Forty years ago, fresh from making one of the greatest sci-fi/horror movies ever made in Alien, Ridley Scott gifted the world another futuristic classic that helped define and reshape science fiction on-screen. It's almost impossible to name a movie or TV series in the genre that's popped up over the past four decades and hasn't owed a huge debt to Blade Runner — and, soon, that list will include a new Blade Runner TV series. Philip K Dick's 1968 novel Do Androids Dream of Electric Sheep? has already given rise not just to Scott's iconic Harrison Ford-starring adaptation in 1982, but also to exceptional 2017 sequel Blade Runner 2049 and recent animated series Blade Runner: Black Lotus. Of course, if Ford's other huge sci-fi franchise can just keep popping back up, including on both the big and screens — see: The Force Awakens, Rogue One, The Last Jedi, Solo, The Rise of Skywalker, The Mandalorian and The Book of Boba Fett — then clearly this one can as well. The Blade Runner series obviously has some catching up to do to get to Star Wars-level continuations, and quantity isn't the same as quality, but spending more time in its vision of the future is definitely welcome. The OG film was set in 2019, so we're now well past then — and the new series has been dubbed Blade Runner 2099, which means we'll be jumping quite a ways forward in time. As reported by The Hollywood Reporter, Amazon Studios is behind Blade Runner 2099, once again bringing a small-screen favourite to streaming given that it's doing exactly that in September this year with the eagerly awaited The Lord of the Rings: The Rings of Power. When it leaps forward to 2099, the new Blade Runner show will act as a sequel to both the initial film and Blade Runner 2049 — but who'll be starring and directing hasn't yet been revealed. That said, busy The Last Duel and House of Gucci filmmaker Scott has confirmed his involvement, Variety reports, noting that the pilot for the show has already been written, and that it's envisioned as a ten-hour series. There's obviously no sneak peek at Blade Runner 2099 yet, but you can check out the trailer for the original 1982 Blade Runner below: Blade Runner 2099 doesn't yet have a release date — we'll update you when more news is announced. Via Variety / The Hollywood Reporter.
If you're partial to stuffed cannoli or some gnocchi of the ricotta variety, we've got the festival for you. That's Amore Cheese Ricotta Festival is returning in March for its fifth year, bringing ricotta-filled delights back to Thomastown. For just one day on Sunday, March 30, the lot will be flooded with cheese-slinging food stalls and a handful of bars, plus the team will host some prestigious Melbourne chefs as they demonstrate the best ways to cook with ricotta. The team behind That's Amore Cheese will serve gnocchi sorrentina, a certified Italian classic, alongside spaghetti cacio e pepe tossed in a 40kg Grana cheese wheel. There's also a tantalising selection of other food vendors, such as Pacelli Deli's melted caciocavallo on bruschetta, Cannoleria's freshly filled ricotta cannoli, and creamy tiramisu portions from TRMSU. Plus, there's great coffee, wine, spritzes, locally distilled spirits and cocktails ready for your refreshment. Beyond exceptional bites and sips, there's also a sprawling marketplace filled with fascinating goods. Head to Bippi for Italian-style chilli and condiments, Pistachio Papi for sweet spreads and desserts, and Ellenika Boutique for stylish fashion and jewellery. Then, stock up on local produce with Perino Tomatoes offering the richest, freshest tomatoes imaginable, while Puopolo Artisan Salumi presents some of the best cured Australian meats in town. The festival stage returns in 2025, with another stellar line-up of Italian culinary talent and live entertainers. Catch chefs and TV personalities like Adam D'Sylva, Pia Gava and Telina Menzies showing off their talents in live cooking demonstrations. Then, stick around for musical performances from the Siesta Cartel Band and Veneto Club Choir. If you're bringing the kids, face painting and a petting zoo are bound to keep them entertained as you dine the day away.
Everyone remembers the great supermarket frenzy of just a few months back, when stores looked like post-apocalyptic film sets, people were everywhere but shelves were bare. And, as a response to the huge onslaught of panic-buying when the COVID-19 pandemic first hit — with shoppers hoarding everything toilet paper and hand sanitiser to pasta and milk — we all remember the item limits put in place by Aussie chains. Two months after local supermarkets started to lift those caps (and after the great bog roll crisis of 2020 seemed like it was over), Woolworths is now reintroducing restrictions — on some everyday staples, and across all of its Victorian stores. Announcing the news today, Wednesday, June 24, the company said it was a "preventative move in response to significantly elevated demand seen over the past 24 hours in certain parts of Melbourne". It also advised that the limits "will support social distancing in stores and ensure more customers have access to the products they need". On the restricted list: toilet paper, hand sanitiser and paper towel, as well as flour, sugar, pasta, rice, mince, long-life milk and eggs. They were all subject to previous item caps, too — and, from today onwards, Victorians will only be able to purchase two of each in one transaction for the foreseeable future. That applies to both in-person and online orders. Explaining the return of item limits, Woolworths Supermarkets Managing Director Claire Peters noted that, while Woolworths still has plenty of stock, it's "taking this precautionary step to help prevent excessive buying and support appropriate social distancing in our Victorian stores". She continued: "we'll closely monitor demand across Victoria in the coming days and look to wind back the limits as soon as we can". https://twitter.com/VicGovDHHS/status/1275648148229283843 The move comes in response to Victoria's recent spike in COVID-19 numbers over the past couple of weeks, with new cases on the rise in the state and community transmission levels increasing. Since Wednesday, June 17, new case numbers have hovered around 20 per day, including exactly 20 new cases reported in the past 24 hours. In fact, as the Australian Health Protection Principal Committee (AHPPC) noted in a statement on Sunday, June 21, 83 percent of Australia's newly confirmed COVID-19 cases over the week prior were in Victoria. Of those 116 new Victorian cases in total, 87 "are largely associated with community transmission". Victoria's current increase in cases is focused around six local government areas: Hume, Casey, Brimbank, Moreland, Cardinia and Darebin. As a result, "the AHPPC strongly discourages travel to and from those areas until control of community transmission has been confirmed". The rising Victorian case numbers have already sparked action at the state government level. Victoria's State of Emergency has been extended for four more weeks, and Premier Daniel Andrews also announced the tightening of some gathering restrictions — reintroducing smaller caps on at-home groups, gatherings out of the house and the numbers of patrons allowed in venues. At the time of writing, Victoria's Department of Health and Human Services advises that there have been 241 confirmed cases of coronavirus in Victoria that have been acquired through unknown transmission — and there are currently 141 active cases in Victoria. For more information about the state of COVID-19 in Victoria, head to the Department of Health and Human Services website. For more information about Woolworths' reinstated item limits, head to the supermarket's website.
If you're of an age to remember burning your friend's So Fresh CD so you could stay up to date with the coolest songs of the season, congrats. You're old now. But also, congrats because you will seriously enjoy this festival – So Freshtival. So Freshtival is going down on Sunday, August 6 at the Gasometer Hotel in Collingwood. A slick line up of millennial DJs will be playing bangers strictly of the 2000-2009 vintage. You can expect a disturbing percentage of Channel 10 alums (Australian Idol winners/losers and ex-Neighbours actors) as well as way too much Nickelback for polite company. Also, just throwing this out there, we're desperately hoping for a timely comeback of the Duff sisters duet 'Our Lips Are Sealed.' DJs include Dr. Phil Smith, Flex Mami, Slick Slazenger, Sharon Von Mueller, Rottwield, DJ Crystal Ball Emoji (great stage name, mysterious friend) and Leni & Tobi. Tickets will set you back 10 dollarydoos and of course it's obviously 18 and over, because if you're under 18 you definitely don't know what So Fresh is. Or CDs, probably.
Do you live in a dog-friendly house? Do you have some spare time on your hands? Do you fantasise about hanging around at dog parks with an actual dog? The good folk at Seeing Eye Dogs Dogs Australia need you. They have 50 puppies running around the place at the moment, and they're in need of volunteers to raise them. In other words, they're giving away puppies — but you will need to give them back. If you put up your hand to become a puppy carer, you'll get a puppy for about a year — from around its eight-week birthday to when it turns turns between 12–15 months old. During that time, you'll be responsible for introducing the sights, sounds and smells it'll meet when it starts working as a seeing eye dog (and giving your new friend heaps of cuddles). Of course, it's not all just fun, games and cuteness. You'll have to be responsible enough to take care of regular grooming, house training and exercise, and be available for regular visits. A fenced-in backyard is mandatory, too. In return, the organisation provides a strong support network, and all food, training equipment and vet care. You'll also need to be home most of the time — so you won't be leaving the puppy alone for more than three hours a day — and to be able to put effort into training and socialising the pup. View this post on Instagram A post shared by Seeing Eye Dogs Australia (@seeingeyedogsaustralia) Seeing Eye Dogs Australia is looking for people in several Melbourne areas: in Kensington, Flemington, North Melbourne, Ascot Vale and West Melbourne; in the east to the Yarra Ranges (anywhere south of the eastern freeway); and southeast to Portsea (anywhere south of the eastern freeway). They're also looking in the Bendigo region and surrounding suburbs, too. In Queensland, the Sunshine Coast and north Brisbane are the priority areas. Once the pups reach 12-15 months old, they'll return to Seeing Eye Dogs Australia — and complete their journey to become four-legged companions for people who are blind or have low vision. Keen? You can apply online — and, at 10.30am on Friday, April 23, you can also virtually peek behind the scenes at one of Seeing Eye Dogs Australia's puppy centres. For more information about Seeing Eye Dogs Australia's puppy carers, and to apply for the volunteer roles, head to the organisation's website.
Bayside beauty Pontoon is diving headfirst into winter this Queen's Birthday long weekend, with an après-ski snow party on Saturday, June 9. The St Kilda spot is set to transform into a full-blown winter wonderland, which'll should help ease the pain of transitioning into the chilly season. There'll be ski accessories and dustings of snow throughout the venue, as you enjoy DJ tunes, beer pong and a winter-perfect lineup of warming eats and drinks. Head chef Rhys Hunter has put together a one-off menu of chicken wings, chilli dogs and pipping hot doughnuts, and you'll even have the chance to roast your own s'mores over one of the roaring open fire pits. Wash it all down with some mulled wine, a boilermaker, or one of Pontoon's winter-inspired cocktails, including the classic hot toddy. The bar's even slashing beer prices by half for the first hour — which means $3.5 pots and $6.50 pints — kicking off when the doors open at 3pm.
Earlier this year, Melburnians scored another excuse to hit the water, with GoBoat splashing into town. After launching its eco-friendly picnic boats in cities all over Europe, the Danish company made the leap to Australia, giving punters a fun new way to cruise the Yarra. And, thanks to a new move, you now can hop onboard from the CBD. When GoBoat's vessels first arrived, the company was setting sail out of Docklands. If you're keen for a day on the river, you can now grab a boat from Banana Alley near Flinders Street Station. GoBoat has just secured a ten-year berthing arrangement with Parks Victoria, which means that it won't be shifting again anytime soon, either. Aimed at making the whole boating caper more accessible for everyday folk, the outfit's Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your post-holiday budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will cost you less than $15 per person, per hour. That's $109 hourly in total, or $189 for two hours, $269 for three hours, $349 for four hours, $429 for five hours and $509 for six hours. Yes, you can really make a whole day of it. Bookings are currently available until the end of March, with timeslots available in 15-minute increments from 11am. The boats required to be returned by sunset, with the specific time obviously changing with the seasons. Oh, and did we mention they're pet-friendly? Surely you've got a very good boy who deserves a river jaunt. For more information about GoBoat, or to make a booking, visit the service's website. Images: Lean Timms.
