The Flinders Hotel is officially back in business, or will be. The much loved Sydney pub ceased operations back in January last year, with management laying the blame squarely on the NSW lockout laws. Nevertheless, the new owner has big plans for the historic location, and is believes he can make them work. "We're very confident we can turn things around," a spokesperson for the new owner, who we can't reveal just yet, exclusively told Concrete Playground this week. "[We've] changed the whole complexion…[we're] not just a late night venue anymore." Indeed, the rebooted Flinders wants to get people through the doors early, an ambition that's set to be reflected by the décor. Describing the new features as "a little bit upmarket," Flinders' spokesperson says the new fitout will include a marble bar, new wallpaper and a greater emphasis on natural light. Alongside the brand-spanking new interior comes an updated menu with a focus on gourmet pizza, gourmet burgers, ribs and "a pretty decent wine list." Sounds like Picklebacks are off the menu, folks. That said, the new owner isn't ditching the old Flinders feel entirely — and hey, why squander a 3am license? "We still want to use it as a live music venue," the spokesperson assures us. "We're connected with a lot of Sydney bands and a lot of DJs." Once the venue is up and running, the new owner will also invite other local performers to make use of the space. "Not to the extent of Cirque du Soleil, but something like that," the spokesperson says. The Flinders is set to reopen in the lead up to Christmas. Look for it at 65 Flinders Street, Darlinghurst.
Arguably the worst part of travel is the bit where you actually have to travel. Sitting in an over-cramped, over-air-conditioned metal tube for 20+ hours almost makes post-pasta swims in the Mediterranean seem too much trouble than it's worth (almost). But until we're at The Fifth Element stage where we can just hop in a capsule and get knocked out cold for the duration of the journey, we'll just have to be content with airlines' attempts at cutting down flight times and transfers. In huge news for Aussie travellers, Qantas over the weekend announced they will start operating a direct flight from Australia to Europe from March 2018. Thanks to their new Dreamliner 787-9 aircraft — which is set to start flying in October 2017 — the airline's non-stop flights from Perth to London will take approximately 17 hours. It will be considerably quicker than their current route, which, with their partnership with Emirates, includes a rather hellish stopover in Dubai (as all stopovers are). It would be the first and only direct flight from Australia to Europe. "This is a game-changing route flown by a game-changing aircraft," Qantas CEO Alan Joyce said in a Qantas press release. "Australians have never had a direct link to Europe before, so the opportunities this opens up are huge." We first reported on this back in October, when Qantas were still in negotiations with the Western Australian Government and Perth Airport to lock down the new route. It seems they managed to reach an agreement, as the new Perth-London flight will operate from Qantas' domestic terminal at Perth Airport, to make the stopover as smooth as possible for travellers coming from other states. The airline recently revealed the layout for their new Dreamliner fleet, which will be two-thirds the size of the 747s they will eventually replace and have only 236 seats (as opposed to the 747's 364 seats). Economy will have a 3:3:3 seat situation (as opposed to the 3:4:3), as well as USB ports and an extra inch of leg room. Hurrah for leg room! Plus, they also revealed some new branding, which includes new typography on the side of their planes. The Perth to London route will start operating in March 2018, and flights will go on sale from April 2017.
When you imagine the film that would unite Aussie powerhouse actors Nicole Kidman, Mia Wasikowska and Jacki Weaver, you probably think gritty outback drama. You don't think violent neo-gothic Bildungsroman directed by renowned South Korean director Chan-Wook Park (Old Boy) and set in wealthy New England. But that's what you get with Stoker, a film that's bewitchingly stylish but anchored by an intense performance from Wasikowska. Wasikowska plays India Stoker, a somewhat sheltered loner of a girl who is deeply sensitive to small sensations — but that's where her commonalities with Amelie end. On her 18th birthday, she learns that her loving father (Dermot Mulroney) has died in a car accident. Besides being left with her less demonstrative mother, Evelyn (Kidman) in their big ol' house, India now has to deal with the arrival of her unknown and perturbing uncle Charlie (Matthew Goode). He is soon followed by his aunt Gwendolyn (Weaver), who appears to have an urgent message to impart to young India. Gwendolyn disappears and we have a movie, where Charlie obsessively draws closer to India while India tries to figure out who she really is. See Stoker for its striking imagery (including one tracking shot you won't forget) and cool mood of creepiness. Stoker is in cinemas on August 29, and thanks to Twentieth Century Fox, we have a Stoker prize pack to give away, containing a collector's poster signed by Mia Wasikowska and Chan-Wook Park and a Fox Searchlight DVD pack (including Black Swan, Ruby Sparks and Hitchcock). To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email hello@concreteplayground.com.au with your name and address. https://youtube.com/watch?v=NPIi5sHmkAw
Another of your childhood favourites is making the leap from movie to stage musical — this time, the Robin Williams-starring Mrs Doubtfire. The theatre production will once again follow the plight of a divorced dad and struggling actor who's desperate to see his kids, and so dresses up as a kindly English nanny in order to spend time with them. Originally based on Anne Fine's bestselling novel Alias Madame Doubtfire, the 1993 film won two Golden Globes — for best musical or comedy, and for best actor in a musical or comedy for Williams — as well as an Oscar for best makeup. If the stage musical version sounds familiar, that's because it was originally mooted back in 2015. Then, last year, a different team hopped onboard, revived the project and announced that it was actually going to happen — unlike the film sequel that was planned in the early 00s, but didn't ever come to fruition. (And no, Arrested Development's homage, aka Tobias Funke's Mrs Featherbottom, doesn't really count.) Set to premiere at Seattle's 5th Avenue Theatre this year, the Mrs Doubtfire musical will then give Broadway hot flashes from March 9, 2020, ahead of its proper New York launch on April 5. Both productions will star Rob McClure, who nabbed a Tony nomination in 2013 for Chaplin, and is currently treading Broadway's boards in another movie-to-theatre adaptation: Beetlejuice. If you need a refresher on just what McClure will get up to when Mrs Doubtfire hits the stage, check out the original film trailer below: https://www.youtube.com/watch?v=PqxpC_jYncE Behind the scenes, the musical's creative team includes director Jerry Zaks, and writers John O'Farrell and Karey Kirkpatrick (book) plus Karey and Wayne Kirkpatrick (music and lyrics) – all taking on the task of bringing the beloved flick to the stage. Between them all, they boast an impressive history. Zaks has won four Tonys, including for the 1992 revival of Guys and Dolls, and also has Little Shop of Horrors, Le Cage aux Folles, A Bronx Tale, Sister Act and Hello, Dolly! on his resume. As for the writing team, they're behind nine-time Tony nominee Something Rotten!. Planning to visit New York next year? Pre-sale tickets are currently available for the Broadway season, with regular sales starting on November 1. If it wasn't evident before this news, then it is now — the combination of nostalgically remembering enjoyable flicks from years gone by and adding songs to the mix seems to be a licence to print money. In recent years, everything from Matilda, Charlie and the Chocolate Factory, Bring It On and Mean Girls has made the leap to the stage, plus The Bodyguard, Amelie, Waitress, Muriel's Wedding and Moulin Rouge!. A stage version of The Devil Wears Prada is also in the works, as are theatre adaptations of Empire Records, The Notebook, The Princess Bride, Magic Mike and Aussie classic Starstruck. Via Playbill.
Whether you're a kitchen whiz or meal-improv-aficionado, nobody can deny the simple pleasure of eating a meal made with your own hands. If you're lacking culinary skills and wish to change that, a great place to start is Sydney Seafood School. Located in the famed Sydney Fish Market, this all-inclusive cookery academy offers masterclasses in the realm of prepping, cooking and serving damn fine seafood dishes and has a spring cooking class series ready and waiting for eager students. There's a class for every skill level, from total beginner to self-acclaimed expert. Each class is led by an (actual) expert chef who is passionate about sharing their craft. This goes beyond showing how to perfectly pan-fry a salmon fillet. You could learn how to slice sashimi flawlessly, how to fillet a whole fish, the secret to cooking live crabs and much more. There are also classes themed around seafood specialties from all over the world, with Korean, French, Middle Eastern, Spanish, Italian, Singaporean and First Nation recipe-focused classes all making appearances in the program. Take a look, and you'll see there really is something for every kind of seafood lover. Sydney Seafood School offers classes every Saturday and Sunday. For more information or to book a class, visit the website.
Think there's just one Hottest 100 in January? Think again. The second important countdown of the month actually goes rather well with the music poll that just proclaimed Kendrick Lamar's 'HUMBLE' the nation's best track of 2017. In the GABS Hottest 100 Aussie Craft Beers list, great brews are in the spotlight. And, just like its music counterpart, a new victor has come out on top. That'd be Balter Brewing Company, the Gold Coast-based outfit part-owned by surfers Mick Fanning, Joel Parkinson, Josh Kerr and Bede Durbidge. It beat Stone & Wood — the winner of both the 2015 and 2016 polls — to the number one spot, jumping up from fourth last time around in only the brewery's second year of operation. They also had five beers in total in the 2017 list. Now that's something to toast to, ideally with their winning 'XPA' American Pale Ale in your glass. Clearly, plenty of folks did just that throughout 2017. Run by GABS — or the annual brew fest also known as the 'Great Australian Beer SpecTAPular' — the countdown is a 'people's choice' poll is decided by booze-lovers around the country. Elsewhere on the list, 24 brews that first wet lips in the past year were included in the GABS Hottest 100, and 71 from indie brewers as well. If you're particularly keen on either, GABS have also released rundowns of the Hottest 100 New Craft Beers and the Hottest 100 Indie Craft Beers, plus the next 100 from the main countdown. If you're thinking "less background, more beer", here's what you've been waiting for: the rundown of the best beverages from the past year that just keep tempting tastebuds. Working your way through them isn't just a great way to show your appreciation for locally made brews — consider it research for the 2018 countdown. GABS HOTTEST 100 AUSSIE CRAFT BEERS OF 2017 'XPA' American Pale Ale (Balter, QLD)* 'Pacific Ale' Australian Pale Ale (Stone & Wood, NSW)* 'Crankshaft' American IPA (BentSpoke, ACT)* 'Newtowner' Australian Pale Ale (Young Henrys, NSW)* 'Single Fin' International Pale Ale (Gage Roads, WA)* 'Mosaic' American IPA (Pirate Life, SA) NEW 'IPA' American IPA (Balter, QLD)* NEW 'Jedi Juice' New England IPA (Hop Nation, VIC)* NEW GABS 'Beechworth Pale Ale' American Pale Ale (Bridge Road, VIC)* 'KRUSH!' American Pale Ale (KAIJU!, VIC)* 'Little Dove' International Pale Ale (Gage Roads, WA)* 'Former Tenant' Red IPA (Modus Operandi, NSW)* 'IIPA' Double IPA (Pirate Life, SA) 'Hop Hog' American Pale Ale (Feral, WA) 'IPA' American IPA (Pirate Life, SA) 'Pale Ale' American Pale Ale (4 Pines, NSW) 'Juicy' New England IPA (3 Ravens, VIC)* NEW 'Future Factory' Double IPA (Modus