Art lovers, amateur gazers and veteran collectors, rejoice. Sydney's lauded Art Month Sydney has returned for its tenth year running, with artistic director Kate Britton claiming it to be the "biggest and most ambitious program yet". The city-wide celebration of contemporary art and artists kicks off March 7, bringing together art appreciators from all walks of life to attend free exhibitions, talks, workshops, panel discussions, studio visits, precinct nights and parties."It's about engaging and celebrating our city's whole arts ecology," says Britton. And with galleries and creative spaces across the city participating, you'll have no problem diving into it all — except for maybe deciding where to start. That's where we come in. To help you start planning your arty excursions, we've teamed up with Art Month Sydney to track down the must-sees and must-dos from the creative program. From private art collections and French cinema screenings to free parties, talks and performances, here we've chosen our six top picks to add to your calendar this month. ART AT NIGHT Every Thursday during the month, the beloved Art at Night series will take place, exploring a different precinct each week and giving punters the chance to visit local galleries after hours. Kicking off on March 7 for the official launch of Art Month Sydney, Art at Night will take over Paddington and Woollahra galleries such as Roslyn Oxley9 Gallery, Wagner Contemporary, KORBAN/FLAUBERT, Sabbia Gallery and Saint Cloche among others. And to celebrate further, a free afterparty will be held at the National Art School from 8pm–10pm with performances by artists Brian Fuata and Megan Hanson, alongside an installation by Brian Van Hek. Then on March 14, Waterloo and Green Square will come to life with the opening of The Other Art Fair. The next week, you'll get a double dose of art nights with both East Sydney and St Leonards precincts becoming the focus on Thursday, March 21 and Friday, March 22 respectively. And to round out the festivities, on March 28, Chippendale and Redfern galleries will throw open their doors till late, with a party to follow at The Lansdowne featuring performances, DJs and more arty happenings to be announced. COLLECTORS' SPACE For those who love a sticky beak, the CBD's 541 Art Space is hosting festival highlight Collectors' Space, giving us curious cats a chance to peer into the private collections of some of Sydney's most creative duos. Located in an enormous, beautiful space in the city, the exhibition hopes to inspire one's own art collection — aspirational or not — and is the perfect lunch break or after-work cultural pitstop. "There is a voyeuristic element to the Collectors' Space that people really get into. It's very intimate, and it's not an experience you get in many exhibitions, that blurring between public and private space," says Britton. "People can come along and find out a bit more about how people build a collection, find out you can start small, find out that passion and desire are all you really need, and hear about how people fall in love with a particular work or a particular artist." [caption id="attachment_710671" align="alignnone" width="1920"] Blake Lawrence: Dead Reckoning, 2018. Image by Lou Dietz-Henderson.[/caption] SATURATED TERRAIN Giving a platform to commercially unrepresented artists, Saturated Terrain at Willoughby's Incinerator Art Space is an exhibition curated by Kate Britton and a centrepiece of this year's program. As Art Month Sydney's second unrepresented artist exhibition and with works by Tom Blake, Kieran Bryant, Ethel-Anne Gundy, Shivanjani Lal and Blake Lawrence, the show pushes to engage with all aspects of Sydney's art scene and celebrate its breadth and diversity. "The Incinerator Art Space has such a unique history and architecture, it's hard not to respond to it when you're thinking about occupying that space," notes Britton. With water as the central theme of Saturated Terrain, it paradoxically plays off the history and function of the incinerator's space and showcases a variety of works, making for a multifaceted and dynamic exhibition. Here, water becomes a metaphor of passive resistance, quiet power, a surface that hides great depths. [caption id="attachment_710672" align="alignnone" width="1920"] The Wild Boys.[/caption] THE ART OF FILM Partnering up with Alliance Française French Film Festival, Art Month Sydney introduces a new segment this year: The Art of Film — a series of three films shown across the festival. A rare chance to view films that highlight where art and film intersect, The Art of Film includes Jean-Luc Goddard's The Image Book, Virgil Vernier's Sophia Antipolis and Bertrand Mandico's The Wild Boys, with each session hosting a discussion post-screening. "We chose three films that are really driven by an artistic sensibility," notes Britton. "They all experiment in different ways with their medium, are very ambitious and painterly in their use of colour and image." The Image Book will screen at Palace Chauvel on Sunday, March 10 at 3pm, Sophia Antipolis at Palace Verona on Saturday, March 23 at 4.30pm and The Wild Boys at Palace Central on Friday, March 29 at 6pm. Tickets are available here. [caption id="attachment_612819" align="alignnone" width="1920"] Galerie Pompom.[/caption] TALKS PROGRAM Brush up on your art knowledge with insightful talks and panel discussions with some of the industry's most acclaimed local talents. Topics range from wearable light art as discussed by Japanese artist Erina Kashihara at The Japan Foundation to a retrospective look at the Michael Hobbs Collection with panellists Tony Albert (artist and collector), Peter Braithwaite (collector), Michael Brand (Director of AGNSW), Alex Seton (artist) and Beatrice Spence (publisher). Along with its perennial talks program, Art Month Sydney 2019 is welcoming a new talks-on-the-go series, aptly named 'Walkie-Talkies'. Every Saturday at 11am, local creatives will host curated walking tours, with artist Alex Gawronski kicking things off in Rozelle on March 9 at Artereal Gallery and Sydney College of the Arts. On March, 16, Cultural Capital's studio manager, Bethan Donnelly, will guide attendees through Chippendale, visiting three of the area's key spaces: Woodburn Creatives, Nanda\Hobbs and Galerie Pompom. Lastly, on March 23, art writer and curator Mariam Arcilla and artist Mason Kimber will lead a Walkie-Talkie through Paddington, visiting stockrooms and galleries along the way. THE STUDIO OPEN Celebrating explorative, creative and unconventional ceramics, The Studio Open champions a medium that's often overlooked as a 'functional' artform. Taking place at The Other Art Fair at Australian Technology Park, the event will offer a sneak peek into some of Sydney's most boundary-pushing artist studios from March 14–17. In collaboration with kil.n.it experimental ceramic studio and the Little Orange Open Studio from Campbelltown Arts Centre, the event will see artists bring their studio to the fair and share their practices onsite. You'll also be able to watch artists such as EJ Son, Vivien Hill, Joseph Turrin and Angela Bishop at their craft and pick up some freshly made pieces from their studios. Art Month Sydney runs from March 7–30, 2019 at various venues Sydney-wide. For the full program and more information visit their website here. Lead image: Art at Night at The Lansdowne by Document Photography. Courtesy of Art Month Sydney.
Sisters Grimm do not make theatre the way you might usually think of theatre. The trashtastic Melbourne satirists (also known as Ash Flanders and Declan Green) staged their DIY 2010 theatre piece Little Mercy in a car park and 2012's Summertime in the Garden of Eden in a suburban garage — and got rave reviews for both. So much so that the anti-establishmentarians have gone establishment, in the nicest possible way, as the Sydney Theatre Company is bringing them out to reimagine Little Mercy, a high-camp ode to 'evil child' movies, for their Wharf 2 stage. (Summertime in the Garden on Eden, meanwhile, will get a run at Griffin Theatre in November). Marcus Costello caught-up with Ash, who as well as writing and directing is playing the mother character Virginia, on his first day treading the boards at the Wharf. Here's what he had to say on stepping up to the main stage, the joys of the low-brow, and how they're adapting their "aesthetic of failure". First day of rehearsals, how's it going? We haven't stopped laughing that we’re actually here at STC. Well it's a long way from where you gave birth to Little Mercy in a Melbourne car park all those years ago. How has the show changed since then? Oh, you know, just little tweaks — like rewriting the whole show. Our shows are always staged in response to the space we're working in and the resources we have available, which is usually next to nothing. Our work ends up being an exercise in the aesthetic of failure, which is where much of the comedy comes from. Of course, being here [at STC] we can't just pretend we have no money so we're responding to the idea and construction of conventional theatre. In a way it's not that radical a departure because we're all about the interrogation of genre — finding the cracks, tearing it apart, and putting it back together. We like to see how much pressure something can take before it's completely unintelligible. Stepping up to the main stage... I like to think of it as STC stepping down [laughs]. Good call. In any case it's a collision of worlds. If you like it here and want to stick around, how is that going to affect your anti-establishment practice? If we can get paid to do shows on big stages, great, but it was never really our aim to make it to this point at settle-in. I think we'll always do scratch shows because mixing up where we perform is really important to us. I mean, we'll ride this out and have fun along the way, but we won't get so big-headed that we'll stop performing in living rooms and backyard sheds, or car parks, even. By the same token, if performing in car parks to a bunch of our adoring friends was all we ever did, it wouldn't amount to much. We don't plan to play it safe. A character at the centre of your play, Rodger, is a wealthy theatre director. Should we take that as a dig at the establishment? Um, [laughs] oh I don't know how meta we want to get about that! I mean, yeah, his job, his taste comes across as increasingly ridiculous throughout the show. We needed a job where the husband/father could become totally engrossed in what he does. As we both know, directors can get way too involved with their own projects and stop seeing the world around them — maybe even fail to see their own child is a psychotic killer. You say that the goal of your theatre is to make the audience laugh. I reckon your gritty-camp shtick might rankle with some of the more conservative STC season subscribers, don't you think? We don't intend to shock them too much. I mean, we won't be flopping our dicks out. In a way, our comedy is kind of old-fashioned. A man in a dress isn't new, but what we do with it hopefully is new and interesting and funny. At least we hope so because we think laughter in the theatre is vital. If you go to the theatre to take your medicine, to eat something that's good for you, then you've killed a lot of the joy. I don't like to go to the theatre to be educated. Dialectical, polemical, preachy theatre, theatre where the performers blast their politics at you, that doesn't inspire me. At least, if I learn something I want it to be incidental to the laughs. And if it's not making me laugh, it should make be gasp. Whatever is does, it needs to make me feel something. There are a number of Australian theatre-makers at the moment who set out to hurt feelings and sensibilities. How do you feel about that? Oy vey! That's not something we would deliberately set out to do. Our kind of humour can be quite hoary and hokey but I think if anything was going to offend, especially the STC audience, it would be the stupid jokes — because we would offend their intelligence [laughs]. I'm not playing Virginia for a joke, but every time I get on stage there will be laughter for a good five seconds. That's interesting because you're not unknown to the Melbourne drag scene. How does it feel having an audience laughing at you not with you? I'm totally fine with it. It’s not my job to know why people are laughing, it's really not. I'm happy with laughs wherever they’re derived from. I'm just not that precious; I'm aware of the grenade that I am. Little Mercy is on at the Sydney Theatre Company's Wharf 2 from March 7 to 24. Tickets are available from their website.
They said Dead Europe would be unfilmable. As a novel, Dead Europe, written by Christos Tsiolkas in 2005, is dense, sprawling, and frequently horrifying. Yet a film version has been made, however challenging that may have been. Dead Europe is the second feature film from Tony Krawitz, whose previous work includes Jewboy and the 2011 documentary The Tall Man, with a team of producers behind it whose resumes boast films such as Shame and Animal Kingdom. What is remarkable about it is that very few films deliver the same kind of visceral impact as Dead Europe, and even fewer deal with the generally abstract themes of memory, history, and commodity capitalism in a way that leaves you shaking when you leave the theatre. There have been few Australian films made like this one. The film addresses the sins of the past, and the way in which we continue to be haunted by apocryphal stories we frequently refuse to acknowledge. The story sees Isaac (Ewen Leslie), the son of Greek migrant parents, return to Greece to scatter his father's ashes. He gets wasted, he has sex, and he observes the underbelly of Europe, a place haunted by the atrocities of the 20th century to such an extent that Isaac's own family's past slowly begins to torment him in the spectral form of Josef, a young boy played by The Road's Kodi Smit-McPhee. The film is in part a psychological thriller — something akin to the heathen child of Rosemary's Baby and Lilya 4-Ever — with the audience never sure whether the presence haunting Isaac is real or simply a figment of his imagination. Yet it is also an unflinching view of Europe, and the ways in which people simply are not good to each other. The problems with the film emerge if you've read the book. An adaptation of a novel is a tricky thing, because there is always some expectation that the filmmakers will attempt to maintain the integrity of the book. Yet the cinematic adaptation of Dead Europe is so far removed from the novel — in the changes to the plot, the setting, and the ending of the film — that it seems almost misleading to give it the same title. It says something very different to Tsiolkas's novel, and in that respect it would be best to think of the works as companion pieces. But as a stand-alone film, Dead Europe is beautiful, visceral, and utterly remarkable. It is arguably one of the best Australian films we've seen in recent years. Read our interview with director Tony Krawitz here. https://youtube.com/watch?v=XrNnofw8CQw
Sculpture by the Sea didn't grace the Bondi-Tamarama coastal walk last year, and isn't set to until October this year. But if you're eager to go for a wander, check out large-scale pieces of art and enjoy the great outdoors, you can head to The Rocks this May and June for a new free exhibition called Sculpture Rocks. Set to display from Thursday, May 20–Wednesday, June 3, Sculpture Rocks will feature 18 works from 14 sculptors, with Japanese artists in the spotlight. You'll be peering at pieces by Keizo Ushio, Takeshi Tanabe, Mitsuo Takeuchi, Ayako Saito and Akira Kamada, among others — and from artists who currently hail from both Japan and Australia. As for what you'll be seeing, expect plenty of stone. "Each of these artworks in thought and practice stems directly from the ancient rock gardens of Japan," explains Sculpture by the Sea Founding Director David Handley. As well as linking in with Japanese cultural traditions, the exhibition will also feature "kinetic and abstract sculptures to provide a cross section of Japanese sculpture today," Handley advises. [caption id="attachment_808636" align="aligncenter" width="1920"] Hiroyuki Kita, aguidepostforthewind (2010)[/caption] Presented by the Sculpture by the Sea team alongside Place Management NSW and the Port Authority of NSW, the exhibition will ape one of the most stunning — and most popular — things about its sibling event, too: the waterside view. You'll be moseying along the Sydney Harbour foreshore area, including between the Overseas Passenger Terminal, along Campbells Cove and up to Hickson Reserve next to the Park Hyatt Hotel. Basically, think of it as a smaller version, in a similarly striking spot, and with a specific focus. A smaller indoor exhibition, called Sculpture Inside Rocks, will also take place at the same time at Campbell's Stores. Sculpture Rocks will display from Thursday, May 20–Wednesday, June 3 at various locations around The Rocks. Head to the exhibition website for further details.