Working from home may have its perks, like having more snacks on-hand and wearing your comfiest clothes, but it also has a couple of downsides — one of which is all the video calls. While chatting to your family and mates on your laptop is a good way to socialise in these current times, many of us are doing multiple calls a day for work, too. So, the endless streams of virtual faces can get a bit repetitive. To break it up, Silicon Valley non-profit animal sanctuary Sweet Farm has launched Goat 2 Meeting, which lets you bring a furry friend to the call. Whether you need to bring some joy to your work meetings or just show your mum a llama's fresh haircut, you now can via video conference platform Zoom. While you have to pay to get a four-legged team member on the line, the money will go towards the farm, which in normal circumstances is partly funded by in-person tours. As Sweet Farm aims to take in animals — and has saved over 125 so far — and educate people on the the global impacts of factory farming across animals, the plants and the planet, your money will be supporting a good cause. No matter where you are in the world, Sweet Farm is putting its animals on video so get your daily dose of serotonin. For $65 USD ($98 AUD) you can get a 20-minute private virtual tour with up to six people, where you'll meet a few of the farm's animals — such as Paco the llama and Juno the goat. For a donation of $100 USD ($161 AUD) you can get a 10-minute corporate meeting cameo, with no limit on persons on the call. Or, if you want more face-to-face time with your new bud, you opt for a 25-minute call for $250 USD ($405 AUD). For virtual school trips, Sweet Farm is offering animal airtime for free. To organise a session, head to the Goat 2 Meeting site and fill out the form, including your details, a requested call date and your time zone. Keep in mind that time differences will effect availability. At the moment, California is 17 hours behind Sydney, Melbourne and Brisbane and 19 hours behind Auckland and Wellington. So, it's most likely an early morning meeting will be your best bet. Sweet Farm's Goat 2 Meeting initiative is available across the world. To request a time for your next video call with an animal in tow, head here.
More than three decades since it was first published, the Watchmen series of comics is still considered one of the all-time greats of the medium. Brought to the page by writer Alan Moore and artist Dave Gibbons, the premise says plenty: in an alternative version of the world we all live in, superheroes definitely exist — but their presence has drastically altered history. Here, the Cold War turned out differently, caped crusaders largely work for the government and anyone else enforcing law and order while wearing a costume has been outlawed. Now, imagine that tale told with a satirical edge that deconstructs the superhero phenomenon, and you can see why it has hordes of devotees. Back in 2009 when comic book flicks were just starting to pick up steam — and when 22-film franchises were a mere dream — Watchmen was turned into a movie by Zack Snyder (who was fresh from 300, but hadn't made the jump to Batman v Superman or Justice League yet). Sequels clearly didn't follow; however, HBO is now hoping that the story will flourish on the small screen, enlisting Lost and The Leftovers co-creator Damon Lindelof to make it happen. Obviously, with Game of Thrones finishing, the network is in the market for a new pop culture phenomenon. This isn't just a straight adaptation. Apparently the series "embraces the nostalgia of the original groundbreaking graphic novel of the same name while attempting to break new ground of its own," according to HBO. An exact release date hasn't yet been revealed, other than fall in the US (aka spring in Australia and New Zealand) — but if you can't wait until then, HBO has dropped the first teaser for the new series. It's your first chance to catch a glimpse of the show's stacked cast, which includes Jeremy Irons, Don Johnson, Tim Blake Nelson, this year's Best Supporting Actress Oscar winner Regina King, Hong Chau, Louis Gossett Jr and Aussie actress Adelaide Clemens. Check out the trailer below: https://www.youtube.com/watch?v=zymgtV99Rko Watchmen will air on HBO in the second half of the year, with an exact release date yet to be announced. We'll keep you updated — including about air dates Down Under.
No matter what their colour, condition, or quality, Rutherford Chang wants your iconic 1968 Beatles 'White Album'. Although it was only sold as a limited edition item, the White Album sold over 3 million copies back in the day. The album was unique in its simplicity with a purely white cover and only an embossed script of the band's name and a serial number to distinguish it from a plain piece of cardboard. However, the period of 45 years proves to completely transform these indistinguishable albums into individuals each with their own personality. After a lifetime of differing experiences, alternate uses, and completely separate wears and tears, these plain white albums now share rich historical stories through the text written on their covers, the scratches in the music, the yellowing on the corners, and even the mould on the surface. These intricacies, these signs of love, rejection, kinship, or heartache are exactly what Chang is interested and why he was inspired to collect as many of these White Albums as possible for his exhibition: 'We Buy White Albums'. What he calls his 'anti-store' is set up in SoHo, New York and being featured by the artistic workspace Recess. Rather than selling these aged vinyls, Chang is offering to buy any White Album for a fixed price, no matter what their condition. Chang was fascinated by the concept of mass customisation. Although the white albums start off as homogenised products, each as identical and monotonous as the next , he "noticed how personalised every copy of the White Album has become over the course of the last half century and wanted to compare different copies.” While some copies may have been played religiously every night for a decade, some were played once then discarded and others may have been passed down a long line of buyers and sellers, rocked out at in clubs, provided background music for parties, or even experienced the blossoming of love or the breaking or hearts. Each individual album has been distinctly shaped through its history, which is evident through the imperfections in both its physical appearance and audio quality. The 'We Buy White Albums' Exhibition is on show until March 9; however, Chang is determined for it not to simply reach a standstill there. He has collated over 697 records to date and doesn't intend to simply discard the treasures like so many have before him. Following the closing of the anti-store, Chang will press a double LP of all the songs from 100 different albums layered together in a single audio sequence. Each discrete record has developed its own unique character with scratches and warps at various points in the songs. The resulting track will be like hearing hundreds of Beatles albums at once, with the individuality of each standing out above the next. Via Wired.
It's happening again. If you're fond of staring at the heavens with your own two eyes to see a stunning sight, you'll want to spend Thursday, October 17, 2024 looking up. Another supermoon is upon us, with the best time to see it arriving after sunset Down Under — so if you train your peepers upwards this evening, you'll be in for a glowing show. While super full moons aren't particularly rare — several usually happen each year, and one occurred in August 2024 as well as in September — there's still a a good reason to peer upwards this time around. If you're wondering why, we've run through the details below. [caption id="attachment_598533" align="alignnone" width="1280"] Andrew C via Wikimedia Commons[/caption] What Is It? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. As we all learned back in November 2016, a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. They're not all that uncommon — and because October 2024's supermoon is a full moon (and not a new moon), it's called a super full moon. It's also a hunter's moon, too, which refers to the time of year in the northern hemisphere. This is the time when hunting was undertaken to store meat for the coming winter in the other half of the world. Of course, that doesn't apply in the southern hemisphere, but the name still sticks. This supermoon is also the closest of 2024 — which makes it the brightest of 2024, too. [caption id="attachment_769713" align="alignnone" width="1920"] NASA/Joel Kowsky[/caption] When Can I See It? As mentioned above, your best time to look at the harvest supermoon is from sunset on Thursday, October 17, 2024, although it'll officially be a full moon at 10.26pm AEDT in Sydney and Melbourne, 9.26pm AEST in Brisbane, 9.56pm ACDT in Adelaide and 7.26pm AWST in Perth. The moon always appears full for a few days, however, so if you already thought that the night sky looked a little brighter this week, that's why. To catch a glimpse, you'll want to peek outside when it gets dark to feast your eyes on a luminous lunar sight. Head over to timeanddate.com for the relevant moonrise and moonset times for your area. Where Can I See It? You can take a gander from your backyard or balcony, but the standard advice regarding looking into the night sky always applies — so city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. Sunset arrives at 7.10pm AEDT in Sydney, 7.39pm AEDT in Melbourne, 5.56pm AEST in Brisbane, 7.31pm ACDT in Adelaide and 6.29pm AWST in Perth Via timeanddate.com. Image: Elekes Andor via Wikimedia Commons.
When you plaster giant, ornate portraits of beautiful women across the walls of nine-storey buildings, you're bound to get a name for yourself. Accordingly, Melbourne street artist Rone has become quite the sensation. Since bursting onto the local scene in the early 2000s, his work has been shown in London, New York, San Francisco, Miami and Hong Kong. Now, he's returning to where it all began for his first Australian show in two years. From October 24, Rone will present 11 new, large-scale portraits in — and on — an abandoned office building on Little Collins Street. The exhibition, Lumen, will be created with the help of lighting designer John McKissock, as the artworks will be illuminated from the building's decrepit, black walls. The artist will also create a 12-metre high mural on the building's ventilation tower. Adding to the creepy feel of the whole thing, the building has actually been slated for demolition, and it will presumably still be knocked down once the exhibition is over. Rone has an ongoing interest in transforming these kind of derelict and forgotten places. He's initiated similar projects in Mexico, Louisiana and New Orleans in the past. "Each of these places have, in recent times, been deeply affected by natural disaster, crime or debilitating economic situations," said the artist. "There is a genuine sense of community in these places, people embrace and appreciate what I'm doing." While Little Collins Street is a far cry from the Mexican city of Juarez, it's just as easy to understand Rone's fostering of local community in this latest Melbourne project. His mural at Rue & Co is still a much-loved icon of the CBD; people converge on it to take photos, drop their jaws in awe and meet friends for delicious Korean fried chicken. This support for the artist is evident in his other projects too. He's just been hand-selected by Jean Paul Gaultier himself to create installation works for the NGV's latest exhibition, and the Melbourne Festival has just plastered his art across one of the city's trams. Make sure you get a chance to check out this epic exhibition while it lasts — this guy's in high demand. Lumen will be on show on Level One, 109 Little Collins Street, Melbourne from October 24 to November 9. For more information, see the website.
When a hit show comes to an end, the network behind it often tries to fill the gap with something similar. It's the situation that HBO found itself in last year when Game of Thrones wrapped up, with the US cable channel quickly launching new fantasy series His Dark Materials and committing to making a GoT spinoff called House of the Dragon. And, with Big Little Lies looking like it's also all done and dusted, the station seems to be in the same predicament in the star-studded murder mystery genre as well. Enter The Undoing. Starring Nicole Kidman, and written and produced by Big Little Lies' David E. Kelley, it's a case of HBO sticking with what they know. Kidman plays a successful therapist who appears to have the perfect life, with a loving husband (Hugh Grant), a son (A Quiet Place's Noah Jupe) attending an elite school and her first book about to be published. Then a violent death sparks a chain of revelations that shatters her life as she knows it. Also part of the plot, as seen in the show's first teaser: a missing spouse, plenty of public attention, a heap of interrogations and a plethora of tough choices for Kidman's Grace Fraser. It'll all play out as a once-off limited series — although that was originally the case with Big Little Lies before it came back for a second season. Based on the novel You Should Have Known by Jean Hanff Korelitz, The Undoing also features Donald Sutherland and American Crime Story: The Assassination of Gianni Versace's Edgar Ramirez — with Bird Box director Susanne Bier behind the camera on every episode, just as she was on excellent Emmy-winning mini-series The Night Manager. The Undoing is set to screen on HBO sometime in May, with an air date Down Under yet to be revealed. Check out the trailer below: https://www.youtube.com/watch?v=zG1ZQERAlGQ The Undoing is set to screen on HBO in the US from May, with air dates Down Under yet to be announced. We'll update you when further details come to hand.
