What are you doing right now? No, stop. Whatever it is, it most likely doesn’t compare to what you could be doing at this exact time next year. Sea N Beats, Australia’s first ever music festival at sea, is on March 5-8, 2016 — and if you’re into electronic dance beats and/or super chilled-in-a-chilla-way cruises through aquamarine waters (and isolated island paradises to boot), it's probably going to float your boat. The Sea N Beats ship will boast seven stages (so we know this is ain’t no dinghy), and a huge pool deck, where you’ll dance till the wee hours in the middle of the deep blue sea sea sea (hey, there’ll be no noise complaints here). Plus, included in your ticket is entry to an exclusive mystery island festival on an exclusive mystery island, somewhere off the exclusive mystery Queensland coast. After the seafaring shenanigans that went down at It’s the Ship — Singapore’s inaugural festival on a boat — last November, plus the fact that SS Coachella and the Weezer cruise are actual things that exist, it was high time we got one of these boat-fests of our own. Those festivals attracted sailors like Basement Jaxx, Lil John, Toro y Moi, Pulp and Hot Chip. No word on who’s going to be (literally) onboard for ours yet — but it’s safe to say this is going to be one hull of a party. Now's probably a good time to start training yourself out of your sea sickness. But it sounds well worth stocking up on those ginger tablets for; Sea N Beats reckon there's no other experience like this in the southern hemisphere. The ship sets sail from Brisbane on March 5 next year, and the festival runs till March 8. You know your psych-up music, crank it. Via Pedestrian. Image: Falls Festival.
Turns out eating an entire two sticks of buttery, bready garlic bread from the freezer section doesn't count as an 'appreciation conference', because one Melburnian is making this actual event happen. Garlic bread aficionado and straight-up boss Baxter Kirk is putting on the world's very first Garlic Bread Appreciation Conference in Melbourne. Set to descend upon the MCG (yep, the giant, giant MCG) on Friday, January 15 at the strange time of 3.07am, the conference will "discuss the underrated garlic bread," according to the Facebook event. With 47,000+ people supposedly 'attending' the event, this could be the biggest celebration of garlic breadery the world has ever seen. Whether this conference is real or a beautiful, beautiful troll, we'll be raising a glass of cheap cola to that beloved buttery, buttery side anyway, before, during and after the event. Via Pedestrian. Image: Dollar Photo Club.
If you're one to simultaneously munch a durrie and schnittie combo, we've got some bad news for you. Smoking in all outdoor dining areas in New South Wales is banned from today, thanks to the implementation of the Smoke-free Environment Act 2000. From July 6, 2015, all commercial outdoor dining areas in licensed venues (including clubs and hotels), restaurants and cafes must be smoke-free. Basically, if food is being served, there's no smoking. There's going to be some serious penalties (we're talking fines up to $5500) for venues who don't comply with the new smoking bans, enforced by NSW Health Authorised Inspectors — so you can rule out a cheeky smoke, even if you 'know the owner'. Plus, you could land yourself a $300 fine for gettin' y'puff on. It's not just courtyards and beer gardens that are about to clear the air; areas within four metres of a pedestrian entrance to or exit from a licensed venue, restaurant or cafe must be smoke-free (so on-street dining and footpath areas too). But venues are allowed to create designated smoking areas — so beer gardens are still allowed to section off glamorous shame corners or build blue-lit miscreant booths (lookin' at you Beach Road). From today, venues will have to put up 'no smoking' signs of approved size and staff will be trained to deal with the new laws. Let's be honest, this was always coming. The 2013 NSW Smoking and Health Survey showed 75 percent of surveyed folks approved banning smoking in all outdoor areas in hotels, restaurants and cafes. And really, trying to enjoy a burg with cigarette smoke in your face isn't the best. But we're pretty sure this one's going to stir up some furious pub debate. Via NSW Health.
Climate action and bushfire relief are set to score plenty of live, loud support, when a group of legendary Aussie artists takes the stage at Sidney Myer Music Bowl for a huge fundraiser gig next month. Kicking off at 2pm on Wednesday, February 26, Down To Earth: A Fire and Climate Relief Concert will see a superstar lineup singing its lungs out for a cause that's currently hitting very close to Aussie hearts. Acclaimed acts including Thelma Plum, Angus and Julia Stone, Briggs, Gang Of Youths, Ruby Fields, Jack River and Tash Sultana are banding together to raise much-needed fire relief funds, while also drumming up awareness about climate change. [caption id="attachment_757012" align="alignnone" width="1920"] Tash Sultana by Eric de Redelijkheid via Wiki Commons.[/caption] You're in for a rollicking day of live tunes, with 100 percent of ticket, merchandise and bar profits being donated. Much of the funds will be used to provide immediate support for bushfire-affected communities via the Australian Red Cross and WIRES. But in a nod to the country's future protection, a portion of profits will also go to helping local organisations focused on long-term climate solutions, leadership and education. That includes groups like Emergency Leaders for Climate Action, the Indigenous-led Firesticks Alliance and the Foundation for Rural and Regional Renewal. Tickets are on sale from 10am Thursday, January 9 via Ticketek. The price has not yet been announced. Image: Gang of Youths by Bruce via Wiki Commons.
Between the blazing fire shows taking over the Royal Botanic Gardens, the swag of immersive theatre experiences inviting audiences into parallel worlds, and the huge international acts returning to Aussie shores for the first time in decades, this year's Melbourne International Arts Festival will be tough to ignore. The festival's 2018 program is set to deliver a diverse, vibrant celebration of dance, music, theatre, visual arts and architecture from October 3–21, with the entire city as its stage. The Royal Botanic Gardens, acting as the festival's mini hub, will be transformed in a haze of flames across four nights, for the Fire Gardens fire-burning spectacular. Elsewhere on the site, acclaimed contemporary circus company NoFitState explores the 250-year history of the circus ring, with an exclusive performance of Lexicon. Post-punk legends The The make their first Melbourne appearance in almost 30 years, to play hits from across their internationally renowned back catalogue, and Berlin composer and pianist Nils Frahm makes his return to Hamer Hall, four years after the sell-out success of his Melbourne Festival debut. Japanese sound artist ASUNA will present its unique aural installation 100 Keyboards, which will see 100 battery operated keyboards brought to life. And the creators of last year's iconic House of Mirrors installation and Dark Mofo's upside down crosses, Christian Wagstaff and Keith Courtney are at it again, taking over the Arts Centre forecourt with their new work 1000 Doors, an interactive piece inviting audiences to choose their own adventure. Meanwhile, the program's broad-ranging dance lineup includes top choreographer William Forsythe's boundary-pushing A Quiet Evening Of Dance, and visually stunning, Romeo & Juliet-style dance-opera, Layla and Majnun. Image: Fire Gardens, shot by Vincent Muteau.
Whether you're staying put or travelling interstate this summer, one thing's for sure: you won't be bored from a lack of art. A fine contingent of blockbuster exhibitions has hit the country for the warmer months, sweeping into temperature controlled galleries from Brisbane to Melbourne and all the way across to Perth. You can step into the dotty world of legendary Japanese artist Yayoi Kusama GOMA, curl up in bed at the MCA to watch some of Pipilotti Rist's work go by and remember gone-too-soon talents Amy Winehouse and Heath Ledger (at the Jewish Museum of Australia and Art Gallery of WA, respectively). And that's not even mentioning the NGV's huge new NGV Triennial, which features a giant buddha and 100 oversized resin skulls. If you're someone who travels for art, you might want to book those domestic flights now. This is probably one of the most impressive summer lineups we've seen — and, come March, most of them will be gone. Hop to it.
With the end of Summer almost in sight, it's time to make the most of those long lazy afternoons. And what better way to do that than with a few cold drinks in a relaxed, comfortable outdoor setting — AKA, a lush beer garden. So we've rounded up the best lesser-known beer gardens in the inner north, where you can soak up some rays and brews this summer (without struggling to find a place to sit).
Dumpling diehards, your potential for satisfactory feasting is seriously expanding. Tim Ho Wan, the cheapest Michelin-starred restaurant on the planet, is coming to Melbourne. This time last year the eatery launched its first ever venture outside Southeast Asia in Sydney. Now, it's expanding its Australian presence, with the establishment of three new chapters — and one's in Melbourne. Set to open at 206 Bourke Street on Wednesday, March 16, Tim Ho Wan is one of the year's most anticipated restaurant openings. The original Tim Ho Wan eatery in Hong Kong, led by ex-Four Seasons Hong Kong dim sum chef Mak Kwai Pui, has been attracting hordes of local and international visitors ever since it opened in 2009. A star rating by arguably the world's most prestigious food guide the year after raised the dim sum stakes and a chain of Tim Ho Wan restaurants in the region quickly followed. Now, it's Melbourne's turn to break open a piping hot pork bun and see what all the fuss is about. So what's in store for the menu? If we're taking cues from the Sydney menu alongside THW's international chapters, the 'Big Four Heavenly Kings' will be making an appearance: think pan-fried carrot cake, baked pork buns, handmade vermicelli rolls stuffed with pig's liver and steamed egg cakes. Including these four signature dishes, we're expecting plenty of innovative dumplings, pork rib with black bean sauce, and mango pomelo sago desserts. And how cheap is the world's cheapest Michelin-starred restaurant? Sydney's Tim Ho Wan sees BBQ pork buns at $6.80 each, prawn dumplings at $7.80 a serve and desserts around $5-6, so similarly bang-for-your-buck prices can be expected when the chain comes to Melbourne. Tim Ho Wan will open from 10am on Wednesday, March 16 at 206 Bourke Street, Melbourne. Updated: March 15, 2016. By Katie Davern, Erina Starkey and Jasmine Crittenden.
Each September, as the weather warms up and spring begins to truly blossom, music fiends head to Brisbane and spend some time in, well, dark rooms. Over a few days, the Queensland capital becomes the centre of the Australian music universe, with artists and industry practitioners doing what they do best — rocking out, discovering new talent, partying and discussing the future of Australian music. First appearing in 2002, BIGSOUND is a conference, festival and celebration of Australia's best musical talent. Each year, it takes over the inner city Fortitude Valley area, attracting 1300 delegates and more than 6000 music fans. The festival's previous lineups read like a dream: Flume, Rufus, Courtney Barnett, Megan Washington, The Temper Trap, A.B. Original, REMI and Gang of Youths have all graced its stages, while Nick Cave, Neil Finn, Kim Gordon, Billy Bragg and Amanda Palmer have shared their knowledge, experience and wisdom. The event itself isn't the only source of fun, however. At this time of year, the sun is shining, the vibe is buzzing and Brisbane is truly jumping. In fact, with a vibrant cultural scene and an array of delicious dining options on offer, it's the perfect time to discover just why Australia's third-largest city is one of the country's gems. Some Australian events (like this one) are worthy of a road trip, and aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing BIGSOUND into your schedule. We've teamed up with Mazda3 to help you plan your out-of-the-city trips ahead of time, so you can detour from your regular routine and inject a little adventure into your life. Here's how to spend your days before, during and after your trip to Brisbane — where to stay, what to do, and what to eat and drink from September 5 to 8. [caption id="attachment_498758" align="alignnone" width="1127"] Limes Hotel Rooftop.[/caption] STAY Over the past decade, Brisbane has become a boutique hotel wonderland — the Fortitude Valley area in particular. If you have some cash to spare, the Emporium leads the pack with their rock star-like indulgence — think dark interiors, a rooftop pool and a killer view of the Valley. Still staying central, the nearby Limes Hotel remains a favourite for its plush rooms and rooftop bar, as well as its proximity to beloved local haunts like Alfredo's Pizzeria and Alfred and Constance. Looking for something a little bit different (or cheaper)? For the artistically inclined, TRYP Fortitude Valley wears its love of street art on its walls — once a warehouse, it's now an affordable option that's appealing to both the eyes and the wallet. Or, look to resident budget option, the Snooze Inn, to save as many pennies as possible for having fun rather than hitting the hay. It's cosy rather than fancy, and is located literally just down the road from the Valley — meaning you'll remain close to everything BIGSOUND, as well as neighbourhood arcade-game bar, Netherworld. [caption id="attachment_622127" align="alignnone" width="1920"] Tkay Maizda at BIGSOUND.[/caption] DO This year at BIGSOUND, Aussie icons Archie Roach and Tina Arena will lead the speaker program, as well as Quentin Tarantino's regular music supervisor Mary Ramos, aka the woman responsible for all of those ace tunes on the Pulp Fiction, Jackie Brown and Kill Bill soundtracks. As far as the band schedule is concerned, prepare to hop around faster than a rabbit on Easter, with every bar, space, nook and cranny around Fortitude Valley boasting a gig or party. The official program will include over 150 acts at more than 15 venues, and the unofficial parties — which have included backyard blowouts and ping pong showdowns in previous years — will likely double that number. When you're not experiencing sonic wonders, you should spend your time wandering around Australia's only designated special entertainment precinct, and venturing further afield. In the Valley, keep indulging your love of music with a record store crawl — starting at Foundry Records and ending at Tym's Guitars, where you can scope out a hefty range of instruments. And while you're strolling and perusing, drop by some of the many galleries in the area — Artisan, the Institute of Modern Art and Heiser Gallery are all worth a visit (keep your eyes peeled for street art as well). [caption id="attachment_622138" align="alignnone" width="1920"] Institute of Modern Art.[/caption] If spending time inside during BIGSOUND has you hankering for some fresh air, sneak a trip to New Farm Park. Enjoy a picnic by the river, laze around on the grass, or just go for a walk through one of the city's best nature-filled spots. You could also stop by the neighbouring Brisbane Powerhouse — more often than not, there'll be an event on that's worth checking out. If the itch to keep exploring hits, jump on a CityCat and see the sights from the river. Go one way, and you can continue soaking in parklands at Northshore Riverside Park. Go the other, and you'll cruise right through the city. Disembark for a walk through South Bank, and go for a dip in the free, beach-like pools, before moseying around the Gallery of Modern Art. [caption id="attachment_581014" align="alignnone" width="1280"] Gerard's Bistro.[/caption] EAT Spending four days listening to chatter about music is enough to work up an appetite. Thankfully, you're in the right spot. Heading down to Chinatown, which runs adjacent to the Brunswick Street Mall, is the best way to get the classic Fortitude Valley experience. You can easily pick a place at random, or opt for one of the mainstays. For Chinese and yum cha, that's King of Kings, and for Vietnamese, the appropriately-named The Vietnamese Restaurant will treat your tastebuds to an explosion of flavour. Try the salt and pepper quail, and thank us later. In the opposite direction, you'll find a few Brisbane faves. If you like burgers — and this is a burger town, believe us — then Ben's Burgers on Winn Lane will satisfy your cravings with their simple, delicious menu. Or, leap over the road to Bakery Lane, where newcomer Johnny's Pizzeria combines Italian staples with a disco theme, and I Heart Brownies will have you doing just that with their jaffa, salted caramel and cherry-coconut baked goods. Sticking with the area's laneways, wander down to New Farm and off James Street to Gerard's Bistro for a relaxed, award-winning sit-down lunch or dinner from Tuesday to Sunday. Expect a blend of modern Australian and Middle Eastern dishes, including the adventurous likes of lamb's tongue toast, the meaty goodness of slow-roasted wagyu brisket for two, and sheep's yoghurt sorbet with honeycomb, milk and orange blossom for dessert. [caption id="attachment_619623" align="alignnone" width="1920"] Newstead Brewing Co.[/caption] DRINK Think beer in Queensland, and everyone immediately thinks XXXX. Think breweries, though, and it's a trip to the inner north that's recently started topping booze-loving Brisbane visitors' wish lists. Newstead Brewing have spread their wings and opened a new Milton headquarters, but their original Doggett Street birthplace is always pouring something yeasty from their 12 taps. Green Beacon's multi-award-winning 3 Bolt Pale will ensure you know exactly where you are thanks to notes of fresh mango — and other fruits — in its fresh, golden ale. And a post-gig hang out over a few beverages in The Triffid's beer garden, owned by Powderfinger bassist John Collins, will do you well. Fans of spirits can get their fix at tequila bar Alquimia and whisky haven Nant, and if you like the bubbly stuff, even champagne gets its time to sparkle at Baedeker. As for every other bar in the area, you'll probably end up at most of them anyway, thanks to BIGSOUND's huge gig lineup. BIGSOUND 2017 takes place in various venues across Brisbane and Fortitude Valley from September 5 to 8. Personalise your next adventure via The Playmaker, driven by Mazda3.
