If all you want in 2025 is to see The Offspring and Simple Plan, and in you're in Brisbane or Melbourne, you now have an extra chance to make that wish come true. To help wrap up 2024, the two bands announced a combined Australian arena tour for this year, fresh from The Offspring playing an Aussie gig in November last year as part of Victoria's Always Live music season, which was their only stop Down Under. Due to demand, the upcoming visit has now added a couple more shows. Yes, this is your latest excuse to pretend it's the late 90s and 00s, in a year that's also bringing Green Day this way on their own tour. In May, The Offspring and Simple Plan will play single shows at AEC Arena in Adelaide and Qudos Bank Arena in Sydney, as well as two nights each at Rod Laver Arena in Melbourne and Brisbane Entertainment Centre. The keen response shouldn't come as surprise. That Always Live gig sold out in 30 seconds, after all. The new dates: in Melbourne, Thursday, May 8 has been added to the roster, while Brisbanites can now head along on Thursday, May 15. It's been more than a quarter of a century since The Offspring earned a claim to fame that every music fan Down Under should know: topping Triple J's Hottest 100 with 'Pretty Fly (For a White Guy)', a win that still ranks as the annual countdown's most-controversial result to date. 2024 also marked four decades since the band first formed in the early 80s, and more than 30 years since it came to mainstream attention with hits like 'Come Out and Play' and 'Self Esteem' — and the Californian outfit isn't done belting out its catchy brand of punk just yet. While the band released albums Let the Bad Times Roll and Supercharged in 2021 and 2024, respectively, you can still expect to hear their famous tracks — including 'Gotta Get Away', 'Why Don't You Get a Job?', 'The Kids Aren't Alright' and the song that's forever cemented in Australian radio history, obviously. Still led by frontman and guitarist Bryan "Dexter" Holland — the group's only remaining member from its initial 1984 lineup, so you can definitely call him the original prankster — The Offspring will have company in the form of Canada's Simple Plan. From The Offspring alone, you'll get the words "gunter glieben glauchen globen" stuck in your head for another couple of decades. The Offspring Supercharged Worldwide in '25 Australian Tour Sunday, May 4 — AEC Arena, Adelaide Wednesday, May 7–Thursday, May 8 — Rod Laver Arena, Melbourne Sunday, May 11 — Qudos Bank Arena, Sydney Wednesday, May 14–Thursday, May 15 — Brisbane Entertainment Centre, Brisbane The Offspring are touring Australia in May 2025. Pre-sale tickets for the new Brisbane and Melbourne show go on sale at 9am local time on Wednesday, January 15, 2025, with general tickets from the same time on Friday, January 17, 2025. Head to the tour website for further details. The Offspring images: Daveed Benito.
Since the Australia Government introduced an effective and indefinite ban on international travel back in March to help stop the spread of COVID-19, no one has been heading overseas for a holiday. There has been plenty of talk since about what the future of global trips might hold over that time, of course. It's expected that the country's international borders unlikely to reopen until next year, for instance, while the entire international tourism industry isn't predicted to return to normal until 2023. If you plan to jet overseas via Qantas once you're able to, the airline's chief has advised one requirement you'll have to adhere to as well: you'll need to have had a COVID-19 vaccination. Speaking on A Current Affair on Monday, November 23, Qantas CEO Alan Joyce said that the airline is "looking at changing our terms and conditions to say, for international travellers, that we will ask people to have a vaccination before they can get on the aircraft". "Certainly for international visitors coming out and people leaving the country, we think that's a necessity," Joyce said. But when asked if the requirement would also apply for local flights, he wasn't certain. "Whether you need that domestically, we'll have to see what will happen with COVID-19 and the market," he advised. https://twitter.com/ACurrentAffair9/status/1330788260856131584 That means you'll need to add one more thing to your pre-travel checklist — with Joyce's statement coming at a time when a COVID-19 vaccine looks closer to becoming a reality. In the past few weeks, the companies behind three different vaccine candidates have announced positive results from their ongoing clinical trials, covering potential immunisations developed by Pfizer, Moderna and AstraZeneca. As a result, there is currently hope that vaccines might be able to start being rolled out in the new year. When you are able to receive a jab, it won't cost you a cent, as Australian Prime Minister Scott Morrison flagged back in August. Obviously, the government won't provide further details about how everyone will get vaccinated until a working vaccine actually exists. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
Two decades ago, a new Christmas tradition was born: watching a whole heap of stars revel in romance, comedy and the festive spirit in what's now the quintessential British seasonal rom-com. It was back in 2003 that Love Actually debuted on the big screen, bringing with it familiar faces, songs and eight intertwined tales. Everyone knows how that went, especially given that no one has stopped talking about it since. When the end of the year hits, if you get 'Christmas is All Around' sung by Bill Nighy (Living) stuck in your head, then you're definitely aware of Love Actually's popularity. If you've ever held up a piece of cardboard to tell the object of your affection that to you they're perfect, you do as well. Missed it on the big screen 20 years back, whether you gave it a pass or weren't old enough to be interested in English romantic comedies? It's now returning to cinemas in December to celebrate its anniversary. Getting festive watching Nighy, Hugh Grant (Operation Fortune: Ruse de Guerre), Liam Neeson (Retribution), Colin Firth (Empire of Light), Laura Linney (Ozark), Alan Rickman (Eye in the Sky), Emma Thompson (Roald Dahl's Matilda the Musical), Keira Knightley (Boston Strangler), Martin Freeman (Secret Invasion), Chiwetel Ejiofor (The Man Who Fell to Earth) and Andrew Lincoln (The Walking Dead) in the same movie on the silver screen hasn't been absent from anyone's calendars of late. Outdoor cinemas give Love Actually a spin at this time of year, and an in-concert version does the rounds. But instead of getting one-off sessions here and there, the film is heading back to picture palaces in general release from Thursday, December 7. Accordingly, your December routine — one that's shared by many — can now include hitting up your local like it's 2003 again to revisit the Richard Curtis-written and -directed flick. Love Actually marked Curtis' first effort as a helmer after penning the screenplays for the Grant-starring Four Weddings and a Funeral, Notting Hill and Bridget Jones' Diary, and also writing for Blackadder and French and Saunders. On offer: interweaved Yuletide stories of romance, with Christmas and love all around everyone from rock 'n' roll singers, the Prime Minister of the UK and long-married couples to film stand-ins and school kids with crushes. Love Actually's anniversary season will screen the movie in a new 4K presentation, and feature ten minutes with the feature's cast and crew as they look back on their involvement in the film. Check out the trailer for Love Actually below: Love Actually will return to cinemas from Thursday, December 7, 2023.
Avocados: everyone loves them, not just Aussies accused of spending all their cash on smashed avo for brunch. In Amsterdam, one person loves them so much that he's opening up a restaurant dedicated to serving the green creamy fruit up in as many ways as possible. Yum. The aptly named The Avocado Show is due to open in February in Amsterdam's De Pijp district, and is calling itself "Europe's first and finest avocado bar". Breakfast, brunch, lunch, dinner, late at night, any time in between: if you've got a hankering for avo on bread, avo between two pieces of bread (aka avocado sandwiches), burgers made with avocado buns and more, you'll find it here. Owner Ron Simpson told MUNCHIES that he found the inspiration for his new single-ingredient eatery in two obvious places, the internet and his own diet. "I looked at the internet and how people react to certain products like Nutella, Oreo, and peanut butter and figured I want to find a main mono ingredient that's adaptable to almost anything," he said. "People, including myself, throw avo on just about any dish and are making extremely creative dishes with it. So we decided to open a valhalla for anyone who loves avocado." As you've probably noticed, avocado isn't literally the only thing on the menu, although every item will include it in some shape or form. Just imagine the Instagram pics. Of course, this isn't the first time someone has had this idea, with a pop-up showering London with avo across four days in 2016, New York boasting a few avo-centric places, and plenty of Australian cafes only really a few non-avo dishes away from fitting the bill. Via MUNCHIES.
Brisbane's King Gizzard and the Lizard Wizard are one of the country's best garage psych bands out right now. The seven-strong dude crew have just announced the release of their exquisitely-titled fifth album I'm In Your Mind Fuzz out on Friday, October 31 through Flightless/Remote Control Records. The first track off the album 'Cellophane' dropped at the beginning of September and if you're a fan of fuzzy, fast psychedelia you'll be spinning this one right off the table. The King Gizz lads haven't just settled for local snaps. Over the last few months, the crew have snavelled some seriously impressive international handshakes — the new album will be released by Thee Oh Sees frontman John Dwyer on his label Castle Face Records in the USA and in the UK and Europe on Heavenly Recordings. Big. Stuff. Though many have tried, no one quite nails the Gizz sound like their new friend John Dwyer of Castle Face Records: "This Australian beast of a band with a bear of a name and a thick herd of band members delivers many things to us on this warped song cycle — a skeleton of propulsive kraut-beat fleshed out with a liberal dose of citric sweetness, flutes and harmonicas bleeding through the mix often and welcomingly, tons of wah and a hero's journey/heavy metal early '80s fantasy sort of vibe, and many lovely left turns into psychedelic mellowing, both groovily and sometimes with just a dash of DMT dread. The whole thing is just gooey with tape manipulations, phase shifts, and saturations, but there are clearly many tasty tidbits that bubble to the top, and they're sticky." Epic. The 'sticky' sounds of King Gizz have been meandering through their Sino-Australian tour dates, with massive, rambunctious shows already in the bag from Sydney and Perth, as well as the crew's debut festival performance in Beijing this year. Get amongst the Mind Fuzz before the lads head over to Europe — after their US East Coast tour with White Fence, alongside NYC's CMJ and a special Terminal 5 show supporting Mac De Marco. Supported by The Murlocs. https://youtube.com/watch?v=s8azlP-FgHs
Take your protein pills and put your helmet on. Picture yourself face to face with David Bowie's Ziggy Stardust 1972 bodysuits, Kansai Yamamoto’s trouser suits for the '73 Aladdin Sane tour, the Union Jack coat designed by Bowie and Alexander McQueen for the '97 Earthling album cover, props from Jim Henson's Labyrinth. We know, you're sweet to start freaking out. Opening next July, the Australian Centre for the Moving Image (ACMI) will play host to the acclaimed David Bowie is exhibition, celebrating the kickass career of the man himself. Created by London's Victoria and Albert Museum (V&A), the exhibition is a Bowiephile's dream — an unprecedented collection of over 50 stage costumes alongside tour sets (including the designs for the '74 Diamond Dogs tour), handwritten set lists and lyric sheets, Bowie's own sketches, rare live and interview videos, musical scores and diary entries, photographs and album artwork. Basically, if you're a Bowie fan, this is next level squealworthy material. "The mystery of David Bowie as an enigma is so lovingly explored in this incredible immersive exhibition you’ll feel as if you’ve stepped inside the mind of this astonishing cultural and pop icon," says ACMI Director & CEO, Tony Sweeney. "Bowie is a figure whose social and creative influence and significance far exceeds his status as a pre-eminent rock performer and in David Bowie is, his incredible career is showcased in glorious detail." Presented exclusively in Australasia by ACMI as part of Melbourne Winter Masterpieces, the exhibition explores Bowie's influences and legacy in a lengthy narrative layout (tracing Ziggy Stardust through Berlin and Thin White Duke phases), delving into his career as a musician, of course, but also reminding fans of his top notch cult film career, stints as a writer and his lifelong ability as a stage performer. V&A curators and brains behind the whole Bowie show, Victoria Broackes and Geoffrey Marsh, handpicked over 300 objects and films for the exhibition — a research process we're pretty damn jealous of. "The exhibition looks in-depth at how Bowie’s music and radical individualism has both influenced and been influenced by wider movements in art, design, film and contemporary popular culture over an incredible 50-year career and demonstrates how Bowie has inspired others to challenge convention and pursue freedom of expression," they said. The exhibition comes to Australia under a furious amount of buzz — its world premiere this March in London became V&A's fastest selling exhibition ever, recording record numbers of over 311,000 visitors. As the exclusive venue for David Bowie is, ACMI have crafted a specially-curated program of talks, screenings, live performances and special events to pair with the Major Tom-a-thon. David Bowie is will open at ACMI on 16 July 2015 as part of the Victorian Government’s Melbourne Winter Masterpieces series. Tickets go on sale to the general public in November 2014. To register for exclusive pre-sale ticket opportunities, visit acmi.net.au/bowie.
Coachella FOMO is no longer a thing. With its biggest livestream yet, YouTube is solving it in 2023. Sure, you can still wish that you were heading to the Empire Polo Club in Indio, California across April 14–16 and April 21–23. Yes, there's nothing quite like being there in person. But if you're all about seeing the fest's impressive lineup — seeing as much of it as possible, too — this year's Coachella and YouTube collaboration is beaming the entire event around the world. One of the globe's biggest music festivals has been teaming up with the video site for 11 years now. Earlier in 2023, they announced that they've locked in their arrangement till 2026, in fact. So expanding exactly what the Coachella livestream shows, and when, is the next logical step — with 2023's fest covering all six stages across both weekends. This is the first time ever that YouTube's Coachella footage has played the whole fest as it's happening, upping its feeds from three to six. Whoever you want to see — and if you want to catch their sets twice — you now can. 2023's bill is worth getting excited about, with Bad Bunny headlining the Friday nights, BLACKPINK doing the Saturday nights and Frank Ocean on Sunday nights. Down Under, you'll be tuning in on Saturday, Sunday and Monday to catch each, so mark your diaries now. Also on the lineup: a stacked array of acts that also spans everyone from Calvin Harris, Gorillaz, The Chemical Brothers, ROSALÍA and Blondie through to The Kid LAROI, Björk, Fisher, Charlie XCX, Porter Robinson and Idris Elba. View this post on Instagram A post shared by Coachella (@coachella) In-between sets, YouTube will fill its feeds with more on-the-ground coverage, so you'll be able to scope out the art and installations around the fest, head behind the scenes, see how the acts get partying before the hit the stage and more. 2023's set times haven't yet been announced, but keep an eye on Coachella's Instagram feed in the lead up to the festival — and, obviously, bookmark its YouTube channel ASAP. Coachella runs from April 14–16 and April 21–23 at the Empire Polo Club in Indio, California. To watch the livestream, head to YouTube from 9am AEST on Saturday, April 15 Down Under.
