Just days out from taking to the stage together for the first time in more than a decade and a half, Oasis have given fans Down Under a gift: releasing more tickets for their spring 2025 shows in Australia. The Manchester-born band is kicking off their Oasis Live '25 tour in Cardiff, Wales on Friday, July 4, but have dates with Melbourne from the end of October and Sydney in November — and if you haven't already nabbed tix to those Aussie gigs, you've got another chance to get some. On sale now: tickets that were held for the production for Oasis' three Victorian and two New South Wales concerts. The group is playing Marvel Stadium in Melbourne across Friday, October 31–Saturday, November 1, then again on Tuesday, November 4. In Sydney, Liam and Noel Gallagher and company will hit up Accor Stadium on Friday, November 7–Saturday, November 8. [caption id="attachment_975640" align="alignnone" width="1920"] Batiste Safont via Wikimedia Commons.[/caption] Given how popular these gigs were when they were announced in 2024 — so much so that extra concerts were quickly added, and Melbourne's shows were declared a major event, meaning that they'd fall under anti-scalping laws — getting in ASAP is recommended. This year marks 20 years since Oasis last toured Australia. There's comeback tours and then there's Britain's most-famous feuding siblings reuniting to bring one of the country's iconic groups back together live — aka the biggest story in music touring of the past year, since Liam and Noel announced in August 2024 that they were reforming the band, and also burying the hatchet. View this post on Instagram A post shared by Live Nation Australia (@livenationaustralia) Initially, Oasis locked in a run of shows in the UK and Ireland. Then, they expanded their tour dates, also confirming visits to Canada and the US, plus Australia, Japan, South Korea, Argentina, Chile and Brazil. Oasis broke up in 2009, four years after their last Australian tour, and following seven albums from 1994's Definitely Maybe through to 2008's Dig Your Soul — and after drawing massive crowds to their live gigs along the way (see: documentary Oasis Knebworth 1996). If you're feeling supersonic about the group's reunion, you can likely expect to hear that track, plus everything from 'Live Forever', 'Cigarettes & Alcohol', 'Morning Glory' and 'Some Might Say' through to 'Wonderwall', 'Don't Look Back in Anger' and 'Champagne Supernova' when they hit Australia. [caption id="attachment_975202" align="alignnone" width="1920"] Simon Emmett[/caption] Oasis Live '25 Australian Dates Friday, October 31–Saturday, November 1 + Tuesday, November 4 — Marvel Stadium, Melbourne Friday, November 7–Saturday, November 8 — Accor Stadium, Sydney [caption id="attachment_975205" align="alignnone" width="1920"] Oasis Knebworth 1996, Photo by Roberta Parkin/Redferns[/caption] Oasis are touring Australia in October and November 2025, with tickets on sale now. Head to the tour website for more details. Top image: Simon Emmett.
Pulling inspiration from Dashiell Hammett's novel The Thin Man and its fictional sleuthing duo Nick and Nora Charles, this sophisticated rooftop bar is an homage to the roaring 20s and legendary parties thrown by these characters. Among Nick & Nora's features: an opulent fit-out, lavish art deco touches and a whole lot of Champagne. It has room for an impressive 300 people, complete with a sprawling terrace boasting views of Sydney from the heart of Parramatta. But it's not all flash and no substance here. The back bar selection runs to a hefty 900 spirits while climate-controlled fridges are stocked with over 50 Champagnes from the world's most celebrated houses. The cocktail offering is also as tight as you'd expect from these pros, with a 30-strong list featuring multiple variations of martinis, sours and Champagne-infused sips. Plus, there's more delicious mischief in store thanks to the bar's liquid nitrogen stations. Bring on the theatrics. As for the food, expect an offering that holds its own against the plush vibe and ritzy drinks lineup — fine cheese and charcuterie, top-quality oysters and some of the world's best caviar promise an all-round opulent affair. The bar is brainchild of the Speakeasy Group, the owners of cocktail classic Eau de Vie, Viking luxe bar Mjølner, the whisky-serving Boilermaker House and the Nick & Nora's down in Melbourne. The team has perfected this glamorous style of drinking and dining — with this sky-high location, located up on the 26th floor of the V by Crown development, one of their greatest. Don your finest evening wear and splurge on all the most expensive, top-quality tipples up here. Live the roaring 20's fantasy before riding the elevator back down to the street, reluctantly returning to reality. Images: Jiwon Kim. Updated Monday, March 13, 2023.
If you're not fond of cooking every night of the week, chances are you've relied upon food delivery services a little more than usual in 2020. With heading out to eat off the cards during Australia's nationwide lockdown earlier in the year — and throughout Melbourne's current strict stay-at-home restrictions as well — being able to get meals brought to your door has been a key coping tool. You might not be able to physically go to your favourite eatery, but you can still tuck into its dishes. For three days next week — from 12.01am Tuesday, September 29–11.59pm Thursday, October 1 — you'll also be able to get those bites to eat without paying for delivery. Across that 72-hour period, Menulog is hosting its first Menulog Free Delivery Fest. And yes, it's all there in the name. You'll still have to pay for your food, obviously, but you won't have to fork out a single cent to get it delivered. And, the deal applies to every Menulog-delivered order except KFC, so you'll have plenty of dishes to choose from. To nab free delivery, you'll need to order between the above dates and times via the Menulog app and the Menulog website. Restaurants taking part will have a free delivery icon on their Menulog listing, too — with the Menulog Free Delivery Fest running in New South Wales, Victoria, Queensland, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory. The Menulog Free Delivery Fest runs from 12.01am Tuesday, September 29–11.59pm Thursday, October 1 via the Menulog app and the Menulog website.
Usually, when The Grounds of Alexandria decides to liven up its outdoor space, it gives itself a Disney-themed makeover. The Nutcracker, Mary Poppins Returns, Aladdin, Maleficent: Mistress of Evil, Frozen II and Cinderella — they've all influenced the site's garden decor in the past. But, reflecting the unique times we all know find ourselves in, the Sydney venue is currently taking inspiration from a completely different source. Until Sunday, April 18, a trip to The Grounds of Alexandria will involve feeling like you've been whisked away to Morocco. With Australia's international borders still closed, Sydneysiders can't head overseas — but you can pretend. Expect bright colours, lanterns and curtains galore, greenery lining the laneways and a heap of woven baskets, all as part of a Marrakesh-style temporary revamp. To match the surroundings, you can tuck into a menu of specials, including almond couscous, fire-roasted spatchcock, and an orange- and mandarin-flavoured Moroccan pavlova. If you're heading along with your mates, the terracotta tower — a pistachio, pomegranate and rosewater sponge cake with rosewater syrup, rosewater cream cheese frosting, pomegranate curd, fresh pomegranate and raspberries — is made for two–three people. Or, opt for the Moroccan dessert board, which'll see you share a selection of sweet treats. On Saturday, February 13–Sunday, February 14, couples can also book in for a Valentine's Day weekend feast for two. For $150 per person, it includes a multi-course set menu, drinks and live entertainment, all while you're sat beneath Welcome to Marrakesh's greenery and lanterns.
Surry Hills' creatively charged culinary hot-spot, the 'unauthentic Indian' restaurant Don't Tell Aunty, is one of the highlights of the Sydney Indian restaurant scene. Inspired by the welcoming homes of traditional (yet, slightly eclectic) Indian aunties — complete with blue velvet banquettes and bright pink walls — the food here does not stick to the rules. Instead, innovation is the hero, as the team sticks to its signature envelope-pushing approach. An oft-changing menu trips all across India, with touches of Aussie and American influence peppered throughout. Street eats might include the likes of Colonel Tso's Indo-Chinese-style cauliflower with tomato and chilli; the 'Yoghurt Kebab', featuring a spiced yoghurt croquette in a vibrant beetroot ginger sauce; and the nachos-like papadi chaat. The tandoor is turning out dishes like charred salmon with spice and curry leaves, and there's a slew of crafty curries, including the short rib korma and a coconut cashew gravy. Head in for lunch, and you can snag a super affordable canteen-style selection of curries and street food. Meanwhile, Rajat Parr — an international winemaker and sommelier — has worked his magic on the drinks offering. Watch retro Bollywood films flicker on the walls, while tucking into drops from the self-serve beer fridge, approachable wines from around the world, and lively cocktails like the namesake Don't Tell Aunty — a concoction of mezcal and beetroot rimmed with black lava salt. There's even a bottomless brunch option available on weekends, serving up a tasting menu with unlimited wines and beers (bottomless margaritas cost an extra $20 per person). Head to Don't Tell Aunty for something different, but altogether fun and delicious.
UPDATE: JANUARY 15, 2019 — Summer in Sydney means many things — beach hangs, ocean pool swims, searing heat — one of them being the abundance of sweet frozen treats. And Devon has just launched another one for you to put on high rotation: bubble tea sundaes. Tapioca pearls, soft serve, taro and bubur cha-cha combine in this limited-edition dessert. Flavours include Matcha Bubble Tea, with roasted green tea, herbal glass jelly and sweet red bean and cheese foam, and the Bobba Gump, with milk tea soft serve, salted milk foam and brownie soil. All are served with a waffle cone and will set you back $10 a pop. They're available at Devon Barangaroo and North Sydney (not Surry Hills) from now until Thursday, February 28. When the foodie gods close a door, they often open a window. Such is the case with Devon on Danks. After two years of serving up 63-degree eggs and 8am soft serve sundaes, the beloved Waterloo café — a spinoff of Devon Cafe in Surry Hills — ceased service in 2016. That's the bad news. The good news is that they added a new member to the Devon family, in Barangaroo. Devon's second digs are located on the corner of Mercantile Walk and Scotch Row at one of Sydney's new food hubs, The Streets of Barangaroo. Of course, it's far from the first big gastronomic get — Anason, Belles Hot Chicken, Banksii, Ume Burger and Rabbit Hole are just a few vendors that are trading in the precinct. Now before you start fretting, that doesn't mean the cafe has ditched its signature menu items — the soft serve with fries and miso salmon with a 63-degree egg remain on the menu. Rather, it's added a bunch of new strings to their bow, including Asian-style tapas and Japanese katsu sandwiches. Bubble tea sundae image: @wheresmy_dang_food.
It's no secret we love a swimming hole. From Sydney to Melbourne to Brisbane and even over to Perth, we spend our spare January days driving in search of a swimmable body of water, and the other seasons eagerly awaiting the ripeness of summer. And the best part is that this country is full of swimming spots unique to our sunburnt landscape, both on rugged coast and hidden inland among bush and desert rocks. Caroline Clements and Dillion Seitchick-Reardon visited a whole heap of them as 'research' for their book, Places We Swim. While the book collates handy information about 60 pools, lakes, beaches and gorges across the country, here, they detail five of the stunning spots that you should most definitely plan a road trip around before summer ends. Recommended reads: The Best Australian Beaches The Best Australian Islands to Visit Anytime of the Year The Best Glamping Spots in Australia The Best Pet-Friendly Hotels in Australia Clarence Dam, Blue Mountains, NSW Dressed in native gumtrees, the landscape here feels like true blue Australiana. Around Christmas time, the tea tree near the waterline turns white, like it's somehow snow-covered in the middle of summer. The reserve is home to two disused railway dams (that feel like lakes) built to supply water for steam engines, and is still bordered at the north side by a functioning western railway corridor. But the Crown Land area is now used mostly for public recreation such as bushwalking, rock climbing, canyoning and swimming. Swimmers are in for a treat. Huge pieces of ironstone protrude out of the water in soft shapes of all sizes, like artful, abstract sculptures. It's not the water that makes this swimming hole great, it's the rock. Some have an architectural quality, which starts to make a lot of sense when we remember we were brought here by an architect. The water is cool and deep, and we swim from a low entry point over to a large ten-metre-high wall. The drop is sheer; it's also a rite of passage for local teenagers. We're about 20 years older than most, but we take the deep plunge into the cool freshwater below, slapping the water with our feet first. In other sections there are rope swings tied to tree branches at different heights, but this is no amateur set-up. There are various jumps that range from your standard rope swing to full-on carnival trapeze, none of which should be taken lightly. If jumping isn't your thing, floating down the river in an inflatable ring might be. How far? The dam is located in the Blue Mountains, close to Lithgow — about a two-hour drive from Sydney. Little Blue Lake, Mount Gambier, South Australia The pool sits in an unassuming paddock about 15 kilometres south of Mount Gambier, looking a little lonely and out of place. It makes more sense when you learn that Baby Blue is a sinkhole, formed by the gradual collapse of an underground cave. The pool has an average depth of about 35 metres and it isn't unusual (but it is a little creepy) to see the odd diver suddenly emerge from below. In fact, this area is one of the best inland diving destinations in the world, with a Swiss-cheese network of 500 underground caves and 50 sinkholes to explore. For our purposes, however, surface swimming is just about the right speed. Sheer 10-metre limestone walls make this an iconic South Australian jump and a rite of passage among locals. Like many places, signs forbid jumping here and there are murmurs of council-enforced fines, though nobody seems too concerned. Jump at your own discretion. Alternatively, take the steps down from the carpark side of the pool to a shiny new pontoon. This makes for a more gentle entry and is an easy introduction to the cool water. A few natural terraces extend back towards the road, providing a great vantage to sit and watch, like a swimming amphitheatre. How far? The lake is located just south of Mount Gambier — about a five-hour drive from both Melbourne and Adelaide. Josephine Falls, Wooroonooran National Park, Queensland It could only be described as lust when we laid eyes on this series of tiered granite rock pools and waterfalls just south of Cairns in Wooroonooran National Park. This lush mountainous land, right on the coast, covers 75,000 hectares of the Bellenden Ker Range and forms part of the Wet Tropics World Heritage area. The range includes Mt Bartle Frere, Queensland's highest mountain (1622 metres). Josephine Falls sits at the base, with a constant flow from streams that cascade down the mountain, creating some of the cleanest waterways in the world. There are three spots to stop along this boardwalk. The first is where you get in to swim. We find people sitting and chatting in crystal clear shallow pools, while others laze on big boulders in the dappled light. The biggest rock pool has a sandy bottom and is bordered by a giant piece of slippery granite that people are queueing up at to slide down, some wearing inflatable iced strawberry doughnuts. Scrambling further up takes you to more rocky slides into smaller pools, and families splashing about and fishing for yabbies. The second stop is a deck that looks over the rock pools onto swimmers below. Continuing along the rainforest walk takes you to the third stop, a large viewing platform looking up to a flowing waterfall with a deep plunge pool. It's probably the most impressive of them all but, unfortunately, is not open to public swimming. How far? The falls are located in Tropical North Queensland — about an hour south of Cairns. Bushrangers Bay, Mornington Peninsula, Victoria This basalt coastline is quite unlike anywhere else in the area, or even the state. Volcanic black rocks emerge from clear blue water. Deep pools are filled at high tide and slowly warm throughout the day. It has a distinct look and feel, so you can imagine how our eyes popped out of our heads when we saw this secret spot featured in the 2009 film adaptation of Where the Wild Things Are. Indeed, it seems like a natural place for a wild rumpus, and you will see lots of kangaroos if you arrive early in the morning. Don't be surprised to see waves exploding onto the beach, as it is exposed to a constant barrage of swells from the south. We prefer the safety and beauty of the nearby tidal rock pools. Follow the beach east towards the rocky headlands. The most prominent feature is Elephant Rock and the best pools are distributed around its base, on the left-hand side. Water is always clear here and often a few degrees warmer than the ocean – Victoria's version of a spa bath. Remember, this is a low-tide-only spot, so take a moment to make sure that rogue waves aren't crashing into the pools before jumping in. Otherwise you may suddenly find yourself inside a washing machine or heading out to sea. How far? The bay is located on the Mornington Peninsula — about an hour and a half from Melbourne. Emma Gorge, The Kimberley, Western Australia The dramatic Emma Gorge falls pour over a 65-metre-high cliff into a large plunge pool, punctuating the end of the 1.6-kilometre hike in. The track begins at Emma Gorge Resort, and winds past the deep Turquoise Pool (also a great spot to swim, which we take note of for later) before arriving at the falls. The water is refreshingly cool, shaded by the looming cliffs for most of the day. Tourists dribble in and out, dropping piles of clothes on rocks as they stare up at the falls in awe before shocking their hot, sweaty bodies with the water's cool, pristine touch. The plunge pool is deep and wide with a rocky bottom, but the water is so clear and fresh, you could drink it. We bliss out for a few hours before making out way back along the track past Turquoise Pool, where we take another plunge. The surface water here is lit up by the sun, giving it the turquoise colours it's named for, while people gather at the fringes to cool off. A rock jump begs us to plunge from a height rather than scramble over a slippery entry. Emma Gorge is one of the most incredible places we've been, even late in the season when the water isn't flowing at its best. How far? The gorge is located just west of Kununurra — about halfway between Broome and Darwin. This is an edited extract from Places We Swim by Caroline Clements and Dillion Seitchick-Reardon, published by Hardie Grant Travel. Images: Dillon Seitchick-Reardon.
