After being hauled back from the financial brink in 2016 and then making the move from central Sydney to Parramatta earlier this year, Tropfest has seen a lot of change over the past few years. But it seems that the world's biggest short film festival has found some security in a few big multi-year partnerships, with Tropfest founder and director John Polson this morning announcing that it will return to Parramatta Park in 2018. Like last year, the festival will be held on a Saturday, with a series of events (like the Tropfest Talks program) to run in the lead-up to the main event. This year's 'signature item' is rose, which entrants can interpret or include in their seven-minute-max film at their discretion. After finally reaching an equal gender split this year (that is, 50 percent female filmmakers and 50 percent male), Polson is pushing for more cultural diversity for Tropfest 2018. "Australia is one of the most multicultural countries on Earth, which makes for some unique perspectives," he said. "We are calling for diverse stories from filmmakers of all backgrounds to showcase in the heart of Parramatta, western Sydney — one of Australia's most ethnically vibrant communities." If you're thinking of giving it a go, entries open for submissions will open on October 15 and close on January 11 next year. Tropfest will take place on Saturday, February 17 at Parramatta Park, Parramatta. For more info, visit tropfest.com. Updated: November 29, 2017.
Sydney has a plethora of galleries and art spaces, from the major institutions to brand new pop-ups. It's an ever-evolving scene with new ways to interact with artists and their work. If you look beyond the traditional formats for how art is displayed and experienced, you'll find there is a wealth of events that are looking to challenge our preconceptions of art and art spaces. To help you hunt them down, we've teamed up with MidCity Shopping Centre to select seven immersive art experiences that are soon to hit Sydney. Get ready — this is art but not as you've known it. AN IRL NFT IN THE CBD NFTs (or Non-Fungible Tokens) are the hot thing right now, attracting attention and headlines from those looking to speculate and accumulate. While they're usually consigned to the digital realm, MidCity Shopping Centre – located in the heart of Pitt Street Mall – is bringing them to life in a unique exhibition where you can enjoy art while you shop. Artist Mulga, known for his wild character-driven murals, has compiled 8,888 one-of-a-kind pieces under the MULGA KONGZ banner, and a selection of these make up an exhibition titled KONGZ ISLAND. Want to immerse yourself in the digital and real world at once? Make tracks to MidCity Shopping Centre to see Mulga's tropical gorillas like never before. EDGE OF CHAOS AT BARANGAROO There's arguably no better location for a provocative experience examining the state of our world than among the financial centres and consultancy firms of Barangaroo. Mixing stencil art, NFTs and guest speakers, Edge of Chaos blurs the boundaries between online and offline, between the real and the virtual. The brainchild of award-winning artist E.L.K., Edge of Chaos is a traditional art gallery on one floor and a mind-expanding virtual reality experience on another. It dares to ask questions about politics, climate change and public disorder, before beginning a journey towards hope and freedom. STRYBX 2032 What are you looking forward to ten years from now? NASA is planning a manned mission to Mars and the Olympic Games are heading to Brisbane. It's also a crucial decade for addressing the climate emergency. That's the subject of this groundbreaking exhibition from Michael Killalea and Sarah Barns, which allows you to converse with Sydneysiders from the year 2032 to discover what we did to combat the climate crisis. If future-you could speak to present-you, would you be relaying a message of hope or would it be a warning of what's to come? Find out when STRYBX 2032 kicks off at Circular Quay and The Rocks as part of VIVID Sydney. AN IMMERSIVE GREAT GATSBY PRODUCTION It has been exactly a century since F. Scott Fitzgerald dropped his masterpiece about class, the American dream, failure and love — all amid the backdrop of the glitzy roaring 20s. In this show at Potts Point's Wonderland Bar you get dropped into the age of Gatsby and transported back in time. At The Great Gatsby: An Immersive Theatrical Production, whole audiences get to play the part of narrator Nick Carraway and immerse themselves in a choose-your-own-adventure production. The show features great performances and the chance to explore hidden areas of the set, too. Grab a mint julep, your dinner jacket and start rehearsing the Charleston. FLOATING WORLD After a chaotic couple of years, the return of Vivid Sydney is the tonic that many of us need. With each iteration, the team behind the festival continue to up the ante and for 2022 this artwork at Darling Harbour is one to put on your list. Floating World is made of three separate sequences — 'Sub-Aqua', 'Soup' and 'Agora' — on a loop. Across a 15 minute run time, you'll see DJs, digital visual artists, musicians and videographers share their visions of an imaginary world through of an ever-changing sonic painting inspired by sound. Curious? This one has to be experienced in the flesh to be properly understood. [caption id="attachment_826961" align="alignnone" width="1920"] Brooke Zotti[/caption] BIENNALE ART AFTER DARK The theme of the 23rd Biennale of Sydney is 'rīvus' (Latin for stream) and the three-month-long event will cover artworks, experiments and installations inspired by wetlands and ecosystems around Sydney. Every Wednesday evening throughout its run, The Cutaway at Barangaroo will play host to Art After Dark. Local restaurants and bars will be on hand for food and refreshments as you take the opportunity to explore the exhibited art at your own pace, stopping to take in a performance or a piece of film. [caption id="attachment_849233" align="alignnone" width="1920"] Sophie-Jaye-Hayman[/caption] SUPPER SESSIONS The Supper Sessions model is simple yet effective. On the last Sunday of every month, a renowned chef cooks and serves a three-course vegetarian meal on the rooftop terrace of creative arts precinct, 107 Projects, in Redfern. You get a quality meal and a great night out — and a portion of the cost of your ticket goes towards an independent grant for an experimental art project. You get to support Sydney's arts community and spend time with like-minded people while tucking in to a great feed. It's a win-win, really. Keen to see Mulgas' NFT in real life? Head to Mid-City Shopping Centre to check it out or visit the website for more information.
Australian vernacular photography, on show at the Art Gallery of NSW until May 18, is a glorious, poignant and amusing look at Australian life over the last 55 or so years. Sixteen photographers are featured: Jeff Carter, Ed Douglas, Peter Elliston, Gerrit Fokkema, Sue Ford, Fiona Hall, Robert McFarlane, Hal Missingham, David Moore, Trent Parke, Roger Scott, Glenn Sloggett, Ingeborg Tyssen, John F. Williams, William Yang and Anne Zahalka. The group contribute a broad cross section of images that capture the Australian experience. Crocodile-skinned bathers, toys on display at the Easter Show, backyard swing sets, beach babes and surfer dudes, protesters and hearses — it's Australiana at its best. The exhibition is filled with really superb works. Hal Missingham's Surf carnival, Cronulla (1968) is a celebration of beach babes and surfer guys in a wonderfully composed, heavily geometric image. Trent Parke's somewhat blurred and abstract Backyard swing set, QLD (2003), is an example of contemporary photography at its best. Images range from the quaint (a shot of the Grafton Jacaranda festival crowning ceremony) to the funny (a budget funeral company promising to bury your loved ones "cheaper and deeper" than their competition) to the politically charged (people protesting the Vietnam War). The idea that photography can be high art has come about relatively recently and it's interesting to chart the development of the medium over the course of several decades. The earliest photographs in the exhibition, from the 1960s and the '70s, seem somewhat more spontaneous and impressionistic than their contemporary counterparts. As you move towards the present day, emphases on composition and construction become more pronounced. For an exhibition that aims to capture the Australian vernacular, Max Dupain is notably absent. The show does include a sunbather, and it's a wonderful shot of a tanned, hairy man holding his thongs while he scopes out the scene near a beach. Unfortunately, the danger of skating too close to what is perhaps the most iconic Australian photograph is that you will always fall short by comparison. You can't help but be impressed at the technical virtuosity of the photographers. Australian vernacular photography is bursting with beautifully shot, masterful images. It's a snack of an exhibition; it won't take you very long to see at all. It's well worth a visit. Image: Cheaper and Deeper, 1996, Type C Print (image detail).
No matter what our television screens told us about the 21st century, it looks like we probably won't gain access to hoverboards, robot maids or teleporting stargates any time soon. Sorry guys. However, recent news from the US may offset every other sci-fi-based hope that has been dashed by the underwhelming reality of 2013. NASA has just announced that it is dropping US$125,000 on the development of a 3D food printer. Yes, you heard right, a sort of inkjet for pizza. And they're actually starting with pizza. The 'universal food synthesiser' will be designed by mechanical engineer Anjan Contractor (who has already constructed a chocolate printer, the likes of which you can play with at the Sydney Powerhouse Museum event Eat the Collection) and turn powder into a three-tiered space-age Italian snack. While it may not exactly rival your local woodfired joint, the advantages of this technology could have galactic consequences. First, because powder has a longer shelf-life than organic food (it can last for decades), astronauts will be able to survive epic interplanetary voyages. The 15-year journey to Mars, for example, would be much more bearable with some powder and a printer than it would be with stale Weet-Bix and rock-hard peanut butter. But the designer of the universal food synthesiser has even higher hopes for his machine that could have an impact right here on Earth. Contractor imagines a world where every kitchen contains a 3D food printer stocked with nutritious meals bought cheaply from the local grocery store. A future where powder enables the full flourishing of human life. Indeed, he believes that the synthesiser could end world hunger. It's crazy that TV never told us about that. Via Quartz.
Campos Coffee: it's a brand we've all come to love and know. And this is where the story started. This hole-in-the-wall spot just off buzzing King Street is easily recognisable — the building swathed in the brand's trademark green. Coffee is undeniably the main affair here, with a simple lineup of pastries on offer to accompany your brew. Swing by to sample from its extensive range of blends and single origin roasts.
