"The mormons are coming", posters popping up in Sydney, Melbourne and Brisbane promised in the 2010s. If you start spotting something similar now, they might feature the words "the mormons are back" instead. After breaking records on its first Australian run, The Book of Mormon is returning Down Under, with the smash-hit musical's suitcases are packed for Sydney. Written by South Park and Team America's notoriously puerile creators Trey Parker and Matt Stone, together with Robert Lopez of genius grown-up muppet show Avenue Q, The Book of Mormon is probably one of the most-lauded comedies ever to have centred on the Church of Latter Day Saints and African missions — and to approached both with Parker and Stone's usual humour. If it wasn't so smart and so funny, few would forgive it. But since it is, The Book of Morman has picked up nine Tonys, four Olivier Awards and a Grammy since it debuted in the US in 2011, when it was called "one of the most joyously acidic bundles Broadway has unwrapped in years". Australia's OG date with The Book of Mormon also earned accolades, including Best Musical and Best Direction of a Musical at the 2017 Helpmann Awards. When the show premiered in the Victorian capital in 2015, it enjoyed the highest-selling on-sale period for a show at Melbourne's Princess Theatre. When it first went to Sydney, it also set a record for the highest-grossing musical in the city's history. A decade ago, Parker and Stone's hilariously irreverent hit production spent a year in Melbourne, then did the same in Sydney, then made two trips to Brisbane — because one wasn't enough. This time, debuting from July 2025, The Book of Mormon is hitting Sydney's Capitol Theatre first up. Exact dates haven't yet been revealed, however, and neither has any planned stops in other Aussie cities. If missed it then or you're keen to see it again, you'll be plenty excited that you're getting a new chance to go learn all the idiosyncratic details of Mormonism, meet war criminal General Butt-Fucking Naked and know the true meaning of the hakuna matata-like saying 'Hasa Diga Eebowai'. The waitlist is open now for the Sydney season, with no word yet as to when tickets will go on sale — or about who'll be taking to the stage in the cast, either. The Book of Mormon will play Sydney's Capitol Theatre from July 2025 — we'll update you when exact dates are announced. To sign up for the ticket waitlist, head to the musical's website. Images: Paul Coltas, London Company.
Whether you are a south coast local or a city slicker who needs a quick getaway to paradise, the Huskisson Hotel is the place to be this summer. Situated right on the sandy shores of Jervis Bay, the Husky Pub is a much-loved institution. And if you are looking for an excuse to plan a pub visit, we've got some good news. Veuve Clicquot is taking over the Huskisson Hotel lawn to bring a touch of luxury to that enviable laid-back coastal lifestyle. Until the end of February, you can relax on a deck chair under a bright yellow Veuve umbrella and enjoy sweeping ocean views while sipping on quality bubbly. A cheeky glass of Veuve Clicquot will set you back $30, or you can splash out on a full bottle for $140 — you're on holidays, after all. Pair your bubbles with some top-notch snack from the bar menu — think, freshly shucked oysters topped with wakame and Japanese dressing, tiger prawns with caper lime aioli or a charcuterie grazing board. Veuve Clicquot in the Sun x Huskisson Hotel is running until Monday, February 28. To make a booking, head to Husky Pub's website.
Go on, reward yourself with something fancy. Round up some friends and drop into The Paddington for their $58 banquet. The world-class pub and cocktail bar was earlier this year awarded one chef hat. It's known for offering a no-fuss menu with showcases a perfectly roasted chook, and includes not one but three desserts, including the generously heaped chocolate mousse with salted caramel and chocolate crunchy bits.
Family feuds are a deadly business in Bad Sisters, Apple TV+'s latest must-see. Just don't believe the first word in its title for a second. Starring, co-written and co-developed by Sharon Horgan, as Catastrophe was before it, this ten-part streaming series focuses on the Garvey girls, a quintet of Irish siblings who became bonded by more than blood when they were orphaned years earlier. Horgan's Eva took on the matriarch role and has doted on her siblings Grace (Anne-Marie Duff, Sex Education), Ursula (Eva Birthistle, The Last Kingdom), Bibi (Sarah Greene, Normal People) and Becka (Eve Hewson, Behind Her Eyes) ever since, even now that they range from their late twenties through to their forties. Used to doing whatever they must for each other, there's nothing bad about their sisterly devotion — but it just might include killing Grace's husband. A pitch-black comedy, a murder-mystery and a family drama all in one — an Irish riff on Big Little Lies, too, although it's actually adapted from Belgian TV's Clan from back in 2012 — Bad Sisters ponders two questions. Firstly, it wonders what lengths loyal siblings would truly go to to protect one of their own. Secondly, it contemplates what comeuppance women pushed to their limits will exact upon the source of their misery. Indeed, it's a darkly funny revenge fantasy as well, and a puzzle to compulsively sleuth along with. Do the Garveys get their wish? How will they try to make their dream a reality? Will their various murder plots work? What'll go wrong next? These queries also keep coming, and unfurling the answers makes for equally riveting, entertaining, empathetic and amusing viewing. Bad Sisters begins on the day of a funeral, farewelling John Paul Williams (Claes Bang, The Northman) after Grace makes sure that his erection won't be noticed first. Her dead husband has long been nicknamed 'The Prick' anyway, with his four sisters-in-law all thoroughly unimpressed, to say the least, about the toxic way he openly treated his dutiful wife. They're all sick of the underhanded abuse he also directed towards each of them, as well as anyone he didn't like, and the unearned air of superiority that always came with it. Calling him manipulative, callous, misogynistic, racist, narcissistic, spiteful, vicious, pitiless, ruthless, flat-out intolerable — they all fit. When a guest offers condolences at JP's wake, Eva's response is: "I'm just glad the suffering's over". When she's then asked if he was ill, she replies with a blunt and loaded "no". Relief lingers during JP's sendoff, but so does tension. Eva, Ursula, Bibi and Becka long wanted The Prick dead and, as flashbacks show, had been planning to bring about that very end. Complicating matters: two insurance agents, aka half-brothers Thomas (Brian Gleeson, Death of a Ladies' Man) and Matthew Claffin (Daryl McCormack, Good Luck to You, Leo Grande), who start nosing around as John Paul is being laid to rest. Their family-run outfit is meant to pay out on his life insurance policy, but it's a hefty amount of cash and will bankrupt the firm. And with Thomas' wife Theresa (Seána Kerslake, My Salinger Year) heavily pregnant and on bed rest, the Claffins already have their own share of family stresses. As brought to Apple TV+ by Horgan with United States of Tara, New Girl and 30 Rock's Brett Baer and Dave Finkel, Bad Sisters uses that insurance investigation to justify its jumps backwards — and it's a savvy tactic. In its weekly instalments, the series works through JP's awfulness and the Garveys' campaign of vengeance in two directions, contrasting the sisters' motivations in the months leading up to their brother-in-law's death with the aftermath. That said, exactly how Grace ends up a widow, who's responsible and which of the siblings knows what all drive the show's whodunnit angle, sharply and entertainingly so. Bad Sisters teases out the precise reasons that Eva, Ursula, Bibi and Becka can't stand JP, too, because The Prick's abysmal behaviour made enemies out of everyone around him over and over. Boasting a devilish setup is just one of Bad Sisters' drawcards. What a premise it is, though. The whole 'offing your arsehole brother-in-law' idea may seem obvious at the outset, but this is a series with both bite and warmth as it unpacks what happens when women don't have any other options but potentially breaking bad — and sticking together. The pervasive feeling: wish fulfilment and catharsis, as Grace's siblings attempt to make everyone's lives better, even if it requires one of the most drastic moves there is. Just as Horgan inhabits her part with fierce affection, as characters played by the This Way Up star tend to sport, the entire ten-episode run bubbles with unfailing determination. It's dedicated to seeing the horrors of coercive control and the harrowing ordeal that is life with someone like JP, but it's as devoted to maintaining hope in the Garveys' sense of sorority. Bad Sisters is also unflinching about perfecting the right balance between twisted, heartfelt, weighty, amusing, sincere and audacious — as resolute as it is about filling its frames with scenic Irish sights. The show's roster of writers and directors, which includes Dearbhla Walsh (Tales From the Loop), Rebecca Gatward (The Spanish Princess) and Josephine Bornebusch (Love Me) behind the lens, ensure four outcomes: lapping up every twist and turn; wishing you're a Garvey yourself; planning a getaway to Ireland; and feeling seen if you've ever been treated terribly by someone you love or even someone you know, be it a relative, friend, neighbour, boss, colleague or acquaintance of an acquaintance. There's no doubting the impact of Bad Sisters' on-screen talents in making it such an instantly addictive Irish delight, however. It isn't merely the central murder-mystery that lures viewers in — and the comic way the series cycles through the Garveys' schemes — but also the show's wonderful leading ladies. From Horgan through to Hewson, the eponymous sisters are exceptionally well-cast, with all five actors conveying the clan's strengths, flaws, differences, fights and camaraderie, including at an individual level and together. Duff is especially heartbreaking as the spouse who has convinced herself that her husband's exploitation and cruelty is normal, while the Bang ensures that the potently odious, easily despised JP is abhorrent on every level but never cartoonish. They're all ably supported by the charmingly bumbling Gleeson and just charmingly charming McCormack, who help reinforce that every family has its ups and downs — including when no one is contemplating homicide. Check out the trailer for Bad Sisters below: Bad Sisters streams via Apple TV+.
California's endless sunshine and awe-inspiring scenery helped establish it as the home of US filmmaking. Nowadays, just about every nook and cranny in the state has appeared on the silver screen, with Hollywood productions making the most of dynamic landscapes and architectural wonders. Ready to see some of pop culture's most iconic scenes in person? We've teamed up with Visit California to highlight ten of the best attractions to visit when you want to geek out on cinematic history. [caption id="attachment_960577" align="aligncenter" width="1920"] Hang Tran via iStock[/caption] Griffith Observatory, Los Angeles Perched on the side of Mount Hollywood, Griffith Observatory offers incredible views across Los Angeles stretching from downtown to the Pacific Ocean. After dark, it becomes a buzz of activity as free telescopes give visitors glimpses into deep space. Inside, cosmos-related exhibitions dazzle guests. A go-to spot for directors, Griffith Observatory has been the setting for hundreds of productions. You might recall the opening shot of The Terminator, featuring a stark-naked Arnold Schwarzenegger, or a mesmerising musical number in La La Land. Don't miss the James Dean busk to celebrate the observatory's role in Rebel Without a Cause. [caption id="attachment_960579" align="aligncenter" width="1920"] Travelview via iStock[/caption] Union Station, Los Angeles Few train stations have appeared on camera more than Union Station. Although it typically serves as LA's major rail terminal, its fascinating combination of art deco and Spanish colonial revival architecture gives it an undeniable gravitas that makes for a powerful scene. In the original Blade Runner, Union Station stands in for Los Angeles Police Station, while The Dark Knight Rises sees it transformed into a kangaroo court overseen by the Scarecrow. Although surprisingly rare, Union Station was simply a train station in Pearl Harbor. [caption id="attachment_961524" align="aligncenter" width="1920"] Ross G Perry[/caption] Fox Plaza, Los Angeles You might still debate whether Die Hard is a Christmas flick, but there's no doubting where it all began for Detective John McClane. Better known as Fox Plaza, or 2121 Avenue of the Stars, this LA skyscraper is where villainous mastermind Hans Gruber met his match. Yet McClane isn't the only cop to roam this building. In Brooklyn 99, Jake makes the team detour to the fictional Nakatomi Plaza, quoting McClane every step of the way. You can also catch Fox Plaza's exterior in Lethal Weapon 2, connecting more made-up cops to the building's legacy. [caption id="attachment_960584" align="aligncenter" width="1920"] Michael Overstreet via iStock[/caption] Bodega Bay, Sonoma County North of San Francisco, Bodega Bay is one of the top spots on the West Coast for whale-watching, peaceful hiking trails and day spas. It's also a must-visit on a cinema-inspired road trip along the coast. Though you might not get that impression from Alfred Hitchcock's 1963 classic, The Birds. After socialite Melanie Daniels follows lawyer Mitch Brenner to Bodega Bay, mysterious bird attacks terrorise the townspeople. Head along to discover how the reality is far more tranquil. [caption id="attachment_961526" align="aligncenter" width="1920"] Marie Beschen[/caption] Museum of Western Film History, Lone Pine Western films had a defining role in the development of American cinema, with the desolate surroundings of Lone Pine central from the beginning. Over 400 feature films were shot across the Alabama Hills, the Sierra Nevada and the Owens Valley since 1920, starting with the silent film, The Round Up, starring Roscoe Conkling "Fatty" Arbuckle. Iconic films like Gunga Din, High Sierra and The Lone Ranger have featured the same vast landscape. For a true movie-buff experience, the Museum of Western Film History offers a diverse collection of frontier film memorabilia. [caption id="attachment_960608" align="aligncenter" width="1920"] Olga U via iStock[/caption] Alabama Hills, Owens Valley On the outskirts of Lone Pine, the Alabama Hills is where numerous seminal western genre films were captured. Surrounded by towering rock formations and seemingly endless desert, traversing Movie Road with the Sierra Mountains adorning the horizon is a great way to get introduced. Films new and old were shot along this barren stretch, with the likes of The Lone Ranger, Iron Man and Gladiator just some of the best-known. Discover landmark geological wonders rising from the desert like the Mobius Arch, Nightmare Rock and Cyclops Arch. Kansas City Barbecue, San Diego Belt out 'Great Balls of Fire' just like Maverick and Goose in Top Gun at Kansas City Barbecue — the setting for the iconic diner scene. It was discovered by Paramount Studios' location scout ahead of production who liked the atmosphere so much that he returned with director Tony Scott. Situated in the harbour district of San Diego, Kansas City Barbecue serves up jam-packed meat dishes and hearty sides. If the classic diner vibe wasn't enough, the walls are adorned with assorted Top Gun memorabilia and the real piano used in the movie is still there. [caption id="attachment_960613" align="aligncenter" width="1920"] Damien Verrier via iStock[/caption] Death Valley National Park, Southwest California Tatooine might seem like a galaxy away in Star Wars Episodes IV and VI, but these otherworldly scenes were shot in the dunes and canyons of Death Valley National Park. Wander into Artist's Palette — a colourful collection of volcanic deposits — just like R2-D2 does in A New Hope. The movie also used one of Death Valley's most impressive vantage points, Dante's View, to capture a panorama of Mos Eisley, a spaceport town filled with scum and villainy. [caption id="attachment_961525" align="aligncenter" width="1920"] Courtesy of Flickr[/caption] Hillard House, San Francisco Featuring a masterclass in comedic performance by Robin Williams, Mrs Doubtfire remains an essential childhood film for millions. Many of the jokes might have gone over your head as a youngster, but this 90s classic still has much to say when you watch as an adult. Located in the upmarket Pacific Heights neighbourhood of San Francisco, Hillard House, featured throughout Mrs Doubtfire, still looks much the same. Although the interiors were shot on a soundstage, it's well worth climbing the hills to visit. Plus, the bay views are incredible. [caption id="attachment_960618" align="aligncenter" width="1920"] Rebecca Todd[/caption] Muir Woods, San Francisco Bay Delve into Muir Woods to discover a fascinating old-growth coastal redwood forest. With some of these towering trees dating to over 1,000 years old, this ancient landscape is bound to leave you feeling in touch with nature. Throughout the Planet of the Apes series, Muir Woods becomes home to a super-intelligent colony of apes. Although these scenes in the films were captured in Vancouver with the help of a little old-fashioned movie magic, the in-universe setting is a stunning location, easily driven to from San Francisco, and it makes for an unforgettable detour. Start planning your tour of California, America's ultimate playground, today. Header images: B Alberts via iStock, Visit California
UPDATE 25 May, 2021: Inner West Mayor Darcy Byrne has confirmed that the Inner West Council has voted unanimously to make Enmore Theatre NSW's first 'special entertainment precinct'. "It's time to end the fun police war against live music," Byrne said. One of Sydney's most beloved live music venues, Enmore Theatre, is set to be the first Sydney venue further protected from noise complaints under NSW Government legislation passed in 2020. If the historic theatre is granted so-called 'special entertainment precinct' privileges under the Liquor Amendment (Night-time Economy) Act 2020, it will also be allowed to extend trading hours on live music and performance nights. The hope is that this new classification of live music venues will help them survive and prosper after a disastrous 2020. Inner West Mayor Darcy Byrne and Stanmore Ward Councillor Anna York have tabled a motion to declare the inner west theatre a special entertainment precinct, which if passed, will see noise complaints made about the theatre dealt with by the Inner West Council. Byrne took aim at complainants who have had a hand in prosecuting music venues saying ,"The person who moves in next to a pub or live music venue and complains about the noise is not just a cliché. Sadly, in Sydney, NIMBY neighbours have been supported by powerful government agencies in shutting down music venues." "Prior to the COVID-19, the Inner West was the independent arts and culture capital of Australia. Sadly, with the absence of urgent financial support from the NSW Government, many venues are struggling to survive the months of stringent COVID safety restrictions," said Byrne. Enmore Theatre's owners Century Venues welcomed the news with open arms. "The designation of the Enmore Theatre as an entertainment precinct under the new legislation is a great step forward not just for us at Century Venues but the entire live performance sector," Century Venues Executive Director Greg Khoury said. "No other night time business generates greater economic flow-on effects to communities than live performance spaces." This new legislation coincides with several other changes surrounding live music venues in NSW. Back in March, the controversial lockout laws were finally rolled back for good, while archaic laws surrounding what genre of music venues can play, which venues can host a dance floor or what kind of decorations a venue can have up were scrapped in late last year. Enmore Theatre reopened after a 11-month hiatus in February this year. During this hiatus, the venue underwent major refurbishments and restorations including new side wings, an art deco bomber light and LED lighting in the ceiling. Originally opened as a photoplay cinema in 1912, the iconic Enmore Road space has seen the likes of Bob Dylan, Coldplay and Kendrick Lamar take to the stage across its 113-year history. Enmore Theatre has a variety of upcoming events, which you can check out on their website. We'll keep you updated as this story unfolds.
