Add three more names to the hefty list of big music stars heading Australia's way in 2023: Ice Cube, Cypress Hill and The Game. In what's basically a 90s and 00s hip hop and rap fan's dream come true, the trio are teaming up on the same bill for an Aussie arena tour, including hitting Rod Laver Arena in Melbourne in autumn. This isn't just any old nostalgia-dripping tour, either. It'll also mark the 30th anniversary of two influential albums: Ice Cube's Lethal Injection and Cypress Hill's Black Sunday. The former was the N.W.A member's fourth solo release, and included singles 'Really Doe', 'You Know How We Do It' and 'Bop Gun (One Nation)', while the latter gave the world 'Insane in the Brain', 'Hits from the Bong', 'When the Shit Goes Down' and 'I Ain't Goin' Out Like That'. Expect to hear plenty of those songs get a whirl on Thursday, March 23 in the Victorian capital. For Ice Cube, the tour marks his first visit to Australia since 2018, when he became the first-ever rap artist to headline at the Sydney Opera House. "I love performing in Australia. It's been four long years since my last visit and I can't wait to return for a couple of history-making shows in 2023," said the rapper, aka O'Shea Jackson Sr (and yes, his son O'Shea Jackson Jr did play him in N.W.A biopic Straight Outta Compton). Ice Cube and Cypress Hill will be joined by The Game, who came to fame in the 00s in the West Coast scene. The US talents will also feature Aussie talent in support, with exactly who else will take to the stage yet to be announced.
Wes Anderson movies and Marvel films generally have little in common, but one fact remains true about both: they know how to stack a cast (sometimes with the same talents). The Phoenician Scheme, the latest from cinema's foremost fan of symmetry and pastels, is a case in point for the former. Benicio del Toro (Reptile) stars, joined by everyone from Mia Threapleton (The Buccaneers, and also Kate Winslet's daughter) and Michael Cera (Christmas Even in Miller's Point) to Riz Ahmed (Fingernails), Tom Hanks (Here), Bryan Cranston (The Studio), Mathieu Amalric (Why War), Richard Ayoade (Dream Productions), Jeffrey Wright (The Agency), Scarlett Johansson (Fly Me to the Moon), Benedict Cumberbatch (Eric), Rupert Friend (Companion) and Hope Davis (Succession). Many of the above actors are Anderson regulars but, as the just-dropped trailer for The Phoenician Scheme shows, the writer/director never puts his ensemble to work in the same way twice. This time, he's enlisted his all-star roster to tell another of his tales of family chaos — one officially badged "the story of a family and a family business" — revolving around del Toro as Zsa-zsa Korda, one of Europe's richest men. Korda, an "international businessman" and "maverick in the fields of armaments and aviation", has nine sons and a daughter. The latter, Liesl (Threapleton), is a nun — and, as the first look at The Phoenician Scheme outlines, also newly appointed the sole heir to his estate despite not having seen her father for six years. Korda has his reasons. He also has a land and sea infrastructure scheme that's the "most important project" of his lifetime, plus the attention of rebels determined to get in his way however possible. Anderson's new movie doesn't just have a trailer — it has a date with cinemas soon. After it likely plays at this year's Cannes Film Festival, it will release Down Under on Thursday, May 29, 2025. The Phoenician Scheme marks the filmmaker's first project since 2023's Anderson bonanza, when Asteroid City hit cinemas and Oscar-winner The Wonderful Story of Henry Sugar went straight to streaming alongside fellow shorts The Swan, The Rat Catcher and Poison. While the writer/director penned the script for The Phoenician Scheme solo, he reunited with Roman Coppola, another of his frequent collaborators — see: The Darjeeling Limited, Moonrise Kingdom, Isle of Dogs, The French Dispatch and Asteroid City — on its story. Check out the first trailer for The Phoenician Scheme below: The Phoenician Scheme opens in cinemas Down Under on Thursday, May 29, 2025.
Thanks to Taronga Zoo, you can already spend your days staring at capybaras, seals, meerkats, otters, sumatran tigers, lions and elephants, all without leaving your home. With Sydney back in lockdown, the famed venue has relaunched its online TV channel, where it livestreams its adorable critters all day and all night. All those animals are all well and good. They're great, and they're very easy to spend too much time staring at, actually. But if you'd like to scope out some penguins as well, now you can. Yes, penguin cam is now part of Taronga's live-stream lineup, with its 45 little penguins and four Fiordland penguins being caught on camera 24/7. Melbourne's zoos have been live-streaming their penguins during the pandemic also, so this isn't the first time you've been able to gawk at black-and-white creatures while they go about their business — but when it comes to watching animals, the more the merrier, obviously. There's your background viewing sorted. Popping the stream on in the background while you work from home suits these kinds of feeds, in fact, because sometimes the critters in the spotlight aren't in view. The online television station was established by Taronga Zoo Sydney and Taronga Western Plains Zoo Dubbo in 2020, and it is back now for obvious reasons. Taronga is also releasing regular videos across its Facebook, Instagram and YouTube channels, and making keeper talks and other clips available online as well. Or, you could always take a peak at its new Southern hairy-nosed wombat joey via our own website. It's just as adorable as you'd expect, naturally. To check out Taronga TV, head to the channel's website — or keep an eye on its videos on its Facebook, Instagram and YouTube pages. Top image: Rick Stevens
Yarra Valley winemakers Giant Steps are pairing up with French-inspired gastro pub L'Hotel Gitan to throw one of the the fanciest dinners in the Aussie Wine Month rotation. Hosted in the intimate and elegant Alfie's Bar (a function space within the Prahan-based L'Hotel Gitan), chef Jacques Reymond will be serving up four-course French feast. Giant Steps will pair the meal with an immaculate wine list curated by their chief winemaker Steve Flamsteed, who will simultaneously school you on wine tasting.
There are plenty of ways you could celebrate World Doughnut Day, but an all-you-can-eat doughnut banquet has got to be among the most decadent. Especially when it's being served up by one of Melbourne's go-to doughnut spots, Goldeluck's. On Friday, June 7, and Saturday, June 8, the bakery is celebrating the world's favourite holey treat with a bottomless buffet feast at its Patterson Lakes and Ringwood stores. Book in for a one-hour sitting between 11am and 7.30pm on your chosen day, and you'll get to gorge on your fill of sweet treats for just $22. The menu includes unlimited serves of its signature doughnuts, HSP doughnut packs and croissant-doughnut hybrid, the 'dossant'. There's no word yet on exactly which flavours will be making it to the buffet table, but past hits have included the likes of raspberry and white chocolate, Golden Gaytime and a classic peanut butter and jelly number. To drink, there'll be free-flowing tea, coffee and milkshakes, too. Goldeluck's all-you-can-eat doughnut buffet is available at both its Eastland Shopping Centre, Ringwood and Lakeview Shopping Centre, Patterson Lakes stores. One-hour sessions are available between 11am–7.30pm each day.
It's not like you ever need much of an excuse to flee the city for a couple of days filled with top-notch wine, regional eats and entertainment. But hey, that's exactly what's calling you to jump in the car and head a few hours northwest of the city this weekend. Long-running flavour fest Grampians Grape Escape returns to Halls Gap Recreation Reserve from Friday, May 5–Sunday, May 7, dishing up yet another jam-packed program to mark its 30th instalment. Your tastebuds are certainly in for a treat as you spend your days sampling hundreds of local craft beers, ciders and wines, and sinking your teeth into a huge array of food stalls slinging everything from wood-fired pizza to paella. [caption id="attachment_711262" align="alignnone" width="1920"] Tony Evans[/caption] You can pick up some new skills at one of the weekend's many masterclasses, and learn culinary secrets at cooking demos led by the likes of Miguel Maestre, Khanh Ong and toastie king Tim Bone. Vino-obsessed comic Merrick Watts will also be hitting the stage for a wine-tasting-meets-comedy-gig. There'll be loads of live tunes to groove to across all three days, plus market stalls brimming with artisan wares. You can even round up some mates and dig your toes in at a grape-stomping competition for the chance to win a helicopter picnic flight or wine tour. Admission costs vary depending on which day(s) you'd like to visit, starting from $50 online. Bus transfers and local glamping options are also available. Making a weekend of it? Here's a lineup of gorgeous Airbnbs you can book in the Grampians region right now.
Initially, even getting just one COVID-19 vaccination was a struggle, after Australia's inoculation rollout took its time in its early months. Then, we all started focusing on those crucial second jabs, especially with roadmaps out of lockdowns and towards international travel highlighting double-dose thresholds. Now, with vax rates climbing quickly — as of Friday, October 8, 60.2 percent of Australians are fully vaccinated — third COVID-19 jabs have started gaining attention. Also called booster shots, they're designed to prolong the effectiveness of the coronavirus vax. And, they've just been given the go-ahead for Australians with severely compromised immune systems. For most Aussies, that means that third jabs aren't on the cards at the moment; however, the Australian Technical Advisory Group on Immunisation (ATAGI) has now recommended booster shots for severely immunocompromised folks. Also, Federal Health Minister Greg Hunt has advised that they'll start being rolled out from Monday, October 11. "This is for the severely immunocompromised — a group of up to 500,000," said Hunt. "It's about providing additional protection." We're expecting to receive advice on booster doses for the general population in the coming weeks. With over 151 million Pfizer, Novavax & Moderna vaccines secured for supply into the future, Australia is prepared to provide booster doses if recommended by the medical experts. — Greg Hunt (@GregHuntMP) October 8, 2021 ATAGI has outlined exactly who falls into the severely immunocompromised category, and why it's making this recommendation. The group spans people with cancer, or who've had stem cell transplants or organ transplants; folks undertaking immunosuppressive therapies for cancer such as chemotherapy, radiotherapy or hormone therapy; others taking immunosuppressive therapies and some certain steroids; and those born with immunodeficiencies. If you're an Aussie who fits any of these descriptions, you might not be as protected by the regular two jabs. It's also recommended that an mRNA vaccine (so either Pfizer or Moderna) is used instead of AstraZeneca's jab (which is now called Vaxzevria) for the third dose. That said, the latter can be used if you had the AZ vax for your first two shots and you didn't have a reaction, or you've had a reaction to either the Pfizer or Moderna vaccinations. Timing-wise, ATAGI recommends waiting between two and six months after you've had your second dose, although a four-week minimum interval will be considered if it's likely your immunosuppression is about to get worse or there's a big COVID-19 outbreak. Severely immunocompromised Aussies can talk to their doctors about getting the third jab, with ATAGI's recommendations and guidelines now being sent to GP surgeries, pharmacies and aged care disability care settings. For all other Aussies who aren't eligible for booster shots yet, Hunt said that news is on the way. "The next stage, the general population stage, of the booster program, we're expecting advice from ATAGI before the end of October," he advised. For more information about booster COVID-19 vaccinations for severely immunocompromised Australians, visit the Australian Technical Advisory Group on Immunisation website.
If your love for Melbourne typically leans into laneways, lattes and designer fashion labels — conveniently forgetting its status as the sporting capital of Australia — then you may not have had the opportunity to check out Marvel Stadium. But there are plenty of reasons to pay the stadium a visit when it's not a game day — here are some of our favourites. The World-Class Events Beyond the regularly scheduled AFL programming, Marvel Stadium regularly hosts an array of concerts and live performances. This year, it has played host to P!nk's Summer Carnival Tour, the biggest-selling tour for a female artist at the Stadium. There are plans to welcome Coldplay for their Music of the Spheres World Tour, Pearl Jam's Dark Matter World Tour, and the return of the highly anticipated Stadium Golf, where people can tee off from Levels 1, 2 and 3 onto the transformed field of play. Check out more world-class events on the website. The Elevated Experience Spaces Most global cities in the world pride themselves on their world-class venues. Melbourne is no exception, with the $225 million refurbishment of Marvel Stadium elevating its status to one of the busiest multi-purpose stadiums on earth. Marvel Stadium's refurbishment has introduced revamped facilities and improved accessibility across the board. This means it's now full of impressive function spaces with the capacity to accommodate up to 10,000 guests for formal dinners, galas and major conferences. In the aptly named Skyline Room, guests can enjoy panoramic views of Melbourne City from the floor-to-ceiling glass windows, entering the space via Penfolds Champagne Bar. The venue's main entry point, Gates 2 and 3, has also been transformed into Stadium Square, a modern precinct that serves as a gateway to all things entertainment. This two-level hub features a massive Super Screen for live broadcasts, making it an ideal spot for live-site watch parties of events like the Super Bowl and NBA Finals. Stadium Square is also an ideal space to soak up the atmosphere before or after a game or concert, with food outlets such as Earl, 8Bit Burgers, bars, restaurants — more dining options below. Marvel Stadium is also the first in the southern hemisphere to feature a checkout-free retail offering, 'The Runner,' powered by Amazon's Just Walk Out technology. An Australian Exclusive Retail Store If you're a Marvel megafan (or happen to know one), the on-site Super-Store is one to put on your hit list. Located at the Gate 5 entrance, the outlet is the ultimate destination for exclusive Marvel products. Whether you're looking for collectible bobbleheads, superhero apparel or toys, this dedicated Marvel merchandise store is the only one of its kind in Australia, offering a shopping experience that is as thrilling as a down-to-the-buzzer game at the stadium itself. The store also sells AFL merch if you have a sports superfan in your life. The Super-Store is open 9am to 5pm Monday to Friday, with extended hours on event days. The Wide Range of New Dining Options It's no secret that Melburnians take their food seriously. Marvel Stadium does a pretty good job of dishing up some top-notch culinary offerings. Start with a feed at Stadium Square, where you will find everything from casual bites to gourmet meals. Additional dining selections are available at Gate 5 and include Korean fried chicken from Gami Chicken, burgers by 8Bit as mentioned, Hunky Dory's famed fish and chips, Greek grub at Yamas, and 400 Gradi Pronto's delicious pizzas. The Peroni Bar and Craft Bar offers cracking craft bevvies, and event-day drinks (and excellent field vistas) are available on the menu at View Bar and The Johnnie Walker Bar. For breathtaking views and an unforgettable atmosphere our tip is to take the glass elevator through Gate 5 straight up to the Stadium Rooftop, only open on event days. In addition to panoramic views of the Melbourne City Skyline, this space features two themed bars, Edward and Alfred, slinging a curated selection of beverages to provide a top-tier experience (literally and figuratively). The Highlight Dining Experiences: Friends of Fire and Amphora For those with champagne tastes, Marvel Stadium has you covered with two elevated epicurean experiences. Both venues are spearheaded by renowned culinary directors Shannon Martinez and Aaron Rodrigues, so you know the menus are going to be a step up from the type of food you have come to expect at a football stadium. Friends of Fire, an American-style steakhouse, focuses on woodfired barbecue grilling and Southern, New England and New York City-style fare, while modern diner Amphora offers share plates and towers for seafood, meat lovers and vegans to show there's more to American cuisine than just burgers and hot dogs. Whether you're a local Marvel fan or an interstate traveller on the hunt for an elevated experience (in more ways than one), there's always something happening at the revamped Marvel Stadium. Not just for Marvel fans or sports enthusiasts, this multi-purpose venue caters to all walks of life. Come and see for yourself. For more information about what's on at Marvel Stadium or to book tickets to one of its events, visit the website.