Over the past year, The Griswolds have scored every Australian band's dream trifecta: a gig at Parklife, a successful European tour and a global record deal. "It feels like a dream come true," they said in an April interview with FBi, "but to be honest, it's been a really trippy twelve months, and we still can't believe what is happening." As you're reading this, the Sydney-based group's cheeky lyrics, fine-tuned harmonies and idiosyncratic percussion are hitting airwaves in the Northern Hemisphere, via the US release of their debut EP. The boys themselves, however, have been on home soil of late, recording a new track with 2012 Unearthed Artist of the Year nominee Chance Waters. Having done their time in the studio, they're now about to hit the road together on a lightning-fast, four-date east coast tour, More than Just Friends. https://youtube.com/watch?v=58iSZlM_8hY
Forget every "find someone who looks at you" meme you've ever seen. When it comes to gazes that'll make you dream of being adored in the same way, Loving just can't be beaten. Jeff Nichols' latest film is affectionate by name and by nature, and so is its central couple. From the moment that the movie opens with the life-changing words "I'm pregnant", Mildred (Ruth Negga) and Richard Loving (Joel Edgerton) are clearly head over heels. The looks that they direct at each other at every chance possible, make the extent of their feelings obvious. Neither gets weak at the knees; they're not that kind of people. They easily could though, as could those of us sitting in the audience. Of course, for anyone who has seen Shotgun Stories, Take Shelter, Mud or Midnight Special, it won't come as a surprise that Nichols pays such keen attention to their glances. As he's demonstrated in all his films over the past decade, he's a filmmaker who trades in intimate tales that bubble with big emotions. What's more personal, devoted and overflowing with feeling than sending a yearning look someone's way or silently locking eyes? As you watch Negga and Edgerton watch one another, you'll know the answer: nothing. Indeed, as Nichols' delves into the details of the Lovings' real-life romance, it's soon apparent that his quiet, patient approach really couldn't be more appropriate to such an important story. Falling in love in the segregated state of Virginia in 1958 where interracial marriage was against the law, the pair made history with their fight to be together. That said, despite the threats of imprisonment and legal persecution, Loving isn't a big, fist-pumping courtroom drama, although it probably would've been in lesser hands. Instead, taking its cues from the couple at its centre, it's a contemplative, considered, sensitive and sincere account of a relationship attacked from the outside, but never under threat from within. That leaves Negga and Edgerton with a considerable task, though it's one they achieve with the same grace and tenderness that marks the movie from start to finish. Nominated for an Academy Award for her performance, Negga imbues Mildred with growing resolve — not about her marriage, which she never doubts, but about doing what she needs to live the modest life she wants with her husband. One of the many pleasures of the film is seeing Mildred grow more and more confident about taking action against inequality, and witnessing Edgerton's hard-working, plain-spoken Richard grow increasingly enamoured with her passion. They never discuss this, and they don't need to. As with everything in Loving, it's all there in their eyes. Throw in Nichols regular Michael Shannon in a brief but memorable part as a photographer, plus Nick Kroll leaving his usual comedic antics behind in his roll as a civil rights lawyer, and Loving couldn't be more convincingly cast. Add honeyed tones that layer the film's gentle sights with a warm glow, and it couldn't look any better, either. Both help make a subtle yet sweeping effort even more rich and resonant. Ultimately though, it's in conveying the power and significance of Mildred and Richard's love that Nichols' latest movie really shines. https://www.youtube.com/watch?v=s7YeyiNVHXY
Cider and tinnies are inherently Aussie. A bottle shop dedicated to the two? Now that's a gap begging to be filled. To right this wrong, Medhurst & Sons – Cider & Tinnies recently opened its doors, creating a new niche in the craft bottle-o scene. Owner Kieran Medhurst is a lover of everything craft. A long-time seller for Beer Cartel and brainchild of Pixel Brewing Co., this guy knows what he's doing. "I realised there are no other bottle shops dedicated to cider in Sydney, nor have I found any in the whole of Australia," Medhurst says. "It made me realise it was a good niche that hadn't yet been filled". An inner-westie himself, Medhurst felt Glebe was the perfect location for the shop as the suburb continues to boom with all things craft beverage. Medhurst's hand-selected stock is Australian focused, but you'll also find international all-stars on the shelves. His favourite of the moment is Two Metre Tall, an independent and sustainable farmhouse brewery based in southern Tasmania. He also has the range of Napoleone ciders available, which will be featured in this weekends' tasting. Adding tinnies to the mix just came along naturally as "it's another point of difference, and is also the way the craft beer industry is going in terms of cans being better for the beer, more compact, and smash-proof". With nearly 80 ciders on the shelves now, Medhurst plans to exceed 100 shortly, as well as to double the number of tinnies currently available. He's also stocking an impressive range of alcoholic ginger beers and is planning a two-tap growler station for the near future. With 10% off on Tinnie Tuesdays, weekend tastings, and a cider club, Cider & Tinnies is sure to be a Glebe go-to. Don't live in the area or too lazy to walk? Check out their website for delivery. Medhurst & Sons — Cider & Tinnies is located at 166 St Johns Road, Glebe and is open Tuesday to Friday from 12-7pm, and Saturdays 10am – 7pm, with all-day tastings on Friday and Saturday. Images: Marissa Ciampi.
Some forms of pasta are simply better than others. That includes the humble lasagne. Soft flat sheets of the good stuff caked between pork and beef ragu, bechamel sauce, tomato and parmesan — what's not to love? To celebrate National Lasagne Day on Thursday, July 29, Italian chain Fratelli Fresh is offering northern beach residents $10 stacks of cheese and pasta from its Manly outpost. To ensure you make the most of the pasta promotion you should pre-order a lasagne from Fratelli before 5pm on Wednesday by calling (02) 9259 5674. If you come a little late to the party, or if you just like your pasta a little less layered, the beachside spot has a full Italian takeaway menu on offer seven days a week including rigatoni lamb ragu, truffle ravioli, pumpkin and prosciutto pizza and tiramisu. Or, if you want to get in on the lasagne action yourself while you have ample cooking time, Fratelli has uploaded its lasagne recipe to its Facebook along with a recipe for banoffee torta to enjoy after.
With the end of the year rushing in and those stress levels creeping ever upwards, you're probably more than due for a spot of pampering. In which case, it might be time to get acquainted with Vaucluse's blissed-out wellness destination, Sol Spa. This little oasis is sister and neighbour to farm-to-table restaurant The Botanica Vaucluse, and it shares the same philosophies around wellness, nature and health. Both the restaurant and the spa opened earlier this year, but the spa is now in full swing. There's a broad menu of treatments on offer, from body scrubs, signature massages and facials, to traditional holistic therapies like the Shirodhara relaxation treatment, where warm oil is gently poured on the third eye. Dialling up the lushness levels, Sol Spa even makes its own organic, almond-based aromatherapy oils, designed to heal and detoxify. If a full-body session is on the cards, you'll find a range of two-hour packages promising complete indulgence, including one combining a dry body brush, hydrating coconut scrub, steam shower, full-body massage, pressure point facial massage and scalp massage. Of course this doesn't come cheap — the two-hour packages cost upwards for $200. But, if money isn't an issue, you can round out the experience in the spa's courtyard feasting on an exclusive Sol Spa bento box designed by The Botanica Executive Chef Perry Hill. Treat that newly pampered bod to some seasonal, organic fare, like crisp fried Red Gate Farm quail with kale and sunflower seeds, roast heirloom carrots teamed with hummus, blood lime and macadamia nuts, and pickled globe artichoke and chickpea fritters. The Botanica and Sol Spa are actually part of Mark Moran Vaucluse, a luxury $115 million aged care facility on Old South Head Road. Not that it's anything like a traditional retirement village — the place is fancy and, in any case, the restaurant and spa have their own entrances. Find Sol Spa at The Botanica Vaucluse, 2 Laguna Street, Vaucluse.