Though technically taking its inspiration from The Hamptons, The Pines in Cronulla, with its chic, neutral palette, pops of greenery and meat-heavy menu (though it's got a vegan one, too) would fit right in in the south of France. The beachfront eatery, which opened November 2020, has James Metcalfe as its exec chef and former Rockpool and Merivale sommelier Chris Hoy heading its beverage list. The menu is extensive and features everything from four-week dry-aged steaks ($38) and koji cured-flank ($38) to smoked ham and pineapple pizza ($29). For a real treat, order the seafood bouillabaisse ($110), which feeds two and comes with a whole baguette. Images: Rachel Kara
In The Guest Edit we hand the reins over to some of Sydney's most interesting, tasteful and entertaining people. For this instalment we have enlisted the guidance of Claire Perini, an interior architect who is founder and curator of the beautiful Avalon-based interiors studio and store Composition. Here, Claire divulges some of her favourite spots in her pocket of the Northern Beaches, a suburb once primarily known as a haven for surfers that is now home to a burgeoning creative community and growing food and drink scene. [caption id="attachment_812163" align="alignnone" width="1920"] Bar Elvina interior, photographed by Steven Woodburn[/caption] Dining & Drinking Bar Elvina "Whether mid-week or mid-weekend, Elvina is always serving up good times. Specialising in Mediterranean food with seafood expertly cooked on charcoal and a focus on pasta and grains — my personal favourite being their vongole which I could eat breakfast, lunch and dinner. They also boast a beautiful outdoor terrace nestled in an edible kitchen garden that is available for hire and makes the perfect backdrop for any celebration. On the weekends Elvina also has a bottomless banquet, tantalising menu and includes open wine and Aperol spritz's (I'll have 3 please). Menu designed and beautifully executed by Andy Emerson (formerly of Acme)." Find it at: Level 1, 50 Old Barrenjoey Road Book here. Randy's "A casual street bar you'd expect to find hidden within the streets of New York. With a focus on delicious snacks designed to be shared and daily oyster happy hour (serving only the best Australian rock oysters) Randy's is a keeper. Weekends are lively and you're bound to find a local to dine with on a Friday afternoon. Chef Zac serves up a series of different pickled foods that I frequently request jars of to take home." Find it at: 50 Old Barrenjoey Road Text or call to book: +61474 945 431 Graze n' Cakes "Mine and most of Avalon's favourite hole-in-the-wall dining spot, this patisserie/Vietnamese haven is undoubtedly my favourite lunch spot. When you can get a banh mi and the best chocolate chip cookie in one spot, why would you go anywhere else? Sandy who runs it, is also one of the nicest people on earth which is an added bonus when visiting!" Find it at: 3/38 Burrawong Road Call: (02) 8919 0058 Other local dining spots that Claire recommends: Pocket Pizza, Oceana Traders and La Banette patisserie. [caption id="attachment_944544" align="alignnone" width="1920"] The collection at Composition, photographed by Sage Hammond[/caption] Shopping Composition Naturally this guide needs to include Claire Perini's own studio, showroom and store which we have previously described as "achingly tasteful". Her meticulously curated selection of Modern-period antiques and contemporary brands all fall within one of three categories: Artefact (unique vintage), Object (new product) and Print (design literature both vintage and new, and lithographic works). The latest collection dubbed 'La Dolce Villa' has a focus on smaller items and little moments to admire that bring sweetness and connection into interior spaces. Find it at: 45a Avalon Parade Browse the website here. Bassike "The prominent Australian brand that needs no introduction has their stunning flagship store (designed by Akin Atelier) within the heart of Avalon. With not only their stunning own range of designs, but I love the way the brand threads through beautiful Australian brands that compliment the company's ethos." Find it at: 41 Avalon Parade Browse the website here. Lee Matthews "A new addition to the offerings in Avalon is the introduction of Lee Mathews' beautiful showroom." Find it at: 4o Avalon Parade Browse the website here. Peggy Concept Store "Named after Peggy Guggenheim, this store does not disappoint. Offering a curated collection of Australian and international ready-to-wear brands including some of my favourites: Matteau, Silk Laundry, Oséree and Muma World." Find it at: 62 Old Barrenjoey Road Browse the website here. Lifestyle Sauna Amalfi "A new addition to Avalon is this modern take on a Swedish sauna, Sauna Amalfi. Services include state of the art clear light infrared saunas, a traditional sauna, and a UV-Filtered and temperature controlled cold plunge." Find it at: 62 Old Barrenjoey Road Browse the website here. Feels Pilates "When you're done eating and drinking your way through Avalon, nothing like a little reformer session to sweat away the guilt. The Feels Pilates instructors will leave you feeling like every muscle has been activated with their dynamic classes that focus on form." Find it at: Rear shop at 46 Old Barrenjoey Road Learn more here. [caption id="attachment_536619" align="alignnone" width="1280"] Avalon Beach[/caption] Nature "My absolute favourite part of living in the Northern Beaches, and specifically 'past the bends', is the nature. The proximity to the national park, the views of the Pittwater, the sounds of wildlife and the community constantly activating the different elements... A few of my favourite spots would be, Paradise Beach a little beach on the Pittwater side; Angophora Reserve a little hour's walk through the bushland but nestled just behind the village shops and for some more dramatic scenery; Bangalley Head walk which boasts views of the ocean and the natural sandstone cliffs." Discover more spots in and around Avalon Beach here.
Standing in a bar, being forced to make small talk with a stranger: we've all been there. Hearing from your parents more frequently than you have time for, despite your best intentions: many of us have experienced that as well. In Toni Erdmann, both scenarios combine in a way that might well give you nightmares. Just imagine if the person accosting you while you try to enjoy a drink turned out to be your dad in a bad wig and false teeth. At its simplest, that's the idea behind writer-director Maren Ade's 162-minute comedy, which has been garnering acclaim since it premiered at the 2016 Cannes Film Festival, and remains the favourite to win his year's Oscar for best foreign-language film. A German consultant living in Bucharest, Ines (Sandra Hüller) is irritated when her practical joke-loving, divorced and lonely father Winfried (Peter Simonischek) arrives for an unexpected visit. But that soon gives way to unbridled horror when his alter ego Toni starts following her around. Once is odd, twice is annoying, and three times… well, that's something else. Then again, one of the basic elements of life is repetition, which Toni Erdmann demonstrates disarmingly well. First, you'll cringe. Then you'll laugh. Before long, you may find yourself crying. Those are the stages audiences cycle through while watching Ade's film, and it's no accident. The mastery evident in ensuring that every detail of the movie imitates life can't be underestimated. The naturalistic camerawork and astute commentary on the importance of humour is not unlike Toni's ridiculous headpiece: it's just what's visible on the surface. With all the buzz around the film in the lead up to the Oscars, it's hardly surprising to learn that we'll soon be getting an American remake (starring Jack Nicholson and Kristen Wiig). Why the world needs an English-language version is a question Hollywood is happily ignoring, but its high-profile cast certainly have huge shoes (and wigs, and false teeth) to fill. As Toni keeps ramping up his antics and Ines keeps struggling to contain her reactions, Hüller and Simonischek prove the film's most important pieces, ensuring their characters are not just likeable, but thoroughly believable as well. https://www.youtube.com/watch?v=j0uwi5EPnpA
If Neil Buchanan taught us anything on Art Attack it was that a toilet paper roll can be used to design an array of artistic works. Whilst the word 'intricate' may never be used to describe the toilet roll castles he helped us build, it perfectly describes the artworks created by artist Anastassia Elias using only toilet rolls and a scalpel. Since 2009, the French artist has sculpted 67 works from these rolls, with each as spectacular and beautiful as the next. She carves the detail of each scene from other rolls and then delicately inserts them through a slit cut into the roll that frames each individual piece. Her works include dancing ballerinas, a busy construction site, an incredibly detailed science laboratory and an amusement park spanning two toilet rolls. Rouleaux, the title of the series and the accompanying book, is available here. In the meantime, you can check out our favourites below. Via Huffington Post.
The Little BIG Foundation, an organisation committed to tackling loneliness, is throwing a series of free gigs at the Flour Mill of Summer Hill. Across the four Fridays in October, the foundation will be encouraging Summer Hills locals and all Sydneysiders to gather at the community park for a post-work dose of live music. On October 7, 14 and 21, the music will kick off at 5.30pm and attendees are encouraged to pack their own BYO picnics to enjoy some snacks or a homecooked dinner under the stars during the free gigs. On Friday, October 28, the catering has been taken care of, with the team behind the Flour Mill Markets pulling together a lineup of food trucks and vendors from 4–8pm. Street parking is available, however it's encouraged that visitors utilise the Lewisham West light rail station just beside the park, or either of the Summer Hill or Lewisham train stations that sit roughly a five-minute walk away. The event will be subject to weather, so if you're heading along, make sure to check the Summer Hill Little BIG House Instagram to stay up to date.
Holy Basil is the perfect pre-theatre stop for a quick bite that'll get you out the door in time for your show. With three venues across Sydney, the popular restaurant's Parramatta outpost is conveniently located just a two-minute stroll across the river from Riverside Theatres. On the menu, classic Thai and Lao noodles and curries live next to signature offerings such as the crispy snapper and mango salad ($59.90), roast duck in Holy Basil's homemade plum sauce ($29.90) and the surf and turf platter ($47.90). Don't walk out the door until you've had the fried ice cream with salted caramel and coconut ($20.90), which has been a menu staple for over a decade. Top Images: Nikki To
Mary's monthly Monday night party is back. Jump in the Fire sees Australia's best chefs and sommeliers put their mark on the Mary's brand with one-off food and wine feasts. And the next one features a local favourite. From 5pm on Monday, August 26, award-winning chef Mat Lindsay of Chippendale's Ester will takeover the Mary's Newtown kitchen. He'll be serving up his spin on Mary's signatures, including a herbed falafel burger with tahini and harissa, fried dukkah chicken with garlic sauce and halal snack pack-style loaded fries. Alongside the eats, sommelier Nick Stewart will be pouring a range of natural wines — with blends created for Ester by the likes of Basket Range Wines, Commune of Buttons and Manon. Sydney's Wildflower Brewing and Blending and Gippsland's Memento Mori have also brewed special beers for the night, made using Ester's woodfired sourdough. And, of course, there will be raucous tunes blasting, curated by local musicians and Mary's mates. Entry to the monthly event remains free, but remember it's a small joint, so get in early to nab a table for your crew.
Suckers for good selvage will dig this one. Denim fans and jeans enthusiasts should squeeze into their skinnes and get to The Grounds of Alexandria on Saturday, July 12 for a one-off exhibition of jeans owned by famous peeps. Check out Anthony Kiedis' painted pants, the baggy straight-legs of Adam Sandler and the unfathomably tight pants of the now presumably pantsless James Franco. Strutting into The Grounds as part of Jeans for Genes Day (Friday, August 1), the exhibition will also include the denim favourites of Eric Bana, Gene Simmons, Maroon 5 and the previously paraded pants of those wonderfully abominable Kardashians. Keeping on the yearly tradition of donating a dollar and donning your denim, the Jeans for Genes Denim Exhibition is raising some sweet moolah for Children’s Medical Research Institute (CMRI) — dedicated to finding out why one in 20 children worldwide is born with a birth defect or genetic disease. Kiedis' jeans mark the cornerstone of the exhibition, donated by the Red Hot Chilli Pepper himself and glorified by Australian artist Kathrin Longhurst. “What an absolute treat to be given Anthony Kiedis jeans to paint this year. My artwork is really a collaborative effort — part of it is not mine. The man himself creates the portrait on the right leg of the jeans," says Longhurst. "Anthony is a great philanthropist himself, giving charity concerts and donating time and money to many good causes." Jeans for Genes will auction off celebrity jeans at a big ol' gala event later this year, where the denim delights are expected to fetch up to $25,000. Not bad for a pair of jeans.
Print is dead, or so we've been told for the past few years. Newspaper sales are down, Borders and Angus & Robertson stores are closing their doors and our attention shifts more and more to computer monitors. But is it a full stop or just another stage in the cycle? The nature of books is changing. They are moving online but aren't remaining stagnant in their form. A more discerning palette for information is leading readers to different forms of consumption. The same person might skim through the paper online, read a Kindle Single (a digital book a seventh the size of a regular book) during their lunch-break, flick through a broadsheet on the train home and indulge in a traditional hardcover before bed. The prophecies that people aren't reading anymore are unfounded. Readers are just diversifying their source. With traditional bookstores feeling the backlash from this new plethora of information outlets, unconventional ventures could prove the way forward. Ed's Martian Book is the creation of author Andrew Kessler, and sells over three thousand books. Well three thousand copies of the one book. His book. Although not the most financially sound move, Kessler freely admitting "I'm not a very good businessperson." He has sold a few hundred copies but at least his book is getting some attention in this store. Instead of ruthlessly vying for the attention of customers with displays and discounts, in his store he is guaranteed an audience. The current state of affairs in publishing has been reached through the advance of technology but it wasn't a march towards an ideal, but rather a winding road of adaptation. Visual Loop recently teamed up with Brazilian designer, Flavia Marinho, to cover the history of printing. What it reveals is the rise of the book, the rise of the newspaper, the fall of the book, the rise of the novel, the collapse of newspapers, the rise of the magazine, the resurrection of the newspaper and so on. Overall it shows a trend of peaks and troughs, it has happened before, it is happening now and it is going to happen again. Whether tablet PCs will destroy print media is yet to be seen, but there's something to be said about the smell of a new book, the feel of paper between your fingers and the satisfaction from a finished book on the nightstand that can't be mimicked by a computer. Well not yet at least.
A new food/art installation in Tokyo is offering a multi-sensory eating experience that combines delicate Japanese cuisine with stunning projections and sound. Located inside Sagaya, a Saga beef restaurant in the city's Ginza district, the permanent installation, titled Worlds Unleashed and then Connecting, was created by art collective teamlab and serves just eight guests each day. Projections depicting Japanese scenery and wildlife illuminate the walls and table, and react different to each artfully presented dish on the rotating monthly menu. https://www.youtube.com/watch?v=JLYxixvQ_hw "When a dish is placed on the table, the world contained within the dish is unleashed, unfolding onto the table and into the surrounding space," explains the collective. "A bird released from one dish can perch on the branch of a tree unleashed from another. The trees that grow from each dish are not identical; their sizes and shapes are affected by the worlds unleashed by the other dishes on the table. These unleashed worlds are also affected by your behaviour. If you stand still, a tiny bird might alight on your hand; if you move suddenly, it might fly away." Pretty lofty, but we're never opposed to ambitious creativity on our plates. Via Designboom.
When JK Rowling dropped those last terrible three words on us at the close of Harry Potter and the Deathly Hallows, all was not well. It would never be well without Harry, Ron, Hermione fighting the Dark Lord in a series of fantastical and wholly engrossing scenarios. But little did we know, this would not be the end of the Age of Harry Potter. Thanks to the internet and the sheer demand for all things HP, Harry has lived on through new books, fan website Pottermore, film spinoff trilogy Fantastic Beasts and Where to Find Them, a series of film screenings accompanied by a live orchestra and all manner of pop-ups around the world. But one of the biggest things to come of the post-Harry Potter era has been Harry Potter and the Cursed Child, JK Rowling's West End play that's essentially the eighth book in the series. And now — are you ready for it, muggles? — producers Sonia Friedman and Colin Callender have announced that the acclaimed play will be making its way to Australia in early 2019. Harry Potter fandom aside, it's something all theatre-goers can get excited about. Since debuting in July 2016 the production has won 22 awards and has repeatedly sold out at London's Palace Theatre. It will head to Broadway next year, before gracing Melbourne's Princess Theatre in early 2019. So what exactly is The Cursed Child about? Well, it picks up 19 years after Harry Potter and the Deathly Hallows and that abominably cheery epilogue on Platform 9 3/4. Harry is now an overworked Ministry of Magic employee, and the play focuses on both him and his youngest son Albus Severus Potter as they grapple with the past and future. The production is presented in two parts, so you'll have to book into two performances, either on the same day (matinee and evening) or on consecutive evenings. Update, June 27, 2018: It was announced this morning that tickets for the Australian premiere of Harry Potter and the Cursed Child will go on sale at 9am (AEST) on Monday, August 6, 2018 via harrypottertheplay.com. Muggles can also follow that link to join the mailing list and receive priority booking access. The dates for the show, which will be shown exclusively in Melbourne at the Princess Theatre, have also been released, with preview performances running from January 16, 2019 to February 22, 2019 and regular performances running from February 25, 2019. Ticket prices will range between $65–175, with 40 seats priced at $40 released for every performance, too. For more information about the cheap ticket initiative, full dates and cast announcement keep an eye on the website. Image: Manuel Harlan. By Lauren Vadnjal and Nita Fredricks.