Sculpture by the Sea is a landmark event in Sydney's cultural calendar each year, drawing huge crowds to the two-kilometre Bondi-Tamarama coastal walk every October to gaze at the larger-that-life artworks. Unfortunately, as with many events, 2020 wasn't the exhibition's year. Plans for the event were forced to be abandoned, although Sydneysiders were treated to Milan Kuzica's towering fluro sculpture Green Life on the Tamarama foreshore as a consolation. When organisers originally announced there would be no 2020 edition of Sculpture by the Sea, an early 2021 date was floated. Sadly, this date has been pushed back again and large-scale art fans will have to wait until spring for the event's latest iteration, with October 2021 being announced as the new, pandemic-pending date for the exhibition. Organisers were optimistic an early 2021 event could be achieved but failed to secure an exemption from NSW Health Department last October. The event will instead go ahead in October with the same lineup of artists originally planned for 2020, plus two or three new additions scheduled to join the roster. Sculpture Rocks, a collaboration between Sculpture by the Sea, Place Management NSW and the Ports Authority of NSW that was set to see Japanese sculpture take over Campbells Cove in The Rocks this January, has also been postponed. The smaller-scale sculpture event is now planned for mid-2021. It has been a turbulent couple of years for the team behind the beloved Sydney art exhibition. In 2019, organisers clashed with Waverley Council over the design of a new path, threatening to move the event out of the council area. The planned upgrades to the area were completed in October 2019 before Sculpture buy the Sea came to an agreement with Waverley Council to remain in Bondi until at least 2030. Sculpture by the Sea is currently aiming to take place in October 2021. Stay up to date with the latest announcements at sculpturebythesea.com. Images: Trent Van der Jagt
Holidaymakers love staying in them. TV shows sing their praises. Everyone has wondered what their days would be like if they lived the tiny house life. Expect to explore that train of thought at the National Gallery of Victoria until April 2025, all thanks to the latest temporary addition outside the NGV International on St Kilda Road in Melbourne: Home Truth, the NGV's Architecture Commission for 2024. How big does the average Australian home need to be? How many tiny houses could fit in the space that a standard Aussie abode takes up? These mightn't be the normal questions that anyone tends to ponder when they visit an art gallery, but it's the query that Home Truth wants everyone to contemplate right now. First, you'll see and enter a standard-sized Aussie house. Inside, you'll then find an abode of much smaller size — and you'll notice the difference between the two. Each year, the NGV unveils a site-specific pop-up construction that experiments with design concepts while musing on subjects of public importance. This year's pick is a tiny house — which wouldn't sound out of the ordinary if it wasn't a pint-sized abode within the frame of the average Australian home, and if drawing attention to the contrast wasn't its aim. Created by Melbourne-based architecture and design studio Breathe, Home Truth continues the firm's focus on sustainable architecture that'll endure and has a purpose — and, since Wednesday, November 13, it's getting NGV visitors walking through a house-within-a-house labyrinth. The larger building represents the average 236-square-metre Australian residence. Nestled within it, the smaller-scale home is designed to spark conversations about alternative modes of housing. To get from one to the other, visitors enter via the larger house's garage door, then wander through rooms and hallways. When you reach the tinier home, you'll feel like you've hit the centre of a maze. Attendees will notice two different materials distinguishing each abode, too, with the bigger spot constructed from framing pine and the smaller house from the waste-made and silver-hued saveboard — offering up a comment on how homes are currently built in Australia as well. "Through its clever play on scale and materials, this thought-provoking work of architecture sparks a fascinating conversation about housing and sustainability in this country," explained NGV Director Tony Ellwood when he announced the 2024 Architecture Commission back in September . "Home Truth speculates that overconsumption of space and materials translates into ecological and social consequences — for both us and the planet. But importantly, it offers a provocative vision of a new way of thinking about building — seeing the value of living in spaces that are of smaller scale — a vision that prioritises people and planet," added Ewan McEoin, NGV's Senior Curator, Contemporary Art, Design and Architecture. Home Truth follows 2023's stunning pick (This is) Air, a giant inflatable sphere that breathed, as created by Australian architect Nic Brunsdon with Sky Castle, Airship Orchestra, Cupid's Koi Garden and Lost Dogs' Disco' ENESS. The 14-metre-high piece did indeed expand with air, then release it — so, yes, it inhaled and exhaled all day — to get everyone thinking about humanity's need for and relationship to air, how essential it is, how dependent we all are upon the element, how finite it is and how its quality is being impacted. In the past, NGV's Architecture Commission has also seen a colourful mini Parthenon, a bright pink pool to wade through, a bamboo garden with its own deck and an unforgettable pink carwash pop up, all as part of an initiative that started in 2015. 'Home Truth' by Breathe is on display at NGV International, St Kilda Road, Melbourne until Sunday, April 27, 2025 — head to the NGV website for further details. Images: installation view of the 2024 NGV Architecture Commission: Home Truth by Breathe. on display from 13 November 2024 until April 2025 at NGV International, Melbourne. Photo: Derek Swalwell.
Whether played by Julie Andrews in the original 1964 musical film or Emily Blunt in its 2018 sequel, Mary Poppins has always been a quintessentially English character. The beloved nanny is as well-known for being British as for her magical abilities and winning ways with an umbrella, after all. However the famous fictional figure also boasts a link to regional Australia — and now there's an Aussie museum dedicated to that fact. While Maryborough in Queensland's Fraser Coast region may seem worlds away from London, let alone Cherry Tree Lane, it's where author PL Travers was born. She also lived there until she was five, when her family relocated to Allora on the Darling Downs, as the 2013 movie Saving Mr Banks explored. Later, in her twenties, she moved to the UK, where she penned the eight Mary Poppins books that she's best known for. Because claiming any and every possible connection to fame is a thoroughly Aussie trait, Maryborough has long marked its link to Travers — the city hosts an annual Mary Poppins Festival, has been home to a bronze statue of the writer since 2005, and even has Poppins-shaped pedestrian crossing symbols on its traffic lights. With that in mind, the opening of The Story Bank of Maryborough is just the latest step in the town's supercalifragilisticexpialidocious celebrations, forming part of a hub focused on the Aussie-born writer. [caption id="attachment_732352" align="aligncenter" width="1920"] Where Imagination Lays in Wait in Maryborough / Gerard via Flickr[/caption] Inside The Story Bank, which is located in the heritage-listed Australian Joint Stock Bank building where Travers actually entered the world, visitors will find a whole showcase about Maryborough's ties with Travers. The museum steps through her life story, her family and the influences on her work — and, as well as featuring plenty of Poppins-themed items (yes, expect umbrellas), it includes images and documents from Travers' estate. If you've ever wanted to Mary Poppins figurines everywhere (including sliding down bannisters, obviously), feast your eyes on book and film memorabilia, or pretend you're in Cherry Tree Lane, here's your chance. The site also features a theatrette, gallery and workshop space, all as part of a $1.5 million restoration project. As well as Travers and Mary Poppins, The Story Bank highlights other talented local artists, as well as the art of storytelling in general. Find The Story Bank of Maryborough on the corner Kent and Richmond Streets, Maryborough, Queensland — and head to the museum's website and Facebook page for further details.
A long time ago, in this very galaxy, brass instruments sounded, a text crawl started and the first Star Wars film burst onto the screen. Thanks to director George Lucas and composer John Williams, it's one of the most iconic movie openings in history — and, in all of its force-wielding, Death Star-destroying, orchestra-scored glory, the sci-fi classic is making a kriffing special return. Star Wars movies have been getting the concert treatment for years now, but that doesn't make their presence on the big screen with a live orchestral soundtrack any less special whenever it happens. In 2023, Melbourne Symphony Orchestra is doing the honours once more in the Victorian capital, starting with the flick that began the whole franchise. It's also busting out another Disney favourite — and something very different. First, the film that every jedi, wookiee, droid and even sith around the world has obsessed over for almost five decades now: Star Wars: Episode VI — A New Hope. It'll grace the silver screen on Saturday, January 28 as part of the movie's 45th-anniversary celebrations (with that milestone hit in 2022, but hey, what's an extra month?). The feature will roll in The Plenary at the Melbourne Convention and Exhibition Centre at 1pm and 7.30pm, MSO will perform Williams' Oscar-winning compositions and, if you're there, you'll burst with a Millennium Falcon's worth of happiness. Whether you're a huge Star Wars buff eager to ride a wave of excitement in-between Andor season one finishing and The Mandalorian season three arriving, just have a casual interest, or have no idea what the term R2-D2 means, this is the way to see A New Hope. Conductor Nicholas Buc will lead the charge, as the city's finest provide the soundtrack to Luke Skywalker meeting Obi-Wan Kenobi, Princess Leia sending a message for help, Han Solo oozing his usual attitude and Darth Vader just being a power-hungry jerk. If you just can't let any kind of pop-culture love go, then an in-concert session of Frozen might also be your dream come true. That's MSO's second big movie gig for 2023 — and, yes, it's happening in winter. Taking place on Saturday, June 17 at 1pm and 7pm, these screenings will celebrate ten years since the animated hit first built a snowman, and unveiled the tale of sisters Elsa and Anna. If you like big occasions, it'll also mark 100 years of the Mouse House. Jessica Gethin is on conducting duties for Frozen, and everyone already knows the story as well as the soundtrack. Here, Anna has to embark on a trek to find Elsa, who gets trapped the kingdom of Arendelle due to her icy powers. Yes, you now have 'Let It Go' stuck in your head. Star Wars: Episode IV — A New Hope will screen at the Melbourne Convention and Exhibition Centre on Saturday, January 28, while Frozen will screen at the same venue on Saturday, June 17. Head to the MSO website for further details, and for tickets from 10am on Wednesday, November 16.
The 25th annual Melbourne Food and Wine Festival draws to a close this weekend with Harveast, a one-day market and free event showcase celebrating the best produce, wine and talent in the Melbourne's east. Featuring some of Melbourne's biggest names in food, there's something for the casual foodstagrammer and industry professional alike. Eastland's Town Square will be transformed into a market brimming with produce and food from over 30 stalls. MoVida's Frank Camorra will be there cooking up a big vat of paella, George Calombaris will be putting together limited edition pork belly Jimmy Grants souvas, and Pope Joan's Matt Wilkinson will be tending to a whole-beast spit-roast in the Beer and Cider Garden. You'll also be able to taste drops from 20 boutique wineries and partake in a gin appreciation class by Healesville distillery, Four Pillars. On top of all that, Banjo Harris Plane, sommelier and wine importer from Fitzroy's Bar Liberty, is curating an outdoor cellar door, while Camorra will demonstrate how to create classic Spanish tapas, and Johnny Di Francesco of 400 Gradi will deliver a masterclass in Mediterranean cooking. With live entertainment kicking off in the afternoon, Harveast promises a festival vibe and straight-from-the-source quality in the eastern suburbs.
If you're a fan of rooftop bars or barbecue (or, better yet, both), prepare to have your day made. After opening a new dedicated, two-storey barbecue joint on Bourke Street, the Fancy Hank's BBQ crew are now serving icy cold drinks at Good Heavens, the aptly named rooftop bar that sits above the smoked meat haven. It's a slice of Palm Springs in the Melbourne CBD, with the brand new casual rooftop bar completely unlike anything the Fancy Hank's guys have done before. Think brightly-coloured '80s-inspired cocktails, including twists on period-appropriate favourites like the Harvey Danger and Good Mai Tai. Think trusty classics given a new lease of life — such as the Poco Loco (aka Good Heavens' take on the Pina Colada) and Big Pharma (which you might usually call an espresso martini) — as well. Of course, it wouldn't be a Fancy Hank's venture without barbecue snacks, with the bar menu designed by venue partner and executive chef Mike Patrick. Mixing up Australian and American fare, as well as offering a more casual take on the meals served downstairs, the menu features the Hank's cheeseburger and nachos with brisket mole and queso, plus fried cauliflower with vegan ranch dressing and artichoke dip for non-carnivorous patrons. Throw in ten local and international beers on tap and DJs playing every weekend, and you might've found your new summer hangout. A word of warning: Good Heavens' many heavenly pleasures are limited to 200 people at a time, as per their liquor license, so you might want to get in early. Good Heavens is now open at 1/79 Bourke Street, Melbourne. Keep an eye on their Facebook page for more information. By Imogen Baker, Lauren Vadnjal and Sarah Ward.
