If you're planning to attempt a dry January, this event probably isn't for you. For the first time, independent artisan wine producers One Block are holding four cellar door events throughout the month. Each Sunday, Chestnut Hill Vineyard in West Gippsland — about an hour and a half from Melbourne — will play host to One Block for its new Summer Series. The event will give you the opportunity to sample popular and soon-to-be released drops from One Block and winemaker Jayden Ong's other ventures La Maison de Ong, Moonlit Forest and NAS (preservative-free). And what is a wine tasting without some paired snacks? Enter Yarra Valley Dairy, who'll be there to fulfil your fromage needs, while Meatsmith Specialty Butcher will be getting the wood-fired grill going. The first three weeks are free, but the finale on January 28 is ticketed. At $49 per person, the ticket includes admission, a reserved table, lunch by Meatsmith and entertainment. Anyone who has tasted a One Block drop at Cumulus Inc. (which Ong co-owns) knows it's worth lifting the New Year's resolution drinking ban for. If you're thinking of making the journey, check out our Weekender's Guide to West Gippsland to plan your adventure.
Are you the kind of person who starts plotting your next meal before you've even finished the last? Love eating more than anything else? Well, you can get right to the guts of our global food obsession when culinary legend Nigella Lawson returns to Aussie shores for her new show, An Evening with Nigella Lawson. One of the most successful food writers of all time, cooking up more than ten million book sales worldwide with her 11 culinary bibles, Lawson was in the country last December for a series of talks discussing the concept of food and its link to pleasure, creativity and belonging, and now she's back — direct from London's West End. An Evening with Nigella Lawson is a new show where the celebrity chef shares her own culinary story, live on stage. The show has been floated as interactive and intimate. Culinary questions will be taken from the audience, while Nigella shares her thoughts about the role food plays in life, plus what she is eating and cooking. Before becoming a household name, Nigella worked as a book reviewer and restaurant critic, going on to become the deputy literary editor of The Sunday Times. She is responsible for numerous award-winning books, including How to Eat, How to Be a Domestic Goddess, Nigella Bites and At My Table. AN EVENING WITH NIGELLA LAWSON 2019 DATES Perth — Riverside Theatre, January 29 Sydney — Sydney Opera House, February 2 Canberra — Royal Theatre, February 4 Melbourne — Hamer Hall, February 9 Brisbane — QPAC Concert Hall, February 10 An Evening with Nigella Lawson tickets go on sale Monday, October 29. You can signup to be notified when they're released here.
A quarter of a century ago, M Night Shyamalan started coaching audiences to associate his surname with on-screen twists. Now that The Sixth Sense writer/director's daughter Ishana Night Shyamalan is following in his footsteps by making her first feature, decades of that viewer training across Unbreakable, Signs, The Visit, Split, Glass and more laps at The Watchers' feet. The question going in for those watching is obvious: will the second-generation filmmaker, who first worked as a second-unit director on her dad's Old and Knock at the Cabin — and also penned and helmed episodes of exceptionally eerie horror TV series Servant, on which her father was the showrunner — turn M Night's well-known and -established penchant for surprise reveals that completely recontextualise his narratives into a family trademark? Viewing a Shyamalan movie from The Sixth Sense onwards has always been an exercise in piecing together a puzzle, sleuthing along as clues are dropped about how the story might swiftly shift. It's no different with The Watchers, which Ishana adapts from AM Shine's novel and M Night produces. The younger filmmaking Shyamalan leans into the expectations that come with being her dad's offspring and picking up a camera, making a supernatural mystery-thriller horror flick and living with his brand of screen stories for her entire life. That said, while it's easy to initially think of The Village when The Watchers sets its narrative in isolated surroundings where the woods are filled with threats, and also of Knock at the Cabin given that its four main characters are basically holed up in one, Ishana demonstrates her own prowess, including by heartily embracing her source material's gothic air. This is a tale with a Mina at its centre, after all, because Shyamalan isn't the only name attached to The Watchers that means something in horror. As gothic stories in the genre long have told, it's also a tale of being haunted — here, by the monsters that lurk among the trees in a mysterious patch of western Ireland, and also by the kind of loss and sorrow that reshapes entire lives. As Ishana dials up the foreboding while dancing with fantasy, too, The Watchers proves a reckoning with identity as well. Yearning for the ability to define your own sense of self is another familiar gothic notion (Mary Shelley's Frankenstein puts it among the ideas at its centre), and also a fitting theme and statement for a person who's leaping into a field where they're immediately standing in someone else's shadow. Hours from Galway, shade also looms as The Watchers kicks off. As captured with a moody gaze by cinematographer Eli Arenson — and an eye for the claustrophobia that can simmer in expansive natural spaces, as he also splashed around in 2021's Lamb — warm rays barely filter through the forest even when the sun is high in the sky. In a state of near-perpetual twilight, the woodland possesses an otherworldly and ominous feel. A man (Alistair Brammer, Ancient Empires) is spied trying to flee its sprawling cover; however, the signs about not being able to turn back keep proving accurate. Birds flutter in a swooping and circling flock, the thicket buzzes with its own noise — both with unease as dense as the canopy above — and the picture advises that this location is absent from maps and a beacon for lost souls. A command of atmosphere bubbles through the movie from the outset, then, even before Mina (Dakota Fanning, Ripley) wanders through the same grove. She's entering rather than trying to leave — at first. An American artist working in a pet shop in a biding-her-time fashion, the 28-year-old is tasked with a normal albeit time-consuming delivery, but then her car breaks down and her phone dies shortly after driving into the greenery. Prior to Mina hitting the road, The Watchers dapples her everyday existence with a disquieting vibe. In her life in the Irish city, she's plastering literal wigs and metaphorical masks over her unhappiness while avoiding calls from her sister Lucy and grappling with the death of their mother 15 years earlier. En route to being stranded in a bunker called The Coop, which is sat in a tract where no one should go down to the woods by dark, she's also already feeling as caged as the parrot that she's about to try to ferry to a Belfast zoo. The Coop is no ordinary cabin in the woods, not that many on-screen are, with kudos deserved by The Watchers' production designers. Mirrored glass lines one of its walls, letting interested eyes peer in unseen (their audible reactions provide a soundtrack as well) as the motley crew that is Madeline (Olwen Fouéré, The Tourist), Ciara (Georgina Campbell, Barbarian), Daniel (Oliver Finnegan, We Are Lady Parts) and now Mina navigate their new routine. Each strangers going in and each trapped, they're all endeavouring to survive the creatures that demand to observe them eating, watching an old dating-style reality TV series and sleeping every evening — and, without their captors realising, to ascertain how to escape a place that appears impossible to exit. There are rules to enduring. There are grim consequences for not abiding by them. No one has made it out to seek help and returned, the stern Madeline cautions. When a reflective surface plays such a pivotal part, it's hardly astonishing when a film trades in parallels, including with an IRL world that's frequently becoming one giant online performance (to stress the point, one of The Watchers' most-striking shots shows how Mina and company inhabit a stage for their keepers). As well as absorbing her father's fondness for spinning unsettling tales, Ishana has inherited his ambition, clearly, as she also works in Celtic lore and the impact of colonialism. While it's one thing to aim big and another to thoroughly wrestle everything that you're eager to explore and touch upon into one movie, her directorial debut sports an instantly intriguing premise that draws viewers in effectively, a flair for imagery and tension, and an excellent lead. When Fanning is playing the feature's protagonist as someone who can't see anything but her own pain — who can't see the forest for the trees, aptly — she wears Mina's fragility and vulnerability like a second skin. When her character is forced to confront being put on display, she's just as mesmerisingly relatable.
Meredith is a festival where you're guaranteed to have a good time, no matter what. But whatever your reasons for heading to the three-day December festival in central Victoria, you won't be disappointed with the acts Aunty Meredith has just announced for this year's lineup. They're absolutely spiffing awesome. Superwoman and curator of all things wacky, Peaches, will be headlining the bill, bringing her extravagant live show to The Sup. Kelela will be coming all the way from Washington to kick off the after-dark vibbes on Friday night, and Geelong boys King Gizzard and the Lizard Wizard will be providing that dose of psych rock every weekend at Meredith needs. BADBADNOTGOOD will be fusing jazz and electro, while Angel Olsen will be bringing all them feels and The Triffids will be there for a shot of nostalgia. And that's not even a half of it. Aunty has really covered all bases here. You're wondering how you can get tickets to this aren't you? Meredith tickets are only available by entering the ballot. You can still do so at aunty.mmf.com. Fingers crossed that we can all hang out in The Sup on December 9, 10 and 11. But we know what you're really here for. We'll cut to the chase. Here's the full lineup MEREDITH MUSIC FESTIVAL 2016 LINEUP Peaches Sheila E King Gizzard And The Lizard Wizard BadBadNotGood Angel Olsen The Triffids Kelela Ben UFO Japandroids The Congos Baroness Archie Roach Jagwar Ma Mount Liberation Unlimited Fred & Toody Cole Chiara Kickdrum Cass McCombs The Goon Sax Ross Wilson CC: Disco! Cable Ties Wilson Tanner Silence Wedge The Sugarcanes Terry Judith Lucy Sheer Mag Dungen Meredith Music Festival will return to Meredith on Friday 9, Saturday 10 and Sunday 11 December, 2016. Onsite camping will once again be available from Friday. To put your name in the ballot to win tickets, go to aunty.mmf.com.
Victorians are preparing to say goodbye to plastic bags as the Victorian Government last night announced it will clear everyone's cupboards of single-use plastic carriers via a statewide ban. Premier Daniel Andrews announced the ban last night on The Project, saying that "we know this is really important for the environment, particularly for our waterways, for landfill [and] for waste management". This comes in direct response to a #BanTheBag Change.org petition run by the nightly Ten current affairs program. Premier @DanielAndrewsMP announces Victoria's plan to #BanTheBag! What say you, @GladysB? #auspol #TheProjectTV pic.twitter.com/J9u26wa5xr — The Project (@theprojecttv) October 17, 2017 The move brings the state into line with South Australia, the ACT, the Northern Territory, Tasmania and Queensland, who announced it will next year ditch lightweight single-use plastic bags in September. It follows the news that Woolworths and Coles will also be doing the same nationwide. NSW is now the only state that hasn't committed to banning single-use bags. Victoria's ban might seem like a long time coming — but, well, better late than never. It's unclear whether the ban will cover just lightweight plastic bags or both degradable and biodegradable options. Further details are expected to be announced by Environment Minister Lily D'Ambrosio today.
There's a change ahead for South Yarra's food scene, with the announcement that Ramblr — the beloved restaurant from Nick Stanton, Guy Bentley, Mark Catsburg and Jon Harper — is calling it quits, set to close its doors for good on Saturday, March 2. The owners broke the news yesterday via Instagram, thanking both crew and fans for two great years as part of the Chapel Street family, and saying that the restaurant had far exceeded their expectations. "We would like to thank everyone who has been involved with Ramblr - it has been such an amazing experience," it said. https://www.instagram.com/p/Bs7RgFsAfRi/ It has been a busy few months for the four, who launched their latest venture Leonardo's Pizza Palace in Carlton, just last December. Stanton, Bentley, Catsburg and Harper first opened Ramblr at the end of 2016, off the back of their ever-popular debut joint venue, Leonard's House of Love. The Chapel Street restaurant has been pulling in the crowds ever since, famed for its detail-driven fare and polished, yet casual vibe. And, of course, those pig's head fritters. It's not all bad news, however — the boys have hinted at some fun things ahead for the current Ramblr site, with plans for an "exciting new concept" to open there soon. Find Ramblr at 363 Chapel Street, South Yarra until Saturday, March 2. Images: Jo Rittey.
