Tocumwal is the perfect place from which to set off on an outdoor adventure, with Barmah National Park recognised as particularly special for bushwalking and horse riding. Home to the world's largest river red gum forest, the expansive park also boasts stunning wetlands that provide critical habitat for over 200 bird species. Closer to town, you're welcome to admire the alluring Murray River from the shoreline, but it's even better when you hire a boat and drift along the waterway instead. With the area renowned among anglers in search of cod, perch and trout, it's the ideal way to find a quiet place to drop a line and spend a lazy day enjoying the calm waters of the mighty Murray. Image: Visit Victoria
Most Melbourne spas tend to set up cool spaces full of wellness technologies and then simply leave you to choose your own adventure. You're free to relax and escape however you like. But learning how to best use these wellness tools can be daunting for those of us new to the spa life. It's like visiting a gym for the first time and trying to use all the machines on your own. You're just not going to get the most out of your workout. This is why the team at EQ, a new wellness space in Melbourne's Domain Precinct, is changing things up. Slated to open on Wednesday, May 15, EQ will be home to a hammam, sauna, rain room, ice-cold plunge pools, a social lounge, and a light and sound therapy dome. But the team here hasn't just built a wellness playground for us stressed-out folks to run wild within. Instead, they're curating seasonal semi-guided wellbeing and spa experiences designed to address specific wellness needs. It's like having leg day on the weekend and focusing on cardio during another session. You're not visiting EQ to magically fix all your problems in one session. There will be a different focus every few months. The first is called 'Welcome Chaos' and is said to help you find and create calm within your hectic life. But how does this actually work in practice? Well, guests will get a few hours to explore the facilities in a specific order, working through each of the rooms like a circuit training class. They will move through the light and sound therapy dome (the colours and soundscape will change for each campaign), a series of hot and cold zones and the rain room, plus participate in communal mediative breathwork. There will also be an educational room that's meant to give guests the tools needed to create and sustain healthy wellness habits at home. For the EQ team, the spa acts as a circuit breaker to stress. You're then encouraged to make long-term changes for your physical and mental wellbeing afterwards — by teaching you basic breathwork, meditation and a selection of other practices. Once the next seasonal campaign begins, you'll be invited to return and work through a different mind and body program. And even though there will be a prescribed order to EQ's wellbeing experience, you are free to go rogue and move through the space however you like. If you just want to lay in the hammam and dip in the plunge pool, go for it. But the semi-guided aspect is what makes this site so special. It would be a shame to totally abandon it. EQ is slated to open on Wednesday, May 15, and will be found at 22 Kings Place, South Melbourne. For more information, head to the venue's website.
If you've been digging the retro vibes of late, we've found the ultimate activity to see you through the end of summer: cruising along the St Kilda foreshore on a pair of roller skates, with some old-school tunes pumping and the wind in your hair. That's the very energy that Rolla Bae wants to hook you up with this season. The crew's distinctive vintage caravan is once again open at St Kilda Beach, offering roller skate hire and a healthy dose of zippy al fresco fun every Saturday and Sunday. Rolla Bae welcomes skaters of all skill levels, celebrating the good feels and serotonin boosts over tricky moves and competitive showdowns. You can rent out a pair of roller skates, roller blades or even a skateboard, starting from an easy $25 per hour. The team will even impart their wisdom while you're lacing up, offering training in the basics and plenty of helpful skate tips to see you sailing off into the distance in style. Also available to hire, you'll find protective gear and bum bags to complete the look, and portable speakers to soundtrack your skating adventures. The Rolla Bae van is open from 12pm until sunset (weather permitting), Saturdays and Sundays until the end of March.
The posters for what's tipped to be Lars von Trier’s masterpiece — his upcoming five-hour sexual epic, Nymphomanic — have been unleashed, with the likes of Charlotte Gainsbourg, Willem Defoe and Stellan Skarsgard showcasing their best 'O' faces. The squirm-inducing effect of the promotion, shot by photographer Casper Sejersen, is only a taster for what's to come. Doubtless, the film will not shy away from unflinching portrayals of erotic ecstasy. In a typical von Trier rejection of cinematic convention, reportedly the genitals of porn actors will be spliced onto the bodies of the cast in the production process. Although it's not the first film to use unsimulated sex, evidently the avant-garde provocateur is continuing to uphold his reputation for revelling in a taboo style of filmmaking and subject matter. For example, according to Shia LeBeouf, a disclaimer at the top of the script reads: "Everything that is illegal, we’ll shoot in blurred images." Indeed, producing audience discomfort and sparking controversy is not new terrain for von Trier. Take, for instance, his grotesque tour de force Antichrist, a hard-hitting arthouse horror film that caused uproar for its scandalous depiction of genital mutilation. (If you haven’t eaten lunch yet, perhaps don’t read up on it now.) Although his films strongly divide audiences and critics, he is without question a major powerhouse of contemporary avant-garde cinema. His work is thought-provoking, technically assured, aesthetically radical and forever pushing boundaries. It is the dream of actors and cinematographers alike to work with this enigmatic artistic visionary. Nymphomaniac is due to be released in December of this year. Via Fast Co.Create
In NGV International's Federation Court stands an imposing sculpture in a solemn pietà pose. At seven metres tall, Gone (2019) by Kaws is the world-renowned Brooklyn-based artist's largest bronze sculpture to date. It's part of the gallery's Kaws: Companionship in the Age of Loneliness exhibition, which you'll be able to get up close and personal with on Saturday, February 22. The gallery is hosting a one-off mass meditation right underneath the giant bronze sculpture. The morning will kick off at 9am with a meditation led by A-Space founder Manoj Dias — suitable for all levels of experience — which'll be accompanied by a live musical performance. After that, you'll get exclusive access to the exhibition from 9.45am. Explore Kaws' vivid murals and distinctive, pop culture-inspired characters before the rest of the riff-raff are let in at 10am. You're probably familiar with the artist's reinterpretations of iconic figures like Mickey Mouse, Snoopy and The Smurfs, all reworked with those signature Xs over the eyes — and you'll get to see them all here. Tickets will set you back $40, which includes meditation and access to the exhibition. [caption id="attachment_742493" align="alignnone" width="1920"] Kaws, What Party (2019) photo by Tom Ross[/caption] Top image: Kaws, Gone (2019) by Tom Ross.
The long weekend is here, and we're fully embracing all the Easter treats. But if you're looking to fill yourself up with something other than sweets, here's an extensive list of all the bars, cafes and restaurant that'll be open this long weekend. Stay cool this weekend with a drink on Arbory Afloat's floating bar, head to Chin Chin for refined Thai or try some top-notch cocktails at The Everleigh. [caption id="attachment_764366" align="alignnone" width="1920"] Firebird by Parker Blain[/caption] RESTAURANTS BABY PIZZA Friday–Monday: 12–10.30pm BANG BANG AT THE RIFLE CLUB Friday: 4pm–until late, Saturday: 12pm–until late, Sunday: 12–9pm CHIN CHIN Friday–Monday: 11am–11pm FIREBIRD Friday and Saturday: 12–11.30pm (kitchen closed 4–5.30pm) 400 GRADI BRUNSWICK Friday–Monday: 12–11pm 400 GRADI ESSENDON Friday, Saturday, Monday: 5–10pm, Sunday: 12–11pm HAWKER HALL Friday–Monday: 12–10.30pm HORN PLEASE Friday and Saturday: 6–10pm, Sunday and Monday: 6–9.30pm MARAMEO Friday and Monday: 5.30pm–until late, Saturday: 12–3pm and 5.30pm–until late MEJICO Friday and Monday: 12–10pm, Saturday: 11.30am–12am MJOLNER Friday: 5–11pm, Saturday and Sunday: 5pm–midnight MRS SINGH Friday: 3pm–until late, Saturday: 5pm–until late PINCHY'S Friday and Saturday: 12pm–until late PRINCE DINING ROOM Friday–Sunday: 12pm–until late, Monday: 12–4pm STOKEHOUSE Friday and Monday: 12pm–12am TIPICO Friday and Saturday: 12pm–until late TOKYO TINA Friday and Saturday: 12–11.30pm ZERO GRADI BRUNSWICK Friday–Monday: 12–11pm [caption id="attachment_693419" align="alignnone" width="1920"] Arbory Afloat[/caption] BARS ARBORY AFLOAT Friday–Monday: 11.30am–11pm ARBORY BAR & EATERY Friday–Monday: 11.30am–11pm BAR CAROLINA Friday and Monday: 5.30pm–until late, Saturday and Sunday: 8am–until late THE EVERLEIGH Friday: 5pm–11pm, Saturday: 5pm–1am GLAMORAMA Friday: 2pm–3am, Saturday and Sunday: 5pm–5am HEARTBREAKER Friday: 3–11pm, Saturday: 3pm–3am HEMINGWAY'S WINE ROOM Friday–Sunday: 12–3pm and 5–11pm HOP NATION Friday: 2–8pm, Saturday: 12–8pm, Sunday: 12–6pm JOHNNY'S GREEN ROOM Saturday–Monday: 12–11pm MOON DOG WORLD Saturday and Sunday: 11.30am–until late OH LORETTA Friday, Saturday: 2pm–until late PONTOON Friday and Monday: 12pm–12am PRINCE PUBLIC BAR Friday: 7am–until late, Saturday and Sunday: 8am– until late, Monday: 7am–until late TETTO DI CAROLINA Friday–Sunday: 2pm–until late WELCOME TO THORNBURY Friday and Saturday: 12pm–until late, Sunday: 12–9pm [caption id="attachment_735463" align="alignnone" width="1920"] King & Godfree[/caption] CAFES ALL ARE WELCOME Friday and Saturday: 8am–2pm, Sunday: 8am–12pm AUCTION ROOMS Friday–Monday: 7.30am–4pm DRIP CAFE Friday–Monday: 7.30am–3pm JOE FRANK Friday, Saturday, Monday: 8am–2pm, Sunday: 8–10am (takeaway coffee only) KING & GODFREE Saturday–Monday: 9am–10pm LEFT FIELD Friday–Monday: 8am–3.30pm LENNY 3206 Friday–Monday: 7.30am–2pm MAMMOTH Friday–Monday: 8am–3pm MOBY 3143 Friday–Monday: 7.30am–2.30pm MORK CHOCOLATE BREWHOUSE Friday–Sunday: 10am–5pm PIDAPIPO GELATERIA Friday–Monday: 12pm–11pm SHORT STRAW Friday: 7am–1pm, Saturday–Monday: 7am–4pm TERROR TWILIGHT Friday–Monday: 8am–4pm THAT'S AMORE Saturday: 8am–3pm [caption id="attachment_801858" align="alignnone" width="1920"] Queen Victoria Market[/caption] MARKETS PRAHRAN MARKET Saturday: 7am–5pm PRESTON MARKET Saturday: 8am–3pm QUEEN VICTORIA MARKET Saturday: 6am–4pm, Sunday: 9am–4pm SOUTH MELBOURNE MARKET Saturday and Sunday: 8am–4pm Top image: Baby Pizza
Unique accommodations are available in abundance on Airbnb. So what makes Aussie Host Quentin Dempster's Table Cape home, which was recently named Australia's Best Unique Airbnb Stay, the most innovative of all? Affectionately named The Winged House, this extraordinary Tasmania property boasts a long list of features that has seen it recognised as one of Australia's best stays. It starts with its ability to stand out — literally — with architecture that sees it cantilevered over a cliff to deliver dramatic 180-degree views of the seascape that surrounds it. Designed by Australian artist Richard Goodwin (and engineered by Harry Partridge), Dempster's abode is a liveable art installation, inspired by the appearance of the wings of an aircraft stretching over a cliff. Guests who drive into the property have also noted its resemblance to a bird poised to take off. However, not content to simply serve breathtaking vistas of waves breaking on rocks to the east and Rocky Cape National Park to the west, changing cloud formations, eagles and even an occasional seal, Dempster's commitment to offering guests an unforgettable experience extends to every room of his house. The bathroom features a traditional Japanese soaking tub, the living room shelves are stocked with best-selling books, the gourmet kitchen is fully equipped and the pantry is packed with premium condiments — including extra virgin olive oil produced by Dempster himself. In addition to complimentary bottles of local wine on arrival, Dempster also offers a unique "call-in" service, where guests can dial-a-massage or dial-a-chef, connecting with the best local suppliers and service providers. Impressed with Dempster's understanding that "it's the hospitality that truly makes all the difference when it comes to helping guests feel like they are living in a place, not just travelling to it," we caught up with him to talk about his Airbnb hosting journey, as well as what he believes makes for a truly unique Airbnb stay. What made you decide to become an Airbnb Host? My wife and I use Airbnb when we travel. We've enjoyed it from a guest perspective so I joined up as a Host and things developed from there. We've attracted people from all over the world. What do you think Hosts can do to make an Airbnb listing outstanding? We provide a stocked larder, breakfast victuals, a complimentary bottle of Josef Chromy chardonnay or Tasmanian pinot noir as well as our own extra virgin olive oil. In addition to the dramatic views, we have found this warm welcome and generosity makes all the difference to the guest experience. What do you love about sharing your unique property? The sense of a special place and guests who love to share it with us. We chat happily with guests from all over the world and give advice on local things to do. What's something you wish you knew when you started hosting? The importance of taking the edge off guest stress about cancellations. During the early stages of the COVID pandemic we quickly adopted a lenient booking policy, one which gave a full refund to people who had to cancel because of lockdowns. Or offered them a credit voucher against a future stay so they were not out of pocket. What are some of the benefits of hosting? The income derived through hosting has allowed us to pay for a cleaner, manager, suppliers and tradies, which all helps to contribute to the local economy. We also pay Tassie land tax which returns some revenue to the Tasmanian taxpayer. So it's a win-win. Want to begin your own hosting journey with Airbnb? If you're feeling inspired, head to the website to find out how to get started. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Bec Baxter
If your daily life consists of more screen time than time spent outdoors, you're probably itching for a next-level escape — somewhere you can truly disconnect. With such a diverse and lush landscape right at our fingertips in NSW, why not switch up your daily routine, switch off your devices and get off the grid in the great outdoors? We've highlighted some top-notch experiences across the state where you can achieve a true sense of freedom. We're talking floating high above the Byron Bay hinterland as day breaks and hanging out with sea life on the far south coast. Your digital detox starts here.
