Life keeps finding a way to bring new movies in the Jurassic franchise to cinemas — and its characters keep finding a way to come face to face with prehistoric creatures. Three years after Jurassic World Dominion, the saga's latest instalment will stomp into picture palaces come winter Down Under. Welcome to ... Jurassic World Rebirth. Also, welcome to a cast featuring Scarlett Johansson (Fly Me to the Moon), Jonathan Bailey (Wicked) and Mahershala Ali (Leave the World Behind) embarking upon a clandestine mission to a secret island that was home to the research facility for Jurassic Park's original dino sanctuary. The date for your diary to discover how that turns out (which, for the human characters involved, will be badly): Thursday, July 3, 2025. The idea at the heart of the series' seventh entry, as the just-dropped first trailer for the flick shows: on the landmass at the centre of the new movie, different species of dinosaurs to those that the films have featured before roam — species that were considered too dangerous for the park. Johannson plays covert operations expert Zora Bennett, who heads there with Bailey's palaeontologist Dr Henry Loomis and Ali as her righthand man Duncan Kincaid — and company — to obtain genetic material that could help develop drugs to save human lives. Accordingly, Rebirth turns a Jurassic World movie into a heist film — with pesky rampaging ancient beasts. As well Johansson, Bailey, and Moonlight and Green Book Oscar-winner Ali, the movie's lineup of on-screen talent also spans Rupert Friend (Companion) as a pharmaceutical executive; Manuel Garcia-Rulfo (The Lincoln Lawyer) as a civilian who gets dragged into the mission after becoming shipwrecked; Luna Blaise (Manifest), David Iacono (The Summer I Turned Pretty) and Audrina Miranda (Lopez vs Lopez) as the latter's family members; and Philippine Velge (The Serpent Queen), Bechir Sylvain (Black Mafia Family) and Ed Skrein (Rebel Moon) among Zora and Krebs' crew. In the feature's storyline, five years have passed since the events of Jurassic World Dominion — which, for audiences, followed 2015's Jurassic World and 2018's Jurassic World: Fallen Kingdom in the Jurassic World saga, plus 1993's Jurassic Park, 1997's The Lost World: Jurassic Park and 2001's Jurassic Park III in the OG Jurassic Park trilogy. Jurassic World Rebirth director Gareth Evans (The Creator) is new to the franchise, but knows a thing or two about flicks about fighting giant creatures courtesy of 2010's Monsters and 2014's Godzilla. Rebirth does have a key link back to the debut Jurassic Park movie, however, with screenwriter David Koepp returning after co-penning the initial film and scripting the second solo. (Koepp also returns to grappling with dinosaurs after a three-movie run writing screenplays for Steven Soderbergh with Kimi, Presence and Black Bag.) Check out the first trailer for Jurassic World Rebirth below: Jurassic World Rebirth releases in cinemas Down Under on Thursday, July 3, 2025.
John Bell returns to STC in Florian Zeller's tense, fractured thriller that places the audience inside the mind of a man afflicted with dementia. Andre has always kept two watches — the one on his wrist and the one in his head. But with Alzheimer's his new self-appointed timekeeper, Andre's clocks have begun to run amuck. People walk in and out of his house at odd hours, some familiar and some not, despite many of them wearing the same face. Andre gets the sense that someone wants to throw him out of his house, but he can't remember who. He is a man besieged by his own limitations, bitter and suspicious of all who cross his path, lest they prove to be an enemy he cannot recall. Disorienting and terrifying, The Father is a Lear-inflected spiral into oblivion. Be sure to bring a torch — the darkness is unrelenting.
If you hadn't noticed, fermentation is a bit of a thing. One of the driving forces behind the movement is the fact that fermented food and drinks can help promote good bacteria in your gut. So it's not surprising that one of the more popular workshops at Cornersmith — who dish out hearty breakfasts and hold workshops in cheesemaking, pickling and fermenting among others — is the wild soda class, where you learn to make a fermented, fizzy fruit beverage that's both delicious and good for your digestion. On Thursday December 1 we collaborated with the fermentation geniuses at Cornersmith and hosted two wild soda workshops at the Stoneleigh Hotel in Chippendale. The workshops were inspired by our partnership with Stoneleigh, and their philosophy of using wild fermentation to make the wine in their Wild Valley range (it uses a similar fermentation process as wild soda does — read about it here). Head fermenter Jaimee Edwards taught two classes on how to make your own fermented, fizzy fruit drink using wild ingredients. We made a lemon verbena, dianella berry and mint soda which turned out a beautiful bright purple colour and tasted pretty delicious. Alongside Edwards was the Stoneleigh wine ambassador India Munari, offering her insight in the relationship between the process of making wild soda and Stoneleigh's range of wild fermentation wines. Take a look through our photos and see what went down on the night. For those who couldn't attend, you can go DIY and follow Jaimee's instructions in our wild soda feature here. Or, you can head to the Stoneleigh Hotel and sample some tastings of Wild Valley wine — it's open until December 11. Try some Wild Valley wild fermentation wine at the Stoneleigh Hotel, a sandstone house in Chippendale overrun by nature. It's at 48 Kensington Street, Chippendale from November 11 until December 11. Images: Kimberley Low.
It's been over a decade since Harry Potter and the Deathly Hallows — Part 2 reached cinema screens, wrapping up the big-screen story about a certain Boy Who Lived. But, to the delight of wannabe wizards and witches everywhere, the franchise hasn't faded away. The Fantastic Beasts films have kept it alive in cinemas, and Harry Potter and the Cursed Child has done the same on the stage. Also, Harry Potter events have been a common occurrence, and dedicated stores sling merchandise related to the saga. For a few years, another addition to the wizarding realm has been rumoured: a TV series. There was a reunion special for the movies back in 2022, to celebrate ten years since they concluded, but word has persisted that all things HP would eventually accio up a spot on streaming. Those reports are swirling again, with Bloomberg breaking the news that a deal is apparently close. Also, it revealed that said show would remake the story that everyone has already seen on the big screen, with each season focusing on a different book. The details are still scarce, however, and nothing has been officially confirmed. So, who it'll star, who'll be guiding it behind the scenes and when it'll release are all obviously yet to be announced. That said, the idea is that HBO Max, the channel's streaming service, and Warner Bros would make a show that can go further in-depth into each of the novel's storylines — because movies can only cover so much. That means a return to Hogwarts, and obviously new faces playing Harry, Hermione, Ron and company. This is really a case of when, not if. The Lord of the Rings, Star Wars and the Marvel Cinematic Universe have all made the leap to streaming, after all. And no huge pop culture phenomenon ever truly disappears these days, so the Harry Potter realm is bound to reappear — if not with this project, then something else down the line. There's clearly no trailer for this Harry Potter series as yet, but you can check out the trailer for the very first film below: The Harry Potter TV series doesn't yet have a release date — we'll update you if and when more details are announced. Via Bloomberg.
In A Wrinkle in Time, a giant-sized Oprah towers over the world like a goddess, arching her bejewelled eyebrows, wearing glittering outfits and dispensing advice. Mindy Kaling offers wisdom in quote form, cribbing as much from age-old sages as current popular culture. Meanwhile, Reese Witherspoon is full of goofiness and good cheer — when she's not turning into a flying lettuce leaf. With names like Mrs. Which, Mrs. Who and Mrs. Whatsit, the three actresses play magical beings intent on helping 13-year-old Meg Murry (Storm Reid) find her missing astrophysicist father (Chris Pine). They're also pivotal to this fantastical film. Make no mistake: A Wrinkle in Time is Meg's movie. Based on the 1962 novel of the same name, it's the story of a girl who's not only uncertain in her own skin, but is uncertain about her place in the world since her dad disappeared. When the three Mrs arrive in her life — claiming to know where her father is and eager to spirit her away to a parallel dimension — Meg is instantly wary, even when her super-smart younger brother (Deric McCabe) tries to quell her fears. Meg has other things on her mind as well: she's being bullied by the girl next door (Rowan Blanchard), particularly about her hair, and she's not quite sure why her cute classmate (Levi Miller) suddenly wants to be her friend. Still, she's intrigued by her new celestial pals (as odd and otherworldly as they clearly seem), largely because they're also so sincere and genuine. That's the kind of film that Meg and the Mrs are in, after all: earnest from start to finish, and unashamed to wear its heart on its sleeves and every other piece of multi-coloured clothing in sight. It's the type of movie that really isn't made all that often these days — a movie that owns its brand of sentimental optimism, doesn't try to be anything else, and doesn't really try to appeal to adults either. While A Wrinkle in Time has garnered significant attention thanks to its high-profile stars, it's ultimately an upbeat and affectionate kids' sci-fi/adventure flick through and through. Filled with child-friendly messages about believing in yourself and your intelligence, choosing hope over darkness, and trusting that good will prevail over evil, the film is basically an Oprah-style empowerment lesson for everyone under the age of 15. Pre-teen and teenage girls will be wrinkling their faces with happiness. For those familiar with the book, this shouldn't come as a shock. The source material has been considered unfilmable for decades, with the only other attempt coming courtesy of a 2003 TV movie. Given that the episodic narrative toys with time travel, hops between wondrous planets, and tasks Meg with evading a tentacled monster, it shouldn't surprise anyone who hasn't read the novel either. That said, A Wrinkle in Time proves a nice throwback to the live-action family fare that Disney used to pump out in the '60s, '70s and '80s, including on television. Indeed, even if you're not in the obvious target market, the fact that the movie is so committed to its old-school, old-fashioned vibe is admirable. Jumping from powerful civil rights drama Selma and race-relations documentary 13th to something completely different, director Ava DuVernay hits the mark in more places than just the film's all-ages vibe. She gets the best out of her diverse cast, especially the younger players, with Reid a picture of relatable, youthful awkwardness, and Aussie actor Miller (Jasper Jones, Better Watch Out) continuing his great run of late. From the bright costumes to the overall explosion of special effects, DuVernay also ensures that everything looks and feels like a larger-than-life fantasy in every frame. Her quest to make a big-thinking, big-hearted kids' flick is always apparent, but like A Wrinkle in Time's gossiping flowers — yes, there's a field of flowers that literally gossip — the movie's beauty and its limitations go hand-in-hand. https://www.youtube.com/watch?v=pwlZ1r-BiQA
Italian chain Fratelli Fresh is bringing an unbeatable seafood and cocktail deal to its five Sydney stores. Head to one of the restaurant group's outposts any time between Saturday, April 29–Friday, June 9 to nab an affordable oyster and spritz package. The deal entitles you to a half-dozen shucked oysters paired with a spritz made with Bombay Saphire's Citron Pressé lemon gin for just $19. The gin is flavoured with handpicked Mediterranean lemons and combined with St Germain Elderflower Liqueur, cucumber cordial, lemon and prosecco to create the spritz. For those that are still hungry once they've enjoyed your oysters, you can tackle the standard Fratelli Fresh selection of antipasto, pizza, pasta and Italian mains. If you want to make the most of this six-week deal, you'll find Fratelli Fresh spots in Darling Harbour, Entertainment Quarter, Miranda, Manly and the CBD. Plus, to kick off the partnership with Bombay Saphire, the Darling Harbour restaurant is hosting an Amalfi Coast Long Lunch on Saturday, April 29 where you can nab seven highlights from the Fratelli Fresh menu and free-flowing cocktails for $99. Images: Anna Kucera
Get your dancing shoes on, because one big ol' glittery party series is headed to your living room. LGBTQI+ club night Poof Doof is throwing weekly digital dance nights — so expect to get down to anthems by the likes of Gloria Gaynor, Madonna, Pet Shop Boys and Cher, 'cause this party is here, loud and (very) queer. The legendary Melbourne party collective is streaming Poof Doof Direct every Saturday from 9pm via Facebook, Twitch and YouTube. Each week, you'll be treated to pumping tunes from a range of DJs. And of course, it wouldn't be a proper Poof Doof party without some drag performances, too. Coming up on Saturday, May 2, is a massive one-off Poof Doof Sydney party live streaming straight from The Ivy. Poof Doof took up residency in the Sydney institution last November and has been dishing up a weekly dance-heavy night ever since. Not even COVID-19 can keep it completely quiet. Expect to be dancing to a packed lineup of DJs, including headlining act Sneaky Sound System, Sveta, Troy Beman and James Alexandr. Plus, catch dazzling drag performances from queens Danni Issues, Hannah Conda and Faux Fur, with Jimi The Kween hosting the entire night. For Sydneysiders wanting to take their night in to the next level, you get a Poof Doof Party Pack ($75) delivered to your door. It'll be filled with vodka, two cans of red bull, some soda water and two Hahn Super Drys. Orders can be made here prior to 9am on Saturday. To catch a glimpse of what you're in for, check out the video below. https://www.facebook.com/PoofDoof/videos/1048635328855408/
Put your hand on your heart and tell us: how excited are you that Kylie Minogue has not only announced a new world tour, which is her biggest in 14 years, but that she's starting it in Australia? Headlining Splendour in the Grass 2024 mightn't have worked out after the Byron Bay music festival was cancelled mere weeks after revealing its lineup, but the Aussie pop superstar is ensuring that local fans will see her new Tension tour before anyone else on the planet. It's a 'Padam Padam' summer all over again, with Minogue kicking off her latest shows in February 2025, beginning with a one-night concert in Perth. From there, she is also playing Adelaide, Brisbane and Melbourne before hitting Sydney for three gigs. The last time that Minogue embarked on a tour this big was back in 2011. The last time that she hit the stage Down Under was in 2023 to open Sydney WorldPride. In the Harbour City, Minogue will get behind the microphone to start autumn, across Saturday, March 1–Monday, March 3 at Qudos Bank Arena. In what's proven a massive career since her Neighbours-starring, 'I Should Be So Lucky'- and 'Locomotion'-singing 80s era, it's been a big last few years for Minogue thanks to the huge success of the Grammy-winning 'Padam Padam', a brief return to Neighbours and a Las Vegas residency — and now the Tension tour keeps that streak running. Images: Erik Melvin. Updated: Monday, February 17, 2024.
The Hills district loves its food trucks — so much so that it dedicates a free two-day festival to the best of the bunch every year. Well, twice every year. In 2020, Park Feast is returning to Bella Vista Farm on Saturday, April 18 and Sunday, April 19 and again in spring. You'll find 30 of Sydney's best food trucks parked over the weekend, serving up everything from slow-cooked barbecued meats to paella, Nutella-heavy desserts and soft serve-filled doughnuts. While this year's lineup has not yet been announced, some of the big names in attendance last year included The Cannoli Truck, Tsuru, Pimp My Chimey and Chur Burger. When you're not busy eating, you can visit an amusement park for all ages — filled with roller coasters, dodgem cars and inflatable obstacle courses — and listen to live music throughout the day and night. All for free. It's dog friendly, too, so bring your fur baby if you wish. Park Feast runs from 12–9pm daily.
