A supermarket in Denmark has committed to fighting food wastage by only selling produce past its use-by date. Located in Copenhagen, the recently opened Wefood has been set up by not-for-profit organisation Folkekirkens Nødhjælp, selling expired food at a discounted rate with the hope of reducing the 700,000 tonnes of food that goes to waste in Denmark each year. "Wefood is the first supermarket of its kind in Denmark and perhaps the world as it is not just aimed at low-income shoppers but anyone who is concerned about the amount of food waste produced in this country," spokesperson Per Bjerre told The Independent. The supermarket came into being on the back of a successful crowdfunding campaign, which raised one million Danish kroner, or just over $200,000. The supermarket is staffed by volunteers, with profits being used to help fund Folkekirkens Nødhjælp's work in some of the poorest countries in the world. The supermarket also has the support of local government officials. "It's ridiculous that food is just thrown out or goes to waste," said Eva Kjer Hansen, Danish Minister for Food and the Environment. "A supermarket like Wefood makes so much sense and is an important step in the battle to combat food waste." According to the United Nations, human beings throw away around 1.3 billion tonnes of food each year. Given that one in nine people around the world don't have enough to eat, that's a fairly depressing statistic. In Australia alone we waste more than four million tonnes a year, although organisations like Second Bite and OzHarvest are doing their best to reduce that number. Perhaps we could use a Wefood of our own? Via The Independent.
Been sailing the internet seas and plundering its illegal film bounties, movie pirates? Yarrr, well you just might find yourself at the centre of a new round of legal action. Australian film company Village Roadshow has revealed that their attempts to stamp out copyright theft will soon extend to suing individual infringers. If you've downloaded one of their flicks, yes, that could mean you. No, this isn't another Dallas Buyers Club situation exactly, however if you're the swashbuckling type, you might receive a letter in the mail. Village Roadshow's new tactics involve going after repeat culprits and asking for a fee of around $300. "Not for a king's ransom but akin to the penalty for parking a car in a loading zone. If the price of an act of thievery is set at say $300, we believe most people will think twice," said Village Roadshow co-chief executive Graham Burke. Deterrence, rather than punishment, is the aim here — and continuing to try to convince everyone that they should bite the bullet and pay to watch Game of Thrones. "Any revenue derived from this proposed legal program will be devoted to positive education on piracy," Burke continued. "I should also point out that it is our intent with this strategy that, should anyone be caught in the net who has dire health or difficult circumstances, we would waive the action providing they undertake not to infringe again." Just when the lawsuits will start wasn't announced, though Village Roadshow have a history of being active in the area, with the company initiating court action against movie streaming website SolarMovie earlier this year. Burke also holds the role of Creative Content Australia chair — aka the head of the film industry's anti-piracy arm — and advised that, once the precedent for blocking websites has been clearly established under Australia's current site-blocking legislation, "We will be ready to immediately bring another court action requesting the blocking of an additional 100 criminal sites." The plan was revealed as part of a speech entitled 'The Piracy Plague', which was delivered at the Australian International Movie Convention on the Gold Coast this week. And no, the link between the Goldie and that other form of piracy wasn't lost on anyone. In fact, it was even mentioned. You can thank Johnny Depp, his dogs and Pirates of the Caribbean: Dead Men Tell No Tales for that, obviously.
With every year that passes Melbourne gains more history — and with every renovation, new stories. But it's not often you dig up the kind of gold that was discovered when putting together the CBD's new bar, House of Correction. At 264 Swanston Street, lie allusions to a colourful past — as a medical supply store in the early 1900s, a manufacturer of death masks for the Old Melbourne Gaol and, most recently, the home of Australia's longest-running porn cinema, Shaft Cinemas. The renovators even found pornographic silhouettes beneath the layers of paint downstairs. But while the raciest finds have been re-hidden for future tenants to discover, interior architects ZWEI have used others — like the heritage ceiling and concrete slab floor — as the highlights of a very unique space. Headed up by bartender David Smillie (ex-Eau de Vie Sydney), the 52-seater will be throwing down a monthly rotating cocktail selection, which is built around simplicity, top-notch ingredients and classic styling. Expect plenty of clever extras, too, with house-made shrubs, vinegars, and fermentations popping up throughout. Rounding out the offering is a hefty back bar, solid craft beer lineup. And though the building's history might be a bit sketchy, its future is looking anything but. House of Correction will be a sister bar to rooftop venue Goldilocks and Mr Kwok downstairs, which has just opened in replacement of Noodle Kingdom. Sad news for fans of the old venue, but this new noodle house is helmed by the old chef's daughter — and food can be ordered up until last drinks at 3am each night of the week. House of Correction is open daily from 4pm till 3am at Level 4, 264 Swanston Street, Melbourne. For more information, visit their Facebook page. Images: Georgia Verrells.
One of the beacons of light on Melbourne's event calendar in a fairly glum cold weather stretch is the Queen Victoria Market's Winter Night Market. And now it's set to return — and it's bigger and gutsier than ever before. Kicking off on Wednesday, June 7 the market will pull together a global array of eats, a plethora of live entertainment, huge lighting installations and roaring open fires. Centred around the theme of 'fire and lights', this year's market promises to brighten up your winter Wednesday nights like nothing else, thanks to a collection of stunning light displays by creative studio John Fish. As usual, the 30-strong lineup of food stalls will send punters trekking across the world, this year featuring the likes of Austrian-style cheese delights from The Fondue Corner, Taiwanese pancakes from the folks at Butterlake, a debut appearance by MoVida's Paco's Tacos, and That's Amore's legendary pastas, which are tossed in a parmesan wheel before landing on your plate. Of course, there'll be mulled wine from ReWine and steaming hot cider from Coldstream to warm your belly and hands as you browse over 50 carefully curated design and specialty stalls. Top all that off with a dollop of live music and roving entertainment, and you've got one hell of a cosy winter situation. The Winter Night Market will run from 5-10pm each Wednesday, from June 7 until October 4. Updated: August 16, 2017.
Sure, we love winter's hot mugs of mulled things, snuggly wardrobe options and tendency to coincide with national film festivals, but the season calls for a well-earned weekend away every now and again. Perhaps you'd like to completely ditch the city's chilly winds for a stylish Californian-style beach motel with an ex-Noma chef. Or maybe you're one to embrace winter like a woolly jumper-loving fiend. How about a private mountain villa with your own in-room, temperature-controlled swimming pool? We've teamed up with Mr & Mrs Smith to give you five ideas for winter weekend getaways from their collection of pretty, pretty accommodation options. Pick a date, pack your bags and get outta town. DRIFT HOUSE, PORT FAIRY Breakfast hampers, salvaged timber, Japanese tiles — Drift House is all about the details. It's a pretty little beach boutique in Port Fairy, the Great Ocean Road's charming fishing village. Rooms are designed for dining in, because Drift House knows what's up. You'll have little reason to venture out into the chill with your own 'maxibar' at home, stocked with baked beans, pasta, parmesan, pasta sauces, organic crisps, popcorn and other nibbles, alongside a stash of locally sourced Basalt Vineyard red and white wine. ARKABA Escape the wind tunnels of the city and set yourself up in an elegant 1850s homestead in the Flinders Ranges. A heritage-style property, Arkaba channels a good ol' Australian vibe from its wool sack-wrapped bedside tables to sheepskin hot-water bottles. It's also a private wildlife sanctuary, so expect a few kangaroos and emus to stop by. Your dining is all-inclusive (and features some of the world's best wines), and if you're keen to get a little more adventurous, Arkaba does a swag-camp glamping trek. HALCYON HOUSE No better way to beat the cold than escaping to a faded Californian-style surf motel. Fusing elements of Long Island nauticalia and Mediterranean pool chic, it's the kind of place that looks made for surfwear magazine fashion shoots. Located right on Cabarita Beach near Tweed Heads, Halcyon is a beach holiday haven with all the trimmings — and an ex-Noma chef. Ben Devlin, 2014's Queensland Chef of the Year, runs the delightfully artful Paper Daisy restaurant, where you'll be inhaling fresh crumpets, locally-grown coffee and honey roasted fruit. That's before you while the afternoon away on the poolside deck, sipping wines picked by sommelier Peter Marchant. CAPELLA LODGE Feel like a Bond villain in a high-flying tropical paradise retreat at Capella Lodge, a stunning nine-suite hideaway on Lord Howe Island. Surrounded by turquoise lagoons, coral reefs and rare tropical birds, the lodge is a glorious natural oasis from a wintry city — but with every last modern creature comfort. Infinity pools, outdoor stone baths, sprawling seaside verandahs. The place even has its own spa. Hire a lagoon kayak and snorkelling gear and explore the area — you'll forget its cold anywhere else. O&O WOLGAN VALLEY If you're one to relish in wintry weather as a means to get amongst misty mountains, head for O&O Wolgan Valley. This Blue Mountains gem sees 40 villas, including two- and three-bedroom retreats, over 7000 acres of rolling hills and pristine wilderness. It's Australia's first conservation-based luxury resort and is accredited by international group CarboNZero. There's a world-class spa, a big wine cellar, mountain bikes for you to use, and a killer restaurant, bar and eatery showcasing seasonal, local, organic produce. Best bit? Each Federation-style bungalow comes with an in-room, temperature-controlled, private swimming pool. Keen to get going? Concrete Playground readers special treatment from Mr & Mrs Smith, with exclusive discount offers at hotels from Bali to Brisbane. You can save 25 percent or more if you book any of these retreats by 30 July (and you can stay any time until 30 September, 2016). Details here.
In a rare instance of critics and audiences agreeing with each other, Mad Max: Fury Road and The Dressmaker were the two big winners at the 2016 Australian Film Critics Association Awards. Held last night at the Australian Centre for the Moving Image (ACMI) in Melbourne, the ceremony reflected on the past 12 months of Australian cinema, with the year's two biggest box office takers proving popular with critics as well. Critically acclaimed action blockbuster Mad Max: Fury Road took home the award for Best Film, as well as Best Director for George Miller and Best Cinematography for John Seale. The Dressmaker, meanwhile, swept through the acting categories, with Best Actress for Kate Winslet, Best Supporting Actress for Judy Davis and Best Supporting Actor for Hugo Weaving. The film's director and co-writer Jocelyn Moorhouse was present to accept the awards of behalf of her cast, while also taking home the Best Screenplay Award for herself and husband P. J. Hogan. Ryan Corr won Best Actor for his work in Holding the Man. In the international film categories, last year's Oscar winner Birdman took home Best English Language Film, while German drama Phoenix won for Best Foreign Language Film. Amy Winehouse doco Amy won Best Documentary. The association also gave out its annual writing awards, bestowed by a panel of journalists and film industry practitioners. This year's winners were critics Rebecca Harkins-Cross, Alexandra Heller-Nicholas and Luke Goodsell. You can check out the winners here. To get a head start on the next crop of likely AFCA Award winners, check out our list of the ten Australian films to watch out for in 2016.
Move over, Dark Mofo. Victoria's Apollo Bay is getting an after dark arts festival of its very own. Creeping into the coastal shire on the eastern side of Cape Otway, WinterWild will take place on select Saturday nights in July and early August. Each evening will begin with a ceremonial bonfire on the beach, before branching out to the Mechanics Hall and beyond. Standout events on the program include a performance of Tosca by local opera company Cut Opera, a screening of the '90s cult surf film Litmus, sets by Sand Pebbles and Dirty Three's Mick Turner, and talks by Michael Leunig, Clementine Ford and Arnold Zable. Local cafes and restaurants will also get involved with the festival. Steve Earl's acclaimed La Bimba will devise a special festival menu, and provide a place for revellers to recover as the sun rises on Sunday morning. "This festival won't be for the faint-hearted," said festival director Roderick Poole. "It is very much aimed at adventurous spirits ready to take on a challenge; to embrace the harsh environment and celebrate the beauty of the elements at their extremes. WINTERWILD 2017 DATES: Water (July 1-2): Mick Turner (Dirty Three), Sand Pebbles, screening of Litmus with soundtrack performance by director Andrew Kidman. Earth (July 15-16): Butoh performer Yumi Umiumare, Tek Tek Ensemble, Tosca by Cut Opera. Air (July 29-30): Programmed by the Apollo Bay Writer's Festival, including Michael Leunig, Clementine Ford, Arnold Zable and Emilie Zoey Baker. Fire (Aug 12-13): Massed choir of 100 singers, ritual burning of festival sculpture, live music. WinterWild information and tickets at www.winterwild.com.au.
