Lately, the works of the Dutch masters are receiving some fabulously intense, borderline-OCD flattery from a man who takes the art of imitation to the next level. Creative genius and 17th-century portrait subject stalker Michael Mapes gathers very specific objects and uses them to form intriguing, almost sculptural 21st-century replicas of famous portraits. Look closely at one of Mapes' pixelated images of a face originally painted by Rembrandt or Nicolaes Eliasz Pickenoy, and you'll be rewarded with unexpected findings. The larger picture is composed of all manner of objects, from fragments of human hair to makeup samples, glass vials, gelatin capsules, costume jewellery, contemporary photographs and more. The variety of materials and attention to detail is quite astounding. But this is no random assemblage. Building on a 'pseudo-scientific method' developed for earlier works, after choosing a high-resolution scan of a painting from the archives of Amsterdam's Rijksmuseum, Mapes researches the life of his subject to get a sense of their character. This will inform the eclectica that will make up the physical recreation, and the end result is akin to an entomological display of insect specimens, with many tiny items pinned to a plain backdrop for inspection. It's much like viewing a collection of preserved butterflies, raising an implicit question about how we scrutinise historical artwork, people and visual culture in general. Broader meanings are also embedded in the compositional material of the image — for example, we might ask, how is a gelatin capsule relevant to this character? — making these portraits into extreme meta-portraits. Three artworks from the series will be shown in Montana at Yellowstone Art Museum starting this March, in an exhibition of innovative forms of portraiture entitled Face to Face. See more of the artist's works at
For most of us, bringing the outdoors inside is interior decorating speak for putting a few plants around your apartment. For artist Doug Wheeler, it has been a life-long ambition. Growing up in Arizona and spending time standing in the US state's vast desert landscape, he conceived of an idea for a group of installations that would mimic that experience — and, almost five decades after he put his plans down on paper, one has finally become a reality. Inside New York's Guggenheim Museum, Wheeler has transformed the gallery into an abstract synthetic dessert. Don't just take our word for it — PSAD Synthetic Desert III is the name of the piece. After moving through a number of chambers that can only be unlocked by staff, visitors walk into a room filled with sound-absorbing foam pyramids as far as the eye can see. A platform sits in the middle, ensuring everyone who enters is surrounded by the eye-catching structure, with lighting and sound design also crafted to make the space as immersive as possible. Indeed, because Synthetic Desert "is best experienced with as few extraneous sounds and distractions as possible," according to the Guggenheim website, only five people can enter the free exhibition at any one time. Visits are limited to either ten or twenty minutes of gazing into the sea of white shapes and ponder space, landscape and whatever else pops into your mind when you're sitting in silence in a room filled with foam spikes. After first turning his vision into sketches back in 1968, and spending much of his career contemplating light and space, Wheeler piece aims to "produce a hermetic environment based on a radical reduction of optical and acoustical sensation" in order to "heighten our understanding of perceptual experience." Anyone that happens to be in New York between now and August 2 is advised to book in advance, with entry free with museum admission, because this unique and beautiful installation is certain to be popular. Via Artnet. Image: David Heald
Twenty-four year-old interaction designer Joanna Montgomery, from the UK, has come up with a futuristic invention that is getting long-distance lovers very excited. 'Pillow Talk', which is being launched by Montgomery's company Little Riot, is an invention that lets you hear the real time heartbeat of your lover when you’re apart. Taken from Montgomery’s blog, the promotion video shows how each partner can wear a ring which transmits the soothing sounds of your lover’s heartbeat to your pillow, all through the wonders of wireless technology. The pillow lights up to show that your loved one is also lying down in bed. From the company’s Facebook page, it’s certainly piqued the interest of those in military jobs, and couples who regularly work overseas. For the skeptics out there, yes, we did say real time - so we assume time zones may be a problem, as well as (dare we say it) any unexpected raised pulses.
Airlines set you a challenge every time you fly: see how much of your life you can fit into a single suitcase. One flat-packed or rucksacked case to take you round the world, interstate, or just for you to stuff full of travel goodies when taking yourself back to where you came from. Chippendale venue Serial Space has put together a similar challenge for its upcoming Suitcase Market, where vendors are can sell whatever they want, as long as it's legal and fits in a suitcase. Drawing inspiration from Brisbane's Suitcase Rummage, it brings a version of the "no hassle, no fuss" market down here to our local stashes of rare finds and weird tchotchkes. The market is old school: you don't have to buy and sell. Swapping things from one case to another is looked on favourably as well. Buyers can just turn up on the day, sellers should have registered by August 15. So if you've got a cupboard full of old dresses, new toys, strange art, stranger knick-knacks, or just an empty suitcase waiting to be filled, take your luggage down and put your cash on the nail. Image by David Jackmanson.
It's that time of year when your phone buzzes incessantly with calls from your parents asking when you'll be back for the holidays. If you're anything like everyone, you've put off booking these flights because, while you theoretically like the idea of seeing your family, the thought of sleeping on the floor, drunk and full to bursting with Christmas ham, sandwiched between two distant cousins is enough to put you off dropping money on Christmas-time flights just yet. Google know this and they sympathise…sort of. Along with a whole swag of products (including their new Google Pixel phone and their own VR headset, the Daydream) and the recently launched Google Trips, they've also announced that their flight search engine is getting a cool new feature. Google Flights is the tech company's online airfare search tool (not unlike Skyscanner et al.). Up until now it's been effective at finding the most convenient and cheapest flights for the dates you want to travel, but its latest update will also tell you when the price of said flights is predicted to go up or down. Using their magical algorithm, Google will be able to predict when flight prices will increase — so they'll let you know if you need to book that baby before it doubles in price, or if you can afford to sit on it for a few days. It'll also make recommendations on the cheapest dates and times to book and even give you tips on which airports and routes will be cheaper for you. And if you're still not ready to fully commit to the idea of heading home, you can track flights and the progression of prices and get email updates when prices fluctuate or expire. They're also integrating a decent hotel search feature into the whole shebang if you're going somewhere more exciting than your family home for Christmas. The new Google Flights feature will roll out over the next few weeks. You can use the tool at google.com/flights. Image: Ross Parmly.
Thanks to the trans-Tasman travel bubble, Australians can finally visit New Zealand for a holiday again. The Federal Government has also floated the possibility of opening a similar arrangement with Singapore, perhaps by July, although nothing has been announced as yet. But if you were hoping to fly out of the country whenever you like and travel to wherever you like, Prime Minister Scott Morrison, Treasurer Josh Frydenberg and Minister for Trade, Tourism and Investment Dan Tehan have bad news for you — because Australia's international border isn't likely to open this year, or until well into next year. The Trade Minister discussed international borders on Friday, May 7, and noted that, regarding opening back up, "the best guess would be in the middle to the second half of next year." He continued: "but as we've seen throughout this pandemic, things can change. So, the hope would be that we might be able to see a few more bubbles set up and would be able to see more travel being undertaken. But we're in a pandemic so, this is a best guess at this stage." Then, on Sunday, May 9, the Prime Minister also offered his thoughts on the subject — first in an interview with News Corp, and then in a follow-up post on his Facebook page. "I don't see an appetite for that at the moment," he said in the interview, also noting that "we have to be careful not to exchange that way of life for what everyone else has." On his social media post, he advised that "international borders will only open when it is safe to do so." The Prime Minister continued: "We still have a long way to go, and there are still many uncertainties ahead. Australians are living like in few countries around the world today. We will continue to do everything we can to work together prevent a third wave and roll out our vaccination programme. And, as always, we will continue to listen to the medical advice and make decisions in the best health and economic interests of all Australians." Also on Sunday, the Treasurer spoke with the ABC in the lead up to the budget, and echoed the sentiments of his colleagues. He said that the budget, which will be announced on Tuesday, May 11, has been crafted with a 2022 date for opening international borders in mind. "This is showing you how fluid the economic situation is with respect to the virus. But we have an assumption based on the borders opening. It's in 2022." Statements like these have been common over the past 14 months since the Australian Government implemented an indefinite ban on international travel, only allowing Aussies to leave the country in very limited circumstances. Last year's prediction that opening up to the rest of the world wouldn't happen in 2020 proved accurate — and, earlier this year, Australia's ex-Chief Medical Officer Brendan Murphy (now the Secretary of the Department of Health) said that we might not be going anywhere until 2022. Back in March, the Federal Government also extended the human biosecurity emergency period under the Biosecurity Act 2015, so that it now spans until June 17, 2021 — which'll mark 15 months since it was first put in place. It's the piece of legislation that keeps the international borders closed, and it has been extended several times. Based on the recent statements made by the Prime Minster, Trade Minister and Treasurer, it's likely to be extended again as well. With Australia's vaccination campaign underway, Qantas and Jetstar have begun selling tickets for overseas flights for trips scheduled from October, demonstrating hope that the country's international travel rules could ease by then. Of course, the fact that you can book a trip doesn't mean that you'll actually be able to take it — and, again, it's looking highly probably that anyone with tickets for an overseas trip before mid-2022 will be doing a bit of rebooking and rescheduling. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
When Jurassic Park first trampled across the big screen back in 1993, with director Steven Spielberg adapting Michael Crichton's novel of the same name to box office glory, it tasked Jeff Goldblum with uttering four now-iconic words. As mathematician Dr Ian Malcolm, Goldblum announced to the world that "life... finds a way" — which has proven true of the crafty dinosaurs within this huge blockbuster franchise, and also of the ongoing series itself. That initial mega-hit flick spawned sequels in 1997 and 2001, which then led to the Jurassic World trilogy — aka 2015's Jurassic World, 2018's Jurassic World: Fallen Kingdom and now 2022's Jurassic World Dominion. So yes, films about dinosaurs revived through genetic engineering just keep finding their way to the screen, although the just-dropped first trailer for Dominion poises this sixth flick as wrapping up the story (for now, at least). Directed by Colin Trevorrow, who also helmed the first Jurassic World film, Dominion jumps back into this dino-filled vision of earth four years after the last flick — which saw Isla Nublar destroyed. The franchise's pivotal ancient predators now live alongside humans, which is obviously a tenuous, tense and terrifying situation. Understandably, co-existing with dinosaurs threatens life as everyone knows it, not to mention humanity's future. Chris Pratt (The Tomorrow War) and Bryce Dallas Howard (Rocketman) return for Dominion, after starring in the past two Jurassic World movies, but nostalgia also finds a way here — with not only Goldblum oozing his usual charisma again, as he did in Fallen Kingdom, too, but fellow OG cast members Laura Dern and Sam Neill also returning. Those three familiar faces earn a hefty amount of attention in Dominion's first sneak peek, but the trailer doesn't skimp on its rampaging critters, either. In fact, the film even promises never-before-seen dinosaurs this time around. Also featuring: DeWanda Wise (The Harder They Fall), Emmy nominee Mamoudou Athie (Archive 81), Dichen Lachman (Animal Kingdom), Scott Haze (Minari) and Campbell Scott (The Amazing Spider-Man 2), plus returning cast members BD Wong (another original Jurassic Park star, and part of all three Jurassic World films), Justice Smith (Pokemon: Detective Pikachu), Daniella Pineda (Cowboy Bebop) and Omar Sy (Lupin). Movie-goers will be able to see how this whole humans-and-dinosaurs mayhem all pans out in full when Dominion hits cinemas Down Under on June 9. Check out the trailer for Jurassic World Dominion below: Jurassic World Dominion releases in cinemas Down Under on June 9, 2022.
As social distancing has become our new way of life, Aussies are preparing to spend a solid chunk of the coming weeks at home, which means you're probably already busy scouting out bulk entertainment options to see you through. Well now, you can add a few audiobooks to that hit-list, thanks to the good folk at Audible. The online retailer is offering a bunch of its recorded books to download for free. And that's without locking you into its usual free trial period. The newly launched free collection of stories is primarily aimed at kids stuck at home during the outbreak (and of course, their parents), though it's also got a few literary classics tucked away in there as well. Among the books translated into six different languages, you'll find gems like Jane Eyre — narrated by UK actress Thandie Newton — Oscar Wilde's The Picture of Dorian Gray, Persuasion and Pride and Prejudice by Jane Austen, and Aldous Huxley's novel Brave New World. You might fancy diving into The Call of The Wild by Jack London, or even settling in with Mary Shelley's Frankenstein. Whatever your style, there's plenty of hours of entertainment amongst this lot. The stories are free to stream on your phone, tablet, desktop or laptop, and with no sign-up required, you can jump on and start listening straight away. The free Audible Stories are available now via the website.