It's made from pickle relish, mustard, soybean oil, egg yolk, onion, garlic and vinegar, has been slathered on burgers for more than half a century, and boasts as passionate a following as any condiment can have. Yes, we're talking about Big Mac Special Sauce, which goes mighty well with two beef patties, lettuce, cheese, pickles, onions and a sesame seed bun — and, for McHappy Day, it's being bottled up and sold separately. If you're keen to squeeze the famous sauce on your own homemade burgers — or whatever other everyday meals it happens to go well with — then head along to a McDonald's eatery ASAP. A 500ml bottle will set you back $12, and there'll be more than 144,000 available. That seems like plenty; however, folks tend to go a little overboard when it comes to the condiment. Case in point: back in 2015, when limited-edition bottles were put up for auction on Ebay, one sold for more than $20,000. This isn't the first time that Maccas has packaged its famous sauce and put it up for sale, with the chain doing so in 2018 to celebrate the Big Mac's 50th anniversary. Still, it's not the kind of condiment that you can buy everyday. And, while there's plenty of recipes online that explain how to whip up a version at home, your tastebuds can probably tell the difference. Profits from all sales will be donated to Ronald McDonald House Charities, which McHappy Day raises money for each year. If you're buying an actual Big Mac with your bottle of Big Mac Special Sauce, $2 from your burger will also go to the cause, with other merchandise on offer and gold coin donations also accepted. Bottles of Big Mac Special Sauce are now available to purchase in store at McDonald's stores nationwide. For more information, visit the McHappy Day website. CORRECTION: OCTOBER 28, 2019 — This article previously stated that the Big Mac Special Sauce would be available from Saturday, November, but it is actually available now (Monday, October 28) until sold out. The above article has been updated to reflect this.
The most popular piece of video art ever created is coming to Melbourne, and making time to see it is recommended. Of course, when you're staring at The Clock, all you'll have is time. You won't be able to avoid it. First premiering in 2010 at London's White Cube Gallery, Christian Marclay's mammoth installation is comprised of images of clocks and watches, plus other mentions of and references to the seconds, minutes and hours passing. In total, more than 12,000 clips are featured, cobbled together from an enormous range of films and television shows. The piece is both a meditation on time, humanity's fascination with it and its relationship to our mortality, and an epic trip through eight decades of cinema history. With The Clock's temporal collage unravelling in real time, that means one thing — yes, every second of the day and night is represented. The full version runs for an entire 24 hours, operating as the most intriguing timepiece you're ever likely to come across. As a result, when Marclay's masterpiece comes to the Australian Centre for the Moving Image (ACMI) between Wednesday, January 23 and Sunday, March 10, 2019, it will screen in two formats. You can drop by daily during ACMI's opening hours to see time pass, or you can settle in for the long haul once a week across the seven weeks. Yes, from 10am each Thursday between January 24–March 7, The Clock will screen its whole 24-hour run, which you can get cosy and watch. Taking place in ACMI's Gallery 1, entry is free, with The Clock marking both a return and a finale for the Federation Square spot. Back in 2008, the first solo exhibition held in the gallery was all about Marclay — and this will mark its last before ACMI closes for its huge revamp. Images: Christian Marclay, The Clock, 2010. Photos: Ben Westoby, courtesy of the White Cube, London.
Canberra will be filled with all things art, architecture and design between Wednesday, November 2–Sunday, November 20 as Design Canberra makes its grand return with hundreds of events and activations. The festival will present a wide-ranging program across its 19 days, spanning public art, exhibitions, symposiums, workshops, studio tours and a food festival. The symposiums will kick off early with talks centred around public art on Sunday, October 29. From there, there will be a series of discussions on Canberra's role in the worlds of design and art on Friday, November 4, followed by 'Transforming Canberra' on Saturday, November 5, which will explore the future of the city with keynote appearances from Elizabeth Farrelly, author of Killing Sydney, and Canberra Museum and Gallery Senior Curator Virginia Rigney. If you're looking for an immersive hands-on experience at the festival, head to the open studios and workshops. A range of acclaimed Canberra-based artists ranging from glass blowers and cabinetmakers to ceramicists will be opening their personal studios to the public, demonstrating the processes that go into their artistry, and giving the public a sneak peek into what they're currently working on. As for the workshops, there will be both adult- and kid-focused classes, with sessions focusing on the likes of stitch meditation, spoon carving, zine-making and a special multi-day kids workshop based on designing the future of Canberra. A public art trail has popped up around the city. Wander through the City West until Sunday, November 20 and you'll discover an array of free outdoor artworks from six local craftspeople. These artworks range from huge pieces that have overtaken buildings to intimate works hidden among trees. Architecture fans, head out on one of the festival's architecture tours, or some of the most stunning and innovative houses in Canberra with the open homes program. Design Canberra has also come together with The Forage to add a bustling food festival and drink to the festivities. On Saturday, November 5, The Forage Food Festival will be bringing together 20 local vendors including Let's Do Yum Cha, Super Bao, Hungry Brown Cow Burgers, Canberra Distillery and a roving sangria cart from Skeehan Brothers Sangria Cart from 2–7pm in Civic Square. If all of this wasn't enough, there will be a heap more tours, talks, exhibitions and competitions popping up, as well as a festival hub shop selling works from artists involved and a limited-edition grapefruit Designer Gin made by Canberra Distillery. If you're from out of town and you're looking for an excuse to head to the nation's capital, luxury inner-city hotel A by Adina is offering 15-percent off all bookings during the festival. The stunning accommodation is located right among the action and boasts in-room cocktails from Maybe Sammy, two gyms and ARC — one of Canberra's best cafes — in its lobby.
It won't be long until summer's gone, so make the most of it with a once-off collab between Molly Rose Brewing and Kariton Sorbetes. While the idea of a schooner and scoop on a sunny day is a tempting prospect, this Float Your Boat event takes things further with a selection of beer and ice cream floats. Keep an open mind as the team at Kariton pairs their signature Asian-inspired flavours with a selection of Molly Rose brews crafted just for the occasion. The menu is still a work in progress, but one mad creation is the Bright and Bubbly, featuring a berry sour served with a scoop of purple yam gelato with purple yam fudge, blackberry jam and caramelised coconut curds. Another creation is the Véraison Liqueur, featuring a stiff drink made from mango skins and seeds, coconut, pandan and toasted white bread. It's harmonised with Buko Pandan – a coconut and pandan 'gelato' with shredded young coconut, pandan jelly and toasted rice flakes. If the wild flavour combinations make it too hard to choose, there's always the option of exploring the All Board – a four-pairing tasting that makes your decision simple. You'll get one beer float alongside three more pairings that will push your palate into overdrive. With more surprises awaiting when this culinary experiment goes down on Sunday, March 2, walk-ins are welcome, but it's best to book for a big group.
Tucked between Brisbane, the Gold Coast and Ipswich, and sprawling around the towns of Beaudesert and Boonah, southeast Queensland's Scenic Rim region is home to scenic sights, national parks, mountains and plenty of other reasons to head outdoors. Come October, it'll also boast another attraction luring visitors into the area's the natural surroundings — a 55-kilometre walking trail, complete with eco-cabins. Dubbed Spicers Scenic Rim Trail, just approved by the Queensland Government and expected to take six months to complete, the new route will start at the existing Spicers Hidden Vale Retreat and venture through Mt Mistake, up to Spicers Peak Nature Reserve and through parts of Main Range National Park. Extending existing walking tracks, it'll trek through sub-tropical rainforests, eucalypt forests and mountain heathlands over five days. And if the frequent name-dropping didn't give it away, the venture is being spearheaded by the Turner family, who founded the Spicers Retreats chain, to the tune of $10 million. The Turners are building two new sustainable eco-camps along the path, both within Main Range National Park. The first, Spicers Amphitheatre, will feature light coloured cabins perched above the floor of the forest, surrounded by gum trees, decked out with king-sized beds and adjacent to an observation deck. As for the second site, Timber Getters Eco Cabins, the structures will take on a darker hue. Both will include six sleeping pods, two wash pavilions and impressive views. As well as bunking down for the night, the full walk itinerary includes a visit to the Hidden Vale Wildlife Centre, a 4WD trip to a private nature reserve, and hiking along the Scenic Rim's Main Range. Weekly journeys will depart on Sundays from October, costing $3190 per person twin share with all accommodation, meals and beverages included, while the 2020 season will run from March to November. The venture comes in response to a state initiative to increase ecotourism in Queensland's national parks, with Main Range National Park featuring one of 42 reserves that comprise the Gondwana Rainforests of Australia World Heritage Area (GRAWHA). For those planning a visit to the area in general, without booking in for the official trail, the project will also include improvements to public camping and hiking facilities. Spicers Scenic Rim Trail and eco-cabins are slate to open by October, with bookings now open. For more information, visit the trail website. Images: Spicers Retreats and Spicers Scenic Rim Trail.
It's December, so summer has been steaming up Australia for a week now. It's also predicted to be a particularly warm and wet season. So, you might think that snow is off the agenda for a few months. That's a reasonable view to hold. It's sensible, in fact. But it seems that the weather has other ideas, with New South Wales and Victoria's alpine regions getting more than a little frosty this week. Yes, it has been snowing in places such as Perisher and Mount Hotham. The former got down to -0.8 degrees overnight last night (as Monday, December 7 became Tuesday, December 8), as recorded by the Bureau of Meteorology. It's also forecast to hit a -1-degree minimum on Wednesday, December 9. At the latter, the mercury is only tipped to hit 7 degrees maximum on Tuesday, December 8, while Weatherzone reports that it got down to -1.4 degrees overnight. Numbers are all well and good, but if you want on-the-ground details — and images — a number of places in both areas have you covered. Perisher Resort and Hotham Alpine Resort have each posted videos to their social media showing the conditions. If you haven't seen snow in summer before, well, consider that a new 2020 achievement. https://twitter.com/PerisherResort/status/1336068906327318528 https://twitter.com/_hotham/status/1336079287091269632 As the Bureau of Meteorology in both NSW and Victoria have reported, wintry conditions are indeed on the cards in both state's alpine regions this week. Perisher is expected to have minimums between -1–3 degrees until Monday, with maximums between 9–17. At Mount Hotham, the corresponding ranges span -1–7 in terms of lows and 7–17 degrees in top temps. https://twitter.com/BOM_NSW/status/1335690118133321729 https://twitter.com/BOM_Vic/status/1335766642475880456 As for Sydney and Melbourne, it won't be anywhere near that frosty, unsurprisingly. But Sydney's maximums are due to stay mild, between 22–25, for most of the week. In Melbourne, the city isn't predicted to top 18 degrees either today or Wednesday — although temps will rise over the weekend, leading to a 32-degree maximum on Monday, December 14. Top image: Mount Hotham, Rob Blackburn.
While seeing fruit mince pies in your local shopping centre in October feels downright disturbing, there's one Christmas treat that no one ever minds arriving early: Four Pillars annual Christmas Gin. The third iteration of the Healesville distillery's seasonal sip is coming in strong, set to hit shelves next Saturday, November 3. It's the delicious result of a yearly tradition that sees a bunch of Christmas puddings — handmade with the owner's family recipe — distilled with various festive botanicals to create a sought-after tipple that pretty much screams December 25. The flavours of an Aussie Christmas are captured in notes of cinnamon, star anise, juniper, coriander and angelica. The Christmas gin is then blended with some earlier gin that's been carefully ageing in old muscat barrels. It's all finished with a hit of Rutherglen muscat and some of Four Pillars' own matured muscat for a bit of added richness and complexity. Each year, a new unique label is chosen to wrap up this Christmas creation, setting out to evoke that same festive spirit. 2018's bottle design is the work of Stephen Baker, the Melbourne artist responsible for the mural outside Fitzroy Pool and one of the Art Trams currently rattling around the city. The bottle is decorated with his bold geometric shapes and bright hues of bathers by the pool, and pretty much nails the feel of a hot and summery Aussie Christmas. The distillers recommend you drink it in a Christmassy G&T with grapefruit sherbet and star anise, or a cobbler with lemon, muscat and a bit of sugar. Or you can just splash a bit of it on your Christmas pudding — Four Pillars is selling its own four-serve puds for $25 alongside the gin. If you want to nab a bottle, have your fingers poised over the 'buy' button when they go on sale online on November 3. Alternatively, you can stop by the distillery's CBD pop-up on level six of Myer, or Four Pillars HQ in Healesville. Bottles are $100 a pop and you can get it shipped in a copper gift box (with a stirring spoon) for an extra $15. Four Pillars Christmas Gin is available from November 3, in selected retail stores and online. But you'd best be quick — there's only a limited amount of bottles.
Do you live in a dog-friendly house? Do you have some spare time on your hands? Do you fantasise about hanging around at dog parks with an actual dog? If the answer to any of these questions is yes — and especially if the answer to all of them is yes coming into Christmas — then the good folks at Vision Australia's Seeing Eye Dogs need you. As part of the organisation's dog-training program, it has puppies running around the place quite often, and it's in need of volunteers to raise them. That includes right now, with 45 pooches requiring homes before the merriest day of the year. In other words, Vision Australia is giving away puppies — although you will need to give them back. If you put up your hand to become a puppy carer, you'll get a puppy for about a year, from around its eight-week birthday to when it turns turns between 12–15 months old. During that time, you'll be responsible for introducing the sights, sounds and smells it'll meet when it starts working as a seeing eye dog (and giving your new friend heaps of cuddles). Of course, it's not all just fun, games and cuteness. You'll have to be responsible enough to take care of regular grooming, house training and exercise, and be available for regular visits. A fenced-in backyard is mandatory, too. In return, the organisation provides a strong support network, and all food, training equipment and vet care. You'll also need to be home most of the time — so you won't be leaving the puppy alone for more than three hours a day, sat in front of Dog TV — and to be able to put effort into training and socialising the pup. View this post on Instagram A post shared by Seeing Eye Dogs Australia (@seeingeyedogsaustralia) Seeing Eye Dogs Australia is looking for people across the majority of local government areas across metropolitan Melbourne, as well as Geelong, Bendigo and Ballarat. In Queensland, Brisbane's north and Sunshine Coast areas are the current priorities. Once the pups reach 12-15 months old, they'll return to Vision Australia — and complete their journey to become four-legged companions for people who are blind or have low vision. Keen to help? You can apply online right now. If you're eager but can't commit to the full year, there's also a six-month caring option. Or, for workplaces, there's corporate caring, too. For more information about Seeing Eye Dogs Australia's puppy carers, and to apply for the volunteer roles, head to the organisation's website. Top image: Nicola Cotton.