Anyone old enough to remember the mid-'90s will likely recall that something happened on the world’s tallest mountain back in May 1996. Something bad. But how bad? Well, the specifics are probably a bit hazy. That’s why there’s always the great temptation with movies based on real events to look up what happened before you see them. Sometimes it’s to make sure you’re across the facts or so that you don’t get confused, but usually, if we’re honest, it’s so that we don’t spend the whole film wondering who lives and who dies. Everest is one such film, and whatever you do, avoid turning to the internet until the credits have rolled. Genuine, compelling tension is such a rarity in modern cinema that to rob yourself of the experience when it finally presents itself would be madness. And boy does it present in Everest. To behold the ordeal at the centre of this tale is to almost endure it on a miniature scale. The film is relentless and punishing, leaving you exhausted, shaking and breathless. "Human beings,” explains the expedition’s leader Rob Hall (played by Jason Clarke), “simply are not built to function at the cruising altitude of a 747. Our bodies will be literally dying.” Thanks to the extraordinary team behind Everest, you believe it. Heck, you feel it. This is an ensemble movie done the right way, where nobody engages in scene stealing despite some big names scattered throughout. Sam Worthington, Jake Gyllenhaal, Keira Knightley, Josh Brolin, Robin Wright, John Hawkes and Emily Watson all join Clarke with committed but reserved performances that ensure the focus remains on the film’s true star: the mountain. Granted that sounds incredibly trite, but the scale of this film and its sumptuous cinematography all serve to reinforce both the grandeur and the peril of such an extraordinary place; “another beast altogether”, as Hall described it. To date, more than 250 people have died climbing the mountain, and the means of their demise are more varied than you might expect. The difference between this film and so many other recent offerings, however, it that instead of sensationalising nature, Everest simply shows humility towards it. In light of its wretched and treacherous conditions, one well might question why anybody would ever even consider summiting Everest, but the film has an answer for that, too. Several, in fact. Some try for the thrill, others for the challenge, and one extraordinary mailman attempted it purely for the symbol and inspiration it might provide others back home. More importantly, though, for those who actually make it — those few exceptional climbers who literally reach out and touch earth’s upper limit — the moment of exhilaration and accomplishment is so powerful and affecting that you’re moved to tears. It is, in short, an exceptional and experiential film with a story steeped in both tragedy and indomitability. Worthy of its name, Everest is a staggering and spectacular piece of cinema that deserves to be seen.
Listen to some of Australia's best emerging and early-career writers in a new podcast series produced by SBS. A tie in with the station's new crime-drama The Principal, which is set to premiere in the first week of October, True Stories consists of seven short stories written and performed by up-and-coming writers from all walks of life. Each story presents a different take on the Australian high school experience – and the six they've dropped so far have been really, really good. The young writers worked in collaboration with Sweatshop, a literary initiative by the University of Western Sydney founded by doctoral candidate and writer Michael Mohammed Ahmad. Ahmad also wrote one episode of the podcast, as did his fellow recipients of the SMH's Best Young Novelist award Luke Carman, Maxine Beneba Clarke, Omar Musa and Ellen Van Neervan. "I think the particular writers that SBS has engaged with are probably the best suited in the country to conform and adapt to the oral storytelling that these podcasts require," says Ahmad. "We're talking about the best up-and-coming writers in the country, and it just so happens that a vast majority of those writers represent traditions who come from rich oral storytelling practice. Omar Musa from a Malaysian background, Maxine Beneba Clarke an Afro-Caribbean background, Ellen van Neerven an Aboriginal background and myself an Arab background...if you look at our novels there is a strong oral technique that is being used most of the time, which is drawing from traditions that come from all over the world." You can certainly feel the influence of these different cultural backgrounds in the content of True Stories. Ahmad's episode, for example, was inspired by his time as a student at Punchbowl Boys High School during the late nineties and early two thousands, a time when the "Arab Australian Muslim community was one of the most stigmatised groups in the country." Loaded with profane language and instances of violence, his story reflects a troubled period in the school's history, yet refuses to indulge stereotypes about the students or their community. "I think if you listen to my story, there is undoubtedly an exploration of violence, sexism, misogyny, homophobia and classic cases of aggression and hostility that exist within certain underclass communities," Ahmad says. "But they're resilient spaces. They're not spaces that are miserable. The people in those spaces are intelligent, critical. They're aware of their circumstances, and most of the time they're responding, or even performing their underclass-ness, because that can be empowering." "It's very hard, I think, for the white imagination to see those places as joyful, resilient, critically conscious places," he continues. "I think there is an assumption that under every poor young man of colour is a middle class white boy yearning to break free." You can currently find the first six episodes of True Stories on the SBS website and on iTunes. The Principal premieres on Wednesday October 7 at 8:30pm.
Looking for a pet-friendly apartment? A new Melbourne high-rise will do you one better. Opening at 5 Elgar Court in Doncaster next year, GardenHill Apartments will become the first residential apartment block in the country with its own private off-leash dog park. Construction on the 11-storey building is set to begin in September, but if you and your four-legged friend are interested, you might want to get in quick. 80 percent of the 136 one- and two- bedroom apartments have already been snapped up, at a cost of between $380,000 and $745,000. The dog park will be located on the ground floor, enclosed by secure fencing, and will include seating, a drink station and a clean-up station. Development director Adelene Teh told Domain, "By offering our Gardenhill residents a designated place they can take their dogs for exercise, socialisation or even mental stimulation, we're encouraging responsible pet ownership and, hopefully, paving the way for other developers to follow suit." Teh also confirmed that the dog park had been a drawcard with purchasers. A number of apartment blocks in the United States already boast on-site dog parks — and it's easy to see why the concept would be popular with tenants. Dogs and small apartments aren't exactly natural bedfellows, which can be a real bummer for animal lovers. Sure, you could get a goldfish, but they just don't offer the same level of affection. And don't get me started on cats. Via Domain.
Until the Internet becomes a universal, ever-present thing that radiates down from the sky and lets us check Instagram anywhere in the world, we're apparently destined to be stuck with offline maps and or paying through the nose for international roaming when travelling (read: getting lost) overseas. Until that blessed day comes, Google is trying to make life easier for travelling smartphone-wielding folk with their new travel planner app, Google Trips. Earlier this week Google unveiled the new app (which is available on iOS and Android), which is designed to help you plan your trip and help you explore your destination when you get there. It's both a planning tool and a place to store all your important travel docs in one place — and it lets you access that information when you're out and about and without access to 4G or Wi-Fi. So what can you use it for? First off, it will pull all your important travel info like flights, bookings and reservation numbers from your Gmail inbox and organises them into a chronological 'trip'. You can save these to access offline; it's meant to help you avoid that momentary panic where you get off the plane, go to look up the information for your Airbnb and then realise you can't access your emails. The more fun aspect of Trips though are the planning features. The Things to Do feature will give you a list of, well, things to do in the city you're in. These are pulled from what both you and other Google users have searched for in that city, and can be filtered by area of interest. The Day Plans feature gets a little more specific. The app will suggest a whole heap of things to do based on where you're staying and how much time you have — so if you only have an afternoon in a city, it will bring up the best things to do based on what's around you and what's open. You can then create a point-to-point itinerary that will show you where everything is and how to get there. You can save this offline too. Google have called this app "magic", and while we certainly wouldn't go that far (can tech companies stop calling themselves wizards?), it is a very useful tool if you're travelling without access to internet and is a handy way to use Google Maps offline. The planning tool looks like a smoother version of Stay.com, an app we've found useful for pinning places on a map when travelling. You can download the Google Trips app here.
Wiz Khalifa is heading to Sydney's Luna Park in September, as part of Optus RockCorps 2015. The American hip hop star has added the NSW performance to his Australian tour schedule, alongside previously announced shows in Brisbane, Melbourne and Perth. And the best part? Tickets won't cost you a cent. Instead, fans will be able to earn free entry into the Sydney show by donating their time to charity. Four hours of volunteering will get you into the concert, which will be held in Luna Park's Big Top on Wednesday September 30. Khalifa will headline the event, which will also feature Australian electronic duo Peking Duk. Additional acts will be announced in the coming weeks. Volunteers from outside Sydney can also get involved, and will be rewarded with a $70 Ticketmaster voucher. "I'm excited to be part of the Optus RockCorps Project," said Khalifa. "Giving back to the community is something I’m passionate about and support wherever I can. I can’t wait to play in Sydney and see all the Aussie fans." Now in its third year, Optus RockCorps aims to treat young Australians to unique performances in return for their contribution to their local communities. More than 9500 people have donated over 36,000 volunteer hours over the past two years, and have been rewarded with tickets to shows featuring acts such as American Authors, Guy Sebastian, Rudimental and Empire of the Sun. Anyone keen on volunteering for a RockCorps 2015 project will be able to register their interest starting August 10 via the Optus RockCorps website or by calling 1800 ROCK 800.
God knows we all spend way too much time looking at our phones. Whether you're texting, tweeting or chasing imaginary Japanese monsters, it seems like people constantly have their eyes glued to tiny screens. At best, it can be a wee bit anti-social. At worst, it can actually be really dangerous. Case in point: this teenager who got hit by a car while playing Pokémon Go. Fortunately for the technology-addicted, artist and designer Ekene Ijeoma has created a new mobile app designed to get people to tear their faces away from their phones. Look Up New York City causes your phone to vibrate whenever you're approaching an intersection, while also drawing data from the New York Department of Transportation to give each intersection an "energy score." The higher the score, the more frequent the number of accidents that take place there, and the more users should maybe think about paying attention to where it is they're walking. The purpose of the app is twofold, with its creators hoping to reduce the number of accidents while also encouraging social interaction. "Whether it's strangers making eye contact and saying hello or friends hugging, Look Up hopes to tear down the digital walls we build up, opening us to seeing, acknowledging and valuing the people and city around us," reads a statement on the Look Up website. Look Up is currently available on Android devices, with an iOS app coming soon. No word on whether they're planning on branching out beyond NYC, although we can easily imagine it taking off across the world. In the mean time, if you're reading this on your phone, please keep an eye on where you're going. https://vimeo.com/171683941 Via PSFK.
How does chicken salt work? What's the deal with cereal puffing guns? What is the future of meat? If you're into your food and drink in a nerdier way than most, you'd better book yourself a ticket to New York this Halloween. The Museum of Food and Drink (MOFAD) is about to open in Brooklyn on October 28 — with exhibits you can eat. Food's had its fair share of pop-up museums and major exhibitions worldwide. There's even museums dedicated to individual foods like cheese, chocolate and Spam (yep, The Museum of Spam is opening in 2016). But after furiously fundraising for years, New York's first museum focused on food will find a permanent bricks and mortar space in Brooklyn this year. "Our mission is to change the way people think about food and inspire day-to-day curiosity about what we eat and why," says the MOFAD website. With a series of rotating exhibitions, visitors will be able to see, touch, smell and taste food, while learning about the culture, history, science, production, and commerce of food and drink. Think tastings, live demos, hands-on activities, talks, debates, heated roundtables. It's a whole multisensory, interactive museum experience to get to the bottom of noshing. How did the search for spices drive the age of exploration? What is the socioeconomic role of street food in cities? Where does soil come from, and why does it matter? How is breakfast cereal made? What is the impact of coffee on world trade? The idea is to enable people to make better, more informed food choices for themselves, their communities, and the environment, through kickass museum interactivity, like this cereal puff installation MOFAD did last year. "Why isn't there a museum devoted to food at the same level of something that's like the Natural History Museum or the Smithsonian?" MOFAD president and founder Dave Arnold asked CNN. "If I want to learn about you, I'm going to go to your house and we'll break bread. We'll have dinner. Then I feel like I'll know who you are. And it's that idea that we can experience cultures through what we eat and how we eat and the history of how we eat. That (idea) needs a museum because you can't eat on TV. You can't read about food and have tasted it." MOFAD's first exhibition, according to NPR, will focus on the flavour industry and the modern quest to manufacture smell and taste. You can probably assume it'll touch on ol' wafty Subway. The Museum of Food and Drink will open its permanent site on October 28 in Brooklyn, site yet to be revealed. For more info, check out the website. Via NPR. Images: MOFAD, Dollar Photo Club.