It's back, it's big and it's heading around Australia in February 2023: St Jerome's Laneway Festival and its impressive lineup, that is. Returning for the first time since 2020 — since celebrating 15 years since Danny Rogers and Jerome Borazio first decided to fill a Melbourne alleyway with tunes — the beloved fest boasts a phenomenal list of talent taking to its stages for its huge and eagerly awaited comeback tour. Here are three names to get you started: HAIM, Joji and Phoebe Bridgers. Laneway has been teasing its 2023 return since early 2021, then locked in dates and venues — and come Sunday, February 5, 2023, it'll hit up Sydney Showground. Also on the bill: Finneas, Fontaines DC, Fred again..., Girl in Red, slowthai and Turnstile, as well as 100 Gecs, Chaos in the CBD, Knucks and Mallrat. Yes, the lineup goes on from there. Clearly, there's a whole heap of reasons to be excited — from HAIM's first Australian tour since 2017 (and definitely the first since Alana killed it on the big screen in Licorice Pizza) to Bridgers' return after a huge few years, just to name a couple. Also on the list: just Laneway being back and livening up late summer in general. General ticket sales start at 9am on Thursday, September 29 via the festival's website. ST JEROME'S LANEWAY FESTIVAL 2023 LINEUP: Haim Joii Phoebe Bridgers Finneas Fontaines DC Fred again... Girl in Red slowthai Turnstile 100 Gecs Chaos in the CBD Knucks Mallrat Ross From Friends The Beths Yard Act Adam Newling The Backseat Lovers Harvey Sutherland Jacoténe Jamesjamesjames Logic1000 Sycco Tasman Keith The Lazy Eyes Top image: BCS Imaging.
Your mates have flocked to the Mediterranean coast. Your boss is sailing around Croatia. Heck, even your parents have jetted off for a week of sun, sand and piña coladas in Hawaii. And here in Sydney, we're sloshing and shivering our way through another winter season But, there's plenty of reason to rug up, get out and explore our sparkling harbourside hometown. Even if it's chilly outside. As the mercury plummets, there's no better time to cosy up, glass of wine in hand, and let someone else do the cooking. Or perhaps you're looking for a dose of arts and culture or even something to get the blood pumping? Whatever you're craving, Sydney has a whole stack of blues-busting events, festivals and activities all winter long. To get you started, we've teamed up with InterContinental Sydney to bring you a staycation itinerary that'll make your winter a little bit warmer. Base yourself at the hotel's CBD location and hop from exhibitions and pop-up events to must-see dining spots. We've done the hard work you; all you have to do is get exploring. INDULGE IN A LAND TO SEA BUFFET A staycation isn't really a staycation unless you treat yourself to the finer things. At InterContinental Sydney's Cafe Opera, you'll find a 'land to sea' buffet packed with fresh seafood, locally sourced meats and a new Asian cuisine station. Enjoy Sydney Rock oysters, prawns, green-lipped mussels and a selection of sushi, then fill up on roast meats sourced from the Southern Highlands like lamb shoulder, pork belly and beef rump. You can choose to go for lunch from Wednesday to Friday or enjoy the 'deluxe experience' over the weekend. Our tip? Stop by from Friday night to Sunday (all day) for a luxe seafood offering of Balmain bugs, blue swimmer crab, salmon sashimi and grilled whole salmon available lunch and dinner. Plus, if you choose to lunch on the weekend, you'll also get free-flowing sparkling wine and soft drinks with your meal. The Land to Sea Buffet is available from Wednesday 12pm to Friday 2.30pm for $69 per person and from Friday 5.30pm to Sunday 10pm for $99 per person. Kids ten and under eat free. InterContinental Sydney is also offering 20% off food till October 13, 2019. WATCH AN OPERATIC MASTERPIECE AT THE OPERA HOUSE It's a Sydney icon that welcomes 8.2 million visitors every year. Some would say it's the most popular house in the country. But, for Sydneysiders, it's often the most overlooked of attractions. Rediscover the striking Sydney Opera House with one of the world's most famous love stories. Madama Butterfly is the bold new production by choreographer Graeme Murphy, bringing new life to Italian composer Giacomo Puccini's original work. This digital production uses 12 huge high-definition LED panels to showcase animations and film content, telling the tragic tale of a young Japanese girl's marriage with an American naval officer. Make sure to bring plenty of tissues for this one. Madama Butterfly runs from Friday, June 28 to Saturday, August 10, 2019, and tickets start at $47. [caption id="attachment_679482" align="alignnone" width="1920"] Madeye Photography[/caption] HAVE A CUPPA AT A FESTIVAL DEDICATED TO TEA Blending and brewing are terms typically associated with craft breweries. But, the specialty tea market is just as complex, and you can learn all about it at the Sydney Tea Festival. This one-day event brings dozens of tea specialists and lovers to Carriageworks for workshops, tastings and a bustling tea market. Sample specialty loose leaf tea, relax in the Brew Lounge and immerse yourself in a world of flavour with educational tastings, demonstrations and hands-on workshops. Once you've worked up an appetite, stop by the on-site food trucks for a sweet or savoury bite to eat. Sydney Tea Festival takes place on August 18, 2019, and tickets start at $16.95. DO YOUR BRAIN SOME GOOD AND LEARN SOMETHING NEW There's much more to science than lab coats and Bunsen burners. And Sydney's annual science festival proves just that. Showcasing some of the globe's leading thinkers, Sydney Science Festival brings researchers, museums, universities and communities together for a week of discovery, discussion and scientific debate. Even if science class was not your thing at school, you'll still find something that intrigues within the festival's lineup of talks, workshops and exhibitions. Picnic beneath the stars (and with reduced light pollution) explore activism in the age of climate change, challenge how you perceive reality at A Night of Illusions and celebrate the female tech visionaries who've played an important role in the history of technology but have been overlooked — until now. Sydney Science Festival runs August 6–18. Find the full lineup here. SEE THE ARCHIBALD AT THE AGNSW You know the year is going by quickly when all of a sudden it's Archibald time. Don't let the annual exhibition pass you by this year. This year, you can expect to see the likes of actor David Wenham, three-time Paralympic gold medallist Dylan Alcott plus Sydney-based author, broadcaster and journalist Benjamin Law. The best bit? For just $20 you'll also get to explore the Wynne and Sulman Prize exhibitions, showcasing the best landscape paintings of Australian scenery as well as the best subject, genre or mural painting. The Archibald, Wynne and Sulman Prize 2019 runs till September 8, 2019, and tickets cost $20. And while you're there, opt to catch a double exhibition with tickets to The Essential Duchamp for an additional $16, running till August 11, 2019. Treat yourself to a staycation this winter at InterContinental Sydney. Enjoy up to 30 percent off your stay if you book before August 5, 2019 and check-in before September 30, 2019. To book, visit the website here. Top image: Madeye Photography. Updated: July 22, 2019.
All across New South Wales, stages are being swept, setlists are being finalised, speakers are being stress tested, and crowds are gearing up — what for? It's time for the long-awaited 2025 return of Great Southern Nights. This massive festival series will see over 300 gigs take place in cities and regional hubs across NSW — from Byron Bay to Broken Hill and beyond. To the south of Sydney, one hell of a lineup is setting up shop in Wollongong. Already worth visiting year-round with its beautiful beaches and buzzing communities, the capital of the Illawarra will play host to gigs great and small from Friday, March 21 to Sunday, April 6. We've teamed up with Great Southern Nights to tell you when and where the hottest gigs are taking place and the spots to catch your breath between them. [caption id="attachment_939244" align="aligncenter" width="1920"] Georgia Griffiths[/caption] The Great Southern Nights Lineup Over 17 nights all across NSW, Great Southern Nights will be putting on a good time and bringing the noise. In Wollongong, you'll have your pick of 15 gigs across the festival, from Thirroul down to the middle of town. Some of the heaviest hitters (including Missy Higgins and The Cat Empire) have already sold out, so if any of the artists interest you, you'd best get tickets sorted. On the lineup, there's the famously raucous Northeast Party House, rising stars Waax and ARIA-nominated Emily Wurramara. Additionally, acclaimed jazz vocalist Emma Pask, six-piece alt ensemble Gut Health, 80's Aussie rock legends Noiseworks, dance duo The Presets, local grunge rock group Satin Cali and indie pop group Sesame Girl stand out as must-see shows. [caption id="attachment_809031" align="aligncenter" width="1920"] Jasmine Low[/caption] Local Eats and Treats As one of NSW's great seaside cities, it's no surprise that Wollongong has a busy hospitality scene. Let's start at sunrise, breakfast is the most important meal of the day, after all. One of the top spots is Diggies, a cafe by the beach in North Wollongong that serves up breakfast and brunch delights like salmon croquettes with poached eggs and buttermilk pancakes with fresh fruit and honeycomb butter. If you're seeking a nightcap or an ideal pre-game spot ahead of the GSN gigs, Wollongong's got quite the small bar scene. If a cold schooner is what you need, make tracks to Five Barrel Brewing. With seven core brews and a colourful roster of limited releases, you'll find a brew for you. If you prefer a drink with a bit more bite, then head to Howlin Wolf Whiskey Bar for a nip of the 350+ options on the strong whisky (and whiskey) list. Can't decide? Don't stress. Head to Humber for a drink and meal of your choice in the laneway, cocktail lounge or rooftop. Things to Do and Places to See Wollongong is a regional melting pot of experiences, where the history, culture and entertainment offerings from across the Illawarra come to a head all in one place. If you prefer to keep your itinerary simple and focus on the scenery, the legendary Sea Cliff Bridge is arguably one of the most scenic roads in the country and is just half an hour out of Wollongong. Otherwise, hit the Illawarra Escarpment on foot to get out of the hustle and bustle and into a 30-million-year-old rainforest. If you're in need of some zen (no shame in taking a breather between gigs), Wollongong just so happens to be home to one of the largest Buddhist temples in the southern hemisphere and a beautiful botanical garden park in the northwest corner of the city. If you'd rather raise your heart rate — try skydiving from an almighty 15,000 feet (4572 metres), the highest altitude skydive you can do in the country and half the cruising altitude of a 747 airliner. Otherwise, keep things simple and hit the beach. You're spoilt for choice down here, with 17 patrolled beaches within the borders of the City of Wollongong. North Wollongong Beach or Wollongong City Beach are your closest picks, or the expansive Windang Beach just south of the city lies in wait for those keen to go further afield. Where to Spend the Night Of course, a packed itinerary like this will leave you in dire need of a hot shower and a comfy mattress on which to rest your weary bones. There are plenty of budget options scattered throughout the city if all you need is a bed for the night post-gig before the drive home, but some standout options are available as well. If you're planning on spending your free time by the beach, you'd benefit from a booking at the small but beloved Surfside 22 Motel. This Palm Springs-style property has been open since the 60s, with 16 rooms fitted out with all the modern fixings in a retro style. You'll be mere steps from Wollongong City Beach, and amenities like a plunge pool, sauna, outdoor shower and garden wrapped in a contactless self-check-in-and-out system for a smooth stay. [caption id="attachment_882177" align="aligncenter" width="1920"] Courtesy of Novotel Wollongong Northbeach[/caption] If you prefer a large-scale stay, Novotel Wollongong Northbeach is the place for you. This four-and-a-half star stay sets you up a stone's throw from North Beach — with city or seaside views to boot. Get all the modern amenities your heart desires (including four on-site venues serving food and drinks), all within walking distance of the gigs you'll be hitting up for Great Southern Nights. And if you're after something really different… why not book a stay in that aforementioned Buddhist temple? The Nan Tien temple offers rooms in the Pilgrim Lodge for any would-be traveller and gig-goer. With views of the temple's scenic gardens and an option to partake in any of the on-site ceremonies and wellness activities, it's perfect for anyone seeking some peace and quiet without leaving the city. Just be aware that since it's a functioning Buddhist temple, all guests are expected to respect the dress code and etiquette requirements. Great Southern Nights is set to take over venues across NSW between Friday, March 21 and Sunday, April 6. Check out our gig guides for Sydney, the Central Coast and Newcastle or visit the website for more information.
The close ties between Italy and Australian can't be ignored. Italians love pasta and wine, and we also love pasta and wine, after all. Accordingly, what better way to celebrate this joyful union than to head along to an Italian street festival on your Sunday. Returning for 2019, Ferragosto will bring a solid dose of Italian culture, food and general entertainment to Sydney's Five Dock on Sunday, August 18, with over 150 food stalls hawking street eats and handmade goodness (including Pasticceria Papa's famed ricotta cheesecake), as well as dance and music across five stages. Aussie singer and former Home and Away star Johnny Ruffo will headline alongside comedian Joe Avati — and if you've ever wished you were cruising across Florence on a vespa, there'll be a bunch of fancy Italian vehicles on display. Last year's event drew more than 100,000 people, so it seems that the people of Sydney enjoy Italian culture a fair amount: and with this being Ferragosto's 22nd birthday, the obsession doesn't seem to be fading. What's to argue with when it comes to pizza and cannoli, really? Ferragosto runs from 10am–4pm. Image: Ann-Marie Calihann
Forget ocker comedies and downbeat dramas — when it comes to Aussie cinema, there's a new trend in down. Sure, plenty of titles have made the leap from theatre to film during the country's movie-making history, but with Ruben Guthrie, Holding the Man, Last Cab to Darwin and Spear all hitting cinemas within the last year, the nation appears to be in the middle of a stage-to-screen renaissance. Next comes The Daughter, with actor and playwright turned filmmaker Simon Stone leading the charge. After treading the boards with his own take on Henrik Ibsen's 1884 work The Wild Duck, he now turns the tale into an Australian-set feature film. When Christian (Paul Schneider) returns to the mountainous outskirts of New South Wales after years spent in the US, his homecoming stirs up mixed emotions. His father Henry (Geoffrey Rush), is pleased to see him, but Christian has more than a few reservations about his dad's impending marriage to the much younger Anna (Anna Torv). And while his reunion with childhood best mate Oliver (Ewen Leslie) proves happy, the more time Christian spends with his pal, his wife Charlotte (Miranda Otto) and teenage daughter Hedvig (Odessa Young), the more troubles start to emerge. Some characters know things they shouldn't, others are hiding details they're trying to forget, and everyone gets caught up in the chaos when certain truths are exposed, making secrets and lies The Daughter's primary currency. There's more than a little bit of melodrama at play, though there's not much in the narrative that's unexpected. Even if you're not familiar with the source material or Stone's previous theatre version, it's not hard to see where the soapy story is going. That's disappointing in terms of delivering real twists, turns and mysteries, but it does showcase the movie's true focus: its characters and performances. Corralling an impressive, mostly Australian cast — a scene-stealing Sam Neill among them — Stone hones in on the actions and emotions of a close-knit group struggling with the weight of past and present deeds. Accordingly, the tension that bubbles throughout the feature stems from their reactions, rather than the many not-so-surprising revelations. Whether frozen with shock, arguing with anger or crying in pain, their response to the situation always feels real. Take the figure of Hedvig, the titular daughter, for example. She seethes with a blend of confidence and vulnerability not often seen in teens on screen, with Young giving her second great performance, behind Looking For Grace, of the year so far. It certainly helps that Stone, as a director rather than a writer, favours an empathetic, subjective approach in his stylistic choices. With a colour scheme that reflects the characters' moods, and camera angles that mirror their perspectives, he crafts a movie that looks as intimate as the age-old issues it trifles with. The end result may be obvious and histrionic, story-wise, yet it's still for the most part engrossing. As such, The Daughter doesn't just bring the stage to the screen, but the messy nature of life as well.
