When the UNESCO's World Heritage Committee sends some attention Australia's way, it often comes bearing good news. Back in 2019, it added the stunning Budj Bim Cultural Landscape to the World Heritage List, for instance. The body has also given Kakadu National Park, K'gari, the Tasmanian wilderness, the Greater Blue Mountains area, the Sydney Opera House, and the Royal Exhibition Building and Carlton Gardens the same status, too — and, among 20 Aussie places that've earned a spot on the list, the Great Barrier Reef as well. At the moment, the organisation has turned its focus to the Great Barrier Reef again. This time, though, it's doing something other than highlighting its splendours. In a new report by the offshoot of the United Nations Educational, Scientific and Cultural Organisation, the WHC has recommended that the coral reef system off the coast of Queensland should be added to the list of world heritage sites that are in danger. Explaining its rationale, the WHC said that "the long-term outlook for the ecosystem of the property has further deteriorated from poor to very poor" since 2015, and that it has "suffered significantly from coral bleaching events in 2016, 2017 and most recently in 2020, as a result of global warming." It noted that in the past five years, "both the current condition and the long-term outlook for the property have deteriorated. Therefore, there is no possible doubt that the property is facing ascertained danger." The Australian and Queensland governments have a Great Barrier Reef policy — the Reef 2050 Plan — which outlines how they're working to protect and manage the reef until the middle of this century. But the WHC noted that so far "progress has been insufficient in meeting key targets." It also stated that the plan "requires stronger and clearer commitments, in particular towards urgently countering the effects of climate change, but also towards accelerating water quality improvement and land management measures. The widespread effects of the consecutive coral bleaching events further add to the significant concerns regarding the future of the property." [caption id="attachment_796501" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] The Guardian reports that if the recommendation to place the Great Barrier Reef on the in danger list goes ahead, Australia will be a pioneer in all the wrong ways — because it'll mark the first time that a natural world heritage site has been classed as "in danger" primarily due to climate change. UNESCO has asked Australia to work with the WHC to "address the threat posed to the property by climate change and determine a pathway for accelerated actions in other areas affecting the conservation of the property"; however, Federal Minister for the Environment Sussan Ley has said that the country will challenge the draft reef recommendation. "I agree that global climate change is the single biggest threat to the world's reefs but it is wrong, in our view, to single out the best managed reef in the world for an 'in danger' listing," the Minister said in a statement. To read the full UNESCO World Heritage Committee report head to the UNESCO website.
Most people head to Healesville to get a taste of the Yarra Valley's famous wine, but those in the know always make sure to include a stop at the TarraWarra Museum of Art for an arts and culture fix. And throughout the gallery's Open Weekend 2019 showcase on Saturday, March 30 and Sunday, March 31, you'll get to experience all of it and more for free. Welcoming newcomers and locals alike onto its lush grounds, the out-of-town museum will play host to a Makers' Market — featuring the arts and crafts of 25 local designers and creative — and popular Melbourne painter Ash Keating, who'll drop-by to create a colourful 10-metre artwork live. You'll also get free access to the TarraWarra's latest exhibitions by Tracey Moffatt and Katie West, and have a chance to attend free landscape sketching sessions, creative workshops. A selection of food trucks and drinks to enjoy if you forgot to pack to the picnic basket. Open Weekend runs from 11am–5pm each day.
There are few things in this world more disappointing than turning 11 and not receiving your letter of acceptance to Hogwarts School of Witchcraft and Wizardry. JK Rowling promised us more than that. There were supposed to be magic feasts, potions and robes we could splay out like bats. Learning the fact that this world was forever out of our reach was worse than our grief for Santa, the tooth fairy and the Easter Bunny combined. Now — though it may be several years too late — the creation of a new Massive Online Open Course (MOOC) promises a little restitution. Hogwarts is Here operates in exactly the same way as online universities (meaning it's the closest thing to legit we're ever going to get). The course offers nine-week classes that reportedly allow you to "progress through all seven years of schooling and be assigned a professor, homework assignments, quizzes and more". HiH has all your basics covered: after setting up an account at Gringotts and getting your textbooks from a virtual Diagon Alley, you can study everything from Transfiguration, Charms and Herbology to the all-important Defence Against the Dark Arts. Assignments are graded and, according to this student at Slate, it's harder to get Hermoine-level grades than you might first think. Of course, this isn't the first attempt to connect us to the wizarding world via virtual means. The official (read: copyright protected) Harry Potter online experience, Pottermore, has been around since 2009. However, with its primary focus on online roleplay, it's had mixed reviews. HiH allows users to stop with that fantasy crap and get down to some serious study. Sure, there are house dormitories and common rooms, but now that your childhood dreams have finally come true it's ultimately time to knuckle down and work. You owe it to your 11-year-old self.
Tim Burton is back — and, regardless of how you feel about the filmmaker's output of late, that's a good thing. While indulging his love of all things weird and wonderful has seen the likes of Charlie and the Chocolate Factory, Alice in Wonderland and Dark Shadows annoy rather than endear, the director is still capable of crafting enchanting efforts when he finds just the right level of quirkiness. Sure, they were made decades ago, but Beetlejuice, Edward Scissorhands, Ed Wood and his two Batman movies all remain classics for a reason. Miss Peregrine's Home for Peculiar Children mightn't quite take Burton back to his strange, spirited heights, however it shares much more in common with his earlier work than his more recent fare. Of course it helps that the source material couldn't be a better fit. Boasting a title that champions its oddness, a story filled with outsider characters embracing their individual traits, and an unusual journey through both dark and delightful territory, the first book in the three-strong young adult series by author Ransom Riggs feels like it was destined to end up in Burton's hands. 16-year-old Jake (Asa Butterfield) has heard about Miss Peregrine (Eva Green) and her unusual abode from his doting grandfather Abe (Terence Stamp) ever since he can remember — although as he grew up, he stopped believing that the fantastical tales were true. Then tragedy strikes, leaving Jake with many questions — which a trip to Wales to seek out the house from his childhood stories just might be able to answer. There, with the help of the lighter-than-air Emma (Ella Purnell), the fire-starting Olive (Lauren McCrostie), the necromantic Enoch (Finlay MacMillan) and many more, Jake discovers the other side of his reality. What would happen if Burton made a mashup of X-Men, Harry Potter and The Matrix? Miss Peregrine's Home for Peculiar Children, that's what. In fact, screenwriter Jane Goldman worked on X-Men: First Class and X-Men: Days of Future Past, as well as Kingsman: The Secret Service. Once the 127-minute-long movie moves past its dragging, world-building first half, the director and scribe prove a well-matched pair, blending both eccentricity and adventure to mostly charming effect. And while the film follows a very familiar path and ponders recognisable themes, it does so with an ideal dose of Burton's distinctive sensibilities. Think visions of reanimated critters, gas mask-wearing kids, sunken ships and stalking monsters – to name but a few of the movie's more memorable sights. Crucially, however, the striking imagery doesn't overpower the narrative. Instead, it helps add depth and texture, and immerses viewers in the story. Cast-wise, the youthful talent proves uniformly up to the task, although if there's ever an actor that can convey Burton's bewitching brand, it's Green. Move over, Johnny Depp, there's a new muse in town.
If hearing Placebo's 'Every You Every Me' and The Verve's 'Bittersweet Symphony' gets you thinking about Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair, then you're clearly a Cruel Intentions fan. And you if were a 90s or 00s teen who watched and rewatched the 1999 classic over and over again — soaking in all those dangerous liaisons, the scheming that went with them, Joshua Jackson's blonde locks and Gellar in a decidedly non-Buffy role — then you'll probably be first in line to see Cruel Intentions: The 90s Musical. The film-to-theatre production has been unleashing its teen tumult and throwback soundtrack in America since 2015, and now it's finally heading to our shores. And yes, those aforementioned Placebo and The Verve songs get a spin, because of course they do. Because it's a jukebox musical, the show is also filled with a heap other tunes from that late 90s, early 00s era, too; think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (The Woman in the Window) taking over Gellar's role — then you'll know the story. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school. On-screen, Phillippe played Sebastian, Gellar vamped up the film as Kathryn and Witherspoon stepped into Annette's shoes. Exactly who'll be following in their footsteps when Cruel Intentions: The 90s Musical hits Melbourne's Athenaeum Theatre from May 25, 2022 and then Sydney's State Theatre from June 29 — with further cities to be announced — hasn't yet been revealed. Cruel Intentions' writer/director Roger Kumble co-created the musical, so expect it comes with quite the screen-to-stage pedigree. Also, it's coming to Australia via David Venn Enterprises, who also brought The Wedding Singer: The Musical Comedy and Bring It On: The Musical our way. Check out the trailer for the US production of Cruel Intentions: The 90s Musical below: Cruel Intentions: The 90s Musical will play Melbourne's Athenaeum Theatre from May 25, 2022, and then Sydney's State Theatre from June 29 — with further cities to be announced. For more information and to join the ticket waitlist, head to the musical's website.
Much-loved nerdy white guy and Seth Cohen-endorsed musician Ben Folds is bringing his upbeat brand of piano pop back to Australia. Though you might remember his music best from the battered walkman you rocked in the late '90s, rest assured that this talented US Adelaide enthusiast is still a force to be reckoned with. And nothing proves this more than the fact that his backing band will be the nation's best symphony orchestras. From mid-November, Folds will be touring all of Australia's major cities (except Brisbane, oddly enough) performing with each state's respective orchestral talents. Taking both excerpts of his new Concerto for Piano and Orchestra as well as jazzed up versions of his old pop hits, this dynamic musician will be creating an exciting and unique show in some of the nation's best venues. Of course, this is a tour Folds is familiar with. He's performed with some of the world's best orchestras over the past decade, and before he gets to our shores this year, he'll be taking the Ben Folds Orchestra Experience all around Europe. Hardcore fans might even remember that Australia was the site of his first orchestral work — this performance with the Western Australia Symphony Orchestra was immortalised on film in 2005. But you don't need to know all that to enjoy the show. Whether you have a long history with 'Brick' and the rest of his early work, or just really like that Triple J Like A Version he did of 'Such Great Heights' — this is a show not to be missed.
