If you're looking to change up your style through your hair, this is your place. Whether it's a transformative bob cut or the perfect summer blonde, the hairdressers and stylists at Plumage in Kew are known for their almost telepathic abilities to give their customers exactly what they want. Plus, they're big fans of the environment and know that they have to do their best to protect it — which is exactly why all the salon's products are sourced based on three key factors: ethical practices, natural ingredients and sustainability. Images: Tracey Ah-kee.
The hit rock musical based on Green Day's iconic album American Idiot is coming to Melbourne for the first time in 2018. Following a hit season in Brisbane in 2017, this next run of Green Day's American Idiot will see Grinspoon frontman Phil Jamieson reprise his lead performance as St Jimmy — a role played internationally by the likes of Melissa Etheridge, Chris Cheney and Green Day's own Billie Joe Armstrong. The acclaimed Aussie musician will again be joined on stage by Phoebe Panaretos, whose performance as Whatsername during the show's Brisbane run scored her a Helpmann nomination. Hailed as a bold and explosive production, the Tony and Grammy award-winning show features every song from the band's eponymous album, along with a number of tunes from Green Day's follow-up record, 21st Century Breakdown. It's the tale of three lifelong mates, torn between remaining in their safe, aimless ruts, and challenging the status quo to embark on a journey of self-discovery. The American Idiot 2018 tour will begin with a brief season at the Sydney Opera House, before runs in Adelaide, Perth, Melbourne and Brisbane. Images: Dylan Evans.
When you consider the ever-inflating costs associated with owning your own patch of urban paradise, it’s little wonder that people are turning to a more compact way of living. In response, quirky micro houses are appearing in cities around the globe, as architects and owners turn their attention to designing houses with simplicity and sustainability in mind. Many designers have been influenced by Japanese architects like Yasuhiro Yamashita, who has responded to the challenge posed by space constraints by creating small but comfortable and functional living quarters like his Lucky Drops house in Tokyo. As more and more attractive alternatives to traditional homes pop up each week, we take a look at some of our favourite not-so-grand designs. Small House in Tokyo, Japan Tunnel Vision in Manhattan, New York Small House Surry Hills, Sydney Steel Life in Pittsburgh, Pennsylvania Lucky Drops in Tokyo, Japan
Chunky Monkey, Clusterfluff, New York Super Fudge Chunk. These are just some of the more popular flavours of Ben & Jerry's Ice Cream, a leading cause of happiness around the world since 1978. While doctors in the future will no doubt tell me otherwise, I can't think of many things better than gorging a giant tub of sweet, sweet ice-cream on a hot December day, except for maybe getting some friends together and going to the movies. Well, it turns out Ben & Jerry's can help me there as well. Staring on December 1 and running until a few days before Christmas, Ben & Jerry's Openair Cinema, erected on St Kilda's South Beach Reserve, will combine recent releases like Gravity, The Counselor and We Are The Millers with some more nostalgic picks, including Point Break, The Breakfast Club and sing-a-long screening of Grease. Festivities start daily at 6pm with live performances from local bands and DJs. The film program starts after dark, usually around 8.30pm, giving you plenty of time to suss out the bar and stock up on snacks. The exceptions are the Sunday 'Sundae' Sessions, which kicks off an hour earlier with additional music and free Ben & Jerry's for all. Ben & Jerry's Openair Cinema opens on Sunday, December 1, featuring a live performance from Gypsy & the Cat and a screening of the new Richard Curtis rom-com, About Time. Concrete Playground has three double passes to the launch to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address at win.melbourne@concreteplayground.com.au.
Not someday, but in July next year, The Strokes will head to Australia to play Splendour in the Grass' long-delayed 20th-anniversary festival. And in news that'll have you partying like it's the 00s again, the New York rockers have also just announced two sideshows: at Sydney's Hordern Pavilion and Melbourne's John Cain Arena. Hitting up Melbourne first on Tuesday, July 26, before heading to Sydney on Thursday, July 28, the gigs will mark the band's first Australian headline shows in a decade. Clearly, The Strokes will have plenty to play — 2021 marks 20 years since their seminal debut album Is This It was released, and since everything from the title track and 'Hard to Explain' to the extremely catchy duo that is 'Last Nite' and 'New York City Cops' first got stuck in the world's heads. Since then, the Julian Casablancas-led group have put out five other studio albums, including The New Abnormal, their latest, in 2020 — which nabbed them the Best Rock Album Grammy Award earlier in 2021. When it comes to seeing one of the most influential bands of the past two decades, don't go making bad decisions, missing out, and realising that you only live once — and putting your heart in a cage. If you want to start drinking juiceboxes in preparation, that's up to you. The Strokes will be supported by The Chats and The Lazy Eyes on their solo shows, after headlining Splendour in the Grass on Saturday, July 23. THE STROKES 2022 AUSTRALIAN TOUR DATES Melbourne — Tuesday, July 26, John Cain Arena Sydney — Thursday, July 28, Hordern Pavilion The Strokes will tour Australia in July 2022. Pre-sale tickets go on sale at 12pm AEDT on Monday, November 8, with general tickets on sale at 9am on Tuesday, November 9. For further details, head to the tour website. Top image: Raph_PH via Wikimedia Commons.
Four Pillars' bloody gin season is back for another year, which is one piece of bloody excellent news. There's more where that came from. In 2023, the Healesville-based distillery has two limited-edition wine-infused concoctions on offer: the cult-favourite Bloody Shiraz Gin and new sibling Bloody Pinot Noir Gin. Spirits fiends familiar with the shiraz version will know that it is ridiculously popular for a reason. Also, it's gin infused with shiraz grapes. That blend gives the drop its cerise hue, and provides sweet undertones — but means that it avoids a higher sugar content. It is boozier, though, with an alcoholic content of 37.8 percent (compared to an average 25 percent in regular sloe gin). The 2023 Bloody Shiraz Gin follows that process again, while the Bloody Pinot Noir Gin sees Four Pillars try another grape variety. If the distillery is bottling it and selling it, clearly it turned out well, too. This newcomer also sources its fruit from Yarra Valley again. The end result is softer and lighter but with a heavier gin taste, and with aromas of rose petals, strawberries and cherries. [caption id="attachment_851611" align="alignnone" width="1920"] Anson Smart[/caption] Also bloody brilliant: to celebrate not one but two bloody gins, and bloody season overall, Four Pillars is hosting a midwinter gin fest. Running from Saturday, June 10 till the end of July in Melbourne, the festival is actually a heap of events heroing the two tipples (and getting everyone saying "bloody" over and over). So, the Healesville distillery will celebrate World Gin Day across Saturday, June 10–Sunday, June 11 with a weekend-long party filled with drinks, snacks, DJs, workshops and free tastings. It's also hosting a Fireside Festival that's all about hot cocktails on three Saturdays: July 8, 15 and 22. And, Yakimono is doing a feast on Tuesday, July 11; there'll be takeovers at Dessous and Goldilocks on various dates; and the Gin & Film Fest is back at Thornbury Picture House on Thursday, July 6 and Thursday, July 13. Top image: Kate Shanasy.
Young Adult tells the story of Mavis Gary (Charlize Theron), a teen author and recent divorcee who lives in a spacious apartment in Minneapolis. Tired of spending alcohol-soaked nights alone, she decides to venture back to her hometown of Mercury in an attempt to rekindle a romance with her high-school sweetheart, Buddy (Patrick Wilson). However, Buddy is recently married and has recently become a father. Always determined and slightly sinister, Mavis develops a plot to break up Buddy's marriage and further her own love interests. Along the way she manages to form an unusual bond with a former classmate (Patton Oswalt), who is also keen on reliving his earlier teenage years. Young Adult is a romantic comedy with an unusual twist, exploring the concept of forbidden love and the extreme lengths at which we go to recapture happiness. Although we may see Mavis as a villain, we identify with her sense of nostalgia and desperation. What results is a hilarious insight into human nature and our adaption to change and age. The film marks the reuniting of director Jason Reitman and screenwriter Diablo Cody, who previously collaborated on the Academy Award-winning Juno. To win one of twenty double passes to see Young Adult, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au
To watch mother! is to watch Jennifer Lawrence's housewife protagonist, and to see the world through her eyes. As she remains confined to her sprawling country abode, which she's restoring for her poet husband (Javier Bardem), the camera remains largely fixed on either her face or her perspective. When she awakens to an empty bed, the film looks on. When outward politeness masks internal horror following the arrival of an unexpected guest (Ed Harris), viewers switch between witnessing her dismay and sharing her cautious gaze. Her despair heightens further when the man's wife (Michelle Pfeiffer) arrives, followed by their feuding adult sons (Brian and Domhnall Gleeson). And as her sense of anxiety grows, so too does writer-director Darren Aronofsky dive deeper and deeper into the character's inner turmoil. The idea of a woman not quite coping with a change to her home life might sound fairly standard, even old-fashioned. Run-of-the-mill dramas, clichéd comedies and scary flicks have been there and done that before. But mother! doesn't fit into those categories. It's not your usual unwanted visitor tale. Nor is it the Rosemary's Baby riff that's hinted at during its ominous first half. Never one to colour within the filmmaking lines (see Black Swan, Noah and Requiem for a Dream), with mother! Aronofsky serves up his boldest work to date – an ambitious, unnerving, immersive exercise that defies all sense of expectation. From walls that beat like a heart when they're touched, to a freewheeling third act that has to be seen to be believed, mother! is a movie driven by emotions and experiences. Lawrence's unnamed figure reacts to the ups and downs of her existence, and the film responds in turn. As destruction grows, life-changing decisions are made, and one woman's wants and needs are routinely ignored, it's not so much what happens that really matters. Rather, what's crucial is how it all makes the protagonist feel, and how Aronofsky aligns the audience with her mindset. Disgust, fear, frustration and sadness provide the film its palette, layered on top of its distinctive grey-hued colour scheme. Likewise, in a movie without music, the silence of hurt, confusion, neglect, betrayal and disappointment takes the place of a conventional soundtrack. There's no evading anything that Aronofsky throws at his viewers, as he makes it almost impossible to hold onto one's bearings. With the lens trained on Lawrence in close up for more than half of the movie's running time, the sense that you can't grasp onto anything else is clearly by design. She's the fraying canvas that all these swirling sensations converge upon — and, amidst the inescapable chaos, she plays her part to near-perfection And still the question remains: what exactly is mother!? Ultimately, there are many answers. At its most basic level, it's a tense psychological thriller built on domestic and social unease, spiralling into the disorder caused by humanity's worst urges, and touching upon everything from biblical parallels to a savage reflection of our current cutthroat society. It's also an exploration of a woman forced to ponder her place and purpose, with Lawrence's central character saddled with the duties of the caring, supportive, devoted spouse as Bardem's writer gets increasingly enamoured with his own fame. Indeed, in a movie that stays intimate in its focus but universal in its escalating mayhem, Aronofsky applies that line of thinking to all women subjected to the control and demands of men – a thematic fascination seen in many of his earlier films. On top of all of that, mother! is a fever dream of a cinema experience, audacious and utterly unique. Be warned: you'll either love it or hate it. We fall gleefully into the first category. https://www.youtube.com/watch?v=xXy6aD_m-gk Image: Paramount Pictures
As winter enters its darkest weeks, Victoria's picturesque coastal town of Queenscliff launches its second incarnation of Low Light Queenscliff — a boutique fringe festival bringing the finest international and local arts, music and culinary talents in a celebration to stimulate the senses. Low Light will run across consecutive weekends in May and June, showcasing immersive art, performances and more. Think of it like Queenscliff Music Festival meets Dark Mofo (plus a bit of Burning Man). The town's public spaces, galleries, cafes, bars and restaurants will play host to a dazzling array of fringe-style art exhibitions (including Melbourne installation and miniature street artist Tinky), film premieres and screenings (like A Boy Called Sailboat, with the soundtrack played live by the Grigoryan Brothers at the Bellarine Lighthouse on Friday, June 28), spoken word and literary readings and eclectic musical performances. The pièce de résistance will be the planned, simultaneous burning of sculptures in the main streets on Saturday, June 22 — Winter Solstice Night. Other highlights will include the Queenscliff Music Festival concerts, featuring Dan Sultan, Archie Roach, Jen Cloher and Clare Bowditch, popular music documentary Her Story Her Sound screening, Winter Wonderland (a Queenscliff Harbour pop-up ice skating rink) and a winter-warming Japanese whisky masterclass at the Queenscliff Brewhouse. Degustation menus featuring locally foraged ingredients will be available to ease the bracing seas breezes as you explore a side of Queenscliff never seen before. And at just a 90-minute drive from Melbourne, Low Light can be enjoyed as a day trip, long weekend or returning adventure. Low Light events feature every Friday through Sunday across May and June. To view the full program and book tickets, visit the website. First image: Cameron Robbins.