Reading all seven of JK Rowling's Harry Potter books in 70 minutes? Not even Dumbledore himself could conjure up that kind of magic. Seeing the entire saga play out on stage in the same amount of time, with room for a quidditch match too? Well, thanks to Potted Potter: The Unauthorised Harry Experience, that's another matter entirely. If you don't have the time to reread your favourite novels, are looking for a quick refresher before the next Fantastic Beasts film hits cinemas or would just like a brief wander through the entire story for the fun of it, then this comedic production has you covered. As created by double Olivier Award Best Entertainment nominees Daniel Clarkson and Jefferson Turner, you'll watch two performers relive the wonder of the boy who lived and recreate the terror of he who must not be named — and whiz through it faster than you can say "accio books!" (or almost that fast). And, if you somehow still have no idea what all the Harry Potter fuss is about, consider this the ultimate primer. Of course, Potted Potter: The Unauthorised Harry Experience is a parody, so it comes with plenty of laughs when it plays the Seymour Centre from Tuesday, June 22 to Sunday, July 4. Images: Scott Joe.
He's the creative mind behind Uluru's spectacular Field of Light installation, which pulled more than 200,000 visitors in its first eighteen months and has been extended twice to keep up with demand. And now, renowned British artist Bruce Munro has lent his talents to yet another landmark Aussie exhibition. This time, he is illuminating the tree-lined Avenue of Honour in Albany, Western Australia. Field of Light: Avenue of Honour kicks off today and will run until April 25, 2019, in honour of the ANZACs who departed for the Great War from this southernmost point of the state 100 years ago. It's an immersive work, aglow each night with 16,000 flower-like glass spheres, 'planted' by local volunteers to form a glowing carpet through the avenue's memorial trees. Arriving at peak wildflower season, the glowing orbs also nod to this corner of the country's unique plant life, referencing the whites, yellows and greens of the wattle and New Zealand's kowhai. Munro's Field of Light: Avenue of Honour installation will be free to wander during its stint Down Under, which coincides with the ANZAC Centenary commemorations. If you'd like to visit, you'll have to plan a bit of a trip. Albany is located a five-hour drive (or one-hour flight) from Perth. Field of Light: Avenue of Honour runs from October 4, 2018 until April 25, 2019. Images: Mark Pickthall, courtesy of the Bruce Munro Studio
It's the Swedish structure that's reimagining social spaces, and its about to take its unconventional meeting place abroad. Earlier this year, Stockholm-based artist duo Bigert and Bergström revealed the 'Solar Egg', a modal, stainless golden steel, reflective, egg-shaped sauna with a heart-shaped wood burning stove, as based in the town of Kiruna. Now, they're bringing it to Paris. The Solar Egg will bring the Kiruna-style sauna experience to the French city's Swedish Institute across November 25 and 26, and December 2, 3, 9 and 10. Visitors are encouraged to don their swimmers, stand next to the fire and pretend they're somewhere snowier — and wear designer dressing gowns while they're touring the installation. As far as interactive art pieces go, it's both acutely beautiful and functional, with stainless golden mirror sheeting reflecting the surrounding scenery. Inside, the sauna's interior is made of pine wood panelling and decks, and aspen benches, with an iron and stone stove in the centre. Temperature varies between 75 and 85 degrees Celsius in the egg. The striking structure was originally commissioned by Swedish economic and real estate association Riksbyggen as a "social sculpture", according to the artists, providing a communal space for the residents of Kiruna to discuss their town's problems. And, they have a lot to talk about while enjoying a sauna together. Kiruna is Sweden's northernmost village, with a population of just under 20,000. In 2003, they realised that due to adjacent iron ore mining activity (activity which provides thousands of jobs for locals), the ground beneath the town was becoming unstable. The solution? Move the whole town three kilometres away. The relocation has been underway ever since and will continue to trudge along, piece by piece, for many more decades supported by the government and the mining company responsible. Like town, like golden egg — which can also obviously be disassembled and relocated. Alas, anyone hoping to see the Solar Egg pop up elsewhere will find themselves disappointed, with the installation due to return to Kiruna after its Paris stint. By Imogen Baker and Sarah Ward. Images: Riksbyggen and Futurniture.
While Australia can sometimes feel a little disconnected from the rest of the world, much of the globe can relate to our ongoing refugee situation. It's these widespread geopolitical and migration crises that world-renowned artist and activist Ai Weiwei is shining a spotlight on with his New York public art exhibition, Good Fences Make Good Neighbors. After running a crowdfunding campaign to fund the project back in August and September, the Chinese creative's latest installation is up and running from today until February 2018. The powerful showcase features a series of large-scale works throughout the entire city, as Ai Weiwei highlights the role of the security fence in dividing people, the immigration and border control practices and policies that go along with these physical barriers, and the current global rise in nationalism. https://www.instagram.com/p/BaHLa7Rn9hh/?taken-by=publicartfund Spanning more than 300 sites across five boroughs, the artist's huge fence-inspired works can be found at places like Central Park and Greenwich Village's Washington Square Arch, as well as on top of and between private buildings. He has also created a collection of flagpole-mounted works, sculptures around bus shelters and two-dimensional lamppost banners. Meanwhile, traditional advertising spaces at bus shelters, LinkNYC kiosks and newsstands will display images taken during Ai Weiwei's time researching at refugee camps across the world. Good Fences Make Good Neighbors stems from his own experiences with displacement and detention, combined with his recent research surrounding the global refugee crisis. If you can't make it to New York to see the installation in person, Instagram has you covered. For more of Ai Weiwei's exploration of the topic, Human Flow, his latest documentary, is due in Australian cinemas in March 2018. Images: Ai Weiwei studio via Kickstarter.
Drag your wig, feather boas and heels out of the closet this Australia Day and feel like royalty alongside your favourite queen, Priscilla, with a special 21st birthday screening of The Adventures of Pricilla, Queen of the Desert at St George Openair Cinema at Mrs Macquaries Point. With Sydney Harbour as a backdrop, this is a quieter, more chilled way to celebrate Australia Day, enjoying a film and a landscape that make our country stand out. Wine and dine at the pop-up precinct as the sun sets, before settling in as the enormous 350 square metre screen rises from the water.
You finish high school, finish your arts degree, finish your DipEd, and then you're back in some demountable on the edge of the oval. You're qualified for the job on paper, but how much have you changed, physically and emotionally, since schoolies four years ago? It's a complex situation impressively explored in British writer John Donnelly's funny and fraught play The Knowledge. Running from a relationship breakdown in London, fresh-faced Zoe (Silvina D'Alessandro) has come to Tilbury in Essex to teach the roughest class in a rough school. It's not expected that she'll impart learning to the teens in her bludgy 'citizenship' class so much as keep them from disrupting the learning of others. Precocious Karris (Karli-Rae Grogan), defensive Sal (Isaro Kayitesi), thuggish Mickey (Benjamin Ross), and reserved Daniel (John Benda) run rings around her but also threaten and destabilise her in more intense ways than we'd generally realise. The banter between them is excellent to watch, only bettered, perhaps, by the no-nonsense talk at Zoe's meetings with her fellow staff, principal and flamboyant cynic Harry (Barry French) and Zoe's mentor, Maz (Brett Rogers), who is ardently trying to seduce her (as well as a sizeable portion of the other young women in Tilbury). They are each imperfect. Donnelly spent time as an educator and, much like our home-grown Lachlan Philpott, has a real ear for the cadences of teenagerhood, the pragmatism of teachers, and the socioeconomic gulf between the two at underprivileged schools. The Knowledge comes to the Newtown Theatre's Spare Room program courtesy of pantsguys Productions, whose last effort, the flooring Punk Rock, was also set in school grounds. It may have been the result of happy accident more than grand plan, but the plays actually work as companion pieces, one focusing on the inner lives of students, the other on the inner lives of teachers, and both drawing out issues in education. They're very worthy programming choices. Director Rebecca Martin (seen onstage in Punk Rock) has done a great job; there's an overlapping quality to the scenes that's handled smoothly. The flirtations are as intense as the bullying, and there are also some huge laughs. Most importantly, in a pivotal first-half scene where Zoe is in a drunk fugue, costumed in school uniform and drowning out everything with the Cure, we are right there with her when she does the unthinkable and launches herself into the embrace of a student. We understand why these characters do the unwise, compromising, and unfair things they do. If anything, the staging could have been a touch less hyperactive, as their directionless energy comes across without the constant shifting of feet and desks. It's the work of the actors that pushes The Knowledge into being a standout. The performances are universally strong, and each gets to steal a scene, but particularly wowing are the actually still school-aged Benda, called on to charm with intellect and intensity, and pocket rocket Grogan, who brings so much sass, likeability, and vulnerability that Karris becomes a whole, living character beyond what was given to her in the writing. And accent nitpickers out there, you won't be troubled. This is a very authentic-sounding visit to Essex.
UPDATE: JULY 1, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Tenet will no longer release on its initially scheduled date of Thursday, July 17, 2020. Instead, it will now release on Thursday, August 13. This article has been updated to reflect that change. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Every ten years, Christopher Nolan sends audiences on a wild journey. The Batman Begins, The Prestige and Interstellar filmmaker makes movies more often than that, but a decade seems to be how long it takes to indulge his weird and wonderful side. In 2000, that led to Memento, the film that helped bring the writer/director to broader attention. In 2010, Inception and its dreams within dreams were the end result. Now, in 2020, Nolan is trifling with time and tasking BlacKkKlansman's John David Washington with trying to stop World War III, all in the trippy Tenet. Indeed, when an initial trailer for the film dropped last year, it instantly gave off big Inception vibes. Combining temporal trickery, logic-defying stunts, Michael Caine and an ominous, droning score will do that. The fact that the trailer didn't reveal much in the way of narrative detail also helped more than a little. Now, a new sneak peek has just hit after first premiering via the video game Fortnite — and it provides a bit more information. This being a Nolan flick, Tenet is certain to save its biggest surprises until it releases in cinemas; however, the new trailer does confirm that communicating with the future and reversing the flow of time are both on the agenda. Yes, that paints a very intriguing picture, with the new footage combining fresh clips with a few sights already seen in original trailer. Washington plays a spy, partnered with Robert Pattinson, who is trying to stave off something worse than a nuclear holocaust. To do so, he "journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time", according to the film's official synopsis. That means inversion — not time travel, as he makes plain in the new footage. Tenet also features Australian actor Elizabeth Debicki (Widows), Harry Potter's Clémence Poésy, Aaron Taylor-Johnson (Avengers: Age of Ultron), Himesh Patel (Yesterday), Martin Donovan (Ant-Man) and Kenneth Branagh — with the latter also starring in Nolan's last film, the World War II epic Dunkirk. And as for when you're likely to see the filmmaker's 11th feature, it's currently now slated for a mid-August release — a change from its initial mid-July release, which was listed in the text beneath the new trailer on YouTube. It's interesting to note that the trailer itself doesn't include a release date, however. The film has been heralded as the big blockbuster that'll help reopen cinemas after their COVID-19 shutdown, but whether that'll happen is yet to be seen — and will depend upon the status not just of cinemas Down Under but around the world, and especially whether theatres have opened en masse in the US (including in major markets such as New York and Los Angeles). Check out the latest Tenet trailer below: https://www.youtube.com/watch?v=L3pk_TBkihU Tenet is slated to release in Australian cinemas on August 13, 2020. We'll update you if that changes again. Top images: Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved. Courtesy of Warner Bros. Pictures
How much does Netflix love British royalty? If five seasons of The Crown so far and its Harry and Meghan specials are anything to go by, the streaming platform is more than a little fond of the monarchy. Or, to be more precise, it knows that its subscribers feel that way thanks to all our binge-watching — so expanding its focus on the UK's sovereigns and their families via new Bridgerton prequel series Queen Charlotte was always bound to happen. Initially announced in 2021, now slated for a May 4 release and just unveiling its first teaser trailer, too, this upcoming show was always likely for another reason: Bridgerton's huge success. And while the hit page-to-screen series focuses on a firmly fictional aristocratic family in the 19th century — set in the Regency era, it's a work of imagination as well as alternative history — Queen Charlotte was indeed real. Queen Charlotte: A Bridgerton Story will delve into the figure's backstory within the Bridgerton realm, including her rise to power and prominence, and the importance and impact of her reign. Also covered: her relationship with King George, as well as Violet Bridgerton and Lady Danbury's early years. The prequel series will chart how the Queen's marriage to George also created a societal shift, in fact, sparking the world of the ton as seen in Bridgerton — and it's being called part of "the Bridgerton-verse" by Queen Charlotte and Bridgerton executive producer (and Grey's Anatomy and Scandal creator) Shonda Rhimes. So yes, as well as the already-announced third and fourth seasons of Bridgerton itself, you can probably expect more spinoffs to arise. After releasing a first-glimpse clip from the show in 2022, Netflix's debut trailer for Queen Charlotte offers further glimpses at its young titular figure (India Amarteifio, The Tunnel) and George (Corey Mylchreest, The Sandman). Queen Charlotte will also feature Golda Rosheuvel (Dune) as the older version of its namesake, as well as Ruth Gemmell (Deep State) as Violet Bridgerton and Adjoa Andoh (The Witcher) as Lady Danbury. They'll be joined by Connie Jenkins-Greig (Solitary) as young Violet, Arsema Thomas (Redeeming Love) as young Lady Danbury, Michelle Fairley (Gangs of London) as Princess Augusta, Sam Clemmett (Cherry) and Hugh Sachs (Bridgerton) as the young and old Brimsley, Richard Cunningham (The Witcher) as Lord Bute, Tunji Kasim (Nancy Drew) as Adolphus, Rob Maloney (Coronation Street) as the Royal Doctor and Cyril Nri (The Witches) as Lord Danbury. Check out the first teaser trailer for Queen Charlotte: A Bridgerton Story below: Queen Charlotte: A Bridgerton Story will stream via Netflix from May 4. The first and second seasons of Bridgerton are available to stream now. Images: Liam Daniel/Netflix.
