It's famed for dishing up generous vegetarian feeds at pay-as-you-feel prices, with four volunteer-run eateries across Melbourne and Sydney. And now, Lentil As Anything has launched a grocery built around the same philosophies. Opening at the back of Lentil's Thornbury restaurant, The Inconvenience Store is the state's first-ever pay-as-you-feel supermarket. The shelves here will be stocked with goods rescued as part of the group's Food Without Borders initiative, which collects quality food from shops and markets which is otherwise destined for landfill. With a Foodprint Project report estimating that Melburnians alone turf more than 900,000 tonnes of edible food each year, this promises to be a great way for locals to do their bit in the war against food waste. The supermarket has no set prices, with customers instead asked to contribute simply what they can afford. Those keen to lend a hand can donate, or even volunteer to work at the store. Lentil As Anything says contributions will go towards keeping its food rescue operations running, covering things like electricity bills, transport costs and storage. Last year, Australian food rescue charity OzHarvest opened a supermarket in Sydney based around a similar concept, it stocks food rescued from supermarkets and restaurants and customers can pay what they like. While everyone is welcome, it's aim is to help people in need. Lentil As Anything's Inconvenience Store is now open 11am–3pm Friday to Monday at 562–564 High Street, Thornbury. Updated: July 25, 2018.
All across New South Wales, stages are being swept, setlists are being finalised, speakers are being stress tested, and crowds are gearing up—because the statewide Great Southern Nights is just about to make its 2025 return. With well over 300 gigs taking place across 17 nights in cities and districts from Byron Bay to Broken Hill and beyond, it's going to be one hell of a festival. Midway up the NSW coastline, you'll find one of Great Southern Nights' hubs in the live music-loving city of Newcastle and the Newcastle Midtown Gig Trail set to host over 40 gigs across the festival's 17-night runtime. We've teamed up with Great Southern Nights to pick out the must-see entries on the lineup and some suggestions on how to stay busy between them. The Lineup The fun starts on Friday, March 21, with multi-disciplinary Filipino/Wiradjuri artist MO'JU at The Stag and Hunter Hotel in Mayfield, the five-piece Kiwi band SIX60 at NU's Bar on the Hill and EDM duo Slumberjack at King Street Nightclub. The following night, back at Bar on the Hill, late 80s/early 90s indie rock legends The Cruel Sea will take to the stage with some throwback hits and new recordings. To end the first weekend, solo multi-instrumentalist Running Touch and Melbourne-native indie rock quartet The Belair Lip Bombs will take over the King Street Warehouse on Sunday, March 23. The following weekend, on Saturday, March 29, legendary Aussie Blues and Roots soloist Xavier Rudd will be performing a bit out of town at Dashville Campground in Lower Belford. When the festival heads into April, expect a few hot gigs in the King Street Bandroom. Namely, the multi-platinum-winning rapper Winston Surfshirt on Friday, April 4; five-piece folk-rock group The Paper Kites on Saturday, April 5; and indie rock favourites Slowly Slowly on Sunday, April 6. If you find yourself with a free night, hit up the Newcastle Midtown District Gig Trail. Every night throughout the festival you'll find free gigs, performers, actors and more at seven venues in the heart of the action. That's just the tip of the iceberg, all sorts of gigs are set to take happen around the headliners. [caption id="attachment_938853" align="aligncenter" width="1920"] Flotilla[/caption] Local Eats and Treats Newcastle is home to a buzzing blend of eateries to refuel between gigs; if anything, you'll end up pressed for time to hit all the venues around town. For a compact taster menu of what the city has to offer gastronomically, the Honeysuckle Foreshore is right in the centre of the city, close to Newcastle's premiere hotels, attractions and waterfronts. But if you're willing to go further afield, it'll pay off. Without leaving the city, you can enjoy Spanish tapas at Bocados or a sizeable yum cha feast (on Sundays) at Ginger Meg's, and if you like something a little fancier, there's sustainable seafood at Scottie's or curated cocktails and Italian feeds at Market St Basement. Should you find yourself a bit beyond the city lights, you can find an authentic Californian taqueria at Antojitos, and one of the most popular restaurants in the area is the famous Flotilla in Wickham. If you prefer to hit the streets and let the universe guide you to the eatery for you, you'll find casual options aplenty in Hamilton, eclectic, trendy small spots in Cooks Hill, while heading out west to the Hunter Valley will connect you with some of the top wineries in the country. Things to Do and Places to See Most of the GSN gigs on offer take place after dark, so what are you supposed to do beforehand? Glad you asked. One of Newcastle's most famous, accessible and affordable attractions is its ocean baths. Found along the Bather's Way, a six-kilometre walking track that traces the coast from Nobbys Beach to Merewether Beach, these pools (and the more secluded-yet-scenic Bogey Hole) are midway on the route and are recognised as some of the most scenic ocean pools in the country. If the sun is blazing and you'd rather stay indoors and dodge the steps, the Newcastle Museum is a great place to learn some local history, as is the Fort Scratchley Historic Site if military history is your jam, being the only fort in Australia to engage enemy combatants in maritime defence during WWII. For a dose of First Nations history and culture, take a guided tour through the towering sand dunes of the Worimi Conservation Lands. Where to Spend the Night The many facets of Newcastle's identity are plain to see in the accommodation options throughout the city. The QT hotel group is known for bold interiors and luxury by the pound — and QT Newcastle is no exception. A love for music and the arts and Newcastle's prominent surf culture can be felt at this dynamic stay. Set in a heritage building with waterfront views, the hotel also boasts one of Newcastle's finest rooftop bars and an on-site luxury restaurant that exclusively serves local produce. If you want to be as close to the water as possible, it's tough to get closer than Noah's On the Beach. A literal stone's throw from the surf break of Newcastle Beach, staying here means you'll be sent off to sleep by the sounds of the sea. And though you could be catered for with the onsite eatery, you'd be well within walking distance from the Newcastle CBD. If you want something further from the action (45 minutes further, to be precise) but don't want to skimp on the luxury, secure a booking at Caves Coastal Bar & Bungalows. South of Newcastle behind Caves Beach, this resort property brings a touch of the Hamptons and a pinch of the Maldives to the mid-north NSW coast. With bungalows, townhouses and villas available for booking and the luxurious restaurant Caves Coastal, this is the perfect place for larger groups looking to explore the surrounds of Newcastle. Great Southern Nights is set to take over venues across NSW between Friday, March 21 and Sunday, April 6. Check out our gig guides for Sydney, the Central Coast and Wollongong or visit the website for more information.
Skiing and snowboarding might be the headline events when you're talking alpine holidays, but they're far from the only show in town. In fact, to really experience the majesty of the mountains during the snow season, you've got to see the white-cloaked landscape from a few different angles — dog's eye, bird's eye and shut-eye among them. And you don't need to go as far as the ski resorts of Canada, Switzerland or Japan to do it. Some of the best features of these famous winter wonderlands have been adopted by the newer resorts of Victoria's High Country — and they're a lot closer to home. A long weekend, or a more luxurious week, is all you need to get a proper winter short break at Mount Buller, Hotham or Baw Baw, where snowfields meet eerie gumtree forests and icy adventures end with you defrosting fireside. Whether you ski or not, base your plans around some of the extraordinary snow experiences in this article, and you'll have a holiday that's truly memorable. GO DASHING THROUGH THE SNOW WITH HUSKY DOGS Here's a sight straight out of the Arctic Circle: groups of friendly husky dogs, at home in their preferred climate. These kinds of sled dogs were bred to help with the transportation of humans and goods across snowy terrain, but now the arrival of planes, cars and snowmobiles have taken most of the burden off them, dog sledding is mainly a recreational activity. Contrary to what you might expect, this is a quiet and peaceful way to explore the open plateaus and sleeping forests, as there's little sound beyond the drumming of paws on snow. Give it a go yourself with Australian Sled Dog Tours in Mount Buller. Their tours range from a brisk 30 minute introduction to a more strenuous 3.5 hours, during which you'll actually learn how to 'drive' a team of Siberian huskies. Importantly, all tours start with plenty of time for pats and cuddles, so you can get fully acquainted with your puppers. If you're on Mount Baw Baw, look up operator Howling Huskys instead. During the full moon, they offer a special three-hour night tour that ends with a campfire, wine and hot chocolate. They also run tours in Mount Hotham and Dinner Plain. Both of these operators treat their dogs kindly and care for them after their sledding retirement. But if you don't feel good about being carried by an animal, then Australian Sled Dog Tours does offer a meet-and-greet-only option with their huskies for just $20. Alternatively, plough onwards to other activities. GET AN AERIAL VIEW FROM A HELICOPTER If you've always wanted to treat yourself to a helicopter ride, the mountains are the destination to do it. Few landscapes are this dramatic. Rugged escarpments plunge into still-green valleys, mountain peaks rise right in front of you, and lonely stockmen's huts appear in isolated wildernesses. You'll have Instagram fodder for days. Alpine Helicopter Charter offers a number of scenic rides that are perfect in the winter season, including a three-hour "Rooftop Tour" of Victoria's highest peaks. The same company also runs a Mount Buller Express, if you want to fly rather than drive up the mountain and arrive at your lodgings with an entrance worthy of Kim and Kanye. If you're in Mount Hotham, look up scenic flights with Forest Air Helicopters instead. GET ACTIVE IN THE OUTDOORS Skiing and snowboarding aren't the only sports to do at this altitude; they're just the most serious. If you're more in the mood to let off steam than work up a sweat, try the Snowshoe to Fondue experience at Mount Hotham. Run by Alpine Nature Experience, the sunset trek is made easier by the provision of snowshoes, which keep you "floating" over rather than sinking into the snow. Best of all, once you arrive at your destination — a remote tipi hut with fireplace — you're rewarded with a long rest and a traditional Swiss fondue of melted cheese. For those who really want to cut loose, however, poking food with sticks is just a warm-up. You'll want to round up your friends and book a session of laser tag in the snowy outdoors. Operators Howling Huskys have courses set up in Mount Hotham, as well as Mount Baw Baw and Dinner Plain. You'll need a group of four to eight. DEFROST BY A FIRE IN A SKI CHALET Melbourne isn't short of après-ski-themed pop-up bars at this time of year, but nothing compares to the real thing. If you're in the prime après-ski spot of Mt Buller, head to Snow Pony, one of the town's more foodie establishments, for tapas in true chalet style (think log walls and antler chandeliers). Afterwards, savour a glühwein in the uber-Austrian surrounds of Herbie's bar at Hotel Pension Grimus and the hills will truly feel alive. When in Mount Hotham, make a beeline for the drinking and dining areas of Zirky's, the European-inspired lodge complex where Wednesday's schnitzel night is an institution. For drinks, check out Blizzard Brewery at nearby Dinner Plain. Not only is it a cosy spot to hang out, their beers are made with ultra-pure water of melted snow. Plus, you'll be able to say you drank at Australia's highest brewery (it's 1.5km above sea level). GET VERTICAL IN AN ONSEN OR SPA Any spa is good, but a Japanese-style onsen is glorious. Onsen hot springs are traditionally outdoors, and while Victoria's mountains can't naturally produce the geothermal heat of a volcanic island, the heated outdoor bath at Onsen Retreat + Spa in Dinner Plain gets pretty close to recreating the atmosphere. The shake-up you get dashing outdoors in your togs to get to the steaming pool is everything. Massages, beauty treatments and fitness classes are also available here, if you want to get even more healthful. On Mount Buller, meanwhile, a good option is the Breathtaker on High Spa Retreat. The treatments here are inspired, and use the spa's own signature Breathe oils and masks. Splash out on the 2.5-hour Mountain Escape Ritual — it starts with a foot massage before your body is given proper attention by way of a dry brush, mask and massage. To find out more and plan your winter adventures in the alpine villages, visit the Wander Victoria website.
Restrictions and lockdowns have meant many Melbourne art galleries have spent more time closed than open in 2020. But it seems the culture gods have smiled down and cut us a little slack when it comes to one of the biggest, most anticipated art events to hit the city in three years. With art galleries now able to begin reopening, the NGV Triennial is set to return for its blockbuster second iteration this summer, taking over NGV International from Saturday, December 19. Held every three years, the Triennial made its huge debut in 2017, pulling a hefty 1.23 million visitors and remaining the NGV's most visited exhibition even today. Triennial 2020 looks set to follow suit, as artists from over 30 different countries share a diverse spread of works reflecting on a truly unique time in our world's history. Melbourne art lovers will be overwhelmed by the free large-scale exhibition of international contemporary art, design and architecture, showcasing 86 projects by more than 100 artists, designers and collectives. Expect to see US artist Jeff Koons pay homage to the goddess of love Venus with a towering mirror-finished sculptural piece, while renowned interior designer Faye Toogood reimagines a series of gallery spaces with commissioned furniture, tapestries, lighting, sculpture and scenography. Turkey's Refik Anadol has put together a video work, capturing digitised memories of nature with help from artificial intelligence and machine learning. Meanwhile, a showcase by Yolngu woman Dhambit Mununggurr is replete with her trademark blue hues, including a set of 15 large-scale bark paintings. Lauded Japanese architect Kengo Kuma joins forces with Melbourne-based artist Geoffrey Nees, using timber from trees that died during the Millennium Drought at Melbourne's Royal Botanic Gardens to construct a pavilion. The structure will then feature as part of a multi-sensory walkway delivering audiences to a new piece by South Korean artist Lee Ufan. If ever there was an exhibition worthy of your post-lockdown gallery-hopping debut, it's this. [caption id="attachment_795361" align="alignnone" width="1920"] Installation view of Refik Anadol Quantum Memories 2020 © Refik Anadol Photo: Tom Ross[/caption] Top image: Installation view of Porky Hefer, 'Plastocene – Marine Mutants from a disposable world' 2020, courtesy Southern Guild, Cape Town. Photo by Tom Ross.
Have you been known to look at a doughnut and think "you belong with me"? Do you consider sweet treats your karma? Does happiness to you come in round orbs of pastry? Do you have your eyes open for all things Taylor Swift — or just for free doughnuts? The pop superstar has hit Australia, finally bringing her Eras tour Down Under thanks to three shows in Melbourne and four in Sydney. Her Aussie stint starts today, Friday, February 16. And to celebrate, Krispy Kreme is getting in on the action to give out free doughnuts to Swifties, and also to anyone — as long as you're wearing a friendship bracelet when you head into its Australian or Auckland stores. The chain is known for giving away its round treats, including handing out 100,000 of them each National Doughnut Day. In 2023 for Halloween, it also doled out freebies if you went in in costume. So, it's thoroughly unsurprising that it's linking in with Swiftmania. To snag yourself a signature glazed freebie, make a beeline to your closest Krispy Kreme store in Australia or Auckland on Friday, February 16 while wearing a friendship bracelet. The last part isn't optional. You'll then receive one original glazed doughnut per person, and you don't have to buy anything else to nab the treat without paying a cent. This is a while-stocks-last giveaway, so getting in as quick as someone trying to nab Taylor Swift tickets is obviously recommended. That gives everyone a heap of places to flock to: 38 in Australia and six in New Zealand. Sydneysiders are able to hit up stores stretching from Penrith to the CBD, Victorians can visit locations from Chadstone to Collins Street, and Queenslanders have Albert Street in the Brisbane CBD and Surfers Paradise among the choices. For residents of Perth, Hay Street, Cannington and more await. In Aotearoa, all options are in Auckland — including at Newmarket, Chancery Square and the domestic airport terminal. Krispy Kreme's Taylor Swift giveaway is taking place in-store on Friday, February 16 in Australia and Auckland. To find your closest shop and check its opening hours, head to Krispy Kreme's Australian and New Zealand websites.