Who says the weekend is the only time to do activities other than sitting at a desk? Not us. Don't underestimate the twilight hours of your weekdays — there's so much happening each night of the week so you should have no trouble making plans that aren't emailing clients outside of work hours. From gallery nights to boozy craft sessions to night markets, you can go out straight from work every night of the week if you so wish. So why not engage with something tangible, and see what your city has to offer after dark? In partnership with Hahn, we've compiled a list for when you've got restless feet and a soul hungry for some culture. [caption id="attachment_663766" align="alignnone" width="1920"] Art Gallery of NSW.[/caption] SNEAK INTO AN ART GALLERY AT NIGHT No longer do you need to contend with the Saturday morning crowds at your local art gallery, as more are staying open for longer hours and — in news particularly good for you — at night. After-dark sessions at galleries like the NGV in Melbourne or the MCA in Sydney are increasingly popular and have a different vibe to your headache-inducing Saturday morning experiences. There's a bar-like buzz, more like-minded people, little to no children running around, and often DJs and beers on offer. So why wouldn't you get your art fix at night? Saturday morning gallery drinking does tend to be frowned upon, after all. Where? In Melbourne, Buxton Contemporary is open late on Thursdays and often has free opening parties for exhibitions, and the NGV has a constant stream of special events on in the evenings, such as its Friday Nights series. Sydney side, both the Art Gallery of NSW and the MCA are open until 10pm and 9pm (respectively) on Wednesdays, with the latter holding its ARTBAR event on the last Friday night of each month. In Queensland, GOMA stays open late on Fridays when there's a big exhibition on, and the Institute of Modern Art holds a party on the first Thursday of every month. [caption id="attachment_610655" align="alignnone" width="1920"] The Triffid.[/caption] SEE SOME FREE LIVE MUSIC If you're already headed somewhere for a pub feed, consider sticking around and letting some live music warm the cockles of your heart, too; 'Wonderwall' covers are few and far between now, and you can rest assured you'll probably find someone on the mic with some actual talent. There's a bounty of venues that provide free live music in all the major cities, and the only tricky bit is picking which one you want to give a crack. Getting a nice folky soundtrack to your parma and pint has never been so easy and you'll find yourself even praising the ukulele player because you're feeling so cosy and cultured. Where? To get you started, try The Yarra Hotel in Abbotsford in Melbourne, Different Drummer in Sydney's Glebe or The Triffid in Newstead, Brisbane. [caption id="attachment_653238" align="alignnone" width="1920"] Daniel Boud.[/caption] MAKE YOUR OWN MEAL AT A NIGHT MARKET Why have one thing for dinner when you can have five things instead? Albeit generally smaller bites, the best bit about night markets is that you can roll your way around having a very intense snacktime and, before you know it, all your little bites transform into one big meal and you're full. Nothing says 'culture' like a bellyful of hot sugary doughnut washed down with a few beers. Where? Hawker 88 Night Market at Queen Victoria Market in Melbourne, Sydney's Chinatown Night Markets, and the Boundary Street Night Market in Brisbane. [caption id="attachment_571310" align="alignnone" width="1280"] Cork and Chroma.[/caption] BYO BEERS TO A PAINTING CLASS If you thought art was not for the likes of you to create, think again. Some of our best work comes out when we've had a drink or two, so consider combining both and giving a BYO painting session a go. An art class is long a very fruitful passage to creating mini masterpieces, and one where you can bring your own bottles of plonk to inspire greatness out of your paintbrush is very civilised indeed. But don't worry — there are instructions and an artist will take you through the actual painting class so it isn't all left up to your novice hands. You just have to organise what you'll be drinking. Where? Cork & Chroma has studios in Collingwood in Melbourne, Surry Hills in Sydney and South Brisbane. [caption id="attachment_529488" align="alignnone" width="1280"] The Astor by Charlie Kinross Photography.[/caption] WATCH A CLASSIC FILM Heading out after work to watch the latest blockbuster like Crazy Rich Asians is all well and good (because it's a cracker), but sometimes you want to put aside the Hollywood hits for something more subtle. At those times, try watching a classic film at one of the many cinemas that show them on the reg. Melbourne's Astor Theatre and Sydney's Golden Age are both famous for hosting throwback sessions of classic films and often marathons, too. Use those few precious hours after work to invest in your cultural movie capital by making yourself watch Ben-Hur — because when else are you going to do it? Reality TV be damned — these will make for much better chat around the coffee machine at work the next day. Where? The Astor Theatre in Melbourne, Golden Age Cinema and Bar in Sydney, or Metro Arts in Brisbane. Start planning your mid-week itinerary so you can fit some culture — and a Hahn or two — in before the weekend. Top image: MCA Artbar by Leslie Liu.
Classic flicks just keep making the leap to the stage, turning their big-screen tales into song-filled musical adaptations in the process. From 9 to 5 and Muriel's Wedding to Moulin Rouge! and Shrek, a hefty number of beloved movies have done just that — and now Adam Sandler's smash-hit film The Wedding Singer is joining them. The Wedding Singer: The Musical Comedy was originally due to hit Melbourne in June this year but, as we all know, the pandemic hit. Now it'll head to the city in April 2021, before hitting up the Gold Coast in June and Sydney in July. When it does finally arrive on our shores, The Wedding Singer: The Musical Comedy will deliver an all-singing, all-dancing stage show based on its hilarious namesake 90s flick. And it's from the same crew that propelled it to sell-out success on Broadway and across the UK, including the writer of the original movie, Tim Herlihy. This one promises to yank you right into The Wedding Singer's 80s world of big hair and classic wedding bangers, thanks to a toe-tapping score that's sure to prompt a few hearty crowd singalongs. It retells the story of party-loving wedding singer and wannabe rock star Robbie Hart, who's left stranded at the altar at his own nuptials. Heartbroken, he sets out to destroy every other wedding he's a part of, until a chance encounter with a waitress: Drew Barrymore's character Julia. Now, he just has to win over the girl... and somehow put a stop to her own upcoming marriage along the way. If you need a refresher, you can watch the OG nostalgic film trailer below: https://www.youtube.com/watch?v=8yjOXMTa6vA THE WEDDING SINGER: THE MUSICAL COMEDY AUSTRALIA 2021 TOUR Melbourne: from Friday, April 30 at The Athenaeum Theatre, with tickets via Ticketek Gold Coast: Wednesday, June 16–Saturday, June 26 at HOTA, Home Of The Arts, with tickets via the venue Sydney: from Thursday, July 1 at the State Theatre, with tickets via Ticketmaster The Wedding Singer: The Musical Comedy starts touring Australia from Friday, April 30, 2021, with seasons in Melbourne, on the Gold Coast and in Sydney. Tickets go on sale on Tuesday, December 1 — for more details, and to join the waitlist, head over to the show's website.
Does anyone love biscuits as much as dads love biscuits? Probably not. But when Gelato Messina is making bikkies, everyone's tastebuds should be tempted. Each Father's Day for the past few years, the sweet-treat fiends have turned their attention from ice cream to tasty wares that don't require freezing — and 2023's haul is a trio of baked goods. Are mint slice biscuits a staple of your parents' pantry? Do they make you feel nostalgic for that exact reason? Well, now you can get your dad the Messina version again. But that isn't all that's on this year's menu, with the dessert chain also doing salted caramel and rum and raisin biscuits, combining the trio into one pack. The gelato brand does love taking other beloved desserts and giving them its own spin; see also: red velvet cake, honey joys, Bounty and Chokito bars, Iced VoVos, Viennetta and Golden Gaytimes, just to name a few. Messina's choc mint bikkies feature a chocolate base, mint centre and then 65-percent single-origin Messina dark chocolate over the top. The salted caramel goes with a salted caramel filling, of course, then, Messina caramelised white chocolate. And what's inside the rum and raisin biscuits is also obvious, with Messina milk chocolate doing the encasing. All three types are whipped up in-house by the the Messina Chocolatier team, and are being sold together in boxes of 12 — four of each — for $29. You can only purchase them up online from 9am on Monday, August 21. Then, they'll be sent to your door in advance of Father's Day on Sunday, September 3. Gelato Messina's Father's Day biscuit packs are available to order from 9am on Monday, August 21 — head to the Messina website for further details.
When Martin Scorsese says a film is worth seeing, you damn well better pay attention. With a directing career that spans more than five decades and includes the likes of Taxi Driver, Goodfellas, Raging Bull and The Departed, he's undoubtedly one of the greatest filmmakers to have ever walked the earth, and, as The Wolf of Wall Street showed us, every bit as edgy and vital in his 70s as he was in his 30s and 40s On top of all that, Scorsese is also a major player in the preservation and restoration of classic cinema, having helped establish both The Film Foundation and The World Cinema Foundation. His latest passion project is a showcase of classic Polish Cinema, which will be presented at ACMI over three weeks in October. Spanning from the '50s to the '80s, Martin Scorsese Presents: Masterpieces of Polish Cinema features 13 seminal works, including Krzysztof Kieslowski international breakthrough A Short Film About Killing and Andrzej Wajda's WWII film Ashes and Diamonds. The latter entry is one that Scorsese considers among the greatest motion pictures ever made. For the full Masterpieces of Polish Cinema program, visit the ACMI website.
How do you brighten up one of the most vibrant cities on earth? And at the brightest time of the year? It's simple: add a park installation littered with glowing lights. Like Tokyo before it, New York now boasts its own short-term piece of luminous art — and one that's both creative and eye-catching. Called Whiteout, the commissioned project has unleashed hundreds of LED-filled globes upon Madison Square Park. Set up until March 25, 2018, the piece comes from Austrian-born, New York and Ohio-based artist Erwin Redl, who suspended the white, transparent spheres across the space using a square steel grid and cabling. As well as their standard twinkling, the orbs sway with the wind and sparkle according to large-scale animated patterns, all as part of the 6.2-acre park's latest free outdoor exhibition. https://www.instagram.com/p/Bbk8VEvnCTh/?taken-by=madsqparknyc Explains Redl, "the physicality of the swaying orbs in conjunction with the abstract animations of their embedded white lights allows the public to explore a new, hybrid reality in this urban setting." Known for creating light projects on building facades, Redl takes inspiration from the greats in the field, such as Larry Bell, Robert Irwin, James Turrell, and Doug Wheeler While visitors can't interact with the installation, they can view it as they mosey along the park's walkways. Given that more than 60,000 people visit the site daily, it's certain to make quite the impact, in a piece Redl created and fabricated with the assistance of Madison Square Park Conservancy and the New York City, Brisbane and Shanghai-based public artwork firm UAP. If you're in New York, check out Whiteout at Madison Square Park until March 25, 2018. Head to the park website for further information. Image: Erwin Redl, Whiteout, 2017. Steel, animated white LEDs, stainless steel cable, low voltage insulated wire, two sections: each 12 x 40 x 180 feet; overall: 12 x 110 x 180 feet. Collection of the artist. © Erwin Redl. Photo: Rashmi Gill.
Is Sydney Film Festival in its body-horror era? In 2024, the Harbour City's annual citywide celebration of cinema closed with The Substance, after it had wowed Cannes but before it was an Oscar-winner. The very next movie that the event is screening, aka 2025's just-announced opening-night picture, also falls into the genre. Together stars Alison Brie (Apples Never Fall) and Dave Franco (Love Lies Bleeding), had this year's Sundance buzzing and marks the feature directorial debut of Australian filmmaker Michael Shanks (The Wizards of Aus). The Aussie film will kick off one of the country's major yearly odes to movies on Wednesday, June 4 — and will do so with a flick about a couple moving to the country, then finding more than just the relaxing quiet life they're seeking awaiting. Brie and Franco play Millie and Tim. After their big shift, she feels more at home than he does, ramping up their codependent relationship on his side. Then, as the teaser trailer featuring staring animals, unexpected strands of hair, a cave and declarations of love starts to show, things get strange. Also co-starring Australian actor Damon Herriman (How to Make Gravy), Together has a date with SFF almost two months in advance of its Aussie and US cinema release date at the end of July. In Sydney, it leads a lineup that's drop its full program on Wednesday, May 7, but already includes a Jafar Panahi retrospective, Justin Kurzel (The Narrow Road to the Deep North)-directed documentary Ellis Park, and everything from homegrown animation Lesbian Space Princess to Barry Keoghan's (Bird) new Irish thriller Bring Them Down. "We are thrilled to open the 2025 Festival with Together, a fiercely original work that showcases the creative ambition of a new voice in Australian cinema," said Sydney Film Festival Director Nashen Moodley, announcing 2025's opening flick. "Michael Shanks has crafted a bold and inventive debut that shifts seamlessly between tones, anchored by fully committed performances from Alison Brie and Dave Franco." Added Shanks: "having Together open Sydney Film Festival is a huge honour. Despite our US leads, this is an Australian film through and through, and I'm so proud to showcase what amazing crew and cast we have in our local industry." "I got altitude sickness in Utah when the film premiered in Sundance, and thankfully that's far less likely to happen when it premieres in Sydney." Check out the teaser trailer for Together below: Sydney Film Festival 2025 runs from Wednesday, June 4–Sunday, June 15 at cinemas across Sydney. Head to the festival website for further information and tickets — and check back here for the full lineup on Wednesday, May 7, 2025.
