Whether he's co-writing and starring in sketch comedies, directing two of the best horror films of the past few years, producing an Oscar-nominee or reviving a science-fiction classic, Jordan Peele has amassed an impressive resume. So, whenever he adds a new project to the lengthy list, it's worth paying attention. After Key & Peele, Get Out, Us and The Twilight Zone — and producing BlacKkKlansman, too — he's now lending executive producing skills to upcoming Amazon Prime Video series Hunters. It stars Al Pacino, it's about hunting down Nazis in the 70s, and it has just dropped its first impressive teaser trailer. Pacino plays Meyer Offerman, the leader of a group of Nazi hunters who are intent on stopping a Fourth Reich taking hold in America. They've discovered that hundreds of escaped Nazis are not only living in the US, but have genocidal plans — and Offerman and his vigilante pals plan to thwart this conspiracy by any means necessary. Expect violence, tensions, action, thrills, and a fight between good and evil that's inspired by real events. Not just calling out oppression, injustice and hatred, but tackling it through film and television is firmly in Peele's wheelhouse, as his filmography shows. Accordingly, Hunters slots in nicely, with a ten-episode first season due to drop at a yet-to-be-announced date in 2020. Fresh from his excellent turn in The Irishman — his first collaboration with Martin Scorsese, somehow — Pacino is in less theatrical, more nuanced mode here. He's also joined by a well-known roster of co-stars, which includes Logan Lerman (The Perks of Being a Wallflower), Carol Kane (Unbreakable Kimmy Schmidt), Josh Radnor (How I Met Your Mother), Lena Olin (Vinyl) and Australian actress Kate Mulvany (Lambs of God) as a kick-ass nun. Check out the first teaser trailer for Hunters below: https://www.youtube.com/watch?v=hYxTHcoRpNo Hunters will hit Amazon Prime Video in 2020 — we'll update you when an exact release date has been announced.
One of South Melbourne's most iconic food celebrations is back for a big weekend of music and molluscs, as the Port Phillip Mussel & Jazz Festival returns to its home at the South Melbourne Market. On Saturday, March 12, and Sunday, March 13, the precinct comes alive for a food-focused, tune-filled street party, with the humble mussel as star of the show. Seafood-lovers will find themselves in heaven, feasting their way through a host of special dishes from resident vendors including Bambu, Claypots Evening Star, Simply Spanish and Little Hof. Plus, catch all the usual market favourites slinging fine cheese, porchetta rolls and everything in between. Chef and presenter Tim Hollands will be sharing his seafood secrets — and a few cheeky giveaways — at a series of cooking demos. The market's even teamed up with The Nature Conservancy to deliver the Shuck Don't Chuck recycling program — mussel, oyster and scallop shells from the weekend's feasting will be collected, cured and used to rebuild ecosystems in the bay. As always, there'll also be plenty of fresh catches when it comes to the entertainment — enjoy soul and jazz tunes from acts like Django Rhythm, Gatsby Swing and The Treblettes. [caption id="attachment_844651" align="alignnone" width="1920"] South Melbourne Market[/caption]
Godzilla might loom over a hotel and cinema complex in Tokyo, and Studio Ghibli might be one of the happiest places in the country; however there's more to Japanese filmmaking than giant lizards and heartwarming animation. To demonstrate that fact, every year the Japanese Film Festival rounds up a diverse array of the nation's latest movies, sends them Australia's way and tours the country. Running this November and December in Sydney and Melbourne, this year's festival couldn't make that case with a more eclectic range of offerings, with everything from historical martial arts epics to creepy murder mysteries to cats — always cats — on the lineup. Picking just one flick to see from is always a struggle, so we're here to help. Add these six to your must-see list, pair your movie with a bowl of ramen, and you're in for quite the Japanese feast. https://www.youtube.com/watch?v=6dxKD1bhf4Y SNOW WOMAN Japan might be known for thrilling fare that American filmmakers can't stop remaking, but this interpretation of ghostly folklore isn't your usual J-horror affair. Moody, purposeful and graceful with its deliberate pacing, non-linear narrative and black-and-white imagery, Snow Woman tells of a hunter's altercation with a mysterious spirit, his promise to never breathe a word and the identical-looking beauty who soon arrives in his village. He's entranced, they're entranced — and so will everyone watching director Kiki Sugino's hypnotic film. https://www.youtube.com/watch?v=jiUFEm55DLg BEFORE WE VANISH From directing Japanese horror effort Pulse, to helming Cannes prize-winning ghostly romance Journey to the Shore, filmmaker Kiyoshi Kurosawa might be drawn to haunting stories — but he never makes the same film twice. After last year's one-two punch of bad neighbour flick Creepy and French-set Gothic tale Daguerrotype, he's tussling with aliens in Before We Vanish. In this invasion-focused movie, no one actually notices the extra-terrestrials gathering information while hiding out among humanity, in a They Live-like concept that speaks to the busy, self-absorbed nature of modern life. https://www.youtube.com/watch?v=uQYrbqO0d48 HER LOVE BOILS BATHWATER Of the plethora of flicks Japan could've chosen to represent the country at next year's Oscars, it went with Her Love Boils Bathwater. Whether it'll progress in the hotly contested best foreign-language film category is yet to be seen, but it's a moving contender — and a fine example of the nation's dramatic chops. At the centre of the movie sits a dying single mother trying to make sure her bullied adolescent daughter will be able to cope without her, and resurrecting her family's bathhouse in the process. Delicately handled, with both keen insights and warm humour oozing through, this isn't mere movie-of-the-week territory. https://www.youtube.com/watch?v=_lDMdzwMm6c NEKO ATSUME HOUSE How many hours have you spent playing the addictive cat collecting game that is Neko Atsume? There's only two answers: too many to count (for avid fans), or every waking moment from this point forward (for anyone just discovering this time-filler right now). Well, Neko Atsume House turns all that fun into a movie. Enough said, really; however if you want more details, it follows a struggling novelist who gets his groove back after not only encountering a cat, but subsequently transforming his backyard into the kind of space any kitty — plenty of kitties, in fact — would go crazy for. https://www.youtube.com/watch?v=tNtnTCAK5-w KISEKI - SOBITO OF THAT DAY Dentists by day, pop group by night — it sounds like something straight out of an offbeat, upbeat, larger-than-life movie, doesn't it? While the story of Japanese band GReeeeN has been turned into a flick in Kiseki - Sobito of That Day, it's actually a true story. Yes, really. The chart-toppers formed in dental school a decade ago, sung their way to success and managed to maintain their fame by doing something very dentist-like: not showing their faces in public. They say that truth is stranger than fiction, and this tale definitely proves that statement and then some. https://www.youtube.com/watch?v=kczb7IJJg0g IN THIS CORNER OF THE WORLD Think Japanese animation, and Studio Ghibli instantly comes to mind thanks to their gorgeous visuals, expert handling of story and emotion, and all-round enchanting vibe. In This Corner of the World isn't a Ghibli film, but saying that it feels like one really is the highest praise we can muster. Indeed, writer/director Sunao Katabuchi was an assistant director on Kiki's Delivery Service, however, his latest effort is all his own. Exploring the life of a teenager wed to a young naval clerk in Hiroshima, the World War II-set movie is as poetic as it is perceptive as it combines a coming-of-age tale with a personal account of times of combat. The 2017 Japanese Film Festival screens at Sydney's Event Cinemas George Street from November 16 to 26, and Melbourne's Hoyts Melbourne Central from November 23 to December 3. For more information and to buy tickets, visit the festival website.
You've forsaken smashed avocados, saved all your cash and somehow have enough money to purchase your own property — and, naturally, you want to make the transaction count. May we suggest a 16th-century British cottage that's been dubbed the most haunted house in the UK? Anyone can buy an apartment in the suburbs, but only one person can nab a notorious spot that was once a medieval witch prison. Located in St Osyth in Essex, the property in question is known as The Cage. Back in the late 1500s, it was used to house 13 women accused of witchcraft while they were awaiting trial. Three were ultimately sentenced to death by hanging, including the infamous Ursula Kemp — a midwife and healer who came under suspicion after people in her neighbourhood, including children, became sick and died. That's not the end of The Cage's unnerving story. In the years until 1908, the house was also used to detain men, women, and children. Unsurprisingly, the spot has featured on local ghost tours and as the subject of a television docudrama, with current owner Vanessa Mitchell even co-writing a book about her spooky experiences living in the property. [caption id="attachment_726177" align="aligncenter" width="1920"] Right Move[/caption] Mitchell's time onsite was short-lived — she moved out "because of the relentless paranormal activity" according to Home Domus, who've listed the house for sale — however she has owned the spot since 2004. If you're keen to follow in her footsteps and you have £240,000 or more to spare, the two-level house features three reception rooms, a kitchen, a ground floor cloakroom, two bedrooms and a bathroom. Outside, a walled courtyard comes complete with a door to a walkway known as "Coffin Alley", where dead bodies were once transported on the way to the local cemetery. Top image: Home Domus 360.
If sitting on the couch is a regular part of your viewing schedule, we now know which big-name films you'll be streaming in 2022. Get ready for eagerly awaited whodunnit sequels, all-star action flicks, Jamie Foxx fighting vampires, futuristic Korean sci-fi and Jennifer Lopez as an assassin — and, because the list of brand-new movies that Netflix will add to its platform this year tallies up at a whopping 86 titles, to see plenty more where they're all about to spring from. As it did for 2021, Netflix has just unveiled its full slate of new films for 2022. It's a something-for-everyone kind of lineup, which the streaming service's catalogue always is, but the rundown of newcomers is also stacked with highlights. One instant standout: Knives Out 2, Rian Johnson's follow-up to his glorious Daniel Craig-starring whodunnit from 2019. Yes, the now-former 007 is back as Detective Benoit Blanc, this time in Greece, and interrogating suspects played by a cast that includes Edward Norton, Janelle Monáe, Dave Bautista, Kathryn Hahn, Leslie Odom Jr and Kate Hudson. Netflix subscribers can also look forward to The Gray Man, which sees Ryan Gosling and Chris Evans team up in a thriller about CIA mercenaries; Day Shift, where the aforementioned Foxx plays a seemingly ordinary dad whose pool-cleaning job is a front for staking the undead; JUNG-E, the latest dystopian vision out of Korea from Train to Busan, Peninsula and Hellbound's Yeon Sang-ho; and Lopez's maternal John Wick-esque stint in The Mother, where she's a killer forced to come out of hiding to protect her daughter. [caption id="attachment_841834" align="alignnone" width="1920"] Helen Sloan/Netflix © 2022[/caption] Or, there's also Blonde, a fictional portrait of Marilyn Monroe featuring No Time to Die's Ana de Armas as the real-life figure; acting-focused comedy The Bubble, with writer/director Judd Apatow amassing one of his usual all-star casts; the Jason Momoa-led Slumberland, about a space between dreams and nightmares; and Wendell & Wild, with Jordan Peele and Keegan-Michael Key voicing a stop-motion animation. Fresh from Nightmare Alley, Guillermo del Toro has a stop-motion animation musical version of Pinocchio in the works as well — and, for something completely different, Adam Sandler turns astronaut in Spaceman, from Chernobyl director Johan Renck. Also, White Noise reunites filmmaker Noah Baumbach with both Marriage Story's Adam Driver and Frances Ha's Greta Gerwig in an adaptation of Don DeLillo's book of the same name, while a new take on Roald Dahl's Matilda features Emma Thompson and Lashana Lynch, and springs from Tim Minchin's musical. And, Last Christmas' Paul Feig helms a fairytale fantasy starring Charlize Theron and Kerry Washington with School for Good and Evil. Because we're into February already, some of the flicks on Netflix's list already have release dates, if you're the type who likes plugging things into your calendar. They span films such as The Adam Project, a time-travel effort with Ryan Reynolds and Mark Ruffalo that hits on March 11; Against the Ice, which sends Game of Thrones' Nikolaj Coster-Waldau to Greenland from March 2; Choose or Die, the April 15-releasing horror flick about a curse includes Robert Englund (aka the OG Freddie Kruger) among its cast; and Senior Year, which drops on May 13, features Rebel Wilson and Alicia Silverstone, and follows a cheerleader who awakens after a 20-year coma. There's also a new Texas Chainsaw Massacre arriving on February 18, too. Among the movies that don't yet have set dates, Enola Holmes 2 will get Millie Bobby Brown to do more sleuthing, Interceptor sees Chris Hemsworth dealing with a nuclear missile attack, a new adaptation of Lady Chatterley's Lover stars The Crown's Emma Corrin, and Rage Against the Machine's Tom Morello is the executive music producer on Metal Lords, about two kids starting a metal band. Plus, Dev Patel stars in and directs Monkey Man, Dakota Johnson leads a new version of Jane Austen's Persuasion, and Richard Linklater's Apollo 10 ½: A Space Age Childhood heads back to the summer of 1969. Netflix usually gives some of its new films cinema runs, as it did with the likes of The Harder They Fall, Passing, Red Notice, The Power of the Dog and Don't Look Up in 2021. So, while we see oh-so-much couch time in your future, you may be able to watch some of these flicks on the big screen as well. Check out Netflix's trailer for its 2022 films below: New movies will hit Netflix every week throughout 2022 — head to the streaming platform for its current catalogue. Top image: Courtesy of Netflix © 2022.