It's a time-travelling romantic dramedy shot in the desert on the cheap, but what The Infinite Man lacks in size it makes up for in brains and heart. In that way, the film is a lot like its protagonist: the jumpy, obsessive, hopelessly romantic Dean (Josh McConville). A scientist of non-specific genius, Dean wants desperately to give his girlfriend, Lana (Hannah Marshall), the perfect anniversary weekend. Instead, his controlling behaviour ends up driving her back to her ex (Alex Dimitriades). Not to worry though. Dean can just casually invent a time machine and give the holiday another go. And another. And another. And another. Supported by the same South Australian funding initiative that helped pay for 52 Tuesdays, The Infinite Man is the rare sort of film that feels invigorated, rather than hamstrung, by its obvious financial constraints. Limited to just three cast members and a single, isolated location — an abandoned desert motel — first-time writer-director Hugh Sullivan has very few crutches to fall back on, and is instead forced to draw on a deep well of creativity to ensure his movie is a success. The Infinite Man is showing at Sydney's Dendy Newtown and Melbourne's Cinema Nova from September 18. Thanks to Infinite Releasing, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our full review of The Infinite Man here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au
Arguably the worst part of travel is the bit where you actually have to travel. Sitting in an over-cramped, over-air-conditioned metal tube for 20+ hours almost makes post-pasta swims in the Mediterranean seem too much trouble than it's worth (almost). But until we're at The Fifth Element stage where we can just hop in a capsule and get knocked out cold for the duration of the journey, we'll just have to be content with airlines' attempts at cutting down flight times and transfers. In huge news for Aussie travellers, Qantas last week announced they are really close to locking down a direct flight from Australia to Europe. Thanks to their new Dreamliner 787-9 aircraft — which are set to start flying in October 2017 — the airline hope to run non-stop flights from Perth to London in the near future. Direct, the Perth to London flight time would be 17-18 hours. It would be considerably quicker than their current route, which, with their partnership with Emirates, includes a rather hellish stopover in Dubai (as all stopovers are). It would be the first and only direct flight from Australia to Europe. "This aircraft allows us to fly routes that we could only imagine in the past," Qantas CEO Alan Joyce told The Australian. "It allows us to fly from Perth to London, from Sydney to Chicago or Melbourne to Dallas." Qantas are still in negotiations to lock down the new route, but are expected to confirm its actualisation pretty soon. The sort-of news comes as the airline revealed the layout for their new Dreamliner fleet, which will be two-thirds the size of the 747s they will eventually replace and have only 236 seats (as opposed to the 747's 364 seats). Economy will have a 3:3:3 seat situation (as opposed to the 3:4:3), as well as USB ports and an extra inch of leg room. Hurrah for leg room! Plus, they also revealed some new branding, which includes new typography on the side of their planes. Qantas are set to confirm the Perth to London route soon. We'll update you when they do. Via The Australian.
UPDATE: JUNE 28, 2018 — A second Melbourne show has been added on Tuesday, August 14. Tickets are on sale now. When Bob Dylan last toured Australia, it was billed as a 'once in a lifetime' experience. And, for all those who went, it was. It's just that now fans will be get the opportunity to have another such experience, because the legendary tambourine man will return to Australia for a national tour this August. This tour will be less exhaustive than his 2014 effort, with Dylan set to do seven shows — one in each of the usual capital city stops (Melbourne, Sydney, Brisbane, Perth and Adelaide), as well as one-offs in Newcastle and Wollongong. He will draw on his incredible 60-year career — which spans 36 studio albums and countless hits — for the shows, so you better start praying to the music gods that your favourite makes it onto the setlist. Dylan may be 76 years old, but he has certainly showed no signs of slowing down as he approaches 80. In 2016 he was awareded the Nobel Peace Prize for Literature and, just this year, he oddly released his own whisky. But still, it could be the last chance you get to see this living legend perform live. His last tour sold out, so you better have your fingers ready when tickets go on sale next week. BOB DYLAN 2018 TOUR DATES Wednesday, August 8 — Perth Arena, Perth Saturday, August 11 — Botanic Park, Adelaide Monday, August 13 and Tuesday, August 14 — Margaret Court Arena, Melbourne Saturday, August 18 — ICC Sydney, Sydney Monday, August 20 — WIN Entertainment Centre, Wollongong Wednesday, August 22 — Entertainment Centre, Newcastle Friday, August 24 — Entertainment Centre, Brisbane Bob Dylan will tour Australia in August 2018. Tickets are on sale now here.
For three days over Christmas, the stay-at-home orders in place on Sydney's northern beaches suburbs were slightly relaxed to allow for indoor gatherings. From midnight tonight, Saturday, December 26, that privilege ends and all of the northern beaches will revert back to pre-Christmas restrictions, but with one small change: limited outdoor gatherings are allowed. Today, Premier Gladys Berejiklian announced that residents of the northern half of the northern beaches — where the majority of the outbreak is located — must return to stay-at-home orders, but are allowed outdoor gatherings of up to five people, for recreation or exercise purposes. Residents in the southern half also revert back to stay-at-home orders, but are allowed outdoors gatherings of up to ten. Residents can't leave their zones and people from Greater Sydney cannot enter the region. These restrictions will be in place until at least midnight on Wednesday, December 30 — when the Premier is set to make another announcement. If you need a refresher on the zones, the NSW Government has split the northern beaches into two zones — a northern and southern section, using the Narrabeen Bridge and the Baha'i Temple as a boundary. You can see a map below. For the rest of Greater Sydney, which currently includes the Blue Mountains, Central Coast and Wollongong, restrictions also revert back to pre-Christmas conditions, which is indoor gatherings of up to ten people (including adults and children). Outdoor public gatherings of up to 100 people are allowed. The rest of NSW may have indoor gatherings of up to 50 people. The announcement comes as NSW records nine additional cases of locally acquired COVID-19 in the 24 hours leading up to 8pm on Friday, December 25. Eight of those are linked to the cluster, one is a person from the Bondi area with no known links to the Avalon cluster yet that is currently under investigation. While those in Greater Sydney are allowed to shop and dine at restaurants, the Premier has urged everyone to limit their movement. "All of us in greater Sydney should be reducing activity where possible, not undertaking activity unless we absolutely have to," the Premier said. The Premier has also said more announcements about New Year's Eve restrictions will be made in the coming days. Here's a full rundown of the new restrictions that come into place from midnight tonight until 11:59pm on Wednesday, December 30. For the northern beaches peninsula zone (North of Narrabeen Bridge, and east of the Baha'i Temple): Given the ongoing risk, this area will return to 'stay-at-home' restrictions, with no indoor gatherings allowed. Up to five people, including children, will be able to gather outdoors for exercise or recreational activity. People may not enter or leave this zone. For the remainder (southern zone) of the northern beaches: Given the ongoing risk, this area will return to 'stay-at-home' restrictions, with no indoor gatherings allowed. Up to 10 people, including children, will be able to gather outdoors for exercise or recreational activity. People may not enter or leave this zone. Residents of the northern beaches are able to leave for four permitted reasons: Shopping for food or other goods and services Travel for work or education purposes if unable to work from home Exercise Medical or caring reasons. For the Greater Sydney region, Central Coast, Wollongong and Nepean Blue Mountains: Restrictions will remain unchanged in these regions. Gatherings in the home are restricted to 10 people in total (including children). People who work in the CBD are urged to work from home where practical. Restrictions for Regional NSW remain unchanged. For more information about the northern beaches outbreak and current restrictions, head to the NSW Health website. Top image: Mona Vale
This creative, interactive installation reimagines the days in 1790 when British colonists netted 4000 fish, far beyond what was needed for their consumption. This excessive over-fishing disrupted the delicate ecosystem that Aboriginal women had maintained for millennia, undermining their status as providers of sustenance for their community. To commemorate the resilience of the Warrane fisherwomen, audience members are invited to help symbolically return fish ice sculptures to the harbour, releasing them every weekend, between 4pm and 9pm, from a modern interpretation of a traditional nawi (bark canoe). Image: Jamie Williams.
After the year that's been, we could all use a few little wins right now. And the next edition of Click Frenzy's online shopping bonanza is happy to provide. Kicking off from 7pm (AEDT) this Tuesday, November 10, Click Frenzy's Main Event is chock full of bargains to help ease the pain that 2020 has supplied so far. Running for 53 hours, the sale is set to feature over 4000 deals and specials from more than 800 local and international brands. Those looking to indulge in some much-needed retail therapy can do so snapping up eye-popping bargains on products from favourites like Big W, Dyson, Myer, Target and stacks more. A suite of 'Go Wild' deals could see you scooping up Apple Airpods Pro for a measly $4, a nifty new airfryer for the low price of just $1, a GHD straightener for $4 or a $9 Samsung TV. Elsewhere, nab new activewear with 65 percent off 2XU, refresh your summer wardrobe with 70 percent off Gorman, fill up your cellar with 70 percent off wine, score 60 percent off bedding from Sheridan and find more bargains courtesy of Bose, Priceline, T2 and Spotlight. What's more, you could even hook up with some new wheels, with the sale event featuring hard-to-beat deals from your mates at Volkswagen and Subaru.