By August, winter can begin to feel as though it's been dragging on forever. Some of us, like migratory birds, make an annual pilgrimage to our favourite Northern Hemisphere destination, avoiding the darker months altogether. Others dig in like grizzly bears, travelling no further than is necessary to obtain food and money. Fortunately, one of Australia's geographical benefits is its proximity to an abundance of eternally sun-kissed destinations. Whether you prefer the seemingly boundless expanse of the Pacific Ocean, or the monsoonal mystery of the Indian Ocean - the warmest ocean in the world - you're only ever a a few hours' flight time away from winterless climes. So, if you're feeling as though you'd like a quick preview of summer before December ushers in the main act, here are ten destinations that could well have you digging out your long lost swimmers. Eratap, Vanuatu If you happen to be sitting at an airport on the eastern seaboard of Australia right now, this view is just three hours and twenty minutes' travelling time away. That's a three hour flight to Vanuatu's capital, Port Vila, and a twenty minute drive to the pier pictured above. Even though the exclusive resort of Eratap is comprised of just twelve villas, all located on the waterfront, it occupies an entire peninsula, incorporating eight acres of lush gardens and three lonely beaches. Plus, the resort's gardeners will drop you to one of several surf breaks just off the beach should you feel the inclination. Semara Luxury Villa Resort, Bali If you like your rooms over-sized, your ocean views panoramic and your gardens perfectly manicured, Semara is likely to tick all your boxes. Located on Bali's southernmost point, this resort features seven commodious, architect-designed villas, which overlook the Indian ocean from the spectacular heights of Uluwatu's stunning white limestone cliffs. Zeavola, Phi Phi, Thailand Encompassing an unspoiled stretch of too-white-to-be-true sand on Phi Phi Don Island's northern tip, Zeavola promises an indulgent experience based on sensual pleasure. The accommodation, modelled on island-style housing, is built of hand-hewn teak, and the landscaping features quiet gardens, romantic outdoor showers and hand-painted murals. Wayalailai Ecohaven Resort, Fiji One of the few 100% locally owned resorts in the Pacific Islands, Wayalailai offers a beach-side break in the heavenly Yasawa Islands that isn't quite as devastating on the wallet as other, more luxurious options. Run by nearby villages, Wayalailai features traditional-style bures (both doubles and dorms) and enables the visitor to experience Fijian society and culture as it occurs on a daily basis, rather than as a construction for the purpose of tourist entertainment. Prices start at $70, inclusive of three meals, and you can even pitch a tent for $55. All profits go to improving living standards and increasing access to education in local communities. Aitutaki Lagoon Resort and Spa, Cook Islands Many a well-seasoned traveller has concluded that Aitutaki Lagoon is the most beautiful in the world. 'No artist's palette could ever conceive of a more perfect, more luminous turquoise,' Steve Daley wrote in Unforgettable Places to See Before You Die. The only resort in the Cook Islands to occupy its own private island, the Aitutaki Lagoon Resort and Spa, perched on the lagoon's edge, is renowned for its intimate, Polynesian-style over water bungalows. Te Tiare Beach Resort, French Polynesia Te Tiare Beach Resort - one of the smallest and most intimate in French Polynesia - is located on Huahine, one of the less visited and most tranquil of the country's islands. There's a local farmer's market, a strong traditional fishing culture and an abundance of fertile plantations and orchards - vanilla, noni fruit, taro, watermelon, mango, papaya, banana and breadfruit are all made for the South Seas. You can choose your bungalow according to your tastes - garden, premium garden, beach, lagoon overwater or deep overwater. L'Escapade Island Resort, New Caledonia Like French Polynesia, New Caledonia offers a little European je-ne-sais-quoi without the pain of a gruelling long-haul flight. In fact, it's less than three hours' time in the air from Sydney. Similarly to the Aitutaki Lagoon Resort and Spa, L'Escapade inhabits its very own private island, twenty minutes' boat ride from Noumea. Access to both inner and outer lagoon areas enables an array of sun-blessed activities, from swimming and snorkelling to windsurfing and kayaking. 69 bungalows - both over water and terrestrial - comprise the accommodation. Fregate Island, Seychelles With 2000 free-roaming Giant Aldabra Tortoises, hundreds of Hawksbill Turtles' nest and an indigenous forest rehabilitation plantation, Fregate Island is not just one of the world's most prestigious holiday destinations, it's also an important conservation project. Visitors can rent one of 16 spacious private pool residencies, a five-building estate or an entire island. Niyama, Maldives The world's first underwater live music club and a 24-hour spa mean that Niyama offers more than your regular beachside vacation. Located forty minutes by seaplane from Male, it features over water pavilions and stand alone studios with unimpeded views of the horizon. The onsite restaurant serves meals just five hundred metres from the water's edge. Sila Evason Hideaway and Spa, Thailand Found on the northern tip of Koh Samui, Sila Evason is famous for is its 41 pool villas, each of which comes with its own private infinity edge pool. They're set in twenty acres of native forest, on a sloping headland, and offer panoramic views of the ocean and surrounding scenery. There's also a Six Senses Spa on the premises.
The Supernatural Amphitheatre may have banned Native American headdresses, but they'll soon have to make an unexpected exception — Golden Plains 2015 will feature the Village People. That's right, it's been nearly 40 years since the height of their fame, but the Village People are still coercing you to stay at the YMCA. Get ready to raise your cowboy boot. The full lineup which has just been released is nothing if not diverse. The Village People are proving disco isn't dead, your emotional teenage heartthrob Conor Oberst will be there bringing the indie rock, classic local tunes will be had with Something For Kate, even seminal Australian punk legends Radio Birdman will be in attendance. As always, the local lineup is strong. Off the back of her first national headline tour, Courtney Barnett will be the perfect soundtrack to your afternoon chill session. You can expect some unsavoury antics while watching The Bennies, and local favourites like Twerps, Banoffee, and Milwaukee Banks will also be hitting the stage. Aside from your Bright Eyed boyfriend and the Village People, other international acts include Swedish folk duo First Aid Kit and Pavement follow-up project Stephen Malkmus and The Jicks. As always, you'll have to enter the ballot if you want in on this glorious gathering. The festival will run from March 7-9 and tickets will be $328.80+bf. It's the same festival you know and love — no dickheads, no need to hide your goon sacks, no problems. The second-draw ballot closes on 9pm on Tuesday, October 21. Welcome to the sounds of your summer. Full lineup: Aldous Harding Banoffee Black Vanilla Bombino Conor Oberst Courtney Barnett Dj Shadow & Cut Chemist Felice Brothers First Aid Kit Graveyard Hits La Pocock Milwaukee Banks Neneh Cherry With Rocketnumbernine+ Nick Waterhouse Oblivions Parquet Courts Radio Birdman (featuring Rob Younger, Deniz Tek, Pip Hoyle, Jim Dickson, Dave Kettley, Nik Rieth) Sharon Van Etten Sleep D Soil & “Pimp” Sessions Something For Kate Stephen Malkmus And The Jicks The Bennies The Meanies Theo Parrish Total Giovanni Twerps Village People
When it comes to luxury hotels in Australia, Sydney rules the roost. From the enclave of five-star stays around Darling Harbour and Barangaroo including Crown Towers and The W Sydney, to the inner-city suites of Capella, The Kimpton Margot and the soon-to-be-finished multimillion-dollar renovation of the Sofitel Sydney Wentworth, not to mention the stalwarts like The Four Season, Shangri-La and The InterContinental, the Harbour City's collection of luxury accommodations has no equal. But it's not just the guest rooms that impress. Sydney boasts some of the best hotel restaurants in the country, such as Mitch Orr's Kiln at The Ace Hotel in Surry Hills, Nick Hildebrandt and Brent Savage's Bentley Restaurant + Bar at the Radisson Blu Plaza in the CBD, and quite possibly the best restaurant in the city right now, Sydney Common at the Sheraton Grand overlooking Hyde Park. The Eve, a new 102-key boutique hotel at the imminently completed Surry Hills Village development, hopes to join these lauded ranks as one of Sydney's top hotel dining destinations. To achieve this, Hoteliers TFE have tapped Liquid & Larder, the hospitality group behind top steakhouses The Gidley and Bistecca. [caption id="attachment_751377" align="alignnone" width="1920"] The Gidley, Dominic Loneragan[/caption] While details on what Sydneysiders can expect at The Eve are scant, Liquid & Larder have confirmed they will be overseeing multiple venues within the hotel, including a poolside diner, a rooftop restaurant and bar, and a classic lobby cocktail lounge. "We are known across our portfolio of restaurants and bars for providing our guests with extraordinary sensory experiences and challenging the status quo. Having the opportunity to playfully curate multiple spaces and experiences is what excites us most about entering the world of hotels," Liquid & Larder co-founder and Director James Bradey said. When it opens in November, The Eve's restaurants and bars will join a broader hospitality offering at Surry Hills Village, which will include a new Greek garden restaurant by the team from The Apollo in Potts Point and three new venues from House Made Hospitality. Find the Eve Hotel at 8 Baptist St, on the border of Surry Hills and Redfern. For more details, visit the Surry Hills Village website.
When Greta Gerwig's Margot Robbie-starring Barbie takes audiences on an opening tour of Barbie Land, it makes one thing supremely clear: Barbie can be anything. The famous doll can be President, a Nobel Prize-winning physicist, a diplomat and a Supreme Court justice. It can be a mermaid, doctor, lawyer and Pulitzer-winner, too. Off-screen, Barbie the movie can be one helluva pink-hued pioneer in smashing records as well — including by reaching $1 billion at the box office globally. It took just 17 days from release for Barbie to notch up that figure, Variety reports. In the process, it earned that massive stack of cash faster than any other movie from Warner Bros, beating Harry Potter and the Deathly Hallows: Part 2's 19-day feat. Raking in all those takings from all those cinemagoers basking in Barbie's joys is all well and ace, but making Lady Bird and Little Women filmmaker Gerwig the first solo female director to hit the billion-dollar mark is a stunning achievement — the kind that really deserves a giant blowout party with all the Barbies, planned choreography and a bespoke song. [caption id="attachment_907779" align="alignnone" width="1920"] Caroline McCredie[/caption] Barbie is only the second film this year to crack a billion at the worldwide box office, after The Super Mario Bros Movie. Since the pandemic hit, only Top Gun: Maverick, Avatar: The Way of Water, Jurassic World Dominion and Spider-Man: No Way Home have also brought in that much money. Wondering where Barbie's Barbenheimer buddy sits? Christopher Nolan's vastly dissimilar atomic-bomb thriller Oppenheimer has hit half a billion at the time of writing. The Robbie- and Ryan Gosling (The Gray Man)-led film has beaten Guardians of the Galaxy Vol. 3, Fast X, Spider-Man: Across the Spider-Verse, The Little Mermaid, Mission: Impossible — Dead Reckoning Part One, Ant-Man and the Wasp: Quantumania and Transformers: Rise of the Beasts' respective 2023 takings too — all of which sit alongside it, Mario and Oppenheimer in the global top ten right now. On the list of highest-grossing films of all time, only Frozen, Frozen II and Captain Marvel place higher with a female director at the helm — but all three were co-helmed with male filmmakers. Back when Barbie reach the half-billion mark on July 28, Warner Bros Pictures President of Domestic Distribution Jeff Goldstein and President of International Distribution Andrew Cripps said that "the extraordinary Greta Gerwig and her marvellous cast and crew have delivered an event for every kind of moviegoer everywhere in the world and, as critical praise continues to mount, what is quickly proving to be one of the best-reviewed movies of the year." "We couldn't be more thrilled or proud of these phenomenal results, and congratulate the filmmakers, cast and our colleagues at Mattel on this spectacular run, which — like Barbie herself — continues to defy all expectations." In Australia, Barbie made history almost instantly. The film notched up the biggest opening at the Australian box office for 2023 so far, raking in $21.5 million including preview screenings, over its first weekend — and earned the biggest opening weekend ever for a film directed by a female filmmaker. Alongside Oppenheimer, it also saw the Aussie box office score its biggest-ever Saturday and Sunday takings. And, it's likely to soon surpass The Super Mario Bros Movie as the highest-grossing film of 2023 in Australia so far. Yes, Barbie definitely can do anything. Check out the trailer below: Barbie is showing in Australian and New Zealand cinemas now. Read our review. Via Variety.
Mid-April 2018 was a great period for Beyoncé fans, with the superstar singer taking to the Coachella stage and making it her own across two huge sets. Bey isn't playing the festival in 2019, but she's still staking a claim on this part of the year. After simultaneously releasing a Netflix documentary about the epic show and a 40-track live album just this week, it looks like more Beyoncé specials are heading to the streaming platform. As part of the deal for Homecoming: A Film By Beyoncé, Netflix signed on for three Beyoncé projects, according to Variety. Just what the other two will be and when they'll land is yet to be revealed; however the streamer has been growing its music library in recent years — it also has concert and music docos about Bruce Springsteen, Lady Gaga, Justin Timberlake and Quincy Jones in its catalogue. https://www.youtube.com/watch?v=fB8qvx0HOlI For now, Homecoming: A Film By Beyoncé remains the concert documentary you definitely knew you needed, but didn't know existed until recently Picking up where the most-watched live-streamed performance of all time, the film follows all of the on-stage and behind-the-scenes action, including the 100-plus dancers, the show's powerful homage to America's historically black colleges and universities, and "the emotional road from creative concept to cultural movement". Like the real-life performance, the film clocks in at 137 minutes, so expect a lengthy and intimate tour through the festival set everyone has been talking about for 12 months, including behind-the-scenes footage and candid chats that delve into the preparation process and Bey's stunning vision. You know what else is lengthy? The 40-track live album Bey also dropped on Spotify. As well as live renditions of 'Sorry', 'Crazy in Love' and 'Soldier' — the latter which was performed with former Destiny's Child group mates Kelly Rowland and Michelle Williams — from Coachella, the album, also called Homecoming, features a song by Blue Ivy (Bey's daughter) and two bonus tracks. It's also doubly exciting that the album is available on the easier-to-access Spotify, as Bey dropped her most-recent album Lemonade exclusively on Tidal, her husband Jay-Z's streaming service. Head to Netflix to watch Homecoming: A Film By Beyoncé and listen to the album below: Images: Courtesy of Parkwood Entertainment
Cinderella, Mary Poppins and Beauty and the Beast have all taken to Australia's stages in recent years, bringing beloved narratives that everyone associates with Disney movies from the cinema to the theatre. For the next show that falls into that category, no one needs to grow up. The inhabitants of Neverland, where Peter and the Starcatcher is set, certainly aren't known to. A five-time Tony Award-winner for its 2012 Broadway season, the production earned theatre's coveted accolades for its costumes, sound design, scenic design and lighting, and for Best Featured Actor in a Play — but the version that's coming to Canberra, Melbourne, Adelaide, Sydney and Brisbane comes with a twist. For Peter and the Starcatcher's long-awaited Aussie debut, Dead Puppet Society (The Wider Earth, Ishmael) is reimagining the stage favourite, which is a prequel to JM Barrie's Peter and Wendy. Accordingly, from October 2024, expect puppets helping to spin a tale that features more than 100 characters, as well as live tunes. Originally based on Dave Barry and Ridley Pearson's novel Peter and the Starcatchers, then adapted for the stage by Rick Elice (Jersey Boys), the play heads to Neverland before Peter Pan visited — before Captain Hook inspired terror, too. So, it's an origin story, complete with an island, a moustachioed pirate, an orphan without a name and Wendy's mother Molly. "The initial production of Peter and the Starcatcher was a passion project — just a great group of artists and high expectations. To see the play come to life over and over again around the world is a joy I never expected," said Elice. "And to witness the marriage of this humble piece with the vast imagination and ingenuity of Dead Puppet Society is more than a joy, it's a privilege — and, for this playwright, an inspiration." [caption id="attachment_930290" align="alignnone" width="1920"] Scott Barton[/caption] "Nearly everyone knows the tale of Peter Pan, but Peter and Wendy's origin story has been a much more closely guarded secret. Rick Elice's incredible play takes the characters we know and love and charts the course they take to Neverland and into the classics when a group of lost orphans, moustachioed pirates, and Wendy's mother Molly collide over a trunk full of Starstuff, the most powerful substance on earth," added Dead Puppet Society's Creative Director David Morton. "This lightning-paced, whimsical show was a mega hit on Broadway. To have the opportunity to bring an all-new production to Australian audiences, reimagined with Dead Puppet Society's approach to design-led theatre and stagecraft, is both an honour and a dream come true." "Ultimately this is a story of villains finding their heroes, of timeless friendships and fates that can't be avoided. But don't be fooled... this isn't just a show for young people, it's for the young at heart, and anyone else who never wanted to grow up." PETER AND THE STARCATCHER AUSTRALIAN DATES: From Tuesday, October 15, 2024 — Canberra Theatre, Canberra From Friday, November 8, 2024 — Arts Centre Melbourne, Melbourne From Thursday, January 9, 2025 — Adelaide Festival Centre, Adelaide From Friday, January 31, 2025 — Capitol Theatre, Sydney From Friday, March 14, 2025 — QPAC, Brisbane Peter and the Starcatcher will tour Australia across 2024–25 — head to the production's website for tickets for Melbourne now, tickets for Canberra from Wednesday, December 13 and to join the waitlist for other cities.
