The saying "all good things come to an end" doesn't apply that often on TV anymore. Whenever a show wraps up, there's usually a chance that it could return in some shape or form, whether as a prequel such as House of the Dragon, a sequel series like That '90s Show or a revival as Party Down is currently doing. But when Barry finishes its run after its upcoming fourth and final season, this really might be it for Bill Hader's (Lightyear) military sniper-turned-hitman-turned actor. If you've watched season three, which was characteristically phenomenal, you'll know why — but, also, a show about an assassin trying to be an on-screen star in Hollywood can't keep its main figure away from the law forever. So, in the just-dropped first trailer for Barry season four, HBO teases an "arresting final act". Barry is incarcerated, his mentor and veteran thespian Gene Cousineau (Henry Winkler, Black Adam) is being hailed as a hero, but this turn of events is clearly going to have consequences. In the initial sneak peek, Barry is seeing his friends and acquaintances as he wanders around the yard in prison — including Cousineau, his former handler Monroe (Stephen Root, Succession) and his ex-girlfriend Sally (Sarah Goldberg, The Night House) — which doesn't bode well for his already-fragile mental health. Is this where the killer-for-hire will be when the eight-episode season concludes? Will Chechen gangster Noho Hank (Anthony Carrigan, Bill & Ted Face the Music) somehow intervene? What's happening with Sarah's career after season three? These are all natural questions to have about the Emmy-winner's return. Answers will start coming soon, with Barry season four set to start streaming via Binge in Australia and Neon in New Zealand from Monday, April 17. If you're new to all things Barry, Hader not only stars but created the show, has directed a heap of episodes, and also co-wrote others. The initial setup: when Hader's Barry Berkman heads from Cleveland to Los Angeles for his job, he discovers a previously unknown passion for acting after he stumbles into a class held by veteran thespian Cousineau. The catch? Barry kills people for money, and that isn't a line of work that you can leave easily, especially when you become caught in the Chechen mafia's violent and deadly dramas. Check out the first trailer for Barry season four below: Barry's fourth season will start streaming via Binge in Australia and Neon in New Zealand from Monday, April 17. Top image: Merrick Morton/HBO.
Melbourne, it's pretty much official — you're the live music capital of the world, with a music venue-to-resident ratio that trumps every other city on the planet. And that's just one of the great findings from the Melbourne Live Music Census 2017, which were revealed this week. The survey, headed up by Music Victoria and the City of Melbourne along with Collarts, RMIT and local councils, sets out to analyse the climate of Melbourne's live music industry every five years. In its second edition, conducted on November 25 last year, it found that climate to be pretty darn healthy. In 2017 alone, greater Melbourne played host to over 73,605 advertised gigs and saw a total live music attendance of 17.5 million punters — that's up 19 percent and 12 percent respectively from 2012's census. In fact, audience numbers for live music events throughout the year were bigger than for AFL, cricket, the Spring Racing Carnival, A-League, basketball, netball, NRL and the Australian Grand Prix combined. And, while we hear plenty about Sydney live music venues shutting up shop, it seems the future's looking brighter for their southern counterparts, with 55% reporting an increased audience in the past 12 months. But the biggest news is perhaps that Melbourne now boasts one live music venue for every 9503 residents, making local music lovers the best-served in the world. Compare those figures with London's one venue per 34,350 residents, New York's one per 18,554 and LA's one per 19,607 ,and you'll have to agree Melbourne's absolutely killing it. The full Melbourne Live Music Census 2017 report is set to be presented at the Music Cities Convention - Melbourne on April 19.
When you've just made two seasons of a time-loop TV show about reckoning with the past, what comes next? For Russian Doll co-creator Leslye Headland, another jump backwards beckons. The Star Wars franchise has been telling tales set not just in a galaxy far, far away but also a long time ago for almost five decades; however, across its 11 movies and five live-action Disney+ TV shows until now, it hasn't ever explored the events of as long a time ago as Headland's The Acolyte brings to the screen. As streaming from Wednesday, June 5, welcome to the High Republic era a century before Star Wars: Episode I — The Phantom Menace — and into a thrilling new angle into one of pop culture's behemoths. Although they each date back further, Star Wars, The Lord of the Rings and Game of Thrones have become the 21st century's holy trilogy of fantasy and sci-fi fare. They've also all been adopting the same approach to keeping their stories going: stepping through the events before the events that they've already relayed to audiences. So went the Star Wars prequels, Rogue One: A Star Wars Story and Andor, plus House of the Dragon and The Lord of the Rings: The Rings of Power. So now goes The Acolyte as well. The key aspect of the latter isn't just that this eight-instalment series gains the space to jettison familiar faces and spin its narrative anew — it's also that it's traversing more of the world that George Lucas first envisaged in the 70s, and what the force means to more than the usual faces and those tied to them. And, it isn't afraid to question the heroes-versus-villains divide that's as engrained in all things Star Wars as lightsabers, having a bad feeling and droids. Taking place in a period of peace and prosperity — well, for some — The Acolyte is still home to heroes. Villains are part of the tale, too. But the idea that the Jedi always fall into the first camp and their enemies can only sit in the second is probed. Similarly queried is the notion that anything in the Star Wars realm, let alone everything, is that binary. The premise: Jedi are being eliminated by a mysterious warrior, a setup that is pushed to the fore immediately and initially aligns its emotional response as audiences since 1977 know to expect. But as gets uttered three episodes in, "this is not about good or bad — it's about power and who gets to wield it". The Acolyte's opening showdown unfolds in the type of cantina that's hardly new to the saga, but the battle itself is. From beneath a mask, a warrior (Amandla Stenberg, Bodies Bodies Bodies) isn't afraid to throw down, throw knives and throw around her ability to use the force, with a Jedi her target. In the aftermath, the robe-adorned head honchos have ex-padawan Osha in their sights. Now working as a meknik, which entails undertaking dangerous spaceship maintenance tasks that robots are legally only supposed to do, she fits the description. Her old Jedi mentor Sol (Lee Jung-jae, Squid Game) isn't so sure, though, especially knowing her past. Get ready to delve into history: throughout episodes set in The Acolyte's present day, Osha's backstory spills its details, plus a glimpse at how the Jedi work when they're the universe's accepted peacekeepers instead of freedom-fighting underdogs. In the season's illuminating third instalment — with Bachelorette and Sleeping with Other People's Headland handing over directing duties to After Yang's Kogonada after the debut two chapters (Cowboy Bebop's Alex Garcia Lopez and SWAT's Hanelle M Culpepper also helm episodes) — the action also leaps back years prior. Diving into to Osha's childhood in a coven that's use of the force isn't approved of by its regular guardians, it sees the show digging deeper into its examination of who is permitted to possess authority and influence. The Acolyte remains a Star Wars mystery as well, with why four Jedi are being singled out by an assassin doing their own master's bidding just one question that needs an answer. Who is pulling the strings behind the campaign against Sol, Indara (Carrie-Anne Moss, The Matrix Resurrections), Torbin (Dean-Charles Chapman, Game of Thrones) and Wookiee master Kelnacca (Joonas Suotamo, who also sported Chewbacca's fur Star Wars: Episode VII — The Force Awakens, Star Wars: Episode VIII — The Last Jedi, Solo: A Star Wars Story and Star Wars: Episode IX — The Rise of Skywalker) is another. As not just Sol but also fellow knight Yord (Charlie Barnett, another Russian Doll alum) and his protege Jecki (Dafne Keen, His Dark Materials) are on the case, only one of these queries receives an answer early. Five years since the franchise started rolling out Disney+ shows in 2019 with The Mandalorian, as followed by The Book of Boba Fett, Obi-Wan Kenobi, Andor and Ahsoka, the results have varied from exceptional to unnecessary. That said, in whichever TV tale has been expanding this galaxy, casting has rarely been an issue. From an impressive ensemble of actors that also features Manny Jacinto (Nine Perfect Strangers), Jodie Turner-Smith (Sex Education) and Rebecca Henderson (You Hurt My Feelings), Stenberg and Lee are The Acolyte's standouts. While they deliver particularly weighty performances when they're together — portrayals that cut to the heart of the thorny power dynamic that the series keeps laying bare — Stenberg, dealing with a twist on the saga's love of family drama and its echoing repercussions, adds an especially layered turn to her growing resume. Andor, with its complexity, grit, passion and spy-thriller vibe, remains hard to top as the best small-screen Star Wars spinoff. It was one of the best new shows of 2022 all round. Still, leaving sifting through why giving your all to attempt to stave off a dystopian nightmare is the most-pivotal quest there is to Andor, The Acolyte is a worthy addition to the realm. As it unpacks the hierarchy of light and dark, the grey areas that lurk between the two extremes and what all of those intermediary shades mean if you're not among those setting the rules, it's never afraid of the reality that life, even here, is messy. The force might be complicated in this one, but the potential for The Acolyte is strong. Check out the trailer for The Acolyte below: The Acolyte streams via Disney+ from Wednesday, June 5, 2o24. Images: ©2024 Lucasfilm Ltd. & TM. All Rights Reserved.
They're no Virgin Oceanic submarine, but the the new U-Boat Worx - the 'personal submarines for yacht and tourism' - might just have to suffice for those ordinary folk among us who are desirous of exploring the depths of the ocean but who suffer the misfortune of not being Richard Branson. That being said, however, by 'ordinary folk' it is of course meant those with a spare $100,000 odd to spend on this underwater charter. There are two U-Boats available - the C-Questers and the C-Explorers - both offering a 360 degree view of the deep through fully acrylic hubs, and a minimum 100m depth (the C-Explorers range from 100m-1000m in depth, whereas the C-Questers stay above the 100m mark). The C-Explorer family is geared more towards professional pursuits, whereas the C-Quester subs provide their leisurely-minded passengers with 8 hours of air conditioned glee in the sea. For your $100,000, U-Boat Worx will transport the sub from their base in Norway to anywhere in the world, and bring with it support staff, insurance and parts. It's costly, but then again, Water Walking Balls are child's play. U-Boat Worx is the real, submerged deal.
If Cottesloe starts to feel a little too sharky for your liking, take a break from the beach and head to AGWA for Heath Ledger: A Life in Pictures before it wraps up at the end of January. Celebrating the Perth-born actor's charisma, exemplary career and passionate creativity, it's a must-see for all Ledger fans. Put together by AGWA, the WA Museum and guest curator Allison Holland, the exhibition follows Ledger's career from his teenage years up to his final role in The Imaginarium of Doctor Parnassus (2009). You'll get to see costumes — including the Joker suit from The Dark Knight and the shirts he wore as Ennis del Mar in Brokeback Mountain — alongside research journals (on display for the first time) that grant an insight into how Ledger developed his roles. Also included in the show are photographic portraits by the likes of Karin Catt and Bruce Weber, Ledger's Best Supporting Actor Oscar and BAFTA, and a chronological narrative of his career — including his own experimentation with image making and creative projects as a director. Promises to be a bittersweet reminder of just how talented Ledger was, and what even greater heights he would have gone on to achieve. Image: Brokeback Mountain, 2005, © Kimberley French, photographer.
The recently returned Aussie meme-page Brown Cardigan is celebrating all things hellish (like being kicked off Insta) this Halloween with a 'Hell-O-Ween' warehouse party in collaboration with Fireball Cinnamon Whisky. From 9pm–3am on Thursday, October 31, dancers, drinkers and sinners are invited to the twisted dance party at Melbourne's Rubix Warehouse. Barbariön will be hosting death metal karaoke and a mix of DJs — including Dunni, Yo! Mafia and Ben Hunter — will be setting the tone for the night. Sip from a hot menu of Fireball bevvies, such as cinnamon-y espresso martinis, while dancing alongside caged live performers. There'll even be an actual spinning "fire wheel of death" for those daring enough to have a go, and hidden confessional booths will pepper the dark corners of the venue for a chance to redeem your soul at this fireball inferno. To secure your spot on the grim reaper's boat, RSVP for a free ticket before the night — they won't be around for long. Keep in mind RSVPs don't guarantee you entry on the night (as the venue has a limited capacity) so make sure you arrive early to party inside one of Melbourne's fieriest Halloween parties.
Opening quietly in a corner shop building on Bridge Road, Reunion & Co has joined the cafe-dotted and caffeine-fuelled hum of this bustling area. Sitting snugly in the building directly next to one of Richmond’s favourites, Touchwood, this new business feels right at home. Elements from the historic building's past have been carefully matched with more modern fittings; the Victorian-style ceiling complements the sleek timber furniture, ornate stained glass entrance and exposed wooden beams. A large concrete box breaks the room in two, hiding the busy kitchen from view, while hanging potted plants and vines add a smart touch of nature to the elegant modern design. With a focus on locally sourced farming, the food menu is a mix of typical breakfast and lunch dishes, with a few standout options. The local pine mushrooms with walnuts, goats curd and greens ($17.50) has a little kick with the addition of chilli — gentle, but just enough to add that something special to round out the dish. For a sweet breakfast, we recommend the Bircher muesli soaked in coconut milk with poached pear, pistachio, berries and lemon balm ($12.50), or a social media share-worthy bread and butter pudding topped with sultanas, mixed berries, lemon balm, luxurious double cream and edible flowers ($16). The presentation of this dish is wonderful. Coffee is supplied from Allpress and expertly poured from their La Marzocco machine. A range of teas, juices and smoothies are on offer, though these lack the attention to detail the rest of the cafe brings. We tried the Monkey Magic smoothie ($9), a blend of banana, cacao, dates, almond milk and cinnamon, served in a glass mason jar. Busy joggers and those on-the-go take note: there is a window around the corner in Neptune Street for takeaways. And as well as coffee, there's also a tempting selection of bagels, cakes and pastries available to go. While Reunion & Co is nothing we haven't seen before and not yet a destination cafe, it is nice to see an attractive new addition to the area. And with good coffee and a solid staple breakfast menu, it's a potential regular for the locals.
Just a couple of months ago Brisbane was turned into a Marvel movie set for the filming of Thor: Ragnarok. Well, comic book and film fans — there's more where that came from. Come next year, you'll be able to grab your Mjölnir, your best Tom Hiddleston wig, an Infinity Stone and anything else that ties into the now 14-strong Marvel Cinematic Universe, and head to Brisbane's Gallery of Modern Art for a massive exhibition dedicated to all things superhero. Talk about great timing. To be precise (and to state the obvious), Marvel: Creating the Cinematic Universe — which was announced by the Queensland Government yesterday — will showcase all things Marvel when it takes over GOMA from May 27 to September 3, 2017. Consider it a great lead up to Ragnarok's release in cinemas next October. It'll be the largest ever Marvel presentation in an art museum worldwide, and will feature original artworks, film props, costumes and more from the likes of Iron Man, Ant-Man, Captain America and Guardians of the Galaxy. We'd keep listing movies, but their box office success proves that you already know what we're talking about. And yes, you read that correctly — this isn't just a retrospective screening series featuring all the flicks you've been watching since Robert Downey Jr put on a robotic suit and wisecracked his way into starting the franchise back in 2008. Instead, it's a gallery-wide, government-championed, tourist-courting, super huge event. Of course, checking out all of the relevant movies on GOMA's big screen will be part of the program. After you've seen hundreds of MCU pieces drawn from Marvel Studios, Marvel Entertainment and private collections, you'll probably want to rewatch the films. If you've been to GOMA, you're probably used to seeing curated art and movie choices rather than such a pop culture blockbuster showcase. This will certainly be their most mainstream (and possibly most popular) event of either art or cinema to date. That said, their Australian Cinematheque typically dallies with bigger movie selections featuring better-known, broader titles at least once a year (the recent Monsters, Fairytales and Fables, and Myths and Legends programs, for example), albeit not quite on this mammoth level. However, if you've already donned your costume and possibly booked a trip to Brisbane, you'd better get your tickets — they're on sale now. Marvel: Creating the Cinematic Universe will show at GOMA from May 27 to September 3, 2017. Tickets are on sale now at qagoma.qld.gov.au.