Giving two cents to your younger, wide-eyed, keen-for-life-lessons self is a luxury only those with Time Turners or Deloreans can afford. So the next best thing is asking those (a little) older and (a lot) wiser for their mad tips on how to be a bonafide boss. From directing one of Australia's best festivals to producing next-level electronica, from shooting Arcade Fire to handpicking and delivering the best music in Australia and the world right to your eardrums, these five Aussie folks have already kicked major goals in their respective creative industries. So we tugged their ears, made 'em give up the goods and lay some sweet advice on us. Disclaimer: This editor knows these five humans and is lucky to, hence why they dished out such excellent advice. [caption id="attachment_564974" align="alignnone" width="1280"] Image: Tim Da Rin.[/caption] CLARE DOWNES, SECRET GARDEN FESTIVAL DIRECTOR Some people plod on through this little ol' life of ours settling for mundane thrills and spills. But folks like Clare Downes, festival director for NSW's Secret Garden Festival, are different. They've managed to find some unfathomable way to create a career out of unpretentious, unbridled, balls-to-the-wall fun. Founding Secret Garden and running it for eight glorious years on her family's property just outside Sydney, Clare's successfully created a made-by-mates-for-mates event that gets bigger — but not a skerrick less genuine — every year. Did you go to uni/TAFE? If you did, what did you study? I did. I went to uni and studied communications journalism. What's the most random job you've had? I helped organise an elephant polo tournament in Sri Lanka. What are your top three tunes for getting shit done? I can't listen to music when I really, really need to focus. I put on my noise cancelling headphones and don't come up for air for hours. If you weren't doing what you're doing now, what'd be your alter ego job? Unicorn wrangler counts. Ha. I would love to advise on sustainable tourism, particularly in Asia. I might still do that ya know? I have many more years of living to go I hope. What advice would you give your 21-year-old-self? You're here for a good time, not a long time. So don't let fear drive any decision. Grit and kindness goes a long way in the workforce. So don't worry so much if you're not the top of the class. Don't feel like you have to wear heels, just 'cause everyone else is. RICH LUCANO, PHONDUPE Bit of a night owl with a love for crisp, atmospheric, hip hop-infused, Nicholas Jaar-meets-TV on the Radio-like electronica? You're in good company with Rich Lucano. NYC and Sydney-based, Rich is one half of Phondupe with Nathan Chan. The pair produce pretty damn unpindownable beats — check out the duo's Greenhouse EP and The Ecstasy Of single series to know what we're talking about. What's the most random job you've had? One time... I was hired to dress up in a penguin costume and cruise around the city in a hummer with four fellow penguins, cranking hip hop and drawing attention by any means possible. What are your top three tunes for getting shit done? Right now... Al Dobson Jr — 'Malful (Nebetia)' Alex Seidel — 'Quinn' OKE — 'Sundews' But I'm a big believer in a good disco breakfast. If you weren't doing what you're doing now, what'd be your alter ego job? I'd be a pizza chef that yelled at anyone who asked for a chicken topping. What advice would you give your 21-year-old-self? - Quit your band and pick up a drum machine - Learn how to DJ asap. - If you have an empty wallet and a bunch of ticket stubs, you're doing the right thing. - Listen to as much international radio as you can. - This fluoro phase will be over soon, don't worry. - Please stop wearing Rabens. Your poor feet. - Get a photo of you shaking Kanye's hand. No one will ever believe that happened. - Buy some bitcoins. - Eat more pizza. - You don't know shit but everything's going to be great. [caption id="attachment_564976" align="alignnone" width="1280"] Image: FBi Radio.[/caption] STEPHEN GOODHEW, FBi RADIO MUSIC DIRECTOR Looking for new music? How about the best new tunes out there? How about the best new Australian music? Stephen Goodhew knows his shit, ask him for tips. Go on. FBi Radio's insanely knowledgable music director steers the beloved Sydney radio station and its listeners toward damn good tunes every day — 50 percent Australian music, half of that coming from Sydney. Epic job. You can listen to Stephen present 'The Playlist' every week. Did you go to uni/TAFE? If you did, what did you study? Yeah, I went to uni, but it was done pretty half-assed. I did a three year degree over six years, just doing one or two subjects a semester. The reason being was so that I could focus on extracurricular activities (i.e my band), which was great, but also meant that I came away feeling pretty 'meh' about the whole uni experience. I studied a Bachelor of Media at Macquarie University, but here's the thing; you don't actually need a degree to do a lot of jobs in media. Don't get me wrong, it certainly helps to have on your resume, but most people I know who land jobs do so based on their work experience. I would definitely recommend doing as many internships/volunteer positions as you can while you're studying, even if it means your degree takes a little longer. What are your top three tunes for getting shit done? Deafheaven — 'Dream House': Straight up, I challenge you to listen to this song and not feel compelled to run up a mountain or swim Bass Strait. If you're looking for something of a productivity sprint, this is the song. Steve Reich — 'Music for 18 Musicians': This is the track for the medium pace long-haul. It has this wonderful hypnotic quality about it that I find helps me focus, while it's constant momentum keeps me pushing forward. The fact that it's 61 minutes in length also helps set something of a time-goal as well. Todd Terje — 'Delorean Dynamite': Whenever this song plays all I can think is that I'm creating a real life '80s style montage of inspiration and by god I better not mess it up. Great motivator. A+. What's the most random job you've had? I've never done anything super random like helping rhinos breed for the sake of conservation, but I did used to work in a tea store for a number of years, which was a slightly weird segue into alternative radio, but there you go. If you weren't doing what you're doing now, what'd be your alter ego job? I'm fascinated by people and their motivations. Chances are if we've ever had a conversation that's lasted longer than five minutes, I've probably tried to work out your Myers-Briggs personality type. So with that in mind, I'd probably say, psychologist. I guess that's probably not quite as exciting as I'd like it to sound, but it sure beats a hard day in the field helping endangered herbivores procreate. What advice would you give your 21-year-old-self? People are generally more worried about what you think of them than the other way around. Act with a quiet confidence, don't be afraid to put yourself out there and you'll be amazed at the opportunities that come your way. BRIDIE CONNELLAN, UNIVERSAL MUSIC MARKETING DIRECTOR If you've listened to Kendrick Lamar, Dr Dre, The Weeknd, Lorde, Disclosure, Jarryd James or The Preatures, chances are Bridie's had a hand in your Spotify playlist. Universal Music's Marketing Director switched course from journalism and writing for Rolling Stone, kicking goals for Sydney's TITLE store as Creative Director before moving to Universal and invading Sydney with Disclosure face paste-ups citywide. Did you go to uni/TAFE? If you did, what did you study? The brain the brain the centre of the chain. I studied a Bachelor of Arts (Media & Communications) at the University Of Sydney — biggest bunch of badasses all trying to out-do each other on cultural capital and debating Bourdieu's relevance. Occasionally we learnt things about 'the media' but mostly we drank wine and stayed in the media lab until 4am wrestling with Final Cut Pro. But seriously it was the realest. Four huge years of digging into the theoretical side make everything I do now have so much more cultural relevance to me, and I made some of the best friends of my life there. Go study kids. What are your top three tunes for getting shit done? R.L. Grime — 'Scylla': 'Cause you feel heaps good saving the world. Kanye West — 'Black Skinhead': I keep it 300, like the Romans. Gang of Youth — 'Magnolia': Play it LOUD, and imagine your mates cheering you on. What's the most random job you've had? I was Khloe Kardashian's 'Talent Escort' for the MTV Music Awards. Yeah I'm not gonna explain that further. If you weren't doing what you're doing now, what'd be your alter ego job? I'm a sucker for existential theory and questioning the shit out of everything so I'd be a white-haired monochrome-wardrobed philosophy academic probably halfway through my next book on the flaws of Descartes which will probably remain unfinished. Because #being. What advice would you give your 21-year-old-self? Stop wearing that Franz Ferdinand t-shirt, they're not very good. [caption id="attachment_564979" align="alignnone" width="1280"] Image: Hazal Alkic.[/caption] YAYA STEMPLER, PHOTOGRAPHER AND FBi RADIO PRESENTER If you've seen an impossibly epic photograph of [insert musician here] and [insert Australian music event here], it's likely Yaya Stempler snapped it. The Israel-raised, Sydney-based photographer shoots some of Australia's best music photography — she's responsible for making the likes of Blur, Arcade Fire, D'Angelo, Tame Impala, Childish Gambino, deadmau5, Phoenix and more look damn good. Keen to chat about the tunes as well as shoot them, Yaya's also a presenter on Sydney's FBi Radio. Did you go to uni/TAFE? If you did, what did you study? I studied screen media and broadcasting at St Leonard's TAFE and a fine art degree majoring in photomedia at COFA. What are your top three tunes for getting shit done? David Bowie — 'Suffragette City' Santigold — 'L.E.S Artistes' Clams Casino — 'Treetop' What's the most random job you've had? I was a fire juggler once in Mexico. If you weren't doing what you're doing now, what'd be your alter ego job? Definitely an orangutan whisperer. What advice would you give your 21-year-old-self? Don't doubt your abilities, trust your instincts, think before you speak and drink lots of water. Top image: Tim Da Rin.
Myer and eBay have joined forces to take online shopping to the next level with their creation of the world's first Virtual Reality Department Store. Available today, their cardboard 'shoptical' device allows users to browse, personalise, and purchase over 12,500 Myer products just with your face. The best part — they're giving out 15,000 of them for free. For our sceptical readers who didn't automatically click away at the word free, here's the deal. The 'shoptical' device seems pretty simple — you download the eBay VR Department Store app on your smart phone and insert the phone into the cardboard shoptical — very, very similar to Google Cardboard's design. You can then browse, research and eventually purchase any item in the catalogue by holding your gaze on a product. The VR store is continually personalised while you use it and will suggest products based on what it knows about you. Creepy? Yes. Convenient? Also yes. While the new VR Store doesn't quite diminish the age old online shopping problem of ordering without trying on, the shopticals do give an unprecedented, up close and personal view of products – think 3D images that take you inside the jumper you're looking at. The product range, pricing and stock information will also be updated in real time, which is a brand new feat for virtual reality experiences. For those looking to try before they buy, you can trial the VR Department Store by booking your place at a special exhibition on Thursday, May 19 and Friday, May 20 at The Harbourside Room, Level 6, 140 George Street in Sydney. While this device may not be for the old school shoppers out there, it's definitely a huge leap forward for online converts. If you made it this far and still think this sounds bloody brilliant, we just want to repeat that they're really giving out 15,000 for free.