Sitting pretty on that northern stretch of Lygon Street, The East Brunswick Hotel has seen a whole swag of incarnations in its 130 years, though locals of a certain age will remember it most vividly as legendary live music haunt, the East Brunswick Club. Now, after 18 months of vacancy — and six years after the famed band room hosted its last gig — the historic pub is moving into its next phase of life, with new owners and an extensive makeover . Making its official return on Friday, August 24, the refreshed East Brunswick Hotel unfolds over three sprawling levels. First up, there's the industrial-style front bar, on the ground floor, complete with soaring ceilings, a central bar made from reclaimed timber and a stage that pays homage to the space's history. A solid live music program will see it hosting gigs from Thursday through Sunday. An impressive tap list leans local, pouring craft drops like Brewmanity Beer Co's Social Beast pale ale, the Bunker porter from Stomping Ground and a Brick Lane lager. To match, the kitchen is dishing up modern riffs on all the pub favourites — head in for creations like ale-steamed mussels, mac 'n' cheese croquettes, falafel sliders and a hearty smoked beef rib with polenta grits. You'll need to bring a little extra appetite if you want to tackle the 'World Famous One Pound Meatball', too. Upstairs, industrial gives way to luxury, with a sophisticated cocktail bar decked out with chandeliers, marble and plush lounges. Twelve boutique hotel rooms complete the upper level, while all the way downstairs lies an underground cellar, functioning as a cosy private dining space. The owners have snapped up the site next door, too, with plans to expand the pub's already grand offering. Find the East Brunswick Hotel at 280 Lygon Street, Brunswick East, from Friday, August 24. It's open daily from 11am. Images: Brook James
Music lovers Down Under are accustomed to bands only playing in parts of Australia and New Zealand, sparking fan travel plans to other cities. When Coldplay brought their Music of the Spheres world tour this way on Saturday, November 18–Sunday, November 19, it did so only at an exclusive Perth leg of the tour that marked their only stop in this neck of the woods for 2023. Start getting excited about 2024, however — because Coldplay already have. It'll be all yellow in Melbourne for two October dates next year, then in Sydney for a pair of November shows — and also in Auckland for a one-night visit the same month. The Chris Martin-fronted band will play Marvel Stadium on Wednesday, October 30–Thursday, October 31, then Accor Stadium across Wednesday, November 6—Thursday, November 7, before heading to Eden Park on Wednesday, November 13. Coldplay's current tour kicked off in March 2022, meaning that the band will have been on the road for almost three years when they make their return to Australia and Aotearoa. Packed stadiums have also been awaiting; every show between now and October 2024 has already sold out, with the group playing Kuala Lumpur, Manila, Singapore, Bangkok, Athens, Bucharest, Budapest, Lyon, Rome, Düsseldorf, Helsinki, Munich, Vienna and Dublin before their return trip Down Under. So far, over nine million tickets have been sold since the beginning of the tour. When they take to the stage in Sydney, Melbourne and Auckland, the British band will play their first shows in each city since 2016. Fans can look forward to a setlist that covers Coldplay's 26-year history — 27 by the time those October and November 2024 dates roll around — including everything from 'Clocks', 'Fix You' and 'Sparks' to 'A Sky Full of Stars', 'Viva la Vida' and 'The Scientist. PinkPantheress and Emmanuel Kelly will be on supporting duties — and the tour's infinity tickets will be back, releasing at a later date and letting fans attend for $32 per ticket. COLDPLAY 'MUSIC OF THE SPHERES' WORLD TOUR AUSTRALIA AND NEW ZEALAND DATES 2024: Wednesday, October 30–Thursday, October 31 — Marvel Stadium, Melbourne Wednesday, November 6—Thursday, November 7 — Accor Stadium, Sydney Wednesday, November 13 — Eden Park, Auckland Coldplay will tour Australia and New Zealand in October and November 2024, with pre-sale tickets available from 10am local time on Wednesday, November 29 and general sales from 10am local time on Friday, December 1. Head to the Coldplay website for further details and to register for the pre sale. Images: Anna Lee.
Vampires can be slain by staking them in the heart. Werewolves aren't fond of silver bullets. But Taika Waititi and Jemaine Clement's addition to the undead world can't and won't be killed — not that anyone would want that outcome. First What We Do in the Shadows jumped from a short film to a hilarious feature-length comedy. Then it inspired a US television remake, which is still in the works, as well as New Zealand television spinoff Wellington Paranormal. Now, after an exceptionally amusing six-episode first season, the latter is set to return in 2019 with 13 episodes. We've said it before, and we'll say it again: trust a mockumentary about the undead to keep coming back in new guises. The Cops-style spinoff follows police officers Karen O'Leary and Mike Minogue, who WWDITS fans might remember came knocking at the vampire share house's door. With the help of Sergeant Maaka (Maaka Pohatu), the cop duo keep trying to keep the city safe from supernatural happenings — including not only bloodsuckers and lycanthropes, but ghosts, aliens and more. Wellington Paranormal's second season will once again explore the spate of paranormal phenomena happening in the city, with a 2019 airdate on TVNZ 2 yet to be set. In Australia, the first season screened on SBS Viceland and was available to stream on SBS On Demand, so fingers crossed that'll remain the same next year. Announcing the funding of Wellington Paranormal's new run, NZ On Air Chief Executive Jane Wrightson noted that "it is really pleasing to see people respond positively to content that has such a unique New Zealand flavour". Of course, for those following What We Do in the Shadows' continued evolution, Wellington Paranormal's success shouldn't come as a surprise. When the show was first revealed, Waititi described it as "Mulder & Scully but in a country where nothing happens" on Twitter, after all. https://www.youtube.com/watch?time_continue=2&v=WRO2QfESbEI
Arguably the worst part of travel is the bit where you actually have to travel. Sitting in an over-cramped, over-air-conditioned metal tube for 20+ hours almost makes post-pasta swims in the Mediterranean seem too much trouble than it's worth (almost). But until we're at The Fifth Element stage where we can just hop in a capsule and get knocked out cold for the duration of the journey, we'll just have to be content with airlines' attempts at cutting down flight times and transfers. In huge news for Aussie travellers, Qantas last week announced they are really close to locking down a direct flight from Australia to Europe. Thanks to their new Dreamliner 787-9 aircraft — which are set to start flying in October 2017 — the airline hope to run non-stop flights from Perth to London in the near future. Direct, the Perth to London flight time would be 17-18 hours. It would be considerably quicker than their current route, which, with their partnership with Emirates, includes a rather hellish stopover in Dubai (as all stopovers are). It would be the first and only direct flight from Australia to Europe. "This aircraft allows us to fly routes that we could only imagine in the past," Qantas CEO Alan Joyce told The Australian. "It allows us to fly from Perth to London, from Sydney to Chicago or Melbourne to Dallas." Qantas are still in negotiations to lock down the new route, but are expected to confirm its actualisation pretty soon. The sort-of news comes as the airline revealed the layout for their new Dreamliner fleet, which will be two-thirds the size of the 747s they will eventually replace and have only 236 seats (as opposed to the 747's 364 seats). Economy will have a 3:3:3 seat situation (as opposed to the 3:4:3), as well as USB ports and an extra inch of leg room. Hurrah for leg room! Plus, they also revealed some new branding, which includes new typography on the side of their planes. Qantas are set to confirm the Perth to London route soon. We'll update you when they do. Via The Australian.
The Mornington Peninsula is now home to a gluten-free brewpub thanks to Twøbays Brewing, which opened the doors to its Dromana taproom in December 2018. The public tasting room is set amongst the production brewery, which began operation in 2017. It's stainless steel tanks are visible from the brewpub side, and the entire facility overlooks the picturesque Arthur's Seat. Founder and beer enthusiast Richard Jeffares was diagnosed with coeliac disease in 2016 and became inspired by similar gluten-free taprooms found in The States. Jeffares signed on head brewer Andrew Gow, who's resumé boasts 20 years in the business, including at Mornington Peninsula Brewery, Mountain Goat and Five Islands in Sydney's Wollongong. While most beers use gluten-containing malted barley, Twøbays instead uses gluten-free millet, rice and buckwheat — imported from Colorado and California — in all its beers. The brewpub has launched with a range of seven core and specialty tap beers, including an easy-drinking pale ale; an English-style extra special bitter dubbed Local Knowledge; Gose Against, a German-style gose brewed with coriander, salt and lime; and a mid-strength ale called Little Arthur. To try a few at once, patrons can nab a four-pony tasting paddle. Apart from brews, there's locally produced Quealy wine and Ten Sixty One cider to enjoy. And, adding to theme, there's also a woodfired oven slinging gluten-free pizza. The taproom is a cash-free environment, though, so make sure you come with card in hand. Twøbays also sells its pale ale and IPA online — both of which are endorsed by Coeliac Australia. If you're a keen home-brewer, Twøbays is already selling and shipping its gluten-free brew packs and malts across Australia. Find Twøbays Brewing Co at Unit 1, 2 Trewhitt Court, Dromana, Victoria. Opening hours are Friday from 3–8pm, Saturday from 12–6pm and Sunday from 12–5pm. Updated: June 3, 2019.
