One of Melbourne's best new restaurants has suddenly closed its doors. The closure of Restaurant Shik, run by owner and chef Peter Jo, was announced today on Instagram. Opening just over a year ago, the laneway restaurant was known for pairing ambitious Korean fare with an impressive list of natural wines. Jo — who's affectionately known as Kimchi Pete — worked as a sommelier in some of Sydney's top restaurants before he moved into the kitchen. Restaurant Shik was highly reviewed across the board, our reviewer called it "constantly evolving" fare that "can't be pigeon-holed by tradition", and it was nominated for Concrete Playground's Best New Restaurants of 2018. In a post on the chef's personal Instagram, Jo revealed that he had been evicted from the Niagara Lane space and the building repossessed. But, it doesn't spell the end for Shik — instead, it's the "beginning of the next chapter". "Thank you for all the support to all guests, suppliers and friends," says Jo. "Shik will continue." https://www.instagram.com/p/BwGQwvZgifF/ While there's no word yet on what this next venture may be, you might see Jo return to one of his previous stomping grounds — which include Belles Hot Chicken and Sydney's Momofuku Seiobo — or bring back one of his ever-popular collabs and pop-ups. Restaurant Shik is now closed. Images: Kate Shanasy.
There was never a dearth of choice for brekky options in Collingwood, but now the choice is even tougher. Proud Sprout, located on Smith Street, blends Australian breakfast and lunch classics with a Nepalese and Sri Lankan twist. Owners and operators Karishma and Waseem (who also run Little Temper in Hawthorn) grew up in Nepal and Sri Lanka before migrating to Australia a decade ago. Karishma handles the kitchen while Waseem, an architect by trade, handled the fitout. Karishma's menu combines the best of both of their lived experiences. Expect the expected with a bit of a twist — dishes like eggs benny made with smoked trout, sweet potato rosti and avocado hollandaise. Or a French toast rendered truly indulgent with custard crème, strawberries, pistachio crumb and maple. Or the special, the Rikshawwala, a dish of spiced cauliflower, potato, fried eggs and roti paratha. Like a good Melbourne cafe, they're sourcing their coffee exclusively from Padre and the drink menu features a broad range of caf and de-caf options (think smoothies, juices, and chais as well as turmeric and matcha lattes). They also do a mean lunch salad and specialise in takeaway build-your-own lunch boxes (no more sad sandies from Coles for the Smith Street lunch crowd).
Having won over the seafood lovers of Elsternwick and Mordialloc, Tommy Ruff has set down anchor in Windsor, opening the doors to a third fish bar, on Chapel Street. In true Tommy Ruff fashion, the new outpost is oceans away from the greasy takeaway joints that once were the norm, instead championing the fresh, the flavoursome, and the healthy(ish). The styling's a whole lot cheerier too, with Studio Equator delivering a breezy, coastal-inspired space you'll actually want to hang out in. As at the other two stores, Tommy Ruff Windsor caters solidly to those cravings for a classic fish 'n' chip feed, offering a hefty range of market-fresh fish and old school-style meal packs. That said, even the most traditional of fish fiends will be impressed with the array of other sustainably-sourced seafood delights on offer here. We're talking fresh oysters, Hawaiian poké, bowls of mussels, southern-fried barramundi, and paddle crabs cooked in a dreamy blend of garlic butter, ginger, and white wine. Here, you could opt for a crispy potato cake, or chow down instead on a soft shell crab burger, some zingy fish tacos, or a big pile of crispy school prawns. Now that's fast food worth getting excited about. Find Tommy Ruff at 121 Chapel Street, Windsor. Open Monday to Sunday 11.30am - 10pm. Walk-ins only. Images: Hayley Benoit.
Matt Yazbek's new venture, Tokosan, is the perfect place to spend your Thursday evening. Celebrate Friday eve in the karaoke room, bookable for functions of 20 people, and give your lungs workout. When you've worked up an appetite — singing Back Street Boys and Prince - make a beeline for the menu. The pub-style Japanese menu features sticky grilled pork ribs with a jacket potato, Japanese-style chicken burgers and popcorn shrimp with spicy aioli. Tokosan's cocktail list is also a standout. It's named after Kill Bill characters and includes the gin, cucumber and passionfruit O-Ren Ishii, the Boss Tanaka with bourbon, apricot brandy, ginger ale and lemon juice, and the sake-infused Sofie Faale.
We probably don't need to tell the locals about this one, as Acorn Nursery is a bit of an institution in the eastern suburbs. It's been around since 1985, and is now a go-to plant and garden centre complete with a gift shop and cafe. Alongside everything you need to make your garden pop (including seedlings, soil and fertilisers, pots, garden furniture and ornaments), the gift shop has such a wide range that it's probably possible to knock off your entire Christmas present shopping list in one go. There's clothing, homewares, jewellery, bags, lotions, raw honey, toys, books, candles and gift cards to top it off. Celebrate your purchases with a cuppa or a cheeky glass of wine at The Oaks Cafe. Images: Tracey Ah-kee.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue in March. BRAND NEW STUFF YOU CAN WATCH IN FULL NOW SWARM Becky with the good hair gets a shoutout in Swarm. Facial bites do as well, complete with a Love & Basketball reference when the culprit flees. This seven-part series about a global pop sensation and her buzzing fans and stans also has its music icon unexpectedly drop a stunner of a visual album, ride a white horse, be married to a well-known rapper, become a mum to twins and see said husband fight with her sister in an elevator. Her sibling is also a singer, and plenty of folks contend she's the more interesting of the two. Still, Swarm's object of fascination — protagonist Dre's (Dominique Fishback, Judas and the Black Messiah) undying obsession — sells out tours, breaks Ticketmaster and headlines one of the biggest music festivals there is. And, while they call themselves the titular term rather than a hive, her devotees are zealous and then some, especially humming around on social media. Donald Glover and Janine Nabers, the show's creators and past colleagues on Glover's exceptional, now-finished Atlanta — Nabers also worked on Watchmen, too — couldn't be more upfront about who they're referring to. No one says Beyoncé's name, however, but Swarm's Houston-born music megastar is the former Destiny's Child singer in everything except moniker. In case anyone watching thinks that this series is trading in coincidences and déjà vu, or just failing to be subtle when it comes to Ni'Jah (Nirine S Brown, Ruthless), the Prime Video newcomer keeps making an overt opening declaration. "This is not a work of fiction. Any similarity to actual persons, living or dead, or events, is intentional," it announces before each episode. From there, it dives into Dre's journey as a twentysomething in 2016 who still adores her childhood idol with the same passion she did as a teen and, instalment by instalment, shows how far she's willing to go to prove it. Swarm streams via Prime Video. Read our full review. TETRIS The greatest game in the world can't make the leap to screens like most of its counterparts, whether they involve mashing buttons, playing campaigns or attempting to sink ships. A literal adaptation of Tetris would just involve four-piece bricks falling and falling — and while that's a tense and riveting sight when you're in charge of deciding where they land, and endeavouring to fill lines to make them disappear, it's hardly riveting movie viewing. As a film, Tetris is still gripping, however, all while telling the tale behind the puzzle video game that's been a phenomenon since the 80s. Did you have your first Tetris experience on an early Game Boy? This is the story of how that happened. Starring Taron Egerton (Black Bird) as Henk Rogers, the man who secured the rights to the Russian-born title for distribution on video game consoles worldwide, it's largely a dramatised account of the fraught negotiations when the west started to realise what a hit Tetris was, Nintendo got involved, but Soviet software engineer Alexey Pajitnov had no power over what happened to his creation because that was life in the USSR. Egerton is perfectly cast as the resourceful, charming and determined Rogers, a Dutch-born, American-raised, Japan-residing game designer who stumbles across Tetris at a tech conference while trying to sell a version of Chinese strategy game Go. First, his assistant can't stop playing it. Soon, he's seeing blocks in his dreams, as everyone does after playing (and then forever). Director Jon S Baird (Stan & Ollie) and screenwriter Noah Pink (Genius) have a games licensing battle to unpack from there, something that mightn't have been as thrilling as it proves — and certainly is no certainty on paper — in other hands. Stacking up this real-life situation's pieces involves becoming a savvy takedown of shady business deals, a compelling Russia-set spy flick and an exploration of daily existence in Soviet times, plus an upstart underdog story. And, Tetris does all that while gleefully and playfully bringing in the game's aesthetic, and blasting an appropriately synth-heavy soundtrack. Tetris streams via Apple TV+ from Friday, March 31. WEIRD: THE AL YANKOVIC STORY If you've seen one music biopic, or some of the flicks that've earned actors Oscars or nominations in recent years for playing well-known rock stars — think: Bohemian Rhapsody and Elvis — then you know how this genre usually plays out. So does Weird Al Yankovic, who is strongly involved in Weird: The Al Yankovic Story, co-writing, producing and even popping up on-screen. He doesn't give himself a solemn screen tribute, though. For decades, he's found pop music rife for satirising, and now his career spent spoofing hit songs gets sent up as well. The soundtrack is already hilarious, filled as it is with everything from 'My Bologna', 'I Love Rocky Road' and 'Another One Rides the Bus' to 'Eat It', 'Like a Surgeon' and 'Amish Paradise'. The casting is brilliantly hilarious as it is hilariously brilliant, too, with Daniel Radcliffe (The Lost City) sporting a mop of curls, grasping an accordion and wearing Yankovic's Hawaiian shirts like he was born to. Silly, happily self-mocking, not serious for a second: that's this joke-packed flick, which isn't quite as stuffed with gags as a typical Weird Al song, but is still filled with laughs — and still immensely funny. Unsurprisingly, much of Weird: The Al Yankovic Story plays like a collection of skits and sketches, whether visiting his childhood, showing how he scored his big break or charting his fame (which is Westworld's Evan Rachel Wood as a comical Madonna comes in), but it works. Yankovic co-writes with director Eric Appel, a parody veteran thanks to NTSF:SD:SUV, and they're joyfully on the same goofy, go-for-broke wavelength. So is Radcliffe, who keeps demonstrating that he's at his best when a certain Boy Who Lived is relegated to the past, and when he's getting as ridiculous as he possibly can. Forget the wizarding franchise — he's magical when he's at his most comic, as Miracle Workers keeps proving, and now this as well. Weird: The Al Yankovic Story streams via Paramount+. BOSTON STRANGLER When it comes to films about reporters trying to track down serial killers, every movie made since 2007 will always stand in Zodiac's shadow. Still, while Boston Strangler isn't directed by David Fincher, it too is incredibly well-cast — Keira Knightley, Carrie Coon, Chris Cooper, Alessandro Nivola and David Dastmalchian lead the bill — and both quickly and deeply involving. It's also a dimly lit, grimly toned procedural-based drama about good old-fashioned hard work by smart people doing their utmost to stop a spate of horrendous killings, this time the murders terrorising Greater Boston in the 60s. Spotlight comes to mind, too, thanks to the focus on journalists cracking a case. While Boston Strangler won't win the Oscar for Best Picture, it smartly ponders something crucial in this true crime-heavy era: that bleak tales such as these, like all tales, change and evolve. Indeed, while the film focuses on reporting when the killings were happening, this case still had new developments as recently as ten years ago. Loretta McLaughlin (Knightley, Misbehaviour) is a lifestyle writer saddled with reviewing toasters and pleading with her editor Jack MacLaine (Cooper, Irresistible) for meaty work when she notices a pattern among a series of Boston deaths. On her own time, she investigates, realising that multiple women murdered by strangulation might be the work of a serial killer — and Boston Record American, her paper, breaks the story. With the more-experienced Jean Cole (Coon, The Nest), they keep covering the mounting deaths, and earning the ire of local cops even though lead detective Conley (Nivola, Amsterdam) is helpful. Suspicion settles on Albert DeSalvo (Dastmalchian, Ant-Man and the Wasp: Quantumania), but nothing is straightforward in this case. Boston Strangler, too, dives into the struggles of reporting on crimes so shocking, doing so as women often used by their publication as a readership stunt, trying to balance professional and personal commitments and, of course, battling to get to the truth — and to hold those responsible, as well as those meant to finding the culprit, to account. Boston Strangler streams via Disney+. DAISY JONES AND THE SIX Before it was a ten-part Prime Video series, Daisy Jones & The Six was a book. And before Taylor Jenkins Reid's 2019 novel jumped back to the 70s rock scene with its melodramatic tale of sex, drugs and rock 'n' roll, Fleetwood Mac lived through, stunned and shaped the era. No matter where or when an adaptation popped up, or who took to the microphone and guitar in it, bringing Daisy Jones & The Six to the screen was always going to involve leaning into Mick Fleetwood, Stevie Nicks, John McVie, Christine McVie and company's story. Reid has said that she took loose inspiration from the band; "it's a Fleetwood Mac vibe," she's also noted. Those parallels are as obvious as a killer lyric in Daisy Jones & The Six's TV guise, in a series that's heightened, impressively cast, and well-versed in what it's tinkering with and recreating — and a show that also isn't afraid of romance and tragedy, or of characters going all-in for what and who they're passionate about. On the page, this was an oral history. On streaming, it's framed by two-decades-later documentary interviews where key figures — Daisy Jones (Riley Keough, Zola), co-lead singer Billy Dunne (Sam Claflin, Book of Love), guitarist Eddie Roundtree (Josh Whitehouse, Valley Girl), drummer Warren Rojas (Sebastian Chacon, Emergency), bassist Chuck Loving (Jack Romano, Mank) and British keyboardist Karen Sirko (Suki Waterhouse, The Broken Hearts Gallery), plus other pivotal folks in their careers — share memories to-camera. The eponymous musicians burned bright but flamed out fast together, opening text on-screen informs the audience before anyone gets talking. A huge stadium gig at Chicago's Soldier Field late in 1977 was their last, coming at the height of their popularity after releasing hit Rumours-esque record Aurora. Viewers immediately know the ending, then, but not what leads to that fate. Daisy Jones & The Six streams via Prime Video. Read our full review. WELLMANIA When Australian-in-New York Liv (Celeste Barber, Seriously Red) heads home for her best friend Amy's (JJ Fong, Creamerie) 40th birthday, it's meant to be a flying Sydney visit. A food writer loving life in the Big Apple, she has a career-defining big break to get back to: being a judge on a new culinary contest TV show. But thanks to a stolen handbag, a missing green card and just the all-round chaos that is her existence, that Harbour City stay gets prolonged. With no paperwork, Liv has to jump through the American government's bureaucratic hoops again. And, her wellbeing isn't great, which means getting fit to show that she won't be a burden on the US health care system when she returns. Her mother Lorraine (Genevieve Mooy, Never Too Late) is thrilled, and her personal-trainer brother Gaz (Lachlan Buchanan, Dynasty) is about to get married to real-estate agent Dalbert (Remy Hii, Blaze) so the timing comes in handy — but Liv would rather be anywhere else and doing anything else but looking after herself. Wellmania hits the screen from the page, adapting author and journalist Brigid Delaney's book Wellmania: Misadventures in the Search for Wellness into an eight-part dramedy — with Delaney behind the show, too, alongside The Family Law's Benjamin Law. Getting your health in order is a messy business when you've spend decades drinking, partying and never saying no to a good time; getting your life sorted, which comes with Liv's desperate quest to get back to NYC, is just as much of a shambles. There's a Fleabag-but-Australian vibe to this quickly addictive series, which might've played more like a copy of other shows even with its focus on radical wellness techniques and copious Sydney harbour shots if Barber wasn't so perfectly cast. This is a firm case of a star's online fame linking in with their on-screen work savvily, given how well-known Wellmania's lead is for satirising Instagram-inspired quests for aesthetic perfection. That's only the show's starting point, though, and Barber is just as adept at anchoring a series about discovering who you are when you're definitely no longer coming of age, and realising what's important amid all the hustle and bustle. Wellmania streams via Netflix. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK TED LASSO It wasn't simply debuting during the pandemic's first year, in a life-changing period when everyone was doing it tough, that made Ted Lasso's first season a hit in 2020. It wasn't just the Apple TV+ sitcom's unshakeable warmth, giving its characters and viewers alike a big warm hug episode after episode, either. Both play a key part, however, because this Jason Sudeikis (Saturday Night Live)-starring soccer series is about everyone pitching in and playing a part. It's a team endeavour that champions team endeavours — hailing from a quartet of creators (Sudeikis, co-star Brendan Hunt, Detroiters' Joe Kelly and Scrubs' Bill Lawrence), boasting a killer cast in both major and supporting roles, and understanding how important it is to support one another on- and off-screen (plus in the fictional world that the show has created, and while making that realm so beloved with audiences). Ted Lasso has always believed in the individual players as well as the team they're in, though. It is named after its eponymous American football coach-turned-inexperienced soccer manager, after all. But in building an entire sitcom around a character that started as a sketch in two popular US television ads for NBC's Premier League coverage — around two characters, because Hunt's (Bless This Mess) laconic Coach Beard began in those commercials as well — Ted Lasso has always understood that everyone is only a fraction of who they can be when they're alone. That's an idea that keeps gathering momentum in the show's long-awaited third season, which has much to engagingly dive into. It starts with Ted left solo when he desperately doesn't want to be, with AFC Richmond owner Rebecca Welton (Hannah Waddingham, Hocus Pocus 2) desperate to beat her ex Rupert Mannion (Buffy the Vampire Slayer's Anthony Stewart Head) new team, and with the Greyhounds' former assistant Nathan 'Nate' Shelley (Nick Mohammed, Intelligence) now coaching said opposition — and with changes galore around the club. Ted Lasso streams via Apple TV+. Read our full review. YELLOWJACKETS For Shauna (Melanie Lynskey, The Last of Us), Natalie (Juliette Lewis, Welcome to Chippendales), Taissa (Tawny Cypress, Billions), Misty (Christina Ricci, Wednesday), Lottie (Simone Kessell, Muru) and Van (Lauren Ambrose, Servant), 1996 will always be the year that their plane plunged into the Canadian wilderness, stranding them for 19 tough months — as season one of 2021–2022 standout Yellowjackets grippingly established. As teenagers (as played by The Kid Detective's Sophie Nélisse, The Book of Boba Fett's Sophie Thatcher, Scream VI's Jasmin Savoy, Shameless' Samantha Hanratty, Mad Max: Fury Road's Courtney Eaton and Santa Clarita Diet's Liv Hewson), they were members of the show's titular high-school soccer squad, travelling from their New Jersey home town to Seattle for a national tournament, when the worst eventuated. Cue Lost-meets-Lord of the Flies with an Alive twist, as that first season was understandably pegged. All isn't always what it seems as Shauna and company endeavour to endure in the elements. Also, tearing into each other occurs more than just metaphorically. Plus, literally sinking one's teeth in has been teased and flirted with since episode one, too. But Yellowjackets will always be about what it means to face something so difficult that it forever colours and changes who you are — and constantly leaves a reminder of who you might've been. So, when Yellowjackets ended its first season, it was with as many questions as answers. Naturally, it starts season two in the same way. In the present, mere days have elapsed — and Shauna and her husband Jeff (Warren Kole, Shades of Blue) are trying to avoid drawing any attention over the disappearance of Shauna's artist lover Adam (Peter Gadiot, Queen of the South). Tai has been elected as a state senator, but her nocturnal activities have seen her wife Simone (Rukiya Bernard, Van Helsing) move out with their son Sammy (Aiden Stoxx, Supergirl). Thanks to purple-wearing kidnappers, Nat has been spirited off, leaving Misty desperate to find her — even enlisting fellow citizen detective Walter (Elijah Wood, Come to Daddy) to help. And, in the past, winter is setting in, making searching for food and staying warm an immense feat. Yellowjackets streams via Paramount+. Read our full review. SUCCESSION Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, No Sudden Move), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and now-presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure must wrap up. He's stubborn. He's proud, too, of what he's achieved and the power it's brought. Whenever Logan has seemed nearly ready to leave the business behind, he's held on. And if he's challenged or threatened, as three seasons of the Emmy-winning series have done again and again, he shows no signs of ever letting go. Succession has always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it's never been about finales quite the way it is in its fourth season. This time, there's a ticking clock not just for the show's characters, but for the stellar series itself. In late February, in an interview with The New Yorker a month out from season four's premiere, Succession's creator and showrunner Jesse Armstrong advised that this is its last go-around. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this one is going out at the height of its greatness — yes, its final batch of episodes begins out that strongly, complete with unhappy birthday parties, big business deals, plenty of scheming and backstabbing, and both Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) and family cousin Greg (Nicholas Braun, Zola) in vintage form — which is how Logan should've always wanted to as well. Succession streams via Binge. Read our full review. RAIN DOGS In 2019's Skint Estate, Cash Carraway told all; A memoir of poverty, motherhood and survival completes the book's full title. Penned about working-class Britain from within working-class Britain, Carraway's written jaunt through her own life steps through the reality of being a single mum without a permanent place to live, of struggling to get by at every second, and of being around the system since she was a teenager. It examines alcoholism, loneliness, mental illness and domestic violence, too, plus refuges, working at peep shows, getting groceries from food banks and hopping between whatever temporary accommodation is available. Rain Dogs isn't a direct adaptation. It doesn't purport to bring Carraway's experiences to the screen exactly as they happened, or with slavish fidelity to the specific details. But this HBO and BBC eight-parter remains not only raw, rich, honest and authentic but lived in, as it tells the same story with candour, humour, warmth and poignancy. Slipping into Carraway's fictionalised shoes is Daisy May Cooper — and she's outstanding. Her on-screen resume includes Avenue 5 and Am I Being Unreasonable?, as well as being a team captain on the latest iteration of Britain's Spicks and Specks-inspiring Never Mind the Buzzcocks, but she's a force to be reckoned with as aspiring writer and mum (to Iris, played by debutant Fleur Tashjian) Costello Jones. When Rain Dogs begins, it's with an eviction. Cooper lives and breathes determination as Costello then scrambles to find somewhere for her and Iris to stay next. But this isn't just their tale, with the pair's lives intersecting with the privileged but self-destructive Selby (Jack Farthing, Spencer), who completes their unconventional and dysfunctional family but tussles with his mental health. Including Costello's best friend Gloria (Ronke Adekoluejo, Alex Rider), plus ailing artist Lenny (The Young Ones legend Adrian Edmondson), this is a clear-eyed look at chasing a place to belong — and it's stunning. Rain Dogs streams via Binge. Read our full review. LUCKY HANK When Better Call Saul finished its six-season run in 2022, it was the end of an era. Not only did one of the absolute best TV shows of the past decade and the whole 21st century so far wrap up, but the Breaking Bad universe with it for now. And, it meant that the wonderful Bob Odenkirk was no longer on our screens regularly. Thankfully, with the arrival of Lucky Hank, the latter was only a short-lived state of affairs. This dramedy — because everything is a dramedy at the moment — hails from The Office actor/co-writer Paul Lieberstein, adapts Richard Russo's 1997 novel Straight Man, and casts its Undone and Nobody star as a Pennsylvanian college professor. The eponymous Hank Devereaux Jr inhabits a whirlwind of chaos, including underfunding at his university in general, unhappy colleagues in the English department he chairs, students challenging him, a wife that's tiring of academic life and the fact that he's only penned one book thanks to a hefty bout of writers' block. If some of the above sounds familiar, that's because The Chair flicked through similar territory in 2021 — also engagingly, and with Sandra Oh at its centre. Like that series, Lucky Hank thrives through its excellent lead casting, with watching Odenkirk still one of the easiest things in the world no matter what he's in. He has excellent company, including Lieberstein's The Office co-star Oscar Nuñez as Railton College dean, Mireille Enos (Hanna) as his wife, and Diedrich Bader (Shazam! Fury of the Gods) as a friend and co-worker. As a guest star, one and only Twin Peaks legend Kyle MacLachlan is also among the cast. Odenkirk wears middle-aged malaise so devastatingly well, though, which made Better Call Saul one of the best tragedies there is, and helps Lucky Hank prove as thoughtful as it is charming. There's depth to Hank's experiences, too, with Russo's tome based on his own time teaching at several colleges. Lucky Hank streams via Stan. A RECENT CLASSIC MOVIE YOU NEED TO CATCH UP WITH BODIES BODIES BODIES The internet couldn't have stacked Bodies Bodies Bodies better if it tried, not that that's how the slasher-whodunnit-comedy came about. Pete Davidson (The Suicide Squad) waves a machete around, and his big dick energy, while literally boasting about how he looks like he fucks. Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan Oscar-nominee Maria Bakalova plays the cautious outsider among rich-kid college grads, who plan to ride out a big storm with drinks and drugs (and drama) in one of their parents' mansions. The Hunger Games and The Hate U Give alum Amandla Stenberg leads the show as the gang's black sheep, turning up unannounced to zero fanfare from her supposed besties, while the rest of the cast spans Shiva Baby's Rachel Sennott, Generation's Chase Sui Wonders and Industry's Myha'la Herrold, plus Pushing Daisies and The Hobbit favourite Lee Pace as a two-decades-older interloper. And the Agatha Christie-but-Gen Z screenplay? It's drawn from a spec script by Kristen Roupenian, the writer of 2017 viral New Yorker short story Cat Person. All of the above is a lot. Bodies Bodies Bodies is a lot — 100-percent on purpose. It's a puzzle about a party game, as savage a hangout film as they come, and a satire about Gen Z, for starters. It carves into toxic friendships, ignored class clashes, self-obsessed obliviousness, passive aggression and playing the victim. It skewers today's always-online world and the fact that everyone has a podcast — and lets psychological warfare and paranoia simmer, fester and explode. Want more? It serves up another reminder after The Resort, Palm Springs and co that kicking back isn't always cocktails and carefree days. It's an eat-the-rich affair alongside Squid Game and The White Lotus. Swirling that all together like its characters' self-medicating diets, this wildly entertaining horror flick is a phenomenal calling card for debut screenwriter Sarah DeLappe and Dutch filmmaker Halina Reijn (Instinct), too — and it's hilarious, ridiculous, brutal and satisfying. Forgetting how it ends is also utterly impossible. Bodies Bodies Bodies is available to stream via Prime Video. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2022, and January and February 2023. You can also check out our list of standout must-stream 2022 shows as well — and our best 15 new shows of last year, top 15 returning shows over the same period, 15 shows you might've missed and best 15 straight-to-streaming movies of 2022.
Despite the scale of Australia, Aussies love to walk. There's loads of scenery, our cities are optimised for walking, and we have some beautiful tracks nationwide that are worth the lengthy trips to get there. With thick jungles, red deserts and stunning coastlines, we're spoilt for choice. One of the most spectacular is the mighty Three Capes Track. The 48km trail, found in far southeast Tasmania, takes you through the spectacular wilderness of Tassie and along the highest sea cliffs in the country. If you want to level up an already stunning experience, you can book with the Tasmanian Walking Company to sleep in a private eco-lodge and campsite along the track (rather than the public huts) to rest and recover in style between walking stretches. Now the good part: you can win two spots on the Three Capes Adventure with the Tasmanian Walking Company. This adventure includes experienced guides, lightweight packs, private accommodation, chef-curated meals, plus local beer and wine throughout the adventure. We're also throwing in a $1000 flight voucher to get you there and home, so all you need to worry about are the awesome views. To enter the giveaway, complete the form below. [competition]895873[/competition]
This time last year, Netflix subscribers were getting excited about a slate of fresh flicks that included whodunnit Glass Onion: A Knives Out Mystery, action-thriller The Gray Man, Marilyn Monroe biopic Blonde, Guillermo del Toro's Pinocchio, the screen version of Roald Dahl's Matilda the Musical and a new adaptation of Lady Chatterley's Lover. That's part of 2022's haul. In 2023, the streaming platform has another hefty list — and star-studded, too — of new movies to look forward to. And, to whet viewers' film-loving appetites, it has just dropped a sneak peek at quite the number of them. On Netflix's lineup for 2023, and therefore on yours as well: assassins, murder mysteries, battles at the edge of the galaxy, beloved TV series getting the movie treatment, action sequels, conspiracy dramas, rom-coms and more. And, a massive roster of recognisable faces, too, with everyone from Michael Fassbender and Adam Sandler to Emily Blunt and Reese Witherspoon popping up. Netflix has unveiled initial glimpses as well as release dates for all the flicks featured, which also means updating your calendar now. It isn't arriving first, but perhaps the number-one film to make a date with: David Fincher's assassin thriller The Killer, starring Fassbender (X-Men: Dark Phoenix) alongside Tilda Swinton (Three Thousand Years of Longing), and seeing Fincher return to his fondness for crime (see also: Seven, Zodiac and Mindhunter). It'll drop on November 10. Also instantly intriguing is Pain Hustlers, starring Blunt (The English) alongside Chris Evans (Lightyear) and Catherine O'Hara (Schitt's Creek), and hailing from Harry Potter and Fantastic Beasts franchise filmmaker David Yates. Releasing on October 27, it tracks a woman striving for a better life but soon caught in a criminal conspiracy. [caption id="attachment_885547" align="alignnone" width="1920"] JoJo Whilden[/caption] Or, there's Rebel Moon, the latest from Zack Snyder — and his latest film for Netflix after 2021's Army of the Dead. Streaming from December 22, it focuses on conflict in an otherwise peaceful intergalactic colony, is firmly a space epic, and includes Charlie Hunnam (The Gentlemen), Sofia Boutella (Guillermo del Toro's Cabinet of Curiosities), Michiel Huisman (The Flight Attendant), Anthony Hopkins (Armageddon Time) and Djimon Hounsou (Black Adam) among its cast. And, from December 8, Leave the World Behind also gets well-known stars together — Julia Roberts (Ticket to Paradise), Mahershala Ali (Swan Song), Ethan Hawke (The Northman) and Kevin Bacon (The Guardians of the Galaxy: Holiday Special), for starters — with Mr Robot's Sam Esmail directing. Based on the novel of the same name, the film heads on a family vacation on Long Island, where strangers arrive with news of an eerie blackout. [caption id="attachment_885548" align="alignnone" width="1920"] Scott Yamano[/caption] Other titles reaching the platform throughout the year include Murder Mystery 2, arriving on March 31 and seeing Adam Sandler (Hustle) and Jennifer Aniston (The Morning Show) return (and get caught up in another mystery); Luther: The Fallen Son on March 10, with Idris Elba (Beast) back as John Luther after the hit TV show; the Gal Gadot (Death on the Nile)- and Jamie Dornan (Belfast)-led spy flick Heart of Stone on August 11; and Damsel with Millie Bobby Brown (Stranger Things) and Angela Bassett (Black Panther: Wakanda Forever) on October 13. And, there's the Jonah Hill (Don't Look Up) and Eddie Murphy (Coming 2 America)-starring You People on January 27; Witherspoon (The Morning Show) and Ashton Kutcher (That '90s Show) in Your Place or Mine on February 10; Extraction 2, the sequel to the Chris Hemsworth (Thor: Love and Thunder)-led hit, on June 16; comedy A Family Affair with Nicole Kidman (The Northman) and Zac Efron (Firestarter) on November 17; and coming-of-age animated musical Leo, featuring Sandler's voice work, on November 22. Add in Jennifer Lopez (Marry Me) in The Mother on May 12, the Kevin Hart (Me Time)-starring Lift on August 25, and They Cloned Tyrone with Jamie Foxx (Spider-Man: No Way Home), John Boyega (The Woman King) and Teyonah Parris (Candyman) on July 21 — yes, there's going to be plenty to watch this year. The list goes on — and, Netflix usually gives some of its new films cinema runs, too. That means that in addition to a heap of couch time coming up, you'll likely be able to see some of these movies on the big screen as well. Check out Netflix's trailer for its 2023 films below: New movies will hit Netflix throughout 2023— head to the streaming platform for its current catalogue. Top image: Brian Douglas/Netflix © 2023.
If there's one thing that Ben & Jerry's loves above all else, it's the obvious: ice cream in a huge array of ridiculously named flavours. It's the brand behind Chunky Monkey, Cherry Garcia, Phish Food and The Tonight Dough — and has been responsible for Liz Lemon Greek Frozen Yoghurt, Stephen Colbert's AmeriCone Dream and Schweddy Balls, too. And, once a year to the delight of your sweet treat-loving tastebuds, it loves giving away free scoops just as much. Indeed, to share its wares with the masses for nix, these frozen confection masterminds gave the world Free Cone Day, which is exactly what it sounds like — a day where your ice cream is on the house. It ran annually until the pandemic, then took a break for obvious reasons. And on Monday, April 3, it's finally back for the first time since 2019. Here's how it works: if you adore ice cream as much as Ben & Jerry's adores ice cream, then you just need to hit up your local participating store between 12–8pm AEST. You can choose whichever flavour you like, and you can also line up for a free cone as many times as you like within that eight-hour period. Free Cone Day is happening Australia-wide — worldwide, too, in more than 35 countries — at both Ben & Jerry's Scoop Stores and its Hoyts outlets. Victorians have St Kilda and Burwood East stores, and Hoyts venues in Melbourne Central, Docklands, Ringwood, Chadstone, Greensborough, Maribyrnong and Ringwood to choose from.
Each month, Lune Croissanterie whips up a new batch of limited-time specials, giving you something tasty to look forward to when you flip over your calendar. Lamington cruffins, bolognese and bechamel-filled lasagne pastries, Iced Vovo cruffins, tiramisu pastries, finger bun croissants and cherry blossom cruffins have all been on the list so far this year, just for a month. If that's what Lune cooks up just for a regular portion of the year, just imagine what's on its menu for its tenth birthday. Actually, you don't need to ponder. The time is now, the birthday-focused October menu is here and your stomach will want it. First up, the latest Frankenstein's monster of baked goods: a birthday cake croissant. Yes, it's exactly what it sounds like. Lune has taken a traditional croissant, brushed it with a vanilla milk syrup, then filled it with an almond and sprinkle frangipane. On top: a sprinkle crumble, buttercream icing and then more sprinkles. What's a birthday without sprinkles, after all? A bad one. The birthday cake croissant is available at all stores right through the month until Monday, October 31, and you can order it online from South Brisbane. The rest of the list pops up here and there — but always at at least one spot in Melbourne and Brisbane, where Lune currently operates. That includes cherry ripe pain au chocolats (made with cherry and coconut frangipane, buccaneer tea ganache and sliced maraschino cherries, then dusted with Mork chocolate and freeze-dried cherries) and PBJ cruffins (filled, obviously, with house-made raspberry jam and peanut crème patisserie, then dusted with cinnamon sugar and finished with a button of raspberry jam) — and both are on offer at Fitzroy and South Brisbane. Or, there's the spring pea danish (which features fresh peas and broad beans coated in a herbaceous salsa verde, sat on top of a layer of orange marmalade and seasoned goats' curd, and garnished with snow pea tendrils and edible flowers), also at the same stores — and the return of the cheese and Vegemite escargots (an escargot pastry filled a classic Vegemite bechamel and gruyere cheese, rolled, then baked with extra gruyere melted on top) at all shops. Fitzroy, South Brisbane and the new Brissie CBD spot in Burnett Lane are doing cardamon buns as well – a "kardemummabullar"-inspired croissant piped with a cardamon-spiced butter, then twisted into a knot, sprinkled with sugar and baked. Hungry? Of course you are, and you now have a whole heap of snack options. In Melbourne on weekends in October, Lune is also serving up a selection of past hits — if you need even more choices. Lune's October specials menu runs until Monday, October 31, with different specials on offer at Fitzroy and the CBD in Melbourne, and South Brisbane and Burnett Lane in Brisbane. From the South Brisbane store only, you can also order them online. Images: Pete Dillon.
As we all launch into the start of a brand-new decade, one much-loved, coffee-slinging local also happens to be notching up a pretty significant 15th birthday. Yep, long-running South Melbourne cafe and roastery St. Ali is turning the big 1-5 — and throwing a free New Year's Day street shindig to celebrate. The inaugural St. Ali x Feels Good Laneway Party will be giving a big thumbs up to community, serving a jam-packed program of tunes, eats and family-friendly fun. If you're feeling fresh, it's kicking off early at 7am, as some special guests crash the kitchen to whip up a few tasty menu additions. You'll catch the likes of Curtis Stone's grilled lamb ribs with leek and ash yoghurt, some Middle Eastern delights from Shane Delia and even a limited-edition collaboration croissant courtesy of Lune. There'll be a 9am Yoke Yoga class, a range of roving performers, and pop-up stalls from favourites like Vinterloper, Colonial Brewing Co, Starward Whisky, Sofi Spritz and Piccolina Gelato. Then, the tunes will be dished up from noon, with acts like Ali Barter, Hvncoq and Finding Figaro happily easing you into 2020. RSVP via Facebook and you'll be in with a shot at winning the ultimate New Year blessing: a La Marzocco home coffee machine and grinder, and 15 months worth of St. Ali coffee.
It's television's greatest tragedy, and one that's been more than a decade in the making. Watching Better Call Saul, it's impossible not to think about the route its protagonist takes through Breaking Bad. We already know how Saul Goodman's (Bob Odenkirk) story ends, so as we explore his pre-Walter White life — when he was known by his birth name of Jimmy McGill and genuinely wanted to be a legitimate lawyer — the feeling is bittersweet, to say the least. The same sensation applies to former cop Mike Ehrmantrout (Jonathan Banks), whose Breaking Bad fate is also already known. Before getting caught up with Gus Fring (Giancarlo Esposito), he first crossed Jimmy's path as a car park attendant at the Albuquerque court house — and Better Call Saul tells his tale as much as its namesake's For four seasons since 2015, the Breaking Bad prequel has stepped through the earlier existence of these two characters, as well as others in their orbit — such as Jimmy's successful older brother Chuck (Michael McKean), his girlfriend and fellow lawyer Kim Wexler (Rhea Seehorn), and Mike's widowed daughter-in-law Stacey (Kerry Condon) and granddaughter Kaylee (Abigail Zoe Lewis). As the episodes pass, the two central figures slowly start inching towards their Breaking Bad lives. Familiar faces, such as Gus and Hector Salamanca (Mark Margolis) also pop up. The result: a series that's as excellent as its predecessor, and one that provides another excuse to spend more time in Breaking Bad's world. After last airing episodes in 2018 — and leaving 2019 to El Camino — A Breaking Bad Movie — it's returning for a fifth season this year. And if you can't wait until February 24 to see what comes next, or you weren't quite satisfied by the season's first couple of sneak peeks, a new trailer has just dropped. This new trailer is still brief, like its predecessors, but it does offer a glimpse at all the familiar players. Jimmy, Mike, Kim, Gus and Hector are all accounted for, as is gangland figure Nacho Varda (Michael Mando). That said, the biggest revelation is the return of a Breaking Bad character who hasn't been seen in Better Call Saul just yet, but was always going to pop up eventually. No, it's not Walt (Bryan Cranston) or Jesse Pinkman (Aaron Paul), but DEA agent and Walt's brother-in-law Hank Schrader (Dean Norris). The trailer follows a big Better Call Saul announcement a few weeks back, with US network AMC announcing that the show will wrap up after its sixth season. Work on the last batch of 13 episodes will begin this month, and will presumably air in 2021 — ending your chances to hear Jimmy tell everyone "s'all good, man". Check out the trailer below: https://www.youtube.com/watch?v=iLOgEMxt-yM&feature=youtu.be Better Call Saul's fifth season starts streaming on Stan from Monday, February 24.