In a reverse manifestation of 'Big Yellow Taxi', one cement-filled corner of the city is about to get a very green makeover. A 2000-square-metre rooftop car park is set to be transformed into a lush public urban farm and cafe. Located atop a ten-storey parking lot on the city side of the Yarra across from the Melbourne Convention and Exhibition Centre, the Melbourne Skyfarm project is the brainchild of urban farming company Biofilta, along with The Sustainable Landscape Company and local protection group Odonata. It's being built with the help of a $300,000 grant from the City of Melbourne Urban Forest Fund, as well as support from the MCEC. An inner-city oasis inspired by the likes of New York's famed Brooklyn Grange rooftop farm, the groundbreaking green space will boast a working farm and orchard, a beekeeping set-up, an educational centre, and a 90-seat licensed terrace cafe and events space serving the fruits of the farm. When it opens in 2020, visitors will be able to get a close-up glimpse with regular guided tours, take expert-led workshops on a swag of nature-focused topics, or simply kick back with an after-work tipple while soaking up the view. The farm itself will run on one of Biofilta's state-of-the-art, water-efficient systems, creating an expected haul of over five tonnes of fresh produce each year. Much of that will be given to local food charities, while a portion will be showcased — along with native ingredients and Victorian food and wine — throughout the menu at the on-site cafe. A design hub and high-tech education centre will focus on creating sustainable solutions to the challenges faced by our natural world, exploring concepts like zero waste living, renewable energy, and urban biodiversity. The farm will be located in the $450 million Seafarers Place precinct that's currently going up on the north side of the Yarra, just south of Clarendon Street near Wurundjeri Way. The project, led by developers Riverlee, will restore the wharf and historic Shed 5 site and turn it into apartments and and Australia's first 1 Hotel. Melbourne Skyfarm is currently undergoing City of Melbourne planning approvals, but it's expected to be up and running by late 2020. If it sounds familiar, that might be because a similar project is currently underway at the new Burwood Brickworks, which is set to open later this year. A smaller urban farm led by Pastuso chef-owner Alejandro Saravia will also be featured atop the new 80 Collins development. Melbourne Skyfarm will open at the Seafarers Place site sometime in 2020. We'll keep you updated on any further developments.
The sniffles have set in, you're 100% up-to-date with everything on Netflix (though that's not necessarily a terrible thing) and getting out of bed in the morning is pretty much impossible — sound like you? Well, it's time to get out of that winter funk. The chilly season isn't all bad; there are roasts in the oven, Game of Thrones is back and some of your favourite pubs now feature open fires so you can warm the cockles over a pint by the fire. To those naysayers who think that winter marks the end of fun activities in general, we're about to show you how wrong you are. We've joined up with Hahn to round up a bunch of places you can escape to in your city on the weekend or on a needed personal day. Plus, these escapes won't even involve long drives and heated arguments about the speed limit on the Hume Highway. So, grab your coat and gloves and trot off to some fun winter adventures in your own town. Escaping has never been so easy. THE BARBECUE ESCAPE There's nothing like a huge amount of hot, chargrilled meat to warm you up from the inside out. You can try to avoid any winter rain showers to get all the snags cooked at the same time on the barbecue, or even better, get someone else to do the barbecuing for you. Opting for the latter, you can sit down and relax with a frosty cold Hahn while someone else smokes, grills and barbecues some tasty meats for you. Also, like any good barbecue joint, the convivial atmosphere should warm the heart, too. Where? Dig into the good stuff at Surly's in Sydney, Fancy Hank's in Melbourne and The Smoke BBQ in Brisbane. [caption id="attachment_618412" align="alignnone" width="1920"] Lucas Dawson.[/caption] THE SPORT ESCAPE Your morning run is a lot harder now that it doesn't get properly light until like midday, we know. But don't fret; there are still ways of keeping active that won't have you freezing your extremities off. The trick here is being inside. Think mini golf with a bar thrown in, so you can reward yourself with a few beers after a tough game against your Bumble date, or even rock climbing you can do safely in wet weather with mobile reception, too. You could also consider a proper competitive sport session like badminton or table tennis to get those endorphins up, and work out your frustrations over how loudly your colleague Tina chews. Where? Head to Holey Moley, a mini-golf bar located in Sydney, Melbourne and Brisbane. You can have a game of badminton or table tennis at Sydney's Olympic Park Sports Halls, and climb away at Sydney's Nomad, Melbourne's Hardrock and Brisbane's Urban Climb. THE WATER ESCAPE Not much can beat a hot bath in winter. It's okay if you can't fit a bathtub in your apartment though, because sourcing a large, hot body of water in your city is actually pretty easy. Though a visit to some natural hot pools is the dream winter activity, don't underestimate the heated regular pools you can access during the colder months. Head to an indoor — or even some outdoor — heated pools for a cruisy, wonderfully warm dip, or maybe a few lazy laps. It's also a good time of year where treating yourself to a spa day is less of an indulgence and more necessity, so go for gold. Where? Take a dip at the outdoor, heated Fitzroy Swimming Pool in Melbourne, the Ian Thorpe Aquatic Centre in Sydney (which also has a sauna and steam room) and the super retro Spring Hill Baths in Brisbane. Spa-wise, head to the star-speckled Day Spa by Chuan at The Langham in Sydney, Japanese oasis Onsen Ma Spa in Melbourne or try a float session at Brisbane's Beyond Rest. THE HOTEL ESCAPE The classic indulgent getaway, of course, is shooting off to a hotel for a night — and the ultra-indulgent way of doing it is to chuck a sickie and go mid-week. Even if you live pretty close to the city, there's nothing wrong with a minor change in scenery for a night. A staycation is a completely valid life choice and there are plenty of luxe hotels from Brisbane to Sydney to Melbourne that'll make you feel like you're living the high life — that beer-and-room-service-in-the-bath life. Another viable option is to pack your own slab of beer and check into an Airbnb instead. There's no room service, but you'll get the whole place to yourself. Where? Book into this super lush apartment at Potts Point in Sydney, The Olsen in Melbourne for a boutique, arty feel, and Spicers Balfour Hotel in Brisbane for an art deco-inspired space with a modern twist (and rooftop bar). THE ART ESCAPE Art galleries and cinemas were built for the type of people who like being inside when it's raining (which is quite possibly all of us), so they're the perfect option for a daytime escape. Art galleries set in gardens just outside the city limits, or cinemas showing foreign films not found anywhere else, are all excellent options for a bit of cultural development. See some art or cinema you normally wouldn't on your next day off — take in a bit of modern art or an obscure German film to really make you ponder your existence as a storm wails outside. Plus, most cinemas these days are licensed too, so for an extra good time you can even take a beer along with you. Where? See modern art, architecture and gardens at the Heide Museum of Modern Art in Bulleen in Melbourne, discover abstract art space Factory 49 in Marrickville in Sydney and check out Australian and international contemporary art at TWFINEART in Fortitude Valley in Brisbane. For arthouse cinema, your best picks are Cinema Nova in Melbourne's Carlton, Golden Age in Sydney and the Regal Twin cinema in Graceville, Brisbane. Plan your winter escape, and make sure to grab a cheeky Hahn or two on the way.
Sitting along the Maribyrnong River, The Boathouse is a local institution. Fairytale-esque wooden tables, outdoor chairs and shady hanging trees make The Boathouse one of the best places for a summer drink in Melbourne's west. Boasting a brief Modern Australian menu with a focus on fresh seafood and meat, you'd do well to pair your meal with a little midday drink.
Back in 2019, Sydney fine-dining institution NEL introduced tastebuds to a whole new culinary world: a decadent Once Upon a Time degustation inspired by all things Disney. Unsurprisingly, it provided a magical meal and proved a massive hit, returning in 2020 and 2022 with themed dishes created by the Surry Hills' restaurant's created by Executive Chef and namesake Nelly Robinson. Come winter 2023, it'll be back again for a fourth chapter. Amid NEL's creative spreads, this one now feels like a tasty tale as old as time — repeatedly popping up amid KFC-inspired dinners, Moulin Rouge!-themed and Christmas degustations, and one heroing native Australian ingredients as well. But whenever it unleashes its 11 courses upon plates, the Once Upon a Time serves up new and fresh dishes riffing on the Mouse House's favourites. Accordingly, even if you've been before, you haven't feasted your way through the latest menu. An alfredo linguini that nods to Ratatouille? Yes, that twist on the classic dish — and flick — featuring a lasagne-style structure layered with confit vegetables, pasta sheets, béchamel, mozzarella cheese foam and basil dust is on the lineup. So is The Tugley Wood, which combines mushrooms and fresh Australian truffle to nod to Alice in Wonderland. And when things get sweet, there's a honey-soaked sponge with a nest of honey curd topped with bee pollen, then served in a honey pot, that Winnie-the-Pooh would clearly covet. As for what else will be bothering your appetite in the best possible way, discovering the full range is part of the fun of heading along — no matter whether you're a Sydneysider with more than a few nights' experience tucking into Robinson's creations or a Disney fan keen to make a date on a future interstate trip. NEL doesn't need a reason to bring back the Once Upon a Time menu again and again — it was always going to be popular — but Robinson still keeps finding plenty of inspiration in the Disney theme. "The team and I had a blast creating and curating this one. It was so much fun to create a whole new menu around some of my favourite films and we have carefully crafted dishes to bring out each diners' inner child. Indeed, we paired it with fun cocktails and some sensational wines, too," he explains. The Once Upon a Time menu's fourth chapter will start serving on Tuesday, May 30 and run for eight weeks only, with bookings available now. Price-wise, this childhood-inspired feast will require an adult salary, costing $185 per person, with beverages matched for an extra $165. Reserving a spot ASAP for dinner Tuesday–Saturday from 5.15pm is recommended — this unsurprisingly always books out. NEL's Once Upon A Time (Chapter Four) degustation is on offer for eight weeks from Tuesday, May 30 at 75 Wentworth Avenue, Sydney. For more information or to book, head to the NEL website.
