Sixteen films in, the Marvel Cinematic Universe shows no signs of stopping, with eight more already in the works. Add their growing list of television series, the comics they're all based on, plenty of merchandise and an Australian gallery exhibition, and Marvel mania is difficult to escape. In fact, soon you'll be able to sleep in a hotel dedicated to the company's caped crusaders. Disney has announced that Disneyland Paris will become the home of the world's first Marvel hotel, reimagining an existing site into a superhero-themed wonderland. The park's Disney's Hotel New York will become known as Disney's Hotel New York – The Art of Marvel — and yes, we do think that a Parisian place with New York in its name has the potential to be confusing, but that's not likely to stop Avengers fans. Details are currently thin on the ground; however the hotel will feature nods to everyone from Iron Man to Spider-Man — and we're hoping some of the brand's female superheroes too. And, in what's shaping up to be a great time to be a pop culture fan, the news comes hot on the heels of another huge Disney hotel, with a Stars Wars-theme site slated to debut as part of Walt Disney World's new 360 vacation concept in Orlando. Image: Disney/Marvel via Disney Parks Blog.
Since COVID-19 was first reported in Australia at the end of January, 6606 cases have been recorded across the country (as at 3pm on Sunday, April 19), bringing with it 70 deaths and a drastic change to life as we know it. As the coronavirus has spread, travel has been banned and restrictions on everyday movement have been implemented, good news has been few and far between of late — which makes the past weekend's significant drop in reported cases across Australia a welcome development indeed. In Queensland, Premier Annastacia Palaszczuk has announced that zero new cases were confirmed in the past 24 hours, which comes after just five cases were announced on Sunday morning and eight on Saturday morning. It's the first time in more than six weeks that the state has recorded no new cases overnight, with the state's total currently sitting at 1019 out of 85,870 tests administered. In Victoria, Premier Daniel Andrews announced that only one new case was confirmed overnight. That news comes after just nine new cases were announced on Sunday, with the state's total currently sitting at 1329. https://www.facebook.com/annastaciamp/photos/a.523591701005345/3097645476933275/?type=3&theater And while overnight numbers in New South Wales haven't dropped quite as low, Premier Gladys Berejiklian announced that only six new cases were confirmed overnight last night — from almost 3500 tests conducted yesterday — which is the state's lowest total in five weeks. As Australia's worst-affected state, NSW's total currently sits at 2963. Whether the drops in new cases will eventually lead to a loosening of current restrictions might vary state by state — with the Federal Government already outlining the three conditions that need to be in place before Australia-wide rules surrounding social distancing and public gatherings could start to be relaxed, and announcing that the earliest that this might be possible is in four weeks. Announcing today's news, Queensland Premier Palaszczuck noted that, "if we can keep this up over the coming weeks, I'm sure this is going to mean that we will be able to make some changes and ease some of those restrictions on the population." In Victoria, where a State of Emergency is in effect until at least midnight on Monday, May 11, Premier Andrews advised that "these numbers are not an invitation for us to roll back all the rules". To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Image: Julia Sansone
Gracing a Swan Street space once home to a hire vehicle company's car park, you'll now find this vibrant openair oasis decked out with eye-catching murals, Astroturf and fairy-lit palms. Over the course of a couple of lockdowns, owners Darren Legg and Brad Hicks pulled inspiration from their own favourite outdoor spaces and pastimes, commissioning local street artist and illustrator Juzpop to beautify the site with large-scale art in vivid pinks, purples and aquas. The space boasts an assortment of outdoor tables, shipping containers fitted out with timber booths and dry bars crafted from barrels. More converted shipping containers house the Pink Lemonade bar — slinging spritzes, tap brews, boozy slushies and Grey Goose cocktails — and resident kitchen, Hells Bellz BBQ Smokehouse. It's dishing up US-style barbecue fare like pork ribs, smoked wings, kransky snags and house-made slaw, alongside plant-based options including grilled portobello mushrooms and mac 'n' cheese. Other food trucks are also on rotation. As with all good outdoor drinking spots, Pink Lemonade has events and happenings aplenty. Resident DJs spin tunes through the weekend, themed cinema nights are in the works, and there'll be lots of dance parties and other music events to look forward to. Plus, bottomless brunch sessions feature every Saturday, coming in at $59 per person. Meanwhile, onsite cafe Black Drum is slinging coffee, smoothies and toasties by day, conveniently located just a few steps from Richmond station. Black Drum Cafe is open 6am–3pm Monday to Friday, and 7am–3pm on weekends.
Warm summer days, kicking back with friends, gin and tonics on the go — it doesn't get much better than that. While you don't need to go out to enjoy the classic drink, you'll definitely need all the best ingredients. Enter Ginny Brings: the brainchild of Tanqueray and Jimmy Brings that's arrived to make your at-home hangs even better. You can now order any Tanqueray gin from the Ginny Brings site between midday and 11pm and have it delivered to your door within half an hour. Plus, each order comes with a free Fever-Tree tonic water (some of the best tonic out there) and garnishes to help kit you out for total G&T success. But hold on, your gin mastery doesn't stop there. You may now have quality ingredients at your fingertips, but you still need to know how to make a G&T properly. It's all too easy to end up with an unbalanced drink — even if it seems like it's one of the easiest drink recipes out there. To help you out, we've had a chat with Tanqueray brand ambassador Krystal Hart to uncover a few key tricks of the trade so you can concoct flawless G&Ts at home like a pro. Gather the troops, order your preferred gin and start mixing. Just make sure to brush up on the below tips first for maximum G&T prowess. [caption id="attachment_689394" align="alignnone" width="1920"] Kitti Smallbone.[/caption] CHOOSE THE RIGHT GIN With so many gins on the market at the moment, choosing the right one can make your head spin. But really it comes down to personal preference. If you love that big hit of juniper, Tanqueray London Dry could be the winner. After a burst of citrus? Tanqueray No. Ten delivers refined, zesty notes. And if you're looking to shake things up a bit, set your sights on Tanqueray's new Rangpur gin, distilled with Rangpur limes and mandarin, or the sweeter Flor de Sevilla, made with Seville oranges. FIND THE PERFECT TONIC Tonic can affect taste just as much as your choice of gin. Skip the home brand option and opt for something a little more distinctive in terms of purity and flavour. Fever-Tree has a range a tonics, from elderflower to lemon to Mediterranean, that help to highlight the varying botanicals in your gin. Hot tip: pair Tanqueray Flor de Sevilla gin and Fever-Tree aromatic tonic, then add a wedge of orange and sprig of thyme for an afternoon spritz-inspired G&T. [caption id="attachment_689430" align="alignnone" width="1920"] Kitti Smallbone.[/caption] CONSIDER YOUR GLASSWARE They say it's what's on the inside that counts, but that rule doesn't apply to your G&T vessel of choice. You wouldn't drink coffee from a wine glass, so don't go pouring quality gin into some second-rate sippy cup. For an aromatic gin like Tanqueray Sevilla, try a stemless wine glass or Bordeaux glass to help accentuate the taste. A good glass is ergonomic, it's classy — it's fashion. KEEP THINGS CHILL No one likes a flat, warm G&T. The best way to avoid this dire outcome is by loading up on the ice. Depending on personal preference, you can roll with one giant cube (classy and restrained) or fill your glass to the brim with standard cubes. The more chilled, the more balanced, the better. [caption id="attachment_700029" align="alignnone" width="1920"] Daniel Boud.[/caption] MAKE IT VISUAL Always garnish. We're not saying it's hard science, but pretty looking drinks just seem to taste better. A classic staple is a piece of citrus and, to up the ante slightly, some fresh herbs to complement the gin's botanicals. But feel free to experiment with the unknown: add a fresh bay leaf, get around blackberries and cucumber or garnish with chilli, lime and coriander for a spicy, savoury alternative. You'll not only end up with some attractive drinks but also some new flavours to tickle your tastebuds. Start exercising your skills this festive season. Just make sure you've got everything you need for a flawless G&T. Look to Ginny Brings to get you sorted with the Tanqueray of your choice (Tanqueray London Dry, Tanqueray No. Ten, Tanqueray Rangpur and Tanqueray Flor de Sevilla) plus free Fever-Tree tonic and garnishes to go with. Looking for more ways to enjoy gin? Check out The Gin List for more ideas.
First cab off the rank for Arts House’s 2014 season is Noel Tovey’s Little Black Bastard. This autobiographical, one-man show spans the course of Tovey’s life from a troubled childhood suffering the horrors of institutional neglect to a stint in Pentridge Gaol at the age of just seventeen. After a moment of awakening in prison, Tovey sought reinvention in the UK as a performer, and has since enjoyed a stellar international career as a dancer and choreographer — Australia's first Aboriginal ballet dancer, in fact. The self-professed goal of Arts House is to bring Melbourne the latest in avant-garde and experimental performance art. With Tovey now 83 years old, and with Little Black Bastard in its tenth year of performance, this show might not strike you as particularly experimental or ground-breaking, but it is a rare chance in a limited season to see one of Australia’s leading Indigenous theatre-makers in action. A performance, he claims, may well be his last. Little Black Bastard is appearing as part of the Melbourne Indigenous Arts Festival.
Billing itself as Australia's largest continental food store, it's not difficult to while away an afternoon in this stellar Sydney Road emporium. First opening as a humble delicatessen in 1961, this northside favourite has become a go-to for foodies citywide thanks to its wide array of imported pasta (there are over 250 varieties here), oils and sauces, smallgoods, cheeses and more. A vast array of biscotti, cannoli and other sweet treats await visitors at the espresso bar, after which you might migrate to the delicatessen for some choice cuts of aged prosciutto and specialty cheese. Booze isn't forgotten either, with a dazzling array of vinos imported from Italy's finest grape growing regions. There's also a range of terracotta cooking pots and kitchen ware, so you can recreate the Italian experience as authentically as possible. Images: Julia Sansone
Piccolina Gelateria continues to cement its place as Melbourne's homegrown go-to for premium Italian gelati with the launch of its eighth location. Situated smack-bang in the heart of the city on the corner of Swanston and Lonsdale streets, Piccolina's third CBD store isn't exactly your everyday ice cream parlour. Designed in collaboration with multidisciplinary architecture practice March Studio, the new corner site boasts an inspired fit-out that pays tribute to Piccolina's ongoing love story with traditional gelato. At this new store, Piccolina fans new and old will find everything that has made the brand such a success over the last nine years. Of course, there's the beloved line-up of classic and inventive gelato, as well as weekly specials that make the most of fresh ingredients. Each visit also means the chance to sample a myriad of expertly spun gelato cakes, ice-cold milkshakes and other tasty treats that take satisfy your sweet tooth. "Our eighth store represents not only a milestone for our brand but also a testament to the unwavering support of our loyal customers," says Piccolina founder Sandra Foti. "Our new gelateria will embody the essence of Italian mastery and will continue building on our signature commitment to quality, creativity and innovation." This same approach is evident in the new store's standout design. Sharp-eyed visitors may notice a similarity with Piccolina's imaginative Chadstone kiosk, with the gelateria having continued its partnership with the award-winning March Studios and graphic design partners Projects of Imagination to deliver another eye-catching venue that, while thoroughly contemporary, draws inspiration from old-world Italian shopfronts and gelaterias. "Constructed primarily from a single material — stainless steel — this project pays homage to all things gelati, recalling the stainless steel cooling elements in the pozzetti [display cases] and complementing the circular forms of the carapinas [the steel vats that hold the gelati]," says March Studio founder, Rodney Eggleston. "The bluestone flooring extends seamlessly from the pavement into the store, reinforcing the idea that the gelateria is not just a destination but an integral part of the city's fabric." Growing from a single Hawthorn location to now serve its scoops from sites spanning from Collingwood to St Kilda, Piccolina's ongoing commitment to quality, creativity and innovation has served the brand well since its launch in 2015. Joining other CBD locations on Hardware Lane and Degraves Street, Piccolina's new Swanston Street store gives those with a sweet tooth another location from which to score its made-from-scratch gelati and sorbetti. Piccolina Gelateria's new store is open daily from midday–late at 274 Swanston Street, Melbourne. Head to the Piccolina website for more information.
Melbourne's various arts festivals aren't short on highlights, but fans of cinema and music can usually look forward to a Hear My Eyes session come Melbourne International Film Festival time. That's when a beloved flick comes back to the big screen, accompanied by a live — and all-new, completely original — score that's played while film lovers sit, watch and listen. In 2023, however, Hear My Eyes is heading to citywide cultural festival RISING in June first. On the agenda: a film that's not even a decade old but is already a classic, as well as just one piece of proof in a long list that Robert Pattinson makes stellar role choices when he's not playing a sparkly vampire. In 2017, heist thriller Good Time was a standout. Following one wild night in New York City as small-time criminal Connie (Pattinson, The Batman) tries to find some cash to get his brother out of jail, it's a pulsating effort from directors Benny and Josh Safdie — who went on to make the also-exceptional Uncut Gems afterwards. Usually, Good Time boasts a helluva thumping, nerve-shredding electronic soundtrack by Oneohtrix Point Never, who also did the same for Uncut Gems. But Hear My Eyes is tasking Big Yawn and Teether with coming up with a brand-new live score on Friday, June 9 at the Melbourne Recital Centre. That means rhythm and rap, as designed to suit the film's relentless pace and vibe. This movie-and-music session joins past Hear My Eyes gigs such as Pan's Labyrinth, Chopper, Two Hands, Drive, Girlhood and Suspiria. Obviously, these shows are never the same twice. And, it sits on a packed RISING 2023 lineup that spans more than 400 artists over 12 days of visual art, culture, music, performance and food. A fellow highlight for movie lovers: Euphoria, a multi-screen film installation starring Cate Blanchett, which will fill Melbourne Town Hall.
