The Drowsy Chaperone – Squabbalogic
A hilarious parody-meets-love letter to the musical theatre of the 1920s.
Overview
After enormous success with recent productions of Carrie the Musical and Bloody Bloody Andrew Jackson, Squabbalogic are establishing themselves as the company for indie musical theatre. Aiming to provide a stage for Australia's finest emerging artists, the company presents exciting and dynamic works while nurturing a completely professional, creative environment.
The concept is simple in their latest project, The Drowsy Chaperone. A musical theatre buff (Jay James-Moody's 'Man in Chair') plays a record of his favourite 1920s musical, the fictitious Drowsy Chaperone. Oh, and subsequently, within the four walls of his rundown New York apartment, the show comes to life.
We watch him watch the show, occasionally narrating and constantly observing, in between cups of tea and protein bars. Doubling as the production's director, it seems almost unfair how good James-Moody is, not once switching off from what is an understated but completely compelling performance. In a role previously played by the likes of Geoffrey Rush (Melbourne Theatre Company 2010), James-Moody certainly holds his own and is the show's standout. The only issue is how hard it is to tear your eyes away from him to watch the rest of the action.
But boy, are you in for a treat once you do. The entire cast is excellent, boasting brilliantly comedic performances, and with not a bad note to be heard. Following rave reviews for Carrie, Hilary Cole again shines in the lead her voice outstanding as a bold showgirl trying to find and hold on to her true love. And Tom Sharah's Spanish sex god Aldolpho is ludicrously funny.
Although set design is, in parts, a little naff (cut-outs in the window panes to depict a cityscape), the company generally does an impressive job, given the restricted budget. Creative touches see actors emerging from the refrigerator and ironing boards used as aeroplane wings. Costume design is bright and vivacious and live music from backstage is a highlight.
This is the musical poking fun at musicals: heartfelt, hilarious and a guaranteed good time, whatever your feelings towards musical theatre. With subtle yet affecting comments on society, race, marriage and gender stereotypes, this fresh and highly topical show boldly addresses the great desire in all of our hearts to be entertained.
"Let this be a good show. A short show, one that's free of audience participation. And let it have a story and a few good songs that will take me away," they say.
And that it certainly does.
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