2012 was a big year for theatrical representations of the process of ageing. Austrian film Amour has garnered all sorts of buzz for its painfully honest portrayal of what it's like to face your own mortality, and Colin Friels was utterly unforgettable as the fading father figure Willy Loman in Belvoir's raw retelling of Arthur Miller's Death of a Salesman. Carriageworks' new stage production Life As We Know It offers a startlingly modern and quintessentially Australian perspective on growing old. The production features seven senior citizens from the Campbelltown suburb of Minto sharing with audiences the trials and tribulations of ageing in a world that is rapidly and endlessly modernising itself. Everything from love and companionship to gardening and suburban life are brought to the stage, showing how the simple and even mundane details of everyday life can in fact be quite extraordinary. With acclaimed director Rosie Dennis — renowned for her capacity to tear down the fourth wall in favour of intimate and realistic performer-audience relationships — at the helm, Life As We Know It is a deeply personal exploration of what it's like to grow old in Australia.
John Malkovich took time off from being John Malkovich to be Everyone Else for a change. Shot by Sandro Miller in Los Angeles, a new series of photographs dubbed Malkovich, Malkovich, Malkovich recreate some of the most iconic portraits in recent history — from John and Yoko to Che Guevara, Dorothea Lange's Migrant Woman to Andres Serrano's Piss Christ. According to the exhibition statement, Miller decided to undertake the project in 2013, wanting to honour the photographers whose work had inspired him and shaped his career. After selecting thirty five images to recreate, Miller got in touch with his ol' mate Malkovich — who apparently immediately agreed. "John is the most brilliant, prolific person I know," says Miller. "His genius is unparalleled. I can suggest a mood or an idea and within moments, he literally morphs into the character right in front of my eyes. He is so trusting of my work and our process… I'm truly blessed to have him as my friend and collaborator." All at once creepy and genius with Malkovich rocking an excellent Marilyn and a spot-on Dali, the series is actually less about Malkovich than it is an homage to the photographers responsible for the portraits themselves: Dianne Arbus, Annie Leibovitz, Art Shay, Dorothea Lange, Alberto Korda. That being said, it's supremely satisfying to see Malkovich in dress-up like this — his Jack Nicholson and Albert Einstein are top notch. Sandro Miller, Albert Watson / Alfred Hitchcock with Goose (1973), 2014 Sandro Miller, Philippe Halsman / Salvador Dalí (1954), 2014 Sandro Miller, Alberto Korda / Che Guevara (1960), 2014 Sandro Miller, Andy Warhol / Green Marilyn (1962), 2014 Sandro Miller, Andy Warhol / Self Portrait (Fright Wig) (1986), 2014 Sandro Miller, Annie Leibovitz / John Lennon and Yoko Ono (1980), 2014 Sandro Miller, Arthur Sasse / Albert Einstein Sticking Out His Tongue (1951), 2014 Sandro Miller, David Bailey / Mick Jagger "Fur Hood" (1964), 2014 Sandro Miller, Herb Ritts / Jack Nicholson, London (1988) (A), 2014 Sandro Miller, Andres Serrano / Piss Christ (1987), 2014
White Bay Power Station is ramping up to unveil its new look and new use as a bustling arts and community hub, with lead builder FDC announcing that the restoration and rebuild works are officially complete. The historic site will reopen in March, acting as a core site for the 2024 Biennale of Sydney — the first time the building has been operational in more than 40 years and the first time it's been open to the public in a century. The power station has been in the lengthy process of being revitalised and transformed into an arts, culture and community hub as part of the Bay West precinct. First constructed in 1917, the massive 30,000-square-metre building has been closed since it was decommissioned in 1984. Now it's been transformed into a site for diverse and boundary-pushing art, with FDC leading the charge on the build following its work on other significant cultural projects in Sydney, including Carriageworks, Phoenix Central Park, Chau Chak Museum and the National Arts School. Among the works that FDC completed in order to get the heritage-listed site ready for the public, 1.2 million litres of contaminated water had to be removed from the basement, the iconic chimneys were provided with extensive reinforcement and the 45-metre-tall boilerhouse received widespread work, including the installation of a new staircase. "White Bay Power Station has been a once-in-a-lifetime project for many on our team," says FDC Managing Director Russel Grady. "With any heritage site, and without that vital building blueprint to guide us, it required a high level of agility and creative problem-solving skills to address the many challenges in bringing the massive site to life." [caption id="attachment_920057" align="alignnone" width="1920"] Adam JWC[/caption] The first artists breathing life into the space will be working within the Bienalle's 2024 theme Ten Thousand Suns. Heat, power, light, summer, joy, strength, the changing climate — they're all notions that spring to mind. This is what artists are being asked to ponder when creating their pieces for the citywide event. Running from Saturday, March 9–Monday, June 10 across Sydney, and free to attend as always, the Biennale will feature works by artists such as William Yang, Tracey Moffatt, Serwah Attafuah, Kirtika Kain and Kaylene Whiskey among the homegrown contingent, as well as Sachiko Kazama from Japan, Francisco Toledo from Mexico and Malaysia's Anne Samat. In addition to ample art for attendees to experience, the 24th Biennale of Sydney will also feature a contemporary music lineup in partnership with Phoenix Central Park. The venue's curatorial skills will be taken to new locations beyond its stunning Chippendale site, responding to both Ten Thousand Suns as a theme and the works on display. Alongside the changes to the White Bay Power Station, the long-term plan for the Bay West precinct includes new employment spaces, 250 new homes with provisions for affordable housing and a new Metro station. Overall, the planned changes to the area are expected to create over four hectares of new public and open space. White Bay Power Station is located at 28 Robert Street, Rozelle. Read more about the plans for the massive structure via the NSW Government website and the Biennale of Sydney's website. Images: Toby Peet.
Balcon by Tapavino is a contemporary Spanish restaurant that brings the rustic and refined flavours of northern Spain to Australia. Part of the Tapavino restaurant group, Balcon offers a culinary experience that complements its flagship, Tapavino, and sister venue, Born, in Barangaroo. Balcon is a treasure trove of Spanish delights, featuring over 500 Spanish wines and refined tapas. The moody red lighting around the bar and the wine cages surrounding the dining area create a warm, inviting atmosphere perfect for any occasion, from a casual lunch with friends to corporate functions and events. Tapas options include Croqueta del Dia with pear aioli and Angelachu anchovies with picual olive oil and sourdough. For entrees, savour dishes like eggplant with saffron honey glaze and grilled WA octopus with kipfler potatoes and ajada oil. Main courses feature Spanish bomba rice with eggplant and zucchini or Basque-style Jack's Creek angus flank steak with mojo verde. The charcuterie board is a must-try, offering house mató cheese with wild honey and jamón serrano with buffalo milk curd. Balcon also boasts daily specials such as braised lamb shoulder on Tuesdays and roasted pork cutlet on Fridays. The set menus provide a curated selection of the best dishes, while the canape selection and drink packages cater to larger gatherings. Don't miss happy hour from 3.30–6pm, Tuesday to Friday, with great deals on house beer, wine, sangria, and cocktails. Plus, for wine enthusiasts, selected bottles are 50% off from 4–5.30pm. Balcon by Tapavno's kitchen closes at 9pm each night, and the restaurant closes at 11pm.
After bidding farewell to Balmain residents late in 2023, Fabbrica Pasta Bar has reopened in iconic Sydney digs. Taking over A Tavola's previous site, the beloved Italian joint now slings its famed cacio e pepe and minimal-intervention wines from two levels of a renowned Darlinghurst locale. Situated on Victoria Street, the brainchild of Love Tilly Group's Matthew Swieboda, Scott McComas-Williams and Nathanial Hatwell plans to carry on the legacy of the address by dishing up its crowd-pleasing sourdough loaves, handmade pasta and top vino selection. "Pasta in Sydney owes so much to where it is now because of A Tavola," said Swieboda. "We're not trying to replicate what they did, but instead continue doing what Fabbrica does best: our freshly made Fabbrica pasta, cacio e pepe, cotoletta and wine from our favourite minimal-intervention Italian producers." Open from Monday, April 15, the restaurant's familiar favourites are all on offer, such as the mafaldine with 'nduja and prawns; the coveted blue swimmer crab and chilli tonnarelli; ricotta and mozzarella-stuffed zucchini flowers with hot honey; and the popular cotoletta alla Milanese, McComas-Williams' Italian take on the classic pub schnitzel. Plus, there's also new dishes exclusive to the Darlinghurst site, including a nebbiolo-braised beef short rib paired with cauliflower and gremolata. As for the vino, Fabbrica's wine list — curated by Swieboda — stars tipples of the biodynamic and organic varieties, as well as Italian-imported and Australian-grown sips. The site itself has been revamped by Studio Vista architect Sarah Watt to reflect the style of its new occupants, complete with Fabbrica's recognisable blue and cream colour palette, soft white curtains and textured walls — as also found at its moodier sibling locales Palazzo Salato and Ragazzi Wine and Pasta. The venue also pays homage to its original owners, however, with A Tavola's streetside communal table remaining an integral piece of the location's decor. Find Fabbrica Pasta Bar at 348 Victoria Street, Darlinghurst — open from 5–9.30pm Monday–Thursday, 12–10pm Friday–Saturday and 12–9pm Sunday. Images: Trent van der Jagt for Buffet Digital.
On the road between Broken Hill and Silverton — around 1200 kilometres west of Sydney — lies Day Dream, one of Australia's first coal mines. Built in the 1880s, it's now a tourist attraction, where you can experience a day-in-the-life of a 19th century miner. Prepare for darkness, dust and lots of squeezing through teeny-tiny spaces — all 30 metres underground. Mining is still a dangerous business, but was way more terrifying back then. In fact, workers did it so tough that their bosses handed out opium to ease the pain. When that wore off, horehound beer, which caused temporary blindness, was the next refuge. You'll hear these and other tales on a 1.5-hour tour. Find more tips for exploring Broken Hill over here. [caption id="attachment_710913" align="alignnone" width="1920"] Day_Dream_Mine_Bonzle_Website.jpg[/caption] Images: Destination NSW
The next email you receive from Netflix mightn't be telling you what to watch. Instead, beginning Wednesday, May 24, the streaming platform is contacting all of its Australian customers about its new password sharing rules. Promised for a few years now, and originally expected to kick in by the end of March this year, the service is cracking down on letting people from different households use the same account — effective immediately. Accordingly, if you've been enjoying someone else's Netflix subscription to get your Stranger Things, Squid Game and Wednesday fix or work your way through its hefty slate of movies — or letting your mates or siblings use your logins — your current streaming situation is changing. The password-sharing functionality will still exist; however, it'll come at an extra cost, involving paying $7.99 per month to add an extra member to your account. Netflix now advises that "a Netflix account is meant to be shared by people living together in one household" — and you can set up and define your household in the platform's settings. If you don't set one yourself, it'll do so for you based on your IP address, device IDs and account activity, which is what it'll also use to monitor if someone is using your details from elsewhere. That said, for folks who don't actually watch Netflix via a TV, you won't need to worry about the household requirement, but the password-sharing change still applies. To add people outside your household to your account, you'll buy an extra member slot. The caveats: they have to be activated in the same country where the account owner created their account, and you can't add them to ad-supported plans (or Netflix-included packages or third-party billed accounts). So, if you've opted for the service's cheaper option since it rolled out in late 2022, your pals won't be able to share — but they can transfer their profile on your account to their own new account. That transferring functionality applies to everyone who decides to sign up themselves after sharing someone's password, and will port over recommendations, viewing history, My List, saved games and settings. Clearly, the main motivation is to increase subscriptions. The new password-sharing block was called "paid sharing" by Netflix in a letter to shareholders, after all. "Today's widespread account sharing (to 100 million-plus households) undermines our long-term ability to invest in and improve Netflix, as well as build our business," the company states in that shareholder letter, which is dated January 19, 2023. "While our terms of use limit use of Netflix to a household, we recognise this is a change for members who share their account more broadly. So we've worked hard to build additional new features that improve the Netflix experience, including the ability for members to review which devices are using their account and to transfer a profile to a new account. As we roll out paid sharing, members in many countries will also have the option to pay extra if they want to share Netflix with people they don't live with." Of course, logging into your Netflix account from a place outside of your own household doesn't automatically mean you're sharing your password. You might be travelling and still want to get your streaming fix. Initially, needing a temporary access code was floated — but at the time of writing, the platform simply says that you can still "use Netflix as usual to watch on your portable devices — like a tablet, laptop, or mobile phone — or sign into a new TV, like at a hotel or a holiday rental" without explaining if or how the new password rules will have an impact. The company does specify that if you have a second home or frequently travel to the same location, you'll need to connect to the internet and open the Netflix app on your mobile device in both the main spot you watch the service and in the second location Netflix's password-sharing crackdown is coming into effect in Australia from Wednesday, May 24. Head to Netflix for more details.
