Commencement speeches are admittedly a very American tradition. Sure, we have them in Australia, but they're usually given by some fusty old professor who you've never actually seen before. It takes a truly inspirational guy like Tim Minchin to break through the literal and figurative mould of the Australian graduation address, while Americans are spoiled for choice. Fittingly, NPR has recently compiled all the nation's best offerings into a commencement speech database — a sprawling intellectual oasis which is guaranteed to make your day. Describing the medium as "a hilarious, inspiring form of popular art", NPR has catalogued over 300 graduation speeches given by luminaries in the fields of science, politics, art and comedy. Speakers vary from Barack Obama at the University of Michigan, to Yoko Ono at Maine College of Art, to Andy Samberg at Harvard University (for some unknown and hilarious reason). Most speeches come in the form of transcripts, although many have accompanying Youtube clips. Jon Lovett's recent address to Pitzer College even comes with this adorable and uplifting animation. As outlined in the NPR blog, the main points of these speeches are usually a variation on a theme. Quite rightly, speakers often urge students to work hard, be kind, and embrace failure. The commencement speech is more than a guide to graduation after all; it's an uplifting look at adulthood. It examines the nature of success, but it also takes a larger look at humanity. You might have finished university, you might have a full-time job and a partner and a family, you might even have It All Figured Out. But from time to time, don't we all need a little inspiration? See the full database here.
Since 2011, DJ Tom Loud's travelling dance party Hot Dub Time Machine has ripped up stages the world over, offering a rolling crossfade of the last six decades of pop-music. And back in 2017, he launched Wine Machine, a series of al fresco get-togethers on some of the country's most-loved wine regions. The Wine Machine events have kept returning — when the pandemic hasn't been interrupting plans — and they're making a comeback in 2022 and 2023. This time around, these single-stage parties in the vines are split into two batches, hitting up Western Australia, South Australia and Tasmania from November 2022–January 2023 with one lineup, then heading to New South Wales, the Australian Capital Territory and Victoria from March–April 2023 with another. The western and southern leg of the fest is already on sale, with Flight Facilities, Lime Cordiale, Cut Copy, San Cisco, Client Liaison, Masked Wolf and Art vs Science on the bill — although some acts will only play some locations. Their destinations: Oakover Grounds in the Swan Valley, McLaren Vale's Serafino Wines and Home Hill Winery in Huon Valley. For east coasters, leading the music will be one of Hot Dub's Rave Machine sets. He'll be joined on stage by Lime Cordiale (except in Victoria), Bliss N Esso, Vera Blue (except in NSW), Northeast Party House, KLP and more — at Dalwood Estate in the Hunter Valley, Canberra's Commonwealth Park and Rochford Wines in Victoria. Backing up the tunes, there'll be a tasty lineup of eats, craft beer and, of course, some sensational vino from these Australian wine regions. Safe to say, it's probably the rowdiest event these wineries will host all year. WINE MACHINE 2023 DATES: Saturday, November 26, 2022 — Oakover Grounds, Swan Valley, Whadjuk Country, Western Australia Saturday, December 17, 2022 — Serafino Wines, McLaren Vale, Kaurna Country, South Australia Saturday, January 14, 2023 — Home Hill Winery, Huon Valley, Nuenonne Country, Tasmania Saturday, March 18, 2023 — Dalwood Estate, Hunter Valley, Wonnarua Country, New South Wales Saturday, March 25, 2023 — Commonwealth Park, Canberra, Ngunnawal Country, Australian Capital Territory Saturday, April 1, 2023 — Rochford Wines, Wurundjeri Country, Victoria WINE MACHINE 2022–23 LINEUP — WA, SA AND TASMANIA: Flight Facilities (DJ set only in Tasmania) Lime Cordiale Cut Copy San Cisco Client Liaison (excluding SA) Masked Wolf (SA only) Art vs Science (SA only) Stace Cadet (DJ set, Tasmania only) Sumner (SA only) Mell Hall Happiness Is Wealth Jimi the Kween The Poof Doof Jamboree WINE MACHINE 2023 LINEUP — NSW, ACT AND VICTORIA: Hot Dub Time Machine Lime Cordiale (excluding Victoria) Bliss N Esso Vera Blue (excluding NSW) Northeast Party House KLP Grantperez The Poof Doof Jamboree Wine Machine tours Australia from November 2022–April 2023. Tickets for Western Australia, South Australia and Tasmania are on sale now. Ticket pre-sales for NSW, ACT and Victoria start from 6pm AEDT on Wednesday, November 2, with general sales from 12pm AEDY on Thursday, November 3. Head to the festival website for further details.
Much like the great parma or parmi debate of the 21st century (it's parma, by the way), books can be a great divider. You've either not opened a novel since it's become a voluntary activity post-high school, or you have a delicately balanced pile of reading stacked on your bedside table at all times. If your reading has fallen to the wayside lately, this is the perfect time to treat yourself to some new literary feeds. Whether you're looking to top up your Jenga pile of books or looking for a treat to reignite your love of lit — here are some of the best books, novels and non-fiction to keep you company, according to our writers. MELANIE COLWELL: Branded Content Editor, published her first book in Year One which was available for loan from the school library Recommends: The End of Men by Christina Sweeney-Baird. You could call me crazy for recommending a book that follows a worldwide pandemic right now. Read the room, right? But in a sort of twisted way, it makes you realise that even though things have been pretty shit over the past 18 months, they could be a lot worse. Like, wiping out half of the world's population worse. In this tale, the fast-acting virus infects 90 percent of the male population — yes, even newborns and children — and it's 97-percent lethal. It's told through a series of all-female, first person narratives, from the doctor who first diagnosed the virus but was dismissed and labelled "hysterical" to the scientists desperately racing to develop a vaccine and the governments trying rebuild society when, thanks to the ol' patriarchy, the majority of the workforce is gone. This unsettling novel forces you to face a very loaded conundrum: what would life really be like without men? ELLEN SEAH: National News & Features Editor, hates pineapple on literally anything Recommends: The Lost Man by Jane Harper, All the Light We Cannot See by Anthony Doerr, A Little Life by Hanya Yanagihara. I'm the type of person that has anywhere between three to five books simultaneously on the go. My housemate thinks it's moderately unhinged, but each to their own, right? The Lost Man is written by the same author as The Dry, which was recently released in cinemas starring the gorgeous Eric Bana. Out of her written works, I find that The Lost Man has a much more enthralling setting and character nuance compared to The Dry. It's still set in outback Australia and revolves around brothers Nathan and Bub Bright who meet for the first time in months after their middle brother is found dead. Promise that's not a spoiler. I also always come back to All the Light We Cannot See by Anthony Doerr, which won the Pulitzer Prize for Fiction in 2015. It centres around a blind French girl in occupied France during World War II. Finally, A Little Life by Hanya Yanagihara is not a quick, or an easy read. But, it is one of the few novels I've inhaled — haggling away hours usually dedicated to sleep — in order to finish it. It's a 720-page commitment, based on a deceptively simple premise: it follows the lives of four friends and their relationships through and after college. SARAH WARD: Associate Editor, has been on both Japanese and German television Recommends: Once Upon a Time in Hollywood by Quentin Tarantino. Every time he adds a new project to his resume, Quentin Tarantino takes something he loves — usually a genre of film, or several — and serves up his own distinctive version. The inimitable filmmaker clearly adores novelisations, so that's where he's branched out next. He obviously has a heap of affection for Once Upon a Time in Hollywood, too, so he's turned his last movie into his first-ever book. On the page, the novel doesn't merely stick to the script, however. It changes details, takes detours and adds in plenty of film history. It shifts its focus and delivers commentary on the feature's storyline, too. In its style, it sounds and flows exactly as you'd expect of a QT book; his way with words, and with dialogue especially, easily translates to the page. Reading the novel feels a bit like spending time with the director, in fact, while also getting a big dose of nostalgia — as anyone who spent too long as a kid reading novelisations of their favourite movies will completely understand. CORDELIA WILLIAMSON: Branded Content Manager, has a killer collection of OTT sunglasses Recommends: Greenlights by Matthew McConaughey, Too Much Lip by Melissa Lucashenko. I'm not an audiobook fan. But, boy, when you're on a camping trip in woeful weather and your partner's taste in music doesn't cut the mustard — and Matthew McConaughey's reading to you — well, then, it's pretty damn good. The actor's debut book stunned me. More than just variations of his almighty catchcry 'Alright, alright, alright', Greenlights is a memoir, with a bit of self-help peppered throughout. Sure, it's navel-gazing, but it makes for one helluva read. From tales about his violence-fuelled (but loving) childhood and cutting his teeth in Hollywood to his time spent Down Under and wrestling matches in West African sandpits, raucous stories are what propel this book — so much so you question whether it is all real. Greenlights is, though, honest; offering pearls of unconventional wisdom alongside hilarious anecdotes. And, save your pennies and get the audiobook, rather than a hard copy. This man is worth his salt, and this book his voice. If you're the kind of person who has multiple reads on your nightstand at any one time, I cannot recommend Melissa Lucashenko's Too Much Lip enough. Gritty, hilarious and gut-wrenching, this 2019 Miles Franklin Award-winning novel is as much about familial bonds as it is a love letter to the Australian landscape. NIK ADDAMS: Branded Content Manager, dreams of one day becoming Poirot's sidekick Recommends: Magpie Murders by Anthony Horowitz. While I was swept up in the romance of Isabel Allende's historical epic A Long Petal of the Sea and rode every wave in Meg Mason's stunning Sorrow and Bliss, I have long been of the belief that a good mystery novel is hard to beat when it comes to pure enjoyment. British writer Anthony Horowitz's Magpie Murders was one of the more impressive whodunnits I've read in a long time. It's as meta as it gets — it's told from the perspective of a book editor — and its primary plot device of a book within a book is one of the more ingenious approaches to the tried-and-true formula I've encountered in quite some time. Horowitz is a master of the genre, and Magpie Murders sees him at the top of his game. If you're looking for pure escapism, do yourself a favor and pick up this book. [caption id="attachment_730412" align="alignnone" width="1920"] Sun Bookshop[/caption] COURTNEY AMMENHAUSER: Branded Content Producer, has successfully survived a cassowary chase Recommends: Glimpses of Utopia by Jess Scully. Last year the City of Sydney's Deputy Lord Mayor, Jess Scully, released a book that gave me hope in a pretty dark time. Glimpses of Utopia will take you around the world to look at how other countries have implemented future-thinking systems to help create fairer and more sustainable standards of living for its citizens. Ever heard of The Care Economy? Want to know more about a people-powered digital democracy? Been thinking about how your banking habits are contributing to climate change? If so, read this book, reflect on your choices and reimagine what the future can look like. Top image: Readings Carlton, Victoria.
There is no "just Ken" in the Barbie realm. IRL, there wouldn't be a Ken at all if Barbie hadn't become a hit toy first. And in the live-action movie that's about to see both dolls hit the silver screen, Ken is very much — and very comically — an offsider. Wondering how the plaything that Ryan Gosling (The Gray Man) is bringing to life feels about that? In the latest trailer for Greta Gerwig's Margot Robbie-starring Barbie, the beach-loving figure belts out a song to explain what it's like to be the man behind the tan. Barbie is now just over a week from hitting cinemas — as one part of the unofficial Barbenheimer double, given that Christopher Nolan's Oppenheimer also releases on the same day — and it's still dropping sneak peeks. The latest is all about La La Land's Gosling crooning in a series out eye-catching outfits, and across a range of playful backdrops. So, yes, just with singing, it's firmly a trailer for a film that is having a whole lot of fun with its toybox-to-screen setup. The new clip follows not one, not two, but three other glimpses so far, all with ample lashings of pink, and showing that life in plastic mightn't be as fantastic as it seems. Also featured across the promotional campaign to-date: giant blowout parties with planned choreography, Ken's constant devotion, existential musings, and a trip to the real world for answers when the Barbie movie's main namesake realises that she no longer float off of her rooftop — and also that her usually arched feet have become flat. Marking actor-turned-director Gerwig's third solo stint behind the camera after Lady Bird and Little Women, and not only starring but produced by Babylon's Robbie, Barbie looks set to show that even dolls living in a dreamland struggle with life's big questions — and, yes, even Ken. Splashing as much humour as pastel hues throughout its frames, Barbie is scripted by Gerwig and fellow filmmaker Noah Baumbach — her helmer on Greenberg, Frances Ha, Mistress America and White Noise, and real-life partner — and boasts a cast that's a gleaming toy chest of talent. Plenty of those on-screen stars help fill the feature with Barbies, including Issa Rae (Insecure) as president Barbie, Dua Lipa (making her movie debut) as a mermaid Barbie, Emma Mackey (Emily) as a Nobel Prize-winning physicist Barbie, Alexandra Schipp (tick, tick... BOOM!) as an author Barbie and Ana Cruz Kayne (Jerry and Marge Go Large) as a supreme court justice Barbie — plus Nicola Coughlan (Bridgerton) as diplomat Barbie, Kate McKinnon (Saturday Night Live) as a Barbie who is always doing the splits, Hari Nef (Meet Cute) as doctor Barbie, Ritu Arya (The Umbrella Academy) as a Pulitzer-winning Barbie and Sharon Rooney (Jerk) as lawyer Barbie. There's also a whole heap of Kens beyond Gosling's singing, yearning version, including Simu Liu (Shang-Chi and the Legend of the Ten Rings), Kingsley Ben-Adir (One Night in Miami), Ncuti Gatwa (the incoming Doctor Who) and Scott Evans (Grace and Frankie). And, Michael Cera (Arrested Development) plays Alan, Emerald Fennell (The Crown) plays Midge, Helen Mirren (Shazam! Fury of the Gods) is the narrator, America Ferrera (Superstore) and Ariana Greenblatt (65) are humans, Jamie Demetriou (Catherine Called Birdy) is a suit, Will Ferrell (Spirited) wears a suit as Mattel's CEO and Connor Swindells (Sex Education) is an intern. Check out the latest trailer for Barbie below: Barbie releases in cinemas Down Under on July 20, 2023.
For 45 years, Houston's beer can house has been causing near traffic accidents. "It tickles me to watch people screech to a halt," the building's creator, John Milkovisch, once explained. "They get embarrassed. Sometimes they drive around the block a couple of times. Later they come back with a car-load of friends." A child of the Great Depression, Milkovisch was raised when 'Waste not, want not' was a religion, rather than an option for the environmentally conscious. Employed as an upholsterer for the Southern Pacific Railroad, he spent much of his spare time transforming fragments of marble, metal and rock into one-of-a-kind landscaping features. It was in 1968 that his thoughts turned to the architectural potential of beer cans. At the time, aluminium siding was a must-have, so Milkovisch started opening out and flattening each of the cans he had stored in his attic. 50,000 units and 17 months later, his home had become one of the recycled wonders of the world. However, Milkovisch didn't see his idea — or himself — as particularly out-of-the-ordinary at the time. "Some people say this is sculpture but I didn't go to no expensive school to get these crazy notions," he said. "I guess I just thought it was a good idea, and it's easier than painting." Milkovisch passed away in the 1980s, and his wife continued to live in her husband's masterpiece for another ten or so years. In 2003, the property was taken over by the Orange Show Centre for Visionary Art. Through sensitive restoration and re-creation projects, they have made every effort to maintain the beer can house's artistic and historical integrity. It's now open to visitors on Saturdays and Sundays between midday and 5pm and has at last been recognised as one of Houston's official landmarks. [via Inhabitat]
The minds behind three much-loved inner-north hospitality haunts are at it again, only this time, they're headed west. Kieren Spiteri, Ben Argentino and Bec Moore — who you'll know from Northcote's Tinker, Collingwood's Terror Twilight and nearby sandwich spot Hi Fi — are gearing up to launch their latest venture, Moonee Ponds cafe Convoy. Set to open on Thursday, July 14, the new project sees the trio going back to their roots in a big way, with the Moonee Ponds area holding special memories for each of the three owners. "Moonee Ponds is a nostalgic suburb for all of us. Kieren's first job over 20 years ago was in Queens Park across the road. Bec moved to the suburb when she relocated to Melbourne, and I grew up here, went to primary school around the corner and continue to live here to this day," Argentino says of the area. Here on Pascoe Vale Road, they've enlisted the help of architecture and interior design practice Studio Esteta and multidisciplinary studio My Friend Tom to bring their latest vision to life — a warm, light-filled space sporting plenty of natural materials and with a big, sunny, streetside deck overlooking Queens Park opposite. The hospitality group's Executive Chef Dale Kemp will lead Convoy's food offering, the daytime menu featuring brand-new creations alongside cleverly tweaked favourites from all three sibling venues. [caption id="attachment_841668" align="alignnone" width="1920"] Image: Hi-Fi, Collingwood.[/caption] The full food lineup is still under wraps, though we're told you can expect seasonal fare with a creative edge that nods to the owners' previous work, while embracing the energy of a whole new inner-northwest locale. Tinker has been impressing northside brunchers since early 2017, with Terror Twilight opening its doors later that same year. Hi Fi launched in January 2022. Find Convoy at 109 Pascoe Vale Road, Moonee Ponds, from July 14. It'll open daily from 7am–4pm.