BrewDog might be best known for its yeasty ales and lagers; however the Scottish beer outfit has earned plenty of attention for its other activities. It boasts the world's first craft beer hotel to its name, as well as the world's first craft beer airline — and then there's the decision to make Brisbane its base for its first Australian brewery. Now, BrewDog is doing something that was always destined to, given the company's choice of canine-friendly moniker. Its latest beer is called Subwoofer IPA — and yes, it's 100 percent made for thirsty doggos. No strangers to dog-friendly events — you can take your four-legged buddy to stay in its Ohio hotel, for example — BrewDog has whipped up some hooch for pooches that uses the same wort (aka malted barley and hot water) that goes into their regular IPA. For canines, the brew also has a meaty element to get doggo tongues wagging, as well as B vitamins and probiotics. It's described as possessing "a a malt backbone and a 'hoppy' overtone from citrus", which sounds just like many a beer for humans. Crucially, Subwoofer IPA is alcohol-free, doesn't actually contain any hops and is also non-carbonated. BrewDog is calling it the first craft beer for dogs, although other breweries have made similar tipples for humankind's best friend. Earlier this year, Brisbane's Archer Brewery did just that, while brands like Snuffle, Bark Brew and Dawg Grog have been doing the same for a while. Served in 250ml bottles — and then in your dog's chosen bowl, obviously — Subwoofer IPA is only available in the UK at present. Fingers and paws crossed that it makes the jump down under when BrewDog's Brisbane brewery opens its doors. Image: BrewDog.
Takeaway and delivery food are true luxuries of modern living. Unfortunately, for all that time you get back on avoiding cooking or simply enjoying the privilege of watching ten consecutive episodes of Below Deck without interruption, the consequence is an impact on the environment that is less than positive. Excess packaging and un-recyclable waste are both the unavoidable byproducts of the takeaway food system, and have been since the days of styrofoam and plastic straws. Hopefully, that's about to change in Australia. Uber Eats — the service responsible for more food delivery than any other in the country — has just launched a partnership with leading environmental change organisation, Planet Ark, to make a shift toward more sustainable packaging across the industry, from the time it exits the kitchen of restaurants and vendors, to the disposal of waste at the homes of all us Below Deck freaks. So, how will it be done? One of the goals of the program is to get Uber Eats' restaurant partners moving to reusable, recyclable, or compostable packaging options by 2030. The roll out will include education of restaurant partners around these options, supported by a $13m investment from Uber Eats to subsidise the uptake of new environmentally friendly packaging types into venues so that positive changes can be made without throwing a spanner into your favourite Thai joint's ability to run a roaring trade. If you're an Uber Eats user, keep an eye out for tips on the most environmentally friendly way to dispose of your takeaway packaging at home — for example, rip off the non-grease-stained top of the pizza box to go in the paper/cardboard recycling bin and throw the greasy box base in the normal bin. Even seemingly small changes can make significant impacts. According to Bec Nyst, General Manager of Uber Eats ANZ: "since making cutlery opt-in, rather than being included by default, we estimate eaters have helped reduce the equivalent weight of four jumbo jets worth of plastic forks, spoons and the like ending up in Australian landfill." [caption id="attachment_937881" align="alignnone" width="1920"] Planet Ark CEO Rebecca Gilling and Uber Eats General Manager Bec Nyst.[/caption] Images: Caleb Oquendo (top) and Caroline McCredie
No need to dig for pocket change at this chocolate shop. All you need to surrender is a little piece of your generosity. Danish chocolatier Anthon Berg created his one-day pop-up sweet shop 'Generous Store' because he believes that "there is not enough generosity in people's lives". Adorned with numberless 'price tags' that specified good deeds, the store's chocolate boxes could be taken home for the cost of a promise. Shoppers had to promise to complete the good deed, sanctifying their pledge by sharing it on Facebook via the store's iPad. If they failed to hold up their end of the bargain, their Facebook friends would be aware to hold them accountable. Chocolates were exchanged for the promise to serve a loved one breakfast in bed, to speak nicely to one's mother, and to complete a variety of other deeds, proving that chocolates aren't the only thing that makes life sweet. https://youtube.com/watch?v=_cNfX3tJonw [via GOOD]
Fancy a booze bus with boot-scootin' fun? Link up with the craft beer connoisseurs at Moon Dog, as they present a whirlwind tour of all their breweries across town. Presented as part of this year's Melbourne Food & Wine Festival, the day kicks off at Moon Dog World Preston at noon with an in-depth brewery tour complete with beer tasting and a sumptuous lunch pairing. Then, you'll be hitting the road bound for Moon Dog Doglands – that's in Docklands for you pun-lovers. Here, the brewery's founders will regale those on this epic crawl with behind-the-scenes stories as you sip on the brand's tasty selection of barrel-aged beers. Finally, it's onwards to Moon Dog Wild West in Footscray – the newest of the brewery's venues – for an after-dark shindig featuring more drinks, food and rootin'-tootin' rides on the famous mechanical bull, aka Jolene. It's all happening on Saturday, March 22, with tickets available for $99 and including all food, drinks and transport. Images: Kate Shanasy.
Meredith is a festival where you're guaranteed to have a good time, no matter what. But whatever your reasons for heading to the three-day December festival in central Victoria, you won't be disappointed with the acts Aunty Meredith has just announced for this year's lineup. They're absolutely spiffing awesome. Superwoman and curator of all things wacky, Peaches, will be headlining the bill, bringing her extravagant live show to The Sup. Kelela will be coming all the way from Washington to kick off the after-dark vibbes on Friday night, and Geelong boys King Gizzard and the Lizard Wizard will be providing that dose of psych rock every weekend at Meredith needs. BADBADNOTGOOD will be fusing jazz and electro, while Angel Olsen will be bringing all them feels and The Triffids will be there for a shot of nostalgia. And that's not even a half of it. Aunty has really covered all bases here. You're wondering how you can get tickets to this aren't you? Meredith tickets are only available by entering the ballot. You can still do so at aunty.mmf.com. Fingers crossed that we can all hang out in The Sup on December 9, 10 and 11. But we know what you're really here for. We'll cut to the chase. Here's the full lineup MEREDITH MUSIC FESTIVAL 2016 LINEUP Peaches Sheila E King Gizzard And The Lizard Wizard BadBadNotGood Angel Olsen The Triffids Kelela Ben UFO Japandroids The Congos Baroness Archie Roach Jagwar Ma Mount Liberation Unlimited Fred & Toody Cole Chiara Kickdrum Cass McCombs The Goon Sax Ross Wilson CC: Disco! Cable Ties Wilson Tanner Silence Wedge The Sugarcanes Terry Judith Lucy Sheer Mag Dungen Meredith Music Festival will return to Meredith on Friday 9, Saturday 10 and Sunday 11 December, 2016. Onsite camping will once again be available from Friday. To put your name in the ballot to win tickets, go to aunty.mmf.com.
For artist Sarah McCloskey, there was never really a question whether or not she would pursue a career in art. "There's never been another thing that I've been interested in," she says. Growing up in Perth, McCloskey explains that she "always, always had a pencil in [her] hand". After graduating from high school, she completely immersed herself in that world. She worked part-time in an art gallery and started a university degree in fine art, all while steadily honing her craft. In February 2019, she moved to Sydney to pursue being an artist full-time. It was one of several choices that McCloskey has made over the last decade in a bid to shape her career and find her unique creative voice. This year, McCloskey joins a slew of visionary creatives collaborating with Miller Design Lab — the home of creativity and self-expression built by Australia's leading minds in design, art, technology and fashion. The platform is a celebration of our nightlife and its impact on culture to deliver exceptional moments to you and your home. Here, we speak to McCloskey about seeking new challenges that shape her creative voice and finding inspiration. There's something that's really clear when talking to McCloskey: she isn't afraid of facing a challenge. In fact, she welcomes it. "I think the things I feel most proud of come from throwing myself into something new and giving it my best shot," she says. Although the bulk of her current work is painting murals, it's a relatively new medium for her after concentrating on graphite illustrations for the first part of her career. Explaining how she fell into the medium, she says, "I just was lucky enough to be working in a space and surrounded by some people who had been painting walls for decades." Since then, McCloskey's painted murals for several arts festivals, including Wonderwalls Festival in Port Kembla. But there are plenty of tricky aspects of it. "They were some of my largest walls and had tight timeframes. I learned a lot and was super proud. I do love painting murals, but I definitely feel it afterwards. Especially if I'm painting something really big in a short amount of time in the sun or the rain.....It is pretty physically taxing." Acknowledging that she can't continue with murals long-term, she started "dipping her toe" into yet another new challenge last year: oil painting. And she began with what she describes as "a pretty vulnerable choice to paint a sad selfie". Now, rather than seeing the cancellation of much of her upcoming mural work at festival and events (due to COVID-19) as a setback, McCloskey's taking it as an opportunity to keep forging ahead in her career path. "I'm in the studio constantly and actually putting time into some oil paintings that I've had sitting here waiting for me to finish. I want to build up a body of work with a view to have an exhibition." One of the most recent oil paintings that McCloskey has produced was for Miller Design Lab, which she describes as "pretty true to my style... which is very much portrait-based. I do have an interest in strong colour palettes, so I chose neon to be my light source, which is something I hadn't done before." Delving further, McCloskey explains how customisation plays a role in her process. "Through the years, I would take a photo reference [from Pinterest or Instagram] and tweak it to make it my own... I like to keep the realistic aspects and the things that make it recognisable, especially if it's a face, but turn it into something that doesn't really exist in this world. Through painting, especially murals, that's something I do using colour and other botanical elements." It's no surprise then that McCloskey considers nature a huge source of inspiration. She mentions the Royal Botanic Garden and Wendy Whiteley's Secret Garden as two of her favourite places in Sydney to visit. And, when the sun goes down, the inspiration keeps flowing. "The nightlife of the city is that perfect time at the end of the day when everybody gets to go out and connect with people. Whole creative industries exist in the night for our pleasure and entertainment, and being able to get out amongst that is an amazing way to recharge." For Sarah, that means tracking down live music. "I'm always that person who is trying to drag all my friends to some gig. That's the perfect place to see a bunch of other creative people in their element on a stage. I always feel pretty motivated by that — seeing people smash it in their own creative field. I'm not a musician at all but seeing one is like 'Fuck yeah, I'm going to go and be good at my thing now'." For more, check out Sarah McCloskey's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
When Vivid Sydney took place in 2016, wearing pyjamas was acceptable. As Max Richter performed Sleep at the Sydney Opera House, the composer did so while attendees slumbered, which is what the eight-hour performance is specifically designed for. Did anyone taking a kip to the music dream up a future idea for a Vivid event? Audiences might find out when the festival returns in 2025 for its 15th year across Friday, May 23–Saturday, June 14. It's save-the-date time, with Vivid locking in its next winter return, aka when it'll next take over the Harbour City with its showcase of tunes, luminous sights, culinary events and conversation. Also revealed: 2025's theme, which is where dreaming comes in again. "Dreaming is something we all do. It's as old as time and as universal as life itself. Dreams don't discriminate — they are borderless, ageless and endless. They can be personal or public. When shared, our dreams can become a movement. They can inspire, motivate, spark excitement and connection," explains Vivid Sydney Festival Director Gill Minervini about the event's next focus. "The whole world dreams, it is something we have in common, something that unites us. Our human story is embedded in dreams, they help explain our existence and our past," Minervini continued, also opening the call for expressions of interest to take part in 2025's Vivid. "We want the very best in homegrown talent to be part of our vibrant Vivid Sydney event program, with a unique opportunity to foster community connection, spark imagination and showcase the multitude of ways creativity can enrich our lives." "Each year, Vivid Sydney aims to deliver unparalleled artistic brilliance, and we look forward to welcoming the inspirations within our community that will help shape Vivid Sydney 2025 into a show-stopping cultural phenomenon." Vivid's lineup won't be announced until 2025, but you can lock in one venue: Taronga Zoo. Whatever pops up at the iconic spot can link into light, music, ideas and food, the four pillars that Vivid has at its core. If you're excited about which events will follow in past years' footsteps — 2024's lineup included Amy Poehler, Air, Budjerah, Yasiin Bey, Tekno Train by Paul Mac, a fan of light from Sydney Tower, artwork by Archibald Prize winner Julia Gutman on the Sydney Opera House's sails and plenty more, all ruminating on the theme 'humanity' — then mark your diaries accordingly. If you have a dream-inspired idea that you'd love to see come to life at Vivid 2025, no matter whether you're an artist, musician, chef, speaker or something else, then head to the fest's website to go through the expression of interest process. Vivid Sydney will run from Friday, May 23–Saturday, June 14, 2025 at various locations around Sydney. We'll update you when the program is announced next year — head to the festival website for further details in the interim. Images: Destination NSW.