It would be easy to throw around some winter cliches to entice you along to these establishments. You might be looking for winter warmers and toasty treats, and maybe that's what these fun and funky places can provide. But they also offer so much more. These bars will take you in their arms and shelter you from the cold, the freezing winds and pelting rain, and provide a cosy environment in which to imbibe your favourite beverage. They'll make winter feel like the perfect season, because it brought you here. So if you want to throw off your Snuggie and get out of the house these winter evenings, here are Concrete Playground's best winter bevvy spots. THE WILD ROVER If there's anyone who knows how to do cold, it's the Irish. The boys behind Grandma's injected a bit of craic into Sydney's bar scene with their second venture, The Wild Rover. Cosy, low-lit and with over 20 Irish whiskeys for the sampling, it's two levels of Irish hospitality equally fit for your mum as your boozy mates. Or your boozy mum. For the budding whiskey connoisseur, order the Clontarf trilogy flight (3 x 20ml pours for $19). If you are brave at heart, there is some Knockeen Hills poteen, also known as Irish moonshine, (70%) with your name on it. 77 Campbell Street, Surry Hills LOBO PLANTATION Cushy couches, warming Cuban food and a selection of drinks that are literally on fire — Lobo Plantation is winter, colonial Caribbean style. Slightly hidden below Clarence Street via a winding staircase, the Lobo is a lot bigger than you'd expect. The deep red and green decor paired with recycled dark wood and floral furniture is delightfully welcoming, while the fine use of space and overall attention to detail makes the relative newbie seem like a long-loved establishment. There's a staggering collection of rums, wines (plus in-house sommelier) and the usual favourites. 209 Clarence Street, Sydney THE LORD DUDLEY The Lord Dudley Hotel is a slice of Old Blighty in Paddington; a mock Tudor-like building complete with a creeping vine-covered exterior. Inside, a rabbit warren of adjoining rooms awaits. The maroon-carpeted floors sink in all the right places, historied hollows ploughed by a steady stream of drinkers. A circular bar connects the main bar to two smaller service areas, including a separate nook for darts. At the rear a lamp-lit, timber-panelled lounge is furnished with booth-style tables, each with seating for four (or six skinny types). Importantly, there's a fireplace — winter's saving grace — to sit at while you down your pub grub and play some board games. 263 Jersey Road, Woollahra THE TEMPERANCE SOCIETY The Temperance Society is a lot like a family lounge room for the suburb of Summer Hill. There's lots of intimate rooms and cosy corners for cuddling up in, big Chesterfield lounges, great heating and the smell of rich mahogany — even books of you just want to cosy up and read. Upstairs there's a brightly wallpapered library filled with Chesterfield lounges, leather-bound books and the smell of rich mahogany. Though drinks are generally very affordable here, the star of the spirits list is the Sullivan's Cove ($68), a luxury small batch whisky recently named best Australian single malt at the World Whiskies Awards. You might need to have a few drinks first before you're convinced to hand over the cash. BAXTER INN The Baxter Inn is a twist on the theme that Shady Pines established, focusing on the ultimate cult alcohol: whiskey. The shelves of whiskey stacked behind the bar are accessed via a ladder on wheels: there's literally a library of the stuff in here. In fact, there's over 300 to pick and choose from, and no doubt the bartenders know each and every one. The decor is turn-of-the-century father's study, and the joint is hidden off the street. To find it, either go with someone in the know, or look for the line of people curving out of a hole in the wall. 152-156 Clarence Street, Sydney OLD GROWLER In the summer, beers call for barbecues and open sky. In the winter, beers call for the Old Growler. Part Italian trattoria, part industrial saloon, its cavern-like belly of exposed brick walls and ornate arches gives way to a wraparound bar which beckons you to pull up a stool the minute you walk in. Let head barman Gerome Delosreyes pour you a hops-infused cocktail or a pint of Young Henry's beer. 216-218 William Street, Woolloomooloo HERO OF WATERLOO One of Sydney's oldest pubs, the Hero lets you time travel and sip a beer at the same time. Within these sandstone walls, listening to the lilting tones of the Irish bar staff, it doesn't feel difficult to reach out to your own, or someone else's, colonial ancestor. That said, there's more than that to stimulate the imagination. Join in a Saturday night sing-along held around the old piano or sneak a look at the tunnel that runs from the hotel's maze of cellars to the harbour, safe as you are from any shanghaiing techniques. 81 Lower Fort Street, The Rocks MR FALCON'S The best part of Mr Falcon's is undoubtedly the atmosphere. This large venue is like a big old house, with separate nooks and rooms for an intimate drink. It's so relaxing you feel as if you could almost curl up and have a nap on one of the couches. To keep you awake, there are lava lamps, mulled wine and Monday night screenings of Game of Thrones. No need to worry about spoilers in this crowd. 92 Glebe Point Road, Glebe CRICKETERS ARMS HOTEL A reliable local, the Crix works both summer and winter well. The outside courtyard, brimming with plants and wooden tables, is good reason to stake out a spot in the warmer months. In winter, a fireplace is always lit, surrounded by cosy lounges and more tables. It's a beautiful old pub, boasting wooden floors and wall tiles, a laidback atmosphere, and plenty of character. 106 Fitzroy Street, Surry Hills. Image: 02 08 2014 via photopin (license). THE FOXTROT You could easily miss the almost unmarked Gothic doors on Falcon Street that hide the darkened entryway to one of the city's most exciting hidden playgrounds. You'd kick yourself if you did. The Foxtrot is much like the whisky that it showcases: smooth and gratifying, with a wickedly delicious aftertaste. There are some interesting spaces to explore, including an indoor courtyard and a carpeted living room complete with a working fireplace. The 'Gentleman's List' of classy concoctions (no sexism intended, we are assured) is impressively curated. Our favourite, Josie's Well, is named for the main water source of the Glenlivet distillery and features 12-year-old Glenlivet with Poire Williams, Lillet Blanc and Aztec chocolate bitters ($19). 28 Falcon Street, Crows Nest By the Concrete Playground team. View all Sydney Bars.
Looking back on the last 24 years, the fashion world really hasn't changed all that much. Outfits are still outrageous, trends are as cyclical as the tides, and the pomp and puffery of the PR machine is as condescending and self-aggrandising as ever. In that sense, fashion's immutability makes it just as ripe for parody now as it was back in 1992, when Absolutely Fabulous first aired on the BBC. On the other hand, that the fashion world really hasn't changed all that much means that any parody done now risks feeling banal and familiar. Hence, the challenge of breathing new life into something old proves just as relevant for any pastiche as it does for the fashion world itself. It's here that we find ourselves presented with Absolutely Fabulous: The Movie. The notoriously precarious production road of TV adaptations has seen a lot of traffic of late. In just the past few years, programs that have graduated to the big screen include The A-Team, 21 Jump Street, Entourage, The Equaliser, GI Joe and The Man From U.N.C.L.E, plus a whole bunch of Mission Impossibles and Star Treks as well as a Baywatch film currently in post-production. More often than not these films fall short of the mark, tending to feel like two and a half episodes stuck together, or one longer episode struggling to justify its expanded scope and budget. The best are more like reinterpretations, taking the idea of the TV series and using that as the base for an entirely new adventure (21 Jump Street and Star Trek: Into Darkness being the best of the recent bunch). Absolutely Fabulous: The Movie attempts to follow that trend, throwing its stars Edina Monsoon (Jennifer Saunders) and Patsy Stone (Joanna Lumley) back into the limelight of the fashion PR milieu. The theme of the movie, appropriately, is relevance, with its two leads fighting to stay part of the conversation in a world that has all but left them behind. Physically that means morning rituals of self-applied botox, suction tubes and foetus-blood facial transfusions, while professionally it means trying to land a client who still means something to people (sorry Lulu). The solution presents itself in the form of fashion icon Kate Moss (who cameos), but when an attempt to lure her business ends in disaster, Eddie and Patsy find themselves pariahs of the fashion world and fugitives from the law. Does it all come together as a film? In parts, perhaps, but overall the feeling is one of overreach and superfluity. If anything, Absolutely Fabulous: The Movie is more like a reunion episode than a film, bouncing from scene to scene with barely a plot in sight, even fewer laughs, and a series of fleeting walk-ons from characters you kind of, sort of, maybe remember from back when you watched the show. Barbs about gender reassignment and mixed-race families fizzle by without any real substance, and the drunken stumbling/falling routine that defined so much of the original series now seems sadder than it does funny. That's all part of the point, of course, that the desire for the party to go on forever will, over time, only serve to make fools of its disciples. But the delivery fails to resonate for much of the film's first hour. Where the film does shine is when it returns to its absolute core: pushing in tight on intimate, whispered conversations between its two outstanding leads as they heap red-hot private vitriol on everyone else in the room. Eddie's scatterbrained solipsism and Patsy's unwavering sex-bomb confidence are as funny now as they were two decades ago – making the film's insistent focus on slapstick and buffoonery all the more frustrating. Absolutely Fabulous: The Movie opened number two at the UK Box Office, where it will surely find its homegrown audience more than dutiful to the cause. Even so, it's hard to see this film resonating with either international audiences or moviegoers under the age of 40. When Saunders declared an end to the original TV series after just three short seasons, she did so proudly declaring that it was better to go out on top rather than to overstay your welcome until you're politely asked to leave. Absolutely Fabulous: The Movie might well have heeded such wisdom. https://www.youtube.com/watch?v=Dj3ZWhlmexw
Even if you've never been to Melbourne's Matcha Mylkbar, there's a good chance you might have read about it. Opening back in March in the beachside suburb of St Kilda, the plant-based eatery specialises in vegan food for non-vegans, and made headlines around the country when they started serving a blue algae latte. It's basically the most Melbourne thing ever — so much so that it just won our People's Choice Award for Best New Cafe of 2016. But it won't just be southerners sipping on smurf-coloured coffee for much longer, with a Sydney location on the cards for the new year. "It's always been the plan to get to Sydney," says Matcha Mylkbar co-owner Sarah Holloway. "We looked at Bondi a lot, because of the similar beach vibe to St Kilda. But we've also been looking at Surry Hills, because it's so up and coming, and maybe a little more accessible." While the Matcha team are yet to lock down a venue, Holloway tells Concrete Playground they'll "definitely be in Sydney in the first half of next year". Not only that, but they're hoping to find a space "quite a lot bigger" than the one they have in Melbourne. "We didn't expect Melbourne to take off quite as much as it did, and we've found because so much preparation goes into [the food], we need more space than the average cafe," Holloway explains. Speaking of the food, Sydneysiders can expect all sorts of healthy offerings, from breakfast bowls made with dragon fruit, banana, almonds, activated chia, goji berry, orange and chocolate protein granola, to matcha pancakes with lychee, raspberry, passionfruit, white chocolate sauce, macadamia crumb, lemongrass and macadamia ice cream. That's to say nothing of their patented vegan eggs, as well as a green soy faux chicken burger that Holloway says tastes so much like the real thing that "a lot of vegans feel guilty about it". Somewhere over the rainbow... we found @maggie00105 brunching to this EPICLY AMAZING spread of plant based goodness 🌈 🌿 Happy Tuesday!! xxx A photo posted by M A T C H A // M Y L K B A R (@matcha_mylkbar) on Dec 12, 2016 at 4:40pm PST While their Melbourne café is only open for breakfast and lunch, Holloway hopes that a larger kitchen in Sydney will mean they can offer dinner service too. "We'd love to do some vegan pizzas," she tells us. As for beverages, Holloway says Matcha Mylkbar Sydney will offer a range of "super delicious" smoothies and lattes "in crazy rainbow colours". Indeed, visuals are a big part of the Matcha experience, with Holloway, a non-vegan herself, convinced that the problem with a lot of vegan food has to do with "how it's packaged". When our FAVVV matcha mylkbar mate @talihaa enjoys her smoothie dates 💕 featuring a sneaky fresh coconut hiding away out the back while our skull smoothies take the spotlight 💀 A photo posted by M A T C H A // M Y L K B A R (@matcha_mylkbar) on Nov 21, 2016 at 8:17pm PST "A lot of vegan cafes aren't always as inviting to non-vegans," she says. "You worry about getting preached to, or judged for what you eat. We wanted to create a venue that made plant-based eating mainstream, and interesting to non-vegans, and had all kinds of people dining without sacrificing Instagrammability or flavour." For more updates on Matcha Mylkbar's Sydney expansion keep your eyes on their Facebook and Instagram pages. We'll update you once we know more.
