Editors fictional and real may disagree — The French Dispatch of the Liberty, Kansas Evening Sun's Arthur Howitzer Jr (Bill Murray, On the Rocks) among them — but it's easy to use Wes Anderson's name as both an adjective and a verb. In a sentence that'd never get printed in his latest film's titular tome (and mightn't in The New Yorker, its inspiration, either), The French Dispatch is the most Wes Anderson movie Wes Anderson has ever Wes Andersoned. The immaculate symmetry that makes each frame a piece of art is present, naturally, as are gloriously offbeat performances. The equally dreamy and precise pastel- and jewel-hued colour palette, the who's who of a familiar cast list, the miniatures and animated interludes and split screens, the knack for physical comedy, and the mix of high artifice, heartfelt nostalgia and dripping whimsy, too. The writer/director knows what he loves, and also what he loves to splash across his films, and it's all accounted for in his tenth release. In The French Dispatch, he also adores stories that say as much about their authors as the world, the places that gift them to the masses, and the space needed to let creativity and insight breathe. He loves celebrating all of this, and heartily, using his usual bag of tricks. It's disingenuous to say that Anderson just wheels out the same flourishes in any movie he helms, though, despite each one — from The Royal Tenenbaums onwards, especially — looking like part of a set. As he's spent his career showing but conveys with extra gusto here, Anderson adores the craftsmanship of filmmaking. He likes pictures that look as if someone has doted on them and fashioned them with their hands, and is just as infatuated with the emotional possibilities that spring from such loving and meticulous work. Indeed, each of his features expresses that pivotal personality detail so clearly that it may as well be cross-stitched into the centre of the frame using Anderson's hair. It's still accurate to call The French Dispatch an ode to magazines, their heyday and their rockstar writers; the film draws four of its five chapters from its eponymous publication, even badging them with page numbers. But this is also a tribute to everything Anderson holds The New Yorker to stand for, and holds dear — to everything he's obsessed over, internalised and absorbed into the signature filmmaking style that's given such an exuberant workout once again. One scene, in the first of its three longer segments, crystallises this so magnificently that it's among the best things Anderson has ever put on-screen. It involves two versions of murderer-turned-artist Moses Rosenthaler, both sharing the boxed-in frame. The young (Tony Revolori, The Grand Budapest Hotel) greets the old (Benicio Del Toro, No Sudden Move), the pair swapping places and handing over lanyards, and it feels as if Anderson is doing the same with his long-held passions. Before Moses' instalment, entitled The Concrete Masterpiece, the picture's bookending story steps into Howitzer's offices in the fictional French town of Ennui-sur-Blasé. Since 1925, he's called it home, as well as the base for a sophisticated literary periodical that started as a travel insert in his father's paper back in Kansas. Because Anderson loves melancholy, too, news of Howitzer's death begins the film courtesy of an obituary. What follows via travelogue The Cycling Reporter, the aforementioned incarcerated art lark, student revolution report Revisions to a Manifesto and police cuisine-turned-kidnapping story The Private Dining Room of the Police Commissioner is The French Dispatch's final issue turned into a movie — and an outlet for both Howitzer's and the director's abundant Francophilia. Watching travel correspondent Herbsaint Sazerac (Owen Wilson, Loki) wheel around Ennui — a place that isn't quite Paris, just as The French Dispatch isn't quite The New Yorker — comes complete with choirboy gangs rumbling seniors, rat-filled tunnels and bodies fished out of rivers. Anderson's love of quaint and quirky details initially shimmers before that, in Howitzer's workspace beneath his comical "no crying" sign, but doesn't stop gleaming for a second. It's there in Moses' success, as aided by his muse/prison guard Simone (Léa Seydoux, No Time to Die), fellow inmate/art dealer Cadazio (Adrien Brody, Succession), and journalist JKL Berensen (Tilda Swinton, Memoria), who relays the specifics. And, it's clear in the chronicle by political writer Lucinda Krementz (Frances McDormand, Nomadland) about a student uprising led by the suitably moody Zeffirelli (Timothée Chalamet, Dune) over accessing girls' dormitory rooms. Regardless of their amusingly monikered setting, there's nary a trace of boredom or indifference in any of these chapters, all of which ape real New Yorker stories and scribes. So too does Howitzer, as well as Roebuck Wright (Jeffrey Wright, No Time to Die), author of the film's third major segment. The French Dispatch layers in themes and ideas as potently and deeply as its visual gems, tortured genius myths and "the touching narcissism of the young" (as the movie itself describes it) all included; however, its Roebuck-focused thread is exquisitely intelligent and affecting. On a TV set, the journalist relays his attempt to write about Nescaffier (Steve Park, Warrior), chef to the local police commissaire (Mathieu Amalric, Sound of Metal), which was derailed by a hostage situation involving the latter's son — and his piece also becomes an outsider's lament. Whether going monochrome in homage to the French New Wave, pulling off a bravura late-film long shot, or finding roles for Elisabeth Moss (The Invisible Man), Saoirse Ronan (Ammonite), Edward Norton (Motherless Brooklyn) and Willem Dafoe (The Card Counter) — plus Jason Schwartzman (Fargo), who also nabs a story credit with the director, Roman Coppola (Isle of Dogs) and Hugo Guinness (The Grand Budapest Hotel) — Anderson does his utmost at every turn. While aided by sublime work by his eight-time cinematographer Robert D Yeoman, regular production designer Adam Stockhausen and frequent composer Alexandre Desplat, the result feels like slipping not only into Anderson's head but his heart, and more so than any other feature he's made. The French Dispatch is a treasure chest for Anderson, his devotees, and lovers of words, France and inventive cinema alike, although it holds zero chance of converting his naysayers. "Just try to make it sound like you wrote it that way on purpose," is Howitzer's wise advice to his writers, but there's no doubting that every minuscule choice made in this remarkable delight is utterly and marvellously intentional.
It's never too late to learn something new, and we're not just talking about the ins and outs of superannuation. Rather, turning your brain to studying — and possibly launching yourself into a new career — has never been so easy. Open Universities Australia (OUA) helps you find a degree to fit your goals and study it online. So, no matter your physical proximity to the university running the course, or your life commitments, you can make it happen. Whether you're a first-time student, an aiming-to-finisher, or just looking to extend your career options by adding another notch to your belt, we know that half the battle can be figuring out what you actually want to study. Rather than spending hours trying to nut it out, why not use the time you've already dedicated to your favourite television show? Chances are, your favourite genre might give you a pretty good clue as to what you're into. Read on to discover eight possible careers based on a small-screen hit, then go tell your mum that you weren't wasting time after all. YOU LOVE: THE HANDMAID'S TALE Consider studying: Bachelor of Psychological Science and Sociology with University of South Australia (UniSA), Bachelor of Behavioural Studies with Swinburne University or Master of Public Policy and Management with Flinders University. Well, things are pretty bleak at the moment in Gilead. And they have been for June (Elisabeth Moss) since the show — an adaptation of Margaret Atwood's novel of the same name — began. An oft-bleak reflection of parts of our world in the modern day, The Handmaid's Tale isn't a happy watch, but it is an important one — and from it arises a wider commentary on policy, oppression and herd mentality. If you really want to unpack everything that's happening to June, or if the eerily familiar (and frustrating) circumstances have lit a fire in your belly, consider studying a degree in policy, social studies or psychology, available online through OUA. YOU LOVE: BROOKLYN NINE-NINE Consider studying: Bachelor of Criminology and Criminal Justice with Griffith University or a Master of Criminology with Macquarie University. You only need to spend a little time on social media to know that Brooklyn Nine-Nine has become a cult TV offering — there are memes everywhere. The comedy has a surprising amount of heart behind Detective Jake Peralta's (Andy Samberg) antics and the joke-a-minute vibe (if you didn't laugh at that Backstreet Boys cold open, then you don't have a sense of humour). Although it's cloaked in fictional comedy, this show covers some seriously diverse crimes. This, plus the backlog of true crime documentaries on your to-watch list, prove that there are seriously interesting stories out there and some wild stuff that happens in the world. If you want to hustle your case-cracking prowess into a career, explore a degree in criminology with Griffith University. Or, if you've already got a bachelor's degree and notched up some work experience in the field of security, you can jump into a masters with Macquarie University. YOU LOVE: GAME OF THRONES Consider studying: Bachelor of Arts (Creative Writing) with Curtin University, Master of Writing with Swinburne University or Master of Arts (TESOL) at Bond University. Just because it's over doesn't mean it's really over — the characters of Westeros and Jon Snow's immense sadness can live on in your heart long after the final episode. And we've found a way for you to continue your obsession with the epic fantasy series based on George R.R. Martin's books. You can learn to appreciate the intricacies of the world he created or, even better, create your own Westeros (maybe one where slightly less characters die) by taking on a creative writing course online through OUA. You can start from the very beginning with Curtin University's bachelor degree, which allows you to explore different styles including poetry, short fiction and screenwriting. Or, you can hone your already established craft with a masters with Swinburne University of Technology or Bond University. The latter explores the principles of the English language and will grant you a teaching qualification, too. YOU LOVE: CHERNOBYL Consider studying: Diploma in Science with University of New England or Associate Degree in Engineering at University of South Australia. It's the one everyone has been talking about, and it recently rated the best TV show of all time on IMDb. Chernobyl, which explores the catastrophic incident at a Ukrainian power plant in 1986, breaks down a particularly harrowing chapter of history. The disaster had far and long-reaching consequences and the show gets you thinking about what happens when science and human error combine to fail us. If your brain is ticking over with nuclear reactor designs or chemical equations, it might be time to hit up OUA to embark on a new career in science or engineering. YOU LOVE: SEX EDUCATION Consider studying: Bachelor of International Public Health with University of NSW or Master of Public Health with Curtin University. Netflix's very funny, very sweet British show has basically everything you need for a weekend binge show: good writing, a great cast and a storyline tackling critical gender and sexuality issues among young people. Oh, and Gillian Anderson. Sex Education tells the story of Otis (Asa Butterfield) trying to making it through high school while contending with his mother (Anderson), who is a sex therapist working from home. A show that anyone, young or old, can find something to relate to in, Sex Education is a worthy reminder that health and sexual education should be taught comprehensively to young people. If you think you could fill those very important shoes, considering studying a public health degree with a leading uni online through OUA, which could open you up to career opportunities in government agencies, research or community health programs. YOU LOVE: RICK AND MORTY Consider studying: Bachelor of Arts (Animation and Game Design) with Curtin University or Bachelor of Information Technology (BIT) in Games Design and Development with Murdoch University. Yeah, we know — it's a silly one. But it's pretty damn funny. Rick and Morty was created by Justin Roiland and Dan Harmon, of Adventure Time and Community respectively, and it's not for the underage (or faint-hearted). Following mad scientist Rick and his grandson Morty as they go on interdimensional adventures, the show is wacky, original, and a little gross. But, it may also get you thinking about the rising popularity of adult cartoons, and the animation teams behind their increased profile. So, if you've always had an artistic streak that you'd like to nurture into a full-blown career, have a search through the online options through OUA for animation and game development. YOU LOVE: THE GOOD PLACE Consider studying: Bachelor of Education (Primary, Secondary or Early Childhood) with Curtin University. One of the most clever shows in recent years has to be Michael Schur's The Good Place. From the man who brought us Parks & Recreation and The Office comes a comedy starring Kristen Bell as Eleanor — an unremarkable person during her life on earth who wakes up in The Good Place, or a heaven-like utopia, being shown around by Michael (Ted Danson). Three seasons of moral questions, philosophical quandaries and people just being human ensue. While a lot of it is silly fun, The Good Place does provide a solid vessel for the discussion of ethics, via creative uses, and exploration of belief. It also hammers home, while we watch Chidi attempt to teach Eleanor moral philosophy, that the world needs more good teachers. Live your dream and explore your own moral questions by becoming one. YOU LOVE: SUITS Consider studying: Bachelor of Laws with University of New England and Juris Doctor with Flinders University. Pre-prince days for Meghan Markle brought us Suits, an Aaron Korsh-created legal drama focusing on Mike Ross and Harvey Specter, lawyers working at a large firm in New York City. While Mike (Patrick J. Adams) goes in entirely untrained and manages to pull off working large cases without a sweat, we don't encourage that — in fact, we'd strongly urge you to look into a law degree, which you can study online through OUA. Combine your interests in watching endless episodes of Suits (there are nine seasons), besting someone in a verbal argument and, if you like Mike, helping the underdog by getting a law degree. The two-piece suits await. Explore hundreds of degrees from leading Australian universities available online through Open Universities Australia. You could have a new skill by the end of the year. Hop to it.