One of the most significant films in the history of Greek Cinema will be screened under the stars in the inaugural 2014 MPavilion, now located in the courtyard of Melbourne's Hellenic Museum. Released in 1962 to widespread acclaim — including a win for Best Cinematic Transposition at the Cannes Film Festival and an Oscar nomination for Best Foreign Language Film — Michael Cacoyannis' Electra brings the Euripidean tragedy to the silver screen. Part of the Hellenic Museum's ongoing summer cinema series, featuring a different iconic picture every week, the event will also feature mouthwatering Greek-style BBQ lamb, ancient grain salads, a Greek coffee version of the classic movie choc top, plus a wide selection of Hellenic beverages. Food and drink starts at 7pm, giving you plenty of time to fill your stomach before the movie begins at sundown.
Everyone needs a hobby — and if adding to your gin shrine is how you pass the time, Four Pillars has launched yet another tipple to boost your collection. After recent collaborations with Melbourne venue Arbory Afloat and the national QT Hotels chain, the award-winning distillery has teamed up with Qantas on a celebratory drop called QF100. The reason: last year, the Australian airline turned 100, so this new gin is designed to mark that hefty milestone. And, to reflect the carrier's ties to Longreach in Queensland — where it was born, and where the Qantas Founders Outback Museum is based — QF100 is made with botanicals sourced from the central western Queensland spot. Accordingly, when you say cheers to Qantas' centenary with you next cocktail, you'll be tasting lemongrass, macadamia and lemon myrtle. The botanicals were foraged in the area under the guidance of local Indigenous elder Suzanne Thompson — and lemongrass features heavily because it was growing in the region in abundance at the time. Like Four Pillars' other collabs, this one is a limited-edition affair — and, its 700-millilitre bottle bottles have already sold out via the distillery's online store. But, Qantas is still selling it online, and serving it in new signature centenary cocktails at its lounges. You can sip the 'Longreach Fizz' at its Qantas International first lounges in Sydney and Melbourne, the Brisbane International lounge and the brand's six domestic chairman's lounges. Four Pillars and Qantas' QF100 gin has sold out via Four Pillars' online store, but it's still available to buy via Qantas for $90 for a 700-millilitre bottle.
It's a common peeve for many Melburnians: the fact that catching the train to another part of town often means hauling all the way into the CBD before you can switch routes and travel back out. Well, that headache could potentially be removed, if the Victorian Government's ambitious plan for a huge underground suburban rail network comes to fruition. In August last year (before he ran for and won the state election), Premier Daniel Andrews released a proposal for a brand new 90-kilometre Suburban Rail Loop, which would link all of the city's major radial rail lines with an intersecting orbital one, from the southeast in Cheltenham all the way to the west in Werribee. So how will it all work? Last year, Premier Daniel Andrews posted this video that details how and where the project will operate. The proposed new line would run a loop around Melbourne's outer suburbs, connecting the existing train lines at a point outside of the CBD. The current plans have it starting at Cheltenham on the Frankston line, connecting to the Cranbourne/Pakenham line at Clayton before running through Glen Waverley and to Box Hill on the Lilydale/Belgrave line. From there it will go underground to connect to Heidelberg on the Hurstbridge line, Reservoir on the South Morang, Fawkner on the Upfield and Broadmeadows on the Craigieburn before heading to the new Melbourne Airport station that we'll supposedly have by then. From there it will head down to Sunshine, which is on the Sunbury line, before finishing up at Werribee. Here's a new version of the map Daniel Andrews posted last week. All this work could include up to 12 new underground stations and would provide train services to suburbs that don't currently have them, like Monash, Burwood and Doncaster. If all goes as planned, the new network would carry 400,000 people a day, which the government hopes will reduce congestion on both roads and existing train lines. It's a huge undertaking, and one that's largely unfunded at the moment. Although the Andrews Government was re-elected in November, the project now has to find funding and be passed by parliament to begin on the proposed start date of 2022.. The State Government has only committed $300 million to it so far — but if a Shorten Labor Government gets elected at this year's federal election, it has pledged to match that amount. That takes the total to a potential $600 million, but, at the moment, the government only has $300 million to put towards a business case, design and pre-construction work. The Age has reported that, all up, the thing will cost around $50 billion; for comparison, the current Metro Tunnel project has been estimated at costing around $11 billion. So there is still a lot of work to go to prove that the project is viable (and that's not to mention finding the extra $49,700,000,000). It's not something you want to hold your breath for. That said, the Andrews Government has been the administration to actually make the Metro Tunnel happen, remove multiple level crossings in the city's east and commit to an Airport Rail Link (although that one's not quite confirmed yet), so we'll wait to see what happens in next 18 months. We'll keep you updated.
UPDATE, NOVEMBER 18, 2016: After a successful first weekend, Bon Fromage has had to postpone the second weekend of the festival due to permit issues. They plan to bring the festival back, bigger and better, in early 2017. Melburnians have always liked cheese, but in recent years things have gotten serious. Dedicated fromageries have popped up across our fair city and we've enjoyed at least three dedicated cheese festivals in recent memory. Our stomachs are working overtime to digest all the lactose — and, honestly, we've never been happier. And the love affair continues with this latest cheesy announcement. France (or more specifically, a Parisian centre for cheese, which is a real thing) is bringing us Bon Fromage, a ten-day cheese festival celebrating European cheese. The whole thing will happen in a laneway behind Carlton's King and Godfree from the November 11. First and foremost is cheese — the venue will be transformed into a cheese marketplace and wine bar for two weekends, alongside pop-ups from Melbourne cheese royalty Shifty Chevre, Milk the Cow and Harper and Blohm. But the cheese festival isn't just about eating so much cheese you puke. Anthony Femia of Prahran Market's Maker and Monger and Johnny Di Francesco from 400 Gradi will be there too, holding masterclasses in, we assume, the correct way to draw a cheese fondue bath for yourself. The festival is supported by the European Union, presumably to get Australians on board with the European cheese industry. To us, this seems like a bit of a misfire because we're already very on board with cheese (from Europe or elsewhere), but whatever — we'll be there front and centre with our bibs on regardless. Bon Fromage: Festival of European Cheeses will run from Friday, November 11 until Sunday, November 20 in Faraday Lane, Carlton, behind King and Godfree. For more info, visit the Facebook event.
Who'll win orb-topped trophies? Who'll wear what? Who'll make the best, funniest and most rambling speeches? Whenever January hits and the Golden Globes approach for another year, they're the standard questions. Here's another: where can Australians watch the red carpet action and the ceremony? In 2023, the answer to that last query is streaming — and, to be specific, Stan. The Aussie platform has nabbed the exclusive broadcasting rights to this year's Golden Globes, covering both the pre-show and the awards themselves. Both will be streamed live on Wednesday, January 11, starting at 11am AEDT / 10am AEST for the arrivals and 12pm AEDT / 11am AEST for the gongs themselves. [caption id="attachment_884053" align="alignnone" width="1920"] CleftClips via Flickr[/caption] This'll mark the first time that Stan has aired the Golden Globes, which be beamed into your streaming queue from the Beverly Hilton Hotel in Los Angeles. On hosting duties: comedian Jerrod Carmichael. Nominated: a hefty list of the past year's best movies and TV shows, because these awards cover both. Among the big-screen contenders sits everything from Everything Everywhere All At Once and The Banshees of Inisherin to Glass Onion: A Knives Out Mystery and Elvis. On the small screen, The White Lotus, Severance, Only Murders in the Building, Abbott Elementary, Wednesday and more are vying for accolades. Australians have also earned a hefty showing among the nominees, including Baz Luhrmann's Best Director nom for Elvis, and Cate Blanchett, Margot Robbie, Hugh Jackman and Elizabeth Debicki all picking up acting nominations (for Tár, Bablyon, The Son and The Crown, respectively). If you're wondering who'll be presenting awards rather than trying to win them, expect to see Ana de Armas (The Gray Man), Billy Porter (Cinderella), Colman Domingo (Euphoria), Jamie Lee Curtis (Halloween Ends), Natasha Lyonne (Russian Doll), Nicole Byer (Nailed It!) and Quentin Tarantino (Once Upon a Time in Hollywood) among the folks taking to the stage. Of course, the fact that the 2023 Golden Globes take place on a Wednesday isn't the best for parties — although they will hopefully liven up the middle of your week. The 2023 Golden Globes will be announced on Wednesday, January 11 Australian time, streaming via Stan from 11am AEDT / 10am AEST for red carpet arrivals and 12pm AEDT / 11am AEST for the ceremony itself. Wondering who's nominated? Read our rundown of this year's nominees.
If you're anything like us, you have an endless list of places you want to visit and things you want to do when you're there: have a whiskey in the Park Hyatt Tokyo, float along Venice's canals, get into Berghain in Berlin, eat fresh seafood on the beach in Sri Lanka (just to name a few). But, sometimes, your bank balance won't allow it. We understand, and we've teamed up with Intrepid Travel so you can tick one off your list — for free. The long-time purveyor of taking you off the beaten track, putting you outside of your comfort zone and providing A-plus travel stories, Intrepid Travel is giving you a chance to win an (almost) all-expenses-paid trip to Sri Lanka. As well as return airfares for two, you and your chosen loved one will also get to join a 15-day extensive tour of the country. Get ready to tell some cracking travel yarns in the future. The Circle Sri Lanka trip will take you from Negombo, in the east and will travel clockwise all the way round to the island nation's capital, Colombo. Throughout the two weeks, you'll have the chance to explore ruins, climb Sigiriya Lion Rock, learn to cook traditional Sri Lankan fare, explore bustling bazaars and trek through tea plantations. And all accommodation, ten brekkies (and some lunches and dinners) are included, as well as more activities than you can count on your two hands. The island is full of vibrant culture, incredible food, ancient citadels and idyllic beaches on all sides. Regardless of whether you're the lucky winner, it should be high up on your travel bucket list anyway. To enter, see details below. [competition]669353[/competition] Top image: Sigiriya Lion Rock
Zeus Street Greek has been rolling hot, fulfilling pitas off its spits and into your stomaches since 2014. Providing traditional Greek food with more of a 'healthy nourishing meal' feel than a '3am greasy food' vibe, Zeus cooks up street food that covers several important food bases: meaty pitas, healthy salads and sides, traditional Greek desserts and, of course, chips. The eatery's tag is #foodhonestly, and there's nothing more honest than a big pile of crispy hand-cut fries. To celebrate World Fries Day on Friday, July 13, Zeus Greek Street is offering a very chip-tastic giveaway. Knowing that fries were an integral part of Yia Yia's kitchen has meant that they've ended up a big part of the Zeus menu — and a bonanza of them will be given away. One lucky person can win a year's worth of chips, with 365 vouchers to be redeemed at any store across the country. Zeus offers Yia Yia's fries seasoned simply with rock salt and oregano making them the perfect accompaniment to your pita or Spartan box, or — if you're a big fry fan — on their own. You'll also nab a winner's party at your chosen branch of Zeus Street Greek, with a $100 voucher to share with your hungry pals. Just pause for a moment and think about what this will do to your overall comfort levels throughout winter. To enter, see details below. [competition]674243[/competition] Image: Dominic Loneragan
If you're citybound and missing out on New Year's Eve festivals like Falls and Beyond The Valley this year, don't fret. Let Them Eat Cake is your inner city solution to satisfy those festival urges. Held on New Year's Day at Werribee Park, LTEC is not only great for the music, but also plays host to installation art, open-air exhibitions and some killer food offerings. But back to what you're all here for: the music. This year's lineup is headed by Irish electro duo Bicep, best known for their self-titled 2017 album. On the program you'll also find futuristic German house from Motor City Drum Ensemble, graceful sounds and visuals from UK's Ama Lou — who's in the midst of creating and co-producing a three-part film and EP — catchy dance tunes from Australia's own CC:Disco! and chilled vibes from Nightmares on Wax, whose career spans twenty years and features 95's Smokers Delight and this year's Shape the Future. While you're there — shaking off your hangover — you'll also have the chance to dance to Moxie, Midland, Peggy Gou and Chaos In The CBD. Have your cake and eat it too, guys — you've earned it this year. FULL 2019 LINEUP Bicep Motor City Drum Ensemble Ama Lou CC:Disco! Chaos In The CBD DJ Boring DJ Tennis Esther Silex Flava D Joe Kay Kahn and Neek Midland Moxie Nightmares on Wax (DJ Set) Opiuo Peggy Guo + More to be announced Let Them Eat Cake 2019 tickets go on sale at 9am, Tuesday, September 18, at letthemeatcakenyd.com.au.
