Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've been under the weather. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are eight that you can watch right now at home. JOHN WICK: CHAPTER 4 Almost a quarter-century has passed since Keanu Reeves uttered four iconic words: "I know kung fu". The Matrix's famous phrase was also the entire movie-going world's gain, because watching Reeves unleash martial-arts mayhem is one of cinema's purest pleasures. Notching up their fourth instalment with the obviously titled John Wick: Chapter 4, the John Wick flicks understand this. They couldn't do so better, harder, or in a bloodier fashion, in fact. Directed by Keanu's former stunt double Chad Stahelski, who helped him look like he did indeed know wushu back in the 90s, this assassin saga is built around the thrill of its star doing his violent but stylish best. Of course, The Matrix's Neo didn't just know kung fu, but gun fu — and Jonathan, as The Continental proprietor Winston (Ian McShane, Deadwood: The Movie) still likes to call him, helps turn bullet ballet into one helluva delight again and again (and again and again). Picking up where 2019's John Wick: Chapter 3 — Parabellum left off, and once again so expertly and inventively executed that it's mesmerising, John Wick: Chapter 4 saddles its namesake with a new adversary: the Marquis (Bill Skarsgård, Barbarian), emissary of the death-for-hire business' powers-that-be, aka the High Table. After Wick puts the assassin realm's head honchos on notice during an early trip to the Middle East, the series' latest nefarious figure wants rid of him forever, wasting no time laying waste to the few things left that John loves. The Marquis has company, too — seeking a big payday in the case of the mercenary known as Tracker (Shamier Anderson, Son of the South), who has his own devoted dog; and due to a familiar deal with Caine (Donnie Yen, Mulan), a martial-arts whiz who is blind, and an old friend of John. That said, Wick has pals in this clash between the hitman establishment and its workers, which doubles as an eat-the-rich skirmish, including Winston, the Bowery King (Laurence Fishburne, All the Old Knives), and the Osaka Continental's Shimazu (Hiroyuki Sanada, Bullet Train) and Akira (Rina Sawayama, Turn Up Charlie). John Wick: Chapter 4 is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BEAU IS AFRAID Beau is afraid. Beau is anxious. Beau is alone. Beau is alive. Any of these three-word sentences would make a fitting name for Ari Aster's third feature, which sees its titular middle-aged figure not just worry about anything and everything, but watch his fears come true, concerns amplify and alienation grow — and then some. And, in the Hereditary and Midsommar filmmaker's reliably dread-inducing hands, no matter whether Beau (Joaquin Phoenix, C'mon C'mon) is wallowing in his apartment solo, being welcomed into someone else's family or stumbling upon a travelling theatre troupe in the woods, he knows that he's truly on his own in this strange, sad, surreal and savage world, too. More than that, he's well-aware that this is what life is inescapably like for all of us, regardless of how routine, chaotic or grand our individual journeys from emerging out of our mother's womb to sinking into death's eternal waters happen to prove. Aster has opted for Beau Is Afraid as a moniker, with this horror-meets-tragicomedy mind-bender a filmic ode to existential alarm — and, more than that, a picture that turns catastrophising into a feature. Psychiatrists will have a field day; however, experiencing the latest in the writer/director's growing line of guilt-dripping celluloid nightmares, so should viewers in general. Even with Chilean The Wolf House helmers Cristóbal León and Joaquin Cosiña lending their help to the three-hour movie's midsection, where animation adds another dreamlike dimension to a picture book-style play within an already fantastical-leaning flick frequently running on dream logic, Aster embraces his favourite deranged terrain again. He makes bold choices, doesn't think twice about challenging himself and his audience, elicits a stunning lead performance and dances with retina-searing imagery, all while pondering inherited trauma, the emotional ties that bind and the malevolence that comes with dependence. Beau Is Afraid is available to stream via YouTube Movies, iTunes and Prime Video. Read our full review. BROKER No matter how Hirokazu Kore-eda's on-screen families come to be, if there's any actual blood between them, whether they're grifting in some way or where in the world they're located, the Japanese writer/director and Shoplifters Palme d'Or winner's work has become so beloved — so magnificent, too — due to his care and sincerity. A Kore-eda film is a film of immense empathy and, like Like Father, Like Son, Our Little Sister, After the Storm and The Third Murder also in the prolific talent's past decade, Broker is no different. The setup here is one of the filmmaker's murkiest, with the feature's name referring to the baby trade. But showing compassion and humanity isn't up for debate in Kore-eda's approach. He judges the reality of modern-day life that leads his characters to their actions, but doesn't judge his central figures. In the process, he makes poignant melodramas that are also deep and thoughtful character studies, and that get to the heart of the globe's ills like the most cutting slices of social realism. It isn't just to make a buck that debt-ridden laundromat owner Sang-hyun (Song Kang-ho, Parasite) and orphanage-raised Dong-soo (Gang Dong-won, Peninsula) take infants abandoned to the Busan Family Church's 'baby box' — a chute that's exactly what it sounds like, available to mothers who know they can't embrace that part for whatever reason — then find good families to sell them to. There's a cash component, of course, but they're convinced that their gambit is better than letting children languish in the state system. In Kore-eda's usual kindhearted manner, Broker sees them with sensitivity. Even if blue hues didn't wash through the film's frames, nothing is ever black and white in the director's movies. The same understanding and tenderness flows towards mothers like So-young (Lee Ji-eun, Hotel Del Luna, aka K-Pop star IU), whose decision to leave Woo-sung (debutant Park Ji-yong) isn't easily made but puts Broker on its course. Broker is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. PEARL 70s-era porn, but make it a slasher flick: when Ti West's X marked the big-screen spot in 2022, that's one of the tricks it pulled. The playful, smart and gory horror standout also arrived with an extra spurt of good news, with West debuting it as part of a trilogy. 30s- and 40s-period technicolour, plus 50s musicals and melodramas, but splatter them with kills, genre thrills and ample blood spills: that's what the filmmaker behind cult favourites The House of the Devil and The Innkeepers now serves up with X prequel Pearl. Shot back to back with its predecessor, sharing mesmerising star Mia Goth (Emma), and co-written by her and West — penned during their two-week COVID-19 quarantine period getting into New Zealand to make the initial movie, in fact — it's a gleaming companion piece. It's also a savvy deepening and recontextualising of a must-see scary-movie franchise that's as much about desire, dreams and determination as notching up deaths. In one of her X roles, Goth was magnetic as aspiring adult-film actor Maxine Minx, a part she'll reprise in the trilogy's upcoming third instalment MaXXXine. As she proved first up and does again in Pearl, she plays nascent, yearning, shrewd and resolute with not just potency, but with a pivotal clash between fortitude and vulnerability; when one of Goth's youthful X Universe characters says that they're special or have the X factor, they do so with an astute blend of certainty, good ol' fashioned wishing and hoping, and naked self-convincing. This second effort's namesake, who Goth also brought to the screen in her elder years in X, wants to make it in the pictures, too. Looking to dance on her feet instead of horizontally, stardom is an escape (again), but Pearl's cruel mother Ruth (Tandi Wright, Creamerie), a religiously devout immigrant from Germany turned bitter from looking after her ailing husband (Mathew Sunderland, The Stranger), laughs at the idea. Pearl is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. POLITE SOCIETY Fists fly in Polite Society. Feet as well. When the latter aren't suspended in mid-air attempting to execute stunning kung-fu stunts, they just might be busting out their best Bollywood dance moves. Words are screamed and shouted, often between sisters Ria (Priya Kansara, Bridgerton) and Lena Khan (Ritu Arya, The Umbrella Academy), who are thick as thieves until they suddenly aren't. Schoolyard fights rumble like they've spilled straight out an action movie, which budding stuntperson Ria dreams of being in. Showdowns with Lena's future mother-in-law Raheela Shah (Nimra Bucha, Ms Marvel) could've burst from a Quentin Tarantino film. Espionage missions are undertaken by high schoolers, as are heists at a spectacular Muslim wedding in a lavish London mansion. Lena scoffs down a whole roast chicken on a public footpath like it's the only thing she's ever eaten. Ria and Lena free themselves from their angst by letting loose in their living room to The Chemical Brothers' dance-floor filler 'Free Yourself'. And being a dutiful member of her community is the absolute worst fate that could await an ass-kicking British Pakistani teenage girl. In other words, a little bit of everything happens in Polite Society, the anarchic and eye-popping debut feature from We Are Lady Parts creator Nida Manzoor. That includes nods to Jackie Chan movies and The Matrix, plus Bond-style antics and Ennio Morricone-esque music drops. Add in riffs on Get Out, Crouching Tiger, Hidden Dragon-inspired wuxia, video-game flourishes, musical dance numbers, and nudges in Jane Austen and Crazy Rich Asians author Kevin Kwan's directions. Scott Pilgrim vs the World and Kill Bill leave imprints. When it examines intergenerational pressure, so do Everything Everywhere All At Once and Turning Red. Whatever this high-energy charmer throws at the screen, it always serves the narrative. It also showcases Manzoor's lively and bold filmmaking eye. But more importantly, Polite Society is the spin-kicking whirlwind it is because that's what it feels like to be a schoolgirl training in martial arts, yearning to pack a literal punch, desperate to become anything but what society demands and tired of being dictated to — and saddled with cultural expectations but determined to propel along one's own path in general, too. Polite Society is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. OF AN AGE You Won't Be Alone isn't just the name of Macedonian Australian writer/director Goran Stolevski's debut feature, which hit cinemas in 2022. It's also a phrase that applies now that his second film is here. Of an Age initially premiered in the same year as well, bowing in Melbourne International Film Festival's opening-night slot — and, while it tells of growing up queer in 90s Melbourne, falling in love for the first time, then sifting through the aftermath a decade later, it's a glorious companion piece to its predecessor. No one is chosen by a sorceress here. The place isn't Macedonia, the period isn't the 19th century and supernatural shapeshifting isn't part of the narrative. But even just a mere duo of movies into his helming career, Stolevski makes pictures that profoundly ruminate upon two of life's purest truths: that absolutely everything changes and, consequently, nothing completely lasts forever. 1999 is inching towards becoming Y2K when Of an Age begins, and 17-year-old Nikola aka Kol (Elias Anton, Australia Day) is only hours from taking to the floor at a Melbourne dance championship. That's how his day is meant to pan out, at least, and what he's preparing for when the film meets him practising his smooth ballroom moves in his suburban garage — conjuring up visions of John Travolta in a flick made famous two decades prior, in fact. Kol's ordinary morning fever breaks, however, thanks to friend and dance partner Ebony (Hattie Hook, Savage River) and her bender of an evening. She's awoken on the beach in Altona with no idea where she is, scrounging up change for the payphone call to say she thinks she'll miss the recital unless Kol can pick her up. To attempt to make his big performance, he has to convince Ebony's older brother Adam (Thom Green, Eden) to play taxi — and he's still all aflutter with anxiety, and just the inertia of being so keyed up from endeavouring to sort things out, when he slides into the twentysomething's brown car and feels sparks fly instantly. Of an Age is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. EVIL DEAD RISE There will be blood in Evil Dead Rise, the latest addition to the Evil Dead fold, and not just inking The Book of the Dead's pages. There's gallons of it, in fact, with assistance from an elevator overflowing with crimson liquid. Writer/director Lee Cronin is clearly happy to jump from his 2019 debut The Hole in the Ground to this beloved horror franchise while giving The Shining some love as well. And yet, nods to past Evil Dead films and scary fare in general aren't the main point of Evil Dead Rise, even though they're still there — loudly when "dead by dawn", words that are also part of Evil Dead II's title, is yelled. It shouldn't feel so rare to see a feature that isn't solely kept beating by gobbling up as many pieces of its predecessors as possible, but that's these nothing-must-die times. (When intellectual property is revived repeatedly by Hollywood's intonations, bringing back Evil Dead over and over couldn't be more appropriate.) Familiar swooping and whooshing camerawork kicks Evil Dead Rise into gear, though, knowingly so. In a clever touch, it stems from a is doing the shooting, not due to supernatural nefariousness. There's a remote abode in the woods — an A-frame shack this time, levelled up to match 2023's travel aesthetic — and unsettling things afoot; however, the bulk of the film takes place a day earlier. That's when guitar technician Beth (Lily Sullivan, Picnic at Hanging Rock) cuts out a the worldwide tour to surprise her sister Ellie (Alyssa Sutherland, New Gold Mountain). The latter is a tattoo artist and mother of three who has recently been left parenting solo, and is interrupted dying her hair 'cool mum' red when her sibling arrives. There's baggage between the pair, but there'll soon be viscera as well when Ellie's teenage son Danny (Morgan Davies, Blaze) finds a certain text — and, because he's a budding DJ, some dusty vinyl sporting words that no one in an Evil Dead movie should be saying or hearing. Evil Dead Rise is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE SUPER MARIO BROS MOVIE It took 30 years, plus a warp pipe from live-action to animation, but Super Mario Bros finally gained a cinematic mushroom. While these are peak product-to-screen times — see also: The Last of Us, Dungeons & Dragons: Honour Among Thieves, Tetris and Air, plus the upcoming Barbie, BlackBerry and latest Transformers flick — Nintendo's plumber siblings were long flushed out of movies thanks to their underperforming first outing. 1993's Bob Hoskins (Snow White and the Huntsman) and John Leguizamo (Violent Night)-starring film, the first-ever live-action video game film, isn't terrible. It followed its own dark path and hit its own wild blocks, something that stands out even more now that slavish obsession to intellectual property and franchise-building is king. If 2023's The Super Mario Bros Movie is a response to its predecessor, it's a happily dutiful one, doing its utmost to copy the video game. The strongest feeling it inspires: making viewers want to bust out their old NES or SNES or Game Boy, or emulators of any of them, or Nintendo's current Switch, and mash buttons as the red-capped, moustachioed, overalls-wearing Mario. In images that look like they've been ported straight from consoles, Italian Americans Mario (voiced by Chris Pratt, Thor: Love and Thunder) and Luigi (Charlie Day, It's Always Sunny in Philadelphia) essentially find themselves in the Super Mario Bros version of The Wizard of Oz. Like the 90s flick, they're also transported to another realm where a villainous creature lusts for power— Bowser (Jack Black, Apollo 10 1/2: A Space Age Childhood) here, with an army of the turtle-like koopas doing his bidding. A sewer flood whisks Mario and Luigi out of their own world, after they try to fix it to drum up customers for their plumbing business. On the other side of the tunnel, Mario lands in the Mushroom Kingdom and Luigi ends up Bowser's prisoner. Cue a quest, including along the rainbow road, to reunite the brothers, stop Bowser and keep him away from Peach (Anya Taylor-Joy, The Menu) — who definitely isn't a damsel in distress, but the target of Bowser's obsessive affections. The Super Mario Bros Movie is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April and May, too. You can also peruse our best new films, new TV shows, returning TV shows and straight-to-streaming movies, plus movies you might've missed and television standouts of 2022 you mightn't have gotten to.
Lonely for you only might be a sad sentiment for those leaving alone at the end of the night, but, for the most part, the highly photographed neon sign at GoGo is as iconic as the bunny upstairs. Giving the bar its deep red glow, the sign is imperative not just to its recognisability, but also to the moodiness of the den-like venue. It seems to enjoy its status as the dark horse — sitting underneath the bright and bustling Chin Chin, it's become an unassuming mainstay within the Chris Lucas empire. Securing a seat at the in-demand Thai diner became decidedly more endurable with the addition of the basement bar, but GoGo has proven to be more than just a holding room for those desperate for a table at the restaurant upstairs. If you want some pork on your fork (as they say) without joining the perpetual post-5pm queue snaking out of the main entry, duck around to Higsons Lane and descend into the darkness directly. It makes sense that the interior is deep, dark and sexy — an inversion its famous upstairs tenant. The long, communal tables serve the after-work crowd, couples occupy smaller tables towards back, and rounded booths — if you can get one — squeeze in bigger groups. The exposed lighting gives just enough light for you to study the pages of the 'Little Black Book'. Perhaps not as scandalous, but definitely as engrossing, this black book lists cocktails according to season — choose something fresh, crisp and fruity for summer, or rich, warm and spiced for winter. The Far East Side (gin, kaffir lime, fresh pressed lemon and palm sugar with a floating Thai basil leaf; $16.50) has a kick like no other, and a jug of V. M. Punch (vodka, Vietnamese mint, kaffir lime limoncello, fresh lemon, club soda; $35) is perfect for two. There's also a selection of local and international wine, beer, cider and sake. There is no time spent lamenting the clinking of cutlery upstairs as GoGo offers a taste of Chin Chin without the wait, or the formalities. The bar menu incorporates the best from the coveted hawker-style Thai menu and recreates it as easy-to-eat snack food — no need to look past the pulled pork sliders ($8.50 each). Indeed, some of the larger options, such as the Chinook salmon wrapped in banana leaf ($26), are meals in themselves and can even be topped off with dessert, including the palm sugar ice cream sundae with salted honeycomb and lime syrup ($14) everyone's eating upstairs. Capitalising on being mere metres from one of the best kitchens in town, GoGo is slowly becoming more than a stopover for those desperate for a table at Chin Chin. Its impressive fusion of gourmet bar food, cocktails and that neon sign have made GoGo a bar worth visiting in its own right. Images by Lois Romer.
If you're wondering how to make a good bar even better, look no further than Bar Liberty. The Fitzroy bar — which was our favourite new bar of 2016, mind you — has added a standalone outdoor bar out the back of their Johnston Street space, called Drinkwell. The small space is built on fake grass and features a corrugated iron bar and a few long communal timber tables that are surrounded by murals, one of which is by Melbourne artist Kitt Bennet. All up, the backyard bar, which opens onto a small sidestreet, seats about 30 people. Oh, and it's dog-friendly (even at nights). The drinks list features two beers on tap at a time, as well as some tinnies, wines and a few cocktails. If you're looking for something you can't get just anywhere, go for the Okar Spritz ($12). Okar is made by South Australian distillery Applewood and is basically the Australian version of Aperol, only a little more bitter and rich in flavour. It's an acquired taste — but if you like an Aperol Spritz, give these homegrown bitters a go. If you visit Drinkwell with the intent of not eating, that's fine, but we urge you to reconsider. Regardless of which drink you choose, pairing it with hummus, falafel or a plate heaped with salad (or all of the above) will not be regretted. Drinkwell is relaxed, no fuss, and a great spot to make some new pals. It's both a top choice to kick off a night out and wind down with a nightcap — whether you're just having dinner inside at Bar Liberty or heading further afield. The lack of heaters, however, may cut your not-so-summery Melbourne summer night short. Let's hope they've arrived by winter. Images: Brook James. UPDATE DECEMBER 10, 2017: Drinkwell has reopened for the summer, complete with a new food menu (falafel) and drinks offering (wine in mini goon sacks).
Happiness is contagious. If you've ever had a bad day, and let's face it we all have, then you know that simply being around uplifting and optimistic people can turn a frown upside down. One small random act of kindness or a few words of encouragement, even if from a complete stranger, can change the way we feel about ourselves, how we treat others and how we approach life each day. The San Francisco Mirrors Project aims to put an extra spring in everyone's step by doing just that, spreading a little happiness. If kickstarted, creator Akin Bilgic will form a public art installation by hanging 3 x 1.5 foot mirrors on walls and buildings throughout the city, each with a single sentence message of inspiration, hope, encouragement or positivity on them. "Track down your favorite teacher and thank them for getting you where you are today" and "Looking good. Ask him/her out for coffee today" are just a couple of the feel-good phrases that will be inscribed on the mirrors. Bilgic's goal is to get passersby to take a moment to look in the mirrors, take the messages to heart and walk away feeling confident and happier, ultimately spreading that happiness to the people they interact with. Although the Mirrors Project will only take place in San Francisco, with a pay-it-forward attitude the installations could easily be spread worldwide.
In 2022, The Kid LAROI embarked upon his debut headline Australian tour, selling out arenas across the nation and adding more dates to meet demand. Two years later, the Aussie star otherwise known as Charlton Kenneth Jeffrey Howard is hitting local stages again, locking in tour dates for November 2024. Initially announced in 2023 and due to happen in February 2024, then postponed to October due to trying to confirm a "really big surprise and special guest" and "a bunch of other logistical stuff", The Kid LAROI's The First Time Australian tour has now set both its dates and venues. His supports at five of his seven stops: Migos frontman Quavo and Sydney's own ONEFOUR. [caption id="attachment_926206" align="alignnone" width="1920"] Adam Kargenian[/caption] "I'm really excited to confirm the November tour dates and bring my show to Australia. It's going to be incredible to perform back home and share this experience with all of you," said the singer-songwriter, revealing the new dates. "I'm also pumped to announce that Quavo will be joining the tour as a special guest. Can't wait to see you guys and make this tour unforgettable!" The Kid LAROI has made some changes to the tour itinerary, which is in support of The Kid LAROI's debut studio album The First Time and was originally set for a five-city Australian run. This was meant to be his first-ever Aussie stadium tour thanks to shows at Melbourne's AAMI Park, Perth's HBF Park, Adelaide's Coopers Stadium, Sydney's Commbank Stadium and CBUS Super Stadium on the Gold Coast. Now, however, he's hitting up HOTA, Home of the Arts on the Gold Coast, Brisbane Entertainment Centre, Commbank Stadium in Sydney, Perth's RAC Arena, Adelaide Entertainment Centre, MyState Bank Arena in Hobart and Melbourne's Rod Laver Arena. Quavo and ONEFOUR won't be on the bill on the Gold Coast or in Hobart. The First Time might've been a new 2023 arrival, but The Kid LAROI has been releasing music since 2018 — solo, and also teaming up with everyone from Juice WRLD and ONEFOUR to Justin Bieber. Accordingly, fans can look forward to hearing 'Stay', 'Without You', 'Thousand Miles', 'Love Again', 'Girls' and more come spring. The Kid LAROI The First Time Australian Tour 2024: Monday, November 11 — HOTA, Home of the Arts, Gold Coast Thursday, November 14 — Brisbane Entertainment Centre, Brisbane Saturday, November 16 — Commbank Stadium, Sydney Wednesday, November 20 —RAC Arena, Perth Sunday, November 24 — Adelaide Entertainment Centre, Adelaide Wednesday, November 27 — MyState Bank Arena, Hobart Friday, November 29–Saturday, November 30 — Rod Laver Arena, Melbourne The Kid LAROI is touring Australia in November 2024, postponed from February 2024. Head to the Australian ticketing site for more information — and for presales from 1pm local time on Tuesday, August 6 and general sales from 1pm local time on Thursday, August 8.
