Ten Artworks You Shouldn't Miss at the 20th Biennale of Sydney

Take yourself on an epic art adventure through Sydney's bi-annual blockbuster.
Lucinda Starr
Published on April 26, 2016

Hitting Sydneysiders with an epic program of immersive, challenging, and mind-blowing art for another year, the Biennale of Sydney 2016 is an art lover's event like no other. Spanning multiple locations across the city and surrounds every two years, it's not hard to feel a little spoilt for choice. But before the festival wraps up in early June, we thought we'd save you some time and hand over our pick of the artworks you can't afford to miss.

Biennale of Sydney Chiharu Shiota 'Conscious Sleep' 2009-2016 beds thread dimensions variable

CHIHARY SHIOTA'S 'CONSCIOUS SLEEP' (2016)

Insomniacs beware, this one might hit too close to home. Taking over the convict barracks of Cockatoo Island, Japanese artist Chiharu Shiota shows just how chilling a few hospital beds suspended by thousands of metres of black thread can be. Replicating the conditions encountered by prisoners back in 1861, Shiota's installation feels like stepping into a giant arachnoid's underground lair. It might seem like the stuff of nightmares, but the artistry of this space makes it a hauntingly beautiful experience.

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KEG DE SOUZA'S 'WE BUILT THIS CITY' (2016)

Creating a cubby house from laundry bags, tarps and hessian sacks is just the start of Keg De Souza's contribution to this year's Biennale. As a unique, technicolour display of makeshift architecture, We Built This City has turned 16 Vine Street, Redfern into a hub of conversation for all the right reasons. The largest of her constructions to date, this tent is set to host The Redfern School of Displacement, bringing audiences talks and tours discussing global issues of displacement. Head along to this installation, and make sure to swing by for a guided 'Tour of Beauty' of Redfern and Waterloo, presented by SquatSpace.

Biennale of Sydney William Forsythe 'Nowhere and Everywhere at the Same Time no

WILLIAM FORSYTHE'S 'NOWHERE AND EVERYWHERE AT THE SAME TIME NO.2' (2013)

It's difficult to detach from your roots. For choreographer and artist William Forsythe, his longtime association with the Frankfurst Ballet and later the Forsythe Company has gone on to inform much of his recent artistic installations. Connecting the movement of dance with a spectacular series of 40 hanging metal pendulums, audiences are invited to navigate this unpredictable architectural space. The challenge? To avoid actually touching the objects themselves.

Biennale of Sydney Mella Jaarsma 'Dogwalk' 2015-2016

MELLA JAARSMA'S PERFORMANCE 'DOGWALK' (2015-16)

Taking things to a whole new level of bizarre, Mella Jaarsma is putting on a fashion show like no other. Alright, 'fashion' might be the wrong term to use here. But with costumes as elaborate as these, it's tempting to believe you've stumbled into some twisted couture show. Every Wednesday evening until June 1 head along to Jaarsma's installation Dogwalk at The Art Gallery of NSW, a 60-minute dog-walking performance filled some seriously creepy animal-skin costumes. Picking a part the bond between humans and animals, this show is definitely one to get you talking.

Biennale of Sydney Don't Follow The Wind 'A Walk in Fukushima' 2016–ongoing video Courtesy the artists

DON'T FOLLOW THE WIND'S 'A WALK IN FUKUSHIMA' (2016-ongoing)

Get a dose of global history at this one-of-a-kind Carriageworks installation. Brought to you by the curatorial collective Don't Follow the Wind (featuring Chim↑Pom, Kenji Kubota, Jason Waite, Eva and Franco Mattes), A Walk in Fukushima sees their collaboration efforts with 12 artists following the 2011 Tohoku earthquake and tsunami. Step inside an inaccessible radioactive area of the Fukoshima Nuclear plant through 360-degree virtual reality headsets. You'll be intrigued and immersed in an abandoned landscape unlike anything you've seen before.

Bo Christian Larsson 'Fade Away Fade Away Fade Away' 2016 Courtesy the artist and Galleri Bo Bjerggaard Copenhagen Created for the 20th Biennale of Sydney Photographer- Kub

BO CHRISTIAN LARSSON'S 'FADE AWAY, FADE AWAY, FADE AWAY' (2016)

Camperdown Cemetery is home to some of colonial Australia's biggest names, but that doesn't concern Swedish artist Bo Christian Larsson. In fact, he's taken matters into his own hands by dressing each tombstone in a custom-made white cover. By obscuring the identities of each grave, Larsson hopes to rid this historic cemetery of its ingrained class hierarchies. And with nearly 2000 of these stones to see on site, this is sure to be one unnerving art excursion.

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LEE MINGWEI'S 'GUERNICA IN SAND' (2016)

As kids, mastering the art of constructing the perfect sandcastle was a pretty tough gig. Protecting our sandy creations from trampling feet and rising tides certainly seemed like an almighty challenge to our younger selves. But imagine taking on the task of reproducing a famous Picasso creation with only one humble ingredient: sand. Taiwanese artist Lee Mingwei took this on, using the fragility and impermanence of this work to reveal the creative power transformation allows. With the help of eight dedicated volunteers, Mingwei has transformed the concrete floor of Carriageworks into a stunning recreation of Guernica. Audience members were encouraged to literally walk across the work on April 23 (later swept and restored by Lee Mingwei and his team).

Biennale of Sydney Taro Shinoda 'Abstraction of Confusion' 2016

TARO SHINOD'S 'ABSTRACTION OF CONFUSION' (2016)

Prefer things a little more zen? Why not make a trip to AGNSW and transcend the daily grind with Taro Shinoda's work Abstraction of Confusion. Take a seat on his tranquil tatami mat and let the simplicity of this installation wash over you. Drawing inspiration from philosophy and the power of meditation, you'll leave feeling as if you've been wandering through the paths of a beautiful Japanese garden.

ApitchapongWeerasathakul_HomeMovie_20thSydneyBiennale

APICHATPONG WEERASETHAKUL'S 'HOME MOVIE' (2016)

Film lovers, this is one to watch. Thai artist Apichatpong Weerasethakul brings his distinctive cinematic style to Carriageworks with his latest short, Home Movie. As a way of reflecting his time spent in Chiang Mai during turbulent political events, this seven-minute creation symbolises the relentless violence and instability that continues to terrorise the Thai nation.

Biennale of Sydney Alexis Teplin 'Arch (The Politics of Fragmentation)' 2016 oil and pigment on linen paintings regular performances at Cockatoo Island

ALEXIS TEPLIN'S 'ARCH (THE POLITICS OF FRAGMENTATION) (2016)

Consider the future of our world in a whole new light with Alexis Teplin's latest performance and installation Arch (The Politics of Fragmentation). See her abstract linen paintings act as the backdrop to this thought provoking performance, which poses the question "when decadence fails us in our quest for utopia, where do we end up?" This is one depiction of a fictional reality we are intrigued to see play out.

Learn more about the Biennale program here.

Published on April 26, 2016 by Lucinda Starr
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