Cards on the table: thanks to Russian Doll and the Knives Out franchise, Natasha Lyonne and Rian Johnson are both on a helluva streak. In their most recent projects before now, each has enjoyed a hot run not once but twice. Lyonne made time trickery one of the best new shows of 2019, plus a returning standout in 2022 as well, while Johnson's first Benoit Blanc whodunnit and followup Glass Onion: A Knives Out Mystery were gems of the exact same years. The latter also saw the pair team up briefly — Lyonne and Johnson, that is, although getting a Russian Doll-meets-Knives Out crossover from the universe, or just the Netflix algorithm, would be a dream. Until that wish comes true, there's Poker Face. It's no one's stopgap or consolation prize, however. This new mystery-of-the-week series is an all-out must-see in its own right, and one of 2023's gleaming streaming aces already. Given its components and concept, turning out otherwise would've been the biggest head-scratcher. Beneath aviator shades, a trucker cap and her instantly recognisable (albeit sun-bleached here) locks, Lyonne plays detective again, as she did in Russian Doll — because investigating why you're looping through the same day over and over, or jumping through time, is still investigating. Johnson gives the world another sleuth, too, after offering up his own spin on Agatha Christie-style gumshoes with the ongoing Knives Out saga. This time, he's dancing with 1968–2003 television series Columbo, right down to Poker Face's title font. Lyonne isn't one for playing conventional detectives — not that she couldn't, or wouldn't nail it hands down. Streaming on Stan in Australia and TVNZ On Demand in New Zealand, Poker Face casts her as Charlie Cale, who starts poking around in sudden deaths thanks to an unusual gift and a personal tragedy. As outlined in the show's ten-part first season, four episodes of which arrive on Friday, January 27 with new chapters dropping weekly afterwards, Charlie is a human lie detector. She can instantly tell if someone is being untruthful, a knack she first used in gambling before getting on the wrong side of the wrong people. Then, when a friend and colleague at the far-from-flashy Las Vegas casino where Charlie works winds up dead, that talent couldn't be handier. Poker Face's 1970s-inspired debut episode sets up three whys: why its charmingly wry and affably no-nonsense protagonist knows when anyone around her is fibbing, why the series itself follows her road-tripping across America in a rundown Plymouth Barracuda, and why an episodic array of murders in different places is in her future. Courtesy of her gift, she's soon fleeing casino boss Sterling Frost Sr (Ron Perlman, Guillermo del Toro's Pinocchio) and his enforcer Cliff Legrand (Benjamin Bratt, DMZ), then taking whichever odd jobs she can find from town to town. The show's second instalment sees her car break down, requiring a mechanic to patch it up — while its third takes her to a famed brisket barbecue business, and its fourth involves a hit 90s metal band attempting to reclaim past glories on tour. In Poker Face's fifth episode, an aged-care home is the scene of a crime. And in its sixth, two former TV co-stars bicker their way through a play until someone becomes a victim. "Why?" isn't just a question that Johnson — as Poker Face's creator, the writer and director of its first instalment, a helmer twice more, plus a scribe once again as well — has to establish, and fast. As Charlie notes about her preternatural ability, "the real trick of it is figuring out why: why somebody is lying". People spout fabrications and deceptions all day every single day, as she can't avoid everywhere she goes. Mostly, they're minor and have little impact on anyone else, Charlie advises. But it's the reasoning behind the bigger falsehoods that she's interested in. So, the show moves her from place to place, has her hear a lie just as a body shows up, then saddles her with puzzling out what's going on — and, yes, why. Poker Face doesn't hide its own formula, laying it bare from the outset. In its opening episode and all that follow, the focus initially sits with someone who isn't long for this world, their killer and the surrounding players. Viewers watch what happens to that chapter's fated person, scope out all the connected parties, then team up with Charlie — learning where she fits in and witnessing her getting to the bottom of the latest death. Poker Face's audience has the advantage of already seeing what occurred, of course. But, as it does for Charlie, the why still requires unravelling. Often she's putting together what viewers know, but adding further details or context, or seeing the various pieces from different angles. She's also openly calling bullshit frequently, with Lyonne uttering it as often and distinctively as she does "cockroaches" in Russian Doll. In the era of peak TV — peak streaming also — as populated by hook-heavy series demanding non-stop binges, Poker Face does something old-fashioned: it revels in its standalone chapters. Wanting to watch one after another after another is still the end result, but soaking in each mystery rather than constantly setting up the next twist is the show's main aim. Some elements bleed from one instalment to the next, as Charlie keeps trying to evade her pursuers. But for between 45–60 minutes per episode, there's a whodunnit to solve, a contained cast of players, and plenty of Lyonne being a sharp, droll and astute delight. Sometimes she's tasting pieces of wood, too, or calling a dog a fascist. In fact, in the same very episode that contains the timber chewing and canine altercations, she also introduces someone to Bong Joon-ho's Okja — because Poker Face's small joys are many. As comes with the case-of-the-week territory — see also: one of the all-timers in this genre, Law & Order — this series' sweet sleuthing baby is joined by a masterful cast of familiar guest stars. When Lyonne isn't squaring off against Adrien Brody (See How They Run), she's hanging out with The Menu's Hong Chau and Judith Light, or with Lil Rel Howery (Deep Water) and Danielle MacDonald (The Tourist). Her Russian Doll mother Chloë Sevigny (Bones and All) leads those aforementioned metal rockers, while Joseph Gordon-Levitt (Pinocchio), Ellen Barkin (Animal Kingdom), Nick Nolte (The Mandalorian), Cherry Jones (Succession), Jameela Jamil (She-Hulk: Attorney at Law) and newly minted Oscar-nominee Stephanie Hsu (Everything Everywhere All At Once) also feature. Throw in Johnson's own history with mysteries, hailing back to his stellar 2005 movie debut Brick and also including Looper, and Poker Face couldn't boast a better winning hand. Going all in for the series and its big bag of fun is the natural response. Check out the full trailer for Poker Face below: Poker Face streams from Friday, January 27 via Stan in Australia and TVNZ On Demand in New Zealand. Images: Peacock.
Australia is currently cruising through a pretty steamy winter (well, comparatively). Which means we don't need to stick to the standard soul-warming stouts and mulled wines that are our normal winter fodder. Instead, we can keep drinking spritzes and other equally refreshing concoctions — like this brand new sweet yuzu vermouth. The tasty child of Adelaide Hills winery Unico Zelo and sister distillery Applewood, it's made from a combination of Adelaide Hills nebbiolo grapes, some native Australian botanicals (usually used to make Applewood's Okar bitter amaro) and yuzu from Mountain Yuzu — a 20-acre farm located in northeast Victoria, on the foothills of the Australian Alps. As you can see, its an all-Australian affair, unlike a lot of traditional vermouths, which are made in Italy and France. Eco-minded founders and winemakers Laura and Brendan Carter are committed to using native botanicals and sustainably produced grapes in their entire range of wines and spirits, aiming to create products that truly taste Aussie as. As it's not a traditional sweet vermouth — it's really quite far from it — we forgive you for not knowing exactly how to drink it. But, thankfully, we've done some testing for you. On the rocks? Yep. Instead of Aperol in a spritz? Do it. With a splash of soda? Definitely. If you want something a little fancier, the Unico team has a couple of cocktail suggestions for you (handily printed on the back of the bottle, no less). Try your hand at the Ultimate Spritz — made with with Unico Yuzu, blackcurrant-flavoured liqueur from Australian distiller Marrionette and soda — or the Opal Miner: Unico Yuzu, gin, green chartreuse and orange bitters. Unico (the parent company of Unico Zelo and Applewood) has also been steadily dropping a line of limited-edition gins throughout the year, all of which use Australian botanicals, of course. Those include flavours like pepperberry, wattleseed and desert lime. Even more of these unusual drops are headed our way in 2019, too, so keep an eye on this space. All of Unico's limited releases only available in very small batches, so if you want it, don't wait on it. Unico's Yuzu Vermouth is now available to purchase via the website. Priced at $34.99 per bottle.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've had a close-contact run-in. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 18 that you can watch right now at home. EVERYTHING EVERYWHERE ALL AT ONCE Imagine living in a universe where Michelle Yeoh isn't the wuxia superstar she is. No, no one should want to dwell in that reality. Now, envisage a world where everyone has hot dogs for fingers, including the Crouching Tiger, Hidden Dragon icon. Next, picture another where Ratatouille is real, but with raccoons. Then, conjure up a sparse realm where life only exists in sentient rocks. An alternative to this onslaught of pondering: watching Everything Everywhere All At Once, which throws all of the above at the screen and a helluva lot more. Yes, its title is marvellously appropriate. Written and directed by the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert, this multiverse-hopping wonder is a funhouse of a film that just keeps spinning through wild and wacky ideas. Instead of asking "what if Daniel Radcliffe was a farting corpse that could be used as a jet ski?" as their also-surreal debut flick did, the pair now muses on Yeoh, her place in the universe, and everyone else's along with her. Although Yeoh doesn't play herself in Everything Everywhere All At Once, she is seen as herself; keep an eye out for red-carpet footage from her Crazy Rich Asians days. Such glitz and glamour isn't the norm for middle-aged Chinese American woman Evelyn Wang, her laundromat-owning character in the movie's main timeline, but it might've been if life had turned out differently. That's such a familiar train of thought — a resigned sigh we've all emitted, even if only when alone — and the Daniels use it as their foundation. Their film starts with Evelyn, her husband Waymond (Ke Huy Quan, Indiana Jones and the Temple of Doom's Short Round and The Goonies' Data) and a hectic time. Evelyn's dad (James Hong, Turning Red) is visiting from China, the Wangs' daughter Joy (Stephanie Hsu, Shang-Chi and the Legend of the Ten Rings) brings her girlfriend Becky (Tallie Medel, The Carnivores) home, and IRS inspector Deirdre Beaubeirdra (Jamie Lee Curtis, Halloween Kills) is conducting a punishing audit. Then Evelyn learns she's the only one who can save, well, everything, everywhere and everyone. Everything Everywhere All At Once is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE LOST CITY Sometimes, they do still make 'em like they used to: action-adventure rom-coms in this case. Drive a DeLorean back to 1984, to the year before Robert Zemeckis made DeLoreans one of the most famous types of movie cars ever, and the director's Romancing the Stone did huge box-office business — and it's that hit that The Lost City keenly tries to emulate. This new Sandra Bullock- and Channing Tatum-starring romp doesn't hide that aim for a second, and even uses the same broad overall setup. Once again, a lonely romance novelist is swept up in a chaotic adventure involving treasure, a jungle-hopping jaunt and a stint of kidnapping, aka exactly what she writes about in her best-selling books. The one big change: the writer is held hostage, rather than her sister. But if you've seen Romancing the Stone, you know what you're in for. As penned by writer/director duo directors Aaron and Adam Nee (Band of Robbers) with Oren Uziel (Mortal Kombat) and Dana Fox (Cruella) — based on a story by Baywatch director Seth Gordon — The Lost City's plot is ridiculously easy to spot. Also, it's often flat-out ridiculous. Anyone who has ever seen any kind of flick along the same lines, such as Jungle Cruise most recently, will quickly see that Loretta Sage (Bullock, The Unforgivable), this movie's protagonist, could've written it herself. Once she finds herself living this type of narrative, that truth isn't lost on her, either. First, though, she's five years into a grief-stricken reclusive spell, and is only out in the world promoting her new release because her publisher Beth (Da'Vine Joy Randolph, The United States vs Billie Holiday) forces her to. She's also far from happy at being stuck once again with the man who has been sharing her limelight over the years, Fabio-style model Alan (Tatum, Dog), who has graced her book's covers and had women falling over themselves to lust-read their pages. And Loretta is hardly thrilled about the whole spectacle that becomes her latest Q&A as a result, and that makes her a distracted easy mark for billionaire Abigail Fairfax (Daniel Radcliffe, Guns Akimbo) afterwards. The Lost City is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEMORIA When Memoria begins, it echoes with a thud that's not only booming and instantly arresting — a clamour that'd make anyone stop and listen — but is also deeply haunting. It arrives with a noise that, if the movie's opening scene was a viral clip rather than part of Thai filmmaker Apichatpong Weerasethakul's spectacular Cannes Jury Prize-winning feature, it'd be tweeted around with a familiar message: sound on. The racket wakes up Jessica Holland (Tilda Swinton, The Souvenir: Part II) in the night, and it's soon all that she can think about; like character, like film. It's a din that she later describes as "a big ball of concrete that falls into a metal well which is surrounded by seawater"; however, that doesn't help her work out what it is, where it's coming from or why it's reverberating. The other question that starts to brood: is she the only one who can hear it? So springs a feature that's all about listening, and truly understands that while movies are innately visual — they're moving pictures, hence the term — no one should forget the audio that's gone with it for nearly a century now. Watching Weerasethakul's work has always engaged the ears intently, with the writer/director behind the Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives and just-as-lyrical Cemetery of Splendour crafting cinema that genuinely values all that the filmic format can offer. Enjoying Memoria intuitively serves up a reminder of how crucial sound can be to that experience, emphasising the cavernous chasm between pictures that live and breathe such a truth and those that could simply be pictures. Of course, feasting on Weerasethakul's films has also always been about appreciating not only cinema in all its wonders, but as an inimitable art form. Like the noise that lingers in his protagonist's brain here, his movies aren't easily forgotten. Memoria is available to stream via SBS On Demand. Read our full review. AFTER YANG What flickers in a robot's circuitry in its idle moments has fascinated the world for decades, famously so in Do Androids Dream of Electric Sheep?, Blade Runner and Blade Runner 2049. In writer/director/editor Kogonada's (TV series Pachinko) After Yang, one machine appears to long for everything humans do. The titular Yang (Justin H Min, The Umbrella Academy) was bought to give Kyra (Jodie Turner-Smith, Queen & Slim) and Jake's (Colin Farrell, The Batman) adopted Chinese daughter Mika (Malea Emma Tjandrawidjaja, iCarly) a technosapien brother, babysitter, companion and purveyor of "fun facts" about her heritage. He dotes amid his duties, perennially calm and loving, and clearly an essential part of the family. What concerns his wiring beyond his assigned tasks doesn't interest anyone, though, until he stops operating. Mika is distressed, and Kyra and Jake are merely inconvenienced initially, but the latter pledges to figure out how to fix Yang — which is where his desires factor in. Yang is unresponsive and unable to play his usual part as the household's robotic fourth member. If Jake can't get him up and running quickly, he'll also experience the "cultural techno" version of dying, his humanoid skin even decomposing. That puts a deadline on a solution, which isn't straightforward, particularly given that Yang was bought from a now-shuttered reseller secondhand, rather than from the manufacturer anew. Tinkering with the android's black box is also illegal, although Jake is convinced to anyway by a repairman (Ritchie Coster, The Flight Attendant). He acquiesces not only because it's what Mika desperately wants, but because he's told that Yang might possess spyware — aka recordings of the family — that'd otherwise become corporate property. After Yang is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. AMBULANCE Following a high-stakes Los Angeles bank robbery that goes south swiftly, forcing two perpetrators to hijack an EMT vehicle — while a paramedic tries to save a shot cop's life as the van flees the LAPD and the FBI, too — Ambulance is characteristically ridiculous. Although based on the 2005 Danish film Ambulancen, it's a Michael Bay from go to whoa; screenwriter and feature newcomer Chris Fedak (TV's Chuck, Prodigal Son) even references his director's past movies in the dialogue. The first time, when The Rock is mentioned, it's done in a matter-of-fact way that's as brazen as anything Bay has ever achieved when his flicks defy the laws of physics. In the second instance mere minutes later, it's perhaps the most hilarious thing he's put in his movies. It's worth remembering that Divinyls' 'I Touch Myself' was one of his music-clip jobs; Bay sure does love what only he can thrust onto screens, and he wants audiences to know it while adoring it as well. Ambulance's key duo, brothers Will (Yahya Abdul-Mateen II, The Matrix Resurrections) and Danny Sharp (Jake Gyllenhaal, The Guilty), are a former Marine and ostensible luxury-car dealer/actual career criminal with hugely different reasons for attempting to pilfer a $32-million payday. For the unemployed Will, it's about the cash needed to pay for his wife Amy's (Moses Ingram, The Tragedy of Macbeth) experimental surgery, which his veteran's health insurance won't cover — but his sibling just wants money. Will is reluctant but desperate, Danny