Twenty-two kilometres east of Bega is a wilderness camp surrounded by spotted gum trees, overlooking Tanja Lagoon. Expect to be greeted by kangaroos before being shown to a luxury safari tent, one of only four, on the edge of Mimosa Rocks National Park. For active types, there is a chance to go paddling and bushwalking to secluded beaches. For lazy bones, options include lolling about in the handcrafted bed followed by moonlit soaks in a giant bathtub, which looks out to the surrounding trees through a big picture window. Expect to pay upwards of $600 per two-night stay, and plan your trip well in advance as this place tends to book out quickly.
Now a decade and a half in — and 28 films, too, plus seven new TV series that've hit queues in the last 18 months — the Marvel Cinematic Universe is an ever-expanding pop-culture behemoth. Sometimes it can be spectacular, as with Black Panther and Thor: Ragnarok. Sometimes it's dispiritingly routine, as seen in Doctor Strange in the Multiverse of Madness. The MCU keeps shining bright popularity-wise, though, so much so that it's now telling its own tales about how it's so popular. In Ms Marvel, it even focuses on a Marvel superfan, heads to a Marvel fan convention and revels in worshipping at its own altar. Yes, we've reached the point in the biggest current franchise there is where the MCU is overtly and openly celebrating itself within its own on-screen stories — and celebrating the people who celebrate the MCU. Here, Marvel also shows its characters frothing over the very saga they're appearing in, homemade costumes whipped up for cosplay contests and all. That sounds like something out of the supremely non-Marvel superhero satire The Boys, but it's now an IRL status quo. And yet, with new streaming series Ms Marvel — which started its six-episode run on Disney+ on Wednesday, June 8 — all this Marvel self-fandom thankfully doesn't just feel like a massive corporation patting itself on the back in an expensive splash of self-congratulations. One of the reasons that Ms Marvel works: it's a series about a Marvel devotee because it's a coming-of-age series. Today's teens have grown up with the MCU, so a show about a 16-year-old finding her place in the world — with and without powers — can easily acknowledge that fact. The comic-book company isn't being meta or reflective. Rather, as non-Marvel fellow Disney+ release Turning Red was, Ms Marvel is about a teenage girl working out who she is and what she wants to be, and also how that process is shaped by what she loves. Pakistani American Kamala Khan (debutant Iman Vellani) happens to be obsessed with Marvel, and with Captain Marvel (Brie Larson, Just Mercy). Ms Marvel's first two episodes largely set the scene, establishing the MCU's second new-to-screens character in as many Disney+ programs after Moon Knight. Kamala lives in Jersey City with her parents Yusuf (Mohan Kapur, Bullets) and Muneeba (Zenobia Shroff, The Affair) — one friendly, the other strict — plus her elder brother Aamir (Saagar Shaikh, Unfair & Ugly). As well as palling around with her mates Bruno (Matt Lintz, The Walking Dead) and Nakia (Yasmeen Fletcher, Let Us In), often while talking about the Avengers, Kamala makes stop-motion videos fuelled by her Marvel mania. She also wants to do more than her mother allows, such as attending an Avengers convention dressed up as her hero, which Muneeba deems inappropriate. Deepening this tale about a teen desperate to follow her heart — a story that's hardly unique — is how wonderfully culturally specific Ms Marvel proves. The titular character is Marvel's first Muslim superhero, and this TV series embraces Kamala's heritage, as well as the stresses that come with being the American-born child of immigrant parents who want her to take advantage of their adopted home while remaining steadfastly true to their culture. Yes, Bend It Like Beckham did something similar first, just with soccer in Britain rather than superhero devotion in the US. That doesn't make Ms Marvel any less astute and affecting, however, including when it examines Kamala's layered relationship with her family and their expectations, and balancing caped-crusader fandom with tradition, religion and Pakistani pop culture. Of course, if Kamala's on-screen debut was only about a Marvel-loving high schooler with recognisable adolescent woes — even welcomely culturally apt ones — it wouldn't exist. Amid the yearning and rebellion, and just being a Pakistani American teen, arrives superpowers that are a literal dream come true for such a MCU stan. But Kamala doesn't know why she can suddenly create floating energy fields, shooting them a bit like Spider-Man slings webs, or where her abilities stem from. While that setup isn't unique either, creator and head writer Bisha K Ali (Loki, Four Weddings and a Funeral) ties Kamala's tussle with her new skills to everything that makes her who she is. The broader embrace and exploration of her culture doesn't subside; indeed, thanks to family whisperings about the perils of indulging in fantasies, her heritage might be linked to her future path. The MCU has spun coming-of-age tales before, with not one, not two, but three Tom Holland-starring Spider-Man movies within the franchise. There's a touch of the animated Spider-Man: Into the Spider-Verse to Ms Marvel, though, in its infectiously joyous vibe. If the series wasn't as sincere as it is — and as charming, warm and fun as well — it could've easily felt too calculating. Marvel does like to try other genres on for size, often moulding them to fit the house style, and Ms Marvel might've done the same with teen dreams and high-school hijinks. Indeed, it still may have played out that way if its lead casting wasn't so spot-on. Surprisingly given how much of a natural she is in front of the camera, and in the role, Vellani is an on-screen newcomer — and an utter delight. Just as the unrelated Conversations with Friends benefited from casting a new talent without any past credits, Ms Marvel is all the better for having its lead come to the part without any film and TV baggage. But being a fresh face navigating such a sprawling realm isn't why Vellani is so engaging. She's at home selling the show's comedy and drama alike, and its diehard Marvel devotion and adolescent angst as well, and making it all feel as lived in and genuine as the MCU has ever managed. That this miniseries is a lead up to 2023 big-screen release The Marvels, where Vellani will return as Kamala, is gloriously great news as a result. It'll team her up with Larson as Carol Danvers, plus WandaVision's Teyonah Parris as Monica Rambeau — and, if Ms Marvel is any indication, it's hopefully poised to be much better than the lacklustre Captain Marvel. Check out the trailer for Ms Marvel below: Ms Marvel streams via Disney+ from Wednesday, June 8, with episodes dropping weekly. Images: ©Marvel Studios 2022. All Rights Reserved.
Every woman I spoke to immediately after Machinal said some version of the same thing: "I related to it so much". This is mainly remarkable because Machinal is a play written in the 1920s about a woman given the electric chair after committing murder. But that gruesome end is not how we meet the nameless young woman, played with exquisite nervous energy by Harriet Dyer. She's working in an office, surrounded by the dizzying clicking of pens, chirping of phone voices and fake unanimity of crowds. But the VP of the company, true skeez Mr Jones (Brandon Burke), has become obsessed with her delicate hands and perceived innocence, and he proposes marriage. After some deliberation, she accepts, rationalising that it's what she's 'supposed to do'. What follows is an excruciating yet sickly funny wedding night scene in which he tries to coax her out of her clothes in their hotel room, while she wraps herself around the toilet bowl, gagging from his very touch. She goes on to give birth to a baby she can't fathom, and when she does eventually experience love and desire, it's both a blessing and a curse. Our young woman is clearly disturbed — her thoughts come out in a running, associative mess, and the ultimate leap of logic that leads her to kill her husband is not exactly solid. But the individual instances of feeling detached from what's expected from you, as if you've slipped off some path — Machinal bets that we've all been there, and it recoups massively. It's hard to believe Machinal was written in 1928, so contemporary does it often feel in voice, style and theme. It leaves the naturalism still prevalent at the time and explores an expressionistic inner world, preempting much of the playwriting of the 20th century. That it was written by a pioneering female journalist, Sophie Treadwell, covering the trial of murderer Ruth Snyder represents a profound act of empathy, and that it was found and chosen by director Imara Savage and the Sydney Theatre Company now is inspired and inspiring. This is not a very well-known work, but perhaps it should be. There's an impressive use of minimal staging to match the heightened emotion. A rod of fluorescents dominates the lighting and configures the space, from hotel room to dive bar, homestead to execution chamber. The few other set elements are strong and, morbidly, mostly various chairs, tumbling us toward the dark conclusion. It's simple and stunning work from Savage with designer David Fleischer and lighting designer Verity Hampson. Dyer's construction of a complicated woman on the brink is impeccable, and the supporting cast around her, slipping into various roles, never misses a beat. I know I'll remember this play years from now; secure your own seat post-haste at a rare theatrical experience with the power to disturb and comfort at once. Image by Brett Boardman.
A year filled with catastrophic bushfires, seemingly never-ending Brexit negotiations and a US President that Tweets this, 2019 doesn't particularly inspire the phrase "dependable and stable". But Pantone is hoping 2020 will. Its colour experts have just announced the 2020 Colour of the Year and they're saying (or hoping) it'll signal a "new era" that's a little less shaky. Classic Blue (Pantone 19-4052) is the elegant, simple and enduring colour Pantone has chosen for the turn of the decade. As well as highlighting "our desire for a dependable and stable foundation on which to build as we cross the threshold into a new era", the cooling shade makes us think of summer — well, all those beaches, ocean pools and rivers we'll be jumping into during the warmer months. Speaking of water, hopefully Classic Blue also inspires some more of it to fall down on Australia, parts of which are pushing through a two-year drought. [caption id="attachment_663542" align="alignnone" width="1920"] Bilgola Beach by Paros Huckstepp[/caption] According to the Pantone experts, Classic Blue can also do a lot for you mentally — including bringing "a sense of peace and tranquility" and helping concentration, clarity and reflection. So paint your room in it, cover your body in it or just buy some snazzy blue socks — it might help you get through this crazy messed up world in 2020. You can check out all the previous Colours of the Year, head to the Pantone website.
There's been a gradual takeover in the inner west cafe scene over the last few years of smaller, well designed cafes that focus primarily on coffee. Which, of course, a good cafe should. Not all of them however get the rest of the mix right, so it was a delight for locals that the newly opened the Counter in Petersham has managed to include all the right eggs in its basket. Complete with interesting design that includes pallet tables outside, bench seating inside and interesting interior touches such as distressed metal chairs hanging from the wall, this cafe has made the inhabitants of Petersham wake up and smell the coffee. And that's Single Origin or Coffee Alchemy coffee, with a house blend also from Australian Independent Roasters. Breakfast options are simple but with added tasty flares such as sourdough bread or homemade mayonnaise. The Smith's Sister ($14) is a classic option of slow poached eggs and bacon on sourdough, but with the added herb side salad, though a little wilted, and delicious cuts of bacon, it was a satisfying choice. To spice it up a bit, you could choose the Mr Smith Sambo ($9.50) which mixes a soft egg, bacon, tomato relish and mayonnaise between toasted sourdough; this sambo is a well-balanced combination with the right mix of flavours. The smashed avocado with Danish feta and two slow poached eggs on toast ($14) also looked like a good option if you want to mix up the traditional eggs on toast, or you could try the piled high roasted mixed mushrooms on toast with crispy prosciutto and a poached egg, topped with tarragon hollandaise ($15). If you can, save room for breakfast or lunch dessert as the collection of mostly in-store made cakes, muffins and baked treats looked mouth watering. While there is limited space and you might find yourself having a bit of a wait for a table, the delightful staff and fast service means you won't be frustrated by this smaller cafe. Overall it's lovely to see an addition like this just off Petersham's main drag that offers something pleasing, simple and tasty. Photo: Aidan Corrigan
“You are now about to witness the strength of street knowledge”. So begins both the film and the song ‘Straight Outta Compton’, and it’s equal parts preview and warning. The ‘street knowledge’ of NWA’s leading trio — Dr Dre (played by Corey Hawkins), Ice Cube (O’Shea Jackson Jr, playing his real-life father) and Eazy-E (Jason Mitchell) — was an affront to the establishment, a threat, even, but also helped facilitate the group's rapid rise from neighbourhood group to musical ascendancy. Acquired over two decades of daily exposure to gang violence, racial vilification and police persecution, it instilled in them a bravado, passion and unyielding determination that permitted neither retreat nor weakness. It also came at a price, however, because not all streets are the same, and when Crenshaw Boulevard became Rodeo Drive, the blinders and shortcomings of that knowledge became all too apparent. Straight Outta Compton, then, is not just an NWA biopic but a cautionary tale about loyalty, friendship and the corrosive effects of celebrity. Directed by F. Gary Gray (The Italian Job), this is a slick, provocative and timely film that absolutely warrants your viewing. Straight Outta Compton (© 2015 Universal Studios) is in cinemas nationally from September 3, and thanks to Universal Pictures Australia, we have 10 double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Read our full Straight Outta Compton review here. Follow the movie via its website or Facebook page. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Sydneysiders venturing outdoors this morning could find the whole breathing thing a little less fun than usual — as you may have noticed, it's pretty smoky out there. As the result of a controlled burn in the Blue Mountains, a layer of smoke has made its way across the city and is expected to stick around throughout the morning. Needless to say, it's affecting air quality, with the Office of Environment and Heritage labelling it as "very poor" in the Sydney CBD and "hazardous" in southwest Sydney this morning. It's also prompted an alert from NSW Health. While haze from reduction burns is often unpredictable, NSW Health Director of Environmental Health Dr Richard Broome explained the smoke was likely to affect a number of places across Sydney while it's here, and that locals should simply be aware. "For most people, smoke will be no more than an irritation," he said. "However, I recommend that people with existing heart and lung conditions should avoid outdoor physical activity when there's smoke around." https://twitter.com/BOM_NSW/status/1130930049220317190 This follows a smoky Tuesday, too. While the Bureau of Meteorology confirmed a slight improvement to air quality yesterday afternoon, the smoke haze is back and laying it on strong today. The NSW Rural Fire Service tweeted that this particular smoke was from a controlled burn in the Blue Mountains, which started on Sunday. It's now postponed all other reduction burns in the Sydney area for a 24-hour period. https://twitter.com/NSWRFS/status/1130732398872711168 The haze is unlikely to lift until around lunchtime. If you suffer from asthma or any other heart or lung conditions, just be mindful that the change in air conditions could affect you. NSW Health advises that you carry your inhaler or any other medical relief.