Revitalised motels are having a moment in Australia. Here to join the party is River Drive Motel, an idyllic countryside escape that pays homage to the natural landscape. Designed by wife-and-husband duo Kate Hannaford and Dic Coates, the boutique, five-room motel is nestled along the Tarwin River in South Gippsland and conveniently located close to Venus Bay and Wilson's Promontory. The self-contained rooms have been sympathetically designed with modern sensibilities by the couple's Melbourne-based design and event agency, Moth Design. A relaxed palette of eucalyptus greens, earthy tones, and vintage pink highlights feature throughout the rooms. "We wanted to reinvent the concept of what holiday accommodation can be, by providing a home away from home that is both modern and nostalgic. We love the idea of being able to simply drive up, unpack and enjoy your own adventure," Hannaford says. Artwork comes in the form of a curated collection of upcoming Australian and First Nations works, which is set to rotate regularly. A locally-stocked mini bar highlights Gippsland producers, including WaWa Chocolate, Love Tea, A.R.C Wines, Loch Distillery & Brewery G&T and Gurneys Cider. For something a bit more substantial, the motel offers all-day, seasonal grazing boxes from locally-based caterer Acacia Edibles. Boxes can be pre-ordered and delivered to your door. A large communal garden area complete with BBQs, picnic tables and a nostalgic old shed filled with family-friendly games completes the warm property. River Drive Motel is located at 19 River Drive, Tarwin Lower, Victoria. You can visit the River Drive Motel website to book with a range of room sizes suited to two to five guests. Prices start at $340 a night with a minimum two-night stay. Images: Albert Comper.
Today, intricately painted portraits line art gallery walls. Tomorrow, it'll be selfies. In fact, a new Los Angeles museum is dedicating its entire space to the snaps we all take of ourselves. Called The Museum of Selfies, it'll open for a limited time from January. The upcoming addition to LA isn't the first place or exhibition championing the cause, with a site in the Philippines taking that honour, but it is jumping on board with gusto. As well as showcasing selfies in all of their guises, attendees can expect hands-on installations that chart their history, play with common themes and — of course — encourage plenty of snap-taking. Bucking the trend in other galleries in recent years, selfie sticks are certain to be welcome. Highlights will include an Iron Throne made out of those very items, like Westeros would have if it had the technology, plus set-ups dedicated to food selfies, bathroom selfies, rooftop selfies and more. Narcissism, the rise of deaths attributed to selfies and contemporary artists' takes on selfies will also feature, mixing the psychological, societal and creative, plus something designed to make the Guinness Book of World Records. https://www.instagram.com/p/BcDNtLYlR0T/?taken-by=themuseumofselfies Overall, the museum aims to document, probe and challenge our fascination with the self-portrait form, as well as the perception of it in these iPhone-wielding times. Are selfies art? What makes your selfie-filled Instagram feed any different to artist self-portraits on canvas? Why can't we stop taking them? They're just some of the questions that'll be under consideration. The timing comes hot on the heels of a recent study on the concept of 'selfitis', which proposes that excessive selfie-snapping might be a mental disorder. According to research out of Nottingham Trent University, anyone taking at least three selfies a day could be afflicted. Whether or not you're convinced, visitors to The Museum of Selfies are certain to hit that target the moment they walk in the gallery's doors. Via Mashable/Time Out.
Everything is a multiverse these days, or so it increasingly seems. Marvel has one, and Doctor Strange in the Multiverse of Madness is currently in cinemas to remind us all of that fact if we somehow forgot after Spider-Man: No Way Home. Rick and Morty loves them as well. Even if the term isn't mentioned explicitly, everything from French delight Petite Maman to The Matrix franchise flirts with similar territory. And yes, the list goes on — but nothing else is quite like Everything Everywhere All At Once. Don't know why that's the case? There's a vast array of reasons, including star Michelle Yeoh getting to play multiple versions of the same character, earning a far worthier showcase of her talents than the likes of Boss Level and Gunpowder Milkshake have provided of late, and also working in a nod to her Crazy Rich Asians-era IRL self as well. Plus, there's the wonderful return to cinema by Ke Huy Quan, aka Indiana Jones and the Temple of Doom's Short Round and The Goonies' Data, who makes a fantastic double-act with Yeoh. Also a highlight: a world where everyone has hot dogs for fingers; another where Ratatouille is real, but with raccoons; and another still that's a sparse realm where life only exists in sentient rocks. Weird, wild and wonderful from its first frame to its last, Everything Everywhere All At Once stands out in a heap of ways — and, if you haven't seen it yet or you're keen to give it a revisit, you can now watch one of the best films of 2022 so far from your couch via digital platforms from Thursday, May 26. Fast-tracking flicks big and small to digital is our new pandemic-era reality, and this gem is the latest to make the leap — while it's still showing in cinemas, too. It looks fabulous on the big screen, but if the ease of checking it out at home suits you better, that's also now an option, as it also has been with The Batman, West Side Story, Dune, The Matrix Resurrections and more in the past few months. Written and directed by the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once really does take its name seriously. Here, almost anything that can happen does, all while laundromat owner Evelyn (Yeoh) just wants to get the tax office off her back, save the family business and make the most of her dad's (James Hong, Turning Red) visit from China. In the middle of a punishing audit by IRS inspector Deirdre Beaubeirdra (Jamie Lee Curtis, Halloween Kills), and already feeling chaotic after her daughter Joy (Stephanie Hsu, Shang-Chi and the Legend of the Ten Rings) brought her girlfriend Becky (Tallie Medel, The Carnivores) home, Evelyn learns that the fate of the universe is at stake. Of course, only she can save everything — and while that setup might sound familiar, this funhouse of a feature never takes the expected path. Check out the trailer for Everything Everywhere All At Once below: Everything Everywhere All At Once is currently screening in Australian cinemas, and is also available to stream online via video on demand — including via YouTube Movies, iTunes and Prime Video. Read our full review.
The days are shorter, the cold winds stronger and we can be sure of one thing: winter is here. While in Australia that may not have the dramatic effect it does in Game of Thrones, we can be sure that a plethora of dark and delicious beers are coming into their own now that the colder months are upon us. Here follows, in no particular order, a guide to the top ten brews to help you through the wintry season. MODUS OPERANDI BREWING, FORMER TENANT RED IPA Mona Vale's finest, Modus Operandi Brewing, is known for its big, bold, hop-driven beers and this glorious red IPA is no exception. Expect big fruity notes of passionfruit and mango, owing to the liberal dry hopping with Galaxy and Mosaic hop varieties, giving way to a burst of bittersweet red grapefruit flavour. Underpinning this maelstrom of hops is an incredibly well-balanced malt base with notes of earthy caramel and biscuit. The finish is piney and botanical, giving just a hint of the beer's namesake — the 'former tenant' of the brewery's site was a marijuana grower — which makes this beer a complex and rewarding brew from the first to last sip. $14.50 for a 500ml can or $48.99 for a four-pack at Beer Cartel. PHILTER, CARIBBEAN STOUT Philter has something of a knack for busting out surprisingly different beers with each new release. Having already nailed an XPA, a session red ale and a lager, it's no surprise that its latest offering is something to get excited about. Though the name might indicate some sort of coconut-infused-rum-barrel-aged craft beer experiment, the flavour is far more approachable, drawing inspiration from the tradition of fruitier stouts common in the Caribbean and surrounding areas. Weighing in at an impressive 7% ABV this beer pours midnight black with rich notes of cocoa, dried fruits and a hint of nuttiness. $10 for a 375ml can or $33.99 for a four-pack at Beer Cartel. BATCH BREWING CO, ELSIE THE MILK STOUT Milk stouts continue to grow in popularity among Australian beer drinkers, and once you've had a glass of Elsie, it's not hard to see why. Combining a complex malt bill, flaked barley, rolled oats and lactose, this beer offers a balance of sweet and roasty notes such as chocolate and coffee with a beautiful creaminess. Coming in at an approachable 4.3% ABV this is a great beer for those looking to cross over to the dark side this winter. $12.50 for a 640ml bottle at Beer Cartel. YOUNG HENRYS, MOTORCYCLE OIL HOPPY PORTER Brewing powerhouse Young Henrys continues to impress with the latest addition to its taps and tinnies. In keeping with the tattooed-up, beard sporting-style it's known for, the charmingly titled Motorcycle Oil is at once in your face, yet reserved, well balanced and approachable. The initial flavour is roasty with delicate hints of chocolate, coffee and a touch of caramel, giving way to a big hop character featuring citrus and medium pine notes. Sitting at 5.8% ABV it offers big flavours but in a balanced and welcoming beer — sure to please lovers of hops and malt alike. $8.99 for a 500ml can or $29.99 for a four-pack at Dan Murphy's. FRENCHIES, ASTROLABE RED BIÈRE DE GARDE Based on a style that originated in Northern France, bière de gardes are bound by a common malt-accented flavour, but, beyond that, each brew offers a wealth of idiosyncrasies. Frenchies Astrolabe pours a beautiful ruby colour with plenty of caramel malt up front followed by notes of cherry and berries with hint of pear. Finishing with a moderate bitterness, this beer is dangerously sessionable, masking its 7.4% ABV with ease and charm. $12 for a 440ml can or $40.99 for a four-pack at Beer Cartel. WAYWARD BREWING CO, FURIOUS GNOME ESB The name alone should be enough to win people over. But coupled with Wayward's reputation as one of Sydney's finest breweries, it's a must-try this season. Furious Gnome pays homage to classic British ESBs like Fuller's and Old Speckled Hen through its caramel and toffee dominated palate, with a biscuity dryness and rounded out by an earthy and ever so lightly spicy hop bitterness at the end. A great malt-accented interpretation of the style — sure to please thirsty expats and newcomers to the style alike. $11.50 for a 640ml bottle at Bucket Boys. MORNINGTON PENINSULA BREWERY, MORNINGTON BROWN ALE A classic English-style brown ale, this moreish brew from Mornington Peninsula Brewery offers an enticing aroma of toffee and dried fruits (think sultanas, raisins and dates) owing to the imported English malts that make up its base. On the palate, expect toffee and chocolate notes with a balanced sweetness and a slightly nutty finish. At 5% ABV, it's perhaps a little stronger than the beers which inspired it, yet is still supremely sessionable and well matched with nutty cheeses like gouda, as well as roasted meats. $3.99 for a 330ml bottle, $23.94 for a six-pack at Dan Murphy's. BRIDGE ROAD BREWERS, CELTIC RED IRISH RED ALE A longtime staple from the old hands at Bridge Road Brewers down in Beechworth, the Celtic red ale is a wonderfully delicate balance of caramel malts with a light roastiness and a dryer finish that you'd expect for the style. Pouring a deep amber, this beer is initially sweet with toffee and burnt sugar notes, followed by a subtle kick of noble hops to bring you back for another sip. At 5.3% ABV, it's a wonderful Aussie interpretation of a true Irish-style red, malty and sweet but wonderfully well balanced. $4.19 for a 330ml bottle or $15.49 for a four-pack at Dan Murphy's. STAVES BREWERY, ARDENNES TABLE BEER BELGIAN PALE ALE Named after a yeast strain sourced from the Ardennes region of Belgium, this delicate and well-balanced beer from the Glebe's charming Staves Brewery is not to be missed. Opening with lightly sour fruity notes, coupled with a gentle spiciness from the yeast, this Belgian-style beer is the perfect brew for when the sun is out, but the wind has an edge to it. The Glebe brewpub also features live music and comedy, whilst owner Steve Drissell is often found manning the taps, ready to share a laugh and his impressive beer knowledge with the punters. Ardennes Table Beer can be purchased in store at Staves Brewery, 4-8 Grose Street, Glebe. BADLANDS BREWERY, DRAUGHTY KILT SCOTCH ALE Scotch ale is a style not often replicated on Aussie shores, yet a handful of flattering imitators of the malt-driven Scottish style exist. And Orange's Badlands Brewery has long been at the forefront. Copper red in colour with toffee and caramel notes and a hint of vanilla giving way to a light burst of candied orange and date, this beer features a restrained bitterness that really allows its rich malty flavours to shine. At 5% ABV it's relatively light for a Scotch ale, but that just means you can enjoy more of it. $11 for a 500ml bottle at Beer Cartel. For alternative stockists in your city, check the breweries' websites. Top image: Frenchies