Being an Airbnb Host is hard work, but also a truly rewarding experience — and Carla Dawes, who has just been named Australia's Airbnb Host of the Year, can certainly vouch for that. Having joined the accommodation platform as a Host five years ago, Dawes transformed the downstairs of her residence in Alstonville, NSW into a welcoming destination for travellers from around the world to call home during their time in the Northern Rivers. Dawes goes above and beyond to make her guests feel as welcome as possible — from providing fresh flowers, herbs and eggs from her property for guests to enjoy during their stay, to stocking local produce that showcases the best of the region. We sat down with the official host with the most to chat about her hosting journey, what she loves about it and her tips and tricks for beginners. What do you do to ensure an outstanding experience for your guests? Hosting for me is about putting everything into a stay that I would want to experience on my travels. For me it's all in the detail — greeting your guests is always a nice way to welcome them and answer any questions they might have before they settle in. I think wanting to give your guests the very best experience you can, in every way, is the making of a good Host. I supply a book full of my local recommendations for cafes, restaurants and places of interest — such as galleries, shops, walks and beaches. I think this is a valuable resource, especially if your guest isn't familiar with the area. Hopefully this directs them to a wonderful experience. To ensure an outstanding experience I think it's most important to have your place sparkling clean from top to bottom. Added extras like spare pillows, blankets and towels — things that make your guests stay that little bit more comfortable — also help. I supply local products to showcase our region's wonderful offerings, such as a fresh loaf of sourdough from Harvest in Newrybar, Brookfarm muesli and Byron Bay Cookies. I also like to place fresh flowers and herbs from my garden and fresh eggs from my hens as a special touch. Guests are also welcome to collect eggs and harvest their own vegetables, herbs or fruits from my garden to use during their stay. What inspired you to offer local ingredients for breakfast? When I'm travelling, it's about escaping my daily routine. Sitting on a deck and having breakfast with coffee is one of my favourite ways to start the day before exploring the local area. This is what I want my guests to experience. I take pride in using fresh eggs from my hens and homegrown seasonal produce from my garden. What's something you wish you knew when you started hosting? When I started hosting, I didn't have many people to talk to about tips and tricks for Hosts until I found the Airbnb Community online forum where a large range of subjects are covered. Now it's my go-to if I ever need advice from other Hosts and the Airbnb team. What do you find rewarding about hosting? I love that I get to meet all sorts of people from different countries, backgrounds and professions, and to hear their stories and help them in any way I can to make them feel welcomed, relaxed and taken care of. Creating magical moments with my guests for their loved ones is pretty special, even with such a small part I play in setting up the flowers, food or secret surprises is always a joy. What advice would you give to someone thinking of becoming a Host? What are some good ways to get started? I think when you start out as a Host, creating a routine around preparations and having an area to store equipment for your listing is helpful. Respond to guests' enquiries as quickly as possible. Also, provide clear instructions on check-in times, directions to your place and a contact number. What are some of the benefits of hosting? What has hosting allowed you to do? I run a 14-acre property with vegetable gardens, an orchard and chooks among some of the day-to-day jobs. Becoming a Host has not only allowed me to earn an income from my property, but it has also given me the freedom and flexibility to continue my work on the land without being committed to a 9-to-5 job elsewhere. Want to begin your own hosting journey with Airbnb? If you're feeling inspired, head to the website to find out how to get started. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
If you know anything about the golden era of Hollywood, then you'll have heard of Edith Head. Today celebrated as the single most significant costume designer in the history of cinema, she spent nearly 50 years working at Paramount Pictures and Universal Studios, dressing the stars and starlets of the era in nearly 1000 movies. She also holds the records for the most Academy Awards won by a woman (eight, by the way — no big deal). The Costume Designer exhibition at Bendigo Art gallery draws from the archives of Paramount, the Collection of Motion Picture Costume Design and private collections, collating over 70 costumes designed by Head from the 1930s to the 1960s. You'll see designs from classic films like Vertigo and Sunset Boulevard and costumes worn by iconic performers including Veronica Lake, Gloria Swanson, Olivia De Havilland, Dorothy Lamour, Jane Russell, Hedy Lamarr, Fred Astaire and Yul Brynner. Costume lovers should definitely make the trip for this rare opportunity to see these seldom-displayed designs. Image: Edith Head and Hollywood, 2017, installation view, courtesy Bendigo Art Gallery.
Melbourne’s very own international biennial festival dedicated to contemporary video practice has come around once more to thoroughly bend our minds. This year, Channels Festival will host a series of exhibitions, screenings, talks, performances, and workshops that will disrupt your reality, challenging the historical context of video and make suggestions as to where the future lies for this artform in an increasingly tech-saturated world. The official opening night kicks off on September 18, at Screen Space. The night will feature international festival guest Same Smith's new exhibition Slow Fragmentation downstairs, as well as a selection of contemporary video work from Australian and New Zealand artist-run initiatives, curated by Screen Space, upstairs. Some highlights from this year’s program include In the Epoch of the Near and Far exhibition, featuring works from Petra Cortright (USA) and Heath Franco (AUS) and curated by Amelia Winata, and Jessie Scott’s exhibition/lending library, Miraculous Ribbon. The festival will run for ten days in total in venues across the CBD, Fitzroy and Collingwood, as well as online.
The fifth annual Melbourne Cabaret Festival is gearing up for another stellar season and you’re invited to join the frivolity (fishnets and feathers optional). This year the festival will run for three weeks and include 30 different shows that will be performed all over the city. Cabaret truly is a unique performing art form; combining musical theatre, comedy, intimacy and interactivity all in the one show, it's sure to guarantee a great night out. The Melbourne Cabaret Festival genuinely has something for everyone. For lovers of Lucille Ball there's Elise McCann’s show Everybody Loves Lucy, or if the ‘80s are more to your taste, Geraldine Quinn’s Sunglasses at Night: The 80s Apocalypse Sing Along Cabaret could be the show for you. If you’re after something a little more intimate, we recommend Olympian Matthew Mitcham’s debut show Twists and Turns, or Wicked the Musical star Amanda Harrison in Up Close and Reasonably Personal. Head over to the Melbourne Cabaret Festival website to see the full program.
When a movie premieres at the Cannes Film Festival, the literal applause it receives makes headlines. It happens every year — and at fellow major international film fests such as Berlin and Venice, too — with reports detailing the number of minutes that the audience put their hands together for while on their feet. Back in May 2024, The Apprentice was no different. While the time spent clapping varied depending on the source, this was still a story. But there was also another tale that followed swiftly after the feature's debut, as it was likely always bound to: the response from its subject to this unofficial biopic, or at least from his campaign, including a cease-and-desist letter attempting to stop anyone else from seeing it. The Apprentice's title tells everyone the who and the why of this situation. Before he was America's 45th president, Donald Trump spent over a decade hosting the reality-TV series that shares its moniker with Ali Abbasi's new film. This isn't a chronicle of Trump's time on the show, or in the Oval Office afterwards, however. It isn't just an unsanctioned big-screen Trump biography, either. Making his first English-language feature after 2016 Danish horror film Shelley, the Oscar-submitted 2018 Swedish standout Border and 2022's Persian-language serial-killer thriller Holy Spider, Copenhagen-based Iranian Danish filmmaker Abbasi also doesn't simply step through Trump's origin story in the 70s and 80s — although it chronicles his start in real estate, his relationship with his father and his marriage to Ivana. The movie's pitch-perfect name hones in on the most-crucial element of the picture: that this is a portrait of chasing power seen through a mentor-protege relationship. Trump is the apprentice. His guide: New York City attorney and political fixer Roy Cohn, who first came to fame in the 50s investigating suspected Communists with Senator Joseph McCarthy. Abbasi digs into how Cohn helped shape Trump, including the three rules of winning passed down from the former to the latter. Those tenets: first, attack, attack, attack. Then, admit nothing and deny everything. And lastly, claim victory while never ever admitting defeat. It's impossible to watch these rules outlined in The Apprentice — or even read them on the page — and not spot how they still dictate Trump's actions today. That's one of the film's many astute moves. Another: casting Sebastian Stan (Dumb Money), who gives one of his two phenomenal performances for 2024 alongside A Different Man, as Donald Trump. Seeing him anchor the familiar Trump mannerisms, speech patterns, talking points and attitudes — details that anyone who has even just spotted the IRL figure on the news across his political career in passing will instantly recognise — in the younger version of the man, an iteration brought to the screen with complexity, is both haunting and uncanny. Equally exceptional: a can't-look-away Jeremy Strong in his first post-Succession part as Cohn, in another of the film's performances that demands awards attention. Borat Subsequent Moviefilm Oscar-nominee and Bodies Bodies Bodies star Maria Bakalova also leaves an impression as Ivana. And Abbasi remains one of the most-exciting directors working today in every choice that he makes throughout The Apprentice, including deploying a visual approach that scrapes away any gleam from his take on Trump at every moment. "I think we've been quite restrained," Abbasi tells Concrete Playground about the movie, talking about the instant backlash and the complicated response he knows it will continued to receive. "If we wanted to be controversial, we have ample, ample opportunities to be so." We also chatted with the director about the quest to get the film made and seen, building a portrait of someone that everyone in the world has an opinion of, why he wanted to bring this tale to the screen, getting Stan onboard, and the importance of diving into Trump and Cohn's relationship. On the Diverse Responses to the Film's Premiere, Including the Cannes Standing Ovation and the Trump Campaign's Reaction "It's sort of the same in a way. What do they say, you have to grab a compliment whenever, wherever you find it, whichever way you find it, in whatever form you find it? I think if the Trump campaign thinks that this is the worst — they have an actually really funny formulation, they're saying this is 'pure fictionalised trash'. And I'm like, that's a very general sentence you can basically write in the beginning of every feature film. It's pure fictionalised trash — that's a punk-rock way of saying 'this is the movie'. And look, I think we've been quite restrained. I think this is a quite a restrained movie. I do not understand where people talk about controversy, controversial. If we wanted to be controversial, we have ample, ample opportunities to be so and to do so, and include stuff. I mean, with this guy, the sky is the limit, right. And therefore it's a little bit difficult for me to understand. Of course, we're the underdogs in this game. We just want to get the movie released. So any help, any publicity is appreciated. I don't mind. But on the intellectual level, when people talk about this as being controversial, provocative and the Trump campaign bashing us, I'm like 'have you actually seen the movie? You know, you come out, I would say, much better than you might have'." On Building a Complex, Three-Dimensional Portrait of Someone That Everyone in the World Has an Opinion Of "There's this fable about this father and son, and they have this donkey and they want to go over a river or something like that. They try one way and then someone comes and says 'no, no you can't tie the donkey like that. You have to do it upside down'. And they do it upside down and they say 'no, no, it if you do it upside down, it's going to drown and die in water. You have to do it from the side'. And anyway, it ends up that the donkey goes in the water anyway and drowns. It's a little bit like this movie. It's impossible to get that balance because everyone has an opinion about this donkey. And especially, I think, I really see this acutely in the US. Because I feel like it's impossible, almost, for the Americans — at least, for the critics — to see this as a movie. They either hate the idea of a Trump movie or they think it's not enough — or they think there's nothing new about him that they couldn't read about. So it's a vicious cycle. It feeds itself. And in in reality, I think the only balance that matters is the balance of three dimensionality of character and the authenticity of character. Do I deeply care if we hurt Donald Trump? No, I don't give a fuck, you know. He doesn't care. Why would I care? But I do care about what I feel is fairness. I don't want us to either work for him or work against him. Everyone has different agendas around him and around this sort of political minefield we're living in, and I'm this one guy who actually does not have an agenda either way for against. My agenda is a humanist agenda. I think it's interesting to investigate these people, and the time and the political apparatuses which they're part of." On What Appealed About Bringing This Story to the Screen After Abbasi's Past Films Shelley, Border and Holy Spider "I think what was exciting about this project was the fact that it it's not an American movie — it's about America. And as someone who grew up in Iran, I have this really special relationship to America. I mean, Iran was an American colony until 79. And then after that, we became the archenemy and America became the great satan. And we had this very tense relationship. I think that if you grow up in the Middle East, you have a different view of American politics. You don't really see the difference between Democrats and Republicans in the same way. The outcome is the same. The outcome would end up being a bomb on your head anyway. So I think this this sort of tension and fascination got me curious about American politics, obviously, and the American political system, and this social Darwinism that sort of runs through a lot of things in in American society — this sportifying of everything, so to speak. Even the debates, I don't know if anyone can come up with any single substantive point from the last Trump-versus-Harris debate, but everyone was like 'who won? By what margin did they win?'. But I think there's also something more, there is another complexity in in this story — it's not a Trump movie. It's about this very formative relationship, which Trump is obviously part of. But it's also equally about Roy Cohn, who's as colourful character and as exciting a character, and not as in plain sight as Trump is. And how through this relationship, Trump becomes the person he is. In that way, again, it's also my chance of studying or investigating the system they're operating." On Finding the Right Actor to Play Donald Trump — and Getting Sebastian Stan Onboard "I think for me, casting is like 80 percent of my job. That's also why I am really, really picky and it takes very long time for me to cast my movies, because really once you cast someone, there is not a whole lot you can do about that choice on set either way. And I meant this in a sincere way. It's not a criticism, it's not a problem, but it's something — it's a commitment, I guess. That's a good way of putting it. And that commitment was something that Sebastian definitely paid to this. We start talking about this 2019. And then movie evolved and fell apart few times. It fell apart right after January 6, I remember, as an example of the times. And I think in a way, it is a difficult part to prepare for — not only on a technical level, not only in terms of research and all that, but also mentally. I think I went through a version of this with Holy Spider myself. I was like, the movie itself is one thing, the consequences of making the movie is something else. So I had to mentally prepare to do Holy Spider for many years before I actually made it. I think it's the same for Sebastian. I think maybe the one good thing that came out of all these years of waiting and rebuilding the project was he had time to mentally prepare for the fact that he is doing this person who's extremely polarising — and the aftermath, which is also going to be polarising — and it hasn't even started yet. I think we're going to see the real reactions when the movie comes out. It's different for me. I'm an outsider to this political system, to the US. I can't say I'm an outsider to Hollywood anymore, because now I'm part of it. But I have a sort of a safety distance. If everything goes wrong, if shit hits the fan, I'm still in Copenhagen — and that's not the case for Sebastian. That's not the case for Amy [executive producer Baer, Purple Hearts] and Gabe [screenwriter Gabriel Sherman, Alaska Daily], who started the project. These are people who are taking real risks with this. As much as I don't understand the controversiality and the risk of it, I do know that I'm not the audience. I'm not the masses — that would be seen very differently." On The Apprentice Living Up to Its Name by Unpacking Roy Cohn's Influence on Donald Trump "It's a little bit of a Frankenstein story in a way, like how the monster is created by the master. But in that case, I think politically speaking, I think it's very wrong to refer to Donald as a monster. Because that would also imply that there's a monster in town and there are some other innocent people who are not. And in fact, that's really not the case. I think anything that the opponents are accusing Trump of doing, they have done themselves in some degree, one way or the other. The argument is here is not that 'oh, there are some fine people on both sides' or everything is relative. I don't think it's relative. I think there's some stuff, like when he comes and says 'people are eating dogs', that's a despicable, stupid, racist, fascist thing to say. That's not relative. That's black and white. But in terms of the dynamics of it, back to Roy Cohn, I think that in the movie as in reality, he had an outsized influence on how Donald became the person he is, and how he learned to navigate and pull the levers of power. And also, most importantly, maybe, how to deal with media. Once you know the rules, you can see how he's on a daily basis using those rules. And there's something interesting about these characters, because in a way, they are pretty punk rock. Punk rock is not something you associate with the right that much — mostly anarchist leftwing, that vibe of it. But when you look at these people, they do what the fuck they want. They establish rules. They tear the rule book. They're colourful. They don't care. And I think that maybe in terms of mentality, that was maybe also a big contribution from Roy. You know, you don't have to give a shit about people. If you say something wrong in an interview, double down, triple down, quadruple down. Who cares? Fuck them, you know?" The Apprentice opened in cinemas Down Under on Thursday, October 11, 2024.