What's better than one new Edgar Wright movie in a year? Two new flicks by the Scott Pilgrim vs the World, The World's End and Baby Driver filmmaker, of course. And, that's exactly what 2021 is delivering. Neither of the British director's latest movies fits his usual type, either — as phenomenal documentary The Sparks Brothers has already demonstrated, and the trailers for Last Night in Soho keep showing as well. Wright does indeed have a comfort zone, as his fans well and truly know. He first caught the film world's attention with zom-rom-com Shaun of the Dead, after all, and also toyed with both horror and comedy in Hot Fuzz. But he hasn't ever dived headfirst into mind-bending psychological thriller territory before, which is where Last Night in Soho dwells. No one is set to kill the undead to Queen's 'Don't Stop Me Now' here. That said, Anya Taylor-Joy (The Queen's Gambit) does play a singer in 60s-era London who appears to be a ghost. In the movie's initial teaser trailer, her character Sandie pops up when aspiring fashion designer Eloise (Thomasin McKenzie, Old) manages to venture back in time. Mysteriously travelling six decades into the past, Eloise looks in the mirror and sees Sandy's reflection, rather than her own. Both that initial sneak peek and the just-dropped new full trailer are filled with neon hues and an all-round trippy mood. In a feature that seems to take plenty of cues from horror and thriller flicks from the time it is set, things appear to get even more lurid as well. Impeccable period-appropriate set and costume design, vibrant pink lighting aplenty and an all-round dreamy feel also feature in the trailers so far, as Eloise finds herself coming face to face with her idol while plunged into a ghost story. Similarly playing a pivotal part: The Crown and Doctor Who's Matt Smith, who pops up alongside Taylor-Joy in the film's eerie 60s-set scenes. Whether following small-town cops in Hot Fuzz or jumping into the heist genre with Baby Driver — or directing late 90s/early 00s sitcom Spaced, too — Wright's work always stands out visually, and Last Night in Soho clearly promises to continue the trend. And, because the director loves his standout soundtracks, this one looks set to continue the trend. Expect glorious 60s-era tunes, obviously. Check out the full trailer for Last Night in Soho below: Last Night in Soho is slated to release in Australian cinemas on November 18. Images: Parisa Taghizadeh / Focus Features.
If you often rue the day in your adolescence that chicken nuggets became an unacceptable item to eat for dinner, well, Christmas has come early. This weekend, Welcome to Thornbury will take fried chicken back to junk food basics and throw its first Chicken Nugget Festival. The permanent food truck park will dedicate November 11 to nuggets, with a vast selection ranging from traditional nuggets all the way through to a nugget burger, specially produced by Mr Burger. Welcome to Thornbury will also be serving their homemade Szechuan sauce and platters from Melbourne Hot Sauce for your dipping needs. The full lineup includes Shaun's Nuggs, Hot Star Melbourne, Roadrunner Fried Chicken and many more. Welcome to Thornbury has also announced a dessert nugget from Dip'd Gourmet Mini Donuts to complete your three-course nugget experience. The festival is free entry but bring a gold coin donation — all the money raised will go to Melbourne Legacy. This single day festival kicks off at 11am and ends at 10pm, so chicken nuggets will be in full force right up until the eleventh hour.
If there's one thing that you can count on at MONA's arts festivals, it's that they never deliver the exact same experience twice. That's doubly true of next year's Mona Foma, which is making the huge move to Launceston — and doing so with a seriously noteworthy lineup. After hosting part of the 2018 event, the entirety of 2019's Mona Foma will take place across the Tasmanian city, shifting from its previous home of Hobart. Arriving in town from January 13–20, it'll bring everything from music legends to thumping beats to new Aussie heroes to the stage. Attendees can also expect a sensory blend of music, theatre and art, an exhibition that combines creativity with scientific specimens, and oh-so-many onesies. Of course, the list goes on. Headlining this year's bill are Swedish star Neneh Cherry and Welsh electronic music icons Underworld, so prepare to get in a buffalo stance and get born slippy. They'll be joined by Mona Foma's big Aussie premiere and exclusive: a four-part performance by producer and composer Oneohtrix Point Never and the MYRIAD ensemble. Also called Myriad, it's framed from the perspective of an alien intelligence that has absorbed earth's entire history, and mixes the seemingly unlikely combination of medieval folk, dance music, R&B, and sci-fi imagery. Music-wise, Mona Foma-goers can also catch Courtney Barnett on her return to Tassie, as well as Mulatu Astatke and the Black Jesus Experience as they blend Ethiopian music with jazz and Afro-Latin. Or, there's Finland's Satu Vänskä playing her 292-year-old violin with the Tasmanian Symphony Orchestra, Aussie stoner rockers Bansheeland doing their psychedelic grunge thing and Central Niger's all-female Les Filles de Illighadad with their inimitable brand psychedelic Saharan desert rock. On the arts side of things, Art of the Body: Health, Beauty and Desire brings together a heap of artists to respond to medical body part specimens — and the actual body parts will be on display as well. Then there's Onesie World 2.0, a new iteration of Adele Varcoe and Self-Assembly's onesie extravaganza, with the designer and label whipping up 2000 DIY all-in-ones. Other highlights include morning meditation sessions in Cataract Gorge, endurance performance artist Ben Landau's 24-hour attempt to keep humming non-stop, as well as a rather curious inclusion from British composer artist Nick Ryan: a machine that tracks the position of 27,000 pieces of space junk, then transforms them into sound as they pass overhead. And, with Mona Foma committed to inviting a new audience to experience the festival each year, they're focusing on the Amish of Lancaster County for 2019 — which means putting up a bunch of billboards around Pennsylvania and letting the local Amish into the festival for free. For everyone else, tickets go on sale from midday on Monday, October 15. Mona Foma runs from January 13–20, 2019, in Launceston, Tasmania. For more information or to grab tickets from midday on Monday, October 15, head to mofo.net.au
Move over, every cooking show ever made — and every hotel-based reality TV series as well. If there's ever been an ideal setting for any culinary feat or holiday highlights, it's Castello di Ugento in the southern tip of Puglia in Italy. It's not every day that you get to stay in a 1000-year-old castle that was once a Norman fortress and a lavish 17th century palace, let alone cook up a storm in one, but that's just what the site now offers. After its latest revamp, Castello di Ugento now boasts welcoming a luxe place to stay thanks to a nine-suite boutique hotel, a 1000-square-metre museum wing with restored frescoes, and an extensive culinary centre as well. It's the latter that should entice foodies from around the world, playing permanent host to an Italian cookery school in the castle's old storehouse. State-of-the-art equipment sits inside ancient, lovingly restored walls, with classes offered year-round — on an educational basis for students from the Culinary Institute of America as part of a semester abroad, and for hotel guests. House chef Odette Fada, other well-known chefs and local nonnas all impart their wisdom, spanning cutting-edge techniques and traditional, generations-old family recipes alike. Proving the type of place dreams are made of — because we all fantasise about spending warm Italian summers cooking, lazing about in luxury and roaming through scenic greenery, don't we? — the castle also features a working 17th-century kitchen garden, complete with over 100 kinds of herbs, fruit trees and vegetables, as well as event facilities. In the near future, visitors will also be able to enjoy wine tastings in a 500-year-old cisterna, or spend the night at a nearby restored farmhouse, which has its own pool, tennis court and fruit garden on site. For more information, visit the Castello di Ugento website. Images: Castello di Ugento.
On Smith Street in Collingwood, muggles and magical folk alike can shop for wands, pick up Harry Potter merchandise, knock back butterscotch brews and try Bertie Bott's Every Flavour Beans, all at Melbourne's Store of Requirement. For wannabe witches and wizards, that's reason enough to pretend that your favourite form of transport is the Hogwarts Express and make your way to the shop — but if you need more motivation, the enchanting joint is now hosting Harry Potter-themed tournaments. It's not quite the Triwizard Tournament, but The Store of Requirement's Wizard's Tournament will put your skills to the test, as well as your Harry Potter trivia knowledge. When you're not answering questions about the huge book and film franchise, you'll solve escape room-style riddles and puzzles. Each two-to-four person team will represent a different house while they're competing (and no, everyone can't be in Gryffindor). While just what the escape room part of the fun will entail hasn't been revealed, it has been designed by Escape Hunt Brisbane and Directors of the Extraordinary. Up north, the latter was behind the huge interactive zombie game, Containment, that took over Brisbane Powerhouse back in 2017, so you can reasonably expect their Potter antics to be immersive. Kicking off in Melbourne in mid-October, ten sessions are scheduled — and although some tournaments have already booked out, you can sign up for October 12, 13, 19 and 20. Tickets cost $99 for two people, $145 for three and $190 for four, with an option to pay extra for platters of cheese, cheese and meat, or wraps. A live scoreboard will track your progress throughout the session, so you'll know just how often you'll need to say "accio points!" to try to up your score. Unsurprisingly, dressing up is encouraged — so all that's left to do is find some Potter-loving friends to don some robes and house colours with you. Find The Store of Requirement at 6 Smith Street, Collingwood — and head to the shop's website to book a spot at The Wizard's Tournament, which takes place at 4.30pm and 7pm on Saturday, October 12; 2pm on Sunday, October 13; 2pm and 4.30pm on Saturday, October 19; and 2pm on Sunday, October 20.