If you've got a hard earned thirst for some spiffy beer merch, the folks at Victoria Bitter have you covered — and that's been the case for a couple of years. Hankering not just for any old branded VB gear for your wardrobe, but for a retro knitted Christmas sweater? Then you'll be pleased to discover that the famed Carlton & United Breweries beer has just added a new woolly piece to its range. Called the Very Best Christmas Sweater, VB's new jumper looks exactly like you'd want a festive VB piece of apparel to look — and yes, it comes covered with stubbies and snowflakes. Naturally, it makes great use of the brand's red, green and white colour scheme, too. Indeed, the beer's logo has really just been screaming for the Christmas treatment. If you're eager to celebrate Christmas in July by sinking a few brews, you now have the perfect outfit for it. That said, only 500 will be available to purchase. The first 100 have already sold out after going on sale this week, but 400 more will be up for grabs — for $80 each — sometime in the week commencing July 13. Keep an eye on VB's 'Big Cold gear' website for further details. [caption id="attachment_775621" align="aligncenter" width="1920"] Victoria Bitter[/caption] Also on offer: the rest of the brand's retro-styled collection, which nods firmly to the brew's lengthy history quenching the thirst of hardworking Aussies. There are crewneck jumpers, t-shirts, hoodies, beanies and caps, all emblazoned with that instantly recognisable logo. Alongside all the clothes, you'll also find VB jigsaw puzzles — plus glasses, water bottles, coolers, speakers, bar mats and even fridges. Victoria Bitter's 'Big Cold Gear' line is available for purchase online, including its Very Best Christmas Sweater. Top image: Victoria Bitter
For more than a year now, we've all been paying extra attention to maps — but not just to show us how to get from one place to another. Thanks to all manner of handy online diagrams, we've been using maps to see which venues have been visited by COVID-19 cases, and also to work out how far we can travel during lockdowns. Now, with vaccinations an important focus at this stage of the pandemic, there's also a particularly nifty interactive map that'll help you work out where to get the jab. If you're familiar with COVID-19 Near Me, the statewide map that draws upon Victorian Government's register of locations that positive COVID-19 cases have visited, then you already know where to head for this new map. It's actually an added function on the existing website, which now comes with two options at the top: exposure sites and vaccination clinics. Like the exposure venues part of the map, the statewide diagram gives locations specific hues depending on how the clinics operate. A grey dot is used if the clinic doesn't take online bookings, a purple dot indicates that it's an AstraZeneca clinic and a blue dot shows a Pfizer clinic. This map isn't run by the Victorian Government — it's just powered by its official data. So, Victorian residents are urged to also check the official Victorian Department of Health website as well. At the time of writing, the map was last updated on Sunday, August 8. At present, all adults in Australia can opt for the AstraZeneca vaccine as long as you give a doctor your informed consent before you go ahead. Since Thursday, June 17, the Australian Technical Advisory Group on Immunisation has recommended the use of AstraZeneca vaccine in people aged over 60 only due to the risk of rare blood clotting disorders that've been linked to the vaccine when given to younger folks. That change followed an early recommendation back in April, which noted the AstraZeneca vaccine wasn't preferred for anyone under 50. But since late June, as announced by Prime Minister Scott Morrison, anyone of any age, including those under 60, can still get the AZ jab — after making an informed decision by talking to a doctor. For people under 40 who'd prefer the Pfizer vaccine, you need to fall into a specific group to access it at present, as the nation's vaccination rollout hasn't yet opened up the Pfizer jab to that age group. That means that adults aged up to 39 aren't yet eligible to get the Pfizer vaccination unless you're of Aboriginal and Torres Strait Islander descent; work in quarantine, border or healthcare roles; work or live in an aged care or disability facility; work in a critical and high-risk job such as defence, fire, police, emergency services and meat processing; have an underlying medical condition or significant disability; are pregnant; or participate in the NDIS, or care for someone who does. You can check out all existing COVID-19 vaccination clinics at covid19nearme.com.au. To find out more about the status of COVID-19 in Victoria, head to the Victorian Department of Health website. Images: COVID-19 Near Me as of Monday, August 9.
A lot can happen in seven years — and, since sketch-comedy series Key and Peele aired its last episode back in 2015, plenty has. Forget all the chaos that's occurred in the world in general; just for Keegan-Michael Key and Jordan Peele, life has been hectic. Key has filled his resume with everything from Archer, Veep and Schmiggadoon! to The Predator, The Lion King and The Prom, while Jordan Peele just went and made three instant horror classics called Get Out, Us and Nope (oh, and won an Oscar). The next thing on the pair's agenda: a reunion, with the two voicing scheming demons in new Netflix movie Wendell & Wild. And if that wasn't enough exciting news for just one film, the stop-motion animated flick is directed by Henry Selick, who'll always have a place in every cinephile's heart thanks to The Nightmare Before Christmas and Coraline. In fact, this marks his first feature since the latter, which arrived back in 2009. Unsurprisingly, gorgeously creepy sights fill Wendell & Wild's just-dropped first teaser trailer, because that's exactly what Selick usually serves up. In a picture that he not only directs, but co-wrote with Peele — who also co-produces — the filmmaker focuses on two demon brothers, the titular pair, who want to be summoned into the Land of the Living. To achieve that feat, Wendell (Key) and Wilde (Peele) need the help of teenager Kat Elliot (voiced by Lyric Ross, This Is Us). But, as the movie's first sneak peek shows, that bargain comes with consequences — because Kat isn't just willing to assist without asking for something in return. Wendell & Wild's voice cast also includes other well-known names, such as Angela Bassett (Gunpowder Milkshake), James Hong (Everything Everywhere All At Once) and Ving Rhames (Mission: Impossible — Fallout). And, because it's almost that time of year, of course the film is dropping in time for Halloween — hitting streaming on October 28, in fact. Check out the trailer for Wendell & Wild below: Wendell & Wild will be available to stream via Netflix on October 28. Images: Netflix © 2022.
Some may call it ambitious, given the mess of uncertainty that 2020 has been. Most will simply celebrate having something big, loud and live to look forward to. But whatever your thoughts, music agency Novel has announced plans for its next huge live music event and you're all invited. Set to take over an undisclosed space on March 7, 2021, and headlined by Berlin DJ great Ben Klock, is Novel's grand post-pandemic debut, Smalltown Street Rave. The COVID-safe dance party will be the first IRL outing in about 12 months for the group, which is the same crew behind events like Let Them Eat Cake and Pitch Music & Arts. Crowd restrictions have meant that it's been a tough year for the music industry as a whole, with Novel managing to squeeze in just a handful of shows before COVID-19 swooped in. And of course, that's off the back of its 2019 venue dramas, which involved VCAT hearings, a head-to-head with local council and the last-minute relocation of one of its huge Smalltown events. But next up, Smalltown Street Rave looks set to close curtains on past issues and end Novel's hibernation with a bang. And a big one at that: the team's managed to nab a 5000-person-capacity inner-city venue for the occasion. They're keeping the exact location under wraps for now, but we're told it's in a secluded industrial area, with minimal sound restrictions and acres of space. The secret will be out soon, but in the meantime, just think back to past Novel offerings at sites like Marvel Stadium's underground carpark, St Kilda Foreshore and Werribee Mansion, and let your imagination run wild. [caption id="attachment_671505" align="alignnone" width="1920"] B3 underground car park[/caption] There's also no word yet on exactly who will be joining Ben Klock in making excellent use of the Funktion-One Soundsystem, though Novel is, of course, well-known for pulling the big guns. Past Smalltown events have drawn such heavy hitters as DJ KOZE, Nina Kraviz and Stephen Bodzin. For now, just know there'll be international guests among the lineup, with names to be revealed in the coming months. The music agency is countering the uncertainty that this year's pandemic has thrown our way by initially selling tickets for just 25 percent of the venue's capacity, until future crowd restrictions become a little more predictable. You can snap one up from 12pm this Wednesday, October 7, safe in the knowledge that both refunds and ticket exchanges will be offered in the case of any postponement. Smalltown Street Rave will also be compliant with all regulations, including following a COVID-19 Safe plan. Smalltown Street Rave is set to takeover a yet-to-be-announced Melbourne location from 12–11pm on Sunday, March 7. Tickets go on sale from 12pm, Wednesday, October 7. You can grab yours here. Top image: Let Them Eat Cake
Australia's hospitality industry scene has done it tough over the past year — again — but it still boasts some of the best bars on the planet. Don't just take our word for it; according to this year's just-revealed World's 50 Best Bars list, we're home to four of the top 50 watering holes worldwide. Our highest-ranking spot to get sipping in 2021: Sydney's Maybe Sammy. It's the third year in a row that the innovative bar in The Rocks has made the list, taking 22nd place. That's a drop from 2020, when it came in at number 11, but higher than in 2019, when it sat at 43rd. Coming hot on its heels is another World's 50 Best Bars list veteran, Cantina OK!, which moved up from number 28 last year to number 23 in 2021. Next, Melbourne's Above Board earned a spot at number 44, while Sydney newcomer Re jumps in at number 46. So, whether you're a Sydneysider, Melburnian or a future visitor to either city, you now have an excuse to hit up a globally acclaimed venue. [caption id="attachment_714475" align="alignnone" width="1920"] Cantina OK!, Kimberley Lo[/caption] For those yet to be acquainted with Maybe Sammy, its luxurious styling nods to old-school Vegas glamour, all blush pink velvet banquettes and lush indoor greenery, while the list of theatrical signature drinks pays homage to the classics. At Cantina OK!, you'll find a pint-sized mezcal bar in an old garage down a service laneway — complete with bright pink and purple walls, Mexican vibes and laneway seating. Collingwood's minimalist Above Board skews super-intimate, boasting only 16 seats and with no standing permitted — while Re, which is located in Sydney's ever-growing South Eveleigh precinct, hails from hospitality stars Matt Whiley (Scout) and Maurice Terzini (Icebergs Dining Room & Bar, Ciccia Bella). The latter also has a zero-waste focus, and nabbed The World's Best 50 Bars 2021's Ketel One Sustainable Bar Award as well. [caption id="attachment_836460" align="alignnone" width="1920"] Above Board[/caption] While Sydney was better represented in the top 50 than Melbourne, the Victorian capital was the only Australian city to feature in the 51–100 list, which was announced late last week. Cocktail haven Byrdi scored a place on the extended rundown for the second year in a row. The annual World's 50 Best Bars awards are voted on by bar industry experts from around the world, including bartenders, consultants, drinks writers and cocktail specialists. And if you're wondering what topped the list worldwide, that'd be London's Connaught Bar, which emerged victorious for the second year in a row — so there's somewhere to add to any future UK itineraries. For the full World's 50 Best Bars 2021 rundown, head to the list's website — and you can check out the 51–100 list online as well. Top image: Maybe Sammy.
When Ron Swanson discovered digital music, the tech-phobic Parks and Recreation favourite was uncharacteristically full of praise. Played by Nick Offerman (The Last of Us) at his most giddily exuberant, he badged the iPod filled with his favourite records an "excellent rectangle". In Black Mirror, the same shape is everywhere. The Netflix series' moniker even stems from the screens and gadgets that we all now filter life through daily and unthinkingly. In Charlie Brooker's (Cunk on Earth) eyes since 2011, however, those ever-present boxes and the technology behind them are far from ace. Instead, befitting a dystopian anthology show that has dripped with existential dread from episode one, and continues to do so in its long-awaited sixth season — which arrived on Thursday, July 15 — those rectangles keep reflecting humanity at its bleakest. Black Mirror as a title has always been devastatingly astute: when we stare at a TV, smartphone, computer or tablet, we access the world yet also reveal ourselves. It might've taken four years to return after 2019's season five, but Brooker's hit still smartly and sharply focuses on the same concern. Indeed, this new must-binge batch of nightmares begins with exactly the satirical hellscape that today's times were bound to inspire. Joan Is Awful, with its AI- and deepfake-fuelled mining of everyday existence for content, almost feels too prescient — a charge a show that's dived into digital resurrections, social scoring systems, killer VR and constant surveillance knows well. Brooker isn't afraid to think bigger and probe deeper in season six, though; to eschew obvious targets like ChatGPT and the pandemic; and to see clearly and unflinchingly that our worst impulses aren't tied to the latest widgets. Taking ripped-from-reality tales to an uncanny extreme, tearing into the obsession to adapt everything into content, exploring the catharsis found and carnage wrought by slipping into avatars: that's all in Black Mirror season six's five instalments. So is the ravenous nature of celebrity culture, plus the apocalyptic path that insular attitudes give rise to. Throw in explosive diarrhoea, Salma Hayek Pinault (Magic Mike's Last Dance) playing herself, the true-crime boom, the savagery of fame, alternate pasts, astronauts and devilish bargains as well, and Brooker has given himself and viewers much to play with. Each chapter, whether focusing on a woman's existence being broadcast to the world or swapping sci-fi for horror in the first-ever Red Mirror instalment, pinballs between chilling and thrilling. Each chapter also knows that no matter whether streaming queues, VHS tapes, human replicas, 00s-era cameras or runic talismen feature, humanity's biggest enemy is itself. Starring Annie Murphy (Kevin Can F**k Himself) as its namesake, Joan Is Awful is the only futuristic story in season six, examining where our current times might lead as Black Mirror long has. After firing a friend, complaining to her therapist about her boyfriend (Avi Nash, Silo) and meeting up with her ex (Rob Delaney, The Power), tech-company CEO Joan gets comfortable on the couch to watch Streamberry's latest wares, only to find that she's the platform's fresh subject (and that Hayek Pinault has stepped into her shoes). The series-within-the-series dramatises her past 24 hours, in fact, and doesn't paint Joan in a positive light. Swiftly, everyone she knows is watching, all taking the on-screen version as gospel. Savvily, the episode interrogates the platforms that Black Mirror and almost every other TV show exist on right now, television's relationship with reality, the incessant quest to thrust ordinary lives into the spotlight and the undervaluing of everyone in the creative industries — which bites hard given the present writers' strike — and it's a cutting and amusing delight. Next comes Loch Henry, which also has the medium of streaming in its sights. Black Mirror has been part of Netflix's stable since 2016, moving to the service after commencing on the UK's Channel 4, but Brooker doesn't let that stop him from digging the show's claws into its funder and home. Initially, the episode's film students Davis (Samuel Blenkin, The Witcher: Blood Origin) and Pia (Myha'la Herrold, Bodies Bodies Bodies) visit the former's sleepy Scottish hometown to make a nature documentary. Then Pia learns about the serial killer who terrorised the scenic locale decades back. Loch Henry doesn't just riff on the prominence of both David Attenborough-style series and headline-driven crime shows, or the fact that the latter can put sensationalist entertainment ahead of the very real victims; it also contemplates how easy it is to conceal one's true self from the world and how empty getting exactly what you've dreamed of can be. In Beyond the Sea, Aaron Paul returns to Black Mirror after first being involved in 2017. Here, it's an alternative 1969, and Cliff (Paul, Westworld) and David (Josh Hartnett, Operation Fortune: Ruse de Guerre) are on a deep-space mission, retaining ties with their families on earth — including Cliff's wife Lana (Kate Mara, Call Jane) — via mechanical doppelgängers that they can port their consciousness into from the heavens above. Brooklyn's John Crowley directs this episode, which proves apt when its retrofuturistic concept plunges into yearning after pivoting on a tragedy and following in Once Upon a Time in Hollywood's footsteps. Black Mirror is rarely light; however, this thoughtfully paced, supremely well-acted chapter takes a particularly grim view of humanity's proclivity for jealousy and spite, and our penchant to use technology to indulge both. With Mazey Day, which shares its title with a starlet (Clara Rugaard, I Am Mother), the series also jumps backwards. This time, it's the mid-00s, Suri Cruise's birth is big news, and Bo (Zazie Beetz, Atlanta) is a paparazzo barely getting by, then quitting after her snaps lead to an actor's demise, then tempted back for a $30,000 payday. Her task: nabbing photos of Mazey, who has disappeared after a hit-and-run incident. Again, this season of Black Mirror carves into the commodification of people as content. Again, it shows that 2023-era devices and anything they evolve into aren't behind this trend. And again, it's both perceptive and surprising — and, although it tells viewers what they already know, that's also Black Mirror's usual remit. While horror bubbles through most Black Mirror episodes, including season six's, Red Mirror debut Demon 79 gives the genre its heartiest embrace yet. It's also the series' 2023 standout, and not just because Anjana Vasan (Killing Eve) and Paapa Essiedu (Men) are each a treat as a shopgirl forced to get murderous and a Boney M-inspired demon, respectively. The year is 1979, Needa (Vasan) sells footwear in a Northern England department store and racism stalks her every move, as does the fomenting political fearmongering sweeping the community. Soon, a Knock at the Cabin-esque scenario arises, with Gaap (Essiedu) giving Needa three days to kill three people or the world will come to a fiery end. As penned by Brooker with Bisha K Ali (Ms Marvel), Demon 79 looks like a video nasty from decades back, and hones on spreading ideas rather than the technology that enables them. But as someone's status quo forever changes in no small part thanks humanity's most atrocious traits, it's still Black Mirror 101. Check out the full trailer for Black Mirror's sixth season below: Black Mirror season six streams via Netflix from Thursday, June 15. Images: Netflix.