It's not every artist who'd revisit their Year Two saxophone skills on their debut album. But Melbourne's Chet Faker (aka Nick Murphy) isn't afraid of giving anything a whirl for the sake of sound. Following the release of his debut EP Thinking In Textures via Downtown Records in 2012, Murphy gained international high-fives and 'Breakthrough Artist of the Year' at the Australian Independent Records Awards, made an EP with Flume, toured with Bonobo, played at South by South West and scored a Super Bowl ad with his breakthrough cover of Blackstreet's 'No Diggity'. After settling into his own snuggly studio space in North Melbourne, Murphy painstakingly tweaked, experimented and self-produced his debut album Built On Glass, released Friday. An eclectic and unpredictable mix of electronic soul ballads, deep house journeys and hip hop beats, Murphy's love of experimentation and letting sound breathe makes Built On Glass one of the year's most overwhelmingly confident debut releases. Heartbreakingly honest lyrics, minimalist electronic groovery and Murphy's unmistakably soulful vocals make for serious repeat button action. Kicking off a huge worldwide tour in April, Chet Faker will hit venues in UK cities like Dublin, Manchester and Bristol before popping over to European hubs like Paris, Brussels and Amsterdam. Then it's over to the US and Canada for a gargantuan string of dates before heading home for his national Australian headliner tour through major cities and regional centres like Geelong, Port Macquarie and Wollongong. Supporting for all national tour dates is New Zealand dream pop trio Yumi Zouma, whose four-track EP The Brae saw the Christchurch locals gain quite the following on Soundcloud. In the wake of the tour's long-awaited announcement, we had a chat to the 25-year-old Melburnian about his upcoming worldwide debut album tour, his Melbourne performance jinx, jogging on tour and a genuine disdain for pigeonholes. When was the last time you played an Australian show? Three weeks ago. I play heaps here, everyone thinks I don't. They're like, "Really? Come back to Australia and support your home." It's like, I play here a lot. People are like, "Why didn't you come to New Zealand?" I was there four weeks ago! "Hopefully one day you'll come to Ireland." It's like dude, I'll be there in a week. Just relax! So Built On Glass is out, your first LP, congrats! You played everything you hear on the album, excepting one guitar solo. What made you want to play all every last instrument on your new album? Well, because I knew what I wanted to be played. And I'm not rich so I can't just like, pay Nile Rodgers to lay down a track for me. It's just a really personal record. Music just means a shitload to me. I'm usually writing music at the same time I'm recording it... just trying a bunch of stuff. If I want a guitar part, I'm going to play it because I'm there. So it makes sense to play it myself rather than have someone in and it might not work. Did you learn saxophone just for the record? No. Well, maybe sort of. I played sax from prep to grade two. But I hadn't played until last year and I picked it up and could still make a noise out of it. That blew me away. I had no idea that I could still play saxophone. I assumed I couldn't play it, I couldn't remember what notes they were. I picked it up and because I'd learnt 'Tequila' — that was the last song I'd played — I was like bam-bam ban-am-bam ban-a-nam and I was like "What the FUCK?". It was insane! Because there's other stuff as a kid I can't remember how to do, you know? Like cartwheels... Cartwheels, totally yeah. I used to be a really good drawer when I was a kid but I'm not that good at it any more. I used to be able to do a really good cat. Actually I still remember how to do it — it looks like Bubsy, which was a game on Super Nintendo. That's funny, I haven't thought about that in a long time. With your first EP you were kind of sleeping in the same space that you were recording. But this time you had your own space to record Built On Glass? Yeah, I rented a space in North Melbourne in the old meat market. It's an old cooling locker, so it's heritage-listed. It's through Arts House Victoria, so it's really cheap rent, it's cool... We have so much space and I just don't use it. I filled it with stuff and ended up putting myself in the smallest room. I rarely stand up when I'm recording music, most of the time I'm sitting on a chair. I can't remember the last time I stood up to record vocals. I lean into the microphone and I sit in front of the computer. I'll take, sing it, listen back and do it again until I get it right. Well, your voice has a lot of oomph and power behind it, which you usually need to stand up to reach. Well, on this record anyway. The EP was lighter I think, more breathy because I was in my garage. It had a tin roof and in the garage next door to me we had a neighbour. I would usually record late at night and I couldn't sing loud. Whereas on this record, because I have my own soundproof space, I could be there any hour of the night and play as loud as I want and not piss anyone off. So all the vocal tracks are like, full chest voice. I literally couldn't have done this album in the old garage because I couldn't sing that loud. https://youtube.com/watch?v=aP_-P_BS6KY Stylistically Built On Glass is very different, each song is quite unique even though they've got your unifying vocal. Some are hip hop influenced, some are ballads, some are almost house music. How do you find inspiration for each style? I've had this thing, like, all my life: I hate being put in a pigeonhole. More than anything, for some reason. I don't know why it annoys me so much. As soon as you label something you limit it. And I don't want to be limited. An album is usually very definitive, you know? That's the big thing, about making a 'statement' right? So my statement was I wanted to show almost every type of music that I like, because then if I did something like the slow, whatever people call it, "RnB crooner" — it makes me cringe when I hear that, it's gross — style, then I'd limit it. Because if I bring out another record that's like '1998', which I like just as much, people would go, "What the fuck is this?" So it was really important to me that I show the full breadth of all the things I like. Sounds like a good way to go for a debut album. Well that's the idea. Built On Glass as well, the whole "built" thing comes from like, building a career, building a future on a foundation stone of glass, which is fragile, it's honest, it's transparent — this is what I'm into, you know? And it was annoying me that people thought I only did soulful, slowed down tunes. There's even some house moments in there. Yeah, well 'Cigarettes and Loneliness" is 135BPM. That is not soul music. It's hard to pick a track off your debut album, but do you have a particular song you're especially proud of? 'Cigarettes and Loneliness' I think. I mean, they all have their own reason I like them. 'Gold' is the first song I ever played bass on and it's just one note the whole time. I didn't know how to play the bass, so I bought a bass. What I wanted to do was a descending bassline but I couldn't play that properly. But then 'Release Your Problems', which is the first track, I played the bass on that. First bassline I ever really wrote. '1998': house track — I always wanted to put out a house track. 'Cigarettes and Loneliness' is the longest song I've ever done, it's the most honest song I've ever done. The chorus has no drums, it's just two guitar parts and vocals. The song's like eight minutes long and it's 135BPM which is just super fast. You couldn't even play that in a DJ set, it'd freak people out. It's been two years since your first EP Thinking in Textures came out, since then you've won awards, worked with Flume, supported big names, had your song in a Super Bowl ad... Yeah, I always forget about that until people bring it up. That's like the least real thing that's ever happened to me. That's like, really? Was I really in a Super Bowl ad? It's like the childhood memories that you're not really sure if you made it up or it actually happened. https://youtube.com/watch?v=vUsxibgWMs4 You've been touring on and off for about two years, what's one of the most memorable performances you've done? Well, there's different ones for different reasons — there's good ones and then there's like, bad ones. Touring with Bonobo was awesome. I've got mad respect for him. He just texted me the other day, he was like, "What are you doing? You wanna go get a drink?" For a second I had to be like, that's fuckin' Bonobo texting me. That was pretty weird, I had to pinch myself. That tour was cool, I think this tour in June's also going to be heaps of fun. And you toured with Flume as well. Toured with Flume, yeah that was good. Ah... it was alright. They were just like, munted kids who weren't listening. But actually it was fun playing with Flume, because I'd get up and sing with him, that was shitloads of fun. So I crowdsurfed — and you don't crowdsurf to my music. I never had. So that was a lot of fun, stagediving. Did they bring you back to the stage? Yeah, I mean sometimes you get taken away. Here's a lesson for anyone who's going to stagedive: take off any jewellery or hats, people literally rip stuff off you. And I got like, mouth raped at one of those shows on that Flume tour. I don't know if it was a boy or a girl, someone just grabbed my head upside down and did like a Spiderman tongue dash. I was like, woah. By the time I looked, I was somewhere else. It was kind of funny though, but it was an all ages show so its just a bit like... yeeech. https://youtube.com/watch?v=6vopR3ys8Kw If you could tour with anyone in the world, who would it be? Bonobo was pretty up there. Music style-wise, I feel like it's pretty similar. I always looked up to him, awesome crew and band, they really inspired me. Like, some people just aren't as… Just because you love someone's music doesn't mean you like them personally and that was a big lesson for me. And most people won't know that. You know, most people who like my music will assume that them and I would get along perfectly but I'm certain there are people I wouldn't get along with. It's like the same with anyone. So I've met lots of people, I mean, Bonobo, he's as nice as his music is, he's a gentleman. But there's other people I've met that I really liked, I was like, you... are... you are a dickhead. So you've got this rather epic tour coming up, how do you prepare and keep healthy on tour? Are there any tricks? Totally, you have to look after yourself. I do. I actually don't know how some people party on tour all the time. It's not sustainable, like, you just get totally bummed out. Some people can do it though. Some people just figure out this like, route in their brain to not come down from partying. They just party forever. Like DJs, those dudes kill it. I don't know, I couldn't do that. Do you get actual sleep on tour? No. Well, yes if I try and sleep and eat well, but that's not really an option either. It's this weird balance because some people just think you're difficult if you're like "I need celery and gluten free food backstage." They're like, "Geez, this guy's a douchebag." But if you're having a hot dog every night for three months, you start to feel really crappy about yourself. But running is good, I try and go for a run every morning. It's just habit, which is easy to do on tour because it's easier to create new habits in a new environment than one that has existing habits. Do you write on tour? You were saying you write and record at the same time. I can't. I'm trying to at the moment; I'm trying to get a little studio built up. But I really like having a space, but that's not really an option any more when you're touring so much. So I'm getting this little case made up with like, a microphone and a laptop. Harley's so good at it, Flume, he's always working on a track. I can do it, it's just like a habit. I'm trying to start doing that more. It's going to be cool for you to play in Melbourne and show off your debut album to home. Yeah, totally and I don't think I've ever played a good show in my home town. I keep fucking it up. I mean it's my friends there, that's why. I played a bunch of festivals — I mean I think as far as my friends are concerned I suck live, because I keep messing it up for my friends in Melbourne — like, at Laneway I played a bad show, I messed up Meredith and Golden Plains. I had technical problems — I had a broken foot. It's like I'm jinxed in my home town but this tour will be fine, sooner or later I'll do it. Tour Dates: Tickets on sale Tuesday 22 April 9AM local time Thu 12 June – The Wool Exchange, Geelong $35 +BF. Tickets from Oztix. Friday 13 June – Forum Theatre, Melbourne $35 +BF. Tickets from The Forum Box Office, Ticketmaster. Thu 19 June – Astor Theatre, Perth $35 +BF. Tickets from Astor Box Office. Sat 21 June – The Tivoli, Brisbane $35 +BF. Tickets from Ticketmaster. Sun 22 June – Lake Kawana Community Centre, Sunshine Coast $35 +BF. Tickets from Box Office. Tue 24 June – Glasshouse Theatre, Port Macquarie $35 +BF. Tickets from the Glasshouse Box Office. Wed 25 June – Civic Theatre, Newcastle $35 +BF. Tickets from Box Office and Ticketek. Fri 27 June – Enmore Theatre, Sydney $35 +BF Tickets from Enmore Theatre Box Office and Ticketek Sat 28 June – Anita's Theatre, Wollongong $35 +BF. Tickets from Ticketmaster. Thu 3 July – HQ, Adelaide $35 +BF. Tickets from Moshtix and Oztix. Sat 5 July - The Odean, Hobart $40 +BF. Tickets from Ticketmaster and Ruffcut Records.
Addams Family fans, it's time to get a witch's shawl on and a broomstick you can crawl on, because Netflix — and Tim Burton — are gonna pay a call on popular culture's most famous supernatural brood. Come November, the streaming platform will release Wednesday, the high school-set series about the eerie family's teenage daughter. And, in a way, there's more than one Wednesday on offer. To answer the obvious question, yes, the show will drop on a Wednesday: Wednesday, November 23, in fact. To answer your next two queries, yes, Christina Ricci is among the cast — but no, she isn't playing the titular role, because that honour goes to Jenna Ortega. Ortega is having quite the year, especially when it comes to horror. This new take on The Addams Family follows her roles in Scream, Studio 666 and X already in 2022. When she shares the screen with Ricci, as seen in the just-dropped new Wednesday trailer, the latter plays Nevermore Academy teacher Marilyn Thornill. As also shown in the initial teaser trailer from back in August, Wednesday obviously focuses on its namesake — aka the Addams' eldest child, who plenty of teenage girls with long black hair have been compared to for decades. Wednesday is indeed a teen in the new series, and she has been terrorising her way through schools, hopping through eight of them in five years. Now she's ended up at Nevermore Academy, where her mother introduces her with an apology: "please excuse Wednesday, she's allergic to colour". Morticia (Catherine Zeta-Jones, Prodigal Son) actually met Gomez (Luis Guzmán, Hightown) at the school, and they think that she'll love it — but clearly Wednesday's storyline isn't going to be that straightforward. While she's there, she'll have a monstrous killing spree to stop, and a supernatural mystery linked to her parents a quarter-century ago to solve. Sleuthing, high-school antics and all things Addams Family: that's the spell that Wednesday plans to cast. Also part of the series, as seen in the sneak peeks so far: a creepy, kooky, mysterious and spooky vibe, as befitting a family that has been around for 84 years now, and just keeps scampering around screens big and small like a mischievous severed limb. Wednesday treads in huge footsteps, given that this isn't the first time that The Addams Family has made the leap from a beloved cartoon in The New Yorker to the screen. The 1960s TV series is a gem of the era, and 1991's live-action film The Addams Family and its 1993 sequel Addams Family Values — starring Ricci as Wednesday — are two of the best movies of that decade. (The less said about the recent animated flick and its own follow-up, however, the better.) In Burton, the show boasts a director who could easily be one of the altogether-ooky crew's long-lost relatives, and has spent his entire career channelling their gothic aesthetic. In fact, the trailers look like Burton is filtering his Frankenweenie, Beetlejuice and Edward Scissorhands vibes through Miss Peregrine's Home for Peculiar Children — so, it looks exactly like a Tim Burton-directed version of The Addams Family was always going to. Netflix's eight-part series also stars Isaac Ordonez (A Wrinkle in Time) as Pugsley and George Burcea (Comrade Detective) as Lurch, while Game of Thrones' Gwendoline Christie is also set to pop up. And, in the latest trailer, the new Uncle Fester is revealed — as played by Fred Armisen (Los Espookys). Check out the full trailer for Wednesday below: Wednesday will stream via Netflix from Wednesday, November 23. Images: Courtesy of Netflix © 2022.