If Bluesfest is a regular part of your Easter plans, then the Byron Bay event's team has wrapped up 2025's festivities with some excellent news for you in 2026: the long-weekend fest will still be on the calendar next year. In fact, dates are locked in and early-bird tickets are on sale. If you haven't already, put Thursday, April 2–Sunday, April 5, 2026 in your calendar. The announcement comes after a massive year for the long-running fest, which notched up its 36th in 2025. Organisers have advised that this year's festival saw more than 109,000 attendees, "making Bluesfest 2025 the biggest we've seen in years, and the third-largest event in our history". [caption id="attachment_867505" align="alignnone" width="1920"] Lachlan Douglas[/caption] This year's lineup drawcards included ten-time Grammy-winner Chaka Khan, rains-blessing rock group Toto, 'Sailing' and 'Ride Like the Wind' singer Christopher Cross, plus Crowded House, Ocean Alley and Vance Joy — and also Hilltop Hoods, Budjerah, Kasey Chambers and The Cat Empire, as well as Xavier Rudd, John Butler, Tones and I, Missy Higgins, George Thorogood & The Destroyers and many more. It wasn't just the roster of acts that saw Bluefest earn such a strong showing, however. Back in 2024, before the festival began revealing who was on its next bill, it advised that it would bid farewell with its 2025 event — marking the end of an era. That news came after Groovin the Moo and Splendour in the Grass had cancelled for 2024, neither of which returned this year. Within months of Bluefest saying that it was calling time, however, reports that discussions were underway about the festival's future — and also that artists are already being booked for 2026 — started circulating following widespread community support. Accordingly, Bluesfest making a 2026 comeback shouldn't come as a huge surprise. The festival is one of five New South Wales events newly named as recipients of backing from the first round of the state's Contemporary Music Festival Viability Fund, alongside Lost Paradise, Your and Owls, Listen Out and Field Day. [caption id="attachment_969990" align="alignnone" width="1920"] Joseph Mayers[/caption] [caption id="attachment_969989" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_969987" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_867504" align="alignnone" width="1920"] Kurt Petersen[/caption] Bluesfest 2026 will run from Thursday, April 2–Sunday, April 5 at Byron Events Farm, Tyagarah. Early-bird tickets are on sale now — for further information, head to the Bluesfest website. Top image: Roger Cotgreave.
Whether you're somewhere near or somewhere far, there are scores of ways to acknowledge just how incredible your mother (or grandmother or aunt) is with some good old-fashioned spoiling. But, fellow mama-lovers, if you've let the annual celebration of maternity known as Mother's Day (Sunday, May 9 btw) slip your mind this year, we're here to help out. We've picked out our favourite mum-worthy gift ideas—from the reliable candles and cocktails, to personalised luggage and DIY pottery classes—so you can just stick to worrying about what you're going to write in the card. After all, this is your once-a-year opportunity to show your ma how much she means to you, so the pressure is absolutely on. [caption id="attachment_785836" align="alignnone" width="1920"] NRMA Glamtainer by Shan Rose Photography.[/caption] FOR THE TRAVELLING MUM After last year's lockdowns, we've all got some missed travel opportunities to make up for, mum included. So what better time to treat her to a little getaway? If she's a snow bunny or beach-lover, NRMA's new luxury 'glamtainers' should do the trick — there are now four of the beautifully repurposed shipping container stays operating, with the original two located at Ocean Beach Holiday Resort and the other pair landing at Jindabyne in time for the winter season. Or perhaps she'd fancy a trip to the Gold Coast for a couple of nights in this gin-themed caravan, from Camplify and The Botanist Gin. Weekend stays include a bottle of gin and all the trimmings for whipping up some dreamy cocktails. If wine's more her thing and a jaunt to the Mornington Peninsula is on the cards, you could treat her to this memorable Red Balloon experience, involving a vineyard tour, wine tasting and five-course lunch at the renowned Montalto Estate. And no matter where she's headed, you can ensure your mum's holiday-ready with a piece of personalised luggage from July. Right now, the brand's including a complimentary Mother's Day card with each order and offering free personalisation, too, so you can get mum gifted all at once. FOR THE FOOD (AND BOOZE) LOVING MUM She's cooked countless dinners and birthday cakes for you and the rest of the fam—now, it's mum's turn to be treated to a little culinary indulgence. The minds behind the annual Mould Cheese Festival are slinging a range of home-delivered offerings that'd have any dairy fiend salivating—from curated cheese boxes filled with top Aussie picks, to a DIY cheesemaking kit. If mum's a fan of variety, swing past Good Day People's online store and order one of their non-boring hampers to be dropped to her door. There are lots of fun curations for food-loving folks here, catering to palates both sweet and savoury with treats from the likes of chocolate brand Hey Tiger, Wondaree nuts and Drunken Sailor condiments. Meanwhile, for those who can't take mum out for a drink IRL, the cocktail experts at the Everleigh Bottling Co have a range of classy pre-batched libations available for delivery. Choose from sips like the classic martini, a chic Manhattan, or maybe one of the new spritzed French 75 cocktails. [caption id="attachment_810524" align="alignnone" width="1920"] Active Truth's new Brolga range.[/caption] FOR THE OUTDOORSY MUM If some great outdoors action is on the cards, have mum looking her best, with one of the new activewear pieces from Active Truth. The Aussie label has teamed up with Indigenous artist Bobbi Lockyer for this limited-edition Brolga collection, featuring high-waisted leggings and crop tops in a gorgeous hand-painted print. For more rugged outdoors adventures, take a peek at these latest offerings from Kathmandu—the nature-loving mum always has room in their collection for a new rain jacket, cosy down vest or pair of hiking boots. Once you've sorted her wardrobe, she can check out our pick of must-try Aussie mountain hikes—perhaps with her favourite child (aka you) along for company. And for the adrenaline junkie, there's plenty of high-flying fun to be had on a skydiving adventure; like this heart-pumping Red Balloon experience that'll have mum enjoying a tandem freefall over stunning coastline off Wollongong, 90 minutes south of Sydney. [caption id="attachment_810528" align="alignnone" width="1920"] tbh. skincare products.[/caption] FOR THE SELF-CARE MUM A spot of self-care and mindful pampering never goes astray, and we're sure mum would agree. You can help brighten up her skin and her bathroom cabinet with a few of the latest colourful goodies from cult skincare brand tbh. The sustainability-focused company is only young, but it's already causing a big splash with its innovative, science-driven products. If you want her to think of you when she's curled up with a good book and a cuppa, try one of these very cuddly customisable cushions from Hommey. There are over 160 colours, fabrics and shapes to choose from, plus you can score an extra 20 percent off for Mother's Day (use MOTHERSDAY20). And that relaxing bath is sorted thanks to a new limited-edition collaboration from booze-free winemaker Non and luxe candle label Maison Balzac. The gift pack features a bottle of exclusive Non wine, a specially matched scented candle and a QR code linking to a curated playlist—all designed to be enjoyed simultaneously for an immersive sensory experience. Find it at Blackhearts & Sparrows stores nationwide, as well as Winona Wine in NSW and Wine Republic in Melbourne. Or for a twist on the classic Mother's Day bouquet, check out this clever match from LVLY—a locally-grown flower arrangement paired with a pack of Rise and Shine yoga cards illustrated by Georgia Perry. FOR THE CREATIVE MUM Say thanks for all the decades of motherly support by helping her indulge her own creative side. For a bit of at-home fun, you can treat her to one of Crockd's DIY pottery kits, available for delivery Australia-wide. The classic box comes with enough clay and equipment for two (so you can join her), and whatever pieces you make can be air-dried at home, without the need for any fancy kiln. Otherwise, sign her up for one of Class Bento's sprawling list of creative workshops and classes, running both online and at various locations across Australia. You'll find everything from perfume-making and mosaic workshops, to a class that teaches you how to create your own botanical-infused phone case. And if mum's got a creative eye, we're betting she'll also appreciate these sweet new designs from Aussie jewellery label Elle Haitch. Expect hoops, necklaces and chic rings for all tastes. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Top image: The Everleigh Bottling Co by Gareth Sobey.
"I love it here. I fucking love it!" Same, Logan Roy, same. Those words are yelled with fiery passion by Brian Cox as Succession's patriarch, and they're part the first sneak peek that HBO has just dropped at the award-winning series' upcoming fourth season. "This is not the end. We're tearing the opposition. I'm going to build something better, faster, leaner, wilder," Cox also shouts. So, season four will clearly see Logan Roy doing what Logan Roy does, all while navigating the sale of his media conglomerate Waystar Royco to a tech visionary played by Alexander Skarsgård (The Northman). Unsurprisingly, that business move is going to cause some Roy family angst. It was back in 2021 when HBO announced that Succession would return for a fourth run, after its third season proved that exceptional — and popular. Set to arrive sometime in 2023, with an exact date yet to be announced, season four will also see the Roys working out how their lives will look after the Waystar Royco deal goes through. Given that the whole show has always been about Logan's children Kendall (Jeremy Strong, The Trial of the Chicago 7), Connor (Alan Ruck, Gringo), Shiv (Sarah Snook, Pieces of a Woman) and Roman (Kieran Culkin, Infinity Baby) trying to be named his successor, no one is going to adjust to the new status quo easily. For viewers, it'll mean more power struggles — aka more of what Succession has always done best. If you're a fan of twisty TV shows about wealth, privilege, influence, the vast chasm between the rich and everyday folks, and the societal problems that fester due to such rampant inequality, there's been plenty of ace examples of late, including The White Lotus and Squid Game. No series slings insults as savagely as this Emmy, Golden Globe, BAFTA, Critics' Choice, Writers Guild and Directors Guild Award-winner, however. No show channels feuding and backstabbing into such an insightful and gripping satire of the one percent, either. HBO's brief sneak peek at Succession season four, running for just ten seconds, can be found in the US network's latest promotional video to showcase its upcoming slate — and there's plenty more to get excited about. That includes The White Lotus' soon-to-release second season, which starts airing on Monday, October 31; game-to-TV adaptation The Last of Us; a four-part documentary about Shaquille O'Neal; and season four of Barry. And, there's The Idol, from The Weeknd and Euphoria creator Sam Levinson; more Perry Mason, Gossip Girl and The Sex Lives of College Girls; another season of Winning Time — The Rise of the Lakers Dynasty; Larry David's latest antics in the long-running Curb Your Enthusiasm; and the Elizabeth Olsen (Doctor Strange in the Multiverse of Madness)-starring Love & Death. Also on the list: the return of Our Flag Means Death, Starstruck and Hacks, as well as Tokyo Vice and Minx — and newcomer Full Circle, which is directed by Kimi and Magic Mike's Steven Soderbergh. Check out the HBO clip below: I fucking love it here. New originals, returning series, and more are coming soon to HBO Max. pic.twitter.com/7P2oOSu7CD — HBO Max (@hbomax) October 17, 2022 Succession season four will arrive sometime in 2023, including via Foxtel, Binge and Foxtel On Demand in Australia and Neon in New Zealand — we'll update you with exact details when they're announced. Check out our review of season three.
Looks like Australians aren't the aggressive booze-hounds we've all been told we are. New research from government report Australia’s Changing Drinking Habits, shows we're actually drinking less alcohol than we did 40 years ago — a whopping 25 percent less. Plus, alcohol related violence has decreased by 30 percent in New South Wales over the last six years. Thirty percent. Hmmm, so we're apparently drinking less, and drunkenly hitting people less. #lockouts If you're rolling your eyes and searching for our credible sources right now, take a little gander at the ACDH report, generated by the Australian Liquor Stores Association (ALSA) —an advocacy organisation affiliated with Drinkwise, representing all off-licence retail liquor stores across Australia (so yes, they've got a pretty vested interest in changing certain legislation). In results published by FoodProcessing.com.au this week, the report uses existing Australian Government data to disprove leg-to-stand-on beliefs that alcohol consumption and alcohol-related violence are on the rise. Between 1974-75, Australians consumed an average of 13.1 litres of alcohol per person. This has severely declined since the early '80s, to 9.9 litres in 2012-13. If you think this is just down to adults drinking less and those pesky good-for-nothing teenagers drinking more, you're way off. According to the report, almost three-quarters of all Australian minors drink no alcohol at all. The amount of young people abstaining from drinking has increased from 56 percent in 2007 to a huge 72 percent in 2013. Smirnoff Blacks and UDLs, you're almost out of a job. So we're all apparently drinking less in Australia, young and older. But now to the biggie: alcohol-related violence. The ACDH report shows that alcohol-related violence has decreased 30 percent in NSW over the last six years. Decreased. The report also shows that "consumption is falling at a time of significantly greater footprint of liquor store outlets in Australia," — the number of liquor licences has gone up by 16 percent, even though Australians are apparently drinking less. Looks like we're going to have to look elsewhere to entirely blame alcohol for violence — more licences and less assaults means there is a lack of evidence to connect violence to alcohol availability, according to Terry Mott, CEO of ALSA (the representative body who generated the report). Mott's positive about Australians and their drinking behaviour, telling FP he thinks we're making better choices than ever when it comes to the drink. "Australia's drinking habits have changed significantly over the course of the four decades; we are more educated about alcohol and we are making much better choices than we ever have before," he said. "The majority of Australians consume alcohol responsibly and enjoy the social benefits it brings. It is important to distinguish between the moderate consumption of alcohol by the overwhelming majority of Australians and the misuse of it by a small minority." With this in mind, most Australians are all for cleaning up the mess that comes with alcohol-related problems. While the report shows 85 percent of people polled could get behind greater enforcement of penalties for drunk drivers and 82 percent support enforcement for violation of the ol' RSA (bartenders serving intoxicated customers), only 28 percent support raising the price of alcohol. Big things to think about, for you and the government alike. Check out the report Australia’s Changing Drinking Habits, available from the Australian Liquor Stores Association's website. Via FoodProcessing.com.au.