When a band is just starting out, with just one album to its name, you're treated to most — if not all — of it live in the early days. To get the full-record experience again, though, you normally have to wait for big anniversaries. Bloc Party are celebrating two on their 2025 tour of Australia: two decades of the group and the same since their debut album Silent Alarm. Hitting up Sydney's Hordern Pavilion on Thursday, July 31–Friday, August 1, Bloc Party will play Silent Alarm from start to finish. 'Banquet', 'Helicopter', 'This Modern Love', 'Like Eating Glass': yes, they'll all be on the setlist on this seven-city trip. The band aren't leaving their other tunes out, though, with the tour featuring not just Silent Alarm's tracks but the group's greatest hits. They do have five other albums to their name, after all: 2007's A Weekend in the City, 2008's Intimacy, 2012's Four, 2016's Hymns and 2022's Alpha Games. If you're a fan, you'll know that it has been more than 20 years since the band first formed, and since the British group scored some hefty approval in 2003 via Franz Ferdinand's lead singer Alex Kaprano — but 20 is a nice round number to commemorate. This makes two Aussie tours in a row now with a point of difference for Bloc Party, after 2023 trip with Interpol. Before that, they last rocked Aussie stages in 2018. Supporting Kele Okereke and company this time are Young The Giant, who'll be playing Australia for the first time in 14 years. Updated: Monday, July 28, 2025. Live images: Bruce Baker via Flickr.
Next time you're around Circular Quay, pop into Customs House and you'll find an exhibition of maps that have defined and guided people around Sydney for hundreds of years. Cartographica: Sydney on the Map throws up ideas around maps and the way their creation and use continues to shift and change. Until satellite technology, people relied on different kinds of maps — following patterns of the land, the stars and the wind. For tens of thousands of years, the Gadigal people and surrounding Eora Nation clans navigated this region's waterways, bush and land, and in more recent times, the area that's now known as Sydney was mapped by Europeans and photographed from space. And today, we're all accustomed to the instantly recognisable voices of Siri and Google navigating us to places in our cars and seeing ourselves as a blue dot moving through a landscape of pixels. Cartographica offers a mini retrospective of what analogue maps used to look like, some of the different ways mapmakers have documented the evolution of places and journeys over time and how simultaneously familiar and strange the world of digital maps can be. It's bound to be an eye-opening visit — and it's completely free. If absorbing all of this has left you feeling peckish, combine your visit with a bite to eat at Cafe Sydney or Quay Bar. Cartographica: Sydney on the Map is open Monday–Friday, between 10am–7pm, and Saturday–Sunday, between 11am-4pm, until Sunday, September 1.
How many movies can you watch in 12 days? That's the question that Sydney Film Festival asks every June. Of course, when this annual showcase of international cinema takes over many of the city's theatres for nearly two huge weeks of exciting flicks, it isn't just about quantity, but quality. Indeed, some of the year's best films regularly make the fest's 300-plus title lineup. 2019 proved business as usual in this regard — although, given the diverse array of movies on offer each and every festival, there's no such thing as a usual SFF. Last year, we were all excited about intimate father-daughter dramas, fiery race-relations comedies and bleak Polish love stories. This year, it's all about semi-autobiographical Spanish fare, blistering Aussie documentaries and a rightfully lauded South Korean thriller that plays with genre, class and expectations. The standouts just keep coming, but we've whittled them down to ten. After an epic fortnight spent soaking up the silver screen's wonders, here's our pick of the best, weirdest and most unexpected films of the fest to keep an eye out for at cinemas and on streaming services. BEST https://www.youtube.com/watch?v=w_0KJAzyUJc PARASITE In three of the absolute best films of the past 12 months, exceptional Asian filmmakers have explored society's growing class clashes in unique, exciting and moving ways. Two such movies won the Cannes Film Festival's Palme d'Or two years in a row, and two of them also hail from South Korea. That said, while SFF prizewinner Parasite shares its focus on a grifting, struggling family with Hirokazu Kore-eda's Shoplifters, and its tonal flips and slipperiness with Lee Chang-dong's Burning, there's no mistaking Bong Joon-ho's dark, devious and delightful latest feature for anything else. The writer/director behind The Host, Snowpiercer and Okja takes a broad scenario, massages it into an intricate puzzle box of a movie and lets its secrets unfurl — and does so with astonishing performances from the Song Kang-ho-led cast, commanding jumps between genres, incisive visual precision and the kind of purposeful yet artful production design that most films only dream of. Oh, and with an expert blend of laughs, thrills, commentary and horror, too. Make no mistake and believe the hype: Parasite is an all-out masterpiece. Parasite hits Australian cinemas on Thursday, June 27. https://www.youtube.com/watch?v=rQaycqyjLFw PAIN AND GLORY Antonio Banderas has a rich, multi-decade filmography across both Spanish and Hollywood cinema to his name, including his previous work with auteur Pedro Almodovar. And yet, he's never been better than in Pain and Glory, which won him this year's Cannes Film Festival Best Actor award. Almodovar hasn't been in as fine a form in years either — not since he took Banderas into completely different territory with The Skin I Live In. With Penelope Cruz also featuring, re-teaming with his original stars and lightly drawing from his own past is clearly working for the celebrated director. There's such a quiet, thorny and tender core to this account of an ageing filmmaker (Banderas) rueing love lost and choices made, all while trying to manage his failing body, reconnecting with an old acquaintance, and falling back into memories of his mother (Cruz). There's such a glorious command of colour and movement in the film's evocative imagery, too. This is a film to get lost in, and in its sumptuously, sweepingly handled titular emotions as well. Australian cinema release date TBC https://www.youtube.com/watch?v=YcHB6eE3I1k PORTRAIT OF A LADY ON FIRE Every obvious fiery term applies to Céline Sciamma's lush romantic drama. It simmers carefully, burns slowly and, after waiting for its embers to spark, sets the screen alight. Stepping back to 18th-century Brittany, the assured French filmmaker spins a yearning tale of passion and desire — of knowing that your greatest needs can only be satisfied fleetingly, grappling with that fact and relishing what brief happiness you can. Héloïse (Adèle Haenel) is a betrothed woman who refuses to sit for a traditional wedding portrait, much to her mother's (Valeria Golino) dismay. Marianne (Noémie Merlant) is the painter called in not just to commit the bride-to-be's likeness to canvas, but to do so surreptitiously while acting as her companion. As friendship and more blooms between the two, Sciamma's exquisite feel for unspoken emotion and inner awakenings blazes brightly, as it did in Water Lilies, Tomboy and Girlhood. Also evident is the writer/director's masterful way with her actors, and with stirring visual compositions. Keep an eye out for this on streaming services JUDY & PUNCH Writing and directing her first feature, Mirrah Foulkes gives a violent, slapstick puppet show a flesh-and-blood backstory. The Australian actor-turned-filmmaker also turns her fairy tale-esque affair into a tonal rollercoaster, and it works. Here, Mia Wasikowska and Damon Herriman play the eponymous couple, who win applause for their Punch and Judy marionette performances in her insular hometown of Seaside. While she wants a stable life in their crumbling castle with their infant daughter, he wants fame and fortune — and booze and other women. What Judy must go through, how she reacts and her plans to regain her power all drive a movie that's both comic and tragic, depicts brutal misogyny while championing a thoroughly feminist hero, and proves both delightfully gothic in its look and feel, and completely subversive in its outcome. And while they've always impressed across their respective careers, Wasikowska and Herriman are in particularly fine form in complex roles. Australian cinema release date TBC https://www.youtube.com/watch?v=LVPp9t9aFpk RAY & LIZ British filmmaker Richard Billingham casts aside sentimentality, leans into grittiness and recreates his past in his debut feature Ray & Liz, which focuses on his mother and father (played by Ella Smith and Justin Salinger), their tumultuous relationship and its impact on his Thatcher-era childhood. Call it a cinematic memoir, or call it a photo album come to life (Billingham is also a photographer) — whichever one you choose, it understates the searing detail of this family portrait. As the Billinghams' woes fill the screen, including much drinking, arguing and questionable parental decisions, the stunningly shot film feels like the work of someone not only observing and excavating but re-evaluating his formative years. There's kitchen-sink social realism, and then there's taking an unfettered look at your own experiences — and this drama journeys through the former to land into the latter category. Keep an eye out for this on streaming services https://www.youtube.com/watch?v=q9C8JaJxoYU THE FINAL QUARTER A deserving recipient of a standing ovation at its sold-out SFF world premiere, The Final Quarter doesn't cast fresh eyes over a familiar, shameful story. That's part of its point. As directed by Australian documentarian Ian Darling, this AFL-focused film recounts the ordeal endured by ex-Sydney Swans footballer Adam Goodes solely through materials recorded at the time, capturing the backlash to his eloquent pleas against racism, the needless booing that followed him for more than a season, and the vile media commentary that painted him as a villain for embracing his Indigenous heritage. While these incidents throughout the final years of his champion career were harrowing and heartbreaking to watch as they happened, they're just as infuriating now. The same applies to what his treatment says about Australian attitudes towards race, and how little has changed since Goodes hung up his boots, which The Final Quarter doesn't sugar-coat — and nor should it. The Final Quarter will air soon on Network 10. WEIRDEST https://www.youtube.com/watch?v=Fhjqvb60LLw BACURAU After winning SFF's official competition with 2016's Aquarius, Brazilian filmmaker Kleber Mendonça Filho returns with a movie of equal passion about the state of the world, including class inequality. After first wowing the festival with 2012's Neighbouring Sounds, he has crafted another layered and wide-ranging look at Brazilian life in a microcosm. But, even with its thematic similarities to the director's past work, Bacurau couldn't be further removed from its predecessors — thanks, in no small part, to its distinctive wild streak. This time, Filho co-helms and writes with Juliano Dornelles, with the pair cooking up a politically potent western-horror mashup that unleashes violent havoc on its titular outback setting. The chaos starts with the passing of the village's matriarch, who local doctor Domingas (a stellar Sonia Braga) gleefully attacks during the funeral; however, this near-hallucinatory film really kicks into gear when a bunch of wealthy Westerners arrive wielding weapons. Keep an eye out for this on streaming services https://www.youtube.com/watch?v=BmTsmAJPpPs COME TO DADDY Following a map to a remote waterside location, Norval Greenwood (Elijah Wood) knocks on his father's door, reuniting with the man he hasn't seen for more than 30 years. It's a tense, awkward scene, with more of the same following — and, in a movie that segues from reunion drama to unsettling mystery flick to crime thriller, things only get unhinged and deranged from there. Marking the feature directorial debut of New Zealand producer-turned-filmmaker Ant Timpson (The ABCs of Death, Turbo Kid, Deathgasm), Come to Daddy proves an anarchic, unruly and very amusing ride, complete with committed performances not just from Wood, but from Martin Donovan, Michael Smiley and The Breaker Upperers' Madeleine Sami as well. It's also inspired by reality, although to say more would be to reveal too much about a movie that revels in its twists and turns. And in it's ample splashes of gore and blood, too. Australian cinema release date TBC MOST UNEXPECTED https://www.youtube.com/watch?v=lCKO84ViyxA DIRTY GOD How we cope with trauma is one of the traits that truly define us — and in Dirty God, the acid-scarred Jade (Vicky Knight) endeavours to overcome a vicious tragedy in a plethora of ways. Sensitively directed by Sacha Polak, this emotional drama follows the young British mother as she attempts to recover from an attack that not only changed her life, but has changed her appearance and sense of self to a devastating degree. As Jade struggles at home, at work, in court and to find someone to connect with, this isn't a portrait of a woman in free fall. Rather, it's a snapshot of someone trying, failing, picking herself up again and repeating the messy process, all to reclaim her own space in the world. A Dutch director making her English-language debut, Polak has delved into the fragile and tactile inner state of a female protagonist before in 2012's Hemel, and does so again here with delicacy and insight. But the star of the show is the astonishing Knight, who turns in a performance that warrants widespread attention. Keep an eye out for this on streaming services https://www.youtube.com/watch?v=bs5ZOcU6Bnw THE DEAD DON'T DIE No matter what Jim Jarmusch decides to take on — westerns, vampires, midlife crises and samurai-influenced hitman included — his films never turns out as anyone could ever expect. That's the case with the Only Lovers Left Alive and Paterson director's star-studded zombie comedy The Dead Don't Die, which corrals Bill Murray, Adam Driver, Chloë Sevigny, Tilda Swinton, Steve Buscemi, Tom Waits and Iggy Pop into an apocalyptic, meta joke-filled satire that leisurely but pointedly takes aim at apathy, aimlessness and the reality that we're all mindlessly shuffling towards our own vices. What surprises most in The Dead Don't Die, however, is its laidback yet rich world and characters. The best sitcoms, such as The Simpsons and Parks and Recreation, build bustling realms overflowing with fascinating major and minor players that viewers just want to spend more time with, which Jarmusch also perfects here. As a result, when Driver's small-town cop tells everyone over and over again that this won't end well, don't believe him. The Dead Don't Die hits Australian cinemas on Thursday, October 24. This year's SFF served up plenty of other highlights — and we've covered many of them over the past few months. From our rundown of Australian titles to check out this year, The Nightingale, I Am Mother and Emu Runner all screened at the festival, while The Souvenir, Synonyms, Varda by Agnes, Amazing Grace, Ghost Town Anthology and Skin ranked among our Berlinale recommendations. We also reviewed High Life, as part of its general release. And, pre-festival, we took an enthusiastic look at In Fabric, Booksmart, In My Blood It Runs, Scheme Birds, Her Smell, Happy New Year, Colin Burstead and Cold Sweat as well.