A literal underdog tale about scrappy canines, a plucky orphan and a pooch-hating politician with an evil scheme, Isle of Dogs isn't just Wes Anderson's latest movie. Filled with heart, humour and witty dialogue, this doggone delight is the most Wes Anderson-esque movie the acclaimed filmmaker has ever made. Anyone who's seen any of his previous flicks knows exactly what that means, with the writer-director's work almost comprising its own genre. Think quirky quests about spirited characters following their own paths, set in worlds that cleverly expose humanity's desires and fears. Then there are his signature visuals, complete with symmetrical compositions that look like they belong in a gallery, and distinctive colour palettes anyone would love to plaster all over their own walls. Constructed with the tail-wagging enthusiasm of man's best friend, all of these familiar components fall into place in the stop-motion animated wonder that is Isle of Dogs. And that's before Anderson trots out his other trademark: an A-list cast. For this walk around the block, he's joined by regular collaborators Bill Murray, Jeff Goldblum, Tilda Swinton, Bob Balaban, Harvey Keitel, Frances McDormand and Edward Norton, plus Anderson newcomers Bryan Cranston, Greta Gerwig, Scarlett Johansson, Liev Schreiber, Yoko Ono and Ken Watanabe. Throw in a story written with The Darjeeling Limited co-scribes Roman Coppola and Jason Schwartzman as well as The Grand Budapest Hotel actor Kunichi Nomura, and the end product couldn't feel more like an Anderson movie if it tried. Set 20 years into the future, Isle of Dogs begins in the fictional Megasaki, as the Japanese city faces a difficult doggy dilemma. Its howling furballs are infected with dog flu and snout fever, sparking fears that the virus could soon spread to humans. Hailing from a long line of cat fanciers and hardly keen on pooches, Mayor Kobayashi (Nomura) decides to banish all canines to Trash Island. To demonstrate his commitment to the cause, he even exiles his own family pet: a short-haired oceanic speckle-eared sport hound by the name of Spots (voiced by Schreiber). That's the setup. But Anderson's film really starts barking once the action moves to its offshore garbage pile — the actual isle of dogs. There, abandoned pooches fight for food, form packs and try to survive, as the mayor's orphaned 12-year-old nephew Atari (Koyu Rankin) discovers on his mission to find Spots. He's assisted in his task by Rex (Norton) and a ragtag gang of misfit mutts, including ex-baseball mascot Boss (Murray), one-time dog food spokesdog King (Balaban) and admitted gossip Duke (Goldblum). Gruff outsider Chief (Cranston) isn't thrilled about helping the boy they dub 'the little pilot', but he knows a lost puppy when he sees one. With a former show dog (Johansson), an oracle pug (Swinton), robo-hounds, and a crusading American exchange student (Gerwig) also playing their parts, Isle of Dogs isn't short on antics. Anderson fills his narrative to the brim like an overflowing bowl of dog treats, spoiling viewers like he'd spoil his own animal companion. It's an approach that matches his lovingly detailed images, which surpass even Fantastic Mr Fox's animated splendour. Aesthetically, every second of the movie delivers something gorgeous and glorious — be it the lifelike puppetry of its central canines, a particularly meticulous sushi scene, or fond odes to Japanese filmmaking icons Akira Kurosawa and Yasujirō Ozu. Indeed, even if Isle of Dogs hadn't paired its eye-catching contents with smart, timely parallels — a power-hungry leader, discarded population and trash-filled land mass make it impossible to miss the film's political, social and environmental commentary — it'd still make an ace addition to Anderson's oeuvre. That said, there's one area where the director shows his own limits. While Anderson is a seasoned master at combining exquisite visuals, lively voice work, an engaging story and a memorable message, a couple of his choices give pause (not paws) for thought. Isle of Dogs oozes affection for its location in every intricate element and never uses Japanese culture as decoration – but translating canine chatter into English while offering Japanese dialogue without subtitles threatens to marginalise the country the film is paying tribute to. Similarly problematic is Gerwig's character, who swoops in to help Megasaki's residents battle the mayor's nefarious plan, and sticks a little too closely to the white saviour trope in the process. Thankfully, she's never the main attraction, in what proves an otherwise charming tale about a determined boy, his undying love for his beloved pet, and a whole island of adorable dogs. https://www.youtube.com/watch?v=dlakrjfzCig
I love a good rom-com as much as the next person. Austenland is not a good rom-com. The film tells the tale of Jane Austen-obsessed, 30-something singleton Jane Hayes (Keri Russell), who spends her life savings on visiting an Austen 'theme park' in England in her quest to find her own Mr Darcy. The foundations for a predictable and enjoyable rom-com are set. All we have to do is sit back and enjoy the ride as she battles obstacles before eventually learning that the fantasy exists in real life. Right? Right on all accounts except the most crucial: this film is not enjoyable. Actually, my apologies, there was one laugh, only it was so fleeting and unmemorable that I have already forgotten what induced it was. Likely it came from the repeatedly cumbersome attempts at a regal English accent by Miss Elizabeth Charming (played by Jennifer Coolidge in the same vein as every character ever played by Jennifer Coolidge). At least Austenland will not force you to think too much. It is predictable, which is a staple of most films of the genre — the protagonist will always find love. However, that is where we would like the predictability to cease. Unfortunately, the film's events and 'twists' are so glaringly foreseeable that you could sit at home and write the script in the time it takes you to watch it. In fact, just buy a Jane Austen novel with the money you would spend on seeing this. Perhaps the most frustrating element of this film is how unvisitable and inhospitable the actual resort it. From the instant Jane arrives she is treated horribly, due to purchasing the basic package. However, this unfathomable business plan destroys any realism in this resort, for me at least. It would have been better if this theme park had roller-coasters and fairy floss throughout. I will say that Russell is lovely to watch, and that JJ Feild will have ladies swooning as the film's resident Mr Darcy. However, that is it for the positives in this film. So use your sense and sensibility and give Austenland a miss, or at least wait until it ends up in JB Hi-Fi's bargain bin. Even then, save your $4.95.
Pizza. Pasta. Salumi. Gelato. And don't even get us started on the booze. The Italians have gifted the world with some pretty spectacular food and drink — and the good news is you'll find all that and more at the Italian Wine + Food Festival. Taking over the Royal Exhibition Building on Sunday, May 27, this all-day gastronomic bonanza will welcome the proprietors and chefs from some of the most beloved Italian eateries in town. We're talking 400 Gradi and Massi, to name but a few. There'll be cooking demonstrations and wine-tasting workshops. Those looking to put what they learn into practice can swing by the festival food market and find all the ingredients they need to cook an Italian feast at home — or stop by the free bruschetta station for some sustenance. And once you're done shopping you can kick back with a glass of vino, or perhaps a cocktail from the Aperitivi Bar.
Hudsons Road Wine & Beer out in Melbourne's west is celebrating the return of winter by serving its mulled wine (longingly known by locals as the Spotswood Latte) at a one-off sausage sizzle. On Saturday, June 1, from 10.30am until sold out, folks can head down to the bar and grab gourmet kranksy sausages right off the barbecue and cups of hot mulled wine. Sausages will be going for $11 each, mulled wine for $13 and a combo of both is just $20. This classic pairing of sausages and mulled wine is served up at most European winter markets — especially those in Germany and Austria — and is perfect for warming you up on a cold arvo. Either sit in and enjoy the feed with some mates or get the sausages and wine to go. The team's mulled wine became fairly famous during the Covid-19 lockdowns when locals would run down to Hudsons Road Wine & Beer during their lunch break or after work to score a cup of the hot spiced bev. Served in a takeaway coffee cup, it became known to locals as the Spotswood Latte. And while the kranskies are only on the menu for this event, the mulled wine will be served all winter long.
Physical navigation tools might've largely gone the way of landlines, cassette tapes and eating meals without taking a photo first, but one company has come up with a tasty alternative. You mightn't be able to navigate your way through London, New York or Tel Aviv with one of Tamtik's chocolate city maps, but you will have quite the eye-catching dessert, gift or both. A collaboration with online marketplace Nisnas Industries, the artisan creations combine three things everyone loves — aka travel, confectionery and art — into a melt-in-your-mouth package that proves the ultimate edible souvenir. Inspired by the geometric-shape heavy traditional Arabic patterns often seen in architecture, known as mashrabiya, the chocolates feature stylised designs depicting the streets of their chosen locations. And, lest you think they're too abstract, landmarks such as the Thames River and Central Park stand out among the curved lines of dark cacao. Indeed, to ensure that each map accurately reflects each city's landscape, they're made by local artisans. Tamtik are currently running a Kickstarter campaign to spread their wings to another city, with participants able to vote for their preferred destination. Rewards not only include chocolate, obviously, put copies of the moulds should you want to whip up your own at home. Alas, before you go dreaming about breaking a representation of an Australian or New Zealand city into chocolatey pieces, Tamtik only ship to the US, Canada, the UK and Israel at present. That said, just as they're planning to add more maps to their lineup, they're also planning to deliver to more areas in the future. Via My Modern Met. Images: Tamtik.