Set in the backstreets of suburban Brisbane, Trent Dalton's award-winning 2018 novel Boy Swallows Universe is destined to become an Aussie classic. It follows a young boy, his prophetic brother and his jailbreaking best friend as they navigate the heroin-filled underworld of 80s Queensland. And it's about to come to life on the stage. In September 2020, the stage version of the novel will world premiere in Brisbane. It'll be a co-production between Queensland Theatre and Brisbane Festival, with the former's Artistic Director Sam Strong directing the adaptation, which will be written by playwright Tim McGarry. Brisbane-born author Dalton said in a statement it was only fitting that the stage show should premiere in his hometown, "It was the people of Brisbane who took that wild, strange book and ran with it first and that book belongs to them now and this production will belong to them, too." It has not yet been revealed if the stage show will then travel to interstate theatres, but we'll keep our fingers crossed — and let you know if it does. Boy Swallows Universe has snagged a slew of local awards, including Book of the Year, Literary Book of the Year and Audio Book of the Year at the 2019 Australian Book Industry Awards. The novel, which has sold 160,000 copies in Australia alone, has also been longlisted for Australia's most prestigious literature prize, the Miles Franklin Award. The winners will be announced on July 30. Fans of the novel will be excited to hear that it won't stop at the stage, either — Boy Swallows Universe is also destined for the small screen. Last week, it was announced that Harper Collins had sold the television rights to the novel, with Australian actor and director Joel Edgerton (who recently wrote, directed and produced Boy Erased) set to produce the show alongside Dalton as executive producer. Boy Swallows Universe will world premiere in Brisbane in September 2020 as part of Brisbane Festival. You can sign-up to receive updates from Queensland Theatre here. Top image: Trent Dalton and Sam Strong by Luke Marsden.
Delicate jewellery and nostalgia-tinged womenswear is the department of designer Naomi Murrell, who works out of her studio in Adelaide. While her clothes are sold nationwide and have been featured in the pages of Frankie, Yen and Marie Claire, Naomi is a champion for her hometown and its vibrant, growing design and maker scene. In partnership with Pullman Hotels and Resorts, we're helping you explore more on your next holiday and make sure you get those experiences that the area's most switched-on residents wouldn't want their visitors to miss. In Adelaide, we've called in Naomi, whose favourite spots range from an artist-driven tattoo studio to a new retail and event space run by an indie rock power couple. A stay at Pullman Adelaide will not only put you in the thick of all this action, it will let you contemplate all you've seen in five-star luxury at the end of the day. Read on for Naomi's top Adelaide art and design hot spots in her own words, and check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. NAOMI MURRELL Of course I'm biased, but our store is definitely the go if you're looking for a fun outfit or gift. We design minimal, on point yet irrepressibly playful womenswear and fine jewellery. Situated on a relaxed laneway in Adelaide's East End, we stock Naomi Murrell alongside a curated selection of awesome designer pieces including Kowtow, Vege Threads, Kester Black, Spring Court, Bonne Maison, W Pico and Julie White. ENSEMBLE Located on Gilles Street in the city, Ensemble is a collective of like-minded creatives on a mission to bring you beautiful, timeless, style-driven pieces and experiences. These gals have got you covered for hip sustainable threads by Good Studios (Anny Duff), organic bedding and loungewear by Weft Textiles (Samia Fisher), artisan footwear by BB Shoemaker (Beccy Bromilow), E-S-T (Emma Sadie Thomson) greenery and other bits and pieces of handmade designer awesomeness. Look out for pop-up art shows, creative workshops and yoga classes in their gallery space as well. AGOSTINO & BROWN Hidden down an undiscovered city laneway, this spacious warehouse furniture showroom housing the work of Sam Agostino (designer) and Gareth Brown (stellar furniture craftsman) is a very inviting place. Stunning modern, playful pieces with pops of colour and loads of timber await — all finished with impeccable quality. Pieces are made locally in their workshop and many styles are customisable for your own interior space, whether it is residential or commercial. These guys are at the top of many an Adelaide designer and architect wishlist. Agostino & Brown pieces feature in the interiors of both our shop and studio. CULT AND HARPER A new venture by an indie rockstar couple — visual artist Lisa King and musician Jarrad Jackson — Cult and Harper is many things: a retail store, a gallery, a cyclorama photo studio, a bar and event space, and a home to art and DJ types. It is 450 square metres of art, fashion and culture coming at you with a New York-inspired street art vibe. Giant fashion-influenced murals by Lisa collide with posters of Basquiat and Warhol, Keith Haring-esque murals, loads of neon, crimson velvet shell couches and a rad collection of vintage brass furniture. PUSH PIN BOUTIQUE Push Pin Boutique is a darling vintage store housed in the prettiest rustic old building right near the Adelaide Central Markets. It specialises in 1950s-era frocks but also stocks froth-worthy garments, footwear and accessories from the 1940s to 1980s in a great selection of sizes for contemporary women. Owner Clare Matthews has wonderful taste, and the pieces she curates are always perfect for pairing with current trends, whether it's a '70s denim button-through skirt, a white mohair sweater or a camel-coloured French trench. You can always find that special something to add to your collection here. JAMFACTORY A unique not-for-profit organisation housing ceramics, glass, furniture and metal design studios, plus a gallery and design store, JamFactory is dedicated to providing the skills and business training in craft and design to emerging practitioners through a rigorous two-year program. The gallery and store showcases quality contemporary Australian design wares, including works by respected local designers such as Daniel To and Emma Aiston of Daniel Emma, Alice Potter, Sarah Rothe and Peta Kruger. Well worth a look-see! AFRICOLA Strictly speaking, Africola is a restaurant. A very good one. But with an interior fit out designed by James Brown and the gang at Mash, it's more like an intimate gathering at the home of an idiosyncratic art dealer. A dizzying confection of colour, canvases, tiling, lighting and kitsch furniture is all squished together in one amazing experience that will get your tastebuds — and, in fact, all your senses — buzzing. The words emblazoned above the bar, 'Don't Worry It's Only a Dream', serve as reassurance that you are (probably) not tripping and as encouragement to relax and enjoy this culinary wonderland. HUGO MICHELL GALLERY Hugo Michell in Beulah Park is hands down the most refreshing contemporary gallery in town. These guys show a fantastic selection of art by the likes of Miso, Ghostpatrol, Amy Joy Watson, Trente Parke and Lucas Grogan, to name just a few of my personal favourite exhibitions. Hugo has an eye for curating engaging, visually arresting and often very beautiful art shows with an exciting roster of local and interstate professional artists, all at the top of their game. TREADLY BIKE SHOP Treadly is the place to go if you want to build a bike, service a bike, or buy a bike or accessory, if you ride a bike or just wanna talk bike. Sam Neeft and his team of cycling aficionados and mechanics are down to earth, helpful and very enthusiastic about helping anyone with pretty much anything bike related. They also organise fun events such as the Boucle de Burbs and other adventures to encourage the cycling community to hang out and go riding together. And they do it in style with some very attractive bicycles. XO L'AVANT @ THE MILL XO L'Avant is an artist-driven contemporary tattoo studio, run by the loveliest crew ever at The Mill (a CBD co-working space also home to many other talented creative types). Founded by the talented Jaya Suartika (@jayaism), and featuring other resident artists such as Kyle Woodman (@yeahdope), Alex Harris (@folkandpoke) and Nadia Suartika (@__nadika__), the diverse range of illustrative styles on offer are original, amusing, delicate and always on point. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
Tired of looking at the ugly milk crate you use as a chair? Now is your chance to learn how to upholster those undesirable pieces of furniture, making them cute and comfortable in the process. Work-Shop is offering a DIY Upholstery class taught by Maaike, owner of Furniture Resurrection. The class is designed to give you the basics of upholstering so you can start turning dull and worn-down pieces of furniture into statement-making decor. Maaike founded Furniture Resurrection in 2009, combining her creativity with her love of hands-on work. Resurrected furniture is available for sale through her Darlinghurst shop. If you have furniture that you would rather refurbish, she also takes commissions to restore pieces. If you particularly favour a certain fabric pattern, make sure to bring it to the class. Tools, baseboards, and some fabric materials will be provided.
Let's face it, gift giving is hard. Some people are crazy good at it and others, not so much. But wherever you fall on the spectrum, one thing we can all agree on is that personalised gifts always go down a treat. They are thoughtful, functional and oh so beautiful, making them ideal for a special someone who made your year better. This could be the friend who was your rock during lockdowns, the family member you haven't seen all year or maybe it's the partner who gets you knockout gifts every single Christmas. Yes, something customised will take a bit more planning, but that's kinda the point — you want a gift that show's you went that extra mile, because they're worth it. In partnership with Archie Rose and its new Tailored Spirits range, we've come up with six personalised gifts that'll blow your mum, mate or date away this holiday season. TAILORED SPIRITS FROM ARCHIE ROSE Award-winning Sydney distillery Archie Rose takes personalisation to a whole new level with its Tailored Spirits range, which allows you to craft the perfect nip for your fave vodka, gin or cocktail drinker. Not only can you customise the label for your lucky giftee, but you also get to decide on the tipple's botanicals and the potency of each ingredient to completely suit their taste. Once you decide on the label design and flavours via the user-friendly interface, the team will start blending the individually distilled botanicals into a beautifully designed bottle before sending it on its way. The hardest part of the whole process will be not spilling the beans on what you got them. FRAGRANCE DISCOVERY SET FROM LE LABO There are few things more personal than a scent. So, when it comes to gifting, getting it wrong is a big no-no — but no pressure or anything. Le Labo is known for its fine, hand-blended fragrances, which can also come with custom-printed labels and engravings. Can't narrow it down to just one? The Discovery Set features the brand's entire classic range in a 17-strong sample box, so there's bound to be at least a couple of scents they'll like. Once they decide on which one tickles their fancy, there's a gift voucher for them to purchase a 100ml bottle of their new chosen scent. PERSONALISED NOTEBOOK FROM PAPIER Got a special someone who likes jotting down their thoughts and feelings? Perhaps they're planning on doing a course next year which requires journaling or maybe they're one of those people who just loves making to-do lists (we've all got one). Whatever their needs, Papier's gorgeous stationery designs are made even more unique with the ability to customise them with whatever text you like. Add your giftee's name to the front of their new notebook, or include a funny quote you know they'll appreciate on a 2022 planner. BESPOKE PHONE CASE FROM THE DAILY EDITED Whether your gift receiver is a serial selfie taker, a tech-thusiast or a butterfingers who perpetually has cracks in their phone screen, having a nice phone case is an essential accessory. Connoisseurs of all things personalised, The Daily Edited makes a range of bespoke phone cases that suit just about any aesthetic, from eye-catching patterns comprising their initials to designs that showcase their pride. All you have to do is (subtly) find out what kind of phone they have, take a guess at what colour will suit their style and wait for The Daily Edited to weave its magic. PERSONALISED GOLF GOLVES FROM MR GOLF Know someone who has gotten really into golf in the past couple of years? This is the pressie for them. Made from premium Cabretta leather, these sturdy gloves from Mr Golf can be customised with your favourite golfer's initials — so even if they've spent the day hacking up the green, they can still feel like a pro. As well as a range of colours, you can also pick on which hand to stamp their initials depending on whether they're left-handed or right-handed. They might not make them any better at golf, but at least they'll look good. CUSTOM LUGGAGE BY JULY While we're all itching to get on a plane, some of us already have one foot out the door — and for these people, nothing says bon voyage better than a personalised trunk. July makes a range of beautiful and customisable suitcases, including trunks, backpacks, carryalls and accessories. But to go the extra mile, gift them a polished, hard-shell suitcase with a classic design and old-school latches. Customisation goes further here with ultra-cool fonts (or emojis) which are guaranteed to never rub off. The biggest upside of a personalised trunk? There's no chance of accidentally picking up someone else's bag on the airport carousel. Give someone a gift that's truly theirs this Christmas with Archie Rose Tailored Spirits. For more information, head to the website. Top image: Archie Rose
In 2007, a wave of albino murders swept across Tanzania. Their slaughter was at the command of witch doctors, who believe that albino limbs deliver prosperity and good luck. Horrified, British filmmaker Harry Freeland flew to Tanzania, where he spent spent six years following Josephat Torner, an albino who had left his family home and was travelling from village to village, risking his life to confront superstition. The resulting documentary, In the Shadow of the Sun, will open the Sydney leg of the sixth Human Rights Arts and Film Festival on May 28. Having spent a fortnight in Melbourne, the event will stop here for three days before continuing on its national tour. Jamie Meltzer's Informant, a portrait of fanatical humanitarian-turned-FBI bedfellow Brandon Darby, will screen on May 29, and Alex Meillier's Alias Ruby Blade will round out proceedings on May 30. It's the story of Australian activist Kirsty Sword, who left for East Timor to make documentaries and found herself working as an underground operative for the imprisoned Xanana Gusmao.