He's an accountant. But he's also a hitman. But he's also a high-functioning autistic. But he's also a martial arts expert. And a marksman. Oh, and he's an art lover. He has a Renoir, but he prefers the Pollack. Man, it would've been a fun room to be in when they pitched The Accountant. And yet, the pitch worked, with the film they ended up making turning out like the lovechild of A Beautiful Mind and Jason Bourne. If that sounds somewhat genre bending, it is. There's even a bunch of quirky comedy in there to really mix things up. Ultimately, the premise of The Accountant, by director Gavin O'Connor (Warrior), is as out there as it sounds: Christian Wolff (Ben Affleck) is a genius mathematician whose autism saw his mother abandon the family during his childhood, and his military father apply psy-ops (psychological operations) training to inure both Christian and his brother to the world of hardship that awaited them as adults. 20 years later and all grown up, Christian now operates as an accountant to the international worst of the worst: mafia, drug cartels and gun runners, oh my! The Treasury wants to know who he is, while a cutting-edge robotics company wants his services to track down missing millions from its accounts. Wild as they sound, the opening stages of this movie actually hold up pretty well. Affleck plays Wolff very much like his recent portrayal of Bruce Wayne: hulking, detached and extremely socially awkward. There are the clichéd maths montages featuring blinking-eyed number crunching and frenzied writing on walls, but on the whole his depiction of a misunderstood neurological conditions is impressively understated. But the film takes a sudden turn for the worse about an hour in. Its determination to throw in plot twist after plot twist results in some excruciating exposition-heavy scenes. The violence, meanwhile, is extreme and comic-booky (think John Wick with a tick), and the characters' lives all end up being far more intertwined than necessary. The supporting cast is strong, featuring the likes of Anna Kendrick, J.K. Simmons, Jeffrey Tambor and Jon Bernthal. Sadly, none are given the kind of material needed to properly showcase their talents. The result is a film adrift, floating from one genre to the next without ever properly settling. It has some touching (and much needed) language about 'different, not worse' when it comes to non-neurotypicals, but the constant limb-cracking and blood-smattering that surround it means the message is fast muddled and forgotten. One suspects the film itself may suffer a similar and disappointing fate. https://www.youtube.com/watch?v=DBfsgcswlYQ
A brand-new interactive advertising campaign from Play Melbourne jumps energetically away from traditional advertising. In an attempt to allow tourists to experience a city before they actually arrive, the Remote Control Tourist lets online users control the movements of two real tourists and watch the results via live stream. Essentially, you sign into remotecontroltourist.com using your Facebook or Twitter account. You can see the map of where the tourist is, what’s nearby, and their video and audio feeds. Then, just send a request for that tourist to do whatever you want. For example, "Find out if Manchester Press do Brazilian coffee." They don’t. The logic behind the two peeps with camera strapped to their heads seems to be that typical tourism ads just show what the tourism company wants you to see, but as a tourist the experience is always totally different. So why not check out the tourist life before embarking on it, all from the comfort and safety of your own home? The idea is not so crazy. The real-life tourist doesn’t have to acquiesce to every request, so nothing creepy or weird is going to go down. Plus, it appeals to the God complex that hides deep down inside us all — who doesn’t want to have complete control over somebody for a little while? It’s also oddly addictive to watch a total stranger responding to online requests like that. So, if you want a chance to "go before you go" to Melbourne, check out the website between October 9-13. Images via Remote Control Tourist.
Australia is just getting accustomed to life without single-use plastic bags; however Europe is set to go one step further, backing a directive to ban a number of single-use plastic items within the European Union. The European parliament's plan was drawn up to specifically combat the growing amount of plastic that's clogging up the world's oceans, specifically targeting plastic cutlery, plates, stirrers and straws, as well as cotton buds and balloon sticks. And the target date for phasing out these products is soon: 2021. The EU's highlighted items rank among the top ten products found in the sea, the directive states, with reducing the consumption of food containers and beverage cups also on the agenda. By 2025, all EU members will also be required to collect 90 percent of single-use plastic beverage bottles for recycling, while awareness campaigns will ramp up for the likes of general plastic packets and wrappings, sanitary items such as wet wipes and sanitary towels, and cigarette butts. The draft legislation received overwhelming support, passing 571 votes to 53, although it's not yet law. It is, however, the latest recognition that the war on waste is one that needs serious attention. The British parliament announced plans to go plastic-free earlier in the year, France has banned plastic plates, cups and cutlery from 2020, while the Australian government has pledged to ensure that 100 percent of the country's packaging is recyclable, compostable or reusable in the next seven years. And that's on top of the flurry of supermarkets, big name brands, well-known food chains and furniture behemoths making their own commitments to reduce, recycle or eradicate single-use plastics from their operations.
On Sunday, December 1, Australian Venue Co — one of the country's largest hospitality groups with more than 200 venues nationwide — announced its decision to no longer host events on January 26 in recognition of the trauma experienced by many of its patrons and staff on Invasion Day. In response, certain swathes of the media, social media users and even notable politicians loudly voiced their opposition to the move, with some calling for a boycott of AVC venues in retaliation. Queensland Senator Matt Canavan said during an interview on the Today Show on Monday, December 3, that Australian Venue Co were acting as "moral guardians," adding: "They should get off their moral high horse. They're a pub, for god's sake. They deal in alcohol … I mean, let people have a good time at a pub." In response to this widespread backlash, Australian Venue Co has issued an apology via its social media platforms and reversed its decision to ban Australia Day events. "We can see that our comments on the weekend have caused both concern and confusion. We sincerely regret that — our purpose is to reinforce community in our venues, not divide it," the statement reads. "It is not for us to tell anyone whether or how to celebrate Australia Day. We acknowledge that and we apologise for our comments. It certainly wasn't our intention to offend anyone … Whether you choose to celebrate Australia Day or not, everyone is welcome in our pubs, always. We have been, and are always, open over Australia Day and we continue to book events for patrons." View this post on Instagram A post shared by Australian Venue Co. (@australianvenueco) Many social media posts highlighted the confusion created by the Australian Venue Co's original announcement, which was misconstrued as suggesting its venues would be closed on January 26, when in reality the group was pledging not to hold Australia Day events while remaining open for patrons independently celebrating the day. Whether or not Australia should commemorate its national day on a date that represents a moment of profound mourning and inter-generational trauma for First Nation's communities continues to be hotly debated. However, local governments, certain major businesses and media organisations, and social groups across the country have made the decision in recent years to acknowledge the contentiousness of January 26. More than 80 councils around the country no longer hold citizenship ceremonies on this date and since 2017, radio station Triple J has announced its popular Hottest 100 rankings on January 25. Earlier this year, major supermarket brands Woolworths and Aldi both pledged to no longer stock Australia Day merchandise in their stores, while Invasion Day rallies attract thousands of peaceful protesters every year.
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, speculation has run wild in anticipation of the lineup announce — will Kendrick and the Arctic Monkeys make an appearance? Will there by more than three females on the lineup? — but the details for Splendour 2018 are finally here. And we're happy to report that some of the rumours were true. There will be no Arctic Monkeys, but King Kunta himself, Kendrick Lamar, will be Splendouring. The lineup also doesn't state that Splendour is his only show, so stay tuned for news of a national tour (hopefully). The other huge name is Lorde, who will be doing her only Oz show at the Parklands — better get practising that 'Green Light' hair flip now. She leads a female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes Amy Shark, the Lauren Mayberry-led Chvrches, Sampa The Great, Alex Lahey, Jack River, Anna Lunoe, Stella Donnelly, female four-piece All Our Exes Live in Texas and Wafia. Also doing their only Australian shows at Splendour will be Vampire Weekend, Khalid and Girl Talk. The lineup seems to go on forever, including The Wombats, Gang of Youths, Franz Ferdinand, Superorganism and MGMT. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2018 LINEUP Kendrick Lamar Lorde (only AUS show) Vampire Weekend (only AUS show) Khalid (only AUS show) The Wombats Hilltop Hoods Chvrches Miguel Girl Talk (only AUS show) Angus & Julia Stone Gang of Youths Franz Ferdinand MGMT Ben Howard Dune Rats & Friends James Bay PNAU Ben Harper & Charlie Musselwhite The Avalanches DJ set Chromeo DMA'S Ball Park Music Henry Rollins (only AUS show) SAFIA The Jungle Giants Lil Xan Methyl Ethel Amy Shark The Bronx Ocean Alley Carmada (L D R U & Yahtzel) DZ Deathrays Lord Huron Middle Kids Hockey Dad Towkio Cub Sport Touch Sensitive Sampa The Great Dean Lewis Skegss Albert Hammond Jr Mallrat Marmozets Alex Lahey Riton & Kah-Lo Jack River Superorganism Anna Lunoe Lewis Capaldi All Our Exes Live In Texas Alex The Astronaut Yungblud Crooked Colours Nina Las Vegas Soccer Mommy (only AUS show) Elderbrook Rolling Blackouts Coastal Fever Tim Sweeney Stella Donnelly Bully Baker Boy Wafia No Mono Waax Angie McMahon West Thebarton Eves Karydas G Flip The Babe Rainbow Haiku Hands Didirri Alice Ivy Amyl & The Sniffers Ziggy Ramo Fantastic Man Lo'99 Human Movement Manu Crook$ Kasbo Madam X Andras Alta Ara Koufax Two People B Wise Made In Paris Jensen Interceptor Woodes Teischa Antony & Cleopatra Muto Elk Road triple j Unearthed winners (TBA) Mike Gurrieri Love Deluxe Lauren Hansom Poolclvb Godlands Nyxen Emma Stevenson Ebony Boadu Splendour will return to North Byron Parklands on Friday 20, Saturday 21 and Sunday 22 July. Onsite camping will once again be available from Wednesday, July 18. Tickets go on sale Thursday, April 19 at 9am sharp AEST. More info will soon be available at the official Splendour In The Grass site. Image: Bianca Holderness.
Peanut butter and jelly, that beloved lunchbox combo, was a trendsetter. Before every other food mashup anyone can possibly think of started tempting tastebuds, it had the concept down pat. You know how the idea works, because it just keeps happening: take two edible items that don't usually go together, mix them into one dish and, voila!, a new culinary marvel has emerged from Frankenstein's kitchen. The latest such dishes: pizza burgers and burger pizzas, all courtesy of a collaboration between OTT burg joint Milky Lane and Crust pizzas. How you feel about it will probably depend on how you normally react to decadent burgers and fruit on pizza. So, you're either ravenous already or instantly know it's not for you. A Hawaiian pizza, but as a burger? Milky Lane's beef burg, but as a pizza? You can try both for a limited time. They're two of the key offerings during this team up, which hits menus at both brand's stores Australia-wide from Tuesday, August 30. Over at Milky Lane, there's that pineapple pizza-inspired burger, called the 'Notorious P.I.G.'. It comes with a double-smashed beef patty on a cheese, bacon and pineapple milk bun, and is then topped with mozzarella, streaky bacon, shaved leg ham, Mexican shredded cheese and deep-fried pineapple. Or, you can opt for the 'Peri J Blige', which mashes up Crust's peri peri chicken pizza and Milky Lane's chicken burger. That means southern fried chicken on a peri peri milk bun, alongside peri peri sauce, red capsicum strips, mozzarella, Napoli sauce and mixed Italian herbs, with a deep-fried mozzarella patty on top. If you're heading to Crust instead, their pizza-burger hybrids span 'The Big P' and the 'Chic-Kanye'. The first takes its cues from a Milky Lane favourite, and combines slow-cooked pulled pork, ground beef, caramelised onions and mozzarella on a barbecue base with an onion-ring crust. It then adds dill pickles, maple bacon bits, a Mexi cheese mix and Milky Lane's signature burger sauce. Crust's second special pays tribute to one Milky Lane's chicken burgs, featuring fried chicken tenders coated in Milky Lane's southern seasoning, as well as bacon, caramelised pineapple, roasted potato and mozzarella. That's all popped on a barbecue base, and topped with maple bacon bits, a Mexi cheese mix and Sriracha aioli. Yes, just reading the above should make you hungry. Milky Lane and Crust's mashup menu is available at both brand's stores Australia-wide from Tuesday, August 30 — for a limited time.
Something happens when fathers get to a certain age — they get really into their hobbies. We don't know whether it's because they have more time on their hands now you're all grown up, or if some magical switch flicks, but suddenly all their downtime is spent dedicated to vintage cars, golf or DIY projects. And that has one major benefit for you: it presents a goldmine of gifting opportunities. If one of your dad's passions is his home bar, we're here to point you in the right direction. We've partnered with Maker's Mark to bring you a round-up of classy gift ideas that'll make your pop's bar the best in the street, whether it's a newfound obsession or it's been there as long as you can remember (and therefore in dire need of a refresh). FANCY GLASSWARE Part of the fun of having a home bar is the ritual of fixing yourself a drink at the end of a long day. It's a form of self-care, in our opinion. But the magic kind of disappears when the vessel you're using is a leftover plastic cup from a backyard barbecue or cloudy contraband from the local pub. So we suggest getting Dad some glassware that he'll actually enjoy drinking from. Canberra-based homewares store Bisonhome sells expertly crafted ceramics and blown glassware designed by Brian Tunks, who studied ancient designs at archaeological digs in the Middle East. If your dad is partial to a whisky mixer, this six-pack of highball glasses is a great way to start his collection. Adhering to the Bisonhome aesthetic of simple, classic designs, these glasses should suit all home bar styles, while the mix of colours will add that retro edge. COOL WHISKY STONES With two stores in Sydney — Opus in Paddington and Octopus in Newtown — plus a stellar online store that ships nationally, Opus Designs has long been one of our go-to spots for gifts. And it certainly delivers on bar cart must-haves, including this cute little set of whisky chillers. If your dad is the type that likes to sit on a nip of whisky for an hour, then complain because the ice has melted and ruined the integrity (and temperature) of his drink, these will suit perfectly. All he has to do is pop these little guys in the freezer a few hours before use, and his nightcap will remain ice-cold for as long as it takes for him to finish it. And because they're made out of granite and soapstone, he'll still hear that satisfying 'chink' as he drops them in the glass. A PERSONALISED DECANTER This personalised decanter from Hard to Find will take pride of place on your dad's home bar. It's a 700ml decanter — which, FYI, will conveniently fit an entire bottle of Maker's Mark — that comes engraved with your dad's name. If you have the type of dad that's impossible to buy for because he purchases everything he wants or needs for himself, personalised gifts are great. Nobody buys themselves personalised things, right? Plus, it shows you've put a little more thought into the gift — without really putting that much extra effort in. A SUPER SWISH APRON If Dad is going to be spending so much time behind his home bar mixing, shaking and stirring, he has to look the part. And a nice, tailormade apron is the way to go — particularly if he hasn't got his mixology skills quite down pat yet and is prone to making a big mess. Sydney-based design studio Worktones specialises in high-quality workwear for the hospitality industry. We bet a lot of your favourite bars, cafes and restaurants uses Worktones for their aprons, uniforms and merchandise. The adjustable Birdy apron is made using 100-percent mercerised cotton twill, so it'll look good and last for ages. It comes in white, dark navy and olive, and costs just $35. [caption id="attachment_746194" align="alignnone" width="1920"] Discrepancy Records, Tracey Ah-kee[/caption] A KILLER SOUND SYSTEM Something else that Dad needs if he's going to be hanging out in his bar so much? Music, of course. Pander to the 'old man' in him by splashing out on a record player, then hunt down some of his favourite classic albums on vinyl. In Melbourne, your best bet is Discrepancy Records, which boasts more than 15,000 LPs. Have a gander at its online store for some of the newest releases — including a re-release of The Rolling Stones' Goat's Head Soup and Bob Dylan's Rough and Rowdy Ways — plus a bunch of LP bundles (think Queen, Led Zeppelin and Pink Floyd), all of which you can get delivered for free. In Brisbane, we suggest visiting Rocking Horse Records on Albert Street. And, if Dad's taste is a little left-of-centre, Sydney's Repressed Records, based in Newtown, specialises in underrated and independent artists — so it has music that's hard to find anywhere else. [caption id="attachment_766131" align="alignnone" width="1920"] 'Maree Downs', Madi Whyte, Cream Town[/caption] SOME EXCELLENT ARTWORK We all know those home bars that are covered in sports team merch. But if you want your dad's version to look a little, well, classier, opt for a standout piece of art instead. Check out Cream Town, an online art shop that was started by photographer Isaebella Doherty to support Aussie artists that have been financially impacted by COVID-19. The range of prints, from photographs to collage and illustrations, start from just $100 each, and they all have a limited run, so Dad can brag about having a rare artwork adorning his bar wall. A BOTTLE OF HIS FAVOURITE WHISKY And, of course, no home bar is complete without your dad's favourite tipple. Whichever item from this list you choose to spoil your dad with, be sure to add on a bottle of Maker's Mark. This smooth Kentucky-style bourbon whisky has woody oak aromas with sweet caramel and vanilla notes making it an excellent all-rounder for a home bar. It can be enjoyed both on the rocks or in a cocktail. If he decides to try the latter, shoot him a link to this recipe guide, which has four super-easy bourbon-based cocktails to try out. Learn more about Maker's Mark by visiting the website here.