Marvel's first Muslim superhero is coming to your streaming queue, but she'll have to conquer high school along the way. Come Wednesday, June 8, the ever-sprawling and always-expanding Marvel Cinematic Universe will add its seventh new TV series in 18 months to streaming platform Disney+, and it's all about Pakistani American teenager Kamala Khan — better known to comic-book readers since 2013 as Ms Marvel. Arriving three years after Captain Marvel, the series that shares Ms Marvel's name focuses on a Carol Danvers superfan — who happens to discover that she has superpowers, too. Kamala (debutant Iman Vellani) doesn't feel like she fits in her hometown of Jersey City, and often escapes into gaming, writing fan fiction and her extremely active imagination; however, everything changes when she learns that she has more in common with her idol than she ever realised. As Ms Marvel's just-dropped first trailer shows, viewers can expect teen dreams and high-school hijinks aplenty — but with a superhero twist. How Kamala will handle living out her fantasy life will fuel the show's six-episode first season, in the leadup to 2023 big-screen release The Marvels, which'll feature Brie Larson as Carol, Vellani as Kamala, and also WandaVision's Teyonah Parris as Monica Rambeau. Yes, while the MCU's slate of Disney+ series is taking a different approach in 2022 — focusing on bringing characters previously unseen on-screen into the fold, rather than giving existing franchise players their own shows (see: WandaVision, The Falcon and the Winter Soldier, Loki and Hawkeye) — it's still linking in with the bigger Marvel Cinematic Universe picture. Ms Marvel also gives the MCU a first — that aforementioned first Muslim superhero — after a decade and a half of hardly presenting diversity on-screen. Across the 28 films that will have hit cinemas before Ms Marvel drops, it took the MCU 18 movies to solely focus on a Black superhero, and 21 features across 11 years to do the same with a female superhero. It also didn't hand the directorial reins to a solo female filmmaker until its 24th movie, either —and, when Shang-Chi and the Legend of the Ten Rings and Eternals both released in 2021, they visibly and welcomely stood out from the bulk of the franchise in terms of representation. As well as newcomer Vellani, Ms Marvel's cast includes Aramis Knight (Into the Badlands), Saagar Shaikh (Unfair & Ugly), Rish Shah (India Sweets and Spices), Zenobia Shroff (The Affair), Mohan Kapur (Bullets), Matt Lintz (The Walking Dead), Yasmeen Fletcher (Let Us In) and Laith Nakli (Ramy). And, it'll hit your streaming queue following the MCU's other announced show for 2022 so far — the Oscar Isaac-starring Moon Knight, which arrives on Wednesday, March 30. Check out the trailer for Ms Marvel below: Ms Marvel will start streaming via Disney+ on Wednesday, June 8. Images: ©Marvel Studios 2022. All Rights Reserved.
It's a great time to be a fan of Neve Campbell-starring 90s horror movies. The Scream franchise is coming back again with Campbell onboard, but that isn't the only spooky film from the era that she's known for. Also leaving an imprint was The Craft, with its tale of four high school outcasts who decide to get witchy. And, 24 years later, it's now getting a sequel. Called The Craft: Legacy, this second effort appears to not only follow on from the original, but to also borrow its main storyline. A teenage girl moves to a new town, gets tormented at school and then buddies up with three similarly unpopular classmates, who initiate her into their coven. Soon, they're using their abilities against their peers, and learning that their powers have consequences. As the just-dropped first trailer for the film shows, this description applies as much to the new movie as it does to its predecessor. Also evident in the teaser: plenty of famed moments from the first flick getting a do-over, so prepare to start chanting "light as a feather, stiff as a board". And yes, when an adult tells this new gang of girls to be wary of strangers, they do indeed reply with "we are the weirdos". Devs, Pacific Rim: Uprising and Bad Times at the El Royale's Cailee Spaeny plays Lily, the new girl in town, while Gideon Adlon (Blockers), Lovie Simone (Selah and the Spades) and Zoey Luna (Pose) also feature as her dark magic-loving pals. And, because Lily needs a reason for showing up, that comes in the form of her mother, played by Michelle Monaghan (Saint Judy), who moves their two-person family to a new town to live with her boyfriend, played by The X-Files' David Duchovny. Written and directed by Zoe Lister-Jones (Band Aid), and adding to Blumhouse's growing slate of sequels and remakes — think Halloween, Black Christmas, Fantasy Island and The Invisible Man — The Craft: Legacy is headed to cinemas Down Under at the appropriate time of year. It'll hit screens on October 29, aka just before halloween. Check out the trailer below: https://www.youtube.com/watch?v=WxZ774gziwU&feature=youtu.be The Craft: Legacy releases in Australian cinemas on Thursday, October 29.
If you're looking to dip into a few fresh literary delights, why not opt for a deep-dive into some of the world's oldest storytelling traditions? That's what you can expect to enjoy when this week's Blak & Bright First Nations Literary Festival serves up a celebration of First Nations stories and writers, fusing tradition and innovation. Running from Thursday, March 17 until Sunday, March 20, the festival will spotlight over 67 talented storytellers — both emerging and familiar — across a program of conversations, workshops, readings and performances. Most events will be held at Melbourne's Wheeler Centre, with many also streamed online. The festival's launch night kicks off with a Welcome to Country and multi-disciplinary performance piece Solace, as traditional owners and artists Philly, Bryan Andy, James Henry and Steven Rhall explore ideas around men's mental health. During Borrow a Living Book, you'll have the chance to sit down with an elder at Indigenous-owned eatery Big Esso and immerse yourself in the stories of their lived experiences. With Kimmy Lovegrove as MC, Gammon (Aboriginal slang for 'joking' or 'kidding') delivers a serve of Blak comedy, while The Monologues showcases words from celebrated First Nations playwrights including Kodie Bedford, Anita Heiss and Jane Harrison. Elsewhere, you'll catch a series of ten-minute talks by social justice activists, an in-depth exploration of Aboriginal aesthetic within the Australian design landscape, and a group poetry read featuring writers like Jazz Money and Charmaine Papertalk Green. Can't make it in person? A stack of the events will also be available to enjoy streamed online, with various ticketing options on offer. [caption id="attachment_846280" align="alignnone" width="1920"] Maurial Spearim, by Tiffany Garvie[/caption] Top Image: Richard Frankland and Stan Yarramunua, by Tiffany Garvie
The Formula 1 Australian Grand Prix is always a momentous weekend on the calendar. And the electric atmosphere doesn't end when the final chequered flag waves on Sunday afternoon. Just a short walk from Gate 10, St Kilda's famous Fitzroy Street will come alive on March 16 from 5pm with the sounds of music as a heap of iconic venues host free performances by renowned local bands and DJs. Plus, as you're hopping from gig to gig, keep an eye out for the roving street performers along The Esplanade and Fitzroy Street. [caption id="attachment_994383" align="alignnone" width="1920"] DJ Eden[/caption] Harvey's Sports Bar Just five minutes from the Gate 10 exit, Harvey's Sports Bar is an obvious first pick for your post-race fun. Wind down from the (hopefully drama-filled) finish with a pint — there are 17 beers on tap to choose from — and snacks from the woodfired smoked barbecue menu (think wagyu beef brisket, buffalo cauli bites and mac 'n' cheese croquettes). Between 5.30-8.30pm, local Melbourne solo artist Olly Coombs will use loops and funky beats to provide a playful, upbeat set. Between 8.30-10.30pm, rock duo Sam + Sam will perform popular rock covers and originals before DJ Eden keeps the tunes going until 1.30am. St Kilda Sports Club A little further down Fitzroy Street, alt-country rock band Brooke Taylor & The Poison Spitting Gin Queens is kicking off the festivities at 7pm at legendary bowlo (aka St Kilda Sports Club). From 8.15pm, local country rock quartet Murrays Bay Country Club will hit the stage before the vibe shifts to fiery all-girls rockers Hot Machine from 9.30-10.30pm. Some more good news? The greens are kept open until 8pm so if the Formula 1 has left you feeling a little competitive, you can challenge your mates to a friendly match before the sun goes down. The Fifth Province You can always expect a good time (or 'craic') at St Kilda's legendary Irish pub, The Fifth Province, and that includes post-Formula 1 with old-school rock cover band The Day Drinkers hitting the stage from 6.30-9.30pm. The pub also serves up a stellar roast on Sundays so you can pair those classic tunes and a pint of creamy Guinness with striploin or roast chicken with gravy and all the trimmings. Freddie Wimpole's Fried chicken and beer are a staple game-day diet and we reckon that extends to Formula 1, too. Skip up to late-night bar Freddie Wimpole's, located in the historic George Hotel building, to indulge in an eight-piece bucket, served with soft potato rolls, pickles, house-made ranch and spicy mango habanero sauce. Wash it down with a craft brew from the rotating tap list or opt for a tipple from the cocktail menu. While you're eating and drinking, soak in the free folk tunes from alt-country singer Clint Wilson (6.30-7.30pm) before rock 'n' roll band Willie J's 6V6s amps up the energy. George Lane Also housed within the old George Hotel building, George Lane is a cool space that regularly hosts intimate live music performances. On Sunday, March 16, the lineup starts at 8.20pm with Melbourne artist and Wiradjuri woman, Ruby Mae, an indie country singer-songwriter set to release her first album Baby in April. From 9.10pm, Georgia Rodgers will treat you to her soothing blues, rock and soul stylings before renowned funk and soul artist, Kylie Auldist, takes to the stage at 10.10pm. 29th Apartment Designed to feel like a cosy New York apartment, 29th Apartment is the perfect place to unwind after a big day with a cocktail in hand. There are board games if you want to take things easy or you could have a boogie with Nitida & The Hottiehotstuffs between 6-8pm. As they're performing, work your way through the innovative cocktail list which includes the Spicy Donkey, with chilli-infused tequila, guava liquor and spicy ginger beer, and the Mysterious Artichoke, featuring Scottish spiced rum, sweet vermouth and cynar, an Italian liquor made from artichokes. St LuJa Continuing down Fitzroy Street, St LuJa will be pairing its buzzy atmosphere, classic cocktails and delightful bar snacks with free tunes from Dave Larkin. The guitarist of Aussie alt-rock legends Dallas Crane will be crooning from 7.30-9.30pm. Plus, if you want something a little more substantial to snack on, the bar allows you to order in pizza from nearby Topolino's. Ellora Sitting pretty on the corner of Fitzroy Street and The Upper Esplanade, Ellora is a go-to in the area, particularly for its excellent views of the St Kilda Beach and Catani Gardens. Post-Formula 1, perch yourself on the newly renovated beachside balcony and watch the sun go down while listening to the groovy blend of Italian music with rock, country and jazz influences from Lorenzo and the Spaghetti Connection between 5.30-8pm. The tapas-style menu will refuel you after a long day with the likes of truffle fries, pumpkin arancini, prawn ceviche and fried halloumi on offer. Royal Melbourne Yacht Squadron Salute the day (and summer) that was with a visit to the Royal Melbourne Yacht Squadron, positioned right on the boardwalk and boasting excellent views of St Kilda Beach and city skyline. Your free soundtrack for the evening, between 8-10pm, will be the smooth sounds of yacht-rock band, The Yachtski Brothers. Watching the dapper eight-member crew perform is like witnessing a time capsule from the late 70s opening so get ready to groove to classic tunes like Toto's 'Africa' and 'Hold the Line'. For more about Last Lap Live and what's on in Melbourne's Southside, head to What's On St Kilda and Southside.