It has been three short months since Banksy pulled what might be the artist's greatest prank yet — ripping one of his own paintings to shreds the very moment it was sold at auction. If you've watched the artist's extended behind-the-scenes video and still just can't get enough of the stunt, that's understandable. Soon, you'll also be able to see the torn piece with your own eyes, with the artwork going on display to the public for the first time. Originally titled Girl with Balloon and now known as Love is in the Bin, the painting will be exhibited at Museum Frieder Burda in Baden-Baden, Germany, from Tuesday, February 5 to Monday, March 3. Anyone that finds themselves in the European town, which is located in the Germany's Black Forest right near the country's border with France, will be able to cast their eyes over the piece for free. Given Banksy's focus on making art available to everyone, the museum's approach aligns those of the art trickster. It's "designed to allow as many visitors as possible to see the picture," the exhibition website notes. Museum Frieder Burda will also host a symposium about Banksy to put his work and creative strategies into context. It's the latest chapter for a stunt that has sparked plenty of chatter both in the art world and in general since October, when the artwork self-destructed as the hammer fell on the winning bid at London's Sotheby's auction house. As the painting was disintegrating, the collector behind the successful bid was buying it for £860,000 (AU$1.6 million). If Banksy's prank had gone according to plan, only torn strips of the painting would remain — and that's all that'd be able to be placed on show. In the nearly three-minute clip Shred the Love: The Director's Cut, which was posted on artist's website, Banksy reveals that the entire painting was supposed to be cut to pieces. "In rehearsals it worked every time," the video notes. https://www.youtube.com/watch?v=vxkwRNIZgdY In the immediate aftermath of the October 5 prank, Banksy also released a video — showing a shredder being secretly built into the artwork, with an explanation that this was done a few years ago "in case it was ever put up for auction". Sotheby's has repeatedly advised that it had no knowledge of the prank before it happened. "It appears we just got Banksy-ed," Alex Branczik, head of contemporary art for Europe, told The Art Newspaper. Love is in the Bin will be on display at Museum Frieder Burda in Baden-Baden, Germany, from Tuesday, February 5 to Monday, March 3. Images: Olga Rozenbajgier, The Art of Banksy / Banksy.
Our society has a love affair with retro. From vintage clothing to a quirky antique find, we cannot seem to get enough. Yet no retrospective romance seems to be as durable or resonate as emphatically as our relationship with vinyl records. No matter what market you go to on the weekend, the lure of a full crate of musical treasures is irresistible, causing fingers to curiously flick through the collection before finding that gem to take home and play on your record player (that you probably bought at the same market immediately afterwards). At First Sight understands this fascination and is taking over Carriageworks on Saturday, July 20, with an enormous record fair and live music event. So whether you are an audiophile or you just have an intangible sensory relationship with those black discs, you are sure to find something at this brand new utopia for vinyl fans. To better understand this connection with vinyl, Concrete Playground asked some of the musicians performing at the event just why these musical mementos retain their aura. Amy Franz, SUPER WILD HORSES What is your favourite memory involving vinyl? I must have been about 14 and there was a boy on whom I had a debilitating crush — the kind of crush that is crushing, as happens when you're a teenager. He gave me a 7" of the Stone Roses, 'She Bangs the Drums', and at the time I felt like he was trying to tell me that I should be a drummer. We'd had a jam at my house with a whole lot of music gear I took home on loan from the school music department and I think I'd bashed something out on the half a drum kit I had. It was probably the biggest musical encouragement of my life. It took me another 12 years to get around to playing the drums. Antonia Sellbach, BEACHES Why do you think vinyl retains its popularity in the digital era? Music sounds better on vinyl. There's also the whole sense of tradition and ritual to vinyl. By having to turn over a record at the halfway point you're more connected to the whole album experience. It's the ultimate surviving format, partly because it provides a much needed counter to the digital era. Vinyl is an object, a thing. It takes up space, it's a commitment. If you truly love an album, you'll probably buy it on vinyl. And album artwork always looks better in 12"x 12". Kate Wilson, THE LAURELS What was the first vinyl you ever purchased and why? I think my first was Frenzal Rhomb's 'Sorry about the Ruse' 7" single. I still have it, although I've lost the insert. The insert was a letter from Depeche Mode's record label, (unfairly) denying Frenzal Rhomb permission to release a song based on 1981 smash hit 'Just Can't Get Enough', entitled '(How can I) Fuck the System (If I just can't get it up)' — it was included as the B-side anyway. You could get it with a blue or a green cover — I got the green one, and my friend the blue. I remember we fabricated some loose and spurious pretence to bring them not only to school, but also into the classroom, where I recall we just kind of lovingly gazed at them. Being a severe teenage dork who carried a record like a teddy bear meant incredible parties and first dates were not on the agenda for me at that time. Why do you think vinyl retains its popularity in the digital era? Trends can often be retaliatory in nature. I think vinyl is the counterpoint to the impermanence, and inability to tangibly "own" digital media. There's a healthy element of childhood nostalgia, courtesy of parent's record collections. There is also the wildly addictive sport of crate digging. Additionally the length of the LP's reign as the dominant medium, coupled with the fact that people discarded whole collections when digital took over, mean there is a hell of a lot of music out there. The abundance keeps the price low and the variety high. Record collecting is one of the greatest and most rewarding strategy games on earth! You have to be quite knowledgeable about music to derive pleasure from flicking through dusty LPs for hours on end, so I think there is a carry over to the more casual music buyer that vinyl is the format of choice for people who are seriously into music, an idea abetted by the fact it's seen by most audiophiles as the superior sound format. Ben James, SONGS What is your favourite memory involving vinyl? Buying my own record player. Listening on my brother's before that was a no go, and annoying — I could only listen at half volume so that I could still listen out for him coming home and avoid a good thrashing. Emma Ramsay, HOLY BALM Why do you think vinyl retains its popularity in the digital era? VHS has not disappeared. The technology may have been surpassed but there will always be people interested in hacking old technology in creative ways or wanting to 'experience' older technology. VHS is still in people's lounge rooms, attics, garage sales. Vinyl retains popularity in the digital era, because the analog era still exists, it has not ended per se. They co-exist. And so one informs the other, giving an extended network and experience of how we find new music, and dig up old favourites. MARTY DOYLE, At First Sight Curator and FBi Presenter What was the first vinyl you ever purchased and why? I was born in the '80s. The ideals of the time were all about the race for the latest technology, so that meant cassettes and Walkmans with Dolby Noise Reduction for me. My dad had a lot of records, but i just thought they were things he rolled 'cigarettes' on. It wasn't until i was about 12 and started listening to hip hop that I paid attention to vinyl. When i saw footage of Grandmaster Flash DJing at a Block Party, i thought it was the coolest thing ever. 2 turntables and scratching? I went straight to my dad's record collection and started digging through it and I was amazed to find all this stuff in there I had heard from hip hop samples. I think the first record I found and recognised was Boz Scaggs 'Low Down' which was sampled by Sparky D. That was really the start of my vinyl obsession. I still bump that Boz Scaggs record, it's the definition of sophisticated easy listening. Owen Penglis, STRAIGHT ARROWS What was the first vinyl you ever purchased and why? I first started buying records because they were heaps cheaper than CDs — as a 14 year old you've got plenty of time to burn digging through the $2 bin, and you'd usually come out with something you'd heard of before. I pulled out The Eagles The Long Run because I'd heard they were supposed to be good. Let me tell you, they are fucking terrible: boring cocaine country rock shit. I threw the album in the oven and learnt that not only do LPs make for unusable bowls, but there's no time for shitty music. Why do you think vinyl retains its popularity in the digital era? It smells better than CDs. At First Sight is on at Carriageworks on Saturday, July 20. The record fair is free and entry to the live music is $35.
When you were watching Ocean's Eleven, did you ever think to yourself "this is great, but I really wish someone was trying to eat George Clooney's brains?". Every time you settle in for an episode of The Walking Dead, do you find yourself hoping that someone — anyone — would mastermind a scheme to break into a casino vault? Whichever thought has popped into your head, you'll soon be able to see what a Las Vegas heist flick looks like when it's paired with the zombie genre. That's the whole premise behind Netflix film Army of the Dead, one of the big new movies the streaming platform has lined up for 2021. If the overall concept sounds somewhat familiar, that's because you probably saw Train to Busan sequel Peninsula last year — another zombie-heist film hybrid. The huge difference here, of course, is the Las Vegas setting. Well, that and the fact that Army of the Dead stars Guardians of the Galaxy's Dave Bautista and is directed by Justice League's Zack Snyder. You definitely won't forget the latter based on the just-dropped first teaser trailer for Army of the Dead, because it spends about half of its brief running time stressing exactly who is behind the lens. And as for all the shuffling undead hordes and pilfering antics, the movie follows a group of mercenaries who decide to take advantage of the situation by breaking into the casino-filled quarantine zone. When the movie hits Netflix on Friday, May 21, viewers will also spot Garret Dillahunt (Deadwood), Tig Notaro (Music), Ella Purnell (Sweetbitter), Omari Hardwick (Power), Ana de la Reguera (also from Power), Theo Rossi (Luke Cage) and Matthias Schweighöfer (Resistance), plus Nora Arnezeder (Mozart in the Jungle), Hiroyuki Sanada (Westworld), Raúl Castillo (Knives Out) and Huma Qureshi (Viceroy's House). And yes, Snyder has toyed with zombies before, in the 2004 remake of Dawn of the Dead. Here, though, he's aiming to set up his own franchise — with a prequel movie and an animated spinoff series already greenlit. Check out the trailer below: https://www.youtube.com/watch?v=H83kjG5RCT8 Army of the Dead will stream via Netflix from Friday, May 21. Top image: Clay Enos, Netflix.
If you thought Melbourne getting a George Costanza bar was cool (or maybe you're just more of a Beetlejuice fan), you'll be pretty impressed by New York City's latest attempt to one-up itself when it comes to themed establishments. Set to open early next month is a Tim Burton-inspired bar and restaurant, very aptly named Beetle House. Millennium made. The Manhattan bar comes from the same team who thought (and were indeed correct in doing so) that the island needed a Will Ferrell-themed bar, which opened in October last year. Beetle House, however, promises to recreate Halloween all year-long with "an atmosphere and menu inspired by the works of Tim Burton". Perfect for the regular Edward Scissorhands or ghosts stuck haunting the East Village. Potions will include the likes of the This Is Halloween (a concoction of pumpkin, cinnamon and apple liqueurs, ginger beer and apple cider) and the We Come In Peace, which is a questionable mix of salted caramel vodka, RumChata, cream and a caramel swirl salted rim. Other well-named sips include the likes of Edward's Lemonade, It's Showtime and Beetlejuice (naturally). Drink at your own peril. To eat, you can choose from the likes of Beetle Bread bruschetta, the Victor Van Pork burger and the Sweeney Beef steak. Beetle House is located in the East Village at 308 East 6th Street. If you've got a trip planned to NYC anytime soon, we suggest booking a table in advance lest you have to go to an unthemed restaurant instead.
You'll never have to fret over your iPhone dying again, thanks to this genius new phone case designed by Jesse Pliner and Lloyd Gladstone. Dubbed the 'JuiceTank', this sleek case effectively conceals the electrical outlet plug within. Press the button on the back of the case, and the outlet prongs pop out. Not only can you rely on JuiceTank to come to the rescue in battery emergencies, but its high-grade polycarbonate cover provides solid phone protection, minus excessive bulk. The case is currently fit for any North American plug and awaiting production funding on kickstarter.com.