Everyone knows that distance makes the heart grows fonder - and this notion now applies to the eye as well. The contours, shapes and colours that the topography the Earth's surface forms are breathtaking marvels not rivalled by any manmade images. Yet they are only truly visible from well above the Earth. Seeing the world from this mesmerizing angle puts the insignificance of humans, when compared to Earth's enormous size, into perspective. Here are some of the most magnificent aerial images of our planet. Guy Laliberté's Space Travels The mastermind behind Cirque Du Soleil, Guy Laliberté travelled on board a Russian Soyez Rocket through space in 2009. While the billionaire was on this trip, he did a bit of sightseeing and documented some of the stunning scenery of the Earth that he was privy to. David Maisel's Vertiginous Vistas David Maisel certainly knows how to poignantly capture the most fascinating and mystifying regions of the world from the vantage point of his four-seater plane. Sometimes the photographer even removes an entire window from his plane - which gets to altitudes between 5,000 and 12,000 feet - to secure that perfect shot. But looking at these two examples we can safely say the effort is well worth it. Landsat 7 Satellite Images These two stunning images depict the Bolivian deforestation and the Bogda Mountains in China. The former shows the destructive impact that deforestation can have on native forests by severely fragmenting the ecosystem, while the latter illustrates the mesmerizing mix of sand dunes and salt lakes of the Turpan Depression laying at the foot of China's mountain range. River Deltas Around the World Water not only serves as the major life source for all living things on Earth, but the patterns it creates when travelling in estuaries throughout the world also create enchanting images. These two photographs depict such beauty from the Betsiboka Estuary in Madagascar and the Ganges in Bangladesh. Satellite Photos of the Earth These enthralling images were also taken from a satellite from outer space. The vibrant colours of these terrains almost appear to be oil pastels, yet they have emerged from genuine landscapes of the Earth. The first shows the icy blue transposed against the blood red in the Malaspina Glacier of Alaska and the second shows the twists and turns of the water and land in our very own Carnegie, Australia. Earth from Above These photos appeared on the Flickr page of a photographer by the name of curiouser*curiouser. Both images were taken over the Zion National Park in Utah from the seat of an aeroplane traversing the region. The parks appear so much more unique and beautiful from this high vantage point, featuring ripples and explosions within the Earth's surface.
Aussie Aussie Aussie! ...No? We don't do that for literary awards? Regardless, Tasmanian author Richard Flanagan won the Man Booker Prize last night in London, and we couldn't be more proud. Commended for his harrowing POW story The Narrow Road to the Deep North, Flanagan is just the third Australian to ever win the prestigious award. In related news: the first book on your summer reading list is now sorted. The Man Booker, for those not in the know, is one of the most respected awards in the industry. Established in 1968, past winners of the prize have included J.M. Coetzee, Peter Carey, Margaret Atwood, and last year's NZ-born recipient Eleanor Catton. The award (and the $88,000 in prize money) is given to the author with the best book published in English in the UK each year. Though previously reserved for those in the Commonwealth, 2014 was the first year the prize was opened up to authors of any nationality. Because of this Flanagan beat not only a few Brits, but a couple of Americans to win the top prize. Though Neel Mukherjee was tipped to win for his story of family life in Calcutta The Lives of Others, Flanagan prevailed. The Narrow Road to the Deep North is the third consecutive Man Booker winner with a historical focus. Inspired by the hardships of his father, Flanagan's story is about prisoners of war on the Burma Railway. His father died on the day he finished the book. We suggest heading to a bookstore soon, this little Tasmanian gem will be flying off the shelves. If all else fails, a free sample of the book is available via Random House. Happy reading. Via SMH and ABC.
A Taiwan-born tea store with over 50 global outposts under its belt, The Alley LuJiaoXiang has made a name for both its slurpable drinks and those all-important 'beverage aesthetics'. Not only do these sips have serious swagger, but ingredients like the sugar cane syrup and signature tapioca pearls are made in-store from scratch. Sample those house-made orbs in the likes of a milk-infused black tea blend or tea latte, or go for one of the popular fruit tea concoctions, best enjoyed topped with some 'snow velvet' cheese foam. And if you fancy a bit of a mouth party, opt for something featuring The Alley's special brown sugar pearls. These rich little gems are served warm, making for an extra treat when mixed through cold milk. You can also find The Alley in QV Melbourne, Highpoint Shopping Centre, and on Bourke and Elizabeth streets in the CBD.
A George Lambert-style self portrait by Yvette Coppersmith has just nabbed the 97th annual Archibald Prize — her work Self-portrait, after George Lambert was chosen from a talented bunch of 58 finalists. This year's $100,000 prize attracted a whopping 794 entries from across the country and New Zealand, their works depicting homegrown icons ranging from NSW Premier Gladys Berejiklian to actor Guy Pearce. The prestigious portrait competition pulls a compelling lineup of artworks each year, portraying an eclectic mix of artists, musicians, politicians, sports heroes and other notable Aussies. Coppersmith's winning piece pays homage to the stylings of acclaimed fellow artist George Lambert, who himself took out the 1927 Archibald Prize. The win's been a long time coming for Coppersmith, who has been a finalist five times. "Hearing of the win this morning my mind was scrambling to integrate the surreal news about something that's been 20 years in the making," she said. "I'm still trying to fathom it!" She's also only the tenth female artist in history to have taken out the top prize. In more good news, the winners of the Wynne and Sir John Sulman prizes we also revealed today — and both are Indigenous women. Pintupi artist Yukultji Napangati took out the former — which awards the best landscape painting of Australian scenery or figure sculpture — for her depiction of a scene among sandhills west of Kiwirrkura in Western Australia. The Sir John Sulman Prize goes to the best mural, subject or genre painting, and was this year awarded to Kaylene Whiskey's work of Cher and Dolly Parton. Today's announcements follow last week's naming of the 2018 Packing Room Prize, which is selected by the gallery staff who unpack and hang the Archibald Prize entries each year. That title was taken out by Jamie Preisz, for his piece Jimmy (title fight), featuring legendary singer-songwriter Jimmy Barnes. All the winning portraits and finalists will be on display at Sydney's Art Gallery of NSW from tomorrow — Saturday, May 12 — up until September 9. If you do't agree with the judges, you can cast your own vote for People's Choice. Image: Self portrait after George Lambert, Yvette Coppersmith. Photo shot by Jenni Carter courtesy of AGNSW.
There's the truth, and then there's the tale that is told, a divide Kill the Messenger acknowledges. Driven by journalistic duty, Gary Webb (Jeremy Renner) unearths a scandal, though once his report is published, the press turns their attention to him over the facts. The surrounding film falls prey to the same trick, presenting an intriguing character study but skirting over the damage done. Webb is a small-time player for a small-time paper, yet unafraid of turning big leads into big headlines. In California in 1996, he receives a tip about a deal involving the nation's intelligence agency and crack dealers in South Central Los Angeles. Covertly supporting the Nicaraguan Contras in their fight against their country's socialist rulers, the CIA is accused of assisting their US drug racket. Webb scours through sources from South America to Washington to substantiate his story, all ignored when governmental denial thrusts him into the spotlight. With Mary Elizabeth Winstead and Oliver Platt as Webb's editors, Rosemarie DeWitt as his wife, and Michael Sheen, Andy Garcia and Ray Liotta as furtive figures, a competent cast fills in the details, in what remains a portrait of Webb's rise and fall. As compelling as he has ever been, Renner retains focus, matching his physicality to the transformative plight of a determined crusader victimised for doing the right thing. Often framed from afar or shown in hand-held close-ups, his recreation of Webb constantly looks over his shoulder with good reason. "We would never threaten your children," he is told in his only official face-to-face meeting with the CIA, and the feature's best display of tension. Based on Nick Schou's 2006 book of the same name, alongside Webb's own 1998 manifesto Dark Alliance, Kill the Messenger harks back to a host of conspiracy thrillers and whistleblower dramas in its newsreel compiles offering background information and incendiary montages setting the emotional tone. Better known for helming episodes of Dexter and Homeland, director Michael Cuesta sticks to the standard in evoking an air of unease and flitting between episodic jaunts in a quest for justice, his feature fervent in sentiment but fleeting in impact. All eyes stay on Renner's rising rage in his potent portrayal; however, the feature's message remains murky, swelling in telling of personal conflict but fading in spanning the extent of the scenario. That the most damning revelations are told as a post-script may indicate the difficulty of condensing the complicated true tale, but it also speaks to the same selectivity the film ostensibly rallies against. Kill the Messenger shouts the story of someone who refused to be silenced, yet favours an impassioned underdog account over a thorough consideration of its central media machinations. https://youtube.com/watch?v=14tFIJIp1bs
Jenga's chunky wooden blocks and shifty sense of suspense have been reinvented as furniture. Studio Intussen's 'Pixel Table' functions much the same way as a Jenga tower. Shaped like a cube and comprised of bamboo slats, chunks of the table may be pushed in or pulled out. This creates a nook for storing magazines, and, on the other side, a little side tray for cocktails. If you no longer need the storage or extra space, the slats can be realigned into their original cube form. How convenient is that? Unlike the game which inspired it, however, the Pixel Table offers users some security. There is no need to anxiously await the tumbling demise of your table, for the outer bamboo layer has been secured with glue. Pssst, take that tactical note and save it for your next Jenga match. [via Gizmodo]
Whether you're avoiding the wet weather across Australia's east coast, still in lockdown in Auckland or in need of a quiet one before the festive season kicks into gear, a stint of couch time may be on your weekend agenda. And while there's never any shortage of things to watch, here's something that might tempt your eyeballs: extremely cheap Disney+ subscriptions, plus a lineup of new movies and TV shows to go with it. This month marks two years since the Mouse House first leapt into the streaming game, so it's celebrating with $1.99 subscriptions. That's the rate for one month, and it's available until 6.59pm AEDT on Monday, November 15 — as long as you're either a new subscriber or a returning subscriber who doesn't current have an active subscription to the service. Disney+ is also fleshing out its catalogue with a number of new big-name additions, effective today, Friday, November 12. So, from tonight, you can watch Shang-Chi and the Legend of the Ten Rings at home — just two months after it hit cinemas — or get nostalgic and merry with new Home Alone franchise instalment Home Sweet Home Alone. Action-adventure comedy Jungle Cruise is also making the leap to the service as part of regular subscription fees (after simultaneously launching on the big screen and on digital back in July, but for an extra fee for the latter). And, so is new Michael Keaton-starring drama Dopesick, with the TV series exploring prescription drugs, Big Pharma and opioid addiction in America. The Mouse House is also going big on existing fan favourites, thanks to the Frozen-related Olaf Presents, new short The Simpsons in Plusaversary, the first episodes from the second season of The World According to Jeff Goldblum, and Star Wars-centric Under the Helmet: The Legacy of Boba Fett special. Plus, you can check out two Marvel specials about the making of Shang-Chi and The Legend of The Ten Rings and Hawkeye's best MCU moments — although Hawkeye, the show, doesn't actually premiere until Wednesday, November 24. And, there's also The Making of Happier than Ever: A Love Letter to Los Angeles, which follows on from the platform's Billie Eilish concert experience — as well as the Disney+ debut of the 2007 Amy Adams and Patrick Dempsey-starring fantasy rom-com Enchanted. Disney+'s $1.99 subscription deal is available until 6.59pm AEDT on Monday, November 15 for new and eligible returning subscribers. For more information, head to the streaming platform's website.
When it comes to a fried chicken burger, Colonel Sanders has nothing on the chefs of Melbourne, who, lucky for us, know just how to prepare a damn fine piece of poultry between bread. Across the city, you'll find tender pieces of chicken coated in a variety of herbs and spices, and drizzled in sauces from blazing hot to garlic and herb-filled ranch. Whether you're after a 2am snack, a hangover cure of salty protein or just a big ol' bite to fill your hunger needs, some moments call for a deep fried bit of bird. We've journeyed everywhere from Chapel Street to East Brunswick, to put together this list of the best of the bunch. Sometimes, there's nothing that can fill your belly quite like a chicken burger.
