years later, it became a reality. Logistically, it's the worst idea ever, but being a bit of a dreamer… It's the best. Michael: The idea for our business actually stemmed from past experiences Thor (my business partner) had experienced in New York. He had consulted for a soda brand to be launched in Europe developing flavours and had such good feedback he decided to further expand the concept and move to Sydney to launch it here, as Sydney has such amazingly diverse produce and native ingredients. We both met in Sydney at Bulletin Place and worked so well together the relationship grew organically from there, Thor wanted to make a soda factory, I wanted to open a bar and forming them together would allow us to work sustainably reducing waste by working nose to tail across bar and soda and maximising productivity and exposure. Georgia: I was living in NYC at the time (18 months ago) and Carla reached out to me to tell me about a genius idea she had. Carla has always been a yogi and didn't really find that she liked spending all her time in one studio. Carla was often at three to four different studios in a week and often spending hundreds of dollars each week. I also, as an avid fitness fan, felt like I was one of those people that loved trying out different studios and different classes. We both love the idea of people having more fun and variety in they workouts and making sure they keep the boredom at bay (the number one killer of all fitness regimes!). At the time, there were about ten different models, similar to Bodypass, setting up in the US and I thought it would be a good idea for Carla to head over to NYC, do some research with me and see if there was a market for this sort of thing in Australia. After about two months, we thought there was a space and we felt like we had a model that would work really well in Australia. I headed back from NYC in November 2014 and we literally have not stopped since. I think we just surpassed our 2000th class! [caption id="attachment_572854" align="alignnone" width="1280"] The PS Crew (Michael's on the left).[/caption] What made your idea different from everything else out there? How did you make it stand out? Michael: The concept of a tradesman making his own tools is no new concept. For many years baristas have been roasting coffee, sommeliers making wine and beer guys making beer. It's all been done before, except for bartenders making soda (well at least to the extent we are making it). The idea stands out more as the soda factory side of our business is integrated into our little cocktail bar and we are very transparent about it all. We also take a culinary approach, not using any essences or artificial flavours. Everything is done in house, by hand, using natural and local produce. Georgia: We are not a studio, we are not instructors, we are a membership that gives ultimate flexibility, huge amounts of variety and a great opportunity to meet new people and socialise. Having a workout buddy really helps to keep your fitness goals in check and keep you going back for more, even when the sun isn't up yet or the rain is pelting down. One of our other big standouts, I believe, is that we have given Bodypass a personality. Carla and I are both fit gals but at the same time we love to enjoy life and all it has to offer. We both believe in balance and doing something because it's fun, not because you have to or you should. Bodypass is a lifestyle that Carla and I are all about and we wanted to share that with other people. Kristen: Firstly, it hadn't been done before (I guess no one else wanted to give themselves a heart attack) and secondly, we treat our festival like a mini-holiday on your doorstep with very limited numbers per session — which everyone appreciated. It's like you're experiencing the full holiday package which includes transport and welcome drinks, then a relaxing and luxurious island escape full of wine and food. We know there are quite a few wine festivals around Sydney nowadays so we also wanted to promote unique wines in a unique setting. [caption id="attachment_572881" align="alignnone" width="1280"] Bodypass (Carla on the left, Georgia on the right).[/caption] What problems did you run into while planning/building, if any? How'd you manage them? Georgia: Growing. Like any startup, funding played a huge role. Our business is a tech business and building anything like this was always going to cost a lot of money. Starting Bodypass was a balancing act between meeting new studios and signing them up and trying to get Bodypass in front of possible investors. Carla and I had a good partnership as she was more client/studio facing and I was able to work on the business set-up. This enabled us to grow and also catch the eye of Fairfax Media. Michael: So many! We should write a book on all our mistakes as a guide on what not to do when opening a business haha! Always staying positive even at the hardest moments is necessary. You can't let it get you down for too long. We were lucky enough to have a really good team behind us who were very supportive, from our designer, Thor's wife Livia from Ultra Violet, to our planner, certifier, handyman Seamus from Sea Studios, who built all the furniture. It was difficult but the end result we are thrilled by. Kristen: Well firstly, it was no, no, no from the National Parks. However, I've never been so persistent with an idea so I kept on calling until I finally got through to the person who said yes, yes, yes — it paid! Producing an event on an island is a logistical and eye-wateringly expensive exercise, so it was extremely important to be organised and try not to leave much room for error. But you know, Mother Nature has her own plans, and whilst the first festival session on Friday morning was a sparkling paradise of an image, the evening session was anything but. We pulled all the bars in so people could get under the huts and others were tucked away in caves sipping their Savs. Luckily everyone got into the spirit and there were a lot of dancing ponchos making the most of it. [caption id="attachment_572833" align="alignnone" width="1280"] Wine Island.[/caption] What was opening day/launch day like and how did you celebrate? Kristen: As mentioned above, the first day was both sides of the coin. As the second session of the first day was so wet, we sat on the ferry soaking, exhausted and celebration was a hot shower. Boring, but true. Georgia: Carla bought an amazing bottle of champagne around February, when Fairfax starting talking to us and it finally looked like we would have some financial investment. We planned on drinking that when we signed with Farifax but when you have sometimes four classes a day, having a hangover was not an option. We did however have a lot of fun when we launched to the public in June 2015. Let's just say a few classes were cancelled the following day. Michael: Opening day was a small mole hill (goal). Opening the door is great but it only begins our long journey of constantly trying to provide the best drinks we possibly can, whilst having shit tonnes of fun. We have so many goals now to tick off including bottling our final product and future collaborations and events to focus on — we're always looking forward. You can catch Kristen Francis, Michael Chiem, Georgia van Tiel and Carla McMillan speaking at REMIX Sydney from June 2-3 at Sydney Town Hall, at Concrete Playground's special curated session on 'How Long Does It Take to Become an Overnight Success?'. More info right here.
Spring is in the air — and what better way to celebrate than with a meal at St Kilda's new seasonal Asian eatery and bar. Headed by chef Golf — a Kong BBQ, Chin Chin and Hawker Hall veteran — Spring and Summer will bring an eclectic mix of Thai, Japanese, Korean, Malaysian and Singaporean cooking to Barkly Street, along with Asian-inspired cocktails to make it feel like summer all year-round. Starting service, fittingly enough, on the first day of spring, the 50-seat restaurant features a small but appetising menu that will evolve with each passing season. Entrée options include fried school prawn with lime mayo, lotus root chips with shichimi salt, and kingfish sashimi with green nam jim and coconut cream. Mains, meanwhile, range from tempura soft shell crab with coconut curry sauce, to caramelised pork belly with papaya salad. The inaugural menu also boasts a pair of killer dessert options in a matcha pannacotta with chocolate soil and sesame brittle, and pandan coconut ice cream with yellow bean and sweet potato chips. As for the liquid refreshments, diners will have the run of a summery cocktail menu. Standouts include the Bangkok Mule (coconut tequila, coriander and alcoholic ginger beer), the Full Moon Party (spiced rum, coconut tequila, pineapple juice and coconut cream) and the Business Trip to Japan (beefeater gin, maraschino liqueur and lemon juice). Alternatively, they can choose from a number of beers, wines or sodas. WEEKEND • Suns out, wings out! We're open for lunch on weekends 🍗🍺🍗🍺 Does it taste as good as it looks? Come in and find out! #SpringAndSummer A photo posted by Spring and Summer Restaurant (@springandsummerrestaurant) on Sep 2, 2016 at 7:17pm PDT Find Spring and Summer at 192 Barkly Street, St Kilda. For more information visit springandsummer.com.au.
Come the end of next year, you won't need to hit the beach to catch a few waves. A site near Tullamarine, around 23 kilometres outside the Melbourne CBD, is set to become the location of Australia's first ever urban surf park. Owned and operated by Perth company Wave Park Group, Urbnsurf Melbourne will boast a 320 metre long pool and employ Wavegarden technology to generate man-made waves between 0.6 and 1.9 metres high. The facility will cater to both experienced surfers and beginners, while LED lagoon lighting will ensure visitors can keep surfing after dark. Wavegarden technology is currently utilised at the Surf Snowdonia wave park in Wales, while another park is set to open in Austin, Texas later this year. In addition to the wave pool, Urbnsurf will include a licensed cafe, a surf shop, board and wetsuit rental services, surf classes, playgrounds, a rock climbing wall, skate ramps and a mountain bike course. Wave Park Group founder Andrew Ross told The Age that the park would eliminate typical marine hazards that come with surfing on the ocean, and described the facility as a kind of "driving range for surfers." Entry prices are yet to be confirmed, although Ross estimated a one-hour session would cost between $20 and $50 depending on the season. Urbnsurf Melbourne is currently slated to open in late 2017. To stay up to date, visit their website or check them out on Facebook. Via The Age. Header image via Dollar Photo Club.
First there was camping, but nature is icky and the hard ground is no Posturepedic. Then there was glamping, which is certainly a step up but still requires you to be outside with only a thin velour track pant and tasteful white canopy between you and the bugs. But now, thankfully, there's a way to get the best parts of camping (good company and fire-cooked food) without having to leave the city or wear ugly hiking shoes and unflattering shorts. Hunter and Barrel is the new dining concept hitting Sydney and Melbourne in late 2015. With a menu focused on coal-roasted meats and seasonal vegetables, big barbecued skewers, sharing boards, stews, soups, pies, and generally hearty fare, H&B will deliver the sensory experience of camping without the inconvenience of actually, y'know, camping. Think warm, hearty dishes such as slow-roasted beef rib, seafood and pork belly cooked over the restaurant's coal grill, washed down with your classic craft beer or barrel-aged wine. Although contemporary horror films have taught us to fear the foreboding idea of a remote cabin (thanks Evil Dead and Cabin in the Woods), the primal part of our psyche still longs to get back to nature. Bradley Michael, the CEO of Seagrass Boutique Hospitality Group who own Hunter and Barrel, told Good Food the venue would have a “sexy camping, hunter’s cabin feel.” The décor at Hunter and Barrel, designed by ODO, will feature big rocks and rustic pipes — and your drink will be delivered by a suspended wall covered with barrels (whatever this ends up looking like). Hunter and Barrel is set to open in Cockle Bay, Sydney on October 10 and Ringwood, Melbourne on October 29. Via Good Food.