It’s been 22 years since the first Jurassic Park movie aired, which — incidentally — is also how long it’s been since the last good Jurassic Park movie aired. Now, though, we’ve reason to be cautiously optimistic. Earlier today the second full trailer for Jurassic World landed in our news feeds and, after several repeat viewings, we see plenty to be hopeful about. CHRIS PRATT IS THE VELOCIWHISPERER When the first trailer dropped back in November of last year, the internet went into Dennis Nedry-like digital chaos over what looked like Chris Pratt’s character taming some velociraptors. It seemed like a pretty hokey idea, but Trailer #2 seems to have settled that concern somewhat, with his character, Owen Grady, explaining: “It’s not about control, it’s a relationship based on respect,” while he stands eye-to-eye with three of them. That, or he’s doing some extreme tai-chi. Either way, ‘respect’ is the key word here, because it means the raptors haven’t been reduced to domesticated turkeys; they could still kill him at any moment. THE NEW DINO IS A BLOCKBUSTERSAURUS We already knew the ‘villain' in Jurassic World was to be a genetically engineered dino of such scale it would make the T-Rex look like a pug, and now it has a face. Sporting the name ‘Indominus Rex’, it’s got the head of a dragon and the jaw span of a Steven Tyler. Our relief here stems from the fact that it looks entirely plausible. It’s a hybrid dinosaur in the sense that it’s got spliced DNA with other animals, not spliced DNA with lasers or a BMW for some tier 1 brand placement. INDOMINUS HAS A VERY PARTICULAR SET OF SKILLS Let’s start with the smarts. Indominus is crafty. Really crafty. If Jurassic Park’s gamekeeper Robert Muldoon saw Indominus, he'd say, well, nothing, because raptors tore his stomach open and ate him alive back in 1993. But he’d want us to say “clever girl”, because this manmade man-eater tore out his own subcutaneous electronic tracker so that the humans wouldn’t know where it was (aside from being able to spot a giant lizard in the middle of a theme park). The reason we like this is because it takes the franchise to a new place rather than sticking with ‘dinosaur big, dinosaur scary’. Bourne Legacy did the same thing three years ago, realising the only way to stay fresh was to find someone better than Bourne, not just different. NATURAL BORN KILLERS First there’s the smarts, then there’s the disposition, because it seems Indominus isn’t like other dinosaurs. As Grady explains in the trailer, other dinosaurs are thinking: “I’ve got to eat. I’ve got to hunt,” but Indominus, “she's killing for sport”. First the franchise ups the stakes, then it changes the game. What makes both Jaws and The Ghost and the Darkness such compelling tales isn't the ‘killer beast’ plot; it’s the fact that they’re creatures baring the uncomfortable human quality of killing for reasons other than survival. Killing for sport isn’t just unnatural, it’s evil. We can only presume Ricky Gervais is tracking down Indominus’s Twitter handle as we speak. LEMME HEAR YOU SAY GRRRRNNNNNRRRROOOOARRRRR Indominus, aka ‘the D-Rex’ can talk to the animals. Not in a 'Dr Doolittle meets Aaron Sorkin witty repartee' kind of way, but enough to get Pteranodons to help it out in killing tourists. We like this because it adds an alliance feel to the plot, almost as though sides are forming in a prehistoric battle. With the introduction of each new dinosaur, you’ll find yourself wondering: “And whose side are you on?" Jurassic World hits Australian cinemas on June 11, so get ready to hold onto your butts.
They say home is where the heart is. If that's the case then we need to get our heart into one of these places as soon as physically possible. Houses Magazine has just revealed the winners of the 2015 Houses Awards, singling out some of the most innovative and extravagant homesteads in the country. The top prize, Australian House of the Year, went to Planchonella House in far north Queensland; the extravagant tropical abode that bears at least a passing resemblance to a villain's lair in a Bond film also won the gong for New House over 200m². The prize for New House under 200m² went to Sawmill House in regional Victoria, which combines more than 250 one ton concrete blocks with a timber screen and a nine metre long sliding glass wall. Best Apartment or Unit went to The Darlinghurst Apartment, a one-bedroom dwelling in inner-Sydney just 27m² in size. The competition also hands out awards for Outdoor and Sustainable residences, which this year went to the partially roofless (and bafflingly named) Cut Paw Paw in Seddon, Victoria and the QV8 apartments in the Melbourne CBD, respectively. The Houses Awards are decided by a panel of esteemed designers and architects. You can find the full list of this year's winners below. AUSTRALIAN HOUSE OF THE YEAR – Planchonella House by Jesse Bennet Architecture. NEW HOUSE UNDER 200M² – Sawmill House by Archier Studio. NEW HOUSE OVER 200M² – Planchonella House by Jesse Bennet Architecture. HOUSE ALTERATION & ADDITION UNDER 200M² – West End Cottage by Vokes and Peters. HOUSE ALTERATION & ADDITION OVER 200M² – Tower House by Andrew Maynard Architects. APARTMENT OR UNIT – Darlinghurst Apartment by Brad Swartz Architect. OUTDOOR – Cut Paw Paw by Andrew Maynard Architects. SUSTAINABLE – QV8 by Breathe Architecture. HOUSE IN A HERITAGE CONTEXT – House in House by Steffen Welsch Architects.
They're the round, iced, oozing snacks we can't get enough of — and they're possibly Brisbane's biggest export over the last year. Now, they're setting up shop in Degraves Street, making one of Melbourne's best foodie laneways even better. Yes, we're talking about Doughnut Time. Yes, they're continuing to plot their east coast domination. They've already popped up at Topshop in Melbourne's CBD and Highpoint Shopping Centre; however their latest site really does sound like a match made in heaven. Not sure why you should be excited? Well, let us enlighten you. If the pop culture-themed deliciousness such as the Home Alone (with milk chocolate glaze, wafers, a Kit Kat and dark chocolate glaze drizzle) doesn't sound like your kind of thing, then the humble ol' PB&J probably will. And then there's the vegan offering, because these sweet treats really should be enjoyed by all, regardless of dietary choices. We're pretty sure everyone's already well and truly onboard the Doughnut Time train though, given that their new delivery service sold out instantly when it was first unveiled. The Degraves haunt will make 14 stores, including on the Gold Coast and in Sydney, for the chain that only started serving their doughy morsels of dessert heaven twelve months ago. It really has been quite the year for Damien Griffiths' venture, with spots in Fitzroy and Hawthorn also reportedly in the pipeline for Victorians keen on all the beastly doughnuts they could ever hope for. Doughnut Time will open at 5 Degraves Street, Melbourne on Tuesday, February 24. They'll be giving away free doughnuts from 4-6pm. For more information, check out their website and Facebook page. Updated: Tuesday, February 23
In the most mathematical news since boffins discovered a pattern in prime numbers, the cast and crew behind of Adventure Time, the show that straddles generational gaps like it ain't no thing, are coming to town next March. It's going to be live, it's going to be loud and it's gonna be so flippin' awesome. Making quick trips to Sydney, Brisbane and Melbourne, Adventure Time Live will be an interactive, audio-visual festival that includes Q&As with cast and crew, cosplay competitions, live reads of classic episodes and much more to be announced. It's not a show, it's an experience, man. The event hits Australia between March 10 and March 12 next year, which will probably coincide with the largest gathering of adults pretending to be children pretending to be adults that this country has ever seen. Tickets go on sale on December 12, with more deets available here.
Your workday is about to get a whole lot more bearable, courtesy of the marketing department at Uber. Starting from midday today, the ridesharing service is teaming up with Purina's Pets at Work mission to deliver puppies to offices around Australia. We'll give you a minute to process that information. UberPUPPIES will be available in the Sydney, Melbourne, Brisbane, Adelaide, Perth, Canberra, Sunshine Coast and Gold Coast CBDs. All you need to do is log into the Uber app at noon, hit the 'puppies' button (squee!), and a four-legged friend will be whisked to your place of work for 15 minutes of quality cuddle time. It'll run you up a bill of $40, so you might want to go in with a few of your co-workers. Either that, or try and convince your boss it'll be good for employee morale. Which, to be fair, it most definitely will be. Money raised will be used to support local animal shelters. Each puppy will also be accompanied by a shelter representative, who'll be all too happy to accept any additional cash donations. And in case you form an extra special connection, all UberPUPPIES are available for permanent adoption. UberPUPPIES is the latest in a string of awesome Uber promotions, with the company having previously delivered everything from kittens to ice cream to backyard cricket umpires. Fair warning though: these things tend to generate a lot of demand, so make sure you're hovering over the Uber app come 11.59am. The puppies will be cruising around town until 4pm.
They say eating cheese before you go to bed will give you nightmares, but that doesn’t seem to bother the people who’ve organised Cheese Please, a twilight cheese festival coming to Melbourne in February. OK so that was a cheesy (woo!) introduction to what is undoubtedly the best damn news you’ve heard all week — a cheese festival is coming, a festival of cheese, an event where you can go and eat cheese and drink wine all night, which is incontrovertible proof that we’re all dead and Melbourne is heaven. And it’s not just any home-brand cheddar block either. The Australian Grand Dairy Awards are presenting the festival and only the finest cheeses will be on display — not a Kraft single in sight. Small-scale, family-owned producers will display alongside your favourites (Mersey Valley, we’re comin’ for ya) and all the cheese on offer will be prize winners of the Australian Grand Dairy awards. As well as much cheese there will also be much like-cheese-but-not. Like-cheese-but-not goes by many names — dips, yoghurts, cream, butter, desserts — and there will also be some very-much-not-cheese like beer, wine and food trucks. Very good. The event is technically free but you do have to ‘win’ tickets by registering and applying for them. This is probably because they know if it was open to the public we’d swarm the place in seconds, like agile 28 Days Later zombies, and tear it apart looking for cheese (they’ve certainly got our number). To get you in the mood, check out their website (aptly named Legendairy) for some truly inspirational recipes and cheese pairings — spiced oatcake with sour cherries and camembert anyone? Cheese Please festival is happening on February 19 at Testing Grounds, City Road, Southbank from 5-9pm. Register for tickets here. Image: Dollar Photo Club.
What’s that in the sky? Is it a bird? Is it a plane? No, you dunces, this is actually a 26-metre-high aerial playground that’s opening in Adelaide next month. The aptly named Mega Adventure Park (for, you know, mega adventures) is currently being finished on the West Beach foreshore, and while it looks like an alien spacecraft come earthward to take all our women for breeding, it’s actually an extreme jungle gym for adults. So what's on the maxtreme menu for kidults? Scramble nets, rope bridges, beams, swings, log steps, mega bungee trampoline, aerial surfboards and Adelaide wine barrel steps. Boom. There’ll be 54 activity stations for those who want to push themselves to the extremes, viewing platforms for the resters, and a Mega Adventure Kiosk for those who want to kick back with a vino and watch the madness unfold. It’s basically American Ninja Warrior but for people who lack upper arm strength and need to be securely fastened at all times. And if you're way too chill to be jumpin' off of crazy stuff, you can instead head straight to the top and take in some pretty breathtaking views of Adelaide. Find Mega Adventure Park at 4 Hamra Avenue, Adelaide Shores, West Beach. For more info, give 1300 634 269 a buzz. Images: Mega Adventure Park/Facebook.
