Before 2025 is out, BENEE will release her second album. Before that, she's supporting Tate McRae's UK and Europe gigs, and already has a tune on the soundtrack for A Minecraft Movie. That's a huge year for any musician, especially after touring with Wallows in North America and Olivia Rodrigo in Australia in 2024, as well as making her Coachella debut in 2023 and singing the official song of the same year's Women's World Cup with Mallrat. But something else that's massive has been happening for Stella Bennett around the above achievements and highlights, plus her own first world tour in 20222: Head South, her debut film. Written and directed by fellow Aotearoan Jonathan Ogilvie (The Tender Hook, Lone Wolf), Head South is based on his own experiences. The filmmaker calls it "an almost-true story"; "everything in it happened, and mainly to me", he also notes. Given that the movie shot in 2022, then premiered at International Film Festival Rotterdam in 2024, then played New Zealand International Film Festival and hit cinemas in NZ that year, Head South has been a part of Bennett's life for a few years ahead of opening in Australia on Thursday, April 3, 2205. And while she can't wait for what's ahead for her musically in 2025 — "I'm so excited. I love touring. It's pretty fun being on a bus. That makes it weirdly easier, because you're not checking into hotels or being in a sprinter van, but you get rocked to sleep in the bus. It's quite strange. It doesn't sound fun, but it is fun," she tells Concrete Playground — she's always wanted to be in a film. Indeed, she hopes that more will follow. BENEE wasn't actively looking for the project that'd take her to the big screen when Head South crossed her path. "It was just an opportunity that came up," she advises. That said, "I'd definitely been saying that I want to do acting", she also reflects. "I grew up doing auditions and voiceovers, so it was definitely, when it came up, I was like 'heck yeah, definitely, I'm down'." The bug has firmly struck, though, including genuinely seeking out new parts moving forward. "I am. I've just got a new agent in America, so there are hopefully going to be some opportunities. And I want to be in a horror movie. I would love to be in a scary movie." With Head South mining Ogilvie's teenage life for inspiration, Australian talent Ed Oxenbould (Nugget Is Dead?: A Christmas Story) is the picture's lead — and the lone Aussie among the NZ cast and crew, he tells us. As Angus, it's the Puberty Blues, Paper Planes, Alexander and the Terrible, Horrible, No Good, Very Bad Day, The Visit, Better Watch Out, Wildlife and Irreverent star's task to virtually play his director, and to find himself thrust into Christchurch's post-punk music scene in 1979. Always trying to seem cool, the character swaps his blonde surfer-style locks and trying to pass off parsley as marijuana with his schoolmates for a cropped cut, a bass and the world revolving around Middle Earth Records. Listening to Public Image Ltd, John Lydon's band post-Sex Pistols, is one of those life-changing music moments that every teen has. Attempting to put together the band that Angus claims that he already fronts — endeavouring to impress Malcolm (Demos Murphy, The Gulf), the singer from local favourites The Cursed — isn't as straightforward as he expects, however. Angus' made-up group has a name: The Daleks. It soon has a gig as well, opening for The Cursed. BENEE plays Kirsten, who works the counter at a pharmacy, is a wiz on the guitar and is Angus' only hope for making good on his music claims. That Ogilvie's narrative focuses on a journey sparked by exaggerating to fit in, then scrambling to back it up, is indicative of its warts-and-all honesty. There's warmth to Head South, yet it's also deeply bittersweet as it balances Angus and Kirsten's growing connection, and the former's quest to truly find himself amid his self-doubts — plus "all these cute characters vibing around Christchurch", as BENEE puts it — with more than a few people taking advantage of Angus, the awkwardness with his father (Marton Csokas, Cuckoo) at home after his mother has moved out and navigating a tragedy. In Head South's performances, emotions, personal ties, portrait of a moment in music history in a specific city, soundtrack and aesthetic — scratches and splices among the visuals included — Ogilvie pushes authenticity to the fore. Much about that commitment appealed to both Bennett and Oxenbould; this isn't the kind of project that comes either of their ways often. "You don't see these type of things every day, and that's what immediately jumped out about it, was the quality of it, how unique it was. It was something that I knew nothing about, which is always exciting as an actor, to dive into a different world. And the fact that it was personal and true adds a whole new gravity and weight to it, which makes it really exciting. There was so much about it that was so interesting and tantalising as an idea," Oxenbould says. Among the pair, Oxenbould was the veteran on-screen, but Bennett had the music experience. Drawing upon each other's expertise was a key part of the production for both. We also chatted with the duo about being about to lean on each other, the weight of making a film that's so personal for its guiding force — and, as Oxenbould characterises it, "such a unique mix of genres" — as well as music research and more. On How BENEE Knew That Head South Was the Right Film for Her Movie Debut Stella: "I think when I initially got sent the script and story, I was obviously like 'okay, this is sick'. This is set in Christchurch, in the post-punk scene, which I honestly didn't know a lot about when I first got sent it. And then I read the script and I learned about Kirsten, and I was pretty attached to her quite early on — because I was like 'oh, there's something so vulnerable and sweet and kind of damaged and quirky about this character'. And I just instantly fell in love with the whole story. It just felt right. And also Jonathan was so nice. He was so enthusiastic from the get-go. And I was like 'he believes in me, and I'm so down to be a part of this'. I've always wanted to be in a film. And I love acting. It's a lot of fun. And it's fun to just be a different character, because I feel like my whole thing is BENEE and it's more myself — but performing, but myself. So it was cool to just completely take a different role. I want to be in a horror movie next. I want to be every different kind of character." On Whether It's Daunting Making a Project That's So Personal for Its Director — Including, for Oxenbould, Playing a Version of Ogilvie Ed: "100 percent. It's very daunting. Look, it's good. Thankfully, it was really good that Jonathan wasn't like 'you have to get me word-perfect'. It was so relaxed, and he knew that it was just a basis. And there were things that he changed and stretched in his story, so we found a really good middle ground of character and real life. But it is always daunting, knowing that these things happened to him. It adds to it — it's not just like 'ooh, how would I react?'. There was a lot of me asking him 'how did you react? How did you feel here? How can I try to bring some of that authenticity and truthfulness to that?'. But it is definitely daunting." Stella: "It definitely was. And even I remember that last scene, I feel like I got — as you got — pretty emotional, because I was like 'damn, he went through this and we're just acting this out right now in front of him', and 'what a crazy thing to experience in life' and to do it justice, basically." Ed: "Yeah, that's it. But it is surreal. Like you're saying, Stella, it's kind of weird to think 'ohh, we're acting out this crazy pivotal moment in Jonathan's life'." Stella: "Yeah." Ed: "And he's watching, and there's a whole crew watching." Stella: "You did a great job, mate. You did a great job." Ed: "Thank you. You too." On the Balancing Act of Navigating the Movie's Mix of Comedy, Darkness, Coming-of-Age Antics, Awkwardness and Heartbreak Ed: "It definitely is, but I think it comes down to Jonathan's great sense of direction — that he knew when to reel it in, he knew when to accentuate it. But I think that's also what read in the script, is the sense of humour, and all these gags that were in it that made it really fun and light. And it's also that really nice, quirky, very Kiwi sense of humour, which also just sets it apart from so many other things. But I think he just did such a good job with, on the day and in editing, just really finding that balance of heart and extremities of both sides." Stella: "Definitely. There's so much depth. And like, yeah, you were laughing — like I was hysterically laughing at times —and then other times I'm like 'well, this is dark and kind of twisted' or 'this is really sad'. I feel like that's what I want out of every movie. I want it to make me feel a bunch of things — and then I come out of it, and I feel a little bit hurt, but I also feel kind of hopeful." On the Research Required for a Film Set in the Late 70s, in the Post-Punk Music Scene, Telling a Very Specific Slice of Christchurch Life Ed: "For me, so much of the film is about these experiences that Angus goes through and he's extremely unprepared for them, and he kind of gets taken off his feet. So I had an element of that, of wanting to be a little bit carried away and swept up by the music and by everything. But I think in basic preparation, it was just a lot of looking at a lot of reference material; listening to the music; listening to what came before, what came after, what came during; and just to try to build the scene in your head — so that we were really well-versed in just that world, so that we could do our jobs truthfully and as close as possible to how these people lived and sounded and acted." Stella: "Yeah, totally. And for me, I think what was really helpful was just sitting down with Jonathan and hearing everything that he has to say about that era, and what it was like for him being in a band — because it is so different to how it is now, and making music and releasing and recording music. And he's so passionate about it because he's not only a director but also musician. So just learning from him, and then feeling prepared by that. He was like an encyclopaedia, for real — a thesis." On How BENEE's Music Experience Helped Her Make the Leap to Her First Movie Stella: "Maybe for the performance at the end. That was really fun. But also, I feel like music is my life, so it felt quite comfortable just doing this film because it was all about the music. And yeah, I think that in maybe some subtle ways that it did help me, maybe. I don't know how, but I think it did." On What Oxenbould Makes of His Journey of an Actor, From Starting Out as a Child to the Path That's Brought Him to Head South Ed: "That journey is bizarre. I've been so, so lucky, and I wouldn't change anything. I've met incredible people. I've made my strongest friends by doing it. It's given me access to a whole host of opportunities that are very, very fortunate. So I feel so lucky. But I don't know — I don't really know where it goes from here. I don't know if I hit my peak and now I've plateaued." Stella: "No, you have not." Ed: "Or I'm on a downward spiral. But it's good. It means everything to me. I'm so lucky, and I hope I can continue to do it for the rest of my life. And I'm excited to explore other areas of the industry. It was a fantastic way to learn and to grow up. I've picked up all these great things and it's made me who I am as a person. I'm very, very fortunate to the people who let me get away with all things I get away with." On What It Means to BENEE to Make Her Movie Debut in a Homegrown Film That's So Proud of Being From NZ, and with Such a Strong Connection to Music Stella: "It feels really special and authentic, and just like it was meant to be. It was just the universe being like 'girl, you're going to do this right now and it's going to be really cool'. And it feels really special that it is my home, and I am part of the music, and the music that shapes the music from Christchurch. That made no sense." Ed: "I got it." Stella: "Did you get that? But it does feel pretty special. I wouldn't have wanted it to be any other role. And also just the people, it was so nice. I don't have any other experience of working with actors or directors from America or anything, so it was pretty special that it was on this Kiwi-Aussie bus. Everyone just gets it and is super down to earth and very chill. So it was a great environment to be in, especially as a first-timer, I would say." On Being Able to Lean on Each Other While Making the Film Ed: "100 percent. It's that beautiful acting thing where you just bounce off each other, and you don't realise it but you learn so much from other people. And then by the end you're like 'ohh, thank you'. And it's not this explicit 'let me help you, ;et me sit you down, Buster'." Stella: "No, no." Ed: "You just absorb." Stella: "Yeah." Ed: "It was great." Stella: "It was a lot of fun. It makes it easier, I guess, just being able to vibe with who you're working with in any field — but especially because Ed is so good. I was like 'okay, I'm taking notes and I'm learning, and I'm going to get better at this'. So it was a pretty awesome experience." Ed: "Watching you just perform and on stage — okay, that's how you do it." Stella: "No! I was literally faking the guitar. It was insane. I was learning how to play bass — oh wait, no I wasn't, I was actually playing guitar." On What Oxenbould Looks for in an Australian or New Zealand Project — and What's Special About Working Down Under After His Success Overseas Ed: "It just means a lot more. It's a lot nicer to be talking in your own accent, and talking to people that you know. and you're in a familiar land. It just feels better. It feels nice. It means you can stay and you can work and still live with family. When you work over there, you have to kind of give up — at least I have to give up everything to go over there. But working in Australia, I love. And then working in New Zealand was an honour. I love, love, love, love New Zealand. I love Kiwis. And I was the only Aussie." Stella: "You were." Ed: "I was only one in the cast. I think the only one on the crew. So I was very intimidated." Stella: "New Zealand loves you." Ed: "But you felt very welcomed, and I was very happy. And it meant a lot that that Jonathan trusted me to be the lead of this very distinctly Kiwi film — to get a traitor in the mix." Stella: "No! No. You made peace, bro." On What BENEE and Oxenbould Learned From Making Head South Ed: "You learn so much from every project and every film, which is the best part about it — you just pick up so much from the people, from around you. But I think the main thing that I learned was just about the punk scene. It's just awesome to dive into a whole new topic. And it's not something that I ever would have probably researched or probably would have sought out a lot of information, but then having Jonathan, having this crazy, knowledgeable guy who's just always there and able to fill us in on the gaps of history, it was just great. You walk away learning a lot more about these real institutions that have shaped the music industry here and in New Zealand." Stella: "Totally." Head South opened in Australian cinemas on Thursday, April 3, 2025 — and is available to stream in New Zealand via Arovision.
Like your second beer on a warm summer evening, Drinking Buddies washes over you in exactly the way you want it to. The latest effort from prolific indie film maestro Joe Swanberg (Hannah Takes the Stairs), this is a movie made with the confidence of a director who has settled into his groove, supported by a cast who likewise couldn’t seem more at ease. A laid-back tale of friendship and love, unhindered by excessive ambition, this flick is funny, nuanced, relatable, touching, and an absolute pleasure to watch. Olivia Wilde and newly bearded New Girl star Jake Johnson play Kate and Luke, best friends who work together at an independent Chicago brewery. Big time beer buffs with goofy senses of humour, it’s obvious that the two are perfect for each other, except for the fact that they’re both in relationships, with the responsible Chris (Ron Livingston) and the cheery Jill (Anna Kendrick), respectively. Things change, however, after the four share a weekend at Chris’ family cabin, forcing everyone to reconsider how they feel about their significant other. While the presence of name actors makes Drinking Buddies his biggest film to date, Swanberg stays true to his micro-budget roots. A key figure of the mumblecore movement, his style is one of unobtrusive naturalism, complete with minimal plotting and on-set improvisation. The dialogue, clever and genuine, flows as freely as the booze — indeed, the beer the actors drink in practically every scene is real. How’s that for commitment to truth in art? Or maybe they all just liked getting pissed. Either way, it’s an approach that more Hollywood directors should try. Whereas the leads in most American rom-coms are so one-dimensional it's cringeworthy, in Drinking Buddies even the secondary players feel like fully fledged human beings. The story is predictable, but it doesn’t matter because you’re so invested in the characters. All four of the primary cast members are in fine form, although it’s Wilde, relishing the chance to stretch her acting muscles after a series of thankless roles in films like Cowboys & Aliens and The Incredible Burt Wonderstone, who clearly steals the show. Cinematographer Ben Richard, who also shot last year’s break-out indie hit Beasts of the Southern Wilds, brings a wonderful warmness to the film’s simple, everyday images. You’ll want to live in this film. Hang out with its character. Mostly, you’ll just want to go drinking with the characters. Drinking Buddies opens exclusive to Cinema Nova on Boxing Day. If the promise of a great film wasn’t enough, Nova is also offering one lucky viewer the chance to win a year’s supply of beer. For more information on both the movie and contest, go here.
One of the world's most acclaimed galleries is coming to Australia, and it's bringing more than 70 works that chronicle the past 200 years in art history with it. For a five-month season from mid-June, the UK's Tate will take over Melbourne's Australian Centre for the Moving Image with a hefty exhibition that'll span everything from painting, photography and sculpture through to drawing, kinetic art and installations — and, of course, the moving image. Given the time period covered by Light: Works from Tate's Collection, the list of artists that'll be on display is a varied one — as drawn from pieces in the Tate's four separate sites in Britain. Art lovers will be able to see works by famed English romantic painter and watercolourist Joseph Mallord William Turner alongside the light- and space-focused efforts of American artist James Turrell, plus pieces by impressionist Claude Monet and Japanese favourite Yayoi Kusama. Running from Thursday, June 16–Sunday, November 13, the unifying theme is light, as the exhibition's name makes plain — and if you're wondering how this connects to ACMI's remit as a museum for the moving image, light is obviously crucial to all recorded vision. While Light: Works from Tate's Collection will step through art history, ACMI will further put its pieces into broader artistic context by presenting it alongside its permanent The Story of the Moving Image exhibition, which examines the origins and genesis of film and television. [caption id="attachment_842689" align="alignnone" width="1920"] Raemar, Blue, 1969, James Turrell. Tate: Presented by the Tate Americas Foundation, partial purchase and partial gift of Doris J. Lockhart 2013. © James Turrell. Photo: Tate.[/caption] From the impressive roster of art and artists, Turner's 1805 painting The Deluge will make its Australian debut, while Kusama's characteristically kaleidoscopic 2005 sculpture The Passing Winter gets viewers peering into a mirrored cube. Turrell's Raemar, Blue, from 1969, is an immersive spatial environment that surrounds visitors in infinite and immersive light. And among the other highlights sits paintings by John Constable, Wassily Kandinsky, Bridget Riley and Joseph Albers; more impressionist pieces from Camille Pissarro and Alfred Sisley; and rotating crystalline sculpture Stardust Particle by Olafur Eliasson. Announcing Light: Works from Tate's Collection, which falls under the Victorian Government's Melbourne Winter Masterpieces series, ACMI Director and CEO Katrina Sedgwick said that "this is a rare opportunity to experience the expansive collection of one of Britain's most famous cultural institutions right here in Melbourne." "ACMI is proud to present a treasure trove of artworks inspired by a phenomenon so fundamental to moving image creation. Through its exploration of light as both a subject and a medium this extraordinary exhibition enables our visitors to explore surprising and enlightening interconnections across time and artform," Sedgwick continued. [caption id="attachment_842682" align="alignnone" width="1920"] Stardust particle, 2014, Olafur Eliasson, Tate: Presented by the artist in honour of Sir Nicholas Serota 2018. © Olafur Eliasson. Photo: Tate[/caption] Light: Works from Tate's Collection was initially curated for the Museum of Art, Pudong in Shanghai, and heads to ACMI after displaying at Buk-Seoul Museum of Art, Korea. In Melbourne, the ticketed exhibition will be accompanied by talks, performances, workshops and late-night events, as well as film screenings. Although the events lineup hasn't yet been revealed, masterclasses with cinematographers, artist discussions, and magic lantern and 16mm presentations will all be on the bill, as will two free exhibits — from Australian artist Mikala Dwyer in ACMI's lightwell and by Lis Rhodes in Gallery 3, with the latter's Light Music also coming from the Tate Collection. Light: Works from Tate's Collection will display at the Australian Centre for the Moving Image, Federation Square, Flinders Street, Melbourne, from Thursday, June 16–Sunday, November 13, 2022. Top image: The Passing Winter, 2005, Yayoi Kusama. Tate: Purchased with funds provided by the Asia-Pacific Acquisitions Committee 2008. ©Yayoi Kusama. Tate.