The past 14 months or so haven't delivered many reasons to laugh. They haven't seen many big-name international comedians hit our stages to try to get us giggling and guffawing, either. But Bill Bailey is about to help end both of those unwanted streaks, with the British favourite bringing his En Route to Normal tour to our shores this October and November. It has been three years since Bailey last had the country chuckling back in 2018 — and then rewatching Black Books yet again and chuckling some more, naturally. This time, he's coming our way following a sold-our tour of New Zealand, where he also been filming a new trans-Tasman comedy panel series called Patriot Brains. So, if you need something to watch while you wait to see him live, consider this a hearty suggestion. Known for everything from Have I Got News for You and QI to Spaced, Hot Fuzz and Skins, Bailey will be pondering some of life's big questions during his En Route to Normal sets. And, while the pandemic is certain to get a mention, he actually named the show before lockdowns, social distancing and always knowing how many active cases are in your state became our current definition of normal. Bailey will kick off the tour in Queensland, before making his way — and taking his distinctive locks — to Western Australia, South Australia, Tasmania, Victoria, New South Wales and the Australian Capital Territory. Plus, in some states, he won't just be sticking to capital cities. BILL BAILEY EN ROUTE TO NORMAL TOUR 2021: October 23 — Empire Theatre , Toowoomba October 25 — QPAC Concert Hall, Brisbane October 28 — The Events Centre, Caloundra October 29 — Star Theatre, Gold Coast October 31 — Mandurah Performing Arts Centre, Mandurah November 1 — Riverside Theatre, Perth November 5 — Thebarton Theatre, Adelaide November 8 — Princess Theatre, Launceston November 8 — Wrest Point Entertainment Centre, Hobart November 12 — Ulumbarra Theatre, Bendigo November 13 — Costa Hall, Geelong November 14 — Civic Hall, Ballarat November 15 — Palais Theatre, Melbourne November 19 — Wollongong Town Hall, Wollongong November 21 — State Theatre, Sydney November 23 — Coliseum Theatre, Sydney November 27 — Royal Theatre, Canberra November 28 — Civic Theatre, Newcastle Bill Bailey's En Route to Normal tour will make its way around the country this October and November. For pre-sale tickets between 12pm Thursday, May 20–5pm, Sunday, May 23, for general ticket sales from 12pm Monday, May 24 and for further information, head to the tour website. Top image: Andy Hollingworth.
Exhibition 54, C3 Contemporary Art Space’s latest slew of group and solo exhibitions, makes for pleasant lazy weekend afternoon meandering. In Gallery 1, Claire Davies’ Opposing Forces presents sculptural pieces that hang as awkward, static objects in loose coils, accompanied by intricate pastel-hued prints that are vaguely reminiscent of an almost dreamtime style. Exploring themes of separation, bodily function and magical thinking, Davies’ abstract, yet somewhat familiar works resemble re-imagined internal organs. You may leave with grand plans to take a paintbrush to your liver or string up those old intestines you've got lying around as an avant-garde spin on interior decoration. Nearby in Space A, Andre Tjaberings’ Battle Life examines the idea of cities as manifestations of the human psyche. The walls are lined with a combination of surreal, architectural paintings and complex digitally designed prints, resulting in something like a cross between The Jetson’s, Transformers and the world’s most frustrating game of Tetris. Tucked away in the Project Room, The Earth Bling Experiment by Deb K Williams is every bit as fun as it’s name suggests. A response to the question, “What kind of jewels will they take to the moon?” and the statement, “Arranging a room for conversation”, both of which Williams found in a 1960 Scientific American magazine, the installation is an assortment of textural, otherworldly objects your mum definitely wouldn’t have let you get your sticky paws on. You’re a grown up now, so you can do whatever you want (except touch the art). The group exhibition World In My Eyes, located in Space B, is a delicate, childlike tableau of ceramic works courtesy of Arts Project Australia. Dainty little ballet flats sit alongside a collection of handcrafted cameras and a coiled up snake takes up residence in the back corner of the exhibition — contemporary art can be frighteningly real sometimes. Along with The Earth Bling Experiment, the shiny pearl inside the C3 oyster is Al Ouchtomsky’s Purple Sunset For Orange Lexus in Gallery 2. The collage-based exploration showcases a series of imagined landscapes that straddle the divide between the digital and analogue realms. Alongside a number of the grooviest modern-day diorama’s you’ve ever seen, Ouchtomsky’s work is a seemingly random (yet undoubtedly considered) future-retro ode to the days of psychedelia. According to the exhibition copy, “One may contemplate a time when future creatures might one day unearth this civilization and it’s hordes of disparate detritus.” They’ll probably just throw a rave. Image credit Deb K Williams, The Earth Bling Experiment
Following in the footsteps of our major supermarket chains, as well as local shopping spots like the South Melbourne Market, the historic Queen Victoria Market has joined the club. The plastic-free club, that is. In an effort to help quash waste, the QVM has announced it'll scrap plastic bags and straws from Tuesday, May 14. Once the planet-friendly ban's in place, shoppers will have the option of bringing their own reusable bag, basket, or trolley, hiring out an onsite trolley from Market Espresso on Queen Street, or purchasing one of the QVM's own reusable bags or straws, available from individual traders as well as the Visitor Information Hub. If you prefer a cardboard box to carry that shopping haul home, you'll find plenty of recycled options at the QVM's existing Pick-A-Box locations, both on Queen Street and in I Shed. That said, you won't have to worry about your fish and meat products just yet. As with other venues, the Queen Victoria Market will still make available those thin plastic barrier bags, in order to avoid cross contamination. Some traders may also be happy for you to bring in reusable containers for your fresh produce, though it's at their discretion. The overhaul comes after the Market conducted a series of surveys and found a whopping 80 percent of customers and 70 percent of traders were in support of a plastic bag ban. Banning of plastic straws has gained quite a momentum in Australia over the past two years, and scored plenty of support on environmental grounds, though as highlighted by the ABC recently, it also has potential to marginalise disabled members of the community. A number of Aussies with disabilities rely on straws to eat and drink, and reusable versions aren't always an alternative. The Queen Vic Market will ban plastic bags and straws from Tuesday, May 14. For more information about its decision, head to qvm.com.au/sustainability/.
Step into your local arthouse theatre these days and you'd be hard pressed not to find a regional film festival going on. From established cinematic powerhouses like France, Germany and Japan, to less spotlighted industries such as Poland, Indonesia and Serbia, the sheer amount of world cinema on the cultural calendar means there's almost always an alternative to the latest blockbuster out of Hollywood. As long as you don't mind reading subtitles, that is. In 2014, the line-up is getting that little bit more crowded, with the inaugural edition of a brand new festival highlighting the films from Europe's frozen north. Covering Denmark, Finland, Iceland, Norway and Sweden, the first annual Scandinavian Film Festival is set to put the kvikmynd in kvikmyndahátíð. One area where contemporary Scandinavian cinema really seems to excel is the crime genre. Case in point, the Easy Money trilogy, starring Joel 'RoboCop' Kinnaman as a uni student turned drug runner. All three films will screen at the festival — see them before the scheduled US reboot featuring Zac Efron. From across the bridge in Denmark, meanwhile, comes police thriller The Keeper of Lost Causes, one the highest grossing films at the Danish box office last year. Continuing the dramatic thread, Metalhead, out of Iceland, tells the story of a pre-teen girl who copes with her brother's accidental death by taking on his identity. Sounds a little strange, sure, but the film has drawn rave reviews on the international festival circuit and scored a record-breaking 16 nominations at Iceland's prestigious Edda Awards. Thankfully, despite the region's chilly climate, not everything on the program is so severe. Finland's August Fools is a rom-com set against a Cold War era backdrop, while opening night features the informatively titled Swedish comedy The 100 Year Old Man Who Climbed Out the Window and Disappeared. For more information about the Scandinavian Film Festival, visit their website. It's on at Palace Cinemas on the following dates: Canberra Tues 8 July - Sun 20 July Sydney Wed 9 July - Sun 27 July Melbourne Thu 10 July - Sun 27 July Brisbane Fri 11 July - Sun 20 July Adelaide Wed 23 July - Thurs 31 July Perth Thu 24 - Wed 30 July Byron Bay Fri 25 - Wed 30 July
Vivid is one of the best times of the year to be in Sydney — and also one of the most crowded. The festival of light, music and ideas has returned for 23 days from May 25 to June 16, and its tenth-anniversary program is sure to draw the biggest crowds yet. Want to see all of those glorious Sydney CBD light shows without packing into the streets like sardines? We know the best spots where you can get in on all the Vivid action — drink in one hand, phone in the other snapping shots from a unique vantage point. We've also partnered with our mates at Samsung to ensure we've selected bars with the primest of views, so you can use that new Galaxy S9 and S9+ with its specially developed low light camera to snap the best evening shots. So whether you're into DJ sets with a front row seat to the new Luna Park installations or glowing gin cocktails with rooftop panoramas of those illuminated Opera House sails, we've picked out five of the best spots to hit for epic Vivid sights. MCA ROOFTOP BAR The MCA Cafe's rooftop boasts quite possibly the best Vivid vantage point the city has to offer — sans the heaving crowds. Panoramic sights of nearly all the festival highlights are visible from here (apart from the MCA itself, of course), so it's an ideal spot for snapping wide-angle pics. This year, Bombay Sapphire will be running the pop-up bar, which is open on Wednesdays, Fridays and Saturdays from 5–9pm during the festival. Here, you can sip on glowing gin cocktails while taking in unobstructed views of the Opera House light show. The MCA has also extended its Lights on Later program to coincide with the Vivid hours; so in between drinks up at the bar, you can catch the last days of its 21st Biennale exhibition, running until Monday, June 11. THE GLENMORE Since being refurbished back in 2012, The Glenmore terrace has become one of our go-to spots all year 'round — especially during Vivid. The heritage-listed pub's rooftop offers 180-degree views over Sydney Harbour, featuring up-close sights of the Harbour Bridge light show. Tuck into some pub grub favourites and raise a glass to snagging one of Sydney's very best views of the festival. Our tip? Get in early (pre-sunset) so you can get a front row seat to all the glowing action come sundown. SMOKE No matter what you decide to snack on, this is really food with a view, as Smoke at Barangaroo House was designed to lead the eye out over the harbour. Thanks to Vivid Sydney, it's a prime location for a little light spotting. Barangaroo becomes a magical bushland of lights with The Liminal Hour, featuring the fiery six-metre high Marri Dyin, Eora for 'great woman'. You'll also surely catch a glimpse of the Australian National Maritime Museum rooftop, which will be projecting the underwater delights of BBC Earth and David Attenborough's Blue Planet II. Between sips of an Autumn Spritz — which blends Martini Riserva Abrato with pink grapefruit, St Germain elderflower liqueur, juniper and prosecco — you'll also be able to aim your lens at floating light boats and the beams of Skylark, an interactive custom-built laser, controlled out of nearby Pier 8. GOLDIE'S MUSIC HALL AT SYDNEY OPERA HOUSE Along with the Sydney Opera House's massive Vivid lineup comes its annual pop-up bar. This year, Goldie's Music Hall has taken over the northern foyer — brought to you by the team from Newtown's The Midnight Special. Themed 60s and 70s, the bar features a black and gold fit-out complete with beaded lampshades, plush furnishings and peacock chairs. DJs including Gonz, Mama Disquo and Rusty and Boonge will be spinning playlists of funk, soul and R&B, while you relax with signature cocktails like the Golden Years (a boozy concoction of cognac, rye whiskey and amaretto with whisky barrel bitters and orange zest), plus craft beers from The Grifter and Young Henrys, liquor from Poor Toms and Archie Rose and decadent small bites. Of course, you also get prime viewing of the Harbour and can snap all the waterside shots you want from the comfort of the bar. Goldie's is open daily from 6pm–late and runs until Monday, June 4. BLU BAR AT SHANGRI-LA Set on the 36th floor and fitted with floor-to-ceiling windows, the Shangri-La Hotel's Blu Bar boasts sky-high panoramas of the Harbour. So, if you want some sprawling overhead shots of Vivid, this is the place to be. From here, the technicolour lights dance below while you enjoy the late-night menu with an extensive cocktail list, featuring both classics and inventive signatures (like the chamomile sour or a yuzu-thyme vodka concoction), plus refined bar snacks that you can nibble on while watching the show below. Escape the crowds, opt for exclusive sights from some of the best bars with Vivid views and snap some seriously professional-looking shots on the new Samsung Galaxy S9 and S9+, designed especially for low light. Images: Cole Bennetts.