The common wisdom, as taught to us by John Howard, that most progressive of reformers, is that less guns on the street equals less gun violence. Seems like a simple enough equation. It seemed to work in Australia after the 1996 Port Arthur massacre and its been the driving idea behind New York's tighter gun legislation. Yet in 8 unbelievable seconds all of our assumptions about gun control and gun legislation became frighteningly and irrevocably obsolete. Thanks to a little thing called 3D printing, a group of Texan anarchists and libertarians known as Defense Distributed have made printable weapons not only conceivable but 100 percent possible. With nothing more than a few-thousand-dollar printer, a couple chunks of plastic and an online file (which you can download for free right now!), you can make a lethal weapon from the comfort of your own living room. As of March, more than 10,000 people had already downloaded one such gun-making file. Unsurprisingly, this development has got US legislators going into overdrive. Earlier this week, New York became the first state to take decisive action on the issue introducing a bill that would make it illegal for anyone but a licensed gunsmith to create a firearm using a 3D printer. The bill also includes a number of important restrictions such as compulsory police notification, registration of any weapon within 72 hours of creation and limits on bullet production. California is expected to introduce a similar bill in the coming weeks. While such legislative action is understandably important, the New York bill ain't about to put a stopper on the production of homemade weapons. According to New York University's resident gun law expert, James B. Jacobs, the Second Amendment will be the least of legislators' worries. He argues that while printable weapons can be restricted in much the same way as assault weapons have been, banning the files that allow you to print 3D guns is a much more difficult prospect. "The First Amendment will not permit banning posting software that would allow 'printing' such a weapon, just as we can't ban Al Qaeda literature on building pipe bombs,” Jacobs says. Whether this technology will make any discernible difference to America's already gun-enriched culture remains to be seen, but for the moment the thought of 'gun labs' popping up in the garages of wayward youths across the country has me scared shitless. Between this and a few fairly spine-tingling videos, it seems fair to say that the possible repercussions of having printable weapons are only just beginning to emerge.
If there's a live gig-shaped hole in your life right now, Indigenous Australian hip hop artist Ziggy Ramo is here to fill that void with a night of hard-hitting tunes. This Saturday, August 29, he'll take to the hallowed stage of the Sydney Opera House for an exclusive live-streamed performance, complete with striking visuals and a ten-piece band in tow. Beaming live and loud to a device near you, Ramo is set to play his debut full-length album Black Thoughts. The much-lauded work was completed in 2015 before being shelved for a few years, and has now been reborn in light of current conversations around race and colonial history. Expect a powerful performance incorporating strings and brass, brought to life alongside newly commissioned artworks by 2018 WA Young Person of the Year, Indigenous Australian illustrator Kamsani 'Kambarni' Bin-Salleh. Spiritually charged rap meets traditional Songlines to deliver a captivating musical journey, touching on collective trauma, racial discrimination, vulnerability and spiritual renewal. Got plans Saturday night? All good — the full performance will also be available on-demand after the initial live stream. While the Sydney Opera House is still closed to the public, it's running a Digital Season with full-length archival performances and live recordings. You can can check out the final lineup over here. [caption id="attachment_720224" align="alignnone" width="1920"] A gig at Sydney Opera House during Vivid by Daniel Boud[/caption] Top image: Emma Pegrum
Just a few short months ago, your 2020 plans likely included a range of trips, adventures and new experiences, such as heading overseas, seeing different sights and making this year your best one yet. That's not how things are turning out for anyone due to COVID-19; however, thanks to virtual tours and travel live-streams, you can still pretend. Thanks to Airbnb's Online Experiences feature, too, you can also get a taste of places and activities far, far away from your own lounge room. The sharing platform has launched the new addition to its online offering, teaming up with hosts around the world — who'll hold everything from magic lessons and coffee tastings to dance sessions and sketch classes from more than 30 different countries via Zoom. Highlights include meditating with a Buddhist monk, taking pastry lessons from a Swedish baker and learning how to make pasta with an Italian nonna — plus, mixing up cocktails — and sangria — with drag queens and going on a plague tour of Prague. If you're always been curious about the dogs of Chernobyl, aka the descendants of canines that were abandoned after the 1986 nuclear disaster, you can make a virtual visit. If rescue goats are more your style, you can head to an animal sanctuary in the Catskills Mountains as well. And if you'd prefer to meet some penguins in South Africa or meditate with sheep in Scotland, you can do that too. With the Tokyo Olympics and Paralympics postponed until 2021, Airbnb has also launched a range of virtual experiences with some of the world's best athletes. Do sprint sessions with Bahamian sprinter Andretti Bain, learn to hammer throw with American athlete Gwen Barry and chat to Paralympic swimmer and triathlete David Hill about prosthetics and how he completes everyday tasks without a forearm. At present, more than 50 Online Experiences are available, with thousands more set to join its virtual portal in the coming months. Session dates, times and costs vary — and, in some cases, you can request specific dates for your own private group experience. For more information about Airbnb's Online Experiences — or to book one in — visit the sharing platform's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Updated July 29, 2020.
Doing the environment a solid, British MPs have called for a compulsory fee on disposable takeaway coffee cups. Proposed by the UK parliament's Environmental Audit Committee, the suggested 'latte levy' would charge customers an extra 25 pence, as part of a bid to reduce waste and encourage caffeine fiends to switch to reusable containers. More than 2.5 billion cups are used in the UK every year, with half a million becoming litter each and every day. While they're difficult and expensive to recycle thanks to the plastic lining, it's not impossible. With less than one percent of cups being recycled, at present most are incinerated, exported or end up in landfill. "The UK's coffee shop market is expanding rapidly, so we need to kickstart a revolution in recycling," said committee chair Mary Creagh. "We're calling for action to reduce the number of single use cups, promote reusable cups over disposable cups and to recycle all coffee cups by 2023." Fees collected would be invested into recycling facilities, and as the recycling rate for coffee cups improves, it's anticipated that the charge could be lowered. The proposal also suggests increasing the price of the cups for producers, if they're made from materials that are hard to recycle; improving labelling so that customers know if their one-off cup will be recycled by the store, stating "not widely recycled" and "recyclable in store only"; and banning disposable cups outright if the 2023 target isn't reached. In Australia, the move towards reusable cups is growing. A Sydney cafe stopped using single-use cups last August, while two Melbourne cafes gave away free coffee to anyone with their own container. Throw in creatives making adorable ceramic keep cups and the company recycling coffee waste into environmentally friendly cups, and there's a definite push to minimise waste in the local coffee scene, where an estimated one billion disposable cups are used annually.
Proof that good food doesn't need to be complicated, Waterloo's newest culinary hot-spot, Danks Street Produce Merchants, is a throwback to the way fresh food markets used to be. Launching this Thursday, October 27, the precinct is the brainchild of Fourth Village Providore owners, the Quattroville family, who've curated a cracking lineup of artisan producers to set up shop in the Danks Street space previously occupied by Fratelli Fresh. It's a wink to those rustic European markets, with a friendly, community buzz (and not unlike Rosebery's Saporium), and a vibrant food offering spanning six indoor stalls, which will be providing everything from bread and imported cheeses, to charcuterie and fresh pasta. Quality goods from the likes of Brookvale's Berkelo bakery, Hurstville's Oregano Bakery (you know the scrolls), The Free Range Butcher, and Bondi Road's The One That Got Away fishmonger are set to inspire kitchen adventures seven days a week. Plus, a weekend trestle market will play host to producers like Blue Mountains Honey and The Little Wine Company on Saturdays and Sundays. Meanwhile, a 100-seat bar and restaurant called Mezzanino will take over the sprawling, light-filled first floor — which will be perfect for a mid-shop snack, or those evenings when you'd rather bypass the shopping and cooking part. Here, produce-driven small plates, or piattini, will roam the restaurant atop trolleys, showcasing the day's best haul from the market below. The Danks Street Produce Market will open on Thursday, October 28 at 3 Danks Street, Waterloo. For more information, visit producemerchants.com.au.
Fourteen new cultural events have been given a leg up by the City of Sydney's grant program, with $3 million going towards new activations around Sydney's inner city. The boost to the city's hospitality and arts industries forms part of the council's Precinct Activation Grants program. The projects that have been offered funding span across the City of Sydney's council area and include street parties, food festivals, farmers' markets, art, workshops and more. Redfern will host a street party with a month-long set of exhibitions, Haymarket will be treated to public art activations, Stanley Street will play home to a six-week food and drink festival, growers and producers markets will pop up at Circular Quay's new precinct Quay Quarter Lanes once a month and Kensington Street will come to life with cultural programming during next summer's Sydney Festival. Other exciting programs that have been given financial assistance from the City of Sydney include a South Eveleigh Festival by the name of Dark Day Dark Night, a return of YCK Laneway's regular music and arts festivals, a weekend-long music and art festival in Erskineville, a series of pop-up events in the areas surrounding Central Station and UTS, and an open day for the new Walsh Bay Arts Precinct. The Hollywood Precinct is another project that has been organised by the Darlinghurst Business Partnership, pulling together the local restaurants and bars around Commonwealth Street. "This corner of Surry Hills has some of Sydney's best bars, cafes and restaurants. But they don't need to compete against each other to create a great vibe and be successful," said Darlinghurst Business Partnership's Lorraine Lock. "By working together to create a coherent precinct we are creating interest in the whole area, attracting visitors and generating business for everyone." Each of the 14 events will receive between $100,000 and $300,00 and will take place between the start of June this year and the end of June next year. "This innovative grant program was designed to encourage businesses, creatives and communities to collaborate and bring cultural activity to precincts and local neighbourhoods," City of Sydney Lord Mayor Clover Moore said. [caption id="attachment_799499" align="alignnone" width="1920"] Stanley Street[/caption] Head online to read more about the City of Sydney's Precinct Activation Grants.
Back to the Future Part II promised us many things. Hoverboards, video calls, instant pizza, the Chicago Cubs winning the world series, Jaws 19 — the list goes on, but only some of these have actually come true to date. While the rest of us have been wishing we could jump in flying cars, however, one researcher has taken inspiration from Marty McFly's self-lacing shoes. In the spirit of tech-infused wearables, Associate Professor Jayan Thomas from the University of Central Florida has developed solar-powered textiles that can be turned into clothing. "If you can develop self-charging clothes or textiles, you can realize those cinematic fantasies – that's the cool thing," said Thomas. That's not the only impressive part of his research, though. Not only can the copper ribbon filaments at the centre of his breakthrough capable of harvesting and storing energy from the sun, but they might then be able to be used to power other electronic devices, such as mobile phones. Imagine never having to worry about your smartphone's battery levels while you're out of the house, no matter how much time you spend snapping photos and posting them to Instagram. Imagine being able to charge your laptop, tablet or e-reader just by sticking it in your bag. Imagine being free from portable chargers, cables and taunting on-screen power indicators. We're not quite at that stage yet, but that's one of the uses Thomas envisages for his new technology, alongside electric cars. It's enough to make you exclaim "great Scott!" several times over. Via Tech Times.
Say hello to my little friend, Australia. Academy Award winning Director Oliver Stone, the maestro behind such influential films as Scarface, Midnight Express, Platoon, Wall Street, Natural Born Killers, JFK, Nixon, and The Doors, is coming to Australia, appearing exclusively at Vivid Sydney. The highly respected director will join the Vivid Ideas Game-Changer talks series (already featuring street art icon Shepard Fairey), and join the Semi Permanent lineup while he's at it. Not one to veer away from controversial subjects, Stone will be joining equally no-bullshit Australian legend Margaret Pomeranz AM on stage at City Recital Hall on Sunday, May 28 for a rare, behind-the-scenes insight into Stone's career and his polarising films. "Interviewing Oliver Stone?" says Pomeranz. "One of the most significant filmmakers of the past 40 years to trawl through our political and cultural history! It's intimidating, exciting and absolutely unmissable. If I weren't on the stage with him I would be in the audience." Stone will also be speaking 'in conversation' at Semi Permanent at Carriageworks on Friday, May 26 — you'll need a full-day festival pass for that. "Semi Permanent is excited to welcome iconic filmmaker and storyteller Oliver Stone to our extraordinary line up for 2017 in Sydney," said Semi Permanent founder and director Murray Bell said. "The Academy Award winning writer and director is one of the most prolific of our time, making films that profoundly capture pivotal moments in our recent history – a lifetime spent creating entertaining and provocative works." Semi Permanent's 2017 event will take over Carriageworks from Thursday, May 25 to Saturday, May 27 and features a cast of players so influential in the modern design game that while this event's in motion, the world will become a very desolate and tacky place. Speakers include Museum of Contemporary Art Australia director Elizabeth Ann Macgregor, Katherine Keating publisher VICE Impact, Nike design director Meirion Pritchard and Nike EMEA brand director Gary Horton, Jacqueline Bourke from Getty Images, animation studio Moth Collective, Design Studio's Paul Stafford, Frog Design and Australian designers David Caon, Henry Wilson and architect Kelvin Ho. In the meantime, we'll be playing Smokey Robinson all day: Oliver Stone will appear at Semi Permanent at Carriageworks on Friday, May 26 and The Vivid Ideas Game-Changer talk will be held on Sunday, May 28 at City Recital Hall. Tickets are on sale now at vividsydney.com and semipermanent.com. Image: Getty Images.