Uncut, unreleased and unseen movie footage provides fans with a unique and fascinating insight into the creative process of cinema's great artists. By taking a trip behind-the-scenes, the viewer is transported into the magical world of film, revealing the true genius of an actor's performance, a white-knuckled chase scene or a director's creative vision. Whether it be peeking into Francis Ford Coppola's famously meticulous nature or into the technical trickery that made it possible for Michael J. Fox to ride a hoverboard in Back To The Future II these astounding pieces of footage lift the veil on some of the mysteries of movie-making and demonstrate how some of the most iconic scenes in movie history became a reality. The Seven Year Itch While not all of us can claim to have seen Marilyn Munroe's 1955 rom-com about the perils of monogamous relationships, just about everyone with access to a television has seen that iconic scene where Marilyn coos and caws seductively as her dress billows around her waist. At only 17-seconds this footage of Marilyn and director Billy Munroe creating one of cinema's most iconic images is simply mesmerising. The Godfather Voted by the International Movie Database as the greatest film of all time, The Godfather is a melange of spectacular performances and sublime scriptwriting all brought together by Francis Ford Coppola's uniquely sympathetic vision of the Italian-American mafia. This collection of completed scenes, interviews with the stars and crew commentary takes us on a fascinating tour of this 1970s masterpiece. Frenzy The macabre and majestic character of Alfred Hitchcock is one of the most mysterious figures in film history. This behind-the-scenes footage from the making of his 53rd film Frenzy shows Hitchcock in his element: watching his production with keen intensity and directing his lead actress Barbara Leigh-Hunt moment-by-moment through her death scene. It is a remarkable insight into the man who more than any other has shaped the direction of modern cinema. Avatar James Cameron has created an unthinkably successful career out of pushing the technical possibilities of film and writing some of the cheesiest, most cringe-inducing dialogue ever to grace the silver screen. With his 2009 sci-fi epic Avatar, Cameron launched a 3D revolution with his green screen wizardry and original use of motion-capture technology. This B-roll footage clearly shows why Cameron is seen as the most innovative technical director working in the industry today with his giant action sequences particularly demonstrative of the immense amount of work required in post-production to create his bombastic epic. The Exorcist Often seen as the scariest film of the 20th Century, The Exorcist combined innovative production techniques, a frightening-as-all-hell soundtrack and an incredibly daring performance by child actor, Linda Blair, to bring the world this terrifying story of a young girl possessed by a demon. This eerie behind-the-scenes footage, taken by cinematographer Owen Roiza for his personal collection, is a compelling vision of the film, showing how the make-up artists were able to transform a cute 12-year old into a demonic monster and how a small country cottage was transformed into a veritable hell-on-earth. Star Wars: Return of the Jedi Here is one for every pock-marked teenager who ever dreamed of owning a lightsaber: a backstage look at George Lucas' final chapter of the Star Wars trilogy (the original one, not those god-awful, cash-grabbing prequels). All the gang are here: Luke Skywalker, R2D2, Jabba the Hutt, C3PO and, of course, Princess Leia in her infamous and oft-parodied slave outfit. If you have ever wondered how Lucas was able to create those thrilling lightsaber battles and wow the world with his intricate sets of spacecrafts and flying bounty hunters then this seven minutes of grainy Super 8 footage is a perfect starting point. Back To The Future II For every kid growing up in the 1980s, Michael J. Fox riding a hoverboard was the coolest thing since flared jeans and Huey Lewis. This footage demonstrates how Steven Spielberg's sci-fi protege, Robert Zemekis was able to use skateboards, wooden props and cable suspension to transform Fox into an unlikely teen idol. Set in 2015, we still have our fingers crossed that these hoverboards will be available in your local Toys-R-Us in the years to come. The Rocky Horror Picture Show Mullets, male eyeliner and fishnet stockings abound in this behind-the-scenes look at the camp, cult classic The Rocky Horror Picture Show. Interviews with the stars, creators and writers behind this risque rock musical reveal a host of characters that are as weird and wonderful as their on-screen counterpoints. If you've ever wondered what prancing around in drag singing 'Time Walk' for three months feels like then watch out for the interview with Tim Curry, the man who made Dr. Frank-N-Furter into a household name.
The pointy end of this year's awards season is here. Every 12 months, and for months and months, the film industry celebrates the best and brightest movies that've graced cinemas — and now streaming as well — across a spate of accolades culminating in the Academy Awards. Exactly which movies the Oscars will shower love on is about to be revealed, with the gongs' 95th ceremony taking place on Monday, March 13, Australian and New Zealand time. Of course, sometimes the finest flicks, performances, directors and other talents truly do nab these coveted prizes, as seen with Parasite and Nomadland in recent years. Sometimes, movies initially considered surprises gather momentum, such as 2022's Best Picture win for CODA. And sometimes, the very best movie of the past year doesn't even get a look in — yes, Decision to Leave was criminally ignored among 2023's nominees, and no we'll never get over it. Whatever films you adored in 2022, some might end up with Hollywood's ultimate accolade — and plenty of deserving winners will be anointed. Will this be the year that Cate Blanchett earns a third Oscar? That the Academy shows how much it loves actors playing real-life people — again? That a Marvel movie wins an acting Oscar? That movies about donkeys steal the show? Could two categories, at least, make history? We've done some assessing and prognosticating; here are our predictions: BEST MOTION PICTURE The nominees: All Quiet on the Western Front Avatar: The Way of Water The Banshees of Inisherin Elvis Everything Everywhere All At Once The Fabelmans Tár Top Gun: Maverick Triangle of Sadness Women Talking Should win: Everything Everywhere All At Once Could win: Top Gun: Maverick Will win: Everything Everywhere All At Once Every year delivers a heap of phenomenal movies — if you think otherwise, you're just not watching enough — and 2022 was no different. And, some of those films are competing in this very category, including the sublime and lingering The Banshees of Inisherin. Still, nothing else among the ten contenders boasts the energy that Everything Everywhere All At Once sports. Everyone remembers when they first saw Everything Everywhere All At Once. Not every film earns that feat, but this Michelle Yeoh-starring date with the multiverse is simply unforgettable. It should win. It will win. But, the Oscars do have a history of loving blockbusters such as Titanic and The Lord of the Rings: The Return of the King — and Top Gun: Maverick might ride its need for speed to the top spot. BEST DIRECTOR The nominees: Martin McDonagh, The Banshees of Inisherin Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once Steven Spielberg, The Fabelmans Todd Field, Tár Ruben Östlund, Triangle of Sadness Should win: Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once Could win: Steven Spielberg, The Fabelmans Will win: Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once After awarding its Best Director prize to Chloé Zhao and Jane Campion over the past two years, tripling the number of women who've earned the award — from a paltry one to a just-as-dismal three — in 94 years, the Academy once again went back to deciding that ladies weren't among the past year's top helmers. To say that's disappointing is an understatement: Sarah Polley's Women Talking and Charlotte Wells' Aftersun both earned nominations elsewhere, but apparently directed themselves. The Daniels, aka Kwan and Scheinert, made a stunner with Everything Everywhere All At Once, and should be rewarded as a result. Don't discount Steven Spielberg for his supremely personal The Fabelmans, though — which, yes, we also said last year when he was competing for West Side Story. This'd be his first in almost a quarter-century (since Saving Private Ryan), and the Oscars do love sharing the love with this gong, awarding something that doesn't win Best Picture or get much else. PERFORMANCE BY AN ACTRESS IN A LEADING ROLE The nominees: Cate Blanchett, Tár Ana de Armas, Blonde Andrea Riseborough, To Leslie Michelle Williams, The Fabelmans Michelle Yeoh, Everything Everywhere All At Once Should win: Michelle Yeoh, Everything Everywhere All At Once Could win: Michelle Yeoh, Everything Everywhere All At Once Will win: Cate Blanchett, Tár Of course Cate Blanchett should 100-percent receive her third Oscar for Tár. Yes, she already has two, for The Aviator and Blue Jasmine. This isn't her last shot at adding another to her mantle, and she'll win more from here. But she genuinely is better than she's ever been playing this conductor drama's definitely not-real namesake. And, she likely will win. She deserves to. But in what'd be her first Academy Award — she's as the first nominee in the category who identifies as Asian, too — Michelle Yeoh also deserves the trophy for Everything Everywhere All At Once. It's a movie that knows how much of a star she is to the point that it even baked it into its concept, and a film that definitely wouldn't be what it is without her. Also, forget the controversy surrounding Andrea Riseborough's To Leslie nomination; she won't win, but she's earned her spot. PERFORMANCE BY AN ACTOR IN A LEADING ROLE The nominees: Austin Butler, Elvis Colin Farrell, The Banshees of Inisherin Brendan Fraser, The Whale Paul Mescal, Aftersun Bill Nighy, Living Should win: Colin Farrell, The Banshees of Inisherin Could win: Brendan Fraser, The Whale Will win: Austin Butler, Elvis Play a real person, go home clutching a statuette after Hollywood's night at nights: that's how things have turned out for Colin Firth, Daniel Day-Lewis, Matthew McConaughey, Eddie Redmayne, Leonardo DiCaprio, Gary Oldman, Rami Malek and Will Smith since 2010. And Austin Butler is that electrifying in Baz Luhrmann's Elvis as, of course, Elvis Presley. His onstage efforts in the concert scenes alone are goosebump-giving levels of spectacular. Colin Farrell's work in The Banshees of Inisherin is far less flashier, of course, but no less exceptional. In a movie filled with exquisite portrayals — three of his costars are nominated, too — he's never less than magnetic, especially at conveying pain and confusion. The Brenaissance may nab Brendan Fraser the accolade for The Whale, though, because Hollywood loves a comeback — even if Fraser hasn't ever been far from screens. PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE The nominees: Angela Bassett, Black Panther: Wakanda Forever Hong Chau, The Whale Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All At Once Stephanie Hsu, Everything Everywhere All At Once Should win: Kerry Condon, The Banshees of Inisherin Could win: Angela Bassett, Black Panther: Wakanda Forever Will win: Jamie Lee Curtis, Everything Everywhere All At Once Give the cast of The Banshees of Inisherin all the awards. Better Call Saul star Kerry Condon is heartbreaking in the Irish dramedy — playing the kind but frustrated sister who can see both sides to its central feud, and whose own wants and needs are always ignored by the either chatting or fighting men around her. And, she might capitalise upon Everything Everywhere All At Once's Jamie Lee Curtis and Stephanie Hsu competing against each other. That said, give the cast of Everything Everywhere All At Once all the awards as well. Curtis has momentum fresh off a Screen Actors Guild win, in what's somehow the acting veteran's first-ever Oscar nomination, but Hsu would be just as worthy a winner. Golden Globe-recipient Angela Bassett may just make history for winning as the first-ever Marvel performance, however — she is Black Panther: Wakanda Forever's powerhouse. PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE The nominees: Brendan Gleeson, The Banshees of Inisherin Brian Tyree Henry, Causeway Judd Hirsch, The Fabelmans Barry Keoghan, The Banshees of Inisherin Ke Huy Quan, Everything Everywhere All At Once Should win: Ke Huy Quan, Everything Everywhere All At Once Could win: NA — because Ke Huy Quan will win. Will win: Ke Huy Quan, Everything Everywhere All At Once Last year, the Best Supporting Actress category was a lock for months. Ariana DeBose was always going to win for West Side Story, and she did. This year's equivalent is the Best Supporting Actor race, with Ke Huy Quan set to shine for one helluva return. As he's spoken about in plenty of speeches as he keeps collecting well-deserved trophies, the Everything Everywhere All At Once star went from childhood fame in Indiana Jones and the Temple of Doom and The Goonies to virtually nothing before The Daniels came along. Quan helps give Everything Everywhere All At Once its heart and soul, and he'll give the speech of the Oscars: mark our words now. If there is an upset, Brendan Gleeson and Barry Keoghan from The Banshees of Inisherin loom as the biggest threats, albeit vying against each other, and Brian Tyree Henry's nomination for Causeway should be the first of many. BEST ORIGINAL SCREENPLAY The nominees: The Banshees of Inisherin, Martin McDonagh Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert The Fabelmans, Steven Spielberg and Tony Kushner Tár, Todd Field Triangle of Sadness, Ruben Östlund Should win: Tár, Todd Field Could win: Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert Will win: The Banshees of Inisherin, Martin McDonagh Every year has them: the films that could earn a swag of Oscars, and would against different company, but only end up with a gong or two. In 2023, it looks as if Tár and The Banshees of Inisherin are those two movies. The latter should be rewarded for Martin McDonagh's layered original screenplay, and the former also deserves to be — Todd Field's Tár script is a masterclass in complexity. McDonagh has two screenwriting nominations before, for In Bruges and Three Billboards Outside Ebbing, Missouri. Field has the same for In the Bedroom and Little Children. The Daniels might just pip them both for Everything Everywhere All At Once — or, if Spielberg doesn't win Best Director, maybe this is where The Fabelmans gets the icon some love. BEST ADAPTED SCREENPLAY The nominees: All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Glass Onion: A Knives Out Mystery, Rian Johnson Living, Kazuo Ishiguro Top Gun: Maverick, screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks Women Talking, Sarah Polley Should win: Women Talking, Sarah Polley Could win: All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Will win: Women Talking, Sarah Polley Women Talking might've directed itself to a Best Picture nomination in the Academy's eyes, but it didn't write itself. Adapting Miriam Toews' 2018 novel of the same name, which draws on events in a Bolivian Mennonite colony from 2005–9, actor-turned-filmmaker Sarah Polley should earn her first win from two screenwriting nominations — the first was for 2008's Away From Her — for her powerful efforts, which do indeed make women talking the most important thing imaginable. Edward Berger, Lesley Paterson and Ian Stokell's work scripting All Quiet on the Western Front — adapting it again from the 1929 anti-war novel — should put up a fight, though. And who doesn't want to live in a world where Rian Johnson picks up a gong for Glass Onion: A Knives Out Mystery? It won't happen, as it didn't with his Knives Out nomination either, but a win here would be glorious. BEST INTERNATIONAL FEATURE FILM The nominees: All Quiet on the Western Front Argentina, 1985 Close EO The Quiet Girl Should win: Close Could win: Argentina, 1985 Will win: All Quiet on the Western Front Sometimes, the Academy recognises that movies in languages other than English are regular movies, too, nominating them for Best Picture as well as the field currently called Best International Feature Film. Obviously, that should just be standard, but this is one such year. In fact, All Quiet on the Western Front has scored recognition all over the place, notching up nods in nine categories. It'd be an immense surprise if the German-language flick doesn't garner the international prize. Still, courtroom drama Argentina, 1985 picked up the Golden Globe, and could repeat the feat at the Oscars. From the five nominees, sensitive, tender and stunning Belgian effort — and Cannes award-winner — Close is hauntingly exquisite from start to finish, and a standout among impressive titles. Again, as already mentioned, Decision to Leave should be here (and everywhere). BEST ANIMATED FEATURE The nominees: Guillermo del Toro's Pinocchio Marcel the Shell With Shoes On Puss in Boots: The Last Wish The Sea Beast Turning Red Should win: Marcel the Shell With Shoes On Could win: Turning Red Will win: Guillermo del Toro's Pinocchio There's never a lack of Pinocchio films on our screens, and Guillermo del Toro's Pinocchio was just one in 2022. What a version it is; a feat of gorgeous stop-motion, and a movie that inescapably belongs to its Nightmare Alley and The Shape of Water director. It's also a spin on Frankenstein in its own way, marvellously so. And, it's a wonder that'll make an ace Best Animated Film winner — but so would the sweet, adorable, thoughtful, intelligent and meta Marcel the Shell With Shoes On, which is even better as a feature film than as a viral smash. Pixar is a heavy-hitter in this category, of course, so Turning Red is definitely in with a shot. BEST DOCUMENTARY FEATURE The nominees: All That Breathes All the Beauty and the Bloodshed Fire of Love A House Made of Splinters Navalny Should win: All the Beauty and the Bloodshed Could win: Fire of Love Will win: Navalny What a year it is for documentary filmmaking when All That Breathes and A House Made of Splinters look unlikely to nab the Best Documentary Feature Oscar — and when Moonage Daydream wasn't even nominated. This field comes down to Navalny, Fire of Love and All the Beauty and the Bloodshed, each of which are astonishing in their own ways. The scope of All the Beauty and the Bloodshed, and the empathy within it, means that this Venice Golden Lion-winner about photographer Nan Goldin really should emerge victorious. But, telling French volcanologists Katia and Maurice Krafft's tale using wonderful archival footage, Fire of Love was one of 2022's best films. Expect Navalny to win, with this portrait of Vladimir Putin opponent Alexei Navalny also a gripping thriller. BEST ORIGINAL SCORE The nominees: All Quiet on the Western Front, Volker Bertelmann Babylon, Justin Hurwitz The Banshees of Inisherin, Carter Burwell Everything Everywhere All At Once, Son Lux The Fabelmans, John Williams Should win: Babylon, Justin Hurwitz Could win: The Fabelmans, John Williams Will win: Babylon, Justin Hurwitz More often than you might expect, a year rolls around where neither John Williams or Hans Zimmer get Oscar nominations. One of the Newmans — cousins Thomas or Randy — tend to fill the gap, or Alexandre Desplat. This year is Williams' turn as a contender again, earning his whopping 53rd nod. He's won five times so far from that, and The Fabelmans might be his sixth. This is a jam-packed field with no weak links, but Justin Hurwitz should add to his two La La Land wins. His score for Babylon is propulsive, vibrant, energetic and largely responsible for the film's mood. Yes, it's jazzy, naturally — his latest collaboration with jazz-loving director Damien Chazelle is set in Jazz Age Hollywood, after all. BEST ORIGINAL SONG The nominees: 'Applause', Tell It Like a Woman (Diane Warren) 'Hold My Hand', Top Gun: Maverick (Lady Gaga and BloodPop) 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) 'This Is a Life', Everything Everywhere All At Once (music by Ryan Lott, David Byrne and Mitski, lyrics by Ryan Lott and David Byrne) Should win: 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) Could win: 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) Will win: 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) Maybe you're the kind of Oscars watcher that uses the song performances to grab a bite. Forget your usual routine — don't miss this year's rendition of 'Naatu Naatu'. The infectious and joyous track from RRR will win, and should, for a movie that should've had a better showing in the nominations. Despite Bollywood's stature, an Indian film has never been nominated outside of Best International Feature Film before, so this'll be a history-making victory. Still, Black Panther: Wakanda Forever's 'Lift Me Up' could sweep in; Rihanna's slot at the Super Bowl didn't hurt its fortunes. And Lady Gaga's 'Hold My Hand' from Top Gun: Maverick is also in with a good chance. BEST CINEMATOGRAPHY The nominees: All Quiet on the Western Front, James Friend Bardo, False Chronicle of a Handful of Truths, Darius Khondji Elvis, Mandy Walker Empire of Light, Roger Deakins Tár, Florian Hoffmeister Should win: Empire of Light, Roger Deakins Could win: Empire of Light, Roger Deakins Will win: Elvis, Mandy Walker Another field where every entry is excellent, the Best Cinematography category could also make history. Horrifically, it wasn't until the 2018 ceremony that a female cinematographer — Mudbound's Rachel Morrison — was even nominated. Australia's own Ari Wegner received the award's second-ever nomination to go to a woman in 2022 for The Power of the Dog, but didn't win either. Fellow Aussie Mandy Walker should go one better for Elvis; however, she has stiff competition. Cinematography great Roger Deakins does stellar work with Empire of Light; a movie about the power of cinema set in a cinema, it has to look perfect, and it does. And James Friend could sneak in for All Quiet on the Western Front, especially if it doesn't capitalise upon all of its nominations in other fields. BEST FILM EDITING The nominees: The Banshees of Inisherin, Mikkel EG Nielsen Elvis, Matt Villa and Jonathan Redmond Everything Everywhere All At Once, Paul Rogers Tár, Monika Willi Top Gun: Maverick, Eddie Hamilton Should win: Tár, Monika Willi Could win: Top Gun: Maverick, Eddie Hamilton Will win: Everything Everywhere All At Once, Paul Rogers Thanks to editing wins at the BAFTAs, Critics Choice, Film Independent Spirit and American Cinema Editors Awards, Best Film Editing is Everything Everywhere All At Once's category to lose — but there's one caveat around Paul Rogers' likely win. Also at the ACE Awards, Top Gun: Maverick 's Eddie Hamilton won, because that ceremony gives out gongs for dramas and comedies separately. So, if Top Gun: Maverick takes the Academy's breath away, don't be surprised. Elvis, The Banshees of Inisherin and Tár also benefit from exacting splicing — indeed, everything in this field except The Banshees of Inisherin delivers a masterclass in overt editing with style and purpose. Wondering where to watch this year's Oscar contenders? We've put together a rundown for both Australia and New Zealand.
