Is there anything New Zealand humour can't turn to gold? As Laser Kiwi, brothers Degge and Zane Jarvie, alongside Imogen Stone, bring NZ's signature low-key dorkiness into a circus arena. Laser Kiwi has described its performance as circus sketch. Between the ten-minute pieces that the trio has rehearsed for weeks comes a flurry of miniature gags — a few of which shine among a barrage of deliberate (and very funny) failures. From a stilt-walk sabotaged by excessive props to a stunt cruelly hampered by an outsized M&M, Laser Kiwi simultaneously reinvigorates its art form while poking gentle fun at it. That said, there's no question of the skill on display here, as its liberal deployment of charm amplifies some seriously intense and beautiful feats. Laser Kiwi's show will run from Tuesday, July 16 to Saturday, July 20 as part of Bondi Feast 2019. For more information and to purchase tickets, head this way. Image: Michelle Ranson.
Whether you like a semillon from the Hunter Valley, a pinot noir from the Yarra Valley, or a robust shiraz from the Barossa, you can get it all at the inaugural Lakeside Long Lunch. For one glorious day in September (Saturday 28), representatives from some of Australia's best wine regions will gather in Sydney's west. Hosted on the idyllic banks of Sydney International Regatta Centre's lakes in Penrith, Lakeside Long Lunch is all about spending several boozy hours sampling vinos. You'll get to taste fine drops from Margaret River's Robert Oatley Vineyards, Bimbadgen Wines from the Hunter Valley, and Yarra Valley's Oakridge Estate. Plus, there'll be drops from the Barossa Valley, Mudgee, Orange and further afield. In between tastings, you'll want to tuck into lunch, too. You can choose from an opulent lobster gnocchi with pomodoro sauce and vanilla oil; braised lamb soft tacos topped with pomegranate; and charred Middle Eastern chicken with couscous and garlic yoghurt. Meanwhile, vegans and vegetarians can feast on a chickpea and tofu coconut curry served with jasmine rice and coriander sambal. There'll also be food trucks on site — think food from Agape Organic, Busfood and Arlecchino. There'll also be music soundtracking the event, with tunes from Suite Az, Voli K, The Lovefools, Hype Band and Will D Music. You can expect a lot more entertainment and activities on the day, too. Your $99 ticket covers everything, so you can kick back, relax and focus on the important things in life: eating and drinking. Got cash to splash? You can upgrade to the VIP package for $349. Lakeside Long Lunch at Penrith's Sydney International Regatta Centre is taking place on Saturday, September 28, from 10am. To purchase tickets, head here.
It's time for another food-focused celebratory day, with fried chicken in the spotlight. At its Macquarie store in Sydney, NeNe Chicken is naturally celebrating its main culinary attraction. Not only is it giving away freebies, however — it's also giving away gold-dusted poultry pieces. Head on down from midday on Saturday, July 6, and a free serving of Korean-style original-flavoured wingettes and drumettes will be waiting if you're one of the first 100 people through the door. If you like fried chook and free lunches, you'll want to be one of them. And honestly, who doesn't love both? By nabbing a serving, you'll also go in the draw to receive a free dish of pieces coasted in edible 23-karat gold. Yes, really. That said, you will need to hang around until 12.30pm to see if you're one of the five winners — and if your National Fried Chicken Day will be extra shiny.
If your pup's been trying to sad-eye his or her way into your Easter celebrations, but without much chocolatey success, here's a solution for you both. From midday on Saturday, April 13, Mad Paws, an Aussie pet-sitting network, is bringing its annual Dog Easter Egg Hunt back to Sydney. For two furry hours, your drooling, slobbering one will be the focus of all attention. More than that — it'll get to scour Glebe Foreshore Parks for dog-friendly Easter treats. The pupper who finds the most will also win prizes, so your cute pooch could enjoy a very indulgent day indeed. While the main attraction is part of a country-wide push to hold the world's biggest dog easter egg hunt (with simultaneous events happening in Brisbane, Melbourne, Canberra and Darwin), there'll also be games, dog trainers offering advice and plenty of four-legged cuties everywhere you look. Last year's festivities featured agility courses, best-dressed comps, pupcakes and massages — here's hoping they all make it back this year.
Pints of freshly brewed beer and some of Sydney's best Mexican fare will join forces this weekend in Marrickville. Rosa Cienfuegos, a tamaleria and Mexican deli in Dulwich hill, is packing up its tasty tacos and tamales and bringing them over to Sauce Brewing Co for four days. And the best part? It's open every damn day. Peckish after you knock off work (early, maybe) on Thursday? Head on over to Mitchell Street. Need an icy cold pint of IPA on Good Friday afternoon? Sauce has got you. Wake up with a hangover only tacos and a hair of the dog can fix on Sunday? Rosa's food will be thy saviour. You get the idea. Every. Day. While it's not yet been announced what exactly will be on the menu, you can expect Rosa's Oaxaca-style hot tamales — packed with mole and pineapple pork, perhaps — and tacos topped with the likes of slow-cooked brisket, lamb barbacoa and spicy cactus salad. To drink, Sauce will be serving up its usual fresh brews, which include the Pazy Hale (a hazy pale ale) and a tart and refreshing passionfruit berliner weisse. If you're looking for more beers and tacos this long weekend, Rosa will also be popping up at Young Henrys and Grifter. You can check out all the details here. Rosa Cienfuegos at Sauce will be open from 4–10pm on Thursday, 12–10pm on Friday and Saturday, and 12–8pm on Sunday and Monday. Images: Rosa Cienfuegos by Trent van der Jagt.
Keen to escape the festivities in a cinema over the Easter long weekend, but your wallet doesn't want to play ball? Call Dendy Cinemas' latest special a case of great timing, then. For the five days between Thursday, April 18 to Monday, April 22, the chain offering up discount tickets that'll solve your problem — whether you purchase online or at the box office, you'll only pay $10 for your movie of choice at Newtown and Opera Quays. Or movies. With everything from Shazam! and Captain Marvel to Us and The Lego Movie 2: The Second Part currently screening, too — plus The Aftermath, The Man Who Killed Don Quixote, Hellboy, The Curse of the Weeping Woman and more — there's plenty to watch if you're keen to spend as much time in a darkened room as possible. The special isn't available for special events, Dendy Arts sessions or preview screenings, but you're certain to find something to watch regardless. And if you're buying online, there's a $1.50 booking fee, too.
A long lunch is the sweet spot of social events. It suits both your early-rising mates and late-night party animals. It can be the main event or the start of a whole day of festivities. And, if you pick the right venue, the drinks are of equal importance to the food. Enter Bar Patron's new weekend lunch menu, which takes that 'sweet spot' long lunch and serves it with a healthy dash of salt and squeeze of lime. According to the website, this lunch set menu is for 'the ladies', but let's be real — anyone who loves Mexican food (all of you, we know) is going to want to get in on the action. The share-style menu starts with hand-pounded guacamole and salsas for true authenticity points, followed by a selection of tacos. The main meal is your choice, so consider it a good opportunity to fill your hankering for refried beans, enfrijoladas and braised meats. To finish, you'll get to tuck into the bar's two most popular desserts — the tres leches sponge cake, served with fresh mango, and polvorones, which is an authentic Mexican cookie-like dessert served with almond and caramel. The set menu costs $65 and includes one of the venue's expert Patrón Silver margaritas on arrival. Alternatively, you can upgrade to the $99 package, which also includes two hours of bubbles. The Weekend Lunch menu is available every Saturday and Sunday between 12–3pm. To make a booking, visit the website.