Operandi, NSW)* NEW 'Back To The Brewer' New England IPA (Mountain Goat, VIC) NEW 'Pale Ale' Australian Pale Ale (Black Hops, QLD)* NEW 'Sonic Prayer' American IPA (Modus Operandi, NSW)* 'One Fifty Lashes' Australian Pale Ale (James Squire, NSW) 'Pale Ale' American Pale Ale (Pirate Life, SA) 'Sprocket' American IPA (BentSpoke, ACT)* NEW 'Coast Ale' California Common (Capital, ACT)* 'Pale Ale' American Pale Ale (Little Creatures, WA/VIC) 'Barley Griffin' Australian Pale Ale (BentSpoke, ACT)* 'Trail Pale Ale' American Pale Ale (Capital, ACT)* 'Wild Yak' Australian Pale Ale (Yak Ales, VIC) 'IPA' American IPA (Fixation, NSW)* 'VPA' American Pale Ale (Nail, WA)* 'War Hog' American IPA (Feral, WA) 'XPA' International Pale Ale (Philter, NSW)* NEW 'Vanilla Milk Stout' Sweet Stout (Thirsty Crow, NSW)* 'Atomic' American Pale Ale (Gage Roads, WA)* 'Windjammer' American IPA (Green Beacon, QLD)* 'Kolsch' Kölsch (4 Pines, NSW) 'Furphy Refreshing Ale' Kölsch (Furphy, VIC) 'India Red Ale' Specialty IPA (Prancing Pony, SA)* 'The Matriarch' New England IPA (CoConspirators, VIC)* NEW 'Indian Summer Ale' Australian Pale Ale (4 Pines, NSW) 'Throwback' American IPA (Pirate Life, SA) 'Pilsner' German Pilsner (Balter, QLD)* NEW 'Korben D.' Double IPA (Akasha, NSW)* 'Golden Stout Time' Sweet Stout (Big Shed, SA)* GABS 'Cloud Catcher' Australian Pale Ale (Stone & Wood, NSW)* 'Twisted Palm' American Pale Ale (Burleigh, QLD)* 'Bling' American IPA (Bridge Road, VIC)* 'Three Sheets' Australian Pale Ale (Lord Nelson, NSW)* 'Mount Tennent' American Pale Ale (Pact, ACT)* 'The Mountie' Specialty Beer (Stockade, NSW)* NEW GABS 'Squish' Specialty IPA (Fixation, NSW)* NEW 'Wayfarer' American Wheat (Green Beacon, QLD)* 'Hopsmith' American IPA (Akasha, NSW)* 'Hornet' American IPA (Black Hops, QLD)* NEW '3 Bolt' American Pale Ale (Green Beacon, QLD)* 'Summer Hop Ale' American IPA (Young Henrys, NSW)* 'Small Ale' American Pale Ale (Colonial, WA/VIC)* 'Pale Ale' American Pale Ale (Colonial, WA/VIC)* 'Steam Ale' California Common (Mountain Goat, VIC) 'Natural Lager' Pale Kellerbier (Young Henrys, NSW)* 'Dark Ale' Porter (White Rabbit, VIC) 'Spearhead' Australian Pale Ale (Cricketers Arms, VIC) 'Fat Yak' Australian Pale Ale (Yak Ales, VIC) 'IPA' Specialty IPA (Colonial, WA/VIC)* 'Pale' American Pale Ale (Modus Operandi, NSW)* 'Dog Days' Australian Pale Ale (Little Creatures, WA/VIC) 'Evil Eye' Red IPA (Capital, ACT)* 'Pale Ale' Australian Pale Ale (Kosciuszko, NSW) 'Taco' Specialty Beer (Two Birds, VIC)* GABS 'Old Mate' American Pale Ale (Moon Dog, VIC)* 'Summer Ale' Blonde Ale (Mountain Goat, VIC) 'Garden Ale' Australian Pale Ale (Stone & Wood, NSW)* 'Hazelnut Brown Ale' English Brown Ale (Bad Shepherd, VIC)* 'Tusk' Double IPA (Feral, WA) 'Hazy Craze' New England IPA (White Lies, QLD)* NEW 'Session IPA' Specialty IPA (Modus Operandi, NSW)* 'Aftermath' Double IPA (KAIJU!, VIC)* 'TPP Strong Pale Ale' American Pale Ale (Pirate Life [SA] / Ballast Point [USA]) NEW 'Vanilla Malt Thickshake' Winter Seasonal Beer (Pirate Life, SA) NEW GABS 'The Punch' Gose (Hop Nation, VIC)* 'Juicy Banger' Dry Hopped Lager (Blackman's, VIC)* NEW 'Biggie Juice' New England IPA (Feral, WA) NEW '7 Bells' Gose (Green Beacon, QLD)* NEW 'Blood Orange New England Rye IPA' New England IPA (Dainton, VIC)* NEW 'The Swindler' Australian Pale Ale (James Squire, NSW) NEW '28' American Pale Ale (Burleigh, QLD)* 'India Pale Lager' Pale Lager (Beerfarm, WA)* 'Bighead' Pale Lager (Burleigh, QLD)* 'Black Metal Disco' Sweet Stout (Balter, QLD)* NEW 'Passion Victim' Australian Pale Ale (Two Birds, VIC)* NEW 'Robust Porter' Porter (Bridge Road, VIC)* 'Session Ale' Australian Pale Ale (Mismatch, SA)* 'Pale' American Pale Ale (Mornington Peninsula, VIC)* '8bit' American IPA (Stockade, NSW)* 'Alt Brown' American Brown Ale (Balter, QLD)* 'Sparkling Ale' Australian Sparkling Ale (Coopers, SA)* 'Bright Ale' Australian Pale Ale (Little Creatures, WA/VIC) 'Little Bling' Specialty IPA (Bridge Road, VIC)* 'Rogers' American Amber Ale (Little Creatures, WA/VIC) * — Brewed by an independent brewery. NEW — First brewed in 2017. GABS — Brewed especially for GABS Beer, Cider & Food Fest. Image: Balter Brewing Company.
Located above the current Sydney Fish Market site, the Sydney Seafood School has been a staple for top-notch cooking classes for over 30 years now. Following some reduced seasons of classes due to the pandemic, the school is back with a hefty spring season of classes featuring some of the best chefs in the biz. The program is expansive but highlights include a Sundowener Session with Lankan Filling Station's O Tama Carey where the acclaimed chef will take guests through some of her favourite Sri Lankan dishes over a drink. There's a healthy seafood and veg class with online sensation Tom Walton, a First Nations Seafood class with Rockpool Dining Group's Luke Bourke, and a masterclass with Danielle Alvarez formerly of Fred's. Other classes in the program are based around specific dishes, with attendees mastering the art of Singapore chilli mud crab, Malaysian laksa, Spanish tapas, sea urchin and retro Australian-Chinese. To check out the full program head here. The cost of classes ranges from $110–240 — and with this quality of dishes and calibre of chefs, you're getting a lot of bang-for-your-buck. Hot tip: tickets to any one of these would go down a treat as a gift. Top image: Franz Scheurer
In frightening news, we're almost halfway through the year so a well-deserved escape from your desk is on the cards. Whether you're saving up your leave for a trip abroad or waiting impatiently for enough to accrue, we've got a solution that allows you to coast through the work week without using up any precious annual leave. Enjoy a scenic four-hour drive up to sunny Port Macquarie where you can trade the confines of your home office for a week of remote working with a view and mornings and evenings (and some cheeky lunch breaks) spent discovering the picturesque region. Start your day with a swim or hike at one of the surrounding beaches or rainforests, before setting up shop in a local cafe. Ditch your usual meal-prepped salad for some fresh seafood overlooking the water, and then close out a day of work with a meal at one of the city's many stellar restaurants or a cellar door. Read on for our top picks of where to stay, eat and explore around Port Macquarie. Where to Stay Ditch the fake Zoom background for a real view that'll make your colleagues jealous. Whether you opt for a cosy motel, boutique apartments or a luxe resort, you're guaranteed idyllic views of the water at each of these hotels. Keep it simple at The Mid Pacific, which offers five different room types to suit solo travellers, couples and groups alike. The modern motel overlooks the Hastings River and is an ideal base from which to post up for the week with kitchenette and private balcony in every room, plus a communal laundry. If you've convinced a mate or two to tag along, Macquarie Waters has one- to three-bedroom options for your stay. Located a stone's throw away from Town Beach, various shops and popular eateries, such as Bandwagon and Zebu Bar & Restaurant, the apartment hotel also has a pool, hot tub and free parking. For the ultimate beach vacay experience, choose to unwind at Sails Port Macquarie. The newly refurbished resort boasts sprawling views of the Hastings, an outdoor heated pool and spa, a tennis court, three restaurants and room service. Your full inbox will seem much more manageable when you're holed up in a poolside cabana with drinks and snacks on hand. Must-Try Dining Port Macquarie's dining scene has evolved in recent years. Cafes, bars and restaurants take full advantage of the region's fresh produce and seafood while working closely with local producers. Kick off your day with a picture-perfect piccolo at Banks, which serves breakfast classics and coffee by the river in McInherney Park. Drop in to the coastal cafe for seasonal brunch dishes including poached pear brioche toast, reuben benedict, butter-poached prawn croissant and chorizo scrambled eggs. On Friday and Saturday evenings, you can sip on a glass of wine or a cocktail while enjoying the sunset when the cafe transforms into a romantic restaurant for dinner. Beat the afternoon slump with a light lunch or go for a post-work wine and dine at Zebu Bar & Restaurant. The Italian restaurant offers everything from sunrise coffee to sunset cocktails in an airy space by the Hastings River, with dishes that include a blue swimmer crab risotto, gnocchi with garlic chilli prawns, chargrilled swordfish and seared chicken with portobello mushroom, smoked eggplant, hazelnut salsa and prosciutto crisp. Continue your Italian journey at Bar Florian. Inspired by the famed Caffé Florian in Venice, the inviting eatery serves a selection of antipasto, such as French brie with chilli jam, and gourmet pizzas. Unmissable Attractions Between endless emails and dreary meetings, reignite your curiosity with some of Port Macquarie's inspiring nature. Whether you want to ride the waves, hike through lush rainforests, visit koalas or wander through charming rural towns, there's an experience for every type of traveller. Tack another trip onto your time away with a short drive to nearby Wauchope. The country town is well worth visiting for a day, with historic museums, local bakeries and cascading waterfalls. If you've only got a short lunch break but are itching to get out and explore, the Sea Acres Rainforest Centre is located just three minutes from Port Macquarie's CBD. Stretch your legs with a one-kilometre stroll along the looping boardwalk before stopping in at the Rainforest Cafe for lunch or a coffee. Finally, make some new furry friends at the Port Macquarie Koala Hospital. The rehabilitation facility and research centre is committed to the conservation of koalas, with treatment rooms, intensive care units, recovery yards and a round-the-clock rescue operation. Admission is free, but the non-profit will gratefully accept donations, and any purchases from the gift shop will go towards the care of these endangered animals. To start planning your break and find out more, head to the Port Macquarie website.
Nickelodeon, the makers of You Can't Do That on Television, must have been onto something: slime may well hold the key to a sustainable future, if the creation of the world's first algae-powered building is any indication. Titled BIQ (Bio Intelligence Quotient) House, the zero-energy apartment block opened at Hamburg's International Business Exhibition last week and is the product of collaboration between multinational company Arup (the brains behind the Sydney Opera House and the Pompidou Centre), Austria's Splitterwerk and Germany's Strategic Scientific Consulting. Here's how it works: The southeast and southwest, sun-facing sections of the building's facade feature a 'second outer shell', which contains 129 glass bioreactors, filled with microalgae. A circuitous water supply provides the algae with carbon dioxide and liquid nutrients, which, in combination with sunshine, stimulate photosynthesis and growth. Once the algae is dense enough, it is harvested and taken to a special room in the BIQ House, where it is fermented and utilised in the production of biogas, thus becoming a renewable energy source. In comparison with other land-dwelling plants, algae can create five times as much biomass (organic material that translates as fuel) per hectare. Simultaneously, the facade functions a little like a solar thermal system. Any sunshine unneeded by the algae is transformed into heat, which can be used immediately or stored underground. Conventional needs are met, also, as the facade is a powerful source of shade and insulation, providing protection from cold, heat and noise. The BIQ House is but one of many slimy possibilities for the future. Earlier this year, Arup's Foresight + Innovation team published It's Alive, a report outlining ideas for the built environment come 2050, when the global population will most likely number 9 billion and three-quarters of people will inhabit cities. Arup's vision incorporates "intelligent buildings that can make informed and calculated decisions based on their surrounding environment" and have the capacity to "produce food, energy and resources". Via Inhabitat.