Charles and Ray Eames had a bit of a backwards Lannister twins problem. Everyone thought they were siblings. Both were famous for their innovative design work, but people who hadn't met them would just go on ahead and assume they were brothers. They weren't. They were husband and wife. Nowadays they're often best remembered for designing chairs. They did, for sure, make some wonderful chairs. But it wasn't just furniture where they excelled. The Eames office designed almost everything. The Eameses' work was so either ahead of its time or so timeless that lots of its products are familiar objects today. The Eameses' grandson, Eames Demetrios, is about to make a brief visit to Sydney at both the Sydney Film Festival and for Vivid Ideas to talk about both his grandparents' work and his own. To help you get your head around the breadth of their combined output, we've assembled just a few examples of the family's pioneering work. Chairs The Eameses spent over a decade experimenting with shaping wood. They'd invented a surprisingly striking splint out of moulded plywood for the US army during the Second World War. When they'd moved into their new apartment in 1941, their idea of fun was to squeeze a plywood moulding machine into their spare bedroom. They'd made it themselves out of scrap wood and a bicycle-driven pump and called it 'Kazam!'. They took turns riding the bike. After the war they moved to a real studio at 901 Abbot Kinney Boulevard in LA and stayed there for the rest of their working lives, still working with plywood. One of the products of their iterative wood obsession, in 1956, was the Lounge Chair and Ottoman. The lounge was designed for furniture company Herman Miller. While the lounge chair still looks pretty space age, their Molded Plywood Chairs (below) are much more familiar. The Eameses' work in chairs went on to be so successful that today these pieces just seem, well, normal. The SFF Hub plans to have a bunch of these Herman Miller chairs on display over the duration of the festival. The Eames' Lounge Chair and Ottoman will be there, as will the Moulded Plywoods and a new version of the classic Shell Chair. You can place an order for a chair online, though, it should be noted that the price is usually where these chairs' similarity to school chairs suddenly ends. https://youtube.com/watch?v=0fKBhvDjuy0 The Long Zoom The beginning of Contact does it, as does the end of Men in Black: the almost-infinite, long zoom across the universe has been a movie staple since the '90s. The shot was pioneered by the Eameses in their 1977 film Powers of Ten, which ostensibly explored the geographic power of adding and subtracting a zero to long numbers. As the film whips out from the Chicago lakeside into the depths of space, and back again, its effortless play with scale and relentless zoom whip you into a exponential sense of pleasant disbelief. Charles Eames had done some film work, though Hollywood didn't end up being his thing. But, about the time George Lucas had the predecessor to ILM filming their Death Star in a parking lot — and well before computer-based special effects — the Eameses were polishing off a nine-minute tracking shot that traversed the known universe. Eames Demetrios will be presenting Powers of Ten alongside a selection of his grandparents' extensive corpus of short films at Eames on Eames, including Design Q&A ("known to specialists") and Music of the Fifties ("just never seen" and "fascinating because it is, in many ways, the beginning of the music video"), not to mention a restored version of the multiscreen Glimpses of the USA. Multiscreen In an age where lining up multiple screens is about as hard as putting two phones side by side, it's hard to imagine how big a deal it was to see a multiscreen image. During the cold war, the USA put on an American trade exhibition in a Moscow park, which would later become famous for the 1959 Kitchen Debate between then Vice-President Nixon and the Soviet leader, Premier Khrushchev. Not too far away from this culinary power centre, the Eameses had been commissioned to make "a major propaganda exercise designed to inject the elixir of consumerism into the heart of the Soviet empire". So they made a film. Glimpses of the USA was a massive array of seven screens designed to overwhelm Muscovites with the breadth of experience in American life. Seven landscapes, seven cityscapes or seven people popped across the screen, in quick succession. It was designed to dazzle: and it worked. Apparently, the final sequence was so powerful it brought tears to even Nikita Khrushchev's hardened eyes. Interactive Museum Exhibitions Interactivity doesn't give you bragging rights at museums these days. But in 1975, though computers had come a long way since the President of IBM ostensibly said "I think there is a world market for about five computers," they were still pretty much unheard of for the museum experience. Ray and Charles Eames put together a concept film for a makeover of New York's gargantuan Metropolitan Museum. They laid out a vision of a connected experience, where visitors could call up their favourite artwork on a computer and its display would automatically show them related items from the collection. Back then, this vision didn't wash. Reports from 1977 talk about electronic controversy: "concerns about an art museum weakening its raison d'etre by activities not concerned with the experience of original art but, instead, films, facsimiles and electronic gadgetry." The funding was withdrawn, and the touted makeover never happened. Nowadays, this 'electronic gadgetry' is just called the Metropolitan's 'website'. Innovator in the Centre Reviewing the recent documentary, Eames: The Architect and the Painter, New York Times film critic A.O. Scott compared the Eameses' influence to Steve Jobs' for the sheer breadth of the influence their design work on our everyday lives. Scott took this comparison further, saying they were also happy to be the centre of the credit: "Like Walt Disney — and like Steve Jobs — Charles Eames did not share credit. His name alone went on the studio's products." Eames Demetrios disagrees. His counterpoint to Scott easily works through the details of his grandparents' crediting history, with the opinion that a story like Charles' alleged surprise that Deborah Sussman wanted credit for Day of the Dead is "demonstrably untrue". But he adds, "I don't think it was told in malice, because it represents an emotional truth, which is that it is a very hard to feel you are getting your due when you are living/working inside someone else's worldview — especially a powerful one like the Eameses." In the absence of space for his full reply here, Demetrios points to the chapter '901 Culture' in his book An Eames Primer for more detail. A Virtual World Eames Demetrios' films started out relatively tame. Common Knowledge presaged the production method of local film 52 Tuesdays, by giving a documentary portrait of dozens of people every few weeks for a year in 1988, but he "kept thinking it would be really amazing to be able to visit a story physically. To create a parallel world that people could visit." Demetrios created the virtual world of Kcymaerxthaere, a story whose locations have leeched across out of fiction and into the physical world. "It is kind of like a novel with every page in a different place," he says. "Most of the installations are markers (in bronze or stone) that tell a piece of the story." Since 2003, the project has installed 99 sites across 22 countries. There are ten in Australia. He has aspirations to install one in the Red Centre but is open to suggestions from Sydneysiders about a site closer to home. "The key is that we need permission to install the marker permanently (or for at least 99 years)," he adds. Sydneysiders can take a turn at interpreting this world at Storytelling to Generate Fresh Perspectives at Vivid on Sunday, June 7. Eames will be telling some stories from Kcymaerxthaere, after which participants will be invited to make their own "disputed likenesses" (images based on the stories) on postcards to be sent off to previous participants. Local participants will get postcards from other workshops before too long. Melburnians can check out a Kcymaerxthaere exhibition opening at Pure and General from June 11. Good design is good hosting is good grandparenting Charles Eames saw the designer as a host, focused on getting the details right for the recipient of whatever thing he was designing. This need to design "to the need" is pervasive in the Eameses' work and its cultural spread is echoed in modern tech firms' ambitions to sweat the details. It's the same sort of obsession with details at the heart of the story of Steve Jobs anxiously calling Vic Gundotura to tweak the yellow in a Google logo. "Charles and Ray are far more famous today than they were in their lifetimes," says Demetrios. "The notion of a rockstar designer did not exist then." Their legacy is only now getting some of the mainstream attention it deserves, three years after the release of the documentary Eames: The Architect and the Painter. But it wasn't just their design skills that lasted. Their parenting and grandparenting skills kept two generations of children interested in working to preserve their legacy. Demetrios also sees time with his grandparents as the roots of his design education. "My theory is that we learned about design backwards when we were growing up — we learned all the lessons about life that we now realise were lessons about design too. Things like the fact that Charles and Ray were excellent hosts. Picnics were important; presentation was important; experience was important. "As we are older, we understand that they were teaching by example one of their key ideas: 'The role of the designer is essentially that of a good host, anticipating the needs of the guest.'" 'Interactive display' image, actually a multitouch sequencer, by Daniel Williams. The couple's grandson Eames Demetrios will be guiding audiences through a screening of some of his grandparents' short films during the Sydney Film Festival at Eames on Eames and getting a few thoughts off his chest at Vivid Ideas.
As you read this, Kiwi charity Live More Awesome are getting their hands dirty, literally, constructing the world's biggest waterslide. This 650m long monster is the length of two Sky Towers and is located just 30 minutes from Auckland, New Zealand. The aim of the event is to raise funds and increase awareness for depression, as the not-for-profit charity is all about combatting mental illness through life changes, not just drugs. D-day is set for the 23rd and 24th of February and will feature three waterslides (the others will be a more standard 60m and 80m), food, and a shady area to hang out, complete with Kiwi entertainment (courtesy of George FM). Co-founder Jim Hunt says, "The World's Biggest Waterslide is all about pushing boundaries and creating the ultimate summer event. We have some epic entertainment planned for the day and we can't wait to see the reaction on people's faces as they come down the slides, it will be a truly unique experience". According to MentalHealth.org.nz, depression in New Zealand has affected as many as 1 in 5 people within the past year alone. "We're a couple of Kiwi guys who like so many others have really suffered at hands of depression," co-founder Dan Drupsteen says. "It was really tough, but having come out the other side we decided the best way for us to keep depression at bay was to 'Live More Awesome'. We hope this amazing project will encourage others to do the same and we want people to know it's ok to ask for help." Ticket prices start at $46 and are limited to 2000 people. You can contribute to the building of the waterslide through Indiegogo. Check out their progress so far in the video below.
2021 isn't over just yet, and none of us have worked through all the new shows currently sitting in our streaming queues. Still, 2022 is already shaping up to be a huge year in television. Stranger Things will finally return, for instance, and The Crown will also unleash its new cast. Oh, and HBO will debut a little prequel to one of its biggest hits ever. Given how successful Game of Thrones proved for HBO — even after its eighth and final season caused plenty of uproar — the on-screen world inspired by George RR Martin's books was never going to simply disappear. Indeed, before GoT even finished, there was chatter about what would come next, with the network first announcing that it was considering five different prequel ideas. It then green-lit one to pilot stage, scrapped it and later decided to adapt Martin's House Targaryen-focused Fire & Blood for the small screen as a show called House of the Dragon. Next, it opted to give novella series Tales of Dunk and Egg the TV treatment, too, and to work on an animated GoT show. And, it's been reported that another three prequels are also under consideration. Of course, all of the above announcements have been happening for so long that it's easy to forget that new GoT-related fare will eventually grace the small screen — starting next year. Although an exact premiere date hasn't yet been announced, we won't merely be talking about House of the Dragon in 2022. We'll also be watching its ten-episode first season. And, thanks to the just-dropped teaser trailer for the series, we can get a glimpse of what's in store right now. HBO released a few images from the show earlier this year, but now they've gone one better. Yes, dragons are mentioned. Yes, everyone looks suitably broody. Yes, the Iron Throne shows up, because of course it does. While the trailer really is just a teaser, viewers can expect to spend more time with flame-breathing scaly creatures and the family that adores them when House of the Dragon arrives in 2022. If you thought the Targaryens were chaotic already, delving into their history — and their love of using dragons to wage wars and claim power — is certain to cement that idea. We all know what happened to the last surviving members of the family in GoT, including Daenerys and her boyfriend/nephew Jon Snow; however, House of the Dragon, like Fire & Blood, jumps back 300 years earlier. Cast- and character-wise, House of the Dragon stars Emma D'Arcy (Misbehaviour) as Princess Rhaenyra Targaryen, the first-born child of King Viserys; Matt Smith (His House) as Prince Daemon Targaryen, the King's brother; Rhys Ifans (Official Secrets) as Otto Hightower, the Hand of the King; Olivia Cooke (Pixie) as Alicent Hightower, Otto's daughter; and Steve Toussaint (It's a Sin) as Lord Corlys Velaryon, aka 'The Sea Snake', a nautical adventurer from a Valyrian bloodline as old as House Targaryen. These Westerosi folk will all grace a tale that harks back to Aegon I Targaryen's conquest of the Seven Kingdoms — which is what started the hefty 738-page first volume in Fire & Blood's planned two-book series — and then works through the family's history from there. Aegon I created the Iron Throne, hence the returning favourite's prominence. And you don't have to be the Three-Eyed Raven to know that this tale involves plenty of GoT's staples: fighting, battles for supremacy and bloodshed. Also set to pop up on-camera: Paddy Considine (The Third Day) as King Viserys, Eve Best (Nurse Jackie) as Princess Rhaenys Velaryon and Sonoya Mizuno (Devs) as Mysaria, Prince Daemon's paramour. Behind the scenes, Miguel Sapochnik and Ryan Condal are acting as the series' showrunners. Sapochnik has a hefty GoT history, winning an Emmy and a Directors Guild Award for directing 'Battle of The Bastards', helming season eight's 'The Long Night', and doing the same on four other episodes. As for Condal, he co-created and oversaw recent sci-fi series Colony, and co-wrote the screenplay for the 2018 film Rampage. Check out the first teaser trailer below: House of the Dragon is due to start airing sometime in 2022 — we'll update you with further details when they're announced. Images: Ollie Upton/HBO.