Melbourne's cultural calendar is already bursting at the seams, but the city's namesake festival remains one of the headline events that can't be missed. Held throughout the city from October 4 to 22, Melbourne Festival returns with another immense program covering the full spectrum of creative pursuits. For 2017, the festival is loosely based around the idea of considering 'the big picture' — consider it encouragement to look up from your phone and take in all the wonder that surrounds you. A plethora of artistic superstars are present this year, with Taylor Mac's universally acclaimed queer interpretation of American music history headlining the event. Elsewhere, there are choreography legends, world-famous installation artists, celebrated musicians and much, much more. Below we've listed a few of our favourite events — lock in your tickets now.
Touring outside of France for just the third time since it was designed in Paris circa 1500, medieval masterpiece The Lady and the Unicorn tapestry cycle comes to the Art Gallery of New South Wales this month and everyone's pretty excited. On special loan from impressively named Musèe de Cluny – Musèe National du Moyen Âge, the six exquisitely beautiful, mind-blowingly intricate wool and silk woven tapestries span over 20 metres in length and are considered to be some of the greatest surviving textiles from the European Middle Ages — the French national treasure has been dubbed the 'Mona Lisa of the Middle Ages', after all. (Can you imagine being in charge of packing these things up and getting them to — literally — the other side of the world? No pressure.) Embodying meditations on earthly pleasure and courtly love, they depict a bejewelled lady in richly adorned costume alongside a majestic unicorn set against a luscious millefleur ('thousand flowers') background. Five tapestries explore the senses of touch, taste, smell, hearing and sight, with the sixth said to represent an internal sense — usually interpreted as the heart, desire or understanding. There's a whole host of talks, activities and workshops designed to complement the exhibition (textile fans may want to take Natalie Miller's tapestry masterclass) so you can make an entire morning or an afternoon of it. Take note: this is going to be busy. It's not every day that you get to see a 15th-century national treasure up close, not to mention one that has directly inspired everyone from George Sand to Rilke to Jean Cocteau. You'll want to book ahead. Image: Sight c1500 (detail), from 'The lady and the unicorn' series, Musée de Cluny – Musée national du Moyen Âge, Paris Photo © RMN-GP / M Urtado.
Think you can dance? Whether you bust out offbeat dad moves or twerk better than Big Freedia, there's some pretty talented Aussies who'll give you a run for your money. They’ll be doing so at Dance Massive 2015, a four-way creative collaboration between Arts House, Malthouse Theatre, Dancehouse and Ausdance Victoria. This year's Dance Massive program once again brings together some of the finest dancers and choreographers in the country. Clear your calendar and get ready to be made aware of just how uncoordinated you are. The biennial dance event kicks off on Tuesday, March 10 and runs until Sunday, March 22. Major standouts include Sydney Festival hit Nothing To Lose, the powerful, unapologetic new work from dance company Force Majeure featuring larger bodied dancers; as well as Depth of Field, the latest piece from Melbourne-based Chunky Move, which has already generated plenty of buzz since entering previews late last week. The highlights don't stop there. Anthony Hamilton's Meeting sees two dancers share the stage with 64 robotic percussion instruments, while Natalie Abbott’s Maximum pairs a dancer with a bodybuilder. Indigenous choreographer Vicki Van Hout directs Long Grass,inspired by dance from the Top End, even as Catalogue, from dance ensemble Rawcus, shows off the abilities of dancers with and without disabilities. There are even ways for audiences to get in on the action themselves — such as with Fitter. Faster. Better., an exercise boot camp run by instructors between the ages of six and ten.
While Australia is still a ways off legal weed yet, our friends in California appear to be living in a stoner's paradise. One of the more laissez-faire places when it comes to marijuana – it's legal for medicinal use, while possession will cop you a $100 fine at most – the state already caters to smokers with dispensaries and delivery services. So really, a cannabis social club was the next logical step. Located in downtown Los Angeles, Nexus Social Lounge is an endeavour of Nexus Glass, a company that specialises in pipes and other glassware, and provides a welcoming place for patrons to, uh, medicate. The bar is decked out with a full blown arcade, complete with retro games and pinball machines. Elite Daily went along to the venue earlier this week and caught a performance by Waka Flocka Flame – who also spent some time interacting with patrons from behind the bar. Who want some Flockaveli OG ???? Coming soon to dispensary near you. @wakaflocka A photo posted by Nexus Social lounge (@nexussociallounge) on Feb 5, 2016 at 9:48am PST @wakaflocka at the dab bar A photo posted by Nexus Glass (@nexusglass710) on Feb 4, 2016 at 6:34pm PST Recap | 2015 NYE Party A photo posted by Nexus Social lounge (@nexussociallounge) on Jan 13, 2016 at 11:23pm PST Recap | NYE Party @808mafiaboss @westcoastcure A photo posted by Nexus Social lounge (@nexussociallounge) on Jan 13, 2016 at 11:05pm PST Tag someone who you'd go head to head with. #highscore #110 #nexussociallounge A photo posted by Nexus Social lounge (@nexussociallounge) on Nov 26, 2015 at 6:26pm PST We offer exclusive parties in collaboration with some of the industries finest to provide a unique experience like no other, our private member-only lounge cannot be matched. #nexussociallounge @nexussociallounge A photo posted by Nexus Glass (@nexusglass710) on Nov 25, 2015 at 2:07pm PST On a semi-related note, Victoria recently became the first state in Australia to take steps towards legalising medicinal marijuana, with the Andrews government tabling a report in parliament by the Victorian Law Reform Commission that recommended legalising the drug for the treatment of serious illnesses. Baby steps, people. Via Elite Daily.
Tired of stale old superhero stories with their predictable Hollywood plotlines? Wouldn't you rather watch a movie about a half-man, half-fish instead? If your answer to either one of those questions is yes, then it's time to dive into the program at KOFFIA, aka the Korean Film Festival in Australia. Merman comedies aside, the lineup at this year's festival is packed full of highlights. Genre fans can scream through exorcism flick The Priests, and be pushed to the edge of their seats by supernatural thriller The Wailing. We're also extremely keen for zombie apocalypse tale Train to Busan, although unfortunately for cinephiles in Brisbane and Melbourne the film is only screening in Sydney. Viewers after something a little less on the gruesome side won't be disappointed either. This year's program boasts a number of Korean rom-coms, headlined by Cho Sung-kyu's disarming relationship farce Two Rooms, Two Nights. Check out our list of the five must-see films of KOFFIA 2016 below. COLLECTIVE INVENTION Is he a man? Is he a fish? Whatever he is, he causes quite a stir in this very strange offering from first-time filmmaker Kwon Oh-kwang. Combining playful social satire with a healthy touch of the absurd, the film tracks a wannabe journalist who discovers a man online who, after a series of misguided medical experiments, has been transformed into a gigantic mutant fish. With tongue planted firmly in cheek, Collective Invention skewers big pharma, tabloid media and the public's unhealthy obsession with the grotesque. Calling it now: this will be better than DC's upcoming Aquaman movie. A CRYBABY BOXING CLUB Students at a Korean high school in Tokyo make plans for life after graduation, even as members of a right wing extremist group yell xenophobic slogans just outside. A documentary that doubles as a non-fiction coming-of-age tale, A Crybaby Boxing Club follows a group of boys on the school's boxing team as they prepare not just for an upcoming tournament but for the realities of adult life. Screening in Australia for the very first time, the film shapes up as an inspiring tale about hope in the face of adversity. ALICE IN EARNESTLAND A black comedy/revenge tale soaked in grisly violence, Alice in Earnestland is the startling feature debut of director Ahn Gook-jin. K-pop sensation Lee Jung-hyun stars as the increasingly unstable Soo-nam, who finds herself struggling with spiralling debt after a suicide attempt lands her husband in a very expensive coma. Things take a turn for the nasty after a local politician gets involved, although the truly vicious places the movie ends up going really need to be seen to be believed. Alice split critics on the international circuit, and we fully expect a similar reaction from audiences in Australia. TWO ROOMS, TWO NIGHTS A philandering filmmaker tries to keep his deceptions in check after a chance encounter between his current girlfriend and the ex he wants desperately to win back. Directed by Cho Sung-kyu, Two Rooms, Two Nights has all the makings of a classic romantic farce, but the real selling point is the comparison that several critics have made to the gentle, heartwarming masterworks of Cho's compatriot Hong Sang-soo. Incidentally, Hong's latest film Right Now, Wrong Then screens in Sydney (but not Melbourne or Brisbane) as part of the KOFFIA program, and is definitely worth checking out too. THE WAILING If anything, we might have saved the best for last. The Wailing is the new film from acclaimed director Na Hong-jin, whose previous picture The Yellow Sea is one of the most visceral, compelling crime thrillers of the past ten years. His follow-up focuses on a string of deaths in a small town and a police officer who begins to fear that the cause may be somehow supernatural. The reviews for the film have been absolutely stellar (think 100 percent on Rotten Tomatoes), with critics praising its blend of suspense and stomach-churning violence. Not for the faint of heart. Otherwise, don't miss it. KOFFIA takes place in Sydney from August 10-18, in Brisbane from August 23-29, and in Melbourne from September 1-8 . For more information visit koffia.com.au.
Calling all late-night Tour watchers, cycling enthusiasts and anyone who wants to know what a 'peloton' is. The NSW Government has today announced the first ever Tour de France event to be held in Australia, locked in for 2016. Dubbed L’Etape Australia and locked in for the next three years, the upcoming race is an official offshoot of the Tour de France — the oldest and most prestigious road cycling event to rival all road cycling events. It's not the first Tour side quest, the United Kingdom, Brazil, Chile and Argentina have all seen their own stages. Destination NSW and the NSW Government have recruited SBS to broadcast the race, who've been your late night Tour broadcaster pal for 25 years. So where's the race going to be held? (Read: where can we place a huge CP logo on someone's rural property for sick helicopter coverage?) Designed to replicate the infamous Tour mountain stages, L’Etape Australia will weave through Jindabyne, Perisher and Thredbo. Rather than Alps and Pyrenees, riders will pump those legs through the beautifully formidable Snowy Mountains, where the Ultimate Snowy Challenge breaks people. These pretty, pretty NSW locations will inevitably boost the tourist dollar for the state; Minister for Sport Stuart Ayres said he anticipated the race to deliver in excess of $4 million in visitor expenditure across the three years. So you're a bit of a mad cyclist? Get up every morning at sparrow's fart just to beat the tradies to the tar? Want to see how you'd fare in the Tour? An expected 10,000 riders of varying levels are up to compete for the legendary Tour de France yellow, green, polka dot and white jerseys, and the waitlist is now open at the official L’Etape Australia website. Riders can register for updates, pick their level of difficulty (The Race is the big one, The Ride is slightly shorter for seasoned riders, and The Ramble is the fun, easier course) and reserve their place on the start line. L’Etape Australia by Tour de France is happening in December 2016. To register or for more info, visit the website. Images: Dollar Photo Club and NSW National Parks.
The arts precinct just keeps getting better when it comes to dining out. Sake Restaurant & Bar has set up shop downstairs at Hamer Hall. Starting in Sydney and Brisbane, Sake has brought its sharing philosophy, extensive cocktail list and beautiful interior south. Found along the riverside, Sake made a smart move installing floor-to-ceiling windows on one side. Interior design house Luchetti Krelle has utilised the whole space beautifully. Inside, there are small booths perfect for intimate dinners, a string of bar seating perfect for watching the action and outdoor seats that are just asking for summer to hurry up. The menu is deigned to share, a direction many a new restaurant is taking. Start with hiramasa kingfish with lime and jelapeno kosho and coriander infused ponzu or teriyaki lamb chops with basil miso, sesame seeds and teriyaki sauce. For mains, the icon wagyu striploin with ponzu and yakinku sauce is cooked rare and packs a real flavour, while the steamed Murray cod with tomato shiso dashi and salmon roe is ridiculously moreish. Sushi and sashimi are given their own menu here. The kingfish belly is a hit while you can also head over to sushi maki territory and try the shiro maki roll with snapper, cucumber, chives, plum paste and dancing bonito. The cocktail list takes inspiration from Japanese ingredients while the wine list has a strong focus on local producers. This is the perfect place for a plate of sashimi, a sip of sake and a killer view. As the sun goes down and the lights turn on, the city looks pretty good from Sake.
