Come with us now on a journey through time and space, as Matthew McConaughey takes the top spot as heroic protagonist in the new Christopher Nolan film, Interstellar. The brand new (awesome) trailer can only be watched at Interstellar's newly launched website. Once you get there, you'll need a special passcode — '7201969' — the date Apollo 11 landed on the moon. Badass. The film sees McConaughey and fellow astronaut Anne Hathaway travel through a wormhole with the simple goal of saving humanity. The newly-released trailer gives a tiny insight into McConaughey’s character — an engineer and widowed father with two children — as well as vast landscapes of alien worlds and a spaceship hurtling through empty space. We can tell this is not going to be a smooth-sailing intergalactic ride, as McConaughey philosophises in the opening lines, "We used to look up at the sky and wonder at our place in the stars. Now we just look down and worry about our place in the dirt." Cue goosebumps. The highly-anticipated film also stars Jessica Chastain, Casey Affleck, Michael Caine, Wes Bentley, John Lithgow, Ellen Burstyn, Topher Grace and Matt Damon. That’s one stellar Interstellar line-up right there (#sorrynotsorry). This is Nolan’s first film since wrapping up the Batman trilogy with The Dark Night Rises. Interstellar will be in cinemas November 7 and has a pretty killer poster lurking around: Via The Verge.
Fancy prancing through fields laced with the charm of provincial France? It's just casual summer weekendery when So Frenchy So Chic is in town. The ever-popular one-day French festival is waltzing back to Melbourne's Werribee Park Mansion for its ninth year running on Sunday, January 12. If you haven't been before, expect an entire afternoon of French-inspired niceties, including (but not limited to) gourmet picnic hampers, tartlets and terrines, offensively good wine and croquet all to a chill French soundtrack. So Frenchy hinges around a solid lineup of eclectic artists you may be yet to meet — and ones you might've, too. If you haven't heard of Corine and her brand of French disco-electronica, consider this your introduction. And, while you've likely heard of French pop royalty Lou Doillon, given that she's been on the bill before, this time she'll be playing tracks from her latest album. Don't miss Nouvelle Vauge either, with the group bringing their chilled-out covers of new wave hits to town for their third So Frenchy appearance. Also on the lineup is up Senegal-born French folkster Tété, as well as a blend of beats, tango, bossa nova and jazz from Gotan Project co-founder Philippe Cohen Solal, who'll do a DJ set. If you're not the most organised of picnickers, So Frenchy is putting on the works again with fancy picnic boxes and cheese plates. Filled with brioche buns, gruyere tarts, crusty baguettes, quiche lorraines, parfait, cheeses and more, the picnic boxes are one to preorder if you don't want to miss out. But So Frenchy won't let you go hungry; there'll be a huge banquet of seafood, charcuterie, pastries and more available on the day. And of course, there'll be plenty of Laurent Perrier Champagne, French beer, and rosé, red and whites wines as well. Early bird tickets are now on sale for $84 a pop. If you've got kids, you'll be happy to know that the whole thing is very family friendly, and children under 12 can get in for free. Images: Liz Sunshine.
Melburnians will now fork out a bit extra for their public transport travels, with Public Transport Victoria upping the price of Myki fares by 2.2 percent. The change came into effect on Tuesday, January 1. Fares have been adjusted in line with inflation, impacting trains, buses and trams. And while no one is a fan of price hikes in general, 2019's annual jump is the lowest fare increase since 2014. In 2018, fares went up by 4.7 percent. The new hike will see passengers shelling out between six and 20 cents extra per adult-priced journey across zone one, zone two, and zone one and two trips — for both two-hour tickets and daily fares. Myki passes will also increase in cost, with the smallest jump seeing travellers pay $30 for an adult seven-day zone two pass, and the biggest bringing 325+day zone one and two passes from $1683.50 to $1722.50. Most concession fares have also risen, jumping between three and 10 cents on two-hour and daily tickets. Regional Victorians travelling around their towns have been spared the price hike, with fares remaining at $2.40 for a regional trip within the same zone.
Christmas shopping can be one of the most hectic tasks leading up to the holiday season, but the good news is that The Big Design Market Melbourne is officially back after a three-year hiatus. Scheduled to set up camp for three days at the Royal Exhibition Building in Carlton, the market will feature more than 270 design stalls spanning designer homeware, limited-edition art prints, local fashion, jewellery, stationery and more. Elsewhere, a slew of tastemakers will serve up exceptional culinary experiences at the food emporium including coffee from the classic ST. ALi, savoury pies from Footscray's iconic Pie Thief, fresh Portuguese tarts from Natas & Co and innovative cocktails from Sydney's Archie Rose Distilling Co and Original Spirit Co. Celebrating 10 years, The Big Design Market has also teamed up with One Billion Stars for Weaving Day this December. Guests are welcome to take part in a free workshop led by Maryann Talia Pau – a Samoan-Australian artist and weaver – where they will learn how to create an eight-pointed star to support One Billion Stars' goal: to weave one billion stars by 2032 to raise awareness for violence-free communities. The Big Design Market will run from Friday, December 2–Sunday, December 4 at the Royal Exhibition Building, Carlton. Tickets are now available to purchase online. Images: Amelia Stanwix
When you're in lockdown, you're only meant to go to the shops to buy essentials — and while creative cocktails may be crucial to your stay-at-home experience, gathering all the ingredients to make them doesn't really fit with the intention behind the rule. Thankfully, delivery services have been filling in the gaps. Cocktail Porter is one of them, bringing DIY kits to your door featuring everything you need to whip up inventive beverages. And yes, it's mighty handy even if your part of the country doesn't happen to be locked down at this very moment. Already, the service has delivered three different types of Gelato Messina cocktail kits — including summery concoctions, Easter cocktails served in Easter eggs and dulce de leche espresso martinis. The next packs on its list also feature a beloved ingredient, although Messina isn't involved. But hey, everyone loves Wizz Fizz, right? Yes, we know the answer to that question. Every Australian kid loves Wizz Fizz, and every Aussie that's ever been a kid, because that's something your tastebuds can never outgrow. Cocktail Porter's new DIY Tommy's margarita kits feature the little bags of sherbet alongside Tromba Blanco tequila, agave syrup and Listo Tommy's margarita mix. It also comes with chilli salt, if you'd prefer to spice up your drink. You can pick between two different-sized packs, with a small kit costing $75 and serving up six drinks — and a large pack priced at $135 and making 18 dessert cocktails. Cocktail Porter delivers Australia-wide, if that's your spring drinking plans sorted. The DIY Tommy's margarita kits will be delivered from Wednesday, September 15, and you'll need to have signed up for one by Sunday, September 12. They're actually part of Cocktail Porter's monthly subscriptions, which see a different kit sent to your door each and every month. To order Cocktail Porter's DIY Tommy's margarita kits, head to the Cocktail Porter website.
Taking over the Jewish Museum of Australia from October 22, 2017 until March 25, 2018, Amy Winehouse: A Family Portrait aims to provide a different insight into the beloved singer-songwriter, stepping through topics of faith, fashion, music and London life. And, thanks to an accompanying music program, it'll also offer up a soundtrack to match. In a series of Thursday evening sessions taking place on November 9, December 14, January 11, February 8 and March 8, the museum will showcase five genres of music that Winehouse worked within and was inspired by, via a series of live performances. it all kicks off with a celebration of jazz and big band tunes with The Rookies, before moving on to soul and R&B with Thando, gospel with Phia and Melbourne Indie Voices, Motown with Vince Peach and hip hop with DJ MzRizk. Presented with Hear Them Holler, tickets cost $16 ($12 for concessions and museum members), and include entry to the exhibition. Other events in the program range from Ashleigh Kreveld's Amy and I, an interactive cabaret performance from the experienced Winehouse impersonator, to Amy Winehouse — a tribute, which takes over the Memo Music Hall with a concert drawn from her repertoire featuring a heap of local talent. Image: Festival passes, various dates. © The Jewish Museum
The Wheeler Centre is packing a punch, presenting a program of important panels and impressive parties as part of Middlesex: Queer Week. The program explores sexuality and identity in all their alternate forms, offering you the chance to have a think about trans bodies at The Wheeler Centre and have a big ol' Queer Party at the "climax" of the week at the Melba Spiegeltent. The program features a long list of guest speakers including Christos Tsiolkas, Buck Angel, Anne Hunter, Amy Middleton, Selina Jenkins, Benjamin Law and much more — a lineup that's sure to deliver entertaining and thought-provoking conversation. Over the next five days, various talks will cover topics such as sexuality and sexual identity as a spectrum and the evolution of gay representation on screen, stage and page. Check out the full program here, and remember to book, as sessions are selling out fast!
When, towards the end of May, Premier Daniel Andrews announced the next stage in Victoria's gradual lifting of COVID-19 restrictions, he advised that more limits would lift in mid-June if the state continued to make progress. That's been the case over the past few weeks, so Premier Andrews has today, Sunday, June 14, revealed exactly what's in store — and allowing more people into more venues is at the top of the list. Since June 1, Victorians have been able to dine-in at cafes, restaurants, pubs and clubs with 20-person limits, and visit galleries, museums, drive-in cinemas, historic sites, zoos and outdoor amusement parks with the same caps in place, too. The state's residents have also been able to gather with 20 people both inside and outside of homes, and head away on holiday and stay overnight, as part of a sizeable range of relaxed restrictions. Next, from 11.59pm on Sunday, June 21, the Victorian Government is expanding the list of permitted activities — and increase the corresponding person limits. That date coincides with when the state's current State of Emergency is next due to end, and the list of changes is considerable, with all of the following back on the cards: Cafes, restaurants, pubs and clubs can host up to 50 seated patrons — and, at pubs and clubs, you'll no longer be required to purchase a meal with your drinks. Gatherings of up to 50 people in libraries, community centres and halls, in addition to the people needed to operate the space. Religious ceremonies of up to 50 people, in addition to those required to conduct the service. Cinemas, concert venues, auditoriums and theatres will be allowed to reopen with 50-person limits per space. 50-person limits at galleries, museums and amusement parks. All sports training and competition for people under 18 years of age. All non-contact sports for people of all ages. Indoor sports centres and physical recreation spaces, including gyms, can reopen with 20 people per space — and a cap of up to 10 in each group for those over the age of 18. Local football teams, soccer clubs and other contact sports can resume training for over-18s from July 13, then resume their full competitions from July 20. Clubs and community facilities can reopen their changerooms. Holiday accommodation and camping sites will able able to reopen communal spaces such as showers and kitchens. Ski season can begin, and ski accommodation can reopen. The majority of the above changes had already been flagged back in May; however Premier Andrews has now confirmed that they'll definitely be going ahead. https://twitter.com/DanielAndrewsMP/status/1271963165903872003 Announcing the eased restrictions, he also noted that maintaining COVID-19-safe practices is essential. "For every small step we take, our own personal responsibility grows," he explained. "If Victoria was its own nation, our testing rates would be amongst the highest in the world. But we can't afford a backwards step. These changes — and any further that follow — must be determined in accordance with the data." Accordingly, as has proven the case throughout the coronavirus pandemic, the standard social-distancing requirements will still apply — so sticking with physical distancing, maintaining four square metres per person indoors, hand and cough hygiene, and frequent cleaning and disinfection. Victorians are also advised to still continue to work from home. "If you can keep working from home — you must do that too," Premier Andrews said. "We still want to limit the number of people moving around our state and help protect those who do have to go to the workplace." To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Kate Shanasy
"We shall fight on the beaches," Winston Churchill told British parliament on June 4, 1940, as World War II raged in Dunkirk. "We shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender." His impassioned words came at the end of a heated speech, after a heated month of political debate, in the heated early days of the global conflict. Churchill had been Prime Minister of England for mere weeks, and spent that entire time caught up in arguments about the country's response to Hitler. His colleagues wanted to negotiate, but he refused. It certainly seems as though filmmakers have taken Churchill's words to heart over the past 12 months. They won't give up on bringing this tense period to the big screen, whether in movies about Churchill, the Battle of Dunkirk or both. With Their Finest, Lone Scherfig came at it with a light, romantic drama about morale-raising movies. With Dunkirk, Christopher Nolan delivered a stunningly immersive account of war at sea, in the air and on the shore. Australian director Jonathan Teplitzky took a slightly different approach, with intimate biopic Churchill focusing on the lead up to the D-Day landings in 1944. It's not hard to see echoes of the latter film in Joe Wright's Darkest Hour, however, which recreates the cigar-smoking, whiskey-swilling politician's other crucial moment in power. With Gary Oldman in the lead role, Darkest Hour steps through the turbulence that awaited Churchill when he took on the nation's top job in such troubled times. With colleagues Neville Chamberlain (Ronald Pickup) and Lord Halifax (Stephen Dillane) certain that a peace treaty with Nazi Germany is the only way to save Britain from bombing, mass casualties and catastrophe, he has a considerable fight on his hands. The film includes glimpses of the ordeal at Dunkirk, but speeches, rather than bullets, are the main focus. In between verbal scuffles, Churchill seeks support and advice from his wife Clementine (Kristin Scott Thomas), has cautious lunches with King George (Ben Mendelsohn) and initially overwhelms his young secretary (Lily James) with his erratic nature. While both Churchill and Dunkirk are clearly no strangers to cinemas of late, Darkest Hour has one particular weapon all of its own: recent Golden Globe winner Oldman. The veteran actor gives a captivating performance, even coming hot on the heels of Brian Cox's excellent work in Churchill just months ago. Lured out of retirement by Oldman, special-effects makeup artist Kazuhiro Tsuji creates flawless prosthetics; however it's the man beneath them who always commands attention. Rumbling through terse confrontations, showing Churchill's tender side at home and letting his anxieties seep out in brief, quiet moments, Oldman delivers a vibrant and complicated portrayal not only marked by its impressive imitation, but by the immense range on display. The film as a whole doesn't prove quite as consistent. Tackling Dunkirk for the second time following 2007's Atonement, Wright serves up several acutely judged and thoroughly engrossing scenes, as well as an array of inventively composed shots. Frustratingly though, he also wades into moments of easy comedy and unconvincing sentimentality — most egregiously in a sequence where Churchill takes public transport without his minders and receives some down-to-earth wisdom from his constituents. In his defence, the filmmaker is partly trapped by the straightforward script, with The Theory of Everything screenwriter Anthony McCarten checking all of the expected boxes. Thankfully, Darkest Hour can always rely on Oldman, whose performance stands out above the formula. https://www.youtube.com/watch?v=CpKvpSr7p1g
Food is usually the gift you give when you can't think of anything else. Come on, you know it's true. That said, anyone getting their dad Gelato Messina's latest special Father's Day creation can't be accused of that. Actually, anyone who buys it for their dad instead of just nabbing it for themselves deserves to be the family favourite. As it did last year — and for the past few years for Mother's Day, too — chocolates are on the brand's Father's Day menu in 2022. Chocolate biscuits, to be exact. Are mint slice biscuits a staple of your parents' pantry? Do they make you feel nostalgic for that exact reason? Well, now you can get your daad the Messina version. The gelato chain does love taking other beloved desserts and giving them its own spin; see also: honey joys, Bounty and Chokito bars, Iced VoVos, Viennetta and Golden Gaytimes, just to name a few. Messina's minty biscuits, as these bikkies are called, come in 12 packs, and feature chocolate sablé biscuits with a soft mint centre that are then covered in 65-percent single-origin Messina dark chocolate. They're being made at the brand's Rosebery headquarters, and you can only pick them up online, for $25 a box plus shipping, from 9am, Monday, August 22. Then, they'll be sent by Monday, August 29. If you really are ordering them for your dad and yours come early, try not to eat them, obviously. Gelato Messina's minty biscuits will be available to order from 9am, Monday, August 22.
