Artist Bradley Hart Finds Unusual Use for Bubble Wrap

Bradley Hart would not like it if you popped his bubble wrap.

Sarah Anolik
Published on March 26, 2013

It's safe to say that many people have a strange liking of bubble wrap. But artist Bradley Hart takes his bizarre obsession to a whole new level.

Hart, who is from Toronto but currently resides and works in New York City, creates landscapes and portraits of friends and famous people by injecting acrylic paint into bubble wrap. He started out painting abstract art on the exterior of bubble wrap, but with his newest bubble wrap portraits, he treats every bubble as an individual pixel.

According to Hart, injecting the paint is somewhat of a science, and even though he's mastered it, it still takes him on average 150 hours for each painting. He also spends two to three days putting all of the paint into syringes. One of Hart's most famous paintings is of Apple co-founder Steve Jobs. Hart told the Huffington Post that he injected over 16,000 bubbles and used 89 different colours just for this one portrait. The result: a pixelated-looking picture fit for our modern world.

On Hart's website he writes about the idea for his 'Injections' portfolio, saying, "The idea of using bubble wrap came from a few experiences where overzealous museum security guards instructed patrons not to touch works of art and a leftover roll of bubble from wrapping my first solo show in NYC. After researching the material, I found that bubble wrap was originally invented in 1957 as a modern form of wall covering; an experiment or product that failed. My first piece in the series (not shown), 'Fulfilling My Creator's Intended Purpose', is bubble wrap stretched over a stretcher and signed, paying homage to its original use and at the same time flipping its usage as protective covering for art into art itself."

Hart’s artwork is currently featured in a solo exhibition 'What? Where? When? Why? How?' at gallery nine5 in New York City through 29 March 2013. Check out some of Hart's artwork below.

Published on March 26, 2013 by Sarah Anolik
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