Sydneysiders have always liked writing obscurely profound things on the walls of the city. Sydney's the kind of city that breeds people like Arthur Stace, a reformed illiterate alcoholic who spent thirty-five years writing the word 'Eternity' in chalk all over the streets of Sydney in copperplate script, which can still be seen inside the bell of the GPO clock tower. And you still see street writing everywhere, from the scrawled messages on bus stops and railway underpasses, to the 'I have a dream' mural on King Street and heartfelt declarations like 'hands held violently onto words that meant nothing' on the back of St Stephen's Church in Camperdown Memorial Park. Now we can add to this list the moss poetry which has recently popped up in Sydney's own version of the Hanging Gardens of Babylon, Paddington Reservoir Gardens. The walls of the reservoir are currently covered in growing poetry, as part of a typographic installation entitled ''Modern Day Mossages. Created from locally sourced mud and moss, the words and phrases have been contributed by emerging Sydney poets paying tribute to John Thompson, founder of the resident action group The Paddington Society, after whom one of the Reservoir's gardens is named after. The moss poem is the product of a collaboration by members of Popperbox, a collective of Sydney-based artists, designers, illustrators and software engineers, who have been making experimental and accessible pieces since their formation in 2007. The installation aims to make you think about growth, nourishment, rejuvenation and the future, and was attached to the sandstone walls of the historic reservoir using a pungent mixture of heavy clay soil, beer and yoghurt. The artists are monitoring the growth of the moss daily in the hopes that it will continue to grow, although that shouldn't be a problem given the deluge which appears to be sticking around for the rest of the month. Modern Day Mossages is a short-term installation, one of three projects commissioned by the City of Sydney for the Paddington Reservoir Gardens in 2012. [Via D*Hub]
With the enormous Andy Warhol | Ai Weiwei exhibition wrapped up, Next Wave Festival done and dusted for another year and Whistler's Mother flying in (and out) for a short visit, this year has marked a big year for art in Melbourne — and we're only half way through. To kick off the second half of the year, we'll be diving into the the NGV's huge new Degas exhibition, making a trip to Geelong Gallery and visiting Flinders Lane lobbies to get our art fix. If you read on, you can do the same. Words: Matt Abotomey, Tom Clift and Imogen Baker.
There is only one direction to build in Hong Kong: up. The island is so densely populated by both humans and towering structures that buildings just get taller and taller as the population swells ever larger. These monolithic buildings of commerce and habitation dwarf the masses on the streets below, and this feeling has finally been captured in a series of photographs that truly convey the dizzying depths of the tiny island. Romain Jacquet-Lagreze, a French graphic artist, captured the city from the ground looking up. Using the diverse range of vertical perspectives that Hong Kong has to offer, including shopping centres, commercial skyscrapers and residential towers, he showcases the uniqueness of a "relentlessly growing city" for his book Vertical Horizon. Hong Kong appears to be the subject to capture at the moment, with this series following earlier exhibitions concerning life in Hong Kong. In early April, Michael Wolf showcased the artistry of architecture and density of the nation's skyscrapers for a project celebrating the unseen beauty of Hong Kong's heights. His depiction of stunning symmetry conveys an urban painting that beautifies even the plainest towers. This followed the Society for Community Organisation's commissioning of vertigo-inducing photographs to highlight the claustrophobic nature of Hong Kong life, with whole families living in less than 40 feet of space. With more than 110,000 people per square kilometre in Hong Kong, these artworks highlight the unseen problem of inadequate housing. If more space is to be sourced, expect Hong Kong to get taller and taller. Via PSFK, Inhabitat and PetaPixel.
It's a scientific fact that the only way to survive summer is to get down to a luxurious beach resort and lie still in the shade like a lizard, rising only for an occasional dip in the pool. Bannisters Pavilion also know this, and have built one such luxury resort on NSW's pretty, pretty South Coast. And it looks so good that, honestly, we can't wait for the brutal heat of summer to hit so we can head out to Mollymook Beach and get our lizard on. The Bannisters chain are all set to open their newest boutique hotel in the picturesque beachside town next week, and it's only 100m from the beachfront. The place has been cleverly designed to let you move seamlessly between the best parts of a holiday — between the private lounge, bar and grill and suspended pool, that is. The rooftop is the hub of aforementioned activities and also features a full menu inspired by Mediterranean, Southern Californian and Mexican cuisines (i.e. the most summery places in the world), as well as booze for days. Bannisters Pavilion was crafted by a crack team of designers and blends accents of the Aussie landscape (eucalypt and sea) with a nuance of Scandinavian design. The best part, though, is the size — the whole resort consists of only 33 guest rooms and two penthouse suits, which means you won't be fighting anyone for a recliner or have to navigate through hordes of screaming kiddies in the pool. Thanks team, you know us well. Oh, and did we mention there's a day spa? Yep, summer is coming — and it's gonna be fancy. Bannisters Pavilion will open on Tuesday, December 1 at 191 Mitchell Parade, Mollymook Beach. For more information, visit their website.
If you're hunting for a new staycation spot in Melbourne, here's good news: Victoria's first Hotel Indigo has just landed in Flinders Lane, following a sleek $20 million renovation. The global hotel chain originally launched in Australia last year with the opening of its design-led Brisbane outpost. Bringing the brand's signature focus on art and design to Melbourne, Hotel Indigo on Flinders will nod to its namesake location. Specifically, the hotel takes inspiration from internationally-acclaimed and controversial fashion photographer Helmut Newton across a sprawling 216-room property. The space is decked out with Newton's work and a wealth of commissioned pieces from local artists to pay tribute to fashion, art and runway photography in all its forms. "We're confident our intriguing Flinders Lane neighbourhood, the Helmut Newton inspired styling and stories of the city artfully weaved into everything we do will fascinate and inspire our guests to discover Melbourne in new ways," General Manager of Hotel Indigo Melbourne on Flinders, Joseph Simmons says. Amenities run to the likes of Biology haircare, soft bathrobes courtesy of Seed & Sprout and spacious work areas. Breakfast and coffee are served in the lounge daily, while Spanish restaurant and bar BESO offers a contemporary take on traditional Spanish tapas. "After a multi-million-dollar transformation this exceptional property brings Hotel Indigo to life in Melbourne — the brand inspires creative design and unique guest experiences which our passionate team will embody for each and every guest," CEO of Asia Pacific of Pro-invest Group Jan Smits says. Hotel Indigo on Flinders is now open for bookings at 575 Flinders Lane, Melbourne. Rates start from $225 per night.
While it seems to be a rite of passage for every school-aged kid to learn how to make paper cranes and aeroplanes, very few children would have ever dreamed they'd make a living out of folding paper. There does, however, seem to be a few notable exceptions to this rule. One such dreamer you might know is the remarkable Australian artist Benja Harney. Harney has transformed his childhood love of playing around with paper into a full-time profession. His incredible paperwork creations have been used for pop-up books, advertising, fashion, illustrations, invitations, and standalone pieces of fine art, with such illustrious clients as Harper's Bazaar, Smirnoff and Sportsgirl forking out the big bucks for Harney's paper structures. With its incredible intimacy, intrinsic simplicity, and remarkable flexibility, paper provides the artist with a unique material for creating works of art. And for Harney the joy of his craft comes from discovering just "how creative one can be with a flat piece of paper". Harney is not alone either. Last year's Sydney Biennale featured the paperwork of Japan's Sachiko Abe, China's Li Hongbo and Belgium's Honore d'O, while in America a number of paper artists have made a name for themselves thanks to their amazing sculptures of such seemingly impossible structures as stained glass windows and the White House. So here are seven of the most intricate and incredible structures ever made out of paper that prove that throwing paper aeroplanes at your maths teacher was perhaps not a total waste of time. A 'Stained Glass' Window - Eric Standley These amazing stained glass windows were created from hundreds of interlocking and overlapping pieces of coloured paper. The American-based artist Eric Standley begins the arduous process of making the windows by firstly drawing a design of the window, and then lasercutting through thousands of layers of paper. These are then layered together to create these marvellous 3D structures. See more of Eric Standley's work here. San Francisco - Matthew Picton London-based artist Matthew Picton has taken his love for all things geography to its fullest realisation with his amazing paper sculptures of major cities, from Venice to Tehran to this remarkable reworking of San Francisco. Not only are Picton's sculptures a masterclass in paperwork but also the paper he selects and crafts has particular significance to the cities he represents. His sculpture of Venice, for instance, is made from pages taken from Thomas Mann's classic novel Death in Venice with the paper then dipped in the infamously dank and disgusting lagoons that line the streets of Venice. See more of Matthew Picton's work here. Cross-Sectioned Animal Head - Lisa Nilsson New York-based paper artist Lisa Nilsson is clearly a woman of exceptional patience and remarkable skill, creating these insanely detailed cross-sections through the nauseatingly slow process of 'quilling', or paper filigree. Quilling requires the artist to individually roll, shape and glue small strips of paper and then combine them together to create a larger piece of art. Marrying this skill with her close study of the anatomical structures of humans and animals, Nilsson has been able to create what is undoubtedly the most fascinating science textbook imaginable. See more of Lisa Nilsson's work here. A Stretchy Person - Li Hongbo Chinese artist Li Hongbo devised a mind-bogglingly complex process of cutting and layering thousands of pieces of paper into an intricate honeycomb structure to create striking sculptures that seem to resemble some sort of horrifying Freudian nightmare. Hongbo's sculptures at first seem to be totally normal, solid structures, resembling white marble or resin; however, when Hongbo pulls at his creations, the faces and bodies become distorted and elongated, providing us with some striking and altogether unique pieces of art. See more of Li Hongbo's work here and here. 'Clothes' - Benja Harney Australia's favourite origami disciple, Benja Harney, has made everything from feathered wings for a Hermes window display to jewellery for a Sportsgirl shoot to an American Indian headdress for indie-pop sensation Sia — all entirely from paper. Perhaps most impressive, however, are these paper dresses that were showcased at the MAC Launch Party at Fashion Week 2010. The interlocking paper structures blew away the high fashion community with their artistic innovation and creative daring. Not only were the dresses remarkably beautiful but also totally functional pieces of clothing. See more of Benja Harney's work here. A Room Like a Cloud - Sachiko Abe Sachiko Abe may well have the easiest job in art. Abe is a performance artist who sits for hours and days at a time cutting paper into fine strips until she is surrounded on all sides in a cocoon of white paper resembling a sort of winter wonderland. The mysterious and elegant Abe never set out to be an artist but instead began her bizarre career while she was interred in a psychiatric hospital. She found the process of shedding paper to be strangely therapeutic and meditative, once stating that "the act of cutting is a constant exercise through which I organise and structure my random thoughts". The ethereal world of paper she creates around her made quite a splash last year when it was on display at the 18th Biennale on Cockatoo Island. See more of Sachiko Abe's work here. Capitol Hill - Jill Sylvia Whether it comes from some form of extreme patriotism or an addiction to papercraft, Jill Sylvia has spent the last few years turning discarded paper ledgers into iconic US buildings. The structures are made by cutting out the negative space from each paper grid and then joining the remaining squares of paper into an intricate connection of columns, walls, archways and domes. Sylvia has thus far created the White House, American Treasury, and Capitol Hill with many more iconic structures allegedly in the works (or paperworks, even). See more of Jill Sylvia's work here.