11 years after the release of An Inconvenient Truth, Al Gore is back and more powerful than we could have possibly imagined. Well, no actually. The content of An Inconvenient Sequel: Truth to Power still packs a punch, and as far as composition goes it's a stunner. At the same time, we can't help but feel that after a decade of discussion surrounding climate change, the potency of Gore's central message has been somewhat diluted. Think of it this way: if An Inconvenient Truth was a diagnosis, An Inconvenient Sequel is a check-up. The outlook is still grim, as Gore illustrates with evidence from around the world – melting ice sheets in Greenland, devastating weather events across South-East Asia, flooding in the streets of Miami. But the effect isn't quite as shocking as in the original, although this may be a comment on society's apathy rather than the content of the documentary itself. Naturally, this follow-up has a decidedly political bent. Shot and edited in 2016, the film captures a snapshot of the international atmosphere in the lead up the US election, and there's an extra layer of tragedy that comes watching from the other side. While the original movie battled against the widespread ignorance of climate change, the antagonist in the sequel is the political machinations that prevent a real and widespread response to the threat. And the looming spectre of Donald Trump is the perfect embodiment of this theme. The most compelling part of the doco is the intimate glimpse it gives at the workings at the UNFCCC Paris Climate Change Conference. It was a tumultuous time politically, with a terrorist attack in the French capital having claimed the lives of more than 130 people just days before. But the most interesting element is the negotiations between signatories. Gore, it would seem, played an integral role in helping the united countries reach a voluntary agreement, and the behind-the-scenes look at the negotiations are fascinating – if rather heavily edited. Admittedly, the film does feel a bit heavy on Gore – there are some rambling asides about his political come-up and education programs that stretch a little too long. Viewers may also feel a little worn down by the grim subject matter, although at least the movie finishes on a somewhat positive note. The call to action in the dying minutes of An Inconvenient Sequel – to speak up, to protest, and to be heard to enable change – is a vitally important one. That's true now more than ever before. https://www.youtube.com/watch?v=huX1bmfdkyA
In 2008 an email went out to a group of friends circulating some of the best new music found over a two-week period. Twelve emails and about 50 bands later sender Jason Grishkoff launched this here blog from somewhere in San Francisco, and then this here user-friendly website that now reaps over three million page views per month. These days Indie Shuffle has no less than 10 writers scouring the web for the most exciting new tracks, two of which are regulated to traipsing through the musical landscape of Australia. There their travels have been punctuated extra satisfyingly by jangly melodies from Palms, dream-pop hooks from Australian Music Prize nominees Made in Japan, the reverb-heavy tunes of City Riots and dance floor-cramming stuff from Olympic Ayres and Jubilants DJs. The latest development is that Grishkoff et al. have rounded up all those artists for a big old party at FBi Social. Tickets are $15 on the door, which works out at a somewhat loco $3 per act. You’d be mad to miss it.
Last week we told you about Endulj, a brand new Melbourne food service replicating and delivering dishes from some of the swankiest restaurants in town. Well, if Endulj is the equivalent of dinner at a high-end restaurant, then FoodByUs would surely be a comforting home-cooked meal. In fact, that's literally what they're all about, connecting hungry Australians with talented home chefs. Because why bother borrowing a half-dozen eggs from your neighbour when you can get them to make the whole omelette for you? Described as "a vibrant local community of food buyers and sellers", the online portal and app has been operating in Sydney back in August, and launches in Melbourne this week. Users can chose from culinary creations — ranging from Egyptian tangines to vegan treats and incredible cakes — made by dozens of different professional and amateur chefs for pick-up or delivery. It's like UberEats at community level — a place where it's perfectly acceptable to ask someone else's nonna to cook you dinner. "It's an opportunity to meet your [food] maker and have really authentic food that is homemade and that is really hard to find anywhere else," co-founder Ben Lipschitz told SBS earlier this year. "It's about having that authentic experience." Alternatively, you can try your hand at making and selling dishes of your own. Have your friends ever told you your cupcakes are so good you could charge people for them? Well, here's your chance to put that to the test. For more information and to try it for yourself visit foodbyus.com.au. The app can be found on Google Play and in the Apple App Store.
Going to the races isn't just about watching the race. In fact, we think eating delicious food in an atmospheric setting is just as good as watching horse races. At the 2017 Championships, you can head to the Little Sydney pop-up at Royal Randwick Racecourse and multitask by watching the race and eating food at the same time. Little Sydney will pop up over two Saturdays, April 1 and April 8, and feature some of Sydney's finest dining in a delightfully lavish race day experience. The precinct is situated on the Rose Garden Lawn which overlooks the Theatre of the Horse. Ticket holders can choose to eat at one of three decadent marquees hosted by some of Sydney's finest—this year upmarket seafood restaurant Catalina, boutique butcher and providore Victor Churchill and high-end Asian-fusion restaurant China Doll will be there. Each marquee will offer a specially curated, gourmet menu. On the drinks side, Pimms will be running the precinct's bar with a selection of their refreshing cocktails, and James Boags will take over the viewing deck. Tickets to access Little Sydney will cost a pretty penny—at $450 per person — but this experience really takes all-inclusive luxury to the next level. Each ticket includes Members' Reserve access, exclusive entry into Little Sydney and your chosen Marquee, live music, full coverage of the days racing via private plasma screens, private betting facilities and complimentary infield parking or public transport. Tickets to Little Sydney are on sale via the Australian Turf Club website.
There's lotsa bonza stuff in Straya. But let's face it, team, we could be doing a tad better. If you want to get chatting about how to make this happen, get yourself along to the Sydney Opera House on May 3 for a new talk series dubbed 'Ideas for a Better Australia'. Created by the crew responsible for the Festival of Dangerous Ideas and All About Women, the all-day event will feature five sessions, each committed to a different issue. 'Freedom of Speech', hosted by Chris Berg and Julian Burnside, will tackle the murky and complex topic of saying whatever you like — whether you're a journalist who's discovered dodgy operations in the secret intelligence sector or a citizen who defends the right to be offensive. Meanwhile, a panel made up of Rebecca Huntley, Benjamin Law, Tony Windsor and Ann Sherry will take on the rather infinite subject, 'What's wrong with politics?'. Why do we keep on electing leaders we dislike, even though we know our health, education and environment are in their hands? The final three sessions are 'Which Australia?' with Mark Colvin, Nick Bryant, Rebecca Huntley and Marcia Langton; 'Doing Good' with Peter Singer and Ann Sherry; and 'Young and Old' with Jan Owen, Holly Ransom, Everald Compton and Andrew Charlton. Tix are selling faster than Tony Abbott's popularity is dropping, but for now, both full day and single session passes are available.
If you're looking for something a bit different this Halloween and want to avoid wearing the half-hearted witch costume that you've worn for many years now, look no further than Madame Tussauds. The home of hyper-realistic (and terrifying) wax figures of famous celebrities has cooked up something for the spooky holiday. Dubbed Melt, these 45-minute and, quite frankly, horrifying after-dark tours are not for the faint-hearted. Head on down to Tussauds' Darling Harbour digs from Thursday, October 31 to Saturday, November 2 and you'll rub shoulders with wax celebs as you navigate your way through the halls — think escape room meets House of Wax. You'll use instructions, clues and puzzle-solving skills on your quest to 'make it out alive'. But you must be wary of 'The Artist' — Madame Tussauds' serial killer — looking for its next victim. Run into it and you'll become a strange, half-melted creature who'll haunt the shadows in Madame Tussauds forever. So, it's safe to say your orienteering skills from scouts will come in handy here. Maybe bring along your most calm and logical mates, plus that guy from work who's the only one who knows how to do cryptic crosswords. Madame Tussauds' Melt is a series of 45-minute tours, running between 7–10.30pm from Thursday, October 31 through Saturday, November 2. The event is for persons over 18 years and the maximum number of persons per session is ten. To make a booking, head to the website.
Founder of McSweeney's and novelist of high-fivable acclaim, Dave Eggers, is heading to Australia. The 44-year-old Pulitzer Prize-winner is set to appear at a series of talks as part of Melbourne, Sydney and Brisbane Writers Festivals — notably providing the closing address for MWF, opening for BWF and meeting up with organisations his own models have inspired like Sydney Story Factory. The poster boy for self-made journalists and novelists, the San Francisco-based writer and editor has cranked out no less than ten books including most recent releases Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, The Circle and A Hologram for the King and his Pulitzer Prize-winning first novel and memoir A Heartbreaking Work of Staggering Genius. Eggers also famously founded independent publishing company McSweeneys in the '90s out of SF, an endeavour that now counts a slam dunk of a website, books, a quarterly journal and a monthly magazine, The Believer, in its bag of tricks. But McSweeney's doesn't just publish personified accounts from the font Comic Sans, the team have also released the nonprofit book series Voice of Witness, which illuminates global human rights crises using oral history. Legends. But then there's Eggers' other, closer-to-home initiative, 826 National, the sweet network of eight tutoring centres across the States. It was the 826 model that inspired Australian organisations like 100 Story Building in Melbourne's inner west and Sydney Story Factory in Redfern. In Sydney, Eggers is set to appear in conversation with Sydney Story Factory director, Cath Keenan — whose Redfern organisation is based around Eggers' 826 National tutoring centre model. The pair will be having mad chats at Carriageworks on Wednesday, September 3 as an extension of SWF. In Melbourne, Eggers will apear in a series of Meet McSweeney's-type panels alongside managing editor Jordan Bass with former guest editor Chris Flynn at The Wheeler Centre, before delivering the closing night address for the MWF on Sunday, August 31 at Deakin Edge, Fed Square. In Brisbane, he'll kick things off with the BWF opening address on Thursday, September 4 before a one-off literary cabaret vaudeville show at Brisbane Powerhouse on the Friday. For more informaation, dates and events for Dave Eggers' Australian tour, head to Penguin over here.
