From moonlit rooftops to moody underground dens, Melbourne almost has it all when it comes to bars. But this hasn't stopped a horde of new and inventive ones from opening this year. A Carlton bar pairing cocktails with slices of pizza, a multi-level karaoke joint and a cafe-cum-wine bar serving up everything from 6.30m coffee to late-night pig's head sangas. This year's newbies are nothing if not diverse. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented whippersnappers pushing Melbourne to be a better, braver city. So, these six new bars, opened in 2018, were nominated for Best New Bar in Concrete Playground's Best of 2018 Awards. You can check out all the winners here.
If you're the type of person that loves getting into heated pop-culture debates with friends, then you'll definitely want to get on board with this Kickstarter project. Part card game, part ridiculous debate, the Metagame asks players to consider questions like 'Which feels like first love: Pride and Prejudice or Hungry Hungry Hippos?' and 'Which should be required in schools: Dungeons and Dragons or the Bible?' The game comes with two decks of cards: one set of discussion cards with questions like 'Which will save the world?' or 'Which best represents America?', and one set of culture cards, which feature various works of art and pop culture, like Helvetica, the Rubik's Cube and 'Single Ladies (Put a Ring On It)'. There isn't really a set way of playing, but the makers include a few game suggestions and encourage players to invent their own. Most of the suggested games involve players choosing culture cards that best answer the question and debating their choices. The Metagame was created by Local No. 12, a game design collective made up of Eric Zimmerman, Colleen Macklin and John Sharp. While the original Metagame focused on video games, the trio decided to release 'Metagame: The Culture Edition' following numerous requests for music and film versions. The game is still in prototype form, but it's already attracting praise from Filmmaker Magazine and Attract Mode, and the original Metagame was also an official selection of the 2013 IndieCade International Festival of Independent Games. The project has raised over $50,000 on Kickstarter — nearly double their original target of $25,000. Potential backers have the option of donating anything from $1 (which gets you early access to a print-and-play PDF version) to $500 or more (which gets you your own version of the Metagame, where you pick the rules).
If you're a fan of rooftop bars or barbecue (or, better yet, both), prepare to have your day made. The Fancy Hank's crew is now serving icy cold drinks at Good Heavens, the aptly named rooftop bar that sits above the smoked meat haven. It's a slice of Palm Springs in the CBD — think brightly-coloured 80s-inspired cocktails, including twists on period-appropriate favourites like the Poco Loco (aka Good Heavens' take on the piña colada) and Big Pharma (which is a spiced rum espresso martini). Of course, it wouldn't be a Fancy Hank's venture without barbecue snacks, with the bar menu offering a more casual take on the meals served downstairs. Hank's sandwiches (brisket, pulled pork, buffalo cauliflower and fried eggplant) make it upstairs along with wings and lots of sides. Throw in ten local and international beers on tap and DJs playing every weekend, and you might be there every night of the week. A word of warning: Good Heavens' many heavenly pleasures are limited to 200 people at a time, as per their liquor license, so you might want to get in early. [caption id="attachment_831713" align="alignnone" width="1920"] Chip Mooney[/caption] Images: Chip Mooney
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from February's haul of newbies (yes, we're assuming you've already watched News of the World and Malcolm & Marie). BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW https://www.youtube.com/watch?v=AZ9cCFrCBxI IT'S A SIN More than two decades after creating Queer as Folk, Russell T Davies gives the television landscape another excellent queer drama. The screenwriter and television producer has been busy over the intervening period thanks to everything from Doctor Who to Years and Years — and he also has 2015's Cucumber to his name, too — but It's a Sin is one of the very best things on his lengthy resume. Stepping back to the AIDS crisis of the 80s and early 90s, the five-part miniseries follows a group of friends chasing their dreams in London. Ritchie (Olly Alexander, Penny Dreadful) heads to the city to become an actor, and to avoid telling his stern parents that he's gay. Roscoe (Omari Douglas) flees his parents' home when they keep threatening to take him back to Nigeria. Colin (Callum Scott Howells) arrives for an apprenticeship at a high-end tailor shop, but soon finds himself seeking an escape from his lecherous boss. Given the era, there's no doubting where the story will head. It's a Sin is as joyous and vibrant as it is soulful and heartbreaking, though. Ritchie, Roscoe and Colin not only cross paths, but form a makeshift family in their modest flat, with the former's college friends Jill (Lydia West, Dracula) and Ash (Nathaniel Curtis) rounding out the quintet. Neil Patrick Harris and Stephen Fry also feature, but they're never It's a Sin's stars — because, in series that looks and sounds the period part at every moment, the show's five main players are simply phenomenal. It's a Sin is available to stream via Stan. https://www.youtube.com/watch?v=4lkCCo63nhM I CARE A LOT She may not end up with many shiny statuettes for her efforts, but Rosamund Pike's Golden Globe nomination for I Care a Lot is well-deserved. The Radioactive and Gone Girl star is stellar in a tricky part in a thorny film — because this dark comic-thriller isn't here to play nice. Pike plays Marla Grayson, a legal guardian to as many elderly Americans as she can convince the courts to send her way. She's more interested in the cash that comes with the job, however, rather than actually looking after her charges. Indeed, with her girlfriend and business partner Fran (Eiza González, Bloodshot), plus an unscrupulous doctor on her payroll, she specifically targets wealthy senior citizens with no family, gets them committed to her care, packs them off to retirement facilities and plunders their bank accounts. Then one such ploy catches the attention of gangster Roman Lunyov (Peter Dinklage, Game of Thrones), who dispatches his minions to nudge Marla in a different direction. She isn't willing to acquiesce, though, sparking both a game of cat and mouse and a showdown. Dinklage makes the most of his role, too, but I Care a Lot is always the icy Pike's movie. Well, hers and writer/director J Blakeson's (The Disappearance of Alice Creed), with the latter crafting a takedown of capitalism that's savagely blunt but also blisteringly entertaining. I Care a Lot is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=Sw_iVa6bZgs WHY ARE YOU LIKE THIS Named after a meme, and focusing on characters that can hardly be described likeable but are nonetheless instantly recognisable, Australian sitcom Why Are You Like This takes aim at 21st century life. Its three main figures are all twentysomethings endeavouring to navigate a never-ending onslaught of personal and professional problems, such as getting fired, battling with colleagues, money troubles, hiding boyfriends, losing moon cups and trying to spark a workplace revolution but ending up getting other people fired — so, yes, they're just like the rest of us. Penny (series co-creator Naomi Higgins, Utopia) wants to be an ally to everyone. Her bestie Mia (Olivia Junkeer, Neighbours) matches that determination with both self-assurance and a self-serving mindset; if she's sticking up for anyone, it's always herself. Rounding out the trio is Penny's housemate and aspiring drag queen Austin (Wil King), whose glittery outfits and super-sized personality can't always hide his internal crumbling. Across the show's six-episode first season, these three friends keep trying to stand out in their own ways. They also keep demonstrating both their best and worst traits. As satirical as it is candid and relatable, Why Are You Like This knows that everyone and everything is awful, and leans in. And, in terms of the series' style of comedy, the fact that Higgins created the show with lawyer and illustrator Humyara Mahbub and Aunty Donna's Mark Samual Bonanno says plenty. Why Are You Like This is available to stream via ABC iView. https://www.youtube.com/watch?v=CqXhMYjasHM ROCKS Not only thoughtful, empathetic and heartfelt, but also offering a very familiar genre a fresh perspective, coming-of-age drama Rocks explores the life of British Nigerian teenager Olushola Omotoso (engaging debutant Bukky Bakray). She's given the eponymous nickname by her friends, and she's forced to call upon a hardy type of fortitude when her mother (Layo-Christina Akinlude, I May Destroy You) leaves suddenly, entrusting the 15-year-old to care for her her younger brother Emmanuel (D'Angelou Osei Kissiedu). This situation isn't new for the siblings, so they soldier on. But, approaching the film with a tender but also forthright touch, director Sarah Gavron (Suffragette) and screenwriters Theresa Ikoko and Claire Wilson (Gangs of London) don't sugarcoat their story. As Rocks tries to rustle up enough money to by, endeavours to evade social workers chasing her and Emmanuel around town, attempts to maintain a routine for her brother and also deals with her own schoolyard struggles, the film repeatedly demonstrates that a feature can be both honest, unflinching, bittersweet and charming all at once. Indeed, it also illustrates that when a movie manages to be all of those things — as well as immersively shot, superbly performed and keenly showing a far more expansive snapshot of British life than often seen on-screen — it's something special. Rocks is available to stream via Netflix. https://www.youtube.com/watch?v=cbZU_76SPdI CLARICE When The Silence of the Lambs became one of the most talked-about movies of 1991 — and won the 'big five' Oscars: Best Picture, Best Director, Best Actor, Best Actress and Best Adapted Screenplay — it was always going to earn a follow-up. But, the three films that did just that all cared far more about psychiatrist and serial killer Hannibal Lecter than FBI Agent Clarice Starling, as did the Mads Mikkelsen-starring TV series Hannibal. Accordingly, television crime procedural Clarice feels as if it's righting a three-decade-old wrong. Set a year after the events of The Silence of the Lambs, it follows its eponymous figure (Australian actor Rebecca Breeds, Three Summers) as she returns to the field. She's still shaken by the case that made her famous, and she'd much rather stay behind the scenes than lead the charge, but she's brought to Washington DC to join a high-profile taskforce that hunts down serial killers and other predators. Clarice is made by US network television, not cable, so it happily sticks to an obvious formula; however, case-of-the week programs like this have remained a TV mainstay for a reason. Breeds capably steps into Jodie Foster's shoes, the series as a whole sinks into its unsurprisingly grim mood, and stories about women reclaiming their own space after trauma, as this is, aren't as common as they should be. Clarice is available to stream via Stan. https://www.youtube.com/watch?v=2B7m-ARHz0c FAKE FAMOUS No one could've known how timely Fake Famous would be, especially in Australia. Arriving in a month where much of the nation's social media usage has pivoted from Facebook to Instagram, it explores influencer culture on the latter platform, all thanks to an experiment by journalist-turned-filmmaking first-timer Nick Bilton. Interested not only in people famous for being famous, but in the way that Instagram in particular has heightened the phenomenon, the writer/director endeavours to create three influencers of his own. He holds auditions, selects candidates, gives them makeovers, sets them up with a crew to snap their photos and shoot their videos, and buys them bots to follow, like and comment on their posts. His aim: to take his three chosen Los Angeles residents from everyday Instagram users with dreams of online stardom to the type of social media celebrities who've turned their virtual existence into a full-time job (and have the statistics and the swag sent to their door to prove it). Mixed in with insights about social media and influencers in general, the result is a fascinating film — especially in seeing how Bilton's three central figures handle the process. That remains true of this slickly made, perkily toned documentary even if there's little that's overly new here for anyone with an ongoing interest in or knowledge of the subject. Fake Famous is available to stream via Binge. https://www.youtube.com/watch?v=u9XJ1AxrAcs THE VIRTUES Director and screenwriter Shane Meadows has a fantastic track record, spanning everything from Dead Man's Shoes to This Is England — as well as the multiple TV shows inspired by the latter. Fellow screenwriter Jack Thorne is no stranger to working with Meadows, also thanks to the This Is England franchise; however his individual resume includes Dirt Music, Radioactive, The Secret Garden, Enola Holmes, The Eddy and His Dark Materials over just the past couple of years. So, the pair's involvement in The Virtues immediately marks it as a miniseries to watch. So does its star Stephen Graham, yet another veteran of This Is England. Here, all three combine for a four-part drama that's bleak, raw, frank and devastating — and, once you've started watching, it's also impossible to tear your eyes away from until the credits roll on the final episode. After it finishes, it's downright impossible to forget, in fact, a claim that can't be made of most television shows. Graham plays Joseph, a labourer who's barely getting by. When his ex-partner and his young son move to Australia, he hits the bottle, has a big night, and wakes up certain that he has to head back to Ireland and confront his troubled past. So starts an emotional journey that's never easy — not for a single second — but is also never anything less than astounding. The Virtues is available to stream via Stan. RETURNING SHOWS TO CHECK OUT WEEK BY WEEK WELLINGTON PARANORMAL Three of the best comedic actors currently on TV all star in New Zealand-made sitcom Wellington Paranormal. Playing Officer O'Leary, Officer Minogue and Sergeant Maaka, Karen O'Leary, Mike Minogue and Maaka Pohatu spit out devastatingly hilarious deadpan line readings. They need to in this mockumentary series, which follows a squad of Wellington cops who investigate the supernatural — as the show's title so succinctly explains — but every episode of the series so far has demonstrated just how perfect these three actors are for their job. That includes the just-arriving third season of the program, which once again sees the team tackle cases of the paranormal variety (and, yes, of the often silly and always amusing kind as well). This batch of instalments starts with an invisible foe, then ponders what might be lurking in the woods, with laughs heartily ensuing. A spinoff from Taika Waititi and Jemaine Clement's excellent 2014 movie What We Do in the Shadows — well, one of the film's spinoffs, given that a very funny US TV series also called What We Do in the Shadows also exists — Wellington Paranormal aces its concept again and again. This time around, Clement directed half of the season's episodes, while Rhys Darby reprises a familiar role. Wellington Paranormal's third season starts streaming via SBS On Demand from Wednesday, February 24, with new episodes added each week. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=XhulR_kJf7Y PARKS AND RECREATION She's the government worker we all wish could be in charge of, well, absolutely everything — and she's the Indiana city of Pawnee's most devoted employee and biggest fan. We're talking, of course, about Leslie Knope, Amy Poehler's super passionate waffle-loving character in iconic sitcom Parks and Recreation. Willing to work hard in any situation and always ready to lean upon her friends and co-workers, Leslie knows how to handle almost anything. In one particular fifth-season episode of the Nick Offerman, Rashida Jones, Aziz Ansari, Chris Pratt, Aubrey Plaza, Adam Scott and Rob Lowe-costarring series, that also includes grappling with a pandemic. Created by The Office's Greg Daniels and Brooklyn Nine-Nine's Michael Schur, Parks and Recreation may have only come to the end of its seven-season run back in 2015, but the sitcom has been an instant classic from the get-go for one reason: focusing on relatable characters, the minutiae of their lives and the time working in local government, workplace-based comedy has never felt more kind-hearted, or — thanks to the show's penchant for letting its main players talk directly to the camera — so inclusive. And while Parks has done the rounds of streaming platforms, hopping from one to another over the years, its arrival on Netflix is as good a reason as any for a rewatch (not that anyone ever needs an excuse). All seven seasons of Parks and Recreation are available to stream via Netflix. https://www.youtube.com/watch?v=5zaQgbACc1E THE MUPPET SHOW Created by Jim Henson, first seen on TV in the 50s and boasting eight movies to their name, The Muppets are easily the most loveable felt and foam creations in pop culture history. They're also the driving force behind the best variety television series that's ever reached the small screen: The Muppet Show, which ran for five seasons between 1976–81. Forget all those other efforts hosted by humans over the years, because nothing is as absurd, surreal and delightful as this puppet-fuelled program. And, whether you grew up watching reruns over and over, have always wanted to check it out or somehow weren't aware that the series even existed, it's now available on Disney+ in full. Yes, it's time to play the music and light the lights — and to revisit this Muppets-starring favourite. You won't just be checking out the comic stylings of Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo and the Swedish Chef (and their songs and skits, too), of course. The Muppet Show is also famed for its guest appearances, so get set to spy everyone from Elton John and Mark Hamill to Martin, Liza Minnelli, Alice Cooper, Julie Andrews, Diana Ross and Gene Kelly. All five seasons of The Muppet Show are available to stream via Disney+.