In literally huge news for keen hikers, a spectacular new walking trail has been unveiled on the NSW North Coast. The Gidjuum Gulganyi Walk weaves a spectacular 42-kilometre path through the ancient Gondwanan rainforest and volcanic landscapes of the Tweed Byron Hinterland, and it's ready to be explored right now. Located on Widjabul Wia-bal and Minjungbal Country, part of the Bundjalung Nation, the walk connects Mount Jerusalem National Park and Nightcap National Park via the Whian Whian State Conservation Area, and is the latest addition to NSW's growing collection of Great Walks. 'Gidjuum Gulganyi' translates to 'old people's track', a name chosen by the land's Traditional Owners to honour the cultural significance of this route, which follows paths walked by their ancestors for thousands of years. [caption id="attachment_999895" align="alignnone" width="1920"] Scrub Tree Walking Track, R Brand[/caption] The four-day, three-night walk offers hikers a chance to explore plunging waterfalls and towering trees, as well as take in sweeping views of the Tweed caldera mountains. Across the three different parks the walking trail traverses, walkers will also be able to encounter the region's incredible biodiversity, including rare and unique species of flora, as well as creation sites, ceremonial areas, traditional pathways and campgrounds that are connected through the Dreaming. The walk ends at the dramatic Minyon Falls, a 100-metre-tall cascade formed by the ancient Tweed Volcano. The trail also boasts three newly built campgrounds, each fitted out with 11 elevated sleeping platforms — you can BYO gear and book a camping package, or opt for a guided experience that delves deeper into the region's flora, fauna and rich Indigenous heritage. There's also a shuttle service available for transfers from nearby towns and airports. [caption id="attachment_999892" align="alignnone" width="1920"] Peates Mountain Track, R Brand[/caption] Not quite ready for the full 42 kilometres? No problem. You can tackle one of the many shorter side trails and sections, with options for a range of fitness levels. The Gidjuum Gulganyi Walk — delivered by NSW National Parks and Wildlife Service (NPWS) — is part of the $7.34 million Tweed Byron Hinterland Trails Project, which aims to showcase the ancient landscape of and encourage more nature-based tourism to the region. It's the sixth NSW Great Walk to open in the past two years, and a worthy new addition to the list. [caption id="attachment_999897" align="alignnone" width="1920"] Yelgun Kyoomgun campground, D Parsons[/caption] [caption id="attachment_999896" align="alignnone" width="1920"] Unicorn Falls Walking Track, R Brand[/caption] [caption id="attachment_999893" align="alignnone" width="1920"] Scrub Creek Walking Track, D Parsons[/caption] [caption id="attachment_999891" align="alignnone" width="1920"] Minyon Falls, D Parsons[/caption] For more information or to book, head to the NPWS website. Top image: D Parsons.
Books for Cooks has been open in Melbourne since 1983. It's moved around over the years before moving to the Queen Victoria Market in 2018. An independent, specialist bookstore, Books for Cook has more than 40,000 cookery and food and wine titles in stock. The store is run by passionate cooks and lovers of good food, and the team can help you search for any hard-to-find titles. If you've done a Marie Kondo recently and have some old books to clear away, Books for Cooks also buys good-condition secondhand food and wine books. Images: Parker Blain.
Run by Santiago and Carolina Villamizar, a young Colombian couple, Sonido! is an awesome place to hang out. Naturally, the coffee is amazing and the food is even better. Get an empanada or the ropa vieja arepas and follow it up with a Brazilian cocada, or just sip an Inca Kola while you flick through the retro South American records stacked by the turntable. Swing by Chiquitica too, the new art space at Sonido!, dedicated to artworks that focus on South America.
Sometimes, Disney adapts its movies and brands — names like Star Wars, Marvel, Pixar — into theme-park attractions. Sometimes, it makes streaming shows about the rides at its amusement parks as well. And, as happened with Pirates of the Caribbean, Jungle Cruise and Tomorrowland, sometimes the Mouse House loves the highlights at its parks so much that it spins them out into their own films. Disney already took the latter path with The Haunted Mansion back in 2003; however, the massive entertainment company also adores revisiting its past hits (see: the upcoming live-action versions of Peter Pan & Wendy and The Little Mermaid, plus a whole lot more in recent years). So, it's ticking two boxes with Haunted Mansion, a second flick based on the Disneyland, Magic Kingdom Park and Tokyo Disneyland must-see. Obviously, the overall concept is right there in the name, but the new film's just-dropped trailer provides more story details. This time around, single mother Gabbie (Rosario Dawson, Clerks III) and her son (Chase W Dillon, The Harder They Fall) bring in folks who call themselves 'spiritual experts' when they discover that they're not the abode's only residents Cue a cast that also features LaKeith Stanfield (Atlanta), Tiffany Haddish (The Afterparty), Owen Wilson (Loki), Danny DeVito (It's Always Sunny in Philadelphia) and Dan Levy (Schitt's Creek), plus 2023 Oscar-nominee Jamie Lee Curtis (Halloween Ends). Plenty of the above names are keen to make some cash offering their services — and some of the movie's stars, such as Jared Leto (Morbius) as The Hatbox Ghost, get spooky. The end result will creep into cinemas in July, with Dear White People and Bad Hair filmmaker Justin Simien directing. And yes, if you want to watch the Eddie Murphy (You People)-starring original movie in the interim, you'll find it — and 2021 special Muppets Haunted Mansion — on Disney+ right now. Check out the Haunted Mansion trailer below: Haunted Mansion releases in cinemas Down Under on July 27.
Experience the lively festivities of Tamil New Year with a flavourful twist at this three-course Sri Lankan dinner hosted by social enterprise Welcome Merchant. Taking place on Tuesday, April 16, at Molly Rose Brewery in Collingwood, this event promises an evening of culture, cuisine, and community support. Former refugee chef Niro Vithyasekar, the culinary expert behind Tuka Tuka KothuRoti Man, will be crafting Sri Lankan milk rice with seeni sambol and vadai, followed by an array of curries, including chicken, coconut and carrot, eggplant and chickpea, and lentil. The menu, thoughtfully curated to cater to vegans and vegetarians, will include coconut payasam for dessert. Complementing the meal are the delicious brews from Molly Rose Brewing, ensuring a refreshing sip with each bite. To add to the festivities, guests can enjoy an exceptional dance performance and participate in an exclusive raffle draw. Prizes include books and luxury gifts from Hampers With Bite. All proceeds from the evening will support Welcome Merchant's mission of empowering refugee, migrant, and asylum-seeker entrepreneurs across Australia. Limited tickets are available, so secure yours now here.
Since Australian cinemas started reopening more than 12 months ago, following the country's first nationwide lockdown, new films have been hitting the big screen each and every week. But, depending on whether another round of stay-at-home conditions happen to be in place, or even just restrictions, heading to the flicks hasn't been as straightforward a pastime as it was before we'd all ever heard of COVID-19. Even if you're the biggest movie buff there is, that means that you probably haven't been to the cinema as much as you normally would've. If you're the kind of film-goer who is happy to just head along every now and then, you might've been more selective with your viewing choices. Or, juggling your schedule to fit in a trip to the pictures mightn't have been your biggest priority. Thankfully, a heap of the past year's cinema gems have now made their way to various streaming platforms, so you can catch up on plenty of great movies at home. Here's 12 that'll keep you busy right this moment — whether you're in lockdown, the weather is average or you just feel like some extended couch time. AMERICAN UTOPIA There may be no catchier lyric in music history than "same as it ever was", the five words repeated in Talking Heads' 1981 single 'Once in a Lifetime'. As uttered again and again by the band's inimitable frontman David Byrne, it's a looping phrase that burrows into your skull and never leaves. So when American Utopia opens with the musician sat at a table holding a brain and talking about what its various parts do, it feels as if Byrne is acknowledging what everyone already knows in the deepest recesses of their consciousness: that Byrne long ago got cosy in our craniums and has been nattering away to us ever since. As he stares at grey matter while wearing a grey suit — a perfectly fitting one, unlike the famed big number he wore in iconic 1984 Talking Heads concert film Stop Making Sense — he has something else on his mind, however. American Utopia starts with the part of our bodies where we all mentally reside, but slowly and smartly evolves from the cerebral to the communal. It segues from one man alone on a stage lost in his own thoughts to 12 people singing, dancing, playing instruments and connecting, and also pondering the state of the world and how to better it in the process. And it takes its titular concept seriously along the way, confronting America's political and social divisions in Byrne's witty, wise and impassioned between-song chats, but never satirising the idea that the US could be improved to the benefit of everyone. American Utopia is a concert film like its predecessor but, as that masterpiece proved, the whole notion means more to Byrne than merely standing in front of a camera and busting out well-known hits.From the sublimely soothing 'This Must Be the Place (Naive Melody)' to the punchier 'Burning Down the House', plenty of Byrne's best-known songs do grace American Utopia. 'Once in a Lifetime' is among them, of course, as are 'Road to Nowhere' and 'Everybody's Coming to My House', with the film's playlist spanning his career with Talking Heads and solo. Across a range of styles and tempos, each track is a wonder, and not just in the way that fans already know. As should be obvious from the way in which Byrne has conceptualised this stage performance — which he toured in 2018, then adapted for Broadway in 2019, and has now turned into this standout movie directed by Spike Lee — this is a meticulously crafted work. Basking in the glory of Byrne and his band is inevitable and would happen regardless, but soaking in everything that American Utopia does is another marvel entirely. Before the film forces you to do so, you probably won't have realised how enlivening, wondrous and cathartic it is to see the act of connecting so firmly thrust to the fore. It takes an incredible amount of work to make something so tightly constructed seem so loose and natural, and that's just one of the reasons that American Utopia is yet another of the star's masterpieces. American Utopia is available to stream via Amazon Prime Video and Binge. Read our full review. BILL & TED FACE THE MUSIC When it comes to goofy and sweet movie concepts handled with sincerity, the Bill & Ted franchise has always proven most triumphant. In 1989's Bill & Ted's Excellent Adventure, the big-screen comedy series introduced the world to Californian high schoolers Bill S Preston, Esq (Alex Winter) and Ted 'Theodore' Logan (Keanu Reeves), who are apparently destined to write the rock song that unites the universe — if they can first pass their history exam by travelling back in time in a phone booth to recruit famed past figures like Beethoven and Socrates to help, that is. The idea that Bill & Ted's affable, air guitar-playing slackers would become the world's salvation was a joke that the film itself was in on, and the movie struck the right balance of silliness, earnestness and affection as a result. So, the end product was joyous. And, it inspired two follow-ups: 1991's even loopier but still entertaining Bill & Ted's Bogus Journey, and now Bill & Ted Face the Music's affectionate dose of warm-hearted lunacy almost three decades later. Bill (Winter) and Ted (Reeves) are back, obviously. They're older, definitely not wiser, and yet again take a few leaps through time. The fate of life as everyone knows it is still at stake. And, as always, the loveable pair's motto — "be excellent to each other" — is pivotal. Combine all of the above with marital malaise, chip-off-the-old-block daughters Theadora (Ready or Not's Samara Weaving) and Wilhelmina (Atypical's Brigette Lundy-Paine), multiple Bills and Teds, and a 77-minute deadline to write the tune the changes the future, and Face the Music saunters casually forward with a purposeful sense of familiarity. Thankfully, though, this film isn't merely trying to relive past glories. In fact, the very notion that some dreams don't come true sits at the core of this tender and loving movie. Naturally, it's a delight to see Winter and Reeves reprise their roles. They step back into Bill and Ted's shoes with ease, expertly conveying the characters' lingering immaturity, middle-aged malaise and ever-present kindness. They're also clearly having a blast as different versions of the duo, and their enthusiasm is infectious. But when Face the Music finds a plethora of ways to illustrate the merits of their characters' optimistic and warm mindset, it's at its best. Far from bogus, the heartfelt happiness it brings is 100-percent excellent. Bill & Ted Face the Music is available to stream via Stan. Read our full review. KAJILLIONAIRE When Evan Rachel Wood played a troubled teen in 2003's Thirteen, the then 16-year-old received a Golden Globe nomination. For her work in Westworld since 2016, she has nabbed multiple Emmy nods. So when we say that the actor puts in her best performance yet in Kajillionaire — the type of portrayal that deserves several shiny trophies — that observation isn't made lightly. Playing a 26-year-old con artist called Old Dolio Dyne, Wood is anxious but yearning, closed-off yet vulnerable, and forceful as well as unsure all at once. Her character has spent her entire life being schooled in pulling off quick scams by her eccentric parents Robert (Richard Jenkins, The Shape of Water) and Theresa (Debra Winger, The Lovers), who she still lives with, and she's stuck navigating her own street-wise brand of arrested development. Old Dolio knows how to blend in, with her baggy clothes, curtain of long hair and low-toned voice. She also knows how to avoid security cameras in physical feats that wouldn't look out of place in a slapstick comedy, and how to charm kindly folks out of reward money. But she has never been allowed to truly be her own person — and, from the moment that Wood is seen on-screen, that mournful truth is immediately evident. Kajillionaire introduces Old Dolio, Robert and Theresa as they're falling back on one of their most reliable swindles: stealing packages from post office boxes. But two developments drive its narrative, and make Old Dolio realise that she's far more than just the third part of a trio. Firstly, to make a quick $20 to help cover overdue rent, she agrees to attend a parenting class for someone she meets on the street, and is struck by how far removed its teachings are from her own experiences. Secondly, on a return flight back to Los Angeles from New York as part of a travel insurance grift, her parents meet and befriend outgoing optometrist's assistant Melanie (Gina Rodriguez, Annihilation). So accustomed to playing the role dictated to her by Robert and Theresa, and never deviating from it, Old Dolio isn't prepared for the emotions stirred up by both changes to her status quo. But July's poignant and perceptive movie — a film that's a quirky heist flick, a playful but shrewd exploration of family bonds, and a sweet love story — is perfectly, mesmerisingly equipped to navigate her protagonist's efforts to reach beyond the only loved ones and the only type of life she has ever known. In fact, the result is one of the most distinctive, empathetic and engaging movies of the year. Kajillionaire is available to stream via Amazon Prime Video and Binge. Read our full review. THE PAINTER AND THE THIEF Asked why he broke into Oslo's Gallery Nobel in 2015 and stole two large oil paintings in broad daylight, Karl-Bertil Nordland gives perhaps the most honest answer anyone could: "because they were beautiful". He isn't responding to the police or providing an excuse during his court appearance, but speaking to Czech artist Barbora Kysilkova, who wanted answers about the theft of her work. Captured on camera, the pilfering of Kysilkova's Swan Song and Chloe & Emma initially appeared to be a professional job. As the two pieces were removed from their frames in such an exacting manner, it was presumed that experts were behind the crime. But Nordland and his accomplice didn't plan their brazen heist, or have a background in purloining art. Thanks to the effect of illicit substances, Nordland can't even remember much about it, let alone recall what happened to the stolen works that Kysilkova desperately wants back. That said, as the thief tells the painter when she first talks with him, he does know that he walked past Gallery Nobel often. He's aware that he saw her photorealistic pieces — the first of a dead swan lying in reeds, the second of two girls sat side by side on a couch — many times, too. And, he's candid about the fact that he marvelled at and was moved by the two canvases long before he absconded with them. As a result, he doesn't seem surprised that his life led him to that juncture, and to snatching Kysilkova's creations. A victim confronts a perpetrator: that's The Painter and the Thief's five-word summary, and it's 100-percent accurate. But such a brief description can't convey how fascinating, thoughtful, moving and astonishing this documentary is as it unfurls a tale so layered and wild that it can only be true — a story that stretches far beyond what anyone could feasibly anticipate of such an altercation and its aftermath, in fact. Nordland was arrested and charged for his crime, with Kysilkova initially making contact with him at his trial. From there, the skilled carpenter and heavily tattooed addict unexpectedly gained a friend in the woman whose works he took. Kysilkova first asked to paint Nordland as part of her attempts to understand him, and he then became her muse. As all relationships do, especially ones forged under such unusual circumstances, their connection evolved, adapted and changed from there. As Norwegian filmmaker Benjamin Ree (Magnus) pointed a camera in their direction for three years, the duo weathered their own ups, downs, twists and turns, as did their friendship. If Nordland's reply to Kysilkova feels disarmingly frank and unguarded, that's because it is. The same tone remains throughout The Painter and the Thief's entire duration. Absent the usual tropes and stylistic markers that true-crime documentaries are known for, the film eschews the standard mix of talking heads, re-enactments and explanatory narration in favour of truly observing and stepping inside its subjects' unique bond. The Painter and the Thief is available to stream via Docplay. Read our full review. BABY DONE A relic of a time when women were considered wives, mothers and little else, the public need to comment on whether someone has a baby or is planning to have a baby is flat-out garbage behaviour. In your twenties or thirties, and in a couple? Yet to procreate? If so, the world at large apparently thinks that it's completely acceptable to ask questions, make its judgement known and demand answers. Baby Done offers a great take on this kind of situation. Surrounded by proud new parents and parents-to-be at a baby shower, Zoe (Rose Matafeo) refuses to smile and nod along with all the polite cooing over infants — existing and yet to make their way into the world — and smug discussions about the joys of creating life. An arborist more interested in scaling trees at both the national and world championships than starting a family, she simply refuses to temper who she is to fit society's cookie-cutter expectations. Her partner Tim (the Harry Potter franchise's Matthew Lewis, worlds away from his time as Neville Longbottom) is on the same wavelength, and they visibly have more fun than everyone else at the party. With a title such as Baby Done, it shouldn't come as much of a surprise when this New Zealand comedy soon upsets Zoe and Tim's status quo. She discovers that she's expecting and, while he starts dutifully preparing to an almost unnervingly sensible extent, she also struggles to face the change that's coming their way. Comedies about the trials and tribulations of parenthood, and of the journey to become parents, are almost as common as people asking "when are you two having kids?" without prompting at parties. But this addition to the genre from director Curtis Vowell and screenwriter Sophie Henderson (both veterans of 2013 film Fantail) approaches a well-worn topic from a savvy angle. Zoe clearly isn't a stereotypical mother-to-be, and doesn't experience the stereotypical feelings women have been told they're supposed to feel about having children — and Baby Done leans into that fact. Also pivotal in her first big-screen lead role is comedian Matafeo. Indeed, it's easy to wonder whether the movie would've worked so engagingly and thoughtfully with someone else as its star. Brightly shot and breezily toned, there's still much about Baby Done that's familiar; however, charting one woman's pregnancy experience, and her backlash to the widely accepted notion that motherhood is the be all and end all of a woman's life, proves poignant and charming more often than not here. Baby Done is available to stream via Stan. Read our full review. COLLECTIVE We can only hope that one day, likely in a far distant future, documentaries will stop doubling as horror films. That time hasn't arrived yet — and as Collective demonstrates, cinema's factual genre can chill viewers to the bone more effectively than most jump- and bump-based fare. Nominated for Best Documentary Feature and Best International Feature at the 2021 Academy Awards (only the second time that's ever happened, after last year's Honeyland), this gripping and gut-wrenching Romanian doco starts with a terrible tragedy. On October 30, 2015, a fire broke out at a metal gig in Bucharest, at a club called Colectiv. Twenty-seven people died in the blaze, and 180 people were injured as they tried to escape via the site's lone exit; however, that's just the beginning of the movie's tale. In the four months afterwards, as burn victims were treated in the country's public hospitals, 37 more passed away. When journalist Cătălin Tolontan and his team at The Sports Gazette started investigating the fire's aftermath and the mounting casualty list, they uncovered not only widespread failures throughout Romania's health system, but also engrained corruption as well. This truly is nightmare fuel; if people can't trust hospitals to act in their patients' best interest after such a sizeable disaster, one of the fundamental tenets of modern society completely collapses. Early in Collective, director, writer, cinematographer and editor Alexander Nanau (Toto and His Sisters) shows the flames, as seen from inside the club. When the blaze sparks from the show's pyrotechnics, hardcore band Goodbye to Gravity has just finished singing about corruption. "Fuck all your wicked corruption! It's been there since our inception but we couldn't see," the group's singer growls — and no, you can't make this up. It's a difficult moment to watch, but this is a film filled with unflinching sights, and with a viscerally unsettling story that demands attention. Nanau occasionally spends time with the bereaved and angry parents of victims of the fire, even bookending the documentary with one man's distress over the "communication error" that contributed to his son's death. The filmmaker charts a photo shoot with Tedy Ursuleanu, a survivor visibly scarred by her ordeal, too. And yet, taking an observational approach free from narration and interviews, and with only the scantest use of text on-screen, Collective's filmmaker lets much of what's said rustle up the majority of the movie's ghastliest inclusions. Collective available to stream via Docplay. Read our full