Symmetry, pastel hues and an astonishing cast: they're all now part of your 2023 plans. Two years after The French Dispatch hit cinemas, Wes Anderson is returning to the big screen with Asteroid City, his 11th feature. Even better: it's now officially on the release slate for the year, featuring a Moonrise Kingdom-esque setup and just about every well-known actor that the filmmaker has ever worked with before (and then some). First, mark midyear in your diary. Asteroid City just locked in a US release date of June 16, 2023, and hopefully it'll reach cinemas Down Under not too long afterwards. That timing makes it an obvious choice to play at the 2023 Cannes Film Festival, where The French Dispatch and Moonrise Kingdom also premiered, and then possibly hit the Sydney Film Festival, Melbourne International Film Festival and New Zealand International Film Festival in this part of the world. Next, the premise. Those Moonrise Kingdom vibes spring from Asteroid City's plot, with the film following a Junior Stargazer/Space Cadet convention in the titular — and fictional — American desert town. Students and their parents descend on the contest from around the country, all in the name of scholarly competition; however, then world-changing events shake things up. Anderson penned the script alongside his frequent writing partner Roman Coppola, who also co-wrote Moonrise Kingdom and The Darjeeling Limited, and has a story credit on Isle of Dogs and The French Dispatch. [caption id="attachment_881607" align="alignnone" width="1920"] Raffi Asdourian via Flickr[/caption] Helping bring the story to life on-screen is everyone from Jason Schwartzman (I Love That for You), Scarlett Johansson (Black Widow), Jeffrey Wright (The Batman), Tilda Swinton (Guillermo del Toro's Pinocchio) and Ed Norton (Glass Onion: A Knives Out Mystery) to Adrien Brody (See How They Run), Liev Schreiber (Ray Donovan), Willem Dafoe (The Northman), Tony Revolori (Servant), Stephen Park (Warrior) and Bryan Cranston (Better Call Saul) — and, of course, Jeff Goldblum (Jurassic World Dominion) — all of whom are Anderson regulars. They'll be joined by Tom Hanks (Elvis), Margot Robbie (Amsterdam), Steve Carell (The Patient), Matt Dillon (Proxima), Hong Chau (The Menu), Hope Davis (Succession), Rupert Friend (Obi-Wan Kenobi), Maya Hawke (Stranger Things), Jake Ryan (Uncut Gems), Grace Edwards (Call Jane), Aristou Meehan (The Contractor), Sophia Lillis (IT: Chapter Two), Ethan Lee (Mr Robinson) and Rita Wilson (Kimi). We told you that the cast list was hefty. It's too early yet for a glimpse at Asteroid City, but you can check out the trailer for Moonrise Kingdom below in the interim: Asteroid City will release in the US on June 16, 2023, with exact dates Down Under yet to be confirmed — we'll update you when the local release date is locked in. Top image: Moonrise Kingdom.
If you're in a part of Australia that's sweating through a heatwave right now — Sydney is set to break its record for the most days above 35 degrees in a season — you've probably been visualising trickling streams and cannonballing into a body of water for a few days now. But how about gliding down a waterslide straight into the ocean? A photo posted by Jongkol Palarit (@pookjongkol) on Jan 20, 2017 at 12:23am PST Unfortunately the cooling relief is purely a psychological one, as this slide of slides is located at luxury resort Soneva Jani in Medhufaru (Noonu Atoll) in the Maldives. The moderately-sized waterslide takes guests from the top deck straight into the ridiculously clear blue private waters the resort resides on top of. You can do all this between courses at dinner or drinks on the catamaran nets that are suspended just above the water. The resort, which opened at the end of last year, boasts 25 over-water villas — all of which include their own private outdoor decks, pools, access to the ocean and retractable roofs. If you're already picturing yourself there, note that villas start at a huge $2000 AUD per night, with some even exceeding $10,000 a night. So while going to the Maldives would be a great right about now, we might just have to live in hope that Australia's main swimming spots gets a slide — we can definitely picture one down at Clovelly in Sydney or jutting off the pier at St Kilda.
You can always tell when spring is inbound. When the air warms, chefs and winemakers answer with fresh seasonal menus and wine releases. Pepito's celebrates with a one-night-only takeover by fearless women from opposite ends of the world — an acclaimed from Madrid and a cult winemaker from the Adelaide Hills. [caption id="attachment_1019364" align="alignnone" width="1920"] Image supplied[/caption] This marks the highly anticipated spring drops from Amber Ochota, the woman behind cult label Ochota Barrel. At the forefront of Australian minimalism, the wine studio has produced youthful vinos with whimsical names for spring. These include a textured white Gewurz, 'Weird Berries in the Woods', a bright wild-fermented grenache named after The Green Room Vineyard in Onkaparinga Hills and a balanced Chardonnary vintage, 'Control Voltage'. The Peruvian taberna-style spot is handing the kitchen over to Chef Danitza Gabriela of Manifesto 13, who is putting together a special five-course Italo-Peruvian tasting menu for the event. The exact dishes are still under wraps, but expect big fusion flavours — think a salsa-spiced ox tongue carpaccio with Sardinia flatbread, 'salsa carapulcra' guanciale gnocchi and sweet potato stracciatella. [caption id="attachment_1019363" align="alignnone" width="1920"] Image supplied[/caption]
A collaboration that's immersed in colour and vibrancy, Sydney-based visual artist Dreamcatchersdreamtime, aka George Barnes, regularly teams up with the brains behind Think Positive Prints, Emilie Cacace. And they'll be doing so again for another iteration of the Miller Design Lab — an innovative event series we're hosting with Miller Genuine Draft at SoHigh Gallery in Melbourne, featuring some of the most exciting contemporary artists and musicians Australia has to offer. Here, we speak with Barnes and Cacace about creative inspirations and their latest project that brings a colourful, experimental spectacle to the Miller Design Lab on Saturday, March 23. George Barns and Emilie Cacace are more than just artistic collaborators. They're also partners outside of work, having recently turned their duo into a trio, with the arrival of son Louie, who has become a helpful source of inspiration. "I'm generally working on a few projects at once," says Barnes. "I always have creative chats with Emilie, talk about dream projects with my friends, and our son Louie always keeps me feeling inspired." As Dreamcatchersdreamtime, Barnes constructs powerful narratives that explore the universe through art, culture, lifestyle and ideas, all while he moonlights as the senior textile designer for much-loved Australian fashion label Sass & Bide. These collaborations between him and Cacace are something of a match made in heaven; she plays a leading role at Think Positive Prints, an internationally renowned digital printer specialising in ultra high-coloured and detailed fabrics. "I've been working with digital printing for the past 12 years, and I want my next major thing to be figuring out how to bring new life into the industry," explains Cacace. "I still want to create beautiful textiles and products, but treat them differently and not so literally." Since the pair has lived and worked together over the last nine years, they find great satisfaction whenever they have the chance to combine their skills."I watch George working on creative projects every night, dreaming up his next creation and collaboration — it's exciting to be able to print what he comes up with," explains Cacace. So for their latest collaboration, the Sydney-based duo is turning to a variety of unconventional fabrics to produce a spectacular array of new textures and patterns. They'll take over the SoHigh Gallery on Saturday, March 23, hosting a Miller Design Lab event that's set to stimulate audiences with intense music, light projections and flickers of gold. "Emilie and I are producing two large-scale textile pieces that will be integrated into the space down in Melbourne," says Barnes. "I think they're going to look really wonderful — rippling moire textures meet high-gloss, golden goodness!" Outside of their own work, the duo finds much artistic inspiration all over the world. Some of their favourites include the large-scale resin installations by Sterling Ruby, the environmental works of Olafur Eliasson and Jedda-Daisy Culley's spirited paintings. They also have a few regular Melbourne spots that they often gravitate towards whenever they need to recharge. "Baker Bleu has the best bread in Australia," says Barnes. "But we also love heading to Supernormal for a dope snack or Bar Americano for one of their next-level cocktails. And if we're after something a bit fancy, there's great French cuisine and vino at France-Soir." Despite all their successes, neither Barnes nor Cacace are thinking about slowing down. Soon, the pair are moving their creative practices to the United States. However, in the meantime, they have a range of projects to finish up in Australia. Undoubtedly an exciting time for the young family, they offer some advice for any hopeful artists out there: "do what you love doing deep down," says Barnes, before Cacace adds, "Start somewhere, grow and be proud of each stage. Experience is everything, so give it your all and talk, collaborate and get involved." Images: Kitti Gould.
Carriageworks is always up for surprising happenings. And, this month, things are going next level, thanks to Liveworks Festival of Experimental Art 2019. For 11 days, every nook and cranny of Carriageworks will be full of experimental art hosted by Performance Space — from installations and performances to chats, workshops and parties. At the heart of the action, you'll find the Bombay Sapphire Canvas Bar. This spot is about more than just getting a drink — although you certainly can do that. Visit this multi-sensory hub to immerse yourself in Sonic Nightcap, a series of after-hours gigs, intelligent conversations and interactive experiences, so you can continue your exploration of creativity with a drink in hand. And the best part? Every event on the lineup is completely free to attend. Keeping you company will be a gin-infused cocktail menu, featuring experimental takes on the classic G&T, including one spiked with ginger and mint, and another inspired by the negroni. Whatever your beverage of choice, be sure to match it with one — or all — of these five gigs and talks. STIFF GINS Since forming in 1999, Stiff Gins has become one of Australia's best-loved Indigenous acts. The duo of powerful singers, Nardi Simpson and Kaleena Briggs, has travelled all over the world delivering stunning harmonies and clever songs in between releasing three albums. The duo's latest project, Spirit of Things: Sound of Objects, combines music and theatre in a sonic response to Indigenous objects held in museums across the planet. This performance, created in collaboration with British director Felix Cross, celebrates these objects by reconnecting them to their homeland. When? Saturday, October 19 from 9.30pm. LONELYSPECK Travelling all the way from Adelaide will be Lonelyspeck, the project of singer, songwriter and producer Sione Teumohenga. Taking inspiration from acts like Arca, Charli XCX, Linkin Park and fellow Adelaidians Hummingbird, they combine pop melodies with expansive soundscapes and personal lyrics. During the past few months, they've played gigs all over Australia, and released singles 'My Angel Goes Before Me' and 'Drown'. You can hear those tracks and Lonelyspeck's many other dreamy tunes with a G&T in hand after watching the Sydney premiere of dance performance Double Double or multidisciplinary solo performance plenty serious TALK TALK. When? Wednesday, October 23 from 9.30pm. NARETHA WILLIAMS The work of Melbourne-based Wiradjuri woman Naretha Williams brings together composition, experimental audio art and sound engineering in adventures into identity, place, body and the unseen. Her recent pieces include 'CTGTTCTTTC', a recording commissioned for Melbourne's Federation Bells, and Blak Mass, a performance that transformed Melbourne's Town Hall — and its grand organ — into an immersive music piece based on Williams' DNA code. Experience her creative wonders for yourself following a two-hour vibraphonics workshop or Betty Grumble's The Unshame Machine. When? Friday, October 25 from 9.30pm. ALYX DENNISON Alyx Dennison hit the music scene around ten years ago as one half of kyü, a duo that played many of the world's great festivals, including SXSW (US), The Great Escape (UK) and Homebake. Since then, Dennison has been composing and performing furiously for projects of all kinds — from Shaun Parker's AM I and Agatha Gothe-Snape's Rhetorical Chorus to Hilary Bell's play Splinter, which just finished a run at Griffin Theatre. In 2015, she released her first solo album Popfrenzy/Caroline. Hear the results, as well as a bunch of newer songs, at Canvas Bar alongside Elsz and Chela (DJ set). Dennison will also be performing in Lauren Brincat's Other Tempo at Liveworks, too. When? Sunday, October 27 at 6pm. LIVE SPARKS Sometimes, the story behind an artwork, performance or song is as compelling as the piece itself. If your experiences at Liveworks have you wondering where artists get their ideas, grab a seat at Live Sparks for an afternoon of free talks. You'll be hearing from performance artist Betty Grumble; Wiradjuri writer, dancer and performer Joel Bray; musical duo Stereogamous (Paul Mac and Jonny Seymour); unpredictable trio Th3 Order; and Indigenous artist Vicki Van Hout. When? Sunday, October 20 from 4.30pm. The Bombay Sapphire Canvas Bar will be open daily at the Liveworks Festival of Experimental Art between Thursday, October 17 and Sunday, October 27. For opening times and more information, visit the Performance Space website.
Six states and territories, six locations, six reasons for a road trip: Groovin the Moo has unveiled its 2024 plans. Largely taking tunes beyond Australia's capital cities, the long-running large-scale touring music festival will traverse the country in April and May, again hitting up South Australia, the Australian Capital Territory, Victoria, New South Wales, Queensland and Western Australia. Grab your diaries, because you've got dates to jot down. In New South Wales, festivalgoers also have a new location to head to, with Groovin the Moo making a major move in 2024. Instead of taking place at its previous site in Maitland, the fest will pop up in Newcastle, with Foreshore Park its new home. The change comes after feedback from attendees, especially regarding transport and accommodation. "We're really excited to be putting on a festival in Foreshore Park. Whilst Maitland has played a major part in the history of GTM, Newcastle's transport and accomodation options will provide a better experience for our patrons. Foreshore Park is a stunning location and we look forward to calling it home," said a GTM spokesperson. "Groovin the Moo will be a valuable addition to this year's events calendar, allowing locals to experience some of the best Australian and international acts at the city's premier events space in Foreshore Park, while also delivering an important boost to local businesses and the visitor economy," added Newcastle Lord Mayor Nuatali Nelme. In all other states and territories, the festival will settle into the same spots as last year — starting at Adelaide Showground, then hitting Exhibition Park in Canberra and Bendigo's Prince of Wales Showgrounds. After the Newcastle spot, Groovin the Moo will move on to Sunshine Coast Stadium Precinct, then Bunbury's Hay Park. It's a touch too early for a lineup announcement as yet, but cross your fingers for another impressive roster of talent when the festival bill does drop. 2023's included everyone from Fatboy Slim, Denzel Curry, Eliza Rose and Skepta to Amy Shark, Ball Park Music, Barkaa, Skegss, and Teen Jesus and the Jean Teasers. GROOVIN THE MOO 2024 DATES AND VENUES: Thursday, April 25 — Adelaide Showground, Kaurna Country, Wayville, South Australia Friday, April 26 — Exhibition Park in Canberra (EPIC), Ngambri and Ngunnawal Country, Mitchell, Australian Capital Territory Saturday, April 27 — Bendigo's Prince of Wales Showgrounds, Dja Dja Wurrung Country, Bendigo, Victoria Saturday, May 4 — Foreshore Park, Awabakal Land, Newcastle, New South Wales Sunday, May 5 — Sunshine Coast Stadium Precinct, Kabi Kabi and Jinibara Country, Warana, Queensland Saturday, May 11 — Hay Park, Wardandi Noongar Country, Bunbury, Western Australia Groovin the Moo will tour Australia in April and May 2024. We'll update you with lineup details when they're announced. For more information in the interim, head to the festival's website. Images: Jordan Munns.