The Pebble E-Paper Watch campaign, run in April last year, is the most highly funded in Kickstarter history. Having set their initial goal at $100,000, the creators raised a whopping $10,266,845. The second most successful, if you're curious to know, is that of 'OUYA: A new kind of video game console'. Selling itself as 'the first watch built for the 21st century', the Pebble is compatible with both iPhone and Android. It's also fully customisable. The wearer can choose from an array of watch faces, making changes as often as desirable. The designers write that they 'strove to create a minimalist yet fashionable product that seamlessly blends into everyday life'. The selection of apps is growing all the time, from biking and running monitors to golf rangefinders to music software. Bluetooth enables connection with a nearby smartphone, which means that the Pebble can access GPS, and communicate notifications from social networks and email accounts. The phone weighs in at 32 grams and its black and white screen offers a resolution of 144 x 168 pixels. Drawbacks include the tendency to reduce a smartphone's battery life, by up to 10%. Plus, owners of a Blackberry, Windows 7 or Palm phone don't have any chance of compatibility yet. Following delays, the first Pebbles were shipped to Kickstarter supporters in January this year. On July 7, they (the watches, not the supporters) became available on shelves in America's consumer electronics store, Best Buy. [via mashable]
We've all been there at one time or another — in front of that iconic view, the one we've seen a thousand times or more in encyclopaedias, atlases, on the back of postcards, on the television and in our wildest dreams. When it happens, you feel a flutter in your heart and you remember what it felt like to make mud pies as a child; you're elated, carefree and enraptured, all for the most fleeting moment. That's when it happens. You reach into your pocket/handbag/knapsack and pull out your camera. You must remember this moment (that feeling!) forever and ever. The flash goes off once, twice, three times. No, no, that one's blurry. Delete. Take it again! You stand over there. Jump on the count of three! Yes, all of you! At once! OK, here we go one, two... Corinne Vionnet, in an astute observation into the perception of the 'tourist' experience, has made some amazing art out of that moment - that second of pure happiness that is superseded by crazed, paparazzi style photography, leading the sanest of us into a blinding, bulb flashing fury. Sourcing images of some of the world's most iconic sights from the internet, Vionnet's project Photo Opportunities layers hundreds of such images upon each other to create haunting landscapes of profoundly significant earthly wonders. Drawing on the abject, the images appear almost painted, begging questions about reality of experience and perception and our collective cultural consciousness.
In Stay of the Week, we explore some of the world's best and most unique accommodations, giving you inspiration for your next trip. In this instalment, we take you to fabulous Fiji for a special stay at Castaway Island. We love this place so much that we teamed up with the resort to offer an exclusive five-night travel deal — including a complimentary bottle of wine and a fruit platter on arrival, free use of snorkelling equipment and selected water activities and a guided sunset kayaking tour and island walk. WHAT'S SO SPECIAL? It may share the same name as the fictional survival drama starring Tom Hanks but, coconuts aside, guests at Castaway Island will experience an entirely different version of island life thanks to everything on offer at this decidedly indulgent escape. Castaway Island Fiji blends the charm of traditional Fijian bure (bungalows) with contemporary comforts to deliver luxurious relaxation to those who travel there. THE ROOMS Nestled amongst either the lush tropical gardens or at the water's edge, Castaway Island's Fijian-style thatched bungalows offer spectacular blue-to-green views to start the day, regardless of which suite you stay in. Rooms range in size from simple two-sleepers ideal for a romantic rendezvous to super-sized group spaces perfect for getaways with a crew of friends or the whole family. Each stay offers airy vaulted ceilings lined with individually designed hand-painted 'Tapa' cloths, an outdoor patio, those incredible vistas, and daily house keeping. They're also air-conditioned, in case being lulled to sleep by warm island breeze isn't your thing. FOOD AND DRINK Castaway Island offers travellers an excellent introduction to South Pacific cuisine, especially those who book this Concrete Trips package. As well as a complimentary tropical fruit platter on arrival, guests can spoil themselves with the a la carte selections at Water's Edge Restaurant (including the chargrilled wild caught fish of the day), or Polynesian-inspired snacks like Crispy Ura Salad with prawns and fruity cocktails at Nuku Maru Pool Bar & Grill, or fine Fijian-Asian fusion served to you at tables on the beach under the stars at Restaurant 1808. Ready to DIY? Enrol in one of Castaway Island Fijian Village cultural programs, which includes a Fijian culinary workshop so you can finesse your own cooking skills. THE LOCAL AREA You can spend most of your days diving into bright blue waters and walking along the sandy white beaches of Castaway Island. But, should you be looking for something more, the resort's all-ages all-interests program is packed with alternatives that allow you to take advantage of the natural landscape and discover the local area. Popular activities range from sunrise yoga to sunset snorkelling, kayaking to coconut-weaving classes, beach volleyball to traditional bracelet making. THE EXTRAS One of the best ways to experience the Fijian concept of Bula (a greeting wishing the person good health and a good life) is to accept an invitation to Castaway Island's weekly management meeting. An exclusive offer included in our Live the Luxe Castaway Life deal. Okay, given that you'll actually enjoy free cocktails and staff Meke (Fijian Dance) performances, it's probably more accurate to refer to it as a party. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Lock up your children, Hocus Pocus fans. Actually, if you have kids, you'll want to leave them at home on your next getaway. Just in time for Halloween, Airbnb has conjured up a particularly witchy stay in Salem, Massachusetts: the Sanderson sisters' cottage, which comes complete with broomsticks, bubbling cauldrons, cobwebs, curious cats, creaking floorboards, potions in apothecary bottles and spellbooks. Get ready to run amok, amok, amok to indulge your Hocus Pocus and Hocus Pocus 2 love, with this one-time-only listing arriving not only for the spookiest time of year, but because the latter flick — a 29-years-later sequel to the beloved 1993 film that starred Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music), with all three returning as Winnie, Sarah and Mary Sanderson this time around — hits Disney+ on Friday, September 30. A screening of that movie is included in your magical stay, too, whether you've caught it already by then or you manage to hang out for the ultimate viewing experience. The bewitching date to pop into your diary: Thursday, October 20. But, as tends to be the case with Airbnb's pop culture-themed one-offs, only one booking is being taken. The cottage will welcome in two guests for a one-night stay, with reservations opening at 4am AEDT on Thursday, October 13 via the Airbnb website. There is a fee for the accommodation, costing US$31 dollars — but, if you're lucky enough to score the booking and you're travelling from Down Under, flights and transportation aren't included in that cost. That obviously makes it a much more expensive prospect. Still, this spellbinding experience will be the first time that anyone has been able to get slumbering (and scheming) like the Sandersons. And, it also includes the chance to try the enchantments listed in the Manual of Witchcraft and Alchemy, as well as exploring Salem's history via visits to some of the town's purportedly haunted properties. And yes, the black flame candle flickers. Of course it does. In fact, expect candlelight to be a huge part of your trip — in every room. The cottage has been recreated as though it's 300 years ago, after all. (Bathroom facilities are in a separate outhouse, for example.) "We all know that the Sanderson sisters' story might not have ended when we turned to dust, nor did our shenanigans," said Kathy Najimy, aka Mary Sanderson, helping Airbnb announce the Hocus Pocus stay. "What better way to celebrate the season than to host guests at the trio's historic haunt for a night they'll remember for years to come?" Najimy continued. The Sanderson sisters' cottage joins Airbnb's growing list of movie and TV-inspired getaways, including the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion and the South Korean estate where BTS filmed In the Soop just in 2022 alone. For more information about the Hocus Pocus mansion listing on Airbnb, or to apply to book at 4am AEDT on Thursday, October 13, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Helynn Ospina.
This week Art/Work sits down for a cuppa with artist Keg de Souza. Keg is one cool little lady who never fails to have her fingers in every pie. From social activist to book binder to screen printer to Rizzeria handler to tour guide to pun maker to home brewer - how she manages to fit in her day job, we don't know... Most days you'll find me starting my day by walking our snowdog to get a coffee, (for me, not him) reading the paper then I begin my 'working' day by checking emails and whittling away at whatever project I'm working on at the time - sometimes it's exciting like building a boat to paddle across the harbour, sewing a giant inflatable igloo or binding a book but most likely it's life administration which usually takes up the better part of my day! When I am not there I am at the Bookbinding Guild making books, if it's a Wednesday. I also often work collaboratively so sometimes I'm working or meeting with the various groups I'm in; SquatSpace, You Are Here or the Rizzeria. Basically I'm usually scheming about something. My day job is working as an educator at the Museum of Contemporary Art. The rest of the time I do odd bits of illustration, run workshops and whatever casual paid work I can muster up. At the moment I am working on researching a project based around the Rocks area, continuing my interest in neighbourhoods. It's just the beginning of the project but I have already found some pretty great stories from the area and I am excited to create a new work there. Also, I'm collecting broken umbrellas for it - so if you have any send them my way! If money wasn't an issue I'd just do more making and less of the other odd jobs. Being an artist in Sydney can be a struggle, just living in Sydney can be a struggle but I find that often inspires me to make stuff about that very thing. My neighbourhood is Waterloo, right next to Redfern Park which is a pretty great. In 2005 due to the anxiety we were feeling about the area's mysterious and rapid changes, SquatSpace - one of the collectives I work with, developed the Redfern/Waterloo Tour of Beauty. The tours take people on bike and bus tours of the area with various local speakers. We've been running these since then so I feel pretty connected to the area. The area has, and continues to change a lot. The rapid gentrification of the area is pretty intense - there is a fast spreading new-café rash across the park on Redfern Street and then there's Danks Street to the East but don't even get me started on that. All I can say is thank goodness for the Public Housing so we have a little diversity still, at the moment… My favourite spot in Sydney is listening to the bats in the Botanic Gardens, which unfortunately is all about to change with the plans that are already in place to evict them…wah. For a full rundown on all of Keg's projects click here or for her blog click here.
He's had a huge hand in shaping Melbourne's cafe scene over the years, responsible for the original iterations of such gems as Three Bags Full, Top Paddock and Higher Ground. But if the likes of Hazel and Dessous are anything to go by, Nathan Toleman and his team have a knack for creating winning drinking destinations and dinner spots, too. And their latest project fits neatly into this latter camp, a sure-fire smash hit for sips, snacks and lazy feasts alike. The Mulberry Group has moved beyond the city grid for its new wine bar Lilac, taking over a converted warehouse in Cremorne's industrial heart, just opposite the site the group's own Square One Coffee Roasters calls home. Inside, Lilac's concrete and steel bones remain, softened and warmed with the help of mellow lighting and a snug corner fireplace. It's lofty and open, yet full of character. Playing to the same relaxed approach of the space itself, Lilac's oft-changing food offering doesn't zero its focus too heavily on any one genre — rather, it pulls together a melange of Aussie nostalgia, Euro sensibilities and French bistro flair. Group Head Chef Kyle Nicol (Rascal, Supernormal) is in the driver's seat here, and you'll find plenty of his own foraged ingredients and aged meats on the menu, heroed alongside wood-fired dishes and house-fermented goodies galore. It's crafty and creative, with a warm, generous edge. An instant hit has emerged in the two-bite chicken mousse eclairs with black garlic glaze, while other highlights in the smalls department might include delicate slices of beef heart paired with dandelion greens and white sauce, savoury mince toasts, and curds finished with fermented honey. Be sure to spread some of the latter onto the puffy wood-fired flatbread that everyone's been raving about. The house charcuterie is a standout, as are the rolls of lamb belly elevated with silky carrot butter, and the rum baba reimagined with pineapple and gum custard. The matching wine list proves just as exciting, especially if your drop of choice is of the organic and biodynamic variety. Trend-bucking small-scale producers get plenty of airtime here, though quality always reigns supreme throughout. And you'll find a solid spread of sake, spirits and craft beer to round it out — all up, leaning overwhelmingly local. Find Lilac Wine at 31 Stephenson Street, Cremorne. It's open from 4pm–late Wednesday and Thursday, 12pm–late Friday and Saturday, and 11am–5pm Sunday. Images: John Benedict Ryan.
If you like watching glitzy Hollywood awards ceremonies that hand out shiny trophies to talented actors and other creative film and TV talents, 2024 has been a particularly dazzling year so far. First came the Golden Globes, as always happens. Next, only a week later, the Emmys have anointed winners. For those thinking that this sounds out of the ordinary, it is. In fact, there'll likely be two Emmys in 2024. This one, as held on Tuesday, January 16, 2024 Australian time, is the 2023 event after being postponed during Hollywood's writers' and actors' strikes. If you like basing your viewing picks on what's been collected prizes, this is clearly a stellar year as well, with a heap of new Emmy-winners now demanding a spot in your streaming queue. Here's seven that you should — and can — watch ASAP. (And if you're wondering what else won, you can read through the full list, too.) THE BEAR The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. EMMYS Won: Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series (Jeremy Allen White), Outstanding Supporting Actress in a Comedy Series (Ayo Edebiri), Outstanding Supporting Actor in a Comedy Series (Ebon Moss-Bachrach), Outstanding Directing for a Comedy Series (Christopher Storer), Outstanding Writing for a Comedy Series (Christopher Storer). Where to watch it: The Bear streams via Disney+. Read our full review. SUCCESSION Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, Scott Pilgrim Takes Off), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure needed to wrap up. The latter was always stubborn. Proud, too, of what he'd achieved and the power it's brought. And whenever Logan seemed nearly ready to leave the business behind, he held on. If he's challenged or threatened, as happened again and again in the series, he fixed his grasp even tighter. Succession was always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it had never been about finales quite the way it was in its stunning fourth season. This time, there was ticking clock not just for the show's characters, but for the stellar series itself, given that this is its last go-around — and didn't it make the most of it. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this went out at the height of its greatness, complete with unhappy birthday parties, big business deals, plenty of scheming and backstabbing, and both Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) and family cousin Greg (Nicholas Braun, Cat Person) in vintage form — plus an early shock, at least two of the best episodes of any show that've ever aired on television, one of the worst drinks, a phenomenal acting masterclass, a The Sopranos-level final shot and the reality that money really can't buy happiness. EMMYS Won: Outstanding Drama Series, Outstanding Lead Actor in a Drama Series (Kieran Culkin), Outstanding Lead Actress in a Drama Series (Sarah Snook), Outstanding Supporting Actor in a Drama Series (Matthew Macfadyen), Outstanding Writing for a Drama Series (Jesse Armstrong), Outstanding Directing for a Drama Series (Mark Mylod). Where to watch it: Succession streams via Binge. Read our full review. BEEF As plenty does, Beef starts with two strangers meeting, but there's absolutely nothing cute about it. Sparks don't fly and hearts don't flutter; instead, this pair grinds each other's gears. In a case of deep and passionate hate at first sight, Danny Cho (Steven Yeun, Nope) and Amy Lau (Ali Wong, Paper Girls) give their respective vehicles' gearboxes a workout, in fact, after he begins to pull out of a hardware store carpark, she honks behind him, and lewd hand signals and terse words are exchanged. Food is thrown, streets are angrily raced down, gardens are ruined, accidents are barely avoided, and the name of Vin Diesel's famous car franchise springs to mind, aptly describing how bitterly these two strangers feel about each other — and how quickly. Created by Lee Sung Jin, who has It's Always Sunny in Philadelphia, Dave and Silicon Valley on his resume before this ten-part Netflix and A24 collaboration, Beef also commences with a simple, indisputable and deeply relatable fact. Whether you're a struggling contractor hardly making ends meet, as he is, or a store-owning entrepreneur trying to secure a big deal, as she is — or, if you're both, neither or anywhere in-between — pettiness reigning supreme is basic human nature. Danny could've just let Amy beep as much as she liked, then waved, apologised and driven away. Amy could've been more courteous about sounding her horn, and afterwards. But each feels immediately slighted by the other, isn't willing to stand for such an indignity and becomes consumed by their trivial spat. Neither takes the high road, not once — and if you've ever gotten irrationally irate about a minor incident, this new standout understands. Episode by episode, it sees that annoyance fester and exasperation grow, too. Beef spends its run with two people who can't let go of their instant rage, keep trying to get the other back, get even more incensed in response, and just add more fuel to the fire again and again until their whole existence is a blaze of revenge. If you've ever taken a small thing and blown it wildly out of proportion, Beef is also on the same wavelength. And if any of the above has ever made you question your entire life — or just the daily grind of endeavouring to get by, having everything go wrong, feeling unappreciated and constantly working — Beef might just feel like it was made for you. EMMYS Won: Outstanding Limited Series, Outstanding Lead Actor in a Limited Series or Television Movie (Steven Yeun), Outstanding Lead Actress in a Limited Series or Television Movie (Ali Wong), Outstanding Directing for a Limited or Anthology Series or Movie (Lee Sung Jin), Outstanding Writing for a Limited or Anthology Series or Movie (Lee Sung Jin). Where to watch it: Beef streams via Netflix. Read our full review. THE WHITE LOTUS Lives of extravagant luxury. Globe-hopping getaways. Whiling away cocktail-soaked days in gorgeous beachy locales. Throw in the level of wealth and comfort needed to make those three things an easy, breezy everyday reality, and the world's sweetest dreams are supposedly made of this. On TV since 2021, HBO's hit dramedy The White Lotus has been, too. Indeed, in its Emmy-winning first season, the series was a phenomenon of a biting satire, scorching the one percent, colonialism and class divides in a twisty, astute, savage and hilarious fashion. It struck such a chord, in fact, that what was meant to be a one-and-done limited season was renewed for a second go-around, sparking an anthology. That Sicily-set second effort once again examines sex, status, staring head-on at mortality and accepting the unshakeable fact that life is short for everyone but truly sweet for oh-so-few regardless of bank balance — and with writer/director/creator Mike White (Brad's Status) still overseeing proceedings, the several suitcase loads of smart, scathing, sunnily shot chaos that The White Lotus brings to screens this time around are well worth unpacking again. Here, another group of well-off holidaymakers slip into another splashy, flashy White Lotus property and work through their jumbled existences. Another death lingers over their trip, with The White Lotus again starting with an unnamed body — bodies, actually — then jumping back seven days to tell its tale from the beginning. Running the Taormina outpost of the high-end resort chain, Valentina (Sabrina Impacciatore, Across the River and Into the Trees) is barely surprised by the corpse that kicks off season two. She's barely surprised about much beforehand, either. That includes her dealings with the returning Tanya McQuoid-Hunt (Jennifer Coolidge, The Watcher), her husband Greg (Jon Gries, Dream Corp LLC) and assistant Portia (Haley Lu Richardson, After Yang); three generations of Di Grasso men, aka Bert (F Murray Abraham, Guillermo del Toro's Cabinet of Curiosities), Hollywood hotshot Dominic (Michael Imperioli, The Many Saints of Newark) and the Stanford-educated Albie (Adam DiMarco, The Order); and tech whiz Ethan (Will Sharpe, Defending the Guilty) and his wife Harper (Aubrey Plaza, Best Sellers), plus his finance-bro college roommate Cameron (Theo James, The Time Traveller's Wife) and his stay-at-home wife Daphne (Meghann Fahy, The Bold Type). EMMYS Won: Outstanding Supporting Actress in a Drama Series (Jennifer Coolidge). Where to watch it: The White Lotus streams via Binge. Read our full review of season two. ABBOTT ELEMENTARY The Office did it, in both the UK and US versions. Parks and Recreation did so, too. What We Do in the Shadows still does it — and, yes, there's more where they all came from. By now, the mockumentary format is a well-established part of the sitcom realm. Indeed, it's so common that additional shows deciding to give it a whirl aren't noteworthy for that alone. But in Abbott Elementary, which has aired two seasons so far, the faux doco gimmick is also deployed as an outlet for the series' characters. They're all public school elementary teachers in Philadelphia, and the chats to-camera help convey the stresses and tolls of doing what they're devoted to. In a wonderfully warm and also clear-eyed gem created by, co-written by and starring triple-threat Quinta Brunson (Party Down), that'd be teaching young hearts and minds no matter the everyday obstacles, the utter lack of resources and funding, or the absence of interest from the bureaucracy above them. Brunson plays perennially perky 25-year-old teacher Janine Teagues, who loves her gig and her second-grade class. She also adores her colleague Barbara Howard (Sheryl Lee Ralph, Ray Donovan), the kindergarten teacher that she sees as a mentor and work mum. Actually, Janine isn't just fond of all of the above — she's so devoted to her job that she'll let nothing stand in her way. But that isn't easy or straightforward in a system that's short on cash and care from the powers-that-be to make school better for its predominantly Black student populace. Also featuring Everybody Hates Chris' Tyler James Williams (also The United States vs Billie Holiday) as an apathetic substitute teacher, Lisa Ann Walter (The Right Mom) and Chris Perfetti (Sound of Metal) as Abbott faculty mainstays, and Janelle James (Black Monday) as the incompetent principal who only scored her position via blackmail, everything about Abbott Elementary is smart, kindhearted, funny and also honest. That remains the case in season two, where Janine is newly single and grappling with being on her own, sparks are flying with Williams' Gregory and James' Ava can't keep bluffing her way through her days. EMMYS Won: Outstanding Lead Actress in a Comedy Series (Quinta Brunson). Where to watch it: Abbott Elementary streams via Disney+. BLACK BIRD 2022 marked a decade since Taron Egerton's first on-screen credit as a then-23 year old. Thanks to the Kingsman movies, Eddie the Eagle, Robin Hood and Rocketman, he's rarely been out of the cinematic spotlight since — but miniseries Black Bird feels like his most mature performance yet. The latest based-on-a-true-crime tale to get the twisty TV treatment, it adapts autobiographical novel In with the Devil: a Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption. It also has Dennis Lehane, author of Gone Baby Gone, Mystic River and Shutter Island, bringing it to streaming. The focus: Jimmy Keene, a former star high-school footballer turned drug dealer, who finds his narcotics-financed life crumbling when he's arrested in a sting, offered a plea bargain with the promise of a five-year sentence (four with parole), but ends up getting ten. Seven months afterwards, he's given the chance to go free, but only if he agrees to transfer to a different prison to befriend suspected serial killer Larry Hall (Paul Walter Hauser, Cruella), and get him to reveal where he's buried his victims' bodies. Even with new shows based on various IRL crimes hitting queues every week, or thereabouts — including Inventing Anna, The Dropout, The Girl From Plainville and The Staircase, to name a mere few, also in 2022 when this one arrived — Black Bird boasts an immediately compelling premise. The first instalment in its six-episode run is instantly gripping, too, charting Keene's downfall, the out-of-ordinary situation posed by Agent Lauren McCauley (Sepideh Moafi, The Killing of Two Lovers), and the police investigation by Brian Miller (Greg Kinnear, Crisis) to net Hall. It keeps up the intrigue and tension from there; in fact, the wild and riveting details just keep on coming. Fantastic performances all round prove pivotal as well. Again, Egerton is excellent, while Hauser's menace-dripping efforts rank among the great on-screen serial killer portrayals. And, although bittersweet to watch after his passing, Ray Liotta (The Many Saints of Newark) makes a firm imprint as Keene's father. EMMYS Won: Outstanding Supporting Actor in a Limited Series of Television Movie (Paul Walter Hauser). Where to watch it: Black Bird streams via Apple TV+. Read our full review. DAHMER — MONSTER: THE JEFFREY DAHMER STORY Mindhunter might be over, but Netflix isn't done exploring true crimes or serial killers yet — not by far. In 2022, DAHMER — Monster: The Jeffrey Dahmer Story joined the service's hefty list of TV series based on horrific real-life details. It's coming back for a second season, too, turning into an anthology series as Monsters: The Lyle and Erik Menéndez Story. The show's debut outing wasn't an easy watch, as the IRL story was always going to ensure. With WandaVision and Mare of Easttown actor Evan Peters starring as the titular IRL murderer, it told Dahmer's particularly gruesome story; between 1978–1991, he murdered and dismembered 17 boys and men — and there's more to his crimes, including cannibalism. The inherently unsettling first season reunited its lead with American Horror Story creator and prolific TV producer Ryan Murphy, too, this time getting creepy in a different way. Alongside Peters, Netflix's dramatised step back into Dahmer's murders features Richard Jenkins (Nightmare Alley) as the serial killer's father Lionel and Penelope Ann Miller as his mother Joyce, with the full cast including Niecy Nash-Betts (Never Have I Ever) and Molly Ringwald (Riverdale). There's much about the show that's impossible to shake, Nash-Betts' now Emmy-winning performance for Outstanding Supporting Actress in a Limited Series or Television Movie among them. As Dahmer's neighbour Glenda Cleveland, she's shock, concern and outrage personified. Thanks to her portrayal, imagining being in the same shoes — and being that horrified and traumatised — is the simplest thing about DAHMER — Monster: The Jeffrey Dahmer Story. Of course, that isn't easy either, but Nash-Betts couldn't be more of an effortless force in a difficult role and miniseries. EMMYS Won: Outstanding Supporting Actress in a Limited Series or Television Movie (Niecy Nash-Betts). Where to watch it: DAHMER — Monster: The Jeffrey Dahmer Story streams via Netflix. Top image: Andrew Cooper/Netflix © 2023.