Sometimes, the world handily delivers answers to questions you didn't even know you ever had. You might not have actively wondered to yourself "what'd happen if New Zealand treasures Taika Waititi and Rhys Darby played pirates?", for instance, but we're betting you're now keener than a buccaneer searching for a bottle of rum to discover how it turns out. Best add Our Flag Means Death to your 2022 must-watch list, then. Arriving sometime in March on Binge in Australia — with release details in NZ yet to be confirmed — the HBO Max sitcom sees Darby lead the show as Stede Bonnet, who was a real-life pirate who took to the seas in the early 18th century. The reason that his story is getting the streaming treatment? Bonnet was a 'gentleman pirate', as the just-dropped first teaser trailer for Our Flag Means Death dubs him. He left his life of privilege to rove the oceans, which this comedy is set to have plenty of fun with. As the initial sneak peek shows, Bonnet has some bold ideas about how life onboard should run — bold compared to the usual pirate stereotypes, that is. And, that's set to see him clash with a very famous name from pirate history: Blackbeard, which is who Waititi will be playing. The two immensely funny NZ talents are joined by a long list of co-stars that includes Ewen Bremner (First Cow), David Fane (Paper Champions), Nathan Foad (Bloods), Joel Fry (Cruella), Samson Kayo (Truth Seekers), Rory Kinnear (No Time to Die) and Leslie Jones (Death to 2020). And, while Our Flag Means Death is the brainchild of writer, showrunner and executive producer David Jenkins (People of Earth), Waititi directs the pilot — and executive produces, lending his name and support to another up-and-coming comedy after doing the same with Reservation Dogs last year. And yes, that means he's directing Darby yet again, as he's already done in everything from Flight of the Conchords and What We Do in the Shadows to Hunt for the Wilderpeople. Check out the trailer for Our Flag Means Death below: Our Flag Means Death will start streaming in Australia via Binge in March — we'll update you when an exact date is revealed. We'll also update you when release details in New Zealand are announced. Top images: Aaron Epstein/HBO Max.
Sydney's Art Gallery of NSW has taken its weekly after-hours session online — and the next two editions are all about NAIDOC Week, a celebration of Aboriginal and Torres Strait Islander culture and achievements. On Wednesday, November 11, you can join a discussion between author and presenter Yumi Stynes, Aboriginal rights activist and proud Bundjalung woman Vanessa Turnbull-Roberts, and four-time Archibald Prize finalist Blak Douglas (aka Adam Douglas Hill). Douglas' 2020 portrait of Dujuan Hoosan, star of the documentary In My Blood It Runs, is on show at the AGNSW until Sunday, January 2021, alongside Vincent Namatjira's award-winning depiction of sporting star Adam Goodes — the first-ever portrait by an Indigenous artist to take out the top gong in Archibald Prize history. The following week, on Wednesday, November 18, curator of Aboriginal and Torres Strait Islander art Coby Edgar will chat with artist and Arrernte woman Marlene Rubuntja, whose stunning sculptures feature in the gallery's new exhibition entitled Joy. Both sessions will be streamed on the AGNSW's Facebook page and Youtube channel. If you're in Sydney and can make it to the gallery, you can also head along to a free Indigenous-led guided tour of the Yiribana Gallery. [caption id="attachment_789035" align="alignnone" width="1920"] Blak Douglas, 'Writing in the sand' (2020). Copyright the artist. Photo by Felicity Jenkins, AGNSW.[/caption]
Music is becoming just as important as art at the NGV these days. Even when the walls are covered in works from Monet, Caravaggio and a relative stampede of local talent, you can't help but itch for the latest announcement of who'll be playing Friday Nights in the Great Hall. Well itch no more, the latest group of musos have arrived and they're exciting enough to rival Jean Paul Gaultier himself. Friday Nights this season will kick off on October 24, when The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk is already in full swing. Though the lineup is characteristically packed with young local talent, the first two acts are both from the US — and more specifically, the '90s. Lead singer of MEN, one-third of Le Tigre and bona fide feminist legend JD Samson will be first up. Samson is then quickly followed by iconic world music duo Cibbo Matto. Known for their collaborations with the likes of Yoko Ono and Michael Gondry, these ladies will feel right at home inside a gallery setting. From November onwards the lineup is dominated by an exciting though familiar list of Triple J darlings. Young artists like Remi and Elizabeth Rose will be gracing the stage as well as more established Aussie acts like Touch Sensitive and The Bombay Royale. In fact, of all the 14 artists announced, Kate Miller-Heidke is probably the only one you would have heard on commercial radio. Of course, this isn't a bad thing — it shows the NGV is all up for supporting local talent and alternative terrain. To add to this exciting atmosphere, the Friday Nights series will also present fashion talks and pop-up food and drink offerings. Each performance will even be accompanied by a crew of street artists from Everfresh Studio creating new work on stage. And they better be feeling confident — the final night of the series will be tied up with a performance by the legendary Chicks on Speed. Aside from pioneering art pop before Lady Gaga was even a thing, in the past they've collaborated with the likes of Douglas Gordon, Karl Lagerfeld and the Red Hot Chilli Peppers. No pressure or anything. Full lineup: October 24 — JD Samson (USA) October 31 — Cibo Matto (USA) November 7 — Saskwatch November 14 — The Bombay Royale November 21 — Cumbia Cosmonauts November 28 — Nun December 5 — Touch Sensitive December 12 — Remi December 19 — Elizabeth Rose January 9 — Kate Miller-Heike January 16 — Frikstailers (ARG) January 23 — HTRK January 30 — Rat & Co February 6 — Chicks on Speed (AUS/EUR)
Since Australia started easing out of COVID-19 lockdown, the country's internal border restrictions have earned plenty of attention. With tactics to stop the spread of the coronavirus implemented at a state-by-state level, each Aussie state has navigated the situation in its own way when it comes to letting non-residents visit. In Tasmania, that has meant some strict quarantine requirements — which, for non-Tassie residents who weren't classified as essential travellers, entailed spending 14 days in government-designated accommodation. But, for most of the country, quarantine is no more. From Monday, October 26, travellers from Queensland, the ACT, SA, WA, the NT and New Zealand, which are deemed low-risk areas, are allowed to hop on a plane and head across the Strait. After you've filled out a Tas e-Travel form, of course. [caption id="attachment_784489" align="alignnone" width="1920"] The Flaming Lips, Mona, Hobart, Mona Foma 2016. Photo Credit: MONA/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia.[/caption] Some good new for Sydneysiders: this will be an option for you, too, come Friday, November 6. On this date, Tasmania is set open its borders and airports to NSW travellers, pending further public health advice. In other words, if there's an outbreak before then, it might reverse the decision — but if NSW continues its stretch of relatively low levels of community transmission (there have been just three new cases in the past four days) we'll be good to go. "What we want to see in a jurisdiction that we open up to is less than five cases of unknown transmission in the last 28 days," Premier Peter Gutwein said in a press conference. "New South Wales over the last 28 days has had six only in a population of nearly eight million people, so they are on top of this." If you're in Melbourne, sadly the changes won't apply to you just yet. Premier Gutwein noted that the state still hopes to open up to Victorians from December 1, but that they're pleased to "see them driving their numbers so low" and will "be responsive to the evolving situation there". Kiwis legally must complete at least 14 days of managed isolation or quarantine when returning to New Zealand. Travellers will also be tested for COVID-19 during the two-week stay. The New Zealand Government has raised its travel advice to "do not travel" — the highest level — regardless of destination. Keen to start planning an adventure south? Mona Foma has announced it'll return to Launceston and Hobart in January — and we've pulled together this list of exciting food and drink spots in the state's northeast. Visitors from low-risk areas (currently Queensland, the ACT, SA, WA, the NT and NZ) are allowed to visit Tasmania without quarantining. You must fill out a Tas e-Travel form a maximum of three days before you arrive. The state is set to open to NSW from Friday, November 6. To find out more about the status of COVID-19 in Tasmania and the state's corresponding restrictions, visit its online COVID-19 hub. Top image: Bay of Fires via Lia Kuilenburg for Tourism Tasmania.
Not one, but three, designers have put their two-wheeling brains together to come up with tokyobike's latest offering: the company's first ever Designer Series. It's a trio of bikes that will make you seriously want to shell out (and at this price, you'd be skipping more than a few meals). The first, a schmick golden number, is the work of Everything Elevated, who are based in New York and Oslo. It's a single speed with dropped handle bars that gets its inspiration from early minimalist track racing bikes. The second you'll want with you next time you're in Paris. Calico Wallpaper, a Brooklyn-based company run by couple Nick and Rachel Cope, based their concept on the bikes you see in 1930s French films. It's so comfy you can ride all day. The dreamy blue, white and burnt orange paint job reflects the transition from dawn to dusk. Not good at making decisions? The third in the series is your pick. It's white on one side and grey on the other. Joe Doucet, award-winning Brooklyn-based designer, is behind this third bike, with half-canvas, half-rubber handles, which are handmade in Italy. This kind of design doesn't come cheap. Each limited edition bike will set you back $2,500 a pop. Orders are available online. Images: Tokyobike.
As winter enters its darkest weeks, Victoria's picturesque coastal town of Queenscliff launches its second incarnation of Low Light Queenscliff — a boutique fringe festival bringing the finest international and local arts, music and culinary talents in a celebration to stimulate the senses. Low Light will run across consecutive weekends in May and June, showcasing immersive art, performances and more. Think of it like Queenscliff Music Festival meets Dark Mofo (plus a bit of Burning Man). The town's public spaces, galleries, cafes, bars and restaurants will play host to a dazzling array of fringe-style art exhibitions (including Melbourne installation and miniature street artist Tinky), film premieres and screenings (like A Boy Called Sailboat, with the soundtrack played live by the Grigoryan Brothers at the Bellarine Lighthouse on Friday, June 28), spoken word and literary readings and eclectic musical performances. The pièce de résistance will be the planned, simultaneous burning of sculptures in the main streets on Saturday, June 22 — Winter Solstice Night. Other highlights will include the Queenscliff Music Festival concerts, featuring Dan Sultan, Archie Roach, Jen Cloher and Clare Bowditch, popular music documentary Her Story Her Sound screening, Winter Wonderland (a Queenscliff Harbour pop-up ice skating rink) and a winter-warming Japanese whisky masterclass at the Queenscliff Brewhouse. Degustation menus featuring locally foraged ingredients will be available to ease the bracing seas breezes as you explore a side of Queenscliff never seen before. And at just a 90-minute drive from Melbourne, Low Light can be enjoyed as a day trip, long weekend or returning adventure. Low Light events feature every Friday through Sunday across May and June. To view the full program and book tickets, visit the website. First image: Cameron Robbins.
Some would say there's nothing better than sitting back in one of Melbourne's iconic rooftop cinemas and sipping the night away with a summer cocktail in hand. Simply put, those people are chumps. Sitting there in their deck chairs, fully clothed, getting their own drinks from a bar that they walk to with their un-wrinkled legs. Fools! The future is here, and it's powered by hot jets of liquid happiness. Hot Tub Cinema is exactly what it sounds like. From Friday, January 10, the top level of the multi-level carpark behind the Prince in St Kilda will be transformed into a unique cinema featuring two outdoor screens and 16 hot tubs. The pop-up space, designed by the same people who brought us The People's Market, will stand till February next year, and will feature some rowdy and hot-tub friendly flicks such as The Hangover, Superbad, and Dirty Dancing — for those that like their spa experience with a side-order of Swayze. Doors open from 3pm for a sunny afternoon tipple, then the movies kick off from around 8.30pm. There's even full bar service straight to your spa for those that want to kick on into the night (everyone, obviously). Bookings can be taken by the tub, or separately... if you don't mind the idea of sitting in stranger juices for a couple of hours. Tickets are on sale now. This event has been postponed until further notice. For updated information check the organiser's Facebook page.
The winter chill is starting to set in across Melbourne, which means it's time to bust out your warmest winter woollies once again. If you're a fan of frostier climates, you'll want to celebrate with some mates over a mulled wine — which you can now do thanks to Victoria's new eased restrictions. To celebrate the start of winter (and the reopening of restaurants, bars, cafes and pubs), a heap of private igloos are popping up across Melbourne, so you can get your winter escape without even having to leave the city. Dubbed the Winter Igloo Garden, the pop-up winter wonderlands have taken over The Auburn Hotel's beer garden, The Station Hotel and by the banks of the Yarra at The Wharf Hotel, with one slated to open at Studley Park Boathouse next week. Each igloo can fit up to four people and come with twinkly fairy lights. You can hire out the igloos for a 90-minute or two-hour time slot, which includes a three-course, heartwarming meal and a drink, with a choice of espresso martini, hot toddy, wine and beer. Priced between $49–69, your time in an icy haven is pretty reasonable when you split it with the crew. At The Auburn you'll be chilling out in your wintry bubble for two hours and feasting on the likes of mini lamb pies, cauliflower cheese croquettes and braised beef cheek for $59. Plus, if you're looking to get super-cosy, you can buy a fleece blanket for $5, which you get to take home with you. At the riverside Winter Igloo Garden at The Wharf Hotel, you can hire an igloo out for 1.5 hours, during which you'll be sipping drinks and tucking into a seafood feast for $49. If you're looking for more heartwarming fare, The Station's igloos come with meat-heavy dishes like short rib croquettes, wagyu and bone marrow and a drink, with mulled wine also an option, for $69. Further drinks can also be ordered via an app, so you don't have to leave your wintry lair. Private igloos are are available to hire at The Auburn Hotel, The Wharf Hotel and The Station Hotel. Until at least Wednesday, July 29, stay-at-home orders have been reintroduced in 12 Melbourne postcodes, which means their residents can only leave for one of four reasons: work or school, care or care giving, daily exercise or food and other essentials. For more information, head to the DHHS website.