When it comes to an island filled with dinosaurs, humanity just won't learn. Since Michael Crichton's Jurassic Park hit bookstores in 1990, spawning not only Steven Spielberg's 1993 blockbuster film, but two direct sequels and the recent Jurassic World spin-off trilogy, people just keep clamouring to share the same landmass as re-animated prehistoric beasts. Now they're about to do so all over again in a just-announced animated Netflix series. Headed to the streaming platform in 2020, Jurassic World: Camp Cretaceous will hail back to the events of 2015's initial Jurassic World flick — and to the franchise's familiar setting, Isla Nublar. This time, six teenagers have been chosen to attend a new adventure camp on the other side of the remote deathtrap. If you've seen the movie, you already know that the dinos break loose (of course they do), which'll leave the plucky youths fighting to survive. Executive produced by Spielberg — as well as Jurassic World executive producer Frank Marshall, plus two-time series director Colin Trevorrow — the show will help fill the gap until the live-action Jurassic World 3 releases in 2021. It's being overseen by Scott Kreamer (Pinky Malinky) and Lane Lueras (Kung Fu Panda: The Paws of Destiny), and forms part of Netflix's family slate, so you can probably expect less scares than usual (although the teaser below is a little creepy). Given that it's aimed at all ages, you can probably expect more (albeit friendlier) dinosaurs, however. Just who'll be voicing Camp Cretaceous' characters has yet to be revealed. The same remains true for everyone's two burning questions: whether a few familiar Jurassic World talents will pop up, and if any of the old-school Jurassic Park gang will lend their vocals. Our wish, and it's an obvious one, is for more Jeff Goldblum. If you're keen for the briefest of sneak peeks of Camp Cretaceous, check out the first teaser below: https://www.youtube.com/watch?v=VkFrNm5M_Ck Jurassic World: Camp Cretaceous doesn't have an exact release date as yet, but it's expected to hit Netflix in 2020. We'll keep you updated with specific timing when it comes to hand.
In 2011's Le Havre, Aki Kaurismäki explored Europe's refugee crisis in his trademark way: with empathy, a droll sense of humour and a bittersweet outlook. He tackles the same subject with the same approach in The Other Side of Hope, although you could never accuse the Finnish filmmaker of simply retracing his own footsteps. Rather, the writer-director steps from a tale of transition to one of acceptance. It's a shift that not only reflects global events over the past seven years, but also comes with a much-needed message. What the world needs now is compassion, Kaurismäki posits — an idea that applies when asylum seekers arrive in prosperous nations searching for better lives. The Other Side of Hope begins when Syrian refugee Khaled (Sherwan Haji) hops off a boat in Helsinki. Looking for a new home far from Aleppo, he just wants the chance to start afresh, however Finland proves far from welcoming. Meanwhile, leaving his wife and his old salesman life behind to enter the restaurant trade, Waldemar Wikström (Sakari Kuosmanen) requires help getting his new business going. Both men are fleeing their respective pasts, but Wikström's plight can't compare to Khaled's, and the film doesn't claim otherwise. Instead, after Wikström spies Khaled hiding behind his eatery, the movie shows how an act of kindness shapes their intertwined fortunes. In other hands, a parade of cheesy cliches would ensue, but Kaurismäki isn't any other filmmaker. There's a reason that he's considered Finland's best living auteur, and why his movies receive widespread international attention. While they're the kind of plaudits that every director dreams of, no one views the world quite like Kaurismäki. He fills his frames with characters that wear their eccentricities on their sleeves, yet couldn't be more relatable. He shows people struggling with all types of problems, both commonplace and more extreme, while still banding together because it's the right thing to do. Further, he charts life's ups and downs without avoiding its sorrows, but never removing optimism from the equation either. Indeed, there's a word that sums up his work perfectly: humane. Another word springs to mind: absurd. It's evident when a fight quickly turns into a job offer and when salted herring is served up as sushi, two of the movie's wry, hilarious developments. From its deadpan humour to its rockabilly soundtrack, The Other Side of Hope is often offbeat, albeit in a very specific way. Kaurismäki isn't trying to make an over-the-top comedy — instead, his film recognises how odd everyday existence really can be. It's why his cast turn in portrayals that seem naturalistic as well as a little detached, whether the world-weary Kuosmanen is grimacing through a poker game or the scene-stealing Haji is relaying Khaled's background with a calm demeanour. Lensed by Kaurismäki's regular cinematographer Timo Salminenn, the movie's visuals operate in the same manner as the performances. Every shot overflows with lifelike detail, with smoke hanging in the air and pain oozing from a stranger's glare, yet every image feels like it has been meticulously arranged. It's the same sensation that great still-life paintings evoke: of not only capturing reality, but capturing the artist's unique perspective along with it. Of course, The Other Side of Hope isn't a static image frozen in time. Observed with the same compassion it champions, and proving as earnest as it is amusing, the film is an intricately composed portrait brimming with melancholy, sincerity and worldwide relevance. https://www.youtube.com/watch?v=asR1B7NrhQQ
If you're the type of traveller who chooses their stay based on creature comforts and hotel accolades, you'll want to put a jaunt to Queenstown's newest boutique hotel on your 2023 bucket list. With jaw-dropping views of the lake and town centre thanks to its position on Queenstown Hill, The Carlin has been wowing guests since it first opened seven months ago. And now this 'beyond five-star' hotel just picked up a slew of gongs at this year's World Boutique Hotel Awards in Sydney on Friday night — including the top gong for World's Best New Hotel. The luxe accommodation offering also won prizes for Best New Hotel in Australasia and Best Hotel With a View: Australasia. The Carlin is the brainchild of US-born hotelier and property developer Kevin Carlin, who called the international recognition "very humbling". "We pride ourselves on delivering an outstanding level of service, and these awards formally acknowledge the hard work of our team," he said. [caption id="attachment_880380" align="alignnone" width="1920"] James Allen[/caption] With more than 250 nominees from 70-plus countries, judges base their scores on various aspects of guest experience, including restaurants, facilities, location, design and emotional impact. Judges were impressed by the Carlin's "finer details" including the stunningly designed outdoor living spaces, 24-hour on-call staff, private chef and spa services, and guest access to luxury vehicles and private jets. And although it wasn't officially noted, we're guessing the hotel's famously appointed marble bathrooms and wildly exciting various remote-controlled toilet modes all played a role. "We confidently expect to see The Carlin taking more awards in the future," the judges said. Keen on a luxe Queenstown experience with a scenic flight, gin-tasting tour and private Onsen hot pools? Check out this CP Trips package. The Carlin was awarded three prizes at the World Boutique Hotel Awards, including World's Best New Hotel. The hotel can be found at 43 Hallenstein Street, Queenstown.
If you've been looking for a true treat yo'self food experience, you'll find it happening on the lawns of Treasury Gardens next week. The Sheraton Melbourne Hotel is descending on the site with a few big-name chef mates in tow, to deliver a luxe long lunch for the local edition of Taste of Sheraton. On Friday, March 4, you're invited to sit down to an al fresco feast, spanning four courses and including a signature dish from each guest chef. Out to impress your tastebuds are meat maestro and Good Chef Bad Chef presenter Adrian Richardson (La Luna Bistro), French-Australian cooking star and TV regular Manu Feildel, and Colin Fassnidge of Sydney's Banksia and the two-hatted Four in Hand. The fun will kick off with bubbly and canapes, before you sit down to dive into plates like free-range porchetta, local artisan cheese, a watermelon salad with fennel and pea, and creamy almond blancmange. Tickets come in at $250, though that'll also see you enjoying high-end wines matched carefully to each course. And of course, that gorgeous openair setting makes for another primo pairing. [caption id="attachment_844250" align="alignnone" width="1920"] Adrian Richardson, Manu Feildel and Colin Fassnidge[/caption]
The Commonwealth Games are not coming to regional Victoria. One year on from its announcement and just three years out from the event, the 2026 games are going to have to find a new host after Victorian Premier Dan Andrews announced his government had pulled the plug on hosting the global sporting event. In a press conference on Tuesday, July 18, Andrews announced the decision had been made after the reported cost to host the games had nearly tripled since it was first budgeted for back in 2022. "What's become clear is that the cost of hosting these games in 2026 is not the $2.6 billion that has been budgeted and allocated," said Andrews. "It is, in fact, at least $6 billion and could be as high as $7 billion. "[This] is well and truly too much for a 12-day sporting event. I will not take money out of hospitals and schools to fund an event that is three times the cost as estimated and budgeted for last year." The plan for the 2026 games was to share the event between four regional hubs – Geelong, Bendigo, Ballarat and Gippsland – each with their own athletes' village and sports program. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] While the games were set to deliver billions in regional upgrades and tourism, the state government has instead announced a $2 billion+ regional fund. This will invest in sporting facilities, tourism, community sport and social and affordable housing across the state's regional areas. Included in the package is a commitment to deliver the facilities promised to these regional hubs as part of the 2026 games. As well, 13,000 new homes that will be built across regional Victoria. Andrews promised that the Victorian Government had "looked at every option", including moving the games to Melbourne. However, all alternatives far exceeded the original $2.6 billion budget. The premier said talks with Commonwealth Games authorities had been amicable and productive, but no plan for where the games would now be hosted was announced. Neither the Commonwealth Games nor Commonwealth Games Australia have made an announcement yet. Australia only recently held the games, back in 2018 on the Gold Coast and still has a massive sporting event on the horizon, with the 2032 Olympic Games already locked in for Brisbane. Bit of a long one this morning. You might have heard the news this morning that Victoria will no longer be hosting the 2026 Commonwealth Games. And I wanted to tell you about the decision. — Dan Andrews (@DanielAndrewsMP) July 17, 2023 The Commonwealth Games will no longer take place across Geelong, Bendigo, Ballarat and Gippsland in 2026. Head to Victorian Premier Dan Andrews' Twitter for a full run-down of why the government has pulled the plug.
The Colonel's finest chook pieces have helped line many a stomach before a big night out. They've proven tasty in the boozy early hours of the morning, too, and also when a hangover strike the next day. KFC isn't usually eaten at a nightclub, however, but the fast-food chain itself is changing that for one night only in Sydney. From the brand that's done 11-course fine-dining degustations, Peking Duk-led festivals, weddings, cocktails, ugly Christmas sweaters for humans and pets alike, and a soothing playlist of chicken frying and gravy simmering — which is genuinely relaxing — of course a place to hit the dance floor with KFC in hand is next on the list. Dubbed The Fried Side Club, it's popping up from 8pm–3am on Saturday, October 21 at a secret venue in central Sydney. And yes, it comes with free chicken. There'll be tunes, too, courtesy of Luude — which means hearing 'TMO (Turn Me On)' as well as his 'Down Under' remix — plus Kinder and Foura. So, you'll make shapes and eat chicken. If someone decides to give the 'Chicken Dance' a spin, it'd be mighty fitting. The Fried Side Club will also be selling KFC x Luude t-shirts and KFC footwear (yes, sliders will come in there, too) both at the club and online, with proceeds going to the Black Dog Institute, ReachOut Australia and Whitelion. The reason for KFC setting up a temporary nightclub is to launch Luude's Zinger sliders, a new menu item that's served in pairs featuring two varieties. One uses chilli relish, the other KFC's Supercharged sauce — and both include half a Zinger fillet. They'll be given out free all night at The Fried Side Club, so no need to grab dinner before showing up. "KFC has been a staple on the diet forever — so when they reached out to partner on a project, I was 100-percent keen," said Luude. "We're setting up a secret club that is a replica KFC store, you've even got to go through the fridge to get in — it's sounding wicked. They've also let me create a secret menu item too, so you'll be able to ask for Luude Zinger sliders all over Australia. A childhood dream collab." If you're eager to head along, you'll need to grab a ticket, which are available from 9am AEDT on Wednesday, October 4. Everyone who nabs a spot will be told the secret location 48 hours out. And if you just want to try Luude's Zinger sliders without experiencing a KFC nightclub, they're available from now until Monday, October 30 via the secret menu on the KFC app. The Fried Side Club will pop up from 8pm–3am on Saturday, October 21 at a secret venue in central Sydney — get tickets from 9am AEDT on Wednesday, October 4.