It was in the early 2000s that Melbourne-born jazz/funk band The Cat Empire exploded onto the world stage with its international sound layered with Australian charm. They wasted no time shooting to the tops of the charts with tracks like 'Hello', 'Days Like These' and 'How to Explain'. In 2024, they proved they'd still got it with a debut orchestral tour, partnering up with orchestras like the Sydney Symphony Orchestra to bring a new layer to their sound. In 2026 — the people chant for more, because they'll be doing it again on the 2026 Encore Orchestra Tour. Front and centre on that tour is a return to the Sydney Opera House, where they'll once again join forces with SSO for a three-night run in the legendary concert hall. They'll also be recording a new album during the shows, Live at the Sydney Opera House. Reimagining The Cat Empire's catalogue to a scale only achievable with an orchestra, these shows blend the band's sound with expanded symphonic arrangements by long-time collaborator Roscoe James Irwin. With hints of Afro-Cuban, Brazilian, flamenco and global influences, it's the kind of concert experience that reminds you that, as Double J said, "The Cat Empire aren't so much a band, they're a live music institution." Reviewing the 2024 concert, Sydney Arts Guide wrote, "Such musical cooperation from such a range of expert, experienced performers made this concert a special collaboration in which the fluid, accomplished Sydney Symphony Orchestra plus the Sydney Opera House became accessible to even more music lovers than usual." In its review, Scenestr said, "Sydneysiders and those travelling abroad and interstate who attended the show were in for an exemplary night with an ensemble of musicians alongside a conductor and arranger, as well as audio and lighting technicians (all world-class) who made the evening's spectacle enriching and enthralling." Want to sample the sounds before you commit to a ticket? You can listen to the newly released single 'Bulls - Live at Sydney Opera House', recorded during the 2024 concerts and released to celebrate the tenth anniversary of the original single. The Cat Empire '2026 Orchestral Encore Tour' will run from September 5–6. Tickets go on sale at 10am local time on Thursday, March 19. Get yours on the Sydney Symphony Orchestra website. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: supplied
Tucked along the coast close to the Victorian-South Australian border, and just beyond the westernmost end of the Great Ocean Road, Nelson is a charming country town brimming with incredible outdoor adventures. With its tight-knit local community and hardy surrounding wilderness, this is one spot to put on your list if you're looking for top-notch hiking, surfing, fishing and more. Nelson might not be considered the end of the earth, but its veritable collection of stunning landscapes means you and your pals will struggle to find a place with better access to nature. Whether you get your kicks from underground walkways, remote inland hikes or riding rugged waves, we've teamed up with Wild Turkey to present a collection of experiences in this thriving border town where unforgettable memories are guaranteed. [caption id="attachment_841188" align="alignnone" width="1920"] Visit Victoria[/caption] EXPLORE THE DRAMATIC PRINCESS MARGARET ROSE CAVE Situated along the banks of the Glenelg River, the Princess Margaret Rose Cave sees daring travellers descend into a subterranean cavern where calcite formations have ebbed and flowed over the last 700,000 years. Opened in 1940 as one of Australia's first show caves, the limestone lair is one of Nelson's standout destinations. Make the most of your time underground with a guided tour, during which you'll have 45 minutes to wander illuminated walkways flanked by crystalline stalagmites and stalactites that have expanded to over six metres in length. If you can't get enough of your surrounds, the Princess Margaret Rose Cave is located next to a picturesque campground, where you can find close encounters with native wildlife among a eucalypt forest. [caption id="attachment_841190" align="alignnone" width="1920"] Visit Victoria[/caption] TACKLE THE GREAT SOUTH WEST WALK AND SPEND A NIGHT BENEATH THE STARS A staggering amount of rewarding hikes are located along the Great Ocean Road's 243 kilometres, but few are as impressive as the Great South West Walk. While the total distance of this epic journey through Victoria's western coast takes around 12 days to complete — the whole trail is longer than the Great Ocean Road itself — choosing a section or two to tackle is a far more realistic prospect for most. Across full-day hikes and laidback loops, the path meanders from the coastal edge inland through Cobboboonee National Park and side-by-side with the Glenelg River, meaning you'll see both lush forests and idyllic seaside villages. If you're looking to really connect with nature, pack a tent and set yourself up at one of the 14 well-maintained campsites along the way, which provide fitting amenities for an overnight stay. [caption id="attachment_843921" align="alignnone" width="1920"] Elliot Kramer[/caption] SEE WHERE THE RIVER MEETS THE OCEAN AT DISCOVERY BAY ESTUARY BEACH Exploring scenic beaches is one of the main reasons to cruise Victoria's western fringe. Discovery Bay Estuary Beach is a particularly beautiful highlight, as the meeting point of the Glenelg River and the rugged Southern Ocean. And whether you want to take it easy on the river side or test your mettle on the ocean side, the two kilometres of sandy shoreline means that the swimming and surfing potential is virtually endless. Fair warning: the beach isn't patrolled by lifesavers so be sure you know what you're doing before you set off. Situated about a five-minute drive from the centre of Nelson, this beach is also beloved for its fishing, with local anglers heading out by boat or seeing what they can catch in the shallows. Plus, the surrounding wetlands and sand dunes provide critical ecosystems for hundreds of rare waterbirds and plant species, ensuring you feel that enchanting connection with nature. [caption id="attachment_841194" align="alignnone" width="1920"] Visit Victoria[/caption] SURF THE SOUTHERN OCEAN AT DISCOVERY BAY COASTAL PARK For even more surfing possibilities, heading further south to the Discovery Bay Coastal Park leaves you totally spoilt for choice. Spanning nearly 26,000 acres from Cape Nelson to the South Australian border, this spectacular national park welcomes you to soak up the diverse landscape from end to end. While you might feel the urge to dive in anywhere, several top-quality breaks present the best waves. Crumpet Beach and Blacknose Point are ideal for newbies, while Descartes is where more experienced surfers test their skills. Meanwhile, Discovery Bay Marine National Park offers outstanding underwater ecosystems, so be sure to pack your snorkelling gear. There's plenty happening inland, too, thanks to soaring coastal cliffs, impressive sand dunes and idyllic freshwater lakes and swamps. Feel free to take your time here — there are several vantage points within the park where you can catch one of the best sunsets in Victoria. [caption id="attachment_841197" align="alignnone" width="1920"] Visit Victoria[/caption] HEAD TO CAPE BRIDGEWATER FOR OTHERWORLDLY ROCK FORMATIONS Set in an ancient volcanic crater, Cape Bridgewater's otherworldly landscape is perfect for road trippers seeking a unique adventure. Its jagged coastline is home to some of Victoria's highest clifftops, and the countryside beyond overflows with freshwater lakes that are excellent for fishing and water skiing. However, the coast remains the main attraction, with the Bridgewater Blowholes helping travellers get up close to rock formations forged in the basalt and scoria rock over millions of years. The cape is also well-known for its population of fur seals, with a dedicated viewing platform providing a glimpse of this year-round colony situated on the ocean edge. [caption id="attachment_843922" align="alignnone" width="1920"] Elliot Kramer[/caption] FISH AND PADDLE ALONG THE GLENELG RIVER Spanning 350 kilometres from Nelson's Discovery Bay to the lofty Southern Grampians, the Glenelg River boasts a thriving biosphere that makes for a captivating day on the water. With the waterway considered one of the state's top fishing destinations, you can cast a line for flathead, morwong and silver sweep throughout the year. If you decide to explore the inland reaches of the Glenelg River, Dartmoor is great for a pitstop. Here, Paestan Canoe Hire provides everything you need for a peaceful paddle beneath the shaded banks. For something a little different, tee off for a round at Dartmoor Golf Club or feast on classic pub grub at the Dartmoor Hotel Motel. Find out more about Wild Turkey's Discovery Series at the website. Top image: Visit Victoria
Frozen has done it. Beauty and the Beast and Shrek, too. The Lion King is set to again in 2026. We're talking about animated movies making the leap from the screen to the stage Down Under, as another childhood favourite will before 2025 is out. With Anastasia, Russian history first inspired a 90s hit, which then became a Broadway stage production since 2017. When the musical treads the boards in Melbourne from December, it'll mark the show's Australian debut. The Victorian capital's Regent Theatre will host Anastasia's Aussie premiere, but it isn't the only venue — or city — that'll welcome the production. So far, John Frost for Crossroads Live and Opera Australia have also locked in seasons in Perth and Sydney, the former from March 2026 at Crown Theatre and the latter from April 2026 at the Lyric Theatre. At each stop, the Tony-nominated musical will unveil an all-ages-friendly tale inspired by Grand Duchess Anastasia Romanov during the Russian Revolution, as the 1997 movie also charted. Accordingly, accompanied by songs such as 'Journey to the Past' and 'Once Upon a December' — both from the big-screen release — theatregoers can get ready to spend time with a young woman named Anya on her journey to discover her past, and to unearth a story that some in the narrative don't want revealed. Audiences have writer Terrence McNally and songwriting team Stephen Flaherty and Lynn Ahrens to thank for Anastasia's existence as a stage musical — and between its Broadway run and its Aussie stint, Anastasia has also toured North America, and hit the stage in Germany, Spain, The Netherlands, Brazil, Mexico and Japan. "The legend of Anastasia has intrigued the world for many years and I've been wanting to bring this musical to Australia since it premiered on Broadway in 2017. It's a story full of mystery and romance with a magnificent score that I know Australia is going to fall in love with," said producer John Frost AM. "Opera Australia is thrilled to be once again partnering with John Frost to bring another world-class musical to Australian theatres. We expect the glorious music, spectacle and intrigue of Anastasia will captivate audiences around the country," added Opera Australia's Acting CEO Simon Militano. Anastasia Australian Dates From December 2025 — Regent Theatre, Melbourne From March 2026 — Crown Theatre, Perth From April 2026 — Lyric Theatre, Sydney Anastasia will premiere in Australia in Melbourne from December 2025, then head to Perth from March 2026, then Sydney from April 2026. Head to the musical's website for more details, and to join the waitlist for tickets. Images: Roy Beusker.
