The Preatures are back for their final national tour for the year. Not content with two critically-acclaimed EPs, the Sydney fivesome released their debut album Blue Planet Eyes late last year to many a raised plastic cup. The Sydneysiders have really been kicking goals as of late. After gaining serious momentum overseas, The Preatures are returning home for one more tour supporting Blue Planet Eyes before holing up and creating their much-anticipated second album. With applauded performances at this years Vivid LIVE and Dark MOFO festivals, The Preatures are taking their last Australian tour of 2015 with no holds barred.
First came Messina. Then came kittens. Now, finally, Uber has rolled the dice on the ultimate delivery treat, and will be bringing babies right to your office. That's right — we're talking UberBUBS. Like some sort of stork in an Audi with a 4.8 star rating, Uber drivers have teamed up with trusting mums and dads all around the country to unlock the clucky in all of us, but be warned: the waiting list is expected to be huge. "If there's one thing you hear time and time again from successful, white collar types in the CBD," explains Uber Australia CEO Pieter Rank, "it's the regret of having put career ahead of family. Today at least, even if only for 15 minutes, we're giving them the chance to have both — no strings attached." Naturally, parents will be present at all times, and if the younglings find themselves overwhelmed, the visit will be cut short and a 50 percent refund offered in return. So how can you grab your chance to experience all the adorableness of kittens with the added benefits of dribble and mumbling? 1. Download the Uber app. 2. Request the 'BUBS' option in the app TODAY between 12pm and 4pm within the Sydney/Melbourne/Brisbane CBD and surrounding suburbs. 3. If available, you'll get to enjoy 15 minutes of wide-eyed (or possibly stinky, wailing) cuteness delivered to your office, your home or even your reluctant partner to show them what they're missing. All funds raised will go to local not-for-profit nappiesandinsomnia.org.au to help raise funds for future Uber marketing activations.
The weather is getting colder, but Melbourne's film scene is heating up. That's right, folks, it's almost MIFF time. The Melbourne International Film Festival is only two months away, and they've unveiled a sneak peek at their 2015 program. If you weren't already excited about the city's annual 18-day celebration of cinema, today's announcement will rev things up for you. MIFF 2015 promises all the things film fans know and love: the latest festival hits, a few future cult potentials, an engaging retrospective, and a fondness for experimentation. Quite a few of the titles that had Sundance buzzing back in January rank among MIFF's standouts, such as Jason Segel taking on David Foster Wallace in The End of the Tour, and satanic psychological thriller The Witch. Other highlights include hazy drug addiction drama Heaven Knows What, based on the life of its star Arielle Holmes, as well as Alex Ross Perry's Queen of Earth, reuniting the director with his Listen Up Philip star Elisabeth Moss. There's also Portugal's dream-like Horse Money, which wanders through the dark passageways of an abandoned hospital, plus a look at the future of the planet in Racing Extinction. Yep, it's an eclectic program. MIFF is renowned for its retrospectives, and this year they're turning their attention to Australian screen legend David Gulpilil. Most of his iconic movies, plus some less well-known, little-seen work, will screen — and he'll be at the festival in person, chatting with Margaret Pomeranz at an in-conversation session. Anyone wanting something completely different should flock to the festival's special event: Vertical Cinema. Ever wondered why we watch films horizontally — and what movies would look if they were flipped 90 degrees? MIFF's program of ten specially-created 35mm short films, screening at Deakin Edge at Federation Square, will answer those questions. For those Melburnians suffering from a case of movie envy as the Sydney Film Festival approaches, MIFF has unveiled a healthy serving of films first playing further north, too. SFF's closing night film, the Australian made book-to-stage-to-film adaptation Holding the Man, has nabbed the coveted centerpiece gala slot. Other certain SFF favourites — including the iPhone-shot Tangerine, gym-set rom-com Results, disaffected youth drama The Smell of Us, and The Wolfpack, a documentary about family raised by cinema — also feature. The festival is calling today's announcement their first glance; however a few other titles have already trickled out of MIFF headquarters in recent weeks. Cinephiles can look forward to a strong local contingent of films supported by the festival's Premiere Fund, as well as their Next Gen program for movie-lovers of all ages. The Melbourne International Film Festival runs from July 30 to August 16. For more information, visit the MIFF website — and check back on July 7, when the full program is announced. Image: Pieces of Victoria.
The year was 2009, and a bunch of rowdy housemates in Melbourne decided to throw a house party to raise funds to pay for a gas bill. Six years later, the brains behind I Oh You are still going strong; throwing wild parties across Australia, touring some immense international talent around the globe, as well as representing some of Australia’s finest musicians on their indie label, I Oh You Records. Clearly there's plenty to celebrate, so the housemates are getting back together this Easter weekend to put on an incredible night of music. Performances by Collarbones, The Harpoons and Milwaukee Banks will be going down this Easter Sunday at Ding Dong Lounge, and DJ sets from the likes of Gold Fields, Marquee Moon, Can’t Say and I Oh You resident DJs are sure to tear the roof off. Limited presale tickets are available, however there will be door sales for $15 from 9pm, so if you want to go, get there early. Let's help them keep the gas on for another six years.
The super-adorable Finders Keepers Markets have been home to Sydney's most creative and quirky designers for more than six years. The independent hip-fest is returning to their home at Carlton Gardens' Royal Exhibition Hall in July for an extended run of three days. The biannual, designer-centric, come-one-come-all mini-festival has managed to bridge the gap between local market and exclusive exhibition, creating a space for independent designers to engage with the wider community. You'll be able to nab some marvellous treats difficult to find anywhere else. From bespoke leather goods to bespoke stationary, upcycled journals to upcycled bicycle reflectors, every stall will be a unique shopping experience that combines innovative design with grassroots feel-goodery. As usual, there will be live music, a cafe, a bar and thousands of other Melburnians celebrating independent art and design. Finder Keepers is open 6-10pm on Friday, 10am-6pm on Saturday, and 10am-4pm on Saturday.
Once is never enough. For fans of ARIA-winning musician Megan Washington, this is certainly the case. Back by popular demand after a huge 2014 national tour, Washington's marching her There There album tour into the New Year — with a string of 2015 dates to satisfy bigtime Washo fans. Backed by rave reviews, Washington's #5 ARIA album There There will be amplified through venues nationwide by the beloved singer/songwriter. And the Melburnian's newest offering doesn't disappoint; There There teams with tracks so personal and raw you'll feel like you've snuck a glimpse at Washington's post break-up journal. But these aren't any old love-lost ballads. Washington's buttery vocals share some of her most candid experiences, paired with haunting harmonies that are hard to forget. And she doesn’t hold back, throwing in high energy, bare-all pop hits like 'Limitless' and 'My Heart is a Wheel' alongside stripped-back piano melodies. If you missed Washo last year, you're in serious luck. But get in quick, tickets to these shows are set to be tough to get your hands on.
From award-winning Australian novel to sold-out mainstage production, Jasper Jones is now getting the long-awaited big screen treatment it deserves. Madman Entertainment has today released the trailer for the anticipated film version of Craig Silvey's lauded novel, a revisualisation directed by Rachel Perkins (Bran Nue Dae, Radiance, One Night the Moon) and produced by Vincent Sheehan (Animal Kingdom, The Hunter) and David Jowsey (Mystery Road, Goldstone). Jasper Jones follows the classic story of 14-year-old Charlie Bucktin, a wide-eyed, book-loving kid living in small-town Western Australia in the summer of 1969. When local mixed-race outcast Jasper Jones wakes him up in the middle of the night, one heck of a mystery starts for the pair (and the town). Who's in the cast? Oh, just Australian royalty Toni Collette and Hugo Weaving, alongside Levi Miller (Pan, upcoming Red Dog: True Blue), Angourie Rice (These Final Hours, The Nice Guys), Dan Wyllie (Offspring, Muriel's Wedding), Matt Nable (Riddick, Son of a Gun) and Aaron McGrath (GLITCH). Get your eyes all over the trailer, it comes with a new song from Sydney lad Dustin Tebbutt, 'Atlas in Your Eyes'. Jasper Jones will be released in cinemas on March 2, 2017.
Yesterday, the world was rocked by the horrific events that took place in Paris. With information on the attacks still coming to light, it will take a long time for the global community to fully come to grips with the tragedy. In the meantime, however, the outpouring of international sympathy has already begun. World leaders, including Barrack Obama and Malcolm Turnbull, have been quick to condemn the attackers and offer their condolences. But perhaps more moving has been the site of many of the world's most famous landmarks lit up in the colours of the French flag. Below, we've compiled some photos of familiar Australian landmarks that took part in the spontaneous display of support for the people of France. Je suis Paris. Sydney Town Hall has been lit in the colours of the French flag #PrayforParis pic.twitter.com/dTy38ATiMS — City of Sydney (@cityofsydney) November 14, 2015 pic.twitter.com/4LFei1TAxl — NGV (@NGVMelbourne) November 14, 2015 Story Bridge lit up last night for #ParisAttacks victims. Photo by Craig Capper. #9News pic.twitter.com/hS7KJqR6es — Nine News Brisbane (@9NewsBrisbane) November 14, 2015 Well played, @MCG #Paris #PrayForParis ?? ?? pic.twitter.com/zJm8yxAE9P — Clint Stanaway (@cstanaway) November 14, 2015 We'll be lighting Adelaide Oval in blue, white and red from 6pm tonight to show our support #Pray4Paris pic.twitter.com/c5LoGJGffi — Adelaide Oval (@TheAdelaideOval) November 14, 2015 .@LisaScafPerthLM @CityofPerth Looks stunning. #JesuisunParisien pic.twitter.com/QR8ZfK8Mbp — Matt Rosich (@subjectmattr) November 14, 2015 #Brisbane City Hall has also been lit tonight to show our support for the people of France #ParisAttacks pic.twitter.com/bvKtLgqxB1 — Team Quirk (@Team_Quirk) November 14, 2015 Melbourne town hall. ???? @LordMayorMelb @cityofmelbourne pic.twitter.com/hduJyWhYz5 — Sharnelle Vella (@SharnelleVella) November 14, 2015 Header image: Prudence Upton.