With Australia's COVID-19 curve flattening, exactly how and when restrictions will be relaxed has dominated conversation of late. Last week, Prime Minister Scott Morrison revealed that some social distancing and public gathering rules could be loosened in mid-May. Today, Thursday, April 23, Australia's Chief Medical Officer Brendan Murphy shed some light on when international travel could restart. But don't go packing your suitcase just yet. At a senate inquiry meeting into Australia's response to COVID-19, Murphy said that opening borders would be one of the last stages of easing restrictions. "At the moment, any relaxation of border measures would be very risky," Murphy said. "I wouldn't be envisaging any material changes [to border measures] in that three to four months." One exception to that, Murphy hinted to, could be allowing travel between Australia and New Zealand. The Prime Minister echoed this sentiment in a press conference in the middle of the senate inquiry meeting (yes, a busy day), saying that he'd already been in discussions with New Zealand Prime Minister Jacinda Ardern about potentially reopening borders. "If there is any country in the world with whom we can reconnect with first," Morrison said. "Undoubtedly that's New Zealand." [caption id="attachment_596427" align="alignnone" width="1280"] A PurePod in New Zealand[/caption] Some of the restrictions that could be eased before then, and possibly as soon as in three weeks, are those in small groups. In NSW, Victoria and Queensland at present, public gatherings are restricted to a maximum of two people or the members of your household. While Murphy said they "would not be contemplating large-scale gatherings" just yet, "some relaxation of the size of small groups is possible". Other restrictions Murphy says the government is currently looking into loosening include "things like community sport and some retail measures". But, as has been the message repeated in the past week, "we have to weigh up the public health risk versus the benefit to society and the economy". If you're wondering why we're hearing a lot from Murphy during COVID-19, and why his opinions hold weight, Murphy is not only the principal medical adviser to the Federal Health Minister, but also he's the chair of the Australian Health Protection Principal Committee (AHPPC), which makes big decisions in health emergencies — such as global pandemics. There's no exact date on when we'll be able to travel just yet — locally or internationally — but if you want to start dreaming, here are some of our favourite spots to visit in New Zealand. Top image: Mueller Hut Track in New Zealand by Corey Parsons.
If your end-of-month plans included a trip to the Gold Coast to see Travis Scott, Logic, Chvrches and Carly Rae Jepsen, then we have bad news: Sandtunes, the new festival with all three leading the lineup, has been cancelled. The event has endured a tumultuous run since it was first announced in July, when it was billed as a two-day seaside music fest at Coolangatta Beach. In September, "after listening to responses from the local community", organisers moved the festival to the definitely not-by-the-shore Metricon Stadium. But it seems that patrons weren't impressed with the change of venue, even when ticket prices were slashed to help reignite interest. As the event notes, "without sand between our punters' toes, the very notion of the beachside festival in a stadium meant low sales". As a result, the debut fest won't be going ahead — on its scheduled dates of Saturday, November 30 and Sunday, December 1, or at all. https://www.facebook.com/SandTunesFestival/photos/a.352133325459956/410100329663255/?type=3&__xts__%5B0%5D=68.ARApmpGdy5jXx8Xi-9m6RCcZxSnRhY1fQxz9d-ZUZpM7EGPBFrtO1wf-gOYL8tJ0qZ-nxEwmhqno3z-rlZM-1sSPnoKyC5l7CHaq6J3pSmrLQJIrBQeGrziAYhbHJ5qYUVDLaE9HMU8sR6BvffsvLOyKj-cqCrTvjyqnZ0tgaCJJGEe_A9cL_17b23XlTQ3vUg5ZYjn2tqg7MInBAQmSmgVc84QzoHWNgXd7QloG2ER7vWs4JS7GH35iCwI9kS34Fj6jcSGwONORmWpmiUJbF3zmmzzTifplLQWUUoq4rAk-chmpA1emaWuC3FsBe-MsT0GUvOHyEE1oq0wZH3r3dGU&__tn__=-R That also means that the fest's plans not just to run this year, but to become an annual part of southeast Queensland's event calendar, have fallen by the wayside. "This whole concept started with bringing a great music festival to the beach which we see happening the world over in major locations like Spain (Barcelona Beach Festival) and Alabama (Hangout Music Festival). I'm disappointed because I believed this could have grown year-on-year into something really big but unfortunately, we weren't even able to get it off the ground here," said Paul Dainty, president and CEO of promoters TEG Dainty. While it's hardly surprising that the change of location away from the beach dampened music fans' enthusiasm, Sandtunes' timing in general wasn't fantastic, with the fest's dates overlapping with part of Schoolies. The rest of event's lineup was also slated to feature Juice WRLD, Dean Lewis, Sampa the Great, Tkay Maidza, Cub Sport, Kait, Kwame, WAAX, Kian, Alice Ivy, Genesis Owusu and Saint Lane. For folks keen to see Scott, it's especially unwelcome news — Sandtunes would've been the Texas-born rapper's only Australian performance this year. It seems that Carly Rae Jepsen's Aussie tour will still go head, just not in Queensland, with tickets for her Sydney and Melbourne shows still on sale at the time of writing. As for Logic, Sydney and Melbourne ticket sales have "been postponed while we work through some tour logistics", although co-presenter Triple J reports that his visit won't be going head. Sandtunes ticketholders who purchased by credit or debit card will receive refunds automatically within ten working days, while those who purchased in an agency will be contacted by phone with a fortnight to make refund arrangements. For more information about Sandtunes' cancellation, visit the festival website.
Purported as putting "the hilarity back into charity", the Cupid's Undie Run tells hopefuls to leave their Sunday best at home and don nothing but their underwear. Participants raise money for the Children's Tumour Foundation of Australia, an organisation dedicated to fighting neurofibromatosis, a genetic disorder which can cause deafness, blindness, cancer, and chronic pain. Runners are rewarded for their good deeds with prizes, post-race entertainment, drinks, and awards.
You can never have too many food trucks and chicken wings, and King of the Wings is hoping that the poultry-loving people of Sydney agree. After slinging their spicy pieces around Brisbane since 2014 — and proving one of the first purveyors of meals-on-wheels in southeast Queensland, in fact — they're heading south to bring their tasty morsels to a whole new batch of hungry customers. Come May, King of the Wings will pop up at The Observer Hotel in The Rocks for what they've dubbed 'Wing Week', serving up tender, tasty chicken galore. The full details of the event yet to be revealed; however, just running your eyes over their menu should be enough to motivate you to be there. It's about quality over quantity here, with the self-proclaimed wing kings specialising in five flavours: their signature Southern-style herb and spice rub, a sweet chilli-infused honey sesame sauce, traditional American barbecue, the extra hot 'Chillogy' and a Portuguese crumb. The Sydney pop-up comes hot on the heels of King of the Wings adding a second, split-level design truck to their fleet, as well as competing in last year's New York Wingfest — where they took out the best new vendor field, and came second in the best wing sauce category. Sydneysiders, if you want to find out why, you'll just have to head along. King of the Wings will pop up at The Observer Hotel in The Rocks, Sydney in May. For more information, keep an eye on their Facebook page.
While Sydney yesterday experienced an unseasonably mild day, our southern counterparts were experiencing the next ice age. It got so cold yesterday that it started snowing in parts of of Victoria, and this morning residents in Melbourne's outer northwest woke up to a nice blanket of snow covering their properties. Current 'feels like' temperature? Zero degrees. That's literally freezing. Here's what it looks like: A video posted by Brad Clark (@bradclark) on Jul 12, 2016 at 2:36pm PDT A photo posted by Matt Anderson (@mattriand) on Jul 12, 2016 at 2:41pm PDT Closer to home, that chilly city Canberra was also hammered by cold weather, with temps dropping to just one degree overnight. Looks fun. But also horrendously cold. Black Mountain is a white mountain. #CanberraSnow pic.twitter.com/p41SjyeFOJ — ABCcameramatt (@ABCcameramatt) July 12, 2016 A photo posted by Andrew Barr MLA (@andrewbarr) on Jul 12, 2016 at 2:32pm PDT So, yeah, it's freezing. But before you start feeling smug about the warm 11 degrees it is outside, know that the freeze is coming for us. It's gonna be a chilly one tonight. Top image: Matt Anderson via Instagram.
Since late in 2019, when Disney launched its own streaming platform, fans of its animated classics, beloved hits and many, many super-popular franchises have been able to binge their way through the Mouse House's back catalogue from the comfort of their couch. Later this year, however, movie buffs will be asked to leave their houses to check out a selection of the company's famed titles — all thanks to the new pop-up Disney+ Drive-In that's coming to Brisbane, Sydney and Melbourne. Yes, a streaming service is running a drive-in. Or, to put it another way, a product designed to get everyone watching on small screens at home is now endeavouring to lure viewers out to watch its flicks on a big screen from their cars. That's a very 2020 situation, with Disney+ teaming up with Openair Cinemas to make it happen. The drive-in will kick off in Brisbane, at Northshore Hamilton — in the event space next to the Brisbane Cruise Terminal, to be specific — on Thursday, September 17, screening films every night (except Tuesdays) until Sunday, October 18. Brisbanites with a long memory might remember that the stretch along the river has been used as a drive-in before, with the Brisbane International Film Festival doing so back in 2011 and Eat Street Northshore also screening movies. As for what'll be screening, the Disney+ Drive-In is theming its various evenings, with double features on offer on most nights. That means on 'Star Wars Wednesday' you'll catch The Force Awakens, The Last Jedi, The Rise of Skywalker and Rogue One; and on 'Throwback Thursday' there'll be a focus on nostalgic movies like 10 Things I Hate About You, Mrs Doubtfire, Mighty Ducks and Edward Scissorhands. Then there's 'Disney Super Fan Friday', serving up both live-action and animated versions of Aladdin, The Lion King and Beauty and the Beast; and 'Sing Along Saturday', where Moana, The Greatest Showman, The Little Mermaid and both Frozen films will screen. Next comes 'Pixar Sunday', including everything from Cars and Ratatouille to Inside Out and Wall-E — and, finally, 'Marvel Monday' will feature the likes of Black Panther, Thor: Ragnarok and Captain Marvel. The pop-up will then head to Sydney from Thursday, October 22–Sunday, November 15, with both its program and its location yet to be revealed. Lastly, it'll hit up Melbourne, too, with both dates and the venue still under wraps. Folks interested in either season can sign up for updates via the drive-in's website. https://www.youtube.com/watch?v=ue80QwXMRHg Popcorn, snacks and drinks will be available onsite — or you can bring your own. It's strictly a no-alcohol affair, though. And, ticket-wise, you'll be paying per car; however, prices vary depending on a number of factors. For a single film, you'll pay $42.53 if there's one or two people in your car, and $52.75 if there is three or more. For a double feature, that changes to $73.74 and $84.51. Disney+ Drive-In presented by Openair Cinemas kicks off in Brisbane, at Northshore Hamilton, on Thursday, September 17 — with its season running until Sunday, October 18. It'll then head to Sydney, at a yet-to-be-disclosed location, from Thursday, October 22–Sunday, November 15. Lastly, it'll hit up Melbourne, with both dates and the venue still under wraps.