When a hit show comes to an end, the network behind it often tries to fill the gap with something similar. It's the situation that HBO found itself in last year when Game of Thrones wrapped up, with the US cable channel quickly launching new fantasy series His Dark Materials and committing to making a GoT spinoff called House of the Dragon. And, with Big Little Lies looking like it's also all done and dusted, the station seems to be in the same predicament in the star-studded murder mystery genre as well. Enter The Undoing. Starring Nicole Kidman, and written and produced by Big Little Lies' David E. Kelley, it's a case of HBO sticking with what they know. Kidman plays a successful therapist who appears to have the perfect life, with a loving husband (Hugh Grant), a son (A Quiet Place's Noah Jupe) attending an elite school and her first book about to be published. Then a violent death sparks a chain of revelations that shatters her life as she knows it. Also part of the plot, as seen in the show's first teaser: a missing spouse, plenty of public attention, a heap of interrogations and a plethora of tough choices for Kidman's Grace Fraser. It'll all play out as a once-off limited series — although that was originally the case with Big Little Lies before it came back for a second season. Based on the novel You Should Have Known by Jean Hanff Korelitz, The Undoing also features Donald Sutherland and American Crime Story: The Assassination of Gianni Versace's Edgar Ramirez — with Bird Box director Susanne Bier behind the camera on every episode, just as she was on excellent Emmy-winning mini-series The Night Manager. The Undoing is set to screen on HBO sometime in May, with an air date Down Under yet to be revealed. Check out the trailer below: https://www.youtube.com/watch?v=zG1ZQERAlGQ The Undoing is set to screen on HBO in the US from May, with air dates Down Under yet to be announced. We'll update you when further details come to hand.
Gotta love this grass-roots, crowd-sourced internet art project. Corpus Libris is an ongoing photo essay on books and the bodies that love them, in which participants create visually quirky creations by superimposing images of the human body found on book covers over their own bodies. Creator of the project Emily Pullen says "It began as a fun little photo essay on a Thursday night while working at Skylight Books in Los Angeles. As we kept going and going, I realized that many, many more people could enjoy and create similar photographs. The possibilities are practically endless!" The most successful images strike a balance of perspective, positioning the book so the image is the same size as the human holding it – check them out below: [Via Flavorwire]
If Victoria has its way, it'll become home to a 900-kilometre hot springs trail, attracting travellers from near and far to hit up its bathing spots. But the state isn't the only place for a soak around Australia, including if you're keen to get off the beaten path. Indeed, come winter 2023, outback Queensland's Cunnamulla is set to join everyone's must-visit list if you're keen to take a dip in its new artesian hot springs. Set to open in June, and in the works since 2018, this new spot for a blissful bathing session will feature seven pools on the banks of the Warrego River. Each will sport different temperatures, so you can get steamy, opt for a stint in the chilled plunge pool or both. As part of a state-of-the-art complex, there'll also be therapeutic activities on offer — and river views and ample natural surroundings. [caption id="attachment_892757" align="alignnone" width="1920"] Image is an artist render only.[/caption] Cunnamulla Hot Springs' pools will be filled with mineral and vitamin-rich artesian water, which means that the hot spots for a dip will feature H20 naturally warmed from the Artesian Basin. Learning about the latter around your soak is also set to be part of the experience — relaxing your body and feeding your mind at the same time. When it starts welcoming in patrons — with an exact date yet to be announced — Cunnamulla Hot Springs will be a highlight on the just-unveiled Outback Queensland Traveller's Guide, which is filled with things to do inland in the Sunshine State. Queensland isn't just about beaches, rainforests and the tropics, even if that's what it's best known for. So, Cunnamulla Hot Springs joins everything from starlight river cruises in Longreach and Winton's Australia Age of Dinosaurs Museum through to the Southwest Queensland Indigenous Cultural Trail and a heap of national parks. [caption id="attachment_844043" align="alignnone" width="1920"] Mark Gillow (Flickr)[/caption] The Outback Queensland Traveller's Guide also features other outback spas and baths, including in Julia Creek, Bedourie, Quilpie, Mitchell and Yowah. If you're now planning a trip to Cunnamulla, it's around a nine-hour drive west from Brisbane, with flights via Rex, and also boasts an outback river lights festival; the Artesian Time Tunnel, which explores the Artesian Basin's history; and safari-style glamping — among other attractions. [caption id="attachment_841311" align="alignnone" width="1920"] Cunnamulla Cultural Walk, Tourism and Events Queensland[/caption] Cunnamulla Hot Springs will open in Cunnamulla in June 2023. For further information about outback Queensland getaways and attractions, head to the Outback Queensland website. Top image: image is an artist render only. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
In 2020, when Gelato Messina decided that we'd all be much happier at home if we could bake and eat the company's OTT desserts, it kicked off its parade of tasty specials after Easter. So, while fans of sweet treats have been able to tuck into everything from cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties to full tubs of both Iced VoVo gelato and Messina's own take on the classic Viennetta ice cream cake over the past year, we didn't get anything to pair with our chocolate eggs. Thankfully, that's changing in 2021. Up next: a hot cross bun version of the brand's sticky snails. Basically, it's their interpretation of a Cinnabon-style scroll, then combined with an Easter favourite. It's another of Messina's limited releases, and it'll be available at all of its stores for a very short period. Wondering what exactly Messina's hot cross bun sticky snail entails? Well, that spiced sticky hot cross bun dough is filled with choc chips and vanilla custard. Crucially, raisins aren't included — but it is topped with a cinnamon malt caramel. The sweet bake-at-home bite to eat can only be ordered online on Wednesday, March 17. It will set you back $65, which includes a one-litre tub of the brand's triple choc gelato hot tub, too — which features milk chocolate gelato, toasted white chocolate mousse and with Ecuadorian dark chocolate crack. Once you've placed your preorder, pick up will be available between Thursday, April 1–Sunday, April 4 from your chosen Messina store. And, after you've got the hot cross bun sticky snail safely home, you just need to whack it in the oven for 20–25 minutes at 160 degrees and voila. Gelato Messina's hot cross bun sticky snails will be available to order on Wednesday, March 17, for pick up between Thursday, April 1–Sunday, April 4 — keep an eye on the Messina website for further details.
Maybe Sammy is no stranger to winning an award. The Sydney bar has been named in the top 50 bars in the world every year since 2019 and took out the Best International Bar Team at the Tales of the Cocktail 2022 Spirited Awards. Now, all of those accolades have culminated in it taking out the top spot in the data-driven Top 500 Bars list for 2023. The international award compiles its list based on over 2000 sources, including hospitality experts, journalists, online reviews, search engine results and social media. It announced the list in Paris on the morning of Monday, November 13, Australian time, and the boundary-pushing Harbour City cocktail bar Maybe Sammy came out on top, being named the number-one bar in the world. [caption id="attachment_639976" align="alignnone" width="1920"] Black Pearl (#119)[/caption] Maybe Sammy was listed at number 17 in the 2022 list, jumping all the way to the top spot following another busy year for the inner-city haunt. Maybe Sammy Venue Manager Sarah Proietti and Bar Manager Hunter Gregory were in attendance to accept the award, with the venue beating out acclaimed bars around the world for the title. New York's Double Chicken Please, Barcelona's Paradiso, Paris' Little Red Door and Singapore's Jigger & Pony rounded out the top five, while 22 other Australian bars made the top 500. [caption id="attachment_707971" align="alignnone" width="1920"] The Baxter Inn (#87), Leticia Almeida[/caption] The next highest spot on the list from Down Under was The Baxter Inn at 87, followed by Black Pearl at 119, Re- at 122, Cantina OK at 132 and Dean and Nancy on 22 at 134. The Gresham Bar was Brisbane's top-ranked venue, clocking in at number 475, while Adelaide's Maybe Mae snuck into the list at 485. "To be named number-one bar in the world by the Top 500 Bars feels very surreal," said Maybe Sammy co-founder Stefano Catino. "It's such an honour for our bar team to be recognised for the time and effort they put into making the experience at Maybe Sammy exceptional, and for that to be acknowledged on a global scale is so humbling." It follows a huge year for Maybe Sammy, which included the opening of the team's Paddington tequila bar El Primo Sanchez, a new Maybe Frank outpost at The Federal, and the launch of Maybe Cocktail Festival featuring guest bartenders from international cocktail bars — many of which also made the Top 500 Bars list. [caption id="attachment_795641" align="alignnone" width="1920"] The Gresham (#475), Millie Tang[/caption] For the full Top 500 Bars list for 2023, head to the ranking's website.
Welcome to the joys of major film festivals in spring, Sydney. Getting holed up in a cinema for a week or so is usually a winter activity in the Harbour City, because that's when Sydney Film Festival takes place; however, the first-ever SXSW Down Under is arriving in 2023 with its very own celebration of peering at screens. So, for eight October days, movie lovers can wander in and out of darkened rooms while the weather is pleasant outside, not frosty — and see everything from Saltburn, the new Jacob Elordi (Euphoria)-starring thriller from Promising Young Woman director Emerald Fennell, to the freshly remastered 4K version of iconic Talking Heads concert flick Stop Making Sense. After dropping a number of screening highlights over the past few months, SXSW Sydney's debut Screen Festival has unveiled the full 75-plus session bill that'll get projectors a-flickering from Sunday, October 15–Sunday, October 22. So, opening night's Australian thriller The Royal Hotel from Casting JonBenet and The Assistant director Kitty Green (and starring the latter's Julia Garner) now has more company than just the world premiere of documentary Hot Potato: The Story of The Wiggles, plus nine other titles announced back in July that span everything from features starring Indonesian rappers and docos about Tokyo Uber Eats riders. Saltburn will enjoy its Australian premiere at SXSW Sydney, while Stop Making Sense will get The ICC's Darling Harbour Theatre echoing in glorious 7.1 surround sound. The venue will be home to the fest's biggest titles, which also includes opening night and The Wiggles doco; ONEFOUR: Against All Odds about the eponymous drill rap band; and Ryuichi Sakamoto|Opus, which covers the recorded concert by the late, great The Revenant composer, who passed away in March 2023. Also on the bill: supervillain parody The People's Joker, which gives the caped-crusader realm a queer coming-of-age spin; TLC documentary TLC Forever; Sleep, a Korean horror-comedy by Bong Joon-ho's former assistant; the Hugo Weaving (Love Me)-starring The Rooster, which follows a hermit and a cop who form a bond during a crisis; and a retro session of Aussie classic Lake Mungo. Or, SXSW Sydney's film fans can see Black Barbie, a Barbie flick that isn't filled affection; the Indian Australian Sahela, which tells a queer tale set in Western Sydney; Satranic Panic, a homegrown road movie and a creature feature; Milli Vanilli, another of the event's music docos; and Uproar, as starring Hunt for the Wilderpeople's Julian Dennison, Our Flag Means Death's Rhys Darby and Starstruck's Minnie Driver. As part of the fest's First Nations program, Fancy Dance explores being pushed to the margins with star Lily Gladstone just as she'll also be in cinemas in Killers of the Flower Moon — and, from the main program strand that heroes pushing boundaries and serving up surprises, attendees can see This Is Going to Be Big, about Sunbury and Macedon Ranges Specialist School in Bullengarook staging a John Farnham-themed musical. For fans of cult fare in the making, the SXSW Sydney Midnighters lineup includes the 16mm-shot Riddle of Fire and the Steven Soderbergh (Full Circle)-produced thriller Divinity, while the music selection will also celebrate Cyndi Lauper via Let the Canary Sing. Among a feast of screen content that also encompasses 40 shorts, plus 20 music videos and 13 XR projects, TV will get some love — that's why the event is called a Screen Festival, not a film fest. Standouts span Night Bloomers, a horror anthology from both Korea and Australia; Erotic Stories, another anthology that'll deliver exactly what it sounds like; and Doona!, a Korean rom-com led by Suzy Bae. If you recall hearing about SXSW winners from its Austin fests, Sydney's version is doing the same, with ten movies competing in its feature competition, another ten vying in the shorts field and eight XR works also seeking some extra love. Alongside indoor sessions at Darling Harbour Theatre and Palace Cinemas Central, free outdoor screenings are also on the bill at the SXSW Sydney 2023 hub in Tumbalong Park. The complete lineup there is still to come, but the program will survey the OG fest's best and brightest, starting with Taika Waititi and Jemaine Clement's What We Do in the Shadows — the movie, not the also-ace TV show — as well as classic anime masterpiece Ghost in the Shell and Richard Linklater's Dazed & Confused. "The first ever SXSW Sydney Screen Festival aims to platform the most exciting new voices, new forms and new ways of creating on screen. We hope to inspire our audiences and industry, by unwrapping the future of Screen innovation as it emerges," said Ghita Loebenstein, the event's Head of Screen, announcing the 2023 program. "Like our Austin counterparts, our festival presents global programming from leading creators, and our unique offer is this distinctive Asia Pacific lens. We also thematically lean into our sister pillars across music, games and tech, celebrating where our forms and communities converge. Most of all, SXSW Sydney is a festival which earnestly centres vision, irreverence and fun." Can't wait to watch your way through the everything that you can? SXSW Sydney Screen Festival wristbands are on sale now and will get you into unlimited screenings. [caption id="attachment_917938" align="alignnone" width="1920"] Netflix[/caption] As well as viewing movies and TV shows aplenty, the 2023 SXSW Sydney Screen Festival also features an array of speakers. Black Mirror's Charlie Brooker is one of the headliners — not just of the screen component, but of SXSW Sydney overall. Similarly getting chatting: Indigenous filmmakers Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Kodie Bedford (Mystery Road: Origin) and Jub Clerc (Sweet As); Osher Günsberg recording an episode of his podcast Better Than Yesterday with a yet-to-be-announced special guest; and Gone Girl, The Nightingale, The Dry, Big Little Lies and Nine Perfect Strangers producer Bruna Papandrea and Binge's Executive Director Alison Hurbert-Burns. Queer Eye star Tan France was also slated to attend, but has had to drop out due to scheduling conflicts. SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Screen Festival running from Sunday, October 15–Saturday, October 21 at The ICC's Darling Theatre and Palace Cinemas Central. Head to the SXSW Sydney website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
A trip to France might not be on your agenda in 2024. Sans DeLorean, travelling back in time definitely isn't. But add visiting regional Victoria to your itinerary between March–July and you can enjoy a look at Paris in the Belle Époque period. Bendigo Art Gallery is hosting Paris: Impressions of Life 1880–1925, a big exhibition that benefits from pieces from Parisian history museum Musée Carnavalet — Histoire de Paris. This is an exclusive showcase, so hitting the town from Saturday, March 16–Sunday July 14 is the only way to see it in Australia. Art and artisan objects will be on loan from Musée Carnavalet, and they'll have company thanks to fashion pieces from houses of the era, which will be provided by National Gallery of Victoria and the National Gallery of Australia. [caption id="attachment_943227" align="alignnone" width="1920"] Georges Stein. Riders, and carriages on the avenue du Bois c. 1900. oil on canvas. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] More than 170 works will be on display from Paris' oldest municipal museum, which is a mere fraction of its 620,000-strong collection. This is the first time that an exhibition has been solely developed from the Musée Carnavalet for an international gallery only featuring its own pieces — other than the fashion that Bendigo Art Gallery is pairing with it — which is no small coup for the venue. Paris: Impressions of Life 1880–1925 will split its wares into seven strands, all endeavouring to show Paris of the era as seen by those who lived there. Accordingly, including across 90-plus paintings, attendees will peer at gardens, the Seine's banks, theatres, Montmartre's cabarets, openair markets, restaurants and more. Among the artists featured: Ludovic Vallée, Albert Marquet, Louis Abel-Truchet, Maurice Utrillo, Paul Signac, Jean Béraud, Maximilien Luce, Jules Chéret and Leonetto Capiello. [caption id="attachment_943231" align="alignnone" width="1920"] Paul Signac, Le Pont des Arts 1928, oil on canvas. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] Henri de Toulouse Lautrec's theatre posters will also be a big drawcard. Or, you can check out shop signs from cafes and hairdressers, illustrated dining menus, and souvenirs from the 1889 and 1900 Exposition Universelles. It was for the 1889 event that the Eiffel Tower was built (see also: the film Eiffel). As for the fashion, it'll cover pieces from the late-19th century to the 1920s, too, including from House of Worth, Jacques Doucet, Madeleine Vionnet and the Callot Souers. [caption id="attachment_943228" align="alignnone" width="1920"] Henri de Toulouse-Lautrec, Poster for the cabaret venue Divan Japonais at 75 rue des Martyrs 1892. colour lithograph. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] "Paris is without doubt one of the world's most picturesque and captivating cities, and the exhibition distils its beauty and energy, from the busy banks of the Seine, bustling marketplaces, grand boulevards, idyllic public gardens and the bohemian Montmartre area, as it was portrayed by some of the most influential artists and artisans of the period," said Jessica Bridgfoot, Director of Bendigo Art Gallery. "This is a rare opportunity for audiences to take a promenade through turn-of-the-century Paris, a dynamic time when the city courted the attention of the world." Stepping back into Parisian history is also on the agenda in Sydney this year, thanks to the Art Gallery of New South Wales' huge Alphonse Mucha exhibition, while both The LUME in Melbourne and HOTA, Home of the Arts on the Gold Coast are focusing on the Italian renaissance. [caption id="attachment_943230" align="alignnone" width="1920"] Ludovic Vallée, Montsouris Park c1900, oil on canvas. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] [caption id="attachment_943232" align="alignnone" width="1920"] Souvenir fan with panorama of the 1889 Universal Exhibition 1889, printed glazed cotton percale and wood. Musée Carnavalet © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.[/caption] Paris: Impressions of Life 1880–1925 will display at Bendigo Art Gallery, 42 View Street, Bendigo from Saturday, March 16–Sunday July 14 — head to the gallery's website for further details. Top image: Jean Béraud, The Entrance to the 1889 Universal Exhibition 1889, oil on wood. Musée Carnavalet. © CCO Paris Musées / Musée Carnavalet — Histoire de Paris.