review. NOMADLAND Frances McDormand is a gift of an actor. Point a camera her way, and a performance so rich that it feels not just believable but tangible floats across the screen. That's true whether she's playing overt or understated characters, or balancing those two extremes. In Fargo, the first film that earned her an Oscar, McDormand is distinctive but grounded, spouting midwestern phrases like "you betcha" but inhabiting her part with texture and sincerity. In Three Billboards Outside Ebbing, Missouri, her next Academy Award-winning role, she's an impassioned mother crusading for justice and vengeance, and she ripples with deep-seated sorrow mixed with anger so fiery that it may as well be burning away her insides. Now, in Nomadland, McDormand feels stripped bare and still a commanding force to be reckoned with. She's tasked with a plucky but struggling part — defiant and determined, too; knocked around by life's ups and downs, noticeably; and, crucially, cognisant that valuing the small pleasures is the hardest but most rewarding feat. It'll earned her another shiny Oscar just three years after her last, in fact. Along with the attention the movie received at the Golden Globes as well, this is highly deserved outcome, because hers is an exceptional performance and this was easily 2020's best film. Here, leading a cast that also includes real people experiencing the existence that's fictionalised within the narrative, she plays the widowed, van-dwelling Fern — a woman who takes to the road, and to the nomad life, after the small middle-America spot where she spent her married years turns into a ghost town when the local mine is shuttered due to the global financial crisis. A slab of on-screen text explains her predicament, with the film then jumping into the aftermath. Following her travels over the course of more than a year, this humanist drama serves up an observational portrait of those that society happily overlooks. It's both deeply intimate and almost disarmingly empathetic in the process, as every movie made by Chloe Zhao is. This is only the writer/director's third, slotting in after 2015's Songs My Brothers Taught Me and 2017's The Rider but before 2021's Marvel flick Eternals, but it's a feature of contemplative and authentic insights into the concepts of home, identity and community. Meticulously crafted, shot and performed, it truly sees everyone in its frames, be they fictional or real. Nomandland understands their plights, and ensures its audience understands them as well. It's exquisitely layered, because its protagonist, those around her and their lives earn the same term — and Zhao never forgets that, or lets her viewers either. Nomadland is available to stream via Disney+. Read our full review. FIRESTARTER — THE STORY OF BANGARRA More than three decades since it was first formed, Bangarra Dance Theatre is still going strong. In just the last ten years alone, the Sydney-based organisation has unleashed the beauty and potency of works such as Blak, Patyegarang, Lore, OUR land people stories, Bennelong and Dark Emu across Australia's stages, and repeatedly confronted the nation's colonial history head-on in the process. As an Aboriginal and Torres Strait Islander arts outfit, it can't avoid it. It similarly can't ignore the impact that the country's past has had upon Indigenous culture, and the trauma that's rippled across generations as a result. And so, as excellent new documentary Firestarter — The Story of Bangarra tells the company's tale, these struggles are firmly part of the narrative. Co-directors Wayne Blair (The Sapphires, Top End Wedding) and Nel Minchin (Matilda & Me, Making Muriel) know their power. Indeed, the two filmmakers are well aware that they can't step through Bangarra's history without placing the acclaimed dance theatre in its rightful social, political and cultural context. What audiences have seen on stage over the years is stunning, astonishing and important, of course, but all of those exceptional performances haven't ever existed in a vacuum. For those unacquainted with the details of Bangarra's origins, evolution, aims and achievements, Firestarter recounts them, starting with its leap out of the National Aboriginal Islander Skills Development Association and the Aboriginal Islander Dance Theatre. Actually, it jumps back further, not only stepping through Bangarra's predecessors, but also charting how Stephen, David and Russell Page became its most famous names. Just as it's impossible to examine the dance company's accomplishments and influence without also interrogating and chronicling Australia's history, it's simply unthinkable to do so without focusing as heavily on the Page brothers as Blair and Minchin choose to. Stephen would become Bangarra's artistic director, a role he still holds. David was its music director, while Russell was one of its best dancers — and their path from growing up in Brisbane in the 60s, 70s and 80s to helping shape and guide an Aussie arts powerhouse is a pivotal component of Bangarra's overall journey thus far. If it sounds as if Firestarter has been set a hefty task — doing triple duty as a celebration, a record of Australia's past and a portrait of three siblings with dreams as big as their talents — that's because it has. But this dense and yet also deft documentary is up to the immense feat, and dances through its massive array of material, topics and themes as skilfully as any of Bangarra's performers ever have. Firestarter — The Story of Bangarra is available to stream via ABC iView. Read our full review. WAVES The sight of streaming sunlight, South Florida's scenery and a blissful young couple shouldn't hit like a gut punch, but in Waves, it does. When this magnificently moving film opens, it does so with high-schooler Tyler Williams (Kelvin Harrison Jr) and his girlfriend Alexis Lopez (Alexa Demie). They sing and drive with carefree exuberance — buoyed by both youth and first love — with their happiness not only captured by fluid, enticing camerawork that circles around and around, but mirrored by the use of Animal Collective's upbeat, energetic 'FloriDada' on the soundtrack. Waves continues its sinuous cinematography and alluring tunes as it follows Tyler through a snapshot of his teenage existence, too. Viewers meet his upper middle-class family, who dote on his every word. We witness his prowess on the school wrestling team, where he's a star. We see how infatuated he is with Alexis, and vice versa. But, as intoxicatingly sensory as all of this is — and as expertly calibrated by writer/director Trey Edward Shults to convey exactly how Tyler is feeling — its glow fades quickly when the agonised glimmer in Tyler's eye becomes evident. It's only there when he's alone, looking in the mirror, but it's a picture of heartbreak. As played with a complicated mix of charm, arrogance, sadness, anger and vulnerability by the excellent Harrison, Tyler navigates his seemingly content life with an outward smile, while balancing on a knife's edge. He doesn't completely know it, though, although he can clearly feel the pressure mounting. Forceful in reminding him that African Americans are "not afforded the luxury of being average", his father Ronald (Sterling K Brown) is well-intentioned, but also stern and domineering. He pushes Tyler to be better at every turn and, when they train together for the teen's wrestling matches, even gets competitive. Stepmother Catherine (Hamilton's Renée Elise Goldsberry) is far more gentle; however the focus placed on Tyler compared to his younger sister Emily (Taylor Russell) is always obvious in her household. And so, when an injury threatens to undo his sporting future and his romance with Alexis breaks down, Tyler makes a series of self-sabotaging decisions. One leads to tragedy — and the fact that this isn't a joyful movie becomes devastatingly apparent. Waves is available to stream via Amazon Prime Video and Binge. Read our full review. ASSASSINS On February 13, 2017, at the Kuala Lumpur International Airport, a man was assassinated in broad daylight. While standing by the self check-in kiosks at around 9am, he was approached from behind by two women. After they each rubbed their hands across his face, he was dead within the hour. For a plethora of reasons, the attack garnered global news headlines. Such a brazen murder, carried out not only in public but also in full view of the Malaysian airport's security cameras, was always going to receive worldwide attention. The use of extremely deadly chemical weapon VX obviously demanded scrutiny — and so did the fact that the victim was Kim Jong-nam, the estranged elder half-brother of North Korean leader Kim Jong-un. But, despite the onslaught of newsprint, pixels and airtime devoted to the incident when it happened, the full details behind it took time to unfurl. As Assassins explores, those facts are fascinating, gripping and distressing in equal measure. Indeed, if a Hollywood screenwriter had cooked up the story at the centre of Ryan White's (The Keepers) meticulously documentary, they would've been told that it's too far-fetched. Not that the world needs any additional reminders, but real life really is far stranger than fiction here. Across 104 minutes that relay an unmistakably and inescapably wild tale in an edge-of-the-seat yet never sensationalistic fashion, White asks the question that was on everyone's lips four years ago: why? That query has many layers. It starts with wondering why two women in their 20s — one from Indonesia, the other from Vietnam — with no clear political affiliations would kill an exiled North Korean who was once expected to lead his nation. From there, it expands to contemplate why Malaysian law enforcement officers and prosecutors were so content to believe that culprits Siti Aisyah and Doan Thi Huong acted without any involvement from North Korea, and why a number of the latter country's citizens were interviewed, but then released and allowed to return home without facing any legal repercussions. Aisyah and Huong certainly weren't afforded the same treatment. Charged with Kim Jong-nam's murder, they were put through a long trial, and faced the death penalty if convicted. The pair, who didn't know each other beforehand, pled their innocence from the outset. Both women were adamant that they had each been hired to make prank videos for a YouTube show and, as far as they knew, their efforts in Kuala Lumpur were part of their latest production. Assassins is available to stream via Docplay. Read our full review. RAYA AND THE LAST DRAGON Featuring a vibrant animated spectacle that heroes vivid green and blue hues, a rousing central figure who is never a stock-standard Disney princess and lively voice work from an all-star cast, Raya and the Last Dragon boasts plenty of highlights. Directed by Don Hall (Big Hero 6) and Carlos López Estrada (Blindspotting), co-directed by Paul Briggs and John Ripa (both Disney art and animation department veterans), and penned by Qui Nguyen (Dispatches From Elsewhere) and Adele Lim (Crazy Rich Asians), the Mouse House's new all-ages-friendly release also embraces southeast Asian culture with the same warm hug that Moana gave Polynesia and Pixar's Coco sent Mexico's way — and it's always detailed, organic, inclusive and thoughtful, and never tokenistic. But perhaps its biggest strength, other than the pitch-perfect vocal stylings of Awkwafina as the playful, mystical half of the film's title, is its timing. Disney first announced the feature back in August 2019, so the company can't have known what the world would suffer through from early 2020 onwards, of course. But a hopeful movie about a planet ravaged by a destructive plague and blighted by tribalism — and a feature that champions the importance of banding together to make things right, too — really couldn't arrive at a more opportune moment. COVID-19 has no place in Raya and the Last Dragon; however, as the picture's introductory preamble explains, a virus-like wave of critters called the Druun has wreaked havoc. Five hundred years earlier, the world of Kumandra was filled with humans and dragons living together in harmony, until the sinister force hit. Now, only the realm's two-legged inhabitants remain — after their furry friends used their magic to create the dragon gem, which saved everyone except themselves. That's the only status quo that Raya (voiced by Star Wars' Kelly Marie Tran) has ever known. Her entire existence has also been lived out in a divided Kumandra, with different groups staking a claim to various areas. With her father Benja (Daniel Dae Kim, Always Be My Maybe), she hails from the most prosperous region, Heart, and the duo hold out hope that they can reunite the warring lands. Alas, when they bring together their fellow leaders for a peaceful summit, Raya's eagerness to trust Namaari (Gemma Chan, Captain Marvel), the daughter of a rival chief, ends with the Druun on the rampage once again. A movie about believing not just in yourself, but in others, Raya and the Last Dragon doesn't shy away from the reality that putting faith in anyone comes with the chance of peril and pain — especially in fraught times where the world has taken on an every-person-for-themselves mentality and folks are dying (or being turned to stone, which is the Druun's modus operandi). If the narrative hadn't been willing to make this plain again and again, including when it picks up six years later as Raya tries to reverse the devastation caused by Namaari's actions, Raya and the Last Dragon wouldn't feel as genuinely affecting Raya and the Last Dragon is available to stream via Disney+. Read our full review. MAX RICHTER'S SLEEP Since first opening its doors back in 1973, the Sydney Opera House has played host to a wealth of performances, spanning far further in genre than just the art form that gives the venue its name. But it was only during Vivid Live 2016 that the iconic locale serenaded visitors into an evening-long slumber, all as part of Max Richter's live recital of his eight-and-a-half hour work Sleep. Across 31 tracks comprised of 204 movements, the German-born British composer's concept album unfurls music based on the neuroscience of getting some shuteye. In its intonation, the ambitious yet soothing piece favours the range that can be heard in the womb for much of its duration. When performed for an audience, it is played overnight, with beds set up — and doing as the work's title suggests is highly encouraged. Attendees recline, listen and let Richter's blend of strings, synthesisers and soprano vocals lull them into the land of nod. If they'd prefer to stay awake, that's fine as well, but soaking in Sleep's ambient sounds while you're snatching 40 winks is all very much part of the experience. In its live version, Sleep has echoed through spaces in London, Berlin and Paris, too; however, it's the first openair performance in Los Angeles' Grand Park in 2018 that takes pride of place in the documentary Max Richter's Sleep. A filmmaker was always bound to be so fascinated with the concept that they'd turn their lens Richter's way, and that director is Natalie Johns (an Emmy nominee for Annie Lennox: Nostalgia Live in Concert), who endeavours to capture the experience for those who haven't had the pleasure themselves. The resulting film doesn't run for more than eight hours, or anywhere close — but those watching and listening will quickly wish that it did. As a feature, Max Richter's Sleep isn't designed to advertise its namesake. Rather, it documents, explores and tries to understand it. Still, the movie so easily draws viewers into the music, and so deeply, that making its audience want to snooze in public while Richter and his band plays is a guaranteed side effect. Max Richter's Sleep is available to stream via Docplay. Read our full review.
Your phone doesn't always need to be glued to your hand, but that's often easier said than done. Your nights out don't need photographic evidence to prove that they occurred, but that's also rarely the case anymore. This Never Happened is rallying against that status quo, however, via the Lane 8's record label's dance parties. The distraction-free This Never Happens Presents gigs first arrived in Australia in 2023 — and in 2025, they're returning for two more evenings of shenanigans without phones and cameras. Pics or it didn't happen? Not here. You won't have a screen in your hand — or face. You won't be swiping, texting or doing anything else with the gadget that we're all addicted to, either. Attendees will have their phones taped upon arrival, because these dance music get-togethers are all about connecting IRL and in the moment. [caption id="attachment_979217" align="alignnone" width="1920"] Megan Burch[/caption] French house producer Massane and Dublin-based DJ EMBRZ are headlining the two parties, with support from Samantha Loveridge — following in the footsteps of Le Youth, Sultan & Shepard and PARIS in 2023. Whatever their sets bring, you'll just have to rely upon your noggin to remember all of the highlights afterwards. This Never Happens Presents' 2025 shindigs will first hit 170 Russell in Melbourne on Friday, January 17, then move to Sydney's Liberty Hall on Saturday, January 18. While Brisbane was included in 2023, that's sadly not the case this time around. When it last made the trip Down Under, This Never Happened held its first shows in this part of the world, after launching in 2016, signing artists who've toured with producer and DJ Lane 8, and initially hosting parties in 2017 and 2019 elsewhere around the globe. Clearly, its Aussie visit was a hit, hence the return tour. In 2025, Massane and Embrz will also be making their Australian debuts. This Never Happened Presents 2025 Dates Friday, January 17 — 170 Russell, Melbourne Saturday, January 18 — Liberty Hall, Sydney This Never Happened Presents 2025 Lineup Massane EMBRZ Samantha Loveridge This Never Happened Presents hits Melbourne and Sydney in January 2025, with ticket pre-sales from 11am AEDT on Wednesday, November 13, 2024 and general sales from 11am AEDT on Thursday, November 14, 2024. Head to the tour website for further details. Top image: Megan Burch.
Take two charming actors, then couple them up for a feature-length volley of fast-paced banter: that's the screwball rom-com formula. Place this pleasing pair in a scenic but challenging setting — one that'll highlight their individual strengths, see them turn seeming weaknesses into new skills, and will obviously bring them closer together — and that's exactly how plenty of action-adventure movies have unfurled. Sending the always personable and likeable Dwayne Johnson and Emily Blunt to the Amazon, Jungle Cruise stitches together these two well-established formulas. It traverses its cinematic rapids in the slipstream of 80s fare like Raiders of the Lost Ark and Romancing the Stone (and their respective sequels), and even rollicks along in the footsteps of The Mummy franchise of the late 90s and early 00s (a series which actually gave Johnson his first big-screen roles). But, as anyone with even a passing knowledge of Disney's theme parks knows, Jungle Cruise also falls from the attraction-to-film mould that the Mouse House clearly loves. Pirates of the Caribbean is an overt influence, right down to the way that some of this new flick's villains look, and thrusting all these blatant templates to the fore — and together — doesn't quite result in movie magic. Directed by Unknown, Non-Stop, Run All Night and The Commuter's Jaume Collet-Serra, who makes a workmanlike but hardly memorable jump from unleashing Liam Neeson's special set of skills, Jungle Cruise wants to whisk viewers off on a spirited ride. That's the experiential aim of most theme park-based films: these flicks want audiences to feel like they've stepped inside the attraction from their cinema seat. Before the movie's title card graces the screen, two sequences endeavour to set this tone. They're jovial, boisterous and bouncy, entertaining enough but blunt, and filled with slapstick hijinks and forceful gags. These scenes establish not just Jungle Cruise's mood, but its overall approach — one that, despite the unshakeable appeal of its stars, is primarily interested in the mechanics of hitting its chosen notes. This feature has been in the works since 2004, after initially being green-lit following the first Pirates movie's success, after all. It plays like a creaky relic, in fact, and not just in its nods as far back as 1951's The African Queen. Thanks to its predictable, straightforward yet also needlessly over-plotted narrative, it feels like writers Michael Green (Murder on the Orient Express), Glenn Ficarra and John Requa (Focus) have been sitting on their box-ticking script for almost two decades, too. Those first two sequences set things up story-wise, of course. It's 1916, and Dr Lily Houghton (Blunt, A Quiet Place Part II) sneaks into an all-male science society to look for a treasured arrowhead from the Amazon. She's tasked her fussy brother MacGregor (Jack Whitehall, Good Omens) with deflecting the organisation's members by telling them her theories about a fabled South American tree, called the Tears of the Moon, that can cure any illness or break any curse. The men are dismissive, but she knows they will be. She's there to steal the trinket so it can lead her to the mythical plant, all while Prince Joachim of Germany (Jesse Plemons, Judas and the Black Messiah) tries to get his hands on it as well. When Lily comes out on top, the Houghtons are off to Brazil to hit the river, but they'll need a captain to guide their watery jaunt. In his introductory scene, the roguish Frank Wolff (Johnson, Jumanji: The Next Level) is spied conducting tourist trips down the Amazon, every step choreographed like an amusement park ride, and with his own pun-heavy showman patter narrating the journey. He's corny, and he has a jaguar in on the act, too. Accordingly, there are zero surprises when Lily enlists his services reluctantly and after some subterfuge on his side, or when he keeps trying to trick her into giving up her quest. Also part of the plot, and also explained before that first title card: Spanish conquistador Aguirre (Edgar Ramirez, The Undoing) and his men, who found the Tears of the Moon almost 400 years ago, tried to take its secrets for themselves, but were cursed by the tree's Indigenous protectors for their treachery. They're the foes that look like cartoonish Pirates knockoffs, to the point of distraction — and they're rendered with so much CGI that any actors could be playing them. That's a recurring trait here, even in a movie that's biggest strength is its two immensely well-known, well-established and well-liked leads. Johnson and Blunt are as delightful as they can be in a feature that isn't big on character development or depth, but the fact that Lily's most-stressed attribute is her era-inappropriate penchant for wearing pants speaks volumes about how the plucky character is seen as a symbol, rather than a person. Comedian Whitehall trades in his usual posh schtick, with MacGregor's status as Disney's first openly gay character largely appearing an afterthought. Plemons is simply saddled with a bad accent — because there's a century-old attitude towards making fun of such things on display — and Paul Giamatti's (Gunpowder Milkshake) involvement as Frank's business rival is just as sketchy. Movies can follow a formula, stick to the obvious beats and still be engaging. Jungle Cruise seems unwilling to take any risks, though, and feels not just designed by committee, but by a corporation. It'll have kids clamouring to hop on the theme park ride, and it thankfully has a tad more personality than just a film-length ad — in other words, it doesn't just scream "hey, we own this and you should like this!" like Space Jam: A New Legacy — but, coming back to its two main stars, it feels like a missed opportunity. Taking a river jaunt with this charismatic and capable pair shouldn't be a clunky, by-the-numbers affair. When yet another pointless complication splutters up, and then another and another, it shouldn't feel like a drag, either. Jungle Cruise's sunny cinematography looks a treat, however, as you'd hope of a movie that uses Hawaii as a stand-in for South America. Swooping and frequently moving camerawork makes this a visually boisterous flick, too. But, like every theme park ride, the film's modest pleasures fade oh-so-quickly afterwards. Jungle Cruise is screening in Melbourne cinemas from Thursday, July 29, and will be available to view via Disney+'s Premium Access from Friday, July 30.