When Yellowjackets begins, it's with an instantly intriguing mystery, a killer cast — led by the always-watchable Melanie Lynskey (Mrs America), Juliette Lewis (Breaking News in Yuba County) and Christina Ricci (The Matrix Resurrections) — and a deep valley overflowing with trauma. Streaming via Paramount+ in Australia and Neon in New Zealand, it starts with eerie forests, bright-eyed 90s teens with their whole lives ahead of them, devastating plane crashes and what looks like cannibalism, too, plus the unhappy adult lives endured by the tragedy's survivors 25 years later. In their high-school prime, Shauna (Lynskey, and also The Kid Detective's Sophie Nélisse as a teenager), Natalie (Lewis, plus The Tomorrow Man's Sophie Thatcher) and Taissa (Billions' Tawny Cypress, and also Scream's Jasmin Savoy Brown) were key players on the titular high-achieving New Jersey soccer team, while Misty (Ricci, as well as Shameless' Samantha Hanratty) was the squad's frequently bullied student manager. Then, en route to a big match in Seattle on a private plane in 1996, they entered Lost territory. That accident saw everyone who walked away from the accident stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. As established in a stellar first episode that's directed with the utmost precision by Destroyer filmmaker Karyn Kusama, Yellowjackets isn't simply interested in inherently disturbing events that'd change anyone forever, however. There's a reason that it flits between two time periods from the outset, rather than laying its dramas out in a linear fashion and teasing out how things end up. From the get-go, creators and showrunners Ashley Lyle and Bart Nickerson (Dispatches From Elsewhere) ensure that all that time in the woods, cabin and all, is tough, rough, savage and creepy, and that its complications and swerves into the supernatural only grow. That said, their immediately addictive series is just as obsessed with the transformation that springs after such an experience. As struggles arise in both the 90s and now — including weird symbols in both, and deaths, plus blackmail plots in the present — Yellowjackets examines how, after falling from the sky, learning to cope in such remote surroundings and plummeting into a horror movie, anyone manages to go on. As set to a top-notch 90s soundtrack, it also faces the fact that for some, normality won't just come calling nicely afterwards. Actually, for everyone, each and every second spent back in civilisation will always be coloured by that time in the wild. A series about misfortune weathered, paths taken, necessities accepted, friendships twisted and grief endured, as well as the reverberations that linger from all of the above, Yellowjackets boasts a searingly smart and savvy concept, which lets tragedy echo as all tragedies do — because facing an ordeal isn't just about the terrifying experience right there in the moment. Back in 1996, when an at-any-cost survivalist mindset begins to fester amid an embrace of woodland spirituality, grappling with the crash, teammates who don't make it, being cut off from normal teen life, and finding food and shelter is all immensely difficult. In 2021, the adult Shauna is an unhappy housewife embarking upon an affair, Natalie has just come out of rehab for the umpteenth time to shattering news, Taissa is running for state senate and having problems with her wife and son, and Misty is a nurse but still nobody's favourite, and little feels easier. It's no wonder that the show became a chilling, perceptive, resonant and potent must-see from its very first episode back in November, and that it only grew bolder and stronger as its ten-episode first season kept going. It quickly proved one of 2021's best new series, and is the absolute standout drama of the past few months as well. If you already watched it week-by-week, it was appointment viewing, aka the kind of show you plan your nights around and couldn't stop theorising about in the week afterwards (and the type that gets its pitch-perfect opening-credits track lodged in your head non-stop, too). If you're new to all things Yellowjackets and you're planning to check it out now, it'll make one helluva binge. And, in news just as exceptional as the series itself, it's returning for a second season. Given that Yellowjackets' first run of episodes kept deepening its mysteries moment by moment, persistently embraced every up and down thrown its complex characters' ways, never took the easy or obvious route, and found the ideal balance between survivalist horror, coming-of-age antics and midlife malaise, its new batch really can't come sooner. Check out Yellowjackets' first-season trailer below: The first season of Yellowjackets is available to stream via Paramount+ in Australia and Neon in New Zealand. Season two doesn't yet have a release date — we'll update you when it does. Images: Kailey Schwerman/Showtime.
Nearly 250 metres above street level sits Bangkok's newest attraction: the highest outdoor whisky bar in the world. Opening at The Tower Club at Lebua, Alfresco 64 takes sipping on Scotch to towering extremes — and pairs its tasty tipples with quite the killer view. Located on the 64th floor of the building immortalised in The Hangover Part II, the sky-high whisky haven isn't just about drinking any old beverage while taking in the city's scenic sights, though. Alfresco 64 was designed to showcase the hotel's very own drop, the Chivas Regal Exclusive Lebua Blend. Made from whiskies from 1985 and earlier, it's a limited and expensive drink, with each one of the 96 bottles made only available at the bar for a price of US$7ooo each. No wonder the whole 200-square-metre space is decked out like a luxury yacht, including the outdoor counter and indoor VIP room, which comes complete with a captain's seat. Alas, to hop inside, you have to part with enough money to buy a bottle. Don't worry — other varieties are available outside for those who can't part with such a huge chunk of cash for some whisky, i.e. most people. Via: Forbes. Images: Alfresco 64.
Last year, Four Pillars dropped a boozy ode to the legendary haunt that is The Espy. Fittingly dubbed Sticky Carpet Gin, the creation was crafted in celebration of the historic pub's much-hyped reopening. But, you couldn't actually buy it — you could only try it in cocktails at the St Kilda pub. Now, the Healesville distillery has dropped a super limited release of the gin on its online store. There are only a very small number of the $85 bottles available, and they're limited to two per person, so don't sleep on it if you want one. If you do miss out, however, there'll be a few available to buy from the distillery door from Saturday, September 14, too. [caption id="attachment_701623" align="alignnone" width="1920"] Lauren Bamford[/caption] With this drop, Four Pillars co-founder and distiller Cam Mackenzie set out to capture the spirit of a venue that's meant many different things to different people. To lend an unmistakable pub feel and give a malty edge, the gin uses local Watts River roasted dark stout in its base. On top of that, some roasted barley and cascade hops push the beer flavour a little further, mingling with other botanicals like juniper, coriander, green pepper, honey and cassia, and a fresh hit of lemon peel and ginger. The result is a little bit deeper and darker than your usual gin of choice, aptly described by Cam as "a gin for beer lovers". Even the Sticky Carpet Gin's packaging gives a firm nod to The Espy, with old band posters recovered from the venue used on the underside of the labels. Four Pillars Sticky Carpet Gin is available to purchase online, and from the Four Pillars distillery, 2A Lilydale Road, Healesville from Saturday, September 14. Top image: Lauren Bamford.
Some stories just can't stay away from the screen, and Cinderella is one of them. Filmmakers have been drawn to the fairy tale since the silent era, resulting in beloved animated flicks, playful takes on the tale such as Ever After and Ella Enchanted, and Disney's 2015 live-action adaptation. Arriving next: a new musical that combines glass slippers and pining for a better life with singing, dancing and a fairy godparent named Fab G — with the latter played by Pose's Billy Porter. This version of Cinderella stars singer Camila Cabello as the titular character, while The Craft: Legacy's Nicholas Galitzine plays Prince Robert. Also popping up: Idina Menzel (Frozen II) as Cinders' stepmother, Minnie Driver (Starstruck) and Pierce Brosnan (Eurovision Song Contest: The Story of Fire Saga) as the king and queen, and Romesh Ranganathan (Staged) and James Corden (The Prom) as both footmen and mice. The latter is a producer, too, and came up with the idea for the film, while Pitch Perfect writer and Blockers helmer Kay Cannon sits in the director's chair. Clearly, if a new version of Cinderella doesn't hit the screen every few years, Hollywood must turn into a pumpkin. While musical takes on the tale aren't new — see also: the stage version that's about to hit Australia — this one is set to feature pop songs. So, you'll be seeing Cabello, Menzel and company singing tracks you know, as well as crooning their own new original tunes. Just how that'll turn out will be revealed on Amazon Prime Video on Friday, September 3, with the film originally slated for a cinema release, but then snapped up by the streaming platform instead. In the just-dropped first trailer, there's plenty of songs, colour and also humour. "Do you want to go to that ball?" asks Fab G at the end of the clip, to which Cinders replies: "yes, I was just crying and singing about it like two minutes ago". Check out the Cinderella trailer below: Cinderella will be available to stream via Amazon Prime Video from Friday, September 3. Top image: Christopher Raphael
It's 29 years since Queen last had Aussie crowds belting out their favourite lyrics at a live show. In that time, the Brit legends have endured the tragic loss of Freddie Mercury and struggled to find a replacement. In fact, since his death in 1991, no fewer than eleven singers have made appearances with the band, including David Bowie, Annie Lennox and Robbie Williams. However, it's 2009 American Idol runner-up Adam Lambert who's made the grade for this year's world tour. Before heading to Australia, he'll front Queen over the course of nineteen dates throughout the US. "The thought of sharing the stage for a full set in Australia is so beautifully surreal," Lambert said. "I'm honoured to be able to pay my respects to Freddie's memory. He's a personal hero of mine and I am deeply grateful for the chance to sing such powerful music for fans of this legendary band." The tough part, of course, will be getting your hands on a ticket. New shows have been added but the seats have been pretty much snapped up quicker than you can say "Yeah, I'm smelling like a dried fish bone." https://youtube.com/watch?v=HgzGwKwLmgM
Treat yourself to a fab and fiery afternoon packed with delicious food and show-stopping entertainment at Mejico's first-ever Smash & Slay brunch. The glamorous Beverly Kills will host the event on Saturday, May 4, at the vibrant Mexican eatery. All brunch packages include two hours of bottomless drinks and three courses of Mejico's popular dishes. You'll start with a fresh guacamole smashed table-side with crunchy plantain chips. Next up, choose from the chilaquiles, the decadent huevos rancheros taco, the breakfast torta with eggs and chorizo, or the souffle pancakes with dulce de leche and horchata ice cream. Remember to save room for the addictive churros, which are smothered with cinnamon sugar and accompanied by chocolate sauce and vanilla custard for your dipping pleasure. The one-day-only event takes place from 11:30am–2pm on Saturday, May 4. Packages start at $99 per person and can be booked at the website.
Dario Fo is a unique, irreverent theatre-maker among the ranks of Nobel prize-winners. Still working into his 88th year, he's churned out a body of work that’s as impressive as it is politically engaged, and is known for often subverting classical Italian drama like commedia dell’arte for his own purposes. The playwright himself was the first to perform his one-man show Johan Padan and the Discovery of the Americas, written in 1992 in response to celebrations for the 500 years since Columbus’ arrival. At first glance, a relatively obscure, Italian play for one performer might seem like a hard sell, especially for an independent venue that’s as priced-out as fortyfivedownstairs. But compared with the rest of the world, Australia rarely sees any productions of Fo’s vast canon that stray beyond ubiquitous stagings of Accidental Death of an Anarchist. With that in mind, this offering from Melbourne’s Hoy Polloy Theatre, which is directed by Wayne Pearn and features Steve Gome in the solitary onstage role will be a rare treat. Image by Richard Butler.