So, what did you get up to last night? Did you have a big one? Hey, no judgement. That's the fun of living in Melbourne — there's always something to do, and one wine can always turn into many, or quiet beers into a loud, lengthy evening. But then the not-fun bit arrives: the pounding hangover with the dry mouth and churning stomach. Thankfully, as well as an abundance of bars, Melbourne has an abundance of understanding cafes and restaurants to cure what ails you, even if what ails you is self-inflicted. What makes a good place to eat away your hangover? The food, obviously — and a good balance between grease and carb, savoury and sweet. You need food that will restore you but not put you into a food coma for the rest of the day. A hungover person has other requirements, such as a quiet atmosphere, friendly service and uncomplicated menus. And absolutely no children. Their joyful laughter and hopeful faces aren't what you need in a post-boozing state, and we wouldn't put you through that. With all of that in mind, we've teamed up with American Express to uncover the definitive list of Melbourne's best places to turn your hangover around — or at the very least, where you can tap your American Express® Card and go with the least amount of human contact as possible. Add these spots to your rotation, and you'll start to feel human again in no time. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
The chance to watch a comedian do stand-up in front of a dimly lit brick wall in Brooklyn is a dream out of reach for most of us. But which American is about to make that all change? It's Rick James, bitch. No wait, It's Dave Chappelle. Most known for his television series Chapelle's Show, the comedian, screenwriter, actor and television and film producer will be hitting Sydney, Melbourne, Brisbane, Adelaide and Perth for his very first tour outside of North America. Now 40 years old, Chappelle's been performing since he was 14 and was tossed under the spotlight for his parodies of American culture, racial stereotyping and politics. Chappelle's most recent tour sold out venues all over the U.S. and Canada. So don't leave tickets to the last minute; shows like these don't often come knocking on Australian doors. Tickets for all shows go on sale 9am this Tuesday, January 28, with presale options released on Friday 24 via Live Nation. Dave Chappelle Tour Dates Thursday, 20 February QPAC Concert Hall, Brisbane Saturday, 22 February Adelaide Entertainment Centre Theatre, Adelaide Tuesday, 25 February Riverside Theatre, Perth Friday, 28 February Palais Theatre, Melbourne Tuesday, 4 March Sydney Opera House, Sydney Wednesday, 5 March State Theatre, Sydney
If you've ever landed overseas only to be slapped with eye-watering roaming charges, Holafly wants to make your next trip a whole lot easier. The global travel tech company has just launched its unlimited data eSIMs for Australian travellers, offering affordable access across more than 200 destinations. According to Holafly, many Australians still pay up to $10 a day for international roaming. Well, Holafly has done the maths, and that means $70 for a week in Bali or $300 for a month in Europe. Not to mention, this often comes with frustrating data caps and speed restrictions, too. Holafly's digital eSIM helps cut that cost by as much as 60 percent. Travellers can activate a local plan before flying out, connect instantly upon landing and avoid bill shock altogether. No SIM swaps, no surprise charges and unlimited data wherever you go. Founded in 2018, Holafly has already connected more than ten million travellers worldwide. Its eSIMs are delivered instantly by email, with activation taking just a couple of minutes. From there, you've got unlimited data at maximum speeds, plus round-the-clock customer support. Coverage spans more than 200 destinations, including Japan, the United States, Canada, Singapore, South Korea, the UK and much of Europe, with 5G available in select countries. Plans run up to 90 days, making them ideal for long-haul escapes and extended stays. You can grab a plan directly through Holafly's website or mobile app before you fly.
Wine tasting just turned fierce with Into The Vines' upcoming event 'Taste of Origin' — a cheeky nod to State of Origin. This Aussie winetasting showdown features six nationwide emerging producers. In the courtyard, spectators sip top-tier exciting (and elusive) small-batch releases while they chat to the people who made them. But the second floor is where things really heat up. Upstairs, grab a front-row seat to the tasting ring. Sommelier and founder of Carlton Wine Room, Jay Bessell, will go up against wine writer and judge, Jane Faulkner. The two will taste, assess, and argue over their pick of the six wines. The audience tastes along while munching on pub snacks from The Rochey, and the winner is decided through a People's Choice vote. Tickets for the masterclass cost slightly more, but you get to see how the experts do it. The list of winemakers includes: Werkstatt Wines (Victoria), a practice run by Young Gun of Wine Best New Act winner Bridget Mac; Knucklehead Wines (QLD), where Young Gun of Wine finalist Kyle Goodwin produces adventurous minimal-intervention wine; Intrepidus Wines (NSW), Chrissie Smith's one-acre vineyard in Canberra, specialising in small-scale production; Forage Supply Co (SA), a socially-conscious vineyard from former AFL player Justin Westhoff and his best mate Scotty Rogasch; YEAH Wines (WA), a family-owned winery in Margaret River that focuses on single-vineyard wines and Tasmania's Peco Wines, specialising in wild-fermented from the Tamar Valley.
If spending more time indoors this winter has you craving all things sweet and comforting, that's understandable. As the world keeps reacting to the COVID-19 pandemic more than a year later, pining for sugar and whatever makes your tastebuds happy is a completely natural response. Enter San Churro's new range of winter snack packs, which are all about pairing its eponymous dish with other dessert favourites. Last year, the nationwide chain has launched a retro-influenced range of churro snack packs. This year, it's adapting the concept to include tried-and-tested sweet treats. So, each kit combines churros — aka long, thin, fried-dough pastries — with something else that'll get your mouth watering. Think: apple pies and s'mores. Each pack comes with mini churros, whichever other dessert is in the spotlight, and your choice of drizzled white, dark or milk chocolate. The apple pie version also includes vanilla ice cream, while the s'mores kit has both cookie butter s'mores and toasted marshmallows. There's a third variety, focusing on jam doughnuts, too — but, given their similarity to churros, they come solo, in balls, then topped with strawberry coulis, vanilla custard and strawberries. The new packs are available in-store now, including for takeaway; however, they're just part of the chain's new winter menu. It's also serving up hot chocolate bombs, but you have to consume them onsite — so, for now, Sydneysiders and Melburnians can't enjoy them during lockdown. What's a hot chocolate bomb? It's a ball of chocolate that comes filled with marshmallows, mini Oreos, or cocoa cereal and Milo. Again, you can choose between white, dark or milk chocolate — and then you pour hot milk over the top and get sipping. San Churro operates 13 stores in New South Wales, nine in Victoria and ten in Queensland, as well as 14 in Western Australia and three in South Australia. San Churro's new winter snack packs are available now. For further information, visit the chain's website.
In 2022, The Kid LAROI embarked upon his debut headline Australian tour, selling out arenas across the nation and adding more dates to meet demand. Two years later, the Aussie star otherwise known as Charlton Kenneth Jeffrey Howard is hitting local stages again, locking in tour dates for November 2024. Initially announced in 2023 and due to happen in February 2024, then postponed to October due to trying to confirm a "really big surprise and special guest" and "a bunch of other logistical stuff", The Kid LAROI's The First Time Australian tour has now set both its dates and venues. His supports at five of his seven stops: Migos frontman Quavo and Sydney's own ONEFOUR. [caption id="attachment_926206" align="alignnone" width="1920"] Adam Kargenian[/caption] "I'm really excited to confirm the November tour dates and bring my show to Australia. It's going to be incredible to perform back home and share this experience with all of you," said the singer-songwriter, revealing the new dates. "I'm also pumped to announce that Quavo will be joining the tour as a special guest. Can't wait to see you guys and make this tour unforgettable!" The Kid LAROI has made some changes to the tour itinerary, which is in support of The Kid LAROI's debut studio album The First Time and was originally set for a five-city Australian run. This was meant to be his first-ever Aussie stadium tour thanks to shows at Melbourne's AAMI Park, Perth's HBF Park, Adelaide's Coopers Stadium, Sydney's Commbank Stadium and CBUS Super Stadium on the Gold Coast. Now, however, he's hitting up HOTA, Home of the Arts on the Gold Coast, Brisbane Entertainment Centre, Commbank Stadium in Sydney, Perth's RAC Arena, Adelaide Entertainment Centre, MyState Bank Arena in Hobart and Melbourne's Rod Laver Arena. Quavo and ONEFOUR won't be on the bill on the Gold Coast or in Hobart. The First Time might've been a new 2023 arrival, but The Kid LAROI has been releasing music since 2018 — solo, and also teaming up with everyone from Juice WRLD and ONEFOUR to Justin Bieber. Accordingly, fans can look forward to hearing 'Stay', 'Without You', 'Thousand Miles', 'Love Again', 'Girls' and more come spring. The Kid LAROI The First Time Australian Tour 2024: Monday, November 11 — HOTA, Home of the Arts, Gold Coast Thursday, November 14 — Brisbane Entertainment Centre, Brisbane Saturday, November 16 — Commbank Stadium, Sydney Wednesday, November 20 —RAC Arena, Perth Sunday, November 24 — Adelaide Entertainment Centre, Adelaide Wednesday, November 27 — MyState Bank Arena, Hobart Friday, November 29–Saturday, November 30 — Rod Laver Arena, Melbourne The Kid LAROI is touring Australia in November 2024, postponed from February 2024. Head to the Australian ticketing site for more information — and for presales from 1pm local time on Tuesday, August 6 and general sales from 1pm local time on Thursday, August 8.
If you've ever turned up at a house party and been sorely disappointed by the lack of penguins, this is the event for you. The Melbourne Sea Life Aquarium is throwing another series of aquarium parties — because why the heck not? The Friday night series kicks off with a party on February 8, and is the perfect opportunity to stare down a fish right in his slimy eye while sipping a cocktail. Aquarium parties will then be held in March, May, August and finish with a Halloween-themed soirée in November. Tickets are a bit exxy at $49 for early birds and $59 afterwards, but the price includes a cocktail and a snack on arrival. Further drinks and food can be bought over the bar, and a DJ will be playing all night. Entry into the aquarium (usually around $34) is obviously included as well which means you'll get to look at the 10,000-plus creatures, including one of Australia's largest saltwater crocodiles (probably the only time in your life you might be pleased to see a crocodile at a party). Sea Life Nights run from 6–10pm.
When Bridgerton initially premiered on Netflix at the end of 2020, becoming the platform's most-watched original show ever at the time, did it get you dreaming of stepping into its world? If so, you've been in luck ever since thanks to a flurry of events themed around the series, including unofficial balls, garden brunches and more. Your next opportunity arrives soon, and also requires venturing out of Australia's capital cities. Your destination: Bowral in the New South Wales Southern Highlands. Bridgerton season three is on its way, dropping four episodes in May 2024 and then four more in June this year — and to celebrate, Netflix is bringing the series into real life. This is the streaming service that set up public toilets based on Squid Game, Heartbreak High and Emily in Paris back in February, after all. In the past, it has also opened a Stranger Things rift on Bondi Beach, unleashed the Squid Game Red Light, Green Light doll by Sydney Harbour and a had pop-up Heartbreak High uniform shop slinging threads in Newtown, too. This time, it's giving a regional town a makeover. Head to Bowral between Tuesday, April 16–Tuesday, April 23 and you'll see what this patch of Australia looks like when it's harking back to the regency era. A number of spots around town will receive the Bridgerton treatment, with local businesses joining in on the fun. The idea is to make you feel like you're getting the full ton experience. If you want to dress up to fit the part, that's obviously up to you. While the bulk of the details are still vague, a few specifics have been revealed already, including the fact that there'll be a garden party at Milton Park to close out the week. To score tickets, you'll need to channel your inner Lady Whistledown — because noting what would be written about you in the series' gossip sheet in 25 words or less is how you'll enter to nab a spot at the shindig. Also, Bowral's Empire Cinemas will be hosting four free screenings of the first episode of Bridgerton's third season across Monday, April 22–Tuesday, April 23, letting you see it weeks before it makes its way to Netflix on Thursday, May 16. If you're going to treat yourself to a getaway this April, you can now make it a Bridgerton-loving getaway. And if you're a Bridgerton obsessive who lives in Bowral, prepare for plenty of company. Check out sneak peeks at Bridgerton season three below: The town of Bowral will get a Bridgerton-themed makeover from Tuesday, April 16–Tuesday, April 23. For more information, keep an eye on the event's website. Bridgerton season three will stream via Netflix in two parts, with four episodes on Thursday, May 16, 2024 and four on Thursday, June 13, 2024. Images: Liam Daniel/Netflix.
For the past few years, the minds behind The Beer Run have been using ice-cold beers at the pub as motivation to workout. Jog between breweries and bars, drink a brew at each one — that's how the boozy fun run plays out. No one is going to pubs, breweries, bars or watering holes at present, so The Beer Run's organisers have adapted. Meet The Virtual 5k Run, their isolation-friendly alternative. You'll still run, jog or walk briskly; however you'll do so wherever you like, be it your own street, your local park or at home on a treadmill. And if you'd like a beer afterwards, you'll need to supply your own. The run will kick off at 11am on Sunday, May 31 — and while it mentions five kilometres in the event's name, you can also hit the pavement across one or ten kilometres, too. And if you're wondering what makes this different from just getting sweaty by yourself, a live comedy host will be overseeing proceedings. Plus, there'll be prizes, including for best dressed — because dressing up and having a laugh is definitely encouraged. Keeping the beer theme going, the prizes are sponsored by breweries — and, while tickets start at $15, if you opt for the $25 option, you'll receive a Beer Run medal as well. The Virtual 5k Run is also donating $5 from each entry to a COVID-19 cause, which'll be chosen via votes from participants.
Neither the cash nor inclination to hotfoot it to Byron Bay this Easter? Your folks no longer willing to stash eggs in your backyard? Despair not. Not everything shuts down on this here holy holiday anymore — there's plenty going on in Melbourne, and staying in the city will provide some good ol' hometown fun. Whether you want to get down on your hands and knees and search for those foil-covered treasures, go to a gallery, see a comedy show or just have a few bevs, here's where you can do it on this glorious four-day Easter weekend.
It’s difficult to imagine, in the age of online media, that a blossoming new art style could have stirred up that much controversy. But Lurid Beauty: Australian Surrealism and its Echoes, the new exhibition at the National Gallery of Victoria, will be exploring exactly that: the rise of sexual, psychological and controversial surrealist art on the Australian scene since 1930. Lurid Beauty will span many different mediums including installation, fashion and poetry. And prepare your psyche for representations of warped sexuality and perverseness, as surrealism was inspired by the theories of Sigmund Freud, which involves a fair whack of embedded misogynistic gender roles and Dali-esque dream madness. The exhibition will feature works from James Gleeson, Max Dupain, Albert Tucker, James Cant, Roy de Maistre, Peter Ellis, Tim Schultz, Julie Rrap, Pat Brassington, Clifford Bayliss, Rosslynd Piggott and many more.