It's been a long time coming, but the construction at 731 High Street, Thornbury has finally finished. After servicing the domestic animals of the inner north as a pet store, the spacious shopfront if now serving coffee, rather than collars, as well as cafe fare you certainly wouldn't feed your dog. Short Round is the latest addition to the area and, judging by the amount of locals and non-locals there in its second week, this is definitely Thornbury's newest thing. A burgeoning suburb in itself, Thornbury is perhaps a perfect milieu for Short Round. Unlike its neighbouring suburbs, Thornbury is yet to be inundated with cool coffee haunts — although, if this very well-received opening is anything to go by, it is sure to be next. With a stream of coffee savants, long-time local residents, and those just wanting to give the space a once-over, it's a good thing they knocked down the existing pet store-era walls to create a much larger, open area. Situated on a corner, the cafe makes use of the natural light, and the high ceilings do much to increase the sense of space. Inside, the fresh charcoal and timber fit-out boasts individual, window and communal seating, while around the corner on Ballantyne Street you can sit outside in the remnants of a suburban pergola. The food offering, like so many other venues at the moment, is seasonal, with the spring menu featuring in-season cherry tomatoes, green peas and spring lamb. Served all day, breakfast ranges from sweet (butterscotch house made waffles with vanilla mascarpone and toasted pecans; $13.50) and savoury (breakfast pizza with egg, pancetta, passata, bocconcini, cherry tomatoes, wild rocket and olive oil; $13.50), but lunch might be an even harder decision. Choose from the slow spring lamb with spring onion herb salsa, feta smashed potato, cherry tomato and green peas ($19) or the Labourer's Lunch — local Velimirovic kransky & deluxe ham, piccalilli, braised cabbage and vintage cheddar with mixed bread ($18.50). The Proud Mary coffee ($3.80) is, of course, good all year round, as is the selection of sparkling, red and white wine. Also stocked are the Thornbury-based 3 Ravens Golden Altbier ($8), Mountain Goat Hightail Ale ($7) and Cheeky Rascal cider ($11). Short Round has the air of a cafe that is a fixture, not a fresher. While it's been open a mere two weeks, it doesn't appear to have the fresh legs that suburban cafes tend to land on. The newest addition to a thriving Thornbury, it is surely set to flourish along with it.
Perhaps you love architecture. Maybe you need a reason to play tourist in your own town. Or, there could be a specific building, place or even house somewhere around the city that you've always wanted to peek inside. Each year, Open House Melbourne delivers much to spark excitement about no matter which of these categories you fall into. Its aim, including from Saturday, July 26–Sunday, July 27, 2025: to get everyone appreciating the structures and spaces that make up the Victorian capital, and also pondering Melbourne's future in the process. Accordingly, this is an event where you could be wandering around Werribee Open Range Zoo's new 21-hectare elephant habitat one moment, then peering behind the scenes at Southbank Theatre or exploring the new Melbourne Place hotel the next. Or, you might prefer to check out the new veloway on the West Gate Tunnel Project, hit up Port Phillip's new EcoCentre, make a date with Essendon Fields Airport Terminal and get on the turf — and see where the players hang out — at the Western Bulldogs' Whitten Oval. In total, almost 200 buildings, places and experiences are on the just-announced 2025 program, giving attendees ample options. Thanks to that hefty number, this is one of Open House Melbourne's largest-ever lineups. Highlighting hidden histories is a particular focus, with 'stories of the city' this year's theme. "'Stories of the city' underscores that idea that the city is more than just bricks and mortar — Melbourne is about people and place. Every building, street and public place in our city has a unique story to uncover," explains Open House Melbourne Executive Director and Chief Curator Dr Tania Davidge. Also pivotal this year: championing accessibility, which is where Open House Melbourne's new Access Map, detailing mobility-friendly and neurodiverse-considerate sites, comes in. Other sites on the full program include Melbourne Recital Centre, Rone and Callum Preston's street art studios, the Melbourne Vixens' home ground, the Duldig Studio museum and sculpture garden, Crumpler's Bag House, Australian Print Workshop, Australian Tapestry Workshop, the Spotswood Pumping Station, the new Prahran Skate Park and Kangan Institute's Health and Community Centre of Excellence. The ABC's Southbank studios, Yarraville Sun Theatre, Yan Yean Reservoir Park and the Shrine of Remembrance have been popular in past years — and they're back on Open House Melbourne's 2025 lineup, with more than 65,000 people expected to attend. If you're always interested in stepping inside stunning private residences, 13 are welcoming in visitors this year. Also doing the same: both 1 Heller St Brunswick and Bills Street Social and Affordable Housing. On the events side of the bill, Reworlding: Naarm is a three-hour adventure that plays out on the city's streets; First Nations kayak tours of the Yarra are at the heart of What's Good for the Birrarung is Good for Everyone; and you can learn more about some of those secret histories at interactive installations, talks and photography exhibitions. Plus, because every city needs a soundtrack, Mick Harvey, alongside producers Ernie Rose (Little River Band and Split Enz) and Roger Savage (Rolling Stones and The Easybeats — and an Oscar-nominee for Moulin Rouge!'s sound), will get chatting. Open House's film series is back, too, with architect Greg Burgess in the spotlight. Open House Melbourne runs across Saturday, July 26–Sunday, July 27, 2025 around Melbourne — head to the event's website for more details.
May has the Eta Aquarid meteor shower, June boasts the Delta Aquariids and December welcomes the Geminids. In November, however, it's Leonids time. Arriving at the end of spring in Australia and New Zealand, the Leonids may not be quite as well known as some of its counterparts, but it's still a shower worth looking up for. And it's famous for one impressive reason: its spectacular meteor storms. It can feature more than 1000 meteors per hour, but it only occurs around every 33 years — and, sadly, the most recent occurred in 2001. Still, while you won't spy that kind of intense onslaught in 2020, you will still see meteors. The Bureau of Meteorology predicts there'll be around five per hour hurtling across the heavens on average. At its peak, timeanddate.com predicts 15 per hour. In good news for those Down Under, the Leonids can be seen in the Southern Hemisphere. Although it runs from Friday, November 6 until Monday, November 30, it's best detected between Saturday, November 14 and Friday, November 20 — and it's expected to be at its peak between Tuesday, November 17 and Wednesday, November 18. Like many astronomical shows, catching an eyeful after midnight is recommended (aka when the moon has set and its light will not interfere). Named for the constellation of Leo, which is where it appears to radiate from in the sky, the Leonids aren't just renowned for its huge showers approximately three times each century, but also for its place in history. During the storm of 1833, it has been estimated that more than 100,000 meteors streamed across the sky per hour — and, as a result, the Leonids helped play a part in the formulation of the first theory about the origin of meteors, NASA notes. The Leonids stem from the Comet Tempel–Tuttle, which was actually first officially recognised after the famous meteor shower of 1833 — in 1866, in fact. And, if you're wondering why the Leonids' storms only hit every 33 years or so, that's because that's how long it takes for the comet to orbit around the sun. [caption id="attachment_751114" align="aligncenter" width="1920"] The peak of the 2009 Leonids meteor shower. Image: Navicore via Wikicommons.[/caption] For your best chances of getting a glimpse, the usual advice applies. Get as far away from bright lights as possible — this could be a good excuse to head out of the city to a clear-skied camping spot — and pray for no clouds. And, given that the Leonids originate from the Leo constellation, that's what you'll be looking for in the sky. To locate Leo, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). The Leonids meteor shower is best detected between Saturday, November 14 and Friday, November 20. Top image: Mike Lewinski via Flickr.
Gin lovers, the start of Christmas season has officially arrived. Four Pillars is releasing its limited edition 2017 Australian Christmas gin tomorrow, Saturday, November 4. The Healesville distillery first debuted this smash-hit creation last year, with a gangbusters response demanding it become an annual occurrence. Building on a family tradition of making Christmas puddings every Derby Day, co-owner Cameron McKenzie distills some of those homemade puddings, adding a base of cinnamon, juniper, star anise, coriander and angelica. The blend's finished with a touch of Rutherglen muscat to create a luscious, spiced gin akin to Christmas in a bottle. This time around, the recipe features muscat matured in aged sherry puncheons at the distillery, stepping up the richness and adding even more complexity. Also new for 2017's gin is the striking label artwork, created by Melbourne-based artist Darren Song and inspired by Australia's own little beacon of Yuletide cheer, the Christmas beetle. A limited amount of Four Pillars Australian Christmas Gin is available online and at selected retail stores for $100 from Saturday, November 4.
Australia keeps going dotty for Yayoi Kusama — and this time, one of the Japanese artist's dot-filled installations is coming to our shores on a permanent basis. Canberra's National Gallery of Australia has acquired Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens, which will form part of the NGA's collection and go on display from December this year. The piece was first exhibited in 2015 and last seen in Australia earlier this year, in Brisbane as part of the Gallery of Modern Art's Yayoi Kusama: Life Is the Heart of a Rainbow exhibition between October 2017 and February 2018. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama piece. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her work — "our earth is only one polka dot among a million stars in the cosmos", she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The acquisition was made possible via a gift to the NGA from Andrew and Hiroko Gwinnett. "It has long-been my ambition to see a major contemporary Japanese artwork housed in Australia's national collection," said Andrew in a statement. "Kusama's playful installation is a legacy that will keep giving for generations to come." Find The Spirits of the Pumpkins Descended into the Heavens at the National Gallery of Australia, Parkes Place, Parkes, Canberra from a yet-to-be-revealed date in December 2018. Images: Yayoi Kusama, THE SPIRITS OF THE PUMPKINS DESCENDED INTO HEAVENS 2015. Installation view at The Museum of Modern and Contemporary Art in Nusantara (Museum MACAN). © Yayoi Kusama. Courtesy of Ota Fine Arts, Tokyo/ Singapore/ Shanghai.