Boy, do we have a giveaway for you. To celebrate the release of the stunning new documentary film Dancer, we're giving away a trip for two to Auckland — return flights and accommodation included. When you get to Auckland, you'll also get to see Sergei Polunin, one the world's most gifted ballet dancers, perform a rare, special guest appearance at the Auckland Arts Festival. From Oscar-nominated director Steven Cantor, Dancer takes a compelling behind-the-scenes look at the life of the magnetic bad boy of ballet, Sergei Polunin. He was the youngest principal dancer in the history of London's prestigious Royal Ballet, and he shocked the world by quitting just two years later and giving up dance entirely. If you're unfamiliar with the ballet world, Polunin was the guy that featured in the beautifully dance-heavy video clip for Hozier's song Take Me to Church. Dancer, by Oscar-nominated director Steven Cantor, is set for national release in Australian cinemas on December 1. Enter your details below and you're in the running. [competition]600295[/competition]
Everyone deserves a break to decompress, but in the bustling environment of the city, a moment of quiet has become increasingly rare. A random call or an overly aggressive car horn can ruin the little time we get to relax. Enter Hepburn Bathhouse and Spa, which is now offering a different to relax out in Daylesford. On Friday and Saturday nights (from 6–9pm), the spa is running its new Quiet Sanctuary Bathing at a discounted price of $99 (it will eventually go up to $120 per person). The adult-only experience invites you to soak in the mineral-rich water of pools without technology or chat. This means you won't be disturbed by groups of mates chatting in the steam room or splashing about in the pools — thank the spa gods. If you'd prefer some communal bathing where you can chat and get your phone out, you're encouraged to join the regular bathing sessions at different times. Looking for more than a soak? You can dive deeper into personal healing with guided meditation sessions in the tranquil Salt Pool at 6pm, 7pm and 8pm.
We all know summer can't actually last forever, but at the Great Ocean Road's newest retreat, it sure feels like it could. Occupying a prominent spot in Aireys Inlet towards the start of the famed Victorian coastal strip, Sunnymead Hotel is about as cheery as they come. Sibling to Anglesea Riverside Motel, it's the work of Damien Cerantonio (also behind Great Ocean Road Resort) and Graeme Harris, who've managed to transform a tired old-school motor inn into a beaming ray of sunshine. Heavy on upbeat charm, the 20-room boutique hotel also boasts an onsite spa and bathhouse, a modern Indian-fusion restaurant and an openair pool bar dubbed Sunnies. A retro-inspired aesthetic features throughout, anchored by a signature palette of warm yellows and oranges. Open now for bookings, Sunnymead has two different styles of rooms, all abundant in those cheerful hues, and kitted out with king-size beds, bath products by Surf Coast brand The Herbalist and mini bars stocked with local delights. You'll find locally-made ceramics by artists Angela Nicholson and Melinda Solly, and fluffy bathrobes in a playful yellow and white check that mirrors that of the eye-catching verandahs. Named in a nod to the Hindi word for orange, intimate onsite restaurant Santara is set to embrace a mix of modern Asian flavours when it opens the doors on Friday, March 17. Here, you'll be able to tuck into bites like chicken momos, beef shin tacos and soft-shell crab pakora, along with larger plates like Kashmiri chilli lamb ribs, ginger coconut mussels served with black garlic naan, and a chicken makhani curry with pomegranate. Meanwhile, Thursday, March 2 will mark the launch of Indie Spa, with its trio of private treatment rooms, DIY vichy shower, group-friendly rasul, bathhouse and lounge. This will be your go-to for a range of classic therapies designed to rejuvenate and relax, from facials and remedial massages to body scrubs and detoxifying steam sessions. While the solar-heated magnesium mineral outdoor pool is already open for business, it'll soon be joined by bar offering Sunnies, serving cocktails, poolside snacks and tunes. There'll even be a fire pit for cosying up beside during the cooler months. Keep an eye out, too, for Sunnymead's bright yellow VW kombi Daisy, which'll be used for group tours and transfers. Find Sunnymead Hotel at 64 Great Ocean Road, Aireys Inlet. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Working from home may have its perks, like having more snacks on-hand and wearing your comfiest clothes, but it also has a couple of downsides — one of which is all the video calls. While chatting to your family and mates on your laptop is a good way to socialise in these current times, many of us are doing multiple calls a day for work, too. So, the endless streams of virtual faces can get a bit repetitive. To break it up, Silicon Valley non-profit animal sanctuary Sweet Farm has launched Goat 2 Meeting, which lets you bring a furry friend to the call. Whether you need to bring some joy to your work meetings or just show your mum a llama's fresh haircut, you now can via video conference platform Zoom. While you have to pay to get a four-legged team member on the line, the money will go towards the farm, which in normal circumstances is partly funded by in-person tours. As Sweet Farm aims to take in animals — and has saved over 125 so far — and educate people on the the global impacts of factory farming across animals, the plants and the planet, your money will be supporting a good cause. No matter where you are in the world, Sweet Farm is putting its animals on video so get your daily dose of serotonin. For $65 USD ($98 AUD) you can get a 20-minute private virtual tour with up to six people, where you'll meet a few of the farm's animals — such as Paco the llama and Juno the goat. For a donation of $100 USD ($161 AUD) you can get a 10-minute corporate meeting cameo, with no limit on persons on the call. Or, if you want more face-to-face time with your new bud, you opt for a 25-minute call for $250 USD ($405 AUD). For virtual school trips, Sweet Farm is offering animal airtime for free. To organise a session, head to the Goat 2 Meeting site and fill out the form, including your details, a requested call date and your time zone. Keep in mind that time differences will effect availability. At the moment, California is 17 hours behind Sydney, Melbourne and Brisbane and 19 hours behind Auckland and Wellington. So, it's most likely an early morning meeting will be your best bet. Sweet Farm's Goat 2 Meeting initiative is available across the world. To request a time for your next video call with an animal in tow, head here.
Everyone has at least one piece of IKEA furniture in their house, and likely more than that. Maybe you also own some of the Swedish retailer's Lego storage boxes, too, or a bucket hat made out of the same material as its iconic blue bags. You could've whipped up outfits for your dog using said shopping carriers, and even cooked up its famed meatballs during lockdown. Something that even the brand's biggest Australian devotees won't own, however, is an IKEA t-shirt, tote or key ring — yet, that is. In 2020, IKEA launched its first-ever merchandise line, kicking off in Japan before releasing in Singapore, Thailand and Korea as well. Now, come Thursday, May 13, it's Australia's turn to get decked out in the brand's clothing and accessories — so get ready to don its hoodies, sip from its water bottles and wipe yourself down with its towels, too. The range is called Efterträda, and it nods to the company's popular products in a variety of ways. You'll find its recognisable blue and yellow logo on everything, for instance, as well as a minimalistic look in general. Oversized barcodes feature as a key design element, mimicking the type seen on its products — and, because they line oh-so-many walls, the Billy bookcase barcode has been given pride of place. Plus, the towels and water bottles come in either yellow or white, while the key rings have a blue option. Prices range from $4 for a key ring up to $49 for a hoodie, with water bottles costing $6, totes coming in at $10, t-shirts priced at $19 and towels costing $22.50. And, to answer the two questions that have probably just popped into your head: no, you don't have to assemble them yourself, or use an Allen key. IKEA's Efterträda collection will be available in Australian stores from Thursday, May 13. For further details, head to the Swedish retailer's website.
Killing Them Softly is the third movie by Australian writer-director Andrew Dominik, and as with his two previous films (Chopper and The Assassination of Jesse James by the Coward Robert Ford), it focuses almost entirely on the criminal underworld and those who inhabit it. Set in 2008, it follows hitman Jackie Cogan (Brad Pitt) as he's hired by the mob to track down and execute a trio of small-time hoods for sticking up one of their illegal card games (Scoot McNairy, Ben Mendelsohn, and Vincent Curatola). Pitt absolutely excels as the shrewd, no-nonsense killer dutifully dispatching the mob's condemned subject to two important caveats: he won't kill people he knows, and he won't kill people up close. Not because it's ethically troubling or offensive to his sense of honour, but because it's awkward and a humiliating seeing old acquaintances beg and cry before they die. Cogan's preference is instead to "kill them softly", at least until he grabs the shotgun, and under Dominik's direction the violence (of which there's quite a bit) combines the graphic brutality of Casino with the stylised cinematography of Drive. It's at once horrific and mesmerising, most notably during a supremely slow-motion assassination between two cars stopped at some traffic lights. The story is largely based on Cogan's Trade, a 1974 novel by author and former assistant US attorney George V Higgins. Higgins was perhaps best known for his use of hyper-realistic dialogue, lending his stories a theatrical quality that Dominik was wise to preserve. His screenplay crackles with fantastic exchanges and wonderful one-liners ranging from the droll observations of the mob's lawyer (Richard Jenkins) to the menace of Pitt's casually veiled threats. It's a fantastic and accomplished offering, with the only heavy hand coming by way of the film's laboured political overtones. Killing Them Softly opens on the boarded storefronts and destitution of an unnamed but neglected city set against billboards from the 2008 presidential campaign and excerpts of Obama's convention speech extolling the virtues of America's promise. Later, we hear President Bush justifying the bank bailout over shots of those disenfranchised and indigent who would ultimately foot the bill. America's promise has failed, we're told again and again — empty words and empty undertakings in a world where corporatisation has transformed the country for the worse. Calvin Coolidge once remarked that the chief business of the American people was business. Crap, says Cogan. America is the business, and the American people are just trying to get one up on everybody else. It's do or be done — and if you’re doing, make sure you're damned well paid for it.
For the past 30 years, the country's professional Aussie Rules competition has called itself the Australian Football League, reflecting the growing spread of top-level teams across the nation. In 2020, it'll make good on that name in a way it never has before: by hosting the AFL grand final outside of Melbourne for the first time. Come the night of Saturday, October 24, whoever earns the right to compete in this year's decider will be doing so at the Brisbane Cricket Ground, aka the Gabba. They'll be playing in front of at least 30,000 fans, too, with the Queensland Government's successful bid for the game allowing the ground to be filled to almost three-quarter capacity. Announcing the news today, Wednesday, September 2 — and revealing that the Gabba beat out Sydney's ANZ Stadium, Perth's Optus Stadium and Adelaide Oval in South Australia — AFL CEO Gillon McLachlan said that it was a difficult decision. He noted that a number of factors came into play, including the "safety and the best environment for all" and "integrity and the need for uncompromised games". And, he advised that if needed due to coronavirus social-distancing requirements, the capacity could be reduced — or, as a backup if cases surged in Brisbane, the game moved to Adelaide Oval. https://twitter.com/AFL/status/1301002487789281287 In its date and timeslot, the grand final will also buck tradition — because shifting venues isn't the only huge change in 2020. Usually, the AFL's ultimate game of the year is held on the last Saturday in September; however, due to COVID-19 shutdowns from late March–mid June, the whole season has been pushed back and compressed. When the ball bounces to kick things off that evening (with the exact time to be revealed closer to the match), the game will also become the first grand final to take place at night as well. It's all thoroughly unsurprising news given that every single AFL team has been based in Queensland for some part of the 2020 season, that the majority of the season has been played in the Sunshine State, and that hosting the big game with a crowd at its usual home — the MCG — is off the cards due to Melbourne's current coronavirus situation. That said, it really shouldn't have taken three decades for a competition that's not only named after the entire country, but changed its moniker in 1990 to reflect the fact that it was no longer just about Victoria, to host the decider in another city. The game has actually been played at venues other than the MCG before — but still in Melbourne. The first four grand finals, between 1898–1901, rotated between locations, before settling into the Melbourne Cricket Ground from 1902 onwards. During World War II, from 1942–1945, it was staged at Carlton's Princes Park and St Kilda's Junction Oval while the MCG was in use for the war effort. And, in 1991 when the ground's southern stand was under construction, it took place at Waverley Park in Mulgrave. Back when that 1991 match took place, the AFL only had four non-Victorian teams — and all four were less than a decade old or had only been based out of the state for that period. Now, eight out of 18 teams are from Queensland, New South Wales, South Australia and Western Australia, and nine out of 18 (including Geelong) are based outside of Melbourne. So, again, it's really about time the code shared the love around when it comes to the big game. This year's move to the Gabba looks to be a once-off, though, at least for now. The MCG is still contracted to host the grand final for a significant period after this year — with its contact originally running through until 2057, and now extended until 2058 as part of the agreement to allow the game to be played elsewhere in 2020. And, if you're a Victorian who has been missing the footy this year, you will still get the usual pre-grand final public holiday even with the game being played in Brisbane, as Premier Daniel Andrews confirmed last month. The 2020 AFL Grand Final will take place at the Brisbane Cricket Ground on the evening of Saturday, October 24, with the exact kickoff time still to be announced. Details regarding ticketing released closer to the game. Top image: Your Next Kid via Wikipedia.