New York City could soon be home to the world's longest skyscraper. No, not the tallest. The longest. An ultra-skinny, two-legged skyscraper that curves at its peak before returning back to earth, the fittingly named Big Bend would stretch 4,000 feet (1.22 kilometres) end to end, making quite a unique addition to Manhattan's already iconic skyline. The proposed luxury apartment block was designed by local studio Oiio. "The story of The Big Bend follows a recent trend that has appeared in New York City: the emergence of myriad tall and slender residential skyscrapers," explains the studio on its website. "But what if we substituted height with length? What if our buildings were long instead of tall? If we manage to bend our structure instead of bending the zoning rules of New York we would be able to create one of the most prestigious buildings in Manhattan." It's unclear exactly how narrow The Big Bend would be. According to The Telegraph, it would feature a lift that can travel both vertically and horizontally around the building's entire length. The proposed site for the super-long skyscraper lies around West 57th Street, just south of Central Park. Home to numerous luxury apartment complexes and high-rises, the area is sometimes referred to as Billionaire's Row. The Big Bend doesn't actually have planning permission as of yet. But you have to admit, it'd be a hell of a sight.
When you're watching The Room, or reading behind-the-scenes memoir The Disaster Artist, or seeing the star-studded film the latter spawned as well, one big fact is always glaringly apparent. It's inescapable. It's as obvious as Tommy Wiseau's lanky hair and awkward demeanour. It's as plain as the spoons scattered throughout The Room. Yes, Greg Sestero went through one helluva experience. Of course, if it wasn't for The Room, Sestero mightn't have enjoyed his current fame. When you're in a movie that's so bad it's bad but also someone great to watch — but definitely not great itself by any standards — that's a particular kind of success. So, Sestero has made the most of it. He penned The Disaster Artist. He popped up in the flick based on it. He reteamed on-screen with Wiseau for the two-part Best F(r)iends. And he heads to screenings, doing Q&As to chat about all things The Room, too. It's been five years since Sestero last came to Australia to indulge the nation's The Room fixation, but for a week from Sunday, February 12–Saturday, February 18, he's back. His timing is perfect given that Wiseau's disasterpiece notches up 20 years in 2023. Spoons at the ready, clearly. Sestero is heading to Sydney, Brisbane, Perth, Adelaide and Melbourne to do two things: get talking about The Room as part of 20th-anniversary sessions, and also show his new horror film Miracle Valley. This one is a horror movie on purpose, rather than accidentally like The Room, and also marks Sestero's feature directorial debut. "Few other countries have embraced The Room as Aussies have," said Sestero, "so it feels right to celebrate twenty years of a film few expected would be remembered beyond the premiere with the fans Down Under. This will be my fifth visit to Australia, and I can't wait to get back there." For newcomers to The Room — with your pristine minds currently untainted by its wonders, and your vocabulary free from constantly saying "oh hi Mark" — it tells the tale of a banker, his adulterous fiancée, his conflicted best friend, a local teen caught up in a drug deal, a mother with cancer, a particularly tense party, a bunch of guys playing football in tuxedos and the worst apartment decorating scheme you've ever seen. Wondering how all of these things come together? Even the wildest combination you can come up has nothing on The Room. As for Miracle Valley, it's about an obsessive photographer and his girlfriend, who head off on a desert getaway but get threatened by sinister forces. No — disappointingly or welcomely, depending on how you feel about The Room — Wiseau is not among the credited cast. GREG SESTERO AUSTRALIAN TOUR 2023: Sunday, February 12 — Hayden Orpheum, Sydney Tuesday, February 14 — Dendy Coorparoo, Brisbane Wednesday, February 15 — Luna Palace, Perth Friday, February 17 — Palace Nova, Adelaide Saturday, February 18 — Cinema Nova, Melbourne Greg Sestero is touring Australia from Sunday, February 12–Saturday, February 18. Head to the Hayden Orpheum, Dendy Coorparoo, Luna Palace, Palace Nova and Cinema Nova websites for tickets and further details.
Fancy grabbing a drink and hitting a hole-in-one at the same time? How about working your way around two different nine-hole mini-golf courses in a venue that was once a church? If you answered yes to either of these questions and you're in Brisbane, you're in luck. Thanks to Holey Moley Golf Club, come September 29 you can do all of the above. Taking over the Fortitude Valley site that has hosted many a bar, club, gig and dance party in recent years — and many a religious ceremony before that — Holey Moley aims to get eager punters exclaiming its name several times over. That's an understandable reaction given that the leisure entertainment complex will include mini-golf, a cocktail bar and an all-round hangout hub rolled into one. Those keen on teeing off will be pleased to know that each of the 18 holes will have their own theme, with the venue hinting that a mashup of Alice in Wonderland, iconic surfing culture, puppeteers, arguably the best retro video game ever, Nirvana, Snoop Dog, Pharrell Williams and Chubby Checker, Game of Thrones and more is on the cards. And anyone eager to sample the space's other treats can look forward to cocktails such as the Tee Quila Mocking Birdie, Teeyonce Holes, Long Island Iced Tee and G & Tee, plus a food truck menu. If it all sounds like one of the most novel ideas for a new inner-city hotspot you've heard in some time, that's because it is — but hey, people probably thought that when Strike Bowling combined knocking down pins and knocking back beverages. In fact, the folks behind Holey Moley would know a thing or two about that, because they also started Strike. We can only assume that a frisbee-themed nightclub is going to be their next venture. Holey Moley Golf Club opens on September 29 at 25 Warner Street, Fortitude Valley. For more information, keep an eye on their website and Facebook page.
When Tasmania's Museum of Old and New Art's (MONA) hosts an arts and music festival, it doesn't just compile a standard lineup of shows and events. It curates talents that will hit other bills in other cities, of course, but it also hunts down the kind of gigs and experiences that you generally won't see elsewhere. Take 2023's just-dropped Mona Foma program as a prime example. It was already packed with Pavement, Bon Iver, Bikini Kill, Angel Olsen and Peaches (and Perturbator, The Chills and Kae Tempest), as announced back in October, but now it includes a tunnel of light, 'Complaints Choir' and punk bunker — because of course it does. MONA's summer fest — aka its sunny alternative to its sinister winter arts and culture festival Dark Mofo — will return in February 2023 in a big way. How big? With 370 artists across two weekends. The dates to get excited about: Friday, February 17–Sunday, February 19, 2023 in Launceston, and Friday, February 24–Sunday, February 26, 2023 in Hobart. Now, here's what you'll be seeing. [caption id="attachment_875442" align="alignnone" width="1920"] Debi Del Grande[/caption] Launceston's weekend-long Mona Foma stint will feature a free three-day party at a new hub in the city's decommissioned old TAFE called the reUNIÓN district, which is where those unusual vocals — singing local Launceston grievances — will echo. It's also where there'll be queer woodchopping in the quad, Soccer Mommy taking to the stage and that punk bunker featuring, yes, punk tunes played loud a bunker. Also on the list in Launceston, where Mona Foma has been hitting up since 2019: underwater electronica by Leon Vynehall in the Basin Pool; dance work Body Body Commodity from Jenni Large; James Webb's Prayer, where you will indeed need to kneel while listening to recordings of prayer, song and vocal worship; and Van Diemen's Band and Ensemble Kaboul teaming up for Afghanistan-meets-baroque music. [caption id="attachment_880157" align="alignnone" width="1920"] Prayer, 2012, James Webb. Photo credit: Anthea Pokroy. Image courtesy of the artist and Mona Foma.[/caption] Plus, there's a Fantastic Futures exhibition, a late-night book club overseen by 'sonic librarians', Kenneth Tam's Breakfast in Bed theatre experiment — featuring seven guys he found on Craigslist — and the delightfully named Anthem Anthem Revolution, where you're asked to beat a robot at a game of table tennis. A certain highlight is Hyperbolic Psychedelic Mind Melting Tunnel of Light, with Robin Fox letting attendees take over the light, sound and motion controls one person at a time. Also set to stun is CHANT, with Tasmanian women's sporting clubs performing historic and contemporary feminist protest chants; Lost in Place, a pairing of electro-ambient psychedelic jazz with live dance; Arnhem Land documentary Christmas Birrimbirr; and Martina Hoogland Ivanow's film Interbeing, which only used thermal cameras to shoot human interactions and capture the heat behind them. [caption id="attachment_880156" align="alignnone" width="1920"] Christmas Birrimbirr, (Christmas Spirit), (video still), 2011, Miyarrka Media. Image courtesy of the artist and Mona Foma.[/caption] MONA's summer event was initially held in Hobart, as seasoned fans will remember, and the fest hasn't forgotten its OG home. If that's where you're getting your Mona Foma fix in 2023, you have a stacked lineup in store as well. Many of the fest's big-name acts are playing there — Bon Iver, Bikini Kill, Peaches and Pavement all included — and the MONA lawns will also host a show featuring songwriters from the Pilbara town of Roebourne singing for freedom on the 40th-anniversary year of John Pat's passing in custody, as guided by Ngarluma and Yinjibarndi Elders. Also, Amber McCartney and Tasdance's dance performance Baby Girl will enjoy its world premiere, Nico Muhly takes over the fest as an artist in residence, and the Theatre Royal's program includes IHOS Amsterdam's time travel-inspired PRIMORDIAL For Piano and Diverse Media and film noir opera A Deep Black Sleep. [caption id="attachment_880154" align="alignnone" width="1920"] Climate Notes, Anna McMichael and Louise Devenish. Photo credit: Lucian Fuhler. Image courtesy of the artist and Mona Foma.[/caption] Or, see Climate Notes in Rosny Park, playing five new works for violin and percussion that all take inspiration from scientists' handwritten letters about global warming — and explore Tomas' Garden by Cici (Xiyue) Zhang, where monsters and spirits will feature in an immersive magical landscape. The list goes on, complete with Morning Meditations in both cities — and Chloe Kim doing 100 hours of public drumming over ten days. [caption id="attachment_784488" align="alignnone" width="1920"] Robin Fox laser installation at the Albert Hall, Launceston, Mona Foma 2019. Photo Credit: MONA/Jesse Hunniford. Image courtesy of the artist and MONA Museum of Old and New Art, Hobart, Tasmania, Australia.[/caption] Already keen to get booking? Fancy a Tasmania trip in the interim? Our Concrete Playground Trips Hobart getaway might also be of interest. Mona Foma will take place from Friday, February 17–Sunday, February 19, 2023 in Launceston, and from Friday, February 24–Sunday, February 26, 2023 in Hobart. Tickets go on sale at 11am on Tuesday, November 29 — head to the festival website for further details. Top image: Regurgitator & Seja & Mindy Meng Wang on guzheng perform The Velvet Underground & Nico. Photo Credit: Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
The last bastion of the phone-free two hours, the theatre, might be about to crumble. Melbourne's Malthouse Theatre this week announced that they'll be trialling special seating for social media users, internationally dubbed 'tweet seats', at select shows. Carlton indie theatre La Mama is already all over it, having set aside four tweet seats per show for their upcoming work RAT, and they're even free. Considering we've been live tweeting everything else — from films to talks, concerts and dinners — is the distinction around theatre an artificial one that's been destined to fall away? And is there any benefit to be gained from allowing us to whip out our phones mid-show? The Malthouse announcement has met with some backlash, even on Twitter. Popular opinion is, if you're live tweeting a performance, you're living the kind of hollowed-out half-life that means you may as well stay home and plug into the Matrix. But this is a personal value judgement and not a reason, practically or conceptually, against allowing others to make Twitter a part of their theatre experience. I struggle to express coherent thoughts for half an hour after a film or movie, let alone have any desire to do so while it unfolds and trade away the sense of immersion that comes with live performance. But that's just me, and that's just the shows I've seen. How about a small show built to feed off real-time responses? How about a big, bombastic opera that can't count on the nosebleed section being highly engaged? The LA Times technology blog attributes the first instance of live theatre tweeting to a 2009 staging of Gilbert and Sullivan's HMS Pinafore in Kansas — and it was a more constructive affair than you might assume. Audience members in the 100 special seats of the final performance could access tweets from the show's artistic director about the production, scenery and story unfurling on stage while tweeting their own questions and comments. It was an aid to their enjoyment of the piece, not unlike an audio tour of an art exhibit. Or the special features on a DVD. Or a post-show Q&A, during the show. It's since become common in the US and UK, mainly for ballets, operas and symphony concerts. With conditions tightly controlled — you don't want to distract the real-life cast and crew who need darkness to do their jobs properly — and the agreement of the individual creative team, theatre might continue to become a road more tweeted. But then there's this argument from Alex Roe, artistic director of New York's Metropolitan Playhouse, perhaps the most focused takedown of how your tweeting might affect other people's enjoyment: "Part of the whole theatrical experience is the thought of being present in the company of the rest of the audience and the actors," Roe said to NPR. "To me, the thought of encouraging people to tweet during a performance is necessarily a violation of that agreement." That might just be the tweet-seat deal-breaker.