There's never been a better time to sport a healthy interest in true crime, as your streaming and podcast queues can probably attest. The genre is hardly new, but thanks to the likes of Serial and Making a Murderer (and S-Town, Dr Death, Teacher's Pet, Dirty John, The Case Against Adnan Syed and The Bundy Tapes too, to name just a few), exploring real-life tales about untoward acts is positively booming. These days, you can nearly shape your whole media diet around true crime. And, especially in the podcast space, there's almost something new to discover every day. Eager to dive into the latest and greatest grim stories? Looking for something fresh to pipe into your ears, but don't know where to start? Here are six newcomers that you should begin listening to ASAP. https://www.youtube.com/watch?v=0dZIf8RpN1A MONSTER: THE ZODIAC KILLER When it comes to creepy unsolved mysteries, the Zodiac Killer sits at the top of the heap. Throughout the late 1960s and early 1970s, an unidentified man murdered victims across northern California, then claimed responsibility by writing to local newspapers — and, to this day, the culprit has not been caught. Before he made Mindhunter everyone's favourite Netflix series, David Fincher explored the story in his excellent 2007 drama Zodiac. He's not the only person obsessed with the case, with the team behind 2018 hit podcast Atlanta Monster (aka Tenderfoot TV and HowStuffWorks) delving into the story in its latest season. The two groups are really just taking turns chronicling fascinating terrain (the second season of Mindhunter focuses on the Atlanta Child Murders, too). However, if you can't get enough of these bleak, disturbing real-life tales, then Monster: The Zodiac Killer is a must-listen, with hosts Payne Lindsey and Matt Frederick stepping through the minutiae in intricate detail across 15 episodes. Listen to Monster: The Zodiac Killer here. MAN IN THE WINDOW: THE GOLDEN STATE KILLER If you're looking for even more California crime stories, then add Man in the Window: The Golden State Killer to your list. For more than a decade between 1974–86, the murderer, rapist and burglar wreaked havoc across the state, with at least 13 deaths, more than 50 sexual assaults and over 100 break-and-enters to his name. For those who've been following true crime news over the past couple of years, you'll know that this case picked up again in 2018 in a big way. If you're not aware of the particulars, this riveting podcast, which started back in June, will take you through all of the historical and recent ins and outs. Pulitzer Prize-winning journalist Paige St John is behind it, as are Wondery and the LA Times (the folks who brought us Dirty John). A word of warning, though: if you're spooked out by hearing actual evidence, including phone calls made to victims, then you'd best steel yourself in advance. Listen to Man in the Window: The Golden State Killer here. GHOSTHUNTER Since the birth of cinema, movies have often taken inspiration from reality, especially at its most twisted. Now, a crime-fuelled mystery can become the subject of a documentary, then get turned into a podcast by its filmmaker. That's exactly what has happened with Ghosthunter. It first brought the story of Sydney's Jason King to the big screen last year, and has now been expanded upon in audio form. Director Ben Lawrence is behind both versions of this far-from-ordinary tale, which is the result of spending seven years delving into King's life. Press play for an account of a security guard who doubles as a ghost hunter — yes, really — and keep listening for police investigations, court dramas, family secrets, difficult traumas, murky mysteries and estranged figures from King's history. It unfurls over five parts, and we can guarantee that you won't guess where it's all going. Listen to Ghosthunter here. SHREDS: MURDER ON THE DOCK True crime podcasts can take a plethora of shapes and forms; however, three kinds tend to stand out. The first unravel the cases of notorious serial killers. The second sift through stories that are just so astonishing, they can only stem from actuality. The third examine not only blood-curdling crimes, but just as horrific miscarriages of justice. Ticking both of the latter two boxes, the BBC's Shreds: Murder on the Dock revisits the Cardiff killing of Lynette White, the subsequent charging of five black and mixed-race men with her death, and what became — at the time — the longest murder trial in British history. The specifics of White's last moments are awful, with the 20-year-old's body found on Valentine's Day back in 1988. The circus that followed is equally chilling, including another record-breaking feat: the largest police corruption trial in British criminal history. Listen to Shreds: Murder on the Dock here. THE BURIAL FILES Whether you're a local who regularly commutes through the spot, or an out-of-towner who has just whizzed through it once or twice on the airport train, you'll never look at Sydney's Central Station the same way once you've listened to The Burial Files. Before it was a busy transport hub, it was the city's first major colonial-era cemetery. Yes, on the spot that a quarter of a million people transit through every single day, the remains of around 30,000 people were interred between 1820–1900. Unsurprisingly, this macabre history is the source of many a story, which the podcast delves into with the help of historians, archaeologists, forensic experts and even railway enthusiasts. The result of years of research, The Burial Files stems from the State Library of NSW, and from curator Elise Edmonds, who reveals details you'd never know otherwise — including about the mass exhumations of most of the site's bodies at the turn of the 20th century. Listen to The Burial Files here. [caption id="attachment_738014" align="aligncenter" width="1920"] Pendulum[/caption] PENDULUM A few months back, 7 News jumped into the podcast game, getting listeners whipped into a frenzy with The Lady Vanishes. Pendulum is the network's second foray into the field — and into an Australian case that still deserves plenty of attention decades after it happened. This time around, 21-year-old Queenslander Margaret Ann Kirstenfeldt is in the spotlight. The mother of a seven-month-old, she was found with brutal, fatal injuries in the coastal town of Sarina back in 1978, with theories swirling about the incident ever since. Initially treated as a rape and murder, a pathologist then deemed her injuries self-inflicted; however, one top cop on the case was never able to accept that finding. Diving deep into a shocking death, Pendulum also speaks with Kirstenfeldt's husband and mother, while pondering if the perpetrator is still out there. Listen to Pendulum here. Top image: Ghosthunter
Sydneysiders, the future isn't so bright that you need to wear shades — it's light, at least as far as public transportation is involved. No one can miss the construction work that has been transforming the CBD in the name of better ways of getting around in the coming future, but it's not the only part of town benefiting from extra infrastructure. In 2023, the city's west will also join the fold. Premier Gladys Berejiklian has revealed the new route anyone going west — or coming from that direction — will traverse, which features 16 stops between Westmead and Carlingford. The 12-kilometre stretch of track will glide through the centre of Parramatta in its travels, will cost a cool $1 billion, and should operate services every seven and a half minutes once it is up and running. Yes, heading out that way is about to become much quicker and easier. That's the good news. In not so great tidings for anyone needing to visit Sydney Olympic Park and unhappy about the current, far-from-convenient methods of doing so, it's a notable omission among the list of stops, after originally being part of an earlier plan announced in 2015. Now, it's due to be included in the yet-to-be-revealed second stage of the project instead, which doesn't yet have a timeline. Transport Minister Andrew Constance told The Sydney Morning Herald that it will happen, though. "We want to get the station locations right, and the design of the route right," he said. Here's hoping. Via The Sydney Morning Herald / ABC. Image: Parramatta Light Rail.
Normally ugliness is relative and objective, but not if you’re at one of the stranger events taking place during the Basque city of Bilbao’s annual cultural festival Aste Nagusia or ‘Big Week’. Somewhere in between the comparatively commonplace displays of music, art, fireworks and bullfights taking place over the nine-day celebration falls the bewildering Concurso de Feos, which literally translates to ‘The Ugly Competition’. Concurso de Feos was apparently initiated as a spin on the controversial and outdated beauty pageant. Though it is also a great alternative for those not endowed with the skills required to perform the spectacular facial feat known as a gurn (perhaps due to still having at least six teeth) but who continue to dream of having their ugliest mug immortalised on the Internet. The Spanish competition apparently encourages the use of fingers to assist with the distorting process, with entrants stuffing digits into their nostrils, eyeballs and inner cheeks in their quest to perform the most unsightly sneer in all the land. There appears to be no age restrictions on competing, with the event popular amongst both old and young alike. And, obligatory jokes aside, Concurso de Feos can claim the dual merits of providing locals with a comical distraction from the Basque County’s economic woes and the rest of the world with a good boost of self-confidence. via Geekologie
It could potentially be the final film for Studio Ghibli. And by gum, it looks like our hearts will be firmly in our hands. Set for limited release across Australia on May 14 for two weeks only, When Marnie Was There could be the last Ghibli feature film ever; after the Japanese animation legends announced the possibly permanent closure of their film division last year. Spirited Away creator and Ghibli co-founder Hayao Miyazaki retired from filmmaking before the 2013 release of The Wind Rises, and fellow Ghibli head Isao Takahata's Academy Award-nominated film The Tale of the Princess Kaguya didn't fare too well at the box office outside Japan. So we've got big hopes for the studio's last wild feature-length ride, directed by Hiromasa Yonebayashi (The Secret World of Arrietty). When Marnie Was There following the life of a lonely girl, Anne, whose foster parents decide to send her to the country to stay with distant family. After stumbling across a strangely familar old mansion, she meets Marnie, the mysterious girl who lives there. Ghibli magic ensues. Check out the trailer here: When Marnie Was There is set for limited release across Australia on May 14 for two weeks only, screening in both original Japanese language and English dubbed versions. Check your local cinema listings.
When Michael Le was a child his grandmother would often serve caramelised pork belly with rice on the family dinner table. Le now offers a revised version of this dish in the form of a Vietnamese pork roll in his restaurant, Great Aunty Three. The caramelised pork roll ($6) captures the essence of what Le and wife Mai are trying to achieve: fresh, authentic, quality Vietnamese street food. The pork, slow cooked in coconut juice for up to five hours, is tender and juicy, combined with fresh vegetables in a crusty Vietnamese roll. The roast pork roll ($6) is also a winner, drenched in a honey mustard sauce, crisp bits of crackling and copious amounts of carrot, cucumber and coriander. Watch this space for the up and coming chicken roll. Rice paper rolls, although common in Sydney, can be a hard art to master. Great Aunty Three does not disappoint, with a delicious duck roll, a prawn roll that is paired well with a rich sweet chilli and peanut sauce and a surprisingly tasty and hearty vegan roll (all $2.80 each or three for $6.80). To go with your rolls, try a Vietnamese tea or a refreshing fruit shake. Michael, Mai and their staff are warm and welcoming. The red decor is at once striking. Patrons can sit at small tables and stools outside on the footpath or benches and a soon to be communal dining table inside. Stopping in for a roll on the go is becoming a thing, too. Inspired by family, and authentic Vietnamese street food passed down from generation to generation, Great Aunty Three makes you feel instantly at home.
Since beloved Turkish restaurant Stanbuli closed in April, you may have been waiting to hear who would be taking over its Enmore Road digs with bated breath. Thankfully, it's now been revealed that the Porteno team will be maintaining its ownership of the space, opening Bar Louise, a new Spanish tapas bar at 135 Enmore Road, with a name that honours the history of the building. Named after the Marie-Louise salon that occupied the building from the 50s through until the 90s, the bar will be opening in mid-September behind the iconic Marie-Louise facade. A fresh Bar Louise sign has been added to the historic shopfront, and the Stanbuli grill has been kept on-site to use for vegetable and seafood dishes. A tentative open date of Monday, September 12 has been floated — if all goes well. Porteno Foundr Elvis Abrahanowicz says the food offerings will be based around fresh seafood brought from the market each day, with the menu changing daily depending on that morning's haul. "We just want to make it a fun place everyone can come and drink wine and eat great food — open seven days a week," Abrahanowicz told Concrete Playground. Continental Deli Co-Owner and Manager Michael 'Mikey' Nicolian is also involved, helping pull together the menu that will feature a staple of both Porteno and Continental — curing and preserving. "We'll be doing a lot of house-cured things and preserved seafood ... making our own chorizo. We usually do that at our other places," says Abrahanowicz. Bar Louise will open down the road from Porteno's new Australia Street pop-up. The team recently opened a temporary Humble Bakery in Newtown. Located next to Continental and 212 Blu, the pop-up is serving up its renowned finger buns and almond croissants just two days a week (Saturday and Sunday) until the end of the year. And, fans of Stanbuli will still be able to enjoy the food of former Head Chef Ibrahim Kasif, with the renowned hospitality mainstay now teaming up with NOMAD to open a new manoush restaurant and wine bar later this year. View this post on Instagram A post shared by Bar Louise Salon De Tapas (@barlouise_enmore) Bar Louise is slated to open in mid-September at 135 Enmore Road, Enmore.
It seems strange that street art comes with a press release these days. Its creation was once banished to the darkest hours of the night to be carried out by wanted dudes in hoodies and runners; now it gets its own fanfare. Is it even still a crime? Regardless, it makes sense that this one was delivered to our inbox today. After being the star of zillions of Instagram posts in downtown LA, Colette Miller's Wings installation is coming to the streets of Melbourne and Sydney. Brace yourselves, this is sure to trend in no time. Originally created in 2012, the now-famous installation was imagined as a way for people to start interacting with art in urban spaces. As it encouraged people to take photos with it, this multi-colour paste-up was a hit — an instant classic to the growing list of must-see artworks around the streets of LA. Since then, it's been brought to Washington, Nairobi and now Australia. It appears that the desire to be a giant neon angel is universal. Melbournians and Sydneysiders can experience this strange privilege for a limited time this month. Flying over to Sydney first as part of Arts Brookfield, the wings will be plastered at World Square and King Street Wharf from September 5 'til October 9. At two metres high and three metres wide, they'll be hard to miss — not to mention the crowd of happy snappers that will invariably surround them. The wings will be appearing in Melbourne from September 15 to October 15 at Southern Cross Lane near the corner of Bourke and Exhibition Streets. And, with such a central CBD location, the artist's point is pretty clear. "Cities bring humans together and Wings is accessible art that aims to capture the imagination of workers as they transverse the city," said Miller. "My Wings are a universal archetypal symbol of humanity and its divine self." While we think the latter point is reaching a little far, we wholeheartedly agree with the former. Everyone deserves some sprawling, neon art to admire on their lunch break and it's well worth taking the time for a selfie.
It's one of Sydney's most anticipated restaurant openings of the year — and now, bookings are officially open for Rick Stein at Coogee Beach. The new Australian flagship from Rick and Sarah Stein will welcome its first guests on Monday, December 1, bringing the legendary British chef's world-famous seafood to one of the city's most beloved stretches of sand. Set within the soon-to-open InterContinental Sydney Coogee Beach, the restaurant marks the beginning of a new coastal chapter for the Steins. Much like their restaurants in Mollymook and Port Stephens, this seaside dining room will celebrate the best of Australia's coastal produce — but this time, the setting is quintessential Sydney luxe. Leading the kitchen is Head Chef Colin Chun, who brings more than two decades of experience in top hotel kitchens across Australia and Asia, including leadership roles at Hilton Sydney, the Pullman and W Taipei. A longtime admirer of Stein's philosophy of "fresh seafood, simply prepared", Chun brings a refined, produce-driven approach to the table. While menu details are still under wraps, diners can expect a showcase of local and seasonal seafood from New South Wales and beyond, paired with coastal-inspired cocktails and a wine list made for long lunches and sunset sessions. The 224-seat space comprises a main dining room, courtyard terrace and relaxed bar, designed to reflect Coogee's breezy mix of sophistication and surfside charm. "Sydney's Coogee Beach is the perfect location for our flagship Australian restaurant," says Stein. "It's relaxed yet sophisticated, with that incredible connection to the ocean that has always inspired my cooking. For us, this feels like coming home." Rick Stein at Coogee Beach opens on Monday, December 1, at InterContinental Sydney Coogee Beach. For more details and to make a reservation, head to the venue's website.
When December hits in Sydney, 'tis the season to be jolly. From Friday, December 2 onwards, 'tis the time to sip BrewDog's beers, too. That's when at the Scottish craft beer giant will open its long-awaited first-ever Sydney bar, a 910-seater space in the old locomotive workshop in South Eveleigh. Sydneysiders have been waiting for this to happen for some time, given that BrewDog launched its first Australian brewery and taproom in Brisbane in 2019, and just threw open the doors at its second Brissie venue as well. The South Eveleigh location was announced back in September, after the company previously advised that it was teaming up with hospitality group Australian Venue Co (AVC) to set up new beer bars around the country. Indeed, when Sydney's debut spot opens its doors, it'll be the brand's fourth nationwide, with a Melbourne site in the historic Pentridge Prison launching at the end of November. The Harbour City mightn't claim bragging rights for BrewDog's first, second or even third Aussie outposts, but there'll still be much to boast about in South Eveleigh. Settling into a precinct that already hosts Lucky Kwong and Re, the $3.2-million venue will literally be huge, for starters, spanning a large indoor dining space, a bar and a beer garden. It'll seat 720 beer aficionados inside and 190 outside, and pour 40 brews through its taps. Those beverages will cover the brand's own beers, of course, as well as 'BrewDog & Friends' guest beer tap takeovers and collaborations with local breweries. Don't feel like a brew? Cider, wine, spirits and cocktails will also be on offer, alongside a range of non-alcoholic options. All of the above will help wash down a food menu that'll feature burgers and pizzas, and do all-you-can-eat wings every Wednesday. BrewDog South Eveleigh is embracing vegetarian and vegan dishes in a sizeable way, too, dedicating half of its range to plant-based bites — including two-for-one vegan eats on Mondays. Given the location, the beer behemoth's first Sydney spot will pay respects to the site's history, with the architects at Studio Y designing the venue around the original workshop machinery collection. You'll be able to peer at it as you drink, in fact, truly turning your day, afternoon or evening sinking pints into a unique experience. Also inside, punters will find neon signs, plus fittingly industrial-style decor and lighting; think: polished concrete floors, as well as a concrete bar and kitchen countertop. Seating-wise, booths, low and high tables will fill the beer hall. BrewDog's Sydney welcome comes via that new partnership with AVC, aka the group behind spots such as Cargo, Kingsleys and The Winery. It sees the world's largest craft beer bar operator join forces with one of Australia's big pub operators, and will span multiple sites — but exactly where and when any venues beyond South Eveleigh and Pentridge will open hasn't yet been revealed. BrewDog currently operates over 100 beer bars worldwide and, if you need an extra incentive to head to South Eveleigh on its opening day, it'll be giving the first 200 customers through the door on that date — and that date only — the chance to win free beer for a year. BrewDog South Eveleigh will open in Bays 1 & 2, Locomotive Workshop, South Eveleigh, 2 Locomotive Street, South Eveleigh from Friday, December 2 — operating from 11am–10pm Sunday–Wednesday and 11am–12am Thursday–Saturday.