Solar power. Who needs it? Well, we do — and pretty desperately. To generate it though, we need those pesky black solar panels to be fitted to people's roofs and properties and anywhere we can find a space for them. This can be a little hard without overtaking natural environments and farmland. But France have found thousands of kilometres of space perfect for solar panels — their roads. This idea of paving roads with solar panels was first floated by Scott and Julie Brusaw, when they launched a crowdfunding campaign to pave American parking lots with the things in 2014. But this project is a little more legit. Proposed by French transport infrastructure company Colas and France's National Institute for Solar Energy, it's been given the go-ahead by France's Agency of Environment and Energy Management. And if all goes to plan, they're promising to bring solar power to 1000-kilometres of roads in the country over the next five years. Named the Wattway system, the 7mm photovoltaic road surface would be stuck on top of existing road surfaces. Both its thinness and ease of application to existing roads make it the best proposal yet — and seeing as roads are only occupied by vehicles only 10% of the time, they'll be soaking up a lot of sunlight too. Claiming they are "paving the way to tomorrow's energy" (nice one, guys), Colas say that a one-kilometre stretch of Wattway panels would be able to provide the electricity to power public lighting in a city of 5000 inhabitants. According to Global Construction Review, tests on the solar roadway panels will begin this year. Let's hope the French trial is successful, and makes its way over here. As anyone who's stood barefoot on asphalt on a hot day knows, that stuff stores a lethal amount of heat. Via Tree Hugger.
If you've been wondering about the story behind today's rainbow Google doodle, here's the low-down. With the Winter Olympics opening ceremony to be held tonight in Sochi, the online giant has put its weight behind the protest against Russia's discriminatory laws. Six stylised athletes are depicted participating in various winter sports, from ice hockey to figure skating to bobsledding. Underneath, a quotation from the Olympic Charter reads, "The practice of sport is a human right. Every individual must have the possibility of practicing sport, without discrimination of any kind and in the Olympic spirit, which requires mutual understanding with a spirit of friendship, solidarity and fair play." Activists all over the world have spoken out against the International Olympic Committee's decision to hold the Games in Russia, where the law bans the promotion of non-traditional sexuality and prevents under-18-year-olds from having access to information about homosexuality. On Wednesday, February 5, protests were held in 19 different cities. Yesterday, UN Secretary-General Ban-Ki Moon acknowledged the issue in his speech to the IOC, stating, "Many professional athletes, gay and straight, are speaking out against prejudice. We must all raise our voices against attacks on lesbian, gay, bisexual, transgender or intersex people. We must oppose the arrests, imprisonments and discriminatory restrictions they face."
What family dynamic holds greater prospect for drama than the one between a boy and his mother? From Norman Bates to Only God Forgives to Alex Winter's stepmum in Bill & Ted's Excellent Adventure, movies are full of memorable mother/son pairings, not all of which have been entirely healthy. It's enough to make you think Freud might have been on to something. The latest picture to plumb the depths of maternal relations is Calin Peter Netzer's Child Pose out of Romania. Actress Luminita Gheorghiu gives a towering performance as Cornelia, a wealthy, overbearing mother who attempts to subvert justice after her negligent adult son Barbu (Bogdan Dumitrache) runs over a 14-year-old boy. As Cornelia bribes and bullies her way through the country's corrupt legal system, oblivious — or indifferent — to the pain that she leaves in her wake, viewers are offered a cynical portrayal of wealth and class in post-Stalinist Romania. Clad in expensive furs, Cornelia cuts an imposing figure, particularly in comparison to the impoverished family of the deceased teen and the overworked rural police force assigned to investigate the case. In both theme and style, Child's Pose is very much in keep with the emerging Romanian New Wave — currently all the rage amongst highfalutin film fans. Netzer adopts a minimalist approach to the drama that's acidified by bitter black humour. Handheld camerawork enhances the sense of realism, along with our feelings of outrage and discomfort. The truth is, it's an extremely unpleasant experience being trapped in the same room with Cornelia. Plenty of films manage to succeed in spite of their unpleasant protagonists, but Child's Pose isn't one of them. You can understand and to an extent even sympathise with Cornelia's actions, all of which are born out of a deep — if frequently controlling and occasionally downright creepy — love for her son. But that doesn't change the reality of her behaviour, which is appalling by any reasonable standard. The pacing, meanwhile, is unyieldingly slow, while also missing that sense of creeping escalation that makes the better films of the Romanian art house moment — Beyond the Hills, the unreleased Everybody in Our Family or the masterful Four Months, Three Weeks, Two Days — so dreadfully effective. Ultimately, Child's Pose has some insightful observations, but lacks the compelling quality of its contemporaries. https://youtube.com/watch?v=wQUh3hoGSfI
One of the best restaurants in Australia will be immortalised in print, thanks to a new book by chef Dan Hunter. Brae: Recipes and Stories from the Restaurant will showcase the history, philosophy and food of the iconic eatery in country Victoria, and is shaping up as one of the most salivating reads of the year. Due to hit shelves on May 1 thanks to Phaidon Press, the 256-page hardback will explore the early days of Brae, while also charting Hunter's journey from kitchen porter to celebrated chef. Personal essays will explore Hunter's ethical vision and strong preference for local ingredients. It's an approach that saw Brae rewarded with the number two spot on the list of Australia's Best Restaurants last year. Amateur cooks will also be keen to get a glimpse of Hunter's recipes, a number of which will be included in the tome. Finally, the book will feature more than 150 of artist Colin Page's photographs, detailing the food, the kitchen and breathtaking Australian landscape that surrounds the restaurant on all sides. Brae: Recipes and Stories from the Restaurant hits bookshelves and online stores from May 1 with a recommended retail price of $75.
They may have proved a hit overseas, but here in Australia, dockless share bikes aren't about to win any popularity contests — at least not from the authorities. After making news for clogging up footpaths, sitting wedged up trees and being pulled out of waterways, the bikes are coming under some new rules in Melbourne. The City of Yarra, City of Port Phillip and City of Melbourne councils have signed a formal Memorandum of Understanding with one of the main companies, Singapore's oBike, in an attempt to address the problems these rogue bikes have brought to Melbourne. The new rules seem pretty straightforward, specifying oBikes must be parked upright, aren't allowed to block footpaths and have to be removed from any dangerous locations within two hours. Though with no more than ten oBike employees on the ground overseeing these three council areas, sticking to the rules won't necessarily be easy. Currently, the councils impound any rogue bikes for 14 days, before they're destroyed and turned into scrap metal, with oBike stuck with a $50 fee to reclaim each bike. According to Melbourne City Councillor Nicolas Frances Gilley, the share bike crackdown is about keeping Melbourne's streets safe. "At City of Melbourne, we are continually looking at ways to promote cycling and make it easier for people to use bikes," he said. "But the safety of all city users shouldn't be compromised in the process." It will be interesting to see if these new restrictions make a noticeable change to the way oBikes are managed, and if Sydney follows suit with both its bike sharing services, oBike and Reddy Go.
The legends at Butter (Sydney's palace of fried chicken, sneakers, champagne and ramen) are bringing you even more to love with two daily bottomless bubbles and chicken feast offerings — each coming in at under $50 bucks. For starters, you can nab endless pours of Chandon blanc de blanc for $45 — all day, every day. Or you can opt for endless Hennessy lemon ice tea, with the bottomless package costing $50. Both deals last a cool 90 minutes. You can add these bottomless packages to a regular ol' meal or you can nab Butter's Fried Chicken Feast for $35 per person, too. That's a whole heap of Butter's signature crispy chicken wings served with ramen gravy, set down alongside fried haloumi fingers, miso corn cobs, prawn chips, pickles, fries, steamed dinner rolls and the restaurant's famed hot cinnamon doughnut. Both offerings are available at all three Butter locations, including the brand new Chatswood outpost, as well as the Surry Hills and Parramatta stalwarts. Just pick a day, any day, and head on in. [caption id="attachment_798504" align="alignnone" width="1920"] Butter Chatswood[/caption]
It just got real dark in Sydney. And in Sydney during the warmer months, that only means one thing: a storm is coming. So if you're currently reading this from somewhere dry, warm and cosy, we suggest that you keep it that way for the rest of the afternoon. And not just any old wet weather, either. The Bureau of Meteorology has reported that severe storms, strong winds, heavy rainfall and large hail is on its way, which is looking to affect the Metro, Illawarra and Hunter regions. Taking a peek at its nifty colour-coded map, below, it looks like Sydney is going to be worst hit, too. https://twitter.com/BOM_NSW/status/1103073062612844546 With storms come falling trees (and sometimes falling powerlines) and Ausgrid is telling customers to top-up their phones before the storms hit — just in case — and to stay well away from any powerlines that have been knocked over. The wild weather looks to ease later tonight. At the moment, public transport looks to be running on time and no major roads have flooded, but this could change when peak hour hits. Stay dry out there. And remember to check Live Traffic, Transport Info and BOM for warnings and updates. UPDATE: MARCH 6, 2019 — At 12.35pm, the BOM released a severe thunderstorm warning for damaging winds over the next several hours. Those in the Metropolitan, Central Tablelands, Hunter, Illawarra and surrounding areas are advised to move their cars under cover, secure loose items and stay indoors during this time. Image: Live Traffic NSW.
Broadway Sydney, previously known as the place students go to kill time between classes, has undergone a $55 million redevelopment. The part of the shopping centre that has been hidden behind scaffolding for the past twelve months (level two), is open for business as of this morning, and it's set to transform the centre into a city shopping destination. Big retail names including H&M, Sephora and Victoria's Secret will appear alongside a new food court and a new focus on public art throughout the centre. Specialty coffee joint The Dutch Smuggler will appear, as will the famous handmade pork dumplings from Din Tai Fung. All the food court usuals like Guzman and Gomez, Grill'd and Chatime will be there too. [caption id="attachment_584874" align="alignnone" width="1280"] The Dutch Smuggler[/caption] An exciting part of the re-development opens mid-September. Merchants of Ultimo, an Italian marketplace inspired by New York's Eataly, will feature a pizza station by the team from Da Mario, a dessert bar by an ex-Rockpool chef and a speciality coffee bar. The centre has also partnered with Art Pharmacy to introduce some local art to level two, and transform the space into an "open art gallery". An eclectic mix of modern Australian art will be permanently showcased inside and outside the Broadway building - from artists including illustrator Kate Banzai, furniture designer Vincent Buret, textiles artist Victoria Garcia.
Each of Australia's capital cities has a different shtick. Melbourne's just happens to be a 24-hour culture — or, at least, the closest Australia has to it. It's got all-night public transport on weekends, late-night opening hours for the National Gallery of Victoria's new Triennial and the city's White Night festival will return for its annual all-nighter in 2018. If you haven't been down to White Night before, here's how it works. From 7pm, much of Melbourne's CBD is closed to cars. From then on, the streets give way to pedestrians, who are free to wander between temporary installations, live music and on-street projections — as well as in and out of galleries and cultural institutions — up until the sun comes up at 7am the next day. It's the Australian version of Nuit Blanche, which was founded in France in the 80s. Next year's festival — which will shut down the city for 12 hours on the evening of Saturday, February 17 — features work from a tonne of both local and international artists. Expect to see neon pups, two Burning Man installations and one laneway covered in snow. There are far too many works to list, but here are a few highlights you'll want to look out for. A giant shimming silver net that will hover above Federation Square for White Night (and two weeks afterwards). Drag queens singing from balconies above Collins Street. A laneway filled with virtual neon 'dogs' and another filled with falling 'snow'. A tree that lets you write temporary messages on it with the light from your phone Two installations straight from Burning Man: a fire-breathing serpent outside Melbourne Museum and a giant mechanical insect that doubles at a DJ booth. Mini gigs performed from multiple balconies above Swanston Street. A 360-degree dome in Alexandra Gardens that will feature mesmerising projections. Stories from Australian detention centres projected onto the NGV's façade. White Night will also head out to Victoria's regional centres. It will return to Ballarat on March 17 for a second year, and will take to the streets of Bendigo and Geelong for the first time later in 2018. White Night 2018 will take over Melbourne from 7pm on Saturday, February 17 until 7am on the morning on Sunday, February 18. For more information, visit whitenight.com.au/melbourne.
The Wire isn't an anthology series in the traditional sense. It focuses on the same Baltimore police detectives each season — as led by Dominic West and Wendell Pierce — but sees their investigations overlap with a different element of the city's daily life. In the first season, it peers into illegal drugs. In the second, sea freight and the ports are in the spotlight. Across subsequent seasons, the focus falls on city government, the education system and newspapers. Dense, intricate, devastatingly smart and oh-so-involving, the result is one of the best shows that HBO has ever made — and a series on par with The Sopranos in terms of its influence. It was created and primarily written by former Baltimore police reporter David Simon, so it knows its stuff. Also, among its A+ cast, keep an eye out for particularly exceptional work by Idris Elba and a very young Michael B Jordan (and for Isiah Whitlock Jr's over-extended pronunciation of "sheeeeeeeee-it".