A new four-day festival bringing together top-shelf eats, curated drinks, cutting-edge fashion and pumping beats will take over the CBD's Machine Hall from Thursday, August 1 to Sunday, August 4. The inaugural FFWD (pronounced 'fashion forward') will feature an experimental concept store from Sorry Thanks I Love You, which will showcase new and archival pieces by top design houses including Comme Des Garçons, Acne Studios, Issey Miyake, MM6 Maison Margiela and more. But it's not just the threads that have impressive credentials. The legendary Sydney restaurateur behind Bondi Icebergs and popular Potts Point pop-up Snack Kitchen, Maurice Terzini, will be delivering a menu of Italian hits including porcini and truffle lasagna and tiramisu, served by the scoop. Mike Bennie from progressive wine merchants P&V has created a drinks offering that leans on easy-to-drink natty drops from up-and-coming Australian cellar doors. [caption id="attachment_967005" align="alignnone" width="1920"] Maurice Terzini. Image: Nikki To[/caption] The party gets started on the fest's opening night with a headline set by Julian Hamilton, one half of EDM icons The Presets, who will be supported by psychedelic rock duo Velvet Trip. Across the four days, festival-goers can expect free wine tastings, fashion and hospitality industry panel discussions with top experts, rolling DJ sets, installations by Dover Street Market artist Brett Westfall and screenings of the 2023 fashion documentary High & Low — John Galliano. Entry to the festival is a very reasonable $25, however for those with cash to splash, there are three tiers of all-access passes, starting at $1000 and topping out at $5000. These VIP tickets secure access to the private opening night cocktail party and exclusive closing night afterparty, as well as a laundry list of other perks. A charity donation will also be made in the ticket-holder's name to Chris O'Brien Lifehouse. Top image: Jordan Munn
Bushfire-affected communities are doing it tough across Victoria right now. So far, upwards of 700 structures have been destroyed, and more than 1000 agricultural properties have been impacted. With community support needed more than ever, we've put together a list of ways you can donate to leading bodies, fundraise for devastated businesses or dine and shop with those contributing essential funds to the cause. Donate to the VFF Disaster Relief Fund Activated in times of crisis, the Victorian Farmers' Federation (VFF) Disaster Relief Fund provides much-needed financial support to bushfire-affected farmers as soon as possible. The peak advocacy body has just put out a call, asking for the public to dig deep and provide financial support. Head to the website to donate. View this post on Instagram A post shared by YIAGA (@yiaga.au) Show Your Support for Fowles Wines Situated on 300 acres in Avenel, the long-standing winery Fowles Wine has been severely damaged, with the family behind the business losing their home, sheds, vineyards and most of their livestock. While the cellar door and restaurant have survived, Fowles says people can support their recovery by making a wine purchase through the website, joining the wine club or visiting the cellar door now that it has reopened. Moondrop x Mel Hack Bushfire Donations New Shanghai-inspired cocktail bar, Moondrop is hosting Canada-based whiskey specialist Mel Hack for its first-ever guest shift. Having worked at some of the world's best whisky bars, Hack is teaming up with Moondrop's Jesse Kourmouzis to serve four cocktails showcasing Canadian and Asian flavours. Held from 5–10pm on Saturday, January 17, $1 from every cocktail purchase will be donated in support of the Australian bushfires. Head to Instagram for more information. View this post on Instagram A post shared by YIAGA (@yiaga.au) Harcourt Fundraiser at The Victoria Hotel Woodend with Rock & Ranges With the destroyed Harcourt Cooperative Cool Store housing products and produce for over 90 small businesses, Rock & Ranges Brewing Co-operative lost all but two kegs in the blaze. The team is donating these to a fundraiser, held from 12pm on Sunday, January 18, at The Victoria Hotel Woodend, with all beer sales going towards those impacted by the Harcourt fires. Head to Instagram for more information. Donate to Henry of Harcourt Operating since 1994, Henry of Harcourt is a small family-run orchard and cider mill, specialising in top-notch dry ciders and over 40 varieties of apples. With the Harcourt fires devastating the Henry family's home, orchard and much-loved community space for regional traders, a fundraiser has been launched to help secure the business's future. Head to the GoFundMe to donate. View this post on Instagram A post shared by YIAGA (@yiaga.au) Donate to Maison LAPALUS and Maidenii Also found at the Harcourt Cooperative Cool Store were the operations of winemaker Maison LAPALUS and vermouth brand Maidenii. Led by culinary community stalwarts Shaun Byrne and Gilles Lapalus, the businesses lost vital stock, equipment, and raw materials in the fires, including a ten-year-old solera system used to age liquors. Head to the GoFundMe to donate. Donate to A Glass Of Independent wine business A Glass Of was another business decimated by the Harcourt fires. Launched in 2020, it offers a curated collection of wines, hand-picked by restaurant sommeliers and delivered in 200-millilitre recyclable pouches. The business has lost all equipment, wine and packaging, so any support goes a long way. Head to the GoFundMe to donate. Donate to Coolstore Cafe Running alongside the local storage facility, Coolstore is a cherished local cafe serving coffee, cake and light lunches. Opened in August 2024, owners Bonnie and Remy Sowman have lost their business and income, with a fundraiser up and running to help the couple and their three kids get back on their feet. Head to the GoFundMe to donate. Shop with High Country at Home With the bushfires directly impacting crucial tourist numbers exploring rural Victoria, you can lend your support by buying from small businesses through High Country at Home. This digital platform by Tourism North East lists locally made products, including cool-climate wines, handcrafted homewares and premium chocolates, while offering a way to book future stays and experiences. Head to the website to make a purchase. View this post on Instagram A post shared by YIAGA (@yiaga.au) 600 Above 20 Percent Donations Located in Woodend, local wine bar 600 Above has showcased local wineries, breweries, and distilleries since 2023. On Sunday, January 18, the venue will donate 20 percent of all sales to the Harcourt community, helping to support those most impacted by the fires. Head to Instagram for more information. View this post on Instagram A post shared by YIAGA (@yiaga.au) Donate to the Hotel Care Foundation The Australian Hotels Association Victoria (AHA) is accepting donations for its Hotel Care Foundation, with local venues having already raised $50,000 for bushfire-affected communities, emergency services and first responders. AHA members, partners, suppliers and patrons are encouraged to donate. Head to the website for more information. Bushfire Relief Market and Raffle at Hyphen Spaces Head along to Carlton North third space Hyphen Spaces and its neighbour Sleepy's Cafe and Wine Bar from 12–6pm on Saturday, January 31, to catch a bushfire relief market and raffle. Featuring artisan products and baked goods from local creators and makers, all proceeds go towards Sikh Volunteers Australia, whose food van is a common sight during national emergencies. Meanwhile, a winning raffle ticket might score you a $150 dinner voucher for two at Sleepy's, a hand-woven scarf from artist Christy Chudosnik or an original Ying Wang artwork valued at $690. Head to Instagram for more information. BlazeAid Fundraiser at Tallboy & Moose Spend the afternoon sipping on top-quality brews alongside a feel-good sausage sizzle, as Preston brewery Tallboy & Moose hosts a beer and snags fundraiser for BlazeAid from 12–4pm on Saturday, January 24. With $2 from selected beer purchases and 100 percent of sausage sizzle sales going to a great cause, BlazeAid is a volunteer-run organisation that supports families and individuals in rural Australia following natural disasters. Head to Instagram for more information. Maidenii & Maison Lapalus Fundraiser at Gin Palace Much–loved cocktail bar Gin Palace is rallying behind Maidenii and Maison LAPALUS co-directors Shane Byrne and Gilles Lapalus from 4pm–3am on Monday, February 2. Hosting the Pour it Forward fundraiser, all takings are being donated to the pair, whose businesses were destroyed in the Harcourt bushfires. With Byrne a bartending alumnus of the bar, Maidenii's vermouth has been poured at Gin Palace for over a decade. Get down to experience a one-night-only cocktail list and plenty of legendary chicken sandwiches. Head to Instagram for more information. Toorak Cellars BBQ Summer Series 50 Percent Donations As part of its 15th birthday celebration, Toorak Cellars is hosting the second edition of its BBQ Summer Series. With some of Melbourne's best culinary duos taking charge of the tongs every Sunday from February 1–March 15, Toorak Cellars will donate 50 percent of all profits from the series to the Harcourt Relief Fund. Meanwhile, the wine bar will also be showcasing Madeinii-based martinis and Love Shack Brewing Co beers, both severely affected by the fires, throughout the event. Head to Instagram for more information. BlazeAid Fundraiser at Bar Local Drop From the backstreets of Collingwood, newcomer Bar Local Drop is hosting a bushfire fundraiser from 2pm–late on Saturday, January 31. With all proceeds going towards BlazeAid, the bar is putting together a delightful snack menu using ingredients donated by local friends, including Oceanmade, Natoora and JR Foster Meats. Think juicy skewers, pizzettas, tapioca fritti and more. To drink, Stomping Ground has supplied the beers, while Bar Local Drop is pouring Bress Wines throughout the day, showcasing the winery after it was damaged in the Harcourt fires. Meanwhile, there'll be booze, meat and wine raffles to help raise even more funds. Head to Instagram for more information.
Following the world-altering whirlwind that was 2020, award-winning Eau-de-Vie closed down, promising to return in the near future. While it's taken a little longer than expected, the sleek cocktail bar that was once 13th on the World's 50 Best Bars list has officially reopened to the public in Sydney's CBD. The Speakeasy Group (Mjølner, Nick & Nora's) and its directors Sven Almenning and Greg Sanderson have revived Eau-de-Vie at the Brookfield Place development inside the Beneficial House site at 285 George Street. It will be joined by its lavish new sibling venue The Sanderson on Thursday, May 25, an equally flashy restaurant with a focus on steak, Australian seafood and wine. "Eau-de-Vie is like our first child, we just have so much love for it! We looked long and hard to secure the new location, but the wait will be worth it," says Sanderson. "We really do see Beneficial House becoming a destination that our guests can spend an entire evening within. Aperitif cocktails at Eau-de-Vie, upstairs to The Sanderson for an amazing dinner, and then back downstairs for a whisky nightcap." All of the class of the original Eau-de-Vie is on show at the new opening with moody lighting, a smooth jazz soundtrack, the signature Whisky Room and private whisky lockers within the building's basement. The cocktails are built to impress, starting with the Hall of Fame section of the menu featuring Almenning's signature Smoley Rob Roy which combines two types of whisky, Diplomatico Mantuan rum, sweet vermouth and orange bitters before being served under a cloud of smoke. There's also a tangy take on the Moscow mule made with yuzu curd and your choice of rare aged spirit, Eau-de-Vie's famous old fashioned served hot or ice cold, and the Espresso Zabaione which reinvents the espresso martini with cold drip coffee, maple syrup, saffron and vanilla mouse and a touch of liquid nitrogen. All of this is on just page one of the ten pages of cocktails on the menu. A considered list of snacks, both raw (oysters, tuna tartare) and cooked (lamb croquettes, wagyu beef cheek pastry) are available at Eau-de-Vie, but if you find yourself hungry, you should head upstairs to The Sanderson. The restaurant will both aesthetically and conceptually complement Eau-de-Vie, centring its menu around Australian produce from the land and sea. The menu is kept simple, only just spreading to a second page, but there are plenty of options available, from Fraser Island spanner crab salad and heirloom zucchini served with cashew labneh to a selection of six different steaks headlined by a 700-gram MBS4 sirloin on the bone. "The Sanderson will bring together the many elements of 'celebration' that we ourselves love to enjoy with our friends and family," says Sanderson. The Speakeasy Group joins the likes of Shell House, Romeo's, Edition Coffee, Gojima, NeNe Chicken and PappaRich in Brookfield Place. Eau-de-Vie is now open 4pm–2am Tuesday–Saturday at 285 George Street, Sydney. The Sanderson will join it on Thursday, May 25, opening midday–late Tuesday–Saturday.
We all love a good day out in Sydney. Between the glistening harbour, the pretty beaches and the many restaurants, there's a lot to do. But bumper-to-bumper traffic, fighting over the radio station and snacks melting in the glovebox? Not ideal. It's time to turn off the engine and explore Sydney in a new way. Life's too short to spend hours in the car. P&O Cruises is encouraging us to get out from behind the wheel and find our inner adventurer. So, put those car keys back, grab your sunnies and start exploring our fair city in a different way. [caption id="attachment_803045" align="alignnone" width="1920"] Filios Sazeides, Unsplash[/caption] ENJOY A LEISURELY PADDLE AROUND A HARBOUR COVE A SUP, short for stand-up paddleboard, is a pretty cool way to see the city — especially if you choose to go paddling at sunrise. This watersport has seen an influx of interest in the last few years and there are multiple groups dotted around the city catering for everyone, ranging from beginners to advanced SUPers. It's a relatively slow-paced way to see the city and you'll meet new people as you paddle from spot to spot. If you want to take advantage of some epic harbour views, make tracks to Watssup in Watsons Bay or Point Piper Kayak Centre in Rose Bay. Plus, some groups (like Flow Mocean in Manly) incorporate other elements like yoga if that's what floats your boat. [caption id="attachment_803049" align="alignnone" width="1920"] Elton Sa, Unsplash[/caption] SOAR ABOVE THE CITY IN A HELICOPTER — OR TRY YOUR HAND AT HANG GLIDING The sky is the limit. Literally. Helicopter rides over the Harbour with Sydney Helitours run for 20 minutes ($220), and you can share the exhilarating experience with up to five friends. As you soar above the city, you can point out your favourite landmarks and see them from a new perspective. Meanwhile, hang gliding sessions are available along Sydney's beautiful coastline. Jump on a train down to Stanwell Park. The folks at Sydney Hang Gliding Centre will collect you from the station and take you to nearby Bald Hill, which is internationally renowned for hang gliding. As you cruise peacefully up in the air, accompanied by a trained instructor, the views will take your breath away. SAIL THE HIGH SEAS A food festival and getting to exploring Sydney (and beyond)? Yes, please. Lap up the likes of croissants and calamari, along with coastline views, on a P&O Cruise to the Sapphire Coast Food Festival. Across four days, you can enjoy the world-famous harbour by evening light, a walking tour of Ben Boyd National Park, local delicacies from some of the finest chefs in the Sapphire Coast region and more. On your day at sea, take advantage of P&O Cruises' top-class facilities, such as a spa, an outdoor pool area and even an onboard nightclub. Just choose your room and pack your best stretchy pants, then away you go. [caption id="attachment_803051" align="alignnone" width="1920"] Destination NSW[/caption] ADMIRE THE CITY ATOP A SYDNEY LANDMARK There is no shortage of lofty landmarks in Sydney — especially in the CBD. Bridgeclimb Sydney will take you 134 metres above sea level to its summit with amazing views of Sydney Opera House and the harbour. Plus, you get a free cap, so what's not to love? If the journey up the Harbour Bridge's 1621 steps sounds like a bit of a chore, let an elevator do the climbing for you at Sydney's tallest structure: Sydney Tower Eye. You'll get a 360-degree view of the city (and beyond) and not even break a sweat. [caption id="attachment_787429" align="alignnone" width="1920"] The Rocks Aboriginal Dreaming Tour, Destination NSW[/caption] POUND THE PAVEMENT Sydney has some pretty epic walks, ranging from mellow meanders to full-on hikes. There are more coastal walks than you could shake a shell at, so find one that suits you and get those legs moving. Here are some of our favourites to get you started. There are also city walking tours, which are a good way to get to know Sydney's history. The Rocks Aboriginal Dreaming Tour, which runs between 10.30am–12pm daily, explores the connection between the Harbour's foreshore and waterways with Dreamtime and the cultural heritage of local custodians. Or, if you do your best exploring with your stomach, opt for a walking food tour. The Sydney Connection offers dining tours in three inner city suburbs: Potts Point, Surry Hills and Darlinghurst. Each tour begins with a welcome cocktail in a local bar before visits to three restaurants — and you get to enjoy a course at each one. Along the way, your tour guide will share stories about the suburb and introduce you to some of its quirky locals, too. For more information about P&O Cruises, head to the company's website. Top image: Brideclimb, Destination NSW
There's more to the appeal of Zubi than their La Marzocco hardware and reputation for consistently quality coffee. It only takes a single visit to their Newport outpost to pick up on the community vibe. The walls are a rotating display of locals' artworks and there's a rear garden courtyard where you can enjoy countless Campos coffees in the company of your four-legged friend. On Sundays this courtyard plays host to musical talents from the northern beaches — a weekend ritual that certainly draws a crowd. If you can't find yourself a seat, Zubi's sister store is a couple of beaches along in Narrabeen. While coffee is Zubi's craft they also do a mean egg and prosciutto panini ($8.50) and a 'classic' chicken sambo that (thankfully) doesn't skimp on the mayo.