Entering its 19th year, Yabun Festival is held annually on January 26 at Victoria Park in Camperdown, on Gadigal Land. Yabun, which means "music to a beat" in the Gadigal language, features a wide range of Aboriginal and Torres Strait Islander talent. This year, the lineup includes award-winning Gamilaraay singer Thelma Plum, Eurovision contestant and Gunditjmara pop singer Isaiah and Roger Knox, one of Australia's best-known country and western singers, among many others. If you're looking for more, the ticketed Yabun after-party kicks off across the road at the Lansdowne Hotel from 8pm. It features a heap of Koori Radio DJs who'll play through till 3am. The day will start with a Welcome To Country and smoke ceremony, and will also include performances from Indigenous dance groups from across the country and panel discussions featuring members of Sydney's Indigenous community. There will also be market stalls, storytelling and arts and crafts workshops. Yabun Festival will run from 10am–7pm. The after-party at the Lansdowne will run from 8pm–3am.
When January 10 hits in 2019, it'll mark three years since David Bowie shuffled off this mortal coil. In celebration of his life and music, Lyons Gallery — a brand new addition to Paddington's art world — will host an evening dedicated to the singer-songwriter. From 6pm till late, the gallery will transform into a time machine, filled with images of Bowie, memorabilia and film screenings. Look out for works by Brian Duffy, the photographer behind Aladdin Sane; Masayoshi Sukita, who collaborated with Bowie for four decades; Helmut Newtown, who famously shot Bowie in Monte Carlo in 1983; and Terry O'Neill, who took more than 180 photos of Bowie over 30 years. A handpicked selection of limited-edition photos will be on sale. Founded by media personality and former Geelong Mayor Darryn Lyons in November last year, Lyons Gallery specialises in iconic images of celebrities, rock stars and royals — from Princess Diana and Queen Elizabeth II to Marilyn Monroe and Brigitte Bardot. Let's Dance: The Life of David Bowie is free to attend, although RSVPs are required by emailing the gallery on info@thelyonsgallery.com.
Experience the breathtaking beauty of the Dharawal National Park on a new kind of nature tour that invites you to make use of more than just your eyes. Held on Saturday, January 19, the Summer Series Sensory Walk will be led by a qualified park ranger — and will call on each of the five human senses. Over the course of the 2.8-kilometre, 90-minute stroll along the O'Hare's Creek Lookout track, guests will take in the sounds of nature, smell and touch the vegetation, and chow down on a number of tasty bush treats. In addition to the Sensory Walks, the little-known nature park — which is located roughly 90 minutes outside of central Sydney — also offers indigenous walking tours on the second Saturday of every month between February and November.
Why drink at one watering hole, when you can head to two, three, six or more? That's always been the motivation behind everyone's favourite boozy journey, aka a pub crawl. And, it's the exact same type of thinking behind the Urban Wine Walk. Taking another wander around Sydney, it's the bar-hopping excuse every vino lover needs — if you need an excuse, that is. From midday until 4.30pm on Saturday, February 9, you'll saunter around Surry Hills and Darlinghurst — and between the likes of This Must Be The Place, The Dolphin Hotel, Black Bottle, Mister Pocket, Della Hyde and more — sampling wines and having a mighty fine time. As for the tipples, they'll be taken care of by New South Wales' Slow Wine Co, South Australia's La Prova, Western Australia's Mr Barval and others. Tickets cost $64 and places are limited. This moving cellar door will not only serve up wine tastings, but also your own tasting glass — plus a voucher for another beverage, and a guide to help you plan your mosey between bars.
In 1997, Christmas changed. With a single episode of Seinfeld, the world became privy to a new form of holiday celebration that eschewed other traditions and denominations. Instead of a tree, an unadorned pole gets pride of place. Rather than share happy stories, everyone gathered airs their grievances. And, instead of settling down on the couch after a hearty meal, attendees compete in feats of strength. Okay, so maybe you still enjoy tinsel, turkey and street cricket with your family on December 25. Even so, The Glenmore is making sure you can have some Festivus fun as well. The pub's shindig takes place on the official Festivus date of December 23. The Glenmore's rooms will be 'themed' like Jerry's apartment and the rooftop will have live music going from 3pm. In keeping with tradition, there'll be a grievances wall, so you can air yours and be infuriated by everyone else's. Not so Seinfeld are the $12 Aperol spritzes. Don't forget to dress up, too — there will be Festivus prizes.
The year of the pig is almost here and, to celebrate, the Sydney Fish Market is staying up late once again to host its second Chinese New Year night market on Friday, February 8. Done up with red hanging lanterns, the boardwalk will become a bustling hub of activity after-dark. Traditional red envelopes and special fortune cookies will be passed around — the former of which are meant to bring happiness and prosperity, and latter of which will include "fishy puns" for the new year. This will all go on from 4–10pm amidst the madness of the fish market, which will include a parade of lion dance performers and a laser light show. The licensed restaurants will also have the requisite yum cha and other traditional Chinese dishes to feast on. The market's expecting over 100,000 visitors throughout the week, so it's sure to be one helluva celebration of 2019.
Whether you're a big nature nerd or err on the indifferent side to the science of it all, chances are you've seen at least some of Sir David Attenborough's Blue Planet. The BBC nature documentary series — narrated by the man himself and accompanied by an epic score from Hans Zimmer — first aired back in 2001, and its follow-up second season, Blue Planet II, was released just last year. But the bits you've seen on TV or YouTube are sure to be belittled when the BBC brings the live show to Australia this April. Like the performances of Harry Potter and Star Wars we've seen in recent months, Blue Planet II Live in Concert will see the documentary screened in all its glory accompanied by a live orchestra. And it's a big score. The music for Blue Earth II was composed by none other than Hans Zimmer (responsible for epics like The Lion King, Gladiator, The Dark Knight Rises and Inception) alongside Jacob Shea and David Fleming. In Australia, the score will be performed by three of the country's leading orchestras and, in lieu of Attenborough, Ab Fab's Joanna Lumley will be narrating in real time. The show will travel around Australia in March 2019, visiting Sydney on Friday, March 8. In the meantime, you can watch ehe first season of Blue Planet on Netflix. Image: Hugh Miller, copyright BBC NHU (2016).
Godhood's a hard thing to come by in any profession. But over the course of roughly half a century, Stephen Sondheim, the composer and lyricist responsible for penning all of the songs your musical theatre friends refuse to stop singing in public places (including those from Into the Woods, West Side Story and Sweeney Todd), has toddled on up the road to full-blown deity status. With a pool room that contains virtually every award, Sondheim is most revered for managing to bottle the unique sound and style of New York in the late-20th century. In February, however, City Recital Hall is looking to focus on his stratospheric achievements as a gay artist. Originally presented as part of Brisbane Powerhouse's Melt 2017: Festival of Queer Arts and Culture, Boys of Sondheim is a five-man cabaret that takes some of Sondheim's greatest hits and explores them in the context of same-sex relationships. Featuring a herd of showstoppers from Assassins, Follies, Gypsy and Company, Boys of Sondheim is a celebration of both the work and the gentleman who produced it. Godhood may be difficult to improve upon, but be sure to book if you want to see what the master looks like from a slightly different angle. Boys of Sondheim is a 2019 Mardi Gras Festival Premier Event and will be presented on Friday, February 22 at City Recital Hall. Tickets start from $40 for under 30s and can be purchased here.