Being a film and television fan in 2018 means two things. Firstly, your viewing choices are seemingly endless, as anyone with a hefty streaming queue knows. Secondly, many of those viewing choices involve remakes of, sequels or prequels to, or other continuations of already existing hits. Just this year, we've learned that Veronica Mars and Daria are coming back to the small screen, The Lord of the Rings is being turned into a TV show and Game of Thrones is definitely getting a spin-off once the original series ends. Now, we can add Breaking Bad, The Walking Dead and Deadwood films to the ever-growing list of properties that just keep on keepin' on. This week, news hit about all three popular series and their new feature-length additions. All three are being turned into movies in some shape or form, but it's a safe bet that those films are all still headed to a TV screen. Prepare to exclaim "yeah, science!" like Jesse Pinkman thanks to the return of Breaking Bad — which, as Better Call Saul diehards are well aware, has never completely gone away since the OG show wrapped up in 2013. As reported by Variety, creator Vince Gilligan is working on a two-hour film with the working title of Greenbriar, which will begin shooting this month. Bryan Cranston has confirmed the news, but just whether he's in it or what it's about is still the subject of rumour. Slashfilm advises that the movie will focus on Jesse, showing what came next for Walter White's former student and protege after Breaking Bad's finale. As for The Walking Dead, the long-running (and still-running) show is set to release a number of films about Andrew Lincoln's Rick Grimes, who led the series from its 2010 debut through to the fifth episode of the show's ninth season. Deadline reports that the movies will form part of The Walking Dead Universe, alongside other films, specials and series, plus digital content and more. The Walking Dead already has its own small-screen spin-off, Fear The Walking Dead — and the first Rick Grimes flick is expected to go into production in 2019. Finally, in news that'll make lovers of Deadwood want to down a celebratory shot of whisky, the three-season western series is coming back as a movie. Ever since the show was cancelled back in 2006, a film has been rumoured, but The Hollywood Reporter notes that it started filming this week. It'll be set ten years after the final season, with the story exploring a reunion of the show's characters. Original stars Ian McShane, Timothy Olyphant, Molly Parker, Paula Malcomson, John Hawkes, Anna Gunn, W. Earl Brown, Dayton Callie, Brad Dourif, Robin Weigert, William Sanderson, Kim Dickens and Gerald McRaney are all reuniting for the series. Via Variety /Deadline / The Hollywood Reporter.
In yet another southward-bound international fashion expansion, Uniqlo has just announced that it'll be opening in Australia for the first time come autumn 2014. Melbourne's Emporium, located on Lonsdale Street in the CBD, will be home to a four-level, 2180 square metre megastore selling the Japanese brand's quality yet affordable apparel. Heattech underwear, bold collaborations with designers and Ultra Light Down are among their signature products. "We are very excited to be opening our first store in Melbourne, Australia," Uniqlo's Australian CEO Shoichi Miyasaka commented. "The city is a great centre of style and we hope to make Uniqlo an essential stop for for fashion-conscious Melbourne shoppers looking for high quality, affordable clothes. "Our goal is to build a loyal customer base by offering every visitor the outstanding level of customer service that Uniqlo is known for within Japan, in a comfortable and welcoming shopping environment." Owned by Japan's Fast Retailing Co. (the globe's fourth biggest clothing retail giant), Uniqlo first opened in 1984 and now runs 1200 stores across 14 different countries. It's been moving steadily south for four years, having set up in Singapore in 2009, Malaysia and Thailand in 2010, the Philippines in 2012 and Indonesia earlier this year. Fast owns six other major brands: Theory, Princess tam.tam, J Brand, Helmut Lang, GU and Comptoir des Cotonniers, and sold a whopping 928 billion Japanese Yen (AU$10 billion) worth of goods during the 2011-2012 financial year. Via Daily Life
When it comes to choosing a type of wine, we've got our decision-making process down. If it's a lunch wine, we'll make it a white. Steak for dinner? Red it is. Hot days may call for a rosé. But now a group of Spanish entrepreneurs are set to throw a spanner in the works and disrupt the clear wine colour scheme we've grown accustomed to as the natural way of things. They've created a wine that's bright blue. We were so over rosé anyway. This futuristic new wine is called Gik, and it's been created by six young Spanish go-getters in collaboration with the University of the Basque Country and Azti Tecnalia (the food research department of the Basque Government). The wine's electric blue colour looks a lot like regret (aka Blue Curacao cocktails of the 00s), but, according to Eater, is actually made from an undisclosed blend of red and white grapes sourced from vineyards in Spain's Basque region. It gets its bright blue colour from the addition of anthocyanin (a pigment found in grape skin) and indigo (a dye extracted from the Isatis tinctoria plant). The wine is a sweet, easy to drink drop, and is evidently trying to shake up the traditional wine game. "Try to forget everything you know about wine," says a statement on the Gik website. "Try to unlearn the hundreds of protected wine designations of origin, the complex and demanding service standards and everything that sommelier said at a tasting course to which you were invited." The wine was launched in Spain last year and will be stocked in retailers in France, the UK, the Netherlands and Germany over the next few months. It may be a while until we see blue wine on our dinner tables yet though. Via Eater.
Wellington Paranormal is back for its fourth and final season, Rose Matafeo's rom-com sitcom Starstruck has just returned for its second batch of episodes, and now Taika Waititi and Rhys Darby's HBO Max pirate parody is less than a month away — yes, it's proving a fantastic time for TV comedies either made in New Zealand or starring NZ talent. And if you're particularly keen to say "ahoy!" to Waititi and Darby's Our Flag Means Death, here's some more great news: its just dropped an unsurprisingly hilarious full trailer. Sometimes, the world just handily delivers answers to questions you didn't even know you ever had. You might not have actively wondered to yourself "what'd happen if NZ treasures Taika Waititi and Rhys Darby played pirates?", for instance, but we're betting you're now keener than a buccaneer searching for a bottle of rum to discover how it turns out. And, arriving on Thursday, March 3 on Binge in Australia and Friday, March 4 on Neon in NZ, Our Flag Means Death will firmly answer that query. The ten-episode sitcom sees Darby lead the show as Stede Bonnet — who was a real-life pirate who took to the seas in the early 18th century. The reason that his story is getting the streaming treatment? Bonnet was a 'gentleman pirate', as both the initial teaser and just-dropped full trailer for Our Flag Means Death dubs him. He left his life of privilege to rove the oceans, which this comedy is set to have plenty of fun with. [caption id="attachment_840021" align="alignnone" width="1920"] Aaron Epstein/HBO Max[/caption] As the show's sneak peeks so far demonstrate, Bonnet has some bold ideas about how life onboard should run — bold compared to the usual pirate stereotypes, that is. And, that sees him clash with a very famous name from pirate history: Blackbeard, which is who Waititi plays, and who appears far more traditional with his views on the whole pirate caper.. The two immensely funny NZ talents are joined by a long list of co-stars that includes Ewen Bremner (First Cow), David Fane (Paper Champions), Nathan Foad (Bloods), Joel Fry (Cruella), Samson Kayo (Truth Seekers), Rory Kinnear (No Time to Die) and Leslie Jones (Death to 2020). And, while Our Flag Means Death is the brainchild of writer, showrunner and executive producer David Jenkins (People of Earth), Waititi directs the pilot — and executive produces, lending his name and support to another up-and-coming comedy after doing the same with Reservation Dogs last year. And yes, that means he's directing Darby yet again, as he's already done in everything from Flight of the Conchords and What We Do in the Shadows to Hunt for the Wilderpeople. Our Flag Means Death will drop three episodes on March 3, another three on March 10, then two episodes on both March 17 and March 24. Check out the full trailer for Our Flag Means Death below: Our Flag Means Death will start streaming in Australia via Binge on Thursday, March 3 and in New Zealand via Neon on Friday, March 4.
One balmy day this summer, a normally quiet pocket of Abbotsford is set to come alive, as it plays host to a rollicking, tune-filled block party. On February 2, Duke Street will be putting on quite the show, with resident businesses opening their doors for a series of one-off activations. Enjoy crafty brews and live, local tunes at Moon Dog Brewery, a local design showcase at Hub Furniture, motorbike workshops at Kustom Kommune, freshly roasted coffee courtesy of Bureaux Coffee Roasters, plus plenty more. You'll also find an assortment of pop-up dining spaces, slinging specialty food and cocktails to fuel the day's fun. Meanwhile, touring agency Crown Ruler and Melbourne collective Untitled Group — the peeps behind Beyond the Valley, Pitch Music & Arts, Ability Fest — are teaming up to deliver one heck of a music lineup, with a main stage overlooking Yarra Bend bushland and a second making its home in a carpark. Dishing up a broad range of musical goodness will be USA synth-funk darling Evelyn Champagne King, along with Mondo Freaks, a DJ set from UK legends Floating Points, and London-based selector John Gómez. They'll be joined by a swag of local favourites, including Total Giovanni, Nasty Mars & The Martians, Cassettes For Kids and Brooke Powers. Duke Street Block Party will run from 12pm–10pm. Pre-sale tickets will be released at 5pm on Thursday, December 20 — signup for them here — with general tickets at 12pm on Friday, December 21.