Offering up panoramic views of Sydney Harbour from high atop the Rocks and housing some standout restaurants and bars, Shangri-La Hotel is far from your standard hotel. And for Chinese New Year, it's getting creative — playing host to two gastronomical events The first, held in Shangri-La's all-day buffet restaurant Cafe Mix, will be an interactive Asian banquet. As well as an array of traditional Chinese dishes — including honey-glazed BBQ pork, clay pot feasts and must-have Beijing duck pancakes — there will be make-it-yourself noodles and sang choi bao stations. Like your noodles extra spicy? Hate coriander? Have a particular obsession with crushed peanuts? Let your idiosyncrasies run free. Expect plenty of seafood, plucked fresh from the ocean, too. There'll be everything from juicy prawns to creamy crab and an array of fish. The buffet will run nightly from 15–24 February and can be enjoyed for a cool $85. It'll also be open for lunch — without the seafood section — over two weekends in February (17-18 and 24-25) for the cheaper price of $65. In previous years it has been pretty packed, so booking ahead is a good idea. Alternatively, head to a high tea with twist in the Lobby Lounge. Prepared by pastry chef Anna Polyviou, the luxe afternoon feast — ringing in the Year of the Dog — will include Asian-fusion sweet treats and savoury dishes. Think mini banh mi, spring rolls, roast duck, scones and desserts speckled with black sesame. The Chinese New Year high tea will be held daily from 1–5pm from Friday, February 16 to Sunday, March 4. It'll set you back $55 and you can book your place here. Images: Nikki To
Maybe G&Ts are your favourite tipple and, if you're sipping drinks at your favourite bar, you always have one within reach. Perhaps you've never found a vodka cocktail that you haven't loved, or you've made it your life's mission to try all the whiskies (yes, spanning both whisky and whiskey) that you can find. Or, you could simply like broadening your horizons when it comes to knocking back the good stuff, and supporting independent producers while you're at it. Since 2015, the boozing sipping party that is Indie Spirits Tasting has covered all of the above — and it's back in 2022 after a couple of pandemic-affected years. Move over, craft beer — at this east coast event, which'll return to Melbourne in May, Brisbane in July and Sydney in September, it's craft spirits' time to shine. Everyone has been to plenty of days dedicated to brews, brews and more brews, but this touring shindig is solely about all the whisky, gin, vodka, rum, tequila, vermouth and mezcal you could ever want. More than 30 exhibitors and master distillers are on the bill, showcasing over 200 craft spirits. Clearly, your booze-loving tastebuds will be in heaven. As well as tasting away, attendees will also be able to chat to the folks behind the craft and independent tipples on offer, listen to talks on booze-related topics — Melbourne options include learning what it takes to start your own alcohol brand, celebrating Aussie whiskies and understanding all the different styles of gins — and buy bottles to take home with you. "We started the Indie Spirits Tasting events back in 2015 as a way for a few smaller distilleries and brands to be able to showcase their products to the trade," explains founder David Spanton. "Thanks to the enthusiasm of curious consumers who want to know about the latest bar and drinking trends and who are passionate about local and truly handmade craft products, the event has expanded to include both thirsty drinks enthusiasts and the bartenders that serve them." This year's events will feature brands such as Never Never Distilling Co, Poor Toms, Boat Rocker, Wolf Lane and Archie Rose, some of which will be pouring limited-edition tipples. And while the big focus is on homegrown spirits, a few international names will be on the bill as well — taking your tastebuds on a trip, including through French cognacs and American gins. INDIE SPIRITS TASTING 2022: Sunday, May 8 — The Craft & Co, Collingwood, Melbourne Sunday, July 17 — Lefty's Music Hall, Petrie Terrace, Brisbane Sunday, September 4 — Potts Point Hotel, Kings Cross, Sydney Indie Spirits Tasting starts its 2022 events in Melbourne in May, before heading to Brisbane in July and Sydney in September. For further information or to buy tickets, head to the Indie Spirits Tasting website.
It's possible to believe that a film needn't necessarily exist, and still be thrilled that it does. That's the case with Gloria Bell, Sebastián Lelio's English-language remake of his 2013 Chilean drama Gloria — which keeps the same plot, brings in Julianne Moore and transfers the action to Los Angeles. The first time around, Lelio's tale of a 50-something divorcee trying to reclaim her life proved a potent character study, made blisteringly real not only thanks to an empathetic, keenly observed script, but via an exceptional lead performance. That rings true here as well, yet this narrative, its honest exploration of womanhood at a mature age and its rich texture doesn't get old. If we can have oh-so-many cookie-cutter movies about slacker man-children just trying to find a girl to love them despite their obvious flaws, we can have two versions of this story. Played with a luminous air, a sense of vulnerability and a determined spirit by the always-stellar Moore, Gloria Bell has long become accustomed to her unattached existence. Her days are spent working in insurance, singing 80s hits in her car and snatching whatever time she can with her grown-up kids (Caren Pistorius and Michael Cera), while her nights usually end beneath the disco ball at a singles bar. "When the world blows up, I hope I go down dancing," she proclaims happily, and it's fancy footwork that brings her to recently divorced theme-park owner Arnold (John Turturro). Sparks fly, but life and love haven't been easy for Gloria thus far, and they won't be from this point onwards. Reworking his initial script with actor and writer Alice Johnson Boher, Lelio fills Gloria Bell with detail. That applies equally to the film and to the figure that gives the movie its name. While the plot is straightforward — a woman and a man meet, connect and try to work out if their messy lives fit together — every character, scene and moment is gloriously layered, ensuring that nothing about the picture is simplistic. It's true when Gloria commiserates with a colleague (Barbara Sukowa) about their respective retirement savings, a conversation that speaks to the uncertainty that often greets women who've spent time out of the workforce to raise a family. It's true when the film spies its protagonist attending a laughing group, allowing herself to giggle away her troubles while participating in a pastime with a very specific audience. And it's true when Lelio pushes his heroine to finally complain about her unstable upstairs neighbour, with Gloria wavering between caring for a troubled soul and looking out for herself. From wondering how a hairless cat keeps finding its way into her apartment, to lighting up on the paintball range with Arnold, to running free on a trip to Las Vegas, Gloria Bell keeps showing what makes the open-hearted Gloria tick — and why. This isn't just a slice-of-life journey of discovery for those watching, however, but for the restless yet quietly relentless woman herself. It's this, in particular, that makes the film so evocative and meaningful. On multiple occasions, Gloria is given a choice to either go with the flow or to shape her own path and, even when her actions end in chaos, she grabs hold of her future with both hands. Gloria doesn't merely navigate ups and downs, but uncovers her strengths and limits. She doesn't just tackle dramas, but learns how to cope with whatever comes her way. She's never ashamed of being a lonely divorcee, but she also won't let it define her. Unsurprisingly, Moore couldn't be more pivotal; if Lelio remade his own movie solely to work with her, it'd be justification enough for Gloria Bell. Behind large glasses, with more blonde than red in her hair, and reuniting with her Big Lebowski co-star Turturro, Moore's radiant to the point of transcendence — middle-aged malaise rarely looked so stripped-bare and so simultaneously vivid. It helps, of course, that the acclaimed Chilean filmmaker matches his visual style and overarching tone to his leading lady, as he also did so winningly in queer dramas A Fantastic Woman and Disobedience. It worked a charm for Paulina García in the original Gloria, and it works captivatingly with Moore in Gloria Bell. One happily stands beside the other, and viewers will want to lose themselves on the dance floor with both. https://www.youtube.com/watch?v=k38zjD2QVSg
If you're looking for vegan cheeses, bulk gluten-free grains or natural cleaning products — or anything in between — Dr Earth's huge King Street grocer is where you need to head. As well as selling a wide range of health foods and household items, the store has a well-stocked vitamins and supplements headed up by helpful staff who are all well-trained in nutrition and naturopathy. The store also has a mini cafe up front where you can get coffees, juices, turmeric shots, toast and vegan cakes to-go. Images: Trent van der Jagt.
Aunty Donna have been busy over the past few years. Since 2020, they've brought both Aunty Donna's Big Ol' House of Fun and Aunty Donna's Coffee Cafe to the small screen. They've played corpses in Dungeons & Dragons: Honour Among Thieves, and also dropped a $30 bottle of wine that's literally called $30 Bottle of Wine, too. The Australian comedy troupe embarked upon a world tour in 2023 as well, selling 90,000-plus tickets. If you're keen to see Mark Samual Bonanno, Broden Kelly and Zachary Ruane live, your next chance arrives in 2025. Aunty Donna have announced that they're hitting the stage again, not only in Australia and New Zealand, but also in the UK, Ireland, the USA and Canada. So far, only dates for the first four parts of the world have been locked in, kicking off in August in Hobart, then hopping to Brisbane, Sydney, Wellington, Christchurch, Auckland and Dublin before September is out. October brings gigs in the United Kingdom, while Adelaide, Perth and Melbourne get their turn in December. Audiences will enjoy the Drem experience, with Aunty Donna unveiling their brand-new live sketch show. Will everything be a drum again? Will morning brown get a tribute? How much room should you leave for Christmas pud? If you're instantly thinking about these questions, you're clearly already a fan. In the trailer for the tour, Bonanno, Kelly and Ruane are promising big things in their comedic usual way. "In 2025, Aunty Donna will be touring the greatest live comedy show ever seen by human beings," the trailer advises. "You have asked 'is it funny?'," it continues. "Leading experts in the field have made it perfectly clear that it is the best comedy show ever made." [caption id="attachment_866548" align="alignnone" width="1920"] ABC[/caption] In a statement announcing the tour, Kelly builds upon that sentiment. "We're very excited to show Drem to the world. Performing live is what we do best and we can't wait to bring this show out to everyone," he says. "It's the best thing we've ever made and it's the best thing that anyone in the world will see. It's better than anything anyone else has ever done or seen." Check out the trailer for Aunty Donna's Drem tour below — and the full Down Under tour dates, too: Aunty Donna's Drem Tour 2025 Dates Friday, August 22–Saturday, August 23 — Odeon Theatre, Hobart Monday, August 25–Thursday, August 28 — Fortitude Music Hall, Brisbane Monday, September 1–Thursday, September 4 — Enmore Theatre, Sydney Tuesday, September 9 — Opera House, Wellington Thursday, September 11 — James Hay Theatre, Christchurch Saturday, September 13 — Kiri Te Kanawa Theatre, Auckland Monday, December 1–Tuesday, December 2 — Thebarton Theatre, Adelaide Thursday, December 4–Friday, December 5 — Regal Theatre, Perth Friday, December 12–Sunday, December 14 and Wednesday, December 17–Thursday, December 18 — Palais Theatre, Melbourne [caption id="attachment_791048" align="alignnone" width="1920"] Netflix[/caption] Aunty Donna's Drem tour kicks off Down Under in August 2025. For further information and tickets, head to the Aunty Donna website.
In cinemas, 2024 will feature fewer superheroes than normal. Marvel is only releasing Deadpool & Wolverine, while DC is taking the year off as it prepares to start its franchise anew. On the small screen, there mightn't be as many Marvel Cinematic Universe TV shows, either. But if you like your caped-crusader fix to be as chaotic as possible — and if you have a big dose of superhero fatigue with the usual sprawling sagas — you'll be pleased to know that The Boys will be back in your streaming queue midyear. After college-set spinoff Gen V arrived in 2023, earning a season-two renewal in the process, The Boys itself will return for season four from Thursday, June 13, 2024. The exact release date comes after a first trailer for the new season was dropped in December, teasing plenty of mayhem — to the utter lack of surprise of viewers of 2019's first season, 2020's second effort and 2022's third go-around. When The Boys makes its comeback, it'll see the world dealing with Homelander (Antony Starr, Guy Ritchie's The Covenant)-versus-Starlight (Erin Moriarty, Captain Fantastic) factionalism, and just being ready to tear itself apart in general. Victoria Neuman (Claudia Doumit, Where'd You Go, Bernadette) is getting closer to the Oval Office, too, with Homelander pulling the strings. Also on the way: no-nonsense Brit Billy Butcher (Karl Urban, Thor: Ragnarok) dealing with the fact that he's only got months left, and that he's no longer leading The Boys — aka the eponymous ragtag team intent on bringing down Vought International, Homelander, and the company's caped-crusader industry and dominance. And, there's a new face, with Jeffrey Dean Morgan (The Walking Dead) joining the cast, adding another Supernatural link after Jensen Ackles did the same in season three. The Boys focuses on a group of caped crusaders, like most things seem to these days; however, in a world where viewers have been conditioned to lap up narratives about powerful folks who are supposedly better than most, this series both satirises and questions that very idea. Here, superheroes work for Vought. They're still the main form of entertainment, but they're real, the most famous celebrities there are and inescapable in daily life, too. The absolute top talent is known as The Seven, but most are hardly role models when the public isn't looking. That has made quite the change from the usual cinematic universes as the Prime Video show has kept notching up the seasons, all coming to the small screen after being adapted from Garth Ennis and Darick Robertson's comic book series of the same name. As well as Starr, Moriarty, Doumit and Urban, Jack Quaid (Oppenheimer), Jessie T Usher (Smile), Laz Alonso (Wrath of Man), Chace Crawford (Gossip Girl), Tomer Capone (One on One), Karen Fukuhara (Bullet Train), Colby Minifie (I'm Thinking of Ending Things) and Cameron Crovetti (Goodnight Mommy) will all return — with Susan Heyward (Hello Tomorrow!) and Valorie Curry (The Lost Symbol) also set to be season four newcomers. Check out the first trailer for The Boys season four below: The fourth season of The Boys will start streaming via Prime Video from Thursday, June 13, 2024. Read our reviews of The Boys season three and Gen V.
When Wonder Woman 1984 opened in cinemas Down Under at the end of 2020, it was the year's last big release. The superhero sequel was one of the very few blockbuster flicks to actually hit the silver screen since the pandemic started, too. Now, just over a month later, the Gal Gadot-starring film is doing something else notable: becoming available via video on demand while it's still showing in theatres. From Wednesday, January 27, cinephiles and caped crusader fans can stream Wonder Woman 1984 via digital movie rental services such as Google Play, YouTube Movies, Amazon Video and iTunes — to rent for AUD$29.99, or to buy for AUD$34.99. If you'd prefer to see it on the big screen, you still can at the time of writing. But if you'd like to watch it at home on your couch, that's now an option as well. The film has made over $26 million at the Australian and New Zealand box office, so plenty of folks did head out to see it in theatres — and to see what happens to Diana Prince (Gadot) in the decade that gave us parachute pants. Chris Pine returns from the first Wonder Woman movie, while Kristen Wiig and Pedro Pascal join the franchise as new antagonists. Before the pandemic, a huge movie like Wonder Woman 1984 wouldn't ever be available to view at home so quickly. Usually, films that release in cinemas don't make the jump to home entertainment for 90 days, in fact. But much has changed about the world in the past year, with Wonder Woman 1984 following in the footsteps of a heap of fellow flicks that did the same last March and April, when cinemas closed. Other features, including Hamilton, Mulan and Soul, bypassed the big screen altogether last year, too. Whether this'll keep happening in the blockbuster space Down Under is yet to be seen — but there is a growing precedent for it in overseas countries where COVID-19 case numbers remain high and either all or most cinemas are closed. Warner Bros, the Hollywood studio behind Wonder Woman 1984, announced late last year that it'd be releasing both the superhero flick and its full 2021 slate of movies in cinemas and on HBO Max simultaneously where the latter is available. That doesn't include Australia and NZ, though, because HBO hasn't yett launched in either nation. Check out the trailer for Wonder Woman 1984 below: https://www.youtube.com/watch?v=DFgnHhMLNJE Wonder Woman 1984 is currently screening in cinemas in Australia and New Zealand; however, it's also available to stream online via video on demand from Wednesday, January 27.