A new opera penned by Damon Albarn (frontman of Blur and Gorillaz) will premiere as part of the English National Opera's 2011/2012 season. Doctor Dee, Albarn's second opera, follows the life of 16th Century advisor to Queen Elizabeth I, John Dee, whose claim to fame includes dalliances with alchemy, astrology and espionage. Albarn's debut opera, Monkey: Journey To The West, was an adaption for the stage of a 16th Century Chinese novel. This year, despite a recent funding freeze from Arts Council England, the ENO is treating its audiences to 11 new productions, four of which are by living composers. https://youtube.com/watch?v=XT0tBKB2_PA
Is Renée Jeanne Falconetti's face the most haunting in cinema history? For almost a century, The Passion of Joan of Arc has made that case. Playing the titular role in Carl Theodor Dreyer's 1928 silent great, the French actress says everything with her eyes as she stares at the lens with deep and lingering soulfulness. Seeing the film means never being able to forget her. Watching The Passion of Joan of Arc on a big screen also usually involves being treated to a new experience each and every time. Among the silent films from almost 100 years back that keep scoring new cinema showings, this is a deservedly popular pick — and it keeps gaining new scores, too. Julia Holter is among those who've tried their hand, first performing her soundtrack for the movie in Los Angeles in 2017. In 2025, she's finally bringing it to Australia. Melbourne International Film Festival is presenting the cinema masterpiece with Holter's score played live, taking over Melbourne Recital Centre for two evenings across Monday, August 11–Tuesday, August 12. This is both an Australian premiere and Australian exclusive, with Holter taking to the stage with her band and The Consort of Melbourne choir — and with UK-based orchestrator and composer Hugh Brunt conducting. A film like no other, a performance to match, and a score by the musician that also left an imprint on the screen with her soundtrack for Never Rarely Sometimes Always: this will be a memorable movie-and-music presentation.
Filmmaker James Gray lays the American dream bare in his reserved but affecting period drama, The Immigrant. Set in New York City just a few years after the end of the First World War, the film begins with a shot of the Statue of Liberty peering through the fog. It's an image of hope and prosperity that on reflection holds a tragic kind of irony. The Immigrant is a bleak film, at times a little cold. But thanks to the magnificent work of Gray's cast, it's difficult to forget. Marion Cotillard plays Ewa, the immigrant of the title. Having fled war-torn Poland, she arrives on Ellis Island in search of a new life, only to face immediate deportation after her sister is quarantined with tuberculosis. Enter Bruno (Joaquin Phoenix), a well-connected stranger who intervenes on her behalf and arranges for her to be allowed into the city. A partner at a seedy burlesque theatre, Bruno offers Ewa a job as a seamstress, only to quickly coerce her into dancing and prostitution. Wracked with self-loathing but desperate to survive, the one ray of hope in Ewa's new life comes in the form of Bruno's charming cousin Orlando (Jeremy Renner), who promises to spirit her away. But Bruno won't part with his favourite dove so easily, and soon his jealousy and obsession threatens to boil over into violence. Gray could hardly have assembled a more talented trio of actors. Phoenix, of course, is magnetic as Bruno, a man who is simultaneously pitiable and vile. Although undoubtedly the villain of the piece, Gray allows Bruno genuine dimension, the kind that characters such as this are rarely given. Renner's cocksure charisma, meanwhile, lends energy and life to every scene he's in. Without him, the film might well have been too grim to bear. That said, neither Phoenix nor Renner can hold a candle to Cotillard, who may well be one of the most gifted actresses alive. Every indignity Ewa suffers is registered in her eyes, which stare accusingly out of the sepia-tinted frame. It's a haunting performance full of vulnerability, wounded pride and quiet strength. She's the heart and soul of the picture, and the single biggest reason to seek it out. https://youtube.com/watch?v=ohVv5-rq-JY
Dear Concrete Playground Readers, With the growing concerns surrounding COVID-19, we wanted to take a moment to check in. Going out might not be at the top of your to-do list right now, but you can continue to support small, local businesses without leaving your apartment. These businesses have had a tough run of late — battling through the lockout laws in Sydney, the bushfires in regional areas and, now, coronavirus fears — and they need our support now more than ever. Buy from artists who've had their shows cancelled, order gift cards and merch from venues that are struggling or just book in a dinner for that birthday a few months away. Then, when we come out the other side — which we will — we'll be raring to get out there and hit up concerts, food festivals, comedy galas and charity raves once again. And we'll be there with you every step of the way. In the meantime, keep washing your hands — to the chorus of Lizzo's 'Truth Hurts', of course — and get in touch if you have any questions, concerns or just want to chat. Love, CP To stay up-to-date with the events postponed and cancelled in your city, head over here. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Back in the 2000s, if you weren't listing to Interpol and Bloc Party, were you really in the 2000s? No, no you weren't. The former arrived out of Manhattan in the late 90s, then helped define the city's turn-of-the-century indie music scene with The Strokes, Yeah Yeah Yeahs, TV on the Radio and The National. Hailing from Britain and also coming together just before Y2K, the latter initially scored some hefty approval in 2003 via Franz Ferdinand's lead singer Alex Kaprano. From those beginnings, both bands became indie rock greats. Next, they're heading to Australia to remind music lovers why. Busting out everything from 'Slow Hands' to 'She's Hearing Voices', the two groups will share the same bill on a co-headlining tour of the country's east coast in November, including a show at Melbourne's Sidney Myer Music Bowl on Thursday, November 16. For Interpol, it'll be their first visit Down Under since 2019, plus their debut chance to play 2022 album The Other Side of Make-Believe in Australia. Tracks from past records such as Turn on the Bright Lights, Antics and El Pintor will also feature. Bloc Party are making the trip after last rocking Aussie stages in 2018, and will perform songs from Silent Alarm, A Weekend in the City, Intimacy and 2022 LP Alpha Games. Bloc Party images: James Kellegher. Interpol image: Ebru Yildiz.
You would think that for a country girt by sea, comprising a shitload of bewilderingly great beaches and a population who love a good bevvy, we'd have more opportunities to drink by the ocean (you know, outside of a sneaky goon sack stroll down the shore on NYE). But we haven't, legally, until now. Fremantle's Bathers Beach House has been granted Australia's first liquor license for alfresco beach dining (and drinking). The WA establishment is currently the only place in Australia where you can (legally) drink on the beach. Of course, they've arranged sun lounges in their newly licensed sand and will be serving a range of food and drinks from their beachside menu, delivered straight to your sunbathing face. General erosion, gradual ecosystem destruction and environmental impact aside, generally speaking, it could be the impetus the rest of Australia needs to start amending the laws that forbid the pairing of our nation's two strongest assets: a hot beach and cold beers. The Gold Coast toyed with the idea in 2015 but to no avail. Come on local Australian councils, legalise beach beers. Think of the boom in sales of those fold-out chairs with in-built drink holders. We can't afford not to follow suit on this one. Via Hospitality Magazine.
If you're in Melbourne or Brisbane and Uluru has always been on your travel bucket list, getting to the world-famous large sandstone formation in Australia's Red Centre just got easier. Back in late 2023, Virgin announced that it was starting direct flights from the two cities to the Northern Territory landmark in June 2024 — and now those routes are taking off, complete with a sale slinging cheap fares to celebrate. People make their way Down Under from around the globe to see Uluru. Last year, it was even named one of the best places in the world to visit by The New York Times. For folks keen to head there from the Victorian capital, flights begin on Thursday, June 6, 2024. And for Queenslanders, you can take the trip from Friday, June 7, 2024. The new direct routes mark Virgin's first-ever legs to Uluru from Melbourne and Brisbane. The airline is flying between Melbourne and Uluru four times a week, on Tuesdays, Thursdays, Saturdays and Sundays. The carrier is zipping between Brisbane and Uluru three times a week, on Mondays, Wednesdays and Fridays. Virgin has partnered with the Northern Territory Government and Voyages Indigenous Tourism Australia — which runs Ayers Rock Resort — on the new services to get more people to the middle of the country. And it's aiming to send quite a few more tourists in that direction, with 62,000-plus seats a year on offer thanks to the two new legs. "To see Virgin Australia planes touching down in Uluṟu again is a huge thrill — this is a landmark moment that underscores the boundless appeal of the Red Centre," said Matt Cameron-Smith, CEO of Voyages Indigenous Tourism Australia. "We're excited to have even more visitors experience the wonders of Uluṟu, along with culturally immersive experiences like Sunrise Journeys and Wintjiri Wiru, through Virgin Australia's extensive network." If you're eager to book ASAP and score a bargain, Virgin's new flight sale is running until 11.59pm AEST on Saturday, June 8, 2024. Fares start at $119 one-way in economy, with dates varying across July–December 2024. For accommodation, Ayers Rock Resort is doing $230-per-night three-night stays as well. [caption id="attachment_905928" align="alignnone" width="1920"] The Salty Travellers[/caption] [caption id="attachment_905930" align="alignnone" width="1920"] Tourism NT and Sean Scott[/caption] Virgin's Melbourne–Uluru services commence on Thursday, June 6, 2024, and its Brisbane–Uluru services start on Friday, June 7, 2024. The airline's current sale on flights to Uluru is slinging fares from $119 until 11.59pm AEST on Saturday, June 8, 2024 — head to the Virgin website for more details.
A group of 88 writers and editors, including The Slap author Christos Tsiolkas, Nobel Prize winner JM Coetzee, Miles Franklin award-winning author Anna Funder, The Family Law writer Benjamin Law and Meanjin editor Zora Sanders, have written an open letter to Prime Minister Tony Abbott, Treasurer Joe Hockey and Minister for the Arts George Brandis published in The Guardian, outlining their "dismay" at "the many proposed changes to health, education and welfare support announced in the 2014 budget" and their objections to "the reduction in arts funding". On May 13, Hockey revealed a $28.2 million cut to Australia Council funding, a $38 million cut to the Screen Australia budget and a $120 million cut to the ABC and the SBS over the next four years. "This decrease in federal support will be devastating to those who make art of any kind in this country," the letter states. "Many important works, works that would inform national debate and expand the horizons of Australia and its citizens, will simply never be made. Ultimately, these cuts will impoverish Australian culture and society." However, the argument doesn’t stop at moral, emotional and intellectual wealth. The writers point out that in 2008-09, the arts were responsible for adding 7% (or $86 billion) to the national GDP, and in 2011 cultural industries kept 531,000 individuals employed, while creating another 3.7 million jobs. Meanwhile, "it is worth noting that the mining sector only provides $121bn to the GDP, and employs fewer workers (187,400 directly, 599,680 indirectly), yet receives far more government financial support at federal and state levels." Moreover, they continue, the budget not only affects major organisations such as Australian Ballet (which has actually seen a hefty $1 million top up from the government for its budget) but also the threatened international touring capacity of regional companies like Bangarra Dance Theatre. Also affected will be the ability of "decades-old publications continue to foster a love of literature, finding and supporting new writers who will become tomorrow’s great Australian authors." "The loss of funding will devastate these smaller organisations and practitioners, robbing Australia of a whole generation of artists, writers, publishers, editors, theatre makers, actors, dancers and thinkers," they conclude. "Crucially, it will deprive people, particularly in rural and regional areas and in remote communities, of the opportunity to create, educate, learn and collaborate. These proposed funding cuts endanger us intellectually, artistically and severely damage our reputation internationally. Moreover, we fear the prospect of a world of culture and art that is unaffordable to the majority of Australians." Read the full letter here. Via The Guardian.