It's a fact of film-loving, cinema-going, Netflix-watching life: try as you might, you can't always catch them all. Maybe you saw all of this year's top films. Maybe you missed some great ones when they were first released. Maybe you've got a hefty list of flicks to seek out over summer. However you fared with 2016's crop of cinematic gems, they're about to have some friends, with a whole new year of films descending upon movie theatres in 2017. As always, both the big and the small end of town is covered. Keen for more fast and furious vehicle action? Eager to see a great Aussie novel make it to the screen? They're all coming. In fact, there's so much hurtling towards a darkened room near you that whittling our picks down to just ten was by no means easy. With that in mind, here's the films you absolutely shouldn't miss over the next 12 months. Happy viewing. JACKIE Natalie Portman doesn't need a second Oscar to validate her astonishing her portrayal of Jackie Kennedy in Pablo Larraín's Jackie, but she's probably going to get one anyway. The whirlwind of horror, grief and trauma surrounding the First Lady's life following the assassination of President John F. Kennedy oozes from the actress in every scene — and she's just one of highlights of the film. After directing No, The Club and Neruda, Larraín remains in top form, the supporting cast of Peter Sarsgaard, Greta Gerwig and Billy Crudup are all stellar, and the overall effect couldn't be more haunting, revealing and devastating. T2: TRANSPOTTING Choose life. Choose catching up with the long-awaited sequel to the Danny Boyle-directed, Ewan McGregor-starring '90s hit that well and truly put both on the map. A small amount of apprehension about delving back into the Edinburgh drug life after more than two decades might've been understandable when the long-awaited film finally became a reality, but then the ace trailer quelled all those fears. On-screen and off, the gang's back — older, but not necessarily wiser, of course. JOHN WICK: CHAPTER 2 If you'd told us a few years ago that a sequel to a Keanu Reeves-starring action flick would be so eagerly anticipated, we actually would've believed you, honestly — just watch the original Point Break, and then watch it again, and you'll understand. Thanks to the first John Wick film in 2014, everyone's a Keanu fan these days, and so they should be. The follow-up to that surprise hit promises more ultra-stylish shoot-em-up carnage and more Keanu at his cool, calm and collected best, plus a reunion with The Matrix's Laurence Fishburne. BLADE RUNNER 2049 Sequels, sequels, sequels seems to be the theme of every year at the movies (plus remakes, reboots and re-imaginings), however it's difficult not to be excited about a second Blade Runner. Even if you didn't love Ridley Scott's first film or just haven't seen it, a futuristic sci-fi starring Harrison Ford and Ryan Gosling, directed by Sicario and Arrival's Denis Villeneuve, and cloaked in a neon glow looks like more than just a replica. With Scott himself also helming 2017 release Alien: Covenant, the sequel to Prometheus, who knew it was going to be such a big year for follow-ups to his movies from more than three decades ago? THOR: RAGNAROK Like superhero films? Prefer the goofier, quirkier, weirder instalments to the grim and serious flicks? Us too. Given that it's about a hammer-wielding god, the Thor movies have always proven a little livelier than most of their Marvel brethren, with Hunt for the Wilderpeople's Taika Waititi certain to continue that trend on Thor: Ragnarok. Chris Hemsworth, Tom Hiddleston and Idris Elba all return, Cate Blanchett and Jeff Goldblum join the cast, and the Gold Coast and Brisbane get starring roles. Following this year's Doctor Strange and April's Guardians of the Galaxy Vol. 2, it's a busy time for fun comic book adaptations. THIS WINTER After directing the best Australian film of 2016, Goldstone (pictured), Ivan Sen jumped straight back behind the camera. Details are scarce about his next effort, This Winter, however it was made in Sen's hometown of Tamworth, tells the tale of an Indigenous family torn apart by suicide and incarceration, and was written, directed, produced, shot and edited by the multitalented filmmaker. Expect to see it on the festival circuit — and expect another powerful contemplation of issues of race in Australia. THE BEGUILED Sofia Coppola's latest film is called The Beguiled — and, call us suitably intrigued, entranced and all-round keen. Her first feature since 2013's The Bling Ring is a remake of a 1971 western melodrama of the same name, as set in a girl's boarding school during the civil war. The Virgin Suicides' Kirsten Dunst and Somewhere's (pictured) Elle Fanning feature among the cast, alongside Coppola newcomers Nicole Kidman, Colin Farrell and Angourie Rice. HAPPY END Come 2017, it will have been five years since Austrian director Michael Haneke broke hearts with his harrowing elderly-focused effort Amour, and won his second successive Palme d'Or at Cannes in the process. After planning and then seemingly moving on from a film called Flashmob in the time since, he's back. In Happy End, he reunites with Isabelle Huppert after The Piano Teacher (pictured) and dives into refugee-centric family drama. If you've seen either version of Funny Games, or Cache or The White Ribbon, you'll know that that description could mean anything, really. LADY BIRD If you can't get enough of Greta Gerwig, and love the two films she has co-written with Noah Baumbach (Frances Ha and Mistress America, pictured), then Lady Bird should rocket right to the top of your must-see list. Gerwig doesn't feature on screen, but she does write and make her solo directorial debut (after co-helming 2008's Nights and Weekends with Joe Swanberg). The movie is set in Sacramento, where the actress-turned-filmmaker grew up, and stars Brooklyn's Saoirse Ronan. While the plot is yet to be revealed, it's a comedy, so you can already guess the kind of affable antics that are set to ensue. VALERIAN AND THE CITY OF A THOUSAND PLANETS Before there was Star Wars and its many episodes and side-stories, and before there was The Fifth Element, too, there was Valérian and Laureline. The French sci-fi comic series reportedly inspired George Lucas — and it definitely made an impact on Luc Besson, who is finally adapting it for the big screen. With Lucy bringing the director back to his best, here's hoping there's more where that came from. There'll certainly be time and space travelling, a cast that includes Dane DeHaan, Cara Delevingne, Rihanna and Ethan Hawke, and futuristic visuals aplenty.
If you're going to fork out an arm and a leg for candy bar concessions, the food may as well be good. That's the thinking behind the Coburg Drive-In Food Truck Festival, which after tantalising our tastebuds over the summer is back in time to ring in the chilly season. On April 22 and 23, you can sit back in your car and enjoy the latest Hollywood releases (Marvel's Avengers: Age of Ultron, Fast & Furious 7, Cinderella, Paul Blart: Mall Cop 2) while chowing down on delectable offerings from Melbourne's leading mobile food vendors. Trucks on site include Dude Food Man, Caliko BBQ, Kurbside Kravings, Senor Churros , I Scream Sandwhich, Houston Hot Dogs and Speedy Gonzales on Wednesday, April 22, and Sliders on Tyres, Happy Camper Pizza, Oh My Grill, Potato Twister, Snagga’s Healthy Sausages, Jays Yogurt and Pappa Pita on Thursday, April 23.
A woman and her young daughter, alone in their apartment, begin to worry that something is amiss. Personal items start disappearing, there's a feeling of tension in the air, and a shadowy figure seems to lurk just out of sight. On its face, Under the Shadow sounds like a fairly standard haunted house movie, but Iranian-born, London-based filmmaker Babak Anvari has delivered anything but. Setting his film in Tehran during the late 1980s, a time when the city was being bombed by neighbouring Iraq, Anvari uses horror movie trappings to explore the various social issues that have affected his native country for so long — from the rights of women under a religiously conservative regime, to the traumas of war creeping into everyday civilian life. After a rapturous premiere at Sundance back in January, Under the Shadow screened at the Sydney and Melbourne International Film Festivals, ahead of a planned theatrical release on October 7 (you can read our review of the film here). It was in Melbourne that Concrete Playground managed to catch up with the talented young writer-director, for a chat on everything from growing up during wartime to the challenges of funding a Farsi-language horror film in the West. A CLASSIC HORROR STORY IN AN UNFAMILIAR SETTING When talking about Under the Shadow, the most obvious comparison for critics is A Girl Walks Home Alone at Night – if only because it's the only other Farsi-language horror movie people have heard of. But where that film draws on vampire tales, Westerns and ultra-cool American indie flicks, Anvari's movie feels closer to classic psychological thrillers. Think The Haunting, Rosemary's Baby or even the recent Australian spooker The Babadook. "I love smart horror films," stresses Anvari. "I'm not one of those genre fanatics who watches every B-movie and grindhouse film. But I do love smart horror. With Under the Shadow, it just made sense to me, because I'm setting it in such a dark period... I just found it was a great setting for horror." In addition to his various filmic inspirations, he also drew on his own experiences growing up in Tehran. "Obviously it's not autobiographical, but a lot of it comes from a very personal place, tapping in to my memories from childhood," says Anvari. "I was born right in the middle of the Iran-Iraq war. [I took] stories I heard from relatives and family friends, combined them and added the genre beats, and [the film] became what you have now." CAN'T WE JUST MAKE IT IN ENGLISH? Of course it's one thing to write a horror movie in Farsi, and something very different to actually get it funded. "I met producers who were like, 'Great script, but is there any way we can shoot it in English?'" recalls Anvari. "I just thought it would look so fake and unbelievable if it was set in period Iran and people were walking around speaking English with a weird accent. Even for an international audience I think it would have been strange." While the language hurdle was eventually overcome thanks to the support of production company Wigwam Films, shooting the film in Tehran was never really an option. "I don't think there's anything offensive in the film, but [there are] limitations one has when making film in Iran," says Anvari, who ended up shooting in nearby Jordan instead. "Even very minor things like, in Iran, if you're shooting a female character, they have to cover their hair. But a majority of this film is a woman in her own personal space, and even the most religious person wouldn't go to bed wearing a head scarf." "There are fantastic filmmakers in Iran who are still working there, and they always find a way to go around these limitations and censorships," he adds. "But having worked in England, and having been so spoiled, I just wanted to tell my story the way I wanted." OPENING A WINDOW While the comparison to A Girl Walks Home Alone at Night can be a little misleading, one thing that both films definitely have in common is that they've sparked renewed interest in films about the Middle East that depict the region in ways that Western audiences may not be used to. "That was one of the reasons I was so interested in this story," says Anvari. "Not many people know about the Iran-Iraq war. So I just thought it would be great to use genre tropes as a hook to keep people interested, and open a window to that period and that region." Whatever the draw, Anvari just wants people to go and see the film — and preferably in a cinema. Recounting a story from Sundance where audience members were so frightened that they had to leave the cinema, the filmmaker stresses the importance of the atmosphere you get with a crowd. "It's great to watch such films in a cinema," he says. "The fear is contagious." https://www.youtube.com/watch?v=G_ATX4C8Pmw Under the Shadow is currently screening at Cinema Nova in Melbourne.
It's been a big few months for gadgets. In September Apple released the iPhone 7 and, just last week, Google released their first ever fully-Google phone, the Pixel. The new MacBook Pro went on sale today after an early morning our-time launch by Apple in California — and devotees are very, very excited. Thinner, shinier and way more powerful than previous iterations, the computer will retail for between $2199 and $2999 depending on which of the three models you're after (more on that in a second). It's probably not the sort of cash you blow willy-nilly, so before you make any impulse buys — and, yes, we realise the temptation is strong and the online store is right there — we've taken a gander at the specs and broken down Apple's new laptop into five key talking points. IT'S WAY THINNER 17 percent thinner, to be precise. The new MacBook Pro is available in two screen sizes: 13-inch and 15-inch. They come in at 14.9 and 15.5 millimetres, respectively. Thinner also means lighter, with a weight of 1.37 and 1.8 kilograms (also respectively). The accepted wisdom is that these bad boys will replace the MacBook Air, may it rest in peace. THE KEYBOARD HAS A NEW LED TOUCHSCREEN BAR The coolest addition to the new MacBook Pro is the organic LED function bar that replaces the standard keys for controlling volume, brightness and so on. The so-called Touch Bar (proper noun) can do all those things, but can also be customised depending on what you're doing at the time. So for example, if you're using the internet, the Touch Bar can display your favourites or open tabs. It can even be used as an emoji keyboard — what a brave new world this is. The Touch Bar is available on both 13-inch and 15-inch models, although there is also a cheaper 13-inch variant without it. YOU CAN LOG IN USING YOUR FINGERPRINT One of the additional upsides of the Touch Bar is that it enables Touch ID. Located on the power button (makes sense), the sensor lets users log into their MacBook using their fingerprint, just as the they can with their iPhone. The sensor also works with Apple Pay, making it that much easier to splurge on more Apple products in the future. THE TRACKPAD IS ENORMOUS AND USES ELECTROMAGNETIC TECHNOLOGY The new MacBook Pro trackpad seems the same as ever, but don't let yourself be deceived. Rather than actually depressing when a user pushes down, electromagnets within the track pad shift to create that clicking sensation, meaning the pad itself doesn't physically give at all. Sorcery! It's also nearly twice as large as one previous MacBook Pros. THE USB AND CHARGE PORTS HAVE ALL BEEN REPLACED The downside of making your laptop so much thinner is that you don't have room for all the fancy holes. Gone is the standard USB and MagSafe charging ports, replaced by four identical Thunderbolt 3 powered USB-C ports. The ports are incredibly versatile, and can be used for power, USB, HDMI and more. Good idea, but it promises to be a bit of a pain in the short term, with adapters required for all your current devices, including your brand spanking new iPhone 7. Typical. The new MacBook Pro is available from today, Friday, October 28. For more info, visit apple.com/macbook-pro.