Writers' festivals are getting more and more 'with it' these days. People wear shirts with hashtags on them, you're encouraged to live-tweet questions for authors on panels, and the events are no longer held at local library reading rooms, but cool back-alley warehouse spaces. The kind of place where everyone's wearing black-rimmed glasses and talking about Tao Lin. All this is old news now however, as the Emerging Writers' Festival has just announced the creation of the world's first exclusively online writers' festival to take place in February 2014. While writers' festivals once lamented the damning effects of the internet and digital technology on the written word, the Digital Writers' Festival will be a 12-day celebration of it. Digital publishing, eBooks, alt lit, fan fic, webcams and Twitterbots — the publishing industry and the nature of writing itself has transformed dramatically in even the past few years, and DWF is going to be a dedicated space in which to examine it. This also has a huge impact on accessibility. Do you live in the Northern Territory and always feel jealous when you see pictures of the Melbourne Writers' Festival? Maybe you live in Melbourne, but never felt quite cool enough to head along to the events. Perhaps you tried, but got lost looking for the event down a laneway? The DWF will be the first truly accessible festival for a vast array of people all over country, and more than that, the world. Read our Twitterview with DWF director Connor Tomas O'Brien here. Update 29 January: The full program for the Digital Writers' Festival is now up on the site.
Tasmania may sit forgotten and ridiculed on the outskirts of our borders, but every January it truly shines. Attracting tens of thousands of visitors from all over the country, MONA's annual Festival of Music and Art is a cultural icon. Now, in its seventh year, it's still bringing in the goods. The just-released 2015 lineup will include legendary post-punk outfit Swans, Dan Deacon, Amanda Palmer, Paul Kelly and — because why not — author Neil Gaiman. And that's not even mentioning the art. Curated by Brian Ritchie of the Violent Femmes, the musical program is incredibly eclectic — a tasting plate of genres for those not quite so fascinated with predictable summer festivals like Laneway or Future. In 2015 you can relax whileNeil Gaiman reads you a story accompanied by the ambient sounds of Jherek Bischoff, go local with Paul Kelly's Soul Sessions featuring Dan Sultan and Kira Puru, or melt your brain with some Dan Deacon goodness. MOFO caters to all. The art on display will be just as strange. UK group Architects of Air will be bringing their giant inflatable sculpture — read: artsy bouncy castle — EXXOPOLIS down south from the Brisbane Festival. Melbourne artist Atticus J. Bastow is acting as maestro to an orchestra of iPhones. Johannes S. Sistermanns will be wrapping thing (and possible people) in cling wrap to create terrifying sound art. Then, Alvin Curran will combine both art and music while mobilising rafts and dinghies to make music on the Derwent River. "We are thrilled that the audience for MOFO has developed to the point where we can present this dazzling array of creativity and know the people are ready, willing and able to come along for the ride," said Ritchie. "It’s a party with brains, heart and soul." For a little look at what you're missing, check out our write-up from last year's Dark Mofo. January's festivities are bound to be about the same with 100 per cent more sunshine. What's not to love? MONA FOMA will run from January 15-18, 2015 in Hobart. Tickets are on sale now via the festival website. Full lineup: Alvin Curran Allan Halyk And Adam Wojcinski Amanda Palmer & The Tasmanian Symphony Orchestra Amir Farid Anna Von Hausswolff Architects Of Air Ava Mendoza Atticus J. Bastow Ben Frost Brendan Walls Chordwainers Dan Deacon David Francey Trio Debashish Bhattacharya Emma Dean And The Hungry Truth Faux Mo Francesca De Valence Gabriella Smart Genevieve Lacey Jim Moginie Johannes S. Sistermanns Li Binyuan Marduk Martine Corompt And Philip Brophy Melisandre Michael Kieran Harvey MOFI Eastern Sho MOMA (mona Market) Neil Gaiman Omar Souleyman Paul Kelly Presents The Merri Soul Sessions – Featuring Dan Sultan, Clairy Browne, Kira Puru & Vika And Linda Bull Phillip Johnston Rektango Robyn Hitchcock Ruth Roshan And Tango Noir Senyawa & Lucas Abela Shonen Knife Speak Percussion Swans The Clean Tim Hecker Xylouris White Young Wagilak Group & Australian Art Orchestra Zammuto
Melbourne prides itself on being the thinking person's city. We don't have Brisbane's sun or surf and we certainly don't have the picturesque views of Sydney. With weather that fluctuates between the howling gales of Siberia and the scorching highs of the Sahara, we're pretty much forced to sit inside all day and read books. Now we're taking full advantage of all those smarts: from October 27 - November 2 the City of Melbourne is hosting Melbourne Knowledge Week. Featuring 90 events, this mini-festival scattered across the CBD spans the fields of science and medicine, design and urban planning, business, art, culture and technology. Featuring talks, panels, workshops, walking tours and performances, Melbourne Knowledge Week is all about ongoing discussion, interrogation and learning. The highlight of the arts program will undoubtedly be The Crack Up at Malthouse Theatre. A "transmedia dance performance", this work will incorporate live dance and virtual performers against a high-resolution 3D backdrop. The cutting-edge work will then be followed with a panel entitled 'Performance and Technology: where to from here?’. If your smarts come from books rather than the stage, you might instead be interested in 'Stop Apologising for Your Arts Degree' — a forum on the versatility and use of humanities, and a guaranteed pick-me-up to your post-university slump. Alternatively, you can explore the uses of virtual reality technology or debate the pros and cons of making Melbourne a 24-hour city. There's really no need to choose at all. With most events offered free of charge, you may as well hit up as many as possible. Your education shouldn't stop with your final VCE exam. Check out the full program here.
Arc One Gallery are kicking off 2014 with a bang, hosting the work of seven prominent Australian artists in this impressive new group exhibition. From the end of January till the start of March, you may stumble across some local greats such as Julie Rrap, Anne Zahalka, Peter Callas, Pat Brassington, Peter Daverington, or Rose Farrell and George Parkin; and though there's no solid theme to the show, it seems each work may well end up subtly complementing the next. Though renowned in different mediums and styles, each artist Arc One represents seem enthralled in an exploration of different kinds of dissonance. Whether that be a conflict of cultures as in Peter Callas' work Japanese Uncle Sam, or a convergence of styles as in Anne Zahalka's photographic appropriation of Jan Van Eyck's Arnolfini Portrait, The Marriage of Convenience (pictured above). In fact, a tension between the new and old seems to be a recurring theme exhibited especially in Peter Daverington's cheekily titled oil painting Miniature Self Portrait #Selfie. With all this in mind, the show's title seems somehow spot on — exploring the differences and divides in our shared histories these artists are all in some way trying to unite these things which at first seem a world apart.
Northcote's High Street is worlds apart from the dusty expanse of Burning Man. But after this month, they'll share something in common: both will have played host to interactive neon art installations by renowned Aussie artist Carla O'Brien. You might be familiar with O'Brien's signature work, Neon Angel Wings, which shot to global fame after Katy Perry posed for a snap with them installed at the US festival back in 2016. Now, the artist's taking over the Northcote stretch affectionately dubbed The Rise, for a two-weekend pop-up installation celebrating diversity. From December 9–12 and again from December 16–19, Northcote Rise Neon Art Park will see a swag of playful neon pieces grace Civic Square at the Northcote Town Hall. Expect hot pink poodles, vibrant flowers and interlocking hearts, on show as the sun dips each night. And yes; those angel wings will be making an appearance so you can have your own little Burning Man moment, right here on home soil. [caption id="attachment_837854" align="alignnone" width="1920"] Melanie Desa[/caption] Images: Melanie Desa
Love a good glass of red? Well then, you're in luck. Following a series of pop-ups and bottling parties, people-powered urban winery Noisy Ritual have gone and found themselves a permanent home. Located on Lygon Street in Brunswick East, the new venue will pull triple duty as a cellar door, wine bar and event space, suitable for everything from weddings to exhibitions. "Noisy Ritual will be a haven for people interested in wine, winemaking, food and music," reads a statement on the winery's website. "Stop by for a glass of wine in the bar, or take a bottle home. Sign up for a winemaking experience, come to one of our special events, or hire the space for your own occasion." Not a bad turn of events for a business that began with fermenting grapes in a Thornbury backyard. Turns out if you offer people the chance to stomp, press and bottle their own vino, they'll turn out in droves. Incidentally, 2017 Noisy Ritual memberships are currently available, and get you entry to three winemaking workshops, three barrel tasting sessions and six bottles from your very own vintage. Plus, you'll be able to go into the Noisy Ritual bar and order a glass of the wine you made with your own two hands (and feet).
In case you needed a reminder the chain was still around and going strong, Victoria is home to eight TGI Fridays, with the American eatery located in Chadstone, the CBD, Doncaster, Eastland and more. The chain's mozzarella sticks and potato twisters have probably always been at the top of your must-eat list, which is understandable — but until Friday, March 29, it's the $5 margaritas that'll likely tempt you to make a trip. No matter what time of day you drop by, you'll only have to hand over a prawn — and you'll nab a cocktail in your choice of four flavours in return. Classic margs are available, of course; however, your tastebuds can also sip down mango, blood orange, and strawberry and coconut varieties. You will need to sign up to TGI Friday's rewards program to score the super-cheap price, which you can do by downloading the app (for iOS or android). Otherwise, those vivid margaritas will set you back $10. TGI Friday has eight Victoria locations: Chadstone, Doncaster, Eastland, Epping, Fountain Gate, Melbourne Central, Southbank and Southland.
Play music, make calls, take photos, open doors and share your location – all with the flick of a single switch. That's the idea behind Flic, a new wireless, portable button developed by a group of Swedish entrepreneurs that can be programmed to work with just about any smart device that you please. The 28mm diametre button works in conjunction with a smartphone app that allows you to assign it a particular function – such as snoozing your alarm, dialing pre-set phone numbers or switching on the lights in your smart home. Each button can be programmed with up to three different functions (single click, double click and hold) and has a reusable adhesive back so it can be fastened wherever is convenient. The creators of the device offer up a few more potential applications in the promotional video, below. Be warned though: the cheese factor is pretty high. https://www.youtube.com/watch?v=MDsjBh2xOgQ While we're still not entirely convinced that getting your phone out of your pocket is really all that strenuous, this little button does look pretty cool. According to the specs listed on their website, the button's silicon overmould means that it is able to withstand weather and dust, and can be used both indoors and out. It also comes in a number of different colours, and operates on a replaceable coin battery that lasts up to five years. You can currently preorder a Flic button for US$34 plus $5 shipping. You can also get discounts if you order more than one – just in case you were planning on decking out your house like the inside of a spaceship.
In the wake of this month's tragic Christchurch terror attacks, a bunch of culinary legends are coming together to do some good with great food. Ben Shewry — New Zealand native and acclaimed chef of renowned fine diner Attica — is putting together a massive bake sale with the help of a few famed chef mates. Taking over Ripponlea's Attica this Saturday, March 30, Baking for Christchurch will transform a haul of delicious baked goods into some much-needed dollars. 100 percent of the event's proceeds will head straight to Victim Support New Zealand's Givealittle fund, to support those affected by the events of March 15. If you can't make it down to the sale, you can donate directly to the fund here. Running from 9am till midday, this is set to be one supercharged bake sale, with specially crafted treats from culinary masters like Lune Croissanterie's Kate and Cam Reid, Daniel Wilson of Huxtaburger, Ides' Peter Gunn, Shannon Martinez of Smith & Daughters and Phil Wood from Pt Leo Estate. Each cook will donate their time, along with 250 pieces of whatever creation they're whipping up for the occasion. The full lineup of dishes it yet to be confirmed, though you can expect a cracking Andrew McConnell cheesecake, chicken breakfast sandwiches from Morgan McGlone (Belles Hot Chicken) and Attica's own legendary Vegemite scrolls. To match, there'll be coffee courtesy of Market Lane, as well as stronger brews donated by Kiwi beer stars Garage Project. It's cash only and everything is expected to sell out pretty quickly — so head in earlier rather than later.
Festivals have evolved. Nowadays, they're almost unrecognisable from the pits of despair we experienced in our teens — and there's a festival to suit almost everyone. If your bag is being terrified until you poop your pants, Horror Movie Campout is the festival for you. Last year they debuted in Sydney and Melbourne, and this year it's not only coming back, but spreading further. Brisbanites had their chance back in September, and Adelaide residents can embrace all things scary in late October. Basically, it's the Meredith of monstrosity, the Splendour of spookiness…kind of exactly like Stereosonic ain its current zombied state. So what goes on at a horror festival? Well, it's full of horrifying spectres and hair-raising scenes of horror (aka, your blood will literally curdle). We've had some clues from last year: yep, survivors camped out overnight in the woods (first mistake right there, seriously). They reported roaming zombies, all the classic pop-culture murderers you can shake your pathetic choice of weapon at and of course, menacing clowns. Not only do the organisers hire actors to scare the bejesus out of you, but everyone comes to event dressed in costume. So get down to your local stuff shop before they sell out of 1920s nightgowns, fake blood and Kabuki masks. You can expect a horrifying 'death chamber' maze, as well as a main stage with live music (will it be horrifying? They haven't specified, but probably). Then, the main event is a series of curated horror shorts followed by two headliners, decided by you, the victims. The Melbourne campout is happening on December 3 and 4 (giving you just enough time to recover from Halloween) at the very remote and haunted Point Cook Homestead. Hint: old Point Cook has seen its fair share of murders.