Under current COVID-19 restrictions in Australia, you can't go on a holiday (locally or overseas). But, you can start dreaming. Bookmark this for when you can explore once again. Winding through the rugged expanse of Victoria's Wimmera Mallee region, lies the country's largest outdoor gallery, where the artworks are metres tall, and grace not walls, but towering grain silos. First dreamt up back in 2016, evolving from a small community art project, the now famed Silo Art Trail unfolds over 200 kilometres, where six large-scale works have transformed structures in Brim, Patchewollock, Lascelles, Rupanyup, Sheep Hills and Rosebery. The mural portraits, painted by a collective of artists in conjunction with Yarriambiack Shire Council and international street art agency Juddy Roller, capture the spirit and history of this unique corner of the world, each work offering a snapshot of its host town. If you're visiting the art trail from Melbourne, the closest silo is in Rupanyup — approximately 3.5-hours' drive from the CBD. From there, it'll take you just over two hours to reach the other end of the art trail in Patchewollock. That's the order we've listed the artworks here, but to design an alternate route, head to the Silo Art Trail website. [caption id="attachment_681273" align="alignnone" width="1920"] Nicole Reed[/caption] RUPANYUP, JULIA VOLCHKOVA When you reach Rupanyup, you'll spy a realistic pair of faces by Russian muralist Julia Volchkova, an homage to local youngsters Ebony Baker and Jordan Weidemann. Kitted out in their sports gear and looking bright-eyed and fearless, the characters are a nod to the region's younger generation and the realities of rural life for adolescents. Here, Volchkova has used monochrome tones to capture a spirit of strength, creating a lifelike mural similar to her large-scale works depicting locals across Southeast Asia. [caption id="attachment_681271" align="alignnone" width="1920"] Nicole Reed[/caption] SHEEP HILLS, ADNATE Shining a light on the region's indigenous history and community, the 80-year-old GrainCorp silos in Sheep Hills now boast a vibrant portrait of four locals — Wergaia Elder Uncle Ron Marks and Wotjobaluk Elder Aunty Regina Hood, alongside children Curtly McDonald and Savannah Marks — with a bold, dreamtime-inspired night sky as the background. The striking piece is the work of Melbourne artist Adnate, whose creative focus often lies in sharing the stories and cultures of Aboriginal Australians. Here, he has embraced the concept of customs and wisdom being passed down through the generations, and the strong ancestral bonds shared among the area's indigenous community. [caption id="attachment_681276" align="alignnone" width="1920"] Nicole Reed[/caption] BRIM, GUIDO VAN HELTEN The striking Guido van Helten mural in Brim is where it all began in 2016, spurring inspiration for the rest of the project after putting this sleepy town on the map. Melbourne-raised van Helten kicked things off strongly with his earthy-toned portrait of four farmers, all varying ages, themed around shifting ideas of community identity. The artist's work using translucent aerosol paints lends a faded, ghostlike quality to the characters, shaking the concept of time. [caption id="attachment_681274" align="alignnone" width="1920"] Nicole Reed[/caption] ROSEBERY, KAFF-EINE The latest addition to the Silo Art Trail is a captivating Rosebery mural by lawyer-turned-street artist Kaff-eine. She has set out to embrace the region's past, present and future, with a portrait of a young female sheep farmer, alongside one of a horseman bonding with his four-legged mate. Elements like cowboy boots, Akubra hat and oilskin vest aren't just an unmistakable nod to country life, but capture the strong sense of symbolism that is signature to much of Kaff-eine's work. [caption id="attachment_681275" align="alignnone" width="1920"] Nicole Reed[/caption] LASCELLES, RONE Meanwhile, over in Lascelles, there's a sense of quiet wisdom that emanates from the portrait of fourth-generation farming couple Geoff and Merrilyn Horman, wrapped around two decades-old grain silos. Captured by Melbourne's Rone in 2017, this one speaks to a people's deep, long-running connection to the land, with monochrome hues and water-blended paint creating a hazy, ghostly effect through the work. [caption id="attachment_681272" align="alignnone" width="1920"] Nicole Reed[/caption] PATCHEWOLLOCK, FINTAN MAGEE In Patchewollock, Fintan Magee's 2016 silo mural was inspired by a stay at the local pub, where he met his portrait subject, local farmer Nick "Noodle" Hulland. The colourful, 35-metre-tall piece is a fitting ode to the hard-working Aussie farming community and its rugged spirit. Hulland's shown gazing to the horizon wearing the classic faded flanny, sun-bleached hair and weathered face that so often go hand in hand with life on the land.
Where can you get four kinds of potato sides – that's gratin, gems, fries and scallops with sour cream – for just $33, or 46% off the menu price? Tilda, that's where. Yep, the CBD restaurant is now peddling an early dinner deal that could have you changing your plans. Book in Monday to Friday between 4pm-6pm or on Saturdays from 5pm-6pm and you'll get 46% off your total bill, including drinks. There's no set menu or restrictions (for now!), which means you can take your hot pick from the full à la carte and drinks offering and pay almost half the price. Try decadent crab toast with caviar for under $10, or opt for the Grande Chilled Seafood Platter at just $37 per head. For a more substantial feast, the Tilda Mixed Grill; featuring MB5 Wagyu strip loin, lobster, scallops and all the trimmings – drops from $220 to under $120. Sides are a total steal, and desserts are just that teensy bit sweeter, with options like tableside lemon cheesecake trifle, mango 'Weis' with makrut lime, and a blueberry Sunnyboy with sheep's milk and watermelon all scoring the discount. As for drinks, sip on a Tilda Martini made with Archie Rose lemon-scented gum gin for $13.50, a Wattleseed Old Fashioned for the same, or a glass of wine starting at just $7 a glass. Just make sure you book; you'll need a reservation to claim these savings.
It's not every day you get to hang out with a Hollywood A-lister and step into a fully immersive experience that's as close to the Land of Oz as you'll ever likely encounter. Yet that's precisely what's going down just outside Los Angeles, as Airbnb celebrates the release of Wicked: For Good with the launch of Elphaba's Retreat. Made for Wicked fanatics, this one-of-a-kind experience and overnight stay is worth the international adventure alone. Taking place on Wednesday, December 3, superstar Cynthia Erivo — aka Elphaba in the films — is inviting 20 guests to discover Elphaba's Retreat through a three-hour experience. Stepping into a picture-perfect refuge, those selected will have the chance to hang out with the Grammy, Emmy, Tony-winning and three-time Academy Award nominee that goes far beyond a simple meet-and-greet. On the day, you'll sip tea by the fireside with Cynthia, while a sommelier serves a special blend steeped in forest flora. Then, guests undertake a guided exploration, revealing easter eggs and authentic artifacts from the movies before taking part in a multi-sensory sing-along that brings the Ozian Forest to life. Finally, there's still time for a creative workshop where you'll weave your own witch's broom from willow, moss, poppies and more. Yet this fantastical adventure gets even better for a lucky guest and their plus-one who experience Elphaba's Retreat through an overnight stay. With the witch heading out of town for the night on Saturday, December 6, this whimsical accom filled with whispers will serve as a peaceful after-dark hideaway. Throughout the night, guests can expect a quiet meal and an enchanting evening of non-stop stargazing. Ready to change for good? Guests can now request to book the experience with Cynthia Erivo on the Airbnb website for free, with submissions closing at 2am AEST on Thursday, November 14. At the same time, guests can request to book the overnight stay — you'll have until 2am AEST on Friday, November 21, to submit. Designed as the ultimate Wicked experience, there's no better way to get immersed in Elphaba's world. "Elphaba taught me that our differences are what makes us powerful," says Cynthia Erivo. "Her story transformed me, and I can't wait to share that journey with you." Submissions for the Airbnb Wicked: For Good experience close at 2am AEST on Thursday, November 14, while booking requests for the overnight stay remain open until 2am AEST on Friday, November 21. Head to the website for more information.
There are blockbusters like Yoko, established pros like Erwin Wurm and the yet-to-be-famous talents at play in our ARIs. But before our artists are even up and comers, many of Sydney’s best make their first public splash by pinning something to the walls at annual best-of, HSC exhibition ARTEXPRESS. This year’s collection includes the usual: ceramic cloud atlas, winged books, tower of architecture and a bit of a religious tribute to Gorillaz' Jamie Hewlett. Which is to say: art that’s unusual, challenging, magnificent and probably among the best you’ll see all year. Some of these artists will go on to greater art world success. Others will disappear from view. But, for now, it’s just an show full of first-of-a-kind ideas, stunning aesthetics and a lot of great art. ARTEXPRESS’ young artists will also be popping up at the gallery for three weeks of Art After Hours March 12, 19 and 26. Details on the Art After Hours site. Image: Losing our religion by Romy Lester.
A new Paddington venture has just opened from Phil Wood, the ex-executive Chef of Rockpool for eight years and previous culinary director of Mornington Peninsula's much-loved Pt. Leo Estate. Initially announced back in May, Wood's first independent restaurant Ursula's is named after one of his family members who lived in the suburb. The bistro showcases Wood's exciting approach to dining while centring staples of modern Australian cuisine. Highlights from the menu include snapper, dressed with a Keen's Curry vinaigrette ($44) and margra lamb rump with brussels sprouts and mint sauce ($49) and fried Aphrodite halloumi ($30). The beef carpaccio is another must-try on the menu ($29). The dish, served with makrut lime and parmesan, is a tribute to a beloved menu item from Darcy's, the famed Italian restaurant that occupied the site of Ursula's for nearly 40 years. Sydney rock oysters ($6-8) and LP's smoked mortadella with crispy potato ($25) will easy you into the meal, while sweet selections like the strawberry and coconut flummery ($18) and golden syrup dumplings, served alongside a rum, raisin and malt cream ($20) light up the desserts menu. The venue looks to honour Australian dining and the storied history of the building Ursula's occupies. 92 Hargrave Street has housed several other chefs throughout its lifetime. Originally built in the late 19th century as a house and shop, in its first half-century, it was run as a pub and a grocer. D'Arcy Glover was the first restaurateur to take up residency with a Swiss eatery in 1968 before Attilio Marinangeli and Aldo Zuzza took over in 1975 with the opening of Darcy's Restaurant. The most recent restaurant to occupy the corner building was Guillaume Brahimi's flagship Sydney restaurant Guillaume. Brahimi made the dramatic move to Paddington in 2013 after running Guillaume out of the Sydney Opera House for over a decade. While the restaurant didn't last on Hargrave Street, Brahimi went on to take over fellow Paddington venue Four in the Hand and opened a Guillaume in the CBD. "It is an honour to be opening in a building with such a strong dining history that goes back over 50 years. These corner sites dotted throughout Paddington are so special and part of what makes the suburb a vibrant part of Sydney's story," Wood said when the venue was first announced. The restaurant is the work of Wood and his wife Lis Davies, and they'll soon be joined by John Laureti (Pt. Leo Estate, Rockpool) and Luke Cawsey (Saint Peter, Rockpool) in the kitchen, and restaurant manager Emily Towson (Fred's, Kepos & Co, Sixpenny). Inside the building, you'll find a classically fitted and welcoming dining space created in collaboration with Melbourne-based designer Brahman Perera. "Lis and I are absolutely thrilled to finally share our little restaurant with our neighbours and Sydney," said Wood. "We can't wait to see people enjoying long lunches in the beautiful dining room, and families and friends celebrating birthdays, anniversaries and just the joy of once again being together." Images: Nikki To
It takes a pretty special — and downright genius — place to transcend all ages, dress codes and occasions. But The Boathouse does just that. Whether you're hankering for a post-swim feed up at Palm Beach or taking your mum out for lunch in Balmoral, The Boathouse always fits the bill. The venue at Shelly Beach — the fourth on Sydney's north shore — the winning formula has made it to Manly. The sheltered, only accessible by foot traffic Shelly Beach location is the perfect spot for the cafe-restaurant. There are people half-dressed, hair still dripping seawater, sipping smoothies, and there are large groups, fully dressed (and nicely), popping a bottle of wine and settling in for a long Sunday lunch. There's also a kiosk for beachside takeaways. Predictably, it's packed, and the hectic order at the counter and finding a table system still stands. Boathouse owners Pip and Andrew Goldsmith sure know how to run a damn good venue, and unsurprisingly, they've done it again at Shelly Beach.
A cucumber is more or less responsible for Andrew Mowbray's obsession with the gourd. Wandering around his garden one fateful morning, he made a rather unusual discovery. Between his fence and a tree, a cucumber was growing, but as a result of being squashed on both sides, it looked more like a hard, green pancake - 'pressed flat with rounded edges and completely trapped'. Finding the form 'formally interesting' and 'architecturally amazing', he started thinking about how he might be able to re-create it in a manner that would not be threatened by decomposition. Research led him to the Lagenaria gourd, which won't come as a surprise to those acquainted with the robust plant. When people initially came up with the idea of cultivating plants, the Lagenaria gourd was one of the first with which they experimented. Once dried, it becomes as tough as wood, making for a trusty container, bottle, ladle or birdhouse. The West Africans were the first to transform it into an instrument, and the concept soon spread through Asia, the Americas, the Caribbean and the Pacific Islands. The gourd is one of the few plants that we grow for aesthetic and practical purposes, rather than to feed ourselves. Now, Mowbray is taking its functionality to new heights, by transforming the gourd into a building block. He grows each one in an acrylic container, which is cubic, with semi-circular depressions enabling the development of 'nubs or buttons'. A modular unit' can be created by locking several of them together. At the same time, he is exploring the sculptural potential of the gourd's form, through emulation with plaster, cement and other materials. [VIA Inhabitat]
"A woman. A dog. A campervan. And 4,500km of wide open road." That isn't the tagline for the latest homegrown drama series to hit streaming services. It's the description for the newest production showing at Wyoming's Laycock Street Community Theatre, Highway of Lost Hearts. The show is one night only, taking place on Saturday, May 18. In it, Mot, the protagonist, awakes one day to find she's lost her heart — literally. This revelation takes her on a trip across the outback and invites us to ask questions about what we'd do in her situation, as well as ponder whether we, as a country, have also lost our hearts. Written by award-winning Darwin playwright Mary Anne Butler, Highway of Lost Hearts is presented in collaboration with Bathurst's interdisciplinary arts organisation, Lingua Franca and Bathurst Memorial Entertainment Centre's Local Stages program. It promises 70 minutes of thought-provoking entertainment, includes music from Central West artists Smith & Jones and is led by seasoned theatre star Kate Smith.