Break out the cheese, Wallace & Gromit fans, then put on the right trousers and prepare for what's bound to be a very grand day out indeed. As part of the Victorian Government's Melbourne Winter Masterpieces series, the Australian Centre for the Moving Image will show a massive exhibition dedicated to everyone's favourite stop-motion-animated, dairy-loving inventor and his kindly claymation canine pal, as well as the broader Aardman world they hail from. Taking over ACMI from June 29 to October 29, Wallace & Gromit and friends: The magic of Aardman will showcase more than 350 items, spanning original artworks, sketches, storyboards, hand-made sets and set pieces, character studies, puppets and more. Specific items such as the flying machine from Chicken Run and the five-metre tall ship from The Pirates! Band of Misfits will also feature. In short, if it's related to the Oscar, BAFTA and all-round award-winning animation studio's beloved were-rabbit chasers, escaping chooks and swashbucklers — and their other flicks such as Flushed Away, Arthur Christmas and Shaun the Sheep — you'll find it here. Of course, ACMI being ACMI, you can expect to see bits and pieces of Aardman's shorts, television work, advertisements, music videos and movies too, though an accompanying big screen lineup hasn't yet been announced. And the timing really couldn't be better. While their highly anticipated next effort Early Man won't release in cinemas until 2018, the exhibition will include concept drawings from the Stone Age versus Bronze Age caper, which will feature the voices of Eddie Redmayne and Tom Hiddleston. Curated by Art Ludique-Le Musée, Paris, where the exhibition premiered in 2015, Wallace & Gromit and friends also marks more than four decades of Aardman goodness — and its Melbourne run will coincide with the 40th anniversary of the first Aardman short, 1977's Animated Conversations: Down and Out, in fact. With Brisbane's Gallery of Modern Art opening its doors to a Marvel showcase in 2017, next year sure is shaping up to be a mighty fine time for pop culture-filled galleries — and for travelling around the country to peek behind the scenes of your favourite screen content, perhaps? UPDATE OCTOBER 17, 2017: Due to the popularity of the exhibition, ACMI will extend Wallace & Gromit and friends: The magic of Aardman over summer until January 29, 2018. More time for cheese. Images: Charlie Kinross courtesy of ACMI.
When it comes to sharing movies that've recently premiered at Cannes with Australian audiences, timing is kind to Sydney Film Festival. One fest is in May, the other is in June — and SFF makes the most of it. Indeed, in 2025, its main program announcement was packed with 15 films that would hit Cannes, then Sydney. Next, Eddington joined the lineup, doing the same. The event's closing-night pick Splitsville falls into that category as well. Now comes a late drop of nine additional Australian-premiere titles that'll get the Harbour City's projectors whirring, most of which have also only recently debuted in France. Both Sentimental Value and Sîrat are heading to Sydney after collecting prizes in Cannes. The first nabbed the Cannes Grand Prix for filmmaker Joachim Trier, who reunites with his The Worst Person in the World lead Renate Reinsve (Presumed Innocent), and also has Stellan Skarsgård (Andor) and Elle Fanning (A Complete Unknown) in his cast. The Morocco-set second film picked up a Cannes Jury Prize, and boasts Pedro Almodóvar (The Room Next Door) as a producer. Both are playing SFF as special presentations. Or, audiences can look forward to the Dardenne brothers' (Tori and Lokita) Young Mothers, which collected Cannes' Screenplay Prize — and Cannes Queer Palme and Best Actress-recipient The Little Sister. Plus, joining Reinsve, Skarsgård and Fanning among the big-name stars on Sydney Film Festival's expanded program: Gael García Bernal (Holland) and Joel Edgerton (Dark Matter). In Magellan, which is directed by Filipino great Lav Diaz (Phantosmia), Bernal plays the title character. As for Edgerton, the Australian actor pops up in The Plague, where peer pressure at a summer camp drives the narrative. SFF has also added Two Prosecutors and Eagles of the Republic, each of which screened in competition at Cannes. Sergei Loznitsa (The Invasion) is behind Two Prosecutors, which takes place in 1937 under Stalin's rule. Tarik Saleh (Cairo Conspiracy) helms Eagles of the Republic, another of Sydney Film Festival's movies set in a complicated political climate — this time as part of a satirical thriller about an Egyptian film star. It's Never Over, Jeff Buckley debuted at Sundance 2025, not Cannes, but is also an eagerly anticipated newcomer on the lineup. That's what happens when documentarian Amy Berg (Janis: Little Boy Blue, West of Memphis) turns her attention to the late, great singer almost three decades after his tragic passing. "The festival starts in just two days, but we think its never too late to add the most-exciting new films to the festival, fresh from their international premieres," said SFF Festival Director Nashen Moodley. "From sweeping historical epics and urgent political dramas to intimate portraits and unforgettable performances, these films continue our commitment to showcasing the most exciting cinema from around the world." Sydney Film Festival 2025 takes place from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website.
Opening this November, a historical event 3000 years in the making is coming to Sydney's Australian Museum. Ramses & the Gold of the Pharaohs will be an unmissable exhibition for any lover of history, arts and culture. As the name suggests, the exhibition profiles Pharaoh Ramses II, often referred to as Ramses the Great. So great in fact was Ramses, that in his 90-plus years of life he held the second-longest reign of all Pharaohs, a ruler so respected that many of his subjects feared the world would end when he died in 1213 BCE. The world kept turning but Ramses II left a permanent mark on Egypt — nine future pharaohs would be his namesake out of respect. And statues and artefacts from his reign still exist today — including the 181 objects bound for this exhibition comprising sarcophagi, animal mummies, royal masks, jewellery, amulets and other golden items from the ruler's tomb. Chief among them is the sarcophagi (royal coffin) that Ramses himself was entombed in on its first tour outside of Egypt. Many of these objects have never left Egypt before, let alone landed on Australian shores, with the entire collection loaned and supported by the Egyptian government. You can also upgrade your ticket to include a multisensory VR experience, allowing you to step inside two of the most significant structures from the era — the tomb of Queen Nefertari and the temples of Abu Simbel. Ramses & the Gold of the Pharaohs opens on Saturday, November 18 and will run until Sunday, May 19, 2024. For more information or to book tickets, visit the Australian Museum website.
Ever since opening its first bakery in Collingwood back in 2019, To be Frank has been winning over bread and pastry lovers across Melbourne with its 'respectus panis' method of baking. Simply put, the team utilises a long fermentation method with minimal yeast (or natural levain) to bring out the wheat's best flavours — while being great for your gut. Right now, you can nab their bread and pastries (plus top-notch coffee) from their venues in Collingwood and Elsternwick, but there'll soon be a third option — its new venue in East Brunswick Village, which is slated to open in early 2025. The development is already home to knockout venues like Rumi, The Rocket Society, Bridge Road Brewers, Bellboy Cafe, FoMo Cinemas and Siconi Gelato, but a truly good bakery and patisserie is just what the spot needs. The team is working closely with Tahereh Moktarpour and Joey Corso at Corso Designs to design the new venue, which will boast an open patisserie allowing customers to watch its pastry chefs hard at work. [caption id="attachment_983489" align="alignnone" width="1920"] To be Frank Owners Franco Villalva and Lauren Parsons[/caption] All To be Frank's favourites will be up for grabs here, including its extensive range of bread, sweet and savoury pastries, focaccia by the slice, sandwiches and coffee. To be Frank is just about everywhere these days, also setting up a pop-up panettone stall at the EBV Christmas Night Market, plus playing a big role in the Melbourne Food and Wine Festival 2025. To be Frank's new outpost is slated to open in early 2025, and will be found at East Brunswick Village. For more details, you can check out the venue's website.
Across just four episodes so far, Wednesday's second season has filled its frames with everything from serial killers, multiple stalkers, zombies and vengeance plots to new characters and extra time around Nevermore Academy for familiar faces. There's more to come, and soon, with the season's second half dropping in September 2025. Wondering what else is in store? Lady Gaga (Joker: Folie à Deux) joining the cast, for starters — and a surprise return. In the just-revealed trailer for the second part of season two, a new spirit guide becomes part of Wednesday's experience. A voice whispers "beware — there will be a price to pay", too. The former comes courtesy of Gwendoline Christie (Severance) returning as Larissa Weems, with the character making a comeback from beyond the grave. As for the latter, Little Monsters will spot who's speaking. Tim Burton's (Beetlejuice Beetlejuice) TV dive into the world of the Addams Family unveiled the initial half of season two on Wednesday, August 6. The Netflix hit will close out its season with the final round of episodes on Wednesday, September 3. However the show's second stint pans out, there's even more on the way — Wednesday was renewed for season three before any part of season two even began streaming In the current run of the creepy, kooky, mysterious and spooky favourite, its namesake (Jenna Ortega, Death of a Unicorn) is back at Nevermore Academy and being heralded as a hero thanks to her efforts in season one. Wednesday is characteristically unimpressed by the attention. Swiftly, her focus is elsewhere, though, due to a premonition of her roommate Enid (Emma Myers, A Minecraft Movie) coming to a grave end, with Wednesday determined to do whatever she can to stop that from happening. Joanna Lumley (Amandaland), Steve Buscemi (The Studio), Billie Piper (Kaos) and Thandiwe Newton (Mufasa: The Lion King) are among the season two's other new cast additions. So are Evie Templeton (Criminal Record), Owen Painter (Tiny Beautiful Things), Noah B Taylor (Law & Order: Organised Crime), Frances O'Connor (The Twelve), Haley Joel Osment (Blink Twice), Heather Matarazzo (Paint) and Joonas Suotamo (The Acolyte) — plus Christopher Lloyd (Hacks), following Christina Ricci (Yellowjackets) among the stars of the 90s Addams Family films popping up in Wednesday. Fred Armisen (Fallout) remains Wednesday's take on Uncle Fester, however — one that Netflix is so keen on that there's been talk of a spinoff about the character. And Catherine Zeta-Jones (National Treasure: Edge of History) as Morticia, Luis Guzmán (Justified: City Primeval) as Gomez, Isaac Ordonez (Color Box) as Pugsley and Luyanda Unati Lewis-Nyawo (Dreamers) as Deputy Ritchie Santiago all have meatier parts than in season one. The trailer for season two's second part dropped just as Ortega, Myers and Burton arrived in Australia — along with Alfred Gough and Miles Millar, who created the show in the spotlight (and wrote the screenplay to 2024's Burton-helmed, Ortega-starring Beetlejuice Beetlejuice) — as well. They were all expected ahead of Wednesday Island on Saturday, August 16, which is turning Cockatoo Island / Wareamah in Sydney Harbour into a Wednesday haven for one day. Not anticipated: Christie joining them for a surprise appearance. Check out the trailer for Wednesday season two part two below: Part one of Wednesday season two is streaming now, and part two arrives on Wednesday, September 3, 2025 — both via Netflix. Read our full review of Wednesday season one. Images: Helen Sloan and Jonathan Hession/Netflix © 2025.
Winemakers of Rutherglen have been doing good things with grapes for a while now out in northeast Victoria. But, luckily for us, they've decided to come city-side again this October for a two-day wine event, Rutherglen in the City. The pop-up cellar door will situate itself inside The Atrium at Federation Square. Sixteen winemakers will take over the high-ceilinged space, transforming it into an inner city 'winery' with over 100 different drops — so you can forget you're sandwiched between Flinders Street and the MCG and dream of open plains and vineyards. For $10, you'll get a free glass and be able to sample the best of the region's wine varieties — including durif and muscat — and a few different wine-heavy cocktails at the bar. The winemakers themselves will also be on-hand for a chat, and, if something takes your fancy, you can even order a few bottles from them direct. There'll be a range of masterclasses you can partake in, too. Full glasses of wine and other drinks can be purchased from the bar, and some nosh will be on sale. The best thing about it is you won't even have to drive home — thanks to trams and trains, you can have as many wines as you like. Rutherglen in the City will run from 12–5pm.
More than a tenth of the best steak joints around the planet are located in Australia. That's one of the big pieces of news from 2024's iteration of the World's 101 Best Steak Restaurants. Aussie eateries might be well-represented in general, but the annual ranking's sights are firmly set on just two Down Under cities: Sydney and Melbourne. If you live elsewhere in the country, you might disagree, but the New South Wales and Victorian capitals are now officially the Australian spots to hit for a top-notch slice of beef. Sydney took care of six places on the list, while Melbourne notched up five. Only Sydney's eateries made the top ten, however — including Neil Perry's Margaret topping the local entries by coming in third in the world. Buenos Aires' Parrilla Don Julio seared itself into the number-one position, while Bodega El Capricho in Jiménez de Jamuz in Spain came in second. Following Margaret, Cote in New York placed fourth and Carcasse in Koksijde sits in fifth. The other Sydney venue in the ten best of the best? Rockpool Bar and Grill, which was ranked eighth globally. On either side, it's joined by I due Cippi in Saturnia in Italy in sixth, Laia Erretegia in Hondarribia in Spain in seventh, then AG in Stockholm in ninth and Cut at 45 Park Lane in London in tenth position. Melbourne's first recognition came via Victor Churchill, which is knocking on the door of the top ten by sitting in 11th place. It also took out a second position in the top 20 with Steer Dining Room in 17th spot. From there, Sydney also notched up 24th place via The Gidley, 45th thanks to Bistecca, 71st with Porteño and 89th via Kingsleys. Melbourne's other showings span Entrecote at 86th, Gimlet at Cavendish House at 94th and Grill Americano at 98th. If you've checked out our picks for the best steak restaurants in Sydney and Melbourne, plenty of the above should sound familiar — Porteño, Bistecca, Rockpool Bar and Grill, Kingsleys and The Gidley all made the Concrete Playground cut, too, as did Steer Dining Room, Entrecote, Gimlet at Cavendish House, Grill Americano and Victor Churchill. [caption id="attachment_956587" align="alignnone" width="1920"] Dominic Loneragan[/caption] [caption id="attachment_675814" align="alignnone" width="1920"] Dominic Loneragan[/caption] [caption id="attachment_674682" align="alignnone" width="1920"] Leticia Almeida[/caption] [caption id="attachment_837205" align="alignnone" width="1920"] Lillie Thompson[/caption] [caption id="attachment_860199" align="alignnone" width="1920"] Earl Carter[/caption] For the full rundown of the World's 101 Best Steak Restaurants for 2024, head to the list's website. Top image: Nikki To
Maybe you've spent much of 2020 glued to the small screen, viewing your way through this year's lockdown periods. Perhaps, as cinemas have been reopening around the country, you've flocked to the big screen to get your movie fix. Either way, if you've been thinking and supporting local — as has been the trend all-round in 2020 — then you've had plenty of Australian films and television shows to watch. And, from this hectic year, the best of the bunch have just been singled out at the 2020 AACTA Awards. Previously called the AFI Awards, the AACTA Awards announced its nominees back at the beginning of November, then handed out its trophies on Monday, November 30. The accolades span multiple types of screen content, so a hefty number of local productions were vying for a gong — but there were two big winners, with one each in the film and TV fields. Just calling Babyteeth a teen cancer drama doesn't quite cover just how complex, nuanced and intimate the movie is, as AACTA members clearly agree. It was named Best Film, and also won Best Director (Shannon Murphy), Screenplay (Rita Kalnejais) Actor (Toby Wallace), Actress (Eliza Scanlen), Supporting Actor (Ben Mendelsohn ) and Supporting Actress (Essie Davis), from a total haul of nine awards. On the TV front, if you've watched miniseries Stateless this year, then you've seen the most-awarded television production of 2020. It received 13 gongs, including Best Telefeature or Mini Series, Best Lead Actor in a Television Drama (Fayssal Bazzi), Best Lead Actress in a Television Drama (Yvonne Strahovski), Best Guest or Supporting Actor in a Television Drama (Darren Gilshenan), Best Guest or Supporting Actress in a Television Drama (Cate Blanchett), Best Screenplay in Television (Elise McCredie) and Best Direction in a TV Drama or Comedy (Emma Freeman). Across both fields, other winners included Mystery Road (Best Drama Series), Upright (Best Comedy Series), Tim Minchin (Best Comedy Performer, for Upright), Standing Up For Sunny (Best Indie Film) and Firestarter – The Story of Bangarra (Best Documentary). Here's a rundown of the major nominations and winners — and you can check out the full list on the AACTA's website: AACTA NOMINEES 2020 FILM AWARDS: BEST FILM Babyteeth — WINNER H is for Happiness I Am Woman The Invisible Man True History of the Kelly Gang Relic BEST INDIE FILM A Boy Called Sailboat Hot Mess Koko: A Red Dog Story A Lion Returns Standing Up for Sunny — WINNER Unsound BEST DIRECTION Shannon Murphy, Babyteeth — WINNER John Sheedy, H is for Happiness Leigh Whannell, The Invisible Man Justin Kurzel, True History of the Kelly Gang Natalie Erika James, Relic BEST LEAD ACTOR George MacKay, True History of the Kelly Gang Sam Neill, Rams Richard Roxburgh, H is for Happiness Toby Wallace, Babyteeth — WINNER Hugo Weaving, Measure for Measure BEST LEAD ACTRESS Tilda Cobham-Hervey, I Am Woman Laura Gordon, Undertow Elisabeth Moss, The Invisible Man Lupita Nyong'o, Little Monsters Eliza Scanlen, Babyteeth — WINNER BEST SUPPORTING ACTOR Fayssal Bazzi, Measure for Measure Russell Crowe, True History of the Kelly Gang Aaron Jeffery, The Flood Ben Mendelsohn, Babyteeth — WINNER Wesley Patten, H is for Happiness BEST SUPPORTING ACTRESS Emma Booth, H is for Happiness Essie Davis, Babyteeth — WINNER Bella Heathcote, Relic Deborah Mailman, H is for Happiness Doris Younane, Measure for Measure BEST SCREENPLAY Rita Kalnejais, Babyteeth — WINNER Abe Forsythe, Little Monsters Leigh Whannell, The Invisible Man Natalie Erika James and Christian White, Relic Shaun Grant, True History of the Kelly Gang BEST DOCUMENTARY Brazen Hussies Brock: Over the Top Looky Looky Here Comes Cooky Firestarter — The Story of Bangarra — WINNER Slim & I Suzi Q TELEVISION AWARDS: BEST DRAMA SERIES Bloom Doctor Doctor Halixfax: Retribution The Heights Mystery Road — WINNER Wentworth BEST TELEFEATURE OR MINISERIES The Gloaming Hungry Ghosts Operation Buffalo The Secrets She Keeps Stateless — WINNER BEST COMEDY SERIES At Home Alone Together Black Comedy The Other Guy Rosehaven Upright — WINNER BEST LEAD ACTOR IN A TELEVISION DRAMA Fayssal Bazzi, Stateless — WINNER Bryan Brown, Bloom Jai Courtney, Stateless Ewen Leslie, Operation Buffalo Aaron Pedersen, Mystery Road BEST LEAD ACTRESS IN A TELEVISION DRAMA Jada Alberts, Mystery Road Rebecca Gibney, Halixfax: Retribution Asher Keddie, Stateless Pamela Rabe, Wentworth Yvonne Strahovski, Stateless — WINNER BEST COMEDY PERFORMER Milly Alcock, Upright Anne Edmonds, At Home Together Luke McGregor, Rosehaven Tim Minchin, Upright — WINNER Celia Pacquola, Rosehaven BEST GUEST OR SUPPORTING ACTOR IN A TELEVISION DRAMA Rob Collins, Mystery Road Darren Gilshenan, Stateless — WINNER Damon Herriman, The Commons Callan Mulvey, Mystery Road Ed Oxenbould, Bloom BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA Cate Blanchett, Stateless — WINNER Jacqueline McKenzie, Bloom Ngaire Pigram, Mystery Road Tasma Walton, Mystery Road Jacki Weaver, Bloom
It can be tricky to do something truly new in Melbourne's packed dining scene, but recently opened Ms Parker in The Motley is well on their way to achieving just that. Nestled on the ground floor of the bold and eclectic Motley Hotel, the menu celebrates seasonality and locally-sourced produce, taking cues from chef Steve Harry's rich and diverse culinary experience. Earlybirds can tuck into the likes of wattleseed sourdough, 'nduja shakshuka with dukkah, and even a brekkie pavlova paired with coconut sorbet. But while Ms Parker serves up coffee and excellent cafe fare by day, it's the transition into a clever yet unpretentious diner in the evening where the menu really shines. Guests will spot a healthy dose of Australian nostalgia, from a kangaroo tartare on top a vegemite cracker and a reimagined Dagwood dog, spiced with 'nduja and pickled mustard seeds. Diver deeper into the menu to indulge on plates that might touch on Harry's experience in Japanese kitchens, nod to his Northern African heritage or showcase traditional French technique. Bone marrow is elevated with a miso brûlée and fermented daikon, while rainbow trout is done up with roe and a beurre blanc. Grilled tiger prawns are tossed through tamarind and curry leaf, while duck liver parfait profiteroles showcase the team's creativity and culinary flare. Pavlova makes another welcomed appearance in the dessert section, and a small but curated menu of wines, cocktails and local beers are available throughout the day.