Melburnians, if you're already wondering how you're possibly going to make it through the next two freezing bloody cold months, here's some news to warm your cockles. The Queen Victoria Market has just announced it's Night Market Cinema will be making a return to this year's Winter Night Market — and it's free. Every Wednesday in July, between 5pm and 10pm, you'll be able to cosy up in a deck chair, armed with wine, cheese and sweet treats, and kick back to a bunch of short films. And while we're not 100 percent sure how this will work in the depths of Melbourne's winter, we're hoping the market has plans to keep us from freezing our butts off. Either way, blankets are definitely recommended. Kicking things off on July 6 will be VICE, who will take care of programming, presenting a combo of docos, investigative journalism and general wickedness. On July 13, the Victorian College of the Arts' Film and Television School will give you an insight into the future of Australian filmmaking, showing a handpicked selection of quality graduate works. On July 20, you'll be treated to a series of live 16mm film projections presented by Artist Film Workshop and, on July 27, RRR FM will hit the cinema, with a bunch of live-to-air performances by Aussie artists. In between screenings, you'll be able to take a wander through the market, stocking up on winter goodies and tucking into everything from Ethiopian stews to spaghetti from a parmesan wheel to those goddamn potato sticks that make an appearance every year.
If escaping into Australia's great outdoors, putting one foot in front of the other, and combining a leisurely walk — or an energetic hike — with soaking in the scenery is your idea of bliss, the past few weeks keep delivering welcome news. Firstly, the Snowy Mountains became home to a new nine-kilometre section of its Snowies Alpine Walk, complete with Australia's highest suspension bridge. Then, the New South Wales Government announced a massive 91-kilometre waterfront walking track from the Sydney Opera House to Parramatta. Now, still in NSW, the Gondwana Rainforests have been earmarked for a new excuse to get moseying, too. As part of NSW's 2022-23 budget, Treasurer Matt Kean has added the new Dorrigo Escarpment Great Walk to the list of upcoming projects that the state's residents and travellers alike can look forward to. Scoring $56.4-million in budget funding, it'll span 46 kilometres, all through stunning rainforest surroundings on the state's mid-north coast. And, there'll be two- and four-day route options. Your starting point: a new Arc Rainforest Centre, which'll come complete with a stunning-looking hanging boardwalk that'll overlook the World Heritage spot. From there, as you roam along the trail, you'll wander over three suspension bridges. There'll also be four low-impact walkers' hut precincts, as well as new camping areas — because if you're committing to taking the full multi-day trek, you'll need somewhere to slumber along the route. That budget cash will also go towards the Arc Rainforest Centre, which is designed to be an attraction in itself thanks to its viewing platform. It'll also include a new treetop skywalk, which'll feature an upper and lower deck so you can still make the most of it when it's raining — and spiralling walkways that'll take you down into the rainforest, to the existing six-kilometre Wonga Walk as well as the new Dorrigo Escarpment Great Walk. Back on the Dorrigo Escarpment Great Walk itself, it'll meander through the Dorrigo and Bindarri National Parks, with about half of the 46-kilometre stretch charting existing tracks and trails. Hikers won't be short on spectacular sights; expect to see waterfalls, giant old growth trees and wild rivers along the way. If you're excited about the huts and camping sites, they'll be operated, run and booked through NSW's National Parks and Wildlife Services. And, the walk will have another big aim: becoming a place for folks to learn about and connect with the culture of the Gumbaynggirr people, the area's Traditional Custodians. Exactly when the centre and walk will welcome in visitors hasn't been revealed as yet, however — so add this one to your future must-visit list, rather than packing your bags and popping on your comfiest walking shoes now. "Through the NSW Budget, we're investing $56.4 million to offer a new way for people to enjoy the ancient World Heritage environment," said Kean. "This project will drive increased nature-based tourism in NSW, further bolstering the contribution that national parks make to the state economy. For more information about the Dorrigo Escarpment Great Walk, head to the NSW Government website.
Fitzroy salon, Heading Out, has been Melbourne's home of all things hair and beauty for over 26 years. The Heading Out team offers the latest in hair technology and expertise across styling, colour (particularly reds and blondes) and hair extension work using Showpony extensions. The salon aims to remain at the forefront of the latest hair trends while creating beautiful and accessible styles for every client — but it doesn't stop at hair. The salon also provides a range of beauty services including manicures and sugar waxing. Feel like properly pampering yourself? Check out its spa services. The salon offers massage treatments, facials, LED light therapy and more. Plus, with a resident makeup artist, you can step out of the salon with a completely new look from head to toe.
With autumn clearly here, you may be tempted to knock off work, race straight home and get cosy on the couch. But Richmond's Baby Pizza is giving you reason to do otherwise. Throughout April and May, they're inviting you to join them after the office with Aperol hour every day from 4–6pm. On offer are cocktails for $9.50, wine for $7.50 and beer for $6.50. The drinks list includes Aperol Spritz, Fragola Spritz, Agrumato Fizz, Brokenwood Rosato and Peroni Rossa. While you're sipping away, do consider sampling one of Baby Pizza's 11 varieties of pizza – be it the Funghi with with portobello mushrooms, porcini, buffalo taleggio, fior di latte and truffle cream, or the San Daniele Prosciutto with San Marzano tomatoes, rocket, reggiano and fior di latte. You're welcome to secure your table by making a booking (make it a booth if you can), or take your chances and walk in. Either way, you can count on a warm welcome.
Descending on the city from August 30 to September 8, this year's edition of the Melbourne Writers Festival is set to be an especially amorous one, dishing up a jam-packed program that's all about L-O-V-E (yep, luuuuurve). From the sappy soulmate stuff, to all-important self-love, MWF has pulled together a diverse lineup of talent to help get to the heart of it all. Pulling inspiration from Raymond Carver's short story collection What We Talk About When We Talk About Love, the program sets out to explore our love for everything from people, sex, politics and country. And, no matter where you sit on that spectrum, it's got a little something for everyone. A slew of loved-up special events includes a rowdy rendition of a hen's night, helmed by comedy writers Kate McCartney and Kate McLennan (the Kates from Get Krack!n and The Katering Show), and a faux wedding reception for author and presenter Yumi Stynes. And we'll all be getting nostalgic about past heartbreaks, when the Museum of Broken Relationships exhibition makes its Aussie debut, bringing pieces from its permanent collections in Zagreb and LA and showing them alongside a few tear-jerking local contributions. [caption id="attachment_730607" align="alignnone" width="1920"] Museum of Broken Relationships[/caption] You'll also catch conversations with some heavy-hitting international talent, including the USA's Tayari Jones (An American Marriage), Canadian novelist Patrick deWitt (French Exit), Scottish crime-writing star Val McDermid and experimental rock writer and Sonic Youth co-founder Kim Gordon. Elsewhere, legendary singer-songwriter Tina Arena joins Yorta Yorta soprano, composer and educator Deborah Cheetham for the festival's popular Duets series; Cold Chisel's Don Walker chats with Paul Kelly, reflecting on a couple of impressive musical careers; Daniel Mallory Ortberg — host of Slate's Dear Prudence podcast and founder of The Toast — digs deep into all those occasions when love just hurts; and even a performance by Ben Folds. Book Club will see a group of broadcasters, comedians, former politicians and authors discussing their favourite tomes, or you can enjoy a selection of the city's cringiest DIY wedding vows, as performed by comics Anne Edmonds and Nath Valvo. In short, you'll have a lot of new additions to your Goodreads list. Melbourne Writers Festival will hit the city between August 30 and September 8, 2019. Tickets go on sale tomorrow at 10am, Thursday, July 11 here.
What's better than one new Edgar Wright movie in a year? Two new flicks by the Scott Pilgrim vs the World, The World's End and Baby Driver filmmaker, of course. And, that's exactly what 2021 is delivering. Neither of the British director's latest movies fits his usual type, either — as phenomenal documentary The Sparks Brothers has already demonstrated, and the trailers for Last Night in Soho keep showing as well. Wright does indeed have a comfort zone, as his fans well and truly know. He first caught the film world's attention with zom-rom-com Shaun of the Dead, after all, and also toyed with both horror and comedy in Hot Fuzz. But he hasn't ever dived headfirst into mind-bending psychological thriller territory before, which is where Last Night in Soho dwells. No one is set to kill the undead to Queen's 'Don't Stop Me Now' here. That said, Anya Taylor-Joy (The Queen's Gambit) does play a singer in 60s-era London who appears to be a ghost. In the movie's initial teaser trailer, her character Sandie pops up when aspiring fashion designer Eloise (Thomasin McKenzie, Old) manages to venture back in time. Mysteriously travelling six decades into the past, Eloise looks in the mirror and sees Sandy's reflection, rather than her own. Both that initial sneak peek and the just-dropped new full trailer are filled with neon hues and an all-round trippy mood. In a feature that seems to take plenty of cues from horror and thriller flicks from the time it is set, things appear to get even more lurid as well. Impeccable period-appropriate set and costume design, vibrant pink lighting aplenty and an all-round dreamy feel also feature in the trailers so far, as Eloise finds herself coming face to face with her idol while plunged into a ghost story. Similarly playing a pivotal part: The Crown and Doctor Who's Matt Smith, who pops up alongside Taylor-Joy in the film's eerie 60s-set scenes. Whether following small-town cops in Hot Fuzz or jumping into the heist genre with Baby Driver — or directing late 90s/early 00s sitcom Spaced, too — Wright's work always stands out visually, and Last Night in Soho clearly promises to continue the trend. And, because the director loves his standout soundtracks, this one looks set to continue the trend. Expect glorious 60s-era tunes, obviously. Check out the full trailer for Last Night in Soho below: Last Night in Soho is slated to release in Australian cinemas on November 18. Images: Parisa Taghizadeh / Focus Features.