For the third year running, the fair city of Melbourne is gearing up for an arts festival of truly epic proportions. On Saturday, February 21, White Night takes over the CBD, with an astonishing lineup of installations, performances and activities running from sundown until the first light of dawn. This year’s event features work by more than 700 artists, ensuring there’s no shortage of things to discover over the course of the night. Of course, when you’re battling crowds of more than half a million people, a little planning can go a very long way. With that in mind, here are our picks for the ten things not to miss on White Night 2015. 4 ELEMENTS Although light and projection have been a big part of White Night since its beginnings, this particular endeavour looks like the best use of the medium yet. Using the facade of the Royal Exhibition Building as a canvas, 4 Elements combines the qualities of fire, water, wind and earth, while also incorporating elements of music and dance. Given the location outside of the central city hub, this also seems like the perfect way to ease into the evening. I COULD HAVE DANCED ALL NIGHT Another favourite of previous White Night programs were the all-night dance marathons. This year they’re moving from Federation Square to near the corner of Lonsdale and Elizabeth Streets. Not that you should have any trouble finding them — just listen for the music. Sponsored by VicHealth, dance styles being taught this year include samba, break dancing, ballroom, burlesque, afro fusion and Ukrainian folk. RABBIT HOLE 2015 marks the 150-year anniversary of the publication of Lewis Carol’s Alice in Wonderland — and what better place to commemorate it than the State Library of Victoria? Projections on the outside of the building will recount the beginning of Alice’s journey, while a 360 degree projection inside the Library’s Dome will take visitors further down the rabbit hole than they’ve ever been before. CIRCLES OF LIGHT Surely one of the more unique installations in the lineup, Circles of Light combines light and music with the latest in horticultural innovation. Sensory plants — whatever those are — in the Queen Victoria Gardens provide the key to the work; touch a leaf to make music or to fill the rotunda with light. While you’re in the gardens, you can also check out a pair of giant, neon angel wings or view three short films about the Greek financial crisis. THE PURSUIT OF WHOLENESS Last year, Freya Pitt wowed White Nighters with her work The Skies Are on the Ground. This year, she returns with The Pursuit of Wholeness, an interactive performance piece that combines storytelling, visual art and twitter with classic scenes of romance from both ancient and contemporary literature. Performed amidst the pews of the Collins Street Baptist Church, the piece is meant to explore the meaning of love and commitment. It all sounds a bit heavy, but fascinating too. THE UNAUTHORISED HAGIOGRAPHY OF VINCENT PRICE Programmed by the same folks who brought you 101 Zombie Kills during White Night 2013, this 45-minute montage pays tribute to one of history’s most notorious purveyors of schlock. Relive some of Vincent Price's most iconic screen roles, from the original House of Wax to The Muppet Show. Also worth noting is that ACMI’s cinemas are air conditioned, making this the perfect way to escape from the crowds. INTERNATIONAL ANIMATION EXPLOSION While you’re at ACMI, you can also check out this program of animated shorts, carefully selected by the team at the Melbourne International Animation Festival. The first stream runs from 7pm to midnight and features plenty of wholesome content for young kids. Things take a dark turn after midnight, however, with an entirely different lineup, featuring (amongst other things) a gun-toting teddy bear and a drug-addled, sex-addicted penguin. Who said cartoons can’t be for grownups too? PRESAGE 2014 Hosted in the NGV Great Hall, this work by Parisian Hicham Berrada is described as “authentic chemical theatre”. By combining various chemicals in beakers before his audience, the artist is able to create a spectacular show of colours and shifting shapes. Yeah science! SITA'S GARDEN One of the centrepieces of this year’s White Night program, Sita’s Garden celebrates the richness of Indian culture. Set up along the banks of the Yarra, this festival within a festival includes dancing, music and a selection of Bollywood films, plus stands selling Indian street food all night long. The river itself will be filled with glowing lotus flowers, while the new day will be welcomed with a ceremony saluting the sun. MUSIC ACTS Wisely avoiding the bottleneck situation created by a single stage at Flinders Street Station, this year’s music program is split between three different locations: Music for a World Stage at Melbourne Museum, Indie Music Stage in Alexandra Gardens, and Jazz @ The Forum at, you guessed it, The Forum. Artists performing include Tek Tek Ensemble, Bobby Singh, Stella Angelico, Airling, REMI, Deaf Wish, Tijuana Peanuts and dozens more. For everything happening at White Night 2015, visit www.whitenightmelbourne.com.au
When last year's Dark MOFO program dropped, House of Mirrors immediately rocketed to the top of everyone's must-do list. Created by Australian installation artists Christian Wagstaff and Keith Courtney, it's exactly what it sounds like: a walkthrough space filled with reflective surfaces that will not only strands you in a maze of your own image, but turns your likeness into a kaleidoscope. Since then, the installation has made its way to Brisbane and Sydney for a stint at January's Sydney Festival. And now, eager Melburnians will soon get the chance to wander through the disorienting, perception-altering, panic-inducing, optical illusion-based labyrinth for themselves. From April 7–30, the mirror maze will take over Rosalind Park adjacent to Bendigo Art Gallery for three weeks of reflective roaming, with the modern, minimalist twist on the fairground classic featuring 40 tonnes of steel and 15 tonnes of mirrors — and no added gimmicks, no special effects, no special lighting, no soundtrack or soundscape. It'll be the first time House of Mirrors has come to Victoria — and with Bendigo less than a two-hour drive (or train ride) away, it's an easy one to do on a day trip. The House of Mirrors will be at Bendigo Art Gallery from April 7–30. For more information, visit their website.
You've seen plenty of Cate Blanchett on movie screens and stages around Australia, but now you'll be able to watch the Academy Award winner in Australia's art galleries too. Starring in German artist Julian Rosefeldt’s latest video piece, Blanchett is set to be the face of Manifesto, seeing its world premiere at the Australian Centre For the Moving Image on Wednesday, December 9 before heading to Sydney's Art Gallery of New South Wales. Manifesto is a series of powerful monologues, performed by Blanchett and screened via thirteen channels. Each monologue is a manifesto about art. Collectively, the speeches explore many of the ‘isms’ that have shaped art history, from Futurism and Dadaism to the Fluxus Movement, Situationism and Dogma 95. Rosefeldt pieced them together from the writings of numerous artists, architects, dancers and filmmakers, including Claes Oldenburg, Yvonne Rainer, Kazimir Malevich, André Breton, Elaine Sturtevant, Sol LeWitt and Jim Jarmusch. He then had Cate deliver them from the mouths of unusual characters and in unexpected spaces. Manifesto will show at ACMI until March 2016, before moving to the AGNSW, where it will screen from 28 May until 13 November. ACMI commissioned the work in conjunction with AGNSW, Hamburger Bahnhof - Museum für Gegenwart, Berlin and Sprengel Museum, Hannover.
Fancy seeing the latest mysterious tale from the man behind The Lobster, starring Colin Farrell, Nicole Kidman and Alicia Silverstone? Carol director Todd Haynes taking Julianne Moore and Michelle Williams into enchanting all-ages territory? The '90s-set AIDS activism drama that won this year's Queer Palm? Melbourne cinephiles, you're in luck. The Killing of a Sacred Deer, Wonderstruck and BPM are coming straight from Cannes to the Melbourne International Film Festival this August. They'll be joined by 30 other just-announced, direct-from-the-Croisette flicks, including the Juliette Binoche-starring Let the Sunshine In, Russian Jury Prize-winner Loveless, and Josh Hartnett heading to Japan in Oh Lucy!, plus documentary Nothingwood about the filmmaker dubbed the Ed Wood of Afghanistan. MIFF will also feature a heap of Cannes films seen at other Aussie fests, helping cure any SFF and QFF-missing envy. Catch Palme d'Or winner The Square, Robert Pattinson crime flick Good Time, Michael Haneke's Happy End, the Andy Samberg-produced Brigsby Bear, Aussie newcomer Danielle McDonald in Patti Cake$, best actress winner In the Fade and Hong Sang-soo's Claire's Camera — and given the fest's opening night pick and other announced flicks, catch yourself spending August 3 to 20 watching many a movie. The Melbourne International Film Festival runs from August 3 to 20. For more information, visit the MIFF website — and check back on July 11, when the full program is announced.
Some things just get better with age. And if its first 2017 program announcement is anything to go by, Melbourne Music Week (MMW) is certainly one of them. Celebrating its eighth run this November 17–25, the festival will again transform spaces throughout the city into unique live music venues — and, as usual, expect a few surprises. The biggest is the addition of a new all-ages event called Miscellanea, which'll take over all three levels of the Melbourne Town Hall on Sunday, November 19. You'll see the iconic building as never before, its many varied spaces playing host to a program of gigs, DJ sets and performances from the likes of HTRK, Tyrannamen, Taipan Tiger and Underground Lovers. The multi-genre event will even feature a Grand Organ takeover in the Main Hall. Also on the agenda is a November 11 performance by American singer-songwriter Ariel Pink at Elisabeth Murdoch Hall, and the return of the annual Face The Music industry conference, with its diverse lineup of workshops, conversations and performances. This year, hear from the likes of legendary Ramones drummer Marky Ramone and German promoter Silke Westera, along with local minds like triple j music director Nick Findlay and Brisbane-based artist Mallrat. Meanwhile, Harvey Sutherland's Bermuda headlines an evening of live music gold for The Age Music Victoria Awards after-party, and Saturday, November 25 sees Ferdydurke and Section 8 join forces to host the ZOO street party. This will be a smorgasbord of visual art, live music and performance, featuring the likes of indigenous rapper Briggs and UK duo Fatima and Alex Nut. Melbourne Music Week 2017 will take place across the city from Friday, November 17 to Saturday, November 25. Tickets are up for grabs from 11am today, September 19, with the full program set to drop on Tuesday, October 17. For the first annoucnement, visit mmw.melbourne.vic.gov.au.
You probably think that James Bond hails from Scotland. But that's where you'd be wrong. As a matter of fact, the world's greatest secret agent actually grew up in rural NSW. Forget about Connery, Brosnan and Craig. To the people of Goulburn, the name Bond is synonymous with hometown hero George Lazenby — and now they're hosting a festival in his honour. Kicking off today and stretching on into the weekend, Spyfest Goulburn is a festival dedicated to the world of international espionage, running September 25-26. There'll be parades, parties and a city-wide game of I Spy, capped off by an appearance by Lazenby himself, who grew up in Goulburn before shooting to (short-lived) stardom as the second man to portray the world's most famous big screen spy. Event organisers will host several free screenings of Lazenby's sole Bond adventure, On Her Majesty's Secret Service, over the course of the weekend. Other events include a Secret Agents Gala Dinner featuring the music of the great Shirley Bassey, and a Shagadelic Disco inspired by MI6's other international man of mystery. Naturally, costumes are highly encouraged. Several local businesses will also be getting into the spirit of the festival by temporarily changing their names, including one chemist who has gone with the inspired new moniker 'Licensed to Pill'. We're pretty sure 007 would approve of the pun — at least Roger Moore would. For more information about Spyfest Goulburn, visit the festival website. Via ABC News.