Last Easter, when social distancing and public gathering rules were in place across the country, KFC did everyone a solid by offering up free home delivery for the first time ever Down Under. While this year's four-day break will look quite different for much of the country — and hopefully for Brisbanites, with the city's current lockdown due to end at 5pm on Thursday, April 1 — the fried chicken chain is bringing back the deal anyway. Yes, joining the Easter Bunny this year to spice up this long weekend is another famous figure: The Colonel. So, it's time to round up your housemates again and tuck into those 11 secret herbs and spices. The limited-time offer is available nationwide and kicks off on Friday, April 2, then runs through until Monday, April 5. To get your hands on some finger lickin' good chook with no extra cost, head to Menulog's website or use the Menulog app. No promo code is needed this time — and there is no minimum spend either. And, while your food is on its way, you can meditate with KFChill, a wellness website that lets you unwind to the sound of chicken frying, gravy simmering or bacon sizzling away in a pan. Obviously, it'll make you hungry. KFC is offering free delivery across Australia on all orders via Menulog from Friday, April 2–Monday, April 5. To order, head to the Menulog website or app.
Valerie Fong and Randy Dhamanhuri from Operator Venues (Operator25, Middletown, Makan, Operator Diner and Operator San) know a thing or two about running cafes and nailing Melbourne breakfasts. And James Cornwall from Tenable Dining (Bonny Fitzroy, Young Hearts and Seville Estate) has the after-dark drinking and dining trade sorted. These Melbourne hospo heavy hitters have come together for Ruby Dining, a new all-day brasserie in the CBD. The whole vibe of Ruby Dining is inspired by theatre-district brasseries in London and New York, so you can expect a playful yet still sophisticated venue that's set up for just about anyone to enjoy. For breakfast, you'll find the same contemporary Australian brunch fare that the Operator venues are so loved for, but with more French sensibilities — there's a mean croque madame, a luxe shokupan french toast and brown butter madeleines topped with whipped goat cheese and honey that are baked to order. When lunch and dinner service roll around, Cornwall's cooking takes centre stage. His interpretation of the modern brasserie sees him showcase great technique and top-notch local produce without being overly ostentatious. Dishes aren't overly complicated, devilishly small or overpriced. Nonetheless, he is still having plenty of fun with the menu. You've got classics like steak frites, onion tart, and ricotta and pistachio ravioli, plus more playful eats like the one-bite Caesar salad and his potato cannoli. The aforementioned freshly baked madeleines also feature on the lunch and dinner menu, so there's no need to worry about missing out if you're there after brekkie. You'll be tucking into all of this within chic surrounds designed by We Are Humble (Kaiju Cantina, No. 100 Flinders Lane, CoConspirators Brewpub, Code Black Brunswick and Good Measure). The architects kept some of the building's original features, including the bar, the exposed waffle slab above it and the mirror-panelled walls, while adding splashes of ruby red throughout the dining room and bar. Soft curved frames, Thonet bistro chairs and rich brown upholstery complete the brasserie fitout. When spending time at Ruby, you could easily forget you're in Australia, but perhaps somewhere in London, New York or Paris. But these Melbourne hospo legends have made sure to weave plenty of local touches throughout the whole experience — it still has that Melbourne je ne sais quoi. You'll find Ruby Dining at 189 Queen Street, Melbourne. open for breakfast and lunch every day of the week and for dinner from Wednesday–Saturday. For more information, head to the venue's website. Images: Jana Langhorst and Simpson Chin.
Do you live in a dog-friendly house? Do you have some spare time on your hands? Do you fantasise about hanging around at dog parks with an actual dog? If the answer to any of these questions is yes — and especially if the answer to all of them is yes coming into Christmas — then the good folks at Vision Australia's Seeing Eye Dogs need you. As part of the organisation's dog-training program, it has puppies running around the place quite often, and it's in need of volunteers to raise them. That includes right now, with 45 pooches requiring homes before the merriest day of the year. In other words, Vision Australia is giving away puppies — although you will need to give them back. If you put up your hand to become a puppy carer, you'll get a puppy for about a year, from around its eight-week birthday to when it turns turns between 12–15 months old. During that time, you'll be responsible for introducing the sights, sounds and smells it'll meet when it starts working as a seeing eye dog (and giving your new friend heaps of cuddles). Of course, it's not all just fun, games and cuteness. You'll have to be responsible enough to take care of regular grooming, house training and exercise, and be available for regular visits. A fenced-in backyard is mandatory, too. In return, the organisation provides a strong support network, and all food, training equipment and vet care. You'll also need to be home most of the time — so you won't be leaving the puppy alone for more than three hours a day, sat in front of Dog TV — and to be able to put effort into training and socialising the pup. View this post on Instagram A post shared by Seeing Eye Dogs Australia (@seeingeyedogsaustralia) Seeing Eye Dogs Australia is looking for people across the majority of local government areas across metropolitan Melbourne, as well as Geelong, Bendigo and Ballarat. In Queensland, Brisbane's north and Sunshine Coast areas are the current priorities. Once the pups reach 12-15 months old, they'll return to Vision Australia — and complete their journey to become four-legged companions for people who are blind or have low vision. Keen to help? You can apply online right now. If you're eager but can't commit to the full year, there's also a six-month caring option. Or, for workplaces, there's corporate caring, too. For more information about Seeing Eye Dogs Australia's puppy carers, and to apply for the volunteer roles, head to the organisation's website. Top image: Nicola Cotton.
If you were a child of the 90s, there's a good chance you will remember the page-turning thrill of the Goosebumps choose-your-own-adventure books or the semi-terror of The Simpsons halloween specials. Well, now there's a chance to live out your own bespoke adventure (or Treehouse of Horror episode) in real life. A Midnight Visit is a captivating theatre experience in which participants will traverse an abandoned Melbourne warehouse on a hair-raising journey through a surreal dream world. And we've managed to get our hands on some double passes. On this dark and eerie immersive theatre experience, you'll be transported to an intriguing and wistful world. Think David Lynch meets Stanley Kubrick with a big pinch of the notoriously macabre works of Edgar Allan Poe. In one room, you'll be plunging into a pink ball pit and, in the next, you will dance with the dead in a blood-red chamber. It's certainly not for the faint-hearted, with plenty of twists and turns, adult concepts and many 'troubled characters'. But, for those daring enough, a whimsical and seductive whirlwind experience awaits. Plus, you can calm your nerves with a cocktail or two at The Raven's Rest pop-up bar — though, unfortunately, there'll be no Bart-turned-raven taunting Homer. This immersive choose-your-own-adventure experience is unlike any theatre offering the city has seen before and, the best part is, tickets are on us. Enter with your details below to be in the running. [competition]731303[/competition] Images: Anna Kucera and Tim da-Rin
The beerhalls of Germany seem inconceivably distant from our cold Melburnian shores right now. Instead of a summery festival season clad in lederhosen with a cold beer in hand, Melbourne's forecast for the next few months calls for trench coats and a high chance of hot mulled cider. It's unfortunate, but we've accepted it. We've blocked all our friends' Instagram feeds who are visiting Europe, and we've become content with our sad state of affairs. That is until now. Say hello to Munich Brauhaus — a 900-seater German beerhall in the heart of South Wharf. Only just announced, this incredible slice of European joy is unfortunately scheduled to launch in mid-August; so you still have a while to wait. But that doesn't mean we can't start drooling over it now. To be fitted out in a repurposed space on Southwharf Promenade, Munich Brauhaus will boast all the trappings of a traditional Bavaraian bierhaus with a clean modern edge. But as we all know, the most important part of a beerhall is the beer — and this place does not disappoint. On tap you'll find a host of quality German brews such as Fürstenburg Premium Pils, Löwenbräu Original, and Stiegl Goldbräu (and really, if it has an umlaut, you know it's good). The kitchen will also be stocked with feasting favourites such as locally sourced suckling pig and charcoal spits, and the music will be just as you expect — oom-pa pah music with accordions aplenty. The only reason to be disappointed is if you're vegetarian, but even then you can't be too upset with great beer and warm pretzels. Of course any large venue in our city is exciting news, let alone a fully-fitted German beerhall. Melbourne is a town of laneway bars with labyrinthine entries; we tuck our hip venues under pedestrian bridges and watch helplessly as they flood. Munich Brauhaus will now join the leagues of Little Creatures Dining Hall, offering a southside option for lovers of hearty feasts and marathon drinking escapades. We may not get to enjoy the sunshine and mayhem of the European festival season, but at least we now have a glowing amber light to strive for at the end of our winter hibernation. BYO lederhosen.
After playing to sold-out arenas the globe over, the Black Keys will return to Australia this October. The Lollapalooza and Coachella headliners are bringing their latest album 'El Camino' to six Aussie locations. Though the Black Keys started out humbly as a two-member garage band, their rise to festival and arena headliners is a testimony to their music. Australian fans welcomed the band to Oz in 2003, and have since enjoyed five more Black Keys tours. This tour highlights the band's seventh album in a show which promises to be their best yet. The Black Keys will make appearances in Newcastle, Sydney, Brisbane, Adelaide, Melbourne, and at Perth's Rock It festival. Don't miss out: tickets go on sale after noon today here.
Across most of Australia, no one expects to feel particularly warm in June. Even in Brisbane, the temperature always starts to dip before midyear hits. But, just days into winter 2021, the frostiest part of the calendar is making sure that Aussies along the east coast definitely feel the cold — so rugging up is recommended for the next week. The country's southeast is expected to be especially chilly, as you might have already started to realise if you're located in Sydney or Melbourne. The Bureau of Meteorology advises that icy air has been heading up from the Southern Ocean, and it's bringing rain, wind and snow with it. In New South Wales, that means cold, wet and windy conditions for most of the state from Tuesday, June 8, plus snow in sections of the northern and central Tablelands — and alpine areas — on Wednesday, June 9 and Thursday, June 10. In Melbourne, don't expect temperatures higher than 13 degrees on Tuesday and Wednesday, or above 16 degrees until Sunday, June 13. https://twitter.com/BOM_au/status/1401658919659917317 Discussing the colder conditions on Sunday, June 6, BOM meteorologist Sarah Scully said that "there is a very strong cold front that's forecast to move across southeastern Australia across Monday and Tuesday" — and "on and beyond that cold front, we're forecasting widespread showers, small hail and isolated thunderstorms." The cold front is expected to move east through NSW and Victoria on Monday and Tuesday. Also on Tuesday, snow is expected to drop to low levels "through parts of Tasmania, Victoria and alpine areas of NSW." From Tuesday night onwards, a complex low pressure area is forecast to develop over the southern part of NSW, then move off the east coast and intensify — bringing a band of rain across the eastern seaboard. That's anticipated to stretch right up from Tasmania to southeast Queensland. "It's a very cold pool of air, so there's the potential for small hail and thunderstorms as well, and showers, and also snow down to low levels," said Scully. https://twitter.com/BOM_Vic/status/1401701952052994054 So, Sydneysiders, get ready for minimums as low as eight degrees, showers from late Tuesday until Friday, June 11, and a maximum of 15 degrees on Thursday, June 10. In Melbourne, as well as the low top temps mentioned above, the minimum will hit six degrees on Wednesday, and showers are forecast from Tuesday–Thursday. Damaging winds are also expected in southern and alpine regions. Brisbane has been feeling chillier than usual for a few days, thanks to a cool change that was forecast last week. Back when winter started, BOM noted that there was "an outside chance" that the Granite Belt could get snow this week — but Brisbane is in for eight-degree minimums regardless from Thursday–Sunday, and a maximum of just 18 degrees on Thursday as well. https://twitter.com/BOM_Qld/status/1399558171740442627 Of course, while these are BOM's forecasts as issued up until today, Monday, June 7, conditions may change — so keep an eye on the Bureau's website for the most up-to-date information. For latest weather forecasts, head to the Bureau of Meteorology website.
When Dark Mofo announced its 2023 lineup, it promised a sleepover. The Tasmanian festival also promised everything from a Twin Peaks-inspired ball to Soda Jerk's latest film; however, slumbering at the gleefully weird, wild and wonderful winter event was always going to stand out. Usually, Dark Mofo attendees are doing anything but catching 40 winks, instead staying up all night and making the most of the jam-packed program — not popping on their pyjamas and bunking down for the evening. The sleepover comes courtesy of Max Richter's SLEEP, which returns to Australia for a new eight-and-a-half-hour overnight stint. The session kicks off on Wednesday, June 14, greets the day on Thursday, June 15 and, unsurprisingly, is already sold out. Fancy playing along — well, kipping along — at home in your own bed? Dark Mofo is now making that happening with a live broadcast of the entire Australian-exclusive performance. [caption id="attachment_659938" align="alignnone" width="1920"] Mark Allan[/caption] If you're new to Richter's and to SLEEP, attendees get some shuteye while Richter's compositions play. The former usually happens on beds at venues around the world, and the latter is based on the neuroscience of nodding off. In the past, Richter's SLEEP performances have been held at the Sydney Opera House, Philharmonie de Paris and Grand Park in Los Angeles, as well as at New York City's Spring Studios, London's Barbican and Amsterdam's Concertgebouw. There's even a documentary about it that'll instantly get you excited if you aren't already. [caption id="attachment_659957" align="alignnone" width="1920"] Rahi Rezvani[/caption] Lucky Dark Mofo ticketholders will be dozing at MAC2, but everyone else can join in and get the SLEEP experience by tuning into Edge Radio for the night. The live broadcast will start at 11.59pm on Wednesday, June 14, running until 8am on Thursday, June 15, so don't go planning an early start at work that morning. What makes SLEEP so unique? It isn't just a case of Richter and the American Contemporary Music Ensemble performing all night in different spots around the globe. The piece is informed by the neuroscience of sleep and takes its moniker seriously. Accordingly, it features slow-paced movements to help listeners tune out everything but the music as they slip into slumber — and to slow down their own pace in general. Yes, it's basically a lullaby — and it's enchanting. Here's a glimpse of SLEEP from its stint at the Sydney Opera House in 2016: Max Richter's SLEEP will broadcast live from Dark Mofo 2023 from 11.59pm on Wednesday, June 14–8am on Thursday, June 15 via Edge Radio. Dark Mofo 2023 runs from Thursday, June 8–Thursday, June 22 in Hobart, Tasmania. For more information, head to the festival's website. You can also check out our wholesome-to-hedonistic guide, which'll help you stack your Dark Mofo itinerary based on the level of chaos you're after — and our Dark Mofo picks for last-minute planners. Top image: Max Richter - SLEEP im Kraftwerk Berlin am 15.03.2016. Foto: Stefan Hoederath.