Imagine if beach party preparations were as easy as pushing a button. Well with the new folding recreational island, they just might be. Originally designed as a luxury yachting accessory, the Recreational Island may either be docked at the back of a yacht, or stabilised in the water by four anchors. The island unfolds using a pressurised hydraulic system, measures 10 by 8 meters when opened, and can be easily stowed in a ship's garage when out of use. Designed by Henry Ward and currently under development by BMT Nigel Gee, the island may also be suitable for purposes other than swimming and dining. Concepts in the works include use as a rental room for hotels, an emergency helicopter landing platform and close-up seating for water sport judges. [via Designboom]
Mark Ruffalo has always been a stellar actor, and he has the resume to prove it. But he's in particularly excellent form in I Know This Much Is True. It isn't just because he's as reliably great as ever in the six-part HBO miniseries, which is adapted from the book of the same name. He is, of course; however he's also playing two roles. While identical twins Dominick and Thomas Birdsey look alike, they have their own struggles — including, in the latter's case, paranoid schizophrenia. Set in the 90s in Three Rivers, Connecticut, the series charts the intricacies of their intertwined lives as past and present troubles collide. It's no slouch behind the lens, either, with Blue Valentine and The Place Beyond the Pines filmmaker Derek Cianfrance directing and co-writing the entire thing.
They say the world is your oyster, and the folk on the New South Wales South Coast take it very seriously. So much so that they're putting on a festival to celebrate and showcase that salty, slippery, seafood delicacy. The Narooma Oyster Festival, set in the heart of Australia's 'Oyster Coast' will take place on a glorious Saturday, May 4. Head to the Big Oyster Bar where you will be able to feast on delicious oysters from eight south coast estuaries on the banks of the stunning Wagonga Inlet. If you're after a cool $500 in pocket money, the oyster shucking competition could be up your alley, but if you're new to the whole game, there are shucking demonstrations as well. For the most committed of oyster lovers out there, there is The Ultimate Oyster Experience, where you'll enjoy an exclusive master class guide by a local grower and sample Angasi, Pacific and Sydney Rock Oysters with complementary wines.
Aussie brick enthusiasts, get excited. Sydney will join the likes of New York, London, Hong Kong and Copenhagen on the list of cities boasting a flagship LEGO store very, very soon. The Harbour City is set to welcome the world's largest official LEGO store to Sydney Arcade, overlooking Pitt Street Mall, on Saturday, November 11. Announced earlier this year, the massive two-storey, 900-square-metre Sydney LEGO store will officially swing open its doors at 9.30am next Saturday morning and promises to be your one-stop shop for all things colourful plastic bricks. "Every new store contributes to the LEGO Group's global mission of inspiring and developing the builders of tomorrow," Vice President and General Manager of LEGO Australia and New Zealand Troy Taylor says. LEGO fans can expect an interactive storytelling table that will give them behind-the-scenes looks at their favourite sets and designs; Australia's first Minifigure Factory, where visitors can create LEGO versions of themselves or their loved ones; and a pick-and-build wall boasting an enormous catalogue of different pieces. Official Brick Specialists will be on hand to help guide you through everything the superstore has to offer — and if you're after a challenge to get your creativity flowing, there will be in-store builds and monthly events. Basically, you'll have everything you could need to bring your wildest imagination to life. There will also be Australia-specific elements of the store with large-format sculptures of Australian and Sydney cultural touchstones decorating the new Sydney LEGO store's space. "The world's largest LEGO Store will stand as a must-see destination for LEGO fans across the globe whilst bringing a world-class retail experience to Australia," says Executive Chairman of the store's retail partner Alquemie Group Richard Facioni. The flagship Sydney LEGO store will open at Sydney Arcade, Pitt Street, Sydney on Saturday, November 11.
UPDATE: January 12, 2021 — The Rocks Picnic has been postponed until further notice. We'll be sure to keep you updated with further information and dates. With the weather looking up, the sun setting later and vibrancy returning to the city, there's never been a better time to plan a full day out in The Rocks, especially on a Sunday. The historic precinct is well known for its sandstone terraces and bustling markets, but there's so much more to do in this slice of old (and new) Sydney when you know where to look. We've partnered with The Rocks to help you plan a bumper day out in the area, packed with art, music, good food and excellent views. [caption id="attachment_790083" align="alignnone" width="1920"] Anna Kucera[/caption] 9.30AM – STRETCH IT OUT IN THE PARK Kick off the day with a salute to the sun or two at one of the free Yoga in the Park sessions. Every Sunday, you can move through an energising-yet-relaxing stretch and flow class, all with views of the Harbour Bridge and the Opera House. You'll need to BYO mat and book ahead to secure your spot. As a bonus, each free class includes a voucher for a free coffee from one of the nearby cafes. 10.30AM – GET YOUR CAFFEINE FIX After your stretch session, we recommend hitting up one of The Rocks' best laneway cafes. The Fine Food Store has been tapping out beautiful brews and hearty brekkies since 2004 and, if you're dining in, you can take advantage of its bottomless batch filter for $8.50. Or, head to ASLAN Coffee Roasters, which offers up its own St Peters-roasted beans, including single origin and on-tap nitro coffee. 11AM – STOCK UP ON PICNIC ITEMS It's now time to hunt down everything you need for an easy-going Sunday arvo picnic. Brooklyn Boy Bagels has a market stall in The Rocks every Sunday, so make a beeline for its boiled bagels and try not to eat them all before lunch. Keep an eye out for the tasty cured meats by Backa Sydney, also at the markets, as well as fresh organic pickles from Rita's Farm. More of a sweet tooth? Make sure you check out the new store from Tokyo Lamington, where the classic Aussie sponge cake gets an upgrade in flavours like thai milk tea, yuzu meringue and black sesame. [caption id="attachment_790085" align="alignnone" width="1920"] Anna Kucera[/caption] MIDDAY – HEAD TO THE PARK Now you've stocked up on snacks, it's time to take a seat in First Fleet Park, where you'll find live music every Sunday afternoon. Local musicians serenade park-goers with acoustic sounds, and there are park games, too, like an oversized snakes and ladder game, so you can channel your inner kid and challenge your friends to a battle while enjoying the ambient tunes. [caption id="attachment_785523" align="alignnone" width="1920"] Installation view of 'Lindy Lee: Moon in a Dew Drop' by Anna Kucera[/caption] 2PM – DIVE INTO THE MCA Now you're fed and feeling good, take in some culture. The Museum of Contemporary Art's three current exhibitions offer respite from the city and insights to the exhibiting artists' unique practices. Lindy Lee: Moon in a Dew Drop is a major survey of the Australian Chinese artist's career and it's free to check out. Anywhere but here: MCA Primavera Acquisitions draws on the gallery's collection of works by young Australian artists who've previously participated the annual exhibition Primavera, while Connections is a snapshot of First Nations art centred around the ways we interpret and interact with the world and each other. [caption id="attachment_786806" align="alignnone" width="1920"] Anna Kucera[/caption] 3PM – GET SOME RETAIL THERAPY It goes without saying that The Rocks Markets should be your first port of call. The long-running markets brings together unique makers, craftsman, artists and collectors showcasing their goods from 10am–5pm every Saturday and Sunday. Afterwards, browse the standalone boutiques, such as Aesop for beautifully made skincare products and the Eloise Panetta pop-up for botanically dyed garments and accessories. [caption id="attachment_761767" align="alignnone" width="1920"] Alana Dimou[/caption] 4PM – HEAD TO THIS ROOFTOP The Glenmore is a favourite with locals and visitors alike for its top-notch views of Sydney Harbour, including the Opera House. As there are almost no tourists in town, you'll have an even better chance of snaring a prime rooftop position for some afternoon brews. There's plenty of local and craft beers on tap, and a full menu of pub classics like chicken parmigiana and beer battered fish and chips. [caption id="attachment_660843" align="alignnone" width="1920"] Alana Dimou[/caption] 6PM – FINISH WITH A COCKTAIL Cap off the day with a cocktail at Doss House. The cocktail bar is one of 19 bars and restaurants participating in The Rocks' new al fresco dining pilot, which allows venues to sprawl out into the streets, activating laneways and allowing punters plenty of room to enjoy a drink or a bite to eat (or both). The Doss House's extended outdoor area makes the most of Unwins Courtyard. Here, you can enjoy charcuterie platters complete with smoked wallaby, Bay of Fires cheddar, local honey and the wild boar salami, alongside an old-fashioned or a glass on wine, all amongst the historic sandstone buildings. The Rocks Picnic runs from 10am–3pm every Sunday over summer. Find more details, here. Top image: Anna Kucera
If you've ever needed a positive example of how one night can change everything, just chat to Nema Adel. He had no intention of becoming an artist. In fact, he had just completed a university degree in a completely unrelated field when he went to a Flying Lotus performance at the Sydney Opera House that sparked a new passion for real-time digital art. Four and a half years on, Adel is now a sought-after digital artist who has created activations for festivals such as Liveworks and Vivid. He is also one of the visionary artists to team up with Miller Design Lab in 2020 to celebrate our nightlife and its impact on culture to deliver exceptional moments to you and your home. Deciding to forge a career in a relatively new — and quite niche — artistic field has meant Adel's path has been anything but traditional, so Concrete Playground sat down with the artist to discuss his creative process. Read on to discover how he seeks inspiration and the importance of nightlife to his art, then check out the video above to see him in action. In addition to the Flying Lotus gig, Adel pinpoints one other serendipitous moment that propelled his career. At his first ever event in 2016, which involved digital projections on a bank of trees over a river, Adel met an artist from Germany who liked his work. What followed was a six-month stint touring Germany and Austria doing shows. "And that was my education," he says. Adel explains that because digital art is such a new and ever-evolving art form he is mostly self-taught. "If I go on Google, I won't get any answers to the things I want to know, because nobody has really done it before," he says. Instead, Adel relies on connecting with others around the world who work in similar artistic spaces, particularly through Instagram, to share ideas, new techniques and advice. In particular, he notes San Francisco-based company All Of It Now and its Creative Director Kev Zhu, who shares tutorials online and has worked with Drake on custom projections for arena tours, as a key source of inspiration and knowledge sharing. But mostly, "it's just loads of experimentation. Unlike fine arts and classical arts, where [there is a] technique that we've perfected over hundreds of years." Customisation is present throughout Adel's entire process. "The design mainly happens on the computer, but I don't know how that actually looks unless I set up the projection and understand it in reality. Then, I'll take it back to the computer, then back to reality, and keep ping-ponging back and forth." For that reason, Adel doesn't really have a traditional workspace. He has a studio at Marrickville's Create Or Die, a creative hub filled with artists that he loves to bounce ideas off or collaborate with, including graffiti artist Iro Kitamura. "He might be painting murals and I'll be projecting onto the mural painting. I really enjoy it as I don't have those fine art skills," he says. Adel also likes that his work takes him out and about. "I love my style of work so much because the space changes — different venues and different galleries — and that'll always inform how you're going to work." And he mostly works at night. "On the most basic level, I cannot do my craft in the middle of the day… the natural light will wash out my projection light. Without the nighttime, I don't have a craft." Beyond that, he acknowledges the symbiotic relationship art and nightlife have: "I work in a lot of events and I was able to keep practising through the nightlife that we have — whether it's working with musical artists or exhibitions. If you have an extensive nightlife, [artists] can keep rolling and keep becoming better". Of course, much of that has changed in the past few months due to restrictions on public gatherings. Adel has had many jobs cancelled and has made the decision to temporarily move out of his Marrickville studio for safety reasons. Though he knows many other creatives are trying to keep up the collaboration and creativity in this time, he isn't. For someone who believes that "creativity is a mirror" and will reflect the artist's mood or current situation, it makes sense that he'd prefer to pause on creating for now. "I've consciously decided to use this as a bit more of a rest period, and that's partly due to the fact that there is a lot less inspiration in my life at the moment," he explains. Instead, he is viewing this time as a "study period" by doing some online tutorials, perfecting techniques and keeping up to date on the software tools he relies on. But when normal life resumes and he is ready to boost what he calls his creativity "metre" again, Adel has a few tried and tested techniques for seeking inspiration. "Travelling or seeing a new place and taking photos — that'll always bring new ideas to me," he says. He also mentions going out to see live music as a huge influence, naming Freda's in Chippendale and Camelot Lounge in Marrickville as his go-tos. "When there are events on with artists from other countries, I love it. I have no idea what to expect… but their art has been formed in a different way. You want to get as many perspectives as you possibly can under your belt. "I'm also very inspired by the Studio Ghibli films…. They've managed to create rich stories from imagery, and I think for me that is the ultimate goal: not just creating things that look nice, but things which convey meaning. That's hopefully what I aim for in the next ten years." For more, check out Nema's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
Journey to where the sugar-white sand is oh-so-sweet on the feet and there are more shades of blue than you can count. The Maldives will have you dozing off while fish glide by at Huvafen Fushi’s underwater spa, or diving off your private deck into a crystal clear lagoon to join them at Cocoa Island by Como. Each atoll is an idyllic natural wonder and Mr & Mrs Smith has some sensational sunseeker offers that will have you barefoot and blissful in no time. One&Only Reethi Rah A PADI National Geographic dive centre, 12 beaches and eight dining destinations make up One&Only Reethi Rah, a lush, sprawling Maldivian island retreat. From huevos rancheros in the morning to lobster gyoza at Tapasake in the evening, your palate will take an international trip each day. Hint: the island’s boutique, Neo, stocks Louboutin espadrille wedges designed especially for the resort, just in case you tire of flip-flops. Action-hungry travellers can zip from the Grand or Duplex Villas to the resort’s climbing wall in a golf buggy, dice with danger on a shark safari, then watch the sunset while swaying in a hammock between the palms on a private sandy stretch. Lazy landlubbers might find the hammock too hard to leave from dawn til dusk. Cocoa Island by Como An exquisite blue lagoon is the true champion at Cocoa Island by Como, although the villas are nothing to scoff at either. From outside, the overwater villas resemble tradtional dhoni boats resting atop the lagoon. Understated bright white interiors paired with timber furnishings make the turquoise waters the statement – even more so from your private sun-deck. Bend like the palms at yoga every morning then feast on the daily catch at Ufaa, where a combination of Mediterranean- and Thai-inspired dishes use only the best seasonal produce and local seafood. Como Shambhala Spa has world-class treatments and guided meditation to ease lingering tensions. Anantara Kihavah Villas Enjoy nature’s best at Anantara Kihavah Villas, where sandy beaches and island isolation are just the beginning. There’s an underwater wine cellar and an overwater spa with views into the azure lagoon in each treatment room – you’ll also find yoga mats, sun hats and beach bags at the ready in every villa. Sway in the ocean breeze on the Overwater Pool Villa’s hammock-strung terrace or sink your toes into your own stretch of sand in a Beach Pool Villa (wine-coolers included). Take a dip at night in the 49-metre pool where LED lights in the tiled floor mimic the stars above to create the perfect stage for romance. Naladhu Reef-fringed Veligandu Huraa is where you’ll find the boutique resort Naladhu and its 19 villas nestled between a sheltered lagoon and the Indian Ocean. Enjoy sea breezes from bedroom to bathroom – a glass panel is all that separates the soaking tub from your private pool and the horizon beyond. Dive, snorkel and swim until your heart’s content in this romantic water-bound paradise. Under a thatched roof overlooking the lagoon is the Living Room, where torches light up the night sky and you can feast on grilled tiger prawns, spicy lemongrass red snapper and more internationally inspired dishes that draw from fresh market ingredients. Park Hyatt Maldives Hadahaa An eco-friendly oasis on one of the largest Maldivian atolls, North Huvadhoo, Park Hyatt Maldives Hadahaa instils immediate holiday calm. Floor-to-ceiling windows in minimalist villas ensure constant island views from verdant tropical fronds to azure waters. Fancy learning something new? Tackle the mojito mixology class, where you’ll have to try your concoctions so you know you’re getting it just right. There’s an intricate mosaic of marine life just steps (or strokes) away at the in-house reef, which you can explore with the resident marine biologist. Laidback foodies will love the Island Grill with its sandy floor and locally inspired dishes such as plantain ragout or Wagyu tenderloin with spicy papaya. Baros Baros is a boutique on the North Malé Atoll that’s sure to fulfil your castaway island dreams (with added luxury, natch). Hide yourself away in one of the secluded Water Pool Villas on the end of the winding jetty. Each has a private pool, canopied day-bed and personal Villa Host at your beck and call. Beach Villas are nestled among palm trees and tropical fronds and have an extra portion of privacy. Travel across the lagoon to a strip of sand for morning yoga practise, then explore the reef and learn about the resort’s coral planting programme that helps sustain the local marine habitat. Huvafen Fushi Everywhere you look you’ll discover a different shade of blue at Huvafen Fushi. The toughest decision you’ll have to make here is whether you want sand shores within reach in a Beach Villa or direct ocean dips from the overwater bungalows, which come with a private plunge pool. Visit the world’s first underwater spa, Lime, where you’ll float on a bed of relaxation while watching stingrays, clownfish and co. glide by. Enjoy fine dining paired with perfect wines at Vinum, but not before sampling something from the extensive cocktail list at UMbar — the Crouching Tiger (lemongrass, lychee, gin sake, ginger liqueur and jasmine tea) is delectable. Niyama On the deserted Dhaalu Atoll, Niyama’s hovering overwater bungalows will make you swoon with their reclaimed wood exteriors, luxurious marble bathrooms and lavish rain showers. Brilliant azure waters, shimmering sands and lush palm fronds are standard here; Subsix, the world’s first underwater club, is anything but standard, with its aquarium-like feel creating definite wow-factor as you sip cocktails among vivid corals and flirty fish. Opt for a Beach Studio with Private Pool on the sunset side of the island for its prime people-watching potential — Number 14 is right in the thick of the action. Viceroy Maldives The sparkling Shaviyani Atoll has water-a-plenty, especially when you consider that all the villas at Viceroy Maldives have private plunge pools to boot. Beach Villas boast monochromatic elegance; the Water Villas’ cool greys, blues and timber furnishings allow no loud, colourful distractions from the sounds of the ocean. Wander up to Treehouse for spectacular views and delicious mezze platters at sunset and cross wooden platforms to find your own secluded dining spot. Be your own bartender in a private beach cabana for two and mix favourite tipples or tropical concoctions into the early hours. Constance Moofushi Picture this: a crystal clear lagoon with vivid corals, swaying palms and tunes from the in-house DJ drifting on the sea breeze. Welcome to laidback luxury at Constance Moofushi. For a break from the party scene at Manta Bar, take your Moofushi Nasta Lemonade (home-made lemon and ginger marmalade with bourbon, fresh mint and cucumber) back to your Water Villa. Numbers 30–35 are perfect for counting stars on your private terrace and have the best of both worlds — sandy beach on one side; the Indian Ocean on the other. Browse more hotels in the Maldives, discover the Mr & Mrs Smith collection and exclusive offers online, or contact Smith’s expert Travel Team.