While we all love a good public holiday, it's sometimes hard to take full advantage of the days off work when pretty much everything is closed. Luckily for us, both the NGV International and NGV Australia will be open for the entire Easter long weekend, including Good Friday for the first time ever. Not only that, but they're hosting a special edition of their Friday Nights series, featuring a performance by alternative rock band Died Pretty and a DJ set by Misty Nights. Have a drink, catch some tunes, and enjoy after-hours access to the new 200 Years of Australian Fashion collection and the phenomenal Andy Warhol | Ai Weiwei exhibition — you've only got another month to catch it before it's gone for good.
Are you sick of the dull winter weather that has taken over our southern skies? Is your skin turning pale from the lack of Vitamin D hitting your pores? Do you want to bring back the sun, sand and sea of glorious summer? For those who, like us, answered 'hell yes' to all three, we have collated ten of the best beaches in the Northern Hemisphere that are must-see destinations for people wanting to chase summer around the globe and see some exquisite, exotic foreign places in the process. 1. Shoal Bay, Anguilla With its pinkish-white sand and stunning turquoise water, this two mile stretch of beach is not only one of the most popular beaches in the Caribbean, but also the world. Despite its many villas and restaurants, this holiday destination has not yet been overrun by tourists, so you can still enjoy a relaxing day at this pristine spot before witnessing a dreamlike sunset, seemingly at the edge of the earth. 2. Grace Bay, Turks and Caicos Islands Judged the 'World’s Leading Beach' at the World Travel Awards four years in a row, you can be sure that this spectacular beach will not disappoint. Along with white sandy beaches, Grace Bay is also home to some of the richest and most beautiful coral and aquatic life in the world. Unwinding doesn’t get much better than this. 3. Paradise Beach, Philippines Living up to its name, this spot really is a traveller’s paradise. It’s the perfect place to soak up the sun, sip on a coconut cocktail, munch on some delicious Filipino cuisine as you listen to the waves crashing gently on the shore whilst laying in your beach recliner. 4. Phi Phi Islands, Thailand The hype surrounding this picturesque island is not unwarranted. The looming fortress-like cliffs tower over approaching boats, and the beaches are simply beautiful. Of the two islands, Phi Phi Leh and Phi Phi Don, the former remains completely free of inhabitants and the latter totally without roads. 5. Candolim Beach, India One of the longest beaches in the state of Goa, Candolim is a stark contrast to the populated centres of bustling India. It is just south of the famous Calangute Beach, but this beach is much more serene and peaceful. Candolim is a relaxed village containing only smalls inns and hotels, and has also been home for over 12 years to an immovable beached tanker, River Princess. 6. Costa Smeralda, Italy The southern tourist island of Sardinia, off mainland Italy, plays host to some of the most alluring and secluded coves and beaches in the world. The ‘Emerald Coast’ features 80 idyllic bays with pristine beaches, many of which are only accessible by boat. This northern coastline is ensconced in the unspoiled wilderness of Sardinia’s Lisa di Vacca and contains unique panoramic views of the surrounding national parks. 7. Baska Voda, Croatia Baska Voda is a major tourist resort situated along the astonishing Makarska Riviera in Croatia’s south. Lying at the foot of the incredible mountain Biokovo, this 2km long pebbly beach is rich in olive groves and pine woods, making for an interesting and dynamic holiday destination. 8. Maspalomas Beach, Canary Islands The beach comprises of enormous wind-sculpted dunes, located just behind the mesmerising blue sea and soft sand. Divided into four regions, Maspalomas caters for all tastes. The beach offers tonnes of sports and leisure facilities as well as beach bars, restaurants and shops, and though it sits off mainland Africa it is considered the westernmost point of the Sahara Desert. 9. Makena Beach, Maui The iconic Maui Island is one of Hawaii's most popular tourist destinations, and for good reason. Comprising all the qualities travellers crave in a classic Hawaiian beach holiday - surfing, volcanoes, family friendly activities, posh resorts and traditional culture - Maui encompasses the envisioned relaxing yet exciting Hawaiian vacation. Makena is considered by many to be the best stretch of sand on the island. 10. South Beach, Florida Last but certainly not least on the list, is the primary party coastal city, Miami Beach. Featured in countless movies and TV shows, this iconic strip is a must-visit location for those on the quest of following summer around the world. Miami Beach is home to myriad festivals, parties and events, including Art Basel and Winter Music Conference.
We are all well aware of the pervasive effect social media has on our lives in terms of connecting, conversing and sharing with others on an unprecedented scale. Yet there are a whole myriad of other uses that social media sites such as Facebook and Twitter provide, which can have immensely positive effects. Take a look at a few valuable uses for social media sites that you probably didn't expect. 1. Mapping Infectious Diseases Graham Dodge founded a cunning website called Sickweather which ingeniously uses Facebook and Twitter updates to track infectious diseases. Unlike Google Flu Trends, which launched in 2010 and is based off people's searches, Sickweather can actually track the occurrence and locations of specific ailments. Dodge is also optimistic that through the use of event schedules, travel and weather patterns and environmental data, social media will be able to predict the spread of diseases. He has already noted pertinent trends of the spread of disease throughout America, and now hopes to win a $21,000 prize in a government-sponsored competition for a new app, which uses Twitter to warn us about public health issues. So next time you feel a cough creeping up on you, do us all a public service and tweet about it. 2. Helping the Homeless find Equality A study conducted by the University of Dayton has discovered that Facebook provides a refuge for homeless people by making them feel more equal. Everyone on Facebook is equipped with the same services and benefits, whether that be liking, commenting, messaging or uploading photos. This, and the fact that people can't smell if they didn't shower yesterday, or even know that they are homeless, which, says one of the subjects of the study, makes them feel accepted. Facebook is also important in helping them establish community networks, and helping solve practical issues such as where to find social services, a meal or shelter. 3. Tracking Public Opinion Topsy released a new political index last week called Topsy Pro Analytics whereby we can use Twitter to gauge public opinion by searching particular topics or hashtags. The complex technology delves into two years of data from Twitter feeds and is updated in real time. The mass number of results from the search not only reveal the frequency and number of tweets about a topic over time, but it also measures the tone and actual content of the tweets and who is conversing most about it. 4. Getting Your Voice Heard Thunderclap is a new site, which allows users to send out a message. Once enough people tweet it or post it on Facebook (at this stage 500 messages over 5 days) the site reaches its threshold and all the updates are sent out at once. This not only increases the chance of the message becoming a trending topic on Twitter but it also increases chances of people seeing multiple updates on Facebook and paying more attention to it. The tool could be a dream for non-profit organisations and the like to help amplify their message. 5. Educating Conservative Cultures about Sex Social media outlets such as Facebook, Twitter and YouTube are transforming the way youth consume their media, even in developing nations such as Ethiopia, Mozambique or Indonesia. Social media is also a great tool in educating young people about safe sex practices and the importance of condoms. Through Facebook pages, Twitter feeds and YouTube videos younger audiences can learn about condom use without the embarrassment of their parent's presence and remain anonymous if they wish to. Through these social media platforms it is significantly easier for youth in these lesser developed countries to access information about HIV protection and family planning and chat about sensitive issues. 6. Engaging a 3000 Student Class The thought of teaching a 3000 strong student cohort would surely be enough to plague any teacher or lecturer with terrible nightmares. But John Boyer at Virginia Tech seems to find this massive class a piece of cake. Boyer introduced a novel system of 'gaming principles' by which students can rack up points to determine their notes. On top of this, Boyer poses regular questions on Facebook and Twitter for his students to respond to and also holds office hours using instant messaging on Ustream so he can respond to his many pupils in real time. Skype is also utilised to host interviews with important figures in global issues, such as Kony2012 creator Jason Russel, or a Nobel Peace Prize Laureate. 7. Sharing your Organ Donor Status Facebook has introduced a new status option in the United States and United Kingdom which allows users to proclaim their organ donor status. By openly advertising in their biographical information that one is willing to be or already is a registered organ donor, doctors and advocacy group leaders believe that this will have a domino effect and encourage many others to sign up to be an organ donor. As well as this, being able to view it on Facebook would most likely hasten the decision and make it easier for family members to approve their loved one's donation. The company is looking to expand the tool to other countries in the coming months.
Conventional maps of political results seen in the media, in stats and in reports often demonstrate a skewed and non-inclusive representation of the outcomes of US Presidential Elections. This then creates a politics of maps. However, Mark Newman, a renowned complexity researcher, has attempted to abate the confusion behind these inaccurate portrayals by creating his own highly inclusive and bona fide images. Newman believed the representations of states coloured by the majority votes was insufficient. Not only do these maps fail to take population into consideration, but they also demonstrate democratic or republican voters in each state as black and white, or in this case blue and red, rather than showing the many shades in between. After billions of dollars and years of incessant campaigning, surely an authentic portrayal of the election results is not too much to ask. Newman has answered this call by creating more realistic and more complex illustrations of the election results. First, view the varying processes Newman went through in accurately depicting the 2008 presidential elections, followed by his political map of the most recent 2012 election. 2008 Election Results By State With red depicting republicans and blue democrats, this widespread map of the 2008 Presidential Election is obviously a vast illusion, as one would not be wrong in mistaking the winner as McCain rather than Obama. 2008 Election Results Population Cartogram This more precise depiction instead shows the election results compared to the population sizes of each state. The fact is that the red states often have a lower population than the blue, thus increasing the proportion of blue in this image and eradicating the sea of red in the previous one. 2008 Election Results by County Rather than assuming an entire state is a homogenized mass holding a single political view, this map shows the electoral votes in each county of the US. Again, however, this image is incredible deceptive and misleading. 2008 Election Results by County Population Cartogram Using the same technology as before, this map demonstrates the results of the election by county, according to population. Once again this makes the balance between red and blue more accurate, however, this is much more specific and localized to certain areas. 2008 Election Results by County in Shades Forget 50 shades of grey, what we want to see is 50 shades of purple. To closer resemble the balance that exists within states and the nuances in voting patterns, Newman used varying shades of purple rather than simply two block colours. This eliminates the vast mass of red or blue spreading over particular areas and demonstrates that the country is not actually starkly divided. 2008 Election Results by County in Shades Population Cartogram Combining all the complex techniques above produces this truthful and reliable depiction of the election results compared to population per county. Much more accurate than the first map given! 2012 Election Results And now for the long awaited images of the recent 2012 US Presidential Election. Here is the image of the standard and simple map of the election results of Romney VS Obama. Not too distant from the image we saw from the 2008 Election. 2012 Election Results by County in Shades Population Cartogram Here is the more authentic portrayal of outcomes from the 2012 election using population per county and shades: an up-to-date representation of America's voting patterns that couldn't be much more accurate.
Ballarat might only dip into sub-zero temperatures a couple of times each winter, but that shouldn't stop you from embracing that white Christmas vibe. Whether you live locally or need an excuse to escape town, Sovereign Hill's Winter Wonderlights has become a beloved tradition over the past decade, with its dazzling display of lights and bites making for a snow globe scene brought to life. Running from Friday, July 4–Sunday, July 27, the town's historic streetscapes radiate warmth through luminous projections, while hand-warming open fires, live music and joy-filled theatre shows evoke an even merrier atmosphere. Enveloped in a canopy of light and faux snow, the headline display sees 20 kilometres of twinkling fairy lights illuminate Main Street. That impressive scale makes this light show one of the largest in the country beyond the big cities. Supported by the Eureka Brass Band, live festive carols make living out your dream Christmas in July celebration a reality. Plus, visitors will encounter a host of charming food and drink vendors, while the Charlie Napier Hotel presents a two-course winter dinner featuring roast turkey and glazed ham with all the trimmings, followed by dessert. You might even catch a glimpse of Saint Nick in full Santa Claus getup. Also on the agenda is plenty of stage-focused fun, as the Victoria Theatre presents a series of comedy shows set to warm your heart. There's also arts and crafts experiences perfect for little ones, with a pop-up toy-making studio encouraging kids big and small to choose, assemble and paint a traditional wooden toy. Attracting 90,000 visitors in 2024, Sovereign Hill's Winter Wonderlights is an experience worth getting rugged up for.
After opening eight Queensland locations in the past two years, announcing plans to launch 50 more Australian stores over the next three years and finally swinging open the doors on its first Victorian Taco Bell just last weekend, the Tex-Mex chain is doubling its Melbourne footprint a mere week later. The second Victorian store is welcoming in hungry patrons on Glenferrie Road from Saturday, December 14. Menu-wise, the usual Taco Bell range will be on offer, complete with burritos, quesadillas, nachos and, of course, tacos. For those dining in, frozen margaritas and a range of craft beers will also be available. https://www.facebook.com/tacobellaus/photos/a.1463337403754522/2632105830211001/?type=3&__xts__%5B0%5D=68.ARBE3WQojP42qvV9wxvs2Mym4D4ZzhGO8bsYBPPOcOxwVjji3Jg9_vtcyJZSNfHpRZII0Bo-lZKK4KSk2laC-YAgJg7FGV4Lfye3N7xpJIr0o9DB7f73Uz2GhYmqhdxe3j2hdGqcCCit2mZfhmhEZsee0RkgtLJ7ZGVEgN-XrvB0cPp0BP7INRhj4vbE01psyXiLSRImOxGZdC23e71g5R75SDNU-RAI2HqmJd9mfmvM9tkyBGHkROOVEzty56JBU9mvHhvYgBzFEFa30EYWBA6Vhg39UUaJzUVgINmkzw2wKu049mm7iuuyqHf-BfeOtkqSI-LKILUFq86A3PaFVhkItVNf&__tn__=-R Taco Bell's Australian arm has been busy of late. As well as its Victorian outposts, its range of local stores now spans Annerley, Cleveland, North Lakes, Robina, Southport, Logan Central, Townsville and Ipswich in Queensland, plus Newcastle and a soon-to-open site in Blacktown in New South Wales. Given its promises to launch more than 50 across the country, we can expect a few more to open in Melbourne in the upcoming months and years, too. This is, however, Taco Bell's third attempted foray into the Australian market. The chain tried to launch here in 1981 (and was then taken to court by Sydney store Taco Bell's Casa) and again in 1997 — but both attempts were unsuccessful and the brand withdrew. Find Taco Bell at 650 Glenferrie Road, Hawthorne, from 10am on Saturday, December 14.