It certainly seems as though pop-ups are, quite literally, “popping up” all over the place these days and it is no bad thing. From performance and exhibition spaces to shops and restaurants, this winning formula allows us to see with fresh eyes experiences which have perhaps become banal to us in their familiarity. One such experience is Hidden Cinema, which is putting back some of the magic and excitement a trip to the pictures used to entail. The themed nights take place in unusual spaces, with the movie (and sometimes also the venue) being kept secret, with clues being revealed in the run up to the night. The next event is a Christmas special taking place at St Andrews Anglican Church in Newtown. What will it be? Register on their site or join their facebook page and see if you can guess what movie it will be
We're going back ... back to see Back to the Future, this time as a musical on the Sydney Lyric Theatre's stage. First floated 20 years ago by the big-screen trilogy's screenwriter Bob Gale, then finally premiering in 2020, the song-filled take on Marty McFly and Doc Brown's exploits has proven an award-winning success in London's West End and on Broadway. In 2025, the DeLorean is finally heading to Australia. The power of Back to the Future isn't really a curious thing. As viewers have known since 1985, the Michael J Fox (The Good Fight)-starring sci-fi/comedy is timeless delight. But as well as making film lovers weep with joy for almost four decades, the iconic movie has been making other folks sing — the casts of the Olivier Award-winning Back to the Future: The Musical, that is. Aussie audiences will get to see the results from September 2025 in the show's Down Under premiere season. Exclaiming "great Scott!" is obviously the only fitting response to this development, and to the production in general — and there's clearly plenty to get excited about. Since initially racing towards clocktowers onstage in the UK since early 2020 (around a pandemic hiatus or two, of course), Back to the Future: The Musical has picked up the Olivier Award for Best New Musical, and then was nominated for two Tony Awards in 2024. And yes, the show does indeed follow the Marty McFly and Doc Brown-led story we all know and adore, but with songs, including renditions of Chuck Berry's 'Johnny B Goode' and Huey Lewis and the News' 'The Power of Love' and 'Back in Time', naturally. Australian fans will now want to speed at 88 miles per hour towards the Harbour City, given that it is the only Aussie city where a season of Back to the Future: The Musical has been announced so far. If you won't be making a visit to the New South Wales capital by plane or DeLorean, start crossing your fingers that the production heads to other Aussie cities — or pop on your own white lab coat, start tinkering around with electronics and whip up your own time machine to try to make it happen. There's no exact date for the show's Down Under opening yet, other than sometime in September 2025, but you can now join the ticket waitlist to find out as soon as more details are announced. Also featuring music and lyrics by OG Back to the Future composer Alan Silvestri and acclaimed songwriter Glen Ballard (Jagged Little Pill the Musical), plus a book by Gale — who co-penned all three Back to the Future film scripts with filmmaker Robert Zemeckis (Here) — Back to the Future: The Musical was nominated for seven Olivier Awards. It only won the big one, but emerged victorious over heavy-hitters and fellow screen-to-stage shows Moulin Rouge! The Musical and Frozen. "I am thrilled to be bringing Back to the Future: The Musical to Australia, premiering at the Sydney Lyric in September 2025. Australian audiences are going to be blown away to see how this iconic story has been recreated for the stage," said Australian producer John Frost for Crossroads Live Australia. "To paraphrase Marty McFly, you guys are ready for this, and your kids are gonna love it (too)! If Bob Zemeckis and I time-travelled back to 1980 and told our younger selves that the script they were struggling to write would become a West End and Broadway musical now making its way to Sydney, Australia 45 years later, they'd kick us out of their office and call us crazy," added Gale. "Well, sometimes, crazy ideas give birth to great entertainment, and now Bob and I are eager to share our musical vision with Sydney audiences. This musical production has exceeded our original expectations on every level. Regardless of whether you've seen the original film, Back to the Future: The Musical, with its incredible stagecraft, will delight and enthrall you, your kids, your parents, and everyone you know!" Check out the trailer for Back to the Future: The Musical below: Back to the Future: The Musical is playing Sydney Lyric Theatre, 55 Pirrama Road, Pyrmont, Sydney from September 2025. Head to the show's Australian website to join the ticket waitlist and keep an eye out for more details. Images: Matthew Murphy and Evan Zimmerman, and Sean Ebsworth Barnes.
Since 2017 in Brisbane, crooning tunes at the pub with a drink in your hand is no longer just something that you do with your mates when you've had enough liquid courage. It's the whole idea behind Pub Choir, which started out in the Queensland capital, still hosts local shows regularly and has also taken its boozy communal karaoke setup on the road around the country. It pivoted to the couch to keep everyone entertained during lockdown, too, and has made the leap to television as well. Over the past five years, Pub Choir has gotten big, unsurprisingly. It's a fantastic concept. So, it no longer just pops up in pubs, but in huge venues — such as Brisbane's Fortitude Music Hall at its most recent homegrown session at the end of June, where 1600 strangers showed up to sip, sing and be merry. The song they were belting out? None other than the current tune of winter, and of 2022, even though it was initially released 37 years ago. That'd be Kate Bush's 'Running Up That Hill (A Deal with God)', which has surged back to popularity thanks to its prominence on Stranger Things season four. If you've seen the Netflix hit's latest episodes, you'll know why. [caption id="attachment_809627" align="alignnone" width="1920"] Jacob Morrison[/caption] Busting out that track in that way must've been something special. It looks like it on the video from the event, which you can find below. But the fact that Kate Bush saw it and loved it as well takes the whole thing up several hills worth of levels. Pub Choir's organisers posted a picture of the email they received from Bush herself after she'd watched their 'Running Up That Hill (A Deal with God)' video. The British singer noted that she's been busy, understandably, but that she was incredibly touched by everyone's "warmth and smiling faces". If that doesn't boost Pub Choir's numbers — not that they need boosting, given that the event already sells out quickly — than nothing will. Reacting to the note, the Pub Choir team said "life as we know it is over, and all that remains is this email from KATE. BUSH. Happy Kate Bush Saw Our Video Day, everybody!!!!!". View this post on Instagram A post shared by Pub Choir (@pubchoir) If you want to be like Bush — and don't we all — you can watch Pub Choir's 'Running Up That Hill' efforts below now. Brisbane also plays host to The Most Wuthering Heights Day Ever each year, where a different Bush track — 'Wuthering Heights', obviously — is in the spotlight. 2022's event takes place on Saturday, July 30 if you want to show your Kate Bush love, and dressing up in a red dress, red stockings and black belt to copy Bush's swaying, kicky dance in the wily, windy moors of Milton's Frew Park is a must. Sydneysiders are getting their own 'Wuthering Heights' event on the same day, in Sydney Park in St Peters — and the same concept applies. For more information about Pub Choir — including upcoming dates around the country — head to the event's website.
When the Berlin Wall was torn down from November 9, 1989, it was an incredible and enduring symbol of freedom. Nowadays, the surviving parts of the wall have been covered with a striking array of artwork commemorating the 50-year struggle between East and West, redefining the remains of the wall. However, if a group of property developers have their way, a portion of the 1.3km outdoor gallery known as the East Side Gallery — the longest remaining continuous stretch of the Berlin Wall — will again be torn down to make way for a series of luxury apartments. Berlin company Living Bauhaus are the developers in question. Their proposed project, 'Living Levels', is a 63m-high tower of flats and offices with promises of "breathtaking panoramic views" of Berlin and described by the developers as offering buyers a "totally new dimension of life and living". For those opposing the development, however, the damage it would cause the wall is difficult to measure in dollars and cents. Not only is the outdoor gallery Berlin's second most visited tourist attraction, with 800,000 visitors each year, but tearing down the wall is seen by many to be an affront to the memories of the countless men and women who were killed along the strip. Club owner Sascha Disselkamp, who represents a coalition of high-profile clubs that have together taken a stand against the proposal, likened the development to "erecting a petrol station in front of one of Berlin's museums". Similarly, the artists responsible for transforming the outdoor gallery into the evolving and evocative work of art it now is aren't too happy to see it converted into an urban development project. French artist Thierry Noir, whose famous "heads with big lips" are set to be torn down, joined the chorus of protestors this week. "All the paintings have become a symbol of freedom in Berlin and Europe," he told the Guardian. "Unlike elsewhere in the city, where the majority of the wall has been removed, this is a unique opportunity to preserve a large section of what was once a death strip. If you remove the sections, you're destroying the authenticity of this place." The district's mayor, Franz Schulz, has confirmed the legality of the proposed demolition, stating "we'll have to do it." Although protesters have succeeded in stalling the demolition through growing demonstrations over the weekend, it is likely to go ahead during the night-time hours. Via HuffPost Arts & Culture.
Beloved Paddington Italian restaurant Lucio's has been serving up bowls of handmade pesto pasta and seasonal produce to Sydneysiders since 1981. But, after nearly 40 years of service, Lucio's is shutting up shop this month, with the restaurant's final service scheduled for the end of January. In order to share one of the venue's best-loved elements with the public, and celebrate its history and enduring legacy, Lucio's is hosting an auction in which it will be selling off more than 200 of the artworks that have lined its walls over the years. Art has always been an essential piece of Lucio's puzzle, with the restaurant located in the site of the former Hungry Horse Art Gallery and Restaurant, and Lucio himself saying, "the combination of great food, great service and great art on the walls is, in my view, one of the best dining experiences you can imagine". The auction will take place on Sunday, March 21 at Bonhams Sydney on Woollahra's Queen Street and will be simulcast to the auctioneer's Melbourne location in Armadale. Lucio's is fully booked for every service until its closure. But, if you have a function coming up, private dining packages for large groups are available on Tuesday, Wednesday and Thursday lunch for the remainder of January with a minimum spend of $8000. Alternatively, Lucio's front room wine store and gourmet deli The Thirsty Horse is open for walk-ins Tuesday–Saturday up until the restaurants close. More information on the auction will be posted to Bonhams' website in coming weeks. [caption id="attachment_797084" align="alignnone" width="1920"] Lucio at The Thirsty Horse[/caption]
If you happened to be in Moscow last year for the city’s 5th Biennale of Contemporary Art (and why wouldn't you have been?), you may have spotted the ever-compelling video work of Queensland-born twins Gabriella and Silvana Mangano. Now, after another period away completing an artist residency in New York with the prominent not-for-profit International Studio and Curatorial Program, the duo is back at the Anna Schwartz Gallery at Carriageworks, exhibiting new video works freshly inspired by their time in the Big Apple. Like their past collaborations, the videos that make up Of Objects or Sound draw on the relationship between body, space and time — though here the overriding focus is on found objects. Sheets, rods, wheels, balls — forgotten and thrown away — have been radically reinterpreted, lending structure to the unchoreographed performances that play out to disjointed music of repeated beats, in and out of sync. Of Objects or Sound is only showing until July 18, so drop into the Anna Schwartz Gallery to get a taste of the sisters’ renowned video art before they jet off again — this time to the TarraWarra Biennial in Victoria. Image from Gabriella and Silvana Mangano's Performance Compositions for Sculpture (8) (2014), single channel video. The gallery is open Wednesday – Friday, 10am – 6pm and Saturdays 1pm – 5pm.
Every city has one: an area littered with the usual eateries, convenience stores and variety shops, with a slightly grimy, ripped-from-the-'70s pawnbrokers nestled smack bang in the middle. In Melbourne, the suburb of Footscray offers up just that — and provides Pawno with its setting. Indeed, actor-turned-filmmaker Paul Ireland doesn't just stroll the streets to make his directorial debut, but endeavours to bring the thriving locale to the big screen. A diverse Aussie drama is the end result, offering a lived-in slice of neighbourhood life, its ups and downs, and its multicultural populace. Unsurprisingly, the titular cash-for-goods establishment sits at the centre of the action. Run by the gruff but kindly Les Underwood (John Brumpton) and his lovesick offsider Danny (Damian Hill), it's the kind of place that all of the locals drop by during the course of the day. Over a 24-hour period, a number of shoppers, pals and others stop in or loiter around outside. Some, like transgender woman Paige (Daniel Frederiksen), are after quick cash. Others, such as visibly upset mother Jennifer (Kerry Armstrong), are trying to track down both goods and people. And then there's Kate (Maeve Dermody), who works in the nearby bookshop, needs help fixing her glasses, and happens to be the secret object of Danny's affection. In addition to playing Danny, Hill also provides the low-budget indie with its screenplay. Despite this, his character is just one of many. Pawno proves less concerned with charting one person's journey, and more interested in weaving snippets of stories into a textured tapestry of the community. Alas, that choice proves both a strength and a weakness. While the unassuming feature boasts variety and vibrancy, its episodic narrative lacks a sense of cohesion. Fortunately, the talented ensemble of performers — which includes Malcolm Kennard and Mark Coles Smith as a duo of homeless hangabouts, as well as Holding the Man's Tony Rickards as one of Les' pals — keep things intriguing, especially when the script goes down many an expected path. They might all be playing thinly written characters, but they each make their respective roles feel real. Thanks to their combined efforts, the ample amounts of Aussie slang and swearing aren't the only aspects of Pawno that come across as genuine. As clichéd as it sounds, the suburb of Footscray also helps ramp up Pawno's atmosphere of authenticity. The graffiti-strewn streets are as significant a presence as Les, Danny and company, with cinematographer Shelley Farthing-Dawe finding the right balance between gloss and grit. Of course, that's the combination the feature aims for overall: candid but caring. It's an ambitious mix for an ambitious feature, even if the patchwork package doesn't always convincingly come together.