Successful documentaries are often boiled down to a well-worn old adage, with the best films frequently benefiting from filmmakers simply being in the right place at the right time. The saying seems to ring true for Australian Jennifer Peedom, although calling the experienced high-altitude director 'fortunate' isn't quite appropriate. When she went to Nepal in 2014, she was motivated by reported tensions between travellers and their Sherpa guides. With the chasm between the two groups screaming for more attention, Peedom planned to make a movie about one of the local workers, the unassuming Phurba Tashi Sherpa, who was on the cusp of making history. But then nature struck, and the movie had to change. A time capsule of the toughest climbing season imaginable, as well as an exercise in quick-thinking filmmaking at its best, Sherpa is undoubtedly the superior Everest-based movie of the last 12 months. Forget re-enactments, high-profile actors looking frosty, strained accents and 3D special effects. In capturing the blackest day the mountain has ever seen with on-the-ground footage of a tragedy unfolding, as well as the build up to the Khumbu Icefall avalanche and the harrowing, heartbreaking aftermath, the film presents devastating details that could only spring from real life. Phurba's feat — ascending the world's highest peak for a record-breaking 22nd time — would've made a rousing story in its own right, as well as a powerful testament to the largely unrecognised role the Sherpa people play in the mountain's growing tourism industry. The weather had other plans, however. As the ice and snow began to move, his tale became even more emblematic of the broader situation facing Nepalese residents, and brought the appalling labour conditions of the Sherpas, who make wealthy Westerners' treks possible, sharply into focus. With the precision of a master craftsperson and the breathtaking vision to match, Peedom balances the personal plight of one pivotal figure with the anger-inspiring human rights issues that surround the mountain. Viewers will find themselves simultaneously marvelling at the images Peedom and her trio of cameramen have recorded, and wanting to leap out of their seat with frustration at the dangers the Sherpas face just to make a living. In that way, Sherpa is more than just a tale of triumph over adversity. Instead, it's a high-stakes, high-altitude dissection of commercial and financial interests triumphing over a very human cost, as pieced together with an insider's perspective and understanding. Interviewees hail from all sides of the business of climbing, but there's never any doubting the film's allegiances. That's not a consequence of Peedom's lack of balance, but simply a reflection of the galling reality on the mountain. Offering an astonishing account of a just-as-astonishing slice of life, documentary filmmaking doesn't get much better than this.
In case you hadn't noticed, it's already December, and that means Christmas is just a few weeks away. And if you're anything like us, you were probably planning on leaving all your seasonal shopping until the last, panic-filled minute. Instead, why not check out the Craft Christmas Market this weekend? Featuring handmade items from some of the most creative makers from all over Victoria, it's the perfect opportunity to get ahead of the gift-giving time of year. For a change. Hosted in C Shed at the Queen Victoria Market between 9am and 4pm on Sunday, December 13, this year's Christmas Market will feature the very best of ceramics, jewellery, clothing, bags, accessories and homewares, as well as all manner of other trinkets and goodies that you don't necessarily need, but most definitely want. And since you're already out shopping for other people, you may as well pick up a few things for yourself, right? Tis the season, after all.
Kicking off with a light-hearted caper, ending with happy tears — that's what we look for in an Italian jaunt. And even if you're not heading over to Europe anytime soon, sitting in a cinema this September might be the next best thing, in the form of the 2017 Italian Film Festival. Marking its 18th year, Australia's annual celebration of Italy's filmmaking finest will kick off with screwball effort Let Yourself Go!, which won the 2017 Italian Golden Globe for best comedy, stars The Great Beauty's Toni Servillo, and follows a tightly wound psychoanalyst's dalliance with an upbeat personal trainer. Bookending the festival is a 20th anniversary screening of Roberto Benigni's bittersweet Life Is Beautiful, an Academy Award winner for best foreign language film. One of the more popular film events in Australia, IFF's 28-film, six-week national tour features brand new highlights, excursions off the beaten track, jaunts all over the country and an ode to coffee. Yes, there really is a film called Coffee in the program, which intertwines three tales about everyone's favourite caffeinated brew, and was inspired by Alejandro Gonzalez Inarritu's 2006 Oscar-winner Babel. As for the rest of the fest, highlights include the tender portrait of conjoined twin sisters that is Indivisible (the festival's centrepiece), to Sea Girls Dreaming, a documentary about carefree grandmothers living in the tiny Italian mountain village of Daone. Plus, Italian movie buffs can also enjoy romantic comedy Emma, which comes to Australia straight from the Venice Film Festival, and the based-on-a-true-tale Sicilian Ghost Story, about the disappeared teenage son of a Mafia informant. There's more where they came from, including Roman ex-cons attempting to start a new life, broad Christmas comedies and topical accounts of ex-terrorists fleeing extradition — and a special guest and a new initiative. This year's festival will welcome Australian-Italian actor Greta Scacchi, who'll attend screenings of her latest effort Tenderness, and sit on IFF's first jury. The Looking for Alibrandi star will help pick the festival's best from a six-film competition, with help from The Space Between's Ruth Borgobello, actor Daniela Farinacci, actor Damian Walshe-Howling and Radio National's Jason di Rosso. The 2017 Italian Film Festival tours Australia between September 12 and October 25, screening at Sydney's Palace Norton Street, Palace Verona and Chauvel Cinemas from September 12 to October 8; Melbourne's Palace Cinema Como, Palace Westgarth, Palace Balwyn, Palace Brighton Bay, Kino Cinemas and The Astor Theatre from September 14 to October 8; and Brisbane's Palace Barracks and Palace Centro from September 20 to October 8. For more information and to buy tickets, visit the festival website.
If movies are your religion, then the Shadow Electric Outdoor Cinema is the closest thing you'll find to a church. Screening a savvy mix of classics and recent essentials, their giant pop-up screen in the grounds of the Abbotsford Convent is the perfect place to catch a movie under the balmy summer sky. Although the season doesn't start until January, the program hit the web today. We've got the breakdown right here. Things kick into gear just after New Year's, with Stop Making Sense on Friday January 2. The Talking Heads concert film is one of several musically-themed films on the program, including A Hard Day's Night, Bjork: Biophilia Live and the recent, heart-thumping jazz thriller, Whiplash. Other 2014 titles include Dan Gilroy's creepifying media satire Nightcrawler, the hilariously uncomfortable Swedish marital drama Force Majeure and the indie film phenomenon Boyhood. Also screening is Christopher Nolan's space epic Interstellar, a film that more than any other deserves to be seen beneath the stars. A couple of this year's best Australian films also made the cut, namely the slickly made time-travel thriller Predestination and the genre-transcending skateboarding doco All This Mayhem. New Zealand cinema is also represented via Jemaine Clement's gut-busting vampire movie What We Do in the Shadows and the yet-to-be-released horror comedy, Housebound. Speaking of the horrific, while it's disappointing to see that last year's regular Monday night cult film has been scrapped, the few B-movies they have managed to squeeze into the line-up look pretty bloody fantastic (emphasis on bloody). Sion Sono's Why Don't We Play in Hell? is like a Fellini film in a slaughterhouse, and really, who wouldn't want to see a movie called Kung Fu Cannibals? But it's in the retro department that this year's program really delivers. Boogie Nights, Fight Club, The Big Lebowski and Do the Right Thing are just a few of the classics that everyone should see with an audience. Wes Craven's Scream is a great fit for Friday the 13th in February, while When Harry Met Sally is a near-perfect date movie for Valentine's Day. Valentine's Day notwithstanding, most Saturdays will see the Shadow Electric take a night off from the movies for a series of live music gigs. That program is yet to be announced, but keep your eyes glued to the website for more info.
Smokey. Bacon. Breakfast. Ramen. If those four words don't sell you on House of Lulu White, we just don't know what will. South Yarra's new brunch spot can be found at 4 Yarra Street, South Yarra, an address that has a bit of a storied history. Prior to this week's revamp, it was chic restaurant space Sth Central. But some Melburnians might know it better as the old home of Paradise Girls brothel — which is why the new eatery is named after an infamous former procuress. These days the site is operated by upscale hospitality company the Tommy Collins Group, who, it must be said, are laying on the innuendo a little bit thick. "Short time or long time, it's always a good time," reads a welcome message on their website. "Play with her coconuts as she quenches your thirst with bottomless cocktails and espresso martinis on tap… Lulu will have you screaming for more." Alright guys, we get it. Still, while you might roll your eyes at a menu split into sections marked 'naughty' and 'nice', there's no arguing with the actual food. In addition to the ramen, your all-day breakfast options include almond and fig loaf with whipped yuzu ricotta, umi plum syrup and matcha; buttermilk fried chicken and waffles with maple nahm prik and coriander; and sautéed 'green stuff' with hummus, pickled beetroot, seven seeds, avocado, lemon and a poached egg. As for lunch, Lulu's got a mean-looking chicken burger with double bacon, house made kimchi and sweet potato fries on the side. If that doesn't grab you, maybe try the steak baguette with roast onion, cavalo nero, beetroot pickle and whipped smoked cheddar, or the purple kale and roast cauliflower salad with sweet potato, pistachio dukkah, avocado and goats curd. Drinks-wise, you can grab tea or coffee, or split the difference with a tea latte: strawberry swoon, turmeric chai or apple matcha, take your pick. They've also got a small selection of beers and wines — although if you're really feeling boozy, your best option is their weekend bottomless brunch, featuring two hours of bottomless cocktails for just $30. Alternatively, you can just add a nip of whiskey to your porridge and call it a day. Find House of Lulu White at 4 Yarra St, South Yarra. For more information visit www.houseofluluwhite.com.au.
Steel your livers, drinking buddies, because the booziest week (and a bit) of the year is upon us once again. Running from May 11–20, Good Beer Week celebrates everything you can pour into a pint glass, and this year's lineup looks as thirst-quenching as ever. From brewery tours to workshops to mouth-watering dinners – not to mention an alcohol-fuelled mini golf tournament – the Good Beer Week 2018 program is packed to the brim with highlights. Gastronomers will be licking their lips at the Foodie section, featuring events from some of the city's top eateries including Cookie, Yokocho and Arbory. Meanwhile, the Beer Geek and Beer School streams are perfect for anyone hoping to better understand their booze. You can even pick up some tips on how to brew your own. The Pint of Origin tap takeover also returns, with pubs around town showcasing some of the very best beverages this country has to offer. Only this time, they're going head to head with breweries from around the world, with beers from the US, Canada, New Zealand, Asia and Europe all getting in on the action. Need some help deciding what to get involved in? We've rounded out our seven picks for the festival.