Editors fictional and real may disagree — The French Dispatch of the Liberty, Kansas Evening Sun's Arthur Howitzer Jr (Bill Murray, On the Rocks) among them — but it's easy to use Wes Anderson's name as both an adjective and a verb. In a sentence that'd never get printed in his latest film's titular tome (and mightn't in The New Yorker, its inspiration, either), The French Dispatch is the most Wes Anderson movie Wes Anderson has ever Wes Andersoned. The immaculate symmetry that makes each frame a piece of art is present, naturally, as are gloriously offbeat performances. The equally dreamy and precise pastel- and jewel-hued colour palette, the who's who of a familiar cast list, the miniatures and animated interludes and split screens, the knack for physical comedy, and the mix of high artifice, heartfelt nostalgia and dripping whimsy, too. The writer/director knows what he loves, and also what he loves to splash across his films, and it's all accounted for in his tenth release. In The French Dispatch, he also adores stories that say as much about their authors as the world, the places that gift them to the masses, and the space needed to let creativity and insight breathe. He loves celebrating all of this, and heartily, using his usual bag of tricks. It's disingenuous to say that Anderson just wheels out the same flourishes in any movie he helms, though, despite each one — from The Royal Tenenbaums onwards, especially — looking like part of a set. As he's spent his career showing but conveys with extra gusto here, Anderson adores the craftsmanship of filmmaking. He likes pictures that look as if someone has doted on them and fashioned them with their hands, and is just as infatuated with the emotional possibilities that spring from such loving and meticulous work. Indeed, each of his features expresses that pivotal personality detail so clearly that it may as well be cross-stitched into the centre of the frame using Anderson's hair. It's still accurate to call The French Dispatch an ode to magazines, their heyday and their rockstar writers; the film draws four of its five chapters from its eponymous publication, even badging them with page numbers. But this is also a tribute to everything Anderson holds The New Yorker to stand for, and holds dear — to everything he's obsessed over, internalised and absorbed into the signature filmmaking style that's given such an exuberant workout once again. One scene, in the first of its three longer segments, crystallises this so magnificently that it's among the best things Anderson has ever put on-screen. It involves two versions of murderer-turned-artist Moses Rosenthaler, both sharing the boxed-in frame. The young (Tony Revolori, The Grand Budapest Hotel) greets the old (Benicio Del Toro, No Sudden Move), the pair swapping places and handing over lanyards, and it feels as if Anderson is doing the same with his long-held passions. Before Moses' instalment, entitled The Concrete Masterpiece, the picture's bookending story steps into Howitzer's offices in the fictional French town of Ennui-sur-Blasé. Since 1925, he's called it home, as well as the base for a sophisticated literary periodical that started as a travel insert in his father's paper back in Kansas. Because Anderson loves melancholy, too, news of Howitzer's death begins the film courtesy of an obituary. What follows via travelogue The Cycling Reporter, the aforementioned incarcerated art lark, student revolution report Revisions to a Manifesto and police cuisine-turned-kidnapping story The Private Dining Room of the Police Commissioner is The French Dispatch's final issue turned into a movie — and an outlet for both Howitzer's and the director's abundant Francophilia. Watching travel correspondent Herbsaint Sazerac (Owen Wilson, Loki) wheel around Ennui — a place that isn't quite Paris, just as The French Dispatch isn't quite The New Yorker — comes complete with choirboy gangs rumbling seniors, rat-filled tunnels and bodies fished out of rivers. Anderson's love of quaint and quirky details initially shimmers before that, in Howitzer's workspace beneath his comical "no crying" sign, but doesn't stop gleaming for a second. It's there in Moses' success, as aided by his muse/prison guard Simone (Léa Seydoux, No Time to Die), fellow inmate/art dealer Cadazio (Adrien Brody, Succession), and journalist JKL Berensen (Tilda Swinton, Memoria), who relays the specifics. And, it's clear in the chronicle by political writer Lucinda Krementz (Frances McDormand, Nomadland) about a student uprising led by the suitably moody Zeffirelli (Timothée Chalamet, Dune) over accessing girls' dormitory rooms. Regardless of their amusingly monikered setting, there's nary a trace of boredom or indifference in any of these chapters, all of which ape real New Yorker stories and scribes. So too does Howitzer, as well as Roebuck Wright (Jeffrey Wright, No Time to Die), author of the film's third major segment. The French Dispatch layers in themes and ideas as potently and deeply as its visual gems, tortured genius myths and "the touching narcissism of the young" (as the movie itself describes it) all included; however, its Roebuck-focused thread is exquisitely intelligent and affecting. On a TV set, the journalist relays his attempt to write about Nescaffier (Steve Park, Warrior), chef to the local police commissaire (Mathieu Amalric, Sound of Metal), which was derailed by a hostage situation involving the latter's son — and his piece also becomes an outsider's lament. Whether going monochrome in homage to the French New Wave, pulling off a bravura late-film long shot, or finding roles for Elisabeth Moss (The Invisible Man), Saoirse Ronan (Ammonite), Edward Norton (Motherless Brooklyn) and Willem Dafoe (The Card Counter) — plus Jason Schwartzman (Fargo), who also nabs a story credit with the director, Roman Coppola (Isle of Dogs) and Hugo Guinness (The Grand Budapest Hotel) — Anderson does his utmost at every turn. While aided by sublime work by his eight-time cinematographer Robert D Yeoman, regular production designer Adam Stockhausen and frequent composer Alexandre Desplat, the result feels like slipping not only into Anderson's head but his heart, and more so than any other feature he's made. The French Dispatch is a treasure chest for Anderson, his devotees, and lovers of words, France and inventive cinema alike, although it holds zero chance of converting his naysayers. "Just try to make it sound like you wrote it that way on purpose," is Howitzer's wise advice to his writers, but there's no doubting that every minuscule choice made in this remarkable delight is utterly and marvellously intentional.
It seems we can't get enough Robo-Cop inspired tech. The robot exoskeleton that confers superhuman strength is already out there, and now circuit-laden contact lenses are being developed to beam augmented reality straight to your retina. Researchers at the University of Washington have developed lenses embedded with semi-transparent electronics, which most pundits report as an internet accessible contact lens. The reality, at this stage, is much more modest. So far the team have been able to put an 8 x 8 pixel array on a contact lens, and tested it on rabbits for twenty minutes — think Robo-Rabbit playing a quick game of checkers, rather than Minority Report. This article by the lead researcher Babak A Parviz discusses the difficulties with developing an augmented reality contact lens, but shows that we already have the technology to overcome most of the hurdles. The only question is getting it small enough, and safe enough, to fit on 1.5 square centimetres of polymer that sits on your eye. The piece also suggests uses for the tech other than web surfing — being in constant contact with fluids, it would be an ideal place for sensors to monitor health metrics like glucose levels. Being able to bat your eyelids and check your email might still be a pipe-dream, but perhaps we're not so far from having a health bar in the corner of the 'screen' reminding us when to have our next check up. https://youtube.com/watch?v=h1SlPUkC6Fc [via PSFK]
From global behemoth Netflix to the arthouse, indie and documentary-focused Kanopy, picking a streaming platform can take as much time as actually picking something to watch on a streaming platform. The latest to enter the market has quite the point of difference, however — and not just because it's free. If viewing the likes of Bronson, Drive, Only God Forgives and The Neon Demon has you on the same wavelength as filmmaker Nicolas Winding Refn, then you're in luck — the Danish writer/director is launching his own streaming service. Called byNWR.com, it's currently in beta testing before opening to the public at a later date this month, with the site dubbing itself "an unadulterated expressway for the arts". A venture in conjunction with existing platform Mubi as well as the Harvard Film Archive, byNWR.com will highlight a restored cult classic each month that's picked by a guest editor, The Guardian reports. Each film will be supported by content themed around the chosen flick, such as essays, videos, photos and music. And if you're wondering just what titles will be on offer, Refn detailed the first four, as well as his reasons for highlighting them. They're not the type of movies that you're likely to have watched and rewatched endlessly, or even seen on a big or small screen recently, including 1961 thriller Night Tide starring Dennis Hopper, 1965 horror effort The Nest of the Cuckoo Birds, 1974's The Burning Hell and 1967's Hot Thrills and Warm Chills. "I hope my site will inspire people to see the world a different way," the filmmaker outlined in his piece for The Guardian, while also writing about something fans of Refn's own work will be more than familiar with — pushing people out of their comfort zones. If Refn's choices sound like the kind of thing you would like to see in a cinema, Little White Lies also reports that the streaming site will be accompanied by special screenings around the globe. Via The Guardian.
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. After a fake lineup posted was 'leaked' prior to the official triple j announcement to catfish all us suckers eagerly awaiting the list of acts that will be appearing, the details for Splendour 2016 are finally here. In what is the best news we've heard this year, The Strokes (The Strokes!!!) will be Splendouring for their only Australian show. It also seems the predictions for The Cure were incredibly, amazingly correct — meaning that we'll be seeing both The Strokes and The Cure this July. It's almost too much to handle. Joining them is one heck of a lineup that includes The Avalanches — who haven't played a gig (that wasn't a DJ set) in over ten years. Fingers crossed the show coincides with new music. Iceland's Sigur Rós and Irish artist James Vincent McMorrow will also being doing one-off Australian shows at the festival, Courtney Barnett will make her first appearance at Byron, while James Blake and At the Drive-In will return, as will locals Flume and Sticky Fingers. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2016 LINEUP The Strokes (only Aus show) The Cure Flume The Avalanches (only Aus show) James Blake At The Drive-In Violent Soho Hermitude Band of Horses Sigur Ros (only Aus show) Santigold Matt Corby Sticky Fingers Boy & Bear Courtney Barnett Jake Bugg The 1975 Leon Bridges Duke Dumont (DJ set) James Vincent McMorrow (only Aus show) The Kills The Preatures What So Not Years And Years Gang Of Youths Illy Peter, Bjorn & John Golden Features Crystal Fighters Ball Park Music Tegan & Sara DMA'S Jack Garratt Hayden James City Calm Down Snakehips Mark Lanegan Michael Kiwanuka Jagwar Ma King Gizzard & The Lizard Wizard The Jungle Giants The Internet Motez Marlon Williams Lido Emma Louise Kim Churchill Nothing But Thieves Lapsley Kacy Hill Slumberjack Robert Forster (10 Years On) Beach Slang Urthboy Little May Boo Seeka Ganz Spring King Melbourne Ska Orchestra Fat White Family Total Giovanni Methyl Ethel Slum Sociable L D R U In Loving Memory of Szymon Blossoms High Tension Roland Tings Sampa The Great The Wild Feathers Harts Ngaiire montaigne Tired Lion Green Buzzard Jess Kent Gold Class Lucy Cliche Opiuo Mall grab Dom Dolla Paces Just A Gent Dro Carey Running Touch Wafia World Champion Suzi Zhen Remi Nicole Millar Dreller Feki Kllo Banoffee Plus... Moonbase Comander The Meeting Tree Twinsy Purple Sneaker Djs Human Movement Panete Swick Amateur Dance Ribongia Splendour will return to North Byron Parklands on Friday 22, Saturday 23 and Sunday 24 July. Onsite camping will once again be available from Wednesday, July 20. Image: Bianca Holderness.
Sometimes an exhibition gets gallery patrons exploring one artist's work. Sometimes it pays tribute to a specific person, heads back to a certain chapter of the past, or fills walls and halls around a theme. A particular object might be in the spotlight, or a movie franchise. Then there's The NBA Exhibition, which is celebrating hoop dreams and all things basketball in its first-ever Australian visit. After premiering in Warsaw, Poland in 2021, The NBA Exhibition gets bouncing in Brisbane from Thursday, November 9 — and bounds through basketball history at the same time. Catnip for fans of Air and Winning Time: The Rise of the Lakers Dynasty, this sports-focused showcase is big in scope and size, surveying the culture of hopping onto the court and the lifestyle that goes with basketball, too, in a hefty two-level display. Visitors can traverse 1000 square metres and make their way through 20 themed sections. Created with the National Basketball Association, The NBA Exhibition aims to lure in b-ball diehards, casual followers and folks that haven't thought about the sport since their school PE lessons alike — and attendees of all ages. Looking at basketball memorabilia is part of the presentation, but so is throwing a ball around yourself and, thanks to the virtual and augmented reality aspect of the showcase, taking snaps with your favourite NBA players. So, you can get a photo with the Larry O'Brien Championship Trophy, too — aka the coveted prize that each year's NBA Finals' winner receives — and shoot hoops, see how far you can jump and test your reflexes as well. Fancy a picture showing that you can slam dunk, even if you can't? There's a section of The NBA Exhibition for that. Eager to watch NBA highlights using VR goggles? That's also on the agenda. Keen to get surrounded by iconic NBA moments? That's what the infinity room is for. With names like Michael Jordan and Shaquille O'Neal obviously featuring — and Kobe Bryant, Steph Curry, Giannis Antetokounmpo, Magic Johnson and Larry Bird as well — other elements of The NBA Exhibition include a heap of balls and shoes on display; footwear and hand prints from past and present players; art that was commissioned for a pop-up NBA Gallery exhibit in Sydney in 2022, featuring Australian and First Nations artists; and celebrating NBA players that've made the jump from Australia, which is likely to feature Patty Mills, Ben Simmons, Luc Longley, Andrew Gaze and more. Brisbane's Queens Plaza hosts The NBA Exhibition's debut Aussie stop — just as it did with The Art of Banksy: Without Limits, which also hails from entertainment platform Fever, earlier in 2023. Updated Thursday, November 30, 2023.