Melbourne's been under stay-at-home orders for what feels like three years, and there's still another month of stage four lockdowns stretched out before us. And by this point, you've probably got a few mates who are feeling a little glum, bummed out by that big list of things we're currently not allowed to do. You can't exactly swing past their house or hand out any real-life hugs, but you can spread some cheer by way of a nifty care package, hand-picked by you and dropped neatly on a doorstep. Whether you've got a mate who's partial to some chocolate indulgence, or know a friend who would use a few mood-boosting fresh blooms, show them you care with one of these local gifting services guaranteed to put smiles on dials. NOT-BORING HAMPERS FROM GOOD DAY PEOPLE This crew is reimagining the humble gift hamper, swapping out the standard bath soaps and boring bickies for fun, quality goodies, and finishing it all off with some bright, mood-boosting packaging in the form of funky printed cans. It's serving up a smart edit of themed gift packages you'd actually want to receive, heroing small Aussie businesses. Currently, you'll find 36 different hampers, including one for 'Gourmet Greg' — packed with Drunken Sailor relish, Maya Sunny honey, a bottle of local wine, Olsson's sea salt and some Bramble & Hedge nougat — and, for 'Perky Pam', an assembly of Bottl(ed) cocktails, Grandvewe sheep whey gin, a pack of cowhide coasters from Mr and Mrs White and Hey Tiger Fairy Wings vegan milk chocolate. Good Day People offers standard shipping, though select suburbs can also take advantage of next-business-day express delivery for a $19.95 flat-rate fee. To order, head here. INDOOR PLANTS AND CARE PACKAGES FROM HELLO BOTANICAL With all this time spent at home, your mate might as well have their space looking schmick. And Hello Botanical has a premium selection of easy-care plants to help do just that. The online store is stocked with a hefty range of greenery, that can be home-delivered in custom-made planter pouches and with handy care instructions attached. While you're shopping, check out the accompanying lineup of gifts, green thumb accessories, candles and care packages — the 'Lockdown Essentials' curation is especially well-timed. Best of all, Hello Botanical's $15 same-day delivery service is available across most Melbourne suburbs, as long as you order before 12.30pm, Monday to Friday. Hello Botanical's same-day delivery is available across Melbourne for orders placed before 9am Monday–Friday. It's a $15 flat rate, or free if you spend over $199. To order, head to the website. CHOCOLATE GIFT PACKS FROM MELBOURNE COCOA Send a friend a chocolatey smile and a sugar high, thanks to a new series of indulgent gift packs from local chocolatier Melbourne Cocoa. There are five bundles to browse and buy online, from a five-pack of the group's best-selling signature bars ($39.95), to a couples' pack featuring premium truffles, a chocolate block and some luxe drinking chocolate ($49.95). You'll even find a vegan haul, showcasing a lineup of Melbourne Cocoa's finest Victorian-made cruelty-free treats ($45). Right now, there's free shipping for all orders over $45, with deliveries running Monday to Thursday. Melbourne Cocoa is currently delivering Monday to Thursday, with free shipping for orders over $45 and a $15 flat-rate fee otherwise. Head here to order. CHEERY BOUQUETS FROM POSITIVE PARCELS This new floral delivery service is encouraging Melburnians to pass along the cheery feeling that comes with treating someone (or yourself) to a gorgeous bouquet — while also supporting the local flower industry. The Positive Parcels collection of blooms includes small and large seasonal arrangements, rose- and tulip-only displays, plus potted orchids and preserved flowers that are designed to last forever. You'll also find a series of treat-yourself care packages, stuffed with non-floral goodies like bottled Taylor & Smith cocktails and Bay of Fires cheese. What's more, $5 from every purchase is donated to Headspace Australia. Positive Parcels is also positioning itself as a pass the parcel-type service, encouraging folks who receive one of their packages to spread the cheer by purchasing another gift for someone else. Positive Parcels prices include delivery for addresses within 20km of the Melbourne CBD. Deliveries run Tuesday and Thursday, and orders must be in before 4pm the previous day. To order, head to the website. Top image: Good Day People
As difficult as is it to name more than a handful of sequels that improve upon their predecessor, it's almost impossible to name a trilogy that gets progressively better from the first film to the third. After much contemplation, only two contenders spring to mind: Richard Linklater's Before trilogy, and Disney Pixar's Toy Story – each of which began from an incredibly strong position and yet somehow built upon and enriched each subsequent experience rather than draw out, repeat or simply ruin that which came before. Now, however, we can add a third series to the list. Beginning in 2011 with Rise of the Planet of the Apes and followed up by Dawn of the Planet of the Apes three years later, this remarkable and consistently surprising franchise has saved its best entry until last with the thoughtful and deeply moving third installment: War for the Planet of the Apes. And it is a war film, although not in the conventional sense. With soldiers' helmets emblazoned with slogans like 'Bye Bye Bonzo' and 'Monkey Killer', there's a definite Full Metal Jacket vibe among the human characters. Yet this is a war film more in the vein of Terrence Malick's The Thin Red Line. Emphasising visuals over dialogue and backed by a sumptuous orchestral score, the movie largely eschews combat sequences in favour of exploring internal conflicts, as well as the absurdity of observing 'rules' to govern the means by which two peoples might slaughter one another. It is at once a summer blockbuster and a poignant tragedy, which is no mean feat given it involves machine-gun wielding apes that can talk and ride on horseback. There's not a moment in this film, from the opening frame to the last, where you question what you're seeing. The very name for what makes that possible, 'special effects', seems entirely insufficient to capture the extraordinary wizardry at play here. Pile all the transforming robots and world-destroying aliens together and you'll still get nothing as remotely impressive as what writer-director Matt Reeves and his team have delivered with this film. "My god, your eyes, they're almost human" exclaims Woody Harrelson's antagonist. Whatever flaw he sees, the audience cannot. These apes aren't simply special effects; they're characters, as real and as complex as any human standing opposite or beside them on screen. This brings us to Andy 'Who Needs A Face To Act?' Serkis. Truly, the man could play a dilapidated gate on an abandoned farm and still imbue it with more pathos than most of his contemporaries. To say he's overdue for an Oscar is an entirely overplayed record, but until it happens or he stops turning in performances of such astounding nuance and tenderness, we'll keep on resetting the needle. Alongside his fellow motion-cap actors Terry Notary, Karen Konoval and Michael Adamthwaite, Serkis's Caesar is the heart of the film. He's the reluctant general; a gentle soul whose only reason for fighting is to save his fellow apes and family from extinction. Like Pacino's Michael Corleone in Godfather Part III, Caesar's efforts to secure peace instead find him drawn further into darkness, imperilling those he loves and condemning his own soul to ruin. On the human front, each film in the Apes trilogy has featured fewer than the one before it, and in War there are only two of note: Harrelson's ruthless Colonel and an orphaned girl named Nova played by the captivating Amiah Miller. They are, in many ways, the best and the worst of us – tormentors and saviours whose interactions with Caesar shape his every decision throughout the film. We are unquestionably compelled to side with the apes in this, the final stage of the trilogy, which is an intriguing sensation given we're barracking for the very creatures responsible for wiping us out. Again, it's down to the remarkable work of the team behind the film, whose storytelling and performances have given us a Shakespearean tale full of heartache, betrayal, courage and redemption. War for the Planet of the Apes is an instant classic and a fine conclusion to a spectacular saga. https://www.youtube.com/watch?v=JDcAlo8i2y8
Bringing the outdoors in, greening up tiny city apartments, eating farm-fresh food, growing your own edible morsels: noble aims, all of them, but they're not always easy to achieve. A lack of room and a need for ongoing effort can hinder even the best laid inside gardening plans; however O Garden aims to make cultivating your own indoor veggie garden as simple as buying a new — and eye-catching — piece of furniture. Designed and manufactured in Canada, O Garden is a round, rotating cylinder specially designed for growing organic goodies in small spaces, and with as little need for human intervention as possible. Seeds are planted in soil placed on top of coconut matting, then automatically fed with organic liquid fertiliser while the wheel slowly spins around a central light source. All you need to do is water them once a week, then wait 30 to 40 days until harvesting time. Overall, the O Garden can produce around 100 plants in about half a square metre of space, making it quite the compact indoor greenhouse. As for just what you can grow within its circular confines, expect to munch on herbs like basil, rosemary, mint and parsley; greens such as spinach, lettuce and chives; and even celery, cherry tomatoes and strawberries. Alas, homegrown fresh food fans, the O Garden doesn't come cheap — though its US$1397 price tag doesn't factor in what you'll save if you put it to good veggie-growing use. At present, it only currently ships to the US and Europe, but here's hoping that changes soon. Via inhabitat.
Sedonia's stylish array of products are hand-picked by founders Nicola and Inge, who have curated a collection of items from Australian and international artists, designers and studios. Dotted throughout the vibrant shop, you'll find an extensive list of gifts, homewares, clothing and items for kids, with more products arriving each week from around the world. There's a lot to choose from, but the duo clearly admire the work of Finnish home and design company Marimekko, while another standout favourite is the fine linen woven by Melbourne's own Bedouin Societe.
If you're going to treat yo'self to some high-flying fare like lobster, you might as well go all out, right? Well, Melbourne's luxe seafood restaurant Pinchy's is dialling up the indulgence levels and bringing back one of its most OTT dishes: Australia's biggest lobster roll. This time, though, as Melburnians are limited to visiting restaurants within five kilometres of their homes under the stage four lockdown, the giant crustacean roll is heading on a five-week tour of Melbourne, hitting up a different suburb every Friday and Saturday. Called Made By Sea Tour, it'll land at The Old Garage in Camberwell on August 21–22, then Bentleigh's Wolfe & Molone on August 28–29, followed by Mr Jackson in Mornington and Windsor's Oppen Cafe on September 4–5 and 11–12 respectively. The tour's final hurrah will go down at Johnny's Emporium in Yarraville on September 18–19. You can check out the exact times and locations below. While the super-sized version of Pinchy's signature Maine to Melbourne lobster roll — rocking three times as much crustacean as the original, stuffed into a foot-long bun — will be the menu highlight (and most expensive item at $40), it won't be the only dish heading on tour. You'll also be able to snag a classic lobster roll ($22), crab tacos ($7), truffle fries ($10), mussel chowder ($14) and snapper croquettes ($10). To get your mitts on a big lobster roll — or anything on the menu for that matter — you must pre-order over at the website. And you'll need to move quick as some dates are already starting to sell out. MADE BY SEA TOUR The Old Garage, 2A Glen Iris Road, Camberwell — 4–8pm on Friday, August 21 and 12-8pm on Saturday, August 22 Wolfe & Molone, 282 Centre Road, Bentleigh — 4–8pm on Friday, August 28 and 12–8pm on Saturday, August 29 Mr Jackson, 1/45 Main Street, Mornington — 4–8pm on Friday, September 4 and 12–8pm on Saturday, September 5 Oppen Cafe, 20/2 Maddock Street, Windsor — 4–8pm on Friday, September 11 and 12–8pm on Saturday, September 12 Johnny's Emporium, 18A Anderson Street, Yarraville — 4–8pm on Friday, September 18 and 12–8pm on Saturday, September 19
This winter, you won't be chasing the sun and soaking in a European summer. But, thanks to eased domestic border restrictions and the trans-Tasman bubble, you can spend the chilliest part of the year surrounded by snow. Of course, whether you're planning to ski, snowboard or just build a snowman, you'll need to rug up — and whatever is currently in your wardrobe mightn't do. Each year — except 2020, for obvious reasons — Aldi hosts a big sale on snow gear, offering good quality gear at almost ridiculously low price points. It's back in 2021, so mark Saturday, May 22 in your diary. That's when you can head to your nearest Aldi supermarket to pick up everything from snow jackets and boots to face masks and beanies. Available at stores across the nation, and made to withstand extreme weather conditions, 2021's range of gear includes six different varieties of snow jackets, which start at $39.99 for something light and go up to $119.99 for windproof and waterproof numbers; four types of snow pants, including one style with adjustable leg and waist cuffs for $99.99; and ski fleece sets, featuring a hoodie and a pair of pants, for $19.99. Boots for both kids and adults start at $19.99, helmets will cost you between $19.99–$24.99, and you'll be spending between $4.99–$34.99 for masks, beanies, neck warmers, cabin socks, gloves and balaclavas. Kids clothing is part of the deal, too, if you'll be travelling with younger skiers — ranging from $19.99–$34.99. Once you're all kitted out, you're certain to stay toasty if you're making the trip to Perisher Valley, Thredbo, Falls Creek, Hotham or anywhere else local where snowy peaks are a feature. If you're hopping across the ditch instead, you'll find plenty of items to stop you getting frosty up at New Zealand's ski fields.
Enjoy an extra scenic perspective for your next boozy get-together, with the Langlands Restaurant and Bar's Bottomless Brunch. Presented 25 floors above the CBD at Hyatt Centric Melbourne every Saturday, diners will relish 360-degree panoramic views stretching from Southbank and the Yarra River all the way to Port Phillip Bay. From up here, it's hard to imagine a more striking brunch spot. Head chef Ryan Dunn has shaped this session's menu with a myriad of modern flavours spanning charred corn salad with chilli, lime, and garlic; hibachi-grilled chicken with soy, shichimi, and lemon; and pork belly ssam with mustard relish and chilli paste. Meanwhile, two hours of free-flowing drinks include craft beers, quality wines, spritzes of the Hugo, Aperol and Campari varieties, and non-alc options. "Our bottomless brunch is a celebration of bold flavours and shared moments, set against Melbourne's breathtaking skyline. With an inspired menu and a stellar drinks selection, it's the perfect way to spend a leisurely Saturday with friends and family," says Dunn.
The Grand Dame of Swanston Street, the State Library Victoria, has been given a makeover. At the halfway point of the building's $88.1 million revamp, visitors will now find two new reading rooms, a dedicated events space complete with huge production kitchen and space for 220, and a new lounge off Russell Street. There's also a new Readings bookstore that eclipses the original library outpost, as well as brand new cafe Guild, helmed by the team at Almond Milk Co. This little gem serves up seasonal salads and sandwiches, Sensory Lab espresso and 'coffee day passes' that'll get you a whole day's supply of filter coffee when you madly need to meet a deadline. When you need a break, check out the 29-metre-long original work by Melbourne artist Tai Snaith, which is bound to provide some surefire inspiration. A new entrance to the building has been opened on La Trobe Street, while the historic Russell Street entrance, closed for more than a decade, has made its triumphant return complete with a lounge and welcome area. The famed site, which was also home to the Melbourne Museum from 1906–1997 and the NGV from 1999–2002, has been in operation for 162 years. Heading up the transformation are Australasian firm Architectus and Scandinavia's Schmidt Hammer Lassen Architects. The library's Swanston Street entrance and ground floor are currently closed to the public while they're given their own refurb and are expected to reopen by spring 2019. The State Library of Victoria is open every day from 10am. Images: Patrick Rodriguez.