Melbourne's ambitious Greenline Project on the northern bank of the Yarra River is one step closer to reality, as construction has now officially started on the Birrarung Marr stage of the redevelopment. The transformation was first announced in 2021, and detailed plans were released throughout the following years. But it's finally getting done. The Greenline Project will see the riverside precinct stretching from Birrarung Marr to the Bolte Bridge reimagined as one of the city's largest networks of green spaces, complete with a six-metre-wide and four-kilometre-long waterfront promenade. This walkway will connect five waterside precincts — Birrarung Marr, The Falls, River Park, Maritime and Saltwater Wharf — each of which will receive its own makeover. They'll feature a collection of promenades, parks, cultural activations and open space, with plans for environmental renewal projects to be incorporated and lots of native plants added, too. Currently, construction has only started on the Birrarung Marr Precinct. This will include a new and improved riverside promenade with terraced steps for lounging by the water, and performance spaces that will host cultural events throughout the year. A wetland habitat, a new park and a collection of rooftop venues above the Banana Alley Vaults have also been proposed for the Falls Precinct, while the River Park Precinct would include a new space for activities constructed beneath the Flinders Street viaduct. The Maritime Precinct looks set to feature new maritime-inspired artworks and improved boat access, and at the Saltwater Wharf Precinct, you can look forward to an expanded promenade and another brand-new park. "The Greenline Project will transform the underutilised north bank of the Yarra River to enhance Melbourne's world-renowned liveability, and will ensure Melbourne remains a beacon for global visitors and investment," explained Lord Mayor Sally Capp. For now, construction has only begun on the Birrarung Marr Precinct, which is slated to be completed by the end of 2024. Work on the other four precincts and connecting walkways will commence at a later date. You can find more details on the Greenline Project over on the City of Melbourne website or at the Greenline Project Hub at Federation Square — which is set to open in the coming months.
It's pretty clear the good folk behind Top Paddock, Three Bags Full and Two Birds One Stone are completely unable to sit still; they're opening a brand new cafe dubbed Kettle Black this month. Nathan Toleman, Ben Clark and Diamond Rozakeas are setting up their latest venture on Albert Road in South Melbourne, in a rather odd-looking building that fuses a Victorian terrace house with a modern apartment building. With the new cafe's fitout at the hands of South Yarra design firm Studio You Me, we’re expecting to see something pretty bold (the only sneak peaks we've seen on Twitter so far are wooden parquetry wall detailing and hexagonal tile-meets-concrete flooring). Just last year, Top Paddock won Best Cafe Design in the Eat Drink Design Awards and Best New Cafe in The Age Good Cafe Guide awards, so there's some relatively big shoes to fill right there. While the menu direction hasn't been hinted at yet, if Toleman, Rozakeas and Clark's other ventures are anything to go by you can expect top-notch service, Five Senses coffee pumping all day and a foolproof, freshly housemade smorgasbord of nosh options. Kettle Black opens at 7am on Thursday, July 24. Find the new digs at 50 Albert Road, South Melbourne. Via Good Food.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue for September. NEW STUFF TO WATCH NOW https://www.youtube.com/watch?v=DTjlurdbNnw I MAY DESTROY YOU Newly returned from a working trip to Italy, struggling to write her second novel after her first struck a sizeable chord and pushing up against a draft deadline just hours away, Arabella (Michaela Coel) takes some time out from an all-nighter to procrastinate with friends over a few drinks in a couple of London bars. The next morning, the Twitter-famous scribe is shaky, hazy and feels far from her normal self — and across the next 11 episodes of this instantly blistering 12-part series, I May Destroy You delves into the aftermath, as Arabella realises that she was raped that evening. Not only created and written by the unflinching and captivating Coel, but inspired by her own real-life experience with sexual assault, the result is as bold, raw and frank as it is sensitive and affecting. It also feels personal at every single moment. An immensely powerful series that intimately interrogates power on multiple levels and features an unsurprisingly potent performance by Coel, I May Destroy You is easily this year's number-one must-see show — and its absolute best. I May Destroy You's first season is available to stream via Binge. https://www.youtube.com/watch?v=cDTg62vsV4U I'M THINKING OF ENDING THINGS For much of I'm Thinking of Ending Things two-hour-plus running time, the film's characters sit and talk as discomfort fills the space around them. The movie's protagonist (Wild Rose's Jessie Buckley) and her boyfriend Jake (Jesse Plemons) awkwardly chat as they drive through the snow to the Oklahoma farm where the latter grew up. They both endure several seesawing conversations with Jake's erratic and eccentric mother (Toni Collette) and father (David Thewlis) once they arrive. And, steam-of-consciousness narration also provides a soundtrack. But given this feature is written and directed by Being John Malkovich and Eternal Sunshine of the Spotless Mind screenwriter Charlie Kaufman, it was never going to be a straightforward flick about meeting the parents. Instead, it's a purposely ambiguous and complex exploration of identity, choice and the very nature of human existence — complete with sudden ballet dances, strange overnight stops at deserted dessert stands and flashes to an unhappy janitor (Guy Boyd) — and it's a fascinating, challenging, visually stunning trip the entire way. I'm Thinking of Ending Things is available to stream via Netflix. https://www.youtube.com/watch?v=MN8fFM1ZdWo THE BOYS Suffers of superhero fatigue understandably rejoiced when The Boys first hit screens in 2019. Yes, it focuses on a group of caped crusaders just like seemingly every second blockbuster movie — but, in a world where viewers have been conditioned to lap up narratives about powerful folks who are supposedly better than most, this series both satirises and questions that very idea. Here, superheroes work for a corporation called Vought International. The top talent is known as The Seven; however when the public isn't looking, most — especially leader Homelander (Antony Starr) — are hardly role models. The show's second season picks up where its first left off, with determined, no-nonsense Brit Billy Butcher (Karl Urban) intent on bringing Vought and The Seven down with his own ragtag team, aka The Boys of the title. As well as once again following the complicated bond between The Boys' newcomer Hugh (Jack Quaid) and The Seven's Starlight (Erin Moriarty), the new season also throws Better Call Saul's Giancarlo Esposito into the mix as Vought's CEO, plus Aya Cash as social media star and new The Seven member Liberty. The first five episodes of The Boys' second season are available to stream via Amazon Prime Video, with new episodes added every Friday. https://www.youtube.com/watch?v=oFAHiU0g0xQ PEN15 When Maya Erskine (Wet Hot American Summer: 10 Years Later) and Anna Konkle (Rosewood) decided that they were going to make a series about their 13-year-old selves — and, although they're now definitely and obviously adults, also play their younger selves — it was a decidedly risky move. It pays off, though. In fact, it's one of the savviest parts of PEN15, which is one of the most distinctive comedies on TV. There's nothing quite like reflecting upon that awkward adolescent phase by physically and literally revisiting it, as the two writers and actors do, all while their on-screen characters navigate the ups and downs of middle school at the turn of the 21st century. Returning for the first half of its second season, this comedy series steps back into the lives of Maya Ishii-Peters (Erskine) and Anna Kone (Konkle), deepens its exploration of being a teenage girl (and a teenager in general), and will have you cringing in recognition, laughing and recognising its insights simultaneously. The first seven episodes of PEN15's second season are available to stream via Stan, with another seven episodes set to drop at a yet-to-be revealed date. https://www.youtube.com/watch?v=TJvKDp54YjM SPIRAL Not to be confused with the upcoming new Saw franchise film of the same name, Spiral gives a familiar premise a smart, topical and resonant twist. In the mid-90s, Malik (Jeffrey Bowyer-Chapman, UnREAL) and Aaron (Ari Cohen, IT: Chapter Two) move to a small town with the latter's teenage daughter Kayla (Jennifer Laporte, iZombie), seeking a quieter, happier life away from the city. They're initially greeted warmly by neighbours Marshall (Lochlyn Munro, Riverdale) and Tiffany (Chandra West, Played); however, in general territory traversed by many a horror film before this, things aren't quite what they seem. Indeed, when Malik comes home one day to find a homophobic slur graffitied on their living room wall, he starts to get suspicious about the cliquey community they're now calling home — fears that Aaron doesn't share. There is clearly much about Spiral that fits a template, but director Kurtis David Harder and writers Colin Minihan and John Poliquin do an astute job of moulding this unsettling movie into a timely statement. The result: an unnerving feature that's as much about spooky terrors as societal ones, and that possesses a considerable bite. Spiral is available to stream via Shudder. https://www.youtube.com/watch?v=jQ8CCg1tOqc #ALIVE Train to Busan and Peninsula aren't the only films to wonder how South Korea might cope with a sudden zombie outbreak. The unrelated #Alive also explores the concept, focusing on a video game streamer as an unexplained disease turns most of Seoul's residents into the guts-munching undead. Even holed up in the seeming safety of his family's apartment, Oh Jun-u (Burning's Yoo Ah-in) doesn't initially take the situation well. As shuffling hordes lurk outside, his dismal food supply rapidly declines and he worries about the safety of his parents and sister, he attempts to survive — and to fight off the gnawing feeling that perhaps his struggle is futile. A box office hit when it released in South Korean cinemas, #Alive never feels as formulaic as its premise might suggest. In fact, this horror-thriller proves constantly tense, and not just because pandemic films have that effect at the moment. Making his first feature, writer/director Il Cho handles the zombie scenes with urgency and makes ample room for quiet moments; however his best decision is casting the ever-watchable Yoo. #Alive is available to stream via Netflix. https://www.youtube.com/watch?v=31rSR0w0z30 THE VOW Another month, another compelling true-crime documentary series. When it comes to delving into the minutiae of tales so wild that they can only be true, HBO has long been known for leading the charge — and, after McMillions and I'll Be Gone in the Dark already this year, The Vow is its latest addition to the fold. Its focus: self-improvement group NXIVM. If that name sounds familiar, that's probably because you remember the 2018 news headlines, when its founder Keith Raniere and member and actor Allison Mack (Smallville) were arrested and charged with a range of crimes that included sex trafficking. Featuring former NXIVM members sharing stories about their time in the cult-like group, The Vow details a rollercoaster ride of a story, not only unpacking the sinister and sordid aspects of the tale, but attempting to understand what appealed to people about the organisation in the first place. Filmmakers Jehane Noujaim and Karim Amer picked up an Oscar nomination for 2013's The Square, as well as Emmy awards and nods, and don't be surprised if they feature in the TV awards conversation in 2020. The first episode of The Vow is available to stream via Binge, with new episodes available every Sunday. https://www.youtube.com/watch?v=mSzZxsX0_yE AP BIO In It's Always Sunny in Philadelphia, Glenn Howerton excels at playing arrogant, narcissistic, abrasive, selfish and misanthropic. He's been doing just that since 2005, and long may that continue. But, while before 2018, no one would've ever wondered what might happen if Howerton demonstrated the same traits in a high-school set sitcom, AP Bio answers that question in a consistently amusing way. Here, Howerton plays an ex-Harvard philosophy professor forced to return to his home town of Toledo after losing his dream job and reacting badly. He takes a gig as a biology teacher even though he has absolutely no interest in it, and he enlists his motley crew of students to help him enact his elaborate revenge plan. Three seasons in, this comedy happily veers in its own direction and keeps serving up offbeat laughs — including from Patton Oswalt as the school principal and the great Paula Pell (a Saturday Night Live writer for almost two decades) as his secretary. Also, the latest season dedicates an episode to an occasion known as 'Katie Holmes Day', which is as silly and yet still inspired as it sounds. All of AP Bio's third season is available to stream via Stan (and its first and second seasons as well). https://www.youtube.com/watch?v=uaaC57tcci0 THE SOCIAL DILEMMA The idea that social media isn't all that great for humanity isn't new news. More than a decade after services such as Facebook and Twitter started taking over our daily lives, inundating us with notifications, fighting for our time, collecting our data and trying to monetise our attention to sell to advertisers, that fact shouldn't come as a surprise to anyone. But just because The Social Dilemma stresses something that everyone should already know, that doesn't mean that it doesn't still pack a punch. This Sundance-premiering documentary proves more than a little clunky when it features dramatised segments showing both how social media can affect us all and visualising how algorithms work (the latter featuring multiple versions of Mad Men's Vincent Kartheiser). And, in its interview segments, it is hardly astonishing that an array of ex-tech company employees have unpleasant things to say about the industry. Still, this doco is both comprehensive and important — and, if you haven't spent much time thinking about the topic, accessible as well. The Social Dilemma is available to stream via Netflix. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=azjw0hTkOIs FARGO More than two decades since it first hit the big screen, Joel and Ethan Coen's Fargo still ranks among their best work. Given the other movies to the sibling filmmakers' names — Raising Arizona, Barton Fink, The Big Lebowski, O Brother Where Art Thou?, No Country for Old Men and Inside Llewyn Davis, to name just a few — that's quite the feat. So, when the Fargo TV series arrived in 2014, it followed in some considerable footsteps. Telling a different crime tale each season, with a different high-profile cast, it instantly became one of television's must-watch dramas. Featuring everyone from Billy Bob Thornton and Martin Freeman (in season one), to Kirsten Dunst and Jesse Plemons (season two) and Ewan McGregor playing brothers (in season three), every episode to-date has served up an entertaining treat — and those first three seasons have just hit SBS On Demand in the lead up to the Chris Rock and Jason Schwartzman-starring fourth season, which starts dropping in October. The first three seasons of Fargo are available to stream via SBS On Demand. Top images: I May Destroy You, Natalie Seery/HBO; The Vow, HBO; I'm Thinking of Ending Things, Mary Cybulski/Neflix.
If you've ever been to Cafe Gratitude in LA, you'll have witnessed the excess of positive affirmations that make up their menu. And even if you haven't, you can safely assume what it's like. Pancakes that reaffirm you are luscious and kale dips that instil a sense of community — that kind of thing. And although Yarraville is a far cry from LA, Heal.Thy Self Co. treads along a similar path. The smoothies have adjectives for names, and the staff pen your declaration on the side of the plastic takeaway cup: Lauren is passionate, mine said. No matter how you wish to be nourished though, this place has got you covered. It's organic, fresh, sometimes raw, and everything is filled with superfoods. If it's early (they open at 6.30am), skip the coffee and perk up with a their 'awakened' smoothie — it's got a double shot of espresso with banana, mesquite, vanilla and almond milk, and it gets the banana ratio just right. Otherwise you can go with something green, a cup of mango and passionfruit, or a concoction of berries and oats. All smoothies are $9. The space is small, but there's enough space to sit, albeit crowded by the people waiting for takeaways. It's an oasis of raw cheesecakes, food the colour of the rainbow and avo toast served on brown butcher paper. The food resembles what you might expect at Elwood's Combi; it's pretty and very shareable, the acai bowl ($12) is a work of fruit and nut art and the chocolate chia parfait ($14) is topped with edible flowers. But health is a holistic business, and so Heal.Thy Self Co. have an in-house naturopath and massage therapist if you'd like some extra services while you sip your smoothie. But if you'd just like to eat a piece of raw caramel slice (and it's one of the best out there), you can do that too. Don't question it — it's healing.