In a few years, when someone hands you an Australian $5 note, that cold hard cash in your hand will look more than a little different. The nation's banknotes have undergone a makeover in the past few years, with a revamped $5 note doing the rounds since 2016 — but that same denomination is about to get another redesign to replace Queen Elizabeth II. Whether you pay for your coffees with actual money or you barely handle physical coins and notes, every Aussie knows that the late monarch's likeness adorns some of our legal tender, including our $5 note. Accordingly, with the Queen's passing in 2022, we all started wondering two things: whether we'd get a day off (answer: yes) and what's happening to our currency. Now, the Reserve Bank of Australia has announced that the $5 note will replace the portrait of the Queen, but not with King Charles III. Instead, in welcome news, one side of the note will feature "a new design that honours the culture and history of the First Australians". "This decision by the Reserve Bank Board follows consultation with the Australian Government, which supports this change," the organisation said in a statement. "The Bank will consult with First Australians in designing the $5 banknote. The new banknote will take a number of years to be designed and printed. In the meantime, the current $5 banknote will continue to be issued. It will be able to be used even after the new banknote is issued." The other side of the $5 note will remain unchanged, so it'll still boast an image of the Australian Parliament. That design features the Forecourt Mosaic, which is based on Michael Nelson Jagamara's Central Desert dot-style painting Possum and Wallaby Dreaming. As the Reserve Bank's statement makes plain, exactly how the new $5 note design will pay tribute to Australia's Indigenous culture and history hasn't yet been finalised. In the past, Australia's currency has featured imagery of Aboriginal rock paintings and carvings, and designs based on a bark painting by David Malangi Daymirringu, thanks to the original $1 banknote from 1966 — before that denomination was replaced with a gold coin. The Reserve Bank also issued a one-off $10 note as the nation's first-ever polymer banknote in 1988, which highlighted examples of ancient and contemporary Aboriginal art. And, the $50 banknote currently in circulation pays tribute to author, activist, inventor, musician, preacher and Ngarrindjeri man David Unaipon. For more information about Australia's currency and any changes, head to the Reserve Bank of Australia's website.
Between the cheesy margherita pizzas, parmesan-doused tagliatelle and ricotta-stuffed cannoli, you'd be forgiven for assuming Italian cuisine is forever doomed to be a vegan no-go zone. But Hardware Lane's newest resident is here to remind you that's not true. Introducing, Funghi e Tartufo — a laneway Italian restaurant with an entirely plant-based menu and wine list. Named after the Italian words for 'mushrooms and truffle' in a nod to the kitchen's signature dish, Funghi e Tartufo comes from the minds behind Clifton Hill's Osteria Italiano. And it's a dream for vegans, coeliacs and FODMAP folks alike. Following in the footsteps of dietary-friendly local Italian eateries like Farro and gluten-free pizzeria Shop 225, the newcomer is taking an inclusive approach to a cuisine that's traditionally not so vegan-friendly. On the menu, you'll find all the Italian classics, with a plant-based makeover. Kick off with antipasto bites like bolognese arancini, lemon pepper 'calamari', vegan meatballs and a Sicilian-style caponata paired with toasted bread. Pasta fiends can get their kicks with the likes of fresh pappardelle in rich truffle and mushroom sauce, a spicy penne puttanesca, and even a creamy carbonara situation. Or, try Funghi e Tartufo's take on the classic cotoletta, here matched with vegan cheese and a tomato sauce. Dessert's sorted, too, thanks to sweet creations like panna cotta and a silky chocolate cheesecake. But that's not all. The menu abounds in gluten-free options, and even the wine and cocktail list is an all-vegan affair. Pop by for aperitivo hour, and enjoy your Sicilian snacks and vegan cheese board matched with drops like a negroni or a 2018 chianti out of Tuscany. Find Funghi e Tartufo at 60 Hardware Lane, Melbourne CBD. It's open 5–10pm Wednesday and Thursday, and 5–11pm Friday and Saturday.
Middle-earth is about to sprawl across your TV screen — or whichever other screen you use to access your streaming queue. And, after five years of talking about it, Amazon has finally given Lord of the Rings fans what they've been waiting for: a first look at its new JRR Tolkien-inspired fantasy series The Lord of the Rings: The Rings of Power. Elves, dwarves, epic cities, leafy landscapes — yes, 2022's new Lord of the Rings streaming series ticks all of those expected boxes so far in its just-dropped first teaser trailer. A young Galadriel (Morfydd Clark, Saint Maud) climbs ice, and a young Elrond (Robert Aramayo, The King's Man) features as well. Also packed into the 61-second clip: elves catching arrows, humans stuck on rafts on stormy seas, cave trolls, raging fires and orc battles. If you're new to The Rings of Power, Amazon first announced the show back in 2017, gave it the official go-ahead in mid-2018 and set a premiere date of Friday, September 2, 2022 back in 2021. In-between, it confirmed that it wouldn't just remake Peter Jackson's movies. Rather, the series will spend time in Middle-earth's Second Age, bringing that era from the LOTR realm to the screen for the very first time. According to show's official synopsis, it'll follow "the heroic legends of the fabled Second Age of Middle-earth's history," with the action set thousands of years before the novels and movies we've all read and watched. The series will also "take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien's pen threatened to cover all the world in darkness." If you're a little rusty on your LOTR lore, the Second Age lasted for 3441 years, and saw the initial rise and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. Naturally, you can expect Sauron to feature in the new show, and to give its main figures some trouble. "Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," the official synopsis continues. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone," it also advises. In terms of stars, The Rings of Power will feature an unsurprisingly large cast — and some impressive talent behind the scenes. Among the other actors traversing Middle-earth are Ismael Cruz Córdova (The Undoing) as Arondir, Nazanin Boniadi (Bombshell) as Bronwyn, Owain Arthur (A Confession) as Prince Durin IV, Charlie Vickers (Palm Beach) as Halbrand and Sophia Nomvete (The Tempest) as Princess Disa. There's also Tom Budge (Judy & Punch), Joseph Mawle (Game of Thrones), Cynthia Addai-Robinson (The Accountant), Maxim Baldry (Years and Years), Peter Mullan (Westworld), Benjamin Walker (The Underground Railroad) and comedian Lenny Henry. And, the series is being overseen by showrunners and executive producers JD Payne and Patrick McKay, while filmmaker JA Bayona (A Monster Calls, Jurassic World: Fallen Kingdom) directs the first two episodes. Check out the first teaser trailer for The Lord of the Rings: The Rings of Power below: The Lord of the Rings: The Rings of Power will be available to stream via Amazon Prime Video from Friday, September 2, 2022.
Well, we don't know what kind of high-flying career goals you're reaching for this year, but here's one you might want to pop on your list. Domino's is offering one hard-working food-lover the chance to come on board as its new Chief Garlic Bread Taste Tester. Now there's a gem for the ol' resume, if ever we saw one. While the thought of being paid to scoff hot, buttery, garlic-infused carbs sounds like some sort of fantasy, Domino's ain't joking. The company has posted a real-deal job listing for the role on Linked In and is already taking applications. So what's involved in this dream gig, you ask? Unfortunately, it's just a one-day role, but the lucky employee will spend a tasty 7.5-hour work day at Domino's Brisbane HQ, sampling the company's various garlic breads and other products, scoring a sneak peek at future menu items and offering feedback to the team. Here's one of the garlicky dishes you could be getting paid to eat: https://www.facebook.com/DominosAustralia/photos/a.220268216411/10157998133836412/?type=3&theater You'll earn a tidy $30 an hour for your efforts, too. And return domestic flights will be provided if you live outside of Brisbane, as will one night's accommodation if a same day return flight isn't available. A lunchtime pizza feast is also included, so leave the packed lunch at home. Domino's has thrown down a few key qualifications you'll want to have if you're applying for the job, including "a detailed understanding of the pizza and garlic bread relationship", "a history of reviewing other people's food choices" and "working tastebuds". It's also after someone with at least five years' experience in garlic bread consumption — which is peanuts compared to what most of you seasoned garlic bread fiends would have under your belts. If you're ticking all of Domino's boxes for the gig, you'll probably want to have some degree of carb obsession and a solid grasp of the perfect 'crunch to softness' ratio. Oh, and vampire-identifying folk need not apply. To apply for the Chief Garlic Bread Taste Taster role, you'll need to complete the Domino's survey and apply via a 30-second video or 200-word essay, before Monday, October 7.
The Galleon have been doing Bloody Marys in St Kilda since before you were old enough to have a hangover. The Mary here can be found straight-up or with a little bit of variety, and while The Galleon do breakfast exceptionally well, they're no slouch in the drinks area, neither. You can order the standard Mary with Tabasco, Worcestershire sauce and lemon, or if you're feeling adventurous you can sample the Spanish Mary, which has an olive theme, the Evil Mary with extra chilli and Tabasco, or the Smoking Mary, which is laced with chipotle sauce and bacon salt. You can also 86 your veg intake with the Muscle Mary, which boasts a veritable garden patch of pickle, radish and carrot. The drinks are all between $12.50 and $14.50, and when you combine excellent food and drinks with their chilled atmosphere and well-worn chairs and decor, you might just start to feel better.
You asked — and Cadbury has gone and delivered. The confectionary giant has responded to hordes of eager fans and brought one of its most beloved creations back onto Aussie shelves: the humble but widely worshipped Caramilk. Cadbury has confirmed the rumours that its former fan favourite, with that golden-hued concoction of caramel and white chocolate, will indeed be making a comeback, returning to local supermarkets across the country from tomorrow, Wednesday, October 2. And, if you fancy being one of the first to get your mitts on the relaunched Caramilk, you can even nab a freebie this Wednesday, October 2. Cadbury will be handing out 1000 free Caramilk blocks at Melbourne Central Station from 7am, and then at Flinders Street Station from 11am. Understandably, there are plenty of sweet-toothed Aussies who are salivating at the prospect — not least of all, those in the Facebook groups dedicated to requesting its return — and the blocks are expected to move quickly. The first 500 sold on eBay last week in just 28 minutes, so you better get to Woolies early tomorrow. They'll be available to buy for $4.80.
After debuting in 2023 with Solange and Sampa The Great taking to its stages, the Art Gallery of New South Wales' Volume music series is going big again for its 2024 return. André 3000 making an Australian-exclusive stop with the Outkast rapper's experimental jazz project André 3000 New Blue Sun LIVE, Sonic Youth's Kim Gordon, Ghanaian Australian talent Genesis Owusu and Zimbabwean Australian singer-songwriter Tkay Maidza: they all lead a lineup that shouldn't just get Sydneysiders excited, but is worth travelling from the rest of the country for. Volume's main names will each play their own dates between Friday, July 5–Sunday, July 21 at The Tank, a Second World War oil tank that's been turned into a performance and art venue. It's located inside Naala Badu, AGNSW's $344-million extension that opened in late 2022 — and this is quite the way to check it out if you haven't had the chance before. [caption id="attachment_954053" align="alignnone" width="1920"] Dexter Navy[/caption] Genesis Owusu will kick off Volume across Friday, July 5–Saturday, July 6 with a visual arts-inspired show. Audiences will hear tunes from his records Smiling with No Teeth and STRUGGLER, with The Black Dog Band — aka Kirin J Callinan, Touch Sensitive and Tim Commandeur — doing the backing honours. The next weekend, on Saturday, July 13, Tkay Maidza will play her first Aussie headline show in 2024 — and she has Sweet Justice, her second album, to showcase. This is a one-night-only return to Australia for the LA-based rapper, because she's also playing Chicago's Pitchfork Music Festival in June. Kim Gordon's Aussie tour — which is also stopping at Illuminate Adelaide, as well as in Brisbane and Melbourne — will bring her to Volume on Thursday, July 18–Friday, July 19. The main focus: The Collective, her latest solo record. And on Saturday, July 20–Sunday, July 21, André 3000 New Blue Sun LIVE will wrap up the AGNSW lineup. The performance takes its name from André 3000's debut solo album, which released in 2023 — and will also feature percussionist and multi-instrumentalist Carlos Niño, and guitarist and guitar synthesist Nate Mercereau, alongside Surya Botofasina playing the keyboards, plus Deantoni Parks on synthesiser and drums. This is André 3000's first trip Down Under in ten years, with Outkast's headlining slot at 2014's Splendour in the Grass his latest live gig in Australia. [caption id="attachment_954055" align="alignnone" width="1920"] @trippydana[/caption] "We are thrilled to be inviting some of the most innovative and bold local and international musicians to The Tank to create unique music experiences that will make audiences think, feel and move. We look forward to seeing how each artist responds to this remarkable space," said Art Gallery of New South Wales Director Michael Brand. There's still more details to come for Volume, which will pair its headliners with a lineup of free events that's still to be announced. If it sounds huge, that's because it is — and both AGNSW buildings, aka north building Naala Badu and south building Naala Nura, will play host. [caption id="attachment_954056" align="alignnone" width="1920"] Bec Parsons[/caption] Volume 2024 Headliners and Dates: Friday, July 5–Saturday, July 6 — Genesis Owusu Saturday, July 13 — Tkay Maidza Thursday, July 18–Friday, July 19 — Kim Gordon Saturday, July 20–Sunday, July 21 — André 3000 New Blue Sun LIVE [caption id="attachment_880681" align="alignnone" width="1920"] The Tank space in the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Art Gallery of New South Wales, Jenni Carter[/caption] Volume 2024 runs from Friday, July 5–Sunday, July 21 at the Art Gallery of New South Wales, with ticket presales from 11am on Tuesday, May 21 and general sales from 11am on Wednesday, May 22 — head to the festival website for further details. Top image: Sven Mandel via Wikimedia Commons.
Music-streaming service Spotify is set to launch in Australia this week, finally blessing Australians with its promise of "all the music, all the time". It's about time, as Spotify has already become the music service of choice for over 10 million users in 13 countries. With an estimated 10,000 musical tracks added each day, Spotify is essentially a vast music library. It allows users to listen to any of its millions of tracks in real time (no irritating buffering required) on any desktop computer or mobile device, and to share those tracks effortlessly with friends. Spotify is forward-thinking in its approach to online music streaming; instead of fighting the changing face of the music industry, it is embracing the fact that people are just not purchasing CDs in the volume that they used to. Thriving off of an audio advertising revenue model, Spotify identifies a demographic target audience based on users' musical tastes. This method has proven satisfactory to advertisers and record labels alike; the majority of US and UK record labels seem to be of the thought that some revenue is better than none. The social aspect of Spotify sets it apart from other music services. It integrates into Facebook and Twitter alike, allowing users to create and share playlists. It's simple to see and hear what friends are listening to: just press 'play' on another user's playlist. All you need to get started is a username and password, and to download the service to either Windows or Mac. The Spotify website currently offers Australians the option to sign up pre-launch. Enter your e-mail address and be one of the first in line to delve into this gigantic music library.