Bluesfest has lifted the lid on its first artist announcement for 2019, the festival's 30th anniversary, and heading the stampede are famed American singers Jack Johnson and Ben Harper, who will play with his band The Innocent Criminals. Both artists will be performing exclusively at Bluesfest, with Johnson making his third appearance at the festival after first appearing in 2001 and again in 2014. Speaking of the noughties, both artists are sure to bring hefty dose of nostalgia along with them — expect both 'Diamonds on the Inside' and 'Banana Pancakes' to make an appearance. Other acts taking to the stage at Tyagarah Tea Tree Farm over the weekend include Aussies Kasey Chambers and Richard Clapton, six-piece soul band St. Paul and The Broken Bones and Grammy Award-winning jazz and funk collective Snarky Puppy. American singer and record producer George Clinton will perform one of his last live shows ever, before retiring in May, alongside his funk collective Parliament-Funkadelic. Anyway, here's the full lineup (so far). Better start making Easter plans because tickets are already on sale. BLUESFEST 2019 LINEUP Jack Johnson Ben Harper and The Innocent Criminals Ray Lamontagne George Clinton & Parliament-Funkadelic Snarky Puppy Kasey Chambers St Paul and The Broken Bones Nahko and Medicine for the People Tommy Emmanuel Colin Hay Arlo Guthrie Keb' Mo' Tex Perkins Allen Stone Richard Clapton Russell Morris Kurt Vile and The Violators Vintage Trouble The Black Sorrows The California Honeydrops Trevor Hall I'm With Her Larkin Poe Irish Mythen Elephant Sessions Greensky Blugrass Rockwiz Live + more to be announced. Bluesfest 2017 will run April 18 to April 22 at Tyagarah Tea Tree Farm, Byron Bay. More details and ticket info here. Image: Gavin Conaty and Andy Fraser.
In an age of MacBook Air and SmartCars, the most recent exhibition at Fehily Contemporary comes with a fitting brief. All artworks on display have be made within a space constraint. 30cm by 40cm to be precise. Up against the spectacularly huge work on display at NGV's Melbourne Now, this is quite novel — a welcome readjustment of our perspective that allows us to take in the smaller details or hidden gems. That being said, there are lots of familiar artists' work on display, many of which actually have pieces you may have seen in Melbourne Now. Ash Keating has been getting a lot of press recently for his amazing large-scale work with the use of paint-injected fire extinguishers, but with his name on the lineup for this exhibition it will be interesting to see what he comes up with under the brief. Other work you may recognise includes the photography of Georgia Metaxas who is well known for her Mourners' series, and Abdul Abdullah who had work in Next Wave's fundraising exhibition last week. The responses to the brief include photography, sculpture, drawing and tapestry, and all are conveniently priced under $2,000 for those that want to take the pieces home. For a full list of participating artists and further examples of work on display, check out the website.
It takes a big sound to do the Sidney Myer Music Bowl justice. The grand waltzing symphonies of the MSO or a rollicking Australian classic like Nick Cave and the Bad Seeds perhaps. The site itself, with its vast spilling lawn and coveted inner city position demands the very best, and this February, The National are sure to live up to expectation. Touring their sixth album Trouble Will Find Me, The National have become an indie institution over the past few years. Captivating and cathartic, their soulful pop songs unearth a catchy kind of melancholy that was once exclusively reserved for bands like The Smiths. For this one-off show, prices sit at around the $100 mark. This may sound a little steep, even for a band of their stature, but you have to remember a gig at the Bowl is no ordinary gig. It's best to consider that $100 a down payment on your emotional wellbeing for the year. With your picnic rug laid down, and the red wine flowing, The National are sure to deliver an experience you won't forget anytime soon. https://youtube.com/watch?v=N527oBKIPMc
Melbourne may not have Mardi Gras, but we do know a thing or two about festivals. Since 1988, Midsumma has been the go-to destination for LGBTIQ festivities, and this year is no exception. Over 85 different venues across the city, there are hundreds of events on offer including art, theatre, music, and parties that include all three. Whether you're after Eurythmics nostalgia, puppets, drag shows, serious contemplation, or Kylie Minogue-themed cocktails — this is the festival that celebrates all types. Get amongst the madness from January 12. Confetti People don't dance enough these days. It's a problem. To go out on the town increasingly involves people mashing their bodies together with a total lack of synchronicity while splashing waves of vodka raspberry on your white shoes. Melbourne nightlife needs a revamp, and this — the official dance party of the festival — may be just the thing to do it. On January 12, the regal Palace Theatre will be fitted out in true technicolour Midsumma style to house some amazing dance music. The Presets head the top of the bill alongside New York act Cakes Da Killa and Melbourne's own World's End Press. These bands will then be joined by no less than nine DJ acts marking all the trappings of an epic night out. There could be no better way to kick off this fresh and exciting festival. Tickets are on sale here, or if you prefer your technicolour fun in daylight hours, check out the Carnival on the same day. Palace Theatre; January 12; $86 - 96. It's That Sometimes You Move Too Loud This exhibition at Edmund Pearce Gallery embraces its defiance to categorisation. Curator Sharon Flynn wrangles some disparate responses to the themes of rupture and identity by seven artists whose work operates across a vast spectrum of forms – from lens-based media to live art. It is also the first time this gallery has allowed the use of live bodies and performance within the space. Edmund Pearce Gallery; January 15 – February 1; Free. Thank You For Being A Friend The idea behind this stage show is pretty straight forward — it's The Golden Girls, but with puppets. Like a zanier, later-life version of Sesame Street, these ladies have been slaying audiences in sold-out shows in Sydney and are now making their way south for crowds at Midsumma. Since airing in 1985, The Golden Girls always had a bizarrely devoted following with gay men; Dorothy, Sophia, Rose and Blanche seemed to strike accord with many gay fans, either a result of the excellent life lessons or stinging one liners that they delivered regularly. One can only think that the comedic pleasures of the whole thing will be doubled by the presence of a creepy Betty White puppet, but time will tell. Tickets for Thank You For Being a Friend are available via Theatre Works. Theatre Works; January 7 - 18; $40 - 47. Sweet Dreams: the Songs of Annie Lennox One of the musical highlights of this year's festival, Sweet Dreams is a one-man vehicle for the prodigious talents of Michael Griffiths — one of the stars of smash-hit Jersey Boys — that’s played to raptured audiences all over the world. The show, written and directed by Dean Bryant, reinterprets the work of Eurythmics songstress Annie Lennox into a modern-day cabaret performance with improvised dialogue. So much of the show is about Griffiths though, and in a testament to his abilities (and stamina!) the show is even double-billed with his own (In Vogue: Songs of Madonna). fortyfivedownstairs; January 15 - 26; $30 - 39. Miss Gay and Miss Transexual Australia 2014 Beauty pageants can be a tired business. More and more, the women end up looking eerily similar, everyone seems to be an expert at baton twirling, and then eventually someone mentions world peace and the audience's eyes roll out of their heads with boredom. Miss Gay and Miss Transexual Australia is exactly the alternative we might need. Now in its fourth year, this show is providing a fresh take on the medium featuring the most beautiful and stylish gay men, cross-dressers, drag queens and transexuals from across Australia. This year's theme, 'Dreams and Fantasy', may sound familiar, but with this new take the average show may be in for a much-needed shot of diversity. Yarraville Club; February 1; $30 - 75. Tell Me A Story Spoken word events are few and far between these days. Haunted by a sometimes cringeworthy past of beat poetry and undergrad creative writing workshops, storytelling is close to becoming another lost art form. But with Tell Me A Story recently selling out shows in Sydney, this new oral phenomena is a welcome addition the Midsumma program. For one night only, under the theme of 'GLBTI Family', comedians, experienced storytellers, and tenacious beginners will share personal experiences over ten minute blocks with a relaxed audience at Gasworks Arts Park. The event on January 17 will be hosted by Kathryn Bendall and will feature Adam Richard, Em Rusciano and Joel Creasey among others. For more information check out the website. Gasworks Arts Park; January 17; $25 - 28. From the Ilk Hello Sunshine is a collective of three Melbourne creatives — Erika de Vos, Jessie Ford and Stacey Bennett — whose illustrations interrogate notions of love, beauty, and queer culture. Like previous work, their exhibition From the Ilk is designed as a provocation to the viewer; one that asks questions about the boundaries that govern our behaviour. Norm Warehouse; January 17 – February 7; Free. No One Likes Me The creator of No One Likes Me, Darren Vizer, is best known for his extensive experience as a choreographer for companies like Sydney Dance Company and Opera Australia. But this play at the iconic La Mama Theatre — where it emerged from its Explorations Season last year — sees Vizer flex his theatrical muscles, creating a tightly interwoven piece that explores the interconnected impact of bullying upon our identity. La Mama Theatre; January 23 – February 2; $15 - 25. Battle on the Bent Track One of several sporting events on offer throughout Midsumma, Battle on the Bent Track sees teams from Queensland, Victoria, NSW, ACT, SA, WA and New Zealand duke it out in Australia’s only queer roller derby tournament. The Battle’s an offshoot of the Vagine Regime Australia, an international queer league founded in 2008. As well as enjoying a sport that’s high-stakes and fiendishly difficult you’ll be supporting the Regime’s work with LGBTI charities, with an afterparty to boot! Puckhandlers Roller Sport Stadium; February 1; $22.50 - 33.50. Bar Kylie This may just be the most exciting part of the entire festival. It's pretty distant from the art or the theatre or the important discussion-type events but it is an entire bar devoted to all things Kylie Minogue. It's going to be glitzy and kitsch and fabulous. Open for just four days in the middle of January this special bar, housed in The 86 on Smith Street, has a jam-packed lineup prepared for Kylie-lovers young and old. Wednesday, January 15 will kick off the festivities with free Gelato Messina from 6pm, special $10 Kylie Kocktails and a top secret act yet to be announced (everyone surely has their fingers crossed for the diva herself!); Thursday will bring with it a lip-synching competition; Friday night will host an entire ball devoted to Ms Minogue, and Saturday will be 'Kylie Nation' — an elaborate dance party featuring Brendan Maclean, Millie Minogue and a stage full of drag superstars. Already, it's being hailed as a place for "screaming queens, queers, butch bears, bis, femmes and confused straights," or in other words, the average Kylie fan. The 86, 185 Smith Street; January 15 - 18; Free Wednesday - Friday, $20 on Saturday. Written by Eric Gardiner and Meg Watson.
Christmas gifts can be tough. No one can really be bothered battling the crowds at David Jones or Myer around this time of year, and hey, your sister probably already has that perfume anyway. Really, you want your gift to stand apart from the rest. Something a little unique; something that won't be re-gifted immediately in their work KK. The Sisters' Markets may just be your solution. Usually holed up in Coburg Town Hall, this little jewellery, fashion and homewares market is now setting up shop in the grassy oasis that is the second floor of the QV. Here you can pick up quirky but decent gifts such as your own home brewing kit by Brew Smith, or some beautiful homewares by local design duo Skimming Stones. They're only open on the weekend though, so time to get organised. You could have all your shopping done by this Sunday!
Later this month, on Sunday, December 21, some of Australia's biggest musicians are gathering at Port Melbourne's PICA to headline A Gathering for Gaza — a one-day-only fundraising event that brings together names in music, charity, and activism in support of Palestinians and in support of much-needed relief efforts for Gaza. From the world of music, Angie McMahon, Cut Copy (DJ set), Folk Bitch Trio, Genesis Owusu, Harvey Sutherland DJ set), Julia Jacklin, Miss Kaninna, and many more are confirmed for live performances at the event. [caption id="attachment_1052482" align="aligncenter" width="1920"] Debbie Hickey/Getty Images[/caption] Between performances, representatives from Palestinian, Jewish and global human rights-focused charity organisations, community groups and activists will share information, resources and updates on their ongoing work. The lineup of featured speakers includes Nasser Mashni from Australia Palestine Advocacy Network (APAN); Mohammad Othman from Olive Kids; Uncle Robbie Thorpe; Senator Mehreen Faruqi, Greens Deputy Leader; and Ashley Killeen from Médecins Sans Frontières Australia (Doctors Without Borders). View this post on Instagram A post shared by @agatheringforgaza 100% of net profits from ticket sales, special event merchandise and bar sales at the event will be donated directly to Olive Kids, PANZMA, PARA and Médecins Sans Frontières Australia (Doctors Without Borders). Funds will be used to support their critical ongoing work on the ground in Gaza, providing essential services like medical aid, food and education, as well as supporting new arrivals from Palestine. Ashley Killeen, Acting Executive Director, Médecins Sans Frontières Australia shares, "After two years of relentless war and horror, Palestinians are now displaced, exhausted, and face a cold winter without basic necessities amidst intermittent Israeli attacks across the Gaza Strip. Our 1,300+ staff continue to provide trauma care, burn treatment, maternal and paediatric services and mental health support. [caption id="attachment_1052481" align="aligncenter" width="1920"] Lorne Thomson/Redferns[/caption] "As an independent and impartial organisation, MSF Australia doesn't accept funding from government sources; support from people across Australia is the reason we're able to keep providing essential medical assistance where it is needed most. We're so grateful for the invitation to join the Gathering for Gaza event and to be included as one of the charities receiving funds raised from the event." Tickets to A Gathering for Gaza go on sale this Wednesday, December 10th at 12pm AEDT here. Lead image by Matt Jelonek/Getty Images
People do crazy things in summer. With a head full of new year's resolutions, and a body full of unspent Christmas carbohydrates, we feel the need to explore new horizons. We want to discover things; hike through rainforests; go to the zoo more often. All of this can be pretty exhausting though. Maybe a trip out to see Heide's new exhibition will be enough to quell this strange urge of ours. Future Primitive is a collection of works from Australia and New Zealand that explores our modern fascination with primitivism. Totems, tribal motifs, and an intrigue with the ancient — the art on show creates a surreal trans-continental world of eschewed cultural history. Influences stem all the way from the European Dadaists to individual tribal cultures of the Pacific, and the result is intriguing enough to warrant the trip out of the city. With the work of 19 artists on show, there are a broad range of fascinations and interpretations on show. However, the main thread of stifling colonialism is hard to shake. With historical context, the work can easily become dark or menacing — an eerie trip into a land forgotten by time.
