Renowned Champagne house Mumm is set to release its glamorous Mumm Grand Cordon bottle across Australia this month. It'll launch this new Champagne with an exclusive VIP event in the Melbourne CBD on April 19 — and we're giving away passes to the whole shebang. Mumm Grand Cordon takes the house's iconic red sash to the next level, creating the world's first Champagne bottle with no label. Instead, a real red ribbon is sculpted into the glass — a technique created in partnership with avant-garde designer Ross Lovegrove. The bottles will be available exclusively in select bars, restaurants and hotels, with the release following the Mumm Grand Cordon's theatrical launch night. The exclusive event — which is not open to the public, only VIP guests and lucky Concrete Playground readers — will take place at Melbourne's beloved Garden State Hotel on Flinders Lane and will be a high-energy night of Champagne flutes and cocktails, confetti canons, DJs, dancers and canapés prepared by Garden State Hotel's head chef Ashly Hicks. Guests will also have the chance to learn how to sabrage a Champagne bottle (open the bottle using a sword). The event will take over an underground space of the venue, so expect moody vibes with dim, red lighting and plenty of surprises in store. Lucky for Concrete Playground readers, we're giving away two VIP packages for you and three friends to attend the event. Competition winners will have access to every bit of the lavish fun and all of that luxurious Champagne. To enter, see details below. [competition]662986[/competition]
If you didn't end April or start May binging Heartstopper, then you probably weren't anywhere near your streaming queue or social media. As charming as romantic comedies, LGBTQIA+-championing tales, British series and coming-of-age stories can get, this webcomic-to-page-to-screen delight dropped all eight of its first-season episodes at once, became an instant Netflix hit and started many an obsession — regardless of whether you currently are or ever have been a queer teen trying to be true to yourself, navigating high school and riding the emotional rollercoaster that is falling in love. The great news: if you haven't seen it already, season one is obviously still there and waiting. The even better news: Netflix has just renewed the series for two more seasons. So, sometime in the future — with no dates given as yet — Heartstopper will be making tickers miss a beat again, and twice, with the graphic novel's author and illustrator Alice Oseman also returning as the show's writer (and creator, obviously). It's easy to see why more Heartstopper is on its way — and not just because its narrative has continued past where season one stopped on both the web and in print. The series hit the Netflix top-ten list in 54 countries, wowed audiences and earned the social-media attention to prove it, and has already made stars out of its delightful cast. ✌️ more seasons of Heartstopper! 🍂🍂https://t.co/u65kBHzJ9p pic.twitter.com/s6NKkU9Hl3 — Netflix UK & Ireland (@NetflixUK) May 20, 2022 Story-wise, Heartstopper heads to Truham Grammar School, where Charlie Spring (first-timer Joe Locke) is in year ten. He finds himself seated in his form class next to year 11 rugby player Nick Nelson (Kit Connor, Little Joe) at the start of a new term, and sparks fly swiftly and overwhelmingly — at least on Charlie's part — with a crush and then a life-changing love story both blossoming. While director Euros Lyn (Dream Horse) gives Heartstopper's first season a dreamy look and feel — with emotionally astute showers of colour, too — teen romance is always complicated. Actually, teen life in general is. Also popping up here, with their own ups and downs: Charlie's self-hating secret boyfriend Ben Hope (Sebastian Croft, Doom Patrol); his disapproving, high-drama best friend Tao (fellow debutant William Gao); their recently out trans pal Elle (Yasmin Finney); her lesbian school friends Tara (Corinna Brown, Daphne) and Darcy (Kizzy Edgell); and the quietly happy-go-lucky Isaac (Tobie Donovan). Oh, and Oscar-winner Olivia Colman (The Lost Daughter) as Nick's mum. The end result isn't afraid of teen tropes or rom-com cliches, such as grand gestures in the pouring rain, blissful montages and the stress of text messages — but it also isn't willing to deliver anything other than a thoughtful and tender account of high schoolers being and finding themselves, even amid unavoidable teen angst and taunting. There's currently four volumes, spanning five chapters, of Heartstopper on the page — and a fifth volume set to arrive in February 2023 — so fingers crossed there'll be even more seasons of the Netflix series in our futures. Check out the trailer for Heartstopper season one below: Exactly when Heartstopper will return for season two and three hasn't yet been revealed — we'll update you when dates are announced. The first season of Heartstopper is available to stream via Netflix. Read our full review. Images: Rob Youngson/Netflix.
Eyes to the sky, Australia — it's time to catch one of the year's most impressive meteor showers. Each autumn Down Under, the Eta Aquarids meteor shower sets the sky ablaze. And yes, it's happening right now. This vibrant astronomical vision starts in April every year, but is at its peak in early May. In 2023, that suits stargazers nicely. Last month was all about not looking directly at the solar eclipse, so now it's the night sky's turn to shine again. The best date to mark in your diary: the early hours of Sunday, May 7, which is when the shower will be at its most spectacular. If you're eager to catch a glimpse, even from just your backyard or balcony, here's what you need to know. [caption id="attachment_769233" align="alignnone" width="1920"] Via Wikimedia Commons[/caption] WHAT IS IT The Eta Aquarids might not be as famous as Halley's Comet, but the shower is actually a distant relation — because the bits and pieces you see flying around were on Halley's path a really, really long time ago. And, rather than only being visible every 76 years (the next Halley's Comet sighting is in 2061), the Eta Aquarids come around every year, usually between April 19–May 28 every year. The shower's name comes from the star from which they appear to come Eta Aquarii, which is part of the Aquarius constellation. So, that's what you'll be looking for in the sky. Luckily, being in the southern hemisphere, we get some of the best views in the world. On average, you can see up to 20–40 meteors per hour. WHEN TO SEE IT The shower will reach a peak in the early morning of Sunday, May 7, but will still be able to be seen for a few days on either side. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am — but between 2am–7am is also recommended. At that time, you'll be in the running to see as many as 50 meteors every 60 minutes. Each will be moving at about 225,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. HOW TO SEE IT Usually, when a meteor shower lights up the sky, we'd tell city-dwellers to get as far away from light pollution as possible to get the best view. If you can't venture out of town at the moment, you can still take a gander from your backyard or balcony. To help locate the shower, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Eta Aquarids. It has been updating this daily. The weather might get in the way of your viewing, though, depending on where you live. Melbourne is set for showers until next Tuesday, and Adelaide is as well on and off until Monday — although Sunday's forecast is just partly cloudy. There's also expected to be a shower or two in Perth from Saturday onwards, and showers are also meant to start in Sydney on Sunday. In Brisbane, however, mostly sunny conditions await.
When is a new apartment block not just a new apartment block? When it's also a hotel, an exhibition space, a retail centre and a book exchange, and boasts multiple restaurants, cafes and a rooftop bar. Approved for construction at 383 La Trobe Street in the CBD, the mixed-use skyscraper has been developed by the Chinese-owned, Melbourne-based real estate investment company Sterling Global, and was designed by French architects Ateliers Jean Nouvel in partnership with local outfit Architectus. The 70-storey tower will cost approximately $700 million, and will consist of 488 one-, two-, and three-bedroom apartments plus a 196-room hotel. The design also includes an internal arcade as well as a number of amenities earmarked for public use. "383 La Trobe Street offers one third of its land back to the public, creating a new laneway dotted with a gallery space, cafes, bars, art spaces and a huge digital art installation that covers the roof and walls of the arcade," said Sterling Global development director Brandon Yeoh. The new tower will exceed the city's density rules, but was approved for construction "thanks to its ample cultural benefits and spectacular public amenity," according to a press release from Architectus. Nevertheless, it has drawn the ire of some CBD residents, particularly those in nearby buildings who say they were not consulted prior to the skyscraper being approved.
Let the games begin — again. Following a three-year wait since its award-winning first season, and after teasing the show's 2024 return since January, Squid Game will start playing again on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. Netflix has not only advised when its huge 2021 hit — one of the best new TV programs of that year, in fact — will finally make a comeback, but has also announced that there's even more in store. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the Squid Game story. The streaming platform revealed both pieces of news with a date announcement teaser that features a running track, competitors in recognisable green tracksuits, and also-familiar folks in red watching on alongside the masked Front Man — and with a letter from series director, writer and executive producer Hwang Dong-hyuk. "I am beyond excited to be writing this letter to announce the date for season two and share the news of season three, the final season," said Hwang. "Seong Gi-hun, who vowed revenge at the end of season one, returns and joins the game again. Will he succeed in getting his revenge? Front Man doesn't seem to be an easy opponent this time, either. The fierce clash between their two worlds will continue into the series finale with season three, which will be brought to you next year." View this post on Instagram A post shared by Netflix US (@netflix) So, yes, season one's protagonist Gi-hun (Lee Jung-jae, The Acolyte) is back. So is his nemesis (Lee Byung-hun, The Magnificent Seven). If you're wondering what else is in store after the hefty gap — Squid Game was such a huge smash in it first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — a few further details were dropped earlier in the year. That's when Netflix previously unveiled a brief snippet of Squid Game season two, arriving in a broader trailer for Netflix's slate for the year — as it releases every 12 months. In the footage, Seong Gi-hun answers a phone call while at the airport sporting his newly crimson locks. He's soon told "you're going to regret the choice you've made". Cue his statement of vengeance; Squid Game meets John Wick, anyone? Wi Ha-joon (Little Women) is back as detective Hwang Jun-ho, as is Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two — so that's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out Netflix's season two date announcement clip for Squid Game season below: Squid Game season two will stream via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: Netflix.
South Melbourne's got lots got cafes and lots of pubs, but now it's got a new all-day neighbourhood haunt to call its own, with the launch of Eastern Road Larder. A cafe and deli by day and wine bar at night, the intimate 18-seat space is Renton Carlyle-Taylor's eighth venue. It joins a stable of wine-focused gems that includes Collingwood's The Moon, The Alps in Prahran and Malvern's Milton Wine Shop. Making its home beneath property developer Tim Gurner's luxury Eastern Road development, the new venture evidently want to become a part of residents' day-to-day. It'll be a pitstop for Allpress coffee and bagels of a morning, deli offerings at lunch, and a vino after work (on Thursdays and Fridays only though). The wine list is a celebration of the most exciting things happening in Victorian winemaking, with a focus on bold drops and minimal intervention creations from the owner's favourite local labels. On top of that, you'll find a considered selection of Italian wines, plus drinking fare from international cheese and meat producers Savour & Grace, with wine and cheese plates also available for takeaway feasts. Those sitting in can enjoy a polished fit-out of warm timbers and bronze accents. Rounding out the offering in May will be a neighbouring 50-seat pizzeria and bar called Eastern Road Bar. It'll showcase a range of beers from new craft brewery Burnley Brewing Co — another recent project from Carlyle-Taylor and partners. Eastern Road Larder is now open at 74 Eastern Road, South Melbourne. It'll be open Monday to Wednesday from 7am–4pm and Thursday to Friday from 7am–9pm. For more info, visit easternroadlarder.com.au.