This is one suave-as-all-blazes tour announcement. After the recent announcement of their national tour set for November, Flight Facilities have revealed their perfect sidekicks for the road: Client Liaison. Currently touring the country on a cheeky headline tour of their own, the Melburnian duo are set to play their biggest shows to date with FF. They've recently released their perpetually listenable, essentially '80s-meets'90s debut LP Down to Earth through Dot Dash/Remote Control and now they're one of Australia's most must-see artists. Seriously. Flight Facilities have sold out their first Sydney and Melbourne shows, with extra dates announced all round. This is one show you're going to want to suit up for, lest you feel underdressed by the talent. FLIGHT FACILITIES + CLIENT LIAISON TOUR DATES: Thu 6 November — Adelaide HQ Sat 8 November — Perth CAPITOL Thu 13 November — Melbourne FORUM SOLD OUT Fri 14 November — Melbourne FORUM Sat 15 November — Brisbane TIVOLI Thu 20 November — Sydney ENMORE SOLD OUT Fri 21 November — Sydney ENMORE Tickets available here. https://youtube.com/watch?v=L_7DN_X4zsk
What sits at the heart of European storytelling? That's a question that one of Australia's must-attend film festivals has been pondering for three years. It was back in 2022 that Europa! Europa initially started showcasing the breadth of cinema from across Europe — surveying as many countries as it can fit into each annual program, and swinging from the latest to the greatest pictures from across the continent. 2025's event kicks off in February to explore that idea again. Attending Europa! Europa's opening night this year means discovering what makes a French box-office hit, for starters. A Little Something Extra, directed by comedian and actor Artus, was its nation's highest-grossing homegrown movie of 2024. When it kicks off this Australian film fest in Sydney and Melbourne on Wednesday, February 12, it'll start the celebration of cinema with a tale about jewel thief and his son at a summer camp for young adults with disability. Returning to Ritz Cinemas Randwick in Sydney for a month, running until Wednesday, March 12, Europa! Europa has compiled a roster of 44 movies from 26 countries. Accordingly, its latest program lets viewers dig into what drives filmmaking from Austria, Belgium, Bulgaria, Denmark and Estonia, and also Greece, Italy, Luxembourg, Poland, Spain, Switzerland and Ukraine. Titles from Bosnia and Herzegovina, Czech Republic, Finland, Germany, Georgia, Montenegro, Norway, Romania, Serbia, Slovakia, Slovenia, Sweden and the United Kingdom are on the list, too. Unsurprisingly, the largest contingent comes from France. Indeed, Gallic cinema provides Europa! Europa with its centrepiece film as well — and it's an Australian premiere, with Once Upon My Mother stepping back to the 60s. The festival's headliners bring big-name talents, as well as touching documentaries to Sydney and Melbourne. In Another End from The Wait director Piero Messina, Gael García Bernal (La Máquina) plays a mourning widower exploring tech-enhanced ways of facing grief, with Renate Reinsve (Presumed Innocent) and Bérénice Bejo (Under Paris) co-starring. The Dardenne brothers (Tori and Lokita) co-produce the Belgian tennis academy-set Julie Keeps Quiet, while Sweden's 2025 Oscar submission The Last Journey hails from Swedish journalists and TV hosts Filip Hammar and Fredrik Wikingsson, and focuses on a trip to France with the former's father. Still on familiar faces, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan Academy Award-nominee Maria Bakalova (The Apprentice) leads the satirical Triumph, French standouts Daniel Auteuil (An Ordinary Case) and Sandrine Kiberlain (November) get farcical in Love Boat, and Mélanie Laurent (Freedom) and Guillaume Canet (All-Time High) portray Marie Antoinette and Louis XVI in their final days in The Flood. Other highlights from the fest's slate of new titles include Spain's I Am Nevenka, about an IRL MeToo case; U Are the Universe, a Ukranian sci-fil film made during the current war; the Sundance-premiering Sebastian, about a writer who is also a sex worker; Anywhere, Anytime, a modernisation of Italian masterpiece Bicycle Thieves; and Loveable, from the producer of The Worst Person in the World — and the list goes on. Europa! Europa's annual retrospectives keep proving a drawcard, too. After shining the spotlight on Poor Things and Kinds of Kindness director Yorgos Lanthimos in 2024, the festival is jumping back into French film history by heroing the iconic François Truffaut. Four of the French New Wave filmmaker's movies are on the lineup, all showing as new 4K restorations: Shoot the Piano Player, The Soft Skin, Two English Girls and Finally, Sunday!.
After making his fortune at the card tables as a professional gambler, David Walsh launched MONA as something to give back to the community. Three years later it's become a national icon, boosted Tasmania's economy and given rise to one of Australia's best festivals. Now, despite labelling gambling as "mostly immoral", Walsh has plans in the works to build a mini-casino at his much-loved Tasmanian gallery. Yes, this is confusing. In its defence, Walsh's vision for the space goes far beyond the sad state of affairs you see on an average night at Star City or Crown. Designed for the more refined gambler, the space would be "a little high-roller, tourist-only, no-pokie casino". The entire operation would consist of nothing more than 12 cards tables. Basically, it'd be the perfect place for Bond villains to hang out should they ever find themselves in Australia. To add to this eye-patch wearing, cigar-puffing, international art smuggling cartel theme, Walsh has stated he would call the casino Monaco. While a cute play on the gallery name, the choice could also be a knowing wink at the ritzy Monte Carlo casino the nation is known for — a site coincidentally used in many Bond movies. Regardless, these plans have a long hard road to becoming a reality. At present, the Federal Group (owners of Wrest Point Casino) have an exclusive license on casino operations in Tasmania and Walsh's plans would require an overturning of the license by the state government. Walsh has reportedly made initial contact but is sceptical about his chances. At one point, the MONA owner was banned from Wrest Point for card counting. If the plans were to go through, the gallery would undoubtedly enjoy a large boost in funds. At the very least it would be an un unconventional solution to the impending cuts to Australia's arts industries and a welcome salvation for Walsh himself who has bankrolled the gallery since its inception. But honestly, the outlook doesn't look great. You can't blame an eccentric, art-loving millionaire for chasing the dream. Via The Guardian and The Mercury.
Since opening its doors in 2015, Flour Drum has established itself as a Newtown hub for great food and exceptional service. Victor Li, Christopher Heaps and Chef John Ageletos have focused their different restaurant skills to create a space that embodies what a neighbourhood cafe should be. Flour Drum doesn't attribute dishes to just one cuisine. Instead, fare showcases flavours from around the world, especially the Greek, Chinese, and New Zealand cuisines the owners grew up with. "Being my mother's son, I always cook to make everyone happy," says Ageletos on the source of his inspiration. He also recalls how his mother would whip up fusion dishes, like Indian curry fried rice that the three still make during Christmas. Surrounded by secondhand stores and street murals, Flour Drum stands apart from other eateries with a charming vintage decor and personable staff. From the front room — which is perfect for afternoon lamingtons — to a dining room for long lunches on weekends, its imaginative vision shines through via walls filled with quotes, art displays and a large Outback mural among other ornaments. There's also a garden area where Heaps has pulled together garden tables, an antique Buddha head, a collage of paintings and other treasures hidden by foliage. For breakfast, Flour Drum goes beyond the realm of typical toasties and morning pastries. Its South American-esque corn fritters topped with a poached egg, avocado, tomato jam and feta balances the sweet of the fritters with the spicy kick of the tomato jam. The must-try dish is the fluffy banoffee pancakes coated in dulce de leche and Anzac biscuit crumbles with a grilled banana and mountains of whipped cream. Flour Drum's fusion-focused menu continues through to lunch. Barbecue duck ravioli dumplings accompanied by egg noodles and a sweet shiitake broth craftily combines Asian flavours with the textures of Italian pasta. If you want a heartier meal, the eight-hour braised lamb shank ragu with house-made pappardelle is melt-in-your-mouth delicious. And, if you beat the eager crowds, indulge in the best-selling beef rendang. Whatever you eat, don't leave without a slice (or more) of the ever-changing assortment of lamingtons. Dive into the Black Forest covered in coconut shreds or go for something citrus — such as the gluten-free ricotta, raspberry and white chocolate cake. And trust me when I say you'll probably walk out with one of Flour Drum's massive cookies in hand, too. Flour Drum dances to its own beat and provides an interesting dining experience each time you visit. It'll soon become an all-day eatery, with dinner services starting in August featuring dishes like duck ragu and baked bombe alaska. Images: Jenna Manto
We've said it before and we'll say it again: Nicolas Cage cures all woes. Whether you're having an average 2022 so far, or you're sad that the long weekend is over — or you're in parts of the country that don't get a long weekend mid-June and you're sad about that — watching one of the greatest actors alive make on-screen magic as only he can is always a thrill. Yes, that's true whether he's in an excellent or awful movie, too. Your latest excuse to see Nicolas Cage do his thing comes courtesy of The Unbearable Weight of Massive Talent, aka a movie that's gotten a fair amount of attention for one huge reason: it stars Cage as Cage. It was first announced back in 2021, then hit Australian cinemas back in April. Now, as a mid-winter gift — and because fast-tracking flicks from cinemas to digital has become the pandemic-era status quo — the film has made the very quick leap to video on demand. That means that you can now spend your next at-home movie night watching Nicolas Cage play Nicolas Cage — and playing a whole lot of different styles of Cage, too. There's serious Cage, comedic Cage, out-there Cage, OTT Cage, short-haired Cage, floppy-haired Cage, slick Cage, gun-toting Cage and every-facial-expression-imaginable Cage. Whichever kind of Cage you can think of, it's accounted for. All your favourite Cage titles also get a nod or mention in The Unbearable Weight of Massive Talent, which sure does love absolutely everything about its leading man. There is a story behind the film's Cage-obsessed premise, of course. The fictionalised Cage is in a career lull, and is thinking about giving up acting, when he accepts an offer to attend a super fan-slash-billionaire's birthday. Getting paid $1 million is just too much to pass up, and he needs the money. But when it turns out that he might now be working for and palling around with one of the most ruthless men on the planet (played by Pedro Pascal, Wonder Woman 1984) — as a couple of intelligence agents (The Afterparty co-stars Tiffany Haddish and Ike Barinholtz) eventually tell him — things get mighty hectic. Also joining Cage playing Cage — not to be confused with his work in Adaptation, where he played two characters — are Sharon Horgan (This Way Up) as his fictional wife and Neil Patrick Harris (The Matrix Resurrections) as his manager. And, Are We Officially Dating? filmmaker Tom Gormican sits in the director's chair, because if there's anything else that this movie also needs, it's the director of a Zac Efron and Michael B Jordan-starring rom-com pivoting to total Cage worship. Yes, we've seen Cage break out of Alcatraz, sing Elvis songs, run around the streets convinced that he's a vampire, let his long hair flap in the wind and swap faces. He's voiced a version of Spider-Man, driven fast cars, fought space ninjas, hunted for his kidnapped truffle pig and stolen babies as well. Staying in his own shoes definitely stands out, though — as Cage himself always does. Check out the trailer for The Unbearable Weight of Massive Talent below: The Unbearable Weight of Massive Talent is available to stream via Google Play, iTunes and Prime Video. Read our full review.
What kind of holidaymaker are you? Do you seek sun and sand on your break from the daily grind? Country-hopping and site-seeing? Or just comfortable surroundings and a cold brew or two? Those keen on the latter can now put their feet up at the ultimate accommodation for beer lovers from Monday, August 27. In fact, The DogHouse is so steeped in yeasty tipples, it's attached to and run by a brewery. After a successful crowdfunding campaign, Scottish outfit BrewDog has set up the boozy venture, which lives next to its US facility in Columbus, Ohio. So, what does the world's first craft beer hotel entail? In addition to a sour brewing facility, it includes beverages and lots of them, of course. Visitors sleep in beer-themed rooms, eat craft beer-infused meals with brews tailored to every course, take brewery tours and check out the onsite beer museum. In-room beer taps are also on the agenda, as well as shower beer fridges. And, when you check in, the concierge gives you a beer — naturally. There are 32 rooms in total, including eight deluxe suites and four that are dog-friendly, should you find yourself in America with your pooch in tow. And if you're not going to be in that neck of the woods any time soon, BrewDog is also opening a second hotel at its Scottish headquarters in 2019. The company is also heading to Australia to launch its first $30 million Aussie facility in Brisbane; however that won't have a hotel attached. Images: BrewDog.