Seinfeld's George Costanza once wisely told Jerry: "Just remember – it's not a lie…if you believe it" – and although it's unclear whether that advice holds up in a game of trivia, you're welcome to give it your best shot. Themed around everyone's favourite hapless character, George's Bar opened its doors in early 2016 and received its fair share of hype thanks to international news coverage and the man himself, Jason Alexander, tweeting about the opening. George's Bar hosts a weekly Wednesday trivia night covering everything from general knowledge to music, film, pop culture, and of course a few Seinfeld curveballs thrown in for good measure. Located at the heart of Fitzroy on Johnston Street, get your pals together and find out which one is the true "Costanza, Lord of the Idiots."
Every phrase has to start somewhere, and "you had me at hello" started with Jerry Maguire. When it's uttered by Renée Zellweger to Tom Cruise, it's one of those big on-screen moments that lovers of romantic comedy-dramas will still be talking about decades from now — as they have been for the nearly quarter-century since the Cameron Crowe-directed movie first arrived on screens. Everyone knows that aforementioned piece of dialogue, and the film's other catchy line: "show me the money". You might recall that Cuba Gooding Jr won an Oscar for his supporting performance, too. But you may not always remember how astutely the feature steps through its narrative, spinning a story about a sports agent who has an epiphany about the ruthless business he's in, decides that both him and the entire industry should do better, subsequently gets fired from his high-paying job and then goes out on his own.
For a new pub on a prime piece of Fitzroy real estate, The Stone Hotel doesn't particularly feel very Fitzroy. Which isn't a bad thing — it's just a thing. In renovating the old Cape Lounge, the Tom Tschuis (both father and son share the same name) removed internal walls and some of the roof to transform the building on the corner of Johnston and Brunswick streets into the high ceilinged, spacious and somewhat minimalist venue they've reincarnated as The Stone Hotel. And as you would expect from this part of town, there is the exposed brick, white-walled and industrial steel beams we've come to know and love, and ironic moustaches and sleeve tattoos abound. But it is perhaps just too brightly lit, too vague in its intentions and what kind of bar it wants to be. It's just a little hard to know who they are catering for. But having only been open since the start of June, Tom (the younger of the two) says they are taking a relaxed approach to finding their feet. The Stone Hotel, while not wanting to be known as a gastropub, wants to serve great craft beer and good food. They have certainly nailed the craft beer part of the equation with two by ten taps pouring a rotating array of craft brews from Parrot Dog, 4 Pines, Sample and other well-received beers. Not a wine bar, the wine list is small with only three choices offered by the glass in both the white and the red sections. The menu, by head chef Luke Eckersall from The Farm Cafe and Ladro, is a work in two parts: a selection of share plates and a seasonal 'Winter Warmers' menu, which offers some hearty slow-cooked meat and vegan dishes. The braised beef cheeks on mash were tender and full of pull-apart tastiness, offset with a garnish of pickled vegetables. The sharing side of the menu features smaller offerings of oysters or prawns or crunchy crumbed cheddar and pickled walnut croquettes through to larger options, such as the slow cooked lamb ribs or the sirloin. Eckersall's signature dish — bacon doughnuts with whipped bay leaf butter — have been popular, which, when you think about it, is hardly surprising in this doughnut-crazed town. There's also a burger section, with both traditional meat and vegan options. The cheeseburger is a favourite here, and while the patty could do with more flavour and substance, it still satisfies as a standard burger with a serving of fat chips. Up top is a 33-square-metre first floor beer garden, which, with its location on Brunswick Street, should prove a drawcard as the weather gets warmer. If you're looking for a cosy dining experience with great food and service, you might be better off elsewhere. But if you're after a night out with craft beer, interesting bar snacks and rooftop possibilities, The Stone Hotel is for you.
Sure, we've still got the tail end of winter to get through, but it's never too early to start dreaming about sunny spring afternoon G&Ts. And to help us get there, Brunswick-based gin producer Patient Wolf will open the doors to its Brunswick distillery for one day this Saturday, August 26. It's been just over six months since Matt Argus and Dave Irwin joined the growing ranks of Victorian artisan spirits producers, launching their first small-batch dry gin with the help of a Pozible campaign. And they've certainly been busy ones, with Cookie, Howler, and award-winning cocktail bar The Everleigh just some of the local venues quick to add Patient Wolf to their collections. But there's nothing quite like enjoying your gin-fix straight from the source, which you'll be able to do from 12–6pm, when the label's tasting bar opens to the public for the first time. Patient Wolf will deliver the full gin experience out of its Albert Street digs, where gin lovers can not only indulge in their favourite tipple, but enjoy free tastings, learn all about the botanicals that give this spirit its unique flavour and buy a bottle from the cellar door. All while marvelling at the boys' shiny 230-litre copper still, which was custom-made in Germany and takes pride of place in the distillery.
UPDATE, Thursday, July 18: Titanic. The Human Story will now open on Friday, July 26, 2024, not Friday, July 19. This article has been updated to reflect that change. More than 110 years have passed since the RMS Titanic's ill-fated voyage, but the ship's tragic sinking hasn't ever become a mere historical footnote. James Cameron, Leonardo DiCaprio, Kate Winslet and Celine Dion all helped. In Australia recently, a Melbourne exhibition about the ocean liner has also assisted — and, from September, so will the arrival of musical Titanique, which is set to make its Aussie debut in Sydney. Displaying in Brisbane from July, Titanic. The Human Story is the next event that'll step through the tale of the vessel that set out from Southhampton in April 1912, then struck an iceberg en route to New York. The exhibition has popped up in both the UK and the US, but is making its maiden Down Under visit in the Queensland capital. If you live outside of the Sunshine State, cross your fingers that it heads elsewhere around the country afterwards. Although everything Titanic-related since 1997 has meant thinking about Cameron (Avatar: The Way of Water), DiCaprio (Killers of the Flower Moon), Winslet (The Regime) and Dion, Titanic. The Human Story wants you to cast the movie from your mind as it focuses on the ship's passengers and crew. The exhibition features around 200 personal artefacts from them, including never-before-seen pieces that span handwritten letters, belongings, keepsakes and photographs. As attendees step through their experiences, an audio guide will also relay the tales of those onboard the liner during its one and only journey — and some of the boat's interiors will feature via life-sized recreations as well. Titanic. The Human Story will open at Uptown, the shopping complex in the Queen Street Mall that was previously the Myer Centre, from Friday, July 26, 2024. The precinct is first getting into the exhibition game with the completely different Dopamine Land, which is filled with Instagram-friendly experiences designed to make visitors feel happy (ball pits are one of them) and is also making its Aussie premiere in Brisbane. Behind both is entertainment discovery platform Fever. Also behind Titanic. The Human Story specifically is Spanish company Musealia. Bringing historical exhibitions to audiences is its remit, including about the Berlin Wall and Auschwitz, and it has enlisted Titanic expert Claes-Göran Wetterholm to assist with its research on this exhibition. Titanic. The Human Story will display at Level Q, Uptown, 91 Queen St, Brisbane City from Friday, July 26, 2024 — head to the exhibition website for more information and to buy tickets.
No suits allowed. That's the cardinal rule at Fitzroy favourite the Laundry Bar. The rap/hip hop bar opens Thursday through Saturday, with local and international DJs fuelling the party until the wee hours. No Frills Thursday features $5 vodkas and $2 pots all night, while Party and Bullshit Fridays often sees live rap appearances hit the stage. Big Dancing Saturdays is when the double story venue really heats up, with free entry before 11pm. Running with a hefty crowd of mates? Splash out for the ultimate baller experience: a roped-off VIP booth, with personal bottle service to your table all night. Moet champagne, liquor bottles and mixers are all included; all you have to bring are your shameful dance moves, and wannabe Drake vocals. We love how the Laundry Bar focuses on being a super safe and inclusive venue: there is a zero-tolerance policy towards unwanted advances on the dancefloor, so you can rest assured that you will be twerking in peace.
What starts with a progress pride flag-raising ceremony, officially opens with Kylie Minogue and Charli XCX, then ends with MUNA and G Flip? What features the long-awaited return of the Sydney Gay and Lesbian Mardi Gras Parade to Oxford Street (with new viewing areas), more than 45 rainbow artworks all around town and a monumental pride march with 50,000-plus people walking across the Sydney Harbour Bridge, too? In other words, what'll make Sydney the centre of the queer universe from Friday, February 17–Sunday, March 5, and make history in the process? Sydney WorldPride, the first WorldPride ever held in the southern hemisphere, and basically a mega Mardi Gras — and your unmissable reason to celebrate the LGBTQIA+ community in the New South Wales capital in early 2023. Plenty of the above has been giving everyone reasons to rejoice for a while now; however, the Sydney WorldPride crew has just dropped the full event lineup. In-person, the team has done so with Bondi Beach's first-ever gigantic rainbow sand sculpture — which is on display until sunset today, Wednesday, November 9, if you're in the neighbourhood and keen to check it out — but this is a program worth getting excited about for the next 100 days until Sydney WorldPride arrives. Charli XCX has indeed joined the opening concert lineup, as has Jessica Mauboy, both of whom will perform alongside Kylie Minogue. Also welcome news: more tickets have been released for the previously sold-out gig, although don't expect them to stick around for long. At the Domain Dance Party mid-fest — another huge highlight — Kelly Rowland will headline‚ with DJ Dan Slater curating the bill, and DJ Suri and DJ Isis Muretech among those on the decks. And, the Bondi Beach Party on March 4 will turn the famed stretch of sand into an openair club for a casual 12,000 people, dancing by the water from dusk. If that's not enough to start making plans — a staycation or vacation via Concrete Playground Trips and its seven different Sydney WorldPride packages, perhaps? — overall the fest will feature more than 300 events over 17 days, making it the largest-ever LGBTQIA+ festival ever held in the region, too. Still on numbers, that hefty total includes 19 official major events, 68 WorldPride Arts experiences, 17 WorldPride Sports events and 192 Pride Amplified community events. That's a massive lineup to sift through, so here's the short version: wherever you are in Sydney during WorldPride, expect the festival to be in the vicinity. The list of standouts worth mentioning is similarly sizeable, including the gigs at Sydney WorldPride's at Marri Madung Butbut (Many Brave Hearts): the First Nations Gathering Space — such as the Klub Village party and performance, the Miss First Nation drag contest, and exhibition Bloodlines, which honours artists lost to HIV/AIDS. There's also the impressive WorldPride human rights conference, which is the largest of its kind ever held in the Asia-Pacific as well, and will span three days. Also, Queer Art After Hours will head to the Art Gallery of New South Wales and its new building; the Mardi Gras Film Festival returns for its 30th fest, complete with a big focus on Asia-Pacific cinema and a day of free outdoor screenings; and the Queer Formal is back. And while some Mardi Gras favourites, such as the official 10,000-person Mardi Gras Party at Hordern Pavilion and the Mardi Gras Laneway at The Beresford and Hill Street, have already sold out, there's clearly plenty more where they came from. The WorldPride Arts lineup alone spans exhibitions by Paul Yore and Dylan Mooney, the first dedicated exhibition of Australian queer artist David McDiarmid's photos, lesbian divorce comedy Blessed Union, the Australian premiere of Choir Boy by Moonlight co-writer Tarell Alvin McCraney, and installation Eulogy for the Dyke Bar — which will indeed operate as a bar — for instance. And, there's a 24-hour dance piece, a comedy night hosted by Ru Paul's Drag Race Down Under's Coco Jumbo, and Powerhouse Museum's showcase of Sydney's leading LGBTQIA+ artists, designers, makers and performers as well. Sports-wise, 17 different activities will be featured, spanning everything from roller derby, ten-pin bowling, soccer, ice hockey and basketball to wrestling, swimming, golf and dragon boating. Then, throw in a Pride Climb on Sydney Harbour Bridge, LGBTQIA+ history walks and a Sapphic Literary Lounge at Watsons Bay Library, all from the Pride Amplified part of the fest. That program covers gin dinners, events in spas and pop-up fetish bars, and a world-record attempt at the biggest disco dance class, too, and there's more still to come. Sydney WorldPride will run from Friday, February 17–Sunday, March 5, 2023. For more information, head to the event's website. Making Sydney WorldPride plans? Concrete Playground Trips has a heap of exclusive packages on offer, including tickets to and accommodation around the Opening Concert, Domain Dance Party, Bondi Beach Party and more.
At Bob Hair, just off bustling Toorak Road, things are done a little differently. For starters, all products are zero-waste and eco-friendly, with an enduring focus on ethical and sustainably-sourced materials. This careful and considered approach extends to the dreamy, light-filled salon space, which feels more airy and relaxed than your typical hairdresser. "What we are doing at Bob is simplifying healthy and sustainable living, without it coming at the cost of a great cut and colour," founder and director Charlotte Archer says. "We love sharing knowledge with women and showing them that colouring their hair doesn't need to be an eye-watering, headache-inducing experience." Here, you're invited to reconnect with your best self (and your best-ever hair), free from parabens, ammonia, sulphites and waste. Hair trimmings are repurposed to help soak up oil spills in the Great Barrier Reef, while composting and repurposing means Bob Hair is one of Melbourne's rare zero-waste salons. Yet, there's no compromise when it comes to style. The boutique salon offers the full spectrum of cutting, blow-drying, colouring and treatment services, with cuts for women starting from $130 and for men from $85 — each including a full personalised consultation. Alongside your usual cuts and blows, Bob Hair also offers gentle all-natural colouring which leads to long-lasting results. Escape to this sustainable paradise the next time you're looking for a refresh that's better for you and the environment. Your hair will thank you for it.
The world is an incredible and enigmatic place that holds many secrets and wonders that we humans sometimes struggle to explain. There are places that many of us would find difficult to even dream about or conjure up in our imaginations, yet they actually exist. Ranging from popular tourist destinations to awe-inspiring sights, here are a handful to add to the bucket list of amazing ones to visit before you kick it. 1. Wisteria Tunnel [Map] This stunning and mesmerising array of purple, cream and lilac flowering trees appears as though it has sprung from the pages of a childhood fairytale. This Japanese garden contains three massive wisteria trellises that are at the height of their beauty in May and is just a four hour drive out of Tokyo. 2. Cinque Terre [Map] Located on the rugged coastline of the Italian Riviera, Cinque Terre is an historical and unfathomable sight to behold. With the almost non-existent corporate development or public transport infrastructure surrounding the area, these majestic hillside terraces are a magnet for tourists searching for an authentic taste of Italy’s most spectacular cultural destination. 3. Hotel La Montana Magica [Map] A Lord of the Rings-esque four star lodge, Hotel La Montana Magica is a breathtaking establishment in the biological reserve of Huilo, Chile. The hotel is set in the middle of a 120,000 hectare native forest and built inside a man made volcano, which actually spurts water from its peak and then flows down the side of the mountain past the windows of the thirteen rooms inside. With moss and vines wrapping their way around the structure it would be hard not to feel part of a fantasyland whilst bunking here. 4. Crooked Forest [Map] If you thought trees could only grow straight up in a linear direction, then you obviously have never been to Nowe Czarnowo in West Pomerania, Poland. The grove, known as the Crooked Forest, contains approximately 400 slanting pine trees, which were planted in the 1930s. Seemingly defying gravity, these wonder trees will be sure to awe, and quite possibly confound you, as though you were living in perpetual state of ‘opposite day’. The reason for their planting is to this day still unknown, but plain beauty is good enough for us. 5. The Tunnel of Love [Map] Dubbed the Tunnel of Love, this old train tunnel surrounded by giant trees is located in Kleven, Ukraine. In true love story fashion, it is believed that if couples visiting the tunnel share genuine love then kiss and make a wish, their wish will come true. 6. The Blue Lagoon [Map] The mystic and mesmerising geothermal spa, the Blue Lagoon is one of the most visited places in Iceland, and for good reason. With temperatures ranging from 37-39°C and having therapeutic powers to help sufferers of skin diseases such as psoriasis, this relaxing and soothing oasis would be a tough one to miss. 7. Ice Canyon [Map] The sheer beauty of the Ice Canyon in Greenland speaks for itself, as is visible in the innumerable images of this icy wonder. One of the most photographed spots in Greenland, it is also (quite literally) one of the coolest places on Earth. The canyons were carved by meltwater and can measure to be a near whopping 50m deep. The area is home to lush mountains, stunning icebergs and various flora and fauna unlike anywhere else on the planet and is also a popular sporting and recreation spot. 8. Ball's Pyramid [Map] Measuring at 562m high, Ball Pyramid is the tallest volcanic stack in the world, which formed around 7 million years ago. It is an erosional remnant of a shield volcano 20km south of Australia’s idyllic and secluded Lord Howe Island. The pyramid was discovered in 1788 but after failed attempts wasn’t successfully climbed to the summit until 1965. The ancient wonder is also home to a number of rare insect and plant species, which were previously thought to be extinct. 9. The Great Barrier Reef [Map] Australia’s own natural wonder, – only one of seven in the world – the Great Barrier Reef is the only living thing on Earth visible space. Boasting of breathtaking beauty and incredibly diverse and vibrant marine species, it contains over 3000 individual reef systems and coral cays as well as thousands of dream-like tropical islands. The marine park extends over 300km along the Queensland coast, entailing one of the most spectacular underwater experiences the globe has to offer. 10. Plitvice Lakes National Park [Map] The Plitvice Lakes National Park really demonstrates nature at its best, both in terms of beauty and natural marvels. 16 lakes can be seen from the surface of the largest national park in Croatia, which are all interconnected and arranged in cascades, yet separated by natural dams of travertine. These travertine barriers are created by the accumulation of moss, algae and bacteria and serve to retain the flow of water, causing the height of the dams to continuously grow. The luscious greens, greys and blue of the lake clusters alter depending on the minerals in the water, making this unpredictable spectacle all the more fascinating. [Via Buzzfeed]
Peninsula Hot Springs just keeps getting bigger and better. Back in 2018, it received a massive $13 million upgrade, which saw the addition of several hot and cold pools, and a hilltop bathhouse amphitheatre. In 2020, luxury glamping facilities landed on the property. And now, a couple of years after scoring a cool $3.3 million investment from the Regional Tourism Investment Fund (RTIF), the crew is ready to unveil its new Eco Lodges on Saturday, November 9. These will each feature a plush 60-square-metre suite complete with wifi, room service, a mini bar, and split-system heating and cooling. One thing that makes these accommodations so special is the dedication to giving guests a damn good night's sleep. Each room has self-guided sleep wellness content like sound and movement experiences, plus sleep masks and mineral salts. "We are thrilled to be opening our highly anticipated Eco Lodges next month to amplify our wellbeing offerings and embrace the importance of sleep as a cornerstone of wellness. True wellbeing begins with restful sleep, and we are delighted to provide a haven for guests to rejuvenate their minds and bodies and be empowered to face each day with renewed energy," says Co-Founder and Creative Director of Peninsula Hot Springs Charles Davidson. Each Eco Lodge also opens out onto its own garden and private hot spring bathing pool that looks out over the surrounding wetlands and a private lake. Usually, you'd need to share the property's large geothermal pools with others, so this private experience is an absolute win. Nonetheless, if you do want to jump around the other natural hot spring pools, your stay includes unlimited access to all of them. Both guests also get a complimentary 45-minute wellness session and buffet breakfast each morning. This is some next-level treat-yourself stuff, so expect to pay handsomely for it. Rooms within the Eco Lodges sleep two adults — with accommodation, unlimited bathing. a wellness activity, and breakfast starting at $930. The new Peninsula Hot Springs Eco Lodges will open Saturday, November 9. For more details, you can visit the venue's website.