This piece of tour news will get you smiling like you mean it: The Killers are returning Down Under before 2024 is out, announcing their latest stint on Australia's stages. The Las Vegas-born rockers were last here in November and December 2022 — including playing intimate midnight shows — and will head back across the same months this year to get local crowds singing 'Mr Brightside' and 'Somebody Told Me' again. Hot Fuss, the album that gave the world those two beloved tracks — and 'Smile Like You Mean It', 'Jenny Was a Friend of Mine', 'All These Things That I've Done' and more — is the reason for the tour. 2024 marks 20 years since it first released, so Brandon Flowers and company are celebrating. More than that, they're playing two types of gigs on their Aussie trip. Most will be Rebel Diamonds shows, pumping through the group's hits across their entire career. In Sydney and Melbourne, however, The Killers are doing an extra night to work through Hot Fuss in its entirety. [caption id="attachment_972411" align="alignnone" width="1920"] © 2022 Chris Phelps[/caption] Open up your eager eyes, Australia: destiny is calling you to those two concerts apiece in the New South Wales and Victorian capitals, at Qudos Bank Arena and Rod Laver Arena, as well as to single shows at Brisbane Entertainment Centre in the Sunshine State capital and Queensland Country Bank Stadium in Townsville. Sadly, the November/December timing means that The Killers won't be repeating their AFL Grand Final berth after stealing the show back in 2017. They will be in the country for the AFLW Grand Final, however, if you want to start crossing your fingers. Given the band's lengthy back catalogue, The Killers won't just be focusing on Hot Fuss tunes at both kinds of shows on their tour, but have plenty more songs to bust out. Also likely to get a whirl as well: 'When You Were Young', 'Bones', 'Human', 'The Man' and latest single 'Bright Lights', just to name a few. The Hot Fuss gigs have been receiving a workout in the group's hometown of late, where they played a soldout residency at Caesar's Palace from mid-August till early September. The Killers 2024 Australian Tour Dates: Saturday, November 30 — Rebel Diamonds — Queensland Country Bank Stadium, Townsville Friday, December 6 — Rebel Diamonds — Qudos Bank Arena, Sydney Saturday, December 7 — Hot Fuss — Qudos Bank Arena, Sydney Monday, December 9 — Rebel Diamonds — Brisbane Entertainment Centre, Brisbane Thursday, December 12 — Rebel Diamonds — Rod Laver Arena, Melbourne Friday, December 13 – Hot Fuss — Rod Laver Arena, Melbourne [caption id="attachment_831494" align="alignnone" width="1920"] Raph_PH via Wikimedia Commons[/caption] The Killers are touring Australia in November and December 2024. Pre-sale tickets go on sale at 3pm local time on Tuesday, September 10, with general tickets on sale from 4pm local time on Monday, September 12. For further details, head to the tour website. Top image: Raph_PH via Flickr.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue for August. NEW STUFF TO WATCH NOW https://www.youtube.com/watch?v=dvamPJp17Ds LOVECRAFT COUNTRY Viewing US race relations and the nation's treatment of its black residents through a horror lens has long been Jordan Peele's jam, dating back to his Key & Peele days. Anyone who has seen Get Out and Us, the two films he has directed thus far, also knows this — and it is evident in Hunters, the TV series he executive produced earlier this year, as well. So Lovecraft Country, HBO's new horror drama based on the 2016 of the same name, was always going to be in Peele's wheelhouse. He's an executive producer again, and he's firmly in his element. Set in the 50s in America's south, this extremely well-executed series follows returned soldier Tic Freeman (Da 5 Bloods' Jonathan Majors), his uncle George (Project Power's Courtney B Vance) and his friend Leti Lewis (Birds of Prey's Jurnee Smollett) as they set off on a road trip to both find Tic's missing dad and locate African American-friendly places for George's Green Book-style guide. Their journey takes them to a part of the country where famed real-life sci-fi and horror writer HP Lovecraft found inspiration for his tales, too — and the results are smart and unnerving on multiple levels. The first two episodes of Lovecraft Country are available to stream via Binge, with new episodes added weekly on Mondays. https://www.youtube.com/watch?v=SNlKbqHqGcY HOST Not to be confused with Bong Joon-ho's creature feature The Host, nor with the terrible sci-fi romance of the same name based on a novel boy Twilight author Stephenie Meyer, Shudder's engaging new horror flick Host is relevant to the absolute minute. The setup: bored in COVID-19 lockdown, a group of British friends (Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward and Edward Linard) decide to spice up their weekly Zoom catchup by enlisting a medium to conduct an online seance. Obviously, anyone who has ever seen a scary movie before knows that this is a bad plan, and that things won't end well. It's not so much what happens here that serves up the film's thrills, however, but how director Rob Savage (Strings) unfurls this creepy, timely premise. Frightening and tense features solely set on computer and mobile phone screens are by no means new — see Unfriended, Searching and Profile, just to name a few — but this is a savvy, cleverly staged and suitably spooky addition to the genre. Host is available to stream via Shudder. https://www.youtube.com/watch?v=6_EVR1fI68o I'LL BE GONE IN THE DARK One of the true-crime highlights of the year so far (no, Tiger King really doesn't come close), I'll Be Gone in the Dark delves into the search for the Golden State Killer. If that sounds familiar, that's because the case has been splashed across news headlines of late — including this past weekend, when the culprit was sentenced for his crime spree more than three decades after he last committed the 13 murders, over 50 rapes and more than 120 burglaries that made him the scourge of 70s and 80s-era California. Knowing the most recent developments doesn't spoil this six-part series, though. It's too layered, too full of insight and information, and too tied to author Michelle McNamara, too, to suffer that fate. McNamara wrote the book, I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer, that the show is based on. And, her story is as much a part of the series as the case she spent years fixating over, with the writer's text published in 2018 after her tragic 2016 death from an accidental overdose. I'll Be Gone in the Dark is available to stream via Binge. https://www.youtube.com/watch?v=RYQvesno79Y P-VALLEY Blasted with disapproval by her mother for her choice of vocation, strip club employee Mercedes (Brandee Evans, Lethal Weapon) comes back strong: "Nah ma, it's art. I transport motherfuckers," she retorts. It's a powerful moment in P-Valley's first episode, but this is a powerful show all-round — and one that 100-percent treats its central activity as an art form. Created by Katori Hall and based on the playwright and journalist's stage production Pussy Valley, the series follows the ins and outs at erotic dance establishment The Pynk in the Mississippi Delta. The arrival of newcomer Autumn Night (Elarica Johnson, A Discovery of Witches) provides the program with its dramatic catalyst, but P-Valley is concerned with everyone in The Pynk's vicinity. Bold and vibrant in its storytelling, characters and visuals alike — neon features heavily — this series not only tells tales that aren't often seen on-screen, but does so with a clearcut and compelling vision. It's soapy at times, but it's also detailed, raw and utterly involving. The first six episodes of P-Valley's first season are available to stream via Stan, with new episodes starting again from Sunday, August 30. https://www.youtube.com/watch?v=ViiYJZqGC5w BOYS STATE Imagine this: as part of an annual program designed to teach high schoolers about citizenship, leadership and US politics, a thousand teenage boys spend a week building their own (fictional, obviously) government. They form parties, come up with platforms, campaign for votes, endeavour to find consensus on topical issues and, for some attendees, try to reach Boys State's highest office of governor. If you think you already know how this would turn out, especially given the divided nature of American politics today, you're actually right. Still, watching it happen in the excellent documentary that's also called Boys State is another thing entirely. Taking a deep look at the next generation, interrogating their ideals, seeing what rhetoric these 17-year-olds have picked up and witnessing their willingness to do whatever it takes to succeed, this film is exactly what it aims to be, providing a glimpse of the US in a microcosm as well as a potential insight into the country's future. As directed by Jesse Moss (The Overnighters) and Amanda McBaine, it's also engrossing and striking, not to mention unsettling and optimistic in equal measure. Boys State is available to stream via Apple TV+. https://www.youtube.com/watch?v=B4jopG1wX88 HIGH SCORE Maybe you're a Space Invaders aficionado from way back. Perhaps you've always had some sort of Nintendo console in your house. Or, you could prefer computer role-playing games — or mashing buttons in combat titles like Street Fighter II. Whichever category you fall into, six-part documentary series High Score is here to take you through the history of video games, particularly focusing on the 80s and 90s. It provides a wide-ranging snapshot of a broad topic, complete with personal anecdotes from a wide array of folks involved in the industry in various guises, and will certainly get you hankering for some retro fun. That said, there are omissions. If you correctly think Tetris is the best game ever made and deserves all of the attention and adoration possible, you might be disappointed, for example. Still, the whole thing is narrated by Charles Martinet, who has otherwise been known as the voice of Mario, Luigi, Baby Mario, Baby Luigi, Wario, Waluigi and Toadsworth since the 90s. High Score is available to stream via Netflix. https://www.youtube.com/watch?v=nwJ5LDOl2Tc ACUTE MISFORTUNE If Adam Cullen had been any other artist and Erik Jensen any other journalist, Acute Misfortune may not exist. In 2008, the former invited the latter to stay with him, see him at his best and worst, and channel his rollercoaster ride of a life story into a biography — and, as dramatised by actor-turned-filmmaker Thomas M. Wright in one of the very best Aussie films of the past few years, the results are simply blistering. Just as Jensen didn't shy away from Cullen's erratic, frequently controversial nature at any point, nor does this stunning drama, which could never be accused of being a straightforward biopic of the Archibald-winning painter. Aided by stellar performances by Snowtown's Daniel Henshall as Cullen and Babyteeth's Toby Wallace as Jensen, as well as a script by co-written by the real-life Jensen, this is a warts-and-all portrait that lays bare not only its subject, but Australia's fascination with festering masculinity, and it's a lively and compelling watch from start to finish. Acute Misfortune is available to stream via Stan. https://www.youtube.com/watch?v=8QxEh4iadnw HOWARD Disney loves celebrating Disney, and also adores dipping into its own back catalogue. But Howard, its latest project to fit that description, stands out. After spending much of the past decade making or planning live-action versions of its big animated flicks like Beauty and the Beast, Aladdin and The Little Mermaid, the Mouse House is now going the documentary route to pay tribute to a man pivotal to all three. Indeed, if it wasn't for Oscar-winning lyricist Howard Ashman, fans everywhere may never have sung the lines "be our guest", "darling it's better down where it's wetter" or "you ain't never had a friend like me". A playwright who tasted theatre success and failure, proved a hit at Disney by helping them pump out beloved hits, and also passed away at the age of just 40 due to complications from HIV/AIDS, Ashman's is quite the story. He was behind the musical version of Little Shop of Horrors as well, and collaborated with fellow Disney composer Alan Menken — and, as told primarily via warm recollections overlaid across archival footage by filmmaker Don Hahn (Waking Sleeping Beauty), Ashman couldn't be more worthy of this touching tribute. Howard is available to stream via Disney+. ONES TO WATCH OUT FOR LATER IN THE MONTH https://www.youtube.com/watch?v=uo1CzqSA1D4 HUNGRY GHOSTS If there's one thing that the horror genre is fascinated with — and ghost stories especially — it's the way the past continually lingers over the present. Unsurprisingly given its moniker, Hungry Ghosts also adopts the topic; however this is a gripping four-part Australian supernatural drama with a difference. Following four Melbourne families, three of whom are of Vietnamese descent, the show is tied to the annual Hungry Ghost Festival, where some Asian communities venerate the dead. As the event approaches, an old war tomb is reopened in Vietnam — and, suddenly, spirits start terrorising twenty-something nail salon worker May Le (Catherine Văn-Davies), as well as others in her orbit. Moody and intriguing from the outset, Hungry Ghosts serves up effective spooks and scares. Most impressive, though, is its deep contemplation of the way that people are haunted by their troubles, fears and previous actions (including the long-lasting impact of conflict, such as the Vietnam War, on the program's multigenerational web of characters). Also a standout is the series' diverse cast, with the show starring 30 Asian Australian actors and more than 325 Asian Australian extras. Hungry Ghosts starts streaming via SBS On Demand from 9.30pm Monday, August 24, with new episodes added at the same time each night until Thursday, August 27. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=do_BCA-vR9E ORPHAN BLACK Maybe you couldn't get enough of Orphan Black back when it originally aired, with the Canadian sci-fi thriller hitting screens between 2013–17. Perhaps you heard its name pop up again and again and were intrigued by the premise, but never got around to binging your way through it. Either way, all five seasons of the acclaimed series have now hit Amazon Prime Video, if you're looking for your next marathon viewing session. That's 50 episodes of twisty clone-fuelled thrills — because, yes, that's what Orphan Black is all about. It starts with a woman, Sarah Manning, watching her doppelgänger commit suicide, then assuming her identity. Where it goes from there is too labyrinthine for a quick summary, but Sarah soon discovers that she has more than one likeness as part of an illegal experiment. Obviously, it's an enthralling premise, and one primed for plenty of surprises. And star Tatiana Maslany (Destroyer, Perry Mason) is a powerhouse, deservedly scoring multiple Emmy nominations for her work. All five seasons of Orphan Black are available to stream via Amazon Prime Video. Top images: Lovecraft Country, Eli Joshua Ade / HBO; Hungry Ghosts, Sarah Enticknap / SBS.
There really is a festival for everything, and come July at Melbourne's Australian Centre for the Moving Image, that includes television. Not content to let film monopolise the big screen fest space, ACMI is playing host to the world's biggest TV festival, with Series Mania heading to Australia for the first time. With a name that could also describe humanity's reaction each and every time a new season of a TV show hits a streaming platform, Series Mania comes to Melbourne from July 20 to 24 for five days of television-focused fun. The program won't be announced until July 3; however expect it to include more than 40 screenings of premiere seasons of some of the best new drama, narrative comedy and web-based series from around the world. Workshops, panel discussions, masterclasses and Q&A sessions will also be on the agenda, with the fest catering for both industry and the public. In case you're wondering just how exciting this is, Series Mania's Paris festival gives a great indication of what might be in store. In 2016, it attracted more than 40,000 attendees to see 80 shows from 20 countries, and has previously showcased Aussie efforts such as The Kettering Incident, Cleverman, The Family Law and Miss Fisher's Murder Mysteries. The 2017 fest — aka season eight of the event — takes place from April 13 to 23. It's set to include discussions with Lost and The Leftovers writer/producer Damon Lindelof, and The Good Wife's Julianna Margulies; a tribute to Buffy the Vampire Slayer; a marathon on new TV comedies from the UK, US, Canada and Australia; and the world premiere of the Melbourne-made drama Seven Types of Ambiguity, which stars Hugo Weaving, Xavier Samuel and Suzie Porter. "We are experiencing a golden age of television around the world right now, as this medium rapidly expands into new platforms," says ACMI CEO and Director Katrina Sedgwick. "We're delighted to partner with Film Victoria to bring Series Mania to Melbourne. Our audiences will preview some of the best series coming to our screens in the year to come — and discover stunning international TV that we might not ever see otherwise." If that all sounds like your idea of a great way to spend a day or several, then prepare for an epic binge session, but out of the house and not in your pyjamas. In even better news, Series Mania will be free — but, expect tickets to get snapped up quick smart when the lineup lands. Image: Nathalie Prèbende
Prepare to stare at the moon in all of its glory — up close, without a telescope and without zooming into space. Measuring seven metres in diameter and featuring renderings of the celestial body's surface based on NASA imagery, the Museum of the Moon is a detailed installation by UK-based artist Luke Jerram. The giant sculpture has been touring the world since 2016, displaying in New York, Hong Kong, Mumbai and plenty of spots around Europe. Between December 1, 2018 and April 28, 2019, it'll add Melbourne to its orbit. Inspired by Jerram's time living in Bristol and "noticing the huge tidal variation as he cycled over the Avon Cut each day" according to the Museum of the Moon's website, the artwork recreates the moon at a scale of approximately 1:500,000, with each centimetre equating to five kilometres of the lunar surface. And if you're wondering just how intricate the 120dpi imagery is, the high-resolution NASA photograph that it uses is 21 metres wide, and was taken by by a satellite carrying the Lunar Reconnaissance Orbiter Camera. The spherical sculpture is lit from within, so it'll add a glow when it comes to Scienceworks for five months. It also combines its imagery and light with a surround sound piece created by composer and sound designer Dan Jones, and just how each venue displays it is up to them. Basically, it's never the exact same installation twice. Jerram has multiple moons, with several touring simultaneously — so the Museum of Moon will also be on display in Newcastle in the UK across some of the same period. Its stint at Scienceworks will mark the Museum of the Moon's second visit Australia, following 12-day showing on the Gold Coast during the city's Commonwealth Games-adjacent arts festival earlier this year.
First postponed from July to October, Splendour in the Grass has now pulled the plug on all plans for a 2020 festival, announcing today, June 10, that its 20th-anniversary event will now be held in winter 2021. There is some good news, though, with the long lead time, the festival is intending to rebook as much of its 2020 lineup as possible. And, it's one helluva lineup. Flume was slated to head back Down Under, together with IGOR-creator Tyler, The Creator and The Strokes, who were set to perform their first new album in seven years, The New Abnormal. Of course, these artists heading to North Byron Parklands all hangs on the reopening of Australia's borders — which we hope, with a vaccine slated for 10-15 months, will be a reality by next winter. If the borders aren't open, Splendour in the Grass will still have a solid local lineup, including the one-and-only Midnight Oil, who have recently started recording music together for the first time in two decades. Also part of the OG local contingent, and hopefully set to return next July: Stella Donnelly, Violent Soho, Thelma Plum, Jack River and Alice Ivy. You can check out the full original lineup over here. https://www.facebook.com/splendourinthegrass/photos/a.140253397435/10158443101642436/ If you've already purchased a ticket for SITG 2020, you'll be happy to know that it's valid for the 2021 edition. If you haven't, more tickets will be available from 12pm on Monday, June 15. Yes, next week. Buying a festival tickets 13 months ahead is certainly novel, and kinda strange, but 2020 isn't so normal. The exact details — and lineup — for SITG 2021 are still up in the air, but we'll let you know as soon as anything is confirmed. Splendour in the Grass has been postponed again and will now take over North Byron Bay Parkland from July 23–25, 2021. All 2020 tickets are valid for 2021, and new tickets will go on sale at 12pm on Monday, June 15 via splendourinthegrass.com. Top image: Byron Bay's Splendour in the Grass 2017 by Charlie Hardy
Whether you need one to shield your eyeballs because face masks fog up your sunnies, or you're just a generally stylish and sun-safe individual, the classic bucket hat looks set to score some time in the spotlight this summer. And what better way to jump aboard the train, than with an unashamedly branded little number from your flatpack hero IKEA. Yep, the Swedish furniture retailer has shimmied right on into the accessories game, with its new Knorva bucket hat, priced at an easy $3.50 a pop. The one-size-fits-all headpiece has only just hit shelves, but already has Aussies utterly obsessed, with a hefty 2000 units snapped up in just one day. Crafted from the same durable material used for Ikea's signature blue Frakta carrier bags, the hats are extra versatile, designed to offer your noggin protection from both sun and rain. A year-round wardrobe winner, if you will. As an added bonus, the bucket hats are also low-maintenance, requiring little more than a rinse and dry to keep them clean. Perhaps don one to get you in the mood for whipping up a batch of IKEA's meatballs, or team with your Frakta bag for the ultimate park picnic kit. https://www.facebook.com/ikea.au/posts/10158730361883288 If you're keen to nab a bucket hat, but haven't seen any at your local IKEA store, don't stress — some states are now able to order the Knorva online. Plus, IKEA is hustling to get lots more stock to our shores in time for those hat wearin' days of summer. IKEA's Knorva bucket hats are available in select Australian stores. Otherwise, you might be able to snap one up online.