Growing up is hard to do, many a movie tells us, but often that glimpse at youthful perils comes with the male experience in mind. Girlhood's name gives away the fact that that's not the case here; however, what it doesn't clearly convey is how intimate and organic its look at its titular state is. A mere female-skewed take on Richard Linklater's Boyhood, this isn't. Sixteen-year-old Marieme (Karidja Touré) lives life on the outskirts of Paris, with her future looking as bleak as her present. Choice, control and agency are sorely lacking in days overseen by her hotheaded older brother (Cyril Mendy), so when she sees a chance at freedom through some newfound pals, she takes it. Soon, she's flirting with teenage trouble alongside fast friends Lady (Assa Sylla), Adiatou (Lindsay Karamoh) and Fily (Marietou Touré), including all the usual fun of partying, shoplifting and drinking, as well as dances with even darker territory. That the movie's French-language moniker actually translates as 'gang of girls' gives an indication of the kind of existence Marieme embraces. If such a coming-of-age tale sounds familiar, don't let the appearance of a well-worn plot temper your expectations. In her previous two films — Water Lilies and Tomboy — writer director Céline Sciamma came close to perfecting pictures of adolescence that not only felt genuine but also reached worlds away from the usual mainstream fare. In Girlhood, she achieves that feat. As Marieme attempts to carve out her identity and cope with the path she has chosen, Sciamma is more concerned about expressing her mindset and reflecting how she sees the world than documenting her actions. Accordingly, as the film tackles maturity on the margins by showing the harshness of the situation but never wallowing in it, Girlhood becomes as complex a look at a girl becoming a woman as cinema has seen, and as simultaneously energetic and patient too. It helps that newcomer Touré is the perfect vessel for the filmmaker to fill with age-appropriate angst, and then watch as the young actress paints a portrait of pubescent pain and problems on the screen. The remainder of the inexperienced cast also brings the same sense of authenticity, but the camera and the audience are always drawn to Touré as she works through Marieme's good and bad decisions. Consequently, prepare for a ride through the reality — not the cinema fiction — of coming to terms with the ups and downs of life from the perspective of a teenage girl. Prepare to get Rihanna's 'Diamonds' stuck in your head, too, with the track setting the tone for one of the film's most memorable scenes. For a few glorious minutes, Marieme and her friends shimmy away to the song in a blue-lit hotel room, blissfully escaping their troubles. In the midst of this moving film, that's what you'll want to do as well.
Forget the host's monologue, when there is one. Jimmy Kimmel was on MC duties for the 2023 Academy Awards, and he did indeed start the show by making jokes about a heap of nominees — and about Batgirl being the first superhero taken down by studio accountants, and what'll happen if someone tried to follow in Will Smith's 2022 footsteps this year. But each Oscars ceremony truly begins when winners start being announced and those recipients give barnstorming speeches. With that in mind, the 2023 festivities began with a bang. If you didn't have tears in your eyes watching Guillermo del Toro, Jamie Lee Curtis and Ke Huy Quan, then you weren't watching. As predicted, the latter's speech about never giving up on your dream — and how he almost did, but his wife told him his time would come — was an all-timer. He even gave a shoutout to Jeff Cohen, his co-star from The Goonies and his entertainment lawyer now. Of course, the excited words kept flowing from there. The An Irish Goodbye team singing happy birthday to star James Martin was another early highlight. So was the arrival of Jenny the donkey from The Banshees of Inisherin, and the thrilled look on Colin Farrell's face when it happened. When Everything Everywhere All At Once kept adding to its awards, you could see the joy among the film's team. And when records were made — the first Best Actress winner who identifies as Asian (Michelle Yeoh for Everything Everywhere All At Once), the first song from India to win Best Song (for 'Naatu Naatu' from explosive action-musical RRR), and the first Black woman to win two Oscars (Black Panther: Wakanda Forever's Ruth Carter) — it was tremendous. Among the many deserving winners, there were missed opportunities as well. Kimmel's opening joke about James Cameron not getting a Best Director nomination just as plenty of women didn't called out a glaring ongoing struggle with the Oscars. Also, the awards couldn't find a way to make Elvis' Mandy Walker the first woman to win Best Cinematographer in its 95-year run. Great work is great work — and great films are great films — no matter whether they earn shiny trophies. Some movies and talents end up with statuettes to their names, some come close and miss out, others don't even get nominated. All are worthy of attention. Here's the latest round of winners batch to join the Oscars' ranks — and who they were up against as well. You can also check out our rundown of the ten winners you should watch right now as well, plus our full lists of where most of this year's contenders are screening or streaming in both Australia and New Zealand. OSCAR WINNERS AND NOMINEES 2023: BEST MOTION PICTURE All Quiet on the Western Front Avatar: The Way of Water The Banshees of Inisherin Elvis Everything Everywhere All At Once — WINNER The Fabelmans Tár Top Gun: Maverick Triangle of Sadness Women Talking BEST DIRECTOR Martin McDonagh, The Banshees of Inisherin Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once — WINNER Steven Spielberg, The Fabelmans Todd Field, Tár Ruben Östlund, Triangle of Sadness PERFORMANCE BY AN ACTRESS IN A LEADING ROLE Cate Blanchett, Tár Ana de Armas, Blonde Andrea Riseborough, To Leslie Michelle Williams, The Fabelmans Michelle Yeoh, Everything Everywhere All At Once — WINNER PERFORMANCE BY AN ACTOR IN A LEADING ROLE Austin Butler, Elvis Colin Farrell, The Banshees of Inisherin Brendan Fraser, The Whale — WINNER Paul Mescal, Aftersun Bill Nighy, Living PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE Angela Bassett, Black Panther: Wakanda Forever Hong Chau, The Whale Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All At Once — WINNER Stephanie Hsu, Everything Everywhere All At Once PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE Brendan Gleeson, The Banshees of Inisherin Brian Tyree Henry, Causeway Judd Hirsch, The Fabelmans Barry Keoghan, The Banshees of Inisherin Ke Huy Quan, Everything Everywhere All At Once — WINNER BEST ORIGINAL SCREENPLAY The Banshees of Inisherin, Martin McDonagh Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert — WINNER The Fabelmans, Steven Spielberg and Tony Kushner Tár, Todd Field Triangle of Sadness, Ruben Östlund BEST ADAPTED SCREENPLAY All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Glass Onion: A Knives Out Mystery, Rian Johnson Living, Kazuo Ishiguro Top Gun: Maverick, screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks Women Talking, Sarah Polley — WINNER BEST INTERNATIONAL FEATURE FILM All Quiet on the Western Front — WINNER Argentina, 1985 Close EO The Quiet Girl BEST ANIMATED FEATURE Guillermo del Toro's Pinocchio — WINNER Marcel the Shell With Shoes On Puss in Boots: The Last Wish The Sea Beast Turning Red BEST DOCUMENTARY FEATURE All That Breathes All the Beauty and the Bloodshed Fire of Love A House Made of Splinters Navalny — WINNER BEST ORIGINAL SCORE All Quiet on the Western Front, Volker Bertelmann — WINNER Babylon, Justin Hurwitz The Banshees of Inisherin, Carter Burwell Everything Everywhere All At Once, Son Lux The Fabelmans, John Williams BEST ORIGINAL SONG 'Applause', Tell It Like a Woman (Diane Warren) 'Hold My Hand', Top Gun: Maverick (Lady Gaga and BloodPop) 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) — WINNER 'This Is a Life', Everything Everywhere All At Once (music by Ryan Lott, David Byrne and Mitski, lyrics by Ryan Lott and David Byrne) BEST CINEMATOGRAPHY All Quiet on the Western Front, James Friend — WINNER Bardo, False Chronicle of a Handful of Truths, Darius Khondji Elvis, Mandy Walker Empire of Light, Roger Deakins Tár, Florian Hoffmeister BEST FILM EDITING The Banshees of Inisherin, Mikkel EG Nielsen Elvis, Matt Villa and Jonathan Redmond Everything Everywhere All At Once, Paul Rogers — WINNER Tár, Monika Willi Top Gun: Maverick, Eddie Hamilton BEST PRODUCTION DESIGN All Quiet on the Western Front, Christian M Goldbeck and Ernestine Hipper — WINNER Avatar: The Way of Water, Dylan Cole, Ben Procter and Vanessa Cole Babylon, Florencia Martin and Anthony Carlino Elvis, Catherine Martin, Karen Murphy and Bev Dunn The Fabelmans, Rick Carter and Karen O'Hara BEST VISUAL EFFECTS All Quiet on the Western Front, Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar Avatar: The Way of Water, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett — WINNER The Batman, Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy Black Panther: Wakanda Forever, Geoffrey Baumann, Craig Hammack, R Christopher White and Dan Sudick Top Gun: Maverick, Ryan Tudhope, Seth Hill, Bryan Litson and Scott R Fisher BEST COSTUME DESIGN Babylon, Mary Zophres Black Panther: Wakanda Forever, Ruth Carter — WINNER Elvis, Catherine Martin Everything Everywhere All At Once, Shirley Kurata Mrs Harris Goes to Paris, Jenny Beavan BEST MAKEUP AND HAIRSTYLING All Quiet on the Western Front, Heike Merker and Linda Eisenhamerová The Batman, Naomi Donne, Mike Marino and Mike Fontaine Black Panther: Wakanda Forever, Camille Friend and Joel Harlow Elvis, Mark Coulier, Jason Baird and Aldo Signoretti The Whale, Adrien Morot, Judy Chin and Anne Marie Bradley — WINNER BEST SOUND All Quiet on the Western Front, Viktor Prásil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte Avatar: The Way of Water, Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges The Batman, Stuart Wilson, William Files, Douglas Murray and Andy Nelson Elvis, David Lee, Wayne Pashley, Andy Nelson and Michael Keller Top Gun: Maverick, Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor — WINNER BEST DOCUMENTARY SHORT SUBJECT The Elephant Whisperers — WINNER Haulout How Do You Measure a Year? The Martha Mitchell Effect Stranger at the Gate BEST ANIMATED SHORT FILM The Boy, the Mole, the Fox and the Horse — WINNER The Flying Sailor Ice Merchants My Year of Dicks An Ostrich Told Me the World Is Fake and I Think I Believe It BEST LIVE ACTION SHORT FILM An Irish Goodbye — WINNER Ivalu Le Pupille Night Ride The Red Suitcase
If you listen carefully, you might just hear the sound of a light- to medium-bodied red wine sloshing around a glass. That's because the world's favourite celebration of pinot noir is finally returning, with the news Pinot Palooza will make its comeback in just a few short months. In its 10 years of life, the Melbourne-born wine tasting festival has become a global affair, with an estimated 65,000 tickets sold, worldwide. But once COVID hit in 2020, it saw the popular event shelved for two-and-a-half years. Now, that hiatus is finally over, with a huge tenth-anniversary edition of Pinot Palooza set to hit Melbourne, Brisbane, Sydney and Auckland in 2022. The comeback tour kicks off this autumn, returning to the festival's homeland of Melbourne with a couple of wine-filled days at Port Melbourne's Timber Yard from May 6–7. Brisbane Showgrounds are up next, hosting Pinot Palooza from May 20–21, before Sydney gets its shot on June 17 and 18. The festival then crosses the ditch for its Auckland edition from October 15–16. While the wine-sipping fun will play out similarly to before, across three sessions at each event, there is one big new addition in store — a dedicated Tasmanian hub set to showcase a curation of wine, spirits, cider and cheese from over 20 top Tassie producers. As always, you'll spend your event session swirling and sampling a huge array of pinot noir from across Australia, New Zealand and the world. Word is, over 70 winemakers are coming to the party. Also like before, there'll be pop-up bars and food stalls to keep you busy in between sips, with favourites Burn City Smokers, Taco Truck and Nama already confirmed for the Melbourne edition. Pinot Palooza 2022 will hit Melbourne on May 6–7, Brisbane on May 20–21, Sydney on June 17–18 and Auckland on October 15–16. To nab tickets or find out more, jump over to the website.