A film about memories, Aftersun is impossible to forget. Floating across the screen like it's sweeping in from a dream, it's too raw, too personal, too deeply felt and too tactile. Within its frames, 11-year-old Sophie (debutant Frankie Corio) enjoys a sunny late-90s getaway to Turkey with her father Calum (Paul Mescal, The Lost Daughter), cementing recollections that'll linger decades afterwards. In telling this "emotionally autobiographical" tale, as she's called it, Scottish filmmaker Charlotte Wells crafts a movie that's rich, resonant and haunting from its very first moments to its equally stunning and beautiful finale. Since the 2022 Cannes Film Festival, Aftersun certainly hasn't been forgotten by the film world. Nearing a year later, it's still the talk of the industry — deservedly so. The list of accolades and nominations to its name keeps growing almost daily. A Cannes Critics' Week Jury Prize, five Independent Spirit nods, a Gotham Award, seven British Independent Film Awards and nine more nominations, the BAFTA for Outstanding Debut by a British Writer, Director or Producer: they're among the movie's ever-expanding list of gongs. So too is the Directors Guild of America's coveted prize for Outstanding Directorial Achievement in First-Time Feature Film. And, of course, there's Mescal's Academy Award nomination for Best Lead Actor, a feat that the Normal People star achieved in just his third big-screen role. Making her feature directorial debut after shorts Tuesday, Laps and Blue Christmas, Wells didn't contemplate anything that'd follow simply making Aftersun. "With shorts, it most often ends at its premiere. You're so fortunate to have gotten to the point where you're showing the film with an audience at a festival that that is the end of the road, really," she tells Concrete Playground. "I had naively not thought about what came after making the film. I thought about the response only really in the narrative sense, about how legible the film was in its themes and its characters, and its intentions," she advises. "It's been really special. I don't think you set out to make films to get that type of award recognition, but it's been really nice to see the work recognised, and the work of my collaborators recognised." Special truly is the word for Aftersun, and for everything that it brings to the screen. It applies to the so-intimate-you-could-be-there look and feel, the heartwrenching use of a coming-of-age tale to ponder loss and depression, the meticulously specific yet also timeless use of 90s minutiae — songs like 'Macarena', 'Losing My Religion' and 'Tubthumping', plus Catatonia's 'Road Rage', All Saints' 'Never Ever' and Blur's 'Tender' as well — and Corio and Mescal's sublime performances. With the film now in cinemas Down Under, and still buzzing around the international awards circuit, too, we spoke to Wells about her journey with Aftersun — including what it's like to direct Paul Mescal to an Oscar nomination, and finding her perfect cast to begin with. ON CASTING PAUL MESCAL — AND WATCHING EVERYTHING HE WAS IN FIRST "We focused our attention first on casting Sophie, because we knew she would very likely be a discovery, somebody who'd never acted before, and that it would take time — which it did, it took about six months. And towards the end of that process, we started to consider Calum in earnest, and Paul's name came up. Obviously, I'd seen him in Normal People. It was about a year after that had premiered during the early days of the pandemic, and I watched everything that I could get my hands on. I was drawn, I think, just to his warmth and capacity for vulnerability, and his openness and playfulness and charm. You know, I was watching interviews, really anything and everything. There was like an Instagram video of him singing Sia, and reading a children's book — everything. I don't think I've said that to him. Then we had the opportunity to meet and to talk. There was a period where he wasn't available, so we had to dispel the idea, but it came back around because our dates had moved. Then we had the chance to meet, and we just had a really great conversation and connected. He was so thoughtful in the way that he spoke about the script and the character. It's always a leap of faith at every step of the process, from the second the script leaves your inbox, to bring on collaborators, particularly for a project like this. It was so long in the making, in the writing, and so personal in so many ways, and casting is a really big leap of faith — it's when things start to become concrete in a certain way. It was a leap of faith really well taken, and I feel really proud to stand beside those two when we present the film to people, when we're at awards together. It was a really good experience, and they connected in such a profound and unexpected way. I don't think anybody foresaw the relationship that they would build to be as real in some way as it was." ON HEARING THE OSCARS NEWS AFTER SUCH A COLLABORATIVE EXPERIENCE "I can tell you what it felt in the moment that it happened, because I was on the phone with a couple of my producers. Paul rang the moment that it happened, and we both just jumped up and down around our respective apartments, yelling and swearing — and then took this moment just to appreciate the absurdity of the moment, and also the experience that we had together, which really was like a creative partnership and collaboration." There was a lot of trust that we placed in each other, I think. It really worked both ways. He put a lot of trust in me that I was creating meaning out of sequences of images, and things that may not be shot the way he'd imagined they'd shot — great stretches of dialogue shot while he was 50 feet away, sitting on a float out at sea for pivotal scenes in the film. He really trusted that I knew what I was doing in crafting this and building it, and allowing the feeling to shine through. I trusted him to just bring so much empathy to that character and to find meanings in unexpected places, and warmth in unexpected places. It was just a really special collaboration, and it feels like an amazing accomplishment on everyone's part in the film. And his performance being recognised, you know, it's such a small team. There weren't a lot of us. It was a really intimate film, and it's just very exciting and really, really nice." ON FINDING FRANKIE CORIO TO PLAY SOPHIE "We worked with [casting director] Lucy Pardee, who has worked with [Fish Tank and American Honey director] Andrea Arnold and [Birth and Under the Skin filmmaker] Jonathan Glazer, and has this amazing reputation for discovering new talent. She was my guide through that process, really. We had almost 800 submissions. These kids would submit various videos, and ideally we allowed them the space to grow with the process and become more comfortable in front of their camera at home. So, when we got into the casting room in-person — we met 16 of them — it felt like a natural step, a natural point of evolution in the process, even though that was still a new experience for them and for me too, really. That's where Frankie really stood out. That's where she was able to sit in front of the camera and become somebody different, and respond to direction, I suppose. And conjure emotional states that weren't what she was feeling in the moment, and then just shake them off when the exercise was over and cartwheel out the room. She was really, really, special and funny and never let me off easy in the best possible way. She's amazing to be around. She has so much energy." ON BRINGING 90S SIGHTS, SOUNDS AND CHILDHOOD EXPERIENCES TO THE SCREEN "It was all about specificity in detail. The colours were just right. The length of the sleeves were just right, and that was down to our costume designer. The size of the tiles were just right or, if they weren't, we knew and we made a choice. There was just so much attention to detail in every department, and yet Greg [Gregory Oke, Aftersun's cinematographer] and I spoke about this, because we didn't want to excessively draw attention to detail. I think music is the most significant signifier of the period in the film. I played into a little bit, and enjoyed playing into a little bit. At the same time, I didn't want to always choose mega hits, because if I did I couldn't pay attention to the scene at hand. I wanted to choose things that were pop, and that felt real to the location, and also draw from slightly older tracks, too, because it's not only songs from 1997–8 that you would be hearing in 1997–8. We wanted it to feel really present and rich, and vibrant. 'Present' was our overriding adjective for the feel of the film, even though it was set in the past. We used our own holiday photographs as the basis of the look, the turquoise blues and the magenta skins and the rich blacks, quite saturated. We literally just handed holiday photographs to my colourist. I had been on one holiday to Turkey as a kid, and the photographs for that were the basis for the look for the film, and the types of tones that we went for. The Souvenir, Joanna Hogg's film, the first one had come out when we made the film. The second came out devastatingly in post. That was definitely a cue for how to portray a period that just felt very lived in and authentic, and never drawing attention to itself where it didn't need to, but just serving the story and the feel of the film." Aftersun is now screening in Australia and New Zealand cinemas. Read our full review. Images: Sarah Makharine.
After months of cancelled and delayed get-togethers, we're excited to be able to call up our friends and host a much-needed party. If you're in the same spirit, you may be looking to up your cocktail making game for pre- or post-dinner drinks. In partnership with Hennessy, we've pulled together five cocktail recipes that are an upgrade to the classics — from fruity concoctions that'll make you feel like you're on an overseas getaway to sophisticated takes on sidecars, martinis and champagne cocktails. And, most can be made or prepared in advance to help take the stress out of having everyone over to yours this holiday season. ESPRESSO MARTINI When you want to shake up your favourite caffeinated cocktail to pep everyone up at the end of a big meal, try whipping up this elevated version. The below ingredients serve one, but you can batch make this drink to make offering up a round easier on you. Ingredients 45ml Hennessy VS 10ml Mr Black Cold Brew Coffee Liqueur 40ml freshly made, chilled espresso or cold drip coffee 10ml sugar syrup Coffee beans (optional) Method Shake all the ingredients together with ice. Strain into a chilled glass and serve with coffee beans (optional). GINGER MULE When you're keeping things as simple as possible for your at-home occasion, there's a refreshing drink you can make with three ingredients and minimal effort, but still looks impressive. Scale up the below ingredients to serve more than one. Ingredients 45ml Hennessy VS Ginger beer Lime juice Mint leaf (optional) Method Add cognac to a tall glass and top up with ice. Squeeze the juice of a quarter of a lime and add to glass. Top up with ginger beer and garnish with a mint leaf or wedge of lime (optional). PINA COLADA Few people like getting caught in the rain, but many more enjoy this fruity drink. And you can take the holiday cocktail up a notch with this truly luxury take on a piña colada. Ingredients 45ml Hennessy VS 15ml coconut cream 15ml coconut cordial 45ml pineapple tepache (fermented drink) Squeeze of lime Method Shake cognac, coconut cream, coconut cordial and squeeze of lime together. Pour pineapple tepache into a glass. Strain shaken ingredients into the same glass and top up with ice. FRENCH 75 When you're out to impress, this elegant and easy-to-make cocktail has that je ne sais quoi. The classic drink is usually made with gin and champagne, but this twist uses cognac. Ingredients 40ml Hennessy VS 40ml champagne 30ml lemon juice 20ml sugar syrup Method Shake cognac, lemon juice and sugar syrup together with ice and strain into a glass. Top up with champagne. SIDECAR This party-ready drink will appeal to your sweeter toothed guests. Make this sugar-rimmed cocktail as a welcome drink, or to serve with desserts. Though the egg white gives it a perfect cloud-like top, it's entirely optional. Ingredients 40ml Hennessy VS 20ml Cointreau or triple sec 25ml lemon juice 10ml sugar syrup Egg white (optional) Method Shake all ingredients together. Pour over ice, or serve straight with a sugar rim on glass (not salt). Find more cocktails recipes on the Hennessy website.
Umbrellas at the ready, Sydneysiders. Spoons full of sugar, too. In the most supercalifragilisticexpialidocious news you'll hear all day — and all year as well — the Mary Poppins musical is making its way Down Under. Between May–October 2022, you'll be able to revisit the tale of the singing nanny onstage at the Lyric Theatre Sydney. Disney and theatre producer Cameron Mackintosh's current version of the show tells the same tale that everyone knows from the 1964 film — which, as well as inspiring this stage adaptation, also gave rise to big-screen sequel Mary Poppins Returns in 2018. Everything to do with the English governess harks back to PL Travers' books about the character, of course, and pop culture has been thankful for and downright delighted with her stories for almost six decades now. Exact dates for the musical's Sydney season haven't yet been revealed, but theatre fans can look forward to a new version of the show that last graced the city's stages — and won eight Helpmann Awards — back in 2011. Since Mackintosh first teamed up with writer Julian Fellowes (Downton Abbey) to bring Mary Poppins to the theatre in 2004, the production has won four Olivier Awards and a Tony as well. Mackintosh is bringing The Phantom of the Opera to Sydney this year, too, and a Cinderella musical is also headed the city's way — so it's a great time to love stage musicals based on classic tales, clearly. Whether Mary Poppins will float on elsewhere in Australia hasn't yet been announced; however, Sydney's season has been marked as the Australian premiere. So, residents of Melbourne, Brisbane, Perth and Adelaide – and everywhere else in the country — you can start crossing your fingers that Poppins, the Banks family and their Cherry Tree Lane abode might also come your way in the future. https://www.youtube.com/watch?v=YiT6Og3lDbw Mary Poppins will play the Lyric Theatre Sydney from May–October 2022, with exact dates yet to be revealed. To sign up for the ticket waitlist, head to the musical's website — with tickets due to go on sale in August 2021. Top image: Johan Persson.
After scaring the shit out of us with an overnight cable car stay (without giving us a toilet), and waking us up with puppies in the middle of IKEA, Airbnb have yet again allowed us to stay in a jaw-droppingly novelty place. But this time, it's only two hours from Sydney and it's a cave. A real cave, all to yourself. A new listing in Bell, near the Blue Mountains in New South Wales, called Hatter's Hideout and Lodge, is up for rental grabs on Airbnb. The stay comes with two parts. On one hand, you're privy to a unique hand-built lodge on eight private acres of lush Blue Mountains wilderness, stocked with every last essential (kitchen, heating, internet, barbecue) and boasting panoramic views across Mount Wilson, Wollemi National Park and the World Heritage Area. On the other hand? You're the proud overseer of the 'Hat Cave' — a 20 metres high, wide and deep cave with "similar size and shape to a small shell of the Sydney Opera house (with better acoustics!)" according to the listers. Self-described as 'an ideal bushland retreat for modern cave dwellers (troglodytes)', the cave has been developed super carefully using minimal impact construction to maintain the environment as much as possible. The 25-metre-high cave opening faces north west, and you're protected from the elements by a friendly grove of coachwood trees. The owners will provide you with campfire kindling and wood, a gas barbecue, esky, tables and chairs, solar powered lights, candles, first aid kit, cooking utensils, and rainwater on tap — basically they've thought of everything your city slicker ass would forget otherwise. You'll even get a firsthand introduction to the surrounds with a 'Bush Walk and Talk', so you know exactly what's up with your newfound bush home. All you need to do is brush up on your acoustic 'Wonderwall' and you're home and hosed. The Hideout lodge can sleep up six people but you can fit in a bunch more if you're camping in the cave — perfect for a matey weekend getaway or hens night to forget. Obviously, it's a cave, so it's not the cheapest stay on the national park block. On weekends you're looking at $690 for two people for two nights (+ $55 extra adult per night), midweek it goes down to $495 for two people for two nights (+ $55 extra adult per night). But. Cave. For more info or to lock in your holiday cave, head over here.
Over the past year or so, many Australians have been working from home either during lockdowns or in general, which means many of us are have been leaning on our bar carts a little more than usual. This has lead to a level of experimentation — whether that's ordering in cocktails, trying our hand at making our own fancy drinks or getting some fun wines delivered. Another way you can get creative: by ordering a bottle of Unico Zelo's yuzu vermouth. The tasty child of Adelaide Hills winery Unico Zelo and sister distillery Applewood, this third batch of untraditional (but ever-so-tasty) vermouth is made from a combination of Adelaide Hills merlot grapes, some native Australian botanicals (usually used to make Applewood's Okar bitter amaro) and yuzu from Mountain Yuzu — a 20-acre farm located in northeast Victoria, on the foothills of the Australian Alps. As you can see, its an all-Australian affair — unlike a lot of traditional vermouths, which are made in Italy and France. Eco-minded founders and winemakers Laura and Brendan Carter are committed to using native botanicals and sustainably produced grapes in their entire range of wines and spirits, aiming to create products that truly taste Aussie as. View this post on Instagram A post shared by Unico Zelo | Australian Wine (@unicozelo) As it's not a traditional sweet vermouth — it's really quite far from it — we forgive you for not knowing exactly how to drink it. But, thankfully, we've done some testing for you. On the rocks? Yep. Instead of sweet vermouth in a negroni? Do it. With a splash of soda? Definitely. If you want something a little fancier, the Unico team has a couple of cocktail suggestions for you. Try your hand at the Natty-Cano, a spin on an americano, but with pét-nat instead of soda water. To make it, mix 45-millilitres of Unico Yuzu, 15-millilitres of Økar Island Bitter (or Campari) and 120-millilitres of pét-nat in a highball glass and garnish with an orange twist. All of Unico's limited releases only available in very small batches, so if you want it, don't wait on it. Unico's Yuzu Vermouth is now available to purchase via the brand's website for $35 per bottle.