Pop quiz: what's 78% nitrogen, 21% oxygen, became breathable 2.4 billion years ago and is the focus of an upcoming exhibition at Brisbane's Gallery of Modern Art? If you guessed 'air', you'd be right. Over a delightfully lengthy five-month tenure — from Saturday, November 26 until Sunday, April 23 — Air will be transforming the ground floor of GOMA into an interactive exploration of the "cultural, ecological and political layers" of the air we breathe. It's not easy to make physical art from something invisible. Still, the collection works of Ron Mueck (the staggering In Bed), Jonathan Jones (the feathered and multifaceted Untitled (giran)) and Anthony McCall (the beaming Crossing), plus new (and floating) commissions from Tomás Saraceno and Jemima Wyman alongside a monumental chalk cliffscape by Tacita Dean and dozens of other prominent artists will do so. [caption id="attachment_878453" align="aligncenter" width="1920"] Anthony McCall's 'The Crossing'[/caption] The exhibit has been organised around five key themes, each focusing on details we can take for granted: atmosphere (the space between us and the cosmos), burn (the mortality and vulnerability of clean air), shared (the collective need of humans, plants and animals for the element), invisible (an exploration of the unseen) and change (the nature of our vulnerable, ever-evolving world). What's certain is you're set to leave this cultural outing with a more concrete understanding of the ethereal and vital element. 'Air' will be open daily at GOMA from Saturday, November 26 till Sunday, April 23, 2023. Entry to last session is 4pm. Head to the website to secure your ticket. Top image: Ed Mumford
Art lovers are absolutely spoiled in Melbourne — on any given day, you can track down works by some of the best and most prolific artists in the world. But if your culture vulture tastes are at odds with your bank account, swinging the entry fee to a museum or gallery can be a little tricky. There's no need to fret, dear art fiends. All you have to do is pop on your comfiest pair of shoes and take a wander through the inner city, because Melbourne is filled with vibrant murals which you can see for free. Sure, you're not going to see anything by Picasso or Matisse, but if you look hard enough — or know where you're going — you'll come across works by some pretty famous street artists. Here are four works by well-known and celebrated street artists that you should get your eyes on. Some of these works have been around forever — and you've probably walked past them dozens of times without realising their significance. [caption id="attachment_748707" align="alignnone" width="1920"] Dean Sunshine[/caption] FIN DAC – WAJAHBARU Where? Brunswick Inspired by the Aesthetic Movement of the 19th-century, London-based Fin DAC takes the genre, based upon the idea of 'art for art's sake', and gives it a modern twist. Recognised for his depictions of elegantly dressed women wearing eye masks with bursts of colour, the Cork-born artist unites contemporary stencil art with stunning portraits. On his vast tour of Australia earlier this year, Fin DAC unveiled this Melbourne artwork, Wajahbaru, which can be found tucked away in Brunswick's Sunshine Lane. The attention-grabbing work features local industrial designer Heidi Chaloupka dressed in beadwork from Indonesia's Toraja region, which is symbolic of her family's heritage. [caption id="attachment_748708" align="alignnone" width="1920"] Dean Sunshine[/caption] KEITH HARING – JOHNSTONE STREET MURAL Where? Collingwood Melbourne's streets are undoubtedly alive with some wonderful examples of street and public art, but few are as beloved as Keith Haring's mural on Johnstone Street in Collingwood. In 1984, the world-renowned artist made his way to Melbourne to speak at the Australian Centre for Contemporary Art, but couldn't resist producing some of his iconic figures on the blank canvas adorning the old Collingwood Technical College. Haring has influenced countless street and traditional artists that followed in his footsteps, so this long-standing Johnstone Street mural is an indisputable Melbourne treasure. PHLEGM – CHAPEL STREET MURAL Where? Prahran Phlegm's wondrous black and white works of odd creatures have brought him worldwide acclaim. The basis of his works is comic-based, so his highly detailed illustrative style is distinguished against traditionally graffiti-based street artists. You can find these intricate hand-drawn murals in urban landscapes all around the world — including your own backyard. Following two years of planning, the UK-based artist made his way to Chapel Street for the 2017 Provocare Festival of the Arts, where he created this towering four-storey robot on the northern wall of the historic Love and Lewis building. [caption id="attachment_748709" align="alignnone" width="1920"] Dean Sunshine[/caption] SMUG – WOOD STREET MURAL Where? Fitzroy When it comes to photorealistic graffiti, you won't find many artists more talented than Smug. Depicting a slightly crazed self-portrait positioned alongside an array of cute characters (that look a little worse for wear), this mural in the backstreets of Fitzroy pops a little more than most. You can find another of Smug's massive murals — a portrait of his own grandparents— near the corner of Lonsdale and Spencer Streets, gracing the huge wall of a former power station. Impressively, Smug's murals are always produced freehand; he paints using only aerosol cans for days or even weeks. Top Image: Smug – Wood Street via Dean Sunshine.
Everyone's favourite melancholic hitmaker Post Malone is coming back to Australia later this year. The global superstar was just in the country in January and February supporting Red Hot Chili Peppers, but he must've enjoyed his time Down Under, because he's already announced a run of headline Australian shows as part of his If Y'all Weren't Here I'd Be Crying world tour. Diamond-certified multiple times over, Posty will be hitting Sydney, Brisbane and Melbourne throughout November on this run of shows. You can catch him at the Brisbane Showgrounds on Thursday, November 23; The Domain in Sydney on Wednesday, November 29; and Melbourne Showgrounds on Thursday, November 30. He's also swinging past New Zealand beforehand for a show in Auckland on Tuesday, November 21. The fun, however, does not stop there. Live Nation's tour poster for the Australian run of dates includes four other yet-to-be-announced stops: Canberra, Gold Coast, Ballarat and Perth. Interestingly, these locations lineup with where and when the touring festival Spilt Milk usually pops up. The festival is set to drop its lineup this coming Tuesday, July 4 at 8am, so it looks like Malone may be a real possibility to headline this year's edition. https://www.youtube.com/watch?v=wXhTHyIgQ_U This tour is in support of Post Malone's fifth studio album Austin which is set to arrive on Friday, July 28 featuring recent singles 'Mourning' and 'Chemical'. You can expect a career-spanning performance dipping into his most recent album, 2022's Twelve Carat Toothache, and his catalogue of global smashes like 'Congratulations', 'Rockstar', 'Sunflower' and 'Circles'. Check out the poster for Post Malone's Australian tour below — featuring the Sydney, Melbourne and Brisbane shows, as well as the unannounced Canberra, Gold Coast, Ballarat and Perth dates. View this post on Instagram A post shared by Live Nation Australia (@livenationaustralia) POST MALONE: IF Y'ALL WEREN'T HERE I'D BE CRYING AUSTRALIAN AND NEW ZEALAND TOUR DATES Tuesday, November 21 — The Outer Fields at Western Springs, Auckland Thursday, November 23 — Brisbane Showgrounds, Brisbane Wednesday, November 29 — The Domain, Sydney Thursday, November 30 — Melbourne Showgrounds Post Malone is touring Australia and New Zealand in November 2023. Tickets for Australian shows go on sale online on Monday, July 13 — at 1pm in Brisbane, 12pm in Sydney, and 11am in Melbourne, with pre-sales via Vodafone from Thursday, July 6 and from Live Nation on Tuesday, July 11. For more information, head to the tour website. Tickets for New Zealand shows go on sale online at 12pm on Thursday, July 13, with pre-sales via One NZ on Thursday, July 6 and from Live Nation on Tuesday, July 11. For more information, head to the tour website. Top image: Chrisallmeid
UPDATE, May 28, 2021: Free Solo is available to stream via Disney+, Google Play and YouTube Movies. Soaring 900 metres tall, its craggy edges and sheer surfaces jutting into the sky, El Capitan is one of earth's monsters. A granite cliff in Yosemite National Park, it's a formidable sight, striking fear into the heart of anyone averse to heights, making even the steadiest on their feet feel shaky, and casting a long shadow over the world below. To stand at the bottom of the mammoth monolith is to stand at the base of a giant. To scale its heights is to ascend into the heavens. But you don't need to have experienced El Cap's eye-catching expanse in person to feel its inescapable power. Even on the big screen, the glorious rock formation is staggering — and it gets plenty of screen time in Free Solo. In a film that can't stop looking at El Cap, Alex Honnold does more than stare at the cliff's lofty size and gaze at its vertical terrain. A professional climber with 20 years experience and the centre of this stellar documentary, he's determined to scamper up the intimidating structure. He's not the first to scale the sheet of rock, but he is the first to do so without any ropes or support — and, just to make the deed even more difficult, he does it alone. That's free soloing. While the outcome of his attempt is now common knowledge, Free Solo steps through the process from start to finish, chronicling his setbacks and successes in a methodical manner. From contending that the climb is just too scary, to training through an injury that'd make anyone else quit, to facing his girlfriend Sanni's fretful feelings about his death-defying dream, the movie delves deep into Honnold's quest. The latest high-altitude, high-stakes picture from Meru filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin — and a newly minuted Oscar nominee for this year's best doco prize — Free Solo is the tale of a cliff, a climber, and the latter's desire to conquer the former. But it's the story of humanity's yearning to explore, interrogate and brush up against our environment as well. Charting Honnold's unwavering commitment to his task, it's also an account of his preference for hanging precariously above the world instead of planting his feet firmly on the ground. The film shows how the possibility of dying can't deter someone so dedicated from pursuing their passion, and that the thrill of a seemingly impossible challenge is as intoxicating as any drug. This nerve-wracking movie also details the intense preparation and planning required not just to make such a climb, but to capture it on camera. And, it examines the toll of documenting Honnold's feat, pondering whether the picture immortalises history or jeopardises his life. In short, Free Solo has as many angles as El Cap's ledges and crevices, however Honnold is the film's own towering presence. Vasarhelyi and Chin can't claim to lay bare their subject's psyche — he's a man of action more than talk — but they can and do reveal plenty about the wiry thirty-something. The documentary acts as a coming-of-age narrative of sorts, tracking Honnold's transformation from living in a van, eating slapped-together dinners out of a frying pan and dedicating every waking minute to climbing, to buying a house, finding room for someone else in his life, and experiencing the ups and downs of being in a serious relationship. And yet, it's never more revelatory than when it's simply staring at his face while he's gripping a slab of granite, his precariously placed fingertips the only things keeping him from plummeting down a nearly one-kilometre drop. Of course, that's not to say that Free Solo doesn't boast plenty of other spectacular sights. Seeing Honnold suspended against his surroundings will stick with audiences long after watching, as will the stunning Yosemite scenery. Indeed, the exceptional footage compiled by Vasarhelyi, Chin and their dedicated team (all mostly climbers themselves) proves nothing short of a technical and visual marvel, as edited to precision by veteran Bob Eisenhardt. But the calm, focused, assured gleam in Honnold's eye still says more than any other image can — and more than words as well. As counter-intuitive as it may seem, every second that the film spends on his zen-like expression paints a picture of pure intensity and exhilaration. What's more astonishing, dazzling and ultimately life-affirming than witnessing someone so relaxed and confident in the face of such extreme danger? What's more tense and thrilling, too? Butterflies in the stomach, fidgeting fingers and a near-unshakeable case of the jitters all spring from Free Solo as well, with the movie hitting several nerves. It's never easy to accept one's mortality. In fact, it's the hardest thing we're ever tasked with doing during our time alive, even when we're just sitting in a cinema watching someone else put their existence on the line. That's the crux of this equally insightful and scary documentary, which serves up more suspense than most horror flicks. As well as chronicling an awe-inspiring story, every frame of Free Solo offers a palpable, visceral reminder of life's enormous risks and immense rewards — and to the filmmakers' credit, you're all but certain to feel the impact in your constantly sweaty palms. https://www.youtube.com/watch?v=7XhsuT0xctI
For better or worse, you know what you're going to get at most gigs: a large chunk of the most recent album, old standbys and the biggest song during the encore. Not so Amanda Palmer, whose wildly unpredictable approach meant one of her last Australian tours included a beautiful Nick Cave cover, collaborations with the twisted cabaret troupe Mikelangelo and the Black Sea Gentlemen, raucous versions of her own solo songs and a poem recited in her honour by husband Neil Gaiman. Palmer's now playing with a full band and touring Theatre Is Evil, the new record she funded through a ground-breaking and controversial Kickstarter campaign. Palmer has hit headlines lately with a nude protest song, with current sets have including Dresden Dolls classics as well as more recent work. Equally at home with novelty songs, dark cabaret and audience participation, her shows swing from the sublime to the ridiculous. She stands as one of the most eclectic and unpredictable live performers in contemporary music. The phrase 'expect the unexpected' doesn't quite cover it.