Following the decline of Trumps Tavern and Noble Canteen, hospitality wizard Justin Hemmes is next in line to have a crack at 50 King Street in the CBD. And, for a while at least, his Merivale group are putting the focus on art. The company recently acquired the space and is working on long-term plans for a refit. In the meantime, however, we're to be treated to a pop-up bar, opening May 2. Rather than the usual drinks and dinner, the temporary space will be home to a constantly changing art studio. The project, knowingly called A Work In Progress, will be the progressive work of two stalwarts of the Australian art community. Curated by Glenn Barkley, formerly of the MCA, it will play host to the pop art stylings of Darwin-based Franck Gohier. It will be up to the two of them to transform the former bar into an evolving and interactive art space. It wouldn’t be a Merivale establishment, though, without a little something to eat and a lot of something to drink. Joining the experiment are ex-Sailor's Thai chef Air Jantrakool and group bar manager Paul Mant, cooking up traditional Thai street food paired with a rotating menu of cocktails, both with a focus on local produce. Apart from the potential disaster of spilling a plate of pad thai on a developing (and potentially valuable) canvas, the combination of art and boozing is a promising new turn from Merivale. A Work in Progress opens at 50 King Street, Sydney, on May 2.
It's one of just a handful of hawker eateries to ever have scored a Michelin star, taking out the honour in both 2016 and 2017. And now, Singapore's legendary Hawker Chan is bringing its famed chicken rice dishes to Australia, setting up shop on Melbourne's Lonsdale Street from Friday, December 8. As with the original, it's helmed by chef Chan Hon Meng, who's had a tidy 30 years of experience perfecting Singapore's national dish: soy sauce chicken. Set to star on the Melbourne Hawker Chan menu, this age-old favourite features chicken poached in chicken stock, soy sauce and ginger, the meat then blanched to give the skin a gelatinous texture, and served on a fluffy pile of jasmine rice. It'll sit alongside a tight collection of just 19 other dishes, including authentic hits like char siew noodles, roasted pork rice, wonton soup and soya sauce chicken hor fun. The space itself will tap into the hawker spirit — it'll be a lively 92-seater where diners will order and pick up their meals from the front counter. It won't be taking any bookings though, given this is Michelin-quality fare, we're betting no one will be too fazed by a bit of queuing. Hawker Chan will open at 157–159 Lonsdale Street, Melbourne, from Friday, December 8. For more information, visit Hawker Chan's Instagram.
There's no disputing one of the best episodes of The O.C. is 'The SnO.C.' — the one where Harbour High's winter dance is themed like an opulent winter wonderland to make up for the lack of actual winter in California (but not the lack of social events). And just like Newport, Sydney doesn't get gifted with a blanket of snow during the cold months — which is why Daniel San has decided to throw their own winter-themed bash. The waterfront Manly Japanese-inspired bar will once again host their Winter Wonderland party on Sunday, June 12. Taking place on their sweet Rooftop Dojo overlooking the Manly foreshore, the party will feature lots of drinks, a lineup of local DJs and everything to make you feel like you're sipping cocktails in a ski lodge. Presuming Sydney's unseasonably warm weather continues, this is set to be the warmest snow party ever. Things kick off at 7pm, and entry is free. If you want to head along, just RSVP here.
Two hefty names in 80s and 90s music. One massive visit to Australia and New Zealand. Pearl Jam have finally announced new Down Under gigs, as a leg on their Dark Matter tour to support their next album, and they'll have huge company thanks to Pixies. Eddie Vedder and Black Francis taking to the same stage? That'll make you feel alive and ask "where is my mind?". The Seattle-born Pearl Jam are the headliners, and about time; this is the band's first visit Australia and Aotearoa since 2014, on a tour that included the final-ever Big Day Out. They've been dropping clues for a while that they were heading this way again, complete with hints at Bondi Beach since the past weekend. Now, they've locked shows in Auckland, Melbourne, Sydney and on the Gold Coast. [caption id="attachment_940844" align="alignnone" width="1920"] Danny Cinch[/caption] Dark Matter, the band's 12th album, will release in April — which gives fans plenty of time to know it by heart before the group play Go Media, Heritage Bank, Marvel and Giants stadiums in November. The record's title track is a brand-new tune, just dropping on Tuesday, February 12. Live, that song and others from Dark Matter will feature on a setlist that's sure to span past hits 'Alive', 'Black', 'Jeremy', 'Better Man', 'Last Kiss' and 'Daughter' from previous albums such as the iconic Ten, Vs and Vitalogy from the early 90s, plus No Code, Yield and more since. [caption id="attachment_940849" align="alignnone" width="1920"] Wp72 via Wikimedia Commons[/caption] Pixies, who were last Down Under in 2022, are responsible for a helluva one-two punch with their first two albums: 1988's Surfer Rosa and 1989's Doolittle. The first gave the world the track that's been linked with Tyler Durden courtesy of David Fincher's Fight Club since 1999, aka 'Where Is My Mind?', as well as 'Gigantic' and 'Cactus'. The second is home to 'Here Comes Your Man', 'Monkey Gone to Heaven', 'Debaser' and 'Wave of Mutilation'. Foo Fighters, blink-182, Queens of the Stone Age, Tenacious D, now Pearl Jam and Pixies: it's been a great time of late for big rock tours in this neck of the woods. Pearl Jam Dark Matter World Tour 2024 with with Special Guests Pixies — Australia and New Zealand Dates Friday, November 8 – Go Media Stadium, Mt Smart, Auckland Wednesday, November 13 — Heritage Bank Stadium, Gold Coast Saturday, November 16 — Marvel Stadium, Melbourne Thursday, November 21 — Giants Stadium, Sydney Pearl Jam and Pixies are touring Australia and New Zealand in November 2024, with ticket registrations from Wednesday, February 14–Sunday, February 18 and ticket sales from Friday, February 23 — head to the Pearl Jam website for further details. Top image: Raph_PH via Flickr.
The simple things are the hard bits. Jamie Adkins does some easy looking stuff on stage, but the audience falls around with laughter. It's not that what Adkins does isn't difficult. In fact, the things that he does are usually pretty hard. Using ladders as stilts, popping stage-balls out his mouth, walking the slack rope (like a tight-rope, but not so steady) and contact juggling, Adkins works on staple circus tricks and on the audience's expectations. In Circus Incognitus he plays someone with something to say on the tip of his tongue, the action of the show coming as he tries to take his idea from tip to talking. Adkins has done Cirque du Soleil and the lesser-known (here) Cirque Éloize, having left his native San Diego for the more circus-friendly Montreal. With his early circus expriences drawn from his street performances, he likes to pull his audience into his act. The Studio's wide design and ample cabaret-style table-seating will no doubt provide him here with scores of easy volunteers. Nonetheless, don't let his forward approach dissuade you. Though child-friendly, his clowning is anything but juvenile.
Following a teaser on their Facebook page last month LA alt-rock legends Weezer announced that they would be touring Australia for the first time in sixteen years, much to the delight of fans, and the dismay of those previously thriving on the idea that the band hate the nation. Despite a career spanning twenty years Weezer have only been here once before when, back in 1996, they promoted their cult record Pinkerton. Stopping off in Brisbane, Melbourne, Sydney and Perth, the tour will see the band play their greatest hits and rarities plus the full length of The Blue Album, in just the same way as their US concept tours do. For Weezer fans in Australia this is a must not miss opportunity, and one that many never occur again. Tickets go on sale first thing July 26th; be quick or you'll miss out. Weezer Australian Tour Dates: Sunday 13th January, Entertainment Centre, Brisbanehttp://www.ticketek.com.au 132 849 Wednesday 16th January, Sidney Myer Music Bowl, Melbournehttp://www.ticketmaster.com.au 136 100 Saturday 19th January, Entertainment Centre, Sydneyhttp://www.ticketmaster.com.au 136 100 Wednesday 23rd January, Perth Arena, Perthhttp://www.ticketek.com.au 132 849 https://youtube.com/watch?v=_9BGLtqqkVI
Ah, the annual festival of all things Italian — just when I thought I was out, they dragged me back in. This Sunday, October 30 marks the day of celebration for the nation that brought us Julius Caesar, Nebbiolo and Dario Argento. This year's incarnation of the street fair is a special one though, as it's celebrating 30 years of the iconic exultation of Mediterranean multiculturalism. Something fresh in the mix this year is the addition of the Canterbury and District Soccer Football Club, who will be on hand with interactive clinics and demonstrations on the art of the world game. As per usual though, Norton Street will be lined with food vendors from somebody's nonna to professional culinary wizards. There'll be entertainment, beverages, fashion, and the Auto Festa for big kids, with as many Ferraris and Lambos as you can shake a cannoli at.
Whenever a new season of Stranger Things drops, a familiar cycle kicks into gear. The latest batch of episodes arrive, everyone binge-watches them as quickly as Eleven (Millie Bobby Brown) eats Eggos, and then the waiting begins. First, we wait to find out if the 80s-set dose of supernatural hijinks will continue. Then, we wait to learn exactly when it'll be coming back. It's taken a couple of months after the third season hit back in July, but Netflix has finally taken care of the first question. And the answer is yes. As announced in the streaming platform's favourite way — via video — Stranger Things will return for a fourth bout of battles against demogorgons, mind flayers and the like. Alas, Netflix hasn't revealed any particulars in the way of a date, but it has dropped a crucial narrative tidbit. We hope you haven't gotten too comfortable in the show's small-town setting, because the next season will step beyond its bounds. The telling catchphrase that accompanies the renewal announcement clip: "we're not in Hawkins anymore". While season three's final moments hinted at venturing to a new location, Netflix's new video nods in one direction: the Upside Down. Of course, just what that'll mean is bound to spawn a never-ending onslaught of speculation until whenever the next season releases. Still, it's probably safe to assume that Eleven, Mike (Finn Wolfhard), Will (Noah Schnapp), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin), Max (Sadie Sink), Steve (Joe Keery), Nancy (Natalia Dyer), Jonathan (Charlie Heaton) and the gang — and Joyce (Winona Ryder), too — will be pushed even further out of their comfort zones. If you're particularly fond of the series' creators, the Duffer Brothers have also committed to Netflix beyond the show, so expect other series and even films with them at the helm. Don't think they're leaving the show that brought them to fame, though — or, that Stranger Things is completely done with its regular locale either. Announcing the news, the twins said in a statement that they "can't wait to tell many more stories together — beginning, of course, with a return trip to Hawkins". Check out the Stranger Things season four announcement video below: https://www.youtube.com/watch?v=cIiDY4WA0oo&feature=youtu.be Stranger Things' fourth season doesn't yet have a release date, but we'll update you when it does.