Maybe you've got a thing for boldly coloured blooms. Or perhaps your indoor plant addiction has inspired a green thumb that just won't quit. Either way, your horticultural side is about to get a big ol' dopamine boost, when the Melbourne International Flower & Garden Show returns this spring. Taking over Carlton Gardens and the Royal Exhibition Building from Wednesday, March 30–Sunday, April 3, the long-running festival is set to serve up a hefty program of workshops, talks, product showcases, landscape installations and of course, gardens galore. Browse the stunning Show Gardens to see a plant-filled oasis from leading international landscape designers, and hit the Boutique Gardens to admire horticultural wonderlands created in the tiniest of spaces. There's even a dedicated indoor plant zone where you can pick up plant care products, expert advice and a stack of inspiration. And on March 27, swap your usual knock-offs for a visit to Gardens by Twilight, where you can wander through the garden installations while sipping Mountain Distilling gin, devouring gourmet snacks and enjoying live tunes from Harrison Storm. The after-hours pop-up also features roving entertainment, a floral design workshop, market stalls, sculpture shows and exhibitions, to enjoy alongside Holgate brews, prosecco flutes and an exclusive espresso martini concoction. [caption id="attachment_840201" align="alignnone" width="1920"] Gardens by Twilight[/caption]
Knowing what gifts to get everyone for Christmas is always a challenge — especially with every family member and friend having different tastes. For the creative king or queen on your list, we've curated a bunch of stellar gifts that'll make for excellent unwrapping on Christmas morning. To celebrate the impending launch of Hamilton at the Sydney Lyric Theatre in 2021, we've put together this list of six gifts suited to the culture vulture in your life, which are sure to satisfy them and make you less helpless (Hamilton references intended). [caption id="attachment_789707" align="alignnone" width="1920"] Hamilton Broadway Cast[/caption] 'HAMILTON' GIFT VOUCHER, TICKETMASTER (FROM $10) Don't throw away your shot to get the perfect gift for the culture-loving one in your life with a gift voucher to see Hamilton at the Sydney Lyric Theatre. It's an original gift that caters to all age groups and history, theatre, music and culture buffs alike. The vouchers are super flexible, as they allow you to choose an amount to be redeemed against tickets rather than having to purchase tickets for a certain day. Plus, they're valid through till September 2021, so it's good for interstate friends who don't have their travel plans yet sorted. Vouchers start at just $10 and can be bought in multiples of $10 up to $450. And they can be bought right up until Christmas morning. HEY LADY PUZZLE, JOURNEY OF SOMETHING ($59) Give the gift of craft with the 1000-piece Hey Lady jigsaw puzzle by Aussie brand Journey of Something. The design is by artist Monique Aimee, who features themes of women and travel in her work. This particular piece stars the wonderful, history-making women that are Malala Yousafzai, Billie Eilish, Princess Diana, Dolly Parton, Ruth Bader Ginsburg, Frida Kahlo, Madonna and Michelle Obama. So, it'll also be a gift of inspiration and admiration. Plus, as a bonus, it's made from recycled paper. TOTE BAG, GOLDEN AGE CINEMA ($40) There's no better tote bag for the culture junkie in your group than this limited-edition version from Sydney's Golden Age Cinema. It's made with linen cotton fabric, which is extremely durable so it can be used on the reg without showing signs of wear. There's a front pocket for keys, comfortable handles for their shoulder and it has detailing on the front reading 'The Good Old Days Are Now' in bold lettering. Get this trendy and useful pressie in olive green or natural for a nifty $40 (plus postage and handling). ART GALLERY OF NEW SOUTH WALES MEMBERSHIP (FROM $95) Get a gift that keeps on giving with a membership to the Art Gallery of NSW. For an individual membership of $95 for one year or $270 for three, your mate will receive a free ticket to the exhibition of their choice — right now, that could be Streeton or the Archibald, Wynne and Sulman Prizes 2020 — plus, a subscription to Look magazine and discounts on over 400 events over a year. They'll also reap discounts at the gallery shop, cafe and restaurant and enjoy some reciprocal benefits from other national and state galleries that have connections with the AGNSW. Not too shabby at all. [caption id="attachment_793357" align="alignnone" width="1920"] Anna Kucera[/caption] TITJIKALA BY DORIS THOMAS SILK SCARF, MCA STORE ($250) The silk scarf, Titjikala by Doris Thomas, at the MCA Store is perfect for a loved one that's into high art or appreciates a good piece of fashion. This piece depicts Thomas' memories of Country, having been born near Alice Springs and raised in the community of Titjikala. It's part of the Town Camp Designs collection by Ewyenper Atwatye Artists, Tangentyere Artists and Yarrenyty Arltere Artists. Town Camp Designs is 100 percent Aboriginal owned and run with all profits going straight back to the artists. The scarf itself is $250 and 100 percent silk, and it comes in a gift box, so you don't need to worry about the wrapping. [caption id="attachment_793358" align="alignnone" width="1920"] Daniel Boud[/caption] HIP HOP CLASSES, SYDNEY DANCE CO (FROM $24) Know someone who likes to get their groove on? Why not book them into a hip hop class at Sydney Dance Company? The beginner classes feature a street style originating from the Bronx in New York City in the 70s — think soulful and free-flowing movements similar to what Beyoncé, Justin Timberlake and Rihanna sport. Alternatively, step your friend up with an intermediate class featuring more complex choreography for them to master. Single classes are just $24 or you can grab a FlexiPack of five for $100. Alternatively, you could buy tickets to one of the company's shows if that's more their style. Hamilton is opening at the Sydney Lyric Theatre on Wednesday, March 17, booking through to September. Gift vouchers, valued between $10–450, are valid for redemption on performances for Hamilton and can be purchased from Ticketmaster here. Top image: Hamilton US National Tour, Joan Marcus
Melbourne's famed collection of laneways and rooftop spaces could soon welcome a few new additions, under a proposal by City of Melbourne to overhaul almost an entire CBD block. Announced by Lord Mayor Sally Capp today, the proposed $232 million development would see a site between Bourke Street and Little Collins Street transformed into a multifaceted public commons precinct. Standing at 10 storeys, and around 40-metres, tall, the planned development would boast two new laneways, a variety of ground floor retail sites, office space and two publicly accessible green rooftops. What's more, this 'next generation' site is set to feature some landmark design work, aiming to achieve a Six-Star Green-Star rating and meet a Carbon Neutral Certification target. There are also plans for the commercial, retail and community spaces to be powered by solar, and incorporate a stormwater recycling system, a lush garden atrium, rainwater tanks and a basement carpark just for electric vehicles. [caption id="attachment_700629" align="alignnone" width="1920"] The proposed new CBD precinct[/caption] The Council is expected to submit plans for approval soon and if they get the go-ahead, the City of Melbourne development will kick off in early 2020, to be completed in 2024.
If you've seen Netflix's Lady Dynamite, you'd remember it. One of several comedies on the streaming platform that tackles mental health in a smart and thoughtful way, it's a Maria Bamford vehicle. The comedian didn't create it — South Park alumni Pam Brady and Arrested Development's Mitch Hurwitz are responsible — but she plays a version of herself in the two-season effort that was cancelled before its time. Plenty of sitcoms feature their lead performers riffing on their own personas, but if you're thinking of Seinfeld, Curb Your Enthusiasm or the like, you're not on the right track. In Lady Dynamite, Maria has just spent six months in treatment for bipolar disorder, and no one around her quite knows how to handle her return as she tries to reignite her career — and even that description still doesn't capture how the show swings big, dives deep, and knows how to be both delightfully offbeat and perceptively candid at the same time. [caption id="attachment_766237" align="alignnone" width="1920"] Doug Hyun/Netflix[/caption] Bamford is no stranger to tackling mental health in her work, including releasing book Sure, I'll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere! in September 2023. As the name makes plain, it steps through her experiences. It also hit The New York Times bestseller list. Next, Bamford will take to the stage in Australia, in her first trip this way in more than five years, on a six-stop stand-up tour in July 2024. Hobart's Odeon Theatre will host Bamford's initial gig on this visit, before she makes her way to Hindley Street Music Hall in Adelaide, then The Tivoli in Brisbane. From there, she's heading down the east coast, playing the Enmore Theatre in Sydney and Melbourne's Palais Theatre. Her last port of call: the Astor Theatre in Perth. Bamford's career dates back decades, bringing her astute and empathetic comedy to stages and screens. You might've seen her specials Weakness Is the Brand, Old Baby, The Special Special Special and Local Act. You could recall her from Arrested Development, Portlandia and Kroll Show. And you've heard her as well in Big Mouth, BoJack Horseman and Bob's Burgers. Maria Bamford Australian Tour July 2024 Dates: Friday, July 5 — Odeon Theatre, Hobart Tuesday, July 9 — Hindley Street Music Hall, Adelaide Wednesday, July 10 — The Tivoli, Brisbane Friday, July 12 — Enmore Theatre, Sydney Saturday, July 13 —Palais Theatre, Melbourne Tuesday, July 16 — Astor Theatre, Perth Maria Bamford is touring Australia in July 2024 — head to the tour website for further details and tickets, with presales from 9am local time on Wednesday, February 7, and general sales from 9am local time 9am on Friday, February 9.
By now, there's no question that 400 Gradi is Melbourne pizza royalty. Back in 2014, owner and founder Johnny Di Francesco's margherita was famously crowned best in the world at the Campionato Mondiale Della Pizza (Pizza World Championship), beating 600 competitors from across the globe. And now, having added a swag more pizzerias to the family in the years since, 400 Gradi has claimed yet another huge glory, last night taking out the title of Best Pizza in Oceania at the second annual 50 Top Pizza Awards in Naples. The Melbourne pizzeria was secretly judged against almost 1000 others from across Italy and the globe, and secured both a place among the world's 50 best and reigned supreme over all other pizzerias in Oceania. "I am truly honoured, and almost speechless, to be honest," said Di Francesco at the event. "Never did I think that my beginnings in pizza as a twelve year old would lead me here." Other Aussie restaurants named finalists in the Oceania category include Sydney's Verace Pizzeria (Macquarie Park), La Disfida (Ashfield) and The Dolphin Hotel (Surry Hills), along with fellow Melburnian, Guy Grossi's Ombra. Best book a table now — we have a feeling these pizzas will be pretty darn popular in the coming weeks. You can check out the full lineup of award-winning pizzas here.
From health kicks to Feb Fast-style breaks and full lifestyle overhauls, there are plenty of reasons why ditching the booze is booming in popularity. And, as clever bartenders, winemakers and beer brands answer the call, we've never been quite so spoiled for choice when it comes to tasty, creative alcohol-free bevs. But now, local distillery and booze-free gin producer Brunswick Aces is taking things to the next level, announcing plans to open the city's first-ever, dedicated non-alcoholic bar. Taking over a 150-person space on Weston Street in Brunswick East, the Brunswick Aces Bar is gearing up to open its doors by the end of April. Once complete, it's set to be a temptation-free drinking destination for the teetotaller or sober curious, but also just a neat spot to hang and imbibe when alcohol's simply not on your night's agenda. While Brunswick Aces does make regular gin, it's perhaps best known for its range of sapiir — a non-alcoholic distilled drink crafted on botanicals. The brand uses aromatic ingredients like lemon myrtle, Tasmanian pepperberry, native wattleseed and that all-important juniper to create a concoction that's akin to a gin, sans booze. And in the new bar, you'll have a front-row seat to the sapiir distilling operations, while you sip the spoils just metres from where they're made. The Brunswick Aces Bar menu might be short on alcohol, but it's sure not wanting for choice. You can expect to find a whole range of crafty cocktails, led by boozeless takes on the classics, including a negroni and even an espresso martini. Alongside those, sits an impressive lineup of non-alcoholic beers and wines sourced from all over the world. If you're hanging for the real deal, that's alright, too. In the spirit of inclusivity — and celebrating Brunswick Aces' other pursuits — the bar will be serving a single alcoholic option: a gin and tonic, made on the brand's own gin blends. The Brunswick Aces Bar is set to open on Weston Street, Brunswick East, from late April. Stay tuned and we'll share more details as they drop.
The only thing cooler than stepping out in a pair of Habbot shoes this spring would be stepping out in a pair that you designed yourself. It's not a pipe dream either, now that the Aussie-designed, Italian-made footwear company has relaunched #myhabbot – an online platform where customers can mix and match their favourite materials to customise a pair of the label's must-have shoes. You might have heard about Habbot's "customise a classic" concept when they trialled it last October, with shoe-lovers jumping at the chance to play designer during a series of weekly events at Habbot's Strand Melbourne store. This time around #myhabbot is here to stay, with a new online customisation platform allowing customers across Australia and the world to create footwear magic with just a few clicks of the mouse. Pick from one of four Habbot favourites – the classic derby, the point pump, the mid-heel sandal or a micro sole derby – and a whopping 24 different materials running from suedes and soft nappa leathers to party-ready glitters. After you select your shoe lace colour and decide on the addition of brogueing (that hole-punch detailing), the design is sent off to Habbot's craftsmen in Italy. All in all, the final product should be on your feet within a month. There's also the option of heading into the store for a consultation, if you prefer a face-t0-face approach to your shoe design. Jump over to Habbot's website to create your own one-off pair.