One of you is about to experience the luck of the Irish. Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to channel a little 'Sine Metu' and travel to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. Explore Irish history (all the way back to the Celtics and Vikings) in the National Museum, pay a visit to Dublin Zoo, or take a road trip out into the insanely beautiful Irish countryside. Recommended holiday read: James Joyce. Heck, you might just want to join a traditional music session in the pub — where no one will snigger at your mad tin whistle skills. Or take yourself on a foodie tour of the city — inhaling flaky Irish pork sausage rolls, warming Irish coffees, local cheddar-stuffed blaa rolls, Irish sea salt ice cream, and everything (everything) with hearty soda bread. Of course, Dublin's a Mecca for whiskey lovers. You'll be taken on a VIP tour of the historic Old Jameson Distillery, a must-do for any self-respecting whiskey diehard. And of course, there'll be tastings. Share this around to your crew and get everyone to enter — throw every possible chance in the hat and hope the sprites are kind. Entries are now closed. Stay tuned to your inbox, winners are announced Friday 17th June, 2016. Image: Giuseppe Milo.
Cold and dark and gloomy, winters in Hobart aren't exactly the most attractive proposition. Or at least they weren't until the birth of Dark Mofo. Presented by the Museum of Old and New Art (MONA), for the past few years this immersive arts festival has disturbed and dazzled locals and mainlanders alike with a mix of music, performances, installations, light and sound works, and art that simply defies categorisation. And from the looks of things, 2017 will be no exception. Dark Mofo's 2017 lineup is an expectedly weird and wondrous beast, featuring all manner of artists from around Tasmania, Australia and the world. Creative director Leigh Carmichael has called the program their "most ambitious yet", while pointing to a number of works — including iy_project 136.1 Hz, a large-scale laser work by the UK's Chris Levine, and Siren Song, a city-wide audio piece involving a range of female artists — as highlights sure to keep "the audience, the organisers, and some of the authorities enthralled." [caption id="attachment_616924" align="aligncenter" width="1920"] Image courtesy of the artist and Dark Mofo.[/caption] Carmichael also draws attention to 150.Action, from Austrian artist Hermann Nitsch. The dark, disturbing performance piece involves an orchestra and around 500 litres of blood, and is sure to be one of the standouts of the final weekend. "This work will be extremely confronting and challenging, but we would encourage our audience to embrace the opportunity to witness the intensity of the ritual, in this one-off exclusive performance, unlikely to ever happen in Australia again," said Carmichael. Then there's Crossing, a 200-kilometre pilgrimage down the Midlands Highway, which will take participants on a pilgrimage to six different churches over six consecutive nights. They'll experience a mix of light, sound and video art along with organ and theremin performances from Melbourne's Miles Brown. [caption id="attachment_616925" align="aligncenter" width="1920"] Image: Antony Crook. Courtesy of the artist and Dark Mofo.[/caption] Of course it should go without saying that this is just the tip of the iceberg. This year's enormous music lineup features the likes of Scottish art-rock legends Mogwai, indigenous hip-hop act A.B. Original, and Norwegian black metal pioneers Ulver in concert with the Tasmanian Symphony Orchestra. There'll also be an industrial-scale transcendental rave at Hobart City Hall presented by the Red Bull Music Academy. MONA, meanwhile, will use Dark Mofo as a platform to unveil its latest exhibition, The Museum of Everything, described by its curators as "an astonishing assortment of artworks from the world's first and only wandering institution for the untrained, unintentional, undiscovered and unclassifiable artists of the 19th, 20th, and 21st centuries." The exhibition will have its grand opening on the first Saturday of the festival, and will be on display at MONA until early April 2018. Then there are the Dark Mofo staples. The annual Winter Feast will once again feed all comers, while Dark Mofo Films will feature a selection of big screen curios new and old. And who'd want to miss the annual Nude Solstice Swim, a communal dip in the ocean at sunrise the day after the longest night of the year? Just remember, winter in Hobart can be pretty bloody cold. Dark Mofo runs from June 8-21. For more information and tickets visit .darkmofo.net.au. Top image: MONA/Rémi Chauvin, 2014. Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia.
When it came to putting together a live action version of Rudyard Kipling's The Jungle Book, director Jon Favreau must've found himself thinking about the bare necessities. We don't just mean the catchy song that helped make the major Disney version such an enduring hit, though the tune does feature again this time around. In trying to bring the story's wilderness setting and talking animals to life, the actor-turned-filmmaker had to consider which aspects were essential. Would it be killer special effects? An all-star voice cast? A fresh new talent to play the film's only human role? Capturing a sense of movie magic? Yes, no doubt they all crossed his mind as he prepared to tackle the tale of man-cub Mowgli (newcomer Neel Sethi), his jungle upbringing and the creatures — wise panther Bagheera (voiced by Ben Kingsley), hypnotic snake Kaa (Scarlett Johansson), honey-loving bear Baloo (Bill Murray), giant primate King Louie (Christopher Walken) and fearsome tiger Shere Khan (Idris Elba) — he encounters. Indeed, the proof is in the enchanting end product, which blends both the book the animated film people know and love into a photo-realistic, live action package in the best way possible. So just how did the man that partied with Vince Vaughn in Swingers, kickstarted the current superhero cinema craze by directing Iron Man and made everyone crave Cuban sandwiches in Chef approach such an ambitious project? With Favreau in Australia recently to promote The Jungle Book, we took the opportunity to ask him about making talking animals look real, tracking down Bill Murray, getting advice from the kitchen and more. ON ADAPTING (AND PAYING TRIBUTE TO) SUCH A BELOVED STORY "I think you have to capture the spirit of the animated film, but if you're doing it in a photo-real way — which is what we set out to do — making it a G-rated kids movie probably wasn't going to work for us. So we felt that doing a PG-rated movie that skewed a little bit older and appealed more to adults as well as kids was not that big of a leap. We did try to include music and characters and tone, and cast it in a way that felt like it was related to the older film. And it's always tricky as a director when you're trying to balance tone. Because not only were we influenced by the '67 animated Disney film, but we're also influenced by the stories written by Rudyard Kipling that were quite a bit darker and scarier and more adventurous. So we tried to combine those things and pay homage to all the influences." ON CREATING A GRAND CINEMATIC ILLUSION "There was an opportunity here to do something really exciting and fresh and new that would surprise children and adults alike, because we're using technology that has never been used before. And people who see this are very hard-pressed to figure out what's been generated by computers and what's real. And there's very little real at all. It's very hard to wrap your head around it when you see it. I think nowadays, honestly, there's so much competition on television, on the internet, on cable. There's so much good programming and so much good content out there that if you want to ask people to go to the movie theatre and spend their money and sit with 3D glasses on, you'd better give them an experience that they can't get anywhere else. And that was the appeal here. It's like being a magician coming up with a magic trick. You really want to create a grand illusion. There's nothing like the big screen and 3D to do that. So there's a lot of techniques that I combined in a way that really hadn't been done before. I borrowed a lot of the technology from Avatar when it comes to motion capture, and building out the characters and the world. I also studied pretty closely how they did Gravity and how they put those live action characters into this computer-generated environment." ON CREATING 'REAL' ANIMALS (AND TAKING CUES FROM AN AUSTRALIAN TALKING PIG) "So much of the planning is so technical. But at the end of the day, after you plan how the magic trick is done and you figure out what elements you need to deliver to be able to convincingly fool the audience that they're looking at something real, then you have to wind it back and make sure you infuse it with character and emotion — and in some cases music — and make it feel effortless and invisible. Because the real reward here is that you show people a movie that's very tech-heavy, that's completely synthetic, but yet they feel like they're looking at real animals in a real jungle and feeling real emotion for real characters. And that's always tricky. Some movies do it well. Although here, over ten years ago, Babe did a great job with relatively low-tech effects. So it shows that if you have a good filmmaker and a good story, that does half your work for you." ON GETTING HIS DREAM CAST (AND GETTING HOLD OF BILL MURRAY) "This is a dream cast for me — I didn't think I would get them all. I didn't think I would even get access to Bill Murray, who is notoriously difficult to get a hold of. He doesn't have an agent so you can't get to him through the normal channels. So through writing letters and leaving messages and sending artwork I finally got a call back from him, and that was a one of the great victories in this process. I would've had to change the character [of Baloo] if it was someone else." ON HOW WORKING WITH CHEFS PREPARED HIM FOR THE JUNGLE BOOK "I think the best preparation was actually the training I did with the chefs [on Chef]. Because I had to learn how to cook and I worked with the chefs on the film, and they're very good at overseeing other chefs. A big part of their culture is you have a head chef but then there's other chefs who are also very talented and well-trained and want to present a vision. And part of being an executive chef is bringing together all of those talented people and having them work towards the same goal — and overseeing all the artists and overseeing the vision of all these technical people was a big part of The Jungle Book. Two thousand people worked on this movie. And sometimes one person is working on a shot and another person is working on another shot that are going to be right next to each other, but they don't really reference each other's work until it all lays into the film. I had to stand over the whole process and make sure it was all consistent and fits together in an invisible way. Chefs are very good at keeping consistency in their restaurants from dish to dish and from night to night, and watching how they oversaw and inspired and maintained quality control over the process was quite inspiring and informative for what I do as a director." The Jungle Book is currently screening in Australian cinemas. Read our full review.