In a provocative move usually found in the realms of contemporary art, Austrian men's magazine Vangardist has just printed 3000 copies of their latest edition with blood-infused ink from people with HIV. A new project with Saatchi & Saatchi Switzerland, Vangardist's #HIVHeroes issue aims to raise awareness of HIV and AIDS, trigger discussion around the attached social stigmas and raise funds — all profits from this edition go to charity foundations fighting the stigma of HIV/AIDS. The blood-infused ink comes from three HIV-positive donors: a wife and mother, a heterosexual man and a homosexual man. The #HIVHeroes issue comes sealed in plastic, encouraging readers to face their HIV contact fears when physically opening the magazine. According to Dezeen, Vangardist followed Harvard and Innsbruck-produced guidelines to ensure handling of the magazine had no risk of infection. Vangardist describes the plastic-sealed issue as "100% safe", a provocative nod to the prevailing social fear attached to HIV/AIDS and the people who live with it every day. "Although people with HIV can live a normal life in countries with good medical care, they are still faced with a hard social stigma of exclusion," says the Vangardist team. "Most conceal their illness for fear of losing their friends, their job or their partners or even to find a partner. Because still there are still too many people who are afraid to touch a person with HIV, to embrace or kiss. "No matter how one learns of the issue, whether one hears about in the news or reading the newspaper about it, everyone is wondering: "Would I attack this magazine? In any case, anyone who buys one of the limited edition of 3000 pieces is inevitably faced, when opening the special packaging, with its own fears and discomfort. If these are overcome, the next contact with an HIV positive person is very natural run." Vangardist's blood-printed issue is being launched to coincide with Vienna's Life Ball, one of the globe's biggest AIDS charity events. The magazine is only distributed in Austria, Germany and Switzerland, although you can contact their customer service if you want to get your hands on a copy. Via Dezeen. Images: Julian Behrenbeck.
Cinemas may be closed around the world at present but, thanks to the proliferation of streaming platforms over the past few years, film buffs can still get their movie fix from the comfort of their own couches. If you're a fan of going to your local picture palace for more than just the flicks, though, you might be currently missing some of the other elements that come with heading out to see a movie — enjoying the communal viewing experience, attending premieres and listening to Q&A sessions afterwards, for example. Enter FanForce TV, the new streaming offshoot of theatrical distributor FanForce, which usually organises screenings of new films as driven by community demand. If you're part of a local group looking to screen a particular movie to support a specific cause, it also helps you host your own sessions. Like plenty of other businesses, FanForce has been forced to adapt to the current COVID-19 situation — so it's now shifting its setup online. Just launched — and available not just Down Under, but globally — FanForce TV lets you rent movies you'd like to watch on a pay-per-view basis. So far, so standard; however the streaming platform will also live stream Q&As, complete with live chats so you can join in from home. You'll be able to talk to fellow viewers, and direct your questions at filmmakers and expert panellists — and, if you're still eager to host your own virtual screening of a specific flick for a particular group, you can do so via FanForce TV's 'Home Premiere' function. Film-wise, the current FanForce TV range includes Oscar-winner Parasite, eco-conscious documentaries 2040 and The Biggest Little Farm, and Aussie music flicks Mystify: Michael Hutchence and Gurrumul — plus Adam Goodes-focused doco The Australian Dream, the puppy-fuelled Pick of the Litter, eerie true-crime tale Ghosthunter and even Banksy's Exit Through the Gift Shop. The list goes on, spanning docos on college sexual assault The Hunting Ground, organ transplant Dying to Live and outback dirt-racing Finke: There and Back as well, among other titles. https://www.youtube.com/watch?v=dmahNqD3Dvw More films are set to join the service, too, such as Sydney-shot comedy Standing Up for Sunny, whales in captivity documentary Blackfish and — with accompanying Q&A sessions — moving Aussie doco In My Blood It Runs. If you not only like watching movies, but recommending them, FanForce TV also boasts an affiliate program that'll pay customers cash for directing their friends to watch a particular film. For further details — or to stream a movie or organise your own online community screening — visit the FanForce TV website.
Gaze into the night sky and marvel at the cosmos, at a new exhibition at the ARC One Gallery in the CBD. Cherry Springs is the latest solo show from New York-based Australian photo artist Sam Shmith, who has captured thousands of images of the starlit expanses about Pennsylvania's beautiful Cherry Springs State Park. Appearing at ARC One from November 3 until December 5, the exhibition draws inspiration from a wide variety of artists, including writers Adam Gopnik and Antoine de Saint-Exupéry, photographers Wolfgang Tillmans and Paul Graham, and Hollywood filmmaker Steven Spielberg. Shmith was also influenced by the testimonies of astronauts and high altitude pilots, who have ventured to the edge of the Earth and beyond.
With 15 months and a massive 300,000 rounds of mini golf under its belt, Melbourne's putt putt club-cocktail bar hybrid Holey Moley has scored an ambitious revamp. The Little Bourke Street space will reopen its doors today, sporting nine brand new themed holes, on top of the current 18-hole course that's been enjoyed by around 5,000 punters each week since it first launched. The supercharged offering includes fun additions like Zappy Go Larry, referencing the board game Operation, a curly situation dubbed These Pretzels Are Making Me Thirstee, and film-inspired hole, Ferris Wheeler's Day Off. The 18 holes on the venue's second level have remained the same. Holey Moley's ground-floor cocktail bar has also been given a hefty face lift, unveiling a new look and a new pun-filled lineup of libations to match. That post-putting drinks session now include sips like the Cherry Ripe for the Picking — featuring chocolate and cherry liqueurs, coconut rum, milk, whipped cream and a Cherry Ripe garnish — and the Austin Sours, crafted on Aperol and vanilla vodka. The Holey Moley stable currently includes ten venues across four states, with the next set to open in Wollongong, NSW, next month. Images: Eugene Hyland
Melbourne, take a bow — you've just made one little yellow dwarf star very happy. Well, the Energy, Environment and Climate Change Minister Lily D'Ambrosio has, anyway, by announcing that the tram network will soon be powered entirely by solar power (pan out to the sun high-fiving itself). D'Ambrosio announced this morning that Victoria's first large-scale solar plant will be operational by the end of 2018 and half the output (around 35 megawatts) will go towards running the tram system. The plant will also create 300 jobs in Melbourne's north-west. It's a part of the master plan to bring Victoria's emissions down to net-zero in 2050. To be clear, though, the current plan is to offset the electricity used by trams with renewable energy certificates, not to directly power the trams with solar power. Hooray investment in solar energy, not hooray for ambiguous, bureaucratic offset plans that don't directly use our fine, home-made solar energy. So, while there's still room for improvement we're definitely getting there. If any of you happen to specialise in building large-scale solar plants, today is your lucky day, because they're accepting tenders in early 2017. Get on it. Via The Age. Image: Liam Davies.
When it comes to Mother's Day, Melbourne is spoilt for choice this year. If bubbles are high on the agenda, check out our list of champagne-fuelled adventures – from bottomless sessions to three-course lunches and a rooftop picnic. Plus, over here, you'll find a slew of standout restaurants, bars and cafes. But are you looking for something a bit different? Funlab has come to your rescue. It's the name behind some of Melbourne's most entertaining venues — and, this Mother's Day, it wants to treat your mum to the free adventure she deserves. That might be a round of mini golf at Holey Moley while sipping on colourful cocktails, a game of ten-pin bowling at Strike or Archie Brothers Cirque Electriq, or even a session in a challenge room at Hijinx Hotel. All you have to do is book an activity for a minimum of two people on Sunday, May 11, and make your reservation online with the code MUMFREE.