With Asian juggernaut Chin Chin as your older sibling (and with Society, Grill Americano and Kisume a part of the same family), sometimes it's easy for Chris Lucas' other venture, Baby Pizza, to shrink into the shadows. The Italian brainchild of one of Melbourne's most talked about restaurateurs took over the space on Church Street, Richmond in 2013 and has been a steady addition to the growing empire. A blend of rustic furniture, intimate booths and a familiar touch of neon, Baby Pizza's fit out and fare are designed to share. And while there once was a no bookings policy, you can now plan ahead and skip any walk-in queues. Serving over 13 variations of pizzas, we recommend going for one with the housemade mozzarella. In other words: all of them. The Polpette is one of the standouts, made with creamy fior di latte (mozzarella), meatballs, juicy San Marzano tomatoes, pecorino, fresh basil and chilli. As for the San Daniele Prosciutto with fior di latte, Reggiano, rocket and San Marzano tomatoes – Mamma Mia! The bases are thin and light, made with special flour from Naples to recreate traditional Italian pizza. Baby's best rests on the element of simplicity and the spaghetti al pomodoro with tomato, chilli and Reggiano shines, despite the deceivingly basic ingredients. Of course, no hearty European meal should be had without a glass of wine and luckily, there's no shortage of the good stuff here. The quality of the food and bevs is undeniable; the Lucas legacy is in full flight. Nobody puts Baby in the corner.
Few documentarians have the same taste for hot button issues as Academy Award winner Alex Gibney. From Julian Assange (We Steal Secrets) to Lance Armstrong (The Armstrong Lie), enhanced interrogation (Taxi to the Darkside) and sexual abuse in the Catholic Church (Mea Maxima Culpa), the New York filmmaker certainly isn’t afraid of controversy, as his latest film once again proves. Going Clear is a revealing and often disturbing look at the history, tenets and purportedly shady practices of one of the most divisive religious organisations in the world. If even half of what is alleged in it is true, then it’s not just an incredible doco, but a first-rate horror movie as well. Early sections of the film concern the early days of Scientology, and in particular the life of its creator, L. Ron Hubbard. Throughout the ‘30s and ‘40s Hubbard worked as a struggling science-fiction and fantasy writer, during which time his then wife claims he often remarked that “the only way to make any real money was to have a religion”. It was in the early '50s that Hubbard released Dianetics, a self-help book that would form the basis for Scientology. Yet as the movement grew, so too did its founder’s neurosis. The latter half of the film concerns Scientology under David Miscavige, who became head of the church after Hubbard’s death. This section leans heavily on a number of interviews with ex-Scientologists, including Oscar-winning Hollywood director Paul Haggis, as well as the head of the shadowy Office of Special Affairs — a kind of church secret service charged with running smear campaigns against members who dared to speak out. “People will judge me as really stupid,” says Haggis ruefully. “But then, I was really stupid.” With these chilling testimonials, Gibney dismisses the idea that the church is simply a group of harmless eccentrics. Stories of intimidation, brainwashing and emotional and physical abuse are but the tip of the iceberg — and the agony doesn’t always end once you leave. Many members who abandoned the church have found themselves cut off from their friends and family, while others have been targeted for ongoing public harassment. But perhaps the most telling thing about the film has been the way the church has reacted to it. Almost every person involved in the production of the documentary has had their character viciously attacked; the organisation has even gone after film critics who published positive reviews. So, at the risk of opening ourselves up to unwanted confrontation: go and see this movie as soon as you possibly can.
Mere days after Keep Sydney Open launched their commemorative plaques for live music venues campaign, Sydney's loudest anti-lockout lobby group have an even bigger surprise for Sydney, with fresh news that Flume has called in from the old US of A to release a brand new jam especially for KSO's new video today. Have a peep, below. Plaques organiser and KSO activist Jonno Seidler says: "This is such incredible news to receive at the 11th hour. Harley is currently on tour in North America, playing sold out theatres across the country. But he is proud of where he's from and really backs the Sydney scene, and this just shows how dedicated he really is to the future of local music." The track, called 'Heater' will presumably form part of Flume's next release, which is anyone's guess but could be an EP, coming off the international success of Skin, which dropped earlier this year. "The plaque for Harley was the easiest one to make, because I was there!" says Seidler. "It was a double header with him and Chet Faker [now Nick Murphy] at Goodgod Small Club, my favourite venue for years. Ask anyone who was in the audience, you could tell something was cooking even way back then. I've seen Flume play to tiny rooms in New York city and huge stages at Byron, and he's been world class the whole way." The video, prepared by Keep Sydney Open, features interviews with Gang of Youths Dave Leaupepe in Kings Cross and Jim Finn and Dan McNamee of Art Vs Science, who showed up at Oxford Street to play a trio of songs dedicated to NSW premier Mike Baird, including 'I Love The Nightlife', 'All Night Long' and 'Blame It On The Boogie.' "I met Jim and Dan seven years ago, and it was pretty much a mutual love fest from then on in," says Seidler. "I think they're largely seen as a festival band, but they have amazing musical chops. I've been lucky enough to jam with them a few times and they are the real deal. You have no idea how fast they learned all of those songs." The response to the plaques has been immediate, picked up by media across the country. Seidler says he that while he, Tyson Koh and the rest of Keep Sydney Open are beyond thrilled, they're not surprised at how quickly it took off. "The reason we went with this method is that everyone relates to music. We have so much incredible talent that started right here in small to medium venues that are now literally world-class talent, from Anna Lunoe and Alison Wonderland to The Preatures. When you see those names and you put the two things together, the lockouts starts to become a much bigger problem than just where you can have a drink late at night." More on Keep Sydney Open's plaque campaign over here.
One of New York's initially best and eventually worst kept secrets is coming to Melbourne for one of the most squealworthy pop-ups we've seen in an age. East Village's Please Don't Tell (or PDT) is locked in to take over Fitzroy's Black Pearl this August, with legendary PDT bar team Jim Meehan and Jeff Bell at the helm. Ever found your way to PDT? Hidden behind a secret wall in a vintage phone booth, inside Crif Dogs hotdog joint on St Marks Place in the East Village, PDT is one of NYC's most beloved speakeasies — and the cocktails are seriously next level. Bell, who was crowned 2013 Diageo World Class US Bartender of the Year, is one of the best in the game, with marvels like the Bulleit Bourbon Sweet Tea Smash. But you won't just be sampling Bell's world-famous cocktails, Bell and Meehan will join forces with Bluebonnet Barbecue chef Chris Terlikar for an Australian version of PDT's menu — featuring two hot-dog variations: 'The Spicy Redneck' (house dog, bacon wrapped, with chilli, coleslaw and jalapenos) and a yet to be announced local adaptation. Locked in for August 6 to 9 in The Attic at Black Pearl, PDT's trailblazing cocktail aficionados will have three sittings available at Black Pearl: 6-8pm, 8-10pm and the last at 10pm-12am — and it goes without saying, you're strongly advised to make reservations to avoid disappointment. PDT pops up at Black Pearl (304 Brunswick Street, Fitzroy) Thursday 6 – Sunday August 9. Sittings are 6-8pm, 8-10pm or 10pm-12am, Reservations through Eventbrite. Image: PDT.
A genius design studio has made it so you'll never have to worry about being that weirdo jumping around in a bouncing castle full of children ever again. At the behest of the Federation of Swiss Architects, the Geneva and Lisbon-based Bureau A have created an inflatable nightclub, complete with dance floor, bar and inflatable furniture and DJ booth. The blow-up nightclub was commissioned by the Federation to host their annual summer party. Known as Shelter, the entire venue is made from lightweight PVC membrane, making it easy to deflate and transport from place to place. "For one night, the black hole of a neat and well-organised society is revealed as a potential for distortion," reads a description of the nightclub on the Bureau A website. "The mysterious black vessel lands in the modern space of a highly engendered concrete vault; a great spatial condition to explore the corners of what is hidden." As far as we can tell, that's just a very fancy way of saying it's a place where you can drink a bit too much and it doesn't really matter since you'll just bounce safely off the walls. In any case, it sure beats rocking up to your nephew's birthday party with a sack of goon. Via Dezeen. Image: Dylan Perrenoud.
There's so much to see and do in St Kilda. So much, you kind of need to stay in the area for a couple of nights in order to experience it all. There's the beautiful coastline, the palm tree-lined Catani Gardens, running tracks by the water, bars, restaurants and local institutions. We want you to experience St Kilda in all of its glory, so we're giving you some spending money and accommodation for a weekend. We'll put you up in a one-bedroom Adina apartment for two nights (a stay worth $1000). You can use our local's guide to St Kilda to fill in the gaps, but you'll go stand-up paddleboarding at St Kilda Beach with the experts at St Kilda Stand Up Paddle Boarding, indulge in a massage and eat dinner at the luxurious, Italian Cafe Di Stasio on the first night, and Andrew McConnell's Luxembourg Bar and Bistro on the second night. The big kicker is that you'll also be in the area for St Kilda Festival — a highlight on Melbourne's event calendar. There will be food, workshops and activities as well as music from Tiny Little Houses, The Smith Street Band, Archie Roach and Bec Sandridge among many other talented Melbourne locals. Accommodation will be for two nights in a spacious Adina Apartment Hotel on February 11 and 12 (you'll check out on the morning of the February 13). The apartment is on St Kilda's vibrant Fitzroy Street — steps away from some of the area's best cafes as well as the tram to St Kilda Beach and the CBD. If you're able to make your own way to St Kilda, this competition is open to our lovely Brisbane and Sydney audience too. Enter your details below, say yes to the terms and conditions and you're in the running. Entries close on Thursday, February 2. [competition]607306[/competition]
That’s right, you heard us correctly. Thanks to the FreeWines app, you can now get a top-quality bottle of red or white wine when you dine at certain restaurants. FreeWines is connected with more than 200 venues in Queensland, New South Wales and Victoria, so wherever you are, download this app stat for some tasty vino. To get the ball rolling, here are just some out the outstanding eateries you can enjoy free wine. NEW SOUTH WALES YORK LANE Tucked away in an inner-city laneway lies York Lane — cafe/espresso bar by day, restaurant/bar by night. Drop on in where the vinyl is spinning and the tapas is rolling out on a regular basis. The key word here is cosy, as it can only fit up to 30 people at a time. Get amongst the repurposed decor and polish off a bottle of award-winning wine with a small group of friends. 56 Clarence Street, Sydney. THE CROW BAR Small, elegant, and stylish all come to mind when it comes to this delightful venue with serious cocktails and a thoughtful wine list. European-influenced share plates are the go here, and their ambient fireplace and black leather sofas make it ideal for a cool-weather hideaway spot, but in truth this venue is a gem all year round. The Crow Bar in Crows Nest is certainly worth ‘raven’ about. 6 Burlington Street, Crows Nest THE HILL EATERY What list of Sydney foodie spots would be complete without a Bondi representative? The Hill Eatery is our destination of choice. With ethically sourced produce, these guys are big on farm-to-table practice and make an effort to venture outside of the city limits to bring only the best to your plate. They’re also expanding over summer with their Florida Keys Garden Bar, so stay tuned for more excellent work from this crew. Shop 5, 39-53 Campbell Parade, North Bondi. RED LANTERN ON RILEY Vietnamese cuisine is at its best at Red Lantern on Riley, with its excellence continuing across the way at Red Lily Cocktail Bar. Fresh ingredients, sustainable practice and authenticity is at the heart of Luke Nguyen’s venture, with a French Colonial Vietnamese influence on the decor. Red Lantern on Riley is ideal for catching up with friends and family, as their menu is full of shared dishes. You know what else is excellent when shared? A bottle of free wine. 60 Riley Street, Darlinghurst. VICTORIA CRU WINE BAR We love CRU at anytime of day, as they’re open from early-bird brekkie to last drinks most nights of the week. Settle in to their quaint front bar or courtyard when the weather warms up and have a chat with their resident ‘wine guy’ about what is the right drop for you. Their wine list here is plentiful, so after your free wine don’t hesitate to grab another bottle of something equally as delicious. 916 Glenferrie Road, Kew. CHOW CITY Serving up a combination of Vietnamese, Japanese, Thai and Malaysian fare, Chow City provides a playful approach to pan-Asian dining. Whether you’re looking for authentic traditional dishes or some street food on the run, your tastebuds will be satisfied here. A nice white wine would go a treat with their spicy seafood, such as the battered king prawns with egg white and chilli sauce. 287 Exhibition Street, Melbourne. EBENEZER COFFEE AND WINE BAR If specialty coffee and boutique wine is your bag, head down to Black Rock and leave the hustle and bustle of the city behind. The focus here is on taking pride in their produce, so you’re sure to get a great serve for breakfast, lunch of dinner. A glass of wine by the seaside sounds like heaven to us. 615 Balcombe Road, Black Rock. QUEENSLAND CLARET HOUSE This wine bar has a menu designed for sharing, and we would certainly recommend splitting a charcuterie plate or some slow-cooked lamb ribs with chimichurri among friends. Their wine list is extensive and their staff knowledgeable, so if it’s a fine wine you’re after, look no further. Shop 5 London Woolstores, 36 Vernon Terrace, Teneriffe. DEER DUCK BISTRO Modern European dining experiences often call for the perfect red wine to match. Rest assured you’ll find one at Deer Duck Bistro. There is a focus on ethical eating at this establishment, where only the freshest in local, sustainable, organic and macrobiotic produce is used where possible. Embrace the old world charm and carefully crafted dishes on your next night out. 396 Milton Road, Auchenflower COVE BAR AND DINING In among South Bank’s River Quay fine dining precinct, you’re sure to stumble across Cove Bar, and when you do, do yourself a favour and stay a while. This casual yet elegant atmosphere is ideal for your next date night, as the riverside views and flawless feasting is sure to impress. Try one of their seasonal oyster creations with Hugh Hamilton 'The Trickster' Pinot Grigio and thank us later. 4 Sidon Street, South Brisbane.