Cave hotels, tree-house hotels, and hotels next to natural wonders: the bedroom-pros at Mr & Mrs Smith have seen it all (well, we’re still waiting for our first spaceship hotel, but hey). Here are 10 of Smith’s most interesting places to pass a night, picked just for Concrete Playground. 1. LONGITUDE 131° by VOYAGES, AUSTRALIA What: Safari-style desert campWhere: Up close to Uluru What could possibly be any more awe-inspiring than waking up to views of the world’s biggest monolith, Uluru? It’s remote, for sure, but Longitude 131° by Voyages can be reached via a flight to Yulara, where guests are greeted by a member of staff in a four-wheel drive. The villas are called ‘tents’, but you can banish memories of uncomfortable camping trips from your school days. These impressive specimens are on stilts, with ensuite bathrooms and fully automated blinds. Tours of the national park are included in the rates and the curvy pool is kept ice-cold at all times – perfectly refreshing after unforgettable treks up Uluru. 2. HAPUKU LODGE AND TREE HOUSES, NEW ZEALAND What: Architectural meets arborealWhere: Deer-dotted pastures and peaks Simultaneous views of mountains, the sea, olive grove and a deer-park… where else other than New Zealand? A top-spot for whale-watching, Hapuku Lodge and Tree Houses is a true get-away, with fully equipped villas nestled high amongst the tree-tops, so you can coo at the local birds (or just kiss your lovebird). The lodge’s knockout 600-hectare grounds, between the towering Kaikoura Seaward Mountains and surf-lashed Mangamaunu Bay, include the family farm’s oil-producing olive grove and deer stud. For a cool canopy experience, the modern, wood-clad Tree House Rooms, set in a manuka grove remote from the main lodge, are a must. 3. SIX SENSES YAO NOI, THAILAND What: Rustic-chic castawayWhere: Yao Noi island hillside Perched on a cliff-side over-looking Phang Nga Bay, Six Senses Yao Noi makes each night feel like an adventure. A selection of nine different types of villa are available, each with stylish interiors, some with pools, and every one offering the best views we’ve ever clapped eyes on. Privacy-seeking couples or families would do well to book a Hideaway Two-bedroom Pool Villa, which has two levels, an open-air bathroom, private ensuite and its own infinity pool. 4. OHLA, BARCELONA What: Classic Catalan coolWhere: Beside Barrio Gotico With a neoclassical exterior but minimalistic interiors, Ohla Hotel in Barcelona never quite makes up its mind. Originally the palace of the first Count of Barcelona, then a department store and police office, and now a hotel renovated with assistance from artist and sculptor Frederic Amat, Ohla is an eclectic mix of history. Hundreds of ceramic eyeballs adorn the outside walls of the hotel, thanks to Amat. The rooms have wooden floors and refrain from over-decoration; in-room massages are available on request. 5. GORAH ELEPHANT CAMP, SOUTH AFRICA What: Bastion of imperial glamourWhere: Stunning South African savannah The wilderness of Addo Elephant National Park is right on the doorstep of Gorah Elephant Camp. Combining Victorian colonial style with classy mod cons, the tent-like suites have thatched canopies, four-poster beds, private deck and panoramic views of the savannah. The Gorah house itself is a mid-18th-century heritage manor, and serves as the main building on the site. Unabashed luxury abounds in the tents themselves: expect silk-soft Egyptian cotton linen and glossy toffee wooden floorboards. 6. SAFFIRE, TASMANIA What: Elemental sanctuaryWhere: Curving Coles Bay coastline Saffire must confuse the seagulls swooping overhead: is it a giant starfish? A huge silver oil spill? A resting spaceship? If only we could tell them: no, it’s a stingray-shaped sanctuary with eye-widening architecture, an excellent restaurant, a pampering spa and a prime natural location (iconic Wineglass Bay is just minutes away). If you fancy your own private courtyard plunge pool, snaffle one of the four Private Pavilions (rooms 1 to 4, aka Mayson, Amos, Dove or Baudin), which include cat-swingingly spacious living and bedroom areas, a kitchen, dining zone and front deck. Saffire's chef can even come and cook for you in-room. 7. GILI LANKANFUSHI, MALDIVES What: Water worldWhere: Lapis lazuli lagoon Be prepared to come home feeling lonely, or with a Mr Friday stuffed illegally in your suitcase: this hotel’s service is flawless, and every villa comes with a Ms/Mr Friday who will look after you so well, you won’t want to leave them behind. You’re not allowed shoes here, and you won’t find any newspapers, but these are the only limits at this beautiful beachside hotel, which must prompt proposals left, right and centre. Gili Lankanfushi’s villas are all overwater: we like the 210sq m Villa Suites best. They’re open-air, apart from the bedroom (which is also the only bit with air-con; everywhere else gets a sea breeze) and have a large living room with day beds and an overwater sundeck with stairs leading to the ocean. 8. QT SYDNEY, AUSTRALIA What: Theatrical temptressWhere: Sydney's happening heart This super-central design diva is carved out of the historic State Theatre and Gowings department store buildings, blending Gothic, art deco and Italianate architecture with quirky-but-cool interiors. Door gals dressed in saucy uniforms, buzzy drinking and dining, and a hip day spa? We're smitten. Sexy, sassy and stylish, QT Sydney has her party shoes on and is ready to dance. Helmed by chef Paul Easson under the creative direction of Sydney restaurateur Robert Marchetti, Gowings Bar & Grill is an edgy, European-style all-day brasserie, which lures diners with its fresh Australian produce (sourced from artisan providores), so-now culinary techniques (we're talking wood-fired rotisseries and ovens) and smart list of up-and-coming wines. 9. SEXTANTIO LE GROTTE DELLA CIVITA, ITALY What: Boutique BedrockWhere: Matera’s grand canyon If Fred Flintstone were looking for a romantic crash-pad for him and Wilma, he could do a lot worse than check into this cave hotel, set in the ancient stassi (stone settlement) of Matera, a mysterious, overlooked patch of Basilicata in southern Italy, flanked by the Ionian and Tyrrhenian seas. Sextantio le Grotte della Civita has a prehistoric birthday and old-world charm: bed sheets and furniture are antique; candles flicker in corners; bath products feature olive oil and packaged simply, and there’s a tasting room set in the old church. Whole families once bedded down in each cave, so expect buckets of space. 10. SAMODE PALACE, INDIA What: All that glittersWhere: Fairytale desert fort Mirror-tiled walls, mural-lined walls, marble swimming pools and antique-filled suites: Samode Palace in the heart of Rajasthan, Jaipur, sounds like the stuff of far-flung fairy tales, but it’s deliciously real. This blue-blooded getaway began life 300 years ago as a maharaja's mansion, so it’s had a while to perfect its poise; modern additions include a gym, sauna, steam room, day spa and boutique. (Of course, kings and queens need to keep in touch with their subjects, so there’s free WiFi in the central courtyard and business centre.) Wander through the Sheesh Mahal, a series of glittering rooms, each more breath-snatching than the last. Once a royal reception space, it's now used for chichi cocktail sessions.
It's taken a little longer than expected, but René Redzepi's world-renowned Noma finally has a return date and is about to start taking bookings. After shutting the doors of its two-Michelin star Copenhagen restaurant early this year, the acclaimed chef was due to reopen it next month in new digs, until construction hit a wall — literally, an ancient stone wall found buried below the building site. Now with things back on track — and fresh from auctioning off their old furniture and fixtures — lunch and dinner reservations to Noma 2.0 will open from 4pm November 16. That's at 2am next Friday, November 17 if you're on Australian east coast daylight saving time, with bookings taken for visits between February 15 and April 29 next year. This will mark the first of the 40-seater's three annual menus, as the restaurant moves to strengthen its focus on seasonality. These first, cooler winter months will feature a celebration of Scandinavian seafood across each meticulous dish, followed by a vegetable season starring produce from the on-site urban garden, and a game and forest season which runs from early fall through to January 2019. Of course, it doesn't come cheap — the degustation menu clocks in at DKK 2,250 per head (currently about AUD $460) and you'll need to prepay when you book. Noma's highlighted this 12 percent price hike as a way of giving their staff a better quality of life. That said, the restaurant's also reserving 10 percent of its seats each night for students with a valid student ID, who can jump on a waiting list to enjoy the menu for just DKK 1,000 (AUD $205). Noma's booking link is set to go live at 2am next Friday, November 17 AEDT. In the meantime, check out the reservation guidelines here.
Australia has an obsession with Mexican eateries and aesthetics at the moment. To battle the danger of trivialisation and stereotyping, how about getting involved with the real deal? Sugar-skull decorating, anyone? You are in safe hands at this Sugar Skull-making workshop at the Immigration Museum. A member of the Victorian Mexican community will tell you about the meanings behind this tradition as well as show you how to decorate your own (sugar) skull. Far from being morbid, the skulls are beautiful, even whimsical, and brightly coloured. Death is not something to be afraid of in Mexico. The national holiday, called the Day of the Dead (Día de los Muertos), commemorates family and friends who have passed away. Homes have altars decorated with objects such as sugar skulls to encourage the souls of loved ones to visit. Whether you want to change how you view death, or just learn more about the real Mexico, this art workshop will have you thinking. There are two workshops, one at 10.30am and the other at 2pm. Bookings via 13 11 02. Image of Juarez memorial sugar skulls by Glen van Etten.
Is summer really summer if you didn't take a road trip? If you want to make the most of the warmer weather and longer days, there's no better way to do it than by exploring somewhere new — and luckily for us, Victoria is full of spots ripe for a weekend away. Take the Yarra Ranges, for instance — the region less than two hours east of Melbourne might be best known for its world-class wine, but it's also home to countless eateries and pubs that champion local produce, plenty of outdoor spots, top-notch cultural institutions and a wide range of accommodation options that range from cosy and affordable to indulgent and luxe. And summer is as good a time as any to check them out. But where to start? If you're considering a weekend road trip to the Yarra Ranges, we've gathered a couple of noteworthy suggestions to add to your itinerary. From where to eat and drink to fun group activities, here's how to make the most of your weekend away. EAT Quarters at Hubert Estate Under an hour's drive from the Melbourne CBD, Hubert Estate is a picture-perfect getaway from the hustle and bustle of the city. The expansive property offers an elegant spread of Australian- and European-inspired sharing dishes at its contemporary restaurant, Quarters, which highlights seasonal ingredients from around Australia. Save room for a homemade pastry or even a nostalgia-inducing chocolate-dipped soft serve. After lunch, stick around to check out the estate's art gallery featuring works by First Nations artists from more than 20 Indigenous artistic communities. Round Bird Can't Fly Nothing beats a hearty meal to kickstart a day, and Round Bird Can't Fly definitely hits the spot for your morning needs. The Lilydale spot boasts all-day breakfast and brunch menus, which feature the likes of house-made english muffins, tofu scramble and hearty burgers. Complete your order with a beverage like a single-origin filter or cold brew, or a locally made tea or smoothie. Healesville Hotel For a warm local welcome, head to Healesville Hotel. This classic village watering hole sources local produce to create its modern gastropub fare — whet your palette with oysters served with mignonette dressing and fresh lime or potato and truffle croquettes, before moving on to larger dishes like beer-battered king george whiting or a plant-based burger with homemade pickles. Pair your order with a selection from the wine list that showcases mostly local producers and boasts a handy selection of by-the-glass drops. Citrine Bistro & Bar For innovative and contemporary dishes, Citrine Bistro & Bar is the place to be. Nestled in the heart of Olinda, this sophisticated restaurant features an elevated menu of comfort classics that changes with the seasons, like a chicken cotoletta served with kohlrabi remoulade and mustard sauce, and a cider-roasted pork cheek with poached apple, candied walnuts and a micro herb-flecked apple slaw. Whatever you choose, be sure to enjoy it with a glass from the all-Australian wine list. Killik Indulge in Australia's first hog rum at Killik. The family-run Belgrave distillery utilises a wild fermentation technique to concoct the unique flavours of hogo — a distinctly fruity flavour originally from Jamaica — which, in this case, presents as tropical fruit, over-ripe banana and strawberry. Head to the distillery at the foot of the verdant Sherbrooke Forest to sample this handcrafted rum neat or mixed in a cocktail. Want to hang around a little longer? Killik also offers a four-course, seven-cocktail bottomless brunch on Sundays. Helen & Joey If you go to the Yarra Valley and don't visit a winery, have you really gone to the Yarra Valley? While there are dozens of world-class cellar doors you can visit, one that we love is Helen & Joey. Head to this expansive cellar door in Gruyere to sample the winery's unconventional drops from its large outdoor deck overlooking the vines and the valley beyond. It's more than the views that you'll remember, though — the cellar door is also home to the estate's family of unicorns. [caption id="attachment_711648" align="alignnone" width="1920"] Robert Blackman, Visit Victoria[/caption] PLAY Take on the Lilydale to Warburton Rail Trail She's an icon, she's a legend and she is the moment — it's the Lilydale to Warburton Rail Trail. This much-loved 40-kilometre recreation trail is known for its picturesque landscape views that course through the Yarra Valley. Whether you're trekking on foot or riding a bike, you definitely won't get bored of this historic path. Along the way, don't forget to hit up some of the region's cafes, pubs, wineries and restaurants for the full treatment. Catch a gig Love live music? The Yarra Ranges has you covered thanks to its year-round calendar of live acts. This year, keep an eye out for the likes of Burrinja Cultural Centre's Live on the Lawn mini-festival, legendary Aussie rockers The Black Sorrows at Healesville venue The Memo, as well as the Healesville Music Festival and River Folk Festival. Elsewhere, venues like The Railyard in Tecoma, Micawbers Tavern and Sooki Lounge in Belgrave also host regular gigs by local talents. Burrinja Climate Change Biennale Culture vulture? Immerse yourself in art at the Burrinja Climate Change Biennale. Until February 26, the community cultural organisation is hosting a region-wide program that spotlights diverse narratives and perspectives that explore a reimagined future. The works of 44 artists have been included in the program's exhibitions and events, which shed light on crucial climate crisis issues that are occurring across the globe. Support local We're all about supporting local, and the Yarra Ranges is home to a diverse array of creatives and makers you can check out when you want to do just that. Olinda Collective consists of over 30 local stall-holders showcasing craft, vintage and upcycled products, while Clementine by Design in Kallista offers a range of decorative homeware. For plant lovers, Where the Wild Things Grow in Belgrave welcomes beginners and collectors alike to get a bit more green into their lives. STAY Grasmere Lodge Extend your stay in the Yarra Ranges by booking a cosy night at Grasmere Lodge (pictured above). A short drive away from some of the region's finest wineries, this one-bedroom, one-bath space — previously a 1900s fruit-pickers' cottage — sits on a picturesque 32-acre site that's also home to alpacas, cows, chickens and other flora and fauna. Santosa Cottage Looking for a stay that'll get see you surrounded by nature? Look no further than Santosa Cottage. This bed and breakfast hideaway in Sassafras is just the ticket for when you're looking to really get away from it all while still enjoying the creature comforts. The split-level A-frame cottage is nestled in the verdant forest of the Ranges, so you'll be surrounded by leafy gum trees and birdlife. The cottage is also conveniently located near Sassafras Village and Sherbrooke Forest, making it an ideal spot from which to set off on an adventure. Balgownie Yarra Valley Balgownie Yarra Valley screams luxury. This winery and accommodation destination in Yarra Glen provides an array of rooms — 70 to be precise — including ones with private terraces options and spa baths. Guests can also access the property's indoor heated pool, steam room and gym, as well as ten percent off wine purchases from the property's cellar door. Treat yourself even further by booking a treatment at the on-site Endota Spa or a hot-air balloon ride for breathtaking views of the valley. The Farmhouse at Meletos Another high-end option, The Farmhouse at Meletos houses 23 rooms with tranquil views of vines, apple orchards and the Great Dividing Range. Each of the rooms in this Tuscan-inspired building is unique, and is furnished with rare pieces from around the world. The property also boasts an onsite restaurant and cafe plating up elegant, Italian-inspired dishes that showcase premium local produce, as well as a dedicated massage retreat, a perfect spot for when you're after some me-time. To discover more ways to explore the Yarra Ranges this summer, head to the website. Top image: Pat Whelen (Unsplash)
Award-winning theatrical producer Cameron Mackintosh's incredible adaptation of The Phantom of the Opera is headed to Melbourne this November. His staging of the legendary Andrew Lloyd Webber musical (produced in collaboration with Opera Australia) will see curtains raised at the State Theatre at 7:30pm on Wednesday, November 2 for the first of a strictly limited-time run. Given that the original musical has won over 70 major theatre awards and is so well-loved, it needs little introduction. However, for the unacquainted, it tells the story of a fictional masked figure who lurks in the catacombs below the Paris Opera House, terrorising all within. He quickly falls madly in love with a young soprano, Christine, and devotes himself to fostering her talents — by any means possible. [caption id="attachment_875744" align="alignnone" width="1920"] The Phantom of the Opera Australia 2022 - Josh Piterman, Amy Manford by Daniel Boud[/caption] A seamless fusion of classic and contemporary, this new production features a thrilling combination of spectacular costumes, stagecraft and song (such as 'All I Ask of You' and 'Masquerade') brought to life by a few familiar Australian faces. Melbourne's own Josh Piterman plays the Phantom, Amy Manford stars as young talent Christine Daaé, and The Book of Mormon alum Blake Bowden brings to life the role of Raoul de Chagney, alongside an orchestra of 65 people — making The Phantom of the Opera one of the largest musical productions in Australian history. Opera Australia's The Phantom of the Opera is playing at Arts Centre Melbourne for a strictly limited time. With tickets on sale now, book them before you miss out. Images by Daniel Boud
Earlier this week, we were pretty floored by the sci-fi-turned-reality that is the underwater home. Now, the latest in architecture is once again daring us to new extremes — this time in the form of the jaw-dropping Cliff House. Conjured up by Melbourne company Modscape, the five-storey dwelling clings to your regular cliff face, affording dramatic ocean views, avoiding neighbours and enabling coastal development without the dreaded high-rise skyline. It's also the most terrifying holiday home we've ever seen. We're not sure who has the cojones to live here, as this is next level extreme real estate — for example, is that last storey a pool or a ocean-accessing hole? Overall, according to the Modscape site, the design is "inspired by the way barnacles cling to the hull of a ship... visualised as a natural extension of the cliff face rather than an addition to the landscape, creating an absolute connection with the ocean." The Cliff House came about as a response to an increasing number of requests from clients wanting to inhabit Australia's more treacherous coastal sections. Obviously, the big question — how does the house not plunge perilously into the ocean? Modscape's modular design and prefabrication technologies are crucial to the concept. Several modules are stacked on top of one another and kept in place with engineered steel pins. You enter the house through a top floor carport, where you meet an elevator that descends to each of the five floors. As far as interior design goes, the mock-up emphasises minimalism, allowing for total appreciation of the location. At this stage, the Cliff House is still in concept phase, but the company is confident that given the right cliff face, it'll be totally doable — if you're game. Via Inhabitat.