It's all change for Sydney's Laneway Festival with a new inner-city location for the first time: The Domain. According to organisers, it'll allow the festival to have bigger stages and better sound — and it will be a bit more accessible by public transport. Sure, it won't have the charm of the Rozelle location but we're sure it'll pack out with fans of dance-pop powerhouse Charli XCX, who is headlining this year's event. The British songwriter's latest album Charli features everyone from Lizzo to Troye Sivan and Sky Ferreira. The Laneway Festivals will be her only Aussie shows, which is the same case for fellow international heavy hitter, American rapper Earl Sweatshirt. They'll be joined onstage by Canadian electro artist — and TikTok sensation — BBNO$, New Zealand's Benee, London crooner Col3trane and Irish post-punk band Fontaines DC. On the local front, you'll be able to get down to DMA's, Hatchie, Stella Donnelly, Hockey Dad, King Gizzard and the Lizard Gizard and 2019's Triple J Hottest 100 winners, Ocean Alley. LANEWAY 2020 LINEUP The 1975 Charli XCX (exclusive) Ruel Earl Sweatshirt (exclusive) Ocean Alley DMA's JID Tones and I King Gizzard & The Lizard Wizard Hockey Dad BBNO$ The Chats Mahalia KAIIT Benee Stella Donnelly Oliver Tree Fontaines DC Omar Apollo Col3trane Hatchie Spacey Jane Kucka Pist Idiots JessB The Lazy Eyes Laneway Image: Maclay Heriot.
Korean television made history in 2025, when season three of Squid Game broke Netflix viewership and ranking records. Parasite, Korea's big Oscar-winner, is in the spotlight at this year's Melbourne International Film Festival courtesy of new big-screen sessions with composer Jung Jae-il conducting and performing its score live. That movie's director Bong Joon-ho released his first feature, Mickey 17, since his most-acclaimed picture. They're just some of the ways that 2025 has already been excellent if you love Korean film and television. Here's another: from August–October, the Korean Film Festival in Australia is returning for its latest run. Back in 2010 when it debuted, it did so in Sydney. The Harbour City remains the event's main home in 2025, too. As the fest did in 2024, however, it's also taking the show on the road to regional locations — and when the KOFFIA Touring Program hits up Benalla, Toowoomba, Parramatta, Alice Springs, Victor Harbour and The Whitsundays, it will be free. Accordingly, the Korean Film Festival in Australia has a date with Event Cinema George Street from Thursday, August 21–Tuesday, August 26, kicking off its lineup of ten titles. Then, the KOFFIA Touring Program will visit Benalla Cinema in Victoria across Saturday, September 13–Sunday, September 14; The Strand Cinemas in Toowoomba for the first of its Queensland stops on Sunday, September 14; and Riverside Theatres in Parramatta over Friday, September 26–Saturday, September 27. In October, Alice Springs Cinema will play host from Friday, October 3–Sunday, October 5; Victa Cinema in Victor Harbour gives the event a South Australian location across Saturday, October 4–Sunday, October 5; and Proserpine Entertainment Centre in The Whitsundays will close out the tour, and add a second Sunshine State trip, over Saturday, October 11–Sunday, October 12. The schedule does mean that if you're in Melbourne, Brisbane or Adelaide and you want to attend KOFFIA in 2025, you do need to head out of town. At every stop that the festival makes, though, Hear Me: Our Summer is on the bill — including opening Sydney. The romantic drama co-stars former Iz*One member Kim Minju, remakes Taiwan's Hear Me and sees a love story blossom via Korean Sign Language. Sydney audiences can also catch the South Korean spin on 2011 Colombian film Hidden Face, with Parasite's Cho Yeo-jeong among the cast; see a new take on Mary Shelley's masterpiece via Frankenstein Father; watch more K-pop stars, including An So-hee leading the Seoul-set The Daechi Scandal and EXO's Doh Kyung-soo feature in Secret: Untold Melody; and get a dose of crime thrills via Dirty Money. A 4K restoration of 1999's spy thriller Shiri is showing in the Harbour City as well. If you're keen to hear more about a number of titles on the lineup in Sydney, Hear Me: Our Summer director Jo Seon-ho, Hidden Face helmer Kim Dae-woo and About Family's Yang Woo-seok are all attending the fest — and so is The Noisy Mansion's Lee Lu-da, plus actor Gyeong Su-jin. The last of those two movies are also on the touring program, with About Family a dramedy about a chef discovering that he might have grandchildren, and The Noisy Mansion focusing on a tenant and her neighbours trying to discover why their building is plagued by strange sounds. Sydney and regional audiences can catch Forbidden Fairytale, too, about a children's book author who starts ghostwriting online erotica. Korean Film Festival in Australia 2025 Dates Korean Film Festival in Australia Thursday, August 21–Tuesday, August 26 — Event Cinema George Street, Sydney KOFFIA Touring Program Saturday, September 13–Sunday, September 14, 2025 — Benalla Cinema, Benalla Sunday, September 14, 2025 — The Strand Cinemas, Toowoomba Friday, September 26–Saturday, September 27, 2025 — Riverside Theatres, Parramatta Friday, October 3–Sunday, October 5, 2025 — Alice Springs Cinema, Alice Springs Saturday, October 4–Sunday, October 5, 2025 — Victa Cinema, Victor Harbour Saturday, October 11–Sunday, October 12, 2025 — Proserpine Entertainment Centre, The Whitsundays The Korean Film Festival in Australia 2025 runs in Sydney from Thursday, August 21–Tuesday, August 26, with the KOFFIA Touring Program hitting Benalla, Toowoomba, Parramatta, Alice Springs, Victor Harbour and The Whitsundays between September–October. For more information or to buy tickets, head to the KOFFIA website.
Coogee's 47-metre-long rainbow walkway will become a permanent fixture of the eastern suburbs beach, with Randwick City Council voting unanimously to keep the design as an enduring public art installation. The vibrant rainbow was first installed in February this year, in support of the 2021 Sydney Gay and Lesbian Mardi Gras and Sydney's LGBTQIA+ community. The council voted to maintain the rainbow at Coogee Beach indefinitely at a council meeting on Tuesday, September 28. The pathway stretches along a 200-square-metre patch of the promenade right by the sand, curving around the bottom of the already-existing steps to create the image of a bright rainbow. It has since become a much-loved and much-photographed section of the beach for people and dogs alike. When the walkway's lively makeover was approved by the Randwick City Council back in December 2020, former Randwick Mayor Danny Said noted that the rainbow installation, "makes a strong public statement of support for our wonderfully diverse local community". The proposal to make the walkway permanent was brought to the council meeting by Said, who has since been replaced as mayor by Labour Councillor Dylan Parker. Parker was elected as Mayor of Randwick City Council on Thursday, September 30 with Lindsay Shurey of the Greens elected as Deputy Mayor. Other decisions made at the September 28 council meeting include a $22,000 grant to local not-for-profit Weave Kool Kids Club, planned upgrades to the La Perouse Museum and new restrictions to the Coogee outdoor gym. You can find all the information on the meeting on the council's website. The Coogee Rainbow Walkway is located at Arden St opposite Coogee Bay Rd, Coogee.
In Contagion, the most prophetic film of the 21st century so far, filmmaker Steven Soderbergh didn't just chart the outbreak of a deadly pandemic or introduce everyone to the term 'social distancing'. His eerily accurate thriller also delved into the quest to find a vaccine, too, so that life could go back to normal. And, that's the reality the world has been facing since COVID-19 first emerged — with pharmaceutical companies and medical researchers around the globe working furiously to come up with a solution. One of those companies is UK-based drug outfit AstraZeneca, and Aussies are now going to want to keep a close eye on its progress. As announced today, Wednesday, August 19, the Australian Government has signed a letter of intent with the company to manufacture enough doses of its vaccine, called AZD1222, for everyone in the country. The catch, and it's a big one: the vaccine needs to work. At present, AZD1222 is in phase-three trials, with the vaccine co-invented by AstraZeneca and Oxford University, and also known 'the Oxford vaccine'. In interim data published last month, it has been deemed safe, and shown to generate a strong immune response as well. In a statement, Prime Minister Scott Morrison said that "the Oxford vaccine is one of the most advanced and promising in world, and under this deal we have secured early access for every Australian". He further remarked, however, that this doesn't mean the vaccine will make it through trials. "There is no guarantee that this, or any other, vaccine will be successful, which is why we are continuing our discussions with many parties around the world while backing our own researchers at the same time to find a vaccine." Also worth noting: if the Oxford vaccine does work, it will be provided to every Aussie for free. Obviously, the government won't provide further details about how everyone will get vaccinated until a working vaccine actually exists. Speaking on radio station 3AW today, the Prime Minister did reveal that the vaccine will likely be compulsory, though. "I would expect it to be as mandatory as you can possibly make. There are always exemptions for any vaccine on medical grounds, but that should be the only basis. I mean, we're talking about a pandemic that has destroyed the global economy and taken the lives of hundreds of thousands all around the world and over 430 Australians here. So, you know, we need the most extensive and comprehensive response to this to get Australia back to normal," he commented. If you're keen to know more about AZD1222, science-wise, AstraZeneca's official rundown explains that it replicates viral vectors from chimpanzees based on a weakened version of a common cold virus. It also contains "the genetic material of the SARS-CoV-2 virus spike protein", with SARS-CoV-2 the official name of the novel coronavirus that causes COVID-19. "After vaccination, the surface spike protein is produced, priming the immune system to attack the SARS-CoV-2 virus if it later infects the body," the company says. As well as the arrangement to supply 25 million doses of the Oxford vaccine to Australia, AstraZeneca has also made a deal to roll out 400 million doses in the European Union — and has other deals in place with Russia, South Korea, Japan, China, Latin America and Brazil, which covers more than three billion doses of the vaccine in total. Of course, the world will still need to wait to see if the vaccine is successful. And, if it is, we'll need to wait for it to be rolled out from there. AstraZeneca expects its late-stage trial results later this year — but the timeline afterwards hasn't yet been advised. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
There's no need to look overseas, or even interstate, when so much incredible wine is produced on your doorstep. Held from 11am–5pm on Sunday, August 17 at Carriageworks, the Winter Cellar Door sees NSW Wine bring together 20 of the state's best winemakers from seven diverse regions for a one-day tasting experience. With over 120 labels to sip and discuss, this jam-packed event is a stellar opportunity to meet the minds behind the wine and learn what techniques and styles are capturing attention in 2025. Best of all, you won't have to travel to distant cellar doors to experience choice vino produced by little-known wineries and acclaimed estates. As for the wineries heading to the big smoke, there's no shortage of respected names. Highlights include Margan, a lauded vineyard from Broke Fordwich, a wine-growing subregion in the Hunter Valley. Meanwhile, Phillip Shaw Wines offers a taste of his Koomooloo Vineyard in Orange, which has helped pioneer the region's high-altitude, cool-climate wines since 1989. Perfect for seasoned wine-lovers and the wine-curious alike, entry to the Winter Cellar Door is free, with tastings available from $5. Of course, you're welcome to drink by the glass and purchase your favourite bottles to enjoy at home. For those keen to skip the queue, buy a tasting glass ahead of time for $10 — you'll also go in the running to win a case of wine.