Frolic amidst the flowers in the picturesque Carlton Gardens before tucking into a feast fit for a king. Part of the Melbourne International Flower & Garden Show, Gardens by Twilight will welcome a convoy of food trucks to the grounds around the Royal Exhibition Centre for an after-dark picnic of the most spectacular kind. You'll need a ticket to the show (they're $29.90) — but if you're somewhat interested in checking it out, this is the night to do it. Instead of finishing up at 5pm, the show will stay open until 9pm, lighting up the gardens with live music, food trucks and a bar. Once you've eaten your fill, you can wander around some of the highlights of the show by night, including special installations designed to be viewed by twilight. Image: Jason Edwards Photography. UPDATE: FRIDAY, FEBRUARY 16 — The first version of this event listed an incorrect date. The correct date of this event is March 23, 2018.
Making music can be just as political as personal for some, especially if you're Melbourne trio The Basics. Their 12-year career has seen the band go through its fair share of ups and downs, with 1000 shows locally and abroad and even a three year hiatus from the music scene (seeing frontman Wally De Backer embark on a little ol' solo venture as Goyte). Then, 2014 casually saw The Basics' Tim Heath and Kris Schroeder enter the Victorian political sphere as the Basics Rock'n'Roll Party (BRRP), to many a divided opinion. But stronger than ever with brand new material, The Basics are headed back to the stage, hitting Melbourne's Corner Hotel to launch their brand new EP 'The Lucky Country'. Using music to spread their messages of innovation and education, these boys are going from strength to strength (tackling an election while recording a bunch of stellar tracks at Abbey Road). Supported by fellow Melburnians The Gun Barrel Straights, this promises to be a high-energy set from the reunited De Backer, Heath and Schroeder.
Out in the California High Desert last month, people saw a mysterious apparition: a transparent log cabin named Lucid Stead, the latest installation by artist Phillip K Smith III. At first glance the structure doesn't look real. Is it a mirage, a vision, a portal to another world? The structure's Pre-Romanesque stripes are no hallucination: Smith achieved the optical illusion of transparency by inlaying lengths of mirror between the splintery old wood planks of a 70-year-old homesteader shack in Joshua Tree national park. When the artwork was unveiled, he was surprised by an influx over two days of 400 visitors who'd gotten word of the magical cabin. Search #lucidstead on Instagram and you'll see many photographic perspectives on what they saw. (And riddle me this: how come we can't see any trace of a photographer reflected in these images? Witchcraft.) Like Lucy Humphrey's Horizon in this year's Sculpture by the Sea, here is an artwork that uses its surrounding environment to fill its own canvas, seamlessly melding the natural and manmade. Smith likes to make artworks that appear to breathe and move, blurring the border between geometric rigidity and the organic; he says he is attracted to the idea of "something that you cannot hold on to... That slips between your fingers." As the day progresses, Lucid Stead's appearance changes completely, reflecting the different colours of dawn to dusk. After-hours, it takes on a new role, generating its own light rather than merely reflecting it; the windows become vivid, floating blocks of coloured LED illumination. In the pictures below you'll notice the LEDs brighten the surrounding shrubbery in an unearthly rainbow, not unlike the surrealist nighttime photography of Gregory Crewdson. These colours change, controlled by an Arduino computer system, in a continuous flow that's all part of making the viewer look twice. Smith explains: "The color of the door and window openings are set at a pace of change where one might question whether they are actually changing colors." Check out the video below to see a before-and-after view of the shack, and to hear Lucid Stead's creator talk about his interest in the basic elements of light and change. Images by Stephen King for Royale Projects. Story via Colossal.
When Barry said farewell earlier in 2023, it brought one of the best supporting performances in recent years to an end with it. Star, creator, writer and director Bill Hader wasn't the only talent scoring awards for the hitman dramedy, with Henry Winkler also earning plenty of love — and nabbing his first Primetime Emmy win more than four decades after he was first nominated in the 70s for Happy Days. That's quite the story from a career full of them, given that Winkler will always be known as Arthur 'The Fonz' Fonzarelli, for scene-stealing parts in Arrested Development and Parks and Recreation, and for popping up everywhere from the Scream franchise and The French Dispatch to multiple Adam Sandler movies as well. And, Winkler will tell those tales when he heads to Australia in 2024 on a speaking tour to reflect upon his time in Hollywood. [caption id="attachment_918614" align="alignnone" width="1920"] Andrew Eccles[/caption] Jumping sharks might not be on the agenda, but chatting about doing so more than once — and changing TV history when he made the leap the first time — likely will be. Acting classes also won't be on the itinerary, but hearing about half a century spent performing definitely is. Winkler's tour will follow the release of book Being Henry: The Fonz... and Beyond in October, which will also step through playing Fonzie, Barry Zuckercorn, Dr Saperstein, Gene Cousineau and more. On a six-stop visit, Winkler will head to Sydney, Adelaide, Perth, Melbourne, Canberra and Brisbane across two weeks in February. Hopefully also getting a mention: his role in helping develop the original MacGyver back in the 80s. HENRY WINKLER'S 'THE FONZ AND BEYOND' 2024 AUSTRALIAN TOUR: Tuesday, February 6 — Sydney Town Hall, Sydney Wednesday, February 7 — Her Majesty's Theatre, Adelaide Thursday, February 8 — Perth Concert Hall, Perth Thursday, February 15 — Hamer Hall, Arts Centre Melbourne, Melbourne Saturday, February 17 — Canberra Theatre, Canberra Monday, February 19 — QPAC Concert Hall, Brisbane Henry Winkler is touring Australia in February 2024, with pre-sale tickets from 10am on Tuesday, September 19 and general sales from Friday, September 22 — head to the tour website for further details. Top image: HBO.
As well as creating some of popular culture's most beloved characters of the past three decades, JK Rowling's Harry Potter franchise has also conjured up a whole heap of astonishing critters. The Boy Who Lived himself studied them at Hogwarts, all thanks to textbook Fantastic Beasts and Where to Find Them — and, to the joy of Potter-loving muggles everywhere, Rowling turned that tome into an actual text in 2001. Plus, as every Wizarding World fan knows, that book followed the original Harry Potter novels in making the leap from the page to the screen. So far, two movies have hit cinemas, charting the exploits of the text's author Newt Scamander (Eddie Redmayne) just as dark wizard Gellert Grindelwald (Johnny Depp) rises to prominence. While neither the first 2016 film nor its 2018 sequel Fantastic Beasts: The Crimes of Grindelwald quite live up to the HP movies, three more are still planned from 2021 onwards. Can't wait that long until your next Fantastic Beasts fix? Particularly fond of the creatures that fly, scamper and scurry through the Wizarding World? Then you'll be waving your wands in excitement about the huge new Fantastic Beasts: The Wonder of Nature, which'll display items from Rowling's fictional universe alongside real-life creatures, specimens and artefacts. Premiering at London's Natural History Museum sometime this autumn — spring in the northern hemisphere — for a seven-month season before embarking on an international tour, the showcase will combine critters from the natural world, the mythical world and the Wizarding World. Visitors will see legendary beasts placed alongside specimens and historic objects, while also venturing through digital installations and other elements from the Fantastic Beasts flicks. Unsurprisingly, there'll also be a huge focus on Scamander, the Wizarding World's famed magizoologist. [caption id="attachment_757302" align="aligncenter" width="1920"] Jeff Spicer[/caption] While the full range of exhibits hasn't been revealed, you can expect to peer at a tiger, a Galápagos marine iguana and a giant oarfish (the planet's longest bony fish) alongside an Erumpent horn and the dragon skull from Professor Lupin's classroom. You'll also be able to compare the camouflage tactics of a jaguar to those of the Demiguise. Here's hoping a super-cute Niffler features in some shape or form, too. Just where Fantastic Beasts: The Wonder of Nature will head after its London run hasn't been announced yet either, but start yelling "accio exhibition" while you cross your fingers for a stop Down Under. A collaboration between the Natural History Museum, the BBC and Warner Bros, a Fantastic Beasts documentary is also headed to screens to tie in with the exhibition. Called Fantastic Beasts: A Natural History and presented by Stephen Fry, it'll delve into the origins and stories of mythical creatures and fantastical beasts, examining their history and making connections to animals roaming the planet today. In the UK, it's set to air at a yet-to-be-revealed date later this year — with international airings also yet to be announced. Fantastic Beasts: The Wonder of Nature will display at London's Natural History Museum from sometime this autumn — spring in the northern hemisphere — with tickets on sale from Thursday, January 16. Details of the exhibition's international tour are yet to be revealed.