The Melbourne International Arts Festival has been stunning thousands of visitors since 1986 — but it's set to get a new format in 2020 when the festival joins forces with White Night in 2020. So now's the time to celebrate its incredible run by giving it one hell of a send-off. Taking over Melbourne's arts and culture venues from October 2–20, there's an extravagant offering of local and international talent across art, music, dance, performance and much more. There's no better way to get your dose of arts and culture this spring, with some of the world's most highly respected artists making their way to Melbourne for the festival. Highlights include Yang Liping's reimagination of Stravinsky's Rite of Spring, plus a highly immersive digital art museum by Tokyo-based art collective Teamlab. With numerous other highlights abound, including a free daily series of events at the Spiegeltent, give the current iteration of the Melbourne International Arts Festival the farewell it deserves by checking out these six awesome events.
If you've ever thought yoga needed less waterfall soundtracks and more pumping beats, chances are you'll love hip hop yoga. Of course, if you're a regular at Yoga 213, you'll be familiar with how Biggie Smalls-infused yoga works. But there have been a few changes to the popular South Yarra studio. This week, the hip hop yogis up and left their south side home for new and improved digs in Richmond. The new space not only has a killer studio, but showers, a tiled bathroom and changing area too. If you're not acquainted with this crazy concept, Yoga 213 was founded back in 2013 by yogi Sammy Veall. After suffering from third degree burns to 35 percent of her body, Veall found solace and healing in hip hop yoga. “Hip hop yoga made me realise that everything was going to be ok," she says. "It helped me recover from my accident by improving my strength and flexibility." The story behind Yoga 213 is, in itself, a good reason to get on the mat and give stretching to Kanye a go — plus, doing a vinyasa flow to Beyoncé just sounds like a good time. "More Melburnians are getting into hip hop yoga, which is massive in LA, and are finding the unexpected combination of hip hop music and yoga really addictive," Veall says. This LA-style of yoga is further reflected in the large Californian-esque warehouse space that offers cityscape views and plenty of sunlight, creating a pretty delightful setting for yoga practice. The interior has been decked out by Wild Hen Design, and mixes quirk and kitsch with classic neon signage, vintage surfboards and many a humble pineapples on display. So many pineapples. As well as being a hip hop yogi, Veall has also started her own yoga clothing range, 213 Apparel, to cater for the growing need for high quality activewear. The new range Happiness Revolution will be launched in December. Yoga 213 is located minutes away from Richmond Station and within walking distance to everything else amazing that is going on there.It's just one of the new additions to the growing list of recent openings on Swan Street, such as new bars Ugly Duckling and Saint.Urban. Pretty handy. Yoga 213 is now located at Level 1, 97 Swan Street, Richmond.
Victoria's hot springs and wellness scene is eagerly awaiting the arrival of some huge new additions, including Alba Thermal Springs & Spa, East Gippsland's Metung Hot Springs and the luxe Aurora Spa & Bathhouse, opening soon within the Continental Sorrento. But one of the state's existing wellness destinations is also set to make some big improvements, with the Peninsula Hot Springs nabbing a cool $3.3 million investment to expand its accommodation and other facilities. Announced last week by Minister for Tourism, Sport and Major Events Steve Dimopoulos, the precinct has scored the funding boost courtesy of the Regional Tourism Investment Fund (RTIF). The money will be used to build a trio of new eco accommodation lodges, three outdoor massage pods and an undercover cafe dining space, as well as a new relaxation and sleep lounge in the Spa Dreaming Centre. Complementing the Peninsula Hot Springs' onsite glamping facilities, which launched in late 2020, the new lodges will each feature a plush 60-square-metre suite complete with wifi, room service, a mini bar, and split-system heating and cooling. They'll also open out onto their own garden and private hot spring bathing pool. Then, you've got the freestanding massage pods, immersed in the natural landscape near the precinct's accommodation offerings. They'll each be decked out with solar panelled roofing and hydronic heated flooring, ideal for private pamper sessions amongst the trees. Three pods are being built to start with, but there are plans to roll out 44 of them in total. Meanwhile, the Spa Dreaming Centre will soon be home to a new multi-purpose 16-person lounge zone overlooking the natural surrounds and open 24 hours a day. It'll be used as a relaxation space, as well as playing host to performances, workshops and other events. Part of the new funding will also go toward creating a new all-weather roofed dining area at the Amphitheatre cafe, to help ensure it's able to be enjoyed all year round. [caption id="attachment_790886" align="alignnone" width="1920"] The Peninsula Hot Springs' existing glamping accomodation.[/caption] For more details on what's coming to the Peninsula Hot Springs, see the website.
Uncle in St Kilda is known for its casual Vietnamese fare and rooftop terrace that overlooks Carlisle Street. Its second venue manages to hold onto that same vibe, even though it's located in the middle of the CBD. The first-floor views through foldout windows and leaf-latticed ironwork afford glimpses of the plane trees outside, and the bamboo furniture and tropical lighting ensure the space isn't at all stuffy. Somehow Uncle manages to capture all that is wonderful about Vietnam — the sunsets of Ha Long Bay, the colonial style of Hanoi and the lanterns reflected in the river in Hoi An — and transfer it to the Paris end of Collins Street. This is a magic carpet situation right here. The menu showcases the level of freshness you expect in great Vietnamese food. The dishes feel modern but there's no doubting the origins of these flavours; although chef and co-owner Dai Duong has tinkered with them, they come straight from generations of Vietnamese mothers. We suggest starting in the 'little guys' section of the menu before working your way through to a banh mi or bao and onto the big guys. The $59 'all the best bits' option is a good one if you want to take decision-making out of your meal. Just popping in for a snack? The betel leaf with lime-cured hapuka with coconut, pomegranate and chilli ($6.50) and the smoky wok-tossed edamame with beer nuts and chilli salt ($8) are perfect accompaniments to one of the cocktails that have come into the city from the St Kilda menu. Try the Mekong Splice ($19.50), which is essentially dessert in a glass, as it mixes white rum, mango sorbet, tea shrub, lime, chilli and coconut foam. Otherwise, choose from the list of predominantly Victorian-sourced wine and beer. Burrata is not something you see on Vietnamese menus often, but Duong serves it with heirloom tomatoes, pickled papaya, Thai basil, puffed wild rice and his own experimental whisky barrel-aged fish sauce ($20). It's like a cheeky little Italian man-bun interlude with a Vietnamese twist. Spot on. Uncle's signature crispy pig's ear banh mi with pickles and peanuts ($6.50) is a tasty way to up your pig's ear intake and probably the best way to tick that little body part of your 'things I have eaten' list. Our waiter's favourite dish is the master stock crispy pork hock with banh hoi, lettuce wraps, fragrant herbs and nuoc cham ($39) — and for good reason. Think DIY lettuce leaf bundles of fall-apart meat in its own caramelised sauce, woven rice vermicelli and a slightly spicy dipping sauce. Order this. Save room for dessert or lament missing out on a set Vietnamese coffee with coconut ice cream and sesame for dessert ($12). Either way, you won't regret a visit to Uncle — they take bookings for groups of all sizes, and you'll get a whole lot of kudos for when you suggest it for a mid-week after-work catch-up with mates. Images: Greg Elms and Jo Rittey.
From its humble origins in suburban shopping centres of the mid-2000s, Melbourne's bubble tea scene has become an easily recognisable part of life across the city. The Taiwanese drink, consisting of tea, milk and tapioca balls known affectionately as 'pearls', is now sold on virtually every corner of the Hoddle Grid. This is partly because the drink itself is constantly evolving; new ingredients, flavours and concepts appear on menus all the time, and many go on to become mainstays in their own right—take the 2018 boom in 'cheese tea', for instance. At the same time, vendors are increasingly experimenting with presentation and aesthetics to keep themselves above the ever-growing competition. With CBD foot traffic down up to 90 percent in 2020, many bubble tea shops were forced to do both in a bid to attract the limited customers and increase revenue. The shops in this round-up have not succeeded in doing this, but have pushed the boundaries and found new ways to make the familiar drink. Now, as the city gradually comes back to life, they find themselves at the forefront of a new wave in Melbourne's bubble tea scene. [caption id="attachment_797458" align="alignnone" width="1920"] Parker Blain[/caption] NUTTEA Few bubble tea shops cater to vegans. Dairy-free alternatives are usually hard to come by, and people who prefer other options are often forced into the fruit-based section of the menu. Enter Nuttea: a Taiwanese store with a newly opened flagship in Melbourne Central. Nuttea prides itself on championing plant-based bubble tea so that everyone can enjoy a full selection of creamy and fruity options. In fact, its entire menu is vegan. "We're making healthier bubble tea that tastes good, makes you feel good and is better for the environment as well", owner Jason Tan told Concrete Playground. The store uses a blend of walnut, macadamia and cashew in its nut mylk, and it's served with tea and smoothies as well as coffee. It also makes a hazelnut-based cream, which is used as a garnish on some of its teas, including the ruby black tea. The ruby black tea is a premium strain produced in Taiwan's Sun Moon Lake, and Nuttea's cream is a smooth and decadent addition to the drink. For a more adventurous pairing, try the earl grey, served with chocolate nut cream instead — and for something more refreshing, go for the new-season grape tea, made from fresh grapes in-house. All these drinks also come with a sticker outlining how to approach the drink — first by tasting some of the cream, then drinking from the rim before finally mixing it all together. Find Nuttea at ELLA Melbourne Central, Corner Elizabeth and Latrobe streets from 11am–7pm Wednesday–Thursday and Sunday, and 11am–8pm Friday and Saturday. NARÖCHA In 2020, a newfound reliance on home delivery services saw all sorts of creative solutions emerge when it comes to bubble tea — many versions of the beverage, particularly those with more elaborate toppings, don't tend to travel too well. Naröcha has worked around this by offering DIY tea kits and one-litre take-home bottles, both of which have proven godsends for customers and the store alike. Its most popular drinks are now available in this ready-made, bottled form — among them a butterfly lemonade tea, which is caffeine-free and purple in colour. For more indecisive customers, it also sells bundles of four-to-ten taster bottles in 350-millilitre or 500-millilitre sizes. In terms of DIY products, Naröcha sells everything from tea powders and whisks to a fully stocked DIY boba package. It makes its in-house takeaway drinks feel more transparent — you know exactly what they contain and how they're made. The more popular drinks to buy in store include the hojicha makiato and classic bubble milk tea, but more left-of-field options include a strawberry cheesecake drink and a Milo mocha, as well as a seasonal watermelon and mango tea with mango popping pearls and a brown sugar range with hojicha, genmaicha and matcha varieties. Find Naröcha at 59 Therry Street, Melbourne from 11am–8pm Monday–Friday and 10am–10.30pm Saturday and 10am–9pm Sunday. INSTEA If take-home bottles are the next big selling point for bubble tea, then why not get even more creative with the packaging? Instea has taken the concept of reusable bottles one step further, selling its six signature drinks in glass bottles resembling Chanel perfume. Among these are your classic matcha and brown sugar options, two versions of butterfly flower tea and an aptly named Cocoa Chanel beverage consisting of cocoa and milk. While these have been selling out over the company's first months of trade so far, they're regularly restocked alongside new herbal varieties. If they are sold out, matcha, brown sugar and cocoa options are also available in regular packaging, along with seasonal drinks, a suite of fresh brew teas and yoghurt- and fruit-based drinks. Staff favourites include the lemon green tea and Summer Supreme fruit tea. Find Instea at 210 Swanston Street, Melbourne VIC from 11am–10pm Sunday–Wednesday and 11am–11pm Thursday-Saturday. MACHI MACHI This Taiwanese store also packages its most popular drinks in take-home bottles. It garnishes them with a layer of panna cotta as well, but this unique topping option isn't quite the brand's true claim to fame. The brand actually garnered international recognition after being featured in a Jay Chou music video which now has over 60 million views on You Tube. The store's name and logo honour Machi, his wife Hannah Quinlivan's pet dog. Notwithstanding its unusual origin story, Machi Machi's range of drinks speaks for itself. Besides bottled teas served with panna cotta, the store is packing many fresh fruit and cream cheese options. Also available is a premium Sun Moon Lake black tea, and its original black milk tea with crème brûlée. Find Machi Machi at 264 Swanston Street from 11pm–10pm daily; at 612 Station Street, Box Hill from 11am–11pm daily; and 85 Kingsway, Glen Waverley from 11am–10pm Sunday–Thursday and 11am–11pm Friday–Saturday. Top image: Nuttea by Parker Blain
Since arriving in 2020, The Great has served up the satirical take on Russian history that no one knew they needed. On-screen, everyone said "huzzah!" a whole lot — and, off-screen, viewers shared that sentiment. But all that cheering at this delightfully dark (and Emmy-nominated) twist on the past has now come to an end, with Hulu, the American streaming platform behind the series, cancelling the Elle Fanning (The Girl From Plainville)- and Nicholas Hoult (The Menu)-starring favourite. The Great made it to three seasons, all fittingly great, with the third dropping in May this year. From now on, however, anyone keen to dive into Catherine the Great's story will need to hit up the history books. Across its run, the nuptials between Catherine (Fanning) and Peter III (Hoult) were in the spotlight, alongside affairs, pregnancies, obsessions over heirs, grappling for power, bloody coups, assassination plots and very little wedded bliss. Attempted murders, mass imprisonments, oh-so-much backstabbing (sometimes literally), hallucinations, couples therapy, plenty of drinking and tumbles in the sheets: that all popped up as well. The show's all killer, no filler concept since season one: following Catherine's rise and reign, with a heavy focus on what that means for her marriage to Peter. The Great stuck to that mission with only the slightest regard for the actual facts and with a big reliance upon hilarious wit, which is one of the reasons that it was such a delicious watch from the get-go. While The Great was supremely confident in its blend of handsome period staging, the loosest of historical realities and a savage sense of humour (it does spring from Oscar-nominated The Favourite screenwriter Tony McNamara, after all), it felt even more comfortable in its skin the longer that it kept going. And smoother, too, yet just as biting, all while seesawing tonally and proving as sharp as a shot of vodka — or several. As well as Fanning and Hoult, Phoebe Fox (The Aeronauts), Adam Godley (Lodge 49), Gwilym Lee (Top End Wedding), Charity Wakefield (Genius), Douglas Hodge (I Hate Suzie Too), Sacha Dhawan (Doctor Who), Bayo Gbadamosi (War of the Worlds), Florence Keith-Roach (Juliet, Naked), Freddie Fox (House of the Dragon), Grace Molony (Mary, Queen of Scots) and Belinda Bromilow (Doctor Doctor) are all among the cast. And, in season two, The Great even found room for Gillian Anderson (The Crown) as Catherine's mother. What's the opposite of "huzzah!"? That's all that's left to be said. Check out the trailer for The Great season three below: The Great streams in Australia via Stan and in New Zealand via Neon. Read our reviews of season one, two and three. Via Variety and The Hollywood Reporter.