The 2024 Paris Olympics didn't turn out as planned for the Matildas, sadly. The next Women's Asian Cup, which Australia is hosting, isn't until 2026. You can still watch Australia's national women's soccer team in action between now and then, however, starting with four friendlies against Brazil and Chinese Taipei to close out the Tillies' 2024 games — all at home, taking the squad to Brisbane, the Gold Coast, Melbourne and Geelong. First up is Brazil, who'll face off against the Matildas on Thursday, November 28 at the Queensland capital's Suncorp Stadium (which was home to plenty of 2023 Women's World Cup action) and again on Sunday, December 1 at Cbus Super Stadium at Robina. After that, Steph Catley, Ellie Carpenter, Caitlin Foord, Mackenzie Arnold and company will take on Chinese Taipei in Victoria. AAMI Park hosts the match on Wednesday, December 4, followed by a game at Geelong's GMHBA Stadium on Saturday, December 7. If you're keen to head along, there are still select tickets left to all four matches. And if you can't make it, you can still tune in from home, or the pub. To watch, 10Play and Paramount+ are your destinations — plus Network 10 on regular TV. After Tony Gustavsson stepped down following the Olympics, the Matildas don't yet have a new permanent full-time coach. Tom Sermanni, who did the job between 1994–97 and 2005–12, is taking the reins for these four friendlies. Sam Kerr remains injured, and Mary Fowler has withdrawn from the squad for the quartet of games to put her mental and physical health first, but high-profile names are still taking to the pitch — including Catley donning the captain's armband, Ellie Carpenter as vice captain, and also everyone from Ford, Arnold, Alanna Kennedy and Kyra Cooney-Cross to Hayley Raso, Michelle Heyman and Claire Polkinghorne. After this, the Tillies will play in the 2025 SheBelieves Cup in the US, making their debut in the competition, with games against Japan on Thursday, February 20; the US on Sunday, February 23; and Colombia on Wednesday, February 26. When those matches roll around, more than a year will have passed since Kerr's knee injury — so cross your fingers that she'll be back on the pitch then. The Matildas vs Brazil and Chinese Taipei Friendlies 2024 Brazil: Thursday, November 28 — Suncorp Stadium, Brisbane Sunday, December 1 — Cbus Super Stadium, Gold Coast Chinese Taipei: Wednesday, December 4 — AAMI Park, Melbourne Saturday, December 7 — GMHBA Stadium, Geelong The Matildas' friendlies against Brazil and Chinese Taipei take place between Thursday, November 28–Saturday, December 7 — and you can watch via 10, 10Play and Paramount+. Images: Tiffany Williams, Football Australia.
Each year in cinema, the big screen delivers plenty of must-sees. Thanks to streaming, the small screen does, too. But there's a truth that lingers whenever you sit down to watch a movie: they can't all be great. That's a fact that the just-announced Razzie nominations for 2021's worst films well and truly recognise, as the Golden Raspberry Awards have for 42 years now. Yes, cinema's award season is upon us again, but that doesn't just mean celebrating the best flicks of the past year, which is what the likes of the Oscars and the Golden Globes aim to do. Also getting some love, albeit of the unwanted kind, are 2021's terrible movies. Leading the pack among the 42nd Razzie nominations is the Netflix version of Diana the Musical — aka the Princess Diana-themed movie of the past year that wasn't the much, much, much better Spencer — which picked up nine nods. It's joined by Karen, a film that matches its name, with five nominations; the needless Space Jam sequel Space Jam: A New Legacy with four nods; and straight-to-streaming Mark Wahlberg vehicle Infinite and abysmal heist flick The Misfits with three apiece. Other movies getting some attention: the Amy Adams-starring The Woman in the Window and Dear Evan Hansen, with the actor also earning a Worst Actress nomination for the former; House of Gucci, with Jared Leto's awful efforts recognised in two different categories; and no fewer than eight Bruce Willis flicks. That's how many titles he starred in last year, and the Razzies have even made their own field for them to compete against each other. Like any awards, the Razzie nominations are subjective, of course. Donning a ridiculous blonde mop while hamming up every scene he's in, Ben Affleck turns in an entertaining performance in The Last Duel, but this year's Razzies' Best Supporting Actor category clearly doesn't agree. The 2021 Razzie Award winners will be announced on Sunday, March 27, Australian and New Zealand time. Check out the full list of nominees below: GOLDEN RASPBERRY NOMINEES 2022: WORST PICTURE Diana the Musical Infinite Karen Space Jam: A New Legacy The Woman in the Window WORST ACTOR Scott Eastwood, Dangerous Roe Hartrampf (as Prince Charles), Diana the Musical LeBron James, Space Jam: A New Legacy Ben Platt, Dear Evan Hansen Mark Wahlberg, Infinite WORST ACTRESS Amy Adams, The Woman in the Window Jeanna de Waal, Diana the Musical Megan Fox, Midnight in the Switchgrass Taryn Manning, Karen Ruby Rose, Vanquish WORST SUPPORTING ACTOR Ben Affleck, The Last Duel Nick Cannon, The Misfits Mel Gibson, Dangerous Gareth Keegan (as James Hewitt, the muscle-bound horse trainer), Diana the Musical Jared Leto, House of Gucci WORST SUPPORTING ACTRESS Amy Adams, Dear Evan Hansen Sophie Cookson, Infinite Erin Davie (as Camilla), Diana the Musical Judy Kaye (as both Queen Elizabeth and Barbara Cartland), Diana the Musical Taryn Manning, Every Last One of Them WORST PERFORMANCE BY BRUCE WILLIS IN A 2021 MOVIE Bruce Willis, American Siege Bruce Willis, Apex Bruce Willis, Cosmic Sin Bruce Willis, Deadlock Bruce Willis, Fortress Bruce Willis, Midnight in the Switchgrass Bruce Willis, Out of Death Bruce Willis, Survive the Game WORST SCREEN COMBO Any klutzy cast member and any lamely lyricised (or choreographed) musical number, Diana the Musical LeBron James and any Warner cartoon character (or Time-Warner product) he dribbles on, Space Jam: A New Legacy Jared Leto and either his 17-pound latex face, his geeky clothes or his ridiculous accent, House of Gucci Ben Platt and any other character who acts like Platt singing 24-7 is normal, Dear Evan Hansen Tom and Jerry (aka Itchy and Scratchy), Tom & Jerry WORST DIRECTOR Christopher Ashley, Diana the Musical Stephen Chbosky, Dear Evan Hansen Coke Daniels, Karen Renny Harlin, The Misfits Joe Wright, The Woman in the Window WORST REMAKE, RIPOFF or SEQUEL Karen (inadvertent remake of Cruella deVil) Space Jam: A New Legacy Tom and Jerry Twist (rap remake of Oliver Twist) The Woman in the Window (ripoff of Rear Window) WORST SCREENPLAY Diana the Musical, script by Joe DiPietro, music and lyrics by DiPietro and David Bryan Karen, written by Coke Daniels The Misfits, screenplay by Kurt Wimmer and Robert Henny, screen story by Robert Henny Twist, written by John Wrathall and Sally Collett, additional material by Matthew Parkhill, Michael Lindley, Tom Grass and Kevin Lehane, from an "original idea" by David and Keith Lynch and Simon Thomas The Woman in the Window, screenplay by Tracy Letts, from the novel by AJ Finn
Whether 2023 has been your best year ever, something far more average, completely life-changing or just cruisy business as usual, it has definitely been missing one thing: Spicks and Specks. Thankfully, 2024 won't have that problem. Announcing its lineup for next year, the ABC has confirmed that the beloved music game show will be back — and with Adam Hills, Myf Warhurst and Alan Brough, of course. Among everything that the ABC has broadcast — news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included — Spicks and Specks is up there among the favourites. Exactly how many more instalments are on the way in 2024 hasn't been revealed, but watching a heap of top Australian talent sit around and talk about music will be back on the agenda. So will watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind the series, which takes more than a few cues from the UK's Never Mind the Buzzcocks, pits Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and, as it keeps being resurrected. As fans will already know, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit. Exactly when Spicks and Specks will start airing in 2024, and who'll be hitting buzzers among the program's guests, hasn't yet been announced. Still, you can add playing along with the show from your couch — yet again — to your plans before 2024 is out. Spicks and Specks will return to ABC TV sometime in 2024. You'll also be able to stream the series via ABC iView. We'll update you when an exact release date is announced.
The Money lands at Sydney Opera House's Utzon Room via the UK Houses of Parliament, Edinburgh City Chambers and Lisbon City Hall, among other left-of-field venues. It's not just a theatre show, but an immersive game in which you play a part. The premise is pretty simple: you're given a wad of cash and you have to decide how to spend it. The catch is, your choice must be legal. Plus, you've got to persuade everyone else at your table to agree with you before you run out of time. Otherwise, the money moves on and you stay put. Take your pick of two roles. As a Player, you're a paid, active decision maker. As a Silent Witness, you're an observer, but with the power to buy in anytime you like and change the game's course in one fell swoop. If you've long held strong opinions about the spending of tax payers' money or the habits of billionaires, this is your chance to test them out.
Year after year, St. Jerome's Laneway Festival delivers a brilliant lineup of bands that has given it the reputation of a true music nerd's festival. A complementary mix of international and local acts have been chosen for 2012; long-time lovers of this festival are sure to find a couple of bands that they've always wanted to see. Laneway's focus on up-and-coming acts means that there's a high likelihood you'll hear a band you've never heard of who will soon be a regular guest on your iPod. This summer, you can look forward to seeing New York trio Chairlift, who produce very catchy indie songs and are soon releasing their third album; Girls, a charismatic rock-pop band whose songs are laced with innocent heartbreak and joie de vivre; quirky songstress Laura Marling; synth-rock hero M83; the genre-hopping wonder that is Feist, as well as The Pains of Being Pure at Heart, The Horrors, Twin Shadow, The Panics, Yuck, Pajama Club, Active Child and many more. Laneway are also showcasing Triple J's Unearthed winners, so you may hear the Next Big Thing before they're saturating the radio. The exuberant, party atmosphere and a crowd who's more into the music that what they're wearing makes Laneway a summer staple, so make sure you nab a ticket as soon as you can (tickets go on sale October 19). Brisbane – Saturday, January 28 at Alexandria Street, Fortitude Valley Auckland – Monday, January 30 at Silo Park, Beaumont Street Melbourne – Saturday, February 4 at Footscray Community Arts Centre Sydney – Sunday, February 5 at Sydney College Of The Arts Adelaide – Friday, February 10 at Fowler's Live Perth – Saturday, February 11 at Perth Cultural Centre Singapore – Sunday, February 12 at Fort Canning (lineup announced on October 21) The full lineup is as follows: Active Child Anna Calvi Austra Bullion Chairlift (Brisbane, Sydney, Melbourne only) Cults The Drums DZ Deathrays EMA Feist (except Adelaide^) Geoffry O'Connor Girls Givers (Sydney, Melbourne only) Glasser The Horrors Husky (Brisbane, Sydney, Melbourne only) John Talabot Jonti Laura Marling M83 Oneman The Pains of Being Pure at Heart Pajama Club The Panics Portugal The Man SBTRKT (live) Toro Y Moi Total Control Twin Shadow Washed Out Wu Lyf Yuck https://youtube.com/watch?v=r-hMISLG8nY
When a movie repeats its events through fresh eyes, answers usually follow. But as Hirokazu Kore-eda opts for the Rashomon effect in Monster, using a technique that fellow great Japanese filmmaker Akira Kurosawa deployed with one of his famous features, the director that won the Palme d'Or for 2018's Shoplifters refuses to stop asking questions. In this picture, which picked up the Queer Palm at the 2023 Cannes Film Festival — and again sees Kore-eda collaborate with Kazuko Kurosawa (The Third Murder), daughter of Akira, as its costume designer — layers keep mounting. There's no shortage of cinema that stresses how there's never merely one set of peepers to peer through, but in this masterful and moving addition to that realm, from one of the best at conveying empathy that film as a medium benefits from today, each pass in search of the full story builds a case not just for filtering the world through more than what's easy and reactive, but through acceptance and understanding. Kore-eda knows this: that perspectives, just like perceptions, can be misleading, blinkered and blinded. So when rumour proclaims that a new teacher frequents hostess bars, when a boy has tales of being called names by the same educator, when said man points the finger at the kid as a bully to one of his classmates instead and when the two children at the centre of the situation are friends with a cherished bond, a clearcut view is in short supply. This is the first movie since 1995's Maborosi that the filmmaker has only helmed and not also written, but Yûji Sakamoto's (In Love and Deep Water) Cannes Best Screenplay-winning script is a classic entry on the director's resume. Monster is also Kore-eda's homecoming, after making his post-Shoplifters films until now elsewhere — 2019's The Truth in France, then 2022's Broker in South Korea — and it's a stellar return. A blazing building starts the storytelling. Later, monsoonal rain will pour from the heavens. How emotions can go up in flames, burn bright, resemble a deluge, and wash away hurt and uncertainty is seared into Monster's patient frames, then — and with cinematographer Ryûto Kondô (also Shoplifters) doing the lensing, the feature is both alight and saturated with telling imagery. Kore-eda's knack for compassion has always floated through his visuals, in wordless moments where locked eyes say everything and in the way that he bears witness to his characters. Among his unforgettable sights here are the faces of fifth graders Minato (Sōya Kurokawa, Teasing Master Takagi-san) and Yori (Hinata Hiiragi, The Last Man: The Blind Profiler) together, sometimes muddied, sometimes exuberant, often glowing with the kind of being-seen connection that the pair can only find in each other. When the inferno rages at the nightclub where Mr Hori (Eita Nagayama, Migawari Mission) is reportedly a patron, Minato and his widowed mother Saori (Sakura Andô, Godzilla Minus One, and another Shoplifters alum) can spy the orange bursts from their apartment balcony. It isn't the only thing catching her attention of late; her son's behaviour has switched from gentle and shy to withdrawn, and at one point he leaps from her car as she's driving. He sports bruises and injuries. Sometimes, he doesn't return from class. He asks what type of creature — monster, even — someone would be if they were human but with a pig's brain. Saori heads to Minato's school to ascertain what's occurring, deeming Hori responsible. But all that she receives is a throwaway apology with bows, including from the distracted principal Fushimi (Yûko Tanaka, Thousand and One Nights), that only makes her angrier. As edited by Kore-eda himself, as usual, Monster then jumps back to Hori's take — although this isn't a film structured by different vantages in overt ways, such as point-of-view shots, but rather one that steps into the life of a new character or characters with each of its trio of runs through the narrative. Amid an unpacking of Japanese propriety's fondness for not making a fuss, and also a dive into the teacher's out-of-hours life, Hori thinks that he's being made a scapegoat. He's also convinced that Minato is picking on Yori. Then, once that vision has played through, it's time to rewind again into the latter duo's bond as fellow outsiders in their regional lakeside town. With Yori's father Kiyotaka (Shidô Nakamura, Kenshiro ni Yoroshiku) an abusive drunk who has no time for his boy's sensitivity, the two friends regularly abscond to an abandoned train tunnel in the mountainous forest. An escape and a refuge, it feels like a new world for them — and a safe place to cocoon in their chaste pre-teen relationship. Delicate and tender, the yearning score by Ryuichi Sakamoto — his last for a feature, apart from for concert film Ryuichi Sakamoto: Opus — embodies Monster from its first moment to its last. From Kore-eda, who is incapable of not telling richly touching and heartfelt tales (see also: Still Walking, I Wish, Like Father, Like Son and Our Little Sister, to name just a few others), that's hardly surprising, and neither is the complexity and immediacy that shimmers through the movie's scenario and characters. He knows struggling souls, and lonely ones. He knows the intricacy that swells within everyone. He knows fractured and makeshift family dynamics just as deftly. Using reverse angles when flitting from Saori to Hori's perspective, and also to Minato and Yori's, he knows how to make plain that we are all affixed to our own views. He's also well-aware that seeing a monster is heartbreakingly simple when that's exactly what you're looking for. Sublime performances equally belong on the list of things that Kore-eda has an expert and exquisite grasp on. It was true in his recent foray into TV with miniseries The Makanai: Cooking for the Maiko House (also excellent), too: his penchant for naturalism is unparalleled in its sincerity. In Monster, Andô is a portrait of nuance even as Saori is furious and devastatingly exasperated. Nagayama turns in a candid portrayal as Hori, and Tanaka simmers with scene-stealing tension through Fushimi's formality. And from Kurokawa and Hiiragi, Kore-eda gets both calm and earnestness from a pair playing misunderstood kids with everything that they have, as well as a new round of marvellous work by child actors for his ever-magnificent filmography.