Season four of The Witcher is officially in production, and will be followed by season five, with the next two dates with monster hunter Geralt of Rivia filming their antics back to back. Actually, make that the last two dates with Netflix's hit fantasy series. The streaming platform has also revealed that the show will come to an end with its fifth season. So, get ready to toss a coin to your witcher again, and then one more time — but that'll be it. As previously announced, there'll be a big change when the series returns, with The Hunger Games, The Dressmaker and Independence Day: Resurgence's Liam Hemsworth taking over from Argylle's Henry Cavill as Geralt. It's official, The Witcher season 4 is in production. But that's not all, we're already planning season 5, which will be the final season and bring this epic show to a fitting conclusion. See you on The Continent. pic.twitter.com/c0ilUCWYkF — The Witcher (@witchernetflix) April 18, 2024 It was back in 2022 when audiences learned that Cavill would say goodbye to the role after three seasons — two of which had streamed at the time. "My journey as Geralt of Rivia has been filled with both monsters and adventures, and alas, I will be laying down my medallion and my swords for season four," said Cavill in a statement. "In my stead, the fantastic Mr Liam Hemsworth will be taking up the mantle of the White Wolf. As with the greatest of literary characters, I pass the torch with reverence for the time spent embodying Geralt and enthusiasm to see Liam's take on this most fascinating and nuanced of men. Liam, good sir, this character has such a wonderful depth to him, enjoy diving in and seeing what you can find." It's official: The Witcher is returning for Season 4, and Henry Cavill will be handing his swords to Liam Hemsworth as the new Geralt of Rivia after Season 3. Welcome to the Witcher family, @LiamHemsworth! Read more: https://t.co/ABQMdqkzXX pic.twitter.com/xyIaRBbiRT — The Witcher (@witchernetflix) October 29, 2022 Hemsworth added at the time that "as a Witcher fan I'm over the moon about the opportunity to play Geralt of Rivia". He continued: "Henry Cavill has been an incredible Geralt, and I'm honoured that he's handing me the reins and allowing me to take up the White Wolf's blades for the next chapter of his adventure. Henry, I've been a fan of yours for years and was inspired by what you brought to this beloved character. I may have some big boots to fill, but I'm truly excited to be stepping into The Witcher world." Back then, Netflix also did what it always has with The Witcher, renewing it for another season when its next hadn't yet streamed. The same also occurred with season three before season two dropped, and with season two before season one debuted before that. That trend continues now for the last time, given that the newly announced season five will wrap up the story. If you haven't watched the first three seasons yet but the name sounds familiar from elsewhere, that's because The Witcher is based on the short stories and novels of writer Andrzej Sapkowski — and, as well as being turned into comics, it was adapted the video game series of the same name. A Polish film and TV show also reached screens in the early 2000s, although they were poorly received. Sapkowski's last three Witcher books, aka Baptism of Fire, The Tower of the Swallow and Lady of the Lake, will form the basis of the Netflix series' final two seasons. "It is with huge pride that we begin shooting our penultimate season of The Witcher with a stellar cast, including some exciting new additions, led by Liam Hemsworth as Geralt of Rivia," said creator and showrunner Lauren Schmidt Hissrich to Netflix about the announcement that the show is saying goodbye. "We're thrilled to be able to bring Andrzej Sapkowski's books to an epic and satisfying conclusion. It wouldn't be our show if we didn't push our family of characters to their absolute limit — stay tuned to see how the story ends." [caption id="attachment_944097" align="alignnone" width="1920"] Susie Allnutt, Netflix[/caption] In the Netflix effort, Cavill plays the witcher of the title, aka the part that Hemsworth is taking over. Geralt of Rivia prefers to work — aka slay beasts — alone in a realm called The Continent. But life has other plans for the lone wolf, forcing him to cross paths with powerful sorceress Yennefer of Vengerberg (Anya Chalotra, The Cypher) and young princess Ciri (Freya Allan, Baghead). The Witcher franchise doesn't just include the show itself, but also animated flick The Witcher: Nightmare of the Wolf, which hit Netflix in 2021. So far, there's also prequel series The Witcher: Blood Origin, too — which takes place 1200 years before Geralt's time, spans four episodes, stars Everything Everywhere All At Once's Michelle Yeoh and arrived in 2022. There's no sneak peek at The Witcher's fourth season yet, but here's the trailer for season three in the interim: The Witcher's fourth season doesn't yet have a release date — we'll update you when one is announced. The show's first three seasons are currently available to stream via Netflix. Top image: Susie Allnutt, Netflix.
What type of coffee aroma would characterise the feet of your ideal partner? Arabica or Robusta? Single origin or a blend? The Ministry of Supply's new ATLAS socks promise to replace the smell of sticky, sweaty feet with the more alluring scent of roasted beans. They've been made possible by a wildly successful Kickstarter campaign, which raised a whopping US$200,000, not only through their novel appeal but also through a reward of two pairs of socks for every $28 pledged. The Ministry of Supply team developed the technology through a deep and prolonged study of the human foot. First, they figured out which areas are most liable to the reception of pressure, and therefore to the production of sweat and heat. Then they designed an accordingly padded and ventilated sock, using wicking to maximise aeration potential. The coffee, collected from various cafes and eateries, is infused into the material. Its job is to draw in and capture the nasty molecules that create antisocial smells. Voila, feet so sweet you can leave your socks on for a week. Well, that's the story according to Forbes writer Natalie Robehmed, who claims she wore a pair for five days straight without frightening anyone away. [via Springwise]
While a St Kilda may seem like a day trip in itself to those that live north of the river, on Saturday, 7 March, a visit to the Bayside suburb will take you all the way to South East Asia. As part of the 2015 Melbourne Food & Wine Festival, the newly reopened St Hotel will be hosting the best Asian food of the south (of the Yarra). There will be stalls from the St, Hanoi Hannah, Saigon Sally, Banoi and the brand new Tokyo Tina, with the hotel set to get into the spirit of the occasion inside and out. Tickets are $40 and include five hawker-style dishes — one from each of the kitchens. St Kilda might seem like a bit of a trek, but it sure ain't as far as Vietnam.
Oil up your engines folks, Motorclassica is rolling back into town for its tenth year. Running from Friday, October 11 to Sunday, October 13, the annual exhibition of rare and collectible classic cars will descend on Melbourne's Royal Exhibition Building with an impressive display of vintage automobiles and motorcycles. Expect this year's fair to be big as it marks its first decade. Over the three days, you'll find over 200 old club cars on display outside, plus a bunch of modern supercars, which are sure to get you revved up. You'll also find some of Melbourne's most-loved food trucks, dishing up plenty of snacks to keep you well fuelled. Head on in and you'll be treated to the Australian International Concours d'Elegance awards. The awards will see over 140 exotic and collectible cars and motorcycles displayed throughout space. Need to get your heart racing? You can bid on a rare number plate (with some going for upwards of $500,000) at the Rare Heritage Number Plate Auction, which will take place on Saturday, October 12. Best of all? We're giving away two VIP passes (valued at $150 each) for Sunday entry. If you're the lucky winner, you'll get priority access and entry to the VIP Lounge and Bar. You'll also nab free food and drink throughout the day, plus get your mitts on a complimentary Collector Guide — so you'll be prepared when you're seriously considering spending all your life savings on a 1930s Bentley. If you're keen to get the royal treatment at Motorclassica, enter your details below to be in the running. [competition]740197[/competition]
Christmas is almost upon us, and if you're not sure how best to celebrate this year, fear not. We've got you covered with a few drink recipes to add a little extra cheer to your Christmas festivities. Whether it's bubbles, whisky or fine wine, we've teamed up with our friends over at Pernod Ricard, purveyors of celebratory drinks like Mumm, Chivas, St Hugo and Jacob's Creek, to bring you five drink recipes guaranteed to make your silly season all the merrier this year. Whether you're a Champagne sipper or whisky swirler, put these tipples on your menu this festive season. [caption id="attachment_586726" align="alignnone" width="1280"] Steven Woodburn.[/caption] MUMM 75 A delicate, well-balanced drink, the Mumm 75 is sophisticated but accessible — perfect for impressing (and easily whipping up) for a casual barbecue or sunny garden party. — 15ml Beefeater Gin — 15ml elderflower liqueur — 15ml lemon juice — 80ml of Mumm Champagne Add everything but the Champagne to your cocktail shaker, shake vigorously and double strain into a coupe glass. Top up the glass with Mumm and serve garnished with a thin slice of lemon. ST HUGO CABERNET SAUVIGNON This bold cab sav is an excellent red to add to your holiday dining table this year. Truly indicative of the Coonawarra region, this wine offers a rich bouquet of fruity aromas — think blackberries, dark cherries and a hint of star anise. These aromas give way to a full body, showcasing oaky, vanilla notes with a touch of roasted chestnut. The finish is rich in tannins with a faint, delicate acid line to balance it out. It's the perfect accompaniment to a roast Christmas lunch. The versatility of the wine also makes it a great gift, and with a personalised gift wrapper and calligrapher at selected Dan Murphy's stores, you can easily grab a special bottle or two for the epicure in your life while shopping for the rest of the Christmas meal. CHIVAS REGAL 18-YEAR-OLD SOUR This is already a fine, rich drop of expertly blended whisky, with a velvet, smooth profile featuring notes of dark chocolate, toffee and hints of dried fruit. It's also a top-notch base for a whisky sour. — 2 parts Chivas 18-Year-Old — 1 part freshly squeezed lemon juice — 1 part sugar syrup — 1 egg white First add the Chivas to your shaker, then add the lemon juice and sugar syrup, and shake. Next, add the egg white and shake to emulsify. Add ice and shake vigorously again; double strain over ice and garnish with a maraschino cherry and slice of orange. Add a dash of bitters to top it off. LE PETIT ROSÉ FROSÉ What's become the drink of the summer (perhaps after the spritz — more on that below), frosé is dead easy to make —and with the bright, fresh berry and mild citrus notes of Jacob's Creek Le Petit Rosé, you have the perfect wine to use as the base for this summer sipper. — 90ml Jacob's Creek Le Petit Rosé — 30ml Absolut vodka — a splash of grenadine — 3 cups of ice Add all ingredients to a food processor or blender, and blend on high to achieve a smooth consistency. Garnish with a strawberry or a scattering of edible flowers for total summer vibes. JACOB'S CREEK PROSECCO SPRITZ The prosecco spritz is an ideal drop for an Aussie Christmas — or really any summer's day. Light bodied, but full of flavour, this refreshing drink is sure to be a hit with wine lovers, cocktail drinkers and hosts who don't have time to mix up spritzes for the group. The fresh, bone-dry base of Jacob's Creek prosecco is blended with bitter orange notes and gives way to a clean fruity flavour. Best served over ice with a generous slice of blood orange to heighten the citrus notes and herbaceous aromas, the drink makes a great aperitif or accompaniment to any summer seafood dish. Start planning your festive menus — Christmas will be here before you know it. Purchase any two eligible Pernod products from a Cellarbrations, The Bottle O, IGA Liquor or Big Bargain Bottleshop, and go in the draw to win a $500 travel voucher. There's one voucher to win every day till Christmas. And really, what could be better for the holiday spirit than winning an actual holiday?
If there's two things that the Japanese do well, it's whisky and food. So putting the two together is a bit of a no-brainer. Back for a second year, Japanese whisky house Suntory will once again take over Hihou for four Wednesday nights in July. The always great Hihou menu will be altered on the night to match the Suntory whiskies on show. This is your chance to wash down your sashimi with an award-winning whisky highball, or sip slowly on a nip of the Hibiki 17 year old while you nibble on some edamame. You can choose from three expertly-matched courses for $55, or go the whole hog with six for $120. In true Japanese style, it won't just be about the food and drink — no, it will most certainly be about the service and hospitality (or, the omotenashi) too. So strap yourself in for the full Japanese dining experience: delicate, delicious and utterly delightful. Bookings are essential. Book at info@hihou.com.au, through the event's Facebook page, or call (03) 9654 5465.