Leanne Failla's design practice involves investigating how objects play a role in shaping space and the 'intangible' influence objects play in our reading of physical locations. A collection of objects to retain from a collection of objects to discard sees Failla continue her long-held interest in this idea and introduces her own personal narrative by working with objects she owns and values – "reproducing their form using other objects in her possession". By using methods of deconstruction in her art practice, Failla dissects how objects shape space and our experience of it. Failla has previously exhibited her works at the Sheraton Hotel, Seventh Gallery and c3 Contemporary Art Space and has collaborated with Artland as part of Melbourne Fringe Festival. Failla is also the co-director of interior design practice Itself Studio, which she heads alongside fellow designer Jaime Vella. A collection of objects to retain from a collection of objects to discard is on at Blindside Gallery and runs from Wednesday, September 13 until Saturday, September 30. Image: courtesy of Leanne Failla.
Gone are the days when celebrating Easter just meant eating all the chocolate eggs you can handle and treating yourself to all of the hot cross buns while they're in stores. Keep doing both, naturally, because this time of year wouldn't be the same otherwise. But choc-flavoured cocktails have quickly become an Easter staple, too — and award-winning distillery Archie Rose Distilling Co's new lamington tipple has arrived at exactly the right time. Lamingtons are the dessert that just keeps giving: giving us vodkas, cruffins, croissants, gelato bars and sneakers all inspired by them before now, in fact. So, of course Archie Rose has joined the trend with its new Dark Chocolate and Raspberry Lamington Bottled Cocktail, which is indeed exactly what it says on the label. A limited-edition tipple — so, it's here for a delicious time, not a long time — it comes ready to pour either over ice or paired with soda. Archie Rose also recommends a garnish in the form of a berry skewer. That berry flavour is a big part of the cocktail anyway, which goes heavy on raspberry, chocolate, honeycomb and coconut. It's made on Archie Rose's signature dry gin, and also includes notes of citrus — for balance, the company says. You'll only find it via the brand's website, in its latest creative tipple in a range that's previous included riffing on ice cream, dropping a coffee whisky and taking inspiration from Vegemite. Archie Rose Distilling Co's Dark Chocolate and Raspberry Lamington Bottled Cocktail is available now via the brand's website, costing $59 per bottle.
A new year means a new season of whichever sport takes your fancy, including all of the unexpected thrills that come with it. For anyone fond of a pint while watching a game, race, match or the like, Brunswick Street has a few surprises of its own — namely, the now-open bar The Roy, from the team behind cocktail-slinging stalwart Polly. Of course, the new watering hole came as less of a surprise to owner Casey Gordon and manager Chris Hinds, who put in a solid two-year stint of renovations, shaping an unused nook at the back of Polly into a cosy drinking den. The result is what the pair describe as a laidback 'local's local', accessed via a rear laneway, decked out with a big screen for watching sport, and with a vibe that's a few notches more casual than its older sister. Here, you'll settle in for a brew or whisky while enjoying the on-screen action, in a space where decent drinks and sport go hand-in-hand. Indeed, expect the same attention to detail and boozy prowess as Polly, with the sibling venue's years of expertise shine through in The Roy's drinks offering. Taking care of your thirst is a six-strong tap rotation running from the classic to the crafty, a broad lineup of wines by the glass, and a hefty spirits collection to top it all off. The Roy is now open at the rear of 401 Brunswick Street, Fitzroy. For more information, visit theroy.com.au.
Next time that someone hands you a $100 note, you can be forgiven for thinking that it looks a little different — because a new range of the green-hued currency will be released into circulation from Thursday, October 29. Australia's banknotes have been getting a makeover since September 2016, when a different $5 note started doing the rounds. It was followed by a revamped $10 in 2017, a sparkling fresh $50 in 2018 and a brand new $20 in 2019. For the upgraded $100 note, the design still celebrates engineer, soldier and civic leader Sir John Monash, as well as internationally famed soprano Dame Nellie Melba. They're both recognised in several ways on the new notes, with not only their portraits displayed prominently, but with microprint featuring excerpts of a letter written by Monash, as well as text from Melba's autobiography Melodies and Memories. As well as changed artwork (albeit keeping the same colour scheme as old notes), the new $100 boasts the same improved security features as the revamped $5, $10, $20 and $50 notes, which are largely aimed to stop counterfeiting. A clear window running from top to bottom is the most obvious, and contains a number of features such as a reversing number and flying bird. As mentioned above, the note also includes microprint, plus a patch with rolling colour. And, in great news for the vision-impaired, the new series of legal tender has a tactile feature to help distinguish between different denominations. As happened with the other denominations, the rollout will happen gradually. The existing $100 banknotes are still considered legal tender, so you can still keep using them. Australia's new $100 notes will start circulating from Thursday, October 29. For more information about the banknotes, head to the Reserve Bank of Australia website. Images: Reserve Bank of Australia.
As far as summer food/drink combos go, beer with guac and chips is definitely up there. But one brewery's just found a way to combine the two in one unusual but very intriguing beverage. The LA-based Angel City Brewery recently introduced Avocado Ale as part of their inaugural Avocado Festival on August 24, which celebrated the beginning of avocado season in California. The beer contains avocados harvested straight from brewmaster Dieter Foerstner's grandmother's farm, as well as other ingredients you'd normally find in guacamole, like crushed red pepper, garlic, lime and coriander. Angel City is no stranger to experimental brews — their previous creations include the Pickle Weiss and the less weird-sounding White Nite, a golden, chocolate- and espresso-flavoured ale. It looks like Avocado Ale's just a one-off local thing, but they're not the first brewers to take the 'Why can't we have both?' approach to beer and food. Sydney's own 4 Pines Brewery recently held a series of Beer Mimics Food events, featuring beer infused with HP sauce, apple and blackcurrant crumble and, even more bizarrely, a bento box lager. Foerstner, the man behind Avocado Ale, described it to LAist as a "love or hate kind of thing. It's not what traditionalists would expect a beer to taste like. It does have a well-pronounced avocado flavour, so people who don't care for the fruit to begin with might not enjoy it. But being an avocado lover, I love it." Via PSFK.
It's mid-August, so you should probably start getting your New Year's Eve plans in order. Victorian NYE festival Beyond the Valley has just announced the lineup for their celebrated four-day festival in Lardner, Victoria and it's pretty bloody good, so could be a solid option. Just four festivals old, the Victorian festival is still pretty fresh on the New Year's circuit, starting out in 2014. Despite this, they've managed to secure a rather colossal lineup, featuring charismatic rap headliner Schoolboy Q, Sydney electro legends The Presets, falsetto-flaunting folk favourite Matt Corby, UK grime gem Stormzy, East London 'wonky funk' singer Nao and 21-year-old Channel Islands-born producer Mura Masa. Beyond the Valley takes over Lardner Park, Warragul, Victoria from December 28 to January 1. Anyway, here's what you came for. BEYOND THE VALLEY 2017 LINEUP: Schoolboy Q The Presets Matt Corby Stormzy Mura Masa Stephan Bodzin (live) Little Dragon 2MNANY DJs (DJ Set) Adana Twins Âme (live) Amy Shark Andhim The Belligerents B.Traits Crooked Colours Cub Sport Cut Copy Dean Lewis DMAs Dom Dolla FKJ GL George Maple Harvey Sutherland & Bermuda Hayden James Hot Dub Time Machine Ivan Ooze Jack River Lastlings Late Nite Tuff Guy Marek Hemmann Meg Mac NAO Patrick Topping Pleasurekraft The Preatures Princess Nokia Ruby Fields Sampa The Great San Cisco Skegss Beyond the Valley is happening December 28 to January 1 at Lardner Park, Warragul, Victoria. Presale tickets on sale Wednesday, August 16, with general tickets on sale Thursday. August 24, from www.beyondthevalley.com.au. Images: Beyond the Valley.
Shelly is a normal girl. Normal enough, that is, until she finds herself starting to become more and more fish-like every day. Staying true to her piscine transformation, she takes refuge in the sea, alone. But the sea is no place for a human girl — even a scaly, gilled amphibian-type one who's taken a liking to blowing bubbles. The Sound of Waves is a fictionalised account of performer Jodie Harris' true story of losing her hearing and getting a cochlear implant. Written bespoke for her to perform solo by Gareth Ellis, the production is a whimsical, affirming tale six years in the making. Harris, a deaf actor, admits she was worried about performing it. But the oh-so-precious, encouraging words of the Weedy Seahorse — one of her multitudinous characters in the play — got her through that: "I can do this, and that — check it out! I can do this." The Sound of Waves plays at fortyfivedownstairs from October 3-12, and tickets are $30 each ($25 concession). We have two double passes to give away to the performance on Sunday, October 5, at 5pm. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.melbourne@concreteplayground.com.au with your name and address.
What's big, spiky and attracts tourists from all over? Whether you grew up in the shadow of one of south-east Queensland's great tourist attractions, made the trek to the Sunshine Coast to marvel an oversized fake fruit, or always thought you'd snap a pic next to the pineapple to end all pineapples, you know the answer. Soon, however, you might be able to do more than just visit, take photos, browse the markets, meet some monkeys and eat the sweet, juicy food in question — you might be able to sleep there. Yes, glamping could be coming to the one and only Big Pineapple. If that's not news that'll make you hightail it to Nambour, then we don't know what is. With the iconic site under new ownership, the folks in charge are thinking big — well, bigger than the previous owners did, including the people responsible for building such a massive monument to a particular tropical fruit. Among the additions mooted for the 165-hectare site: a family fun park, an RV park, walking trails, outdoor sport and recreation facilities, and fancy, fancy tents so that you can stay the night. The plans are designed to help bring the Big Pineapple back to its former glory, with the 16-metre-high attraction's tourist trade not quite at previous booming levels. Since opening in 1971, the heritage-listed fruit tower has seen a few changes, opening and closing over the years, undergoing several revamps, and introducing the annual Big Pineapple Music Festival in 2013. "What we want to do is make a food-based and eco-tourism-based destination that incorporates the existing big pineapple, but adds other things ... and has outlets for local produce," co-owner Peter Kendall told ABC Sunshine Coast. "There's rainforest on the land that would lend itself to eco-walks [and] we've talked about things like zip lining." Existing favourites, such as the animal hospital and train, will be retained. And, for anyone who feels strongly about just what the Big Pineapple should add to the site, an open day will be held on February 18 for interested parties to offer their input into the new proposals. Via: ABC Sunshine Coast. Image: Holiday Point.
It was a sad day for Melbourne's dining scene when Teage Ezard's CBD institution Ezard announced its closure last June, after an impressive 20 years of operation. They're some pretty big shoes to fill. But if anyone's going to do it, it might just be Sydney's much-loved Mediterranean restaurant Nomad. Yep — the team's just revealed its first Melbourne outpost will open in the iconic Flinders Lane space from mid-November. Owners Rebecca and Al Yazbek have been busy transforming the Adelphi Hotel's lower ground floor into Nomad's new 100-seat southern iteration, replicating the ethos of the original, while championing a whole new menu filled with local produce. Celebrated executive chef Jacqui Challinor has been working closely with Nomad Melbourne's new head chef Brendan Katich (Gingerboy, Ezard) to develop the eatery's signature offering, centred around house-made cheese and charcuterie, and the kitchen's prized wood-fired oven. [caption id="attachment_829999" align="alignnone" width="1920"] The team[/caption] Fans will find just a handful of menu mainstays, backed by a lineup of brand new dishes, with plenty of locally-sourced meat and veggies cooked over flames among the mix. A sprawling wine list will focus on homegrown drops, with Victorian wineries and smaller producers given lots of love. And an extensive all-Aussie pouring list will rotate regularly, offering the chance to sample new wines with every visit, including premium creations served via Coravin. The space itself has been imagined with the help of Melbourne-based architect Clare Cousins, its elegant interiors tucked away behind a hidden entrance. Concrete columns and beams that were unearthed during construction have been used to help section the restaurant into various moody dining areas. The newcomer won't be Nomad Group's sole Melbourne operation for long, with further plans to open another restaurant and bar in The Cathedral Room of the Queen and Collins precinct next year. Find Nomad Melbourne at 187 Flinders Lane, Melbourne, from November 15. It's open for lunch Wednesday to Sunday, and daily for dinner.