'Independent of Time', 'Sadder Than Cemeteries', 'In the World of Things Without Weight' — Jodee Knowles' way with words means you won't be subjected to any pieces tediously named 'Untitled' at her show. Rather, you will feel your repressed fears and renegade obsessions begin to unravel with pieces that bring the baddening loneliness of human experience home to roost and defeather the disconsolate night owl. Born in Perth, bred in wild reverie, Knowles uses pen, acrylics and inks on paper to create large-eyed, pensive characters who wearily contemplate the horrors of an unseen dreamscape. The imagery is not new, but Knowles’ execution is precise and thoughtful. It is, indeed, the sense of nothingness within her pieces that gives them everything and recalls Mark Ryden or Lori Earley. After a bold cameo in the L.A art world, Jodee created murals in the courtyard of Friends of Leon Gallery in 2010. Her new show, Independent of Time, will offer up her latest creepy eye candy within this space once again. Image: Independent of Time, Jodee Knowles 2011
The late, great Jim Henson gave the world many things, including the Muppets in general, Sesame Street's loveable puppet characters, Kermit the Frog's memorable voice and all things Fraggle Rock. He also turned filmmaker three times, creating three of the great puppet movies of the 1980s — The Great Muppet Caper, The Dark Crystal and Labyrinth. While Labyrinth still earns plenty of attention for plenty of reasons — David Bowie being one of them, obviously — The Dark Crystal also deservedly holds a place in fans' hearts. Co-directed with his Muppets colleague Frank Oz, the fantasy-adventure flick follows a Gelfling called Jen, who is trying to bring back balance to his own world by finding and returning a broken shard from a powerful gem. Henson and Oz also worked their puppeting magic on the movie, of course. Over the years, a sequel has been mooted more than once, including one with Australian Daybreakers, Predestination and Winchester filmmakers Michael and Peter Spierig at the helm. No follow-ups have ever come to fruition, but Netflix has done the next best thing, reviving the beloved film for a ten-part series. Set to release at the end of August, The Dark Crystal: Age of Resistance is a prequel to the movie — and yes, it uses puppets for its protagonists, not CGI, as the just-dropped first teaser shows in stunning detail. Seemingly picking up where the film left off, it's based on Dark Crystal companion novels Shadows of the Dark Crystal and Song of the Dark Crystal. Age of Resistance also boasts quite the cast, with Rocketman's Taron Egerton, Glass' Anya Taylor-Joy and Game of Thrones' Nathalie Emmanuel voicing three elf-like Gelflings. They're joined by a hefty list of names, so prepare to hear the vocal tones of Helena Bonham Carter, Natalie Dormer, Eddie Izzard, Theo James, Toby Jones, Shazad Latif, Gugu Mbatha-Raw, Mark Strong, Alicia Vikander, Mark Hamill, Jason Isaacs, Keegan-Michael Key, Simon Pegg, and Andy Samberg as well. Check out the trailer below: https://www.youtube.com/watch?v=4KYLwTGx7uU The Dark Crystal: Age of Resistance hits Netflix on August 30.
One of the funniest TV comedies of the 2020s is back with its third season, and as hilarious as ever. So what are you waiting five? If that question doesn't make any sense to you, then you clearly haven't yet experienced the wonder that is Girls5eva. It starts with a numerical pun-heavy earworm of a theme tune that no one should ever skip, then bounces along just as catchily and sidesplittingly in every second afterwards. A move to Netflix for season three — after streaming its first and second seasons via Peacock in the US, Stan in Australia and TVNZ+ in New Zealand — might just see the Tina Fey-executive produced music-industry sitcom switch from being one of the best shows that not enough people are watching to everyone's latest can't-stop-rewatching comedy obsession. In other words, this a series about a comeback and, thanks to its swap to the biggest player in the streaming game, now it's making a comeback itself. Two years have passed for longterm fans since Girls5eva last checked in with Dawn Solano (Sara Bareilles, Broadway's Waitress), Wickie Roy (Renée Elise Goldsberry, She-Hulk: Attorney at Law, and also a Hamilton Tony-winner), Summer Dutkowsky (Busy Philipps, Mean Girls) and Gloria McManus (Paula Pell, Big Mouth), but the gap and the jump to Netflix haven't changed this gem. Consider the change of streamer, which kicks off on Thursday, March 14, in the same way that Dawn and the gang are approaching their leap back into their girl group after two decades: as an all-in, go-hard-or-go-home, whatever-it-takes relaunch. For new viewers, seasons one and two of Girls5eva are also now available on Netflix — and bingeing through all 22 episodes, with season three providing six of them, is the best way to spend a day, weekend or few evenings right now. With its non-stop jokes that reward multiple viewings because you're likely laughing too hard to catch all of them on the first go-around, deep-cutting pop-culture references, satire that's always both razor-sharp and raucously ridiculous, and supremely stellar cast, the series is a quintessential Fey-produced comedy. If her post-Saturday Night Live efforts were songs, 30 Rock, Unbreakable Kimmy Schmidt, Great News, Mr Mayor and Girls5eva couldn't make a better record. (Meredith Scardino, who created Girls5eva, is also an Unbreakable Kimmy Schmidt and Mr Mayor alum.) The riff for Girls5eva: parodying the pop-music realm as the titular group endeavour to stop wondering what might've been after their career fizzled out 20 years earlier, aided by their single 'Famous 5eva' getting thrust back into the spotlight via another artist. The takedown of the entertainment world that was at the heart of 30 Rock hums along here, too, as does calling out the treatment of women, especially by the media, that also fuelled Fey's first sitcom hit alongside Unbreakable Kimmy Schmidt and Great News. Whether via Liz Lemon's dating life and quest to have a family, or in Mr Mayor's experienced deputy played by Holly Hunter (Succession), unpacking how women are perceived the moment they're out of their 20s and beyond has also echoed through the Feyniverse — and Girls5eva croons that tune with force and feeling. Now firmly back together, the surviving members of Girls5eva — Ashley Gold (Ashley Park, Only Murders in the Building) died in an infinity pool accident — have taken to the road. So far, however, their big Returnity tour has been happy in Fort Worth. In the Texan city, their track 'Tap Into Your Fort Worth' keeps drawing in crowds, even if that's all that concertgoers want to hear. Also, the Marriott Suitelettes for Divorced Dads has become their home away from home, but resident diva Wickie isn't content just playing one place. Always dreaming huge, massive and stratospheric, she sets the band's sights on Radio City Music Hall, booking them in for a gig at a fee of $500,000. Cue a six-month timeline to sell it out — a feat made trickier by the fact that the show is on Thanksgiving — or risk ruin. When season three commences in Fort Worth, and among weekend-only fathers buying forgotten birthday presents for their kids out of vending machines, the quality of Girls5eva's writing proves as gleaming as ever. Here, the pregnant Dawn can put pancakes from the breakfast buffet in her robe, and also get cosy watching The Crown, which has a storyline about Prince Andrew's stuffed-toy obsession. Gloria is on a mission to hook up with all 178 types of women, complete with a spreadsheet tracking her progress, which is a riotous source of amusement. "Always gonna never stop restarting, never gonna end not un-beginning, don't un-try to un-stop us now" aren't just lyrics for Girls5eva the band and Girls5eva the show, though. So, into the van the group hops, with Percy (John Lutz, 30 Rock) as their tour manager. Girls5eva's big joke energy doesn't slow down when Wickie and company are drumming up cash at private concerts, battling with a state senator (John Early, The Afterparty) who doubles as a "Fetal Citizen Advocate" or trying to capitalise upon the fame of pop's current megastar (Thomas Doherty, Gossip Girl) — or when the series charts Summer's attempt to work out who she is without her ex-husband Kev (Andrew Rannells, Invincible) through a multi-level marketing scheme for teeth-whitening gummies. As that snapshot of season-three elements makes plain, the show's love of loopiness, hijinks and hysterical bits doesn't fade out, either. Flashbacks to the band's late-90s, early-00s fame continue to deliver gold, too, including Gloria and *NSYNC's Lance Bass trying to make a sex tape. Girls5eva isn't afraid of silliness for the comical sake of it, but it's also as savvy as comedy gets in lampooning the state of the world and fleshing out its characters while sparking never-ending chuckles. Holding back or taking a beat isn't Girls5eva's style; if it was an album itself, it'd be wall-to-wall singles. (Its tunes, which continue to showcase the musical-comedy prowess of Fey's husband Jeff Richmond after 30 Rock, Unbreakable Kimmy Schmidt and the like, already make ace records.) Giving anything but 100 percent isn't Bareilles, Goldsberry, Philipps or Pell's style, either — and the series keeps benefiting. Bareilles' ability to ground every type of chaos remains essential but, away from New York and Dawn's family, that's no longer her main remit. Always at home when the show is at its most absurd, Goldsberry, Philipps and Pell have also never been funnier. ("Hi, this is Gloria, from sex!" is one of Pell's all-time great lines.) The only issue with season three: that this stint with Girls5eva's glorious on-screen talents is too short, just like forever versus 5eva. If it becomes a Netflix smash, here's hoping that it'll be famous at least one more time. Check out the trailer for Girls5eva season three below: Girls5eva season three streams via Netflix from Thursday, March 14. Read our reviews of season one and season two. Images: Netflix.
The last bastion of the phone-free two hours, the theatre, might be about to crumble. Melbourne's Malthouse Theatre this week announced that they'll be trialling special seating for social media users, internationally dubbed 'tweet seats', at select shows. Carlton indie theatre La Mama is already all over it, having set aside four tweet seats per show for their upcoming work RAT, and they're even free. Considering we've been live tweeting everything else — from films to talks, concerts and dinners — is the distinction around theatre an artificial one that's been destined to fall away? And is there any benefit to be gained from allowing us to whip out our phones mid-show? The Malthouse announcement has met with some backlash, even on Twitter. Popular opinion is, if you're live tweeting a performance, you're living the kind of hollowed-out half-life that means you may as well stay home and plug into the Matrix. But this is a personal value judgement and not a reason, practically or conceptually, against allowing others to make Twitter a part of their theatre experience. I struggle to express coherent thoughts for half an hour after a film or movie, let alone have any desire to do so while it unfolds and trade away the sense of immersion that comes with live performance. But that's just me, and that's just the shows I've seen. How about a small show built to feed off real-time responses? How about a big, bombastic opera that can't count on the nosebleed section being highly engaged? The LA Times technology blog attributes the first instance of live theatre tweeting to a 2009 staging of Gilbert and Sullivan's HMS Pinafore in Kansas — and it was a more constructive affair than you might assume. Audience members in the 100 special seats of the final performance could access tweets from the show's artistic director about the production, scenery and story unfurling on stage while tweeting their own questions and comments. It was an aid to their enjoyment of the piece, not unlike an audio tour of an art exhibit. Or the special features on a DVD. Or a post-show Q&A, during the show. It's since become common in the US and UK, mainly for ballets, operas and symphony concerts. With conditions tightly controlled — you don't want to distract the real-life cast and crew who need darkness to do their jobs properly — and the agreement of the individual creative team, theatre might continue to become a road more tweeted. But then there's this argument from Alex Roe, artistic director of New York's Metropolitan Playhouse, perhaps the most focused takedown of how your tweeting might affect other people's enjoyment: "Part of the whole theatrical experience is the thought of being present in the company of the rest of the audience and the actors," Roe said to NPR. "To me, the thought of encouraging people to tweet during a performance is necessarily a violation of that agreement." That might just be the tweet-seat deal-breaker.
Kynd & Wylde is a boutique florist and gift shop in Mona Vale on Sydney's northern beaches. Boasting a beautiful selection of seasonal flowers including wildflowers such as proteas and banksia as well as white blooms like hydrangeas and dahlias roses. There's also a selection of lush greenery to pair with your flowers. Kynd & Wylde offer same day delivery on orders made before 12pm if you live between Collaroy and Palm Beach. So, you can get a bunch of flowers delivered quickly and make someone's day. Or, head to the store in person to see the stems up close and carefully select bunch of blooms for yourself. If you're a fiend for flowers, check out their subscription options to have fresh bunches delivered to your door in weekly, fortnightly or monthly cycles. Make sure you check out their website and socials for upcoming flower workshops, too. Images: Mel Koutchavlis
Since premiering on Broadway in 2015, winning 11 Tony Awards and nabbing the Pulitzer Prize for Drama, Hamilton has become a pop culture phenomenon. As a result, it was always going to make the leap to the screen in some shape or form. So, it's no wonder that Disney has jumped at the opportunity, albeit via a filmed version of the stage production rather than a traditional theatre-to-film adaptation. An actual Hamilton movie might still happen — creator, writer and star Lin-Manuel Miranda has talked about it, and apparently the first draft of a script has been written — but that's not the case just yet. Originally, the Mouse House intended to bring this recording of Lin-Manuel Miranda's historical hip hop musical to cinemas in late 2021. Then, as we all know, the COVID-19 pandemic came along. Doing everyone a solid, the company has instead fast-tracked Hamilton to its streaming platform — with this vibrant, whip-smart and immediately dazzling tale of American Founding Father Alexander Hamilton available from today, Friday, July 3, on Disney+. If you haven't been lucky enough to catch the popular all-singing, all-dancing production in New York, as it toured the US or on London's West End, this "live capture" version is here to fill the gap. Now, everyone who missed out on the opportunity to see the musical's initial run live can experience the next best thing. Shot at the Richard Rodgers Theatre on Broadway back in 2016, the recording features the show's original Broadway performers, including Miranda in the eponymous role. Also seen on-screen as part of the production's colour-blind approach to casting (including enlisting actors of colour to play white historical figures): Daveed Diggs (Snowpiercer) as Marquis de Lafayette and Thomas Jefferson, Leslie Odom Jr (Murder on the Orient Express) as Aaron Burr, Christopher Jackson (When They See Us) as George Washington, Jonathan Groff (Mindhunter) as King George III, Renee Elise Goldsberry (The House with a Clock in Its Walls) as Angelica Schuyler and Phillipa Soo (the Broadway version of Amelie) as Eliza Hamilton. The story, for those who aren't intimately acquainted with US revolutionary history, chronicles the Caribbean-born "bastard, orphan, son of a whore and a Scotsman" from his arrival in New York in the early 1770s. As the musical's informative opening number explains, Alexander Hamilton will go on to become "the ten-dollar Founding Father without a father", with the production charting how he "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". It's a tale that, unlike those of US Presidents Washington and Jefferson, you mightn't have heard before — which is one of the themes that the musical addresses. Just who is charged with recalling and immortalising the past, and who is remembered in the process, is a significant factor in shaping a nation's vision of itself. Hamilton isn't the first stage show to release a filmed version, of course; however it arrives on streaming after half a decade of buzz, chatter, acclaim, awards and cultural obsessiveness — and instantly demonstrates why it's been the most talked-about production of the past five years. Infectiously exuberant from its first moments, and not only lively but frequently funny, Miranda's rich, dense but always accessible words and songs interrogate US history with passion, intelligence and energy. Via an array of tunes that prove as clever as they are catchy, Hamilton ponders America's battle for independence from the British, the situation the fledgling country finds itself in afterwards, and what it truly means to start a new nation. Along the way, it also casts a light on political wheeling and dealing, the framing of the American Constitution, as well as Hamilton's complicated personal life. When the musical isn't turning discussions about debt into rap battles, for example, it's letting Groff's scene-stealing King George III sing absolute show-stoppers about imperialism, then breaking up the politics with yearning ballads sung by Goldsberry and Soo that also unpack the plight of women at the time. By now, the fact that Hamilton is excellent really isn't news — but, if you haven't already seen it for yourself, prepare to be wowed. Miranda, Groff, and Tony-winners Diggs and Odom Jr couldn't turn in better performances and, as directed for the screen by the stage production's helmer Thomas Kail, this filmed version gets up close to their potent and compelling portrayals. Visually, viewers always know they're watching a recording of a live theatre show, too. Pretending otherwise just wouldn't do the production justice. That said, this on-screen presentation of Hamilton is also engagingly shot and edited, not only cutting between different angles, but successfully capturing the rhythm of the choreography, actors and moving set. Getting swept up by Hamilton's wonders is easy. Recognising its added weight, importance and resonance now, as Black Lives Matter protests continue to take place across the globe and America finds itself at another crossroads, is just as straightforward, too. Once you've watched the small-screen version, Australians can also get excited about seeing the stage production, as it's finally set to arrive Down Under in March 2021. Under present circumstances, though — and with international travel still banned for the foreseeable future — it's possible that this could be delayed. Check out Disney+'s Hamilton trailer below: https://www.youtube.com/watch?v=DSCKfXpAGHc The filmed version of Hamilton is available to stream worldwide from Friday, July 3, via Disney+. Images: Hamilton filmed version courtesy Disney+.