The pandemic hasn't conjured up many fond memories, but Normal People's small-screen arrival in 2020 is definitely one of them. Dropping into our streaming queues when the world was mid-lockdown and already feeling every emotion possible, the heartwrenching TV adaptation of Sally Rooney's novel was impossible to stop watching — thanks to the story, the pitch-perfect performances and the evocative mood that made you feel like you'd stepped into the writer's pages. Based on the two trailers for Conversations with Friends so far, history looks set to repeat itself on Monday, May 16, which is when the latest television version of one of Rooney's beloved books hits. This time around, the author's debut novel is making its way to the screen, but it has another tale of love, lust and emotional chaos to tell. Of course it does. As seen in the first teaser back in January and fleshed out further in the just-dropped full trailer, Conversations with Friends focuses on Dublin college students Frances (newcomer Alison Oliver) and Bobbi (Sasha Lane, American Honey), as well as married couple Nick (Joe Alwyn, The Souvenir: Part II) and Melissa (Jemima Kirke, Sex Education). Frances and Bobbi used to date, but are now best friends; however, everything shifts when they meet their new pals — with Frances and Nick having an affair, Melissa and Bobbi drawn to each other, and Frances and Bobbi's friendship put under threat. Complicating matters: everything from the fact that Frances and Bobbi are so close that they even perform spoken word poetry together, through to their different ways of pursuing Melissa and Nick. While Melissa and Bobbi flirt openly, Frances and Nick keep things under wraps. And yes, as the trailer shows to the sounds of Phoebe Bridgers, it all gets complex fast. Unfurling across 12 parts, all of which will drop on the same day — so you really can repeat the Normal People binging experience — Conversations with Friends also shares that series' co-director Lenny Abrahamson (Room, Frank), as well as co-screenwriter Alice Birch (Lady Macbeth). When Conversations with Friends was first published five years back, it launched Rooney's career and sent award nominations her way, with Hulu and BBC Three announcing their plans to bring it to the screen after the Normal People adaptation proved such a hit. Obviously, if you can't wait for Conversations with Friends to land in your streaming queue, you can try to fill your time rebinging Normal People. Check out the full trailer for Conversations with Friends below: Conversations with Friends will be available to stream Down Under via Prime Video on Monday, May 16. Images: Alison Oliver (Frances), Sasha Lane (Bobbi), Joe Alwyn (Nick) and Jemima Kirke (Melissa) in Conversations with Friends, Element Pictures. Photographer: Enda Bowe.
How do you brighten up one of the most vibrant cities on earth? And at the brightest time of the year? It's simple: add a park installation littered with glowing lights. Like Tokyo before it, New York now boasts its own short-term piece of luminous art — and one that's both creative and eye-catching. Called Whiteout, the commissioned project has unleashed hundreds of LED-filled globes upon Madison Square Park. Set up until March 25, 2018, the piece comes from Austrian-born, New York and Ohio-based artist Erwin Redl, who suspended the white, transparent spheres across the space using a square steel grid and cabling. As well as their standard twinkling, the orbs sway with the wind and sparkle according to large-scale animated patterns, all as part of the 6.2-acre park's latest free outdoor exhibition. https://www.instagram.com/p/Bbk8VEvnCTh/?taken-by=madsqparknyc Explains Redl, "the physicality of the swaying orbs in conjunction with the abstract animations of their embedded white lights allows the public to explore a new, hybrid reality in this urban setting." Known for creating light projects on building facades, Redl takes inspiration from the greats in the field, such as Larry Bell, Robert Irwin, James Turrell, and Doug Wheeler While visitors can't interact with the installation, they can view it as they mosey along the park's walkways. Given that more than 60,000 people visit the site daily, it's certain to make quite the impact, in a piece Redl created and fabricated with the assistance of Madison Square Park Conservancy and the New York City, Brisbane and Shanghai-based public artwork firm UAP. If you're in New York, check out Whiteout at Madison Square Park until March 25, 2018. Head to the park website for further information. Image: Erwin Redl, Whiteout, 2017. Steel, animated white LEDs, stainless steel cable, low voltage insulated wire, two sections: each 12 x 40 x 180 feet; overall: 12 x 110 x 180 feet. Collection of the artist. © Erwin Redl. Photo: Rashmi Gill.
First came Princess Diana, then Elvis, then Marilyn Monroe. That's not how it happened in reality, of course, but it's how 2022's big biopics are shaping up Down Under. This year has already seen both Spencer and Elvis sashay onto local screens — and, because star-studded movies about stars are a film buff's best friend, or so studios seem to think, Netflix's Blonde will follow come September. Here's hoping that the long-awaited feature — which started shooting back in 2019, but was delayed due to the pandemic — completes a trifecta of excellent recent films about icons, too. It has just as wild, chaotic and tragic a story to tell, and someone just as famous at its centre. This take on Monroe's life is based on the 2000 novel of the same name by Joyce Carol Oates, so it'll spin a piece of biographical fiction; however, looking at the just-dropped full Blonde trailer, there's plenty that sticks with the facts in the movie's frames. Dresses, moments, that titular hair, the husbands, the fame, the scrutiny: they're all a part of this haunting sneak peek at the film, which sees Ana de Armas hopping from Knives Out, No Time to Die and The Gray Man into her biggest role yet. The trailer features her voiceover throughout, explaining the toll that all that success had. "I can't face doing another scene with Marilyn Monroe. Marilyn doesn't exist. When I come out of my dressing room, I'm Norma Jeane," she says. "Marilyn Monroe only exists on the screen," she continues — and that's clearly set to be a constant point throughout the movie. Blonde will peer back at the days when she was only known as Norma Jeane, explore her rise to stardom, and look at her romances as well, all to unpack the gap between who she was in private and the persona that the public demanded. Blonde hits Netflix on Wednesday, September 28, with Australian filmmaker Andrew Dominik both writing and directing, and the cast also featuring Bobby Cannavale (Nine Perfect Strangers), Adrien Brody (Succession), Julianne Nicholson (Mare of Easttown), Xavier Samuel (Elvis) and Evan Williams (Westworld). Of course, de Armas isn't the first actor to step into the icon's shoes — and twirling frocks and diamonds, too — or to do so in an adaptation of Oates' book. Aussie actor Poppy Montgomery (Christmas on the Farm) did the same back in 2001, in a made-for-TV version also called Blonde. Elsewhere, Michelle Williams (Venom: Let There Be Carnage) did the honours in the unrelated 2011 movie My Week with Marilyn, and earned an Oscar nomination in the process, while Mira Sorvino (Shining Vale) and Ashley Judd (Berlin Station) shared the part — one as Marilyn, the other as Norma — in 1996 TV effort Norma Jean & Marilyn. Check out the trailer for Blonde below: Blonde will be available to stream via Netflix Down Under on Wednesday, September 28. Images: 2022 © Netflix.
You might not know the name Eddie Marsan, but odds are you'd recognise his face. With a list of film credits that includes The World's End, War Horse, V for Vendetta as well as the Mission: Impossible and Sherlock Holmes franchises, he's the kind of unflashy, underappreciated character actor who disappears into whatever role he's given. Still Life, the new film from Full Monty producer Uberto Pasolini, marks a rare opportunity for Marsan to take centre stage. The result is so beautifully affecting you'll wonder why it doesn't happen more often. Indeed, Marsan's part in Still Life feels like the one he was born to play. A middle-aged London municipal officer, John May's job is to see to the affairs of people who have recently died. He goes about his work with minimal fuss and in return gets little thanks for his efforts. He's a quiet man, dignified but lonely, and seemingly more comfortable around the dead than he is the living. Early on in the film, May's smarmy new boss calls him into his office and informs him that he'll be downsized out of a job. May, being the man that he is, doesn't protest, only asking that he be able to finish his last case: tracking down the relatives of a grizzled military serviceman who just happened to reside in the same crumby apartment block as he does. As the title suggests, Still Life isn't particularly fast paced. Concerned with the sad, solitary minutiae of everyday life, Pasolini's direction is intentionally reserved — the drab whites, greys and blues of May's office and empty flat a reflection of his unremarkable life. Yet the film is not boring or bleak; on the contrary, Still Life possesses a tenderness and humanity that is extraordinarily powerful. It's a film that celebrates selfless acts of kindness, and going beyond the call of duty because it's simply the right thing to do. A few moments skew towards mawkishness, admittedly, but for the most part the balance is just right. In a turn that pays tribute to thousands of unremembered lives, Marsan's performance could hardly be more perfect. It's in large part thanks to his wonderful work that Still Life resonates to the degree that it does. If more filmmakers entrusted their projects to actors like Marsan, their movies would be all the better for it. https://youtube.com/watch?v=Gt9CsXrlO8Y
Just like a cooler, more urban chocolate mythical figure, Monsieur Truffe is Melbourne's Willie Wonka. And to get inside his wondrous factory, you dont need a Golden Ticket — you just have to find the red door. It's unmarked, of course, and from the outside, gives no indication of the sweetness behind it. Inside, two of the best worlds collide: it's one part chocolate factory, one part café. On the right, you have Monsieur Truffe's single origin chocolate bars, blended blocks and confections being made with cocoa beans from everywhere from Vietnam to Venezuela. And on the left is the café space, East Elevation. It's clear their proximity to the chocolate making influences their menu; the granola comes with nuggets of dark chocolate, the hot chocolates are exquisite, and if you're there on the right day, you might be able to grab a decadent brownie or fondue, made with the good stuff. Even still, a visit to the chocolate shop is more than necessary before you leave.
Only one show on TV starts in a haunted house, then jumps to an asylum for the criminally insane, then follows a coven of descendants of the Salem witch trials. And, from there, it also steps inside a travelling freak show, explores the twisted history of an LA hotel, gets caught up in a small-town cult, sees the Antichrist unleash the apocalypse and sets a serial killer upon an 80s-era summer camp as well. That series: American Horror Story. Every season, it tells a different story, anthology-style. The creepy details change, as do the narratives and characters, but the eeriness remains. Also staying the same: many of the faces seen in American Horror Story's tales, including Sarah Paulson, Evan Peters, Lily Rabe, Frances Conroy, Kathy Bates, Jessica Lange, Emma Roberts and Lady Gaga. The show is the brainchild of writer/producer/director Ryan Murphy (Glee, Pose) and, yes, it definitely takes audiences on a wild ride each and every season.