For the next twelve months, visitors to Uluru will get the chance to see the sacred rock in a whole new light, thanks to a massive installation transforming the surrounding desert into a spectacular ocean of colour. Incorporating 50,000 glass lights across an area of 49,000 square metres, it is the latest (and largest) incarnation of artist Bruce Munro's Field of Light, which has previously illuminated the grounds at the likes of London's Victoria & Albert Museum and the Longwood Gardens in Pennsylvania. Run on solar power, the installation took 40 people six weeks to set up. The British-born Munro first came up with the idea for Field of Light while visiting Uluru back in 1992. "Field of Light was one idea that landed in my sketchbook and kept on nagging at me to be done," the artist told the ABC. "I now have the honour and privilege of returning to create an iteration of this artwork for the place that inspired it." The new incarnation is named Tili Wiru Tjuta Nyakutjaku, which translates to 'looking at lots of beautiful lights' in local Pitjantjatjara. It will remain in place until March 31, 2017. Via Traveller and ABC Online. Images: Bruce Munro.
We've all heard tales of scaling Mount Everest – of the resilience and fortitude it takes to reach the highest point on Earth. But like so many other epic stories of man versus nature, it turns out the truth is a little bit more complicated. For every climber to make it to the summit, a team of Sherpa guides haul gear, food and oxygen up and down the treacherous terrain, risking their lives to help foreign visitors tick an item off their bucket list. Australian documentarian Jennifer Peedom is no stranger to the mountain or the Sherpa community, having worked as a camera operator on numerous Everest documentaries including the Discovery Channel's critically acclaimed Everest: Beyond the Limit. But in 2014 she returned to make a different kind of Everest movie, one that explored the growing tensions between the Sherpas, their employers and their wealthy Western patrons. Of course, Peedom couldn't have foreseen was what took place that year on April 14. An avalanche in the Khumbu Icefall claimed the lives of 16 guides in a single day — and suddenly all that resentment boiled over. The footage Peedom captured makes for some of the most incredible and uncomfortable viewing you'll experience in cinemas this year: a tense, troubling doco about industrial action at more than 17,000 feet. After considerable attention on the international festival circuit, including a win for Best Documentary at the BFI London Film Festival, Sherpa is now screening in select cinemas around Australia. In the lead up to the release, we spoke to Peedom about her intentions in making the film, delved into the uncomfortable whitewashing of Everest narratives, and discussed what needs to change on the mountain going forward. SHERPA ISN'T A FILM ABOUT CLIMBING EVEREST "I had access to the Sherpa community, and when you're a filmmaker, access is everything," explains Peedom. "When you're looking at what stories you want to tell, you often look in your own backyard, and I was looking right under my nose at a story that I knew pretty well, and felt needed to be told. It wasn't about going back to Everest — that was the last thing I felt like doing. But I felt really motivated to tell this story." "Ultimately it's an industrial dispute film. I never set out to make a climbing film. It was always a film about a people, and a culture, and an inherent conflict within a relationship. Everest was the backdrop. The ascent of Everest formed the spine of the story through which we could explore those tensions. And then when the avalanche happened, that became a different vehicle to explore those tensions." DISRUPTING THE HERO NARRATIVE For all the movies made about Everest, it's rare to see the Sherpa depicted as anything other than bit players. "It doesn't suit our ego," says Peedom. "It doesn't suit that hero narrative to say that someone carried all my stuff through the icefall, my oxygen was carried all the way to camp three, and I only had to carry the one bottle I was using, and blah blah blah. So much of the work, and so many of the risks, are taken by somebody else." "I spoke to this American guy who said that on average, five or six people are employed to get one person to the summit. That's kind of embarrassing to admit. People don't want other people to know that. And maybe it's a female perspective, but I just got sick of all these men taking credit for what other people had done." WHAT NEEDS TO CHANGE? "David Michôd — the guy who directed Animal Kingdom, who is a really good friend of mine — said that what he loved about the film is how morally complex it is, and that was something that we worked really hard to achieve," says Peedom. "It would have been much easier to make goodies and baddies, but it just didn't feel honest. It would be wrong for me to say that everyone who goes to climb Everest is an idiot, because it's not the truth. Not only that, but it would be irresponsible, because the Sherpa community rely on that income." "One of the Sherpas says at the beginning of the film that everyone used to do the work together, the foreigners and the Sherpas. But now the Sherpas do all the work, and I guess that's what needs to change. Foreigners need to go with their eyes open. Don't bury your head in the sand about the fact that you're asking other people to take risks on your behalf. Be cognisant of that, and put pressure on your expedition leader to make sure they have proper insurance, and to make sure they're not carrying triple loads. And if the worst does happen and a Sherpa is killed, you probably do have a responsibility for his children's future and his family." https://vimeo.com/139654857 Sherpa is in cinemas now. Read our full review here.
Summer is officially over. We know that not just because Sydney has gone all dark stormy, but because Vivid Sydney has this morning announced their full 2017 program. Get ready to be ensconced in sparkly lights once again — the festival of light, music and ideas will be back for 23 days from May 26 to June 17. The first tidbit from this year's program was handed to us a few weeks ago, with the announcement that indie folk-rock US band Fleet Foxes will bring their bright dance-around-the-forest songs to the Sydney Opera House for four exclusive shows on May 26–29 this year. These will be the band's only shows in Australia — and their first here in five years — so tickets will be allocated via a ballot system. Anyone who sat online to get (or miss out on) tickets to the Opera House's Bon Iver show last year will appreciate this method of allocation. The most overt aspect of the program is the lights, and this year their kaleidoscope is set to extend over to Barangaroo for the first time. A new precinct for 2017, it will extend the reach of the CBD's lights and further light up Darling Harbour with a trail of installations that will wind through the Streets of Barangaroo and along the waterfront. One of the works, A Day in the Light, will be an outdoor theatre of light and sound — getting a seat at one of the area's new restaurants (like 12-Micron or Banksii) will likely be hard to nab. The Sydney Opera House's sails will this year be lit up with imaginary creatures by cinematographer, editor, and graphic designer Ash Bolland. Vivid light hotspots, the Royal Botanic Garden, the MCA, Chatswood, Taronga Zoo and Martin place will all be lit up as well. Vivid Music just seems to get bigger with every passing year — in 2017, there will be over 250 gigs. Joining Fleet Foxes for the Vivid LIVE component of the program at the Opera House will be legendary French electronic duo AIR (for their second Australian shows ever), the ethereal Laura Marling and our own Nick Murphy (Chet Faker's new moniker, ICYMI). The Avalanches will also make an appearance on the Opera House's Northern Broadwalk to perform their seminal album Since I Left You in its entirety for the first time since 2001. The band will be joined by Briggs, Sampa The Great and DJ Shadow. The City Recital Hall has a solid program sorted as well, with Dappled Cities, Dianne Reeves and a party by Paul Mac slated. But not all the gigs will be held at formal venues. The Vivid Music program will this year extend to Carriageworks for an exclusive gig from Goldfrapp and the return of Fuzzy Music's huge party Curve Ball, over to Cake Wines for a rooftop party and Oxford Art Factory for the Women in Electronic Music showcase. Vivid Ideas is, of course, back for the brainiacs among you — and this year it's scored iconic artist Shepard Fairey as its big-ticket speaker. Don't know the name? He's the artist behind Obama's HOPE campaign. As well as an exclusive talk, he'll also create a large-scale public mural somewhere in Sydney's CBD (!!) and exhibit some of his works in an exhibition at Darling Quarter. There's plenty more where that came from, check the Vivid Sydney website for more details.
Shanghai Street has been around since 2010, and is Melbourne's foremost specialist in Shanghai cuisine, especially Shanghai xiaolongbao and juicy dumplings. The restaurant itself is elegant and charming, with attentive and friendly waitstaff which a few similar venues could learn from. The focus here is on food however, and with a regular queue out the front, it's hard to miss. The menu kicks off with a focus on homemade traditional xiaolongbao and fried mini buns, with the highlight being the steamed crab and pork option — vegetarians can tuck into the steamed vegetable version. These are as traditional as you'll find in Melbourne, and they are perfectly soft and succulent. There is a strong focus on dumplings, too, with the option to have them boiled or pan-fried. We'd recommend the chicken and prawn boiled, while the pan-fried beef dumplings are also a big hit. If you like them in a broth then the pork, mushroom and prawn wanton soup is for you. For some heartier meals try the Sichuan spicy chicken with peanut serve and a side of boiled rice, or the marinated duck with light sea salt for something more delicate. One of the house specialties here is the signature crispy chicken, that's deep fried and marinated with salt and pepper. Alternatively, the sweet and sour chicken with pineapple is a fun, flavoursome dish that you won't soon forget. There is also a strong seafood focus here, with the salt and pepper soft shell crab tossed in greens a must, while no order is complete without the stir-fried clams in XO sauce.
Are you a new music fiend? The type who hunts for a good dose of freshly minted music on a regular basis? Sorting through a month of music is epic business. Sure, you could hit up a few Spotify playlists, but we reckon you're after a few true gems, handpicked from four weeks of new releases. We've done the dirty work for you, filled our ears with everything we could get our mitts on and picked ten tracks that really stood out this month. Whack in your headphones and load up on these newbies. CHRISTOPHER PORT — 'HEAVENS' One of the finest advocates for UK garage Australia currently possesses, Christopher Port recently launched his solo project after providing support for a number of this country's most loved acts — including Big Scary and Ngaiire. The producer's upbeat soundscapes and sampling have come as a bit of a surprise for those not privy to his extracurricular talents, and have marked his solo work as a hugely interesting aside to his usual engagements. 'Heavens' is the second single to come from his debut EP Vetement, out July 15 via Pieater. BADBADNOTGOOD FEAT. MICK JENKINS — 'HYSSOP OF LOVE' One of my favourite hip-hop collectives, BADBADNOTGOOD, are back this year with a new album which will be available in a matter of weeks. The latest cut from the Canadian's record IV features up-and-coming Chicago rapper Mick Jenkins (in the Ghostface Killah role), who has been on my watch list since his impressive debut record Water. BBNG provide a relaxed, blaxploitation-inspired backdrop to Jenkins' sharp delivery, and once again highlights this crew as one of the tightest acts in the world. THE GOODS FEAT. BRUCE HATHCOCK — 'NIGHTLIFE' Sydney-based duo The Goods are a recent find, having recently turned their attention to their own music having after cutting their teeth as session musicians and producers. Their sound sits somewhere between a throwback funk/soul outfit and an Australian version of Kaytranada, with this catchy recipe recently taking the form of single 'Nightlife'. Featuring the Marvin Gaye-esque tones of Californian vocalist Bruce Hathcock, it's the latest the track from The Goods' upcoming double EP out July 1. THE OCEAN PARTY — 'BACK BAR' One of the most loveable bands in Australia, you always know what you're going to get when the Ocean Party release a new track. Their latest offering, 'Back Bar', again hits the mark with an upbeat, catchy number that comes in at just over 2:30. I challenge you to listen without smiling, especially when you pair it with the track's comical video clip which features nudity, air guitar and something that resembles wrestling jello. 'Back Bar' is the first single from the band's upcoming 6th (!) full length record, which I'm already predicting will be on high rotation in my household. MADELINE KENNEY — 'SIGNALS' Perhaps the most beautiful song I've heard this year, Madeline Kenney's 'Signals' has been a revelation since I came across it earlier this month. The latest signing to Chaz Bundwick's (Toro Y Moi) label Company Records, Oakland-based Kenney's debut EP (also titled Signals) is a stunner, full of standout vocals and dreamy soundscapes. It's a must-have for fans of Beach House and Grizzly Bear, and I'd love to share this record with as many people while she still remains small so I can say 'I told you so' when she blows up. WHAT SO NOT x GEORGE MAPLE FEAT. ROME FORTUNE — 'BURIED' The combination of these two Australian acts with fascinating Atlanta rapper Rome Fortune was enough to grab my attention, and I was surprised by my appreciation for this one when I gave it a little time. The gorgeous opening of 'Buried' takes me back to my obsession with Meshell Ndegeocello's incredible Comfort Woman record, before the nicely balanced production takes off, giving Fortune the perfect platform to let his powerful verses fly. This is a track that could have been incredibly confusing given the combination of distinctive artists, but the result is the opposite, with the track perfectly balancing each strong element. UNKNOWN MORTAL ORCHESTRA — 'FIRST WORLD PROBLEM' Technically released in the shadows of May, there's no way I'm not including Unknown Mortal Orchestra's latest single 'First World Problem' in my list this month. The first new music since last year's breakout record Multi-Love, the track's slightly repetitive vocals are well and truly tempered by the its rich production and variation, with a brass section adding plenty of sass to this epically danceable number. As an aside, if you've overdone your UMO listening over the past few years, make sure to check out recent Laneway Festival casualty Silicon's (Reuben Neilson's brother Cody's project) debut album 2015 record Personal Computer. WALLACE — 'IS IT YOU?' There seems to have been a bit of a soul revival in Australia over the past few years, with acts like Hiatus Kaiyote, Jordan Rakei and Sasquatch leading the charge. One of this new breed of talent is Sydney-based Newzealander Wallace, who has been on the radar as one to watch since she released her debut single 'Vinyl Skip' early last year. Continuing to build on her early success, she released perhaps her most solid work to date earlier this month, teaming up with Dutch production duo Kraak & Smaak for the gorgeous 'Is It You?', a track that pairs Wallace's sultry vocals perfectly with smooth, tempered production that transports the listener to a smoky, backroom jazz bar. CASS MCCCOMBS — 'OPPOSITE HOUSE' Alt-country aficionado Cass McCombs recently announced a new addition to his impressive discography, with new album Mangy Love set for release in August. The first taste of said record is 'Opposite House', a dreamy track which features backing vocals from the radiant Angel Olsen (who'll be releasing her own new album later this year), and again solidifies the Californian as your favourite Sunday soundtrack artist. CITIES AVIV — 'MELANIN DROP' This track has so much going on, it's hard to believe it's only three minutes long. Experimental hip hop artist Cities Aviv jumps through numerous guises throughout, from aggressive MC, to laidback producer, to spoken word poet, all the while drawing the listener further into his web of brilliance. 'Melanin Drop' is one of the most interesting listens I've had in a long time, and is a worthy addition to this humble list. Top image: George Maple.