Church Street haunt, Harlow Bar, has something on every night of the week, making it perfect for knock-off drinks and various weekday shenanigans. So, next time you're looking for a lively Tuesday night, head to Harlow's pop culture-themed Bingo Night — and don't expect your run-of-the-mill old lady bingo, either. On top of one helluva games night, the bar also offers a parma meal deal, so you can stay fuelled throughout all the action. Bingo kicks off at 7.30pm every Tuesday and won't cost you a dime to join in. Plus, there's a bunch of prizes to be won every week, including jugs of beer, bottles of vino and up to $150 in bar credit. While you're trying your luck on the bingo cards, you can tuck into $16 chicken or eggplant parmigianas, which are available from 5pm onwards. Need another excuse to get in early? You can take advantage of Harlow's happy hour, where you can nab a selection of house spirits, wines and brews for $7, between 4–7pm. If you're keen to book a spot for your next catch up with the crew, head here.
For three decades, Hank Azaria's voice has echoed from the TV screen in almost every possible variation imaginable. Being one of The Simpsons' six main cast members will do that. He's gotten gruff as perennially short-tempered bartender Moe Szyslak, especially when answering prank phone calls. He's cheerfully announced "hi, everybody!" as Dr Nick Riviera. He's hardly bothered with police work as Chief Wiggum, oozed beer-loving self-importance as Duffman, been nerdy as Professor Frink and uttered many a stern reprimand as Super Nintendo Superintendent Chalmers. The list goes on, including characters he no longer voices — such as Kwik-E-Mart owner Apu Nahasapeemapetilon — and everyone from Frank Grimes to Disco Stu. Azaria hasn't just been heard, and often, since The Simpsons' debut episode in 1989. He's virtually synonymous with the long-running animated sitcom, but his resume isn't short on other highlights. His first film role came courtesy of Pretty Woman, and he's featured in fellow flicks such as Heat, the 1998 American version of Godzilla, Mystery Men, Shattered Glass and Lovelace from there. On the small screen, he's stepped in front of the camera in Herman's Head, Mad About You, Friends and Ray Donovan, too — and led excellent two-season drama Huff, plus sportscaster comedy Brockmire. Now, he's stealing scenes in Apple TV+'s Hello Tomorrow!, a retrofuturistic sci-fi dramedy set in an alternative version of the 1950s where The Jetsons-style technological advancements are commonplace. Also an ordinary part of life, amid the hovering cars and robot waiters: everyday folks relocating to the moon. A workplace comedy as well, the series focuses on BrightSide Lunar Residences, specifically regional manager Jack Billings (Billy Crudup, The Morning Show) and his door-to-door salesmen crew. They head from town to town on earth selling timeshares on the planet's only natural satellite. Azaria's Eddie doesn't just sling getaways to whichever customers are willing to pay, either; he's desperate to take the trip north himself. Azaria uses his own vocal tones in Hello Tomorrow!, but his acting is just as elastic as his voice has repeatedly proven in his best-known gig. Eddie makes a living selling the American dream and, despite seeing that his customers' launches keep getting pushed back, he's bought into it himself. He's also as cynical as they come, and has the kind of gambling addiction that has physical consequences, yet remains hopeful of saying hello to his own better tomorrow. It's a powerful performance in a show filled with them, including from Crudup — who Azaria has always wanted to work with. "I chased this job down. I've always wanted to work with Billy. I know Billy, I love him as a performer and a person, and I wanted to be a part of this," Azaria tells Concrete Playground. Also part of our chat: what else appealed to him about Hello Tomorrow!, the show's many layers, the kinds of roles he looks for beyond The Simpsons and busting out his voice work on salesmen himself. ON HIS FIRST REACTION TO HELLO TOMORROW! "I imagined a gritty, realistic, Glengarry Glen Ross take on it. I was very surprised by this retrofuturistic element, that to me almost feels like an episode of The Twilight Zone from the 50s that we've expanded into a series. It's this kind of low-tech but high-tech high-concept idea in a morality play playing out in the context of a futuristic sci-fi premise. It reminds me of a Rod Serling-type idea. And then [there's] the heightened language of the thing, the kind of Damon Runyan sort of 1950s heightened speak that we all engage in. So it was more of a stylised thing than I had imagined." ON HELLO TOMORROW!'S EXPLORATION OF THE AMERICAN DREAM "It's this metaphor of the American dream being out of reach. Is it or isn't it? What's hope? What's delusion? What really struck me about Billy's character Jack is he's this really pretty ruthless conman who is believing, I think — it could be hope, it could be delusion on his part. But the hope he's giving people, even though it's an utter lie, [he believes] is good for them. And in many cases, it is. It's kind of what saved his life, and he wants to pass that along. Billy also refers to the pursuit of money as almost religious zealotry in this world we're in. These folks, there's a religious fervour around their pursuit of the American dream and the capitalist vision that these folks have — like even more than our current society has that we live in. So it's making that extreme version of what these ideals were and holding it up as satire." ON PLAYING THE GAMBLING-ADDICTED, LUNAR-DREAMING EDDIE "That's interesting isn't it? He's the most cynical. I think he believes he's bought into what they're selling, but he doesn't need to do that to sell. He's happy to con people — and knowingly con people, if that's what he's doing. But it speaks to, I think, the potency of that dream that Billy's character is selling — if even a cynic like Eddie, a gambling-addicted, negative, maladaptive, self-destructive person like Eddie, buys into this. He doesn't need it to sell. I don't think it affects his selling style at all. But even Eddie sees his dream of love and happiness, [living] happily ever after with his beloved Shirley [BrightSide's office manger Shirley, played by Truth Be Told's Haneefah Wood], as happening up there. It speaks to the power of that delusion, that dream." ON THE RESEARCH THAT GOES INTO PLAYING A LUNAR TIMESHARE SALESMAN "There aren't too many travelling salesmen around these days to talk to. There's a brilliant movie called Salesman, a documentary — I believe from the 60s — about bible salesmen that we all watched, and that really affected me a lot. Just the lives of these guys and their attitudes going door to door. The movie Tin Man is a great other piece of source material, [about] these conmen salesmen who were just that kind of bottomline, have to sell, really living or dying by whether you sell or not types. And then, as an actor, just wrapping your mouth and mind and heart around the language, the way these guys are talking — which is so much fun, but challenging at times. This is more the mind you apply to [Glengarry Glen Ross writer David] Mamet or [The West Wing creator Aaron] Sorkin or Shakespeare, where that's not how I would express myself, and I have to transpose my truth, what's real to me, to how this guy's expressing it. Which takes like a little bit of practice. It's almost like a skill, like a language you learn — or not as hard as that, but related to that. It is a rhythm thing, though. You find that there's a rhythm and a way of speaking that's sells it, but finding what that is takes a little bit of practice at first." ON THE TYPE OF ROLES HE LOOKS FOR BEYOND THE SIMPSONS "It's always different but always the same. Honestly, it's good writing. If I could write, I would. I can write, but I'm sort of a C+ writer. The stuff I write I guess gets made, but I probably would turn it down if I were offered it, if writer me came to me, with rare exception — Brockmire being one that I helped develop, which I loved, it was an idea I'd had since I was a teenager. But it's really writing, whether it's comedy, drama, this role, that role. Once you weed out what you really respond to in writing for whatever reason, there's not all that much left. And if you're fortunate enough to not have to work, then there's not much — to me anyway, there's not that many things that come along that I go 'oh, I could see doing that'. This was one of them." ON HOW HIS PENCHANT FOR VOICES COMES IN HANDY WITH TELEMARKETERS "It's rare that you run into a travelling salesman anymore, let alone one that's offering you up on the moon — you'd be crazy not to be immediately suspicious. But we're all barraged by telemarketers if you still have a home line, or even if you don't! You just get spam calls, and we're all pretty familiar how we usually react to those. I usually adopt a different voice and try to engage, and turn it around on the folks that call me up at dinnertime. It's one of the fun little perks of being a voice guy." Hello Tomorrow! streams via Apple TV+. Read our full review.