For the past 30 years, the country's professional Aussie Rules competition has called itself the Australian Football League, reflecting the growing spread of top-level teams across the nation. In 2020, it'll make good on that name in a way it never has before: by hosting the AFL grand final outside of Melbourne for the first time. Come the night of Saturday, October 24, whoever earns the right to compete in this year's decider will be doing so at the Brisbane Cricket Ground, aka the Gabba. They'll be playing in front of at least 30,000 fans, too, with the Queensland Government's successful bid for the game allowing the ground to be filled to almost three-quarter capacity. Announcing the news today, Wednesday, September 2 — and revealing that the Gabba beat out Sydney's ANZ Stadium, Perth's Optus Stadium and Adelaide Oval in South Australia — AFL CEO Gillon McLachlan said that it was a difficult decision. He noted that a number of factors came into play, including the "safety and the best environment for all" and "integrity and the need for uncompromised games". And, he advised that if needed due to coronavirus social-distancing requirements, the capacity could be reduced — or, as a backup if cases surged in Brisbane, the game moved to Adelaide Oval. https://twitter.com/AFL/status/1301002487789281287 In its date and timeslot, the grand final will also buck tradition — because shifting venues isn't the only huge change in 2020. Usually, the AFL's ultimate game of the year is held on the last Saturday in September; however, due to COVID-19 shutdowns from late March–mid June, the whole season has been pushed back and compressed. When the ball bounces to kick things off that evening (with the exact time to be revealed closer to the match), the game will also become the first grand final to take place at night as well. It's all thoroughly unsurprising news given that every single AFL team has been based in Queensland for some part of the 2020 season, that the majority of the season has been played in the Sunshine State, and that hosting the big game with a crowd at its usual home — the MCG — is off the cards due to Melbourne's current coronavirus situation. That said, it really shouldn't have taken three decades for a competition that's not only named after the entire country, but changed its moniker in 1990 to reflect the fact that it was no longer just about Victoria, to host the decider in another city. The game has actually been played at venues other than the MCG before — but still in Melbourne. The first four grand finals, between 1898–1901, rotated between locations, before settling into the Melbourne Cricket Ground from 1902 onwards. During World War II, from 1942–1945, it was staged at Carlton's Princes Park and St Kilda's Junction Oval while the MCG was in use for the war effort. And, in 1991 when the ground's southern stand was under construction, it took place at Waverley Park in Mulgrave. Back when that 1991 match took place, the AFL only had four non-Victorian teams — and all four were less than a decade old or had only been based out of the state for that period. Now, eight out of 18 teams are from Queensland, New South Wales, South Australia and Western Australia, and nine out of 18 (including Geelong) are based outside of Melbourne. So, again, it's really about time the code shared the love around when it comes to the big game. This year's move to the Gabba looks to be a once-off, though, at least for now. The MCG is still contracted to host the grand final for a significant period after this year — with its contact originally running through until 2057, and now extended until 2058 as part of the agreement to allow the game to be played elsewhere in 2020. And, if you're a Victorian who has been missing the footy this year, you will still get the usual pre-grand final public holiday even with the game being played in Brisbane, as Premier Daniel Andrews confirmed last month. The 2020 AFL Grand Final will take place at the Brisbane Cricket Ground on the evening of Saturday, October 24, with the exact kickoff time still to be announced. Details regarding ticketing released closer to the game. Top image: Your Next Kid via Wikipedia.
Cinema has a big problem — and for the first time in quite a while, it can't be summed up by the words "sequel", "reboot" or "Adam Sandler". For a long time now, convenience stores and cinema candy bars have been known for their bizarre Prohibition-era pricing of ordinary goods. Now they are being joined by a third champion of Weimar-esque inflation – the cinema ticket counter. According to Screen Australia, in 2005, the maximum price you'd pay to see a movie on the big screen was $15. In 2015, the last year for which there is recorded data, that price had exploded to $24.50. And while this hasn't reduced the number of Australians going to the flicks each year, the number of times people visit has been steadily declining since 2009. Melbourne couple Sonya Stephen and Shane Thatcher say that only around 16 per cent of available movie tickets are purchased in Australia each year. Their solution, a new app called Choovie, is an attempt to allow audiences to drive demand — and, by extension, the prices they pay at the door. "Every time we went to the cinema and there was only a few people in there, he [Thatcher] would start questioning how you could use technology to get more people to go to the cinema more often," says Stephen. "It became obvious that by using smartphone technology there could be a genuine win-win, people could see more movies and cinemas could make more money." Choovie is a push for cinemas to adopt a fluid ticket price based on the time of the screening and the popularity of the film. The app would then share this information with users and allow them to find the best deal. In other words, you'll probably still pay a mozza for the new Star Wars in mid-December and whatever the biggest flick is on Boxing Day, but when you're busting to see Tears of the Otter by that Danish guy at 11am on a Wednesday morning, Choovie will help you find a ticket that takes these things into account. Obviously, much of the app's success will rest on whether cinemas decide to play ball or not; however with Australian movie theatres currently selling less than a fifth of their available product, Stephen is confident that more bums on seats will also mean bigger profits for cinemas. "The onus is on us to prove that it works. If we can do that I can't see why everyone wouldn't come on board." Choovie goes live on 27th March in Victoria, NSW and the ACT, with staggered launches across the rest of Australia in the months following. For more information, visit their website.
This promotion of Faber Castell is amazing. Watch an entire portrait being drawn in one single, circling stroke right before your eyes. It's incredible, isn't it, the things an ordinary person can do if they just have the appropriate felt-tip pen [tongue planted firmly in cheek].
At some point in the near future, when television production returns to normal, Taika Waititi will be writing, directing and executive producing two new animated Netflix series based on Roald Dahl's Charlie and the Chocolate Factory. Yep, if you were wondering what the Jojo Rabbit Oscar-winner is up to next, they're a couple of things on his slate. Right now, though, he's turning his attention to another Dahl favourite — and enlisting plenty of pals. Across ten episodes, James and the Giant Peach with Taika and Friends sees Waititi team up with a whole heap of famous talent to narrate the beloved book. If you've ever wanted to hear the Boy, What We Do in the Shadows and Hunt for the Wilderpeople read to you, then here's your chance. If you've always wondered what would happen if his Thor: Ragnarok stars Chris Hemsworth, Tessa Thompson and Cate Blanchett voiced James and the Giant Peach characters too, well, that's on the agenda as well. Also lending their voices: Liam Hemsworth, Jojo Rabbit's Roman Griffin Davis and Archie Yates, plus other big names such as Meryl Streep, Benedict Cumberbatch, Cara Delevingne, Mindy Kaling, Lupita Nyong'o, Billy Porter, Gordon Ramsay, Eddie Redmayne, Ryan Reynolds and Olivia Wilde. Four episodes are currently available via YouTube, with new instalments added each three times a week — at 3am on Tuesdays, Thursdays and Saturdays in Australia, and at 5am in New Zealand. And if you're wondering why, the aim is raise funds for COVID-19 impacted charities, especially those helping seriously ill children and medical workers in vulnerable areas of the world. https://www.youtube.com/watch?v=EJNSg_oMrOQ
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to the Woodland Cabin, one of three luxe lodgings at Logan Brae Retreats in the Blue Mountains. With room for only two, any one of the cabins is an ideal getaway for when you need space, solitude and something a little fancy. WHAT'S SO SPECIAL? The magical quality of this escape starts well before check in. If you're heading here from Sydney, you'll start your journey by winding your way through Hazelbrook, Wentworth Falls and Blackheath (stopping off for deli provisions and vino, so there's no need to interrupt your imminent immersion in nature) before you're welcomed by expansive views across Megalong Valley. Once you pull into the gravel driveway and make your way up to the Woodland Cabin, you'll immediately be consumed by calm. Warmly hued festoon lights, wildlife wandering freely, a round plunge pool perched alongside your deck, a vista to rival most: everything is special here. THE SPACE Although there's only room for a pair at the Woodland Cabin, the lofty open-plan design, towering windows and pared-back earthy palette delivers a space that's anything but small. You'll arrive to an already-built fire in the hearth with logs aplenty stacked alongside — all you need to do is strike the match. There's a deep stone tub to soak in, which when married with that view makes for a deliciously spent afternoon. And in the bathroom? A wide double shower, stone-topped vanity and gold fixtures, a lineup of lush products from Apotheke, plus style-heavy towels and robes adding a transportive touch of luxe. Outside, deck chairs beckon you for a morning coffee, as does a breakfast bar and outdoor dining set. While the deep plunge pool ensures you can beat any country heat. FOOD AND DRINK As a delightful touch to start your trip, a basket of snacks, vino, chocolate and light breakfast supplies waits on the dining table for you. Then, in the kitchen, you've got all the essentials. An oven, gas stove and nice wide sink join all the usual suspects (fridge, microwave, toaster, pots and pans); and you've covered for both olive oil and salt and pepper. Caffeine a pre-requisite? You've got a dedicated coffee bench, you lucky thing. Espresso machine? Tick. Plunger? Tick. Percolator? Tick. You can even make your own drip coffee. There's freshly ground beans, milk — cow only, so BYOM(ilk) if you're an almond or oat drinker — plus a 12-strong selection of teas. If you don't want to cook, you can get catering from Lavender Hill Graze. There's breakfast boxes, barbecue and salad packs and grazing platters ideal for by the pool. You can even have a picnic basket (complete with bubbles and rug) delivered to your doorstep. THE LOCAL AREA The Blue Mountains is a classic choice for a Sydneysider's weekender. And it's with good reason. There are hikes up to world-class views and secluded waterholes, buzzy breweries and cosy restaurants — all surrounded by that fresh clean country air. Nearby your lodging are farmers markets (in Blackheath on the second Sunday of the month), Euro-inspired saunas and the option to explore the area atop a horse. And if you want to stay close, stroll to the staggering cactus plant or stick to the private Woodlands Walk for a top-notch spot to take in the sunset. Got a book? Head to the tree hammock and while away your time suspended among the trees. THE EXTRAS Beyond the fact that this spot is clearly a winner, the family-run stay boasts delightfully personal touches too. Take the props adorning the walls: hats fit for seasoned bushmen and a whip. You two holidaymakers can stage a shoot, ensuring you have more than happy memories when you leave. There's a set of vintage binoculars for spotting faraway critters and all the deets for you to organise an in-room spa treatment. You can even organise flowers on arrival, from the locally loved micro flower farm Floral by Nature. It's just about time you booked a stay, dear reader. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
The Australian Centre for the Moving Image might be all about celebrating screen art — peering at films and TV shows, stepping into virtual reality and showcasing the talents that've made such a huge impact, for instance — but that doesn't mean that the Melbourne-based venue doesn't appreciate nature. The world around us can look stunning projected as large as a cinema can allow. David Attenborough has turned his documentaries about the planet into their own spectacular genre, too. And the natural realm can provide experimental artists with quite the playground to ponder, as Marshmallow Laser Feast: Works of Nature is set to unveil. This just-announced world-premiere exhibition will see art collective Marshmallow Laser Feast unveil a showcase of works that muse on trees, black holes, cells, breathing, space, science and more. Hitting ACMI from Thursday November 23, 2023–Sunday, April 14, 2024, Works of Nature spans five major pieces that aim to deeply contemplate and appreciate humanity's role in nature, and just nature overall. And, these aren't tiny pieces — all digital, they're aiming to inspire awe in both their size and content. [caption id="attachment_917015" align="alignnone" width="1920"] Marshmallow Laser Feast, 'Distortions in Spacetime', 2018, courtesy of the artists[/caption] This is the London-based MLF's first major showcase in Australia, adding a stint Down Under to appearances at the Sundance and Tribeca film festivals, the Istanbul Design Biennial, Lisbon Triennial and the V&A and Design Museum in their hometown. That impressive history is matched by a significant lineup of names involved with MLF's immersive Works of Nature pieces. Cate Blanchett (The New Boy) lends her narration, director Terrence Malick (A Hidden Life) executive produces, while Radiohead's Jonny Greenwood (Licorice Pizza) and fellow acclaimed composer Jóhann Jóhannsson (Last and First Men) are among the talents providing music — the latter's work continuing to entrance after his passing in 2018. Daisy Lafarge provides poetry, while Jon Hopkins, Meredith Monk and Howard Skempton also contribute tunes. [caption id="attachment_917016" align="alignnone" width="1920"] Marshmallow Laser Feast, 'Evolver', 2023, courtesy of the artists and Wave Museum.[/caption] Whether you're a Melburnian or have a trip to the Victoria capital in your future, you'll be able to see the meditative Evolver, which uses Blanchett's voice to journey through the human body, breath, the origins of cells and the cosmos — and Distortions in Spacetime, which heads to a black hole's edge. Or, there's the large-scale Sanctuary of the Unseen Forest, a video installation about the Amazon's kapok trees. Thanks to The Tides Within Us, oxygen is in focus again via six static pictures. And with We Live in an Ocean of Air, MLF explore how that last word in the piece's moniker connects life on earth. [caption id="attachment_917019" align="alignnone" width="1920"] Marshmallow Laser Feast, 'Sanctuary of the Unseen Forest', courtesy of the artists and Sandra Ciampone.[/caption] "ACMI is thrilled to bring the work of Marshmallow Laser Feast to Australia for the first time. This exhibition reflects the power of large-scale moving image works and creative use of projection technologies to produce immersive experiences that demonstrate how our bodies and the natural world are so intrinsically connected. Works of Nature is an unforgettable experience that can inspire us to work towards a better future," said ACMI Director and CEO Seb Chan, announcing the exhibition. "Our artistic practice is a constant journey of discovery into the world beyond the limits of human senses. Our passion for ecology, astronomy, and technology has driven us to collect tree data in the Amazon, explore the sound of black holes and scan the entirety of the human body in microscopic detail, then transforming these explorations into transcendent, immersive experiences," added Ersin Han Ersin, MLF Partner and Director. "We are excited to share our work with ACMI's audiences and to engage in a conversation about the beauty of the natural world and the wonders of the universe." [caption id="attachment_917012" align="alignnone" width="1920"] Marshmallow Laser Feast: Works of Nature, 2023, photo by Eugene Hyland.[/caption] [caption id="attachment_917018" align="alignnone" width="1920"] Marshmallow Laser Feast, 'We Live in an Ocean of Air', courtesy of the artists.[/caption] [caption id="attachment_917013" align="alignnone" width="1920"] Marshmallow Laser Feast: Works of Nature, 2023, photo by Eugene Hyland.[/caption] [caption id="attachment_917017" align="alignnone" width="1920"] Marshmallow Laser Feast, 'Sanctuary of the Unseen Forest', courtesy of the artists and Sandra Ciampone.[/caption] Marshmallow Laser Feast: Works of Nature will display at ACMI, Federation Square, Melbourne, from Thursday November 23, 2023–Sunday, April 14, 2024 — head to the ACMI website for further details or to get tickets. Top image: Marshmallow Laser Feast, 'Distortions in Spacetime', 2018, courtesy of the artists.