If the 2018 Good Food Month program is anything to go by, those stretchy pants are set to get a serious workout this June. Melbourne's annual month-long food fiesta is this year packed with more goodness than ever, featuring top Aussie chefs, masterclasses, rollicking parties and unique dining experiences that'll knock your socks off. Promising to inject a bit of sunshine into those impending frosty winter days, pop-up restaurant Melbourne Palms brings a taste of Palm Springs to Federation Square from June 13–23. It'll play host to a broad lineup of culinary gold, kicking off with a celebration of homegrown heroes Andrew McConnell (Cutler & Co., Supernormal) and Alla Wolf-Tasker (Lake House), for the June 13 Melbourne Greats Party. All the way from Denmark, pioneering chef Bo Bech (of Michelin-starred Paustian and Restaurant Geist) will give Australia its first taste of his innovative cooking by treating diners to a thought-provoking wine-matched degustation on June 15. Meanwhile, sustainability and locality will be front and centre when Sydney's seafood king Josh Niland (Saint Peter) shares the inspiration and ethos behind his acclaimed fare, at a three-course brunch teamed with liquid treats from Coonawarra winery Brands Laira. Then, when Tipo 00's Andreas Papadakis joins fellow Aussie pasta masters Mitch Orr (Sydney's ACME) and Joel Valvasori-Pereza (Perth's Lulu La Delizia), diners are in for an all-out pasta party, with a four-course wine-matched dinner giving each chef the chance to win over tastebuds with his signature moves. Other sure-fire hits include a tasty take on date night as imagined by 8bit and dessert queen Christy Tania's Glacé Frozen, and a much-anticipated collaboration between Longsong's David Moyle and Embla's David Verheul.
Daylesford and its surrounding villages will once again transform into a musical haven as Winter Sounds returns to the foothills of the Great Dividing Range. More than your average music festival, Winter Sounds will see a host of celebrated Australian musicians present their tunes in a series of intimate, unusual and atmospheric spaces. Taking place in the region's storied country halls, bush schools, historic churches and even aboard vintage trains from Thursday, August 14–Sunday, August 17, these weird and wonderful locations make the festival's lineup a unique experience for all attendees. For the third edition of the festival, expect a mix of legendary acts and rising names. For instance, Sarah Blasko will take over St Peter's Church, while rock 'n' roll icon Tim Rogers is one of many to perform at Bullarto Hall — be sure to catch a chartered train through the Wombat State Forest before the show. Then, you've got the likes of Cash Savage and The Last Drinks, Bad//Dreems, Maple Glider, Quality Used Cars and many more lighting up various venues across town. With individual tickets or three- and four-show packages available, tailor your ideal Winter Sounds festival and make the most of your time in the hills.
It's 'The One Where They Get Back Together' — and, after more than a year of teasing, it's finally about to hit screens. First hinted at in 2019, officially confirmed in 2020, releasing its initial teaser last week and now dropping a full trailer, Friends: The Reunion is exactly what it sounds like. If you know everything there is to know about orange couches, smelly cats and whether a couple is on a break, you'll be more than a little excited. It has been 27 years since the TV sitcom about six New Yorkers made audiences a promise: that it'd be there for us. And, as well as making stars out of Jennifer Aniston, Courteney Cox, Matthew Perry, Matt LeBlanc, David Schwimmer and Lisa Kudrow, Friends has done just that. Sure, the hit series wrapped up its ten-season run in 2004, but the show has lived on — on streaming platforms, by sending an orange couch around Australia, by screening anniversary marathons in cinemas and in boozy brunch parties, for example. Friends: The Reunion promises to take pop culture's lingering affection for the show to another level, though, by reuniting its cast for a big dose of nostalgia. And, for trivia, too. That's the first thing that Aniston, Cox, Perry, LeBlanc, Schwimmer and Kudrow do in the new trailer for the special, which is slated to hit HBO's streaming platform HBO Max on Thursday, May 27 in the US. During the unscripted special, the actors behind Rachel, Monica, Chandler, Joey, Ross and Phoebe all chat about their experiences on and memories of the show — all on the same soundstage where Friends was originally shot, so expect to see some familiar faces and some recognisable decor. Aniston, Cox and the gang also have a few other famous pals for company, with the hefty guest lineup spanning folks with connections to the show and others that must just love it. On the list: David Beckham, Justin Bieber, BTS, James Corden, Cindy Crawford, Cara Delevingne, Lady Gaga, Elliott Gould, Kit Harington, Larry Hankin and Mindy Kaling, as well as Thomas Lennon, Christina Pickles, Tom Selleck, James Michael Tyler, Maggie Wheeler, Reese Witherspoon and Malala Yousafzai. The special was initially set to air in America last May, but those plans delayed due to the pandemic. For friends of Friends Down Under, just when and where Friends: The Reunion will surface hasn't yet been revealed; however, it's bound to be here for us sooner or later. Check out the full trailer below: https://www.youtube.com/watch?v=HRXVQ77ehRQ Friends: The Reunion will be available to stream in the US via HBO Max on Thursday, May 27. It doesn't currently have an air date or streaming date Down Under — we'll update you when one is announced.
Apologies to anyone who isn't a Harry Styles fan — 2022 clearly isn't your year. The former One Direction member has been everywhere over the past nine months, given that he's headlined Coachella, dropped a new album, and announced a big Australian and New Zealand tour. Oh, and he's also been the talk of the Venice Film Festival just this week for potentially spitting on Chris Pine at the premiere of Don't Worry Darling, one of two movies that'll be giving Styles' acting skills a workout on screens near you this spring. The upcoming second flick on Styles' resume? That'd be My Policeman — which will also send Styles back in time, to the 1950s to be exact, because starring in movies set seven decades ago is the ex-boy band star's own personal 2022 trend. As first revealed in the film's initial teaser back in June, this one gives off big Carol vibes, but in Britain, and focusing on a love triangle involving the titular cop, the man he falls for and the woman who loves him. Due to hit Prime Video Down Under on November 4, My Policeman sees Styles plays Tom, that eponymous law enforcement officer. In sweeping, emotionally resonant period-drama style, the movie gets him caught between teacher Marion (Emma Corrin, The Crown) and museum curator Patrick (David Dawson, All the Old Knives). And as the just-dropped new sneak shows, heartbreak seems to be the prevailing mood. My Policeman will also flit forward to the 1990s, where the older Tom (Linus Roache, Homeland), Marion (Gina McKee, Phantom Thread) and Patrick (Rupert Everett, The Happy Prince) are still haunted by how things played out when they were younger. If the storyline sounds familiar, that's because My Policeman comes to the screen from Bethan Roberts' 2012 novel of the same name. For the film version, director Michael Grandage (Red) is doing the honours, with Ron Nyswaner (Freeheld, Philadelphia) on screenplay duties. Based on the handsome trailers so far, both of which sport a hefty mood of yearning, viewers can expect an exploration of love, social expectations, and the tumult that springs when the latter dictates the former. And, obviously, for Styles' latest on-screen stint after Dunkirk, Eternals and Don't Worry Darling, which releases a month earlier in October. Check out the full trailer for My Policeman below: My Policeman will be available to stream via Prime Video in Australia and New Zealand on November 4. Images: courtesy of Prime Video © AMAZON CONTENT SERVICES LLC.
UPDATE: APRIL 7, 2020 — This Brunswick East joint is now selling boxes of locally sourced fresh fruit and veg and, of course, Texan-style smoked meats, as well as booze and ready-to-eat barbecue. They're all available to pick up from 12–9pm daily. Check out the menu on Instagram and call (03) 9972 1815 to order. If there has been a Bluebonnet Barbecue-shaped hole in your life since the cult meat eatery shut up shop in North Fitzroy in early 2018, then we're happy to tell you that is has been filled. The next iteration of Bluebonnet has opened its doors in Brunswick East. The Lygon Street venue is its new permanent home after a string of super-popular pop-ups — and a fiery short-term residency in Collingwood — and the original crew of 2014 are back together to mark the occasion: pitmaster Chris Terlikar, sous chef Eric Baird and bar manager Nate White. And they're throwing down their signature low 'n' slow Texan-style barbecue, with crafty cocktails to match. It's serving up a mix of old favourites and new creations, in a menu that matches expertly smoked meats with clever revamps of traditional sides. The famed beef brisket makes its return, along with the likes of porter-braised beef cheeks and pork ribs, while supporting acts include fried green tomatoes on whipped goats feta and a black garlic cornbread. And night owl carnivores will find plenty to love about the solid menu of late-night bar eats. The drinks offering has been amped up, now running to a three-part cocktail lineup — classics, lighter signature sips to complement the meat, and a produce-driven rotation of seasonal drinks — backed by a ten-strong Victorian tap list. The space itself is laid-back and rustic, with reclaimed railway sleepers, big retractable front windows and a separate pool room, for those after-dinner sessions.
By this point in 2020, the year has served up all manner of challenges and surprises. But in one area at least, it's rolling on as planned. Because the world can't last too long without delivering multiple new film and/or television adaptations of Stephen King's work, viewers are about to score another one — a new miniseries version of the author's 1978 novel The Stand. Hitting Amazon Prime Video in Australia and New Zealand from Friday, January15 — after debuting in America in December — The Stand joins HBO's The Outsider as the two new TV shows bringing King's work to our eyeballs over the past 12 months. Of course, as avid fans will know, this isn't the first time this particular book has made the leap to the screen. Back in 1994, it aired as a big-budget, star-studded, four-part miniseries featuring the likes of Gary Sinise, Miguel Ferrer, Rob Lowe, Ruby Dee, Laura San Giacomo, Molly Ringwald and Ed Harris. Plenty of well-known names are onboard this time around, too, because there's quite the sprawling story to tell. And, quite the timely one, although that's obviously pure coincidence. The Stand is set in a world devastated by a plague. Here, the devasation is caused by a bioengineered super flu strain, which has wiped out 99 percent of the global population. Among those that survive, a battle between good and evil plays out — with the character of Randall Flagg, a common figure in King's work (see: The Eyes of the Dragon and The Dark Tower series), featuring prominently. Alexander Skarsgård plays Flagg, while the rest of the cast includes James Marsden, Whoopi Goldberg, Amber Heard and Heather Graham, as well as Watchmen's Jovan Adepo, Paper Towns' Nat Wolff, IT: Chapter Two's Owen Teague, Arrow's Katherine McNamara, and Australian Shirley and The Daughter actor Odessa Young. Behind the lens, The Stand is the latest project from filmmaker Josh Boone — whose latest movie, The New Mutants, hit cinemas in mid-2020 after years of delays. Check out the trailer for The Stand below: https://www.youtube.com/watch?v=ytkZJSzeg7A The Stand will start streaming in Australia and New Zealand on Friday, January 15 via Amazon Prime Video, airing new episodes weekly.
The best time to enjoy Victoria's High Country isn't only when the snow is falling. In the summer months the ski slopes transform into bucolic hiking trails. Alongside top-notch dining, cultural events and mountain accommodation, Mount Buller and its surrounds provide a brilliant summer escape. In collaboration with Victoria's High Country, we're highlighting just some of the top reasons to explore Mount Buller this summer and reconnect with nature in one of the most stunning settings Victoria has to offer. [caption id="attachment_833255" align="alignnone" width="1920"] Victoria's High Country[/caption] EXPLORE AN AUSTRALIAN FILM ICON AT CRAIG'S HUT Consider yourself a bit of an Aussie cinema buff? Head to the High Country this summer and explore Craig's Hut — the iconic setting featured in The Man From Snowy River. Since being built for the film, this landmark has become a popular waystation for people navigating the inland wilderness during the warmer months. As well as the chance to see one of our nation's defining cinematic settings, a visit to Craig's Hut also offers endless countryside vistas thanks to its prime position atop Clear Hills. Whether you drive, hike, mountain bike or — like the titular film character — ride a horse to the hut, you'll want to pack a picnic to soak up the views. Don't want to carry your lunch with you? Then, book a spot on a local tour to hear mountain tales over a catered dinner. [caption id="attachment_832800" align="alignnone" width="1920"] Victoria's High Country[/caption] TAKE A STROLL TO BINDAREE FALLS As the weather heats up, a visit to Bindaree Falls becomes increasingly appealing. Tucked deep in dense bushland, this scenic waterfall provides the perfect pitstop on a hot summer's day. After a short stroll to a viewing platform conveniently placed behind the cascades, you can cool off with a refreshing spray of fresh water. With access limited for much of the year, the warmer months ensure adventurers can drive to within a 10-minute walk of the falls. And thanks to its setting within Mansfield State Forest, Bindaree Falls is an ideal place to pause during a forested hike or walk between historic mountain huts in the surrounding area. [caption id="attachment_833256" align="alignnone" width="1920"] Victoria's High Country[/caption] HIKE THE HIGH COUNTRY Criss-crossing Mount Buller's slopes is an incredible experience in wintertime. But the euphoria is just the same when you undertake a stunning summer hike through the region. Although there are numerous paths to choose from, the Summit Nature Walk is an easygoing way to enjoy the alpine flora and fauna. Time your walk with sunset to see the sky and surrounding scenery slowly change colour. Elsewhere, the Little Mount Buller trail is a slightly more undulating seven-kilometre circuit that sees you wander through a plain of snow gums before being treated to some striking mountain views. For an even tougher but no less spectacular challenge, the Delatite River Trail Walk features a dozen log bridge river crossings over its nearly ten kilometres. SIT BACK AND RELAX AT ABOM BISTRO For a laidback meal at the heart of the mountain make a stop into ABOM Bistro. Located along Athlete's Walk in the middle of Mount Buller's bustling village, this long-standing Buller go-to is the place to grab a tasty lunch or dinner in cosy, chalet-inspired surrounds. And although the mulled wine has been replaced by chilled beers, you and your holiday crew will enjoy this popular après-ski destination. ABOM Bistro also offers great accommodation so you can take your time and stay overnight, then explore the hills even more the next day. OR, REFUEL IN STYLE AT BIRDCAGE If you're looking for somewhere a little fancier, Birdcage has you covered. Just a few doors down from ABOM Bistro, you'll be presented with outstanding food, coffee and cocktails that provide a buzzy metropolitan vibe on the mountainside. Open from breakfast, find favourites like smashed avo and truffle scrambled eggs. As the kitchen roars into life later in the day, head along to feast on heartier options like chicken ribs, wagyu beef burgers, and prawn and ginger dumplings. Stop in for happy hour and split a refreshing gin and elderflower cocktail jug with your crew to round out the experience. [caption id="attachment_832801" align="alignnone" width="1920"] Victoria's High Country[/caption] HAVE A PICNIC AT THE SUMMIT The idea of a sunset picnic at the summit of Mount Buller might sound more appealing than spending your afternoon in the bar. And with genuinely awe-inspiring perspectives to uncover across every side of the mountain, who could blame you? Drop into the well-stocked Buller Grocer to find everything from fresh fruit and deli meats to wine and spirits — including an excellent range of local produce from nearby growers — take your swag up to the peak for a delightful al fresco session. UNWIND AT MT BULLER CHALET Spending a few days exploring the High Country is a heavenly idea. But you're going to need somewhere cosy to rest your head after all those activities. The Mt Buller Chalet is our pick, thanks to its range of well-appointed rooms and suites that are backdropped by impressive views of the mountain range outside. Its ideal location in the heart of the village also makes it the perfect place from which to set off on your adventures. Need a bit of R&R? Head to the on-site spa, sauna or indoor pool for some me time, or get the blood flowing with a workout in the fully equipped gym. [caption id="attachment_841127" align="alignnone" width="1920"] Jarritos Mexican Soda (Unsplash)[/caption] ENJOY A MEXICAN FIESTA WITH A VIEW You're invited to indulge in some of Mount Buller's best local producers, growers and foodie delights at Long Lunch, a regular event series showcasing the region's diverse culinary landscape. The upcoming long lunch takes place on 5 March, and will see the much-loved winter go-to Bullrun Cantina turned into a high-altitude fiesta. There'll be a wide range of Mexican fare on offer — think slow-smoked meats, tostadas, fresh chilli, salsa, mole and more — as well as an excellent selection of tequila, all of which can be enjoyed with sweeping views of the high country beyond and a live soundtrack provided by the talented Blues Roulette ensemble. If you're looking for an excuse to eat, drink and dance the day away with spectacular views to boot, make sure you get yourself a ticket before they're all sold out. For more information on things to see and do at Mount Buller this summer, head to the Victoria's High Country website. Plan and book your activities and accommodation at the Mount Buller website. Top image: Victoria's High Country
Wearing a pair of R.M. Williams says 'I'm ready for anything'. You could be going to the pub, walking into a work meeting or heading out to the farm to milk the cows. Sparkly footwear doesn't quite conjure up the same feelings of practicality. Well, until R.M. Williams released a special run of boots in gold metallic. The Aussie bootmaker released a special run of the boots last year to much fanfare — the shoes sold out quicker than most of us could transfer all our money into one bank account to pay for them. So we're sure more than a few people will be happy to hear that R.M.s will release a second lot of the limited edition Adelaide boots in gold and, for the first time, bronze. As with each R.M. boot, these have been crafted out of a single piece of leather and feature the same elegant stitching and tapered heel cuban heel of the regular Adelaide range. R.M.s are arguably Australia's most iconic shoe. From a modest start in the Adelaide outback servicing the stockmen and women of the heartland, 85 years later, a diverse range of people still wear the boots — from farmers in the outback, to corporate businessmen, to the style set at fashion week. Australian designer Dion Lee has used R.M.s regularly in campaign shoots and runway shows, even creating his own for New York Fashion Week in 2014. This latest addition to the women's range is only available online from tomorrow, Thursday, April 19. At $545 a pair, they're not exactly cheap — but if you're looking for an investment piece, a pair of R.M.s is the very definition of the phrase. Continuing to embrace contemporary styles and adapting to modern fashion without sacrificing their DNA has surely guaranteed the longevity of this historic label. R.M. Williams' gold and bronze Adelaide boots will be available to order online from Thursday, April 19 at rmwilliams.com.au.