It isn't often that Americans seek inspiration from Australia; our humble shores are prone to mimicking rather than leading by example. And yet, just last week, Melbourne boys Chris McPherson and Chris Rendell launched Flinders Lane, a New York eatery inspired by their home city. "Most of the Australian restaurants in the city are like Outback Steakhouse or the Crocodile Dundee sort of vision," McPherson told the Village Voice. "We wanted to bring back what's actually there." Their venue, which opened on February 3, is full of the cross-section of cultures and cuisines that is so unique to Australia. McPherson and Rendell met a few years back, quickly agreeing on the need to plot a restaurant that would pay homage to modern Australian food. Predominately driven by a serious case of homesickness, the Aussie expats quickly set to work, establishing a spot for contemporary Australian cooking, a long way from home. The result? A delicious array of fresh seafood and Australian fruit and veg, from chef Rendell. Many dishes also sport an identifiable Asian influence — highlights include tandoori rabbit, steamed snapper in sesame broth and a chicken san choy bau. Drinks-wise, the boys aim to offer a boutique selection of domestic and international wines, as well as a seasonal cocktail list, steering away from the heavy Shirazes that characterise many stereotypical perceptions of an Australian drop. Three tap beers, including the classic Coopers Green, are also available to accompany your grub. The 40-seat eatery isn't covered with Melbournalia; its sleek, pared-back look is a more subtle nod to the city. There is, however, a stunning collection of Melbourne photography, including a massive print of namesake Flinders Lane on the back wall. Flinders Lane New York is located in the East Village: 162 Ave A, 212-228-6900. Via Fork in the Road.
As part of a recycling makeover for the state, Victoria is finally going to score its own container deposit scheme — but don't go holding your breath just yet. The Andrews Labor Government has announced grand plans to overhaul the state's waste and recycling system, with a $129 million suite of initiatives to be rolled out across the next few years. And while its goal is to slash the amount of waste sent to landfill by 80 percent over ten years, the first of the proposed recycling projects won't kick off until sometime in 2021. Announced today by Premier Daniel Andrews and Minister for Energy, Environment and Climate Change Lily D'Ambrosio, one of the key initiatives would see homes switch from three to four different colour-coded bins, in an effort to better sort waste. A purple lid bin would be used for glass recycling; a green lid for food and garden organics; a yellow lid to recycle plastic, metal and paper; and a red lid for all other household waste. It's a move designed to make planet-friendly waste management easier — the separation system means more glass can be effectively recycled and reused for things like roads and footpaths and lots more organic waste can be diverted from landfill. The four-bin system is slated to start rolling out gradually next year, though it may take a while to reach every household. https://www.facebook.com/LilyDAmbrosioMP/photos/a.1076803459001908/3403877702961127/?type=3&theater The Labor Government has also announced plans to finally give Victoria its own container deposit scheme, which would allow locals to exchange their empty bottles and cans for cash. Though, don't expect that to come to fruition until 2023, after the system's designed and implemented in close consultation with councils and industry. The move has already been a long time coming, with Victoria the only Aussie state that hadn't already committed to one — Queensland's Containers for Change program launched in late 2018, while South Australia led the charge by introducing its version way back in 1977. The finer details of Victoria's scheme are yet to be hashed out, though it could involve manually operated or automated 'reverse vending machines' that would offer a money credit for each item deposited. The concept's already had a strong show of support from local councils, including the City of Frankston, the City of Darebin, the City of Port Phillip and the City of Melbourne. Will it look anything like Victoria's first foray into a container refund system — the short-lived Cash for Cans scheme from the 1980s? We'll just have to wait and see.
Before SXSW Sydney made its debut in 2023, movie lovers in the Harbour City — and those keen to travel there for a getaway spent in darkened rooms — had one major film festival to look forward to each and every year. Now, there's two. While Sydney Film Festival showcases the latest and greatest in cinema from around the globe each winter, SXSW Sydney's Screen Festival does the same in spring. Last year's The Royal Hotel-opened lineup was impressive. Revealing more program details for 2024, with plenty still to drop before the event's Monday, October 14–Sunday, October 20 dates, 2024's already is as well. SXSW Sydney has been unveiling the films on its roster for a few months, but this is its biggest lineup announcement for 2024 yet, with over 20 new movies added to the bill. Cults, cat-loving animation and Christmas carnage: they're all included. So are a heap of titles that've had festivals around the world buzzing — and an array of homegrown highlights. Azrael sports an Aussie link courtesy of actor Samara Weaving (Scream VI), who stars in a post-apocalyptic tale about a woman's attempt to escape from mute zealots. For feline fanciers and Japanese animation fans alike, Ghost Cat Anzu follows a girl with a phantom mouser for a guardian. And, the Yuletide mayhem comes courtesy of Carnage for Christmas, with a true-crime podcaster in the sights of a psychotic killer. Among the pictures continuing to do the festival rounds, mom-com Babes is led by Ilana Glazer (The Afterparty) and helmed by Pamela Adlon (Better Things); Audrey features Jackie van Beek (Nude Tuesday) as a mother who steals the identity of her teenage daughter, who is in a coma; DiDi unpacks Californian adolescence for the Asian American son of immigrants circa 2008, and won two awards at Sundance; and Grand Theft Hamlet sees out-of-work thespians stage one of Shakespeare's most-famous plays in a video game during lockdown. Or, there's two different stints of incarceration: the maximum-security prison-set Sing Sing boasts Colman Domingo (Drive-Away Dolls) at its centre; and Inside, which stars Guy Pearce (The Clearing), Cosmo Jarvis (Shōgun) and Toby Wallace (The Bikeriders), is directed by Charles Williams, who won the 2018 short film Palme d'Or for All These Creatures. Other standouts span Pavements, which sees filmmaker Alex Ross Perry (Her Smell) focus on the band Pavement via an experimental blend of documentary, narrative, musical and more — and, still on tunes, the 2009-set mockumentary Rap World, about friends trying to make a rap album in one evening. Plus, doco Omar and Cedric: If This Ever Gets Weird spends time with At the Drive-In and The Mars Volta's Omar Rodriguez-Lopez and Cedric Bixler-Zavala, while Teaches of Peaches goes on tour with its namesake. In a roster of flicks that has a little bit of everything, Lucy Lawless (My Life Is Murder) moves behind the camera for the first time to direct documentary Never Look Away about CNN camerawoman Margaret Moth, Peter Dinklage (Unfrosted) and Juliette Lewis (Yellowjackets) lead western-thriller The Thicket, dark Australian comedy A Grand Mockery will make its world premiere, The Gesuidouz brings a slice of Japanese horror, and Witches digs into the connection between maternal mental health and society's depiction of witchcraft. Even sports graces the bill, with Aussie documentary Like My Brother charting the journey of four aspiring AFLW players from the Tiwi Islands, and Queens of Concrete following three skateboarders trying to balance being teens with attempting to score an Olympics berth. The above movies — and more — boost a lineup that already features documentary The Most Australian Band Ever! about the Hard-Ons; S/He Is Still Her/e: The Official Genesis P-Orridge, which is executive produced by Against Me!'s Laura Jane Grace; Alien Weaponry: Kua Tupu Te Ara, about thrash metal in the Māori language; and, after That Sugar Film and 2040, Australian actor-turned-filmmaker Damon Gameau's Future Council, chronicling a cross-Europe trip with eight young minds to explore climate change solutions. There's also Slice of Life: The American Dream. In Former Pizza Huts, the latest documentary from Barbecue and We Don't Deserve Dogs' Matthew Salleh and Rose Tucker, who are no strangers to SXSW in Austin — with the Australian-born, Brooklyn-based duo exploring the US today through former Pizza Hut buildings. SXSW Sydney's Screen Festival includes a hefty lineup of speakers as well, which is where attendees can look forward to hearing from Australian filmmaker Warwick Thornton (The New Boy), Aussie composer Jed Kurzel (Monkey Man), Barbie executive producer Josey McNamara, Brave co-director Mark Andrews and Academy Award-winning Slumdog Millionaire composer AR Rahman — and Lawless, too. [caption id="attachment_971937" align="alignnone" width="1920"] Courtesy of Focus Features / Talking Fish Pictures, LLC. © 2024 All Rights Reserved.[/caption] SXSW Sydney 2024 runs from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details.
Just like Australian television's 80s golden couple Scott and Charlene — aka Jason Donovan and Kylie Minogue — everyone heads back to Ramsay Street at some point. It's true of viewers who tuned in to watch Neighbours wrap up its 37-year run earlier in 2022, and it's now true about the TV show itself, too. After that big star-studded farewell midyear, complete with the return of Donovan, Minogue and fellow big-name past stars Margot Robbie and Guy Pearce, the Australian soap opera will now make a comeback in 2023. Because everybody needs more Neighbours, Amazon is behind the revival via its free, ad-supported Amazon Freevee streaming service (which was formerly known as IMDb TV). That's where the series will air in the UK and US from the second half of next year. But it'll be available via Network Ten and Prime Video in Australia, and on the latter in New Zealand as well. 🚨 Breaking News from Erinsborough! 🚨 Neighbours will return for a brand-new series next year exclusively on @AmazonFreevee, alongside thousands of episodes from previous seasons to stream as you please. 🎉 pic.twitter.com/1Qq2fIPgog — Neighbours (@neighbours) November 17, 2022 Amazon will pick up the show after more than 9000 past episodes, and also stream thousands of those instalments from prior seasons before the new season premieres. While Neighbours previously ran five days a week — helping notch up that hefty number of eps — whether the revival will do the same hasn't yet been confirmed, although Amazon's announcement does note that it'll be a "continuation of the long-running daily drama series". Something that is definitely locked in: the return of Stefan Dennis as Paul Robinson, Alan Fletcher as Karl Kennedy, Jackie Woodburne as Susan Kennedy and Ryan Moloney as Toadie Rebecchi. The fan favourites will all star in the new Neighbours, in the show's first casting announcement. Whether any fellow past cast members will make a comeback and who any knew faces will be also hasn't been revealed as yet. "Neighbours is a unique series with a powerful connection with its fans across the world. We cherish the show and all those who have been part of its incredible story over many decades, so we are thrilled that we have found a new home with Amazon Freevee. Thanks to the innovative Amazon Freevee platform, many classic episodes will be available to fans, and Neighbours will go back into full production in Australia early next year, providing our fans with new episodes," said Jennifer Mullin, global CEO of Neighbours' production company Fremantle. "This partnership with Amazon Freevee marks an exciting new chapter, and we look forward to collaborating with them, along with our long-term and valued partner in Australia, Network 10." Neighbours was originally cancelled after being dropped by its UK network, Channel 5, leaving local backer Network Ten without enough funding to continue the series. As seen in the show's swansong, the list of well-known faces who've graced the series since its 1985 debut is hefty, all playing characters either living in or connected to the show's cul-de-sac in the fictitious Melbourne suburb of Erinsborough. As well as Minogue, Donovan and Pearce, 80s-era Neighbours boasted a four-episode stint from Russell Crowe. In the 90s, Natalie Imbruglia got her start there. Liam Hemsworth was a regular in the 00s, as was Robbie, and Chris Hemsworth popped up in one 2002 episode before moving over to rival Aussie soap Home and Away. Also just as sizeable: the show's 37 years of twists, amnesia spells, shock returns from the dead, and other Ramsay and Robinson family dramas. Indeed, it's fitting that Neighbours itself is being resurrected after being killed off. And yes, as Amazon's announcement video shows, the iconic Neighbours theme tune remains part of the series — because good Neighbours songs become good friends, naturally. Neighbours will return for a new season in 2023, airing via Network Ten and Prime Video in Australia, Prime Video in New Zealand, and Amazon Freevee in the UK and US. Images: Fremantle.