Fancy yourself a citizen of the world? An ambitious new startup could help you make it so. Roam is a co-living service that gives you access to communal living spaces in countries around the globe. With spaces currently available in Bali and Miami, and with further locations in Madrid, Buenos Aires and London set to open soon, Roam isn't designed for holidaymakers, but rather "location-independent people" looking for a way to combine work and travel, and to find a community in a city that's not their own. You can book for a week (US $500) or a month (US $1800), although residents are encouraged to stay longer in order to promote "better friendships and a stronger community". Once you've signed up, you're free to come and go as you please, and can book into different locations through their online system. "With new opportunities for location-independent work, we can now mix careers and travel in ways that haven't been seen before," reads a statement on the Roam website. "Over time, we want to have our spaces mix and integrate newcomers with the surrounding community and its longstanding local institutions and culture." The properties are large, with 38 rooms available in Miami and 24 in Bali, respectively. Each room is fully furnished, with its own private bathroom along with a queen or king size bed, while residents share communal spaces like living areas and kitchens. [caption id="attachment_571002" align="alignnone" width="1280"] Roam Ubud, Bali[/caption] The whole premise is built around giving people the freedom to live a nomadic lifestyle but still maintain their careers at the same time. Each property has high-speed internet and a co-working space for optimal productivity. Certainly sounds better than working from a hostel bunk bed, battling shitty Wi-Fi just to send an email. For more information about Roam, visit roam.co. Via Co.Exist.
Who better to help launch you into weekend mode than the one-and-only Beyoncé? From 7pm each Friday night, hip hop-loving Mr Scruff's plays host to Bey Party — a fun, beginner-friendly, Beyonce-themed casual dance class that'll have you breaking a sweat and throwing down some serious party moves. Rock up early to fuel your session with some of the kitchen's stellar food, and stick around afterwards to show off those newfound moves once the bar's Flyday Fridays DJ action kicks into gear. You'll shake off all the week's stress and get a nice bump of endorphins in the process — for only $15 on the door.
South Yarra's new healthy eatery has got us smäking our lips. Now open for just a few weeks on Daly Street near the Corner of Chapel Street and Toorak Road, Scandinavian-inspired SMÄK Food House is serving up simple, healthy food for breakfast, lunch and (in the very near future) dinner. Standouts on the breakfast menu include mixed nut granola with berries, apple, cashew yoghurt and manuka honey; silverbeet and leek fitters with poached egg, smoked miso salmon and chargrilled corn and quinoa salsa; and turkey chipolatas served with poached eggs, free range bacon, swiss brown mushrooms, truss tomato, kale and rye bread, and sweet potato rosti. The lunch and dinner options are similarly eclectic. You can opt for a salad, such as a spiced cauliflower, farro, celery, spinach, walnut and cranberry number, or one made with orange poached beetroot, thyme carrots, tomato, corn, lima beans and pepitas. Alternatively, your protein options include 12 hour juniper berry braised lamb with red cabbage and pickled beetroot, and poached tarragon chicken with an almond thyme crust and garlic. Rounding things out are a number of extravagant beverages, including spinach, celery, cucumber and parsley juice, and a banana and zucchini smoothie made with chia, spirulina, coconut milk, strawberries, granola and dates. SMÄK is located at 6C Daly Place, South Yarra. They are currently open 7am to 3.30pm seven days a week, but will extend their operating hours to 10pm starting in June. For more information visit smakfoodhouse.com.
Brisbane's a constantly changing city, with new rooftop bars, music festivals and outdoor food markets springing up every season. Famous for its bright, warm summery weather, blooming jacaranda trees and endless sports activities, Australia's river city truly thrives in the warmer seasons. Brisbane's weather is downright balmy, with no outdoor escapade off-limits. There's rooftop bars, openair swimming pools and outdoor cinemas aplenty and the crisp, blue days mean a uniform of sunnies, thongs and a t-shirt are commonplace, as are icy beers, night markets and seafood feasts. To help you get the most out of your Brissy getaway, here's a guide to experiencing Brisbane like the locals do — and every single entry has been tried, tested and very much approved. To experience these for yourself, head to the Visit Brisbane website and get planning. BREAKFAST AT DAVIES PARK MARKETS Start your weekend strong with a wander around the Davies Park markets in West End. While you’re there, grab a langos or two (a traditional Hungarian dish made of deep fried bread dough topped with cheese, garlic and sour cream), a cinnamon-spiced coffee and make your way to the adjacent park to watch the band and do some quality dog spotting. If you can still walk after all that indulgence, wander down the river to Orleigh Park, catch the CityCat to a sunny spot and just take in the morning. GET BACK TO NATURE AT CEDAR CREEK You don’t have to go too far out of Brisbane to be transported to completely new worlds. Cedar Creek Falls is a 45 minute drive north-west of the city and is a favourite day trip location for anyone who doesn’t have a swimming pool. After you’ve had a paddle, head to one of the hiking trails and get lost (though not literally) in the quietness of nature. To get to the creek, turn left onto Cedar Creek Road which is about 5.7km north of Samford if you’re driving along Mt Samson Road. CHECK OUT THE GALLERY OF MODERN ART It goes without saying, GOMA's got a solid local and international rep. Every reviewer and local and stranger on the street is constantly banging on about how amazing the gallery is, how balanced the architecture, how resplendent the views. Well we’re sorry to be repetitive but it’s all true and you really must join the cult of people who strongly believe GOMA should be on everyone’s bucket list. And while you’re there, head to the State Library next door and take a quiet time-out in one of the window boxes overlooking the river, grab a CityCycle and take off along the river or head around the corner to the newest entertainment precinct on Montague Road and grab a bite at The Milk Factory. GRAB AN AUTHENTIC MEXICAN DINNER AT PEPE'S Whether you’re a fan of Mexican cuisine or not, it’s hard not to love Pepe’s Mexican in Newmarket. Their menu is huge, varied and always fresh; and no matter what night of the week you go, always expect a crowd. The décor is thematic and homely but not tacky (no fake moustaches or sombreros here). You can’t really go past the chicken chipotle empanadas, unless it’s to run with open arms into a steamy chimichanga. And if you really want to indulge (and we know you do), order the chocolate fudge nachos from the desert menu and whisper “Hashtag YOLO” as they’re placed in front of you. BREAKFAST AT A WEST END ICON The Gunshop Cafe is a long-running West End standard who do a mean breakfast (the weekend lines around the block are a testament to this fact). We recommend the potato and feta hash cake with herbed sour cream, baby spinach and truss cherry tomatoes; or for those with a sweet tooth, try the brioche French toast with roasted rhubarbs, pistachio mascarpone, fresh berries and toasted flake almonds (do we even have to explain why? Pistachio mascarpone, that’s why). After you’ve filled up on tasty treats, take a wander around West End, a suburb that shines on the weekend. Stop in at SWOP second hand clothing shop next door to Gunshop Cafe and famed bookshop Avid Reader on Boundary Street. TRY BRISBANE'S BEST SUSHI Words can’t describe the bounty of delight that is Sushi Kotobuki. Words like “tastiest”, “cheapest”, “moreish” and “cream cheese” all float in the aether when you take that first bite of aburi salmon. Until recently, Kotobuki only had one location on Lytton Road in East Brisbane, where lines ran out the door and tables were scarce. Luckily, they’ve recently opened a shiny new venue in the CBD. We urge you to embark on a journey via plane, train, bus or dog sled to get there and order as much fresh sushi as your stomach can handle. Our particular favourites include the cream cheese chicken fusion roll, the tofu agesdashi and their speciality ‘Crunch Chicken’. ABSEIL OFF KANGAROO CLIFFS We know this seems bananas. Why would anyone ruin a relaxing weekend getaway by plunging feet first and backwards off a sheer cliff? But hear us out. Think of the breathtaking view out over the Brisbane river, the rush of adrenalin as you turn your back to it and the feeling of invincibility when you finally get to the bottom. Not to mention that the experience is totally safe, fully harnessed and kids as young as eight can do it. Every day the cliffs are littered with adrenalin junkies chasing adventure, so you know it’s legit. EAT STREET MARKETS The Eat Street Markets are a local commodity that wouldn’t work in any other city in Australia. But they thrive in Brisbane, where the nights are balmy and the food is steaming. The market boasts dishes from around the world: Brazilian steaks alongside Greek honey puffs and Korean BBQ; Japanese Takoyaki alongside Coffin Bay oysters and Filipino street food. It’s multiculturalism at its best. After the smorgasbord has died down, take a wander through the market and check out the ware on sale from local craftsmen, fashion designers and fudge artisans (yeah for real – check out their cute, Instagram-worthy watermelon fudge). LIMES ROOFTOP CINEMA There’s nothing more invigorating than drinking a cocktail at a rooftop bar. Why? We don’t know. Maybe it’s the rush of looking out over the city and yelling “I’m the king of the world!” or pretending that the beautifully decorated Limes bar is actually the deck of your penthouse apartment. But whatever it is, the elation pairs well with a trashy movie, cocktail and reclining in a plush chair. Catch an array of questionable titles, like Adam Sandler’s 50 First Dates, which should only be viewed while buzzed and in good company. GO BAR HOPPING THROUGH THE CBD AND FORTITUDE VALLEY A fantastic quirk of the Brisbane nightlife scene is that most of the good bars and clubs are located in the CBD or Fortitude Valley, the most happening and hedonistic quarter of Brisbane. For an appropriately paced night, start with a few classy cocktails at Super Whatnot bar in Burnett Lane in the CBD. Pick at their light and vaguely Spanish bar menu until you’re feeling jolly, then take a quick Uber or bus up the road to the Brunswick Street Mall and prepare to get silly. Start off slowly at Kerbside on Constance Street and eventually make your way over to Cloudland on Ann Street for dancing or Laruche to vibe off the resident soul and funk DJs. And just so you know, there is a New York Slice on Brunswick Street for your post-club, pre-cab midnight snack (no judgement). Top Image: Cloudland
Tired of stale old superhero stories with their predictable Hollywood plotlines? Wouldn't you rather watch a movie about a half-man, half-fish instead? If your answer to either one of those questions is yes, then it's time to dive into the program at KOFFIA, aka the Korean Film Festival in Australia. Merman comedies aside, the lineup at this year's festival is packed full of highlights. Genre fans can scream through exorcism flick The Priests, and be pushed to the edge of their seats by supernatural thriller The Wailing. We're also extremely keen for zombie apocalypse tale Train to Busan, although unfortunately for cinephiles in Brisbane and Melbourne the film is only screening in Sydney. Viewers after something a little less on the gruesome side won't be disappointed either. This year's program boasts a number of Korean rom-coms, headlined by Cho Sung-kyu's disarming relationship farce Two Rooms, Two Nights. Check out our list of the five must-see films of KOFFIA 2016 below. COLLECTIVE INVENTION Is he a man? Is he a fish? Whatever he is, he causes quite a stir in this very strange offering from first-time filmmaker Kwon Oh-kwang. Combining playful social satire with a healthy touch of the absurd, the film tracks a wannabe journalist who discovers a man online who, after a series of misguided medical experiments, has been transformed into a gigantic mutant fish. With tongue planted firmly in cheek, Collective Invention skewers big pharma, tabloid media and the public's unhealthy obsession with the grotesque. Calling it now: this will be better than DC's upcoming Aquaman movie. A CRYBABY BOXING CLUB Students at a Korean high school in Tokyo make plans for life after graduation, even as members of a right wing extremist group yell xenophobic slogans just outside. A documentary that doubles as a non-fiction coming-of-age tale, A Crybaby Boxing Club follows a group of boys on the school's boxing team as they prepare not just for an upcoming tournament but for the realities of adult life. Screening in Australia for the very first time, the film shapes up as an inspiring tale about hope in the face of adversity. ALICE IN EARNESTLAND A black comedy/revenge tale soaked in grisly violence, Alice in Earnestland is the startling feature debut of director Ahn Gook-jin. K-pop sensation Lee Jung-hyun stars as the increasingly unstable Soo-nam, who finds herself struggling with spiralling debt after a suicide attempt lands her husband in a very expensive coma. Things take a turn for the nasty after a local politician gets involved, although the truly vicious places the movie ends up going really need to be seen to be believed. Alice split critics on the international circuit, and we fully expect a similar reaction from audiences in Australia. TWO ROOMS, TWO NIGHTS A philandering filmmaker tries to keep his deceptions in check after a chance encounter between his current girlfriend and the ex he wants desperately to win back. Directed by Cho Sung-kyu, Two Rooms, Two Nights has all the makings of a classic romantic farce, but the real selling point is the comparison that several critics have made to the gentle, heartwarming masterworks of Cho's compatriot Hong Sang-soo. Incidentally, Hong's latest film Right Now, Wrong Then screens in Sydney (but not Melbourne or Brisbane) as part of the KOFFIA program, and is definitely worth checking out too. THE WAILING If anything, we might have saved the best for last. The Wailing is the new film from acclaimed director Na Hong-jin, whose previous picture The Yellow Sea is one of the most visceral, compelling crime thrillers of the past ten years. His follow-up focuses on a string of deaths in a small town and a police officer who begins to fear that the cause may be somehow supernatural. The reviews for the film have been absolutely stellar (think 100 percent on Rotten Tomatoes), with critics praising its blend of suspense and stomach-churning violence. Not for the faint of heart. Otherwise, don't miss it. KOFFIA takes place in Sydney from August 10-18, in Brisbane from August 23-29, and in Melbourne from September 1-8 . For more information visit koffia.com.au.