It's been a challenging year for Australia's hospitality scene, but things are already looking up for 2021. Especially now that we've been given an opening date for the hotly anticipated project from restaurateur Chris Lucas (Chin Chin, Hawker Hall, Kisume), and Martin Benn and Vicki Wild of Sydney's now-closed three-hat fine diner Sepia. More than three years in the making, the trio's landmark collaboration Society is set to open its doors in the historic 80 Collins Street building from March. This grand, multi-faceted venue will boast 180-degree views over Collins and Exhibition streets, comprising the main Society dining room, an opulent lounge bar and a lush indoor-outdoor eatery named the Lillian Terrace, in honour of former Paris End resident Lillian Wightman. While each space is set to deliver a distinctly different offering, Benn's renowned flair for avant-garde cooking will shine throughout. The bar will be your go-to for pre-dinner drinks and snack-matched cocktail sessions alike, featuring a tight array of drinking fare to complement an elegant lineup of libations. Elsewhere, you'll be able to settle in for a luxurious meal beneath the lofty ceilings of Society, or pull up a seat on the terrace for an al fresco feed overlooking the former site of 'Luxury Lil' Wightman's legendary fashion boutique Le Louvre. [caption id="attachment_787570" align="alignnone" width="1920"] Nick & Nora's by Brook James[/caption] Melbourne architects Russell & George have overseen the design of the site, tasked with creating a modern twist on mid-century style, while lending an intimate feel to the spacious venue. Lucas hopes that, once complete, Society will fill a void for locals and visitors alike. "Our society, our city has been through so much this year," he said in a statement. "It is with great pride that we can finally look to opening our exciting new dining destination and add another dimension to Melbourne's already incredible restaurant scene, that has been such a big part of my life." Society will join 80 Collins Street's growing list of hospitality venues, including already open champagne bar Nick & Nora's and coffee shop Maverick, and Farmer's Daughters — a three-storey, paddock-to-plate restaurant from Pastuso chef-owner Alejandro Saravia — which is set to open next year. Society is slated to open at 80 Collins Street, Melbourne, from late March 2021.
In yet another southward-bound international fashion expansion, Uniqlo has just announced that it'll be opening in Australia for the first time come autumn 2014. Melbourne's Emporium, located on Lonsdale Street in the CBD, will be home to a four-level, 2180 square metre megastore selling the Japanese brand's quality yet affordable apparel. Heattech underwear, bold collaborations with designers and Ultra Light Down are among their signature products. "We are very excited to be opening our first store in Melbourne, Australia," Uniqlo's Australian CEO Shoichi Miyasaka commented. "The city is a great centre of style and we hope to make Uniqlo an essential stop for for fashion-conscious Melbourne shoppers looking for high quality, affordable clothes. "Our goal is to build a loyal customer base by offering every visitor the outstanding level of customer service that Uniqlo is known for within Japan, in a comfortable and welcoming shopping environment." Owned by Japan's Fast Retailing Co. (the globe's fourth biggest clothing retail giant), Uniqlo first opened in 1984 and now runs 1200 stores across 14 different countries. It's been moving steadily south for four years, having set up in Singapore in 2009, Malaysia and Thailand in 2010, the Philippines in 2012 and Indonesia earlier this year. Fast owns six other major brands: Theory, Princess tam.tam, J Brand, Helmut Lang, GU and Comptoir des Cotonniers, and sold a whopping 928 billion Japanese Yen (AU$10 billion) worth of goods during the 2011-2012 financial year. Via Daily Life
For those of you in the audience who love a movie adaptation, there's one that should be on your roster in 2024. The Color Purple is set to make a resounding return to the silver screen, and this time, it's been reimagined as a musical. The decades-spanning tale tells an extraordinary story of love and resilience, and a woman of colour's journey to independence and the bonds of sisterhood. Before you head to a cinema to see it for yourself, here are the five things you should know about The Color Purple — which is poised to captivate a new generation of viewers. 1. THE CULTURALLY SIGNIFICANT STORY WAS FIRST A PULITZER PRIZE-WINNING NOVEL Penned by American writer Alice Walker, The Color Purple made its mark as a Pulitzer Prize-winning novel when it was published in 1982. Told through letters, the narrative explores the complexities of race, gender and sexuality — themes that weren't widely written about at the time, let alone in a piece of popular fiction. The story follows the life of Celie, a Black woman in the early 20th century in Georgia in the USA's south, as she navigates oppression from society and patriarchal family structures and discovers the power of sisterhood. Merely two years after the novel was published, movie producers were knocking down Walker's door to adapt it for the big screen. This would mean the story would be brought to the attention of even more people, highlighting the struggles of women of colour. This latest version aims to bring a more hopeful and lifted atmosphere to the story. It has already been certified fresh on Rotten Tomatoes and smashed the US box office when it was released on Christmas Day. 2. STEVEN SPIELBERG AND OPRAH WINFREY RETURN TO BRING THE STORY TO A NEW GENERATION Alice Walker herself was highly involved in the first movie adaptation; she wrote the initial script draft and insisted on the film being produced with mostly Black talent in front of and behind the camera. The film was directed by Steven Spielberg in a departure from the blockbuster adventure and sci-fi flicks that had made him famous. It was also only the second movie that Spielberg made without his regular musical collaborator John Williams (who had composed the legendary scores for Jaws and the Indiana Jones movies), instead working alongside pop legend Quincy Jones on The Color Purple's musical score. Walker was initially sceptical, as was Spielberg, as he lacked the life experience of a person of colour in the deep south. But he did know how to make a damn good movie. The rest is cinematic history. This iteration of the story also saw the big-screen launch of Whoopi Goldberg and featured the first cinematic role for Oprah Winfrey. Winfrey has been a staunch supporter of The Color Purple and has been involved in most adaptations of the story for stage and screen. The trio of Spielberg, Quincy Jones and Oprah are all returning to breathe new life into this classic, this time as the film's producers (but keep an eye out for a brief onscreen return for one of the original film's main stars). 3. IT TELLS A POWERFUL COMING-OF-AGE TALE OF SISTERHOOD At its core, The Color Purple weaves a poignant and universally meaningful coming-of-age tale centred around the bonds of sisterhood. As Celie navigates her challenging journey, the connection she has with women in her life — her younger sister Nettie, the songstress Shug and the outspoken Sofia — becomes a source of strength, resilience and empowerment. In every adaptation of the tale, each of these women goes on their own journey. They each struggle and overcome their struggles with help from one another, help that is unasked for but gratefully received. Celie faces unfathomable hardships in her life, but through her relationships with these women, she finds her own way and, ultimately, her independence and sense of self. 4. THIS VERSION IS BASED ON THE BROADWAY STAGE MUSICAL Prepare to be swept away by soulful melodies because this adaptation is based on the acclaimed Broadway stage musical. Director Blitz Bazawule — a Ghanaian multimedia artist who was co-director of Beyonce's Black Is King and made his feature debut with the Afrofuturistic The Burial of Kojo — takes Walker's original novel and the screenplay by acclaimed playwright and WGA Award winner Marcus Gardley (I'm a Virgo), and incorporates elements from Spielberg's film adaption including an original song sung by the character Shug in the juke joint. The film's other songs woven throughout come from the hit musical, which debuted on Broadway in 2005 and won two Tony Awards for its revival in 2016. 5. YOU'VE SEEN ITS STARS BEFORE — AND YOU WILL AGAIN The ensemble cast of The Color Purple boasts a lineup of wildly talented familiar faces that have graced both stage and screen. Grammy- and American Idol-winner Fantasia Barrino is making her major motion picture debut and reprising her 2005 role from Broadway as lead character Celie. Joining her from the Broadway production is Danielle Brooks as Sofia (you'll probably recognise Brooks from her role as Tasha 'Taystee' Jefferson on Orange Is the New Black). She received a Tony nomination for her portrayal. Grammy-nominee Halle Bailey joins as the younger version of Nettie, Celie's younger sister. Bailey made literal waves as Ariel in the Disney live-action retelling of The Little Mermaid. The film also stars Oscar-nominee Taraji P Henson (Hidden Figures) as songstress Shug Avery, Tony-nominee and Emmy Award-winner Colman Domingo (Euphoria, Rustin) as Celie's abusive husband Mister and the film's main antagonist, and Tony Award-nominee Corey Hawkins (The Walking Dead, Straight Outta Compton) as Sofia's husband Harpo. Finally, rounding out the central cast is Oscar- and Grammy-winning artist H.E.R. (Judas and the Black Messiah). Other notables on the roster include Oscar-nominee Aunjanue Ellis-Taylor (King Richard), the legendary Louis Gossett Jr (An Officer and a Gentleman) and Oscar-winner Jon Batiste (Soul). Book your tickets now to see The Color Purple — only in cinemas from Thursday, January 25.
For many of us, the prospect of sitting through reams of photos from our recently-returned-from-travelling friends can be a little scary. Unless you happen to be friends with independent film maker Rick Mereki, that is. Then it is something else entirely. Mereki has created three short films taken from footage of a trip with two mates, covering 11 different countries and over 38 thousand miles in 44 days. Each film is only about a minute in duration and is based on a theme; in Move we follow as one of Mereki's friends walks through a series of stunning landscapes, in Learn we see the skills he attempts to acquire along the way (soccer, pizza making, wine tasting, weaving, guitar) and in Eat we see a smorgasboard of international delights. It's a simple idea, as the brilliant ones usually are. The themes are clear, the images strong and it is all held together by a lovely little soundtrack. Move, Learn, Eat are beautiful reminders of the joys of travelling, the fun of learning and the delight of food. They also remind you of the shortcomings of your own travel snaps.
Most Melburnians have walked past the Nicholas Building dozens if not hundreds of times. The 90-year-old edifice is a Swanston Street institution, home to artists, makers, designers and local businesses from all around town. For one night only, you can take in everything it has to offer, from its art deco arcade on up. From 5–9pm on Thursday, June 20, A Night at the Nicholas invites punters to explore the historic building (with a drink in hand) and get to know its eclectic tenants. Stop by the band room for three house of uninterrupted improv, join a sing-along (and get some free singing tips) at a voice training company, try out an exciting new VR system and explore a large-scale audiovisual installation. There will also be lots of creative work from local jewellers, milliners, artists, fashion designers and architects on display. Entry will be by gold coin donation, with all proceeds going to the Nicholas Building Association. You'll also be able to purchase cocktails on the night. A Night at the Nicholas will run from 5–9pm. Image: Visit Victoria.
When Kendrick Lamar was announced as Spilt Milk's 2025 headliner, festivalgoers had all the right words to say courtesy of the man himself. "DAMN" and "LOVE" also apply to his latest news. Not content with taking to the stage Down Under in Ballarat, Perth, Canberra and on the Gold Coast, the acclaimed hip hop artist has also locked in two solo stadium shows on his next Australian trip, as part of his Grand National tour. After making its way around North America and Europe, Lamar's latest string of live dates is heading to Melbourne and Sydney. First up: the Victorian capital, at AAMI Park on Wednesday, December 3, 2025. Then comes Allianz Stadium in the Harbour City on Wednesday, December 10, 2025. Lamar's Aussie stadium gigs kick off before his Spilt Milk dates, then slot in-between the festival's two weekend runs. The fest hits Ballarat on Saturday, December 6; Perth on Sunday, December 7; Canberra on Saturday, December 13; and the Gold Coast on Sunday, December 14. December clearly suits Lamar for a jaunt Down Under — that's when the Pulitzer Music Prize-winning musician also made the trip in 2022. Lamar is one of the most-critically acclaimed and successful hip hop artists of our generation. He currently has 22 Grammys to his name, plus an Academy Award nomination for one of his contributions to the Black Panther soundtrack. He won the 2017 Triple J Hottest 100 and, when he nabbed his Pulitzer in 2018, he also became the first ever artist to take out the prestigious award for contemporary music. GNX, his most-recent studio album, dropped in November 2024 — with his extensive catalogue also spanning 2011's Section.80, 2012's good kid, m.A.A.d city, 2015's To Pimp A Butterfly, 2017's DAMN and 2022's Mr. Morale & the Big Steppers. Kendrick Lamar Grand National Tour 2025 Australian Dates Wednesday, December 3 — AAMI Park, Melbourne Wednesday, December 10 — Allianz Stadium, Sydney Spilt Milk 2025 Dates Saturday, December 6 — Victoria Park, Ballarat Sunday, December 7 — Claremont Showground, Perth Saturday, December 13 — Exhibition Park, Canberra Sunday, December 14 — Gold Coast Sports Precinct, Gold Coast Kendrick Lamar is touring Australia in December 2025, with ticket presales for his Sydney gig from 9am on Thursday, June 12 and for his Melbourne gig from 11am on Thursday, June 12 — then general sales from 9am on Monday, June 16 for Sydney and 11am Monday, June 16 for Melbourne. Head to the tour website for further details. Top image: Gregory Shamus/Getty Images.
Located just outside Melbourne's busy outer suburban streets and in the green township of Sassafras, Santosa Cottage is a charming private retreat. Surrounded by lush fernery, this two-storey cottage includes a roaring wood fire for those chilly nights and a set of French doors that open out onto a deck where you can sit among the trees. Plus, Sassafras Village is comfortably within walking distance and home to quaint cafes for your coffee and cake fix. Spend your days roaming the Dandenong Ranges National Park and its scenic hiking trails that are suitable for any level of fitness.
When Keith Haring visited Australia for the first and only time in 1984, he left a mark in more ways than one. Among a slew of works he created at the likes of the Collingwood Technical College and the Art Gallery of New South Wales, the renowned US artist also painted a temporary mural on the NGV's famed Water Wall, becoming the first to ever do so. Now, the gallery is bringing back this famed, but fleeting work, for its upcoming exhibition, Keith Haring | Jean-Michel Basquiat: Crossing Lines. To accompany the world-first exhibition, which runs from December 1, 2019, to April 13, 2020, the NGV will recreate Haring's Water Wall mural at the same site, 35 years on. It'll see the original piece reimagined in the form of an eye-catching vinyl graphic, unveiled on November 22 and sticking around for the exhibition's duration. [caption id="attachment_750049" align="alignnone" width="1920"] Keith Haring preparing an artwork on the Water Wall at the NGV. Photo: Geoffrey Burke.[/caption] Haring's 1984 work was crafted over two days and featured an interwoven drawing in white, red and black paint. Staying true to the artist's distinctive signature style, it incorporated a snake, a crawling baby, a mushroom cloud and a dolphin, among other simplified figures. Haring himself said of the mural: "It's a series of images about life and things which threaten life. Maybe it's a kind of play on good and evil, but I prefer people to read it however they want to." The Crossing Lines exhibition is set to showcase over 200 works from across both Haring and Jean-Michel Basquiat's careers, reflecting on the many similarities that can be drawn between their lives, practices and ideas. Keith Haring | Jean-Michel Basquiat: Crossing Lines runs from December 1, 2019, to April 13, 2020, at the National Gallery of Victoria International, Melbourne. The mural recreation will be on display from November 22, 2019, to April 13, 2020. Top images: Keith Haring preparing an artwork on the Water Wall at the NGV. Photos: Geoffrey Burke.