Leaping from the screen to the stage in 2018, Mean Girls not only found a second life in the theatre, but did so with singing and dancing. Unsurprisingly, the production was a hit. With the musical's book written by Tina Fey, its tunes composed by her husband Jeff Richmond and its lyrics by Tony-nominee Nell Benjamin, the machinations of high-school cliques struck just as much of a chord with audiences when set to songs — and given that the show's tracks have highly appropriate names such as 'Meet the Plastics', 'World Burn' and 'Here (You Can Sit with Us)', that's to be expected. Also easy to predict: the musical's next leap, with Cady Heron's tale heading back to the cinema. No need to stress if you haven't seen the all-singing, all-dancing Mean Girls on Broadway, because a film version will soon be brightening up a picture palace near you. When the movie adaptation screens on a Wednesday, you'll want to wear pink. And, like the Lindsay Lohan and Rachel McAdams-starring original film, as well as the stage musical that followed, you'll be basking in Fey's talents. She wrote the initial feature's screenplay and, as detailed by The Hollywood Reporter, she's now producing this new movie musical. So is Saturday Night Live's Lorne Michaels, although no other creatives — or cast, or a release date — have been announced. The story will stay the same, obviously, charting Cady's rough adjustment to American high-school life after spending the bulk of her childhood living in Africa — and her time spent with the resident popular clique, known as 'the Plastics'. If you're wondering how it all works as a musical, check out a clip from the stage show below: https://www.youtube.com/watch?v=uGmgEoOF7Gs Via The Hollywood Reporter.
Like your second beer on a warm summer evening, Drinking Buddies washes over you in exactly the way you want it to. The latest effort from prolific indie film maestro Joe Swanberg (Hannah Takes the Stairs), this is a movie made with the confidence of a director who has settled into his groove, supported by a cast who likewise couldn’t seem more at ease. A laid-back tale of friendship and love, unhindered by excessive ambition, this flick is funny, nuanced, relatable, touching, and an absolute pleasure to watch. Olivia Wilde and newly bearded New Girl star Jake Johnson play Kate and Luke, best friends who work together at an independent Chicago brewery. Big time beer buffs with goofy senses of humour, it’s obvious that the two are perfect for each other, except for the fact that they’re both in relationships, with the responsible Chris (Ron Livingston) and the cheery Jill (Anna Kendrick), respectively. Things change, however, after the four share a weekend at Chris’ family cabin, forcing everyone to reconsider how they feel about their significant other. While the presence of name actors makes Drinking Buddies his biggest film to date, Swanberg stays true to his micro-budget roots. A key figure of the mumblecore movement, his style is one of unobtrusive naturalism, complete with minimal plotting and on-set improvisation. The dialogue, clever and genuine, flows as freely as the booze — indeed, the beer the actors drink in practically every scene is real. How’s that for commitment to truth in art? Or maybe they all just liked getting pissed. Either way, it’s an approach that more Hollywood directors should try. Whereas the leads in most American rom-coms are so one-dimensional it's cringeworthy, in Drinking Buddies even the secondary players feel like fully fledged human beings. The story is predictable, but it doesn’t matter because you’re so invested in the characters. All four of the primary cast members are in fine form, although it’s Wilde, relishing the chance to stretch her acting muscles after a series of thankless roles in films like Cowboys & Aliens and The Incredible Burt Wonderstone, who clearly steals the show. Cinematographer Ben Richard, who also shot last year’s break-out indie hit Beasts of the Southern Wilds, brings a wonderful warmness to the film’s simple, everyday images. You’ll want to live in this film. Hang out with its character. Mostly, you’ll just want to go drinking with the characters. Drinking Buddies opens exclusive to Cinema Nova on Boxing Day. If the promise of a great film wasn’t enough, Nova is also offering one lucky viewer the chance to win a year’s supply of beer. For more information on both the movie and contest, go here.
It might seem counterproductive to leave Australia in search of a beach holiday, but across New Zealand's 15,000 kilometres of pristine coastline, there are more sheltered seafronts, rugged cliff-lined shores and black sand beaches than you can shake a towel at. Deciding where to spend the warmer months with sand in every crevice and saltwater lapping around your ankles can be an adventure in itself. This month, New Zealand enters another phase in its post-COVID reopening plan, and from 11.59pm NZST / 8.59pm AEST on Tuesday, April 12, we can once again visit our closest neighbours without needing to quarantine on arrival. If you've got a trip over the ditch on your 2022 wishlist, we've put together a list of some of the best New Zealand beaches that you should visit at least once in your lifetime — whether you're keen to brave a winter dip or you're just already dreaming of next summer's sojourns. TAWHARANUI REGIONAL PARK, AUCKLAND Found around 90 kilometres from Auckland central, Tāwharanui Regional Park offers the full spread of summery activities for keen adventurers. Once you've reached the end of the gravel access road, you'll be greeted by beautiful white sand shoreline, easy walking tracks and crystal-clear rock pools up for exploration. It's also known to pump out some beginner-friendly waves, so don't forget to pack your preferred floatation device. And to really make the most of your trip, book a spot at the tent campsite so that you can stare at the clear skies above. [caption id="attachment_791375" align="alignnone" width="1920"] Adam Bryce[/caption] CATHEDRAL COVE, COROMANDEL This gem is a must-do in the Coromandel — and for good reason. Golden sand and a stunning natural rock archway await, whether you decide to arrive at the picturesque spot by boat, kayak or on foot. Leaving from Hahei, the 45-minute walk is well maintained and traverses rugged farmland, before delving into native bush. There are plenty of dramatic vantage points for photo opportunities, but the main event is the beach where you can easily wile away an entire afternoon. [caption id="attachment_791442" align="alignnone" width="1920"] Department of Conservation[/caption] ANCHORAGE BAY, ABEL TASMAN NATIONAL PARK It can be hard to pick just one beach in the Abel Tasman, but how about starting with Anchorage Bay? The horseshoe bay is home to the first large beachside camping spot along the Abel Tasman walking trail and where boaties anchor their vessels — making it one of the more popular destinations in the national park. Here you'll find sweeping golden sand and turquoise blue waters, with a number of short walks leading to smaller secluded bays and stunning natural rock formations. During low tide you can walk across the tidal estuary to Torrent Bay. It'd also be rude not to mention (and jump in water taxi to) Kaiteriteri. [caption id="attachment_791435" align="alignnone" width="1920"] Adventure HQ[/caption] MAITAI BAY, BAY OF ISLANDS To really feel like you're on a tropical island, head to Maitai Bay at the point of the Karikari Peninsula. With its golden sand and crystal-clear blue water, the small sheltered horseshoe bay is something straight from a postcard. The destination can be extraordinarily popular in the summer months, so much so that local iwi declared the region a "no-take zone," in 2018 to allow sea life to recover. The rahui on fishing has finished, but we still recommend you reserve your time here for swimming, snorkelling and kayaking. If you're seeking a thrill, head through the bush at the right end of the beach and you'll find a stone ledge that serves as the perfect diving board. Book well in advance for a spot at the DOC campground. [caption id="attachment_664046" align="alignnone" width="1920"] Russell Street[/caption] PIHA, AUCKLAND Swim with caution at this rugged west Auckland beach. Piha might be best known for its strong currents and New Zealand's television answer to Bondi Rescue, but it's also a stunning location to spend the day. Choose your real estate on the hot black sand (don't forget footwear) and then cool off between the flags. Walking tracks can be completed along the headlands and up to scenic lookouts, while further along the coast are equally as wild beaches like Karekare and Muriwai where you can take a surf lesson and go horse trekking. [caption id="attachment_791439" align="alignnone" width="2048"] Awful-N4[/caption] NEW CHUMS, COROMANDEL Hidden away from the masses for most of the year, New Chums has previously been voted as one of the world's top ten beaches. The stretch of golden sand on the Coromandel Peninsula is fringed by pohutukawa and native forest and has no buildings, roads or infrastructure. Access to the one-kilometre undeveloped stretch of paradise is by boat or via a rocky foreshore walk from the Whangapoua car park. And once you're there it's no uncommon to spot marine life swimming the length of the beach. [caption id="attachment_791437" align="alignnone" width="1920"] Kiwi Canary[/caption] AWAROA, ABLE TASMAN NATIONAL PARK Awaroa made headlines in 2016 when it was bought via crowdfunding campaign by the New Zealand public for over two million dollars and then donated back to the national park. The secluded golden banks of Awaroa are only accessible to those walking the Abel Tasman Coastal Track two hours either side of low tide, or by boat or helicopter. A short walk inland there's the Awaroa Lodge where you can enjoy pizza under a glade of native trees, and there are several glamping and camping options for overnight holidaymakers. [caption id="attachment_791441" align="alignnone" width="1920"] Russell Street[/caption] NGARUNUI, RAGLAN Sometimes called Ocean Beach, Main Beach or Wainui Beach, this wild black sand beach with consistent waves is ideal for groms learning how to surf. The Raglan Surf School is parked up right on the vast west coast stretch for those keen to get in on the action, while more experienced riders can hire boards and wetsuits by the hour. With unforgiving riptides, ocean swimmers should stay between the flags. Hang around until the end of the day and you'll cop an extraordinary sunset. [caption id="attachment_791440" align="alignnone" width="1920"] Glen Sinclair[/caption] WHARARIKI, NELSON This windswept beach has to be one of the country's most photographed sections of coastline. The beach is only accessible via a 20-minute track from the end of Wharariki Road, which travels over farmland and through coastal forest. With particularly big seas, sight-seeing is the number one attraction here — and the Archway Islands will certainly serve up the goods. The group of four rock formations rising from the tide provide an exception photo opp, especially if you decide to tour the region on horseback. [caption id="attachment_791436" align="alignnone" width="1920"] Trevor Klatko[/caption] NINETY MILE BEACH, NORTHLAND This epic 88-kilometre-long stretch of sand has to be seen to be believed. The famed northland beach starts near Kaitaia and makes its way up to Cape Reinga. At low tide the beach is officially a public highway, but don't even think about bringing your rental hatchback here — several have been swallowed by the unforgiving seas. The dunes at Te Paki in the north are famously used for bodyboarding — just expect to take home pockets full of sand. Bring water, and sunscreen. From 11.59pm NZST / 8.59pm AEST on Tuesday, April 12, double-vaccinated Australian tourists will be able to holiday in New Zealand without needing to isolate on arrival. Tourists will be required to test negative for COVID-19 with a PCR or RAT before leaving Australia for their trip, before providing negative tests on day one and day five of their stay in New Zealand. For more information, head to the New Zealand Government's official COVID-19 website. Top image: Adam Bryce.
The Australian Shakespeare Company is back with another round of Shakespeare Under the Stars, bringing the Bard's famed works to your summer must-see list. And, Melburnians have two choices — including a light and lively comedy, plus a dark and brooding tragedy. In the first category sits A Midsummer Night's Dream, running from Friday, December 18–Sunday, January 24. Following an impending marriage, feuding lovers and an amateur acting troupe, it's set in a forest full of fairies — so the fact that you'll be watching in Melbourne's Royal Botanic Gardens is rather apt. The production stars Hugh Sexton as Theseus and Oberon, and Alison Whyte as Hipolyta and Titania. Then, from Saturday, January 30–Saturday, March 6 in the same place, you can settle in for one of the historic playwright's best-known and moodiest works: Macbeth. Get ready for a story of the conflict between morality and power, as the lead character as he becomes consumed by ambition, following a prophecy that he will become the King of Scotland. Patrons are encouraged to pack a picnic, nab a spot on the grass and enjoy the sunset before watching either show — or both. There'll also be an onsite bar, and you can pre-order catering, too. And, obviously, everything will be happening in a COVID-19-safe way.