In 1950 a small town in New Mexico changed their name from Hot Springs to the title of a popular radio quiz show, Truth or Consequences. It was an attempt by the people of the town to put their name on the map (so to speak) and win the honour of becoming the town in which the show is broadcast. It’s an incredible story just begging for someone to write a play about it and thankfully someone did. Melbourne playwright Louris van de Geer has produced a script that, despite having no real plot, delivers fascinating and flawed characters. While there's a lack of clear message behind the play, it works brilliantly as a study of human existence and the extent to which people will go in order to be noticed. Hello There is exciting and engaging the whole way through due to flawless performances by all actors as well as a production design that complements the script perfectly. The set features pieces that are self consciously artificial — the houses, the dressing rooms, and the studio are all flexible and visibly fake. Combined with the presence of screens, projections, cameras and studio lighting there's a general sense of being watched in a location that eludes definition. Performances by all four actors (Don Bridges, Susie Dee, Genevieve Giuffre and Aaron Orzech) are impressive. Bridges and Dee bring moments of intensity, endearing honesty and dazzling artificiality whilst Giuffre and Orzech offer a refreshingly honest and high energy partnership. The performers carry the work and their understanding of the humour, as well as the darkness in the script, are a testament to the solid direction by Samara Hersch. The only failure of the play was the slightly underwhelming ending which unfortunately let the show fall a bit flat, despite being otherwise brilliant. Perhaps this is the downfall of a script with no recognisable storyline; there can be no grand eruption, no catharsis, and ultimately no consequence. However, in a work which focuses on the lives of those living for no real purpose other than fame, fortune or at the very least recognition, there can be no consequence — only truth. This show is appearing as part of Next Wave 2014. Check out our top picks of the festival here.
At last year's Melbourne International Film Festival, Perth-set apocalypse film These Final Hours beat out high-profile competition, including The Turning and Mystery Road, to snag The Age Critics Award for Best Australian Feature. Now, almost 12 months later, the film has finally arrived in theatres. Trust us when we tell you that this movie, blending heart-pounding thrills with character-driven drama, is well worth the wait. By the time the story gets going, the end has already begun, courtesy of a devastating meteor strike somewhere in the North Atlantic. Europe is reduced to a cinder in an instant, while a rolling wall of fire promises to annihilate everywhere else. We're never deluded into thinking that survival is even remotely an option. The only question that remains is what to do with the time that's left. Nathan Phillips, most easily recognisable as one of Mick Taylor's ill-fated victims in the original Wolf Creek, plays James, a self-absorbed screw-up with no intention of going out sober. But life, even in its last few moments, has a way of messing with your plans. So it is that on the way to an end-of-the world blow-out, James becomes the reluctant protector of a 12-year-old girl named Rose (newcomer Angourie Rice). After James rescues her from a pair of would-be rapist, she asks him to help her find her family. Perhaps sensing a chance to atone for his squandered life, our dubious hero agrees. In his first feature outing, writer-director Zak Hilditch seems remarkably assured. His native Perth provides a unique and unsettling backdrop for the film, the haunting images of forsaken Australian suburbia striking eerily close to home. Visuals like that contribute to a suffocating sense of bleakness that hangs over the film like a scorching summer heat. But These Final Hours is not entirely devoid of hope. Fundamentally, in fact, it's a film about redemption — about a single act of kindness in the face of common fear. Phillips' performance is one of resounding emotional honesty, while Rice displays a maturity that far exceeds her years. An unlikely pairing, both James and Rose bring out the strength and humanity in the other. In the face of imminent extinction, it's a surprisingly comforting thought. https://youtube.com/watch?v=QaoF6byFQFU
The weather outside may be frightful, but the banter with your mates is always delightful. It's well past time to invite your favourites over for a catch-up and a tipple. Want to impress your mates with your cocktail prowess? Check out these twists on classic cocktails — an ideal way to elevate your evening in. Pick your spirit and let's get mixing. TEQUILA — TEQUILA AND CHILL Instead of the classic paloma or tequila mockingbird, surprise your guests with a sophisticated spin on both with the addition of Chambord to your tequila of choice. Ingredients - 45ml Herradura Plata Tequila - 15ml Chambord - Cranberry juice - Lemonade/lemon soda - Mint leaves - Fresh lime Method Add Herradura Plata, Chambord, mint leaves and two squeezed lime wedges to a tall or highball glass. To increase the mint flavour, clap the leaves in your hands first — you might look silly, but it works. Fill the glass with ice and top with equal parts cranberry juice and lemonade. Stir to combine and garnish with a sprig of fresh mint, rosemary and lime wheel or go the extra mile with a dehydrated lime wheel. To make the dehydrated lime wheel, either use a dehydrator (obvious) or place lime wheels in a low-temperature oven for a few hours until all the juice has evaporated and you're left with a crisp garnish. GIN — EURO SUMMER Everyone seems to be jetting off for their European summer. Bring a taste of the Mediterranean to your chilly apartment with this cocktail. The secret is using a gin that is made with botanicals that evoke tastes of the Italian coastline. Gin Mare fits the bill as it uses olives, basil and other fresh herbs for its botanicals. Pair with some bruschetta and tiramisu and rug up with your blanket and imagine you're summering in Europe with your mates. Ingredients - 60ml Gin Mare - 30ml Lemon juice - 20ml Sugar syrup - Fresh basil and rosemary Method Grab your cocktail shaker and add all the ingredients. Shake and strain using a fine mesh strainer into a chilled glass filled with ice. Garnish with a sprig of fresh rosemary and enjoy. RUM — WINTER SWIZZLE Rum is a dark spirit that showing up more and more on drinks lists in the city. It's a sweet alternative to peaty scotch or fragrant gin and is perfect for cooler nights. You could go for a classic dark 'n stormy or Moscow Mule, but if you want to elevate your evening, try this spin on a swizzle. Ingredients - 60ml Diplomático Rum - 10ml sugar syrup - Two dashes of aromatic bitters - 15ml cloudy apple juice Method Rum Swizzle recipes vary, but most have three ingredients in common: rum, fruit juice and a sweetener. To make this wintry version, add all ingredients to a chilled rocks glass, add ice and stir to combine. Top with fresh ice and a twist of orange peel or cinnamon stick. WHISKY — SCOTCH CITRUS SODA Sometimes the answer isn't a hot toddy, although they are always a good call when the winter chill sets in. If you have a scotch in your collection that you've been looking for a nice way to enjoy, why not opt for this citrusy take on a whisky soda? Perfect for cooler arvos on your (or your mate's balcony). Ingredients - 45ml Glendronach 12 yo - Fever Tree Clementine (orange tonic water) - Two dashes of aromatic bitters Method Get your highball glass and add ice. Pour in your scotch, orange tonic water and a couple of dashes of bitters. Stir to combine and garnish with a fresh orange slice. Go a step further and pair with baked brie with marmalade and walnuts. BOURBON — CANDY CANE Bourbon is a great cocktail base. Arguably some of the best and classic cocktails came from the States and so it isn't a surprise that their spirit is perfect for the practice with its smooth vanilla notes and slightly sweet characters. Instead of going down the savoury cocktail route, ramp up the sweetness and toast to your mates with this tasty, fruity and sweet spin on a whisky sour. Ingredients - 45ml Jack Daniel's Bonded - 15ml Chambord - 30ml lemon juice - 20ml sugar syrup - 15ml egg white or aquafaba (aka the juice from a can of chickpeas) - Two dashes of chocolate bitters Method Add all ingredients to a cocktail shaker without ice and shake vigorously to get the egg white or aquafaba nice and foamy. Add ice and shake again. Strain through a fine strainer into a rocks glass filled with fresh ice. Garnish with a dehydrated lemon wheel, or amp up the berry flavours of the Chambord with fresh raspberries. Top Image: Gin Mare.
In a win for anyone who experiences a panic attack at the mere thought of being stuck in a daunting IKEA store maze, the homewares and furniture company is making its online shopping and home delivery service available to Sydney customers from today. While New South Wales is a little late to the party — with online shopping already offered in the Australian Capital Territory, Tasmania, the Northern Territory and Queensland — the move will no doubt score IKEA some extra customer brownie points in the lead-up to retail giant Amazon's impending Australian launch. As with its interstate counterparts, IKEA's Sydney online service will allow customers to shop 9000 products from the comfort of their home and have their goods delivered (albeit without any Swedish meatballs) from $99. Or they can opt for the $40 'click and collect' alternative to go and retrieve their order from IKEA's Tempe, Rhodes or Marsden Park stores. According to IKEA Australia's multichannel manager Michael Donath, the move is a logical step forward in the company's plans for Aussie-wide growth. "Opening up online shopping for Sydneysiders is the next phase of our expansion, as we strive to make IKEA more widely available," he said. Let's hope the other states won't be left hanging for too long.
Is it a balloon? Is it a giant beach ball? No, it's (This is) Air, the National Gallery of Victoria's 2023 Architecture Commission. Thanks to the St Kilda Road arts institution's annual commitment to livening up its garden by celebrating design, a towering sphere is making Melbourne home until June 2024. This isn't just any old 14-metre-tall globe: as everyone can see while in its presence, it breathes, inhaling and exhaling to draw attention to air. When the NGV International hosts this yearly architecture commission, almost anything can grace the venue's grounds. In the past, that's meant a colourful mini Parthenon, a bright pink pool to wade through, a bamboo garden with its own deck and a pink carwash, all memorable. Among a series of pieces all literally designed to stand out, (This is) Air might just have them beat. A lofty sphere that expands with air, then releases it — doing so all day from Thursday, November 23 — isn't easily forgotten. One of (This is) Air's aims: to make the invisible substance that's there in its name visible. Australian architect Nic Brunsdon has joined forces with ENESS — the art and technology company behind public artworks such as Sky Castle, Airship Orchestra, Cupid's Koi Garden, Lost Dogs' Disco and more — on the work that promised to make quite the sight when it was announced back in July, and proves the case now that it has been installed. No one in the vicinity will be able to miss it, either, thanks to that 14-metre height when it's fully inflated. To get to that measurement, it uses air as a building material. And when it breathes out, it does so by releasing gusts, forming different cloud-like shapes, then filling back to capacity again. Brunsdon and ENESS also want everyone taking in (This is) Air to think about humanity's need for and relationship to air. While you're peering at the commission, you'll see air in action and notice how essential it is. Also highlighted: how dependent we all are upon the element, how finite it is and how its quality is being impacted. "The idea for this project was conceived by the architect during the global pandemic, when the air we breathed was suddenly at the forefront of everyone's mind. Taking the form of a giant inflatable sphere, this living structure inhales and exhales before our eyes, giving presence to that omnipresent yet invisible element that connects us all," said Ewan McEoin, the NGV's Senior Curator, Contemporary Art, Design and Architecture. "Air can be understood as part of our global economic, social and ecological realities. And yet, the quality of air we breathe varies depending on where and how we live. Air is universal, yet clean air is not." As (This is) Air gets viewers pondering, it's also designed to be uplifting. As is always the case with the NGV's yearly commission, it'll provide a place for accompanying performances and other public programs in the NGV Garden, too. (This is) Air also forms part of this year's NGV Triennial exhibition, which will display from Sunday, December 3, 2023–Sunday, April 7, 2024. On the agenda: robot dogs, a room-sized ode to plants, Yoko Ono's work and more, with 75 works set to feature, including more than 25 world-premiere projects. The art showcase will respond to the themes magic, matter and memory, with (This is) Air fitting in with the matter strand. (This is) Air displays at NGV International, St Kilda Road, Melbourne from Sunday, December 3, 2023–June 2024 — head to the NGV website for further details. Images: Installation view of the 2023 NGV Architecture Commission: (This Is) Air designed by architect Nic Brunsdon in collaboration with ENESS. (This Is) Air is on display from 23 November 2023 until June 2024 at NGV International, Melbourne. Photo: Ben Hosking
Does this represent a work of genius, or has Frankenstein lost control of the monster? In the eyes of Harvey Moon, 'drawing machines' are fascinating, not only for the work they produce, but also for the processes involved in their acts of creation. 'That loss of communication and that failure for a machine to communicate properly is what I find exciting and the randomness in which it produces these results,' he told the creators' project last month. Made of motors and servomechanisms, Harvey's machines act according to algorithms. However, despite our expectations that robots follow logical sets of rules, the responses are not always reliable. Unpredictable artworks are often the result. With one particular machine, titled 'Bugs draw for me', Moon has taken the concept further, by adding a cricket to the mix. Yes, one of those lively, chirping, hopping creatures that you wouldn't invite to your picnic. As a camera records the insect's movements, the machine lays them down visually. Apart from enjoying the suspense involved, Moon has also developed an interest in what the machines reveal about human behaviour. 'It plays with a different way of producing work, where we don't have to rely on our own physical bodies to produce art,' he explains. 'We can extend our system beyond our own hands.' [via the creators' project]
If you are predisposed to crazy dancing, mega pop hits, golden oldies and banging electro remixes, then going to a Girl Talk (producer/DJ Gregg Gillis) show is probably the most fun you will ever have. There will be nudity, there will be classic hits (Elton John) mixed with crazy new jams (Lil Wayne), there will be sweat flying, and there will be girls. Loads of girls. Gillies also understands that music lovers sometimes don't have much cash to spare, and so allows free downloads of all of his records from online record label Illegal Art. Nice guy! It is actually kind of crazy that he is performing at Big Day Out with a solo side show at the Enmore; The first Girl Talk show I went to was in a teeny room with about 50 people. At that show Gillies went absolutely nuts behind (and eventually on top of) his DJ equipment — and with that in mind I expect seeing him at the Enmore, with a lights show and a huge crowd, will totally blow our minds!