John Sugar adores cinema. It makes sense, then, that the Colin Farrell (The Banshees of Inisherin)-led Apple TV+ series about the Los Angeles-based detective loves movies just as devotedly. Sugar is styled like a classic film noir. It splices in clips from the genre's pictures, other Hollywood-set fare and fellow retro titles, swinging from The Big Heat, Kiss Me Deadly, Sunset Boulevard and Double Indemnity to Sherlock Jr and The Thing. It watches Sugar watch flicks. It listens to him drop references to and wax lyrical about them in his evocative narration. It pays tribute to its influences eagerly — and it gives its audience a helluva post-viewing watchlist. Sugar is also set in Tinseltown, going all in on LA noir like many of the movies that it references — and also The Big Sleep, Chinatown, LA Confidential and Under the Silver Lake as well — with its tale of a PI looking for a missing woman. The show's namesake might be introduced in Tokyo, where he has the case of a yakuza gangster's kidnapped grandson to solve, but he spends the bulk of the series in the City of Angels on a gig that his handler Ruby (Kirby, Scott Pilgrim Takes Off) advises against. He can't say no for the ultimate cinephile reason: one of his film idols is doing the hiring. But from the moment that iconic movie producer Jonathan Siegel (James Cromwell, Succession) puts him on the books and in search of his granddaughter Olivia (Sydney Chandler, Don't Worry Darling), Sugar may as well be in a twisty flick himself. A cinema-heavy pedigree behind the lens brings Sugar to streaming queues, too. Creator Mark Protosevich made his debut with the script for sci-fi thriller The Cell back in 2000. Director Fernando Meirelles came to prominence, complete with an Oscar nomination, for co-helming City of God. Executive producer Simon Kinberg wrote Mr & Mrs Smith back when it was a Brad Pitt (Babylon)- and Angelina Jolie (Eternals)-starring movie, not a 2024 TV show, and has a wealth of X-Men titles on his resume. A mystery fan himself, he also produced recent Agatha Christie adaptations Murder on the Orient Express and A Haunting in Venice, executive producing Death on the Nile in-between. Speaking with Concrete Playground, Kinberg notes that this detective series that's also a genre-bender and a love letter to LA noir equally has character study in its list, crucially. "I'm hoping that the audiences fall in love with John Sugar. Definitely feel intrigued, and tense in all the right ways about the suspense and the mystery and the danger of the show — the things that we love about detective stories — but I think ultimately, I hope that they fall in love with how complicated and nuanced and ultimately surprising John Sugar is as a character," he says. "When I think about my favourite television shows — and often my favourite movies, but definitely my favourite shows — it always comes back to character. And I believe that the construction of John Sugar with the portrayal by Colin is something that will grip audiences and make them love the show." Sugar might be at the heart of the series, naturally, but there'd be no Sugar without Ruby. In the show's second-billed part, Kirby adds to a killer resume that's also no stranger to detective tales thanks to 2019's fourth season of Veronica Mars. The Good Place, Why Women Kill, Love, Killing Eve, Hacks and Barry all sit among her past credits — but none had her basically playing a take on a legendary page and screen character. "I was really excited by Ruby. I was excited for Ruby before I even read about Ruby. Ruby was pitched to me as 'Ruby is to Sugar what M is to James Bond', and I felt like I loved that description of that relationship, because I knew that it would be a relationship that was layered and that had shifting power dynamics, but also was strong," she tells us. We chatted with Kirby and Kinberg about the eight-part first season of Sugar, which is available to stream in full now. On the agenda: their initial responses to its premise, which isn't afraid of twists, surprises and veering into science fiction — and also Farrell leading the show, what keeps drawing people to mysteries, the research that goes into playing the righthand woman to a PI, what gets them each excited about a new project and more. On Kinberg and Kirby's First Response to Sugar's Genre-Bending Angle on Detective Stories Simon: "Mark Protosevich, the creator of the show, had written the first script. And so I read that first script and was just so drawn to a lot of things, but primarily Sugar himself as a character. I loved the combination of this chivalrous, strong, capable leading man side with this vulnerable, human, innocent, kind side, too. I just thought that mashup between different elements was really interesting. Then I liked a similar mashup within the tone between classic Hollywood storytelling, like very film noir, obviously detective storytelling, with something fresh and new and different and bold. So I fell in love with the pilot script, and we got involved at that point, and then brought in Colin and then brought in Fernando, and then built the whole show. But yeah, it was just reading a script where I felt like 'this is a voice and tone and character I haven't seen before'." Kirby: "I actually read the script after I had been cast in the role, so I came into this project with blind faith, which is daunting. But I think that knowing the creatives involved, it felt like a calculated risk. I knew that Colin was attached to it. He was attached to it as an EP and as an actor before I before I became part of the process. And knowing his body of work — I've watched Colin for a very long time, and I think that he is an actor that does incredible work. There's incredible quality and passion there. But at the same time, there is such diversity in the roles he's taken. So I knew that this would be a project that, if he put his name on it, it would be something that would be really exciting and really new. And then knowing that this would be a neo-noir, that piques your interest, because it's not every day that you tackle that, that there are people that can tackle such a huge concept. It's very high-concept to be able to do a noir, but then to make it feel contemporary, to make it contemporary, to have it tackle contemporary issues and have a contemporary cast. And then on top of that you layer in a brilliant director like Fernando Meirelles, and I think that you have a winning formula. So whether or not you've read the script, I think that it's a project that you can get behind very early on." On Casting Colin Farrell as Sugar — and Finding a Rhythm with Him On-Screen Simon: "He was one of the first people we thought of for it because he does have that duality in in himself as a man and in his work as an actor — which is, he is very leading man and gorgeous and charismatic and witty and strong, and yet he's also vulnerable and human and flawed and fragile and sweet and innocent. That is who Colin is as a person, and it is what he brings to the character of Sugar. And he read the script and and flipped out for it as well. We met with him and immediately could see that he not only could do it as an actor, but had a natural affinity for it as a person." Kirby: "Colin is very personable, he's amiable, he's incredibly generous as a human and that really translates when you start working with someone — because the easier your chemistry is off screen, the better it will be on screen, I have found. And so for me, I think just having a really good rapport with him —we spent a lot of time there, and the majority of my scenes are either alone or with Colin — just spending long days together, in your down time you're chatting and things like that, and I think that lends itself to what you see on screen." On Working Through the Layers to Ruby's Relationship with Sugar Kirby: "I think that they have a really beautiful relationship. They have a deep connection. They've known each other for a very long time. There is a lot of trust and care and love there. But at the same time, it's a relationship that is complicated, which it is always is complicated when you are in a relationship that is both professional and personal. You find that that adds an additional layer to a friendship that not everyone has experienced, and doesn't always understand how complex that can make certain decisions." On Kinberg Being a Detective and Mystery Fan, and What Appeals to Him About the Genre Simon: "I grew up reading detective fiction. Sherlock Holmes and Agatha Christies were huge for me when I was a kid. And then ultimately more hard-boiled writing like Jim Thompson, James Ellroy, that whole generation of crime writers. I think there's a few things. One is I am someone who genuinely struggles with OCD, and there is an OCD element to detectives where they are really good at, and sometimes overwhelmed by, seeing clues in everything. So they're very attuned to the details of our world, which is something I live through. So there's that element. But the other part of it is, even when I was a kid, I looked at the world — and the world was even more this now — but I looked at a world that was chaotic, that had a lot of disorder in it. And I loved the idea that there was this sort of angel of restoring order. That detectives were there — and where, out of the chaos and muddle and mystery of life, they found order and they found truth. So that for me was always part of what was compelling about detective stories: that at the very end, there was going to be an answer, and it was going to be objective. And if you were clever and you paid attention, you could arrive there with the detective." On Thinking About Why People Are So Drawn to Mysteries While You're Making a Mystery Kirby: "I am guilty of it myself. I am very drawn to a mystery and to a documentary and a thriller, and things like that. But I think part of that is because there is so much that is unknown in our world, both on a huge, cosmic level, but also on a personal level. And I think that uncovering a mystery and figuring things out gives you a sense of control in a world that I think can feel often quite chaotic and quite out of your control. So I think that why people gravitate towards these stories is it feels very satisfying to ask a question and get a definitive answer. And these shows present something, there's a question, there is a mystery afoot, and when you figure that out you find the answer — and there is absolutely something that is completely gratifying for audiences in that." On the Affection for LA Noir and Classic Cinema That Sugar Splashes Through Its Frames Simon: "It's a huge part of the DNA of the show, this love letter to classic American cinema, specifically film noir stories. It was in the script — not the clips, the clips in the show were something that Fernando Meirelles and his editor Fernando Stutz [The Sympathizer, which Meirelles also directed episodes of] discovered in post. In the edit, they actually just started inserting these clips into it and it brought even more life into the show and made what was implicit in its homage very explicit. So yeah, it's a huge part of the show. It's a show that's for cinema lovers, but it's also for people that maybe don't know this genre of film and can discover it and learn about it by watching the show, and maybe it'll have them delve back into those classic movies. It was something that excited all of us because you were cutting to these old clips from old movies while juxtaposing them with something really modern and really new. And that juxtaposition, that dance between the old and the new, is very much at the core of the show." On the Research That Goes Into Playing the Righthand Person to a Private Detective Kirby: "For me, a lot of the research was researching the genre, because I am familiar with film noir but I don't have this film school encyclopaedic knowledge of the genre. So it was really helpful for me to take suggestions from Mark, and go in and watch Chinatown — and I had a book that was given to me at the beginning about the history of noirs and some of the biggest touchstones within that genre. That was really helpful, because I think once you start to know the tropes and the archetypes in that world, you can also start to subvert those characters and make them contemporary." On What Gets Kinberg and Kirby Excited About a New Project Simon: "A great character. It's always a great character. Sometimes people ask me this and I'll be like 'what would get you excited if you were at a party and you met somebody, a new friend, a new partner, whatever it is? You met somebody that you wanted to see again, they got you excited, and you went told your friends the next day — I just met this great woman/man/person last night'. It's the same thing for me when I read something or I hear about something, I'm like 'oh, that's an exciting person I just met and I want to spend more time with that person'. Because it's a lot of time that you're investing. Whether it's a feature or or a show, it's years of your life. So it always starts from character for me." Kirby: "Good storytelling gets me excited about a role. Creative people, creative collaborators get me really excited. So coming into a project where I know the way people work and I've seen their work, like this — I don't have to have seen this type of thing from the creators, I just have to have seen something that gets me excited. In this, knowing Fernando was attached, and being such a huge fan of City of God and his previous work, got me so excited. I think that sometimes we are in dire need of just good simple stories that that show genuine human connection — and then you can add all the other layers on top of it and that just serves to heighten the experience." Sugar streams via Apple TV+. Read our review.
There's nothing quite like the thrum of a crowd at a live gig, but we often forget to acknowledge all the incredible work that goes into putting on a show. Australia's live music scene is growing, and we owe so much of that to not only the musicians but also their managers, agents, crew and others working tirelessly behind the scenes. Support Act props up the music industry with mental health and wellbeing initiatives, like the Wellbeing Helpline, short-term financial aid and dedicated First Nations support. On Thursday, November 30, it's asking you to help continue to raise funds for music workers by showing your support on Ausmusic T-Shirt Day. Don your favourite Ausmusic tee on Thursday, November 30 and donate to Support Act to boost Australia's music industry. If you don't have a shirt, you can buy one on the website for $50. Take your pick of designs created by local artists, featuring musos such as Kylie Minogue, Nick Cave, Paul Kelly, Gang of Youths and John Farnham – but get in quick, as stocks are limited. All proceeds go directly to Support Act. You can get additional merch from celebrated stars such as Jess Mauboy, Tame Impala, Tash Sultana, INXS, RÜFÜS DU SOL and Ocean Alley, who are donating a percentage of sale proceeds to the campaign. Find the full list of merch partners at the website. In showing your support, you'll become a part of something bigger. Upholding the cause are some notable names in Aussie music — lead ambassadors Amy Shark, Budjerah and Jimmy Barnes are joined by Alex Lahey, Baker Boy, Client Liason, Gretta Ray, Jet, Josh Pyke, MAY-A, Voyager and more. ARIA, Triple J, Heaps Normal, Gildan Brands and AAMI are also backing the cause. "November 30 is a day where we can all rally together, show our support of Aussie music and raise much-needed funds for Support Act who do amazing work for artists, crew and music workers across the industry," shares Amy Shark. Donate and get involved at the Ausmusic website.
For three decades, Hank Azaria's voice has echoed from the TV screen in almost every possible variation imaginable. Being one of The Simpsons' six main cast members will do that. He's gotten gruff as perennially short-tempered bartender Moe Szyslak, especially when answering prank phone calls. He's cheerfully announced "hi, everybody!" as Dr Nick Riviera. He's hardly bothered with police work as Chief Wiggum, oozed beer-loving self-importance as Duffman, been nerdy as Professor Frink and uttered many a stern reprimand as Super Nintendo Superintendent Chalmers. The list goes on, including characters he no longer voices — such as Kwik-E-Mart owner Apu Nahasapeemapetilon — and everyone from Frank Grimes to Disco Stu. Azaria hasn't just been heard, and often, since The Simpsons' debut episode in 1989. He's virtually synonymous with the long-running animated sitcom, but his resume isn't short on other highlights. His first film role came courtesy of Pretty Woman, and he's featured in fellow flicks such as Heat, the 1998 American version of Godzilla, Mystery Men, Shattered Glass and Lovelace from there. On the small screen, he's stepped in front of the camera in Herman's Head, Mad About You, Friends and Ray Donovan, too — and led excellent two-season drama Huff, plus sportscaster comedy Brockmire. Now, he's stealing scenes in Apple TV+'s Hello Tomorrow!, a retrofuturistic sci-fi dramedy set in an alternative version of the 1950s where The Jetsons-style technological advancements are commonplace. Also an ordinary part of life, amid the hovering cars and robot waiters: everyday folks relocating to the moon. A workplace comedy as well, the series focuses on BrightSide Lunar Residences, specifically regional manager Jack Billings (Billy Crudup, The Morning Show) and his door-to-door salesmen crew. They head from town to town on earth selling timeshares on the planet's only natural satellite. Azaria's Eddie doesn't just sling getaways to whichever customers are willing to pay, either; he's desperate to take the trip north himself. Azaria uses his own vocal tones in Hello Tomorrow!, but his acting is just as elastic as his voice has repeatedly proven in his best-known gig. Eddie makes a living selling the American dream and, despite seeing that his customers' launches keep getting pushed back, he's bought into it himself. He's also as cynical as they come, and has the kind of gambling addiction that has physical consequences, yet remains hopeful of saying hello to his own better tomorrow. It's a powerful performance in a show filled with them, including from Crudup — who Azaria has always wanted to work with. "I chased this job down. I've always wanted to work with Billy. I know Billy, I love him as a performer and a person, and I wanted to be a part of this," Azaria tells Concrete Playground. Also part of our chat: what else appealed to him about Hello Tomorrow!, the show's many layers, the kinds of roles he looks for beyond The Simpsons and busting out his voice work on salesmen himself. ON HIS FIRST REACTION TO HELLO TOMORROW! "I imagined a gritty, realistic, Glengarry Glen Ross take on it. I was very surprised by this retrofuturistic element, that to me almost feels like an episode of The Twilight Zone from the 50s that we've expanded into a series. It's this kind of low-tech but high-tech high-concept idea in a morality play playing out in the context of a futuristic sci-fi premise. It reminds me of a Rod Serling-type idea. And then [there's] the heightened language of the thing, the kind of Damon Runyan sort of 1950s heightened speak that we all engage in. So it was more of a stylised thing than I had imagined." ON HELLO TOMORROW!'S EXPLORATION OF THE AMERICAN DREAM "It's this metaphor of the American dream being out of reach. Is it or isn't it? What's hope? What's delusion? What really struck me about Billy's character Jack is he's this really pretty ruthless conman who is believing, I think — it could be hope, it could be delusion on his part. But the hope he's giving people, even though it's an utter lie, [he believes] is good for them. And in many cases, it is. It's kind of what saved his life, and he wants to pass that along. Billy also refers to the pursuit of money as almost religious zealotry in this world we're in. These folks, there's a religious fervour around their pursuit of the American dream and the capitalist vision that these folks have — like even more than our current society has that we live in. So it's making that extreme version of what these ideals were and holding it up as satire." ON PLAYING THE GAMBLING-ADDICTED, LUNAR-DREAMING EDDIE "That's interesting isn't it? He's the most cynical. I think he believes he's bought into what they're selling, but he doesn't need to do that to sell. He's happy to con people — and knowingly con people, if that's what he's doing. But it speaks to, I think, the potency of that dream that Billy's character is selling — if even a cynic like Eddie, a gambling-addicted, negative, maladaptive, self-destructive person like Eddie, buys into this. He doesn't need it to sell. I don't think it affects his selling style at all. But even Eddie sees his dream of love and happiness, [living] happily ever after with his beloved Shirley [BrightSide's office manger Shirley, played by Truth Be Told's Haneefah Wood], as happening up there. It speaks to the power of that delusion, that dream." ON THE RESEARCH THAT GOES INTO PLAYING A LUNAR TIMESHARE SALESMAN "There aren't too many travelling salesmen around these days to talk to. There's a brilliant movie called Salesman, a documentary — I believe from the 60s — about bible salesmen that we all watched, and that really affected me a lot. Just the lives of these guys and their attitudes going door to door. The movie Tin Man is a great other piece of source material, [about] these conmen salesmen who were just that kind of bottomline, have to sell, really living or dying by whether you sell or not types. And then, as an actor, just wrapping your mouth and mind and heart around the language, the way these guys are talking — which is so much fun, but challenging at times. This is more the mind you apply to [Glengarry Glen Ross writer David] Mamet or [The West Wing creator Aaron] Sorkin or Shakespeare, where that's not how I would express myself, and I have to transpose my truth, what's real to me, to how this guy's expressing it. Which takes like a little bit of practice. It's almost like a skill, like a language you learn — or not as hard as that, but related to that. It is a rhythm thing, though. You find that there's a rhythm and a way of speaking that's sells it, but finding what that is takes a little bit of practice at first." ON THE TYPE OF ROLES HE LOOKS FOR BEYOND THE SIMPSONS "It's always different but always the same. Honestly, it's good writing. If I could write, I would. I can write, but I'm sort of a C+ writer. The stuff I write I guess gets made, but I probably would turn it down if I were offered it, if writer me came to me, with rare exception — Brockmire being one that I helped develop, which I loved, it was an idea I'd had since I was a teenager. But it's really writing, whether it's comedy, drama, this role, that role. Once you weed out what you really respond to in writing for whatever reason, there's not all that much left. And if you're fortunate enough to not have to work, then there's not much — to me anyway, there's not that many things that come along that I go 'oh, I could see doing that'. This was one of them." ON HOW HIS PENCHANT FOR VOICES COMES IN HANDY WITH TELEMARKETERS "It's rare that you run into a travelling salesman anymore, let alone one that's offering you up on the moon — you'd be crazy not to be immediately suspicious. But we're all barraged by telemarketers if you still have a home line, or even if you don't! You just get spam calls, and we're all pretty familiar how we usually react to those. I usually adopt a different voice and try to engage, and turn it around on the folks that call me up at dinnertime. It's one of the fun little perks of being a voice guy." Hello Tomorrow! streams via Apple TV+. Read our full review.