Usually, Betty's Burgers serves up exactly what its name suggests. Sometimes, though, the chain adds something a little different to its menu. Both last year and this year, it has whipped up indulgent but affordable lobster rolls. For Easter 2020, it went with a prawn roll. Now, it's cooking up a limited-edition steak sanga. Combining a piece of wagyu steak, cheese, lettuce, onions, pickles and the chain's in-house sauce — as made from onion relish and sriracha mayonnaise — all on a long bun, Betty's new steak sandwich is available for dine-in (where open), takeaway and delivery from its restaurants spotted across Australia. If your stomach is already rumbling, you can tuck into one for $16 — or order a 'steak night' package and get two sangas, two serves of fries and a bottle of shiraz for $55. You'll need to get in quickly, though — while Betty's hasn't provided an end date for its latest addition to its menu, it's definitely a short-term affair that's only available until stocks last. And, if it's anything like the aforementioned lobster roll, expect it to sell-out — fast. When it isn't making steak sangas, Betty's is known for its Shake Shack-style burgs and frozen custard desserts (called concretes). While you can now grab one of the chain's burgers at over 20 locations across Australia, including six Sydney outlets, four Melbourne spots, four Brisbane outposts, one Toowoomba eatery and one location in Adelaide, the company first began in Noosa, and then expanded to the Gold Coast. With the chain's stores open for takeaway and most of them offering delivery via UberEats and Deliveroo, you can get your steak sandwich to pick-up or brought to your door. To check which options your local has, head to the Betty's Burgers' website or download the app for iOS or Google Play. Betty's Burgers' steak sandwich is available at all Australian stores for a limited time. To order, download the Betty's Burgers app for iOS or Google Play.
Canberra music, food and art festival Spilt Milk is set to return to the capital this November, celebrating its third outing with a suitably huge lineup. Heading up the bill is none other than US hip hop star Childish Gambino, fresh off the back of a #1 Billboard Charts debut for his single This Is America. He hasn't yet announced any other Australian shows, but Spilt Milk isn't billing his appearance as an exclusive, so chances are he'll announce at least a few more shows. (We've still got out fingers crossed that he bring his Pharos festival here after New Zealand.) He'll be joined at the capital's Commonwealth Park on November 17 by fellow international stars, UK pop legends The Wombats and LA producer RL Grime. There's also plenty of homegrown goodness on the menu, with the likes of Sydney singer-songwriter Vera Blue, indie-pop sensation Jack River, dance floor darling Hayden James and Canberra's own high-energy duo Peking Duk all set to take the Spilt Milk stage. But the musical lineup's not to be outdone by the rest of the program, with a ripper serve of visual art, tasty eats and pop-up bars on the cards. Get ready for a multisensory feast, as Hamburg-based artist Stefanie Thiele leads a team of local talent in creating a wondrous playground of installations and art experiences. And keep those taste buds satisfied throughout the day, with eats from the likes of Dirty Bird Food Truck, Bao Brothers, Happy As Larry and Chur Burger. If you fancy being a part of Spilt Milk round three, you'd best not dilly dally — the festival's debut event in 2016 sold out in a mere 18 minutes, while the following year's tickets were all snapped up within nine minutes. This year, Canberra locals will get first dibs, with Homegrown tickets on sale July 1. After that, pre-sale tickets will be available Australia-wide from noon on July 3, with a general admission release on sale at 12pm, Thursday, July 5. In the meantime, here's what you came for — the full lineup for Spilt Milk 2018. SPILT MILK 2018 LINEUP Blanke Camouflage Rose Channel Tres Childish Gambino Cub Sport Ebony Boadu Hatchie Hayden James Jack River Kinder Kira Puru Kwame Manu Crook$ Methyl Ethel Miss Blanks Moaning Lisa Peking Duk RL Grime Rolling Blackouts Coastal Fever Shockone Skeggs Thandi Phoenix The Jungle Giants The Wombats Thundamentals Vera Blue Willaris. K YG ARTISTS Faith Kerehona JBR Roskoe Stefanie Thiele VOIR (With more to be announced) FOOD Bao Brothers Eatery Chur Burger Dirty Bird Food Truck Happy As Larry Sofrito Paella Image: Cole Bennetts.
Calling all live theatre enthusiasts – get ready to immerse yourself in the world of Shakespeare's comedy in the heart of the St Kilda Botanical Gardens. Melbourne Shakespeare Company has announced its new musical production of The Merry Wives of Windsor, which will debut this year on Saturday, December 3. Following its contemporary interpretation of A Midsummer Night's Dream, the production company will deliver the same quality experience with a star-studded list of actors featuring Elle Sejean-Allen, Ellis Dolan and Chris Broadstock. The musical has enlisted a predominantly female cast including Anne Page (Lucy May Knight) and Fenton (Sarah Clarke) who play each other's romantic love interests. The recycled costumes and set design, which has been crafted from reused and reclaimed materials, is another highlight of the production. The best part? Picnics are encouraged and seating can be provided by the venue. The Merry Wives of Windsor will run from Saturday, December 3 to Saturday, December 24. Tickets can now be purchased via the Melbourne Shakespeare Company website. [caption id="attachment_876724" align="alignnone" width="1920"] Shae Khreish[/caption] Top Image: Shae Khreish
UPDATE: MARCH 13, 2020 — Due to the current global situation surrounding COVID-19, My Chemical Romance has decided to postpone their trip Down Under. And, as a result, Download has cancelled its Sydney and Melbourne festivals. Ticket holders will receive a full refund — including booking and payment processing fees — and organisers are currently working with My Chemical Romance and Deftones to schedule separate headline shows in 2020. We'll let you know when these are announced. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. The black parade is coming back to Australia, with the freshly reunited My Chemical Romance heading to Sydney and Melbourne for the 2020 Download Festival. The US group went its separate ways in 2013, but it seems you just can't keep this 00s emo outfit apart. Just last week, MCR announced that they're literally getting the band back together, and, after selling out their first reunion gig in Los Angeles quick smart, they're taking the show on the road. If you're keen relive your angsty emo teenage years and catch Gerard Way and co eight years after they last came to our shores for the 2012 Big Day Out, you'll need to head to the aforementioned festival — MCR aren't doing any sideshows on this tour. But, when Download hits Melbourne's Flemington Showgrounds on Friday, March 20 and Sydney's Parramatta Park on Saturday, March 21, the headliners will have plenty of support, including a heap of other rock and heavy metal standouts from the past few decades. They include Deftones, Jimmy Eat World, Clutch and Ministry — aka some heavy hitters in the worlds of alternative metal, punk-influenced rock, hard rock and industrial metal. Those keen on melodic metal will want to flock to Sweden's In Flames, while Scotland's Alestorm will get silly with pirate metal (yes, that's a thing), and Italy's Lacuna Coil will play their brand of rhythmic metal. And, no matter your tastes, Mongolia's The HU promise something you probably haven't seen before: hard rock combined with traditional Mongolian throat singing. Basically, if it's a type of rock or metal (of the musical kind), you'll find it on Download's lineup. Testament, Carcass, Baroness, New Year's Day and Venom Prism help round out the overseas contingent, while Australia is represented by local punk legends Bodyjar, plus Hands Like Houses, In Hearts Wake, Ne Obliviscaris and Clowns [caption id="attachment_749356" align="alignnone" width="1920"] Deftones[/caption] DOWNLOAD FESTIVAL 2020 FIRST LINEUP ANNOUNCEMENT My Chemical Romance (only Aus shows) Deftones Jimmy Eat World Clutch (only Aus shows) Ministry In Flames Testament Alestorm (only Aus shows) Carcass Lacuna Coil (only Aus shows) Hands Like Houses In Hearts Wake The HU Baroness Ne Obliviscaris Bodyjar New Years Day Clowns Venom Prison SKYND Thornhill Disentomb Stand Atlantic Plini RedHook Dregg Download 202o was scheduled to hit Melbourne's Flemington Showgrounds on Friday, March 20 and Sydney's Parramatta Park on Saturday, March 21. Top image: My Chemical Romance performing by NBSTwo via Flickr
How do you make a concert film when no concerts can be held to film? Australian director Andrew Dominik (Chopper, Killing Them Softly) and his now two-time subjects Nick Cave and Warren Ellis have the answer. How do you create a personal documentary that cuts to the heart of these Aussie music icons when, whether stated or implied in their vibe, both are hardly enamoured with having their lives recorded? Again, see: Dominik's new Cave and Ellis-focused This Much I Know to Be True. Performances in cavernous empty British spaces fill the movie's frames but, via stunning lighting, staging and lensing, they're as dazzling as any IRL gig. The interludes between tunes are brief, and also intimate and revealing. The result: a phenomenal doco that's a portrait of expression, a musing on an exceptional collaboration and a rumination upon existence, as well as a piece of haunting cinematic heaven whether you're an existing Cave and Ellis devotee, a newcomer or something in-between. Dominik, Cave and Ellis initially teamed up when the latter duo scored the former's The Assassination of Jesse James by the Coward Robert Ford. Later this year, when upcoming Marilyn Monroe biopic Blonde hits screens, the same arrangement will provide its soundtrack. But in the middle sits 2016 doco One More Time with Feeling and now This Much I Know to Be True, as entrancing a pair as the music documentary genre has gifted viewers. The first factual flick found Cave and Ellis recording the Nick Cave and the Bad Seeds album Skeleton Tree, as Cave also grappled with the death of one of his sons. Here, its follow-up is shaped by the first performances of Cave and Ellis' latest albums — the Bad Seeds 2019 release Ghosteen, and Cave and Ellis' 2021 record Carnage — plus the pandemic and the lingering effects of grief. Chatter precedes tunes to begin This Much I Know to Be True — talk, a revelation and a mini art exhibition, in fact. To the camera, Cave quips that he's "retrained as a ceramicist, because it's no longer viable to be a musician, a touring artist". He's joking about giving up music, of course, but serious about his foray into porcelain. Donning a white lab coat, he walks the audience through his workshop, sharing a series he's dubbed The Story of the Devil in 18 Figurines. That'd make a phenomenal title for one of his tracks, but it isn't. One piece's individual moniker, The Devil's Last Dance, also sounds like a song title. Unsurprisingly, Cave unfurls the same kinds of tales while explaining his ceramics — about a figure he's clearly long been fascinated with, and about choices, family, loss, redemption and mourning — as he always has behind the microphone. This attention-grabbing introduction serves several purposes, from pointing out the English government's patently ridiculous advice to artists during COVID-19 to setting the film's tone. There's always been a bewitching blend of the ethereal, mysterious and dark to Cave's music, and a sense of poetic preaching to his lyrics; his early musings here about the devil at various moments in his life earn the same description, and establish the movie as a type of spiritual experience. Fans of any star are guilty of seeing their hero's work in that light. It's especially true of musicians, who innately turn concert venues into altars for their disciples to worship their output. Still, when This Much I Know to Be True hones in on Cave at his piano, or behind the mic, spotlights casting him in a hypnotic glow while bathing his surroundings in blackness, that feeling couldn't be more blatant — and earned. This Much I Know to Be True takes its name from lyrics from Cave and Ellis' 'Balcony Man', the final track on Carnage — their first-ever solo record together beyond their many film-score collaborations — and ponders belief, gratitude and acceptance. Those same themes flicker through the movie, but largely while immersing viewers in Cave and Ellis' songs rather than addressing that trio of notions directly. And what performances they are, stripped back and gloriously theatrical at once, with Dominik, extraordinary cinematographer Robbie Ryan (C'mon C'mon, Marriage Story, The Favourite) and lighting designer Chris Scott crafting a mesmerising visual experience. Watching the camera circle, bulbs pop and dim, and shadows and shine make Cave's distinctive face look like a spectacular work of art, it's impossible not to surrender to the film's thrall. Layer in Cave and Ellis' grand sounds, as backed by singers, a string quartet and a brief appearance by Marianne Faithfull, and it's simply transcendent. Faithfull also gets the film's funniest line: "did he just call you Waz?". Usually seen prowling around Cave as he croons — conducting, playing instruments and sometimes singing himself — Ellis explains Australia's fondness for shortening words in such a fashion, and also happily becomes the film's scamp, a part he's obviously enjoyed for decades with his long-standing creative partner. While This Much I Know to Be True isn't short on standout moments, including whenever Cave and Ellis perform, the separate but intercut discussions between Dominik and the pair about their working relationship is a delightful highlight. Ellis is mischievously candid about his disdain for order. Cave is frank about the chaos that happens between them in the studio. He's also a game interviewee about Ellis' growing influence; "he took a subordinate role and slowly, one by one, took out each member of the Bad Seeds," Caves notes. "I'm the next to go. He's singing a lot more, I've noticed." There's tenderness and openness in these conversations; introspection, existential musings, bold self-insights and joy, too, and tussling with simply getting on with each day as it comes. Moviegoers and music aficionados alike haven't lacked chances to see Cave in cinemas recently — including in 2014 docudrama 20,000 Days on Earth and 2020 concert film Idiot Prayer: Nick Cave Alone at Alexandra Palace — but there's a particular perceptiveness and poignancy pulsating through This Much I Know to Be True. Cave captures it when he talks through his responses to his The Red Hand Files website and emails, where anyone can ask him anything. The questions he receives cut deep and, advising that he has to force himself to consider them carefully and with empathy, his answers do as well. He approaches them not as a star, musician or writer, but as a person, husband, father and friend who makes stuff, which is also how he now prefers to describe himself, he says. As much as anything else — and this sublime, vivid and potent doco is many things — This Much I Know to Be True is a heartfelt ode to that truth. Top image: Nick Cave Productions.