It takes just over 50 seconds for the Cat Person trailer to get Margot (Emilia Jones, CODA) uttering nine glaringly accurate words: "this is the worst life decision I've ever made". She's talking about dating Robert (Nicholas Braun, Succession), a regular at the cinema where the 20-year-old college student works — and she's speaking a line that everyone read in 2017, in the viral short story to end all viral short stories from the past decade. Six years back, when the December issue of The New Yorker arrived, Kristen Roupenian's tale of a nightmare relationship instantly went viral. That's where the world first met Margot and Robert, and stepped into this wild story. Cat Person was then printed as a book, and of course Hollywood came calling as well. The movie that's resulted debuted at the Sundance Film Festival earlier in 2023, has locked in an October 26 release in Australia and also just dropped its trailer. There are bad dates, and then there's this bad date, as Jones and Braun bring to the screen in the film's first sneak peek. "Listen, concession stand girl, why don't you give me your number?" Robert asks while Margot is slinging popcorn. From there, a flurry of texts springs, then terrible kissing, then massive discrepancies that become evident the more time that the pair spend together IRL. And, when Margot decides to break things off, in comes a change in his behaviour. As Cat Person sinks its claws into modern dating, the role that technology now plays and the gender divide, Susanna Fogel (the director of The Spy Who Dumped Me and one of Booksmart's writers) helms, Michelle Ashford (Operation Mincemeat) and adapts Roupenian's text. Featuring on-screen alongside Jones and Braun: Geraldine Viswanathan (Miracle Workers), Isabella Rossellini (Marcel the Shell with Shoes On), Hope Davis (Asteroid City), Fred Melamed (Barry), Liza Koshy (Transformers: Rise of the Beasts) and Michael Gandolfini (Beau Is Afraid). "Like the short story that stirred so much controversy, Cat Person will call upon you to reflect on romantic encounters you've had in the past, and to question the role (or multiple roles) you may have played," said Fogel about the film. "We've all been the victim in some narratives and the villain in others, and I hope you'll walk out of this film with a strong opinion, ready to debate." Check out the trailer for Cat Person below: Cat Person will release on October 26, 2023 Down Under.
Pick a genre, any genre, and the following statement will always prove true: no one does it like Steven Soderbergh. Now 36 years on from his Cannes Palme d'Or-winning narrative feature debut Sex, Lies, and Videotape, he's long been one of Hollywood's most-reliable filmmakers. The word 'reliable' can't capture the spark of a Soderbergh project, though — whether the ever-prolific director, cinematographer, editor and screenwriter is in heist mode in Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen and Logan Lucky; predicting the COVID-19 pandemic via Contagion and then diving into its daily reality (and technology's hellscape) in Kimi; spinning a franchise out of Channing Tatum's IRL origin story with Magic Mike and Magic Mike's Last Dance; reimagining medical TV shows in stunning fashion courtesy of The Knick; or telling a haunted-house story from the ghost's perspective in Presence. Spies battling spies: as familiar as that setup is on screens big and small, no one does that as Soderbergh has with Black Bag, either. With his second cinema release of 2025 after Presence, and his third film out of his past four that's penned by fellow veteran David Koepp (Indiana Jones and the Dial of Destiny) — kicking off with Kimi, and again including Presence — he's in Mr and Mrs Smith and True Lies territory, but this take is a particular gem. Black Bag is a twisty and witty espionage thriller filled with secrets, interrogations, surveillance, polygraphs, redirected satellites and not knowing who is on the level. It's as much a smart and sexy relationship drama as well, however. How can any romance work, even a long-established marriage, when either party can explain away anything as part of their clandestine jobs — and when deceit is what each does for a living? Aptly, the picture's title references spy code for confidential missions and details that can't be shared. An especially great line of dialogue also sums up the scenario: "when you can lie about everything, how do you tell the truth about anything?". In Black Bag's opening scene, courtesy of a sublime tracking shot lensed by Soderbergh himself — who directs, shoots and edits the film, as he regularly does on his flicks — George Woodhouse (Michael Fassbender, Kneecap) winds from London's streets to an underground club to receive a new task. A well-experienced and highly regarded operative at the National Cyber Security Centre within Britain's Government Communications Headquarters, he now needs to ascertain who has betrayed the country by stealing a cyberworm called Severus, which can destabilise nuclear facilities. There's five names on his list, all his colleagues: Kathryn St Jean (Cate Blanchett, Disclaimer), Freddie Smalls (Tom Burke, Furiosa: A Mad Max Saga), Clarissa Dubose (Marisa Abela, Back to Black), Colonel James Stokes (Regé-Jean Page, Dungeons & Dragons: Honour Among Thieves) and Dr Zoe Vaughan (Naomie Harris, The Man Who Fell to Earth). Among the six NCSC employees, George included, there's three couples; Kathryn is his wife. The quest to ascertain who's behind the betrayal starts with a dinner party at George and Kathryn's home — one that's really an interrogation, aided by not just food and wine but truth serum. Clarissa is the youngest of the bunch and the newest to the job, with her relationship with the older, fond-of-a-drink Freddie already chaotic. Zoe is everyone's psychiatrist at NCSC, and the fact that James is both her patient and her lover is patently complicated. George and Kathryn seem to enjoy the ideal marriage, one revered by their co-workers and friends, yet he's suspicious of movie ticket stubs and sudden trips. Loyalties aren't just tested over the course of Black Bag's snappy 93-minute running time; so is love's resilience. For George, choosing between his wife and his nation threatens to become a real possibility. [caption id="attachment_995111" align="alignnone" width="1920"] David Dettmann/StillMoving.Net for Universal Pictures[/caption] Soderbergh and Fassbender first collaborated on 2011's Haywire, another sinuous (and ace) thriller with intelligence ties. Take that, mix it with Out of Sight's slinkiness and the filmmaker's long-established love of a caper, then throw in a bit of The Agency — Fassbender's recent and also-excellent TV series set in the spy realm, where personal and professional crises equally overlap — and that's Black Bag's wheelhouse. This is a fun film, too, and often very funny, as its guiding force perfects its balancing act with style, skill and supreme precision. (Part of the picture's sense of humour: casting former Bond Pierce Brosnan among its agents.) It puts Fassbender into another high-stakes workplace situation as well, as is clearly the case with The Agency. While Industry, aka one of the best shows the 2020s, plunges into the world of finance, it too dwells in cut-throat employment circumstances, so Abela is in somewhat familiar terrain herself. Again, of course, whenever Soderbergh is making a film or TV show, similarities elsewhere are superficial. Any parallels across the 12 Years a Slave and Steve Jobs Oscar-nominee's resume of late — after the Hunger, Fish Tank, Inglourious Basterds, Shame, Macbeth, two-time Alien saga and four-time X-Men franchise star's absence from acting from 2020–2022, as broken by 2023's The Killer — is "just the way it sort of fell", Fassbender tells Concrete Playground. For Abela, adding Black Bag to a filmography that also includes Cobra, Rogue Agent and Barbie began with being hooked by and "whizzing through" Koepp's entertaining screenplay, she advises. Fassbender jumping back in front of the camera for Soderbergh, the "I need to be in this" moment for Abela, the importance of this being a relationship drama as much as a spy flick, interrogation scenes, back-and-forth banter for a director supremely skilled at bringing it to the screen: we also chatted with Fassbender and Abela about it all. On Whether There's Something That Draws Fassbender and Soderbergh Together for Twisty Thrillers with Espionage Ties Michael: "No, it just happened that way. It was such a joy for me to get to work with him, especially so early on for me. And just to see that knowledge of film, and how to have an all-encompassing understanding of what a film is, how to make it, what makes a good film, the architecture of it all — that was clear from the first time when I was working with him. How he enters a room and scans the room, it's almost birdlike. His precision and the confidence. And now internally, he might have that, but it definitely permeates on set. You can see that all the other crew members love working with him as well — that's not exclusive to actors. [caption id="attachment_995112" align="alignnone" width="1920"] David Dettmann/StillMoving.Net for Universal Pictures[/caption] It's a very relaxed atmosphere, and he just lets you do whatever you're going to do. And it's quite intimidating at first — you're thinking 'I hope he, is he happy with this? We're moving on after two takes. Does he think that he's just not going to get anything better?'. But that's how he likes to go, I think — to find that first freshness of whatever was given, and what was captured in that fresh one or two or three takes. I'm so happy that we got together to work on it on something like this, with an ensemble cast. It's kind of like a play in certain respects — certainly the dinner table scenes." On How Abela Knew That She Wanted to Add Playing the Strong, Determined But Also Sensitive Clarissa to Her Resume Marisa: "I think that it was honestly with the script at the very beginning. It's quite rare, I think, to get a script where you're just whizzing through it and it's kind of reading itself — and you just feel by the end of it how much fun it would be to be a part of a project like that. And when I realised who else was involved — and obviously I knew that Steven was directing, but when I heard about Michael and Cate and everyone attached — I was just so excited to be a part of it. [caption id="attachment_995110" align="alignnone" width="1920"] David Dettmann/StillMoving.Net for Universal Pictures[/caption] And I think that Clarissa really spoke to me on the first read of the script. As you say, I think that she's incredibly, she cuts through anything that's going on because she's able to speak honestly from a place of strength — but also, I think from a place of innocence and wanting to find out what is at the heart of this world for all of these people. I think she's still figuring out, at the beginning of this movie, whether this is a world that she wants to be a part of or not — whereas I think everyone else is quite entrenched into it. So I think that that discovery is an interesting place to come to from her." On How Important It Was That Black Bag Is a Relationship Drama as Much as a Spy Film Michael: "It's all about the relationships. That's why it always makes me think of a play as well. You're watching these relationships play out, and each of them are connected to one another, whether they want to be or not. He says early on 'this isn't necessarily the dinner party that you would choose'. These people aren't necessarily going to go out and socialise with one another, but they've been brought together — and then through the course of the movie, you start to figure out how they're all entangled in one another and how messy it is. And it's so right what Marisa is saying about the character of Clarissa, is that she's looking at it as the new person coming in, the youngest person in the room, going 'this is bullshit — can't you all see it?'. And they're looking at her going 'give it time, you'll see'. And it's all those dynamics going on, which make it interesting. But for sure it happens to be set, which also makes it interesting, in the espionage world. But it's just about relationships." On Black Bag's Commonalities with Fassbender and Abela's Other Recent Roles Michael: "That just happened to me on the same week, Black Bag and The Agency came, actually. And it wasn't — that's just the way it sort of fell, and there were two interesting projects that I wanted to do. I didn't sit down and go 'okay, I'm going into spy territory now for the next few years'. It just happened that way, as it often does. And it's just about finding material that stimulates — and you feel like 'okay, this is for an adult audience that would enjoy sitting down, going on this journey'." Marisa: "I guess it's the same with Industry in a sense, in that it is kind of in a workplace environment,, but you probably couldn't get two more different places of work. Especially for my character, for Yasmin in Industry. I think she would make the world's worst spy, probably. It's quite interesting to play two young women in probably what are quite male-dominated environments. I've never had an office job, but neither of them are particularly regular jobs anyway, so maybe I'm just enticed into that world in some way." On the Keys to Making an Interrogation Scene Sing Michael: "I think the setup. A certain form of repetition. Humour. And then, of course, somebody in the room is lying and everybody knows that, so the tension builds from that." Marisa: "Steven is so brilliant at building the tension in those moments. And what's nice is that then that gives you the freedom, as the actors, to just play your reality of the scene. Obviously every character is playing to win in that moment, which is playing to tell the truth or to find out the truth — or to cover up a lie. But they should all hopefully be as good at looking like they're telling the truth as one another, no matter who is telling the lie, because it's what they do for a living. So you have this built-in tension into it, but we're just focused on playing to win. And then it's up to Steven to linger on whoever for however long and make the audience think whatever it is that they think in those moments." Michael: "And the foreplay to the actual interrogation itself. The rigging up of the equipment, increasing pressure on the blood-pressure armband. The fact that sweat is being read. The pulse in the fingers. The machine is scribbling constantly. And the camera's set on a particular face, where the camera goes for reaction — then it's the camera placement and what Steven does." On Bringing Back-and-Forth Banter to Life for a Director Who Has Made It a Hallmark of His Films Marisa: "I think he's really great at casting. That is a massive part of it. I think that he knows each of these individual six characters are so different and so distinctive, but there's a real chemistry when we're all together — and having a scene like that, or two scenes like that in our movie, where everyone actually does get the opportunity to play together, I think the chemistry just speaks for itself in that moment. We're really lucky that that happened. And then I think in terms of, like I said, you're just really playing those moments. I think something that, in that first scene, lends a hand for all of us is that we've taken this truth serum. So there's a freedom in that conversation. Especially with, that was my first scene with Clarissa, where she's able to be quite brazen with George specifically at that table. I think there's a freedom in knowing that she's taken this serum and she's intoxicated and she's not quite adhering to social norms and boundaries, as she should do. So there's a freedom that comes with that." Black Bag released in cinemas Down Under on Thursday, March 13, 2025. Film stills: Claudette Barius/Focus Features © 2025 All Rights Reserved.