There's plenty of people who go around collecting art and putting it in their house. But how about turning your home itself into an artwork? That's exactly what Aussie-born, New York-based artist Ian Strange will be doing this weekend in Richmond. For this Saturday and Sunday only, he's projecting a site-specific illumination onto a family home on Clifton Street. Passersby will see a huge red dot covering the doorway, framed by concentric circles: a bit like an interpretation of the eye of a dartboard. Titled OPEN HOME, the work aims to explore ideas of suburban isolation. On one hand, the home appears as a shelter — on the other, it is vulnerable and at risk of demolition. The piece is one of many by Strange investigating the meaning and architecture of the buildings in which we live. While creating the illumination on Monday, October 2, Strange documented the process in detail. The result is a collection of photographs titled Twenty-Five, which will be on display in the home's front bedroom, next to another series called Forty-Eight. Meanwhile, spread across the other bedrooms, bathroom and living room, you'll find Shadows, a group of photographs and videos that Strange created in Western Australia during 2015 and 2016. The former explore changes to post-war red-brick dwellings, while the latter document Strange at work in the light of dawn. Rounding out the exhibition are two sculptures. Elliot Terrace (2013) features a cut from a New Jersey home that's since been demolished, while Framework (Kenyon 3) (2017) is from a series of site-specific installations that explore the role of frameworks and architectural drawings in the creation and imagining of homes. OPEN HOME is located at 25 Clifton Street, Richmond and will be open from 10am – 6pm on Saturday, October 7 and Sunday, October 8. For more info on the series, visit ianstrange.com.
UPDATE, January 15, 2021: John Wick: Chapter 3 - Parabellum is available to stream via Netflix, Binge, Foxtel Now, Google Play, YouTube Movies and iTunes. Cinematic beauty comes in many forms, and the John Wick franchise perfects one of them. The term 'balletic' couldn't better describe the series' hypnotic action sequences, with its array of frenetic fights and carnage-dripping set pieces all meticulously choreographed like complex dance routines. In fact, when ballerinas actually pirouette across the screen in John Wick: Chapter 3 — Parabellum, they seem bland in comparison. As 2014's John Wick and 2017's John Wick: Chapter 2 proved, murderous mayhem has rarely looked as stunning as it does in this ultra-violent saga. Whether its eponymous assassin is unleashing his fury with fists, firearms or knives (or, in the latest flick, killing one enemy with a book and dispatching others by wielding a horse as a weapon) the result is simply exhilarating to watch. As played with the steely stoicism that Keanu Reeves wears oh-so-well, John Wick finds many other ways to eradicate his adversaries in Parabellum. Motorcycles aren't just for riding, belts don't only hold up pants, and attack dogs, swords and axes all come in handy. With the movie energetically picking up where the last film left off (mere moments afterwards, to be exact), the retired triggerman isn't short on opportunities to unleash his deadly flair. In the first flick, he was lured back to the hitman life after his car was stolen and his puppy killed, while the second chapter chronicled the savage fallout not only from his vengeance, but from his determination to stay retired. Now, after breaking the assassin code, there's a $14 million bounty on his head — and dear Jonathan, as his friend and hotelier Winston (Ian McShane) calls him, has been cut off from the slick facilities and tools of his underworld profession. With its name meaning 'prepare for war' in Latin, Parabellum follows John's kill-or-be-killed quest, pitting the supremely skilled hitman against the rest of the world's contract murderers. To the surprise of no one, copious amounts of bloodshed results. The story ponders loyalty, purpose and honour, however the details don't overly matter, with returning screenwriter Derek Kolstad and his three co-writers throwing everything they can at their anti-hero. That includes old acquaintances (Anjelica Huston and Halle Berry), difficult head honchos (Jerome Flynn and Saïd Taghmaoui), a fanboy foe (Mark Dacascos) and an adjudicator (Asia Kate Dillon) tasked with punishing John's misdeeds — as well as the return of Reeves' Matrix co-star Laurence Fishburne as the king of New York's gun-toting homeless population. They're all grist for the mill; with more characters and conflicts comes more excuses for the franchise's trademark visual displays. Every actor should hope that their former stunt double becomes a director, because it's turning out swimmingly for Reeves and Chad Stahelski. Like its predecessors, Parabellum blends a martial arts movie's dizzying moves with a shoot 'em up thriller's murky mood, and the ex-Matrix stuntman turned filmmaker delivers both superbly. The climactic showdown throws a few blows too many, as does the 132-minute flick itself, but that's a minor complaint after such an enjoyable onslaught of brutal brawls mixed with brooding glares. Set in dazzling glass surroundings, the film's final confrontation also demonstrates something that the John Wick series doesn't always get enough credit for: its sumptuous production design. Battles that unfurl like performances, placed in spaces that look like art — it's still a winning combination, with Stahelski expertly assisted by two-time franchise cinematographer Dan Laustsen and production designer Kevin Kavanaugh, as well as three-time stunt coordinator Jonathan Eusebio. John Wick's commitment to fleshing out the rules and requirements of the assassin life has always gone hand-in-hand with its action and aesthetics, too, building an involving world that's both sleekly stylised and lived-in. Of course, all of that sheen and fury would mean nothing without the right person at its centre. Gifted a role that ranks alongside Theodore 'Ted' Logan, Johnny Utah and Neo in the iconic stakes, Reeves continues to be the series' not-at-all-secret weapon. Parabellum's painstakingly staged frays are a sight to behold, but they prove all the more powerful when paired with its star's piercing stare and calm demeanour. It's a part that Reeves could play forever; here's hoping that he does. https://www.youtube.com/watch?v=_BULB0aX4lA
It's one of the most recognisable spots in Melbourne — and, until December this year at least, Federation Square has been granted temporary heritage protection. If the interim move is extended, it also could thwart one of the city's most controversial new projects: Apple's plans to build its first Australian flagship store. Courtesy of an interim protection order issued on August 21, no work can take place on the site until December 21 without Heritage Victoria's approval. Given that construction on the Apple store wasn't slated to start until next year, the move won't have a significant impact at present. That said, The Age reports that the order is being taken as a sign that permanent heritage protection could be sought for the inner-city space, despite the fact that it's only 16 years old. Giving Fed Square ongoing heritage status would obviously have wider-reaching consequences — including when it comes to pulling down existing buildings. After being announced late last year, Apple's proposed Fed Square store has received considerable community backlash, with new designs revealed in July in response. The opposition to the store isn't just about how it looks, though, but the fact that it'll tear down and replace the existing Yarra Building, and also displace the Koorie Heritage Trust in the process. Contentiously, it'll also see public land sold off to a commercial retailer. Regardless of how Fed Square's permanent heritage status pans out — and if indeed it has any impact upon the Apple store — the current temporary order could slightly stall the other big change taking place in the vicinity, the Metro Tunnel. Fed Square's visitor centre is set to be demolished to build an entry to the tunnel, with work due to begin next month. To proceed according to schedule, contractor Cross Yarra Partnership will need to apply for a permit or exemption to go ahead — something it is expected to do this week, according to the Herald Sun. Via The Age / Herald Sun.
Gender bias is, unfortunately, a thing that people identifying as women (i.e. 50 percent of the population) deal with on a regular basis. A lot of the time it's so culturally ingrained, it goes mostly unnoticed — so one of the ways gender equality activists and groups often raise awareness about the issue is by pointing out the small, every day inequalities and making the population think about them. Like when you're standing at the traffic lights waiting for the little man to turn green. But if you're in Melbourne today — look up. For International Women's Day, ten of the CBD's pedestrian crossing traffic lights will not depict the standard male sign, but a female one. The project — which will see ten pedestrian crossing lights around the Swanston and Flinders intersection change from male to female representation — has been led (and funded) by local business and community non-profit organisation the Committee for Melbourne. "The idea is to install traffic lights with female representation, as well as male representation, to help reduce unconscious bias," committee chief executive Martine Letts told ABC News. Though a small change — and one that is largely symbolic, particularly on International Women's Day — the symbols are supposed to be a meaningful way to give women more ownership over public space. The aim of the committee, says Letts, is to get one-to-one male and female representation. Of course, not all female-identifying people wear skirts or necessarily feel represented by what is a traditional sign used to symbolise the split between male and female. Nonetheless, seeing a little green woman as you cross Flinders Street is a bit of a novelty — and one that could stick around for a while. The project is apparently supported by the Victorian Government and will remain in place for a 12-month trial. Via ABC News. Image: Committee for Melbourne/Twitter.
We've all heard the jokes about how many folks it takes to change a lightbulb, but here's a new situation to ponder: how many people are needed to turn your overhead light fixtures into a gorgeous mini hanging garden? The answer involves designer Richard Clarkson, possibly someone to help you install a new light (depending on how handy you are), and your plant-loving self. Clarkson has come up with the ultimate way to add a dash of greenery to any room courtesy of Globe, the terrarium lamp. It's as simple as it sounds, involving a suspended handblown glass ball with an intergraded LED light source. And, it's as visually spectacular too, coming complete with a thin power cord that makes the orb look like it's floating, as well as a dimmer letting you control the level of brightness surrounding your new ball of nature. The Globe comes in two sizes — diameters of 12" and 8" — and Clarkson's website also includes instructions about the best types of plants, how to layer everything in the best way, and watering recommendations. While they were designed as a hanging terrarium, with the shape of the glass magnifying the greenery inside to provide a new viewing perspective, they can also be filled with water. Prices range from US$210 - $460, and they ship internationally. Via: inhabitat. Images: Richard Clarkson Studio.
South Australia is coming for you in a big way, Sydney. A whopping 30 Adelaide Hills wineries are headed to Surry Hills next month for a three-hour session of wine, food and tunes. Hills Heist will take over the Ford Sherrington House's new Winebar One on Tuesday, May 8 from 6–9pm. Expect a massive 70 wines on offer, giving punters a seriously wide ranging taste of the region's best drops. The wine region spans 70 kilometres and is known for its diversity, from sparkling to shiraz to pinot noir, along with gruner veltliner — an Austrian variety that the Adelaide Hills have become known for. Among the standout winemakers in attendance is Murdoch Hill's Michael Downer, who recently won Best Emerging Talent at the 2017 Young Gun of Wine awards. He's accompanied by Petaluma's Andrew Hardy, Shaw + Smith's Adam Wadewitz and Riposte's Tim Knappstein, to name a few. Modern European-style snacks will be served alongside the wine and Sydney local DJ Levins will be on the beats. Considering how much wine is on offer, tickets are priced at a pretty reasonable $65. The full list of wineries represented at the Hills Heist event include: Anderson Hill, ArtWine, Barristers Block, Bird in Hand, Chain of Ponds, Deviation Road, Elderslie, Elysian Springs, Fox Gordon, Golding, Hanhdorf Hill, Henschke, Howard Vineyard, Lobethal Road, Longview, Mike Press Wines, Mt Lofty Ranges, Murdoch Hill, Nepenthe, Paracombe, Penfolds, Petaluma, Red Heads, Riposte, Sew & Sew, Shaw + Smith, Somerled, The Lane Vineyard, The Pawn Wine Co, Tomich and Wicks Estate. Images: John Kruger.
Streetwear store and fried chicken restaurant Butter is expanding with a second two-storey location in Parramatta. When the Surry Hills eatery launched a year and a half ago it knocked our socks off. Was it more fried chicken? Or mostly sneaker? But we stopped thinking when Butter's juicy, dashi butter-lathered fried chicken arrived at the table in a shoe box. With a glass of Champagne on the side, no less. Chef Julian Cincotta is bringing the original Surry Hills menu over to Parramatta but with a few added extras — so you'll be able to order the same chicken sandwich with pickles and the '3 Pac' box of fried chicken and collard greens, just like in Surry Hills. But there'll also be specials like the Butter 3000, a new burger that sees fried thigh fillet, smoked pastrami, pickled daikon and kabayaki sauce on a steamed milk bun. Drinks will revolve around Champagne and Hennessey, both in a glass and as part of a cocktail. Cocktails include the Blackberry Hammer-Thyme with Veuve Clicquot, gin, blackberries and thyme and the P&P with pomegranate liqueur, Prosecco and pomegranate seeds. This is all happening on the bottom level. The level above will house the Butter store, where high-end and rare streetwear from US and Europe will be up for purchase, with brands such as Wood Wood, Daily Paper and Carrots by Anwar decking the shelves with rare and high-end kicks. It's all about luxury here and you're encouraged to browse the shop with Champagne in hand. Butter Parramatta will be double the size of Surry Hills and have an industrial, concrete interior complete with bubble light bulbs and granite table tops, thanks to award-winning architect Tarek Elkassouf. Butter opens at Shop 3, 45 Macquarie Street, Parramatta on Friday, December 22 at 11am. It will be open Monday to Thursday, 11.30am to 10pm, Friday to Saturday 11.30am to 12am and Sunday, 12pm to 9pm. For more info, visit buttersydney.com.au.