Whether you love his work, get frustrated by his off-screen behaviour or just don't know what to make of him, Shia LaBeouf can't be accused of being boring. His resume spans everything from family sitcoms, Transformers flicks and lyrical road trips into America's heartland, to performance art at the Sydney Opera House and live-streamed anti-Trump protests — as well as marathoning his own movies in public, and wearing a paper bag on his head at the Berlin International Film Festival. His output and antics can only be described as eclectic, and, as much as anything can fit that pattern, LaBeouf's next project seems to. Called Honey Boy, it's an autobiographical film written by and starring the actor. Delving into his past as a child star, LaBeouf doesn't play himself, but instead steps into his father's shoes. Laying bare his own tumultuous ups and downs during his childhood and young adult years, LaBeouf grapples with his fame, mental health and addictions — while getting Noah Jupe (Wonder, A Quiet Place) and Lucas Hedges (Manchester by the Sea, Lady Bird, Boy Erased, Ben Is Back) to play versions of his on-screen alter-ego, called Otis, at different ages. Directed by first-timer Alma Har'el, the film also features FKA Twigs, Natasha Lyonne, Clifton Collins Jr, Maika Monroe and Martin Starr. While, on paper, Honey Boy certainly sounds as if it could go either way — as many of LaBeouf's stunts have over the years — it premiered at Sundance back in January to rave reviews. And, as the just-released first trailer shows, it doesn't hold back when it comes to delving into trauma. The same can be said of LeBeouf's performance as his dad, and of Hedges' impersonation of LeBeouf as a teenager. Check out the trailer below: https://www.youtube.com/watch?v=X2jNCFjALSA Honey Boy doesn't have a release date Down Under as yet — we'll update you if and when that changes.
If your sweet tooth has had to endure a scarcity of Black Star's famed pastries since the brand's St Kilda outpost shut for renovations, you'll soon be able to satisfy those cravings by feeding it exactly what it's been missing. The Bayside store is back in the game as of this week, throwing open its doors to show off a head-to-toe makeover. Welcoming cake fiends from Thursday, October 6, the new-look Acland Street outpost now boasts a new production kitchen and a revamped minimalist storefront — with stepped stadium-style seating and a grand mirrored installation taking pride of place. Cabinets will once again be stocked full of Black Star's signature sweet treats, headlined by the cult-favourite Strawberry Watermelon Cake. You'll also find a range of all-day eats, including egg-and-bacon rolls, ham-and-cheese croissants and ratatouille tarts — as well as all the usual winners from the drinks list, including the new Strawberry Watermelon Latte and Hot Chocolate Mirage. This time around, however, the store has an extra sweet offering for time-starved cake lovers. The new Cake Concierge pick-up service allows you to pre-order your treats, phone ahead with an ETA and be met at a designated valet bay, so staff can run your order out to you — along with a complimentary coffee. All of the cake, none of the hassle of leaving your car. As you'd expect, Black Star is launching its new store with some cake-filled celebrations, on Saturday, October 8. There'll be giveaways galore and free coffees by St Ali, plus a two-for-one cake deal that'll let you mix and match your favourites on the cheap. Find Black Star Pastry's new-look store at 2C Acland Street, St Kilda. It's open from 8am–4pm Wednesday to Sunday.
Nearly two decades have passed since a pair of Melbourne talents made a low-budget horror flick that became a franchise-starting smash, sparking their Hollywood careers. Thanks to Saw, James Wan and Leigh Whannell experienced every aspiring filmmaker's absolute fantasy — a dream they're still living now, albeit increasingly on separate paths. Wan's latest, Malignant, is firmly grounded in those horror roots, however. Most of the Insidious and The Conjuring director's resume has been, aside from recent action-blockbuster detours to Fast and Furious 7, Aquaman and the latter's upcoming sequel. With Malignant, though, he shows how strongly he remains on the same page as his former collaborator. Anyone who's seen Whannell's excellent Upgrade and The Invisible Man will spot the parallels, in fact, even if Malignant is the far schlockier of the three. Malignant is also an exercise in patience, because plenty about its first half takes its time — and, when that's the case, the audience feels every drawn-out second. But after Wan shifts from slow setup mode to embracing quite the outrageous and entertainingly handled twist, his film swiftly becomes a devilish delight. Heavily indebted to the 70s-era works of giallo master Dario Argento, David Cronenberg's body-horror greats and 80s scary movies in general, Malignant uses its influences as fuel for big-swinging, batshit-level outlandishness. Most flicks can't segue from a slog to a B-movie gem. Most films can't be saved by going so berserk, either. Wan's tenth stint behind the lens can and does, and leaves a limb-thrashing, blood-splattering, gleefully chaotic imprint. Perhaps it's a case of like name, like approach; tumours can grow gradually, then make their havoc felt. Regardless, it doesn't take long within Malignant for Dr Florence Weaver (Jacqueline McKenzie, Miss Fisher and the Crypt of Tears) to proclaim that "it's time to cut out the cancer" while treating a locked-up patient in the film's 1992-set prologue. This is a horror movie, so that whole event doesn't turn out well, naturally. Jump forward a few decades, and the feature's focus is now Seattle resident Madison Mitchell (Annabelle Wallis, Boss Level), who is hoping to carry her latest pregnancy with her abusive husband to term. But then his violent temper erupts again, she receives a head injury, and childhood memories start mixing with visions of gruesome killings linked to Dr Weaver's eerie hospital — visions that Madison sees as the murders occur. Bearing telepathic witness to horrific deaths is an intriguing concept, although hardly a new one — and, that aforementioned first scene aside, it's also the most interesting part of Malignant's opening half. Wan and screenwriter Akela Cooper (Grimm, The 100) play it all straight and obvious, including when the cops (Containment's George Young and Songbird's Michole Briana White) are skeptical about Madison's claims. That leaves only her younger sister Sydney (Maddie Hasson, Mr Mercedes) believing what's going on, and leaves the movie a plodding psychological-meets-supernatural thriller predicated upon routinely predictable but improbable character decisions. It makes the second half feel positively electrifying in contrast, when the big shift in tone comes, but also makes viewers wonder what might've been if that lurid look and kinetic feel had been present the whole way through. When the change arrives — with exactly why and how clearly one of those horror-movie details best discovered by watching — Malignant proves deliriously riveting. It sports a creepy yet slinky vibe, as well as a surging and hypnotic sense of physicality, all attuned to an inventive revelation that's all its own. The script's huge surprise isn't actually hard to pick, but Wan's execution is masterful and mesmerising. Here, the film becomes gloriously slick and pulpy, instead of relying upon the usual gradual zoom-in shots or sticking with an almost-house style (cinematographer Michael Burgess also lensed the Wan-produced Annabelle Comes Home, The Curse of the Weeping Woman and The Conjuring: The Devil Made Me Do It). It also evolves from a formulaically jangling score and soundscape to one with nervy purpose, embraces the kind of ridiculousness that'd be downright silly if it wasn't so well done, and adds a fresh sense of spirit to the possession-fuelled side of the genre. Wan has rarely made dull movies, after all, which is another reason that Malignant's long-gestating first section feels like a drag. Indeed, when the sagas his movies have sparked have been at their most generic, he hasn't been at the helm. That said, the fact that Malignant truly needs to grow on its audience, that it's firmly a picture of two halves, and that it starts with the unrestrained, lets it fall away, then sneaks up on the unsuspecting — that really couldn't be more apt once the film spills its narrative secrets. While Malignant isn't a character study by any means, Wallis breathes as much depth as she can into Madison in the movie's flatter half — and, in her third appearance in a Wan-related flick after The Conjuring spinoffs Annabelle and Annabelle: Creation, commits to the lunacy when it hits. Her co-stars have a much more standard time, including acclaimed stuntperson and Quentin Tarantino regular Zoe Bell (Once Upon a Time in Hollywood) in a brief appearance, but this isn't a performance-driven film, either. It also isn't all that scary. Although Malignant can be sublimely off-kilter, that isn't the same eliciting genuine bumps and jumps. Still, when a horror flick shocks, delights and takes viewers on the type of wild and audacious ride that Malignant eventually serves up, it stands out. And yes, like much of Wan's work, it'll undoubtedly spawn a franchise.
He's the horror and thriller author responsible for bloody proms, haunted hotels, possessed cars, sewer-dwelling clowns and spooky animal resting grounds, not to mention literary stalkers, depression-era death row prisoners, a town plagued by unexplained fogginess and another trapped under a dome. Indeed, since coming to fame with Carrie back in the 70s, Stephen King has never proven unpopular — but the world sure loves the writer's work right now. The viewing world in particular seems to adore King at the moment, with page-to-screen adaptations of his books popping up thick and fast. In 2019 alone, a new version of Pet Sematary hit cinemas, as did IT: Chapter Two, and The Shining sequel Doctor Sleep is dropping next month — while In the Tall Grass recently arrived on Netflix. On the small screen, Mr Mercedes is up to its third season, Castle Rock is just about to start unfurling its second and Creepshow's first recently landed. Next year will see three more TV shows join them, too, all based on King's books — and if you like the author in murder-mystery mode, you might want to add The Outsider to your viewing list. HBO's addition to the fold is a ten-part mini-series taking inspiration from King's 2018 novel of the same name, which focuses on the gruesome death of an 11-year-boy. Little League coach Terry Maitland (Jason Bateman) is suspected of the shocking murder, with his fingerprints all over the scene; however, video footage places him 60 miles across town at the time the crime went down. Unravelling just what happened is a task for police detective Ralph Anderson (Ben Mendelsohn), who's also mourning the death of his own son. When nothing seems to add up, he brings in unconventional private investigator Holly Gibney (Widows and Bad Times at the El Royale's Cynthia Erivo) to help, despite him professing to have "no tolerance for the unexplainable". In case you're thinking that this all sounds like one of King's more straightforward tales, "an insidious supernatural force" is also involved according to the official HBO synopsis — it is called The Outsider, after all. Mendo, Australia's favourite current acting export, also produces the show, as well as seemingly getting a rare chance to play something other than a blockbuster baddie of late (see Rogue One, Ready Player One and Robin Hood, for example). As for recent Emmy directing winner Bateman, he executive produces and jumps behind the lens on the series' first two episodes. Check out the first teaser below: https://www.youtube.com/watch?v=I03MAkQ_OyM The Outsider starts airing on Sunday, January 12 in America — we'll update you once viewing details for Down Under have been announced.