Saving your loved ones from medical emergencies, reuniting with school friends, using AI in filmmaking, revisiting memories: whether or not you've ever wondered how these situations could turn into technological nightmares, you're about to find out how Charlie Brooker thinks that they can. When the seventh season of Black Mirror arrives, all of the above scenarios will feature across its six episodes, which viewers can check out from Thursday, April 10, 2025. Also included: sequels to season four's Star Trek-riffing USS Callister and choose-your-own-adventure movie Black Mirror: Bandersnatch. Grabbing everyone's attention with one shiny promise, then delivering something else as well: if you've ever watched the dystopian franchise, then you've seen that exact situation play out several times. Soon, you're about to again. And yes, that does apply to the fact that following up USS Callister has long been promised, but doing the same with Black Mirror: Bandersnatch only started being teased in March when the first glimpse at season seven dropped. Netflix has now unveiled another trailer, which also includes episode titles. If you need more information on what's ahead, the streaming platform has revealed more details about each chapter in the new season as well. 'Common People' with Rashida Jones (Sunny), Chris O'Dowd (The Big Door Prize) and Tracee Ellis Ross (Candy Cane Lane) is where that life-saving storyline comes in, for starters, while 'Bête Noire' features Siena Kelly (Domino Day) and Rosy McEwen (Apartment 7A) in a tale of an unnerving reunion. To dive into the impact of artificial intelligence of making movies, you'll be watching Issa Rae (American Fiction), Awkwafina (Jackpot!), Emma Corrin (Nosferatu) and Harriet Walter (Silo) in 'Hotel Reverie'. Paul Giamatti (The Holdovers) and Patsy Ferran (Mickey 17) star in 'Eulogy', about a man looking back with photorealistic detail. Then there's 'Plaything', where Bandersnatch's Will Poulter (The Bear) and Asim Chaudhry (Industry) return — this time joined by Peter Capaldi (Criminal Record) and Michele Austin (Hard Truths). In USS Callister sequel USS Callister: Into Infinity, Cristin Milioti (The Penguin), Jimmi Simpson (Pachinko), Billy Magnussen (The Franchise), Milanka Brooks (The Windsors), Osy Ikhile (All American) and Paul G Raymond (Deadpool & Wolverine) are all back and stuck dealing with another problem. The latest episodes in Brooker's can't-look-away take on how humanity's use of gadgets and innovations can go devastatingly awry are hitting two years after 2023's sixth season, which is a short gap in Black Mirror terms given that there was a four-year wait after season five. Season seven's batch of Black Mirror episodes is also bigger than the past two seasons, thanks to its six instalments — which only season three and four have done in the past. Check out the latest trailer for Black Mirror season seven below: Black Mirror season seven will stream via Netflix from Thursday, April 10, 2025. Read our review of season six, and our interview with Charlie Brooker.
It's no small thing moving away from home to another country. If that's you, we've no doubt that you've experienced bouts of homesickness, laggy Skype conversations, and fond daydreams of your favourite meal from home. Luckily, one of the best things about Australia is the number of different cultures that live here, and they're all pretty good at bringing bits of home with them – like food. The restaurants we frequent on takeaway nights often provide someone else with a little slice of home. If you're one of our treasured expats living in Sydney, here's our guide to finding authentic treats that taste like home. If you're born and bred, here's how you can travel to the UK, China, South East Asia, South Africa and India – through your mouth. [caption id="attachment_587735" align="alignnone" width="1280"] @susan.ng.522 via Instagram.[/caption] CHINESE South Sydney suburb Beverly Hills is generally the place to go for a good Chinese meal, but restaurant Friendship Oriental steps up the nostalgia another notch here. Think fresh seafood from their tanks, seafood congee, XO sauce times and generally delicious and authentic Hong Kong-flavoured fare. It's open until 2am for those post-midnight cravings. [caption id="attachment_587732" align="alignnone" width="1280"] @immelisa via Instagram.[/caption] SOUTH-EAST ASIAN This is not a drill – bring your own mud crab to Malacca Straits on Broadway and they'll abide and cook it for you. Their food will appease your Malaysian cravings and heat up your soul. Battambang in Cabramatta will serve you up some Khmer food, full of the noodle soups and fish common to the cuisine, with iced coffees only $2.50. Or, if you want the taste of rice paper rolls in your mouth, Hai Au Lang Nuong in Canley Vale has you sorted. Try their fish specialties, suckling pig soup, or for the brave, there are the durian and jackfruit milkshakes. [caption id="attachment_587729" align="alignnone" width="1280"] @jodiandharley via Instagram.[/caption] BRITISH Who says the Brits don't do food well? Only those who have never eaten in a British pub. The East Village Hotel in Balmain has warm fuzzy pub feels you'll ever need and huge servings of Sunday roasts. It doesn't mess with a good thing (traditional British pub food) and serves up mouthwatering, classic roast dinners on Sundays. It's all really about the Yorkshire pudding, yeah? [caption id="attachment_587719" align="alignnone" width="1280"] @yujin_chloe_park via Instagram.[/caption] SOUTH AFRICAN Lucky Tsotsi Shebeen and Bar does South African food especially for sharing and snacking. Their menu oozes old-school, meaty goodness to make you go "aaah". Head to Darlinghurst to check out their chicken livers peri peri – they're "rich, dark and hot" and apparently to be eaten in private so you can shed tears if you like. [caption id="attachment_587741" align="alignnone" width="1280"] @twee_tee via Instagram.[/caption] INDIAN Excuse us, but is there anything more nourishing for the soul (if not the arteries) than a big spicy curry? Specialising in tandoori cooking, Faheem Fast Food in Enmore has a curry menu that'll have you over ordering and pre-removing your belt – the chicken section of the menu alone is exceptional, but they also do brain. If you're an expat living in Australia, World First can help you transfer your money back home quickly, securely and at rates better than the banks. Top image: nezuki via Instagram.
Once upon a time, Marrickville was little more than a series of industrial estates. Now? It's become one of Sydney's most popular neighbourhoods. With strong Vietnamese and Filipino presences, the suburb has always been a go-to spot for delicious food and excellent grocers. And it houses some of the inner west's best parks. Add the top-notch bars, cafes, breweries and specialty stores that have set up in Marrickville over the past decade and it's no surprise people are visiting it en masse. Given the plethora of businesses to discover in this area, you may need a little guidance. So, we've teamed up with American Express to share the seven businesses that should be on your radar.
If you only managed to watch a handful of 2021's best new TV shows, odds are that you still saw one knockout newbie starring Jean Smart. The veteran actor turned in two stellar performances in two exceptional television series last year, starting with murder-mystery drama Mare of Easttown, then following it up with comedian-centric comedy Hacks. Clever, hilarious and insightful, the latter earned her both an Emmy and a Golden Globe, too, and deservedly so. And, if the about-to-drop season season of Hacks proves anywhere near as great, she might just repeat both feats in the next 12 months. It's obviously impossible — and also flat-out ridiculous — to pick whether someone will nab a shiny trophy for their work based on a trailer alone. Smart was that phenomenal in Hacks' first season, though, so it's a fair prediction even without seeing any upcoming footage. In the just-released full sneak peek for season two, she's once again playing seasoned Las Vegas comic Deborah Vance, of course, who viewers saw notch up 2500 shows in last year's episodes. Now, after taking stock of her career, the character is headed out on the road. Still by the acerbic Deborah's side: Ava Daniels (Hannah Einbinder, North Hollywood), who started as her assistant last time around. As the first season charted, the chalk-and-cheese pair hardly got along. Deborah is a comedy legend, while Ava is a 25-year-old who made the move to Hollywood, has been living out her dream as a comedy writer, but found her career plummeting after a tweet crashed and burned. That said, the series is far, far more than just an odd-couple comedy. Season two's eight episodes will follow the duo as they workshop Deborah's new standup set around the US — and will start dropping Down Under on Friday, May 13 via Stan. They'll arrive the same day as they air in America, in fact, which means that you'll be watching two episodes per week rather than binging on all of Hacks' next season in one go. Also returning: Broad City's Paul W Downs as Deborah and Ava's mutual manager Jimmy, Megan Stalter (The Megan Stalter Show) as his clueless assistant Kayla, It's Always Sunny in Philadelphia's Kaitlin Olson as Deborah's daughter DJ, Carl Clemons-Hopkins (The Chi) as Deborah's Chief Operating Officer Marcus and Christopher McDonald (Ballers) as casino owner Marty. They'll be joined by Hacks newcomers Laurie Metcalf (Lady Bird), Martha Kelly (Euphoria), Ming-Na Wen (The Book of Boba Fett) and Susie Essman (Curb Your Enthusiasm), as well as guest stars Margaret Cho (The Flight Attendant) and Devon Sawa (Chucky). And if you're wondering why Hacks has proved so ace so far — other than Smart and her co-stars — it was created by three of the talents behind Broad City: writer Jen Statsky; writer/director Lucia Aniello; and Downs, who does double duty in front of and behind the lens. Check out the trailer for Hacks season two below: Season two of Hacks will start streaming via Stan from Friday, May 13. Season one is available to stream now. Read our full review of season one.
When an actor adds new movies to their resume quickly — popping up in new flicks every couple of months or so, and never proving far from their next film — there's a chance they might run out of worthy on-screen opportunities. The one actor that'll never apply to: Nicolas Cage. He's prolific, he stars in far too many terrible flicks, when he's at his best he's downright brilliant, and he always has something interesting around the corner. In 2021 alone, he's shouted expletives from Netflix, battled demonic animatronics and teamed up with one of Japan's most out-there filmmakers. He also played a truffle hunter on a quest for revenge after his pet pig is stolen, in the aptly named Pig, which is one of the year's definite movie highlights. The latter saw him turn in one of the best performances of his career, in fact, but Cage has been preparing his entire life to play his next part: himself. Yes, we've seen Cage break out of Alcatraz, sing Elvis songs, run around the streets convinced that he's a vampire, let his long hair flap in the wind and swap faces. He's voiced a version of Spider-Man, driven fast cars, fought space ninjas and stolen babies as well. Staying in his own shoes stands out, though, which is exactly what The Unbearable Weight of Massive Talent will serve up in April next year. Announced earlier in 2021, and just dropping its first trailer now, the movie will follow the on-screen, fictionalised Cage as he accepts an offer to attend a super fan's birthday. Getting paid $1 million is just too much to pass up. He needs the money, but he also has to save both himself and his loved ones along the way. Yep, that sounds about right. As well as Cage playing Cage — not to be confused with his work in Adaptation, where he played two characters — The Unbearable Weight of Massive Talent features Pedro Pascal (Wonder Woman 1984) as the aforementioned Cage devotee, and also Tiffany Haddish (The Card Counter), Sharon Horgan (This Way Up) and Neil Patrick Harris (It's a Sin). Are We Officially Dating? filmmaker Tom Gormican sits in the director's chair, because if there's anything this story needs, it's the director of a Zac Efron and Michael B Jordan-starring rom-com pivoting to total Cage worship. And yes, whether this'll be one of Cage's undeniable delights or pure cinematic chaos won't be discovered until the film hits cinemas — but he's clearly having a ball based on this sneak peek, and seeing him play and parody himself really does demand everyone's eyeballs. Check out the trailer for The Unbearable Weight of Massive Talent below: The Unbearable Weight of Massive Talent will release in Australian cinemas on April 21, 2022.
UPDATE: MARCH 19, 2019 — Castlecrag's newest Cantonese offering has just gotten even better. Canton Kitchen has launched a new bottomless yum cha offering, available every Friday, Saturday and Sunday lunch from 11am. For just $38 you can eat endless bowls of scallop and prawn shumai, pork xiao long bao, fried rice, chow mein and hot and numbing chicken wings (the list goes on). And for dessert (yes, that price includes dessert), you can eat as many yuzu custard buns and steamed Malay sponge cakes as you please. The sound of all that food making you a little thirsty? Pay an extra $27 ($65 in total) and you can drink unlimited wines, beers and soft drinks, too. The lower north shore has a new go-to for Asian eats thanks to former Queen Chow head chef Jason Chan, who opened Canton Kitchen earlier this month. The Cantonese restaurant joins Chinese barbecue joint Holy Duck! and Vietnamese eatery Bistro Mekong in Castlecrag's Quadrangle Shopping Village — all the result of a $25 million investment by Kensington Street developer Dr. Stanley Quek. Chan, who's also worked in the kitchen at Merivale's Papi Chulo and El Loco, is turning out a menu of traditional share plates using a variety of Aussie meats. Signature dishes include locally sourced duck served Peking-style with steamed pancakes ($26), sticky Mongolian lamb ribs with herb salad ($32) and a luxe take on mapo tofu made with lobster and Alaskan crab ($38). Vegetarian creations include the silken tofu with vegetarian XO sauce topped with soy bean floss and crispy wonton skins ($14). Chilli lovers will find much spice in the kung pao chicken — a dish hailing from China's Sichuan Province that's heavy on the Sichuan peppers — and the Singaporean-style chilli prawns with sambal. A range of fried rice dishes are up for grabs, too, including the 'typhoon shelter'-style Alaskan crab ($26) and the house special — with prawns, char siu barbecued pork, corn and mustard leaf ($18). If you're headed in with a group, there are two private rooms available, as well as ten-course banquet menus for tables of four or more.