UPDATE, April 9, 2021: Ready or Not is available to stream via Disney+, Foxtel Now, Google Play, YouTube Movies, iTunes and Amazon Video. "In-laws". It's such an ordinary, everyday term, and yet it's usually uttered with such exasperation. Embodying the flipside of deciding to spend your life with someone, it's a reminder that even the happiest of romances always come with considerable baggage. It also sums up Ready or Not perfectly. At its most basic, this twisty and gory horror flick rests on one simple idea: having in-laws is hell. Of course, there's the minor annoyance that arises when your parents-in-law have too many opinions, or your siblings-in-law are obnoxious, or your uncle-in-law gets embarrassingly drunk at Christmas — and then there's discovering that your new family is plotting to kill you on your wedding night. First seen dressed for her big day, smoking a cigarette and pondering taking the plunge, Grace (Samara Weaving) is initially worried that her soon-to-be husband's family won't accept her. Alex Le Domas (Mark O'Brien) been estranged from his parents for years, but the couple is getting married on their sprawling estate anyway — it's tradition — and unease lingers in the air. While matriarch Becky (Andie MacDowell) is welcoming, she's more concerned about bringing Alex back into the fold. Grace's new brother-in-law Daniel (Adam Brody) seems like he's joking when he says she doesn't belong; however his tone has a clear edge. Other relatives, such as Alex's dad Tony (Henry Czerny), are barely polite. As for eccentric Aunt Helene (Nicky Guadagni), her permanent scowl says everything. So far, so standard. That's how tales of regular folks marrying into obscenely rich dynasties often go. But, as an ex-foster kid who's never had much of a family, Grace is determined to win over the Le Domas brood. Accordingly, when she's told they all have to play a game at midnight, she goes along with it. The family made their money in board games, so it's another tradition. It's not what most couples do after they've just gotten hitched, but there are worse ways to spend an evening than playing hide and seek in a lavish mansion — unless weapons, murder and devilish secrets are involved. Arrows start flying, guns keep firing and avoiding the dumbwaiter is plain common sense, with Grace forced to battle for her life while still wearing her wedding dress. Working with a witty script by Guy Busick (Stan Against Evil) and Ryan Murphy, directors Matt Bettinelli-Olpin and Tyler Gillett (Devil's Due) ramp up the chaos and layer in plenty of commentary — and, yes, Ready or Not has much to say. As steeped as the movie is in oh-so-relatable family stresses, it also finds a wealth of subversive and perceptive material in gender roles and class warfare. When Grace's willingness to please and desire to belong sees her treated like prey, the film revels in her transformation from eager and accommodating to plucky and fearsome. And while there's no missing the many digs at the well-off, privileged and entitled, they're no less astute or accurate just because they're obvious. The result: a horror-comedy with bumps, jumps, laughs and vicious satire all in one gleefully manic slash 'n' stalk package. The concept of hunting humans is hardly new (see: The Most Dangerous Game, Turkey Shoot, Series 7 and Bacurau), and neither are family dysfunction nor just-married jitters (see: too many pictures to mention), but it makes a smart and amusing combination. Ready or Not's setting helps immensely, with the film trading on the mystery and intrigue that bubbles in all whodunnits and horror flicks in a stately home — and making ample use of secret corridors and endless rooms as well. Also assisting nicely is the playful You're Next-style vibe and Heathers-esque attitude; if can't have some ferocious fun with this premise, when can you? While Ready or Not holds nearly a full deck of winning cards, two other elements stand out. As the cast flings axes and slings snappy dialogue, Bettinelli-Olpin and Gillett always ensure that Grace's actions and choices feel realistic, rather than convenient, exaggerated or implausible; she's trying to fight, flee and survive, after all, and the situation is over-the-top enough as it is. Led by Australian talent Weaving, the film's cast is also excellent in general. MacDowell rarely dallies with her dark side, and she's a delight to watch in villainous mode. Brody, when he toys with his usual nice-guy image, is in sparkling form too. Naturally, though, Ready or Not belongs to its fierce bride and the actor behind her. After working her way from Home and Away to Three Billboards Outside Ebbing, Missouri to this, Weaving is a formidable and engaging presence — and, as this savagely entertaining flick demands, she's also one hell of a horror movie hero. https://www.youtube.com/watch?v=ZtYTwUxhAoI
Springtime in the wine world is when we start looking forward to the upcoming vintage. Wineries start releasing some of the fresher styles of white wine, bright and lighter reds and rosés ahead of new wines to be made in the beginning of 2018. Others dust off their retail shelves and push full-bodied reds to the back, making room for all the new release rieslings and other aromatic whites coming into the store, ready for the warmer months. But if don't know where to start drinking with all these new springtime releases, fear not — we've done the heavy lifting for you by combing through the Vinomofo cellars to find the best drops, regardless of the occasion, time of day or springtime locale you might find yourself in. And what's more, if you're looking to start stocking up your home cellar in preparation for the party season (yes, it's less than three months till Christmas) you can use any extra American Express reward points you have floating around to buy some vino. Here are the drops we think you should be looking to first. RIESLING In the words of Miranda Priestly, "Florals? For spring? Ground-breaking". It may not be new, but a delicious floral riesling and springtime are a classic pairing for a reason. For example, it's Friday night, you've had a long week at work and got hit with one of those days where you thought the weather was going to be mild (but ended up being a scorcher), and you wore too many layers. You're exhausted, and all you want to do is peel off your sweaty clothes and eat takeaway in front of the TV. Enter, refreshing and soul-reviving riesling. The wine style naturally hangs on to its acidity while its balanced with white florals, ripe citrus, tropical fruit (and sometimes) melon notes, so it's always going to have this lovely, invigorating quality to it. That's what makes it so perfect for food. Indian, Thai, Chinese and anything with spice, oil or fat (you know, all the necessary food groups). Always keep one in the fridge, nice and cold, like the 2017 Penna Lane Lot 5 Riesling from the Clare Valley in South Australia. It's pretty much the wine version of a first aid kit. ALBARIÑO Albariño has seen its way through a funny turn of events in the history of Australian wine. In 2009, after the CSIRO did DNA studies on winery vines, it was discovered that the vineyards in Australia that thought they had planted albariño were in fact planted with savagnin. Native to Spain, the white grape is perfect in any warm climate (not only to grow but also to drink in abundance) because of albariño's light style and bright acidity and freshness. For a perfect thirst quencher after an afternoon springtime dip in the ocean (when the water is still crisp and refreshing), splash some of the 2014 Paco Y Lola 'Lolo' Albariño in your glass and sip on the Spanish version wondering what could have been if we had it planted on our great shores. ROSÉ Picture this: a warm spring day in the park, sitting on a picnic blanket with a little Bonobo playing out of your Bluetooth speakers. What's missing? A glass of dry rosé in your hand. Rosé typically has fresh acidity alongside a natural meatiness and density in the mid-palate. This is usually paired in the wine with bright red fruits that are stereotypical of the varietal along with a dry finish to refresh the palate after each bite of food. Want to up your rosé game with something a little left of centre? Try a sparkling rosé like the NV Royal Marine Sparkling Rosé Brut. It has classic characters of raspberries, redcurrant, rose petal and gooseberries, not to mention that pretty, pale pink aesthetic that makes it a wonderful pair with a sailboat around Sydney Harbour, springtime breeze on your skin included. MALBEC There's nothing that pairs better with quintessential springtime Aussie barbecue than malbec. There's a reason why it's heralded as Argentina's 'national grape' (have you seen how much meat is piled on your plate at an Argentinian steakhouse?). Opt for one of the more fruit driven styles like the 2014 Chevalier du Lagrezette from the south of France, with a bit of spice weaving its way through the palate, and go for some huge hunks of chargrilled steak to counteract the fruitiness of the wine. Then, crank The Strokes or LCD Soundsystem in the background, and you'll be food and wine matching like a rockstar (and a crowd favourite at any springtime housewarming). TAWNY PORT What about those of you with a sweet tooth? Or those still holding onto the last dregs of winter by craving full-bodied reds? Enter fortified wines, or, specifically, tawny port. Australian vintage ports tend to be richer in style than their Portuguese ancestors. Tawny ports are blended ports (a combination of older wines mixed in with the new wine and then aged in oak barrels and casks from five to up to 100 years. Tawny ports are ready to drink when bottled as most of the maturation has already taken place in the five to 100-year period. They're perfect for romantic balcony hangs, paired with an assortment of cheeses and golden light from the setting sun. Try the Lou Miranda Estate Dark Angel Grand Tawny. It's smooth and sweet, showcasing toasted nut, toffee, spice and raisin notes. It's also full-bodied, just like the rest of your evening if all goes well. Treat yourself this spring. More and more places welcome American Express — like Vinomofo — and you can even use your reward points to pay off your purchases, so you'll feel like you're winning at life as you use all those points you've collected over winter. Images supplied by Vinomofo.
When you're taking your pet pooch to the park in the cooler months, you want your four-legged friend to look its best and be warm. Yes, all puppers are adorable anyway, because that just comes with the territory. But your furry little woofer is certain to dial up its natural cuteness in a piece from Big W's new winter pet range. Whether your dachshund would look dapper in a cosy knitted vest, your jack russell terrier needs a faux fur-trimmed jacket or your shih tzu could do with an 'Always Snackin' sweater, you'll find it on offer in this new line. It's super-affordable, too, with sweaters starting from $9 and jackets from $15. More than 100 items are currently available (including various sizes and colours), spanning collars, harnesses and leads, as well as cable-knit jackets, tartan jumpers and novelty beds. Yes, if you and your pooch are looking to to go on an 'indoor camping adventure' — we've been WFH for a while now — you can get them a teepee: The fashion and accessory line will add further items throughout the year, too, because even your doggo's wardrobe can change with the seasons. While Big W has dubbed the line its 'petwear', so far it's all for dogs. That said, if you can somehow manage to get your cat into a vest or sweater, then you're well-equipped to slip them into something from this range. Big W's petwear is currently available to purchase online, with contactless home delivery and pick up available.
The Northcote Social Club is a veteran of the Melbourne music scene, and like many classic venues of yore, it's had a few little facelifts over the years. Gone is the faded glory of an ageing Aussie pub — though the interior has retained its old-school warmth with polished floorboards and wooden accents, elegant lighting and young, heart-leafed philodendrons curling up sparse metal grates. There's still ample seating for eating, drinking and people-watching available in the front bar and deck, while the gig room is still as large and magnificent as always. Some things may never change, but the menu is not one of them. Northcote Social Club has done what we wish all venues would do, which is ensure the face-stuffing-before-the-cab-ride portion of the evening can happen right after the band finishes without the fuss of leaving the building. Share a bunch of mezzes with your mates — olives, housemade dips and croquettes — before jumping on the extensive burger and sandwich train. Alternatively, get around pub classics like steak and chips, parmas, sausages and mash and a heap of vegetarian and vegan friendly options. Deals also abound at Northcote Social Club —as they should at any good Melbourne pub. Monday nights are cosmo and parma nights. Wednesdays are for pies and pots. Thursdays are all about steaks. And the Sunday roasts are some of the top in town — best paired with a few rounds of Bloody Marys. This haunt still focuses on hosting great live gigs, but it's no longer the only reason to visit. You can easily visit Northcote Social Club for food and booze only, and be a very happy camper. Appears in: The Best Pubs in Melbourne for 2023
Visit Balmoral Beach in 2023 and you'll be splashing around in one of the nation's top beaches for this year, no matter when you head by. Make a date with the Sydney patch of sand this winter, however — and with Balmoral Beach's Bathers' Pavilion, to be specific — and you'll also be able to enjoy a meal from a three Michelin-starred English restaurant, with Simon Rogan's L'Enclume making the trip Down Under for the first time ever. For five weeks between Wednesday, July 19–Sunday, August 20, in what marks L'Enclume's debut venture away from its Northern England home, it'll set up shop at Bathers' Pavilion for a residency. British chef and restaurateur Rogan, who is known for his farm-to-table focus, will bring a number of the restaurant's famed dishes our way. In fact, he'll transport a version of the L'Enclume experience beachside from its base in the village of Cartmel in The Lake District in Cumbria, where it resides in a former 13th-century blacksmith workshop. L'Enclume will still operate as usual in the UK during its Sydney residency, too, giving the world two L'Enclumes running at the same time. If you're new to L'Enclume, and to Rogan, both favour the idea of the perfect ingredient. So, in each small and meticulously constructed bite served up, that concept comes to the fore. Across an eight-course menu, plus snacks and petit fours, patrons can expect L'Enclume's favourites — but adapted to use ingredients from New South Wales and Australian producers. The residency is committed to having a traceable menu, and Rogan is already contacting locals, seeking folks who can grow supplies specifically for his time at Balmoral Beach. And yes, Rogan himself will overseeing the Bathers' Pavilion stay, leading the kitchen for every single service. Oli Marlow, Executive Chef of Roganic and Aulis London and Hong Kong, and Sam Ward, Managing Director of Simon Rogan restaurants around the globe, will join him, plus a team from the UK that'll feature up to eight chefs, four front of house staff and a sommelier. Only welcoming in a maximum of 80 attendees per sitting, the intimate residency will also bring over L'Enclume style of service, and have diners eating off of a version of its preferred crockery that'll be handmade in Australia. To help wash down Rogan's precisely fashioned dishes, Rogan's sommeliers are crafting a sizeable wine list, complete with wine pairings to match the food. And, there'll also be a cellar list, with folks with cash to splash on budget-breaking vino able to pre-arrange rare vintages and bottles before their bookings. Setting guests back $420 each for eight courses plus snacks and petit fours, and either $190, $290 or $750 per person for wine pairings on top (or $70 for non-alcoholic sips), this clearly isn't the kind of culinary experience that Aussies get every day — and it's also one that's worth travelling for. If you don't normally call Sydney home, you'll only need to book a jaunt to the Harbour City, rather than the other side of the world. Announcing the residency, Rogan said that "winning three Michelin stars at L'Enclume is a culmination of 20 years of work and evolution by a group of dedicated chefs and front of house specialists". L'Enclume notched up that feat in 2022, when it also hit that 20th anniversary. "The Sydney residency marks a big milestone for us as we enter our third decade and our boundary-pushing team could not be more excited to share our strong sustainability ethos and serve up some of our favourite L'Enclume dishes using the outstanding local ingredients unique to New South Wales and Australia," Rogan continued. "For me, it's all about layers and complexity of flavour, creative produce sourced with a sustainable ethos, and warm and knowledgeable service. It's not just the restaurant which makes the L'Enclume experience, it's the surroundings too, and even though the setting at Bathers' Pavilion on Balmoral Beach couldn't be more different to Cartmel, it feels so similar in its sense of beauty and uniqueness." Find L'Enclume at Bathers' Pavilion, 4 The Esplanade, Balmoral Beach, Mosman from Wednesday, July 19–Sunday, August 20 — open for lunch Tuesday–Sunday and dinner Tuesday–Saturday. Head to the Bathers' Pavilion website for bookings from Tuesday, February 14, or sign up to the Bathers' Pavilion newsletter for updates.
Five years after shutting up shop — and 95 years after originally opening — The Capitol Theatre is back in business. As initially announced in 2018, the historic spot has been turned into a multi-purpose space by owners RMIT, welcoming Melburnians through the doors once again from Monday, June 3. Visitors to the revamped theatre can expect a mix of old and new. Originally designed by Walter Burley Griffin and Marion Mahony Griffin (who also designed the city of Canberra), the same Chicago Gothic-style architecture remains, including eye-catching lighting design, the venue's standout foyers and detailed ceilings that'll make you look up. But the site's facilities have had an upgrade, with the 580-seat theatre now boasting surround sound, digital projection and a retractable cinema screen. A new 150-person salon space is also available for events and exhibitions and the lounge and foyer areas have enjoyed a makeover. And, yes, there's both a level-one coffee and candy bar and a second-floor wine bar. [caption id="attachment_724595" align="alignnone" width="1920"] Tatjiana Plitt[/caption] RMIT intends to use the landmark venue for more than just a cinema, too. There are plans for it to host everything from virtual reality to gaming and video art through to live theatre, talks, conferences and lectures. It will also play host to the Australian Centre for the Moving Image's programme, while the museum's Federation Square home undergoes its own transformation. You can read more about ACMI's multimillion-dollar renovation over here. Come Thursday, June 20, The Capitol will start up its projectors and kick off its film screenings with a series of ACMI films. Christening the space is Carlos Reygadas' new movie Our Time on June 20 and a Viva Varda retrospective — a celebration of trailblazing filmmaker Agnès Varda, who passed away earlier this year — running from June 21–30. With ACMI not expected to reopen until 2020, the screen museum will settle in to The Capitol for at least nine months. Find The Capitol at 113 Swanston Street, Melbourne. It will begin screenings from Thursday, June 20. To checkout the full lineup and buy tickets, head to the website. Images: Tatjiana Plitt.