Ever tried to have a conversation about the NSW lockout laws but found yourself wanting for hard, easy facts on hand to explain it? The crew at Keep Sydney Open have created a video that spells it all out for you. Released today, the new ad features Sydney legends Joyride, Touch Sensitive and the mad skills from Entropico to lay down the lockout law for you. Highlighting some of the more dramatic stats — night time foot traffic in Kings Cross is down 84 percent, almost 50 bars, clubs and venues have shut down since the lockouts were introduced, our cultural life is being eroded, and our international reputation is on the slide — the video is aimed at explaining the impact the NSW Goverment's lockout laws have had on Sydney with the obvious intent of going viral. "If you wanted to reduce shoplifting, would you lock up the doors of your shop and hide all the stock in the cellar?" says Joyride in the video. "The overwhelming majority of Sydneysiders can have a good time without anyone getting hurt. Going out to see a band, dance in a club, or just have a few drinks amongst friends shouldn't be a crime, in fact, that's what's made Sydney such a great place to live. Other cities around the world have found solutions that tackle the actual problem." Watch the video here, it's already up to 16K views: Keep Sydney OpenIt's simple really: let's tackle the real problems and build a great city at the same time.Thanks to Entropico for coming up with this, Joyride for lending his pipes and Touch Sensitive for being a synth-lord. Posted by Keep Sydney Open on Wednesday, March 2, 2016 Keep Sydney Open are having fundraisers tonight at three Sydney venues. Info over here. Image: Kimberley Low.
Even if plans for a globe-trotting overseas holiday aren't in the cards for you this year, there's an easy fix for your travel blues, and it's located just three hours south of Sydney in the picturesque South Coast region of Shoalhaven. With white sandy beaches and a breezy pace of life, this coastal stretch makes for a dream getaway destination, whenever you need a timeout from big city living. And it's brimming with beautiful stays located by the water, befitting your next, much-deserved break. We've done the hard work for you and rounded up 12 of the most blissful coastal escapes you can book in Shoalhaven. Choose a winner, pack that swimsuit and get set for a hard-earned beachside getaway. Recommended reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Bayview Magnificent, Mollymook Beach This cheery coastal getaway boasts its own backyard pool and space for the whole gang. Plus, a top-notch deck, overlooking North Mollymook Beach. From $270 a night, sleeps 12. Escape at Shady Acres, Narrawallee Soak up the serenity at this self-contained coastal retreat, featuring thoughtful modern touches, private sunny backyard and a primo location close to Narrawallee Beach. From $446 a night, sleeps eight. Drop In, Bendalong Break from reality with a stay at this gorgeously updated 50s beach cottage, rocking a suite of luxurious features, plus firepit and outdoor tub. From $392 a night, sleeps two. Banniester Head Cottage, Mollymook Beach A breezy modern cottage, boasting absolute ocean frontage. Unwind in style, with luxe furnishings, epic views and an in-ground pool overlooking the water. From $750 a night, sleeps four. Atra, Callala Beach This is the kind of stunning beachfront home you'll never want to leave. Enjoy luxurious, group-friendly spaces, dedicated media room and private beach access. From $1553 a night, sleeps 12. Barefoot, Callala Beach A luxe, modern riff on the classic beach house, with open-plan living spaces spilling right out onto private lawn and sandy shoreline. From $900 a night, sleeps four. Izba, Callala Bay Revel in your own Mediterranean-inspired paradise right on Callala Bay. This one's a lofty pad with dreamy outlook, luxury features and absolute water frontage. From $867 a night, sleeps nine. Gorgeous Beachside Cottage, Vincentia With its stylish fit-out and peaceful setting amongst sandy shoreline and natural bushland, this beachside bungalow makes for an idyllic couples' coast escape. From $229 a night, sleeps two. Cloud Nine Luxury Villa, Vincentia This architectural stunner boasts an incredible outlook over Jervis Bay, with luxurious interiors to match. Expect high-end features and a stunning deck for soaking up those views. From $690 a night, sleeps six. The River Retreat, Sussex Inlet A pet-friendly holiday paradise, set right on the river's edge. This one's got a breezy indoor-outdoor set-up with sunny waterfront lawn and its own private jetty. From $632 a night, sleeps six. The Old Bottleshop, Currarong If you're after irresistible ocean views, direct beach access and a bright, modern pad to unwind in, this is it. Pool table and roomy verandahs, included. From $814 a night, sleeps eight. Prince Edward Escape, Culburra Beach Metres from the sand, with newly renovated interiors, an enviable outdoor set-up and a separate studio apartment, this chic coastal cottage is a summer holiday dream. From $665 a night, sleeps eight. Top image: Atra FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
It might just be Australia's brightest festival, and it's returning to light up Alice Springs once again. That'd be Parrtjima - A Festival In Light, which delivers its fourth and most expansive annual program so far between Friday, April 5 to Sunday, April 14 — a shift from the event's previous timeslot, moving from spring to autumn. The nation's first indigenous festival of its kind, Parrtjima announced its shift of dates earlier this year, as well as its continued focus on dazzling light installations. Now, the free ten-day public celebration of Indigenous arts, culture and storytelling has started to reveal its lineup. In 2019, as well as a closing night performance by Baker Boy, the festival will feature seven luminous displays gracing both Alice Springs Desert Park Precinct and Alice Springs Todd Mall. While Alice Spring's CBD will light up with new installations and events, just out of town, tourism and conservation facility Alice Springs Desert Park will also come alive with the festival's main attraction. Once again, a huge artwork will transform a 2.5-kilometre stretch of the majestic MacDonnell Ranges, showering it with light from 6.30–10.30pm each night of the festival — and featuring an audio track voiced by Aussie acting legend Aaron Pedersen. Visitors will also be able to immerse themselves in art and storytelling as part of the returning Ahelhe Itethe – Living Sands (Grounded), where installations are projected onto the earth accompanied by a striking soundscape. While Parrtjima's returning slate is strong, new additions to this year's lineup include an illuminated tunnel that'll greet attendees as they enter the festival space, called Angkentye Anpernirrentye-kerte – The Language of Kin; an array of over-sized sculptures that'll relay the social history of First Nations station workers and their language of the land, dubbed Angkentye Stockmen Mape-kenhe – The Language of Stockmen; and a series of sculptured large-scale moths, badged The Language of Moths, which'll brighten up Todd Mall. There'll also be a huge maze for kids and a set-up of three bush taxis displaying works by First Nations artists. As 2019 is the UN's Year of Indigenous Languages, the festival will also have a linguistic edge — as many of the light installations' names make plain. With a theme of 'Language Expressions', the full program will feature many talks and workshops focused on Central Australia's many Indigenous languages, with details to be announced in the coming weeks. Also on the bill is jam-packed program of dance, music, workshops and talks, sharing stories and celebrating First Nations' culture. It's a nice supplement to the area's Field of Light installation, which has been extended until 2020. Parrtjima – A Festival in Light runs from April 5–14, 2019 around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: James Horan.
If Gelato Messina's cult following in Sydney wasn't already at boiling point, the dessert lords just took things to a whole new level with the launch of an expansive headquarters in the heart of Marrickville. The flagship Inner West store works as a kind of Wonka-esque one-stop shop for all things Messina. Two years in the making, the Marrickville HQ is now officially open on the corner of Victoria Road and Rich Street, directly next to the Factory Theatre. And with this impressive addition to the Messina family, the team has gone all-out. There are 40 gelato flavours on offer — 35 signature flavours and a rotating selection of limited-edition varieties. Alongside the classic scoops, you'll find eight styles of gelato cakes, thickshakes, farm-fresh Jersey milk and an entire wall stocked with merch. A new range of take-home desserts is also on the menu at Messina HQ. Why not forgo the Woolies mud cake for your next birthday and opt for a Bavarian cream pie — with Iced Vovo, malt chocolate, lemon meringue and tiramisu flavours all available. There's take-home cookie dough here, and nostalgic cookie pies that can be ordered in the flavours fairy bread, peanut butter and dulce, OG choc chip or Messinatella. If all of this wasn't enough, the headquarters also functions as a chocolate shop with a range of Messina-made bars and blocks created using single-original cocoa and cocoa butter from Ecuador and Peru. Before you head off with your arms piled high with next-level desserts, you can also take a look at the production facility which is encased in floor-to-ceiling glass. This peak behind the curtain gives you a glance at the process behind all of the one-of-a-kind flavours and sugary creations that the Messina team ships off to its stores around Sydney and Australia. To celebrate the opening, Ricos Tacos is popping up in the carpark this weekend from 5pm on Friday, April 14 and midday on Saturday, April 15 to sling its beloved Mexican street eats, and the first 50 customers into the store on each of these days will be given a Messina goody bag. Gelato Messina's Marrickville HQ is now open at 1–9 Rich Street, Marrickville. It's open 12pm–late Monday–Sunday.
All hail the new kid on the block — Chaotic Social is here to shake things up. If your current adult life has begun to feel monotonous, uneventful or (dare I say) lonely — or if it has simply been lacklustre for some time now — here's your chance to change that. As the name suggests, this social club aims to add some creative flare and organised fun to your current schedule. Founded by Sydney's former 'Sausage Queen', Chrissy Flanagan, the vibrant organisation hopes to not only forge new friendships between attendees, but also to spruce up social calendars everywhere. Previously the co-owner of The Sausage Factory restaurant and the Queens Of Chaos brewery, Chrissy has taken to this new venture which was birthed from her personal frustrations with the difficulty of forming new friendships as an adult. "It's often said Sydney is a particularly tricky place to make friends as an adult," Chrissy said. "If you miss out on doing any of the big four — high school, uni, work, kids — locally or at all, it's hard to bridge the gap, leaving many of us lonelier than we would like." She continues: "As adults, we're embarrassed or too self-conscious to use modern tools such as friend networking apps to solve this problem. Chaotic Social is seeking to bridge that gap, in the form of classes and panels on weird crafts, mad skills and naked ambition, where you're encouraged to roll solo and go home with a few new mates in your phone." At its core, Chaotic Social aims to solve the struggle of making new friends in adulthood by hosting a bunch of fun events in a safe space. From creepy doll-making classes and 'speed mating' parties to sausage classes (naturally) and an online book club, you'll find activities that, at the very least, pique your interest. Head over to Petersham and you'll be greeted with the bold neon sign out front, before entering a room completely enveloped by orange. Whether you choose to hit up the event of your choice solo or in a group, you are guaranteed a good time — and your future self will thank you for it. Do keep in mind that participation in activities is not optional — no spectators! So if you're planning to attend, be prepared to get involved. You can find Chaotic Social at 256 Stanmore Road, Petersham. If you're keen to head in and check it out, take your pick from the social club's upcoming events at their events page.
Just over an hour outside Sydney, this sunshine-soaked venue sits on the gorgeous shores of Terrigal Beach. Meribella is a lavish restaurant boasting a produce-driven menu with Mediterranean influences and a Head Chef with Michelin star cred. Situated on the first floor of the Crowne Plaza Terrigal Pacific, Meribella revamps the classics by drawing inspiration from two key concepts: old-world European architecture and its primetime seaside surroundings. The sunlight-filled space is adorned with breezy, coastal tones, restored marble and luxuriously high ceilings to really show off those views. Head Chef Joshua Mason heads the kitchen, using Michelin star cred gained at his time at acclaimed international restaurants like San Francisco's Atelier Crenn to craft a seasonally-inspired offering. When dining in, you'll want to ensure you've got the barbecued scallops topped with crispy chicken skin, aged duck with beetroot and blackberry and caviar and gold leaf tart on your must-try list. Other menu highlights include the creamy Balmain Bug linguine and the decadent chocolate crémeux cake accompanied by hazelnut and cherries, which pair beautifully with the restaurant's extensive wine list. The venue is open for dinner throughout the week, with an additional lunch option on Fridays and Sundays. If you're looking for upscale dining for a special occasion or are simply ready to splash your cash on a memorable dining experience, this sophisticated Central Coast gem is worth the trip.
Catharsis is crucial in filmmaking, as Jon Favreau (Iron Man) clearly knows. The writer, director and star emerges from big-budget cinema to return to the smaller side of Hollywood, seemingly purging his demons and addressing his disappointments in the process. In Chef, Carl Casper (Favreau) has toiled from humble beginnings to become Los Angeles' premier culinary artist, but a decade working for a profit-focused restaurateur (Dustin Hoffman) sees his menus branded safe, not daring. A scathing review by a prominent food blogger (Oliver Platt) calls out his creative malaise, swirling into a storm of negative press and social media that ushers him out of a job. At first, Carl resists the encouragement of his ex-wife (Sofia Vergara) to start his own food van. Soon, he's rediscovering his passion for cooking and reconnecting with his ten-year-old son, Percy (Emjay Anthony), in a road trip across the continent. https://youtube.com/watch?v=PZ6e51-ie7w Favreau's offering proves appetising in the undemanding manner of the food trucks it covets — and repeatedly invites the comparison. Fine ingredients abound, including finessed visuals of enticing meals on par with the best food-centric efforts; however, poise and polish are swapped for a handmade feel and celebratory outcome. Chef (Film © Sous Chef, LLC. All Rights Reserved) is out on Blu-ray, DVD and Digital with Ultraviolet on September 4, and thanks to Universal Sony Pictures Home Entertainment and the release of Chef, you could win one of two Bodum EILEEN coffee press pack to deck out your kitchen. Included are: 1x Bodum 8 Cup Coffee Press 2x Bodum Pavina Glasses 1x Bodum Travel Press 1x Bodum Battery Operated Milk Frother 1x Bodum Vacum Travel Press 1x copy of Chef on DVD In addition, ten runners up will get copies of the Chef DVD. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our full review of the movie here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Victoria's Grampians National Park has long been home to world-class hiking trails, but it's just scored a giant new one that's a whole trip in itself. Start stretching, hikers, because this is a big one — a 160-kilometre trail that takes 13 days to traverse, in fact. Originally set to be completed in 2020, but finally officially opening to the public on Saturday, November 12 — just in time for summer, handily — the Grampians Peaks Trail connects some of the Grampians' best mountain peaks. If you start at Mount Zero in the north and start heading southwards, you'll pass over the summit of Gar (Mount Difficult), and then hit Halls Gap. You'll also mosey through and past Redman Bluff, Mount William, Major Mitchell Plateau, Signal Peak, Mount Abrupt and Mount Sturgeon en route to Dunkeld, spying panoramic views of the southern volcanic plains along the way, and winding through the park's low-lying greenery and waterfalls, too. Eleven hike-in campgrounds are situated along the trail, complete with raised tent pads and communal shelters, plus small huts at two sites. That said, the entire track has been designed so that everyone can get some use out of it — whether you're looking for a leisurely day trip or an overnight hike, or you're ready to commit to an epic two-week adventure. Gariwerd — as it's known by the land's Traditional Owners, the Jardwadjali and Djab Wurrung peoples — is more than just its rugged, sandstone mountains. The park is heritage-listed for its Indigenous significance, including its ancient rock art paintings and shelters, as well as for its abundance of animal and plant life, plus its damn spectacular views. For the new trail, Barengi Gadjin Land Council, Gunditj Mirring Traditional Owners Aboriginal Corporation and Eastern Maar Aboriginal Corporation all worked with Parks Victoria to guide the path's route — and to also have input into visitor information and stories, in order to help promote awareness of and respect for the cultural landscape. If you're now raring to get started, there are one-day treks at Mount Stapylton, the lower waterfalls of Gar (Mount Difficult), the Lake Wartook lookout, Signal Peak and from Lake Wartook lookout to Halls Gap. Overnight treks come with stopovers at either the Barigar and Bugiga campgrounds, while suggested three-day itineraries span Gar and Werdug, Bugiga and Barri Yalug, Duwul and Durd Durd, Yarram and Wannon, and Djardji-djawara and Mud-dadjug. Grampians Peaks Trail was funded via a $33.2 million project, including $23.2 million from the Victorian Government and $10 million from the Commonwealth Government via Horsham Rural City Council. The Victorian Government has also committed cash to other parts of Grampians National Park, with $7.76 million earmarked for upgrading the MacKenzie Falls visitor area, $5.8 million for Brambuk — the National Park and Cultural Centre and $5.5 million to add more access points to the trail. The Grampians Peaks Trail is now open. For further information, head to the Parks Victoria website. Images: Parks Victoria.