One of today's most exciting directors adapts one of the great novels of the past two centuries, all with a lineup of stars that should make all other movies envious. That's the new version of Little Women in a nutshell. Greta Gerwig writes, directs and takes inspiration from Louisa May Alcott's classic of the same name, while Saoirse Ronan, Emma Watson, Florence Pugh, Laura Dern, Meryl Streep, Timothée Chalamet and Bob Odenkirk all feature among the cast. After nabbing Oscar nominations and widespread acclaim for Lady Bird, her solo filmmaking debut, Gerwig once again turns her attention to the trials and tribulations of young women. It's clearly a topic of great interest to the actor-turned-writer/director. She co-wrote Frances Ha and Mistress America with Noah Baumbach (as well as starring in them both), and did the same with her first joint stint behind the camera, Nights and Weekends, which she co-directed with Joe Swanberg. If you haven't read the book, or perhaps you just need a refresher, Little Women steps into the lives of the March family in 1860s New England in the aftermath of the American Civil War. It's a time when gender roles are clearly demarcated, but that isn't going to stop the spirited Jo (Ronan) from chasing her dreams — while her sisters Meg (Watson), Amy (Pugh, worlds away from Midsommar) and Beth (Australian actress Eliza Scanlen, who started her career on Home and Away) all have their own plans for their futures. Dern plays their mother, Streep pops up as the girls' aunt, and Chalamet once again has his sights set on Ronan, as he did in Lady Bird. This marks the eighth big-screen adaptation of Little Women, with Gillian Armstrong's 1994 film — starring Winona Ryder, Kirsten Dunst, Claire Danes, Susan Sarandon and Christian Bale — the most recent version of note. Watch the first trailer for Gerwig's take on the tale below: https://www.youtube.com/watch?v=AST2-4db4ic Little Women releases in Australian cinemas on January 1, 2020.
Grief. Love. The desire to protect one's family. Nothing is sacred in the films of Yorgos Lanthimos, and nor should it be. The ringleader of Greek cinema's so-called weird wave, the writer-director is adept at exposing the pretence and routine at the foundations of our society, and revealing the transactional side of modern-day life. While completely his own distinctive creations, Lanthimos' absurd, audacious movies recall the work of auteurs like Stanley Kubrick, David Lynch and Michael Haneke, as he strikes at the very heart of what it means to be alive. Driven by needs and wants, and self-serving to a truly horrifying degree, his vision of humanity as seen in The Killing of a Sacred Deer is unmistakably bleak. When cardiologist Steven Murphy (Colin Farrell) and teenager Martin (Barry Keoghan) meet for a meal, their conversation is distant but well-meaning. They're not close, though the right sentiments appear to be in place — a kindly adult looking out for a somewhat wayward youth. But before long, Martin's demand for Steven's attention increases, intruding into the doctor's professional and domestic bliss. The boy comes over for dinner, and meets Steven's ophthalmologist wife Anna (Nicole Kidman), and children Bob (Sunny Suljic) and Kim (Raffey Cassidy). Soon after, Steven dines at Martin's house, fending off some obviously orchestrated advances from his mother (Alicia Silverstone). Then Bob mysteriously falls ill — and Martin issues an ominous warning. The awkwardness you feel when someone answers a question a little too brusquely: that is Lanthimos' domain. So too is the sense of unease that lingers when you know, deep down, that you're just going through the motions with your loved ones, friends and colleagues. Like Dogtooth, Alps and The Lobster before it, the filmmaker's latest is filled with examples that show how automatic, insincere responses, designed to help us get what we want with minimal fuss, comprise most of our daily encounters. That said, The Killing of a Sacred Deer also comes with a particularly chilling twist. As conveyed through the twisting narrative as well as Lanthimos' aesthetic trademarks — glossy visuals, an icy mood and purposefully stilted performances — the leap from pleasantries and small talk to making tragic, life-altering decisions is a very short one indeed. Of course, there's more to the movie than the plot laid out above — one which, at the thematic level, smartly and savagely toys with accountability, sacrifice and revenge, and is partially inspired by Greek mythology. But discovering where Lanthimos takes this dark, discomforting tale is part of the unsettling joy of watching. There's not only tension and intrigue in the film's terse exchanges and increasingly brutal stakes, but ample black comedy as well. The Killing of a Sacred Deer presents a moral quandary that turns commonplace interactions into a map of how ludicrous, cruel and calculating our existence can be, while also laying bare the costs and consequences of our actions. Faced with that reality, the audience can do little more than laugh. Thankfully, the cast couldn't be better suited to guiding viewers through this uniquely unnerving, often amusing experience. At times, Lanthimos shoots them from a distance, dwarfed by picture-perfect hospital hallways and suburban houses. In other moments, they're so close that you can almost feel the rapid beating of their pulse. Like their director, Farrell, Kidman and Keoghan all find the sweet spot between detached and invested, as though they're navigating a hazy waking nightmare. Still, as fantastic as the work of the two big-name stars may be, viewers will want to keep their eyes firmly on the young man from Dunkirk. Mixing menace and vulnerability with near-alarming precision, Keoghan is undoubtedly a star in the making — and here, he will chill you to the bone. You won't forget his performance easily, nor the jaw-dropping film in which it's found. https://www.youtube.com/watch?v=UVeYmGliO4Y
Located on the gorgeous Lower Hawkesbury River, Broken Bay Pearl Farm is the only operating pearl farm in New South Wales. It offers a bunch group and private tours, which range from $35–500 — so, depending on your budget, you can pop in for a quick tour of the on-site 'Shellar Door' or go all out on a private boat cruise with all the bells and whistles. Most tours include a boat trip to the farm's oyster leases, where you can take in spectacular bushland vistas from the water and learn about the pearling process firsthand. Then, you'll call into the aforementioned Shellar Door, where you can sample freshly shucked local oysters. You can also join a pearl grading session in the restricted-access grading room. Feeling OTT? You can also add on a Sydney Seaplanes trip there for a cool $675 per person. [caption id="attachment_829582" align="alignnone" width="1920"] Destination NSW[/caption] Top image: Destination NSW
It's happened again. Last month it was Marrickville's Vic On The Park, before that it was The Colloroy, and in December last year it was The Tennyson on Botany Road. Now Bondi's Royal Hotel has been acquired by Sydney hospo monolith Merivale — which will take its tally of Sydney pubs to 13 when it gets the keys in July 2018. The Bondi Road pub has been owned by the Moulding family for 40 years and went up for sale last month. Unlike the Vic On the Park — which Merivale stated would remain as-is for the time being — the venue looks set to undergo the kind of extensive renovation Merivale is known for. In a statement released today, the group said it would announce future plans for the venue "in due course". How much Merivale paid for the venue is not yet known, but The Daily Telegraph reported just last week that it was expected to sell for around $30 million. The Royal is the group's first Bondi acquisition and further confirm it plans to spread its brand across every inner-city suburb in Sydney.
Every teenager has spent hours chatting with their mates, pondering their futures and coming up with wild plans. Not everyone starts a distillery, though; however that's exactly how Headlands Distilling Co came about. Up and running in Wollongong since 2015, the distillery is the product of four friends from high school following through on their lofty dreams. Using native botanicals and barley from the Riverina region, Headlands Distilling has a 'grain to glass' philosophy, with the distillery overseeing every stage from milling and fermenting to distilling and bottling its spirits — including its first product, Seacliff vodka. The small company also donates 20 percent of its profits to charity SpinalCure, which is working towards curing spinal cord injuries, so adding them to your home bar will also help a great cause. Spirits fans can head by Headlands Distilling's North Wollongong base to take a free tour and enjoy free tastings on Friday and Sunday afternoons.
There's always something happening in New South Wales, no matter what time of the year. So whether you're a local looking for extravagant summertime surf carnivals on the coast or an interstater on the hunt for cosy winter festivities, there's something for everyone. So why not get a weekend getaway on the books? We've scoured the calendar for festivities taking place across the state, and here's our round-up of the outdoor events. Depending on where you go, you'll need some sunscreen, a good jumper or a couple of napkins. Adventure awaits.
When Moonlight Cinema returns for its 2019–20 season, the annual feast of outdoor movies will give film fans exactly what we all want. Sure, we're all keen to roll out our picnic blankets, sit under the stars and stare up at the big screen — but, given that this openair cinema launches at the end of each and every year, we also want Christmas movies. In the week leading up to the big festive day, Moonlight will screen Last Christmas, Die Hard, Home Alone, Love Actually and Elf. Yep, all the basics are covered. They're not the only highlights from the just-dropped November, December and January program, but they sure do twinkle brightly among a heap of other movie standouts. If you're wondering what else will tempt your inner cinephile from November 28 in Sydney and Melbourne, November 30 in Perth and December 14 in Brisbane, it's a lengthy list. With recently or newly released movies a big part of Moonlight's lineup, expect to watch Rocketman, Hustlers, Joker, Ford v Ferrari, Knives Out, Cats, Star Wars: Episode IX — The Rise of Skywalker and Charlie's Angels — and, in some cities, to see Brad Pitt twice thanks to Once Upon a Time in Hollywood and Ad Astra. Moonlight also showcases advanced screenings of upcoming films, so add the Nicole Kidman, Charlize Theron and Margot Robbie-starring Bombshell and Tom Hanks in It's A Beautiful Day in the Neighbourhood to your must-see pile. Going retro, the outdoor cinema will mark 20 years since Bring It On first waved its pom poms, step back into The Matrix in some cities, and revisit last year's A Star Is Born — as well as Bohemian Rhapsody in Sydney, Melbourne and Perth. Dirty Dancing is also on the bill, like every year — it wouldn't be a Moonlight without it. The February and March lineup will be announced on January 15, so there are even more movies to come. As always, Moonlight will also boast its usual food truck and licensed bar offering, and its reserved bean beds. You can also BYO booze everywhere except Brisbane — and bring your dog everywhere but Perth. MOONLIGHT CINEMA 2019 DATES Sydney: Nov 28–Mar 29 (Centennial Park) Melbourne: Nov 28–Mar 29 (Central Lawn at Royal Botanic Gardens) Perth: Nov 30–Mar 29 (Kings Park and Botanic Garden) Adelaide: Dec 13–Feb 16 (Botanic Park) Brisbane: Dec 14–March 29 (Roma Street Parkland) The Moonlight Cinema kicks off on November 28. For more information and bookings, visit the website. Top image: Moonlight Cinema Brisbane, Melbourne, Perth and Sydney.