If you tend to do all your best thinking in the shower, then pay attention. We know it's difficult to keep track of all those deep thoughts as you lather, rinse, repeat; but never fear, AquaNotes are here. Shower-thinkers can now write down their genius ideas on AquaNotes, a waterproof notepad that can be hung in the shower. The paper is made from soy-based ink, so it can absorb water and still be written on when it gets wet. Accompanied by a cedar wood pencil, this revolutionary piece of stationery will never let a good idea be forgotten. Whether you have a revelation about how to stop world hunger or just remember what you meant to buy at the grocery store, AquaNotes will be just a few feet from the soap dish to save the day. Bubble bath thinkers are not excluded, as AquaNotes are durable enough to be used all the way underwater. To boot they're recyclable and environmentally friendly. https://youtube.com/watch?v=p-7zABpEN3E [via Whathecool]
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from March's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW https://www.youtube.com/watch?v=YBUwi9eXtXM SLAXX Ask any style guru for their opinion on denim, and they'll all likely give the same answer. Everyone needs a pair of killer jeans, after all — the type that fit perfectly, flatter every inch of your lower half, and that you just don't want to ever take off. In Slaxx, CCC is the store aiming to make all of the above happen. Already priding itself on its eco-friendly, sustainable, sweatshop-free threads, the chain is set to launch a new range of denim that moulds to the wearer's body, with the company's buzzword-spouting CEO (Stephen Bogaert, IT: Chapter Two) certain that they'll change the fashion industry. On the night before the jeans hit the shelves, employees at one store are tasked with making sure everything goes smoothly; however, as new hire Libby (Romane Denis, My Salinger Year), apathetic veteran employee Shruti (Sehar Bhojani, Sex & Ethnicity) and their over-eager boss Craig (Brett Donahue, Private Eyes) soon learn, these are killer jeans in a very literal sense. Quickly, the ravenous pants start stalking and slaying their way through the store. It's a concept that'd do Rubber's Quentin Dupieux proud and, in the hands of Canadian filmmaker Elza Kephart (Go in the Wilderness), the results are highly entertaining. Slaxx wears its equally silly and savage attitude like a second skin, smartly skewers consumerism and retail trends, and possesses stellar special effects that bring its denim to life — and, although never subtle (including in its performances), it's exactly as fun as a film about killer jeans should be. Slaxx is available to stream via Shudder. https://www.youtube.com/watch?v=Sf34qI1hjKU MOXIE When Amy Poehler made her feature directorial debut with 2019's Wine Country, movie magic wasn't splashed across the small screen. But thankfully Moxie is now here to wipe that underwhelming comedy out of viewers' minds — and to demonstrate Poehler's knack at helming a high school-set tale of blossoming feminist activism. Adapted from the 2015 novel of the same name, the film follows 16-year-old Vivian (Hadley Robinson, I'm Thinking of Ending Things). Quiet, studious and happy hanging out with her similarly introverted best friend Claudia (Lauren Tsai, Legion), she has always known that her male classmates have an attitude problem, and that their teachers and the general status quo both enable it. But, until newcomer Lucy (Alycia Pascual-Pena, Saved by the Bell) arrives, she's never been willing to rock the boat and fight for change. Inspired by her mother's (Poehler) crusading teen years, she starts a zine that calls out the toxic behaviour around her. That's where the film gets its title, and her school is scandalised by the homemade publication's pages. Story-wise, Moxie isn't big on surprises, especially if you've seen more than a couple of teen flicks in your time, as everyone has. Nonetheless, it's always as impassioned about its tale and as angry about the way the world treats anyone who isn't a white male as it is engaging and hopeful. And, as it follows the quest for equality being passed from one generation to another, it boasts a stellar soundtrack — including Bikini KIll's 'Rebel Girl', of course. Moxie is available to stream via Netflix. https://www.youtube.com/watch?v=RfpzdSJlv6o CALLS Everyone has heard about the response that The War of the Worlds reportedly sparked back in 1938. That's when Orson Welles adapted HG Wells' novel into a radio play, and the result was so convincing that it reportedly incited panic among listeners. Watching Calls, it's easy to understand how. 'Watching' isn't exactly the right term for this mystery series, though. Like all those folks glued to their radios 83 years ago, Calls' audience is forced to listen intently. Indeed, in terms of visuals, the series only provides two types: words transcribing the conversations heard, and abstract visuals that move and shift with each sentence uttered and every suspenseful pause left lingering. Accordingly, focusing on the snippets of phone chats that tell the program's stories is what Calls is all about. Remaking the French show of the same name, and directed by Evil Dead and Don't Breathe's Fede Álvarez, something much more than a small-screen version of a story-fuelled podcast eventuates. A starry cast voices the chats — including everyone from Parks and Recreation duo Aubrey Plaza and Ben Schwartz to Wonder Woman 1984's Pedro Pascal and The Lodge's Riley Keough — but it's the tension and power of their words that leaves an impression. Each of the nine episodes tells a short story that eventually builds an overall picture, and getting caught up in them all is far easier than the underlying concept might initially make you think. Calls is available to stream via Apple TV+. https://www.youtube.com/watch?v=ceXaKIhuyOA SOLAR OPPOSITES For a significant portion of the past few years, TV fans have had a Rick and Morty-shaped hole in their hearts. After the anarchic animated series' third season came to an end late in 2017, it took more than two years for its fourth season to reach screens — and that wrapped up in the first half of last year. More Rick and Morty is coming, and more schwiftiness with it. But, in the interim, Solar Opposites is here to fill the gap. It too is created by Justin Roiland, and also features his voice work. And, it's a chaotic, raucous and very funny sci-fi sitcom that unleashes all manner of strangeness upon a suburban family as well. The immediate difference: the family here are aliens. Korvo (Roiland), his partner Terry (Thomas Middleditch, Silicon Valley), and the younger Yumyulack (Sean Giambrone, The Goldbergs) and Jesse (stand-up comedian Mary Mack) have crash-landed on Earth and are trying to make the best of it, but they're well aware that their new home pales in comparison to their old one. From that basic setup, anything and everything can and does happen, as seasoned R&M fans will easily expect. Going in, you can be forgiven for thinking that this'll come off as a clone of a beloved show, and there's no missing their shared DNA; however, Solar Opposites flies its own immensely funny, often flat-out ridiculous and always astute path. The first season of Solar Opposites is available to stream via Disney+. https://www.youtube.com/watch?v=lYl1DVIgbAg SHIRLEY In 2020, Elisabeth Moss had a great year. While the Mad Men and The Handmaid's Tale star has enjoyed a fantastic past decade, she turned in two of her best performances over the past 12 months. First came The Invisible Man, which twisted the classic horror tale in modern directions, including exploring gaslighting and the lack of willingness to believe women. Then, in Shirley, she stepped into the shoes of horror and mystery novelist Shirley Jackson. This is a movie by Madeline's Madeline director Josephine Decker, though, so it as never going to be a standard biopic about the The Haunting of Hill House author. Indeed, Shirley is drawn from a fictional novel by Susan Scarf Merrell, focusing on Jackson's home life with her husband Stanley Hyman (Michael Stuhlbarg, Call Me By Your Name) during a 1964 period when teaching aide Fred Nemser (Logan Lerman, Hunters) and his wife Rose (Australian The Daughter star Odessa Young) come to stay. An agoraphobic, Jackson's routine is unsettled by her new houseguests, although an unexpected connection springs with unlikely kindred spirit Rose. In telling this story, Decker is far more interested in capturing the essence of Jackson and her sensibilities than slavishly sticking to facts, and her film all the better for it. Indeed, this subjective and engaging character study is daring, disarming, dark and, unsurprisingly, anchored by a pitch-perfect lead performance. Shirley is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=Otu7hGMgmcQ VIOLATION The rape-revenge genre isn't new, but two of the most powerful films to reach Australian audiences this year step into it with unflinching confidence. They do more than that, though. They savagely dissect society's willingness to accept that sexual assault is part of our culture — and misogyny, too. They demand that their audience not only spend almost two hours thinking about a subject so many would rather avoid, but that they have a visceral reaction. The movies: Promising Young Woman and Violation. Both are the product of first-time feature directors. Both include women among their filmmakers, either solely or as half of a duo. Both are anchored by blistering lead performances as well, and neither fades quickly (or at all) from memory. They'd make a stellar double bill; however, tonally, they each march to their own beat. In Violation's case, co-writer and co-director Madeleine Sims-Fewer (Operation Avalanche) stars as Miriam. As she visits her sister Greta (Anna Maguire, The Hummingbird Project) and brother-in-law Dylan (Jesse LaVercombe, Murdoch Mysteries), it soon becomes obvious that more than just a happy reunion is on the cards. Playing a traumatised woman soon grappling the reality of vengeance in a primal and tangible way, Sims-Fewer puts in a performance that it's impossible to look away from, but that's just one of the savvy steps that the actor/filmmaker and her co-director Dusty Mancinelli take. Violation is available to stream via Shudder. https://www.youtube.com/watch?v=LFHj8e7mU_I OPERATION VARSITY BLUES: THE COLLEGE ADMISSIONS SCANDAL 'Eat the rich' isn't a Netflix category. But with Operation Varsity Blues: The College Admissions Scandal joining Fyre: The Greatest Party That Never Happened in the streamer's catalogue, perhaps it should be. The former certainly makes the case for it, covering a criminal conspiracy that smacks of the wealthy abusing their cash and status in an egregious manner. No one could've avoided the headlines and reports when news broke about affluent, influential and/or famous Americans, including actors Lori Loughlin (Full House) and Felicity Huffman (Desperate Housewives), deciding that they needed to bribe college officials to send their already privileged children to prestigious schools. Operation Varsity Blues neither assumes any knowledge on the viewer's part nor needlessly repeats itself, but those acquainted with the details and folks with just a passing interest so far will both find themselves swept through the ups and downs. The film's dramatisations — starring Matthew Modine (Stranger Things, Wrong Turn) as Rick Singer, the scheme's central figure — can feel clunky at times, but director Chris Smith (Jim & Andy: The Great Beyond — Featuring a Very Special, Contractually Obligated Mention of Tony Clifton) knows how to step through this tale. It worked for him on Fyre, after all, which he also helmed, and it works again in a documentary that's as much about a broken system as it the people who cheated it. Operation Varsity Blues: The College Admissions Scandal is available to stream via Netflix. https://www.youtube.com/watch?v=nzqevBnUUZU THE ASSISTANT Charting an ordinary day in the life of a junior staff member at a film production office, The Assistant is as unsettling as anything else that has reached screens recently. Jane (Julia Garner, Ozark) has the titular position, working an entry-level job for a demanding head honcho who everyone in the office indulges — although viewers never get to meet him. She arrives at work before daylight, trudges through menial tasks and is treated poorly by her male colleagues. She's expect to anticipate everything that her boss could ever need or want, or face his wrath if she doesn't. And, as the day progresses, she realises just how toxic her workplace's culture is and how deep its inappropriate conduct burrows. Seeing how predatory the man she works for acts on a daily basis, and how his behaviour has a significant impact, she also learns how those who even try to speak out can still be powerless to effect change to stop it. If you've kept abreast of the #MeToo movement over the past few years, you'll know exactly what has inspired The Assistant, of course. However, Australian filmmaker Kitty Green wants her audience to experience this devastating scenario via Jane, rather than merely read about it. She doesn't just succeed; although she's working in fiction here, she directs a film as searing and perceptive as her last project, the excellent documentary Casting JonBenet. The Assistant is available to stream via Binge. NEW SHOWS TO CHECK OUT WEEK BY WEEK https://www.youtube.com/watch?v=-bfAVpuko5o INVINCIBLE If you've ever shopped for a specific item on Amazon and found multiple similar versions of the same thing, then you already know what it can be like to dive into Amazon Prime Video's streaming catalogue. Many of its new additions instantly bring other shows in its catalogue to mind by sharing and mimicking elements, and Invincible follows that trend. At first, it'll have you thinking about The Boys. Next, you'll start recalling Undone. Those two series mightn't seem like a natural fit, but the combination of superheroes and existential malaise works well here. Animated like the latter, but willing to get bleak and dark with caped crusaders as the former does repeatedly, Invincible focuses on Mark Grayson (voiced by newly minted Oscar nominee Steven Yeun, Minari). The 17-year-old son of the well-known Omni-Man (J Simmons, Palm Springs), he's been waiting for his own powers to kick in — and, when they do, he's forced to grapple with exactly what that means. Among the star-studded cast, Sandra Oh (Killing Eve), Mark Hamill (Star Wars) and Mahershala Ali (Green Book) all lend their vocal tones. Off-screen, The Walking Dead co-creator Robert Kirkman is responsible for not only doing the same with the Invincible comic book, but with the series. What lingers most here is the mood, though, with the show at its best when it's getting contemplative and introspective with its teen protagonist. The first three episodes of Invincible are available to stream via Amazon Prime Video, with new episodes dropping weekly. https://www.youtube.com/watch?v=IWBsDaFWyTE THE FALCON AND THE WINTER SOLDIER First things first: The Falcon and the Winter Soldier isn't WandaVision. It's much more conventional, and it doesn't boast a fabulous performance by Parks and Recreation's Kathryn Hahn, either. But, it does explore the everyday existence of both Sam Wilson (Anthony Mackie, Synchronic) and Bucky Barnes (Sebastian Stan, The Devil All the Time), who team up in the aftermath of Avengers: Endgame — and it gives both characters space to be more than just supporting figures in the Marvel Cinematic Universe. As proved the case in its fellow 2021 Disney+ newcomer, that's a welcome change in a realm that usually pushes action to the fore. Seeing how these two function as people, and as folks who know they've never been the stars of the show, too, brings depth to a franchise that doesn't always have it. Wilson is recognised everywhere including when applying for a loan for his family business, for instance, but fame and getting by financially don't always go hand in hand. Barnes has his murky history to deal with, and it weighs upon him as he tries to get through every day. But, of course, pooling their talents to stop villainous forces is still the name of the game in The Falcon and the Winter Soldier — as is is weaving in the returning Baron Zemo (Daniel Brühl, The Alienist: Angel of Darkness) and Sharon Carter (Emily VanCamp, The Resident), and introducing Captain America replacement John Walker (Wyatt Russell, The Good Lord Bird). The first two episodes of The Falcon and the Winter Soldier are available to stream via Disney+, with new episodes dropping weekly. Top images: Slaxx, Bertrand Calmeau/Shudder; The Falcon and the Winter Soldier, Chuck Zlotnick. ©Marvel Studios 2020.
A good neighbourhood wine bar is arguably better than its inner city counterparts. Especially if you want to sample a few different varieties and walk home afterwards. In Williamstown, neon pink signage signals your local — but don't let the fluro mislead you. Lower West Side Wine Bar has a sophisticated and relaxed vibe inside — with hardwood high tables, leather stools and black fixtures, the focus here is on the wine. Australian producers are well represented, as are French and Italian vineyards, in keeping with the European influence of the bar snacks. Get down on Tuesday nights for a wine tasting, and pair it with a stacked cheese and charcuterie board.
If you tend to take out your stress and anxiety on your innocent writing utensil, then it's about time you chomped on something a little less plastic-flavored and a lot more delicious. Feast your eyes upon the edible pen. Dave Hakkens was one of those nervous pen-chewers, leading him to invent this tasty ballpoint. He wanted a pen that he could chew on without making it dirty or, for lack of a better word, gross. After realizing that the only essential part of any pen was the ink, Hakkens set about designing a pen that he could entirely eat, and that he did. The body of the pen is made out of 22 pieces of sugary candy, similar to those in candy necklaces, which enclose edible ink. The only part that cannot be consumed is the small tip, which can be thrown away or transferred to another refill once the whole pen is eaten. The best part? The candy is made so it won't melt in your hands or stick to anything. Hakken's first prototype was peppermint flavoured, but the edible pen now comes in five other fruity flavours. As well as being a treat for your sweet tooth, an edible pen makes ecological sense when you consider all the ballpoints that get binned every year.
Album artwork, gig posters, band t-shirts, on-stage theatrics — music is mainly about the sound, but it’s also about the look. From endless highways snapped from the window of a tour bus to Capybaras that look like Rafael Nadal, Concrete Playground rounds up ten Instagram accounts that give you a look inside the intoxicating life of a modern muso. 1. ED DROSTE OF GRIZZY BEAR Username: @eddroste If you want to believe that rock stars survive solely on beer, passion and leftover pizza, look away now. According to his Instagram feed the frontman of indie rock band Grizzly Bear halts the tour bus to capture isolated beaches, sundrenched city skylines and pretty pink Peonies. Droste’s mastery of digital filters makes the Brooklyn Botanic Garden look like a scene from Tim Burton’s Alice in Wonderland, and he’s one of the few people who can Instagram his lunch without you wanting to poke him in the eye. 2. BENJAMIN CURTIS OF SCHOOL OF SEVEN BELLS Username: @benjamincurtis Benjamin Curtis’ spacey, psychedelic guitar sound is echoed in his trippy Instagram shots. Capturing everything from dead birds to dilated pupils and blurry neon signs, this futuristic photo feed is the antithesis of Ed Droste’s comparatively tranquil digital scrapbook. Not recommended for pregnant women or sufferers of motion sickness. 3. CATCALL Username: @catcallmusic Catcall’s Instagram feed confirms everything you thought you knew about her — she’s cute, funny and hangs out at cool spots. She’s also a huge fan of tennis, which is a fact you might not ascertain just from listening to her music, and has posted photos of Capybaras that look like Rafael Nadal on more than one occasion. 4. AZEALIA BANKS Username: @azealiabanks A life it would be particularly enjoyable to steal is the life of Azealia Banks. In between rubbing shoulders with Karl Lagerfeld and Kanye West at Chanel parties Banks hangs out with bottles of Veuve Clicquot and Prada handbags, but shots of funny cats and novelty condoms show she’s really just like us. Sometimes. 5. GROUPLOVE Username: @grouplove Grouplove’s Hannah Hooper is a painter as well as a singer and has a BFA from New York’s Parsons School of Design, so she’s probably overqualified for the post of managing her band’s Instagram feed. Her sharp eye has given Grouplove’s Instagram account a pleasantly consistent, colourful aesthetic, kind of like an action-packed hippie convention with less dried kale and more Texas BBQ. 6. BIG SCARY Username: @bigscarymusic Big Scary’s unique blend of indie pop has provided the busy duo with travel opportunities aplenty, and with touring around California comes In-N-Out Burger and Jimmy Dean’s meal sized breakfast biscuits. Big Scary have Instagrammed only 23 times to date, which isn’t great in the fast-paced world of social media, but in this case it’s a matter of quality over quantity. 7. THEOPHILUS LONDON Username: @theophiluslondon Theophilus London’s Instagram bio warns that the feed contains “emotional photos”. The emotion he’s referring to is probably jealousy because the photos are primarily of amazing sneakers, but Instagram’s most stylish rapper also has a penchant for gig posters and his equally stylish friends. 8. TWERPS Username: @twerps “We’ll get drunk, we’ll get stoned, we’ll get high, we’ll get drunk…” A satisfying mix of gig shots, scenery, alcohol and delicious/hilarious food, Twerps have got the workings of a great Instagram feed down pat. The jangly Melbourne quartet might sing about getting sauced, but their digital album is surprisingly coherent (and munchies like Klondike’s frozen Choco Tacos do make for great photographs). 9. PEAKING LIGHTS Username: @peakinglights The Wisconsin duo with an eight-and-a-half minute song called “Marshmellow Yellow” has an equally psychedelic and sun-drenched Instagram feed filled with highway scenery, neon signs and old motorcycles. There’s even a picture of a miniature leather motorcycle jacket for baby Mikko’s birthday present. Cute! 10. SOULJA BOY Username: @souljaboytellem “thanks for liking my pictures if you have time sign up on sodmg.com”. Grammar might not be Soulja Boy’s forte, but he’s incredibly skilled at taking selfies while flexing his muscles, pulling gangsta signs and wearing copious amounts of bling. Instagram is available via the Apple App Store or Google Play
Russian photographer and world traveller Murad Osmann is asking his Twitter fans to #followmeto all the incredible, exotic places he and his girlfriend have been exploring across the globe. And his followers, plus millions of other people across the internet, are certainly having no trouble doing that: Osmann's photographic journey takes viewers on a trip of their own, which is stunning in more ways than one. Osmann's series depicts backgrounds of beautiful scenery from the most distinct and glorious cities, mountains, buildings, and even shopping centres around the world. The feature that sets his photographs apart from other scenic pictures, however, is the subject within each and every image: Osmann's girlfriend appears with her back to the lens in the centre of each frame, clasping her lover's hand and leading him to these various attractions — however, often due to her limited clothing, she herself may easily become the main attraction of the shot. The idea for the image series first began in Barcelona in 2011 when the photographer's girlfriend got fed up with him snapping every sight they saw and consequently tried to pull him away from the lens. Instead, this gave birth to the vast photo series that the loved-up couple have been working together on practically ever since. From his hometown Moscow to his study-town London, holiday spots such as San Sebastian and Disneyland, and even more mundane scenes such as riding an escalator or being pushed in a shopping trolley, take a look at these original and dazzling images that will be sure to make you want to travel the world with your loved one. Via Daily Mail. Rooftop Pool, Singapore Entering the Gates of Disneyland, California The Meadows of Austria The Rice Fields in Bali The Big Ben and House of Parliament, London The Lovebirds Fly High in a Hot Air Balloon San Sebastian, Spain The Kremlin and Red Square, Moscow The Back Streets of Venice Strolling through the Aisles of Ikea 10,000 Buddhas Monastery, Hong Kong Brandenburg Gate, Berlin
Byron Bay Bluesfest returns for the first time since 2019 over the Easter long weekend with more than 170 performances. With international borders reopening, festival organisers have secured a stellar lineup of musicians from home and abroad. There are local draws like Midnight Oil, Crowded House, Paul Kelly, Jimmy Barnes, The Teskey Brothers, Amy Shark, Briggs and Hiatus Kaiyote, as well as the final performance of The Cat Empire with the original lineup. Plus, get excited for international stars such as George Benson, Morcheeba, The Wailers and Amadou & Mariam. The numbers tell their own story — five days, 170-plus performances, and over 70 food and market stalls mean that Bluesfest has more than enough to keep you entertained and make sure your trip north was well worth the drive. Marking its return in a big way, this year's Bluesfest runs from Thursday, April 14–Monday, April 18 at Tyagarah Tea Tree Farm. And if you're wondering who else is on the huge bill, other acts include John Butler, Xavier Rudd, Pete Murray, Ian Moss, Mark Seymour & The Undertow, Kate Ceberano, Kasey Chambers, The Waifs, The Church and Kate Miller-Heidke — as well as Fat Freddy's Drop, Josh Teskey and Ash Grunwald, John Williamson, CW Stoneking, The Tea Party's Jeff Martin playing the songs of Led Zeppelin and Rockwiz Live. [caption id="attachment_661844" align="alignnone" width="1920"] Joseph Mayers[/caption] Top image: Andy Fraser
Australians, you won't be holidaying in New Zealand for the next two months. NZ residents, the same applies to you regarding going across the ditch. After the two countries started a trans-Tasman bubble back in April that let Aussies take a getaway in NZ and vice versa, all without having to go through quarantine upon arrival, the arrangement has been on pause since July. And today, Friday, September 17, the NZ Government announced that it'll remain that way for another eight weeks. "When quarantine-free travel (QFT) was established with Australia, both our countries had very few recent cases of COVID-19 community transmission, and a very similar elimination strategy. This has changed significantly leading to our decision to suspend QFT for a further eight weeks," said COVID-19 Response Minister Chris Hipkins in a statement. "Uncontrolled community transmission is still occurring in Australia, with case numbers continuing to steadily increase in New South Wales, Victoria and the Australian Capital Territory. A small number of cases also continue to appear intermittently in other states and territories. In New Zealand as well, we're getting on top of an outbreak in Auckland," the Minister continued. "Protecting New Zealand from any possible further spread of the Delta variant of COVID-19 is our absolute priority. We have made great progress to contain our current outbreak and are working hard to ease restrictions next week. Reopening quarantine-free travel with Australia at this point could put those gains at risk." At present, both Greater Sydney and metropolitan Melbourne are in ongoing lockdowns, while New Zealand reported 16 new cases in the past 24 hours and has 457 community-acquired cases at present. Back in April, when NZ Prime Minister Jacinda Ardern first announced the two-way bubble between Australia and New Zealand back, she noted that it could and would be paused if and when outbreaks occur. And, when NZ first started this current suspension back in July, stopping quarantine-free travel to and from all Aussie states and territories, it wasn't the first time that the bubble had been put on hold — including with all of Australia, with the same thing happening at the end of June. The arrangement has been paused with individual Aussie states before, too, on multiple occasions. But this suspension was already the longest pause yet, and that's set to remain the case given that the bubble won't be considered again by NZ for two more months. "We will review this decision in mid to late November to give more time for our vaccination rates to climb higher," advised Hipkins. "This recognises that the QFT was established on the basis that there was little to no community transmission in Australia, and that future settings are likely to change." To find out more about the status of COVID-19 in Australia, head to the Australian Government Department of Health's website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
Gone are the days when mobile phones didn't fit in anyone's pocket and Snake was the only game available; however the process of charging your trusty device hasn't changed much over the years. Cable ports might look a little different and smartphones have definitely gotten smaller, but juicing up your handset still takes the one thing we all don't have enough of: time. Well, it does at the moment — even if you have your own portable charger always sitting at the bottom of your bag, and even if you've scoped out every free charging station and spare powerpoint around town. Enter an Australian researcher who wants to make this timely chore not only quicker but instantaneous, all through the use of quantum batteries. In fact, the University of Adelaide's Dr James Quach is planning to build the world's first quantum battery, which will harness the unique properties of quantum mechanics. He's just been appointed the institution's newest Ramsay Fellow — a scheme that aims to keep local bright minds working to advance scientific research — and will now spend the next four years trying to create quantum batteries to replace the ones in everyday electronic devices. If you're wondering how it all works — and how your phone, Kindle, computer or other gadget will go from one to 100-percent charge faster than you can click your fingers — it's based on a feature of quantum mechanics called entanglement, which sees two objects sharing their individual properties. Accordingly, the more batteries that are placed together, the more powerful their charging capacity. "If one quantum battery takes one hour to charge, then two would take 30 minutes, three would take 20 minutes, and so on," Dr Quach explains. "If you had ten thousand batteries, they would all charge in less than a second." While the concept has been discussed in papers since 2013, the academic plans to "take the theory from the blackboard to the lab." More than that, the ultimate goal is to build larger quantum batteries for use beyond simply making sure your iPhone keeps buzzing. "The long-term aim is to scale up, to build bigger batteries which will support renewable energy technologies by making it possible for continuous energy supply no matter the weather conditions – rain, hail or shine," says Dr Quach.