Criss-crossing between top-notch wineries and stellar beachfronts, countless trips down the Bellarine Peninsula have culminated with a visit to the Queenscliff Brewhouse. Now, this local favourite since 1879 is ready for a new chapter. Having fallen on hard times, the venue entered administration in 2024 before hospitality giant Australian Venue Co stepped in and took up the tenancy. After an extensive renovation, this historic spot has a new name — The Bellarine Hotel. Set to reopen in the spring, this hub will soon be in full swing. With fresh interiors shaping a charming coastal pub, warm timber finishes and ocean-inspired hues make for a cosy experience. Meanwhile, footy fans can rally around the revamped sports bar, where new screens give every tackle and goal slightly more oomph. Whether you're a local or stepping off the ferry, you'll relish the easygoing pub atmosphere inside and out. When the sun is shining, expect the beer garden to thrive. Featuring native landscaping, large umbrellas for some much-needed shade, and a brand-new kids' play area, it's a relaxed spot to kick back during a long lunch or enjoy quality family time just a short stroll from the waterfront. And the menu? The reimagined Bellarine Hotel will serve pub food made for the coast, where fresh local produce elevates a host of time-tested favourites. From classic fish and chips to stacked parmas, burgers and tasty snacks, this laidback cuisine will make for the ideal pairing with the sea breeze. "We can't wait to give this local legend a new lease on life, with a fresh look but the same great pub spirit," says venue manager Mitch Kovacic. Those familiar with the Queenscliff Brewhouse will be happy to know that the on-site distillery, inspired by the Bellarine Peninsula, isn't going anywhere either. Here, the tight-knit team behind the Queenscliff Distillery produces a top-notch selection of gins, vodka and even strawberry liquor, headlined by fruit grown in nearby Wallington. Under the new owners, the distillery will keep pumping, with in-house tasting experiences and small plates still on the agenda. "The pub will be all about celebrating local, from the menu's produce to featuring local music acts and supporting the community's school and sporting clubs," says Kovacic. "And, for anyone looking for somewhere to celebrate, we are now taking function enquiries for the upcoming sunny season." The Bellarine Hotel is expected to reopen in spring at 2 Gellibrand Street, Queenscliff. Head to the website for more information.
This autumn, parts of Alice Springs and its surrounds will shine brighter than ever before, when the region's fourth annual Parrtjima - A Festival In Light delivers its most expansive program yet. Previously held in September, the festival will this year run from Friday, April 5 to Sunday, April 14. The free ten-day public celebration of Indigenous arts, culture and storytelling is perhaps best known for its dazzling light installations. And, this year, Parrtjima — the nation's first indigenous festival of its kind — will feature six of these luminous displays, gracing both Alice Springs Desert Park Precinct and Alice Springs Todd Mall. As 2019 is the UN's Year of Indigenous Languages, the festival will also have a linguistic edge. With a theme of 'Language Expressions', the program's lineup will feature many artworks, talks and workshops focused on Central Australia's many Indigenous languages. [caption id="attachment_706524" align="alignnone" width="1920"] James Horan[/caption] While Alice Spring's CBD will light up with new installations and events, just out of town, tourism and conservation facility Alice Springs Desert Park will also come alive, awash with light from 6.30–10.30pm each night of the festival. Once again, a huge artwork will transform a 2.5-kilometre stretch of the majestic MacDonnell Ranges. Visitors will be able to immerse themselves in art and storytelling as part of Grounded, where installations are projected onto the earth accompanied by a striking soundscape. The light installations are backed by a jam-packed program of dance, music, workshops and talks, sharing stories and celebrating First Nations' culture. It's a nice supplement to the area's Field of Light installation, which has been extended until 2020. Parrtjima – A Festival in Light runs from April 5–14, 2019 around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: James Horan.
New year, new adventures. It's time to start planning trips to hidden beaches while summer's still kicking, city breaks during quieter months of the year, and regional desert getaways when the temperature drops down south. And we get the "I'll put off travelling around Australia till I'm older" mentality. But enough of that. There's so much greatness in our own backyard that we shouldn't keep pushing local trips further down the line of must-visit places. So, read on to find a few Aussie destinations that should be added to your 2023 travel bucket list. Then go ahead and book a few trips before the opportunity passes. TASMANIA [caption id="attachment_883574" align="alignnone" width="1920"] Zachary Ferguson (Unsplash)[/caption] BRUNY ISLAND Tassie's Bruny Island feels totally remote but it's a short ferry ride from the coast and, including driving time, is just 50-minutes from Hobart. The beauty of this proximity to the city is that, despite all the rugged wilderness, you can still find luxury accommodation, amazing food and all kinds of local produce (think fine cheese and whisky). But consider Bruny Island a destination for when nature is calling. You'll find white wallabies at Inala Nature Reserve, windswept headlands at Cape Bruny Lighthouse and head-clearing watery views at Cloudy Bay. A trip to Bruny Island should be an essential addition to any Tasmanian vacation along the state's south-eastern coast. If you're a serious gourmand, you can experience all the island's finest delights in style with a gourmet tasting and sightseeing day trip from Hobart which includes award-winning cheeses, premium wines and beer, freshly shucked oysters, handcrafted fudge and mead, local honey and a lunch at Pennicott's beachside restaurant with sweeping views of Adventure Bay. Book it now at Concrete Playground Trips. [caption id="attachment_728931" align="alignnone" width="1920"] Lisa Kuilenburg, Tourism Tasmania[/caption] BAY OF FIRES This region is ripe for exploring and one of the most photogenic regions in Tassie. There are hiking trails through bushland full of native Australian wildlife as well as pristine white sand beaches with orange-hued granite boulders that the Bay of Fires is renowned for. Come any time of year to enjoy the area, staying for a few days at one of our favourite glamping sites in Australia or simply pass through while road tripping around Tasmania's North East region. [caption id="attachment_718786" align="alignnone" width="1920"] Tourism Australia and Graham Freeman[/caption] HOBART Hobart is booming. Increasingly, Australian travellers and international folk are taking the trip down south to Tasmania's seaside city. The city's brilliant food scene (which has totally transformed in the past ten years) draws visitors, as well as the city's singular cultural institution MONA. This museum is home to world-class art and installations from owner/mastermind David Walsh's private collection of works that are anything but stuffy. The art is served alongside a fabulous selection of locally-focused food and wine. And then there is the Mona Foma music and arts festival. The dates of this year's festival are Friday, February 17–Sunday, February 19, 2023 in Launceston, then the weekend of Friday, February 24–Sunday, February 26, 2023 in Hobart, and both weekends boast cracking lineups. If you haven't secured your tickets, you can still book one of our exclusive Mona Foma travel packages which includes Posh Pit ferry pass to the museum, tickets to see Peaches return to the Mona stage on Friday, 24 February, plus two nights in a luxe hotel. VICTORIA [caption id="attachment_883577" align="alignnone" width="1920"] Weyne Yew (Unsplash)[/caption] THE WYE RIVER Victoria's Great Ocean Road is always worth travelling down — but finding places to stop for a few nights can be a much harder task. The classics of Torquay, Lorne and Apollo Bay are always great options, but we prefer the sleepier town of Wye River. The small regional town has its own beachside caravan park, an absolute stunner of a general store as well as plenty of beaches for surfing and swimming. Get away from the crowds down here. If you're keen to explore this area in style, book our Great Ocean Road road-tripping holiday here (which includes car rental and accommodation so all you need to do is get behind the wheel and enjoy the iconic views). [caption id="attachment_755967" align="alignnone" width="1920"] Mark Watson and Visit Victoria[/caption] WILSON'S PROMONTORY No matter how popular Wilson's Prom gets, you can always find your own private cove or headland. Either stay at a nearby town and then drive to a beach or hiking trail or get even further off the beaten path by camping, taking your time to go on long treks that'll distance you from the hustle of metropolitan civilisation. It's hard to find more stunning surrounds in Victoria, let alone Australia. You have tree-covered mountains that roll down to small coastal inlets where you can truly escape the outside world. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] BALLARAT This regional Victorian city was booming back in the Gold Rush era and has recently had another renaissance of sorts — brilliant restaurants, bars, galleries and hotels are the new gold. These treasures, paired with its proximity to Melbourne (it's about an hour and a half drive or train ride away), help make Ballarat an even greater travel destination for 2023. QUEENSLAND [caption id="attachment_874908" align="alignnone" width="1920"] Guillaume Marques (Unsplash)[/caption] THE WHITSUNDAYS This may just be Australia's most up-market national park in the country. Luxury adult's only resorts and eco retreats are scattered all over the Whitsunday islands. This tropical paradise is where the rich and famous go to treat themselves to exclusive trips around the Great Barrier Reef and beyond. But you don't have to break the bank to enjoy these waters and beaches — so much of the area is considered a national park so you can go camping right up on many of the shorelines. Whitsunday Island, Hook Island and Henning Island all have campsites for those who want to properly get in touch with nature. Just make sure you book your campsite ahead of time because numbers are capped. If you are into a more luxurious stay, you can currently get 20% off the ultimate Whitsundays experience (think sunset sailing, scenic flights and a luxury resort stay) on this exclusive trip which you can book now. [caption id="attachment_876264" align="alignnone" width="1920"] Simon Maisch (Unsplash)[/caption] MUNGA THIRRI NATIONAL PARK Now off to somewhere entirely more remote. Munga Thirri is country that belongs to the Wangkangurru and Yarluyandi people, formerly known as the Simpson Desert National Park. It is the largest national park in Queensland and is also one of the toughest to explore. This is proper Australian outback territory. You'll see sand dunes stretching for kilometres (rising as high as 90 metres) and experience some of the best stargazing in your life. But, if you're not an experienced outback traveller without a decent haul of gear it can be a challenging area for camping. So, in light of that, if you lack the more hardcore camping chops it's best to book stay somewhere like The Birdsville Hotel which will organise tours into the desert. They'll take you on scenic flights, show you epic 4WD tracks and help you organise other local adventures. Just be aware that Munga Thirri is closed for a decent chunk of time in summer due to extreme heat — so be sure to check out the park's opening times on the Queensland national parks website. NEW SOUTH WALES [caption id="attachment_771536" align="alignnone" width="1920"] Destination NSW[/caption] NEWCASTLE Newcastle has undergone a huge cultural transformation in the past 15 years. Sydney's sister city hasn't always been a getaway destination, but we have been won over by its newfound charm. It has terrific beaches, an impressive street art scene that rivals Melbourne (well, don't say this around Melburnians), microbreweries, galleries, small bars, cafes aplenty and several good boutique hotels including a flashy new QT that opened in mid-2022. It really deserves to be added to your 2023 Australia travel bucket list. [caption id="attachment_773788" align="alignnone" width="1920"] Tom Archer, Destination NSW[/caption] LORD HOWE ISLAND Just 11 kilometres long and two kilometres wide, Lord Howe, is fully explorable within a few days. And thanks to visitor limits (only 400 people are permitted at any one time), it's one of Australia's best islands to visit when you want to get off the mainland. Prepare to have these long beaches, idyllic diving sites and rugged terrain all to yourselves. It's also just a short two-hour flight east of Sydney or, if you have the means, you can access the island by your personal yacht. [caption id="attachment_882177" align="alignnone" width="1920"] Courtesy of Novotel Wollongong Northbeach[/caption] WOLLONGONG You'll find some of the most stunning beaches along this part of the south coast including Bulli and Austinmer. But this isn't your average sleepy beach town. The city of Wollongong has undergone its own transformation over the past few years, becoming a hub for great food and drink and cultural activities. After a day of swimming or hiking, either hit up the Illawarra Performing Arts Centre or the Wollongong Art Gallery before dining at some of the excellent restaurants in the area. This little city has a lot going for it. This year, Wollongong will also host the For The Love music festival on Sunday, February 24 with headliners Charli XCX and Duke Dumont. Concrete Playground has teamed up For The Love on curated one-of-a-kind VIP packages for those wanting the ultimate experience. Book your package here — it includes two VIP festival tickets, two nights stay at Novotel Wollongong Northbeach, a Grey Goose gift pack in your hotel room and late check-out so you can sleep in after the party. [caption id="attachment_883578" align="alignnone" width="1920"] Jake Charles (Unsplash)[/caption] BYRON BAY Byron Bay is a classic Australian travel destination, much loved for its bohemian beach culture and world class yoga and wellness retreats scattered about the region. Nature lovers can also go sea kayaking around some of the most breathtaking beaches or hike within the national parks. And the foodies must experience Byron Bay's diverse grassroots drinking and dining scene that is growing impressively every year. And who knows, you might just run into one of the Hemsworth brothers while you're there. Book a four-day wellness holiday for under $400 through Concrete Playground Trips here (including accommodation, yoga classes and two seperate sea kayaking and snorkelling tours). WESTERN AUSTRALIA [caption id="attachment_683983" align="alignnone" width="1920"] Tourism Western Australia[/caption] ROTTNEST ISLAND If you want to take a selfie with a quokka then Rottnest Island is the only place to do it. These amusing little mounds of joy wander all over the island, ready for locals to respectfully stop for a snap. But that's not the only reason to visit this Australian island, located just a short 90-minute ferry ride from Perth. Come to these parts for pristinely kept beaches, shallow shores that are perfect for snorkelling in and plenty of great places to stay for a range of budgets (from high-end hotels to well-appointed campsites). A trip to Rottnest Island is a must for anyone making their way to Perth for a few days. If you're wanting to get the most out of your next jaunt to Perth, book our five-day Perth holiday here (including your accommodation, a day trip to Rottnest Island and visit to the Pinnacles). [caption id="attachment_883580" align="alignnone" width="1920"] Isabelle Truong (Unsplash)[/caption] THE KIMBERLEY This remote region in Western Australia is one of Australia's most impressive natural landscapes. It's known for its abundance of local wildlife that roams the rugged mountain ranges, dramatic gorges with hidden swimming holes and the semi-arid desert planes. It's a Tourism Australia ad everywhere you go. It's also one of the best places to visit when you want to keep the summer dream alive — boasting wonderfully warm weather throughout the colder months of the year. [caption id="attachment_807814" align="alignnone" width="1920"] Sal Salis, Tourism Western Australia[/caption] NINGALOO REEF Fun fact: Ningaloo Reef is the only large reef in the world that you can access right off the shore. Unlike the Great Barrier Reef, you don't need to book a spot on a large boat that takes you out to the reef with a bunch of other tourists. Here, you simply park by the beach and get straight to snorkelling around vibrant coral gardens, dolphins, turtles and manta rays. You'll find the UNESCO heritage-listed wonder 1,200 kilometres north of Perth, from where it runs north along the coast for 260 kilometres, between North West Cape and Red Bluff. Pick a point to explore on your own or hit up local guides who will show you the best parts. SOUTH AUSTRALIA [caption id="attachment_664008" align="alignnone" width="1920"] John Kruger[/caption] ADELAIDE HILLS South Australia is famous for its many wine regions that pump out case after case of spectacular vino. You've got McLaren Vale, the Barossa and Clare Valley, but we are all about the Adelaide Hills in 2023. First off, this is one of the easiest wine regions to reach — located just a 30-minute drive away from the centre of Adelaide. It's also home to some of our favourite cellar doors. We suggest you start in Woodside, where you'll find stunning cellar doors from Bird in Hand, Petaluma, Barristers Block and Golding Wines. And while you're there, don't miss Lost in a Forest which serves up woodfired pizzas and natural wine from local label Ochota Barrels in a 130-year-old church. Get the most out of your trip to this region by booking our Adelaide Hills escape here including two nights' accommodation, transport around local wineries, daily yoga classes and most of your meals. [caption id="attachment_883581" align="alignnone" width="1920"] Michael Skopal (Unsplash)[/caption] WILPENA POUND Wilpena Pound is the holy grail of the Flinders Ranges National Park, characterised by its dramatic rocky mountains. The entire region is vast and truly remote, located about a five-hour drive from Adelaide. But don't let the distance scare you off. There's much to see and do here. Go on 4WD treks through the bush, take scenic flights over the mountain ranges and go on guided hikes to see some of the best-preserved Aboriginal rock art while learning of the local Adnyamathanha people's rich history. [caption id="attachment_883583" align="alignnone" width="1920"] Luisa Denu (Unsplash)[/caption] EYRE PENINSULA This coastal region in South Australia is foolishly overlooked by both Aussies and international travellers. It is the state's own version of Victoria's Great Ocean Road, and it might just give that famous stretch of coast a run for its money. Head to Eyre Peninsula to swim with dolphins and sea lions or simply relax on long sand beaches backed by rugged cliffs as you look out for passing whales. Dreamy stuff. Then you can hit up any of the local townships to try Eyre Peninsula's legendary oysters and freshly caught seafood or head inland to do some winery hopping. You'll quickly discover why it's one of our favourite stretches of coast in Australia. NORTHERN TERRITORY [caption id="attachment_826027" align="alignnone" width="1920"] Tourism NT[/caption] KAKADU NATIONAL PARK Kakadu is an unmissable Australian travel destination, but its perceived remoteness seems to put a lot of travellers off. Don't let it. Kakadu is only a three-hour drive from Darwin and it's well and truly worth the journey. Once you're there, you have an enormous natural playground to explore and some genuinely life-changing scenery and experiences ahead of you. We recommend hiring a 4WD with a pop-top tent or camper for the week and see where the road takes you. Organise an itinerary to hidden swimming holes and incredible rainwater waterfalls, epic mountain ranges or local wildlife sanctuaries and cultural experiences with the local Indigenous people to learn the ancient history and dreaming stories of the area. [caption id="attachment_883588" align="alignnone" width="1920"] Banubanu, Tourism Australia[/caption] BREMER ISLAND Run away to the Northern Territory's fairly unknown Bremer Island for a super chill tropical island holiday. It's well and truly off the beaten path, so you'll be away from the crowds, surrounded only by well-preserved wilderness. There aren't many places to stay on the island, but we are big fans of Banubanu Beach Retreat — a glamping site located right on the water. Spend your days kayaking along the coast or snorkelling in the warm waters before eating some fresh-caught seafood. It's a really laid-back place to visit, away from the crowds and influencers. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top images: Sal Salis on Ningaloo Reef
Cinema doesn't just entertain. Crawling the globe to tell real-life tales that demand to be told — and to cover controversial topics that absolutely must be explored — film offers a window into different lives, subjects, issues and struggles. That's basically the Human Rights Arts and Film Festival's mantra. Showcasing the movies and documentaries that specifically aim to do just that when it comes to human rights, HRAFF has been bringing the latest and greatest in social justice-related efforts and moving human stories to Australian screens for ten years now. To celebrate hitting the decade mark, they've put together another huge lineup of thought-provoking flicks that won't provide a couple of hours of escapism — they'll ensure you broaden your horizons too. From land battles to making art in slums to preparing for a nuclear attack (and more), here's our five must-see films from the 2017 program. THE OPPOSITION The Opposition's path to Australian screens hasn't been easy. That might be true of most movies — making a film isn't simple, and getting it in cinemas isn't either — but Hollie Fifer's documentary really did attract some opponents. In the kind of tale that could make an interesting doco by itself — the flick was subject to an injunction last year, with a Papua New Guinean politician contesting her inclusion in the movie. Given that The Opposition relays the efforts of a PNG community to fight for justice when police bulldozed their homes to make way for a luxury resort, it's certain to make for a spirited and illuminating film. INTENT TO DESTROY When Joe Berlinger makes a movie, viewers should follow. His absolutely riveting Paradise Lost documentaries still rank among the best true crime coverage ever committed to the screen, Metallica: Some Kind of Monster has long been a must for music fans, and Crude shone a spotlight on oil in a riveting fashion. With Intent to Destroy, he tackles the Armenian genocide by stepping behind the scenes of the Christian Bale and Oscar Isaac-starring The Promise, the first mainstream feature made about the events of over a century ago. On-set action and an investigation into history combine in an effort that just premiered at the Tribeca Film Festival. HAPPYLAND How do you attempt to turn Manila's slums into something much more vibrant? How do you give the impoverished and those struggling to survive a fulfilling creative outlet that makes a difference? They're some of the questions that must've been driving Australian street artist Kaff-eine when she set about creating an openair art exhibition that celebrates slum communities and gives them shelter. The film makes its world premiere at HRAFF, and screens alongside a showcase of the portraits seen on screen, as well as photographs of life in Manila and snaps of the finished installation. WAR BOOK It won't come as a surprise that HRAFF mainly trades in documentaries — but when a fictional feature makes its program, it's worth checking out. War Book might simulate a simulation, in effect, but it asks very real questions and is certain to leave audiences wondering what they'd do in the same situation. With The Dressmaker's Kerry Fox, Snowden's Ben Chaplin and The Slap's Sophie Okonedo among the cast, the film follows British civil servants practising their response to a nuclear attack. Yes, that's something that really happens — and it really couldn't be more timely. NOWHERE TO HIDE It's a sad reality that docos about conflict in the Middle East have become all too common. That doesn't mean that every factual account of the situation on the ground is similar, though — and Nowhere to Hide definitely stands out. Winning best feature-length documentary at the 2016 International Documentary Filmfestival Amsterdam, the film shows the perspective of a paramedic armed with a camera as he tries to go about his days. There's no such thing as ordinary here, as he endeavours to help the growing number of injured people and to keep both himself and his family safe. Want more? Check out our thoughts on Afghan rapper-focused documentary Sonita and Berlinale's 2016 Golden Bear winner Fire at Sea from last year's Melbourne International Film Festival, as well as Australia's recent best foreign language Oscar nominee Tanna, The Human Rights Arts and Film Festival screens at Melbourne's Australian Centre for the Moving Image from May 4 to 18. For more information, check out their website.