More and more Australians are reassessing their drinking choices, and choosing to ditch or simply limit the booze. In response, clever bartenders, winemakers and beer brands across the globe have been busy dreaming up new and creative alcohol-free beverages to make that no-booze night out a satisfying option. And, there's now one Melbourne haunt that'll leave teetotallers more spoilt for choice than ever before — with the Brunswick Aces Bar, the city's first dedicated non-alcoholic cocktail lounge, now open. From Saturday, May 1, local distillery and booze-free gin producer Brunswick Aces is welcoming patrons into its much-anticipated Brunswick East watering hole, which also marks the first of its kind in the country. The 150-person Weston Street space is not only a temptation-free drinking destination for the teetotaller or sober curious, but also just a neat spot to hang and imbibe when alcohol's simply not on your night's agenda. The bar's rocking a look best described as industrial baroque, with lots of plush furniture covered with velvety textiles, walls filled with gilded frames and moody floral arrangements trailing from the ceiling. While Brunswick Aces does make regular gin, it's perhaps best known for its range of sapiir — a non-alcoholic distilled drink crafted on botanicals. The brand uses aromatic ingredients like lemon myrtle, pepperberry, wattleseed and that all-important juniper to create a concoction that's akin to a gin, sans booze. And in this new bar, you've got a front-row seat to the sapiir distilling operations, while you sip the spoils just metres from where they're made. The menu might be short on alcohol, but it's sure not wanting for choice. In fact, there's more than 100 booze-free options available. You can expect to find an ever-evolving range of crafty cocktails, led by boozeless takes on the classics such as a negroni and an espresso martini. There's be a focus on local ingredients, too, with appearances from some premium international labels and regular product features. And, alongside the cocktails sits an impressive lineup of non-alcoholic beers and wines sourced from all over the world, as well as mixed drinks made on booze-free spirits and sapiirs. While you're there, you can browse and buy some hangover-free tipples in the country's first physical non-alcoholic bottle shop. This retail section will be slinging local brands including Heaps Normal, Ovant and Songbird Wine, as well as international offerings like the Netherlands' Vandestreek Playground IPA. [caption id="attachment_801275" align="alignnone" width="1920"] Brunswick Aces' signature sapiir.[/caption] If you're hanging for the real deal, that's okay, too. In the spirit of inclusivity — and celebrating Brunswick Aces' other pursuits — the bar will be serving a single alcoholic option: a gin and tonic, made on the brand's own Spades and Hearts gin blends. Find The Brunswick Aces Bar at 124 Weston Street, Brunswick East, from Saturday, May 1. It's open Thursday–Saturday 3–11pm, with the bottle shop open Monday–Saturday 11am–5pm. Top images: Griffin Simm
It has watched the music industry shift through almost four whole decades, and lived through the fall and resurgence of vinyl records, but now Fitzroy stalwart Polyester Records is calling it a day. Owners of the long-running independent record store took to Facebook to announce the closure and to thank its fans, as well as the "artists, labels and personalities which we have surrounded ourselves with and enjoyed involvement with". It was revealed in the post that the store will shut for good on Friday, March 13, along with rear neighbour and sister bar Crazy Arms. Ever the champion of independent music, Polyester Records started out life in 1981 under the moniker Dizzy Spinners, before swapping to its current name. It has remained a Brunswick Street local its whole life, and even spawned a second Flinders Lane store from 2007 to 2014. https://www.facebook.com/polyesterrecords/photos/a.165540283477689/2983555538342802/?type=3&theater While the news has left plenty of sad music fans, you can bet this Fitzroy icon is going out in style — and with a solid soundtrack to boot. The final weeks of operation will see a program full of special events and nostalgic celebrations, kicking off with an in-store gig from Sarah Mary Chadwick on Saturday, January 25 at 2pm. Chadwick is the artist who recently took on the T.C Lewis pipe organ at St Paul's Cathedral for a booming Melbourne Music Week show. With a solid 38 years of memories under its belt, the Polyester crew is also inviting friends and fans to share their favourite moments and recollections via DMs on the store's socials. "A great number of people have witnessed a great number of astonishing moments within these walls," the post said. "There are a lot of surreal and beautiful memories to be recalled and also to now be created in this run up to the end of our time." You can visit Polyester Records at 387 Brunswick Street, Fitzroy, until close of business on Friday, March 13. Keep an eye on the Polyester Records Facebook page for more event announcements in the lead up to the closure. Image: Paul Philpson for Visit Victoria.
A familiar face on panel shows like Would I Lie To You? and Never Mind the Buzzcocks, Paul Foot is one of the most unique voices on the stand-up circuit today. His strange, ranty, stream-of-consciousness comedy has made him a favourite with festival audiences around the world. An Evening With Mr Paul Foot at the Melbourne International Comedy Festival features highlights from some of his best shows in years gone by, making it a perfect primer for those unfamiliar with his work, and a must-see trip down memory lane for his fans.
Drawing in nine million viewers in the US for the final episode of season two, The Walking Dead is breaking ratings records all over the world. Fast-tracked to Australian fans, The Walking Dead season three is already available to download from iTunes for $49.99. As the fight for survival continues, Rick Grimes (Andrew Lincoln) and friends attempt to take refuge from the 'walkers' in an abandoned prison and in a (possibly too good to be true) town of survivors run by The Governor (David Morrissey). To mark the launch of season three, Concrete Playground has the ultimate catch-up giveaway: seasons one and two on DVD. Get up to speed with the action or simply indulge in a thrilling undead bloodbath marathon! Concrete Playground has five sets of DVDs to giveaway. To be in for a chance to win, make sure you're subscribed to Concrete Playground, then email your name and postal address to hello@concreteplayground.com.au
Whether you think you can dance or know for a fact that you can't, we have got a hell of a midweek activity for you. Held each and every Tuesday and Wednesday at The Workers Club in Fitzroy, Groove Therapy is a relaxed, hour-long dance class for the aspiring street dancer in all of us. There's no pressure, no recitals and — most importantly — no mirrors. Indeed, the workshops are designed for beginner students who might feel intimidated by a more professional environment. Don't let that fool you though, because the instructors are legit, and will have you popping and locking in no time. It's perfect for those of us who dream of burning up the dance floor, but have never had the moves to back it up. What's even better is that partial profits from the dance classes go to a good cause — community dance classes for minority groups, such as refugee women and elderly people with dementia. Image: Daniel Lidmila
How much green will be seen at 2025's Laneway Festival? With Charli XCX headlining, expect the Brat hue to be everywhere. After all of the talk talk of announcing its dates and venues, then splashing around everyone's current favourite slime colour, St Jerome's Laneway Festival has confirmed that Charlotte Emma Aitchison is indeed leading its 2025 lineup. Given the fest's February timing — kicking off in Auckland on Thursday, February 6, then hitting Brisbane, Sydney, Melbourne, Adelaide and Perth by Sunday, February 16 — it's going to be Brat summer Down Under. It's set to be a Beabadoobee-, Clairo-, Barry Can't Swim- and Remi Wolf-soundtracked summer as well, with the quartet also among the big names on Laneway's bill. Charlie XCX was last in Australia in 2023 for Sydney WorldPride and For the Love, and before that in 2020 at Laneway. If you're keen to see the 'Guess', '360', 'Apple', 'Speed Drive', '1999', 'Doing It' and 'Boom Clap' talent this time, you'll need a Laneway ticket, as she's playing exclusively at the fest. In 2025, she'll have company from BICEP doing their CHROMA AV DJ set, Olivia Dean, Eyedress and Skegss, too, alongside STÜM, RONA, Hamdi, Joey Valence & Brae, 2hollis, Fcukers, Ninajirachi, Julie, and Girl and Girl. The event started by Danny Rogers and Jerome Borazio in the mid-00s will head to Western Springs in Auckland, then hop over the ditch to Brisbane Showgrounds, Sydney Showground, Melbourne's Flemington Park, Bonython Park in Adelaide and Wellington Square in Perth. Laneway joins the list of festivals locking in their comebacks after a tough year of cancellations across the live music scene. Also returning: Golden Plains, Bluesfest (for the last time), Wildlands, Good Things, Lost Paradise, Beyond The Valley and Meredith. Laneway Festival 2025 Lineup Charli XCX Beabadoobee Clairo Barry Can't Swim BICEP present CHROMA (AV DJ set) Remi Wolf Olivia Dean Eyedress Skegss STÜM RONA Hamdi Joey Valence & Brae 2hollis Fcukers Ninajirachi Julie Girl and Girl + Triple J unearthed winners Laneway Festival 2025 Dates and Venues Thursday, February 6 – Western Springs, Auckland / Tāmaki Makaurau Saturday, February 8 — Brisbane Showgrounds, Brisbane / Turrbal Targun Sunday, February 9 — Sydney Showground, Sydney / Burramattagal Land & Wangal Land Friday, February 14 — Flemington Park, Melbourne / Wurundjeri Biik Saturday, February 15 — Bonython Park, Adelaide / Kaurna Yerta Sunday, February 16 — Wellington Square, Perth / Whadjuk Boodjar St Jerome's Laneway Festival is touring Australia and New Zealand in February 2025. Head to the festival's website for further details, and to register for ticket pre sales — which kick off at 10am local time on Tuesday, October 15, 2024 — or get tickets in general sales from 10am local time on Wednesday, October 16, 2024. Top Charli XCX image: Harley Weir. Laneway images: Charlie Hardy / Daniel Boud / Maclay Heriot / Cedric Tang.
When 2024 began, it started with a beloved Australian book becoming a just-as-loved hit homegrown TV miniseries. When the year comes to an end, it'll do so with an Aussie film about an international pop star releasing in cinemas. It feels fitting, then, that Brisbane-set page-to-screen favourite Boy Swallows Universe and unconventional Robbie Williams biopic Better Man have both scored big among the just-announced AACTA Award nominations — for 2025's ceremonies, but covering 2024 releases. Boy Swallows Universe topped the TV categories, earning a huge 22 nominations. It's up for Best Miniseries, of course, and made history by collecting eight nominations for its stellar actors, the most that any production has earned ever at the AACTAs. Better Man, which makes its way to Australian cinemas on Boxing Day 2024, received the most nods in the film fields — and by picking up a huge 16 of them, it also broke the record. Among the movies, Furiosa: A Mad Max Saga nabbed 15 nominations for George Miller's fifth film in the iconic dystopian franchise, the same number that How to Make Gravy scored for its song-to-film journey. Next came horror delight Late Night with the Devil with 14 nominations, then Oscar-winning animator Adam Elliot's gorgeous and heartfelt Memoir of a Snail with 11. They're all up for Best Film, too, alongside Better Man and family-friendly four-time nominee Runt. The television cohort also saw Thou Shalt Not Steal pick up nine nominations, showing some affection for one of the year's absolute-best TV shows. Colin From Accounts and The Artful Dodger collected eight apiece, while Exposure scored seven, Fake picked up six, and Fisk and Total Control earned five each. Even from just the titles mentioned above, it's been not only an excellent year in Aussie film and TV, but a diverse one in terms of the types of tales that've been reaching screens big and small. Everything from mystery sequel Force of Nature: The Dry 2 to dark comedy Audrey, and from detective series High Country to the latest season of Heartbreak High and the Australian version of The Office, too, is also on the nominees list. As for who'll end up with a shiny trophy, the winners will be revealed on Wednesday, February 5, 2025 and Friday, February 7, 2025 at HOTA, Home of the Arts on the Gold Coast, in tandem with the returning festival with 100-plus that's also celebrating Aussie film and television. Until then, consider the nominations list a great what-to-watch guide for homegrown flicks and shows — Christmess, You'll Never Find Me, Last Days of the Space Age and Territory are just a selection of the other titles in the running. Here's a selection of this year's major AACTA nominations, ahead of the awards' ceremonies on Wednesday, February 5, 2025 and Friday, February 7, 2025 at HOTA, Home of the Arts on the Gold Coast — and you can check out the full list on AACTA's website: 2025 AACTA Award Nominees Film Awards Best Film Better Man Furiosa: A Mad Max Saga How to Make Gravy Late Night with the Devil Memoir of a Snail Runt Best Indie Film Before Dawn Birdeater Christmess Just a Farmer The Emu War You'll Never Find Me Best Direction in Film Better Man, Michael Gracey Furiosa: A Mad Max Saga, George Miller How to Make Gravy, Nick Waterman Late Night with the Devil, Colin Cairnes, Cameron Cairnes Memoir of a Snail, Adam Elliot Best Lead Actress in Film Laura Gordon, Late Night with the Devil Sarah Snook, Memoir of a Snail Jackie van Beek, Audrey Anya Taylor-Joy, Furiosa: A Mad Max Saga Anna Torv, Force of Nature: The Dry 2 Phoebe Tonkin, Kid Snow Best Lead Actor in Film Eric Bana, Force of Nature: The Dry 2 David Dastmalchian, Late Night with the Devil Jonno Davies, Better Man Daniel Henshall, How to Make Gravy Guy Pearce, The Convert Kodi Smit-McPhee, Memoir of a Snail Best Supporting Actress in Film Alyla Browne, Furiosa: A Mad Max Saga Hannah Diviney, Audrey Kate Mulvany, Better Man Kate Mulvany, How to Make Gravy Ingrid Torelli, Late Night with the Devil Jacki Weaver, Memoir of a Snail Best Supporting Actor in Film Fayssal Bazzi, Late Night with the Devil Chris Hemsworth, Furiosa: A Mad Max Saga Damon Herriman, Better Man Damon Herriman, How to Make Gravy Richard Roxburgh, Force of Nature: The Dry 2 Hugo Weaving, How to Make Gravy Best Screenplay in Film Better Man, Simon Gleeson, Oliver Cole, Michael Gracey Furiosa: A Mad Max Saga, George Miller, Nico Lathouris How to Make Gravy, Meg Washington, Nick Waterman Late Night with the Devil, Colin Cairnes, Cameron Cairnes Memoir of a Snail, Adam Elliot Best Documentary A Horse Named Winx Every Little Thing Midnight Oil: The Hardest Line Otto by Otto Porcelain War The Musical Mind: A Portrait in Process Best Cinematography in Film Better Man, Erik A. Wilson, Matt Toll, Ashley Wallen Force of Nature: The Dry 2, Andrew Commis Furiosa: A Mad Max Saga, Simon Duggan Late Night with the Devil, Matthew Temple Memoir of a Snail, Gerald Thompson Best Editing in Film Better Man, Martin Connor, Lee Smith, Spencer Susser, Jeff Groth, Patrick Correll Force of Nature: The Dry 2, Alexandre de Franceschi, Maria Papoutsis Furiosa: A Mad Max Saga, Eliot Knapman, Margaret Sixel Late Night with the Devil, Cameron Cairnes, Colin Cairnes Memoir of a Snail, Bill Murphy Best Original Song 'Dream