Melbourne is the world's most liveable city, as well as Australia's fastest growing capital. Sydney is the nation's most expensive city. But when it comes to the country's most 'hipster' spot, they've got nothing on one Queensland destination. According to The Hipster Index, a study by international relocation website MoveHub, the Gold Coast claims that title — because sun, surf, sand, theme parks, schoolies, the Commonwealth Games and hipsters apparently go hand-in-hand. The index's criteria actually helps explain the Goldie's top placing, with the study scoring cities based on five data points. The more vegan eateries, coffee shops, tattoo studios, vintage boutiques and record stores a city has, the higher they're ranked — and the tourist destination sure does boast a hefty number of meat-free cafes, spots to grab some caffeine and places to get inked. Queensland seems to be hipster central in general, too. Cairns comes in second, the Sunshine Coast makes sixth position, and the state nabs more places on the list than any other — with Brisbane at 11th and Townsville at 13th. Down south, Geelong ranks fourth and Melbourne fifth, while Newcastle sits at ninth followed by Sydney at tenth and Wollongong at 12th. With the study only ranking cities with populations over 150,000, Hobart, Adelaide, Canberra and Perth also earned a spot. Internationally, however, the Goldie only places 70th, with the index ranking 446 cities across 20 countries. Top honours didn't go to the location you're probably thinking about, aka the city so filled with hipsters, there's literally a television show satirising it. No, Portland actually came in second, with Britain's Brighton and Hove earning hipster bragging rights. Salt Lake City, Seattle and Lisbon round out the top five. Image: Marcus Bichel Lindegaard via Flickr.
The celebrated sculptor and perpetual made-you-look artist has revealed his latest installation as part of the first Kochi-Muziris Biennale in India. Set in a gallery floor at the Aspinwall House in Fort Kochi, Anish Kapoor's Descension sees a caged vortex of black water furiously frothing and swirling, slowly receding into an bottomless abyss. Looks like Kapoor hopped out of the bath one day, pulled the plug and got well freaked out. The Kochi-Muziris Biennale is India's first biennale for contemporary art held in Kochi — with Kapoor's work one of the major drawcards for both local and international visitors. Created especially for the Kerala capital by the artist who gave Chicago Cloud Gate in Millennium Park, Descension is located in a seaside corner room of the Aspinwall gallery, looking out to the harbour and freaking out gallery visitors looking for a peaceful stroll through Nice Art. I mean, look at this GIF: Terrfiying. Check out Kapoor talking to the Biennale team about the work here. Via Designboom and Colossal.
As Carmy in The Bear, Jeremy Allen White was born to cook up kitchen chaos. In Springsteen: Deliver Me From Nowhere, he's born to run, slipping into Bruce Springsteen's shoes in the next big music biopic that's on its way to cinemas. Less than 12 months after Bob Dylan scored the same treatment in the Oscar-nominated A Complete Unknown, another icon is getting their filmic time to shine. Deliver Me From Nowhere has a time-specific focus, too, with the making of the rockstar's 1982 Nebraska record in the spotlight. Does the just-dropped first trailer for the film deliver White singing, including belting out 'Born to Run' onstage? Does it also feature Jeremy Strong (The Apprentice) monologuing in the role of Springsteen's manager Jon Landau? Does it head into the Boss' New Jersey bedroom, where the acoustic album that joined his discography immediately before 1984's smash-hit Born in the USA was recorded? The answer to all three: yes. Also seen, alongside Allen swapping The Bear for another real-life tale after The Iron Claw: glimpses of Stephen Graham (Adolescence) plays as Springsteen's father Dutch Springsteen and Gaby Hoffmann (Poker Face) as his mother Adele. The movie's cast spans Odessa Young (The Narrow Road to the Deep North), Marc Maron (Stick), Paul Walter Hauser (Cobra Kai) and David Krumholtz (The Studio) as well. Audiences will be able to check out their efforts Down Under from Thursday, October 23, 2025. Scott Cooper (The Pale Blue Eye) both directs and penned the script, adapting the latter from Warren Zanes' book Deliver Me From Nowhere: The Making of Bruce Springsteen's Nebraska. The last time that the filmmaker focused on a musician was in his 2009 debut Crazy Heart, fictionalising the story of Hank Thompson — and Jeff Bridges (The Old Man) won the Best Actor Oscar for his starring role. "Making Springsteen was deeply moving as it allowed me to step inside the soul of an artist I've long admired — and to witness, up close, the vulnerability and strength behind his music. The experience felt like a journey through memory, myth and truth. And more than anything, it was a privilege to translate that raw emotional honesty to the screen, and in doing so, it changed me. I cannot thank Bruce and Jon Landau enough for allowing me to tell their story," said Cooper about Deliver Me From Nowhere. Check out the first trailer for Springsteen: Deliver Me From Nowhere below: Deliver Me From Nowhere releases in cinemas Down Under on Thursday, October 23, 2025. Images: © 2025 20th Century Studios. All Rights Reserved.
A mainstay of the city's cinema scene for more than half a century, and the only place within inner Melbourne where you can still watch a big-screen movie from your car, the Coburg drive-in has been put on the market. Listed for public tender by JLL Melbourne, the Newlands Road landmark is expected to fetch more than $11 million — so if you have a rather large sum of cash sitting idle in your bank account for some miraculous reason, take note. Also featuring a retro diner, kid's playground and ticketbooth with an old yellow Holden on top, the 8.16-hectare site is being sold by current owners and operators Village Roadshow Theatres, who run the three-screen drive-in. As part of the sale, the company would like to lease the space back and continue operating the outdoor cinema on a ten-year lease. And while that sounds like good news for the city's cinephiles, the sale listing does also note the spot's "multitude of future redevelopment options". "Given the high underlying land value component, the sale price could go a lot higher," said JLL's Adrian Rowse in an article on the listing agent's website. "There are plenty of future options... and it's also likely to suit an e-commerce user, subject to council approval." Accordingly, although it seems as though the drive-in will stick around for the next ten years, what happens after that — or of that will really prove to be the case — will be up to the purchasers. Melbourne was actually home to the first drive-in in Australia, with a now-closed site at Burwood opening in 1954. Originally including just two screens, the Coburg site first opened back in 1965, and was closed between 1984–7 before re-opening. It's now one of just three left in the Melbourne area, alongside the Lunar Drive-in at Dandenong and the Dromana Drive-in at Dromana on the Mornington Peninsula. Via The Age. Images: Brook James.
Back in 1988, a heap of Australian galleries banded together to get everyone looking at and supporting art in Melbourne. That event wasn't just a once-off. More than three decades later, Melbourne Art Fair is marking its 17th edition in 2024, this time with 60-plus galleries and Indigenous art centres taking part. At Melbourne Convention and Exhibition Centre from Thursday, February 22–Sunday, February 25, the numbers will paint their own picture. More than 100 artists are involved. Over 50 events are on the program. The lineup includes six performances, two major new commissions and four large-scale installations as well. And, it'll all fill 7500 square metres of space — which means art everywhere you look for four summer days. Focusing on the theme "ketherba/together", 2024's Melbourne Art Fair bill has been overseen by a group of female curators that includes Tamsin Hong, Exhibitions Curator at London's Serpentine Galleries; Shelley McSpedden from Melbourne's Australian Centre for Contemporary Art; and Performance Review director Anador Walsh — and will welcome its first commissioned contemporary dance work, with Lucy Guerin Inc's one-hour performance installation NEWRETRO among the event's must-sees. Also created specifically for the event is SOMOS (Standing On My Own Shoulders), a life-sized bronze sculpture by Julie Rrap, which features a cast of the artist's own body. After its debut, it'll make the Art Gallery of Western Australia its home. Expect to spend time exploring pieces by Melbourne-born artist Howard Arkley in another of Melbourne Art Fair's big 2024 highlights. The exhibition will hone in on rare works hailing from the 70s–90s, complete with Arkley's last painting — which the public hasn't ever seen before. Other talents featured include South-African multimedia artist Buhlebezwe Siwani, plus poet and artist Jazz Money — and galleries involved span not only a wealth of Melbourne sites such as Anna Schwartz Gallery, Void_Melbourne, Station, Sutton Gallery, Neon Parc and Gertrude, but also Sydney, Brisbane, Perth, Hobart, Adelaide, Lisbon, and Singapore institutions. And if you're looking for more reasons to head along, an array of video works, honeycomb-esque paper sculptures, Melbourne performance artists pushing boundaries and a series of talks should do the trick — plus a pop-up whisky bar. Melbourne Art Fair 2024 takes place from Thursday, February 22–Sunday, February 25 at the Melbourne Convention and Exhibition Centre — head to the event's website for more information. Melbourne Art Fair 2022 images: Marie-Luise Skibbe.
Many would agree that it was Mamasita, opening her doors back in 2010, that led Melbourne's still-simmering Mexican charge. Now, six years, a couple of family additions, and plenty of location hunting later, owners Matt Lane and Nick Peters are at it again, last week launching their second venue. The hotly anticipated Hotel Jesus has set up shop in the iconic Collingwood Post Office building, with the lofty, light-filled space now setting the scene for Smith Street's own Mexican fiesta. As a casual tostaderia, Hotel Jesus eschews Mamasita's well-loved restaurant formula in favour of a more easy-going drinking and dining affair. Here, you'll drop by for house-made tostadas, cocktails on tap, and Mexican beers, served straight from a supersized ice trough behind the bar. With Yasser Garcia on the pans, expect a food menu that's authentic, lively and mostly familiar, running from ceviche and seafood, to tacos and those tostadas. Meanwhile, a "tacowey" (that's their way of saying takeaway) section has a more experimental edge, dabbling in a looser interpretation of Mexican cuisine. Those looking to jump on the mescal bandwagon will find plenty of opportunity to do so here. Peters is Australia's only Master Mezcalier (it's a thing), and the drinks list he's created provides a solid introduction to the agave spirit — which comes just in time for summer. Backing that up, there's an expectedly great tequila lineup, a tight selection of natural wines, and plenty of easy-drinking, imported brews. Hotel Jesus is now open at 174 Smith Street, Collingwood. For more info, visit hoteljesus.com.au.
Avocados: everyone loves them, not just Aussies accused of spending all their cash on smashed avo for brunch. In Amsterdam, one person loves them so much that he's opening up a restaurant dedicated to serving the green creamy fruit up in as many ways as possible. Yum. The aptly named The Avocado Show is due to open in February in Amsterdam's De Pijp district, and is calling itself "Europe's first and finest avocado bar". Breakfast, brunch, lunch, dinner, late at night, any time in between: if you've got a hankering for avo on bread, avo between two pieces of bread (aka avocado sandwiches), burgers made with avocado buns and more, you'll find it here. Owner Ron Simpson told MUNCHIES that he found the inspiration for his new single-ingredient eatery in two obvious places, the internet and his own diet. "I looked at the internet and how people react to certain products like Nutella, Oreo, and peanut butter and figured I want to find a main mono ingredient that's adaptable to almost anything," he said. "People, including myself, throw avo on just about any dish and are making extremely creative dishes with it. So we decided to open a valhalla for anyone who loves avocado." As you've probably noticed, avocado isn't literally the only thing on the menu, although every item will include it in some shape or form. Just imagine the Instagram pics. Of course, this isn't the first time someone has had this idea, with a pop-up showering London with avo across four days in 2016, New York boasting a few avo-centric places, and plenty of Australian cafes only really a few non-avo dishes away from fitting the bill. Via MUNCHIES.
The folks at Moo Brew are launching a limited edition beer to celebrate some fairly limited edition humans. Available at select venues in Hobart for just a few days at the end of April, Moo Brew Wet Hop is the latest creation from the MONA's onsite brewery, and comes emblazoned with the image of a video store employee on the can, along with the slogan "a super rare beer for super rare people". The brewery has created just 70 kegs of the Moo Brew Wet Hop, so named because it was made within two days of the hops being harvested. Described as a "bright, hoppy and deliciously refreshing pilsner," it's expected to sell out within days of becoming available. To celebrate their latest baby, Moo Brew is hosting a launch party on the evening of April 26 at Video City, a VHS rental store in the Hobart suburb of Newtown. In addition to the store employees, other rare guests will reportedly include a fax machine repairman, a blacksmith, a chimney sweep and a full service servo attendant.