Melbourne's famed burger joint 8bit has finally arrived in Sydney, joining a string of other eateries in Darling Square's new food precinct Steam Mill Lane. To celebrate the opening, it's giving away free burgers this Thursday, May 3. Yep, burgers — for free. Best pop a "work lunch" into your calendar now. From noon until 2pm, the good people at 8bit will give away 300 of the eatery's signature cheeseburgers — that's a beef patty topped with tomato, lettuce, red onion and pickles, then sauced with the holy trinity of ketchup, mustard and secret sauce. Lucky for Sydneysiders, the 130-seat diner is 8bit's largest joint yet, so there will be plenty of space to tuck in. Of course, these bad boys will only be available until sold out, so make sure you get there right at noon to secure one.
Considered Brisbane's Banksy by many, famed Australian artist Anthony Lister is at it again. This time, he's launching a ten-year anniversary show in Kings Cross from Wednesday, July 17 — and it's free to the public. Culture is Over pays homage to the bygone era of Kings Cross as the thriving cultural hub of our city. The exhibition marks ten years since Lister's pop-up event No Win Sitch — which took place in the now-closed Porky's Nite Spot strip club, and helped the artist gain international recognition. Fittingly, Culture is Over will also take over the old Porky's digs with an exploration of just how much Sydney has changed in the past ten years. This latest installation is inspired by Lister's iconic artwork Moloch of Luna Park, which depicts the unidentified horned man that is said to have terrorised theme park guests back in 1979. Expect paranormal and mythical themes in a mix of painting, sculpture and video installation — all of which track how, according to Lister, our city has "lost its soul", thanks to the lockout laws. Opening night will take place on July 17 from 7–9pm. The free exhibition will then run for one week until July 24, with opening hours from Monday– Friday between 11am–3pm. For serious collectors (and serious fans with some cash to splash), some of Lister's artwork will be available to purchase, too. Images: Yasmin Suteja.
Harry Seidler is the second most popular result when searching 'Harry S' on Google. Amongst a lifetime of achievements and accolades, his Google popularity would probably be of little concern to him if he were still alive today. Seidler was one of Australia’s most prolific architects, who throughout his career designed over 180 buildings embracing modernist methodology and fully expressing the principals of the Bauhaus. Take that Harry Styles! On Friday, November 7, the foyer spaces of three iconic Harry Seidler buildings in Sydney’s CBD will be transformed as part of the 2014 Sydney Architecture Festival. Expanded Architecture have curated an exclusive one-night only event called Temporal Formal at Seidler City. Guests are invited to join a guided tour through some of the city’s most identifiable buildings, exploring specially commissioned, site-specific installations that explore the intersections between art and architecture. The exhibition includes light, sound and performance art as well as installations made from "crushed glass, water-dissolving lace, liquid chalk, modulated furniture, fog, digital interactive projection, cross stitch and crochet.” That's no mild foyer art.
Forest Lodge. That often overlooked suburb wedged in between Glebe and Annandale. You've got the essentials any decent suburb needs: local video shop, good coffee, a standard Thai joint and a pub for the boozers. And now the residents of Flodge even have their very own official beer club, the newest venture from the Roxbury. Craft Beer Club is held on the last Thursday of every month (except for December) with the next event on 29 November. This month's Beer Club will showcase three interstate breweries and one local brewery. "Beer Club is designed to support Australian micro brewers and great beer, something that we're very passionate about here at the Roxbury," says bar manager, Craig McVea, "The night is very casual with each brewery sampling one to two brews with the first usually being a flagship beer and the second a limited release brew."
Winter puts most of us in a slump but that doesn't mean your sense of style also has to fall behind. Rather than go out and buy a new wardrobe, give new life to your existing clothing with Philips' range of garment-care tools. Philips is giving away five prize packs (worth $164.85 each) that include a Philips Handheld Garment Steamer, Rechargeable Fabric Shaver and Sneaker Cleaner. The 3000 Series Steamer not only removes wrinkles on almost all iron-safe fabrics, including delicates but also reduces odours and bacteria so that you can prolong your wear between washes. The handy gadget is compact and foldable, meaning you can throw it in your bag on your way to the office or even bring it with you on any upcoming travels. If you've been living in your knitwear all winter, it's time to revive your sweaters. The 1000 Series Fabric Shaver removes unsightly pills on all garments and is conveniently rechargeable by USB. Don't overlook your footwear — your shabby sneakers can still be saved with the electric sneaker cleaner, which features three types of rotating brush heads to bring your shoes back to their original spotless glory. Enter below to be 'fit check-ready year-round. [competition]968206[/competition]
Sydneysiders know a thing or two about beloved creative spaces becoming endangered. Unfortunately, this is not a new phenomenon. Fortunately, sometimes the cries of despair are heard and the venue is saved. In 1984, Nimrod Theatre was saved from redevelopment with droves of theatre lovers forming a syndicate to buy the building. Thus started the new life of Belvoir St Theatre. Thirty years on, with government support from the Major Performing Arts Board of the Australia Council and Arts NSW, the theatre is one of the most acclaimed venues in the country. It continues to play host to the best and the brightest of the arts and entertainment industry, with a dynamic roster of works spanning its 'Upstairs' and 'Downstairs' theatres.
A multi-channel video installation entitled Vertigo and photographic work from her, Tidal Walk, contextualise Fiona McGregor's new series at Artspace. Against the ground of documentation of her previous performance work, she will present durational performance pieces that reflect on water as a necessary resource for the body, and as a major element of the environment in which the human body exists. "When I see a tap running unattended, I feel like I am watching someone bleed," say McGregor, and her Water Series explore similarities between how the circulatory and digestive systems of the human body and the movement of water through physical environments. It's an accumulative project in which the first work, Water 1: Descent sees the artist lying still covered in salts for 24 hours as rainwater equal to her body weight is released onto her forehead in drips. The second 24-hour piece, Water 2: Passage brings saltwater into the artist's body via an IV drip while another tube extracts her blood; this performance culminates in McGregor's back being tattooed with water. Water 3: Expulsion moves the water-body interaction to its final stage, from impact upon to journey through to production, wherein throughout a final 24 hour period McGregor will consume large quantities of water and use the resulting urine to power a small fountain.
Remember a few weeks ago when we told you that New York City were #blessed by the birth of the XL xiao long bao? Remember how we all collectively freaked out and thought 'that's a thing that I want!'? Well, prepare thy loins for a summer of hot, soupy spills because the XL XLB is hittin' Sydney and Melbourne — hotter, bigger and soupier than ever. Din Tai Fung, known for their general dumpling prowess and cute, Chinese New Year themed animal dumplings, are the proud parents of Australia's first super-sized dump dump. Just like their American counterpart, the Din Tai Fung XLB is designed to be sucked up with a straw, so bulbous with soup is she. They'll be serving them for $8.90 a pop throughout November — but unfortunately not at their café court venues. This meal deserves a sit-down experience. For the uninitiated, prepare to have your world rocked. The xiao long bao is a steamed, soupy dumpling filled with a flavoursome broth and a pork and prawn filling. They usually come in mouth-sized portions but Din Tai Fung will be serving them up at seven times their usual size (hence the need for a straw). Grab 'em from November 1 to November 30 at Din Tai Fung World Square, Central Park, Westfield Chatswood and Westfield Miranda in Sydney, and at Emporium in Melbourne.
A lacklustre vehicle for two fine actors, Diane Keaton and Brendan Gleeson are wasted in Joel Hopkins' Hampstead, a light-on-charm plod-along which harbours not much more than a giggle every now and then, some pretty scenery, and a particularly nice looking veggie patch. Keaton is Emily, a recently widowed woman who lives in an upmarket block of apartments in London's Hampstead, neighboured mostly by other rich women her age. Her days involve throwing her hands up in the air about her debts while wandering around with her peers signing petitions and having brunch. Unsurprisingly, she feels as though something is missing from her life. Enter Gleeson as Donald, a gruff Irishman who lives in a ramshackle hut on the heath, in perfect binocular-spying distance from Emily's attic. He grows his own food and fishes in the lake. One thing leads to another, there's some perfunctory plot development, and the two meet and strike up a romance. The only problem is that there's so little chemistry between the two that at one point, during a scene where they're kissing in bed, I found myself wondering whether it would rain tomorrow and if I had washing to put on at home. The two actors do their best with the cloying, Richard Curtis-wannabe script, which aims for whimsical and lands on limp. Turns out Donald has built a cottage on the Heath without permission, doesn't pay rent or taxes, and is being evicted by the council who plan to build apartment blocks in place of him, leaving him homeless without any relatives to rely on. Emily, on the other hand, is worried about whether she's going to have to sell her super lush apartment because she's bad at accounting. Naturally the two bond over their "similar" circumstances. Based on the true tale of Harry Hallowes, who did actually live on Hampstead Heath in a DIY shack, the story itself is quite interesting. But the romantic comedy angle feels as though it's being squeezed out of a nearly-dry sponge. Hampstead isn't bad. It just isn't, in the grand scheme of things, particularly good either. If you want to feel warm and fuzzy, there are plenty of better, sweeter and more charming British films worth watching. Also, if fishing and cheese picnics are someone's idea of "trampy" dates, then line me up. I'd swipe right on that any day of the week. https://www.youtube.com/watch?v=wsJv_bJBHSY
From the shaken to the stirred and everything in-between — this May, the country's world-class mixology scene will be celebrated in a very big way at a month-long drinks festival. The inaugural Australian Cocktail Month is set to kick off Sunday, May 1, descending on venues across a heap of Aussie cities with a diverse lineup of crafty collaborations and exclusive concoctions. In total, 145 bars are taking part in Adelaide, Brisbane, Canberra, Darwin, Geelong, Gold Coast, Hobart, Melbourne, Newcastle, Perth and Wollongong — and in Sydney, of course. Here in the Harbour City, 25 spots will help Australian Cocktail Month celebrate its second year. And, both boozy and alcohol-free cocktails will be on the menu. Wondering where you'll be heading? Hit up local favourites such as About Time, Frank Mac's, Hickson House, Jangling Jacks, Maybe Sammy, PS40 and Re, for starters. Along with the other venues taking part, they'll spend the month whipping up creative-charged festival cocktails (and mocktails) using drops from both local brands — think: Brix Distillers, Four Pillars and Archie Rose — and international labels. To get among the best of it, grab a $20 Australian Cocktail Month ticket and enjoy full access to all of the participating venues' cocktail creations. Alcoholic drinks will be priced at $14 a pop, with low-alcohol and booze-free options clocking in at $10. Top image: Hickson House, Steven Woodburn.