It's the little things that count at Eydie's — like the 1950s water jugs and glasses that make you feel classy, and the repurposed vinyl presses, salvaged from Brunswick-based Zenith Records and now serving as drink coasters — that give you them jazzy, ethical feels. Eydie's is a favourite among hospitality workers for its late-night happy hour (we're talking $12 negronis, 9–11pm), and its secluded garden courtyard that works seasonally, thanks to gas heaters and part roofing. In terms of food, ask for the local list. Eateries nearby deliver most of your cravings, and Lygon Street has plenty.
Ice cream-loving vegans have hit the jackpot this summer. Just last month, they scored two vegan Magnums, vegan Cornettos, a vegan Weis Bar and four new dairy-free Ben & Jerry's tubs. Now, Aussie vego fast food chain Lord of the Fries has launched its own range of vegan frozen treats. And it's giving them away for free. On Friday, February 22, at 2pm all of the LOTF stores, nationwide, will be giving away ice cream sangas to the first 100 eager vegans (or just ice cream fans). If you're in NSW, you'll need to grab yours from Central Station, George Street or Parramatta Westfield; Queenslanders will need to head to the single store in Surfers Paradise; and Victorians, well, you have 12 stores to pick from — check out the list here. While the freebies are expected to fly out of the door — we recommend getting there early if you want one — they'll then be available at all stores for the foreseeable future. The new sandwich range features three, completely vegan, ice cream flavours — Cherry Seinfield, Cookies & Cream Dean & Gene Ween and Triple Choc Chip Slick Ric — all sandwiched between thick cookies. And they're just $4 a pop. Lord of the Fries will be giving away 100 free vegan ice cream sandwiches (one per person) at 2pm on Friday, February 22 at all of its Aussie stores. Find your closest one here.
If you're a drinker of coffee, it's likely you're already familiar with Joseph Haddad's work. After all, he's the brains behind renowned specialty roaster Code Black, which launched in 2012 and has blossomed to encompass six local outposts. But for his latest project, Haddad's swapped beans for vino, opening the doors to an all-day wine bar and eatery on Flinders Lane. Simply named No. 100, it's drawing on a blend of Euro and Aussie influence, landing somewhere between dining room, deli and drinking destination. Hospitality design studio We Are Humble have worked their magic on the two-part venue, which greets you with a minimalist deli-style space that's primed for perching, then flows through into a chic 20-seat dining area filled with elegant timber panelling and metallic finishes. Drop by the former for a coffee (Code Black, of course), a sweet treat or one of the weekly changing sangas — perhaps starring chicken, stracciatella ($16) and rosemary lemon mayo, or porchetta with figs, ricotta and pistachio cream ($18). The adjoining restaurant is plating up an oft-rotating menu celebrating simplicity and seasonality, which works just as well for lunch and dinner as for those in-between grazing sessions. You'll find small plates like baked fig done with honeycomb and mountain pepper ricotta ($7), kingfish pastrami sided with crème fraiche ($25), a chicken paté ($16), and house focaccia served with whipped feta ($16). Duck breast might be paired with pepitas and leek ($40), squid noodles done with silverbeet and a hit of 'nduja ($28), and a Basque cheesecake married with flavours of peach and thyme ($18). There's also a $75 Feed Me option for when you're feeling indecisive. Meanwhile, wine-sippers are in expert hands with a list by Restaurant Manager and Head Sommelier Ellen Reinhardt, who brings experience from her time training at Le Cordon Bleu. Hitting a little differently to your usual wine lineup, this one's championing alternative Aussie varietals as well as spotlighting sustainable producers and a few international gems. A handful of cocktails sits alongside, including the Silver Fox ($23), blending Code Black Coffee Liqueur with rye whisky and hazelnut. Images: Guy Lavoipierre
Last time North Carolina-raised producer Porter Robinson came for a visit he was performing a DJ set. This time around, we're getting the whole live set. Robinson was responsible for one of the biggest club anthems of last year: ‘Lionhearted’, a euphoric, all-encompassing sonic experience that will make you happily giddy. Unsurprisingly, Robinson’s 2014 debut album Worlds, runs in a similar vein, and has continued to break the internet with ‘Sad Machine’ and ‘Sea of Voices’ — both tunes that have received millions of Soundcloud plays. Robinson will be joined by local goalkickers Wave Racer and Cosmo’s Midnight. If you’re looking for a gig to dance your socks off to, you’ve found it.
Get ready to play that funky music, Melburnians, cause a 70s-themed karaoke bar is about to roll into town. Yep, Funlab — the group responsible for Holey Moley and adults-only arcade bars Archie Brothers and B. Lucky & Sons — is set to open yet another kidult wonderland in Melbourne. This one, though, will trade the pinball machines and golf clubs for a psychedelic colour scheme, flares and big hair — oh, and plenty of 70s bangers. It's time to warm up those vocal chords and prepare to belt out the likes of 'My Sharona', 'Stayin' Alive' and 'Hotel California' — and oh so much ABBA. Juke's Karaoke, which will open its doors inside the Crown Complex on Friday, June 21, will also have a bar (for plenty of liquid courage) and snacks. As is only fitting, all food and booze will be appropriately 70s-inspired, too. There'll be punch bowls served in disco balls, grasshoppers (the minty drink) and fruity cocktails adorned with lolly bracelets. To eat, you'll find prawn cocktails, cabanossi and pineapple porcupines and this frighteningly fluro cheese fondue. When it opens, it'll be another place in which you can escape the dreary Melbourne winter. In the meantime, put those 70s playlists on heavy rotation. Juke's Karaoke will open in the Crown Entertainment Complex at Level 1, 8 Whiteman Street, Southbank on Friday, June 21. It'll be open from midday–1am, daily.
Located in the heart of the CBD along Collins Street, EARL Canteen knows how to craft a simple yet scrumptious sandwich. Its egg and watercress sandwich a particular winner. It's like the egg and mayo sandwich you grew up carting to school in your lunchbox, but made by Melbourne chefs with locally sourced ingredients for your more refined adult palate. Think free-range eggs, housemade mayonnaise and watercress between slices of wholemeal sourdough. It's as flavourful and creamy as ever, and healthier than most lunchtime choices you could make. Appears in: Where to Find the Best Sandwiches in Melbourne for 2023
Lunar New Year is fast approaching, meaning it's time to plan family gatherings and get those luxury gifts sorted. We are entering the Year of the Rabbit — the zodiac animal that is said to bring good fortune — so why not go all out with celebrations? From Monday, January 9 until Sunday, January 29, Chadstone – The Fashion Capital will be transformed into a vibrant hub for all things Lunar New Year with an opening-day lion dance, serene floral installation, auspicious dishes at some of its top restaurants and a special gift with purchase — anyone who spends $2,888 at participating luxury brands in Chadstone from Thursdays to Sundays will receive a $50 Chadstone gift card (T&Cs apply). So, if you've had your eye on something high-end, now's the time to go for it. It's going to be big and celebratory, so read on for all the festive details before planning your visit. THE GARDEN OF TRANQUILITY Chadstone has created a spectacular seasonal installation centred around a large willow tree, located on the ground floor outside Tiffany & Co. Visitors to The Garden of Tranquility can rest on cushioned benches beneath a tree that has been coated in a glossy deep-red film, with orb lights emulating a full moon hovering overhead. The Garden of Tranquility will also host live piano performances each day of the week throughout the three-week event. Bathed in relaxing music and soft lighting, Chadstone's making Lunar New Year even more magical. YEAR OF THE RABBIT DINING Many retailers are creating their own bespoke experiences this year — and the dining destinations are no exception. When you visit, expect to try curated menus and dishes that celebrate the Year of the Rabbit, while catching the odd lion and dragon dance too. And with its stable of top-shelf venues — like contemporary Japanese diner Calia, the buzzy New Shanghai (pictured above) and cult-favourite dessert spot Black Star Pastry — there are any number of ways to get your fix. The Chadstone team has even even developed a Lunar New Year recipe in collaboration with Jessica Nguyen for those looking for ways to amp up the celebrations at home. DIGITAL GIFT GUIDE Chadstone is referred to as The Fashion Capital, so it's no surprise that crowds flock to purchase spectacular gifts for their loved ones. But, with more than 500 stores — including over 35 luxury boutiques — deciding which pick is best can be daunting. Helpfully, Chadstone has created its own digital gift guide, highlighting some of the stand-out items on shelves from brands including acmé de la vie, Piaget, Bang & Olufsen, Ralph Lauren and more. If you're stuck for ideas (or you just want to make sure you're assessing all the best high-end options), flip through the experts' edit to ensure you find the very best present this year. Looking to score something to treat yourself? Chadstone will be hosting a social media competition during the week of January 16, which will see one lucky follower score a huge Lunar New Year prize. The prize includes items such as a stay at Hotel Chadstone, a bag from Furla, dinner for two at New Shanghai and much more. You can find all the details on Chadstone's Instagram account from January 16. Chadstone's Lunar New Year celebrations take over the fashion destination from Monday, January 9 until Sunday, January 29, 2023. For all the information, head to the website.
For some, it's an essential meeting place. For others, it's just a patch of concrete in the middle of the city. Whatever your thoughts on Federation Square, the Melbourne site has weathered a tumultuous few years. After being named as the location for Apple's first global flagship store in the southern hemisphere back in 2017, those plans received considerable council and public backlash — including a campaign to buy the space back — before being canned. Along the way, Fed Square received temporary and then permanent heritage protection, and the Victorian Government also asked Melburnians just what should be in the site's future. Now, the sprawling spot has been earmarked for a facelift, with a $20 million makeover on the agenda. As revealed in a statement on Saturday, August 22, the government has committed to giving Fed Square its biggest upgrade in its history — which, among other new additions, will see the site become home to a Regional Experience Centre, highlighting and showcasing the state's food, wine, music and culture. Also part of the revamp: new lighting designed to improve safety, as well as highlight Fed Square's famous architecture; and upgrades to the Deakin Edge theatre and some of the public venue's other spaces, to help them better support events. The makeover will also see improvements made to signage, and to making Fed Square more accessible. [caption id="attachment_764006" align="aligncenter" width="1920"] Federation Square, Visit Victoria, Robert Blackburn[/caption] The government also revealed the findings from its Federation Square Review, too, which received more than 1800 contributions. While the City of Melbourne's proposal to build a new public library at Fed Square, as submitted earlier this year, doesn't earn a mention, the review recommended a number of outcomes — which have been accepted by the government, who'll now work to implement them. Topping its list is ensuring greater recognition and celebration of First Peoples culture, and of Indigenous Australians' continuing connection to the site, in the space. The review also notes that Fed Square should focus on a community-driven vision, and on having a cultural and civic impact, including in the programming of events and experiences at the venue. Actively embracing the river, and better connecting with adjacent arts and sports precincts, is also highlighted — and, in terms of any physical changes to the site, so is ensuring that they "aspire to match the quality of the original", as overseen by a design advisory board. And, the review also recommends "a refreshed retail and hospitality offering" — although just how and when that could come info effect hasn't been noted. To find out more about Federation Square's upgrade, read the Victorian Government announcement. For more details about the findings from the Federation Square Review, visit the Engage Victoria website.
Bulldog Gin is hosting two gin and tonic pop-ups in Melbourne throughout September to bring out the gin lover within you for the beginning on spring. For one of them, the distinctive gin makers will be at Big Mouth in St Kilda, bringing you $8 gin and tonics until the 30th of September. Make the most of the change in weather by taking your drink out to the Penny Black's beer garden. And if you happen to find yourself there on a Friday or Saturday, you might just be lucky enough to have the bar staff shout you one. If you hvane't tried it, Bulldog Gin is a fresh, smooth twist on a classic London Dry gin, including exotic botanicals from around the world inspired by founder Anshuman Vohra's globe-trotting childhood. The quadruple distilled liquor features heavy citrus notes and is infused with Dragon Eye (a close relative of everyone's favourite summer fruit, lychees), juniper (of course), lotus leaves, liquorice, lavender, almond and poppy. Image: Steven Woodburn.
Ladies of Leisure — who you may know from their kickass zine, and associated parties, short films and apparel — are bringing back their workshop series for a second year, kicking off on November 22. LOL's workshops are all about creating a safe space for female creatives to grow and up-skill, and the event emphasises its inclusion of people of all orientations and identifications. On Saturday, November 26 the Socially Conscious Careers panel will discuss how you can incorporate social justice into your career without limiting your options. On Wednesday, November 30 Amrita Hepi will present the Feeling Myself 'anti-dance class' — a movement workshop about listening to your body which will finish with a guided meditation. The last workshop Thursday, December 1 Burn Bright, Not Out workshop will provide participants with strategies for managing stress and anxiety, before the series culminates in a three-day market at Junior Space in Fitzroy. Classes are $25 a pop and are capped at 25 people. Here's the full program of workshops. November 22 — Keeping It Real - Beci Orpin November 24 — Dream Baby Dream - Jo Hook November 24 — Jill of All Trades - Sarah Booth November 25 — Carpe DM Your Career - Wendy Syfret & Ingrid Kesa November 26 — Socially Conscious Careers (panel) November 27 — Know Your Writes (panel)November 28 — Get The Message! - Nevena Spirovska November 29 — Pride and Prejudice - Hana Assafiri November 30 — Feeling Myself - Amrita Hepi December 1 — Burn Bright, Not Out - Rachel Service Image: Heather Lighton.
If you've ever found yourself slumped in front of your laptop on a weeknight, neutralising an endless stream of utility bills, a steaming plate of veggies in your lap and making a mental note to take the bins out, you know you're officially an adult. You also know that it officially sucks. While adults deal with climate change, busy trains, body odour and junk mail, kids get all the good stuff. They get velcro shoes, officially sanctioned daytime naps, Saturday morning cartoons and sugary cereal you just can't stomach as well with a mature digestive system. Sure, adulthood has its perks (like espresso martinis and personal liberty) but sometimes you just want to get away from it all and fall down the rabbit hole into a simpler time. Thankfully there are ways to relive the glory days of our youth and be overwhelmed with childlike wonder again. We've teamed up with American Express to help you with those moments when you've officially had it with the whole adult thing. Let's journey through Melbourne's best outlets for tapping into that uninhibited glee of childhood (with the benefit of an American Express® Card and some hard-earned adult privileges). Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
When Good Beer Week returns to send Melbourne craft beer fiends into a frothy tailspin each May, it also coincides with the globe-trotting flavour fest that is Pint of Origin. Every year, this fan-favourite event sees bars and pubs across the city turn over their taps to spotlight top-notch beers from different corners of the world. 2023's instalment runs from Friday, May 12–Sunday, May 21, to shake up taplists at much-loved venues like Carwyn Cellars, the Local Taphouse, Beermash and Westside Ale Works. Each one will spend the ten days heroing brews from a different regional, interstate or international destination, giving punters the chance to broaden their horizons while scoping out some stellar new sips. [caption id="attachment_900291" align="alignnone" width="1920"] Mr West[/caption] Each tap takeover will span a range of beer styles from a stack of different breweries — many of which aren't readily found in Melbourne. You can hit The Catfish for a taste of New Zealand's beer scene, explore a rotation of UK brews at Whitehart and raise a few pints to the beers of South Australia with a visit to the Palace Hotel. Also in the 20-strong lineup, Mr West is showcasing Canadian brews, The Lincoln is spotlighting Tassie drops, and Fitzroy's Near & Far is diving into some full-blown appreciation for Brisbane-born beers. Many of the venues are also doing guided tastings and meet-the-brewer sessions throughout the duration. Plus, if you keep track of your wanderings with a Pint of Origin digital passport, you'll be in with a shot at some great prizes. [caption id="attachment_761608" align="alignnone" width="1920"] Carwyn Cellars[/caption] Top images: The Lincoln, Beermash
This year's Vivid Sydney theme 'Naturally' has been totally embraced by Barangaroo House — as it transforms into the House of Naturalia from Friday, May 26 to Saturday, June 17. Each part of the building is embracing sustainability through its specially curated selection of cocktails, dishes and light installations. At Rekodo Restaurant and Vinyl Bar, visitors can tuck into a unique Vivid Sydney food menu that champions local ingredients and zero-waste practices. And every Thursday night, diners will be served a side of A-grade beats with Frank Booker, DJ Jnett and Queen Bee DJs taking over the decks. Head up to the Smoke Rooftop Bar to sip on custom cocktails made from the kitchen's trimmings and off-cuts. It takes zero-waste to a whole new, delicious level — especially as you'll enjoy these ever-changing creations while looking out over the Barangaroo light shows. The House of Naturalia makes for an excellent refuel pit-stop when tackling the Vivid Sydney Light Walk. The illuminated trail will take you through the natural surrounds of Barangaroo Reserve, along the picturesque Wulugul Walk and into the nature-filled foodie paradise that is House of Naturalia. For more info on House of Naturalia and to book a table at any of the venues, head to the Barangaroo House website.