If you've done your dash with the dalgona coffee and all those failed attempts at sourdough, here's a little culinary project that might just revive your kitchen-weary soul. The minds over at global sauce company Heinz have released recipes for a series of unconventional ice creams — dubbed Creamz — starring some of the brand's most iconic condiments. Yep, mayo ice cream is a thing and it can be on the menu at your house this weekend. Over on its UK website, Heinz is now selling a range of ice cream-making kits, filled with all the ingredients and equipment needed to whip up a batch of these frozen 'Creamz', crafted on the likes of its salad cream and barbecue sauce. Unfortunately, the DIY packs are only available to UK locals, but the recipes themselves are free to download from anywhere in the world. Basically, all you'll need to do is stock up on milk, double cream and sweetened condensed milk, grab an extra bottle of your favourite Heinz condiment, and jump in the kitchen to give those crafty folk at Messina a run for their money. You can have a crack at variations like the Ketchup Creamz — which apparently works a treat topped with meringue and raspberry coulis — and a mayo-infused edition they reckon pairs well with apple and blackberry compote. Or perhaps the barbecue sauce number is more your speed, garnished with some maple syrup and crispy bacon bits. Wherever your sauce obsession lies, we recommend you clear some space in your freezer — things are about to get a little crazy. You can find all five of Heinz's Creamz recipes over at the website.
In every generation, there might be a chosen one — vampire slayer, that is — but in the Australian outback, there's now Indigenous bloodhunters. That's the premise behind one of the most promising new local shows of the year, Firebite, which brings undead battles to the South Australian desert with a huge list of top-notch Aussie talent. You know you're watching an Aussie vampire series — or even simply viewing the just-dropped trailer for it — when the words "take that you bloodsucking bastards" are uttered. That's just one of the highlights of Firebite's first sneak peek, though. Also worth getting excited about: the stacked cast, which includes Rob Collins (The Drover's Wife The Legend of Molly Johnson) and Shantae Barnes-Cowan (Total Control) as the show's Indigenous Australian vampire killers, plus Callan Mulvey (Shadow in the Cloud) as the king vamp of the last undead colony in SA, and also Yael Stone (Orange is the New Black) as well. Behind the lens, Firebite hails from one of Australia's finest filmmakers — Samson and Delilah, Sweet Country and The Beach director Warwick Thornton, who returns to the small screen after helming and starring in the latter, and also working on the second season of Mystery Road. Fellow Aussie directors Brendan Fletcher (Mad Bastards) and Tony Krawitz (The Tall Man, Dead Europe) are also involved, giving the Firebite three exceptional local helmers in one show. The trailer serves up more than a bit of a Mad Max vibe, but with vampires and Indigenous Aussies fighting back — and how it'll unfurl will be revealed come Thursday, December 16. The show is headed to AMC+, the new streaming bundle that just launched Down Under in November, and will drop new episodes every week. And yes, it's going to be a big few months for watching Australia's parched landscape on the screen, following the Jamie Dornan-starring mystery series The Tourist and the Zac Efron-led thriller flick Gold. But again, because it can't be celebrated enough, this is the only Aussie Indigenous vampire horror-fantasy show you'll be adding to your streaming queue. Check out the Firebite trailer below: Firebite starts streaming via AMC+ on Thursday, December 16. Images: Ian Routledge/AMC+.
Some pop star dreams just aren't meant to be, and The Idol's are now among them. Whether you watched some of it, the whole thing or simply read about it (because no one could avoid the latter), the HBO series has been one of the most talked-about shows of 2023 — when it started dropping sneak peeks from July 2022, too, but especially once it hit streaming in June this year. All that chatter hasn't inspired the US network to bring it back for a second season, however, and unsurprisingly. As per Variety and The Hollywood Reporter, the show has been cancelled after its first season — which ran for five episodes, and focused on singer Jocelyn (Lily-Rose Depp, Voyagers) and nightclub impresario Tedros (Abel Tesfaye, aka The Weeknd). "The Idol was one of HBO's most provocative original programs, and we're pleased by the strong audience response," said a HBO representative in a statement. "After much thought and consideration, HBO, as well as the creators and producers, have decided not to move forward with a second season. We're grateful to the creators, cast and crew for their incredible work." Set within the music industry, The Idol followed Jocelyn as she attempted to make a comeback, got caught up in controversy and met Tedros. It bears more than a passing resemblance to UK series I Hate Suzie, but with its own stacked cast — and with Sam Levinson, the mastermind behind Euphoria, creating it alongside The Weeknd. The Idol's packed list of on-screen talent also spanned Red Rocket's Suzanna Son, Boy Erased's Troye Sivan, Schitt's Creek's Dan Levy, singer-songwriter Moses Sumney, BLACKPINK's Jennie Kim, Only Murders in the Building's Da'Vine Joy Randolph, Hacks' Jane Adams, Bodies Bodies Bodies' Rachel Sennott and Inglourious Basterds' Eli Roth. Also appearing: Hank Azaria (Hello Tomorrow!), Hari Nef (Barbie), Steve Zissis (Happy Death Day 2U), Melanie Liburd (This Is Us), Tunde Adebimpe (Marriage Story), Elizabeth Berkley Lauren (Saved By the Bell) and Nico Hiraga (Booksmart), plus Anne Heche (All Rise) in what was one of her last performances. Controversy surrounded the show not just once it was releasing episodes, but beforehand. Prior to arriving on streaming — before it premiered at 2023's Cannes Film Festival, too — the Los Angeles-set series started with She Dies Tomorrow's Amy Seimetz directing every single episode. But back in April 2022, it was revealed that Seimetz had left the project and reshoots were underway as a result. Reports also surfaced about the working environment — and, neither the viewer nor the critical response was anywhere near glowing, making The Idol's cancellation far always likely. Check out the trailer for The Idol below: The Idol season one streams via Binge in Australia and Neon in New Zealand. Via Variety / The Hollywood Reporter. Images: Eddy Chen/HBO.
There's nothing that says 'Australian' quite like being the first ever company to crowdfund booze. But one company has found a way to combine Sydneysiders' two favourite beverages in one delicious, stylishly packaged drink. Sydney-based distillery MR BLACK recently launched a $10,000 Pozible campaign, harnessing the power of crowds and their love of coffee and alcohol to help launch their flagship product, MR BLACK Cold Drip Coffee Liqueur. The rewards for pledges range from invites to their launch party to actual bottles of MR BLACK, varying in size depending on the donation. According to head distiller Philip Moore, "MR BLACK is not for everyone. It’s not some cloying, sickly-sweet kiddie drink that makes your teeth hurt. Using the cold-drip method we’ve created a rich, intense coffee liqueur that actually tastes like coffee." MR BLACK is the brainchild of Moore and designer Tom Baker, and it's already getting quite a bit of attention from overseas, especially after winning the gold medal at the 2012 International Wine & Spirits Competition in London. Co-founder Baker says that not only are MR BLACK "at the intersection of Sydney coffee and bar culture" but they're also big supporters of the arts and creative scene — their bottle artwork is designed by local artist Dale Bigeni.
Life might be a bittersweet symphony, as The Verve told us all back in 1997, but right now is a pretty great time to be a fan of a hugely influential late-90s teen flick that helped immortalise that very track. The movie in question is Cruel Intentions, of course, and it's about to hit the stage in Australia. And yes, the musical's soundtrack is filled hits from the era, including 'Bittersweet Symphony', obviously. Indeed, if that song and Placebo's 'Every You Every Me' get you thinking about Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair, then you're clearly a fan of the film. And if you were a 90s or 00s teen who watched and rewatched the 1999 classic over and over again — soaking in all those dangerous liaisons, the scheming that went with them, Joshua Jackson's blonde locks and Gellar in a decidedly non-Buffy role — then you'll probably be first in line to see Cruel Intentions: The 90s Musical. The movie-to-theatre production has been unleashing its teen tumult and throwback soundtrack in America since 2015, and now it's finally heading to our shores. That was first announced back in 2021; however, now the local leg of the production has confirmed its full Aussie dates. Cruel Intentions: The 90s Musical's Melbourne stint was already locked in to start on Wednesday, May 25 at the Athenaeum Theatre, and its Sydney run will now kick off on Thursday, June 30 at the State Theatre as well. Then, it'll head to Brisbane's Fortitude Music Hall from Wednesday, July 27, before hopping over to Adelaide's Her Majesty's Theatre from Thursday, September 8. Because it's a jukebox musical, Cruel Intentions: The 90s Musical is also filled with a heap other tunes from that late 90s, early 00s era; think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (Dear Evan Hansen) taking over Gellar's role — then you'll know the story. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school. On-screen, Phillippe played Sebastian, Gellar vamped up the film as Kathryn and Witherspoon stepped into Annette's shoes. Exactly who'll be following in their footsteps when Cruel Intentions: The 90s Musical tours Australia hasn't yet been revealed, with auditions underway now. Cruel Intentions' writer/director Roger Kumble co-created the musical, so it comes with quite the screen-to-stage pedigree. Also, it's arriving in Australia via David Venn Enterprises, who also brought The Wedding Singer: The Musical Comedy and Bring It On: The Musical our way. CRUEL INTENTIONS: THE 90S MUSICAL 2022 AUSTRALIAN TOUR: Melbourne, at the Athenaeum Theatre: Wednesday, May 25–Sunday, June 12 Sydney, at the State Theatre: from Thursday, June 30–Sunday, July 10 Brisbane, at Fortitude Music Hall: from Wednesday, July 27–Sunday, August 7 Adelaide, at Her Majesty's Theatre from Thursday, September 8 Cruel Intentions: The 90s Musical will tour Australia between May–September. For more information, and to buy tickets now for the Melbourne and Sydney seasons — and to join the waitlist for Brisbane and Adelaide tickets, which'll go on sale from Tuesday, March 29 — head to the musical's website.
It's television's greatest tragedy, and one that's been more than a decade in the making. Watching Better Call Saul, it's impossible not to think about the route its protagonist takes through Breaking Bad. We already know how Saul Goodman's (Bob Odenkirk) story ends, so as we explore his pre-Walter White life — when he was known by his birth name of Jimmy McGill and genuinely wanted to be a legitimate lawyer — the feeling is bittersweet, to say the least. The same sensation applies to former cop Mike Ehrmantrout (Jonathan Banks), whose Breaking Bad fate is also already known. Before getting caught up with Gus Fring (Giancarlo Esposito), he first crossed Jimmy's path as a car park attendant at the Albuquerque court house — and Better Call Saul tells his tale as much as its namesake's For four seasons since 2015, the Breaking Bad prequel has stepped through the earlier existence of these two characters, as well as others in their orbit — such as Jimmy's successful older brother Chuck (Michael McKean), his girlfriend and fellow lawyer Kim Wexler (Rhea Seehorn), and Mike's widowed daughter-in-law Stacey (Kerry Condon) and granddaughter Kaylee (Abigail Zoe Lewis). As the episodes pass, the two central figures slowly start inching towards their Breaking Bad lives. Familiar faces, such as Fring and Hector Salamanca (Mark Margolis) also pop up. The result: a series that's as excellent as its predecessor, and one that provides another excuse to spend more time in Breaking Bad's world. After last airing episodes in 2018, it's returning for a fifth season this year — and if you can't wait until February 24 to see what comes next, a pair of sneak peeks have dropped. The teasers are incredibly brief, as proved the case when glimpses of 2019's El Camino — A Breaking Bad Movie first started releasing. Still, they show what we all knew was coming: that Jimmy McGill is slipping further away — and Saul Goodman is emerging. Check out the teasers below: https://www.youtube.com/watch?v=ULZVGONrfuw&feature=youtu.be https://www.youtube.com/watch?v=XqopNXmg3x0 Better Call Saul's fifth season starts streaming on Stan from Monday, February 24.