Twist the bones and bend the back, the Hocus Pocus franchise is returning for another horror-comedy attack — again. In 2022, the Sanderson sisters made their long-awaited comeback in a 29-years-later sequel to 1993's beloved witch flick Hocus Pocus, and Disney isn't done casting that spell. No, no one needed any magic to pick that Hocus Pocus 2 would be a Disney+ hit. And no, no crystal balls were necessary to foresee that the Mouse House would keep the series going afterwards. The Hocus Pocus 3 news comes courtesy of an interview by Sean Bailey, president of Walt Disney Studios Motion Picture Production, with The New York Times. There are no other details as yet, however, including when it might arrive, if it'll head straight to streaming again or whether it'll enchant the big screen, what story it'll tell and who'll be in — but Disney is definitely saying "abracadabra" to another Hocus Pocus movie all the same. [caption id="attachment_859412" align="alignnone" width="1920"] Kathy Najimy as Mary Sanderson, Bette Midler as Winifred Sanderson, and Sarah Jessica Parker as Sarah Sanderson in Disney's live-action HOCUS POCUS 2, exclusively on Disney+. Photo by Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.[/caption] Lock up your children, obviously. Fingers crossed that the third feature in the franchise will include more Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music) getting spooky as Winnie, Sarah and Mary Sanderson — and getting unleashed in modern-day Salem again. In the last movie, the magical siblings made a reappearance thanks to 16-year-old Becca (Whitney Peak, Gossip Girl), her best friend Izzy (Belissa Escobedo, Sex Appeal) and magic shop owner Gilbert (Sam Richardson, The Afterparty), and the expected hijinks ensued. Obviously, a black flame candle was lit, resurrecting the 17th-century sisters in the movie's world. And just as unsurprisingly, the Sandersons attempted to recommence their child-eating ways. Hocus Pocus 2 also featured Ted Lasso's Hannah Waddingham, plus Doug Jones (The Shape of Water), Lilia Buckingham (Dirt), Froyan Gutierrez (Teen Wolf) and Tony Hale (Veep). While the original film was directed by Kenny Ortega — before the filmmaker gave the world the High School Musical movies — the sequel had Dumplin', Hot Pursuit and The Proposal's Anne Fletcher behind the lens. There's obviously no sneak peek at Hocus Pocus 3 yet, but you can check out the trailers for Hocus Pocus and Hocus Pocus 2 below: Hocus Pocus 3 doesn't yet have a release date — we'll update you when one is announced. Hocus Pocus and Hocus Pocus 2 are to stream via Disney+. Images: Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.
Portraits aren't all regal furs and awkward "Oh, didn't see you there," poses. Tim Storrier nabbed the Archibald Packing Room Prize today with his unflattering-as-blazes portrait of Dr Sir Leslie Colin Patterson KCB AO, with this morning's announcement of the finalists for Australia's prestigious Archibald Prize. Capturing a realistic, unrelentingly vulnerable likeness of your own reflection, someone you've just met or one of your oldest buds takes a fair few stories, maybe a few beers and a willingness to tackle the intimidating notion of thinking up something new after decades of Archie winners. At the risk of sounding like an HSC essay opener, the final image isn't the whole story. Here's eight of the Archibald finalists making us wake up and pay attention (whether for great or WTF reasons) to Australia's big ol' faces — as told to the Art Gallery of New South Wales in their own words. Peter Churcher, Four self-portraits in a bunch of balloons "One particular evening I was walking down a street and coming towards me was a fellow holding an enormous bunch of balloons. I thought it would make a wonderful subject for a still life. I set up a large bunch in my studio. To my delight, I noticed my own reflection very clearly looking back at me in many of the balloons. I particularly like the way each individual balloon slightly distorted my reflection the way those mirrors in the funfair used to. "I quickly realised I was no longer looking at a straightforward still life. The subject had transformed into a quadruple self-portrait showing myself in my painting studio in four different ways. All this sets up a complex set of different scenarios within the painting. Who is looking at what? Who is looking at who? Is it a still life or a self-portrait?" James Powditch, Citizen Kave "I want to stop people in their tracks with this work and have them scratching their heads, thinking “that’s one hell of a film, how come I don’t remember it? Then when the penny drops that it’s all make believe, that it’s a 'what if' picture from 30 years ago, they’ll start thinking about what they were doing back then, remember all the influences and events in their own lives, all the stuff that moulds us over time and makes us who we are. "Artists like Nick Cave gather all that stuff up: a book from here, a great film from there, music and art. It’s all repackaged and sent out into the world where it is evaluated, absorbed and informs the next generation. He becomes an influence — or if they saw him, maybe a pivotal moment in their lives — and the process just keeps rolling along, repeating endlessly. So the painting represents an imaginary rock opera made in 1983 when Cave was 26 years old, the same age as Orson Welles when he made Citizen Kane in 1941. But it’s about a modern-day media tycoon, Rupert Murdoch rather than William Randolph Hearst. I see Cave and Welles as similar, extraordinary talents, across multiple disciplines." Sophia Hewson, Artist kisses subject "I sought out working with Missy [Higgins] because I belt out her songs in the car. I also know her to be genuinely egoless with a deep respect for artistic autonomy, which meant she was willing to work with me outside the traditional portrait structure. "I’ve been thinking about the proximity of the orgasm to death and spiritual revelation. In my work I’ve been considering the orgasm as a kind of transcendence, and using metaphors like 'orgasming against something plastic' to explore the human experience of when revelation falls short and faith is not found. In this painting it is the constructed nature of the intimacy that suggests ecstasy is just out of reach. I wanted to create something equally portrait, self-portrait, and an examination of post-feminist self-objectification." Rebecca Hastings, The onesie "It’s difficult to take anyone seriously when they are wearing a onesie. In this self-portrait I mock my own inadequacies as a mother and lament the struggle to also be an artist. Instead of a paintbrush I hold aloft a lollypop-like object, satin gloves replace my usual hand protection, and the painter’s apron becomes instead a shimmering onesie. "As a mother of two children I find myself constantly beset by guilt, frustration and anxiety. I consider myself ill-equipped and a bit of a joke when it comes to meeting the lofty, idealistic heights of mummy perfection. This painting is part of a broader exploration of themes relating to 'maternal ambivalence', reflecting my desire to subvert the romantic ideal of motherhood, and chart the unacknowledged, darker side of the complex and contradictory experiences that come with having children." Wendy Sharpe, Mr Ash Flanders, actor "I first saw Ash in a production called Little Mercy. He played Virginia, the mother of an evil seven-year-old girl. Although it was crazy and surreal, Ash played her absolutely straight. It is really moving when something can be ridiculous, funny and poignant at the same time. Ash has now been cast as Hedda Gabler, the female lead in Henrik Ibsen’s famous play at Belvoir Street Theatre: a brave and exciting choice. He is not being a drag queen but will play Hedda seriously with intelligence and sensitivity. "This painting is not about Ash himself but about the uneasy stage persona he will create as Hedda Gabler. The disturbing mix of masculinity and femininity was what excited me to paint the picture. Ash understood exactly what I was after. We worked together in my studio trying different poses and clothes (my dresses, his shoes) to get something intriguing and unnerving, vulnerable and powerful. I was thinking of the paintings of Edvard Munch who, like Ibsen, was Norwegian." Sally Ross, Harvey "His [Harvey Miller of Flight Facilities] elaborate corporate narratives and performances combine beauty, brains and youthful hedonism with rump-shaking, turn-of-the-nineties synth pop, blurring the line between art and pop, performance and cultural satire,’ says Sally Ross. ‘When I first saw his epic Aussie montage music video End of the Earth, I thought I had just experienced the work of Barry Humphries’ secret love children. Harvey and lead singer Monte Morgan have featured in my paintings ever since. "I want to paint clever people that I get to meet in my life, creative people that dare to make the leap of faith required to make art, perform, put their ideas out there. This is a labour of admiration and enthusiasm. My portraits are about asking what do clever people look like? Can a picture have a presence? There is a particular, quite intimate scrutiny created when you paint someone. When I do the “reveal” and show the sitter their portrait for the first time it is completely awkward and wonderful." Rodney Pople, Well dressed for a Sydney audience "During his Weimar cabaret in Sydney last year, Barry Humphries commended the crowd as being “well dressed for a Sydney audience”. The same could have been said of the performer. Later, as he transitioned from performance mode to talking with me backstage, I glimpsed a momentary uncertainty behind the facade of Humphries’ various theatrical personae. It is this image, in addition to the sketches made both backstage and from my seat in the audience that evening, on which the painting is based. The result has, to quote Humphries’ response upon seeing the finished painting, achieved a 'more than flattering likeness'. "The portrait takes its composition form Max Beckmann’s Self portrait in tuxedo 1927, chosen because of Humphries’ interest in Weimar culture. The work of both men combines unsentimental insight and sharp satire to comment on the contemporary society of their respective eras. Where the Beckmann self-portrait conveys a sense of assurance, this painting reveals insight into the man as he moves between roles from stage to sitter. Beckmann’s portrait describes a man at the height of his powers; similarly, this portrait of Humphries celebrates the outstanding career of a man at the pinnacle of success in his 80th year." Paul Ryan, Rox "It was Rox’s inspired character Cleaver Greene in the television series Rake that was the catalyst for my desire to paint [Richard Roxburgh]. My regular practice is an exploration of ideas and images of early colonial men and wild colonial boys: lieutenants, squatters, cowboys and dandies. Cleaver Greene is a contemporary portrait of the wild colonial boy. A larrikin, drunk, womaniser and dandy, he falls somewhere between hero and anti-hero. Some of us want to be him, until he wakes with a hangover in another man’s bedroom with another man’s wife. "The painting is a portrait of an idea of Rox. He is dressed in colonial coat and shirt. It has elements of a likeness but is clearly not a photographic likeness. In the early stages it looked more like Rox but I wasn’t happy with the paint. I moved it around in vigorous swirls with large palette knives. In an instant the image changed and came to life. I had broken free from the constricting desire to capture the face. For me, the best portraits move on from likeness and go deeper." Peter Daverington, The Golden City has ceased "This is a self-portrait of my imagination, where my signature geometric and spatial elements appear among figurative compositions drawn from various painting traditions. The painting’s title is inscribed as a motto beneath the coronet within a coat of arms. The phrase comes from the Old Testament book of Isaiah and refers to the fall of Babylon. In the centre field is a self-portrait in which my face and arms are connected to a female torso. I appear again in a portrait miniature hanging from ribbons beneath the ring. A second motto written at the base of the star on a blue scroll reads From the future with love. My wife Kianga stands on the step-ladder. The image of burning buildings at her feet is taken from a photograph of the fall of Baghdad in 2003. "This painting developed intuitively over 18 months. I have drawn inspiration from socialist propaganda posters, Renaissance art, Romantic landscape painting, medieval European heraldry and religious iconography. The unusual combination of breasts and beard has an interesting precedent in Jusepe de Ribera’s The bearded woman, a portrait of a husband and wife from 1631." Find more stories and the rest of this year's Archibald finalists at the AGNSW website.
Tasmania has quickly become the ultimate destination for lovers of all things spirituous, frothy and quaffable, with world-class wine regions, small batch spirit producers and a proud history of local brews and hop growing. You'll find new distilleries challenging tradition with unique, personalised experiences for the whisky aficionado and specialist gins that encompass the taste and place that is Tasmania. There are more breweries than you can shake a stick at — including an Aussie trailblazer in the wild fermentation scene. Not to mention the finest of Australian sparkling wine. So whatever your tipple, it's time to grab your glass and see what's on pour in our great southernmost state. We've teamed up with Tourism Tasmania to highlight the region's finest. Just make sure you've got a designated driver in tow. [caption id="attachment_866909" align="alignnone" width="1920"] Liza Jane Sowden[/caption] MAKE YOUR OWN SPARKLING WINE AT JOSEF CHROMY Tasmania is the centre of Australia's premium sparkling industry and Josef Chromy Wines produces some of the finest. This is a cellar door experience like no other. At the state-of-the-art winery in Relbia, you'll be guided through the art of sparkling winemaking and tasting before you blend your own sparkling wine to delight your palate — and yes, you get to take a bottle home with you. Hear about Josef's story as a leader of the Tasmanian food and wine industry, the sustainable practices of the vineyard and the cool-climate regions he has helped put on the map. Finish with a tasting flight of current releases, followed by a two-course lunch in the restaurant featuring the finest of local produce — with paired wines, of course. [caption id="attachment_867702" align="alignnone" width="1920"] Pete Harmsen[/caption] TAKE A SPRING BAY DISTILLERY VIP TOUR AND TASTING Get a personalised VIP whisky experience at Spring Bay Distillery. Distilling team Cam and Suzy Brett produce award-winning Australian spirits at this spectacular maritime location on the East Coast. Discover whiskies shaped by the sea, crafted from the region's pristine rainwater and premium Tasmanian barley, in a range of elegant single malts from the bright, light and floral to the rich, sweet and bold. As is fitting of a VIP, you'll sample a tasting flight of three drams — including an exclusive dip straight from the barrel — and experience a personalised distillery tour. Find out how exceptional Australian single malt can be and experience the ultimate whisky-lover's delight. [caption id="attachment_868870" align="alignnone" width="1920"] Moon Cheese Studio[/caption] ENJOY HAND-PUMPED ALE AND CIDER AT THE TWO METRE TALL FARM BAR Head into the scenic Derwent Valley for a hand-pumped pint at Two Metre Tall. The 'farm bar' sits at the end of an unassuming country driveway surrounded by idyllic farmland and some decorative hop vines. One of the earliest Aussie breweries to really explore wild, funky and sour ferments, it now brews a range of farm ales and ciders throughout the year — including seasonal specials and a dry sparkling mead. Ingredients are sourced from their own sustainable local farm and carefully selected growers across Tasmania. If spontaneous fermentation and sustainable practices are your thing, stop in for some free tastings and a pint, bring a picnic and settle in for an afternoon. Driver recommended. [caption id="attachment_867703" align="alignnone" width="1920"] Alistair Bett[/caption] GO WHISKY DEEP AT THE CALLINGTON MILL DISTILLERY SERENDIPITY EXPERIENCE The picturesque historic town of Oatlands is now home to a new distillery. On the grounds of the old Callington Mill, this architecturally-designed space is the "Rolls-Royce of Whisky distilleries" and is already home to some award-winning drops. In the massive barrel room of the Callington Mill Distillery, you'll taste five premium cask-strength whiskies, including an Australian brandy cask and a bourbon ex muscadelle. Learn from the masters about the art of crafting the perfect single malt for your tastes. Then do it, and leave with a full bottle of the dram of your dreams and your own unique label. Finish off with an interactive, self-guided tour of the distillery. Prepare to have your whisky-loving mind (and palate) well and truly blown away. [caption id="attachment_866448" align="alignnone" width="1920"] S.Group[/caption] INDULGE YOUR LOVE OF GIN AT SOUTHERN WILD DISTILLERY Southern Wild Distillery has managed to craft something truly distinctive with Dasher + Fisher gins. The distillery is embracing what's unique about Tasmanian landscapes and showcasing small local growers, capturing seasonality, the personality and — of course — the spirit of the place. Take a tour of the distillery and explore different Tasmanian regions with the tasting flight. The Mountain Gin botanicals include pepperberries and herbs from Cradle Mountain with eucalypt and rosemary, with a refreshing result akin to an alpine walk on a wet day. The Meadow Gin distils the essence of Tasmanian gardens with herbs, flowers and seasonal orange. The savoury Ocean Gin variety uses wakame seaweed harvested from the Tasman Sea as a hero botanical. Plus they also craft Sloe, Strawberry, Cherry and Saffron steeped gins highlighting local Tasmanian producers of premium ingredients. Bottom's up. Ready to plan a trip for your tastebuds around Tasmania? To discover more, visit the website. Top image: Tourism Tasmania and Adam Gibson
Girls to the front: that's the mantra at Australia's dedicated Centre for the Moving Image in 2023. We're the country that gave the world Cate Blanchett, Nicole Kidman and Margot Robbie, to name just a few renowned Aussie actresses owning the silver screen in recent years, so we're no stranger to celebrating formidable women in cinema. It tracks, then, that ACMI has curated a world-premiere exhibition dedicated to femininity across screen history — which, from Wednesday, April 5, is now open. Six-month-long showcase Goddess: Power, Glamour, Rebellion declares its affection for ladies of the screen right there in its name. Examining how women are represented in cinema and television, it pays tribute to standout ladies, how depictions and expectations of femininity have changed, and what female talents have symbolised — and been forced to deal with — about and from the society around them. Displaying until Sunday, October 1, it's both a massive and a landmark exhibition. More than 150 original costumes, objects, artworks, props and sketches are now gracing the Federation Square venue's walls and halls, all championing oh-so-many women and their impact. Launched in-person by the one and only Geena Davis, who is also the exhibition's lead ambassador, Goddess fittingly includes outfits worn by her and Susan Sarandon in 1991's Thelma & Louise — and that's just the beginning of its treasures. Among a lineup that spans threads that've never been displayed before, various cinematic trinkets, large-scale projections and other interactive experiences, attendees can check out odes to Marlene Dietrich in 1930's Morocco, Pam Grier's spectacular Blaxploitation career, Tilda Swinton in 1992's Orlando and the aforementioned Robbie via 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). Plus, there's Mae West's sky-high heels from 1934's Belle of the Nineties, as well as Michelle Yeoh's fight-ready silks from 2000's Crouching Tiger, Hidden Dragon. The list goes on, clearly, covering Anna May Wong, Marilyn Monroe, Laverne Cox and Zendaya as well. And, everything from Glenn Close's Cruella de Vil in 102 Dalmatians to the Carey Mulligan-starring Promising Young Woman also gets time to shine. As it charts how representations of femininity have evolved over the years — not just in different eras, but in different places, too — Goddess also aims to inspire a rethink of plenty of cinema's memorable female characters. Silent-era sirens, classic Hollywood heroines, unforgettable femme fatales and villains, Bollywood stars, women in China and Japan's cinematic histories: they're all being given the spotlight. Goddess is also plunging into provocative on-screen moments from Hollywood's silent days through to today that've not only left an imprint, but also played a part in defining (and altering) what's considered the feminine ideal. So, expect an interrogation of how women on-screen have helped to redefine fashion expectations, sparked boundary-breaking genres and spearheaded the #MeToo movement — and to spend time thinking about how screen culture has shaped the world's views of gender. As it does with its big exhibitions, ACMI is pairing Goddess' wide-ranging display with soundscapes by Melbourne-based composer Chiara Kickdrum, and also hosting a sprawling events program complete with late-night parties, performances and talks — and film screenings, of course. Fancy taking an in-depth curator tour of the exhibition after hours? That's on the bill monthly. There's also a music program called Goddess Nights from late May, which'll focus on three femme-centric live music lineups with performances by DJ JNETT, CD, POOKIE and Ayebatonye — and a curated range of food and booze put together just for each evening. For film buffs, movie series Divine Trailblazers will focus on contemporary actors at the height of their powers, while the Goddess Sundays is all about on-screen personas. So, the first includes Angela Bassett's Oscar-nominated performance in Black Panther: Wakanda Forever, Academy Award-winners Michelle Yeoh and Jamie Lee Curtis in Everything Everywhere All At Once, Cate Blanchett conducting a masterpiece in Tár, Viola Davis in warrior mode in The Woman King, Filipino actor Dolly De Leon stealing every scene she's in in Triangle of Sadness, and Leah Purcell writing, directing, producing and starring in The Drover's Wife The Legend of Molly Johnson. Unsurprisingly, the exhibition is ACMI's big midyear blockbuster — and its 2023 contribution to the Victorian Government's Melbourne Winter Masterpieces series, as Light: Works from Tate's Collection was in 2022. After showing in Melbourne for its premiere season, Goddess will then tour internationally, taking ACMI's celebration of women on-screen to the world. Goddess: Power, Glamour, Rebellion exhibits at the Australian Centre for the Moving Image, Federation Square, Melbourne, from Wednesday, April 5–Sunday, October 1, 2023. For more information and tickets, head to the ACMI website. Images: Eugene Hyland Photography.