He wrote, directed, financed and starred in the best worst movie ever made, showed up as himself in the enormously funny making-of dramatisation of his biggest flick, and re-teamed with his best-known co-star for a two-part comedy-thriller based on their friendship — and now, like he was always destined to, Tommy Wiseau is saying "oh hi" to space. Once again working with The Room and Best F(r)iends' Greg Sestero, the distinctive Wiseau has loaned his voice to animated sci-fi series SpaceWorld, with the pair playing rival intergalactic bounty hunters. If you're naturally thinking the obvious, the company behind it has already made the blatant comparison, with Octopie calling the show "what happens when you merge The Room with Star Wars". In SpaceWorld's nearly six-minute pilot episode, Wiseau's TX battles it out with Sestero's Drogol, who — continuing a trend across their work together — happens to be his lifelong nemesis. Created by Brock LaBorde, the debut clip is suitably bizarre, even with its clear self-referential tone. As Wiseau's career just keeps proving, that's just what happens when he pops up. LaBorde is no stranger to Wiseau's orbit, having produced, co-written and starred in the 2011–12 series The Tommy Wi-Show — where Wiseau was abducted by aliens, shuttled off to a base on the mood and made to play video games. In addition to his better-known work, including his involvement with The Disaster Artist, Wiseau is no stranger to on-screen weirdness either. If you've ever come across his 2014–16 sitcom The Neighbours, which is set in an apartment building and combines the exact storylines you'd expect with his inimitable style, then you'll know exactly how odd his work can get. Whether SpaceWorld will progress beyond its pilot is yet to be seen, although it's definitely not the worst thing on Wiseau's resume. Check out the first episode below: https://www.youtube.com/watch?v=oAv4ceFJH3U SpaceWorld is distributed by Octopie, and is currently available via its YouTube channel.
If you're currently in wanderlust mode, currently waiting for a new travel deal to decide where you're going next, then we have some news for you — running off to Australia's iconic Red Centre has just gotten incredibly affordable, thanks to Qantas' latest flight sale. We think this part of Australia is always a worthy travel destination but it's just that much more appealing with cheap tickets. It's the perfect excuse to explore the extraordinary regions around or between Uluru and Alice Springs — full of quintessentially Aussie landscapes and wildlife. The sale launched this morning and runs until September 26 (or until sold out). During this time, Qantas is slinging tickets to the Red Centre for $199 each way. That's a saving of about $180 each way. But the discounted tickets are only available during specific dates in summer. Nab this deal for flights between November 1 and December 14, 2022, as well as between January 17 and March 30, 2023. This might be a quite specific period, but it's also one of the best times of year to visit. And are you wondering what to do once you get there? Uluru's incredible Field of Light installation is a permanent recommendation — and you can also check out our guide to visiting the Red Centre. Qantas' Red Centre sale runs until 11.59pm AEST on Monday, September 26 (or until sold out). Images: © Tourism NT
With a booming five-year stint and loyal crowd of regulars under its belt, unique party place Pawn & Co shocked plenty when it announced it was getting turfed from its Chapel Street home — at the hands of developers, no less. But, as promised fiercely to its fans, the bar-pawn shop hybrid has returned with a vengeance, moving to impressive digs around the corner, at 177 Greville Street. The new iteration is bigger and better than ever, with the original hidden bookshelf entrance now leading punters to a heftier two-level space, complete with cosy booths, a courtyard, and three separate bars. This time though, co-owner and designer Josh Lefers has dialled up the steampunk aesthetic to a whole new level, with the retro-futuristic reboot boasting such random treasures as a cryogenic chamber, a steampunk throne, and an old Victorian tram you can sit in. There's also a church organ mixing cocktails, a talking vending machine taking drink orders, and a host of bonus extra features, glimpsed only through special glasses given to patrons. Of course, Pawn & Co has stuck with the bar concept that put it on the map (it was once featured by Forbes back in 2013), so absolutely everything inside the space is up for sale. Best keep that credit card on a short leash though, unless you really want a cryogenic chamber for your house. Pawn & Co. 2.0 is now open at 117 Greville Street, Prahran. For more info, visit pawnandco.com.au. Images: Eugene Hyland.
Every film festival has its highlights, and its events that make each specific fest special. For the Melbourne International Film Festival, its Hear My Eyes gigs are one such standout. With movies such as Drive, Girlhood, Suspiria and Two Hands, MIFF has brought beloved and classic flicks back to the big screen, accompanied by a live — and all-new, completely original — score that's played while film lovers sit, watch and listen. It's as unique a movie-going experience as you can get, even if you've seen the feature in the spotlight countless times before — and for MIFF 2022, another exceptional film is getting the Hear My Eyes treatment. Get ready to revisit the role that made Eric Bana an international movie star, and to dive back into one of the most infamous crime tales in Australian history. In other words, get ready for Chopper. Twenty-two years after it first hit cinemas, the exceptional Andrew Dominik (This Much I Know to Be True)-directed flick will grace The Astor Theatre's big screen for one night only, on Wednesday, August 17, with sessions at 6.15pm and 9pm. It'll also pair its visuals with a brand-new original live score, as spearheaded by Mick Harvey, member of the Bad Seeds, and the musician who originally gave Chopper its soundtrack. As well as composing the new score, Harvey will be joined by supergroup Springtime — featuring Gareth Liddiard from Tropical Fuck Storm and The Drones, Jim White from Dirty Three and Chris Abrahams from The Necks — to play it live. Tickets to this big-screen date with Uncle Chop Chop go on sale from 10am on Thursday, June 16.
Fresh from winning the 2020 Australian Music Prize for their latest album, The Avalanches are hitting the road and bringing the acclaimed sounds of We Will Always Love You to Melbourne, Brisbane and Sydney. Between late April and the end of May, the beloved Australian electronic act will be touring the east coast and doing one of the things it does best: filling live music venues with its inimitable sample-based tunes. If you haven't seen Robbie Chater and Tony Di Blasi do their thing live, you're in for a treat. If you have, you'll know what you're in for. Either way, you'll hear tracks from the group's latest record — which features MGMT, Rivers Cuomo, Denzel Curry, Johnny Marr, Neneh Cherry, Perry Farrell, Karen O, Mick Jones, Sampa the Great, Tricky and more, and released last December — and, obviously, tunes from 2000's iconic Since I Left You and 2016's Wildflower, too. The tour kicks off in Melbourne on Friday, April 23, which isn't actually new news. In fact, that show at the Sidney Myer Music Bowl — The Avalanches' first live gig since releasing We Will Always Love You — is basically sold out, with just private deck tickets still available. If you're in Brisbane, though, you'll want to mark Friday, April 30 in your diary. And, for Sydneysiders, you'll need to block out Thursday, May 27. The Avalanches will play the Brisbane Riverstage in the Queensland capital, and Enmore Theatre in NSW — with pre-sale tickets going up for grabs from 10am local time on Wednesday, March 24, and general public sales hitting at the same time on Thursday, March 25. If you now have perhaps the biggest and best Australian-made earworm of the past two decades stuck in your head — that'd be 'Frontier Psychiatrist' — that's understandable. Expect it to live there for at least a few days. And if you're now looking forward to a big live gig after a lean year for music fans, that falls into the same category. https://www.youtube.com/watch?v=TvZpn322LxE THE AVALANCHES 2021 EAST COAST TOUR DATES Melbourne — Friday, April 23 at the Sidney Myer Music Bowl Brisbane — Friday, April 30 at the Brisbane Riverstage Sydney — Thursday, May 27 at the Enmore Theatre Pre-sale tickets for The Avalanches' Brisbane and Sydney shows go on sale at 10am local time on Wednesday, March 24, with general public sales hitting at the same time on Thursday, March 25. Visit the tour website to sign up for pre-sale and for further details. Top image: Grant Spanier.
Plenty has happened across Brisbane for Melt Festival, the city's annual LGBTQIA+ celebration, in past years. Getting more than a thousand people singing together to support and champion the LGBTQIA+ community will be a first, however. After already locking in a a Brissie-only show by Broadway icon Bernadette Peters for its 2025 event, and also confirming the return of the River Pride Parade for this year, Melt has now announced 1000 Voices, which will see singers from queer and pride choirs — plus anyone else who wants to join in — get crooning. Set to take place on Sunday, November 9 to close out Melt 2025 — which runs from Wednesday, October 22–Sunday, November 9 — the choral event will feature voices from across both Australia and New Zealand. Already, participation by the Sydney Gay & Lesbian Choir and Brisbane Pride Choir is confirmed, but that'll be just the beginning. It's expected that folks from Melbourne, Darwin, Adelaide, Northern New South Wales, Perth, Canberra, Auckland and beyond will take part as well. Adam Majsay, Music Director of the Sydney Gay & Lesbian Choir, is leading the charge — which will also give the River City a preview the day prior. On Saturday, November 8, a flash mob featuring some of 1000 Voices' talents will hit up a Brisbane bridge (there's plenty to choose from) as a sneak peek before the main event. "There's nothing quite like the sound of hundreds of voices rising as one — it lifts the spirit, opens the heart and reminds us what true family feels like. I've had the privilege of leading large-scale choral projects that centre inclusion and visibility, and I've seen first-hand how music welcomes people in," said Majsay, announcing 1000 Voices. "1000 Voices at Melt Festival will be more than a performance — it will be a powerful moment of connection for LGBTQIA+ singers, allies and anyone who simply loves to sing. Whether you're part of a choir or stepping into something like this for the first time, there's a place for you in this sound. And what a sound it will be — joyful, bold and unapologetically full of pride." "I'm personally so excited to be coming to Brisbane for this extraordinary event, and I can't wait to stand together with voices from all over Australia and New Zealand. Come be part of it — lift your voice and help us share in something unforgettable." If you're keen to join in, whether with your existing choir or lending your solo voice to the event, registrations are now open via the Melt Festival website. Melt takes place in spring, and returns in 2025 after being reborn in 2024 as a fringe-style celebration of queer arts and culture that not only fills Brisbane Powerhouse, but spreads across the city. Last year, more than 120 events popped up in 70-plus venues across southeast Queensland, complete with a Wicked-themed Halloween ball, a pool party and plenty more. 1000 Voices is taking place on Sunday, November 9 in Brisbane, with registrations available via the Melt Festival website. Melt Festival 2025 runs from Wednesday, October 22–Sunday, November 9. Hit up the festival website for more details.
Step into the light and embrace your own mortality at the unsettlingly-named Festival of Death and Dying. Curated by artist and scholar Peter Banki along with festival dramaturge Victoria Spence, this two-day event will feature a mixture of workshops, talks and performances in order to examine the western fear of death while celebrating all that life has to offer. Standout events on the program include Share My Coffin, a role-playing workshop in which participants will be cast in the role of both mourners and the deceased and End of Life Dreams, a discussion with palliative care physician Dr. Michael Barbato about the experiences of dying patients. Mortality Performance Night will see an evening of long and short performance works from artists including Alice Cummins, Alan Schacher and WeiZen Ho. The Festival of Death and Dying will be held at Dancehouse Studios in Melbourne on September 9-10. Image: 'Free falling No.1' from the series Death Suits Me Fine by Paula Mahoney.