While Shannon Bennett's best known for his work helming fine dining institutions like Vue de Monde, the acclaimed chef reminded us he can also make a pretty mean burger, launching Benny Burger within Sydney Airport's international terminal last April. Now it's Melbourne's turn for a slice of the action, with Bennett set to unveil the first of three Victorian Benny Burger venues in Richmond this weekend. Officially opening its doors on Saturday, June 17, the Swan Street store's built on the same philosophy as the original, championing real ingredients, organic local produce and ethical practices. The name pays homage to Bennett's father Benny, and the food menu is peppered with childhood memories of the homemade burgers he'd throw on the barbie each weekend. Speaking of, the menu is an impressive lineup of 11 burger varieties, a couple of all-day brekkie options, fries and daily salads. Get your hands around a classic beef-filled Mr Burns, or go meat-free with the beetroot and chickpea Yoga Burger. There's even a cheeky reference to American Momofuku chef David Chang, who famously claimed "Australia has no idea what a burger is". He's invited to eat his words with The Chang, a hefty combo teaming beetroot relish, wagyu beef and a fried egg, with lots of other locally-sourced goodies. Plus, to kick things off, the store will be slinging free burgers for the first 100 customers through the doors from 11am this Saturday, June 17. There'll be lots of burgers beyond that, as well as a live set from Kingswood at 7pm. Benny Burger will open at 11am at 95 Swan Street, Richmond. For more info, visit bennyburger.com.au.
Back in 2021, famed plant-based restaurant Smith & Daughters and its sibling spot — all-vegan delicatessen Smith & Deli — moved in together, into their huge Collingwood home. The combined offering now spans across a 500-square-metre ground floor site on Cambridge Street, encompassing a deli-cafeteria, restaurant and food store. It's become one of the largest vegan dining hubs in the world. The refreshed iteration of Smith & Deli takes cues from the delicatessens of Europe, with a homely yet stylish aesthetic and — for the first time — a dine-in offering. There's a menu of grab-and-go eats, alongside a tight selection of top-quality pantry essentials, ready-made meals, and other goodies like cheese and pastries. [caption id="attachment_824522" align="alignnone" width="1920"] Ashley Ludkin[/caption] An adjoining cafeteria-style eatery showcases a rotation of hot and cold dishes, complete with a vegan carvery. Patrons are able to slide trays along the canteen with fresh fruit and mueslis on offer at breakfast, or an array of hot dishes and salads at lunchtime and dinner. A daily-changing deli plate comes loaded with a main, two sides, a dessert and a beverage from the curated drinks list, which celebrates a rotating pick of wine and beer. Smith & Daughters' 80-seat restaurant is a little more high-end, with a seasonal menu steeped in Mediterranean flavours and an aesthetic inspired by Vivienne Westwood. An open kitchen also features ringside seats, where you can sit at and enjoy a Chef's Table experience on Fridays and Saturdays — you'll be spoilt with a surprise lineup of dishes made using the day's fresh ingredients. But don't worry if you can't get one of these prized spots, Smith & Daughters also offers a three- and four-course set menu for diners in all other parts of the main dining room. Images: Ashley Ludkin Appears in: The Best Vegan Restaurants in Melbourne for 2023
Prepare to say ciao to Italian cinema throughout September and October — and we mean hello, not farewell. Yes, the annual showcase of films from or about the European nation is back for another round. In fact, it's the Lavazza Italian Film Festival's 17th year, and if the program is anything to go by, it's going to be another good one. Not only does the 2016 fest kick off with Italian box office hit Perfect Strangers and close with the digital restoration of the Audrey Hepburn-starring classic Roman Holiday, but it also boasts a world premiere. Local audiences will be the first on the planet to see the first-ever Australian-Italian feature co-production, The Space Between. Charting the intersection of an Italian ex-chef and a spirited Aussie in the scenic Friuli-Venezia Giulia region, it has been described as " a celebration of the Italian spirit of la dolce vita." Elsewhere, the 30-film program keeps highlighting the best Italian filmmaking has to offer, such as Where Am I Going?, the highest-grossing film in Italian cinema history. Strands dedicated to relationships and leading ladies serve up plenty of both, including straight-from Cannes prison drama Fiore and straight-from-Venice romance The Worldly Girl (and yes, we mean straight from this year's Venice Film Festival in September). Plus, with coming-of-age tale Arianna, Gran Turismo racing thriller Italian Race and gritty character study Napoli Jungle also on the bill, IFF does what all good fests should by offering something for everyone. Don't say you don't have something to watch for the next couple of months as the festival tours the country. The Lavazza Italian Film Festival tours the country between September 13 and October 19, screening at Sydney's Palace Norton St, Palace Verona and Chauvel Cinema from September 13 to October 9, Melbourne's Palace Cinema Como, Palace Balwyn, Palace Brighton Bay, Palace Westgarth, Kino Cinemas and The Astor from September 15 to October 9, and Brisbane's Palace Barracks from September 28 to October 19. For the full program, visit the festival website.
This year's Melbourne International Film Festival might still be months away, but that doesn't mean you can't start getting excited now. The August event won't reveal its full lineup until early July, but it has unveiled a 32-title sneak peek of flicks that you should start pencilling into your diary — including a direct-from-Sundance and Cannes selection for opening night. The 2018 fest will get underway with the Australian premiere of Wildlife. The directorial debut of actor Paul Dano, the 60s-set film features Carey Mulligan, Jake Gyllenhaal and Aussie up-and-comer Ed Oxenbould. And it's just one of MIFF's high-profile inclusions, with the program also featuring Sundance top prize-winner The Miseducation of Cameron Post, with Chloë Grace Moretz; exceptional crime thriller You Were Never Really Here, complete with a knockout performance by Joaquin Phoenix; and the Ethan Hawke-starring First Reformed, where he plays a priest struggling with his faith. Hawke also directs biopic Blaze, which won his star Benjamin Dickey Sundance's best actor award. Other highlights include documentary The Bill Murray Stories: Life Lessons Learned from a Mythical Man, which delves into the many tales surrounding everyone's favourite celebrity, and fellow doco United Skates, a Tribeca audience award-winner that explores the African-American roller rink scene. Or, there's also the rightfully acclaimed Angels Wear White, about corruption and abuse in China, plus a wordless 55-minute virtual reality film from slow-cinema auteur Tsai Ming-liang, called The Deserted. Drama Tigers Are Not Afraid turns the Mexican drug war into a horror fairytale, and British crime effort Beast combines a love story with psychosexual thrills, while Bodied dives into the world of battle rap — in a fictional collaboration between director Joseph Kahn and producer Eminem. Films about designer Steve McQueen, musician M.I.A. and boy band fandom also feature, as do all six episodes of new Aussie TV series Mr Inbetween, which follows on from local 2005 mockumentary The Magician. Throw in new movies by excellent international directors — Berlinale hit Transit, from Phoenix's Christian Petzold; historical fiction Zama, the long-awaited next feature from Argentinian filmmaker Lucrecia Martel; and Let the Corpses Tan, by French genre standouts Hélène Cattet and Bruno Forzani (Amer, The Strange Colour of Your Body's Tears) — and you probably already have too many titles to choose from. MIFF's complete 2018 program is set to include a couple of hundred films across more than 500 screenings. The Melbourne International Film Festival runs from August 2 to 19. For more information, visit the MIFF website — and check back on July 10, when the full program is announced.
If you're keen to score good deals on flights and accommodation, then it's never too early to start planning next year's international adventure. Chances are, though, that between Christmas shopping and hitting the beach, you don't have a lot of spare time on your hands. So, we've done some research for you. Here are ten spots around the world that are definitely worth a visit in 2018. For spectacular scenery, head to the Azores Islands off Portugal; for incredible colonial architecture and watery sunsets, try Cartagena in Colombia or Valletta in Malta; for world-class cocktails and Gordon Ramsay-defeating laksa, make tracks to Singapore; and for a live music marathon, there's New Orleans, which is gearing up to celebrate its 300th anniversary. NEW ORLEANS, LOUISIANA, USA New Orleans turns 300 this year, so prepare for the shindig of all shindigs. Official tricentennial events include gigs, art exhibitions, parties, film screenings and more. There's a block party dedicated to Martin Luther King, a burlesque opera celebrating Tabasco sauce and a concert telling the story of jazz history, among loads of other happenings. 2018 will also mark 13 years since Hurricane Katrina devastated the city, but rebuilding has been extensive and tourist numbers have recovered to pre-2005 numbers (about 10 million visitors annually). In between anniversary parties, head to Bourbon Street for a 24/7 music festival, St Claude Avenue for jazz bars and Royal Street for art galleries. MEXICO CITY, MEXICO With a population of more than 21 million, Mexico City is one of the biggest cities in the world. Once considered a place to avoid, on account of its high crime rate and even higher pollution levels, the metropolis has transformed over the past few years. Public spaces have opened up to emphasise majestic architecture; restaurants and cantinas are flourishing; art exhibitions, live gigs and museum are countless. Be sure to visit the Palacio Nacional, famous for the Diego Rivera murals which convey Mexico's history from the moment the Quetzalcóatl (a serpent god of the Aztecs) arrived to the 1910 Mexican Revolution. CARTAGENA, COLOMBIA Like Mexico City, Colombia was once struck off many travellers' lists for fear of kidnappings, guns and cocaine deals. However, it too, has gone through a bit of a renaissance. The country's most beautiful city is Cartagena, which you'll find on the northern coast, overlooking the Caribbean Sea. Expect dreamy sunsets, stunning 16th century architecture, brightly-coloured flowers and old-fashioned horse and cart. A short boat ride away are the Rosario Islands, part of a national park that offers exceptional snorkelling and diving. Other spots for underwater aficionados include the Providencia and Santa Catalina islands: the gateway to the world's biggest coral reef system. [caption id="attachment_650530" align="alignnone" width="1920"] SDSU[/caption] AZORES ISLANDS, PORTUGAL The extraordinarily beautiful Azores Islands lie in the Atlantic Ocean, about 1,360 kilometres west of Portugal. They form one of the nation's two autonomous regions, the other being Madeira. If you're looking for a nature-centric holiday, this is the place to go to. You'll be wandering along calderas covered in greenery and filled with sparkling lakes, lazing about on subtropical beaches watching out for whales and dolphins (year-round), diving among loggerhead turtles and blue sharks, and walking through intricate cave systems. Even though the Azores are becoming more popular with visitors, the natural environment continues to be well protected by the locals — only 5% has been developed. VALLETTA, MALTA Valletta is the capital of Malta, an island nation in the middle of the Mediterranean Sea, about 80 kilometres south of Italy and 284 kilometres east of Tunisia. Described by locals as "the city built by gentlemen for gentlemen", it was created in just 15 years from 1566 — entirely by hand. Not only the complex architecture — dotted with forts, churches, palaces, fountains, sculptures, hidden gardens and narrow alleyways — is spectacular, but the location, too. Valletta covers the rugged Mount Sceberras peninsula, which is flanked by two deep, steep harbours. [caption id="attachment_651184" align="alignnone" width="1920"] John Robinson[/caption] SHEFFIELD, UK Sheffield? You're probably thinking gloomy weather, industrial cityscapes and, of course, steel. While all these things are or have been true of this Northern English city, there's a lot more to it. Firstly, Sheffield is the happiest city in the UK, according to a 2013 survey. Secondly, there's a happening arts scene, which has given rise to several big bands, including Arctic Monkeys, Pulp and Def Leppard. The theatre complex is also the largest outside of London. Thirdly, extensive redevelopment during past few years has added loads of greenery and, if you're keen to get deeper into nature, the Peak District National Park is just next door. [caption id="attachment_651175" align="alignnone" width="1920"] Göran Höglund[/caption] LAYA, BHUTAN While we're on the topic of happiness, let's talk about Bhutan. This tiny Himalayan nation, which lies just east of Nepal, is famous for measuring progress in terms of Gross National Happiness (GNH), instead of Gross Domestic Product (GDP). On top of meeting lots of friendly people, you'll find yourself surrounded by dramatic mountain scapes, ancient monasteries and prayer flags. If you can, venture to Laya, Bhutan's highest settlement — and one of the highest in the world — at 3,800 metres. It's home to just 3,000 indigenous Layap people and every October hosts the Royal Highlander Festival, a celebration of their unique culture. [caption id="attachment_651085" align="alignnone" width="1920"] Jasmine Crittenden[/caption] SINGAPORE Have you always struck Singapore off your list because it's "boring" and "sterile"? Such things are often said of this island city found just south of Malaysia, but, get beneath the surface, and you'll discover some diverse, dynamic neighbourhoods — as well as the best laksa on the planet. A good way to start is with a ramble around Little India, which should include curry at Banana Leaf Apollo and chilli crab at Wing Seong Fatty's. After that, head to Katong, home to Singapore's Peranakan population, whose culture combines Chinese, Malay, Indian, Arabic and European influences. Finally, be sure to end a hot day with a stop at one of Singapore's many new cocktail bars, such as the Tippling Club, which came 31st in the 2017 World's Best Bars Awards. More tips are in our Less Obvious Guide To Singapore. [caption id="attachment_651178" align="alignnone" width="1920"] Arian Zwegers[/caption] GEORGIA Georgia is smack bang in the middle of the Caucasus, with the Black Sea to the west, Russia to the north and Turkey to the south. So, on one side, there's beautiful coastline, and the other, rugged mountains. In between, you'll pass flower-dotted meadows, rushing rivers and enchanting villages, with tavernas full of welcoming, carousing locals. Yes, they'll probably expect you to sing. Although tourism is growing, Georgia still has a wild, undiscovered feeling to it. The best way to travel is with an openness to adventure and surprises, rather than a strict itinerary. [caption id="attachment_651191" align="alignnone" width="1920"] Vahid Yarmohammadi[/caption] IRAN Speaking of adventure and surprises — if you're a fan of them, then book a ticket to Tehran, the buzzing, colourful capital of Iran. For a shopping experience you're unlikely to forget, spend a morning getting lost among the mazes of The Grand Bazaar, poring over spices, gold jewellery and handwoven carpets. At the Golestan Palace, you'll get an insight into Iran's royal history; it was here that the Qajars, the country's second to last dynasty, had their seat of power. Think marble fountains, blinding mirror halls and magnificent furniture. The city also has a strong contemporary art scene. Check out Aaran Gallery for work by young artists and A.J for photography.