If you want to learn something this Sydney Festival, head to the Sydney Observatory and soak in some stars while expanding your vocabulary. During the one-hour Bayala language class, Durag woman Aunty Jacinta Tobin and Gadigal man Joel Davison will be teaching participants one of Sydney's native Indigenous languages. Attendees will learn Indigenous names for locations around Sydney, a few anatomical terms, basic phrases and a short song. This is the third year the classes have run, and each time the convenors have been blown away by the response. In fact, there are a few additional three-day sessions for those who are returning and want to take things up a notch. The classes will run over two weekends — the first at Prince Alfred Square in Parramatta and the second at the Observatory. They're free, but if you're interested, book early — registration opens at 9am on November 30. You'd be surprised how many linguists will pose as amateur astronomers just to steal your seat.
Mexican holiday Dia de los Muertos, or the Day of the Dead, is a celebration of long-standing tradition that is, first and foremost, a way for communities to honour family and friends who have passed on. But the holiday has also come to represent the very best of Mexican culture — from the tasty food to the elaborate costumes, motifs and music. So Carbòn, from the people behind Bondi's Taqiza, is jumping on board and celebrating in true Mexican style by throwing an extravagant three-day fiesta. Across October 31–November 2, you'll be knee-deep in festive cheer with traditional rituals, an abundance of mouthwatering Mexican food and ice-cold cocktails. Day one of the fiesta is the 'Day of the Dead Tamales Feast', where there'll be a special tamales menu paired with themed agave cocktails. Things ramp up on day two with a special ticketed event ($100 per person) featuring live music, costumes, face painting and a five-course menu paired with mezcal cocktails. The menu is based on authentic dishes originally created by Mexican nuns from the 17th century, who are now considered the architects of upscale Mexican cuisine. On the final day, Carbòn will host a 'Moles and Woodfire Festival', where traditional moles (those tasty thick sauces) will be served up with platters of wood-fired meat skewers, tortillas and toppings. Along with its three-day celebration, the restaurant is giving a nod to this year's NAIDOC theme, 'because of her, we can', and dedicating the altar or oftrenda to trailblazing women throughout history — think Frida Kahlo, Chavela Vargas and adelitas (rebel women who fought during the Mexican revolution). Designed by Mexican artist Raquel Duron, this shrine will include floral arrangements, candles and crosses, plus, guests are invited to add photos of important women that they wish to honour. To get involved in the Carbòn's day of the dead festivities, reserve a table online.
When things supposedly go bump and jump in the night, Professor Philip Goodman (Andy Nyman) calls bullshit. But then his childhood hero (Leonard Byrne) comes calling, asking the professional paranormal debunker to investigate three cases — and warning that they just might challenge his long-held scepticism. That's the crux of British horror film Ghost Stories, which understands two important truths. Firstly, there's a little bit of wonder buried in every cynic, even if they won't or can't admit it. Secondly, the only thing that's more thrilling than a spooky tale told well is a number of them strung together. Goodman's trio of supernatural incidents all involve strange and downright disturbing sightings, which he works through one by one. Employed in a deserted former asylum for women, nightwatchman Tony (Paul Whitehouse) just thinks that the power is flickering one evening, but that's soon the least of his worries. Driving through woodland in the thick of night with no one else in sight, the jumpy Simon (Alex Lawther) is involved in a hit and run with an unusual victim. As for wealthy banker Mike (Martin Freeman), who takes Goodman walking around his countryside property, he spins an account of personal woe and potential ghosts — all set in his sprawling mansion as his wife is about to give birth to their first child. At first, these three vignettes all seem quite slight and standard, of the type that you might share around a crackling fire with marshmallows and a happy suspension of disbelief. That's by design, with the horror genre frequently drawing its power from appearing simplistic when the reality proves otherwise. Adapting their 2010 stage production of the same name for the screen, writing and directing duo Nyman and Jeremy Dyson keep the superficial details purposefully straightforward, while having fun playing with tropes and littering clues within each narrative within the narrative. This is an unnerving anthology that perfects the nuts and bolts of haunted storytelling, and yet also subverts expectations, offers enjoyable nods to horror greats gone by, and builds towards a big finale. Where it eventually lands is a little silly and obvious, but each individual segment — and its bookending framework — is staged in an impeccable and stirring manner. The idea that Ghost Stories is 'staged' has multiple meanings, some that are best discovered by watching. Even if you're unfamiliar with the production in its original form — that is, literally on the stage — it's easy to see how it would work in the theatre. Crucially, however, this isn't a talky work that feels out-of-place on the screen. Rather, it's a broodingly gothic affair that's just as disquieting when it's toying with darkness, shadows and startling sounds as when it's giving its supernatural forces more concrete shape and form. Moving the tale to the cinema gives Nyman and Dyson plenty of room to revel in the movie's mood and imagery, creating a gloriously rich spookhouse — think bleak Yorkshire exteriors and thoroughly creepy interiors. Ghost Stories is also a well-acted scarefest, with Nyman and Freeman the clear standouts. One plays a devout rationalist with conviction, the other rattles chains (albeit verbally, not physically) — and if you notice that the film is dominated by men with secrets, that's on purpose also. Being assaulted by the inexplicable is unsettling, as is being expected to just grin and bear life's ills, a trait that the movie's characters all share. The notion of hiding from pain provides thematic texture, deepens this entertaining take on the familiar, and helps Ghost Stories achieve what all anthology efforts strive for: leaving the audience wanting more. https://www.youtube.com/watch?v=uh9KCVdx33I
With a trio of skyscrapers already erected and a casino on the way, it's hard not to wonder what Barangaroo's namesake would have made of Sydney's new financial district. Barangaroo was a fisherwoman for the Cammeraygal people who apparently deplored the excesses of the British settlers, so it's a stretch to imagine her embracing the economic opportunities of the rejuvenated docklands. For 2019's Sydney Festival, Bangarra's Helpmann Award-winning head of design Jacob Nash will be out at Barangaroo crafting a large-scale public sculpture spelling ALWAYS. Using the phrase 'Always was, always will be' as an impetus, the work will serve as a reminder that Sydney's newest development is taking place on Aboriginal land. On January 26, an overnight vigil will be held on the eve of Australia Day at Barangaroo near the sculpture. Running from sunset right through to the morning — around 8pm to 6am — it's a reflection on the impact of the arrival of the First Fleet and Australia's colonisation on First Nations people, with musical performances and stories told by community Elders throughout the night. Always is part of Sydney Festival's dramatic and diverse 2019 program. Check out the full lineup here. Images: Victor Frankowski
Harry and Penelope Seidler were architectural juggernauts of the 1960s. Trailing Bauhaus and plaudits wherever they deigned to tread, it was this husband and wife duo who convinced Sydneysiders to embrace modernist architecture. Next year, Sydney Festival will celebrate their most stunning structures – by filling them with sound. At the Ian Thorpe Aquatic Centre, submersion is strongly encouraged as Los Angeles harpist Mary Lattimore plucks hypnotic melodies through underwater speakers. Meanwhile, at Seidler Penthouse, Harry and Penelope Seidler House, Julian Rose House and Rose Seidler House, a range of musicians take up temporary residence, allowing the architecture to inspire their improvisations. Before you add another pillow arrangement to your own modernist utopia, pop along to the Seidler Salon series and see how the design greats did it while some musical greats serenade you. Beats another trip to Ikea. The Seidler Salon Series is part of Sydney Festival's dramatic and diverse 2019 program. Check out the full lineup here.