After a tumultuous year that has included breaking the news of closure, closing and then reopening temporarily in its original AC/DC Lane digs, and then closing for good back in July, Melbourne's legendary live music hot-spot Cherry Bar has found itself a new home. This afternoon, the Cherry crew announced on Facebook, that it's signed the papers and gotten the keys for a little spot on Little Collins Street. You probably know it — until recently, it was home to another big name in the Melbourne late-night scene Boney (formerly Pony). It sadly closed its doors on November 2. Back in January, when it was first announced that the bar would be leaving AC/DC Lane after 20 years, co-owner and booker James Young assured us all the Cherry legacy would live on. "It is my intention to take the name, the staff and the sticky carpet to a new Melbourne address with a long lease and a safe and secure future for live local music and late night rock n roll revelry," Young stated on Facebook. And it seems as though the rock revelry will certainly continue in this new home, less than 500 metres down the road, which has space for 230 punters and one of the few seven-day, 24-hour licences in Melbourne. The Cherry Bar story has been as colourful as it is long, the space playing host to everyone from the Arctic Monkeys to Lady Gaga, and amassing an army of die-hard fans over its lifetime. Back in 2014, the venue took just three days to crowdfund $90,000 for necessary soundproofing works, following the threat of mass noise complaints from a new residential building erected next door. The new Cherry Bar is expected to open sometime in December, after the old nightclub is given a makeover befitting a live music venue known for its dingy rock vibes. Cherry Bar will open at 68 Little Collins Street, Melbourne next month. We'll keep let you know when we have an opening date and more details. Images: Cherry Bar/Visit Victoria/Jake Roden.
If you're watching a film in a darkened theatre without some sort of snack in your hand, are you really at the cinema? Lovers of popcorn and choc tops certainly don't think so. And while whipping up a bowl of popped corn kernels in the microwave is a rather easy way to help recreate that movie magic at home at the moment, enjoying a choc top — a proper cinema-quality choc top, not just your own attempt — isn't quite that simple while Victorian picture palaces are temporarily closed. To help satisfy the country's choc top cravings during the COVID-19 pandemic, Bulla's choc tops range hit Australian supermarkets earlier this year — but only for a limited time. Now that Victoria is under strict coronavirus restrictions again, the ice creams are making a comeback from today, Wednesday, August 26. Again, it's a short-term arrangement; however if you'd like to grab a few next time you're doing your essential grocery shopping, now you can. This time, two different flavours are on offer, too — so you can lick your way through chocolate and boysenberry varieties. Old favourites vanilla and mint are also available and, to grab them, you'll need to head to Coles. Bulla and Coles haven't revealed just how long the choc tops will be on the freezer shelves, other that they're only there while stocks last. Prepare to eat a few — a four-pack will cost you $10. Find Bulla's choc tops in the Coles freezer aisle for a limited time. For further details, visit the Bulla or Coles websites.
Bored, retired American goth rock star Cheyenne (Sean Penn) is living in an enormous mansion in Dublin with his carefree wife of 35 years, Jane (Frances McDormand). When he learns of the death of his estranged father, Cheyenne returns to America, at which time he begins to find out information about himself and his family that he never knew. When asked about his father things begin to unravel. Cheyenne is told a story of an SS Officer who humiliated his father in Auschwitz, and who may still be living in America. This is where Cheyenne embarks on a journey across his homeland, now foreign to him, on an expedition of reconciliation where encounters with people and situations allow him to find himself. With a nod to The Cure's Robert Smith, Penn plays the complex character of Cheyenne as softly spoken and kind in a convincing and unique performance. The film draws charm and originality to the forefront with a stunning cast and compelling storyline, not to mention a remarkable soundtrack with music and lyrics by David Byrne and Will Oldham. This Must Be The Place is in cinemas April 5. You can read our full review here. To win one of ten double passes to see This Must Be The Place, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au
With a design that wouldn't feel out of place in any modern Melbourne cafe, Ori Tea sports a slightly different vibe to most of its boba-slinging counterparts. It's a solo player, serving up a whole rainbow of concoctions to suit just about any sort of tea craving. Fans will find those chewy brown sugar pearls showcased in a range of drinks, from vibrant matcha lattes, to milky dragonfruit fusions. Though the caramelly goodness of the signature brown sugar pearl milk drink makes it a firm fan favourite, dense with boba and artful streaks of tea. Elsewhere on the menu, find fruit-forward blends topped with cheese foam and a tidy lineup of desserts.
After exhibiting in Sydney earlier this year, Chinese artist Chen Qiulin brings her first Australian solo show to the Shepparton Art Museum. Her practice draws upon her experience growing up in Wanzhou City in Western China and the confluence of natural and urban landscapes. In recent years, the rapid urbanisation of China has becoming central to her work, which explores the intricacies of city planning, architectural hierarchies as well as tensions between tradition and technology. The centrepiece and namesake of the show is the impressive One Hundred Names, consisting of the most common Chinese family names, carefully carved out of tofu. This edible artwork is designed to gradually decay over time, symbolising the material transformation that inevitably follows intensive labour. The exhibition will also feature a range of photographic, video and performance works. As part of the exhibition, SAM will also hold a one-off tofu banquet with the artist on Saturday, June 4 to coincide with the launch. You can book tickets here. Image: Chen Qiulin, Ellisis Series No.1 2001 58×86cm Photograph, Giclee Print, Ed.8 Courtesy the artist and A Thousand Plateaus Art Space, Chengdu © the artist.
It's been a challenging year for Australia's hospitality scene, but things are already looking up for 2021. Especially now that we've been given an opening date for the hotly anticipated project from restaurateur Chris Lucas (Chin Chin, Hawker Hall, Kisume), and Martin Benn and Vicki Wild of Sydney's now-closed three-hat fine diner Sepia. More than three years in the making, the trio's landmark collaboration Society is set to open its doors in the historic 80 Collins Street building from March. This grand, multi-faceted venue will boast 180-degree views over Collins and Exhibition streets, comprising the main Society dining room, an opulent lounge bar and a lush indoor-outdoor eatery named the Lillian Terrace, in honour of former Paris End resident Lillian Wightman. While each space is set to deliver a distinctly different offering, Benn's renowned flair for avant-garde cooking will shine throughout. The bar will be your go-to for pre-dinner drinks and snack-matched cocktail sessions alike, featuring a tight array of drinking fare to complement an elegant lineup of libations. Elsewhere, you'll be able to settle in for a luxurious meal beneath the lofty ceilings of Society, or pull up a seat on the terrace for an al fresco feed overlooking the former site of 'Luxury Lil' Wightman's legendary fashion boutique Le Louvre. [caption id="attachment_787570" align="alignnone" width="1920"] Nick & Nora's by Brook James[/caption] Melbourne architects Russell & George have overseen the design of the site, tasked with creating a modern twist on mid-century style, while lending an intimate feel to the spacious venue. Lucas hopes that, once complete, Society will fill a void for locals and visitors alike. "Our society, our city has been through so much this year," he said in a statement. "It is with great pride that we can finally look to opening our exciting new dining destination and add another dimension to Melbourne's already incredible restaurant scene, that has been such a big part of my life." Society will join 80 Collins Street's growing list of hospitality venues, including already open champagne bar Nick & Nora's and coffee shop Maverick, and Farmer's Daughters — a three-storey, paddock-to-plate restaurant from Pastuso chef-owner Alejandro Saravia — which is set to open next year. Society is slated to open at 80 Collins Street, Melbourne, from late March 2021.
How better to banish those dreaded post-holiday blues than a sparkling summer Sunday spent frolicking on a rooftop? The ever-colourful Good Heavens has teamed up with its mates at Fixation Brewing Co, serving up a series of monthly Sunday sessions guaranteed to get your 2019 off to a very solid start. Head along on Sunday, January 6 — and the first Sunday of each month after that — to wrap up your weekend in true summer style. There's a $60 bottomless barbecue brunch to feast on, perfectly washed down with hoppy Fixation beers, plus green tea and mango mimosas. Further fun comes in the form of a holiday-worthy $10 spritz menu from 12–4pm, super-sized board games and activities, and DJs spinning those weekend beats all day long. There are two sessions available for each event — book in for the 12–2pm time slot, or round out your afternoon with a 2–4pm visit.
Melbourne cinephiles, prepare to spend plenty of time in yet another picture palace. Come 2019, Swanston Street's Capitol Theatre will reopen its doors and once again host cinema screenings. The RMIT-owned building will become a home-away-from-home for the Australian Centre for the Moving Image (ACMI), which is closing down for a major refurbishment between mid-2019 and mid-2020. While ACMI's Federation Square base is completing its revamp, the organisation will partner with RMIT to bring its screenings to the Capitol. Festivals that usually use ACMI as a venue, such as the Melbourne Queer Film Festival, Melbourne International Film Festival, Human Rights Arts & Film Festival and the Japanese Film Festival, will also make the temporary move. In readiness for getting the projector whirring, the Capitol is also undergoing a revamp of its own. The theatre's foyer will be restored, seats and carpet will be replaced, and upgrades will be made to its cinema projection, lighting and sound facilities. As well as revitalising a space that dates back almost a century, RMIT is eager for the Capitol to regain its place as one of Melbourne's cultural hubs. The university expects the venue to host more than 500 events and to welcome more than 100,000 visitors through its doors every year. RMIT will also use the space as a research and innovation hub in fields such as film, digital media, virtual reality, augmented reality and animation, for both educational purposes and for the broader industry. "We're creating a cultural and educational destination," said RMIT Pro Vice-Chancellor and Vice-President Professor Paul Gough in a statement. "A thriving centre where the creative community can interact, connect and collaborate." The news comes after the university launched a crowdfunding campaign to restore the Capitol and put it back into use, noting the building's significant historical value. First opening in 1924 — and initially hosting silent films that were preceded by live theatre productions before each screening, as well as being accompanied by Australia's first large Wurlitzer organ — the site was designed by architects Walter Burley Griffin and Marion Mahony Griffin, who also designed the city of Canberra. The Capitol's geometric-shaped light-filled ceiling is quite the striking sight, but one that's been seen intermittently by audiences over the past few decades. After initially closing in the 60s, being renovated to turn its stalls-level seating into the Capitol Arcade, and then undergoing remodelling again when RMIT took over in 1999, The Capitol has remained shut since 2014. We're looking forward to seeing it open once more. The Capitol Theatre is located at 113 Swanston Street, Melbourne and will reopen at a yet-to-be-revealed date in 2019. Image: RMIT.
Outdoor cinemas are usually reserved for balmy summer nights once the season officially changes over to summer. But this year, American Express Openair Cinema is hitting Melbourne early for a special spring season at Yarra Park right next to the MCG. From Wednesday, October 9 until Sunday, November 3, you'll be able to catch one of many box office hits on the pop-up cinema screen. If you haven't seen it yet, pencil in Once Upon a Time in Hollywood for opening night; otherwise, you might want to book in a date to see the just-released Downton Abbey film. The program also gives you the chance to sneakily catch up on some of this year's most hyped films, including Rocketman, The Lion King, 2040 and the must-see Adam Goodes doco The Australian Dream. Fitzroy's Ladro will once again be slinging its woodfired pizza, and a bar, serving Urban Alley brews, Giesen wines and Pimm's will keep your thirst quenched all night long. Oh, and it's a dog-friendly space, so you don't need to leave part of your family at home. Plus if you're an Amex user you'll get 15 percent off select tickets, plus a lounger and bites for the movie.