couldn't be more eager, and both race through a mess of a day. Naturally, it gets more hectic when they're hurtling along as the hotshot Cam (Eiza González, Godzilla vs Kong) works on wounded rookie police officer Zach (Jackson White, The Space Between), arm-deep in his guts at one point, while Captain Monroe (Garrett Dillahunt, Army of the Dead), Agent Anson Clark (Keir O'Donnell, The Dry) and their forces are in hot pursuit. Ambulance is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE UNBEARABLE WEIGHT OF MASSIVE TALENT "Nic fuckiiiiiiiiiiiiiiiing Cage." That's how the man himself utters his name in The Unbearable Weight of Massive Talent, and he knows what he's about. Now four decades into his acting career to the year — after making his film debut in Fast Times at Ridgemont High under his actual name Nicolas Coppola, playing a bit-part character who didn't even get a moniker — Cage is keenly aware of exactly what he's done on-screen over that time, and in what, and why and how. He also knows how the world has responded, with that recognition baked into every second of his his latest movie. He plays himself, dubbed Nick Cage. He cycles through action-hero Cage, comically OTT Cage, floppy-haired 80s- and 90s-era Cage, besuited Cage, neurotic Cage and more in the process. And, as he winks, nods, and bobs and weaves through a lifetime of all things Cage, he's a Cage-tastic delight to watch. The Unbearable Weight of Massive Talent does have a narrative around all that Cage as Cage, as penned by writer/director Tom Gormican (Are We Officially Dating?) and co-scribe Kevin Etten (Kevin Can F**K Himself). Here, the man who could eat a peach for days in Face/Off would do anything for as long as he needed to if he could lock in a weighty new part. The fictionalised Cage isn't happy with his roles of late, as he complains to his agent (Neil Patrick Harris, The Matrix Resurrections), but directors aren't buying what he's enthusiastically selling. He has debts and other art-parodies-life problems, though, plus an ex-wife (Sharon Horgan, This Way Up) and a teen daughter (Lily Sheen, IRL daughter of Kate Beckinsale and Michael Sheen). So, he reluctantly takes a $1-million gig he wishes he didn't have to: flying to southern Spain to hang out with billionaire Javi Gutierrez (Pedro Pascal, The Bubble), who is such a Cage diehard that he even has his own mini museum filled with Cage memorabilia, and has also written a screenplay he wants Cage to star in. The Unbearable Weight of Massive Talent is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE SOUVENIR: PART II In showbusiness, nepotism is as inescapable as movies about movies. Both are accounted for in The Souvenir: Part II. But when talents as transcendent as Honor Swinton Byrne, her mother Tilda Swinton and writer/director Joanna Hogg are involved — with the latter working with the elder Swinton since her first short, her graduation piece Caprice, back in 1986 before Honor was even born — neither family ties nor filmmaking navel-gazing feel like something routine. Why this isn't a surprise with this trio is right there in the movie's name, after the initial The Souvenir proved such a devastatingly astute gem in 2019. It was also simply devastating, following an aspiring director's romance with a charismatic older man through to its traumatic end. Both in its masterful narrative and its profound impact, Part II firmly picks up where its predecessor left off. In just her third film role — first working with her mum in 2009's I Am Love before The Souvenir and now this — Swinton Byrne again plays 80s-era filmmaking student Julie Harte. But there's now a numbness to the wannabe helmer after her boyfriend Anthony's (Tom Burke, Mank) death, plus soul-wearying shock after discovering the double life he'd been living that her comfortable and cosy worldview hadn't conditioned her to ever expect. Decamping to the Norfolk countryside, to her family home and to the warm but entirely upper-middle-class, stiff-upper-lip embrace of her well-to-do parents Rosalind (Swinton, The French Dispatch) and William (James Spencer Ashworth) is only a short-term solution, however. Julie's thesis film still needs to be made — yearns to pour onto celluloid, in fact — but that's hardly a straightforward task. The Souvenir: Part II is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. RRR The letters in RRR's title are short for Rise Roar Revolt. They could also stand for riveting, rollicking and relentless. They link in with the Indian action movie's three main forces, too — writer/director SS Rajamouli (Baahubali: The Beginning), plus stars NT Rama Rao Jr (Aravinda Sametha Veera Raghava) and Ram Charan (Vinaya Vidheya Rama) — and could describe the sound of some of its standout moments. What noise echoes when a motorcycle is used in a bridge-jumping rescue plot, as aided by a horse and the Indian flag, amid a crashing train? Or when a truck full of wild animals is driven into a decadent British colonialist shindig and its caged menagerie unleashed? What racket resounds when a motorbike figures again, this time tossed around by hand (yes, really) to knock out those imperialists, and then an arrow is kicked through a tree into someone's head? Or, when the movie's two leads fight, shoot, leap over walls and get acrobatic, all while one is sat on the other's shoulders? RRR isn't subtle. Instead, it's big, bright, boisterous, boldly energetic, and brazenly unapologetic about how OTT and hyperactive it is. The 187-minute Tollywood action epic — complete with huge musical numbers, of course — is also a vastly captivating pleasure to watch. Narrative-wise, it follows the impact of the British Raj (aka England's rule over the subcontinent between 1858–1947), especially upon two men. In the 1920s, Bheem (Jr NTR, as Rao is known) is determined to rescue young fellow villager Malli (first-timer Twinkle Sharma), after she's forcibly taken by Governor Scott Buxton (Ray Stevenson, Vikings) and his wife Catherine (Alison Doody, Beaver Falls) for no reason but they're powerful and they can. Officer Raju (Charan) is tasked by the crown with making sure Bheem doesn't succeed in rescuing the girl, and also keeping India's population in their place because their oppressors couldn't be more prejudiced. RRR is available to stream via Netflix. Read our full review. THE DUKE Back in 1962, in the first-ever Bond film Dr No, the suave, Scottish-accented, Sean Connery-starring version of 007 admires a painting in the eponymous evil villain's underwater lair. That picture: Francisco Goya's Portrait of the Duke of Wellington. The artwork itself is very much real, too, although the genuine article doesn't appear in the feature. Even if the filmmakers had wanted to use the actual piece, it was missing at the time. In fact, making a joke about that exact situation is why the portrait is even referenced in Dr No. That's quite the situation: the debut big-screen instalment in one of cinema's most famous and longest-running franchises, and a saga about super spies and formidable villains at that, including a gag about a real-life art heist. The truth behind the painting's disappearance is even more fantastical, however, as The Duke captures. The year prior to Bond's first martini, a mere 19 days after the early 19th-century Goya piece was put on display in the National Gallery in London, the portrait was stolen. Unsurprisingly, the pilfering earned plenty of attention — especially given that the government-owned institution had bought the picture for the hefty sum of £140,000, which'd likely be almost £3 million today. International master criminals were suspected. Years passed, two more 007 movies hit cinemas, and there was zero sign of the artwork or the culprit. And, that might've remained the case if eccentric Newcastle sexagenarian Kempton Bunton (played here by Six Minutes to Midnight's Jim Broadbent) hadn't turned himself in in 1965. As seen in this wild caper from filmmaker Roger Michell (My Cousin Rachel, Blackbird), Bunton advised that he'd gotten light-fingered in protest at the obscene amount spent on Portrait of the Duke of Wellington using taxpayer funds — money that could've been better deployed to provide pensioners with TV licenses, a cause he had openly campaigned for (and even been imprisoned over after refusing to pay his own television fee). The Duke is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WASH MY SOUL IN THE RIVER'S FLOW A silent hero and a rowdy troublemaker. That's what Ruby Hunter calls Archie Roach, her partner in life and sometimes music, then characterises herself. She offers those words casually, as if she's merely breathing, with an accompanying smile and a glint in her eyes as she talks. They aren't the only thoughts uttered in Wash My Soul in the River's Flow, which intersperses concert and rehearsal clips with chats with Hunter and Roach, plus snippets of biographical details from and recollections about their lives as intertitles, and then majestic footage of the winding Murray River in Ngarrindjeri Country, where Hunter was born, too. Still, even before those two-word descriptions are mentioned, the film shows how they resonate within couple's relationship. Watching their dynamic, which had ebbed and flowed over three-plus decades when the movie's footage was shot in 2004, it's plain to see how these two icons of Australian music are dissimilar in personality and yet intertwine harmoniously. Every relationship is perched upon interlocking personalities: how well they complement each other, where their differences blend seamlessly and how their opposing traits spark challenges in the best possible ways. Every song, too, is a balance of disparate but coordinated pieces. And, every ecosystem on the planet also fits the bill. With Hunter and Roach as its focus, Wash My Soul in the River's Flow contemplates all three — love, music and Country — all through 2004 concert Kura Tungar — Songs from the River. Recorded for the documentary at Melbourne's Hamer Hall, that gig series interlaced additional parts, thanks to a collaboration with Paul Grabowsky's 22-piece Australian Art Orchestra — and the movie that producer-turned-writer/director Philippa Bateman makes of it, and about two Indigenous stars, their experience as members of Australia's Stolen Generations, their ties to Country and their love, is equally, gloriously and mesmerisingly multifaceted. Wash My Soul in the River's Flow is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLIND AMBITION From fleeing Robert Mugabe's Zimbabwe to taking their nation's first-ever team to the World Wine Blind Testing Championships in Burgundy, Joseph, Tinashe, Marlvin and Pardon have quite the story to tell. The quartet met in South Africa, where they each individually made their home long before they crossed paths. They all also found themselves working with wine, despite not drinking it as Pentecostal Christians — and, in the process, they discovered a knack for an industry they mightn't have even contemplated otherwise. That's the tale that Blind Ambition relays, and it's a rousing and moving one. Indeed, it won't come as a surprise that the movie won Australian filmmakers Warwick Ross and Rob Coe (Red Obsession) the 2021 Tribeca Film Festival Audience Award for Best Feature Documentary. Blind wine testing is a serious business; the first word isn't slang for inebriation, but describes how teams sample an array of wines without knowing what they're drinking. Then, they must pick everything from the country to the vintage to the varietal within two minutes of sipping. As stressed both verbally and visually throughout the doco, there's a specific — and very white — crowd for this endeavour. Accordingly, Team Zimbabwe instantly stands out. Heralding diversity is one of their achievements; their infectious joy, pride and enthusiasm for the field, for competing at the Olympics of the wine world, for the fact that their plight has taken them from refugees to finding a new calling, and for opening up the world to African vino, is just as resonant. Blind Ambition is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE What a difference Mads Mikkelsen can make. What a difference the stellar Danish actor can't, too. The Another Round and Riders of Justice star enjoys his Wizarding World debut in Fantastic Beasts: The Secrets of Dumbledore, taking over the part of evil wizard Gellert Grindelwald from Fantastic Beasts: The Crimes of Grindelwald's Johnny Depp — who did the same from Fantastic Beasts and Where to Find Them's Colin Farrell first, albeit in a scripted change — and he's impressively sinister and engagingly insidious in the role. He needs to be: his fascist character, aka the 1930s-set movie's magical version of Hitler, wants to eradicate muggles. He's also keen to grab power however he must to do so. But a compelling casting switch can't conjure up the winning wonder needed to power an almost two-and-a-half-hour film in a flailing franchise, even one that's really just accioing already-devoted Harry Potter fans into cinemas. Nearly four years have passed since The Crimes of Grindelwald hit cinemas, but its successor picks up its wand where that dull sequel left off. That means reuniting with young Albus Dumbledore, who was the best thing about the last feature thanks to Jude Law (The Third Day) following smoothly in Michael Gambon and Richard Harris' footsteps. And, it means explaining that Dumbledore and Grindelwald pledged not to harm each other years earlier, which precludes any fray between them now. Enter magizoologist Newt Scamander (Eddie Redmayne, The Trial of the Chicago 7) and his pals. Well, most of them. Newt's assistant Bunty (Victoria Yeates, Call the Midwife), brother Theseus (Callum Turner, Emma), No-Maj mate Jacob (Dan Fogler, The Walking Dead), Hogwarts professor Lally (Jessica Williams, Love Life) and Leta Lestrange's brother Yusuf Kama (William Nadylam, Stillwater) are accounted for, while former friend Queenie (Alison Sudol, The Last Full Measure) has defected to Grindelwald. As for the latter's sister Tina (Katherine Waterston, The World to Come), she's spirited aside, conspicuously sitting Operation Avoid Muggle Genocide out. Fantastic Beasts: The Secrets of Dumbledore is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. NOBODY HAS TO KNOW Before Belgian actor and filmmaker Bouli Lanners started gracing screens big and small — writing and directing projects for the former as well — he trained as a painter. If you didn't know that fact, it'd be easy to guess while watching Nobody Has to Know. He helms and scripts, as he did 2011 Cannes award-winner The Giant, plus 2016's The First, the Last. He acts, as he has in everything from A Very Long Engagement and Rust and Bone to Raw and Bye Bye Morons. But it's the careful eye he brings to all that fills Nobody Has to Know's frames that immediately leaves an impression, starting with simply staring at the windswept Scottish scenery that provides the movie's backdrop. It's picturesque but also ordinary, finding visual poetry in the scenic and sweeping and yet also everyday. That's what the feature does with its slow-burning romantic narrative, too. On a remote island, Philippe Haubin (Lanners) has made a humble home. Working as a farmhand, he stands out with his arms covered in tattoos and his accent, but he's also been welcomed into the close-knit community. And, when he's found on the beach after suffering a stroke, his friends swiftly rally around — his younger colleague Brian (Andrew Still, Waterloo Road), who spreads the word; the latter's aunt Millie (Michelle Fairley, Game of Thrones), who ferries him around town; and her stern father Angus (Julian Glover, The Toll), who welcomes him back to work once he's out of hospital. But Phil returns with amnesia, which unsurprisingly complicates his daily interactions. He doesn't know what Brian means when he jokes about Phil now being the island's Jason Bourne, he has no idea if the dog in his house is his own, and he has no knowledge of any past, or not, with Millie. Nobody Has to Know is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MORBIUS Jumping into the Sony Shared Universe from the DCEU — that'd be the DC Extended Universe, the pictures based around Batman, Superman, Wonder Woman, Suicide Squad and the like (but not including Joker or The Batman) — Jared Leto plays Morbius' eponymous figure. A renowned scientist, Dr Michael Morbius has a keen interest in the red liquid pumping through humans' veins stemming from his own health issues. As seen in early scenes set during his childhood, young Michael (Charlie Shotwell, The Nest) was a sickly kid in a medical facility thanks to a rare disease that stops him from producing new blood. There, under the care of Dr Emil Nikols (Jared Harris, Foundation), he befriended another unwell boy (debutant Joseph Esson), showed his smarts and earned a prestigious scholarship. As an adult, he now refuses the Nobel Prize for creating artificial plasma, then tries to cure himself using genes from vampire bats. Morbius sports an awkward tone that filmmaker Daniel Espinosa (Life) can't overcome; its namesake may be a future big-screen baddie, but he's also meant to be this sympathetic flick's hero — and buying either is a stretch. In the overacting Leto's hands, he's too tedious to convince as a threat or someone to root for. He's too gleefully eccentric to resemble anything more than a skit at Leto's expense, too. Indeed, evoking any interest in Morbius' inner wrestling (because saving his own life with his experimental procedure comes at a bloodsucking cost) proves plodding. It does take a special set of skills to make such OTT displays so pedestrian at best, though, and that's a talent that Leto keeps showing to the misfortune of movie-goers. He offers more restraint here than in Suicide Squad (not to be confused with The Suicide Squad), The Little Things, House of Gucci or streaming series WeCrashed, but his post-Dallas Buyers Club Oscar-win resume remains dire — Blade Runner 2049 being the sole exception. Morbius is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SONIC THE HEDGEHOG 2 It was true in the 90s, and it remains that way now: when Jim Carrey lets loose, thrusting the entire might of his OTT comedic powers onto the silver screen, it's an unparalleled sight to behold. It doesn't always work, and he's a spectacular actor when putting in a toned-down or even serious performance — see: The Truman Show, The Majestic, I Love You Phillip Morris and his best work ever, the sublime Eternal Sunshine of the Spotless Mind — but there's a reason that the Ace Venture flicks, The Mask and Dumb and Dumber were some of the biggest movies made three decades back. Carrey is now a rarity in cinemas, but one franchise has been reminding viewers what his full-throttle comic efforts look like. Sadly, he's also the best thing about the resulting films, even if they're hardly his finest work. That was accurate in 2020's