Do your summer plans involve hanging by the beach? Splashing around in several pools? Enjoying a few games of volleyball on the sand? Watching a movie under the stars? Would you also like to spend your sunny days and starry nights kicking back in a cabana, hopping between multiple restaurants and bars, dancing to DJs and gathering the gang on a rooftop with a view? Sometime early in 2021, Surfers Paradise will welcome a brand new attraction — and it'll feature all of the above in one spot. It's called Cali Beach Club and, yes, it's going to be more than a little jam-packed with things to do. Although an exact opening date hasn't yet been revealed, the new precinct will open on the corner of Surfers Paradise Boulevard and Elkhorn Avenue in the coming months — perched four levels about the street, sprawling across more than 5000 square metres, and boasting vantages over both the ocean and the Surfers' skyline. The Gold Coast might be known for its theme parks, but this is shaping up to be the boozy adult alternative, as run by Australian hospitality group Artesian Hospitality. Whether you're a Brisbanite heading down the highway, a Sydney or Melbourne resident enjoying the new lack of border restrictions, or hail from elsewhere in the country, you'll find quite the spread awaiting once you step inside. That includes four pools to swim in, and plenty of daybeds, sun lounges and cabanas where you can while away the hours. There'll also be exercise areas and sports facilities, such as the aforementioned beach volleyball court, and a dance floor as well. In terms of food and drink, you'll have options, thanks to two restaurants and four bars. Exact details of what they'll be serving, and what'll make them different from each other, haven't yet been revealed — but one eatery will sit right by the ocean. Come evening, a moonlit cinema will screen flicks by the water — again, though, no other details have been revealed. Showing Jaws and Point Break seems like a must, however, because everyone like catching movies about the sea while they're literally right next to it. [caption id="attachment_793063" align="aligncenter" width="1920"] Map of Cali Beach Club[/caption] All the other questions you're currently pondering — such as opening hours, cost, capacity and social distancing measures — haven't been answered yet either. But, while it looks set to open during summer, Cali Beach Club plans to operate year-round. The Gold Coast does have the weather for it, after all. Cali Beach Club will open on the corner of Surfers Paradise Boulevard and Elkhorn Avenue, Surfers Paradise, sometime early in 2021 — we'll update you when an exact date is announced.
Bistro Guillaume in Crown isn't the kind of place you visit to be surprised — unless you're not expecting top-quality classic French fare — for everything here is done by the books. Chef Guillaume Brahimi isn't trying to reinvent the cuisine. He isn't even trying to make it contemporary. His menu shows how he is a purist — executing the French favourites without deviation. And we can only applaud him for this. Great skill is needed to make a twice-baked cheese souffle as good as the one at Bistro Guillaume. Melts-in-your-mouth only begins to describe the cheesy and fluffy dish that wobbles its way over to the table. You've also got the French onion soup that's thick and rich, paired with some house-made gruyere croutons. There are no surprises here either, just a damn fine French onion soup. Mains are equally as predictable — think steak frites, duck legs in beurre blanc, roast chicken with mash and a tarragon jus and a fish of the day served with capers, lemon and parsley. You'll make your way through these familiar favourites, genuinely delighted by how expertly they've been executed. Being here, it can feel as if you're dining in Paris. But like Paris, this fare doesn't come cheap. It is in Crown (and most French food is on the expensive side), so we aren't terribly surprised by that. But don't be shocked to receive a fairly stacked bill at the end of the night — especially if you get caught up in the extensive wine and cocktail list. As you should expect, French wines are championed throughout the long menu, but you'll also see some Aussie tipples thrown in there for good measure. The cocktail list gets us pretty excited, too. Here, we see the return of some long-forgotten French cocktails that have been kicked off many a bar menu in favour of the now-popular negronis and old fashioneds. Expect traditional bevs like the sidecar and gimlet as well as more original sips like the mezcal espresso martini and lemon meringue sour. Here, Bistro Guillaume has left a little room to stray away from its purely classic sensibilities. But that's all you're gonna get. Everything else in the Bistro Guillaume experience is simply a masterclass in French cooking and culture. If that's your jam (and you're not on a budget), you best give it a go.
If you were planning to fly with Bonza today, Tuesday, April 30, your travel plans have changed. The budget Australian airline has suspended its flights across the country — a move that the carrier says is short-term while it works out a plan to stay operational. In a statement, Bonza CEO Tim Jordan advised that "Bonza has temporarily suspended services due to be operated today, as discussions are currently underway regarding the ongoing viability of the business". "We apologise to our customers who are impacted by this and we're working as quickly as possible to determine a way forward that ensures there is ongoing competition in the Australian domestic aviation market," the statement continues. When it launched in 2023 with the backing of US private investment firm 777 Partners, which also has a hand in Canada's Flair Airlines and the Southeast Asian-based Value Alliance, Bonza gave Aussies a new option for flying. Its angle: a low-cost carrier with a particular focus on opening up routes to more of the country's regional destinations. It was in January last year that Jordan announced that the airline received its Air Operator Certificate (AOC) from the Civil Aviation Safety Authority (CASA). "This is an historic moment for Australian aviation as we get ready to launch the first high-capacity airline in more than 15 years, and the country's only independent low-cost carrier," said Jordan at the time. "With the approval from CASA, 2023 is set to be the year of seeing more of your own backyard for less." Since then, on planes given names as Aussie as the airline's itself — aka Bazza, Shazza, Sheila, Malc, Matilda and Bruce — Bonza has serviced locations such as Bundaberg, Cairns, Gladstone, Mackay, Rockhampton, the Sunshine Coast, Toowoomba, Townsville and the Whitsundays in Queensland; Albury, Tamworth, Coffs Harbour, Newcastle and Port Macquarie in New South Wales; and Melbourne, Avalon and Mildura in Victoria. It operates out of two bases: the Sunshine Coast and Melbourne's Tullamarine Airport. Onboard, patrons tuck into an all-Australian in-flight menu, spanning both food and craft beer. While Jordan's statement on Tuesday, April 30 only references suspending flights for that specific date, there's no word yet when the carrier will be back in the air. At the time of writing, the brand's website currently includes the same message. For more information about Bonza, head to the airline's website.
This state of ours boasts some top-notch wining and dining — and on Sunday, November 17, a taste of it is set to descend on an inner-city patch of parkland for one big day of gustatory goodness. That's when the East Malvern Food & Wine Festival returns for its seventh outing, taking over Central Park once again. Head in for free, or nab yourself a $37.50 ticket that gives you a branded glass and five tasting tickets — so you can sample top local drops from producers including Sutherland Estate, Noble Red Wines and Wolf & Co. You can mosey through the dedicated craft beer zone, tasting sips from the likes of Hop Hen Brewing and Grand Ridge Brewery, and stocking up on your favourites as you go. And once you've worked up an appetite, hit up the abundant food offering courtesy of vendors like Bao Melbourne, Nepal Dining, Flaming Skewers and Solo Arancini. Market stalls will be slinging an array of artisanal goodies, including quality cheese and food products, which you can assemble for a lazy picnic in front of the live music stage. Elsewhere, swing by the chablis and oyster bar for a luxe food pairing; taste spirits from labels like Hobson Distillery, Original Spirit Co and Gippsland Distillery; and grab yourself one of Luvlee's handmade ice creams.
From web searches and browsers to email and document storage, Google has its fingers in plenty of different online pies. Many of its services have become such a part of our daily lives that we no longer give them much thought, but every now and then the company has fun with one of its platforms — bringing Pac-Man, Mario Kart and Where's Waldo? to Google Maps, for example. For the company's latest entertaining attempt to direct everyone towards one of its specific sites, it's playing with another retro title, combining Where in the World Is Carmen Sandiego? with Google Earth. Sparking immediate flashbacks to the best parts of primary school, the game sends users searching for the titular red-clad international thief as part of a jaunt called The Crown Jewels Caper. As usual, something valuable has been stolen and its your job to find it (and hunt down Sandiego in the process). Anyone keen to play along simply needs to head to the Google Earth app on Android or iOs, or visit the desktop version in chrome, and look for the Pegman icon. From there, it's time to start sleuthing — by hopping between countries, visiting landmarks, talking to locals and sorting through clues such as "I heard she exchanged all of her money for yen". In the process, you'll put your world trivia knowledge to the test and get a hefty dose of nostalgia. The game is the first in a planned series, so expect to spend more time in the future playing gumshoe and reliving your childhood. And as for the timing, it comes hot on the heels of Carmen Sandiego's arrival on Netflix, with a new animated series following the beloved character (as voiced by Gina Rodriguez). Check out the trailer below, and visit Google Earth to start playing: https://www.youtube.com/watch?time_continue=14&v=TJRMplV9SpA Via Google Earth.
Ted Lasso (Jason Sudeikis, Hit-Monkey), Rebecca Welton (Hannah Waddingham, Smurfs), Keeley Jones (Juno Temple, Venom: The Last Dance) and Leslie Higgins (Jeremy Swift, Snow White) all sit in a diner booth looking adoringly at each other: that's it, that's your first glimpse at Ted Lasso season four. The heartwarming Apple TV+ hit comedy is now officially back in production, after a new season was locked in earlier in 2025. And no,"we're not in Richmond anymore" — at least initially. The streaming platform has unveiled a first image from the series' fourth season, and also dropped a "now in production" video that matches the filming of the moment that the still is from with some behind-the-scenes audio. On YouTube, the clip comes with that Wizard of Oz-paraphrasing note about the setting, too, aptly given that Lasso is famously from Kansas. If you've been believing that more Ted Lasso would be on the way ever since the kindhearted show seemed to wrap up its storyline for good at the end of the third season, that faith has proven well-founded — and here's more proof. Sudeikis is back in his two-time Emmy-winning role, donning the American college football coach-turned-English soccer manager's moustache again. While only Waddingham, Temple and Swift are also in the debut image from season four, they're not the only fellow returning cast members. As The Hollywood Reporter confirms, Brendan Hunt (Bless This Mess), aka Coach Beard, is back both on-screen and among the new season's producers — a behind-the-camera role he also held in the first three seasons — and Brett Goldstein (Shrinking) is also doing double duty, reprising the part of Roy Kent and executive producing. These familiar Ted Lasso faces will have company from a number of new cast members, with Tanya Reynolds (The Decameron), Jude Mack (Mission: Impossible — The Final Reckoning), Faye Marsay (Andor), Rex Hayes (getting his first screen credit), Aisling Sharkey (Jurassic World Dominion), Abbie Hern (My Lady Jane) and Grant Feely (Chicago PD) all joining the series. The latter is now portraying Ted's son Henry. And no, that "we're not in Richmond anymore" description won't prove true for long, with Ted Lasso season four set to chart its namesake's Richmond comeback to coach a second-division women's team. As Sudeikis noted when the new episodes were announced, "as we all continue to live in a world where so many factors have conditioned us to 'look before we leap', in season four, the folks at AFC Richmond learn to leap before they look, discovering that wherever they land, it's exactly where they're meant to be". There's no trailer yet for Ted Lasso's fourth season, but check out Apple TV+ "now in production" video below: Season four of Ted Lasso will stream via Apple TV+ — we'll update you when a release date is announced. Read our full review of season two and season three, our interview with Brendan Hunt and our chat with Bill Lawrence, who co-developed the series.
At some point in the near future, this might be the question: what can't you book via Airbnb? The platform began as a way for travellers to spend a night in everyday homes instead of hotels, but it has long moved past simply letting folks stay in each other's houses. Its latest evolution: hanging out with celebrities, getting you locking in services such as personal chefs and trainers, and also everything from ramen-making sessions and playing beach volleyball with an Olympian to worshipping pastry with an expert and exploring Notre Dame's restoration. If none of this sounds like a huge surprise, that's because Airbnb has been levelling up simply enjoying a night in someone else's pad for a while now. Think: special listings for the Up house, Prince's Purple Rain abode, the Beetlejuice house, Shrek's swamp, Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill and Hobbiton. It has also offered up the Bluey house, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop, the Sanderson sisters' Hocus Pocus cottage, the Paris theatre that inspired The Phantom of the Opera and a Christina Aguilera-hosted two-night Las Vegas stay, among others. [caption id="attachment_1004284" align="alignnone" width="1920"] Adrienne Raquel[/caption] This time, the platform is grouping its expanded range into three categories: services, experiences and originals. The first is meant to add to wherever you're staying, and the second is all about making the most of your getaway destination with experts and locals. As for the third, that's where the likes of Megan Thee Stallion and Sabrina Carpenter come in. With services, Airbnb has launched ten categories in 260 cities, aiming to cover hotel-style amenities such as gym access and spa treatments. Also on the list: personalised photography sessions, massages, haircuts and blow dries, makeup, manicures and pedicures, full catering and yoga. The platform is engaging providers with an average of ten years of experience, such as chefs from Michelin-starred restaurants and other award-winners. [caption id="attachment_1004285" align="alignnone" width="1920"] Saeka Shimada[/caption] Among the experiences, options are on offer in 650 cities, with each designed to give you an authentic taste of wherever you're heading — sometimes literally. Michelin-recognised Japanese chef Saburo Ishigōka is taking care of the ramen, for instance, while architect Axelle Ponsonnet will give you the scoop on Notre Dame and stylist Jamie Mizrahi will help refresh your wardrobe. You can also travel through Andean landscapes and sacred Inca sites on horseback with an expert in Andean culture, and do some Lucha libre training with a professional luchador. Fancy playing tourist in your own town with these experiences? You'll be able to. Keen to gather the gang? Later in 2025, you'll also be able to see who else is heading along on an experience before you book. [caption id="attachment_1004286" align="alignnone" width="1920"] Daehan Chae[/caption] As for the new Airbnb Originals, selections named so far include hanging out on the Short n' Sweet tour set with Sabrina Carpenter, creating an anime alter-ego with Megan Thee Stallion, hitting Rio's Leblon Beach to play volleyball with Carol Solberg, throwing a spiral and tucking into barbecue with Patrick Mahomes, celebrating all things SEVENTEEN in Seoul and getting cooking with The French Bastards' Raphaelle Elbaz. "Seventeen years ago, we changed the way people travel. More than two-billion guests later, Airbnb is synonymous with a place to stay," said Airbnb CEO and Co-Founder Brian Chesky, announcing its newest additions. "With the launch of services and experiences, we're changing travel again. Now you can Airbnb more than an Airbnb." [caption id="attachment_1004287" align="alignnone" width="1920"] Paz Olivares-Droguett[/caption] [caption id="attachment_1004288" align="alignnone" width="1920"] Dani Pujalte[/caption] [caption id="attachment_1004289" align="alignnone" width="1920"] Sela Shiloni[/caption] [caption id="attachment_1004292" align="alignnone" width="1920"] Peden + Munk[/caption] [caption id="attachment_1004290" align="alignnone" width="1920"] Damien Maloney[/caption] [caption id="attachment_1004291" align="alignnone" width="1920"] Jackie Beale[/caption] For more information about Airbnb's latest additions, and to make bookings, head to the Airbnb website. Top image: Adrienne Raquel. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