On' by Meg Washington, Electric Fields and The Prison Choir, How to Make Gravy 'Fine' by Meg Washington, Electric Fields and The Prison Choir, How to Make Gravy 'Forbidden Road' by Robbie Williams, Freddy Wexler and Sacha Skarbek, Better Man 'Side By Side' by Paul Kelly, Runt 'Streetlights' by Jacob Harvey, Under Streetlights Best Short Film And the Ocean Agreed Before We Sleep Die Bully Die Favourites Gorgo Why We Fight Television Awards Best Drama Series Fake Heartbreak High The Artful Dodger The Twelve Thou Shalt Not Steal Total Control Best Narrative Comedy Series Austin Bump Colin From Accounts Fisk Strife The Office Best Miniseries Boy Swallows Universe Exposure Four Years Later House of Gods Human Error Last Days of the Space Age Best Lead Actor in a Drama Zac Burgess, Boy Swallows Universe Felix Cameron, Boy Swallows Universe Rob Collins, Total Control Brendan Cowell, Plum Sam Neill, The Twelve Noah Taylor, Thou Shalt Not Steal Best Lead Actress in a Drama Asher Keddie, Fake Deborah Mailman, Total Control Leah Purcell, High Country Anna Torv, Territory Phoebe Tonkin, Boy Swallows Universe Sherry-Lee Watson, Thou Shalt Not Steal Best Acting in a Comedy Patrick Brammall, Colin From Accounts Aaron Chen, Fisk Harriet Dyer, Colin From Accounts Kitty Flanagan, Fisk Genevieve Hegney, Colin From Accounts Asher Keddie, Strife Michael Theo, Austin Felicity Ward, The Office Best Comedy Performer Wil Anderson, Taskmaster Australia Aaron Chen, Guy Montgomery's Guy-Mont Spelling Bee Anne Edmonds, Taskmaster Australia Tom Gleeson, Hard Quiz Guy Montgomery, Guy Montgomery's Guy-Mont Spelling Bee Charlie Pickering, The Weekly with Charlie Pickering Best Supporting Actress in a Drama Essie Davis, Exposure Rachel Griffiths, Total Control Heather Mitchell, Fake Deborah Mailman, Boy Swallows Universe Sophie Wilde, Boy Swallows Universe Asher Yasbincek, Heartbreak High Best Supporting Actor in a Drama Simon Baker, Boy Swallows Universe Wayne Blair, Total Control Bryan Brown, Boy Swallows Universe Travis Fimmel, Boy Swallows Universe Lee Tiger Halley, Boy Swallows Universe Ewen Leslie, Prosper Best Direction in Drama or Comedy Boy Swallows Universe, Bharat Nalluri Colin From Accounts, Trent O'Donnell Colin From Accounts, Madeline Dyer Fake, Emma Freeman Thou Shalt Not Steal, Dylan River Best Direction in Nonfiction Television Anne Edmonds: Why Is My Bag All Wet?, Simon Francis Better Date Than Never, Mariel Thomas Muster Dogs, Sally Browning Stuff the British Stole, Marc Fennell The Jury: Death on the Staircase, Tosca Looby, Ben Lawrence Best Screenplay in Television Boy Swallows Universe, John Collee Colin From Accounts, Patrick Brammall, Harriet Dyer Fake, Anya Beyersdorf Fisk, Penny Flanagan, Kitty Flanagan Thou Shalt Not Steal, Tanith Glynn-Maloney, Sophie Miller, Dylan River Best Cinematography in Television Boy Swallows Universe, Shelley Farthing-Dawe Boy Swallows Universe, Mark Wareham Exposure, Aaron McLisky Territory, Simon Duggan Thou Shalt Not Steal, Tyson Perkins Best Editing in Television Boy Swallows Universe, Mark Perry Colin From Accounts, Danielle Boesenberg Exposure, Leila Gaabi Fisk, Katie Flaxman The Artful Dodger, Rodrigo Balart Best Entertainment Program Dancing with the Stars LEGO® Masters Australia vs The World Mastermind Spicks and Specks The 1% Club Tipping Point Australia Best Comedy Entertainment Program Guy Montgomery's Guy-Mont Spelling Bee Hard Quiz Have You Been Paying Attention? Thank God You're Here The Cheap Seats The Weekly with Charlie Pickering Best Factual Entertainment Program Alone Australia Gogglebox Australia Muster Dogs Stuff the British Stole Take 5 with Zan Rowe The Assembly Best Documentary or Factual Program Australia's Sleep Revolution with Dr Michael Mosley I Was Actually There Maggie Beer's Big Mission Miriam Margolyes Impossibly Australian Ray Martin: The Last Goodbye Who Do You Think You Are? Best Children's Program Bluey Eddie's Lil Homies Hard Quiz Kids Little J & Big Cuz Play School: Big Ted's Time Machine Spooky Files Best Stand-Up Special Anne Edmonds: Why Is My Bag All Wet? Lloyd Langford: Current Mood Mel Buttle: Let Me Know Either Way? Melbourne International Comedy Festival — The Allstars Supershow Melbourne International Comedy Festival — The Gala Rove McManus: Loosey Goosey Best Lifestyle Program Dogs Behaving (Very) Badly Australia Gardening Australia Grand Designs Australia Grand Designs Transformations Restoration Australia Selling Houses Australia Best Reality Program Australian Idol Australian Survivor: Titans V Rebels MasterChef Australia Shark Tank Australia The Amazing Race The Great Australian Bake Off Best Online Drama or Comedy Bad Ancestors Buried Descent Girl Crush Urvi Went to an All Girls School Videoland
Not someday, but in July next year, The Strokes will head to Australia to play Splendour in the Grass' long-delayed 20th-anniversary festival. And in news that'll have you partying like it's the 00s again, the New York rockers have also just announced two sideshows: at Sydney's Hordern Pavilion and Melbourne's John Cain Arena. Hitting up Melbourne first on Tuesday, July 26, before heading to Sydney on Thursday, July 28, the gigs will mark the band's first Australian headline shows in a decade. Clearly, The Strokes will have plenty to play — 2021 marks 20 years since their seminal debut album Is This It was released, and since everything from the title track and 'Hard to Explain' to the extremely catchy duo that is 'Last Nite' and 'New York City Cops' first got stuck in the world's heads. Since then, the Julian Casablancas-led group have put out five other studio albums, including The New Abnormal, their latest, in 2020 — which nabbed them the Best Rock Album Grammy Award earlier in 2021. When it comes to seeing one of the most influential bands of the past two decades, don't go making bad decisions, missing out, and realising that you only live once — and putting your heart in a cage. If you want to start drinking juiceboxes in preparation, that's up to you. The Strokes will be supported by The Chats and The Lazy Eyes on their solo shows, after headlining Splendour in the Grass on Saturday, July 23. THE STROKES 2022 AUSTRALIAN TOUR DATES Melbourne — Tuesday, July 26, John Cain Arena Sydney — Thursday, July 28, Hordern Pavilion The Strokes will tour Australia in July 2022. Pre-sale tickets go on sale at 12pm AEDT on Monday, November 8, with general tickets on sale at 9am on Tuesday, November 9. For further details, head to the tour website. Top image: Raph_PH via Wikimedia Commons.
International headline acts are fun and all, but if you like your festivals with a little more adrenaline, this one's for you. The inaugural Seal Rocks Adventure Festival is crashing onto the mid-NSW coast later this month. Descending on Seal Rocks Treachery Camp, about 90 minutes north of Newcastle, it's set to deliver a weekend of hands-on blood-pumping fun over the weekend of May 17–19. The program of this boutique BYO camping festival is jam-packed full of activities, balancing out an after-dark schedule of live tunes and film screenings. By day, you'll have the chance to battle your mates in an interactive game of Archery Attack, learn some new moves in a circus skills workshop, go deep with a free-diving short course, and flit between rock climbing, surfing, slacklining, yoga and zorbing — yep, this one involves crashing around a field in a giant bouncing bubble. There'll be a disco-themed 'doofercise' workout class to kick things off each morning, classes to teach you how to start fire with just a couple of sticks, and an ongoing challenge to see who can fit the most humans on a giant stand-up paddleboard. Booze is BYO, but vendors like The Perfect Paella, Dr Drool and Tim's on Treach will have pop-ups to help fuel your adventures — and a restaurant will pop-up on the Saturday night for a four-course Saturday feast. Or, you can boost your own cooking skills at a pizza making class. By night, there'll be moongazing tours and campfires, while the stage heats up with local acts like Thunder Fox, The Regime, Elaskia and Belle Badi. And if you're after more inspiration, there's the Adventure Film Festival, emceed by Alice King in the Talking Tent each night. Adult camping tickets clock in at $340, which gets you an entry pass, a campsite and access to as many of the weekend's activities as you can handle. Groups of mates and families are welcome, and capacity is capped at 500. There are glamping and cabins options, too, for those who want a little more comfort at the end of a long day of adventuring (and have extra cash to spare). Seal Rocks Adventure Festival will take over Seal Rocks Treachery Camp on May 17–19. Tickets start at $340 and can be bought over here.
Victorians, it's holiday time. After spending so much of 2020 staring at your own four walls, you probably don't need much motivation to head out of town, but the State Government is giving you some anyway. In an effort to encourage everyone to take a getaway within the state, it's handing out $200 vouchers for regional travel. The move was first announced back in mid-November — as part of a $465 million Victorian Tourism Recovery Package — and, in December, the exact details of what you can spend the money on, when you can spend it and exactly how you can get your hands on the vouchers were unveiled. Then, the first round of 40,000 vouchers was made available, and proved so popular that another 30,000 were released to meet demand (and make up for the fact that the Business Victoria voucher registration page had to go offline for extended periods because so many folks were trying to access it). The Victorian Government has revealed that the initial vouchers were primarily used for trips to Mornington Peninsula, Bass Coast, East Gippsland, the Surf Coast and High Country — but the scheme was always planned to be a multi-round affair. So, as previously announced, the next batch will become available today, Wednesday, January 20. You'll need to head online at 10am AEDT to nab one, with 40,000 available — covering travel between January 27–April 1. [caption id="attachment_794508" align="aligncenter" width="1920"] Peninsula Hot Springs via Visit Victoria[/caption] There are two obvious aims to the scheme overall: enticing Victorian residents to go venturing throughout the state, and helping support regional pubs, hotels, wineries and small businesses. If you don't get one this time, the final round of vouchers will be handed out on Tuesday, March 30, for travel between April 6–May 31. The vouchers can be spent on accommodation, tourism attractions and tours in regional Victoria, the Yarra Ranges and the Mornington Peninsula. But, there's a hefty list of things you can't spend them on, including gaming, alcohol, fuel, food and drinks (unless it's part of a winery tour, for example), groceries, personal items (such as clothing) and transport (such as rental cars and public transport). So, you can't just use the voucher to road trip to a pub, but you can use it to book accommodation at the pub, then spend your own money on food and drinks — which will still make your trip away significantly cheaper. There are some additional caveats, too: the vouchers are limited to one per household (not per person) across the entire scheme; you must first provide evidence of spending $400 on accommodation, attractions or tours before getting your $200; and you must pay for a minimum of two nights accommodation in regional Victoria. Which means, at most, half of your expenses will be covered — but, that's $200 that you won't have to fork out yourself. Yes, it's a little complicated — but the Vic Government has broken it down in more detail over here. It has also given some more examples of what you can use the vouchers on, including holiday parks, camping sites, cottages, farm stays, private holiday rentals, houseboats (yes, houseboats), winery tours, adventure tours and entry fees to regional attractions, such as. museums, water parks and adventure parks. You can apply for the second round of 40,000 $200 travel vouchers from 10am on Wednesday, January 20 at business.vic.gov.au/travelvouchers. The final round will open on Tuesday, March 30. Top image: The Rail Trail, Visit Victoria/Josie Withers.
Embracing winter's charm is made easy from the refined surroundings of the Jackalope Hotel on the Mornington Peninsula. Available until September, this luxury stay is offering a Winter Solstice Package, featuring a suitably tranquil combination of fireside moments, indulgent dining and luxurious encounters that'll make your season. Available for two- or three-night stays, this package is stacked with benefits included in the price, from a curated turndown gift on the first night of your stay to handcrafted s'mores by the firepit and a pair of plush bathrobes that are yours to take home. Dining is also a highlight, with the package offering lunch for two at the award-winning Rare Hare cellar door, brimming with seasonal dishes like woodfired Lebanese eggplant with red miso, and pork belly with spiced pear and Madeira jus. This being a dream winter escape, relaxation is a major priority. As part of the package, guests can get immersed in an intimate spa retreat, with $100 credit for select well-being treatments guided by personal preferences and expert therapists. Meanwhile, your stay also includes Jackalope's signature perks, like the complimentary mini bar and morning yoga on the terrace. Set amid a private vineyard smack-bang in the middle of the Peninsula's famed wine region, every space of this opulent accommodation offers abundant art, design and storytelling. Rising from the serene landscape, Jackalope's bold black facade emanates a luxe experience, with the hotel's bespoke rooms and suites decked out with premium features, from designer furniture to deep-soak Japanese tubs.
If life has you travelling regularly between Melbourne and Geelong, here's a little win for you: you'll soon be able to do so via ferry. After trials in July 2018, Port Phillip Ferries will run a regular service between the two cities from December this year. Transporting commuters between Central Geelong, adjacent to the Cunningham Pier, and Victoria Harbour, the ferries will run twice daily. While times haven't yet been announced, the test runs ran departed Corio Bay for Docklands at 6.15am, then made the return trip to Geelong at 5.30pm. Last year's trip took around one hour and 45 minutes, aka a bit longer than the train journey, which typically takes an hour and a half. That said, it might be quicker than driving in peak hour traffic — especially if you work in or near the harbour. Thanks to a new 'fast ferry', it could be speedier still — although those details haven't been revealed either. Built by Tasmanian-based company Incat, the new route will be sailed by a purpose-built Geelong Flyer catamaran, which'll boast indoor and outdoor spaces, and can seat 400 people. Either way, with the added bonus of free wifi, phone charging stations, bike racks and an on-board licensed cafe (perfect for that post-work tipple), the ferry ride sounds a whole lot more picturesque than the train journey — and much more tempting than a peak-hour crawl over the West Gate Bridge. If you don't get seasick, that is. Committing to the route continues the expansion of Port Phillip Ferries' commuter services. It has already been running a daily service between Portarlington and Melbourne, the Bellarine Express, for the past three years, and promised that the Geelong route would be considered for a permanent fixture if trials proved successful. Port Phillip Ferries' new Geelong Flyer will hit the water from December 2019. For further details, visit the Port Phillip Ferries website.