If brutal honesty, passionate angst and extraordinarily affecting personal songwriting is your jam, rejoice the return of Martha Wainwright to Australia for a massive, 12-date national tour. Part of a large, fractured musical family, it was perhaps fitting that Martha made her first big splash with 'Bloody Mother Fucking Asshole', a song at once heartbreaking and defiant, laying bare her difficult relationship with her father in an extraordinarily public way. And her forthcoming album, Come Home to Mama, continues this deeply personal approach to music, inspired by the six-month period in which she gave birth to her first child and lost her mother — legendary Canadian folk singer Kate McGarrigle — to cancer. But it's not all doom and gloom. Over the years Wainwright has established herself as a compelling and engaging performer with an extraordinary voice, one that will have you in tears one moment and tapping your feet the next. It won't be an easy night, but it could be an amazing one. 31 May – The Tivoli, Brisbane 1-2 June – Byron Theatre, Byron Bay 6 June – Sydney Opera House 8-9 June – Live n Cookin' @ Lizotte's, Newcastle 13 June – Theatre Royal, Hobart 14-15 June – Recital Centre, Melbourne 16 June – Memorial Hall, Leongatha (VIC) 20 June – Dunston Playhouse, Adelaide 22 June – Astor Theatre, Perth Tickets for the Sydney Opera House show are on sale on Friday, April 12, at 9am. More ticketing information here. https://youtube.com/watch?v=pX-bIr8dr6U
If you're sick of bringing crackers and dip to the party, but get cheese blind when faced with a fridge full of fromage, then read on. There's no need to taste everything in the deli (although that isn't ever a bad idea), and we've a little something for you to ensure cheese no longer becomes such a pandemonium requiring social etiquette. Soon you'll be able to tell everyone how nutty but sweet the prima donna is. The Dutch-style gouda, that is. So, fromage fans, listen up: here's Concrete Playground's bluffer's guide to cheese. 1. Cheese 101: How is Cheese made? Apparently, the process of cheese making was an accident. The story goes that milk overheated in a storage container of some sort, soured and created curd. Now don't squirm, but rumour has it that the said 'container' was either an animal's internal organ or an inflated animal skin. Nowadays, it's more of a civilised process. The milk (from a cow, sheep, goat or buffalo) is pasteurised (heated then cooled to remove harmful pathogens) then starter cultures and rennet are added. This causes the milk to coagulate into an attractive custard-like mess. Miss Muffet then separates the curds and whey (milk serum) and appropriately ripens to enhance the variety of textures and flavours. 2. Varieties So how can one identify all those cheeses at the deli? It is possible to judge a cheese's character by its rind; the texture, taste, strength of flavour, and even maturity. However, for us cheese novices, it's best to just remember these types to get the mozzarella ball rolling. Fresh cheese: feta, cottage, ricotta and cream cheese Soft white cheese: brie and camembert Washed rind (warning: stinky): tallegio and langres Blue: roquefort, gorgonzola, stilton Semi-hard: cheddar, manchego and gruyere; and Hard (robust flavour): parmesan. And lest we remind you that there's always the 'try before you buy' option. 3. Storing cheese The common rule of storing cheese is to store in its original wrapping. Failing that, plastic wrap is fine. If left unwrapped, the cheese will dry out and lose flavour. Harder cheeses have a longer shelf life than fresher types, such as a cream cheese or feta. These should be kept in their container with the lid on so no air can get in. If you start to smell something funkier than the cheese should, toss it. Make sure blue cheese and rind cheeses are kept tightly wrapped and separate to other food as their odour is quite strong. Again, you don't want your housemates to think something died in the fridge every time they open it up to get their milk. Mozzarella and bocconcini should be kept in their water, and don't get turned off if the water starts to get mirky coloured. It's just the milk in the water as the cheese releases its salt. But, as Stefano says, "to be honest, I never store. I always open and finish what I eat!" So shame on you if there are leftovers. 4. The perfect cheese board When preparing a cheese board, Stefano suggests not having more than three cheeses on offer and only one or two accompaniments per cheese. It's also best to bring the cheeses to room temperature in order to appreciate their full flavour. As a guide, you generally want a soft white cheese (such as brie), a blue (Ra Roquefort from France) and a firmer type (such as vintage cheddar). But don’t be afraid to ask your cheesemonger for recommendations. Encourage guests to cut wedges 'nose to tail' and cheese with rinds from centre to the edge. And don't forget to allow a few knives for cutting. You can't have the Stinking Bishop on the Jean de Brie. In terms of accompaniments, "definitely sliced pear, fig jam, quince paste or even orange marmalade, muscatel grapes and honey. And olives of course!" says Stefano. 5. Matching cheese with wine Cheese and wine. They're a perfect match. Complimenting the two requires a bit of time and experiment, but lest we forget to remind you that one without the other is a social faux pas. You can't go too wrong, however, if you follow the golden rule: the whiter and fresher the cheese, the whiter and crisper the wine; the darker and stronger the wine, the darker and stronger the cheese. For instance, brie is best matched with a dry sparkling or chardonnay; edam is great with a shiraz, grenache or pinot noir; and camembert's delicate 'mushroomy' character would be nicely offset with a sparkling white. Stefano highly recommends manchego for a dry white, and a simple cheddar for any red. He also emphasises that "any cheese will be good!" Cheese to that, we say. 6. Best melting cheese for pizza Mozzarella is originally from Italy, so it goes without saying that it would be the most ideal cheese for a pizza. "I love the buffalo mozzarella, just because of its white colour", says Stefano, "my pizza is just red and white. The tomato and the mozzarella." Bocconcini (any type is good) goes down a treat on pizzas too; its semi-soft elastic texture is mild, yet a little sweet. Stefano recommends cherry bocconcini. "The small balls are easy to slice and melt beautifully," he says. 7. European vs Australian ... similarities and differences With over 45 countries producing their own varieties of different cheeses, how on earth are we meant to decipher the difference ourselves? Basically, the flavour is affected by its origin. So essentially this comes down to what grass the cows or sheep are grazing on. For example, all blue cheeses are named so because of the mould Penicillin that is added, however, each has their own flavour and characteristic. A Bleu de Gex from Germany may be richer than a gorgonzola from Italy. The Greek's tend to add more salt to their varieties too. Think haloumi and feta (compared to a creamier Danish type). Most cheeses are named so after their place of origin. Fine examples include Gruyere, (Switzerland), Brie (region in France), Cheddar (England), Fontina (Italy), Havarti (named after a Danish farm called Havarthigaard) and Jarlsberg (Norway). 8. Cheese on a budget This can be done. Visit your local deli and suss out what's on special. Don't be shy to ask for a taste too. if you're going to be spending your pennies on cheese, it has to please. Stefano says that camembert, manchego, local vintage and smoked cheddar are generally going to be the more affordable varieties and "will always go down a treat no matter what". Pricier cheeses don't necessarily indicate that they will knock your socks off either, as it is a matter of preference. The price is just an indication that it's from a smaller farm and/or imported. Artisan cheeses are often more expensive as they are made by hand using traditional methods. 9. Talk like a pro Before you go forth and preach the gospel of cheese to your friends, brush up on these decorative phrases to raise a few brows ... "Wow, the camembert has a very pronounced, 'mushroomy' flavour." "This pecorino grated on the pasta is quite piquant and not too acidic. It’s not as strong as Parmesan Reggiano and seems to add a strong dimension to the dish." "I like semi-soft cheeses such as Monterey Jack, for its mild and buttery flavour. It goes perfectly with a good lager." "Epoisses is quite voluptuous with a well-rounded flavour." "I'm after something a little nutty, yet mild and pleasant. Nothing too earthy and pungent please."
Huge music tours are back on Australia's agenda — and they aren't just confined to chart-topping stars, iconic names and huge festivals. In the classical world, the London Symphony Orchestra is also coming our way to play a series of shows in Brisbane, Sydney and Melbourne. And, the 2023 tour will mark only its fourth-ever trip Down Under. Famous for everything from being the official orchestra of the London 2012 Olympic and Paralympic Games ceremonies through to recording the Star Wars, Superman, Indiana Jones, Thor and The Shape of Water film soundtracks, the LSO held its first-ever gig in 1904. That means it's been picking up its instruments for almost 120 years — and in that time, it has only visited Australia on three occasions before now. The April and May shows at QPAC in the Sunshine State, the Sydney Opera House in the Harbour City and Arts Centre Melbourne in Victoria will also see the orchestra make the journey Down Under for the first time since 2014. If it's drama you're after, get ready to watch music director Sir Simon Rattle's baton fly as he conducts the orchestra during his final season with the organisation. The LSO is bringing 114 musicians our way for the tour, including two Australians: Naoko Keatley and Belinda McFarlane, both on violin. And, it's the largest orchestra it has ever toured to our shores. The orchestra will play three different programs — two each in Brisbane and Melbourne, and a third in Sydney as well. All cities will be treated to a night featuring John Adams' 'Harmonielehre', Claude Debussy's 'La Mer' and Maurice Ravel' 'Daphnis and Chloé Suite No.2', plus an entire evening dedicated to Gustav Mahler's 'Symphony No.7'. As for that extra Sydney gig, it'll feature Daniel Kidane's 'Sun Poem' and Anton Bruckner's 'Symphony No.7'. Before its 2014 tour, the LSO first came to Australia in 1966 and then again in 1983. LONDON SYMPHONY ORCHESTRA 2023 AUSTRALIAN TOUR Friday, April 28–Saturday, April 29 —Queensland Performing Arts Centre, Brisbane Monday, May 1–Wednesday, May 3 — Sydney Opera House Friday, May 5–Saturday, May 6 — Hamer Hall, Arts Centre Melbourne The London Symphony Orchestra will tour Australia in April and May 2023. For further information and to buy tickets — with on-sale dates varying per city — head to the Sydney Opera House, Melbourne Symphony Orchestra and websites. Images: Mark Allen.
There's a vibe that buzzes through a venue just before a live gig starts. It's a feeling of excitement shared by a room, arena or field full of people who just can't wait to see a performer take to the stage, and to completely surrender their senses to a show for the next few hours. We all know it. If you're fond of seeing musicians, bands and comedians do their thing right in front of your eyes, you love it. But for nearly two years now, much of Australia has missed it — or missed experiencing it whenever we liked, as was the norm before the pandemic. The country's live entertainment industry has obviously been suffering due to COVID-19, and the lockdowns and restrictions that've been helping to stop the spread since March 2020. Yes, that's an understatement. So, more than 400 artists, performers and other organisations involved in putting on live shows — think: venues, music festivals, tour promoters, ticketing agencies, record labels and comedy producers, as well as theatre, opera and dance companies — have banded together to encourage a way forward. As the Melbourne Symphony Orchestra did back in July, this alliance has kicked off a campaign that's all about getting the jab. The message: #VaxTheNation, stop the interruptions to our daily lives. Accordingly, the just-dropped campaign commercial features shots of sights that feel a bit like a dream from another time, with performers on stages and packed crowds lapping up their sets. These images play to the sound of Powderfinger's 'My Happiness' — and yes, the Brisbane band is one of the big names backing the initiative. Also involved: Jimmy Barnes, Courtney Barnett, Paul Kelly, G-Flip, Tim Minchin, Celeste Barber, Vance Joy, Archie Roach, Amy Shark, Regurgitator, Courtney Act, Birds Of Tokyo, Tom Gleeson, Amyl & The Sniffers, Hilltop Hoods, Nazeem Hussain, Marcia Hines, Midnight Oil, Judith Lucy, RÜFÜS DU SOL, Nina Las Vegas, Briggs, Daryl Braithwaite and Human Nature. The list of performers and musos throwing their names behind the campaign goes on, while new industry group Live Alliance — which includes folks from a heap of other live entertainment bodies — are onboard as well. Check out the #VaxTheNation commercial below: In a statement, Live Alliance members said that "the impact of the pandemic on Australia's world-leading music, theatre, comedy and live entertainment industries has been truly devastating. Getting vaccinated is the crucial step fans can take which will allow us to join together and enjoy the unbeatable magic of live performance once again." Those sentiments have been backed up by words of encouragement from plenty of the high-profile names involved, too. "It's like boxing — a few well-placed jabs can keep your opponent at bay — so let's get the jab to fight COVID-19 so we can get back to what we love doing," noted Archie Roach. "I miss my family, I miss my mates, I miss travelling, I miss performing and sweating it out with other music loves at live music events. But every day when I see those vaccination rates getting higher and higher, it reminds me that I'll be doing all of that again soon and we are so, so close now to dancing together again!" said KLP. "This IS a race. A race we are all running, together," advised Tim Minchin. "As someone who hates COVID and is desperate for attention, I think we should all vax it up so we can get back to normal and have comedy and music and theatre again ASAP. Let's #VaxTheNation so we all have a reason to have a shower and leave the house," said Tom Ballard. If you're now looking for vaccination clinics, you can check out a handy online map that collates vaccination hub, clinic and GP locations. It covers all Australian states and territories, including New South Wales, Victoria and Queensland. For more information about #VaxTheNation, head to the campaign's website.
Melbourne's new home of high-end Japanese, Toko, knows how to throw a party. Case in point: on New Year's Eve, they're inviting you to graze from a shared tasting menu that looks almost too good to be true. Feast on freshly shucked oysters, venison carpaccio with nashi pear and potato airbags, seared wagyu beef with eschallots and chives, and soft-shell crab with wasabi mayonnaise. And make sure you leave room for the dark chocolate mousse with mixed berries and passionfruit. The $175 per person sitting also includes beer and red, white and sparkling wines. To book a table, call (03) 9521 3155 or email events@toko-melbourne.com.
Musicians around Australia are taking to the streets in an unusual form of protest. In response to the recent decision by ABC Radio National to decommission music programs The Daily Planet, The Inside Sleeve, The Live Set and The Rhythm Divine, buskers will gather en masse outside ABC offices in capital cities to voice their concerns and belt out a few tunes. Set to take place in Sydney today, Melbourne, Adelaide, Perth and Hobart tomorrow, and Brisbane next Thursday, the RN or Busk protests are being coordinated by the Save RN Music campaign. "We need these shows for our careers, our community, our families and Australian Culture, because these shows play and support independent adult contemporary music," reads the Facebook event page for the Melbourne protest. "They are the lifeline from the musicians to the audience." Meanwhile, a number of prominent musicians including Paul Kelly, Missy Higgins, Archie Roach, Sarah Blasko, Tim Freedman, Megan Washington and Dan Sultan have co-signed an open letter addressed to ABC board members saying they were "appalled" by the ABC's decision to scrap the programs "without proper industry and public consultation". "The cuts deliver a fundamental blow to diverse, vibrant and independent sectors of the Australian music industry, which receive minimal national radio coverage elsewhere," the letter reads. It also directs the board to an online petition, signed by more than 15,000 people, that calls on the ABC to reverse its decision. To find a busk in your city, go here, and to learn more about the Save RN Music campaign, go here.
Every quarter, Australia's Bureau of Meteorology releases its climate outlook for the coming season, signalling to the country just what type of weather might be in store. For the winter just gone, for example, it advised that we were in for hotter and wetter-than-average conditions. And, for both spring and summer, it's now predicting plenty of warm-weather rain. BOM's spring forecast was actually released at the end of August, noting two key points. First, it advised that there's a high likelihood of above-average rainfall across this period. Secondly, it noted that temperatures are likely to be average or even slightly below average in the nation's south, and warmer than usual in the country's north. Since then, however, the Bureau has issued two further statements about spring and summer's weather — with the latest stressing that there's an increased chance of flooding and cyclones. Thanks to BOM's severe weather outlook, it's sensible to expect damp conditions from October through until April, as a result of La Niña. The news follows an announcement at the end of September, when the Bureau revealed that the coupled ocean-atmosphere phenomenon was now active in the Pacific Ocean, and was likely to remain that way until at least the end of 2020. Some La Niña events can last around a year. When it comes to flooding, BOM advises that because La Niña is expected to bring more rain to Australia's east and north, the risk of widespread flooding increases. It also notes that rain has already been hitting some drought-affected areas. https://twitter.com/BOM_au/status/1315493814958583808 In regards to tropical cyclones, it predicts that there's an increased risk in the country's north. "On average, Australia sees nine to 11 tropical cyclones each year, with four crossing the coast. With La Niña this year we are expecting to see slightly more tropical cyclones than average, and the first one may arrive earlier than normal," said Bureau climatologist Greg Browning. BOM also advised that there's average potential for heatwaves and severe thunderstorms across the coming months. In good news after last year's catastrophic bushfire season, the Bureau is forecasting average fire conditions for the rest of 2020 and the beginning of 2021, too, as linked to the wetter weather. "This fire season, we're expecting wetter than average conditions in eastern and northern Australia, so long-running large bushfires are less likely; however, a wetter spring can lead to abundant grass growth, which could increase fire danger as it naturally dries during summer," noted Browning. If you're wondering what all of the above means, temperature-wise, it depends on the state. Queensland is never cool once spring and summer hits, but above-average temps are particularly forecast for the state's northern half. In New South Wales and Victoria, higher-than-average temperatures are predicted, with longer and more humid heatwaves possible in NSW's south and across the entirety of Victoria. The latter also applies to South Australia, although it might be in for fewer days of extreme heat. Western Australia can expect higher-than-average temperatures across the state, especially in the northeast. For further details about the Bureau of Meteorology's spring and summer forecasts, check out its spring outlook and severe weather outlook.