Just like a picture is worth a thousand words, a good gift can speak volumes. And when it comes to your nearest and dearest, it's worth forking out the big bucks to make them feel suitably special. Socks and undies simply will not do, you need to up the ante and pick out a present that is nuanced, thoughtful and unequivocally them. We know it can be tough; you may feel as though you've exhausted all your options. There's only so many times you can buy their favourite necklace, after all. To give you some fresh gift ideas, we've partnered with Australia Post and pulled together some real humdingers for the super important people in your life. From retro turntables to limited edition RMs, these pressies keep your key peeps smiling. Moreover, they can all be ordered online and conveniently delivered to your nearby Parcel Locker so you don't even have to go to the shops. Let your fingers do the walking, forgo the crazy Christmas crowds and rest easy knowing your parcel is stored securely till you're ready to collect. Happy shopping, Santas. PORD WINE BARREL If you've got a legit wine lover on your list, go beyond a bottle of primo vino or even a stylish decanter, and blow their socks off with one of these mini wine barrel masterpieces. The three-litre barrels are covered in art by three eclectic artists — Filippa Edghill, Hannah Nowlan and Evi O. — and filled with top-notch Mitchelton drops from the 2017 and 2018 vintages. Choose the design and the wine — pinot grigio, shiraz or rose — and get ready to be praised for your awesome gift. Each barrel holds a neat four bottles' worth of wine and will keep it fresh for up to six weeks. They can also be repurposed once empty. Cheers to that. How much? $160 CUSTOM HABBOT SHOES There's nothing better than a pair of comfy shoes. Wait, we take that back, there's nothing better than a pair of comfy and stylish shoes. Treat your special someone to a pair of custom Habbot shoes — they're super chic but have Hush Puppies-level comfort. The Aussie-designed and Italian-made footwear company has a great online customisation tool that lets you pick and choose everything, from the shoe type — classic derby, micro-sole derby, point pump or mid-heel sandal — to the material, colour and laces. So, you can design one-of-a-kind kicks for your numero uno that'll stand out from the crowd. How much? From $405 EVERY EDITION OF TRUTH, LOVE & CLEAN CUTLERY If your nearest and dearest is both an eco-warrior and a food lover — congrats, they sound awesome — surprise them with every edition of Truth, Love & Clean Cutlery. Basically the A to Z of sustainable eating, these guidebooks feature more than 1300 organic, ethical and sustainable restaurants from around the world. To take the gift up a notch, let your loved one pick out a few of their favourite restaurants and treat them to a night of ethical fare. Hey, it's a present for you, too. How much? $145 for all four books RM WILLIAMS EXCLUSIVE BOOTS These boots were made for walking and showing off, the limited edition metallic RMs are the shoe of the season and the perfect gift for any Carrie Bradshaw-status shoe fiends. At $545 a pop, they're not cheap — but the RM brand is renowned for its rock-solid craftsmanship and the kicks will last a lifetime. Luckily, silver is seldom out of style and goes perfectly with tinsel. But if silver is a bit too flash for your giftee, there's also the more subdued limited edition high-shine black boot. No matter your choice, each pair is crafted out of a single piece of leather and is made to order, so expect a two-week delivery timeframe. They're worth the wait, trust us. How much? $545 GOOGLE HOME HUB Hey, Google. Tell us how many hugs we're going to get for this kick-ass gift? Forget it, we already know it's going to be a heap. Yep, anyone who receives a Google Home Hub for Christmas is going to be over the moon. They're basically getting their very own assistant to set alarms, turn off lights, read out cooking instructions, organise daily routines, play music, take photos... the list goes on. They might even get a new lover if they're anything like Joaquin Phoenix's character in Her. Now that's a gift. How much? $219 FUJIFILM INSTAX SQUARE SQ6 INSTANT CAMERA Remember when Polaroid cameras were so big and bulky they basically required their own carry bag? While the promise of pretty photos (in an instant) was enticing, nobody wanted to lug around a brick. Thankfully, those days are long gone and you can now gift a nice, compact FujiFilm Instant Camera to your number one. The clever square format means your pal won't waste time choosing between portrait or landscape, they can just pick up the camera and take the snap. It's kind of like Instagram in real life. Plus, its small size means it can be carried around with ease. How much? $199 RETRO-LOOKING TURNTABLE If you've got a bigtime muso in your inner circle, there's a good chance you've heard them rabbiting on about the beauty of vinyl before — how records sound so much better than CDs or MP3. Something about audio data and lossy formats? Anyway, treat them to this Thomson 3 Speed Retro Look Turntable with built-in speakers and get them spinning their favourite tracks. The turntable's sleek, vintage design makes it a nice addition to any home — even a muso's dark and dingy lair. If you want to add a personalised touch, pick out a vinyl to gift with the turntable — it's a combo that's guaranteed to make their head spin like, well, a record. How much? $99 NOKIA STEEL HR WATCH This one's for the fitness fanatics in your life who also appreciate a bit of style. The Nokia Steel HR Watch is a watch-activity tracker hybrid that's both aesthetically pleasing and hella practical. The watch monitors your heart rate during workouts and can assess your overall performance, then deliver a personalised in-app report directly to your smartphone. The intuitive gadget makes your fitness goals that little bit easier to achieve, which means it's also a thoughtful gift for somebody you know is keen to get fit in the new year. How much? From $299 MODERNIST BREAD BOOK SET Bread, glorious bread. You'd be hard pressed to find a person who doesn't love it. But if you've got a special person who's particularly fond of baked goods, this is the book set for them. Modernist Bread: The Art and Science is a deep-dive into one of the most important staples of the human diet; it's the most in-depth look at bread to date. The five-volume set, housed in a sleek stainless steel case, contains more than 1500 recipes and breadmaking techniques. The best part? You can sample all their tasty dough-based creations. Forget cake, let them eat bread. How much? $700 HP SPROCKET PHOTO PRINTER A gift for the selfie enthusiasts, the HP Sprocket Photo Printer allows you to instantly print photos straight from your smartphone quicker than you can say 'duck face'. The printer has an ultracompact design — it's small enough to carry on the go — so it's also a great gift for budding photographers or designers as they can quickly print their snaps. The printer uses Bluetooth technology, which means there are no annoying cords and each photograph can be edited (hello, filters) before printing via the HP Sprocket app. Also, the special adhesive photo paper means you can easily stick your photos into albums or journals. How much? $159 Christmas shopping has never been so simple — order online, ship to a Parcel Locker and avoid the hectic shops with Australia Post.
In excellent news for your forthcoming silly season travel plans, local brewery Stomping Ground has relaunched its pop-up beer garden at Melbourne Airport, bigger and better than before. Dubbed Terminal 3 ½, the venue's located between Terminal 3 (Virgin flights) and the newer Terminal 4 (Tiger and Jetstar flights), slinging a hefty range of craft brews on tap and coffee by Proud Mary, alongside a rotation of some of the city's most legendary food trucks. Big screens throughout are set to show all of the season's major sports events, while others will feature more useful airport info, like up-to-date gate information to help avoid any missed flight mishaps. There are deck chairs for maximum pre-flight relaxation, and even a fridge filled with takeaway tinnies. Meanwhile, a vibrant look comes courtesy of local illustrator and muralist Justine McAllister, who's collaborated on a series of cheery artworks for the space, including colourful designs referencing the brewing process. You might almost forget you're about to endure the tedious process that is air travel. Melbourne Airport's about to enter its busiest time of the year, so a few craft brews should help ease at least some of the stress of dealing with all those other passengers. Stomping Ground's Terminal 3 ½ beer garden is located between terminals three and four at Melbourne Airport, and is open daily from 7.30am for the near future.
In Mark Wahlberg's performances, men are patriotic heroes and fun-loving dads. With his Funky Bunch and Boogie Nights days long behind him, that's the image he's been cultivating on-screen of late. The actor's resume has become littered with gung-ho action and family-friendly comedies — Patriot's Day, Mile 22 and Transformers sequels on one side; a pair of Daddy's Home movies and now Instant Family on the other. As different as the two might seem, both types of film basically allow him to play the same character. He doesn't disappear into his roles or make every part feel distinctive, but simply adds to his particular portrait of masculinity. While Wahlberg might hunt down terrorists in one flick, battle shape-shifting robots in another and then face the challenges of being a father in the next, he's really just painting the same picture one movie at a time. Instant Family, Wahlberg's latest all-ages affair, slides seamlessly into his recent filmography. As for the actor, he steps into the shoes of Pete Wagner, a take-charge kind of guy who renovates and sells houses for a profit with his wife Ellie (Rose Byrne). The couple's life is comfortable and happy, but they've fallen into a rut. So, being at the age where everyone comments about their lack of kids, they start thinking about helping children in need. Approaching becoming foster parents like they're remodelling a rundown home, the pair considers their new task a spiritual and emotional revamp. And the arrival of teenager Lizzy (Isabela Moner) and her siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz) goes smoothly at first; in fact, Pete and Ellie are initially pretty pleased with themselves. It's easy to see why Instant Family appealed to Wahlberg, who gets to play another tough but tender everyman facing a challenge, looking out for his family and doing what his type of guy does. That said, there's more to this specific story, with the film inspired by the life of director and foster parent Sean Anders. There's an evident ring of truth to many of the movie's scenes — the awkwardness of adoption fairs, where potential caregivers browse for kids like they might a new pet, coo over cute tykes and steer clear of teenagers, provides just one example. Anders hasn't come up with an offbeat scenario solely for laughs, and it shows in the script penned with his regular co-writer John Morris. Certainly, the authentic side of Instant Family shines through on occasion. It definitely shines brighter than the picture's unremarkable imagery. But Anders also wrote and directed the broad, formulaic Daddy's Home and its equally grating follow-up, and he's not giving up his by-the-numbers ways yet. As a result, Instant Family is a movie with its heart firmly in the right spot, yet it doesn't trust that audiences will buy in without the expected array of physical mishaps, kids saying the darnedest things and adults getting frustrated in the usual cliched manner. It's a film that feels caught between what it wants to say and what it needs to be — and while supporting actors Octavia Spencer and Tig Notaro bring genuine comedic chops to the more overt comic moments, the movie just can't reconcile its various parts. Think the Bad Neighbours flicks, but pitting new parents against actual children in a kid-friendly fashion. Think the aforementioned Daddy's Home duo, too, but much less stale and more sincere. Instant Family is never as entertaining as the first set of films or as excruciating as the second, and if you prefer the former to the latter, Byrne is obviously here to help. Like her co-lead, she's doing something that she's done before, however the Aussie actor never makes her character feel like a stock-standard part. That she manages such a feat while being saddled with some of the movie's most routine material — playing a thirty-something woman who suddenly gets maternal and regrets her life decisions, namely — confirms why she's one of today's great, often underrated comedic performers. When it comes to enlivening an otherwise run-of-the-mill role, Wahlberg might want to take note. https://www.youtube.com/watch?v=JCWHr6AUxwI
A young British soldier gets separated from his regiment and has to make his way back to safe terrain amid the height of the Troubles in Belfast. That’s the basic set-up of war-time thriller '71, a film that epitomises the murkiness of the conflict that it depicts. Performance, character, cinematography and story are cloaked in an air of uncertainty and mistrust, with people on both sides of the camera keeping their cards held close to their chests. The result is a film that’s heavy on atmosphere but never quite comes together as a compelling whole. The movie begins with a squad of British soldiers being dispatched to the Northern Irish capital. Their assignment is to help quell growing unrest in the city, where clashes between Protestant loyalists, Catholic nationalist and various factions of the IRA have transformed entire neighbourhoods into war zones. The magnitude of the conflict is made clear on the platoon’s first mission, when a house search sparks a riot. In a hasty retreat, Private Gary Hook (Jack O’Connell) is accidentally left behind — trapped in dangerous territory and surrounded by people who want him dead. Director Yann Demange does great work establishing the look and feel of Belfast circa 1971. The empty grey streets leave you feeling queasy during daylight hours, and hum with danger at night. It’s a quality reminiscent of John Carpenter’s Escape from New York, a comparison driven home by David Holmes’ pounding score. Handheld camerawork further enforces the sense of immediacy, particularly during the film’s sudden, unflinching moments of brutal violence. Unfortunately, the docudrama approach comes at cost. O’Connell, recently seen in Unbroken, does a lot with very little dialogue, but ultimately we know almost nothing about his character. That goes double for the people hunting him, and triple for the double agents and soldiers trying to coordinate his rescue. For the most part, the ancillary characters — the reluctant young revolutionary, the unscrupulous spy — feel more like archetypes than they do real people. Screenwriter Gregory Burke hints at more complex plot machinations concerning people further up the food chain, but it never amounts to anything of substance. So the film fluctuates between gripping and strangely uninspiring — commanding your attention during certain key sequences, but leaving very little impression after the fact.
What's better than watching a heap of top Australian talent sit around and talk about music? Watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind ABC TV show Spicks and Specks, which took a few cues from the UK's Never Mind the Buzzcocks, pit Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and it will be again this year. As fans will already know, Spicks and Specks just keeps coming back; however, that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Adam Hills, Myf Warhurst and Alan Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. As first announced last year, the show is returning for a full season — and, as the broadcaster has just revealed, it'll kick off on Sunday, April 18 at 7.40pm. You'll be able to watch it on TV when it airs, or stream it via iView afterwards. View this post on Instagram A post shared by ABC TV + iview (@abctv) Hills, Myf Warhurst and Alan Brough are all settling back into their old chairs, obviously; however, who'll be joining them as guests hasn't been revealed. Still, you can add playing along with the show from your couch to your end-of-weekend plans from next month. Spicks and Specks will return to ABC TV for a regular full season from 7.40pm on Sunday, April 18. You'll also be able to stream the series via ABC iView.