When it comes to an island filled with dinosaurs, humanity just won't learn. Since Michael Crichton's Jurassic Park hit bookstores in 1990, spawning not only Steven Spielberg's 1993 blockbuster film, but two direct sequels and the recent Jurassic World spin-off trilogy, people just keep clamouring to share the same landmass as re-animated prehistoric beasts. Now they're about to do so all over again in a just-announced animated Netflix series. Headed to the streaming platform in 2020, Jurassic World: Camp Cretaceous will hail back to the events of 2015's initial Jurassic World flick — and to the franchise's familiar setting, Isla Nublar. This time, six teenagers have been chosen to attend a new adventure camp on the other side of the remote deathtrap. If you've seen the movie, you already know that the dinos break loose (of course they do), which'll leave the plucky youths fighting to survive. Executive produced by Spielberg — as well as Jurassic World executive producer Frank Marshall, plus two-time series director Colin Trevorrow — the show will help fill the gap until the live-action Jurassic World 3 releases in 2021. It's being overseen by Scott Kreamer (Pinky Malinky) and Lane Lueras (Kung Fu Panda: The Paws of Destiny), and forms part of Netflix's family slate, so you can probably expect less scares than usual (although the teaser below is a little creepy). Given that it's aimed at all ages, you can probably expect more (albeit friendlier) dinosaurs, however. Just who'll be voicing Camp Cretaceous' characters has yet to be revealed. The same remains true for everyone's two burning questions: whether a few familiar Jurassic World talents will pop up, and if any of the old-school Jurassic Park gang will lend their vocals. Our wish, and it's an obvious one, is for more Jeff Goldblum. If you're keen for the briefest of sneak peeks of Camp Cretaceous, check out the first teaser below: https://www.youtube.com/watch?v=VkFrNm5M_Ck Jurassic World: Camp Cretaceous doesn't have an exact release date as yet, but it's expected to hit Netflix in 2020. We'll keep you updated with specific timing when it comes to hand.
iPhone photography apps like Instagram and Hipstamatic recreate a Polaroid-feel in our piccies. We can Lomo-fi and Poprocket our way to nostalgia-town, but still, there's something not quite right. According to the creators of Instaprint, a location-based photography booth launched last Monday, "deep down we all still miss the uniqueness of those square little photos you'd hold comfortably in your hand." Created by Breakfast, a New York interactive agency, Instaprint is the modern day equivalent of a photo booth, but with all the digital mobile perks modern technology has to offer. The device automatically detects and prints photos marked with a particular location or hashtag using old-school inkless printing techniques developed by Zink. Two Instaprint machines will be showcased at the SxSW conference in Austin this week, where tech enthusiasts can road-test the device. It's still in beta-stage, but will be officially available by March 18. That's not the only way to get your Instagrams in ink. StickyGram turns your miniature masterpieces into delightful magnets, perfect for jazzing up shopping lists, menus and notes living on the door of your fridge. The service is currently limited to select UK and US users, but as the website assures us, StickyGram will be open to the public soon.
Cinemas are glorious. There's nowhere better to see a movie. When you're watching a film in the cosy confines of a darkened room, communing devotedly with the projected picture flickering before your eyes, that viewing experience simply can't be beaten. But hitting up your streaming queue instead isn't just for filling time on the couch or catching up on flicks you might've missed on the big screen. And, features that don't get a theatrical run shouldn't be stigmatised by the 'direct-to-streaming' label. Thanks to the ever-growing array of online viewing options, movie buffs can now see more new movies than ever before. Smaller flicks that were never going to reach cinemas, international favourites that would only screen at festivals Down Under otherwise, new releases by big-name filmmakers not getting funding elsewhere: they've all been making their way to us thanks to streaming. In 2022, that online-only roster of features dropped new must-see titles every single month, and came overflowing with fantastic fare. Back in July, we picked the best 15 straight-to-streaming films of 2022's first six months. Now, with a whole year behind us, we've cast our eyes of the entire 12-month period. As a result, we've already sung the praises of some of our overall top 15 straight-to-streaming gems for 2022 — but the very best deserve all the love all the time. Catch up with them from your couch ASAP. KIMI For the second year in a row, Steven Soderbergh has made one of the year's best movies and it has completely bypassed Australian cinemas. Unlike 2021's No Sudden Move, however, Kimi was always destined for streaming. The latest in his series of paranoid thrillers that also includes Contagion, and once again female-fronted as Haywire, Side Effects and Unsane were too, this Zoë Kravitz-starring standout takes its cues from smart devices, humanity's increasing dependence upon technology, and the kinds of events that a virtual assistant like Siri, Alexa or Google Assistant might eavesdrop on. As a result, Soderbergh has crafted another movie that riffs on a growing area of real-life interest, then turns it into a tense, potent and devilishly smart feature. A bonus: focusing on a protagonist who doesn't feel safe leaving her house, Kimi couldn't better capture how the pandemic has felt without overtly needing to be a COVID-19 film. Kravitz (The Batman) plays Angela Childs, who works for Seattle-based tech corporation Amygdala from the comfort of her own sprawling loft — and from her own audiophile's dream of a computer setup — listening to snippets of conversation captured by smart speaker Kimi for quality assurance. In one clip, she hears what she believes to be a horrible crime and is compelled to follow up; however, her bosses aren't thrilled about her probing. Complicating matters: after being the victim of an assault a couple of years earlier, Angela suffers from anxiety and agoraphobia, making leaving the house to investigate a fraught task. As he did to particularly stellar effect in Unsane as well, Soderbergh styles his latest psychological thriller after its protagonist's mindset, making unease and suspense drop from every aesthetic choice — camera angles and placement, jittery frames and a voyeuristic perspective all included. Kimi streams via Binge. ATHENA When a director uses a single take for a lengthy sequence, an episode of television or an entire film — even with some editing trickery to help — it usually isn't just a gimmick. As everything from The Bear to 1917 have shown, there's urgency and immediacy in that stylistic approach. Given that Athena plunges into a powderkeg situation in a French neighbourhood that shares the movie's moniker, with the banlieue's residents understandably incensed after the brutal killing of a teenager from their midst by law enforcement, this latest stunner from writer/director Romain Gavras (after the excellent The World Is Yours) was always going to feel unrelenting, inescapably tense and utterly in-the-moment anyway. See also: 2019 French Oscar-nominee Les Misérables, similarly about the response to police violence, which was penned and helmed by Athena's co-screenwriter Ladj Ly. Still, the unbroken shot that opens Gavras' latest spectacular film is up there with 2022's best in any feature. Long takes pop up often in Athena, which starts with French soldier Abdel (Dali Benssalah, No Time to Die) confronting the fact that his 13-year-old brother Idir (first-timer Mohamed Amri) is dead — and, as seen in online footage, that the cops are responsible. He's managing to keep calm, however, until another of his siblings Karim (debutant Sami Slimane) throws a Molotov cocktail inside a crowded police station. Cinematographer Matias Boucard (Eiffel) captures it all without looking away, and keeps doing the same as they return home, with Athena soon under siege as the authorities swarm in and the home crowd explodes with anger. Even when edits come, this is an unflagging and unflinching feature, as aided by close-up and handheld camerawork, impassioned performances, its topical storyline and staggering action cinematography. Athena uses its aesthetics to make a statement, too, about race, power and inequality — and it firmly knows that this tale can only be a tragedy. Athena streams via Netflix. WE'RE ALL GOING TO THE WORLD'S FAIR "Hey guys, Casey here. Welcome to my channel. Today I'm going to be taking the World's Fair Challenge." So says We're All Going to the World's Fair's protagonist (feature newcomer Anna Cobb) twice to start this absorbing horror film, to camera, in what makes a spectacular opening sequence. Next, an eerie wave of multicoloured light flashes across her face. Watching her response brings the also-excellent She Dies Tomorrow to mind, but Casey has her own viral phenomenon to deal with. She's doing what she says she will, aka viewing a strobing video, uttering a pivotal phrase and then smearing blood across her laptop screen — and she promises to document anything that changes afterwards, because others have made those kinds of reports. Written, directed and edited by fellow feature debutant Jane Schoenbrun, the instantly eerie and intriguing We're All Going to the World's Fair is that record. Schoenbrun's film is more than that, however. It also charts the connections that spring and splinter around Casey just by joining the online trend, where her videos spark others in return — and the spirals she goes down as she watches, which then sparks a response in her own way, too. A portrait of isolation and alienation as well, while chronicling the after effects of playing a virtual horror game, We're All Going to the World's Fair is also a picture of an always-recorded world. Take your lockdown mindset, your social-media scrolling, all that Zooming that defined the beginning of the pandemic and a gamer vibe, roll them all together, and that's still not quite this arresting movie — which keeps shifting and evolving just like Cobb's enigmatic and evocative performance. The entire flick earns that description and, not that it needs an established name's tick of approval, the fact that The Green Knight and A Ghost Story director David Lowery is an executive producer speaks volumes. We're All Going to the World's Fair streams via Shudder. GREAT FREEDOM Great Freedom begins with 60s-style video footage captured in public bathrooms, showing Hans Hoffmann (Franz Rogowski, Undine) with other men, and with court proceedings that condemn him to prison purely for being gay. That was the reality in West Germany at the time due to Paragraph 175, which criminalised homosexuality — and, when he's incarcerated at the start of this equally tender and brutal Austrian film, Hans isn't surprised. He's been there before, as writer/director Sebastian Meise (Still Life) conveys almost like he's chronicling time travel. It's a canny touch, as relayed in the movie's cinematography, editing and overall mood. The minutes, days, hours, weeks and more surely move differently when you've been locked up for being who you are, and when being in jail is the better alternative to being in a concentration camp. Meise jumps between Hans' different stretches, exploring the imprint all that time behind bars leaves, the yearning for love and freedom that never dissipates, and his friendship with initially repulsed fellow inmate Viktor (Georg Friedrich, Freud). In the process, Great Freedom resounds with intimate moments and revealing performances, as anchored by another stellar turn by Rogowski. The German talent has had an outstanding few years thanks to Victoria, Happy End, Transit, In the Aisles and Undine. He's as absorbing as he's ever been here, too, in a movie that stares his way so intently — and with such a striking sense of light and shade — that it could be painting his portrait. Friedrich is just as impressive, in an outwardly thorny part. Great Freedom streams via SBS On Demand. RESURRECTION Another year, another engrossing thriller starring Rebecca Hall. Another film giving the English actor a new standout performance for her packed resume, too. After proving remarkable in 2021's The Night House, and also turning director with the marvellously moving Passing, Hall plays a woman virtually synonymous with tension in the sleek and twisty Resurrection. Even when her character, Margaret, is calm and empathetic at her job in pharmaceuticals, including while counselling her junior colleagues, unease flickers in her haunted eyes and rigid posture. When she's fussing over her almost 18-year-old daughter Abbie's (Grace Kaufman, The Sky Is Everywhere) comings and goings, such as soon leaving for college, Margaret comes off as overprotective — but with a tormented edge. Resurrection lingers in this feeling, teasing out the details behind it while also making it plain that constantly being on guard can be a reality thanks to traumas and simply life. Indeed, thanks to his ambiguous tale, writer/director Andrew Semans (Nancy, Please) ensures that that sensation remains even when Margaret's demeanour and behaviour gets an explanation. If a human tooth suddenly showed up in your daughter's wallet, an eerie man from your past (Tim Roth, Sundown) re-emerged after two decades and the worst pain you'd ever experienced was drudged up again, you'd find it impossible to remain composed and collected, too. As Resurrection thrusts Margaret through her own personal horror show, it isn't concerned with simply showing a woman unravelling — rather, it focuses on a woman pushed to her limits by tragedy, malevolence, manipulation and one helluva toxic man. Semans's knack for crafting a skin-crawlingly unsettling atmosphere is immense, and so is his willingness to take gloriously unhinged swings and his talent for casting. It's no wonder that the film can barely look away from Hall, who is stellar from start to finish but next-level astounding during a lengthy monologue and a big confrontation. And as for Roth, creepy doesn't even begin to describe his work here. Resurrection streams via Google Play, YouTube Movies, iTunes and Prime Video. CAUSEWAY Trauma is a screenwriter's best friend. If on-screen characters didn't have past stresses to overcome or new hardships to cope with — usually both — then dramatic scripts would barely last a few pages. Neither would horror flicks, or thrillers, or plenty of comedies; however, few films are happy to sit with trauma in the way that (and as well as) Causeway does. Starring Jennifer Lawrence (Don't Look Up) as a military veteran sent home from Afghanistan after being blown up, working her way through rehab and determined to re-enlist as soon as she has medical sign-off, this subtle, thoughtful and powerful movie grapples with several stark truths. It knows that some woes do genuinely change lives, and not for the better. It's well aware that many miseries can't be overcome, and completely alter the person experiencing them. It's keenly cognisant that that simply existing can be a series of heartbreaks, and escaping that cycle can be the most powerful motivator in the world. And, when Atlanta and Bullet Train's Brian Tyree Henry enters the picture as a New Orleans mechanic with his own history, it sees the solace that can be found between people willing to face their tough realities together. When Causeway begins, Lawrence's Lynsey is freshly out of hospital, and learning how to walk, dress, shower, drive and do all other everyday tasks again. Even then, she still wants to redeploy. Directed by feature first-timer Lila Neugebauer (The Sex Lives of College Girls), and penned by fellow debutants Ottessa Moshfegh, Luke Goebel and Elizabeth Sanders, the film spies the determination in its protagonist's eyes — and the pain she's trying to bury after she goes home to stay with her mother (Linda Emond, The Patient), gets drawn into old unhealthy dynamics, but finds a friend in Henry's kind, eager but haunted James. There's no cross-country drive with a canine, if the similarly themed Dog comes to mind, but rather a willingness to steep in Lynsey and James' complicated emotions. Neugebauer has the perfect central duo for the movie's key parts, too; neither Lawrence nor Henry's resumes are short on highlights, acclaim or award nominations, but their respective textured, naturalistic and deeply felt performances in Causeway ranks among each's best work. Causeway streams via Apple TV+. FRESH Finally, a film about dating in the 21st century with real bite — and that's unafraid to sink its teeth into the topic. In this hit Sundance horror-comedy, Normal People's Daisy Edgar-Jones plays Noa, and once again gets entangled in a romance that'll leave a mark; here, however, the scars aren't merely emotional. Swiping right hasn't been doing it for Fresh's protagonist, as a comically terrible date with the appropriately named Chad (Brett Dier, Jane the Virgin) demonstrates early. Then sparks fly the old-fashioned way, in-person at the supermarket, with the curiously offline doctor Steve (Sebastian Stan, Pam & Tommy). Soon, he's whisking her away to a secluded spot for the weekend — a little too swiftly for Noa's protective best friend Mollie's (Jojo T Gibbs, Twenties) liking, especially given that no one can virtually stalk his socials to scope him out — and that getaway takes a savage and nightmare-fuelling twist. If Raw met Ex Machina, then crossed paths with American Psycho and Hostel, and finally made the acquaintance of any old rom-com, Fresh still wouldn't be the end result — but its tone stems from those parts, as do some plot points and performances, and even a few scenes as well. First-time feature director Mimi Cave doesn't butcher these limbs, though, and screenwriter Lauryn Kahn (Ibiza) doesn't stitch them together like Frankenstein's monster. As anchored by the excellent Edgar-Jones and Stan, there's care, savvy, smarts and style in this splatter-filled, satirical, brutal, funny, empowered and sweet film. Its twists, and its cutting take on predatory dating, are best discovered by watching, but being turned off apps, men and meat in tandem is an instant gut reaction. Fresh streams via Disney+. COW As its name so clearly explains, Cow devotes its frames to one farmyard animal — and it's one of the most haunting films of the past few years. It's the third feature to take its title from a four-legged critter in the past two years, after the vastly dissimilar Pig and Lamb. It's also the second observational documentary of late to peer at the daily existence of creatures that form part of humanity's food chain, following the also-exceptional Gunda. And, it also joins 2013's The Moo Man in honing its focus specifically upon dairy farming, and in Britain at that. But the key to Cow is Andrea Arnold, the phenomenal filmmaker behind Fish Tank, Wuthering Heights, American Honey and the second season of Big Little Lies. She sees Luma, her bovine protagonist, with as much affection and understanding as she's ever seen any of the women who've led her projects. While watching, viewers do as well. Starting with the birth of Luma's latest calf — and, in the beginning, taking detours to see how it's faring as well — Cow unfurls with the rhythm of its agricultural setting. It's the rhythm of Luma's life, too, as she's milked and fed, moos for the offspring that's taken away too quickly, and is soon impregnated again. There's no doubt where the documentary is headed, either. There's simply no shying away from the fact that Luma and cattle like her only exist for milk or meat. Without ever offering any narration or on-screen explanation, Arnold stares at these facts directly, while also peering deeply into its bovine subject's eyes as often as possible. The result is hypnotic, inescapably affecting, and also features the best use of Garbage's 'Milk' ever in a movie. Cow streams via DocPlay. I'M YOUR MAN Since 2013, any film that's involved making an emotional connection with artificial intelligence has brought Her to mind. Since 2014, any movie about human-android relationships has conjured up Ex Machina as well. And, since 2007, any flick that focuses on the companionship that a lonely human soul might find in an artificial companion has walked in Lars and the Real Girl's footsteps, too. In smart, perceptive and warmly humorous German gem I'm Your Man, however, it's a woman who is opening her life to a male presence — an AI-run robot designed to be her perfect match — and she's not too happy about it. Archaeologist Dr Alma Felser (Maren Egger, I Was at Home, But) is merely and begrudgingly testing out the technology that brings Tom (Dan Stevens, Eurovision Song Contest: The Story of Fire Saga) into her life, for three weeks at the behest of her boss at Berlin's Pergamon Museum, and solely for the good of science. I'm Your Man is a rom-com, which means exactly what viewers think it does going in: that Alma slowly starts rethinking her position on Tom. But that's about the only aspect of this thoughtful, witty and yearning exploration of what it means to be human and to truly connect that does what's expected. Fresh from winning an Emmy for directing Unorthodox — and making this before helming She Said — German filmmaker Maria Schrader helms a charming and insightful take on what's beginning to be an oft-considered topic, and is unpacked in a moving and delightful way in her hands. Her film is also extremely well cast, with Egger thoroughly deserving her 2021 Berlinale Silver Bear for Best Acting Performance as Alma, and Stevens pitch-perfect as the supposed robotic man of her dreams — who just wants love himself. I'm Your Man streams via Binge. NANNY In Nanny, Aisha (Anna Diop, Us) is haunted, both when she's asleep and awake. Her slumbers are disturbed by nightmares, but seeing rising waters and unwelcome spiders isn't just relegated to when the Senegalese woman in New York closes her eyes. A gut-wrenching sense of unease also lingers while she works, after securing a childminding job for rich Upper East Side residents Amy (Michelle Monaghan, Echoes) and Adam (Morgan Spector, The Gilded Age). Their five-year-old daughter Rose (Rose Decker, Mare of Easttown) adores Aisha — more than her parents, it often seems. And, the nannying gig helps Aisha distract herself from missing her own son, who she's desperately trying to bring over to the US. She's haunted by his absence, too, and by the stolen snippets of conversation she gets with him on the phone, constantly juggling the time difference. The supernatural disturbances plaguing Aisha and her feelings about leaving her child in Senegal to chase a better future for them both are clearly linked, although Nanny is atmospheric and insightful rather than blunt and overt. The first horror film to win Sundance Film Festival's Grand Jury Prize, this evocative effort hails from writer/director Nikyatu Jusu, who makes her feature-length debut with quite the calling card. 2022 isn't short on affectingly moody and evocative female-focused thrillers with a maternal bent — see: Resurrection above, which also debuted at Sundance — but Nanny's addition to the fold is deeply steeped in Aisha's immigrant experience. Thanks to all that otherworldly water, it feels like it's always steeping, in fact, soaking in the troubles and struggles of trying to snatch even a piece of the American dream when you're not wealthy, white and originally from the so-called land of the free. Also prominent: the dispiriting minutiae of Aisha's day, aka exactly what she has to endure to even have a chance of gaining what comes easily and obliviously to her employers. Like its central figure, Nanny is haunted several times over, too. Nanny streams via Prime Video. PREY No stranger to voicing iconic lines, Arnold Schwarzenegger uttered one of his best-known phrases yet 35 years ago, in a franchise that's still going today. "If it bleeds, we can kill it" has been quoted frequently ever since — even by champion AFL coaches — and it's no spoiler to mention that it pops up again in the latest Predator film Prey. Trotting out that piece of dialogue won't surprise anyone, but this fine-tuned action-thriller should. It's one of the saga's best entries, serving up a lean, taut and thoughtful kill-or-be-killed battle set in the Comanche Nation 300 years ago. The Predator series hasn't been big on highlights over the years — Predator 2 is forgettable to put it nicely, 2010's Predators is effective, 2018's The Predator favoured its throwback vibes above all else, and the two terrible Alien vs Predator cross-over films are best left forgotten — however Prey not only breathes new life into it, but paves a welcome path for more. (Bring on a Prey sequel ASAP.) The overall premise remains the same, with the franchise's ruthless, brutal and technologically advanced alien species using earth as its hunting ground as the series has already established — and showing zero concern about leaving a body count. Trained healer Naru (Amber Midthunder, The Ice Road) is the first to notice that something is awry this time, spotting the predator's spaceship in the sky and taking it as a sign to follow her dream to become a hunter herself. Alas, that isn't the done thing. In fact, she's spent her entire life being told that she can't be like her brother Taabe (first-timer Dakota Beavers), and should focus on her assigned role instead. Now, even with an extra-terrestrial foe wreaking havoc, she's still dismissed at every turn. Midthunder plays Naru as a fierce, determined, persistent and resourceful force to be reckoned with, while writer/director Dan Trachtenberg — co-scripting with Jack Ryan's Patrick Aison — gives all things Predator the taut focus, canny shift and fresh feel he also gave the Cloverfield saga with 10 Cloverfield Lane. Prey streams via Disney+. HELLBENDER Meet the Adams family — no, not the creepy, kooky, mysterious and spooky characters that've featured on pages and screens for decades (including in 2022 newcomer Wednesday, plus two terrible recent animated flicks), but the filmmaking collective comprised of couple Toby Poser and John Adams, plus their daughters Zelda and Lulu Adams. The quartet might be missing a letter from their well-known counterparts' names, but they're just as fond of all things horror. Case in point: their second feature Hellbender, a self-financed standout that's both a spellbinding tale of witchcraft and a clever coming-of-age story. It starts in a house in the woods, and also spends most of its time there. It includes the arrival of an unexpected stranger, shattering the status quo. But formulaic and by-the-numbers, this must-see isn't. In making first-rate use of its setting, and of a cast that's primarily comprised of Adams family members, it's also a masterclass in lockdown filmmaking. In the most expected aspect of Hellbender, the film's name does indeed refer to a punk-metal band, with 16-year-old Izzy (Zelda Adams, The Deeper You Dig) and her mother (Toby Poser) its sole members. No one else has ever heard them play, either, given that Izzy is both homeschooled and confined to the family's sprawling mountainside property, as she has been since she was five. Her mum tells her that she can't venture into town or around other people due to a contagious autoimmune disease; however, when a lost man (John Adams) wanders their way and mentions that his teenage niece Amber (Lulu Adams) lives nearby, Izzy gets the confidence to go exploring. As both written and directed by three out of four Adams family members — all except Lulu — Hellbender proves an impressive supernatural affair from its opening occult-heavy prologue through to its astute take on teen rebellion. Here's hoping this Adams family spirits up more DIY horror delights soon, too. Hellbender streams via Shudder. APOLLO 10 1/2: A SPACE AGE CHILDHOOD In 1969, the year that Apollo 10 1/2: A Space Age Childhood is set, writer/director Richard Linklater was nine years old and living in Houston, Texas. This lovely animated film happens to follow a boy around the same age in the same city — and trust the filmmaker behind Boyhood, Dazed and Confused, and the glorious trio that is Before Sunrise, Before Sunset and Before Midnight to make viewers who weren't there then (who weren't even alive and have never been to America, too) to feel as nostalgic about the place and era as he clearly does. As narrated by his Bernie and The School of Rock star Jack Black, the film's entire middle section dances through memories of the time and city with infectious enthusiasm, but its biggest dose of affection radiates towards the technological promise of the 60s. The Mercury, Gemini and Apollo missions were rocketing into space and it patently felt like anything was possible, a sensation so marvellously captured in each second of Apollo 10 1/2. Jumping back into the rotoscoped animation that served Linklater so well in Waking Life and A Scanner Darkly, this loving ode to years and moods gone by also sports a delightful premise. As his older guise (Black) explains, young Stan (debutant Milo Coy) was an ordinary Houston kid with a NASA-employed dad (Bill Wise, Waves), doting mum (Lee Eddy, Cruel Summer) and five older siblings when he was approached by two men (Shazam!'s Zachary Levi and Top Gun: Maverick's Glen Powell) to help them with a problem. In the lead up to Apollo 11, it seems that NASA accidentally built the lunar module a couple of sizes too small, so they need a kid — Stan — to help them by going to the moon to test things out before Neil Armstrong, Buzz Aldrin and Michael Collins make their famous trip in a bigger version. That fantastical idea feels ripped from Linklater's childhood dreams, and it well might be; it also makes for a warm and charming entry point into a movie that's as much about life's ups and downs, the bonds of family and the wide-eyed optimism of youth as it is about heading to space. Apollo 10 1/2: A Space Age Childhood streams via Netflix. ASCENSION Ascension may not be one of this year's Oscar-winners, losing out to the also fantastic Summer of Soul (...Or, When the Revolution Could Not Be Televised), but it'll always be among 2022's nominees. More than that, this two-time Tribeca Film Festival winner will forever remain one of the most arresting documentaries of the past 12 months as well. Helming her first feature-length doco, filmmaker Jessica Kingdon turns her gaze to the Chinese dream — and what she sees, while situated in a very specific cultural context by design, is a clear and easy sibling to its American counterpart. That's part of the statement her film makes, all just by watching on patiently but meticulously as people go about their lives. Starting with factory recruitment on the streets, then moving into mass production, then climbing the social hierarchy up to the rich and privileged, Ascension explores employment and consumerism — and what they mean in an everyday sense in modern-day and modernised China. It's a portrait of the needs that make working on assembly lines a necessity, and of the dreams that inspire every climb, rung by rung, up the societal ladder. Some folks build sex dolls, their uncanny valley-esque forms adding an eerie mood. Others take lessons on etiquette for service jobs, including about not letting your face betray your emotions, and the tone is also unsettling. Observational to a mesmerising degree, Kingdon's exceptional film lets its slices of life and the behaviour, attitudes and patterns they capture do the talking, and they all speak volumes. Indeed, what a clever, telling, incisive and surreal story they unfurl. Ascension streams via Paramount+. TURNING RED What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao. As many of the animation studio's movies do, the film takes its title literally. But, it also spins the usual Pixar question. Turning Red does indeed wonder what'd happen if red pandas sported human-style emotions; however, the Disney-owned company has been musing on people becoming other kinds of critters of late, with particularly astute and endearing results here. The movie's focus: 13-year-old Chinese Canadian Meilin Lee (Rosalie Chiang, also making her film debut). The year is 2002, and she loves meeting her strict but doting mum Ming's (Sandra Oh, The Chair) expectations, hanging out with her pals and obsessing over boy band 4*Town. And while her mother doesn't approve of her friends or her taste in music, Mei has become accustomed to juggling everything that's important to her. But then, after a boy-related mishap, the red panda appears. Mei goes to bed feeling normal, albeit angsty and upset, only to wake up looking like a cuddly creature. Like werewolf tales about teenage boys tend to be, Turning Red is all about puberty and doesn't hide it — and whether it's tackling that head-on, pondering generational trauma or showing its rampant love for boy bands, it sports sweetness, soul and smarts. Turning Red streams via Disney+. Read our full review. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We've also picked 15 exceptional films that hardly anyone saw in cinemas in 2022, the 15 best returning TV series of the year, 2022's 15 best new shows and 15 other excellent TV newcomers from the past 12 months that you might've missed.