Most of Australia might've spent the bulk of 2020 at home, but that doesn't mean that we didn't notice the temperature. And if you were feeling rather toasty across the 12 months, there's a reason for that — with the Bureau of Meteorology revealing in its just-released Annual Climate Statement 2020 that we just lived through one of country's warmest years since records started being kept. Only three years on record were hotter than 2020, with the past 12 months ranking fourth. Australia's warmest year on record came the year prior, in 2019, while 2013 ranks second. If you're wondering what that means for temperatures in 2020, the overall averaged mean temperature for the entire country across the year sat 1.15 degree above average. In all states in 2020, as well as the Northern Territory, both the mean maximum and minimum temperatures were also higher than average. BOM reports that days were especially warm in Sydney, Hobart and Darwin, and nights were toasty in the same three cities, plus Canberra and Brisbane. Yes, we know that Australia is a sunny place, and has sweltering summers. But that warmth was also spread across the year, with January, February, April, June, August, September and November sitting in the ten warmest on record when it comes to a variety of markers — such as the mean, maximum and minimum temperatures for those months. November 2020 was also the warmest November on record, before summer even hit, while the entirety of spring earned that status as well. If you noticed that the three of the top four warmest years listed above all fell in the last decade, there's a reason for that as well. "The mean temperature for the ten years from 2011 to 2020 was the highest on record, at 0.94 degrees above average and 0.33 degrees warmer than the previous ten years," said Senior Climatologist Dr Lynette Bettio. Dr Bettio also notes that increasing temperatures is a worldwide trend. "Globally, every year from 2013 onwards has been among the ten warmest on record, with 2016 and 2019 being the hottest," she says. "2020 was among the top three" on a global scale, she advises, which happened "despite the onset of La Niña, which has a suppressing effect on global temperatures". In Australia, La Niña usually means more rainfall, cooler daytime temperatures south of the tropics and warmer overnight temperatures in the north. In terms of rain, 2020 was actually close to average, BOM says; however, the western parts of Western Australia, southeastern Queensland and western Tasmania all received below average rainfall. For more information about the Bureau of Meteorology's Annual Climate Statement 2020, head to BOM's website.
When asked to sum up what 2020 has been like so far, Cottonmouth Records owner Zach Williams is dryly understated. "'Interesting' would be the best description of this year," he says. "Everyone's alcohol intake is definitely going up though, that's for sure." Cottonmouth Records, a bar meets record store, opened its doors in Enmore, Sydney, in 2019 and quickly grew a loyal following among local vinyl lovers and imbibers. The bar had just celebrated its first birthday in March before the coronavirus struck. Like other hospitality businesses, it was forced to close its doors for a few weeks but is now operating as close to normal as possible, with Williams and his teams adjusting to the new conditions. "It's difficult, I'm not going to lie," says Williams. "I mean, we went from a 60-person capacity, and having two staff manage that, to five staff managing 25 people. On top of that, there's all of the logistics. You're making less money and at the same time you're putting out more money." [caption id="attachment_781462" align="alignnone" width="1920"] Reuben Gibbes[/caption] Despite the challenges posed by COVID-19, Williams is grateful to the community for getting behind the business. "In a year, we've amassed a lot of local support, which is fantastic, and we can't thank our locals enough for all the support they've shown in this pretty dire time. So many locals have been there supporting us, and, at the beginning, lots of people were buying records online and saying 'I don't even have a record player; I just want you guys to stay open'." This sense of community is central to Cottonmouth Records' ethos, says Williams. "It gets me a bit emotional when I think about it. We aren't in this for accolades, we aren't in this to win bar awards. I don't care about being rewarded for what we do. Our reward is people coming in and enjoying our venue. You can't put a price on that as far as I'm concerned. Just having this place and people populating it is a big enough reward for me." Customer comfort has been front and centre for Williams and his team as they adapt to the new trading environment. "We've got a hygiene marshal and a security guard on at all times. The community is our highest priority and we just want to make sure everyone feels safe," he says. "We have enough sections to be able to spread everyone out, to adhere to that 1.5-metre distancing [rule] and to give everyone a section where they feel comfortable has been fairly easy for us." [caption id="attachment_781468" align="alignnone" width="1920"] Reuben Gibbes[/caption] The COVID-19 marshal is also responsible for making sure patrons don't get too carried away when Williams gets behind the decks. "People just want to dance as soon as the music comes on," says Williams, but for now such things are not allowed. Instead, there's "lots of chair dancing". Another thing that has kept the business ticking along for Williams is Square, the contactless payment system and online store used by Cottonmouth Records. "Square was with us from day dot," says Williams. "It was a completely blank canvas where I could input every single thing I wanted and build it from the ground up. Now it's at a point where it perfectly runs itself." "It makes things so much easier for us, just being able to let the customer do their thing," he says. "They put in their payment, put in their tips and they can just do it all themselves." For Williams, another handy thing about Square is the integration between the in-store and online shop. "If I sell something on Square in store, within two seconds it's been taken off the website as sold. It's just fantastic. It's great functionality." While it may take a while for business to return to what we knew before COVID-19, Williams is grateful to be able to bring some cheer to Enmore and hopes the bar and record shop will be there for many years to come, chair-dancing or otherwise. Find out more about Square and how it's supporting small businesses in Australia, here. Images: Reuben Gibbes
UPDATE, MAY 2, 2020: The Australian Lockdown Comedy Festival has announced its full lineup and its premiere date. This article has been updated to reflect these changes. When COVID-19 started having an impact on Australian events, the Melbourne International Comedy Festival was one of the first to scrap its plans for 2020. The Brisbane Comedy Festival, which was already underway, also cancelled its final week — and in New South Wales, the Sydney Comedy Festival completely shuttered its event for this year, too. That means that the country's funniest folks now have some extra time on their hands — indoors, while social distancing, of course. And, they still have plenty of jokes to tell, which is exactly what Stan's new Australian Lockdown Comedy Festival is aiming to capitalise upon. Heading to the platform weekly from 7pm on Saturday, May 9 — dropping four episodes in total — the streaming-only laughfest will feature lockdown sets from comedians such as Wil Anderson, Cal Wilson, Nazeem Hussain, Dave Hughes and Zoe Coombs Marr, who'll all share material from their planned 2020 gigs. Also on the lineup: Tommy Little, Geraldine Hickey, Dilruk Jayasinha, Steph Tisdell, Aaron Chen, Sam Campbell, Michelle Brasier and Nath Valvo, as well as Tom Ballard, Randy Feltface, Claire Hooper, Becky Lucas, Sam Taunton, Nikki Britton, Demi Lardner and Tom Walker. Yes, it's a hefty list, and also features Lauren Bonner, Oliver Twist, Blake Freeman and Bec Charlwood. Each comedian has recorded their set from their homes, so expect jokes told in their kitchens, bedrooms, lounge rooms and even bathrooms. They've also be handled all the tech requirements themselves, such as setting up and operating their own cameras, in order to abide by social-distancing requirements. That said, they did have access to a director via video conferencing. Every Australian Lockdown Comedy Festival episode will feature at least six different comedians performing short standup comedy spots — including one MCing the episode. And if you're looking for some local laughs before the fest starts streaming, Amazon Prime Video has just dropped ten comedy specials from MICF stars, too. The Australian Lockdown Comedy Festival hits Stan weekly for four weeks from 7pm on Saturday, May 9.
Newtown's 28-seat no fuss cafe One Another has garnered quite the following since opening back in March. Its casual 'non-trendy' vibes are matched by an accessible menu that locals can't seem to get enough of — the place is packed most weekends. "We want it to be a place with quality food where everyone can find something to eat, but without slavishly following trends," says co-owner and chef Louis Spangaro-McAllan, who jokes he's cooked at over 40 cafes in Sydney. He's joined by Mitchell Antman, who has made the rounds through some of the best cafes in the city, including Fleetwood Macchiato, Cornersmith and Sample Coffee — which now supplies the coffee for One Another. The duo has been through the ringer trying to open this joint, having first shown interest in the building back in early 2016. Both owners live nearby, and saw this as an opportunity to open a quiet neighbourhood spot on the back streets of Newtown, tucked away from bustling King Street. Though the cafe's '$20-and-under' menu has received much press, it is by no means a mantra at One Another. [caption id="attachment_744215" align="alignnone" width="1920"] The breakfast burger.[/caption] "We're lucky enough to have Mr. Shane Roberts as our veg merchant, which allows us to get away with serving a vegetable-heavy menu without compromising quality, and this has kept the price point below $20 so far," says Spangaro-McAllan. "But this is by no means our mission statement and I'm sure at some point there will be dishes over $20." At the moment, that menu includes regularly changing weekend specials. Take the wild asparagus — it's pan-roasted in miso butter and tarragon oil, paired with crispy potatoes and a poached egg, then sprinkled with pretty purple chive flowers. Other specialties include the burrata with cavolo nero salsa and chickpea pangritata, and the lamb sausage with roasted dutch carrots, black barley and a poached egg. The cafe's signature hot-smoked ocean trout can become a protein accompaniment to any dish — the gents recommend adding it to the potato croquettes with charred brussels sprouts, capers and anchovy dressing. Staples that have stood the test of the cafe's (short) time include bacon and egg rolls, silken tofu rolls and smashed avo on toast, topped with granny smith apples, pickled ginger and coriander. Simple comfort dishes like the cheese and pickle sandwich also makes the cut. One Another's version is stuffed with melted maffra cheddar and swiss cheese, piled high with bread and butter pickles and schmeared in house mustard. The attractive tables, chairs and stools have been lovingly made from recycled Australian hardwood, sourced from old warehouses down the coast. "Apart from that, we used a whole bunch of cheap and nasty Ikea stuff, but you almost can't tell when it's juxtaposed against the timber," says Spangaro-McAllan. No fuss, indeed. One Another is located at 131 Wilson Street, Newtown. It's open Monday through Friday 7am–3.30pm and Saturday through Sunday 8am–3.30pm. Images: Kimberley Low.
When it comes to beautiful vistas, heart-pumping stair climbs and aquamarine beaches, this ten-kilometre walk gets top marks. If you haven't tackled the Manly to Spit (or Spit to Manly) walking trail before, prepare for winding stretches of bush, rocky headlands and unbeatable beaches, all along an easy-to-follow path. If you have, you'll know it's well worth spending half a day exploring the area. To help you make a day of it, we've partnered with Adidas to bring you seven prime pit stops along the way, starting from Manly walking towards Spit Bridge. Take a look, then plan your own adventure using the map below. [caption id="attachment_717602" align="alignnone" width="1920"] Kitt Gould[/caption] ROLLERS BAKEHOUSE Before you get started, you'll want to make sure you've had a decent cup of coffee and a feed. This modern bakehouse, located just back from Manly Corso, is the ideal spot to fuel up. Wander down Rialto Lane to find buttery, house-baked croissants like the Croque, with layers of creamy bechamel, manchego, swiss cheese, wholegrain mustard and ham. Or, try the Reuben, with pastrami, swiss cheese, sauerkraut, russian dressing and cornichons. For the sweet of tooth, there's a decadent Sticky Oat Chai, filled with chai-spiked frangipane, vanilla mascarpone and rich caramel. Order a filter coffee or cappuccino made with Okay Coffee beans, so you're caffeinated and ready to head off on your walk. [caption id="attachment_801551" align="alignnone" width="1920"] Kevin McGrath/DPIE[/caption] REEF BEACH Four kilometres, or an hour or so later, you may want to stop for a water break. Make Reef Beach your first pit stop for emerald waters and shade. It's worth packing your swimmers so you can take a quick dip and enjoy the stretching views back to Manly. On your way back to the track, keep your eyes peeled for wildflowers, like bright yellow and red parrot peas, fuchsia heath and sweet-smelling fluffy wattle. [caption id="attachment_801468" align="alignnone" width="1920"] Tourism Australia[/caption] ARABANOO LOOKOUT This lookout point at Dobroyd Head will easily catch your eye thanks to its panoramic views, where you can see both North and South Heads, and where Sydney Harbour turns into the Pacific Ocean. Stretch your limbs as you impress your friends with some prior knowledge, like the fact that Sydney Harbour is considered the world's deepest natural harbour, or that this lookout point is named after Arabanoo, an Aboriginal man who was captured at Manly by Governor Arthur Phillip in 1788. [caption id="attachment_801227" align="alignnone" width="1920"] Destination NSW[/caption] GROTTO POINT ABORIGINAL ROCK ENGRAVINGS Less than a kilometre from Arabanoo Lookout, you'll be working up a sweat on the highest point of the climb. Take a break and seek out these rock engravings, one of Sydney Harbour National Park's most well-known historical sites. You can see a giant kangaroo, boomerangs, a whale and several small fish etched into the sandstone, each a snapshot of how the traditional owners' of the land, the Gayemagal/Cammeraygal peoples, communicated and lived in the area. You'll see signs for Grotto Point on the pathway. [caption id="attachment_801469" align="alignnone" width="1920"] Tourism Australia[/caption] CASTLE ROCK BEACH Fifteen minutes away, this beach will not only catch your eye, but also tempt you back into your swimmers. Castle Rock Beach is only accessible by foot or boat, and more often than not you'll have this sandy pocket to yourself. You're past the halfway point here, so this is a nice spot to relax before finishing your journey. Take the opportunity to get your feet wet or, if you haven't finished your croissant, reward yourself with a private picnic. [caption id="attachment_802870" align="alignnone" width="1920"] Emily Schacher[/caption] THE SANDY BEAR Stepping onto Clontarf Beach is a reward in itself, but rather than stopping off here, make tracks around to Clontarf Marina to seek out this waterfront cafe. The Sandy Bear is perched on the marina, overlooking the sparkling waters of Sandy Bay. Watch boats and yachts breeze in and out and dogs frolic in the shallow bay, all while enjoying a smoothie (choose from banana, mango or mixed berry) or an icy pole as a cooling reward for your walking efforts. CHIOSCO BY ORMEGGIO You made it! Pat yourself on the back and head over Spit Bridge to find the ideal finishing location. Alessandro Pavoni's classic Seaforth restaurant got a makeover in 2020, and its casual, seafood-focused vibe makes this waterfront trattoria a fitting reward. Opt for a takeaway serve of calamari fritti with lemony mayonnaise and Sydney rock oysters with a zesty mignonette dressing. Or, dine in and explore the full menu by young head chef Gianmarco Pardini. Dishes like tagliolino polpo e cozze (egg pasta with a red wine octopus ragout and local mussels) and risotto alla marinara e scampi (with seafood ragout, scampi and parsley) will replenish you with carbs, locally sourced seafood and, of course, plenty of flavour. In need of a new pair of runners? Take a look at the new Adidas Ultraboost 21 runners here. Launch the map below to start plotting your own running adventure in and around Sydney. Top image: Destination NSW
Sometime next year, we can expect Marty McFly and Dr. Emmett Brown to cruise in on their DeLorean, looking to save McFly’s future offspring from incarceration, according to the Back to the Future timeline. So, 26 years later, how does Robert Zemeckis’s vision of 2015 shape up? Ubiquitous cameras? Check. Video chat? Check. The explosion of plastic surgery? Check. Flying cars? They’re not exactly part of the furniture, but they're on their way. How about self-tying sneakers? Well, according to Nike designer Tinker Hatfield, their ascent to the market is set to coincide with McFly’s fantastical arrival. “Are we gonna see power laces in 2015? To that, I say YES!” he said during an appearance at Jordan Brand’s Flight Lab Space in New Orleans. On September 8, 2011, Nike unexpectedly released a limited-edition version of McFly’s high-top, named the MAG. Complete with electroluminescent strap and LED panelling, it was a striking replica. It was also Nike's first-ever rechargeable shoe, with every charge providing five hours’ worth of glow. 'Power laces' were, however, conspicuously absent. Still, that didn’t stop all 1,500 pairs of MAGs released on eBay from auctioning to the tune of US$6 million. Footwear fanatics, sci-fi fans and celebrities spent up big, with prices starting at $10,000 and ending at $90,000+. Every cent went to the Michael J. Fox Foundation for research into Parkinson's Disease. We know that Nike bought an auto-lacing patent back in 2010, but we’ve no idea how the next round of Back to the Future-inspired sneakers will look. To find out whether or not they’ll come attached to another edition of MAGs, modelled by McFly as he makes his descent, or built into an altogether new model, you’ll have to keep an eye out for the next instalment. Via SlashFilm.