With all due respect to them, the cast of Patti Cake$ don't look your average movie stars. And they certainly don't look like your average rappers. There's Cathy Moriarty as a pack-a-day smoking grandma, Mamoudou Athie as an awkward would-be anarchist, Siddharth Dhananjay as a smooth-talking pharmacy worker and, finally, Sydney's own Danielle MacDonald as Patricia Dumbrowski, aka Patti Cake$ aka White Trish aka KILLA P, a downtrodden woman who dreams of becoming a hip hop sensation. Of course, it's precisely because the film focuses on such an unconventional set of protagonists that this inspiring indie drama works so well. Written and directed by first-time filmmaker Geremy Jasper, who workshopped the film with his cast at the Sundance Directors Lab, Patti Cake$ is a classic underdog story — one that will have audiences cheering for its misfit heroes at every turn. "I think we all want to be represented," says MacDonald, her Aussie accent sounding nothing like Patti's New Jersey drawl. "We see what normality is on screen, but that's not really true to real life. I don't know any one person who would say that they're normal, quite honestly. And I think now that we're seeing different stories and different people on screen, it's really cool." After screening at the Sydney Film and Melbourne International Film festivals, Patti Cake$ is now in Australian cinemas. We spoke to MacDonald about how she went from Sydney's northern beaches to suddenly being the talk of LA. That, as well as the importance of on screen diversity, and what it's like being cast as a rapper when you have literally no idea how to rap. A STAR ON THE RISE Since Patti Cake$ premiered to a standing ovation at Sundance in January (prompting a bidding war between five major production companies — Fox Searchlight came out on top), critics have been singing MacDonald's praises — and rightfully so. But while it might seem like she appeared out of nowhere, the actor has been putting in the hard yards for quite some time. "I grew up in Clareville [a small suburb in Sydney's northern beaches]," she tells us. "I did acting classes in Sydney at the Australian Institute for the Performing Arts. I did some tours to America, just to learn about the industry out there, and one of the casting directors I met introduced me to my managers. My managers got me an audition, I moved to the States, and I've been there for seven years, working my way up." It was MacDonald's small part in indie thriller The East that caught the attention of Patti Cake$ director Jasper, who invited her — along with Dhananjay and Bridgett Everett, who play's Patti's alcoholic mother Barb — to help develop the project at the Sundance Labs in 2014. "That was kind of my audition process," MacDonald says. "It was really cool, because Geremy hadn't finished the writing process yet, and I feel like his writing was influenced by myself and Sid and Bridget. We all workshopped with him and kind of figured out who these characters were, based off this time that we got." HIP HOP 101 MacDonald displays phenomenal talent in the film, but even she admits her casting was a bit of a gamble. After all, it's one thing to teach an Aussie girl a Jersey accent, but it's another thing entirely to teach her how to rap. "I was terrified," she admits. "And I could tell [Jasper] was terrified as well." "It was a lot of repetition," MacDonald says of her hip hop training. "I listened to a lot of different artists, a lot of different songs and styles of music. On top of that I worked with a rap coach for a month before we started shooting. He really helped me sit in the beat nicely, and just relax into it and not stress about it, which you do when it's not a natural skill. He helped me find that." "I feel like so much of rapping is just confidence, and I had no confidence. Trying to get over that was very mentally challenging." When asked if rapping is now a skill she'll possess forever, MacDonald laughs. "I only know how to rap as Patti — I learnt how to do these songs in her voice and in her head. I would never be able to do it as me. With my voice and my no swag, it would go very badly." CONNECTING ON A HUMAN LEVEL Of the all the elements in Patti Cake$, it's the diverse characters that make the film so gratifying. "[They] reflect society," MacDonald remarks. "These are people of all different shapes and sizes and ethnicities and religions and genders, that all come together and connect just on a human level. Connecting "through their weirdness", MacDonald observes they're all outcasts in a way. "It's special. They find their own way of doing things," she says. "My small town in the northern beaches is very different to this small town in Jersey," MacDonald continues. "It's cool to be see something different and be able to play something different, but something that I can still relate to. And that's the thing. I think when you see these films and you can go, 'Oh I can relate to that person, even though they're so different from me', I think it really helps bring people together."
Norway’s capital Oslo has recently elected a leftist city government and they’re already implementing radical new plans that may soon see Norway grow more famous for its sustainable practices than its Viking history and fjords. Oslo's city centre is about to go car-free. By 2019, private vehicles will be banned from Oslo's CBD, where according to local press Verdans Gang, about 90,000 people work, but only 1000 live. The pedestrianisation of Oslo's centre is an attempt to reduce carbon emissions to 50 percent of 1990 levels by 2020. Don’t it bring a tear to your eye? Snaps for Oslo. The plan isn’t without controversy, obviously. The proposal has raised concerns for local businesses who worry the program will reduce the amount of shoppers out and about. Others have raised legitimate concerns that seniors, people with disabilities or families with young children will suffer without access to private transport. To counter, the city will allow vehicles with disabled stickers and zero-emissions vehicles on the roads, but ultimately the message is: if you’re able, you gotta use bike lanes or public transport. The city government also plans to supplement the scheme by building more bike lanes, subsidising the purchase of electric bikes and moving away from fossil fuel investments in pension funds. Around the world, many big cities are coming to the realisation that the only way to improve the health of the population and reduce urban pollution, is by reducing traffic rather than managing it. In September, Paris implemented a one-day scheme wherein large parts of the inner city were closed off from traffic for a day, including the iconic Champs Elysees (we’ve heard it’s a busy street, but maybe that’s thanks to all the traffic?). The Guardian reported Parisians walked around in awe of the quiet, clean air, with one citizen even saying “Everyone seems to be smiling, and not as stressed,” (awww bless). In Seoul, a forward-thinking city government in 2003 ripped up a highway to execute a plan to restore the Cheonggyecheon stream, which runs through the centre of the city and was laden with pollution and debris. The restoration meant getting rid of an overland highway that ran along the stream and carried a huge amount of traffic. What their traffic engineers found however instead of acting as a liquid and clogging adjacent streets, the traffic acted as a gas and contacted to fill the space available. It seems that highways follow the same basic principles as baseball fields — if you build it, they will come. Another stellar example comes from Curitiba in Brazil, otherwise known as the Green City. In 1972, architect Jamie Lerner was elected as mayor and his first act was to physically blockade a major traffic artery in the heart of the city, without approval from anyone but himself, and restore it for pedestrian use. Total baller. The coup took less than 72 hours and was the first of many environmentally sustainable initiatives that have rendered Curitiba a shining example of smart, cheap design. And now, fingers crossed, Australia is looking to follow suit. Long term plans for Sydney’s George Street include reclaiming a large portion of it for pedestrian use. Brisbane’s controversial City Centre Master Plan aims to pedestrianise Albert Street to create a 'green spine' from one side of the city to the other. Yassss. Onya ‘Straya. Now if you’d just bump down the price of public transport and we’ll be all gravy. Via The Guardian. Images: Dollar Photo Club/City of Sydney.
You know the drill. The weekend rolls around and you and your mates end up doing exactly the same thing as last week — or at the very least, something pretty darn close. Sure, you chums are guaranteed to have a blast no matter what you're doing, but maybe it's time to spice up those group hangs (just a tiny bit, okay?). We've found a few perfect ways to do exactly that, from a spot of puppy patting to floating in a salty tank. Book in a friend date and head out of your usual comfort zone for one of these unexpected activities to do with your mates. BORROW SOMEONE ELSE'S PUP FOR THE DAY Dog-sharing. Yep. Read it again: dog-sharing. Services that allow pooch owners to connect with other pooch owners to help with everyday care, pupsit for holidays, do walks and so on. It's a thing (thanks to Australian service Dogshare) and you and your dogless mates can 'borrow' a pup for a walkie or sleepover from time-poor dog owners in your local area. To become a borrower, you just have to create a profile on Dogshare's website, list your previous experience with dogs and flag any services you're keen to volunteer for — like walks, park playdates, overnight stays or going to the vet. Can you think of a more joyous way to spend a sunny day with your squad? Just remember — you've gotta give them back at the end. Look after dem pooches, people. Do it at: where you live via Dogshare. LEARN HOW TO HULA HOOP LIKE A PRO When it comes to hula hooping, we're going to guess that you suck (although, props if you're a secret hula hooping champ). And the best way to learn is with your mates — because there's nothing like sucking at a physical activity to bring you closer together. Hula Sparz is run every Monday at 5.30pm at The Knowledge Market, and hooper Donna Sparx will teach you how to master the hoop to some cool beats. If nothing else, you'll work up a sweat and go out for dins after. Do it at: Hula Sparx at The Knowledge Market every Monday evening, Docklands. [caption id="attachment_592149" align="alignnone" width="1280"] Gravity Float[/caption] FLOAT AROUND IN A POD OF SALTY WATER You might be a few years off being able to float around with your mates in outer space, but you can enjoy the feeling of zero gravity, right here, right now. It seems like sensory deprivation tanks (yes, just like Stranger Things) popped up on just about every shopping strip overnight, offering an out-of-this world experience designed to take your relaxation levels to the max. Each tank is light-proof, sound-proof, and filled with a mix of Epsom salts and water, which takes away the sensation of gravity and leaves you floating in a temperature-controlled bubble of absolute peace. Those cortisol and adrenaline levels dip, as any external stimuli and distractions (read: all that stuff that's currently stressing you out), disappear completely. Do a simultaneous float with a mate and go grab lunch afterwards. Do it at: Gravity Float, Armadale. CLIMB A REALLY TALL WALL Sometimes it feels like the only way to catch up with friends is over food. Brunch, lunch, dinner, dessert, second dinner, second dessert are all great options (don't get us wrong), but sometimes you feel like doing something active and building muscle rather than building up a bill. Round up the crew and get vertical with a climbing session at your local indoor wall. With most rock climbing centres boasting a wide range of routes and climbs, you can tailor a visit to suit your group's abilities, whether that involves putting Spidey to shame with your ninja skills, or simply squashing that mild fear of heights. Sessions at most indoor rock climbing centres clock in at under $20 (safety demo included) with harness and shoe hire available for a few extra bucks each. You'll need someone to spot you, so take a friend who you trust with your life in their hands. Do it at: Hardrock, CBD. [caption id="attachment_556153" align="alignnone" width="1280"] Visit St. Pete/Clearwater via Flickr[/caption] TAKE TO THE SEAS ON A STAND-UP PADDLE BOARD Make the most of that impending sunshine and those bearable water temps this summer, and gather your mates for a stand-up paddleboard group lesson. Imagine gliding across the water, catching some rays, seeing fishies — or, alternatively, laughing at your mates and belly-flopping into the water as you try to stay standing. Both sound similarly fun. A carry-over from ancient Polynesian times, stand-up paddle boarding (SUP) has enjoyed a resurgence in recent years as a brilliant way to sharpen that balance and exercise on the high seas. Plus, the sport's a whole lot easier to master than its gnarlier cousin surfing — one lesson usually enough to have you paddling like a pro. Fish and chips on the beach post-paddle is, of course, a given. Do it at: Stand-Up Paddle Board HQ, St Kilda.