Miley Cyrus has cancelled her trip to Australia, and her performance at this week's World Tour Bushfire Relief, due to health concerns surrounding COVID-19. The US pop star took to Twitter to make the announcement, saying the decision was made after recommendations from "local, state, federal and international authorities, including the Center for Disease Control". Cyrus also said she'll still be making a donation to help the victims of the bushfires, and that she'll be "back soon". https://twitter.com/MileyCyrus/status/1237210910835392512 As a result, the charity concert has itself been cancelled. All ticket holders will be contacted by Ticketek shortly and receive a full refund. World Tour Bushfire Relief was due to take over Lakeside Stadium on Friday, March 13, with country music star Lil Nas X (of 'Old Town Road' fame), Aussie pop duo The Veronicas and DJ Seb Fontaine also on the lineup. Money raised would've gone to the WWF Australian Wildlife and Nature Recovery Fund, and the Foundation for Rural and Regional Renewal. Would Tour Bushfire Relief will no longer take place on Friday, March 13. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Flickr via Karina3094.
When Quibi launched in Australia and New Zealand back in April, it added yet another streaming platform to the already lengthy list of services competing for your eyeballs. But this newcomer comes with a few twists — serving up its content in small chunks of up to ten minutes in length, for starters, and also designing it all for viewing on your phone. Over the past few months, however, the platform has also undergone some changes. The big one: letting viewers stream Quibi's movies and TV shows from their phone to their television. While the service launched as a mobile-only app, forcing you to watch it on your device of choice, it added Airplay and Chromecast capabilities back in June — after realising that folks didn't just want to view things by themselves on a tiny phone screen, particularly when we're all spending more time at home during a pandemic. Now, Quibi has announced another new change. With the app's original 90-day free trial period now over, it has added a completely free ongoing option for viewers in Australia and New Zealand. There is a catch, though, as you're probably already expecting: if you want to check out the platform without spending a cent, you will need to sit through ads. Still, if you're keen to check out a new version of Punk'd hosted by Chance the Rapper, see Chrissy Teigen preside over small claims cases in the Judge Judy-style Chrissy's Court or get immersed in a Reese Witherspoon-narrated documentary series about females in natural history — or watch Anna Kendrick befriend a sex doll, follow the twists of horror-thriller The Stranger or work your way through a new version of The Fugitive — you can now do without troubling your wallet. Quibi's lineup includes everything from dramas and comedies to news and reality TV in bite-sized portions, with instalments maxing out at ten minutes but most running shorter (between five and eight minutes). Also on the bill: 'movies in chapters', which break films down into episodic segments to fit the platform's whole concept. https://www.youtube.com/watch?v=nKPuomRV5C8 With an ultimate aim of hitting 175 different shows and 7000 episodes in its first year, other Quibi highlights include mockumentary Nikki Fre$h, which follows Nicole Richie's efforts to become a wellness-focused rapper; cooking competition show Dishmantled, where host and Unbreakable Kimmy Schmidt star Tituss Burgess shoots food at two culinary industry figures, then forces them to try to recreate the dish in question; and Lena Waithe-hosted documentary series You Ain't Got These, about sneaker culture. There's also Flipped, starring Will Forte and It's Always Sunny in Philadelphia's Kaitlin Olson as a down-on-their-luck couple desperate to host their own TV renovation series; Most Dangerous Game, the latest twist on the humans-hunting-humans idea, this time with Christoph Waltz and Liam Hemsworth; and Survive, which casts Game of Thrones' Sophie Turner as a suicidal patient suddenly forced to fight for her life after a plane crash. Or, you can watch luxury dog houses come to life in Barkitecture. Boasting a name that's been shortened from 'quick bites', Quibi was created by ex-Disney chairman and DreamWorks cofounder Jeffrey Katzenberg, and is led by former eBay president and CEO Meg Whitman. Before it launched, it had been in the works since 2018 — and earned ample attention thanks to its huge stash of cash (reportedly raising $1.75 billion to spend on content), as well as its hefty array of stars and shows (including an upcoming remake of How to Lose a Guy in 10 Days). If you are planning to check it out on your phone, Quibi is designed to play in full-screen no matter whether your handset is vertical or horizontal — with the image automatically changing as you move your device around. Don't like ads? If you're happy to pay, Quibi has also reduced the monthly price for its advertisement-free version from AU$12.99 to AU$6.99. For further details about Quibi, visit the streaming platform's website. To download the Quibi app, head to the App Store or GooglePlay. Top image: Barkitecture.
In an early scene in The Sessions, Mark O'Brien (John Hawkes), cocooned in an iron lung, unable to move a single part of his body, has a cat brush its tail against his nose. With no-one around, he has no way to scratch that tiny yet inevitably all-consuming itch. He lies awake through the night. It's a scene that ensures we know exactly how he feels as his character embarks on his arc in the film — seeing a professional sex surrogate, Cheryl (Helen Hunt), who initiates him into how and what it means to have sexual contact with another person. The Sessions is based on the memoirs of the very real Mark O'Brien, a journalist and poet who was paralysed from the neck down by a childhood bout of polio. His is a form of paralysis that means he can't move his body but his body can feel touch; it's just that he's lived to 38 without finding a person inclined to touch him in a way that's non-medical. The Sessions is a wonder of a film, and don't let any hesitations you might have about it being tough going or generally a bit icky keep you from seeing it for yourself. Aussie quiet achiever Ben Lewin writes and directs this incredibly warm, funny, brilliantly un-mawkish movie that is not at all shy about sex and yet kind of weirdly fun for the whole family. Many separate factors had to come together to pull this off: the frank, sassy voice of Mark, interpreted by Lewin; the totally invested performance from Martha Marcy May Marlene actor Hawkes; the illusorily relaxed performance by Hunt, whose almost entire screen time in spent in these sex 'sessions'; and the vivid presence of the supporting cast, who make you want to know them beyond their intersections with Mark (look out for a sweet cameo from Hawkes' Deadwood co-star Robin Weigert, barely recognisable outside of her Calamity Jane get-up). The charm of the peripheral characters suffers a drought around Cheryl's side of the family, apparently to give her reason — more than she needs — to fall for Mark just as he surely falls for her. Conversely, it reaches its peak in the form of Father Brendan (William H. Macy). Mark is a devout Catholic, see, and it's The Sessions' clever conceit that his confessions should take the place of standard narration. The shaggy-haired (read: open-minded) priest is forced to take a more pragmatic position on sex around his new congregant, who is soon torturing him with lyrical descriptions of corporeal pleasures precluded to a man of the cloth. The presence of the priest also hints at another important point about The Sessions, which is that it's not just about disability and sex but also about all of us and sex. The religious and social dogmas that feed into how we think about sex are many and varied, and for those for whom these beliefs and behaviours create an obstacle to sex, it's a little, everyday tragedy. Because what The Sessions communicates above all is the pure, joyous, silly pleasure of sex and the unique ways it bonds two people partaking in it. https://youtube.com/watch?v=oI7Rs_Hv_IA
Melbourne and Sydney. We love to have a rivalry, don't we? So how did Sydney get Good Food Month for all these years without sharing? Well this year, Good Food Month is venturing to our fine city in November and giving us a piece of the pie. Ahead of the official program launch on October 1, here are a few things that will whet your appetite in anticipation. Night Noodle Markets The Night Noodle Markets have been a hit in Sydney year after year and now they are coming to Melbourne. Alexandra Gardens will spend two weeks of spring as an Asian hawker-style market, housing countless food stalls, bars and entertainment. Melbourne favourites like Longrain and Mamak will be there cooking up a storm. Expect signature dishes including freshly made roti, Peking duck pancakes and Shanghai-style soup dumplings. The Night Noodle Markets will run nightly from Monday 18 November to Saturday 30 November from 5pm. Spice Smackdown at Maha Shane Delia (Maha) and Benjamin Cooper (Chin Chin) have made quite a name for themselves as chefs who know how to bring the heat. But what happens when they go head to head? Well #spicesmackdown will see them present four shared courses while their bartenders whip up some cocktails to match. Find out who handles the heat in this fiery event. Grant Smilie will also be on hand to match music to the evening. A touch of the International It wouldn't be a food festival in Australia without shipping in some of the cream of the crop from around the world. Good Food Month is no different. Renowned international chefs making an appearance include Rene Redzepi, from Noma restaurant in Copenhagen, which just so happens to be ranked second in the world. He will be in town promoting his new cookbook which details recipes, photographs and insights from the man himself. Alex Atala from D.O.M. in Brazil (No.6 in the world) will also be making an appearance as he launches his first English cookbook. These events will be ones to watch. Rockpool Celebrates 1989 at Rosetta Ristorante In a nod to a time gone by, Neil Perry is presenting a dinner at Rosetta Ristorante, which remembers the year that was 1989 — the date that Rockpool opened its doors. The Classics will bring together nostalgia and progressive cooking onto the same plate. In a very new age touch, Neurogastronomy expert Professor Charles Spence will use gin to prepare the palate for each course. Colour us curious. Supernormal Sneak Peak Andrew McConnell's latest baby, Supernormal, housed in 171 Collins Street is set to open its doors early 2014. During Good Food Month guests can get a taste of what is to come at Supernormal Canteen, temporarily located in the space just next to Cutler & Co for the month. Think sharp Asian flavours, hard-hitting cocktails and sake. The space has been designed by Projects of Imagination. Other things to look out for include MoVida celebrating 10 years with no doubt a feast for the senses; a Hats Up and Down where Mark Best’s Marque will come to Pei Modern and vice versa; learn to roll your own couscous session with Jason Jones from B’stilla; and a weekly lunch Above the Rooftops at Union Dining where a different region of Victoria will be sampled each week. The full program will be launched October 1, including dates and times for the above events. All program details will also be available online at goodfoodmonth.com.
Late in January, the Alliance Française French Film Festival confirmed the news that Australian movie-goers wanted to hear: not only that the annual cinema showcase would be back this year, notching up its 33rd round of fests, but that it had set its dates and first ten movies. Now, the event has freshly unveiled its full program — so get ready to watch your way through more than 40 flicks that'll whisk you off to France while you're munching popcorn in your cinema seat. There's no shortage of highlights from this year's complete lineup — including the festival's opening night pick, the 19th-century Paris-set Lost Illusions, which had already been announced — but Claire Denis' Fire is easily one of the most exciting films on the bill. It'll play AFFFF straight from the Berlinale, and marks the acclaimed French filmmaker's first release since 2018's exceptional High Life. It also stars her Let the Sunshine In lead Juliette Binoche, with the romantic drama pairing the latter up with French actor Vincent Lindon (Titane) for the first time. Also a standout: Happening, winner of the 2021 Golden Lion at the Venice Film Festival, which adapts Annie Ernaux's autobiographical novel about the rights of women in France in the 60s. It just nabbed filmmaker Audrey Diwan a BAFTA nomination for Best Director, and follows a bright young student who gets pregnant, then sees her options — for her future, and regarding what to do about her situation — quickly dwindle. When AFFFF tours Sydney, Melbourne, Brisbane, Perth, Adelaide, Canberra and Hobart — and in Byron Bay and Parramatta, too — from Tuesday, March 1–Sunday, April 24, the exceptional Petite Maman also sits at the very top of the fest's must-see list. The latest film from Portrait of a Lady on Fire's Céline Sciamma, it already made a few Australian festival appearances in 2021, and channels the director's trademark sensitivity and empathy into a sci-fi-skewing tale of mothers and daughters that's instantly among Sciamma's best. Other top new picks from its complete lineup include the latest film in the OSS 117 spy spoof series, OSS 117: From Africa With Love, once again starring The Artist Oscar-winner Jean Dujardin; François Ozon's Everything Went Fine, which sees the Summer of 85 filmmaker tackle the right to die with dignity; Paris, 13th District, a love story from A Prophet and Rust and Bone's Jacques Audiard; and Murder Party, a murder-mystery with big Cluedo vibes. Or, there's also Anaïs in Love, a rom-com about a woman having an affair with a married man but then falling for his wife; biopic Authentik, about French hip-hop duo Suprême NTM; World War II drama Farewell, Mr Haffmann, as based on the play; and friendship drama The Braves, about two twentysomething women following their dreams to become theatre actors. And yes, the list of French cinema treats gracing the fest's full bill goes on — so don't say you don't have anything to see at the cinema in March and April. ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2022 DATES: March 1–April 6, with encore screenings from April 7–10: Palace Central, Palace Norton Street, Palace Verona, Chauvel Cinema and Hayden Orpheum Cremorne, Sydney March 2–April 6, with encore screenings from April 7–10: Palace Electric, Canberra March 3–April 6, with encore screenings from April 7–10: Palace Balwyn, Palace Brighton Bay, Palace Como. Palace Westgarth, Pentridge Cinema, The Kino and The Astor Theatre , Melbourne March 9–20: State Cinema, Hobart March 9–April 6, with encore screenings from April 7–10: Camelot Outdoor Cinema, Luna Leederville, Luna on SX, Palace Raine Square and Windsor Cinema, Perth March 16–April 13, with encore screenings from April 14–18: Palace Barracks and Palace James Street, Brisbane March 24–April 24, with encore screenings from April 25–26: Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide, plus Victa Cinemas, Victor Harbor March 30–April 14, with encore screenings from April 15–16: Palace Byron Bay, Byron Bay April 7–10: Parramatta Riverside Theatres, Parramatta The Alliance Française French Film Festival tours Australia from Tuesday, March 1–Tuesday, April 26. For more information or to buy tickets, visit the AFFFF website.