First, the bad news: if you've been hanging out to see The Kid LAROI take to the stage on his first-ever Down Under stadium tour, you'll now be waiting longer. Now, the better news: part of the delay is due to trying to lock in a "really big surprise and special guest", the Australian singer-songwriter advised on Instagram, who couldn't be finalised before the planned February dates. "We've had to push back the Australian leg of the tour to October," Charlton Kenneth Jeffrey Howard noted. "The tour will now end off in Australia." The Kid LAROI also named "a bunch of other logistical stuff" as a reason for the delay, while saying that he wants to give audiences the best show he can — and "make everyone back home proud". The tour is in support of The Kid LAROI's debut studio album The First Time, and was originally set for a five-city Australian run. New dates haven't been announced as yet, but the star was due to play Melbourne's AAMI Park, Perth's HBF Park, Adelaide's Coopers Stadium, Sydney's Commbank Stadium and CBUS Super Stadium on the Gold Coast. The First Time might be a new 2023 arrival, but The Kid LAROI has been releasing music since 2018 — solo, and also teaming up with everyone from Juice WRLD and ONEFOUR to Justin Bieber. Accordingly, fans can look forward to hearing 'Stay', 'Without You', 'Thousand Miles', 'Love Again' and more next spring. The stadium tour follows The Kid LAROI's first headline Australian tour back in 2022, which sold out arenas across the country, sparking the addition of more dates. On his postponed 2024 dates, the artist has confirmed that ONEFOUR will still be on the bill. As for who else will join them, "we're working on the details including some new additions to the lineup and will let you know ASAP," the singer said. THE KID LAROI THE FIRST TIME TOUR 2024: October 2024 date TBC — AAMI Park, Melbourne October 2024 date TBC — HBF Park, Perth October 2024 date TBC — Coopers Stadium, Adelaide October 2024 date TBC — Commbank Stadium, Sydney October 2024 date TBC — CBUS Super Stadium, Gold Coast The Kid LAROI is touring Australia in October 2024, postponed from February 2024 — head to the Australian ticketing site for more information. Top image: Adam Kargenian.
UPDATE, MAY 2, 2020: The Australian Lockdown Comedy Festival has announced its full lineup and its premiere date. This article has been updated to reflect these changes. When COVID-19 started having an impact on Australian events, the Melbourne International Comedy Festival was one of the first to scrap its plans for 2020. The Brisbane Comedy Festival, which was already underway, also cancelled its final week — and in New South Wales, the Sydney Comedy Festival completely shuttered its event for this year, too. That means that the country's funniest folks now have some extra time on their hands — indoors, while social distancing, of course. And, they still have plenty of jokes to tell, which is exactly what Stan's new Australian Lockdown Comedy Festival is aiming to capitalise upon. Heading to the platform weekly from 7pm on Saturday, May 9 — dropping four episodes in total — the streaming-only laughfest will feature lockdown sets from comedians such as Wil Anderson, Cal Wilson, Nazeem Hussain, Dave Hughes and Zoe Coombs Marr, who'll all share material from their planned 2020 gigs. Also on the lineup: Tommy Little, Geraldine Hickey, Dilruk Jayasinha, Steph Tisdell, Aaron Chen, Sam Campbell, Michelle Brasier and Nath Valvo, as well as Tom Ballard, Randy Feltface, Claire Hooper, Becky Lucas, Sam Taunton, Nikki Britton, Demi Lardner and Tom Walker. Yes, it's a hefty list, and also features Lauren Bonner, Oliver Twist, Blake Freeman and Bec Charlwood. Each comedian has recorded their set from their homes, so expect jokes told in their kitchens, bedrooms, lounge rooms and even bathrooms. They've also be handled all the tech requirements themselves, such as setting up and operating their own cameras, in order to abide by social-distancing requirements. That said, they did have access to a director via video conferencing. Every Australian Lockdown Comedy Festival episode will feature at least six different comedians performing short standup comedy spots — including one MCing the episode. And if you're looking for some local laughs before the fest starts streaming, Amazon Prime Video has just dropped ten comedy specials from MICF stars, too. The Australian Lockdown Comedy Festival hits Stan weekly for four weeks from 7pm on Saturday, May 9.
With its iconic steps sequence and distinctive use of montage, 1925 Soviet-made movie Battleship Potemkin changed the way the world thought about film. Making enduring efforts such as Solaris and Stalker, Russian director Andrei Tarkovsky also achieved the same feat during the '60s and '70s. And in 2003, roaming historical drama Russian Ark did too courtesy of a single 96-minute take. Yep, this was more than a decade before Birdman tried something similar. They're just some of the highlights of Russian film history, and there's more where they came from. In fact, that's the domain of the Russian Resurrection Film Festival, which brings future classics and beloved greats alike to Australian cinema screens for an annual celebration of Russian movie making. In its thirteenth year, the fest has curated a collection of twenty efforts that showcase just what makes the country's film output so stellar. Whether you're keen on diving into a duelling epic, going swashbuckling with a beloved animated pirate, or catching a glimpse of uncompleted relics from the past, you'll find plenty to watch here — plus our five must-see picks, of course.
It's been three years since Spanish-born civil engineer Santiago Seco-Pablos left his career to start a new food business dedicated to the classic bechamel croquetas of his homeland. La Croqueteria has been winning over local fans ever since — and now it's celebrating its third birthday with a one-day pop-up at South Melbourne Market's La Central Deli & Bodega. If hot cheese-filled morsels take your fancy, swing past from 11am on Saturday, April 15 to sink your teeth into some free tastings. La Croqueteria's ever-growing range currently includes varieties like jamon serrano, goat cheese and jalapeno, bacalao (salted cod), and a calamari number that's been dipped in squid ink. Once you've snacked on some samples and selected a few favourite flavours, you'll also find a selection of take-home packs (12-piece boxes and one-kilogram bags) available to buy and stock your freezer with. Deep-fry those croquetas until golden brown and you've got yourself some standout Spanish snacks. Sounds like it's time to start planning a tapas night at your place.
Wintertime is gallery time in Melbourne, so it's no surprise the NGV took a go-big-or-go-home attitude to follow up their extended Van Gogh and the Seasons exhibition. Thankfully, they haven't disappointed with a huge display of the works of Katsushika Hokusai. Running until October 15, the Hokusai exhibition is the largest single assemblage of the artist's work ever to be seen in Australia. More than 150 of his works are on display – including his five career-defining series of woodblock prints, the complete 15 editions of handprinted manga, plus silk works and rarely exhibited paintings. To make the exhibition a reality, NGV curator of Asian art Wayne Crothers worked closely with the Japan Ukiyo-e Museum (JUM), a privately owned gallery and one of the world's largest collectors of Japanese woodblock prints. Crothers says this relationship allowed the NGV to showcase the "highest quality examples" of Hokusai's work available. On entering Hokusai, you'll get to know the artist from works from his early career before coming to his universally acclaimed Thirty-six Views of Mt Fuji series. Created during Hokusai's own circumvention of Mt Fuji and his eventual summit, this series is the best instance of Hokusai's uncanny ability to depict everyday Japanese life and the population's closeness to nature. Next up is the unmistakable centrepiece — The Great Wave off Kanagawa — while across the gallery threshold is A Tour to the Waterfalls in Various Provinces, which rests against a distinctly 'Hokusaian' Prussian blue backdrop. Here, the gallery splinters into various spaces dedicated to his many manga volumes, and other lesser-known (but equally as impressive) works. While we're fortunate enough to be able to see many of Hokusai's headline artworks for the first time in Australia, Crothers explains the artist's most famous works are only the beginning to this exhibition: "One of the things we wanted to show through this exhibition was for everyone to enjoy 'The Wave', but then move beyond it and to experience the imagination in Hokusai's other creative projects." Here, with the help of Crothers' nuanced insight, we've selected five great works (aside from The Great Wave) from the Hokusai collection that you can't possibly miss. [caption id="attachment_630150" align="alignnone" width="1920"] The Amida Falls in the far reaches of the Kisokaidō Road, courtesy of The Japan Ukiyo-e Museum, Matsumoto.[/caption] THE AMIDA WATERFALL ON THE KISO ROCK, A TOUR TO THE WATERFALLS IN VARIOUS PROVINCES, (C. 1832-1833) The Waterfalls series represents some of the most experimental and creative works Hokusai produced at any time throughout his career. A stunning design piece, The Amida Waterfall on the Kiso Road shows an overhead view of flowing water, before halfway down the work changing perspective to a right-angled illustration of a waterfall. [caption id="attachment_630153" align="alignnone" width="1920"] Hokusai install at NGV, shot by Tom Ross.[/caption] VIEW OF THE PONTOON BRIDGE AT SANO IN KOZUKE, REMARKABLE VIEWS OF BRIDGES IN VARIOUS PROVINCES (1830) One of Crothers' favourite works of the exhibition, this piece captures the beautiful Japanese winter landscapes, while the travellers trudge across the snow covered pontoon in silence. Throughout this series, Hokusai illustrates the changing of the seasons across diverse locations and depicts the lives of working class Japanese people during this period. [caption id="attachment_630155" align="alignnone" width="1920"] The ghost of Kohada Koheiji, courtesy of The Japan Ukiyo-e Museum, Matsumoto.[/caption] 100 GHOST STORIES (1831) Based upon numerous well-known Japanese supernatural tales, the Ghost Stories series is Hokusai's surreal interpretation of these stories. Taking a satirical and humorous approach, for this woodblock print series Hokusai took one small detail from each popular fable and crafted caricatures, which mocked government corruption, societal wrongs and other common issues during this era. An immaculate collection, Crothers says these prints best demonstrate Hokusai's "vivid imagination". [caption id="attachment_630159" align="alignnone" width="1920"] Hokusai installation, shot by Tom Ross.[/caption] CLIMBING THE MOUNTAIN, THIRTY-SIX VIEWS OF MT FUJI (C. 1830-1833) While you might assume Thirty-six Views of Mt Fuji has 36 accompanying prints, in fact, the series was so popular that Hokusai created an additional ten prints (although the original title was kept). Described by Crothers as the perfect 'final gesture', this 46th print depicts a group near Mt Fuji's summit, which was said to hold the key to immortality — a topic Hokusai often showed interest in. REFLECTION IN LAKE AT MISAKA IN KAI PROVINCE, THIRTY-SIX VIEWS OF MT FUJI (C. 1830-1833) Depicting a peaceful reflection of the summertime summit of Mt Fuji in its lush landscape, this woodblock print is another from the subsequent ten prints to the original series. Hokusai is known for including many subtle details and references throughout his work, and on closer inspection of this piece, you'll notice the distinctly summer time Mt Fuji shows off its wintery side in the lake's reflection. Hokusai is now showing at NGV International.