The next time you're taking a late night stumble stroll down Chapel Street, try popping in on Tokyo Tina. The beloved Japanese eatery have transformed their bar area into an after-dark destination, serving tasty treats and liquid refreshments well into the early hours. The name? Thundercat Supper Club. Because presumably the owners really liked '80s cartoons. After launching back in the last week of September, Thundercat Supper Club is now open from 10pm until late on Thursday, Friday and Saturday nights — making it the perfect non-kebab option for revellers looking for a feed. Because let's face it: unless you really like garlic sauce or massive hot dogs, your late night dining options in that part of the world are pretty bloody limited. The menu at Thundercat consists of favourites from the Tokyo Tina kitchen, including karaage chicken ribs, a Japanese-style charcuterie platter, dumplings and DIY beef bao. Those after drinks can choose from a selection of whiskies, martinis and beers, as well as more outlandish options such as nitro-infused shots of Hibiki Harmony whisky with cherry blossom, and Vida mezcal with shiso and sanch berry. The venue will also play host to entertainment, with a focus on hip hop. "We're excited to welcome our new pet Thundercat Supper Club to the family," said Tokyo Tina's Simon Blacher. "It’s our delivery of late night hip hop, whisky and really good booze food." Thundercat Supper Club is located at 66A Chapel St, Windsor. For more information, check them out on Facebook.
Ours is a generation for whom concept hotels are a wildly popular and sometimes baffling reality but hey, just lean into it. Here's a good'un that's caught our eye in central Spain: the Hotel Aire de Bardenas. The concept, executed with see-through bubble rooms, lets you sleep in the desert without roughing it — although the question of 'Do you trust the Spanish desert is not littered with creeps who want to watch you sleeping?' lingers in the air. The Hotel Aire de Bardenas is comprised of a series of bubble rooms connected by bubble tunnels and serviced by Michelin-tyre-man style bubble butlers (alright, so we made up the last one but theming provokes imagination). The bubbles don't offer much privacy but they certainly are Instagrammable (which is the whole point right?) and the views are predictably amazing. Architects Emiliano Lopez and Monica Rivera say the design is more than a gimmick and responds to the context of the site; it allows guests to take in the desert's stunning landscape but protects them from the harsh sun, wind, dust and heat that characterise a desert. #BalloonRooms #airedebardenas #hotel #luxury #balloon #sky #life #peace A photo posted by Serhat özdek (@serhatozdek) on May 25, 2015 at 9:32am PDT Amazingly enough, this isn't the world's only bubble hotel — France's version Attrap'Rêves lies outside Marseilles. While we dig the bubble life, we can't help but think windows offer the same protection — FYI the hotel also has beautiful rooms with traditional walls, ceilings and said windows. So if you're looking for a weird and wacky activity to do while cruising through the deserts of central Spain, consider dropping $200 a night to stay in a bubble under the stars. Wandering the desert has never been so luxurious. Keen to put yourself in a Spanish desert bubble? Check out the Hotel Aire de Bardenas for more info. Via The Creators Project. Images: Hotel Aire de Bardenas, Instagram.
A woman and her young daughter, alone in their apartment, begin to worry that something is amiss. Personal items start disappearing, there's a feeling of tension in the air, and a shadowy figure seems to lurk just out of sight. On its face, Under the Shadow sounds like a fairly standard haunted house movie, but Iranian-born, London-based filmmaker Babak Anvari has delivered anything but. Setting his film in Tehran during the late 1980s, a time when the city was being bombed by neighbouring Iraq, Anvari uses horror movie trappings to explore the various social issues that have affected his native country for so long — from the rights of women under a religiously conservative regime, to the traumas of war creeping into everyday civilian life. After a rapturous premiere at Sundance back in January, Under the Shadow screened at the Sydney and Melbourne International Film Festivals, ahead of a planned theatrical release on October 7 (you can read our review of the film here). It was in Melbourne that Concrete Playground managed to catch up with the talented young writer-director, for a chat on everything from growing up during wartime to the challenges of funding a Farsi-language horror film in the West. A CLASSIC HORROR STORY IN AN UNFAMILIAR SETTING When talking about Under the Shadow, the most obvious comparison for critics is A Girl Walks Home Alone at Night – if only because it's the only other Farsi-language horror movie people have heard of. But where that film draws on vampire tales, Westerns and ultra-cool American indie flicks, Anvari's movie feels closer to classic psychological thrillers. Think The Haunting, Rosemary's Baby or even the recent Australian spooker The Babadook. "I love smart horror films," stresses Anvari. "I'm not one of those genre fanatics who watches every B-movie and grindhouse film. But I do love smart horror. With Under the Shadow, it just made sense to me, because I'm setting it in such a dark period... I just found it was a great setting for horror." In addition to his various filmic inspirations, he also drew on his own experiences growing up in Tehran. "Obviously it's not autobiographical, but a lot of it comes from a very personal place, tapping in to my memories from childhood," says Anvari. "I was born right in the middle of the Iran-Iraq war. [I took] stories I heard from relatives and family friends, combined them and added the genre beats, and [the film] became what you have now." CAN'T WE JUST MAKE IT IN ENGLISH? Of course it's one thing to write a horror movie in Farsi, and something very different to actually get it funded. "I met producers who were like, 'Great script, but is there any way we can shoot it in English?'" recalls Anvari. "I just thought it would look so fake and unbelievable if it was set in period Iran and people were walking around speaking English with a weird accent. Even for an international audience I think it would have been strange." While the language hurdle was eventually overcome thanks to the support of production company Wigwam Films, shooting the film in Tehran was never really an option. "I don't think there's anything offensive in the film, but [there are] limitations one has when making film in Iran," says Anvari, who ended up shooting in nearby Jordan instead. "Even very minor things like, in Iran, if you're shooting a female character, they have to cover their hair. But a majority of this film is a woman in her own personal space, and even the most religious person wouldn't go to bed wearing a head scarf." "There are fantastic filmmakers in Iran who are still working there, and they always find a way to go around these limitations and censorships," he adds. "But having worked in England, and having been so spoiled, I just wanted to tell my story the way I wanted." OPENING A WINDOW While the comparison to A Girl Walks Home Alone at Night can be a little misleading, one thing that both films definitely have in common is that they've sparked renewed interest in films about the Middle East that depict the region in ways that Western audiences may not be used to. "That was one of the reasons I was so interested in this story," says Anvari. "Not many people know about the Iran-Iraq war. So I just thought it would be great to use genre tropes as a hook to keep people interested, and open a window to that period and that region." Whatever the draw, Anvari just wants people to go and see the film — and preferably in a cinema. Recounting a story from Sundance where audience members were so frightened that they had to leave the cinema, the filmmaker stresses the importance of the atmosphere you get with a crowd. "It's great to watch such films in a cinema," he says. "The fear is contagious." https://www.youtube.com/watch?v=G_ATX4C8Pmw Under the Shadow is currently screening at Cinema Nova in Melbourne.
David Capra really loves his dachshund. Earlier this year, the Sydney-based artist was commissioned by the Museum of Contemporary Art Australia to create an art project for the Jackson Bella Room – an interactive art space for students with special learning requirements. The result was Teena's Bathtime, a video installation piece in which members of the public were invited to give Capra's pet pooch Teena a wash. Now Capra, Teena and the team at Gallery 9 in Darlinghurst are launching a spinoff that may well turn up a few people's noses. Developed by Capra along with Jonathon Midgley at Damask Perfumery, Eau de Wet Dogge is a fragrance which combines the aromas of "moist fur, soap suds and soil" for a "uniquely musky charm," while "sour top notes of slobber and dog breath add alluring nuance." Riiiiiiight. The perfume can be sampled at Gallery 9 starting November 11. If for some inexplicable reason you like what you smell, you can pick up a 100mL bottle for $89.99, or an embossed cardboard car refresher for $15. Searching for that perfect Christmas gift? Because you should probably keep on looking. This year isn't the first time that Capra has incorporated Teena into his artwork. In 2013 he hosted a public dance inspired by the Wizard of Oz in which his sausage dog featured heavily. Man's best friend indeed. Image by Anna Kucera.
Mere days after Keep Sydney Open launched their commemorative plaques for live music venues campaign, Sydney's loudest anti-lockout lobby group have an even bigger surprise for Sydney, with fresh news that Flume has called in from the old US of A to release a brand new jam especially for KSO's new video today. Have a peep, below. Plaques organiser and KSO activist Jonno Seidler says: "This is such incredible news to receive at the 11th hour. Harley is currently on tour in North America, playing sold out theatres across the country. But he is proud of where he's from and really backs the Sydney scene, and this just shows how dedicated he really is to the future of local music." The track, called 'Heater' will presumably form part of Flume's next release, which is anyone's guess but could be an EP, coming off the international success of Skin, which dropped earlier this year. "The plaque for Harley was the easiest one to make, because I was there!" says Seidler. "It was a double header with him and Chet Faker [now Nick Murphy] at Goodgod Small Club, my favourite venue for years. Ask anyone who was in the audience, you could tell something was cooking even way back then. I've seen Flume play to tiny rooms in New York city and huge stages at Byron, and he's been world class the whole way." The video, prepared by Keep Sydney Open, features interviews with Gang of Youths Dave Leaupepe in Kings Cross and Jim Finn and Dan McNamee of Art Vs Science, who showed up at Oxford Street to play a trio of songs dedicated to NSW premier Mike Baird, including 'I Love The Nightlife', 'All Night Long' and 'Blame It On The Boogie.' "I met Jim and Dan seven years ago, and it was pretty much a mutual love fest from then on in," says Seidler. "I think they're largely seen as a festival band, but they have amazing musical chops. I've been lucky enough to jam with them a few times and they are the real deal. You have no idea how fast they learned all of those songs." The response to the plaques has been immediate, picked up by media across the country. Seidler says he that while he, Tyson Koh and the rest of Keep Sydney Open are beyond thrilled, they're not surprised at how quickly it took off. "The reason we went with this method is that everyone relates to music. We have so much incredible talent that started right here in small to medium venues that are now literally world-class talent, from Anna Lunoe and Alison Wonderland to The Preatures. When you see those names and you put the two things together, the lockouts starts to become a much bigger problem than just where you can have a drink late at night." More on Keep Sydney Open's plaque campaign over here.
