Event Arts & Entertainment

I’m Still Here

As Joaquin Phoenix makes the rash decision to retire from acting in order to pursue a career in hip hop, he endures a spectacular fall from grace that sees him go from the clean-shaven darling of the Golden Globes, to the pudgy, bearded, mumbling mess who made [i]that[/i] appearance on Letterman. [i]I'm Still Here[/i] is a beautiful nightmare. In fact, if Banksy's [i]Exit Through the Gift Shop[/i] heralded a new 'prankumentary' subgenre, then [i]I'm Still Here[/i] raises it to an art form. But Casey Affleck's directorial debut will definitely divide audiences, not merely along the lines of questioning the veracity of Phoenix's retirement but rather the lengths the 'documentary' goes to take its subject from the sublime to the ridiculous. Sex, shitting and spewing: nothing is sacred in this portrait of repugnant celebrity.
Alice Tynan
September 14, 2010

Overview

I'm Still Here is a beautiful nightmare. In fact, if Banksy's Exit Through the Gift Shop heralded a new 'prankumentary' subgenre, then I'm Still Here raises it to an art form. But Casey Affleck's directorial debut will definitely divide audiences, not merely along the lines of questioning the veracity of Joaquin Phoenix's retirement but rather the lengths the 'documentary' goes to take its subject from the sublime to the ridiculous. Sex, shitting and spewing: nothing is sacred in this portrait of repugnant celebrity.

At its simplest, the film plays like a season of Entourage, on acid. As Phoenix makes the rash decision to retire from acting in order to pursue a career in hip hop, he is forever flanked by various assistants, and friends, as well as the man behind the camera (and also often in front of it), his brother-in-law, Affleck. This spectacular fall from grace sees Phoenix go from the clean-shaven darling of the Golden Globes, to the pudgy, bearded, mumbling mess who made that appearance on David Letterman.

Affleck ramps up to the infamous interview in what is an incredibly constructed and artfully conceived film, which at times eerily echoes Gus Van Sant's Death Trilogy (Affleck co-starred in the first film, Gerry). The director plays on his audience's sensibilities like a seasoned puppet master, with Phoenix bumbling around like a loveable — if increasingly unhinged — buffoon, until the laughter all but stops as the consequences of his actions (constructed or not) become sobering indeed.

In crafting this car crash charade, Affleck called on the awkward brilliance of Ben Stiller and the Commander Adama gravitas of Edward James Olomos alongside a surprisingly scene-stealing Sean Combs. And Phoenix himself chain-smokes his way through a riveting, Herculean performance, one that in its infuriatingly meta way will no doubt define his career. Together Affleck and Phoenix have created a staggering work of near-transcendent genius — as explosive a filmmaking debut as (an alleged) celebrity meltdown.


Information

When

Thursday, September 16, 2010 - Sunday, November 14, 2010

Thursday, September 16 - Sunday, November 14, 2010

Where

Various cinemas in Sydney

Price

$15.00
Nearby places
Similar events
Nearby events
You Might Also Like