To celebrate the release of the second season of the medieval fantasy saga Game of Thrones to Blu-Ray, DVD, and digital download, head chef and owner of Gastro Park Grant King is again offering Sydneysiders a chance to acquire their own firsthand experience of the Seven Kingdoms and beyond through a specially designed five-course feast. The Potts Point restaurant is renowned for its gastronomic playfulness in technique and plating, so you can expect more than a leg of boar and goblet of wine. Last year's first-season equivalent featured 'fallen eyeballs and bleeding stag', 'a soup of crushed skills and raven's feet', and a dessert of 'dragon's egg and liquid gold'. The Game of Thrones series, based on the book Song of Ice and Fire by George R.R. Martin, has developed somewhat of a cult following since its release in April 2012, and viewers simply can't get enough of the mystical land filled with dragons, swords, bloodshed, romance, and deceit. If you'd do anything to get a taste of the majestic settings of Westeros, Essos, or Qarth or have always wanted to join the throes of our beloved Starks, Lannisters, and various other fantastical characters, then Gastro Park is your place to be. Indulge your tastebuds and your imagination in this entirely Game of Thrones-inspired five-course meal, on for a limited time only. Last year King's banquet sold out almost instantly and proved to be a raging success, meaning you should hurry and book your seats before you miss out (specify you're booking in for the feast when you call them on 02 8068 1017). Explore the second season of the medieval world with the brand-new menu, this time in honour of the dramatic Battle of the Blackwater, sure to be as or even more delightful than the last. The culinary experience is available from 14 March to 25 April at the cost of $100 per person. 8 March 2013: Photos of the new feast have just come in. Course 1 (not pictured): Jerusalem artichoke and goats cheese fossils Course 2: Roast veal bone marrow with crostini and parsley salad Course 3: Whole baby fish, smoked roast almonds, barley crackers, wild weed and fresh milk curd Course 4: Fondue of cheese, roast grapes and crackers Course 5: Mulled figs and edible candles with flavours of hibiscus, bolero tea, plum and a letter from the raven
UPDATE, APRIL 4: Paramount Pictures has announced a new release date for A Quiet Place Part II, with the film now hitting cinemas on September 3, 2020. UPDATE, MARCH 13: Due to concerns around the coronavirus, Paramount Pictures has announced that A Quiet Place Part II will no longer release on its initially scheduled date of Thursday, March 19, 2020. At present, a new release date has not been announced — we'll update you when one has been revealed. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. In 2018, the biggest horror movie of the year leaned heavily on silence. A Quiet Place tasked a young family with staying soundless, lest they be heard and then killed by giant spider-like monsters — and their efforts to survive became a huge box office hit. Indeed, A Quiet Place was so successful that it had a flow-on effect. When you watched it in a cinema, you probably glared whenever someone near you crunched popcorn, crinkled a packet of chips or started talking. Your ears keenly listened out for any noise that could put Lee (John Krasinski), Evelyn (Emily Blunt), Regan (Millicent Simmonds) and Marcus (Noah Jupe) Abbott in jeopardy, and you didn't want some loud person in the next row ruining that viewing experience. The frightful aliens, the hushed tones and Emily Blunt in kick-ass mode — it's all back thanks to sequel A Quiet Place Part II. So, too, is hoping that your fellow cinema-goers don't make a sound while you soak in every second of expertly calibrated stillness. Like the first film, this follow-up is directed and written by Krasinski, with Blunt, Simmons and Jupe all returning on-screen. The sequel's cast also welcomes franchise newcomers Cillian Murphy (Peaky Blinders) and Djimon Hounsou (Guardians of the Galaxy). And if you're wondering why Krasinski isn't mentioned among the actors, then you need to go back and watch the original movie again. As the just-dropped first trailer shows, A Quiet Place Part II picks up where its predecessor left off. The suitably unsettling sneak peek starts with a flashback to the day the monsters initially made their presence known, before jumping to Evelyn, Regan and Marcus' latest attempts to avoid the fearsome creatures. Expect plenty of bumps, jumps and — naturally — silence. Check out the trailer below: https://www.youtube.com/watch?v=k7qxYOpy9Ms After being delayed from its original release date of March 19, 2020, A Quiet Place Part II will now open in Australian cinemas on September 3, 2020. Image: © 2019 Paramount Pictures. All Rights Reserved
The year was 1992. Aladdin, Home Alone 2: Lost in New York, Batman Returns, Lethal Weapon 3 and A Few Good Men ruled the international box office. Slipping into a habit and sliding in next on the list, becoming the sixth-biggest hit of the year: Sister Act. The film about singing nuns spawned a sequel, with word of a third movie floating around for years since — and, as everything from Mean Girls and Muriel's Wedding to Groundhog Day and Beetlejuice has also done, it inspired a stage musical as well. The theatre take on the Whoopi Goldberg (The Color Purple)-led film franchise debuted in California in 2006, then hit West End in 2009 and Broadway in 2011. Now, from August 2024, it's finally Sydney's turn. Sister Act: A Divine Musical Comedy will make its Aussie premiere at Sydney's Capitol Theatre from Tuesday, August 6. [caption id="attachment_939236" align="alignnone" width="1920"] Sister Act UK & Ireland Touring Production 2023/24, photography Mark Senior[/caption] The first movie was filled with songs like 'Rescue Me', 'My Guy' and 'I Will Follow Him', making its soundtrack a smash as well, so the film was always primed to tread the boards. The Sister Act musical features original tunes, with Alan Menken (The Little Mermaid) doing the honours. Among the show's rewards so far: five Tony Award nominations and six Olivier Award nominations. Story-wise, the production follows Deloris, who witnesses a murder and has to go into protective custody. Her hideout: a convent. It's there that the nightclub singer finds a struggling choir, which she begins to help. For the Australian run — which is answering prayers in Melbourne, too — Casey Donovan (& Juliet) is leading the cast, while Genevieve Lemon (Billy Elliot) co-stars as Mother Superior. Top images: Benny Capp.
In these Netflix-obsessed, streaming video-heavy days, the words 'on demand' have been added to almost everything we watch. But it seems they're no longer restricted to screens, with a Brisbane venue bringing the concept to live theatre performances. In an Australian first, 50-seat Brisbane establishment Studio Theatre and Cafe is offering live theatre on demand. Patrons can request a staging of a show at any time of the day — and any day of the week — that takes their fancy. Yes, you can say goodbye to being at the mercy of regular sessions, and start seeing things more suited your schedule. Catching a play in the late hours of the evening or the early hours of the morning is real option. There are a few caveats though, to help minimise the impact of keeping the cast and crew on permanent standby — waiting in the wings 24/7 isn't the best situation for actors. Bookings must be for groups of ten people or more, and only certain productions are available at on-demand times. Along with the $20 ticket cost, both are a small price to pay for seeing a live performance with your friends whenever you want to. Kicking off the test period of the flexible gimmick until the end of the year is one-man musical Once in My Life, which tells the tale of a figure who probably wouldn't have played whenever the audience asked him to — aka Frank Sinatra. If the season is successful, more will follow. Find Studio Theatre and Cafe at 647 Wynnum Road, Morningside. Visit their website and Facebook page for more information. Image: Dollar Photo Club.
To ring in the year of the tiger, dumpling master Din Tai Fung created cute chocolate and biscoff tiger buns, continuing its annual tradition of welcoming the Lunar New Year with an adorable addition to its menu (see also: ox buns from 2021 and pig bao from 2019). But creative dishes aren't just a once-a-year thing here. Now that Easter is almost upon us, the chain is serving up something else to tempt your tastebuds: hot cross bao. Yes, it's exactly what it sounds like — and the bao is only available for a limited time. On the outside, each one looks like a hot cross bun, but they're made with fluffy steamed bread. And, you won't find any raisins or sultanas inside — instead, they're filled with gooey molten Nutella. The hot cross bao are available at all Din Tai Fung restaurants and food court outlets in Sydney, so you'll want to hit up its World Square, Westfield Chatswood, Westfield Miranda, Westfield Sydney, Broadway Shopping Centre, Gateway Sydney, The Star, Greenwood Plaza and MLC Centre venues. In Melbourne, you have one spot to head to, with the bao on offer at Emporium Melbourne. If you'd rather have them brought to your door, they're also available for delivery in frozen form. If you're keen to stock your freezer and enjoy them once Easter passes, that's an option as well. The only problem we can foresee with this Easter hybrid dish? Wanting to devour as many as possible. They'll cost you $6.80 for two in-store, and $10 for a three-pack of frozen dumplings. Hot cross bun bao are available for $6.80 for two at all Din Tai Fung stores. They're also available for delivery, for $10 — plus a $10–20 delivery fee.
Returning to Sydney, the Spartan Stadium Race is set to challenge even those who boast a CrossFit fitness level. A mere 6 kilometre course — but with 30+ obstacles along the way — the race is one not to scoff at. Rather than the mud and the electrical wire of other endurance events, here you're facing rows, box jumps, sled pulls and (naturally, given the venue) some bring-you-to-your-knees stair climbs. There's also a 12k option for the truly insane, as well as the ‘300’ and ‘Back2Back’ challenges. Embrace the sweat and tears as you cross the finish line of one of the toughest races around. There's actual prize money on offer, so get into beast mode and become a Spartan for the day.
Over the past few years, Gelatissimo has whipped up a number of creative flavours, including frosé sorbet, gelato for dogs, and ginger beer, Weet-Bix, fairy bread, hot cross bun, cinnamon scroll, chocolate fudge and bubble tea gelato. Most recently, it made its own spin on Caramilk gelato, too. For its latest offering, the Australian dessert chain is taking inspiration from another beloved foodstuff — and from the current time of year. Can't choose between devouring Easter eggs or licking your way through a few scoops of ice cream? Gelatissimo has the solution. Yes, that very combination will be on the menu from Friday, March 26, with Easter egg-filled mint chocolate gelato earning the honours as Gelatissimo's next flavour of the month. Only available while stocks last until Thursday, April 22 — so for Easter, but not just until Easter — the flavour starts with mint-choc gelato, then adds in those round pieces of chocolate. It also features cookie crumbs, which add to the chunky texture. You can get it in stores Australia-wide, or via delivered take-home packs through services such as UberEats, Deliveroo and DoorDash. And yes, you can add it to your indulgent Easter list — alongside everything from boozy coffee liqueur-filled Easter eggs to hot cross bao (but you'll only be able to nab the latter if you're in Sydney or Melbourne). Gelatissimo's mint-choc Easter egg gelato is available from all stores nationwide from Friday, March 26–Thursday, March 22.
When Colin From Accounts arrived for its first season in 2022 with a nipple flash, a dog and strangers committing to take care of a cute injured animal together after a meet-cute, it also began with a "will they, won't they?" story. Ashley (Harriet Dyer, The Invisible Man) and Gordon (Patrick Brammall, Evil) crossed paths in the street in Sydney when she gave him a random peek, then he was distracted behind the wheel. Thanks to the titular pet, the pair were soon intricately involved in each other's lives — and, as they endeavoured to work out what that actually meant, sift through their feelings for one another and navigate the respective chaos that fills everyone's existence anyway, a delightful small-screen Australian rom-com (and one of that year's best new TV shows) was the end result. In season two, which streams weekly on Binge from Thursday, May 30, the series picks up after the duo gave Colin From Accounts to new owners at the end of the show's debut batch of episodes, then immediately regretted the decision. A couple of things are different from the outset: after moving in together, Gordon and Ashley are on a quest to get their pup back and they'll stop at almost nothing for their family to be reunited; also, this award-winning series is now in "should've they or should've they not?" territory about its central romance. (Moving from an all-at-once release to week-by-week instalments is another change for viewers.) Falling in love is easy. Being in the honeymoon period, whether or not you've tied the knot — Colin From Accounts' protagonists haven't — is clearcut, too. Taking a relationship further means peeling away the rosy and glowing surface, however, which is where the series follows its medical student and Inner West microbrewery owner in its second season. A television romantic-comedy with longevity can't be solely fuelled by fluttering hearts and butterflies in stomachs, especially one that's as dedicated to eschewing saccharine cliches as this. Colin From Accounts isn't afraid to be sweet, but a not-insignificant amount of its charm comes from feeling lived in as Ash and Gordon's romance keeps developing. Same show, but with a few new tricks: that's season two, then. Like relationship, like series: when it comes to diving deeper than the first season, that also fits. There has always been a spark between Colin From Accounts' lead characters, or else it wouldn't have made it to air in the first place, but the program's return digs into the reality that taking the next step for any couple is a dance through love's equivalent of dog mess on an otherwise pristine lawn. No matter how well you plot out a clear path, how flexible and adaptable you are to obstacles, and how determined you are to evade the crap, no one can avoid dirty shoes 100-percent of the time. As season two sees Ash and Gordon confronting the everyday details of intertwining their lives, it also has them tackling a range of relatable questions again. This round inspires plenty, in fact. Is there more than just chemistry between them? How much do shared interests count? Does a lack of commonalities cast a shadow, and their age gap as well? Will their routines knit together easily enough? Can they weather setbacks and roadblocks, unpack historical baggage and make space for a new way forward? How will their respective dating histories colour the first real serious relationship that they've each been in? Also, as they continue getting to know each other better — warts and all, and through secrets and surprises — will they still feel the same way? Ash and Gordon have another query to face at the outset of this new set of chapters: without Colin binding them together, who are they are a twosome? The first new instalment starts with a happy park playdate and all seeming being well, until it's revealed that the dog's former guardians are just pestering his new ones (Bump's Sam Cotton and Home and Away's Sophie Bloom), who'd really like them to go bark up another tree. From there, unexpected news, meeting family members, former flames and more await, all with their own tests. Plus, Ash's best friend Megan (Emma Harvie, In Limbo) and Gordon's counterpart Chiara (Genevieve Hegney, In Our Blood) are using the couple's home as a love nest while embarking upon an affair, while brewery employee Brett (Michael Logo, High Country) is being pushed out of home by his parents. Creators, writers and stars Dyer and Brammall keep performing their parts to perfection; given that they're married IRL and no strangers to working side by side (see: the also-excellent No Activity, which ran for two seasons between 2015–18), the charisma between them isn't hard to maintain. Neither is the naturalism in their portrayals, but they're not just playing themselves. As scribes, Dyer and Brammall are also particularly gifted with dialogue, ensuring that everything that the show's characters are saying always feels authentic. Sometimes the banter is amusing, sometimes it's heartfelt, and it can be acerbic and insightful, too — and all of the above combined — but it never sounds like something that works fine on the page yet no one would ever utter aloud. When it initially bolted out of the gate, Colin From Accounts was a fast homegrown hit, then had audiences overseas swooning as well. A series this genuinely funny, heartfelt and honest, and that manages to be light yet weighty and grounded, was always going to earn affection — and the same remains true in season two. Again, Dyer and Brammall have crafted a gem that bounces by with help from its directors (the returning Trent O'Donnell and Madeleine Dyer do the honours once more in season two, plus Summer Love's Robyn Butler and Wayne Hope), and that plays like hanging out with old friends. And yes, in lead, supporting and guest roles alike, casting is another of its treats — including with new additions such as Celeste Barber (Wellmania), Justin Rosniak (Wolf Like Me) and Aunty Donna's Broden Kelly (Aunty Donna's Coffee Cafe) this time around. Check out the trailer for Colin From Accounts season two below: Colin From Accounts season two streams via Binge from Thursday, May 30, 2024. Images: Lisa Tomasetti / Joel Pratley.