Described as a 'modern cowboy of the creative revolution', Mr Lentz creates objects and fashion accessories from wood and upcycled materials, which he finds in junk yards. 'My aim has always been to find beauty and share it with others,' he explains on his site. Mr Lentz works with leather, and dabbles in photography, but his current project is the creation of rings, necklaces and brass knuckles made of wood and grass. Fashioned from sustainably harvested walnut, each ring plays host to a live micro-environment - a teeny tiny patch of growing grass or moss. For those who don't go for green, Mr Lentz has created a limited edition series of brass knuckles made from deer antlers. According to his site, 'they're a force to be reckoned with', designed 'for the rebel livin' life on the edge'. The antler tips are gathered from the forest floor, after the deer have gone through their annual shedding process. Mr Lentz says that he decided to make environmentally-inspired jewellery after a solitary walk through a foggy, overgrown redwood forest. 'This walk lasted days, meandering through river valleys and steep, dense hillside. The redwood forest did not once fail to impress and inspire me, and so what once was a trail of footsteps is now a journey into the handmade world of eco-friendly and sustainable jewellery'. [via Inhabitat]
After filming two of his last four movies in Australia (Lion and Hotel Mumbai), and also stepping into a Dickens classic set in Victorian England (The Personal History of David Copperfield), Dev Patel is heading somewhere completely different. Jumping back to medieval times, he's delving into the fantasy genre, messing with Arthurian legend, and swinging around a mighty sword and a giant axe, all thanks to the dark and ominous The Green Knight. Based on the 14th-century poem Sir Gawain and the Green Knight, the film casts Patel as Sir Gawain. Nephew to King Arthur (Sean Harris, Mission: Impossible — Fallout), he's a knight of the Round Table and fearsome warrior. The character has popped up in plenty of tales, but here, he's forced to confront the giant green-skinned titular figure in an eerie showdown. As the poem explains, the Green Knight dares any other knight to strike him with an axe, but only if they'll then receive a return blow exactly one year and one day later. Based on the new, just-dropped trailer, this film adaptation looks to be sticking to that story rather closely — and the end result also looks more than a little moody, brooding and creepy. Patel is in great company, too, with The Green Knight also starring Alicia Vikander (Earthquake Bird), Joel Edgerton (Boy Erased) and Barry Keoghan (Calm with Horses). Games of Thrones' Kate Dickie pops up as Guinevere, while her co-star Ralph Ineson — who is also known from the Harry Potter flicks, The Witch and the UK version of The Office — plays the Green Knight. Originally set to release in 2020 until the pandemic hit, The Green Knight is the latest movie by impressive and always eclectic writer/director David Lowery. His filmography spans everything from Ain't Them Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and the Gun — and, based on both the initial teaser and the new sneak peek, The Green Knight won't be like anything on his resume so far. Check out the new trailer below: https://www.youtube.com/watch?v=sS6ksY8xWCY The Green Knight will release in the US on July 30, but it doesn't yet have a release date Down Under — we'll update you when it does.
We all enjoy a quiet night at home every now and again — but we never expected this year to involve quite so many. So, if you're starting to feel a little restless, we've teamed up with Miller Design Lab to highlight some alternatives to spice up your next night indoors. Miller Design Lab is the home of creativity and self-expression built by Australia's leading minds in design, art, technology and fashion (and now you). Together, we're celebrating our nightlife and its impact on culture with exceptional moments brought to you at home. Keep reading to discover four ways you can easily experience parts of Melbourne's epic nightlife — from live music and cultural events to world-class food and drinks — without leaving your pad. LIVE-STREAM A GIG FROM A LOCAL DJ When you're confined to the same four walls for most of the day, you can spend an awful lot of time sitting down. Rather than spending another evening working on that imprint in the couch, get on your feet and turn your lounge room into a makeshift d-floor. Sure, the feeling of being out at a club surrounded by all your mates is pretty hard to replicate, but there are some positives — for starters, nobody can judge you for your terrible moves. Have a crack at creating your own playlist or, if you want to leave it to the professionals, check out one of the virtual club nights that are happening online. For a dose of nostalgia, tune into Hot Dub Time Machine's biweekly parties, which cover six decades of musical bangers, from mid-50s rock 'n' roll to the latest dance hits. And, if you've been a regular attendee of gay club night Poof Doof, you'll be pleased to hear it's now jumped online, too, with a weekly live-stream. See also: Room 2 Radio's Friday night streams and Club Quarantine's nightly offering. For a night of throwing shapes, you'll want to prep with something filling but not too heavy. Vegetarian joint Sister of Soul is a worthy contender with a selection of hearty delivery dinners that are loaded with veggies and grains — like a bibimbap nutrition bowl loaded with marinated tofu, shiitake mushrooms, seaweed salad and brown rice. Pair your dinner with one of the epic 1.5-litre bagnums of espresso martini from Footscray bar Mr West to get the party started. [caption id="attachment_710997" align="alignnone" width="1920"] Daniel Lidmila[/caption] LEARN A NEW PARTY TRICK We can only hope that when normal life resumes, there'll be an onslaught of parties and nights out. So, if you want to have something to show for your time in isolation, use this downtime to pick up a new party trick. If the above DJ live-streams have inspired you, head over to Ableton's website. There, you'll find a bunch of free resources to kick off your music making journey, including ebooks and a 90-day free trial period of its Live 10 interface. Or, if you're more concerned about improving your moves, try an online dance course. Sydney Dance Company has currently shifted its entire class program online, including hip hop beginners classes, and they cost just $12 a pop (or you can get an unlimited membership for $28 a week). Or you could check out Groove Therapy's online courses. There's a very suitable Party Dance course (USD$89), which includes bite-sized video tutorials, curated playlists and bonus resources on dance history. Whichever you choose, it'll add a little flavour to your house parties — both pre- and post-lockdown. To keep you both well-fuelled and inspired while you study, order in some class party staples. Order a woodfired pie from 400 Gradi, which has been consistently voted to have some of the best pizza in Oceania, to keep you striving for greatness and wash it down with an easy-drinking beer like Miller Genuine Draft. VIRTUALLY CELEBRATE YOUR MATE'S BIRTHDAY Poor ol' autumn babies. They're currently all experiencing one of childhood's biggest fears: nobody coming to their birthday party. So, make sure the birthday guy or gal's special day isn't forgotten in all the madness by organising an isolation-style bash with the entire crew over Houseparty. Play some games that'll get everyone up and moving — think good ol' charades or Heads Up — or challenge yourselves with a virtual escape room. And end the evening the way every birthday night out should end: karaoke. You can blame your bad vocals on your mate's shitty laptop speakers. Of course, it isn't a true birthday party without some cake so splash out on the Celebration Cake from award-winning fine diner Attica — it's a rich vanilla cake filled with white chocolate ganache cream and topped with whipped yoghurt cream icing and berries. And you'll need a drink to raise a toast to your mate, too. So get some cocktails delivered, like the freshly shaken Silver Fox, with gin, amaretto, lemon and vegan egg white, from The Everleigh. The Fitzroy bar has hot buttered rum and a selection of classic bottled cocktails — think negronis, manhattans and old-fashioneds — available, too. [caption id="attachment_767870" align="alignnone" width="1920"] Reuben Gibbes[/caption] CREATE YOUR OWN LIGHT FESTIVAL EXPERIENCE INDOORS While small gatherings and dining out may return to our lives in the near future, it's looking like we'll be waiting a little longer for large-scale cultural events. But even though Vivid, Sydney's legendary festival of lights, art and ideas, isn't happening this year, there is a movement swelling to recreate the magic on a smaller scale. Kicking off on May 22, DIY Vivid will encourage Aussies to transform their isolation pads into a makeshift light festival using coloured light bulbs and strobe machines. There'll also be a DJ simulcast stream happening on the launch night. You could take it a step further and — just like the epic animated light projections that happen on buildings across Sydney during Vivid — project one of Nema Adel's digital art loops onto your living room wall, or tune into Hobart museum Mona's live-stream of Ryoji Ikeda's Spectra. It's a 15-kilometre tall tower of beaming white light that stands over the city's skyline, and the stream is accompanied by music specially curated for the exhibit. In homage to the buzzing festival, pair your arty activities with some colourful tipples and street food. Check out Mexican joint Trippy Taco, which has vegetarian tacos, burritos and quesadillas available for takeaway and delivery from its Fitzroy and St Kilda stores. Team your feast with some readymade cocktails, like the peach negroni or passionfruit daiquiri from CBD spot Romeo Lane. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Image: Reuben Gibbes
If you're fond of activewear, you better work some shopping time into your schedule this week. The Upside is hosting its first ever Melbourne warehouse sale, taking over Clifton Street Market from May 17–19. The Sydney-based activewear brand is offering up to 80 percent off for both men's and women's apparel, with pieces starting at just 25 bucks. Expect colourfully patterned sports bras for $30, legging for $50, hoodies for $50 and tanks and tees from $35. There'll also be pieces from the brand's swim and resort wear collections, including $50 bathers and dresses from $50. All samples will be $25. We expect there will be a queue — move around some yoga classes to get there early. The Upside Warehouse Sale will be open from 8am–6pm Friday and 9am–5pm on Saturday and Sunday.
If you often rue the day in your adolescence that chicken nuggets became an unacceptable item to eat for dinner, well, Christmas has come early. On Saturday, October 26, Welcome to Thornbury will take fried chicken back to junk food basics and throw another Chicken Nugget Festival. The permanent food truck park will dedicate another weekend to nuggets this spring, putting nuggets in a bao, with doughnuts and even on a pizza. There'll be vegan nuggets, too, and Welcome to Thornbury will also be serving up a suitable range of dipping sauces and a slew of cocktails and beers. The full bite-sized fried chicken festival will be spread across two days, with the lineup starring Mr Burger, Donugs, Woking Amazing, Pizza Pony, Mamma Van and Sparrow's Philly Cheesesteaks. The festival kicks off at midday and runs til 10pm — and kids and dogs are welcome.
The force is set to be strong across streaming queues in 2023, with another new live-action Star Wars series on its way. Following three seasons of The Mandalorian so far — one of which is airing now — plus 2021–22's The Book of Boba Fett, and also 2022's Obi-Wan Kenobi and Andor, Ahsoka will give warrior, outcast, rebel and Jedi her own show. Even better: it now has a trailer and a release month. Rosario Dawson (Clerks III) returns as the limited series' titular figure, after playing the part in both The Mandalorian and The Book of Boba Fett. If you're new to the character, she was Anakin Skywalker's padawan before he became Darth Vader — and, here, an ex-Jedi Knight who is determined to battle a threat to the post-Empire galaxy. Her latest exploits will hit Disney+ sometime in August. Ahsoka follows animated film Star Wars: The Clone Wars and the TV series it spawned, too, plus fellow animated show Star Wars Rebels — because yes, this franchise about a galaxy far, far away will keep spreading far and wide in this one. From the latter series, Star Wars aficionados will spot rebel crew member Hera Syndulla and former bounty hunter Sabine Wren. Mary Elizabeth Winstead (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) plays the former in Ahsoka, while Natasha Liu Bordizzo (Guns Akimbo) steps into the latter's shoes. Also among the familiar characters: fellow Jedi padawan Ezra Bridger from Star Wars Rebels, with Eman Esfandi (King Richard) doing the live-action honours. Ahoska's cast includes Ray Stevenson (RRR) and Ivanna Sakhno (The Reunion), and reports have been bubbling for years about Hayden Christensen returning as Anakin, as he did in Obi-Wan Kenobi. This is Disney+'s first series focused on a female Jedi; indeed, as a character, Ahoska has long been one of the few women among the franchise's Jedi ranks, dating back to 2008. Off-screen, The Mandalorian writer/director/executive producer Dave Filoni writes and executive produces Ahoska, with Jon Favreau, Kathleen Kennedy, Colin Wilson, and Carrie Beck also doing the latter — all seasoned Star Wars veterans. Check out the trailer for Ahsoka below: Ahsoka will stream via Disney+ from August 2023 — we'll update you with an exact release date when one is announced. Images: ©2023 Lucasfilm Ltd & TM. All Rights Reserved.