Sonic the Hedgehog, and it's the same of sequel Sonic the Hedgehog 2 — which once again focuses on the speedy video game character but couldn't feel like more of a drag. The first Sonic movie established its namesake's life on earth, as well as his reason for being here. Accordingly, the blue-hued planet-hopping hedgehog (voiced by The Afterparty's Ben Schwartz) already made friends with small-town sheriff Tom Wachowski (James Marsden, The Stand). He already upended the Montana resident's life, too, including Tom's plans to move to San Francisco with his wife Maddie (Tika Sumpter, Mixed-ish). And, as well as eventually becoming a loveable member of the Wachowski family, Sonic also wreaked havoc with his rapid pace, and earned the wrath of the evil Dr Robotnik (Carrey, Kidding) in the process. More of the same occurs this time around, with Sonic the Hedgehog 2 taking a more-is-more approach. There's a wedding to ruin, magic gems to find and revenge on the part of Robotnik. He's teamed up with super-strong echidna Knuckles (voiced by The Harder They Fall's Idris Elba), in fact, while Sonic gets help from smart-but-shy fox Tails (voice-acting veteran Colleen O'Shaughnessey). Sonic the Hedgehog 2 is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. DEADLY CUTS The Full Monty wasn't the first to do it, and it definitely hasn't been the last. But for the quarter century since that crowd-pleasing comedy became an enormous worldwide hit, British movies about underdogs banding together to save their livelihoods and communities have no longer been scrappy battlers themselves. Irish film Deadly Cuts is the latest, joining an ever-growing pile that also includes everything from Calendar Girls to Swimming with Men — and first-time feature writer/director Rachel Carey knows the formula she's playing with. Each such picture needs to be set in a distinctive world, follow a close-knit group, see them face an apparently insurmountable task and serve up a big public spectacle that promises redemption, and every step in that recipe is covered here. But a movie can stick to a clear template and still boast enough spirit to make even the creakiest of plot inclusions feel likely and entertaining enough, and that's this low-budget affair from start to finish. It does raise a smile that AhhHair, the glamorous hairdressing contest that Deadly Cuts' main characters want to enter and win, is all about innovation in its chosen form. The movie itself would never emerge victorious at such a competition, but it's filled with broad, blackly comic fun along the way, even if it boasts about as much subtlety as a mohawk. The setting: Piglington, Dublin, an as-yet-ungentrified corner of the Irish capital, where the titular salon is a mainstay. The aim: saving the shop from being torn down and replaced with shiny new apartments. The wholly predictable complications: the determination of corrupt local politician Darryl Flynn (Aidan McArdle, The Fall) to forge ahead with the development, which'll boost his bank account; and the suburb-scaring thugs led by the overbearing Deano (Ian Lloyd Anderson, Herself), who throw their weight around at every chance they get. Deadly Cuts is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. IT SNOWS IN BENIDORM Forty-four years have passed since Timothy Spall first graced the silver screen — and what a gift he's given both cinema and television since. He won Cannes Best Actor prize for Mr Turner, earned five BAFTA nominations in five years between 1997–2002, popped up in lively Aussie crime flick Gettin' Square, stole every scene he was in in The Party and recently proved formidable in Spencer. He has everything from multiple Harry Potter movies to playing Winston Churchill in The King's Speech on his resume, too, and also routinely improves whatever he's in with his presence alone. In fact, he does exactly that with It Snows in Benidorm, which'd be a mere wisp of a film otherwise. Following a just-made-redundant bank employee to Spain, this meandering drama by Spanish filmmaker Isabel Coixet (Elisa & Marcela) frequently mistakes mood for depth — and while Spall can't polish away its struggles, he's always the key reason to keep watching. A fan of the weather and little else, Spall's Peter Riordan has given decades of his life to his employer, and is so settled into the routine he's fashioned around his job that it's as natural and automatic to him as breathing. Accordingly, when he's unceremoniously let go, he finds it difficult to adjust. He's told that being freed from the monotony of his work is a gift, allowing him to retire early — so in that spirit, he heads off to the Mediterranean coast's tourist mecca to spend time with the brother he otherwise rarely talks to. But upon his arrival, Peter finds his sibling conspicuously absent. He still stays in his high-rise apartment, but what was meant to be a family reunion-style holiday now becomes a detective quest. Helping him is Alex (Sarita Choudhury, And Just Like That...), who worked with Peter's shady club-owning brother, might know more than she's letting on about his whereabouts, and also welcomes her new pal's tender companionship the more that they spend time together. It Snows in Benidorm is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. OFF THE RAILS In need of a bland and derivative friends-on-holidays flick that's painted with the broadest of strokes? Keen to dive once more into the pool of movies about pals heading abroad to scatter ashes and simultaneously reflect upon their current lot in life? Fancy yet another supposedly feel-good film that endeavours to wring humour out of culture clashes between English-speaking protagonists and the places they visit? Yearning for more glimpses of thinly written women getting their grooves back and realising what's important on a wild Eurotrip? Call Off the Rails, not that anyone should. Coloured with every cliche that all of the above scenarios always throw up, and also covered from start to finish in schmaltz, the debut feature from director Jules Williamson is a travel-themed slog that no one could want to remember. A grab bag of overdone tropes and treacly sentiment, it also doubles as an ode to the songs of Blondie, which fill its soundtrack — but even the vocal stylings of the great Debbie Harry can't breathe vibrancy into this trainwreck. Once close, Kate (Jenny Seagrove, Peripheral), Liz (Sally Phillips, Blinded by the Light) and Cassie (Preston, Gotti) now just call on big occasions — and even then, they're barely there for each other. But when fellow pal Anna dies, they reunite at her funeral, and are asked to carry out her final wish by her mother (Belfast's Judi Dench, in a thankless cameo). The task: catching a train across Europe, through Paris to Girona, Barcelona and Palma in Spain, to recreate a backpacking jaunt the four took decades earlier. Specifically, they're headed to La Seu, a cathedral with stained-glass windows that look particularly spectacular when the sun hits at the right time (the film calls it "god's disco ball"). Anna already bought their Interrail passes, and her 18-year-old daughter Maddie (Elizabeth Dormer-Phillips, Fortitude) decides she'll join the voyage, too. Off the Rails is available to stream via Google Play, YouTube Movies and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows, or check out the movies that were fast-tracked to digital in January, February, March, April and May.
Jarno Smeets has always believed he could fly. Now he knows he can. On March 18, Smeets successfully flew using his pair of custom-built wings, controlled by video game controllers and an Android phone. The project, which took eight months of research and testing, was inspired by sketches by Smeets' grandfather depicting a futuristic flying bicycle. Smeets' grandfather spent much of his life working on the design, yet never completed the project; Smeets says that it has always been his dream to complete his grandfather's goal. While Smeets was studying engineering at Coventry University in England, he altered his grandfather's design and began working on a Leonardo Da Vinci-inspired set of flying wings. The idea was based on the mechanics involved with robotic prosthetics. Smeets' aim was to supplement his arm strength to enable his arms to carry his entire body while in flight. With the help of neuro-mechanic Bert Otten, the design eventually became a reality. The flight lasted 60 seconds, a "magical moment", according to Smeets. Of course, a video like this brings the skeptics out of the woodwork, and with the creator's CV not checking out, their case has been gaining momentum. Update: yep, it's a fake. https://youtube.com/watch?v=GYW5G2kbrKk [via Wired]
The Mexican chain that brought us drone-delivered burritos is back with a new food delivery deal. Guzman y Gomez is offering $9.90 burritos and burrito bowls delivered to your door for a whole seven days. Unfortunately, not delivered by drones, though Available from today, Wednesday, April 1 through till Tuesday, April 7, the cheap eats are available from over 100 stores across Australia, including a heap in Queensland, Victoria and NSW. To find your closest, head on over to Menulog and input your address. The burritos feature a flour tortilla stuffed with rice, beans, pico de gallo, cheese and your choice of meat or veggies, such as spiced pulled pork, barramundi and slow-cooked beef. And the bowls, unsurprisingly, are pretty much the same without the tortilla. The catch is you do need to pay for a $5 delivery fee, but that's for the total order — so you could split it with your housemate or double-up and get a burrito for both lunch and dinner. To order your $9.90 burrito or burrito bowl head on over to Menulog.
Set among the verdant vines and lush gardens of Red Hill estate Lancemore Lindenderry, The Dining Room pairs warm hospitality and thoughtfully designed interiors with a menu that champions hyperlocal seasonal produce. Under the direction of Executive Chef Nick McGonigal — whose CV includes stints at London's three-Michelin-starred The Ledbury, local favourites Cecconi's, Society and two-hatted Sydney institution Bentley Restaurant + Bar — the refined menu blends classic European technique with bold, Modern Australian flair. Dishes demonstrate McGonigal's technical prowess and creativity, with a menu that changes with the seasons. It might include the likes of abrolhos scallop with XO sauce and scallop roe; homemade tagliatelle with tarragon, confit yolk, leek, and caprinella; or roast quail crown stuffed with chicken liver and wild mushrooms, smoked tableside with rosemary. Diners can choose between a curated tasting menu or a considered à la carte selection available on weekdays, complemented by a wine program featuring over 180 local and international labels, including Lindenderry's own award-winning drops and a handy by-the-glass menu. The dining room itself is the vision of Melbourne interiors studio Hecker Guthrie, and channels a timeless, quiet luxury that feels intimate and effortlessly refined with its use of natural materials and understated earthy tones — not to mention the floor-to-ceiling windows that offer sweeping views of the estate's rolling vineyards. Images: Griffin Simm.
Melbourne winters can be tough, but there are a few things that we can really enjoy in the colder months that don't quite hit the same in summer. Winter dining is truly something to look forward to. There's heart-warming comfort food with rich flavours, plus darker drinks like smokey whiskey and creamy stouts that are best served in a cosy pub when the wind is blowing outside. So, it's no surprise that Captain Melville, one of Melbourne's oldest and cherished pubs, will be host to a winter feast come Thursday, July 27. Captain Melville joins forces with renowned rye whiskey distiller The Gospel plus Tasmanian brewery Moo Brew to present 'The Captains Table' Rye July Dinner. The exclusive four-course dining event promises a night of rich flavours, to help us embrace winter in all its glory. Captain Melville chefs are putting together a carvery-style menu with each dish paired with a range of rye whiskey cocktails and dark stouts. While you feast, distillery and brewing experts will share insider knowledge and take you through a unique boilermaker experience. The event is part of the Gospel's Rye July, a clever homage to the often-underappreciated hero of whiskey. So expect to walk out with some rye whiskey knowledge to flex. Tickets will set you back $100 and are limited, so get in quick.
One Drink Jack Nicholson wears sunglasses. Harrison Ford wears an earring. Ellen thanks Seth MacFarlane for setting the bar so low. Winner thanks God or Jesus. Winner pays tribute to the late, great Phillip Seymour Hoffman. Winner commends losing nominees. Winner’s speech is played off by the orchestra. George Clooney says something earnest and/or pulls a “hilarious prank”. Leonardo DiCaprio smiles with an “Another year, another supermodel” look. George or Leo brings his mother as his date (five drinks if they bring each other’s mothers). Matthew McConaughy makes an incomprehensible speech and/or beats his chest in rhythm. Presenter refers to “The McConaissance” Jennifer Lawrence does something adorably “real” (three drinks if it’s a fashion mishap). Michael B. Jordan offers to star in the sequel to Space Jam. Channing Tatum refutes the suggestion that 22 Jump St will be the last in the series because he can’t count any higher. Jennifer Garner reminds us she's married to Ben Affleck who has TWO Oscars. Kevin Spacey refers to that corrupt, pernicious, money-hungry institution ... HOLLYWOOD. Not CONGRESS. HOLLYWOOD! Two Drinks Jack Nicholson wears sunglasses and a hat. Harrison Ford wears an earring and an Indiana Jones hat. Ellen jokes that the show will be longer than the Sochi Games and almost as long as Wolf of Wall Street. Winner thanks Buddha or Ganesh. Winner pays tribute to the late, great James Gandolfini. Winner describes his/her film as “important” Winner describes his/her film’s director as “a genius”. Special effects winner has a ponytail. Brad Pitt says something insightful/poignant, or Angeline Joie says something lighhearted. Jessica Biel says that marrying Justin Timberlake was irrelevant to getting a presenter’s gig. Liam Neeson looks genuinely surprised he wasn’t nominated for anything. Goldie Hawn tells Kate Hudson that she should give Matthew McConaughy a call now that he’s all respectable and accomplished. Anne Hathaway makes a rambling joke about rambling in her acceptance speech last year (three drinks if she also sings). Joaquin Phoenix brings a “Galaxy S5 – new from Samsung!” as his date. Amy Adams says it was awkward to be upstaged by her own cleavage in American Hustle. Kerry Washington mentions the potential for “scandal”. Emma Watson refers to the “magic of filmmaking”. Bendict Cumberbatch, referencing Smaug, is disappointed to be surrounded by golden statues he can’t keep himself. Three Drinks Jack Nicholson wears sunglasses and an Indiana Jones hat. Harrison Ford wears an earring, sunglasses, and an Indiana Jones hat. Ellen conducts a divorce of some of the couples who were married at Grammys but have found marriage to be “overrated”. Winner thanks Allah or Mohammed. Winner pays tribute to the late, great Paul Walker. Losing nominee mouths “fuck” when the winner is announced. Non-human presents an award. Congratulatory kiss or embrace from presenter “gets awkward”. Keanu Reeves throws a tantrum because they are re-making Point Break. Chris Hemsworth says he’s shocked that Liam and Miley’s engagement didn’t work out. Jonah Hill is reminded that he’s a two-time Oscar nominee and chuckles, “Who’s ‘super bad’ now, Michael Cera?” Naomi Watts congratulates Robin Wright on her engagement (five drinks if she also notes that Ben Foster is not quite young enough to be either of their sons). Jared Leto and Lupita Nyong’o win and make out on stage. The Lone Ranger wins for Best Visual Effects and everyone is just confused. Daniel Day-Lewis says he’d give his left foot to have Phillip Seymour Hoffman back. Bill Murray and Dan Aykroyd dress as Ghostbusters to farewell Harold Ramis (five drinks if Ernie Hudson also gets on stage). Jospeh Godon-Levitt or Tyler Perry makes a reference to marriage equality, Jason Collins, Michael Sam, or the Arizona veto. Five Drinks Ellen announces that presenters do not have to hand over awards to any winner who is ... from Arizona. Gravity wins an award and Neil DeGrasse Tyson rushes the stage to protest. John Travolta and Samuel L. Jackson take Christoph Waltz hostage, demanding that Quentin Tarantino make them relevant again. “Jackass” and “the Oscar goes to...” are used in the same sentence. Chiwetel Ejiofor or Michael Fassbender notes that it’s a bit weird that the two main actors in a movie about American slavery are English and German.
If catching a wave as your favourite DJ drops his hit song seems like the stuff of your dreams, you may be in luck thanks to this new Tullamarine music and surfing event. Melbourne surf park Urbnsurf and the new touring event from the minds behind Beyond the Valley, For the Love, have come together for a mix of music, food and gnarly waves. After originally being scheduled for the weekend of Friday, February 19, the three-day event series was postponed due to Melbourne's snap five-day lockdown. The event will now take place over two weekends starting Saturday, March 20 — and has expanded to five days with a 15-strong act lineup. On the lineup you'll find the likes of Gold Coast DJ and former surfer Fisher, Sydney folk heartthrob Matt Corby and aviation-themed dance duo Flight Facilities, as well as Ocean Alley, Mallrat, Hayden James, Julia Stone and a whole bunch more. Australian clothing label Nana Judy will be hosting a VIP section to add some glam to the event, and of course on-site farm-to-table eatery Three Blue Ducks will be providing food out of its new Melbourne digs adjacent to Urbnsurf. For the Love will be using some of the profits to help clean up oceans and beaches through its Music for Oceans initiative. Tickets are available here.
A time-capsule within touching distance of Melbourne CBD, Como House is an elegant example of the aristocratic lifestyle of the 1850s. Immaculately preserved following the National Trust of Australia's acquisition of the property in 1959, nowadays Como House and its stunning gardens is one of the best places to enjoy a relaxing Sunday picnic in the sun. Located high above the Yarra River in the backstreets of South Yarra, don't forget to take a break in the shade and explore the opulent interior of the house. The Armytage family owned the property for 95 years and much of their personal furniture remains on display around the house. Taking a stroll through Como House and around the extensive gardens provides a rare insight into the lives of the wealthy elite throughout the 19th century – a stylish backdrop to any bone-idle Sunday layabout. Image: Letícia Almeida.