Dance music hits. An orchestra. Combine the two and Ministry of Sound Classical is one end result. For a few years now, this event has been giving Australia what no one probably knew they wanted when Ministry of Sound first started as a London club night back in 1991: tunes that usually fill dance floors performed by classical musicians. If you're a fan of making shapes and you're fond of getting nostalgic, then Ministry of Sound keeps indulging — sometimes by throwing huge 90s and 00s parties that nod back to raves three decades back and club nights at the turn of the century, and sometimes via this orchestral tour that gives bangers from the past 30 years a new live spin. In Australia, the latter is returning before 2025 is out, seeing out spring in Brisbane and Melbourne, then welcoming summer in Sydney and Perth. This year's run kicks off at Victoria Park in the Sunshine State capital on Saturday, November 1, with Sneaky Sound System headlining. Conducted by Vanessa Perica and with DJ Groove Terminator on backing duties, the Ministry of Sound Orchestra takes pride of place, of course. Then, Cassius is heading Down Under from France to front the fun on Saturday, November 29 at the Sidney Myer Music Bowl in Melbourne — as well as on Saturday, December 6 at The Entertainment Quarter in Sydney, plus on Friday, December 12 at Kings Park & Botanic Garden in Perth. Other than the orchestra, the lineup varies per city, spanning both international and Australian names. Judge Jules is on the bill in Melbourne and Sydney, for instance, while Tall Paul is also joining in in Sydney — and so is A.Skillz, who has a date with Perth as well. Dirty South is another talent with a date with Brisbane. John Course, Kid Kenobi, Mell Hall and Minx are on the roster, too, plus local names at each of Ministry of Sound Classical's 2025 stops. As for vocalists, expect Reigan, Karina Chavez, Rudy, Lady Lyric and Luke Antony. Ministry of Sound Classical is calling 2025's run a summer dance music festival — even if half of its dates are the month prior — which means that a curated food and bar lineup is also on offer. Sydney will score three stages, while Brisbane, Melbourne and Perth will also feature a silent disco. As for the soundtrack, the event surveys tunes that've packed dance floors over Ministry of Sound's existence — so you just might hear classical renditions of Basement Jaxx, Darude, Röyksopp, Robin, Underworld, Moby, Fisher and more played by its orchestra. Ministry of Sound Classical 2025 Dates Saturday, November 1 — Victoria Park, Brisbane Saturday, November 29 — Sidney Myer Music Bowl, Melbourne Saturday, December 6 — The Entertainment Quarter, Sydney Friday, December 12 — Kings Park & Botanic Garden, Perth Ministry of Sound Classical 2025 Lineup (varies per city) Cassius Judge Jules Sneaky Sound System Tall Paul A.Skillz Dirty South John Course Kid Kenobi Mell Hall Minx 2025's Ministry of Sound Classical tour will pop up across Australia in November and December. For further details and tickets — with presales from Tuesday, June 17 at 12pm AEST, then general sales from Wednesday, June 18 at the same time — head to the tour website. Images: Ruby Boland, Ashlea Caygill and Jack Dullard.
We can't think of a much better way to alleviate all that hectic airport stress than some pre-flight puppy cuddles and wet-nosed kisses. Thankfully, Sydney Airport has a new team of four-legged employees that is very happy to help on all counts. In an Aussie first, American Airlines and Assistance Dogs Australia (ADA) have teamed up to launch a new program called emBark at Sydney International Airport, in an effort to make the whole travelling caper much more bearable. Two mornings each week, a group of ADA-trained floofers will be stationed near American Airlines' check-in desks, to help anyone, young or old, that needs a calming cuddle before tackling all that airport hustle and bustle. As well as proving excellent company and very effective stress relief, the dogs will also help to raise awareness about ADA's work and the huge difference these animals can make. As American's Managing Director – Asia Pacific Russ Fortson explained, "The atmosphere at check-in is noticeably lighter and more relaxed. If these inspiring dogs can accomplish this during short interactions with our customers, imagine the positive impact they can have on the daily lives of the people who need them." At present, emBark pups are stationed at Sydney International Airport's American Airline check-in desks between 7-9am, on Tuesdays and Thursdays. Images: Christine Bernasconi Photography
Over the past six years, Melbourne's famed floating bar has become a summer staple — because soaking up the warm weather and sipping cocktails on the Yarra go hand-in-hand. Thankfully, that won't change in 2021, with Arbory Afloat set to return once again. After its debut in 2015, Arbory Afloat is gearing up to reclaim its prime position in front of on-shore sister venue Arbory Bar & Eatery on the Yarra from Tuesday, October 26 — around the same time Victoria is expected to reach 70 percent vaccination coverage, which will allow venues to reopen for outdoor trade. As part of its annual revamp, the temporary bar and restaurant is taking inspiration from Turkey's Turquoise Coast. The space will be reimagined with a vision of olive trees, tasselled umbrellas, iconic Missoni prints and plenty of classic Aegean hues. To complete the picture, the 69-metre floating venue is set to boast two bars, an upper deck and an undercover dining area — read: lots of space to social distance. And, if that's not enough, the onboard swimming pool will also be making a triumphant return, with poolside daybeds and cabanas available to book. [caption id="attachment_828390" align="alignnone" width="1920"] Illustration by Jeffery Phillips[/caption] Chef Nick Bennett has again designed the menu, this time with a helping hand from Turkish-born chefs and siblings Nada Thomas (Cecconi's, Press Club) and Salim Gafayri (Bar Nacional, Cecconi's). The team's Mediterranean-inspired lineup is filled with Turkish flavours, both classic and contemporary. And would it be a visit to the floating bar without cocktails? We think not. Luckily, there'll be loads, including new house concoctions, cocktails on tap and the latest edition of the Four Pillars pink gin collaboration, along with plenty of craft beers and wines. Of course, despite the return of the annual summer pop-up bar, summer in Melbourne isn't going to be all business as usual. Capacities will be limited, bookings are recommended and there'll be plenty of ticketed events on the calendar — including Arbory Afloat's glitzy New Year's Eve party (early bird tickets are now available). Arbory Afloat is set to open at Flinders Landing from Tuesday, October 26, with opening hours from 11.30am–1am daily. It's taking bookings online, with limited space reserved for walk-ins. Images: Simon Shiff
For cinephiles who like their movies dark, twisted, offbeat and out there, Monster Fest has been a beloved name on Australia's festival circuit for more than a decade. The event started back in 2011 as a Melbourne-only showcase of weird and wild cinema, and has expanded to hit up Sydney, Brisbane, Perth and Adelaide, too — because everyone deserves a strange and surreal (and sometimes chilling and horror-fuelled) night or several at the pictures. In 2022, Monster Fest is back for another whirl, although you're forgiven if that idea sounds familiar: earlier in the year, it hosted weekender mini fests to sate movie buffs' appetites. Now, it's time for the full festival experience, which unfurls over 11 days in Melbourne and four days at its other stops, all highlighting the latest and greatest in genre filmmaking. If it's a horror, sci-fi or thriller movie and it's destined for a cult following, you'll likely see it here first. When it gets things started at Carlton's Cinema Nova from Thursday, November 24–Sunday, December 4, Monster Fest 2022 will kick off with the Yuletide terrors of Christmas Bloody Christmas, which features a robotic Santa malfunctioning, then going on a murderous rampage. 'Tis the season and all that. In fact, the film will launch the fest countrywide, including when it runs at Event Cinemas George Street in Sydney, Event Cinemas Myer Centre in Brisbane, Event Cinemas Marion in Adelaide and Event Cinemas Innaloo in Perth between Thursday, December 8–Sunday, December 11. From there, other standouts include Stephen Dorff- and Emile Hirsch-starring The Price We Pay, which begins with two criminals on the run and gets deadlier from there; The Offering, about a family battling an ancient demon; and Swissploitation flick Mad Heidi, which has its namesake fight fascist rule in a grindhouse frenzy. Or, there's On the Edge, the latest from American Mary filmmakers Jen and Sylvia Soska; Subject, the sophomore release by Australian Watch the Sunset filmmaker Tristan Barr; and Ribspreader, another Aussie effort, this time about getting rid of smoking — and smokers. Closing night features Kids vs Aliens, a coming-of-age sci-fi/horror effort that sees a house party gatecrashed by visitors from another galaxy as directed by Hobo with a Shotgun's Jason Eisener. Elsewhere on the lineup, even though the idea of people fighting to survive their way through a building isn't new by any means — see: High-Rise, Dredd and The Raid, for starters — French film Lockdown Tower is giving it another go. Different cities have different exclusives, too, with more movies on the bill in Melbourne given the longer season. A must-see for everyone, however, is the special presentation of Friday the 13th Part III to celebrate its 40th anniversary, as screening in 3D and 4K. A word of warning: if you like your movies happy and chirpy, this clearly isn't your kind of festival. For everyone else, settle in. MONSTER FEST 2022: Thursday, November 24–Sunday, December 4 — Cinema Nova, Melbourne Thursday, December 8–Sunday, December 11 — Event Cinemas George Street, Sydney Thursday, December 8–Sunday, December 11 — Event Cinemas Myer Centre, Brisbane Thursday, December 8–Sunday, December 11 — Event Cinemas Marion, Adelaide Thursday, December 8–Sunday, December 11 — Event Cinemas Innaloo, Perth Monster Fest runs across late November and early December around Australia. Head to the festival's website for further details. Top image: Photo courtesy of Shudder and RLJE Films.
On the silver screen, Australia's golden landscape is frequently the place where pain dwells. Even when spinning fiction, films such as Mystery Road, Goldstone, Sweet Country, High Ground, The Furnace and The Survival of Kindness scorch reality's horrors and heartbreaks into celluloid with ample help from an ochre-hued backdrop that can only belong to the land Down Under. In Sweet As, the red earth of Western Australia's Pilbara region similarly couldn't be more pivotal; however, this coming-of-age drama from first-time feature director and writer Jub Clerc (The Heights) — who previously contributed segments to anthology movies The Turning and Dark Whispers: Volume 1, draws upon her own adolescent experiences for her full-length debut, and crafts the first WA flick that's helmed and penned by an Indigenous female filmmaker — deploys its patch of Aussie soil as a place where teenagers find themselves. Sweet As often lets its chosen terrain stretch as far as the eye can see, which homegrown cinema adores doing. As the movie roves lovingly over the Pilbara's plains and gorges, cinematographer Katie Milwright (Deadloch, The Clearing) sees its vivid hues, craggy surfaces, and dusty scrubland over and over. More than that, Clerc and her director of photography revel in the details and the beauty, conveying the power of Country, and of travel, in every patient and lingering shot. Indeed, watching Sweet As feels like communing with its surroundings; the picture itself is, and enthusiastically shares that sensation with viewers. As it peers and percolates — absorbs, too — the film also spies a canvas for hopes and dreams. It soaks in the inescapable potency of land that has meant so much to the planet's oldest continuous culture for so long, and now proves revelatory for a group of adolescents sent bush on a photo safari. Murra (Shantae Barnes-Cowan, Firebite) is one such shutterbug, albeit not by choice. With her mother Grace (Ngaire Pigram, also a Firebite alum) grappling with addiction, the 16-year-old is traversing a path to child services' care when her police-officer uncle Ian (Mark Coles Smith, Mystery Road: Origin) enrols her on a trip that she doesn't initially want to take. With youth workers Mitch (Tasma Walton, How to Please a Woman) and Fernando (Carlos Sanson Jr, Bump) as their guides and chaperones, Murra, Kylie (newcomer Mikayla Levy), Elvis (Pedrea Jackson, Robbie Hood) and Sean (fellow first-timer Andrew Wallace) are soon hurtling into the outback on a minibus with cameras in their hands — to snap the sights away from their ordinary lives, and also step beyond everything that they know, form new friendships, gain a different perspective and gaze as intently at themselves as they do at the earth from behind a lens. IRL and in the film, sending kids to capture the inimitable Australian scenery one photo at a time, and to roam over its vastness, is a simple yet profound concept. Murra and her companions — all strangers when they board the bus, and all considered at-risk due to their own troubles — are far too familiar with being scrutinised by others, but now get to do some clocking themselves in a cathartic way. They're tasked with judging what's worthy of their time and attention, and of being immortalised in their snapshots. As they point and shoot, they're given the freedom to express and inspect anything that can be glimpsed at through a viewfinder. They're empowered to be bold, break moulds and discover what no one else perceives. Creativity can be an escape, and it can also be an exorcising release and a catalyst to adopt new viewpoints. As its teen characters segue from apprehensive and rebellious to being grateful what they're doing, and where and why, Sweet As explores and appreciates the straightforward acts of road tripping and taking photographs along the way for everything they can offer. Thanks to its origins in her own tale, Clerc's feature unsurprisingly feels personal. Just as crucially, it feels lived in. Bringing a disparate group of high schoolers together isn't a novel storyline, nor is having them glean life-changing insights in the process — The Breakfast Club has notched up nearly four decades of affection for nailing the formula — but Sweet As never merely ticks recognisable plot boxes. Even as Murra's journey involves crushes, questionable choices and underage drinking, the film always values its characters over the teen rites of passage they undertake. While so much about no longer being a kid but not yet being an adult is universal, the most potent examinations of what that's genuinely like refract teendom's markers and milestones through the people going through them. As told by Clerc, Murra's plight is deeply relatable, including while anchored in being an Indigenous youth in Australia today, but it's also exactly what it is because of who the movie's protagonist uniquely is — and, again, why. Consequently, casting is as important to Sweet As as Clerc's formative years, script (as co-penned with Seriously Red actor and Rush screenwriter Steve Rodgers), and calm and confident guiding hand. This is just the fifth entry on Barnes-Cowan's resume after Operation Buffalo, Total Control, Firebite and Wyrmwood: Apocalypse, and it's the young Adnyamathanha woman's fifth exceptional performance — the fifth in a career that, based on her excellent efforts so far, is only going to keep growing and expanding. Naturalism and resilience have swiftly become consistent hallmarks of her work, each assisting in making Murra seem like she's walked into the frame from reality. Clerc benefits from both, too, observing Barnes-Cowan as Murra observes the world, and finding an entire universe of emotion blossoming. What does it mean to truly take notice — of people, personalities, Country, cultures, history, existence's big and small highlights, and also everything that's often overlooked — and to be taken notice of in return? They're questions that Sweet As endeavours to sit with. As set to all-Indigenous soundtrack, the film is happiest surveying, contemplating and being in the moment; like protagonist, like movie. Sweet As also shines as an example of what it means to cherish a shared exchange, thoughtful glance, bonding experience, radiant hue, gorgeous vista and perfectly captured instant. This buoyant feature brims with all of the above, beaming as brightly as the distinctively Australian landscape it can't and won't stop treasuring.