When a big musical hits Australia, there are often two reasons to get excited: the fact that a new stage show is heading Down Under, and possibly getting to see it without breaking the bank. That budget-friendly option frequently comes courtesy of TodayTix, which loves slinging cheap seats via a ticket lottery. And, as has happened with Hamilton, Moulin Rouge! and Mary Poppins, it's rolling one out for Tina — The Tina Turner Musical. This is simply your best chance to see the show for less than the price of a dinner, with tickets costing just $35. To take part in the lottery, you will need to download the TodayTix app — which is available for iOS and Android — and submit your entry each week for the next week's performances. The lottery will go live at 12.01am every Friday morning, and is already up and running for its first week. Then, the winners are drawn after 1pm on the following Thursday. If your name is selected, you'll have an hour to claim your tickets from when you receive the good news. If you need a reminder, you can also sign up for lottery alerts via TodayTix, too. After premiering in London back in 2018, this stage ode to the music icon that's had Aussies dancing to 'Nutbush City Limits' for decades is making its way to Sydney from Thursday, May 4. No, it isn't taking to the stage in a church house, gin house, school house or outhouse — or on highway number 19, either. But Tina — The Tina Turner Musical will obviously have Theatre Royal Sydney enjoying Turner's greatest hits in one massive show. The list of musical numbers includes 'Nutbush City Limits', naturally, as well as everything from 'River Deep, Mountain High' and 'Proud Mary' through to 'Private Dancer' and 'What's Love Got to Do with It?'. Tina — The Tina Turner Musical makes its trip Down Under courtesy of TEG DAINTY, Stage Entertainment and Tali Pelman, in association with Tina Turner herself. Announcing the news, the singer said that "Australia has always shared abundant love with me, going back to my early concerts in the late 70s through the uplifting partnership with the National Rugby League. It is very special for me that we will be reunited." "The joy, passion and message of resilience in my musical is so important now as ever. Thank you from the bottom my heart for welcoming me with open arms once again," Turner continued. Penned by Tony Award-nominee and Pulitzer Prize-winner Katori Hall, plus Frank Ketelaar and Kees Prins, and directed by fellow Tony-nominee Phyllida Lloyd, Tina — The Tina Turner Musical clearly has quite the story to tell. The show steps through Turner's life and fame, including growing up in Nutbush, Tennessee, the hard work that led to her career, all of those aforementioned hits, her 12 Grammy Awards, her volatile time with Ike Turner and her huge solo success. There's no word yet as to whether Tina — The Tina Turner Musical will head to other Australian cities, but cross your fingers while you're doing the Nutbush, obviously. Tina — The Tina Turner Musical will open its Australian-premiere season at Theatre Royal Sydney from Thursday, May 4. To enter the TodayTix $35 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Images: Manuel Harlan.
There are few things more exciting in life than The Skywhale. That cheeky expression, the majestic way it glides across the horizon, those enormous walloping breasts — The Skywhale is not just a novelty. It is a symbol of hope; a reminder to all well-endowed sea mammals that life can and will get better. But it is also a reminder to us: an important community service announcement that giant boobs in the sky are funny. For those who have been somehow left out of the loop on the legend of The Skywhale, the work is a hot air balloon that measures 34 metres in length and 23 metres in height. Commissioned for Canberra's centennerary celebrations in May of this year, the work was designed by Australian artist Patricia Piccinini whose work often deals with such this same confluence between the natural and the artificial. Often known for her early work, Protein Lattice (more colloquially known as the one with an ear on the rat), Piccinini is well-regarded in the art world for her exploration of the surreal (see also The Carrier and The Young Family). On Monday December 2, The Skywhale will be tethered to the ACCA Forecourt from 7-9am ahead of a conversation between artist Patricia Piccinini and Creative Director of the Centennary of Canberra, Robyn Archer. Tickets are just $15 (or $8 for students), and the cost will conveniently include a breakfast pastry. While The Skywhale was unsuprisingly met with a divided critique upon its first launch — 'out of touch with community values', 'ugly', 'how is this giant-breasted mutant animal even relevant to our town of roundabouts and lakes?' — we think Melbourne will provide a loving environment for the misunderstood beast. As Robyn Archer once said, "it provokes people, it's passionate and people go 'I don't know what it is, therefore, I'm scared of it' or 'what is it', or 'it shouldn't be there', but [...] life is always about the questions not the given answers". We think The Skywhale is the breast thing to come out of Canberra for years.
Escape the hustle and bustle of the city and discover the hidden wonders of the Macedon Ranges as it plays host to the Macedon Ranges Wine and Food Budburst Festival on November 9 and 10. Over the weekend, the 30 of the region's best wineries will fling open their cellar doors and put more than 100 different wine styles up for the tasting. Most of them are small and family owned, and you'll have the the chance to chat to the winemakers as you taste their drops. A festival pass will give you access to all of the wineries across the two days — and it's $23 (or $25 on the day). Most of the venues will have live music and some kind of food offering — Cleveland Winery in Lancefield will be slinging its woodfired pizzas, and Shadowfax will be serving up cheese platters at its Trentham winery. Situated between 350–700 metres above sea level, the Macedon Ranges is Australia's coolest mainland wine region. The area is known for the Macedon Sparkling, which is made using only locally grown pinot noir and chardonnay grapes. But, with more than 40 vineyards located in the region, there is lots of room for variation and plenty of diverse drops for you to try. If no one wants to be the designated driver, the festival has hop-on, hop-off buses buses departing from Woodend Station on the Saturday.
Gauchito Gil is Argentina's Robin Hood. As such, it seems fitting that Australia's own Malbec Day has been borrowed from the South American country, where the majority of the world's malbec comes from. If this day is a donation from the grape god, it's one we're happy to accept. After a successful six years, Gauchito Gil is once again bringing Malbec Day to Melbourne with a five-hour wine bonanza at North Melbourne's Meat Market on Saturday, April 13. The event comes from the organisers of the Pinot Palooza and Mould cheese festival, and mirrors the free-reign tasting set up. Your $60 ticket includes a wine glass, and from there you'll be able to move around, sampling over 60 Australian, French and Argentinian malbec varietals. Other events have been known to get a little boozy, so to soak up all that wine there will be top-notch empanadas from five local restaurateurs — who'll be vying for the prestigious Golden Empanada award. It really doesn't matter if you know everything there is about malbec or if you don't know much at all, because Malbec Day is about education and celebration of the Argentine grape. And what better way to celebrate than with an bottomless glass of wine?
Whether it's the allure of being your own boss or nursing a beyond brilliant idea that nobody else has thought of (yet), starting a business is something that almost everyone daydreams about at some point or another. But, for fear of failure or — more likely — lack of funds, most never make the leap. And it's understandable — as most small business owners will tell you, the first few years are tough. This is particularly true for people with innovative ideas that break from tradition, but that's exactly the kind of business Frankston City Council is looking to invest in. The city's offering grants of up to $30,000 for entrepreneurs who want to invest in Frankston and start up viable businesses by the bay. Huge news for businesses right there. Why Frankston? Well, the southeast suburb is undergoing what can only be described as a cultural and culinary renaissance. Savvy entrepreneurs and hospitality renegades are finding their feet not in the big smoke of Melbourne but in the smaller communities, which are becoming testing grounds for experimental ideas. And it makes sense — cheaper rent, better access to services and plenty of hungry locals make a perfect breeding ground for new businesses and hospitality startups. In a bid to revitalise the waterfront, Frankston City Council has been doing its bit to support vibrant businesses in the little bayside 'burb. Its grants are designed to help entrepreneurs and businesses get a leg up — and, according to the council, it's generated 421 new jobs and $41.7 million in economic output so far. This year, the council has doubled the grant money on offer which will help startup businesses and ambitious hospitality entrepreneurs to bring their ideas to life. Business operators can apply for up to $30,000 in funding if it can prove the business will contribute value to the people of Frankston and create vibrancy in the entrepreneurial scene. To a hungry hospitality entrepreneur, $30k is a lot of money and can be the difference between success and failure in those fledgling days of a business venture's life. And thanks to a development boom, Frankston has a surplus of retail and hospitality venues to fill. Plus, it has supremely easy access to the best wine and produce of the Mornington Peninsula region, which puts it in prime position to become a hub for the region's foodies and hospitality businesses. One such business is Cuvée Chocolates, which was awarded funding in 2016. Its business premise is simple: create artisanal chocolate pairings in partnership with the region's best wineries and watch them walk off the shelves. It now supplies product to 107 wineries and boutiques across the Mornington Peninsula. The grant was also previously awarded to a hospitality group who wanted to open the region's first Korean barbecue joint. It's tragic that Frankstonians were living without Korean BBQ in their lives but Geonbae soon changed that. With a little leg up, the business was able to purchase equipment and bring family-style barbecue plates to the table at the same time. Hospitality businesses do it tough in this corner of the world, with fierce competition, hefty set-up costs and a discerning epicurean audience, but we're always stoked to see investment in small business and startups, especially if that means more artisanal chocolate and Korean barbecue for all. Brewing with business ideas? To apply for this scheme, your first step is to attend a compulsory information session on one of the following dates: Thursday, August 23; Tuesday, August 28; Wednesday, September 12; and Tuesday, September 25. If you can't make it in person, the council is also hosting two webinar sessions on Friday, September 7 and Monday, October 1. Check times and register for a session over here.