Off the back of three fast-selling seasons, Sydney's most ambitious outdoor cinema is bringing its 150-bed (yes, bed) theatre back to Moore Park's Entertainment Quarter for the warmer weather. Grab a buddy you're comfortable to share a blankie with (or make a bold first date move) and book a bed between November 30 and February 17 next year. There will be new movies (Aquaman, Bohemian Rhapsody, Mary Poppins Returns), old movies (Pulp Fiction, Pretty Woman, The Lion King), Japanese anime (Spirited Away, Akira) and some of the best feel-good releases of 2018 (The Breaker Upperers, Mamma Mia! Here We Go Again, Crazy Rich Asians). La La Land, Ocean's 8 and Black Panther are all on the bill, too — and so is a sing-along session of The Greatest Showman. There'll also be Burger Project and Fratelli Fresh bringing food directly to your bed. Plus, the bar will be serving up cold beers and wines, and some screenings even include bottomless popcorn. Tickets are $40 per person or $74 for a couple. If you don't want to shell out for a bed, you can grab a grass ticket for $12 — just remember to bring a picnic blanket and book your spot before you rock up. Updated December 29.
Let's get right to it, if the idea of audience participation tickles your fancy — hello, extraverts — One Infinity is the show for you at Sydney Festival 2019. Together with musicians Genevieve Lacey and Wang Peng and composer Max de Wardener, Gideon Obarzanek, director, choreographer and founder of Chunky Move will create a singular work every night of the show's run as he explores Chinese music and contemporary movement in One Infinity. The guqin, which is kind of like a guitar-violin hybrid and the recorder — you remember that from school, right? — will form the musical basis for the piece, then audience members will be invited to join in. Whether it's for the sheer delight of losing yourself to dance or a sneaky attempt to pad out your resume as a SydFest performer, One Infinity is your chance to see a new work come together from where you kinda always wished to be — the stage. One Infinity is part of Sydney Festival's dramatic and diverse 2019 program. Check out the full lineup here.
It's not every day you get to sit down to a lavish vegan high tea, designed by internationally renowned chef Matthew Kenney. But that foodie dream could soon be part of your weekly routine, as Kenney hits Australia to launch a new series of high tea feasts, fusing local ingredients with some pretty clever techniques. It all kicks off this October, at Kenney's plant-based restaurant Alibi Bar + Kitchen, within Ovolo Woolloomooloo. The new offering will see vegans completely spoiled for choice, with five different two-hour packages available throughout the week — depending on how boozy you want your feast to be. Spend just $65 to match your high tea nibbles with a glass of sparkling rosé, plus bottomless tea and coffee, or go large and pay $140 for bottomless Perrier-Jouet grand brut. As for the food, expect an array of sweet and savoury delights, like baby quiches with vegan cream cheese, forest mushrooms matched with wasabi cream, and a mixed berry 'cheesecake' with strawberry compote. A range of signature plant-based cocktails will also be on offer, including a Kaffir lime mule crafted on house-made ginger beer. Vegan High Tea is available from 12–4pm, Wednesday–Sunday.
Why drink at one watering hole, when you can head to two, three, six or more? That's always been the motivation behind everyone's favourite boozy journey, aka a pub crawl. And, it's the exact same type of thinking behind the Urban Wine Walk. Taking another wander around Sydney, it's the bar-hopping excuse every vino lover needs — if you need an excuse, that is. From midday until 4.30pm on Saturday, May 18 you'll saunter around Manly — and between the likes of Cured Manly, Manly Pavilion, Peanut Butter Jelly, The Nook, Havana Beach and more — sampling wines and having a mighty fine time. As for the tipples, they'll be taken care of by a range of local and national producers. Tickets cost $65 and places are limited. This moving cellar door will not only serve up more than 30 wine tastings, but also your own tasting glass — plus a voucher for another beverage, and a guide to help you plan your mosey between bars. Image: Manly Pavilion
There's something oh-so-relaxing about staring at the sea; however, despite Sydney's glorious sunshine most the of year around, we can't always all hang out on the beach. Or by the harbour, near rivers or in pools for that matter — but you can head to the Ocean Film Festival World Tour. On Wednesday, April 3, it'll unleash a cinematic feast of water-focused wonders onto the big screen. And, it'll do so in the Royal National Park. This night of movie magic is happening at the Audley Dance Hall, so you can sink into one type of nature while surrounded by another. Film-wise, viewers will spend time both above and below the ocean's surface thanks to a compilation of shorts from around the world. Expect to chase big waves, explore a range of sea life and get a hefty ocean rush, plus a heap of other sea adventures. The program is united by a love of the ocean, an appreciation of the creatures who dwell in its waters and a curiosity to explore the substance that comprises more than two-thirds of the earth. It's the next best thing to diving in, all without getting wet. Image: Travis Burke.
Ever pet owner has wondered just what their beloved animals get up to when no one is looking. If you've ever extended that line of thinking to pondering the nocturnal habits of zoo creatures, then hop on down to Wild Life Sydney Zoo. To coincide with Earth Hour, the Darling Harbour spot is hosting Torch Light Tours through its critter-filled surroundings — so prepare to view wombats, quokkas and koalas after dark. It's the first time that the venue is hosting the nighttime tours in conjunction with the global event, which asks everyone to switch off their lights for an hour for the good of the planet. And while getting involved with the initiative at home is a great way to do your eco-conscious part, you'll only spy Tasmanian devils, a 4.2-metre saltwater crocodile, sugar glider and pythons if you head to the zoo for a 45-minute session. The tours will take place on the hour at 7pm, 8pm and 9pm, and $5 of the $30 ticket price will go to Wild Life's not-for-profit Conservation Fund, which is all about protecting unique Aussie animals and their habitats. You'll also receive a goodie bag, although peering at cute native critters at night — and hearing talks about them as well — will deliver plenty of goodies as it is. Unsurprisingly, the event is expected to be popular, so nabbing tickets asap is recommended.
The Great Australasian Beer SpecTAPular, better known as GABS, returns to the Sydney Showground for the fifth year running on Saturday, June 1. After humble beginnings in Melbourne nine years ago, it has now expanded to cover three cities, two countries, and is rightfully considered by most as the best craft beer and cider festival in the Asia Pacific region. Creators Steve Jeffares and Guy Greenstone (The Local Taphouse, Stomping Ground Brewing Co.) have again wrangled up the best breweries from the region and are offering up hundreds of brews, including 100+ exclusive festival beers and ciders. These exclusive and often wacky specialty brews are created just for the event and are generally the festival's main draw, giving attendees the rare chance to try brand-spanking new beers while meeting the brewers behind them. This year's festival brews include collaborations with coffee roasters, tea houses, gin and whisky distillers, biscuit makers and even an American barbecue smokehouse — so expect plenty of experimental tastes. Apart from beer, the event will also play host to mini golf, a giant beer can piñata, a roller racing derby, a silent disco and a competitive scavenger hunt. The much loved 18-metre-high beer Ferris wheel will make its return, as will the usual wandering performances and local food stalls. The single day event is categorised in two sessions, with session one from 11.30am–4.30pm and session two from 6–11pm. If you're a super keen craft drinker, you can purchase tickets to both sessions from Friday, March 29— we wish those ticket holders the best of luck.