Some of Australia's best bar teams will go head-to-head to nab mad bragging rights, an epic photo shoot and a huge trip to Glasgow this winter, with the announcement of the 12 finalists for Auchentoshan's national Distilled Different competition. Each bar team was invited to conjure up a unique new cocktail incorporating Auchentoshan American Oak for the competition, with entries open since April 2016. Why'd they all do it? Oh, just a cheeky chance at winning a casual a trip to Glasgow, home of Auchentoshan — the only triple distilled Scottish single malt whisky in the world. Triple distilled, people. Before the winner is crowned, all 12 bar teams will find their talented faces featured in a national exhibition, Dare to be Distilled Different, with their submitted cocktail entry. So who's in the top 12? AUCHENTOSHAN DISTILLED DIFFERENT 2016 AUSTRALIAN FINALISTS: Della Hyde (NSW) Donny's Bar (NSW) Stitch Bar (NSW) Doris and Beryl's Bridge Club and Tea House (NSW) Ramblin' Rascal Tavern (NSW) Eau de Vie Sydney (NSW) Kittyhawk (NSW) Highlander Bar (VIC) 1806 (VIC) The Gresham (QLD) Mr Goodbar (SA) Dominion League (WA) Here's a little sneak peek at the concotions that made the cut: Flight of Fancy // Auchentoshan American Oak, Fortified Sour Grapefruit, Honeyed Walnut Syrup, Salted Apricot and Goats Cheese Bitters, Orange Blossom Egg White // #DistilledDifferentAU A photo posted by Kittyhawk (@kittyhawksyd) on Jul 19, 2016 at 11:25pm PDT • The Shake & Bake • 🍰 Auchentoshan American Oak, Cacao, spiced berry patisserie syrup & lemon. This bad boy goes live tomorrow at Della Hyde. See you at the bar 👌🏼 #distilleddifferentau #auchentoshan #americanoak #dellahyde #cocktails #darlinghurst #theexchange #liquiddessert #stopit A photo posted by Lachlan Sturrock (@lachysturrock) on Jul 20, 2016 at 12:22am PDT Late night creations! Our #hot #whisky #cocktail the #OakenToastan is perfect for this freezing #winter night in #melbourne! Made with #auchentoshan #americanoak! #distilleddifferentau A photo posted by Highlander (@highlanderbar) on Jul 12, 2016 at 7:35am PDT The team's been hard at work preparing our new cocktail list, and we're almost ready to let the cat out of the bag. Here's a little teaser for you to get your tastebuds ready: #Auchentoshan American Oak, Pineau Charente, honeycomb & rose vermouth with tannic acid and walnut. #DistilledDifferentAU #whisky #cocktails #darlinghurst #drinkporn A photo posted by Eau De Vie Sydney (@eaudeviebar) on Jul 19, 2016 at 11:34pm PDT Our Gordon Hunter created for the national Auchentoshan competition..! #DistilledDifferentAU #cocktails #cocktailporn #drinks #bar #auchentoshan @theauchentoshan #whiskey #picoftheday #instagood #honey #good #manly #AU @the_blend #mixology #donnysbar #manly A photo posted by Donny's Bar & Restaurant (@donnysbar) on Jul 11, 2016 at 8:16pm PDT Introducing the swing low(land) 🍸Auchentoshan American oak, fig and allspice syrup with pear. Our entry into the Auchentoshan distill different cocktail competition. #distilleddifferentau #auchentoshan #mrgoodbar #agoodplacetosin A photo posted by Kate O'Donnell (@kateivyo) on Jun 30, 2016 at 7:31am PDT
The Wheeler Centre is wrapping up the year with a bang, this week announcing the jam-packed program for its fifth and final 2016 season. As always, it's a lineup filled with thought-provoking stories and inspiring characters — and of course, big literary names. There are some huge Wheeler wins on the bill, including Emmy-winning TV writer, Dan Harmon, who's the brains behind such comedy creations as Community and Rick and Morty. On December 16, he'll be dropping in for a night of fast and loose comedy gold, joined by Jeff B. Davis and Spencer Crittenden. Elsewhere on the program, you'll have the chance to indulge your inner politics nerd. November 9 will see the centre host a countdown to the result of the US election, while local activists Elaine Pearson, Gary Foley, Tess Lawley and Amelia Telford discuss the prospect of political change in the 21st century for a November 14 event, titled 'What's That Sound? Activism Today'. Caroline Wilson will deliver the centre's inaugural F Word Address on November 10, Richard Higgins will embrace the humble pun, in all its glory, for 'Pundemonium, One Hour of Solid Puns', on November 9, and formerly imprisoned Australian journalist Peter Greste will explore the plight of writers around the world who are still in detention. There's no shortage of out-of-town fun either, including Masha Gessen on 'Donald Trump's Lessons in American Democracy', which will take place at Bendigo's Capitol Theatre on December 5, Geelong's Word for Word Non-Fiction Festival on November 20, and the Books and Ideas at Montalto series, which sees foodie greats Stephanie Alexander and Larissa Dubecki in conversation at Montalto Vineyard and Olive Grove. Deng Adut will detail his trajectory from a small village in Malek, South Sudan, to life as a child soldier in the Sudan People's Liberation Army, to the Australia Day stage, in conversation with co-writer Ben Mckelvey at the Museum of Australian Democracy at Eureka, Ballarat. Blockbuster action author Matthew Reilly returns to Australia for his only Victorian event: Matthew Reilly on 'Books, Blockbusters and Blowing Stuff Up' at Frankston Arts Centre, coinciding with the release of his latest book, The Four Legendary Kingdoms. There's plenty more where that came from — jump on the Wheeler Centre's website to see the program in full.
Contrary to popular belief, you don't need to be a professional bartender or barista to whip up a good espresso martini. You just need to have a good technique, great ingredients and something that sets your drink apart. At Grey Goose's Boulangerie Bleue waterside mansion party this summer, a salted espresso martini was served — a classic post-dinner combination of vodka and coffee liqueur with a little chocolate and a pinch of salt as a finishing touch. We asked Grey Goose's lively global ambassador Joe McCanta to show us how to make this variation on the classic — check out his technique below. ESPRESSO MARTINI 50ml Grey Goose Vodka 30ml (one shot) single origin espresso 20ml coffee liqueur 1 pinch of salt Garnish: salted dark cocoa powder Chill your coupe by adding ice. Mix your vodka, espresso and coffee liqueur in a shaker. Add a pinch of salt and some ice. Shake, and then strain your mixture into your coupe. Top with cocoa powder and salt. Fancy trying another? Grey Goose Vodka's 'discover' function will tell you what cocktail you're perfectly suited for. Dive into the luxury that your city has to offer — check out our Luxe Guide to Sydney and Melbourne. Food, spas, glamorous hotels and extraordinary experiences are waiting. Image: Steven Woodburn.
A fried chicken feast, a cocktail lab and a garden party catered by some of the hottest chefs in town are among the highlights of this year's spectacular Good Food Month program. Taking over Melbourne for the whole month of November, this annual culinary cavalcade will once again see the city transformed into the foodie equivalent of Valhalla, with parties, sit-down dinners and everything in-between to satisfying your most extravagant cravings. This year they're packing as much as they can into every one of the 30 days in November. And while some of the big ticket events have already sold out, there's still a heap you can sneak in to. Clear your calendar and start fasting now.
Things are looking a little bit queer in Federation Square, with the return of the Melbourne Queer Film Festival to ACMI. The largest event of its kind anywhere in Australia, this year's festival features over 100 different features, documentaries and shorts, from searing dramas to crowd-pleasing comedies and everything in-between. Throw in special events ranging from speed dating to a virtual reality drag show, and film lovers will have their work cut out for them. Standout films on this year's program include the highly anticipated Australian documentary Remembering the Man, a retrospective screening of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant, and the local premiere of low key indie drama Boulevard featuring one of the final performances by the great Robin Williams. There's also a stellar selection of documentary, animated, gay and lesbian short films, plus industry workshops, public panels and more. Below, we've put together a list of five must-see films on the MQFF program. Tickets to many of them are already close to selling out, so get in quick while you still have the chance. GRANDMA Who hasn't wished that Lily Tomlin was their grandmother? The actress and comedian has proven a force to be reckoned with since the '60s, and does so again in the movie that makes our dreams the fictional Sage's (Julia Garner) reality. When the teenager needs help finding cash and dealing with a problem, she turns to Tomlin's feisty family matriarch. The likes of Marcia Gay Harden, Judy Greer, John Cho and Sam Elliott also join in the episodic antics, though Grandma's title gives away the true star of the show, offering the veteran performer a potent role and a poignant character study suited to her talents. REMEMBERING THE MAN Maybe you first discovered the real-life story of Tim Conigrave and John Caleo in 2015 Aussie feature Holding the Man. Maybe you had already read Conigrave's best-selling book of the same name. Either way, you'll want to see Remembering the Man, the latest effort to recount their tragic romance from their first meeting as Melbourne schoolboys in the late '70s to the cruel blow that the '80s AIDS epidemic served them. This time, documentarians Nickolas Bird and Eleanor Sharpe not only chart a familiar tale in factual form, but offer up previously unseen footage of and unheard details about Conigrave and Caleo's relationship. Our advice: bring tissues. https://www.youtube.com/watch?v=JRlVn4cKxJE ADDICTED TO FRESNO The woman behind cult comedy But I'm a Cheerleader, director Jamie Babbit returns to MQFF with her latest film full of sex, death and dark humour. Judy Greer stars as Shannon, a recovering sex addict who moves in with her lesbian sister Martha, played by Orange Is the New Black star Natasha Lyonne. But things get a little more complicated after Shannon accidentally murders someone, leading to a blackmail plot and a string of robberies. Aubrey Plaza, Allison Tolman, Fred Armisen and Molly Shannon co-star, giving Addicted to Fresno one of the sharpest comic casts in the festival. https://www.youtube.com/watch?v=ZSzxvKyM608 CLOSET MONSTER Arriving at MQFF following a world premiere at the Toronto International Film Festival last year, the stylish debut film from 26-year-old director Stephen Dunn is billed as a drama with smatterings of dark comedy and a touch of David Cronenberg. Connor Jessup plays 18-year-old Oscar, whose confused sexual identity stems from witnessing a violent gay bashing when he was a child. Closet Monster looks bold enough to distinguish itself from the numerous coming-of-age films that pepper the MQFF program each year. And if nothing else, it's got Isabella Rossellini as the voice of Oscar's pet hamster Buffy, which quite frankly seems like it'd be worth the price of admission alone. SCRUM Another strong looking local doco on this year's festival program is Poppy Stockwell's Scrum, about Australia's first gay rugby union club. The film follows a group of players for the Sydney Convicts, each of whom hopes to be selected as part of the squad to compete for the Bingham Cup, an international biennial tournament held by the International Gay Rugby Association and Board. Screening alongside the film is the short documentary Boxeadora, about one woman's quest to become Cuba's first female Olympic boxer. The Melbourne Queer Film Festival runs from March 31 to April 11. For the full program visit mqff.com.au. By Tom Clift and Sarah Ward.
So, you've mastered all the usual yoga poses, and you think you've attempted every variation that there is. Not so fast. There's a style you mightn't have tried, and it's all the rage in Brisbane. That'd be blindfolded yoga, aka one of the main attractions at the Left Brain / Right Brain workshop at Woolloongabba's Princess Theatre on January 29 and 30. Yes, it's exactly what it sounds like. All that bending and breathing you're familiar with — well, it's about to seem a whole lot different when you're doing it without being able to see anything. Using sensory deprivation to sharpen focus, shift attention inward and heighten instincts is the name of the game, with the trend towards sightless stretching gaining traction around the world for a couple of years. If you're keen to give it a go, you might also want to peruse the rest of the event's program. A sound bath session or other movement and music-oriented mind-expansion techniques, anyone? Of course, we haven't yet mentioned the most exciting part — well, for those a little self-conscious about their form, that is. With a blindfold wrapped around your head, you can't see your exercise classmates and they can't see you either. You don't get that at bikram or disco yoga. For more information, visit the Left Brain / Right Brain website. Image: Dollar Photo Club.