"We were just saying, we love an Aussie." When you're My Old Ass writer/director Megan Park and Australia's own Margot Robbie has produced your latest film, it's easy to understand why. Gleaning why she greets Concrete Playground that way isn't hard, either. "We do," adds Maisy Stella, the movie's star. "Yeah, we really, really do," Park chimes back in. Robbie's production company LuckyChap Entertainment, which has I, Tonya, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and Barbie to its name as well — and, among flicks that don't boast its co-founder on-screen, Promising Young Woman and Saltburn, too — is also onboard for Park's next release after this marvel of a coming-of-age tale. Viewers of My Old Ass have more from Park to look forward to, then. Right now, though, they already have a must-see to enjoy courtesy of her second feature as a filmmaker. Actually, that also applies to her debut. An actor herself, Park initially jumped behind the lens on 2021's excellent Jenna Ortega (Beetlejuice Beetlejuice)-led The Fallout, which plunged into the aftermath of a school tragedy. Now, the former The Secret Life of the American Teenager star has penned and helmed a picture set as its protagonist gets ready to leave her small-town home behind for college. [caption id="attachment_974458" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] For her second movie about teens making sense of their world, too, Park embraces a high-concept setup — and one that heads down a universal path that resonates with viewers of all ages. Have you ever wanted to get life advice from your future self? Or, conversely, to give your younger self some words of wisdom, whether about what not to worry about or who to avoid? Focusing on Nashville's Stella as the just-turned-18 Elliott — and featuring Parks and Recreation, The White Lotus and Agatha All Along favourite Aubrey Plaza as the older version — that's My Old Ass' storyline. If you're wondering how the two Elliotts come to meet, the film uses a mushroom trip to head into magical-realism territory. When they come face to face, Plaza's 39-year-old Elliott has a specific piece of advice for the girl that she once was: stay away from Chad (Wednesday's Percy Hynes White). We all know what happens when you tell someone not to do something, especially a carefree teenager, so of course Stella's Elliott doesn't heed that warning. This is a film, however, that understands the urge to want to send your former self in a certain direction, because it understands what it's like to live with the ups and downs that life takes us on just as firmly. It equally appreciates that it's those ebbs and flows — and joys and hurts as well, so our course for better and for worse — that make us who we are. [caption id="attachment_974462" align="alignnone" width="1920"] Marion Curtis / Starpix for Amazon MGM Studios[/caption] What would Stella do if the Sundance Film Festival-premiering movie's premise became an IRL possibility for her? It depends on which way the advice was flowing. Park is of the same opinion. They'd each be keen to talk to their younger selves, but not their older guises. "I've decided that I reject it. I really reject it. I've been asked this and every time I try to think of something, and I think the reason that I don't have anything is because I would not take the opportunity. I would take the opportunity to meet younger self. But the older, it just feels a little scary to me," Stella tells us. "It gets dicey. See, it goes dark quick. I mean, it really takes a turn," she continues. "Yeah, it's a it's a scary one," agrees Park. "I think I'm going to hard pass on it too, probably. I'd want to go back and meet my younger self." Thinking about these questions is unavoidable after watching My Old Ass, no matter whether you decide that you'd seize or shirk the chance that Elliott is given. Also part of the viewing experience: wishing that Plaza could pop up in your life either way. We also chatted with Park and Stella about where the idea for the film sprang from, what Park was interested in exploring with it, Stella's excitement about playing Elliott, how she approached the character, and working with both Plaza and Robbie. On What Inspired My Old Ass, and What Park Was Interested in Exploring Megan: "I think the themes that I really wanted to explore were grief and time passing, and nostalgia — and motherhood, truthfully, was a big one that I wanted. I was a new mum when I wrote this script, so it was those feelings that were really the entry point into this idea that's so universal, I think, of wanting to talk to your older or younger self. Or regrets. Regret is another big one. I think I'm such an emotionally driven writer that I'm not thinking about necessarily the structure of the story, and what's going to happen and what are people going to take from the movie — I'm just driven from that emotional place, at least I have been so far in the two movies I've written. It's all I really know how to do it. So those were the themes I wanted to explore. And then as I didn't know where it was going, as soon as Elliott came to me, and older Elliott, I just followed that lead and figured out the story as I went." On Stella's Initial Reaction to the Script, and What She Thought That She Could Bring to the Younger Elliott Maisy: "My first reaction to it was just beaming with excitement. It was funny, because I had been auditioning for so long and I really enjoy auditioning, and I really enjoy reading scripts and I read a lot of scripts at that time, and it was just my favourite thing I'd read in forever. And I was immediately met with anxiety. The second I started reading it, the thought of it being taken from me, I was like 'no!'. And it wasn't even mine at all. But the thought of not getting to be a part of this amazing project was so scary to me. So yeah, my initial reaction to it was deeply, deeply moved; really excited and inspired by it; and would have just been so grateful and lucky to have been a part of it. And it worked out for me. I'm very grateful and lucky." [caption id="attachment_974461" align="alignnone" width="1920"] Marion Curtis / Starpix for Amazon MGM Studios[/caption] On the Journey to Realising That Aubrey Plaza Was the Ideal Older Elliott Megan: "Truthfully, I'd written the role for somebody to be much older, like in their late 40s, early 50s. And we cast the film around Maisy, and so we were really stuck on who looks the most like her, who's in that age range and who's available to come to Canada to film the movie. And there just was never anybody that came up that was the right match for the tone of the movie, for energetically with Maisy, for the comedy. It wasn't until there was a list of names that somebody had suggested, and Aubrey was on there. It was like 'wait a second, I'm such a fan of hers' — and I knew Maisy was a fan of hers. She was not even 40 and doesn't look anything like Maisy really, but we were like 'wait a second', and for some reason the energy and the chemistry was just such a connection. And it just made the whole movie make sense in a whole new way for me. I'm close to age to Aubrey and I thought 'wow, I've actually never felt older than hanging out with all the 18 year olds'. And there was something so funny to me about this idea that she thinks she's so old and she's not even 40. And even the title became funnier when it was Aubrey." Maisy: "Yes!" Megan: "So then, luckily we sent it to her, and only her, and she read it and loved it and wanted to be a part of it. So once we got it to her, the stars really aligned quickly, but it was kind of me getting out of my own way and being like 'wait, instead of worrying about who looks the most like Maisy, who fits into the movie?'." Maisy: "Instead of worrying about who's blonde?" Megan: "Yeah, exactly." On Collaboration When You're Playing the Younger Version of a Character While Sharing Scenes with the Older Version Maisy: "It was quick. What happened, I was filming for like two weeks when Aubrey was officially attached. So my younger Elliott was already kind of established. On anything else, if this was any other situation, I would have been meeting Aubrey — and she kind of had to meet me because I was filming. So it was a quick thing, she came for like a week and we just went for it." [caption id="attachment_974460" align="alignnone" width="1920"] Marion Curtis / Starpix for Amazon MGM Studios[/caption] Megan: "She'd been watching dailies and studying Maisy a bit before." Maisy: "And then when we met, I felt Aubrey staring and filming me with her eyes, and getting the mannerisms and physicality. I think that was probably more what we focused on. And also just creating a friendship and a nice connection was probably the most important part, rather than mimicking each other. It felt more enjoyable." Megan: "I remember Aubrey asking me 'do you want me to mimic her? How deep do you want me to go with this?' And I was like 'I feel like that's not the most important part of it. I'd rather we just build the chemistry and the rapport'. And that was totally what I think was the main thing. We just spent the weekend together, talked through stuff." Maisy: "100 percent." Megan: "And it was just about building that chemistry — which, they're both genius actors, they can build chemistry so quickly. That's a skill that I think the best actors can do. And the two of them together were just able to connect so quickly." [caption id="attachment_974459" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] On Having Margot Robbie as a Producer, and How That Helped Shape the Film Megan: "As we were saying, we love an Aussie. Our other producer, Bronte Payne at LuckyChap, is also Australian. It happened really organically. I had a general meeting with the company, with Bronte, who had seen The Fallout — and she really loved the film, and she just wanted to sit and chat. And she was the one, honestly, who was like 'do you have any other ideas?'. And I was like 'I mean, there's this one thing I'm thinking about'. And she was like 'we'd love to hear more about that. We think that's a great idea'. Then she introduced me to the rest of people at the company, Tom [Ackerley, also one of LuckyChap's founders] and Margot and Josey [McNamara, another LuckyChap founder]. And they are just so — it's really hard to find good people in this industry who are really honest and smart and hardworking, and treat everybody, no matter if it's the star of the movie or the PA, they're just so consistent. And they're so grounded and down to earth, and there's a reason why they get so much repeat business with their directors. It's because it's genuine, and they're obviously very smart. So they were incredibly helpful, not only helping me build the script, but every step of the way — they've just been so invaluable and so easygoing. And just lovely, lovely human beings. I'm doing my next film with them, and I hope to work with them over and over again. They're incredible." On Balancing Playing a Carefree 18-Year-Old with Their Whole Life Ahead of Them with Elliott Getting to Take Stock of Her Existence Decades Before Anyone Usually Expects To Maisy: "Preparing-wise, I honestly read the script so many times. That was really my prep, just reading it. I didn't do too much, I didn't practice the deliveries." Megan: "We just talked through the scenes." Maisy: "We'd just talk it through. And on my own time, I had months before I went to film — but after I booked it, I enjoyed reading it so I would obsessively just read it and think about it a lot. I really lived with the concept and with the message. I thought about it a lot. I think was my preparation." [caption id="attachment_974457" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] Megan: "And you believed in it." Maisy: "And I believed in it and I meant it. I really meant it. Everything that Elliott says, I ended up meaning on the day. Even if I was learning from her and trying to mean it, I did end up meaning it." Megan: "Yeah." Maisy: "And with an indie, with the director like you [talks to Megan], where you really like things to feel like you press record and you're just like watching people exist, there's only so much you can do for prep to keep it feeling natural and real and sparky." My Old Ass opened in Australian cinemas on Thursday, September 26, 2024. My Old Ass images: Marni Grossman © Amazon Content Services LLC.
Sacrilege is a life-size inflatable recreation of Stonehenge. That’s right. The enigmatic monument that’s perplexed historians for years has been "reimagined" as a bouncy castle that all and sundry can hop around on. Commissioned in 2012 by the Glasgow International Festival of Visual Art and the Mayor of London for the Cultural Olympiad, this work by Turner Prize-winning artist Jeremy Deller has proven to be a smash hit. Deller’s work frequently deals with British history and he is known for engaging the public in innovative and quirky ways. Both adults and children are allowed to engage with this fun installation that's 34 metres long and 5 metres tall. Take your shoes off and head to the Festival Village in Hyde Park any time from 9am to 9pm, Tuesday to Sunday. As the artist himself says, “You haven’t lived until you’ve bounced on Stonehenge.” Image courtesy of Mayor of London/ICON.
Wave your hand, see a massive roster of musicians behind the microphone across the Harbour City: that's the SXSW Sydney Music Festival setup. The live tunes part of the event lets you wander between more than 200 performances on 25 stages over seven days if you have a wristband, and the 2024 lineup just keeps expanding. After a successful Australian debut in 2023, SXSW Sydney is back for a second year from Monday, October 14–Sunday, October 20 — and the program announcements continue to drop. This time, the festival's music strand has added over 25 acts, plus a heap of speakers. When you're not dancing to China's Berlin Psycho Nurses, Indonesia's KATHMANDU and mindfreakk, YONLAPA from Thailand and Sydney's own 2touch making their live debut — and also the likes of Touch Sensitive, Heno., dogworld, GIMMY and Kurilpa Reach — you'll be hearing from Academy Award-winning composer AR Rahman as the man behind the Slumdog Millionaire score gets chatting. SXSW Sydney 2024 started revealing its lineup details back in May, and has kept growing it since. A further announcement arrived in June, then not one, not two, but three more in July — and also another, focusing on the free hub at Tumbalong Park, at the beginning of August. Accordingly, no one can say that they don't have anything to see when the fest makes its comeback this year, especially if the music bill gets your toes tapping. Other fresh additions span Arky Waters, Bakers Eddy, Big Sand, Charm of Finches, Dave Kent, Elizabeth M Drummond, Holiday Sidewinder, Hydra Fashion Week, Ivoris, Kinder Bloomen, Majak Door, Nao Yoshioka, overpass, Rub Of Rub, Tim Hicks, YAHYAH and Yawdoesitall among the folks taking to the stage. Joining the speakers: Priyanka Khimani, who was named one of the top music lawyers by Billboard; veteran bookers Marty Diamond and Larry Webman; A&R Island Records head Marihuzka Cornelius; and plenty more. In one of those aforementioned July drops, 2024's SXSW Sydney Music Festival also added 40-plus talents, such as the UK's Jorja Smith on the 'Be Honest' musician's Australian tour — and also Canada's Aysanabee, Thailand's PYRA, New Zealand's Brandn Shiraz and XUZZ, and the UK's Submerse. Aussies Brazen Barbie, Jamahl Yami, Kitschen Boy and Special Feelings scored a spot as well. And prior to that, the 2024 program already confirmed human rights lawyer Jennifer Robinson, author Johann Hari, Australian race car driver Molly Taylor, pianist Chad Lawson, Westworld's Luke Hemsworth hosting a session about the Tasmanian tiger, Aussie astronaut Katherine Bennell-Pegg, TikTok marketing head Sofia Hernandez, Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America — and that's barely scratching the surface of the lineup specifics announced so far. SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details. Images: Peter McMillan, Jordan Kirk, Jess Gleeson and Ian Laidlaw.
Utes are as ubiquitously Australian as Vegemite, meat pies and nicknames abbreviated to capitulate in the letter O. This is what makes a trip to the legendary Deni Ute Muster a perfect excursion for those keen to experience a classic Australian road trip. The annual event held in the NSW Riverina town of Deniliquin (a 3.5-hour drive from Melbourne) is a celebration of the iconic vehicle. But you don't need to be a rev-head or even own your own ute to get amongst this uniquely Australian shindig. Parked between the Commodores and Falcons, Rangers and Hiluxes, will be a lineup of some of the country's biggest names in music, tasty food pop-ups and the opportunity to do two nights of camping on Friday, 29 and Saturday, 30 September. Expect to spot Jess Mauboy, John Williamson, Missy Higgins and Lee Kernaghan belting out hits over the weekend. Off-stage, entertainment will be provided courtesy of activities like an ice skating rink, Bogan Bingo, camel rides, monster truck rides and a muster sandpit. Tickets start at $310 which also covers camping, so you can bring your own tent or caravan — or simply roll out a swag in the back of your ute. Deni Ute Muster is on from Friday, September 29 to Saturday, September 30 2023. For further details, head to the website.