If Wes Anderson was to rove his hyper-stylised gaze over everyday British life, the result might look like Sometimes Always Never. If he transplanted his fondness for melancholy family dysfunction to Merseyside, it could resemble this grief-fuelled drama, too. And if the acclaimed auteur ever decided to set his sights on the game of Scrabble, the end product might also share much in common with Carl Hunter's debut stint as a feature filmmaker. To the director's immense credit, this elegant and tender movie always feels like a relative of Anderson's work instead of an imitation — a kindred spirit with evident similarities, but bearing its own sensibilities. Sometimes working with noticeably exaggerated backgrounds, always demonstrating a flair for quirkiness and precision in tandem, and never overplaying his aesthetic approach, Hunter turns Sometimes Always Never into a visual playground. Every stylistic choice reflects the inner states of the film's characters, with the first-timer's images doubling as an imaginative escape. Even when the movie merely watches the fashionable but forlorn Alan (Bill Nighy) wandering along a beachfront, takes him on a country road trip with his silently resentful son Peter (Sam Riley), or spies more than a few folks slinging Scrabble tiles, it does so with a curious and perceptive eye. Hunter understands the creative truth that sits at the heart of whimsy, surrealism and flights of fantasy, and at the heart of this picture as well: that finding a little magic in ordinary surroundings is a simple but effective coping mechanism. A retired tailor who hasn't lost his sense of style, Alan has plenty of worries that he'd happily avoid. His relationship with Peter is cordial but strained, his other son disappeared without a trace years earlier and, thanks to his preferred pastime, he'd rather work his charms on words than people. When a development in the missing person case doesn't turn out as hoped, Alan is caught at a crossroads. He can unofficially move into Peter's house, play nice with his daughter-in-law (Alice Lowe) and teenage grandson (Louis Healy), and keep deploying Scrabble as a distraction, or he can face his woes, stop wallowing on what he's lost and appreciate what he has left. Whether it's played casually between friends and family or competitively with money at stake, Scrabble requires a combination of inventiveness and rigour. A willingness to take risks is just as important as an extensive vocabulary — and although Alan knows this all too well, he's slow to apply the same thinking to his world in general. While Frank Cottrell Boyce's screenplay embraces life's troubles as much as its joys, it's never less than a pleasure to watch Something Always Never run its course. Indeed, there's an entrancing power to the movie's story and mood, with both acknowledging the many ways that grief can leave an imprint. Sometimes the film's sentiments prove a little too neat, but that's the exception rather than the rule. Intricate and vivid even when painted in subdued colours, Hunter's eye-catching imagery helps considerably, immersing viewers in the movie's distinctive tone and narrative realm. But pretty pictures can't pierce the heart quite like a slate of excellent performances, which Something Always Never boasts in spades. It's a testament to Nighy's talents that the veteran actor retains his familiar vibe, yet completely inhabits his character. It's a testament to Riley, Lowe and virtual newcomer Healy that they more than hold their own against their experienced co-star, as do fellow supports Jenny Agutter and Tim McInnerny. Among all of the film's astute elements, the great work of its cast ranks among the most crucial. You can't win at Scrabble without playing multiple hands, and you can't make an eccentric, insightful treatise on mourning and moving on without the handiwork of multiple players. https://www.youtube.com/watch?v=22R-JQRov_U
Activewear fans, we've got some big news: P.E. Nation is bringing back its warehouse sample sale for one weekend this March. The athleisure experts hosted their first ever sample sale in 2016 — and everything sold out in the first day. Luckily, that won't be the case this year as they'll be stocking the warehouse with fresh threads each morning. Whether you're packing your own gym-going wardrobe or doing a solid for sporty loved ones, you'll find an extensive array of swim, activewear, accessories, sweaters and jackets at 55 Doody Street, Alexandria, between March 28 and 30. One-off samples plus past-season styles in all sizes — for both men and women — will be available. Remember the age-old advice of when it comes to sample sales, you need to get in quick. Given the following the label has amassed since General Pants Co. design director Pip Edwards and former senior Sass & Bide designer Claire Tregoning joined forces, their functional, fashionable bits and pieces are bound to be popular. Throw on your favourite pieces for an energy boost, and hop along. P.E. Nation Warehouse Sale will be open 10am–7pm Thursday, 9am–6pm Friday and 9am–4pm Saturday.
During much of Hotel Mumbai, petrified guests and staff are trapped inside the Taj Mahal Palace Hotel, trying to flee the gunmen in their midst. Dramatising the real-life incident from 2008, first-time filmmaker Anthony Maras recreates the terror, tension and tragedy as attackers roam the hotel's halls, shooting everyone on sight — and as ordinary folks scramble to survive the violent onslaught. But in the movie's clumsiest scene, a group huddles in a locked area. Nerves and tempers fray, especially when an older woman voices racist worries about Taj Mahal Palace Hotel employees. It's a blatant learning moment, as viewers witness prejudice both lurking in and defeated by the most fraught of circumstances. It's also as heavy-handed as it sounds, and as unnecessary. Everyone is the same when their lives are under threat in such a horrific way. Everyone is the same anyway, but staring down the barrel of a gun helps hammer this realisation home among the closed-minded. While there's no doubting the validity of the film's message or the warm intentions behind it, Hotel Mumbai is so convincing when it's showing the truth of its central statement that it doesn't need to resort to shouting its sentiments in such a clumsy fashion. The details seen speak for themselves, from the senselessness of lives slain by those mercilessly seeking to incite fear, to the unwavering endurance, resilience, kindness and heroism demonstrated by the terrorists' intended victims. Thankfully, Maras and co-screenwriter John Collee (Master and Commander: The Far Side of the World, Tanna) avoid simple life lessons for most of the movie's running time, letting the confronting on-the-ground specifics do the heavy lifting. Wednesday, November 26 seems like another ordinary day in the titular Indian city. Concierge Arjun (Dev Patel) arrives at work wearing just one shoe, much to head chef Hemant Oberoi's (Anupam Kher) dismay. Couple Zahra (Nazanin Boniadi) and David (Armie Hammer) are seeking a respite from their busy schedules, albeit with their newborn baby and Australian nanny Sally (Tilda Cobham-Hervey) by their sides. With a private party planned, demanding Russian businessman Vasili (Jason Isaacs) is hardly a model guest. But along with Aussie backpackers Eddie (Angus McLaren) and Bree (Natasha Liu Bordizzo), they're all soon caught in a nightmarish plight, with a group of young jihadists wreaking havoc on their way towards the luxurious hotel. For many, Hotel Mumbai's events will remain fresh in their memories, as the film's use of news footage only cements. The difference between reading the headlines and feeling like you're there is enormous, of course, and it's the latter that drives dramatic big-screen recreations. Drawing their narrative from interviews with survivors and witnesses, Maras and Collee aim to place viewers in the thick of the chaos. Primarily shot in Adelaide by cinematographer Nick Remy Matthews, it's a feat they achieve. From the second the film introduces the assailants, a sense of urgency pulsates through every frame — whether racing through darkened streets, seeing innocent people mown down by bullets, or watching as the decadent Taj Mahal Palace Hotel becomes a bloody battlefield. Indeed, Hotel Mumbai is so effective at putting the audience in the moment — and in the shoes of the desperate victims — that the film's straightforward nature largely escapes notice. Big questions aren't begging to be answered and explanations aren't offered, with Maras depicting the grim situation as he's been able to piece it together, rather than editorialising or analysing the particulars. Helped by a solid cast, it's a fitting approach. Such harrowing horrors call for a sober perspective, which is what makes the movie's rare instances of overt button-pushing feel so out of place. At its best, in bringing this bleak slice of reality to the screen, Hotel Mumbai stares into one of humanity's darkest ordeals and refuses to look away. https://www.youtube.com/watch?v=Dz4jnixs8yA
One year ago, long-time doughnut-lover Kenneth Rodrigueza opened his first retail space in Redfern. Since then, Donut Papi and its small-batch, handmade doughnuts — and they're wacky flavours, which include everything from pepperoni to Vegemite and Cheetos — have proved a huge hit with locals. To celebrate its 365 days on the block, Donut Papi is giving away a heap of free doughnuts — 300 to be exact. From midday on Saturday, December 8, the compact eatery will be slinging freebies, limited to one per person, until they're all gone. If you do miss out, don't stress too much — there'll also be a heap of discounted doughnut packs, drinks and even some limited-edition merch (if you'd like to take your love for the fried, sugary goods to a (w)hole new level). There's no word yet on what flavours will be available, but we recommend keeping an eye on the Donut Papi Instagram. Donut Papi's First Birthday giveaway will kick off at 12pm.