Getting down to the Winter Night Market is usually a frosty affair, but QVM will look even cooler in July following an expansive transformation. Bringing a snow-dusted makeover to the market for five weeks, its much-loved festivities will take place amid an eclectic 'Winter Wonderland', where ice sculpting, immersive snow globe experiences and sparkling lights bring a new dynamic to the midweek event. Held every Wednesday from Wednesday, July 2–Wednesday, July 30, expect a flurry of new encounters to run alongside the usual fire pits and winter-warming bites. Think expert ice sculptors carving frozen masterpieces, roving snow queen entertainers, and an interactive snow globe installation where visitors surround themselves in swirling faux snow to create a picture-perfect moment. The food truck lineup is also getting a shakeup, with 13 new traders to discover. Head to Braz Oz to relish smoky Brazilian barbecue skewers, or wrap your hands around El Chivi's Uruguayan steak sandwiches. Tacos El Habanero will offer Mexican street food classics, while Churros Ole's Spanish-style treats are dusted to perfection and served with a rich chocolate sauce. A new pop-up bar, tucked into the Winter Wonderland zone, will also make its Winter Night Market debut. Expect toasty tipples and winter mocktails, such as spiced hot Milo. And for markets held during the school holidays, families are welcome to book a table in the Winter Wonderland zone, making their visit even more rewarding.
With Irma Vep, French filmmaker Olivier Assayas (Wasp Network) retraces his own footsteps, turning his cult-favourite 1996 movie of the same name into an Alicia Vikander-starring HBO miniseries. There's more to that act both on- and off-screen, and Assayas couldn't be having more fun with the whole concept. But first, David Lynch's Twin Peaks deserves a mention. No, not just because it's always worth thinking about. When that cult-favourite series returned in 2017 after a quarter-century gap, it ended its 18-hour run by asking "what year is this?". That query made complete sense in the show's narrative with its Lynchian logic; however, it's also as perfect a comment on the state of entertainment today as anything could utter. In Lynch's hands, Twin Peaks was never going to feel like slipping cosily back into the past to rehash old glories. Almost everything else that's hit screens of late can't make that claim, though. Among 2022's big box-office successes so far sits the latest Batman flick, the 28th Marvel movie, a 36-years-later sequel, the 11th Wizarding World instalment, yet another Spider-Man film and more Ghostbusters; what year is this indeed? Irma Vep doesn't belong in their company, however. It slides into streaming queues knowing the everything-old-is-new-again status quo, and probing, challenging and satirising it. It also jokes about whether an episodic project aired on TV can really be a movie, playfully riffing on the chatter about Twin Peaks' third season — and it's one of the best things to reach television since that masterpiece. Streaming weekly in Australia via Binge since Tuesday, June 7, and in New Zealand via Neon from Tuesday, June 14, Irma Vep also requires some unpacking. The term 'layered' has rarely ever applied to a show quite as it does here. So, Assayas remakes his own film — and the resulting series follows a director remaking one of his own past flicks as a TV project, too. In all versions of Irma Vep, the movies and shows being made are also remakes of 1915–16 French crime effort Les Vampires. It was a ten-episode, seven-hour cinema serial, and it's supremely real. Indeed, by first helming a feature about remaking Les Vampires, and now a series about remaking a movie that remakes Les Vampires (which, IRL, is also a remake of a movie that remakes Les Vampires), Assayas keeps remaking Les Vampires in his own way. The nested dolls that are Irma Vep's meta setup just keep stacking. The 1996 Irma Vep starred Maggie Cheung, who'd later become Assayas' wife, then ex-wife — and the 2022 Irma Vep haunts its on-screen filmmaker René Vidal (Vincent Macaigne, Non-Fiction) with visions of his ex-wife Jade Lee (Vivian Wu, Dead Pigs), who, yes, led his movie. If you're a fan of word puzzles, you might've also noticed that Irma Vep is an anagram of vampire; that said, Les Vampires isn't actually about bloodsuckers, and nor is any iteration of Irma Vep. To add to the list, while Cheung played a version of herself, Vikander (Blue Bayou, The Green Knight) plays fictional American star Mira — a name that's an anagram of Irma. You can also take that moniker literally, because mirroring is patently a pivotal aspect of Irma Vep in every guise. This lengthy roster of links, nods and connections isn't done yet, with René clearly a fictionalised version of Assayas, and the latter finding inspiration for Mira elsewhere in his career. Two of his recent gems, the sublime duo that is Clouds of Sils Maria and Personal Shopper, both starred Kristen Stewart — and spotting similarities between her professional and personal lives and Mira's is oh-so-easy. In fact, Mira signs up for René's new Irma Vep after leading huge Hollywood hits, then yearning for more complex and substantial work. She also has a famous actor ex, Eamonn (Tom Sturridge, the upcoming The Sandman), and moved on with her now-former personal assistant Laurie (Adria Arjona, Morbius). As delightful as it is for diehard cinephiles, knowing all of the above isn't essential before watching Irma Vep 2.0. It helps put viewers on its wavelength, though — and this is a show that's all about wavelengths. René can't find his, with the production plagued by insurance woes, actors demanding either big sex scenes (Sorry Angel's Vincent Lacoste) or crack (Proxima's Lars Eidinger), and a financier who only stumped up the cash to get Mira to front his new perfume line. Amid that chaos, and after finishing promotional duties on her last blockbuster (and running into the now-married Laurie in the process), Mira attempts to plunge as deeply as she can into her role. She adores the black velvet catsuit that costume designer Zoe (Jeanne Balibar, Memoria) has fashioned — almost as much as Zoe visibly adores her — and, even under her new assistant Regina's (newcomer Devon Ross) watchful eye, immerses herself in playing Irma Vep far more than the script requires. Everyone's sinking their teeth into something here, or trying to, just as Assayas bites into a smart and savvy satire about the entertainment industry. Everyone's feasting on something, too, including Hollywood's insatiable need to devour itself one sequel and remake at a time. Irma Vep tackles these ideas, and parodies the incessant lust for more and more screen content, the perils and perks of fame, on-set antics and plenty of online discussion about cinema over the past decade, all while musing on the lines between art and reality as well. Oh, and while throwing in a wonderful Emily in Paris gag. But Assayas is an arthouse auteur above all else, and he's always grounded and naturalistic rather than campy and farcical — even when Irma Vep is hilarious, which is often. In contemplating why we consume art, or make it so that others can (and for others still to capitalise upon), he also revels in both dissecting and simply hanging out among behind-the-scenes shenanigans. If that wasn't all phenomenal enough — and equally thoughtful, playful and savagely clever — Irma Vep is hypnotically lensed like it belongs on the big screen. It also shimmers with the full force of Vikander at her absolute best (yes, better than her Oscar-winning turn in The Danish Girl). There's such an earthiness to her performance that it hardly feels like watching a performance at all. She's acting, of course — Irma Vep doesn't add that layer to its pile — but she inhabits Mira with relaxed effortlessness, whether she's projecting the cool, calm and collected movie-star persona, showing the character's vulnerabilities, or diving into the allure that the series-within-a-series version of Irma Vep holds. Macaigne, the always-impressive Lacoste and Eidinger, and Balibar and Ross also do their utmost, because this show isn't short on standouts. But that key combination of Assayas, Vikander and all things Irma Vep is what dreams are made of, as is one of 2022's most glorious new TV shows. Check out the trailer for Irma Vep below: Irma Vep streams week by week in Australia via Binge since Tuesday, June 7 — and in New Zealand via Neon from Tuesday, June 14. Images: Carole Bethuel/HBO.
What a difference Mads Mikkelsen can make. What a difference the stellar Danish actor can't, too. The Another Round and Riders of Justice star enjoys his Wizarding World debut in Fantastic Beasts: The Secrets of Dumbledore, taking over the part of evil wizard Gellert Grindelwald from Fantastic Beasts: The Crimes of Grindelwald's Johnny Depp — who did the same from Fantastic Beasts and Where to Find Them's Colin Farrell first, albeit in a scripted change — and he's impressively sinister and engagingly insidious in the role. He needs to be: his fascist character, aka the 1930s-set movie's magical version of Hitler, wants to eradicate muggles. He's also keen to grab power however he must to do so. But a compelling casting switch can't conjure up the winning wonder needed to power an almost two-and-a-half-hour film in a flailing franchise, even one that's really just accioing already-devoted Harry Potter fans into cinemas. Capitalising upon Pottermania has always been the point of the Fantastic Beasts movies. Famously, this series-within-a-series springs not from a well-plotted novel, where the eight Boy Who Lived flicks originated, but from a guide book on magical creatures. That magizoology text is mentioned in the very first HP tome, then arrived IRL four years later, but it was only after the Harry Potter films ended that it leapt to screens. The reason: showing the Wizarding World's powers-that-be the galleons, because no popular saga can ever conclude when there's more cash to grab (see also: Star Wars and Game of Thrones). For Fantastic Beasts, the result was charming in the initial movie and dismal in its followup. Now, with The Secrets of Dumbledore, it's about as fun as being bitten by a toothy textbook. Nearly four years have passed since The Crimes of Grindelwald hit cinemas, but its successor picks up its wand where that dull sequel left off. That means reuniting with young Albus Dumbledore, who was the best thing about the last feature thanks to Jude Law (The Third Day) following smoothly in Michael Gambon and Richard Harris' footsteps. Actually, it means reuniting Dumbledore with Grindelwald first. And, it involves overtly recognising that the pair were once lovers. The saga that's stemmed from JK Rowling's pen isn't historically known for being inclusive, much like the author's transphobic statements — and it's little wonder that getting candid about such a crucial romantic connection feels cursory and calculating here, rather than genuine. The same applies to The Secrets of Dumbledore's overall message of love and acceptance, which can only echo feebly when stemming from a co-screenwriter (alongside seven-time HP veteran Steve Kloves) who's basically become the series' off-screen Voldemort. Referencing Dumbledore and Grindelwald's amorous past serves the narrative, of course, which is the real reason behind it — far more than taking any meaningful steps towards LGBTQIA+ representation. Years prior, the two pledged not to harm each other, binding that magical promise with blood, which precludes any fray between them now. Enter magizoologist Newt Scamander (Eddie Redmayne, The Trial of the Chicago 7) and his pals. Well, most of them. Newt's assistant Bunty (Victoria Yeates, Call the Midwife), brother Theseus (Callum Turner, Emma), No-Maj mate Jacob (Dan Fogler, The Walking Dead), Hogwarts professor Lally (Jessica Williams, Love Life) and Leta Lestrange's brother Yusuf Kama (William Nadylam, Stillwater) are accounted for, while former friend Queenie (Alison Sudol, The Last Full Measure) has defected to Grindelwald. As for the latter's sister Tina (Katherine Waterston, The World to Come), she's spirited aside, conspicuously sitting Operation Avoid Muggle Genocide out. Dumbledore's plan as the movie hops from New York and Hogwarts to Berlin and Bhutan: to stop Grindelwald via Newt and company, and also stop him seeing the future to rig an election. To put his new world order into effect, Grindelwald needs to become the Supreme Mugwump of the International Confederation of Wizards, but a fantastic beast just might foil his chances. The Secrets of Dumbledore is largely a grey-hued, grimly serious political thriller that frequently feels like it just happens to take place amid wand-waving folks (its nods to actual history are that blatant), but it occasionally remembers to include the critters mentioned in its moniker. That said, courtesy of a cute but mostly superfluous scene with Newt, Theseus and a hip-wiggling scorpion dance, it fares better at acknowledging mythical animals than spilling many Dumbledore secrets. A villain swap, a half-hearted queer romance, past protagonists shunted off or playing second exploding tuba to fan favourites, a prequel series that doesn't recall what it was originally about, a title that's barely fulfilled: these aren't the ingredients for a great or even average movie, let alone an entrancing one. While some of the above occurs for sound reasons — Law swiftly outshining Redmayne in the last picture, for instance — The Secrets of Dumbledore is the filmic equivalent of throwing whatever's at hand into a cauldron and expecting a life-changing potion to bubble up. It's stitched together from shards of ideas, glimmers of possible good intentions and heavy sprinklings of nostalgia (quidditch and all), but the most it manages to be is perfunctory. Helming his seventh Wizarding World instalment, director David Yates retains a knack for setpieces at least — but even with plenty of chases and duels, and with his technical team doing much of the feature's heavy lifting, the visual wonders are still few and far between. Two more Fantastic Beasts entries are currently slated; you don't need Grindelwald's sorcery to know HP won't leave screens anytime soon. But as The Secrets of Dumbledore demonstrates over and over, this saga struggles with purpose. That isn't surprising given that keeping the series going by any means necessary, and trying to keep everyone who grew up loving all things Potter in the late 90s/early 00s happy as well, remain its chief aims. Those kids are now adults, which is why the Fantastic Beasts movies focus on fully grown witches and wizards rather than Hogwarts students. Little else here has matured with them, though, or been fleshed out — despite obvious World War II parallels and nods to today's divided times playing key parts. Call it arrested franchise development, call it a floundering spell, call it an exercise in disenchantment: they all fit, and The Secrets of Dumbledore doesn't have the elixir, incantation or even ambition to magic up anything else.