They're sticky, cinnamon scrolls, drenched in glaze and famous all across the USA. And now, at last, they're available Down Under. Yep, Seattle-born chain Cinnabon has landed in Australia, with a Brisbane outpost now serving up delicious baked goods. The launch was first announced in January this year, when family-run Queensland company Bansal Foods scored the Aussie rights to Cinnabon. But, now, it's more than just news. Brisbanites eager to get their fix can head to Toombul Shopping Centre in the city's north, and grab a scroll seven days a week — well, once the opening queues die down. Cinnabon has been going strong in America since 1985, so it has already picked up plenty of Aussie fans along the way. But this is the first time that we're able to get our hands on those sticky, cinnamon-infused baked goods on home soil. The new Brisbane store slings a trio of Cinnabon cult classics, including the classic cream cheese cinnamon roll, the popular chocolate-drizzled Chocobon and very extra Caramel Pecanbon. They're available in both mini and large sizes, along with packs featuring either four or nine 'minibons'. There's coffee and lots of sugary drinks to pair with your snacks, too, including a cinnamon bun frappe. If you're yet to get acquainted with the decadent dessert creations, prepare yourself for aromatic, cinnamon-spiked dough made to a long-held recipe, decked out with stacks of signature cream cheese frosting and loaded with extras. They're notoriously tough to replicate. Toombul Shopping Centre recently opened a new neon-lit upstairs dining precinct, but Cinnabon isn't a part of that. Instead, it's located on the ground floor near Coles. And if you're not in Brisbane, it probably won't be too long until Cinnabon makes its way down south. The Toombul store is set to be the first of many. A second Brisbane store in Mt Gravatt is due to open in January 2020 and, going off plans announced earlier in the year, Cinnabon is looking to launch in Sydney and beyond in 2021. Cinnabon is now open on the ground level of Toombul Shopping Centre, 1015 Sandgate Road, Toombul.
When Suicide Squad reached cinemas screens back in 2016, it garnered plenty of attention. Critics largely hated it, fans loved it and some folks tried to shut down Rotten Tomatoes because of it. Come awards season, it picked up an Oscar (for best achievement in makeup and hairstyling) as well as two Razzie 'worst' nominations. The divisive reactions just kept coming, although there were two things that almost everyone agreed on. Firstly, most people rightfully loathed Jared Leto's interpretation of the Joker. Secondly, the majority of viewers adored Margot Robbie as Harley Quinn. While the DC Extended Universe hasn't gotten a whole lot right in its attempts to emulate the Marvel Cinematic Universe (see Batman v Superman: Dawn of Justice and Justice League, for example), its powerbrokers did seem to pay attention to the super-sized Suicide Squad debate. In response, they're giving the world what it wants: more Robbie as everyone's favourite ex-psychiatrist turned antihero. In Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), Harley Quinn has moved on from the clown prince of crime (much like DC has moved on from Leto, at least for now, with Joaquin Phoenix playing the character in last year's standalone Joker film). In the aftermath of their breakup — an explosive event, as the film's just-dropped new trailer shows — she rounds up a crew filled with other fearsome Gotham ladies. Prepare to spend time with Black Canary (Jurnee Smollett-Bell), the Huntress (Mary Elizabeth Winstead) and Renee Montoya (Rosie Perez) as they try to thwart supervillain Black Mask (Ewan McGregor). Directed by Cathy Yan (Dead Pigs), also co-starring Chris Messina and Ali Wong, Birds of Prey marks Quinn's first solo cinematic outing — and as the both the first sneak peek and the new trailer demonstrates, it's going big, bold and over-the-top. Bright, vibrant, fun and frenetic are all terms that apply, too. When it hits theatres next month, expect plenty of colour, chaos and formidable gals wreaking havoc, in what's been rumoured to be the first in a Quinn-focused trilogy. With Suicide Squad getting a sequel in 2021, confusingly titled The Suicide Squad and helmed by Guardians of the Galaxy's James Gunn, the pigtailed prankster definitely isn't leaving screens anytime soon. Check out the new trailer for Birds of Prey below. https://www.youtube.com/watch?v=ygzqL60kvwU&feature=youtu.be Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) will hit Australian cinemas on February 6, 2020.
It was the follow-up that had to happen. The sequel we crossed everything for. After gaining viral status and worldwide applause for her 2013 book Shake, photographer Carli Davidson is back with a brand new series to follow her comical, high-speed images of dogs mid-shakedown. Yep, you guessed it. This time, it's cats. Shake Cats is the brand new book from Davidson, who actually took the photos of cats shaking themselves dry back in 2011, at the same time as taking the Shake dog photos. "I had originally thought I would do cats and dogs in the same book, but looking back I think it was best to give each animal its own book so their unique features could be highlighted," says Davidson. Shooting with Nikon D4s at a very rapid frame rate, this animal-loving photographer shot close to 100 cats for the series, including her own cat Yushi and hectic cat celeb Lil' Bub. Almost all of the cat models are local Portlandians, or from rescue shelters. In addition to the shake shoot, Davidson would get a pretty headshot of the kitty for the rescue shelter to post on their website — and most of these cats were adopted almost immediately as a result. "Taking a good photo of an animal in a shelter can go a long way to help that cat or dog find a home. So much of rescue is done online; people pick out a pet before they even get to the shelter. They fall in love online with an expression, so capturing that personality in a photo is really important." So how exactly did Davidson get those money shots? How do you make a cat shake itself clean (we're pretty sure you're asking yourself this question daily)? Simple, you pamper them like crazy. "Getting the cats to shake was actually more of a grooming process than a waiting game. We basically treated the shoot like a mini grooming session with lots of treats and cat cuddles... Ear cleanings are what generally caused the shake to happen, I just had to be ready." Apparently the cats weren't too hard to wrangle either — apparently they couldn't get enough of the warm studio lights. Cuuuute. It goes without saying that Davidson's tapped into social media's favourite thing, cats and dogs. But this animal-lover sees more in internet kitties than a grumpy face. "Cats are popular because they are awesome, independent thinkers and humans love to worship them. We have been worshipping them as spiritual icons for 10,000 years," she says. "The rise of the cat back into worship status on the Internet seems natural if you look at their historic significance... Cats combat internet negativity with their sheer visual presence." Shake Cats is out now via Harper Design, available to purchase from Booktopia. All images courtesy Carli Davidson with permission.
Some bands are born from skill, passion and a garage strewn with beer cans, but others are born from the shrewd minds of television producers (or at least a combination of the two). Flight of the Conchords might be the one of the biggest players in guitar-based digi-bongo a cappella-rap-funk-comedy folk spheres, but they're not the first great band to have emerged from behind a television screen (via stage and radio, to be fair). To celebrate the Conchords' upcoming tour, here are ten made-for-TV bands that have rocked the tube in decades gone by. https://youtube.com/watch?v=ehJNw-T3gpo 1. THE MONKEES Three No. 1 singles, six Top 10s, 12 Top 40s and a total of 20 Hot 100 singles. The Monkees weren't just made for television — they were made for world domination. Commanding the charts during one rock 'n' roll's most significant periods and staging a showdown against the producers who banned them from actually playing any instruments on early records, The Monkees helped define authenticity in rock. R.I.P. Davy Jones. https://youtube.com/watch?v=kFohA6mKFjc 2. MISSION CONTROL (FREAKS & GEEKS) Before James Franco was a multi-talented actor/director/writer/grad student he was a small-time guitarist (and a bit of an asshole) on NBC's Freaks and Geeks. The short-lived cult TV show was excellent for many reasons, one of the best being the quote "Rock 'n' Roll don't come from your brain! It come from your crotch!" https://youtube.com/watch?v=27EVNiKDR4k 3. ZACK ATTACK (SAVED BY THE BELL) Saved by the Bell's Zack Morris was involved in a range of extra-curricular activities, but none were so memorable as his role as lead singer and lead guitarist in Zack Attack. The band never achieved the success that it did in Zack's dreams, but it definitely made the show that much more awesome. https://youtube.com/watch?v=B7-IoFyp_68 4. DINGOES ATE MY BABY (BUFFY THE VAMPIRE SLAYER) Can't think of a name for your band? Why not turn to notorious stories involving the death of small children for inspiration? Pushing past the awkward name, Dingoes Ate My Baby weren't actually that bad for a post-grunge, pre-emo rock band. Probably because the more tastefully named Four Star Mary provided all their music. https://youtube.com/watch?v=8ti8-vEM3U8 5. JESSE AND THE RIPPERS (FULL HOUSE) It's not every made-for-television band that still has a frequently updated Facebook page 17 years after the demise of the television show, but it's not every made-for-television band member who had hair like Jesse Katsopolis. Hit songs included "Forever", and several hundred Beach Boys cover songs. https://youtube.com/watch?v=qCIKg3YREHY 6. FROZEN EMBRYOS (MY SO-CALLED LIFE) Also living on through Facebook are Frozen Embryos from ABC's My So-Called Life. The lead singer is the elusive Tino, who isn't actually seen in any episode. He is, however, mentioned in Juno when Ellen Page's character says her band should be ready to rock "once Tino gets a new drumhead". Rock lives! https://youtube.com/watch?v=IXMFKmiNyvk 7. DR TEETH AND THE ELECTRIC MAYHEM (THE MUPPETS) You know you've struck the right chord when your band inspires the name of a hipster dive in San Francisco's Mission district. Dr. Teeth and the Electric Mayhem mostly stick to rock music, but it's arguable that they do a better rendition of Chopin than Chopin. https://youtube.com/watch?v=0B9wJ7EwcN4 8. SCRANTONICITY (THE OFFICE) A Police cover band with Kevin as the drummer and lead singer. This has "magnificently awkward" written all over it. https://youtube.com/watch?v=8sITlZo5r84 9. MYSTIK SPIRAL (DARIA) The fictional grunge rock band from Daria helped confirm one of lyricisms irrefutable truths: coherence is no way near as important as a good rhyme. Okay so that might not always be true, but Mystik Sprial were way cool and totally would have scored the big break they deserved had they only managed to agree upon the perfect band name. https://youtube.com/watch?v=rXWaVz4yogI 10. DETHKLOK (METALOCALYPSE) Say what you will about virtual melodic death metal as a whole, but you have to hand it to Dethklok for achieving such widespread commercial success that they were ranked as the world's seventh largest economy by the end of Metalocalypse's second season. And while the real-life version of the band hasn't achieved quite this level of success, they do still play regular shows.
Brighton's Half Moon pub — run by the same group that owns Lucky Coq, Portsea Hotel and The Albert Park Hotel — is huge. Behind the building's original historic façade, lies six separate (and recently done-up) drinking and dining spaces, split across two levels. Food-wise, expect a glammed-up pub classics menu in the main dining. Here, they've moved beyond the parma, instead serving more sophisticated dishes like steak tartare, octopus carpaccio, crispy pork belly and an enormous braised lamb shoulder that's meant to be shared. But fear not, you can still get your parma at the front bar and beer garden. That and steak sandwiches, fish and chips, steak, oysters and chicken wings are served up in this more casual part of Half Moon. It's also where you'll tuck into a great $30 roast on Sundays. If you find yourself in need of something to eat and drink after a day at the beach in Brighton, do consider a jaunt over to Half Moon. Top image: Simon Shiff Appears in: The Best Pubs in Melbourne for 2023
If you've been walking around Sydney in the last week, you may have noticed the fancy new plaques at most street crossings. But what you probably didn't know is that these signs now make up the most comprehensive network of braille and tactile signs in the world. That's right: the entire world. Thanks to the major effort by Sydney Lord Mayor Clover Moore, the signs were officially launched on Monday, July 4, with more than 2100 braille and raised-letter signs installed at pedestrian crossings in the city. The aluminium panels, which denote street names and building numbers, have been placed next to push buttons at crossing areas. These plaques improve signage and accessibility for the blind and vision impaired, and will allow them to navigate the city streets much more easily. A champion for the vision impaired, Moore is aiming to make Sydney more accessible for both locals and tourists. "The signs make it easier and safer for people who are blind or have low vision to use their city — to have the freedom and the independence of movement that most of us can take for granted," she told Concrete Playground. Basically, she rules. Both Vision Australia and Guide Dogs NSW/ACT are giving this act two thumbs way up and were integral in the program launch. "The design and installation arose from extensive consultation with the community and on-site testing with Guide Dogs NSW/ACT and Vision Australia," says Moore. "My sincere thanks to them for their help in this significant step towards an even more open and inclusive city." Making sure Sydney is accessible to the vision impaired is becoming increasingly important by the year — it is estimated that around 100,000 people suffer from non-correctable vision loss in NSW alone, and that number is predicted to increase by more than 20 percent by 2020. We've been truly impressed with Sydney's initiatives of late – like the fact that we're getting our own entrepreneur school and a permanent School of Life. This new braille network is a massive leap forward for the city's planning and an overall ace move. Nice one, Sydney. Image: Clover Moore via Instagram.
Don't be alarmed, but we think super-schmick purveyors of cool Monocle might be staging an artfully curated coup for world domination, with a luxury cafe in the centre of London set to open on Monday. Considering the powerhouse now boasts this, a 24-hour radio station, a formidable online presence, offline stores in London, New York, Hong Kong and Toronto and even an eatery in a Tokyo department store — all in addition to the global affairs and culture print magazine that started the whole thing in 2007 — we're about ready to lie down and submit to Monocle founder Tyler Brúlé's totalitarian regime, inspired by the pursuit of a thoughtful, well-designed approach of life. "We wanted to create a relaxed space for a morning coffee meeting, a lengthy weekend lunch with the papers and a glass of prosecco after work too," said Brúlé of his vision in an interview with Qompendium. Ah yes, all those after-work glasses of prosecco we've been having. The place comes complete with low-hanging industrial lights, enough stark white paint and soothing leafy greenery to rival a sanatorium and embossed napkins that look worth as much as a latte, so who are we to fight it? Via PSFK
He was the subject of the world's first narrative feature film, has been played by everyone from Mick Jagger to Heath Ledger and Down Under director Abe Forsythe, and has long been considered Australia's version of Robin Hood. A folk hero to some and a ruthless outlaw to others, Ned Kelly is firmly entrenched in the nation's history. But, while every Australian knows his name and his supposed final words, no one has seen a version of Ned Kelly quite like the one cooked up by director Justin Kurzel, screenwriter Shaun Grant and author Peter Carey in True History of the Kelly Gang. With the Macbeth filmmaker in the director's chair, and his Snowtown scribe Grant adapting Carey's eponymous Booker Prize-winning novel, True History of the Kelly Gang doesn't just tell the usual bushranger tale. It steps through Kelly's story, naturally, but it also makes plain that it's playing fast and loose with reality — and interrogating the myth that's surrounded the notorious figure since his hanging at Melbourne Gaol in 1880 in the process. The result is an astonishing Australian film that's set to be one of 2020's finest and, as its just-dropped first trailer shows, an energetic, propulsive and visually stunning movie as well. True History of the Kelly Gang also boasts a killer cast, with rising British star George MacKay (Ophelia, 11.22.63, Captain Fantastic) playing Kelly as an adult, stellar first-timer Orlando Schwerdt exploring his boyhood, The Babadook's Essie Davis stepping into his mother Ellen's shoes and Russell Crowe playing fellow bushranger Harry Power, who initiates the young Kelly into his lawless way of life. Charlie Hunnam and Nicholas Hoult also pop up as cops, Leave No Trace's excellent Thomasin McKenzie features as the fictional love of Kelly's life, and Earl Cave — son of Nick Cave — plays Kelly's brother and accomplice. Already one of the most anticipated Australian films of recent years, True History of the Kelly Gang proved a hit at this year's Toronto International Film Festival — and, following a trend made popular by Netflix and Amazon of late (see: The Irishman, Marriage Story, Brittany Runs a Marathon and The Report), will hit both cinemas and Aussie streaming platform Stan in January 2020. Check out the trailer bellow: https://www.youtube.com/watch?v=RE7YVZA5YVc&feature=youtu.be True History of the Kelly Gang releases in Australian cinemas on Thursday, January 9, 2020, then drops on Stan on Sunday, January 26.