Already this year, Australia's won big on the pizza front, with Philadelphia's Pizzeria Beddia popping up at Bondi Beach Public Bar and New York icon Di Fara hosting a stint in the kitchen at Melbourne's Harley & Rose. But just in case that wasn't enough to sate your lust for international pizza royalty, another big-name USA favourite is set to hit our shores next week. Taking over Firedoor's acclaimed Surry Hills kitchen for a one-off Fire 'n' Slice pizza party on Sunday, December 9, is none other than Brooklyn institution Roberta's — a cult pizza destination that counts Beyonce, Jay Z and the Clintons among its many fans. Roberta's Owner and Head Chef Carlo Mirarchi will be joining forces with the Firedoor crew for an all-day, no-reservations food fiesta, bringing along his 'mother' dough starter and putting the kitchen's woodfired oven through its paces. A special menu of Neapolitan-style slices and grilled dishes will embrace the best of each venue, while the gelato experts at Messina will be dishing up an array of sweet treats for dessert. Amping up the party vibes, there'll be exclusive cocktails crafted on Belvedere, big beats across the afternoon, and limited-edition merchandise up for grabs, including a t-shirt designed by tattoo artist JED. Fire 'n' Slice is not taking reservations. Doors open at 1pm and close when the dough runs out. Prepare to line up. Roberta's images: Eyal Yassky. Firedoor images: Nikki To.
Determined to close out the year in the most exciting way possible, Darling Harbour hotspot Cargo is hosting one of Sydney's most lively New Year's Eve events. The Cargo team have blended together all the necessary ingredients for an unforgettable night including a pumping lineup of local and international DJs, top-notch cocktails and a stunning view of the midnight fireworks. The venue has been decked out for summer so, on the night, you can expect nautical vibes with boat-style lounges and a pop-up spritz bar by Belvedere Vodka. The lively space will be serving up five different summer spritz options for $15 each, including Aperol, cucumber, cherry, peach and citrus. Local DJ talents Kate Fox, Tom Budin and Paris Lawrence will get the good vibes going with a mix of house, trap and EDM, before internationally renowned DJs Savage and Uberjak'd step up to the decks to see out the rest of the night. General admission tickets to this spectacular end-of-year party are available now from $45. But if you want to add some panache to your last few hours of the year, consider the Upstairs VIP Package which includes a cocktail on arrival plus three hours of canapés and unlimited drinks between 6–9pm. For more info and to purchase tickets to Cargo's New Year's Eve bash, head to the website.
Minimalist Aussie clothing designer Assembly Label opened up a permanent surplus store in Beaconsfield earlier this year where you can nab discounted threads on the reg. Thankfully, it still hosts regular warehouse sales there, too, and its next one is happening just in time to stock up on threads for summer. The four-day warehouse sale is running this weekend, from Thursday, December 13 through to Sunday, December 16. This means the warehouse's samples and pieces from past seasons will be going at up to 70 percent off. That includes much needed swimwear, dresses and basic tees for the coming summer months, plus denim, shorts, jackets and accessories in both men's and women's designs. The label is known for its linen basics and relaxed coastal vibes that makes up the wardrobe of many a Sydneysider. The surplus store will be open this weekend from 9am–9pm on Thursday, 9am–7pm on Friday, 9am–5pm on Saturday, and 10am–5pm on Sunday. Once the sale is finished, the surplus store will return to its daily trade of discounted signature basics and seasonal releases, with styles restocked weekly.
Everyone loves digging into a bowl of hearty, cheesy, carby pasta — whether it's the middle of a drizzly winter today or the peak of summer. But sometimes, depending how fancy you go, they can set you back nigh $30. But, for one day this November, Fratelli Fresh is shunning exxy bowls and instead celebrating with a day of $10 pastas. All eight Fratelli Fresh stores — Alexandria, Bridge Street, Crows Nest, Darling Harbour, Entertainment Quarter, Macquarie Street, Walsh Bay and Westfield CBD — will be offering all pasta dishes on their menus for only a tenner. All day. Choose from crab spaghettini, classic spag bol, linguine with chilli and garlic, ricotta ravioli with burnt butter and a next-level fettuccini with duck ragù (among others). A pretty lovely deal considering some of these dishes are usually priced at up to $35 price tag. The catch is that you have to buy a drink to nab a $10 pasta. But here's a pro tip: all Fratellis run a happy hour form 4–6pm weekdays where all espresso martinis, negronis, spritzes, beer and wine are just $5. Book your spot for lunch or dinner via the website. CORRECTION: NOVEMBER 13, 2018 — The original version of this article previously did not state the the $10 pasta deal was only redeemable with a drink purchase. The above copy has been amended to reflect that it is.