It has been a busy two years for Timothée Chalamet, aka the internet's current boyfriend. Not too long ago, he was best known for a bit part in Interstellar, and now he's one of cinema's biggest talents. Chalamet swooned over first love in the gorgeous Call Me By Your Name, and was nominated for an Oscar for his impeccable performance. He played one of the titular character's first loves in Lady Bird, a film that nabbed Oscar nominations for almost everyone else involved. In his latest movie, Beautiful Boy, he's grappling with addiction — and he'll likely receive plenty of awards love again. This true life drama stands out from Chalamet's recent hits, however, and not in a positive way. His work is exceptional once more, inhabiting rather than performing his troubled character, but the film doesn't do its star justice. Or, to be more accurate, it doesn't do its stars justice. Beautiful Boy is a father-and-son drama as much as it is a deep dive into the trauma wrought by drugs, with Steve Carell as journalist David Sheff and Chalamet as his bright, thoughtful, college-bound son Nic. David can only watch on as Nic escalates from casual marijuana use to an insatiable crystal meth habit, and the respective tolls of bearing witness to, and spiralling through, the depths of addiction are written across Carell and Chalamet's faces. Each actor plays their character like a man possessed, one by trying to understand what drove his boy down this path, the other by an urge that he can't and won't stop indulging. Or perhaps it's that they both seem like they're haunted — by dreams, wants, needs and choices, and by a life that's not what either originally planned. Based on separate memoirs by the actual David and Nic, Beautiful Boy's details are familiar. Viewers first meet David when he's asking an expert exactly what all of these illicit substances are doing to Nic, before the movie jumps back to show the progression to that point and beyond. The Sheff household is happy, with David remarried to painter Karen (Maura Tierney), and Nic getting along with both his stepmother and much-younger half-siblings. But then, suddenly nothing is happy. All that's changed is Nic, and his newfound penchant for getting high rather than burying his head in a book. Soon he's withdrawn and sullen, out late and disappearing for periods of time, and hiding his soulful gaze further and further behind his dark, wavy locks. Every moment that Chalamet and Carell are on screen, either individually or together, it's easy to believe the Sheffs' plight. Beautiful Boy can't answer why Nic dissolves into his addiction, other than the fact he enjoys taking drugs. It can't explain why this thoroughly middle-class family is put through such an ordeal, other than the fact that the unexpected happens. With images that feel both dreamy and gritty simultaneously, what it can do instead is depict the torturous aftermath. The results are authentic and heartfelt, thanks to the film's basis in reality, its brilliant leads, and the stellar support offered by Tierney and Amy Ryan (as David's first wife and Nic's mother). And yet, while the actors make the most intimate, internalised and difficult of emotions ring true, conveying the pain and suffering that clearly changed the Sheffs' lives, the movie itself couldn't be more heavy-handed. Even if it actually happened, having one character read "I just love drugs" in another's diary, or words to that effect, isn't the most subtle of moves. The same applies to Beautiful Boy's use of Nirvana, Neil Young, John Lennon and more on its soundtrack — songs which may stem from the Sheff's real-life music choices, yet are always deployed to obvious effect. While nuance wasn't in director Felix Van Groeningen's wheelhouse when he helmed the heartstring-tugging Broken Circle Breakdown in 2012, he's made a much less effective melodrama this time around. Beautiful Boy is still a moving, affecting picture — with its two main stars putting in some of their best work, how could it not be? — but it never trusts that viewers will respond accordingly. Chalamet and Carell show the audience what the Sheffs went through, however the film itself doesn't just want to tell their story. Rather, it wants to scream it, and to push every sentimental, blunt and cliched button. https://www.youtube.com/watch?v=vaOhgZez1Nk
Horse Bazaar has clocked up five years under its current ownership and, to celebrate, it's throwing a big ol' party in the bar's signature Melbourne-meets-Tokyo style. Firing up the Little Lonsdale Street bar on May 19, expect a big evening of beats and eats, with exclusive appearances from some pretty special guests. Award-winning DJs Budamunk and Aaron Choulai will be flying in from Japan for the occasion, hitting the decks alongside homegrown tune-makers from Lab Co and producer DJ Snuc. Tickets to the party start at $20, including entry and a drink, plus a spread of Japanese tapas dishes from 7–9pm.
Instead of masses of birthday cake and party hats, Hawthorn's Lido Cinemas is celebrating its fourth birthday with seven days of $7 move tickets. The eight-screen theatre, which opened in 2015, is known for its unique programming, featuring cult classics, lots of Australian hits and lesser-known international films. It also has a rooftop cinema, a hidden jazz room and a slew of left-of-centre special events, like its current Keanu Reeves-A-Thon. But, back to the birthday. From December 12–18, you'll be able to treat your bestie, mum or date to a film for just $7 each — or splash out and go to one every night (at least its cool inside). Some of the films you'll be able to catch during the week include star-studded whodunnit Knives Out, festive rom-com Last Christmas and Oscar contender Marriage Story. The cheap tix are not available for special events or Lido on the Roof sessions. [caption id="attachment_752811" align="alignnone" width="1920"] Knives Out[/caption] If you're a Movie Club member (or happy to sign up for $21 a year), you'll also get access to a week of daily-changing food and drink deals. On Thursday there are $3 choc tops, Friday has $4 shooners and you can grab popcorn for just $3 on Monday. You can check out the rest of them over here. We suggest you book in quick, as the films expected to sell out.
Since it kicked off in 2015, Melbourne clothing not-for-profit HoMie has been one of the most genuine 'feel good' brands on the market. Their clothes look great, and their mission – combatting homelessness – is more important than ever. Now, HoMie has joined forces with global mega label Champion to launch a very special winter capsule. Dubbed 'Champion Change', all profits from the new campaign will go towards HoMie's mission of helping young people experiencing homelessness or hardship. You might remember other capsules from these guys. HoMie and Champion have technically been collaborating since 2019, and previous collections have all been absolute winners. It's HoMie meets Champion — what's not to like? Champion Change features six bespoke apparel pieces and accessories, all designed to keep you warm this winter. You'll notice the logo isn't the normal HoMie badge: they've co-designed a new-look design with Champion. There are genderless hoodies, crew jumpers and an eye-catching reversible parka in camo print. A little something for everyone. 100% of profits will go towards training, clothing and job opportunities for young people experiencing homelessness. The capsule is available for a limited time, or until stock runs out, so get around it. You can shop the new look here. Images: Supplied
The rest of the year, it's a champion of movies and television, but for nine days this November, the Australian Centre for the Moving Image (ACMI) will be all about those tunes, as it transforms into the official hub for Melbourne Music Week 2018. This year's festival is set to deliver even more immersive experiences, making the most of ACMI's Gallery One, its event space The Lightwell and its primo audio and video tech. Following in the footsteps of previous MMW hubs, including St Paul's Cathedral (2017) and the State Library of Victoria (2016), the precinct will be dishing up some pretty incredible musical celebrations, with a swag of free and ticketed MMW events happening from November 16 to 24. It all kicks off with a bang with the wild Opening Night party, curated by legendary LGBTQI+ party people Heaps Gay. Expect a smorgasbord of dancing, drag and music, with must-see performances from the likes of The Cocoa Butter Club, The Huxleys and LGBTQI+ artists including Kira Puru and Maribelle. Other events set to fire up the ACMI gallery include a performance from Detroit techno boss Jeff Mills, a label showcase serving up the best of Rice Is Nice, and a high-energy dance floor session guided by London producer Rival Consoles and house legend Leon Vynehall. Aussie songstress Renee Geyer will host a celebration of disco and there's even talk of a family-friendly, mid-arvo rave. Elsewhere in the MMW lineup, the Immigration Museum nods to African roots with a night of soul and R&B headlined by REMI, Brittain's Leon Vynehall makes another appearance, taking on the Melbourne Recital Centre backed by a 10-piece string ensemble, and Aussie rockers You Am I have their first taste of the MMW stage, alongside festival favourite The Grand Organ. Melbourne Music Week 2018 runs from November 16 to 24, at various venues across the city. Tickets are on sale now, with the full program set to drop on October 2.
ANZAC Day might be more than a month away, but it's still being affected by efforts to stop the spread of COVID-19. With non-essential events with over 500 people now banned indefinitely, services around the country are being cancelled and reduced in size. The situation differs state by state, with each respective branch of the RSL making a call on their usual commemorations. Of paramount concern nationwide isn't just protecting the general public, but protecting veterans, especially those of an older age who are particularly at risk from the coronavirus. In New South Wales, that means scrapping all public services entirely. The same is the case in Queensland, although it'll look into options to mark the occasion "without placing veterans and the general public at risk". Western Australia and Tasmania are also completely scrapping their plans. [caption id="attachment_665411" align="alignnone" width="1920"] Shrine of Remembrance Flickr[/caption] In Victoria, events will go ahead — but the public won't be able to attend. There'll be a single dawn service at the Melbourne Shrine of Remembrance, which will be conducted "with a small number of official guests and modified to minimise COVID-19 risk"; however, the midday service at the same spot won't go ahead, and neither will the ANZAC Day march. RSL sub branches across Victoria will also be allowed to conduct one commemorative service only, but these will not be open to the public either. If the mass gatherings ban is still in place on April 25, it's likely another major part of ANZAC Day in Australia won't go ahead either: the annual games of two-up. ANZAC Day services will no longer go ahead on Saturday, April 25 in New South Wales, Queensland, Western Australia and Tasmania. In Victoria, all services have been cancelled except a dawn service at the Melbourne Shrine of Remembrance, but it will not be open to the public. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: ANZAC Day at Dee Why RSL.
Throwing axes: yay or nay? Unsurprisingly, hurling hatches is the type of activity that probably has you leaning one way or another. Curious about giving it a go, but haven't gotten around to hitting up Melbourne's Maniax in Abbotsford and the CBD? Let Winterfest tempt you in. This one-afternoon-only event is all about coming along and trying — and it'll let you get chucking weapons for cheap. From 12–5pm on Sunday, August 6, Maniax is doing 15-minute sessions for just $15 per person. Already sent a few Maniax blades flying in the past? You can still head on over to score some cheap entertainment for the afternoon. For the uninitiated, Maniax gives you the chance to very safely throw a hunk of sharpened steel attached to a handle, and compete with your partner and/or friends to see who has the most Viking blood coursing through them. Sling those axes, sink a bullseye, then calm down after all the hatchet-lobbing excitement with a drink. To assist with the latter, Winterfest is doing pizza-and-beer deals for two for $30, too.
For a Saturday session with plenty of sparkle, you'll now find a winning destination in CBD Italian haunt Marameo. The Russell Place bar and eatery has kicked off a fresh series of weekend parties — and these ones feature bottomless bubbles. Running every Saturday throughout February and March, these Secco Sessions promise to have you sipping through the weekend in style. Book a table for between 12–2.30pm and, for $49, you'll get to wet your whistle with two hours of free-flowing prosecco. Make a lunch date of it by adding on a few plates from Marameo's lively Italian menu — think, wagyu tartare cannoli, the signature crispy fried quail, spanner crab and saffron linguine, and spaghetti cacio e pepe with shavings of black truffle. Meanwhile, the tunes will be flowing just as easily as the wine, with a DJ spinning disco beats right through the afternoon. Images: Kristoffer Paulsen.
At the 2024 British Film Festival, when you're not watching movies starring Saoirse Ronan, Andrew Garfield, Florence Pugh and Barry Keoghan, you'll be catching the latest performances from Ralph Fiennes, Jude Law, Pierce Brosnan and Helena Bonham Carter. There's never any lack of big-name talents gracing the screen at Australia's annual celebration of the UK's latest and greatest contributions to cinema, but this year's is particularly jam-packed — so much so that there's not just one feature boasting Ronan among its cast, but two. Blitz, which sees the Foe, Little Women and Ammonite actor team up with 12 Years a Slave, Widows and Small Axe filmmaker Steve McQueen, is the British Film Festival's 2024 opening-night film. Playing Down Under fresh from also launching the London Film Festival, the period drama heads back to World War II, and starts the fest's month-long run from Wednesday, November 6–Sunday, December 8 with one of the year's must-see movies. At the other end of the festival, the also highly anticipated We Live in Time will close out the event's seasons in Sydney, Melbourne, Brisbane, Perth, Adelaide, Canberra, Byron Bay and Ballarat. Pugh (Dune: Part Two) and Garfield (Under the Banner of Heaven) lead the romance from Brooklyn filmmaker John Crowley, which follows a couple's relationship across a decade. The second Ronan-led flick on the full 2024 British Film Festival comes courtesy of page-to-screen adaptation The Outrun, where the four-time Oscar-nominee plays a recovering addict — and there's plenty more highlights on the program from there. Hard Truths sits in the fest's centrepiece slot, reuniting iconic director Mike Leigh (Peterloo) with his Academy Award-nominated Secrets & Lies star Marianne Jean-Baptiste (Surface). Also boasting the coveted pairing of an impressive helmer and an exceptional on-screen talent: Bird from Andrea Arnold (American Honey), which is where Keoghan (Saltburn) pops up. As for Fiennes (The Wonderful Story of Henry Sugar), he stars with Juliette Binoche (The New Look) in The Return, a British spin on Homer's Odyssey — and also in papal thriller Conclave with Citadel's Stanley Tucci, Killers of the Flower Moon's John Lithgow and Spaceman's Isabella Rossellini. Law (Peter Pan & Wendy) plays King Henry VIII opposite Alicia Vikander (Irma Vep) as Katherine Parr in Firebrand, while Brosnan (The Last Rifleman) and Bonham Carter (One Life) feature in romance Four Letters of Love. Other standouts include the century-hopping dark comedy Timestalker from Garth Marenghi's Darkplace alum Alice Lowe, the Gillian Anderson (Scoop)- and Jason Isaacs (Archie)-led The Salt Path, Julia Louis-Dreyfus (You Hurt My Feelings) facing death in Tuesday, and Kelly Macdonald (Operation Mincemeat) and Damian Lewis (Billions) in vampire comedy The Radleys. For music fans, there's a dedicated themed sidebar featuring both Blur: To the End and Blur: Live at Wembley Stadium — one about the band's most-recent chapter, the other a two-hour concert film — as well as the Led Zeppelin-focused The Song Remains the Same and The Rolling Stones-centric The Stones and Brian Jones. This year's British Film Festival is also peering backwards via retrospective sessions of Ratcatcher, the debut feature from You Were Never Really Here's Lynne Ramsay; the Bonham Carter- and Dame Maggie Smith (The Miracle Club)-starring A Room with a View; and classic British historical dramas such as A Man for All Seasons, Heat and Dust, The Lion in Winter and Kenneth Branagh's (A Haunting in Venice) Henry V. British Film Festival 2024 Dates and Venues Wednesday, November 6–Sunday, December 8 — The Astor Theatre, Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Palace Penny Lane, The Kino and Pentridge Cinema, Melbourne Wednesday, November 6–Sunday, December 8 — Palace Regent Ballarat Wednesday, November 6–Sunday, December 8 — Palace Electric Cinemas, Canberra Wednesday, November 6–Sunday, December 8 — Palace Barracks and Palace James Street, Brisbane Wednesday, November 6–Sunday, December 8 — Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide Wednesday, November 6–Sunday, December 8 — Palace Raine Square, Luna on SX, Leederville and Windsor, Perth Wednesday, November 6–Sunday, December 8 — Palace Byron Bay Thursday, November 7–Sunday, December 8 — Palace Norton Street, Palace Moore Park, Chauvel Cinema and Palace Central, Sydney The 2024 British Film Festival tours Australia in November and December. For more information and to buy tickets, visit the festival website.