It arrives in the dead of winter. It fills Hobart with festivalgoers in the dark of night. It gets the brave donning nothing but their birthday suits to take a dip for the winter solstice. For ten fests now, with Tasmania's Museum of Old and New Art at the helm, Dark Mofo has unleashed its wildest and weirdest delights upon the Apple Isle — its most sinister, surprising, challenging and stunning as well — and tempted arts lovers Australia-wide and beyond to the nation's southernmost state. Don't just think of Dark Mofo as the twisted sibling to Tasmania's other big annual festival, summer's Mona Foma, though. Running from Thursday, June 8–Thursday, June 22 in 2023, this event adores the space where opposites clash: dark and light, birth and death, all things wholesome and hedonistic included. That's what makes it the kind of Tassie getaway where you can slumber while listening to an eight-and-a-half-hour lullaby, see garbage turned into musical instruments, then wander into a theatre-meets-rave performance and witness Dante's journey through hell, purgatory and paradise come to life. Keen on the sunnier, sweeter side of this year's lineup? Prefer letting loose and making "when at Dark Mofo" your mantra? There's an event on the 2023 program for you either way, and no matter what level of chaos you're after — and after asking the Dark Mofo team for their tips on both sides of the spectrum, we've put together this handy guide. Concrete Playground Trips' Dark Mofo accommodation package might come in helpful, too. And, while some of these events are sold out at the time of writing, keep a keen eye on the fest's resales for more tickets. WHOLESOME: [caption id="attachment_899216" align="alignnone" width="1920"] Photo credit: Luke Currie-Richardson. Courtesy of BARKAA and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] THE GATHERING There's no doubting that Dark Mofo knows how to throw a party. That's the entire festival from start to finish, as well as many of its events from its first moments each year to its last. But there's nothing like a massive opening-night celebration — especially when that shindig showcases and celebrates First Nations culture and talent, as The Gathering does. On 2023's bill: Palawa and mainland Indigenous artists, all taking over In The Hanging Garden from 6.30pm–12am on Thursday, June 8. When you're not listing to BARKAA's energetic tunes and Tasman Keith's synth-scored raps, you'll be enjoying dameeeela's mixes, DENNI's vocals, and MARLON X RULLA's R&B and hip hop. Kartanya + KARAI are joining forces for a performance that blends poetry and music, Rob Braslin will do a stand-up set and Lutruwita / Tasmanian Aboriginal Elder Uncle Dougie Mansell will play music inspired by the state. And, in a partnership with Melbourne's YIRRAMBOI, Kin heroes cross-cultural connections between Victoria's Koorie and Tasmania's Palawa peoples. [caption id="attachment_803281" align="alignnone" width="1920"] Max Richter — SLEEP, Kraftwerk Berlin 2016. Photo: Stefan Hoederath.[/caption] MAX RICHTER'S SLEEP For some party people at Dark Mofo — many, even — spending all night at the festival doesn't involve getting any shuteye. But hitting the hay is definitely a part of this year's fest. Actually, Dark Mofo wants you to wear your pyjamas and sleep over. The slumber party comes courtesy of Max Richter's SLEEP, which returns to Australia for an eight-and-a-half-hour overnight stint on Wednesday, June 14 (and heads to Tasmania as an Aussie exclusive). You'll close your eyes, drift off to the land of nod and Richter's compositions will play as you snooze. The forty-winks part will happen on beds provided by Dark Mofo, while the latter is based on the neuroscience of having a kip. If you've seen the documentary about it, you'll already be excited — and you'll have your PJs ready. [caption id="attachment_899213" align="alignnone" width="1920"] Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] ZINDZI & THE ZILLIONAIRES There's a bear on Dark Mofo's 2023 program. There's also an actor and musician that usually appears on-screen to entertain the festival's youngest attendees after a song about chairs, games and stories gets a spin. That'd be Zindzi, one of Play School's beloved hosts, who joins the fest lineup with The Zillionaires, her fluffy sidekicks. This concert is firmly for kids — and the adults taking them along, with children under two admitted free. If you're making the visit to Tassie with your family, Zindzi's two daytime sets on Sunday, June 11 (at 12pm and 2.30pm) are prime all-ages fun. And yes, you'll also know Zindzi as Okenyo, and for popping up as an actor in The Code, Sisters, Wakefield and Totally Completely Fine. [caption id="attachment_899214" align="alignnone" width="1920"] Photo credit: Zizuke. Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] FULU MIZIKI Venturing to Dark Mofo from the Democratic Republic of Congo, Fulu Miziki won't just entertain you with their Afro-futurist-punk sounds. That's a given; however, they'll also make you think twice about what you discard. As you watch them play, they'll be making music with garbage — which they've turned into musical instruments. There are two parts to Fulu Miziki's Dark Mofo stint. The experimental workshop on Sunday, June 11 will teach a few lucky folks how to follow in the collective's footsteps with their own refuse and reclaimed materials, complete with a concert afterwards. And, the day prior on Saturday, June 10, Fulu Miziki will also be taking to the Odeon Theatre stage. This isn't just a family-friendly part of Dark Mofo — it's eco-friendly as well. [caption id="attachment_899210" align="alignnone" width="1920"] Photo credit: Zan Wimberley. Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] WITHOUT US YOU WOULD HAVE NEVER LEARNT ABOUT LOVE When we said before that there's a bear in Dark Mofo's 2023 program, we were referring to Giant Teddy, a towering Korean pop culture-inspired teddy bear that has lasers for eyes, plus a camera that'll show its live surveillance elsewhere in Hobart. But you can also expect to see stuffed toys at Without Us You Would Have Never Learnt About Love — because it makes an operatic tragedy with repurposed playthings. Artist Jason Phu is behind this creative use of jailbroken toys, and will have them performing inside a taoist robotic shrine. If it sounds like the kind of thing that you don't see every day, it truly is. Checking it out is free, and as simple as heading to the Baha'i Centre from 4–10pm between Thursday, June 8–Monday, June 12 and Wednesday, June 14–Sunday, June 18. HEDONISTIC: [caption id="attachment_898571" align="alignnone" width="1920"] Photo Credit: Dark Mofo/Jesse Hunniford. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia. Dark Mofo 2018.[/caption] WINTER FEAST Winter Feast is all about tucking into local produce by the fire while listening to tunes and just generally enjoying an evening of revelry. One of Dark Mofo's annual highlights, it returns for 2023 across eight nights — running from Thursday, June 8–Sunday, June 11, then again from Thursday, June 15–Sunday, June 18, at Salamanca Lawns and Princes Wharf Shed 1 — with 90 stallholders setting up by the feast's blazes. Headlining the 2023 event is an acclaimed culinary name: Ana Roš, who you might know from Netflix documentary Chef's Table. She's the owner of Slovenia's two Michelin-starred restaurant Hiša Franko in Kobarid, and was named the world's best female chef by The World's 50 Best Restaurants academy in 2017. The World Tourism Organisation have also given her the title Ambassador of Gastronomic Tourism. At Dark Mofo, Roš will get cooking in a newly built 50-seat structure just for cooking and dining, and she'll have company: Stephen Peak and Rodney Dunn, both from New Norfolk's The Agrarian Kitchen. Their spread is set to span four courses, taking its cues from the dishes that that Roš and Peak whip up in their own kitchens. So, expect Slovenian-inspired fare, but made with Tasmania's top seasonal produce. [caption id="attachment_897774" align="alignnone" width="1920"] Camille Blake. Image courtesy of the artist and Dark Mofo.[/caption] TRANCE Slipping into a different mindset is just part of being at Dark Mofo. At TRANCE, you're openly invited to slide into a reverie in the process. Hailing from Berlin-based Chinese artist Tianzhuo Chen, this three-day performance from Thursday, June 8–Saturday, June 10 isn't just something that you watch — it's a true festival experience. You'll need to purchase a 'trance pass' to head along, which gives you access to the whole show across its run. Then, you can wander in and out as you like, seeing each day's 12-hour ritual — which is batched up in six two-hour chapters — in what's basically a physical theatre-meets-rave show. Along the way, you'll notice nods to religious iconography and pop culture alike — and Butoh choreography as well — as things get psychedelic and transcendental. You'll also spot Tinazhuo's cast of characters go all-in on testing the body's corporeal limits. [caption id="attachment_886260" align="alignnone" width="1920"] Nicole Marianna Wytyczak[/caption] A DIVINE COMEDY A wild dance theatre performance inspired by Dante's The Divine Comedy? Yes, that sounds completely in Dark Mofo's wheelhouse. That production is A Divine Comedy, hailing from Austrian choreographer and performance artist Florentina Holzinger, and hitting the festival from Friday, June 16–Sunday, June 18 as both an Australian premiere and an Aussie exclusive. Holzinger is known for making challenging and provocative theatre, and for exploring gender relations — including how women's bodies are represented in art and media. For A Divine Comedy, she's staging the whole dive into the hell, purgatory and paradise as a giant autopsy room, all to explore how humans negotiate life and death. From an all-female-identifying cast spanning all ages, as well as a variety of physical, musical and athletic disciplines, expect to see nude performers, slapstick acts, bodily substances and references to slasher movies as well — plus a jam-packed selection of nods to art and dance's respective histories. [caption id="attachment_899218" align="alignnone" width="1920"] Image courtesy of DarkLab.[/caption] THE BLUE ROSE BALL Get ready for a ball both wonderful and strange: Dark Mofo's hedonistic masquerade, which this year is called The Blue Rose Ball. David Lynch fans, this sounds like absolute heaven — and it is indeed inspired by the inimitable filmmaker behind Twin Peaks. The event takes its name from a secret task force in that very show, in fact, which you'll already know if you agree that it's the best show ever made (as you should). On Wednesday, June 7, a mystery venue will play host to cocktails, wines, aperitifs and epicurean provisions. Exactly what will happen from there is set to be revealed on the night — having your expectations challenged Lynch-style is part of the fun, of course — but if your costume includes red and white zigzags, you've obviously nailed it. Fancy getting a Lynch-meets-Dark Mofo fix throughout the rest of fest? From Thursday, June 8–Monday, June 12 and Wednesday, June 14–Sunday, June 18, Dark Park will also play host to a Blue Velvet Lounge, and with live tunes and performances all on theme. [caption id="attachment_899219" align="alignnone" width="1920"] Photo credit: Rosie Hastie, 2022. Image courtesy of Dark Mofo 2022.[/caption] NIGHT MASS If you love wild affairs that run late into the evening, it's time to lose yourself to Night Mass. Anything and everything can and does happen at this after-dark affair, which is sprawling wider in 2023 than usual — taking over three city blocks, and naming the space District X. Within the precinct's confines, there'll be 13 stages hosting a hefty list of acts, all in an area with a capacity of 4500 — with Night Mass taking place over five nights across two weekends. Those dates: Friday, June 9–Sunday, June 11, and then Friday, June 16–Saturday, June 17. On offer: everything from music and cocktail lounges through to punk theatre and junkyard raves. Attendees can also expect art, performances, cinema cabarets, games arcades, tarot readings, plenty of places to eat and drink, and fire beacons lighting the way. And, on the bill, folks such as Desire Marea, dameeeela, Amnesia Scanner, Violent Magic Orchestra and Mahne Frame, as well as Ms Boogie, Prison Religion, Pelada, Marie Davidson and Moktar. Dark Mofo 2023 runs from Thursday, June 8–Thursday, June 22 in Hobart, Tasmania, with tickets on sale now. Top image: Dark Mofo/Jesse Hunniford, 2018. Image of Société Anonyme Costume Ball Hadley's Orient Hotel. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world — including our Dark Mofo tickets and accommodation package.
It's been almost three years since plans for Melbourne's openair plaza and urban park first dropped. Now, the $60 million Prahran Square is officially open for business, having launched to the public on Sunday, December 1. Transforming the site once home to the drab Cato Street ground-level car park, now a 500-bay underground facility, the City of Stonnington together with Lyons Architecture has gifted the area with an extra 10,000 square metres of public space — more than you'll find at Fed Square. It boasts lush new lawns, an accessible "forest" walk between trees, terraced seating and a big water fountain, all decked out with original public art, more than 130 new trees and around 7200 new plants. It's all built to be as sustainable as possible, too, with rooftop solar panels, rainwater captured and used for watering and energy-efficient LED lighting. A heap of parties, artworks and live music are expected to hit the Square over summer, too. A light and sound installation by Melbourne artist Bruce Ramus, a sculpture combining architecture and native Australian plants by Jamie North and three honey bees by Badtjala artist Dr Fiona Foley will all make their homes here. A free concert with a six-piece Ethiopian jazz ensemble is locked in for Thursday, December 5, too. Originally pegged to be named Cato Square, the project's a hefty ten years in the making. It's also the biggest building project ever undertaken by the City of Stonnington — and, it seems, a necessary one, with the City previously having the second-lowest amount of public open space per capita in the whole state. While it's a big win for the local community, the Square's construction has negatively impacted surrounding businesses, with The Age reporting that a group of nearby traders are planning class against the City of Stonnington to "compensate them for crippling losses caused by nearly two years of construction". Find Prahran Square at Izett Street, Prahran.
Melbourne's favourite provider of designer chic has just set down its sixth pop-up on Flinders Lane. Unfortunately for lovers of local music, the store is taking residence in what was once Polyester Records' CBD location. Fortunately for lovers of local fashion and design, the pop-up is stunning and stocked with the best wares from the ever-inventive mind of Virginia Martin. Designed by Mike McLeod, the new retail space is sparse and minimalist — an ode to the Japanese roots of this season's design. In fact, the store's entrance features fibres from a wooden boat used in the designer's travels around Japan's coast. Combining natural textures and geometric design, Martin's autumn collection featured in store is classic búl — simple and elegant. While you won't find that big cosy knit you've been searching for to stay warm, you'll definitely find something classy and loose to slouch around in this winter. búl's Flinders Lane pop-up store will be open from May 16-July 12. Opening hours are Monday-Thursday: 10am-6pm; Friday: 10am-7pm; Saturday: 10am-6pm; Sunday: 11am-5pm.
Here in Australia, we sure love our professional sport. But as you'll see from Melbourne's new all-in-one house of good times and friendly competition, we've still got plenty of time for the unprofessional stuff as well. Making its home within Highpoint Shopping Centre from today, January 27, is The Funderdome: a multi-attraction venue complete with mini-golf, karaoke, shuffleboard, arcade games and a stack of other recreational pursuits. Clocking in at a hefty 2000 square metres, the all-ages funhouse is guaranteed to unleash your playful side and tickle your nostalgia. By day it's open to all, while after 8pm the venue transforms into an over 18s-only affair. A free-entry arcade is divided into two zones — one devoted to old-school games like Space Invaders and Pacman, and the other decked out with an oft-updated collection of newer offerings, including some of the latest immersive gaming experiences. Putt-putt stars can put their skills to work on the Playas Crazy Golf course, created in collaboration with pioneering London-based designer Zachary Pulman. It boasts 18 holes across two levels, taking its aesthetic cues from New York's famed Coney Island. And for those whose competitive spirit extends to throwing down ABBA belters, there are two roomy private karaoke lounges, kitted out in a fierce nod to the 70s. Of course, since all that fun's no good on an empty stomach there's also The Clubhouse, serving diner-style eats and drinks alongside even more entertainment offerings. Here, fuel up for your moment of mini-golf glory with the likes of woodfired pizza, panko-crumbed mac 'n' cheese balls, a reuben, or one of the signature hot dogs, aka 'funderdogs'. The matching drinks list pours mostly Aussie wines and familiar local brews, along with a classic-leaning cocktail lineup — think, espresso martinis, Aperol spritzes, the ginger-infused pina colada, and a time-tripping Toblerone. The Clubhouse also features its own collection of activities, including air hockey, Atari pong, foosball, shuffleboard, sports screens and weekend DJs. And if pesky lockdowns have cramped your birthday style in recent times, The Funderdome is helping make up for lost shenanigans with a whole range of party packages and function options starting from an easy $40 per person. Find The Funderdome located next door to HOYTS at Highpoint Shopping Centre, 120-200 Rosamond Rd, Maribyrnong. It'll open 10am–12am Sunday–Thursday, and from 10am–1am Friday and Saturday.
Kick-Ass is back. The self-made masked crusader (played by Aaron Taylor-Johnson) has bulked up and is ready to deliver a bigger punch of vigilante justice to the criminals of New York City in Kick-Ass 2. He isn't the only one who has come back for more either; old friend Hit Girl (Chloe Grace Moretz) will join Dave Lizewski's heroic alter ego as they take on their nemesis Red Mist (Christopher Mintz-Plasse), who has restyled himself as The Mother Fucker in another bout of Hollywood comic book violence. There is also a gluttony of new superheroes and villains entering the good vs bad fray, most notably Jim Carrey, who is almost unrecognisable as the patriotic Colonel Stars and Stripes. Whilst the sequel is unlikely to hit the controversial heights of an 11-year-old Moretz hilariously dropping the C-bomb, the trailer suggests that it has lost none of its quirky humour, and if Jim Carrey's post-production Twitter reaction is anything to go by, we can look forward to a flurry of stylised screen violence that is set to make this another (kick ass) cult classic. Kick-Ass 2 is in cinemas August 22 and to celebrate we have ten double in-season passes to give away thanks to Universal Pictures. To be in the running, subscribe to our newsletter (if you haven't already) and then email hello@concreteplayground.com.au with your name and address.
Danny and Michael Philippou know how to haunt. When the Adelaide-born twins unveiled their debut feature Talk to Me in 2023, a new Aussie horror sensation took the genre, and the world, by the hand to share its entertainingly eerie energy. The filmmakers behind it also became one of the hottest new things in scary movies. Two years later, the Philippous are returning with their sophomore effort — and, based on its just-dropped first teaser trailer, more must-see chills are on the way. After Talk to Me's huge success, including for cult-favourite distributor A24, sequel Talk 2 Me was quickly greenlit. But the filmmakers who started out their careers behind the camera as YouTubers RackaRacka will have Bring Her Back in cinemas first. Horror? Tick. A24 onboard? Tick again. Dancing with the dead once more? That seems to be the case as well. The non-Talk to Me flick that's combining all of the above, and also the Philippous (of course), stars The Shape of Water Oscar-nominee — and Wonka, Spencer, Paddington and Godzilla: King of the Monsters actor — Sally Hawkins. As the initial trailer shows, she plays a foster mother. The brother and sister newly in her care find more than just a new parent in her home, however. In the first sneak peek, this is a picture of grief, death and blood, plus strange circles and petrifying rituals. Alongside Hawkins, the Australian-made Bring Her Back also stars Billy Barratt (Kraven the Hunter), Jonah Wren Phillips (How to Make Gravy) and film first-timer Sora Wong. A24 went all-in on the Philippous after picking up Talk to Me in a Sundance Film Festival bidding war, when global attention started being showered upon the Aussie flick about shaking hands with an embalmed palm, feeling the rush while being haunted, having your mates watch and film it, and dealing with the spooky consequences. Danny and Michael made their feature directorial debut after racking up a huge following with RackaRacka's viral videos, and via behind-the-scenes work on Australian films such as The Babadook. Their first flick feature proved a big box-office success, taking in US$10 million on its opening weekend in America alone, which placed it second among A24's films after Hereditary. Across its big-screen run, it clawed its way up to second on the company's all-time worldwide list, after Everything Everywhere All At Once and Civil War. And, at the 2024 AACTA Awards, Talk to Me took home eight accolades, including Best Film of 2023, plus Best Director. Check out the trailer for Bring Her Back below: Bring Her Back releases in the US on Friday, May 30, 2025, but doesn't yet have a release date Down Under — we'll update you when more details are announced. Read our review of Talk to Me, and our interview with Danny Philippou.