Time to bust out your overalls and dust off the shopping cart. A popular monthly market has returned to Canberra and is going to have you picking up way more than the usuals — a jar of local honey and a handmade soy candle, that is. Love Local Markets will take place on the last Sunday of every month between 9am–2pm at The Plot at Pialligo Estate. Here, you'll find a range of vendors offering local produce and products, including fresh food, drinks and lifestyle goods. While you're there, make sure you check out everything the estate and its neighbours have on offer, including the Pialligo Market Grocer, the Farm Shop Cafe, Wren & Rabbit Interiors, Pink Flamingo Interiors and Bisonhome. Plus, being conveniently positioned near the inner south and Fyshwick precincts, the location makes it a great way to start your day before taking on other activities in the Canberra region. Make sure you grab the loose change hanging around the house or swing by an ATM on the way as the stalls are cash only and there aren't any EFTPOS facilities. Love Local Markets will take place from 9am–2pm on the last Sunday of each month (excluding December) at The Plot at Pialligo Estate. For more information, visit the website here.
It's not everyday that you hear the words 1000 litre pool, inner-city backyard and theatrical garments uttered in the same sentence. Yet this is exactly what artist Meg Cowell does. Inspired by the forgotten pieces of clothing strewn about the footpath from somebody’s big night, she set about recreating these pieces of women's clothing (with the addition of couture). She did this through the use of a pool of water to allow buoyancy and an unusual method of display. They end up as illuminated pieces of fabric, which exist in blackness, with only a hint of the water that they are floating within remaining. The result is ghost-like, and the viewer is left with a tactile and emotive image. The pieces of fabric end up looking as if they are “inhabited” by bodies, with movement being created by carefully arranging the clothing with balloons, and being sewn into place. The yellow bustle Girclee print Lens Mist in particular took a few days to position before it was able to be photographed with such a long exposure. While shooting this series, Cowell, who graduated with honours in photography from the University of Tasmania in 2007, had to overcome the difficulties of photographing fabrics in water in her small inner-city backyard. She says this is because the “water adds its own organic force and shifts the fabric in ways that are impossible to control. Because of this, each shot takes about a week to make.” She was “constantly up and down the scaffolding manipulating a collar or adjusting a piece of lace to be "just so". There was “also a certain aspect of mischief in my productions as many of the hired garments are 'dry clean only'," says Cowell cheekily. This added an “element of drama to my process, especially as the owners took my credit card details as bond against damage. My methods for getting around this involve a hair dryer, tissue paper and a pair of straitening irons.” Which are hardly the usual concerns for the average photographer. But luckily it paid off and no bonds were lost. See more of Meg Cowell's photography on her website. Her exhibition, To the Surface, opens at Sydney's Dickerson Gallery opens on July 24 and runs to August 15.
When red carpets, whichever stars stroll around Cannes and Venice press conferences monopolise the headlines, it can seem like film festivals are all about the big end of town — aka the movies that'll hit a theatre near us all anyway, and the actors we all already know. That's one part of the cinema industry staple. Another far more crucial component is showcasing and highlighting new voices, and getting their impressive movies before audiences. Surry Hills' resident Golden Age Cinema and Bar knows this, too, launching its own film fest in 2022 that's solely about debut movies. Called First Films, it's returning in 2023 for a fresh three-day run, this time between Friday, November 24–Sunday, November 26. The fest is still dedicated to new discoveries, with five titles on the bill. First Films kicks off with the Australian premiere of Theo Montoya's Anhell69, which nabbed the Jury Prize at Outfest LA for its dive into the queer scene in Medellín. From there, the lineup includes Fox Maxy's survival-focused Gush, the Sundance-premiering Girl from Adura Onashile, Chloe Abrahams' debut The Taste of Mango, and Fernando Andrés and Tyler Rugh's Texas-set Three Headed Beast. Each title is either an Australian or Sydney premiere — and no, you won't just see these flicks at any old picture palace.
Since starting up in 2017, Sydney's first vegan market has held countless successful events. Luckily for all of Sydney's vegans, it's back for 2019 — and it's positively huge. Conscientious consumers can wander through the stalls at the Entertainment Quarter on the third Sunday of each month, completely free to sample, sip, browse and buy, without having to worry one iota about flesh, leather or cruelty. For the most part, is all about food. Across more than 100 stalls, you can expect to see Sydney's most popular vegan brands, peddling everything from vegan sausage rolls and vegan fried chicken snack packs to vegan cinnamon scrolls and fluffy doughnuts. When you're done eating and drinking, you can spend time perusing fashion and homewares or kicking back to live entertainment. Other items on the agenda include a free talk series, and free yoga and pilates sessions. Entry is free and, and will run from 9am all the way until 5pm. Images: Milad K. Updated: December 11, 2019.
UPDATE, February 12, 2021: Portrait of a Lady on Fire is available to stream via Stan, Google Play, YouTube Movies and iTunes. In Portrait of a Lady on Fire, Celine Sciamma tasks audiences with literally watching paint dry — and it's riveting. Viewers don't merely stare as the pigment settles, and they don't devote the whole film to glaring at a canvas. Still, in this sumptuous, striking romance, observing artist Marianne (Noémie Merlant) as she gazes at her latest creation couldn't be more crucial. She agonises over every brush stroke as if her soul depends on it, because it does, in a way. Her heart does at the very least. On an island in Brittany near the end of the 18th century, Marianne has been commissioned to paint a portrait of the betrothed Héloïse (Adèle Haenel). But how does anyone do justice to the face of the woman they've fallen hopelessly in love with? Hardly a blushing bride-to-be, Héloïse doesn't want to get married to an Italian man that she has never met, and she certainly doesn't want to sit for an artwork marking the occasion. She has previously refused to comply for another artist, making painting her traditional wedding portrait a tricky prospect. Accordingly, Marianne is enlisted by Héloïse's Countess mother (Valeria Golino) to be her daughter's new companion, to scrutinise her closely every chance she can, and then to craft the picture from memory in secret. As the women spend time together, walking by the sea as the wind swirls and slowly sharing aspects of their lives, their feelings simmer, then bubble, then boil heatedly. When Portrait of a Lady on Fire depicts Marianne peering obsessively at her picture of Héloïse — even wiping off the paint and beginning again when she's discontent with what's staring back — it shows her lost in thought and swept up in the throes of affection. And, because Sciamma is a gifted visual storyteller and Merlant a great actor, the film makes clear the significance of these moments without overplaying a single element. Watching paint dry is important, because every speck solidifies into a permanent token of how Marianne feels about Héloïse. Naturally, she's determined to convey those feelings in as precise and perfect a way as possible. Given the period, place, prevailing societal attitudes and expectations placed upon women, this portrait is the only enduring way that she can immortalise their love — and the weight of that truth is always heartbreakingly apparent. Equally beautiful and bold, Portrait of a Lady on Fire is a film that balances the reality of impossible circumstances with otherwise hopeful glimmers, as has become the French writer/director's custom. It's that dynamic that made Sciamma's last feature, girl-gang movie Girlhood, simultaneously perceptive, exuberant and emotionally raw, traits that are essential here, too. The solace that Marianne and Héloïse find in each other's arms in stolen blissful moments proves both tender and sizzling. Their yearning, inner awakenings, and struggle to contain their infatuation within such restrictive confines is palpable. And the fact that their lives aren't their own to decide — no matter how fiercely independent Marianne is, and encourages the more pragmatic Héloïse to be — constantly tints their restrained romance with an unflinchingly bittersweet hue. Bringing all of the above to life in a movie that's the epitome of slow-burning — pun intended, although a portrait of a lady does indeed catch on fire in the film — Merlant and Haenel are a dream duo. Their performances are so measured yet still so heaving with feeling, and their interplay so exacting yet still so quietly expressive, that they could escape the entire feature without saying a word. Writing and directing, Sciamma has penned intricate dialogue for them to speak, though. They say much without uttering a thing, and they also swap meaty exchanges about classic tales, memories and harsh truths. Sciamma won this year's Cannes Film Festival Best Screenplay award for her efforts, as well as acclaim and applause since; however her exceptional script wouldn't burn as brightly without her two leads. Thematically, narratively and emotionally, this could never just be a lush romantic drama brimming with uncomplicated passion and desire. In her first period-set tale, Sciamma was always going to confront the minutiae of life for women of the era — it's pivotal to understanding how the requirements placed upon her characters are so incompatible with their happiness, and why they must relish what brief joy they can. That said, Portrait of a Lady on Fire always looks like a lush romantic drama, whether its gorgeous imagery is watching paint dry, enjoying the scenery, or getting as lost in Marianne and Héloïse as they are in each other. Befitting a movie about a painter and a portrait, every frame could be hung on a wall. An exquisite piece in every way and one of the year's very best, this film earns all of the obvious fiery terms, because it sparks, blazes and simply sets the screen alight. https://www.youtube.com/watch?v=Bn_-YoG69Sw
Marrickville is famous for its pork rolls, Vietnamese food, and tasty yeeros. Now we can safely say some of Sydney's hottest cafes ply their trade in that part of the inner west. Cornersmith, Bourke St Bakery, and Coffee Alchemy have all made a name for themselves in Marrickville, and Double Roasters deserves to be in the same conversation as these cafes. Double Roasters has breathed life into a 1950s warehouse. Inside the cafe is a wave of activity: the espresso machine is purring away, with the barista furiously pumping out hot coffee; the coffee blender is sucking and spitting out aromatic beans; and staff are scurrying back and forth with plates of food. One of the selling points of Double Roasters is its passion for coffee. Single origin beans are roasted on site in 12kg batches, ensuring superior quality and consistency. After a sip of a flat white made from the Flight Path house blend, its clear these guys know their coffee. It's strong and smooth at the same time, subtlety awakening the senses. The menu is straightforward and you'll definitely get bang for your buck. The breakfast menu is dominated by vegetarian options like sauteed field mushrooms on sourdough with pecorino ($8); Double Roasters muesli with fruit salad, organic yoghurt, and honey ($7.50); or Pembroke Farm organic free-range poached eggs with toast ($8.50). And if you like some animal with breakfast? Add ham ($4) to anything you order; try the poached chicken sandwich with rocket, tomato, avocado salsa, and mayo ($9); or go for the croque monsieur, a ham and gruyere cheese toasted sandwich ($10). The roast pork belly sandwich with apple and mint relish, rocket, and aioli on toasted sourdough ($9.50) is good but not great. The roast pork belly is juicy but not melt-in-your-mouth tender, and the apple and mint relish gets lost amongst the mountain of rocket. The dish is somewhat saved by the toasted sourdough from Sonoma Bakery, and for $9.50, it's not a bad option. The avocado and feta mash with cherry tomato and rocket on Turkish bread ($8.50) sounds better than when it arrives on the table. Although the avocado and feta mash is light and blended together well, again there seems to be too much of the rocket, which lowers the quality of the dish. The best dish of the day is easily the house-made baked beans with eggs, prosciutto, and spinach ($12). The eggs and spinach are woven together with the baked beans and topped off with freshly sliced prosciutto, creating a satisfying breakfast without the heaviness of something like bacon and eggs. Double Roasters is the perfect local cafe with brilliant coffee and a decent food offering. It's how a cafe should be: full of life and the perfect start to the day.
After hosting a series of pop ups across the city, including one inside Earl's Juke Joint last year, Little Lagos has finally moved into permanent digs in the inner west. It's serving up Nigerian dishes on Enmore Road (in the former Wish Bone site), and is set to launch a cocktail menu, by the Earl's crew, in the not-too-distant future. "The time at Earl's gave us that confidence that the market was ready for us," Owner Ade Adeniyi told Concrete Playground. "I find Newtown to be one of the most welcoming suburbs in Australia. It's filled with people who are open to other cultures and ideas." And Little Lagos has been welcomed into the neighbourhood with open arms — not just by regulars, who already love the food, but also by neighbouring venues like Jacoby's, Colombo Social, Arepa and, of course, Earl's. [caption id="attachment_783337" align="alignnone" width="1920"] Jollof rice[/caption] Born in Lagos, Adeniyi has lived all over the world — including in Romania, London, Dublin and Dubai — before moving to Australia back in 2016. While he serves Nigerian food now, Adeniyi didn't really start cooking till he'd left the country. "I grew up with a lot of sisters and wasn't really in the kitchen much growing up. I started cooking when I went to Romania for school," says Adeniyi. "The cravings kicked in and I would message my sisters who would walk me through these recipes from home. Then once every week the boys would come over to my house and I would cook for them. Nigerians are very communal people, we don't eat alone, it's always 20 people around the table." Adeniyi aims to bring that same communal-style dining scene to Sydney with Little Lagos. So far, the eatery's most-popular dish is the jollof rice — it's cooked in a tomato-based sauce with habaneros, capsicum, onions and traditional Nigerian spices. Another go-to is the spicy goat stew, which is thicker than an Indian or Jamaican curry and best eaten with rice or bread. [caption id="attachment_783336" align="alignnone" width="1920"] Egusi[/caption] As Adeniyi explains, Nigerian food is varied, with over 250 tribes boasting their own specialties. The same dish can be cooked in a completely different way, depending on which region it's made in. At Little Lagos, you'll get a bit of this eclectic taste, with chefs hailing from all across Nigeria. Adeniyi's dream is to eventually have a massive kitchen that turns out more specialty items from the cuisine. Little Lagos already serves some lesser-known traditional dishes, such as egusi (crushed melon seeds in a spicy stew with beef and tripe) and efo riro (stewed spinach with dried fish). And, for dessert, you'll find chewy doughnut holes (called puff puff) topped with a dusting of icing sugar. On the bar side of things, the drinks list is minimal for now, including wine, Grifter beers and Castel (one of the most popular beers in Africa). But Earl's owner Pasan Wijesena is currently putting together a cocktail list for the venue — so we suggest you keep a keen eye on this space. Find Little Lagos at 125 Enmore Road, Enmore from 4–9pm Tuesday–Friday, 12–10pm Saturday and 12–9pmSunday.