Sydney-based Eat Art Truck was one of the first food trucks to really take off, with its American barbecue street food infused with fine dining, and bright, colourful trucks that feature the work of local artists. It's quality food, but instead of being artfully plated up on ceramics, the chefs lean down and hand you your meal in a paper tray. Specialities on the menu are the eight-hour smoked pulled pork bun, the slow-roasted beef brisket bun and the crispy fried chicken bun. There are nachos, salads, fancier dishes like the kingfish entrée, and desserts like flourless chocolate cake. Once a month an artist will paint a piece on the side of the truck, and at the end of the month the piece is auctioned off for charity — so you get a serving of culture along with your fries. Brenton Balicki, founding chef of Eat Art Truck, cooked us up a three-course feast last week to celebrate the launch of the KitchenAid Mini in Australia. All three courses were inspired by Brenton's work experience as a chef — he spent his formative chef years working at Tetsuya's and moved to Quay before becoming one of the founding chefs of Eat Art Truck. His professional background instilled in him the importance of good produce, so Brenton rode down to the Sydney Fish Markets and picked up the fresh fish, meat, vegetables he would be using. The first course was a beautifully plated entree of beetroot-cured hiramasa kingfish — a dish that relies on quality produce above anything else. The second course was a classic Eat Art Truck burger. Brenton wouldn't give us the exact ingredients that he needed to make the patty, or the sauce (can't give away all Eat Art Truck's secrets) but there's enough there to make your version of their classic burger. The third course was a flourless, sugarless chocolate cake. He's given us his recipes so you can re-create them at home. Burgers for dinner tonight? BEETROOT-CURED HIRAMASA KING FISH INGREDIENTS 1 fillet of hiramasa kingfish 1 large beetroot 1 lemon 1 bunch baby radish 1 tablespoon of sugar 1 tablespoon of salt 1 poached octopus crème fraîche rice wine vinegar olive oil METHOD Marinate the fish in grated beetroot, lemon zest, sugar and salt overnight. This will begin the curing process Wipe off marinade with paper towel and slice the fish as thinly as possible. Lay it out on the plate and decorate with thinly sliced octopus, baby herbs and thinly sliced radish Create a dressing with the vinegar, lemon juice and olive oil. Once you're happy with the presentation, dress the fish with plenty of the vinaigrette and finish with some crème fraîche and sea salt EAT ART TRUCK BURGER INGREDIENTS 3 of your favourite cuts of meat (ours are a secret) your favourite sauces (also a secret) your favourite bread — we used brioche tomato caramelised onion lemon thyme chorizo sausage your favourite cheese — we used smoked cheddar METHOD Dice your chosen meat into small cubes ready to be minced Use the KitchenAid Mini meat grinder attachment on the coarse setting so you have a unique texture. Add chopped thyme and mix everything together with hands thoroughly until everything is combined Heavily season the burgers and then begin grilling along with the chorizo and onions. Once you have everything cooked just the way you like it, begin building your custom burger just the way you like it FLOURLESS, SUGARLESS CHOCOLATE CAKE INGREDIENTS 5 egg whites 3 egg yolks with 2 whole eggs 1 block of your favourite chocolate 200g butter 200g almond meal honey seasonal fruits ice cream dulce De Leche METHOD Melt the butter with the chocolate in bowl A. Use a KitchenAid Mini to whisk the egg yolks and whole eggs with the honey in bowl B. In bowl C, whisk the egg whites until firm Add the almond meal, bowl A and bowl B together and mix until smooth. Finish by folding in the egg whites from bowl C until a nice mixture forms Gently pour this into a non stick baking dish and cook at 160 degrees until firm in the centre Garnish with fruits, chopped nuts, dulce de leche, ice cream and some grated chocolate Images: Samantha Hawker.
When lockdowns and restrictions started becoming a reality in 2020, a heap of cinemas around Australia began jumping online. Venues as varied as Sydney's Golden Age, Melbourne's ACMI and Australian-wide chain Event Cinemas launched their own streaming services, as did Palace Cinemas and the team behind the Ritz, Lido, Classic and Cameo cinemas — not just when the pandemic first hit, but as it kept impacting movie-going as we know it. That wasn't merely a 2020 or early 2021 trend, and it isn't simply limited to city or big national chains. Indeed, Australia has just scored another digital spot to check out movies from home, with Theatre Royal Castlemaine in regional Victoria adding its own platform to your viewing options. Watch something on this one, however, and you'll be supporting a 167-year-old venue that's been open since 1854 and operating as a cinema since the silent movie era. The first films flickered across its screen back in 1919, and it's now one of the oldest continuously operating theatres in the southern hemisphere. Theatre Royal Castlemaine's streaming site is called Royal Flix and Chill, and it's curated by cinema co-owner Felicity Cripps, some movie-loving friends of the venue and Castlemaine Documentary Festival Director Claire Jaegar. It's a pay-per-view platform, so you'll just fork out for what you want to watch on a title by title basis — with more than 100 films currently on offer, and five new additions set to join the catalogue each month. At the time of writing, highlights include recent fare such as A Quiet Place Part II, The Father, Antoinette in the Cevennes, The Godmother and The United States vs Billie Holiday — plus flicks from the past few years like Parasite, For Sama, Dunkirk, Get Out and Shoplifters. Or, there's also older titles such as Donnie Darko, City of God, There Will Be Blood, Tampopo, Chinatown, The Big Lebowski, The Professional and Twelve Monkeys; Australian movies like High Ground, Firestarter — The Story of Bangarra and Bran Nue Dae; documentaries such as Honeyland, Ai Weiwei: Never Sorry and Studio 54: The Documentary; and European cinema highlights including Cold War, Dogman and Toni Erdmann. "The cinema is one of the toughest arms of our business. We are one of the last remaining single-screen venues in the country and that is because it is so hard to make ends meet when there is so much available to view in the digital world. But it's also very special and as a long-standing 'picture palace', we want to do all we can to keep it going," said Cripps. "That's where our virtual cinema comes in. A way to connect with people who may not be able to physically attend our cinema and a way to show more arthouse and international films with less overheads, it's intended to compliment the in-house offering and draw a wider audience with a uniquely curated library of amazing cinema, available to everyone." For more information about Theatre Royal Castlemaine streaming platform, or to start watching, head to the Royal Flix and Chill website.
One, two, three, four: Sex Bob-Omb! are back, and everything Scott Pilgrim with them, thanks to upcoming Netflix animated series Scott Pilgrim Takes Off. First announced earlier in 2023, the new take on a bass player fighting the object of his affection's seven evil exes is hitting the small screen as a streaming series, with the entire Scott Pilgrim vs the World cast returning to their roles. And if you're wondering what that all looks like, the show has just dropped its first teaser trailer. Obviously, a lot can happen in 13 years — and for the cast of 2010's page-to-screen favourite Scott Pilgrim vs the World, much has before Scott Pilgrim Takes Off reaches screens. Michael Cera kept returning to Arrested Development's George Michael, made a stunning appearance in the Twin Peaks revival and featured in Barbie. Mary Elizabeth Winstead added everything from Fargo and 10 Cloverfield Lane to Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) to her resume. Chris Evans became Captain America, Kieran Culkin killed it with insults in Succession and Anna Kendrick had the whole Pitch Perfect franchise. Brie Larson slipping into Captain Marvel's shoes, Aubrey Plaza's The White Lotus stint, Jason Schwartzman still showing up in Wes Anderson films aplenty — that's all occurred as well. Now, more Scott Pilgrim has come all of the above actors' way, too. The movie that started off as a series of graphic novels by Bryan Lee O'Malley, and also hit video games, will live on again from Friday, November 17. And, once more, Scott (Cera) will fall for Ramona Flowers (Winstead), and face off against her past loves. When a film becomes a streaming series, that doesn't always mean that the OG stars return with it — but it does in this case. As well as Cera and Winstead, Scott Pilgrim Takes Off boasts Culkin as Wallace Wells, Kendrick as Stacey Pilgrim, Larson as Envy Adams and Plaza as Julie Powers. And, yes, Evans, Schwartzman, Satya Bhabha (Sense8), Brandon Routh (The Flash) and Mae Whitman (Good Girls) are all back as Ramona's evil exes. The list doesn't stop there. Alison Pill (Hello Tomorrow!) as Kim Pine, Johnny Simmons (Girlboss) as young Neil, Mark Webber (SMILF) as Stephen Stills, Ellen Wong (Best Sellers) as Knives Chau are reprising their roles as well. While Scott Pilgrim Takes Off still sees its namesake swoon over Ramona, then tussle with her former paramours, this is more than just a do-over. "I knew that a live action sequel was unlikely, but I would usually defer by suggesting that perhaps an anime adaptation was an interesting way to go," the original film's director Edgar Wright told Netflix back when the series was first announced. "And then, lo and behold, one day Netflix got in touch to ask about this exact idea. But even better, our brilliant creator Bryan Lee O'Malley had an idea that was way more adventurous than just a straight adaptation of the original books," Wright continued — and he's back as an executive producer. Check out the first teaser trailer for Scott Pilgrim Takes Off below: Scott Pilgrim Takes Off will be available to stream via Neflix on Friday, November 17.
Thanks to Taronga Zoo, you can already spend your days staring at capybaras, seals, meerkats, otters, sumatran tigers, lions and elephants, all without leaving your home. With Sydney back in lockdown, the famed venue has relaunched its online TV channel, where it livestreams its adorable critters all day and all night. All those animals are all well and good. They're great, and they're very easy to spend too much time staring at, actually. But if you'd like to scope out some penguins as well, now you can. Yes, penguin cam is now part of Taronga's live-stream lineup, with its 45 little penguins and four Fiordland penguins being caught on camera 24/7. Melbourne's zoos have been live-streaming their penguins during the pandemic also, so this isn't the first time you've been able to gawk at black-and-white creatures while they go about their business — but when it comes to watching animals, the more the merrier, obviously. There's your background viewing sorted. Popping the stream on in the background while you work from home suits these kinds of feeds, in fact, because sometimes the critters in the spotlight aren't in view. The online television station was established by Taronga Zoo Sydney and Taronga Western Plains Zoo Dubbo in 2020, and it is back now for obvious reasons. Taronga is also releasing regular videos across its Facebook, Instagram and YouTube channels, and making keeper talks and other clips available online as well. Or, you could always take a peak at its new Southern hairy-nosed wombat joey via our own website. It's just as adorable as you'd expect, naturally. To check out Taronga TV, head to the channel's website — or keep an eye on its videos on its Facebook, Instagram and YouTube pages. Top image: Rick Stevens
If it can happen in a pandemic, it can happen in any year. Yes, we're talking about Brisbane Festival. After 2020's event, which had to adjust to the new realities brought on by COVID-19, the annual celebration of arts and culture returns in 2021 — so mark Friday, September 3–Saturday, September 25 in your diary. Most of the 2021 program will be announced much closer to those September dates, as happens each time the festival rolls around. That said, you can expect everything from art, music and theatre to lights, lasers and interactive installations, plus whatever other weird, wonderful, unique and just brand new ideas and shows the fest's organisers and the talented artists they work with manage to come up with this year. If you'd like to get excited already, a few details have already been revealed — including the long-awaited world premiere of Boy Swallows Universe, which'll hit the Brisbane stage during Brisbane Festival. Also on the bill so far: Queensland's Finest, with the Queensland Symphony Orchestra showcasing top local talent; and Songs That Made Me, with singer-songwriter Jess Hitchcock crooning tunes. [caption id="attachment_793650" align="aligncenter" width="1920"] Boy Swallows Universe, David Kelly[/caption] Top image: Brisbane Festival 2020, Atmosphere Photography.
Fresh from a superhero stint in Eternals in 2021, Kumail Nanjiani is heading in a different direction: true crime, and a wild example of the genre at that. When a story involves murder, money and a male strip-club empire that's known the world over, it's going to take some twists and turns. In your streaming queue come November, Welcome to Chippendales will spill the details. As both the initial teaser and the just-dropped full trailer for this new Disney+ miniseries shows, Nanjiani plays Somen 'Steve' Banerjee, who was born in India, moved to the US, bought a Los Angeles nightclub and founded the striptease troupe-turned-worldwide hit that shares Welcome to Chippendales' name. Banerjee's tale involves outrageous success, but also turns into sinister territory. That's putting it mildly; however, if you don't already know the details, you'll want to discover the rest while watching. Move over Magic Mike: we've found everyone's next stripper-fuelled obsession, and new true-crime addiction as well. On-screen, the rest of the star-studded cast includes recent The White Lotus Emmy-winner Murray Bartlett, Yellowjackets' Juliette Lewis and American Crime Story's Annaleigh Ashford, as well as Dan Stevens (I'm Your Man), Andrew Rannells (Girls5eva), Nicola Peltz Beckham (Holidate), Quentin Plair (The Good Lord Bird) and Robin de Jesús (Tick, Tick... Boom!). Behind the scenes, WandaVision's Matt Shakman is in the director's chair and, if you're fond of the era, expect the appropriate soundtrack (and vibe) when the show starts streaming from Tuesday, November 22. It'll drop two episodes first up, then new instalments weekly afterwards across the eight-episode limited series' run. If this seems like an odd fit for Disney+ — and certainly different from keeping huge pop-culture franchises on our screens or ensuring that everyone's childhood favourites never fade into memory (and sometimes doing both at the same time) — just remember that the service streamed the 90s-set Pam & Tommy as well. In fact, if watching the trailers for the Welcome to Chippendales gets you thinking about that series, there's another reason for that: writer/executive producer/creator Robert Siegel is behind both. In the US, the two shows were made by the Mouse House-owned US streaming platform Hulu, which happens to be mighty fond of scandals and ripped-from-the-headlines territory. But that platform doesn't operate Down Under, hence this tale about a massive stripping-empire saga, sordid deeds driven by money and murder because of the dance floor is ending up on Disney+. Check out the full Welcome to Chippendales trailer below: Welcome to Chippendales will be available to stream via Disney+ from November 22.