Get ready for a musical blockbuster like no other. Currently taking over Her Majesty's Theatre for a strictly limited season, Miss Saigon is a breathtaking production that stands as a true testament to the enduring power and influence of theatrical storytelling. Since its electrifying debut in 1989, Miss Saigon has captivated audiences globally, sweeping across stages with its relentless charm, consistently earning accolades and awards. Drawing inspiration from the timeless Madama Butterfly, Miss Saigon unfolds an epic love story, weaving a tapestry of deep passion, gripping heartbreak and unyielding love. These productions, while both telling deeply moving tales of love and loss, offer distinct experiences. While Madama Butterfly is set against the serene backdrop of Japan, Miss Saigon plunges its audience into the heart of the turbulent and emotionally charged landscape of Saigon during the final, intense moments of the Vietnam War and its haunting aftermath. Prepare to be spellbound by a show that not only entertains but also resonates deeply with its powerful storytelling. Cameron Mackintosh's acclaimed new production of Miss Saigon brings this grand love story vividly to life, showcasing his renowned ability to captivate audiences, as seen in his previous world-famous musicals, including Cats, The Phantom of the Opera, Les Misérables, and Mary Poppins. It's not just a performance; it's an experience, an opportunity to witness Boublil and Schönberg's soaring musical score being masterfully executed by a knockout ensemble of triple threats. Having had its Melbourne debut at Her Majesty's Theatre on Sunday, October 29, Miss Saigon will run until Saturday, December 16 — the Australasian cast includes the debut of Abigail Adriano as Kim alongside Nigel Huckle (Les Misérables, West Side Story) as Chris, Sean Miley Moore (The Voice) as The Engineer, Kerrie Anne Greenland (Les Misérables) as Ellen, Nick Afoa (The Lion King) as John and the Australian debut of Laurence Mossman as Thuy. Miss Saigon runs until Saturday, December 16, at Her Majesty's Theatre. For more information and to book tickets, visit the website.
Beware wells in the middle of the forest, crawling women with long black hair completely covering their faces and, naturally, any VHS tapes that depict both. Along with a healthy disdain for viral videos, that's what the Ring franchise has taught us over the past three decades — and the original Japanese series isn't done yet. The seventh film in the initial saga, Sadako follows psychology counsellor Mayu Akigawa (Elaiza Ikeda). Her younger brother is a YouTuber, and her latest patient may have a connection to the eponymous murderous spirit that's known to haunt videotapes. Yes, that likely means that someone will let the killer ghost loose on the internet, giving anyone who sees the creepy force just seven days to live. While Ring's concept was always going to play with the online world at some point, perhaps the most exciting aspect of Sadako is its filmmaker, with Hideo Nakata returning after directing the initial Japanese flick Ringu. He also helmed sequel Ring 2, as well as the sequel to the American remake, called The Ring Two. If you're a fan of J-horror, you've probably seen his other flicks, such as Dark Water and Kaidan. Ring actually started on the page back in 1991, thanks to a horror mystery novel series that spawned printed follow-ups called Spiral, Loop, Birthday, S and Tide. On-screen, the Japanese films debuted in 1998, and are split over two different timelines — with Sadako following on from 1999's Ring 2, and the other branch releasing its first follow-up in 1998, two more 3D movies in 2012 and 2013 that are confusingly also called Sadako, plus a cross-over with the Ju-on series named Sadako vs. Kayako in 2016. Of course, there's also the three American movies, starting with 2002's well-received The Ring starring Naomi Watts and ending with 2017's terrible Rings. A South Korean remake, The Ring Virus, also popped up in 1999. Check out the trailer for Sadako below: https://www.youtube.com/watch?v=5-Pftw4fd8k Sadako doesn't currently have a release date Down Under — we'll update you if and when that changes. Via IndieWire.
Fans of the legendary Stephen Fry should prepare to laugh, cry and squabble over ticket sales because the man himself is coming down under in November with a new comedy show, Telling Tales. The announcement hit hungry inboxes this morning, accompanied by an arguably redundant biography about Fry’s history of making us laugh, cry and think; from his days in A Bit of Fry and Laurie and Blackadder all the way up to his poignant LGBT doco Out There. Yes, we know who he is. Yes, we will sell our hair to go to his show and bask in his glowing presence. Fry will be hitting the big cities, Melbourne (Hamer Hall), Canberra (Royal Theatre, Perth (Riverside Theatre) and Sydney (State Theatre). Sorry Brisbane, next time. The show has been described rather alliteratively as an evening of "fun, frolic and uniquely Fryish delight" but let's be honest, the host of QI, the best TV quiz show of all time, needs no fancy introduction. Frankly we’d respond the same way to an email that just barked, "Stephen Fry is coming to Oz, buy a ticket you garbage people." Speaking of, tickets go on sale Tuesday 1 September at 9am. STEPHEN FRY'S TELLING TALES 2015 TOUR DATES: Monday, November 9 — Hamer Hall, Melbourne. Tickets via Arts Centre Box Office or Ticketmaster. Saturday, November 14 — Royal Theatre, Canberra. Tickets via Ticketek. Tuesday, November 17 — Riverside Theatre, Perth. Tickets via Ticketek. Saturday, November 21 — State Theatre, Sydney. Tickets via Ticketmaster. Image: Virgin.
If the impending winter chill has you dreaming of cosy nights spent quaffing drams of whisky, there's a Melbourne-made creation that deserves a spot in your spirits collection. The team at the city's own Starward Whisky has just unveiled the latest edition of its Ginger Beer Cask series — and, as it has six times before, this spicy little number promises to keep those wintry blues at bay. The seventh iteration of Starward's ginger-based program since 2014, 2022's offering isn't just about pairing ginger and whisky, as fine a combination as that is. Another winning duo gets a look-in as well: chocolate and orange. So, expect to smell ginger, orange and dark chocolate while you're sipping — and to taste ginger, obviously, as well as vanilla, pineapple, sweet raisins and fig. For this year's version, Starward has also added more ginger for extra spice, and only used American Oak red wine barrels, which've helped ramped up the vanilla and coconut characters. Starward's experts say you can try the whisky any way you please, but they particularly recommend sipping it straight, perhaps alongside some good-quality dark chocolate. Either way, it's safe to say you can expect a very good drop — 2021's drop won a Double Gold medal at the 2022 San Francisco World Spirit Competition, while 2020's Ginger Beer Cask edition took out a gold medal at the World Whisky Masters, plus a bronze at the Hong Kong International Wine and Spirits Competition. The special-edition spirit is always quick to sell out, and this year's release is pegged to be no different. It's on sale now, so stocking up for winter ASAP is highly recommended. Starward's Ginger Beer Cask #7 is on sale now via the distillery's website, and at national retailers. A 700-millilitre bottle will set you back $149.
Many families' budget for Christmas lunch doesn't factor in lobster. Enjoying a $40 crustacean around the Christmas table feels like an activity reserved for households with large end-of-year bonuses. Woolworths and Coles, however, have both made this a more affordable reality in 2020, dropping the prices of their Western Australian rock lobsters to just $20 a pop nationwide. On Friday, December 11, both supermarket giants announced the reduction in price of the luxury seafood item by 50 percent, down from $40 this time last year. Woolworths reportedly has purchased five times as many lobsters as it did last year, with the company sighting recent restrictions on seafood exports from Australia as a reason the company has reduced the price. "Our support in purchasing more rock lobsters this year will give WA producers an avenue to move more volume into the domestic market which would have traditionally been exported," said Dudding. "It's a win-win partnership and we look forward to working with the industry to offer Australian households the chance to add premium seafood to their Christmas table this year at a more affordable price." Coles seemingly one-up its competitor, announcing on the same day that it had purchased 29 times as many lobsters as it had in 2019. Eager shoppers have already jumped at the opportunity to snap up the half-priced lobsters, with Woolworths implementing a limit of four lobsters, per person, per transaction. Coles is set to introduce the same limit from next Wednesday, December 23. Seafood is a holiday tradition in Australia, with Coles stating the supermarket sells 70 percent more seafood in December in comparison to every other month. That number may rise even more this year thanks to the reduced price, with Woolworths estimating Australians will purchase 35 tonnes of lobster this holiday season compared to 6.5 tonnes last year. $20 Western Australian rock lobsters are available nationwide at both Coles and Woolworths while stocks last.
Is the type of film festival that dedicates an afternoon and evening to a killer clown your type of film festival? If so, you should be excited about Monster Fest's return. In just a few short years, the Terrifier movies have become horror must-sees if you can't get enough of slashers splashing about gore aplenty. With the latest flick in the franchise on the way, Monster Fest is screening all three Terrifier titles, old and new — so, giving audiences an extended date with Art the Clown — as a key part of its 2024 program. The Australian premiere of Terrifier 3 will follow the OG Terrifier and first sequel Terrifier 2 on Saturday, October 5 in Melbourne. The festival kicks off on Friday, October 4, running until Saturday, October 12 at Cinema Nova. While getting creeped out by cinema's most-sadistic clown is a big Monster Fest 2024 drawcard, it's The Rule of Jenny Pen from Coming Home in the Dark filmmaker James Ashcroft that's the event's opening-night pick. At the other end of the festival, horror-comedy Frankie Freako by Psycho Goreman's Steven Kostanski is in the closing slot. Both pictures embrace puppets, the first with help from John Lithgow (Killers of the Flower Moon) and the second featuring a dancing goblin. Other highlights include the latest Hellboy movie, Hellboy: The Crooked Man, which heads back to the 1950s; Azrael, as led by Australian actor Samara Weaving (Scream VI), and telling of a woman's attempt to escape from mute zealots; New Zealand body-horror film Grafted; and documentary Generation Terror, which focuses on the horror genre from the late-90s to mid-00s. Or, there's Occupation Rainfall filmmaker Luke Sparke's new film Scurry — plus Waves of Madness from The FP's Jason Trost, which brings sidescrolling to the cinema. Melbourne cinemagoers can also check out Estonia's action-horror-musical-comedy Chainsaws Were Singing, French black comedy Ultimate Chabite, documentary Children of the Wicker Man, and retrospective sessions of The Final Destination 3D and Critters.
Prepare to stare at the moon in all of its glory — up close, without a telescope and without zooming into space. Prepare to get excited about Marvel's latest Disney+ series, too, all at the same place. When you're releasing a streaming show called Moon Knight, bringing the moon to Australia — to Melbourne's Federation Square, to be specific — is one huge, eye-catching and attention-grabbing way to promote it. So, that's just what the Mouse House has done. Luke Jerram's Museum of the Moon isn't new to our shores, having popped up on the Gold Coast, in Sydney and in Melbourne before; however, this time it's here in the name of superhero worship. If you're new to the Museum of the Moon, UK-based artist Jerram's creation is a detailed installation that's suspended to look like it's floating — in this case, beneath Fed Square's Atrium. It measures seven metres in diameter and features renderings of the celestial body's surface based on NASA imagery, so it's as intimate and intricate a look as you're going to get without rocketing off to take one small step and giant leap across the real thing. The massive sculpture has been touring the world since 2016, displaying in New York, Hong Kong, Mumbai and plenty of spots around Europe. Adding its latest Melbourne stint to its orbit, it'll be on display from Tuesday, March 29–Friday, April 15. The looming artwork recreates the moon at a scale of approximately 1:500,000, with each centimetre equating to five kilometres of the lunar surface. And if you're wondering just how elaborate the 120dpi imagery is, the high-resolution NASA photograph that it uses is 21 metres wide, and was taken by by a satellite carrying the Lunar Reconnaissance Orbiter Camera. The spherical sculpture is lit from within, too, so it'll be adding a glow to Fed Square across its three-week stopover. It also combines its imagery and light with a surround sound piece created by composer and sound designer Dan Jones, and just how each venue displays it is up to them. Basically, it's never the exact same installation twice — so even if you've seen it before, it's worth a repeat visit.
Master sommelier Madeline Triffon describes pinot noir as 'sex in a glass'. Winemaker Randy Ullom calls it 'the ultimate nirvana'. Broadway wannabe Titus Andromedon loved it so much he compares it to 'caviar, Myanmar, mid-size car' (see below). No wonder the good folk at Revel — who bring Game of Rhones, Malbec World Day and Vin Diemen our way each year — are coming back to town with Pinot Palooza, an epic travelling wine festival celebrating all things peeeno noir. For just one day, Melbourne wine connoisseurs will have the chance to sample more than 100 drops, direct from Australia and New Zealand's best producers. Expect drops from Macedon's Curly Flat, Shaw and Smith (which will be coming in from the Adelaide Hills), Orange's Swinging Bridge, and Akarua and Pegasus Bay from NZ — and that's just the first few leaves on the vine. Whether you're a newbie who wants to start with something light and inviting, or a pinot pro ready for the biggest, most complex mouthful on the menu, there'll be an abundance of selections at either end — and plenty along the spectrum, too. If, at any point, you need to take a pause in your tasting adventures, you'll be catered for. Food will include barbecue from Burn City Smokers, Milk End bagels, raclette from Maker and Monger and Yarra Valley caviar. Pinot Palooza will hit the Royal Exhibition Building on Saturday, October 6. Early bird tickets are available up until August 1 for $60, and include all tastings and a take-home crystal Plumm RedB glass. What's more, those keen to fuel their brains (as well as their tastebuds) can spot $95 for a VIP pass. For that you'll get access to the VIP area, a glass of bubbles on arrival, entry into wine talks and some one-on-one with one of the event's sommeliers. https://www.youtube.com/watch?v=A6yttOfIvOw
After eight seasons, a massive body count and an enormous wait for winter, Game of Thrones is coming to an end, with the final season kicking off this week. But that doesn't mean saying goodbye to the world first created by author George R.R. Martin — not only thanks to the author's books, whenever The Winds of Winter finally hits shelves, or even simply due to the planned prequel series. In addition, fans will soon be able to visit a heap of new GoT tourist attractions. After shooting much of the show in Northern Ireland for the past decade, last year HBO announced that it's teaming up with Tourism NI to open a number of sets and sites to the public for the first time. If you've ever dreamed about walking around Westeros, this will be your chance. Winterfell, The Wall, King's Landing and Dragonstone are among the iconic spots that'll feature in what's being called Game of Thrones Legacy. Now, further details have been revealed, so prepare to be happier than Arya Stark crossing a name off of her infamous list. The first part of Game of Thrones Legacy will be a huge Game of Thrones studio tour within Linen Mill Studios, which is where plenty of she show has been filmed. Yes, this is where you'll find the ancestral home of House Stark, the headquarters of the Night's Watch and the capital of the seven kingdoms. When it launches as a tourist site, it'll be filled with original set pieces, costumes, props and weapons across a hefty 110,000-square-feet. The tour has been dubbed an 'interactive experience', although exactly how you'll be able to interact with these GoT items — other than training your peepers towards them — hasn't yet been unveiled. You will definitely wander through fully dressed sets, walk "in the very footsteps of Westeros's most prominent residents", relive "key moments from the series" and stand "right where they took place" as part of the immersive attraction, according to the press release. There'll also be informative displays highlighting the production spaces, as well as the craftsmanship and artistry that goes into bringing something as epic as GoT to life. Plus, you'll also be able to play around at an interactive costume department station, as well as sections dedicated to the show's make-up, prosthetics and armoury. Also set to go on display: art files, models and other production materials, as well as accompanying digital content and interactive materials highlighting GoT's digital effects. If you're now contemplating a trip to Northern Ireland, the entire Game of Thrones Legacy setup will comprise the largest authentic public display of GoT artifacts in the world, should that stoke your excitement. More details are set to come and, after originally touting a 2019 opening date, the tour looks slated to open around this time in 2020 (spring in Northern Ireland) instead. By then, you'll certainly know whether Jon Snow really does know nothing — and then you can head to Northern Ireland to visit many of his haunts. Images: Home Box Office, Inc.