Sydney lost a long-time legend of the Kings Cross nightclub scene when Hugos closed its doors back in 2015. But when locals banded together to revitalise the area's nightlife, the space was reborn as Flamingo Lounge, courtesy of the team behind Double Bay's now-closed Casablanca Bar and Restaurant. And yes, Sneaky Sundays are back. Flashing a brand new Miami-inspired fit-out along with a 3am license and late-night pizza offering, the venue was initially intended to be a pop-up. But the team — who closed Casablanca earlier this month — has decided to go full steam ahead and make it permanent. "We knew we'd have to close Casablanca [due to commercial development] and this was the best venue to buy because of its position and history in Kings Cross," managing partner Poata Okeroa told Concrete Playground back in June. "The space is a progression from Casablanca for us." The new digs are decidedly different from Hugos, going for a 1980s vibe that combines Miami glamour with art. Think pink neon lights, a retractable DJ stage, plush lounges and mixed-media wall collages. "The artwork and ceiling details pays homage to the art walls of downtown Miami," explained designer Josh Clapp. "The lighting has a bit of Las Vegas and Caribbean flare, but we're moving away from that 'New York speakeasy' vibe you see everywhere." The space has been designed to be much moodier and darker than Hugos, with deep shades of burgundy acting as the main colour scheme. The entire venue has also been expertly soundproofed to make the internal sound quality top-notch — plus it has the added benefit of keeping the peace with neighbours. As a small homage to the venue's past, the leather from the existing lounges of Hugos has been repurposed as ceiling and wall panels. While the main club is meant to focus on the DJ booth, the adjoining terrace bar offers a more sophisticated cocktail lounge with table service and secluded booth. In all, the Flamingo Lounge will house four bars, and host three distinct nightly offerings. Flamingo Fridays will be lead by former Backroom and House of Luis Tans owner Raul Gonzales, and feature house music inspired by 1980s classic Miami disco glamour. Flamingo Saturdays will take their cues from Casablanca, with a bottle service-driven offering accompanied by hip hop and R&B. Finally, Sneaky Sundays — complete with Connie Mitchell and Black Angus — will make a triumphant return to Bayswater Road on the last night of the week, from 8pm till late. This will launch on October 1, which is on the Labour Day weekend. "We are extremely excited to be the ones pioneering the area post lockouts," said co-owner Sid Pierucci on the eve of Flamingo Lounge's launch. "Potts Point has always been a hotspot — arguably the epicentre — of Sydney's nightlife. Since the lockouts back in February 2014 the area's overall demographic has significantly altered the character of the area which is now needy of an upper class late night venue. We ultimately hope to add vibrancy to a city that currently needs it." Flamingo Lounge will soon be joined by Chula, a new Mexican restaurant from the Barrio Chino team, that will open next door before the end of the year. Words: Marissa Ciampi and Tom Clift. Images: Letícia Almeida.
If you can't choose between spending your spare time hitting up a music festival or enjoying a Sunshine State getaway, then Queensland Music Trails likely became your favourite event when it first held a trial run back in 2021. This statewide festival turns heading to see live music into a massive road trip, with different legs sprawling through different parts of the state — and it'll be back in 2023. The fest's big return this year was announced back in 2022, which was already excellent news. Now, event organisers are getting to the even better stuff, aka lineup details. Among the first contingent: Lime Cordiale, CW Stoneking & His Primitive Horn Orchestra, Hatchie, Emma Donovan & The Putbacks and Sycco. [caption id="attachment_814672" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Queensland Music Trails' bill so far covers trails in the outback, Scenic Rim and southern Queensland, including stops everywhere from St George and Charleville to Canungra and Jimbour. While the full details for each leg haven't yet been unveiled, each route varies in length — the outback trail running for nine days from Thursday, April 13–Friday, April 21; Scenic Rim's for three days across Friday, April 28–Sunday, April 30; and the southern leg for three days from Friday, May 5–Sunday, May 7. Keen on heading to Queensland's west? Then you can choose between Hussy Hicks, Karl S Williams and Jem Cassar-Daley at Oasis Afternoon in St George — or Emma Donavan & the Putbacks and Alice Skye at the Outback River Lights Festival in Cunnamulla. There's also C.W. Stoneking & His Primitive Horn Orchestra, Everybody NOW! and The Pacific Belles at The Big Base Party in Charleville; Harry James Angus and The Barleyshakes Duo at The Sundowner in Tambo; and a whole on-the-road series of gigs with The Barleyshakes Duo, too. So far, the Scenic Rim trail will welcome back The Long Sunset for a second year, hitting up Canungra on Saturday, April 29 with Lime Cordiale, Hatchie, Sycco and Tia Gostelow — and more to be announced. And, on the southern trail, there's the also-returning Opera at Jimbour for three days, featuring talent from Opera Queensland, Ensemble Q and the Griffith University Conservatorium of Music Orchestra. Still on opera, an entire festival dedicated to it — the Festival of Outback Opera, in fact — returns from Tuesday, May 16–Monday, May 22. At present, it features a long lunch and dark-sky serenade in Winton, plus an evening of singing and an opera ball in Longreach. This fest within the fest hasn't been put in a specific trail, but journeying to Winton and Longreach (and between them) works as its own route. More details, acts and events are still to be announced, as part of a fest that was initially slated to cover huge music gigs and festivals held at 25 locations around Queensland — also heading to Quilpie, Toowoomba, Roma and Blackall, Longreach and Winton. Now expected to arrive further down the road, with no further specifics so far, are trails in the far north, along the reef, in Brisbane, and through both the Gold and Sunshine Coasts. If 2022's plans stick, the first will span Paronella Park, Yarrabah, Cairns, Barron Gorge, Kuranda and Mossman/Port Douglas, while the second will hit up Mackay, Proserpine, Airlie Beach, Hamilton Island, Bowen and Townsville. And, the Brisbane, Gold Coast and Sunshine Coast trails are obviously self-explanatory. [caption id="attachment_857800" align="alignnone" width="1920"] Mitch Lowe[/caption] An initiative of QMF (Queensland Music Festival), Queensland Music Trails is returning thanks to a $20-million investment by the Queensland Government over the first three years. "The Queensland Music Trails are a key step to building Queensland's cultural events so we are ready to host the world in 2032 for the Brisbane 2032 Olympic and Paralympic Games," said Queensland Tourism Minister Stirling Hinchliffe. "It's exciting to see QMF partner with key Queensland artists and arts organisations to collaborate on signature cultural events that will be integrated into Qld Music Trails, including a visual arts tour with Arts Queensland funded Flying Arts Alliance, and Festival of Outback Opera and Opera at Jimbour with Opera Queensland who are also supported through the arts portfolio," added Minister for the Arts Leeanne Enoch. [caption id="attachment_887098" align="alignnone" width="1920"] Big Red Bash[/caption] Queensland Music Trails return for 2023 from April — head to the event's website for more information. Images: Katrina Lehmann / Mitch Lowe.
The cold weather won't stop many from scoring a scoop of ice cream, but sometimes, a warmer bite just feels right. With this in mind, it's a good thing Gelato Messina is back with a new edition of its cult-favourite cookie pie. Made in collaboration with Tony's Chocolonely, this is the ideal chance to discover the brand's mission to end exploitation in the cocoa industry. Designed to be baked fresh at home, this feel-good cookie pie offers the ultimate treat for when you're rugged up on the couch. Plus, this inventive dessert hits all the marks of a winter treat: golden on the outside, gooey on the inside, and loaded with Tony's beloved milk and dark chocolate pieces. Crafted in-house by Messina's pastry team, expect each pie to resonate with the same thought and care as the brand's top-notch gelato. Speaking of, this molten delight is best served with a scoop of your go-to Messina flavour on top, helping to create your dream combination. Available from all Messina stores and for delivery from Monday, July 7, these limited-edition treats are served first-come, first-served. Just don't expect them to last long. Priced at $25 each, you're welcome to bundle with 500ml, 1L or 1.5L tubs of Messina gelato, so you can scoop at home until your heart and tastebuds are content. If you're keen to brave the cold weather, single-serve cookie pies will be served in all Messina stores (except Circular Quay and The Star) from Monday, July 14. Available from 5pm every Monday–Thursday throughout winter, these smaller portions are priced at $12, with your choice of gelato scoop making your after-dark adventure more than worth it. Plus, the team is getting in the mood by launching Brownie Points, a limited-edition flavour created to pair with your pie. Think salted milk chocolate gelato, lashings of caramel and Tony's double-choc brownie rolled into a toothsome scoop. It's available from all Messina stores from Saturday, July 12–Saturday, July 19, or until sold out. Tony's Chocolonely and Gelato Messina's cookie pie is available from all locations and for online delivery from Monday, July 7. Head to the website for more information.
Steve Costi's Seafood is now taking online orders and delivering fresh seafood, ready-made meals and luxe platters across the Sydney metro area. Costi's has been a go-to for Sydneysiders since the first store opened in the David Jones food hall in the CBD, back in 1985. Now, even more seafood lovers can order from Costi's with ease. There is a full range of seafood on offer via the online store including fish fillets, prawns, crabs, scallops, octopus and mussels. You can also order whole fish from rainbow trout ($11.50), through to whole Tasmanian salmon ($85). For those planning a bit of a fancy night, cooked western and eastern rock lobsters are both available, or you can have oysters delivered to your door, with a dozen Sydney rock oysters available for $24. If you're looking to put on a spread at your next picnic or for your household with minimum effort, you can order both seafood and sashimi platters. The seafood platter for four ($175) comes packed with a kilogram of tiger prawns, 18 Sydney rock oysters, four Moreton Bay bugs, smoked salmon, bread rolls and cocktail sauce; while the sashimi platter includes salmon, tuna, kingfish, scampi, scallops, salmon caviar and black lumpfish. Alongside the seafood choices, you can order ready-made meals like a deluxe fish pie meal for two ($45) which comes with minted baby potatoes, parsley, fennel and citrus salad, broccolini with Pepe Saya butter and heirloom roasted beetroot. Other ready-made options include a salmon wellington meal, fish tacos and a classic fish and potato scallop combo. The minimum spend on delivery is $50 and it costs $15 as a flat rate across Sydney metro. You can check if your suburb is included in the delivery area via this list. Steve Costi's Seafood delivery is available via Costi's website.
Face it. There's nothing, nothing more heartbreaking than going out for a casual walkie with your beloved dog, grabbing a cheeky gelato cup at the beach and not being able to share it with your pooch. Much whimper. Such fail. Too long, too long have pups been shunned from ice creameries simply because the pockets in their dog hoodies rarely hold money and dairy products make them incredibly ill. Enough! No longer will this integral gelato market and prime branding opportunity be ignored. Gelatissimo are stepping up and doing what should have been done years ago (because trending topics). They're releasing a range of doggie gelato that can be enjoyed by both pets and owners alike — please avoid sharing though. Please. Importantly, the gelato is gluten free and flavoured peanut nougat (which is a dogwide favourite ice cream flavour, apparently) and gentle on puppy tums. From March 26, you can grab a scoop from 18 Gelatissimo stores (including Balmain, Bondi Beach, Central Park, Coogee, Cronulla, Newtown, Watsons Bay, Wagga, Manuka, Lane Cove, Lygon Street, Coolangatta, Mackay, Mooloolaba, Noosa, Toowoomba, Norwood and Surfers Paradise). Alright we so know it's a bit much and most of us don't have a weekly budget for dog iced treats, but think of it more as a treat for yourself that you can share with your pupper (if they whimper at you enough). Image: Mochi and Miranda @justanotherdogblog.
One, two, three, four: Sex Bob-Omb! are back, and everything Scott Pilgrim with them, thanks to upcoming Netflix animated series Scott Pilgrim Takes Off. First announced earlier in 2023, the new take on a bass player fighting the object of his affection's seven evil exes is hitting the small screen as a streaming series, with the entire Scott Pilgrim vs the World cast returning to their roles. And if you're wondering what that all looks like, the show has just dropped its first teaser trailer. Obviously, a lot can happen in 13 years — and for the cast of 2010's page-to-screen favourite Scott Pilgrim vs the World, much has before Scott Pilgrim Takes Off reaches screens. Michael Cera kept returning to Arrested Development's George Michael, made a stunning appearance in the Twin Peaks revival and featured in Barbie. Mary Elizabeth Winstead added everything from Fargo and 10 Cloverfield Lane to Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) to her resume. Chris Evans became Captain America, Kieran Culkin killed it with insults in Succession and Anna Kendrick had the whole Pitch Perfect franchise. Brie Larson slipping into Captain Marvel's shoes, Aubrey Plaza's The White Lotus stint, Jason Schwartzman still showing up in Wes Anderson films aplenty — that's all occurred as well. Now, more Scott Pilgrim has come all of the above actors' way, too. The movie that started off as a series of graphic novels by Bryan Lee O'Malley, and also hit video games, will live on again from Friday, November 17. And, once more, Scott (Cera) will fall for Ramona Flowers (Winstead), and face off against her past loves. When a film becomes a streaming series, that doesn't always mean that the OG stars return with it — but it does in this case. As well as Cera and Winstead, Scott Pilgrim Takes Off boasts Culkin as Wallace Wells, Kendrick as Stacey Pilgrim, Larson as Envy Adams and Plaza as Julie Powers. And, yes, Evans, Schwartzman, Satya Bhabha (Sense8), Brandon Routh (The Flash) and Mae Whitman (Good Girls) are all back as Ramona's evil exes. The list doesn't stop there. Alison Pill (Hello Tomorrow!) as Kim Pine, Johnny Simmons (Girlboss) as young Neil, Mark Webber (SMILF) as Stephen Stills, Ellen Wong (Best Sellers) as Knives Chau are reprising their roles as well. While Scott Pilgrim Takes Off still sees its namesake swoon over Ramona, then tussle with her former paramours, this is more than just a do-over. "I knew that a live action sequel was unlikely, but I would usually defer by suggesting that perhaps an anime adaptation was an interesting way to go," the original film's director Edgar Wright told Netflix back when the series was first announced. "And then, lo and behold, one day Netflix got in touch to ask about this exact idea. But even better, our brilliant creator Bryan Lee O'Malley had an idea that was way more adventurous than just a straight adaptation of the original books," Wright continued — and he's back as an executive producer. Check out the first teaser trailer for Scott Pilgrim Takes Off below: Scott Pilgrim Takes Off will be available to stream via Neflix on Friday, November 17.