Future Totoros and Ponyos may not eventuate; Studio Ghibli have announced a hiatus to their animation feature film department. Surrounded by rumours of an outright closure, Studio Ghibli's general manager, Toshio Suzuki, announced the movements on Japanese television today as a "brief pause". Responsible for the likes of Spirited Away, Grave of the Fireflies, Howl's Moving Castle, Princess Mononoke, Ponyo and My Neighbour Totoro among many, many other beloved tales, the animation studio is reassessing its filmic future. The news comes just under a year after legendary, Oscar-winning director Hayao Miyazaki announced his retirement in September 2013 and released his final film The Wind Rises in February this year. Differing translations of Suzuki's announcement caused minor havoc online (notably fuelled by so-called Ghibli insiders at Japanese website News Cafe and subsequently quashed by Kotaku). Although most thought the studio was closing its doors for good, newer, more accurate translations cleared things up. "On what to do with Studio Ghibli’s future, it is by no means impossible to keep producing [movies] forever," said Suzuki on the TBS program Jonetsu Tairiku. "However, we will take a brief pause to consider where to go from here." Producer and co-founder Suzuki stepped into Miyazaki's shoes and became general manager when the director retired from Ghibli last year, joining forces with other Studio half, director Isao Takahata (Grave of the Fireflies). So why is Ghibli shutting up shop? It seems to be a matter of money, a fair reason to reassess in a Michael Bay-peppered, box office landscape. According to Anime News Network, Studio Ghibli's latest film,When Marnie Was There opened at number three over the first weekend (July 19 - 20) with 378,790,697 yen (US$3,721,297) on 461 screens. That seems like a whole bunch, but the international market isn't so kind to arthouse-designated Ghibli. Marnie is set to hit US cinemas some time next year, with Australian release dates still TBC. Ghibli haven't covered up their financial struggle, most notably considering 2013's The Tale of Princess Kaguya a flop with tiny box office numbers (a huge step down from 2002's Acadamy Award-winning hit Spirited Away, which took US$274,925,095 worldwide). Suzuki said the studio is considering "housecleaning" or restructuring internally. While this doesn't entirely rule out a future shutdown, it seems the pause is centred around rebuilding the studio, managing copyrights and trademarks and possibly freelancing out projects — a good sign for Ghibli fans. But Kotaku has assured fans that Studio Ghibli is not dead yet, so we'll keep those good vibes delivered via Kiki and keep fingers crossed. Via Anime News Network, Kotaku and Hypable.
Last last year, US Tex-Mex chain Taco Bell quietly opened a test store in Annerley, Brisbane. Now, it's planning to rapidly expand across Australia with a slew of new stores. Taco Bell's parent company Collins Foods, which also operates 28 Aussie KFC restaurants and the 13 remaining Sizzler venues, announced last week that after receiving positive feedback from its test store, it would be opening more Taco Bell outposts before the end of the year. Managing Director and CEO Graham Maxwell suggested locals have embraced the brand wholeheartedly. "We are pleased with the acceptance of the Taco Bell brand by Australian consumers," he explained. This is, however, Taco Bell's third attempted foray into the Australian market. The chain tried to launch here in 1981 (and was then taken to court by Sydney store Taco Bell's Casa) and again in 1997 — but both attempts were unsuccessful and the brand withdrew. As part of Collins Foods' expansion, Real Commercial reported that the company would be rebranding its Sizzler restaurants as Taco Bells, as the US fast food giant makes its most-recent attempt at taking on the Aussie market. In the company's end-of-financial-year summary, it reported that its Sizzler restaurants were underperforming and one more had closed. Currently, you'll find 13 Sizzler restaurants across Queensland, Western Australia and New South Wales, though it's unclear how many of these could soon be swapping the salad bar and cheese toast, for burritos and quesadillas.
When the French city of Toulouse gets its first skyscraper in 2022, it won't just see 40 floors of of shining glass, concrete and steel join its skyline. It'll also gain its tallest garden — and one of the world's as well. A "continuous vertical landscape" will spiral around the outside of the building like a ribbon of greenery, lined with trees and reaching all of the way up to the top level. Called the Occitanie Tower after the administrative region of France that Toulouse falls within, the structure will measure 150 metres in height and boast 11,000 square metres of offices, as well as a Hilton hotel, up to 120 apartments, plus space for retail and hospitality outlets. The latter will feature a restaurant with panoramic views, including towards the Pyrenees mountain range less than 100 kilometres away; however there's no mistaking it's eye-catching vertical garden that'll be the centre of attention. Designed by the New York and Zurich-based Studio Liebskind — aka the folks behind everything from Berlin's zigzag-shaped Jewish Museum to the World Trade Centre Master Plan development to a Swarovski chess set modelled after iconic buildings — the Occitanie Tower is slated to start construction in 2018. While it'll certainly give the area a new landmark, and weave in nicely with the vertical garden trend that just keeps growing, it won't be quite as tall as Australia's addition to the lofty fold. That'd be 166-metre-high, 250-species-filled One Central Park in Sydney's Chippendale. Via dezeen. Images via Morph / Luxigon.
In his time playing Harry Potter, Daniel Radcliffe did many things. He didn't cut like a surgeon, get himself an egg and beat it, or lose on Jeopardy, though. And, he certainly didn't don the curliest of wigs, swan around in Hawaiian shirts with his chest hair flapping in the breeze or pick up an accordion, either — but something magical is making all of the above happen. Starring Radcliffe as the musician behind 'My Bologna', 'Another One Rides the Bus', 'Like a Surgeon', 'Eat It', 'Smells Like Nirvana' and 'Amish Paradise' — and parodies of pretty much every other big song of the past four-plus decades that you can think of — Weird: The Al Yankovic Story is exactly what it sounds like. It sounds wonderful, too, obviously. Radcliffe sports wire-framed glasses, those shirts, that hair and Yankovic's instantly recognisable moustache in the music biopic, which feels like it was cast by the internet. Made for the Roku Channel in the US — with no details yet dropping about where it'll air Down Under, or when, sadly — this is 100-percent an authorised bio. Yankovic is one of the screenwriters, in fact, alongside director Eric Appel (a TV sitcom veteran with Happy Endings, New Girl, Brooklyn Nine-Nine and top-notch cop-show parody NTSF:SD:SUV on this resume). If the man in the spotlight's career has taught us all anything apart from the wrong words to pop hits, however, it's that he doesn't take a single thing, including himself, seriously. In the just-dropped first teaser trailer for Weird: The Al Yankovic Story, everyone is clearly having fun — The Lost City and Guns Akimbo's Radcliffe most of all, naturally. He swigs booze onstage, dances around in scrubs while satirising Madonna, and asks a very important question: "anyone got an accordion?". Also set to feature: Yankovic's rise to fame, oh-so-many tracks, everything from "his torrid celebrity love affairs" to his "famously depraved lifestyle", and a story that follows his journey "from gifted child prodigy to the greatest musical legend of all time" — at least according to the original press release revealing the flick, which sports a healthy sense of humour. When the film was announced, Yankovic gave his input too, of course. "When my last movie UHF came out in 1989, I made a solemn vow to my fans that I would release a major motion picture every 33 years, like clockwork. I'm very happy to say we're on schedule," he said. "And I am absolutely thrilled that Daniel Radcliffe will be portraying me in the film. I have no doubt whatsoever that this is the role future generations will remember him for." Check out the trailer for Weird: The Al Yankovic Story below: Weird: The Al Yankovic Story doesn't yet have a release date Down Under — we'll update you when further details are announced.
Mondays are the blurst, we know. But that's not to say that they can't be improved with some yummy food, good wine and interesting conversation — at least, that's what two young Melbourne chefs are out to prove. Jordon Garcia and Daniel Sullivan are out to make Monday nights a thing with their pop-up dining series, The Assembly. Held on the first Monday of August, September and October, The Assembly will takeover the kitchens of Mister Jennings, Hobba and The Boatbuilders Yard to serve a six-course degustation matched with local Victorian wines. Cutting their teeth in the kitchens of Mister Jennings, Red Spice Road and Susie Wong, the guys have taken on an ambitious menu that's set to change each month with the produce available. And at $94 for six dishes and matched wines, it's one of the more affordable degustations out there. But it's not just Monday's potential that they're out to prove — both Jordon and Daniel are only in their early 20s, and as emerging chefs, they're here to prove you don't have to be established to show people a good food, and a good time.
Hong Kong's T'ang Court restaurant has earned itself an impressive reputation, becoming a must-eat mainstay in the city's culinary scene, and also boasting three Michelin stars for seven consecutive years since 2016. For Australians keen to give its Cantonese menu a try, there's now another option — and it's easier than hopping on an international flight. Adding to T'ang Court's outposts overseas, The Langham hotel chain has opened an Aussie venue in its luxe new Gold Coast site. The Langham Gold Coast hotel itself launched back in June, after first revealing that it was in the works in May — and T'ang Court making the jump to southeast Queensland was announced then as well. But the restaurant was always set to launch later, in spring. It clearly took that opening date seriously, welcoming in patrons from Thursday, September 1. The fine-dining chain's name comes from the Tang Dynasty, with the restaurant taking a luxe approach to both its surroundings and its culinary spread. The decor pairs bold pops of colour with neutrals, including bespoke abstract art pieces by Australian Chinese artist Lindi Li. As for the food range, it spans perennial favourites and seasonal delicacies, including across both a la carte dishes and three set menus. A big drawcard at T'ang Court's first Australian location: a three-part tribute to Cantonese duck, which features duck pancakes with hoi sin sauce, duck buns with lychee and raspberry sauce (and caviar), and sliced duck breast and leg paired with with plum sauce. Or, the menu also includes sauteed pearl meat with ginger, shallots and Asian greens, plus spicy black tiger prawns with roasted garlic. "Our first Australian T'ang Court restaurant marks a significant leap forward for the local dining landscape. Authentic, traditional Cantonese fine dining is comparatively rare in Australia, so we're thrilled to bring this unique experience to life for locals and travellers, from other states and even internationally," said Howard Lam, Director of Chinese Cuisine for Langham Hospitality Group. "Diners at T'ang Court on the Gold Coast will be able to indulge in the same golden age Cantonese flavours that have earned T'ang Court at The Langham Hong Kong three Michelin stars and seen its many other award-winning sister restaurants across the world become highly-sought-after dining destinations." Located indoors on level three at The Langham, and seating 80, T'ang Court is serving lunch from 12–3pm and dinner from 5.30–11pm five days a week — operating from Wednesday–Sunday. If you're a keen to book in a visit from out of town, then stay the night afterwards, The Langham also boasts 339 rooms and suites, direct beachfront access, a pool bar you can swim up to while still staring at that ocean view, a number of other eateries and a wellness centre. Find T'ang Court at The Langham Gold Coast on level three, 38 Old Burleigh Road, Surfers Paradise — serving lunch from 12–3pm and dinner from 5.30–11pm from Wednesday–Sunday.
Our knowledge sector is responsible for new ideas, technology and Game of Thrones — i.e. all the important things. And now it's the time of year to give them a comprehensive look-in, check out what they've been up to and exercise our frontal lobes with the arrival of Melbourne Knowledge Week. Running over the first week of May, there'll be more than 70 different events on the agenda full of movers, shakers and thinkers under the themes of urban living, food, community sandbox, the body, future work and startups. Attend a rescue dinner using only food about to be discarded, witness a conversation about art by Indigenous people, for Indigenous people, or attend a #shehacks bootcamp especially for women entering startups and hackathons. If you've got a best-thing-since-sliced-bread kind of idea, throw it into the rink at the Melbourne Silicon Beach Pitch Night. Or find The Playground, an interactive treasure hunt-like art project created by artist Betty Sargeant — you can hunt for sculpture pieces scattered around the State Library and then use them to contribute to a community-created piece of art. And that's just the start of it. So do some lunges to warm up and peruse the program until you find something you've always wanted to know more about — those rusty bits of your brain will thank you. Image: Elleni Toumpas.