The Manly Jazz festival is heading back into town this October long weekend, bringing its blend of New Orleans jazz, gospel, Latin and roots to the beachside suburb for the 41st time. So jump on a ferry and get over to the northern beaches for three days of smooth sounds this spring. Held in a variety of indoor and outdoor venues dotted along the beach, the jam-packed program features over 100 free performances. On the lineup you'll find jazz drummer Carl Allen, who's flying in from the US to take the stage by the water, fusion group Back to Back and 'Sydney's first lady of blues' Alice Terry. A tribute show to one of the greatest singers of all time — Aretha Franklin — is also on the program. Those wanting to get a bit more hands on can also head to a workshop, or to the pop-up garden, which will be stocked to the nines with craft beers, cider, wine and Mexican snacks from local eatery Bar Troubadour.
For dazzling views of the Grose Valley and wombat spotting, head to Mount Banks. The 2.4-kilometre return trail starts at the Mount Banks picnic area and begins with a short yet steep climb before ascending gradually to the summit. Most peaks in the Blue Mountains are sandstone but this still has a basalt covering created by volcanoes 20 million years ago. For the flora fiends among you, take in smooth-barked monkey gums and native wildflowers. Once you hit the top, the view of Grose Valley from the summit is awesome. If you'd like to extend the hike, opt to link up with the Mount Banks Road cycle route, which will make the trek about 4.7 kilometres all up. Image: Elinor Sheargold, Department of Planning, Industry and Environment
Over the past decade or so, Orange has become recognised as one of Australia's finest culinary regions. And, for one special weekend this winter, Orange Winter Fire Festival will have the town bursting with great food, drink and cultural events, all with a wintry flavour. The festival will capitalise on the town's winemaking status as some of the best local drops are showcased at events inspired by classic Australiana images, such as crackling bonfires and chargrilled feasts. Held across the weekend of July 31–August 1, the festival kicks off on Friday with a smoke and fire dinner at Philip Shaw Wines and a premiere of Inferno, a docudrama about frontline firefighters, at the Printhie Apple Packing Shed. The fiery festival continues with hot cocktails by firepits at the Oriana Hotel and a stargazing session that focuses on First Nations peoples' knowledge and stories of the skies. With wine tasting sessions and sing-alongs, plus so much more taking place over the festival, a road trip to the Orange Winter Fire Festival would make for a pretty perfect winter weekend. Of course, with some COVID-19 restrictions still in place, it won't be exactly like previous iterations of the festival. As well as in person events, the festival with include a virtual program called Very Local, which you can enjoy from the comfort of your couch from Friday, July 31 through Sunday, August 16.
The Scandinavian crime fixation currently sweeping non-Nordic nations shows no signs of abating. Jussi Adler-Olsen's Department Q series provides the latest instance, a four-instalment-to-date police procedural setting a duo of detectives in search of answers to dead cases. The Keeper of Lost Causes is the first feature to result. All the elements exist in director Mikkel Nørgaard and writer Nikolaj Arcel's version of the novel. (They're both veterans of the burgeoning genre with resumes that encompass television's Borgen and the Swedish-language The Girl with the Dragon Tattoo as evidence.) An odd couple, an against-the-odds task, brooding backstories, a pretty prey and a cat-and-mouse game with the perpetrator furnish a feature that stays within the confines of the expected — except for one significant deviation. As well as tracking the law enforcement quest to uncover the truth, the film gifts viewers with the victim's perspective: her tale told as a parallel to the investigation. The Keeper of Lost Causes is in cinemas on July 31, and thanks to Madman Entertainment, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our full review here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=68sO1s9Hy70
Action Bronson is one MC in Queens you might actually want to take home to meet your mum. Not only can he rap, he can cook. Before gaining attention of hip hop aficionados with his 2012 Party Supplies-produced mixtape, Blue Chips, he spent hours searing ahi tuna and whipping up frittata napoletana for New York gourmets. While you can still keep up with Action Bronson's culinary adventures in Action in the Kitchen, you'll be more likely to find him on a stage somewhere these days. In August 2012, he signed to Vice Records, who also have Snoop Lion on their books. Having released studio LP Rare Chandeliers in November, Action Bronson will bring his verbal agility, gonzo-style wit, and titanic vocabulary to Sydney for the first time on January 12. Supporting him will be founder of Stones Throw Records, Peanut Butter Wolf (US), multi-instrumentalist, vocalist, producer, and arranger Jonti, who supported Gotye on his 2012 American and European tours, and Sydney DJ Mike Who?. Concrete Playground has two double passes up for grabs. For a chance to win, make sure you're subscribed to Concrete Playground then email your name and postal address to hello@concreteplayground.com.au by 5pm, Wednesday 9 January. https://youtube.com/watch?v=J2AHvZWojSc
As far as fortieth birthdays go, this one promises to be a serious banger. The inner west's much-loved Newtown Festival returns this November, celebrating the big 4-0 in style, with a huge day of community, art, music and food. Brainchild of the Newtown Neighbourhood Centre (NNC), the event's main aim is to raise funds and drum up support for those doing it tough in the area. It's also a great excuse for people to get together and show some love for a unique pocket of the world. Taking over Camperdown Memorial Park on November 11, this year's outing sees the return of a bunch of festival favourites, including the Better Read Than Dead writers tent, the Eco Village and the ever-popular Sassy Treats Dog Show, celebrating all of those four-legged festival-goers. There'll be a sprawling collection of over 300 stalls, slinging everything from food to fashion, and the soon-to-be-announced music lineup showcases artists who've each got their own strong connection to the Newtown community. If you'd like to host a stall, albeit food or fashion, applications are now open. In the lead up to the festival, NNC will also host a series of gigs, live street art performances and open air movie screenings to celebrate its four decades of life. Newtown Festival's $5 entry fee, collected at the gates, goes directly to the NNC, which provides support services for disadvantaged groups in the local community. Image: Katje Ford, James Simpson and Jess Gleeson
Good Neighbours celebrates NSW artists who identify as living with a disability. After a two-year project that began with the partnership of Artbank and Create NSW in 2015, the exhibition came to life on June 29 and will be open until October 6. The project fostered creative relationships between the artists and local peers living with and without disabilities. Something beautiful came from the project, and now Good Neighbours: a supportive art community. Some features include colourful prints adapted from a graphic novella, charcoal drawings, watercolour paintings exploring mental illness, and sculptures of kangaroo paraphernalia. Good Neighbours will also be debuting Daniel Kojta's digital video, Walking All Over My Friends 2017 – his year-long project exploring the limitations of his physical abilities. Some pieces are solo ventures, while others are collaborations. Either way, the art at Good Neighbours celebrates the value of helping others, drawing from the Artbank collection and other private loans you'll have to check out for yourself. Image: Jesse Jaco.
Who knew that a simple zoom out could be so heartbreaking? Iranian-Kurdish journalist and Manus Island detainee Behrouz Boochani, that's who. Secretly recording his indefinite detention in Papua New Guinea's controversial facility for asylum seekers, it's a filmmaking flourish he uses several times throughout Chauka, Please Tell Us the Time. Shooting his restrained surroundings on a mobile phone, his camera captures images both scenic and ordinary — a beach and a communal space, for example — only to then lurch backwards to reveal bars obscuring the view. The statement Boochani makes with this stylistic choice might be obvious, but it's important. For the incarcerated, freedom and normality is so close and yet so far. That applies not only to peering beyond their fenced-in confines, but trying to flee oppression in search of a better life. They're ostensibly right next door to their ideal destination, Australia, and yet the place they're forced to inhabit couldn't be further from their dreams. Indeed, as they struggle with their imprisonment, endure a climate of violence, and make calls to their families back home, their situation more closely resembles a nightmare. Of course, this has all been splashed across countless news headlines; in fact, when the documentary was released in June last year, the Australian government had just that week settled a $70 million lawsuit with Manus Island detainees. But as 2016's Chasing Asylum demonstrated, there's a difference between hearing about the harsh conditions Boochani and company suffer through, and seeing them first-hand; just as there's a difference between seeing asylum seekers as a faceless mass, and getting to know their individual stories. A collaboration with Iranian-Dutch filmmaker Arash Kamali Sarvestani, who produced, edited and composed the suitably emotive score, the movie is less an interview-filled expose, and more a moody portrait of the daily reality of life on Manus Island. Men share tales of bleak incidents within the facility, and try to speak to wives, children and mothers left behind. In between, the camera roams — sometimes over bunk beds no one would want their worst enemy to sleep in, sometimes finding a kitten fenced in behind the wire. Poetic in its depiction of the banality of detainment while offering an impassioned polemic on a punitive regime, Chauka, Please Tell Us the Time is a film of juxtapositions — its subjects yearn for beauty while experiencing abject horror. It's no wonder, then, that Boochani and Sarvestani have chosen to name their feature after a term with a significant double meaning. 'Chauka' refers to both a local bird known for emitting noises at specific times, and the solitary confinement facility within the camp. The film is showing on Sunday, April 22 at the MCA as part of the 21st Biennale of Sydney. Tickets are only $10. https://www.youtube.com/watch?v=EwaVMPYEzrA
Think back to your kindergarten years and there’s probably a few things that still stick in your mind, whether it’s snuggling with your favourite plush at nap time or getting your hands sticky with glitter at the craft table. But what happens when you turn these fond memories of normalcy and childhood on their head? If you’ve seen Annette Messager’s latest retrospective exhibition at the MCA, you’ll know that such cherished toys can instantly be transformed into ghoulish terrors more likely to be found in a nightmare than a five-year-old’s playpen. Now you too can follow Messager’s creative footsteps and try a hand at reinventing everyday objects into works of art, grotesque or not. MCA’s series of Subversive Stitching workshops, led by textile expert and artist Nicole Barakat, promises to teach embroidering, stitching and sewing for you to apply to your dolls, soft toys and clothing, with the twist that results need not be pretty. Beginners are welcome and materials are provided. It’s certainly high time we all sit down at the craft table again.