From holding a bake sale to selling off your bodily organs to teaching your dog to do this, artists, artisans and inventors have always had to be creative when it comes to getting dollars in the bank. If you’re not the baking or self-mutilating or dog-training type, Australia’s top crowdfunding platform Pozible might be up your alley. Pozible is more like a superhighway that started in 2010 and has since grown to support over 4,500 projects in Australia and around the world. It’s not hard to run a campaign, but it can be tough to succeed. We spoke to Pozible co-founder Rick Chen and compiled a hit list of top tips to help you on your way to making that money pool you always dreamed of. The Anything's Pozible pop-up is on in Sydney until March 13. Check it out for more tips and workshops to help you crowdfund your next project. Research ten similar projects First off the bat, do your research. Make sure you know how Pozible works. Search the Pozible website to find out how other similar projects have been funded. Read the FAQ, get in touch with Pozible and ask all the dumb questions. According to Rick, the Pozible team “work with project creators to educate them and let them know what works and what doesn’t work. This face-to-face guidance is a rare thing, and no other platform approaches crowdfunding in this way”, a contributing factor to high success rates. Tell a story “Most of the time it’s not about the project itself, it’s about the person behind it," says Rick. "People want to be part of you and your journey, so you need to be able to open those doors for people to get in.” Keep it simple, keep it personal, and make your crowdfunding supporters feel that they are all just as much a part of the process as you are. Transparency is also key in your storytelling. Tell people exactly what you are going to do with your money if you meet your target. (The more specific you are with this, the more it will feel as if your supporters are making a tangible difference). Include a video of yourself: you'll raise 114 percent more money if you That’s according to American crowdfunding site Indiegogo. And who doesn’t love a selfie? If you star in your own video, people will connect better with your story. The key is to create content that is visually compelling to compete with the visual noise of the internet. Offer a combination of physical goods and experience-based rewards "Physical products give your supporters a tangible sense they are getting something out of their contribution," says Rick. "Experience gives them the sense they are part of something exclusive. These two combined make it personal for people to get behind your project.” And how many rewards should you offer up? The sweet spot is somewhere between three and eight. Get another three people on your team If you have four or more people on your team, you’ll raise 70 percent more money than if you only have one person. That is, use your networks to build your team; it’s not about how many friends you’ve got, it’s about how you use them. Have your family and friends help to get the ball rolling. Don’t be afraid to ask people you know to contribute. In addition, line up a few key influential people to help spread the word. Build your networks before you launch to create hype. Shoot for 25 percent of your overall goal within the first 24 hours Go hard or go home. You are more likely to hit your target if you can reach 25 percent of your overall goal within the first 24 hours. People are more likely to donate to a campaign if other people have already donated. Pozible advises not to run a campaign for less than 20 days unless you have a good reason or are super confident. You need time to disseminate your marketing material. Indiegogo supplements this advice with the fact that on average, successful campaigns will cross their target fundraising goal on Day 36. Don't all-out beg on social media Only directly ask people to pledge to your campaign in 20 percent of your social media posts. The other 80 percent of posts should add meaning to your project, reveal exciting project news and engage people in the story. Plan your social media posts before beginning your campaign. According to Rick, “It is not about the social media platforms that you use, it is about how you use those platforms as a tool to carry out your activity — to tell your story”. Write medium-specific posts. And don’t get too disheartened if things slow down in the middle of your campaign, it happens to everyone. What’s important is you keep communicating during this period. Don’t be shy to post every day. Only ask for the amount you really need Consider the size of your networks and how many people you can realistically reach. Surprisingly, the average contribution size on successful campaigns comes in at around $70, with performance projects the most successful category. According to Rick, this is often because “these campaigners have strong existing followings — sometimes small but strong audiences who come to see shows, hardcore fans who follow these artists”. So it isn’t necessarily how many people you target, it’s who. Be realistic, write a budget. Factor in the cost of delivering your rewards. The more people you have promoting, the more pledges you will receive. Finally we asked Rick the ultimate question: What’s the biggest reason people don’t reach their targets? His response goes right back to point one: “Absolutely no question, it is because people don’t do their research properly and don’t know what they’re doing. We try to educate as much as we can, we run workshops on a monthly basis across cities in Australia. We strongly encourage people to prepare before they launch a campaign. Lack of research is basically what kills campaigns." Roslyn Helper crowdfunded her project zin's PARTY MODE on Pozible. Supplementary information sourced from US crowdfunding site Indiegogo.
This ambitious venture by chef Alejandro Saravia follows the success of his 80 Collins Street restaurant Farmer's Daughters, which has cemented itself as a three-level celebration of the Gippsland region and its offerings. Here in Fed Square, Saravia and the team are extending the love further afield, heroing the whole of Victoria and its diverse regions. Set overlooking the Yarra, the 250-seater is a tasty, multi-faceted homage to the produce, people and places that make up this state we call home. The space itself celebrates our regional landscapes with its earthy colour palette, and a curation of homewares and art chosen to reflect a strong sense of place. A hand-carved, interactive 'Ingredients Table' displays some of the current menu's highlight produce, while the dedicated wine library features both a 20-seat space for masterclasses and tastings, and a collection of over 3000 bottles of Victorian wine. More local drinks love comes via an all-Victorian lineup of beer, wine and spirits. Head Chef David Boyle's ever-evolving food offering hops right across the state, offering plenty of theatrical flair as ingredients are cooked over wood and charcoal. You'll find plates like the That's Amore burrata with wood-roasted pumpkin and golden raisin agrodolce, a memorable potato rösti teamed with avocado and cured Bass Strait scallop, and a free-range pork belly elevated with French lentils and beetroot. A 600-gram dry-aged O'Connor ribeye is paired with a salsa verde and mountain pepper mustard, and smoked duck is taken to new heights with the addition of bone marrow and duck fat gravy. Along with that fiercely seasonal a la carte menu, a second provenance menu rotates through a different 'region in residence' at any one time, specifically celebrating its produce, winemakers and chefs. Images: Arianna Leggiero Updated August, 2023. Appears in: The Best Restaurants in Melbourne for 2023
Being selected for the Melbourne International Film Festival's Bright Horizons is an achievement. Only one movie each year can take home the competition's $140,000 prize, however. 2025's just-announced victor: A Poet, which follows a once-celebrated literary figure who is having trouble writing, premiered at the 2025 Cannes Film Festival and marks the second feature by Simón Mesa Soto (Amparo). The fest's annual competition for emerging filmmakers has given its coveted accolade to "a tragicomic satire and microcosm of melancholy and irreverence", as the Bright Horizons Jury led by Aftersun director Charlotte Wells described A Poet. The same group also made its pick for MIFF's Best Australian Director of 2025, with photographer James J Robinson winning the award for his filmmaking debut First Light. Bright Horizons has been part of MIFF's program since 2022, when Australia's oldest film festival started its yearly prize for new directorial voices. Afrofuturist musical Neptune Frost won the award in its initial year — which Aftersun contended for — followed by Senegalese-French love story Banel & Adama in 2023, then Canadan dramedy Universal Language in 2024. "A Poet depicts Óscar, a failed poet turned reluctant mentor drifting between aspiration and self-destruction. The film is a biting fable of art as both an inescapable burden and a personal compass, breaking convention through its refreshingly brisk pace, unpretentious use of 16mm cinematography, deadpan performances by a mostly first-timer cast and pared-back jazzy score," the 2025 jury continued about A Poet. "The film's balancing act of unflinching character study and social satire marks Simón Mesa Soto as a vital voice in contemporary Latin American cinema." [caption id="attachment_1018710" align="alignnone" width="1920"] Dijana Risteska[/caption] Of First Light — a Bright Horizons competitor, too — as the Best Australian Director recipient, Wells, Pavements and Videoheaven director Alex Ross Perry, Harvest filmmaker Athina Rachel Tsangari, composer and musician Caitlin Yeo (Last Days of the Space Age), author and screenwriter Nam Le (The Boat), performer Tamala (Late Night with the Devil) and IMDb founder Col Needham said: "James J Robinson's First Light is a moving and powerful meditation on faith, institutional corruption and moral awakening". "The film is anchored by a pitchperfect performance from Ruby Ruiz [Expats] and a sensorial mise en scène, inviting the audience into the spiritual grandeur of the landscape and the sacred intimacy of the convent to interrogate, alongside Sister Yolanda, not only the crime at hand, but also the Catholic Church and modern society itself." "As the first Australia–Philippines co-production to debut at MIFF, First Light not only showcases Robinson's promise as a cineaste but also marks a noteworthy milestone in cross-cultural cinema." 2025 is the third year of MIFF's Uncle Jack Charles Award, aka the First Nations Film Creative Award, as won this year by Yarrenyty Arltere Artists the art direction of short The Fix-It-Man and the Fix-It-Wooman. If you went to the festival and had your say in the Audience Award voting, you also contributed to 2025's winners lineup, too. After Australian documentaries Voice and Left Write Hook shared the accolade in 2024, another has won it outright in 2025: the aged care-focused Careless. For those who haven't caught them at MIFF, add the recipients of this year's accolades to your must-see list ASAP. Check out the trailers for A Poet, Careless andThe Fix-It-Man and the Fix-It-Wooman below: The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24. For more information, visit the MIFF website. Bright Horizons Jury image: Dijana Risteska.
Everyone likes being spoiled at Christmas. This year, when it comes to taking a holiday, Australians will also be spoiled for choice. The nation's borders are reopening to international travel from November, and overseas destinations have started announcing when Aussies can make the trip again — so if you haven't already booked a getaway to Fiji, or jumped on flights to London or the US, you can now make a date with Thailand. On Friday, October 22, Thailand's Ministry of Foreign Affairs unveiled a list of places around the globe — covering 45 countries and one territory — that it is deeming low-risk in terms of travel restrictions. So, if you hail from one of these 46 places, you'll be permitted into Thailand from Monday, November 1. And yes, Australia is named. Other countries identified include New Zealand, the US, the UK, France, Germany, Italy, Japan and South Korea. The list is set to be revised again in mid-November and at the beginning of December, so it's expected to grow again soon. Folks from these low-risk nations will be allowed to enter Thailand, with three options available — including ditching quarantine if you've been double-vaccinated. For the unvaxxed, either ten or 14 days quarantine still applies, depending on whether you're arriving by air or land. For the double-jabbed, there's two choices. You can take a PCR test within 72 hours of travelling, then undergo another one upon arrival and wait in a designated hotel for one night until you get a negative result. Or, you can take advantage of the country's 'Sandbox' scheme. It lets you stay in designated 'Sandbox' provinces around the country for seven days — in Phuket, Bangkok, Chiang Mai, Krabi and more — undertaking COVID-19 tests upon arrival and again on day six or seven of your trip. After that week, passes you can then venture elsewhere in Thailand. Qantas has already revealed that it's restarting travel from Sydney to both Phuket and Bangkok, too, kicking off on Wednesday, January 12 and Friday, January 14, respectively. That news came before Thailand's border announcement, however, so fingers crossed that flights might recommence even earlier now. For more information about Thailand's reopening plan, head to the Thai Government's website and Facebook page.