Discounted airfares have been quite the topic of conversation over the past year or so, as Australian airlines have endeavoured to encourage us all to explore this scenic country of ours. If we can't holiday overseas while the international border is closed, we should all make the most of our own backyards — or so the very sensible thinking goes. That said, with lockdowns and border restrictions still a regular part of pandemic-era life Down Under, holidaying within Australia isn't straightforward. But, if and when that becomes a bit easier in the coming months — with both New South Wales and Victoria set to start easing stay-at-home conditions when the two states each reach certain vaccination thresholds — enjoying an Aussie getaway will hopefully be back on the cards nationwide. And, in preparation for that becoming a reality, Virgin is hosting a five-day sale that's serving up cheap flights. Called 'Anywhere But Here', this sale has more than a million discounted fares up for grabs — but you'll need to get in quick. They went on sale today, Monday, September 6; however, they're only available until Friday, September 10 or sold out, whichever comes first. All one-way fares, the discounted economy flights cover 70 different routes. Some of the specials on offer include Sydney to Byron Bay for $49, Sydney to the Sunshine Coast for $69, Melbourne to Launceston from $49, Melbourne to the Whitsunday Coast from $139, Brisbane to Hamilton Island from $105, Brisbane to Darwin from $149, Adelaide to Melbourne from $79 and Perth to Broome from $179 (and vice versa in all cases, naturally). And, if you're wondering when you can travel — depending on lockdowns and border restrictions, of course — you can book flights for trips between October 6, 2021–June 23, 2022. Only some fares cover seat selection and checked baggage, however, with the airline announcing back in August that it is now splitting its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights also became mandatory in Australia in January. Virgin's 'Anywhere But Here' sale runs from today, Monday, September 6–Friday, September 10 — or until sold out. Find out more about current interstate border restrictions via the Australian Government's Health Direct website.
The story goes that, in 1971, National Geographic's Loren McIntyre found the source of the great Amazon River. Last year, author Petru Popescu published his version of the story, called Amazon Beaming, in which Popescu details how McIntyre found a tribal chief with whom he was able to communicate — telepathically. That is, with their brains. Yep. This instance of multimedia theatre, showing at the Malthouse from February 3–10, really challenges the audience to approach the production holistically, in terms of their senses. Taking the idea of telepathic communication, legendary director Simon McBurney and theatre stalwart Richard Katz project all the sound through a 360-degree microphone straight into the ears of their audience via headphones. McBurney pushes the audience's imagination to immerse themselves into the humid and mysterious environment of the Amazon through Katz's impressive performance in what is essentially a two-hour monologue.
In the ultimate blend of gastronomy and performance art, dynamic duo Sam Bompas and Harry Parr are about to host the most intimate of Valentine's Day parties. The jelly-lovin' brains behind wobbling, edible houses of parliament and the lava-powered barbecue, Bompas and Parr are about to host a whisky tasting — an anatomical whisky tasting, in which guests are invited to taste 25, 30 and 50-year-old whiskies from the bodies of people born the same year the good stuff was casked up. Poured onto the natural contours of 25, 30 and 50-year-old performers, the whiskies will naturally react to the body heat and surface saltiness of each human, bringing out different flavours within each spirit. So you'll taste a 25-year-old single malt from a 25-year-old body — a predicted contrast to a 50-year-old scotch from a 50-year-old body. After you've slurped the smoky goodness from their body, the performer will then spin tales of their life story — they've been alive as long as that whisky has, so you'll add a bit of context to the matured mouthful you just downed. And any bored hesitation you have to hearing their life story, remember, you just drank whisky from the small of their back. They earned it. You'll have to book an airfare to enjoy Bompas & Parr's sensory experiment; the tastings are being held in collaboration with culture journal The Gourmand on February 14 at Shoreditch's Ace Hotel in London. Via Londonist.
Heartland Records has been a North Melbourne local since 1992. Previously located on Peel Street, its current space on Victoria Street is larger. There's the full spectrum of genres on offer, with new releases as well as back catalogue titles. The shop's owner Paul Cook prides himself on their friendly service and passion for vinyl. One loyal visitor is reported as saying, "I started off as a customer, and ended up working here to feed my vinyl habit." Could be you! Either way, a visit to Heartland is sure to turn up some new music discoveries and inspire your listening. Images: Parker Blain.
Paul Rudd probably has an attic. And in that attic, a dusty portrait of the superstar actor is probably ageing, because the man himself doesn't seem to be. That's a perfectly logical explanation for why the Clueless, Halloween 6: The Curse of Michael Myers, Romeo + Juliet, Anchorman: The Legend of Ron Burgundy, Parks and Recreation, Wet Hot American Summer and Living With Yourself actor — and Ant-Man star, too — has looked the same for decades. And, it inspires a question: if you keep Rudd's likeness somewhere in your house, will you stop getting older as well? Will you start looking like Paul Rudd instead? That's a situation no one would complain about. Whatever might happen, a very real book written by Rudd's very fictional Marvel Cinematic Universe alter ego is on its way, so soon you can pop it on your shelf and find out. That tome is Look Out for the Little Guy, as penned by Scott Lang — aka Ant-Man. It's just been announced because a not-at-all-tun movie called Ant-Man and The Wasp: Quantumania hits cinemas on Thursday, February 16. And yes, this new text will feature in that flick. See the film, buy the fake memoir: that's what's on offer for MCU fans, Ant-Man stans and Paul Rudd obsessives (so, everyone). In Ant-Man and The Wasp: Quantumania, Lang has penned the book, detailing his time saving the world. Unsurprisingly, the autobiography has proven popular. The Disney-owned Marvel will be hoping the real text does the same, of course, when it hits bookstores on Tuesday, September 5. According to the official synopsis, the memoir steps through "a bracingly honest account" of Lang's "struggles and triumphs, from serving time to being a divorced dad to becoming Ant-Man and joining The Avengers". Readers are also in for "stories of epic battles won and lost, as this everyman turned super hero finally tells all — from the official account of what really happened between The Avengers and Thanos to how shrinking down to ant-size really feels to the challenges of balancing the roles of hero and dad". Look Out for the Little Guy also has a trailer, because Marvel and the Mouse House realise that the best way to sell anything involving Paul Rudd is just giving the world what we want: more Paul Rudd. "In this new book I'm almost certain was not written by me, we pull back the curtain and uncover the man behind Ant-Man: Scott Lang," the actor advises. "Who is he? What's he like? Why does he look so much like me?" Check out the Look Out for the Little Guy trailer below: Scott Lang's Look Out for the Little Guy will hit bookstores on Tuesday, September 5, and is available to pre-order now — head to the Disney Books website for further details. Ant-Man and The Wasp: Quantumania hits cinemas Down Under on Thursday, February 16.
For the past few years, the minds behind The Beer Run have been using ice-cold beers at the pub as motivation to workout. Jog between breweries and bars, drink a brew at each one — that's how the boozy fun run plays out. No one is going to pubs, breweries, bars or watering holes at present, so The Beer Run's organisers have adapted. Meet The Virtual 5k Run, their isolation-friendly alternative. You'll still run, jog or walk briskly; however you'll do so wherever you like, be it your own street, your local park or at home on a treadmill. And if you'd like a beer afterwards, you'll need to supply your own. The run will kick off at 11am on Sunday, May 31 — and while it mentions five kilometres in the event's name, you can also hit the pavement across one or ten kilometres, too. And if you're wondering what makes this different from just getting sweaty by yourself, a live comedy host will be overseeing proceedings. Plus, there'll be prizes, including for best dressed — because dressing up and having a laugh is definitely encouraged. Keeping the beer theme going, the prizes are sponsored by breweries — and, while tickets start at $15, if you opt for the $25 option, you'll receive a Beer Run medal as well. The Virtual 5k Run is also donating $5 from each entry to a COVID-19 cause, which'll be chosen via votes from participants.
Here we go again, folks. In a move which feels uncomfortably similar to what we saw happen to The Palace earlier this year, St Kilda's Prince of Wales Hotel has just been put up for sale. The entire four-storey building — including the pub, bandroom, restaurants, hotel, spa, and carpark — is currently open to expressions of interest online and estate agents are hinting at its potential for imminent residential development. "[The site has] immediate development potential with approved plans and permits for four (4) additional levels of premium residential accommodation," the listing reads. Of course, at this point nothing is set in stone. Either way, both the pub and bandroom will remain tenants of the building until the end of their lease, and there's still a good chance the building's new owner will want the businesses to stay on. After all, the site in all its current form takes in a whopping $2.3 million per year. Unfortunately, none of this can be determined by the venue operator. Until a buyer is confirmed we're all in an uneasy state of limbo. More than 60 years since its opening, Prince Bandroom is still regarded as one of the city's best mid-size venues. With a capacity of just 900, it's been a stalwart of the south side's live music scene regularly hosting big name acts including Coldplay, Bright Eyes, Goldfrapp, Lenny Kravitz, The Scissor Sisters, and just this year, Solange and Kelis. This is quite the legacy to hold onto, and if we've learnt one thing from being a music-loving Melburnian it's that you should never say die. Though we saw The Palace close their doors forever, there are now whispers of a white knight developer looking into restoring the site to its former glory. Anything can happen. Either way, there's a good chance we could have another fight on our hands. Via Tone Deaf.
When November and December hit, one sale tends to follow another. Black Friday, Cyber Monday, Christmas, Boxing Day: bargains usually await for all four. So, after Jetstar discounted a heap of fares for Black Friday, of course the Australian airline is backing it up with Cyber Monday specials, this time with fares from $35 for domestic trips and beginning at $149 if you're holidaying internationally. You only have two days, until 11.59pm AEDT Tuesday, December 3, to get booking — or not even that long if tickets are snapped up earlier. The cheapest route within Australia is Sydney to Byron Bay and Ballina, which is where the $35 price comes in. Overseas, that $149 fare will get you from Perth to Singapore. As always, prices obviously vary depending on where you're flying from and to, but other domestic options include Melbourne to Launceston from $40, Sydney to Gold Coast from $50, Brisbane to Melbourne from $75 and Cairns to Brisbane from $84 — plus Adelaide to Gold Coast from $94, Adelaide to the Whitsunday Coast from $114, Darwin to Sydney from $144 and Perth to Adelaide for the same price. With fares to Fiji, New Zealand, Vanuatu, Bali, Japan, Hawaii, Thailand and South Korea also covered, overseas bargains include Melbourne to Nadi from $179, Gold Coast to Auckland from $182, Sydney to Port Vila from $199, Perth to Phuket from $205, Adelaide to Bali from $222, Cairns to Osaka from $249, Brisbane to Seoul from $269, Sydney to Honolulu from $282 and Brisbane to Tokyo from $339. You'll be travelling within Australia from mid-January to mid-June 2025, and from late-January to mid-October 2025 if you're going global. The caveats: all prices apply to one-way fares; checked baggage is not included, so you'll want to travel super light or pay extra to take a suitcase; and dates vary according to the route. If you're a Club Jetstar member, you can score even more discounts, starting with Sydney to Byron Bay and Ballina from $29. Helped by its Black Friday and Cyber Monday sales, Jetstar expects to sell 12-million-plus fares for under $100 and 21-million-plus for less than $200 in 2024. Jetstar's 2024 Cyber Monday 'fare frenzy' sale runs until 11.59pm AEDT Tuesday, December 3 — or until sold out prior. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Autumn might just be the best part of year to explore Victoria's regional towns and surrounding nature. At this time, the leaves are turning golden, the weather is cool enough for long leisurely walks and a heap of new produce comes sprouting from the earth. If that isn't enough of an excuse to head off on a weekend getaway, Scrub Hill — a two-acre property in between Ballarat and Daylesford — is calling city folks out to the countryside for its very first Sunday Lunch Series that celebrates autumn in all of its delicious glory. On Sunday, April 14, Chef and writer Ella Mittas will cook up a four-course long lunch that guests will feast on within Scrub Hill's new glass marquee overlooking the property. Winemaker Owen Latta will also be on hand, creating bespoke wine pairings (included in the $160 ticket), plus the team will serve up a few aperitifs from vermouth producer Maidenii. With all this booze included in the event, you're not going to want to drive back to your accommodation. Thankfully, the team has prepared for this by organising a private shuttle to and from Daylesford. The moment that you step on the bus, you'll be in their very capable hands, letting them make all the decisions for you. Simply follow their lead, drinking and eating the Sunday arvo away surrounded by rolling hills.