2023 has already gifted Melbourne with a slew of new hotel openings, from boutique inner-city stays to coastal retreats full of sunny charm. And now it has also spawned a reimagining of an old favourite, as Little Bourke Street hotel Laneways by Ovolo reopens following an extensive makeover. First launched in 2013 as Ovolo's first Australian property, the CBD stay is now sporting an entirely new look, with its latest incarnation driven by acclaimed designers Luchetti Krelle and inspired by the bold 80s aesthetic of Memphis Group. Striking patterns, graphic elements and heady pops of colour abound. Kitted out in a vibrant nod to Melbourne's famed laneway culture, the 42-room hotel welcomes guests via a playful new-look lobby complete with reception pods, and an honour-system bar stocked with snacks, wine and bottled cocktails The rooms pack just as much of a visual punch, with retro-inspired furnishings and colourful accents aplenty. Ovolo will shout your first round of goodies from the in-room mini bar, brekkie is available to go and there's even a self-service laundry option. Then, there's Room 303 — an exclusive suite featuring the stylings of design guru Neale Whitaker. He's transformed his favourite room with a curation of furniture, knick-knacks and original artwork, including an abstract piece by Melbourne-based artist Nunzio Miano. Book this suite and you'll also enjoy a Spotify playlist filled with Whitaker's personal favourites. When it's time for a tipple or a feed, you'll find yourself a haven in onsite bar and restaurant Amphlett House. With an offering steered by renowned chef Ian Curley (co-owner of French Saloon and Kirk's Wine Bar), the 120-seater is dishing up share-friendly snacks and a refreshed take on pub fare. Expect plates like grilled asparagus with egg 'confetti', pangrattato and hollandaise; smoked bone marrow on toast; aioli mussels; steak paired with kampot peppercorn sauce; and seared beef heart served with lentils and creamed spinach. Match it with something from the natives-heavy cocktail list, including the likes of a wattleseed negroni and a eucalyptus-smoked margarita. Find the new-look Laneways by Ovolo Melbourne and Amphlett House at 19 Little Bourke Street, Melbourne. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Uber is expanding its services in Sydney, Melbourne and Perth, with new high-end and cost-effective ride options. Launched June 1, the new uberXL service is targeted at groups of up to six people. When requested, users will be picked up in an SUV or van, such as a Toyota Highlander, a Ford Explorer or a Nissan Quest. Alternatively, if you're looking for something a little bit swankier — but aren't keen to break the bank on uberBLACK — you can now order uberSELECT and connect with a driver in an upscale vehicle like an Audi A3, a BMW 3 series or a Lexus RX. Both uberXL and uberSELECT will be charged at 1.5x the cost of an uberX — although especially in the case of the uberXL, that's still a damn sight cheaper than you and your mates ordering two separate cars. In less exciting news, the ridesharing service is introducing a flat 55c booking fee on all rides, and is also raising the minimum fare rate in Sydney ($8 to $9) Melbourne ($6 to $7.50) and Brisbane ($6 to $7.50). "Following our recent roundtable listening discussions with driver-partners, we heard that an important improvement Uber could make to the driving experience would be increasing the minimum fare," said an Uber spokesperson. The booking fee, meanwhile, will be used to assist with "the operational costs associated with providing a ridesharing service."
Baz Luhrmann, the internet's current poster boy for excess and anal-retentiveness, thinks so. It came as no surprise to the millions of die-hard Gatsby fans that the bloke who made Moulin Rouge! (and oh did that film earn it's exclamation mark) and this scene was going to make something bordering on the bombastic and the flamboyantly camp. And with the film already finding itself in the firing line for its "flimsy phantasmagoria" and resemblance to a "Macy's Thanksgiving Day Parade as staged by Liberace", it seems fair to say that The Great Gatsbywill fit like a glove within Luhrmann's filmography. Yet for a man that seems to have spent his career baulking at the notion of "subtlety", Luhrmann is capable of some surprising poignancy. Take for instance this little gem taken straight from the horse's mouth, about his decision to employ walking billboard and hip hop demigod Jay-Z as his soundtrack producer: "In our age, the energy of jazz is caught in the energy of hip hop." In vintage Luhrmann style, Baz has taken this assumption to its most extreme realisation, with a soundtrack that includes the likes of Fergie, Andre 3000, Nero and (cue the sounds of a thousand sinking hearts) will.i.am. But is Luhrmann onto something here? Is hip-hop the 21st Century equivalent of jazz music? In a recent Flavorwire article, Tom Hawking answered this question with a resounding 'oh hell yeah'. He argued that regardless of what you may think of the quality of the film's music, the soundtrack manages to encapsulate what an extravagant Gatsby party might actually feel like if it was thrown today — completely overblown, obsessed with its own sense of retro-ness and filled with the sort of mega-sized beats that are sure to get any self-respecting 19-year-old gyrating. There are some other obvious parallels between F. Scott Fitzgerald's jazz age and Luhrmann's hip-hop generation. Most notably, both these musical styles are deeply rooted in black culture and history, originating in the clubs, ghettoes and basements of Harlem and the Bronx. Yet from these humble beginnings, both jazz and hip hop have suffered a similar process of bastardisation, transforming from black cultural icons, into packageable, mass-producible commodities that rich white folk can consume. And it is here that Luhrmann might be right on the money. Not only has Luhrmann's soundtrack got all the hallmarks of a cashed-up, Long Island party but it has all the vapidity and disposability of such a party as well. Take for instance Beyonce and Andre 3000's aping of Amy Winehouse's darkly melancholic 'Back to Black' into an overproduced mess of showy vocals and grizzly bass lines. In this song alone we have both the success and failure of the soundtrack all contained in one. While the song is initially gratifying, it is ultimately empty and insubstantial. And this is exactly what Gatsby taught us about the opulence and decadence of the jazz age. It was beautiful and incredibly intriguing but ultimately fleeting and meaningless. The perfect analogy for what Fitzgerald saw as the great American lie: the American Dream. As such, The Great Gatsby soundtrack is big, it's bold and it's infrequently magnificent (Jack White's cover of U2's 'Love Is Blindness' manages to grip at your nerve ends and give them a toe-curling squeeze) but just as often it is just plain dumb. So in answer to our original question, is hip hop the 21st-century equivalent to jazz music? Yeah, Jay-Z may be the closest thing we have to a modern-day Jay Gatsby, but in a much darker vein perhaps it is the decline of these genres from cultural icons to products of a commercialised and materialistic society that makes them so alike. How very Gatsby that is. https://youtube.com/watch?v=5snA5TEse9w
Ever wish your sneakers smelt more like roses after a long sweaty run? Le Coq Sportif aren't making any technology-defying promises, but they have certainly been inspired by the classic perennial in their new, limited-edition running shoe, the Eclat Rose EXD. It's the tenth anniversary of Barcelona's sneaker store Limiteditions and to celebrate, the French sports style experts at Le Coq Sportif decided it was time to revitalise the original 1985 Eclat classic with a Barcelonian motif. Complementing rich red and pink hues with woody greens and browns, the Eclat Rose EXD is indeed reminiscent of a rose, symbolising the city of Barcelona. Made from waterproof nubuck, it has a quick lacing system, supportive sole bands and comfy freeform insoles. This unique design is only available locally at Up There in Melbourne and Highs and Lows in Perth. But thanks to Le Coq Sportif, we have two pairs of the limited edition Eclat Rose EXD (retail price is $159.95) to give away — one size 43 and one size 45. To be in the running, subscribe to the Concrete Playground newsletter and email us with your name, address and preferred size. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
When an actor adds new movies to their resume quickly — popping up in new flicks every couple of months or so, and never proving far from their next film — there's a chance they might run out of worthy on-screen opportunities. The one actor that'll never apply to: Nicolas Cage. He's prolific, he stars in far too many terrible flicks, when he's at his best he's downright brilliant, and he always has something interesting around the corner. In 2021 alone, he's shouted expletives from Netflix, battled demonic animatronics and teamed up with one of Japan's most out-there filmmakers. He also played a truffle hunter on a quest for revenge after his pet pig is stolen, in the aptly named Pig, which is one of the year's definite movie highlights. The latter saw him turn in one of the best performances of his career, in fact, but Cage has been preparing his entire life to play his next part: himself. Yes, we've seen Cage break out of Alcatraz, sing Elvis songs, run around the streets convinced that he's a vampire, let his long hair flap in the wind and swap faces. He's voiced a version of Spider-Man, driven fast cars, fought space ninjas and stolen babies as well. Staying in his own shoes stands out, though, which is exactly what The Unbearable Weight of Massive Talent will serve up in April next year. Announced earlier in 2021, and just dropping its first trailer now, the movie will follow the on-screen, fictionalised Cage as he accepts an offer to attend a super fan's birthday. Getting paid $1 million is just too much to pass up. He needs the money, but he also has to save both himself and his loved ones along the way. Yep, that sounds about right. As well as Cage playing Cage — not to be confused with his work in Adaptation, where he played two characters — The Unbearable Weight of Massive Talent features Pedro Pascal (Wonder Woman 1984) as the aforementioned Cage devotee, and also Tiffany Haddish (The Card Counter), Sharon Horgan (This Way Up) and Neil Patrick Harris (It's a Sin). Are We Officially Dating? filmmaker Tom Gormican sits in the director's chair, because if there's anything this story needs, it's the director of a Zac Efron and Michael B Jordan-starring rom-com pivoting to total Cage worship. And yes, whether this'll be one of Cage's undeniable delights or pure cinematic chaos won't be discovered until the film hits cinemas — but he's clearly having a ball based on this sneak peek, and seeing him play and parody himself really does demand everyone's eyeballs. Check out the trailer for The Unbearable Weight of Massive Talent below: The Unbearable Weight of Massive Talent will release in Australian cinemas on April 21, 2022.
It's safe to say Gami Chicken & Beer has secured its status as one of Australia's go-to fried chicken joints, slinging its signature, Korean-style chook from 23 locations across the city. After opening its seventeenth Melbourne spot, in The Glen Shopping Centre, and third Sydney store on Market Street in the CBD earlier this year, Gami is about to launch its first (super-spicy) limited-edition flavour. And, to celebrate, Gami is giving Aussies a few very good reasons to jump on board, handing out a whopping 250 pieces of its boneless fried chicken with the new sauce at every one of its stores — for free. These new fried chicken morsels come lathered in mala — a super-spicy Chinese sauce packed with sichuan peppercorns (yep, the numbing ones), chilli peppers, soybean paste and spices. As always, the chicken is also RSPCA-approved and also rocks Gami's signature blend of 17 herbs and spices. You can try the mala chicken for free from 5.30pm today, Friday, November 29, at all stores. Only the first 250 people will get a free taste, though, so don't sleep on it. Once you're hooked, you're probably going to want to schedule a return visit pretty quick, to try other Gami favourites like the chicken spare ribs, the vegetarian chicken and the aptly named Potato Heaven, featuring three layers of cheesy potato goodness — all paired with ice cold beers, of course. If you want more of the mala sauce, it'll also be available — for a limited time — with stir-fried chicken and tteok bok ki (Korean rice cakes), as well as the fried chicken. Gami will give away 250 pieces of mala boneless fried chicken from 5.30pm on Friday, November 29. Find your closest here.