They say that the reason aeroplane food tastes so bad is because our tastebuds decrease by 30 percent when we're in higher altitudes. Whether or not this is true, it's pretty clear that 47 storeys won't spoil any flavour, because the excellent food and drink at O Bar and Dining is incomparable to that 'beef(?) lasagna' you got on your last flight. An ear-popping 47 floors up George Street's Australia Square building, this sleek bar boasts a breathtaking 360-degree, sky-high view of Sydney, a modern menu and charming cocktails to match. The circular space comprises a restaurant, bar, private dining area and relaxed tapas lounge complete with comfy armchairs for you to gaze out the window at the spectacular blinking lights below. Chef and owner Michael Moore, whose cooking career has spanned nearly 30 years both in London and Australia, oversaw the redevelopment of this prime piece of real estate from an 80s buffet restaurant to a sophisticated social hub in the sky. Moore is passionate about promoting a healthy eating philosophy, so you can take comfort in the fact that you'll find a lot of superfoods (quinoa, agave, chia) substituted for the naughtier ingredients throughout the menus. The cocktail menu will please any palate, featuring classic and signature serves made with fresh and local ingredients. The signature mezcal- and coconut-starring Crema de Coco is a popular choice, bursting with citrus-forward yuzu, while the sweet Bees Knees G&T combines Archie Rosie's honey gin with candied ginger. Plus, there's a premium range of crafted cocktails to choose from, too, including a martini and caviar bump pairing if you're feeling especially extra. There's also an extensive wine menu that focuses on Australian producers, as well as an impressive selection of wine and champagne available by the glass. You can pair your pour with a pick from the savoury and sweet bar menu, available for lunch Wednesday through Saturday and dinner seven nights a week. As for the food, the menu is classic Mod Oz – local produce is front and centre in dishes that take their inspiration from around the world. Lunch highlights include the baked miso cod fillet with a miso marmalade and charred sweetcorn; and rock lobster ravioli in a saffron and tomato broth. The dinner menu features the likes of wakame-crusted Murray cod with miso-braised daikon; and a poached and grilled Margra lamb fillet elevated with smoked and charred eggplant and sumac sweetcorn. There's also a selection of premium hibachi-grilled proteins — the standout is the 500-gram dry-aged Copper Tree Farm grass-fed wagyu, cooked on the bone to your desired doneness. For a decadent date-night dessert to share, our pick is the passionfruit and lime soufflé with coconut cream and passionfruit jelly. O Bar is the perfect spot to impress a date, client or visiting friend, and with attentive service and top-notch food and drink, this is one high that will be hard to come down from. Photo: Leigh Griffiths
Din Tai Fung is known for their general dumpling prowess, creating cute, Chinese New Year themed animal dumplings and bringing those utterly ridiculous super-sized xiao long bao to Australia. If you didn't get a chance to sit down with a straw and slurp the XL XLB last year, you'll be happy to know they're coming back to Din Tai Fung's World Square venue — as part of an 18-course degustation, no less. The dinner on Monday, August 14 is the second to be announced after the first one booked out quicker than a plate of pork buns could be demolished. The 18-course menu will put twists on Din Tai Fung dishes past and present, and feature a few new wacky creations for good measure. Along with the giant soupy xiao long bao, you can expect Peking duck spring rolls, black truffle pork dumplings (which will use squid ink for a black and white yin-yang look) and three new dessert dumps: green tea, sesame mochi and chocolate banana. Also on the menu will be Hawaiian pizza dumplings, which sound like an abomination — but, hey, we'll give it a go. The full 18 courses is surely akin to a dumpling marathon — but be sure to save room for the pièce de résistance: the giant xiao long bao. For the uninitiated, the xiao long bao is a steamed, soupy dumpling filled with a flavoursome broth and a pork and prawn filling. They usually come in mouth-sized portions but Din Tai Fung will be serving them up at seven times their usual size (hence the need for a straw). Tickets to the degustation are a very reasonable $48, with $10 from each one going to children's mental health charity Be Centre. The first one sold out in less than two hours, so, if you're at all interested, you should nab some as soon as possible.
Arriving in a flurry of new openings for the Sydney CBD in the closing days of 2023, King Clarence marks the Sydney return of acclaimed chef Khanh Nguyen who's teamed up with the award-winning hospo crew Bentley Dining Group (the team behind Monopole, Cirrus and, of course, Bentley Restaurant + Bar). It's a case of the prodigal son returning home, Nguyen rejoined the group after cutting his teeth at the team's restaurants early in his career before moving down to Melbourne to open his wonderful restaurant Aru. The expansive venture celebrates Chinese, Japanese and Korean cuisine in a 100-seat space that co-owner Brent Savage describes as "fun, loud, and busy". The menu is designed around the kitchen's custom-built barbecue and live seafood tanks. Impressive highlights pulled from the tanks or placed on the grill include the signature grilled rock lobster, 14-day aged duck, whole roasted pork belly ssam and grilled miso eggplant. Choose your poison and pair it with a cucumber salad and spanner crab fried rice. Or, order a selection of lighter dishes, including the signature fish finger bao, woodfired edamame, lime and nori scallops, pork and prawn dumplings, and Spencer Gulf kingfish collar. Hate to choose? Never fear, there's a pair of set menus available for $95–154, depending on how extravagant you pictured your night. The next-level Signatures Menu runs through plenty of the above items, plus oysters, beef tartare, chicken liver skewers and coffee parfait for dessert. Matching the ambition of the King Clarence menu is the drinks on offer, especially the vino. Polly Mackarel, former Head Sommelier at Cirrus, is curating and guiding you through a wine list that's equal parts approachable and comprehensive. There are more than 40 drops available by the glass and plenty of bottles on offer for $100, with the list placing particular focus on rieslings, chardonnay and medium-bodied reds. Those looking to impress can even dip into the Bentley Wine Vault for a rare drop if the budget allows. This is one to get on your new restaurant hit list ASAP.
Here's something that 2023 has that 2022 didn't: a Golden Globes ceremony. In his opening monologue, this year's host Jerrod Carmichael addressed the reasons why, including the Hollywood Foreign Press Association's historical lack of diversity. He also unpacked why he was asked to take to the microphone: "because I'm Black". Sparkling dresses, gleaming tuxedos, almost every famous face ever, plenty of shiny trophies going to worthy talents: that was all a part of the 2023 Golden Globes, which handed out its gongs on Wednesday, January 11 Australian and New Zealand time. So were frank speeches about the state of the industry, and the paths that many of this year's award-winners took to getting the accolades they deserve. When Ke Huy Quan said that "for so many years, I was afraid I had nothing more to offer" — chatting about the gap between starring in Indiana Jones and the Temple of Doom as a kid to making Everything Everywhere All At Once in 2022 — there really shouldn't have been a dry eye in the house. When his co-star Michelle Yeoh spoke about the surprise she garnered when people in the US discovered that she could speak English, the anger was palpable. Yeoh and Quan are just two of this year's Golden Globe winners, emerging victorious from a hefty list of nominees. Covering big- and small-screen contenders, they had ample company. And, among award recipients and presenters alike, the important and entertaining moments kept coming, such as Colin Farrell thanking Jenny the donkey from The Banshees of Inisherin, Elvis' Austin Butler asking to be played off to 'Suspicious Minds', Wednesday's Jenna Ortega telling everyone to watch 1962 French New Wave classic Jules and Jim, and Carmichael apologising "as a gay man" to Jennifer Coolidge in response to The White Lotus' second season. Also among the highlights: Carol Burnett Award-recipient Ryan Murphy giving 2022 Globe-winner MJ Rodriguez, the first trans woman to score a Golden Globe, a moment of recognition to make up for last year's lack of a ceremony; Volodymyr Zelenskyy's beamed-in speech; Steven Spielberg talking about finally being ready to dive into his own past directly after flirting with it across his filmography; Coolidge's mile-a-minute run-through of her rollercoaster career, and saying she'd come back for more American Pie; and Quinta Brunson's shoutout to Bob Odenkirk. Next stop for winners of the Golden Globe's film categories: the Academy Awards. Is Australia's own Cate Blanchett set to win her third Oscar, after picking up a Globe for Tár? Can Bollywood gem RRR keep winning fans everywhere it goes? Will 2023 keep being Yeoh and Quan's year, as 2022 was? These are your new questions. Amid all of the above, if you're wondering who and what else nabbed Golden Globes this year, the full rundown is below — and you can also check out our picks for the 15 winners you can watch right now: GOLDEN GLOBE NOMINEES AND WINNERS: BEST MOTION PICTURE — DRAMA Avatar: The Way of Water Elvis The Fabelmans — WINNER Tár Top Gun: Maverick BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — DRAMA Cate Blanchett, Tár — WINNER Olivia Colman, Empire of Light Viola Davis, The Woman King Ana de Armas, Blonde Michelle Williams, The Fabelmans BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA Austin Butler, Elvis — WINNER Brendan Fraser, The Whale — WINNER Hugh Jackman, The Son Bill Nighy, Living Jeremy Pope, The Inspection BEST MOTION PICTURE — MUSICAL OR COMEDY Babylon The Banshees of Inisherin — WINNER Everything Everywhere All at Once Glass Onion: A Knives Out Mystery Triangle of Sadness BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY Lesley Manville, Mrs. Harris Goes to Paris Margot Robbie, Babylon Anya Taylor-Joy, The Menu Emma Thompson, Good Luck to You, Leo Grande Michelle Yeoh, Everything Everywhere All at Once — WINNER BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Diego Calva, Babylon Daniel Craig, Glass Onion: A Knives Out Mystery Adam Driver, White Noise Colin Farrell, The Banshees of Inisherin — WINNER Ralph Fiennes, The Menu BEST MOTION PICTURE — ANIMATED Guillermo del Toro's Pinocchio — WINNER Inu-Oh Marcel the Shell with Shoes On Puss in Boots: The Last Wish Turning Red BEST MOTION PICTURE — NON-ENGLISH LANGUAGE All Quiet on the Western Front Argentina, 1985 — WINNER Close Decision to Leave RRR BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE Angela Bassett, Black Panther: Wakanda Forever — WINNER Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All at Once Dolly De Leon, Triangle of Sadness Carey Mulligan, She Said BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Brendan Gleeson, The Banshees of Inisherin Barry Keoghan, The Banshees of Inisherin Brad Pitt, Babylon Ke Huy Quan, Everything Everywhere All at Once — WINNER Eddie Redmayne, The Good Nurse BEST DIRECTOR — MOTION PICTURE James Cameron, Avatar: The Way of Water Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once Baz Luhrmann, Elvis Martin McDonagh, The Banshees of Inisherin Steven Spielberg, The Fabelmans — WINNER BEST SCREENPLAY — MOTION PICTURE Todd Field, Tár Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once Martin McDonagh, The Banshees of Inisherin — WINNER Sarah Polley, Women Talking Steven Spielberg, Tony Kushner, The Fabelmans BEST ORIGINAL SCORE — MOTION PICTURE Carter Burwell, The Banshees of Inisherin Alexandre Desplat, Guillermo del Toro's Pinocchio Hildur Guðnadóttir, Women Talking Justin Hurwitz, Babylon — WINNER John Williams, The Fabelmans BEST ORIGINAL SONG — MOTION PICTURE 'Carolina' by Taylor Swift, Where the Crawdads Sing 'Ciao Papa' by Alexandre Desplat, Guillermo del Toro, Roeban Katz, Guillermo del Toro's Pinocchio 'Hold My Hand' by Lady Gaga, BloodPop, Benjamin Rice, Top Gun: Maverick 'Lift Me Up' by Tems, Rihanna, Ryan Coogler, Ludwig Göransson, Black Panther: Wakanda Forever 'Naatu Naatu' by Kala Bhairava, M.M. Keeravani, Kala Bhairava, Rahul Sipligunj, RRR — WINNER BEST TELEVISION SERIES — DRAMA Better Call Saul The Crown House of the Dragon — WINNER Ozark Severance BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — DRAMA Emma D'Arcy, House of the Dragon Laura Linney, Ozark Imelda Staunton, The Crown Hilary Swank, Alaska Daily Zendaya, Euphoria — WINNER BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — DRAMA Jeff Bridges, The Old Man Kevin Costner, Yellowstone — WINNER Diego Luna, Andor Bob Odenkirk, Better Call Saul Adam Scott, Severance BEST TELEVISION SERIES — MUSICAL OR COMEDY Abbott Elementary — WINNER The Bear Hacks Only Murders in the Building Wednesday BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — MUSICAL OR COMEDY Quinta Brunson, Abbott Elementary — WINNER Kaley Cuoco, The Flight Attendant Selena Gomez, Only Murders in the Building Jenna Ortega, Wednesday Jean Smart, Hacks BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Donald Glover, Atlanta Bill Hader, Barry Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jeremy Allen White, The Bear — WINNER BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Black Bird DAHMER — Monster: The Jeffrey Dahmer Story The Dropout Pam & Tommy The White Lotus — WINNER BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Jessica Chastain, George and Tammy Julia Garner, Inventing Anna Lily James, Pam & Tommy Julia Roberts, Gaslit Amanda Seyfried, The Dropout — WINNER BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Taron Egerton, Black Bird Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Evan Peters, Dahmer — MONSTER: The Jeffrey Dahmer Story — WINNER Sebastian Stan, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION Jennifer Coolidge, The White Lotus — WINNER Claire Danes, Fleishman Is in Trouble Daisy Edgar-Jones, Under the Banner of Heaven Niecy Nash, Dahmer — Monster: The Jeffrey Dahmer Story Aubrey Plaza, The White Lotus BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION F. Murray Abraham, The White Lotus Domhnall Gleeson, The Patient Paul Walter Hauser, Black Bird — WINNER Richard Jenkins, Dahmer — Monster: The Jeffrey Dahmer Story Seth Rogen, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES Elizabeth Debicki, The Crown Hannah Einbinder, Hacks Julia Garner, Ozark — WINNER Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES John Lithgow, The Old Man Jonathan Pryce, The Crown John Turturro, Severance Tyler James Williams, Abbott Elementary — WINNER Henry Winkler, Barry For further details about the 2023 Golden Globes, head to the awards' website.
Romance. Kidnapping. A farm girl called Buttercup. A scheming prince. A swashbuckling saviour. A giant. When William Goldman threw them all together, The Princess Bride was the end result — first in his 1973 novel, and then in the 1987 film that the late, great writer also penned. For three and a half decades, viewers have watched Fred Savage (The Afterparty) hear the world's best bedtime story, Robin Wright (Land) and Cary Elwes (Black Christmas) frolic in fields, and Andre the Giant tower over everyone around, with The Princess Bride one of those beloved 80s flicks that never gets old. That said, if you've ever found yourself enjoying all of the above and dreaming that its soundtrack could fill the room around you while being played live by an orchestra, then you're about to be in luck. Despite what outlaw boss Vizzini (Wallace Shawn, The Good Fight) might exclaim, The Princess Bride in Concert definitely isn't inconceivable. Instead, Sydney Symphony Orchestra and Sydney Opera House are channelling another famous The Princess Bride line: as you wish. This delightful movie-and-music combo will hit the famed venue's Concert Hall on Friday, March 24–Saturday, March 25, playing three shows across the two dates (at 7pm on both days, and 2pm on the Saturday as well). General ticket sales start at 10am on Monday, November 14 — and if you need a refresher on all things The Princess Bride, the comedy-romance-adventure flick follows farmhand Westley (Elwes) on a rescue mission to save his true love Princess Buttercup (Wright) — and also features Mandy Patinkin (Wonder), Billy Crystal (Here Today) and Christopher Guest (Mascots). SSO will perform the entire score live, as written by Dire Straits' Mark Knopfler and adapted for a full orchestra by Mark Graham, with Nicholas Buc as by guest conductor.
When quizzed on their favourite things about summer, a staggering number of Australians place 'the beach' and 'the cricket' in the top two spots on their lists. And rarely do we have to choose between the two. But when the cricket rolls into town, you can be forgiven if you're stumped by the choice of a day at the beach or a day in the sun with friends at the cricket. Now you can combine both to enjoy a uniquely Australian summer experience that will deliver the best of both worlds. Coke has transformed a stand at one of Australia’s most iconic sporting arenas, the Sydney Cricket Ground, to bring Sydneysiders the Coca-Cola Beach – a pop-up beach at the cricket. Feel the sand between your toes and cool off in the splash pool as you cheer on the Aussies in fancy dress at one of limited over matches versus Sri Lanka (January 20) and the West Indies (February 8), respectively. To find out how you can get a spot on the sand head to cokeunleashed.com.au
This Is Not Street Art features new work by Solo Ponticello and John Hynd. Given the size of this garage-size gallery, it's amazing how well the two artists' many works fit into the small space. John Hynd has put together a series of four acrylic stages: trauma, insomnia, digestion and my eyes and noodles are burning. In the first a three-headed dog with cubist, flat eyes has its three severed heads floating above its three box necks. The dog is a stale green over a pink background. The trident shape of the dog's body is a motif repeated in Hynd's other works. Even though the effect is roughly that of a long night with a questionable breakfast, the sequence feels comfortably dreamy. In the final frame, a pink wiry man holds a noodle bowl full of fire. His eyes are burning and his white lips are quiet but focused. Solo Ponticello has drawn faces covered in black hair. Their abstract heads, or bodies, are curled and twisted in the style of vines or pairs of old, proud goat horns twisting together. All have lost unfocused eyes, and most have mouths. Although one owns a moustache instead. Only black, white and red are used — with the red either dominating the palette or running brief splashes of harsh contrast across the image. Individually the faces look sad, but together they form a calm menagerie. They combine to suggest an empty, quiet and more difficult version of the world you live in, and one with a lot more hair in it. Also on display are zines by both artists and some beautiful, soft postcards by Ponticello. It's hard to fit so much work into such an efficient space, but Hynd and Ponticello have left you just enough room get a good look.