Japan might be the land of the rising sun, but the sun isn't something we want to face before coffee. Luckily, Japan does a damn good brew, mixing the best of the American filter scene with antipodean flatties and lattes. We drank our way around the country to find the best buzz this side of hitting the high notes in some J-pop karaoke. ONIBUS COFFEE, TOKYO Let the smell of coffee draw you down an alleyway behind Naka-meguro Station, where you'll find one of the best flat whites in Tokyo. Even better? The magic happens in a Tiny Homes–esque white box house that will blow up your Instagram feed. This is the flagship roaster for Onibus Coffee, and, apart from serving punters, the shop also uses its 15-tonne roaster to pump out beans for Onibus' other shops around Tokyo, including the made-for-Instagram About Life Coffee Roasters in Shibuya. SWITCH COFFEE, TOKYO Switch Coffee, in the backstreets of Meguro, might look like a regular coffee shop. But one sip into the smooth calcium kick of one of their lattes — or, even better, the espresso tonic (espresso shot + tonic water = magic) — and you'll be planning the rest of your Tokyo stay around how many times you can get back to Switch. It's all the work of one man; owner Onishi roasts and brews all of the coffee, and he does different beans day to day — so you've got even more reason to go back and try them all. OBSCURA COFFEE, HIROSHIMA When you think of Hiroshima, you probably don't think of coffee. But that doesn't mean you have to resort to following hipster dudes around town to find a good cup of joe — just head straight to Obscura Coffee. After starting in Tokyo, Obscura has opened a coffee shop in the centre of Hiroshima. The space is cleanly white, almost monastic in appearance. But what's being worshipped here are coffee beans, which Obscura roasts in their Tokyo laboratory and ships down to Hiroshima. Fittingly, a taste of Obscura's perfectly brewed iced coffee is almost a religious experience — it's really damn delicious. [caption id="attachment_613844" align="alignnone" width="1920"] % Arabica by Takumi Ota[/caption] % ARABICA, KYOTO This tiny converted Japanese house with huge windows, minimalist finishes and street seating next to a wide river with overhanging mountains might just be the prettiest coffee shop in the world. But people don't just come to this spot in Arashiyama on the outskirts of Kyoto (and its sister cafe in the city's main temple district) for the Insta props. The house-roasted coffee has a very smooth and slightly dark finish, resulting in perhaps the best iced coffee in town (and it looks prime against the white house for All The Photos). MORIHIKO, SAPPORO Sapporo's coffee scene feels like it landed via the filter coffee capital of the world, Portland, as flat whites have retreated and left the field to milk-free coffee. So don't waste time trying to find a flat white — do like the locals do and head straight to Morihiko. This local coffee chain has a few branches across Sapporo, each one with its own personality. We went from a coffee doughnut paired with American press at the grungy warehouse DxM to a delicate chiffon cake matched with French press at the ivy-covered enchanted house of Morihiko. It's almost enough to stop you ordering a flat white ever again. BROOKLYN ROASTING COMPANY, OSAKA When people talk about coffee in Osaka, Brooklyn Roasting Co. is generally the first name that crops up. It might be because this is another place in a stupidly idyllic spot — this time next to a flower shop on a river overlooking a ceramics museum in Kitahama — but it's also because of the coffee. Now, your coffee experience might be totally different from our coffee experience, and that's because the cafe cycles through different house-roasted beans every day. But we can guarantee it will be good. Go for an iced coffee or an Americano (don't go anything shorter than a latte). TORANOMON KOFFEE, TOKYO Toranomon Koffee is the last remaining Tokyo shop by the owner of the late and much-lamented Omotesando Koffee in Harajuku. We'll be straight up with you: this shop isn't as cool as Omotesando. Even though Toranomon has a nifty set-up of plywood frames and test tubes filled with coffee, well, there's no hiding it — Toranomon is in a huge office building. In the embassy district. On the fancy Ginza line. There. We've told you everything! Now, let's move on to the coffee. Omotesando did the best espresso in town, and Toranomon may very well keep that mantle, with a smooth, full-bodied shot, and no traces of the bitterness and burnt coffee that's often called an espresso in Japan. ALLPRESS ESPRESSO, TOKYO We know, we know — Allpress technically hales from New Zealand, and they have cafes across both NZ and Australia. But with queues of up to an hour on an average weekend day, Allpress has been well and truly embraced by Tokyoites. You'll find both the cafe and the roaster in a sizeable warehouse in the coffee zone of east Tokyo (other coffee notables Blue Bottle and Arise are just around the corner). Once you've managed to get in the door, try the freshly roasted beans in a standard NZ variety flat white, or the more Tokyo-friendly Americano iced coffee. As well as caffeinating the thirsty hordes, Allpress is pumping out beans to cafes around Tokyo, including fellow export Frankie Espresso Melbourne in Shimokitazawa (the latest venture from the good sorts who first brought you Melbourne's Little Ramen Bar). [caption id="attachment_613875" align="alignnone" width="1920"] Kars Alfrink via Flickr[/caption] CAFE DE L'AMBRE, TOKYO Like a sommelier is to wine, so the baristas at the old-school Cafe L'Ambre are to coffee. This really is a temple to the bean — owner Ichiro Sekiguchi has been roasting coffee since the 1940s. The main difference about the beans here? Some of them have been aged for 20 years (or more). Pick your bean blend from the menu, and sit back and watch the show — the process is strictly hand-drip. When your coffee is in front of you, take a sip. Yup. That's one of the best coffees you've had in your life. DONGREE COFFEE, KYOTO This little one-man coffee stand is proof that you don't need a killer social media manager (or much online presence at all) to be the best at what you do. Dongree doesn't roast any beans — the back of their stall is a tiny shop selling a beautiful hodge-podge of wares — but rather showcases a rotating selection from the best Kyoto roasters. Order an iced coffee and you'll be asked to select your beans, before said beans are lovingly weighed, ground, placed in the filter and slowly hand watered until, drip by drip, the best coffee in Kyoto slowly forms in the cup. It's worth hunting down.
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, speculation has run wild in anticipation of the lineup announce — will Kendrick and the Arctic Monkeys make an appearance? Will there by more than three females on the lineup? — but the details for Splendour 2018 are finally here. And we're happy to report that some of the rumours were true. There will be no Arctic Monkeys, but King Kunta himself, Kendrick Lamar, will be Splendouring. The lineup also doesn't state that Splendour is his only show, so stay tuned for news of a national tour (hopefully). The other huge name is Lorde, who will be doing her only Oz show at the Parklands — better get practising that 'Green Light' hair flip now. She leads a female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes Amy Shark, the Lauren Mayberry-led Chvrches, Sampa The Great, Alex Lahey, Jack River, Anna Lunoe, Stella Donnelly, female four-piece All Our Exes Live in Texas and Wafia. Also doing their only Australian shows at Splendour will be Vampire Weekend, Khalid and Girl Talk. The lineup seems to go on forever, including The Wombats, Gang of Youths, Franz Ferdinand, Superorganism and MGMT. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2018 LINEUP Kendrick Lamar Lorde (only AUS show) Vampire Weekend (only AUS show) Khalid (only AUS show) The Wombats Hilltop Hoods Chvrches Miguel Girl Talk (only AUS show) Angus & Julia Stone Gang of Youths Franz Ferdinand MGMT Ben Howard Dune Rats & Friends James Bay PNAU Ben Harper & Charlie Musselwhite The Avalanches DJ set Chromeo DMA'S Ball Park Music Henry Rollins (only AUS show) SAFIA The Jungle Giants Lil Xan Methyl Ethel Amy Shark The Bronx Ocean Alley Carmada (L D R U & Yahtzel) DZ Deathrays Lord Huron Middle Kids Hockey Dad Towkio Cub Sport Touch Sensitive Sampa The Great Dean Lewis Skegss Albert Hammond Jr Mallrat Marmozets Alex Lahey Riton & Kah-Lo Jack River Superorganism Anna Lunoe Lewis Capaldi All Our Exes Live In Texas Alex The Astronaut Yungblud Crooked Colours Nina Las Vegas Soccer Mommy (only AUS show) Elderbrook Rolling Blackouts Coastal Fever Tim Sweeney Stella Donnelly Bully Baker Boy Wafia No Mono Waax Angie McMahon West Thebarton Eves Karydas G Flip The Babe Rainbow Haiku Hands Didirri Alice Ivy Amyl & The Sniffers Ziggy Ramo Fantastic Man Lo'99 Human Movement Manu Crook$ Kasbo Madam X Andras Alta Ara Koufax Two People B Wise Made In Paris Jensen Interceptor Woodes Teischa Antony & Cleopatra Muto Elk Road triple j Unearthed winners (TBA) Mike Gurrieri Love Deluxe Lauren Hansom Poolclvb Godlands Nyxen Emma Stevenson Ebony Boadu Splendour will return to North Byron Parklands on Friday 20, Saturday 21 and Sunday 22 July. Onsite camping will once again be available from Wednesday, July 18. Tickets go on sale Thursday, April 19 at 9am sharp AEST. More info will soon be available at the official Splendour In The Grass site. Image: Bianca Holderness.
There's a line towards the end of Drive-Away Dolls that's so glorious, so hilarious and so descriptive of the film's plot that it feels like Ethan Coen and Tricia Cooke's lesbian road-movie comedy caper could've sprung from it alone. The dialogue in question spans eight words that are best discovered by watching, riffing on a familiar phrase — and it's marvellous. Ethan is no stranger to writing sparklingly witty and sidesplitting banter. His filmography is filled with it and, with his sibling Joel, he has two Oscars for Best Screenplay, winning for Fargo's original script and No Country for Old Men's adaption. The Coen brothers' own O Brother, Where Art Thou?, A Serious Man, True Grit and The Ballad of Buster Scruggs also scored them nominations, as did co-penning the Steven Spielberg-directed Bridge of Spies. Ethan and Tricia — who are not only married, but have past experience working together thanks to the latter's role editing some Coen brothers' movies, starting with The Big Lebowski — didn't base Drive-Away Dolls' narrative on that particularly perfect line. That's not how Ethan pens his scripts, he tells Concrete Playground, whether Joel or Tricia is his co-writer. "We write very much, as me and Joel always wrote, in order — in scene order, not knowing, not outlining, and not knowing where we're going in terms of outline, or certainly not in terms of future lines of dialogue that we want to work in," he explains. "So that came up because the situation warranted at that point." What a situation that Drive-Away Dolls dives into; there might be only one Coen attached, but it's still pure Coens. Two lesbian friends attempt to hightail it away from their everyday Philadelphia lives — one after a fresh breakup; the other unable to relax since her last relationship ended quite a while earlier, and just in general — with Tallahassee, Florida their destination. Margaret Qualley (Poor Things) plays the outgoing, confident, as-casual-as-they-come Jamie, who soon has police officer Sukie (Beanie Feldstein, American Crime Story) for an ex. Geraldine Viswanathan (Cat Person) is the perennially stressed and uptight Marian. Their getaway idea: driving a car that needs taking to their destination anyway, aka the eponymous cheap car-hire service. But their mistakenly allocated vehicle has hidden cargo, which sets a couple of bickering and bumbling goons (Plane's Joey Slotnick and The Blacklist's CJ Wilson) on their trail. There's an anarchic everything-that-can-go-wrong-will air to Jamie and Marian's eventful road trip, and to the antics of the men following their every move (and to the storyline's twists, which bring in characters played by The Last of Us' Pedro Pascal, The Color Purple's Colman Domingo, Oppenheimer's Matt Damon and The Burial's Bill Camp, too). But this isn't the soulful Inside Llewyn Davis; rather, Raising Arizona, Burn After Reading, The Big Lebowski, O Brother, Where Art Thou? but queer, touring lesbian bars and featuring wall dildos is the vibe. "I think the only thing that we wanted, we definitely wanted to make it a fun queer movie. And, we thought about Cynthia Plaster Caster very early on. She was someone we were like 'okay, we're going to work something like that into the plot'," advises Tricia. [caption id="attachment_942716" align="alignnone" width="1920"] Margaret Qualley, Beanie Feldstein, Tricia Cooke, Geraldine Viswanathan and Ethan Coen. Photo by Marion Curtis / StarPix for Focus Features.[/caption] How do Coen and Cooke really tie all of those elements together, including the artist — "not famous now, kind of forgotten," Ethan notes — known for making plaster casts of celebrity penises? ("Later on, she also cast women's breasts," stresses Tricia; "she wasn't a one-trick pony," adds Ethan.) Uproariously, in their gleeful version of a B-movie, with a 60s- and 70s-inspired spirit, and while crafting a period piece. The movie's action is set in the 90s, where today's ever-present technology can't simplify the scenario. It feels like a throwback several times over, then, and like writer/director/producer Coen and writer/editor/producer Cooke are having an absolute ball making it. Harking back three decades is a nod to Drive-Away Dolls' history as well, with the film initially conceived and scripted back then under the name Drive-Away Dykes. With that moniker, it was indeed a case of coming up with the title, adoring it, then basing the whole movie around it. With the film that's resulted all these years later in cinemas Down Under from Thursday, February 22, we chatted with its two guiding forces about finally bringing it to the screen — including while Ethan and Joel take a break from their collaborations (Ethan and Tricia teamed up to make 2022 documentary Jerry Lee Lewis: Trouble in Mind first, while Joel helmed 2021's The Tragedy of Macbeth solo). Also covered: how Drive-Away Dolls' narrative came about, digging the script back up, casting Qualley and Australia's own Viswanathan, and loving making comedy capers. On Coming Up with Drive-Away Dolls' Story — and Its Original Title Tricia: "Well, we did come up with Drive-Away Dykes — a friend of mine and I, not Ethan and I. And I went home and I mentioned it to Ethan, and he was like 'that's a great name. We should write that movie'. So it just started out because drive-away — I don't know if you have them in Australia, but here they're companies where you can go and get a car, and you can drive it, and you drop it off wherever the owner of the car wants it driven. So we thought that was an interesting beginning of a road movie. And then, ending up with the wrong car — or what might possibly be in this car that they weren't anticipating. So we started from there." Ethan: "Trish came up with the title Drive-Away Dykes in the Pravda bar in New York, down on Lafayette." Tricia: "Yeah, which sadly is no longer there." Ethan: "I hear they're putting up a plaque there, like Fat Black Pussycat, where Bob Dylan wrote 'Blowin' in the Wind' — but it's where you conceived Drive-Away Dykes." Tricia: "Excellent. I can't wait." On How the Film Finally Come to Fruition Decades After Initially Writing the Script Ethan: "Actually, it was just because me and Trish worked on a documentary together — we made a documentary movie about Jerry Lee Lewis — and we just enjoyed working together. Not that we hadn't before. Trish would cut some of mine and Joel's movies. But we enjoyed working together, and we thought 'hey, we've got this old script that we didn't manage to get made, so why don't we look at that again, and rewrite it again, and make the movie?'." Tricia: "We both had time. Ethan had kind of decided to take a break, and our kids are grown now, and after the Jerry Lee Lewis movie it was kind of like 'okay, well, what we're going to do next? Well, we have this script here, so let's see if we can interest anyone'." On How Drive-Away Dolls' Screenplay Evolved Since the Original Version in the 90s Ethan: "It was not the case that we worked on it over the years. We wrote it and then forgot about it for many years. And when we did come back, we did rewrite it. How is it different? I think it's mainly the main two characters are a little more…" Tricia: "Fleshed out." Ethan: "In the rewrite, the odd couple thing is highlighted. The free spirit versus the uptight woman, that's more pointed in in the rewrite." Tricia: "And we also made it a period movie. When we wrote it initially, it was contemporary and it didn't feel right to keep it contemporary for a couple of reasons. It's a lot easier to find people now with cell phones and the internet, and all of that. And also, all of the lesbian bars and stuff, that was such a big part of my world back then, and that's all changed — not significantly, but it's different now. And so I felt like it wouldn't be a proper representation, and something I didn't know, going to a lot of queer bars in 2022." Ethan: "It's a weird paradox where lesbian birds then were a little more transgressive, or felt at least a little transgressive. And now, now they don't. And there aren't as many, weirdly. I don't know what explains that." On Casting Margaret Qualley and Geraldine Viswanathan as Jamie and Marian Ethan: "They both came in, and when each of them came in, we said 'okay, that's the person'." Tricia: "They went to the top of the list. Geraldine came in very early. We saw her maybe in the first group of people we auditioned. Margaret came in very late. So we kind of had a Marian, we knew we were very high on Geraldine — and had a few other Jamies, but when Margaret came in it was like 'oh, that's Jamie'. She just flopped down in the chair, and she had the spirit that Jamie had. That was a harder part to cast." On Ethan Directing His First Narrative Feature without Joel Ethan: "Weirdly, well, same and different. Weirdly the same because I made it with Tricia — and Trish isn't titularly the co-director, but she is in fact. I mean, we made the movie together. So in that respect, it's kind of familiar. You're just working with another person, and it's all very collegial, and it's the two of you making the movie. So it wasn't different in terms of me working by myself, because I wasn't working by myself. It's different because I'm working with a different person." Tricia: "Joel knows more than I do." On Still Making a Movie That Feels Like a Coen Movie — and Gravitating Towards Comedic Capers Ethan: "It just seems that kind of thing is promising story fodder. You know what I mean? It's what Trish was talking about —a drive-away, you go 'okay, what could make that story go? Okay, there's something in the car they don't know about. And there's bad guys who were after them because they're after the stuff in the car'. You're looking for an engine for the story, something to propel the story — that's a caper." Tricia: "And also, we love just being on the road here in the States. There's such a car culture. So much is out there, there's so much material out there — and it just seems like it could be fun. The scenery is always changing, there's always something of interest out there. So those are good things to play around with story-wise, too." Ethan: "And you get lots of good stuff. The bar at the beginning, the starting point of the trip, and that mirror bar at the end, the end point of the trip — and that's a story." Tricia: "Raising Arizona is definitely, when anyone asks 'what's your favourite Coen brothers movie?', I always say Raising Arizona. Probably because I didn't work on it, but also it's just so much fun to watch them do wacky things — Goodman, and…" Tricia, to Ethan: "Oh, there's another!" Ethan: "Goodman and Bill Forsythe." Tricia: "We're trying to think of all of the dumb men in cars that have been in Ethan's movies." Drive-Away Dolls released in Australian and New Zealand cinemas on Thursday, February 22. Read our review. Images: Wilson Webb / Working Title / Focus Features.