Remember when Big Poppa's head chef Liam O' Driscoll cooked us up a feast of epic proportions? We sure do. To celebrate the launch of the KitchenAid Mini in Australia, we created a Mini Dinners video series and asked two of our favourite chefs to throw a dinner party and cook up three courses of their favourite food. Obviously, O'Driscoll stayed true to his Big Poppa's menu and cooked three courses of simple, rustic Italian food. He's given us his recipes so you can recreate the dishes at home. The Big Poppa's food philosophy is all about using fresh, local produce and letting it speak for itself. You're not allowed to do anything fancy, because if the produce is great to begin with you won't need to. Make sure everything you cook with is of the highest quality. If you've sat down and dined at Big Poppa's upstairs restaurant you'll know this is a big deal. Treat these recipes with respect. HAND CUT TAGLIATELLE WITH GLOBE ARTICHOKE, PARMIGIANO-REGGIANO, PANGRATTATO AND SALMORIGLIO INGREDIENTS PASTA 500g '00' flour or plain flour plus a little extra for rolling 3 whole eggs 4 egg yolks 20ml olive oil pinch of salt ARTICHOKES 8 artichokes 2 lemons 2 cloves garlic sprig thyme PANGRATTATO 2 cup of home made bread crumbs (made from day old white ciabatta or sourdough) 2 cloves garlic finely chopped 1/2 bunch of parsley chopped 2 lemons zested SALMORIGLIO 2 tablespoons fresh lemon juice 2 tablespoons extra virgin olive oil 3 sprigs rosemary chopped 1/2 bunch oregano chopped 1/2 bunch flat leaf parsley chopped 1 teaspoon salt zest of 1 lemon 2 garlic cloves, minced dash of freshly ground black pepper METHOD PASTA Place all ingredients into the bowl of the KitchenAid Mini with the dough hook attachment and mix on speed setting 4 for around 4 minutes, or until dough starts to form a ball Remove dough to a lightly floured bench and knead until dough comes together and has a uniform consistency (the dough should spring back a little if pressed with thumb) Wrap tight in cling film and place in fridge for 30 min Remove from fridge and rest dough for 20 min Unwrap dough a cut into 4 pieces On a lightly floured bench roll each piece out with rolling pin Take 1 piece of rolled out dough and feed through the KitchenAid Mini pasta rolling attachment on setting 10, continue to feed dough through roller decreasing the setting 1 mark at a time, until you reach the 0 setting, Lightly dust finished pasta sheet at set aside Repeat process till all sheets are rolled out. Stack sheets on top of each other and slice with a sharp knife into 2cm strips Set cut pasta aside covered with tea towel until ready to cook ARTICHOKES Snap back tough outer leaves until you begin to expose the pale yellow ones. Trim top off and pare down the leaves which cover the base of the heart and trim stem down till the pale yellow is showing Cut Artichokes in half lengthways and with a spoon scoop out the choke and place artichokes in water mixed with a small amount of vinegar or lemon juice to stop oxidisation In a large pot of cold water place the lemons that have been cut in half, garlic, thyme and artichokes, simmer until the base of the artichokes can easily be pieced with knife Strain and set aside, when cooled slice each half in two PANGRATTATO Bring 1/2 cup oil to medium heat in heavy based frypan, add bread crumbs and toast a light golden colour. At this stage add garlic, lemon zest and parsley, and continue to toast until golden brown Remove pangrattato from pan using a slotted spoon on to a baking try lined with paper towel, and let drain of excess oil and cool SALMORIGLIO Place all ingredients in the KitchenAid Mini food processor attachment and blitz BRINGING IT ALL TOGETHER Bring large pot of salted water to the boil and add pasta, cook for 2 min, add artichokes to water with pasta and cook for a further minute, strain and place in large mixing bowl with the salmoriglio, season with salt and pepper and mix Divide between 4-6 bowls and grate parmigiano-reggiano over each portion Top with pangrattato FLAT IRON STEAK TAGLIATA WITH CONFIT GARLIC BUTTER, TREVISO AND POTATO AL FORNO INGREDIENTS 1 kg flat iron steak, if unavailable flank or thick skirt can be substituted 1.5 kg waxy potatoes 2 heads of treviso or radicchio 3 sprigs rosemary 2 lemons 250g unsalted butter 1 head garlic 1 cup veg oil 1/4 cup chopped parsley salt pepper good quality Australian extra virgin olive oil METHOD BUTTER Place peeled garlic cloves in small pot with vegetable oil and heat at a low temperature until garlic is soft and starting to caramelise. Strain garlic and let cool In the KitchenAid Mini beat butter with paddle attachment and some salt until soft and pale in colour, add garlic and and parsley and mix until combined Take a sheet of foil and place a sheet of baking paper over this, spoon butter onto paper and then roll into a log twisting both ends until tight and butter feels firm Place butter log in fridge or freezer until firm Remove from fridge, unwrap and cut into 2cm wheels THE REST With are sharp knife thinly slice the potatoes into rounds and place slices overlapping each other into an oiled, deep, heavy based ceramic or glass baking dish. Drizzle with oil and season with salt and pepper and add water but do not cover potatoes with liquid Bake in oven at 200 celsius for 30 min Add rosemary leaves and continue to bake for a further 15min or until potatoes are cooked and golden brown Slice treviso lengthways into quarters and place on baking tray, drizzle with oil and season wit salt and pepper, roast for 10-15 min Season steak and bring a non-stick frypan up to smoking with a little oil, cook steak for approx 3-4 minutes on each side till a nice crust forms Remove steak and rest for 3min before slicing across the grain and serving on plate or board with butter crumbled on top and lemons cheeks, and treviso on side TORRONE SEMIFREDDO WITH DOLCE LATTE INGREDIENTS 2 cups heavy cream 1/4 cup good quality honey 225g hard hazelnut or almond torrone, finely chopped (Torrone is an Italian nougat made with honey, egg whites, sugar and nuts) 1 can of sweetened condensed milk METHOD In a deep pot place the can of condensed milk, cover the can with water and bring to a steady simmer for 3-4 hours. (Be sure to keep an eye on water level and top up pot to avoid water level dropping below the top of the can. The cans may explode if not fully submerged). After 3-4 hours remove can with tongs and set aside In a large bowl, whip the cream with the honey until firm. Fold in the chopped torrone. Transfer the mixture to a large, deep plastic container and press a piece of plastic wrap directly on the surface. Freeze until firm. Spoon semifreddo into bowls and open the can of condensed milk. Thanks to science it will have magically transformed into delicious caramel. Spoon caramel over semifreddo and enjoy Images: Samantha Hawker and Bodhi Liggett.
If you're looking to level-up your afternoon tea game beyond basic bikkies and finger sandwiches, pop The Westin Melbourne's latest luxe offering on your radar. Taking the high tea concept to soaring new heights, the hotel's High SocieTea menu is dishing up a daily dose of glamour from Friday, August 25–Sunday, November 19. Sashay into the Lobby Lounge between 4pm and 8pm each day for a taste of the high life, tucking into a three-tiered feast dedicated to the high tea holy trinity — cheese, chocolate and caviar. You're in for decadent treats like charcoal tarts with wild scampi caviar and juniper-cured salmon, served theatrically in a glass box; the fanciest Croque Monsieur paired with aged prosciutto, caramelised onions, L'artisan Organic Mepunga gruyere and topped with bacon dust; milk buns crowned with 12-hour braised lamb shoulder and chevre; and gooey pear and cocoa tarts. Coming in at $135 per person, the High SocieTea feast includes a glass of champagne, with more premium vino and cocktails available to add on.
Supple Fox, the folks behind Dark Mofo's Ferris Wheel of Death, are hitting Melbourne for three weeks. And, thanks to riverside bar and eatery Arbory, they're bringing with them a living art installation. Titled The Ends, it'll be taking over the narrow slip of land between the Yarra and Flinders Street Station between October 5 and 23. Prepare for a steady stream of art, live performance and unexpected happenings on and around the river. Leading the project is the world premiere of artist Shaun Gladwell's latest work. Its star is Maddest Maximus, a new Aussie anti-hero who dresses in black, wears a helmet and floats high above the Tasman Sea. Gladwell's mixed media photographic pieces will be arranged around the site, in conversation with the landscape. Meanwhile, fellow Dark Mofo alumni The Huxleys have been commissioned to create a series of sculptures, which you'll find suspended in palm trees, growing out of roof tops and, every now and again, casually floating by on rowboats. And Melbourne-based performance artist Gabi Barton has choreographed a slew of unpredictable movements and happenings for the space. So, between riverside cocktails, keep an eye and ear out. "We very consciously looked to create something that felt human, breathing, absurd and curious," said Hannah Fox, who co-founded Supple Fox with Tom Supple. "And to directly reject the clean lines and endless triangles of the Melbourne design world." The Ends will happen at Abory Bar and Eatery every evening from 6.30pm till late between October 5 and 23. Images: Arbory, Oli Sansom.
If you go down to the NGV this October, you'll get to take a flower home with you. But on two conditions, says Taiwanese-American artist Lee Mingwei: "First, to make a detour from their intended route when leaving the museum for their next destination; second, along this detour, to give the flower to a stranger who they feel would benefit from this unexpected act of generosity." It's part of the artist's new work, The Moving Garden, opening at the National Gallery of Victoria on October 15. Mingwei and NGV have teamed up with Melbourne florist Flowers Vasette, who'll provide 1000 fresh flowers for each day of the exhibition — that's 106 days, totalling 106,000 flowers. One of the world's leading artists in audience participation, Mingwei made headlines this year at the Biennale of Sydney by recreating Picasso's masterpiece Guernica in sand before letting audiences walk all over it. "Lee's artwork inspires contemplation of social themes like trust and self-awareness, by encouraging one-on-one interactions between strangers," says NGV director Tony Ellwood. "The Moving Garden will also challenge the traditional relationship between art and audience, with each flower picked adding the story of the participant to that of the artwork." The Moving Garden is part of Melbourne's major new Asian arts festival, Asia TOPA: Asia-Pacific Triennial of Performing Arts, announced just this week. Mingwei will be conducting a free artist talk on Saturday, October 15, with bookings not required. Lee Mingwei: The Moving Garden will be on display at NGV International from 15 October 2016 – 29 January 2017. Open daily, 10am-5pm. Entry is free.
Melbournians love to get a little fancy in January. Despite the monumental heat, we don our tennis whites, pack inside scorching stadiums and fan ourselves while sipping bubbly. But, if you're feeling a little worn out from the Australian Open, we have an alternative that has all the class without the apocalyptic heat. Trade in your rackets for some croquet clubs, get some fresh air down by the Yarra, and cool off with some icy, icy Pimms. The Royal Croquet Club is coming to town. Fresh from its debut run in Adelaide earlier this year, the Royal Croquet Club is a pop-up summer haven of food, drinks, music and croquet. Set up in the city during the Adelaide Fringe Festival, the club was an absolute hit for those after a summer tipple, now it's Melbourne's turn. The venue will be set up in the grasslands of Birrarung Marr for 17 days in January 2015. Though details are pretty scarce at the moment, we know that there will be a rather impressive group of foodie favourites on board. "The Adelaide Royal Croquet Club didn’t have a serious focus on food but with Melbourne being such a food town, we felt it was crucial to get this aspect right," event organiser Grant Smillie told Broadsheet. But it's not just the food, you'll be coming for. This urban oasis will have fully-stocked bars — specialising in jugs of Pimms, of course — functioning croquet courts and musical acts on stage. Those at the Adelaide event were even treated to a show from Remi. "Everything has got to be considered across the board so we can meet Melbourne's lofty expectations and exceed them," said Smillie. "There are so many festivals now, you want a full experience. We feel this one will be pretty organic and special." Special is certainly the right word to describe it. The Royal Croquet Club seems to have everything we want in a summer hangout spot: games, sun, shade, music, and cocktails that won't stop flowing. For those feeling a little lost outside the scorching heat of Rod Laver Arena, they'll even have the tennis on big outdoor screens. Sorted.
The solar battery industry is still very much in its infancy, but already there's an Aussie upstart taking the challenge to a major brand. The Brisbane-based, Indigenous-owned AllGrid Energy is currently offering its ten kilowatt-hour home battery at a rate significantly cheaper than Tesla's much-touted Powerwall, which is due to enter the local market next year. Like the Powerwall, the AllGrid GridWatt system stores power collected by solar panels, and according to the company can reduce your reliance on the national power grid by up to 75 percent. The system costs $12,000, which they say comes in at about 30 per cent less than the Tesla option – although due to its reliance on old lead acid gel batteries, the system must be installed outside. AllGrid currently services Queensland and South Australia, and sees remote indigenous communities as a potential area for growth. "Obviously as an Indigenous company working with Indigenous communities, it’s a really big area of traction for us," AllGrid marketing manager Deborah Oberon told The Guardian. The company plans to train Indigenous electricians to help install the units, with the hope that they could be used to replace costly diesel generators. "Once Tesla's system is available in February, that will be the moment that the game really starts to change...with the coverage and publicity that a company like Tesla get, we’re really confident the market will heat up," said Oberon, further predicting that 2016 would be "the year that storage really starts to kick off in Australia." For more information about AllGrid, visit their website. Via The Guardian. Image via Dollar Photo Club.