A picture is worth a thousand words, but can a picture capture the unique sound of a moment, of laughter, of a single word? With Bespoken Art, your words can in fact be translated into a work of art, a canvas that depicts the exact sound waves of your voice. Founder and CEO David Caulkins launched the company to create "art that speaks volumes," and his vision has given individuals the opportunity to hang on to a particular sound. By uploading sound bites to the Bespoken Art website or recording a word or phrase over the phone, sound waves are captured and printed onto a canvas. You can personalize the picture even more by choosing the color and size of the canvas and sound wave, making it a true original. Bespoken Art allows you to capture a quote, sound or word with the Classic Sound Portrait, combine up to five different voices on the Multiple Voice Sound Portrait, pair up with your significant other to share vows in the Double Pane Sound Portrait or print a smaller laser-printed version with the Desktop Sound Portrait. You can even capture audio over 30 seconds with the Song Sound Portrait, for meaningful songs or messages. Pictures may be worth a thousand words, but words can now paint beautiful pictures.
Game of Thrones might be coming to an end, but HBO isn't done with secrets, scheming, lies, bickering, battles and betrayal just yet. After all things Westeros wraps up later this month, the network is returning to Monterey, California — with Reese Witherspoon, Nicole Kidman, Laura Dern, Shailene Woodley, Zoë Kravitz and Meryl Streep. Put any one of those actors on screen and viewers will follow. Stick them all in the same TV program, and it's set to become one of the biggest shows of the year. Yes, Big Little Lies is back for a second season, and it's added three-time Oscar winner Streep to its latest dose of murky mysteries, tested friendships and life-altering events. And more lies, obviously. If you missed the huge Emmy and Golden Globe-winning first series back in 2017, it follows a group of women whose children all go to the same school. Oh, and who all got caught up in a murder tale, naturally. Based on the book by Australian author Liane Moriarty, it originally aired as a one-season once-off, but its enormous popularity (and a hefty swag of awards) has helped bring the drama back for another series. While an initial teaser dropped in April, HBO has just released the first proper look at the new season. Unsurprisingly, the drama has been ratcheted up a few levels, with the arrival of Streep's new character hardly helping matters. Witherspoon, Kidman, Dern, Woodley and Kravitz were all among the cast the initial time around, but Streep joins the fold as Mary Louise, the visiting mother-in-law to Kidman's Celeste. And, like everyone else, she doesn't quite expect she'll hear the truth when she starts asking questions about the previous season's developments. Also hopping on board is director Andrea Arnold, of Fish Tank, Wuthering Heights and American Honey fame, who is helming all seven episodes in the season season. She takes over from C.R.A.Z.Y., Dallas Buyers Club and Wild filmmaker Jean-Marc Vallée, who did the same for the first season. Check out the new full trailer below: https://www.youtube.com/watch?v=eCWevZV945M Big Little Lies airs on Foxtel Showcase weekly from Monday, June 10. Image: Jennifer Clasen/HBO.
From November to March each year, the turtle nesting and hatching period kicks into gear along Queensland's coastline. First, the shell-wearing critters lay their eggs. Then, they wait for their young to emerge. If you're a fan of the animals, it's prime turtle-spotting season. Located within the Mon Repos Conservation Park and home to the largest population of nesting marine loggerhead turtles in the South Pacific, the Mon Repos Turtle Centre has long hosted tours during breeding season, letting turtle lovers watch nature in action. When the 2019 period commences, visitors will not only be able to see the sea-dwelling creatures come home to lay their eggs, watch their babies hatch and witness the cute infants make their first journey out to sea — they'll also be able to roam around a revamped facility. Launching in November along with this year's tours, Mon Repos Turtle Centre will unveil its $22 million renovation, with $17 million of that funding provided by the Queensland Government. While it'll get plenty of traffic during peak turtle-viewing season, the aim is to entice visitors all-year-round. To help, the refreshed centre will boast an immersive theatre room that recreates the turtle nesting experience. Attendees will take off their shoes, step onto sand and watch the process, regardless of whether they're heading on a nightly tour or just stopping by in the off-season. Other new additions include a cafe, touch screen TVs and new displays. The revamped facility will also be decked out with new interpretive signage, welcoming visitors to the region by its First Nation tribes — the Gooreng Gooreng, Gurang, Tarebilang and Byellee peoples. Find the Mon Repos Turtle Centre at 141 Mon Repos Road, Mon Repos from Saturday, November 9. For further details or to book tickets, visit the centre's website.
Home to the famed Penola, Coonawarra and Robe wine regions — as well as an array of natural wonders — the Limestone Coast lies four hours' drive southeast of Adelaide. More than 40 cellar doors peddle some of Australia's best cabernet sauvignon, shiraz and merlot, while laidback eateries serve up fresh dishes, packed with local produce and fresh seafood, straight out of the Southern Ocean. Together with southaustralia.com, we've created this comprehensive guide to the coastal wine region — featuring plenty of drinking and feasting, alongside diving in impossibly clear waters, strolling around a dazzling blue lake and diving into a sinkhole. If you have the time, immerse yourself in the Clare Valley and the Fleurieu Peninsula, too. Or explore Adelaide — there are plenty of underground bars and fairy light-lit rooftops to uncover. [caption id="attachment_681383" align="alignnone" width="1920"] No.4[/caption] EAT Begin your adventures in Coonawarra, a pint-sized region known all over the world for its cracking cabernet sauvignon. At Drink Ottelia + Eat Fodder, you'll taste your way through several drops, while feasting on sourdough pizza and creative dishes, such as wood-roasted whole prawn with nasturtium leaf butter and salt and pepper squid with black pepper sauce and spring onion. Next up is Penola, a 1500-person town dotted with heritage-listed buildings, found 15 minutes' drive south. Among these dwellings, there's a white weatherboard church by the name of Pipers of Penola, where husband-and-wife duo Simon and Erika Bowen dish up decadent combinations. Start with duck liver pâté, grilled brioche, cornichons, mustard fruit and apple remoulade; end with Valrhona guanaja 70 percent dark chocolate terrine, spiced Jamaican rum genoise, dark chocolate glaze and orange sabayon. Match your picks with a few local drops along the way. [caption id="attachment_681429" align="alignnone" width="1920"] Mayura Station, Mike Annese[/caption] When you're ready for salty air and crashing surf, you'll find the coast 45 minutes' drive west. Your first stop should be the Irish green hills of Mayura Station, a Wagyu beef farm that has been raising cattle since the 1850s. In the Tasting Room, a true paddock-to-plate experience is on offer. While you sit at a sleek stainless bench, chef Mark Wright will slice premium cuts in front of your eyes, before preparing them in a variety of fashions – from paper-thin carpaccio to charcoal-grilled pieces to perfectly melty steak. The adventure comes accompanied by museum release Coonawarra wines, which you'd be hard pressed to find anywhere else. Stay coastal to visit Robe, a 1200-person town that lies an hour's drive north. In the 1850s, this was South Australia's second busiest port — a wander among the old buildings feels like a journey into seafaring history. For a light, breezy brunch, grab a table at No. 4, and feast on local rock lobster with scrambled eggs, pickled seaweed salad and house-made lavosh or some other locally inspired creation. [caption id="attachment_681000" align="alignnone" width="1920"] Cape Jaffa Wines, Adam Bruzzone[/caption] DRINK Don't leave Robe without swinging by Robe Town Brewery, home to the only woodfired brewing kettle in Australia. Its in-depth flights cover anything and everything from the Midnight Smooch, made with liquorice root, to The Magic Mulberry, infused with hand-picked wild mulberries. After that, it's a half-hour drive to remote Cape Jaffa Wines, to immerse yourself in vineyards, backdropped by the Great Australian Bight. Couple Anna and Derek Hooper moved here after falling in love with the area's wildness and deciding to dedicate themselves to making wines that reflect the elements. Their experiments have resulted in some unusual drops, such as the Samphire Skin Contact White, made using traditional Eastern European techniques, and the experimental Mesmer Eyes Red and White Blend. [caption id="attachment_681015" align="alignnone" width="1920"] Wynns, Mike Annese[/caption] Return inland to find out where Coonawarra and Penola get their mighty reputations. Wynns is a name you've no doubt seen on many a bottle shop shelf and, right here, you can see its home. Take this opportunity to sample the Single Vineyards and Icons ranges. Just a hop, skip and jump away is St Mary's, where every grape in every bottle comes from the winery's vineyard and every step in the winemaking process happens onsite. Leave yourself time to wander around the four acres of 70-year-old landscaped gardens, before moving on to Majella. For more wines deeply expressive of their terroir, head to Bellwether Wines, where the reserve series is up for tasting in an 1868 shearing shed. [caption id="attachment_681002" align="alignnone" width="1920"] Kilsby Sinkhole, Alex Wyschnja[/caption] DO One of the Limestone Coast's best-known spots is Blue Lake, Mount Gambier — around 50 minutes' drive south of Coonawarra. Occupying a massive crater formed by a volcanic eruption anywhere between 4300 and 28,000 years ago, the lake turns a magnificent cobalt blue every summer. The 3.7-kilometre walking trail lets you explore up-close. Before setting off, drop into Mount Gambier's Saturday morning Farmers' Market, to pick up supplies. [caption id="attachment_681009" align="alignnone" width="1920"] The Obelisk, Ben Goode[/caption] Another natural phenomenon nearby is the Kilsby Sinkhole. Divers have been travelling here from all over the planet since the 1950s to plunge into its crystal-clear waters, which you can experience on a tour with an approved operator. Then, if you happen to be travelling in May or June, wait until after dark to drive 16 kilometres northwest to Glencoe, to wander along Ghost Mushroom Lane, a walk dotted with mushrooms that glow in the dark. Note, these are not part of your foodie experience: the very chemical that gives them their luminescence can be poisonous. If you're looking for adventures around Robe, check out The Obelisk, Cape Dombey. Built in 1852, this landmark helped sailors to safety, firstly, by assisting with navigation and, secondly, by providing a place to store lifesaving gear. When a ship got into trouble, this gear would be shot out by rocket and grabbed by thankful travellers. [caption id="attachment_681014" align="alignnone" width="1920"] Bellwether Glamping by SATC[/caption] STAY To sleep surrounded by red gums and bird song within a Coonawarra winery, book a bell tent at Bellwether Glamping. The cellar door is just a stumble away and, during vintage, you can get involved in wine making. If glamping is too fancy-pants for you, you're welcome to bring your own tent. Another option for snoozing among the vines is The Menzies Retreat, a warm, cosy, timber-filled bed and breakfast at Yalumba's Coonawarra home. Alternatively, stay in town at A Coonawarra Experience. This two-bedroom cottage with queen-sized beds, heated floors and a Nespresso machine, is in Penola, so restaurants, cafes and bars are close by. To stay closer to the sea, reserve The Bush Inn, Robe, an 1852 inn that once welcomed sailors and merchants. Now, it offers ultra-comfy rooms to travellers of the food-and-wine tasting kind. Expect polished timber floors, exposed stonework, open fireplaces and baths – surrounded by bushland. There's room for up to nine guests across four bedrooms. Or, to sleep near Mount Gambier's wonders, check into The Barn, where the Premier King Suites are luxurious, open-plan numbers with Sealy Dynasty plush king beds, massive Caesar stone bathrooms and private patios. To discover more of Adelaide and South Australia, head to SATC. Top image: Cape Jaffa Wines, Adam Bruzzone
Chef Kam McManamey has a fist full of chilli and, as we've previously seen at the kitchens he's manned at Botherambo and BangPop, he's not afraid to use it. McManamey's focus at new South Yarra restaurant Rock Sugar is on the street food of Isaan and Chiang Mai. Having eaten his way through through northern Thailand, his menu reflects the mouthwatering flavours of the region — and they're quite distinct from the Thai we might be used to. So don't bother looking for pad Thai. Instead, embrace 12-hour lamb spring rolls with massaman coconut cream ($14) or a jungle curry with pork belly, snake bean, corn and banana chilli ($29). But be warned: the jungle curry is really hot. This is excellent food to share and, as you work your way down the menu, the only problem you'll face is the FOMO as you have to leave one dish behind in order to try another. But to help you out, we recommend you tease your tastebuds with a starter of light and crispy rice cakes with turmeric nam prik (a standard Thai chilli sauce). The single bites add another little mouthful of flavour; morsels like smoked ocean trout come served on betel leaf with kaffir lime, scud chilli, coconut and roe ($5 each). Be careful not to inhale as you eat, though — the scud chilli has quite a kick, and using your fairy floss martini as an extinguisher is just a waste. Beef short ribs are best shared with one other — they come with tamarind nam jim, pickles and chilli salt ($17) and just fall off the bone and melt in your mouth. For a larger group, the whole baby snapper served on a fermented yellow bean sauce ($29) is a good pick. It looks as though it's been caught mid-swim, but seems fairly okay about having its caramelised flesh scraped from the bone and pulled through the slightly tangy and delicious sauce. On paper, the turmeric, kaffir lime, coconut crème caramel with blood orange, spiced rice paper and cool mint ($12) sounds like a lot of elements on one small plate, but manages to be rich without being overpowering. It's smooth and velvety, and the perfect way to end the meal. The drinks list contains the usual range of beers, an excellent selection of wine and a collection of exotic 'rocktails', which are as pretty as they are full of flavour. The pandan chilli ginger swizzle ($16), for example, is bound to get the party started. In an age where we need hashtags to guide us, the addition of #rockingthai at the top of the Rock Sugar menu is fitting for both its contents and the interior. The dining room is all exposed brick and the green tiles of the central bar almost glow with a light of their own while the neon pink rock on sign on the wall blesses us as you eat. Rock Sugar has only just opened, and, while owner Nikon Souphan may well still be getting used to having people dine in what used to be his bedroom (the Malvern Road site was once his family home), he doesn't show it. Just remember, you can't eat it all. But there's always next time — Rock Sugar is a place to go back to.
To hear the latest new tunes by Flume, you'll need to make a date with the Art Gallery of New South Wales' Volume music series when it returns for 2024. The Australian talent won't be performing at the event. There's no word of him popping up with Tkay Maidza, who is already on the festival's bill, following their 2023 single 'Silent Assassin'. But he has composed the soundtrack for a world-premiere installation in AGNSW's old Second World War oil tank that's been turned into a performance and art space. Featuring sound, projections, lighting and lasers, Every dull moment (EDM) hails from Flume and multidisciplinary artist Jonathan Zawada, and shows its inspiration right there in its name — EDM festivals, specifically. It has been designed for the unique site in Naala Badu, AGNSW's $344-million extension that opened in late 2022. Comprised of sequences spanning between ten and 90 seconds, the piece goes on continuously and randomly without repeating, paired with Flume's new compositions. It's also on the free portion of Volume's lineup. Not just Zimbabwean Australian singer-songwriter Maidza, but also André 3000's Australian-exclusive shows with his experimental jazz project André 3000 New Blue Sun LIVE, Sonic Youth's Kim Gordon and Ghanaian Australian talent Genesis Owusu were previously announced as the event's headliners — all at ticketed gigs. Now comes the rundown of events that won't cost you a cent to enjoy between Friday, July 5–Sunday, July 21. Every dull moment (EDM) has company from a heap of excuses to see live tunes for free, featuring more than 30 local and international artists in total. Another huge highlight: Blak Country, a celebration of Aboriginal country music which will take place during 2024's NAIDOC Week. On the bill: Roger Knox, Kyla-Belle Roberts, Loren Ryan, Frank Yamma, Jarrod Hickling and Kathryn Kelly, as well as a playlist from musical talents from incarcerated First Nations communities as part of the Songbirds project. [caption id="attachment_957075" align="alignnone" width="1920"] Matt Day[/caption] Volume is devoting another night, dubbed Extasis, to experimental sounds curated by Lawrence English, with Jim O'Rourke, Eiko Ishibashi and Hand to Earth among the artists featured. And, at Future Tilt, it'll spend an afternoon getting creative with salllvage, Lydian Dunbar, DeepFaith and more in experimental pop and electronic drone. Fennesz, amby downs, Jules Reidy, Seaworthy and Matt Rösner will be world-premiering new compositions across both AGNSW buildings — the new north building Naala Badu and the OG south building Naala Nura — in a program called Threshold, while Play on, play again, play forever will see musicians from Asylum Seeker Centre play tunes in response to the site's artworks each weekend. Volume initially premiered in 2023 with Solange and Sampa The Great taking to its stages. As the above lineup shows, the fest is using its 2024 program to build upon its first-year successes — and to give everyone plenty of motivation to experience the blending of music and art this winter. [caption id="attachment_957076" align="alignnone" width="1920"] Emma Luker[/caption] [caption id="attachment_957077" align="alignnone" width="1920"] Jim O'Rourke [/caption] [caption id="attachment_957078" align="alignnone" width="1920"] James Hadfield[/caption] Volume 2024 Lineup: Headliners: Friday, July 5–Saturday, July 6 — Genesis Owusu Saturday, July 13 — Tkay Maidza Thursday, July 18–Friday, July 19 — Kim Gordon Saturday, July 20–Sunday, July 21 — André 3000 New Blue Sun LIVE Free program: Saturday, July 6 — Future tilt Saturday, July 6—Sunday, July 21 — Threshold Sunday, July 7—Sunday, July 21 — Every dull moment (EDM) Wednesday, July 10 — Blak Country Wednesday, July 17 — Extasis Dates TBA — Play on, play again, play forever [caption id="attachment_954053" align="alignnone" width="1920"] Dexter Navy[/caption] [caption id="attachment_954055" align="alignnone" width="1920"] @trippydana[/caption] [caption id="attachment_954056" align="alignnone" width="1920"] Bec Parsons[/caption] Volume 2024 runs from Friday, July 5–Sunday, July 21 at the Art Gallery of New South Wales, with general ticket sales from 11am on Wednesday, May 22 — head to the festival website for further details.