There's no shortage of bright lights in Tokyo, but one particular patch of grass is currently shining more vividly than most. Indeed, located next to an inner-city mall until November 5, a pop-up plastic greenhouse is positively glowing — all in the name of combining agriculture, technology and design in a fun and immersive fashion, and with a swelling soundtrack to match. The interactive installation might be called Digital Vegetables, but no one in its vicinity will feel like they're being forced to consume something they don't want. Rather, trying to avoid The Garden Square outside Tokyo Midtown in Roppongi is futile — the lure of technicolour illumination paired with symphonic music is something you can't ignore. A project by creative firm PARTY, Digital Vegetables combines its greenery-filled structure with plenty of incandescent bulbs, and asks visitors to not only watch, but touch, play, wander, listen and drop their jaws in awe. As attendees walk through the free-to-enter space, they're encouraged to gently roam their hands over the cherry tomatoes, eggplants, pumpkins, sweet potatoes, radishes, carrots and cabbages blossoming in the soil inside. With patrons getting hands-on with the growing plants with each touch — and taking in not only their texture, but their scent — the LEDs and sounds respond. [caption id="attachment_644147" align="alignnone" width="1920"] Sarah Ward[/caption] While the bright lights part of the piece may seem straightforward, the display includes animated projections of fresh produce twinkling up and down the greenhouse's ceiling. On the music side of things, sound designer Ray Kunimoto actually recorded real plants (that is, the sounds that emanate from rubbing their seeds, touching their leaves and eating their fruit). He then mixed them with orchestra instruments such as the violin, trumpet, oboe, flute, piano, harp and clarinet, and created a melody. Basically, if you've ever wanted to control your own multi-sensory, multi-coloured light show — and you happen to be in Japan at present — this is your chance. If you've ever wanted to use a veggie garden as a musical instrument, here's your opportunity as well. Unsurprisingly, the results are overwhelmingly gorgeous. Seeing folks audibly exclaiming in wonder (when they're not staring up and taking a constant stream of snaps, that is) is all part and parcel of the experience. https://vimeo.com/238703497 If you're in Tokyo, Digital Vegetables is now open outside Tokyo Midtown until November 5. For more info visit digivege.jp. Images: Sarah Ward and Kenta Hasegawa.
FOMO — Australia's clash-free, one-day summer festival — is back for a third year. After a Brisbane debut in 2016, this time, the event is hitting Melbourne for the first time too, with a new evening edition called FOMO by Night, as well as making a return to Sydney and Adelaide. Leading the program is California's RL Grime, who's been headlining festivals all over the world with his experimental, high energy mash-ups of sound, colour and texture. Hot on his heels is Montreal's Kaytranada, who was here last year and bass lines have had him topping hip hop and dance charts (that is, when he's not collaborating with Alicia Keys or Chance the Rapper). Meanwhile, New Jersey-based neo-soul singer SZA is making her Australian debut on the back of debut album CTRL, and Texan rapper-singer Post Malone is coming back, after winning a lot of love during his Australian tour earlier this year. Also on the schedule is Grammy nominee ZHU with a brand new show and a live band, performing tunes from his dark and mesmerising EP Stardustexhalemarrakechdreams, along with London-based Grammy winner Tourist, and LA's Drezo, whose underground house has won admiration from Diplo, Destructo and Porter Robinson, among others. As always, FOMO is lining up homegrown talent up next to international stars. Representing Australia are The Kite String Triangle, Nina Las Vegas and Sweat It Out signee Dena Amy. Plus, there's an Australia-wide competition on the boil, which will see four emerging local artists join the bill. FOMO will kick off on Brisbane's Riverstage on Saturday, January 6, before moving to Parramatta Park in Sydney, on Saturday, January 13. Melbourne will get a slightly smaller lineup at their FOMO by Night, which will take place at Festival Hall on Thursday, January 11. Pre-sales start at 10am on Tuesday, September 5 and general sales on Wednesday, September 6. $1 from every sale is going to music charity Heaps Decent and, if you can't afford your ticket in one fell swoop, you can opt for a payment plan, which lets you pay it off via monthly instalments. Here's the full lineup. FOMO 2018 LINEUP RL Grime Kaytranada ZHU Post Malone SZA Tourist The Kite String Tangle Drezo Stööki Sound Nina Las Vegas Dena Amy FOMO BY NIGHT 2018 LINEUP Kaytranada Post Malone SZA The Kite String Tangle Dena Amy Mimi FOMO 2018 DATES Saturday, January 6 — Riverstage, Brisbane Sunday, January 7 — Elder Park, Adelaide Thursday, January 11 — Festival Hall, Melbourne Saturday, January 13 — Parramatta Park, Sydney FOMO will take place in January 2018. Tickets go on sale this week. For more info, visit fomofestival.com.au. Image: Mitch Lowe.
Two Birds Brewing is celebrating five years of making stellar, award-winning beers. Australia's first female owned and operated brewery is celebrating in fashion with an Australia-wide, week long birthday bash. As a big thank you to patrons around the country, co-owners Danielle Allen and Jayne Lewis are offering up their Golden Ale and Sunset Ale flagship brews for just five bucks a schooner — in a whopping 25 venues across Queensland, Victoria, NSW, ACT and Tasmania. Lewis and Allen have also each brewed a birthday beer — the Two Birds G&T IPA and Two Birds PX Belgian Dubbel — which will be tapped at each venue on Thursday, June 16. This is one killer way to celebrate and we'll be raising a glass to these two badass birds throughout the week. The Two Birds $5 birthday schooners will be available from Monday, June 13 – Sunday, June 19, with the Birthday beer tapped on Thursday, June 16. Their beers will be tapped at the following bars and pubs. VICTORIA The Nest - Two Birds Brewery and Tasting Room, Spotswood The Valley Cellar Door - Wine Bar, Moonee Ponds Stray Neighbour, Preston Junction Beer Hall & Wine Room, Newport Freddie Wimpoles, St Kilda The Park, Werribee Beer Deluxe, Hawthorn Cookie, Melbourne CBD Terminus Hotel, Fitzroy North Cambrian Hotel, Bendigo NEW SOUTH WALES Hotel Sweeney's, Sydney CBD Royal Albert Hotel, Surry Hills The Welcome Hotel - Ajò Restaurant, Rozelle The Public, Cammeray Grain Store, Newcastle East QUEENSLAND The Spotted Cow, Toowoomba Flux Restaurant & Lounge, Noosaville Lester and Earl, Palm Beach Death Valley Bar & Records, Morningside Woolly Mammoth, Fortitude Valley
Like mole people and the residents of Coober Pedy before them, New Yorkers are heading underground. Although New York City is traditionally famous for raised Chelsea-dwelling walkway The High Line, a space-hungry and innovative team headed by James Ramsay of Raad Studio have put together a Kickstarter campaign to fund a brand new underground park. Far more ambitious than anything imagined by Parks and Rec legend Leslie Knope (albeit with less miniature horses), the goal is set at $200,000. The money, earmarked to develop and test the solar, landscape and social components of such an ambitious scheme, is just halfway there. With the team's July 8 campaign deadline looming, there's never been a better time to throw some dosh at genuinely inspired urban development. While the team are still working towards New York City council approval, the project has been in development for five years, aiming to convert the unused Williamsburg Bridge Trolley Terminal into a fully functional, naturally-lit park. Natural light will be channeled into the subterranean space using some sort of bizarre, above-ground flower system (we clearly don’t understand the science but the Kickstarter video will explain it better). The park itself looks like a combination of the Temple of the Chachapoyan Warriors in Raiders of the Lost Ark and the citadel from Mass Effect; in essence it looks amazing and we want to stroll through it immediately. In the modern context of urban density and population crises erupting across the globe, alongside the generally fast-paced craziness of street-level New York, it’s no surprise that the city is leading the way in environmentally and socially friendly solutions to complex space problems. You go, NYC. Watch Lena Dunham in the Lowline promo video here, because of course Lena Dunham's in it: You can contribute to The Lowline Kickstarter here. Via dezeen. Images: The Lowline.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and start that no-guarantees creative career you've always had in the back of your mind? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. Who doesn't want to watch movies all day, and get paid for the privilege? That's not all Kate Jinx does as the director of programming at Sydney's Golden Age Cinema and Bar; however finding challenging features you wouldn't see elsewhere and championing under-appreciated classics really is how she has made a living since the boutique theatrette opened in September 2013. You can read the interview over here. Want to experience a little bit of 'Sine Metu' yourself? Kate's being a total legend and helping us give away a late night private screening party for you and up to 50 of your friends, so you can see for yourself what happens when bold humans take big creative chances with big payoffs. Pick a film from the current program, on a Friday of your choosing, invite your friends, complimentary popcorn and a Jameson for all! Enter here to win. And enjoy Jameson responsibly, folks.
Australian farmers put out some seriously delicious cheese, but, if you live in the city, the best stuff isn't necessarily easy to find. Most are made on country farms, several hours' drive away, and don't often make it to major supermarkets. The good news is that a cheese lover by the name of Anna Perejma wants to change all that. She's the founder of The Cheese Riot, a brand new service that will soon bring boutique Aussie cheeses to your doorstep. "I love Australian cheeses," says Perejma. "Our products are just as good as anything you'll find internationally, but don't get enough recognition." Before you start wondering about Perejma's credentials, her resume includes events officer at the Australian Specialist Cheesemakers' Association — yes, the ASCA really exists — where she recently organised the & Cheese event series that included a Young Henrys beer and cheese pairing and a Four Pillars gin cocktails and cheese pairing at Moya's Juniper Lounge. We're pretty confident you can trust her palate. If that isn't enough, right now Perejma is travelling the length and breadth of the country, sampling all the cheese she can get her hands on. Once she has made her picks, she'll be popping them into boxes and sending them to subscribers all over Australia. Each delivery will also include a bunch of Aussie-made accompaniments, such as chutney, pastes, honey and matching teas. "It's like the Dollar Shave Club, but for cheese," says Perejma. "Every month, you'll get a selection of cheeses delivered to your house, most made by small producers who live in the middle of nowhere. The idea is to unlock products people want but can't get." On top of that, Perejma wants to "take the wank out of cheese" and encourage a sense of community around sharing it. "You can enjoy cheese any way you like, be that on your own with Netflix and a glass of wine or with a bunch of friends at a picnic in the park." The Cheese Riot hasn't launched quite yet, but, to keep an eye on developments and go into a draw to win a free cheese box, head over here.
Brunswick Street Mall boasts a plethora of bars, markets on weekends and a once-a-year festival, but it doesn't have a permanent indoor space where thousands of people can watch a band or show. Come mid-2019, that will change, with the folks behind The Tivoli, The Triffid and Splendour in the Grass teaming up to build a brand new live entertainment venue. 312 Brunswick Street is the address that'll be undergoing quite the revamp, in what'll be a massive $40 million project bound to change both Fortitude Valley's and Brisbane's live music scenes. The 2500-square-metre site next door to McWhirters will be repurposed to become a mid-sized venue for concerts, events and productions, with a capacity of 3300. By comparison, The Tivoli holds 1500 and The Triffid only 800. In addition to theatre and functions facilities, the space — which was first built as a Coles in 1957 and most recently known as The Optus Centre — will include retail stores, restaurants, cafes and bars. Inside, the live venue will be designed by the same acoustic and service team responsible for The Triffid. Outside, the exterior will feature a modernised '50s-style exterior that nods to the place's history. Given the city's lack of comparable places since Festival Hall was turned into apartments over a decade ago, there's certainly room for it — and if anyone would know Brissie's needs in this area, it'd be Scott Hutchinson of Hutchinson Builders, who helped rescue The Tivoli when it was slated to become units; former Powderfinger bassist John Collins; and Paul Piticco from Secret Sounds, the group behind Splendour in the Grass, Falls Festival and more. Together, they own and operate The Triffid at Newstead — so they've all already played a part in adding a new live music venue and hangout to Brissie's cultural scene. "We've learned a lot since the early days of The Triffid," explains Collins. "I guess our hunch about the potential growth of the live music scene back then has paid off in spades… I think that venues created for music by musicians add something extra to the whole experience for both audiences and performers." Image: The Triffid.
It's been 12 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Heading back to their collection of unconventional venues for another year, Laneway Festival is back for 2017. Returning to Melbourne, Sydney, Adelaide, Brisbane, Fremantle, Auckland and Singapore next January and February, Laneway will raise a plastic cup to the middle of summer with one heck of a killer lineup. Following the already announced appearance of AB Original and Chet Faker (or is it Nick Murphy now?), Laneway will see one heck of a crew on their stages, including Aussies Tame Impala — who will be only doing Laneway this time, no sideshows. Oxford band Glass Animals will be coming out for the festival, along wiht other international acts Tourist, Tycho, Nao and riot grrl Kathleen Hanna. There's plenty of local love on the lineup too, with Gang of Youths, Jagwar Ma, Sampa the Great and Camp Cope all making appearances. LANEWAY FESTIVAL 2017 LINEUP A.B.Original AURORA Baro* Bob Moses Camp Cope Car Seat Headrest Clams Casino Ecca Vandal* Fascinator Floating Points (live) Flyying Colours* Gang of Youths GL Glass Animals Jagwar Ma Jess Kent Julia Jacklin Koi Child Luca Brasi Mick Jenkins Mr. Carmack NAO Nicholas Allbrook Nick Murphy (fka Chet Faker)** Roland Tings Sampa The Great Tame Impala** Tash Sultana The Julie Ruin Tourist Tycho White Lung Whitney *Melbourne only **Exclusive to Laneway, no sideshows Image: Andy Fraser.