When an Australian actor makes it big, it can feel as if there's more than one of them. Joel Edgerton, who has been on local screens for almost three decades and made the leap to Hollywood with the Australian-shot Star Wars: Episode II — Attack of the Clones, is such a talent. He's usually everywhere and in almost everything (such as The Stranger, Obi-Wan Kenobi, Thirteen Lives, Master Gardener, I'm a Virgo, The Boys in the Boat and Bluey in just the past two years), and viewers would follow him anywhere. Dark Matter wasn't written to capitalise upon that idea. Rather, it hails from the page of Blake Crouch's 2016 novel, with the author also creating the new nine-part Apple TV+ sci-fi series that it's based on. But, streaming from Wednesday, May 8, 2024, the show's lead casting leans into the notion that you can never have too much Edgerton by multiplying him in the multiverse. For the characters in Dark Matter, however, the fact that there's more than a single Jason Dessen causes considerable issues. The series' protagonist is a former experimental physics genius-turned-professor in Chicago who's teaching disinterested students about Schrödinger's cat. He's married to artist-turned-gallerist Daniela (Jennifer Connelly, Bad Behaviour), a father to teenager Charlie (Oakes Fegley, The Fabelmans) and the best friend of award-winning college pal Ryan Holder (Jimmi Simpson, It's Always Sunny in Philadelphia). And, he's been happy living the quiet family life, although pangs of envy quietly arise when he's celebrating Ryan's prestigious new accolade. Then, when another Jason pops up to pull off a kidnapping and doppelgänger plot, he's soon navigating a cross between Sliding Doors and Everything Everywhere All At Once. Everything is a multiverse tale of late; a mere few examples span superhero films and television shows Doctor Strange in the Multiverse of Madness, the Spider-Verse movies, Loki and The Flash; TV gems Fringe and Russian Doll; and the interdimensional animated chaos of Rick and Morty. Dark Matter is also a soul-searching "what if?" drama, exploring the human need to wonder what might've been if just one choice — sometimes big, sometimes small — had veered in a different direction. While a box is pivotal mode of transport like this is Doctor Who, as are all manner of worlds to visit, this is high-concept sci-fi at its most grounded. Neither version of Jason wants to hop through parallel worlds in the name of adventure or exploration — they're simply chasing their idea of everyday perfection. The first Jason chose Daniela and Charlie over devoting his existence to his career, round-the-clock work and only seeing the inside of a lab. Drugging and abducting him to reveal what could've eventuated if he didn't chart that path, the second Jason slides into his life to trade places. The everyman Jason unwillingly gets transported to a plane of reality where he's a famous billionaire — as well as the recipient of prizes and kudos, and also the creator of the technology that's allowing tumbling through the multiverse to happen — while the interloper Jason assumes his spot as a husband and dad. Dark Matter ties into the proverb "the grass is always greener", too, as both Jasons face the ups and downs of the road not taken, mostly for worse not better. For Jason One, if only verdant pastures were all that changed as he urgently attempts to return to his Daniela. With Jason Two's psychiatrist partner and colleague Amanda (Alice Braga, A Murder at the End of the World) for company, anything can await behind the infinite expanse of doors in a dimly light corridor that literalises the quantum state of superposition. Again, though, journeying to dystopias and paradises, and through disasters and futuristic havens while they're at it, isn't the point, even if each of the above makes an appearance. If you've ever felt as if you've been wading through copies of the life that you're meant to have, with nothing completely falling into place as it should, that's Jason One's experience as minor details morph from world to world. Edgerton's job, fittingly, contains multitudes. As the initial iteration of Jason, he plays thoughtful, considerate, dedicated to his loved ones and desperate to find his way back to them — all while tussling with the show's high-tech premise, often while stranded within that endless hallway. As Jason Two, he's a calculating imposter endeavouring not to get caught in the dream reality that he's ruthlessly stolen, but also arrogant in his confidence that he's pulled off his existential heist. A click on the soundtrack signals Dark Matter's jump between Jasons, but it needn't: Edgerton conveys their differences alongside their similarities like an artist painting the same portrait in dissimilar styles, and does so in one of the best performances of his career. Grappling with regrets, possibilities, the haunting knowledge that other futures are always possible and the distress of grasping that you mightn't have appreciated what you had until it was gone, Edgerton isn't the only actor excelling at doing double duty. For Connelly, in a show that spirits someone else off on a quest as another of her on-screen alter egos once was nearly four decades back in Labyrinth — a series where frosty climes and trains also play a part, bringing her last small-screen role on Snowpiercer to mind — shifts in body language say everything. And, they aren't the only cast members serving up layered performances. Braga, Fegley and Simpson are no slouches; in smaller but no less pivotal roles, neither are Dayo Okeniyi (Hypnotic) and Amanda Brugel (Parish). With Wayward Pines and Good Behaviour, Crouch's work has ventured from the page to episodes before — and with his involvement. His latest series has echoes within Apple TV+'s slate, too, because the platform's love of science fiction, twists and mysteries just keeps growing, including with Constellation already in 2024, Silo in 2023 and Severance in 2022. There might only be a lone idyllic realm for Jasons in Dark Matter, but that isn't the case for the streaming service's viewers. An absorbing and addictive trip that's also firmly anchored in relatable yearnings and musings, this Edgerton-led series is one to enthusiastically dive into. Check out the trailer for Dark Matter below: Dark Matter streams via Apple TV+ from Wednesday, May 8, 2024.
In the year 2024, some of the most fun to be had with your fellow humans is via the medium of video games, where just about any experience can be found and shared with friends in worlds well beyond our imagination. With the current generation of gaming consoles, we've also got access to technical and creative wonders, many of which offer some truly memorable gameplay experiences to be found alone or with others. We're here to discuss the latter today, so let's talk about six of the most entertaining multiplayer games on the market today. Deep Rock Galactic What do you get when you combine Dwarves, a deep space mining company with heavy quotas, thousands of angry alien bugs and robots, and a deep lack of respect for workplace safety standards? You get Deep Rock Galactic. Created by Danish studio Ghost Ship Games, this first-person cooperative shooter puts you and up to three of your friends in the boots of Dwarven miners, fired deep into the caves of Hoxxes IV — the most valuable (and dangerous) planet in the galaxy. DRG follows an extremely replayable format: pick one of the four playable classes, pick a contract in one of the planet's seven procedurally-generated biomes and do your best to survive. The objectives range from simple ore mining to cleaning up plague-infested meteors and advanced industrial sabotage. The rewards? Money, gear upgrades, stylish clothing for your dwarves and most importantly, beer. Available on PC, Xbox One/Series S/X, PlayStation 4/5 Party Animals Sometimes in games we just really want something silly. That is exactly what Party Animals is: a silly game to be played with silly people. Released in 2023 by Chinese studio Recreate Games, Party Animals echoes the couch-coop beat-'em-up games of old but with a next-gen flair and fresh takes on the genre. In Party Animals, you and up to seven friends step into the shoes of adorable cartoon animals and play games in one of three modes: in Last Stand teams of two punch, kick and fight to be the last team standing; in Team Score two teams compete to achieve the highest score on the same challenge; finally Arcade combines a variety of unique maps and challenges to make things messy for everyone. Every map drops in weapons to help you disarm and knock out enemies. Once dead, you can fight on by periodically throwing in small objects that distract and knock out anyone they hit, friend or foe. Play online against other players or create a private lobby (online or local) for just your friends. The choices are endlessly silly and all yours. Available on PC, Xbox One/Series X/S Helldivers 2 If you've been paying attention to video games in 2024 in any way at all, there's a good chance you've heard of Helldivers 2. A sequel to the 2015 top-down shooter Helldivers, this third-person shooter comes from Arrowhead Game Studios and Sony Interactive Entertainment. You and up to three friends are Helldivers, elite soldiers of Super Earth who are tasked with spreading democracy to the planets of the insectoid Terminids and Terminator-esque Automatons. You'll do so via orbital insertion, heavy firepower and a whole lot of panicked screaming. Mission objectives range from destroying Terminid eggs to rescuing scientists and detonating nuclear weapons, all in the name of freedom. Every mission contributes to a shared community goal. Players work together to liberate planets — and enemies work to prevent them. Once you or your enemies win enough battles, the fight moves to a new planet for every single player. At the time of writing, the developers are working to increase server capacities. Be warned: you may encounter issues. Available on PC, PlayStation 5 Sea of Thieves Your first thought may be, hold on, Sea of Thieves... that came out a while ago, didn't it? It's true, Sea of Thieves was originally released in March 2018 by UK studio Rare, but it's been receiving a steady stream of updates ever since, and this writer, who's played since its release, can personally confirm the game has never been in a better state. Sea of Thieves is an online first-person adventure game, where you and up to three of your friends can crew a pirate ship in a vast playground of ocean dotted by over 70 handcrafted islands. You can sail one of three ships (built for crews of two, three and four) exploring the seas and completing voyages for several trading companies. Each offers different objectives (find buried treasure, track a missing merchant shipment, hunt a crew of undead pirates) and different cosmetic rewards. Since launch, the developers have added new islands, boss fights, voyage types, ship customisation options, weapons, enemies, narrative voyages (some original, some tying in with properties like Pirates of the Caribbean) and much more. Available on PC, Xbox One/Series X/S, releasing on PlayStation 5 on April 30. Moving Out 2 If only moving home was as entertaining as this 2023 game from Sydney developers SMG Studios and Swedish developers DevM Games. Moving Out 2 is the sequel to 2020's Moving Out, a hit coop game that puts players in the shoes of a moving business, entrusting you to carry, drag, pivot, throw and otherwise shift the furniture and belongings of its customers. In each level, you must move a certain number of objects from the home into the van under a time limit while being sure not to break too many things. Some objects, like a picture frame or cardboard box, can be carried alone, but larger items require two or more players to be successfully moved. Moving Out 2 improves on the original title in a few ways, adding singleplayer gameplay and online coop of up to four players (the first only supported local coop), and extra complexities to levels like one-way doors, teleporters and time-limited passages to hinder your efforts. Available on PC, Xbox One/Series X/S, PlayStation 4/5, Nintendo Switch Dying Light 2: Stay Human Originally released in 2022 by Polish developer Techland, Dying Light 2: Stay Human is a sequel to 2014's Dying Light and picks up over 20 years after the events of the first game, with a deadly zombie virus having wiped out civilisation as we know it. The game can be played start to finish in singleplayer or online with up to three other players and is built around two core systems. Firstly, parkour. Dying Light 2: Stay Human is set in a city overrun by zombies and dangerous humans, and you'll need to use every surface and structure to your advantage as you run, jump, dive, roll under, flip over, swing, glide and stunt your way all over town. Secondly, a day-night cycle. The danger exists 24/7, but night sees deadly nocturnal zombie variants take to the streets, making some areas deadlier and others safer than they are during the day. The campaign is layered with choices that literally shape the world, so the city in your friends' games may look very different to your own. Dying Light 2: Stay Human has seen many updates since launch, with various technical improvements made alongside new systems and playable content added. Grab your three bravest friends for this one. Good night and good luck. Available on PC, Xbox One/Series X/S, PlayStation 4/5 If you're after more gaming recommendations, check out our most anticipated indie games due for release this year.
After playing to sold-out arenas the globe over, the Black Keys will return to Australia this October. The Lollapalooza and Coachella headliners are bringing their latest album 'El Camino' to six Aussie locations. Though the Black Keys started out humbly as a two-member garage band, their rise to festival and arena headliners is a testimony to their music. Australian fans welcomed the band to Oz in 2003, and have since enjoyed five more Black Keys tours. This tour highlights the band's seventh album in a show which promises to be their best yet. The Black Keys will make appearances in Newcastle, Sydney, Brisbane, Adelaide, Melbourne, and at Perth's Rock It festival. Don't miss out: tickets go on sale after noon today here.