You've watched your way through every episode of Stranger Things to date, including the just-dropped first part of the show's fourth season. Thanks to your latest binge, you've now got Kate Bush's 'Running Up That Hill' stuck in your brain permanently, too. You've eaten a demogorgon burger, seen an Upside Down rift open up in Bondi and played Netflix's Stranger Things mobile game as well. Yes, there's no shortage of ways to indulge your love for the 80's-set streaming hit — but only one involves both singing and laughing. Stranger Things is heading to the stage — well, Stranger Sings! The Parody Musical is, to be exact. Because every popular TV show and movie seems to tread the boards eventually, whether in a serious (Back to the Future, Moulin Rouge!, Amelie) or satirical (Friends, Shrek, The Simpsons) guise, everyone's favourite tale about kids fighting monsters in Hawkins, Indiana has also made that leap. Even better: it is now venturing Down Under for the first time. Already an award-winner in the US, where it picked up seven 2021 BroadwayWorld Off-Broadway Awards — including Best New Musical (Off-Broadway) — Stranger Sings! The Parody Musical retells the tale we all already know, but on-stage, with amusing songs and while making fun of the whole thing. So, you'll be watching Mike, Eleven, Dustin, Lucas and the rest of the Hawkins gang navigate the wild antics that've made their town the worst place to grow up in since Buffy the Vampire Slayer's Sunnydale, and both tapping your toes to tunes and giggling along. Obviously, creepy creatures are a feature — singing and dancing ones, in fact. And, so are pop-culture references aplenty, big hair, throwback fashions, a synth-heavy soundtrack and possibly justice for Barb. Penned by Jonathan Hogue — book, music, lyrics and all — Stranger Sings! The Parody Musical will make its Australian debut thanks to Melbourne's Salty Theatre, with co-founders Ashley Taylor Tickell directing and Sarahlouise Younger assisting. So far, only dates for the Victorian capital have been announced — so lock November 3–19 in your diary, and get ready to hear a song-filled account of Hawkins' weirdness at Meat Market Melbourne. Tickets aren't yet on sale, but you can sign up to be notified when they do at the production's Australian website Fingers crossed that Stranger Sings! The Parody Musical eventually brings the Upside Down to other Aussie cities, obviously. Stranger Sings! The Parody Musical will play Meat Market Melbourne from November 3–19, 2022. For more information, or to sign up to be notified about tickets, head to the production's Australian website. Images: Bruce Glikas / Danny Hildago.
Addams Family fans, it's time to get a witch's shawl on and a broomstick you can crawl on, because Netflix — and Tim Burton — are gonna pay a call on popular culture's most famous supernatural brood. Come November, the streaming platform will release Wednesday, the high school-set series about the eerie family's teenage daughter. And, in a way, there's more than one Wednesday on offer. To answer the obvious question, yes, the show will drop on a Wednesday: Wednesday, November 23, in fact. To answer your next two queries, yes, Christina Ricci is among the cast — but no, she isn't playing the titular role, because that honour goes to Jenna Ortega. Ortega is having quite the year, especially when it comes to horror. This new take on The Addams Family follows her roles in Scream, Studio 666 and X already in 2022. When she shares the screen with Ricci, as seen in the just-dropped new Wednesday trailer, the latter plays Nevermore Academy teacher Marilyn Thornill. As also shown in the initial teaser trailer from back in August, Wednesday obviously focuses on its namesake — aka the Addams' eldest child, who plenty of teenage girls with long black hair have been compared to for decades. Wednesday is indeed a teen in the new series, and she has been terrorising her way through schools, hopping through eight of them in five years. Now she's ended up at Nevermore Academy, where her mother introduces her with an apology: "please excuse Wednesday, she's allergic to colour". Morticia (Catherine Zeta-Jones, Prodigal Son) actually met Gomez (Luis Guzmán, Hightown) at the school, and they think that she'll love it — but clearly Wednesday's storyline isn't going to be that straightforward. While she's there, she'll have a monstrous killing spree to stop, and a supernatural mystery linked to her parents a quarter-century ago to solve. Sleuthing, high-school antics and all things Addams Family: that's the spell that Wednesday plans to cast. Also part of the series, as seen in the sneak peeks so far: a creepy, kooky, mysterious and spooky vibe, as befitting a family that has been around for 84 years now, and just keeps scampering around screens big and small like a mischievous severed limb. Wednesday treads in huge footsteps, given that this isn't the first time that The Addams Family has made the leap from a beloved cartoon in The New Yorker to the screen. The 1960s TV series is a gem of the era, and 1991's live-action film The Addams Family and its 1993 sequel Addams Family Values — starring Ricci as Wednesday — are two of the best movies of that decade. (The less said about the recent animated flick and its own follow-up, however, the better.) In Burton, the show boasts a director who could easily be one of the altogether-ooky crew's long-lost relatives, and has spent his entire career channelling their gothic aesthetic. In fact, the trailers look like Burton is filtering his Frankenweenie, Beetlejuice and Edward Scissorhands vibes through Miss Peregrine's Home for Peculiar Children — so, it looks exactly like a Tim Burton-directed version of The Addams Family was always going to. Netflix's eight-part series also stars Isaac Ordonez (A Wrinkle in Time) as Pugsley and George Burcea (Comrade Detective) as Lurch, while Game of Thrones' Gwendoline Christie is also set to pop up. And, in the latest trailer, the new Uncle Fester is revealed — as played by Fred Armisen (Los Espookys). Check out the full trailer for Wednesday below: Wednesday will stream via Netflix from Wednesday, November 23. Images: Courtesy of Netflix © 2022.
This year hasn't been great for anyone; however, if you're a Parks and Recreation fan, a few tiny slivers of happiness have poked through. First, the Amy Poehler and Nick Offerman-hosted crafting series Making It finally hit screens Down Under. Then, the entire Parks and Rec main cast reunited for a one-off, COVID-19-related new episode. And now, Making It is returning for a second season. Premiering in the US in 2018 but only airing its first season on Australian screens via Foxtel earlier in 2020, Making It sees Poehler and Offerman them step into the competitive reality TV show realm. That domain isn't for everyone, but even if you usually completely abhor the genre, its manufactured dramas and its saturation across the small screen, you'll be smiling heartily at Poehler and Offerman's kind-hearted, extremely likeable and all-round nice show. Focusing on DIY crafting, and celebrating both great craftsmanship and genuine camaraderie, it's basically Project Runway — but hosted by Leslie Knope and Ron Swanson. With Poehler and Offerman leading the charge, it's warm-natured, filled with crafting puns and other gags, and showcases folks trying to do their best, helping each other and enjoying themselves. Basically, it's the feel-good, light-hearted viewing we could all use at the moment. And, when there's a stereotypical moment of heightened tension, it's because Making It is overtly making fun of reality TV's usual theatrics. When you're not watching Poehler and Offerman hang out in a tiny house — yes, really — viewers can soak in the talents of contestants who happen to be handy with a glue gun, great at woodworking, skilled at working with felt and other such crafty endeavours. The competitors complete two tasks per episode, with one person sent home at the end of each episode. The last person standing at the end of the season is crowned the show's 'Master Maker' and wins $100,000. If you watched the first batch of episodes and instantly wanted more, Making It's eight-episode second season will start streaming via Binge from Friday, July 31, with new episodes dropping weekly — and, like season one, this is a case of better late than never. Expect the show's contestants whip up everything from mailboxes and costumes to holiday wreaths and pet homes, and to laugh quite often at Poehler and Offerman's jokes. While the star duo do the hosting — and do it well, naturally, even picking up an Emmy nomination for their efforts — the judging falls to Etsy trend expert Dayna Isom Johnson and window-dresser and fashion commentator Simon Doonan. Check out the second season trailer below: https://www.youtube.com/watch?v=NhWFiFfrbY0 Making It's second season will be available to stream via Binge from Friday, July 31, with new episodes dropping weekly. Top image: Making It.
There's a reason that ramen is one of Japan's most famous culinary creations. With its steaming, flavoursome broth, slender noodles and servings of thinly sliced pork — if you're keeping things traditional — it's a tasty, hearty dish that aficionados could easily eat each and every day. While slurping down a bowl like you're under doctor's orders may seem like a foodie fantasy, one one particular restaurant wants to make that all-ramen, all-the-time dream a reality. Behold, the ramen subscription service. At Tokyo's Yaro Ramen from November 1, patrons can fork out a flat monthly fee, visit a store daily and get their fix. Yes, it's really that simple — and, it's also ridiculously affordable. Launched as part of the brand's new app, the subscription feature costs 8,600 yen, or less than AU$100. A bowl of regular tonkotsu ramen usually costs 780 yen, or around AU$9, so signing up for a daily bowl pays off pretty quickly. Ramen lovers can choose between three different types, including one that comes sans broth if you're just in the mood for meat, veggies and noodles, from 15 different locations around the city. Other than needing to be in Tokyo to take advantage of the service, you do have to be fall between the ages of 18 and 38 to quality, in a deal targeted towards students and singles. Coming hot on the heels of the country's new unlimited road trip pass for visiting travellers, you now have yet another reason to head to Japan — and, if you're jet-setting on a budget, your next holiday just got a whole lot cheaper. Via Japan Today.
What is the one thing better than something excellent? Two excellent things merged into something incredible. That is the beauty of the mash-up, providing the best of both worlds inside a brand new world. We should all say a deafening thank you to all those inspired enough to say 'por qué no las dos' when confronted by the dilemma of choice, who create something ingenious for us all to enjoy. Now, inspired by Red Bull Flying Bach's (think Bach meets breakdancing) forthcoming tour of Australia, we've gathered the top ten mash-ups of anything ever for you. Some you may be pretty familiar with; others may blow your mind. BRUNCH When someone suggests brunch, I get exactly this excited. While this list is not hierarchical, brunch is the greatest mash-up ever. Combining the best elements of breakfast (the food) and the temporal qualities of lunch (that it isn't early), there is no greater meal in culinary history. Brinner deserves an honourable mention here, but given brunch's ability to cure any hangover and save your Sunday, it has to win, hands down. Whoever decided to put the likes of pancakes, bacon and a cheeky bowl of Coco Pops on the menu after a much-deserved sleep-in deserves all of the Nobel prizes. https://youtube.com/watch?v=yfG94k41MrI GIRL TALK When most people think of a mash-up, their brain takes them to the musical kind. In fact googling 'mash-up' returns page after page of remixes. Some are awful, others aren't too bad, and then there are those that excel, and they are made by artists such as Girl Talk. Having sampled songs for over a decade, Girl Talk (otherwise known as Gregg Michael Gillis) knows what he is doing, seamlessly blending around a dozen songs per track into his own musical masterpiece. While hip-hop in the 1970s brought sampling to the fore, artists such as Girl Talk really laid the foundation for the modern mash-up, allowing songs that shouldn't belong together to fuse perfectly into songs such as this. RED BULL FLYING BACH This is a serious clash of cultures, a performance where Bach meets breakdancing and produces brilliance that "turns the international classical world upside down". It is really no surprise it has been so successful; it features music from arguably the greatest composer of all time (who happens to be German) expressed physically by four-times breakdancing world champions Flying Steps (also German). No coincidence, just a collaboration that shatters the suggestion that breakdancing and Bach don't blend and thrusts the cohesion of the classic and the contemporary into the present. The best part? It's coming to Australia, visiting Sydney September 10-12, Brisbane on September 24-26 before heading south to run in Melbourne from October 1-4, so grab your tickets now. SLAMBALL In a nutshell, Slamball is basketball that includes full contact and, most importantly, TRAMAMPOLINES! That's right, while the court remains much the same dimensions as a regular basketball court and retains a hoop at either end, there are also four trampolines at either end of the court for players to gain as much air as possible to dunk spectacularly. Dunking (or 'slamming' in Slamball) is pretty crucial as it scores three points compared to your usual two for non-dunks inside the arc. (You still get three-points shooting from deep as per normal basketball.) I don't know about you but I'm asking my local council to install some trampolines at my local court. Check out some Slamball highlights here. GLAMPING For those not in the know, glamping is glamour camping. It's just like camping, only comfortable, warm and something you want to do regularly. Still trying to paint a picture in your mind? Just imagine that you are in your bed, only the roof is now a nice canvas and you can hear the soothing sounds of nature right on your doorstep. Glamping has taken off in the last few years across the nation as it's removed almost all of the reasons that people use to avoid camping. It's basically an alfresco hotel and no matter where you are there's bound to be a five-star tent pitched nearby. HIP HOP SHAKESPEARE Bach is just a baby compared to old man Will. Joining Red Bull Flying Bach in the classic-meets-contemporary mash-ups are hip hop 'ad-rap-tations' of Shakespeare's classics. It's a perfect fit. After all, Shakespeare was the original lyricist and excellent at smack-talking: "A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-liver'd, action-taking, whoreson, glass-gazing, superserviceable, finical rogue; 1090 one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel bitch; one whom I will beat into clamorous whining, if thou deny the least syllable of thy addition." Building on this wit and transforming it into modern urban classics are troupes such as the Q Brothers, whose Othello: The Remix is about an artist who rises out of the ghetto and wins the respect of the music industry, only be taken down by hip hop purist Iago. SWISS ARMY KNIFE The ultimate mash-up, the Swiss Army Knife is a must-have for general life. Need a knife? Done. Need a screwdriver? Done. Need a corkscrew? Done. Need a warm hug at night? I'm sure it can find a way to do that too, because they can do just about anything. If you don't have one and are now scrambling out the door to buy one (which you can do once you've finished reading this article all the way to the end), then spend the extra cash on a good one that will last as it could end up saving your life. TURDUCKEN A turducken is a deboned chicken stuffed inside a deboned duck, which is then stuffed inside a deboned turkey, which is then stuffed in the oven, cooked and then stuffed into your mouth with absolutely no regrets. Whether you know it as a turducken or a chuckey, this is something that you must try if you enjoy these three birds. Apologies to our vegetarian friends out there, but this really is delicious. If you're really into your meats, you can also wrap bacon around your turducken, but have 000 pre-dialled into your phone just in case you pop. CHESS BOXING If you laughed at the concept of chess boxing, then I don't blame you. It may sound absurd, but once you actually watch a match, you realise the mental and physical strength needed to take part and find yourself having a lot of respect for those who can cop a barrage of punches and then sit down and play chess so well. They do this for 11 alternating rounds of chess then boxing, for a total of six chess rounds and five in the ring. Victory either comes in the form of a knockout or checkmate. (PS Okay, after watching more matches this sport is ridiculous. The players wear headphones while playing the chess rounds in order to not hear the live chess commentary. I find this sport dreadful and yet feel weirdly compelled to play.) THE MEAN GIRLS OF EUROPEAN HISTORY Finally, we have arguably the greatest (and possibly only) Tumblr mashing up the classic Lindsay Lohan film Mean Girls with European history to create The Mean Girls of European History. Words are useless here, just visit the blog and soak in all of it's uncannily appropriate use of Mean Girls quotes and accept that it may have won the internet.