Looking to be a little more mindful this year? Perhaps a get a bit more spiritual? Make tracks to Bendigo's impressive Buddhist structure, The Great Stupa of Universal Compassion (which also happens to the largest stupa in the southern hemisphere) in May. The annual appreciation for Buddha and his life, known as Illumin8, will take place across Friday, May 17 and Saturday, May 18. If Buddha is your jam and light installations and fireworks are your peanut butter, then roll on up. Illumin8 2019 will incorporate light sculptures in The Great Stupa's Peace Park, roaming performances and vegetarian and vegan food and market stalls. Be sure to visit the giant Jade Buddha while you're there, too (it's his day after all). The centrepiece of the whole shebang is a light projection show each night telling the story of Buddha's life, topped off by fireworks. Open your mind and let the light in (just don't get too close to the fireworks). Illumin8 2019 will run from 4–8pm on Friday, May 17 and 10am–8pm on Saturday, May 18. To purchase tickets, head to The Great Stupa's website.
Image: "The Kiss" by Pablo Picasso in the Art Gallery of New South Wales in Sydney. REUTERS/David Gray The Art Gallery of New South Wales is among six Australian galleries to share their collections with the online community via Google Art Project. The project, launched last year, allows art enthusiasts to view the great artistic works of the world, all from the convenience of their computer screen. The Art Gallery of NSW has now launched 415 of its most notable works, including a wide sampling drawn from every aspect of its collection. Included are works from the gallery's Australian, Indigenous, Asian and European collections. All of the pieces are featured in incredible high-resolution detail, revealing brushwork and other elements that are undetectable by the naked eye. 250 of these works are accessible through the website's 3D gallery walkthrough. "To think," says Anne Flanagan, acting direction of the Art Gallery of NSW, "that while a person here at the Gallery is viewing a work, someone else, anywhere in the world, can also be viewing the same work with such crystal-clear definition." Other participating Australian galleries include the National Gallery of Australia, the Museum of Contemporary Art, the National Gallery of Victoria, the Melbourne Museum, and Griffith University's Rock Art Research Centre. They have joined the efforts of 151 cultural institutions in 40 countries, under Google, to transform the art-viewing process, and to make fine art universally accessible.
The Office is reopening — in America, and in the same universe as the Steve Carell (Asteroid City)-led series dwelled in from 2005–13. It was back in 2023 that news dropped of a potential US reboot of the beloved sitcom, and now the project has been given the green light; however, the as-yet-untitled show isn't simply walking into Dunder Mifflin with new staff. Instead, US streaming service Peacock is staying in the same world as the Scranton-set show that itself was a remake — of the original UK version that arrived in 2001 — by moving the mockumentary format to a new workplace. This time, the same documentary crew who spent time with Michael Scott and company will focus on a dying newspaper office in America's midwest, where the publisher is trying to keep the business going with help from volunteer reporters. [caption id="attachment_765735" align="alignnone" width="1920"] Run, HBO[/caption] Leading the cast: Domhnall Gleeson, who co-starred with Carell on 2022's The Patient, plus Sabrina Impacciatore from The White Lotus season two. Who they're playing hasn't been revealed as yet. There's no character details at all so far, or anything more on the plot or fellow actors, but Greg Daniels — who created the US version of The Office to begin with, and has also been behind Space Force and Upload — is steering the project behind the camera with Nathan for You co-creator Michael Koman. "It's been more than ten years since the final episode of The Office aired on NBC, and the acclaimed comedy series continues to gain popularity and build new generations of fans on Peacock," said NBCUniversal Entertainment President Lisa Katz about the new series. "In partnership with Universal Television and led by the creative team of Greg Daniels and Michael Koman, this new series set in the universe of Dunder Mifflin introduces a new cast of characters in a fresh setting ripe for comedic storytelling: a daily newspaper." [caption id="attachment_870908" align="alignnone" width="1920"] The White Lotus, HBO[/caption] For everyone who has ever had a cringeworthy boss, annoying co-worker or soul-crushing office job, a truth remains apparent, then: this situation, which The Office franchise has understood for more than two decades now, shows no signs of fading away. As well as the UK and US versions so far, other international takes on the show have followed, including an in-the-works Australian series that'll mark the 13th iteration beyond Britain to-date. On its first go-around, the American The Office proved one of the rare instances where a TV remake is better than the original. It was also immensely easy to just keep rewatching, as fans have known for over a decade. Of course, that's what you get when you round up Carell, John Krasinski (Tom Clancy's Jack Ryan), Jenna Fischer (Splitting Up Together), Rainn Wilson (Weird: The Al Yankovic Story), Mindy Kaling (Velma), Ed Helms (Rutherford Falls), Ellie Kemper (Happiness for Beginners), Craig Robinson (Killing It) and more in the same show, and let all of them break out their comedic best. There's no sneak peek at the new The Office spinoff so far — it doesn't start production until July — but, in the interim, you can check out a couple clips from the US version below: The new spinoff of the US version of The Office doesn't have a release date yet — we'll update you with more information when it is announced. The Office Australia will stream via Prime Video sometime in 2024 — we'll update you with an exact launch date when one is announced.
The Mornington Peninsula is now home to a gluten-free brewpub thanks to Twøbays Brewing, which opened the doors to its Dromana taproom in December 2018. The public tasting room is set amongst the production brewery, which began operation in 2017. It's stainless steel tanks are visible from the brewpub side, and the entire facility overlooks the picturesque Arthur's Seat. Founder and beer enthusiast Richard Jeffares was diagnosed with coeliac disease in 2016 and became inspired by similar gluten-free taprooms found in The States. Jeffares signed on head brewer Andrew Gow, who's resumé boasts 20 years in the business, including at Mornington Peninsula Brewery, Mountain Goat and Five Islands in Sydney's Wollongong. While most beers use gluten-containing malted barley, Twøbays instead uses gluten-free millet, rice and buckwheat — imported from Colorado and California — in all its beers. The brewpub has launched with a range of seven core and specialty tap beers, including an easy-drinking pale ale; an English-style extra special bitter dubbed Local Knowledge; Gose Against, a German-style gose brewed with coriander, salt and lime; and a mid-strength ale called Little Arthur. To try a few at once, patrons can nab a four-pony tasting paddle. Apart from brews, there's locally produced Quealy wine and Ten Sixty One cider to enjoy. And, adding to theme, there's also a woodfired oven slinging gluten-free pizza. The taproom is a cash-free environment, though, so make sure you come with card in hand. Twøbays also sells its pale ale and IPA online — both of which are endorsed by Coeliac Australia. If you're a keen home-brewer, Twøbays is already selling and shipping its gluten-free brew packs and malts across Australia. Find Twøbays Brewing Co at Unit 1, 2 Trewhitt Court, Dromana, Victoria. Opening hours are Friday from 3–8pm, Saturday from 12–6pm and Sunday from 12–5pm. Updated: June 3, 2019.
In her book The Artist’s Way, Julia Cameron describes meeting people who are concerned about being too old to start learning an artistic pursuit. Her answer to the question, ‘But do you know how old I will be by the time I learn to really write or play an instrument or act?’ is ‘The same age you’ll be if you don’t learn to play at all.’ Hal Lasko is one artist who sees age as no barrier. Having just turned 98, and diagnosed as legally blind, he spends ten hours a day painting with Windows 95’s Microsoft Paint program. This year has seen his debut exhibition, and according to Colossal, his work has been described as a 'collision of pointillism and 8-bit art'. An array of pieces is available for sale online. Affectionately nicknamed Grandpa, Lasko was born in Taledo, Ohio, on July 28, 1915. After commencing work as a graphic designer, he was called to draft directional and weather maps for bombing raids during the Second World War. Once the bombing stopped, he returned to design, working for the likes of General Tire, The Cleveland Browns, Goodyear and American Greetings. Evenings would be spent painting. However, it wasn’t until retirement that Lasko could find enough time to focus entirely on art. And he was in his late 80s before he learnt how to use Microsoft Paint. Vision loss came in 2005, with the onset of wet macular degeneration. In the video below, documentary maker Josh Bogdan takes a journey through Lasko’s creative world. [via Mashable]
The last bastion of the phone-free two hours, the theatre, might be about to crumble. Melbourne's Malthouse Theatre this week announced that they'll be trialling special seating for social media users, internationally dubbed 'tweet seats', at select shows. Carlton indie theatre La Mama is already all over it, having set aside four tweet seats per show for their upcoming work RAT, and they're even free. Considering we've been live tweeting everything else — from films to talks, concerts and dinners — is the distinction around theatre an artificial one that's been destined to fall away? And is there any benefit to be gained from allowing us to whip out our phones mid-show? The Malthouse announcement has met with some backlash, even on Twitter. Popular opinion is, if you're live tweeting a performance, you're living the kind of hollowed-out half-life that means you may as well stay home and plug into the Matrix. But this is a personal value judgement and not a reason, practically or conceptually, against allowing others to make Twitter a part of their theatre experience. I struggle to express coherent thoughts for half an hour after a film or movie, let alone have any desire to do so while it unfolds and trade away the sense of immersion that comes with live performance. But that's just me, and that's just the shows I've seen. How about a small show built to feed off real-time responses? How about a big, bombastic opera that can't count on the nosebleed section being highly engaged? The LA Times technology blog attributes the first instance of live theatre tweeting to a 2009 staging of Gilbert and Sullivan's HMS Pinafore in Kansas — and it was a more constructive affair than you might assume. Audience members in the 100 special seats of the final performance could access tweets from the show's artistic director about the production, scenery and story unfurling on stage while tweeting their own questions and comments. It was an aid to their enjoyment of the piece, not unlike an audio tour of an art exhibit. Or the special features on a DVD. Or a post-show Q&A, during the show. It's since become common in the US and UK, mainly for ballets, operas and symphony concerts. With conditions tightly controlled — you don't want to distract the real-life cast and crew who need darkness to do their jobs properly — and the agreement of the individual creative team, theatre might continue to become a road more tweeted. But then there's this argument from Alex Roe, artistic director of New York's Metropolitan Playhouse, perhaps the most focused takedown of how your tweeting might affect other people's enjoyment: "Part of the whole theatrical experience is the thought of being present in the company of the rest of the audience and the actors," Roe said to NPR. "To me, the thought of encouraging people to tweet during a performance is necessarily a violation of that agreement." That might just be the tweet-seat deal-breaker.