Godzilla is still big, but the picture around cinema's most-famous kaiju gets smaller in Monarch: Legacy of Monsters, the Japanese-created creature's new TV series. This ten-episode show sits within the American Monsterverse, which has previously filled movie theatres with 2014's Godzilla, 2017's Kong: Skull Island, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong — and it hits streaming, arriving on Apple TV+ from Friday, November 17, with a scaled-down focus on family drama. People matter in Monarch: Legacy of Monsters, far more than they have in any of the US franchise's instalments so far. The folks hopping around the globe chasing the giant critter and its fellow titans are also worth caring about. As a result, there's nothing little about how engaging Monarch: Legacy of Monsters proves. Getting Kurt and Wyatt Russell involved helps. The real-life father-son pair portray the same character — not for the first time; see: 1998's Soldier when Wyatt (Under the Banner of Heaven) was still a child — with not just ease but charisma. That isn't surprising; as the younger Russell's resume keeps demonstrating through Cold in July, Ingrid Goes West, Lodge 49, The Falcon and the Winter Soldier and more, the apple hasn't fallen far from the tree when it comes to acting talent. Wyatt slips into Lee Shaw's military uniform in the 1950s, Kurt (Fast and Furious 9) plays the retired elder version in the mid-2010s, and jokes reference how well the pivotal figure has aged to make the maths work out (in the later timeline, Shaw has to be in his 90s). Needing to make that gag is worth it for such stellar and captivating casting. Monarch: Legacy of Monsters isn't about Shaw's family, however — at least not as bonded by blood. In 2015, a year after the G-Day events of the 2014 film, San Franciscan teacher Cate Randa (Anna Sawai, Pachinko) is suffering from kaiju-inflicted PTSD and mourning her missing father Hiroshi (Takehiro Hira, Gran Turismo: Based on a True Story), making a trip to Japan to pack up his Tokyo apartment challenging several times over. There, she finds artist Kentaro (Ren Watabe, 461 Days of Bento), a shared history and links to secret government monster-hunting organisation Monarch. Those ties comes courtesy of a satchel filled with documents that Bill Randa (John Goodman, returning from Kong: Skull Island) is seen tossing into the sea in a 70s-set prologue; having possession of it sparks chaos for not only Cate and Kentaro, but also the latter's hacker ex-girlfriend May (Kiersey Clemons, The Flash). When a shadowy international outfit is on your trail, who can assist? Given that Shaw was a 50s-era colleague of Hiroshi's parents Keiko (Mari Yamamoto, also Pachinko) and Bill (played by Inventing Anna's Anders Holm in the earlier timeline), his help is swiftly needed. Amid Cate, Kentaro, May and Shaw's attempts to evade the "like the CIA, but for Godzilla" operation pursuing their every move, Monarch: Legacy of Monsters also dives into Shaw, Keiko and Bill's backstory. Shaw is enlisted into the monster realm exactly because he's enlisted, then deployed to ensure Keiko's safety as she follows her research into strange radiation trails in The Philippines — a phenomena that fellow scientist Bill is also interested in. While the Russells provide Monarch: Legacy of Monsters with its biggest names, and add depth to Shaw's emotional journey by perfecting the same mannerisms and line deliveries — not to mention letting that family charm kick in — series co-developers Chris Black (Severance) and Matt Fraction (Da Vinci's Demons) have cast their show well across the board. When beastly behemoths are simply being talked about rather than sighted, the human story never feels like filler padding out the frame until the next monster melee, which stems as much from the performances as the commitment to ensuring that pixels aren't the sole attraction. Each with their own Russell, both groups provide space for everyone's part of the narrative, plus the portrayals that go with it, to make an impact. Screenwriting convenience and cliche comes into play in fleshing out some backstories, but Clemons and Yamamoto especially have no trouble selling it. In addition to excellent casting, the series welcomely makes an even better move: taking the Monsterverse back where all things Godzilla started off-screen, aka Japan. When the creature that has multiple Tokyo statues devoted to it, plus a dedicated store as well, first erupted into cinemas in 1954 to spark a 33-film homegrown saga, it was in the shadow of World War II as an indictment of nuclear conflict's destruction and consequences — and those origins get the most meaningful nod yet in the US franchise through Keiko, Cate and Kentaro. All things Godzilla thankfully haven't moved to America IRL. Godzilla Minus One returns the kaiju to live-action Japanese movies in 2023 for the first time since 2016's exceptional Shin Godzilla, while three animated flicks (2017's Godzilla: Planet of the Monsters, and 2018's Godzilla: City on the Edge of Battle and Godzilla: The Planet Eater) have filled the gap in-between. But there's been an emptiness to the Monsterverse when it has barely cared about that history, even if making titans a worldwide threat and noting that Zilly doesn't respect national boundaries has merit. Call them kaiju, call them titans, call them massive unidentified terrestrial organisms (or MUTO): they're as meaningful as they've always been in Monarch: Legacy of Monsters. While the show's main attention might reside with two eras of people on two different searches, Godzilla and its fellow critters aren't ignored. They wander, smash and swim. They cause awe and fear alike. They tower, sleep, destroy and — with Zilly in particular — protect. As Monarch: Legacy of Monsters hones in on people, in fact, it explores the array of reactions that Godzilla can inspire, the range of thinking as well and, as intended for almost seven decades, the self-reflection about atomic bombs and warmongering that the very idea of Godzilla was designed to conjure up. Balancing heart and weight while feeling grounding amid gargantuans isn't a tiny task. Making sure that people and titans are equally as important to the narrative isn't a minor feat, either. Nor is using special effects to wow with onslaughts and dwarf with scale, getting a theme tune echoing into earworm territory almost as much as the stone-cold classic original Godzilla music and making a TV entry to a franchise that plays like the main attraction. Whichever Godzilla tales that Japan spins will always be the kings of the saga, and long may they continue charging onto screens — but Monarch: Legacy of Monsters puts down a giant footprint for Hollywood's dalliance with the atomic lizard, and a much-needed one given that more will only keep coming, including the silver screen's Godzilla x Kong: The New Empire in 2024. Check out the trailer for Monarch: Legacy of Monsters below: Monarch: Legacy of Monsters streams via Apple TV+ from Friday, November 17, 2023.
Pokemeow Cafe in Rosebery opened in late March 2020. For those that aren't good with dates, that was just before the state government imposed strict lockdown measures in relation to COVID-19. Despite opening in one of the toughest periods that Sydney's hospitality scene has ever faced, Pokemeow has proved resilient and captured the hearts of locals, likely thanks to its interesting business model. As Concrete Playground reader @mauricio.f90 explained, "I love having lunch at Pokemeow Cafe, watching their cats. It's so relaxing. Also, great food". They're hugely popular in Asia (particularly in Japan), but if you've never been to a cat cafe before, here's the deal: like all other cafes, you sit and enjoy a coffee and a meal — but here you do so while watching little kittens play in an adjoining room through a glass wall. For a small fee, you can also enter the cat playground to cuddle and play with some new furry friends. At Pokemeow Cafe, it's $10 for a half-hour session, which needs to be booked in advance. The shop also offers grooming services for both cats and dogs. In terms of the food offering, it's mostly standard cafe fare — think smashed avo and a poached egg on sourdough, a brekkie burger and an acai bowl — though there are some outliers, like a crab and prawn gribiche croissant.
Last year, the two distinct festivals Mould and Pinot Palooza teamed up for the first time, showcasing — as you can probably guess — the best of Australian cheese and wine. Well, the combined experience was such a hit, this crowd-pleasing duo is running it back once more, bringing together a massive celebration of fromage and fermentation. Presented by Revel, Mould x Pinot Palooza is touching down in five capital cities, including Adelaide for the first time and Sydney after an 18-month hiatus. Meanwhile, the 2026 program will also run four sessions over three days, adding Sundays to the lineup at every leg of the tour. That gives you even more opportunity to explore over 100 Australian cheeses and wines ready to be paired and savoured. On the cheese front, expect the full spectrum of flavours, from funky blues to creamy bries and plenty of stinky samples, accompanied by a huge selection of pinot. So far, the confirmed names for 2026 include festival favourites Milawa Cheese and the bold flavours of Rub-a-Dub, alongside low-intervention innovators Ohkela Wine and sustainable Victorian standouts Mulline Vintners. Beyond the cheese and wine, bars spread throughout each venue will pour top-notch beers, spirits and cocktails, while a host of food producers will be on-site offering ready-to-eat bites, pantry staples and grazing essentials. "Cheese and pinot naturally belong together, and this format gives people the freedom to explore both at their own pace, talk directly with producers, and enjoy the experience without it feeling over-programmed or precious," says Head of Revel, Jess Audus. Mould x Pinot Palooza 2026 Dates: Brisbane: Friday, May 22–Sunday, May 24 at John Reid Pavilion, RNA Showgrounds Sydney: Friday, June 12–Sunday, June 14 at The Hordern Pavilion, Moore Park Melbourne: Friday, July 3–Sunday, July 5 at Melbourne Convention & Exhibition Centre Perth: Friday, August 7–Sunday, August 9 at Silver Jubilee Pavilion, Claremont Showgrounds Adelaide: Friday, August 28–Sunday, August 30 at The Queens Theatre
Visitors to NSW's Royal National Park may be treated to a rare spotting of an iconic Australian animal soon, with ten platypuses set to be reintroduced into the area for the first time in nearly 50 years. Platypuses haven't been spotted in the Royal National Park since the 1970s, when the park's resident duck-billed mammals were seemingly wiped out by a devastating chemical spill. But a collaborative effort by UNSW researchers, WWF Australia, Taronga Zoo, and NSW National Parks and Wildlife Service will see the adorable creatures return to the park from late next year. Dr Gilad Bino, the projects leader from UNSW's Centre for Ecosystem Science, says the initial group of ten platypuses will hopefully be the start of a growing population in the area. "We'll monitor how they settle in, with the hopes their population will start to grow and reestablish in the area and allow people a place to come and appreciate this unique animal," he said. [caption id="attachment_824577" align="alignnone" width="1920"] Platypus Conservation Initiative[/caption] The platypuses will be released in the second half of 2022 and will be a mixture of males and females. All platypuses will be fitted with acoustic tags so researchers can track their progress and breeding activity. Before these ten brave mammals are reintroduced into their new habitats, researchers will survey the park to confirm there are no platypuses left, and to find an ideal environment for the mammals. A recent study by UNSW found that the areas where platypuses live in Australia has shrunk by 22 percent in the last three decades. "Platypuses are resilient animals, but it's vital that we develop the capability to actively manage populations and do a better job at protecting their freshwater homes," Centre for Ecosystem Science Professor Richard Kingsford said. "We want future generations to see platypuses in the rivers of the Royal and Heathcote National Parks and all the way down the east coast of Australia." You can follow the work of UNSW's Centre for Ecosystem Science on the university's website.
While Pyrmont's beloved Sydney Fish Markets are set to move to its new-look multimillion-dollar site by the end of 2024, the NSW Government has just unveiled plans for the future of Blackwattle Bay and the current Sydney Fish Market site in its absence. The new plans for the bay are currently on exhibition to the public. The plan includes 12 buildings with the potential to hold 2800 residents as well as commercial, retail and community spaces. Libraries, childcare facilities, community centres and a public domain building for cultural use adjacent to the Sydney Fish Market are all outlined as part of the project. The transformation will also see the waterfront precinct feature a new foreshore promenade running between Glebe Island Bridge and the new fish market, which will form part of a plan to make the fish market site more accessible. Other aspects of the proposal include a new ferry stop, public wharves and an underground car park with 417 spaces. [caption id="attachment_819574" align="alignnone" width="1920"] Artist interpretation of the new Blackwattle Bay[/caption] "Building the new Sydney Fish Market at the head of Blackwattle Bay is an incredible opportunity to transform an under-utilised area into a vibrant, accessible and attractive waterfront precinct," Planning and Public Spaces Minister Rob Stokes said when more detailed plans for the fish market were revealed last year. The new-look Blackwattle Bay precinct will potentially form part of a larger foreshore project that will also see White Bay's heritage buildings and surrounding area restored and transformed into a residential and commercial precinct. Included in the proposed plan for White Bay, which is currently under consideration, is the restoration of the Glebe Island Bridge and the preservation of the Glebe Island Silos. Other elements of the planned development include affordable housing, increased employment opportunities, the maintenance of the area's maritime industry, a harbour foreshore walk and a waterfront park. [caption id="attachment_804466" align="alignnone" width="1920"] Render of White Bay[/caption] On Facebook, Sydney Lorde Mayor Clover Moore called the plan for Blackwattle Bay "shocking", claiming the project was designed with "maximum developer profits" in mind and warning the residential buildings would "re-cast the whole area as shadow land" including the new Sydney Fish Market's solar panel roof. If you want to have your say about the plan you can find out more and make a submission via the NSW Government's Planning Portal up until Sunday, August 8. The new Sydney Fish Market is slated for completion in 2024. Images courtesy of the NSW Department of Planning, Industry and Environment.
When it comes to dining out, Sydneysiders are spoilt for choice. So if you've ever wished you could experience all your favourite chefs in one place, you're in luck, because now you can. Introducing The Dining Table, a pop-up restaurant brought to you by the team behind Beer The Beautiful Truth, plus some of Sydney's coolest, most talented chefs — expect an all-star line-up including Bar Brose's Adam Wolfer, Nic Wong from Potts Point's Cho Cho San, Luke Powell from LP's Meats and Acme's Mitch Orr (just to name a few). Across ten nights, a different chef will take over the pop-up to serve a highly delicious three-course meal, pairing each course with a different beer. The dinners will be dedicated to showing diners the magic that can happen when great food and beer come together. And in celebration of this coming together of excellent chefs, amazing food and superb beers, we've secured a pretty epic prize for one of our dear readers. You could win yourself a VIP dining experience at Bar Brose, valued at $500, plus another $500 to spend towards some tasty brews from MoCU, a curated online shop of beer and wine. At Bar Brose, look to the Feast Menu, serving up Wolfer's Hungarian-Jewish eats. Taking you on a whirlwind tour of the Eastern European cuisine, the menu features deep fried Hungarian flat bread (lángos) with smoked sour cream, Hungarian dukkah, gefilte fish, horseradish, beetroot, turnip dumplings, celeriac and native lime; Hungarian dumplings (nokeldi) with pumpkin, bush tomato and egg yolk; parsnip schnitzel; pastrami and, for dessert, orange and poppy seed kugelhopf cake with whipped buttermilk. There's also a vegetarian menu available for the non-carnivorous. As for MoCU, for the uninitiated, the online shop is a haven of beer (and cider and wine). The shop curates its offering from artisanal breweries and winemakers the world over, so with $500 you could certainly find yourself on a round-the-world tour (or two) via several limited release, specially crafted drops. To go in the running, enter your details below. [competition]632124[/competition] Image: Kimberley Low.
Sydney Zoo is currently only open from Friday–Sunday, and every day during the school holidays. Before you head in, it's suggested you book a ticket online. First the first time in 100 years, Sydney has a major new zoo. First announced back in 2015, Sydney Zoo, which is located in the city's west in Bungarribee, near the Great Western Highway, finally launched in December 2019. With more than 2000 animals, Sydney Zoo is home to lions, cheetahs, African painted dogs, hyenas, spider monkeys, tigers, zebras, 11 chimpanzees and 13 baboons (almost every Lion King star), as well as Aussie wombats, echidnas, dingos, emus, koalas, Tasmanian devils and kangaroos. You can check out all these animals from pram and wheelchair-friendly raised boardwalks, too. It doesn't stop there either, with the zoo also home to the country's largest reptile and nocturnal house — with 60 different species, including the world's most venomous snakes, ghost bats and giant grasshoppers — and an aquarium with fish and penguins. As most zoos do, Sydney Zoo also has a focus on conservation, participating in education and breedings programs for endangered animals. Ir also worka with the local Darug people to offer Bungarribee Dreaming experiences, where you can learn about local Aboriginal history. Tickets to the Sydney Zoo are $46 for adults (and $99.99 for a family of four). You can also sign up for annual memberships, which get you unlimited zoo access, discounts on food and free parking.
Hyrule is heading to the big screen, and Link and Princess Zelda along with it. After almost four decades of mashing buttons to save the magical land, fans of The Legend of Zelda will be able to see the game franchise make the leap to cinemas. Coming off a huge year for film adaptations of its titles thanks to box-office smash that is The Super Mario Bros Movie, Nintendo has announced that it's turning its beloved Ganondorf-battling action-adventure series into a feature. The Legend of Zelda will have something else in common with Nintendo's favourite plumbers: it's getting the live-action silver-screen treatment first. While animation worked well for Mario's latest date with picture palaces in 2023, Link, Zelda and the like will be flesh and blood. Just imagine how Hyrule's stunning landscapes will look. The Legend of Zelda's move into movies will boast Shigeru Miyamoto, Representative Director and Fellow of Nintendo, as one of its producers — alongside Avi Arad, whose resume includes all the Spider-Man flicks (live-action and animated), some X-Men films, early Marvel titles like Iron Man and The Incredible Hulk, and also Ghost in the Shell and Uncharted. While it's too early for any news on stars, The Maze Runner filmmaker Wes Ball will be directing. And the film will indeed hit cinemas, with Sony distributing — and co-financing the movie with Nintendo. No details about the feature's storyline have been unveiled so far, either. Accordingly, if you're wondering which game or games it might follow — and if your favourite, be it the OG 1986 The Legend of Zelda, 1991 masterpiece A Link to the Past, 1998's Ocarina of Time or 2013's A Link Between Worlds, for instance, might get a nod — there's no answers as yet. "By producing visual contents of Nintendo IP by itself, Nintendo is creating new opportunities to have people from around the world to access the world of entertainment which Nintendo has built, through different means apart from its dedicated game consoles," said the company in a statement announcing the film version of The Legend of Zelda. "By getting deeply involved in the movie production with the aim to put smiles on everyone's faces through entertainment, Nintendo will continue its efforts to produce unique entertainment and deliver it to as many people as possible." Given that The Legend of Zelda: Tears of the Kingdom hit Nintendo Switch back in May, 2023 is clearly a big Zelda year, even if the film obviously won't release before 2024 hits. Exactly when it will start showing in cinemas is also among the details that haven't yet been revealed. The live-action The Legend of Zelda movie doesn't yet have a release date — we'll update you when one is announced. Images: The Legend of Zelda: Tears of the Kingdom.