Nestled between Flinders Street Station and the Yarra, Melbourne's longest bar has been killing it as of late. First, they blew our collective minds by serving espresso martinis on tap. Then they launched their own Oktoberfest-style festival dedicated to supporting local artists. Now, Arbory Bar and Eatery is battening down the hatches on their latest awesome venture: a bona fide floating bar. Moored on the Yarra's northern bank adjacent to the main bar, Arbory Afloat will be open for business from Tuesday, October 27 until Sunday, November 8, coinciding with this year's Spring Racing festivities. The seaworthy pop-up is licensed to serve up to 120 patrons, and has been decorated in a nautical style ''with an undertone of 1970's Palm Springs flair." The menu will differ from the usual Arbory fare, with chef Nick Bennett keeping the focus on fresh seafood — think caviar, oysters and New England lobster rolls — alongside charcoal-roasted skewers, including crusted tuna, wagyu beef and miso marinated eggplant. Just make sure you leave room for the Floating Island dessert, consisting of a poached meringue floating on white chocolate anglaise finished with fresh raspberries. Just roll us overboard once we're done. Above all, a floating bar needs a floating cocktail menu. The drinks list includes a selection of beers, wines and sparklings, plus a quartet of specially-crafted cocktails, including the Shrub Ahoy! (housemade strawberry shrub mix, Pampero Blanco Rum, soda and mixed berries) and the Nautical Rose (Lillet Rose, lemonade and fresh orange over ice.) Arbory Afloat will be open daily from 11am until late. We'll be paying them a visit, if only so we can be like:
We all love tea. But we all don't want to carry it around with us in a dinky travel mug or the thermos-equivalent of a velour tracksuit. Enter ChaBottle, the bottle making tea a pleasure to port. Australian company Life of Cha is pretty new on the scene, but their ChaBottle is already making waves on Instagram. The bottle is specially designed to allow anyone to brew loose leaf tea anywhere and not cramp their style in the process. It's not just for tea, either; the 2-in-1 infuser lets you brew coffee and fruit infusions as well. You can also forget about burning your hands, thanks to the double glass walls of the bottle. It's a great example of simple yet functional design. If you couldn't already tell, Life of Cha is passionate about tea and the #tealife. Founder Natalie Choprasert was inspired to set up Life of Cha after being disappointed by the teas available in the market. The goal of the company is to "bring excitement and innovation to the industry by creating new ways to enjoy tea" while not losing sight of what's "simple, healthy and great tasting", according to Natalie. A perfect example is Crystal: their natural blue tea made from pandan, lemongrass and butterfly pea that turns from blue to purple when lemon is added. Its high antioxidant levels are linked with all sorts of health benefits, such as improved circulation to the eyes and healthy hair. Not only that, we've also heard that it tastes like fruit loops. Sign us up now. Now here's a girl who knows how to enjoy her afternoon!! @megand3veg is chilling at the park with her 2 x #chabottles ??? Filled with #spiced tea, coconut and almond milk with a dash of raw honey. The other filled with iced water, fresh mint and lime!! Voilà!! Perfection ? What's in your chabottle today?? #monday #freshstart #winter #sydney #drinks A photo posted by Life of Cha (@life.of.cha) on Aug 16, 2015 at 11:02pm PDT Another tea of note is Up; each tea leaf is hand rolled into little pearls and infused with jasmine. It's a favourite of Natalie's, who describes it as "the champagne of all green teas". The array of products available in their online store isn't limited to tea though. There's the stylish ChaBottle and the soon-to-be-released ChaPot. We've all been guilty of letting tea brew for a lot longer than necessary, and this is why we need the ChaPot. "[It] allows you to lift the tea infuser back into the lid to prevent over brewing," says Natalie. The ChaPot will be available in mid/late September 2015. If that wasn't enough work on their plates, they've also started dabbling in tea-infused cocktails like sangria with the Hydrate Sparkler Syrup (a hibiscus flower tea). There's a lot of wellbeing products on the market these days, but Life of Cha's is helping to deliver the message that living healthy doesn't have to be hard. It can be as simple as enjoying a cup of tea that tastes great, does you good and turns purple while you watch. Find out more and shop for Life of Cha products at their website.
Australia's boutique camping festival descends on the small NSW town of Berry each December, taking over the local showgrounds with two days of stellar global and local musicians. The annual music, food and art festival somehow feels like a country weekend fete, but it's also where you'll catch a surprising number of big-name acts. This year one of Brit Pop's leading troublemakers, Liam Gallagher, sits at the top of the bill, followed by Triple J faves DMA's, Meg Mac, Hatchie, Dope Lemon and Julia Jacklin. But Fairgrounds isn't just about the tunes. Sydney-based vintage market host Dear Pluto has brought together over 20 different stalls of makers and collectors on the Saturday (11am–10.30pm), there's a vinyl record fair (also on Saturday) and Games on the Green with tug-of-war and egg-and-spoon races. Plus, the festival arranges for free use of the local swimming pool every evening until 7pm. And Jervis Bay's award-winning Paperbark restaurant is back with its popular pop-up — expect housemade ice creams, locally sourced seafood, flatbreads and dips, as well as spiced berries. See the full music lineup below. FAIRGROUNDS 2019 LINEUP Liam Gallagher Dope Lemon Meg Mac DMA's Julia Jacklin Kasey Chambers Hatchie The Babe Rainbow Fritz The Lazy Eyes The Buoys Nilüfer Yanya 100 Clews The Lemonheads Stevan Images: Ian Laidlaw and Gabriel Vallido.
Practitioners and supporters of the arts danced in protest in capital cities all over Australia today, in response to cuts to the Australia Council, the Australian Government's arts funding and advisory body. During the 2015-16 budget announcement, made on May 12, the Government revealed that $104.7 million will taken away from the Council and sent to a new ‘National Programme for Excellence in the Arts’, to be directed by George Brandis and the Ministry for the Arts. Last night, the Australia Council revealed how it will cope with this financial decimation. And the arts community is reeling. For a start, the June grant round isn’t going ahead. So if you’ve been working on an application, you can stick it in a drawer and keep your fingers crossed for September. Second up, the six-year funding program, which supports medium-sized organisations with continuous funding at the rate of $75,000+ per year, is suspended. It was a brilliant initiative, developed in conversation with the arts sector, which simplified the grant application process by removing piles of red tape. And if you’re an emerging, independent or community-minded artist, your opportunities are now much narrower. Three of the Australia Council’s most important programs in these areas – ArtStart, Creative Communities Partnerships Initiative and Artists in Residence – are all kaput. At the Sydney Writers' Festival today, author Tegan Bennett Daylight encouraged audiences to “think about” this reduction in “arm’s length” funding. On introducing Helen Garner, Daylight read a dedication in Garner’s 1992 novel Cosmo Cosmolino, which thanks the Australia Council for providing her with the funding and time to think and write. More than 7,000 individuals have signed a petition, indicating their opposition to "the dramatic funding cuts to the arts announced in the recent federal budget, including shifting more than $100 million away from The Australia Council", as well as their opinion that "individual arts ministers should not be the exclusive arbiter of artistic expression". Signees include Thomas Keneally, Christos Tsiolkas and J.M. Coetzee. Meanwhile, Circus Oz has expressed its concern in a media statement. As a member of the Major Performing Arts Group, made up of 28 companies, Circus Oz is not in line to lose funding. However, the statement communicated the group's solidarity with, and dependence on, those that will suffer. “Circuz Oz is an active member of the vibrant, yet delicate arts ecosystem. Changes to any part of this ecology can have dramatic affects on all artists creating work for the audiences of Australia. We know, for example, that the success of Circus Oz is built on the incredibly vibrant work of all the individual artists, independent, small and medium companies that are eligible for the funding that has been moved.” Concerned? Sign the Australians for Artistic Freedom petition. Vaguely related art image from the wonderful Underbelly Arts.
After a sellout inaugural event last year, Australia's most inclusive music festival is back for 2019 — with a killer lineup in tow. Run by sports and radio legend Dylan Alcott and Untitled (the entertainment group behind Beyond The Valley and Pitch Music & Arts), Ability Fest caters to everyone, regardless of gender, disability, age or race. It also won Best New Event in Concrete Playground's Best of 2018 Awards. With Ability Fest, Alcott's set out to both normalise disability and help boost inclusivity across all areas of the music industry. With 20 percent of Aussies living with a physical or intellectual disability, it's high time an event like this was added to the festival calendar. A massive lineup for the 2019 event dropped today, which includes Aussie electronic duo The Presets, throwback DJ Hot Dub Time Machine and ARC — a rock supergroup with members of Spiderbait, Jet, You Am I, The Wrights and Powderfinger. All artists are donating their time. Melbourne's Coburg Velodrome is being transformed into a fully accessible live music venue for the event, complete with a bunch of viewing platforms for those in wheelchairs, quiet spaces and AUSLAN translators for all acts on the main stage. Ability Fest is hoping to raise over $200,000 through ticket sales and donations, with all of it headed directly to the Dylan Alcott Foundation. This will then be used to offer mentoring, scholarships and grants to marginalised young Australians with disabilities. ABILITY FEST 2019 LINEUP ARC Arroyo Basenji Bec Grenfell Boogs E^ST Eliza Hull Hot Dub Time Machine Interstella Fugitives Jasper James Jordan Brando Joyride Kim Churchill Liz Cambage Luca Brasi Market Memories Northeast Party House Rudely Interrupted The Presets Total Giovanni DJs Waxo Paradiso You can register for pre-sale here before 3pm on Tuesday, March 12. General tickets go on sale at midday on Wednesday, March 13. Images: Kate Shanasy, Jayden Ostwald and Alex Drewniak.
Garage pop band Hinds are making the trip to Australia for the very first time. For a super young band (the youngest member is only 18), they've already had a run of successes that would strike envy in many. They've played at Primavera Sound, opened for The Libertines and have toured with The Black Keys. Perhaps the only run of bad luck they've received is being legally obliged to change their name from their previous moniker 'Deers'. It's hard not to love the girls' breezy and unfiltered take on young love and teenage fun, a charm that also translates to their live shows — known for their unpretentious, no barriers performance and oft heard outbursts of giggling. Mac DeMarco is a self-professed fan, and maybe after this run, you'll be convinced to join the club too.