Make sure you enjoy a good long sleep when you get home from work on Friday. Why? Because you won't be getting another wink until the sun comes up on Sunday. Come 7pm on Saturday, Melbourne will be pulsing with light, colour and sound. That's right nocturnal animals: White Night is back. This year's after dark arts festival will incorporate dozens of installations and spectacular light displays, as well as live music, performances and more. Revellers can catch a movie at the openair cinema on Lonsdale Street, before taking part in a dance marathon on Collins. And of course, no White Night would ever be complete without soaking up the air conditioning at ACMI. To help you get the most out of your moonlight adventure, we had a chat to artistic director David Atkins. In addition to giving us a behind the scenes look at how the festival comes together, he also had some tips for our walking itinerary. From fire-breathing organs to building-sized projections, here are ten things at White Night you can't afford to miss. Keep an eye out for giant inflatable rabbits too. STOP ONE: THE PYROPHONE JUGGERNAUT Anyone keen to avoid the hectic crowds would do well to start outside the CBD. Atkins recommends beginning your night in Carlton Gardens, and singles out The Pyrophone Juggernaut as one of the most explosive works north of the grid. Built from scrap metal and operated by a group of performance artists and musicians, the fire-breathing behemoth is billed as the world's largest hand-operated, multi-octave fire organ in the world. The Juggernaut will sail through the Melbourne Museum Plaza seven times throughout the night, with the first voyage set for 8pm. STOP TWO: RHYTHMS OF THE NIGHT Since you're already in the area, you should definitely make time to check out the façade at the Royal Exhibition Building. The southern side of the historic structure has previously provided the canvas for some of White Night's most impressive projections, so needless to say our expectations are pretty high. This time around, Atkins has tapped Artists in Motion, who lit up the Opera House at last year's Vivid Sydney. Rhythms of the Night promises to bind audiences together in a collective dream as it explores the four stages of sleep. [caption id="attachment_603012" align="alignnone" width="1280"] Sonic Light Bubble[/caption] STOP THREE: SONIC LIGHT BUBBLE Atkins also draws our attention to Sonic Light Bubble, a giant inflatable bubble dotted with LEDs set to invade the Carlton Gardens after dark. The clear synthetic organism is one of a number of interactive works on this year's program that audiences will be encouraged to go up to and touch. "The idea was to get a bit more interaction and audience participation into the event," says Atkins. STOP FOUR: LONSDALE LOUNGE CINEMA From Carlton Gardens, we recommend heading into the city via La Trobe Street before turning south down Swanston until you hit Lonsdale. There, you can put your feet up at the Lonsdale Lounge Cinema, where they'll be showcasing Australian made short films all night long. This year the lineup will include a number of Tropfest finalists, shorts from the VCA archives, and the inaugural winner of the Made In Melbourne Film Festival's Script to Screen initiative. Mostly though, we're just in it for the comfy chairs. STOP FIVE: REBEL ELDERS As you continue south along Swanston Street, it'd be worth taking a quick detour down Rainbow Alley off Little Collins. That's where you'll find another one of Atkins' favourite pieces, in Andy Ferguson and Rose Turtle Ertler's Rebel Elders. Designed to break down unfair stereotypes about elderly people, the large-scale projection features senior citizens engaged in all sorts of 'youthful' activities, from highwire walking to race car driving. "It's a piece that talks about ageism and perceptions and I think those things are really important," says Atkins. STOP SIX: SWING CITY Dance marathons are something of a White Night tradition (even if you're not much of a dancer). Located on Collins Street between Swanston and Elizabeth, Swing City will feature pretty much every form of social dance, plus big band music from the '30s, '40s and '50s. "That section of Collins Street hasn't really been activated before," says Atkins. "You've got a 13-piece big band, ballroom dancers, jive dancers, competitions, marathon dancing..." STOP SEVEN: HOME LESS Another big White Night tradition is the activation of St Paul's Cathedral, which this year will play host to a projection spotlighting the plight of Melbourne's growing homeless population. Created by local artist Chase Burns, who last year lit up Swanston Street with a breathtaking work about rising sea levels, Home Less will take viewers into the dreams of a rough sleeper as she escapes the harsh realities of her waking life. "I think it's going to be a beautiful piece," says Atkins. [caption id="attachment_610276" align="alignnone" width="1920"] Bennett Foddy and AP Thomson.[/caption] STOP EIGHT: VIDEO GAME MIXTAPE While ACMI can sometimes get a little on the crowded side, the Fed Square cinema and exhibition space is still definitely worth a visit. This year, the ACMI Lightwell will play host to a retro video game installation that takes players and spectators back to the early days of arcade culture. Video Game Mixtape will merge live gameplay, interactive game art and music by 8bit DJs. Alternatively, you can relax upstairs in Cinema 1 where they're screening a mashup of classic films from Star Wars to Saturday Night Fever. STOP NINE: VIKTOR&ROLF – INSIDE OUT Once you're done in the city, you'll want to make your way across the Princes Bridge, following the tram tracks down to NGV International. As in previous years, the front of the gallery will be lit up with projected images from the current exhibition. In this case, it'll focus on the 'wearable art' of Dutch fashion duo Viktor Horsting and Rolf Snoeren. "Bringing that exhibition out onto the façade is going to be another highlight," says Atkins. If you like what you see, the gallery itself will be open all night, although you will have to pay for a ticket. STOP TEN: UNPLUGGED At this point you'll probably feel like another little break. Fortunately, right across the road from the NGV are the Queen Victoria Gardens, home to the pop-up MPavilion. There you'll be able to enjoy a series of performances by musicians, singer-songwriters and other creative artists, including Katherine Hymer, The New Savages, Mana Moto and Rachel Caddy. "I think MPavillion, with the Unplugged performances, will be a really nice place to chill out," says Atkins. For set times, go here. White Night Melbourne is happening across the city on Saturday, February 18. For more weekend events, check out our handy round-up.
Fans of stunning audio design and generally beautiful things, listen up. There's a father/son duo in Seattle who want to take your money and turn it into a stunning, stunning wood turntable. You've never played 'Norwegian Wood' like this. Silvan Audio Workshop is one of Kickstarter's latest gems, unearthed by Stoney Roads and seemingly worth every last cent in your piggy bank. Created from individual slices of wood, and audio components from English turntable specialists Rega — including a glass platter for your record, one beautiful tonearm and a low vibration, low noise belt drive — these Silvan turntables are all constructed by hand by the Walters. The Silvan comes in three different models: the Archer, the Champion and the Sampo (increasing in quality of parts as you spend more, obviously) and they'll even align the cartridge and set the counterweight so you can plug in and play. The turntables range from $750 up to $2250, so they're pretty exxy. But hey, handcrafted walnut decks were never going to come cheap. "Our vision is to make one-of-a-kind objects of art that will be the centrepiece of any home entertainment system," says the Kickstarter schpiel. "We believe that if your music is unique, if it has soul and life and beauty, the things you use to play it should have all the same character. Mass-produced just isn’t good enough." Silvan are looking for $14,000 to fund their workshop, so they can crank out more turntables in an more efficient space with less sawdust in every crevice — and get a little publicity while they're at it. Plus, they don't live in the same town, so schleppin' back and forth to your dad's house gets pricey. At the time of writing, they've raised $6,152 so far, from just 44 backers. Perks range from stickers and posters for teeny donations, and whole turntables in the $2250 realms. UPDATE 25/2: It's been brought to our attention that a company called Audiowood has been doing an undeniably similar design since 2009. Maker Joel Scilley told us, "The copy's concept is the same down to the same parts used, glass platter, spike feet, etc. My original design is the 'Audiowood Barky Turntable'. Silvan Audio knew the design already existed and are presenting it as their design... I've asked them to stop stealing my intellectual property, and to remove their Kickstarter, and so far they have refused. " Silvan Audio issued this statement yesterday on Facebook: "It's been a very big day, with coverage from a bunch of places (Hello, Boing Boing, Alternative Press, and Engadget! Thanks for the coverage!) and a good conversation with a great guy named Joel Scilley. Joel has a company called Audiowood, and he makes incredible things. One of them is a turntable very much like what we're making, so he's a bit put out that we'd be making what we're making. "It might cost us some support (this whole thing could rub some of you the wrong way, and we completely respect that), but regardless of the impact, we owe you the respect of being completely open and transparent. We added an FAQ to the page today with this info, but we want to be even more proactively honest with you: we're doing something very similar to what Audiowood has been doing for a while. We were pointed to Joel's work during the build of our first turntable, and we still think it's absolutely awesome. Our initial idea was "original" in that we weren't copying anything we knew of when we set out, but of course it's no more of an Original Idea to us than it was to Audiowood or anyone else who's brainstormed or made something similar at some point. (Google the back cover of Jethro Tull's "Songs from the Wood" at some point.) "Ultimately, what we're jumping into is the market of using factory parts in custom plinths. (Rega parts, specifically, because they're radically easy to work with, the quality is great, and the construction is very straightforward.) Audiowood is in that market, and others — hobbyists as well as resellers — are as well, making cool things from all kinds of materials. Our hope is that the world is big enough that all of us can continue to do a thing that we've really enjoyed so far without getting in each other's way. "We don't have a corner on or a legal claim to Rega's parts, and we certainly don't have a claim to trees either, so our intent is honest and completely friendly competition in an area we arrived at sincerely and really believe we're completely free to work in. "Some of you might be disappointed, or you'd rather support the guy who actually got into the shop and mass produced this idea first, and that's completely fine. The last thing we want is to damage Joel Scilley's business — he seems like a really good guy doing good, honest work. For those who want to enable us to go after an idea we also came by honestly, we appreciate the support." Check out the Silvan Audio Workshop Kickstarter page here. Check out Audiowood over here. Via Stoney Roads.
Do you like Italian food? Then let us introduce you to the happiest place on earth. Due to open in Bologna, Italy in the middle of next year, Eataly World will be the world's first Italian food theme park, featuring nearly 20 acres of restaurants, kitchens, grocery stores, classrooms, farms, laboratories and more. The park is the latest venture from Oscar Farinetti, the founder of Italian food and grocery chain Eataly. It was first announced a few years back, with an opening set for last November. Fingers crossed they stick to their revised schedule, because we're already looking into flights to Europe. Speaking to Eater, Eataly vice-president and Eataly World CEO Tiziana Primori said the park would mix entertainment with education. "We call it from the farm to the fork because you can see all the steps of the chain, from the animals to the raw materials and workshops and restaurants." The hope is that the park will attract as many as 10 million visitors each year, providing a boost to Bologna tourism in the process. The city already boasts a number of gastronomic attractions, including a medieval marketplace and the world's only gelato university. Via Eater. Header image via Dollar Photo Club
First it was the children's book that stunned a generation into awareness. Australia's colonial history was powerfully, simply laid bare by the allegory of The Rabbits — arriving, multiplying and eventually controlling the peaceful native marsupials. Now, it's an Australian-grown opera, dreamed up by John Sheedy, the artistic director of Perth's Barking Gecko Theatre Co. Before its premiere at this year's Perth Festival, Sheedy revealed why he had to make the show. “I was completely inspired, and in awe that, between Shaun Tan’s illustrations and John Marsden’s powerful and economic language, they tackled such huge themes," he told the Australian. "You can spend an hour on each page and make discovery after discovery ... The epic nature of the illustrations just lent itself to an opera.” Two of our brightest female artists were enlisted to create the music and libretto: Kate Miller-Heidke (who also performs as the principal soprano) and Lally Katz, along with set and costume designer Gabriela Tylesova. From the looks of it, the expressively angular animals dwarfed by dusty landscapes look just as magical as Tan's. Indeed, the Perth season saw The Rabbits applauded as an exceptionally brave, vital and moving work.