A Danish designer by the name of Mads Johansen has cooked up a Hobbit-sized campervan. Officially named the 'Wide Path Camper', it's roomy enough to sleep 2.5 adults and folds up so that you can hook it to your bicycle and take it with you — everywhere you go. Well, maybe not exactly everywhere. Just how far you'll be able to tug this uber-cute creation will depend on your thigh power. Weighing in at 40 kilograms, it's lightweight considering how much space is included, but dragging it up hills might be challenging. That said, it's certainly quite the kit-up for flat terrain cycling adventures. Ride across the Nullarbor, anyone? Altogether there's more than 300 litres of storage space, as well as two beds that can be converted into seating areas. The windows are fitted with curtains for privacy. A couple of optional add-ons are possible, including a solar cell, which can be used for recharging your smartphone; an outdoors kitchen area; and an awning. At this stage, the Wide Path Camper is still in prototype mode. But, if all goes to plan, it'll be up for sale by 2015, with a price tag of about US$2500 (around AU$2880). Via Gizmag.
Why drink a regular beer when you can enjoy a beverage that glows in the dark? And why scour the shops for bottled varieties when you can make your own bright bioluminescent tipples? They're the questions former NASA biologist Josiah Zayner will get you pondering when you discover his latest illuminating product. After leaving the American space agency to start his own company, The Odin, he has created a fluorescent yeast kit that will add a glow to your home brewing endeavours — or perhaps inspire you to start. The key ingredient is called the Green Fluorescent Protein, or GFP, that actually originally comes from a jellyfish. With the Engineer Any Yeast to Fluoresce kit, you'll actually make your own yeast that contains the protein, which will then glow when exposed to a black light. Technically, thanks to some concerns by the US Food and Drug Administration, it's being sold for educational purposes — but Zayner does intend for it to be used for brewing beer. The Odin has a full statement about any safety concerns on the company's website. The good news is that the kit ships internationally, so you really can make your glow-in-the-dark beer dreams a reality. The not-so-good news — if you're low on cash and time, that is — is that it costs US$199 and requires ten hours of effort over the course of two days to get to the ready-to-brew stage. Luminous beer might light up your next drinking session, but it isn't something you can make lightly, it seems. For more information about the Engineer Any Yeast to Fluoresce kit, visit The Odin's website. Via Eater. Image via The Odin.
UPDATE: APRIL 7, 2020 — Some good news for your social feed: Sea Life Melbourne is now home to two adorable king penguin chicks. And you can meet them via livestream at 10am AEST on Wednesday, April 8. One fluffy baby bird is called 'Sparkie', but the aquarium is looking for suggestions for other the littl'un. Details on how to submit a name will be revealed during the livestream. Melbourne's Sea Life Aquarium is live streaming playtime and feeding time with some of its cutest and scariest sea critters in the lead up to Easter. At 9am AEDT on Saturday, April 4, you can get up close and personal with swarms of jellyfish, learn the ins and outs of their luminous lives and watch them being fed by Sea Life's ocean expert and 'Jelly Queen' Diane. If you haven't had a chance to check out the aquarium's million-dollar Ocean Invaders exhibition, this'll be a good chance for you to have a little virtual tour. On Wednesday, April 8 at 10am AEST, you can watch the gentoo and king penguins at playtime, sliding around their icy home and gobbling many fish. Then, kicking off the long weekend, will be another live-streaming session at 11am AEST on Friday, April 10, which will see keeper Brianna chatting about a bunch of cute (and maybe slightly scary) animals that lay eggs. To tune in, head head to Sea Life Melbourne's Facebook page. Thankfully, these aren't the only live-streams and digital content the aquarium is planning. Keep an eye on future events, including possible shark feedings, penguin hangs and tropical fish tours, here.
Thirty films, four weeks and more famous faces than you can dream of — that's what to expect from this year's MINI British Film Festival. Reading through the fest's lineup is like scrolling through a who's who of English talent, with Helen Mirren, Ian McKellen, Dev Patel, Tilda Swinton, Hugh Laurie, Kristin Scott Thomas, Bill Nighy, Keira Knightley, Timothy Spall, Peter Capaldi, Gwendoline Christie, Kate Beckinsale, Eddie Redmayne, Felicity Jones and even Liam Gallagher all set to grace Australian cinema screens between October 29–November 24. While Kristin Scott Thomas will lead the way in war-set opening night drama Military Wives, legends Mirren and McKellen will help close out the festival in thriller The Good Liar. Meanwhile, outspoken Oasis frontman gets the documentary treatment in Liam Gallagher: As It Was, and The Theory of Everything's Redmayne and Jones reunite for a high-flying adventure in The Aeronauts. The list goes on — and if you're already feeling spoiled for choice, we're here to help by picking out our five must-see highlights. https://www.youtube.com/watch?v=oHG7FnBDY0Q THE PERSONAL HISTORY OF DAVID COPPERFIELD It opened this year's prestigious London Film Festival, it's the latest film from The Thick of It and Veep's Armando Iannucci, and it stars Dev Patel, Tilda Swinton, Hugh Laurie, Peter Capaldi, Gwendoline Christie and Ben Whishaw. Add in the fact that it's an adaptation of one of Charles Dickens' best-known classics, and The Personal History of David Copperfield is easily one of the year's most anticipated movies. For newcomers to the tale, it mirrors the beats of Dickens' own experience, with the eponymous character journeying through a difficult upbringing to become a lawyer and then a writer. While the story naturally takes place in 19th-century England, you can expect Iannucci to find plenty of modern-day parallels in this version — if he can do it with Russian history in The Death of Stalin, he can do it here. https://www.youtube.com/watch?v=ysjwg-MnZao SORRY WE MISSED YOU When Ken Loach won the Cannes Film Festival's coveted Palme d'Or for 2016's I, Daniel Blake, he did so with a moving social-realist drama that exposed the cruelty underpinning a standard facet of British life. That's the veteran director's speciality, so it should come as no surprise that his latest film follows in the same footsteps — or that it's just as astute and stirring. Swapping government benefits for the gig economy, Sorry We Missed You follows ex-construction worker Ricky (Kris Hitchen) as he leaps into the courier business, thinking that'll provide security for his family's future. Instead, he discovers the gruelling reality of impossible targets, zero benefits, uncaring corporations, spiralling debts and working around the clock. Shot with Loach's usual naturalistic eye, this timely and topical movie proves as impassioned and infuriating as its stellar predecessor. https://www.youtube.com/watch?v=DbhAt1vLxXA A GUIDE TO SECOND DATE SEX George MacKay is one of Britain's rising acting talents, with standout roles in For Those In Peril, Pride, Captain Fantastic, and 11.22.63 to prove it. Soon, he'll be seen in the upcoming Australian drama True History of the Kelly Gang — playing Ned Kelly, no less — but before that, he's jumping into the romantic comedy realm. In A Guide to Second Date Sex, MacKay plays Ryan. On his second date with Laura (Alexandra Roach), he knows that they have plenty in common; however, they're both still feeling more than a little awkward. First-time director Rachel Hirons adapted this screenplay from her own hit Edinburgh Fringe Festival play. Embracing, unpacking and subverting all the usual dating and rom-com tropes, this is classic British comedy territory. https://www.youtube.com/watch?v=ZVwbeA4Ff9Y CITIZEN K From the collapse of enormous corporations to huge political sex scandals and CIA-sanctioned torture, Alex Gibney has chronicled the big stories of the past two decades. Sexual abuse in the Catholic Church, Julian Assange's Wikileaks, Lance Armstrong's doping ban and the Church of Scientology have all fallen into his purview as well, with the American documentarian amassing quite the hard-hitting resume. With Citizen K, he dives into a topic he was bound to cover: Vladimir Putin's Russia, the country's murky political realm and the fate awaiting anyone who speaks out against the powerful president. Focusing on Mikhail Khodorkovsky, Citizen K tracks the Russian businessman's journey from wealthy oligarch to prisoner to "the Kremlin's leading critic-in-exile". As the most fascinating tales are, it's the kind of story that has to be seen to be believed. https://www.youtube.com/watch?v=Gm17B-nOgZ8 FARMING How does a Briton with Nigerian ancestry end up in a white supremacist gang? That's the tale that Farming tells. The title refers to a practice common in the 60s, 70s and 80s when babies were fostered out to white parents in the hopes that they'd receive a better upbringing. In Enitan's (Damson Idris) case, growing up in Tilbury leaves him questioning his identity, feeling like an outcast with both his foster family and his natural family, and seeking approval from the hateful skinheads who openly taunt, bully, beat and condemn him. It's a confronting and compelling story, especially given that it's based on the life of actor-turned-writer and director Adewale Akinnuoye-Agbaje — who has featured in everything from Oz, Lost and Game of Thrones to The Bourne Identity, Thor: The Dark World and Suicide Squad over the past two decades. The MINI British Film Festival tours Australia from October 29, screening at Sydney's Palace Norton Street, Palace Verona, Palace Central and Palace Chauvel cinemas from October 29–November 24; Melbourne's Palace Balwyn, Palace Cinema Como, Palace Brighton Bay, Palace Westgarth, Kino Cinemas and The Astor Theatre from October 30–November 24; Brisbane's Palace Barracks and Palace James Street from October 30–November 24; and Perth's Palace Cinema Paradiso, Luna on SX and The Windsor Cinema from October 30–November 24. For more information, visit the festival website.
Add three more names to the hefty list of big music stars heading Australia's way in 2023: Ice Cube, Cypress Hill and The Game. In what's basically a 90s and 00s hip hop and rap fan's dream come true, the trio are teaming up on the same bill for an Aussie arena tour, hitting stages Down Under in autumn. This isn't just any old nostalgia-dripping tour, either. It'll also mark the 30th anniversary of two influential albums: Ice Cube's Lethal Injection and Cypress Hill's Black Sunday. The former was the N.W.A member's fourth solo release, and included singles 'Really Doe', 'You Know How We Do It' and 'Bop Gun (One Nation)', while the latter gave the world 'Insane in the Brain', 'Hits from the Bong', 'When the Shit Goes Down' and 'I Ain't Goin' Out Like That'. Expect to hear plenty of those songs get a whirl in late March — and plenty more — starting at Melbourne's Rod Laver Arena, then jumping to the Adelaide Entertainment Centre, Qudos Bank Arena in Sydney and the Brisbane Entertainment Centre. For Ice Cube, the tour marks his first visit to Australia since 2018, when he became the first-ever rap artist to headline at the Sydney Opera House. "I love performing in Australia. It's been four long years since my last visit and I can't wait to return for a couple of history-making shows in 2023," said the rapper, aka O'Shea Jackson Sr (and yes, his son O'Shea Jackson Jr did play him in N.W.A biopic Straight Outta Compton). Ice Cube and Cypress Hill will be joined by The Game, who came to fame in the 00s in the West Coast scene. The US talents will also feature Aussie talent in support, with exactly who else will take to the stage yet to be announced. ICE CUBE, CYPRESS HILL AND THE GAME 2023 AUSTRALIAN TOUR: Thursday, March 23 — Rod Laver Arena, Melbourne Saturday, March 25 — Adelaide Entertainment Centre Sunday, March 26 — Qudos Bank Arena, Sydney Tuesday, March 28 — Brisbane Entertainment Centre Ice Cube, Cypress Hill and The Game will tour Australia in March 2023. Ticket pre-sales start at 2pm local time on Tuesday, November 22, with general sales from 2pm on Wednesday, November 23. Head to the tour website for further details.
I'm of the firm belief that travelling somewhere new is best enjoyed with some local intel. As the resident writer hailing from Tropical North Queensland at Concrete Playground, I feel it is my duty to share my go-to ways to enjoy a balmy (and palmy) break in the tropics. And, if you feel like you missed out on some of your summer fun this year, this is your sign to book a holiday in the tropical north where summer lives on. Full disclosure: I'm based in Sydney now, however, I did spend the first 18 years of my life in this part of the world and head back to the truly idyllic region as often as I can to visit friends and family. So, if you're looking for a holiday that's brimming with immersive nature experiences, scenic drives and spectacular views, I've got you.
It's only been a few years since these legendary burgers have been on the scene, but Melbourne is well and truly in love. Such brioche. Many pickles. A quick bite at the delectable Huxtaburger will leave you feeling as full and gluttonous as if you've just binged on a large Big Mac meal, while leaving you quietly satisfied that it was a touch more gourmet. Now you can pair this tasty offering with your next favourite activity — a beer and a band at the Curtin. After expanding their flagship Smith Street store to the CBD and Prahran, the dudes behind Huxtaburger are now popping up at The John Curtin Hotel on Lygon Street from Wednesday, October 1. The legendary pub will be surrendering its kitchen to a rotating selection of local vendors, and the burgers will be available during lunch and dinner in the bandroom for at least the next six months. In a similar set up to their restaurants, there won't be any table service. It'll just be you milling around in the moshpit with a fistful of brioche and beef. Better yet, the owners have told Good Food that there's the option of this becoming a long-term thing. Plans to open a new Huxtaburger restaurant on Glenferrie Road in Hawthorn have hit delays, and the burger crew are open to new possibilities. If enough of you hit up the Curtin, there's the possibility of this magical thing lasting all summer. To celebrate this latest venture, the team are also introducing a new item to the menu. The Clair Burger — named after the sassy, smart mother of the Huxtable family, of course — will be filled with Southern-style fried chicken, slaw and jalapeno mayonnaise. We're not sure that the '80s sitcom mum would necessarily approve of such indulgence, but we're happy to eat it up in her honour regardless. The John Curtin Hotel is located at 29 Lygon Street, Carlton (near the corner of Victoria Street). Get along from Wednesday, October 1 to scoff some fried chicken on the dancefloor. Images: Huxtaburger.
Once, dance and classical weren't music genres that you'd usually find swirling around in the same basket, unless you have a particular bent for the orchestral 'Sandstorm' covers found in the depths of YouTube. Since 2019 in Australia, however, Synthony has been here to prove that the disciplines go hand in hand — and it's returning for another tour in 2024. Initially founded in New Zealand, and now an annual highlight on Australia's gig calendar, the event gets a live orchestra joining forces with a selection of DJs and onstage performers to play the biggest dance tracks of the last 30 years. Think: tunes by Swedish House Mafia, Basement Jaxx, Fatboy Slim, Avicii, Fisher, Faithless, Disclosure, Eric Prydz, Flume, Calvin Harris, Wilkinson and the like, and as you've never heard them before. Wherever Synthony pops up, the venues that it temporarily call home take a few cues from the nightclub scene, with lights, lasers and mapped video all featured in the experience. And, as the orchestra busts out a selection of dance floor bangers note for note, vocalists also do their part — because this isn't just about instrumental versions of your favourite club tunes. The 2024 run first has a date with Sydney, playing Carriageworks for two nights during Vivid — complete with a 29-piece orchestra — before heading to Brisbane's Fortitude Music Hall, the Adelaide Entertainment Centre and Margaret Court Arena in Melbourne in September. After that, RAC Arena in Perth awaits in October. The lineup of talent for Sydney spans the Metropolitan Orchestra conducted by Sarah-Grace Williams, as joined by Ilan Kidron from The Potbelleez, Emily Williams, Cassie McIvor, Greg Gould, Matty O and Mobin Master. Elsewhere, Queensland Symphony Orchestra will play Brisbane, Southern Cross Symphony will pick up instruments in Adelaide, Australian Pops Orchestra is doing the honours in Melbourne and Perth Symphony Orchestra has its hometown covered. Sarah-Grace Williams is still conducting, and will have company from Ilan Kidron from The Potbelleez, Masha Mnjoyan, Emily Williams, Greg Gould, Matty O, Nate Dousand and Mobin Master — plus Example in Melbourne, Adelaide and Perth, then Set Mo in Brisbane. Synthony 2024 Australia Tour Dates Friday, June 7–Saturday, June 8 — Carriageworks, Sydney Friday, September 6 — The Fortitude Music Hall, Brisbane Friday, September 13 — Adelaide Entertainment Centre, Adelaide Friday, September 20 — Margaret Court Arena, Melbourne Saturday, October 12 — RAC Arena, Perth Synthony is touring Australia across 2024 — head to the Carriageworks website for tickets and further information for its Sydney gigs; and to the Synthony website for Brisbane, Melbourne, Perth and Adelaide, with presales from Tuesday, May 28 and general sales from Thursday, May 30.