The Passion Pop will be flowing on this very special night, as Melbourne Fringe invites you to relive your Year 10 formal. Hosted by Golden Gibbo-nominated comedy duo Michelle Brasier and Laura Frew (aka Double Denim), this free Fringe Hub shindig will take festival-goers back in time to an era of ill-fitting tuxes and emo dance tunes. Earlier this year, the duo threw it back to the noughties with their hilarious Denim Adventure Show, and now they're heading back even further — to the halcyon days of the eighties and nineties. OK, maybe your teens weren't the 'halcyon days', but the tunes were certainly on-point, and there'll be plenty of bangers at this high school formal, spun by DJ Barnie Duncan. So fire up your old MSN account and ask your crush to be on your arm. Just don't party too hard. It is a school night, after all.
Plotting the traditional structure of a film trilogy results in a sort of 'N' symbol on a graph. Part 1 (the incline) offers the introduction to the characters and concludes with a satisfying, inspirational victory (the first peak). Part 2 then explores the characters in greater depth, exposing their shortcomings and instilling both doubt and conflict until all hope seems lost (the descent and trough). Finally, Part 3 sees the protagonists discover — or at least 'relearn' — the true strength of their convictions, allowing an eventual, all-encompassing victory in the conclusion (the ultimate peak). The Hangover trilogy, however, does not follow this structure. 2009's Part I held the line well and provided one of the surprise hits of the year courtesy of some snappy writing, extreme political incorrectness and three terrific characters (the fourth guy really is a spare). Instead of marking the descent, though, Part II just ran with the exact same formula. It was Part 1 all over again, except Bangkok was subbed in for Vegas and the baby was replaced by a monkey. So going into Part III, the big question was always going to be: would this be 'Part I again, again' or something genuinely different? The answer was the latter, which in turn begged a second question... was that a good idea? In this third instalment, our three wolf-packers, Phil (Bradley Cooper), Alan (Zach Galifianakis) and Stu (Ed Helms), are once again forced into a nightmarish series of disasters in order to rescue their friend Doug (Justin Bartha...who really is the spare). Regrettably, The Hangover Part III centres upon the trilogy's most annoying character, Mr Chow (Ken Jeong), whose whiny, sort-of-Asian, sort-of-gay, sort-of-hip-hop-gangsta ramblings grate the ear like a screaming baby on a packed plane during descent. During one early scene in which Chow's butchering a karaoke cover of 'Hurt', Bradley Cooper winces and asks, 'what the fuck are we watching!?' He's not the only one to think it. By focussing on Chow and favouring a more conventional plot over the simple yet effective premise of 'rediscovering unremembered anarchy', The Hangover Part III boldly — if also mistakenly — shifts the focus away from the very thing that made the franchise a success: the 'wolf pack'. They still have their moments, especially Galifianakis, but the adoption of a far more 'normal' movie structure sees the characters appear similarly interchangeable. There are still loads of laughs and it's a definite improvement on the carbon-copy disappointment of Part II, but the tiny coda that pops up part-way through the final credits (certainly worth staying for) shows us what might have been had they just found a way to use the original amnesic plot structure in a new and different way.
Ben & Jerry's aren't afraid to put their ice cream where their mouth is, and not just by devouring their own creamy frozen desserts. In their latest show of support for marriage equality in Australia, the sweet treat makers are giving away free ice cream cones to celebrate this week's historic passage of legislation. Between 5.30pm and 9.30pm on December 11, visitors to Ben & Jerry's Aussie stores can pick up a frosty scoop without spending a cent. The offer applies at the chain's seven New South Wales, five Victorian, four Western Australian, one South Australian, two Australian Capital Territory and five of its six Queensland stores. If you're wondering why one misses out, that's because their Movie World digs aren't open once the park closes at 5pm. It's not the first time the brand has demonstrated their values with ice cream, as anyone who asked for a double dose of New York Super Fudge Chunk this year would know. When the fight for marriage equality was still under way, they instituted a same-flavour ban across their stores, refusing to put two scoops of the same ice cream variety on a single cone until the country's LGBTQI+ citizens were given the same rights as their heterosexual counterparts. Now that the plebiscite has been and gone, 61.6 percent of respondees voted yes and lawmakers followed through, the ban has been lifted. Ben & Jerry's history of supporting marriage equality also includes their 2013 launch of the I Dough, I Dough ice cream flavour and campaign. Grab a free ice cream cone from Ben & Jerry's stores across Australia from 5.30pm to 9.30pm on December 11. For further information, visit the event Facebook page.
After drip-feeding various teasers over the past few months, Netflix has finally released the full trailer for The Crown's third season. The regal drama's new batch of episodes won't just continue the tale of Queen Elizabeth II and the rest of Britain's royals, but will tell the next chapter of their story with an entirely new cast — including Oscar-winner Olivia Colman as the monarch, Tobias Menzies as Prince Philip and Helena Bonham Carter as Princess Margaret. They'll be joined by Josh O'Connor (God's Own Country) as Prince Charles — and, given that this season steps through the late 60s and 70s, he starts to get a hefty amount of attention in the new sneak peek. The show has already been renewed for a fourth season that's due to be set in the 80s; in fact, it's currently in production. So, as history dictates, Charles is about to be thrust into the spotlight in a big way. Also coming on board for season three are Erin Doherty as Princess Anne, Marion Bailey as the Queen Mother and Game of Thrones' Charles Dance as Lord Mountbatten. Although Gillian Anderson's casting as Margaret Thatcher has been grabbing headlines, she won't show up until season four. Welcoming Colman and company means farewelling the show's stars across its first two seasons, including Claire Foy as Elizabeth, Matt Smith as Philip and Vanessa Kirby as Margaret. Since 2016, The Crown has peered inside both Buckingham Palace and 10 Downing Street, unpacking the goings-on behind Britain's houses of power. So far, it has chronicled Elizabeth's wedding to Philip, her coronation and the birth of her children (Charles and Anne, as well as Prince Andrew and Prince Edward). In addition to delving into the monarch's marital ups and downs, the series has also explored the romantic life of her sister, Margaret, plus the major political events throughout the late 40s, entire 50s and early 60s. In season three, everyone's favourite source of royal intrigue will see Lizzie and her family grappling with the fact that Britain is changing — and, as the monarch reflects in the trailer, not necessarily in the way she'd like. Charting the years between 1964–1977, it'll also cover Harold Wilson's (played by The Man Who Killed Don Quixote and The Children Act's Jason Watkins) two stints as prime minister. And plenty of drama at the upper echelons of power, of course. Check out the third season's full trailer below: https://www.youtube.com/watch?v=vLXYfgpqb8A&feature=youtu.be The Crown's third season will hit Netflix on November 17. Images: Sophie Mutevelian / Netflix.
Back in 2019, Scottish craft beer giant BrewDog finally made the leap to Australia, setting up its first local brewery by the river in Brisbane. But its reputation had preceded it to our shores, and not just due to its yeasty brews. When you make craft beers for dogs, launch the world's first craft beer airline and open the world's first craft beer hotel, you're bound to garner plenty of global attention. If you're a beer-drinking dog owner who loved the idea BrewDog's boozy, pooch-friendly place to stay — which is fitting called The DogHouse — that's understandable. Still, making the trip to Columbus, Ohio in the US with your four-legged best friend mightn't have topped your to-do list. Thankfully, BrewDog has just announced that it's opening its second craft beer hotel, and on our own shores. Ideally, by the end of 2022, Aussies will be able to bunker down for the night at The DogHouse Brisbane. An exact site hasn't been confirmed as yet, but it's likely that the hotel will make its home right next to BrewDog's existing Brisbane brewery DogTap, which is located in Murarrie. It'll feature up to 30 rooms, which'll each come decked out with shower beer fridges — because why wash without a brew in your hand? — and in-room draft beer taps filled with Aussie-brewed Punk IPA. And, taking your pupper along is 100-percent on the agenda at this eco-friendly place to stay. [caption id="attachment_803135" align="aligncenter" width="1920"] The DogHouse Columbus[/caption] Plans for The DogHouse Brisbane were revealed as part of BrewDog's new blueprint for its operations Down Under over the next two years — and the company has much more in store. As previously announced, it's looking to ramp up its local presence, with a new bar slated for the Brisbane CBD, and new venues on the cards in Sydney, Melbourne and Perth. The latter sites will also include their own microbreweries, so they can make their own beer on the premises. While 2021 was previously announced as a launch date, it is now expected they'll be up and running between now and 2023, with further locations on the Gold Coast and in Newcastle also being considered. In Brisbane, BrewDog's beer campus is also undergoing a few more changes — including adding a bigger outdoor seating area with shaded seating to its riverside terrace, and expanding the brewery by installing a pasteuriser. In great news for lovers of hangover-free brews, that new piece of equipment will help the company broaden its alcohol-free beer range, which'll soon include Punk AF, Hazy AF and its raspberry AF sour, Faux Fox. The taproom is also getting an extra 100 square metres of private event space, the walk-in takeaway shop will be expanded and there'll be a larger kitchen. [caption id="attachment_800310" align="aligncenter" width="1920"] Brewdog DogTap Brisbane[/caption] Announcing the news, BrewDog's ANZ CEO Ed Bott said: "we are extremely grateful for the outstanding support we have received in Australia since we landed Down Under. It's been a pretty wild ride so far, but we have ambitious plans for Australia and New Zealand, building a fast-paced sustainable business that can be a force for good. We can't wait to bring our relentless obsession with incredible craft beer to the rest of the country and for our Punks to be able to head to their local BrewDog bar and get their paws on our freshly brewed Aussie beers". BrewDog is also keeping its crowdfunding initiative, Equity for Punks, in place in Australia until Wednesday, March 31. Pledging your support can help speed up the company's plans to open a bar in your city, too — with the brewer noting that if more than 500 Equity Punks join from the same city before the current deadline, it will open a BrewDog bar there within the next three years. The DogHouse Brisbane is expected to open sometime in 2022, while new BrewDog sites in Sydney, Melbourne and Perth are on the cards between now and 2023. We'll update you when further information come to hand. For now, you can keep an eye on BrewDog's website for details. Top image: The DogHouse Columbus.
Melbourne's Queen Victoria Gardens have scored a crisp, white new addition, with this year's MPavilion winner. A minimalist design by celebrated architect Glenn Murcutt AO has been chosen as the annual commission's 2019 champion. It marks the sixth MPavilion in the design series, which sees a new temporary structure erected in the inner-city garden each spring. As Australia's only Pritzker Architecture Prize laureate, Murcutt boasts some serious design skills, with a special knack for creating buildings that make efficient use of their site and climatic conditions. Some buildings of his you may be familiar with include Newport's modern Australian Islamic Centre, the Berowra Waters Inn in NSW and the Bowali Visitor Information Centre in Kakadu National Park. For his MPavilion, Murcott designed a rectangular structure with a translucent roof fabric stretched across wing-like trusses. Its curved top is lit from within like a lantern, while two open sides offer views of the city skyline and the Yarra. According to Murcutt, the understated MPavilion was inspired by a sleek aircraft wing he once sheltered himself under on a trip to Mexico, and plays to his own well-known motto of 'touch the earth lightly'. The structure will make its home in Queen Victoria Gardens across summer. During its residency, it'll be used as a 'design and cultural laboratory', playing host to a diverse program of workshops, talks, performances and installations. You'll be able to swing by every Friday night from 6pm for the Sunset Series, with live tunes from local DJs and musicians, and some Tuesday mornings for free one-hour yoga sessions. Elsewhere on the program, there's a life drawing class with the Melbourne Symphony Orchestra, book club with artist Eugenia Lim and a performance by contemporary dance company, Chunky Move. A series of Indigenous design forums, talks on sustainable living and dog walking adventures are some of the other exciting events on the diverse lineup. An on-site kiosk will also be open from 9am daily, serving up Three Thousand Thieves coffee, Four Pillars Gin, wines by ShadowFax and Sample beers. To check out MPavilion's full 2019–20 program, head to the website. Images: John Gollings Updated November 13, 2019