It's great that rum is no longer only associated with pirates and over the top tiki bars. In the past few years we've seen a resurgence of this spirit that's born from sugarcane — it now doesn't just appear in the mojito, but is a staple of the bar menu. Bartenders regularly use rum to spice up classic cocktails and create over the top drinks. Sydney has many specialty rum bars in which knowledgeable bartenders (who know the difference between light and dark rum) perfectly mix up rum cocktails and know exactly what to mix with each type. In partnership with Baron Samedi Spiced, we asked our friends at The Lobo Plantation in Sydney for a few ways to use rum — so we can reignite our love for this tropical spirit and shake up our at-home cocktail routine. TASTE THE FLAVOURS IN AN OLD FASHIONED An old fashioned is a classic cocktail, often enjoyed with whisky, but best enjoyed with rum. It's a simple combination of rum, bitters and orange peel — easy to make, and a great way to take time to taste the flavours in your rum (rather than having it mixed into a tropical cocktail where the other flavours will overwhelm it). To make the The Lobo Plantation old fashioned, simply fill an old fashioned glass (the same size as a Negroni glass) with ice, add a shot of Baron Samedi Spiced (4oml), a splash of bitters and sugar syrup and stir it all together gently for 30 seconds. Top with an orange peel for a little citrus twist. TRY SOMETHING A LITTLE MORE TROPICAL Another classic way to enjoy rum is to mix it into a tropical, colourful cocktail and pretend you're on holiday. This type of drink should preferably be served in an extravagant glass, or served with a creative garnish (The Lobo Plantation serve theirs with a mini pineapple on top). To make The Lobo Plantation's Carribean-inspired Bajan Julep, build crushed ice into a tall glass and add a shot (40ml) of Baron Samedi Spiced. Mix in a dash of blackberry liqueur and a dash of fresh lemon juice, then add a teaspoon of passionfruit, a teaspoon of sugar and top it all off with ginger beer. ENJOY ON ITS OWN If you've decided that you really like rum, an easy, delicious way to enjoy it is to drink it on its own, stirred with a little ice. Rum was manufactured, distilled and made long before any other spirit was, and each brand has developed its own particular flavours and methods of distillation. Baron Samedi Spiced is infused with vanilla, cocoa, cinnamon that give off rich flavours of butterscotch, coffee and vanilla. Like whisky, when you sip rum the flavours are much more apparent. Although rum is made by distilling the byproducts of sugarcane — that long grass that's prevalent in countries like the Carribean and the Philippines, it tastes much more complex than that. It's delicious. Images: Kimberley Low at The Lobo Plantation.
Some think summer arrives when the mercury finally soars past 30 degrees, others are convinced it's the day you muster the courage to throw yourself in the ocean but, if you ask us, summer starts the moment you know Rooftop Cinema is cranking back into gear. Gather your sunnies and start dreaming of twilight Pimms — it's finally here. As always, there's plenty to look forward to. The cinema programmers have perfectly nailed the balance between big new releases, old classics and super relevant tie-ins with other events. They'll even be screening Nas' new music doco to coincide with his totally unprecedented appearance at Sugar Mountain in January. The first instalment of the program will kick off on Saturday, December 6 with David Fincher's controversial conversation starter Gone Girl. Continuing along with the theme of much-hyped blockbusters they'll also be screening Guardians of the Galaxy, Interstellar and The Hunger Games: Mockingjay. If big action flicks just ain't your thing, feel free to regress into your childhood instead. Not only are Rooftop offering the usual Christmas fare of Home Alone and Elf, they're also giving you the rare chance to see Labyrinth, Hook and the late great Rik Mayal's gross-out cult legacy Drop Dead Fred. Indie fare will get its usual run too with co-presented sessions run with Speakeasy and Deja View Cinema — the latter are even hosting a Christopher Walken Appreciation Night (probably the highlight of the whole thing). In what may be a program first, there doesn't seem to be any Bill Murray lined up! But don't fret just yet — we're sure they'll be throwing the iconic Ghostbuster's new film St Vincent in for the program's second instalment. For more information about Rooftop Cinema including the full December-January program, see here. The February-April program will be announced at the end of January. Grab your tickets here.
When Lewis Carroll first sent Alice down the rabbit hole back in 1865, he couldn't have guessed just where she'd end up. While the English mathematician-turned-writer obviously knew she'd be wandering around Wonderland, that was just the beginning of her white rabbit-chasing journey. Countless film, TV, comic book, game, stage, music, music videos and ballet adaptations have taken the famous character far and wide — and, come 2018, she'll be stopping by Melbourne. From April 5 to October 7, the Australian Centre for the Moving Image will pay tribute to all things Alice in Wonderland, the centre's major exhibition for the year as part of the Victorian Government's Melbourne Winter Masterpieces series. A world-premiere event crafted and curated by ACMI, the entirely original showcase will take fans through the screen history of Alice's Adventures in Wonderland, Through the Looking Glass, and What Alice Found There — aka the two Carroll-penned books that introduced not only the titular heroine, but the Mad Hatter, the Cheshire Cat, the hookah-smoking Caterpillar, and food and drink with "eat me" and "drink me" labels. Proving a date you won't want to be late for, fans can follow Alice on her voyage through more than 40 cinema and 30 television versions, as well as through popular culture in general. Spanning her first big screen appearance in 1903 to 2016's Alice Through the Looking Glass, the exhibition will step through her different guises, and the technologies that have brought her story to life, all in an interactive, experiential way. That includes animation, puppetry, live-action cinema, video games, CGI, 3D and more, as well as playful environments, digital activities and behind-the-scenes glimpses. "With Wonderland, ACMI has created an interactive exhibition where audiences will explore the magic of film craft and its integral role embedding this much loved story in our imaginations for generations," explains ACMI CEO and director Katrina Sedgwick. Given ACMI's two on-site cinemas, it's safe to assume that an enchanting lineup of Alice in Wonderland films will also feature. Wonderland will run 5 April to 7 October 2018 at Melbourne's Australian Centre for the Moving image. For more information, or to buy tickets from November 30, visit acmi.net.au/wonderland.
UPDATE 3/8, 12pm: Just when we thought things were rock solid, Huffington Post has reported the site previously hosting Citizenfour imported the film illegally. Dang. You can catch the movie in limited release at Sydney's Chauvel, Brisbane's Dendy, Melbourne's Cinema Nova, Auckland's Academy and Rialto Cinemas, and Wellington's Light House. EARLIER: Here's a little Tuesday pressie to sweeten the start of your week. Oscar-winning documentary Citizenfour, which delves into Edward Snowden's bold decision to leak NSA secrets in 2013, is now available to stream online for free. Directed by Laura Poitras and shot in cinéma vérité style, the film is now available to watch for free via Thought Maybe. Before taking out the Academy Award for Best Documentary Feature at this year's Oscars, this film premiered in the US in October 2014 at the New York Film Festival to high fives and critical acclaim all round. Citizenfour journeys through a series of Hong Kong-based meetings between former Guardian columnist Glenn Greenwald and NSA whistleblower Snowden, conversations which would reveal history-changing information about widespread government surveillance and make us all a little freaked out about online privacy. There's only a few screenings left of Citizenfour — Sydney's Chauvel, Brisbane's Dendy, Melbourne's Cinema Nova, Auckland's Academy and Rialto Cinemas, and Wellington's Light House are apparently still screening it – but this is a grand option if you find yourself with a few home hours up your sleeve. Check out the trailer below. Via Huffington Post.
With beloved cult series Broad City now entering its fourth season, co-creator Abbi Jacobson is taking on a new podcast project that could push My Dad Wrote a Porno off our daily hitlist. A Piece of Work delves into the enigma that is modern art and answers questions you may have been too afraid to ask — like what significance a bicycle wheel atop a stool could possibly have, or why Andy Warhol was so obsessed with soup cans. A collaboration with WNYC Studios and MoMA, the ten-episode series will premiere on July 10 and air twice weekly on Mondays and Wednesdays. Each episode focuses on a different theme, from everyday objects and pop art to abstraction, performance and text-based art. Jacobson will specifically discuss individual works by big name (and at times, especially confusing) artists including the above mentioned Warhol, along with Jackson Pollock, Yves Klein and Marcel Duchamp, whose noted Bicycle Wheel will be topic of discussion in the first episode. Jacobson also welcomes a legendary roster of guests each episode, including musician Questlove, comedian Hannibal Buress, actress Tavi Gevinson and television personality RuPaul — who features in the not-to-be-missed episode six, in which they'll discuss Yoko Ono's provoking 1964 Cut Piece performance. If you're wondering how Jacobson became an authority on modern art, she actually holds a degree from Maryland Institute College of Art and has also published a colouring book series, Color This Book, and a book of illustrations, Carry This Book — in which Jacobson imagines items found in the pockets and bags of celebrities like Oprah, historical figures like Amelia Earhart and artists like Frida Kahlo and Banksy. A Piece of Work will be available on Apple Podcasts and WNYC, with a teaser and full list of themes, guests and artworks available on Entertainment Weekly. Via Entertainment Weekly. Image: MoMA.
Sculpture by the Sea turns 21 in 2017 and 104 artists — from both Australia and overseas — have come to the party. Until November 5, the two-kilometre stretch of coast between Sydney's Bondi and Tamarama beaches will be dotted with works — overtaking beaches, peeking out of rock platforms, emerging from the sea and towering over cliffs. Since starting up in 1997, the event hasn't changed much. It's still free. It's still all about plugging public art and boosting artists' careers. And it still brings in the crowds, with about 500,000 people visiting each year. Every Saturday and Sunday will also see artist talks give you the chance to kick back on a bean bag and find out what goes on inside a sculptor's head. Here are five sculptures to look out for while you're wandering the Sculpture by the Sea trail during the next couple of weeks. [caption id="attachment_642057" align="alignnone" width="1920"] Jessica Wyld[/caption] JAMES DIVE: WHAT A TASTY LOOKING BURGER A giant hamburger, attached to a rope at one end and a fish hook at the other, lies on a rock platform. This, folks, is what artist James Dive imagined as the ultimate human bait. Dive last exhibited at Sculpture by the Sea 11 years ago with the now world-famous melting ice cream truck work Hot With a Chance of a Storm. [caption id="attachment_642056" align="alignnone" width="1920"] Jessica Wyld[/caption] STEPHEN MARR: UNDER ONE SKY Two figures, dressed in suits covered in sky, against a backdrop of real-life sky, stand in an embrace, one another's limbs melting into one another's bodies. It's a beautiful moment of embrace and connection. [caption id="attachment_642110" align="alignnone" width="1920"] G Carr[/caption] KATHY ALLAM: PLASTIC PARADISE Kathy Allam creates art with items usually discarded. For Plastic Paradise, she collected 1000 green and blue bottles over three years to create this abstract plastic landscape that both glitters in the sunlight and makes a statement on single-use plastics. [caption id="attachment_642058" align="alignnone" width="1920"] Jessica Wyld[/caption] HARRIE FASHER: THE LAST CHARGE Standing before this mini herd of mighty horses, it's not hard to imagine the terror of a stampede. Oberon-based artist Harrie Fasher built the sculpture as a centenary memorial to the charge of the Australian Light Horse in the Battle of Beersheba in Palestine on October 31, 1917. [caption id="attachment_642059" align="alignnone" width="1920"] Jessica Wyld[/caption] DAVID BALL: ORB Needless to say, you have to check out the winner of the $60,000 Aqualand Award, which is the wealthiest annual sculpture prize in Australia. Orb is the creation of Mittagong-based sculptor David Ball and, inspired by his experience exploring the outdoors of Sydney's bushland, puts a striking frame around a familiar view. "Orb is a visual metaphor for a break in unity but also conveys humour as such a small force cause's disconnection," Ball said in a statement after winning the prize. Sculpture by the Sea is on display between Bondi and Tamarama beaches in Sydney until November 5. For more info, visit sculpturebythesea.com.