It's not often that you're holding out hope that the temperature drops even further in winter. But a bunch of Sydney pubs are encouraging you to do just that this chilly season. As the temperature drops, beer lovers turn to their go-to winter stout, Guinness, and the iconic brewery has enlisted the help of a group of beloved Sydney stalwarts to give away free pints as the mercury falls. The concept is simple. If the temperature drops below nine degrees during the month of June, there are free pints of Guinness on offer. To claim your complimentary beer, head to one of the participating venues and show the bartender Guinness' Brewery of Meteorology site which will display the temperature. Some of the pubs taking part in the promotion include The Carrington and Keg & Brew in Surry Hills; The Dog Hotel, Jimmy's Bar and Horses Hotel in Randwick; The Village Inn in Paddington; Woollahra Hotel and Lord Dudley Hotel in Woollhara; Grand Hotel, Tea Gardens Hoel and Beach Road Hotel in Bondi; Charing Cross Hotel in Waverley; Clovelly Hotel; Coogee Beach Club; and Woolloomoolloo's East Sydney Hotel. [caption id="attachment_681981" align="alignnone" width="1920"] Beach Road Hotel[/caption] Adding to this celebration of the colder months, Guinness has also created a set of merino-wool thermals covered in the iconic Guinness harp. If your passion for the historic beer extends far enough that you want to represent it on your body, you can win a pair of the limited-edition thermals via the Brewery of Meteorology website. "As the weather gets cooler, there's nothing better than rugging up and enjoying a Guinness," said Guinness' appointed meteorologist, beloved celebrity chef Colin Fassnidge. "I'll be keeping an eye on the temperature this winter, and when it drops I hope to see plenty of Guinness fans donning their Guinness thermals and heading to a cosy pub to enjoy a pint." For more information on the Guinness giveaway and to enter to win the Guinness-branded thermals, head to the Brewery of Meteorology website. Top image: Cassandra Hannagan
This winter has proved a climatic conundrum for Sydneysiders. As August's mercury teases balmy days a plenty, its easy to believe summer's nearly upon us. Already, we're stashing away the blankets, swapping sweaters for tees and are unanimously choosing to drink and dine outdoors. Exclusively. However, shaking off the winter chill completely means it's time to peel yourself off the couch, turn off that episode of Top of the Lake and get outside to inhale the sweet, sweet scents of the summer to come. Where should you start? Well, we'd suggest looking to the suburb where it's somehow always summer, Bondi. Along with its iconic sandy shores and beautiful coastal walk, 'The Bubble' has many a spot to help you press refresh for spring, no matter what your refresh style is. Whether that be a restorative yoga session or a reinvigorating plate of ricotta doughnuts, we've got your guide to doing spring right in one of our cities' most popular beach-side suburb. [caption id="attachment_628342" align="alignnone" width="1024"] Leeroy.T[/caption] HIT THE MAT Grab a friend and get your blood flowing with an invigorating yoga class that's just a stone's throw from Bondi Beach. Sweat it out with heated vinyasa or find your balance in a restorative Yin session. Powerliving Yoga offers everything a seasoned yogi or yogi-to-be could need. Worried you'll be the worst in the room? Start out with a foundations practice, a good introduction for newbies wanting to nail all the basic alignments. The modern space delivers just the kind of soul-nourishing goodness you've been craving all winter long. You can also groove along to a playful vinyasa sequence which combines soulful music tracks with flowing movement. And when its all over, chill out with a 15-minute guided group meditation to leave you feeling all kinds of zen. CATCH A WAVE Fresh, salty air, Bondi wouldn't be the same without it. And these are the last few weeks to savour it before the crowds begin to flock back into The Bubble. So, maybe you should finally commit to actually learning how to surf (if you don't know how to already that is). Get off the sand, head into the waves and jump on a board with some help from Let's Go Surfing, Bondi's only licensed surf school. Providing everything from wetsuits to boards and even some zinc for your precious skin, the team of surfer pros run group lessons that run for two hours each. Let's Go Surfing will get you out on the sand first to learn the right board-mounting moves, then straight into the water you'll go to bob in the water and try to catch a wave. Gather you mates together for a morning of good times. Don't forget to laugh at yourself when you fall off your board, because you will. A lot. But once you catch that first wave, it'll all be worth it. REFUEL AFTER A DAY AT THE BEACH After surfing and perhaps a spot of yoga, you've probably worked up an appetite. A stop into Drake Eatery should sort you out. Serving up seasonal, modern Australian cuisine since 2015, this is a great beach-side spot to refuel after a busy day outdoors. Nab a seat at the bar for a glass of wine (or two), and snack your way through a board of locally sourced cheese and charcuterie. In the mood for something a little more substantial? Their dinner menu is made to share, with generous portions of sustainable produce. Award-winning Sydney chef and owner Ian Oakes focuses on approachability, serving no nonsense dishes with plenty of seasonal veggie options and and locally sourced meats like duck from Redgate Farm and lamb from Mirrool Creek. Top it all off with ricotta doughnuts served with apple and creme patissiere. TREAT YOURSELF The sudden change in seasons can be pretty nasty to our skin. Going from chill, windy days to sunnier, drier conditions isn't exactly ideal for the ol' complexion. So sometimes it's worth bringing in the experts to help bring your skin back to life. That's where Face Plus Medispa comes in. With facial treatments like LED light skin rejuvenation and laser genesis therapy, the spa will help you press restart on your skin's overall integrity. Never been for a treatment before? Expect a holistic health experience that combines medical beauty procedures with traditional spa techniques. You can also opt for the nourishing body smoother, designed to re-mineralise your skin with sugars, salts and essential oils, or release months of tension with a deep cellular massage that uses volcanic stones designed to heal and soothe. BOOK A STAYCATION If you really need a break from it all for a total restart, book into the beach haven that is QT Bondi for a staycation. With incredible coastal walks nearby, some of the city's best eats at your doorstep and its proximity to the beach, the hotel holds 69 spacious guest suites, created by Australian designer Nic Graham to be the perfect urban oasis. Bright SoCal colours, vintage beach vibes and a stellar seaside setting — you'll feel like you're staying in a retro cabana. The cutting-edge interiors, art by Australian-born London-based artist Shaun Gladwell and the luxuriant soaking tubs are sure to make it hard to hand back the keys at the end of your stay. The hotel also has plenty of recommendations to the area's must-see venues. Skip the plane ride, save the dosh and get lost in a new part of town as you taste your way through local bars and eateries, dabble in a spot of shopping and soak up some sun on the sandy shores. ENJOY THE SCENERY It's a classic for a very good reason. Stroll to North Bondi and you'll stumble upon on a small patch of prime grassy real estate. Loved by picnickers, dog-walkers and locals alike, the grassy knoll is an uncontested local favourite. There's no hard-and-fast formula to getting your grassy knoll experience right. End a morning stroll with a takeaway coffee in the grass; BYO drinks, tunes and good times for arvo hangs in the sun; or grab some fish and chips and watch the sunset over one of the best beaches in the world. The options are endless. Some may call it a strip of grass. We call it paradise. QT Bondi is currently personalising 'feel-good' itineraries which could see you doing a combination of any of these things in one day with 'The Best of Bondi', or three days with their 'Bondi Staycation' package. Find out more here.
If you've been dreaming of a trip to Western Australia, this November could well be the time. For ten delicious days, Western Australia Gourmet Escape presented by Westpac, an extraordinary festival of food and wine, will take over three of the state's most popular regions: Perth, Swan Valley and Margaret River. The epic program is filled with more than 50 opportunities to dine with some of the best culinary rockstars from around the world, including the head chef of the newly crowned best restaurant in the world and the legendary David Chang (of worldwide Momofuku fame). But, what's more — you'll get to do it in some of the most picturesque locations in the country. You could find yourself cruising on a catamaran, feasting on foraged delights in a lakeside cabin or hanging out at a beach barbecue. There are plenty of exciting happenings to look forward to — here are six that should definitely be on your radar. GOURMET FEAST IN THE VALLEY WITH MARCO PIERRE WHITE UK celebrity chef Marco Pierre White described the 2015 WA Gourmet Escape as "life-changing" and "the greatest food event on earth". So, he's back for another round. Find him at Gourmet Feast in the Valley, taking place across Saturday, November 9 and Sunday, November 10 in the idyllic grounds of Sandalford Wines. It's promising an extravaganza of local produce, culinary experiences, masterclasses, live music and theatre — in the form of the Feast Fire Pit, presented by Australian Good Meat. White will be joined by grill masters from around the globe, including Austin-based Aussie Jess Pryles (author of Hardcore Carnivore), to sear, sizzle and smoke locally sourced cuts over open flames. Also on the agenda are a number of workshops hosted by local makers and a jam-packed lineup of live music from The Rubens, Fergus James, Andrew Levins and more. Gourmet Feast in Valley will run from 11am–6pm on Saturday, November 9 and 11am–4pm on Sunday, November 10. Tickets start at $40 and can be purchased here. OCEAN DREAM WITH MARK BEST If you ever ate at Sydney's Marque or Pei Modern, then you're familiar with the explosive creations of chef Mark Best. These days, he spends his time travelling, promoting Australia's food scene to the world, speaking at chefs' congresses and working with hotels. But, at Western Australia Gourmet Escape, you can dine on his masterful cooking while cruising around Geographe Bay — just north of Margaret River — on a 26-metre luxe catamaran called Ocean Dream. In between gazing at crystal clear waters, you'll be feasting on Best's exceptional cooking matched with top-notch local wines. Sail the Seas will run daily from 12pm between Friday, November 15 and Sunday, November 17. Tickets cost $270 and can be purchased here. INTO THE NEW AFRICA Travelling all the way from South Africa for the festival will be Kobus van der Merwe, head chef at South Africa's Wolfgat — which was named World's Best Restaurant 2019 at the inaugural World Restaurant Awards. He and Paul Iskov of Australian pop-up restaurant Fervor will host Into the New Africa, an eight-course dinner based on foraged ingredients and exploring modern South African cuisine. Set in Fermoy Estate's private lakeside cabana, this is going to be a cosy affair — and tickets are likely to sell out super fast. Into the New Africa will take place on Friday, November 15 from 6.30–11pm. Tickets cost $320 and can be purchased here. WESTPAC GOURMET BEACH BBQ This popular shindig brings together killer chefs, great produce, fine wines, live music and stunning water views for three giddy days. Among 2019's special guests is Momofuku legend David Chang, who will be bringing a taste of the worldwide empire to the beach. Meanwhile, hosting a lazy Sunday session will be Monty Koludrovic, from Bondi's legendary Icebergs Dining Room and Bar. And, representing the home team will be WA chefs Kenny McHardy (Manuka Woodfire Kitchen), Scott Bridger (Bib & Tucker) and Brenton Pyke (Market Eating House), who'll swap their wood ovens for an open-air kitchen. Westpac Gourmet Beach BBQ will run from Friday, November 15–Sunday, November 17. Tickets start at $235 and can be purchased here. SAFARI CLUB COOKOUT Safari Club Cookout isn't just a feast – it's an adventure. For a start, you'll have to find the venue — a hidden paradise deep within Leeuwin Estate, surrounded by towering jarrah and marri trees. The cookout will bring to this spot three days of delights inspired by the cuisine of Australia, Thailand and India. But, rather than sticking to your seat, you'll be invited to wander, as you graze on canapés, watch cooking stations in action, sip on Leeuwin Estate wines and soak up live performances. Chefs to look out for include Garima Arora of Bangkok's Gaa, Prateek Sadhu of Mumbai's Masque and Matt Stone of Yarra Valley's Oakridge Wines. Safari Club Cookout will take place across two daily sessions — 12pm and 6.00pm — from Friday, November 15 to Sunday, November 17. Tickets cost $180 and can be purchased here. Tickets to Western Australia Gourmet Escape presented by Westpac go on sale at 9am on Thursday, July 18. More information can be found here and, to check out the full program, head to the website.
Fascinators, flutterers and fizz-drinkers, The Argyle is continuing its commitment to the Melbourne Cup this year, with the return of its epic race-day party. The venue’s 19th-century, heritage-listed sandstone courtyard will transform into a mini-track, complete with TAB, payout facilities and, most importantly, the biggest TV screen in The Rocks. You’re invited to dig out your sassiest cocktail dresses, slickest suits and fanciest fascinators for the Fashions on the Field segment of proceedings. Don’t hold back — The Argyle will be handing out prizes to the best-dressed punters in attendance. Lucky door prizes and drinks specials are on the agenda, too. And, once the race is called, you can either celebrate your wins or wallow in your losses at the afterparty, in the company of a hand-picked selection of Sydney-based DJs. A $99 'grand stand' entry will buy you two hours’ worth of drinks, along with canapes, including Baja-style prawn cocktails, sushi rolls, chilli chicken empanadas, pork belly soft buns and cheese and jalapeno pretzels. It's worth nabbing these tickets soon; the 'member pavilion' option, which adds on another glorious hour of drinking time for $50, is already sold out. If a sit-down meal is more your style, there’s a few options not far away. Just across the courtyard, The Cut Bar & Grill will deliver a four-course menu based on premium produce, including a seafood platter of Crystal Bay prawns, local oysters, rock lobster and crab, as well as wagyu rib or sirloin and fish and vegetarian options. It comes with glass of Veuve Cliquot, for $149. Meanwhile, Sake Restaurant & Bar will whip up a ten-course tasting menu, also with a glass of Veuve Clicquot, for $149. Once the feasting’s done, head to Bar Ananas for cocktails, champagne, oysters and an appropriate dose of French glamour. The party starts at 4.30pm and DJs will be spinning until late. Ananas isn’t selling tickets, but numbers are limited, so do book a spot over here.
If you're a meat-free diner in Sydney, your ramen options are fairly limited. But for the rest of the month, there's one more you can add to your list — and it looks mighty impressive. Butter, Sydney's palace of fried chicken and ramen, is serving up a special mushroom-filled vego ramen until September 2 at both of its stores: Surry Hills and Parramatta. Unlike its cult-favourite fried chicken ramen, which will be replaced by the vego version for the two weeks, this one features two large fried field mushrooms as the centrepiece. They're floating around with black fungus, ramen noodles and an ajitsuke tamago (a marinated egg) too. And then there's arguably the most important ramen component: the broth. While most ramen broth is made using pork bones boiled for hours, Butter's vego ramen broth is made using a kombu stock, which is mixed with vegetables, chickpeas, cashew nuts, fermented bean curd and preserved mustard. It's simmered for a whole six hours, too — which helps to caramelise the vegetables and give it a deeper flavour. If you miss the limited-edition vego ramen, Butter has an oft-overlooked vegetarian menu that you could dive into instead. It feature giant fried mushroom pieces (yes, the ones from the ramen), which come served with the restaurant's signature hot sauce, the hefty "Biggie Shroom Sandwich" and fried haloumi fingers. We're slightly skeptical about how well a fried chicken joint can do ramen, but if the popularity of its regular ramen is anything to go by, the vego version is at least worth trying. Butter's vegetarian ramen ($18) is available until Sunday, September 2, at Butter Surry Hills, 6 Hunt Street, and Butter Parramatta, Shop 3, 140 Marsden Street.