Have you ever wondered how Concrete Playground articles comes to life? It's not quite as glamorous nor thrilling as TV shows such as The Bold Type and Succession make out, but, hey, indulge us for a second. Of course, most of the time we're writing about exciting and important things happening in the city right now. We keep an eye on breaking news — and what our readers are enjoying reading — and go from there. Every now and again we start off just by knowing we want to use certain imagery. And sometimes, ideas for articles come from somewhere completely random — like passing conversations with colleagues and mates. That's right boss, sometimes shooting the shit pays off. "I was looking back at some of our past articles with illustrations and it became clear that commissioned artwork can really lift a piece of content," says Concrete Playground staff writer Ben Hansen. "Later, I was having a conversation with a colleague about surf 'n' turf and wondering where the idea for the RSL staple came from. Knowing I wanted to do something fun with illustrations, a deep dive into the origins of much-loved dishes and drinks sort of just fit." And so Ben came up with a plan to up our illustrated article game whereby cartoons came first and concept came (sort of) second. Why? Well, why the hell not. The result: Seven Highly Entertaining Stories Behind Some of Australia's Most Loved Dishes and Drinks. THE BACKSTORY Before the fun fact-filled, beautifully illustrated article graced our homepage, Ben had a bit of work cut out for him. After he figured out the overarching idea, he had to decide what food and drinks to include. Luckily, we have a pretty good idea here at CP. For instance, we've had some luck with doughnut stories in the past, we know many Sydneysiders have heated debates over who does the best bahn mi in town and our readers go wild for bottomless espresso martini brunches. And, of course, the food-obsessed CP editors had some suggestions: footy fan Ellen Seah suggested the almighty Four'n Twenty pie and Cordelia Williamson threw in the prawn cocktail because of its retro pool party-vibes. It was looking good, the bread and butter was sorted. But there was one hold up, which was the fact that CP doesn't have an in-house illustrator. Considering this conquest all began with Ben wanting to level up our illustrated content game, he needed to find a freelancer — and fast. So, who ya gonna call? Ghostbusters Fiverr. For those not in the know, Fiverr is a freelance marketplace that connects you with experts from a range of disciplines — and we were in search of an A-class digital doodler. "The advantage of Fiverr is its huge database of freelancers, so you can find someone with your required skill set easily and quickly." After doing some digging, Ben put together a shortlist of illustrators and reached out to them. Most responded within about 30 minutes or, as Ben puts it, "almost too quickly". Once he had nailed down the talented asu_ad, based in Italy, as the chosen one, Ben says it was smooth sailing from there — and that "collaborating with an illustrator through Fiverr gave us the opportunity to flex our creativity". THE TAKEAWAY All up, the article took about a week to come together, with Ben describing the experience as "pretty seamless". He continues: "Fiverr made it simple to communicate with the illustrator, from briefing and commissioning to feedback and then receiving the final illustrations." He also mentioned Fiverr's integrated messaging system was a cinch to use, particularly as you can upload any file type. "It's also pretty affordable." Ben also shared some hot tips: "Just check your finances before you commit. We made the assumption that our chosen illustrator's rates were in AUD, when they were actually USD. And also be sure to factor in Fiverr's service fees, too." The good news? With basically no feedback on initial illustrations, and a tasty-looking end product, it was all worth it. With experts in everything from social media marketing, SEO services and website design to illustration, music and audio, and video and animation, Fiverr is a one-stop spot for when you need to outsource some work. "If there's a skill set you — or your team — don't have, then Fiverr makes it easy to find someone to fill that gap," says Ben. In our case, it was great to have so many illustrators at our fingertips. And the result was better than we expected. So, watch this space (AKA our website) for more illustration-packed articles in the future. Have your own booming side hustle or small business and need a task done stat? Check out the Fiverr website and connect with freelancers around the world, all just a click away. Want more? See how two Aussie businesses — The Dough Co and The Zythologist — used Fiverr to give their side hustles a leg up. Images: asu_ad
The future is officially here, and the subject of many-a sci-fi novel and the dream of every comic book geek is set to become a mass-produceable reality. Google have been the brains and big bucks behind this astounding innovation, with the company's founder Sergey Brin stating that "you can count on one hand the number of years until ordinary people can experience this." This story has been doing the rounds on social media in the recent weeks following California governor Jerry Brown's signing of SB1298, a law which makes driverless cars legal in the state of California. While the project is still in the prototype stage, Google's driverless cars have now done more than 300,000 miles of travel without incident, which at this stage makes them statistically safer than normal automobiles. According to Brin, driverless cars will revolutionise the way we travel and commute. Anyone, and they mean anyone, can "drive" Google's driverless cars, with the elderly, the young, the blind and perhaps most significantly the intoxicated all capable of operating the self-driving car. Similarly, traffic could become a thing of the past if we are to believe Brin's analysis. "Why does the congestion happen to begin with? The fact is that on a normally operating highway, cars take up a very small fraction of the space. Mostly it's just air between you the the car in front of you, to the sides of you, and so forth. Self-driving cars can actually 'chain together' and use the highways more efficiently, potentially eradicating congestion" he said. While the image of thousands of cars roaring down the highway "chained together" does really like sound something out of a Ridley Scott film, Google are confident this image could become a reality in the coming years. The big question for most people in the advent of self-driving cars has been one of safety. Can we trust these things or are we looking at some sort of Matrix-style revolution where artificial intelligence takes over the world? In terms of accidents, so far so good. The only significant accident involving a self-driving car occurred when a driver was operating the car in manual mode. Google as well has stated that self-driving cars will never run a red light and so we are close to reaching a point where driverless cars may not only be the most ultra-modern driving experience but also the safest. While there are a long list of "what ifs" Google are still trying to iron out and overcome, if you are hoping to turn your Prius into something worthy of a James Bond film, have a look at this video to see what the ever-closer future will look like.
A Sydney Road fashion institution, Dejour Jeans has been kicking on for close to three decades, winning over scores of stylish Melburnians with its blissfully budget-friendly denim creations. Not only does the store stock a mind-blowing collection of jeans, but it also offers on-site alterations, ensuring perfectly fitted duds every time. Avoid the often crazy weekend crowds and opt for a midweek sartorial fix instead — you'll select a favourite style and colour from the shelves, have the pair tailored while you duck down the street for a coffee, and walk away with some fab new denim for just $60.
There comes a point in everyone's life when they realise Ikea just ain't cutting it anymore. Luckily Melburnians have Muji to turn to. With their two Australian stores situated at Emporium and Chadstone, Muji are a slick quality Japanese alternative to the cheap flat packs and super-breakable wine glasses of the ever-present Swedish megastore. Stocking a curated selection of furniture, homewares and even clothing, Muji is all about simplicity, efficiency and minimalism. It'll set you back a bit more coin than similar styles of stores but the quality really speaks for itself. Muji is also located at Chadstone Shopping Centre, 1341 Dandenong Road, Chadstone.
Footy, drinking VB and not understanding the importance of moisturiser does not maketh a man in this modern day and age. But if not, what does it mean to be a gentleman, post millennium? This Saturday's Festival of Steve, held at the usually members only Kelvin Club, attempts to shed some light by presenting a number of modern men, equipped with skills, talents and most importantly, a willingness to share, all with the aim of helping confused gents everywhere feel a little more comfortable talking feminism and fancy liquor. Comedian, writer for The Tonight Show, performer of One Man Debate and self-proclaimed feminist Simon Taylor will be holding court, billiard pro Kelvin Small (who knows his way around a pool cue) will be giving lessons on how to be more impressive around a pool table, Bar Americano's head mixologist Hayden Lambert will offer tips on how to whip up something a little fancy via the liquor cabinet and Embiggen Books will showcase a carefully curated collection of books (because everybody knows reading is far sexier than football). Image courtesy of Simon Taylor.
Nineties kids, Disney fans and everyone who's ever cried over a lion cub that just couldn't wait to be king, it's time to climb onto a rock and yell your lungs out. The circle of life has struck again, and The Lion King is back. It's in live-action form this time around, and another new teaser for the movie has just dropped. While it's not the first teaser or trailer to drop — we've been blessed with not one, not two, but three already — this time we finally get to hear Nala voiced by Queen Bey herself. Yep, if you didn't already know, Beyoncé Knowles-Carter will be voicing Nala, while Donald Glover is Simba and James Earl Jones is his dad. Other big names attached include Chiwetel Ejiofor as Scar, John Oliver as Zazu, and Billy Eichner and Seth Rogen as Timon and Pumbaa. Elton John is back working on the soundtrack with Tim Rice, as they both did on the first film. They'll reportedly have some help from Beyoncé, naturally, while The Jungle Book's Jon Favreau is in the director's chair for the entire production. If you're anxious about how it might turn out, it's worth taking Timon and Pumbaa's advice at this early stage — although this initial look should help get rid of your worries for the rest of your days. Here's the new teaser with Beyoncé as Nala: https://youtu.be/CQCUnDjYn50 The Lion King hits Australian cinemas on July 17, 2019.