It already takes the crown as Australia's biggest shopping centre, and ranks amongst the largest in the world, too. But Chadstone isn't stopping with the upgrades anytime soon. After adding a luxury hotel and a couple of new restaurants to its grounds in 2019, and enjoying plenty of upgrades in recent years, the centre today unveiled plans for its latest addition — a new entertainment and dining precinct dubbed The Social Quarter. Clocking in at over 10,350 square metres and a cool $71 million, the project is set to feature 18 new food and entertainment 'experiences', with a focus on al fresco dining. Designed for all seasons and occasions, it's gearing up to open its doors this summer. On the food side of things, you'll find new outposts from six different hospitality retailers, including New Zealand-born Asian-fusion restaurant White + Wong's and its sibling Sardine Bar, Italian eatery Cinque Terre and Melbourne's much-loved Piccolina Gelateria. The crew from South Melbourne's Half Acre is opening an all-day Euro diner called Cityfields. And there'll be a new venue from Urban Alley Brewing Co (also Docklands and Knox), complete with its own onsite brewery creating craft beer exclusively for The Social Quarter. When it comes to playtime, punters of all ages will be spoilt for choice with venues from Archie Brothers Cirque Electrique, Strike Bowling and Holey Moley, alongside a new iteration of Hijinx Hotel — Funlab's vibrant 'challenge room hotel' concept, which debuted in Sydney in winter. They'll complement Chadstone's existing Legoland Discovery Centre and Hoyts cinema complex. [caption id="attachment_868118" align="alignnone" width="1920"] White + Wong's[/caption] The Social Quarter is also set to show off some sleek design work, helmed by renowned architects Jackson Clements Burrows, along with Buchan, Decibel and Lat Studios. It's aiming for a 5 Star Green Star rating, will feature an art-covered facade with works by artist Matthew Johnson, and boast a cutting-edge louvred glass roof design made up of 468 individually glazed pieces. The precinct will also showcase views across to the CBD from its restaurant spaces. [caption id="attachment_868117" align="alignnone" width="1920"] Urban Alley[/caption] [caption id="attachment_868111" align="alignnone" width="1920"] Bar Sardine[/caption] Find The Social Quarter at Chadstone Shopping Centre, 1341 Dandenong Road, Chadstone, Victoria, from a yet-to-be-confirmed date this summer.
When you travel the world, you take your tastebuds on a journey with you, with trying local delicacies all part of the experience. If you find yourself at Sweden's new museum, however, you might not want to get adventurous with your eating — it's completely dedicated to disgusting foods. Of course, what one person considers gross, another entire country might slather on toast for breakfast. Yes, the Malmö-based Disgusting Food Museum will feature Vegemite when it opens on October 29. Other items don't include much-loved but highly polarising Australian spreads, but everything within the site's walls is considered food somewhere. Think Sweden's own surstömming, aka fermented herring; cuy, the Peruvian roasted guinea pigs; casu marzu, a maggot-infested cheese from Sardinia; hákarl, the Icelandic dish comprised of well-aged shark; and Thailand's notoriously pungent durian. In total, 80 foods from around the world will be on display until January 27, with liquorice, jell-o salad, fruit bat and bull's penis among the other exhibits. For an entry fee of 185 Swedish krona (approximately AU$29), visitors will have the opportunity to smell and taste selected items. The museum will also hold 'taste one for the team' sessions for groups of six or more, where you can challenge your friends to the kinds of tastings that you don't get every day. If you're currently asking yourself the obvious question — not 'what's wrong with Vegemite?', but rather 'what would inspire someone to open this kind of place?' — the Disgusting Food Museum is all about challenging accepted ideas of what's edible and tasty. It recognises that what one person finds delicious, another might find revolting and vice-versa. Speaking to Vox, curator and 'chief disgustologist' Samuel West uses Vegemite as an example, explaining that it initially tastes awful, but you can learn to like it. Find the Disgusting Food Museum in Malmö, Sweden from October 29. For more information or to buy tickets, visit the museum's website or Facebook page.
The Olympic Games bring nations together in a worldwide contest of sport and competition. But the Olympics do much more than this too by providing an arena for remarkable triumphs, terrible failures, true perseverance and utter determination. Even through devastating wars, ongoing global conflicts, drastic terrorism acts and natural disasters, nations of the world have managed to unite (almost) every four years for over a century in a demonstration of friendly competition and unity. With the approaching London Olympics, it got us thinking about the spectacular images from past Olympic Games — photos that make you think, laugh, cringe or cry. Here is our pick of the best photographs from each summer Olympic Games throughout history. Athens 1896 - The Starting Gun Fires The first international Olympic Games to be held in the modern era. Being the 'birthplace of the Olympic Games', Athens was a suitable first venue. Athletics events obtained the most international field of the sports on offer, with the major highlight being the marathon; this was the first time the event had been held in international competition. Paris 1900 - Women Compete for the First Time Women donned their sporting caps and get-ups (apparently dresses in those days) for the first time at an international sporting event in Paris in 1900, with Charlotte Cooper being crowned the first female Olympic champion. 1000 competitors took part in 19 sports at these Games, which was held during the 1900 World's Fair. St. Louis 1904 - 3rd Time Not Such a Charm The St. Louis Olympic Games almost became the last due to such poor management. Making the same mistake as Paris did four years earlier, the World's Fair was run at the same time, causing audience members to be lost to other cultural exhibitions and events. Many athletes were also a no-show due to the Russo-Japanese War. London 1908 - Kings, Queens and Cramming London only had a short amount of time to ready themselves for these games as the original location, Rome, had to focus funds on restoring Naples following the destruction of the eruption of Mount Vesuvius two years earlier. The London games saw the setting of the new official distance for the marathon; in an attempt to restore the importance of the monarchy, British officials changed the track to start below the window of the Royal Nursery and finish in front of the King. Stockholm 1912 - Women's Gymnastics The Olympic Games in 1912 was the year of many firsts - and one last. The final Games to issue solid gold medals, Stockholm also held the first Olympics to have art competitions, the first to feature the decathlon and pentathlon, the first to have an Asian nation participate (Japan), and the first death during competition after Portuguese competitor, Francisco Lazaro, died from hyperthermia in the marathon. The Games also had a whopping 48 women compete (most of which appear to be in the Norwegian's Gymnastics team above). Berlin 1916 - A No-Show The Olympics were due to take place in Berlin in 1916, and it was expected to be a grand affair with the development of the new 'Deutsches Stadion'. The stadium was released with a parade, 10,000 pigeons and 60,000 people. If only they could get that many people to turn up to the real event though, because the Games didn't go ahead in this year due to the turmoil embroiling Europe at the time with the outbreak 0f the Second World War. Antwerp 1920 - Return to the Stadium The Games of the VII Olympiad were offered to Antwerp to honour the suffering the citizens had endured during World War I. The Games had originally been set to appear in Budapest, however as a German ally, Hungary, and many other nations such as Germany, Austria, Bulgaria and Turkey, was banned from competing. France appeared strong in the games, as is evident through Suzanne Lenglen's valiant effort on the tennis court. Paris 1924 - The Old Switcheroo Known as 'The Flying Scot', Britain's Golden Boy, Eric Liddell, stubbornly refused to take place in the 100m finals, as the event was to take place on a Sunday. The devout Christian thus decided to simply swap events in favour of the 400m sprint, ignoring the vast differences in distances and strategies. Despite the public's low expectations of his abilities, Liddell managed to not only win the competition, but also tied the Olympic record. Amsterdam 1928 - Jumping for Joy After being denied the ability to play host to the Games in both 1920 and 1924, the Olympics were finally celebrated in Holland in 1928. This was the first games to have an Olympic flame lit during the event and was also the first time that 400m athletics tracks were used. Los Angeles 1932 - Jumping Hurdles Mildred Zaharias wasn't the only one overcoming hurdles and breaking records in 1932, with California attempting to look past the worldwide Great Depression plaguing the globe at the time. These Summer Olympics held less than half the number of participants that competed in its previous location, Amsterdam, because many nations were unable to pay for the trip to Los Angeles. However, this didn't seem to impact the US too negatively as newspapers reported that the Games nevertheless reaped a profit of US$1,000,000. Berlin 1936 - Showing Off After being denied their chance to host the games in 1916, Berlin gained a second opportunity in 1936. The games were held on the eve of the Nazi Regime's rise to power in Germany, which occurred two years later. In an attempt to outdo the Los Angeles Olympics four years prior, the Nazis built a new 100,000 seat track and field stadium, six gymnasiums and many other small arenas. London 1948 - Third Time is a Charm After the Games were cancelled in Tokyo in 1940 and again London in 1944 (due to the Second World War), the Olympics finally returned to the world stage in 1948. Due to the destruction the war had caused in Europe, the games became known as the 'Austerity Games'. No new venues were built for the games and rather than being housed in an Olympic VIllage, athletes were housed in existing accommodation. Helsinki 1952 - A Record Breaking Event Known for being the games in which the most number of records were broken (until the 2008 Olympics in Beijing that is), Helsinki also saw the return and first appearance of a large number of nations. A total of 69 nations competed in the games, a figure 59 higher than that of the 1948 Games. Japan and Germany both appeared this time, along with 13 totally new nations such as The People's Republic of China and the USSR. Melbourne 1956 - Exceeding Expectations Melbourne was selected by a mere one vote margin and many were skeptical of its suitability as the reversal of seasons would mean that athletes would be unaccustomed to the wintery weather at the Summer Games. The Games proved to be a success and later became known as the 'Friendly Games'. Betty Cuthbert (above) was a star for the Australian nation by securing three gold medals, in the 100m, 200m & 4 x 100m sprint relay. Rome 1960 - Frozen in Time After emerging from the quarter and semi-finals of the 100m with the quickest times, German Armin Hary jumped the gun by false-starting twice in the finals. By the third, time, he seemed to have honed his panther-like reflexes to run a speedy 10.2 second and take out the Gold Medal. Tokyo 1964 - Savvy Games The Olympic Games held in the Tokyo in 1964 were the first Olympics to be telecast internationally without the need for tapes to be flown overseas, as was required previously. They were also the first games in which South Africa was barred from participating due to its apartheid system. Mexico City 1968 - Black Power Although you've probably seen this image a thousand times, the use of sport for making overt political statements and to become a vehicle for change, which is embodied in this photo, cannot be ignored. The Black Power Salute, made by African American athletes Tommie Smith and John Carlos in the 1968, was a contentious gesture. Ostracised at the time, their demonstration only became recognised as a demonstration for dignity years later. Munich 1972 - Shadows The Games in Munich were largely overshadowed by the Munich Massacre, in which eleven Isreali athletes and coaches, a West German Police Officer and five terrorists were killed. Despite the event, the West German Government was determined to present a new democratic government, after the last games held in Germany was under the Nazi Regime. To this aim, the official motto of the games became 'the Happy Games'. Montreal 1976 - A Perfect Performance Romanian Gymnast Nadia Comaneci made Olympic history in the 1976 Olympics in Montreal by becoming the first female gymnast to ever be awarded a perfect score of 10 for her wondrous display on the uneven bars. Comaneci was also the the first Romanian gymnast to win the all-round event and was only 14 at the time - no wonder she appears to be floating on air. Moscow 1980 - Boycott Because of the Soviet Invasion of Afghanistan, the United States and a number of other countries boycotted the games in Moscow. As a result the games garnered a mere 80 participating nations, the smallest number since the 1956 Olympics. All in all a fairly non-eventful Games evidently. Los Angeles 1984 - Yep, another Boycott In retaliation to America's boycott four years prior, this time the Eastern Bloc nations boycotted the games. Seems like the fighting fire with fire approach is being employed here. Seoul 1988 - Cracking Under Pressure In the 1988 Seoul Olympics, the world's best diver at the time. Greg Louganis seemed to crack under the pressure - and that's not the only thing he cracked. In his attempt to complete a reverse 2 and a 1/2 pike somersault, the diver didn't get enough distance from the board and hit his head on the board, requiring temporary sutures. Barcelona 1992 - A Family Affair Renowned 400 metre sprinter Derek Redmond tragically tore a hamstring in the middle of the semi-final race at the 1992 Games in Barcelona. However, after his father tore past the security to go to his son's aid, Redmond was able to fight through the pain to complete a full lap, finishing with a standing ovation from the crowd. Atlanta 1996 - A Bombshell of an Olympics In the middle of the Atlanta Games in 1996, Eric Rudolph conducted his first of four terrorist bombings, killing two people and injuring 111. Rudolph bombed the Centennial Olympic Park, which was designed as the 'town square' of the Olympics. Sydney 2000 - Controversial Cathy Making the history books, Freeman brought glory to the Australian population by claiming the title of winner of the 400m track event. She was only the second ever Australian Aboriginal Olympic Champion. Following the race, the sprinter proceeded to (somewhat controversially and against Olympic norms) take a victor lap carrying both the Aboriginal and Australian flags. Athens 2004 - Making Waves Charnvudth Saensri of Thailand made waves with his strong stroke in the men's swimming 1500 metre freestyle heat in Athens. (Ok he didn't do that well but you can't go past the beauty of the photograph and his sheer determination). Beijing 2008 - As Fast as a Bolt Despite unfavourable wind conditions, Usain Bolt smashed through the 100m sprint world record with a swift 9.69 seconds. If that wasn't enough Bolt then went on to win gold and set another world record in the 200m. This made Bolt the first sprinter to ever break both records at the same Olympics.