When many talk about design, they invariably talk about minimalism. We see a harsh white cube. Perhaps a few well-manicured young people painstakingly drawing triangles on graph paper. The graphic designer, in our popular imagination, is a Helvetica-loving, glasses-wearing snob who takes their coffee black and their projects with loads of empty white space. Common (and funny) as this impression may be, it's unsurprisingly a bit reductive. This talk from internationally-renowned design critic, Alice Rawsthorn, is bound to set us straight. Claiming design is all-encompassing, this talk from Rawsthorn is about the way design in fact influences most of what we see and do in our everyday lives. These thoughts are coming off the back of her new book, Hello World: Where Design Meets Life — check it out, it's pretty well-designed, so she must know what she's talking about. As Melbourne's CBD become more and more curated — hello city squares, public art, and coloured laneways — it's clear to see the importance of design in most aspects of our lives. After this, perhaps you'll be able to see some of the cogs that make it all work.
It's bingo, but not as you know it. On the first Wednesday of every month, Wingo Bingo spectacularly takes over The Beast's CBD spot on Swanston Street. Hosted by the fabulous Gloss, you are in for raunchy laughs, shimmering costumes and, of course, people shouting "Bingo!" To sweeten the deal — even though it's pretty sweet already — there's food, too. At just $25 per person (with a two-person minimum), you'll be feasting on the spot's popular Dorito-crusted chicken wings — and yes, there's a vegan option — plus chippies and a booze-free bev. There are prizes to be won as well, party people — so grab your gang, wear something glittery and strap on those heels for a night out where the name of the game is shameless fun.
The premise of Between Two Ferns couldn't be more simple. Zach Galifianakis interviews other famous folks, all while sitting in the middle of two leafy plants. Staged to look like a no-budget community television show, it's purposefully silly and surreal, whether Galifianakis is nattering with Natalie Portman, Brad Pitt, Justin Bieber, Hillary Clinton or Barack Obama. Starting off as a short film, then becoming one of Funny or Die's hit webseries over the past decade, the wholly improvised show satirises the Hollywood publicity machine by making fun of the polished promotional chats that are so common whenever a big star has a new movie or TV series to plug. In its latest incarnation, Between Two Ferns will jump on another trend, turning its anarchic antics into a Netflix film. If you're wondering just how the Between Two Ferns concept can sustain a whole movie, there's a story to go with it. Embarrassed by the viral mockery he received when Will Ferrell uploaded his original series, Galifianakis — well, the show's version of Galifianakis — tries to track down a heap of celebrities in attempt to restore his reputation. That involves hitting the road, sitting down with everyone from Paul Rudd to Keanu Reeves and Tessa Thompson, and even momentarily killing Matthew McConaughey. Calling Jon Hamm an idiot and getting propositioned by Chrissy Teigen are also on the agenda. The list of high-profile figures making an appearance goes on — and includes Brie Larson, Peter Dinklage, Benedict Cumberbatch, David Letterman, Adam Scott, John Cho, Chance the Rapper and Rashida Jones. Based on the just-dropped trailer, all of the above folks are in for a rather ridiculous experience — as are Netflix viewers, too. Check out the trailer below: https://www.youtube.com/watch?v=OjljgkCQv5c&feature=youtu.be Between Two Ferns: The Movie hits Netflix on September 20. Image: Adam Rose.
Whatever happens to Wednesday Addams (Jenna Ortega, Death of a Unicorn) at Nevermore Academy in the second season of the Netflix series that bears her name, she'll be back at school afterwards. Before the sophomore run of the streaming hit begins dropping episodes from August 2025 — splitting season two into two parts, with the first arriving on Wednesday, August 6, then the second batch on Wednesday, September 3 —Wednesday has already been renewed for season three. Of course, all things Addams Family have been delighting audiences for almost 90 years, with the first-ever cartoon panel featuring the creepy, kooky, mysterious and spooky brood published in 1938. Following a lineup of other TV shows between the 60s and the 90s, as well as a range of films — live-action and animated alike in both cases — the first season of Netflix's take on the clan became and remains the most-viewed English-language series of all time on the streamer. As for when season three will hit and what's in store, details are unsurprisingly scarce given that season two hasn't yet premiered. "Our goal for season three is the same as it is for every season: to make it the best season of Wednesday we possibly can," Alfred Gough, one of the series' co-creators and showrunner alongside Miles Millar, told Netflix's Tudum. "We want to continue digging deeper into our characters while expanding the world of Nevermore and Wednesday, added Millar. "We will be seeing more Addams family members and learning more family secrets in season three." The pair, who also penned Tim Burton's Beetlejuice Beetlejuice — and are clearly fond of working with the filmmaker, since he's also behind Wednesday, including as both a director and an executive producer — are already promising to expand the Addams crew in season two. Enter Joanna Lumley (Amandaland) as Hester Frump, Wednesday's grandmother, for instance. In the show's second season, its black-clad protagonist is back at Nevermore Academy and being heralded as a hero thanks to her efforts in season one. Wednesday is characteristically unimpressed by the attention, the trailers so far illustrate. Soon, her focus is elsewhere, however, thanks to a premonition of her roommate Enid (Emma Myers, A Minecraft Movie) coming to a grave end, with Wednesday determined to do whatever she can to stop that from happening. Steve Buscemi (The Studio), Billie Piper (Kaos) and Thandiwe Newton (Mufasa: The Lion King) are also among the series' new cast additions in season two, while Catherine Zeta-Jones (National Treasure: Edge of History), Luis Guzmán (Justified: City Primeval) and Isaac Ordonez (Color Box) are back as Morticia, Gomez and Pugsley — plus Luyanda Unati Lewis-Nyawo (Dreamers) as Deputy Ritchie Santiago. Among its fresh faces, Evie Templeton (Criminal Record), Owen Painter (Tiny Beautiful Things), Noah B Taylor (Law & Order: Organised Crime), Frances O'Connor (The Twelve), Haley Joel Osment (Blink Twice), Heather Matarazzo (Paint) and Joonas Suotamo (The Acolyte) are also onboard — plus Christopher Lloyd (Hacks), following Christina Ricci (Yellowjackets) among the stars of the 90s Addams Family films popping up in Wednesday. Fred Armisen (Fallout) remains Wednesday's take on Uncle Fester, though — one that Netflix is so keen on that there's been talk of a spinoff about the character. Check out the full trailer for Wednesday season two below: Wednesday season two arrives in two parts, with part one dropping on Wednesday, August 6, 2025 and part two on Wednesday, September 3, 2025, both via Netflix. We'll update you with more details about season three when they're announced. Read our full review of Wednesday season one. Images: Helen Sloan and Jonathan Hession/Netflix © 2025.
Solar power helps save the world and is one of the easiest renewable energy sources to tap, and now you can source it from the comfort of your own home, office and even on a plane. Designers Kyuho Song and Bao Oh have created the Window Socket, a plug socket that harnesses solar energy to charge your appliances. Just attach it to any window that receives sunlight using the suction plate, and the solar panels on its rear will start collecting energy from the sun, which is then transformed into electrical energy via an in-built converter, which is then stored on an internal battery for immediate or later use. The socket takes 5-8 hours to charge completely and will last up to ten hours once fully charged. The greatest thing about the Window Socket is that it was designed for portability to allow electronic accessibility everywhere. So once charged you can carry it on the move and rejuvenate the iPod in your bag or take business outside and power your laptop in the park. This revolutionary technology is an evolution of pre-existing solar battery backup technology and will transform the accessibility of solar power for everyday users. However, the product is still in its concept phase, with the designers wanting to further improve its storage capacity and product efficiency before placing it on the market, so keep an eye out. [Via PSFK]
Back in 1988, a heap of Australian galleries banded together to get everyone looking at and supporting art in Melbourne. That event wasn't just a once-off. More than three decades later, Melbourne Art Fair is marking its 17th edition in 2024, this time with 60-plus galleries and Indigenous art centres taking part. At Melbourne Convention and Exhibition Centre from Thursday, February 22–Sunday, February 25, the numbers will paint their own picture. More than 100 artists are involved. Over 50 events are on the program. The lineup includes six performances, two major new commissions and four large-scale installations as well. And, it'll all fill 7500 square metres of space — which means art everywhere you look for four summer days. Focusing on the theme "ketherba/together", 2024's Melbourne Art Fair bill has been overseen by a group of female curators that includes Tamsin Hong, Exhibitions Curator at London's Serpentine Galleries; Shelley McSpedden from Melbourne's Australian Centre for Contemporary Art; and Performance Review director Anador Walsh — and will welcome its first commissioned contemporary dance work, with Lucy Guerin Inc's one-hour performance installation NEWRETRO among the event's must-sees. Also created specifically for the event is SOMOS (Standing On My Own Shoulders), a life-sized bronze sculpture by Julie Rrap, which features a cast of the artist's own body. After its debut, it'll make the Art Gallery of Western Australia its home. Expect to spend time exploring pieces by Melbourne-born artist Howard Arkley in another of Melbourne Art Fair's big 2024 highlights. The exhibition will hone in on rare works hailing from the 70s–90s, complete with Arkley's last painting — which the public hasn't ever seen before. Other talents featured include South-African multimedia artist Buhlebezwe Siwani, plus poet and artist Jazz Money — and galleries involved span not only a wealth of Melbourne sites such as Anna Schwartz Gallery, Void_Melbourne, Station, Sutton Gallery, Neon Parc and Gertrude, but also Sydney, Brisbane, Perth, Hobart, Adelaide, Lisbon, and Singapore institutions. And if you're looking for more reasons to head along, an array of video works, honeycomb-esque paper sculptures, Melbourne performance artists pushing boundaries and a series of talks should do the trick — plus a pop-up whisky bar. Melbourne Art Fair 2024 takes place from Thursday, February 22–Sunday, February 25 at the Melbourne Convention and Exhibition Centre — head to the event's website for more information. Melbourne Art Fair 2022 images: Marie-Luise Skibbe.
Keeping the romance alive can be difficult when your girlfriend is thousands of miles away and sometimes phonecalls, frequent visits and even video chat don't cut it. But Walter C. May has officially upped the ante on romantic gestures with this viral love letter. With his roommates, who just happen to be a band called the Daylights, May wrote a song called "I Hope This Gets To You", filmed silvery hands coming together to form faces that mouth the lyrics and unleashed it upon the Interwebs. It's already been tweeted by Katy Perry. May is hoping this video reaches his girlfriend, who's on the other side of the country at grad school, solely through the power of the viral internet, because he wants to show his lady that they "can feel close without having to be close every day." All together now: Awwwwwwwwwwwwwwww. https://youtube.com/watch?v=EjgtxVxE14A [via Gizmodo]
The return of Spilt Milk for 2025 was already massive news, after the Australian music festival sat out 2024. This year's events in Ballarat, Perth, Canberra and on the Gold Coast just got even bigger, thanks to a huge lineup headlined by Kendrick Lamar. DAMN. LOVE. Quoting those album and song titles fits right now, with the Pulitzer Music Prize-winning musician heading Down Under in this same year that he put on a helluva Super Bowl halftime show. Just as he did in 2022, Lamar has a December date with Australia, playing 2025's run of Spilt Milk fests across two weekends — hitting two locations on each. It all starts on Saturday, December 6 at Victoria Park in Ballarat, before venturing across the country to Claremont Showground in Perth on Sunday, December 7. Then, it's Canberra's turn at Exhibition Park on Saturday, December 13, followed by a trip to the Gold Coast Sports Precinct on Sunday, December 14. That's a headliner worth waiting a year for — and Lamar has company from Doechii, Sara Landry, Dominic Fike and ScHoolboy Q for starters. Also on the bill: d4vd, Nessa Barrett, Sofia Isella, Skin On Skin, sombr, Club Angel, The Dreggs and The Rions, plus more. The lineup comes just a day after Spilt Milk confirmed its 2025 comeback — after skipping 2024 because, as organisers said at the time, it "couldn't get you the Spilt Milk you deserve this year". Instead, it still popped up in a few cities to throw events it dubbed house parties, with Troye Sivan, Glass Animals and G Flip leading the lineup while the full Spilt Milk experience was on hold. In 2025, festivalgoers can also look forward to the return of sing-alongs at Guilty Pleasures, plus country bar Howdy Howdy and the Bus Da Move party bus. The art component will feature artists from Studio A. Originally only popping up in Canberra, then expanding to Ballarat, then the Gold Coast and finally also to Perth, multi-city one-dayer Spilt Milk had cemented its spot as a must-attend event on the annual Aussie calendar before it took a year off, including for its lineups — and for its food offering as well. Its 2025 return is immense, not just due to its now-dropped lineup, but because not every fest that sat 2024 out has made a comeback. Sadly, both Groovin the Moo and Splendour in the Grass have scrapped their events in both years. Spilt Milk 2025 Lineup Kendrick Lamar Doechii Sara Landry Dominic Fike ScHoolboy Q d4vd Nessa Barrett Skin on Skin sombr Baby J Chance Peña Club Angel Don West Ennaria Esha Tewari Lyric Mia Wray Ninajirachi Rebecca Black Rum Jungle Sofia Isella South Summit The Dreggs The Rions Spilt Milk 2025 Dates and Venues Saturday, December 6 — Victoria Park, Ballarat Sunday, December 7 — Claremont Showground, Perth Saturday, December 13 — Exhibition Park, Canberra Sunday, December 14 — Gold Coast Sports Precinct, Gold Coast Spilt Milk is returning in December 2025, heading to Ballarat, Perth, Canberra and the Gold Coast — with ticket requests open from Friday, May 2, the presales from Thursday, May 8 and general ticket sales from Friday, May 9 (at 8am AEST for Canberra, 9am AEST for Ballarat, 10am AEST for Perth and 11am AEST for the Gold Coast). Head to the festival website for more information Spilt Milk: Jordan K Munns, Mackenzie Sweetnam, Jess Gleeson and Billy Zammit.
Things are starting to get pretty frosty in Melbourne, so the team at Welcome To Thornbury are heating up a plan to help warm your weekend — a mini festival dedicated to mulled wine and hot cheese. The party's set to take over the High Street food truck park from noon, this Saturday, May 27, pulling together a selection of hot, gooey creations from some of the city's favourite cheese-slinging vendors. This is where all your cheesiest dreams come true, chowing down on lush cheese fondue from Frencheese, The Cheese Rebels' decadent haloumi sausages, a raclette burger from the folks at Mr Burger, and other treats from the likes of That Arancini Guy, Crepes for Change, and Sparrow's Philly Cheesesteaks. Of course, you won't find a better drink match to all that rich, melty dairy than some hot, spiced booze, so the bar will be rounding out its usual offerings with a special mulled wine, available all day long.
When Yours and Owls announced that it wasn't going ahead in 2024, joining the long list of music festivals scrapping plans for this year, it thankfully only put its fun on hold for a year. Returning in 2025 was always the intention, and now that big comeback has dates. Mark your calendars for Saturday, March 1–Sunday, March 2. Yours and Owls didn't completely sit 2024 out, however. Earlier in October, it held a pre-party, aka the event you put on when you can't put on the full festival experience at your usual time of the year because it doesn't work for your headliners' calendars. So, a tunes-filled shindig still took over the University of Wollongong campus — complete with Golden Features, Peking Duk, Alice Ivy, Anna Lunoe and more — to keep things warm for next year. [caption id="attachment_965220" align="alignnone" width="1917"] Ian Laidlaw[/caption] There's no word yet as to who'll be taking to the stage when Yours and Owls starts autumn 2025 in the best possible way, but organisers have advised to expect details soon. It's been a rollercoaster ride of a few years for the fest. It only turned into its new site in 2023 after it was forced to cancel in 2022 when La Niña flooded its Stuart Park venue. Affectionately labelled 'Gong Christmas', Yours and Owls moved to UOW as part of the fest and university's three-year partnership, with the all-weather solutions available at the campus cited as one of the driving factors behind the team-up — plus the uni's picturesque green spaces and a mutual commitment towards carbon-emission reduction. [caption id="attachment_906428" align="alignnone" width="1920"] Jess Gleeson[/caption] 2023's Yours and Owls featured Oliver Tree, Chet Faker and Descendents, and also Hilltop Hoods, Earl Sweatshirt, Golden Features, Ocean Alley, Flight Facilities and Pendulum — so expect 2025's fest to be worth waiting for. Confirmation that the event will be back next year follows locked in details for the end of 2024 and the beginning of 2025 for a heap of fellow festivals, such as Laneway, Golden Plains, Bluesfest (for the last time), Wildlands, Good Things, Lost Paradise, Beyond The Valley and Meredith. [caption id="attachment_906426" align="alignnone" width="1920"] Ruby Bowland[/caption] [caption id="attachment_906427" align="alignnone" width="1920"] Ian Laidlaw[/caption] Yours and Owls will return to Wollongong on Saturday, March 1–Sunday, March 2, 2025. Head to the festival website for more details.