Victoria's answer to Dark Mofo, WinterWild is returning to Apollo Bay this August for its second year. While last year's after-dark winter arts festival was structured around the elements — with four weekends each set to the theme of water, fire, air and earth — this year's theme is death and birth. Creeping into the coastal shire on the eastern side of Cape Otway, the festival will take place across two weekends in August. Each evening will begin with a ceremonial bonfire on the beach, with fire-cooked fare and warming drinks, before branching out to the Mechanics Hall and beyond. Standout events on the program for the first weekend Death, running from August 10–12, include Lyric Opera's Quietus — a musical meditation on the power of the sea — an outdoor cinema screening shorts, including political satire Terror Nullius, and The Sublime, an immersive (and haunting) AI-led tour of the quarry. Two weekends later, Birth, running from August 24–26, will again feature the cinema and workshop, alongside Feastiality, a whole-beast feast cooked along the foreshore, a rock 'n' roll party at The Brewhouse, and a conversation about Indigenous Australian food and drink with wine writer Max Allen and conservationist Jack Pascoe. "This festival won't be for the faint-hearted," said festival director Roderick Poole. "It is very much aimed at adventurous spirits ready to take on a challenge; to embrace the harsh environment and celebrate the beauty of the elements at their extremes. WinterWild will run across two weekends, Death from August 10–12 and Birth from August 24–26. To see the full lineup and purchase tickets, head to winterwildapollobay.com.au.
Man the glitter cannons, crank the human-sized hamster wheels and blast the oversized wind machines; SBS has just announced it's developing a version of the Eurovision Song Contest for the Asia Pacific region. Yep. HOLY. CRAP. Announced today, the Australian broadcaster has signed an exclusive option with the European Broadcasting Union (EBU), the owners of Eurovision, to establish an Asian version of the contest. And guess who's up for hosting? AUSTRALIA. Really. According to SBS, the inaugural event would be hosted by Australia in 2017 (next year, my giddy aunt) and would then travel to other countries in the Asia Pacific. Like the Eurovision Song Contest proper, the Asia Pacific event would allow countries to showcase their songwriting and performing talent. Think about it, from J-Pop to K-Pop to Bollywood, this is perfect territory for Eurovision. "As the official broadcaster of Eurovision for over 30 years, SBS is pleased to explore the opportunity to bring an event of this calibre more closely to our shores, strengthening the multicultural ties in our region," said SBS managing director Michael Ebeid. "Asia Pacific has a spectacular music culture and the perfect next step to extend the Eurovision brand, bringing its hugely popular appeal beyond Australian audiences and to the wider region." Capitalising on the undeniable global success, crazy, crazy production values and epic scale of Eurovision, this brand new (and insanely close-to-home) event would bringing together up to 20 countries from the Asia Pacific region to compete in one live annual grand final. SBS and Blink TV will spend the next few months talking to potential sponsors, commercial partners and regional broadcasters to bring the event to life by 2017. With the potential to attract an estimated one billion viewers across the Asia Pacific region, we're pretty sure these'll be positive chats. No pressure, Dami Im. Image: Thomas Hanses (EBU).
UPDATE, December 11, 2020: The Lobster is available to stream via SBS On Demand, Google Play, YouTube Movies and Prime Video. Imagine living in a world where the pursuit of love provided only two choices. You can find a spouse and live happily ever after in coupledom, or you can earn the scorn of others for failing to pair up. In this scenario, society champions the intertwined and persecutes the single. Does it feel familiar? It should. That such a situation doesn't seem too far from reality is the point of The Lobster, despite the clear exaggerations if gleefully plays with. In an unnamed time, those like the mournful David (Colin Farrell) who prove unlucky when it comes to affection — even through the death of their spouse or via infidelity — are shipped away to a matchmaking-focused hotel as a last resort, literally. If they don't connect with another person in 45 days, they'll be transformed into the animal of their choice. Their only other option is to run away and live in the nearby woods with a group of loners, who shun relationships, dig their own graves in a mournful bit of forward thinking, and seek solace by dancing alone to electronic music. If that sounds cynical as well as comedic in an absurdist, deadpan manner, that's because it is — and writer/director Yorgos Lanthimos is certainly known for raising his eyebrows and donning a wry smile in the face of many of the behaviours and preferences that define our lives and interactions. In his first English-language film after the equally heightened Dogtooth and Alps, he does the same with modern romance, skewering and dissecting the fact that finding monogamy and matrimony are championed by most as the be all and end all of human existence, no questions asked. That's not all he does, though, as he follows David's interactions with others looking for their similar other halves, such as Lisping Man (John C. Reilly), Limping Man (Ben Whishaw) and Biscuit Woman (Ashley Jensen). Nor is scepticism his only attitude when David meets Loner Leader (Léa Seydoux) and Short Sighted Woman (Rachel Weisz), finding a kindred spirit in the latter, even if he's not supposed to. Mixing suspicion with sweetness — not of the sappy rom-com kind, but bursting from a genuine appreciation of the joy that can result when two people really do find something special in each other beyond having superficial things in common, and are willing to sacrifice to keep it — is the key to The Lobster's brilliance. Lanthimos finds the overwhelming beauty that can lurk in the stark reality he depicts, perhaps surprisingly so given how stylised and precise everything else proves: the dialogue, setting, recurrent use of music and tightly shot visuals, for example. The impact is as astounding as it is intriguing. Consequently, prepare for a smart, sensitive and surreal movie that both looks on in horror and inspires hope as far as matters of the heart are concerned. And prepare to pay attention too, because the details mean everything. When the excellent international cast all speak in their native accents, aptly mirroring the film's conflict of structure and chaos in the process, or the soothing tones of Nick Cave and Kylie Minogue's ballad 'Where the Wild Roses Grow' contrasts with the overt tones heard otherwise, that's when The Lobster's wondrous, winning, witty take on love and life starts to truly shine.
Melbourne Music week is back, and once again, it's outdone itself. As well as big shows by Brian Jonestown Massacre and Robert Henke Lumière II, the city-wide music festival will be taking over Melbourne’s Former Royal Women’s Hospital for one highly ambitious, music-laced labyrinth. Twelve of the hospital’s forgotten, underground rooms, including its disused basement, are set to host hidden one-off performances. Titled Swell, the event will feature sets by Gypsy & The Cat, Monolake (Germany), Banoffee, Eric Duncan aka Dr Drunks (USA), Public Opinion Six, PVT, Kenton Slash Demon (Denmark), The Harpoons, Cobblestone Jazz (Canada), DZ Deathrays and many others. Meanwhile, in the open air, the hospital grounds will be transformed into a beer garden and food truck zone. Every day, from 1-2pm, there’ll be live ‘Lunch Box Sessions’, with DJs taking care of evening shenanigans between 5pm and 8pm. Scheduled artists include Rat & Co DJs, Edd Fisher, Jim Lawrie, Ella Thompson, Woodes and others. Then, when Saturday, November 14 rolls around, it’ll be time to dust off your roller skates for the Roller Jam and Mz Rizk’s Block Party. On Sunday, November 15, CC:Disco will be dropping in for an arvo DJ set. While the hospital is rocking out, fourteen local venues will team up with local musicians for Live Music Safari, presented by Jack Daniel’s Future Legends. Over the course of the week, more than 50 Melbourne-based acts will be making appearances across the city, including Mesa Cosa, Oddisee, Quarter Street, Terrible Truths, Sleep D, Dan White, Friendships, Kylie Auldist and Wax’o Paradiso. And Self Made is making a comeback. It’s a series of independently-created events, held in unusual places and hosted by Levi’s. A city church will turn into a stage for all-female acts and an interactive art installation. Old Melbourne Gaol’s courtyard will host a two-stage dance party starring emerging artists. Mop and Glow will celebrate the footwork dance scene. Plus there’ll be The Great MMW Bike Ride, New Orleans Street Party, Brunch Gigs and A Club Called Trish. The Australian Centre for the Moving Image (ACMI) is on board again, with a bunch of live performances combining music with film. Both The Orbweavers and New Zealand’s smooth-singing Liam Finn are promised. A stack of other collaborations, blending music with film, art, design and food will take place in various locations, including ACCA, MPavilion, Docklands Library, The Hellenic Museum and Rooftop Cinema. But it’s not all singing and dancing. The business side of music will be taken care of with a two-day industry conference, produced in conjunction with Face The Music, where musicians and music industry workers can advance their knowledge and careers through workshops, keynote presentations and networking opportunities. It’s happening on November 13 and 14. Melbourne Music Week runs November 13-20. Head to the MMW website for more info and tickets.
What starts with a slice of New Zealand comedy, ends with one of this year's Sundance hits, and will screen no fewer than 326 films from 65 countries across its 12-day 65th-anniversary run? That'd be this year's Sydney Film Festival, which takes place from June 6 to 17 across the city — and, 28 days before the big event (yes, we're counting), has just revealed its huge 2018 lineup. SFF had already announced that The Breaker Upperers would kick off this year's program, getting the event into gear with plenty of laughs. It'll also finish up proceedings with humour thanks to closing night film Hearts Beat Loud, which stars Nick Offerman as a record store-owning dad spending time with his budding musician daughter (Kiersey Clemons) before she heads off to college. Apart from the glitzy bookend events, SFF's biggest news this year stems from its annual competition, which is now in its 11th year. Twelve films will compete for the $60,000 Sydney Film Prize, with six of them boasting female directors. At a time when women's roles in the film industry have finally become a significant topic of conversation, that's a welcome statistic. With that in mind, highlights range from Sundance grand jury prize winner The Miseducation of Cameron Post and Berlinale hit Daughter of Mine, to Leave No Trace from Winter's Bone director Debra Granik and bewitching Bali-shot effort The Seen and Unseen. Other notable competition entries include world premiering Australian drama Jirga, about an Aussie solider returning to Afghanistan; Berlinale standouts such as Aga, Transit and The Heiresses; documentary Matangi / Maya / M.I.A. about, well, M.I.A; and Spike Lee's BlacKkKlansman, the true tale of an African-American cop who infiltrated the Ku Klux Klan, which comes to Sydney straight from Cannes. https://www.youtube.com/watch?v=R8oYYg75Qvg While SFF usually adds a number of straight-from-Cannes flicks to the lineup in the days before opening night, the existing program already includes a few films that are making their debuts in France. 3 Faces, the latest feature from iconic Iranian director Jafar Panahi (Tehran Taxi) is one of them, as is as Japanese animation Mirai, from me Wolf Children filmmaker Mamoru Hosoda. Also jumping from the Croisette to Sydney is the 188-minute-long The Wild Pear Tree, the follow-up to 2014 Palme d'Or winner Winter Sleep by Turkish filmmaker Nuri Bilge Ceylan. And, then there's Rafiki, the first-ever Kenyan film screened at Cannes — and a movie that's been banned in its homeland due to its lesbian love story. Elsewhere, You Were Never Really Here stars Joaquin Phoenix in his 2017 Cannes best actor-winning role, as directed by We Need to Talk About Kevin's Lynne Ramsay — and Phoenix also puts in a vastly different but equally excellent performance in Don't Worry, He Won't Get Far on Foot, where he plays real-life cartoonist John Callahan. Or, catch the Jon Hamm-starring espionage flick Beirut, new doco Whitney about the ill-fated pop queen, online thriller Searching, Lav Diaz's four-hour rock-opera Season of the Devil, or what's certain to be the dottiest and brightest film in the whole lineup: Kusama — Infinity, the documentary about Japanese artist Yayoi Kusama. https://www.youtube.com/watch?v=kE-ycxu_-Oo Plus, Aussie talent will shine in the likes of Juliet, Naked, the Nick Hornby adaptation featuring Rose Byrne opposite Ethan Hawke and Chris O'Dowd; Upgrade, the John Wick-esque effort from Recovery star turned Saw writer and Insidious filmmaker Leigh Whannell (who'll also be in town to chat about the film); and murder thriller Piercing with Mia Wasikowska. Still on the local front, SFF will screen Australian biker effort 1%, featuring Ryan Corr and Matt Nable; the Melbourne-shot father-son drama West of Sunshine; and the Shane Jacobson-starring black comedy Brothers' Nest. Soda Jerk's Aussie movie mashup Terror Nullius is an absolute must-see, while the festival's documentary competition once again boasts a range of local factual efforts — such as the previously announced ode to boy band fans everywhere, I Used to be Normal: A Boyband Fangirl Story. Throw in SFF's Aki Kaurismäki retrospective, a spotlight on Italian films, two episodes of the Mark Strong-starring TV series Deep State, and an exploration of the intersection of art and cinema, and the 2018 Sydney Film Festival is shaping up to be a jam-packed affair. Also part of the program are returning strands like the horror-focused Freak Me Out, Sounds on Screen which highlights movies about music, a virtual reality showcase at the festival hub, Screenability's platform for screen practitioners with a disability, and a ten-movie exploration of female filmmakers from Europe. And, of course, the fest already dropped a huge bunch of titles last month. The 2018 Sydney Film Festival will run from June 6 to 17. To peruse the full program and to buy tickets, head to the festival website.