It's nice to escape out of the big city sometimes. Just a hop, skip and a jump (90 minutes) from Sydney, the Pullman Magenta Shores Resort is a worthy way to exit hectic Sydney and get a little quality R&R in. Beachfront and with numerous, luxurious pools, the resort is nestled in between Tuggerah Lake and the sea, so swimming is probably #1 on your holiday priorities list. For those who can drag themselves away from their sunlounger, the resort is the perfect gateway to the New South Wales Central Coast. Around summer, this area is your go-to for outdoor adventures ranging from surfing and paddleboarding to quad biking and ziplining through the treetops. Take your pick from beaches like The Entrance, Bateau Bay, Shelly Beach, Copacabana or Macmaster's, enjoy your cold-drip coffee barefoot in the cafes of Avoca and Terrigal, and breathe in a big gulp of fresh air at Bouddi National Park. So you can further remind yourself that you're out of the city, all rooms at the Pullman Magenta Shores (choose from a studio apartment up to a three-bed villa) have relaxing nature views, just so you can remind yourself that you're out of the city. You can kick back in the Lagoon Pool, the heated lap pool indoors if it's a bit nippy, or even the beach rock pools if you want to go crab-watching. The Resort is also home to the Magenta Shores Golf & Country Club, designed by Ross Watson and 18-holes long to fully occupy your vacation days. You're only allowed on this private green if you're staying at Pullman Magenta Shores, or if you've invested in a pricey membership, so take advantage. If you're tuckered out from the activity time or golf isn't your bag, head to the on-site Vie Spa to pamper yourself in one of their five treatment rooms. Once you're hungry from all the relaxing, head over to the resort's fine-dining Barrett's Restaurant, or Shallows Bar – there's a tasting menu as well as a wood-fired pizza oven and a range of share plates on the menu, so your belly will be just as happy as your relaxed muscles.
Sydney's largest Halloween celebration, Halloscream, is back, and it's set to be even more terrifying than ever. This October, Luna Park will transform into a terrifying realm of nightmares with new scary attractions, spine-chilling live performances and unlimited rides. Punters have the choice of two ticket options: general admission and the VIP ticket. Both have unlimited access to Luna Park's rides, while VIP ticket holders have dedicated access to Round & Round and Red Light, Green Light from the highly anticipated Squid Game: The Experience. The ticket also includes food and a merchandise discount. Back again this year is The Carnival Breath, plunging guests into a sideshow from hell. Here, nightmare-inducing clowns and creepy performers lurk in the shadows, waiting for unsuspecting victims. Plus, a brand-new addition to this year's stacked lineup of scares is Crystal Ward, a terrifying maze set within the heritage-listed Crystal Palace. Wander through an abandoned hospital ward with secret experiments still unfolding behind locked doors, so make sure to hold on tight to your loved ones. Throughout the night, you'll also encounter roaming entertainers to keep you occupied. Of course, you can always take breaks from the spooktacular and get your heart racing in a different way on any of Luna Park's long-standing rides. Don't forget to grab a bite to eat, too, with Halloween-themed food and drinks to keep you satiated. Halloscream runs from Thursday, October 30 to November 1, with tickets now available on the Luna Park website. General admission tickets are $110, with VIP tickets available for $150.
The team behind Sydney institutions S*A*S*H, Slyfox Hotel and Stanley's Bar has taken over a storied Oxford Street space to open a new techno and dance music-focused nightclub. Carousel Bar and Ballroom is the latest project from the accomplished crew, slotting into the former home of Byblos and Miind Club with a cabaret- and 70s-inspired bar that boasts a primary goal of hosting heaving dance floors. On Tuesdays and Wednesdays, the Darlinghurst venue operates as a small bar, serving approachable cocktails and Estrella Damm on tap. Then, from Thursday, Carousel transforms into a nightclub for the weekend, playing home for the night to some of the country's and the world's best DJs. A state-of-the-art Funktion-One sound system has been installed, featuring 33 speakers placed all around the venue — including the bathroom — to deliver the night's soundtrack as selected by each evening's chosen tastemakers. The DJ decks have also been moved off the wall and further onto the dance floor, placing the DJs right among the patrons and creating a setup reminiscent of Boiler Room's in-the-round layout. Rounding out the whole operation is an impressive lighting system that includes lights imported all the way from Amsterdam that you won't find anywhere else in Australia. The decks have already hosted the UK club mainstays Voigtmann, Yune Pinku on her Listen Out Australian tour and local favourites like Melbourne's Sleep D. Among the upcoming gigs taking over the Oxford Street digs, you can catch Casey Spillman, Booka Shade and the Subsonic Music Festival launch party. The name Carousel is derived from the rotating stage that the team discovered during the site's renovations. The unconventional setup is believed to have hosted creatives around 60 years ago when the venue went by Carpiccio's. Find Carousel Bar and Ballroom at 163–169 Oxford Street, Darlinghurst, operating Tuesday–Sunday. To browse all of the upcoming events arriving at the new Sydney nightclub, head to the venue's website.
The holiday season has just come to a close, but for those who take their baked goods seriously, they might have another special occasion underlined in their calendar. That'd be International Bagel Day, which just so happens to take place around the globe on January 15. While there's no shortage of Aussie bakeries pumping up quality bagels, one of the best remains Brooklyn Boy Bagels. Fortunately, the crew are in a festive mood as they gear up to hand out 200 free bagels on the big day to mark this global celebration. To help spread the love, Brooklyn Boy is dividing the bagels between its Marrickville and Surry Hills locations, with each store offering 100 freebies. Just know, they won't last long, so get down early to secure an NY-style delight. There's a myriad of Brooklyn Boy's bestselling flavours up for grabs, with the giveaway featuring plain, blueberry, everything and sesame. With the whole bunch baked fresh daily, expect these bagels to roll out the door from 7am.
Provided you're not lactose intolerant (or you are, but also a little rebellious), chances are that melted cheese is at the top of your winter (or really, any season) favourite food list. Well, Swissôtel has something to fulfil your ooey gooey cheese dreams well past the cold weather and into the end of the year. The alpine-inspired hotel on Market Street is hosting Swiss fondue for two (or more) every Thursday through Saturday. The team at Swissôtel has developed a fondue based on traditional recipes featuring emmental and gruyere melted together with white wine and garlic and delivered to your table in a warm pot. Upon request, chefs will add other flavours like gorgonzola and even truffle to enhance the dip. Now, cheese connoisseurs will know that the biggest factor to consider with fondue is what bite-sized sides you'll coat with the decadent cheese blend. You'll have your pick of the classics like baguette and vegetables, but Swissôtel is also serving up some next level dip-ins: spiced meatballs, mac 'n' cheese croquettes, cured speck, nashi pear and much more. With copious amounts of savoury tastes, you may need something sweet to balance out the night. Swissôtel is also offering a milk chocolate fondue option with sides like marshmallows, pound cake and strawberries for your dipping pleasure. There's a curated list of beverages, too — with mulled wine, peach schnapps and calvados to name a few — to pair with your fondue for a flavour-filled evening. At $29 per person for cheese fondue and $22 person for the chocolate option, you're in for a cosy date night or crafty dinner with mates. We suggest following the tradition where the person that loses their bread in the pot buys the group drinks. Dip responsibly, friends. Swissôtel Sydney's Swiss Fondue is available from 5.30pm–10pm every Thursday, Friday and Saturday. Bookings are essential. For more info head to the website or make a reservation here.
Given their unique digs in an old Petersham news agency, it's no surprise that Newsagency Gallery continues to dish up left-of-centre works like the eclectic mayhem of Chas Glover's oil paintings and the multifarious street art of Indonesia's Survive Garage community. In August, the artist-run initiative is set to carry on in the same vein, inviting us to look through the lens at the lives of the photographers that we trust to bring us the news. Opening on August 9, the free exhibition is a chance to satisfy the media-mad voyeur in all of us, peering through the proverbial looking glass at the real lives of our news photographers when the agenda ain’t the news. Curated by photojournalism guru James Cottam, No News Is Good News collects the personal work of news photographers including Peter Solness, Sean Davey, Quentin Jones and Jon Reid, revealing what's behind the broadsheet. Newsagency Gallery is open Saturday and Sunday.
Josh Pyke made us all very happy when he steered a guitar-shaped boat around Sydney Harbour in his popular music video and YouTube favourite. In October he will embark on a different course with his shortest and most ambitious tour to date, playing four huge shows along the East Coast plus one in Perth. The proud owner of two shiny gold records for the ARIA-award winning Memories & Dust and sophomore record, Chimneys Afire, these will be his last performances before he takes time out to write and record a new album.As part of the Variations tour he will perform his thoughtful and cerebral folk/pop at Luna Park’s Big Top, one of the largest venues he has headlined in his career. New Zealand songbird Gin Wigmore and singer-songwriter Fergus Brown will be guest supports.https://youtube.com/watch?v=rwRqD4Kmiy4
Rosebery's food precinct, The Cannery, has just added a Parisian offering to its ever-expanding repertoire. Frenchies Bistro and Brewery comes from craft-obsessed, French-born duo Vincent de Soyres and Thomas Cauquil (head brewer and head chef, respectively), who join a roster of heavyweight neighbours, including Saporium wholefoods market, Archie Rose Distillery, Black Star Pastry and Kingsmore artisan butcher. Inspiration for the space came from the team's time spent trekking Eastern Siberia, of all things. "We spent two months hungry, talking about food and beer," says de Soyres. The 'French-industrial' fit-out has warm bistro lighting that complements the dark beams of the Rosebery warehouse, along with lots of personal touches — including the venue's hand-crafted wooden tables, made by de Soyres' dad at his farm in France. The brewery, kitchen and bar sit on the ground floor, while the upstairs mezzanine houses the bistro where Cauquil will show off his world-class repertoire — he's cooked in Michelin-starred restaurants around the globe, including Paris restaurants Le Miroir and Le Violon d'Ingres, Madrid's El Chaflan and Sydney's Moxhe. "It's food that is affordable, with a lot of work behind it," says de Soyres. The menu will adapt on a daily basis, depending on the seasonal and regional produce available. "We will not be serving asparagus in winter." Despite being local as, the bistro menu features dishes not commonly found in Sydney, much less at a brewery — think veal tongue carpaccio, Balmain bug in puff pastry and beef and bone marrow stew. But the menu doesn't only appeal to more adventurous types, either, with a North African-style confit lamb and traditional Toulouse sausage with rosemary jus also present on the menu. For takeaway and the bar downstairs, Frenchies will sell Cauquil's specialty terrines, pâtés and meat parfaits, recipes he learnt while training under world renowned charcutier Arnaud Nicholas. The brewery side of the operation also focuses on seasonality, with the beer produced on-site and meant to pair with the menu. De Soyres flexes his international brewer's muscles with the Biere de Garde range, which he describes as "a bit like white wine, refreshing while complex and interesting". He takes a very organic approach to brewing, and finds it important to convey each beer's terroir, a sense of place ordinarily only used to refer to wines. The Frenchies core range also includes their Comet Pale Ale, made with wild American Comet hops, along with a German Kölsch, French IPA and an Aussie Red Rye. In the coming weeks Frenchies will also open for Sunday brunch, which will be complete with pastries, charcuterie, cheese and breakfast beer. Whether you're a Francophile, craft beer lover or both, you'll want to check out this space. Frenchies Bistro and Brewery is now open at The Cannery, 61-71 Mentmore Avenue, Rosebery. It will be open seven days for lunch and dinner (except for Sunday, which is only open for lunch), with Sunday brunch to start in the coming weeks. For more info, visit frenchiesbistroandbrewery.com.au. Images: Alana Dimou.
For even the hardest to please family member of friend, a piece of individualised contemporary jewellery is the key to a perfect Christmas present. Don't believe me? Just take a stroll through the Studio 20/17 Jewellery Showcase and see how many Christmas possibles can be found glistening amounts the rows of stalls. New to the annual market? A great first-timers incentive is that this year's Christmas showcase features the work of gallery directors Melanie Ihnen and Bridget Kennedy as well as that of resident artists Victoria Cleland, Jennifer Fahey and Clare Hooper who were invited to share a workspace in the gallery this year. All pieces are handmade by these emerging jewellery artisans, and are fairly good bang for your buck. You can find the jewellery market at 6B/2 Danks Street, Waterloo. Open Tuesdays to Saturdays, 11am to 6pm. Image: Jennifer Fahey.