UPDATE, July 16, 2021: Blade Runner 2049 is available to stream via Netflix, Amazon Prime Video, Binge, Google Play, YouTube Movies and iTunes. Do sci-fi fans dream of immersive future worlds, neon visuals scored by dark synth notes, and existential musings on what it means to be human? Yes, and they dream of Blade Runner 2049. The sequel to Ridley Scott's influential 1982 film comes to cinemas with a task that's harder than spotting a replicant — or, more accurately, a task that's quite comparable. Directed by Arrival's Denis Villeneuve, and written by the original's Hampton Fancher with Logan's Michael Green, can this follow-up deliver the real deal, or just a convincing copy? The answer, in fitting Blade Runner style, isn't as simple as that. Audiences won't spend decades arguing about it; rather, they'll lap up a movie that's every bit as spectacular as its predecessor, largely because it's built from similar pieces. Taking its cues from the other Harrison Ford behemoth that recently received a long-awaited next instalment — aka Star Wars — Blade Runner 2049 finds the right balance between venturing forward and nodding to the past. With a noir-ish, detective-focused narrative, and plenty of time spent pondering the difference between artificial and flesh-and-blood life, the film proves both a bold second chapter and a loving pseudo-remake. Set 30 years after the events of the first feature, Blade Runner 2049 follows Los Angeles cop K (Ryan Gosling), a blade runner charged with finding and "retiring" old androids. In the intervening period, replicants have fallen out of favour, then come to the fore again in newer, more compliant models, and ultimately found something of an equilibrium with humanity, with tech tycoon Niander Wallace (an ill-placed Jared Leto) leading the charge. Alas, K's latest case threatens the fragile harmony between man and machine, while also leading him to someone who once had his job: an older but far-from-friendlier Rick Deckard (Harrison Ford). That description might seem sparse on details, but the 164-minute film itself is anything but. In soaring overhead shots of crumbling urban sprawl, grey-hued storage facilities, and orange-tinted landscapes, cinematographer Roger Deakins (Skyfall) serves up a masterclass in making every image look like it belongs in an art gallery. In each thrum and drone of the score from Benjamin Wallfisch (It) and Hans Zimmer (Dunkirk), moodiness and mystery intertwine with a rollercoaster of emotion. And, in Gosling's stoic turn at the centre of it all, a look over the top of an upturned collar, and a pause during a slow walk, say much more than the dialogue. Playing a hologram that embodies the next technologically assisted step in the quest for connection, Ana de Armas (War Dogs) proves similarly effective. For a film that overwhelms with its extraordinary sights and echoing sounds, Blade Runner 2049 revels in the little things, and in the potent cumulative toll that they can have. Accordingly, it paints a broad, bleak picture of the past dictating the future that's vivid and convincing because it takes the time to soak in the minutiae — be it the glow of a busy street, the texture of a dead tree or the sorrow in a grizzled face. Again, it's apt — as adapted from Philip K. Dick's Do Androids Dream of Electric Sheep?, the franchise's dystopian vision started with Deckard checking for incriminating glimmers in replicants' eyes, with a tiny flash telling a much bigger tale. Villeneuve achieves the cinematic equivalent, making each moment resound with meaning while honouring the legacy of the original. Oh, and if you thought that every sci-fi flick over the past 35 years took its cues from Blade Runner — and they did — prepare for three further decades of new movies doing the same with Blade Runner 2049. https://www.youtube.com/watch?v=GGa3M0hfTCo
For what seems like forever, locals and visitors alike have asked themselves: why doesn't Melbourne Airport have a rail link? Having been promised and walked back over, and over, and over again since the 1960s, this lack of convenience hasn't gone unnoticed, at least according to a just-released study from travel comparison website iSelect. Based on a specially created index, Melbourne Airport is now officially considered Australia's least convenient airport, with its high transport costs and long distance from the city to blame. To arrive at their conclusion, the stats boffins at iSelect ranked our major airports on the average cost of airport parking, transport and taxi costs, as well as distance from the city's CBD, number of daily passengers and time spent queuing. Now, before anyone from the Harbour City leans too far into intercity rivalries, Sydney Airport placed second to last on the index. It lost marks for having the highest average weekly parking costs at $343. Unsurprisingly, it also receives the most daily passengers, at more than 113,000. At the same time, the airport offers flights to 99 destinations around the globe, making sure departing and arriving tend to be more than a little congested. As for the airports that make heading away on a holiday a breeze, Townsville and Canberra shared top honours. Travellers can expect cheaper weekly parking costs at $178 and $190, respectively. Meanwhile, Canberra Airport had the most affordable transport costs to get to the airport. At just 7.4 kilometres from the CBD, a taxi journey should cost around $28. Both airports also scored four out of five stars for queueing times, as ranked by travellers. But with these smaller centres having a bit of an advantage, you might wonder which major capital airport performed best in terms of convenience. The answer would be Adelaide, landing fourth on the list behind Darwin and just pipping Perth. Featuring some of the cheapest average public transport and taxi costs at $15.48, the airport's distance from the city centre is third-best at 6.8 kilometres. While the convenience of your nearest airport might not change your travel plans, the journey to reach the runway could dampen your holiday vibes before they've even begun. And for those Melburnians hanging out for an airport rail link, the good news is that plans are moving ahead. Yet with no publicly announced timeline or completion date, don't expect Melbourne Airport to climb the convenience rankings any time soon. Head to iSelect to read the full report on Australia's best and worst airports for convenience.
Darwin Deez are cliquey, culty, cooler-than-thou dorks of the curly-haired variety. They play folk-tinged rock wearing trademark headbands and naff overshirts. Their songs are lo-fi and low-rent wonders with lyrics that are vaguely literary. Think Ben Lee vs The Flaming Lips, or Vampire Weekend Vs. Two Door Cinema Club, and you've got a synopsis of their sound. Darwin Deez call what they do "a little bit Thriller, a little bit Dismemberment Plan”, and experiment indiscriminately with ironic Michael Jackson moves and petulant nu-hippy love. They have the threads, but not the attention span of Weezer, Nirvana and Adam Green. The more you try and work out why Deez's onstage calisthenics are so cartoonishly appealing, the more confused you will become. It's difficult enough determining whether Darwin Deez is the guy with the crazy perm who sings their songs and dances, or whether the name pertains to the entire band. The four of them present shows that are shambling extravaganzas of unbridled energy, unfettered shame and infectious enthusiasm. They are known to break into spontaneous bouts of synchronised yet completely deranged dancing on stage, and evoke everything from island beach parties to French soccer stars. Supported by Owl Eyes, Darwin Deez will help you burn a hole in your dancing boots with their songs about twinkly stars and wrinkly scars at The Metro.
Haven Specialty Coffee is one of several well-loved Sydney venues that jumped at the opportunity to expand when the new Darling Square precinct was unveiled last year. By coffee-crazy trio Roy Yu, Kit Tran and Bruce Koo, Haven's second outpost is a bright and airy cafe on Harbour Street. The sleek fit-out, with a consistent palette of grey and timber throughout, is reminiscent of coffee shops you'd expect to see in Hong Kong, Tokyo and Singapore. The food offering has a similar Asian influence — think char siu sauce on the B&E roll, sichuan pepper remoulade on the fried chicken burger and the signature dish, a daikon cake with dried sausage, shrimp, shiitake mushroom and xo sauce. The food is not the main affair here though, merely complementing an expert coffee offering. For those that wish to further their coffee education, Haven also runs workshops on latte art, pour-overs and tasting. The OG Surry Hills location is no longer around, but the team has just opened a brand new space in Rosebery.
Before donning a face covering became a regular part of life for everyone during the pandemic, one of the most famous mask-wearing figures in popular culture was doing it first. And, the fictional character will be doing so again in Australia — in Sydney from August next year, and then in Melbourne from October. The Phantom of the Opera was actually set to head to Sydney from September this year, and then to Melbourne from November; however, the famed musical's 2021 dates were postponed due to lockdowns in both cities. Now, the production's schedule for next year has been confirmed, so get ready for the music of the night to croon its way into both cities. Kicking off at the Sydney Opera House from Friday, August 19 and then heading to the State Theatre at Arts Centre Melbourne from Sunday, October 30, 2022, these new seasons of the acclaimed Tony-winner will arrive in Down Under after breaking records in the UK — and touring the US for seven years. Australia will become just the third country to witness this take on the tale, in fact. Obviously, all of the familiar songs are part of it, such as 'All I Ask of You', 'Masquerade' and the titular number. You'll also be lapping up Maria Björnson's original costumes, too. But, if you've seen the show before, expect the chandelier to look a little different. Australian musical theatre performer Josh Piterman is set to play the Phantom, after first wearing the character's mask in London pre-pandemic. He'll be joined by Amy Manford and Blake Bowden as Christine and Raoul, as part of a cast and orchestra of 65 people — which'll make The Phantom of the Opera one of the largest musical productions in Australia. If you need a refresher on the musical's story, it follows soprano Christine Daaé and the masked musical genius who lives beneath the Paris Opera House — and the latter's obsession with the former. Although first turned into a stage musical in the 80s, it's based on Gaston Leroux's 1910 novel. And yes, you might've seen the 2004 movie, which starred Gerard Butler as the Phantom. https://www.youtube.com/watch?v=-jpaw9dft2Y Opera Australia is also putting on a run of The Phantom of the Opera earlier in 2022, in March in Sydney, as part of its annual Handa Opera on Sydney Harbour event. The Phantom of the Opera will tour Australia in 2022, starting at the Sydney Opera House from Friday, August 19 and then heading to the State Theatre at Arts Centre Melbourne from Sunday, October 30, 2022. For further information and to buy tickets, head to the musical's website. Images: Michael Le Poer Trench.
After spending "many hours kicking the footy or pushing the kids on a swing and wishing [we] could get a good coffee nearby," inner west locals Caleb and Belinda Maynard decided to make their hopes a reality. And the 1950s former baby health clinic in the outfield of Ashfield's Yeo Park was the perfect place to do just that. The duo converted the heritage-listed building into an "extension of people's backyards" where locals could get quality food and coffee in a relaxed parkside setting, and Outfield was born. Since opening in April 2019, the inner west cafe has become a central meeting point for the community. "Bringing that cafe culture to the park means people will linger, connect and socialise...it's a no brainer for anyone with kids of all ages," explains Caleb. "They can cry, play, laze about and drop their ice blocks on the grass." With no limit to outdoor seating, blankets to borrow and lots of friendly rounds of cricket between strangers, locals are making the most of the outdoors at this grassy eatery. [caption id="attachment_751506" align="alignnone" width="1920"] Kimberley Low[/caption] The menu is, conveniently, a modern take on picnic fare, with a touch of green on every plate. There are hints of native ingredients like lemon myrtle and wattleseed, and a focus on gluten-free, vegan and vegetarian options. Naturally, there are also cricket puns: Eggs Before Wicket translates to eggs on sourdough ($12); Summer Bash is potato hash with a poached egg and spring pea salad with mojo verde ($19); and King of Spin sees cured kingfish paired with pickled radish, herb salad, labneh and a poached egg ($24). There are also open sandwiches ($10–14) served on Nonie's charcoal bread, haloumi breakfast rolls ($14), burgers ($16) and fresh salad bowls ($16–17), as well as giant house-made cookies, brownies and other sweet treats. The team can even arrange catering for you to suit any size picnic party. Coffee is from Stitch, roasted by Nawar Adra and the team at Collective Roasting Solutions, with rotating single origins for filter and black coffee. There's a lineup of house-made sodas and kombuchas, too. [caption id="attachment_751491" align="alignnone" width="1920"] Kimberley Low[/caption] On days when the weather is bleak, and less than picnic perfect, the cafe has the indoors covered, too. Inspiration for the space was drawn from the mid-century and art deco eras, sunshine pours through the windows and decorative plants and different shades of green reflect the outside environment. You'll also find artworks from Caleb and Belinda's home, including pieces by their 11-year-old budding artist daughter and bird portraits from their good friend and photographer, Leila Jeffreys. Find Outfield in the outfield of Yeo Park, 230 Victoria Street, Ashfield. It's open from Tuesday–Sunday, 7am–3pm. Images: Kimberley Low
Prepare your tongue for a baptism of fire as The Goods Line in Ultimo transforms into a pyro-powered al fresco food court as part of Vivid's mouthwatering food program. Until Saturday, June 15, hungry Sydneysiders can feast on all manner of flame-kissed dishes from around the world, produced by a scorching-hot lineup of local eateries and acclaimed chefs. Third-generation LA-based pitmaster Shalamar Lane is showcasing her singular approach to barbecue alongside Australian-born, Texas-based smokehouse legend Jess Pryles, with homegrown talents like First Nations chef and restaurateur Mindy Woods and Lennox Hastie, the culinary visionary behind award-winning restaurant Firedoor, also bringing the heat. Cultures around the globe have harnessed the power of the flame in an array of delicious ways, many of which can be found on display. From the tandoor to teppanyaki, and charcoal to hickory smoke, diners can taste their way through a diverse menu of international cuisines from the likes of Brazilian Flame, Eat Lebanese, Smoky Sue, Don't Tell Aunty and S'Mores to name only a handful. And it's not merely your tastebuds that'll be licking the flame. You can set your curiosity alight at one of the live cooking demonstrations, where leading chefs share the tricks of their trade, revealing fascinating techniques for perfectly charred results. There's also flaming sculptures and firepits dotted throughout The Goods Line, to keep visitors both toasty and entertained. Images: Destination NSW and Shaun Clark.
Back in the late 90s, there was a period when every second film was a disaster film, or so it seemed. Independence Day, Daylight, twin volcano flicks Dante's Peak and Volcano, Hard Rain, duelling death-from-above movies Deep Impact and Armageddon: they all kept unleashing chaos upon the earth on the big screen. Also among them, and proving a whirlwind box-office hit: Twister. Come July 2024, that tornado-chasing picture starring Helen Hunt (Blindspotting) and Bill Paxton (The Circle) will no longer be a once-off. Cue Twisters, a sequel that arrives 28 years after the initial feature to turn it into a franchise — because everyone knows that if this followup swirls up huge audience interest, more will likely follow. Alongside Deadpool & Wolverine and Wicked: Part One, Twisters unveiled its first trailer during the 2024 Super Bowl, introducing Glen Powell's (Anyone But You) character as a "tornado wrangler" in the process. There's also twin twisters, plenty of chasing them and a whole heap of fellow familiar faces getting swept up in the action Story-wise, the film follows an ex-storm chaser played by Where the Crawdads Sing's Daisy Edgar-Jones, who has to join forces with a cavalier colleague (Powell) thanks to an intense season that sparks weather that no one has seen before. They each have teams by their side, and both end up on a path to central Oklahoma, where the bulk of the chaos looks set to converge. Also featuring on-screen: Anthony Ramos (Dumb Money), Kiernan Shipka (Totally Killer), Sasha Lane (How to Blow Up a Pipeline), Daryl McCormack (Bad Sisters), Brandon Perea (Nope), Nik Dodani (Atypical) and Maura Tierney (The Iron Claw). The fact that Lee Isaac Chung is behind the lens is no small detail, either, marking the filmmaker's first feature since Minari, which nabbed him Oscar nominations for Best Director and Best Original Screenplay. Check out the trailer for Twisters below: Twisters will release in cinemas Down Under on July 18, 2024.