Looking for a place to eat, drink or slumber, and eager to do so in eye-popping surroundings? Australia's annual hospitality design accolades have you covered. Each year, the Eat Drink Design Awards shine a spotlight on restaurants, cafes, bars and hotels that go above and beyond in the style stakes — where stunning decor is as essential as top chefs, signature dishes, creative cocktails, stellar coffee and comfortable beds. In 2019, the awards have cast their eyes far and wide. Melburnians have more than a few standout spots to add to their must-visit list, with the city leading the charge just as it did last year; however some of this year's winners hail from much further afield. In fact, if you want to visit the country's best-designed bar, you'll need to head to the lakeside New South Wales country town of Mulwala, a near seven-hour drive from Sydney. And if you want to bunker down at one of the nation's best hotels, Brisbane is calling. In the bar category, Blacksmith Lake Mulwala emerged victorious, all thanks to its well-balanced indoor/outdoor space, elegant colour palette, consideration for the town's pre-existing mid-century buildings and willingness to get whimsical — as seen in its vintage-style pink patio umbrellas, which have a 1970s California feel. And in the hotel field, Fortitude Valley's gorgeous The Calile shared top spot, with the resort-style inner-city establishment listed alongside Drifthouse in Port Fairy. One creates an oasis in the middle of Brisbane's hustle and bustle, complete with an oh-so-inviting pool, while the other combines a double-storey Victorian bluestone house, a single-storey Edwardian home and a new garden pavilion into a quaint and intimate boutique hotel. [caption id="attachment_694718" align="aligncenter" width="1920"] The Calile by Sean-Fennessy[/caption] Of course, you can still turn 2019's Melbourne winners into a very impressive all-day itinerary — whether you're a local looking for a new reason to go exploring, or you're in town from interstate for a few days. Start with Best Cafe recipient Via Porta in Mont Albert, which got the nod for its bold, warm and inviting design that heroes earthy tones and textures in a striking fashion. Then, check out Lagotto, the Best Identity Design winner, with the all-day Italian spot awarded for its dog mascot and associated marketing materials. Best Restaurant pick Di Stasio Citta is obviously worth a visit, especially if you like eating in a space that could double as an art installation. As for gelato go-to Piccolina Collingwood, it earned plaudits for its retail design — and Flinders Lane favourite Cumulus Inc nabbed this year's Hall of Fame gong. [caption id="attachment_715148" align="alignnone" width="1920"] Di Stasio Citta by Kate Shanasy[/caption] Judged by New York Times restaurant critic Besha Rodell, The Mulberry Group CEO and founder Nathan Toleman, Studio-Gram architect and co-founder Graham Charbonneau, architect Phillip Schemnitz and Artichoke editor Cassie Hansen, the Eat Drink Design Awards also named commendations in various categories. Spreading the love around, St Kilda's Prince Dining Room, The Rocks' Tayim Restaurant + Bar, the Gold Coast's Burleigh Pavilion and Byron Bay's Locura rank among those recognised. 2019 EAT DRINK DESIGN AWARD WINNERS Best Restaurant Design: Di Stasio Citta by Hassell (Melbourne, VIC) Best Cafe Design: Via Porta by Studio Esteta (Mont Albert, VIC) Best Bar Design: Blacksmith Lake Mulwala by The Stella Collective (Mulwala, NSW) Best Hotel Design: Drifthouse by Multiplicity (Port Fairy, VIC) and The Calile Hotel by Richards and Spence (Fortitude Valley, QLD) Best Installation Design: The Magic Box by Liminal Objects with Van Tuil (fabricated in Hobart, TAS) Best Retail Design: Piccolina Collingwood by Hecker Guthrie (Collingwood, VIC) Best Identity Design: Lagotto by Studio Hi Ho (Fitzroy North, VIC) Hall of Fame: Cumulus Inc by Pascale Gomes-McNabb (Melbourne, VIC) For the full list of winners and commendations, head to the Eat Drink Design website. Top images: The Calile Hotel by Sean Fennessy and Blacksmith Lake Mulwala by Lillie Thompson.
It didn't happen with Sofia Coppola in the director's chair, but taking a live-action swim in The Little Mermaid's ocean is definitely happening — in 2023, in cinemas everywhere, and with Halle Bailey (Grown-ish) slipping into Ariel's scales and tail. Wondering how that might turn out? Disney has just unveiled the initial teaser trailer for its latest double dip in its beloved catalogue, because the Mouse House just keeps giving its animated hits the flesh-and-blood treatment. Released at this year's D23, the company's fan expo and convention, the first sneak peek at the film doesn't dive into the story that viewers already know and adore — it doesn't need to given how popular the original movie is — but it does show Bailey as Ariel. More than that, it swishes through the mermaid's underwater realm, sunken ships, circular caves and all, and shows her staring up at the light above, pining for a different life. The soundtrack: the flick's star singing 'Part of Your World'. Fans of the original 1989 movie, aka everyone given how popular The Little Mermaid-themed events have proven over the years — such as screenings with live orchestral scores and cocktail experiences at aquariums — are well aware that Ariel dreams of being human, and is willing to make a deal with a sea witch to see her wishes come true. That involves a trade, though: giving up her voice to get legs in return, which'll allow her to live above the water. As well as Bailey as Ariel, this new version of The Little Mermaid features Jonah Hauer-King (World on Fire) as Eric, the human prince that Ariel falls for; Melissa McCarthy (Nine Perfect Strangers) as Ursula, said sea witch; and Javier Bardem (The Good Boss) as King Triton, Ariel's protective father. Also among the cast, on voice duties: Daveed Diggs (Snowpiercer) as Sebastian the crab, Jacob Tremblay (Doctor Sleep) as Flounder and Awkwafina (Shang-Chi and the Legend of the Ten Rings) as Scuttle. Behind the camera, filmmaker Rob Marshall adds The Little Mermaid and its take on Hans Christian Andersen's 1837 fairy tale of the same name to his many big-screen musicals, alongside Chicago, Nine, Into the Woods and Mary Poppins Returns. And as for the tunes, they come courtesy of Alan Menken — returning from the original movie, as do all those old songs — and Lin-Manuel Miranda. If you're keeping track, when it hits cinemas next year, The Little Mermaid will join a hefty list. That's the list of animated Mouse House fare remade either with actors on-screen, photorealistic CGI or both, that is, and it includes Alice in Wonderland, Cinderella, Beauty and the Beast, Dumbo, Aladdin, The Jungle Book, The Lion King, Lady and the Tramp, Mulan, Pinocchio and more. Check out the first trailer for The Little Mermaid below: The Little Mermaid will release in cinemas Down Under on May 25, 2023. Top image: Photo courtesy of Disney. © 2022 Disney Enterprises, Inc. All Rights Reserved.
Mexican Independence Day is coming up and to celebrate, Fitzroy's Hecho en Mexico has teamed up with 400 Conejos Mezcal to host a one-night-only Mezcal Fiesta on Thursday, September 14. The night will feature roving entertainment and a five-course dinner curated by Masterchef's Theo Loizou, who will be putting his own spin on classic Mexican dishes. A few of the dishes guests can look forward to include grilled octopus tacos with spicy onion salsa, lamb with mezcal glaze and a bread-and-butter pudding taco with mezcal caramel. Not to worry if meat isn't your thing as there'll be vego options too. Each dish will be paired with a bespoke mezcalita made with 400 Conejos, with flavours including, chilli mango, summer passion and an oaxaca old fashioned. Oh, and everyone will also be treated to a neat serve of 400 Conejos Espadín Mezcal on arrival, to really kick the party off. "I love that street food brings you on a journey. It's the heartbeat of any city," says Loizou. "One thing I love as much as street food is mezcal. I love the smokiness mezcal has and the smoothness that you don't get with tequila. The dishes I've chosen play well with mezcal and the unique cocktails, while also staying true to my cooking style, mixed with the flavours and methods of Mexican cuisine."
Forget about Ingmar Bergman, Stellan Skarsgard and Noomi Rapace. The cinema of Sweden has a brand new face — and by new, we mean very, very old. Adapted from the bestselling novel by Jonas Jonasson, The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared is the single most profitable film in the history of Swedish cinema. What drove audiences in such numbers to such a singularly unfunny comedy we'll chalk up to cultural misunderstanding The film, to its credit, delivers exactly what it promises to. On the day of his centennial, geriatric explosives expert Allan Karlsson (Robert Gustafsson) decides he's had enough of life in his retirement home and promptly shimmies through the curtains for a stroll. While at the bus station purchasing a one-way ticket to wherever, Karlsson accidentally comes into the possession of a suitcase full of drug-money — the first in a series of hi-larious coincidences and knee-slapping misunderstandings that follow the senior citizen wherever he seems to go. Indeed, the addlebrained pensioner is no stranger to misadventure. As flashbacks soon reveal, Karlsson apparently met, and influenced, most of the major figures of the 20th century, including Franco, Stalin and both Eisenhower and Reagan. He was also the lynchpin in the Manhattan Project, served as a spy for both sides during the Cold War, and spent some time in a Siberian gulag for his troubles. The film's most obvious compatriot would be something like Forrest Gump, but frankly, the comparison doesn't flatter. Gump wasn't exactly the sharpest hammer in the cutlery draw, but he had a certain childlike innocence that helped endear him to an audience. Karlsson, on the other hand, is just plain dumb. As such, it's difficult to care about either his past or his present, the latter of which sees him on the run from some skinhead bikers, intent on getting their money back in whatever way they can. The comedy is broadly slapstick, but with an undertone of callous black humour. Putting aside the fact that Karlsson helped invent the atom bomb and apparently feels not the least bit bad about it, the film regularly sees him cause the deaths, albeit mostly accidental, of people who cross his path. As it turn out, stupidity and nastiness doesn't make for an entertaining mix. The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared can hardly disappear from cinemas soon enough. https://youtube.com/watch?v=6SEiaODjTZw
On the big screen, the Jurassic franchise keeps finding a way. After 1993's page-to-cinemas hit Jurassic Park proved such a smash, more movies were always going to follow. So spawned sequels in 1997 and 2001, then the first three Jurassic World flicks in 2015, 2018 and 2022 — and now there's a fourth of the latter on the way in 2025. But it isn't just on screens that this saga continues to pop up. Welcome to ... your latest reason to be surrounded by lifelike prehistoric creatures in 2024, Melburnians. After roaring into Sydney in 2023, and teasing a trip further south since early this year, Jurassic World: The Exhibition has opened in Brunswick. Head to The Fever Exhibition Hall from Friday, August 2 and you'll feel like you've been transported to Isla Nublar, complete with a walk through the big-screen saga's famed gates. From there, you'll mosey around themed environments featuring life-sized versions of the movie franchise's dinos, including a brachiosaurus, velociraptors — yes, get ready to say "clever girl" — and a Tyrannosaurus rex. Attendees can get roaming while staring at animatronics, including the new ankylosaurus and carnotarus. Also linking in with the animated Jurassic World: Camp Cretaceous series, there's baby dinos, such as the show's Bumpy. Now, all that's left is to decide which Jurassic franchise character that you want to emulate (the best choices: Laura Dern's palaeobotanist Ellie Sattler, Sam Neill's palaeontologist Alan Grant and Jeff Goldblum's mathematician Ian Malcolm, of course). And no, when Michael Crichton penned Jurassic Park in 1990, then Steven Spielberg turned it into a 1993 film, they wouldn't have expected that this'd be the result 31 years — and five more movies — later.
When it comes to sharing movies that've recently premiered at Cannes with Australian audiences, timing is kind to Sydney Film Festival. One fest is in May, the other is in June — and SFF makes the most of it. Indeed, in 2025, its main program announcement was packed with 15 films that would hit Cannes, then Sydney. Next, Eddington joined the lineup, doing the same. The event's closing-night pick Splitsville falls into that category as well. Now comes a late drop of nine additional Australian-premiere titles that'll get the Harbour City's projectors whirring, most of which have also only recently debuted in France. Both Sentimental Value and Sîrat are heading to Sydney after collecting prizes in Cannes. The first nabbed the Cannes Grand Prix for filmmaker Joachim Trier, who reunites with his The Worst Person in the World lead Renate Reinsve (Presumed Innocent), and also has Stellan Skarsgård (Andor) and Elle Fanning (A Complete Unknown) in his cast. The Morocco-set second film picked up a Cannes Jury Prize, and boasts Pedro Almodóvar (The Room Next Door) as a producer. Both are playing SFF as special presentations. Or, audiences can look forward to the Dardenne brothers' (Tori and Lokita) Young Mothers, which collected Cannes' Screenplay Prize — and Cannes Queer Palme and Best Actress-recipient The Little Sister. Plus, joining Reinsve, Skarsgård and Fanning among the big-name stars on Sydney Film Festival's expanded program: Gael García Bernal (Holland) and Joel Edgerton (Dark Matter). In Magellan, which is directed by Filipino great Lav Diaz (Phantosmia), Bernal plays the title character. As for Edgerton, the Australian actor pops up in The Plague, where peer pressure at a summer camp drives the narrative. SFF has also added Two Prosecutors and Eagles of the Republic, each of which screened in competition at Cannes. Sergei Loznitsa (The Invasion) is behind Two Prosecutors, which takes place in 1937 under Stalin's rule. Tarik Saleh (Cairo Conspiracy) helms Eagles of the Republic, another of Sydney Film Festival's movies set in a complicated political climate — this time as part of a satirical thriller about an Egyptian film star. It's Never Over, Jeff Buckley debuted at Sundance 2025, not Cannes, but is also an eagerly anticipated newcomer on the lineup. That's what happens when documentarian Amy Berg (Janis: Little Boy Blue, West of Memphis) turns her attention to the late, great singer almost three decades after his tragic passing. "The festival starts in just two days, but we think its never too late to add the most-exciting new films to the festival, fresh from their international premieres," said SFF Festival Director Nashen Moodley. "From sweeping historical epics and urgent political dramas to intimate portraits and unforgettable performances, these films continue our commitment to showcasing the most exciting cinema from around the world." Sydney Film Festival 2025 takes place from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website.
Glen Waverley has long been a hub for food, thanks to a myriad of Asian grocers and small but tasty dumpling places on Kingsway. The last few years have also seen neighbouring shopping centre The Glen undertake a flashy development, extending the retail options to include the likes of Huxtaburger and a new fresh food market hall, and evolving the overall look of the place. The latest in this revamp is the news that the top floor of the centre will become a huge 4000-square-metre sky garden. The new space will be part of a new residential development named — you guessed it — Sky Garden. As well as topping off The Glen with some natural goodness and adding a bit of life to what can otherwise be a sterile environment, the garden will also be the bottom floor of a huge new residential complex of 555 one-, two- and three-bedroom apartments that will be built above the centre. The garden will be designed by Aspect Studios and is another move towards utilising industrial space for a more natural and eco-friendly focus. According to developers the Golden Age Group, the 4000-square-metre space will feature "outdoor dining and entertainment amenities". And, as well as green views to the Dandenong Ranges in the east and the bay in the south, the garden will extend up the new apartment structure too — each apartment will come with a balcony with vertical greenery. Unfortunately, the gardens will only be accessible to residents of the new apartments. So, if you manage snag one, lucky you — but the rest of us will have to be happy knowing the city has received another much-needed injection of flora and chlorophyll. It follows in the wake of the news that Melbourne's south will soon see a 2000-square-metre rooftop farm and restaurant as part of the new Burwood Brickworks development, a sustainable shopping centre designed by eco-designer Joost Bakker. This one will be open to the public. There are big changes afoot over here — the apartment block and the new developments at The Glen are expected to cost $450 million and construction is expected to commence in late 2019. But don't panic: the dumplings on Kingsway are safe for now.
Heading to the snow is an experience many of us spend the long winter days at work daydreaming about. But a trip to the snow-covered mountains should be about so much more than just clipping on your skis or snowboard. With a multi-day trip to Victoria's Alpine Resorts, you can take your snow trip to new heights — literally and figuratively — with an array of elevated adventures. Whether you're a snow-sport aficionado, want to soak up the picturesque scenery from lush, on-mountain accommodation, or are hankering to see the sights from above, Victoria's alpine region has you covered. From Mt Hotham to Falls Creek, Mt Buller to Dinner Plain and Mt Stirling, here are our picks for turning your mid-year winter break into a bucket-list trip to remember. See the Sights on a Snowshoeing Adventure While shredding your heart out on the slopes is a staple for most snow trips, there are some other incredible (and somewhat underrated) ways to get up close and personal with Mother Nature, like snowshoeing. If you want something that's low impact on your body but high impact on views, snowshoeing could be your new favourite alpine activity. Dinner Plain has a bunch of trails to suit a range of fitness levels, including shorter walks on the edge of town through to longer treks over mountain ridges for the more intrepid travellers. You can take a guided snowshoe tour in Mt Stirling or Mt Buller, or DIY on a self-guided stroll in Falls Creek. To take things even further, you can have the time of your life on a Snowshoe to Cheese Fondue experience in Mt Hotham. Here, you'll wind through breathtaking snow gums at sunset before tucking into an unforgettable three-course dinner, complete with gooey cheese fondue and Glühwein in a hidden eco-village. Hit the Slopes for Some Skiing or Snowboarding Okay, so we said a snow trip is about more than clipping on your snow-sport gear, but that doesn't mean you should skip it altogether. Classics are classics for a reason, right? If you've only ever stuck to either skiing or snowboarding, consider this your sign to step out of your comfort zone and try the alternative sport. There are amazing runs at Mt Hotham, Falls Creek, Mt Buller and Dinner Plain to suit all levels. You'll just need to let go of your ego when you have to return to the green runs. Never skied or snowboarded before? You're in for a real treat. With expert guidance from knowledgeable instructors, you'll be carving up the slopes in no time. Take Flight to See the Sights Soaring above the rugged alpine peaks really is an experience like no other. With a bird's-eye view, you can soak in the spectacular sights of Victoria's High Country from new heights and zoom out from the world for a moment in time. Take a scenic helicopter flight between Falls Creek and Mt Hotham and be captivated by the breathtaking panoramic views as you glide above the snowy summits. Or take the opportunity to see the region from above with a helicopter ride over the ridges and valleys of Mt Stirling and Mt Buller to tick off this bucket-list experience. Hang Out with Huskies A husky sled tour might seem like something you only see in the movies, but in Mt Buller, Mt Hotham and Dinner Plain, you can live out your Hollywood fantasy in real life. Let a team of alpine huskies whisk you away into the magical scenery of Mt Hotham's and Dinner Plain's backcountry trails with Howling Huskys, or let Australian Sled Dog Tours take you on a trip of a lifetime in Mt Buller. Try Out a New Angle with Cross-Country Skiing If you're a seasoned skier and want to level up your on-slope action, adding a cross-country skiing session to your trip is a must. If you're feeling super adventurous, try exploring the wild and sprawling cross-country trails on Mt Stirling, where there are over 60 kilometres of trails to discover. Falls Creek has loads of patrolled tracks ideal for newcomers, while Dinner Plain has paths that snake around the Alpine Village so you can get a taste of the action without venturing too far from home. Refuel at Incredible On-Mountain Food and Drink Venues After all that time on the slopes, you're guaranteed to work up an appetite. And thankfully, the food and drink scene in Victoria's Alpine Resorts delivers, no matter where you choose to base yourself. From ambient wine bars in Dinner Plain to new great counter meals in Falls Creek, there's an eating and drinking option to please all palates. If you head to Mt Buller, make sure you grab some fresh waffles for breakfast or low-and-slow smoked goodies for lunch at the on-mountain restaurant Spurs Smokehouse. In Mt Hotham, it's the raclette lunch that has us salivating. Here, you'll scrape melted French cheese onto baked potatoes and enjoy them alongside a spread of charcuterie, smoked meats and a selection of curated booze. Rest Your Head at Spectacular On-Mountain Accommodation In Victoria's High Country, you really are spoilt for choice when it comes to stellar accommodation. As far as choosing where to stay, we recommend going all in on your snow trip and cosying up in some on-mountain accommodation if you really want your trip to soar. That way, you get to be close to all the action without having to faff about with draining logistics. There's alpine accommodation to suit a range of group sizes and budgets. For a touch of luxury, Mt Buller's Breathtaker Hotel will hit the spot after a long day on the slopes. If you're after something a little more adventurous, glamping in the snow might be more your style. There are also charming lodges, chalets and resorts to recharge in — many with sweeping views of the pristine mountains. Get away from it all with an adventure at Victoria's Alpine Resorts. For more information and to start planning, visit the website.
In an age in which we spend more time looking at screens than we do looking at each other, the organisers of a monthly public meet-up are trying to encourage a little old-school human connection. Held once a month in cities around the world, including Sydney, Melbourne and Brisbane, Eye Gazing is exactly what it sounds like: a group of strangers meet in a public place in order to create a silent bond. The events are run by The Human Connection Movement, a group that aims to change the way that people interact for the better. "We're here to empower people to stay open and lead with an open heart whilst maintaining authenticity, courage and awareness," reads a description on the event page for the group's upcoming Melbourne meet. It's set to take place in Fitzroy Gardens on Saturday, January 7. It's free to attend, although you will need to register online. Image: The Human Connection Movement/YouTube.