Androids may dream of electric sheep, or they may not, but that isn't the only metaphysical question that cinema likes to contemplate. Do souls yearn and strive for — and fret and stress over — their chance to shuffle onto this mortal coil? That's the query that Pixar's Soul pondered so thoughtfully and enchantingly, and it's one that Nine Days, which actually predates its animated counterpart but is only reaching Australian cinemas now, masterfully explores as well. "You are being considered for the amazing opportunity of life," a bespectacled, suspender-wearing, serious-faced Will (Winston Duke, Us) tells the candidates hoping to soon live and breathe. They're far more enthusiastic about the process than he is, although he values their prospective existence much more than they can fathom in their wide-eyed eagerness and excitement. Will has seen what can happen next, because it's his job not only to select the best souls to embark upon this thing called life, but to monitor their progress in all the days, months and years afterwards. He's observed the success stories; however, he's also witnessed the heartbreaks as well. In this stirring and fittingly soulful debut feature from writer/director Edson Oda — a movie that won the dramatic screenwriting award at the 2020 Sundance Film Festival — Will surveys his next troupe of contenders fresh from viewing the unhappy end that met one of his previous favourites. He's already adrift from existence as we know it, and from almost everyone else who resides in the picture's ethereal yet also earthy pre-life realm, but he's now burdened with a renewed sense of solemnity. His colleague Kyo (Benedict Wong, The Personal History of David Copperfield) tries to get him to see the lighter side — the more human side — of the path his next chosen candidate will take. He emphasises the ebbs and flows that Will, who has become more rigid in his thinking and feelings the longer he's in the role, now fervently discounts. But among a roster of new applicants that includes Kane (Bill Skarsgård, IT Chapter Two), Alex (Tony Hale, Veep), Mike (David Rysdahl, Dead Pigs) and Maria (Arianna Ortiz, Rattlesnake), all of which are given nine days to demonstrate why they should be born next, it's actually the calm, passionate and inquisitive Emma (Zazie Beetz, Atlanta) that challenges the way Will perceives his work and what it means to be alive. Nine Days could've been reductive and generic. Perhaps, statistically, it should've turned out that way. Tales of men who learn what's important in their limited period of consciousness via their interactions with spirited women are far too common — and not just on the big screen, but everywhere that tales are told. Many of Nine Days' other elements echo from other films and stories, too, strongly recalling Hirokazu Kore-eda's 1998 film After Life, bringing The Truman Show to mind in Will's voyeurism, clearly sharing thematic threads with Blade Runner and its sequel, and also skirting around similar terrain as Wim Wenders' haunting Wings of Desire. But, thankfully, Oda isn't bogged down by his influences. Just as his protagonist has clear notions of what life should be, at least when Nine Days begins, the first-time filmmaker has a distinct vision for this beautiful and rousing movie. Unlike Will, Oda doesn't waver, reassess or have his ideas probed, however. Instead, he crafts a film that's certain in its message about valuing and seizing life, and just as assured and confident about conveying that concept quietly, patiently, affectingly and with grounded sincerity — and about earning every step in its emotional journey, rather than relying on platitudes. With nuance and layers, that's how Nine Days can celebrate the simple act of appreciating the small things, and yet never comes across as if it's preaching a statement that's stitched onto a throw pillow. It's how Emma can introduce Will to a new perspective, and one he definitely needs, but never play like yet another manic pixie dream girl. It's also how the feature can wade into recognisable territory but avoid falling victim to all of the obvious cliches. That its central character lives and conducts his interviews in an ordinary-looking house that's surrounded by nothing but desert as far as the eye can see aptly reflects how the film itself appears familiar but always stands apart. Another key factor that makes Nine Days the movie it is: its detail. That's a product of Oda's commitment, too. His on-screen realm looks and feels fleshed out and lived in, and so do his characters (yes, even given the premise). Visually, that approach delivers sights that slip onto the screen like favourite possessions, such as walls of old-school TVs, deep stares at both hopeful and pensive faces, and lingering gazes at the sandy expanse surrounding Will's house. Cinematographer Wyatt Garfield's (Beatriz at Dinner) striking shots are also measured, like they're genuinely taking the time to soak in every iota — and the production design he's peering at, including in a room used to give unsuccessful souls one happy memory to hold on to, is a Michel Gondry (Eternal Sunshine of the Spotless Mind, The Science of Sleep, Be Kind Rewind)-like treasure trove. The same care and attention is afforded Will, Emma, Kyo and their fellow pre-life inhabitants as well, as shines through in the movie's fine-tuned performances. Nine Days is yet another movie that's filled with actors with recent comic book franchise credits; most films are these days. But Duke, Beetz and Wong are hardly talents shackled to their respective parts in Black Panther, Deadpool 2, Joker and Doctor Strange, or to any sprawling universes such titles connect to. They're all performers who bring humanity and vulnerability to their roles here, and in different ways. There's a guarded air of woundedness to Duke's phenomenal internalised portrayal — he's basically a traumatised guardian angel — and a lively curiosity and appreciation to Beetz's work, while Wong radiates empathy. Each of these three key players, and their fellow co-stars, also bake ambiguity into their performances. No person is just one thing, or can ever be solved, after all. That's truly what this evocative and memorable film is all about: the texture, experiences, feelings and enigmas that comprise every soul, and every life.
Ted Lasso fans, rejoice — the Magic Mike franchise is taking its lead from the hit sitcom now. Swap soccer for stripping, obviously. From there, the sports-themed favourite and Magic Mike's Last Dance both transport their namesakes to London, then give them jobs under wealthy women managing publicly beloved assets after bitter marriage breakdowns, all as those ladies try to spite their exes while also finding themselves and sorting out their lives. In the third film in the Channing Tatum (Bullet Train)-starring series, there's a team to oversee featuring players from around the globe, too, plus a gruff butler doing his best not-AI Roy Kent impression. And, it all climaxes with a showcase event demanding dedicated training. That said, only this exceptionally choreographed but never earth-shattering flick fills its final quarter with wall-to-wall gyrating, including a male-revue number soundtracked by 1998 Dandy Warhols' single 'Boys Better' that has to be seen to be believed. New Magic Mike movie splashing glistening chiselled abs across the screen, same Magic Mike, though. Tatum and filmmaker Steven Soderbergh (Kimi) — the prolific creative force who helmed, shot and spliced the first instalment; then just lensed and cut the second with his regular assistant Gregory Jacobs (Wind Chill) directing; and now returns to his trio of OG roles (still credited as Peter Andrews for his cinematography and Mary Ann Bernard for his editing) — have Mike Lane living his own Groundhog Day in a way. The more things change, the more that plenty stays the same for the saga's hero. This series started out not just putting its star's ripped physique and knack for erotic dancing to eye-catching use, but drawing upon his own story thanks to Tatum's past onstage Florida. He isn't currently getting by stripping while striving to follow his passion, of course. Before Magic Mike was scorching the screen, he'd already made it big. But these films, all three of which are penned by Reid Carolin (Dog), understand that Tatum's reality isn't the way that this tale usually goes. In the franchise's first 2012 strip, Mike strutted in g-strings to make cash to design custom furniture, but little was turning out as planned. In 2015 sequel Magic Mike XXL, Mike and his fellow Kings of Tampa (Archenemy's Joe Manganiello, The Boys in the Band's Matt Bomer, John Wick's Kevin Nash and Criminal Minds' Adam Rodriguez) kept disrobing on the road to other fully attired goals, but the group and film wholeheartedly appreciated the joy and empowerment that the series' central line of work gifts women. This time, Mike's business went bust in the pandemic, so he's bartending in Miami. When ultra-rich socialite Maxandra Mendoza (Salma Hayek Pinault, House of Gucci) tempts him back with a $6000 private sensual gig — because she needs a distraction from her messy separation — his prowess moving his hips and removing his clothing firmly remains a means to an end. Pouring drinks at a waterside charity gala, crossing paths with a former client from the first flick and spending a night dazzling Max: that's how Mike winds up on a plane to the UK, once more just following the money. Soon he's staying in Max's home — where valet Vincent (Ayub Khan-Din, London Bridge) frowns and Max's teen daughter Zadie (Jemelia George) proves cynical — and also turning director. In her divorce proceedings from adulterous media mogul Roger Rattigan (Alan Cox, New Amsterdam), she's now the owner of a theatre that shares his surname, and she has a Mike-inspired itch she wants scratched. Ditching the stuffy period drama that's been treading the boards there for years, she tasks him with spreading his talents by putting together an upmarket performance. Not that Magic Mike Live needs it, but Magic Mike's Last Dance doubles as an ad for the IRL tour, while having Tatum and company work towards staging exactly that kind of production. To address the 'Pony' in the room, Ginuwine's track gets another spin, its slinky, sultry beats again capturing the mood throbbing through this steamy, sweaty, lusty and thrusting — and sex- and body-positive — saga. Magic Mike's Last Dance makes viewers wait for the tune the series is virtually synonymous with, a delay that doesn't matter at all to the movie itself yet also echoes the underlying approach. Unlike round one, this isn't primarily a playful drama about the struggle to pursue the American dream. Unlike this stripper-verse's second swing, it isn't a joyous comedy, either. Teasing out what it knows the audience wants, it's primarily a will-they-won't-they romance and a backstage musical instead — a move that, although packaged with Tatum's smooth moves alongside his mostly personality-free fellow dancers, and given its pulse through Tatum and Hayek Pinault's chemistry, comes oiled with by-the-numbers melodrama. Viewers might remember that Magic Mike XXL was touted as a last ride, too; this second final hurrah isn't as focused or as thrilling a swan song. There's a clunkiness and awkwardness to Magic Mike's Last Dance that begins with the film's narration, which waxes lyrical about the seductive and connective power of dance, yet also feels distancing as it waves about an unnecessary fairy-tale vibe. Compared to its predecessors, this supposed farewell is tamer and politer in tone even at its raciest. It yearns for more titillation, and more flesh to back up Max's certainty that the world needs and women want Mike's skills — and it longs for more of Manganiello, Bomer, Nash, Rodriguez and their male camaraderie. Midway through, Magic Mike's Last Dance temporarily twists into Ocean's- and Logan Lucky-style caper, adding pointless padding. And while championing female pleasure, desire and erotic fantasies still thrums through the movie, it's with a light buzz rather than anything deeply penetrating. Still, at their weightiest (part one) and most entertaining (part two, also the horniest), the Magic Mike movies have never been flawless — and Magic Mike's Last Dance has other charms. Whenever dancing bumps and grinds across the screen, presses up against windows, dangles from beams or slides through onstage puddles (giving 2023 its second Singin' in the Rain nod in as many months), the film is ecstatic, as well as varied in its types and forms of fleet footwork. Whenever the committed Tatum and Hayek Pinault share the frame, flirting, bantering and getting acrobatic in that helluva opening tango, intimacy and radiance pierces through Soderbergh's uncharacteristically dark lensing. Indeed, when there's genuine heat to Magic Mike's Last Dance, it sizzles from that choreography and that core duo. Everything else too often feels like foreplay at its most routine and half-hearted.
Rockpool Dining Group has headed to The Hills, open its ninth Sydney outpost of The Bavarian. The 350-seat German-style restaurant opened in May at the Rouse Hill Town Centre, and it brought its oversized beers, food platters and sports-screening televisions along with it. The beer hall boasts 17 taps — think German mainstays like Löwenbräu, Stiegl and Hofbräu and local brews by Urban Craft Brewing — along with an outdoor beer garden. The fit-out will follow suit of the brand's existing venues and will include stone walls, alpine timber finishes, beer barrel tables and a stein chandelier, plus bar-side dining. Those massive, litre-sized beer steins that The Bavarian is known for serving are accompanied by hearty dishes like crispy pork knuckle with sauerkraut and creamy mash, or crackling pork belly with onion bier jus; plus a range of gourmet sausages, giant pretzels, share platters and loaded schnittys — from American, Mexican and Hawaiian to one that weighs an insanely hefty one-kilogram. Weekday deals include $15 lunch specials, all-you-can-eat meat platters on Mondays and two-for-one cocktails on Thursdays, along with a daily $5 drinks happy hour from 4–7pm. Apart from food and booze, The Bavarian is a go-to for watching sports, with several extra-large screens available throughout the space. Rockpool Dining Group — which was formed when Urban Purveyor Group acquired Neil Perry's Rockpool Group — has signed 15 new leases in the last 90 days, so we'll surely be hearing about more openings in the months to come. The Rouse Hill location not only marks the ninth across Sydney but is one of six additional Bavarians slated to open across the country in the next few months, including another in Castle Hill. So while it isn't necessarily new or breaking new ground, it is a significant opening for the suburb.