Everyone has a family story to tell, but we can't all be as good storytellers as Paul Capsis. In Angela's Kitchen he presents a fascinating play on the practice of biography, a microhistory of the migrant experience, a touching ode to a deeply loved woman and a reflection on his own lifetime of pretending and identity-seeking. Capsis — writer, performer, cabaret singer and Kosky pet actor — has devised this production in collaboration with director Julian Meyrick and sounding board/writer Hilary Bell. It uses monologues, multicharacter (but single actor) skits, costume, hand-tinted photos, archival videos, pieces of cloth and objects to create a montage of the life of his grandmother Angela and the close relationship they shared. But what really galvanises Angela's Kitchen is Capsis's warmth, wry metre, open, elastic face and ability to inhabit a character within seconds. Angela came to Australia from Malta with her family in 1948. It was one of the defining events in her life, along with poverty and World War II, during which residents of the strategically important tiny island would hide in deep-dug caves to escape the massive bombing campaign. Angela's family settled in Surry Hills, and it is in a modest kitchen there that Capsis relates to her most strongly. She was clearly a formidable woman and a nurturing influence, and through his bond with her, Capsis felt a life-long bond to Malta — a land of sun, sea and the explanation of self — even though he did not visit it until well into adulthood. His journey there parallels his grandmother's life story in this production. Angela's Kitchen progresses through chapters, and the best bits are entirely surprising (static reading of a 64-member family tree? Awesome) and build on Capsis's off-kilter sense of humour. He makes eye contact and speaks directly to the audience several times in an honest, sweet and very personal performance well cradled by the intimate space. There's something in here for everyone to appreciate, but Angela's Kitchen will most deeply resonate with people who have known the pull of their motherlands and forged transnational identities.
UPDATE, September 1, 2023: Aftersun is available to stream via Binge, Google Play, YouTube Movies, iTunes and Prime Video. The simplest things in life can be the most revealing, whether it's a question asked of a father by a child, an exercise routine obeyed almost mindlessly or a man stopping to smoke someone else's old cigarette while wandering through a holiday town alone at night. The astonishing feature debut by Scottish writer/director Charlotte Wells, Aftersun is about the simple things. Following the about-to-turn-31 Calum (Paul Mescal, The Lost Daughter) and his daughter Sophie (debutant Frankie Corio) on vacation in Turkey in the late 90s, it includes all of the above simple things, plus more. It tracks, then, that this coming-of-age story on three levels — of an 11-year-old flirting with adolescence, a dad struggling with his place in the world, and an adult woman with her own wife and family grappling with a life-changing experience from her childhood — is always a movie of deep, devastating and revealing complexity. Earning the internet's Normal People-starring boyfriend a Best Actor Oscar nomination, and deservedly so, Aftersun is a reflective, ruminative portrait of heartbreak. It's a quest to find meaning in sorrow and pain, too, and in processing the past. Wells has crafted a chronicle of interrogating, contextualising, reframing and dwelling in memories; an examination of leaving and belonging; and an unpacking of the complicated truths that a kid can't see about a parent until they're old enough to be that parent. Breaking up Calum and Sophie's sun-dappled coastal holiday with the older Sophie (Celia Rowlson-Hall, Vox Lux) watching camcorder footage from the trip, sifting through her recollections and dancing it out under a nightclub's strobing lights in her imagination, this is also a stunning realisation that we'll always read everything we can into a loved one's actions with the benefit of hindsight, but all we ever truly have is the sensation that lingers in our hearts and heads. That aforementioned question arrives early in Aftersun: "when you were 11, what did you think you'd be doing now?" Sophie asks. A query that's been uttered many times to many people, Wells does indeed mean to get Calum taking stock, remembering his youthful hopes and dreams, and seeing the chasm between what he once wanted and where adulthood has brought him. She also wants viewers sharing the train of thought with him, in a movie that doesn't just feel personal in every second — the filmmaker has called it "emotionally autobiographical" — but gets its audience feeling that it is personal to them. That's a remarkable skill, making a piece of fiction drawn partly and loosely from someone's facts feel as vivid to you as if you'd lived it yourself. And, for 90s kids like Sophie, it doesn't just spring from the meticulous period detail in the sets, wardrobe choices, and 'Macarena', 'Losing My Religion' and 'Tubthumping' on the soundtrack. Consider Calum's quietly, subtly shaken response to Sophie's innocent inquiry — the unsettled look on his face momentarily, owning the brief but loaded pause, before he remembers that he needs a dad's reaction — Exhibit A among the evidence that Mescal is doing career-best work. The actor still only has a handful of screen credits to his name, scoring his Academy Award nod in just his third movie role. He's never been anything less than phenomenal in anything he's been in. Earthy and charming, gentle and fragile, stoic and raw, so wounded inside and so reluctant to share it, and sporting a vulnerable gaze and a cast over one wrist, Mescal is simply heartwrenching in Aftersun, however, as it keeps diving into Sophie's remembrances of her oft-smoking, always supportive, tai chi-practising, playfully bantering, tenderly doting but also silently depressed dad. Understanding why the adult Sophie is scouring VHS tapes and her mind's eye for far more than mere nostalgia involves doing what everyone on a resort getaway does: hanging out. Aftersun spends much of its time in the simple holiday moments, including by the pool, at dinner, singing karaoke, day tripping, and in Sophie and Calum's room — and lets these ordinary, everyday occurrences, and the details that flow from them, confess everything they can. With a blue hue, the film pieces together the pair's history along the way, with Sophie living in Glasgow with her mum, Calum based in London but hardly settled or happy, and this vacation a rare chance for the two to enjoy quality time alone. It also hears the instances where he's mistaken for her older brother and, not unrelated, sees her yearning to be liked by the older kids staying at the same hotel as they drink, banter, party and represent a step closer to her dad's existence. Mescal gets a tilt at Hollywood's night of nights for his efforts, but Corio is just as extraordinary — perhaps more so given that it's her first acting role. Watching the duo together is a marvel and, befitting the wistful sensation that washes through the feature about its central voyage, a rarity. Aftersun is sensual and dreamy in its structure and texture, elaborately constructed to look and feel that way, and anchored by two sensationally naturalistic performances and one sublimely authentic rapport. Everything about the picture ripples with a lived-in air: Mescal and Corio alone and combined alike, the emotions so tremendously conveyed in their portrayals, the genuine rather than fetishised 90s minutiae, Catatonia's 'Road Rage' and All Saints' 'Never Ever' echoing among the pitch-perfect music choices, and those flashes of hazy lose-yourself-to-dance reverie that include the grownup Sophie as well as her vision of Calum. Sophie, Calum and the inescapable aching that haunts both make an unforgettable trio, but Aftersun adds more names to that list, Wells chief among them. One of her great feats in penning and helming a movie that itself is a great feat is ensuring it resembles a flickering memory, complete with making it look and play that way — aided by cinematographer Gregory Oke (Raf) and editor Blair McClendon (The Assistant) — with its faded, glitching videotape aesthetic. Her sense of pace, feel and emotional storytelling, and her ability to build layers everywhere, is as engrained as Mescal and Corio's easy vibe. Her way with all the details revealed in all those small things, and with music drops that say everything (the use of David Bowie and Queen's 'Under Pressure' is majestic and dazzling) is as well. There's nothing tiny about the talents on show here, or the story shared, or one of the most resonant, intelligent and shattering final shots any film has ever managed. "Wish we could've stayed for longer," Sophie says before that. When Calum replies "me too", he's speaking for all of us.
Once a year, Gelato Messina gives Australia's dessert fiends the chance to fill their freezers with its coveted frosty wares. While anyone can walk into the chain's stores on any day and leave with a stockpile of gelato thanks to its take-home packs, being able to choose from Messina's greatest hits is a special treat. Can't live without tubs of Robert Blondie Jnr (white chocolate gelato, blondie and white chocolate fudge sauce) at hand? Adore You Cannoli Live Twice (chocolate crème patisserie gelato with chocolate hazelnut fudge, candied hazelnuts, and crushed cannoli shells) so much that it's all you'd eat if you could? This is your annual time to shine. In the two decades that Messina has been in dessert business, more than 4000 special flavours have made their way through the chain's gelato cabinets around the country. Each year, it releases 260 specials, in fact. Yes, that's a lot of scoops. To celebrate some of these oldies but goodies, the chain brings a selection of these flavours back every now and then — and also occasionally busts out its entire top 40 greatest hits. That's happening again this winter, based on the past year's top flavours. Lucky folks in Sydney, Melbourne, Brisbane, Canberra, Perth and Adelaide will be able to treat themselves to a treasure trove of limited-edition gelato varieties. Originally, the greatest hits specials were a buy-in-shop-only deal, but the chain went with preordered tubs in 2020, so no one had to worry about long queues and empty cabinets. In 2024, Messina is splitting the difference, meaning that year's run will be a little different. Only 20 of the 40 flavours will be available for preorder, then 20 more will be spread across its weekly specials for a month. So, gelato fiends can initially preorder 473-millilitre tubs of 20 flavours from Monday, July 22. You'll then need to pick them up from Sydney's Marrickville, Tramsheds, Bondi, Darlinghurst, Norwest, Brighton Le Sands and Rosebery stores; Fitzroy and East Brunswick in Melbourne; South Brisbane in Brisbane; Braddon in Canberra; Highgate in Perth; and Kent Town in Adelaide — all between Friday, August 2–Sunday, August 4. Individual tubs are filled with just one flavour and will set you back $19, or you can get three for $54, six for $100, nine for $135 or — if you have the freezer space — 20 for $280. After that, head by your local Messina weekly from Tuesday, July 23 to see which other 20 adored varieties temporarily rejoin the menu. For the first batch, Messina has unveiled the list of faves making a comeback. As always, it's stacked with deliciousness, just like your freezer will be. Get Baked (with baked caramel cheesecake gelato with dulce de leche and smashed baked cheesecake), Have a Gay Old Time (caramel and milk chocolate gelato with chocolate-covered biscuit crumbs) and Cinnamon Cone Crunch (cinnamon cereal milk gelato with waffle cone crunch) are all among the choices. Good luck trying to pick just one, or even a mere few. The first 20 of Gelato Messina's 2024 Greatest Hits will be available to preorder on Monday, July 22 with pick up between Friday, August 2–Sunday, August 4 from Perth's Highgate store (orders from 11am AWST); Fitzroy and East Brunswick in Melbourne, South Brisbane in Brisbane and Braddon in Canberra (orders from 12pm AEST); Sydney's Bondi, Norwest and Rosebery outposts (orders from 12.15pm AEST); Sydney's Marrickville, Tramsheds, Darlinghurst and, Brighton Le Sands venues (orders from 12.30pm AEST); and Kent Town in Adelaide (orders from 12.30pm ACST). The remaining 20 will drop in-store from Tuesday, July 23 across a month.
Great news, budding entrepreneurs. We've found a very simple equation for immediate business success. Okay, not really. The truth is there is no such thing. In most cases, it takes a pinch of courage, a splash of creativity and a dash of good timing to make it happen. But, there's always something to be gained from hearing the stories of those who've taken the plunge and pulled it off. As far as restaurant groups go, Three Blue Ducks is becoming an Australian powerhouse. But, its success hasn't cost the guys behind it their down-to-earth attitude. Since launching the first Bronte cafe eight years ago, the team has grown to six co-owners (or 'ducks' as they're affectionately named), employing over 240 people across four venues in NSW and QLD (with a fifth slated to open in Melbourne later this year). We sat down with one of the original ducks, Mark Labrooy, to talk about (realistic) business growth, the importance of avoiding trends and why data is helping to improve resourcing and reduce waste. We've teamed up with Westpac to bring you some of Labrooy's top tips to celebrate its Presto Smart payment terminal, which seamlessly connects to a range of point-of-sales systems. Presto gives small businesses a leg up and makes payments and reconciliations a breeze so they can achieve scale — just Three Blue Ducks has done. ESTABLISH YOUR OWN VOICE What do your mum's famous lasagne recipe and your favourite pair of jeans have in common? They're classics that have stood the test of time. Every bite reminds you of childhood meals spent around the dinner table, and every wear confirms that you'll never find denim that feels as comfy as this. The same principle goes for any successful business. To stand out from the pack, it's important to create a product that's unashamedly one-of-a-kind. For the folks behind Three Blue Ducks, their shared passion for ethical and authentic food has been the foundation of the business from day one. "We thought we should do the food we like to eat at home in the venues, and that started to become the ethos around what we do," explains Labrooy. "I think that's what makes you authentic. If you just run with the pack and do what everyone else is doing, I think you lose your voice." USE POP-UP VENUES TO TEST THE WATERS Stepping outside our comfort zone is daunting, whether in work or life. Once you've hit your stride, it's tempting to sit back and let things happily tick away. But to stay relevant, businesses should be prepared to pivot and evolve so, once the Three Blue Ducks team had consolidated their Bronte outpost, they saw a chance to try something new. "The first new venue we did was a pop-up in the snow at Falls Creek, and it was sort of a nudge along," explains Labrooy. Opening a new location is always a risk. What if the market doesn't embrace your venue? Is this the right time to make a move? Are there strong competitors you'll need to contend with? But with risk comes reward. Plus, creating a temporary pop-up means you can experiment with new concepts and ideas without the commitment of a permanent store. "We opened this new venue and we did really well, and it gave us a boost of confidence," tells Labrooy. [caption id="attachment_663257" align="alignnone" width="1920"] Destination NSW[/caption] EMBRACE OPPORTUNITIES THAT ALIGN WITH YOUR ETHOS As cheesy as it sounds, sometimes things do happen for a reason. It could be spotting a 'For Lease' sign in your dream neighbourhood or meeting another like-minded entrepreneur looking to embark on their next project. When unmissable opportunities arise, jumping in can keep you ahead of the game. "We had an opportunity that presented itself with The Farm in Byron Bay, and that was a really big play for us," tells Labrooy. He reveals this venture was the business's most challenging to date. However, creating a farm-based restaurant with unlimited access to fresh local produce was always something the team wanted to pursue. "We had the opportunity to design a restaurant and kitchen completely to our specs," Labrooy explains. "We had access to all the farmers that were growing produce on the property. We used to think about ordering eggs, but now we have 500 chickens giving us fresh eggs daily." [caption id="attachment_693841" align="alignnone" width="1920"] Nikki To[/caption] BUILD RELATIONSHIPS WITH YOUR LOCAL COMMUNITY Whether you're creating a coffee bar or launching a boutique, connecting with your customers is key to success. As a bricks-and-mortar store, you become part of your local area — and you should use those community relationships to your advantage. This insight continues to inform every Three Blue Ducks venue as the team prioritise giving back to the local areas they call home. The Byron Bay location is a testament to this, as Labrooy tells, "there's no business in the Northern Rivers that even remotely comes close to what we're doing. There's around $4 million dollars of wages that go back into the local economy, plus $4.5 million of produce purchased from local suppliers… we don't use big companies, we use local people with small businesses instead." LEVERAGE DATA TO TEST, LEARN AND GROW Launching a new business is full of unknowns. When are the busiest parts of the day? How many staff should you hire? What quantities of stock do you need on hand to meet demand? In most cases, the first couple of years are about trial and error. For Three Blue Ducks, understanding customer behaviour has always been a valuable resource. By analysing data trends, the team is able to make informed business decisions to maximise profitability and reduce waste. "In Bronte, for example, in November, we know that there is the Sculptures by the Sea and we have thousands of visitors... So we know that's going to be a really busy time of year for us. We order more produce and roster on more staff so we can accommodate," tells Labrooy. "It's all about understanding when are our peaks and troughs and how we manage our restaurants in terms of staffing, food costs and ordering, so we can really reduce our waste." Now that you have some top tips, it's time to take the first steps towards scaling up your business. And when it comes time to set up your payment technology, look to Westpac's Presto Smart terminal. It's made for speedy payments, busting queues, reducing keying errors and seamlessly connecting to a range of Point of Sales systems to help you keep track of cashflow. Please note that the above information is intended to be general in nature and should not be relied upon for personal financial use. Request more info and speak to Westpac here. Top image: Nikki To.