2024 started with Donald Glover on-screen in the TV remake of Mr & Mrs Smith. 2025 Down Under will begin with Childish Gambino returning to Australia and New Zealand on his The New World tour. The rapper and hip hop star has announced five dates across the two countries, starting in January and running into February, on what will be his first trip to these shores since 2019. On the agenda, then: summertime magic, when the musician/actor/writer/director plays not just his latest album Atavista — the finished version of 2020's 3.15.20 — but tracks from a career behind the microphone that dates back to 2011. Accordingly, expect to hear 'This Is America', 'Redbone', 'Sweatpants' and other songs from his past records Camp, Because the Internet and Awaken, My Love!. The Down Under leg of the tour will kick off at Spark Arena in Auckland, Gambino's only Aotearoa show. From there, he's hitting up the Brisbane Entertainment Centre, Sydney's Qudos Bank Arena, Melbourne's Rod Laver Arena and RAC Arena in Perth. When he last headed this way — complete with a headline spot at Splendour in the Grass — it was after initially announcing a 2018 Australian tour, then cancelling it due to an ongoing injury. Before that, he performed at Falls Festival in 2016. [caption id="attachment_955317" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] Gambino mightn't have been on Aussie and NZ stages for a spell, but Glover had the final two seasons of Atlanta — both in 2022 — reach screens since he was last Down Under. Voice work on Spider-Man: Across the Spider-Verse, producing TV series Swarm, the aforementioned Mr & Mrs Smith: they've all joined his resume as well. He'll also be heard as Simba again in Mufasa: The Lion King, the prequel to 2019's photorealistic version of The Lion King, before 2024 is out. On all Australian and New Zealand shows, Gambino will be supported by Amaarae. Childish Gambino 'The New World' Tour 2025 Australia and New Zealand Dates Tuesday, January 28 — Spark Arena, Auckland Saturday, February 1 — Brisbane Entertainment Centre, Brisbane Tuesday, February 4 — Qudos Bank Arena, Sydney Friday, February 7 — Rod Laver Arena, Melbourne Tuesday, February 11 — RAC Arena, Perth Childish Gambino is touring Australia and New Zealand in January and February 2025 — with ticket presales from Thursday, May 16, 2024 at staggered times, and general sales from Monday, May 20, 2024 at staggered times. Head to the tour website for further details. Top image: Eli Watson via Flickr.
Parking in Sydney is, well, a bit of a nightmare. There are some 10,483 council parking spaces available to share between a population of over 4 million. The average price for the privilege of plonking your vehicle in the CBD for two-hours is up around the $40 mark. That's if you even manage to find a spot. It's double that for a parking infringement, unless of course you avoid getting caught thanks to geo-location app Park Patrol. Other cities resort to stacking cars vertically, while privately-owned spaces can be crowd-sourced on sites like YourParkingSpace. Perhaps we should take a leaf from San Francisco's book. Recently launched SFPark is a website and mobile app which uses sensors, new meters, and real-time parking data to improve parking in eight test neighbourhoods in the inner city. Around 7,000 of San Fran's 28,800 metered spaces and 12,250 public garage spaces are covered in the program. Accessing real-time information about the availability of parking, drivers can quickly zip into open spaces. Parking meter pricing gets adjusted according to supply and demand, which helps balance availability of popular spaces while subtly encouraging commuters to opt for more sustainable travel options, like a bike or a bus. https://youtube.com/watch?v=bzUGs02Zy40 [Via Fast Company]
Every community needs a local grocer — and Yarraville residents definitely don't miss out. Plump Organic Grocery has been supplying the area with the freshest fruit and vegetables since 2002 and it continues to be one of the most popular shops in the Yarraville Village. People are more conscious than ever about where their food comes from, and Plump Organic Grocery always guarantees great quality produce from both wholesalers and a select group of farmers, and the store has a massive range of organic and bio-dynamic products. Plus, you can pick up everything from a bag of pasta to a block of chocolate, making it a very convenient stop on your way home from work.
Rebecca Ferguson will never be mistaken for Daveed Diggs, but the Dune, Mission: Impossible franchise and Doctor Sleep star now follows in the Hamilton Tony-winner's footsteps. While he has spent multiple seasons navigating dystopian class clashes on a globe-circling train in the TV version of Snowpiercer, battling his way up and down the titular locomotive, she just started ascending and descending the stairs in the underground chamber that gives Silo its moniker. Ferguson's character is also among humanity's last remnants. Attempting to endure in post-apocalyptic times, she hails from her abode's lowliest depths as well. And, when there's a murder in this instantly engrossing new ten-part Apple TV+ series — which begins streaming from Friday, May 5 — she's soon playing detective. Leaping to the screen from Hugh Howey's novels, Silo might share a few basic parts with other shows and movies — Metropolis, Blade Runner and The Platform also echo, as do the corrupt world orders at the core of The Hunger Games and The Maze Runner flicks — but this series isn't simply scouring its genre for useful parts. In a year that's made a hit out of the TV version of The Last of Us, it too ponders humanity's survivalist instincts, as well as how we shape our societies when the worst occurs. And, as fellow Apple TV+ sci-fi mystery Severance did so grippingly in 2022, it also contemplates what people are willing to accept to get through their days. Ferguson's Juliette is particularly adept at tinkering; however, the show she's in is always a complete piece in and of itself, and never just cobbled together from other sources. Silo captivates from the outset, when its focus is the structure's sheriff Holston (David Oyelowo, See How They Run) and his wife Allison (Rashida Jones, On the Rocks). Both know the cardinal rule of the buried tower, as does deputy Marnes (Will Patton, Outer Range), mayor Ruth (Geraldine James, Benediction), security head Sims (Common, The Hate U Give), IT top brass Bernard (Tim Robbins, Dark Waters) and the other 10,000 souls they live with: if you make the request to go outside, it's irrevocable and you'll be sent there as punishment. No matter who you are, and from which level, anyone posing such a plea becomes a public spectacle. Their ask is framed as "cleaning", referring to wiping down the camera that beams the desolate planet around them onto window-sized screens in their cafeterias. No one has ever come back, or survived for more than minutes. Why? Add that to the questions piling up not just for Silo's viewers, but for the silo's residents. For more than 140 years, the latter have dwelled across their 144 floors in safety from the bleak wasteland that earth has become — but what caused that destruction and who built their cavernous home are among the other queries. So is when it'll be safe to venture out again and whether everything the stratified community has been told, as documented in a book of decrees called The Pact, is 100-percent accurate. Along with giving wanting to leave such finality, other rules span how people can use remnants from the before times (called relics, and covering Pez dispensers, watches hard drives and more) and the lottery that allows couples to procreate (with women otherwise implanted with birth control). Here, breaking the indoors-only mandate, being too curious and challenging the status quo all have serious consequences, as Holston, Allison and Juliette learn. Brought to streaming by Justified creator, Speed writer, and The Americans and Slow Horses executive producer Graham Yost, Silo has twists in store for all three — but Juliette earns the bulk of its attention. In the "down deep", as the lower levels are dubbed, she's an engineer overseeing the generator that keeps things whirring. She's also sparked to do more than mechanics by her lover George (Ferdinand Kingsley, Mank), who has a fascination with relics and an obsession with exposing the truth about silo life. Sims isn't fond of her snooping, or of her rise from the bottom ranks in general, while she isn't impressed when she's paired with The Pact-worshipping Paul (Chinaza Uche, Dickinson). If the premise wasn't absorbing enough, with its setting, questions, arbitrary regulations, and conflict between those who've grasped power and everyone forced to live under their authority — and it is absorbing — Silo is a feat of world-building from its first moments. With kudos to the show's production designer Gavin Bocquet (The Dark Crystal: Age of Resistance), entire art department and special effects team, it's visually entrancing in its location alone. As this confined existence spreads up and down around a striking central spiral staircase — because there's nothing as advanced as an elevator to scale and plunge through the silo's floors — it does so with Soviet-era hues and a steampunk vibe to the show's retro technology. Discovering new spaces, be it the engine room where the intense ticking-clock third episode is set, or the floors devoted to crops and cattle, or the medical bay, is constantly a thrill, albeit never more so than the dramas playing out within each place. Within Apple TV+'s stable, both Severance and Hello Tomorrow! also benefited from blast-from-the-past looks while getting viewers puzzling. They each knew, too, that aesthetics and enigmas can't do all the heavy lifting. As they both proved, Silo is dedicated to its characters first and foremost — so much so that when some slip away earlier than their casting has audiences expecting, it feels like a genuine loss. That's not a criticism of the always-excellent Ferguson, who anchors the show with flinty determination, but praise for how well minor figures are fleshed out. She's magnetic, thoroughly deserving of her lead role and riveting in it, and she has stellar support, with Iain Glen (The Rig) and Harriet Walter (Succession) also welcome inclusions. Rich concept, stacked cast, immersive visuals, dripping intrigue: given how well Silo's first season pans out, it's no surprise that a second is already in the works. This strange new world doesn't come close to resolving every question it poses in this debut go-around, instead continually inspiring more, yet never feeling like it doesn't have an endgame or it's stretching out its story to prolong getting there. Cliffhangers are part of its storytelling process, but skilfully. The big reveal that ends the season is catnip for more to follow. Silo is just as involving when it's exploring its underground city, diving into its main players' histories, solving mysteries and inciting more — and worth digging deep into. Check out the trailer for Silo below: Silo streams via Apple TV+ from Friday, May 5.
Australia and New Zealand, you're getting more chances to dance the night away: Dua Lipa's already-huge Radical Optimism tour has expanded its trip Down Under. When it was first announced, there were three shows on the itinerary. Due to demand — and before general tickets even go on sale — the tour has been expanded to nine gigs. It's still only playing three cities, however. Accordingly, Dua Lipa fans will still need to head to Sydney, Melbourne or Auckland to catch the Grammy-winner's live shows. She's now doing three gigs in the New South Wales capital, four in the Victorian capital and two in Aotearoan city. Dua Lipa last travelled this way to bring her Future Nostalgia tour Down Under in 2022, and hit the stage at the post-parade party at the 2020 Sydney Gay and Lesbian Mardi Gras before that. The Radical Optimism gigs kick off in November 2024 across Asia, with concerts in Singapore, Jakarta, Manila, Tokyo, Taipei, Kuala Lumpur, Bangkok and Seoul. Fans in Australia and Aotearoa get their turn to find the star under lights and turning the rhythm up in March and April 2025, thanks to shows at Rod Laver Arena, Qudos Bank Arena and Spark Arena. [caption id="attachment_963582" align="alignnone" width="1917"] Raph_PH[/caption] 2024 has been a huge year for the 'Don't Start Now', 'Physical', 'Break My Heart', 'Cold Heart' and 'Houdini' singer, with her third studio album Radical Optimism releasing in May and then the artist headlining Glastonbury. She also popped up in Argylle in cinemas. 2023 was no slouch, either, given that 'Dance the Night' graced the Barbie soundtrack and Dua Lipa featured in the film as a Barbie. The Aussie and NZ leg will restart the Radical Optimism tour in 2025, with dates also locked in across Europe in May and June next year, and in North America in September and October afterwards. As well as Radical Optimism and Future Nostalgia, Dua Lipa has tracks from her self-titled 2017 debut record to bust out, including 'Be the One', 'Hotter Than Hell', 'Lost in Your Light', 'New Rules', 'IDGAF' and 'Blow Your Mind'. [caption id="attachment_972947" align="alignnone" width="1920"] Tyrone Lebon[/caption] Dua Lipa Radical Optimism Tour 2025 Australia and New Zealand Dates Wednesday, March 19–Thursday, March 20 + Saturday, March 22–Sunday, March 23 — Rod Laver Arena, Melbourne Wednesday, March 26 + Friday, March 28–Saturday, March 29 — Qudos Bank Arena, Sydney Wednesday, April 2 + Friday, April 4 — Spark Arena, Auckland Dua Lipa's Radical Optimism tour heads Down Under in March and April 2025, with general ticket sales from 1pm local time on Friday, September 20. Head to Dua Lipa's website for more details. Live images: Raph_PH via Flickr.
Australian fashionistas no longer have to pay a fortune in shipping (or travelling) if they want to get their hands on COS — representatives of the Swedish fashion retailer have confirmed they'll be opening their first store in Australia. The chosen spot? That would be Melbourne, again, with the The Strand on Elizabeth Street the locale du jour. COS is the slightly higher-end arm of the more well-known retailer H&M, but with a simpler, more stripped-back aesthetic. As yet, they haven't announced an opening date for the COS store, but H&M is set to open their flagship Australian store later this year in Melbourne's GPO building, taking over three floors. H&M and COS are joining the Australian high street market at an extremely competitive time. In the past couple of years, a lot of big-name retailers have started to realise that not only do Australians want to buy their clothes but we also came out of the GFC looking pretty good. Sydney currently boasts the recently opened Topshop and Zara, and overseas brands H&M, Uniqlo (Japan), Marks & Spencer (UK) and Forever 21 (US) are all on their merry way over. Via Vogue.
When Inside popped up on Australia's film festival circuit in 2024, including at the Melbourne International Film Festival, SXSW Sydney Screen Fest and Brisbane International Film Festival, it was instantly one of the must-see homegrown titles doing the rounds. If you didn't catch it then, the Guy Pearce (The Clearing)-, Cosmo Jarvis (Shōgun)- and Toby Wallace (The Bikeriders)-starring thriller should be at the top of your to-watch list in 2025 when it hits local cinemas in February — and it has just dropped its trailer to demonstrate why. Fresh from earning a well-deserved Golden Globe nomination for The Brutalist — and likely on track for an Oscar nomination for the same role, too — Guy Pearce (The Clearing) leads the prison-set film as Warren Murfett, an inmate on the cusp of parole. As he's preparing for potentially earning his freedom, he's asked to take Mel Blight (Vincent Miller, Plum) under his wing after the latter is transferred from juvenile detention to adult prison. Also giving the newcomer a guiding hand is the infamous and widely despised Mark Shepard (Cosmo Jarvis, Shōgun). Inside doesn't just bring the three men together in a powderkeg of a location; it immerses them in a violent plot that could change each of their lives forever, all while thoughtfully and empathetically pondering choices, repercussions, and the impact of inherited damage and trauma. Also among the cast: Toby Wallace (The Bikeriders), Chloé Hayden (Heartbreak High) and Michael Logo (Colin From Accounts), with the film boasting impressive names on- and off-screen. Inside marks the feature debut of writer/director Charles Williams, who won the 2018 short film Palme d'Or at the Cannes Film Festival for the also-excellent All These Creatures. The Stranger and Acute Misfortune filmmaker Thomas M Wright is onboard, too, as an executive producer. "Inside is a movie that's been with me in some form or another for the better part of a decade. I wanted to make the kind of film that resonated with me growing up. Movies that you could get lost in, often uncovering very specific worlds and complicated characters," explains Williams. "They felt very real but also oddly transporting and almost spiritual — while still being visceral, cinematic experiences for the big screen. It's been such an honour to collaborate with this incredible cast and crew to bring Inside to life." Check out the trailer for Inside below: Inside releases in Australian cinemas on Thursday, February 27, 2025. Images: Mathew Lynn.
One of the reasons that it's so easy to lose yourself at teamLab Borderless, the acclaimed and hugely popular Tokyo digital art gallery that should be at the top of every visitor to Japan's must-visit list, is the way that its stunning sights keep moving around you. No one just looks at art here — they're truly immersed in it. At RISING 2025, expect that same sensation. When Melbourne's annual winter arts festival returns, expect to step into a field of red beams, too. Whether you're a local or hitting up the Victorian capital just for the fest, expect to never see The Capitol the same way again as well. After first announcing that it'd be getting swinging in 2025 — at mini golf, that is, courtesy of an art exhibition that's also a nine-hole mini-golf course that's taking over Flinders Street Station Ballroom — RISING has unveiled its full program. Hailing from teamLab alum Shohei Fujimoto, intangible #form is a massive highlight. The Japanese artist's free installation will take over The Capitol each evening complete with all of that crimson lighting, which'll respond to your movement. Sparking the feeling losing yourself in its beams and hues is 100-percent the piece's aim. With 65 events featuring 327 artists on RISING's 2025 lineup between Wednesday, June 4–Sunday, June 15, intangible #form is just one of the fest's standouts this year. Another comes courtesy of Suki Waterhouse playing her first-ever Aussie shows, which you can only see in Melbourne at the fest. After proving a drawcard in 2024, Yasiin Bey is returning to RISING in 2025, this time joined by Talib Kweli. Still on tunes, Portishead's Beth Gibbons, Aotearoa favourite Marlon Williams, septuagenarian grime stars Peter Bowditch and Basil Bellgrave, Black Star, RONA, Soccer Mommy and Japanese Breakfast are also on the bill — as is the return of eight-hour music fest-meets-block party Day Tripper, with DIIV, Mount Kimbie, Annie and the Caldwells, Bktherula, Paul St Hilaire and Bad Vacation taking to the stage. [caption id="attachment_994703" align="alignnone" width="1920"] Mathieu Bitton[/caption] If you haven't seen Hedwig and the Angry Inch before, this is your chance to redress that gap in your theatregoing, with this new Australian production of the rock musical starring Filipino Australian singer Seann Miley Moore. And if you've ever wondered if you could manage to sit still — completely — for 90 minutes, Woopsyang's "do nothing" challenge is part of RISING, and asking festival attendees to participate. Or, catch the Australian premiere of Olivier-winning hip-hop dance work BLKDOG by Botis Seva — and then grab a seat for The Wrong Gods, a new piece by S Shakthidharan, the playwright behind RISING 2024's Counting and Cracking. Celebrating Divinyls legend Chrissy Amphlett via cabaret, hearing sound artist Sara Retallick dive deep into The City Baths as a composition space, dancing again at the return of SHOUSE's Communitas, spotting Melbourne Art Trams' latest iteration rolling around town, embracing a playful stage musing on heartbreak with the appropriate soundtrack: that's all on offer, too. [caption id="attachment_994693" align="alignnone" width="1920"] Ryan Cara[/caption] Also on the agenda: peering at large-scale projections that champion Yorta Yorta ancestral connections as they flicker across Hamer Hall, all thanks to Moorina Bonini; discovering what happens when time and sound bend in the void beneath Federation Square; watching six performers work through 36 Shakespeare plays using household objects; and another date with the Bard, with Hamlet staged by a neurodiverse cast. BLOCKBUSTER, also at Fed Square, looks set to live up to its name, giving RISING a free ode to South Asian culture. Think: street food, Pakistani R&B, Punjabi rap, art trucks, workshops and more. To similarly feel spoiled for choice while hitting up just one part of the festival's program, head to Night Trade, which is again part of the program, bringing street, karaoke and microbars to a late-night art market between Capitol Arcade and Howey Place. The list goes on — including Soda Jerk switching from bringing TERROR NULLIUS and Hello Dankness to the big screen to designing a mini-golf hole for the aforementioned Swingers: The Art of Mini Golf. [caption id="attachment_994700" align="alignnone" width="1920"] Woopsyang[/caption] "RISING is about breaking conventions — bringing wild, intimate and unexpected creativity into the heart of Melbourne," said the event's Co-Artistic Directors Hannah Fox and Gideon Obarzanek, announcing 2025's lineup. "We are a festival of art music and performance that is proudly challenging and uncompromisingly inclusive. This year, audiences are invited to navigate a storm of lasers in the prismatic fantasy of the Capitol Theatre, swim through a composition of tactile sound in the City Baths, join in an audio-visual experiment deep under the ground of our town square or compete in the defiant act of doing nothing." [caption id="attachment_994704" align="alignnone" width="1920"] Mandy Wu[/caption] [caption id="attachment_994692" align="alignnone" width="1920"] Netti Habel[/caption] [caption id="attachment_994695" align="alignnone" width="1920"] Steven Marr[/caption] [caption id="attachment_994702" align="alignnone" width="1920"] Eugene Hyland[/caption] [caption id="attachment_994691" align="alignnone" width="1920"] Remi Chauvin[/caption] [caption id="attachment_994699" align="alignnone" width="1920"] Katsuyuki Seki[/caption] RISING 2025 runs from Wednesday, June 4–Sunday, June 15 across Melbourne. Head to the event's website for further information.