Being an Airbnb Host is hard work, but also a truly rewarding experience — and Carla Dawes, who has just been named Australia's Airbnb Host of the Year, can certainly vouch for that. Having joined the accommodation platform as a Host five years ago, Dawes transformed the downstairs of her residence in Alstonville, NSW into a welcoming destination for travellers from around the world to call home during their time in the Northern Rivers. Dawes goes above and beyond to make her guests feel as welcome as possible — from providing fresh flowers, herbs and eggs from her property for guests to enjoy during their stay, to stocking local produce that showcases the best of the region. We sat down with the official host with the most to chat about her hosting journey, what she loves about it and her tips and tricks for beginners. What do you do to ensure an outstanding experience for your guests? Hosting for me is about putting everything into a stay that I would want to experience on my travels. For me it's all in the detail — greeting your guests is always a nice way to welcome them and answer any questions they might have before they settle in. I think wanting to give your guests the very best experience you can, in every way, is the making of a good Host. I supply a book full of my local recommendations for cafes, restaurants and places of interest — such as galleries, shops, walks and beaches. I think this is a valuable resource, especially if your guest isn't familiar with the area. Hopefully this directs them to a wonderful experience. To ensure an outstanding experience I think it's most important to have your place sparkling clean from top to bottom. Added extras like spare pillows, blankets and towels — things that make your guests stay that little bit more comfortable — also help. I supply local products to showcase our region's wonderful offerings, such as a fresh loaf of sourdough from Harvest in Newrybar, Brookfarm muesli and Byron Bay Cookies. I also like to place fresh flowers and herbs from my garden and fresh eggs from my hens as a special touch. Guests are also welcome to collect eggs and harvest their own vegetables, herbs or fruits from my garden to use during their stay. What inspired you to offer local ingredients for breakfast? When I'm travelling, it's about escaping my daily routine. Sitting on a deck and having breakfast with coffee is one of my favourite ways to start the day before exploring the local area. This is what I want my guests to experience. I take pride in using fresh eggs from my hens and homegrown seasonal produce from my garden. What's something you wish you knew when you started hosting? When I started hosting, I didn't have many people to talk to about tips and tricks for Hosts until I found the Airbnb Community online forum where a large range of subjects are covered. Now it's my go-to if I ever need advice from other Hosts and the Airbnb team. What do you find rewarding about hosting? I love that I get to meet all sorts of people from different countries, backgrounds and professions, and to hear their stories and help them in any way I can to make them feel welcomed, relaxed and taken care of. Creating magical moments with my guests for their loved ones is pretty special, even with such a small part I play in setting up the flowers, food or secret surprises is always a joy. What advice would you give to someone thinking of becoming a Host? What are some good ways to get started? I think when you start out as a Host, creating a routine around preparations and having an area to store equipment for your listing is helpful. Respond to guests' enquiries as quickly as possible. Also, provide clear instructions on check-in times, directions to your place and a contact number. What are some of the benefits of hosting? What has hosting allowed you to do? I run a 14-acre property with vegetable gardens, an orchard and chooks among some of the day-to-day jobs. Becoming a Host has not only allowed me to earn an income from my property, but it has also given me the freedom and flexibility to continue my work on the land without being committed to a 9-to-5 job elsewhere. Want to begin your own hosting journey with Airbnb? If you're feeling inspired, head to the website to find out how to get started. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
When you're brainstorming places around the world to visit on a budget, the UK is probably not the first place that springs to mind. What it may lack in affordability department, it makes up for in pretty much every other aspect of an epic holiday — from poking around charming country villages and discovering the diverse cultures of the major cities to stumbling across a historical landmark at pretty much every turn of a corner. Oh, and it has a killer music scene. You can experience all of these UK wonders on a Contiki Sounds trip. With seven- or ten-day options, these whistlestop tours will take you to some of England's top spots, culminating with an unforgettable weekend of dancing, camping and partying at Reading Festival — one of the country's biggest annual music festivals. To get you ready for traipsing around the UK's south, we've put together a guide of some of the best things to do and see while you're there. And, to prove that you can still have a good time without blowing big bucks, we've also thrown in a few penny-pinching tips. Who said you couldn't have your bangers and mash and eat them too? [caption id="attachment_719139" align="alignnone" width="1920"] Paul Hudson via Flickr.[/caption] BIKE BETWEEN LONDON'S MARKETS Hire a set of wheels from the city's bike sharing service (nicknamed 'Boris bikes') for the weekend and visit some of London's best markets. Spend Friday near London Bridge at Borough Market, one of the largest and oldest food markets in London, and turn all of the free cheese and fudge tastings into a makeshift meal. Next up, on Saturday, is a stroll through Broadway Market, which runs from London Fields to the Regent's Canal in old Hackney. Then, on Sunday, cycle over to Columbia Road Flower Market. The street air is intense with the scent of flowers and the barrow boys will be hawking "everthin' for a fiiiver". [caption id="attachment_719140" align="alignnone" width="1920"] Mark Towning via Flickr.[/caption] JUMP AROUND THE JURASSIC COAST Supposedly, the lady who 'sold seashells by the seashore' came from the Jurassic Coast. Too early for her time to be recognised as a palaeontologist by her peers, she was forced to sell her excess dino bones to tourists. The picturesque coast isn't just home to prehistoric beasts and tongue-twisting characters — it also boasts Durdle Door, an iconic limestone arch near Dorset. For the adventurous, try coasteering — a physically challenging activity which involves scaling cave networks, dodging tidal surges and completing ocean jumps. Broadchurch fans may recognise the Jurassic Coast's cliff faces from the hit British crime drama. [caption id="attachment_719154" align="alignnone" width="1920"] Ed Webster via Flickr.[/caption] STROLL BRISTOL'S STOKES CROFT STREET ART AND ART GALLERIES Wander around the city and feast your eyes upon some of street artist Banksy's earliest works, then head over to Stokes Croft to ogle the local, ever-changing licks, sprays and splatters of paint. Then, counter your street-traipsing with some gallery time. Spike Island lies south of the river and features contemporary art, design and audio installations. An enormous old tea warehouse has been converted into three floors of contemporary art in all forms to make Arnolfini, Bristol's Centre for Contemporary Arts. Meanwhile, the Bristol Museum and Art Gallery has a huge collection, including Alfred — a stuffed silverback gorilla who was kidnapped in the 1950s by a jovial bunch and returned a whopping 54 years later. VISIT A HAUNTED PUB IN SALISBURY A pleasant 15-kilometre drive from Stonehenge will take you to Salisbury. The city is known for having some of England's finest historic houses, the Russian spy poisoning incident and, most recently, being named the best place to live in the UK. Satiate your inner historian (and thirst) with a visit to The Haunch of Venison. The haunted pub features oak beams that predate the building by several hundred years and are thought to come from early sailing vessels. Under the pub's fireplace, inside a former bread oven, lies a smoke-preserved mummified hand believed to be from an 18th-century demented whist player who lost it in a card game. The cheat's hand has been stolen a few times but is now securely locked away. [caption id="attachment_719156" align="alignnone" width="1920"] Alison Day via Flickr.[/caption] JUMP THE FENCE INTO CORFE CASTLE Things are impressive when they are mighty old and still standing. One such thing is Corfe Castle, a 1000-year-old royal abode that was built as an attempt to defend the area from marauding armies. This ruined castle dates back to the 11th century and rests within a heathland landscape that is undeniably picturesque. The area also inspired a number of Thomas Hardy's poems, novels and short stories. Skip the city for a beat, give yourself a history lesson and create your own tale of treachery and treason as you jump the fence into Corfe Castle. CATCH A PORTAL TO ANOTHER DIMENSION AT STONEHENGE Baffling burial mounds and rock formations surely must point to some kind of portal into parallel universes, right? Historians may very well be appalled by our lack of appreciation for their hard work that informs us the Badbury Rings are defences of a hillfort and Avebury Stone Circle is Europe's largest Neolithic stone circle. And let's not forget Stonehenge — arguably the world's most famous prehistoric monument. But alas, the mystery of their power still remains. We're told by locals that entering clockwise affords the best luck. Cut a lap around Stonehenge's circle that was built 5000 years ago — or take a peep through the fence, which works just as well for those on a budget or fearful of transporting too far. [caption id="attachment_719158" align="alignnone" width="1920"] Gerrit Burrow via Flickr.[/caption] WALK THE SOUTHWEST FOOTPATHS The southwest of England is home to a variety of stunning trails. Venture to any beach along the area, turn left or right and you'll be on the 1000-kilometre South West Coast Path and on the edge of an eye-stretching experience. The paths were originally created by coastguards patrolling the southwest peninsula looking for smugglers. They legitimately had to check in every inlet, so the cliff top walks are well-worn. The sheer variety of scenery along the gorge-sliced cliff peaks and beach walks along with the unique history of the area make this an unforgettable experience. Remember to fill your playlist with all of your favourite bands from Reading and hit the tracks. Travel around the best spots in the UK with Contiki at Reading Festival. Unearth the UK's musical heritage, then experience an unforgettable party at one of the world's best and biggest music festivals. Contiki wants to take you there — all you have to do is choose from the 7- or 10-day trip. Plus, if you bring a mate, it'll give you both $200 off. Find out more here.
If you're a Melburnian looking for a new staycation destination, you'll soon be able to add the first Victorian venue from luxe hotel chain W Hotel to your must-stay list. And, if you're looking for a new spot to have a few drinks, the hotel will offer that too. When the site throws open its doors in February 2021, it'll feature flashy rooms and suites, a heated indoor pool with a gold-adorned roof, and four in-house venues — including a new bar called Curious. If the latter has piqued your interest, then we hope you like cocktails. We hope you like moseying through a secret laneway entrance to get to them as well. Both will be on offer here, as will curated music programming, and a menu heavy on small bites and share plates. On the drinks side of things, Proof & Co is overseeing the cocktails — and taking inspiration from Melbourne's fashion, art and coffee in the process. While the full list of exactly what you'll be sipping hasn't yet been revealed, the latter will come into play via W Hotel's version of an espresso martini. Called 'A Curious Ristretto', it comes sealed with beeswax and will emit a nutmeg smoke when you take your first sip. Patrons will also be able to choose from boutique craft spirits, with Australian and Melbourne brands featuring prominently. And, you'll be able to pair your drinks with bites to eat from the venue's executive chef Jihun Kim — and listen to tunes from emerging talent in the process. As for actually getting to the place, you'll need to head to Market Street, then step down a spiral staircase. There, you'll find a cocoon-esque design made from timber beams that'll welcome you in. Once you're inside, you'll be surrounded by a rich, dark, earthy aesthetic — with the bar hoping to become one of the city's next late-night hangouts. When both Curious and W Melbourne open — on Collins Street in the middle of Melbourne's shopping heartland — they'll join the already-operating W Brisbane in 2018. The chain is also slated to launch in Sydney as well. Following Brisbane's ten-gallon baths and Sydney's lavish pool deck overlooking the harbour, the Melbourne digs look to be no less OTT. W Melbourne will encompass 294 rooms and 29 suites, including an 'Extreme Wow Suite', which has its own 40-square-metre balcony with views of the Yarra, a jukebox and cocktail bar. Designed by local architect and interior design firm Hachem, W Melbourne will also house a 14th-floor spa, gym and that aforementioned indoor pool, plus a poolside bar and DJ decks. And, for those needing function space, W will have more of it than you can physically fill (under current COVID-19 restrictions, at least) — a 830-square metre space for conferences, meetings or holding lush balls. On the food and drinks front, in addition to Curious, you'll have three other choices. The 30-seat Warabi will be your go-to for Japanese fine dining, while Lollo will be run by a "renowned local chef" — we'll let you know exactly who that is when it's announced — and Culprit will flip from a cafe during the day to a wine bar at night. Functioning, too, as the bottom 15 storeys of a towering new precinct called Collins Arch, W Melbourne will sit on Flinders Lane. The $1.3 billion new precinct will be comprised of two towers of commercial, residential and retail spaces, joined at the top by a dramatic sky bridge. W Melbourne is slated to open on Flinders Lane in February 2020.
UPDATE, October 17, 2022: Ticket pre-sales for Beauty and the Beast: The Musical's Australian-premiere season at Sydney's Capitol Theatre will start at 9am AEDT on Monday, October 31, for folks who sign up to the production's waitlist by 12pm AEDT on Thursday, October 27. General ticket sales will start at 9am AEDT on Thursday, November 3. When June 2023 arrives at Sydney's Capitol Theatre, expect three words to echo with enthusiasm: "be our guest". The Harbour City venue will be home to quite the coup, courtesy of the Australian premiere season of Disney's Beauty and the Beast musical, which is heading Down Under as a newly reimagined and redesigned production. Exact dates haven't yet been announced, but the huge show will bring a tale as old as time to Australia to liven up winter — and marks the latest in a growing line of Disney hits to come our way. Frozen the Musical has done the rounds over the past few years, while the musical version of Mary Poppins has also started floating around the nation. This new Beauty and the Beast first made its way to the stage in the UK in 2021, and reworks the original show that premiered in the US in the 90s — adapting Disney's hit 1991 animated movie musical, of course. Fans can expect the same Oscar-winning and Tony-nominated score courtesy of composer Alan Menken and lyricist Tim Rice, including all the beloved tunes such as 'Be Our Guest' and 'Beauty and the Beast'. It also comes with new dance arrangements by David Chase, and with original choreographer Matt West revisiting his work. When the British return was announced, Menken said that "Beauty and the Beast is a testament to the genius of my late friend and collaborator Howard Ashman, but the show's richness comes from the combination of Howard's style and that of the brilliant Tim Rice, with whom I expanded the score to give voice to the Beast." "It's clear that audiences the world over want to return to the world of Beauty, which continues to amaze and humble those of us who created it." Who'll star in the local version and whether it'll tour to other Aussie cities hasn't yet been revealed either — but if you're now planning a trip to Sydney's Capitol Theatre next June, whether or not you live in the city, that's understandable. So is crossing your fingers for Melbourne, Brisbane, Perth and Adelaide seasons afterwards. Another completely relatable reaction: rewatching the OG animated movie, including via a new sing-along version that'll drop via Disney+ on Friday, August 19, and/or revisiting the 2017 live-action movie, which is also getting the at-home karaoke treatment. Disney's Beauty and the Beast musical will enjoy its Australian premiere at Sydney's Capitol Theatre in June 2023. We'll update you with exact dates when they're announced. For more information, or to sign up for the ticket waitlist — with pre-sales from 9am AEDT on Monday, October 31 and general sales from 9am AEDT on Thursday, November 3 — head to the musical's website. Images: Johan Persson.