A 90s-style thriller that'd sit comfortably alongside Single White Female, Greta boasts one major attraction. It's never a chore to watch the great Isabelle Huppert on screen, and it's hardly unusual to see the 2017 Oscar nominee dive into unsettling territory, but this stalker tale adds more than just another title to her resume. For anyone who's ever wanted to witness the French acting icon being wheeled out of an upmarket New York restaurant in a straightjacket, spit gum menacingly at Chloë Grace Moretz or dance gleefully in stockinged feet while waving a gun around, this is the film for you. And while Greta never lives up to its star's efforts, or to its twisty, pulpy, trashy potential, it's just unhinged enough to mostly entertain — as long as you're willing to go along with it. As co-written by director Neil Jordan (Byzantium) and screenwriter Ray Wright (The Crazies), Greta's story is simple, involving a new NYC resident, a green handbag and a good deed gone wrong. When Frances McCullen (Moretz) spots an abandoned purse on a subway seat, she does the right thing and tracks down its owner. "Where I come from, that's what we do," the Boston native tells her incredulous roommate Erica (Maika Monroe), who suggests pocketing the contents instead. Serving up a fresh pot of coffee as a thank you, the eponymous Greta Hideg (Huppert) is immensely grateful for Frances' efforts, and a surrogate mother-daughter relationship springs between the two women. All's fine and well when they're rescuing a stray dog from the pound, catching up in the park and eating dinner together. But when Frances starts to doubt Greta's motives, the situation gets creepy very quickly. The loneliness of 21st-century city living is a fascinating and endlessly relevant topic — we've never been more crowded physically and more connected virtually, yet feeling isolated has hardly been relegated to the past. A thematically slight film, that's not Greta's main concern, even as it follows two characters who are well acquainted with the aforementioned sensation. Greta and Frances' general emotional wellbeing barely troubles the movie, and nor do their backstories, other than giving the duo absent family members that they're clearly trying to replace with each other. Here, what's happening is more important than the reasons behind it. Indeed, why the titular character behaves the way she does is given much less attention than her crazy actions and reactions — and let's just say that she doesn't respond nicely to discovering that her new friendship is under threat. As a result, Greta favours the mechanics of its cat-and-mouse narrative over any potential meaning. Really, the latter is straightforward: don't trust strangers. No really, don't. Not every film needs to overflow with depth, and there's a valuable truth in the movie's refusal to justify its craziness — sometimes horrible things happen without a satisfactory or extraordinary explanation, and sometimes seemingly ordinary, benign people are anything but. Still, the effect can be distancing. Although Huppert and Moretz both put in committed performances, there's very little reason to get invested in Greta's characters, their fight or their fates. Seasoned horror fans know this predicament well, with plenty of routine scary movies simply fine to journey from point A to point B without worrying about much of substance. To go through the motions, in other words. What makes Greta engaging isn't the film's story, which is sparse overall while also proving off-kilter and even preposterous at times. Rather, it's the fact that Jordan knows exactly what he's doing. A standard handbag that's made well still catches the eye, after all, as Frances learns and Greta uses to her advantage. With genre flicks such as The Company of Wolves and Interview with the Vampire to his name, the Irish filmmaker is happy to make the most of genre conventions, executing the expected twists and slick, moody style with a confidence that occasionally veers into winking at the audience. He's taking his cues from his antagonist: leaving something average yet alluring enough in plain view and tempting audiences to try their luck. https://www.youtube.com/watch?v=IK5pUVT-Sy4
If you're one of the scores of Aussie teens who devoured smash-hit flick 10 Things I Hate About You when it first came out — and then about a million times on VHS since — prepare to feel positively elderly. The 1999 movie is about to celebrate its 20th anniversary. Yep, the modern day retelling of Shakespeare's The Taming of the Shrew that had us all swooning over Heath Ledger is a whole two decades old. And what better way to mark that occasion, than a special outdoor screening of the timeless high school tale? Moonlight Cinema has added a special throwback showing of 10 Things I Hate About You to its schedule, set to grace the Centennial Park screen this Friday, March 15. Prepare to revisit all those late 90s feels, as you catch those classic movie moments, from the cheer-worthy smashing of Joey Donner's car to that pre-formal pregnancy suit. You can pack your own picnic and booze for this BYO session — Ms Perky would definitely recommend bratwurst — or make the most of Moonlight Cinema's food truck and pop-up bar.
If you missed out on the last Sydney Contemporary, fret not. The Other Art Fair returns this March. The celebrated global event returns to Sydney for the fifth time on the weekend of March 14–17. The fair will showcase a lively collection of emerging artists in the stimulating surrounds of Eveleigh's creative hub, Australian Technology Park. Presented by Saatchi Art, this year's fair is bigger than ever before. The creative works of more than 120 carefully chosen artists, each selected by a prominent panel of art industry experts, will be up for sale. From the ornate to the inexpensive, The Other Art Fair 2019 offers thousands of artworks starting at as little as $100. Plus, all of the artists will be on-site, so you can chat with them and hear the stories behind your chosen piece. The vast four-day event is complemented by an eclectic array of art activations, workshops and immersive performances, plus street food and DJ sets. Make a party out of it by attending on opening night ($25), or stop by for a general browse between Friday to Sunday. The fair will be open from 2–10pm on Friday, 11am–7pm on Saturday and 10am–5pm on Sunday, and general entry tickets cost $20 online or $30 on the door.
The natural wine trend is bigger than ever, but getting into these rare drops can be a pricey endeavour. If you're looking for a bang-for-your-buck way to explore the world of funky wines, head to Annandale Cellars on Saturday, March 16 from 1–5pm. The family-owned bottle-o is hosting the Artisan Wine Fair, and it's offering up over 50 tastings of small-batch bottles for just $20 bucks. Like the bottle shop, the festival is all about independently-operated small producers. They'll be slinging the whole range of those natural styles that seem to be everywhere nowadays. Expect plenty of organic, skin contact, orange, pét-nat, wild, minimal intervention and bio-dynamic wines up for grabs. Both Australian and international winemakers are on the docket, and many of the producers will be on hand for a chat. These include Adelaide Hills' BK Wines and Leko, Tasmania's Two Tonne, Hunter Valley's Thomas Wines and Margaret River's Dormilona. Hailing from Europe, there's cider from Switzerland's Ciderie du Vulcain and raw wines from France's Fond Cypres, whose secluded vineyard is set in the Escales region. There's also quite a few drops from France's Jura wine region — which is known for its out-there varieties — including Domaines des Marnes Blanches, Tony Bornard and Michel Gahier. And this is to name just a very few. Apart from all the tastings, your incredibly well-priced ticket also includes a complimentary Riedel tasting glass to take home and access to an all-day grazing table provided by The Grazing Co — think charcuterie, cheese, olives and pickles to snack on while you sip. The event will take place under the marquees just outside the cellars, so be there rain or shine.
Get your late-night art fix at the Art Gallery of NSW when it celebrates Mardi Gras with the third year of Queer Art After Hours on Wednesday, February 27. With pop-up bars, live music and performances from queer creatives around every corner, you can explore the Gallery in a whole new light. The glitter-packed program also includes drag-led gallery tours, a life drawing workshop and queer art history talks. Not to mention that you can wander through gallery's summer Hermitage exhibition for the final time.
If you're looking for a new place to party all night during Mardi Gras, you'll find it at the 2019 Festival Club. The club is taking over the Seymour Centre with a rotating lineup of hosts and DJs every night from 9pm between February 16 and March 1. Hit the dance floor or catch pop-up performances from festival guests including drag superstar Aaron Manhattan, and burlesque performers Trigger Happy, Lillian Star and Bunni Lambada. When you're not showing off your best moves you can relax in the chill out areas and hang out with new and old friends. Plus, entry is free.
Come Friday, March 22, it's time for a night at the museum — but you won't find Ben Stiller roaming the halls here. Rather, given what'll be on display at Queensland Museum at the time, the revelry will feel a little out of this world. Walking, talking, drinking and partying like you're on the moon is on the agenda at QM's latest After Dark shindig, which is all about soaring beyond the earth as part of the museum's NASA — A Human Adventure showcase. There'll be music, drinks and demonstrations — plus attendees will get free reign, peering not only at the a whole host of exhibits about space featuring more than 250 items, including pieces that have actually been to space, but also feasting your eyes on the rest of the joint's displays. You'll be knocking back beverages; examining rocket engines, space food, space suits, lunar cameras and moon boots; and pondering life beyond our pale blue dot — and the fun coincides with this year's World Science Festival Brisbane, so there'll be plenty of science (yeah!) coming your way. A word of warning: these shindigs often sell out so you'll want to nab a ticket quickly.
Creative space Commune is hosting another precinct party. The series, dubbed Our Hood, brings the neighbourhood together for an evening of culture, art and music together with wellness, maker markets and food stalls. March's party will take it back to the 90s for a night of all things nostalgic. The Saturday, March 30 event will see live performances from 20-year-old electro pop producer Lupa J, 80s nostalgia duo Froyo and punk Italo disco group Gauci. On the culture side, there'll be talks hosted by TEDxHaymarket, a dance class run by The Jungle Body and yoga with superstar Dusty Glass. You can also expect art installations and life drawing classes. And, of course, there'll be plenty of food and drinks flowing, and an 80s-style pick 'n' mix cocktail bar. Entry is ten bucks. The event is also dog and family friendly, so it's really a catch-all kind of event. Image: Sam Ali.