It's been little more than a month since Maurice Terzini (Sydney's Icebergs Dining Room and Bar and CicciaBella) and Joe Vargetto's (Mister Bianco, Massi) new CBD venture Cucina Povera Vino Vero first opened its doors. But already, those doors are shut, with existing table bookings cancelled and all future reservations disabled on the venue's website. The short-lived restaurant's Instagram profile has been scrubbed of all content and Google has flagged it as being 'temporarily closed', too. While at this stage, neither co-owner has shared a public explanation for the abrupt closure, Vargetto has confirmed it'll be a permanent one — at least on his part. He shared a brief statement with Concrete Playground, saying: "It is an unfortunate situation but [I] will not be re-opening Cucina Povera". Terzini also confirmed the restaurant was closed, but told Concrete Playground that he was unable to comment further at this time. The Sydney-based restaurateur also responded to a July 23 Instagram post regarding the issue from restaurant critic John Lethlean, simply saying: "Been a tough start on this one John. We are working through it all and hope to have sorted next week. Had a series of unforeseen and unfortunate circumstances affecting our ability to do what we do best." It's unknown whether Cucina Povera will reopen in some format under Terzini, and it's unclear what will happen to the building itself. The Little Collins Street site was previously home to Vargetto's solo venture Massi, before it closed last year to make way for the restaurateurs' new joint project. As Terzini shared with Concrete Playground last November, Cucina Povera was imagined as a cosy Italo-Aus diner that's a little bit punk and built on a simple 'less is more' approach to cooking, with a vibe inspired by the garages of suburban Melbourne and Sydney. Cucina Povera Vino Vero is now closed, with bookings no longer available. We'll share more information as it comes. Top Image: Restaurateur Joe Vargetto
Whether you started getting emails about it before Christmas even hit, you just know that February is almost here, or you've spotted pink and red hues — and roses and chocolates — at your local shops, yes, Valentine's Day is almost upon us again. And if your sweetheart has a sweet tooth and a love of Gelato Messina, the ice cream chain has whipped up some of its favourite non-gelato treats for this year's romance-fuelled occasion. Never one to miss an opportunity to experiment with new ways to inhale desserts, Messina has been cooking up novelty treats for Valentine's Day for a couple of years, and it's going with a twist on a tried-and-tested option for 2022. That'd be its bon bons, which it usually serves up for Mother's Day — but hey, fancy choccies are a go-to on plenty of occasions for good reason. An important note, though: while Messina's chocolate bon bons were filled with gelato to begin with, the chain has been doing all-chocolate versions for a couple of years now. And, that's what's on offer again this Valentine's Day. They come in three nutty varieties all in the same box, all in shades of red and pink — and, with Messina recently stepping up its in-house chocolate-making capabilities, you'll be tasting some of the gelato chain's new wares. Each box features with four versions of each of the three different flavours: peanut praline, which fill a milk-chocolate shell with milk chocolate, wafer and salted peanut praline; macadamia and coffee praline, which opt for a white-chocolate shell, plus roasted and caramelised macadamia and coffee praline; and hazelnut praline, again with the white chocolate exterior, but this this time with milk chocolate, roasted hazelnut and wafer praline inside. So, your special someone will have a variety to feast on. And hey, if they don't like one of the flavours, maybe they'll share it with you. Boxes cost $45 each for 12 bon bons and you'll need to place your order on Monday, January 31, with times varying depending on your state. You can then pick up the choccies between Sunday, February 13–Monday, February 14. Gelato Messina's Valentine's Day Bon Bons will be available to order on Monday, January 31, from 9am local time in Queensland and the ACT, 9.30am in Victoria and between 10am–11am in New South Wales.
Why serve sushi on a train when you can serve it on a plane? Okay, it's not exactly a plane, but it's pretty close. London's YO! Sushi, renowned for being the first sushi chain in the UK to provide its goodies via a conveyor belt, is now the first to deliver them with wings. Currently on trial at YO! Sushi's Soho restaurant, with a view to national roll out in 2014, the 'iTray' has been developed using sophisticated RC Drone quadicopter technology. Dependent on four propellers, and made of super-light carbon fibre, the 'flying waiter' is remote controlled with an inbuilt Wifi system, connected to an iPad. Two HD cameras enable the restaurant's kitchen staff to ensure that their creations experience a smooth and accurate arrival at their destination. Given that the iTray can travel at speeds of up to 40 kilometres per hour, and can make journeys as long as 50 metres, a crash landing could get kind of messy. In other air borne-cuisine related developments, attendees at South Africa's Oppikoppi Music Festival, happening August 8-10, will be able to use their mobile phones to order drone-delivered beer. [via Springwise]
When it comes to eating out, the elements of surprise and mystery are very rare these days. In the time it takes you to say "Hey Siri", you'll have the restaurant menu, images of the dishes and reviews from countless strangers all at your fingertips. So much so, you probably have your order ready to go before you set foot in the joint. And where's the fun in that? To combat this age of omniscient dining, and bring a little mystery back into the dining scene, chip brand Red Rock Deli has teamed up with the chef from popular Windsor bar Lover for a very special Secret Supper series. On Thursday, September 19, chef Paul Turner will be dishing up three-course feasts in a secret Melbourne location for a limited number of guests. As you may have already guessed, the menu will stay true to the event's name and will remain under wraps until the night. What we do know is that it'll be feast inspired by foraging and the new Red Rock Deli Deluxe Crisps flavour, Parmesan & Truffle Oil. It immediately screams decadence to us. And given Turner's tradition of taking unassuming native and seasonal ingredients — think saltbush, wood sorrel and stinging nettle — and turning them into refined modern takes on old classics, we think it's safe to prepare for some bold flavours. So, in trying to crack the menu code, we thought we'd find out a little about the Melbourne spots that Turner likes to visit on the regular — and the dishes he orders— for inspiration. He name-dropped a few of his favourites, which may give us an idea of what to expect. "A common theme that I think that all of these places share, and something that I really try to focus on, is working closely with the seasons, respecting the produce at hand, and inventive, technically driven plating styles," Turner says. [caption id="attachment_552288" align="alignnone" width="1280"] Attica[/caption] Given this focus on respecting produce, it should come as no surprise that he mentions Attica first, which has "been at the forefront for a long time and helped inspire a generation of chefs". He also calls out Brae, Armadale's Zia Rina's Cucina and Doot Doot Doot on the Mornington Peninsula as fine examples of this approach — and recommends getting the five-course tasting menu with matched wines at the latter to sample the "best from the kitchen garden". In fact, this is a big theme for Paul Turner. "Most of the time, I'll jump on a tasting menu and let the chefs showcase the flavours and dishes they're feeling at the time... Some things have a really short season so trusting the chef is always a good bet," he tells us. Is that a not-so-subtle hidden message to the Secret Supper diners? [caption id="attachment_682589" align="alignnone" width="1920"] Kristoffer Paulsen[/caption] Following this tasting menu trend, Turner also name-checks Yarraville's Navi as his favourite restaurant at the moment. Meanwhile, he mentions Lesa as a great option in Melbourne CBD, and specifically the pork jowl with white onion, radicchio and blood orange as a prime example of showcasing produce and technique. And of the aforementioned Zia Rina's Cucina, Turner says "the wattleseed cannoli with whipped ricotta and pistachio are alone worth a visit". So, what might we deduce about Turner's Red Rock Deli Secret Supper menu from his favourite Victorian gems? Expect lots of seasonal produce used in refreshing ways — and plenty of flavour. To register for tickets to Paul Turner's Secret Supper, head over here. And, while you wait for the big night to roll around, you can get cracking on this Turner-certified recommendation circuit. Top Image: Parker Blain.
A trip to the Melbourne Museum will soon become more expensive, with funding cuts to Museums Victoria bringing about price increases and staff cuts. As reported by The Age, the increase will take effect in September, with adult ticket prices rising from $15 to $18. Then, a second increase planned for July 2027 will push tickets to $20. Though unconfirmed, admission fees are also expected to increase for concession card holders and seniors. However, entry for children under 16 and First Peoples will remain free. In addition, the increase will only apply to the Melbourne Museum, with prices not affected for other Museums Victoria venues, including the Immigration Museum and Scienceworks. Published in The Age, Museums Victoria Chief Executive Lynley Crosswell blamed May's state budget, with Melbourne Museum needing to find $56 million in savings over the next four years. At the same time, money allocated to Melbourne Museum didn't include funds for new display spaces, leading to additional operating costs. To meet savings targets, Crosswell also announced that Museums Victoria would shrink staff by the equivalent of 55 full-time roles. This decline follows news reported earlier this year that Museums Victoria was considering reducing its visitor engagement officer numbers. Instead, security staff would take over some of their responsibilities — a move that led to public protests. Crosswell also announced that Melbourne Museum would defer much-needed upgrades to its IT systems, with savings of $40 million expected over the four-year period. Meanwhile, the organisation would look to reduce operating costs at the Immigration Museum, alongside other potential changes. With government debt rising to record levels, the 2025–2026 state budget allocated $552.2 million to the creative industries — a two percent increase on the previous year's $541.2 million budget. Yet this figure is 13.7 percent down from the $640 million spent in 2023–24 and 10.5 percent less than the $617 million spent in 2022–23. Melbourne Museum ticket prices are expected to increase from September. Images: Eugene Hyland | supplied.
Gravity promises to be the most stressful film of 2013. For those yet to hear about the Alfonso Cuarón-directed thriller, it features George Clooney and Sandra Bullock as astronauts separated from their spacecraft after a collision. They must then try to survive floating through space. Oh, and there has been absolutely no hint one way or the other as to if they live. Intense, right? As if imagining that or watching the trailer was not enough to whip us into a frenzy of tense anticipation, Warner Brothers has now released a truly terrifying film promotion tool. To simulate what Bullock and Clooney's characters experience, they have created an online 'game' that requires you to navigate through the vast loneliness of space. Free and playable on iPhone, iPad, Google play or through your browser, it's certainly worth a go. Given nothing but the instructions of "You are floating alone in the vastness of space. Use your thrusters to navigate", you are confronted with the scariness of this task. It is made all the more bleak by the incessant breathing of your character and static radio transmission. The tone of desperation and despair is set brilliantly and will certainly leave you wanting to see the film even more than you did already. Via Fast Co.Create.
Next year, the force is coming to Disneyland Resort in California and Walt Disney World in Florida — and now the booze is as well. When Disney opens its new Star Wars: Galaxy's Edge zones at the two parks by the end of 2019, it won't just add two 14-acre sites to the respective locations, representing the biggest single-themed expansions each has ever seen. In addition to all of that, Galaxy's Edge will also feature a Star Wars-style cantina. And, at Disneyland, it'll also mark the first time that alcohol has ever been sold on the premises. Yes, we've definitely got a good feeling about Oga's Cantina, which'll serve up boozy tipples at both of its locales. It'll also offer non-alcoholic drinks for younger visitors, including blue milk, plus music to complete the hangout vibe. The cantina forms part of Black Spire Outpost, the village within the Star Wars zone, and comes with a backstory. It's "run by an intriguing alien proprietor, Oga Garra," according to the Disney Theme Parks Blog, and boasts "a history of being a smugglers' safe haven and a popular stopping point for those seeking to avoid the authorities". As for the rest of Galaxy's Edge, it's designed to "transport guests to a never-before-seen planet, a remote trading port and one of the last stops before wild space where Star Wars characters and their stories come to life." To be specific, fans will be able hop onto a star destroyer, fly the Millennium Falcon and just generally wander around like they're part of George Lucas' space-opera world. Expect more details to be unveiled as Galaxy's Edge's opening inches nearer — and for the attractions to tie into all ten Star Wars movies to date, and feature an array of beloved characters making an appearance. Eventually, visitors to Disney World will also be able to stay in an immersive Star Wars-themed hotel too, although construction hasn't started yet and an opening date hasn't been announced either. Via Disney Theme Parks Blog.