A longtime festival favourite among foodies, the Good Food & Wine Show, is back for its 2022 run. And, like always, the event packs a flavourful punch — there's the Good Food Village, which showcases artisan producers (with tastings galore); the Riedel Drinks Lab and its roll call of vino masterclasses; and The Kitchen by Harris Scarfe and its supercharged list of hospo heavyweights sharing their tips, tricks and favourite recipes. Here at Concrete Playground, good food and wine is our religion. We're up on the latest openings and frequent the delicious mainstays, we try out the hot-ticket ingredients (be it yuzu or alc-free liqueurs) and we happily attend events celebrating the tip-top of Aussie producers, dining venues and culinary talents. So, bringing it all under the one roof — with tickets for just $28 (or $35 with a tasting glass to keep) — is a sure-fire way to have us racing to plan a tasty itinerary for the day. After successful weekenders in Melbourne, Sydney and Perth, the annual extravaganza is set to hit Brisbane Convention & Exhibition Centre from October 21–23. This year is truly not one to be missed — read on for our picks at this year's shows. NOODLE SMACKDOWN AND DINNER INSPIRATION As someone who learns best by seeing things in action, I can guarantee you I'll be spending most of my Good Food & Wine Show at The Kitchen by Harris Scarfe. There'll be a bunch of live cooking demonstrations courtesy of well-known chefs sure to equip you with new kitchen tricks and some much-needed dinner inspiration. With so many incredible options available, it's tough to decide which class to attend. So far, I've got my eyes firmly fixed on Brendan Pang's Noodle Smack Down Street Food demonstration. Courtney Ammenhauser, Branded Content Manager A CHEESY WONDERLAND The food show is always a cheese wonderland, and tasting your way up and down Cheese Lane (and then up and down again) is a delicious way to spend your day — just mentally prepare yourself for those cheese dreams afterwards. Here are three little words that should get nearly everyone excited: cheese, chocolate and sparkling. This Good Food & Wine Show masterclass — hosted by cheese expert and owner of Smelly Cheese Project Valerie Henbest — is dedicating 45 minutes to the not-so-common pairing of cheese and choccie (with a glass of bubbles on the side), and is sure to tempt a crowd. You'll want to nab a ticket, stat, if you don't want to miss it. Sarah Ward, Associate Editor CULINARY STARS AND BIG, BEAUTIFUL BAROSSA REDS Since wine always tastes better when you know a bit about whatever the heck it is you're sipping, I'll be heading to the free palate appreciation classes at the Riedel Drinks Lab. The sessions are led by resident wine guy Nick Ryan and involve some expert tutelage, as well as tastings. In the midst of winter's chill, the class dedicated to big, beautiful reds is calling out to me. Libby Curran, Staff Writer A TICKET ESPECIALLY FOR THE WINE LOVERS First things first, I will definitely be nabbing myself a Wine Lovers Ticket. If you're into your fine drops, the extra dollars are well worth it — you'll take home a Riedel magnum tasting glass and an expert-selected bottle of vino, get exclusive access to back vintages and a tote bag to haul your goodies around in. The highlight in my eyes? Is it Really Better to be Single?, the punny wine-tasting masterclass that will have Nick Ryan chatting through the ins and outs of blending (and shining a light on why it's one of the most important skills in a winemaker's toolbox). A stop by the Good Food Village for a refuel by way of tastings and my day is made. Grace MacKenzie, Branded Content Manager EVENTS WORTH CROSSING THE DITCH FOR Confession: this is a hypothetical recommendation as I'm stuck over here in New Zealand and can't head to the show. But it may surprise Aussies to know that here in Aotearoa we are fanatical about MasterChef Australia. And no contestant has had an impact on me or my mother more than Brendan Pang during his tenures in 2018 and 2020. We were women obsessed. So, seeing him in real life whipping up dumplings and street eats during the Noodle Smack Down Street Food masterclass is absolutely worth booking flights across the ditch for. While I'm at the show, I'd definitely head to the Wine and Dine Tasting Room for Perfetto! Italian Food and Varietals, which combines two of my greatest loves: pasta and wine. Learning how to effectively match bold local drops to the diversity of Italian cuisine is almost as good as heading away on my own Euro-summer vacation. Almost. Sarah Templeton, New Zealand Editor Ready to start planning your tasty day out? Head to the website to explore the full lineup and book tickets. Top images: Jessica Wyld and Joseph Byford (last image)
Ashton Kutcher as Steve Jobs. It can take you a while to get your head around it. But although it seemed unlikely, there's actually a decent physical resemblance, and word is Kutcher pulls it off. Although it opens with Jobs showing off the iPod to his staff, the film Jobs soon reverts back to the early days of Apple, pre-black skivvies, though with Steve firmly in the lead. It documents the ups and downs of the '70s, '80s and '90s. Though his inventions are obsessively loved, Jobs is a character not without controversy, and the film will have you feeling sorry for him, then hating him, then loving him again and rooting for him, while at the same time shaking your head and saying to yourself 'Oh Steve'. Jobs is worth a watch if you are a fan of Apple products, his company and what he created, or a fan of biography that isn't about putting its subject on a pedestal. Jobs is in cinemas on August 29, and to celebrate we have 15 double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email hello@concreteplayground.com.au with your name and address. https://youtube.com/watch?v=3rOiXeKaUUM
Victoria by Farmer's Daughters has been delighting diners with its crafty exploration of local produce since opening its doors, and it makes afternoons lounging in the restaurant's leafy Terrace Bar overlooking the Yarra that much better. The al fresco space is launching into spring with a new weekly series that'll soak up the best of Melbourne's flower-blooming season. Running Sundays from September 3–October 29, Spring Sunday Sessions is presented in partnership with Healesville favourites Four Pillars. Dedicated to wrapping up your week in style, the event features seasonal grazing platters and Four Pillars cocktails across two sittings. Each week, the kitchen will be showcasing house favourites from the restaurant, built on top-notch Victorian ingredients — think, O'Connor beef skewers with a salsa verde sauce, BBQ lamb cutlets elevated with hand-cut chips and smoked mayo, fried Bannockburn chicken, and housemade pavlova and macaroon's to finish. Vegetarian options are also available on request. To match, you've got bottomless gin cocktails crafted on Four Pillars, plus free-flowing Victorian beer and wine, along with a range of non-alc options. There are two two-hour sittings each Sunday — 11.30am and 2.30pm — with tickets clocking in at $90. Images: supplied.
Jeff Wall, the grandaddy of modern photography, has been a trendsetter since he started taking pictures in the mid-'70s. His cinematically staged, technically impeccable style has been adopted by some of the world's most successful artists. But Wall has the diversity of any great genius. Though best-known for his incredibly staged tableaux, he also ventures into simpler, docu-verite territory with intimate portraits and more spontaneous work. This exhibition spans a career that has carried Wall through international high-art prestige to associations with musicians such as Iggy Pop. Don't miss this rare opportunity to see his breathtakingly enormous shots in the flesh, and to explore his gentler, more intimate side.
With international travel unlikely to return for some time yet, your 2021 holiday plans probably include vacationing somewhere within Australia. If heading to the country's southern-most state is on your list, and you're keen to do so via car, then you'll welcome the Federal Government's temporary expansion of the Bass Strait Passenger Vehicle Equalisation Scheme — because it's letting travellers take their wheels to Tassie via ferry for a four month period without paying extra. Announced on Thursday, January 7 by Deputy Prime Minister and Minister for Infrastructure, Transport and Regional Development Michael McCormack, the move sees an existing rebate — which dates back to 1996, and is designed to "reduce the cost of seagoing travel between the mainland and Tasmania" — extended via $6 million in funding from the Australian Government. As part of the scheme, it'll be free for passengers on the Spirit of Tasmania ferry to take their vehicles on the journey with them. That also applies to motorcycles and bicycles, if they're your preferred methods of transport. The scheme's expansion covers travel between March 1–June 30, 2021, and can be booked from January 14 — with tickets available until sold out. When you book the journey between Melbourne and Davenport (or vice versa), the rebate will be applied automatically, so you won't need to do anything else. Travellers taking their cars to Tassie with them will save an average of $240 for a return trip. If you're taking a caravan or motorhome with you, you'll still save the same amount — but, unlike with a car, you'll still need to pay an amount on top as the rebate won't cover the full price of the caravan or motorhome fee. There is still a passenger fee, which varies depending on whether you're travelling by day or night, and if it's high or low season. [caption id="attachment_796424" align="aligncenter" width="1920"] Mattinbgn via Wikimedia Commons[/caption] Like plenty of schemes announced by various governments this year — such as Victoria's and South Australia's tourism vouchers — the aim is to get more folks going on local holidays, and spending money to support Australia's tourism industry. Tasmania does currently have border restrictions in place as at the time of writing, affecting those who've been in parts of Victoria and New South Wales. Accordingly, in advice we're all used to by now, it's worth checking the requirements and taking them into consideration when making your booking. For more information about the temporary expansion of the Bass Strait Passenger Vehicle Equalisation Scheme — or to make a booking with Spirit of Tasmania — visit the latter company's website. Top image: Steve Penton via Wikimedia Commons.
Outgrowing his first location in Fitzroy is something Andrew McConnell (Cumulus Inc., Supernormal) didn't expect to happen so quickly — but, after just two years, the acclaimed chef and restaurateur is set to open a second store, this time in St. Kilda. Along with co-owner and butcher Troy Wheeler, McConnell will bring his fancy meats, trademark club sandwiches and snags to the south. The pair will set up shop in the historic Gruner's, a butcher and deli with over 60 years of tradition. In a classic Australian immigrant tale, founders Endre and Rose Gruner arrived in Melbourne from Budapest in 1957, looking to establish a new life and opportunities for their children. Fellow Hungarians were said to have come from all over Melbourne to not only buy familiar food, but also to speak in their native tongue, and the shop still holds cultural significance for the area. "A long-standing business like Gruner's has been an integral piece of Melbourne food history," McConnell says. "Troy and I are thrilled to be part of continuing this tradition." With an old-meets-new philosophy, Meatsmith's Barkly Street location will inherit some of Gruner's most-loved recipes, with Hungarian, Polish and European smallgoods taking their spot next to Meatsmith's classics; including dry-aged beef, the Cumulus Inc. lamb shoulder and foie gras parfait. Architects Herbert & Mason (who fashioned the Fitzroy interior) will team up with award-winning, minimalist interior designer Fiona Lynch to ensure the new fitout is in line with the Meatsmith brand and feel — think clean lines and lots of white marble. The new store will open in August, with an exact date still to be confirmed. For those itching for a Meatsmith fix in the meantime, the original location has just kicked off a bi-monthly ode to the world's best food regions, starting with a celebration of Italy for the month of July. Meatsmith St Kilda is set to open in August at 227A Barkly St, St. Kilda.
George Baldessin and Brett Whiteley had a lot in common — their birth year of 1939, their status as preeminent Australian artists of the 1960s and 70s, and the fact they both died tragically young. From August 31, 2018, to January 28, 2019, NGV Australia will combine the work of these two iconic Australian artists for the landmark exhibition, Baldessin/Whiteley: Parallel Visions. Born in Italy, Baldessin's surrealist art practice frequently portrayed Australia's emerging migrant populations. Often working with silver and gold leaf, his enigmatic prints and sculptures drew inspiration from far and wide, including Japan, France and Italy. His contemporary, Brett Whiteley, was perhaps for a time Australia's most renowned artist. Emerging out of the Sydney art scene, Whiteley spent time living in London and New York City, with the latter having a profound impact on his art practice. Here, he became involved with the Vietnam War protests and was close with the likes of Bob Dylan and Janis Joplin. Featuring over 120 works, Baldessin/Whiteley: Parallel Visions showcases many of the artists' most iconic works — with hints of pop culture, expressionist forms and the avant-garde shared in their works. At the NGV you'll see Whiteley's acclaimed work, The American Dream (1968–69), a 20-metre long painting in response to his time in New York City. There's also Baldessin's renowned MM of Rue St Denis series (1976), portraying the Christian figure of Mary Magdalene on the streets of Paris, alongside his large-scale pear sculptures from 1971–72. Also, don't miss Whiteley's Christie series (1965), which explores the psyche of convicted British murderer John Christie in provocative style. There's also some never-seen-before works, so head along to NGV Australia to catch this once in a lifetime collaborative exhibition. Images: Installation view of Brett Whiteley The American Dream, 1968−69, at Baldessin/Whiteley: Parallel Visions on display at NGV Australia from 31 August 2018 – 28 January 2019. © Art Gallery of Western Australia, Perth. Photo: Amelia Stanwix. // Installation view of Baldessin/Whiteley: Parallel Visions on display at NGV Australia from 31 August 2018 – 28 January 2019. © The Estate of George Baldessin. © Wendy Whiteley. Photo: Amelia Stanwix.