You'd think Sydney had reached peak boozy brunch, but, in our opinion, there's always room for one more — especially when bottomless spritzes are involved. Kensington Street newcomer, Barzaari Chippendale has just joined the brunch game, launching a new eastern Mediterranean menu available from 10.30am every Saturday and Sunday. Created by Chef Darryl Martin, the dishes incorporate flavours from the cuisines of Cyprus, Lebanon, Syria and Egypt. You'll start with haloumi-spiked baked eggs and a mezze plate, then move on to your choice of whole rainbow trout with chermoula or spatchcock cooked in vine leaves with salsa and toum (garlic sauce). Want both? You can. The menu is served family-style, so round up your friends and order it all. The mains will also arrive with falafel and heirloom tomatoes and butternut pumpkin with zaalouk (a Moroccan salad of tomato and eggplant). And then, as expected, you'll receive Barzaari's famed baklava for dessert. All of this will set you back $75 — and that includes two whole hours of bottomless spritzes. You can choose from four different boozy, carbonated beverages, including the Strawberry Royal (rose water and freeze-dried strawberry), the Jerusalem Lemonade (gin, orange blossom and lemon) and the Bitter Apricot (brandy, Campari and apricot purée). If 120 minutes of endless spritzes doesn't quite hit the spot, you can add a third hour for $30 a head. Reservations are recommended and can be made via the website. Images: Nikki To.
Most musicians avoid day jobs like the plague. But not singer-songwriter Gregory Alan Isakov. Back home in Colorado, he's a full-time farmer, who hits the touring circuit in between sowing seeds, harvesting crops and wandering around the land he loves. But he's carved out some time to come our way this autumn, armed with his fifth studio album (seventh in total), Evening Machines. Up until this release, Isakov was an indie musician with his own label, Suitcase Town Music, and a recording studio on his farm — and he managed to sell 370,000 records all on his lonesome and share stages with the likes of Iron & Wine, Ani DiFranco and Passenger. This time, though, he's teamed up with Dualtone, simply because he was curious to see how working with a bigger label would unfold. Hitting the Factory Theatre on Saturday, March 16, Isakov will play a bunch of new tunes, plus a selection of the tracks that have won him his loyal following, like 'The Stable Song', 'Big Black Car' and 'If I Go, I'm Goin''. To purchase tickets to Gregory Alan Isakov's only Sydney performance, head to the Factory Theatre's website. Plus, you can go in the running to win a trip to Denver, Colorado to see Isakov perform at Red Rocks Amphitheatre. To enter, head this way. Images: Israel Nebeker/Rebecca Caridad.
Let's see what's behind door number one. Or how about door number 1000? After blowing our minds in 2017 with the incredible House of Mirrors, Australian installation artists Christian Wagstaff and Keith Courtney unveiled their follow-up at Melbourne Festival with the fittingly named 1000 Doors. And in April, it's popping up in Bendigo's town centre, thanks to Bendigo Art Gallery. Visitors will choose their own adventure, cutting a path through an endless labyrinth of doors, screens, portals and gateways in Rosalind Park. No two people will experience the work in quite the same way once they step across the threshold. While there's no word yet on what you'll encounter on the way — hopefully no deathly four-guard, two-door riddle à la Labyrinth — the artists have hinted to ghosts, time-travelling and 'inhabitants past'. We suggest you have your wits about you. 1000 Doors will be open daily from 2–9pm (last entry 8.30pm). You can purchase tickets at the on-site box office. Images: James Morgan
The 33rd annual Taste of Manly is a weekend celebration of all things food, drink and culture in the northern beaches suburb. The festival takes over the Manly beachfront and The Corso for a two-day extravaganza where patrons can enjoy the beachside surroundings while enjoying snacks and drinks from some of NSW's best venues. Local restaurants — like The Herring Room, Manly Wine, Fika Swedish Kitchen, El Camino Cantina, The Bavarian and The Artisan Cheese Room — will put on special menus, so expect everything from tacos and smelly cheeses to Swedish meatballs and giant schnitzels. To drink, NSW wineries and northern beaches breweries, including 4 Pines, Modus Operandi and Dad & Dave's Brewing, will showcase their locally made beers and wines. The festival also includes wine and beer stalls, live music and activities, a sustainability hub and a pop-up restaurant on the sand. Yep, this year, Havana Beach will set up shop right on the beach, serving up nachos, snags and Cuban-style bowls. It's expected to be busy, so you can reserve your spot here. Taste of Manly runs from 11.30am–5pm daily.
Parklands Food Fest is returning to western Sydney with a lineup of some of the city's best chefs and food trucks. The festival, which is now in its eighth year, will feature celebrated pastry chef Anna Polyviou and Spanish TV chef Miguel Maestre. As well as the high-profile culinary maestros, who'll be leading a lineup of cooking demos, there'll be over 50 food stalls, serving up everything from smoked meats to soft serve-filled doughnuts and bread bowls filled with pasta. Or, you can grab something to take home with you at the fresh produce markets — complete with an Urban Farms stall where you can taste fresh-grown produce on the spot. Throw in makers' workshops to teach you a new skill or two, plenty of craft beer and cocktails to wet your whistle and live music as the soundtrack, and you won't be hungry, thirsty or bored. As an added bonus, it's also a dog-friendly affair. Just mark Saturday, September 7 in your diary, and head on down to Abbotsbury's Lizard Log amphitheatre. Parklands runs from 10am–4pm.
When it comes to space, there's never a bad night to peer at the heavens; however this July might just be a better time than most. Unless you've been trapped under a lunar rock, you'll know that this month marks 50 years since the Apollo 11 mission landed on the moon, heralding humanity's first small steps and giant leaps on the Earth's only natural satellite. To celebrate — and to just get Sydneysiders staring at the sky anyway — Australian Geographic is hosting stargazing nights at various stores. When you're done with the 9–5 grind on Thursday, July 11, just head to Westfield Warringah Mall, Penrith or Miranda, or Rouse Hill Town Centre, and prepare to look up. Prefer to mosey along Thursday, July 18? Then Hurstville has you sorted. Some stores require bookings. Otherwise, simply make your way to your closest spot, take a gander through a few telescopes, chat to experts, and learn more about everything from space photography to star guides. Times and locations vary at each shopping centre — you'll be staring up from a site outside, obviously, including from the rooftop if you're going to Miranda.
Sydney-based queer comedian Cleo is back for another year of Bondi Feast, and this time she's brought her queens (sorry, kweens). Holding court in the Parlour Tent for one night only will be the likes of Axis of Awesome singer Jordan Raskopoulos, the acerbic 2018 Raw Comedy Winner Bec Melrose, legendary drag kings Dazza and Keif (who will, fair warning, be talking quite a bit about their 'crown jewels') and the eternally enigmatic Hey Puss Puss. The Kweens are promising a 'cosy night of laughter', but you'd be a fool not to expect some daggers to fly as well. You don't get to be royalty without stepping over a few bodies. Kweens of Comedy is happening on Tuesday, July 16 as part of Bondi Feast 2019. For more information and to purchase tickets, head this way.