It's a truth universally acknowledged that the perfect counterpoint to modern life (standard stressful job, social media obsession and crippling credit card/HECS debt) is a few days spent reclining on a white, sandy beach. But it's sometimes easy to forget that while fancy resorts may help us get our mojo back, they can also have some devastating environmental impacts. Enter Six Senses wellness resort chain and their soon-to-open Malolo Island destination in Fiji. Within striking distance of some of the best surf breaks in the world (Cloudbreak included), the new Six Senses Fiji stretches over 650 metres of pristine beach and intends to keep it that way. The resort is designed to be sustainable and eco-conscious as well as super pretty; it's 100 percent solar powered and the first microgrid in Fiji to use Tesla batteries. They use a worm-based septic system and water reservoirs for onsite waste management and have developed a reforestation program to offset the wood used in the construction of the resort, so you can relax and know your wellness pilgrimage isn't destroying the earth. Now before you wrinkle your nose at the phrase 'wellness pilgrimage' hear us out. Six Senses isn't a wellness resort in the traditional sense. Wellness here doesn't mean chanting at dawn, it means medically sanctioned wellbeing — and they want to help you bring that holiday zen home. As well as the standard resort activities like beach relaxing and poolside drinking, during your stay at Six Senses Fiji you can undertake an integrated wellness program. A team of professionals (a sleep doctor, a nutritionist and a general physician — hair psychic not included) develop a personalised program to address your needs which could include spa treatments, exercise, yoga, meditation and sleep guidance to help you become the most rested, relaxed you as scientifically possible. Six Senses features 24 villas, 66 residential villas and 650 metres of private beach, so you can recline with fresh views every day. The resort also includes a gym (for looking at, not going in), club house and kids club as well as facilities for boating, sailing, diving, snorkelling and tennis. Gawdd damn. It's time to cash in those flexitime hours and better yourself while drinking a daytime pina colada. Six Senses Fiji is set to open in late 2017. In the meantime, Six Senses Con Dao is open, so we simply had to check it out.
If you’re getting a little sick of braving rowdy German bier halls only to vomit up your pretzels and beer on a passing beer wench, the Arbory has a classy alternative to Oktoberfest. It’s called Notøberfest and it’s a slightly more meaningful and mature version of the German bier festival with an emphasis on supporting the arts community instead of inhaling various sausages in bread (although there's always a place for that). The Arbory is that cute little bar down near Flinders Street Station that overlooks the Yarra and they’re really pushing the boat out (pun intended) for this festival. Beloved Australian artist Reko Rennie, an Indigenous installation specialist of the Kamilaroi tribe, has created a series of neon sculptures to represent the gumtrees growing along the river. Other featured artists bring work to the Arbory include Uptown Brown, Jordy Doust and Projectionists and roving artists, as well as music by Citizien Sex, Tommy Showtime X DJ Maars, Vince Peach, Sikander, Chico G and Whiskey Houston. But really the best part of the Notøberfest is the chance to get to Arbory and suck down a nitro espresso martini (which they’ve got on tap because priorities) and catch the wandering Euro Yum Cha trolley (what? What is that? Reveal your secrets to us, Euro Yum Cha trolley). And if you can’t fully let go of the whole Oktoberfest thing, you can take the edge off at the Wurst Yoder Smoker cook-off on the final weekend of the festival. But don’t worry, it’s still fancy — hello nitro-charged beer. Notøberfest runs from October 16 – 25 at Arbory Bar and Eatery, Flinders Street Station, 1 Flinders Walk, Melbourne. Open from 7am until late, free entry.
Gather the troops — and your stretchiest clothing — for a solid ten days of sipping and sampling. It's March, and that means the dinner plates are out for the city's biggest excuse for eating and drinking itself silly: the Melbourne Food and Wine Festival. Running from March 4-13, there are over 290 events on offer over the ten-day festival, so whether you’re a seasoned foodie or just looking for something new to learn, do or taste, there’s a smorgasbord of events to try. This year's festival hub is all about dairy products (read: the best products) and the events cover everything from bacon to cheese to mussels to locally-brewed beer. We’ve chosen two hands-worth that are not only exceptionally hunger-inducing, but that you can actually still get tickets to.
Prancing through fields laced with the charm of provincial France? Casual summer weekendery. The ever-popular So Frenchy So Chic in the Park is waltzing back to Melbourne's Werribee Park Mansion for its sixth year running. If you haven't been before, expect an entire afternoon of French-inspired niceties — think gourmet picnic hampers, tortes and terrines, offensively good wine, furious outdoor chess, casual gypsy beats. So Frenchy hinges around a solid lineup of eclectic artists you may be yet to meet. There's '60s French pop-American art rock hybrid outfit The Limiñanas (think Serge Gainsbourg meets The Velvet Underground), Parisian funk-folk poet and musician Bertrand Berlin, and Nouvelle Vague, who are no strangers to the So Frenchy setup. Last, but in no way, shape or form least, there's six-piece ex-busker band Deluxe — they will be belting out their unique blend of pop, hip-hop, funk, soul and big band elements to get everyone up off their picnic rugs and dancing the blazes out of that lawn. If you're not the most organised of picnickers, So Frenchy is putting on the works again with their beloved picnic boxes and cheese plates from Ed Dixon. Filled with buttery pastry quiches, salad jardinière and goose egg meringue, the picnic boxes are one to preorder if you don't want to miss out. But So Frenchy won't let you go hungry; there'll be a huge banquet of seafood, crepes, macarons and ice cream available on the day. And of course, there'll be plenty of Laurent Perrier Champagne, French beer, Provence rosé, Bordeaux reds and whites, and special cocktails at the SFSC vintage caravan. Don your best floral-headband-and-sundress-combo and gear up for un merveilleux après-midi.
As the nights become longer and summer makes its stifling presence known, it's becoming more and more clear the type of diet Melbournians will be having over the next few months. While Brisbane and Sydney may be taking to the beach more often to share a bowl of acai, goji berries, and organic yoghurt, we're concerning ourselves with big American BBQ, endless gelato, and greasy potato cakes. It's finally getting fashionable to overindulge. With that in mind, please say hello to Grand Trailer Park Taverna — Melbourne's newest novelty American eatery located right in the (soon to be clogged) heart of the CBD. Opening earlier this week on the corner of Bourke and Exhibitions Streets, the Grand Trailer Park is brought to us by Pawn & Co's Josh Lefers and Dani Zieni from the Dandenong Pavilion. Fitted out with renovated caravans, this space is home to a range of burgers, desserts, cocktails and — wait for it — spiked milkshakes. Hold back your gags, please — these treats will be way different from that time you tried to make a Beer Spider (trademark pending). Here, you'll be able to choose from four stellar selections: Makers Mark Bourbon, salted caramel and maple bacon; Kinder Surprise, Frangelico and Baileys; marshmallow, blue heaven and vanilla vodka; or peanut butter and jelly and Captain Morgan's Rum. But it doesn't stop there. The food is just as crazy impressive with burgers boasting killer names like The Chunk - Double Double, The Ivan Drago and Cynthia Benson. Our favourite is the Francis Underwood. Though it doesn't have the much-loved ribs the infamous House of Cards character is known for, it does have a bit of that distinctive Southern charm. Get this: alongside the fresh Australian beef, American cheddar and mustard, it has a potato, mac and cheese croquette. In case, after all that, you're not feeling like a ball of saturated fat and shame, they also offer a range of desserts that are well worth the trip. They even offer three — count 'em — types of waffle stacks. One stuffed with Nutella parfait, whipped cream, strawberries and Nutella sauce, another filled with peanut butter parfait, cream, strawberries and salted caramel sauce, and the last a giant Nutella-based offering that serves four and comes with your very own jar of Nutella on the side. If that's not enough they also serve mini waffle cones of ice cream coated in Wizz Fizz because YOLO. Some say overeating doesn't lend itself well to the warmer months, but we can see ourselves spending a lot of time here very soon. Photos via Grand Trailer Park Taverna and Jimmy's Burgers.
Pinchy's lobster-loaded linguine normally sets diners back a cool $48. But if you visit this CBD restaurant on a Thursday night, you'll score over 50% off, getting the dish for just $20. It's a proper bargain. In May this year, the Bourke Street lobster and champagne bar received a big makeover, getting a new look, new chef and new menu. This pasta dish, packed with lobster and lifted by miso butter, tomatoes and basil, is a recent addition to the Pinchy's menu, but has already become a fan favourite. This change — and the pasta deal — was inspired by all of Melbourne's recent restaurant closures. Director Jeremy Schnick notes that: "With the constant cost-of-living pressures, nearby closures, the ongoing difficulties of CBD operation (particularly during winter), and a huge increase in wage costs post-Covid, the decision was clear for me." "I found an amazing new Executive Chef [Barret Jones] and together we decided we needed to give guests something larger and distinctive in our delicious menu offering — something they can feel more value in, and slow down to spend time eating with friends or a loved one, appreciating what's in front of them." And what better way to take in all the changes than with a generous bowl of lobster pasta for just $20? Images: Jana Langhorst.
Johnston Street continues to be one of Melbourne's coolest strips — packed with some of the city's top bars, cafes, restaurants and boutique stores. But the sheer amount of places to drop by can be really overwhelming. You'd need days to properly explore all of its best bits. Knowing this, three neighbouring businesses — JUDE, Shop Gal and Addict — have joined forces to create a mini-shopping trail that includes free styling sessions and a ramen workshop — an unlikely but still brilliant pairing (that's also very Johnston Street). [caption id="attachment_982871" align="alignnone" width="1920"] Addict[/caption] Starting at 6pm on Thursday, December 5, you'll first drop by JUDE — an independent fashion label championing Melbourne-made and gender-neutral clothing — to get free styling advice and do a spot of Christmas shopping. You'll then take a few steps down the strip to Shop Gal — Melbourne-based designer Tara Whalley's boutique fashion store that's home to her own colourful creations as well as a heap of other local designers' wares — for more styling tips and shopping opportunities. This is a must-stop spot for those looking to add a bit of colour and pattern to their summer wardrobe. [caption id="attachment_982877" align="alignnone" width="1920"] JUDE[/caption] The final stop is Addict — a cafe and ramen haunt — where punters can join a hands-on ramen workshop ($20) that comes with a complimentary cocktail. Either spend the rest of the night drinking and eating here or head back to JUNE and Shop Gal for more shopping. As a special treat, the teams have also created a limited-edition JUDE x TARA designer tote bag filled with goodies from all three stores. These will be available for purchase exclusively on the night, which is running up until 9.30pm. The event is free to attend, but booking is essential. [caption id="attachment_982870" align="alignnone" width="1920"] Shop Gal by Tara Whalley[/caption]