Many Victorians started the new year getting reacquainted with their face masks, after mask-wearing rules were tightened on December 31. Now, the government has announced the state will revert back to its former, more relaxed set of mask regulations, which had been in place from December 6. Starting from 11.59pm this Sunday, January 17, face masks will no longer be mandatory in all public indoor settings. With many of the rules being relaxed, you'll no longer need a mask when in a restaurant, at a cafe, in a church, library or indoor workplace. Of course, under the loosened restrictions, people will still be required to don a fitted mask in certain circumstances, including when riding in a ride-share or taxi, or using public transport. Masks are also a must when inside a shopping centre and its retail stores, any large retail store over 2000 square metres, indoor markets and hospitals. Plus, the face coverings will be required at airports, as well as on all domestic flights in and out of the state. https://twitter.com/VicGovDHHS/status/1349545904928292865 While the new rules are set to be a lot more relaxed than we've become accustomed to in the past couple of weeks, you'd best not go losing the mask completely just yet — the Victorian Government is advising people to always carry one with them unless they've got a lawful reason not to. It's also still "strongly recommended" that you pop a mask on in any situation where you can't maintain 1.5-metres distance from others. New mask regulations will come into effect from 11.59pm on Sunday, January 17. For full details of the updated rules, see the Victorian Government's coronavirus website.
It might have been kicking on for close to three decades and an army of fans to its name, but it seems even that's not enough to save the legendary Lounge from extinction. The long-standing Swanston Street live music haunt and nightclub has called last drinks, announcing via Facebook that it'll shut its doors for good come April. According to Bookings and Marketing Manager Liam Alexander, Lounge's operators have been given little choice but to close, following their landlord's decision not to renew the lease. It's unclear what's planned for the site, but many would guess a redevelopment is on the cards for 243 Swanston Street. The Facebook post touched on the venue's long-running legacy and revealed plans for some hefty farewell celebrations. From January, Lounge will be rounding out its 29 years of operation with a special run 29 shows. The program features a mix of local and international artists who've been a part of the Lounge family over the decades, as well as return appearances by some of the parties and club nights from the days of old. Prepare to revisit former favourites like Butter Sessions, Pleasure Planet, Bunker, Technoir, Lucid and loads more. Across its colourful history, Lounge has seen an impressive lineup of artists walk through its doors, including Nick Cave, Björk, Kylie Minogue, Gil Scott-Heron and Jeff Buckley. It's known for its diverse programming, covering DJ sets, live acts, art installations, performance pieces, short film screenings, live radio streams, multi-day parties and everything in between. So it's safe to say it'll be missed by Melbourne's arts community. Lounge will throw its last party at 1/243 Swanston Street, Melbourne on Thursday, April 18. Entry will be $20 — find more details here. Updated: April 11, 2019.
Throw those feathered headbands, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. Triggering road trippin' pilgrimages country-wide since 2001, Splendour is a locked-in date for many a festival reveller (with lineup announcements and ticket sales mornings causing widespread panic and cold sweats). So who's playing this year? Confirmed as headliners after an awkward leaked post by the duo on the Splendour website, Outkast will be taking out the top spot on the first night. After a seven-year hiatus, Big Boi and Andre 3000 made a triumphant return to the stage recently at Coachella Music and Arts Festival in California. Cailfornian festival favourites Foster The People were a 'Pumped Up Kicks'-loving Splendour crowd favourite in 2011 and will return with more material this year. British trio London Grammar will bring their ethereal trip hop to Byron after their billing last year didn't work out due to timing. Two Door Cinema Club and Lily Allen will return to Australia for their first shows here in over a year. But one of the biggest surprises is the addition of Brooklyn's beloved Interpol, who no one really saw coming. After letting tour plans slip on triple j, Sky Ferreira can now officially confirm her spot on the lineup, returning quite soon after a recent Australian tour. Others who couldn't keep away include Danny Brown, Childish Gambino, Darkside, Parquet Courts and CHVRCHES, all of whom recently played killer shows around these parts. The Australian contingent (lead by deadset legends Hoodoo Gurus) sees Angus and Julia Stone and Spiderbait return to the stage, as well as RÜFÜS, Vance Joy, The Preatures, Hilltop Hoods, Sticky Fingers, The Jezabels, Ball Park Music, Courtney Barnett, DZ Deathrays, Violent Soho and more homegrown favourites sure to prompt All The Singalongs. There's a few wildcards sure to stir significant hype closer to the date, including Icelandic melodic folkster Ásgeir, New York punk rockers Skaters and returning eclectic folk-pop queen tUnE-yArDs. Splendour in the Grass 2014 will take place from Friday July 25 through to Sunday July 27, returning to the festival's new home of North Byron Parklands, Yelgun. Full lineup: Outkast (Only Aus Show) Two Door Cinema Club (Only Aus Show) Lily Allen Interpol (Only Aus Show) Childish Gambino Foster The People Angus & Julia Stone City And Colour London Grammar Sam Smith Hilltop Hoods Vance Joy Darkside (Only Aus Show) RÜFÜS Ben Howard Kelis Metronomy Hoodoo Gurus Chvrches (Only Aus Show) Grouplove The Jezabels Tune-Yards 360 Wild Beasts Danny Brown (Only Aus Show) Illy First Aid Kit Violent Soho Ásgeir Spiderbait The 1975 Ball Park Music Art Vs Science Buraka Som Sistema (Only Aus Show) The Preatures Parquet Courts (Only Aus Show) Sticky Fingers Peking Duk Sky Ferreira Future Islands Courtney Barnett Phantogram DZ Deathrays Skaters Gossling Jungle The Strypes Hot Dub Time Machine The Kite String Tangle Ry-X Mikhael Paskalev Wave Racer The Acid Saskwatch Kingswood Circa Waves Broods Dustin Tebbutt The Head And The Heart DMA'S Darren Middleton Little May Darlia D.D Dumbo Tkay Maidza The Creases The Wild Feathers Chrome Sparks Fractures Mas Ysa Nick Mulvey Triple J Unearthed Winners Plus DJs & Producers: Nina Las Vegas Yacht Club DJs Motez Touch Sensitive Indian Summer Wordlife L D R U & Yahtzel DJs Cosmos Midnight Sable Kilter Basenji KLP Fishing DJs Paces Charles Murdoch More information over here at the Splendour website.
Stages graced with international acts? Check. A hefty lineup led by Lizzo, Flume and Mumford & Sons? Check again. Gumboots aplenty, everyone from Pussy Riot to Tony Armstrong, and three wild days at North Byron Bay Parklands? Tick them off the 2023 Splendour in the Grass checklist, too. A graveyard, though? No one had that on their Splendour bingo card, but it's part of this year's fest thanks to ABC series War on Waste, which is drawing attention to fast fashion. Sometimes, you need to see a problem to truly grasp it. That's an approach that folks have been applying to the vast piles of textiles that end up in landfill for some time — in 2022, Joost Bakker filled Melbourne's Federation Square with 3000-plus kilograms of fashion waste, for instance. A cemetery symbolising discarded clothing items is another eye-catching away to get everyone thinking about the issue, with this pop-up gracing Splendour for its full 2023 run from Friday, July 21–Sunday, July 23. "Fast fashion has exploded! We've moved to ultrafast fashion, even though 30 percent of clothing in the average wardrobe has not been worn in the last year," said War on Waste host Craig Reucassel. "We're throwing out ten kilograms of fashion per person each year. To make only the cotton clothes that we throw out each year would take as much water as there is in Sydney Harbour. Meanwhile, over 60 percent of our clothes are made from plastic derived from fossil fuels." "Through this activation, we hope to engage the festival community in meaningful conversations about the impact of fast fashion and inspire them to embrace more sustainable and ethical practices. Buy less and wear it longer!" Reucassel continued. Splendour attendees will spot the graveyard opposite the Forum and Comedy Club, acting as a commentary on the 227 million kilograms of clothing that goes to Aussie landfills every year. The site's tombstones jokingly pay tribute to items bought and scrapped quickly, yet won't decompose for hundreds of years, and offer facts about the problem. Everything featured has been recycled or repurposed, and all materials used will be recycled or repurposed again after Splendour is over. As well as getting festivalgoers thinking about their outfits, the cemetery pop-up is timed to promote War on Waste's third season, which hits the ABC from Tuesday, July 25. Splendour in the Grass runs from Friday, July 21–Sunday, July 23, 2023 at North Byron Bay Parklands — head to the festival website for further details and tickets. Images: Georgia Jane Griffiths.
Not knowing where your bag is when you disembark from a plane is a downright travel nightmare, and also now hopefully a thing of the past if you're flying with Virgin Australia. In 2023, the carrier rolled out a free baggage-tracking tool to fix this much-hated situation, starting with a heap of domestic routes. Now, it's available across its whole network. Flying to Japan? Bali, Fiji, Samoa or Vanuatu? Queenstown? The bag-tracking app covers those destinations. Wherever you're heading, you'll get notifications when your luggage is ready to fly, then when it's on the plane and again once it is at the baggage carousel. Virgin started testing the new technology in May 2023, then launched it in August domestically on almost 70-percent of flights before January's full rollout. Unsurprisingly, the feature has been popular. Since last year, the app has been used around 1.3-million times by Aussie travellers. Obviously, this feature covers checked luggage only. If you're carrying your bags into the cabin with you, you'll know where they are. For those stowing their suitcases in cargo, however, you'll be able to see where they are across your entire journey. Here's how it works: you'll need that aforementioned app, and to check your bag. You'll also want to enable push notifications. From there, expect to be buzzed with all the relevant info — the app will tell you which baggage carousel to head to as well, solving another airport annoyance. "Australians find comfort in the ability to track food deliveries, postal deliveries, technology, even their heart rate, all via apps, and it made sense for travellers to be able to do the same thing when flying Virgin Australia," said Virgin Australia Group Chief Customer and Digital Officer Paul Jones. Virgin Australia's baggage-tracking tool is now available across all flights. Find out more via the airline's website, and download the app online as well.
I know what you're probably thinking. At Concrete Playground, we're very transparent about the awesome work we do with brands. So it might be reasonable to conclude that I'm going to fill the next 600 words or so with unadulterated praise about Milklab's new oat milk. But you'd be wrong. The first time I, a stubbornly exclusive drinker of full-fat dairy milk, tried oat milk, I made a face that made my walking buddy think I'd stepped in a big pile of dog shit. My next thought: immediate regret. You see, I'd challenged myself to make the switch to oat milk. I discovered while reading up about it, of the various plant-based milks that are now widely available in cafes, oat is supposed to be the closest in taste and creaminess to dairy. So, I thought, why not give it a go? I decided to commit to the oat for a whole week and document my experiences. But, after my first sip, I was immediately overcome with regret. A whole week on this was all of a sudden starting to look like it could be a long one. Was I going to make it? Was I going to cave? Or was I — perhaps unthinkably — actually going to enjoy it? Here's what happened. THE TASTE My first sip of an oat milk coffee was definitely a bit of a shock. For the uninitiated (as I was just a couple of weeks ago), there's a sweet, nutty, almost malty taste — as well as an undeniably oat-y one — that I knew was going to take a bit of getting used to. I don't take any sugar in my coffee, either, so I realised from that first sip that some adjustment (mainly of my own expectations) was going to be required. One almost immediate effect the sweetness did have was that it forced me to slow down, and to savour every sip. There was also a surprising richness to the milk that meant each sip just went that little bit further. I also tried different types of oat milk coffee: hot and cold, frothy and flat. I was surprised by the full flavour and roundness in the latte — especially an oat cap (more on that below). Meanwhile, the iced oat lattes I had were also very, very drinkable. Not only did these not leave me feeling bloated like a dairy version would, but it seems that not heating the milk neutralised some of the immediate nuttiness and sweetness. And while I could tell it wasn't dairy, it tasted pretty close to it. THE MOUTHFEEL This was, to be honest, the part that I was probably the most nervous about. One of the main reasons that I have stubbornly insisted on full-fat dairy milk is because I've found the alternatives either too watery for my liking, or far too overpowering in taste. The warm internal hug that a perfectly made latte with full-fat dairy milk provides is hard to replicate with the alternatives. One drink, though, changed my mind from the first sip: the oat cappuccino. While I am firmly of the belief that cappuccinos should remain in the 90s alongside sundried tomatoes and focaccia, the full velvety goodness of an oat cap was, to quote Jessica Simpson, irresistible. This is likely because oat milk stretches similarly to dairy, effectively resulting in a smaller margin of error on the part of the espresso puller and also creating that fuller mouthfeel. Another thing it took drinking oat to realise — especially on days I drank both oat and dairy to compare a little more directly — is the film that dairy can leave around the mouth, which is honestly... not okay. There was no such residue with oat, hot or cold. THE EFFECT Remember that warm internal hug I mentioned earlier? As pretty much any drinker of dairy milk can vouch for, it's not uncommon for your stomach to start to play dubstep after, or even during, that milk-induced inside-out embrace. Mercifully, no such beats were created after an oat beverage. Another thing I found interesting was that the post-caffeine crash I would usually experience — especially following my afternoon brew — did not come when I'd had my oat drink. This is surprising given that oat has less protein and more sugar than full-fat dairy, but what is undeniable is that an oatey boy seemed to keep me going for longer. The same can be said for the fullness factor. While its bloat factor means that dairy usually fills me more quickly, the fullness seems to be both more subtle and more sustained with oat. [caption id="attachment_824628" align="alignnone" width="1920"] Rachel McDermott (Unsplash)[/caption] THE VERDICT Full disclosure: I'm writing this while drinking a full-fat dairy latte. But I'm not enjoying it as much as what I might have done a couple of weeks ago. I actually came to not only enjoy the taste of oat milk, but also crave it. Am I converted? Truth be told, I'll still be ordering dairy when the mood hits. But what I have discovered is that there is another option that does the job just as well — and, in some cases, even better. For more information on Milklab's new oat range, head to the website.