Spending your days in classrooms might be behind you, but binge-watching your way through school-set hit Australian TV shows is something that you never grow out of. When Heartbreak High first arrived on television in the 90s, it became one of the nation's classic teen series. When it returned in 2022 via Netflix, the new Heartbreak High revival also had everyone turning up. Your next date with its dramas: April 2024. 2020s-era Heartbreak High was promptly renewed the show for season two when its first season proved a huge smash. In 2023, Netflix advised that school would be in session again sometime this year. Now, the streaming platform has announced that term starts again on Thursday, April 11, 2024 for the International Emmy-, AACTA- and Logie-winning show. View this post on Instagram A post shared by Netflix Australia & NZ (@netflixanz) Hartley High will be reopening its gates, "rack off" will be the strongest insult there is again and more than just nostalgia for the OG 1994–99 series will be on the agenda. And, as announced last year, there'll be new faces among the students. Sam Rechner (The Fabelmans) will play country boy and classic cinema fan Rowan Callaghan, and he's destined for a love triangle. Also, Kartanya Maynard (Deadloch) joins the Hartley crew as Zoe Clarke, who has big thoughts on celibacy — she's in favour — as part of a gang of Puriteens. Plus, in new news, Bump's Angus Sampson is joining the show as Head of PE Timothy Voss. On the returning crew, character-wise: Amerie (Ayesha Madon, The Moth Effect), Harper (Asher Yasbincek, How to Please a Woman), Darren (screen first-timer James Majoos), Quinni (Chloe Hayden, Jeremy the Dud), Dusty (Josh Heuston, Thor: Love and Thunder), Ca$h (Will McDonald, Home and Away), Malakai (Thomas Weatherall, Troppo), Spider (Bryn Chapman Parish, Mr Inbetween), Ant (debutant Brodie Townsend), Sasha (Gemma Chua-Tran, Mustangs FC) and Missy (fellow newcomer Sherry-Lee Watson). [caption id="attachment_938095" align="alignnone" width="1920"] Heartbreak High S2. (L to R) Gemma Chua-Tran as Sasha, Ayesha Madon as Amerie, Sherry-Lee Watson as Missy, James Majoos as Darren, Chloe Hayden as Quinni in Heartbreak High S2. Cr. Courtesy of Netflix © 2024[/caption] Season one started with Amerie becoming a pariah at Hartley after a big revelation — an "incest map" plotting out who's hooked up with who throughout the school — and also struggling with a sudden rift in her friendship with bestie Harper. Attempting to repair her reputation, she called on help from her new pals Quinni and Darren, all while working through her crush on Dusty and developing feelings for Malakai. And that's just the start of the Heartbreak High revival's season one story. In season two, everyone will back for a second term after doing some growing up over the holidays, and Hartley is now the lowest-ranking school in the district. Netflix is teasing that threesomes, chlamydia and burning cars will be distant memory for the gang — but there'll still be teen chaos, of course, or this wouldn't be Heartbreak High. [caption id="attachment_869123" align="alignnone" width="1920"] HEARTBREAK HIGH[/caption] It was back in 2020 that Netflix initially announced that it was bringing the series back — and yes, it sure is a 2020s-era take on the Aussie classic, including everything from friendship fights, yelling about vaginas from the top of a building and throwing dildos at walls through to consent, crime, drugs and police brutality. The original Heartbreak High was a massive deal, and was filled with now-familiar faces, including Alex Dimitriades, a pre-Home and Away Ada Nicodemou, and Avengers: Endgame and Mystery Road's Callan Mulvey as Drazic. It painted a multicultural picture of Australia that was unlike anything else on TV at the time. And, for its six-year run across two Aussie networks, the Sydney-shot show was must-see television — not bad for a series that started as a spinoff to the Claudia Karvan and Alex Dimitriades-starring 1993 movie The Heartbreak Kid, too. Check out the trailer for the Heartbreak High revival's first season below: Heartbreak High season two will arrive on Thursday, April 11, 2024. The show's first season is available to stream now via Netflix. Read our full review.
An actual romp through the wilds of Africa isn't exactly a low-budget adventure. But this summer, you can experience a taste of that safari magic right here on home soil, all thanks to the return of Werribee Open Range Zoo's after-hours wildlife adventure. Running Saturday evenings (5.30–9pm) from January 14–February 25, the Sunset Safari sessions will see you exploring the zoo's savannah as the sun dips, copping a peek at resident critters including zebras, giraffes, ostriches and lions along the way. This year, a brand-new route includes a special focus on the zoo's beautiful hippos and their behaviours. While you travel, zoo guides will talk you through the various species that call this habitat home, and teach you all about current conservation efforts aimed at helping them thrive. Also designed to transport you is a program of traditional African performances, featuring drums, dancing and songs. And if you fancy extending the adventure, you'll find a range of food and drink options available to add on, spanning from picnic hampers to an authentic, African village-style 'braai' (barbecue). Best of all, a portion of ticket profits go towards supporting Zoos Victoria's international partners, including the Uganda Wildlife Conservation Education Centre.
Get immersed in a world of sake as Chris Lucas' Tombo Den presents a one-night-only Sake Dinner, guided by Australia's first female Sake Samurai, Yukino Ochiai. Don't think that's just a fancy title — it's the highest honour bestowed by the sake industry, serving as a true sign that its holder has a nearly unparalleled appreciation for fermented rice wine. Held on Thursday, May 29, this is your chance to truly dive into sake, as Ochiai hosts a bespoke four-course menu thoughtfully paired with a lineup of sake and sake-forward cocktails. These drinks are poured using wares from some of Japan's most renowned sake breweries, like Yamagata's Dewazakura and Aichi's Houraisen. On arrival, guests will receive a sake martini alongside the first course — deep-sea Alfonsino Usuzukuri and prawn spring rolls. Next, relish salmon truffle maki, snapper nigiri, and Pure Black Wagyu flank steak with shiso relish and crispy garlic. Finally, the dinner rounds out with baked chocolate mousse with yuzu, white chocolate and buckwheat praline. Launched in September 2024, Tombo Den is Windsor's two-storey Japanese-inspired restaurant and sake bar influenced by Lucas' time living and working in Tokyo during the 1990s. Celebrating Japanese street food and izakaya culture, its upbeat atmosphere is primed for learning the ins and outs of sake, while drenched in neon light.
Keeping the romance alive can be difficult when your girlfriend is thousands of miles away and sometimes phonecalls, frequent visits and even video chat don't cut it. But Walter C. May has officially upped the ante on romantic gestures with this viral love letter. With his roommates, who just happen to be a band called the Daylights, May wrote a song called "I Hope This Gets To You", filmed silvery hands coming together to form faces that mouth the lyrics and unleashed it upon the Interwebs. It's already been tweeted by Katy Perry. May is hoping this video reaches his girlfriend, who's on the other side of the country at grad school, solely through the power of the viral internet, because he wants to show his lady that they "can feel close without having to be close every day." All together now: Awwwwwwwwwwwwwwww. https://youtube.com/watch?v=EjgtxVxE14A [via Gizmodo]
Weekends are all about balance. You've gotta do something to make up for the fact that you're at work for 67.2 percent of your week (we did the maths), and sometimes all you need is a sophisticated long lunch with your favourite people. Counterbalance all the times you've eaten lunch at your desk by inviting your closest friends to while away an afternoon feeling fancy-free with delicious food and a cocktail in hand. Whether you've hit your targets at work, been kicking goals at the gym, or you just made it through another week, you deserve to treat yourself for the small wins and milestones. The world's finest French vodka, Grey Goose, is committed to quality ingredients, which means bartenders are able create incredible cocktails that upgrade any summer occasion — particularly a leisurely long lunch on the weekend. With that in mind, here are six Melbourne venues perfect for a fancy, indulgent meal.
Alpine, mountainous, snow-capped — these aren't words you would normally associate with our sun-kissed country. But Australia is a land of extreme seasons and surprises. The High Country is right on our doorstep, only a few hours' drive from Melbourne, but it's almost a different world, especially in autumn. The transitional season between the sun-drenched summers and snowy winters is one of the most fascinating times to visit the High Country. Before the mountains go into full alpine retreat mode, they come alive with apple trees, autumnal colours, and the emotive, alluring scent of deciduous environments that we only get to experience once a year. Not to mention the bountiful gastronomic opportunities that the harvest season presents to the High Country's many wineries, pubs, cafes and farm doors. Because we know that no mountainous hike is the same without something delicious to sustain and motivate you, we've paired the region's best hearty bites with its most invigorating treks. BRIGHT AND TIKI COCKTAILS Start in Bright, a historic village that acts as the gateway to some of the region's best treks. Bright itself is worth the trip in autumn for both its glorious autumn foliage and its inspired culinary scene. To fuel up (and you're going to need it), head to Tomahawks — a cool, cosy bar and restaurant in the middle of town. Try the chargrilled broccoli served with smoked butter and almonds and the dukkah lamb ribs for a hearty snack, or go one of their brioche buns if you want more energy. Make sure to try their Tiki cocktails while you're there — they pack a flavoursome punch. Afterwards, drive about an hour north of Bright to Diamantina Hut and trek up Mount Feathertop. From there, it's an 11-kilometre hike up the mountain — about seven hours return. It's a steep climb but will take you into another world in autumn: a misty, mossy, fantasy land with spectacular views. If you end up back in Bright, reward yourself with a drink at distillery Reed & Co, whose signature Remedy dry gin is made with native pine needles and eucalyptus. The venue also boasts a custom-made fuel grill so you can count on a nourishing meal to fill you up. WANDILIGONG AND MUSHROOM FORAGING If a seven-hour hike is a little intimidating, try this alternative. Start, once again, in the beautiful town of Bright with a mushroom foraging class. They run throughout May (prime mushroom foraging season) at a local cooking school. You'll hunt for local mushies before learning five Italian recipes to make the most of your haul. Then put your new skills to the test on a six-kilometre trek to Wandiligong, a tiny gold-mining town to the south of Bright. In April, the town hosts a seasonal nut festival where the growers of the region harvest and show off their produce, both nut and otherwise. Get on down there for the chestnuts-roasting-on-an-open-fire smell alone. Make the most of your time in Wandiligong by stopping at some of its other foodie haunts: Wandiful Produce, where you can gather your own freshly fallen chestnuts at this time of year and take a tour of the farm, and Nightingale Brothers orchards, the spot to imbibe fresh apple cider and stock up on edible gifts. MOUNT HOTHAM AND VIENNA SCHNITZEL Go properly Sound of Music with an Alps-inspired mountain adventure. Start the proceedings at Zirky's, the Mount Hotham resort founded by Austrian Peter Zirknitzer, who came out here in the 1950s to teach skiing. His family still runs this operation, and their European roots shine through in the dining room, where Austrian-style schnitzel is served on Wednesday nights. Then, in stark contrast to such luxury, head on down to Mount Hotham and brave the three-day alpine camping trek. It's a 37-kilometre trek from Mouth Hotham to Falls Creek, and autumn is the perfect time to go. It's cold enough to use all that shiny, high-tech camping gear you love, but not so cold that you'll need cross-country skis. The manageable track winds through snow-gum woodlands and snow grass plains, with a few summits and historical sites along the way. This trek requires a bit of pre-planning because of the camping element, but it's well worth it. Consider overnighting at Cope Hut or Dibbins Hut, where there are new camping platforms. MOUNT BULLER AND A CELLAR DOOR If you lean more towards the food and wine side of the trek and treat adventure, opt for an easier hike between the twin peaks of Mount Buller and Mount Stirling. The moderate 7-kilometre trail takes about 2.5 hours through pretty snow gum forest. Those seeking truly iconic scenery can take a detour to a nearby cabin, used in the movie The Man From Snowy River. You'll want to make a stop on your way down Mount Buller at Delatite Wines. Their cellar door serves simple antipasto platters made with local ingredients — a fine accompaniment to the European-style wine and rolling hillside views. MOUNT BUFFALO AND AN OLIVE GROVE If you want to get your hands on some local produce, stop by the local olive grove and farm gate at Mount Buffalo Olives. Extra virgin olive oil is, as we all know, the nectar of the Gods, and it doesn't get much better than this. The Mount Buffalo olive vineyard has incredible views of the region. As well as olives and olive oil, they produce lots of tasty treats to fill out a picnic basket. Once you have your picnic ingredients sorted, head to Lake Catani campground. It's a great picnic destination to gorge yourself on all that freshness, and it's the starting point for plenty of 2-3 hour hikes up Mount Buffalo itself. Mount Buffalo is one of the easier hiking destinations in the High Country, so think of it as more of a digestive stroll than a high-adrenaline slog. For the athletes, there's the Horn Trail 30 minutes away — it's a punishing uphill trek that rewards you with the best views. BEECHWORTH AND BEER If you're interested in the history of the region, head to Beechworth and check out the Gorge Scenic walking tour. This one is a moderate walk (not a hike, so leave the hydration backpack at home for this one) and give yourself a few hours to enjoy it. The trail takes you out of town, through rugged Victorian country and the richest goldfields in Australia then loops back around to finish at the Beechworth Visitor Centre. You'll travel past waterfalls, rugged landscapes, historical sites, goldfields, quarries and bridges. The town of Beechworth also has a rich architectural history that'll leave you feeling like you're in an episode of Aussie-style Westworld. Grab some educational material from the visitor centre to get the most out of the walk. And when you're all wandered out, head over to Bridge Road Brewers to recover with a chestnut pilsner and roast duck pizza. They make all their small-batch beers on site, while the kitchen specialises in some of the world's other best sources of carbs — pizza and pretzels. Plan your High Country getaway by visiting the Wander Victoria website and discover more of the autumnal delights across regional Victoria before the season is out.