Celine Song understands the power of a moment. Past Lives, her debut feature, is filled with scenes and meetings — minutes and mere seconds, too — that are so potent they're almost overwhelming. Making the leap to cinema from the stage, the playwright-turned-filmmaker has crafted a quiet, patient, contemplative and deeply felt romantic drama that knows intimately how emotions can swell to bursting point in something as simple and commonplace as a glance, walk, Skype call or drink at a bar. One of the movies that had 2023's Sundance Film Festival talking, plus everywhere from Berlin to Sydney to New Zealand since — and is destined to be showered in awards love, too — Past Lives is well-aware of what it's like to spend oh-so-many moments wondering what could've been or still might, and about what's meant to. Arriving after focusing on the stage, getting experimental with Chekhov live and online with The Seagull on The Sims 4 and writing for the initial season of streaming series The Wheel of Time, Song's first effort as a filmmaker springs from a specific moment, in fact — and one that she also recreates on-screen with her characters Nora (Greta Lee, Russian Doll), Hae Sung (Teo Yoo, Decision to Leave) and Arthur (John Magaro, The Many Saints of Newark). Past Lives takes inspiration from the writer/director's own experiences in a number of ways. "I would say it's an adaptation of my life, or inspired by," she tells Concrete Playground. It was the power of a moment sat in a New York bar with her American husband and Korean childhood sweetheart, however, that helped put the picture in motion. "I wasn't sure if there was a movie in it, but I think that what I really did feel is that it did feel like a significant and special moment, and a very revelatory moment in my own life," Song shares, chatting in August when she was in Australia for the Melbourne International Film Festival. "I feel like living your life as an ordinary person, I think that there are moments in your life where your life suddenly feels completely extraordinary — and it's totally epic, too. Then you just suddenly feel the total sheer scale of your life expand." "That kind of was this weird moment where I was like 'huh, nobody in this bar probably knows this or feels this, but I think that I just am feeling so massive sitting here in this little bar with these two people'," Song continues. "I think that it made me feel like 'maybe this is something that might connect with other people?'. And then, more and more, I learned that it does connect with a lot of people, and that honestly has made me feel less lonely more than anything." Past Lives begins with Nora, Hae Sung and Arthur sipping and chatting as fellow bar patrons observe, guessing about who the trio are to each other. From the outset, the film connects with that powerful moment in Song's own existence, with the three figures that'll wander through her feature's frames coping with love and life, and with viewers doing their own watching and pondering as well. From there, the movie heads backwards, first to Nora (Moon Seung-ah, Voice of Silence) and Hae Sung's (Leem Seung-min, Good Deal) time together as pre-teens, before the former and her family move to Canada. Then, it jumps forward twice in 12-year increments, checking in wth the pair — and Arthur once he enters Nora's life — as time passes on and distance stretches their youthful bond. As this tender and heartbreakingly honest picture unfurls, Past Lives' audience doesn't just experience an affinity with folks realising that they're having a moment, but with the "what if?" questions in life, being torn between the past and the present, and trying to work out who you truly are. With its title drawn from the Korean concept of in-yeon, aka the fate that connects anyone who crosses paths, Past Lives' viewers feel a date with destiny as well. Getting swept away by Past Lives is easy; making it play that way wasn't, of course. Song chatted us through the details, including subjectivity, authenticity, getting the personal to feel personal to everyone else, and the ins and outs of casting when you're taking cues from your own life. ON MAKING SONG'S FIRST FEATURE "I wish that I could give you some a lofty thing that I was trying to do. But honestly, I think because it was my first movie, it was just getting through the day and getting a movie made more than anything. I think that every day, the number-one goal that you're facing is just 'okay, how do I make this movie — how do I get through today, and get the footage and get the performances I need?'. That really was the primary drive. I wish I had big, lofty dreams for things, but it was so much more like I was like learning how to do it as I go because it was my first movie. That really was so fully occupying me that it was hard actually for me to feel like I could have any goals beyond making the movie." ON TAKING INSPIRATION FROM REALITY, AND FROM SONG'S OWN STORY "It really does start from that amazing subjective place — that is the part that is the autobiographical moment, which is that moment in the bar. But then, of course, in turning it into a script there is an objectification of the subjective moment, where it becomes a script that you're writing. And then from there, there's another layer of objectification, where you, with hundreds of people who are working on the movie, turn it into a film — which is then a whole other set of objectification. And, part of it is the subjectivity of the actors, for example: they come into the picture and you're working with the actors to create these characters. So, by the time that I was making the movie properly and then finishing the movie and all that, I really was looking at the thing as making this movie. I think that at that point I felt pretty distant from the aspects of the movie that were that started from an autobiographical place. But now that what I really love is it's kind of full circle now — the audience is coming to meet this movie, and they're actually then able to experience it subjectively. They feel like it connects with them autobiographically on their own, too. I think that's the process of making personal work, and I think that's really what the process was for this. I really do think of it as a very personal film because of that. And the words I would usually use, I would say it's an adaptation of my life, or inspired by, or something like that." ON MAKING A PERSONAL FILM THAT FEELS PERSONAL TO AUDIENCES, TOO "That's always the dream and goal for it, because I feel like I have to believe that if I'm being as honest and authentic with the experience of what it's like to be a person, I just know that there is an audience that's going to also connect to it like that. I've really treated it very much as a test of how real can I be with the audience, and how real can the filmmaking be. Of course, I'm talking about the truth of the thing, rather than the facts, because some of it is about the truth of what it's like to be a person. As long as it is communicated in the best way, as clearly as possible — I think I used the word 'clearly' often, as you want to be able to tell the story as clearly as possible — at the end of it you really do want the audience to come along for this journey. And even though it's really specific, I think that the dream is that you're able to see yourself in it and you're able to connect it to your own life. This movie doesn't have conventional ideas of spectacle. We don't have wild costumes. We don't have VFX. We don't do anything that is outside of what is likened to human experience. So I think some of it just had to be relying on the authenticity of performance, and that's where the story is going to be. That's how the story was going to connect with the audience — they're going to feel how real the movie is going to be, the way that the movie is going to reach everyone. I've been finding that no matter what walk of life you come from, you're going find something in the movie that you feel connected to." ON MAKING AN AUTHENTIC "WHAT IF?" STORY WHEN EVERYONE SHARES THAT TRAIN OF THOUGHT "That really is the the part that is difficult about making a movie where you can really feel connected to it. It's going to live and die on if the audience will come along for the journey and believe it, and believe the characters and believe the story. I think without question, that's where you're going to be able to see very, very high emotional standards. We do, of course, all experience 'what could have been?'. Sometimes it's the person, but sometimes it's a city — and sometimes it's a lifestyle or a job. If you ever have had an experience like that, I think you're going to connect to the movie." ON THE INTRICACIES OF CASTING WHEN YOU'RE TAKING CUES FROM YOUR OWN LIFE "I don't think that I was looking for actors who were going to play basically those people [IRL]. I was looking for people who were going to play the characters that I've written. So something that I wanted is to make sure that none the actors thought that what they were trying to do is to replicate people who exist. I wanted then to come with me in finding the characters that we're trying to to pick for the screen, because it's a completely different thing altogether — characters in movies are very different than people in real life. People in real life, it's not so clear what their arc is. In our lives, I don't think that we know what our arc is in our real life, because we don't live in narrative. We live in a life, compared to characters in a film who have to live in a narrative, because that's what we're going to be watching. Without question, the actors were not being asked to replicate real people. What they were being asked to do is the scenes, and part of the thing that I was looking for in the actors is, first of all, are they great actors? The way that I wanted to make the movie, sometimes I would ask the actors to just do the whole scene — which is, of course, something that comes from my background as a playwright — and I really wanted them to be able to do the whole scene if I asked them to. That's something that only actors that are really excellent actors are able to do. So, that was the first thing that I was looking for. The other thing I'm looking for is what I would call a soul match to the characters, where I really wanted the actors to have some deep kind of soul connection to the characters — it has to do with the way they're talking about the characters, but it's also, more importantly, the engine or the fire that a character has to have. It is something that the actors themselves could have — that the heart of Nora is going to be found in Greta's heart as well. I think you could really feel that in the film, where Nora is showing up but it's not just that Greta is playing Nora. I know that for the film, the only way that this movie can work is that Greta had become Nora. That's what's both amazing about casting and also what's very difficult." ON THE RESPONSE TO PAST LIVES SO FAR — AND THE SUNDANCE EXPERIENCE "You just hope for the best for the movie that you're making kind of in secret. I really did think about it as something that was a bit of a secret between me and everybody who was working on the movie. Then, as for how the world was going to receive it, that's been an amazing part — it's just nothing but joy and like excitement. I remember at Sundance, I'd been working on the movie again in secret with the people who worked on the movie with me for many years. Then I remember waiting at the backstage of Sundance, knowing that it's going to be in the in the public's hands from this moment on. I remember really feeling in that moment like everything's going to change, and this is going to be a moment where I'm going to have to let go of control or let go of everything. It really was like wandering into the unknown. I think that every time that there has been such a warm response, which is how it been, it's just such an exciting thing — because great word of mouth means that more people are going to come see the movie, and I think that's always the dream for it. You want to be able to share this thing that you made." Past Lives opened in cinemas Down Under on August 31. Read our review. Images: courtesy of A24.
After the year we've had, everyone could use a little extra dancefloor time. That's where White Claw Weekend is coming in, with a brand new series of live music sessions hitting coastal venues up and down the eastern seaboard this summer. Local acts like Roland Tings, Bag Raiders and Groove City are part of the stacked events calendar. They'll be taking over venues like Manly's newly refurbished Wharf Bar, Watson's Bay Boutique Hotel, Port Melbourne's Exchange Beach Club and Brisbane's urban playground, X Cargo. Harvey M will kick things off on Monday, December 27 in Port Melbourne before Dugong Jr takes over on Tuesday, December 28. Alice Ivy will wrap things up at the Exchange Beach Club on New Year's Day, before the party heads up to NSW's Wharf Bar with Mickey Kojak on Sunday, January 9. Wharf Bar will also host Chase Zera, Barley Passable and POOLCLVB across January 16, 23 and 30. Roland Tings and Groove City will perform at Watson's Bay Hotel on February 4 and 18, while Close Counters will perform in St Kilda on February 13. Bag Raiders will make their appearance at X Cargo on Sunday, March 27. Along with home-grown live tunes, the White Claw team will be bringing along plenty of alcoholic fizzy drinks to keep you cool through summer. Head to the White Claw website to keep up to date with the lineup and to buy tickets. [caption id="attachment_836974" align="alignnone" width="1920"] Wharf Bar[/caption] White Claw Weekend Acts Dugong Jr Harvey M Alice Ivy Mickey Kojak Chase Zera Barley Passable Poolclvb Groove City Roland Tings Close Encounters Bag Raiders White Claw Weekend will run from Monday, December 27 to Sunday, March 27 at various locations across Victoria, New South Wales and Queensland. Tickets are available via the White Claw website.
Prepare to tantalise your taste buds at the Auburn Ramadan Street Festival 2023. This beloved local event promises to be a great night out for food and culture fans alike, bringing together a diverse range of authentic street vendors and local restaurants. Hosted on Auburn road on Saturday, April 15, from 5.30pm to midnight, this festival is an excellent opportunity to explore the rich culture of the local community. Sample delectable dishes from traditional Middle Eastern, African and Asian cuisines while enjoying the buzzing atmosphere and bustling crowds. Whether you're a seasoned foodie or just looking for a fun night out, the Auburn Ramadan Street Food Festival has something for everyone. From savoury falafel to sweet baklava, juicy burgers to crispy lokma, you'll be spoiled for choice with the selection of dishes on offer. But it's not just about food — the festival also offers a chance to connect with the local community and learn about the customs and traditions of Ramadan, a traditional Muslim month of fasting in the daylight hours and feasting by night. So mark your calendars and head to Auburn this Ramadan for a culinary adventure to remember. The Auburn Ramadan Street Festival will run from 5.30pm to midnight on Saturday, April 15. Funding for the event is provided by Multicultural NSW. For more information on the festival, visit the website.
Holding this in Paddington Town Hall is fitting (har) for several reasons: (1) FASHAN is SRS BIZNISS; (2) it's based around community participation, even if not of the 'objection to proposed development' type; (3) if you're in that area, you're probably already paying attention to your outfit. Civic-mindedness goes beyond the venue, though, with the Fashion Forward Festival giving emerging labels a platform and raising funds for the AIDS Trust of Australia. A bit more underground and a lot more public-access than RAFW, the well-cut edge of Australian design is showcased and paraded here across a couple of days of garments, swimwear and accessories. The venue is practical, too: as well as fresh-faced and probably still only faux-jaded designers, some buyers and some people who would like to be buying, there will clearly be models at a fashion thing, and models are really tall. Not to suggest that they'd hit their heads on the ceilings of a less capacious space, but in terms of sense of scale this ends up being like an average-sized situation through a magnifying lens. That'll make you feel like you have brilliant attention to detail, which you're going to need to spot the careers as well as pieces being launched. A lot of care is taken in the festival's look(s) and there's a lot to care about in where the money it raises is going.
If you avoid glass observation decks atop high structures like the plague, then you might want to look away. Those cash-grabbing, genius high rise developers have taken our apparent insatiable desire to stand on a floor of reinforced glass at great heights to the next level and turned the standing attraction into a sliding one. Yep, a see-through glass slide has just opened on top of Los Angeles' highest skyscraper. Terrifying. The slide — aptly named Skyslide — is part of the iconic U.S. Bank Tower's new Skyspace development, which opened on Saturday, June 25. Skyspace has turned the tower's 70th floor into an impressive open-air observation deck (the highest of its kind in California), and the slide is just an extra addition for people who feel that merely looking at a view of Downtown LA from 1000 feet is not enough. That said, the slide is relatively short at about 14 metres — it only travels the length of one floor, from the 70th to the 69th. So it's a bit of a short-lived ride. But if you're scared of heights, you can at least take comfort in the fact that it'll be over before you know it. Well, we assume there's nothing quite like moving at high speed in a glass tube on the side of a building to truly appreciate the view. Even if it is only for 3.5 seconds.
In true country-WA style, the Southern Forests region is a horticultural hub known for diverse and delicious produce. And the community celebrates that fact each year with the Manjimup Cherry Harmony Festival, where you can taste the best and juiciest local cherries, and cherry-flavoured goodies (imagine enjoying fresh cherry ice cream on a warm summer day). The perfect excuse for a weekend getaway, the festival has a bunch of different free and ticketed events, from street parades, market stalls and live entertainment, to a long table lunch among the cherry trees of Newton Orchards. There's also a cherry tour — where you can learn about food innovation and ride a tractor through one of Manjimup's oldest orchards — and Koomal Dreaming, which will allow you to experience Wadandi and Bibbulman country through the eyes of the traditional owners. Manjimup Cherry Harmony Festival takes place on Saturday, December 14. Find the full program, including ticketing information, on the festival website.