This year, Melbourne and Australia got its first not-for-profit bar Shebeen on Manchester Lane. With every drink sold going towards developing projects in its country of origin, it is changing the way we think about charity and sipping a tipple. We have Simon Griffiths to thank for this. Concrete Playground got hold of Simon to talk about his philanthropic work, Shebeen, toilet paper and his cat. What drove you to philanthropic work? I started working in the corporate world but quickly realised that I wanted to use my skills to solve social problems, not just business problems. After a lot of research I found that the number one problem faced by development aid organisations was a lack of funding, so I decided to create a new channel for funding, moving away from the donation market, and instead creating an avenue for consumer dollars to create social impact. After you came up with the concept for Shebeen with Zanna McComish, what was it that made you think, this really might work? The basic concept was actually 100 percent Zanna's, but it has snowballed into something much larger and more sustainable over the years. When Zanna first mentioned the idea to me, I was so excited that I knew a lot of people would dig it as well ... we just had to figure out how to make the business model work. How was it getting partners and suppliers on board? The really tricky part was raising the capital to get the venue open. We ended up raising social capital, i.e. without any financial return, from 20-25 different investors, then pieced together product partnerships with Brown-Forman, Schweppes and Silver Chef to fill the remaining cash shortage. We did everything on a tiny budget, so had to garner pro bono support from anyone and everyone, including Foolscap Studio (interior architecture), Swear Words (graphic design), Run Forrest (PR and communications), McCorkells Construction (building), Alpha 60 (uniforms), Tin & Ed (murals and uniform graphics), and so on. It has been a long but amazing ride! What is one of the projects you are most excited about contributing to in the developing world? I really get off on KickStart, who we work with in Ethiopia. Around 80 percent of the poor in Sub-Saharan Africa are small-scale farmers who depend on unreliable rain to grow crops. KickStart figured out that irrigation would allow many of them to move from subsistence farming to commercial agriculture, so they developed the MoneyMaker pump to allow farmers to draw water from rivers, ponds and wells to irrigate large areas of land year-round. Basically their pumps create a substantial and sustainable increase in household income — and they're really great at measuring their impact. We know that every $1 we give them turns into $12 of profits and wages for one of their farmers. That's a pretty exciting return-on-investment — or return-on-drinking-an-Ethiopian-beer. For you, how does Shebeen's support to the developing world differ from other charitable organisations? Basically we give consumers an opportunity to put their purchasing power to work. Now that we're open we're 100 percent self sustaining — we're already profitable and will start donating funds in the next four months or so. We'll only seek to raise additional capital to open new venues. What do you want people to take away from Shebeen? We want them to start thinking a little differently about what it means to be a consumer, and where their money ends up. After five years in the making. What does it feel like to walk into the bar and see it as a reality? It's still quite surreal to see people in there! But we've been so busy it's also been difficult to stop and celebrate. I'm taking my first weekend off for the year this weekend — it's going to be great! Where do you see Shebeen in five years? In five years we're hoping to have venues in five or more locations and will hopefully be looking at our own retail range of products as well. What is your favourite drink on the menu? I've really gotten into our cocktails. I really like the Ginger Kaffir Limeade, which is made with Kaffir Lime infused Finlandia vodka, and our warhead-sour lemon frozen margaritas, which we're making with El Jimador tequila. We're just about to start experimenting with cocktails on tap, too. What gets you out of bed in the morning? Usually my alarm, or my cat biting my foot. Occasionally it's a hangover. What's next for Simon Griffiths? Getting Shebeen doing a great takeaway lunchtime trade, opening the second Shebeen venue, and selling more toilet paper — I also run whogivesacrap.org. Images by Clever Deer.
We've scored giant slip 'n' slides, trampoline gyms and bouncing castle obstacle courses. Now, it's time to get on board the latest kidult craze to hit our shores, as Australia's biggest game of hide and seek takes over a cruise ship on Sydney Harbour next month. That's right: hiding and seeking is no longer just child's play. In fact, Australia's even got its own national hide and seek adults team, the Nascondingos, who took out eighth place at the most recent world championships, which are a thing. And on Sunday, February 18, these guys will be honing their finding skills, playing a team of 'seekers' as locals of all ages hide onboard one of the world's biggest cruise ships, Ovation of The Seas. It's thought to be the largest official game of hide and seek ever played at sea — and, yeah, it probably is. Applications to compete in the game are open to just about everyone, with one game for kids aged 8–14 and another for adults aged over 15. There's a solid prize pool, too, with the last person to be found in the adult's game taking home a cool $10,000 and a cruise. Of course, it's all part of a huge promo for Royal Caribbean, but that shouldn't stop it being a bit of fun. If you fancy yourself a hide and seek pro, don't be shy about it — enter here by February 5.
When the sunny season descends on the beachside stretch of St Kilda, things will be looking a little different — or at least they will at 30 Jacka Boulevard. Pontoon, the downstairs beach club component of the Stokehouse precinct, is set to score a whole new lease on life, complete with a makeover, a new name and an entirely fresh direction. Already closed for renovations and slated to reopen during summer, the site's new incarnation is being steered by Hugh and Pete van Haandel, sons of Stokehouse precinct owner Frank van Haandel. It'll mark a return to the venue's roots and a nod to some of its previous lives, plating up fuss-free Euro flavours with a healthy dose of Aussie flair. While the specifics are being kept under wraps for now, we're told to expect a similar commitment to top-notch seasonal ingredients as Stokehouse above, yet with a simpler, more casual bent. [caption id="attachment_754106" align="alignnone" width="1920"] Pontoon, by Simon Shiff[/caption] Meanwhile, the space itself is aiming for a laidback aesthetic, while continuing to honour the precinct's strong sustainability focus — earlier this year, it achieved a covetable 5-Star Australian Excellence Green Star Design and As Built Rating. Pontoon is just the latest in a string of long-standing coastal venues to be revamped at the hands of new owners this year. Further south, you've got Mornington's newly reopened Bay Hotel, while Sorrento is home to both the reincarnated Stringers and the multiple venues of the Scott Pickett-led Continental Sorrento makeover. Pontoon's next incarnation will reopen at 30 Jacka Boulevard, St Kilda, this summer. We'll share more details as they drop.
Let the games begin — again. Following a three-year wait since its award-winning first season, and after teasing the show's 2024 return since January, Squid Game will start playing again on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. Netflix has not only advised when its huge 2021 hit — one of the best new TV programs of that year, in fact — will finally make a comeback, but has also announced that there's even more in store. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the Squid Game story. The streaming platform revealed both pieces of news with a date announcement teaser that features a running track, competitors in recognisable green tracksuits, and also-familiar folks in red watching on alongside the masked Front Man — and with a letter from series director, writer and executive producer Hwang Dong-hyuk. "I am beyond excited to be writing this letter to announce the date for season two and share the news of season three, the final season," said Hwang. "Seong Gi-hun, who vowed revenge at the end of season one, returns and joins the game again. Will he succeed in getting his revenge? Front Man doesn't seem to be an easy opponent this time, either. The fierce clash between their two worlds will continue into the series finale with season three, which will be brought to you next year." View this post on Instagram A post shared by Netflix US (@netflix) So, yes, season one's protagonist Gi-hun (Lee Jung-jae, The Acolyte) is back. So is his nemesis (Lee Byung-hun, The Magnificent Seven). If you're wondering what else is in store after the hefty gap — Squid Game was such a huge smash in it first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — a few further details were dropped earlier in the year. That's when Netflix previously unveiled a brief snippet of Squid Game season two, arriving in a broader trailer for Netflix's slate for the year — as it releases every 12 months. In the footage, Seong Gi-hun answers a phone call while at the airport sporting his newly crimson locks. He's soon told "you're going to regret the choice you've made". Cue his statement of vengeance; Squid Game meets John Wick, anyone? Wi Ha-joon (Little Women) is back as detective Hwang Jun-ho, as is Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two — so that's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out Netflix's season two date announcement clip for Squid Game season below: Squid Game season two will stream via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: Netflix.
Travel junkies now have another big-ticket festival to add to their overseas itineraries as organisers behind legendary California music fest Coachella announce plans for a new London festival to launch next year. Kicking off on May 25, 2018, All Points East will feature a three-day, multi-genre music festival held across six stages in east London's Victoria Park. On top of that, the festival will span an extra week of free entertainment for the community before culminating in a trio of standalone headline shows. Already confirmed on the bill for the first portion are London heavyweights The xx, Jamaican MC Popcaan and Swedish pop act Lykke Li. Punters will be able to grab tickets to one, two or all three days. There'll then be free access to the site over the following week, as it plays host to a diverse program of comedy shows, food and drink events and an outdoor cinema. Finishing strong from June 2, the APE Presents headline shows will feature the likes of American indie rockers The National and The War On Drugs, synth-pop trio Future Islands, LA act Warpaint and Pennsylvania rock outfit The Districts. Further All Points East artist announcements are set to drop next week. Stay tuned. Via The Guardian.
Everyone loves to have a secret. Especially foodies. They live for the discovery of a restaurant before anyone else, and protect the name of their favourite dumpling joint with extreme rigour lest it become one that attracts a crowd. These people need a safe place where they can enjoy fine food and conversation without the worry of disclosing their deepest. That's where Secret Foodies comes in. Secret Foodies throw surprise dinners for people who like to share great food over good conversation with likeminded food lovers. They've been holding events in Sydney for a while now, and since their expansion to Melbourne last year, their events have gained somewhat of a cult following. You won't know where you're going or who you'll be sitting next to at the dinner table, but you can just anticipate some delicious things to happen inside your mouth. Their next event — held this Friday, 24 October — will be crazy. Jamaican Me Crazy. The theme is Caribbean, with drinks that match the flavours of the region (i.e. rum) and, we hear, Jamaican jerk pork done three ways. The night costs $85 for food and three drinks, and the location will be sent to you via a last minute text message at about 5pm that day. So if you consider yourself a bit of a foodie, head along to eat, drink and swap secrets. You never know, you might uncover a few big ones. Concrete Playground readers can receive $10 off their Secret Foodies ticket by entering the code concretejamaica at checkout.