A vibrant new cafe has opened in the heart of Fitzroy, and it's doing dairy differently. St David Dairy is Melbourne's only micro-dairy, which harvests its raw dairy in a more humane process than typical dairy farms and produces all St David Dairy products. At the cafe, you can take a look behind the scenes at the process, putting a whole new spin on the delicious ice creams and coffee you can enjoy onsite. While the dairy industry sometimes cops some backlash, St David turns this narrative on its head – striving to produce dairy products the way they should be, bringing small, local dairy back to the streets of inner Melbourne. "At St David Dairy, our primary goal is to create a community-focused space that celebrates local dairy production while fostering connections between our customers and the source of their food," says Kristian Thanas, General Manager at St David Dairy. "We aim to provide an experience that not only highlights the quality and sustainability of our products but also educates our visitors about the importance of traceability in food sourcing." And at the cafe, you can see it for yourself. Sit back and sip on coffee while you watch the team make the products from scratch. Handcrafted on sight, every product is hand poured and quality assured. Everything here is local, with dairy sourced from the green rolling hills of Gippsland straight to Fitzroy. Now you can have a little bit of the Victorian countryside during the middle of the day in the inner city – the best of both worlds. "We chose Fitzroy for its vibrant community and strong sense of local identity. This area is known for its appreciation of artisanal and sustainable food practices, making it the perfect fit for St David Dairy," says Thanas. Local and fresh milk is sourced daily, and each batch is tested every single morning by 'stretching' to ensure each next drop is fit for your coffee. It's ethical and sustainable, leveraging smaller supply chains, both in size and proximity. Can't make it to the farmers market this weekend? No worries, you can buy farm-to-table products straight from the cafe. Tick off shopping while you sip on your coffee, finishing two jobs in one. The cafe sells St David Dairy's milk, award-winning butter, cream, cheese and yoghurt. Plus, they now even have an ice creamery in the cafe. Going forward, the cafe will also host workshops, including a butter master class, coffee cupping, ice cream pairing, and events that educate people about sustainable practices, artisanal practices and the importance of sourcing locally. "What sets St David Dairy's cafe apart from other offerings in Fitzroy is our unique integration of the dairy experience within the cafe environment. Our cafe menu features innovative dairy-based dishes and beverages (including the customer refill station – glass bottling milk) that highlight our artisanal products, all crafted with an emphasis on freshness and quality," notes Thanas. Fitzroy's newest cafe offers a vibrant injection into the dynamic neighbourhood, playing a new role in education and community involvement. You'll simply have to go and check it out for yourself. Visit the website or the store at 16-18 St David St Fitzroy. Images: Supplied.
After a tumultuous year that has included breaking the news of closure, closing and then reopening temporarily in its original AC/DC Lane digs, and then closing for good back in July, Melbourne's legendary live music hot-spot Cherry Bar has found itself a new home. This afternoon, the Cherry crew announced on Facebook, that it's signed the papers and gotten the keys for a little spot on Little Collins Street. You probably know it — until recently, it was home to another big name in the Melbourne late-night scene Boney (formerly Pony). It sadly closed its doors on November 2. Back in January, when it was first announced that the bar would be leaving AC/DC Lane after 20 years, co-owner and booker James Young assured us all the Cherry legacy would live on. "It is my intention to take the name, the staff and the sticky carpet to a new Melbourne address with a long lease and a safe and secure future for live local music and late night rock n roll revelry," Young stated on Facebook. And it seems as though the rock revelry will certainly continue in this new home, less than 500 metres down the road, which has space for 230 punters and one of the few seven-day, 24-hour licences in Melbourne. The Cherry Bar story has been as colourful as it is long, the space playing host to everyone from the Arctic Monkeys to Lady Gaga, and amassing an army of die-hard fans over its lifetime. Back in 2014, the venue took just three days to crowdfund $90,000 for necessary soundproofing works, following the threat of mass noise complaints from a new residential building erected next door. The new Cherry Bar is expected to open sometime in December, after the old nightclub is given a makeover befitting a live music venue known for its dingy rock vibes. Cherry Bar will open at 68 Little Collins Street, Melbourne next month. We'll keep let you know when we have an opening date and more details. Images: Cherry Bar/Visit Victoria/Jake Roden.
Perched just above Thornbury's High Street, this stunning, light-filled yoga studio and wellness space offers an ideal escape from the chaos of the main street below. Upon entering, it's hard not to feel a sense of immediate calm thanks to the space's soothing colour palette and minimalist decor. The space offers different types of yoga for all ability and flexibility levels, including an approachable ten-week course for beginners to begin to understand and connect with their own practice. For more advanced students, teacher training courses are also run here. Aside from yoga, Prana House offers a diverse wellness program that includes counselling, naturopathy, reiki and more. The space also hosts regular events with external practitioners.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and start that no-guarantees creative career you've always had in the back of your mind? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. From a very young age, we're all asked the question "What do you want to be when you grow up?" We're told to pick one path, one profession, to neatly label the rest of your life. Our responses change as we grow up, from astronaut to engineer, princess to PR, and for Sydney-based Cole Bennetts, from Penguin Boy to renowned photographer taking the Prime Minister's portrait. You can read the interview over here. Want to experience a little bit of 'Sine Metu' yourself? Cole's being a total legend and helping us give away the chance to be a photographed like the biggest names in the music business. Cole will work with you and a lucky friend to create a unique shoot for your own use, be it the ultimate profile pic or your next step to stardom — so you can see for yourself what happens when bold humans take big creative chances with big payoffs. Enter here to win.
Just can't let this time of year pass without sinking a few pretzels and steins of bier? Well, neither can the folks at Melbourne's German laneway haunt Hofbrauhaus, so they've been busy plotting a special virtual edition of their annual Oktoberfest celebrations. The team is beaming all the 'Loktoberfest' fun directly to living rooms across the city, this Saturday, October 10. The Zoom festivities kick off at 5.30pm with a live-streamed keg tapping of Hofbrauhaus' own Oktoberfest bier, a first-time affair made in collaboration with the folks at Burnley Brewing. Then, it's on to a special edition of the venue's weekly live 'Bier Chat' tastings. Those keen to drink along can get a tasting pack delivered to their door, complete with a stein glass, some of the collaboration bier and a classic Bavarian Oktoberfest brew. You can further transport yourself to Munich with a feast of goodies from Hofbrauhaus' takeaway and delivery menus. Get stuck into some bretzels and tap bier, along with finish-at-home dishes like pork knuckle, schnitzel and apfelstrudel. The Loktoberfest celebrations are set to continue into the night, with games, activities and general German-inspired frivolity. You can even sign up for the Zoom stein-holding competition and show off your arm strength for the chance to win a feed for six at Hofbrauhaus post-lockdown.
If you are thinking about planning a really big trip in the next couple of years, the sky may no longer be your limit. Space tourism has long been touted as the new frontier for the seriously adventurous traveller, and it looks like it may become more commonplace in the not-so-distant future. Orbital Technologies, Sierra Nevada Corporation and NASA have collaborated to develop the Dreamchaser Vehicle, a multi-purpose commercial space craft which will primarily be dedicated to scientific research and tourism. The Dreamchaser, which will also act as an emergency station for passing space craft, will include a space hotel with four hotel cabins to accommodate seven guests. And while guests will not be able to expect all the conveniences of home (internet access may prove a bit tricky), they will have access to zippered sleeping bags, waterless flushing loos, shower facitlities and gourmet meals —a little more luxury than your average astronaut is afforded. And, no doubt, the views from the hotel portholes will be entirely out of this world. Five nights in the space hotel will set you back about $165,000, and the transfer to and from your hotel another $826,000 - a pretty penny for an experience that gives a whole new meaning to sleeping under the stars.
Church Street haunt, Harlow Bar, has something on every night of the week, making it perfect for knock-off drinks and various weekday shenanigans. So, next time you're looking for a lively Tuesday night, head to Harlow's pop culture-themed Bingo Night — and don't expect your run-of-the-mill old lady bingo, either. On top of one helluva games night, the bar also offers a parma meal deal, so you can stay fuelled throughout all the action. Bingo kicks off at 7.30pm every Tuesday and won't cost you a dime to join in. Plus, there's a bunch of prizes to be won every week, including jugs of beer, bottles of vino and up to $150 in bar credit. While you're trying your luck on the bingo cards, you can tuck into $16 chicken or eggplant parmigianas, which are available from 5pm onwards. Need another excuse to get in early? You can take advantage of Harlow's happy hour, where you can nab a selection of house spirits, wines and brews for $7, between 4–7pm. If you're keen to book a spot for your next catch up with the crew, head here.
They started as an opening act for the Beastie Boys. They've been fighting the power for almost four decades. They're no strangers to big hats and giant clocks, or for fighting for a worthy cause. They've been in the Rock and Roll Hall of Fame since 2013. They'll forever come to mind whenever Def Jam and Long Island come up. They're Public Enemy, of course, and they're about to get Australia believing the hype when they bring the noise — and their latest tour — Down Under in October 2024. Chuck D, Flavor Flav and company have announced six Aussie dates for their spring visit, starting in Perth at Red Hill Auditorium. From there, they'll head to Adelaide's AEC Theatre, John Cain Arena in Melbourne, Sydney's Hordern Pavilion and Newcastle Entertainment Centre in Newcastle, before ending the trip in Brisbane at Eatons Hill Outdoor. Audiences, you're gonna get yours when the icons take to the stage to play through 37 years of tunes that began with 1987 singles 'Public Enemy No 1' and, yes, 'You're Gonna Get Yours', all from their debut studio album Yo! Bum Rush the Show. Expect tracks from 1988's It Takes a Nation of Millions to Hold Us Back and 1990's Fear of a Black Planet — two of the most-influential records of the period, and home to 'Bring the Noise', 'Don't Believe the Hype', 'Rebel Without a Pause', '911 Is a Joke' and 'Fight the Power' — as well, through to songs from 2020's What You Gonna Do When the Grid Goes Down?, their most-recent album. For company, Public Enemy have AB Original in support, pairing one classic duo with another in Briggs and Trials — and matching the US group's commitment to social rights activism with an Australian act just as devoted to standing up against injustice. Public Enemy last played in Australia a decade ago, on a 2014 tour that included Golden Plains, plus gigs in Brisbane, Sydney, Melbourne, Perth and Launceston. Public Enemy On the Grid 35th Anniversary Tour Dates: Wednesday, October 2 — Red Hill Auditorium, Perth Friday, October 4 — AEC Theatre, Adelaide Saturday, October 5 — John Cain Arena, Melbourne Wednesday, October 9 — Hordern Pavilion, Sydney Friday, October 11 — Newcastle Entertainment Centre, Newcastle Saturday, October 12 — Eatons Hill Outdoor, Brisbane Public Enemy are touring Australia in October 2024, with Telstra presales from 10am local time on Friday, June 28, Ticketek presales from 10am local time on Monday, July 1 and general sales from 10am local time on Tuesday, July 2 — head to the tour website for further details.
From the ruthless world of magazine publishing to the blood and guts of an Aussie hens weekend gone supremely wrong: that's been Aisha Dee's journey of late. There's far more to the Gold Coast-born actor's career so far, of course, including coming to fame as a teenager back in 2008 courtesy of The Saddle Club, subsequent parts on Dead Gorgeous and Sweet/Vicious, and showing up in St Vincent-starring satire The Nowhere Inn. Still, on screens big and small alike, she's been garnering attention for navigating pressure-filled situations — and revelling in them. In Sissy, her latest role and her return to Australia after years working in the US, Dee is in positively savage territory. She plays the titular character, better known as @SincerelyCecilia on Instagram to the tune of 200,000-plus followers. Liking and subscribing is what her devotees do all day, responding to her calming and inspiring missives about being yourself and finding your bliss, and Cecilia's whole sense of self is built on that online adoration. Sissy is a comedy, too, with writer/director duo Hannah Barlow and Kane Senes having ample fun parodying the wellness and influencer industries. That said, when the movie's namesake attends a bachelorette shindig for her long-lost childhood BFF, old torments resurface and this proves firmly a horror flick as well. Dee wasn't initially approached to play Cecilia. When the script came her way, she was earmarked for Fran, fiancée to Emma, Cecilia's primary school bestie. But Dee felt an instant bond with Sissy's eponymous figure. She felt protective of her. "Honestly, I read the script and immediately I felt like I had to defend Cecilia," she tells Concrete Playground. "I cared so deeply for her. I really felt really connected to her and had a lot of empathy for what she was experiencing in the moment, and how easy it would be under those circumstances to kind of just slip and fall." Once you've seen Sissy, Dee's words obviously come with a caveat: clearly, she hasn't found herself in the exact same situation, behaving in the exact same way. But in a film that happily, smartly and entertainingly rips into a whole heap of targets — with humour and as a slasher flick alike — she makes Cecilia a compelling protagonist amid all the chaos. It's a bold performance, because The Bold Type isn't just an entry on Dee's resume. The international film festival circuit heartily agrees, with Sissy premiering at SXSW 2022, enjoying its Australian premiere in June at the Sydney Film Festival, and doing the rounds everywhere from Melbourne and Perth to South Korea and Scotland since. Dee hit the Harbour City midyear with the movie, which is now in cinemas across Australia — and chatted to us about social media, knowing that she had to play Cecilia, preparing for the part in hotel quarantine, making a different kind of Aussie movie and getting an opportunity she didn't think would happen. ON SOCIAL MEDIA'S PREVALENCE — AND SILLINESS "The film doesn't offer solutions, but I do think it poses questions and forces us, in a way that feels quite uncomfortable, to question our own relationship with social media and how we interact with it. I think it's hard to be a human in the world right now and not have some kind of relationship with social media, because it is such a prevalent part of our society now. Personally, I don't use social media in the same way [as Cecilia] — I wish I was better at it, it's not something that comes super naturally to me, to be posting on Instagram all the time. My relationship with social media has always been really about creating boundaries, because I find it a very triggering environment in terms of even just having the confidence to post something. I second-guess myself a lot, and I get very existential. Every time I post something, I'm like, 'well, what's the point? What is Instagram? What is a telephone?'. It's all pretty silly." ON NEEDING TO PLAY CECILIA "It was towards the end of 2020 — and, you know, we were all there for 2020. I had been in LA for most of that year, really only seeing a select few people and kind of feeling quite isolated socially, a bit awkward, and reexamining a lot of my relationships. And my manager sent me this script. Initially they wanted me for the role of Fran, and I could see that, because Fran felt really similar to a couple of characters I had played before. But literally, I couldn't shake the feeling that I felt like Cecilia was my little sister or my best friend, or just someone that I loved so deeply and cared so deeply for. It wasn't something that I planned or knew was going to happen when I read the script, but I felt like I had to honour it. I called my manager and I said 'please tell them that I really love the script, but I just don't feel connected to Fran as a character — but I feel really connected to Sissy, tell them that I love Sissy'. I said that knowing it was kind of presumptuous but not expecting them to ask to meet me at all, but they were really into the idea. I think they had had someone very different in mind — she was described as having blonde hair and being very petite and pale, and I am none of those things — but I just felt like something felt right. ON DRAWING ON 2020'S CHAOS FOR THE PART — HOTEL QUARANTINE AND ALL "There's the year of 2020 as a whole. But then, in order to get back home to Australia, I had to do two weeks of quarantine in hotel quarantine where you literally see no one. It is the most extreme version of isolation. I was on a really low floor in this big tall building, and every day at like 12pm, I would lose the sun. I would be out my window — like I needed the sun and I needed the fresh air, and I felt like I was going absolutely insane. So while I was in quarantine, I was actually sending Hannah and Kane, the writers and directors of the film, I was sending them videos as Cecilia. Just every morning I would wake up and do a different kind of like sermon or meditation or something, just because I did't really have anything to do. Getting out of quarantine, I definitely felt like Bambi on ice a little. I felt very awkward. I'm an awkward person to begin with, but having those two weeks alone in a room — it wasn't intentional but I do think it kind of leant itself to getting into some kind of headspace." ON RETURNING HOME TO MAKE A DIFFERENT KIND OF AUSSIE MOVIE "Something that jumped out to me when I was reading it was the way that there was this really heavy female gaze on the movie — which I think is rare for genre films to have such a strong female gaze. And beyond just Cecilia the character, you had a very small cast that consisted of an interracial lesbian couple, a gay man with disability and an Asian woman. And the only man that you really saw was a queer man." I loved this this. I just loved the world that I could see imagining it and reading it. It didn't feel like any other Aussie movie that I had seen. It really reflected the colourful, diverse, beautiful Australia that I know. I think unfortunately, up until kind of recently, Australian film and television really hasn't reflected that same colourful melting pot that like we all know actually exists here — so that was another big reason why I wanted to be a part of it." ON GETTING AN UNEXPECTED OPPORTUNITY "I definitely had hoped that I would be able to play a character like this. But, being realistic, opportunities like this don't come up every day for someone who looks like me, especially in the Australian film space. So I had always hoped that maybe I would be able to play a role like this, but the fact that the opportunity was actually presented to me is really, really, really cool. I guess it kind of was on my bucket list. But when I think about it, I don't know that I ever could've anticipated that this would be an opportunity that I would've had. And to me, it really meant nothing whether people were going to see it or they weren't, it didn't matter to me — because with independent film, you really are rolling the dice, chances are nobody's going to see it. The fact that like it's doing such big things is really cool. I think that honestly it's a testament to what can happen if the Australian film industry embraces diversity the way they should." Sissy released in Australian cinemas on November 3. Read our full review.