What happens when a bunch of affable booze reps turn their hands to opening a bar? You get Mr West — a bottleshop and bar in Footscray that offers punters flagons of rosé and more beers than your Pa could squirrel away for winter. The downstairs bottleshop is open every day. And you can sit in amongst the dark woody hues and enjoy a brew with your new favourite keeps. There are shelves of beers — sours, stouts, IPAs, you name it — with regular staff reccos and guest brews always hitting the right spot. The Mr West bar is the kind of place you head to for an after-work drink, take your dog to on weekends (to the upstairs pup-friendly area) or rock up to solo and sit amongst the locals. Time your visit right, and you'll be met with the soft scent of sugar syrup floating down the stairs. The lads intermingle their prep necessities with experimental excites. We've landed right on the money with our visit and are privy to a measure of their rye bourbon, barrelled-aged Long Island Iced Tea. It distinctly resembles 90s cola-bottle candy, with its hazy white and burgundy-coloured layering. Snacks are somewhat limited at Mr West — think charcuterie boards, cheese plates and hot chips with hummus (an outstanding and underrated combo) — but it's the 24 taps of beer that have been drawing the crowds. Admittedly, the beers are impressive and change on the regs. For us, however, it's the mezcals that really sing. Hand-selected from locals in Mexico and gifts from friends who sacrifice their duty-free limits, the offerings are rare and unique. Unlike tequila, which must be made from blue agave, the agave in mezcal has the leisure of being grown anywhere across nine regions, with 48 varietals available. This means there's a broadness in taste to the smoky delights. Check out Mr West's Friday tastings to best explore these fine tequila-adjacent tipples. Appears in: The Best Bars in Melbourne for 2023
He's one of the world's most renowned chefs, his three Michelin-starred restaurant Osteria Francescana claiming top spot on this year's prestigious World's 50 Best Restaurants list. And now, culinary powerhouse Massimo Bottura is swapping kitchen for stage, heading Down Under and travelling the country for a speaking tour next August. Bottura, who you'll have spied getting wildly creative with his native Italian cuisine — and doing so to save thousands of wheels of parmigiano-reggiano — in episode one of Netflix series Chef's Table, is well-known for his storytelling, as well as for a deep love of art, music and history. Audiences are sure to gain colourful insight into the chef's childhood, his life spent in the Northern Italian city of Modena, and the rich local history and culinary traditions that helped ignite his love of food. Bottura will also share another of his passions, speaking about his own work in the fight against food waste and hunger. As founder of non-profit Food for Soul, which empowers communities to fight food waste and social isolation, the Italian chef's helmed a series of community kitchens and drop-in dining halls across Milan, Paris, Rio de Janeiro and London. He's long championed the idea that a chef's responsibility extends far beyond the kitchen and into their community, to help inspire global change. MASSIMO BOTTURA 2019 DATES Perth — Riverside Theatre, August 6 Sydney — The State Theatre, August 8 Melbourne — MCEC, August 10 Brisbane — BCEC, August 13 Tickets are on sale April 3, 2019. Register now for pre-sale.
The Dandenong Ranges has welcomed a newcomer to town, and it's serving up Mexican-inspired cafe fare and fine cuppas. Maria Cafe is run by partners Josh O'Brien and Omar Viramontes, who are also responsible for the nearby Lorna Cafe. While the duo's first venue is named after Josh's grandmother — and features her homemade crumpet recipe on its menu — Maria Cafe takes inspiration from Omar's grandmother. Drawing upon her Mexican heritage, the new cafe finds its culinary cues in Central and South American influences. Specialty dishes include pulled beef brisket tacos with Oaxaca cheese and salsa verde ($17), lamb or grilled tempeh tostadas with beetroot slaw and marinated feta ($19.50), and the incredibly decadent sounding churros waffles — served with chocolate fudge sauce, sugared hazelnuts, strawberries and mascarpone ($18.50). Other especially tasty sounding brekkie items include huevos rotos (fried eggs, chorizo ragu and potatoes with avocado lime crema and fried bread, $19.00) and croquettes benedict (panko-crumbed sweet potato and chorizo croquettes topped with red capsicum jam, poached eggs and hollandaise, for $19.50) — or the pina colada taco (made from fried dough taquitos, then filled with white rum custard, pineapple compote, coconut and salted caramel popcorn, for $18.50). For drinks, the cafe uses Industry Beans and offers a rotating selection of single origin roasts, alongside specialty beetroot, turmeric and matcha lattes, organic teas and Mexico's Jarritos soft drinks. The cafe is also licensed and offers wine, beer and specialty cocktails to boot.
If you're partial to a soothing dip in some steamy natural hot springs, it looks like you'll soon have another local destination to add to your pamper hit-list. The Mornington Peninsula is set to score another premium wellness hub next year, with the launch of Alba Thermal Springs & Spa. The expansive bathing retreat is on track to open to the public in June 2022. Located just a stone's throw from the long-running Peninsula Hot Springs, Alba is vying to become the state's "most sought-after bathing and wellness experience". It's set to deliver a suite of luxurious offerings within a low-impact development that remains sensitive to the natural environment. Spread across a generous 15 hectares of natural bushland, the property is expected to feature 25 pools, a series of treatment rooms and various other experiences across a mix of indoor, outdoor and open-air spaces. The design of those spaces comes courtesy of landscape architects Mala Studio and award-winning architectural design firm Hayball — the same one behind Brisbane's West Village and Library at The Dock in Melbourne's Docklands. Expect lofty, light-filled structures with windows onto idyllic views that celebrates the property's "unique surrounds". Both Mala Studio and Hayball have posted recent progress shots of the build to their Instagram accounts if you want to take a sticky beak. View this post on Instagram A post shared by MALA studio (@mala_studio) For now, you'll have to leave the rest up to your imagination — full details of Alba's offerings and facilities are set to be unveiled in the coming months. Alba Thermal Springs & Spa is slated to open at 282 Browns Road, Fingal, from June 2022. Stay tuned and we'll share more information as it drops.
When you've already spent 2025 singing and dancing with Robyn at Saturday Night Live's 50th-anniversary concert, then releasing the Saoirse Ronan (Blitz)-starring first-ever music video for 'Psycho Killer' 48 years after the song's debut, what comes next? For David Byrne, the answer is a new album in September, plus a new world tour that kicks off the same month — and heads Down Under in January 2026. The iconic Talking Heads founder and frontman has dropped two huge pieces of news at once, revealing his impending latest record Who Is the Sky? and the live shows to support it. In Australia and New Zealand, he'll be playing his first gigs since 2018, when he brought his American Utopia tour — which none other than Spike Lee (Da 5 Bloods) turned into a concert flick also called American Utopia, aka one of 2020's absolute best films — this way. [caption id="attachment_1008708" align="alignnone" width="1920"] Shervin Lainez[/caption] If you're in Auckland, Brisbane, Sydney, Melbourne, Adelaide and Perth and you're thinking "this must be the place", then you're right: Byrne is venturing to each of these cities. First, he'll hit up Spark Arena on Wednesday, January 14 on his sole NZ stop, before kicking off his Aussie dates on Saturday, January 17 at Brisbane Entertainment Centre. From there, he'll play ICC Sydney Theatre on Wednesday, January 21; Sidney Myer Music Bowl in Melbourne on Thursday, January 22; Adelaide Entertainment Centre Arena on Saturday, January 24; and Perth's RAC Arena on Tuesday, January 27. If you caught his American Utopia gigs or watched the film, you'll recognise some other familiar faces on the Who Is the Sky? tour. Byrne is taking to the stage with 13 musicians, singers and dancers, some of whom were part of the American Utopia band. Just like in those famous shows, his fellow performers will all be mobile throughout Byrne's latest set. Like tour, like album: Who Is the Sky? isn't just Byrne's first set of live gigs since American Utopia, but also his first record since that Grammy-winning release came out in 2018. Launching on Friday, September 5, 2025 — with first single 'Everybody Laughs' out now — the new album features St Vincent, Paramore's Hayley Williams, The Smile drummer Tom Skinner and American Utopia percussionist Mauro Refosco among its guests. Byrne has long been a must-see live performer — and there's long been filmic proof of that fact. Forty-two years ago this December, he made concert film history with Talking Heads when he walked out onto a Hollywood stage with a tape deck, pressed play and, while standing there solo, began to sing 'Psycho Killer'. Then-future The Silence of the Lambs Oscar-winner Jonathan Demme directed cameras his way, recording the results for Stop Making Sense. David Byrne Who Is the Sky? World Tour Australia and New Zealand 2026 Dates Wednesday, January 14 — Spark Arena, Auckland Saturday, January 17 — Brisbane Entertainment Centre, Brisbane Wednesday, January 21 — ICC Sydney Theatre, Sydney Thursday, January 22 — Sidney Myer Music Bowl, Melbourne Saturday, January 24 — Adelaide Entertainment Centre Arena, Adelaide Tuesday, January 27 — RAC Arena, Perth David Byrne is touring Australia and New Zealand in January 2026, with ticket presales from 2pm local time on Thursday, June 12, 2025 and general sales from 1pm local time on Friday, June 13, 2025. Head to the tour website for further details. Live images: Raph_PH via Flickr.
A destination for nearby residents and locals of the inner-west, The Premises is just as much of a fixture in Kensington as the leafy trees that line the streets. The eco-decor is carried on inside too, with a palette of timber and earthy green and flower arrangements atop tables. Of course, you can sit outside too (if you don't mind the rattling of trains across the street), but it's inside where you'll be doused in the smell of coffee and everyone else's meals. While the cafe space is quite large, its dual room design creates intimacy no matter where you sit. With two entrances, the two rooms of The Premises have now been extended to three, with Premises Jnr now occupying 200 Bellair Street — a space solely devoted to takeaway coffee and a colourful collection of cupcakes, breakfast cookies, bagels, ready-made sandwiches and even pantry supplies. It's a good thing too, because the bustling nature of the place — particularly on weekends — meant that the takeaway line could fill most of the floorspace in busy periods. It is some of the best coffee in the west, after all. This coveted coffee is a signature blend, created especially for The Premises by Seven Seeds ($3.50-4.80), which sits alongside their single origin espresso ($4) and pour over coffee ($5). With tea by Tea Corporation and an extraordinary hot chocolate by Mork there is a lot to choose from, but it's overleaf that the decisions become hard. With no distinction between breakfast and lunch, there are no limitations on what you can order and when — meaning you're free to indulge in the Bircher muesli with rhubarb, honey, lemon yoghurt and flaked almonds ($9.50) or the apple crumble French toast ($16) at any time of the day. For eggs, try 'The Premises Eggs' (two poached eggs with green olive tapenade, Persian feta & a zucchini salad on toast; $17) and the standout for home cooked heartiness is the Moroccan spiced beans with goats chevre, green harissa & ciabatta with chorizo ($17.50). The slow roasted pulled pork ($19) and hot salt beef roll ($15.50) are also favourites amongst patrons. Whether you're a Kensington local or reside on the other side of the city, The Premises is well worth the trip out west. With it being just an easy two stops from CBD or a tree-lined bike ride away, the only problem you'll have is trying to decide on what to order off the menu.
Marty. De Niro. Leo. Enough said. That's the basic maths behind Killers of the Flower Moon, Martin Scorsese's first film since 2019's The Irishman. Premiering at the 2023 Cannes Film Festival before hitting cinemas Down Under in October and then Apple TV+ after that, it's also his first feature to star two of his long-serving collaborators: Robert De Niro and Leonardo DiCaprio. De Niro and DiCaprio have been in so many of the legendary director's movies that it's rare for any of his titles to not include one or the other. The former's run gave viewers gangster masterpieces such as Mean Streets, Goodfellas and Casino; also spans the iconic Taxi Driver, Raging Bull and The King of Comedy; and covers musical New York, New York and thriller remake Cape Fear, too — and, of course The Irishman. The latter began leading Scorsese's films in the early 2000s, kicking off with Gangs of New York, then starring in The Aviator, The Departed, Shutter Island and The Wolf of Wall Street. Yes, that's a helluva resume for both actors, and for their favourite helmer. Enter Killers of the Flower Moon — which is actually the second time that De Niro and DiCaprio have joined forces for Scorsese, but their debut together in one of his full-length features (they played themselves in the director's 2015 comedy short The Audition). The actors have a past on-screen beyond that, however, thanks to the non-Marty helmed This Boy's Life in 1993, back when DiCaprio was still a teen. That's the Scorsese–De Niro–DiCaprio history, with Killers of the Flower Moon also jumping backwards into the real-life of murders of oil-wealthy members of the Osage Nation in Osage County, Oklahoma a century back. Scorsese also co-wrote the screenplay with Eric Roth (Dune, and an Oscar-winner for Forest Gump), adapting David Gann's 2017 non-fiction book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI. As the just-dropped first trailer for Killers of the Flower Moon shows, DiCaprio (Don't Look Up) and Certain Women standout Lily Gladstone play a couple caught up in the investigations surrounding the mounting killings. Also co-starring: not just De Niro (Amsterdam), but Jesse Plemons (Love & Death), John Lithgow (Sharper) and newly minted Best Actor Oscar-winner Brendan Fraser (The Whale). Check out the trailer for Killers of the Flower Moon below: Killers of the Flower Moon will release in cinemas Down Under on Thursday, October 19, then stream via Apple TV+ at a later date — we'll update you with streaming details when they're announced.
Seeing the South Pole is a bucket-list dream at the best of times, and even more so in 2020. But, if you have a bit of spare cash to burn, it's actually achievable — including while Australia's borders are closed to international travel. Eager to head overseas just for one day? Then you'd best get in quick to score a seat on the upcoming Antarctica flights out of Australia. As it has in previous years, sightseeing group Antarctica Flights is taking bookings for a series of rare, sky-high charter tours. And if you're wondering how the day trips can go ahead during COVID-19, that's because they're classified as domestic flights. You won't even need to take your passport with you. Departing Melbourne (November 15 and December 31, 2020), Sydney (November 22, 2020 and February 21, 2021), Perth (January 26, 2021), Brisbane (February 7, 2021) and Adelaide (February 14, 2021), these flights will cruise above the dazzling Antarctica Treaty area for around four hours. Each flight path is carefully chosen to maximise viewing from both sides of the plane and to ensure the best views should the weather turn nasty, while some passengers will rotate seats to allow everyone an equal shot at the spectacular scenery below. Travelling on a Qantas 787 Dreamliner, the whole trip clocks in at around 12.5 hours — depending on your departure city — during which you'll hear from expert Antarctic explorers, talking about the polar environment and its fascinating history. All that, while enjoying some better-than-average QANTAS plane food, full bar service and, in the lead-up to the views, a spot of in-flight entertainment — classic flick Happy Feet, or some Antarctic docos, of course. As expected, this kind of plane trip doesn't come cheap — you're looking at $1199 to be seated without direct access to a window. Other options, including the Economy Class Standard ($2199), the Economy Class Superior ($3199) and the Premium Economy Class ($3999) involve seat rotations throughout the flight, so passengers can spend time both close to the window and further away. Of course, you and your favourite travel buddy could drop $7999 each on Business Class Deluxe tickets to have a window seat and the one next to it all to yourselves for the entire flight. Regardless of which type of seat you fork out for, COVID-19 safety measures will be in effect — including temperature testing and pre-flight health and safety forms; providing disposable masks, sanitiser and disinfectant wipes; enhanced cleaning procedures; and not selling all seats in Economy Class. Antarctica Flights' 2021–21 season is open for bookings now, with flights out of Melbourne, Sydney, Perth, Brisbane and Adelaide between November 15, 2020–February 21, 2021. Images: Antarctica Flights