A fun-loving new contender has crashed Melbourne's pastry scene and it's out to woo the sweet-toothed masses with its plant-based treats, party-ready attitude and late-night hours. Fittingly dubbed Weirdoughs, the CBD spot has quite the crew behind it, marking a collaboration between the co-founders of legendary vegan fast food joint Lord of The Fries, Mark Koronczyk, Amanda Walker and Sam Koronczyk, and the two brothers — Mark and Attil Filippelli — who brought you fellow plant-based heroes Matcha Mylkbar and Mark & Vinny's. One-hundred-percent vegan, with a clear appetite for fun, Weirdoughs has set up shop on Flinders Lane, its fit-out of psychedelic colours and novelty mirrors heralding good times every day. The store's even open until the wee hours on Fridays and Saturdays, with DJs serving up a sparkly mix of hip hop and electronica to match. Here, the pastries are all about teaming traditional technique with innovative flair. The kitchen, helmed by former Vue Group Executive Pastry Chef Kane Neal, is out to smash those preconceptions and prove that butter's no longer a necessity for flavour-packed baked goods. It's swapping out the dairy for a special blend of cashew, macadamia and coconut oil. By day, expect a selection of sweet and savoury creations, like a custard 'Weirdoughnut', oozing golden turmeric custard and smothered in rhubarb sherbet sugar, a cube-shaped take on the croissant and even an all-vegan version of the humble ham and cheese croissant. Meanwhile, catering to Melbourne's weirdest and most wonderful late-night cravings, Weirdough's After Dark menu features left-field bites like an Aperol spritz doughnut with champagne custard, blood orange sugar and popping candy, and a rotation of 'Weird-I-Screams', that'll see croissant cones filled with some very unlikely flavours. The drinks list is equally unapologetic, with the likes of flavoured chais, fudgy cacao hot chocolates infused with peanut butter, and a special St Ali coffee blend designed specifically for dairy-free milk. Find Weirdoughs at 241 Flinders Lane, Melbourne from November 14. It's open 7am–4pm Monday to Friday and 8am–2pm Saturday and Sunday. Weirdoughs After Dark is open from sunset till late on Friday and Saturday. Images: Kate Shanasy.
Beau is afraid. Beau is anxious. Beau is alone. Beau is alive. Any of these three-word sentences would make a fitting name for Ari Aster's third feature, which sees its titular middle-aged figure not just worry about anything and everything, but watch his fears come true, concerns amplify and alienation grow — and then some. And, in the Hereditary and Midsommar filmmaker's reliably dread-inducing hands, no matter whether Beau (Joaquin Phoenix, C'mon C'mon) is wallowing in his apartment solo, being welcomed into someone else's family or stumbling upon a travelling theatre troupe in the woods, he knows that he's truly on his own in this strange, sad, surreal and savage world, too. More than that, he's well-aware that this is what life is inescapably like for all of us, regardless of how routine, chaotic or grand our individual journeys from emerging out of our mother's womb to sinking into death's eternal waters happen to prove. Aster has opted for Beau Is Afraid as a moniker, with this horror-meets-tragicomedy mind-bender a filmic ode to existential alarm — and, more than that, a picture that turns catastrophising into a feature. Psychiatrists will have a field day; however, experiencing the latest in the writer/director's growing line of guilt-dripping celluloid nightmares, so should viewers in general. Even with Chilean The Wolf House helmers Cristóbal León and Joaquin Cosiña lending their help to the three-hour movie's midsection, where animation adds another dreamlike dimension to a picture book-style play within an already fantastical-leaning flick frequently running on dream logic, Aster embraces his favourite deranged terrain again. He makes bold choices, doesn't think twice about challenging himself and his audience, elicits a stunning lead performance and dances with retina-searing imagery, all while pondering inherited trauma, the emotional ties that bind and the malevolence that comes with dependence. Death, the bonds of blood, life's onslaught of damage, long-kept secrets, wild and weird groups, odd rituals, unnerving altercations: yes, they're all present and accounted for in Beau Is Afraid as well; yes, this is unshakeably and unmistakably an Aster joint. When he slides into suburbia in the second act, he also gets as Lynchian as he ever has — that Beau Is Afraid springs from a ravenous mind fed a diet of Eraserhead, Twin Peaks and Inland Empire isn't in doubt long before Mariah Carey's earworm 'Always Be My Baby' scores a Blue Velvet-esque spin. Charlie Kaufman's Synecdoche, New York and Anomalisa, Darren Aronofsky's mother!, Richard Kelly's Southland Tales: they're equally among this movie's melange of peers, ambitious and impressive company that offers a litmus test for viewers. Swimming through someone else's mindscape is never easy, after all, and doesn't Aster love sharing that feeling. Beau Wassermann is an average Joe with a rundown flat in a dilapidated neighbourhood, his therapist (Stephen McKinley Henderson, Causeway) on speed dial, and O'Loha frozen dinners — an incredulous mix of Hawaiian and Irish cuisines — for sustenance. He's also the son of a wealthy and controlling businesswoman, Mona (played by American Horror Story's Patti LuPone, plus The Craft: Legacy director Zoe Lister-Jones in flashbacks), another mainstay on his call list (Moviefone, the US number for obtaining cinema session information that's been defunct since 2014, is another). And, he's wracked with stress whenever he leaves his house, which doesn't seem that far-fetched given there's a nude killer dubbed 'Birthday Boy Stab Man' by the news on the loose. That said, after Beau Is Afraid shows its namesake's birth from his perspective, obligatory slap on the rear and all, then meets him nearing 50 and nervous about a trip home, he's just fretful all the time anyway. Thanks to an escalating series of unfortunate events — another string of words that could've doubled as Beau Is Afraid's title; Disappointment Blvd was the actual original moniker — the basis for that apprehension is similarly swiftly apparent. From the tiniest minutiae to the biggest change, Beau's existence keeps getting worse, then bleaker still, then even more grim and hopeless. He's prescribed anti-anxiety pills that he's told absolutely must be taken with water, but doesn't have any and his building's supply is shut off. When he sprints to the convenience store across the road, everyone on his crime-riddled street slips into his apartment and trashes it. Aster begins Beau's malaise in the everyday, but becomes hellish quickly, a pattern constantly repeated when he's hit by a van and taken in by the married Grace and Roger (Only Murders in the Building co-stars Amy Ryan and Nathan Lane), watches that aforementioned theatre production, reflects upon his time as a teenager (Armen Nahapetian, NCIS) on a cruise holiday falling for his first crush (Julia Antonelli, Outer Banks) and seeks answers about his father. In only his second on-screen role since winning an Oscar for Joker, Phoenix plays Beau with deeply internalised sorrow, so much so that spying his shoulders do anything but slump in the character's uniform of pyjamas seems like the most fanciful thing that could happen — and this is a movie overflowing with eccentric, imaginative and absurd touches. It's a fascinating performance, both vulnerable and primal at once, as situations exceeding Beau's foulest terrors keep bubbling. Crucially, whether Beau Is Afraid is in Freudian and Oedipal mode, or bringing Misery or Station Eleven or Lord of the Rings to mind in Aster's unceasingly distinctive way, or having its central figure wrestle naked in the bath, Phoenix is committed to the ride and to being the everyman. He's in an often bitingly funny black comedy as much as he's in a horror flick, and he's both game and empathetic as Beau overtly endeavours yet struggles to keep it together. Ideally, no one watching is discovering intruders perched above their baths and monsters in attics, but they'll always understand Beau's panic, shame, dismay and humiliation. Of course, when Aster gets amusing, it's in largely while getting so distressing that you really can only laugh, as Beau's mushrooming plight forever is. If every possible development in your life is always the most miserable, what else are you meant to do? That's Beau Is Afraid in a smart, dark, cerebral, gut-punching, hope-crushing, relatable, hilarious and horrific nutshell. Aster packs in humour wherever he can, though, demanding the utmost attention to his returning Hereditary and Midsommar cinematographer Pawel Pogorzelski's purposefully disorienting frames for slapstick silliness, dick jokes and brief flashes of background wordplay (Asstral Projection and Erection Injection are the names of the peepshows next to Beau's building, for instance). Beau is afraid of it all, and teeming with anxiety over it. He's alone in it all, but that's what being alive is. It'd be the film's biggest surprise if Aster wasn't chuckling — and having the ultimate fever dream.
In response to Melbourne's growing Holiday Inn COVID-19 cluster, the entire state of Victoria will enter a five-day lockdown from 11.59pm on Friday, February 12 until the same time on Wednesday, February 17. That means that stage four restrictions will be back in effect, and you'll only be able to leave your house for the now-familiar four reasons. Also returning: wearing compulsory face masks whenever you do leave home. Announcing the change today, Friday, February 12, Victorian Premier Daniel Andrews said that "this hyper-infectious variant is moving at hyper-speed", and that advice to return to lockdown and bring back masks came on the advice of public health experts. None of the reinstated rules are new to Melburnians, of course — but it's hoped that bringing them back for a "circuit-breaker action" will help stop the spread of cases linked to the current cluster. Mask-wise, you'll need to break out your fitted face coverings and wear them. Some mask requirements do currently exist — including wearing them in public indoor spaces, which has been back in effect since Wednesday, February 3 — but the requirements are now being beefed up even further. Once midnight hits tonight, the only place you won't need to pop a mask on is inside your own home. That said, you'll only be able to leave your house for essential work, shopping for things you need, exercise for two hours within five kilometres of your residence, and for care and caregiving — however, in each and every one of those situations, you'll have to mask up. You'll need to wear face masks both indoors and outside, too, unless you have an exemption. https://twitter.com/DanielAndrewsMP/status/1360050173355773953 While the present cases are linked to Melbourne, the mask rules — and the snap lockdown— apply statewide for the five-day period. The Premier will provide further details about what happens next before 11.59pm on Wednesday, February 17. If you're now wondering where to grab a fitted mask, we've put together a rundown of local companies making and selling them. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website.
A good night's sleep is one of life's pure joys and what better way is there to enhance your new year with a new set of bed sheets or a new mattress. Melbourne-designed Eva Mattress is here to help up your comfort level with its end-of-year Boxing Day sale. Think half-price sheets and hundreds of dollars off mattresses — and that's just the start. For its 13 day sale, running from 10am, Wednesday, December 23 until 10am, Tuesday, January 5, the local Aussie retailer is offering big end-of-year discounts. Expect $150 off its Eva mattress, $40 off the Eva pillow, $50 off Eva hemp linen and $50 off timber bed-frames. The award-winning mattress-in-a-box has been engineered as a hybrid, which means it combines the comfort of memory foam with the support of pocket springs. The memory foam pillow uses activated charcoal to keep you cool and dry throughout the night. The timber bed frame, winner of a 2020 Good Design Award, has been certified by the Forrest Stewardship Council meaning it's made from sustainably sourced timber. If you do spring for the mattress, sheets, pillow or bed frame, they come with a 120-night free trial, so you can be sure they'll help you get a good night sleep before you commit. All mattress orders come with free next-day delivery to metro areas and a 12-year warranty, ensuring you'll be sleeping pretty for years to come. Browse the store and pick up a discount. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
If you fancy prancing through fields laced with the charm of provincial France, forget about booking a flight and lock in some casual summer weekendery at So Frenchy So Chic instead. The ever-popular one-day French festival is doing the can-can back to Melbourne's Werribee Park Mansion on Sunday, January 15, 2023, and celebrating its 12th anniversary in the process. Expect an entire afternoon of French-inspired niceties, including gourmet picnic hampers, très bon tartlets and terrines, and supremely good wine — all set to a blissed-out French soundtrack. So Frenchy hinges on an eclectic lineup of artists, both embracing the classic sonic stylings of France and showcasing top-notch French talent. Heading the 2023 bill is the 60s-accented pop sounds of Pi Ja Ma, award-winning singer-songwriter Rover and French festival favourite Kalika, as well as the fiery tunes and huge stage presence of globally-renowned artist Suzane. As always, the wine and food will be flowing just as easily, starring an abundance of bubbly courtesy of Champagne Lanson, one of France's oldest champagne houses. In Melbourne, Frederic Bistro, Milk The Cow and L'Hôtel Gitan will be putting together top-notch picnic hampers. If you're more of a mix-and-match kind of picnicker, you'll also find a huge array of food stalls slinging all the chic essentials — think, oysters, lobster rolls, croque monsieurs, cassoulet, crêpes and cheese upon cheese. And of course, there'll be plenty of French beer, cocktails and wines, too. There's a limited number of Premiere Pique-Nique group tickets for crews of 10 ($205), while regular early bird tickets are now on sale for $79.40 a pop. Images: Liz Sunshine and Tekni.