When something shows you its true colours, believe it. The Kingsman franchise certainly did when it debuted in 2014, as viewers have been witnessing ever since. That initial entry, Kingsman: The Secret Service, gave the espionage genre an irreverent and energetic spin, and landed partway between update and parody. But, while making Taron Egerton a star and proving engaging-enough, it didn't know when to call it quits, serving up one of the most ill-judged closing moments that spy flicks have ever seen. Since then, all things Kingsman haven't known when to end either, which is why subpar sequel Kingsman: The Golden Circle arrived in 2017, and now unnecessary prequel The King's Man. Another year, another dull origin story. Another year, another stretched Bond knockoff, too. Stepping from 007's latest instalments, including No Time to Die, to this pale imitation, Ralph Fiennes takes over leading man duties in this mostly World War I-centric affair. He looks as if he'd rather be bossing Bond around again, though, sporting the discomfort of someone who finds himself in a movie that doesn't shake out the way it was meant to, or should've, and mirroring the expression likely to sit on viewers' faces while watching. Simply by existing, The King's Man shows that this series just keeps pushing on when that's hardly the best option. It overextends its running time and narrative as well. But as it unfurls the beginnings of the intelligence agency hidden within a Saville Row tailor shop, it ditches everything else that made its predecessors work — when they did work, that is. Most fatally, it jettisons its class clashes and genre satire, and is instead content with being an outlandish period movie about the rich and powerful creating their own secret club. Adapted from Dave Gibbons and Mark Millar's 2012 comics, the Kingsman series hasn't cut too deeply in its past two movies, but it did make the most of its central fish-out-of-water idea. It asked: what if a kid from the supposed wrong side of the tracks entered the espionage realm that's so firmly been established as suave and well-heeled by 007? Finding out why there's even a covert spy organisation staffed by the wealthy and impeccably dressed for that young man to join is a far less intriguing idea, but returning filmmaker Matthew Vaughn — who has now helmed all three Kingsman films — and co-screenwriter Karl Gajdusek (The Last Days of American Crime) don't seem to care. Vaughn has mostly ditched the coarse sex gags this time, too, and for the better, but hasn't found much in the way of personality to replace them. It's in a prologue in 1902 that Fiennes makes his first appearance as Orlando Oxford, a duke travelling to South Africa during the Boer War — and soon made a widower, because The King's Man starts with the tiresome dead wife trope. Twelve years later, Oxford is staunchly a pacifist, so much so that he forbids his now-teenage son Conrad (Harris Dickinson, Maleficent: Mistress of Evil) from enlisting when WWI breaks out. But the duke hasn't completely given away serving his country himself, overseeing an off-the-books intelligence network with the help of his servants Shola (Djimon Hounsou, A Quiet Place Part II) and Polly (Gemma Arterton, Summerland). That comes in handy when a nefarious Scottish figure known only as The Shepherd interferes in world affairs, with King George V of England, Kaiser Wilhelm II of Germany and Tsar Nicholas II of Russia (all cousins, and all played by Bohemian Rhapsody's Tom Hollander) his targets. Using real-life history as a backdrop, The King's Man weaves in Rasputin (Rhys Ifans, Spider-Man: No Way Home), too. If only it possessed the sense of humour to include Boney M's 70s dance-floor filler of the same name, or even a vodka-filled shot glass of its vibe. Rasputin, the character, is actually the best thing about the film, and solely because he's the most entertaining. Ifans plays the part like he's in on a joke that no one else in the production has gotten, amping up a goth mystic, busting out dance-inspired fighting moves and proving the liveliest thing in a feature that's frequently ridiculous yet rarely fun. Making a screwy but banal First World War spy-fuelled action flick surely wasn't on the franchise's agenda, but The King's Man can barely be considered a comedy. Vaughn does stuff his overladen plot with lip-service sentiments fired in a few directions, however, tearing into war and colonialism — but that, like everything that The King's Man purports to do, comes across as half-hearted. In showing the horrors of combat, it doesn't help that 1917 is so fresh in cinematic memories (and it's definitely unfortunate that Dickinson could easily play the brother of 1917's star George MacKay). It's also hardly handy that Vaughn and Gajdusek's script manages to both rally against imperial rule and eagerly celebrate monarchies and the British Empire. That's the kind of thematic muddle the film wades through, making it clear that no one has thought too deeply about any of these concepts. The same applies to Oxford's pacifism, given that The King's Man heartily splashes around OTT violence. Here, an idea or position is only convenient when it's needed to further the story, and it's thoroughly disposable seconds later. Manners may maketh man, as the series' eponymous society has intoned in three pictures now, but throwing together whatever disparate parts happen to be at hand doesn't make a good movie. If the same approach was taken to tailoring, the resulting suits wouldn't pass the central secret service's sartorial standards. Poking fun at the past, name-dropping historical figures, giving Hounsou and Arterton so little to do: none of that turns out well, either. Plus, while zippily staged, all of the film's action scenes that don't involve Ifans get repetitive fast. But The King's Man still commits to its franchise duty, pointlessly setting up a sequel that no one wants in its dying moments. A follow-up to The Golden Circle, called Kingsman: The Blue Blood, is also in the works, as well as a TV show about its American Statesman offshoot. Keeping on needlessly keeping on: that's still this spy series' main trait, as it always has been.
It takes a brave filmmaker to see cancer and climate change, and think of art, evolution and eroticism in a possible future. It takes a bold director to have a character proclaim that "surgery is the new sex", too. David Cronenberg has always been that kind of visionary, even before doing all of the above in his sublime latest release — and having the Scanners, Videodrome and The Fly helmer back on his body-horror bent for the first time in more than two decades is exactly the wild and weird dream that cinephiles want it to be. The Canadian auteur makes his first movie at all since 2014's Maps to the Stars, in fact, and this tale of pleasure and pain is as Cronenbergian as anything can be. He borrows Crimes of the Future's title from his second-ever feature dating back 50-plus years, brings all of his corporeal fascinations to the fore, and moulds a viscerally and cerebrally mesmerising film that it feels like he's always been working towards. Long live the new flesh, again. Long live the old Cronenberg as well. In this portrait of a potential time to come, the human body has undergone two significant changes. Three, perhaps, as glimpsed in a disquieting opening where an eight-year-old called Brecken (debutant Sotiris Siozos) snacks on a plastic bin, and is then murdered by his mother Djuna (Lihi Kornowski, Ballistic). That incident isn't unimportant, but Crimes of the Future has other departures from today's status quo to carve into — and they're equally absorbing. Physical agony has disappeared, creating a trade in "desktop surgery" as performance art. Also, a condition dubbed Accelerated Evolution Syndrome causes some folks, such as artist Saul Tenser (Viggo Mortensen, Thirteen Lives), to grow abnormal organs. These tumours are removed and tattooed in avant-garde shows by his doctor/lover Caprice (Léa Seydoux, No Time to Die), then catalogued by the National Organ Register's Wippit (Don McKellar, reteaming with Cronenberg after eXistenZ) and Timlin (Kristen Stewart, Spencer). When Crimes of the Future stages one of Saul and Caprice's gigs, it drips not with blood but spectacle and seduction. Indeed, it's no wonder that a curious Timlin utters that catchy observation about medical slicing and intimate arousal shortly afterwards. Alluring, eerie, grotesque and enthralling — and the epitome of the feature's sparse yet entrancing look and mood in the process — it's a powerhouse of a scene, with a self-autopsy pod at its centre. Saul lies still, Caprice uses an eXistenZ-esque fleshy video-game controller to get the contraption cutting, and an enraptured audience hang on every incision. Saul and Caprice do, too, although their visibly aroused reactions have nothing on their time later in the suite alone. (Cronenberg does love eschewing traditional ideas about what titillates; see also: his 1996 film Crash, about characters excited by car crashes. It's a clear precursor to this, and the movie that purred so that 2021 Palme d'Or winner Titane, by filmmaker Julia Ducournau, could rev.) Crimes of the Future's scalpel-equipped coffin is just one of Saul and Caprice's Lifeform Ware gadgets; if eXistenZ, Naked Lunch and Dead Ringers procreated, these are the devices the three flicks would spawn. HR Giger could've conjured them up as well, and thinking of the biomechanical artist's contribution to Alien, which saw him share an Oscar for visual effects, is as natural as feeling spellbound and perturbed by Cronenberg's movie in unison. This is a grimy world where a bed covered with skin and tentacles floats in Saul's home, calibrated to cater to his "designer cancer"-riddled body's needs as it slumbers — and where a chair that looks like a skeleton reassembled as furniture contorts Saul as he's eating, something he is having increasing trouble with otherwise. In other words, it's a world where the old flesh isn't doing what it always has, new flesh is sprouting in a changing and devastated reality, and technology fills in the gaps as it is always designed to. Is Crimes of the Future a Cronenbergian nightmare painted using tools of horror as a brush, just as Caprice uses the autopsy bed as hers? Is it a probing and penetrating pondering of what lies in store on this planet of ours, where machinery keeps progressing, the environment continues to be pushed to its limits, and human bodies are in a state of metamorphosis? The answer: it's both, just as it's sensual and sinister — and, story-wise and thematically, there's still more to come. Writing as well as directing, Cronenberg works with his own original ideas for the first time since the constantly relevant eXistenZ, and doesn't stop questioning what physical, emotional, intellectual and psychological mutations may await humanity. Unsurprisingly, in a script he penned back in 1999, what he posits is bleak — his sci-fi body-horror visions always are — and thoroughly riveting. Connecting the dots, Cronenberg brings Brecken's plight into Saul and Caprice's life via a request by the shadowy Lang (Scott Speedman, Best Sellers), the boy's father, for a public autopsy. The feature has Saul carrying out missions for a detective (Welket Bengué, Berlin Alexanderplatz), and sees a pair of Lifeform Ware technicians (Yellowstone's Tanaya Beatty and Private Eyes' Nadia Litz) hovering around. Plus, Crimes of the Future spans an Inner Beauty Contest, with a zipper inserted in Saul's stomach for the occasion, which Caprice licks in the film's most carnally salacious moment. If Cronenberg's name hadn't already been adapted to describe his aesthetic, fascinations and narratives, it would be based on this movie. Actually, the filmmaker takes it back. He's shared the term with a raft of imitators, but no one holds a blade to Cronenberg at his best. Well, one fellow director comes close: his son Brandon, whose Antiviral and Possessor couldn't be more worthy of the family moniker. Crimes of the Future is an art-world and celebrity satire among everything else — when artists modifying bodies become stars, as happens here, how can it not be? And, joining the list, it's as strong an example there is of Cronenberg's masterful ability to use the instruments at his disposal to bring disturbing but enticing musings to a stunning fruition. There isn't a misstep among his cast, including his cloaked-up A History of Violence, Eastern Promises and A Dangerous Method star Mortensen oozing vulnerability and looking like death (a The Seventh Seal-style figure, to be exact); Seydoux serving up a picture of slinky passion; and Stewart delivering a delightfully nervy supporting turn. Every shot lensed by Douglas Koch (Funny Boy) exudes a ravaged air in multiple ways, and the score by Cronenberg's usual composer Howard Shore is devilishly menacing. Surrendering to their skills, and to Crimes of the Future's thrills, proves just like evolution: inescapable.
Anytime's a good time for oysters, but there's only one occasion where it's perfectly acceptable to gorge on them to the point of no return — and that is the Oyster Frenzy. You must have heard of the Oyster Frenzy by now: a night where abandon is left at the door, and Melbourne's biggest oyster lovers converge to eat as many of the molluscs as they can humanly handle. It's at the same time the fanciest and the messiest buffet we can imagine. Oyster Frenzy #11 will go down at The Deck at The Prince on Thursday 23 July. As well as all-you-can-eat freshly shucked oysters — yes, all-you-can-eat — there will also be other fancy seafood canapes such as hot oysters, clams, mussels, prawn rolls and barramundi hot dogs. Plus, all the required beer, wine and cider to wash it down. April's Frenzy saw 22,032 oysters shucked and swallowed, so do what you need to prepare. And maybe try and get Friday off work.
Physical navigation tools might've largely gone the way of landlines, cassette tapes and eating meals without taking a photo first, but one company has come up with a tasty alternative. You mightn't be able to navigate your way through London, New York or Tel Aviv with one of Tamtik's chocolate city maps, but you will have quite the eye-catching dessert, gift or both. A collaboration with online marketplace Nisnas Industries, the artisan creations combine three things everyone loves — aka travel, confectionery and art — into a melt-in-your-mouth package that proves the ultimate edible souvenir. Inspired by the geometric-shape heavy traditional Arabic patterns often seen in architecture, known as mashrabiya, the chocolates feature stylised designs depicting the streets of their chosen locations. And, lest you think they're too abstract, landmarks such as the Thames River and Central Park stand out among the curved lines of dark cacao. Indeed, to ensure that each map accurately reflects each city's landscape, they're made by local artisans. Tamtik are currently running a Kickstarter campaign to spread their wings to another city, with participants able to vote for their preferred destination. Rewards not only include chocolate, obviously, put copies of the moulds should you want to whip up your own at home. Alas, before you go dreaming about breaking a representation of an Australian or New Zealand city into chocolatey pieces, Tamtik only ship to the US, Canada, the UK and Israel at present. That said, just as they're planning to add more maps to their lineup, they're also planning to deliver to more areas in the future. Via My Modern Met. Images: Tamtik.