Tokyo-based art collective teamLab — made up of mathematicians, architects, animators and engineers — will take over Tolarno Galleries with a mesmerising installation for this year's Melbourne International Arts Festival. If you've been lucky enough to visit teamLab's Digital Art Museum in Tokyo — or see countless Instagram Stories from your friends who have been — you'll know what to expect. This new work, titled Reversible Rotation, will be a four-screen work featuring sculptures of light and "cascades of shimmering luminescence", which will make you feel as though you're standing on a floating wave of light. Unlike teamLab's museum in Tokyo, entry to this exhibition will be free. However, like the Tokyo museum, we anticipate there will be lines. You can't book, so rock up early and be prepared for a wait — the gallery will be open from 10am–5pm weekdays and 1–5pm on Saturdays. Images: Kate Shanasy
So you have good aim, know how to throw and you need a bill paid? Head to Federation Square next Thursday, June 29 between 11am and 3pm, and every 10 minutes you could get a chance to have up to $500 of your rent, water, electricity or phone bills paid for by BPAY. All you have to do is dunk someone (who will also be dressed as a bill for your own entertainment). You only have three chances, so brush up on your hand-eye coordination before then. At the dunk machine you'll be given a raffle ticket, and if randomly selected, you will then get the chance to spin a wheel to determine which bill could get paid. It's like your favourite childhood carnival memories are resurfacing to free you of your adult worries. You could make up to $500 of a bill disappear — into the dunk tank and off your to-do list — and even if you don't, at least you're not the one getting soaked on a winter day. Didn't get a dunk? Find out how to set up paying your bills through your bank using BPAY. See full terms and conditions here.
Andy Warhol and Ai Weiwei: both superstar artists, both groundbreaking Damn The Man-ers, both crazy cat ladies (really). And now, in one of the best team-ups we’ve seen in ages, they’re both the focus of the National Gallery of Victoria’s epic summer exhibition, Andy Warhol | Ai Weiwei. This is going to be quite the retrospective. Two of the most significant artists of the 20th and 21st centuries, Warhol and Weiwei have left their mark on global modernity, whether flipping the bird to American art or dropping a Han vase on Chinese tradition. The NGV will present over 200 of Warhol’s most celebrated works — including the Campbell’s Soup Cans, Three Marilyns, Mao, Elvis, Flowers, Electric Chairs, Skulls and Myths series and sculptures like Brillo Boxes, Heinz Tomato Ketchup Boxes and Silver Clouds. If you’ve got a spare eight hours, kick back and watch Warhol’s wildly influential films Empire, Blow job and Screen Tests and pore over early commercial drawings and ’50s advertising illustrations. There’s even going to be over 500 Polaroids documenting Warhol’s friends, colleagues, and artistic and social milieux. Now, Weiwei. The famously controversial Chinese artist has had his fair share of Warhol influence, having lived in the US from 1981 to 1993 — and taken a photographic self-portrait in front of Warhol’s multiple self-portrait. The first book he bought in NYC? The Philosophy of Andy Warhol (From A to B & Back Again). “I believe this is a very interesting and important exhibition and an honour for me to have the opportunity to be exhibited alongside Andy Warhol,” said Weiwei. “This is a great privilege for me as an artist.” For the NGV exhibition, Weiwei will premiere new major commissions, including an installation from the Forever Bicycles series and a monumental addition to Chandelier. Of course, glimpses of Weiwei’s colossal catalogue will also be on display — from his early 1970s drawings to 1980s readymades, and provocative painting, photography, film and social media of the last four decades. If you’re wondering why we called two of the greatest artists in history ‘crazy cat ladies’, it’s because it’s true. According to the NGV, Warhol apparently lived with a herd of Siamese cats in the ’50s, all of whom, except for one, were named Sam. He photographed and ink blotted them often. Weiwei’s studio is home to over 30 cats, who have free reign and constantly pop up in the artist’s social media. There’s going to be a special part of the exhibition dedicated to this shared feline love, a bit of trivia we won’t get over for quite a while. Andy Warhol | Ai Weiwei comes to the National Gallery of Victoria, Melbourne from December 11 to April 24, in collaboration with The Andy Warhol Museum, Pittsburgh. For info and tickets, head to the NGV website.
If you're heading to New Zealand's Christchurch region for a short holiday, you can't leave without going bungy jumping. There are plenty of opportunities to get your adrenaline going, so why not live on the wild side of life? Experience breathtaking views of the Southern Alps, beautiful coastal vistas and lush green forest while you get reacquainted with the thrill-seeking side of yourself. If you're into the kind of fun that leaves your stomach in knots, then this guide will not disappoint. The adrenaline-junkie kiwis seem to know a thing or two about going on an adventure. TACKLE THE RAPIDS IN HANMER SPRINGS Drive for 90 minutes to Hanmer Springs and book yourself in for a white water rafting adventure. You'll find yourself situated within a stunning mountain range, with pink marble land formations heading all the way down the Waiau River canyon. The rapids are Grade 2 in Hanmer Springs, so expect medium-size rapids and low drops with waves less than a metre high. After all the twists, turns and drops you can still get your fair share of serenity — Hanmer Springs is known for its beautiful blue water and stunning scenery. Don't forget to pack something to swim in, there's no doubt you're going to want to relax with a swim at the Hanmer Springs Thermal Pools after a day out on the rapids. Even adrenaline junkies need some time to chill out. GO JET BOATING IN WAIMAKARIRI GORGE The Waimakariri River, translating to 'cold water' in Māori, is the home of jet boating in Christchurch, with canyons, gorges, rock faces and native forest lining an adventure trail through the water. You can choose between a 30- or 60-minute jet boating adventure in the beautiful blue water — expect 360-degree spins, hairpin turns and a high-speed ride that'll get your heart racing. The Waimakariri river is 90 minutes from Christchurch, but Alpine Jet organises transfers that pick you up from the city and drop you back when the day is done. Because there are so many beautiful rivers in the Christchurch region, there are many places to go jet boating. Another option is at Hanmer Springs. Once you've tested the strength of your stomach there'll be plenty of opportunities to sit back and take in the fresh air in both locations — catch a glimpse of the snow-capped Southern Alps if you're lucky. BUNGY JUMP AMID STUNNING SCENERY You're heading to New Zealand, which means you're going to want to throw yourself from a tall structure connected to an elastic cord — this is the home of bungy jumping after all. Why not let yourself free fall from a bridge for 35 metres towards a surging river to get the blood pumping and the bones jumping? It's an adrenaline rush like no other and one that you're bound to get addicted to. The idyllic Hanmer Springs Bungy, 90 minutes from Christchurch, is the perfect spot for first timers who may need to distract themselves with stunning scenery before taking a leap of faith. MOUNTAIN BIKE THE EDGE OF THE CITY The Christchurch region's beautiful scenery and stunning mountains make it an ideal destination for avid mountain bikers. There are many cycling tracks to discover, but the Port Hills is one of Christchurch's best kept secrets and one of our favourites. With its dramatic landscape of tussock grasslands and rugged mountain terrain, it's easy to see why. Ten different trails in this area each have their own unique highlights — and they're perfect for both new and experienced riders. The new Christchurch Adventure Park is another mountain biking option. The huge trails inside range in difficulty — from beginner courses to those designed for experts only. If you're new to mountain biking and want to learn some skills in a safe environment, head here. It's the biggest mountain biking path in the Southern Hemisphere — you won't be short on space. FLY THROUGH THE ADRENALIN FOREST If you consider yourself to be a little bit of a George of the Jungle, here's your chance to prove yourself in the tree tops. A 20-minute drive from Christchurch is the Adrenalin Forest, a two-kilometre aerial obstacle course set in the beautiful Spencer Park. We can't promise you'll have the opportunity to hang from vines, but there's more than enough to keep you challenged with over 100 activities and six courses to sink your teeth into. If you're a real adrenaline junkie, tackle the high-wire course. It's not quite walking between the twin towers Man On Wire-style, but you're sure to get up to 20 metres into the forest canopy — that's at least two or three stories off the ground and more than enough to get you shaking in your boots.
You've probably had your fair share of Messina's innovative ice-cream delights, but have you sampled the equally imaginative soft serve treats from New York's Big Gay Ice Cream? If not, prepare to be wowed, as these two ice-cream dream-teams come together for an evening of awesome. You'll be able to get your mitts on each crew's new book (at a special price), as well as enjoying drinks, getting down to tunes by CC:Disco and of course, tucking into an abundance of pimped-out ice-cream creations.
An annual celebration of queer performance and culture, there was a time Midsumma was one of the only opportunities for the city to quench its addiction to culture over the sleepy summer. Now hemmed in closely with SummerSalt and White Night, Midsumma offers up a heady mix of live performance, public events, talks and parties. This year's program is especially cabaret-heavy, but its eclectic mix of visual art, live music, and cutting-edge performance work keeps Midsumma’s summer festival crown firmly in place. Check out our full guide to the best events of the festival here.