Over the past few weeks, racially motivated discrimination, oppression and injustice has been in the global spotlight. It's a subject that always demands action and attention, both worldwide and within Australia. Lately, however, it's been particularly thrust to the fore due to the Black Lives Matter movement, and protests over the death of American George Floyd at the hands of a police officer — as well as, at the local level, the ongoing fight to end the systemic mistreatment of Aboriginal and Torres Strait Islander peoples by law enforcement, and to stop Indigenous Australian deaths in custody. This isn't a new topic. The quest to end racial prejudice and inequality isn't new either. Centuries of history can attest to that fact beyond the current news headlines — and so can a wealth of powerful documentaries on the subject. Some recent films chart the American civil rights movement. Others explore the lives and impact of Indigenous Australian musicians. And, with examples from both categories, five such docos are now available to watch for free on YouTube for the entire month of June. All five films are distributed by Australian company Madman Entertainment, and all have previously screened in cinemas and/or at film festivals. They're all vital viewing, too — and, at present, doing so doesn't involve any cost or require a subscription to a streaming platform. The documentaries are now up on Madman's YouTube channel, as embedded into the company's website. Leading the bill are a trio of movies with a local angle, and with a particular interest in Indigenous music. Viewers can watch Gurrumul, the immensely moving portrait about the chart-topping late Indigenous talent from Elcho Island off the coast of Arnhem Land; then check out Murundak: Songs of Freedom, which focuses on Aboriginal protest music, specifically following The Black Arm Band and other Indigenous Australian musicians on tour; then view Westwind: Djalu's Legacy, about Yolngu elder and master Yidaki (didgeridoo) player Djalu Gurruwiwi and his efforts to pass on his culture's ancient Songlines. https://www.youtube.com/watch?v=_USf1UQIAYg Those docos are joined by two films that examine race and injustice in America, and prove particularly relevant to current US protests. 3 1/2 Minutes, Ten Bullets chronicles the 2012 murder of 17-year-old high school student Jordan Davis — who was shot at a Florida gas station after an argument over loud music — as well as trial that followed, and the media coverage and resulting protests also. Then there's Raoul Peck's potent and affecting Oscar-nominee I Am Not Your Negro, which tackles racism in America from a historical perspective. That's conveyed through the words of novelist, poet and activist James Baldwin — words written in the mid-70s, but sadly still applicable today — with Samuel L. Jackson serving as the documentary's narrator. In sharing the five films, Madman is encouraging everyone to not only watch, but to learn, listen, and talk about them with friends and family. It's also suggesting that viewers donate to support relevant causes, naming a worthy organisation — and, in some cases, multiple organisations — for each documentary. To watch Gurrumul, I Am Not Your Negro, Murundak: Songs of Freedom, Westwind: Djalu's Legacy and 3 1/2 Minutes, Ten Bullets for free until the end of June, head to the Madman website. Top image: I Am Not Your Negro.
If pastel wasn't already part of your gig-going wardrobe, it will be at Australia's newest music festival, with Client Liaison launching their own curated touring event. Called Expo Liaison, the seven-hour fest will tour Melbourne, Perth, Sydney and Brisbane across the last two weekends in August, with the yet-to-be-announced lineup selected by the band. There's no word yet on whether they'll be performing themselves, but you'd think that's a highly likely possibility. Just what else is in store is also yet to be revealed too, although the festival bas been badged "a multimedia, multi-city, multiversal experience" in its promotional material, as well as a "once-in-a-lifetime event". They're the kind of descriptions that plenty of gigs and fests throw around, but Client Liaison have a track record of delivering more than just the usual shows — or fashion lines or music videos, for that matter. First release tickets are currently on sale across all four cities, and if you're keen to hear the duo's own thoughts on the festival, check out the Expo Liaison trailer: https://www.youtube.com/watch?v=AgSsrdVHnh0&feature=youtu.be Expo Liaison heads to Melbourne's Flemington Racecourse on August 18, Sydney's Parramatta Park on August 25 and Brisbane's Victoria Park on August 26. Head to Client Liaison's website for further details and to buy tickets.
Hanging out on Melbourne's rooftops could seem a little chilly this winter. But the team at Good Heavens have put together an attention-grabbing experience set to get you off the couch. Giving the city's largest rooftop bar a winter makeover, Heavens Above is the venue's cold-weather twist, featuring boundless fun in the clouds with the launch of a new-age curling rink. Offering a fast-paced, team-friendly spin on traditional curling, Good Heavens is primed for late-night thrills, as groups gather to chase bragging rights over a few drinks. Though not the full-scale affair, this easygoing game blends the likes of shuffleboard and lawn bowls for a satisfying sliding experience that puts your skills to the test. With the venue bringing a fresh look for winter, Good Heavens hasn't said goodbye to its Palm Springs-inspired vibe. Curated by local artist Georgia Harvey, she's lent her eye for openair spaces to the venue, decking out Heavens Above with warm tones, bold flourishes and a draped ceiling installation crafted by Melbourne textile artist, Oscar Lake. As for the drinks, the winter menu doesn't miss a beat. Bartender Matt Linklater (Black Pearl) has conceived an exclusive cocktail list, marrying creative combinations with winter warmth. The Frosé Tips features rosé, strawberry and coconut, while the Black Diamond Fizz blends Ardbeg Wee Beastie, Dubonnet rouge, blackberry and soda. Feeling extra indulgent? The S'mores Espresso Martini combines Belvedere, Kahlua, salted caramel and toasted marshmallow. Plus, winter's chill will quickly evaporate with a cosy glass of mulled cider in hand, with its mix of Mountain Goat cider, Hennessy, spices, honey and sage primed for the season. Heavens Above also features a seasonal food menu, with Head Chef Jarrod Di Blasi bringing a host of playful twists. Think devilled eggs topped with sturgeon Oscietra caviar; wood-grilled oysters brushed with smoked brisket fat and cayenne-watermelon hot sauce; and soft chocolate mousse with cold-pressed yuzu oil and fleur de sel. So, work up an appetite on the curling court, then slide into a comfy spot for drinks and nibbles at Good Heavens this winter. Good Heavens is open Thursday–Saturday from 12pm–1am and Sunday–Wednesday from 12pm–11pm at Level 2/79 Bourke Street, Melbourne. Head to the website for more information.
In an attempt to reduce the spread of COVID-19 across Australia, Prime Minister Scott Morrison has announced an indefinite ban on non-essential organised gatherings of more than 500 people from Monday, March 16. The decision was made this afternoon at a meeting of Council of Australian Governments, which is made up of the PM and state and territory First Ministers, on the recommendation of Australia's Chief Medical Officer Brendan Murphy. Schools, universities, public transport and airports will not be impacted by the ban, but the government is recommending Australians reconsider all non-essential overseas travel, regardless of their age, health or destination. Large sporting games, concerts and food festivals will all be impacted by the ban and it's possible venues with a capacity of over 500 people will, despite not falling under the banner of 'organised events', also decide to close. We'll let you know if and when these are announced. While the ban does not come into place until Monday, many large-scale events across the country have taken precautionary measures and already cancelled or postponed, including Melbourne's Meatstock, Parramasala in Sydney's west and Brisbane's Paniyiri Greek Festival. Australia's ban follows a similar one introduced in New York yesterday, as well as the closure of large swathes of cinemas in China, Iran, South Korea, Japan, Italy and France, and theme parks in Shanghai, Hong Kong and Tokyo. We've also seen the cancellation of Texan music and film festival South by Southwest and postponement of Coachella. More locally, Tasmania's Dark Mofo and the Grand Prix in Melbourne have both been cancelled. The World Health Organisation (WHO) announced early this week that COVID-19 is a pandemic. As at 11am on Friday, March 13, Australia has 156 cases confirmed cases of COVID-19. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Concrete Playground recently caught up with David Stewart, one of England's most respected photographers. He started off capturing punk bands like The Clash and The Ramones, as well as the colourful characters of Morecambe Promenade, from which he developed a distinctive style of portraiture. Often eerie, funny, creepy and touching (sometimes at the same time), his photos incite curiosity at what imagines to be a fascinating back story. He also directed and produced a film in 1995 called 'Cabbage' with a series of surrealist photographic images to accompany in homage to the often misunderstood vegetable. He is currently working on a series called 'Teenage Pre-occupation' about what teenagers go through growing up, and will have some new work on show in Australia as part of an Olympus ad campaign. Fingers crossed an exhibition of his will travel down under soon. How did your time growing up as a child and teenager in Lancaster influence your work? Growing up in the North of England definitely gives you a different view on life and maybe it is this that causes me to see things with the sense of humour. Northern people are very funny and straight to the point. There is an element of telling it how it is. You started photographing famous rock bands, which for some photographers is a topic they stick with for their whole career. What made you decide to stop photographing people in the music industry? The band photography was what got me interested in photography but, when I was at college, I realised I was more interested in constructing images from scratch which gave me the opportunity to put forward a thought or point of view of my own. The band thing was something that could not be controlled and so, after a while, became routine. What does camouflage symbolise to you? Hiding and trying to fit in while there may be a more sinister message. When looking at your photos, I am sometimes torn between laughing and feeling extremely uncomfortable. Why do you use humour in the depiction of very dark scenes? Humour acts as a way of grabbing people's attention and then, in turn, leads them to a thought if they stay with the image long enough. It's like music where you like the tune but you're unaware the lyrics are telling a darker story. Do you think your characters are representative of the real folk of England? Are the characters who seem threatening or malicious actually harmless or are your exposing their true nature? I think the characters do represent real people – everyday people or situations you might be familiar with - but when presented as photography, the character or situation becomes heightened. There is an element of exposing the true nature of people to provoke a thought. Can you tell me about the upcoming series 'Teenage Pre-occupation?' How did you choose your subjects? The series again draws on observations I have made. The changes that the digital age have created, especially with regards to young people, is very relevant at the moment. The subjects in 'Teenage Pre-occupation' are all chosen as they portray something I have noticed about being a teenager in the current cultural climate. Again, this becomes more noticeable when presented as a piece of photography.
Wes Anderson and symmetry are virtually synonymous. Wes Anderson and pastel hues, too. And, Wes Anderson and stars such as Jason Schwartzman (I Love That for You), Tilda Swinton (Guillermo del Toro's Pinocchio), Ed Norton (Glass Onion: A Knives Out Mystery), Adrien Brody (See How They Run), Willem Dafoe (The Northman), Tony Revolori (Servant) and Jeff Goldblum (Jurassic World Dominion) are frequently (repeatedly, even) mentioned in the same breath. All of the above gets a big tick in the trailer for the filmmaker's latest film Asteroid City, but so is something else. If you've ever wondered what a Wes Anderson movie would look like with aliens descending on a desert town, you're about to find out. Two years after The French Dispatch hit cinemas, Anderson is returning to the big screen, with his 11th feature hitting cinemas in 2023. And, that movie now has a trailer that is about as Wes Anderson as Wes Anderson gets — a description that every trailer for his flicks, and every picture itself, keeps earning because it keeps proving true. Releasing on June 16 in the US, and August 10 in Australia and New Zealand, Asteroid City sports a Moonrise Kingdom-esque premise. The flick follows a Junior Stargazer/Space Cadet convention in the titular (and fictional) American town in 1955. Students and their parents descend on the contest from around the country, all in the name of scholarly competition; however, then world-changing events shake things up. Anderson isn't one for making the same thing twice, of course, with aliens invading Asteroid City's plot (which was penned by the filmmaker with his frequent writing partner Roman Coppola, who also co-wrote Moonrise Kingdom and The Darjeeling Limited, and has a story credit on Isle of Dogs and The French Dispatch). The trailer for the film firmly gives it its own vibe, too. That's present in the imagery alone, which makes ample use of desert tones to stunning — and yes, sometimes symmetrical — effect. Alongside Schwartzman, Swinton, Norton, Brody, Dafoe, Revolori and Goldblum, fellow Anderson regulars Scarlett Johansson (Black Widow), Jeffrey Wright (The Batman), Liev Schreiber (Ray Donovan), Stephen Park (Warrior) and Bryan Cranston (Better Call Saul) help bring the story to life. They're joined by Tom Hanks (A Man Called Otto), Margot Robbie (Babylon), Steve Carell (The Patient), Matt Dillon (Proxima), Hong Chau (The Whale), Hope Davis (Succession), Rupert Friend (Obi-Wan Kenobi), Maya Hawke (Stranger Things), Jake Ryan (Uncut Gems), Grace Edwards (Call Jane), Aristou Meehan (The Contractor), Sophia Lillis (IT: Chapter Two), Ethan Lee (Mr Robinson) and Rita Wilson (Kimi). Check out the trailer for Asteroid City below: Asteroid City will release in Australia and New Zealand on August 10, 2023. Images: Focus Features.