After one heck of a year in 2015 with Conor Oberst, Stephen Malkmus & the Jicks, and the motherflippin' Village People, Melbourne Zoo Twilights are bringing the after-hours concerts back for another summer. This summer's lineup is another slam dunk for the zoo, with beloved local and international artists every weekend from January 29 to March 12. Set amongst the bilbies and kangaroos of Melbourne Zoo, Twilights will see the likes of international dreamboat José González, supported by Tiny Ruins, alongside a solid crew Australian favourites like Tex Perkins and The Tennessee Four's Johnny Cash tribute Far from Folsom, the ever legendary Jebediah, C.W. Stoneking with Marlon Williams, Birds of Tokyo with Fractures, Josh Pyke with Winterbourne, San Cisco with Last Dinosaurs, John Butler Trio with Tinpan Orange, The Waifs and 'Heaven Is a Place on Earth' pop diva Belinda Carlisle with '80s new wave heroes Pseudo Echo. Tickets are $65, and that price not only includes the concert but full admission to the zoo itself. All profits also go towards the fight to save the near-extinct Eastern Barred Bandicoot. Of course, you're welcome to bring along your own picnic basket with loads of food, but you'll have to leave that bottle of wine at home. The event is fully licensed, but there's no BYO — an important measure to keep rubbish and glass away from those poor little animals. MELBOURNE ZOO TWILIGHTS 2016 LINEUP: January 29 — Far From Folsom Featuring Tex Perkins and The Tennessee Four with Rachael Tidd, supported by Vic Simms January 30 — The Waifs, supported by Ruby Boots February 5 — José González, supported by Tiny Ruins February 6 — John Butler Trio, supported by Tinpan Orange February 12 — Josh Pyke, supported by Winterbourne February 13 — Birds Of Tokyo, supported by Fractures February 19 — Jebediah, supported by Glenn Richards February 20 — Mark Seymour & The Undertow, supported by Ben Salter February 26 — San Cisco, supported by Last Dinosaurs February 27 — Kasey Chambers, supported by Karise Eden March 4 — Colin Hay March 5 — C.W. Stoneking, supported by Marlon Williams March 11 — Björn Again March 12 — Belinda Carlisle, supported by Pseudo Echo Melbourne Zoo Twilights runs January 29 to March 12, 2016. Tickets on sale 8am Thursday, October 22 from Melbourne Zoo, and zoo members receive a 10 percent discount. By Shannon Connellan and Meg Watson. Image: Ian Laidlaw.
After one heck of a year in 2015 with Conor Oberst, Stephen Malkmus & the Jicks, and the motherflippin' Village People, Melbourne Zoo Twilights are bringing the after-hours concerts back for another summer. Announced this morning, this summer's lineup is another slam dunk for the zoo, with beloved local and international artists every weekend from January 29 to March 12. Set amongst the bilbies and kangaroos of Melbourne Zoo, Twilights will see the likes of international dreamboat José González, supported by Tiny Ruins, alongside a solid crew Australian favourites like Tex Perkins and The Tennessee Four's Johnny Cash tribute Far from Folsom, the ever legendary Jebediah, C.W. Stoneking with Marlon Williams, Birds of Tokyo with Fractures, Josh Pyke with Winterbourne, San Cisco with Last Dinosaurs, John Butler Trio with Tinpan Orange, The Waifs and 'Heaven Is a Place on Earth' pop diva Belinda Carlisle with '80s new wave heroes Pseudo Echo. Tickets are $65, and that price not only includes the concert but full admission to the zoo itself. All profits also go towards the fight to save the near-extinct Eastern Barred Bandicoot. Of course, you're welcome to bring along your own picnic basket with loads of food, but you'll have to leave that bottle of wine at home. The event is fully licensed, but there's no BYO — an important measure to keep rubbish and glass away from those poor little animals. MELBOURNE ZOO TWILIGHTS 2016 LINEUP: January 29 — Far From Folsom Featuring Tex Perkins and The Tennessee Four with Rachael Tidd, supported by Vic Simms January 30 — The Waifs, supported by Ruby Boots February 5 — José González, supported by Tiny Ruins February 6 — John Butler Trio, supported by Tinpan Orange February 12 — Josh Pyke, supported by Winterbourne February 13 — Birds Of Tokyo, supported by Fractures February 19 — Jebediah, supported by Glenn Richards February 20 — Mark Seymour & The Undertow, supported by Ben Salter February 26 — San Cisco, supported by Last Dinosaurs February 27 — Kasey Chambers, supported by Karise Eden March 4 — Colin Hay March 5 — C.W. Stoneking, supported by Marlon Williams March 11 — Björn Again March 12 — Belinda Carlisle, supported by Pseudo Echo Melbourne Zoo Twilights runs January 29 to March 12, 2016. Tickets on sale 8am Thursday, October 22 from Melbourne Zoo, and zoo members receive a 10 percent discount. By Shannon Connellan and Meg Watson. Image: Ian Laidlaw.
When it comes to being male, middle-class, and white, there are few names bigger than pop icon Ben Folds. Since going on hiatus from his not-so-aptly named trio, Ben Folds Five, the eponymous figure is venturing beyond his traditional classic-pop fusion. He still sings and plays piano, but he's upgrading slightly from his three-man ensemble (bass, drums), to a legitimate New York-style instrumental group in the form yMusic (string trio, flute, clarinet, trumpet). This new ensemble has naturally influenced Fold's sound, one only needs to listen to his solo project released last year So There, heavily featuring the chamber ensemble to hear this. Folds himself testifies to his fraternal connection with the ensemble, and it will be on display all through Australia in the month to come. Starting at QPAC in Brisbane on August 18, Folds and his new band will be playing the Opera House on August 20 and 21, the Perth Concert Hall on August 23, the Adelaide Entertainment Centre on August 25, the Palais Theatre in Melbourne on August 26 and 27, and finally the Canberra Theatre on August 28. If you want to see truly canonical pop, bridging the last few decades, you might want to catch these shows.
The boffins at Australia's leading scientific institution are branching out into the art world, in an attempt to raise awareness about the need to invest in renewable energy sources. The CSIRO Infinity Swing is a giant light-up swing set powered by the momentum of its users, turning playtime into clean, sustainable power. According to its creators, the light and sound installation came about in response to one of the most challenging questions facing the world today: "how do we make sure energy stays affordable and available while protecting our planet?" The eight-person swing serves as a timely visual reminder of the importance of clean, renewable energy, as well as the things that can be achieved when people work together. It's also given us a great idea about connecting the nation's playgrounds directly to the power grid – although we suspect that child protection services mightn't be quite so keen. The pop-up swing will open to the public at Sydney's Custom House between Wednesday November 4 and Sunday November 8, before travelling down to Federation Square in Melbourne from Monday November 16 until Saturday November 21. Representatives from CSIRO will be on hand to discuss their ongoing research into clean energy – and if you're extra nice, they might even give you a little push.
It seems Melbourne could be over its Asian food obsession and circling back to its European roots. In the last few months alone we've welcomed Italian joint Mr Ottorino to Fitzroy, seen A25 expand to the CBD and French bistro Ôter open up in Flinders Lane. Furthering that trend, chef Joseph Vargetto has launched his new classic Italian restaurant Massi on Little Collins Street. Opening last month, the venue is the little sibling of Kew favourite Mister Bianco, and offers a similar mix of coffee, cakes, cold meats and antipasti as well as pastas and Sicilian-style mains. Named after the acclaimed chef's youngest son, the restaurant is located at 445 Little Collins, between Williams Street and Queen. Open Tuesday to Friday for breakfast, lunch and dinner (on Mondays they'll be open until 6pm), the space can seat up to 50 people, and is described by Vargetto as "comfortable and welcoming". Diners looking for a quick bite can pay a visit to the "crudo antipasto corner", where they can watch chefs slice up a selection of salumi and terrines. Those after something heartier can opt for steak or pan-fried barramundi, or choose from a number of appetising pasta options such as black spaghettini with virgule, blue swimmer crab, garlic and chilli. Dessert is designed to be shared – because why would you choose between mascarpone panna cotta and orange cake with ricotta cream when you can just order both? Massi will also welcome the city's post-work drinks crowd, with Aperitivo Hour kicking off at 4.30pm each day. Behind the impressive marble bar you'll find a great selection of beer, wine and Prosecco. Alternatively, you can take your booze home with you from their fully licensed bottle shop. Find Massi at 445 Little Collins Street, Melbourne. For more information visit massi.com.au.
Widely touted as Australia's most prestigious portraiture prize, the Archibald Prize is a curated collection of the year's best portrait paintings. This year, the lineup includes 51 talented finalists who were selected from a record 919 entries. After an obligatory stint at the Art Gallery of New South Wales, the exhibition will move to TarraWarra Museum of Art. All the winning portraits and finalists will be on display from September 14 to November 5. The works depict an eclectic mix of subjects, from celebrities and politicians to artists and authors. Tony Costa's portrait of fellow artist Lindy Lee, simply titled Lindy Lee, took out the top gong — and $100,000 cash along with it. Meanwhile, Tessa MacKay was awarded the 2019 Archibald Packing Room Prize, chosen by the packing room team, for her hyperreal portrait of actor David Wenham, called Through the Looking Glass. Both of which will be on display, of course. Plus, you'll see a painting by Vietnamese-Australian artist, actor and writer Anh Do, a portrait of Paralympic champion Dylan Alcott by Sydney-based stencil artist Kirpy, Carla Fletcher's cosmic work of Del Kathryn Baron and a hyperreal self-portrait of a nude, pregnant Katherine Edney. After-dark artist talks will take place throughout the exhibition period, featuring panel discussions and drinks from TarraWarra Estate, Watts River Brewing and Four Pillars Gin. Top image: Lindy Lee by Tony Costa
A supermarket in Denmark has committed to fighting food wastage by only selling produce past its use-by date. Located in Copenhagen, the recently opened Wefood has been set up by not-for-profit organisation Folkekirkens Nødhjælp, selling expired food at a discounted rate with the hope of reducing the 700,000 tonnes of food that goes to waste in Denmark each year. "Wefood is the first supermarket of its kind in Denmark and perhaps the world as it is not just aimed at low-income shoppers but anyone who is concerned about the amount of food waste produced in this country," spokesperson Per Bjerre told The Independent. The supermarket came into being on the back of a successful crowdfunding campaign, which raised one million Danish kroner, or just over $200,000. The supermarket is staffed by volunteers, with profits being used to help fund Folkekirkens Nødhjælp's work in some of the poorest countries in the world. The supermarket also has the support of local government officials. "It's ridiculous that food is just thrown out or goes to waste," said Eva Kjer Hansen, Danish Minister for Food and the Environment. "A supermarket like Wefood makes so much sense and is an important step in the battle to combat food waste." According to the United Nations, human beings throw away around 1.3 billion tonnes of food each year. Given that one in nine people around the world don't have enough to eat, that's a fairly depressing statistic. In Australia alone we waste more than four million tonnes a year, although organisations like Second Bite and OzHarvest are doing their best to reduce that number. Perhaps we could use a Wefood of our own? Via The Independent.