Whether you like to play it safe with spaghetti or go crazy with casarecce, you'll find all your favourite pastas, fresh and homemade, at new Italian diner La Favola. Let the carb-loading begin. Located on upper King Street in Newtown, La Favola has taken over the space previously occupied by stoner-food cafe D'Munchies. (Don't worry, local stoners will find another joint.) Unlike your traditional flag-bearing trattorias, there are no red-checked tablecloths or baskets of breadsticks. Instead, La Favola has opted for a clean and contemporary fit-out, replacing the massive marijuana mural with a white brick façade and a simple butcher's block menu. So who's the master of pasta at La Favola? That would be Italian chef Fabio Stefanelli, previously of Cucinetta in Woolwich and Fico in Hobart, as well as Michelin-starred Cracco ristorante in Milan. Stefanelli's recipe for success is simple — six pastas and six sauces, and patrons can mix and match as they please. As a general rule, you'll find lighter and creamier sauces, such as the carbonara ($16) and the seafood dal mare ($20), a perfect match for the spaghetti or fusilli, while richer, meatier sauces, such as the ragu Napoletano ($18), pair better with rigatoni or paccheri. That said, there's really no right or wrong way to eat the pasta here. Hell, you can even go broccoli e salsiccia with fettucine ($18) if you want to. While it's not part of the standard menu, La Favola also offers gnocchi from time to time and it's definitely worth ordering if you see it on the specials (check the restaurant's Facebook page for updates). Stefanelli's little potato dumplings are so light and fluffy you'll feel as though you can eat and eat and eat. Oh, and don't be alarmed by how quickly the food comes out, it's definitely not Latina. The self-professed "fast food" restaurant hand makes its own pasta, sauces and stocks at the start of each day. While the pasta is definitely the show-stealer, La Favola's menu also includes a small selection of starters — including a beef carpaccio with truffle cream ($18) and fried calamari ($16) — as well as a few other simple sides. If you only have room for two courses, however, make the second one dessert. You'll be completely won over by the cannolo Siciliano ($7), which is stuffed with a fresh ricotta cream made with citrus fruits that have been stewed for five hours. As you can see, La Favola is not your usual fast food eatery. Images: Trent van der Jagt
As we come into the cool winter months, it warms the heart to look forward to one of the flagship events on the Sydney calendar. Vivid Sydney will be back for its twelfth year from May 27 to June 18 — and the 2022 iteration promises to be bigger than ever. The range of attractions on offer are many and varied but, at its core, Vivid Sydney is a light festival that gives colour and glow to the night sky and every conceivable canvas the city can provide. From illuminating some of Sydney's most famous landmarks to immersive exhibitions that seek to alter your perception of reality, here are ten must-see light installations on this year's program. Prepare to be dazzled. [caption id="attachment_853123" align="alignnone" width="1920"] 'Sharing the Same Life Essence', Rhoda Roberts AO and Deon Hastie, Destination NSW[/caption] 'FIRST LIGHT' First Light, the piece which kicks off the 2022 program on Friday, May 27, promises to be a stunning beginning that celebrates our rich Indigenous and First Nations culture. Vivid Sydney takes place on Gadigal land and waters, and as an acknowledgement of this, the Harbour Bridge pylons will be lit up with Sharing the Same Life Essence (Wayne Quilliam), a projection celebrating the Traditional Owners. First Light will also feature a Welcome to Country, Smoking Ceremony and performance by NAISDA dancers, culminating in a powerful and poignant opening work. Find out more here. [caption id="attachment_853125" align="alignnone" width="1920"] Spinifex Group, Destination NSW[/caption] SYDNEY HARBOUR BRIDGE 90TH BIRTHDAY The iconic coathanger has already had its own birthday party this year but, as one of the key landmarks of Vivid Sydney, you just know there had to be something special happening to mark the Sydney Harbour Bridge entering its tenth decade. Suitably, there's a storytelling angle to this year's light extravaganza, with the Historical Archive and Digitisation Team at Transport for NSW looking back into its comprehensive photo archive to tell the tale of one of the world's most famous man-made structures through the people and places it connects. The light show will be brought to life on the bridge's giant pylons by animation experts Spinifex — and it's on repeat every night of the festival. [caption id="attachment_846473" align="alignnone" width="1920"] Mandylights, Our Connected City[/caption] 'OUR CONNECTED CITY' The bright lights of Sydney are impressive all year round, but it doesn't compare to the illumination of Vivid Sydney. This year, the creative festival will be taking advantage of that already expansive canvas with Our Connected City, an installation from the creative minds at Mandylights. Hundreds of colour-changing lights will pulse through The Rocks, Circular Quay and across the harbour, lighting the CBD in a ribbon of light that spreads from the Opera House all the way to the northern pylon of the Harbour Bridge. There will also be 150 searchlight beams shining into the night sky like a series of beacons connecting the clouds to the people and land below. To add to the effect, all of these lights will be perfectly synchronised — a representation of connection come to life before your eyes. [caption id="attachment_853126" align="alignnone" width="1920"] Glenn Turner, Oracle-Liquid, Destination NSW[/caption] 'SYDNEY INFINITY' There's no doubt that one of the biggest selling points of Sydney is the incredible harbour, so it's only fitting that it will be celebrated at Vivid Sydney 2022. Glenn Turner, of internationally renowned special-effects company Oracle-Liquid, is putting the waterway front and centre with Sydney Infinity, a site- and festival-specific installation billed as the largest liquid and light show ever seen in Australia. At Darling Harbour, water and light will combine in a spectacular, infinity-shaped floating installation consisting of compressed-air water cannons, robotic fountains and thousands of LEDs (plus, the dazzling display will be synced to a soundtrack from Peewee Ferris). The sheer scale will be something to behold — the cannons will blast water 80 metres into the air and the fountains will disperse nine tonnes of water in the air per second. It's thanks to this pumping power that the exhibition can be viewed from around the city, including Pyrmont Bridge, nearby high-rises, and the harbour's floating walkway. [caption id="attachment_854523" align="alignnone" width="1920"] Temple of Joy, Elliot Routledge, Destination NSW[/caption] VIVID HOUSE Taking over Darling Quarter, Vivid House is an immersive experience that combines light and sound to stimulate your senses over three distinct installations. In A Floating World (Stephen Ferris), musicians and visual artists combine to create a sonic painting that evokes imaginary landscapes. With Progressum (aFX Global), subtlety is key as flickers of light permeate the darkness and gradually build to become one with sound. Finally, Temple of Joy (Elliott Routledge) is a tribute to the halcyon days of Sydney's nightlife. Take in all three for the full, unforgettable Vivid House experience. [caption id="attachment_853127" align="alignnone" width="1920"] James Dive, Destination NSW[/caption] 'BUMP IN THE NIGHT' While Australia isn't quite as full of terrifying, life-threatening creatures as the rest of the world seems to think, you do tend to hear unidentifiable sounds of nature on a regular basis. Was that mad cackling a cockatoo, a kookaburra, or your neighbour watching Kath & Kim reruns again? Bump in the Night (by installation artist James Dive) is an interactive exhibition that looks like a genteel campsite (complete with muffled snores coming from inside the tents) but you get to play the strange creatures in the dark, with any noise you make potentially stirring the campers. This might be one of Vivid Sydney's strangest experiences but it's also one of the most fun. [caption id="attachment_853130" align="alignnone" width="1920"] Isabel Hudson and Trent Suidgeest, Destination NSW[/caption] 'A MIRRORED CITY' A Mirrored City creates a city within a city at The Goods Line. Conceptualised by artists Isabel Hudson and Trent Suidgeest, the installation brings shimmering surfaces to reflect the rich tapestry of Sydney life. As darkness falls, lights hidden within the surfaces create a larger Sydney, one that goes far beyond the confines of the station. From some of the city's most recognisable urban landscapes to stunning beachside vistas, A Mirrored City will take you on a tour of the city, telling stories about the people and places that make it what it is, all while you stay in one place. [caption id="attachment_853131" align="alignnone" width="1920"] Michaela Gleave, Destination NSW[/caption] 'ENDLESS LOVE' The concept here — from contemporary artist Michaela Gleave — is pretty simple, but sometimes the simplest ideas are the most powerful. The words 'endless love' will be displayed as part of a giant, lit-up arch at Circular Quay. Because who doesn't want endless love — and what could be bigger and better than an enduring promise of never-ending adoration? Endless Love is Vivid Sydney's gift to the city, and it's also a message from our city to the rest of the world. Every morning, the sun rises above Sydney to herald a new day and, throughout Vivid Sydney, this message will be shining too. Oh, and you'll look great standing beneath it on Instagram, which is also important. [caption id="attachment_853132" align="alignnone" width="1920"] Atelier Sisu, Destination NSW[/caption] 'EPHEMERAL OCEANIC' For this year's festival, Walsh Bay will be turned into a floating, bubble-laden playground courtesy of Atelier Sisu artists Zara Pasfield and Renzo B Larriviere. A floating boardwalk weaves between 150 giant orbs, lit from the inside and changing colour throughout the night, projecting ever-changing patterns onto the water below. Remember the pure glee you'd get from blowing bubbles as a child? This is the grown-up version of that, but it's also a reminder that you're never too old to have fun and lose yourself in life's simple pleasures. The inherent ephemerality of this piece is also encouragement for you to consider your environment and how easily things can change. [caption id="attachment_853134" align="alignnone" width="1920"] Sinclair Park, Destination NSW[/caption] 'FRANKLY, MY DEAR...' When Vivid Sydney rolls round, everything is a canvas — iconic buildings and structures offering more surfaces and interesting angles for light to hit. The UTS School of Business is known for the paper bag-like aesthetic given to it by seminal architect Frank Gehry. Sinclair Park, the light artist behind Frankly, My Dear, noted the building is "unique and playful... an irresistible canvas", and created a site-specific work that will allow viewers to see the structure from a whole new perspective. Using lights in changing hues in the building's windows, he accents the exposed brick and unusual shapes, turning one of Sydney's most distinctive buildings into one of its most undeniably beautiful. Vivid Sydney takes place at locations citywide from May 27–June 18. For the full program and to find out more, head to the website. Planned your visit already? Remember to get social and use the hashtag #vividsydney or tag Vivid Sydney in your shots. Top image: Yarrkalpa — Hunting Ground (2021), by the Martu Artists and Curiious with soundtrack by Electric Fields and Martu Artists (inspired by Yarrkalpa — Always Walking Country, 2014), Destination NSW
Going out for brunch in Sydney is like competing in an Olympic sport. It requires a helluva lot of patience (waiting for a table), skill (in ordering) and funding (for food). Oh, and perhaps a trainer on standby for when you have a blowout. But even elite athletes need a day off. And for amateur brunchers of the inner west, The Carpenter is where to come when you're playing hooky. You'll find it inside a converted warehouse, deep in the suburban labyrinth of Leichhardt. Were it not for the handful of folk (and their pups) perched on the wooden stools outside, you probably wouldn't think to wander beyond the roller door. If you do, you'll find a great example of modern neighbourhood dining in Sydney. The Carpenter delivers the laidback vibe you want from a local, but with enough flair that you won't miss the 'cool factor' that accompanies a Newtown (or Surry Hills or Bondi) brekkie. The space, formerly a homewares clearance outlet, is by-the-book industrial style. The warehouse's high ceilings and brick wall remain exposed, with concrete floors and hairpin-style chairs. But warmth radiates from the bar with its wood panelling, terracotta tiles and, most impressively, the strip lighting which starts vertical, with each one following slightly rotating until it runs horizontal above the kitchen. [caption id="attachment_698461" align="alignnone" width="1920"] Kitti Gould[/caption] And while your attention is on the bar, take note of the espresso machine. It's a Mavam, a boutique design from Seattle that's built into the bench. It's unexpected and, if you're a coffee nerd, you'll probably find it a little bit sexy. The team runs Little Marionette roast through the two group heads alongside a daily single origin, and drinks are served in requisite ceramic cups. The menu reads like a rap sheet of cafe hits: bacon and egg roll, granola, smashed avo and so on. And that's not a bad thing — it requires little deep thinking (it's your day off, remember) and also makes the great value all the more obvious. The chipotle fried chicken, which comes piled dangerously high with house-made guacamole, pickled jalapeños and crinkle cut fries, is just $20. And though the truffle eggs may be lacking acidity, for only $12 — and with black truffle salsa from Tetsuya's — can you really complain? Just ask for some of the spicy tomato sauce and get on with it. There are other surprises hidden in this seemingly simple, yet undeniably decadent, menu. The smashed avo ($15) is served on a croissant (from Brickfields) and the burnt butter that adorns both the Not-So-Shakshuka Eggs and the ricotta hotcakes (both $18) is from Pepe Saya. The latter also comes dressed with seasonal fruit, which cuts through the richness. The hotcakes could be a little fluffier — they don't quite live up to their much-loved Sydney counterpart (at Bills) — but it's easily forgiven. It may not be flashy or pushing the envelope but The Carpenter's giving Sydneysiders what they seriously lack: a moment's peace from trying so damn hard. Images: Kitti Gould.
When the first and second seasons of Sex and the City spinoff And Just Like That... started streaming, a famous setting made an appearance Down Under. If you'd always wanted to hang out on Carrie Bradshaw's (Sarah Jessica Parker, Hocus Pocus 2), stoop, that became a temporary reality in Sydney and Melbourne. For season three, which is currently working through its episodes on HBO Max, a different spot from the show is on its way to Australia. We hope you're hungry, be it for something sweet or savoury, because Hot Fellas Bakery is about to hit Sydney. Yes, this purveyor of baked goods is usually fictional. The brainchild of character Anthony Marentino (Mario Cantone, Better Things), it lives up to its name in the series. It'll also exist IRL at Darlinghurst's Taylor Square in the Harbour City, but only for one weekend: from Friday, June 27–Sunday, June 29, 2025. Hot Fellas Bakery first made the leap from the screen in New York — where else? — and will do the same in Australia just two weeks after its Big Apple debut. The pastries on offer won't cost you a thing. Neither will the coffee. There'll be limited-edition merchandise up for grabs as well. Equally doing its moniker proud is set to be part of the pop-up, too. On the menu: Vegemite babka, Golden Gaytime cream puffs and AP buttermilk croissants. While Hot Fellas Bakery has locked in a three-day Sydney run, you do only have a brief window of time each day to head by, however. It's operating from 10am–12pm on Friday, June 27, then from 8am–12pm on Saturday–June 28–Sunday, June 29, 2025 — and will close earlier each day if everything is already sold out. [caption id="attachment_1009739" align="alignnone" width="1920"] Craig Blankenhorn/Max[/caption] And if you haven't kept up with the Sex and the City world, And Just Like That... debuted in 2021 to continue Carrie, Miranda Hobbes' (Cynthia Nixon, The Gilded Age) and Charlotte York Goldenblatt's (Kristin Davis, Deadly Illusions) stories — with Samantha Jones (Kim Cattrall, How I Met Your Father) largely sitting it out, except for a brief cameo in season two. Other familiar faces abound, including John Corbett (To All the Boys: Always and Forever) reprising his role as Aidan Shaw from season two onwards, plus David Eigenberg (Chicago Fire) and Evan Handler (Power) also returning. Check out the trailer for Just Like That... season three below: Hot Fellas Bakery is popping up at Taylor Square, 191–195 Oxford Street, Darlinghurst, Sydney from 10am–12pm on Friday, June 27, plus 8am–12pm on Saturday–June 28–Sunday, June 29, 2025 (or until sold out). And Just Like That... streams in Australia via HBO Max. Head to the platform's website for more details.
If you've been scoping the CBD for a cheap lunch, Bar Mammoni has got you covered. This all-day diner in the heart of Hinchcliff House has just transformed into a pasta bar and deli, and to celebrate, it's slashing 50 percent off five of its made-to-order pasta dishes this week. For five days until Friday, June 7, you'll be able to score affordable bowls of top-quality pasta priced between $9–11. Head in from 11.30am to 3pm and you'll find the likes of gemelli, sugo and pangrattato paired with creamy burrata for $9, spaghetti cacio e pepe for $10, rocket pesto orecchiette with pecorino for $10.50, and beef ragu trottole with stracciatella and parmesan and saucy rigatoni a la vodka both for $11. You'll be able to grab your selection for takeaway dine-in at the CBD spot during lunch – but you'll want to grab a seat early, as the venue caters to a maximum of 30 guests. You can also sort out a quick and delicious dinner when you swing by, too, thanks to the new selection of hand-rolled pasta and top-shelf deli goods and provisions.