Disney+'s live-action small-screen Star Wars empire started back in 2019 with The Mandalorian. Since then, everything from The Book of Boba Fett and Obi-Wan Kenobi to Ahsoka, The Acolyte and Skeleton Crew have followed, but it's Andor that's proven the best series in the space-set saga in this very galaxy. The good news: season two arrives in April 2025. The other news: you'd best savour it, because this will be the last of the prequel to Rogue One: A Star Wars Story. If you've seen that 2016 movie, you'll know why this the new 12-episode season is not just Andor's second but its final season — because you know where this tale is heading. But audiences being aware of what's coming didn't stop the show's first season from being riveting and thrilling. Based on both the first sneak peek at season two and the just-dropped new trailer, that doesn't look like it's changing from Wednesday, April 23, 2025 Down Under. "I came with you to be part of something". "It's a different kind of mission." "The Empire cannot win." These statements filter through the latest look at Andor's second season. The first trailer offered similar sentiments. "We're in a war. You wanna fight?", it noted, as the show treads the path to rebellion. If you missed the first season, Andor takes a favourite big-screen character and steps back into their story before the events that viewers have already seen — so, like Obi-Wan Kenobi. As its title makes plain, the series focuses on its namesake, Cassian Andor, with Diego Luna (La Máquina) reprising his Rogue One role. Star Wars fans have already seen him as a Rebel captain and intelligence agent, and also watched how his story wraps up, hence the show's need to jump backwards. The focus: following Andor as he discovers how he can play a part in battling the Empire. Indeed, charting the rebellion, and how people and planets joined in, is the series' whole remit. In season two, as the end we all know is coming gets closer, expect higher stakes — and also Ben Mendelsohn (The New Look) as his Rogue One character Orson Krennic, plus Alan Tudyk (Grimsburg) as K-2SO. The first season of Andor saw filmmaker Tony Gilroy (The Bourne Legacy) — who co-wrote the screenplay for Rogue One — rejoin the Star Wars franchise as the series' creator and showrunner. He's back for season two. On-screen, so are Stellan Skarsgård (Dune: Part Two), Genevieve O'Reilly (Tin Star), Denise Gough (Who Is Erin Carter?), Kyle Soller (Bodies), Adria Arjona (Blink Twice), Faye Marsay (Ten Pound Poms) and Forest Whitaker (Emperor of Ocean Park) . You'll be watching along via four chapters comprising of three episodes a piece, with a new chapter hitting your streaming queue each week. Check out the first trailer for Andor season two below: Andor season two streams via Disney+ from Wednesday, April 23, 2025 Down Under. Read our review of season one. Images:© 2025 Lucasfilm Ltd. & TM. All Rights Reserved.
Borders are finally open, interstate travel is firmly back on the cards and holiday-planning feels a whole lot less sketchy than it has for the past two years. And, in a show of fitting timing, you've just scored an extra excuse to cross the Bass Strait for that long-dreamt-of Tassie getaway. Namely, the sprawling new-look cellar door expansion unveiled at Devil's Corner. The renowned winery sits on around 180 rolling green hectares in Apslawn on the Great Eastern Drive, around one hour and 45 minutes southeast of Launceston. A major seven-month expansion to the site's award-winning cellar door has recently upped the ante, cementing its status as one of the region's must-visit wine-sipping destinations. The cellar door has more than doubled in size and scored a refreshed look by celebrated Tasmanian architects Cumulus Studio. Visit and you'll discover an assortment of indoor-outdoor spaces that pay homage to the property's rugged, natural surrounds; all offering sweeping views across the vines and down to the Moulting Lagoon wetlands. It's been designed and built using a similar approach to that of the winemaking here, embracing the natural elements this pocket of the world's been gifted with. On the upper level, the new Hazards Tasting Room is your spot for sipping, swirling and immersing yourself in Devil's Corner's vast catalogue of cool-climate drops. It's named after the mountain range that towers over the region; the vistas of which you can admire while partaking in one of the guided tastings, happening from 10am daily. Onsite eateries The Fishers and Tombolo both have new and improved homes within the cellar door precinct. What's more, punters can choose from various indoor and openair dining areas to enjoy their woodfired pizzas, fresh local oysters and loaded bowls of chilli mussels. Matched with a few glasses of Devil's finest pinot noir or a self-guided tasting paddle, of course. Downstairs, set into the hill, sits the Devil's Den — a cellar, events space and bar, where private functions, and food and wine masterclasses will take place overlooking the neat rows of vineyard. And for some of the site's most breathtaking vistas, head to the top of the lookout tower, where you can experience the winery's grand scale like nowhere else. Time for an interstate wine-sipping adventure? Yes, we think so. Find Devil's Corner Cellar Door at 1 Sherbourne Road, Apslawn, Tasmania. It's open daily from 10am to 5pm.
Winter's almost done with its chilly bullshit, but before you can pack away your woolies just yet, Melbourne's cooking up some serious comfort food that's much better enjoyed in the crisp, colder weather. There's a handful of deliciously food-focused events happening this week, so we thought we'd put them all on one table for you. Pick one course, or make a degustation of them all. Or you could just go and inhale some popcorn watching Sausage Party. Your choice. By the Concrete Playground team.
UPDATE Monday, July 18: This In Good Company event has been postponed until later in the year. We'll let you know the new date once confirmed. See the website for further details. Congress really lives up to its name with its collaboration dining series, teaming up with some well-known hospitality mates for a meeting of minds — a forum of flavour and congress of culinary delights, if you like. And for the next instalment of In Good Company, the Collingwood wine bar is heading over to Carlton's Lagoon Dining for a border-tripping lunch feast to remember. On Sunday, July 24, these two acclaimed kitchens will combine their talents to deliver a share-friendly lineup of snacks, mains and sides, cleverly incorporating flavours from across China and Europe, with a sprinkling of Japanese influence for good measure. Diners are in for an adventurous, yet considered ride — a Sichuan riff on kangaroo pastrami featuring smoked cultured cream and yuba (dried beancurd skin); whipped prawn teamed with witlof, finger lime and chilli jam; and a Cantonese-style revival of Congress' legendary pig's head sanga. Oh, and some yuzu and sourdough miso bon bons to finish. Tickets are $120, which includes a spritz on arrival.
Visit Balmoral Beach in 2023 and you'll be splashing around in one of the nation's top beaches for this year, no matter when you head by. Make a date with the Sydney patch of sand this winter, however — and with Balmoral Beach's Bathers' Pavilion, to be specific — and you'll also be able to enjoy a meal from a three Michelin-starred English restaurant, with Simon Rogan's L'Enclume making the trip Down Under for the first time ever. For five weeks between Wednesday, July 19–Sunday, August 20, in what marks L'Enclume's debut venture away from its Northern England home, it'll set up shop at Bathers' Pavilion for a residency. British chef and restaurateur Rogan, who is known for his farm-to-table focus, will bring a number of the restaurant's famed dishes our way. In fact, he'll transport a version of the L'Enclume experience beachside from its base in the village of Cartmel in The Lake District in Cumbria, where it resides in a former 13th-century blacksmith workshop. L'Enclume will still operate as usual in the UK during its Sydney residency, too, giving the world two L'Enclumes running at the same time. If you're new to L'Enclume, and to Rogan, both favour the idea of the perfect ingredient. So, in each small and meticulously constructed bite served up, that concept comes to the fore. Across an eight-course menu, plus snacks and petit fours, patrons can expect L'Enclume's favourites — but adapted to use ingredients from New South Wales and Australian producers. The residency is committed to having a traceable menu, and Rogan is already contacting locals, seeking folks who can grow supplies specifically for his time at Balmoral Beach. And yes, Rogan himself will overseeing the Bathers' Pavilion stay, leading the kitchen for every single service. Oli Marlow, Executive Chef of Roganic and Aulis London and Hong Kong, and Sam Ward, Managing Director of Simon Rogan restaurants around the globe, will join him, plus a team from the UK that'll feature up to eight chefs, four front of house staff and a sommelier. Only welcoming in a maximum of 80 attendees per sitting, the intimate residency will also bring over L'Enclume style of service, and have diners eating off of a version of its preferred crockery that'll be handmade in Australia. To help wash down Rogan's precisely fashioned dishes, Rogan's sommeliers are crafting a sizeable wine list, complete with wine pairings to match the food. And, there'll also be a cellar list, with folks with cash to splash on budget-breaking vino able to pre-arrange rare vintages and bottles before their bookings. Setting guests back $420 each for eight courses plus snacks and petit fours, and either $190, $290 or $750 per person for wine pairings on top (or $70 for non-alcoholic sips), this clearly isn't the kind of culinary experience that Aussies get every day — and it's also one that's worth travelling for. If you don't normally call Sydney home, you'll only need to book a jaunt to the Harbour City, rather than the other side of the world. Announcing the residency, Rogan said that "winning three Michelin stars at L'Enclume is a culmination of 20 years of work and evolution by a group of dedicated chefs and front of house specialists". L'Enclume notched up that feat in 2022, when it also hit that 20th anniversary. "The Sydney residency marks a big milestone for us as we enter our third decade and our boundary-pushing team could not be more excited to share our strong sustainability ethos and serve up some of our favourite L'Enclume dishes using the outstanding local ingredients unique to New South Wales and Australia," Rogan continued. "For me, it's all about layers and complexity of flavour, creative produce sourced with a sustainable ethos, and warm and knowledgeable service. It's not just the restaurant which makes the L'Enclume experience, it's the surroundings too, and even though the setting at Bathers' Pavilion on Balmoral Beach couldn't be more different to Cartmel, it feels so similar in its sense of beauty and uniqueness." Find L'Enclume at Bathers' Pavilion, 4 The Esplanade, Balmoral Beach, Mosman from Wednesday, July 19–Sunday, August 20 — open for lunch Tuesday–Sunday and dinner Tuesday–Saturday. Head to the Bathers' Pavilion website for bookings from Tuesday, February 14, or sign up to the Bathers' Pavilion newsletter for updates.
Celebrate 60,000 years of Indigenous art and culture at Melbourne's inaugural Yirramboi First Nations Arts Festival. Running from May 5-14 at more than two dozen venues around town, this multi-disciplinary festival will feature a mix of music, dance, theatre, film and visual art by First Nations people from all around Australia, as well as New Zealand, Canada, the United States, Scotland, Wales, Taiwan and the Pacific Islands. The festival begins with a welcome ceremony at Meat Market in North Melbourne, followed by an opening night party described by organisers as "an evening of queer, gender-bending pop-up live arts". Other standout events include a full moon dance party in Federation Square featuring Kulin Stories by Uncle Larry Walsh, a large-scale sound and art installation at Birrarung Marr, and a panel discussion about the history of Aboriginal ballet dancers. For the full Yirramboi program, visit yirramboi.net.au.
Everyone has one main motivating factor in the career path they choose, and if you're passionate about helping humanity and the state of the world, you've got a bunch of options available. Doctors, lawyers and politicians may take a lot of the credit for shaping our futures but they're not the only options. In fact, there are plenty of other avenues to explore. Whether you're at the beginning of your education, looking for a career change or wanting to gain some additional professional experience, knowing where to start can be hard. That's why we've tracked down a selection of degrees from leading Australian universities to study online via Open Universities Australia(OUA) if you're desperate to make a difference in the world. With the threat of climate change and limited natural resources becoming a reality in the not-too-distant future, the time for a focus on the environment, sustainability and education has never been greater. Here's our list of which degrees to study if you want to inspire or create change. BACHELOR OF EDUCATION Imparting wisdom to our younger generations is a hugely important undertaking — after all, these are the people that'll one day inherit the earth. Curtin University offers one of the best teaching degrees for primary education (years one to six). After studying the Bachelor of Education or the Master of Teaching degree via OUA, you will leave the course with advanced training for leadership roles in a teaching career. Although you'll be studying primarily online, the degree also includes hands-on experience in a range of schools and across year levels, and it culminates in a five-week professional placement. Your studies will also include lesson planning, classroom management, special education and digital literacy. BACHELOR OF ARTS: COMMUNITY DEVELOPMENT Change starts from the ground — so getting involved in community-based projects, be it services, welfare or not-for-profit organisations, is a great way to see your effort being put into action before your very eyes. A Bachelor of Arts in Community Development will hone your communication, critical thinking, ethics and social justice knowledge — and that's just the start. The program from Murdoch University (available online through OUA) focuses on a wide variety of perspectives and solutions that can benefit different communities — from Indigenous and First Nation peoples to overseas aid development. You will graduate with the ability for persuasive oral communication and a broad knowledge of research methods. DIPLOMA IN COMMUNITY WELFARE AND WELLBEING Outside of teaching, another obvious do-gooder career path is within the welfare and health sectors. Whether you're interested in nursing, community service or social work, gaining a Diploma in Community Welfare and Wellbeing from the University of New England allows you to earn credits toward many community-minded degrees — and to develop the foundational skills for employment or toward further study. The course provides students with the theoretical and academic groundwork for a career in overall social care. Within the elective subjects offered, you can opt to specialise in working with members of the community dealing with disability or ageing, or working with Aboriginal people. BACHELOR OF ARTS: SUSTAINABLE DEVELOPMENT Marching for climate action is a great start, but if you're passionate about finding more sustainable ways for you and your neighbours to live and preserve the environment, this Murdoch University program is worth exploring through OUA. Sustainable Development is a newer profession but is growing in popularity. The more prominent career paths you could take from this degree include joining the public sector, a local council or an NGO, or working within research institutes or national and international aid organisations. But the skills gained here are much more far-reaching and can also lead to careers in sustainable tourism, media, education and resource management. MASTER OF ENVIRONMENT Already got a degree in environmental science under your belt? First of all, good for you. Now, keep channelling that passion and experience into a masters degree from Griffith University. After all, it's arguably one of the most important fields of study you could enter into at the moment. Within this degree, you can choose to specialise in several different areas of expertise, including climate change adaptation, sustainable business, economics and policy, environmental planning and environmental protection. Career options hit a huge range, too, and include the likes of environmental assessment officer, consultant for government agencies and environmental and biosecurity management. Explore these degrees and hundreds more from leading Australian universities, available online through Open Universities Australia. You'll be making a world of difference before you know it.
This December, you can score a bottle of vino for as little as $8.50 a pop thanks to Vinomofo's Boxing Day Sale. Running from Friday, December 25 till Thursday, December 31, the sale will offer up to 70 percent off a heap of local and international wines — and it'll all get delivered straight to your doorstep for free. So, get ready to stock up on vino to help ring in the New Year. Vinomofo is an online wine company for those who love wine, but without all the pretension that sometimes comes with it. The Melbourne-based company delivers wine to thousands of people around the world — so it's safe to say it knows what it's doing when it comes to grape juice. The Boxing Day sale will see some of the biggest price drops from Vinomofo yet and will include more than 100 wines. It'll be adding additional daily wine deals over the week, too. Think celebratory champagne, epic-value prosecco and plenty of summer-suitable rosé, plus a huge range of white and red varieties — all for a steal. And, to top it off, shipping for all orders purchased in that time period will be free. Score epic wine deals via Vinomofo's Boxing Day Sale — for a limited time only.