Been sailing the internet seas and plundering its illegal film bounties, movie pirates? Yarrr, well you just might find yourself at the centre of a new round of legal action. Australian film company Village Roadshow has revealed that their attempts to stamp out copyright theft will soon extend to suing individual infringers. If you've downloaded one of their flicks, yes, that could mean you. No, this isn't another Dallas Buyers Club situation exactly, however if you're the swashbuckling type, you might receive a letter in the mail. Village Roadshow's new tactics involve going after repeat culprits and asking for a fee of around $300. "Not for a king's ransom but akin to the penalty for parking a car in a loading zone. If the price of an act of thievery is set at say $300, we believe most people will think twice," said Village Roadshow co-chief executive Graham Burke. Deterrence, rather than punishment, is the aim here — and continuing to try to convince everyone that they should bite the bullet and pay to watch Game of Thrones. "Any revenue derived from this proposed legal program will be devoted to positive education on piracy," Burke continued. "I should also point out that it is our intent with this strategy that, should anyone be caught in the net who has dire health or difficult circumstances, we would waive the action providing they undertake not to infringe again." Just when the lawsuits will start wasn't announced, though Village Roadshow have a history of being active in the area, with the company initiating court action against movie streaming website SolarMovie earlier this year. Burke also holds the role of Creative Content Australia chair — aka the head of the film industry's anti-piracy arm — and advised that, once the precedent for blocking websites has been clearly established under Australia's current site-blocking legislation, "We will be ready to immediately bring another court action requesting the blocking of an additional 100 criminal sites." The plan was revealed as part of a speech entitled 'The Piracy Plague', which was delivered at the Australian International Movie Convention on the Gold Coast this week. And no, the link between the Goldie and that other form of piracy wasn't lost on anyone. In fact, it was even mentioned. You can thank Johnny Depp, his dogs and Pirates of the Caribbean: Dead Men Tell No Tales for that, obviously.
With every year that passes Melbourne gains more history — and with every renovation, new stories. But it's not often you dig up the kind of gold that was discovered when putting together the CBD's new bar, House of Correction. At 264 Swanston Street, lie allusions to a colourful past — as a medical supply store in the early 1900s, a manufacturer of death masks for the Old Melbourne Gaol and, most recently, the home of Australia's longest-running porn cinema, Shaft Cinemas. The renovators even found pornographic silhouettes beneath the layers of paint downstairs. But while the raciest finds have been re-hidden for future tenants to discover, interior architects ZWEI have used others — like the heritage ceiling and concrete slab floor — as the highlights of a very unique space. Headed up by bartender David Smillie (ex-Eau de Vie Sydney), the 52-seater will be throwing down a monthly rotating cocktail selection, which is built around simplicity, top-notch ingredients and classic styling. Expect plenty of clever extras, too, with house-made shrubs, vinegars, and fermentations popping up throughout. Rounding out the offering is a hefty back bar, solid craft beer lineup. And though the building's history might be a bit sketchy, its future is looking anything but. House of Correction will be a sister bar to rooftop venue Goldilocks and Mr Kwok downstairs, which has just opened in replacement of Noodle Kingdom. Sad news for fans of the old venue, but this new noodle house is helmed by the old chef's daughter — and food can be ordered up until last drinks at 3am each night of the week. House of Correction is open daily from 4pm till 3am at Level 4, 264 Swanston Street, Melbourne. For more information, visit their Facebook page. Images: Georgia Verrells.
One of the beacons of light on Melbourne's event calendar in a fairly glum cold weather stretch is the Queen Victoria Market's Winter Night Market. And now it's set to return — and it's bigger and gutsier than ever before. Kicking off on Wednesday, June 7 the market will pull together a global array of eats, a plethora of live entertainment, huge lighting installations and roaring open fires. Centred around the theme of 'fire and lights', this year's market promises to brighten up your winter Wednesday nights like nothing else, thanks to a collection of stunning light displays by creative studio John Fish. As usual, the 30-strong lineup of food stalls will send punters trekking across the world, this year featuring the likes of Austrian-style cheese delights from The Fondue Corner, Taiwanese pancakes from the folks at Butterlake, a debut appearance by MoVida's Paco's Tacos, and That's Amore's legendary pastas, which are tossed in a parmesan wheel before landing on your plate. Of course, there'll be mulled wine from ReWine and steaming hot cider from Coldstream to warm your belly and hands as you browse over 50 carefully curated design and specialty stalls. Top all that off with a dollop of live music and roving entertainment, and you've got one hell of a cosy winter situation. The Winter Night Market will run from 5-10pm each Wednesday, from June 7 until October 4. Updated: August 16, 2017.
Sure, we love winter's hot mugs of mulled things, snuggly wardrobe options and tendency to coincide with national film festivals, but the season calls for a well-earned weekend away every now and again. Perhaps you'd like to completely ditch the city's chilly winds for a stylish Californian-style beach motel with an ex-Noma chef. Or maybe you're one to embrace winter like a woolly jumper-loving fiend. How about a private mountain villa with your own in-room, temperature-controlled swimming pool? We've teamed up with Mr & Mrs Smith to give you five ideas for winter weekend getaways from their collection of pretty, pretty accommodation options. Pick a date, pack your bags and get outta town. DRIFT HOUSE, PORT FAIRY Breakfast hampers, salvaged timber, Japanese tiles — Drift House is all about the details. It's a pretty little beach boutique in Port Fairy, the Great Ocean Road's charming fishing village. Rooms are designed for dining in, because Drift House knows what's up. You'll have little reason to venture out into the chill with your own 'maxibar' at home, stocked with baked beans, pasta, parmesan, pasta sauces, organic crisps, popcorn and other nibbles, alongside a stash of locally sourced Basalt Vineyard red and white wine. ARKABA Escape the wind tunnels of the city and set yourself up in an elegant 1850s homestead in the Flinders Ranges. A heritage-style property, Arkaba channels a good ol' Australian vibe from its wool sack-wrapped bedside tables to sheepskin hot-water bottles. It's also a private wildlife sanctuary, so expect a few kangaroos and emus to stop by. Your dining is all-inclusive (and features some of the world's best wines), and if you're keen to get a little more adventurous, Arkaba does a swag-camp glamping trek. HALCYON HOUSE No better way to beat the cold than escaping to a faded Californian-style surf motel. Fusing elements of Long Island nauticalia and Mediterranean pool chic, it's the kind of place that looks made for surfwear magazine fashion shoots. Located right on Cabarita Beach near Tweed Heads, Halcyon is a beach holiday haven with all the trimmings — and an ex-Noma chef. Ben Devlin, 2014's Queensland Chef of the Year, runs the delightfully artful Paper Daisy restaurant, where you'll be inhaling fresh crumpets, locally-grown coffee and honey roasted fruit. That's before you while the afternoon away on the poolside deck, sipping wines picked by sommelier Peter Marchant. CAPELLA LODGE Feel like a Bond villain in a high-flying tropical paradise retreat at Capella Lodge, a stunning nine-suite hideaway on Lord Howe Island. Surrounded by turquoise lagoons, coral reefs and rare tropical birds, the lodge is a glorious natural oasis from a wintry city — but with every last modern creature comfort. Infinity pools, outdoor stone baths, sprawling seaside verandahs. The place even has its own spa. Hire a lagoon kayak and snorkelling gear and explore the area — you'll forget its cold anywhere else. O&O WOLGAN VALLEY If you're one to relish in wintry weather as a means to get amongst misty mountains, head for O&O Wolgan Valley. This Blue Mountains gem sees 40 villas, including two- and three-bedroom retreats, over 7000 acres of rolling hills and pristine wilderness. It's Australia's first conservation-based luxury resort and is accredited by international group CarboNZero. There's a world-class spa, a big wine cellar, mountain bikes for you to use, and a killer restaurant, bar and eatery showcasing seasonal, local, organic produce. Best bit? Each Federation-style bungalow comes with an in-room, temperature-controlled, private swimming pool. Keen to get going? Concrete Playground readers special treatment from Mr & Mrs Smith, with exclusive discount offers at hotels from Bali to Brisbane. You can save 25 percent or more if you book any of these retreats by 30 July (and you can stay any time until 30 September, 2016). Details here.
In a rare instance of critics and audiences agreeing with each other, Mad Max: Fury Road and The Dressmaker were the two big winners at the 2016 Australian Film Critics Association Awards. Held last night at the Australian Centre for the Moving Image (ACMI) in Melbourne, the ceremony reflected on the past 12 months of Australian cinema, with the year's two biggest box office takers proving popular with critics as well. Critically acclaimed action blockbuster Mad Max: Fury Road took home the award for Best Film, as well as Best Director for George Miller and Best Cinematography for John Seale. The Dressmaker, meanwhile, swept through the acting categories, with Best Actress for Kate Winslet, Best Supporting Actress for Judy Davis and Best Supporting Actor for Hugo Weaving. The film's director and co-writer Jocelyn Moorhouse was present to accept the awards of behalf of her cast, while also taking home the Best Screenplay Award for herself and husband P. J. Hogan. Ryan Corr won Best Actor for his work in Holding the Man. In the international film categories, last year's Oscar winner Birdman took home Best English Language Film, while German drama Phoenix won for Best Foreign Language Film. Amy Winehouse doco Amy won Best Documentary. The association also gave out its annual writing awards, bestowed by a panel of journalists and film industry practitioners. This year's winners were critics Rebecca Harkins-Cross, Alexandra Heller-Nicholas and Luke Goodsell. You can check out the winners here. To get a head start on the next crop of likely AFCA Award winners, check out our list of the ten Australian films to watch out for in 2016.
Move over, Dark Mofo. Victoria's Apollo Bay is getting an after dark arts festival of its very own. Creeping into the coastal shire on the eastern side of Cape Otway, WinterWild will take place on select Saturday nights in July and early August. Each evening will begin with a ceremonial bonfire on the beach, before branching out to the Mechanics Hall and beyond. Standout events on the program include a performance of Tosca by local opera company Cut Opera, a screening of the '90s cult surf film Litmus, sets by Sand Pebbles and Dirty Three's Mick Turner, and talks by Michael Leunig, Clementine Ford and Arnold Zable. Local cafes and restaurants will also get involved with the festival. Steve Earl's acclaimed La Bimba will devise a special festival menu, and provide a place for revellers to recover as the sun rises on Sunday morning. "This festival won't be for the faint-hearted," said festival director Roderick Poole. "It is very much aimed at adventurous spirits ready to take on a challenge; to embrace the harsh environment and celebrate the beauty of the elements at their extremes. WINTERWILD 2017 DATES: Water (July 1-2): Mick Turner (Dirty Three), Sand Pebbles, screening of Litmus with soundtrack performance by director Andrew Kidman. Earth (July 15-16): Butoh performer Yumi Umiumare, Tek Tek Ensemble, Tosca by Cut Opera. Air (July 29-30): Programmed by the Apollo Bay Writer's Festival, including Michael Leunig, Clementine Ford, Arnold Zable and Emilie Zoey Baker. Fire (Aug 12-13): Massed choir of 100 singers, ritual burning of festival sculpture, live music. WinterWild information and tickets at www.winterwild.com.au.