If holidaying at sea sounds like your kind of vacation, then cruise ships boast plenty of attractions, including scenic journeys across the ocean, buffet meals, booze and a plethora of spots to laze by — or in — a pool. But there's one thing they haven't featured until now: onboard roller coasters. That's about to change thanks to one cruise ship company. Come 2020, Carnival Cruise Line will debut its Mardi Gras vessel, which will include a 240-metre electric roller coaster called Bolt. The ride will soar nearly 60 metres above sea level, using a two-rider, motorcycle-style vehicle. And, it'll navigate twists, turns and drops at speeds of almost 65 kilometres per hour. Basically, the vessel upgrades cruise ships from floating resorts to floating theme parks — so if you've ever visited Luna Park, Dreamworld or Funfields and wished that all of their attractions were on a boat, now you're in luck. If you're keen on the idea but not so fond of the zooming speed, you'll be pleased to know that the latter is adjustable. No matter how fast you choose to go, you'll have your photo taken mid-ride like on most coasters. Named after the cruise line's first ever ship from back in 1972, the 5200-passenger Mardi Gras will be based out of Port Canaveral in Florida — and just where the vessel's itinerary will take it, and how much a trip will cost, has all yet to be revealed. The company also has two other ships with SkyRide attractions, which involve pedalling around a suspended course in a go-mobile, as well as liners with water slides and aerial ropes courses. For more information, visit the Carnival Cruise Line website. Image: Carnival Cruise Line.
Two Little Boys follows the series of unfortunate incidents that make up Nige (Bret McKenzie) and Deano's (Hamish Blake) long-term mateship. Things get tricky when Nige accidentally runs over and kills a Scandavian soccer star. He has no one to turn to but Deano and, unfortunately, Deano is not the kind of guy to turn to in a time of crisis. The mishap leads to more unfortunate events with hilarious and bizarre consequences. Directed by Robert Sarkies and based on the novel by Duncan Sarkies, Two Little Boys is a cheeky comedy bound to make you laugh and appreciate the one of a kind relationship between two best mates. Thanks to Hopscotch, Concrete Playground has ten double passes to giveaway to see Two Little Boys. To go in the running just subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au
The woods are a dank and dreary place in Disney's big screen adaptation of this beloved Broadway show. A star-studded fairy tale mash-up, Into the Woods contains no shortage of great actors, none of whom can do anything to distract from the film’s horribly awkward pacing or the apparent visual indifference of its director. Combine that with the script's (mostly) toothless treatment of Steven Sondheim’s subversive source material, and this is one Hollywood musical that sounds hideously out of tune. The story takes place in a generic far away kingdom, where a lowly baker (James Corden) and his cheery wife (Emily Blunt) enter into a bargain with the neighbourhood witch (Meryl Streep): locate four magical objects, and in return she'll lift the curse that prevents them from conceiving a child. The search takes them deep into the nearby woods, where they encounter a multitude of bedtime characters, including Cinderella (Anna Kendrick), Little Red Riding Hood (newcomer Lilla Crawford) and Jack the Giant Slayer (Daniel Huttlestone). Sondheim doesn't just include these names because they're familiar. Although fairy tales are aimed at children, they're inevitably packed with plenty of adult subtext. Into the Woods, in its best moments, subverts our expectations, delving more explicitly into the ideas lurking under the surface of these kid-friendly fables, or in other cases turning them totally on their head. The sexually suggestive interplay between the pre-teen Little Red Riding Hood and the lecherous Big Bad Wolf (Johnny Depp) is seriously un-Disney, while Chris Pine's delightfully hammy performance as the somewhat less than charming Prince Charming speaks to the folly of unrealistic romantic expectations. His rendition of 'Agony' is the highlight of the film by far. Sadly, these tongue-in-cheek moments rarely go as far as you would like. The instances of morbid and self-aware humour are great, but they're ultimately secondary to a dull, drawn-out story. Furthermore, although the songs are generally well written and performed, they increasingly tend to bog down the narrative as opposed to driving it forward. At the same time, despite the endeavour feeling too long, a number of the major character arcs feel seriously short-changed. The witch, in particular, simply up and disappears once the movie has nothing more for her to do. Then there's the matter of director Rob Marshall, who between Nine and the most recent, nigh-unwatchable Pirates of the Caribbean movie seems determined to prove that his Oscar for Chicago was a complete and utter fluke. His unimaginatively framed musical sequences make Tom Hooper's super-extreme Les Miserables close-ups look positively artful, while the overcast grey-green colour palette of cinematographer Dion Beebe saps the film of whatever energy was left. For a film about magic, Into the Woods contains next to none. Here's hoping this isn't an indicator of what 2015 movies have in store.
UPDATE: MARCH 18, 2020 — Organisers have announced that all remaining sessions of the 2020 Alliance Francaise French Film Festival have been cancelled from Thursday, March 19 — hopefully to be rescheduled at a later date, but with further details to be decided down the line. The decision comes "following the Australian Government's additional restrictions on non-essential social gatherings". Ticket holders will receive a full refund. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. In one of the films screening at this year's Alliance Française French Film Festival, Oscar-winner Jean Dujardin (The Artist) takes his obsession with a deerskin jacket to quite the extreme. In another of movies on the 2020 program, Eva Green (Penny Dreadful) rockets into space, playing a single mother who's also the only woman in the European Space Agency's astronaut training program. And, in yet another flick showing at the fest, voodoo, a secret literary society and a Haitian teen all combine. In other words: no matter what kind of French film you're looking for, you'll likely find it on the event's 31st lineup. If you're eager to catch the three aforementioned movies, then put Deerskin, Proxima and Zombi Child on your must-see list. There's more where they came from, of course, with the 2020 festival screening 49 new and classic French flicks when it tours the country from March 10. It all begins with Olivier Nakache and Éric Toledano's The Extraordinary, which dramatises the real-life efforts of Frenchman Stéphane Benhamou — who runs his own Parisian shelter for autistic youth who aren't cared for by the system otherwise. And, when the fest comes to a close, it'll do so with comedy The Bare Necessities. In the Cannes-premiering title, a radio show agony aunt in a small village is completely unaware that her adult sons have been calling in with their own problems. https://www.youtube.com/watch?v=TIsEZ2tTavU Other highlights: Xavier Dolan's Matthias & Maxime, which stars the acclaimed Mommy filmmaker as one of two friends forced to confront their feelings for each other; Oscar-nominee Les Misérables, about clashes between cops, teens and gangs in Montfermeil; and the 1968-set How to Be a Good Wife, which sees Juliette Binoche run a housekeeping school that prepares teenagers to become housewives. Or, French film lovers can catch Farewell to the Night, where The Truth's Catherine Deneuve is forced to deal with her grandson's radicalisation; Invisibles, a comedy abut an illegal women's shelter; and rom-com Room 212, the latest movie by Sorry Angel's Christophe Honoré. For those particularly interested in How to Be a Good Wife, this year's fest is putting on special bushfire-relief sessions in all capital cities that'll donate 100 percent of the ticket sales to the Australian Red Cross Bushfire Appeal and Rural and Remote Mental Health — so you see a movie and support a good cause. The same will be the case with In the Name of the Land, a drama about French farmers. Elsewhere, French and Russia trade nuclear threats in submarine thriller The Wolf's Call, a secret manuscript sparks a twisty whodunnit in The Translators, and life in 90s Afghanistan gets animated in book-to-screen adaptation The Swallows of Kabul. Because TV is increasingly finding a place on the film festival circuit, small-screen fans can also feast their eyes on the first three episodes of French series Vernon Subutex, which stars Romain Duris as an ex-record store owner trying to work out what to do next with his life. The Alliance Française French Film Festival tours Australia from March 10, screening at Sydney's Chauvel Cinema, Palace Norton Street, Palace Verona, Palace Central and Hayden Orpheum Picture Palace from March 10–April 8; Melbourne's Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Kino Cinemas and The Astor Theatre from March 11–April 8; Perth's Palace Raine Square, Cinema Paradiso, Luna on SX, Windsor Cinema and Camelot Outdoor Cinema from March 11–April 8; and Brisbane's Palace Barracks and Palace James Street from March 18–April 14. For more information and to buy tickets, visit the AFFFF website.
For us, summer is all about getting together with friends and family to toast to the silly season with delicious drinks. And this year, Moët & Chandon is making your end-of-year celebrations even sparklier with its pop-up drinking destination coming to the Sydney Harbour foreshore. You and your crew can enjoy a luxe day at Moët & Chandon's Sydney Effervescence from Thursday, December 2 till Saturday, December 4. Set against the backdrop of the Royal Botanic Gardens, this glittering installation will take you far beyond your typical harbourside drinks. Inside a breathtaking 500-square-metre sculpture, you'll get to sip champagne in the luxe Moët & Chandon Lounge as you soak in the spectacular harbour views. Tickets to this sparkling experience are $35 per person and include a Moët Mini on arrival. And while there are some walk-in spots available, we recommend booking ahead to secure your spot. Not only is it going to be an ideal place to reconnect with loved ones but also it'll provide a fitting backdrop to get that all-important festive (and glitzy) snap with your mates. Ready to immerse yourself in the effervescent world of Moët and Chandon this summer? For more information and to book your tickets, visit the website.