What, you haven't just spent two weeks watching movies in the snow with celebrities? Sadly, us neither. But just because we can't all head to a film festival in Utah and hang out with Robert Redford, doesn’t mean we can’t enjoy the main attractions — or at least hope that we can in the near future. Since the one-time on-screen Sundance Kid first started his celebration of movies in 1978, the festival has given many of your favourite filmmakers and films their big breaks. Steven Soderbergh’s Sex, Lies and Videotape, Quentin Tarantino’s Reservoir Dogs, and Darren Aronofsky’s Pi all debuted there, as did Clerks, The Blair Witch Project, Donnie Darko, Napoleon Dynamite, Moon, What We Do in the Shadows and Animal Kingdom. Like Paul Thomas Anderson or Wes Anderson? They worked their way through Sundance’s short film section. Last year, three big hits of the festival went on to bigger things, including the AACTA Award for Best Film and likely Oscars later this month. We’re talking about The Babadook, Boyhood and Whiplash, all of which premiered at Sundance 2014. The Babadook has wowed critics around the world, and just days ago shared Australia’s top film prize, also winning best director for Jennifer Kent in her own right. At the upcoming Academy Awards, Boyhood director Richard Linklater and supporting actress Patricia Arquette top the odds for their respective fields, as does the film in the best picture category. Whiplash’s JK Simmons is expected to take out the best supporting actor award for playing the jazz drumming teacher that frightened us all. Without a crystal ball, we don't if this year’s crop of Sundance features will have the same success, but we do know this: there are plenty of movies from the festival’s 2015 slate that we want to see. Some are guaranteed, thanks to local distribution. More than a couple will pop up at the Sydney and Melbourne film festivals mid-year. Others might earn a DVD, VOD or streaming release. A rare few — ’71, It Follows, and White God — have already screened at Aussie fests. Regardless, we’ve selected ten we hope Australian audiences get the chance to watch, and named some more we’ll also be looking out for. MISTRESS AMERICA If any film was guaranteed to make our list, it is this one — and with good reason. Who didn’t love the combination of writer/director Noah Baumbach and writer/actress Greta Gerwig in the delightful Frances Ha, their version of a quarter-life crisis comedy filtered through a black-and-white homage to French New Wave? And who doesn’t want to see them do it all again, this time jumping back to the troubles of college years with Lola Kirke, sister of Girls’ Jemima Kirke? The answer to both those questions is no one. If you’re not convinced, the synopsis promises cat-stealing. What more could you want? Also watch out for: Greta Gerwig also features in Eden, Mia Hansen-Løve’s journey through the French house music scene of the early 1990s and beyond. THE END OF THE TOUR One of the most talked about films of the festival sees Jason Segel leave How I Met Your Mother long behind to turn into acclaimed author David Foster Wallace. In 1996 after the publication of his groundbreaking novel Infinite Jest, Wallace agreed to be interviewed for five days by Rolling Stone reporter David Lipsky, who is played here by Jesse Eisenberg. Following on from Sundance hits Smashed and The Spectacular Now, director James Ponsoldt delves into the story that was never published in the magazine, but did fuel Lipsky’s memoir after Wallace’s suicide. The movie itself is earning considerable acclaim, as are the two central performances. Also watch out for: Taking out the dramatic category double of Grand Jury Prize and Audience Award that Whiplash achieved last year, Me and Earl and the Dying Girl is a teen cancer comedy hopefully worlds away from The Fault in Our Stars. DOPE Dope tells you that it is great in its title — and if the buzz coming out of the festival is accurate, such bragging should be believed. That’s not just because of the retro ‘90s vibe that sees a high school geek sport a high-top fade and wear Cross-Colours, nor because of the DIY punk meets YouTube aesthetic. What excites is that this underdog coming-of-age film is being called the ultimate teen movie for '90s kids, as well as earning comparisons to greats gone by. Most of the young actors won’t be familiar, not that it matters, but you will spot The Grand Budapest Hotel’s lobby boy Tony Revolori among the cast. Also watch out for: Seoul Searching, a 1980s-set Korean teen comedy that pays homage to the films of John Hughes, and The Diary of a Teenage Girl, set in the counterculture haze of the 1970s. KNOCK KNOCK It’s okay, Keanu fans: you’re finally cool again. It's about time! John Wick readjusted the way everyone now thinks of the man beloved as Ted, Neo and Johnny Utah, and Knock Knock keeps him in the same dark, violent territory. The film shares a few storyline similarities with Reeves’ most recent hit, as a happy life unravels once again after strangers come calling; however, here director Eli Roth is in the driver’s seat. It might not be quite like the filmmaker’s unsettling Hostel or his recent cannibalism homage The Green Inferno, but expect to feel disturbed during this psychological horror effort. Also watch out for: Two ten-year-olds take a police vehicle for a joyride in Cop Car, but have Kevin Bacon to contend with. THE WOLFPACK No, this isn’t about the gang of annoying guys in The Hangover movies — and thank goodness for that. In The Wolfpack, six brothers grow up in the confines of a New York City apartment, watching movies and re-enacting them with elaborate props and costumes. Film is their teacher, friend and window to the outside world, in a scenario that would probably be hilarious if it wasn’t real. Yes, Crystal Moselle’s effort is a documentary, winning the field’s Grand Jury Prize, in fact. Given extraordinary access into the family's lives and their home movies, she tells the tale of children literally raised by the movies. Also watch out for: Canada’s Guy Maddin pays homage to the lost movies of the silent era in The Forbidden Room, with the off-kilter assistance of Mathieu Amalric, Charlotte Rampling and Udo Kier. SLOW WEST Michael Fassbender plays a mysterious stranger. Australia’s Kodi Smit-McPhee is a 17-year-old Scottish aristocrat. They meet on the untamed American frontier towards the end of the 19th century as the latter tries to find his lost love, and the former helps him traverse his troubles. Shot in New Zealand by first-time filmmaker John Maclean, Slow West delves into a genre too little seen these days, the western, and impressed Sundance attendees in the process. Not that you need any more cause for excitement, but did we also mention that it won the Grand Jury Prize in the World Cinema – Dramatic category? Also watch out for: Another film hailing from New Zealand, Turbo Kid sounds a bit like BMX Bandits meets Tank Girl meets every ‘80s synth-scored sci-fi flick, and that can only be a very good thing. KURT COBAIN: MONTAGE OF HECK Some can remember where they were when they heard the news of Kurt Cobain's death. Others discovered Nirvana’s grungy tunes afterward. Either way, the story of the singer has entranced several generations for multiple decades, and shows no signs of fading. Brett Morgen, the filmmaker behind the also excellent The Kid Stays in the Picture, delves into the man rather than the music after spending eight years — yes, you read that correctly — sifting through private journals, recordings and home movies. This isn’t the usual rock star biography, but something much more intimate and revelatory. Also watch out for: Another personal effort that challenges expectations, fictional transgender sex-trade film Tangerine was shot almost entirely on an iPhone. DIGGING FOR FIRE Mumblecore maestro Joe Swanberg has been knocking it out of the park of late, as anyone who saw Drinking Buddies and Happy Christmas knows. Could he be three for three in his adventure into more mainstream fare? With Digging for Fire, starring and co-written by New Girl’s Jake Johnson, it certainly sounds like it. The film tells of a husband and wife on separate adventures over an unusual weekend. Rosemarie DeWitt, Anna Kendrick, Brie Larson, Jennie Slate, Melanie Lynskey, Sam Rockwell, Chris Messina, Ron Livingston, Mike Birbiglia and Orlando Bloom also pop up, in a cast any movie wishes it had. Also watch out for: Reviews have been mixed for Results, but fans of Andrew Bujalski’s Computer Chess will be keen to see his next film, starring Cobie Smulders and Guy Pearce. THE WITCH The Witch is yet another award winner, this time recognised in the dramatic category for its direction by debut filmmaker Robert Eggers. In horror movies, New England is perhaps best known for its association with the 1692 trials in Salem, Massachusetts; however, colonial farm life generations prior is the focus, as recreated in painstaking detail in the name of historical realism. Given the setting and the title, superstition plays a large part in proceedings, but the usual account of the occult this ain't. Anxieties, myths, inherent malevolent traits and sources of hidden menace come to the fore, helped by a creeping camera and ominous score. Also watch out for: Similarly steeped in its sense of place, Last Days in the Desert lets Ewan McGregor play both Jesus and the devil. SLEEPING WITH OTHER PEOPLE A sex addicts' meeting morphs into one of the age-old movie dilemmas: can platonic friendship exist between men and women? In Sleeping with Other People, Alison Brie and Jason Sudeikis are college lovers who reconnect to put the question to the test, but while it may sound a bit like When Harry Met Sally, this isn't your standard rom-com. Writer/director Leslye Headland’s Bachelorette was divisive a few years back, but whether you loved it or not, the premise and roster of talent here is certain to pique your interest. Adam Scott, Amanda Peet, Natasha Lyonne and The League’s Jason Mantzoukas also feature. Also watch out for: In The Overnight, Adam Scott fools around with Taylor Schilling and Jason Schwartzman in another adult-oriented sex comedy.
The World's Longest Lunch has long been a staple of the Melbourne Food & Wine Festival program, led by some of the city's top chef talent during its time. But for the third year running, we get to meet its younger, hipper and perhaps even more Melbourne sibling — the World's Longest Brunch. Descending on Kings Domain on Saturday, March 16, expect a sumptuous three-course brunch feast helmed by heroes of contemporary Indian cuisine — Harry Mangat, Helly Raichura and Mischa Tropp. Your tastebuds are in excellent hands as you sit down to this epic feed, with each chef taking one of the three courses. Mangat will kick things off with his take on chaat, which sees local snapper paired with cucumber, tomato, tamarind, coconut yoghurt and lemon myrtle masala before being topped with the crunch of cumin-scented papdi crackers, crisp curry leaves and saltbush. Tropp is in charge of the main for this year's World's Longest Brunch, serving a classic Goan ros omelette made here with eggs dressed in a chicken curry gravy and served with pao — the Portuguese-style soft white bread rolls. And to finish the luxe brunch, Raichura is making falooda — a sweet classic of Mughlai cuisine given a local touch with rosella jelly and fragrant wax layered with vanilla custard, vermicelli, toasted cashew nuts, elderflower and basil seeds. We are super keen to try this bad boy. The menu will showcase scores of much-loved local producers and, like any good brunch, the liquid accompaniments will be flowing. Each $125 ticket includes a glass of prosecco on arrival, plus you can order and pay for further drinks throughout the morning — just be sure to bring your credit card as the event is cashless. [caption id="attachment_752510" align="alignnone" width="1920"] MFWF 2019 by Daniel Mahon[/caption]