Baywatch. The name alone is insanely evocative, conjuring up images of bronzed bodies, bouncing breasts and David Hasselhoff blasting his way through "some people staaaaand in the darkness, afraid to step intooo the light!" For a time it was one of the most widely syndicated and watched TV program in the entire world – despite its altogether preposterous premise about impossibly attractive lifeguards solving crimes and stopping diamond smugglers with the same regularity that they prevented a casual drowning. The show was ridiculous and it was gratuitous...but it worked, and it was great TV. Fast forward twenty-odd years and Baywatch now finds itself the latest victim of a visionless Hollywood system forever sucking the life out of cinema by simply rehashing old ideas and formats rather then gambling on something new. TV to film has admittedly seen a handful of notable wins (21 Jump Street, for example), but the vast majority of these reboots fall harder and faster than the abysmal jokes they attempt to deliver (think Power Rangers, CHiPS and the disastrous Absolutely Fabulous). The new Baywatch movie is sadly no exception. This is puerile comedy at best, where the laughs are so infrequent they almost feel accidental. It is a film without purpose, failing to even entertain at the most basic level. There's no finesse to be found; no craft on display or subtlety to admire. It's a stupid and pointless movie whose only aim seems to be to rob you of both your time and your money. If that seems unfair, consider that the longest scene in the film centres largely upon Zac Efron's character having to fondle and examine a dead man's flaccid penis and scrotum while his partner laughs and takes photos on his phone. As for the second longest scene? Another man's penis (erect, this time) is wedged in a park bench and needs to be extricated while onlookers laugh and take photos on their phones. In amongst it all is Dwayne 'The Rock' Johnson – and it's a credit to the man's charisma and star power that he almost singlehandedly keeps this stinker afloat. With penetrating eyes and a big beaming grin, Johnson treads that appealing line between physically intimidating and loveably huggable (something we've not really seen since Schwarzenegger's iconic turn in Kindergarten Cop). His onscreen rapport with Efron is not without its appeal, although there's absolutely no plot or script to back it up. As the film's antagonist, Bollywood superstar Priyanka Chopra lends her class and talent to a project that otherwise has none. Meanwhile, the supporting cast grimaces and stumbles their way through scene after scene without any clear idea why they're there or what they're doing. Sometimes self-aware and other times bizarrely serious, Baywatch is a film entirely out of its depth, slipping beneath the waves and in no way worthy of rescue. https://www.youtube.com/watch?v=eyKOgnaf0BU
The 2011 Parklife lineup was finally revealed this morning on Triple J. The festival, which reaches Australian shores in September, is headlined by Santigold, Gossip, Lykke Li, the Naked and Famous, Digitalism and the Streets. The lineup is heavy on female and also on dubstep artists with Magnetic Man, Joker & MC Nomad and Flux Pavillion all playing this year. The full lineup for Parklife 2011 is as follows: Gossip Lykke Li Santigold Death From Above 1979 Duck Sauce Katy B The Naked and Famous Crystal Fighters Example Digitalism Adrian Lux The Streets Simian Mobile Disco Magnetic Man Nero SebastiAn Diplo Mstrkrft Sebastien Tellier Little Dragon Gold Fields Mylo Wolfgang Carter Joker & MC Nomad Feed Me Tensnake Kimbra The Aston Shuffle Flux Pavillion Yacht Club DJs Harvard Bass Tickets go on sale 12pm Thursday June 30. For pre-sale click here. The various festival dates: Melbourne on Saturday, September 25 Perth on Sunday, September 26 Brisbane - Saturday, October 1 Sydney - Sunday, October 2 Adelaide - Monday, October 3 https://youtube.com/watch?v=i8QxOEFzAXo
The most hyped summer event of 2014/15 is returning once more for you to relive the summers of years past — those when it was stinking hot and the sprinkler never shut off. The world's largest street slide, all 400 metres of it, will be making its way to this city once more, setting up on Lansdowne Street for two summer days only: one in December, and one in February. Each ticket gets you two hours of sliding — which is just as well, because you're going to need a Calippo break at some point. While there's certainly a lot of fun to be had, there are a couple of rules to follow. So before you purchase tickets, it can't hurt to double check with the requirements on the website first. Cloakrooms and change rooms are available once you get there, so you don't have to ride a tram into the city in your bathers. Or you can if you want. We won't stop you.
Every last trilby-wearing tween celebrity, President's daughter and your smug, smug US-based friends will be rubbing their paws together after this morning's Coachella festival lineup announcement. Running over two weekends from April 14–23, the Californian festival has delivered their usual jaw-dropper of a lineup. Big gun headliners Beyoncé, Radiohead and Kendrick Lamar mark the top of the weekend bills, with a bonafide metric fucktonne of squealworthy buds filling out the rest — the xx, Bon Iver, Justice, Lorde, The Avalanches, New Order, Future Islands, and Kaytranada to name a few. Even German composer Hans Zimmer is getting in on the action. Homegrown Aussie and New Zealand legends are heading on over and representing with gusto, with Pond, King Gizzard, Broods, Jagwar Ma, Anna Lunoe, What So Not and Empire of the Sun — as well as the aforementioned Avalanches and Lorde — on the bill. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: Coachella runs over two weekends, from April 14-16 and 21-23 in Indio, California. Tickets go on sale at 11am PST on Wednesday, January 4. For more info, visit coachella.com.
If you're looking for your first glimpse of the latest Star Wars movie, there's no need to travel to a galaxy far, far away, because the initial teaser trailer has just dropped in this one. Nine months before the main franchise's ninth episode hits cinemas (and 11th theatrical flick overall), Disney has gifted audiences a sneak peek of what comes next — and the movie's moniker. Come December, fans will be getting comfy to watch Star Wars: Episode IX — The Rise of Skywalker. Right now, there's a two-minute sneak peek to whet your appetite. Given the title, the way that Star Wars: Episode VIII — The Last Jedi wrapped up and the theories that have been swirling around Daisy Ridley's Rey since she was first introduced in Star Wars: Episode VII — The Force Awakens, it should come as no surprise that the scavenger-turned-pilot takes centre stage. Also popping up are Oscar Isaac's Poe Dameron and John Boyega's ex-stormtrooper Finn, helping out the film's plucky heroine once more; Adam Driver's Kylo Ren, wielding his red lightsaber for the dark side yet again; and long-standing series favourites Chewbacca, R2-D2 and C-3PO, of course. The late Carrie Fisher features as well, with the actor's appearance as General Leia Organa made possible by using previously filmed footage. And two other familiar characters also rejoin the fold, including Billy Dee Williams' Lando Calrissian and a sinister figure who's heard rather than seen. The huge cast list keeps going, with Domhnall Gleeson, Kelly Marie Tran and Lupita Nyong'o all returning, Mark Hamill also included, and Richard E. Grant, Keri Russell and Naomi Ackie among the Star Wars newcomers. As he did with The Force Awakens, JJ Abrams sits in the director's chair. And while this isn't the end of the Star Wars story by any means — a new TV series, The Mandalorian, is headed to Disney's new streaming platform later this year, and two big-screen spinoff trilogies are in development from The Last Jedi helmer Rian Johnson and Game of Thrones creators David Benioff and D. B. Weiss, respectively — The Rise of Skywalker is being badged as the finale of the Skywalker saga. Feel the force with the first teaser below: https://www.youtube.com/watch?v=adzYW5DZoWs Star Wars: Episode IX — The Rise of Skywalker releases in Australian cinemas on December 19.
Awarded Unearthed Artist of the Year at the 10th annual J Awards last night, Meg Mac — or Megan McInerney to her folks — is the Melbourne-based soul-pop artist making a serious name for herself in the indie music scene. The 23-year-old singer songwriter has come a long way from recording lyrics on her phone while still in high school. If her fast-growing fan-base, sell-out performances and distinctive, soulful sound are anything to go by, McInerney is definitely one to watch. Here are the top five things you should know about her. She's no one-hit wonder Though you may have already heard her powerful first single 'Known Better' played on triple j in the lead-up to the J Awards, don't overlook McInerney's more recent tracks. These songs showcase her bold, rich vocals – think 'Roll Up Your Sleeves' – as well as her talent for raw, personal lyrics — check out 'Every Lie'. 'Turning' also highlights the soul-meets-electronica sound she's developing, a unique style that has already captivated audiences. She takes cues from Motown, Irish folk and French chansons McInerney recently admitted to triple j Unearthed that, when she was nine, "I could not get enough of Vanessa Amorosi… please don't judge me. 'Absolutely Everybody' was my favourite." Lucky, then, that her dad introduced her to soul, primarily Motown, while her mum would sing her Irish folk ballads from an early age. It wasn't until she was 17 that she started writing her own songs and working on a personal style, inspired by her love of "big voices and a bit of that drama — [artists who] sing because they have to or they would die sort of thing, like Edith Piaf". She also counts Ray Charles and Sam Cooke among her primary influences, and more recently, James Blake and Frank Ocean. She's going from strength to strength It's an understatement to say 2014 has been a big year for the up-and-coming artist. In September she released her first EP, the self-titled MEGMAC, featuring four original tracks plus an impressive cover of a classic Bill Wither's song, 'Grandma's Hands'. The EP launch kicked off a national tour, with Melbourne and Sydney shows selling out in days, and Brisbane and Perth following soon after. Later nominated as Breakthrough Independent Artist of the Year, McInerney opened the Australian Indie Music Awards in October. #dogswearinghats A photo posted by MEGMAC (@megmacmusic) on Oct 10, 2014 at 12:11am PDT Her second favourite thing to do is dress up animals in human clothing When she isn't performing or making music, McInerney likes nothing better than to play dress ups with her dog. She told Music Feeds that she and her sister sent a photo of their pet to the Facebook page Dogs Wearing Hats, where "she got more Facebook likes than my whole music page in one hour." Following her knock-out live performances, its safe to say this is about to change. . @megmacmusic @kcrw So very welcome — Jason Kramer (KCRW) (@kcrwkramer) August 13, 2014 An international career is on the horizon While McInerney is gaining a serious fan base here, she's also making waves internationally, with 'Roll Up Your Sleeves' recently played on independent US radio station KCRW. The singer is already considering a trip to the US, where, she told Music Feeds, she'll "catch up with some label type people [who] want to meet me. It is exciting to think I can reach people away from my home." You can catch her at Falls Festival for NYE But before she jets off, McInerney will be taking on her first major festival as winner of the Falls Festival competition. Next to the likes of John Butler Trio, La Roux, Vance Joy and Empire of the Sun, she'll be performing some newly written songs with her sister as backing vocalist. Expect more bold piano sounds, big vocals and electronic elements from this promising young artist with a big future ahead of her.
The Geelong Arts Centre is in the midst of an extensive, multimillion-dollar makeover which is set to deliver a suite of exciting new upgrades and refurbishments by the time it's completed in 2023. Now, that makeover will also feature a series of vibrant public artwork by First Nations artists. As part of the $140 million Little Malop Street redevelopment, Minister for Aboriginal Affairs and Acting Minister for Creative Industries Gabrielle Williams put a call out for expressions of interest from First Nations sound and visual artists. From these submissions, the program will select up to four works that explore and reflect on the significant Indigenous connection to Country, history and culture of the region. The successful bids will be developed in conjunction with building and architect partners and incorporated into the creative precinct's makeover. [caption id="attachment_819066" align="alignnone" width="1920"] Geelong Arts Centre's Ryrie Street Building Illumination, inspired by 2021 Reconciliation Week Artwork 'Action' by Jessica Johnson.[/caption] Potential site locations for the artworks have already been identified, with expressions of interest open until July 29. Submissions can be made here. Other key elements of the Geelong Arts Centre Little Malop Street redevelopment include box office upgrades, a suite of new performance spaces, and refurbishments to the administration and back-of-house facilities. Work kicked off last year, with the final project expected to be unveiled in 2023. Expressions of interest are open now for First Nations artworks to be part of the Geelong Arts Centre redevelopment. To find out more, check out the website. Top Image: Rory Gardiner
Cycling escapades through artsy neighbourhoods, banquets in medieval castles, kayaking expeditions through incredible scenery to local breweries, cocktail masterclasses and late-night parties in century-old spa baths. Cruises may've once been targeted at retirees, but they're not anymore. U By Uniworld, a branch of global river cruise company Uniworld, has waterborne odysseys for all ages — and the ships, where you'll spend a good chunk of your time, aren't just ships. They're part floating boutique hotel, part restaurant, part yoga studio, part night club. And, as moveable hotels, they can also park in the heart of some of Europe's most exciting cities. Still don't believe us? We're willing to help you change your mind. We've joined forces with U By Uniworld to give away an eight-day cruise for two people. Worth up to $7,598, the prize gives you a choice of four cruises leaving port in 2018. To see France from a whole new perspective, jump aboard The Seine Experience. You'll spend eight days on the river that travels through the heart of Paris. Possible adventures include a foodie tour around Paris's secret laneways, paragliding through a nature park, a small bar crawl in Rouen's magical old city and a visit to a cider farm in Normandy. More in the mood for beer? Opt for the Germany's Finest, which meanders along the Main and the Danube. You'll take a midnight walking tour of cosmopolitan Frankfurt, a visit to Germany's biggest beer-producing region where more than 400 drops are up for tasting, a bike ride around Nuremberg and a visit to the world's oldest sausage restaurant. Meanwhile, a multi-country experience can be had on the Danube Flow. It begins in southeast Germany with a night out in mysterious, medieval Regensburg, and finishes in Budapest, Hungary, where the ship's chef will take you on a tour of a local market. Finally, you could win a spot on Rolling on the Rhine, which starts with a night out in Amsterdam, travels through The Netherlands — where you can go sea kayaking and visit the Church of Beer — and ends in Frankfurt, Germany. Whichever you choose, your prize includes accommodation, activities, port taxes, gratuities and meals for two. It doesn't, however, include flights so keep a keen eye out for any specials — this may be the perfect excuse to book that Europe tour you've been talking about for months. To enter, see details below. [competition]650728[/competition]