Sure they can't compete with the '60s, '70s or '80s in terms of powerful speeches, Sean Connery or gravity-defying perms, but the '90s don't have nothing to offer — and we're not talking in double negatives. This was the decade of music that was all about having fun and going to (drug-free) parties, and now that today's musical landscape is drenched in weightier lyrics it seems there's a yearning to grab this carefree innocence by the high waist of its mom jeans. In the last few months S Club, Aqua, The Vengaboys, the Backstreet Boys and, most recently, East 17 and Shai, have all staged moderately successful comebacks on our shores. C&C Music Factory and Hanson are scheduled to follow suit. Matching outfits and half-shaven eyebrows or not, here are ten more pop groups of the '90s that could, in theory, if you just wish hard enough, have an Australian tour on the horizon. https://youtube.com/watch?v=4NO-h9PFum4 1. STEPS Before synth-pop, there was techno line dance. Steps were manufactured in the late '90s in order to release '5, 6, 7 8' as a one-hit wonder, but the band stayed together for five years before splitting up in 2001. A decade later they eschewed reality television to reform for a four-part documentary series titled Steps: The Reunion, which apparently some people actually watched — Series 2 (Steps: On The Road Again) aired on Sky Living in April this year, following the band as they embarked on their sellout 22-date UK tour. https://youtube.com/watch?v=qZUn-KtTNmA 2. FIVE Formed by the guys behind the Spice Girls and signed by Simon Cowell, Scott, Ritchie, J, Abs and Sean were just made to take out Best Pop Act, Best British Band, Best Single, Best Album and Best Haircut (go Scott!). Apparently J's locks weren't quite so popular, because after an extended hiatus the group announced this year that they would reunite without him ("Four will make you get down now…") https://youtube.com/watch?v=UvjLgjtJKsc 3. B*WITCHED Were B*Witched the ultimate '90s role models? Not only did they reject mini dresses in favour of cultivating a tomboy image, but they taught millions of kids to speak French. Sure the girls were dropped by their record company only four years after the release of 'C'est La Vie', but in an interview in December 2008 Sinead said a reunion was not out of the question. And now that double denim is totez fashun, 2012 could just be the year. https://youtube.com/watch?v=4gAsPT-vgeM 4. 98 DEGREES Aren't these dudes just so real? 98 Degrees formed independently and were later picked up by a record label rather than being manufactured, and refined their harmonies while working as a landscaper, a bouncer, a take-out delivery boy and a stripper. Rumours of a reunion show for the second half of 2012 were denied by Nick Lachey, but Lachey also said he would stay married to Jessica Simpson forever and ever — so there's always hope. https://youtube.com/watch?v=Eo-KmOd3i7s 5. N*SYNC In 2002 N*SYNC went on a "temporary hiatus" while High Tenor Justin Timberlake went about getting crazy famous, and though Lance Bass said in 2007 that the group had definitely broken up, their website continues to keep fans updated on the various members' projects. Could their next one be a reunion? https://youtube.com/watch?v=zDKO6XYXioc 6. BOYZ II MEN What the boyz lack in matching parachute pants and neon accents they make up for in commercial success, selling more than 60 million albums worldwide and smashing the record held by Elvis Presley by staying at Number 1 on the Billboard Hot 100 chart for 13 weeks. Bass singer Michael McCary left the group in 2003 due to health issues but the remaining members continue to dispense emotional ballads and a cappella harmonies as a trio, releasing their most recent studio album Twenty last year. https://youtube.com/watch?v=7eul_Vt6SZY 7. BOYZONE Original member Stephen Gately tragically died of natural causes while on holiday in Majorca in 2009, two years after the band made a miraculous comeback, but the remaining members continue to keep the deliciously cheesy magic alive. Their 2010 track 'Gave It All Away', written by Mika, actually charted on our shores, and 2013 will see them tour a new album to celebrate the 20th anniversary of the band forming. https://youtube.com/watch?v=64xah1qYBYI 8. A1 Just shimmying under the metaphorical limbo stick are British-Norwegian pop group A1, who's first single 'Be the First to Believe' reached #6 in the UK singles charts right as the decade came to a close. The boys split in 2001 when Paul Marazzi decided to take his frosted tips and penchant for road worker orange elsewhere, before staging a December 2009 comeback that led to a string of new singles. 'Just Three Words' was released only last month, featuring Pakistani pop singer Annie Khalid. https://youtube.com/watch?v=k6BU6Nb_vDM 9. THE CORRS Talk about making your parents proud. While most young adults have trouble hanging around their siblings long enough to finish a meal, The Corrs have released five studio albums, including the multi-platinum Talk on Corners. They are also all actively involved in philanthropic activities, and only took a hiatus because two of them are raising families. Considering the recent surge in popularity of folk music — The Corrs' brand is a mix of pop and traditional Celtic folk — perhaps it's a good time for that hiatus to end? https://youtube.com/watch?v=qgi3PkouMxs 10. SIXPENCE NONE THE RICHER The Dawson's Creek soundtrack wouldn't have been the same without them, and neither would the '90s. After reuniting in 2007 and playing a headline slot at something called Greenbelt Festival in the UK, loyal fans including Perez Hilton are still waiting for the album that was originally scheduled to drop in 2010. But with a new release date of August 7, a tour might not be far behind.
When Steven Soderbergh (Magic Mike's Last Dance) and David Koepp (Indiana Jones and the Dial of Destiny) work together, someone on-screen is watching on, listening in or both. With the former helming and the latter penning the screenplays, the veteran filmmakers have joined forces on three features so far: 2022's Kimi, as well as the 2025 duo of Presence and Black Bag. Surveillance plays a pivotal part in each. The first of their collaborations focused on an always-eavesdropping smart speaker, plus the company employee who hears something sinister in its audio streams. The third of their shared projects is a spy thriller that hits cinemas in March 2025. Then there's the duo's ghost story, about a family who moves into a home with an otherworldly existing resident. In Presence, the titular entity is indeed peering on and pricking up its ears. How does this ever-prolific pair, whose careers both date back to separate debut movies that screened at the 1989 Sundance Film Festival — Soderbergh's Sex, Lies, and Videotape and the Koepp-scripted Apartment Zero — not only take on the horror-genre staple that is haunted houses, but give it a new perspective? The answer is that very perspective. Presence adopts the viewpoint of the body doing the spooking, which means that the picture's sound and vision presents what its ghost sees and hears. For viewers, there's no question whether there's a spirit lingering about; that's clear immediately. The film's four key humans — matriarch Rebekah (Lucy Liu, Red One), her husband Chris (Chris Sullivan, a veteran of Soderbergh's excellent TV series The Knick), and their teenage children Chloe (Callina Liang, Foundation) and Tyler (debutant Eddy Maday) — aren't as clued in as the audience when Presence begins. They've simply relocated to a new house in the suburbs and are endeavouring to go about their daily lives. The ghost is there before them. It watches on as they navigate dinners, fights, secrets, romances and everything in-between. It spots how Rebekah favours Tyler, and only Chris treats Chloe with kindness. And soon, it starts to make its presence known. Soderbergh came to Koepp about Presence with the basics: "a handful of pages and a strong aesthetic concept," Koepp tells Concrete Playground. From there, for a director who also lensed and edited the film himself — and therefore, as the cinematographer, basically plays the ghost himself — the screenwriter fleshed out a narrative that's as much as family drama as a haunted-house flick. He's working with elements that he loves, and it both shows and pays off, as does the immersive, patient, long-take ghost's-eye camerawork. Koepp has both Stir of Echoes and Ghost Town on his resume, two other tales of haunting entities that he directed. He's no stranger to one-location setups, either, writing David Fincher's Panic Room. Real life was partly an inspiration for Presence, after strange things started happening in Soderbergh's own Los Angeles home, where he knew that someone had died before he moved in. Koepp has had his own encounter with odd occurrences that could possibly be chalked up to the supernatural — but he also knows the thrill that can and does spring from choosing to believe that something ghostly has happened. Building that feeling in, and also the 'has it/hasn't it?' sensation that everyone has had at least when a door swings open or an item has moved unexpectedly, is also one of his Presence feats. Koepp might find excitement and even a dash of optimism in Presence's concept, but that isn't the case with his other surveillance-heavy films with Soderbergh. "I think with a ghost story, yes," he advises. "But I don't find the idea that someone's watching or listening to be hopeful. I find it to be creepy." He continues: "And it's that sense of paranoia is what we're very consciously playing on. Certainly in Kimi. We're right. We've given permission to these devices to just listen to everything we say and do. Everybody's had the feeling of 'hey, I was just talking about Philadelphia, and now my phone is suggesting hotels in Philadelphia'. Well, there's a reason for that. You're not crazy." "And in this, those same feelings of unease — maybe even in this case dread — were things we wanted to play with." Two movies hitting cinemas within two months would be huge for most screenwriters. Koepp also has a third film on its way to picture palaces mid-2025: Jurassic World Rebirth, which sees him return to the franchise after co-penning the OG Jurassic Park script and The Lost World: Jurassic Park, both for Steven Spielberg. His resume highlights go on; Carlito's Way, the first Mission: Impossible, 2002's Spider-Man and Spielberg's War of the Worlds are all on Koepp's filmography, too, and represent just a selection of his wide-ranging array of projects. We also chatted with the Presence scribe about the intimacy of ghost stories, wanting to believe, working with a director who shoots and edits his pictures himself, the variety of films across his busy career and more. On the Intimacy of Ghost Stories — Including When a Haunted-House Film Is a Family Drama Shot From the Ghost's Perspective "Yes, as you point out, ghost stories are really intimate. I've done other ghost stories. I've done one that's meant to be scary, a comedy and this, and I often notice that in most stories, the person who is able to perceive the ghost is usually in some kind of difficult situation in their home life. And that's probably just because that's what makes for drama. You don't want to pick somebody who has everything going well. But I had this theory that perhaps that's also because having experienced a trauma opens you up to be more sensitive to things you couldn't perceive before. I know that there have been periods in my own life when I've gone through things I'd describe now as traumatic, and I felt much more in tune with the emotions of the people around me, because you're just opened up to the world in that way. And I thought 'if you're opened up to the world, why not the other world?'." On Using Real Life as a Starting Point — and Toying with the Excitement of Wanting to Believe "I think that with all of us personally — I can't speak to Steven's experience, but I know in my own, it's something that may or may not have happened, but I really wanted it to have happened. Because who doesn't want to believe these things? And because the very notion of believing in a ghost is optimistic, in that you believe there's something after we die. Who doesn't want to believe that? In Chloe's case, it quickly becomes pretty inarguable. The books were on the bed. The books are now not on the bed. And I guess she can question herself a little bit, but she's not an older person who can say 'oh, I forgot' — she is 16 years old. She knows very well where she left the books. But I do think that most of us who think something like that happened, it's terribly exciting and interesting. Why wouldn't we want it to have happened? And Chloe even says it to her brother later, she says 'can't part of you admit that this is the most-interesting thing that's ever happened in your life? Are you that scared of it that you can't admit that?'." On Writing for a Ghost — and, for a Ghost Basically Played by Steven Soderbergh as Presence's Cameraman "When I first said 'okay, let's do this' and I laid out the story, and then when I started writing it, at first I thought 'oh, this is going to be terribly limiting' — because I'm writing a four-character piece, but I can't ever cut. I can't, if I need a close-up of something, I can't. If I need a reverse, I can't. If I want to suddenly see another character's face for impact, I can't. I can't intercut between locations for suspense. All these tools that are usually available in writing for cinema were now off limits, and I thought 'how limiting'. Then I realised just a few pages into the writing 'no, no, no, you're not writing a four-character piece — you're writing a five-character piece. The fifth character is the presence, and it's played by the camera'. So when I embraced the presence as a character, it could then have feelings and that dictated what happened. It's anxious. It's restless. We know it's kind of fearful because it retreats into the closet frequently. So that made everything much easier, because now I'm writing for a character and I know how to do that." On Penning a Screenplay for a Film That Audiences Will See Differently the Second Time Around "I know everything before I go in, because I've outlined and I've written a summary of it, so I have a good idea who it is and what they're doing. So I'm dropping clues throughout — and there are a number of clues in the body of the film. From a character standpoint, knowing who the presence is and knowing some specifics about them tells me how they would behave. So I think I'm gratified by how many people fully understood it the first time. And I think it does reward a second viewing in that you see all the signposts that were there for you along the way." On the Importance of Presence Being a Film About a Family Struggling as Much as It Is a Haunted-House Film "That was what made it fun. When Steven told me the idea, he said it all needs to be in one house — I mean the aesthetic idea — he said it all needs to be in one house, and I'd like it to be a family. And it hit three of my top boxes for things that I'm interested in writing. It had a strong concept behind it that limited us in some way, and therefore freed us up or forced us into creative solutions. It was all set in a house. I like stories like that. I've done a few of them. Panic Room some years ago, all in one house. And it was a family drama. And one of the things that I like about the big resurgence in horror films in the last ten or 15 or 20 years, I don't know how long it's been now, is that you can you can smuggle in other kinds of stories in the box of a spooky movie. And so I love writing families. I have four kids, I've known a lot of families. We all have our birth families, and if we're lucky enough to have kids, we know that family — and they're very dynamic groups. And it was great fun to be able to write a family drama." On What Keeps Drawing Koepp to Two of Presence's Key Elements: Ghost Stories and One-Location Films "I don't know psychologically, but I do know practically. I call them bottles, in that there's a container for your wine — and much like the Hays Code of the Hollywood in the 30s, 40s and 50s had very strict rules about what you could do and what you couldn't do in terms of sex and innuendo, so the filmmakers were left to think of ways around it and clever ways to insinuate. And I think when you say 'okay, we can't leave the house', then you're compelled to think of creative solutions to your problems. And 'how do I make this interesting even though I'm stuck in this house for the whole movie?'. And 'how do I make that an advantage instead of a disadvantage?'. For me, when you sit down to write something, there's a sense that the world is too big. If you can go anywhere and have them do anything and have absolutely anyone be in it, where do you even begin? It just makes me want to take a nap. But when I'm limited in terms of who can be in it and where they can be, now suddenly I feel like I'm starting to have ideas. I think da Vinci — I don't want to be too highfalutin, but I think Leonardo da Vinci said that all great art is born out of limitation. I'm not saying we're great art, but I think he's right about that." On the Collaborative Process When Working with a Filmmaker Who Directs, Shoots and Edits — as Soderbergh Does on Kimi and Presence "Well, it's particular to the person. All the great directors I've worked with are very hands-on. They don't all do as many jobs as Steven does, shooting it and editing it. Confident people are easier to work with than people who lack confidence. And Steven is extremely confident and extremely decisive. And therefore, he lets other people do their jobs. I know he can do my job. He's an accomplished writer. So I assume if he wanted to, he'd be doing it. He would write it himself — the way he wants to shoot and he wants to edit, so he takes those jobs himself. So I think I appreciate that he guides me, but doesn't try to do it for me." On Jumping Between Indie Films and Blockbusters, Movies and TV, and Screenwriting and Directing Across Koepp's Career "It's what keeps it interesting. I continue to like all kinds of movies. I'll see pretty much anything in the cinema. So I like to try my hand at writing them. And I have this theory that it's like lifting weights. You're supposed to exercise your muscles to the point of failure. I feel like I've tried to exercise my creative muscles across genres to the point of failure — and I have failed. So you find 'oh, I wish I could do that particular type of movie' — turns out I'm not that great at it. But that's what keeps it interesting. You have to continually try different things. And you have to stay in service to the idea. If you have an idea, you can't try to bend it into the kind of film you're comfortable with. You need to become comfortable with the kind of film that the idea demands." Presence opened in cinemas Down Under on Thursday, February 6, 2025.