Anyone old enough to remember the mid-'90s will likely recall that something happened on the world’s tallest mountain back in May 1996. Something bad. But how bad? Well, the specifics are probably a bit hazy. That’s why there’s always the great temptation with movies based on real events to look up what happened before you see them. Sometimes it’s to make sure you’re across the facts or so that you don’t get confused, but usually, if we’re honest, it’s so that we don’t spend the whole film wondering who lives and who dies. Everest is one such film, and whatever you do, avoid turning to the internet until the credits have rolled. Genuine, compelling tension is such a rarity in modern cinema that to rob yourself of the experience when it finally presents itself would be madness. And boy does it present in Everest. To behold the ordeal at the centre of this tale is to almost endure it on a miniature scale. The film is relentless and punishing, leaving you exhausted, shaking and breathless. "Human beings,” explains the expedition’s leader Rob Hall (played by Jason Clarke), “simply are not built to function at the cruising altitude of a 747. Our bodies will be literally dying.” Thanks to the extraordinary team behind Everest, you believe it. Heck, you feel it. This is an ensemble movie done the right way, where nobody engages in scene stealing despite some big names scattered throughout. Sam Worthington, Jake Gyllenhaal, Keira Knightley, Josh Brolin, Robin Wright, John Hawkes and Emily Watson all join Clarke with committed but reserved performances that ensure the focus remains on the film’s true star: the mountain. Granted that sounds incredibly trite, but the scale of this film and its sumptuous cinematography all serve to reinforce both the grandeur and the peril of such an extraordinary place; “another beast altogether”, as Hall described it. To date, more than 250 people have died climbing the mountain, and the means of their demise are more varied than you might expect. The difference between this film and so many other recent offerings, however, it that instead of sensationalising nature, Everest simply shows humility towards it. In light of its wretched and treacherous conditions, one well might question why anybody would ever even consider summiting Everest, but the film has an answer for that, too. Several, in fact. Some try for the thrill, others for the challenge, and one extraordinary mailman attempted it purely for the symbol and inspiration it might provide others back home. More importantly, though, for those who actually make it — those few exceptional climbers who literally reach out and touch earth’s upper limit — the moment of exhilaration and accomplishment is so powerful and affecting that you’re moved to tears. It is, in short, an exceptional and experiential film with a story steeped in both tragedy and indomitability. Worthy of its name, Everest is a staggering and spectacular piece of cinema that deserves to be seen.
Listen to some of Australia's best emerging and early-career writers in a new podcast series produced by SBS. A tie in with the station's new crime-drama The Principal, which is set to premiere in the first week of October, True Stories consists of seven short stories written and performed by up-and-coming writers from all walks of life. Each story presents a different take on the Australian high school experience – and the six they've dropped so far have been really, really good. The young writers worked in collaboration with Sweatshop, a literary initiative by the University of Western Sydney founded by doctoral candidate and writer Michael Mohammed Ahmad. Ahmad also wrote one episode of the podcast, as did his fellow recipients of the SMH's Best Young Novelist award Luke Carman, Maxine Beneba Clarke, Omar Musa and Ellen Van Neervan. "I think the particular writers that SBS has engaged with are probably the best suited in the country to conform and adapt to the oral storytelling that these podcasts require," says Ahmad. "We're talking about the best up-and-coming writers in the country, and it just so happens that a vast majority of those writers represent traditions who come from rich oral storytelling practice. Omar Musa from a Malaysian background, Maxine Beneba Clarke an Afro-Caribbean background, Ellen van Neerven an Aboriginal background and myself an Arab background...if you look at our novels there is a strong oral technique that is being used most of the time, which is drawing from traditions that come from all over the world." You can certainly feel the influence of these different cultural backgrounds in the content of True Stories. Ahmad's episode, for example, was inspired by his time as a student at Punchbowl Boys High School during the late nineties and early two thousands, a time when the "Arab Australian Muslim community was one of the most stigmatised groups in the country." Loaded with profane language and instances of violence, his story reflects a troubled period in the school's history, yet refuses to indulge stereotypes about the students or their community. "I think if you listen to my story, there is undoubtedly an exploration of violence, sexism, misogyny, homophobia and classic cases of aggression and hostility that exist within certain underclass communities," Ahmad says. "But they're resilient spaces. They're not spaces that are miserable. The people in those spaces are intelligent, critical. They're aware of their circumstances, and most of the time they're responding, or even performing their underclass-ness, because that can be empowering." "It's very hard, I think, for the white imagination to see those places as joyful, resilient, critically conscious places," he continues. "I think there is an assumption that under every poor young man of colour is a middle class white boy yearning to break free." You can currently find the first six episodes of True Stories on the SBS website and on iTunes. The Principal premieres on Wednesday October 7 at 8:30pm.
Looking for a pet-friendly apartment? A new Melbourne high-rise will do you one better. Opening at 5 Elgar Court in Doncaster next year, GardenHill Apartments will become the first residential apartment block in the country with its own private off-leash dog park. Construction on the 11-storey building is set to begin in September, but if you and your four-legged friend are interested, you might want to get in quick. 80 percent of the 136 one- and two- bedroom apartments have already been snapped up, at a cost of between $380,000 and $745,000. The dog park will be located on the ground floor, enclosed by secure fencing, and will include seating, a drink station and a clean-up station. Development director Adelene Teh told Domain, "By offering our Gardenhill residents a designated place they can take their dogs for exercise, socialisation or even mental stimulation, we're encouraging responsible pet ownership and, hopefully, paving the way for other developers to follow suit." Teh also confirmed that the dog park had been a drawcard with purchasers. A number of apartment blocks in the United States already boast on-site dog parks — and it's easy to see why the concept would be popular with tenants. Dogs and small apartments aren't exactly natural bedfellows, which can be a real bummer for animal lovers. Sure, you could get a goldfish, but they just don't offer the same level of affection. And don't get me started on cats. Via Domain.
Until the Internet becomes a universal, ever-present thing that radiates down from the sky and lets us check Instagram anywhere in the world, we're apparently destined to be stuck with offline maps and or paying through the nose for international roaming when travelling (read: getting lost) overseas. Until that blessed day comes, Google is trying to make life easier for travelling smartphone-wielding folk with their new travel planner app, Google Trips. Earlier this week Google unveiled the new app (which is available on iOS and Android), which is designed to help you plan your trip and help you explore your destination when you get there. It's both a planning tool and a place to store all your important travel docs in one place — and it lets you access that information when you're out and about and without access to 4G or Wi-Fi. So what can you use it for? First off, it will pull all your important travel info like flights, bookings and reservation numbers from your Gmail inbox and organises them into a chronological 'trip'. You can save these to access offline; it's meant to help you avoid that momentary panic where you get off the plane, go to look up the information for your Airbnb and then realise you can't access your emails. The more fun aspect of Trips though are the planning features. The Things to Do feature will give you a list of, well, things to do in the city you're in. These are pulled from what both you and other Google users have searched for in that city, and can be filtered by area of interest. The Day Plans feature gets a little more specific. The app will suggest a whole heap of things to do based on where you're staying and how much time you have — so if you only have an afternoon in a city, it will bring up the best things to do based on what's around you and what's open. You can then create a point-to-point itinerary that will show you where everything is and how to get there. You can save this offline too. Google have called this app "magic", and while we certainly wouldn't go that far (can tech companies stop calling themselves wizards?), it is a very useful tool if you're travelling without access to internet and is a handy way to use Google Maps offline. The planning tool looks like a smoother version of Stay.com, an app we've found useful for pinning places on a map when travelling. You can download the Google Trips app here.
Wiz Khalifa is heading to Sydney's Luna Park in September, as part of Optus RockCorps 2015. The American hip hop star has added the NSW performance to his Australian tour schedule, alongside previously announced shows in Brisbane, Melbourne and Perth. And the best part? Tickets won't cost you a cent. Instead, fans will be able to earn free entry into the Sydney show by donating their time to charity. Four hours of volunteering will get you into the concert, which will be held in Luna Park's Big Top on Wednesday September 30. Khalifa will headline the event, which will also feature Australian electronic duo Peking Duk. Additional acts will be announced in the coming weeks. Volunteers from outside Sydney can also get involved, and will be rewarded with a $70 Ticketmaster voucher. "I'm excited to be part of the Optus RockCorps Project," said Khalifa. "Giving back to the community is something I’m passionate about and support wherever I can. I can’t wait to play in Sydney and see all the Aussie fans." Now in its third year, Optus RockCorps aims to treat young Australians to unique performances in return for their contribution to their local communities. More than 9500 people have donated over 36,000 volunteer hours over the past two years, and have been rewarded with tickets to shows featuring acts such as American Authors, Guy Sebastian, Rudimental and Empire of the Sun. Anyone keen on volunteering for a RockCorps 2015 project will be able to register their interest starting August 10 via the Optus RockCorps website or by calling 1800 ROCK 800.
God knows we all spend way too much time looking at our phones. Whether you're texting, tweeting or chasing imaginary Japanese monsters, it seems like people constantly have their eyes glued to tiny screens. At best, it can be a wee bit anti-social. At worst, it can actually be really dangerous. Case in point: this teenager who got hit by a car while playing Pokémon Go. Fortunately for the technology-addicted, artist and designer Ekene Ijeoma has created a new mobile app designed to get people to tear their faces away from their phones. Look Up New York City causes your phone to vibrate whenever you're approaching an intersection, while also drawing data from the New York Department of Transportation to give each intersection an "energy score." The higher the score, the more frequent the number of accidents that take place there, and the more users should maybe think about paying attention to where it is they're walking. The purpose of the app is twofold, with its creators hoping to reduce the number of accidents while also encouraging social interaction. "Whether it's strangers making eye contact and saying hello or friends hugging, Look Up hopes to tear down the digital walls we build up, opening us to seeing, acknowledging and valuing the people and city around us," reads a statement on the Look Up website. Look Up is currently available on Android devices, with an iOS app coming soon. No word on whether they're planning on branching out beyond NYC, although we can easily imagine it taking off across the world. In the mean time, if you're reading this on your phone, please keep an eye on where you're going. https://vimeo.com/171683941 Via PSFK.