Here's one way to add eight movies to your must-see list in 2025: Australia's Alliance Française French Film Festival has not only unveiled its dates for the event's next tour of the country, but has also started dropping a sneak peak of its lineup. As proves the case every year, autumn Down Under will mean venturing to Paris and beyond from your cinema seat. Head along to AFFFF and you'll also be helping the fest to celebrate its 36th year. If you're in Sydney, mark Tuesday, March 4 in your diary. Melbourne's season opens the following day, then Brisbane and Canberra the day after that. Perth's turn arrives the next week, while Adelaide gets into the action the week afterwards. In all locations, the festival runs through until at least early April. Already the largest celebration of French cinema outside of France itself, AFFFF will be even bigger in 2025, hitting up 18 cities — and adding five new locations, in Darwin, Ballina, Ballarat, Warriewood and Warrawong, to its slate. Across its full run, the festival is set to host 5500-plus screenings. If you like Gallic films, that's a whole lot of sessions to say "oui" to. While the complete lineup will arrive in early February 2025, the fest has kicked off its program announcements with the Tahar Rahim (Madame Web)-starring Monsieur Aznavour, about singer-songwriter Charles Aznavour, as its opening-night pick. The movie has been doing big business in France, selling 1.8-million-plus tickets. Now, it's Australia's turn to head along. Also on the bill: the latest version of the The Count of Monte Cristo, which features Pierre Niney (The Book of Solutions) in the lead and takes AFFFF's centrepiece slot; Meet the Leroys, a road-trip dramedy that marks Charlotte Gainsbourg's (Alphonse) latest film; and Prodigies, a tale of sibling rivalry with Emily in Paris' Camille Razat. Beating Hearts, which is helmed by Gilles Lellouche (Sink or Swim) and stars Adèle Exarchopoulos (Inside Out 2) and François Civil (The Three Musketeers), played at Cannes International Film Festival 2024 — as did the music-loving My Brother's Band from The Big Hit writer/director Emmanuel Courcol. Viewers can also look forward to The Divine Sarah Bernhardt, with Sandrine Kiberlain (Meet the Barbarians) as the eponymous actor. And last — for now — but not least is All Stirred Up, a comedy focusing on a customs officer on the border between Quebec and the United States, plus her daughter's attempts to win a cooking contest. Alliance Française French Film Festival 2025 Dates Tuesday, March 4–Wednesday, April 9 — Palace Central, Palace Norton Street, Chauvel Cinema, Palace Moore Park, Hayden Orpheum Cremorne, Roseville Cinemas, Warriewood, Sydney Wednesday, March 5–Wednesday, April 9 — Palace Cinema Como, The Kino, Palace Balwyn, Palace Brighton Bay, Palace Westgarth, Pentridge Cinema,The Astor Theatre, Palace Penny Lane, Palace Regent Ballarat, Melbourne Thursday, March 6–Tuesday, April 8 — Palace Cinema James Street, Palace Cinema Barracks, Brisbane, QLD: Thursday, March 6–Wednesday, April 9 — Palace Electric Cinemas, Canberra Thursday, March 13–Wednesday, April 16 — Palace Raine Square, Luna on SX, Luna Leedeerville, Windsor Cinema, Perth Wednesday, March 19–Wednesday, April 23 — Palace Nova Prospect Cinemas, Palace Nova Eastend Cinemas, Adelaide The Alliance Française French Film Festival will tour Australia in March and April 2025. For more information, visit the AFFFF website. Check back here on Wednesday, February 5, 2025 for the full program.
Back in early June, Victoria celebrated recording zero new cases for the first time since the start of the pandemic. Two months later, that number had climbed to 687. That was the peak of the second wave, thankfully, and since then, the numbers have slowly been decreasing — and today, Monday, October 26, Victoria has awoken to some excellent news. The Victorian Government Department of Health and Human Services has sent out its daily Tweet with yesterday's numbers and it's what we all want to see: a big fat zero. https://twitter.com/VicGovDHHS/status/1320474981877325830 Of course, this doesn't mean the war is over, but it is some much-needed good news after a long period of lockdown. Since COVID-19 numbers started increasing again in July, a State of Disaster was declared in Victoria, masks have been made mandatory across the state and metro Melbourne has been in lockdown from early August. While Melbourne awaits the latest announcement on eased restrictions — as it races to contain an outbreak in the northern suburbs — this zero new case figure in Victoria is a welcome development indeed. Today's zero new cases places Victoria's total at 20,343, which includes 19,359 people who have recovered from the coronavirus, as per the state's last reported numbers on Sunday, October 26. So far, Victoria has conducted more than three million tests for COVID-19 since the beginning of 2020. While restrictions have been easing across the state, the Victorian Government has continued to encourage the state's residents to get tested (especially those in the northern suburbs of Melbourne) and respect the rules. Metro Melbourne is set to progress to its next stage of eased restrictions on Sunday, November 1, but Premier Daniel Andrews says he'll make an announcement on exactly what will change tomorrow, Tuesday, October 27. The state has been slowly progressing through a five-step roadmap to COVID-normal since mid-September, with different restrictions in metropolitan Melbourne and regional Victoria. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website — and for further details about Victoria's steps for reopening, head to the roadmap itself. Top image: Julia Sansone
Want to be beside the sea in the heart of St Kilda? Pick The Prince Hotel, which happily sits just a short tram ride away from the Melbourne CBD and a quick stroll from the sand. Here, you'll find comfortable yet polished modern rooms that look to be pulled straight out of a design magazine, with the hotel rocking an upscale beach vibe while also highlighting the building's art deco architecture heritage. This helps make it one of our favourite hotels in Melbourne. There are six different suite styles available at The Prince, decked out with elegant pops of colour and specially commissioned photography works by Tom Blachford and Kate Ballis. On-site wining and dining options are in strong supply between the Mediterranean-accented Prince Dining Room, the recently-revamped Prince Public Bar and the boutique wine bar Little Prince Wine. And if you're up for a night out on the town, all you have to do is head to the hotel's iconic Prince Bandroom, where some of the city's best live acts have been known to frequent. Top image: Tom Blachford Appears in: The Best Hotels in Melbourne
Melburnians, if you were planning to pick up show bags, hop on rides and check out cute animals at this year's Royal Melbourne Show, we have bad news. As also proved the case in 2020, the event has been cancelled due to the pandemic. In a statement released today, Wednesday, July 28, the Royal Agricultural Society of Victoria announced it had made the decision to cancel the 2020 show "due to the ongoing uncertainty and operational constraints, challenges and risks associated with holding major events with large free roaming crowds during the COVID-19 pandemic." Royal Agricultural Society of Victoria (RASV) President Matt Coleman said that "whilst the RASV Board is disappointed to make the decision to cancel the 2021 Royal Melbourne Show, we felt it important for all those planning to be involved in the event including exhibitors, competitors, judges, stewards, sponsors and volunteers that they have certainty so they can make informed decisions in relation to their own arrangements." This year's event was due to take over the Melbourne Showgrounds from Thursday, September 23–Sunday, October 3. First held in 1855, this is only the fourth time in the show's 166-year history that it has been cancelled — with previous cancellations happening last year, and in 1915 and between 1940-1945 due to World War I and II, respectively. The Royal Melbourne Show, which attracts around 450,000 visitors each year, joins a growing list of big events that have been impacted by the pandemic for two consecutive years — such as Bluesfest, Splendour in the Grass and Vivid Sydney. News of the show's cancellation comes on the same day that Melbourne emerged from its most recent lockdown, which spanned almost two weeks. Gathering and venue restrictions remain in place, as always happens following the end of stay-at-home conditions. The 2021 Royal Melbourne Show will no longer take place from Thursday, September 23–Sunday, October 3. For more information, visit the show's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Images: Flickr/Chris Phutully.
If you're out for a fancy brunch, a very late lunch or are just waking up from the night before with a hankering for coffee, this is the place to do it. Porgie + Mr Jones is bustling regardless of the day of the week and, come the weekend, it is positively bursting with excitement. A very small wait for your table is hardly a blip on the radar when cheery staff accommodate all your needs as soon as you walk in. Having expanded considerably since its opening a few years ago, the aesthetic of Porgie + Mr Jones has developed with immense thought. The cafe is split into a variety of areas that all offer a different mood — from the quirky front room featuring a takeaway counter for coffee and baked goods, to the more formal dining rooms (the 'fancy rooms'), a private room for events and the expansive outside garden terrace (the 'secret garden'). Wherever seated you'll be entirely comfortable, with the outside garden particularly sublime in the summer months. The menu doesn't differ too far from other names in the Porgie + Mr Jones empire, which also include Snow Pony (Balwyn), Friends of Mine (Richmond) and recently opened The Stables at Como House (Prahran). Offering something for everyone, it's a big achievement when any cafe manages to achieve the perfect balance of interesting flavours, collective favourites and hearty serves. Whatever your selection, you'll be assured a faultless choice, with food envy possibly the only repercussion. For those craving savoury, salty goodness, the fabulous herb and cheesy toast with eggplant kasundi ($11.90) as well as the McPorgie, an English muffin stuffed with ham off the bone, Emmental cheese and creamy dreamy scrambles ($5.50) will hit the sides absolutely perfectly. For the health conscious, the bircher muesli with stewed rhubarb, honey yogurt and toasted pistachio ($10.90) is the perfect balance of sweetness. Aptly presented in a gorgeous glass jar, it's just one of the endearing touches Porgie + Mr Jones will leave you with. Things take a step up come lunchtime, with offerings including the crispy skinned pork belly with Jerusalem artichoke cream, prunes and pear ($22.90) assured to impress. With this expansive, highly-capable daytime menu, Porgie + Mr Jones' recent foray into nighttime dining has proved to be nothing but successful. Open for dinner on Friday and Saturday nights, the set menu run with the choice of two ($55pp) or three courses ($70pp) is a definite highlight in this part of town. Bookings are, of course, essential. Compared to its nearby sister Snow Pony, Porgie + Mr Jones delivers the goods in a dining experience that is almost flawless. Come back over and over again to explore the expansive menu and delight in the different spaces. It's a reliable choice when desiring a hearty meal, a cheeky sweet treat or somewhere to take a group. Just remember to take cash with you (cards are not accepted, but there is an ATM next door for convenience), and the buzzing atmosphere will have you out the door with a very happy spring in your step.
I don’t know if you’ve heard, but apparently Melbourne is the fashion capital of Australia. While half the appeal of shopping here is about knowing where to go and how to find it, someone let the tourism industry in on that little secret. What’s the point of having a secret if everyone knows about it? Anyhow, here are Concrete Playground's picks of the best boutiques in Melbourne, where the chances of running into a Hidden Laneway Gems shopping tour group are slim to none. Alice Euphemia Recently celebrating their 15th birthday, Alice Euphemia remains one of the most loved boutiques within the Melbourne fashion landscape. Supporting established Australian labels such as Romance Was Born, Lover and Carly Hunter alongside promising up-and-comers like Witu and DIAZ, you’ll be hard pressed to find any Melbourne gal worth her strong soy latte who doesn’t hold Alice close to her heart. Oh yeah, Kanye West bought an Emma Mulholland backpack there last year. Even Yeezy thinks they’re steezy. 37 Swanston Street, City; 03 9650 4300; aliceeuphemia.com Lenko Boutique Right next door to Alice Euphemia in the Cathedral Arcade, pop in to Lenko Boutique for hard-to-find pieces from local brands, plus a range of knick-knacks you never knew you wanted. One time I walked away from Lenko with a ring that said “Money Over Bitches”. I was not sad about it. 37 Swanston Street, City; 03 9077 2177; www.ilovelenko.com Pet Shop Girls Taking up residence on level three of Curtin House, Pet Shop Girls is the Holy Grail for super fun Japanese flung clothing that has somehow found itself in Swanston Street. Not only are Merci Beaucoup, Tsumori Chisato, Frapbois and NeNet amongst the super kawaii brands on the lineup, you’ll also find Melbourne favourites Verner, Poms and the fringey-fantastic denim label POC here. If you can’t bring yourself to make it up all those stairs (although it is only one level past the Toff), they’ve got a pretty great online store and an even better Instagram for outfit inspo purposes. Level Three, Curtin House, 252 Swanston Street, City; 03 9043 9277; petshopgirls.com Somewhere Store Sitting pretty above the Royal Arcade, this retail and gallery space provides a welcome sojourn from the hustle and bustle of the CBD. Free from the physical and mental clutter that is often attached to the shopping experience, Somewhere is home to a collection of Nordic labels that may or may not make you feel like you’re cool enough to move to Sweden. Don’t forget to visit the little gallery adjoining the store showcasing emerging Australian artists, and providing you with at least a week’s worth of cultural banter. Level 2, Royal Arcade, 314 Little Collins Street, City; 03 9663 3003; someplace.com.au Kuwaii This pretty little store in a quiet part of Brunswick East is Kuwaii’s only stand-alone boutique and houses the greatest collection you’ll find of the brand’s clothing and accessories. It’s also the only place you’ll get to meet the team behind the best shoes in all the land, as the incredibly helpful Kuwaii girls work out of a small studio behind the retail space. It’s difficult to walk out without looking like a lady. 37-39 Glenlyon Road, Brunswick East; 03 9380 5731; kuwaii.com.au Hokey Curator If you think the clothing options around Hawthorn range from Country Road to Witchery, don’t despair! Hokey Curator on Glenferrie Road is the southeast side’s answer to extra special designer garb. Owner Olivia Heung treats her store like a gallery, with a small, expertly curated selection of beautiful pieces worth maxing out your credit card for. Here you’ll find an extensive collection of Karen Walker and signature pieces from Romance Was Born, Sara Philips, Something Else, Dion Lee and Lonely Hearts, to name a few. 773 Glenferrie Road, Hawthorn; 03 9819 3039; facebook.com/hokeycurator Alpha 60 Epitomising Melbourne’s design conscious, minimalist aesthetic, Alpha 60 is a staple for those in favor of functional items, wear-to-death basics and unusual silhouettes. Black reigns supreme here, with a relatively monochromatic palette punctuated by colours that vary from season to season. There are four stores scattered around the city, Fitzroy and Prahan, and thus zero excuses not to make like a true Melburnian and get your modern day goth on. 201 Flinders Lane, City, 03 9663 3002; 179 Brunswick St, Fitzroy, 03 9416 4296; Shop G18, GPO, Bourke St, city, 03 9654 1114; 230 Chapel St, Prahran, 03 9510 2626; alpha60.com.au Images via blog.aliceeuphemia.com, indie.com.au, petshopgirls.com, someplace.com.au, melbournefashionista.com.au and habitusliving.com