If you've ever been to Cafe Gratitude in LA, you'll have witnessed the excess of positive affirmations that make up their menu. And even if you haven't, you can safely assume what it's like. Pancakes that reaffirm you are luscious and kale dips that instil a sense of community — that kind of thing. And although Yarraville is a far cry from LA, Heal.Thy Self Co. treads along a similar path. The smoothies have adjectives for names, and the staff pen your declaration on the side of the plastic takeaway cup: Lauren is passionate, mine said. No matter how you wish to be nourished though, this place has got you covered. It's organic, fresh, sometimes raw, and everything is filled with superfoods. If it's early (they open at 6.30am), skip the coffee and perk up with a their 'awakened' smoothie — it's got a double shot of espresso with banana, mesquite, vanilla and almond milk, and it gets the banana ratio just right. Otherwise you can go with something green, a cup of mango and passionfruit, or a concoction of berries and oats. All smoothies are $9. The space is small, but there's enough space to sit, albeit crowded by the people waiting for takeaways. It's an oasis of raw cheesecakes, food the colour of the rainbow and avo toast served on brown butcher paper. The food resembles what you might expect at Elwood's Combi; it's pretty and very shareable, the acai bowl ($12) is a work of fruit and nut art and the chocolate chia parfait ($14) is topped with edible flowers. But health is a holistic business, and so Heal.Thy Self Co. have an in-house naturopath and massage therapist if you'd like some extra services while you sip your smoothie. But if you'd just like to eat a piece of raw caramel slice (and it's one of the best out there), you can do that too. Don't question it — it's healing.
If you've read much of Stephen King's work, then you'll agree with some of the first words spoken in the just-dropped debut teaser trailer for HBO's new IT prequel series: "anywhere but Derry". That's a great motto if you're keen to avoid unnerving and supernatural events, which have frequented the fictional town's streets in the author's pages for decades — and in their screen adaptations, too, including the hit 2017 IT movie and its 2019 sequel IT: Chapter Two. HBO and its streaming service HBO Max are in franchise mode of late, adding The Penguin to the world of The Batman, expanding the Game of Thrones realm with not only House of the Dragon but also the upcoming A Knight of the Seven Kingdoms: The Hedge Knight, announcing a new drama series set in The Conjuring universe and locking in a Harry Potter series that readapts the books. As first revealed in 2023, IT: Welcome to Derry falls into the same camp. It'll arrive in your streaming queue sometime in spring 2025. If you're not fond of clowns, find yourself scurrying past sewers and simply can't stand red balloons, there's probably one big reason for your phobias. Maybe you read King's horror tome IT, which first made its way to bookshelves back in 1986. Perhaps you saw the 1990 miniseries, which turned Tim Curry from The Rocky Horror Picture Show's Frank N Furter into the transdimensional evil entity known as Pennywise. Or, you might've caught the recent two IT flicks. Whichever fits, your fears are about to get another workout. King's go-to Maine town is clearly the setting, with the series stepping through the locale's scares before the terror that viewers have already seen and experienced. And yes, Pennywise does indeed feature. So does a spate of missing children, more kids seeking answers, a new family moving in, uncaring police, eerie smiles and cackles, voices in the pipes and a crimson balloon. Returning to oversee the show is filmmaker Andy Muschietti, who helmed the most-recent two IT movies and last directed DC Extended Universe flick The Flash. He's also behind the camera here on multiple episodes, expanding his Derry-set vision from his two features. "As teenagers, we took turns reading chapters of Stephen King's IT until the thick paperback fell to pieces," said Muschietti and his sister Barbara Muschietti, who is also working on IT: Welcome to Derry, back when the show was first revealed. "IT is an epic story that contains multitudes, far beyond what we could explore in our IT movies. We can't wait to share the depths of Steve's novel, in all its heart, humour, humanity and horror." "I'm excited that the story of Derry, Maine's most haunted city, is continuing, and I'm glad Andy Muschietti is going to be overseeing the frightening festivities, along with a brain trust including his talented sister, Barbara. Red balloons all around!" added King at the time. If you've somehow missed all things IT so far, it follows the exploits of maniacal clown Pennywise, as well as the folks he's rather fond of terrorising. In the 2017 and 2019 movies, Bill Skarsgård (Nosferatu) put on the demonic makeup. In the first of those films, his targets were all kids. In the second, those teens — the Losers Club — were all grown up and still getting spooked. Skarsgård is back as Pennywise in IT: Welcome to Derry, with Taylour Paige (Brothers), Jovan Adepo (3 Body Problem), Chris Chalk (Feud), James Remar (Megalopolis), Stephen Rider (What Lies Under the Tree), Madeleine Stowe (Soundtrack) and Rudy Mancuso (The Flash) as his co-stars. Watch the initial IT: Welcome to Derry teaser trailer below: IT: Welcome to Derry is set to stream via Max in Australia and Neon in New Zealand sometime in spring 2025 — we'll update you with an exact release date when it is announced. Images: HBO.
Conveniently (and fittingly) located next to Gardenvale train station, Think Blooms offers freshly cut flowers, indoor plants and impressive floral arrangements. The store is owned and operated by founder Emily, who has been interested in floristry from a young age. Her passion shows in the Brighton store where she produces floral arrangements for weddings, corporate events and small-scale personal gifts. In addition to seriously beautiful flower arrangements (check it out on Instagram), Think Blooms sells a variety of floral-inspired artwork and general giftware. If you're wanting to shop like a local while in Brighton, Think Blooms should be on your list.
Usually, when someone returns from a trip to Africa, they just come back with a new outlook on life, pictures of cute/terrifying animals and maybe a different hairstyle. Well, unless you're Dean and Jeanelle Mariani — then, you come back with a desire to open a bar about it. Inspired by the couple's travels through East Africa, Polepole is a sweet homage to the country's eastern coastline in the form of a slick city cocktail bar one level above Little Collins Street (with some killer bar snacks, to boot). It's important to establish that Polepole isn’t a themed bar — simply a bar with flecks of African influence scattered about. You'll find it in the drinks, on the menu (biltong features, and it's really quite good) and the Lion King-esque Tree of Life painted onto one wall. If you're looking for novelty, you won't find it here. The cocktail list does feature a few culturally-relevant concoctions, with drinks like the Dr. Livingstone — Tromba tequila, Heering Cherry liqueur, red vermouth and blood orange — and the Mzungu Martini: their take on the espresso martini, with spiced rum to really kick things off. Apart from that, they keep it simple with beers imported from Kenya, Ethiopia and Mauritius ($8-10) and a less exotic, but quality nonetheless, selection of Australian wines. At cocktail bar, the snacks usually come as an afterthought. But Polepole's bar food is almost worth a visit in itself. Among the most memorable, the eggplant chips — crisply coated, skin on, in something similar to panko crumbs and gooey on the inside ($12) — and the sweet-and-nutty pork, almond and cinnamon cigars ($14 for three). Then, you have the ribs; four different types (chicken, beef, pork and lamb), all sticky, dark and rich. No cutlery needed. Only napkins. If being in an East African bar means that we have license to eat with our hands while sipping an espresso martini, we're happy to oblige with custom. Although, maybe that's just Polepole.
It's been a big, chaotic year here in Melbourne — and that calls for one heck of a send-off. Whether you're eager to see the back of 2021 with a few champagnes in hand, or looking to set a cheerier tone for 2022 by bouncing into it with DJ tunes and a good ol' d-floor session, a slew of Melbourne bars, pubs and restaurants are happy to help. From fancy dinners and cocktail soirees to dance parties and rooftop shindigs, we've scouted out a big bunch of New Year's Eve events you can add to your calendar right now. Some are ticketed, some are free — all promise to have you marching out the year that was in style. Round up the crew and lock in one of these New Year's Eve happenings now. CENTRAL [caption id="attachment_787570" align="alignnone" width="1920"] Nick & Nora's by Brook James[/caption] Arbory Bar & Eatery: A glam Versace-inspired shindig with DJs, free-flowing drinks and canapes. Book here. Whitehart: A free laneway party with sounds from Afrodisiac, Claddy and more. Panda Hot Pot: Open as usual for your New Year's Eve hot pot feasting. Nick & Nora's: A ritzy masquerade ball with Dom Perignon, caviar and canapes, plus a cheeky bar tab to spend throughout the night. Book one of two packages here. Robata: Enjoy tunes from DJ Kazuma Onishi while tucking into a set menu of Robata favourites. Book one of two sittings here. Chancery Lane: This chic New Year's Eve dinner will see you indulging in seafood hors d'oeuvres, wagyu sirloin and more, across four or five courses. Book one of two sittings here. Dom's Social Club: A rooftop do starring free-flowing magnums, lots of other quality sips and DJ sets, to enjoy while soaking up a primo view of the fireworks. Book here. NORTH [caption id="attachment_645872" align="alignnone" width="1920"] Welcome to Thornbury[/caption] Welcome to Thornbury: Trip back to 1999 at this Millennium-themed party, featuring food trucks, bottomless booze, old-school DJ tunes and two different package options. Book here. Moon Dog World: A free-entry brewery party with plenty of tap beers and seltzer, plus dance-friendly tunes from Airwolf Paradise, Hip Hop Hoe and more. RSVP here. New Guernica: This beloved club is putting its new Smith Street home through its paces, with a huge New Year's Eve party. It'll feature a solid lineup of DJs playing across two rooms, plus roving entertainment and champagne at midnight. Nab tickets here. The Provincial: While its rooftop party is sold out, this Fitzroy pub's still got passes available for its ground floor and level one NYE celebrations, featuring DJs and pumping dance floors from an easy $25. Book here. The Everleigh: This lavish masked soiree will star a special one-night-only menu of signature cocktails, plus chic snacks and plenty of champagne. Dig out your finest black-and-white threads and book here. Welcome to Brunswick: Relax into the new year at this cruisy beer garden bash, complete with barbecue eats, backyard games and bottomless beers. Book one of two packages here. SOUTH [caption id="attachment_764366" align="alignnone" width="1920"] Firebird, by Parker Blain[/caption] Matilda: A decadent four- or five-course feast filled with both signature and special-edition dishes. Book one of two sittings here. Bang Bang: A rollicking New Year's do complete with roving entertainment, DJs, menu favourites from the kitchen, and an hour of power dedicated to espresso martinis. Book here. Firebird: A five-course, fire-licked mod-Asian feast, with bubbly on arrival. Book here for one of two sittings. The Emerson: This rollicking rooftop party will see you sending out the year with four hours of drinks, entertainment all night long and bubbly at midnight. Book here. Pawn & Co: Farewell 2021 while ripping up the dance floor to sounds from the likes of TBIB, Gaz Kempster and Sarlece. Book here. EAST [caption id="attachment_717781" align="alignnone" width="1440"] Moon Dog OG[/caption] Fargo & Co: A buzzing NYE house party starring five hours of free-flowing drinks, roving canapes and entertainment, with a VIP option also on offer. Book here. Starting early? The venue's also hosting a special bottomless brunch, at 12pm and 3pm. Waygood: A generously-packed evening of good times, where you can look forward to a soundtrack of party hits, a menu full of Euro-inspired favourites and spritzes aplenty. Pop by for casual afternoon drinks or book the main event here. Moon Dog OG: This free brewery shindig is set to feature a bunch of beer, seltzer and cocktail specials, to enjoy while you're belting out the karaoke tunes. Book here. The Corner: A shimmering NYE rooftop party with DJs playing through the night, roving canapes and a four-hour drinks package. Plus, prizes for the best dressed punters. Book here. WEST [caption id="attachment_797549" align="alignnone" width="1920"] Holmes Hall, by Parker Blain[/caption] Mr West: Spend the night sampling top-notch fizz at this pet-nat party, featuring a huge range of vino, pizza specials and a variety of sipping packages. Book here. Holmes Hall: A free party starring all the usual tap brews and house cocktails, along with an all-night menu and sounds by DJ Ashley Smyth. Book here or walk in. Top Image: Whitehart
A tribute to Los Angeles in film. Dreaming about somewhere over the rainbow and defying gravity with Wicked stars Ariana Grande and Cynthia Erivo singing the house down. 2025 ceremony host — and four-time Oscar-viewer — Conan O'Brien making a The Substance-inspired entrance, then regaling the crowd and the watching world with a genuinely funny opening monologue. A Real Pain winner Kieran Culkin telling Jeremy Strong how phenomenal he was in The Apprentice when collecting the first award of the night. Parks and Recreation favourite Nick Offerman announcing the presenters. That's how the 97th Academy Awards began. As they went on, this year's Oscars made dreams come true for the folks behind some of the best movies of the past 12 months. Flow, Wicked, Anora, Conclave, The Substance, Emilia Pérez, No Other Land, Dune: Part Two, The Brutalist, I'm Still Here: with A Real Pain, they're now all Academy Award-winners. Accordingly, 2025 is the year that an independent, dialogue-free film about animals — a movie that marked the first-ever Latvian title nominated for an Oscar, and to make good on that nod — won Best Animated Feature, and Flow couldn't be a more-worthy victor. Wicked costume designer Paul Tazewell made history as well, his award for the stage-to-screen musical making him the first Black man to ever take out the category. Best Supporting Actress Zoe Saldaña is the first American of Dominican origin to collect an Oscar statuette, too. I'm Still Here's Best International Feature prize makes it the first Brazilian flick to win that field. For Anora, Tangerine, The Florida Project and Red Rocket's Sean Baker, one of American cinema's great champions of otherwise untold tales, now has multiple Academy Awards — including for directing, writing and editing. Adrien Brody is now a two-time Best Actor winner, nabbing his second trophy 22 years after his first, again for grappling with the horrors of the Holocaust. By the numbers, this was a night of sharing the love, however. Best Picture's Anora wasn't the only film to get a shoutout more than once, even if it was the big winner with five awards. Also victorious multiple times: The Brutalist, Wicked, Dune: Part Two and Emilia Pérez. And, from the Best Picture nominees, only A Complete Unknown and Nickel Boys went home empty-handed — although both deserved better. Among the ceremony's fun, the 2025 Oscars also delivered an ode from Morgan Freeman to the late, great Gene Hackman to start the in-memorium segment, worked in a Bond song-and-dance spectacle, nodded to Kill Bill, honoured Quincy Jones and saw Mick Jagger receive a standing ovation for presenting the award for Best Original Song. When Quentin Tarantino announced Best Director, he was rewarded with thanks from Baker, noting that Anora wouldn't exist if QT hadn't first cast Mikey Madison in Once Upon a Time in Hollywood. The Oscars featured a pitch for a building dedicated to watching streaming movies on the big screen as well, and a Dune and Dune: Part Two sandworm playing various musical instruments. If you needed a reminder of who was hosting, O'Brien wasn't afraid to skew silly, clearly — and savage in some of his jokes, including about standing up to Russians. Wondering what and who won what, and the films and talents that were also contending, at this year's Academy Awards? Check out the full list below — and if you're curious, you can also see what we predicted would and should win, plus our full list of where most of this year's nominees are screening or streaming in Australia right now. Oscar Winners and Nominees 2025 Best Motion Picture Anora — WINNER The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez I'm Still Here Nickel Boys The Substance Wicked Best Director Anora, Sean Baker — WINNER The Brutalist, Brady Corbet A Complete Unknown, James Mangold Emilia Pérez, Jacques Audiard The Substance, Coralie Fargeat Performance by an Actress in a Leading Role Cynthia Erivo, Wicked Karla Sofía Gascón, Emilia Pérez Mikey Madison, Anora — WINNER Demi Moore, The Substance Fernanda Torres, I'm Still Here Performance by an Actor in a Leading Role Adrien Brody, The Brutalist — WINNER Timothée Chalamet, A Complete Unknown Colman Domingo, Sing Sing Ralph Fiennes, Conclave Sebastian Stan, The Apprentice Performance by an Actress in a Supporting Role Monica Barbaro, A Complete Unknown Ariana Grande, Wicked Felicity Jones, The Brutalist Isabella Rossellini, Conclave Zoe Saldaña, Emilia Pérez — WINNER Performance by an Actor in a Supporting Role Yura Borisov, Anora Kieran Culkin, A Real Pain — WINNER Edward Norton, A Complete Unknown Guy Pearce, The Brutalist Jeremy Strong, The Apprentice Best Original Screenplay Anora, Sean Baker — WINNER The Brutalist, Brady Corbet and Mona Fastvold A Real Pain, Jesse Eisenberg September 5, Moritz Binder, Tim Fehlbaum and Alex David The Substance, Coralie Fargeat Best Adapted Screenplay A Complete Unknown, James Mangold and Jay Cocks Conclave, Peter Straughan — WINNER Emilia Pérez, Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi Nickel Boys, RaMell Ross and Joslyn Barnes Sing Sing, Clint Bentley, Greg Kwedar, Clarence Maclin and John 'Divine G' Whitfield Best International Feature Film I'm Still Here — WINNER The Girl with the Needle Emilia Pérez The Seed of the Sacred Fig Flow Best Animated Feature Flow — WINNER Inside Out 2 Memoir of a Snail Wallace & Gromit: Vengeance Most Fowl The Wild Robot Best Documentary Feature Black Box Diaries No Other Land — WINNER Porcelain War Soundtrack to a Coup d'Etat Sugarcane Best Original Score The Brutalist, Daniel Blumberg — WINNER Conclave, Volker Bertelmann Emilia Pérez, Clément Ducol and Camille Wicked, John Powell and Stephen Schwartz The Wild Robot, Kris Bowers Best Original Song 'El Mal', Emilia Pérez, Clément Ducol, Camille and Jacques Audiard — WINNER 'The Journey', The Six Triple Eight, Diane Warren 'Like A Bird', Sing Sing, Abraham Alexander and Adrian Quesada 'Mi Camino', Emilia Pérez, Camille and Clément Ducol 'Never Too Late', Elton John: Never Too Late, Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin Best Cinematography The Brutalist, Lol Crawley — WINNER Dune: Part Two, Greig Fraser Emilia Pérez, Paul Guilhaume Maria, Ed Lachman Nosferatu, Jarin Blaschke Best Film Editing Anora, Sean Baker — WINNER The Brutalist, David Jancso Conclave, Nick Emerson Emilia Pérez, Juliette Welfling Wicked, Myron Kerstein Best Production Design The Brutalist, Judy Becker, Patricia Cuccia Conclave, Suzie Davies, Cynthia Sleiter Dune: Part Two, Patrice Vermette, Shane Vieau Nosferatu, Craig Lathrop, Beatrice Brentnerová Wicked, Nathan Crowley, Lee Sandales — WINNER Best Visual Effects Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer — WINNER Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould Best Costume Design A Complete Unknown, Arianne Phillips Conclave, Lisy Christl Gladiator II, Janty Yates and Dave Crossman Nosferatu, Linda Muir Wicked, Paul Tazewell — WINNER Best Makeup and Hairstyling A Different Man, Mike Marino, David Presto and Crystal Jurado Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini Nosferatu, David White, Traci Loader and Suzanne StokesMunton The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli — WINNER Wicked, Frances Hannon, Laura Blount and Sarah Nuth Best Sound A Complete Unknown, Tod A Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill — WINNER Emilia Pérez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis The Wild Robot, Randy Thom, Brian Chumney, Gary A Rizzo and Leff Lefferts Best Documentary Short Subject Death by Numbers I Am Ready, Warden Incident Instruments of a Beating Heart The Only Girl in the Orchestra — WINNER Best Animated Short Film Beautiful Men In the Shadow of the Cypress — WINNER Magic Candies Wander to Wonder Yuck! Best Live-Action Short Film A Lien Anuja I'm Not a Robot — WINNER The Last Ranger The Man Who Could Not Remain Silent The 2025 Oscars were announced on Monday, March 3, Australian and New Zealand time. For further details, head to the awards' website.
Escaping to Tasmania has long been a popular way to get away from it all, especially if you're keen to swap the Australian mainland's hustle and bustle for the Apple Isle's stunning surroundings for a brief spell. Vacationing in a tiny house has also become a beloved way of leaving the daily grind, your usual routine and everyday stresses behind — so a tiny house in Tassie is clearly a holiday dream. Make that two tiny houses, actually, thanks to eco-friendly tiny house company Tiny Away. Good things definitely come in small packages here — and in scenic locations, too, with the accommodation network making its first leap to Australia's southern-most state. The two new spots join Tiny Away's 120-plus tiny house lineup, with each small-scale home architecturally designed, set on private land in rural and regional locations, and available for short bookings. If you're keen for a getaway in a fishing village around 45 minutes from Hobart, then Quirindi in Dunalley is your ideal destination. It sits on an eight-acre property, in the middle of wildlife-filled bush and grassland, that's been in the same family for three generations. The small abode even comes with its own nine-hole putting course — which, yes, you can use amid warming up by the fire pit, cooking on the barbecue or exploring the area. Nearby drawcards include the coastline at Eaglehawk Neck, plus seafood joints The Cannery and Bangor Wine & Oyster Shed. If you're eager to venture to Launceston — well, around half an hour away — then Cottesloe in the small town of Hagley is for you. This tiny house sits among a small farming operation on the edge of Meander Valley, which means that green pastures and farm animals come with the territory. Here, local highlights include Georgian and Victorian buildings in the town of Deloraine — and bakeries for a snack — plus the Western Tiers Distillery and the limestone caves at Mole Creek Karst National Park. With not only getting back to nature but respecting the natural environment a key part of Tiny Away's ethos, each of the company's homes is fashioned out of sustainable materials, and also includes waterless compost toilets, rainwater collection tanks for showers, plus solar panels. Checking that leave balance already? Scouring your calendar for a free weekend getaway slot? We understand. Tiny Away's new Quirindi and Cottesloe tiny houses are available to book online. For more information, head to the company's website.