How does chicken salt work? What's the deal with cereal puffing guns? What is the future of meat? If you're into your food and drink in a nerdier way than most, you'd better book yourself a ticket to New York this Halloween. The Museum of Food and Drink (MOFAD) is about to open in Brooklyn on October 28 — with exhibits you can eat. Food's had its fair share of pop-up museums and major exhibitions worldwide. There's even museums dedicated to individual foods like cheese, chocolate and Spam (yep, The Museum of Spam is opening in 2016). But after furiously fundraising for years, New York's first museum focused on food will find a permanent bricks and mortar space in Brooklyn this year. "Our mission is to change the way people think about food and inspire day-to-day curiosity about what we eat and why," says the MOFAD website. With a series of rotating exhibitions, visitors will be able to see, touch, smell and taste food, while learning about the culture, history, science, production, and commerce of food and drink. Think tastings, live demos, hands-on activities, talks, debates, heated roundtables. It's a whole multisensory, interactive museum experience to get to the bottom of noshing. How did the search for spices drive the age of exploration? What is the socioeconomic role of street food in cities? Where does soil come from, and why does it matter? How is breakfast cereal made? What is the impact of coffee on world trade? The idea is to enable people to make better, more informed food choices for themselves, their communities, and the environment, through kickass museum interactivity, like this cereal puff installation MOFAD did last year. "Why isn't there a museum devoted to food at the same level of something that's like the Natural History Museum or the Smithsonian?" MOFAD president and founder Dave Arnold asked CNN. "If I want to learn about you, I'm going to go to your house and we'll break bread. We'll have dinner. Then I feel like I'll know who you are. And it's that idea that we can experience cultures through what we eat and how we eat and the history of how we eat. That (idea) needs a museum because you can't eat on TV. You can't read about food and have tasted it." MOFAD's first exhibition, according to NPR, will focus on the flavour industry and the modern quest to manufacture smell and taste. You can probably assume it'll touch on ol' wafty Subway. The Museum of Food and Drink will open its permanent site on October 28 in Brooklyn, site yet to be revealed. For more info, check out the website. Via NPR. Images: MOFAD, Dollar Photo Club.
It’s been 22 years since the first Jurassic Park movie aired, which — incidentally — is also how long it’s been since the last good Jurassic Park movie aired. Now, though, we’ve reason to be cautiously optimistic. Earlier today the second full trailer for Jurassic World landed in our news feeds and, after several repeat viewings, we see plenty to be hopeful about. CHRIS PRATT IS THE VELOCIWHISPERER When the first trailer dropped back in November of last year, the internet went into Dennis Nedry-like digital chaos over what looked like Chris Pratt’s character taming some velociraptors. It seemed like a pretty hokey idea, but Trailer #2 seems to have settled that concern somewhat, with his character, Owen Grady, explaining: “It’s not about control, it’s a relationship based on respect,” while he stands eye-to-eye with three of them. That, or he’s doing some extreme tai-chi. Either way, ‘respect’ is the key word here, because it means the raptors haven’t been reduced to domesticated turkeys; they could still kill him at any moment. THE NEW DINO IS A BLOCKBUSTERSAURUS We already knew the ‘villain' in Jurassic World was to be a genetically engineered dino of such scale it would make the T-Rex look like a pug, and now it has a face. Sporting the name ‘Indominus Rex’, it’s got the head of a dragon and the jaw span of a Steven Tyler. Our relief here stems from the fact that it looks entirely plausible. It’s a hybrid dinosaur in the sense that it’s got spliced DNA with other animals, not spliced DNA with lasers or a BMW for some tier 1 brand placement. INDOMINUS HAS A VERY PARTICULAR SET OF SKILLS Let’s start with the smarts. Indominus is crafty. Really crafty. If Jurassic Park’s gamekeeper Robert Muldoon saw Indominus, he'd say, well, nothing, because raptors tore his stomach open and ate him alive back in 1993. But he’d want us to say “clever girl”, because this manmade man-eater tore out his own subcutaneous electronic tracker so that the humans wouldn’t know where it was (aside from being able to spot a giant lizard in the middle of a theme park). The reason we like this is because it takes the franchise to a new place rather than sticking with ‘dinosaur big, dinosaur scary’. Bourne Legacy did the same thing three years ago, realising the only way to stay fresh was to find someone better than Bourne, not just different. NATURAL BORN KILLERS First there’s the smarts, then there’s the disposition, because it seems Indominus isn’t like other dinosaurs. As Grady explains in the trailer, other dinosaurs are thinking: “I’ve got to eat. I’ve got to hunt,” but Indominus, “she's killing for sport”. First the franchise ups the stakes, then it changes the game. What makes both Jaws and The Ghost and the Darkness such compelling tales isn't the ‘killer beast’ plot; it’s the fact that they’re creatures baring the uncomfortable human quality of killing for reasons other than survival. Killing for sport isn’t just unnatural, it’s evil. We can only presume Ricky Gervais is tracking down Indominus’s Twitter handle as we speak. LEMME HEAR YOU SAY GRRRRNNNNNRRRROOOOARRRRR Indominus, aka ‘the D-Rex’ can talk to the animals. Not in a 'Dr Doolittle meets Aaron Sorkin witty repartee' kind of way, but enough to get Pteranodons to help it out in killing tourists. We like this because it adds an alliance feel to the plot, almost as though sides are forming in a prehistoric battle. With the introduction of each new dinosaur, you’ll find yourself wondering: “And whose side are you on?" Jurassic World hits Australian cinemas on June 11, so get ready to hold onto your butts.
They say home is where the heart is. If that's the case then we need to get our heart into one of these places as soon as physically possible. Houses Magazine has just revealed the winners of the 2015 Houses Awards, singling out some of the most innovative and extravagant homesteads in the country. The top prize, Australian House of the Year, went to Planchonella House in far north Queensland; the extravagant tropical abode that bears at least a passing resemblance to a villain's lair in a Bond film also won the gong for New House over 200m². The prize for New House under 200m² went to Sawmill House in regional Victoria, which combines more than 250 one ton concrete blocks with a timber screen and a nine metre long sliding glass wall. Best Apartment or Unit went to The Darlinghurst Apartment, a one-bedroom dwelling in inner-Sydney just 27m² in size. The competition also hands out awards for Outdoor and Sustainable residences, which this year went to the partially roofless (and bafflingly named) Cut Paw Paw in Seddon, Victoria and the QV8 apartments in the Melbourne CBD, respectively. The Houses Awards are decided by a panel of esteemed designers and architects. You can find the full list of this year's winners below. AUSTRALIAN HOUSE OF THE YEAR – Planchonella House by Jesse Bennet Architecture. NEW HOUSE UNDER 200M² – Sawmill House by Archier Studio. NEW HOUSE OVER 200M² – Planchonella House by Jesse Bennet Architecture. HOUSE ALTERATION & ADDITION UNDER 200M² – West End Cottage by Vokes and Peters. HOUSE ALTERATION & ADDITION OVER 200M² – Tower House by Andrew Maynard Architects. APARTMENT OR UNIT – Darlinghurst Apartment by Brad Swartz Architect. OUTDOOR – Cut Paw Paw by Andrew Maynard Architects. SUSTAINABLE – QV8 by Breathe Architecture. HOUSE IN A HERITAGE CONTEXT – House in House by Steffen Welsch Architects.
They're the round, iced, oozing snacks we can't get enough of — and they're possibly Brisbane's biggest export over the last year. Now, they're setting up shop in Degraves Street, making one of Melbourne's best foodie laneways even better. Yes, we're talking about Doughnut Time. Yes, they're continuing to plot their east coast domination. They've already popped up at Topshop in Melbourne's CBD and Highpoint Shopping Centre; however their latest site really does sound like a match made in heaven. Not sure why you should be excited? Well, let us enlighten you. If the pop culture-themed deliciousness such as the Home Alone (with milk chocolate glaze, wafers, a Kit Kat and dark chocolate glaze drizzle) doesn't sound like your kind of thing, then the humble ol' PB&J probably will. And then there's the vegan offering, because these sweet treats really should be enjoyed by all, regardless of dietary choices. We're pretty sure everyone's already well and truly onboard the Doughnut Time train though, given that their new delivery service sold out instantly when it was first unveiled. The Degraves haunt will make 14 stores, including on the Gold Coast and in Sydney, for the chain that only started serving their doughy morsels of dessert heaven twelve months ago. It really has been quite the year for Damien Griffiths' venture, with spots in Fitzroy and Hawthorn also reportedly in the pipeline for Victorians keen on all the beastly doughnuts they could ever hope for. Doughnut Time will open at 5 Degraves Street, Melbourne on Tuesday, February 24. They'll be giving away free doughnuts from 4-6pm. For more information, check out their website and Facebook page. Updated: Tuesday, February 23
In the most mathematical news since boffins discovered a pattern in prime numbers, the cast and crew behind of Adventure Time, the show that straddles generational gaps like it ain't no thing, are coming to town next March. It's going to be live, it's going to be loud and it's gonna be so flippin' awesome. Making quick trips to Sydney, Brisbane and Melbourne, Adventure Time Live will be an interactive, audio-visual festival that includes Q&As with cast and crew, cosplay competitions, live reads of classic episodes and much more to be announced. It's not a show, it's an experience, man. The event hits Australia between March 10 and March 12 next year, which will probably coincide with the largest gathering of adults pretending to be children pretending to be adults that this country has ever seen. Tickets go on sale on December 12, with more deets available here.
Your workday is about to get a whole lot more bearable, courtesy of the marketing department at Uber. Starting from midday today, the ridesharing service is teaming up with Purina's Pets at Work mission to deliver puppies to offices around Australia. We'll give you a minute to process that information. UberPUPPIES will be available in the Sydney, Melbourne, Brisbane, Adelaide, Perth, Canberra, Sunshine Coast and Gold Coast CBDs. All you need to do is log into the Uber app at noon, hit the 'puppies' button (squee!), and a four-legged friend will be whisked to your place of work for 15 minutes of quality cuddle time. It'll run you up a bill of $40, so you might want to go in with a few of your co-workers. Either that, or try and convince your boss it'll be good for employee morale. Which, to be fair, it most definitely will be. Money raised will be used to support local animal shelters. Each puppy will also be accompanied by a shelter representative, who'll be all too happy to accept any additional cash donations. And in case you form an extra special connection, all UberPUPPIES are available for permanent adoption. UberPUPPIES is the latest in a string of awesome Uber promotions, with the company having previously delivered everything from kittens to ice cream to backyard cricket umpires. Fair warning though: these things tend to generate a lot of demand, so make sure you're hovering over the Uber app come 11.59am. The puppies will be cruising around town until 4pm.
They say eating cheese before you go to bed will give you nightmares, but that doesn’t seem to bother the people who’ve organised Cheese Please, a twilight cheese festival coming to Melbourne in February. OK so that was a cheesy (woo!) introduction to what is undoubtedly the best damn news you’ve heard all week — a cheese festival is coming, a festival of cheese, an event where you can go and eat cheese and drink wine all night, which is incontrovertible proof that we’re all dead and Melbourne is heaven. And it’s not just any home-brand cheddar block either. The Australian Grand Dairy Awards are presenting the festival and only the finest cheeses will be on display — not a Kraft single in sight. Small-scale, family-owned producers will display alongside your favourites (Mersey Valley, we’re comin’ for ya) and all the cheese on offer will be prize winners of the Australian Grand Dairy awards. As well as much cheese there will also be much like-cheese-but-not. Like-cheese-but-not goes by many names — dips, yoghurts, cream, butter, desserts — and there will also be some very-much-not-cheese like beer, wine and food trucks. Very good. The event is technically free but you do have to ‘win’ tickets by registering and applying for them. This is probably because they know if it was open to the public we’d swarm the place in seconds, like agile 28 Days Later zombies, and tear it apart looking for cheese (they’ve certainly got our number). To get you in the mood, check out their website (aptly named Legendairy) for some truly inspirational recipes and cheese pairings — spiced oatcake with sour cherries and camembert anyone? Cheese Please festival is happening on February 19 at Testing Grounds, City Road, Southbank from 5-9pm. Register for tickets here. Image: Dollar Photo Club.
